Cuban Folk-Lore

By L. Roy Terwilliger

The Project Gutenberg EBook of Cuban Folk-Lore, by L. Roy Terwilliger

This eBook is for the use of anyone anywhere in the United States and most
other parts of the world at no cost and with almost no restrictions
whatsoever.  You may copy it, give it away or re-use it under the terms of
the Project Gutenberg License included with this eBook or online at
www.gutenberg.org.  If you are not located in the United States, you'll have
to check the laws of the country where you are located before using this ebook.

Title: Cuban Folk-Lore

Author: L. Roy Terwilliger

Release Date: January 25, 2016 [EBook #51040]

Language: English


*** START OF THIS PROJECT GUTENBERG EBOOK CUBAN FOLK-LORE ***




Produced by Jeroen Hellingman and the Online Distributed
Proofreading Team at http://www.pgdp.net/ for Project
Gutenberg (This file was produced from images generously
made available by The Internet Archive/American Libraries.)








                            CUBAN FOLK-LORE

                           L. ROY TERWILLIGER

                                 HAVANA
                   AVISADOR COMERCIAL PRINTING HOUSE
                            30, AMARGURA ST.
                                  1908







SUPERSTITION AND WITCHCRAFT IN CUBA


Nowhere will one find such a mass of superstitious customs practiced,
as in Cuba; especially among the black and mestizos, and even the
educated whites, while not admitting their belief in witchcraft have
a wholesome fear of the Brujo or witch doctor.

It is probable that most of these queer practices were introduced by
the blacks who brought their strange beliefs from Africa. The belief
in the Evil Spirit was doubtless the result of their early contact
with the aboriginal Cubans, who worshipped the devil.

Ñañiguismo is a form of superstition in which Catholicism and
witchcraft are mingled in bewildering confusion.

The society of Ñáñigos was first introduced in Cuba in 1836 by a
cabildo of the Carabalí nation; many conjectures as to its origin have
been put forward, but it is most probable that a priest or Chief of the
African institution called Ñanguitua, was brought to Cuba as a slave
and here resumed his official character among his enslaved countrymen.

The first Juego or chapter was founded in Regla and called the Apapa
Epi; it was officially sanctioned and licensed by the government.

The African order disbelieved in God and the worship of idols and
fetiches prevailed: in fact was one of the principal causes of the
organization of the society. Brujos or members of the order who
were supposed to possess supernatural powers were consulted in all
cases of sickness. Slave holders claimed that "the gente de nación
(imported slaves) refused to be doctored by other means than their own
brujos and corporal punishment was absolutely necessary to overcome
their stubbornness".

Whites and even mulatoes were at first refused admission to the
society, but in 1863 a traitor to the original chapter sold for twenty
cents the secrets of the order to a society of white and mulatoes who
by means of the secret pass words and signs gained admittance to the
hall where an initiatory session was in progress and demanded that
their chapter be recognized by the head Juego. A severe battle was the
outcome of this high-handed manner of securing the administration of
the initiation rites, but eventually resulted in the formation of the
Ocolio Ñáñigos, an order in which whites and half castes were admitted.

Many catholic rites were introduced in the new order, which however
did not entirely displace their belief in their former idols.

The Ñáñigos about this time began to assume a vicious character
and soon became a serious menace to society; the degenerate whites
who became Ñáñigos soon displaced the old negro kings or chiefs and
introduced many new customs, most of which were not to be desired in
a civilized country.

It is a curious fact that the avatism or reversion of half breeds
almost always result in excesses. Religious dances of an indecent
character were introduced and more revolting rites of initiation
installed.

Rivalry among the different chiefs sprung up and dissensions among
the various orders soon assumed a bloody aspect.

Sanguinary battles among the negros and half castes were common every
feast day and resulted in stringent laws being passed against the
entire organization.

After the entrance of whites and mulatoes in the different orders
the cross became one of the most important symbols of the order.

The great seal was used only by the head chapter at Regla, each
district having a different symbol.

All initiatory rites were performed by the chief of the district
and the Carabali tongue was used exclusively. The novice was marked
on the forehead with blood in the sign of the cross + on the breast
+/o|o/+ and on the back o/o|o/o after which he was struck several
times with the palo Mocongo, a cane covered with skin and mounted with
precious metals; this was to test his courage; many other ceremonies
were practiced.

The novice being declared a fit candidate for membership, blood was
mixed with aguardiente and drunk by the new member and a wild scene
of revelry wound up the ceremony.

