The Project Gutenberg eBook of Key to palmistry
This eBook is for the use of anyone anywhere in the United States and
most other parts of the world at no cost and with almost no restrictions
whatsoever. You may copy it, give it away or re-use it under the terms
of the Project Gutenberg License included with this eBook or online
at www.gutenberg.org. If you are not located in the United States,
you will have to check the laws of the country where you are located
before using this eBook.
Title: Key to palmistry
Author: Louis Williams
Release date: July 28, 2026 [eBook #79203]
Language: English
Original publication: Seattle: International Institute of Science, 1902
Other information and formats: www.gutenberg.org/ebooks/79203
Credits: Tim Miller, Sam Lamb and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)
*** START OF THE PROJECT GUTENBERG EBOOK KEY TO PALMISTRY ***
Key
To
Palmistry
[Illustration]
LOUIS WILLIAMS, PH. D.
Copyright, 1902,
by
LOUIS WILLIAMS, PH. D.
International Institute of Science,
Publishers,
Seattle, Wash., U. S. A.
_DEDICATION._
_Each gift contained is thine,
With open hands receive,
Life’s unseen deeds divine,
Like memories to thee cleave;
Reach forth; the law of love
Comes like the breath of spring,
And truths are thoughts of God
That through our being wing._
=_The Author._=
CONTENTS.
PAGE.
The Hand of Man 5
The Palm 7
The Fingers 8
The First Finger 10
The Middle Finger 11
The Third Finger 12
The Little Finger 13
Religion of Fingers by Ancestry 14
The Thumb 15
The Lines of the Hand 16
The Life Line of Action 17
The Heart Line 18
The Line of Thought 19
Other and Minor Lines 20
Symbols 21
To be a True Palmist 22
A Few Symbols to Aid You 23
The Bracelets and Finger Nails 26
Color Quality in Hands 27
The Higher Course in Palmistry 29-30
Phrenological Charts 32
[Illustration: THE HAND OF MAN.]
The Hand of Man.
The human hand is the symbol of the mind, and in many ways reveals the
inmost thoughts of its possessor. Unconsciously, fear and hatred, as
well as love and affection, finds its expression there. Often when the
eye is calm and the voice is hushed a twitch of the fingers or a motion
of the hand is the tell-tale of our heart’s secrets. It is therefore
more difficult to control than any other part of our human anatomy.
The hand is the servant of the brain, and faithfully executes every
faculty of the mind in the works of art and skill, in the gathering
of knowledge; the brain sends its thought currents down constantly,
each nerve current leaving some trace of its passage, however small.
These currents are necessarily charged with moulding and directing
forces of thought, feeling and will. This vital connection with the
brain determines the development of the hand and renders each portion
significant of some mental faculty, or of its modes of action. The
hand for that reason corresponds with that of the head. A beautiful
and well-formed hand indicates a well-balanced head and character.
Broad hands go with a broad character, narrow hands with a narrow head,
yet, if long, indicate insight and depth. Large hands belong to people
who do the real work of life and the world; they do not shrink from
carrying out the plans of their owner; they take hold and do things
without gloves.
Small hands belong to those who plan great things, but employ others
to carry the plans into execution; they dislike to submit to exact
rules and minute details; their owner uses general terms rather than
precise statements.
Hard hands have active power; soft hands, passive endurance.
Warm hands, large, with well developed palm, belong to the magnetic
type, with tendencies celestial. Cold hands are electric with
tendencies terrestrial.
THE PALM represents the physical organization.
THE FINGERS indicate the mental capacity.
THE THUMB, motive and managing ability.
[Illustration: YOUR FATE IS IN YOUR HAND]
The Palm.
If the palm is in every way well developed it shows the owner’s good
physical organization; if thick and red, vitality sufficient and to
spare.
If palm is firm and square, denotes the builder and mechanic; if soft
and square, the magnetic healer and life builder.
If the palm is thin, yet square, it denotes the intellectual builder;
associated with well developed fingers, is proof positive.
If palm is round, thick and proportionately large, indicates the
voluptuous nature, full of animal desires.
If palm be thin and round, lacks physical energy and belongs to the
dreamer; with large fingers, indicates the stoic; with small thumb,
will not resist interference nor overcome opposition.
If palm is small, yet showing activity in lines, with thumb and fingers
well developed, indicates the organizer, planner, and one who will
engage others to carry his plans into execution; with thick thumb, will
go to any extent to succeed.
The small palm, with well developed fingers, especially the third
finger will seek to gain power over others; with lower part of thumb
out of proportion and the end of thumb thick, will be tyrannical.
The Fingers.
The fingers represent the intellectual capacity of their owner. Large,
broad, well developed fingers indicate a corresponding head; mechanical
ability, artistic skill, eloquence, diplomacy, versatility, commercial
superiority and genius are all written there; also application and
system in the pursuits of the various accomplishments.
Size of fingers indicate capacity; length of fingers, depth and insight
into things, which, however, is fully shown by each particular finger.
