The Project Gutenberg eBook, Careless Jane and Other Tales, by Katharine
Pyle
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org
Title: Careless Jane and Other Tales
Author: Katharine Pyle
Release Date: January 4, 2008 [eBook #24167]
Language: English
Character set encoding: ISO-646-US (US-ASCII)
***START OF THE PROJECT GUTENBERG EBOOK CARELESS JANE AND OTHER TALES***
E-text prepared by Colin Bell, Huub Bakker, Joseph Cooper, and the Project
Gutenberg Online Distributed Proofreading Team (https://www.pgdp.net)
Note: Project Gutenberg also has an HTML version of this
file which includes the original illustrations.
See 24167-h.htm or 24167-h.zip:
(https://www.gutenberg.org/dirs/2/4/1/6/24167/24167-h/24167-h.htm)
or
(https://www.gutenberg.org/dirs/2/4/1/6/24167/24167-h.zip)
Transcriber's Note
Some text styles have been preserved in this text by
enclosing between special characters. Italic text is
enclosed by underlines (_italic_) and text insmall
capitals is enclosed by pipes (|small caps|).
[Illustration]
CARELESS JANE
and other Tales
by
KATHARINE PYLE
[Illustration]
New York
E. P. Dutton & Company
681 Fifth Ave.
Published April, 1902
_First Printing April, 1902_
_Second " November, 1904_
_Third " January, 1907_
_Fourth " February, 1909_
_Fifth " June, 1910_
_Sixth " September, 1911_
_Seventh " July, 1913_
_Eighth " May, 1915_
_Ninth " July, 1916_
_Tenth " October, 1917_
_Eleventh " December, 1918_
_Twelfth " February, 1920_
_Thirteenth " July, 1921_
_Fourteenth " April, 1923_
_Fifteenth " January, 1924_
_Sixteenth " November, 1924_
_Sevent'nth " March, 1925_
_Eighteenth " February, 1926_
_Nineteenth " October, 1926_
_Twentieth " August, 1927_
_Tw'ty-first " March, 1928_
_Printed in the United States of America_
Contents
Page
Careless Jane 7
Boisterous Ann 15
The Brother and Sister 23
Georgie Lie-a-Bed 35
Untidy Amanda 43
The Child who would not go to Bed 49
The Beet 57
The Robber Rat 65
Grandfather Stork 73
Old Mother Webtoes 81
The Rabbit Witch 91
Peter and the Ogress 103
[Illustration: _To_ My Nephew]
[Illustration: Careless Jane]
[Illustration]
[Illustration]
"Come Jane," said grandmamma one day,
"'Tis time you learned to sew;
At your age I could make a frock,
And you should also know."
But Jane cared little for such things;
She liked to make a noise;
She used to run about all day,
And shout, and play with boys.
[Illustration]
So now she only tossed her head
And ran with eager feet,
And soon was racing up and down,
And playing in the street.
Once Jane was to a party asked;
Her friends would all be there;
She wore her best sprigged muslin frock,
And ribbons tied her hair.
[Illustration]
When she was shown upstairs to lay
Her hat upon the bed,
She saw a little basket there,
With needles, wax and thread.
"I wonder," said untidy Jane,
"If Mattie likes to sew;
I'm glad that I have never learned;
I should not care to know."
[Illustration]
With that she laughed and ran downstairs,
But on the way--ah see!
She's caught her skirt upon a nail
And torn it terribly.
If Jane had learned from grandmamma
She might have mended it,
But she had been a thoughtless child
And could not sew a bit.
[Illustration]
So with her frock all torn, into
The room she had to go,
And all the children wondering stared
To see her looking so;
Then when Jane played it caught her feet
And almost made her fall;
That shamed her so she ran away
And tried to hide from all.
[Illustration]
When nurse at last was sent for her,
How glad was little Jane;
She almost thought she never wished
To romp or play again.