Under the severe laws passed, Ñañiguismo shrunk to insignificant
proportions and the different chapters were supposed to have been
broken up.

During the last few years it has been on the increase, the character
however having somewhat changed.

But little can be learned of this society, at present a recent
criminal cases brought to light the fact that the very rites of
initiation were criminal in their character, a novice in the society
must wound some stranger and drink the flowing blood before the last
rites are administered.

The Society is governed by a King, who is represented in each district
by a "Father of the Community" or Chief Doctor, who has at his command
the Brujos or Conjurors.

Santa Baraba, the patron saint of the order is no less than a savage
idol with a Catholic name.

There are annual fiestas in honor of this Saint, where only members
of the Society are admitted, but I was fortunate enough to witness
from a friendly roof the sacred dance and battle with the devil.

Clothed only in long strings of feathers, the Brujo who played the
part of "leading man", prostrated himself before the sacred image
and lighted the sacrificial flames.

Goats, black cocks and other animals were brought forward by the
devotees and beheaded. Fruit also was offered.

The nature of the sacrifice most acceptable to the Mabruja is
communicated in advance to each of the Saint's followers, through
the medium of the Brujo.

It is certain that most of the time the exigencias of the saint
do not pass the sacrifice of a fat cock, or a goat whose head is
consumed by the flames (while the father of the community eats the
rest of the victim), but cases have presented where the dagger or
poison, have been ordered to remove some obstruction from the path of
private individuals, whose money has influenced the saint to decree
their death.

Sacrificial dances are always at night and the weird, scantily clad
figure of the officiating priest can easily be likened to that of
some demon tending the infernal fires.

After the sacrifice, the low monotonous moaning of the tom-tom
announces that the ball has opened.

Twisting his body in painful contortions, the brujo dances about
the sacred fire, gaining momentum with each round until he at last
resembles a human pin-wheel; now slower and slower he dances, scanning
the faces of his fear-stricken followers for a victim, until at last
his hypnotic eye fixes upon an aged negress, who falls screaming to
earth in convulsed fear. She is possessed of a Mabruja or Evil Spirit,
who has inconsiderately taken possession of the old lady's person,
without her leave, and the "doctor" wants to extract it; apparently
the operation becomes painful to the old lady, who would doubtless
have much rather been left in quiet possession of his satanic majesty.

After much manoeuvring, the doctor announces that the Mabruja was
vanquished and has left his country woman, who still sits in comical
amazement where she had fallen; to one who has really entered the
inner life of the country districts of Cuba this is no strange sight.

One of the most abhorrent practices of witchcraft is the use of
Love Philters composed of ingredients of a nature too horrible to
mention. It is needless to say that this custom is practiced almost
solely by the lowest class of society, but in so great respect and
fear are its results held that almost the first advice one receives on
arriving in Cuba, is to never accept refreshments in a strange house,
for fear that they may contain this concoction; many tales are told
of young men who by means of this drug have been lured into attachment
for women of shady complexion and still more shady reputation.

The Piedra Imán, a sort of lodestone, plays an important part in the
practice of witchcraft; sacrifices of animals are made to this stone
whose absorbent qualities cause it to greedily suck the blood of the
victims. In sickness and love this stone is always in evidence. Are
you dying of unrequited love? No need to worry while a dozen old
witches are aching for the opportunity of relieving your heart (and
pocket). For gold a small stone will be placed in your possession
and if you carefully follow directions, luck will attend your affairs
with Cupid.

To succeed it is necessary to secure a strand of hair (pulled, not
cut) and the parings of your loved one's nails; these are mixed with
steel filings and placed with the "stone" in a metal box. On Mondays
the "stone" is strictly teetotal and only water may be offered, but
as Friday draws near, the "God" develops a taste for strong liquor
and wine must be given it. Woe betide the mortal who neglects the
"little God's" taste in drinks.

Has disease laid its foul hand on your person? No need to worry;
any witch doctor will recommend the following recipe.


           Rx  1 Pair half burned candles.
               7 Grains of corn.
               7 Copper pennies.
               7 Clean pebbles.
               1 Head of a black cock.
               7 Pieces glass.


Wrap carefully in red cloth, this enclose in black cloth, over all
wrap a large white handkerchief and place in public highway, await
developments.... An innocent wayfarer comes down the highway, sees
the ownerless package and gleefully makes off with it. Oh joy! you
are already feeling better, and the one who so fondly imagines he
has found a fortune wrapped up in a napkin, has only brought down
upon his head the load of your disease!

