The Project Gutenberg EBook of Sight to the Blind, by Lucy Furman
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org
Title: Sight to the Blind
Author: Lucy Furman
Release Date: April 11, 2004 [EBook #11998]
Language: English
*** START OF THIS PROJECT GUTENBERG EBOOK SIGHT TO THE BLIND ***
Produced by Al Haines
SIGHT TO THE BLIND
A STORY
BY
LUCY FURMAN
WITH AN INTRODUCTION BY
IDA TARBELL
1914
TO HARRIET BUTLER
Contents
INTRODUCTION BY IDA M. TARBELL SIGHT TO THE BLIND AFTERWORD
The illustrations reproduced in the Introduction to this volume
have been selected from those in Miss Furman's "Mothering on
Perilous."
Introduction Ida M. Tarbell
Introduction
A more illuminating interpretation of the settlement idea than Miss
Furman's stories "Sight to the Blind" and "Mothering on Perilous"
does not exist. Spreading what one has learned of cheerful,
courageous, lawful living among those that need it has always been
recognized as part of a man's work in the world. It is an
obligation which has generally been discharged with more zeal than
humanity. To convert at the point of a sword is hateful business.
To convert by promises of rewards, present or future, is hardly
less hateful. And yet much of the altruistic work of the world has
been done by one or a union of these methods.
That to which we have converted men has not always been more
satisfactory than our way of going at it. It has often failed to
make radical changes in thought or conduct. Our reliance has been
on doctrines, conventions, the three R's. They are easily
sterile--almost sure to be if the teacher's spirit is one of
cock-sure pride in the superiority of his religion and his
cultivation.
The settlement in part at least is the outgrowth of a desire to
find a place in which certain new notions of enlightening men and
women could be freely tested and applied. The heart of the idea
lies in its name. The modern bearers of good tidings instead of
handing down principles and instructions at intervals from pulpit
or desk _settle_ among those who need them. They keep open house
the year around for all, and to all who will, give whatever they
have learned of the art of life. They are neighbors and comrades,
learners as well as teachers.
It would be hard to find on the globe a group of people who need
more this sort of democratic hand-to-hand contact than those Miss
Furman describes, or a group with whom it is a greater satisfaction
to establish it. Tucked away on the tops and slopes of the
mountains of Eastern Kentucky and Tennessee are thousands of
families, many of them descendants of the best of English stock.
Centuries of direful poverty combined with almost complete
isolation from the life of the world has not been able to take from
them their look of race, or corrupt their brave, loyal, proud
hearts. Encircled as they are by the richest and most highly
cultivated parts of this country, near as they are to us in blood,
we have done less for their enlightenment than for that of the
Orient, vastly less than we do for every new-come immigrant. On
the religious side all that they have had is the occasional
itinerant preacher, thundering at them of the wrath of God; and on
the cultural what Aunt Dalmanutha calls the "pindling" district
school. In the teachings of both is an over-weight of sternness
and superstition, little "plain human kindness," almost nothing
that points the way to decent, happy, healthy living.
The results are both grotesque and pitiful. Is it strange that the
feud should flourish in a land ruled by a "God of wrath?" Is
anything but sickness and death to be expected where both are
looked on as visitations of an angry God?
Among these victims of our neglect and our blundering methods of
teaching the settlement school has gone. It goes to stay. Not
three months, but twelve months its teaching goes on; not one
Sabbath in the month, but three hundred and sixty-five days in the
year it preaches. Literally it is a new world which the settlement
opens to the mountaineers, one ruled by cleanliness, thrift,
knowledge and good-will. The beauty of it is that living day after
day under this order they come to know that its principles are
practical truths; that they work out. To be told that the baby is
dying not because the Lord is angry with the family but because the
milk is impure may seem little better than impiety at first, but
save the baby by proper care and you have gone a long way to
proving that pure milk is God's law and that all the prayers in the
world will not change His ruling.
For distorted imaginings of the way the world is run the settlement
is giving to the mountaineers something of the harmony and beauty
of science.
New notions of heroism and honor are filtering into the country
along with the notions of sanitation and health. That injuries
can be honorably forgiven and forgotten is a hard doctrine to
swallow in Eastern Kentucky, but when you see it practiced by those
from the great world of which you have only dreamed it comes easier.
The contrast between the two ways of living--that in the settlement
and that in their mountain homes--is not long in doing its work.
Decent living even in great poverty is possible if you know how,
and the settlement shows what can be done with what you have. The
relation of their poverty and ill-health to their lack of knowledge
and their perpetual lawless warfare is quickly enough grasped by
the young, and means a new generation with vastly improved morals,
health, self-control.
What more fruitful and appealing world for work, particularly for
women, do these United States offer? If there is an idle or lonely
woman anywhere revolting against the dullness of life, wanting work
with the flavor and virility of pioneering in it, let her look to
these mountains. She 'll find it. And what material to work with
will come under her hands! "I often ask myself," says the heroine
of "Mothering on Perilous," one of Miss Furman stories of the
settlement school, "What other boys have such gifts to bring to
their nation? Proud, self-reliant, the sons of heroes, bred in
brave traditions, knowing nothing of the debasing greed for money,
strengthened by a hand-to-hand struggle with nature from their very
infancy (I have not known of one who did not begin at five or six
to shoulder family responsibilities such as hoeing corn, tending
stock, clearing new ground, grubbing, hunting, gathering the crops)
they should bring to their country primal energy of body and
spirit, unquenchable valor, and minds untainted by the lust of
wealth."
IDA M. TARBELL
Sight to the Blind
One morning in early September, Miss Shippen, the trained nurse at
the Settlement School on Perilous, set off for a day of
district-visiting over on Clinch, accompanied by Miss Loring,
another of the workers. After riding up Perilous Creek a short
distance, they crossed Tudor Mountain, and then followed the
headwaters of Clinch down to Skain's Fork, where in a forlorn little
district-school-house the trained nurse gave a talk on the causes
and prevention of tuberculosis, the spitting of tobacco-juice over
the floor by teacher and pupils abating somewhat as she proceeded.
