The Project Gutenberg EBook of The Minstrel, by Lennox Amott
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org
Title: The Minstrel
A Collection of Poems
Author: Lennox Amott
Release Date: January 15, 2008 [EBook #24312]
Language: English
*** START OF THIS PROJECT GUTENBERG EBOOK THE MINSTREL ***
Produced by Irma Spehar and the Online Distributed
Proofreading Team at http://www.pgdp.net (This book was
produced from scanned images of public domain material
from the Google Print project.)
THE MINSTREL:
_A COLLECTION OF POEMS_
BY
LENNOX AMOTT.
Rura mihi et rigui placeant in vallibus amnes
Fulmina amem silvasque inglorius....
O, qui me gelidis in vallibus Haemi
Sistat, et ingenti ramorum protegat umbra!
--_Virgil._
LEWES: FARNCOMBE & CO.
1883.
LEWES:
FARNCOMBE AND CO.,
PRINTERS.
TO ONE, WHO AT ONCE COMBINES
TRUE SENSE WITH TRUE HONOUR,
UNSELFISH PRINCIPLES WITH UNSELFISH FRIENDSHIP,
WHOSE SPECIAL PROVINCE IS
TO SYMPATHIZE AND TRUST,
WHOSE ONLY FAULT IS HIS READY CONFIDENCE
IN NATURES
TOO UNLIKE HIS OWN,
TO
=Harold Matthews=
THIS WORK IS INSCRIBED, AS A JUST TRIBUTE
OF THAT ESTEEM, WHICH ALONE IS THE REAL SOURCE
OF ALL FRIENDSHIP,
BY HIM WHO HAS VALUED HIS SOCIETY IN THE PAST,
AND HOPES HE MAY LONG ENJOY
IT IN THE FUTURE.
[Illustration: HW: Lennox Amott]
_PREFACE._
I am fully aware of the fact that the present volume is but an
intrusion at the best; however, I trust my readers will be pleased to
overlook the many faults of a bagatelle as insignificant and pitiable
as its author.
In the following pages I have introduced the first canto of Midsummer
Idylls in a revised form, and it has been my especial care to correct,
as far as it was consistent with the meaning of the passage, any hitch
in the Iambic Measure which might offend the ear. An author has
himself to please as well as his public, and it has been to me a
matter of much study that the Iambics should be as pure, or at least
as tolerable, as circumstances would allow, though, while I can ill
permit an irregular or inharmonious line, I hope I may not be found
guilty of sacrificing sense to sound. I beg to tender those my most
cordial thanks who have dealt indulgently with my rhymes hitherto, and
to acknowledge, with profound gratitude, the kind encouragement of
those great men of letters who have condescended to notice so small a
bard. The opinions of the Metropolitan, Provincial, and Foreign Press
could not have been other than gratifying to me, and it is with a
humble hope of favour that I submit the following pages to a
discerning public.
LENNOX AMOTT.
_CONTENTS._
PAGE
MIDSUMMER IDYLLS--CANTO I. 1
" " --CANTO II. 38
" " --CANTO III. 79
BRIGHT SCENES MUST ALL DEPART 97
MY BEAUTY'S HOME 98
AH, HAST THOU GONE? 99
STANZAS TO A LADY COMING OF AGE 100
GOOD NIGHT 101
THE FRIENDS 102
ON PLUCKING A HEDGEROW ROSE 103
THE SHADOW OF A LIFE 104
ALONE 105
DRINK 106
THE MUSICIAN'S GRAVE 109
THE SUMMER SHOWER 110
WHEN THE TWILIGHT SHADOWS DEEPEN 111
[Illustration: Decoration]
MIDSUMMER IDYLLS.
CANTO I.
I.
It was the time of year when cockneys fly
From town to country, and from there to town.
I am not sure, but think it was July;
I would not swear it was, nor bet a crown,
When, as I told you, cockneys hurry down
In two hours' railway journey far away,
And rush to places of immense renown,
Bright with the thoughts of coming holiday,
Full well determined to enjoy it while they may.
II.
They were the days when all who care to wander
O'er the rude mountain or the fertile plain,
Must snatch the chance, and rush here, there and yonder,
And pack their baggage off by early train,
To rest the busy over-anxious brain,
And take to interests altogether new.
Some tear to Italy, and some to Spain,
For beneficial air and change of view;
What everybody does that I must also do.
III.
The sun was scorching, and the streets were dusty,--
Suburban roadways generally are,--
And everything seemed disagreeably "fusty,"
Merely because there was no watering car.
It was the weather when we feel at war
With all around and everyone we meet;
Old dames complained of aches unknown before,
Unused to battle with such dreadful heat,
Such truly fearful spasms, and such blistered feet.
IV.
The 'buses went by clockwork by the appearance;
Th' exalted driver, usually so deft,
Resented, in his doze, the interference
Of any one poor fellow-suff'rer left;
Of all his strength and energy bereft,
The weary horse dragged listlessly along,
And there appeared to be no effort left
In the sleepy trilling of the songster's song,
Which to the small suburban gardens did belong.
V.
Now the slow music of the organ-grinder
Smites the ear feebly at the noon of day,
He doffs his hat, as if for a reminder,
To those who wish him far enough away;
And noisy babes at variance and play
Join in the jangle of the grocery vendor,
And butcher boys have lots and lots to say
To fair domestics, who their hearts surrender
To, if not a butcher boy, a kettle mender.
VI.
But more especially I would direct
Your kind attention, reader, to a square
In that locality, tho' more select,
So thither now together we'll repair.
A bold and lofty tenement stands there
With flight of steps and massive portico,
Where dwelt three daughters infinitely fair;
Their age of course I'm not _supposed_ to know,
'Twas very rude I own to raise the question so.
VII.
But as you all seem anxious to discover
Their years, their fortune, and the gods know what;
To hear if each or all had found a lover,
If one engaged or if they all were not,
How many aunts and uncles they had got,
Their nic-nacs of domestic life beside,
Your indignation would be somewhat hot
If th' information were to be denied,
And since you'll have it so, the truth I will not hide.
VIII.
You know most ladies have some slight objection,
Some strange objection which they always raise,
And arm themselves as if for the protection
Of the sweet sanctum of their earlier days,
Toward those who flatteringly speak their praise
And ask in special confidence their years,
Who pass the time in fifty pleasant ways
And designate them "charms" and "pretty dears,"
Beset with all those unimaginable fears!
IX.
Of course none of my heroines were wed;
The eldest--fancy--only twenty-two!
At least so all the neighbours' gossip said,
And they, of course, were all who really knew;
Of medium height, and lovely spinsters too,
Charmingly gentle as they well could be,
With accomplishments and graces not a few,
As generous as one could wish to see,
The very pictures of sweet joviality.
X.
A dozen uncles and as many aunts
Were the idols of their precious little eyes;
And it was whispered that there was a chance
With Fate auspicious, of a great surprise
At some approaching day; 'tis never wise
To form conjectures or to fret and worry,
To count your gains before Aunt Some-one dies,
E'en though possessed of half the land in Surrey,
Or draw your own conclusions in too great a hurry.
XI.
All information, as perchance, you know,
Is second hand; I write as folks dictate;
A Mrs. B. tells Mr. So-and-So
Th' extent of some-one's personal estate;
He in his turn the same again will prate;
A Mr. C. has struck his little wife
Is the last movement worthy to relate,
'Tis now affirmed he took away her life,
In the next terrace where th' appalling tale is rife.
XII.
'Tis sometimes so, for other people's business
Wise men and women oft forsake their own,
Which may perhaps account for their remissness,
A tittle-tattle's never seen alone;
And by the time the idle tale has flown
From mouth to mouth, the truth in some disguise,
A trifling circumstance we find has grown
A crime of most unpardonable size,
And thunder-struck believers stare in mute surprise.
XIII.
But, sad to say, our friends were looking pale,
Our female friends, at least, I mean to say,
We will not try to penetrate the veil
Which hides domestic mystery away;
It was not often that they looked that way.
Perhaps the atmosphere of such a place
As the metropolis on such a day
Had made them faint, as often is the case:
The cause in feminines is often hard to trace.
XIV.
But still, methinks, it was the want of change
That blanched the buxom beauty of their cheeks,
The want of some secluded, pleasant grange
Away from town, for twelve or thirteen weeks,
The hilarity of right down country freaks
And rambles in the meadows bright and green,
Such as the "pater" usually seeks,
With charming walks and panoramic scene
And velvet-like ascents with verdant vales between.
XV.
'Twas evident the fair ones thought so too,
As they suggested to their fond mamma
A short peregrination, something new,
A rush to country and to town ta-ta,
For benefits obtained but from afar;
So 'twas arranged, when they could choose the hour,
To make a fourfold pounce upon papa,
And use the utmost of persuasive "flour,"
For all such daughters have this undefinéd power.
XVI.
'Twould be as well perhaps to mention here
A fact you all no doubt are sure to know,
'Tis necessary oftentimes to steer
Clear of surrounding difficulties, so
When an especial object lies below
The precision of your kindness and attention,
Snatch the right time (a glance may serve to show
If in a mood for jesting or dissension,
Domestic trials are too numerous to mention).
XVII.
It may be p'raps a trifling _mauvaise humeur_,
Papa may worry o'er his own affairs,
Or it, perchance, may be a downright "fumer,"
And judging from the countenance he wears
He may be vexed with sundry business cares,
A something he would not communicate,
In which the happy household never shares,
It is not wise it should, at any rate;
At least till matters have regained their even state.
XVIII.
The morn which followed this determination
Was just such as our damsels did desire,
Now all the world was out for its vacation,
In truth no opportunity was nigher;
All seemed to rise with spirits somewhat higher
Which were at most times jocular and gay,
And all agreed that they should seize their sire
A time befitting on that self-same day,
To coax him gently round to let them have their way.
XIX.
Paterfamilias, in his morning gown
And wool-knit slippers, comfortable and pretty,
To the radiant breakfast table trotted down,
Inclined to have some frolic and be witty
(As frolicsome as any in the City)
And chaff his daughters in his usual style;
Minutiæ omitted in this ditty,
For to relate 'twould not be worth the while,
I therefore must, my reader, meet you with denial.
XX.
The window,--French they called it, I'm not sure
If such in France are often to be seen,
Not quite a window, but more like a door,
'Twould do for both, whichever one they mean,--
Opened upon a lawn of smiling green,
Which, with a modest rockery behind,
Displayed, in fact, a most enchanting scene
To those who were at all that way inclined,
With such artistic taste was it indeed designed.
XXI.
Then with the arbour's rustic-like assistance,
And nimble Cupid with his bow close by,
The various colours melting in the distance
Lent quite a pleasing aspect to the eye,
And perhaps produced the very faintest sigh
For such-like beauties on a larger scale,
Where sweeping meadows meet the azure sky,
And florid milk-maids bear their bounteous pail,
And breezes waft the sound of winnow and of flail.
XXII.
'Twas here papa did often love to wander,
First in the shade, now in the pleasant sun,
And peep at this and that, and hurry yonder,
To see some potting properly begun;
He strolled to-day, a regular _Big Gun_,
Around the precincts of his bright domain,
His egg and toast dispatched. (Forgive the pun,
I promise I won't do the same again;
Frivolities like these oft run across the grain.)
XXIII.
Recovered? Yes?--So glad! Three daughters knitting,
Like three white butterflies upon the breeze
With evidently some design, came skipping
Round by the arbour in amongst the trees,
And if the truth were really known, to seize
Their innocent papa just thereabout;
'Tis wonderful how daughters coax and tease
At such auspicious times; I have no doubt
They stroked his handsome whiskers with a pretty pout.
XXIV.
_(No. 1 Daughter.)_ "Papa dear, don't you find the heat oppressive?
So thoroughly enjoyable you say,
I really think it's something quite excessive,
Much worse, in fact, than it was yesterday;
It quite upsets me;--no, I'm not in play,
Indeed I've been quite indisposed of late,
And vexed with ailments many and many a day,
With troublesome _ennui_ and _mal-à-tête_,
The Doctor thinks my nerves are in a wretched state!"
XXV.
_(No. 2 Daughter.)_ "Indeed 'tis so my dearest dear Papa,
We one and all seem quite to be upset,
'Tis hotter than last summer was by far,
At least so everybody says, but yet
Much hotter than last June it could not be,
And that's what I think, what do you think, pet?
To sit indoors 'tis like a nunnery,
With nought to do but tamely sit and knit,
In fact I never liked such quietness a bit!"
XXVI.
_(No. 3 Daughter.)_ "'Tis my impression that we ought to go
Away from home, as other people do,
The Doctor recommends a change and so
Just think how very nice 'twould be for you;
I'm sure you must be wanting something new,
Away from dusty ledgers, old and brown,
You seem quite tired out sometimes--'tis true,
You really ought to go away from town,
To Hastings or to Deal, and we could all come down.
XXVII.
"Then let us go, Papa dear, I am sure
Such bright enjoyment you can ne'er forbid:
Now say so darling, is it not so? for
You would be very wicked if you did:
'Twould do you good besides in getting rid
Of horrid London and incessant noise."
Here to her father's side his daughter glid,
And kissed his cheek (what girls like from the boys)
Just as a baby loves to fondle all its toys.
XXVIII.
Papa looked grave but didn't say he couldn't
Or put it off until another year,
But simply said he saw not why they shouldn't,
Then seemed a little pleased at the idea;
And to his fav'rite girl said, "Well, my dear,
We will discuss this subject at our leisure,
I'll see if any hindrances appear,
I have at present an unusual pressure
Of business to attend to: duty first, then pleasure."
XXIX.
They kissed him fondly, all of them, and flew
Straightway indoors to talk the matter o'er,
They all were anxious Ma should know it too,
And met that worthy matron at the door
Who liked the thought of merriment in store,
And reveled in it just as much as they,
For things a very pleasant aspect bore
While all were thinking of the happy day,
Talking of all their wants e'er they should start away.
XXX.
And now of course there was incessant chat
Concerning what to take and where to go,
To see if this arrangement suited that,
Or that arrangement suited so and so;
'Twas well to balance matters thus you know
And settle all before the time arrived,
To milliners and hairdressers to go,
To purchase and have ostrich-plumes revived,
Of ornaments like these they could not be deprived.
XXXI.
There was, there naturally would be too
In such a case as this, a long debate;
One said that Yarmouth was _the_ place, she knew;
Another said it was by far too late;
And someone else suggested Harrogate;
Another sneered at such a daft suggestion,
For _that_ above _all_ places she did hate
And Torquay was the best there was no question:
But listeners evidently wanted good digestion.
XXXII.
"And," quoth the eldest, "there's Llandudno also."
"Why," quoth another, "have you got no sense?"
Mamma, requesting that they shouldn't bawl so,
Pronounced this far too utterly intense.
The eldest charm continued in defence,
Bespoke the Gulf Stream and the balmy air;
Whereon the mater, taking great offence,
Declared she wouldn't _think_ of going _there_--
She'd sooner go to Seven Dials, or anywhere.
XXXIII.
After which outburst, sweeping through the door,
A flood of tears gushed freely from her eyes,
And, stretched upon the _canapé_, she swore
That she was far too indisposed to rise,
Though afterwards she did, with many sighs--
A smelling-bottle and some small assistance;
Grieved that her daughter to her very eyes
Should offer her such resolute resistance.