If the root of the finger is well set into the palm shows stability;
with large knuckles, have great activity. If foundation of fingers is
narrow and weak, shows uncertainty and a vacillating disposition, in
the branch represented; if small finger is deficient in development
it indicates lack of self reliance. If knuckles are deficient, shows
inactivity of owner, and with long fingers and small developed little
finger, the dreamer. If middle joints are large, shows active ingenuity
and skill to materialize the ideas and plans of the owner.
If finger points are square, shows physical, intellectual and
mechanical activity; if round, mental and intellectual ability; with
first phalange of thumb large, are good managers and carry their
ability into use; with large third finger, with profit to themselves.
Large joints, long, square fingers, especially the spatulate pointed
finger, shows the genius in art, music and mechanics; but to enable
them to give full expression, the little finger should be large and
well developed, the thumb spatulate.
Long fingers give capacity for minute, delicate and finished work,
especially with large joints and square points; they succeed in detail
and accomplish most in a variety of work of skill and art.
Slender, delicate and tapering fingers are too weak for varied and
efficient work; they prefer the ideal and sensuous to the practical and
laborious; with small fingers, are theoretical.
Short and broad fingers choose strong and general work, prefer to deal
with masses; they admire magnitude more than finish; they dislike long
and careful labors, and lack in the ideal and spiritual--yet indicate,
if otherwise, harmoniously developed, the practical nature, who
believes in one world at a time and prefers the present, to the past or
future, and whose religion consists in practical and useful efforts;
are narrow and bigoted, with small, straight thumbs.
[Illustration: YOUR FATE IS IN YOUR HAND]
The First Finger.
The first finger is the most important. Employed constantly in
directing everything we do, for no one would think of pointing the
second or third finger, nor even the thumb. The first finger is used
in guiding and directing the tools used in many of the most skillful
and delicate manipulations of various arts; for that purpose the nerve
currents flow constantly from the brain to the forefinger. It becomes,
therefore, an index of the possessor’s intellect more than any other.
The first phalange represents by its length, breadth and development,
capacity for detail, direction and perceptive capacity. Thickness gives
it depth of comprehension and logic--the breadth at the joint shows
system; the second joint shows capacity for work; and breadth of the
middle joint, order in work. Length of the third or lower phalange
represents intellectual pursuits; if larger than the second, prefer
intellectual to physical work; if broad and upon a good foundation,
indicates a philosophic mind; with broad knuckles, practice what they
preach; with square fingers and well developed thumb, seek to carry
out reforms; with short fingers are practical; with long fingers and
tapering, are theoretical.
If first finger is very long, indicates excellent ability to direct. If
it reaches the height of the middle finger or nearly, indicates social
success, honor or fame.
Note the difference between left and right hand. If longer on left, has
the quality by birth; if on right hand, will succeed through their own
power and energy.
A very short first finger indicates continuous struggle; first finger
level with third, should succeed in business.
The Middle Finger.
The second or middle finger represents the social element; power
to combine and organize the social elements, so that they may
harmoniously work together. It is the pivotal finger, toward this,
all the other fingers should lean for unity and strength. For this
reason it represents our religious aspirations, the highest of which
is love--its length and breadth thus indicates capacity to combine
men and means; the faculty of putting plans into feasible shape, so
as to carry them into effect. The first phalange represents by its
length and thickness love and religious tendencies; by its squareness
at the joint exactness, by its width integrity, and by the development
of the joint utility and practice. If points spatulate, genius. The
development of the second phalange denotes ability to organize, length
giving insight, breadth comprehension and thickness force and energy.
The development of the joint there shows practice and activity; the
lower phalange shows by its length love of association, by its breadth
unity and friendship; its thickness shows natural magnetism; a large
knuckle shows activity; width of lines inside of joints, system; a well
and harmoniously developed middle finger with large thumb development
indicates the social leader, and statesman.
If, however, the middle finger is abnormally developed, will evidence
a morbid temperament for the supernatural, occultism and mysticism.
If finger is very pointed, lack comprehension and are inclined to be
fatalistic.
The Third Finger.
The third finger deals with wealth, industry, art, commerce, ambition
and travel. Its relative length and breadth shows the owner’s ability
in those directions. The first phalange indicates by its length
ambition, by its breadth display, by its thickness success. The second
phalange shows by its length ability to transact business, by its
breadth and thickness, industry; by the development of joint and its
breadth, art. The third phalange represents commerce and travel; with
knuckles large indicate great activity in the lines most prominently
shown.
A very long third finger indicates the speculator; unusual length and
width show the scientist and explorer; with large joints, the artistic.
Such people have good form and excellent taste in arrangement and
color, are very ambitious, and with first finger equal or nearly
as long as the third, will be very successful in all undertakings
represented by those fingers.
A very short third finger shows incompetency in the above lines.
[Illustration]
The Little Finger.
The little finger well developed indicates versatility of talent; to
make much of little; the power to manifest character; to illustrate
and externalize; it enables its owner to make others see and feel what
he feels himself; it is the basis of conversational talent. The first,
second and third fingers are moved by a common muscle to them all; the
little finger is moved independently. The first phalange of the little
finger, long, shows mind, and its breadth shows philosophy. The second
phalange indicates by its length and breadth business versatility; the
third phalange, by its fullness, social life and its requirements;
width of lines in the joints indicate system, and development of
knuckles, activity.
