The Project Gutenberg EBook of Jackanapes, by Juliana Horatio Ewing This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: Jackanapes Author: Juliana Horatio Ewing Illustrator: Amy Sacker Release Date: January 13, 2007 [EBook #20351] Language: English *** START OF THIS PROJECT GUTENBERG EBOOK JACKANAPES *** Produced by Juliet Sutherland and Sankar Viswanathan JACKANAPES By JULIANA HORATIO EWING Illustrated by Amy Sacker BOSTON L. C. PAGE and COMPANY (INCORPORATED) COPYRIGHT, 1895 BY JOSEPH KNIGHT COMPANY * * * * * CONTENTS CHAPTER I. "Last noon beheld them full of life, Last eve in beauty's circle proudly gay." CHAPTER II. "And he wandered away and away With Nature, the dear old nurse." CHAPTER III. "If studious, copie fair what time hath blurred, Redeem truth from his jawes." CHAPTER IV. "Greater love hath no man than this, that a man lay down his life for his friends." CHAPTER V. "Then, said he, 'I am going to my Father's.'" CHAPTER VI. "Und so ist der blaue Himmel grösser als jedes Gewölk darin, und dauerhafter dazu." * * * * * ILLUSTRATIONS "BUT SHE REMEMBERED THE LITTLE MISS JESSAMINE" _Frontispiece_ TITLEPAGE "NEXT DAY JANE HAD HEARD MORE" AT THE POND "JACKANAPES COULD HARDLY SLEEP FOR SPECULATING" "HE WAS DISPOSED TO TALK CONFIDENTIALLY" THE GENERAL'S GRANDSON THE BOY TRUMPETER TAILPIECE FINIS * * * * * "_If I might buffet for my love, or bound my horse for her favors, I could lay on like a butcher, and sit like a Jackanapes, never off_!" KING HENRY V, Act 5, Scene 2. * * * * * JACKANAPES CHAPTER I. Last noon beheld them full of lusty life, Last eve in Beauty's circle proudly gay, The midnight brought the signal sound of strife, The morn the marshalling in arms--the day Battle's magnificently stern array! The thunder clouds close o'er it, which when rent The earth is covered thick with other clay, Which her own clay shall cover, heaped and pent, Rider and horse:--friend, foe,--in one red burial blent. Their praise is hymn'd by loftier harps than mine: Yet one would I select from that proud throng. ---- to thee, to thousands, of whom each And one as all a ghastly gap did make In his own kind and kindred, whom to teach Forgetfulness were mercy for their sake; The Archangel's trump, not glory's, must awake Those whom they thirst for.--BYRON. Two Donkeys and the Geese lived on the Green, and all other residents of any social standing lived in houses round it. The houses had no names. Everybody's address was, "The Green," but the Postman and the people of the place knew where each family lived. As to the rest of the world, what has one to do with the rest of the world, when he is safe at home on his own Goose Green? Moreover, if a stranger did come on any lawful business, he might ask his way at the shop. Most of the inhabitants were long-lived, early deaths (like that of the little Miss Jessamine) being exceptional; and most of the old people were proud of their age, especially the sexton, who would be ninety-nine come Martinmas, and whose father remembered a man who had carried arrows, as a boy, for the battle of Flodden Field. The Grey Goose and the big Miss Jessamine were the only elderly persons who kept their ages secret. Indeed, Miss Jessamine never mentioned any one's age, or recalled the exact year in which anything had happened. She said that she had been taught that it was bad manners to do so "in a mixed assembly." The Grey Goose also avoided dates, but this was partly because her brain, though intelligent, was not mathematical, and computation was beyond her. She never got farther than "last Michaelmas," "the Michaelmas before that," and "the Michaelmas before the Michaelmas before that." After this her head, which was small, became confused, and she said, "Ga, ga!" and changed the subject. But she remembered the little Miss Jessamine, the Miss Jessamine with the "conspicuous" hair. Her aunt, the big Miss Jessamine, said it was her only fault. The hair was clean, was abundant, was glossy, but do what you would with it, it never looked like other people's. And at church, after Saturday night's wash, it shone like the best brass fender after a Spring cleaning. In short, it was conspicuous, which does not become a young woman--especially in church. Those were worrying times altogether, and the Green was used for strange purposes. A political meeting was held on it with the village Cobbler in the chair, and a speaker who came by stage coach from the town, where they had wrecked the bakers' shops, and discussed the price of bread. He came a second time, by