From then she essayed to keep the subject at a distance.
XXXIV.
However, after some few days had passed,
With their disputes and matters of vexation,
They came to something definite at last
Without much further tedious altercation;
When each one deemed it her own commendation
That set the point so thoroughly at rest,
And each had come to the determination
The course she had adopted was the best;
A course, perhaps, my reader never would have guessed.
XXXV.
Ah! would you like to hear? then I will tell.
They had arranged to take a country seat;
Perhaps the choice was happy--very well,
They chose a pretty house and farm complete,
Such as where solitude and pleasure meet,
With everything that comfort could devise,
A smiling garden, sweetly gay and neat,
Old-fashioned, though of most convenient size;
For such as this precisely did they advertise.
XXXVI.
They did not call it as folks love to do,
In bustling centres of incessant trade,
And leafless acres, though perhaps a few
Pet dandelions blossom in the shade
Where other vegetation will all fade,
And parch to yellow in the smoky court,
Where a solitary sunbeam might have strayed,
And all the gloomy atmosphere is fraught
With all that's dank and filthy of the human sort.
XXXVII.
In towns of more than ordinary size
Retreats suburban please the public eye;
But occupants their villa homes disguise
And strive to imitate the great and high
By striking names and such-like mimicry;
They choose them mainly for a good address,
We see it as we pass the villa by,
And with a smile we mark its rottenness.
This evil's very prevalent you must confess.
XXXVIII.
Such homes are now designed for outward show,
No matter what their quality may be,
And many would much rather have it so
Preferring to all else the quantity;
But everyone most certainly is free
To do as he or she considers best,
Of course it never has affected me,
Yet hollow show I really do detest;
But 'tis a theme of no immediate interest.
XXXIX.
It is so fashionable now-a-days
To give one's dwelling some fantastic name
To recommend it to the stranger's gaze,
Or afford it an imaginary claim
To more gentility than others; 'tis the same
In the metropolis, for folks arrange
(Flighty mammas, perhaps, are more to blame)
To call their homes "The Beeches" or "The Grange,"
For probably they think 'twill be a little change.
XL.
I don't condemn such names upon the gates
Of princely piles of luxury and ease,
Where the powdered footman silently awaits
My lord's commands and wishes, till he sees
What he can do to magnify or please;
Who sternly checks the smile that he would hide,
And reverently bows with straightened knees
When perhaps his lord is pleased to coincide,
And waits for the dismissal from his master's side.
XLI.
Where stately griffins guard by day and night
The pillared pomp of birth and fortune, whence
Reel peals of laughter, where the gasp for might
Palls on the throne of vast magnificence;
Where halls superbly mirrored, every sense,
And every wish, all hope, each separate sigh,
With endless epicurean intents,
Are planned to please, are reared to gratify,
While balmy perfumes float o'er th' marble masonry.
XLII.
But pardon the allusion; I intended
Merely to mention what is but too true.
I really hope I may not have offended
Any, in short--particularly you,
Submissive reader, to whom thanks are due
For having borne with my caprice so long,
And your forbearance, I hope, you will renew
Until the utmost limit of my song;
I'll do my best to entertain you all along.
XLIII.
The house of which I spoke to you before
Was Elleston Farm, nursed in a lovely vale,
Within the music of the shingly shore,
And close above full many a snowy sail,
On the blue wave, the wand'rer's eye would hail,
And the cool breeze from off the glist'ring sea,
Would bring soft reminiscence in its trail
Of scenes long past, of childhood's jollity,
And many a soaking ramble on a holiday.
XLIV.
I must describe. It was a mansion old;
Across its walls each black yet mossy beam
Gave it the look of years and years untold;
In style it did Elizabethan seem,
And, with its jutting windows, we should deem
It to have been a comf'table repose,
Such as, with th' ruddy sunlight's western gleam
Upon the small-paned casement, and the rose
Above the portal, would dispel all worldly woes.
XLV.
The chestnut team, the mill pond and the quack
Of ducklings discontented with their lot,
The grunt of pigs itin'rant, and the stack--
All lent a happy charm to such a spot;
There might be seen upon the labourer's cot
The blooming jess'mine loading all the air
With fragrant perfume; and the garden plot
Of many colours, grateful for the care
Bestowed upon it, of delight gave its full share.
XLVI.
The meadows, bright with buttercups and hues
Of ev'ry shade, before the pleasèd eye
Rolled their ripe richness, and the sweeping views,
Such as in Eastern England sweetly lie,
Smiled far away in vast variety,
Tinged with the orange of the sinking sun,
Until the distance melted into sky.
Such scenes are sweet when even has begun,
And rooks are idly cawing, and the day is done.
XLVII.
O God, teach us to feel what joys are these!
How dear these pleasures momently renewed!
Teach us to humbly fall upon our knees
In speechless praise, in silent gratitude;
These are the hours, O Lord of Solitude,
When hearts in love must upward turn to Thee,
With every comfort, every charm imbued,
And all that's peaceful; when tranquillity
Steals softly o'er the bosom and lulls its rolling sea.
XLVIII.
Such scenes are dear, for they have pow'r to allay
Fears of the fearful, troubles of the tried,
To smooth each anxious pain, all griefs, away,
That ceaseless in the human heart abide,
Have power to soothe, to cast cold care aside;
Bid cords of Hope inanimate vibrate,
Th' insatiate longings of the soul subside,
And curb the stormy passions of the great,
Make earth a heaven, and holiness preponderate.
XLIX.
What is Ambition? what is Pride? and this
That boils the blood and parches all the frame;
That stirs the breast to ecstasies? What bliss,
What bursts of glory in a mighty Name!
But what of these! to me 'tis all the same
Whether a humble cottage or a throne.
What, what to me is Glory? what is Fame?
Give me the woods and let me be alone;
I want no marble bust, I ask no graven stone!
L.
I err,--but pardon me, I am a fool,
Like some few others that I used to know;
The truth is, I was taught to be at school,
So Precept and Example tend to show.
But never mind, I deem it quite below
The faintest notice of a rusty pen;
'Twill tell my readers what respect I owe,
How very much I thought of people then,
Who should have been exhibited in a cattle-pen.
LI.
I wish them well, of course, but must proceed.
The cook was really to be left behind,
Which doubtless _she_ thought very nice indeed.
She was a cook so jolly, yet refined,
Wore bright kid gloves (the colour undefined),
And finery of every sort and hue
(I couldn't tell you if I had a mind),
Like wealthy folks, as servants always do;
And terrible mistakes sometimes embarrass you.
LII.
The morn was brilliant and the packing done,
And all were in the very liveliest mood,
Although, of course, there was no time for fun,
And jokes were too untimely to be good.
The first cabdriver must have been endued
With strength, for this occasion, from above
He _was_ so mighty, and his attitude
Betokened he was instantly in love
With cooky, smiling on her, charming little dove!
LIII.
He quite forgot (although perhaps you doubt it),
With love for cook, what he'd to sup'rintend;
They had two cabs, that's all I know about it,
And, Gracious knows, their luggage had no end.
And everybody thought they did intend
To find th' remotest corner of the earth,
Wherever that was. I can't comprehend
Who in the dickens gave such stories birth,
Still of frivolities like these there is no dearth.
LIV.
Then servants, two, Pa, Ma, and daughters three,
All drove in madcap hurry to the station,
In fact, they might have tittered "Seven are we"
Had they remembered the superb quotation;
But Julia (housemaid) made some lamentation
About some best back hair she'd left behind,
But all was done to soothe her perturbation
Till she became more quietly inclined;
This nat'rally destroyed her usual peace of mind.
* * * * *
LV.
They had arrived, and all was, out and in,
Superlatively pleasant to behold;
The views themselves were highly int'resting,
As well as all the creatures of the fold
With which they all were pleased, so I am told,
Which was a comfort for their cherished pater,
Who was just then quite worth his weight in gold,
His bed-room full of bank notes; from these data
I must defer the calculations until later.
LVI.
They laughed and chatted and explored the house,
With its dark oaken gallery, and flight
Of massy polished stairs, and saw a mouse,
P'raps three or four appalled their wond'ring sight;
But each new comfort gave them fresh delight,
And as they peeped through each dark-curtained door
All seemed so perfectly compact and bright,
Indeed they seemed to like it more and more,
For they had never entered such a house before.
LVII.
The furniture was heavy in its kind,
And all the drap'ry was of sombre shade,
Evidently in days long past designed,
And diamond casements, I before have said,
Looked on a lawn, in richest green arrayed,
And lands beyond unto the distance blue
Where king-cups blossom'd in the silent glade,
And all the flow'rets of the forest grew,
And pearly streams were tinged with their reflected hue.
LVIII.
Upstairs the rooms were hung with glacé chintz
(So like the good old farm-house of past days),
Which gave them a variety of tints,
And pleased at once the weary stranger's gaze;
The doors themselves were covered with green baize
Hidden with crimson curtains, and each bed
Was draped in style that claimed the greatest praise
In charming sky-blue intermixed with red,
With pockets of unique design above the head.
LIX.
They fed the pigs with biscuits, and the fowls
Were soon quite reconciled to their new friends,
And the great shepherd-dog's uncivil growls
Had quite subsided and, instead, he sends
His kind regards for various means and ends;
And I expect, if th' real truth were known,
He had an appetite, which always tends
To make uncouth pups civil for a bone;
To use civility in this way some are prone.
LX.
Sometimes, like others do, they drove about
With a _recherché_ little chaise and pair,
And they enjoyed a pic-nic oft no doubt
In pretty spots now here and sometimes there;
And we all know the fingers of the fair
Arrange these matters sweetly, for they suit
Matters requiring delicacy and care,
The choice of flowers, the arrangement of the fruit,
And digging ferns up without injuring the root.
LXI.
They loved to play at croquet on the lawn,
Adventurously rove a league away,
Or bend their steps upon the summer morn
(A mile it was, I fancy), to the bay,
Taking a biscuit-luncheon on the way.
To wander o'er the shining, yellow sands,
Quiet and lone, and watch the snowy spray;
And take the curious seaweeds in their hands,
Then homeward turn obedient to Papa's commands.
LXII.
Yes, those were jolly days; and now the fields
With happy haymakers were scattered o'er,
And Papa went to know their different yields
Through quite a hundred acres, if not more,
Not less, at any rate, I am quite sure;
And all his daughters had some first-rate fun
(They always had some merriment in store)
For haymaking to learn they had begun,
And often had a romp beneath the baking sun.
LXIII.
In fact it gave them something nice to do,
Moreover 'twas a fav'rite occupation,
And that chanced very fortunately too;
Meanwhile they liked some light confabulation,
Making arrangements for their bright vacation,
And plans far too entangled, I'm afraid,
To enumerate in this uncouth narration,
For if upon such topics here I strayed,
'Twould take from now till doomsday, so it's best unsaid.
LXIV.
They'd had a call or two from neighbours near
Whose company was jovial as could be;
So their Mamma first started the idea
That they should ask three gentlemen to tea
Out in the hayfield, where they would be free,
To help in tossing o'er the scented hay;
Then all assemble underneath the tree,
And chatter anything they'd like to say,
While Julia handed round refreshment on a tray.
LXV.
All was decided, and a note was sent,
Penned with Mamma's gold pen and sealed with care,
And Julia brought a note to the intent
That they would be most happy to be there;
And whereon everybody did declare
They were the nicest folks beneath the sun,
And Julia did most naturally stare
To hear the happy thing that they had done,
And longed to see arrangements instantly begun.
LXVI.
The daughters three received exact directions
How to do all things and go everywhere:
Concerning all their musical selections
And all about the "skirts" they had to wear,
How they should dress and e'en adorn their hair,
What rings to show, whether diamond or not;
Injunctions to observe the greatest care
In choice of stockings, and I don't know what.
(They were to be like fairies in Calypso's grot.)
LXVII.
Of daughters all they were the most adored
I honestly believe. Mamma impressed
The fact upon them that a certain Lord
Was of _her_ family, tho' dispossessed
Of all he had: of course you know the rest,
He had been acting very ill, you see.
But they should make acquaintance with the best,
For think what claims they had of pedigree!
(Misfortune always lends a grace to dignity.)
LXVIII.
They were to see the maid decant the wines,
They were to give the gentlemen their dues,
They were to be _distinguées_ to the nines,
They were, in short, to mind their p's and q's.
Their darling mother never would excuse
A breach of etiquette, however small,
'Twere better far, if e'en they fail'd t' amuse,
To do the honours well or not at all,
No matter when or where, at _any_ festival.
LXIX.
In fact, 'twas this my reader, as you see,
For one high-born like her all _must_ be right;
For she was of the aristocracy
And therefore quite expected to her sight
None would present himself, unless the height
Of spotless honour and of gentle birth,
In fewer words--and everything polite.
_She_ was of more than ordinary worth,
One of the noblest from Thanet's Isle to Solway Firth.
LXX.
But she had seen her fifty years of life,
So her young days for ever had swept by,
And back to days e'er she became a wife
She looked and for them breathed a lingering sigh,
(As women often do upon the sly.)
To tell the truth, my reader, I don't blame 'em
For thinking hardly of the marriage tie,
Most men's delight is not to love but tame 'em,
I know a score but 'twouldn't do to name 'em.
LXXI.
No doubt she'd danced with all the proud and high
And revelled in the pomp of this vain earth,
Enjoyed that mimic farce--Society,
Entitled by significance of birth,
But what of this! Society's not mirth,
It has its fairer and its darker side,
The one is worth, the other--want of worth,
What are the hollow luxuries of Pride?
Oh gaze not on the gloom its dazzling tinsels hide!
LXXII.
How nice it is to dash about in style
With prancing steeds thro' all the whirling west
Of mighty London, under Fashion's smile,
(Tho' redundant pleasures even can molest)
And feel one's happy self supremely blest,
And bowed to by a "humble flunkey flat,"
With endless formal courtesies oppressed;
To flirt with Baron this or Lady that,
And mix with all the great, the honoured of the state.
LXXIII.
Roll to the theatre, too. Upon the board
Gaze on the actor--paralyzed and dumb,
Till, like one man, ten thousand hands applaud,
From the palpitating auditorium.
See from the boxes all the purses come!
How riveted admirers pause aghast!
Hear the excitement in the stifled hum!
And see the tears of each enthusiast!
Look! ere the actor has before the curtain passed.
LXXIV.
Turn on the lights! Let the besweated crowds
Shriek as the music swells, now high, now low
For all to-morrow slumber in their shrouds
Who drained excitement's cup an hour ago!
Watch flitting beauty, nymph-like, come and go,
Fan the scorched cheek and quaff the bright champagne,
Around the circles see the diamond-glow,
Revel in laughter, think no more of pain!
See! see! the blind ascends and all begins again!
LXXV.
Put up the opera-glass and scan the stage,
On crimson piles luxuriantly recline,
And see the premature decay of age
Transformed to youth, a lovely columbine!
While th' gorgeous tapestries of rare design
In rich profusion hang in heavy fold;
See every pantomimic splendour shine
Like glist'ring starlight, opal, pearl, and gold,
Mirrors reflecting mirrors, countless and untold!
LXXVI.
But some folks always spend the night in gaming,
Or very nearly so, at any rate,
And other vices hardly worth the naming
(But we, of course, are not immaculate),
Then think of rising very, very late
After a night's debauch and dissipation
And rolling homewards with unsteady gait
(Perhaps 'twas after the red-hot gyration
Of the previous evening). Ours is a sad nation!