Barrenness need no longer bring grief to those who long for the patter
of little feet about their home.

Secure a white child and with the help of a brujo extract its heart
and take in small doses!!

It is impossible to dispute the fact of this and other horrible
cannibalistic practices to which the superstitious negros are addicted;
the public can scarcely have forgotten the developments of the noted
"Gabriel Case" when a number of Brujos were sentenced to long terms
of imprisonment and one at least received the death penalty.

Not only in the greater joys and griefs of life is witchcraft used,
but in the petty annoyances of everyday life.

The dread combination of sprinkling salt in an old shoe and placing it
upon an upturned broom, has caused many an unwelcome guest to hasten
his departure.

Some of the common superstitions are: never twist an empty chair.

Never read by the light of two candles; you are mocking death.

A moth flying about you at night means that you are to receive
a letter.

A match which continues burning after being thrown away will bring
you money.

A dog scratching the floor of a house is digging his master's grave. He
will soon die.

If a hearse passes a person twice during the same funeral, he will
be its next occupant.

Never cross the arms over the head; your mother or nearest relation
will die.

Never sweep the crumbs from a table with a paper; it will bring
disgrace to your family.

In former years, when the milk man brought his cows along to town and
milked them before your door, there was a curious belief that if a
cow bawled in front of a house where a sick person lay, that person
would die.

If a mass is not said for the repose of a soul, the newly dead will
come at night and pull the feet or carry off the blanket of the
nearest relation.

A black moth flying at night means that there will be a death in
the house.

Should an eyelash fall, you will receive a visit from a long forgotten
friend.

If an owl hoots as it flies over a house, somebody in that house
will die.

That there is "something" in witchcraft it is impossible to deny. The
fear and reverence in which the brujos are held is far more powerful
than their fear of the law, as has been shown in several recent
criminal cases.

Is it not possible that the something, is mesmerism, that the subjects
are mesmerized by their own belief in the brujo, or that the brujo
himself has acquired the power of hypnotism though unconscious of the
source or nature of this power, a "power" that makes him different
from other men?

Superstition is a serious menace to the advancement of Cuba.







THE PRIMITIVE INHABITANTS OF CUBA


Fortunately for history, most early Spanish expeditions were
accompanied by such observers as Las Casas, Cortés, Gomara and Oviedo,
who although differing in minor details and unreliably eulogistic of
their own expeditions and leaders have agreed on their accounts of
the habits of the Indians as found at the time of the discovery.

Bartolomé Las Casas in particular made a study of the Indians and in
so far as possible sought to relieve their sufferings.

Separated by but a narrow stretch of water from the other islands
of the West Indies, Cuba was inhabited by an entirely different
race of men. The Caribes, who infested the smaller islands, were a
warlike tribe of anthropophagi who terrorized the shores of Cuba by
frequent and bloody excursions, carrying off many captives for their
cannibalistic feasts.

The Indians of Cuba were of the Siboneyes tribe, excepting those
about Bayamo and Baracoa, who were of the Caribe nation. In these
two localities deformed skulls have been found identical with those
collected at Guadalupe, the principal seat of the Caribes.

Several hypotheses have been given of the origin of the Siboney
Indians. Some writers claim them as descendants of the Mayas of
Yucatan, but Bachiller y Morales disposes this on the radical
difference of the characters of the two tribes. With the exception
of the Floridians and the Araucanians of Chile; the Siboneyes are
unlike all other American Indians.

Abbe Don J. Ignatius Molina writing of the Araucanian about the year
1800 says, "The natives of this part of the New World being of a mild
character, much resembling that of the Southern Asiatics," and again:
"The features of both (hill or plain tribes) are regular; they have
round faces, small animated eyes full of expression, a nose rather
flat, a handsome mouth, even and white teeth, muscular and well shaped
limbs and small flat feet."

Of the Siboneyes Bachiller y Morales says: "They did not present the
robust muscularity of the North American Indian nor did the expression
of their faces assume the bloody instincts of the Caribe. In color
light olive, they were tall straight limbed men of peaceful disposition
who lived mainly by the chase and agriculture."

On the strength of this resemblance some writers have concluded that
the Siboneyes were descendants of the Araucanians. This disagrees
with the traditions of the Siboneyes themselves who claim to have
immigrated from Florida; first driving from the island the males of
a nation who were inferior to themselves in number and civilization;
moreover the Indians of Cuba long had tradition of the wonderful land
of Cantio or Florida.