stage, but the people had heard something about him in the meanwhile, and they did not keep him on the Green. They took him to the pond and tried to make him swim, which he could not do, and the whole affair was very disturbing to all quiet and peaceable fowls. After which another man came, and preached sermons on the Green, and a great many people went to hear him; for those were "trying times," and folk ran hither and thither for comfort. And then what did they do but drill the ploughboys on the Green, to get them ready to fight the French, and teach them the goose-step! However, that came to an end at last, for Bony was sent to St. Helena, and the ploughboys were sent back to the plough. Everybody lived in fear of Bony in those days, especially the naughty children, who were kept in order during the day by threats of, "Bony shall have you," and who had nightmares about him in the dark. They thought he was an Ogre in a cocked hat. The Grey Goose thought he was a fox, and that all the men of England were going out in red coats to hunt him. It was no use to argue the point, for she had a very small head, and when one idea got into it there was no room for another. Besides, the Grey Goose never saw Bony, nor did the children, which rather spoilt the terror of him, so that the Black Captain became more effective as a Bogy with hardened offenders. The Grey Goose remembered _his_ coming to the place perfectly. What he came for she did not pretend to know. It was all part and parcel of the war and bad times. He was called the Black Captain, partly because of himself, and partly because of his wonderful black mare. Strange stories were afloat of how far and how fast that mare could go, when her master's hand was on her mane and he whispered in her ear. Indeed, some people thought we might reckon ourselves very lucky if we were not out of the frying-pan into the fire, and had not got a certain well-known Gentleman of the Road to protect us against the French. But that, of course, made him none the less useful to the Johnson's Nurse, when the little Miss Johnsons were naughty. "You leave off crying this minnit, Miss Jane, or I'll give you right away to that horrid wicked officer. Jemima! just look out o' the windy, if you please, and see if the Black Cap'n's a-com-ing with his horse to carry away Miss Jane." And there, sure enough, the Black Captain strode by, with his sword clattering as if it did not know whose head to cut off first. But he did not call for Miss Jane that time. He went on to the Green, where he came so suddenly upon the eldest Master Johnson, sitting in a puddle on purpose, in his new nankeen skeleton suit, that the young gentleman thought judgment had overtaken him at last, and abandoned himself to the howlings of despair. His howls were redoubled when he was clutched from behind and swung over the Black Captain's shoulder, but in five minutes his tears were stanched, and he was playing with the officer's accoutrements. All of which the Grey Goose saw with her own eyes, and heard afterwards that that bad boy had been whining to go back to the Black Captain ever since, which showed how hardened he was, and that nobody but Bonaparte himself could be expected to do him any good. But those were "trying times." It was bad enough when the pickle of a large and respectable family cried for the Black Captain; when it came to the little Miss Jessamine crying for him, one felt that the sooner the French landed and had done with it the better. The big Miss Jessamine's objection to him was that he was a soldier, and this prejudice was shared by all the Green. "A soldier," as the speaker from the town had observed, "is a bloodthirsty, unsettled sort of a rascal; that the peaceable, home-loving, bread-winning citizen can never conscientiously look on as a brother, till he has beaten his sword into a ploughshare, and his spear into a pruning-hook." On the other hand there was some truth in what the Postman (an old soldier) said in reply; that the sword has to cut a way for us out of many a scrape into which our bread-winners get us when they drive their ploughshares into fallows that don't belong to them. Indeed, whilst our most peaceful citizens were prosperous chiefly by means of cotton, of sugar, and of the rise and fall of the money-market (not to speak of such salable matters as opium, firearms, and "black ivory"), disturbances were apt to arise in India, Africa and other outlandish parts, where the fathers of our domestic race were making fortunes for their families. And, for that matter, even on the Green, we did not wish the military to leave us in the lurch, so long as there was any fear that the French were coming.