"Oh! grandmamma, dear grandmamma,
Indeed, indeed," said she,
"If now you'll teach me how to sew
A thankful child I'll be."
BOISTEROUS ANN
[Illustration]
[Illustration]
A noisy boisterous child was Ann,
And very far from good;
She did not play the pleasant games
That little children should;
With rumpled hair and dresses torn
She came home every day;
In vain mamma said, "Ann, pray learn
To be less rude at play."
[Illustration]
Now little Ann came home one time
In a most piteous plight,
For she had fallen in the mud;
Indeed she was a sight.
The housemaid standing in the door
Exclaimed, "What child is this?"
"Why, Hannah, can't you see I'm Ann?"
Cried out the little miss.
[Illustration]
"Our little Ann in rags and dirt,
Her hair all out of curl;
No, no," cried Hannah; "run away,
You little beggar girl.
If it is scraps of bread you want
Go to the kitchen door;
I can't believe you're any child
I ever saw before."
[Illustration]
Now Ann has to the kitchen run
With tears and streaming eyes;
"Oh, dear cook, please to let me in:
I'm little Ann," she cries.
"What little Ann?" the good cook says;
"Indeed that cannot be.
Our Ann would never wear such rags
I'm very sure; not she!"
[Illustration]
But as Ann, weeping, turned away,
Her little dog ran out,
And he began to lick her hands,
And bark and jump about.
"Why, why," cried cook, "I never saw
Dog Towzer act that way,
Except when little Ann came home
From school or after play."
[Illustration]
"And now I look again," she said,
"You are our little Ann.
Come in and wash and mend your frock,
As quickly as you can."
Now from that day the little miss
Has played less boisterous plays,
And been more tidy in her dress
And quiet in her ways.
THE BROTHER AND SISTER
[Illustration]
[Illustration]
Their mother bids them run and play,
But not to wander far away.
[Illustration]
"Quick," Gretel cries, "let's catch that hare
Among the bushes over there."
[Illustration]
The hare now leads them in the chase
Close by the witch's lurking-place.
[Illustration]
"No use," she cries "to kick and fight,
For I will pick your bones to-night."
[Illustration]
The old witch then puts on the pot,
That she may boil Hans when it's hot.
[Illustration]
But while she whets her knife outside
Gretel opens the cage door wide.
[Illustration]
The children see a barrel near;
"Quick! into it! The witch is here!"
[Illustration]
In after them the witch goes too,
But she is stuck, and can't get through.
[Illustration]
And now, ker-splash! down in the ditch
They roll the barrel and the witch.
[Illustration]
And see! her little girl and boy
The mother welcomes home with joy.
GEORGIE LIE-A-BED
[Illustration]
[Illustration]
"Come, come, get up," cried nurse to George;
"The breakfast table's spread;
The porridge will be getting cold,
And you are still in bed."
George only sighed and turned about,
And went to sleep once more.
Now did you ever know of such
A lazy child before?
[Illustration]
When little George at last arose
The sun was overhead;
He looked about, no clothes he saw;
"Where can they be?" he said.
"Nurse, nurse," he cried, "where are my clothes?
I do not see them here."
"Why, no," said nurse, "you will not find
Your clothes to-day, I fear;
[Illustration]
Some other child has now your suit,
Because I thought, indeed,
If you were going to lie in bed,
Your clothes you would not need.
But if you really wish to dress
And go to school, see there,
The little dress a year ago
Your sister used to wear."
[Illustration]
Now how ashamed is little George
To have to dress like that;
To have to wear his sister's frock,
Her ribbons and her hat.
Now in the street the children point
And stare as he goes by;
"Come look at Georgie-Lie-a-Bed,
How he is dressed," they cry.
[Illustration]
Now little George is so ashamed
To have them see him so,
He turns about and home he runs
As fast as he can go.
"Oh, mother dear," he cries, "if I
May have my clothes once more,
I'll try to be a better boy
Than I have been before."