Washington Irving in his "Spanish Voyages of Discovery" says: "The
belief of the existence in Florida, of a river like that sought by
Juan Ponce, was long prevalent among the Indians of Cuba, and the
caciques were anxious to discover it."

Geographical conditions would also favor the theory of the Siboneyes
coming originally from Florida.

Evidence of an earlier race in Cuba has been discovered in the caves
of the eastern part of the island. Skulls differing greatly from both
those of the Siboneyes and Caribes have been found, as well an stone
implements, which most authors agree were not used by the Siboneyes.

It is probable that the Siboney tradition of their coming originally
from Florida is correct.

At the time of discovery, Cuba was divided politically into thirty
different states as follows:

Sabeneque, Cayaguaya, Manibon, Bani, Barajogua, Sagua, Baracoa on
the north coast; Hanamano, Jagua, Guanjaya, Magon, Omapai, Guanaros,
Cueiba, Cucanajani, Macaca, Boyuca, Bajatiquiri and Masi on the
south coast; Cuanajami, Guanejuanica, Marien, Habana, and Canauei
touching both coasts; Macoriges, Calacon, Bayamo, Maeye and Cuamaj
in the interior.

Each state was independent and was governed by a king or cacique who
was absolute ruler of the nation: subject to no laws and holding the
power of life and death over his subjects, this power was seldom used
arbitrarily, the cacique appearing more in the role of a father to
his people.

The subjects of the kingdom were called tainos probably signifying
citizens or subjects; they were of different rank; the naitains
or naitanos formed the nobility or commanding part, the naboris or
anaboris the vassals or laboring class, who were divided into different
groups, each group under the authority or command of a naitains.

As a mark of distinction the nobles wore the hair tied high up on the
head and on feast days adorned themselves with feathers, gold shells,
etc. The hair of the vassal was cut straight about the ears.

The national laws were few and severe, theft being the crime most
severely punished.

The convicted thief was impaled on a large stick and suspended between
two upright posts until life was extinct.

As among many uncivilized races most of the manual work was performed
by women. Among the Siboneyes married men were exempt from agricultural
presents, but assisted in gold washing, etc. They were obliged however,
to live separate from their families for some time before going on
a gold hunting expedition.

"Los hombres casados iban en busca de oro á los ríos como los demás,
pero se abstenían de la cohabitación y trato mujeril antes, para que
no se les turbara la vista".

The primitive Cubans were of an amorous disposition, somewhat
indolent. Polygamy was permitted, but seldom practiced except among
the ruling classes; promiscuous intercourses and unnatural crimes were
ascribed to the Siboneyes by the early settlers. Narvaez gave this
as his excuse for the massacres of the entire Indian village of Caonao.

Their acts were very ceremonious especially when receiving a visit
from a neighbouring cacique. The receiving cacique was borne forth in
a litter preceded by a number of women who were slightly clothed, and
who scattered palm leaves before the approaching guest. A visit was
always attended by great feasting, where nobles acted as servants to
the visiting cacique, during the feast the women entertained their
lords by songs and dancing; a number of young girls were always
appointed to the service of a welcome visitor as a peace offering.

They in common with other West Indian nations had a tradition of the
formation of the world. Lucuo (God) formed the world, we know he
made all things; he came from a country beyond the clouds peopled
by spirits and souls. The world was first formed without mountains
or water, but under the influence of the sea sunk forming mountains
and bringing fair water.

Lucuo formed the first man of wheat; when he was finished he touched
the image on the stomach with his foot changing it into two grand
Lucayos, male and female to whom nine divine offsprings were born.

The first Nounm (the moon) was very proud and boastful of his
brilliancy but when Huin (the sun) was born and showed his shining
face Nounm became ashamed and hid himself only coming out at night
when Huin is absent.

The other offsprings were given charge of the elements.

Cuasima was chief of the Cemi inferior gods who were the offsprings
of Lucuo and the first woman.

Lucuo lived a long time with his people and taught them the first
principles of agriculture.

Taking an old man aside he buried a stick in the ground and told him to
dig in the same place after nine months had passed; at the end of this
period the old man dug up the place as directed and found yuca growing.

The Behique or doctors of the tribe exerted an important
influence. They were charged with the perpetuation of the nations
history or traditions, which were taught to the children of the
nobility in the form of songs which were chanted by them on feast days.

The Behique was also at the head of their religion. Their prayers
were directed not to the creator by but to the Mabuya or bad spirit
their belief being as "God is good it is not necessary to gain his
protection; the devil is bad and it is therefore better for us to
adore and propitiate him so that he will work us no ill."