[1] [Footnote 1: "The political men declare war, and generally for commercial interests; but when the nation is thus embroiled with its neighbors the soldier ... draws the sword, at the command of his country.... One word as to thy comparison of military and commercial persons. What manner of men be they who have supplied the Caffres with the firearms and ammunition to maintain their savage and deplorable wars? Assuredly they are not military.... Cease then, if thou would'st be counted among the just, to vilify soldiers."--W. NAPIER, Lieut. General, _November_, 1851.] To let the Black Captain have little Miss Jessamine, however, was another matter. Her Aunt would not hear of it; and then, to crown all, it appeared that the Captain's father did not think the young lady good enough for his son. Never was any affair more clearly brought to a conclusion. But those were "trying times;" and one moon-light night, when the Grey Goose was sound asleep upon one leg, the Green was rudely shaken under her by the thud of a horse's feet. "Ga, ga!" said she, putting down the other leg, and running away. By the time she returned to her place not a thing was to be seen or heard. The horse had passed like a shot. But next day, there was hurrying and skurrying and cackling at a very early hour, all about the white house with the black beams, where Miss Jessamine lived. And when the sun was so low, and the shadows so long on the grass that the Grey Goose felt ready to run away at the sight of her own neck, little Miss Jane Johnson, and her "particular friend" Clarinda, sat under the big oak-tree on the Green, and Jane pinched Clarinda's little finger till she found that she could keep a secret, and then she told her in confidence that she had heard from Nurse and Jemima that Miss Jessamine's niece had been a very naughty girl, and that that horrid wicked officer had come for her on his black horse, and carried her right away. [Illustration] "Will she never come back?" asked Clarinda. "Oh, no!" said Jane decidedly. "Bony never brings people back." "Not never no more?" sobbed Clarinda, for she was weak-minded, and could not bear to think that Bony never, never let naughty people go home again. Next day Jane had heard more. "He has taken her to a Green?" "A Goose Green?" asked Clarinda. "No. A Gretna Green. Don't ask so many questions, child," said Jane; who, having no more to tell, gave herself airs. Jane was wrong on one point. Miss Jessamine's niece did come back, and she and her husband were forgiven. The Grey Goose remembered it well, it was Michaelmastide, the Michaelmas before the Michaelmas before the Michaelmas--but ga, ga! What does the date matter? It was autumn, harvest-time, and everybody was so busy prophesying and praying about the crops, that the young couple wandered through the lanes, and got blackberries for Miss Jessamine's celebrated crab and blackberry jam, and made guys of themselves with bryony-wreaths, and not a soul troubled his head about them, except the children, and the Postman. The children dogged the Black Captain's footsteps (his bubble reputation as an Ogre having burst), clamoring for a ride on the black mare. And the Postman would go somewhat out of his postal way to catch the Captain's dark eye, and show that he had not forgotten how to salute an officer. But they were "trying times." One afternoon the black mare was stepping gently up and down the grass, with her head at her master's shoulder, and as many children crowded on to her silky back as if she had been an elephant in a menagerie; and the next afternoon she carried him away, sword and _sabre-tache_ clattering war-music at her side, and the old Postman waiting for them, rigid with salutation, at the four cross roads. War and bad times! It was a hard winter, and the big Miss Jessamine and the little Miss Jessamine (but she was Mrs. Black-Captain now), lived very economically that they might help their poorer neighbors. They neither entertained nor went into company, but the young lady always went up the village as far as the _George and Dragon_, for air and exercise, when the London Mail[2] came in. [Footnote 2: The Mail Coach it was that distributed over the face of the land, like the opening of apocalyptic vials, the heart-shaking news of Trafalgar, of Salamanca, of Vittoria, of Waterloo.... The grandest chapter of our experience, within