[Illustration]
"Why," says mamma, "since that's the case,
And you repent, my dear,
Your little trousers, shirt, and coat--
Just see--they all are here."
And since that day mamma and nurse
Are proud and glad to see
Their little George can such a prompt
And early riser be.
[Illustration: Untidy Amanda]
[Illustration]
[Illustration]
A naughty child Amanda was;--
She would not comb her hair;
Though it was rough and tangled, too,
Amanda did not care;
And when mamma the matted locks
Would fain have brushed and tied,
Amanda only pushed away
Her hand and stamped and cried.
[Illustration]
But listen now! It chanced one time
Mamma had gone away.
Amanda she had left at home
All by herself that day.
Then someone rattled at the latch;--
Amanda heard him there;--
She heard him shutting fast the door
And creeping up the stair;--
[Illustration]
Someone with scissors in his hand,
And dreadful gleaming eyes;
"Where is that child who will not comb
The tangles out?" he cries.
In vain Amanda shrieks and runs,
He has her by the hair;
Snip-snap! the shining scissors go
And leave her head quite bare.
[Illustration]
Now when mamma comes home again,
Ah, what is her surprise
To see Amanda's naked head
And note her tearful eyes;
And now lest she a cold should catch
A nightcap she must wear,
And when her locks have grown again
I'm sure she'll comb her hair.
THE CHILD WHO WOULD NOT GO TO BED
[Illustration]
[Illustration]
"I do not want to go to bed;
I will not go!" cried naughty Fred.
But it was growing very late;
The clock had long ago struck eight,
And so mamma, impatient grown,
Went off and left him there alone.
But hark! Creak, creak! upon the stair;
It was the sand-man walking there.
[Illustration]
In through the door he looked, and said,
"What! Frederick will not go to bed?"
In vain did Frederick kick and bawl,
The sand-man would not heed at all;
He tumbled Fred into his sack,
And off he bore him on his back;
Away he went out through the door,
On, on for many a mile and more.
[Illustration]
At last the sand-man, weary grown,
Sat down to rest upon a stone.
Then Frederick turned himself about,
And quick he whipped his jack-knife out;
Ke--scritchy--scritch! He cuts a slit
And softly clambers out of it.
And now he runs as quick as thought,
And soon a heavy stone has brought;
[Illustration]
He softly slips it in the sack
That hangs upon the sand-man's back.
Says clever Fred, "He will not see
He has a stone instead of me."
And now the sand-man grunts and sighs,
And slowly he begins to rise.
[Illustration]
And Frederick hears him sigh, "Alack,
How that boy thumps about my back!"
The stupid sand-man never sees
Where Frederick crouches on his knees,
Behind the rock, till out of sight
The old sand-man has vanished quite.
[Illustration]
But Fred, a thankful boy is he,
As home he hastens tearfully.
And ah his mother! with what joy
She welcomes home her little boy.
"Ah always after this," cries Fred,
"I will be good, and go to bed."
THE BEET
[Illustration]
[Illustration]
"I will not wash my face I say;
I will not wash," cried Jane, "to-day."
In vain mamma said, "What disgrace!
To go with dirty hands and face."
Jane only sulked and hung her head,
And so she crept away to bed.
[Illustration]
Now when the pleasant morning broke
In bed the slovenly Jane awoke;
She woke but could not turn in bed,
Nor stretch herself, nor raise her head;
She was a beet with nose and eyes,
A beet of most enormous size.
[Illustration]
And in the bed the beet leaves green
Instead of arms and legs were seen;
And then in came mamma and nurse;
They did not know her, which was worse,
But Jane could hear mamma; she said,
"Why, why! how came this beet in bed?"
[Illustration]
And now, by two stout boys, away
They send the beet to town next day,
That all the people there may see
How large a beet can grow to be.
They put her in a window there,
Where every one can point and stare.
[Illustration]
There the poor sloven sits and cries,
Till beet juice oozes from her eyes;
But ah! was such sight ever seen?