Two miles farther on she stopped at the Chilton home for a talk to
half a dozen assembled mothers on the nursing and prevention of
typhoid, of which there had been a severe epidemic along Clinch
during the summer.
Afterward the school-women were invited to dinner by one of the
visiting mothers. Mrs. Chilton at first objected to their going,
but finally said:
"That 's right; take 'em along with you, Marthy. I allow it 'll
pyeerten Aunt Dalmanuthy up to hear some new thing. She were
powerful' low in her sperrits the last I seed."
"Pore maw!" sighed Marthy, her soft voice vibrant with sympathy.
"It looks like things is harder for her all the time. Something new
to ruminate on seems to lift her up a spell and make her forgit her
blindness. She has heared tell of you school-women and your quare
doings, and is sort of curious."
"She is blind?" inquired the nurse.
"Blind as a bat these twelve year'," replied Mrs. Chilton; "it fell
on her as a judgment for rebelling when Evy, her onliest little gal,
was took. She died of the breast-complaint; some calls it the
galloping consumpt'."
"I allus allowed if Uncle Joshuay and them other preachers had
a-helt off and let maw alone a while in her grief," broke in
Marthy's gentle voice, "she never would have gone so far. But Uncle
Joshuay in especial were possessed to pester her, and inquire were
she yet riconciled to the will of God, and warn her of judgment if
she refused."
"Doubtless Uncle Joshuay's high talk did agg her on," said Mrs.
Chilton, impartially, "but she need n't to have blasphemed like she
done at Evy's funeral occasion."
Marthy covered her face with her hands.
"Oh, that day!" she exclaimed, shuddering. "Will I ever forgit it?
John and me had got married just a month before Evy died in October,
and gone to live up the hollow a small piece from maw, and even then
she were complaining of a leetle scum over her eyes. Losing Evy,
and rebelling like she done atterward, and Uncle Joshuay's talk,
holp it along fast, and it were plain to all before winter were over
that he had prophesied right, and her sight were a-going. I would
come down the branch of a morning and beg her to let me milk the cow
and feed the property and red up the house and the like, but she
would refuse in anger, and stumble round over chairs and table and
bean-pot and wash-kittle, and maintain all spring and summer her
sight were as good as ever. Never till that day of the funeral
occasion, one year atter Evy died, did she ever give in."
Here Marthy again covered her face with her hands, and Mrs. Chilton
took up the tale:
"I can see her now, up thar on the hill-shoulder, betwixt you and
John on the front log, by Evy's grave-house, and Uncle Joshuay
a-hollering and weeping and denouncing like he does, and her setting
through it like a rock. Then finally Uncle Joshuay he thundered at
her the third time, 'Hain't it the truth, Sister Dalmanuthy, that
the judgment and the curse of God has fell on you for your
rebelliousness, like I prophesied, and that you hain't able to see
John thar or Marthy thar or the hand thar before your face thar?'
when Aunt Dalmanuthy riz up sudden, and clinched her hands, and says
slow and fierce: 'Man, it _is_ the truth you speak. The curse _has_
fell; and I hain't able to see John here or Marthy here or the hand
here before my face here. But listen what I got to say about it.
I'm able to hate and to curse as good as God. And I do! I hate and
curse the Hand that, after taking all else I loved, snatched from my
bosom the one little yoe lamb I treasured thar; I hate and curse Him
that expected me to set down tame and quiet under such cruelty and
onjestice; I hate and curse and defy the Power that hated and spited
me enough, atter darkening the light of my life, to put out the
sight of my eyes! Now,' she says, 'you lay claim to being mighty
familiar with the Lord; take that message to Him!' she says.
"Women, that whole funeral meeting kotch its breath at them awful
words, and sot there rooted and grounded; and she turnt and looked
around defiant-like with them sightless eyes, and strode off down
the hill, John and Marthy follering."
[Illustration: "Aunt Dalmanuthy riz up sudden, and clinched her
hands"]
After a somewhat protracted silence, Marthy's gentle voice resumed:
"And from that day to this John and me hain't left her sence. We
shet up our house and moved down to hern; and she tuck to setting by
the fire or out on the porch, allus a-knitting, and seldom speaking
a word in all them years about Evy or her sorrow or her curse. When
my first little gal come along, I named it Evy, thinking to give her
some easement or pleasure; but small notice has she ever showed.
'Pears like my young uns don't do much but bother her, her hearing
and scent being so powerful' keen. I have allus allowed if she
could git her feelings turnt loose one time, and bile over good and
strong, it might benefit her; but thar she sets, day in, day out,
proud and restless, a-bottling it all up inside."
"She biles over a right smart on you, Marthy, I should say,"
remarked the hostess.
"No, now, Susan, she don't, neither, considering her provocations.
She were the smartest, most managing woman in these parts, and I
never did have no faculty, and don't run her house like I ought; and
John is a puny man and not able to do all her bidding; and the young
uns they gits terrible noisy and feisty at times, all but Evy."
"The women" rode with Marthy a mile farther, stopping before a
lonely log-house, with corn-fields climbing to meet the timber
half-way up the mountain in the rear. Marthy ushered her guests
into the porch with the words, "Here 's the fotch-on women, Maw."
The tall, gaunt, forbidding-looking old woman sitting there turned
sightless eyes toward them, putting forth a strong hand.
"Howdy, women," she said grimly. "Git cheers for 'em, Evy."
They seated themselves, and Aunt Dalmanutha resumed her knitting,
swiftly and fiercely, all the pent-up force of a strong nature
thrown into the simple act. Instead of the repose that
characterizes the faces of the blind, her eaglelike countenance bore
the marks of fretful, sullen, caged, almost savage energy.
"Go quick and take a look that 'ere pot of beans, Marthy," she
ordered. "Evy declar's they hain't scorching, but my nose informs
me different'. Take the women's bonnets, Evy, and lay 'em on my
'stead; and round up all the young uns back in the corn-crib, so 's
I can git the benefit of the talk. Now, women," she continued
peremptorily, "I been hearing a whole passel about your doings and
goings and comings these four or five year' gone, and I 'm right
smart curious to know what it 's all about. What air you in these
parts for, anyhow, and how come you to come?"