If the little finger is unusually large, its owner shows ability to
scheme, over-running with theories. If long and square, the natural
lawyer; with short first phalange, the criminal lawyer; with first
phalange very long and square, the philosopher and judge; associate
with large first phalange in second finger denotes the sage, seer and
prophet.
A short, thin little finger shows lack of ability to externalize; such
people are unable to express what they feel.
Religion of Fingers by Ancestry.
Thick, straight, medium long fingers, somewhat pointed, indicate the
Catholic or Episcopal ancestry. Broad at base and pointing, medium
long, the Methodist. Straight, with joints projecting, Presbyterians
and Congregationalists. Thin, with bulge at lower joints, Lutherans.
Medium fingers, broad at base, bulge at lower joints, Baptists. Medium
or broad at base, with gradual taper, large first joints, then gradual
taper to square or slightly rounded point, medium long or long,
Unitarians, Universalists, and Spiritualists. Short, little fingers,
twisted, are inclined to Atheism.
Smooth fingers, unmarked, indicate characters governed by intuition
rather than reason. They are persons with direct perceptions who choose
statements rather than arguments, and who decide at once, rather than
deliberate.
When the first three fingers are nearly equal in length they show great
success in any undertaking. Club fingers show recklessness in life, and
with club thumb, are murderers.
The closeness of the fingers indicate concerted action; spreading
of the fingers indicate that their possessor is scattering and lacks
concentration and unity of life and purpose.
The Thumb.
The thumb is the grand fulcrum of the hand and carries out the plans
and desires of its owner, by the various combinations possible with the
fingers. It is opposable to them all and can thus co-operate with them
all.
The thumb represents the will and the executive power of the
owner. Man alone, of all creation, has a true thumb, therefore man
alone exhibits the immense power of associate effort in the great
achievements of organized industry and national life. A large thumb is
essential to a powerful and efficient character; the first phalange
being large indicates great executive ability, determination and will,
which is indicated by its width, comprehension by its thickness, and
power by its large foundation. If thumb over the nail is straight, have
stability and tenacity. Length of second phalange indicates organizing
power. If long and thin, use diplomacy and expediency in their dealings
with others; if short and thick, are arbitrary and stubborn; with very
thick first phalange, tyrannical; the first joint well developed and
broad shows a critical nature, of the opposite sex, especially with
the little finger large. Breadth of the second joint indicates action;
thickness of the third phalange indicates power to make and keep money
by speculation, but prefer the sure way. If third phalange is very
large and out of proportion, have immense power, but are apt to be
tyrannical, with such development and the club thumb will murder to
control and succeed.
The Lines of the Hand.
As the steady drop hollows the stone and the currents carry away
meadows and mountains, carving into the solid rock their passage, so
the currents of thought and nerve force from the brain as well as
the opening and shutting of the hand, the movements of the muscles
all combine to cover the inside of the hand with lines more or less
decided, prominent of which are the lines of action, thought and
affection. The child, too, shows definite lines, and therefore life’s
energies and possibilities are written there. Who is there to-day to
declare scientifically the extent of parental influence in shaping a
life’s destiny? The true scientist limits possibilities to the facts
established, yet the constant adding to his fund of positive knowledge
leaves the investigator wonderful scope. The acorn holds the great oak
in its silent chamber, and our dreams often reveal future results. We
educate the young with a view of possibilities. Is there then a record
somewhere where these possibilities are recorded? The hand contains
lines that only nerve currents extraordinary can produce and they have
a meaning as much so as the delicate tendril that peeps above the
ground and holds the possibilities of the oak or a century plant, with
its blossoms and fruit in its tender fold.
Therefore we deem it more than probable that the human soul’s desires
are written there as well. Let us learn to read nature’s language, for
thus truthfully does she write each creature’s destiny; and every seed,
however small, will somehow burst into noonday with blossoms and fruit,
for good or evil, to its possessor.
The Life Line of Action.
The action of the thumb and the development of the muscles of the
thumb produce a well marked and curved line around its base. This line
indicates the extent and regularity with which a person’s will power
has succeeded in attaining the objects of life; for that reason its
general course indicates the duration and intensity of a person’s life.
Commencing near the edge of the palm, the length of life as shown by
chart is indicated by the number of years as subdivided. When the life
line is clear, well marked and unbroken, it signifies good health and
a vigorous constitution. If the line is slender and broken by cross
lines, it tells of defective health and low vitality. If accompanied
by a curved echo line, running parallel with the life line, shows
increased vigor and health; if accompanied by a straight line crossing
or joining at both ends, the life line indicates disease and weakness.
If the beginning of the life line is from the base of the first finger,
the source of the person’s life is subject to outside and varying
influences. If close to the thumb, the person’s life is too narrow and
contracted. Half way between the first finger and thumb is best.
When the social or heart line connects closely with the life line it
indicates that the person’s affections are intense and part of life.
If the line of the intellect or thought draws close to these lines it
indicates a person having unison of action, feeling and conduct, all
tending to one common end. Such persons will make their doctrines the
guide of their lives; their religion will not be one of mere profession
or belief in the hereafter. If lines are widely separated at the
commencement, they foreshadow a discordant and inconsistent course
of life. Such a person will think and feel one thing but actually do
another.