The beet juice tears have washed her clean;
And then, the strangest thing of all,
As fast and faster still they fall.
[Illustration]
The beet tears melt her back once more
Into the child she was before.
She does not stay to wipe her eyes,
But home with eager feet she hies.
"Oh mother, mother dear," cries she,
"Henceforth a cleaner child I'll be."
THE ROBBER RAT
[Illustration]
[Illustration]
A kitten once lived all alone
In a little yellow house;
It lived on crusts of bread and cheese,
And now and then a mouse.
[Illustration]
A robber rat lived in a wood--
A gloomy wood--close by;
He had sharp teeth, and a pointed tail.
And a wicked, restless eye.
[Illustration]
To the yellow house the rat would come,
And strike the door--knock! knock!
The kitten's tail would stand on end,
It gave him such a shock.
Then in the rat would boldly march.
"What have you here?" he'd say;
And then he would steal the bread and cheese,
And carry it all away.
[Illustration]
At last the kitten went to ask
Advice of some old cat
Who lived close by, and told her all
About the robber rat.
The wise old grey cat scratched her ear;
"I'll fix this rat," she said;
So she pulled a night-cap over her ears
And lay in the kitten's bed.
[Illustration]
And now in marched the robber rat;
"What!" cried he, "still in bed!
Quick, fetch me out what cheese you have,
And all your scraps of bread."
"Spit-t-t!" with her claws and gleaming eyes
The cat sprang out of bed.
The robber gave one dreadful squeak,
And then away he fled.
[Illustration]
The old cat caught him by the tail
Just as he reached the door,
But snap! it broke, and out he ran,
And ne'er was heard of more.
But for the little kitten,
He danced about with glee;
"The wicked rat has fled, has fled;
Meow, meow!" sang he.
GRANDFATHER STORK
[Illustration]
[Illustration]
A very naughty boy was John;
He quarreled with his food,
And would not eat his bread and milk,
As all good children should.
It grieved his kind mamma to see
How thin and thinner grew
Her little John, in spite of all
That she could say or do.
[Illustration]
Above the chimney Father Stork
Heard all that Johnny said,
And how each day he pushed away
The bowl of milk and bread.
And so it was, when kind mamma
Had left the house one day,
In through the kitchen door he came
And carried John away.
[Illustration]
Upon the roof the little storks
Live high up in the sky,
And far below them in the street
They hear the folks go by.
The old stork brings them, in his beak,
The eels and frogs for food;
But these he will not let them have
Unless they're very good.
[Illustration]
Such things poor Johnny could not eat;
And as he sat and cried,
He thought of all the bread and milk
He used to push aside.
"If I were only home again,
I would be good," he said,
"And never, never turn away
From wholesome milk and bread."
[Illustration]
If little John was thin before,
Now thinner every day
He grew, until you'd think the wind
Would carry him away.
So, when at last he was so lean
His bones seemed poking through,
There came a sudden gust of wind,
And, puff! away he blew.
[Illustration]
And when it blew him to the street,
How fast he hurried home!
And, oh, how glad his mother was
To see her Johnny come!
But gladder still she was to find
That he had grown so good,
And never now would turn away
From wholesome simple food.
OLD MOTHER WEBTOES
[Illustration]
[Illustration]
"Oh please mamma," said little Jane,
"May I go out to play?"
"No, no," her mother answered her;
"I fear 'twill rain to-day."
[Illustration]
"With my umbrella green," said Jane,
"I will not mind the wet."
But still mamma replied, "No, no;
A cold I fear you'd get."
[Illustration]
But oh, Jane was a naughty girl!
On her own way intent;
Soon as mamma had turned away,
Out in the street she went.
The streets were wet and lonely;
No children there at play;
Only old Mother Webtoes
The frog abroad that day.
[Illustration]
Now little Jane she seizes,
In spite of all her cries,
And green umbrella, Jane and all,
Away with her she flies.