the whole Mail Coach service, was on those occasions when we went down from London with the news of Victory. Five years of life it was worth paying down for the privilege of an outside place. DE QUINCEY.] One day (it was a day in the following June) it came in earlier than usual, and the young lady was not there to meet it. But a crowd soon gathered round the _George and Dragon_, gaping to see the Mail Coach dressed with flowers and oak-leaves, and the guard wearing a laurel wreath over and above his royal livery. The ribbons that decked the horses were stained and flecked with the warmth and foam of the pace at which they had come, for they had pressed on with the news of Victory. Miss Jessamine was sitting with her niece under the oak-tree on the Green, when the Postman put a newspaper silently into her hand. Her niece turned quickly--"Is there news?" "Don't agitate yourself, my dear," said her aunt. "I will read it aloud, and then we can enjoy it together; a far more comfortable method, my love, than when you go up the village, and come home out of breath, having snatched half the news as you run." "I am all attention, dear aunt," said the little lady, clasping her hands tightly on her lap. Then Miss Jessamine read aloud--she was proud of her reading--and the old soldier stood at attention behind her, with such a blending of pride and pity on his face as it was strange to see:-- "DOWNING STREET, "_June_ 22, 1815, 1 A.M." "That's one in the morning," gasped the Postman; "beg your pardon, mum." But though he apologized, he could not refrain from echoing here and there a weighty word. "Glorious victory,"--"Two hundred pieces of artillery,"--"Immense quantity of ammunition,"--and so forth. "The loss of the British Army upon this occasion has unfortunately been most severe. It had not been possible to make out a return of the killed and wounded when Major Percy left headquarters. The names of the officers killed and wounded, as far as they can be collected, are annexed. "I have the honor ----" "The list, aunt! Read the list!" "My love--my darling--let us go in and--" "No. Now! now!" To one thing the supremely afflicted are entitled in their sorrow--to be obeyed--and yet it is the last kindness that people commonly will do them. But Miss Jessamine did. Steadying her voice, as best she might, she read on, and the old soldier stood bareheaded to hear that first Roll of the Dead at Waterloo, which began with the Duke of Brunswick, and ended with Ensign Brown.[3] Five-and-thirty British Captains fell asleep that day on the bed of Honor, and the Black Captain slept among them. [Footnote 3: "Brunswick's fated chieftain" fell at Quatre Bras, the day before Waterloo, but this first (very imperfect) list, as it appeared in the newspapers of the day, did begin with his name, and end with that of an Ensign Brown.] * * * * * There are killed and wounded by war, of whom no returns reach Downing Street. Three days later, the Captain's wife had joined him, and Miss Jessamine was kneeling by the cradle of their orphan son, a purple-red morsel of humanity, with conspicuously golden hair. "Will he live, Doctor?" "Live? GOD bless my soul, ma'am! Look at him! The young Jackanapes!" CHAPTER II. And he wandered away and away With Nature, the dear old Nurse. LONGFELLOW. The Grey Goose remembered quite well the year that Jackanapes began to walk, for it was the year that the speckled hen for the first time in all her motherly life got out of patience when she was sitting. She had been rather proud of the eggs--they are unusually large--but she never felt quite comfortable on them; and whether it was because she used to get cramp, and got off the nest, or because the season was bad, or what, she never could tell, but every egg was addled but one, and the one that did hatch gave her more trouble than any chick she had ever reared. It was a fine, downy, bright yellow little thing, but it had a monstrous big nose and feet, and such an ungainly walk as she knew no other instance of in her well-bred and high-stepping family. And as to behavior, it was not that it was either quarrelsome or moping, but simply unlike the rest. When the other chicks hopped and cheeped on the Green all at their mother's feet, this solitary yellow one went waddling off on its own responsibility, and do or cluck what the spreckled hen would, it went to play in the pond. It was off one day as usual, and the hen was fussing and fuming after it, when the Postman, going to deliver a letter at Miss Jessamine's door, was nearly