LXXVII.
The breakfast lies untasted, for the tea
Is not the nectar-like concoction (such
As accompanies the dice and play-room) we
Are very fond of (for we take too much),
And therefore home supplies we cannot touch;
In all and everything we are undone,
Lips parch, head whirls, was never such
A wretched plight; indeed we're not A 1.
We think we have remaining money but have none.
LXXVIII.
But 'tis too bad I know;--again I've erred
And deviated sadly from my tale;
I'm sorry that it should have thus occurred,
I know, and you know too, that I am frail
And everything I've said is very stale,
At least it is to me, I daresay too
To some of you on p'raps a different scale,
Much more familiar, if one only knew.
It is quite marvellous what some can bustle through!
LXXIX.
The day arrived; the sun was shining brightly
As it was necessary that it should,
The rooms were swept and all that was unsightly
They hid away as quickly as they could;
And then the edibles, both many and good,
Julia and Hannah carried to the spot
(The nearest way was through the primrose-wood)
And then turned homeward with a merry trot,
And waited for the time t' arrive; and who would not?
LXXX.
The edibles consisted of a ham,
A vase of clotted cream, two pigeon pies,
Some cakes of every sort, a breast of lamb,
Eggs, bread and butter, as you would surmise,
A calf's head, too, of an enormous size,
Ripe strawberries and currants red they laid
On fresh green leaves (so nice to hungry eyes),
Oporto iced, some "pop" and lemonade;
Besides some other delicacies they had made.
LXXXI.
They, too, supplied some cans of country beer
For the lab'ring men, and half-a-crown apiece
For them to have some downright merry cheer;
The question was--where did their bounty cease?
So fast their acts of kindness did increase,
So welcome were they to the neighb'ring poor
To whom their homely smile was joy and peace,
And to whose cottages they often bore
Some small addition to their little cupboard store.
LXXXII.
I picture, as I write, the little scene:
The dwelling clustered o'er with roses white,
The parlour with its ruby bricks so clean,
And all within so happy and so bright.
I would exchange my being, if I might,
With him whose life-long day is so serene,
Whose eve knows no lament, whose morn no blight,
Whose every hour is tranquil in between,
Whose hopes are ever fair, whose joys are ever green.
LXXXIII.
But other bards are present, let them sing
Of such as these; each condescending Muse
Shall teach her fondling how t' awake each string,
And tinge each mouthful with ambrosial hues,
And keep him very well in boots and shoes.
_Here_ some dwarfed harmless poetaster rhymes
Whose very name gives list'ning fools the "blues,"
Not only here, alas in other climes,
Which must not be, of course, in these prolific times.
LXXXIV.
There's Francis Palgrave, there's Rosetti too;
Trill on, ye two, the song of future years,
Move, Palgrave, move, with bosom rent anew,
An audience multitudinous to tears;
Scratch on with quill unwearied and no fears,
The world shall fling thee thy resplendent bays,
For Popular Opinion safely steers
His barque upon the river of thy praise.
The stars themselves shall pause to listen to thy lays.
LXXXV.
The visitors expected smartly drove
Up to the gate, and Julia showed them in,
Dressed in her best (a sickly-looking mauve);
She also wore a most audacious grin,
Which Mistress too was far from favouring,
And it was clear a "lecture" was in store,
Most of us know what that means; for some sin
Many have I myself received before;
I'm never naughty now; _that_ was in days of yore.
LXXXVI.
Full twelve or fifteen minutes had expired,
Before the salutation part was done,
And they, poor chaps, were doubtless very tired,
Quite tired enough, before it had begun.
(Just think of all that distance in the sun!)
As usual, everlasting "hows" and "whens,"
And kind inquiries mixed with pretty fun
Were passed from mouth to mouth, which always tends
To show how much our joy on others' joy depends (?).
LXXXVII.
But really and truly, joking all aside,
One of our friends, the tallest of the three
I think it was, but cannot quite decide,
Was handsome as a man could hope to be,
I only wish that he'd exchanged with me;
Such depth of eye and such a princely frown!
I wish, my friends, that you'd been there to see
His small white hands and his moustache of brown,
Indeed 'twas worth a journey all the way from town.
LXXXVIII.
It is, I think, a matter of opinion
What style of face is sweetest to behold,
Whether Malay or Greek or Abyssinian,
Italian I have oftentimes been told:
Malay I think expressionless and cold,
Tho' some admire its sweet simplicity,
But I'll observe, if I may be so bold,
It must be far-fetched eccentricity;
At least I can't discover such felicity.
LXXXIX.
Down to the hayfield numerous forks were sent,
The ladies took the lighter ones to use,
And all were jovial to a great extent;
The gentlemen related all the news
And cheerfully did everything t' amuse,
When a mischance occurred, picked up the forks,
(What gentleman I wonder could refuse)
And helped t' unload and pull out all the corks
And arranged some ladies' nosegays, cutting off superfluous stalks.
XC.
Upon the grass the damask cloth was laid,
And the repast looked wonderfully nice,
Spread, as I said it would be, in the shade,
With every summer dainty to entice,
Especially the lemonade and ice
(Coffee for those who coffee did prefer),
And Julia, too, was charmingly precise,
(To which it is but justice to refer)
Than her sweet smile nought could have been much prettier.
XCI.
From three crossed sticks above a faggot fire
The water-vessel sent they did suspend
As people mostly do, with twisted wire;
Much care and labour too they did expend,
Determined that their visitors should spend
A very merry evening, which they had,
For there was merry-making without end,
And all the company made very glad;
Considering all things, its success was not so bad.
XCII.
The host was irresistibly polite;
"Now _do_ try this" he pressingly would say,
Until it was a positive delight
To pass your plate and let him have his way;
Indeed he scorned the very thought of "Nay;"
The ladies, though they chatted gaily, thought
Of lots and lots of things they'd like to say,
But couldn't then, you know, for they'd been taught
At such a time to smother feelings of the sort.
XCIII.
Pop went the corks, the ladies screamed with fear
And put their handkerchiefs before their face,
Then stuffed their ears so full they couldn't hear
And each one made a terrible grimace,
Begging that to some farther distant place
The bottles should be pointed; then, alas!
All ran away as though they ran a race,
When each had managed to upset her glass
On the corks banging, like a timid little (l)ass.
XCIV.
The ladies then, with one consent, declared
The gentlemen to be too good by half,
That angels with them could not be compared;
Then everybody had a hearty laugh;
The "charms" indulged in various little chaff
And gave the gentlemen some dreadful "whacks,"
I do not mean with their Papa's old staff
But with their little hands, across their backs,
Observing they deserved quite twice as many smacks.
XCV.
Rowland, our handsome friend, pronounced the pies
Of all he ever liked to be the best;
Lionel, too, bespoke the strawberries,
And Gilbert loved the currants, he confessed;
In short, the gathering was the loveliest
Of all the gatherings they had ever known,
And each, of course, was proud to be a guest;
The ladies sighed how fast the time had flown;
That they were sorry everybody there did own.
XCVI.
Then (at the special signal of Mamma)
The labourers came to take some little cheer;
They doffed their hats and shouted thrice "Hurrah!"
When they had polished off a little beer;
But took the treasure while a burning tear,
Unchecked and gentle, trembled on the cheek
And damped the furrows of full many a year,
And fettered up the lips; thankful and meek,
Each rustic bent his toil-worn brow, but could not speak.
XCVII.
And each one passed his rough and heavy sleeve
Up to his face, across his briny eye;
What human breast that tears may not relieve?
What cheek that tears can never beautify?
They moved away and sauntered leisurely
Back to their toil, back to their daily bread,
Then homewards. In the evening's streaky sky
The crescent moon gleamed faintly overhead
And whispered that their little ones were hushed in bed.
XCVIII.
Our friends and visitors withdrew inside
Now they had tossed the hay and had their fill,
And it was proper time they should, beside--
The fields were getting positively chill;
The gentlemen sat down and rested till
The trap was ready, and the lamps were lighted,
And pleased they were to chat awhile, but still
It made the journey tedious if benighted;
Of course they mentioned they'd been thoroughly delighted.
XCIX.
Then scribbling autographs seemed all the go,
And music took the place of tossing hay,
With various small etcetera, and so
It came about they should not go away
Before they'd promised for another day.
Of course what could they say? they said they would,
And highly pleased they all were I daresay;
And so between them all 'twas understood
They had arranged a pic-nic near some distant wood.
C.
Meanwhile the horse was getting slightly frisky,
Impatient quite to trot his homeward road;
Of course our friends must have a glass of whisky,
The frisky horse, the trap, and all be blowed:
As long as they arrived at their abode
It didn't matter and they didn't care,
And all these circumstances only showed
They were in no great hurry to be there,
Perhaps preferring to remain just where they were.
CI.
But still the parting came: as for adieus,
They lasted just as long, I do believe,
As all the "Hows" and "Whens" and "How d'ye dos"
On their arrival,--no, I don't deceive;
They all took "quite excruciating" leave,
And Julia hurried up and held the gate,
For which a florin-piece she did receive,
Then hurried back in quite a frantic state,
Indeed her eyes with very pleasure did dilate.
CII.
Now they were all alone, the day was o'er,
The blinds were down and all the shutters closed,
Julia was sent to bolt the garden door,
And all did whatsoe'er they felt disposed;
Mamma, with covered face, lay down and dozed,
Papa and his three daughters played at loo,
It was a pleasant pastime they supposed,
I almost think it must have been, don't you?
But everybody wished the day would dawn anew.
CIII.
They went to bed, as weary people must,
Earlier than usual, after having played
Three lovely games at loo, and then discussed
The nice refreshment in the pleasant shade;
And I am sure they must have been repaid
Quite amply for their trouble in the pleasure
Of hearing all the gentlemen had said,
For Dora seemed amused beyond all measure--
(She was the eldest one, you know, and such a treasure!)
CIV.
The household said good night to chat and cards,
They were, at least they seemed to be, worn out;
And 'tis the same, I think, with tiny bards,
For they, too, must leave off sometimes, no doubt,
Most folks, I know, would rather be without
Such nuisances as we are at the most,
And I myself am but a lazy lout,
For dallying all my time amongst the host
Of scribbling dolts; but writing verse is not my boast.
CV.
Good-bye, my friends, for now, I really think,
'Tis time to pause for I have croaked so long,
To lay aside my paper, pen and ink,
And hush the grating measure of my song,
Your kind applause may not to me belong,
It might have been much better I'll agree,
But if you'll just decide to come along--
With a forgiving heart--along with me,
We'll both shake hands upon the subject merrily.
CVI.
It is a pity fools are prone to scribble,
Such pigmy rhymesters as sincerely yours,
Who flabbergast their nursery-maids and dribble
All down their literary pinafores.
All men form two divisions--first, the Bores,
Next, those who must incessantly be bored;
To those who can explain I leave the cause,
Or him who said so ('twas a certain Lord)
His name it is not necessary to record.
CVII.
I want a rest, I blink, I see some authors,
And laurel wreaths and pens both great and small,
But weirdly mixed with inkpots, cups and saucers,
Floating in air like things ethereal;
How dare such stupid things intrude at all!
There, let me sleep for Goodness' Gracious' sake,
I really shall not answer if you call,
I'll finish up my story when I wake;
Hush, hush, my darling, hush, else rest I cannot take.
[Illustration: _End of Canto I._]
[Illustration: Decoration]
CANTO II.
I.
Good day, and how d'ye do my friends and neighbours?
I must have dozed upon my easy chair;
I feel refreshed and recommence my labours,
And urge my soaring Pegasus through air,
Nor ask his destination or his fare,
It matters not to me, and I resume;
But not to dose you more than you can bear,
To take my flight with others, I presume,
And why not so, my friends, since there's no lack of room?
II.
You know I am a careless sort of fellow
On whom no living being spends a wink,
So stand aside and let me have my bellow,
You surely will not grudge me pen and ink!
I've little doubt that if you stop to think
You'll recollect I've met you once before,
I'm not the humbug who would wish to shrink
From friends of old, and so let's have your paw;
Of course 'twere better we were friendly to be sure.
III.
You know my failing and you will forgive it,
Or "_lump it_" p'raps (to use a common phrase),
Yet, as with most objections, you'll outlive it
Before the lapse of very many days;
The fact is this, I never look for praise
And never want it, for I quite intend
To abandon rhyming and amend my ways,
And utilise the moments that I spend
In such-like nonsense, towards a more befitting end.
IV.
I have my likes, great likes, great dislikes too,
'Twere well did I just one or two rehearse;
I hate to see a fool his ways renew,
I hate to see a youngster scribbling verse;
And now, my friends, just think, what can be worse
Than wasting time when we've so little of it?
But waywardness will surely prove a curse,
They tell me that I ought to be above it,
That is to say, my kinsfolk and belovëd.
V.
But something strange impels me to the task,
And here am I complaining while I write
Of human nature. Of myself I ask--
Now am I doing wrong or doing right?
'Tis hard indeed (I find it so) to fight
(However perseveringly I try,
And more particularly so to-night)
Against this most uncouth propensity:
Most likely tho' I shall grow wiser by and bye.
VI.
But I'll proceed--I never see the use
Of giving up a task when once begun,
Besides it's nonsense urging an excuse,
Just let me end my tale and I am done.
Why, there's the breakfast bell, and, ten to one,
Those girls are fast asleep, and what d'ye bet?
And Julia's just been waking them, what fun!
Ah, very well, you've lost, and don't forget
That you are now, let's see, a florin in my debt.
VII.
The girls were late indeed and no mistake;
Unutterably tired I should say,
But Julia said they all were wide awake,
And so 'twas useless making more delay.
Mamma proceeded in her usual way
To order in the breakfast then and there,
Concluding 'twas the excitement yesterday,
For waiting long was more than she could bear;
So after having kissed papa she took her chair.
VIII.
Papa consulted the barometer
To gain some knowledge of the coming weather,
Then stared and took out his chronometer,
Remarking it was funny altogether;
He rang the bell in order to know whether
His daughters really had begun to dress,
And Julia, quite as light as any feather,
Swept in and pertly answered, "Yes, Sir, yes,"
Much to his satisfaction, doubtless, you may guess.
IX.
They all came down to find the breakfast cold,
And there was then and there a great "to-do,"
Mamma felt very much disposed to scold,
And answered their excuses with "pooh-pooh:"
I think 'twas rather too bad tho', don't you,
Since they had done the very best they could
To entertain their visitors all through?
But there! she only scolded for their good,
And 'twas not well for them o'er such-like things to brood.
X.
For several days they were not quite the thing,
To judge from all appearances at least;
Their youthful levity had taken wing,
And all excursions for the present ceased;
And momently their restlessness increased,
The sketch was left unheeded: incomplete
The slippers they were knitting ere the feast,
And faded garlands strewed the arbour seat,
Now silent and neglected was that cool retreat.
XI.
But still this feeling's always more or less
Shortlived, I find it so, at any rate,
Altho' not always easy to repress,
We very soon reclaim our normal state:
'Twas so in this case, happy to relate,
For soon they all were lark-like as before,
With all their usual buoyancy innate,
Indeed they took to frolic more and more;
They were the liveliest feminines one ever saw.
XII.
