The Project Gutenberg EBook of The Big Trip Up Yonder, by Kurt Vonnegut This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: The Big Trip Up Yonder Author: Kurt Vonnegut Illustrator: Kossin Release Date: October 13, 2009 [EBook #30240] Language: English *** START OF THIS PROJECT GUTENBERG EBOOK THE BIG TRIP UP YONDER *** Produced by Greg Weeks, Stephen Blundell and the Online Distributed Proofreading Team at https://www.pgdp.net THE BIG TRIP UP YONDER By KURT VONNEGUT, JR. Illustrated by KOSSIN _If it was good enough for your grandfather, forget it ... it is much too good for anyone else!_ Gramps Ford, his chin resting on his hands, his hands on the crook of his cane, was staring irascibly at the five-foot television screen that dominated the room. On the screen, a news commentator was summarizing the day's happenings. Every thirty seconds or so, Gramps would jab the floor with his cane-tip and shout, "Hell, we did that a hundred years ago!" Emerald and Lou, coming in from the balcony, where they had been seeking that 2185 A.D. rarity--privacy--were obliged to take seats in the back row, behind Lou's father and mother, brother and sister-in-law, son and daughter-in-law, grandson and wife, granddaughter and husband, great-grandson and wife, nephew and wife, grandnephew and wife, great-grandniece and husband, great-grandnephew and wife--and, of course, Gramps, who was in front of everybody. All save Gramps, who was somewhat withered and bent, seemed, by pre-anti-gerasone standards, to be about the same age--somewhere in their late twenties or early thirties. Gramps looked older because he had already reached 70 when anti-gerasone was invented. He had not aged in the 102 years since. "Meanwhile," the commentator was saying, "Council Bluffs, Iowa, was still threatened by stark tragedy. But 200 weary rescue workers have refused to give up hope, and continue to dig in an effort to save Elbert Haggedorn, 183, who has been wedged for two days in a ..." "I wish he'd get something more cheerful," Emerald whispered to Lou. * * * * * "Silence!" cried Gramps. "Next one shoots off his big bazoo while the TV's on is gonna find hisself cut off without a dollar--" his voice suddenly softened and sweetened--"when they wave that checkered flag at the Indianapolis Speedway, and old Gramps gets ready for the Big Trip Up Yonder." He sniffed sentimentally, while his heirs concentrated desperately on not making the slightest sound. For them, the poignancy of the prospective Big Trip had been dulled somewhat, through having been mentioned by Gramps about once a day for fifty years. "Dr. Brainard Keyes Bullard," continued the commentator, "President of Wyandotte College, said in an address tonight that most of the world's ills can be traced to the fact that Man's knowledge of himself has not kept pace with his knowledge of the physical world." "_Hell!_" snorted Gramps. "We said _that_ a hundred years ago!" "In Chicago tonight," the commentator went on, "a special celebration is taking place in the Chicago Lying-in Hospital. The guest of honor is Lowell W. Hitz, age zero. Hitz, born this morning, is the twenty-five-millionth child to be born in the hospital." The commentator faded, and was replaced on the screen by young Hitz, who squalled furiously. "Hell!" whispered Lou to Emerald. "We said that a hundred years ago." "I heard that!" shouted Gramps. He snapped off the television set and his petrified descendants stared silently at the screen. "You, there, boy--" "I didn't mean anything by it, sir," said Lou, aged 103. "Get me my will. You know where it is. You kids _all_ know where it is. Fetch, boy!" Gramps snapped his gnarled fingers sharply. Lou nodded dully and found himself going down the hall, picking his way over bedding to Gramps' room, the only private room in the Ford apartment. The other rooms were the bathroom, the living room and the wide windowless hallway, which was originally intended to serve as a dining area, and which had a kitchenette in one end. Six mattresses and four sleeping bags were dispersed in the hallway and living room, and the daybed, in the living room, accommodated the eleventh couple, the favorites of the moment. On Gramps' bureau was his will, smeared, dog-eared, perforated and blotched with hundreds of additions, deletions, accusations, conditions, warnings, advice and homely philosophy. The document was, Lou reflected, a fifty-year diary, all jammed onto two sheets--a garbled, illegible log of day after day of strife. This day, Lou would be disinherited for the eleventh time, and it would take him perhaps six months of impeccable behavior to regain the promise of a share in the estate. To say nothing of the daybed in the living room for Em and himself. "Boy!" called Gramps. "Coming, sir." Lou hurried back into the living room and handed Gramps the will. "Pen!" said Gramps. * * * * * He was instantly offered eleven pens, one from each couple. "Not _that_ leaky thing," he said, brushing Lou's pen aside. "Ah, _there's_ a nice one. Good boy, Willy." He accepted Willy's pen. That was the tip they had all been waiting for. Willy, then--Lou's father--was the new favorite. Willy, who looked almost as young as Lou, though he was 142, did a poor job of concealing his pleasure. He glanced shyly at the daybed, which would become his, and from which Lou and Emerald would have to move back into the hall, back to the worst spot of all by the bathroom door. Gramps missed none of the high drama he had authored and he gave his own familiar role everything he had. Frowning and running his finger along each line, as though he were seeing the will for the first time, he read aloud in a deep portentous monotone, like a bass note on a cathedral