The Project Gutenberg eBook of The golden pennies This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. Title: The golden pennies and other stories Author: Madeline Leslie Release date: November 17, 2023 [eBook #72154] Language: English Original publication: Boston: Henry A. Young and Co, 1872 *** START OF THE PROJECT GUTENBERG EBOOK THE GOLDEN PENNIES *** Transcriber's note: Unusual and inconsistent spelling is as printed. [Illustration: THE LITTLE FAVORITES' LIBRARY. BOSTON: HENRY A. YOUNG & CO. 24 CORNHILL.] The Golden Pennies AND OTHER STORIES. [BY MADELINE LESLIE] [Illustration] BOSTON: HENRY A. YOUNG & CO. NO. 24 CORNHILL. CONTENTS. THE GOLDEN PENNIES. OLD TOM, THE CAT. HOW MY PIGEON HELPED ME TO GET MY LESSON. IT'S VERY HARD. THE MOTHER'S SECRET. LITTLE WILLIE. ROBERT AND HIS DOG. THE LONG-TAILED MONKEYS, OR "HELP ONE ANOTHER!" HENRY ASKING A BLESSING. SELFISH JOHNNIE. A LITTLE HERO. GOOD FOR EVIL. The Golden Pennies AND OTHER STORIES. THE GOLDEN PENNIES. A LITTLE boy who had plenty of pennies dropped one in the missionary box, laughing as he did so. He had no thought in his heart of Jesus, the heathen, or the missionary. His was a tin penny. It was as light as a scrap of tin. Another boy put a penny in, and as he did so, looked around with a self-applauding gaze, as if he had done some great thing. His was a brass penny. It was not the gift of a lowly heart, but of a proud spirit. A third boy gave a penny, saying to himself, "I suppose I must because all others do." That was an iron penny. It was the gift of a cold, hard heart. As a fourth boy dropped his penny in the box, he shed a tear and in his heart said, "Poor heathens! I'm so sorry they are so poor, so ignorant, and so miserable." That was a silver penny. It was the gift of a heart full of pity. But there was one scholar who gave his penny with a throbbing heart, saying to himself, "For Thy sake, O loving Jesus, I give this penny, hoping that the poor heathen, whom Thou lovest, will believe in Thee and become Thy disciples." That was a golden penny, because it was the gift of love. OLD TOM, THE CAT. MY aunt Deborah was the owner of old Tom, who was in my opinion, and especially in that of his mistress, a very respectable right-minded cat. But like some human beings who get characters which they do not deserve, Tom was accused of always being where he should not be. It arose from a circumstance which I am about to describe. One cold evening in winter, Polly, one of the maid-servants, had gone up to a large garret in which the dirty linen bags were kept for the washing-day. She had to look into one of them for a garment which had been put there before being duly mended. Her candle was a dip; it burned dim. She did not much like going up there at all. She drew open the mouth of the bag, when she afterwards declared—that—out there jumped a monster as big as a bull, and rushed head long downstairs. A loud shriek was heard, and when the rest of the household hurried up as fast as the old butler Barnaby, who going first armed with a poker, would allow them. They found Polly stretched senseless on the ground. Barnaby's candle or his voice called her to her senses. But all she would do was to cry out, "Oh, the bull! The bull! The bull! Where has he gone?" As the hall doors were all locked, and as no bull was ever known to have jumped through a key-hole, and the only four-legged criminal found in the house was old Tom, and as cats are known now and then to get into dirty clothes-bags, there could be no doubt that it was he and not a bull who had frightened Polly. Some time after this, Aunt Deborah had a nice dinner party. There were a number of guests—a fair young bride, and happy bridegroom among them. Aunt Deborah took one end of the table and Uncle Josiah the other. Scarcely were they seated, when the young bride began to look very uncomfortable. "What is the matter, my dear madam," asked Uncle Josiah, gently. "Oh, nothing, thank you. I am very well. Only the cat," said the bride. "Only the cat!" repeated my uncle. "What can you mean?" "Oh, nothing—nothing," again said the young lady, growing pale and red by turns, and showing that there was something or other which annoyed her excessively. [Illustration] Of course, the young husband, when he saw his wife's agitation, became alarmed. He also asked the natural question, "What is the matter, dearest?" and received for an answer, "Nothing, only the cat." "Have you seen a cat in the room, my dear?" he asked. "Oh, no, no, but I feel it is here, I know it is here, indeed it is," exclaimed the young lady in a tone of alarm. This, of course, made the guests look under the table, and the servants hunt behind the curtains and the side-board, and in every other possible place; but no cat could be seen. Some of the guests, I believe, thought the young lady was out of her wits, or at all events, very fanciful. The husband, however, explained briefly that his young wife, had, from her infancy, a natural repugnance to cats, and that she shuddered even if one came near her. Still, as no cat was to be found, he supposed that she must have been affected by some other cause. She still insisted that a cat, and nothing but a cat was in the room, and at last she fell, almost fainting into her husband's arms. Great was the