"We are here," began Miss Shippen, quietly, "first and foremost
because we want to educate the children who have never had the
chance they deserve--"
"That 's so; they hain't, more shame to the State," interrupted Aunt
Dalmanutha. "Take me, now; I were raised forty-five mile' from a
school-house or church-house, and never had no chance to l'arn 'a'
from 'izard.' And these few pindling present-day district-schools
scattered here and yan they only spiles the young uns for work, and
hain't no improvement on nothing."
"Next," proceeded the trained nurse, "we want to be friendly and
helpful to the grown-up people who need it, especially to the sick
and suffering."
"I heared of the nursing you done in these parts in the typhoid last
summer," said Aunt Dalmanutha, "and certainly it sounded good. But,
women, one more question I crave to put to you. Do you mix in
religion and preachifying as you go along?"
"We do not preach at all," replied Miss Shippen; "we let our deeds
speak for us."
Aunt Dalmanutha extended a swift hand. "I am proud to make your
acquaintance then," she said. "I have had my 'nough of religion and
preachifying, but of plain human friendliness not, because there is
little of it on the ramble."
"My special work," continued the trained nurse, "is of course with
the sick, nursing and teaching how to nurse, and how to prevent as
well as to cure illness, and sending cases I cannot help down to the
level country for proper treatment. I see, Aunt Dalmanutha, that
you are blind. Have you any objection to letting me take a close
look at your eyes?"
"Look all you want," was the grim reply; "I am used to being a'
object and a spectacle."
The nurse took from her satchel a glass with which she carefully
examined the dulled and lifeless eyes, sitting down afterward
without a word.
"And not only a' object and a spectacle," continued Aunt Dalmanutha,
bitterly, "but a laughing-stock and a byword for the preachers in
especial to mock and flout at. Yes, I that were once the workingest
and most capablest woman up and down Clinch; I that not only could
weave my fourteen yard', or hoe my acre of corn, or clear my man's
stint of new ground, a day, but likewise had such faculty in my
head-piece that I were able to manage and contrive and bring to
pass; I that rejoiced in the work of my hands and the pyeertness of
my mind and the fruits of my industry, and when my man died were
able to run the farm and take keer of the children as good as
before--I am sot down here in the midst of rack and ruin, with the
roof a-leaking over me, the chimbly sagging out, the fence rotten
and the hogs in the corn, the property eatin' their heads off, and
the young uns lacking warm coats and kivers, John and Marthy being
so mortal doless; I am sot here bound hand and foot, my strength
brought to naught, my ambition squenched, my faculty onusable, a
living monument to the hate and revenge and onjestice of God!" She
spoke with growing passion, but checked herself, and began more
calmly.
"And if it were just, Dalmanuthy Holt would be the last to speak
ag'in' it. I allus prided myself on being a reasoning woman. But
just it is not, and never were, and never will be. I have seed a
sight of trouble in my day, women, and bore up under it patient and
courageous. Besides the man of my love, and the payrents that begot
me, seven sons of my body have I laid in the grave, three in infancy
of summer-complaint, two with the choking-disease, two with typhoid;
and in all this I never once lifted up my voice ag'in' God, but bore
it still and patient, even when I were reduced down to just John, my
sorriest son, and little Evy, my onliest daughter and the child of
my prayer. But, women,"--and again strong passion thrilled in her
voice,--"when I seed that one little tender yoe lamb that I
cherished with deathless love begin for to pale and cough and pine,
then and thar the sword entered my soul, my heart turnt over in my
breast, and I cried out wild and desperate: 'Not this! not this!
Take all else I got, but not her! It is cruel, it is onjust. I
rebel ag'in' it, I will never endure it.' And I kep' a-crying it as
I seed her fade and thin; I cried it when the last breath flickered
from her pore little body; I cried it when I laid her in the cold
ground; I cried it when the preachers come to see me atterward,
threatening judgment; I cried it when I felt the curse a-falling and
the sight of my-eyes a-going; I cried it loud and fierce at her
funeral occasion; and cry it I will to the end of my darkened days!
It were cruel, it were onjust, it were horrible, it were wicked, of
God to treat me that way, and never will I say it wa' n't!"
Miss Shippen waited a full minute before answering quietly and
slowly: "It was cruel, it was unjust, it was horrible, it was
wicked, that you should have been made to suffer so; above all, Aunt
Dalmanutha, it was unnecessary. With a little knowledge, and proper
food and fresh air, your daughter's life could have been saved; with
knowledge and proper treatment your sons need not have died of
dysentery or typhoid or even diphtheria; with knowledge your
blindness itself, which is no curse, but would as surely have come
upon you had you never lost Evy and never rebelled in your heart,
need have lasted only a few months. For these are cataracts that
you have on your eyes, and nothing would have been simpler and
easier than their removal."
Amazement, incredulity, almost horror were written upon Aunt
Dalmanutha's countenance as she heard these quiet words.
"Where do you get your authority over preachers, woman?" she
demanded, leaning fiercely forward,
"I get my authority," replied the trained nurse, firmly, "from my
knowledge of modern medicine and surgery; I get my authority from
things seen with my eyes and heard with my ears during days and
nights of duty on the battle-line between life and death; I get my
authority," she continued more solemnly, "from Him whose spirit of
freedom and tolerance has made possible the advances in modern
science; who is the source of the rising tide of helpfulness
manifest in human hearts everywhere; who, when he was on earth, went
about doing good, and proclaiming not the hate, the vengeance, the
cruelty of God, but His mercy, His kindness, His pity, His fatherly
love."
The blind woman sat as though turned to stone, except that the veins
in her neck and temples throbbed violently.
"Do you mean to tell me God never wanted to take my loved ones from
me?" she asked at length from a dry throat.
"I do. I mean that their deaths, so far from being the will of God,
were the fruit alone of ignorance and of evil conditions."
"You mean to say that the hand of vengeance wa' n't never lifted
ag'in' me, and I hain't never sot under no curse?"
"I do."
"And that the preachers has lied to me?" she said through clenched
jaws.
"They were simply mistaken; they knew no better."