Far, far off in the river,
Upon a moisty stone,
Old Webtoes and her children
Live in a hut alone;
[Illustration]
And Jane's big green umbrella
Old Webtoes hides away;
She makes her sweep, she makes her scrub;
Jane has no time to play.
She spreads a bed of rushes,
Where Jane may sleep at night,
And wakes her in the morning
As soon as it is light.
[Illustration]
"Get up," cries Mother Webtoes;
"The breakfast you must get."
"Oh let me stay in bed," says Jane;
"The floor is cold and wet."
But Mother Webtoes stamps her foot,
And makes the child arise;
But as Jane sobs, behind the door,
Ah, what is this she spies?
[Illustration]
It is her green umbrella;
She sets it now afloat,
And down the river in it sails,
As if it were a boat.
"Oh Mother Webtoes, only look,"
She hears the young frogs scream;
"The little girl you brought to us
Is sailing down the stream."
[Illustration]
But Jane is quite too far away
For them to catch her then,
And when at last she drifts ashore
She sees her home again.
She rushes to her mother's arms
With sobs and streaming eyes--
"Oh mother, mother dear, forgive
Your naughty Jane," she cries.
THE RABBIT WITCH
[Illustration]
[Illustration]
Eliza Ann was far from good;
She did not act as children should,
But fought and quarreled so at play
The boys and girls all ran away.
[Illustration]
Her mother said, "Take care, my dear,
The rabbit witch will come, I fear,
And steal you one of these fine days,
Unless you learn to mend your ways."
[Illustration]
But yet Eliza did not heed;
She was a naughty girl indeed.
So now the rabbit witch has come,
And carries her away from home.
[Illustration]
Down in the marshes far away
The rabbit's children squeak and play;
They tease Eliza till she cries,
And with her apron hides her eyes.
[Illustration]
When market day comes round again
The witch locks up her house and then
She says, "Be careful while you play;--
Don't lose this child when I'm away."
Now she has gone Eliza takes
Her apron and a doll she makes.
[Illustration]
"Just see this apron-girl," she cries;--
"Look at it's nose and button eyes."
And now her frock with belt and fold
Into another doll is rolled;
She gives it to the rabbit boy,
Who squeaks and stamps his foot with joy.
[Illustration]
"Now," cry the rabbits, "we will play,
For these girls cannot run away."
But while they rock their dolls and sing
The witch brings home her marketing.
"Where are you children dear," she cries.
The little rabbit boy replies;--
[Illustration]
"Here with two girls we play, but one
Far off, across the fields has run."
The rabbit witch went hurrying out
To see what they could be about.
There no Eliza could she find
But only clothes she'd left behind.
[Illustration]
Quick after her the old witch ran;--
Haste, haste, make haste, Eliza Ann!
Her own dear home was reached at last;
The door was shut, the latch made fast.
[Illustration]
But young Eliza had been taught
A lesson as her mother thought:
Henceforth she was so sweet and mild
All loved to be with such a child.
PETER AND THE OGRESS
[Illustration]
[Illustration]
These small boys started off for school
But loitered by the way,
Until at last 'twas quite too late
To go to school that day.
Ah naughty, naughty, truant boys!
But listen what befell!
Close by a wicked ogress lived,
Down in a lonesome dell.
[Illustration]
Now see her coming down the hill!
Now see the children run!
Her arms are long, her hands are strong,
She catches every one.
In vain the children kick and scream,
The ogress takes them home
And locks the door; then off she goes
To bid the neighbors come.
[Illustration]
But clever Peter sees above
The chimney, black and wide;
"Quick, wipe your eyes and come," he cries;
"I've found a place to hide."
And none too soon, for scarce the last
Is out of sight before
They hear the wicked ogress
Come stumping in the door.
[Illustration]
Then from the chimney Peter bawls,
"We're hiding, stupid face!"
"Oh, oh!" the ogress says, "I know;
You're up the chimney place."