It somehow chanced one night they could not sleep,
They did not even doze, but wakeful lay;
Oblivion's mists their senses did not steep;
Whatever was the cause I cannot say;
So they commenced to chat the time away,
Their rooms were quite convenient for it too,
Then on to various topics did they stray,
And long forgotten converse did renew:
No doubt 'twas quite enjoyable, they thought so too.
XIII.
At last, of course, they didn't wish to doze,
Preferring to prolong the conversation;
And still suggestions one by one arose
Which only met with their disapprobation;
And jokes were cracked in lively alternation:
From sundry rappings "peal on peal afar"
Occasioning surprise and consternation
I'm half afraid that they awoke Mama,
And, dozing sweetly too, most likely their papa.
XIV.
This was effectual to some extent,
They brought their voices down to somewhat low.
T' arouse the slumb'ring folks they never meant,
Whom they'd disturbed so much a while ago;
So they arranged at once that both should go
To Dora's bedroom if they wished to speak,
And "trip it on the light fantastic toe,"
But, oh dear, how those stupid boards did creak
As both of them their darling sister's room did seek!
XV.
The lamp was lighted and the apparatus
For making coffee speedily prepared,
The cups were steaming with an _odor gratus_,
They thought not of the hour and little cared
How far advanced the night, and gaily fared
On Spanish rusks and coffee, whilst the cry
Of cockerel answered cockerel, and they shared
The bountiful repast delightedly,
And chatted over several matters merrily.
XVI.
With _robe de chambre_ and slippers, each one seemed
To be exactly in her element,
While from each dimpled cheek a beauty beamed,
A rosy flush, of blossoms redolent;
Moreover each one's _deshabille_ had lent
A careless grace which numbers can't convey,
As tho' fair Venus all her arts had spent
In rendering them beautiful as day,
Or had transformed each fondling to a fairy-fay.
XVII.
And there they sweetly lounged _in statu quo_,
More beautiful than words can ever tell,
In fact a tiny sprig of mistletoe
I should have deemed quite indispensable,
So greatly did their excellence excel
All evanescent beauty in man's eyes,
The loveliest primrose in the greenest dell,
The lithest form man e'er did idolize:
Fairer than fleece-like cloudlets of the southern skies.
XVIII.
Now Flora oped the casement, for she sought
The realm of silent Night. The breezes soft
Swept o'er her brow and cooled each burning thought,
And calmly bore each tranquil prayer aloft;
She sniffed the balmy air and lightly quaffed
The faint and mellow perfumes as they came,
And gazed abstractedly, as she so oft
Had done before. Who would not do the same,
And fondly praise his Maker's most belovëd name?
XIX.
Below, the pebbly rill, like the fond sigh
Of maiden's love, was whispering to the night,
While on its breast the star-lit canopy,
Reflected clear, the bosom did invite
To share its holy peace, its still delight,
And join the drowsy nocturnes that arose,
Hushing all nature to a slumber light,
And soothing down on pillows of repose
All weary mortals' earthly turmoils, cares and woes.
XX.
And summer dews had steeped the verdant sod,
The moon-rays shimmered o'er the spangled lea,
And taught the soul the eloquence of God,
Tinging the far horizon o'er the sea
With silver film and sheeny filigree,
While o'er the gray expanse with trembling wing
The ling'ring zephyr hovered sleepily,
And faintly breathed o'er every dormant thing
Its soft, sad benediction. This did Flora sing:--
Oh Night, beneath thy dark domain
How oft the human heart has bled!
But here a holy peace doth reign,
And now my soul is comforted.
Sublimest Monarch, teach my breast
To speak the phantasy it feels,
O take my heart to be thy guest,
And stay thy sombre chariot-wheels!
Thy course is bent thro' clouds--on them
Thy path thou takest o'er the sea,
Ten myriad worlds thy diadem,
Oh take me to abide with thee!
Thy sceptre--'tis with points of light
Begemmed; thy retinues advance,
And feeble Nature owns thy might,
The splendour of thy countenance.
The moon thy lamp, the flaming sun
Thy harbinger; take thou my soul,
Now bounding forth thy race to run,
To thy Imperial Capitol!
O let my spirit wander o'er
Thy sable woods and feel their sighs,
And float upon thy Stygian shore,
And revel in its mysteries!
O but to mingle with thy throng,
Partaker in thy flight to be,
A portion of that spirit-song,
A spirit minister to thee!
XXI.
They soon were rather weary and methinks
Their chirp-like chatter did grow somewhat less,
Now one would rouse herself from forty winks,
Another doze in sweet unconsciousness;
Indeed it was high time, as you may guess,
They should disperse--they wisely thought so too,
Then kissed and smiled and each one did confess
Such pranks as these would never, never do;
Of course they'd have to meet the scolding, that they knew.
XXII.
Their dreams were peopled with all forms and shapes
That nightmare with its horrors can conceive,
Egyptian sphynxes down to Barb'ry apes:
Entangled in all nets that dreams can weave
They struggled to get liberty and leave
The meshy maze, yet struggled all in vain,
Such horribles you never could believe
I wonder if they all transgressed again
As then; thus pleasure's always found preceding pain.
XXIII.
Rose, like the others, saw the wrong she did
Personified in dreams, while on her chest,
In slow descent, an Eastern Pyramid
Came down to crush her flat, she did her best,
Like dreaming people do when so distressed,
To move from underneath the cruel thing,
When up came Ju to know if she were dressed
And if she heard the bell for breakfast ring,
Surprised indeed so late to find her slumbering.
XXIV.
She heard it, yes, but with a dreaming ear,
Just as the pile above her did descend;
She heard the funeral knell, she saw the bier,
Which was to seal her most unpleasant end;
But fortunately then Mama did send
The housemaid to inform the time of day,
The Spinx etcetera did their ways amend,
Politely bowed, took wing, and flew away;
Rose wished them all good morning with no more delay.
XXV.
The girls went down to breakfast with a look
Which spoke guilt, shame and terror all in one,
Each sigh was language and each glance a book
Narrating all the mischief they had done;
And cowering conscience cautioned them to shun
The searching lectures of parental eyes,
But still the dark ordeal had begin,
For Mama swelled to a terrific size,
And Pater looked around the room in mute surprise.
XXVI.
Then glances were exchanged, and both declared
Such freaks as these again must never be,
Their Ma demanded how they even dared,
Since they'd been naughty to the last degree,
Ejaculating faintly "Goodness me!"
With various interjections of alarm,
Stamping with anger at the guilty three,
But 'twas not long e'er she again was calm,
And all her daughters knew of course she meant no harm.
XXVII.
But this unhappy circumstance was soon--
Like such unpleasantnesses were--forgotten,
All things were tolerably straight by noon,
(_For family disputes are hell-begotten_);
So they betook them to their knitting-cotton,
And felt themselves forgiven, as they were,
They said that lesson should be unforgotten,
Such nonsense never should again occur,
So they had asked their parents' pardon I infer.
XXVIII.
Days had not only sped but galloped on,
As they expressed it, e'er they could "turn round;"
Before they were aware, the month had gone,
The first of August, too, had come they found,
(A fact which seemed the household to astound)
On which date, I imagine, they designed
A short excursion, by the pleasant sound
Of tossing waters wild and unconfined:
In following this suggestion they were not behind.
XXIX.
It _was_ the first of August, now I know,
A day that's most unlucky I believe,
As I, for one, have always found it so,
Then ask Astrologers who can't deceive;
For I myself was surely doomed to grieve,
Selected by some most ill-omened star,
'Twas then (but why, I really can't conceive)
That _I_ was introduced to _my_ Mama,
From then she always wished me over at Malabar.
XXX.
I mean to say that I was born unlucky,
My mother never danced me up and down,
I never once was designated "ducky,"
Nor rolled within the doubles of her gown,
Nor dandled as when fondlings "go to town,"
Nor kissed and snuggled when I went to bed,
Or rather when conveyed there with a frown,
A downright shaking and a smarting head;
To me no coaxing sweet appeal was made when fed.
XXXI.
I don't know if the Pythagorean theory
Is quite to be relied upon or spurned,
I'm half afraid this must remain a query
As far as my enquiries are concerned;
For theories are by theories overturned,
And what a wise man says a coon disputes,
For my part I must leave it with the learned,
And those who play the fool with such pursuits,
I take the first that comes, or anyone which suits.
XXXII.
But if that version of the matter's true
I must have suffered for my previous sin,
Some former life of follies, what think you?
Some other mischief I've been joining in;
But what's the use of idle pondering
On things so troublesome and as abstruse,
It were prepost'rous even to begin,
What was there that could possibly induce
Pythagoras to turn his pen to such a use?
XXXIII.
The thought of spiritual transmigration
Is somewhat pleasant, therefore let it be;
It seems delightful to my contemplation
But what of that, it's all the same to me!
In fact, to tell the truth, I cannot see
Wherefore Pythagoras did puzzle o'er
This tiresome philosophy when he
Must truly have considered it a bore,
I think it so, and, doubtless, so do many more.
XXXIV.
"One fool makes many," as the saying goes,
And he was quite as bad as any Plato,
There was some slight resemblance I suppose,
As Alcibiades resembled Cato;
But I must hurry on and not delay so
On themes unnecessary to my tale,
I'm sure you will agree with me and say so,
I'm prone to 'light on topics that are stale,
As I have said before, I know that I am frail.
XXXV.
Well laden with good things by way of luncheon,
Our heroines were starting on their way,
With ham and tongue, and wine an infant puncheon,
With spirits buoyant, and a jolly day;
The sun upon them shot his summer ray,
Above, the pendent lark was on the wing,
The fair ones, each and all, had lots to say,
And absolutely laughed like anything;
The very air with their blithe merriment did ring.
XXXVI.
'Twas early yet, and, as they were proceeding,
On some poor widow they'd arranged to call,
To give her heart the comfort she was needing,
Whose open bible was her hope, her all;
And Dora in her basket bore a shawl,
A gift from Ma to the disabled dame,
Together with some stockings and a ball
Of worsted. To the cottage gate they came,
And, doubtless, reader, you have often done the same.
XXXVII.
They knocked, then pressed the latch and entered. There
Her grandchild sat; oh, she was sweet to see!
Her cheek was bright, and fairer than the fair,
Each tress the sungleam shimmering o'er the sea;
An open bible lay upon her knee,
She had been reading from the volume old
In meek and innocent simplicity,
And tinging all things earthly with the gold
The calmer, holier radiance of that other fold.
XXXVIII.
"I will be with you even unto death."
"Come unto Me and I will give you rest."
"I, even I, am He that comforteth."
What words are these! how beautiful, how blest!
And Granny, as she listened, fondly pressed
Her darling's little hand, did she not bring
Sweet consolation to her agéd breast
When th' sun of life was low--towards evening,
And life's fast fleeting pleasures, all had taken wing?
XXXIX.
But dim were Granny's glasses with a tear
While listening to that voice so soft, so low,
Oh! what upon this weary earth so dear?
Oh! what so cherished as that smile below?
The depth of human fondness who can know?
She dried her tears, imprinting a slow kiss
Upon her beauty's cheek, she loved her so,
Oh! what more tender, more sublime than this?
Beside that hearth there reigned such still, such sacred bliss.
XL.
Our visitors had entered. Granny seemed
Right down delighted that they should have come,
For from her eyes a nameless pleasure beamed,
Which seemed of all delights to be the sum;
She tried to make them cosy interdum,
And to their kind enquiries she replied,
"I'm bonny in my way, I thank you, Mum,
And how's yourselves and those at home beside?"
Then to them several little matters did confide.
XLI.
The cot, consisting of two rooms, was thatched;
Each room was on the ground. Above the door
Clung vines and roses, and the wall was patched,
And all an aspect of contentment bore,
The prettiest little scene you ever saw,
Within, above the mantel, hung the gun
Which there had hung for fifteen years or more,
Memento of that dear departed one,
Telling of how much service it before had done.
XLII.
Within the corner stood the eight-day clock
Which had recounted time for years and years,
And even then was going "tick-a-tock,"
Tho' it had seen so many smiles and tears;
There is a something which, I fancy, cheers
In the slow ditty which those songsters sing,
Some sweet responsion which the bosom hears,
Whose echo is so soft and comforting,
Winding a stilly peace round each familiar thing.
XLIII.
The bacon hung suspended from a beam,
And ancient china made the parlour gay;
The picture of a little mountain stream
Called Rose's admiration into play;
And, basking in the sun's delightful ray,
A favourite kitten purred with sleepy air,
The polished flags were spotless as the day,
And groups of flowering plants stood here and there,
And industry was most apparent everywhere.
XLIV.
Our ladies three had had their little chat,
Had likewise done the good they had to do,
Moreover had admired and stroked the cat,
And then they thought 'twas time that they withdrew;
The widow was more thankful than they knew,
And twenty times expressed her firm conviction
They were disguised archangels (what think you?)
Then twenty times pronounced her benediction,
Hoping they'd never live to suffer _her_ affliction.
XLV.
Her little grandchild courtesied at the gate,
Showed them the way and courtesied once again,
They sauntered on at just their former rate
And chattered in their usual lively strain;
Passing along an elevated plain
They paused to look around them for the scene
Delighted them enormously and fain
Would they have been to rest mid-way between,
But forward gaily pressed o'er silent tracts of green.
XLVI.
The view was bounded on their right by hills,
Those gentle hills that border on the sea,
Ah! as I write a thought my bosom stills,
That thought, Oh Berwick, is the thought of thee!
How kind, how tranquil were thine hours to me,
Those hours amongst thy silent valleys cast,
O moments gone, come back and let me be
Enfolded in the visions of the Past,
While other hours and days and years are fleeting fast!
XLVII.
Anon the summit of the cliff they gained,
Above the vast expanse the eye is bent,
Where Beauty's finger wanders unrestrained
With its fantastical embellishment;
The mind is riveted, the gaze is spent
Where lavish Nature pours her richest spoil,
The tongue is voiceless with bewilderment,
Far, far below the ocean's ceaseless toil
Makes bosoms inly shudder and all eyes recoil.
XLVIII.
Our little thoughts are staggered at the scene,
That splendour so unspeakably intense,
And dazzled by its brilliancy of sheen,
The senses reel with its magnificence;
Below the surgy yeast was boiling, whence
Rose on the summer air its restless roar,
It smote the broken cliff's bold battlements,
Unmoted like the warriors of yore,
And plunged upon the moss-clad boulders of the shore.
XLIX.
The feathery clouds moved slowly through the sky,
The coast-line melted into tender blue,
The storm-bleared headland stood defiantly
The boldest feature of that boundless view;
In contrast with its chalky front, the hue
Of the green sea swept freely far and wide,
And o'er the promontory's base there grew,
As though its time-torn nakedness to hide,
Some shaggy weeds that floated on the swelling tide.
L.
It was the ebb. They could not yet descend;
So Rose suggested that they should proceed
In the direction of the headland's end,
There straightway squat them on the grass and read
The books they'd brought; to this they all agreed,
Then hastened onward though the sun was hot,
And there beneath their sunshades with much speed
And very much more chatter did they squat;
In those parts foliage umbrageous there was not.
LI.
They must have read an hour when they discovered
Exactly simultaneously that they
Were really hungry, so they all uncovered
Their baskets of refreshment for the day,
And laughed to see the paper fly away;
They must, I think, have quite enjoyed their fare
So close above the music of the bay,
No doubt it was delightful to be there
Fanned by the soothing breath of the ozonic air.