knocked over by the good lady herself, who, bursting out of the house with her cap just off and her bonnet just not on, fell into his arms, crying-- "Baby! Baby! Jackanapes! Jackanapes!" If the Postman loved anything on earth, he loved the Captain's yellow-haired child, so propping Miss Jessamine against her own door-post, he followed the direction of her trembling fingers and made for the Green. Jackanapes had had the start of the Postman by nearly ten minutes. The world--the round green world with an oak tree on it--was just becoming very interesting to him. He had tried, vigorously but ineffectually, to mount a passing pig the last time he was taken out walking; but then he was encumbered with a nurse. Now he was his own master, and might, by courage and energy, become the master of that delightful, downy, dumpy, yellow thing, that was bobbing along over the green grass in front of him. Forward! Charge! He aimed well, and grabbed it, but only to feel the delicious downiness and dumpiness slipping through his fingers as he fell upon his face. "Quawk!" said the yellow thing, and wobbled off sideways. It was this oblique movement that enabled Jackanapes to come up with it, for it was bound for the Pond, and therefore obliged to come back into line. He failed again from top-heaviness, and his prey escaped sideways as before, and, as before, lost ground in getting back to the direct road to the Pond. [Illustration] And at the Pond the Postman found them both, one yellow thing rocking safely on the ripples that lie beyond duck-weed, and the other washing his draggled frock with tears, because he too had tried to sit upon the Pond, and it wouldn't hold him. CHAPTER III. ... If studious, copie fair what time hath blurred, Redeem truth from his jawes; if souldier, Chase brave employments with a naked sword Throughout the world. Fool not; for all may have, If they dare try, a glorious life, or grave. * * * * * In brief, acquit thee bravely: play the man. Look not on pleasures as they come, but go. Defer not the least vertue: life's poore span Make not an ell, by trifling in thy woe. If thou do ill, the joy fades, not the pains. If well, the pain doth fade, the joy remains. GEORGE HERBERT. Young Mrs. Johnson, who was a mother of many, hardly knew which to pity more; Miss Jessamine for having her little ways and her antimacassars rumpled by a young Jackanapes; or the boy himself, for being brought up by an old maid. Oddly enough, she would probably have pitied neither, had Jackanapes been a girl. (One is so apt to think that what works smoothest works to the highest ends, having no patience for the results of friction.) That Father in GOD, who bade the young men to be pure, and the maidens brave, greatly disturbed a member of his congregation, who thought that the great preacher had made a slip of the tongue. "That the girls should have purity, and the boys courage, is what you would say, good Father?" "Nature has done that," was the reply; "I meant what I said." In good sooth, a young maid is all the better for learning some robuster virtues than maidenliness and not to move the antimacassars. And the robuster virtues require some fresh air and freedom. As, on the other hand, Jackanapes (who had a boy's full share of the little beast and the young monkey in his natural composition) was none the worse, at his tender years, for learning some maidenliness--so far as maidenliness means decency, pity, unselfishness and pretty behavior. And it is due to him to say that he was an obedient boy, and a boy whose word could be depended on, long before his grandfather the General came to live at the Green. He was obedient; that is he did what his great aunt told him. But--oh dear! oh dear!--the pranks he played, which it had never entered into her head to forbid! It was when he had just been put into skeletons (frocks never suited him) that he became very friendly with Master Tony Johnson, a younger brother of the young gentleman who sat in the puddle on purpose. Tony was not enterprising, and Jackanapes led him by the nose. One summer's evening they were out late, and Miss Jessamine was becoming anxious, when Jackanapes presented himself with a ghastly face all besmirched with tears. He was unusually subdued. "I'm afraid," he sobbed; "if you please, I'm very much afraid that Tony Johnson's dying in the churchyard." Miss Jessamine was just beginning to be distracted, when she smelt Jackanapes. "You naughty, naughty boys! Do you mean to tell me that you've been smoking?" "Not pipes," urged