organ. [Illustration] "I, Harold D. Ford, residing in Building 257 of Alden Village, New York City, Connecticut, do hereby make, publish and declare this to be my last Will and Testament, revoking any and all former wills and codicils by me at any time heretofore made." He blew his nose importantly and went on, not missing a word, and repeating many for emphasis--repeating in particular his ever-more-elaborate specifications for a funeral. At the end of these specifications, Gramps was so choked with emotion that Lou thought he might have forgotten why he'd brought out the will in the first place. But Gramps heroically brought his powerful emotions under control and, after erasing for a full minute, began to write and speak at the same time. Lou could have spoken his lines for him, he had heard them so often. "I have had many heartbreaks ere leaving this vale of tears for a better land," Gramps said and wrote. "But the deepest hurt of all has been dealt me by--" He looked around the group, trying to remember who the malefactor was. Everyone looked helpfully at Lou, who held up his hand resignedly. Gramps nodded, remembering, and completed the sentence--"my great-grandson, Louis J. Ford." "Grandson, sir," said Lou. "Don't quibble. You're in deep enough now, young man," said Gramps, but he made the change. And, from there, he went without a misstep through the phrasing of the disinheritance, causes for which were disrespectfulness and quibbling. * * * * * In the paragraph following, the paragraph that had belonged to everyone in the room at one time or another, Lou's name was scratched out and Willy's substituted as heir to the apartment and, the biggest plum of all, the double bed in the private bedroom. "So!" said Gramps, beaming. He erased the date at the foot of the will and substituted a new one, including the time of day. "Well--time to watch the McGarvey Family." The McGarvey Family was a television serial that Gramps had been following since he was 60, or for a total of 112 years. "I can't wait to see what's going to happen next," he said. Lou detached himself from the group and lay down on his bed of pain by the bathroom door. Wishing Em would join him, he wondered where she was. He dozed for a few moments, until he was disturbed by someone stepping over him to get into the bathroom. A moment later, he heard a faint gurgling sound, as though something were being poured down the washbasin drain. Suddenly, it entered his mind that Em had cracked up, that she was in there doing something drastic about Gramps. "Em?" he whispered through the panel. There was no reply, and Lou pressed against the door. The worn lock, whose bolt barely engaged its socket, held for a second, then let the door swing inward. "Morty!" gasped Lou. Lou's great-grandnephew, Mortimer, who had just married and brought his wife home to the Ford menage, looked at Lou with consternation and surprise. Morty kicked the door shut, but not before Lou had glimpsed what was in his hand--Gramps' enormous economy-size bottle of anti-gerasone, which had apparently been half-emptied, and which Morty was refilling with tap water. A moment later, Morty came out, glared defiantly at Lou and brushed past him wordlessly to rejoin his pretty bride. Shocked, Lou didn't know what to do. He couldn't let Gramps take the mousetrapped anti-gerasone--but, if he warned Gramps about it, Gramps would certainly make life in the apartment, which was merely insufferable now, harrowing. Lou glanced into the living room and saw that the Fords, Emerald among them, were momentarily at rest, relishing the botches that the McGarveys had made of _their_ lives. Stealthily, he went into the bathroom, locked the door as well as he could and began to pour the contents of Gramps' bottle down the drain. He was going to refill it with full-strength anti-gerasone from the 22 smaller bottles on the shelf. The bottle contained a half-gallon, and its neck was small, so it seemed to Lou that the emptying would take forever. And the almost imperceptible smell of anti-gerasone, like Worcestershire sauce, now seemed to Lou, in his nervousness, to be pouring out into the rest of the apartment, through the keyhole and under the door. * * * * * The bottle gurgled monotonously. Suddenly, up came the sound of music from the living room and there were murmurs and the scraping of chair-legs on the floor. "Thus ends," said the television announcer, "the 29,121st chapter in the life of your neighbors and mine, the McGarveys." Footsteps were coming down the hall. There was a knock on the bathroom door. "Just a sec," Lou cheerily called out. Desperately, he shook the big bottle, trying to speed up the flow. His palms slipped on the wet glass, and the heavy bottle smashed on the tile floor. The door was pushed open, and Gramps, dumbfounded, stared at the incriminating mess. Lou felt a hideous prickling sensation on his scalp and the back of his neck. He grinned engagingly through his nausea and, for want of anything remotely resembling a thought, waited for Gramps to speak. "Well, boy," said Gramps at last, "looks like you've got a little tidying up to do." And that was all he said. He turned around, elbowed his way through the crowd and locked himself in his bedroom. The Fords contemplated Lou in incredulous silence a moment longer, and then hurried back to the living room, as though some of his horrible guilt would taint them, too, if they looked too long. Morty stayed behind long enough to give Lou a quizzical, annoyed glance. Then he also went into the living room, leaving only Emerald standing in the doorway. Tears streamed over her cheeks. "Oh, you poor lamb--_please_ don't look so awful! It was my fault. I put you up to this with my nagging