Their intercessions were made through the medium of the Cemi inferior
Gods of whom stone images were erected, and who acted as messengers
to the greater Gods. Each Behique had his own particular Cemi called
Cochexi who was solely at the command of that special Behique; the
Cochexi of some Behique, were regarded as superior to others. The
Cemi also had charge of all natural objects such as the springs,
the rain, thunder, and dew.

Diseases were very rare and also very violent among the Siboneyes;
the Behique cured their followers by medical preparations of herbs and
roots, together with magical symbols and by blowing upon them; after
fasting and pretending to hold direct communication with their Cemi.

Twice a year great religious feasts were held when the Behiques fasting
weeks in advance living only on the juices of certain grains appearing
weak and emaciated. After the usual sacrifices to the Cemi they worked
themselves into a religious ecstasy; while in this condition they were
questioned on subjects of interest, such as the probability of war,
battles and death, their answers being received as coming direct from
the Gods.

At their fiesta or Gloritas wonderful dances were held several taking
hold of each other's hands then moved themselves to the rhythm of
a slow chant and the music of the tom-tom, a hollow trunk of a tree
covered by the skin of some wild animal. It was their custom to dance
until so exhausted that they fell to the ground. During the dances
wine was passed from one to another and drunk without spilling or
interrupting the dance. Men and women danced together only on the
occasion of a great victory or on the birth or death of a cacique,
when no wine was drunk.

The Siboneyes were armed with the bow and arrow, dart and mace; the
arrow and dart were tipped with fish bones; the mace was a heavy club
made of hardwood and seems to have been their favorite weapon. They
also construed clever traps to ensnare game.

They had a primitive idea of weaving and wove cloth from the wild
cotton plant that appears to have been indigenous to Cuba.

Fire was made by rubbing a piece of hard wood between two pieces of
softer wood.

Fishing was one of their pursuits many of the houses of the noble
were built upon piles along the shores of streams; this was probably
a means of securing themselves against surprise by the cannibals.

The hardships to which the Siboneyes were subjected has caused them
to rapidly disappear, with the exception a possible few among the
mountains of Santiago. The race has entirely disappeared even as early
as 1532 but 5,600 of the original population of two hundred thousand
(according to Las Casas 1.000.000) remained in 1511. Moreover in 1553,
Fray Luis Beltran writing of the travels in Cuba in 1551 claims they
were entirely exterminated.

"Los 200.000 indios que entonces contenía serían exterminados por
los tratamientos de que eran víctimas."







SOME CUBAN SHRINES


In Cuba as in all pro-Catholic countries the natives have a host of
saints to whom they attribute various supernatural powers; they are
held in greater or less esteem according to the miraculous cures they
have achieved or the concessions they have granted their followers.

Each family or individual has a special saint to whom they appeal
in times of trouble or sickness. Sometimes however when a saint
has repeatedly proved inefficient or has failed to grant the wishes
of a devotee, it is cast aside or exchanged for one that has been
recommended by a friend. It is no unusual thing to hear one lady
advising another to try such and such a saint. "Rece á San José, él
me ha concedido todo lo que yo le pedí". Pray to San José he grants
all I ask him.

There are also a number of saints who are specially efficient in
certain diseases or conditions. One always prays to San Blas to cure
throat trouble, and young ladies know that San Nicolas with gladly
assist them to secure good (rich) husbands, San Ramón protects them
during pregnancy and San Lázaro during child-birth. Sta. Bárbara makes
timid hearts brave in times of war; Santo Domingo cures fever, Santa
Lucia looks after the eyes, San Antonio protects from fire; and so in
every case that may be presented there is some saint (or saintess) who
has taken that disease or ill for their special power of benefaction.

When an article is lost San Antonio de Padua is in disgrace until it
is found. The figure of the saint is placed head-down-wards and if
some time elapses without the lost object being recovered the image
is bound to a chair back and severely whipped for failing in his duty;
if the lost object still remains undiscovered the infant which always
accompanies the saint is cut away from the image and the following
couplet repeated


               "San Antonio Bendito
                si no me concedes lo que te pido
                no te devuelvo tu niño."


"Blessed San Antonio if you do not grant what I ask, I will not return
your child" this last resource rarely fails in causing the recovery
of whatever is missing.

"El Señor Milagroso" the miracle worker, is an image treasured as
one of the most valued religious possession of Matanzas. Although
the church has offered many thousands of dollars for its possession,
and its owner is in comparatively poor circumstances, it still remains
in the hands of a private family.