The Heart Line.
The social or heart line holds the central position in the palm.
Strange to say, the ancient palmisters, as well as some of the modern
school, confounded this line with the thought line. As the heart, the
symbol of affection, is found practically in the center of the body,
so this line, symbolizing the heart and social element in our nature
is found there. It gets its further location by reason of certain well
founded physiological laws of the human brain, governing the center of
the hand. If full, clear and strong it indicates activity and strength
in the social life of the individual; the fullness of the palm on each
side of this line shows the good condition and development of the
nutritive organs in the body. A hollow and thin palm shows a defective
state of the nutritive system.
Note the length, breadth, depth and regularity; also lines crossing
the heart line, which show disturbances, heartaches, disappointments
or strong attachments in business, social or political life further
outlined and established by cross lines and symbols.
[Illustration]
The Line of Thought.
The line of thought is the third of these important lines of the
hand. It represents the intellect and evidences the activity of our
intellectual and practical life. This line is the direct result of the
motion and action of the fingers, all of which represent intellectual
ability, thought and mind. The positive knowledge of the location of
the organs in the brain representing intellectual abilities, have
located this line definitely and scientifically correct.
The old notion about the relations of different planets to the parts of
the hand, have also in the light of modern science been corrected. The
length of this line, its breadth and depth shows the activity of its
possessor; to the third finger shows commercial ability; to the middle
finger, shows social activity, and to the first finger, scientific
attainment.
The correct reading of this line must be governed largely by the
interference of cross lines, depth, intensity, and its curve toward
whichever finger it may lean; all of which will aid in its delineation.
[Illustration]
Other and Minor Lines.
Many other and minor lines cross the hand, all of which are supposed to
be based upon established laws of physical and mental life.
Some of the lines are fully mentioned in the accompanying chart,
entitled “The Human Hand.”
If the life line is broken, it means death; if connected by a thread,
illness and gradual improvement; if crossed by many lines, health
disturbing influences and minor illnesses.
If the heart line is crossed or broken it indicates broken engagements,
heart aches, social disturbances, that may be further and more
definitely verified by quarrels with friends, wife, children or lovers,
as the case may be; also financial disasters may cause the same effects
and can be traced in the hand.
If the thought line is broken, may indicate mental disturbances caused
by business, social or political disasters, all of which can be
positively verified by other signs.
Other lines mark their courses through the hand, all valuable in
palm reading. The line of materialism, familism, nutrition, fortune,
science, social or political force, the line of the speculator, the
girdle of Venus, marriage and divorce, all of which are set out in the
chart, as well as the smaller lines of children, friends, relatives,
melancholia, quarrels, and many more, not indicated, as a greater
number would only confuse the mind of the novice, but sufficient is
given here, together with some hints at symbolism to enable the student
to read any ordinary hand scientifically correct.
Symbols.
Nature’s language is one of symbols. The sunset tells the story of
departing day; the woodland and the prairie evidence the truth of my
statements; the murky river as well as the clear stream leaves its
trail well marked. Each shape of leaf has a different meaning; circles,
squares, triangles, oblong figures, all represent one of nature’s many
ways of imparting knowledge, and he who runs may read, but the one who
listens intently to nature’s more quiet moods may read more correctly.
It is useless to attempt to systematize for the purpose of reading the
human hand, the symbols to be found therein. Each hand differs from the
other, and even the left hand differs from the right hand of the same
person. The left hand, for a general rule is the hand of nature, the
right hand, of our desires.
Seek for symbols in the hand and interpret their meaning; the
respective location and various designations given in the chart will be
helpful to the student.
It has been the author’s purpose to make as plain as possible to the
ordinary reader the mysterious science of palmistry. Deeper insight can
only be gained by practice or special instructions, fortified by many
positive illustrations. (Note Special Instructions in Palmistry in the
back of this publication.) It needs not only a careful observer to make
a successful palmist, but also a philosophical reasoner, as well as a
scientist.
The average scientist is too firmly grounded in established laws,
limited by his more or less narrow experience, and often overlooks for
that reason the modification that every law of nature is subjected to
as well. Either all is law or all is chance--which horn of the dilemma
will you take?
To be a True Palmist.
First be true to yourself; do not attempt to exaggerate. Confine
yourself to what you know, but be wide awake, and search for new
discoveries, new meanings, new interpretations of the symbols shown
in the hand; note each particular location and thus discover by
association and modification the final result.
The process of construction and growth involves successive steps, taken
in definite order, as for instance the seed, the plumule and radicle;
the stem, branches, buds, leaves, flowers and fruit. In building the
foundation, frame work, walls, floor and roof.
Destructive methods do not require regularity and system; we may burn,
cut down, destroy, tear down or let things perish by natural decay.
This great law governing growth and decay, constructive and destructive
process, must apply fully to prophetic symbolism. The Bibles of the
world of Christian or Pagan origin are full of symbolism endeavoring to
illustrate, where ordinary language is inadequate.