Jackanapes; "upon my honor, Aunty, not pipes. Only segars like Mr. Johnson's! and only made of brown paper with a very, very little tobacco from the shop inside them." Whereupon, Miss Jessamine sent a servant to the churchyard, who found Tony Johnson lying on a tomb-stone, very sick, and having ceased to entertain any hopes of his own recovery. If it could be possible that any "unpleasantness" could arise between two such amiable neighbors as Miss Jessamine and Mrs. Johnson--and if the still more incredible paradox can be that ladies may differ over a point on which they are agreed--that point was the admitted fact that Tony Johnson was "delicate," and the difference lay chiefly in this: Mrs. Johnson said that Tony was delicate--meaning that he was more finely strung, more sensitive, a properer subject for pampering and petting than Jackanapes, and that, consequently, Jackanapes was to blame for leading Tony into scrapes which resulted in his being chilled, frightened, or (most frequently) sick. But when Miss Jessamine said that Tony Johnson was delicate, she meant that he was more puling, less manly, and less healthily brought up than Jackanapes, who, when they got into mischief together, was certainly not to blame because his friend could not get wet, sit a kicking donkey, ride in the giddy-go-round, bear the noise of a cracker, or smoke brown paper with impunity, as he could. Not that there was ever the slightest quarrel between the ladies. It never even came near it, except the day after Tony had been so very sick with riding Bucephalus in the giddy-go-round. Mrs. Johnson had explained to Miss Jessamine that the reason Tony was so easily upset, was the unusual sensitiveness (as a doctor had explained it to her) of the nervous centres in her family--"Fiddlestick!" So Mrs. Johnson understood Miss Jessamine to say, but it appeared that she only said "Treaclestick!" which is quite another thing, and of which Tony was undoubtedly fond. [Illustration] It was at the fair that Tony was made ill by riding on Bucephalus. Once a year the Goose Green became the scene of a carnival. First of all, carts and caravans were rumbling up all along, day and night. Jackanapes could hear them as he lay in bed, and could hardly sleep for speculating what booths and whirligigs he should find fairly established, when he and his dog Spitfire went out after breakfast. As a matter of fact, he seldom had to wait long for news of the Fair. The Postman knew the window out of which Jackanapes' yellow head would come, and was ready with his report. "Royal Theayter, Master Jackanapes, in the old place, but be careful o' them seats, sir; they're rickettier than ever. Two sweets and a ginger-beer under the oak tree, and the Flying Boats is just a-coming along the road." No doubt it was partly because he had already suffered severely in the Flying Boats, that Tony collapsed so quickly in the giddy-go-round. He only mounted Bucephalus (who was spotted, and had no tail) because Jackanapes urged him, and held out the ingenious hope that the round-and-round feeling would very likely cure the up-and-down sensation. It did not, however, and Tony tumbled off during the first revolution. Jackanapes was not absolutely free from qualms, but having once mounted the Black Prince he stuck to him as a horseman should. During the first round he waved his hat, and observed with some concern that the Black Prince had lost an ear since last Fair; at the second, he looked a little pale but sat upright, though somewhat unnecessarily rigid; at the third round he shut his eyes. During the fourth his hat fell off, and he clasped his horse's neck. By the fifth he had laid his yellow head against the Black Prince's mane, and so clung anyhow till the hobby-horses stopped, when the proprietor assisted him to alight, and he sat down rather suddenly and said he had enjoyed it very much. The Grey Goose always ran away at the first approach of the caravans, and never came back to the Green till there was nothing left of the Fair but footmarks and oyster-shells. Running away was her pet principle; the only system, she maintained, by which you can live long and easily, and lose nothing. If you run away when you see danger, you can come back when all is safe. Run quickly, return slowly, hold your head high, and gabble as loud as you can, and you'll preserve the respect of the Goose Green to a peaceful old age. Why should you struggle and get hurt, if you can lower your head and swerve, and not lose a feather? Why in the world should