Aunt Dalmanutha lifted a shaking arm. "Woe to them if ever they
cross my path ag'in!" she cried hoarsely.
"Don't think about them," said the nurse; "the thing for you to do
at once is to go down to Lexington, in the Blue Grass country, to a
doctor I know there who does great things for eyes, and who, if it
is not too late, will remove those cataracts and restore you to
sight and usefulness and strength, as God intends. I will write at
once to the hospital, and make the arrangements; you should start
within a week. The trip," she added, "need cost you nothing, if you
are unable to pay your way."
Aunt Dalmanutha drew herself up proudly.
"I hain't a' object of charity," she said. "If I go, I 'll pay my
way. I got something laid by still from my weaving days. But it
has come on me too sudden'; I feel all lost; I will have to study a
heap before, I can make up my mind." She moved her hands about
before her in a dazed, helpless way.
During the rest of the visit she was silent and distraught. Twice
at dinner her shaking hands knocked over her coffee-cup, and once
the sorghum-pitcher, little fair-haired Evy cleaning up quietly
after her granny, and placing things to her hand so deftly and
furtively that she did not know it was done at all, while on her
other side sat Marthy, ever kind, solicitous, and patient, and at
the far end of the table John vied with her in unobtrusive but
loving attentions to "maw." Never had "the women" seen an elderly
or afflicted person more tenderly and devotedly cared for. But the
object of it all sat rigid, self-absorbed, frowning, as oblivious to
the light and warmth of love as to the light of day, her sole
remarks being contemptuous apologies for Marthy's cooking, and
complaints of the hardship of having to "gum it," or eat without
teeth.
One week later there was a call from the road in front of the school
hospital, and Miss Shippen was pleased and relieved to see Aunt
Dalmanutha mounted on a nag behind John. In her black calico
sunbonnet and dress, and long, drab apron, with her hand tightly
clutched to John's arm, and dark apprehension written upon her blind
face, she was indeed a pitiable sight.
"I have pondered your words," she said to Miss Shippen, "and have
made up my mind to foller them. With naught but them to swing out
on, I am setting forth into the unknown. I that hain't never so
much as rid in a wagon, am about to dare the perils of the railroad;
that hain't been twenty mile' from home in all my days, am
journeying into a far and absent country, from which the liabilities
are I won't never return. Far'well, if far'well it be!"
On the last day of October, Miss Shippen had just dismissed her
seventh-grade class in home-nursing, and was standing in the
hospital porch drinking in the unspeakable autumnal glory of the
mountains, when a wagon, rumbling and groaning along the road and
filled with people, stopped with a lurch at the gate. Advancing,
the nurse was at first puzzled as to the identity of the people;
then she recognized the faces of John and Marthy Holt and of little
Evy. But for several seconds she gazed without recognition at the
striking figure on the front seat beside John. This figure wore a
remarkable hat, bristling with red, yellow, and green flowers, and a
plaid silk waist in which every color of the rainbow fought with
every other. Her bright and piercing dark eyes traveled hungrily
and searchingly over the countenance of the trained nurse; her lips
opened gradually over teeth of dazzling whiteness and newness.
Then, leaning swiftly from the wagon, she gathered the nurse into a
powerful, bear-like hug, exclaiming, with solemn joy:
"You air the woman! I know you by your favorance to your talk. I
allowed you would look that fair and tender. Here air the woman,
John and Marthy, that restored unto me my sight, and brung me up out
of the Valley of the Shadow. She tolt me what to do, and I follered
it, and, lo! the meracle was performed; wonderful things was done
unto me!" Here Aunt Dalmanutha--for it was she--supplemented the
embrace with kisses rained upon the head and brow of the trained
nurse.
Extricating herself at last from the strong arms in which she was
lifted from the ground and rocked powerfully back and forth, Miss
Shippen was able to look once more into the face she had failed to
recognize, and from which at least a score of years were now erased.
"Yes, John and Marthy and Evy and t' other seven young uns, take the
look of your life at that 'ere angel messenger that brung me the
good tidings of great joy; that lifted me up out of the pit of
darkness on to the mountain-tops whar I now sojourn. Yes, look, for
in heaven you 'll never see no better sight."
Embarrassed by the open-mouthed family gaze, and by the additional
presence of several teachers, who stopped to see and listen, Miss
Shippen said:
"Tell me all about your trip, Aunt Dalmanutha."
"Tell about it? Tell that which ten thousand tongues could scarce
relate? God knows my stumbling speech hain't equal to the occasion;
but I 'll do my best. You last seed me a-taking my fearsome way to
the railroad; and what were the sinking of my heart when John left
me thar on the cyar, words will never do jestice to; seemed like I
were turnt a-loose in space, rushing I knowed not whither. The
first ground I toch was when I heared the voice of that 'ere doctor
you writ to inquiring for me at the far eend. He said he allowed I
would be skeered and lonesome, so he come hisself to fetch me to the
hospital. Woman, it were the deed of a saint, and holp me up
wonderful'. Then I were put to bed a spell, and soft-footed women
waited on me. Then one morning he tolt me he were aiming to peel
them 'ere ingun-skins off my eyes, and for me to have no fears, but
trust in him; that he believed them eye-nerves, shet back thar in
the dark, was still alive and able to do business. And though my
heart shuck like a ager, I laid down on that table same as a
soldier. When I got up, I were blind as ever, with rags tied thick
around my eyes. And I sot there patient day after day, and the
doctor he 'd drap in and cheer me up. 'Aunt Dally,' he would
say--he claimed he never had no time to git out the Dalmanuthy--'in
just a leetle while you 'll be a-trotting around the Blue Grass here
worse 'n a race-hoss; but you got to git your training gradual.'
Then he 'd thin the bandages more and more, till a sort of gray
twilight come a-sifting through. 'And don't think,' he would say,
'that I am aiming to let you lope back to them mountains till I git
you plumb made over. Fust thing is a new set of teeth,--you done
gummed yourself into dyspepsy and gineral cantankerousness,--and
then I 'm sot on taking you to my house to visit a month and eat
good victuals and git your stummick opened up whar it done growed
together, and your mind unj'inted, and your sperrits limbered
similar.' And straightway he sont for a tooth-dentist, that tuck a
pictur' of my gums in wax then and thar. Then come the great day
when I looked my fust on a human countenance ag'in. I axed that it
be the doctor's, and I seed him only through black glasses darkly;
but, O God! what a sight it were none but the blind can ever tell!