When we speak of the harmony of colors, the light of a community, the
beast in man, fortune in a star, vast as the sea, wise as serpents,
and numerous similar expressions, convey more than the simple word in
ordinary use. Words cannot describe the heartfelt yearnings of a mother
for her child, nor the beauty of a sunset, nor the fragrance and beauty
of a rose, but symbolism approaches it, and whenever man will turn
to nature and study her language, her symbolism expressed in all her
moods, in all creation, in life and death as well, then will he become
master of her secrets.
As nature writes her story in the rocks, along the shores of time,
in the eternal seas of the vast universe of worlds, so does she write
indelibly into the hand the inmost thoughts of the human soul. He who
has attained the science of reading symbolism there is indeed a master.
A Few Symbols to Aid You.
A cross means the coming together of two forces: it is the sign of
life, not of death, as is popularly supposed.
A star is the sign of a revelation, good or bad, according to its
location.
A dagger means enmity; a sword, defense, governed by the principle or
affection represented near whatever location found.
A branch without leaves means barrenness, disappointment.
A branch with leaves, renewal of life, joy, peace, happy greeting. If
growing toward your wrist, entering your life; if toward the fingers,
leaving or slipping away from you.
A snake means an enemy, a disappointment in a friend, also temptation.
A crescent, a return of mental vision, clearer seeing, brightness out
of darkness, reflections of the past and possibilities in the future.
A chain contains continuous trouble, sickness, joy, business success or
honor according to its location, length and development.
A circle means completeness; if over life line, of severe attack of
some disease; if at other point relates to an undertaking or complete
interference.
A semi-circle, incomplete, an attack of sickness, or partial success,
as the case may be, according to location.
The triangle means scientific, intellectual or commercial attainment
and success and overcoming of obstacles.
A square may mean interruption, interference, obstacles, or
difficulties to overcome.
A cross in a circle means interference with condition and environments
that curtail and interrupt free action and success in the undertaking
represented by its location.
Neptune’s fork means success, domination, control and triumph.
A lamp means light and wisdom.
A crown means a king, a ruler, supreme.
A tiara, to rule and control, great power.
Cross and crown, the master builder and mystic.
A torch, the light of science and guidance.
A coffin means death; a scattering flower, as well as scattering lines
represents disappointments.
A spiral is the sign of danger; if much twisted, loss of life, if over
head line loss of mind, if over heart line loss of lover, child, parent
or friend, the nearer the center of the hand, the nearer the relative
or friend. If above the life line, loss of health or life, according to
its effect or intensity.
The zigzag lines represent disturbing influences, dangerous, according
to location.
Small spots--either in cluster or scattering indicate blood disorders.
If on the life line, sickness from measles, smallpox or kindred
diseases.
A circle with one or more lines through the center indicate an
operation.
Blotches or discolorations in circles or oblongs indicate tumors.
A heart with an arrow, heartache, disappointment in love and
affections. A heart with spots, heart disease; with lines crossing,
heart troubles.
A Maltese cross, a duty to perform; a sacrifice; a question of honor to
be settled.
Scattering lines from a star or point means light or
brightness--according to which object in the hand or toward which lines
they point.
Faces are imprinted into the hand by lines or discolorations; by strong
impressions of love or hatred; of friends or enemies in business,
political or social life, or on the field of honor. Look for them,
whenever your mind awakens to their presence you will readily discover
them. All have a meaning to the scientist who traces their presence,
location and direction, they will help to unravel many an apparent
secret, and interpret nature’s records.
We do not desire to depreciate psychic power, but in the reading of
hands it should only be exercised by masters in the science. I would
recommend the student to confine himself entirely to the positively
clear symbols, lines and developments, for nothing is gained for the
science of palmistry, the reader, nor the client by an attempt to
imagine possibilities.
The student should be at all times in position when questioned in
regard to a statement made to place his finger upon the discovery, and
thus prove the truthfulness of his statement. Then will the intelligent
recognize palmistry and its position will become assured among the
sciences of the world.
Bracelets and Finger Nails.
The bracelets shown as indicated on the chart, health, wealth, honor,
fame, are governed by the width, depth and length of lines.
If lines are broken, they show disturbed conditions. If they encircle
the wrist, or come to the top of wrist, show great results and
certainty.
* * * * *
Dot on the thumb nail, friend chosen with good judgment.
Dots on first finger nail--a foe; can be avoided if on the side; if in
the middle, prepare for the meeting.
Dot on the second finger nail--gifts--if in the center, sure to come,
if on the side, apt to be lost by carelessness or lack of appreciation.
Dots on the third finger nails designate amours and affections,
governed by the same rule; if in the center, are certain; if to one
side, are not lasting.
Dots on the little finger nails, journeys; upon the side, short; in
center, far from home.
If dots on finger nail are discovered near the top, they are near at
hand; if low, some distance.
Pale nails, show, weak heart action; narrow cylindrical shaped nails,
show an ambitious and quarrelsome disposition; broad, flat nails belong
to gentle and forgiving people, small round nails, to the jealous and
exacting; brittle nails show nervous exhaustion and biliousness; thick,
coarse nails show a corresponding nature; ridges on nails evidence
energy and determination.
Color Quality in Hands.
The white, satiny hand is the cold, electric type, made to rule; cold,
selfish and unrelenting.