about Gramps." "No," said Lou, finding his voice, "really you didn't. Honest, Em, I was just--" "You don't have to explain anything to me, hon. I'm on your side, no matter what." She kissed him on one cheek and whispered in his ear, "It wouldn't have been murder, hon. It wouldn't have killed him. It wasn't such a terrible thing to do. It just would have fixed him up so he'd be able to go any time God decided He wanted him." "What's going to happen next, Em?" said Lou hollowly. "What's he going to do?" * * * * * Lou and Emerald stayed fearfully awake almost all night, waiting to see what Gramps was going to do. But not a sound came from the sacred bedroom. Two hours before dawn, they finally dropped off to sleep. At six o'clock, they arose again, for it was time for their generation to eat breakfast in the kitchenette. No one spoke to them. They had twenty minutes in which to eat, but their reflexes were so dulled by the bad night that they had hardly swallowed two mouthfuls of egg-type processed seaweed before it was time to surrender their places to their son's generation. Then, as was the custom for whoever had been most recently disinherited, they began preparing Gramps' breakfast, which would presently be served to him in bed, on a tray. They tried to be cheerful about it. The toughest part of the job was having to handle the honest-to-God eggs and bacon and oleomargarine, on which Gramps spent so much of the income from his fortune. "Well," said Emerald, "I'm not going to get all panicky until I'm sure there's something to be panicky about." "Maybe he doesn't know what it was I busted," Lou said hopefully. "Probably thinks it was your watch crystal," offered Eddie, their son, who was toying apathetically with his buckwheat-type processed sawdust cakes. "Don't get sarcastic with your father," said Em, "and don't talk with your mouth full, either." "I'd like to see anybody take a mouthful of this stuff and _not_ say something," complained Eddie, who was 73. He glanced at the clock. "It's time to take Gramps his breakfast, you know." "Yeah, it is, isn't it?" said Lou weakly. He shrugged. "Let's have the tray, Em." "We'll both go." Walking slowly, smiling bravely, they found a large semi-circle of long-faced Fords standing around the bedroom door. Em knocked. "Gramps," she called brightly, "_break_-fast is _rea_-dy." There was no reply and she knocked again, harder. The door swung open before her fist. In the middle of the room, the soft, deep, wide, canopied bed, the symbol of the sweet by-and-by to every Ford, was empty. A sense of death, as unfamiliar to the Fords as Zoroastrianism or the causes of the Sepoy Mutiny, stilled every voice, slowed every heart. Awed, the heirs began to search gingerly, under the furniture and behind the drapes, for all that was mortal of Gramps, father of the clan. * * * * * But Gramps had left not his Earthly husk but a note, which Lou finally found on the dresser, under a paperweight which was a treasured souvenir from the World's Fair of 2000. Unsteadily, Lou read it aloud: "'Somebody who I have sheltered and protected and taught the best I know how all these years last night turned on me like a mad dog and diluted my anti-gerasone, or tried to. I am no longer a young man. I can no longer bear the crushing burden of life as I once could. So, after last night's bitter experience, I say good-by. The cares of this world will soon drop away like a cloak of thorns and I shall know peace. By the time you find this, I will be gone.'" "Gosh," said Willy brokenly, "he didn't even get to see how the 5000-mile Speedway Race was going to come out." "Or the Solar Series," Eddie said, with large mournful eyes. "Or whether Mrs. McGarvey got her eyesight back," added Morty. "There's more," said Lou, and he began reading aloud again: "'I, Harold D. Ford, etc., do hereby make, publish and declare this to be my last Will and Testament, revoking any and all former wills and codicils by me at any time heretofore made.'" "No!" cried Willy. "Not another one!" "'I do stipulate,'" read Lou, "'that all of my property, of whatsoever kind and nature, not be divided, but do devise and bequeath it to be held in common by my issue, without regard for generation, equally, share and share alike.'" "Issue?" said Emerald. Lou included the multitude in a sweep of his hand. "It means we all own the whole damn shootin' match." Each eye turned instantly to the bed. "Share and share alike?" asked Morty. "Actually," said Willy, who was the oldest one present, "it's just like the old system, where the oldest people head up things with their headquarters in here and--" "I like _that_!" exclaimed Em. "Lou owns as much of it as you do, and I say it ought to be for the oldest one who's still working. You can snooze around here all day, waiting for your pension check, while poor Lou stumbles in here after work, all tuckered out, and--" "How about letting somebody who's never had _any_ privacy get a little crack at it?" Eddie demanded hotly. "Hell, you old people had plenty of privacy back when you were kids. I was born and raised in the middle of that goddamn barracks in the hall! How about--" "Yeah?" challenged Morty. "Sure, you've all had it pretty tough, and my heart bleeds for you. But try honeymooning in the hall for a real kick." "_Silence!