LII.
They chatted, read, and dozed in alternation,
And time had flitted as it always will,
Flo recommended change of situation,
Not pleased that they were tarrying there still;
So all arose and forward urged until
They saw afar some narrow steps and rude,
Beginning some short distance up the hill,
And which of course no sooner had they viewed
Than thither they repaired as quickly as they could.
LIII.
Descending, they discovered that the sea
Had much subsided since they saw it last,
Then down they hopped with more than usual glee
To note the waters thus receding fast;
Upon the narrow strip of sand were cast
Weeds, star-fish, and all sorts of shells around,
And, as along the level stretch they passed,
Most interesting articles they found
Which lay all washed and wet upon the solid ground.
LIV.
They cut their names upon the cliff and wrote
All sorts of hieroglyphics on the sand,
And rhymes that I'm unable now to quote;
All found amusement there on every hand;
They thought a life at sea was truly grand
As very many ladies often do,
Perhaps it is when strolling on the strand,
At least I find it passable, don't you?
In fact, I think, much more so than _in transitu_.
LV.
They deemed it a misfortune they were girls;
Rose wished she'd been a boy and gone abroad,
Flo wished she'd been a sailor lad with curls
By all the fair of Christendom adored;
Then Dora too her present state deplored
And also would have been a tar (because
She loved to listen when the waters roared)
Or any blessed thing but what she was;
All these ideas were most enjoyable of course.
LVI.
At some short distance was a vessel hurled,
A dismal wreck, upon the rockbound shoal,
Around its hulk th' encircling billows curled,
Now thro' its splintered deck the wavelet stole,
Then, issuing forth, it gurgled through a hole
Staved by the tempest's fury in its side,
Afar off did its shattered timbers roll,
Its treasures all were scattered in the tide.
The headland gained, the swaying wreck they soon espied.
LVII.
Soon as the waves permitted them to go
Across the smooth white rocks, they to it went;
The raging brine had torn off half the bow,
Its starboard shivered and its cordage rent;
The warring waters had their anger spent
And flung its fragments to the cruel blast,
Its iron bands were burst apart and bent,
And all around in dire disorder cast;
There, shattered, at some little distance, lay the mast.
LVIII.
When gazing pensively o'er ocean's realm
Its wide destruction, its unspoken might,
There is a something which doth overwhelm,
As day is overshadowed by the night;
This was, forsooth, an interesting sight
To them, yet no less dreadful, for the scene
Was one such as could never yield delight,
And so delighted they could not have been,
Before they never such a spectacle had seen.
LIX.
They picked up curious items, three or four,
And placed them in their baskets to take home,
The wreck and its surroundings did explore,
Upon the slimy reefs, too, did they roam,
While backward and still backward rolled the foam,
While faster flew each hour, one after one,
And they discovered evening had come,
'Twas time they put an end to all their fun,
And so to think of their return they had begun.
LX.
The time indeed had gone exceeding fast,
But _how_ it had gone--_that_ they could not say,
And nor could I, my reader, if you asked,
They tell me that for no man Time will stay:
Oh! not for womankind--for such as they?
I'm half afraid old Chronos doth forget
As he goes tearing on from day to day
The right and just demands of etiquette
Which is, as you'll agree, a matter of regret.
LXI.
They finished their refreshments seated nicely
Upon a spar (just what they all required),
Which seemed as if put _for_ them--so precisely
Was it the very thing that they desired;
They were (or should have been) intensely tired,
But luckily they had not far to go,
A lot of pleasant matters had transpired,
And all had cracked their lively joke or so;
But now the day was o'er, the sun was getting low.
LXII.
Behind the cliff they wished to see him fall,
And therefore with that object did they wait,
There was no need to hurry home at all,
And they could walk it well by half-past eight,
And surely that was not so very late.
They each detached a portion of the wood,
For Dora took much pains to demonstrate,
It was most necessary that they should
(For a memento be it clearly understood).
LXIII.
There can be nothing dearer that I know
(When thus I speak of course I mean--_to me_)
Than wand'ring slowly when the tide is low,
Alone and silent by the gentle sea;
Each winding cranny of the rock may be
Enjoyment's wealth. There, is a world of thought,
Of joys unbounded for a heart as free,
A universe of life if only sought;
Each breath, each dreaming ripple is with music fraught.
LXIV.
Give me the ocean: let me hear its roll,
For ever let me wander by its side,
There is a voice that murmurs to the soul,
A strength which thunders in its mighty tide:
There let me but my lonely footsteps guide,
Or hasten to some far neglected glen,
Wherein myself for ever I can hide,
And rest a stranger to the ways of men,
And find a refuge dear beyond all human ken.
LXV.
There let me be, nor friend nor kinsman near,
For earthly friends and kinsmen--what are they?
There let me unbefriended drop a tear
And spend in solitude life's little day,
Where strange, strange voices all--all pass away
And mingle with the voices that have been,
There in those stilly valleys let me stray,
Where all is soundless, all is fair and green,
And peace, that holy peace, surrounds each smiling scene.
LXVI.
Within me is a craving, and for what?
A lingering longing, dark and ill-defined,
A something wanting, but I know it not,
A missing link it is not mine to find,
A flaming fire that scorches up the mind
And goads me ever onward--onward where?
I pray--I gasp for light--for I am blind,
The light that never, never will be there;
What can that something be my spirit may not share?
LXVII.
Oh let me be, for mine is Nature's praise;
I leave the world for those it doth invite,
For those who are untaught in Nature's ways,
Who seek their pleasures in the boast of might;
Give me the wood, the ocean, and the night,
I ask no more, these, these shall be my all,
And wield my cornucopia of delight;
The crested helmet and the kingly hall
Are not for me, for them I neither care nor call.
LXVIII.
I ask not Wealth, nor wish one single hour
Where Splendour gilds the trophies of the brave,
Of purse-proud pomp, of pageantry and power
Whose flaunting grandeur can but deck the grave;
To me 'tis hollow--all is nothing save
The pine-capped mountain and the heathery plain,
The rolling forest and the leaping wave,
Oh give me back their sweetnesses again,
Those dear, those silent pleasures which can never wane!
LXIX.
Far have I wandered when the even fills
The bosom with sweet sadnesses and sighs,
When life was like the mellow on far hills
Bathed in the sunset of the summer skies
And tinged with purple--when the spirit cries
And gasps for very language but in vain,
When wavelets whisper and the heart replies,
When the soul sobs and all is hushed again
Save Tritons chanting to this pathless world of pain.
LXX.
Stay, stay thy footsteps, o'er the waters see
How calm the weary elements, how still--
For Nature too herself forgets to be,
While holy thoughts and prayers the bosom fill,
And dim the daylight quivers o'er the hill,
The creatures of the air to home and rest
Have winged their lonely journey at their will,
And no alarms alarm the human breast
And all, yea all, with heavenly quietude is blest.
LXXI.
They'd seen the sun descend, the blending hues,
Rich, in succession, come, then fade away,
Regretting that such splendour they should lose
With the departure of the solar ray;
Do we not note this every dawning day--
That beauty is short-lived and soon must pass?
More beautiful, more wasted by decay,
We see it and we cry "Alas! Alas!
Our days are as a tale that is told--we are but grass!"
LXXII.
I will apply a philosophic rule
Which, like most rules, admits of some exception,
But I was no philosopher at school,
I'll tell you that much so there's no deception,
In fact, a perfect dunce, you've no conception--
But that you'll say is foreign to my _tail_,
I thank you for your generous correction,
I copied all my masters to a nail,
Yet no one ever asked me if I was for sale.
LXXIII.
Who was it said Variety was Beauty
Or Beauty was Variety?--no matter,
To recollect his name is not my duty,
It may have been Theocritus's hatter,
For aught I know, my brains are in a batter,
I'm older than I used to be by far,
Yet, joking all aside, myself I flatter
My faculties are lively as they are,
And yet--let's see--who was that Philosophic Star?
LXXIV.
I _can't_ think--never mind. But I maintain
That Beauty _is_ Variety (and I
Emphatically say the same again)
Just now it doesn't matter how or why:
If anybody wishes to deny
That this is true--then--let him come and prove it,
If anyone has doubt of it, I'll try--
I'll do my very utmost to remove it.
If 'twere a lie most certainly I should reprove it.
LXXV.
It is when Autumn sweeps the frosty plain
And tips the woods with flaming hues, that I
Delight to pause and gaze and gaze again
Where varied tints the landscape beautify;
It is the smirking maiden's nut-brown eye,
Fair skin all traversed by the tender blue,
Her cherry cheeks and lips that make me sigh,
Besides her snowy teeth--now don't they you?
That's right, I knew that you'd agree, _of course_ they do.
LXXVI.
Ah, what is that which makes the sunset dear?
It is each varying tinge that stains the air,
While ever-changing colours still appear,
And fairy-flecks float forward calm and fair.
But still our weary ladies lingered there,
For Flo their fav'rite trio did propose,
And Dora, as was usual, sang the air;
The eve was still, the day began to close
As on the gentle breeze the following words arose:
THE CHORUS OF THE NEREIDES.
We are ever ever merry as we frolic in the ocean,
As we dive beneath the waters to its gem-bestudded floor;
And we dance within its grottoes with an ever-whirling motion,
And we roll the little wavelets one by one upon the shore.
From beneath the leaves in caverns adamantine we are peeping,
Now along the blazing pearl and ruby corridors we glide,
And amongst the tall fantastic arches slily are we creeping,
There within their dark, mysterious recesses do we hide.
We recline within the bowers of the ever-rolling billow,
We repose upon its bosom with a calm and cool delight,
While ecstacies enrapture on its tranquillizing pillow,
And we raise a myriad voices to the canopy of Night.
LXXVII.
Then up they started; 'twas already dim,
Still 'twas but half an hour's walk at the most,
Altho' they were not quite in walking trim,
Fatigued by all their rambles on the coast;
In clambering o'er the rocks no time they lost,
Altho' their small bottines got somewhat wet,
And their incautiousness some duckings cost,
But over soaking hose they didn't fret,
For, jumping slippery rocks, what could they hope to get?
LXXVIII.
But, sad to say, as Dora took a leap
Across a little channel full of water,
A channel which was more than ankle-deep,
She slipped and fell ere either could have caught her;
Her sisters shrieked and, bending, they besought her,
To say if any hurt she had sustained,
And Flora, much alarmed, at once bethought her
"What if she has?"--for Dora there remained,
And most distressingly she moaned but nought explained.
LXXIX.
But as she spoke not, what could they surmise,
While with red blood bedabbled was her cheek?
She fell back helpless when she tried to rise,
And seemed unable, tho' she strove, to speak:
Upon her forehead gaped a crimson streak,
And stretched upon th' unyielding rock she lay,
To soothe her pain both sisterlike did seek,
They washed the bloody finger-prints away;
Alas that such as this should end so bright a day!
LXXX.
What could they do? where could they fly for aid
With night fast closing over all around?
Where could they go, bewildered and afraid,
With not the comfort of a single sound?
They looked aghast with lips all horror-bound,
With none to help and not a cottage near
Where they could take her, prostrate on the ground,
Where they might bind her brow who was so dear;
And stirred they had not with embarrassment and fear.
LXXXI.
Now clearly, as was apprehensible
From the sad nature of the wound received,
To all around she lay insensible,
And Rose and Flora were most sorely grieved;
Their inward terror could not be conceived,
They tried to raise her but they tried in vain,
And many sighs of disappointment heaved
As down she sank upon the rock again;
Each asked what should be done, they must not there remain.
LXXXII.
That was a question which they could not solve,
She was too heavy for their strength to bear,
But Rose to fly for succour did resolve,
Rushed up the cliff and left her sisters there;
Within her heart there lurked a trembling prayer
For her dear Dora's safety as she sped
Along the soundless road, she knew not where,
While darkness quickly gathered overhead,
On, on she ran, half overcome, and pale with dread.
LXXXIII.
The first she met--to him she did appeal,
He was a neighbouring cottager who bore
A right good heart which others' woes could feel,
To whom, too, she was not unknown before;
At the sad news he hastened to his door,
Brought forth a lighted lantern and a phial,
And both strode quickly forward to the shore,
He tried to soothe poor Rose's grief the while,
Whose agitation told how terrible the trial.
LXXXIV.
They reached the cliff and cautious did descend,
They indistinctly saw a group of three,
In Rose's breast alarm and joy did blend
While wondering who the welcome third might be;
Impatiently she hurried on to see,
'Twas Rowland kneeling at her sister's side
To whom he ministered relief for he
The waving kerchief from the cliff had spied,
Had heard the call for help and to the beach had hied.
LXXXV.
His brother Gilbert by some happy chance
Had accompanied his brother on his way,
Both saw what was the matter at a glance
As Dora on the ground unconscious lay;
Flora with tears besought them both to stay
But they'd arranged that Gilbert home should fly
(They lived three-quarters of a mile away)
And bring restoratives immediately,
And chaise, of course, which was a great necessity.
LXXXVI.
Now Dora upright sat and looked around,
Much better than she was a time ago,
With a damp handkerchief her head was bound,
And now and then she took a draught or so
The cottager supplied, as you all know,
Till on the road above the chaise arrived;
Gilbert his brother called from down below,
Gave him the flask and asked if she'd revived
And how her safe removal was to be contrived.
LXXXVII.
There Gilbert waited while his brother went
To offer his support to Dora who
Seemed nothing else but sweet bewilderment,
And, at this juncture, so did Rowland too.
Since Gilbert brought one, they had lanterns two
Which much assisted them their way to see,
As well as what they were about to do
In this unfortunate emergency;
For 'twas a matter of the utmost urgency.
LXXXVIII.
Now Rowland on the left supported Dora,
The cottager was stationed on the right,
One of the lights did they entrust to Flora,
And one to Rose who was exhausted quite;
Then on they passed beneath the sultry night,
Safe o'er the rocks, upon the hardened sand--
Tho' Dora was in most unhappy plight--
With all the haste they could just then command,
Befitted to the circumstance you understand.
LXXXIX.
The steps were steep and narrow, and a rail,
For wanderers' protection was placed there,
Yet it was at the best so very frail
That it was necessary to beware;
With narrow limits they did not despair,
But managed somehow to go three abreast
And at the summit safely lodge their care;
To render her relief all did their best,
They knew their parents would be very much distressed.
XC.
It chanced auspiciously that ladies' dress
Was then not as we know it to have been,
That concentration of all ugliness--
That awful bustle and the crinoline--
It would have been unfortunate, I mean,
For their ascent, and with me you'll agree,
It would have proved a hopeless case, I ween,
And ended in a dire catastrophe,
Which simply would have been embarrassing you see.
XCI.
The cottager sought nothing for his pains
And proffered trifles thankfully declined;
Ah! happy they who think not of their gains,
Who for the kindness only would be kind;
But there are very few of such a mind,
That is as far as my experience goes,
For love of self more often lurks behind
A worthy action, and one seldom knows
The true and real source from which a kindness flows.
XCII.
Now with his charges three was Rowland seated,
Then all and everyone exchanged "good night,"
And when that ceremony was completed
The cottager bent homeward with his light
And so did Gilbert. 'Twas a blessing quite
That matters were all settled as they were
In their most awkward and distressing plight,--
As Dora thought especially for her
It was indeed unfortunate it should occur.
XCIII.