Then for quite a spell I looked out through them dark glasses at the
comings and goings and people there in the hospital. Then one day
the doctor he run in and says, 'Time for you to look on the
sunlight, Aunt Dally. Keep on them glasses, and wrop a shawl round
you, and come with me. I 'm aiming to show you the prettiest
country God ever made.' Then he holp me into a chariot that run
purely by the might of its own manoeuvers, and I seed tall houses
and chimblys whiz by dimlike, and then atter a while he retch over
and lifted my glasses.
"Women, the tongue of Seraphim hain't competent to tell what I seed
then! That country hain't rugged and on-eend like this here, but is
spread out smooth and soft and keerful, with nary ragged corner
nowhar', and just enough roll to tole the eye along. Thar I, beheld
the wide, green pastures I had heared tell of in Scriptur', thar I
seed still waters, clear as crystal, dotted here and yan, and on
them pastures and by them waters thousands of sleek nags and cattle
a-feeding and drinking, peaceful and satisfied; thar, bowered back
amongst lofty trees, was the beautiful many mansions and homes of
the blest; thar was the big road, smooth and white as glass, down
which pretty boys and gals too fair for this world, come on prancing
nags; thar, best of all, hovering and brooding tender over
everything, was the warm, blue sky and the golden sunlight. Them
alone would have been enough for me. Yes, it were indeed a heavenly
vision. I set, scarcely knowing if I were in or out of the body.
'Am I translated,' I axed the doctor, 'and is this here the New
Jerusalem, and them pretty creeturs the angels of heaven?' 'Far
from it, Aunt Dally,' he says, sighing. 'Them air the fortunate
Blue-Grass folk, that be so used to blessings they don't even know
they got 'em, let alone makin' a' effort to share 'em with the
needy. If they was as onselfish within as they air fair and
prosperous without, we would n't need no millennium.'
"I can't say I had any rale, realizing sense of sight that day. It
were all too wonderful and visionary. And them weeks that follered
at the doctor's house, too, they seem like a love-lie dream--the
delicate victuals that fairly melted down my throat before these
here fine store teeth could clutch 'em, the kindness of him and his
woman, and of his little gal, that teached me my a-b-c's. For she
said, 'With your head-piece, Aunt Dally, it hain't too late for you
to die a scholar yet; you got to git l'arning.' And, women, I got
it. I knowed all my letters and were quite a piece in the primer
before I left, and Evy here she aims to finish my education and have
me reading Scriptur' come summer. Yes, it all seemed too good and
fair to be true, and I lived in a daze. I come to myself
sufficient', though, to have the little gal write John to hire a
wagon and bring Marthy and all the young uns to the railroad for to
meet me, and see the world and the cyars; and also, realizing I were
going to git back my faculty and workingness, and not being able to
make the doctor take ary cent for his doings,--he said it were the
least the Blue Grass could do for the mountains,--I tuck what money
I had left and bought me some fine store clothes for to match my
teeth and my innard feelings. 'Peared like I could n't noway feel
at home in them sorry gyarments I had wore in sorry days.
"But it were not till I sot in the railroad cyars ag'in, and the
level country had crinkled up into hills, and the hills had riz up
into mountains, all a-blazin' out majestical' in the joy of yaller
and scarlet and green and crimson, that I raley got my sight and
knowed I had it. Yes, the Blue Grass is fine and pretty and smooth
and heavenly fair; but the mountains is my nateral and everlastin'
element. They gethered round me at my birth; they bowed down their
proud heads to listen at my first weak cry; they cradled me on their
broad knees; they suckled me at their hard but ginerous breasts.
Whether snow-kivered, or brown, or green, or many-colored, they
never failed to speak great, silent words to me whensoever I lifted
up my eyes to 'em; they still holds in their friendly embrace all
that is dear to me, living or dead; and, women, if I don't see 'em
in heaven, I 'll be lonesome and homesick thar.
"Yes, when I laid eyes on them well-beloved forms, I knowed for sure
I had my sight. And the folks in the cyar they knowed it, too. I
am in gineral one to keep things locked and pinned down inside me;
but for once I let go all holts and turnt a-loose. Then and thar I
bu'sted out into shouts of joy and songs of praise; I magnified the
Lord and all His works; I testified of my salvation from blindness
of body and sperrit; I hollered till natur' went plumb back on me
and I could n't fetch nary 'nother breath.
"Then when I stepped off the train, thar was the living human faces
of my own blood, John and Marthy, and the eight young uns whose
countenances I had never beheld. And as I gazed, women, more scales
drapped from my long-blind eyes. In the face of John here, the boy
I had allus abused for no-git-up and shiftless, I beheld
loving-kindness and onselfishness writ large and fair; looking on
little Evy, I seed love divine in her tender eyes, and light raying
out from her yaller hair and from the other seven smaller head'
bunched around her like cherubim'. And Marthy! Right here, women,
I ax your pardon if I stop a spell, for of a truth words fails me
and tears squenches me. What did I see in that kind, gentle,
patient face of hern? Women, it were the very living sperrit of
Christ hisself I seed thar--the sperrit that returned love for hate,
mercy for revilement, joy and life for curses and death. Yes, when
them eyes of hers was turnt on me so full of love, right thar my
heart broke. I had bemeaned and berated and faulted her so
continual', and belt her up as a pore, doless creetur', without no
backbone or ambition; and now I knowed that if thar ever were a
tender, ginuwine, angel daughter on this here earth, it were her to
me. Women, when she tuck me to her bosom, I just slid right down
thar on 'my unworthy knees thar on the ground at her feet thar, and
with bitter tears beseeched of her to forgive and forgit my
hard-heartedness and stone-blindness and dog-meanness, which of
course, being Marthy, she had already done allus-ago.