_" shouted Willy imperiously. "The next person who opens his mouth spends the next sixth months by the bathroom. Now clear out of my room. I want to think." A vase shattered against the wall, inches above his head. * * * * * In the next moment, a free-for-all was under way, with each couple battling to eject every other couple from the room. Fighting coalitions formed and dissolved with the lightning changes of the tactical situation. Em and Lou were thrown into the hall, where they organized others in the same situation, and stormed back into the room. After two hours of struggle, with nothing like a decision in sight, the cops broke in, followed by television cameramen from mobile units. For the next half-hour, patrol wagons and ambulances hauled away Fords, and then the apartment was still and spacious. An hour later, films of the last stages of the riot were being televised to 500,000,000 delighted viewers on the Eastern Seaboard. In the stillness of the three-room Ford apartment on the 76th floor of Building 257, the television set had been left on. Once more the air was filled with the cries and grunts and crashes of the fray, coming harmlessly now from the loudspeaker. The battle also appeared on the screen of the television set in the police station, where the Fords and their captors watched with professional interest. Em and Lou, in adjacent four-by-eight cells, were stretched out peacefully on their cots. "Em," called Lou through the partition, "you got a washbasin all your own, too?" "Sure. Washbasin, bed, light--the works. And we thought _Gramps'_ room was something. How long has this been going on?" She held out her hand. "For the first time in forty years, hon, I haven't got the shakes--look at me!" "Cross your fingers," said Lou. "The lawyer's going to try to get us a year." "Gee!" Em said dreamily. "I wonder what kind of wires you'd have to pull to get put away in solitary?" "All right, pipe down," said the turnkey, "or I'll toss the whole kit and caboodle of you right out. And first one who lets on to anybody outside how good jail is ain't never getting back in!" The prisoners instantly fell silent. * * * * * The living room of the apartment darkened for a moment as the riot scenes faded on the television screen, and then the face of the announcer appeared, like the Sun coming from behind a cloud. "And now, friends," he said, "I have a special message from the makers of anti-gerasone, a message for all you folks over 150. Are you hampered socially by wrinkles, by stiffness of joints and discoloration or loss of hair, all because these things came upon you before anti-gerasone was developed? Well, if you are, you need no longer suffer, need no longer feel different and out of things. "After years of research, medical science has now developed _Super_-anti-gerasone! In weeks--yes, weeks--you can look, feel and act as young as your great-great-grandchildren! Wouldn't you pay $5,000 to be indistinguishable from everybody else? Well, you don't have to. Safe, tested _Super_-anti-gerasone costs you only a few dollars a day. "Write now for your free trial carton. Just put your name and address on a dollar postcard, and mail it to '_Super_,' Box 500,000, Schenectady, N. Y. Have you got that? I'll repeat it. '_Super_,' Box 500,000 ..." Underlining the announcer's words was the scratching of Gramps' pen, the one Willy had given him the night before. He had come in, a few minutes earlier, from the Idle Hour Tavern, which commanded a view of Building 257 from across the square of asphalt known as the Alden Village Green. He had called a cleaning woman to come straighten the place up, then had hired the best lawyer in town to get his descendants a conviction, a genius who had never gotten a client less than a year and a day. Gramps had then moved the daybed before the television screen, so that he could watch from a reclining position. It was something he'd dreamed of doing for years. "Schen-_ec_-ta-dy," murmured Gramps. "Got it!" His face had changed remarkably. His facial muscles seemed to have relaxed, revealing kindness and equanimity under what had been taut lines of bad temper. It was almost as though his trial package of _Super_-anti-gerasone had already arrived. When something amused him on television, he smiled easily, rather than barely managing to lengthen the thin line of his mouth a millimeter. Life was good. He could hardly wait to see what was going to happen next. --KURT VONNEGUT, JR. Transcriber's Note: This etext was produced from _Galaxy Science Fiction_ January 1954. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed. Minor spelling and typographical errors have been corrected without note. End of the Project Gutenberg EBook of The Big Trip Up Yonder, by Kurt Vonnegut *** END OF THIS PROJECT GUTENBERG EBOOK THE BIG TRIP UP YONDER *** ***** This file should be named 30240.txt or 30240.zip ***** This and all associated files of various formats will be found in: https://www.gutenberg.org/3/0/2/4/30240/ Produced by Greg Weeks, Stephen Blundell and the Online Distributed Proofreading Team at https://www.pgdp.net Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away--you may do practically ANYTHING with public domain eBooks. Redistribution is subject to the trademark license, especially commercial redistribution. *** START: FULL LICENSE *** THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg-tm mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase "Project Gutenberg"), you agree to comply with all the terms of the Full Project Gutenberg-tm License (available with this file or online at https://gutenberg.org/license). Section 1. General Terms of Use and Redistributing Project Gutenberg-tm electronic works 1.A. By reading or using any part of this Project Gutenberg-tm electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg-tm electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg-tm electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. "Project Gutenberg" is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg-tm electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg-tm electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg-tm electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" or PGLAF), owns a compilation copyright in the collection of Project Gutenberg-tm electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is in the public domain in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg-tm mission of promoting free access to electronic works by freely sharing Project Gutenberg-tm works in compliance with the terms of this agreement for keeping the Project Gutenberg-tm name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg-tm License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg-tm work. The Foundation makes no representations concerning the copyright status of any work in any country outside the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg-tm License must appear prominently whenever any copy of a Project Gutenberg-tm work (any work on which the phrase "Project Gutenberg" appears, or with which the phrase "Project Gutenberg" is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org 1.E.2. If an individual Project Gutenberg-tm electronic work is derived from the public domain (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase "Project Gutenberg" associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg-tm electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg-tm License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg-tm. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg-tm License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg-tm work in a format other than "Plain Vanilla ASCII" or other format used in the official version posted on the official Project Gutenberg-tm web site (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original "Plain Vanilla ASCII" or other form. Any alternate format must include the full Project Gutenberg-tm License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg-tm works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg-tm electronic works provided that - You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg-tm works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg-tm trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, "Information about donations to the Project Gutenberg Literary Archive Foundation." - You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg-tm License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg-tm works. - You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. - You comply with all other terms of this agreement for free distribution of Project Gutenberg-tm works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from both the Project Gutenberg Literary Archive Foundation and Michael Hart, the owner of the Project Gutenberg-tm trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread public domain works in creating the Project Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm electronic works, and the medium on which they may be stored, may contain "Defects," such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right of Replacement or Refund" described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg-tm trademark, and any other party distributing a Project Gutenberg-tm electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg-tm electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg-tm electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg-tm work, (b) alteration, modification, or additions or deletions to any Project Gutenberg-tm work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg-tm Project Gutenberg-tm is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg-tm's goals and ensuring that the Project Gutenberg-tm collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg-tm and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation web page at https://www.pglaf.org. Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation's EIN or federal tax identification number is 64-6221541. Its 501(c)(3) letter is posted at https://pglaf.org/fundraising. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state's laws. The Foundation's principal office is located at 4557 Melan Dr. S. Fairbanks, AK, 99712., but its volunteers and employees are scattered throughout numerous locations. Its business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email [email protected]. Email contact links and up to date contact information can be found at the Foundation's web site and official page at https://pglaf.org For additional contact information: Dr. Gregory B. Newby Chief Executive and Director [email protected] Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg-tm depends upon and cannot survive without wide spread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit https://pglaf.org While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg Web pages for current donation methods and addresses. Donations are accepted in a number of other ways including including checks, online payments and credit card donations. To donate, please visit: https://pglaf.org/donate Section 5. General Information About Project Gutenberg-tm electronic works. Professor Michael S. Hart was the originator of the Project Gutenberg-tm concept of a library of electronic works that could be freely shared with anyone. For thirty years, he produced and distributed Project Gutenberg-tm eBooks with only a loose network of volunteer support. Project Gutenberg-tm eBooks are often created from several printed editions, all of which are confirmed as Public Domain in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our Web site which has the main PG search facility: https://www.gutenberg.org This Web site includes information about Project Gutenberg-tm, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.