It has been handed down through many generations of the Castro family
and is at present in the possession of Sr. Arturo Castro who has
built a shrine where all are welcome to visit and revere the saint.

This saint is supposed to instantly answer the prayer of those who are
in great danger. A curious story is connected with the image of a snake
twined about the body of a man that is placed before in the saint.

During the revolution of 1868 when many well to do families were
temporarily reduced to needy circumstances an old man was accustomed
to visit his married son about the time of the mid-day meal. The
son who found it difficult to fill the all too many mouths of his own
household one day ordered the meal to be kept back until his father had
gone. The father came and failing to see the usual preparations for
breakfast in progress inquired if the meal had already been served,
he was given to understand that it had and left the house somewhat
nettled as was natural. The dish was now ordered to be placed on the
table with the least possible delay. As moments passed and no food
appeared the master of the house went to the kitchen to inquire the
causes of delay and there found the servant struggling to lift the
cover from a kettle. Angry at the inability to perform so apparently
simple a task he gave the cover a pull ... and then slowly from the
boiling liquid appeared the shining coils of a monstrous serpent,
which wound itself about the body of the selfish son! ... imagine
the confusion and consternation in which the household was thrown on
seeing their master in the coils of this huge monster.

The master finding it impossible to release himself from the coils
of the serpent and realising that this was the punishment of God for
deceiving his parent vowed to present the Señor Milagroso a silver
image of the incident.

El Santo Sudario is a saint out-lawed and unrecognized by the
authorities of the church; persons found wearing the reliquary
containing the prayer to the saint are accounted rebels against the
church and are excommunicated.

This saint is the patron of robbers and assassins, and of people who
are in constant danger of death by violence or drowning.

El Santo Sudario or Just Judge protects its followers against fire,
wild animals, bullets, death by drowning, and hanging, it is in great
request by soldiers or sailors.

During the Spanish regime in Cuba it became a misdemeanor to have
an image of the saint in one's possession it being believed by
the authorities that it gave criminals immunity against detection
or arrest.

A laughable accident in connection with the saint happened to the
knowledge of the writer. During the last political unpleasantness an
officer of the government forces was pressed to accept a present of a
reliquary of El Santo Sudario to protect him against the dangers of
battle incredulous of its power but willing to please his friend he
accepted the gift and placed it about his neck. The reliquary encased
in a red silk bag to prevent its chafing the skin was soon forgotten.

While taking account of the casualties after a very active skirmish the
officer was astonished and somewhat frightened to have his attention
called to an apparently severe wound he himself had received in
the breast. Glancing down sure enough a huge stain of blood had
appeared on the front of his uniform. Feeling no pain and the wound
appearing in such a vital place the officer imagined himself booked
for the long voyage. Frantically tearing open his clothing in haste
to stop the bleeding he found to his surprise that the red silk bag,
containing the reliquary was dripping with perspiration and had run
through his clothing.

The Shrine of La Santa Imagen in the Hermitage of Monserrat, Matanzas,
is the Mecca of the Spanish residents of Cuba, who annually in the
8th of November journey from all parts of the Island to attend the
fiesta of Monserrat.

This saint is supposed to have the power to grant three wishes to
those who fulfill their vows during the year. The many offerings of
gold and silver about the altar offer eulogiastic proof of the faith
and esteem in which the saint is regarded. These objects are vowed to
the saint in times of sickness or despair and usually take the form
of a miniature representative of the parts of the body that are made
well by the intercession of the saint.

Vows of humility are also made to the saint. One devout more believer
has passed the whole of each fiesta on his knees for than 20 years,
in fulfillment of a vow made when he received intelligence of a fatal
accident to his only daughter that happened while he was far from
home. He vowed to the Holy Image that if he were allowed to reach the
bedside of the child before she passed away he would perform this
act of humility as long as he lived in gratitude for the saint's
intercession in his behalf.

For some special favor shown young girls will promise Our Lady Carmelo
to use no other dress for a certain period than that prescribed by
the Order of the Sisters of Carmelo, a dusty brown with black girdle.

La Señora del Cobre is the patron saint of Cuba. This saint is a
wooden image placed on El Cobre hill near Santiago of Cuba.

This Image has a touch of the wanderlust often disappearing during
the night and returning, covered with sand and sea weed. Once some
accident befell it and it was picked far out at sea by a fishing boat
and returned to its place.