confusion of the guests, when at that instant, Thomas the footman, happening to observe that one of the shutters was not quite closed, opened it, when out leaped Old Tom, and dashed past the bride out of the room. The bride heaved a deep sigh, and declared herself perfectly well able to return to the table. Old Tom was however, once, not only where he should not have been, but he rendered a great service to the family. One night after going to rest, Aunt Deborah was aroused by hearing Old Tom mewing at the door. "There's Tom as usual where he should not be," said Aunt Deborah to herself; for Tom ought to have been asleep in his basket in the housekeeper's room. Still Tom went on "Mew, mew, mew," till my aunt, losing patience, got up as rapidly as her rheumatism would let her, and opened the door, intending to order Tom back to his bed. No sooner did Tom see her, than he bounded towards her, mewing strangely and circling round and round her legs. Thinking that Tom wished to remain, she closed the door, supposing that having gained his object, he would be quiet. Instead of that, he continued to mew louder than ever, and moving round my aunt and then to the door, as if to persuade her to open it. This at last she did, supposing even then that old Tom only wished to be let out again. However, when she stood in the room with the door open, and still did not move, Tom, instead of going away, came back again mewing as before, and circling round her. At length, it struck the old lady that the cat must have some motive in thus arousing her at that untimely hour, and putting on her thick flannel petticoat and dressing gown, with a shawl over her head, she prepared to follow Tom. As she got outside the room, she heard a peculiar noise. She stopped to listen. She had no doubt about it, some persons were attempting to force an entrance. "Burglars," she said to herself. The very idea of what might happen sent a thrill through her. But she was a courageous old lady, and screwing up her nerves, she hastened to Uncle Josiah's room. He was quickly aroused, and loading his pistol, he went down to Barnaby's room, followed by my aunt with Tom by her side, now purring with evident satisfaction. Barnaby, who with due discretion instantly set the alarm bells ringing, aroused Thomas, and what with the screaming of the women up stairs, the shouting of the men down below, and the ringing of the bells all over the house, the burglars were so frightened, that they took to their heels, leaving all the implements of their trade behind them. Had it not been for the sagacity of Old Tom, they would have very soon been inside the house. As the geese, whose loud quacks saved the Capital of Rome, have been honored in the pages of history, so does Old Tom deserve to have his acts recorded by a member of the family to whom he rendered so great a service. [Illustration] HOW MY PIGEON HELPED ME TO GET MY LESSON. "I SHALL never know this long lesson," said George Nelson. "I wish there were no such book, then I wouldn't have to get lessons from it." "What is the matter, George?" asked his grandma, who then entered the room. "Oh, this lesson!" said George. "I'm sure I can't learn it. Just look! Both of these long columns, and I don't know one word!" [Illustration] "Well, never mind that; you will soon know every word, if you only keep patiently at it. And then, only think how much more you will know! I wonder if my white pigeon wouldn't help you." "Your pigeon, grandma! I didn't know you had any pigeons." "I haven't now; but when I was a little girl, my brother had a pair of beautiful pigeons given him. One was white, the other black. He told me I might call the white one mine. They were both very tame, and would eat corn from our hands. What pleased us most was, that they seemed to know us both; for my brother's pigeon would go and take the corn out of his hand, while mine always came to me. Well, I was going to tell you how mine helped me to get my lesson." "Did it really help you, grandma?" "Yes; and it will help you just as it did me." "I'm sure I wish it would," said George. His grandma smiled and continued: "One morning, I was sitting near the window trying to get my spelling lesson. It seemed so hard, that I was sure I could not learn it. I sat there a long time, wishing I knew it, so that I could run out and play. The sun was shining bright, and it looked so pleasant out of doors." "All at once, I saw my pigeon fly up to its house, and then in a short time, it flew down again to the street. I watched to see what it was doing. It picked up a piece of straw, and flew up as it had done before, and then returned to get another. It did so for a long time." "It was building its nest; wasn't it, grandma?" asked George. "Just so; it would fly up with a piece of straw, sometimes with quite long pieces, and when it would get about half way up to the window, the straw would drop down, and then it would go right down after it and pick it up again. I saw it get one piece up three times, and the third time, it reached the window safely." "Just then, my eyes fell on my book. I thought how much my pigeon had done, while I had been doing nothing; and yet it had only took one straw at a time. My lesson did not seem so long now. I very soon knew the whole of it." "My