So up the chimney now she looks;
"I'll fetch you out," she cries;
But puff! the clever Peter blows
The soot down in her eyes.
[Illustration]
All filled with black out through the door
She hurries, howling still,
Just when the other ogresses
Are coming up the hill.
They stop, they stare, they quake with fear,
They stand appalled to see
This dreadful, hopping, howling thing
As black as black can be.
[Illustration]
And now pell-mell away they run;
But down the chimney place
The boys climb ere the ogress
Can clean her sooty face;
And when they're safely home again
They keep the master's rule,
And never, never play again
At truant from the school.
* * * * *
Transcriber's Note
The word "nightcap" is spelled with and without a hyphen in the
text. Both spellings appear to have been in common use and have
not been altered.
***END OF THE PROJECT GUTENBERG EBOOK CARELESS JANE AND OTHER TALES***
******* This file should be named 24167.txt or 24167.zip *******
This and all associated files of various formats will be found in:
https://www.gutenberg.org/dirs/2/4/1/6/24167
Updated editions will replace the previous one--the old editions
will be renamed.
Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties. Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark. Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission. If you
do not charge anything for copies of this eBook, complying with the
rules is very easy. You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research. They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks. Redistribution is
subject to the trademark license, especially commercial
redistribution.
*** START: FULL LICENSE ***
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
https://www.gutenberg.org/license).
Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
electronic works
1.A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.
1.B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works. Nearly all the individual works in the
collection are in the public domain in the United States. If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed. Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work. You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.
1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are in
a constant state of change. If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work. The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.
1.E. Unless you have removed all references to Project Gutenberg:
1.E.1. The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org
1.E.2. If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges. If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.
1.E.3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder. Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.
1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.
1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.
1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form. However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form. Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.
1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.
1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that
- You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg-tm works calculated using the method
you already use to calculate your applicable taxes. The fee is
owed to the owner of the Project Gutenberg-tm trademark, but he
has agreed to donate royalties under this paragraph to the
Project Gutenberg Literary Archive Foundation. Royalty payments
must be paid within 60 days following each date on which you
prepare (or are legally required to prepare) your periodic tax
returns. Royalty payments should be clearly marked as such and
sent to the Project Gutenberg Literary Archive Foundation at the
address specified in Section 4, "Information about donations to
the Project Gutenberg Literary Archive Foundation."
- You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he
does not agree to the terms of the full Project Gutenberg-tm
License. You must require such a user to return or
destroy all copies of the works possessed in a physical medium
and discontinue all use of and all access to other copies of
Project Gutenberg-tm works.
- You provide, in accordance with paragraph 1.F.3, a full refund of any
money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days
of receipt of the work.
- You comply with all other terms of this agreement for free
distribution of Project Gutenberg-tm works.
1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark. Contact the
Foundation as set forth in Section 3 below.
1.F.
1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection. Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.
1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.
1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium with
your written explanation. The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund. If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund. If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.
1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law. The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.
1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.
Section 2. Information about the Mission of Project Gutenberg-tm
Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers. It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.
Volunteers and financial support to provide volunteers with the
assistance they need, is critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at https://www.gutenberg.org/fundraising/pglaf.
Section 3. Information about the Project Gutenberg Literary Archive
Foundation
The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation's EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.
The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations. Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
[email protected]. Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at https://www.gutenberg.org/about/contact
For additional contact information:
Dr. Gregory B. Newby
Chief Executive and Director
[email protected]
Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation
Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.
The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To
SEND DONATIONS or determine the status of compliance for any
particular state visit https://www.gutenberg.org/fundraising/donate
While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.
International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.
Please check the Project Gutenberg Web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations.
To donate, please visit:
https://www.gutenberg.org/fundraising/donate
Section 5. General Information About Project Gutenberg-tm electronic
works.
Professor Michael S. Hart was the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone. For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.
Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included. Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.
Most people start at our Web site which has the main PG search facility:
https://www.gutenberg.org
This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.