The white, soft hand, without the glossy appearance, is the etherial,
spiritual hand, too fair for this world and its contentions.
The yellow hand, yet satiny, is the evilly disposed, the selfish, that
takes advantage of the world and its weaknesses by its magic power; the
natural hypnotist.
The yellow soft hand, without the satiny appearance, is the hot-blooded
temperament, full of intense desires, fervent, but lacking in
constancy. They are natural psychics and mystics, the gypsy.
The red hand has animal propensities predominant. With large pores
are coarse and brutal; with small pores and soft, full of life, very
sentimental, and inclined to superstition.
The blue type is the bilious, fault-finding, dissatisfied; lack balance,
are narrow, bigoted and fatalistic.
The soft, pink hand lacks energy; is the childish hand; the hand of the
butterfly, not knowing much of life and its duties.
The delicate, rose-colored firm hand is the perfect physical,
intellectual and religious type, every other condition being fairly
well developed; they have warmth without effusion, religious fervor
without bigotry, intellect without conceit, poetic, musical and
harmonious; they are the life builders of the world, the salt of the
earth, those that keep the light of heaven burning in their hearts and
in their hands.
Yet in reading the color quality in the hand the student must modify
the effect by the respective development of each hand and each part of
the hand enters fully into such modification.
We purposely omit from this treatise examples, as they would only
be misleading; for as each cloud differs from the other, and each
sunset or sunrise presents different hues foretelling the coming day’s
brightness, and in the last ray’s farewell each eve recalls the sad or
happy day just spent, so each hand must be read separately, as each
life differs from the other, leaving the effect of its sunrise and
sunset there to be interpreted by the masters in palmistry.
Sufficient is herein contained to enable any student to read character
correctly, and when he has mastered the within, he is prepared for the
higher course of study of life’s mysterious sweep in the human hand.
[Illustration]
The Higher Course in Palmistry.
[Illustration]
This course is based on the latest scientific compilations of positive
knowledge in palmistry, gathered from modern and ancient sources,
including:
An exhaustive chart of Symbolism.
Key to palmistry.
How to read character in the hand.
How to read the past, present and future scientifically correct.
Interpretations of symbols in the hand.
How to obtain the largest fees. Other instructions and advice to the
palmist.
* * * * *
Prepared at great expense and fully protected by copyright.
The higher course is sold at $25.00 upon the express condition that
its secrets shall not be revealed except to the immediate members
of the family of the student, or for a fee. It has cost the author
thousands of dollars and many years of diligent work and study, and the
low price at which the course is sold should not depreciate its value.
The course comes in typewritten form, fully illustrated showing all
the ordinary as well as the extreme types of hands, together with
physiological illustration and astrological effects shown in the hand,
so that each student may become a practical, scientific palmist,
capable to read the many apparent mysteries correctly and with profit
to himself and others.
Palmistry has become the fad all over the world and everyone is anxious
to know more of it. A new and lucrative field in this science has
opened for the conscientious reader, student and palmist.
The higher course offered by the International Institute of Science
is complete and should fit any one with ordinary intelligence to read
correctly. Nor is there any profession more in demand than that of the
scientific palmist. The rich pay fabulous prices and as high as $50 has
been paid the author for a single reading. If you want to make money
quickly, professionally and conscientiously, send for this course. If
not for the purpose of adopting the same for a profession, it will
assist you as a layman and student in a thousand ways. It will teach
you how to avoid conditions detrimental to your health, life, property,
social and intellectual interests.
Opportunity is a swift steed; he who mounts will ride to success and
fortune.
Palmistry will enable you to read the secrets of others and make you
master of life’s mysterious sweep as shown in the human hand.
Address for the higher course,
LOUIS WILLIAMS, PH. D.,
Pres. International Institute of Science,
Seattle, Wash., U. S. A.
[Illustration:
=_Diploma_= of
=_Character_=
PHRENOLOGICAL CHART.]
Phrenological Charts.
Our Phrenological Charts are as valuable to you in every day life, as
the Seaman’s Charts in an Ocean voyage.
Our chart is $5.00 for a full and complete delineation, typewritten,
including latest chart.
Send latest photo of person to be examined, together with the following
measurements:
1st. Measure with tape around the head, over eyebrows and above the ear.
2d. Measure from top of opening of ear over top of head.
3rd. From opening of ear across the forehead over eyebrows.
4th. Send sample of hair of person and give age.
We shall furnish correct reading of 43 faculties and mention their
strength or weakness; how to make the most of your natural talent; how
to increase weak faculties quickly; which profession or business you
should choose; whom to select in marriage; how to manage and influence
others; why you fail and how to succeed.
You may also include in your application for reading, such questions as
are pertinent to you or the one whose character is sent for delineation.
All consultation and correspondence strictly confidential.
Address, LOUIS WILLIAMS,
President International Institute of Science,
Seattle, Wash., U. S. A.
Transcriber’s Note:
- Text that was in bold is enclosed by equals signs (=bold=).
- Text that was in italics is enclosed by underscores (_italics_).
- Text that was in small caps is in all caps (SMALL CAPS).