End of the Project Gutenberg EBook of Cuban Folk-Lore, by L. Roy Terwilliger

*** END OF THIS PROJECT GUTENBERG EBOOK CUBAN FOLK-LORE ***

***** This file should be named 51040-8.txt or 51040-8.zip *****
This and all associated files of various formats will be found in:
        http://www.gutenberg.org/5/1/0/4/51040/

Produced by Jeroen Hellingman and the Online Distributed
Proofreading Team at http://www.pgdp.net/ for Project
Gutenberg (This file was produced from images generously
made available by The Internet Archive/American Libraries.)

Updated editions will replace the previous one--the old editions will
be renamed.

Creating the works from print editions not protected by U.S. copyright
law means that no one owns a United States copyright in these works,
so the Foundation (and you!) can copy and distribute it in the United
States without permission and without paying copyright
royalties. Special rules, set forth in the General Terms of Use part
of this license, apply to copying and distributing Project
Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
concept and trademark. Project Gutenberg is a registered trademark,
and may not be used if you charge for the eBooks, unless you receive
specific permission. If you do not charge anything for copies of this
eBook, complying with the rules is very easy. You may use this eBook
for nearly any purpose such as creation of derivative works, reports,
performances and research. They may be modified and printed and given
away--you may do practically ANYTHING in the United States with eBooks
not protected by U.S. copyright law. Redistribution is subject to the
trademark license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full
Project Gutenberg-tm License available with this file or online at
www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project
Gutenberg-tm electronic works

1.A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg-tm electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg-tm electronic work and you do not agree to be bound
by the terms of this agreement, you may obtain a refund from the
person or entity to whom you paid the fee as set forth in paragraph
1.E.8.

1.B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this
agreement and help preserve free future access to Project Gutenberg-tm
electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation ("the
Foundation" or PGLAF), owns a compilation copyright in the collection
of Project Gutenberg-tm electronic works. Nearly all the individual
works in the collection are in the public domain in the United
States. If an individual work is unprotected by copyright law in the
United States and you are located in the United States, we do not
claim a right to prevent you from copying, distributing, performing,
displaying or creating derivative works based on the work as long as
all references to Project Gutenberg are removed. Of course, we hope
that you will support the Project Gutenberg-tm mission of promoting
free access to electronic works by freely sharing Project Gutenberg-tm
works in compliance with the terms of this agreement for keeping the
Project Gutenberg-tm name associated with the work. You can easily
comply with the terms of this agreement by keeping this work in the
same format with its attached full Project Gutenberg-tm License when
you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are
in a constant state of change. If you are outside the United States,
check the laws of your country in addition to the terms of this
agreement before downloading, copying, displaying, performing,
distributing or creating derivative works based on this work or any
other Project Gutenberg-tm work. The Foundation makes no
representations concerning the copyright status of any work in any
country outside the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other
immediate access to, the full Project Gutenberg-tm License must appear
prominently whenever any copy of a Project Gutenberg-tm work (any work
on which the phrase "Project Gutenberg" appears, or with which the
phrase "Project Gutenberg" is associated) is accessed, displayed,
performed, viewed, copied or distributed:

  This eBook is for the use of anyone anywhere in the United States and
  most other parts of the world at no cost and with almost no
  restrictions whatsoever. You may copy it, give it away or re-use it
  under the terms of the Project Gutenberg License included with this
  eBook or online at www.gutenberg.org. If you are not located in the
  United States, you'll have to check the laws of the country where you
  are located before using this ebook.

1.E.2. If an individual Project Gutenberg-tm electronic work is
derived from texts not protected by U.S. copyright law (does not
contain a notice indicating that it is posted with permission of the
copyright holder), the work can be copied and distributed to anyone in
the United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase "Project
Gutenberg" associated with or appearing on the work, you must comply
either with the requirements of paragraphs 1.E.1 through 1.E.7 or
obtain permission for the use of the work and the Project Gutenberg-tm
trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any
additional terms imposed by the copyright holder. Additional terms
will be linked to the Project Gutenberg-tm License for all works
posted with the permission of the copyright holder found at the
beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including
any word processing or hypertext form. However, if you provide access
to or distribute copies of a Project Gutenberg-tm work in a format
other than "Plain Vanilla ASCII" or other format used in the official
version posted on the official Project Gutenberg-tm web site
(www.gutenberg.org), you must, at no additional cost, fee or expense
to the user, provide a copy, a means of exporting a copy, or a means
of obtaining a copy upon request, of the work in its original "Plain
Vanilla ASCII" or other form. Any alternate format must include the
full Project Gutenberg-tm License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works
provided that