When they arrived at Elleston Farm they found
Such dire dismay as ne'er before was seen,
Papa dispatching to the places round
Some messengers to know where they had been,
It really was a most excited scene,
With Julia, Ma, and Hannah at the gate
To see if information they could glean
In much alarm since it was now so late,
For Dora told them that they should return by eight.
XCIV.
Ma gave a dismal shriek and swooned away,
And Julia (bless her!) tried to do so too,
Most naturally so, for truth to say
It was a dreary spectacle to view;
Soon to the house they hurriedly withdrew,
All those who kept their footing and were able;
With Ma and Julia there was much ado
Since they between them made a little Babel,
While Hannah screamed and staggered back upon the table.
XCV.
To Dora Rowland was, of course, attentive,
Yes, very so; he also did his best
For th' others, using every preventive
Against a second swoon one could suggest;
His efforts I am glad to say were blest,
Tho' Dora was quite helpless from the fall,
But Hannah went on just like one possessed,
While Julia did the lackadaisical
And wagged her head most drearily against the wall.
XCVI.
Ere long there was an end to the confusion,
And everyone came back to common sense,
Then all the household joined in the conclusion
It was a fearful blow, at all events
Poor Dora's sufferings were most intense,
And prudently she was despatched to bed,
Permitted to remain on no pretence,
And there the household bandaged up her head,
For all lent their assistance as I should have said.
XCVII.
Respecting how they spent their length of time
There was a lot to say as you'd suppose,
(Which I will not repeat to you in rhyme)
Concerning their enjoyments and their woes,
And all such trivialities as those,
Or thanks to him to whom such thanks were due,
And query after query then arose,
And pleasant incidents by no means few,
As under the like circumstances always do.
XCVIII.
Supper despatched, our Rowland started back
Loaded with thanks and all that words could speak,
The stars were overcast, the night was black,
The wind arose as from some sudden freak;
At intervals was seen a livid streak,
And distant rumblings fell upon the ear;
'Twas true a storm had threatened all the week
And lurked about the sultry atmosphere,
Then was the time they were to have it, it was clear.
XCIX.
Yet these were tokens Rowland did not heed,
Such trifles then he little cared about,
As he upon his journey did proceed
He was disturbed within more than without
And dead to all around I've not a doubt,
Absorbed in thoughts that words can ne'er define,
Yet you can guess, my reader, what about,
Most likely such as those have once been thine,
I really fail to count how often they've been mine.
C.
Within him was a feeling as of pain,--
That melancholy music in whose tone,
Though full of sadness, something sweet doth reign,
And Rowland for the first time felt _alone_;
How often hath this feeling been our own
When all is--what? compared to something dear,
When former pleasures all, yea, all have flown,
And life is centred in another sphere,
And all the world is nothing if one be not near.
CI.
There was a something in the heaven above
That corresponded with his state of mind;
We all know what it is to be in love,
When all Earth's sweetest pleasures seem combined,
When Life and Love both, both are intertwined,
And the young blood is as the desert's thirst,
A scorching wilderness, a torrid wind,
A torrent with its flood-gates open burst;
When Youth's most cherished hopes within the breast are nursed.
CII.
O tell me not that Youth, all youth is folly,
Give me the kiss that youth doth first impress,
O let me feel love's ling'ring melancholy,
And smile on lips all youthful loveliness!
Give me the bosom I can fondly press
While Youth's hot blood is burning in the veins,
O what but this is earthly happiness?
This world no sweeter thing than this contains;
When days of youth are o'er, life's foremost pleasure wanes.
CIII.
Yes, Youth was made for such; it is enough
To know in some fond heart our words abide;
Oh life's not life but death without a love,
All ceaseless darkness where she is denied!
We know not our existence till we hide
Our soul within another's there to be
Its very being: like a river wide
Love rolls its endless volumes to the sea,
Losing itself within its own immensity.
CIV.
There is a sort of torture which attends
That most delightful of the heart's delights,
A sort of cruelty which somehow blends
With passion in its most distracted flights;
And absence from a bosom that requites
An all-absorbing love is as a flame
Fed ten-fold, yet insatiate; it excites
Those maddened cravings which the breast inflame,
Those fiery, longing gasps within the fevered frame.
CV.
However, I'm too fond of pondering
When it's so necessary to proceed,
And on to worthless topics wandering
To which my friends will pay but little heed,
All those I mean who take my book and read
Those matters that they studied long ago,
Who of such information have no need
And want to hear of something they don't know;
I know what's due to them and they shall have it so.
CVI.
'Twas Dora, as by now you will have guessed,
Who was the burden of poor Rowland's thought,
He was not merely by her face impressed
But loved her to distraction as he ought,
It is you know the popular report
That the best love is love at the first sight;
If such is true or not it matters nought,
I'd rather not discuss the point to-night,
It won't affect our story whether wrong or right.
CVII.
I think and I've good reason to suppose
This was a first-sight love, but who can say
For certain if it was so? Goodness knows
If he conceived it in amongst the hay:
If I hear rightly ever since that day
He had been somewhat quieter than before
And had been known to take himself away
To wander long alone upon the shore:
Such oddities betoken love you may be sure.
CVIII.
Ah, who may tell what crowding thoughts arose
Where boiled the tumult of Love's surging sea,
That strength this world itself could not enclose,
Nor Space with infinite immensity!
But there no matter why, love is to be
While men and women both are what they are,
While eyes can wander unrestrainedly,
And light on dimpled cheeks unknown to Ma,
Or eyes that glisten like a polished scimitar.
CIX.
Some pierce as deeply, I can tell you, too,
And do the dickens in the way of slaughter,
And slash the heart to mincemeat through and through,
And make ten thousand lives some few years shorter;
Those eyes that make beholding lips quite water,
Full many a Don Giovani die o' grief,
Which yield the love-sick populace no quarter
And--(isn't it cruel?) give them no relief,
And work no end of miracles in my belief!
CX.
Which rudely tilt Love's overflowing cup,
And work a trifle in their little way;
Just tip the solar-system downside up,
What is there that they can't do, who shall say?
While for one glance a thousand pine away,
Which certainly is most disastrous when
Our span is not too long as you will say,
And what of their short three score years and ten?
But this may not apply to woman-jilted men.
CXI.
A friend of mine observed some time ago
That women were men's guardian-angels--stay,
I scarcely think it can be always so
Tho' very often certainly it may;
At any rate you know I mean to say
They very seldom put men at their ease,
Once wedded in a week can turn 'em grey,
So deuced disagreeable if they please,
And I myself have known some two or three of these.
CXII.
I do not mean that I've experienced this--
(The subject 'tis a pity I began)
I never knew that fancied state of bliss,
I'm not, my friends, in short, a married man,
So cannot judge as well as others can
Who are more fortunate and have a wife,
I would much rather live contented than
Engaged in all the wars of married life,
And what's more troublesome than matrimonial strife?
CXIII.
In fact I often "wish I were a bird"
I'd fly and fly and fly to--Heaven knows where,
And, if such happy chance to me occurred,
I'd visit all the windows of the fair,
To see if they had kisses I could bear,
And be the General Post Office above,
And do all sorts of things I do declare;
'Twere better, too, I think to be a dove,
That gentle bird so suited to affairs of love.
CXIV.
Oh, bother interruptions, when a chap
Has something most particular to say!
My mother calls--there must be some mishap,
So I must leave it for another day;
I should be whacked severely did I stay,
And that would be a pity you must own,
And so 'twere better for me to obey
With much regret at leaving you alone,
But 'tis a great necessity as I have shewn.
CXV.
I'm hungry too, and I must feed sometimes
As other folks accustomed are to do;
I'm not of those who fatten on their rhymes,
My reader kind, between myself and you;
So this abruptly-ended interview
With circumstances such you will forgive,
The thread of my narration I'll renew
To-morrow or the next day if I live,
That is of course if your attention you will give.
CXVI.
Ta-ta for now, and may you ever be
The good forbearing friend I knew you once,
And may you yet proceed indulgently,
Permit my story and forgive the dunce,
In spite of these most troublesome affronts;
Let's see how long since last I flew my kite,
Yes, certainly it must be some few months,
And here I am again at it to-night,
It's enough to tax the patience of a Bedlamite.
CXVII.
You know the author for you see him here,
He weeps or smiles as here he doth rehearse,
Oh, critic, stay, and drop but Pity's tear,
If not for him, the author--for his verse:
Full many have done better but few worse,
And surely he's the very first to know it,
Of course there's much to talk of when converse,
Like friend and friend, the critic and his poet,
But now I cannot stay, I'm in a hurry, blow it!
[Illustration: _End of Canto II._]
[Illustration: Decoration]
CANTO III.
I.
I take my goosequill for some recreation,
I'll have a pleasurable time to-night,
A little change without the perturbation
Of nitro-glycerine and dynamite:
Just now I'm somewhat weary of the sight
Of dark disclosures in the morning news
Which tell of crimes now daily brought to light,
Of troublesome investigated clues
And horrifying details of the murderer's noose.
II.
These are the days when each successive paper
Unfolds a tale which can but make it sell
(More usually the latest Irish caper)
And vendors should indeed be doing well;
When columns upon columns as they tell
Of blood-red things of horror and of shame
Resemble much a penny horrible,
And which, in fact, they are, except in name,
Altho' of course proprietors are not to blame.
III.
Who would not wear the ermine-robe of Power,
Who would not have the majesty of kings
When tremble thrones and courts and nations cower,
And strange alarms await all royal things--
When armëd horsemen guard their wanderings
And palaces are silenced with affright,
When morn discovers with her gleaming wings
The dark and direful mysteries of the night,
And men alternate weep and shudder at the sight?
IV.
Of such things as I've said I'm getting weary,
Such themes I leave to those who such-like choose,
Some people's prospects must be somewhat dreary,
I shouldn't care to step within their shoes:
However, time I can't afford to lose,
I merely say I'm wanting something new,
At least my little self I must amuse,
If I, my reader, can't enliven you,
So take my pen and ink determined what to do.
V.
I will proceed with that which I have writ
And tell what came of Dora and her lover,
And let me ask you now I think of it
To pardon faults if such you should discover,
I mean not that I'm anxious you should cover
The follies incidental to my case,
We must essay to understand each other,
And look each other boldly in the face
If in each other's sympathy we seek a place.
VI.
Their days had hurried past as doth a dream
(This is the favourite simile with us)
And taking all together it would seem
The dream had not implied an incubus;
For my part I am somewhat dubious
If days like those before they all had known,
Tho' Dora's state had been precarious
For some three weeks or more I that must own,
But she'd recovered now. Oh how those days had flown!
VII.
Yes, as I say, their time ere then was up--
The harvest in--yet still they seemed to tarry,
They'd quaffed the measure of their sparkling cup,
They'd done their tithe of mischief like Old Harry,
And so the days went on with dilly-dally,
The Pater seemed unable to decide,
At which their expectations seemed to rally,
They hoped he'd stay another month beside,
While in this doubtful state the days did onward glide.
VIII.
And as for Rowland, there he might be seen
Beside his cherished Dora day by day,
For regularly as a new machine
Across to Elleston Farm he bent his way:
There as the daylight softly stole away
Would they together sing some little air,
She in the gloaming hour would sit and play
Some little movement that he liked to hear,
Which circumstances made it doubly, trebly dear.
IX.
And there they sat while he, leaf after leaf,
O'erturned her music as her bosom rose
With words of fondness, ah, so low and brief,
That tender softness only woman knows:
While even o'er them wound that still repose,
That hush of spirit and that soul of prayer,
That something which is only known to those
Who love and are beloved, who inly share
That sacred bliss with which no other can compare.
X.
They sang of love, while in each other's eye
Beamed that rich fulness of the throbbing breast,
While on their lips there hung the deep-drawn sigh
Which told the form it deemed the loveliest:
Ah, in those evening moments both were blest,
They read each other's bosom, oh, how well!
And each to each their paradise confessed--
That paradise that lovers love to tell,
Which round and round each bosom twined its fairy-spell.
XI.
Now sunset fell upon her gilded hair
And tinged her brow with an angelic light,
As tho' a heaven-born being lingered there,
And Beauty, shamed, were weeping at the sight;
Then out they strolled to meet the starlit night,
He breathed Love's message on to rosy lips,
While each partook that holy calm delight,
Those sweetnesses alone a lover sips,
And which all other earthly sweetnesses eclipse.
XII.
Oh, Love! Oh, Woman! What are ye that shine
Man's ruling planet o'er this tossing sea,
Who are the sculptors of his lot condign,
Who form the page of each man's destiny?
Oh, Love, the greatest of the great of thee
Have said, thou sacrificest all to bless,
That in thee is a gloom, and are not we
Designed for thee, and born but to caress?
And those--they know thee not--who can thy joys express.
XIII.
"Disguise can't long hide love," 'tis even so:
We'll shake hands over that at any rate,
Let me refer to our friend Rochefoucauld,
He knows a lot concerning Love and Hate.
But still we wont these paths perambulate,
What others say I merely here repeat
So as my story I can illustrate,
And hand you my authority complete;
To give my own experience would be indiscreet.
XIV.
Considering I'm but a youngster still,
That is to say I'm only just of age,
And I, as you will say, should leave it till
I'm past my "salad days" and can look sage;
Till o'er Life's road I've passed another stage,
And learned to smoke the pipe of common sense,
Which, you will gather from the present page,
I havn't learnt to yet at all events,
Of which the present folly is a consequence.
XV.
But I was saying something about Dora
But cannot recollect precisely what--
Ah yes!--I now remember--her adorer--
And all about his most delightful lot,
That he had popped the question on the spot
(As I'd have done myself had I been he,
Yes, no mistake about it, like a shot)
While chatting in the arbor _vis-a-vis_
Enjoying love-like sweet nonsensicality.
XVI.
'Twas often that they did together sing,
And somehow music's fuel to the fire,
The thirsty flame of Love, and to it cling,
Those sadnesses which speak the heart's desire;
There's in it that which doth the soul inspire.
You'll recollect the words of Mirabeau,
The very last he spoke,--"Let me expire
To the delicious sounds of music"--so
He gave a last long sigh and left this world of woe.
XVII.
The greatest deeds this world has ever known
Were wrought beneath Euterpe's mystic spell.
When War's deep thunders boom and nations groan
And rolling thunders tales of terror tell,
Then--then the heart rebounds within its cell,
As th' charger halts to sniff the gory fray
And, with the fiery mettle nought can quell,
Bounds o'er the dead and dying on his way
To plunge amid the foe and meet the dreadful day.
XVIII.
Give _me_ the sound of martial music while
Ten times ten thousand close in clash of war,
And, dashing o'er the red and mangled pile,
Each man determines "Now or nevermore!"
While unsheathed sabres flash and cannons roar,
And Fury, blindfold, hisses in its hate,
While Valour's shouts resound from shore to shore
And nations strive their sons to vindicate
And sovereigns bow the knee to t' inexorable Fate.
XIX.
Give _me_ the note which did the true-born pride--
That pride of will in all its strength awake,
Inflamed the hearts that for it sank and died,
Those British hearts that burned for Glory's sake;
That song which bids insurgent nations shake
Unto their deep foundations, and the world
From orient to occident to quake,
While battle's blood-red banner is unfurled,
And haughty thrones are to their own destruction hurled.
XX.