- New original cover art included with this eBook is granted to the
public domain.
- “Phrenological Charts” was not present in the table of contents
of the original text. Headings in the text were changed to match
the table of contents.
- Spelling was retained as in the original except for the following
changes:
Page 19: “aid in its deleneation” to “aid in its delineation”
Page 27: “satiny, is the evily” to “satiny, is the evilly”
Page 27: “the bilious, fault-finding, disatisfied” to “the
bilious, fault-finding, dissatisfied”
Page 27: “is the perfect phyiscal” to “is the perfect physical”
Page 29: “Au exhaustive chart of” to “An exhaustive chart of”
Page 29: “express condition that it” to “express condition that its”
*** END OF THE PROJECT GUTENBERG EBOOK KEY TO PALMISTRY ***
Updated editions will replace the previous one—the old editions will
be renamed.
Creating the works from print editions not protected by U.S. copyright
law means that no one owns a United States copyright in these works,
so the Foundation (and you!) can copy and distribute it in the United
States without permission and without paying copyright
royalties. Special rules, set forth in the General Terms of Use part
of this license, apply to copying and distributing Project
Gutenberg™ electronic works to protect the PROJECT GUTENBERG™
concept and trademark. Project Gutenberg is a registered trademark,
and may not be used if you charge for an eBook, except by following
the terms of the trademark license, including paying royalties for use
of the Project Gutenberg trademark. If you do not charge anything for
copies of this eBook, complying with the trademark license is very
easy. You may use this eBook for nearly any purpose such as creation
of derivative works, reports, performances and research. Project
Gutenberg eBooks may be modified and printed and given away—you may
do practically ANYTHING in the United States with eBooks not protected
by U.S. copyright law. Redistribution is subject to the trademark
license, especially commercial redistribution.
START: FULL LICENSE
THE FULL PROJECT GUTENBERG™ LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg™ mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase “Project
Gutenberg”), you agree to comply with all the terms of the Full
Project Gutenberg License available with this file or online at
www.gutenberg.org/license.
Section 1. General Terms of Use and Redistributing Project Gutenberg
electronic works
1.A. By reading or using any part of this Project Gutenberg
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg electronic work and you do not agree to be bound
by the terms of this agreement, you may obtain a refund from the person
or entity to whom you paid the fee as set forth in paragraph 1.E.8.
1.B. “Project Gutenberg” is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg electronic works if you follow the terms of this
agreement and help preserve free future access to Project Gutenberg
electronic works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation (“the
Foundation” or PGLAF), owns a compilation copyright in the collection
of Project Gutenberg electronic works. Nearly all the individual
works in the collection are in the public domain in the United
States. If an individual work is unprotected by copyright law in the
United States and you are located in the United States, we do not
claim a right to prevent you from copying, distributing, performing,
displaying or creating derivative works based on the work as long as
all references to Project Gutenberg are removed. Of course, we hope
that you will support the Project Gutenberg mission of promoting
free access to electronic works by freely sharing Project Gutenberg
works in compliance with the terms of this agreement for keeping the
Project Gutenberg name associated with the work. You can easily
comply with the terms of this agreement by keeping this work in the
same format with its attached full Project Gutenberg License when
you share it without charge with others.
1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are
in a constant state of change. If you are outside the United States,
check the laws of your country in addition to the terms of this
agreement before downloading, copying, displaying, performing,
distributing or creating derivative works based on this work or any
other Project Gutenberg work. The Foundation makes no
representations concerning the copyright status of any work in any
country other than the United States.
1.E. Unless you have removed all references to Project Gutenberg:
1.E.1. The following sentence, with active links to, or other
immediate access to, the full Project Gutenberg License must appear
prominently whenever any copy of a Project Gutenberg work (any work
on which the phrase “Project Gutenberg” appears, or with which the
phrase “Project Gutenberg” is associated) is accessed, displayed,
performed, viewed, copied or distributed:
This eBook is for the use of anyone anywhere in the United States and most
other parts of the world at no cost and with almost no restrictions
whatsoever. You may copy it, give it away or re-use it under the terms
of the Project Gutenberg™ License included with this eBook or online
at www.gutenberg.org. If you
are not located in the United States, you will have to check the laws
of the country where you are located before using this eBook.
1.E.2. If an individual Project Gutenberg electronic work is
derived from texts not protected by U.S. copyright law (does not
contain a notice indicating that it is posted with permission of the
copyright holder), the work can be copied and distributed to anyone in
the United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase “Project
Gutenberg” associated with or appearing on the work, you must comply
either with the requirements of paragraphs 1.E.1 through 1.E.7 or
obtain permission for the use of the work and the Project Gutenberg
trademark as set forth in paragraphs 1.E.8 or 1.E.9.
1.E.3. If an individual Project Gutenberg electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any
additional terms imposed by the copyright holder. Additional terms
will be linked to the Project Gutenberg License for all works
posted with the permission of the copyright holder found at the
beginning of this work.
1.E.4. Do not unlink or detach or remove the full Project Gutenberg
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg.
1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg License.