"Then, friends, my cup were running over; and as we journeyed up
creeks and down mountains nigh these three days, we was the
nunitedest and joyfullest family that ever follered a trail; and all
the way I laid my plans for to set the farm on its feet ag'in, and
clear new ground, and maul rails for the fence, and rive boards for
the roof, and quairy out rock for a new chimbly, and bring up the
yield of corn, and weed out the eatingest of the cattle, and git my
loom sot up and running so 's to have a-plenty of kivers and linsey
for sale come cold weather; and we all rejoiced amazing, knowing
prosperity wa' n't no further from us than yan side the mountain.
"And now, fellow-sisters, you see before you a ree-surrected woman.
I hain't only got the sight of my eyes; I got mind-sight,
heart-sight, soul-sight. I hain't only got these fine store-teeth
and a tamed and biddable stummick; but the innard power to chaw and
digest speritual truth. I hain't only wearing these gayly, boughten
clothes, I 'm a-fla'nting the robes of joy and the gyarments of
praise. I know the Lord don't hate me and never did; I know I am
free, restored, and saved; I know my Redeemer liveth, and has fotch
me up out of the blackness of darkness on to the top-most peaks of
joy and peace and thanksgiving.
"And don't think, women,--don't never, never think I hain't aiming
to let my light shine! I aim to use my faculty not for worldly
betterment alone, but to turn it loose likewise in the line of
religion and preachifying. Yes, every night this enduring winter
will see me a-s'arching the Scriptur'; and what I can't read I can
ricollect; and come August, when the craps is laid by and the
funeral occasions sets in, I will be ready for 'em. There won't be
one in twenty mile' that won't see me a-coming, and a-taking my
stand by the grave-houses in these reesurrection gyarments, for to
norate the wonders of my experience, and to shame and confound and
drownd out Uncle Joshuay and t'other blind leaders of the blind
whatever they dare raise their gray heads and hoary lies, and
gin'rally to publish abroad, world-without-eend, the ons'archable
riches and glory and power of the love of God."
Afterword
In the heart of the Kentucky mountains, that romantic and
little-known region popularly regarded as the "home of feuds and
moonshine," a rural social settlement, the first in the world, was
begun fifteen years ago under the auspices of the State Federation
of Women's Clubs of Kentucky.
Half a dozen young women from the prosperous Blue-Grass section,
headed by Miss Katherine Pettit and Miss May Stone, went up into the
mountains, several days' journey from a railroad, and, pitching
their tents, spent three successive summers holding singing, sewing,
cooking and kindergarten classes, giving entertainments, visiting
homes, and generally establishing friendly relations with the men,
women, and children of three counties.
One of the many surprises was to find the mountains so thickly
populated,--the regulation family boasting a dozen children,--and
the most inadequate provision made by the State for the education of
these young sons and daughters of heroes. For it is well known that
much of this section was settled originally by men who received
land-grants for their services in the Revolution, and who, with
their families, disappeared into these fastnesses to emerge later
only at their country's call,--the War of 1812, the Mexican, the
Civil, and the Spanish Wars bringing them out in full force, to
display astonishing valor always.
Aware of this ancestry, the visiting women were not surprised to
find much personal dignity, native intelligence, and gentleness of
manner, even among men who conceived it their duty to "kill off"
family enemies, and women who had never had the first chance at
"book-l'arning."
One of the three summers was spent on Troublesome Creek, at the
small village of Hindman, the seat of Knott County. Here the
"citizens" so appreciated the "quare, foreign women" as to be
unwilling to let them depart. "Stay with us and do something for
our young ones, that mostly run wild now, drinking and shooting,"
they said. "We will give you the land to build a school on."
Touched to the heart, seeing the great need, and asking nothing
better than to spend their lives in such a service, Miss Stone and
Miss Pettit went "out into the world" that winter and gave talks in
various cities, by spring raising enough money to start the desired
Settlement School at Hindman.
During a dozen years this remarkable school has grown and prospered,
until more than a hundred children now live in it, and two hundred
more attend day-school.
While its academic work is excellent, special stress is laid upon
the industrial courses, the aim being to fit the children for
successful lives in their own beloved mountains. To this end the
boys are taught agriculture, carpentry, wood and metal work, and the
rudiments of mechanics; the girls cooking, home-nursing, sewing,
laundry work, and weaving, these subjects being learned not only in
classes, but by doing the actual labor of school and farm.
Aside from educational work proper, various forms of social service
are carried on,--district nursing, classes in sanitation and
hygiene, social clubs and entertainments for people of all ages, and
a department of fireside industries, through which is created an
outside market for the beautiful coverlets, blankets and homespun,
woven by the mountain women, as well as for their attractive baskets.
When the children trained in our school go out to teach in the
district schools, they take with them not only what they have
learned in books, but our ideas as to practical living and social
service also, each one becoming a center of influence in a new
neighborhood.
A feature of the work that deserves special mention is the nursing
and hospital department, the ministrations of our trained nurse.
Miss Butler, having done more, possibly, than any other one thing,
not only to spread a knowledge of sanitation and preventive hygiene,
but also to establish confidential and friendly relations with the
people.
The foregoing story, "Sight to the Blind," gives some idea of this
branch of the work, the scope of which has been much extended,
however, during the three years since the story was written for _The
Century Magazine_. In that period the half-dozen clinics held in
the school hospital by Dr. Stucky of Lexington, and his co-workers,
have brought direct surgical and other relief to the afflicted of
four counties. To be present at one of these clinics is to live
Bible days over again, and to see "the lame walk, the deaf hear, the
blind receive their sight, and the poor have the good news preached
to them."
And not only this,--these clinics have demonstrated that nearly
one-half the people examined have trachoma or other serious eye
diseases, and have been the means of awakening the Government to its
responsibility in the matter, so that three government hospitals
have already been started in the mountains for the treatment of
trachoma.
So valuable, in many directions, has been the influence of the
Settlement School, that tracts of land have been offered in a number
of other mountain counties for similar schools; but so far only one,
that at Pine Mountain in Harlan County, has been begun.