Give _me_ the notes that hush the raging seas,
That urge the horseman and his charger on,
Make foes disarm and fall upon their knees,
And garlands fade where Victory once had shone,
And vigorous Youth to glitter as the sun,
And frenzied Prowess with her tossing plume
From off the gore-drenched field that she has won
To bear the trophies of a nation's doom,
While millions weep above an ignominious tomb.
XXI.
There lies the stalwart form in Death's last sleep,
There rest the foamy lip, the bloodshot eye,
The noble brow o'er which some heart doth weep,
Whose only elegy--the buried sigh.
There kneels the friend and comrade who would die
Beside the form he loved, alas, so well,
Now in his last expiring agony,
When every breath is as a funeral knell,
And the soul bleeds with thoughts that Friendship cannot tell.
XXII.
The last long clasp, the hushed and trembling kiss,
The mother weeping at her beauty's side,
And Death's last look and stiffening clutch--is this,
Is _this_ the outcome of a nation's pride?
There lie the clammy corpses far and wide,
And locks bedabbled and the princely cheek,
Son, father, brother, husband, side by side--
Oh, such a tale of horror who can speak!
Together heaped the dead and dying, strong and weak.
XXIII.
But to our text, my friends, as parsons say,
This is soliloquy, I quite neglect
My tale, from which I've wandered far away,
But what, from such as I, can you expect?
I wished your kind attention to direct
Some stanzas back--I think 'twas eight or nine--
To Music's wondrous power you'll recollect,
But somehow left my subject line by line,
To which no doubt you'll say I should myself confine.
XXIV.
I am no minstrel, and I'd have you know it,
Altho' that is the title of these pages,
Nor do I yet pretend to be a poet,
Those things that should be kept in wire cages,
That move to Colney Hatch by easy stages,
And keep good company upon the road,
Consisting of some dozen or two sages,
Who, like our tins of dynamite, explode,
And really are most dangerous things to be abroad.
XXV.
Now Pater surely something had in view,
Beyond his time he stayed so many days,
Of this his daughters evidently knew
And all their expectations were ablaze;
But their excitement soon became a craze
Since he had made a grand resolve--in short
He had--and be it spoken to his praise--
The villa, furnished, with its meadows bought;
With much rejoicing this intelligence was fraught.
XXVI.
Arrangements had been made. The early train
He took to town to settle matters there,
Intending shortly to return again
If all his town arrangements turned out fair.
He'd travelled up on three occasions ere
His wife's idea had met with his consent,
No doubt about some business affair
O'er which in town a day or two he'd spent,
Now for the self-same reason there he pitched his tent.
XXVII.
He did not tarry long but home did fly,
His daughters went to meet him at the station,
And at the news they were in spirits high
As was apparent by their conversation;
He was, of course, the very consummation
Of all that was "delicious" and "divine,"
A home at Elleston pleased their contemplation,
And as the sun each countenance did shine,
The very cocks and hens beamed with a look benign.
XXVIII.
The London residence was given o'er,
The furniture that was not sold was sent,
As it had been arranged it should before,
To Elleston, and much labour too they spent
In fixing all things to their hearts' content,
And cook, of course, was busy down there too,
While Pater often up to London went,
He had, as you may guess, a lot to do,
And had his City business also to pursue.
XXIX.
So all was settled that he should divide
The time the City and his home between,
For farm indeed he could, and well--for wide
His earlier experience had been.
The farm, tho' small, was large enough I ween,
In fact it was a nice convenient size,
A prettier little spot was never seen
Than Elleston Farm, I'm sure, by human eyes,
And all seemed very happy in the enterprise.
XXX.
Some weeks elapsed e'er everything was straight;
The shorter days were slowly coming round,
And all things told the year was getting late,
And evening mists fell heavy to the ground.
The distant woods were getting seared and browned,
And Autumn seemed abandoning her reign,
While leaf by leaf fell with a rustling sound,
That elegy of all the spreading plain,
And Winter, with his glistering crown, was near again.
XXXI.
The groves were still, save when the startled breeze,
Like a sad smile which comes then fades away,
Swept faintly o'er the amber of the trees,
And Nature's wheels moved slow and Life was gray:
Sadly and surely, like the darkening day,
Came dreary tokens of th' impending gloom;
Fainter and fainter waned the solar ray
And all was heavy as the slumbering tomb,
Far thro' the hazy air did th' distant woodlands loom.
XXXII.
The lonesome, lingering rose was drenched with dew,
With hanging head aggrieving for its mate,
It wept above the ground on which it grew,
With smiles all past and life disconsolate:
There was the flower that clambered o'er the gate
Shrunk like the furrows of an old man's tear,
Each leaf had fallen at the touch of fate
And sunk to die upon its autumn bier,
And every breeze was sighing for the death-dealt year.
XXXIII.
Be still, O heart, for Death steps noiseless nigh,
Hist to the dirges o'er the sleeping sea!
Dim funeral trains pass melancholy by
And monotone their mournful minstrelsy.
It is the grave that opes by Heav'n's decree,
And steeps each thing in its sepulchral breath,
The self-same grave that soon must yawn for thee,
The grave wherein all darkness slumbereth,
While all around is fastened in the fangs of Death.
XXXIV.
The garments of the arbour fell to earth,
The arbour was deserted and the lawn
Knew no repast of eve, no song of mirth,
No noonday lounge, for summer days were gone.
The villa of its mantle all was shorn,
No blinking puppy stretched upon the grass
Enjoying sleepily the sunny morn,
No sportive kitten frolicked there--alas!
No gaudy-tinted butterfly that way did pass.
XXXV.
When strolling through the dew-bespangled lane,
We pause, and, thoughtful, gaze upon the scene,
Within there speaks a something as of pain--
Some sort of still lament for what hath been.
A few short days ago and festoons green
Clustered upon the bank in deepened shade
With graceful negligence, while close between
The thorny twigs the autumn flowers played,
And the broad leaves swung lazily beside the glade.
XXXVI.
Now all was silence--like a palace hushed,
Or hush of a deserted banquet-hall
Where wine so lately like a fountain gushed
And Grandeur stalked with mein imperial;
Where death-like stillness doth the breast appal,
Where revelry is changed to slumber sound
And echoes only answer to the call,
Save when along the corridors resound
Departing footfalls, while in mystery all is bound.
XXXVII.
Like some strange chamber--dimly lighted--vast--
Where but an hour ago did Splendour tread,
Where royal feet swept on and Beauty passed,
Where now the chaplet lies--forsaken--dead;
Where Pleasure's palsied and the music fled,
Where peers the painted figure from the frame,
With dusky mantle and with hanging head,
As tho' it felt the pang of inward shame
For an imperial ancient line and tarnished name.
XXXVIII.
Yes, autumn sped away and with it passed
Its ruddy rich delights, and winds blew high,
And shriveled Winter, limping, came at last,
And leaden clouds flew o'er the dreary sky;
Yet still our cheerful heroines did defy,
As all of them accustomed were to do,
The weather's threatening inclemency,
And long their old enjoyments did pursue,
They walked as they had done the happy summer through.
XXXIX.
Now Rowland and his brothers' home lay near
Across the fields, it was a farmhouse too,
No parents had they and from year to year
They'd given their bailiff orders what to do.
There side by side in harmony they grew,
Their days were pleasant and their income kind,
And each his occupation did pursue
With happy smiles and a contented mind,
And hitherto to home their joys had been confined.
XL.
But _now_ abroad did Rowland daily roam,
And of him little did his brothers see,
He knew no pleasure in the gates of home,
But pensive strolled beside the surging sea,
Delighting in its vast sublimity,
And in the thunders of its mighty roll,
While all his love flowed forth in poesy,
That love that fed the fountain of the soul:
In _her_ his youthful hopes were folded like a scroll.
* * * * *
XLI.
The scene is changed and years have onward sped;
Dora and Rowland had been long since one;
She'd wept above her parents lying dead,
She--whose sole murmur was "Thy will be done."
Yet life was happy as it had begun,
For tears but sweetened what was all so fair,
Their days were golden as the sinking sun;
The calm pervading all the soundless air,
And heavenly smiles descended on that happy pair.
XLII.
Flora and Rose ('twas strange that such should be)
Were single still, nor on the way to marriage,
Deeming a wife's responsibility
Perhaps a trifle more than they could manage;
By no means am I tending to disparage
By my last line those who would wear the ring,
Repeat each phrase and step within their carriage,
By all means let them do the happy thing,
Yet such a matter's worthy of considering.
XLIII.
At least, whate'er the truth may be, they tell
(And little folks will always have their say)
That Rose was once engaged to Lionel
Who swore to love for ever and a day;
But matters (and they often chance that way)
Abruptly turned and took a fitful start,
'Twas whispered too, but be that as it may.
That Rose with pestle and mortar broke his heart;
So now it's up for auction in an auction-mart.
XLIV.
And also, to the best of my _belief_,
To Flora Gilbert fell upon his knees,
But somehow matters seemed extremely brief,
He rose, I _fancy_, somewhat ill at ease,
Then cursed his stars and hers for their decrees
(I wouldn't swear I'm telling you the truth),
And so the clerk and parson lost their fees,
Decidedly their stars were most uncouth,
For Flora was as gunpowder to Gilbert's youth.
XLV.
So Lionel and Gilbert went abroad--
As youngsters do with circumstances thus--
They left behind them all that they adored,
And said "Good morning" with no further fuss;
Their resignation was miraculous,
Indeed what could they be but be resigned
Beyond a tear upon their exodus,
A muttered oath or two when so inclined,
Which served in some degree to soothe their state of mind.
XLVI.
Rowland and Dora, as before I said,
Located were three furlongs from the sand,
Three furlongs 'twas exactly from the head
Where sweeping views stretched wide on every hand,
Far, far the eye could reach, o'er sea and land,
And in the glories of a summer's day
Their children, by the ocean breezes fanned,
Would gambol long beneath the noontide ray,
And with bright laughter wile the long, long hours away.
XLVII.
O God, could I so feel that young delight--
That young delight that knows no thought of pain,
Where all is now the ceaseless gloom of night,
O give me but my childhood back again;
O let me wander o'er that flowery plain
And once more pluck the sweets of other days,
Few, few of childhood's joys for me remain,
And life is bent o'er sterner, stonier ways
Whose solitary solace is a backward gaze.
XLVIII.
Still by the sands live Rowland and his wife,
And now the old house rings with boyhood's glee,
For truly both are getting on in life,
Their sturdy youngsters number two or three;
So they are quite a happy family
With Rose and Flora and their blithesome fun,
With circumstances thus they ought to be,
Their lot is good enough for anyone.
And now, my indulgent readers all, my tale is done.
XLIX.
My tale is done--'tis even so--I fear
That very few have borne with me till now,
For laurels are exorbitantly dear,
And so I can't expect a laureled brow;
Permit me then to make my humble bow,
My title-page must bid me blush for shame;
O reader, stay, ere you my Muse allow,
And add thy pity to the meagre name,
Forsooth no solitary laurel can it claim.
L.
I really can't excuse myself--and more,
I'm certain that I can't excuse my rhyme,
But now 'tis simply useless to deplore,
I may do better though another time;
My tedious numbers are, I know, a crime,
An outrage on the world of common sense,
'Tis certain I've not yet contrived to climb
The literary pole, at all events,
Or scale Olympus where the Muses pitch their tents.
LI.
My reader, 'tis with feelings as of sorrow
I lay aside my paper and my pen,
I've half a mind to drown myself to-morrow
And will myself to Hell, like other men,
For writing such a thing of rhyme--but then,
As someone wrote, "There's good in everything,"
So we must both have faith, you see, and when
We meet again I hope that I may sing
A song that's much more worthy of the publishing.
[Illustration: _End of Canto III._]
BRIGHT SCENES MUST ALL DEPART.
Bright scenes must all depart as they've departed,
Unshadowed years will fly as they have flown,
And fairer visions leave us silent-hearted,
Keen, lashing blasts must blow as they have blown.
Old mem'ries must grow dim and fade away,
Across the world's wide wastes the sun shall set,
Thou shalt press forward on thy toil-trod way,
Nor leave me one, just one, one sad regret.
Ah, where shall I be then?--forgot--estranged,
When years have rolled their glory at thy feet,
When friends and kindred all, yea, all have changed
And others come their chosen one to greet.
And yet what prayer from me could now implore,
Could crave for all it would, for words have fled?
May Heaven preserve thee as thou wast before,
And multiply all blessings on thy head.
Formed to be great, ennobled in thy pride,
Move on to Honour's portal and, below,
All human reverence shall not be denied,
And Earth shall give thee all it can bestow.
Then Glory's chaplet shall adorn thy brow,
Thy sun shall rise, before it Night shall flee,
And Heaven with all prosperity endow,
And lift a smiling countenance on thee.
MY BEAUTY'S HOME.
My beauty lives in a cottage grey by a gentle river's mouth,
A cottage grey by the lone sea-shore away in the sunny south,
Her eye's as fair, oh fairer, than the moonlight o'er the sea,
And I love to look in my darling's face as she sits and sings to me.
I'm as happy as a monarch as she lingers at my side,
As we watch the far horizon of the ever-tossing tide,
While the cool refreshing zephyr bears her tresses in its train,
Now starting into motion and now slumbering again.
She trips beside the waters on the distant yellow sand
While holy vespers steal across the ocean and the land,
And the sea bears the reflection of the worlds that roll above
And every breath of even seems to whisper but of love.
Oh what to me is Glory, what is Power, what is Pride!
I care not for this bauble with my loved one at my side.
I want no other beauty than the beauty of her face,
What brighter vision is there than her comeliness and grace!
AH, HAST THOU GONE?
Ah, hast thou gone from him whose breast
Bleeds with the thought we are apart,
Whose tears fall vainly and unblest,
Whose all--a crushed--a broken heart!
Thou hastenest on Life's thorny way
Where torrid suns the mountains burn,
Where parch the thirsty plains--yet say,
Oh, say thou wilt to me return.
Beyond the rolling wave art thou
O'er which I waft a sigh to thee,
Beyond the lurid sunset now
Ablaze upon the western sea.
Oh, think of him whose only thought
That thought which Friendship cannot tell,
While flows the burning tear unsought,
He loved, alas, he loved too well.
Farewell to thee than whom all joy
No brighter vision e'er can lend,
Go, he will be to thee, my boy,
A brother--more than that--a friend.
STANZAS ADDRESSED TO A LADY COMING OF AGE.
There are moments we can look to, we can cherish in the past,
As the fleeting days that numbered them are dwindling to their last,
Like the roses in the autumn that are severed from their stem,
Like the dew-bespangled petals when we sit and sigh for them.
There were sweetnesses unrivalled in those halcyon days of truth,
Yet fairy hopes are budding in the sunset glow of youth,
When like the cloudlets o'er the far horizon of the sea,
Each fringed with sheeny splendour, are the days of infancy.
Yet there are days and moments for enjoyment on before,
Tho' the golden skies of youth shall never smile upon us more,
When the brow of early womanhood looks forth to pleasures new,
And sweeter, lovelier visions are unfolding to the view.
O take the gift and when though look'st upon it let it be
A token of the wishes, of the hopes I have for thee,
A silent language which can speak when Friendship's voice is dumb,
A small yet dear remembrancer in years that are to come.
GOOD NIGHT.
O slumber on, untaught to feel
The weight of care and sorrow's blight.
Here have I often loved to steal
And o'er thee breathe a soft "good night."