1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including
any word processing or hypertext form. However, if you provide access
to or distribute copies of a Project Gutenberg work in a format
other than “Plain Vanilla ASCII” or other format used in the official
version posted on the official Project Gutenberg website
(www.gutenberg.org), you must, at no additional cost, fee or expense
to the user, provide a copy, a means of exporting a copy, or a means
of obtaining a copy upon request, of the work in its original “Plain
Vanilla ASCII” or other form. Any alternate format must include the
full Project Gutenberg License as specified in paragraph 1.E.1.
1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg works
unless you comply with paragraph 1.E.8 or 1.E.9.
1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg electronic works
provided that:
• You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg works calculated using the method
you already use to calculate your applicable taxes. The fee is owed
to the owner of the Project Gutenberg trademark, but he has
agreed to donate royalties under this paragraph to the Project
Gutenberg Literary Archive Foundation. Royalty payments must be paid
within 60 days following each date on which you prepare (or are
legally required to prepare) your periodic tax returns. Royalty
payments should be clearly marked as such and sent to the Project
Gutenberg Literary Archive Foundation at the address specified in
Section 4, “Information about donations to the Project Gutenberg
Literary Archive Foundation.”
• You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he
does not agree to the terms of the full Project Gutenberg™
License. You must require such a user to return or destroy all
copies of the works possessed in a physical medium and discontinue
all use of and all access to other copies of Project Gutenberg™
works.
• You provide, in accordance with paragraph 1.F.3, a full refund of
any money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days of
receipt of the work.
• You comply with all other terms of this agreement for free
distribution of Project Gutenberg™ works.
1.E.9. If you wish to charge a fee or distribute a Project
Gutenberg™ electronic work or group of works on different terms than
are set forth in this agreement, you must obtain permission in writing
from the Project Gutenberg Literary Archive Foundation, the manager of
the Project Gutenberg™ trademark. Contact the Foundation as set
forth in Section 3 below.
1.F.
1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
works not protected by U.S. copyright law in creating the Project
Gutenberg™ collection. Despite these efforts, Project Gutenberg™
electronic works, and the medium on which they may be stored, may
contain “Defects,” such as, but not limited to, incomplete, inaccurate
or corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged disk or
other medium, a computer virus, or computer codes that damage or
cannot be read by your equipment.
1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right
of Replacement or Refund” described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg™ trademark, and any other party distributing a Project
Gutenberg™ electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.
1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium
with your written explanation. The person or entity that provided you
with the defective work may elect to provide a replacement copy in
lieu of a refund. If you received the work electronically, the person
or entity providing it to you may choose to give you a second
opportunity to receive the work electronically in lieu of a refund. If
the second copy is also defective, you may demand a refund in writing
without further opportunities to fix the problem.
1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of
damages. If any disclaimer or limitation set forth in this agreement
violates the law of the state applicable to this agreement, the
agreement shall be interpreted to make the maximum disclaimer or
limitation permitted by the applicable state law. The invalidity or
unenforceability of any provision of this agreement shall not void the
remaining provisions.
1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg™ electronic works in
accordance with this agreement, and any volunteers associated with the
production, promotion and distribution of Project Gutenberg™
electronic works, harmless from all liability, costs and expenses,
including legal fees, that arise directly or indirectly from any of
the following which you do or cause to occur: (a) distribution of this
or any Project Gutenberg work, (b) alteration, modification, or
additions or deletions to any Project Gutenberg work, and (c) any
Defect you cause.
Section 2. Information about the Mission of Project Gutenberg
Project Gutenberg is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new computers. It
exists because of the efforts of hundreds of volunteers and donations
from people in all walks of life.
Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg’s
goals and ensuring that the Project Gutenberg collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg and future
generations. To learn more about the Project Gutenberg Literary
Archive Foundation and how your efforts and donations can help, see
Sections 3 and 4 and the Foundation information page at www.gutenberg.org.
Section 3. Information about the Project Gutenberg Literary Archive Foundation
The Project Gutenberg Literary Archive Foundation is a non-profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation’s EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg Literary
Archive Foundation are tax deductible to the full extent permitted by
U.S. federal laws and your state’s laws.
The Foundation’s business office is located at 41 Watchung Plaza #516,
Montclair NJ 07042, USA, +1 (862) 621-9288. Email contact links and up
to date contact information can be found at the Foundation’s website
and official page at www.gutenberg.org/contact
Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation
Project Gutenberg™ depends upon and cannot survive without widespread
public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine-readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.
The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To SEND
DONATIONS or determine the status of compliance for any particular state
visit www.gutenberg.org/donate.
While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.
International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.
Please check the Project Gutenberg web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations. To
donate, please visit: www.gutenberg.org/donate.
Section 5. General Information About Project Gutenberg electronic works
Professor Michael S. Hart was the originator of the Project
Gutenberg concept of a library of electronic works that could be
freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg eBooks with only a loose network of
volunteer support.
Project Gutenberg eBooks are often created from several printed
editions, all of which are confirmed as not protected by copyright in
the U.S. unless a copyright notice is included. Thus, we do not
necessarily keep eBooks in compliance with any particular paper
edition.
Most people start at our website which has the main PG search
facility: www.gutenberg.org.
This website includes information about Project Gutenberg,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.