lesson looks easier already, grandma. I shall only have to learn one word at a time, and I'll soon know all of them." George set to work in good earnest, and in a short time he had learned it perfectly. "Now, George," said his grandma afterwards, "do you think you will remember the pigeon?" "Oh, I'm sure I shall," said George, laughing. "And when I come to the longest words, I'll do as the pigeon did when the straw fell, I'll go at them again!" IT'S VERY HARD. "IT'S very hard to have nothing to eat but porridge, when others have every dainty," muttered Charlie, as he sat with his wooden bowl before him. "It's very hard to have to get up so early on these bitter cold mornings, and work hard all day, when others can enjoy themselves without an hour of labor! It's very hard to have to trudge along through the snow, while others roll about in their coaches!" "It's a great blessing," said his grandmother, as she sat reading her Bible, "it's a great blessing to have food, when so many are hungry; to have a roof over one's head, when so many are homeless; it's a great blessing to have sight, and hearing, and strength, for daily labor, when so many are blind, deaf, or suffering." "Why, grandmother, you seem to think that nothing is hard," said the boy, still in the grumbling tone. "No, Charlie, there is one thing that I think very hard." "What is that?" cried Charlie, who thought that at last his grandmother had found some cause for complaint. "Well, Charlie, I think that heart is very hard that is not thankful for so many blessings." THE MOTHER'S SECRET. "MOTHER," said a child, ten years of age, "I want to know the secret of your going away alone every night and morning?" "Why, my child?" "Because, mother, it must be to see some one you love very much." "And what leads you to think so?" "Because I noticed when you come back you appear to be happier than usual." "Well, suppose I do go to see a friend I love very much, and that, after seeing Him and conversing with Him, I am much happier than before, why should you wish to know anything about it?" "Because I wish to do as you do, mother, that I may be happy too." "Well, my child, when I leave you in the morning and evening, it is to commune with my Saviour: I go to ask Him for His grace to make me holy and happy. I ask Him to assist me in all the duties of the day, and especially to keep me from committing any sin against Him; and, above all, I ask Him to have mercy on you, and save you from the misery of those who sin again Him." "Oh, is that the secret!" said the child. "Then please, mother, may I go with you?" [Illustration] LITTLE WILLIE. SOME years ago, a little dark-eyed orphan boy came to my house to stay a few weeks. There was a little, puny kitten about the house, continually poking its nose into places forbidden, and thereby calling down upon its head the wrath of the housekeeper. Several times, it had been sent whirling through the window or door into the yard. One day, when it had thus been treated, Willie beheld the scene. He took the kitten up in his arms, stroking its back tenderly, and came into the house. Pity and indignation mingled in his tremulous tones, when he said, "You must be kind to the little kitten now, for it hasn't got any mother!" Later in the evening, Willie lay asleep on the carpet, in one hand a knife, and in the other a half-eaten apple. Directly the little kitten came in, and went whining around, until it saw Willie, when, without delay, it ceased its piteous mewing, crawled up close to his bosom, and went to sleep too. [Illustration] ROBERT AND HIS DOG. LITTLE Robert was a playful, intelligent lad. He did nothing by halves. If he studied, he did it with all his might, and was sure to be at the head of his class. If he played, it was in right good earnest. Yet he was gentle and affectionate. He had a famous dog, who shared all his sports, and seemed as happy in them as his master. Lion, for that was his name, would take Robert's dinner-basket in his mouth, and carry it carefully and safely. And he would defend his master from rude boys, as if he were his guardian. This lad grew up to be a man; but his attachment to Lion never ceased, and he was never known to do a cruel action to a brute creature. He has often been heard to say that he could not trust a boy that was unkind to animals. God made them for our service, but not for cruel sport. We hope that our readers will strive to cultivate the spirit of kindness to all God's creatures. God sees each kind or unkind action, and He has said, "Blessed are the merciful, for they shall obtain mercy." [Illustration] [Illustration] THE LONG-TAILED MONKEYS, OR "HELP ONE ANOTHER!" A PARTY of the long-tailed monkeys wanted to cross a narrow river over which there was no bridge. There was a tree on each bank of the river; the ingenious creatures ran to the top of one of these, when one of the largest of them grasped hold of the first one's tail. A third took hold of the second monkey's tail, and so on until they formed a long string hanging down nearly to the surface of the river. A traveller who was in the distance, then saw them begin to swing backwards and forwards, until the last monkey was able with his claws to catch hold of the tree on the opposite side of the river. This monkey then began