And gentle as thy beauty's ray
Be all the visions of thy dreams,
Thy years be joyous as to-day,
And life be always what it seems.
Ah, may it ne'er be thine to know
The sleepless eye, the tossing head;
May He above ordain it so,
And guardian angels shield thy bed.
Now o'er thy cheek the smile betrays
Some sweetness in thy dreaming eye,
Alas that thou must wake and gaze
On things that cause thy breast a sigh!
So placid is thy pillow here,
'Tis sweet, indeed, to know thy peace,
To smoothe thy locks and drop a tear,
To clasp a hand I must release.
Ah, dost thou dream of me! we part
While summer tints thy childhood's light,
I leave thee with an aching heart
While angels sing "Good night, Good night."
THE FRIENDS.
We were friends, and the warmest of friends, he and I,
Each glance was a language that broke from the heart,
No cloudlet swept over the realm of the sky,
And beneath it we swore that we never would part.
Our fingers were clasped with the clasp of a friend,
Each bosom rebounded with youthful delight,
We were foremost to honour and strong to defend,
And Heaven, beholding, was charmed at the sight.
Around us the pine-crested mountains were piled,
The sward in the vale was as down to the feet,
The far-rolling woodlands were pathless and wild,
And Nature was garbed in a grandeur complete.
Said he, "We are here side by side and alone,
Let us thus in the shade for a little remain,
For we may not return here ere boyhood is flown,
It may be we never shall meet so again.
Come, friend, and record on this reverend oak
Thy name by my own, they shall stand side by side"
And I hastened to do so with glee as he spoke,
And I gazed on the names with a feeling of pride.
Traced deep on the bark they were goodly to see--
What traced by the finger of Friendship is not?
Together they smiled on the trunk of the tree
And as brothers we stood on that sanctified spot.
But alas for a murmur that swept through the trees,
For the sound was a sound as of something sad,
Like a wail that awakes in a breast ill at ease,
'Twas strange it should be so when all was so glad.
And often since then have I roamed through the vale,
My way have I bent to my favourite tree,
But its branches resound with the self-same wail
Which seems to repeat "Where is _he_, where is _he_?"
And again and again have I loved to behold
And fashion the storm-beaten letters anew,
While lingering there as in summers of old,
That spot--it is sweet, it is dear to me too!
Our steps--ah! how fond was our intercourse then--
Like the leaves of the autumn have drifted apart,
And the voices that moan in that overgrown glen
Now melt into weeping the sorrowful heart.
ON PLUCKING A HEDGEROW ROSE.
I saw on a hedge that was flourishing by
A rose that was stirred by the breath of the morn,
So smiling and fragrant it looked there, that I
Was tempted to seize it, forgetting the thorn.
I eagerly plucked it but found to my pain
'Twas scentless and in it an insect was curled,
So I flung it away to the hedgerow again
And I thought of the joys of this troublesome world.
THE SHADOW OF A LIFE.
There's a face that beclouds like a shadow my pathway at morn and eve,
There's a form that glides before me which my eyes can never leave,
When I pore above the hearth and heavy thoughts my bosom fill,
I start like a sleeper from dreaming, for it's standing beside me still.
When I stroll in the gloom of the evening is that figure before me cast
With its strange and measured footfall, like the shadow of something past,
All through my summer wandering does it darken the light of the sun,
And it sits like a phantom to mock me when the work of the day is done.
It is ever present with me like an overhanging blight,
Thro' the heaviness of morning and the wakefulness of night,
When I bend within my chamber in the attitude of prayer--
With a look of wrapt devotion is it kneeling--kneeling there.
There's a strangeness in its features, there's a horror in its eye,
There's a sadness in its visage like the tremour of a sigh,
And as silently as ever it precedes me thro' the day
While I long for the hush of midnight ere its hours have passed away.
Oh when shall that figure leave me, are its terrors to haunt me still
Like the ever deepening twilight in the valley o'er the hill?
And its wild and ill forebodings--must they--can they never cease?
When its shadow rests above me, is there none to whisper peace?
Is there no one that can soothe me? Is there no one that can save?
No, that figure still must haunt me and shall haunt me to my grave,
From my cradle to my coffin is that vision doomed to be
A scare of Hell and darkness--a thing of terror unto me!
ALONE.
Alone in my chamber, forsaken, unsought,
My spirit's enveloped in shadows of night,
Is there no one to give me a smile or a thought?
Is there none to restore to me faded delight?
The zephyrs disport with a light-bosomed song,
And the joy-laden songsters flit over the lea--
Yet the hours of the spring as they hurry along
Bring nothing but sadness and sighing to me!
There were friends--but their love is departed and dead,
And alone must the tear-drop disconsolate start,
All the beauty of Life, all its sweetness is fled,
Oh, who shall unburden this weight at my heart!
DRINK.
I.
An English village, a summer scene,
A homely cottage, a garden green,
An opening vista, a cloudless sky,
A bee that hums as it passes by;
A babe that chuckles among the flowers,
A smile that enlivens the mid-day hours,
A wife that is fair as the sunny day,
A peace that the world cannot take away,
A hope that is humble and daily bread,
A thankful soul that is comforted,
A cosy cot and a slumbering child,
A life and a love that are undefiled,
A thought that is silent, an earnest prayer,
_The noiseless step of a phantom there!_
II.
A drunken husband, a wailing wife;
Oh, a weary way is the way of life!
A heartless threat and a cruel blow
And grief that the world can never know;
A tongue obscene and a will perverse,
A horrid oath and a muttered curse,
A winter drear and a scanty meal,
A heart so hard, oh, a heart of steel!
A wizened look and an infant's cry,
The cold, cold clutch of Poverty,
A withered hand and a blanchëd cheek,
Alone, and, ah, no friend to seek!
A chilly hearth and a ragged dress,
A home that is all heaviness!
III.
A grim grey court in a City's gloom,
A frantic fear of eternal doom,
A wretch besotted and depraved
And cries that cursed the curse they craved,
Pollution all, no light! no light!
"Oh, where shall be my drink, to-night!"
A wretched garret, a straw-strewn bed,
A husband stretched in a corner--dead.
A shriek of anguish, a choking sigh,
"Oh let me perish, let me die!"
An agony of dire despair,
A picture of torn and dishevelled hair,
And none to succour, none to save,
A pauper's hearse and an early grave.
A voiceless widow, a wringing of hands,
A long, long wish for some far off sands,
A staring eye and a vacant mood,
"Oh Father, teach me to be good"
A strengthless effort, a feverish start,
A prostrate form and--a broken heart.
IV.
A dismal eve and a howling dog,
A ghostly silence, a river fog,
A byway deserted, a dingy street,
A glimmer to light life's feeble feet.
A trembling step and a beaded brow,
"Oh where, oh where, shall I hasten now?"
No eye hath seen nor ever shall,
On, on in the gloom, to the still canal;
Hush, hush, a murmur--a fearful pause--
A footfall--oh horror; a slam of doors--
A sinking down to former repose,
"Oh darkness come and end my woes."
Away like a phantom, down far to the East,
"Oh when shall the weary and sad be released?"
An alley, a prayer, a soundless wharf,
A biting wind and a graveyard cough,
A heap of rags and a starving child,
Alas, alas for the undefiled!
A heavy tide and a moon obscured,
A shapeless mass of barges moored,
Nor light, nor sound and a flood that gapes,
A frowning pile of horrid shapes.
All darkness, blackness, deep despair,
"My burden is greater than I can bear!"
A rolling river, the dead of night,
A form all palsied with affright,
Alone, yes, alone, yet so afraid,
A hurried stride from that inky shade;
On over the barges away from the shore,
One breathless clasp, one long clasp more--
A heavy plunge and a gurgling groan,
Two clammy corpses cold as stone,
A brow distorted, a clenchëd fist,
A babe the Lord Himself has kissed.
THE MUSICIAN'S[1] GRAVE.
Thou'rt gone like the meteor that blazed in the sky,
And the spot thou hast smiled upon knows thee no more,
Is there no one that heaves o'er thy ashes a sigh?
Is there none to regret? Is there none to deplore?
Thy note--it is silent, thy song--it is hushed,
No more shall thy music entrance or enthral,
The music that like the blue rivulet gushed,
A finger of terror has silenced it all.
When far through the cloisters the anthem was stealing,
Thy heart was ablaze with a heavenly ray--
When thy organ was softly and tenderly pealing,
Or the bass of thy bourdon was rolling away.
Thy vespers were sweet and thy exquisite numbers
Swelled gently and hung on the tremulous air,
And, light as the prayer before infancy's slumbers,
Ascended on high--thou hast followed them there.
And like the dim eve was thy spirit's repose,
When loftily o'er thee, while musing alone,
Within the cathedral thine echoes arose
And melted to feeling the passionless stone.
While sculptured recess and immortalized shrine
And far-stretching arches were bathed in the flood
Of the lingering sunset, whose beauties were thine,
And the motionless figures were blazoned in blood.
But an undertone rose thro' the chords like a wail,
'Twas thy elegy mourning thee deep in the sound,
Soon, soon did that something of sadness prevail,
And the minors commingled and fell to the ground.
Rest peacefully, Minstrel, He took thee who gave,
That passion is still that once swelled in thy lay,
Thy notes are departed, thy fame is thy grave,
For the angels descended and bore thee away.
[Footnote 1: The late John Amott, for over thirty years
Organist of Gloucester Cathedral, who fell dead immediately
after the rendering of the anthem "Oh that I had the wings of
a dove, for then would I flee away and be at rest."]
THE SUMMER SHOWER.
The eve is still and silent and above the tinted plain
The passing clouds are driving gentle showers of summer rain,
And the scent of hay-strewn meadows and the fresh-besprinkled ground
Is mingling with the perfume of the flowers that bloom around.
Off I wander and I stroke the gleeful spaniel at my side,
And, delighted with each other, do we ramble far and wide,
While a ditty is the tribute to the joy that gives it birth,
And the leaves, refreshed, are pouring their cool nectar to the earth.
Oh let me gaze again upon the moisture-laden sky,
Let me see the rolling masses, let me hear the plover's cry,
While enveloping the distant mountain-summits like a shroud,
Like a head bent down and hoary, hangs a heavy wreath of cloud.
Let me gaze upon the sunshine as it breaks upon the mist,
As it bathes the stony mountains that the clouds have lately kissed,
As it tips the dripping leaflet with a scintillating gem,
Like the far-resplendent treasure in a monarch's diadem.
Let me tread the shining pasture-lands, the greenest of the green,
Let me quaff the luscious perfume of the smiling, glistering scene,
While beautified and golden stands the ripe and waving grain,
And all Nature sings for gladness now that sunshine follows rain.
WHEN THE TWILIGHT SHADOWS DEEPEN.
When the twilight shadows deepen and the far-off lands are dim,
And the vesper dirge is stealing like the chant of cherubim,
There's a prayer within my bosom that's responsive to the sound,
There's a thought that springs within me--but 'tis sad and silence-bound.
There's a sorrow in those shadows as they lengthen on the lawn,
For the joy of life has vanished and its sweetness--all is gone,
And the purple mists of even as they hover o'er the glade
Seem to hush in voiceless gloom the deep recesses of the shade.
Oh thou beyond those heathery hills, beyond those woodlands blue,
Which, as they meet the eastern sky, receive its azure hue,
Ah, must I lonely linger here, where nought but griefs await,
Where life is but one long, long sigh, and all disconsolate?
I'm weeping, yes I'm weeping, with the sun of youth gone down,
With the blossoms of the summer-time all withering and brown,
Thou can'st not know that rending pain, those sobs thou can'st not hear,
Thou can'st not feel those burning throbs whence wells the sparkling tear.
Oh say thou wilt not turn away, oh say we must not part,
Thou would'st not spurn this aching breast, nor crush this breaking heart,
Without thee, what is Life?--a name--in which no life can be,
Oh give me back thy smile, thy tear--'tis all the world to me.
[Illustration: Decoration]
Farncombe & Co., Printers, Lewes.
End of the Project Gutenberg EBook of The Minstrel, by Lennox Amott
*** END OF THIS PROJECT GUTENBERG EBOOK THE MINSTREL ***
***** This file should be named 24312-8.txt or 24312-8.zip *****
This and all associated files of various formats will be found in:
http://www.gutenberg.org/2/4/3/1/24312/
Produced by Irma Spehar and the Online Distributed
Proofreading Team at http://www.pgdp.net (This book was
produced from scanned images of public domain material
from the Google Print project.)
Updated editions will replace the previous one--the old editions
will be renamed.
Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties. Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark. Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission. If you
do not charge anything for copies of this eBook, complying with the
rules is very easy. You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research. They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks. Redistribution is
subject to the trademark license, especially commercial
redistribution.
*** START: FULL LICENSE ***
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://gutenberg.org/license).
Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
electronic works
1.A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.
1.B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works. Nearly all the individual works in the
collection are in the public domain in the United States. If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed. Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work. You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.
1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are in
a constant state of change. If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work. The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.
1.E. Unless you have removed all references to Project Gutenberg:
1.E.1. The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org
1.E.2. If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges. If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.
1.E.3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder. Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.
1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.
1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.
1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form. However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form. Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.
1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.
1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that
- You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg-tm works calculated using the method
you already use to calculate your applicable taxes. The fee is
owed to the owner of the Project Gutenberg-tm trademark, but he
has agreed to donate royalties under this paragraph to the
Project Gutenberg Literary Archive Foundation. Royalty payments
must be paid within 60 days following each date on which you
prepare (or are legally required to prepare) your periodic tax
returns. Royalty payments should be clearly marked as such and
sent to the Project Gutenberg Literary Archive Foundation at the
address specified in Section 4, "Information about donations to
the Project Gutenberg Literary Archive Foundation."
- You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he
does not agree to the terms of the full Project Gutenberg-tm
License. You must require such a user to return or
destroy all copies of the works possessed in a physical medium
and discontinue all use of and all access to other copies of
Project Gutenberg-tm works.
- You provide, in accordance with paragraph 1.F.3, a full refund of any
money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days
of receipt of the work.
- You comply with all other terms of this agreement for free
distribution of Project Gutenberg-tm works.
1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark. Contact the
Foundation as set forth in Section 3 below.
1.F.
1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection. Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.
1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.
1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium with
your written explanation. The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund. If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund. If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.
1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law. The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.
1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.
Section 2. Information about the Mission of Project Gutenberg-tm
Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers. It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.
Volunteers and financial support to provide volunteers with the
assistance they need, is critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at http://www.pglaf.org.
Section 3. Information about the Project Gutenberg Literary Archive
Foundation
The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation's EIN or federal tax identification
number is 64-6221541. Its 501(c)(3) letter is posted at
http://pglaf.org/fundraising. Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.
The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations. Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
[email protected]. Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at http://pglaf.org
For additional contact information:
Dr. Gregory B. Newby
Chief Executive and Director
[email protected]
Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation
Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.
The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To
SEND DONATIONS or determine the status of compliance for any
particular state visit http://pglaf.org
While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.
International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.
Please check the Project Gutenberg Web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations.
To donate, please visit: http://pglaf.org/donate
Section 5. General Information About Project Gutenberg-tm electronic
works.
Professor Michael S. Hart is the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone. For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.
Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included. Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.
Most people start at our Web site which has the main PG search facility:
http://www.gutenberg.org
This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.