An intimate account of life within the Hindman School is given in a
recently published book, "Mothering on Perilous," in which are set
forth the joys--and some of the shocks--experienced by the writer in
mothering the dozen little mountaineers who, in the early days,
shared with her the small boys' cottage. The real name of the
school creek is of course Troublesome, not Perilous.
Alas, nearly a thousand eager, lovable children are turned away
yearly for lack of room and scholarships. The school is supported
by outside contributions, one hundred dollars taking a child through
the year. What better use of money could possibly be made by
patriotic persons and organizations than to open the doors of
opportunity to these little Sons and Daughters of the Revolution?
LUCY FURMAN
HINDMAN SETTLEMENT SCHOOL,
October, 1914.
BY THE SAME AUTHOR
Mothering on Perilous
Decorated cloth, illustrated, 12mo. $1.50 net: postage extra,
This book tells in lively fashion of the experiences of a young
woman who, to escape from grief and loneliness, goes to work in a
settlement school in the heart of the Kentucky mountains.
There she instantaneously "acquires a family" of a dozen small boys
and henceforth finds her life "crammed with human interest." The
ludicrously funny and sometimes pathetic doings of the little,
untamed feudists, moonshiners, and hero worshippers, form the
subject-matter of the tale.
The story centers about one of the boys who has an "active war" in
his family and whose martial adventures with those of his grown-up
brother give a strong appeal to the narrative and furnish an
exciting climax.
"Good luck to this admirably written narrative, a model of direct
and simple humor and very sincere human understanding."--_The
Bellman_.
"Certainly no romance of the Kentucky mountains ever told more that
was amusing, or picturesque, or tragic than her chronicle
does."--_N. Y. Post_.
"Her style is graceful and clear, and her fascinating narrative
cannot fail to widen the horizon of her readers in more ways than
one."--_N. Y. Times_.
"A charming story and it is well told."--_Christian Advocate_.
"A story full of humor and pathos."--_Chicago Evening Post_.
"The book forms a valuable link between an interesting and isolated
people and the reading public."--_San Francisco Chronicle_.
NEW MACMILLAN FICTION
Saturday's Child
By KATHLEEN NORRIS, Author of "Mother," "The Treasure," etc. With
frontispiece in colors by F. Graham Cootes. Decorated cloth, 12mo.
$1.50 net.
"Friday's child is loving and giving,
Saturday's child must work for her living."
The title of Mrs. Norris' new novel at once indicates its theme. It
is the life story of a girl who has her own way to make in the
world. The various experiences through which she passes, the
various viewpoints which she holds until she comes finally to
realize that service for others is the only thins that counts, are
told with that same intimate knowledge of character, that healthy
optimism and the belief in the ultimate goodness of mankind that
have distinguished all of this author's writing. The book is
intensely alive with human emotions. The reader is bound to
sympathize with Mrs. Norris' people because they seem like _real_
people and because they are actuated by motives which one is able to
understand. _Saturday's Child_ is Mrs. Norris' longest work. Into
it has gone the very best of her creative talent. It is a volume
which the many admirers of _Mother_ will gladly accept.
The Game of Life and Death: Stories of the Sea
By LINCOLN COLCORD, Author of "The Drifting Diamond," etc. With
frontispiece. Decorated cloth, 12mo. $1.25 net.
Upon the appearance of Mr. Colcord's _The Drifting Diamond_, critics
throughout the country had a great deal to say on the pictures of
the sea which it contained. Mr. Colcord was compared to Conrad, to
Stevenson, and to others who have written of the sea with much
success. It is gratifying, therefore, that in this book the briny
deep furnishes the background--in some instances the plot
itself--for each one of its eleven tales. Coupled with his own
intimate knowledge and appreciation of the oceans and the life that
is lived on them--a knowledge and appreciation born in him through a
long line of seafaring ancestry and fostered by his own love for the
sea--he has a powerful style of writing. Vividness is perhaps its
distinguishing characteristic, though fluency and a peculiar feeling
for words also mark it.
The Mutiny of the Elsinore
By JACK LONDON, Author of "The Sea Wolf," "The Call of the Wild,"
etc. With frontispiece in colors by Anton Fischer. Cloth, 12mo.
$1.35 net.
Everyone who remembers _The Sea Wolf_ with pleasure will enjoy this
vigorous narrative of a voyage from New York around Cape Horn in a
large sailing vessel. _The Mutiny of the Elsinore_ is the same kind
of tale as its famous predecessor, and by those who have read it, it
is pronounced even more stirring. Mr. London is here writing of
scenes and types of people with which he is very familiar, the sea
and ships and those who live in ships. In addition to the adventure
element, of which there is an abundance of the usual London kind, a
most satisfying kind it is, too, there is a thread of romance
involving a wealthy, tired young man who takes the trip on the
_Elsinore_ and the captain's daughter. The play of incident, on the
one hand the ship's amazing crew and on the other the lovers, gives
a story in which the interest never lags and which demonstrates anew
what a master of his art Mr. London is.
Neighbors: Life Stories of the Other Half
By JACOB A. RIIS, Author of "How the Other Half Lives," etc. With
illustrations by W. T. Benda. Decorated cloth, 12mo. $1.25 net.
One of the most remarkable books ever written is Jacob Riis' _How
the Other Half Lives_. At the time of its appearance it created
nothing short of a literary sensation, and it is still found among
the widely read and discussed publications. The present volume is a
continuation or an elaboration of that work. In it Mr. Riis tells
with that charm which is peculiarly his own and with a wonderful
fidelity to life, little human interest stories of the people of the
"other half." He has taken incidents in their daily lives and has
so set them before the reader that there is gained a new and a real
insight into the existence of a class which is, with each year,
making its presence felt more and more in the nation. These tales,
though in the garb of fiction, are true. "I could not have invented
them had I tried; I should not have tried if I could," Mr. Riis
tells us in a prefatory note.
The Wife of Sir Isaac Harman
By H. G. WELLS. Cloth, 12mo. $1.50 net.
The name of H. G. Wells upon a title page is an assurance of merit.
It is a guarantee that on the pages which follow will be found an
absorbing story told with master skill. In the present hook Mr.