to ascend the tree until he gained the same height as his comrade, who was still holding on to the tree on the opposite side of the river. A signal was given, and the first monkey gently let go his hold, and the whole unbroken chain was quickly hanging on the opposite side of the water. A loud clattering of joy was heard, and in a moment, the monkeys were capering about in all directions. Rarely should we hear of quarrels between brothers and sisters, provided they would, like the long-tailed monkeys, "help one another." HENRY ASKING A BLESSING. HENRY had never heard his father pray. A Christian friend, while visiting at the house, was invited to conduct family prayers, and also to ask a blessing at table. Henry wished his father would do so every day. One evening, only Henry and his little brother and his aged grandmother sat at the table, the rest of the family taking tea with a neighbor. "Grandma," said Henry, "may I ask a blessing?" "Yes," she replied, her eyes filling with tears, for she had long been a true servant of God. "O God, bless our bread and milk. Make us good children. Bless pa, ma, and grandma. Amen," said Henry. He thought no more about it; but dear grandma told his father when he came home. The father's heart was touched by the example. He resolved to have a prayerless house no longer, and soon after became a Christian. Henry was only seven years old, yet see how his effort to seek God's blessing was rewarded! [Illustration] SELFISH JOHNNIE. A SELFISH little boy was Johnnie May, and no one loved him. If his brothers or sisters wanted to play with any of his toys, he would pull them away rudely and say, "You sha'n't have them. They are mine. You must go and get your own." One morning Johnnie was sitting at the nursery fire, warming himself, when Mary the nurse came to him and said, "If you please, Master Johnnie, will you take this parcel upstairs to your mamma? A man has just left it at the door, and I do not like to leave Charlie until Jane comes back, as he might get into mischief." "No, I won't go; you may go yourself. I want to get warm," said Johnnie. "Then please look after your little brother, till I come back," said Mary. But Johnnie only thought of his own pleasure, and gave himself no trouble. He sat gazing into the fire, until Charlie's screams made him look round. The little fellow had climbed upon a high chair, near the window, but his foot had slipped, and he fell heavily against a corner of the table. His poor little face was covered with blood, and he was very much hurt. He was ill for a long time after. Now all this might have been prevented, if Johnnie had been a kind, obliging little boy. We should pray to be like Jesus, who "pleased not himself." [Illustration] [Illustration] A LITTLE HERO. THERE was a little boy in the town of Weser, in Germany, playing one day with his sister, when he was alarmed by the cry of some men who were in pursuit of a mad dog. The boy, suddenly looking round, saw the dog running towards him. But, instead of making his escape, he calmly took of his coat, and wrapping it round his arm, he boldly faced the dog. And holding out the arm covered with the coat, the animal attacked it, and worried the coat till the men came up and killed the dog. The men reproachfully asked the boy why he did not run and avoid the dog, which he could so easily have done. "Yes," said the little hero, "I could have run from the dog; but if I had, he would have attacked my sister. To protect her, I offered him my coat that he might tear at it." GOOD FOR EVIL. A LITTLE boy came to his mother one rainy afternoon, and said to her, "Mother, may I go down the street with a little girl who goes to our school?" "It is very wet for you to go out, Charlie," his mother replied. "Is the little girl a favorite of yours?" "Oh no; she treats me worse than any other scholar in the school." "Then why do you wish to go with her?" "You know, mother, Jesus said we must do good to them that despitefully use us. And as this little girl has a heavy parcel to take home, I thought I would carry it for her, and return good for evil." *** END OF THE PROJECT GUTENBERG EBOOK THE GOLDEN PENNIES *** Updated editions will replace the previous one—the old editions will be renamed. Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution. START: FULL LICENSE THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license. Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works 1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. 1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that: • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.” • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works. • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg™ Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org. Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws. The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate. While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate. Section 5. General Information About Project Gutenberg™ electronic works Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support. Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our website which has the main PG search facility: www.gutenberg.org. This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.