* You pay a royalty fee of 20% of the gross profits you derive from
  the use of Project Gutenberg-tm works calculated using the method
  you already use to calculate your applicable taxes. The fee is owed
  to the owner of the Project Gutenberg-tm trademark, but he has
  agreed to donate royalties under this paragraph to the Project
  Gutenberg Literary Archive Foundation. Royalty payments must be paid
  within 60 days following each date on which you prepare (or are
  legally required to prepare) your periodic tax returns. Royalty
  payments should be clearly marked as such and sent to the Project
  Gutenberg Literary Archive Foundation at the address specified in
  Section 4, "Information about donations to the Project Gutenberg
  Literary Archive Foundation."

* You provide a full refund of any money paid by a user who notifies
  you in writing (or by e-mail) within 30 days of receipt that s/he
  does not agree to the terms of the full Project Gutenberg-tm
  License. You must require such a user to return or destroy all
  copies of the works possessed in a physical medium and discontinue
  all use of and all access to other copies of Project Gutenberg-tm
  works.

* You provide, in accordance with paragraph 1.F.3, a full refund of
  any money paid for a work or a replacement copy, if a defect in the
  electronic work is discovered and reported to you within 90 days of
  receipt of the work.

* You comply with all other terms of this agreement for free
  distribution of Project Gutenberg-tm works.

1.E.9. If you wish to charge a fee or distribute a Project
Gutenberg-tm electronic work or group of works on different terms than
are set forth in this agreement, you must obtain permission in writing
from both the Project Gutenberg Literary Archive Foundation and The
Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
works not protected by U.S. copyright law in creating the Project
Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
electronic works, and the medium on which they may be stored, may
contain "Defects," such as, but not limited to, incomplete, inaccurate
or corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged disk or
other medium, a computer virus, or computer codes that damage or
cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium
with your written explanation. The person or entity that provided you
with the defective work may elect to provide a replacement copy in
lieu of a refund. If you received the work electronically, the person
or entity providing it to you may choose to give you a second
opportunity to receive the work electronically in lieu of a refund. If
the second copy is also defective, you may demand a refund in writing
without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of
damages. If any disclaimer or limitation set forth in this agreement
violates the law of the state applicable to this agreement, the
agreement shall be interpreted to make the maximum disclaimer or
limitation permitted by the applicable state law. The invalidity or
unenforceability of any provision of this agreement shall not void the
remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in
accordance with this agreement, and any volunteers associated with the
production, promotion and distribution of Project Gutenberg-tm
electronic works, harmless from all liability, costs and expenses,
including legal fees, that arise directly or indirectly from any of
the following which you do or cause to occur: (a) distribution of this
or any Project Gutenberg-tm work, (b) alteration, modification, or
additions or deletions to any Project Gutenberg-tm work, and (c) any
Defect you cause.

Section 2. Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new computers. It
exists because of the efforts of hundreds of volunteers and donations
from people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future
generations. To learn more about the Project Gutenberg Literary
Archive Foundation and how your efforts and donations can help, see
Sections 3 and 4 and the Foundation information page at
www.gutenberg.org



Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation's EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg Literary
Archive Foundation are tax deductible to the full extent permitted by
U.S. federal laws and your state's laws.

The Foundation's principal office is in Fairbanks, Alaska, with the
mailing address: PO Box 750175, Fairbanks, AK 99775, but its
volunteers and employees are scattered throughout numerous
locations. Its business office is located at 809 North 1500 West, Salt
Lake City, UT 84116, (801) 596-1887. Email contact links and up to
date contact information can be found at the Foundation's web site and
official page at www.gutenberg.org/contact

For additional contact information:

    Dr. Gregory B. Newby
    Chief Executive and Director
    [email protected]

Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To SEND
DONATIONS or determine the status of compliance for any particular
state visit www.gutenberg.org/donate

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations. To
donate, please visit: www.gutenberg.org/donate

Section 5. General Information About Project Gutenberg-tm electronic works.

Professor Michael S. Hart was the originator of the Project
Gutenberg-tm concept of a library of electronic works that could be
freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg-tm eBooks with only a loose network of
volunteer support.

Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as not protected by copyright in
the U.S. unless a copyright notice is included. Thus, we do not
necessarily keep eBooks in compliance with any particular paper
edition.

Most people start at our Web site which has the main PG search
facility: www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.