Wells surpasses even his previous efforts. He is writing of modern
society life, particularly of one very charming young woman, Lady
Harman, who finds herself so bound in by convention, so hampered by
restrictions, largely those of a well-intentioned but short-sighted
husband, that she is ultimately moved to revolt. The real meaning
of this revolt, its effect upon her life and those of her
associates, are narrated by one who goes beneath the surface in his
analysis of human motives. In the group of characters, writers,
suffragists, labor organizers, social workers and society lights
surrounding Lady Harman, and in the dramatic incidents which compose
the years of her existence which are described by Mr. Wells, there
is a novel which is significant in its interpretation of the trend
of affairs today, and fascinatingly interesting as fiction. It is
Mr. Wells at his best.
The Rise of Jennie Cushing
By MARY S. WATTS, Author of "Nathan Burke," "Van Cleve," etc.
Cloth, 12mo. $1.35 net.
In _Nathan Burke_ Mrs. Watts fold with great power the story of a
man. In this, her new book, she does much the same thing for a
woman. Jennie Cushing is an exceedingly interesting character,
perhaps the most interesting of any that Mrs. Watts has yet given
us. The novel is her life and little else, but that is a life
filled with a variety of experiences and touching closely many
different strata of humankind. Throughout it all, from the days
when as a thirteen-year-old, homeless, friendless waif. Jennie is
sent to a reformatory, to the days when her beauty is the
inspiration of a successful painter, there is in the narrative an
appeal to the emotions, to the sympathy, to the affections, that
cannot be gainsaid.
End of the Project Gutenberg EBook of Sight to the Blind, by Lucy Furman
*** END OF THIS PROJECT GUTENBERG EBOOK SIGHT TO THE BLIND ***
***** This file should be named 11998.txt or 11998.zip *****
This and all associated files of various formats will be found in:
https://www.gutenberg.org/1/1/9/9/11998/
Produced by Al Haines
Updated editions will replace the previous one--the old editions
will be renamed.
Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties. Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark. Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission. If you
do not charge anything for copies of this eBook, complying with the
rules is very easy. You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research. They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks. Redistribution is
subject to the trademark license, especially commercial
redistribution.
*** START: FULL LICENSE ***
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
https://gutenberg.org/license).
Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
electronic works
1.A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.
1.B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works. Nearly all the individual works in the
collection are in the public domain in the United States. If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed. Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work. You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.
1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are in
a constant state of change. If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work. The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.
1.E. Unless you have removed all references to Project Gutenberg:
1.E.1. The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org
1.E.2. If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges. If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.
1.E.3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder. Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.
1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.
1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.
1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form. However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form. Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.
1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.
1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that
- You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg-tm works calculated using the method
you already use to calculate your applicable taxes. The fee is
owed to the owner of the Project Gutenberg-tm trademark, but he
has agreed to donate royalties under this paragraph to the
Project Gutenberg Literary Archive Foundation. Royalty payments
must be paid within 60 days following each date on which you
prepare (or are legally required to prepare) your periodic tax
returns. Royalty payments should be clearly marked as such and
sent to the Project Gutenberg Literary Archive Foundation at the
address specified in Section 4, "Information about donations to
the Project Gutenberg Literary Archive Foundation."
- You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he
does not agree to the terms of the full Project Gutenberg-tm
License. You must require such a user to return or
destroy all copies of the works possessed in a physical medium
and discontinue all use of and all access to other copies of
Project Gutenberg-tm works.
- You provide, in accordance with paragraph 1.F.3, a full refund of any
money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days
of receipt of the work.
- You comply with all other terms of this agreement for free
distribution of Project Gutenberg-tm works.
1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark. Contact the
Foundation as set forth in Section 3 below.
1.F.
1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection. Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.
1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.
1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium with
your written explanation. The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund. If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund. If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.
1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law. The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.
1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.
Section 2. Information about the Mission of Project Gutenberg-tm
Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers. It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.
Volunteers and financial support to provide volunteers with the
assistance they need, is critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at https://www.pglaf.org.
Section 3. Information about the Project Gutenberg Literary Archive
Foundation
The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation's EIN or federal tax identification
number is 64-6221541. Its 501(c)(3) letter is posted at
https://pglaf.org/fundraising. Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.
The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations. Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
[email protected]. Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at https://pglaf.org
For additional contact information:
Dr. Gregory B. Newby
Chief Executive and Director
[email protected]
Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation
Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.
The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To
SEND DONATIONS or determine the status of compliance for any
particular state visit https://pglaf.org
While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.
International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.
Please check the Project Gutenberg Web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including including checks, online payments and credit card
donations. To donate, please visit: https://pglaf.org/donate
Section 5. General Information About Project Gutenberg-tm electronic
works.
Professor Michael S. Hart was the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone. For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.
Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included. Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.
Each eBook is in a subdirectory of the same number as the eBook's
eBook number, often in several formats including plain vanilla ASCII,
compressed (zipped), HTML and others.
Corrected EDITIONS of our eBooks replace the old file and take over
the old filename and etext number. The replaced older file is renamed.
VERSIONS based on separate sources are treated as new eBooks receiving
new filenames and etext numbers.
Most people start at our Web site which has the main PG search facility:
https://www.gutenberg.org
This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.
EBooks posted prior to November 2003, with eBook numbers BELOW #10000,
are filed in directories based on their release date. If you want to
download any of these eBooks directly, rather than using the regular
search system you may utilize the following addresses and just
download by the etext year.
https://www.gutenberg.org/etext06
(Or /etext 05, 04, 03, 02, 01, 00, 99,
98, 97, 96, 95, 94, 93, 92, 92, 91 or 90)
EBooks posted since November 2003, with etext numbers OVER #10000, are
filed in a different way. The year of a release date is no longer part
of the directory path. The path is based on the etext number (which is
identical to the filename). The path to the file is made up of single
digits corresponding to all but the last digit in the filename. For
example an eBook of filename 10234 would be found at:
https://www.gutenberg.org/1/0/2/3/10234
or filename 24689 would be found at:
https://www.gutenberg.org/2/4/6/8/24689
An alternative method of locating eBooks:
https://www.gutenberg.org/GUTINDEX.ALL