any one spoil the pleasure of life, or risk his skin, if he can help it? "'What's the use' Said the Goose." Before answering which one might have to consider what world--which life--whether his skin were a goose-skin; but the Grey Goose's head would never have held all that. Grass soon grows over footprints, and the village children took the oyster-shells to trim their gardens with; but the year after Tony rode Bucephalus there lingered another relic of Fairtime, in which Jackanapes was deeply interested. "The Green" proper was originally only part of a straggling common, which in its turn merged into some wilder waste land where gipsies sometimes squatted if the authorities would allow them, especially after the annual Fair. And it was after the Fair that Jackanapes, out rambling by himself, was knocked over by the Gipsy's son riding the Gipsy's red-haired pony at break-neck pace across the common. Jackanapes got up and shook himself, none the worse, except for being heels over head in love with the red-haired pony. What a rate he went at! How he spurned the ground with his nimble feet! How his red coat shone in the sunshine! And what bright eyes peeped out of his dark forelock as it was blown by the wind! The Gipsy boy had had a fright, and he was willing enough to reward Jackanapes for not having been hurt, by consenting to let him have a ride. "Do you mean to kill the little fine gentleman, and swing us all on the gibbet, you rascal?" screamed the Gipsy-mother, who came up just as Jackanapes and the pony set off. "He would get on," replied her son. "It'll not kill him. He'll fall on his yellow head, and it's as tough as a cocoanut." But Jackanapes did not fall. He stuck to the red-haired pony as he had stuck to the hobbyhorse; but oh, how different the delight of this wild gallop with flesh and blood! Just as his legs were beginning to feel as if he did not feel them, the Gipsy boy cried "Lollo!" Round went the pony so unceremoniously, that, with as little ceremony, Jackanapes clung to his neck, and he did not properly recover himself before Lollo stopped with a jerk at the place where they had started. "Is his name Lollo?" asked Jackanapes, his hand lingering in the wiry mane. "Yes." "What does Lollo mean?" "Red." "Is Lollo your pony?" "No. My father's." And the Gipsy boy led Lollo away. At the first opportunity Jackanapes stole away again to the common. This time he saw the Gipsy-father, smoking a dirty pipe. "Lollo is your pony, isn't he?" said Jackanapes. "Yes." "He's a very nice one." "He's a racer." "You don't want to sell him, do you?" "Fifteen pounds," said the Gipsy-father; and Jackanapes sighed and went home again. That very afternoon he and Tony rode the two donkeys, and Tony managed to get thrown, and even Jackanapes' donkey kicked. But it was jolting, clumsy work after the elastic swiftness and the dainty mischief of the red-haired pony. A few days later Miss Jessamine spoke very seriously to Jackanapes. She was a good deal agitated as she told him that his grandfather, the General, was coming to the Green, and that he must be on his very best behavior during the visit. If it had been feasible to leave off calling him Jackanapes and to get used to his baptismal name of Theodore before the day after to-morrow (when the General was due), it would have been satisfactory. But Miss Jessamine feared it would be impossible in practice, and she had scruples about it on principle. It would not seem quite truthful, although she had always most fully intended that he should be called Theodore when he had outgrown the ridiculous appropriateness of his nickname. The fact was that he had not outgrown it, but he must take care to remember who was meant when his grandfather said Theodore. Indeed for that matter he must take care all along. "You are apt to be giddy, Jackanapes," said Miss Jessamine. "Yes aunt," said Jackanapes, thinking of the hobby-horses. "You are a good boy, Jackanapes. Thank GOD, I can tell your grandfather that. An obedient boy, an honorable boy, and a kind-hearted boy. But you are--in short, you _are_ a Boy, Jackanapes. And I hope,"--added Miss Jessamine, desperate with the results of experience--"that the General knows that Boys will be Boys." What mischief could be foreseen, Jackanapes promised to guard against. He was to keep his clothes and his hands clean, to look over his catechism, not to put sticky things in his pockets, to keep that hair of his smooth--("It's the wind that blows it, Aunty," said Jackanapes--"I'll send by the coach for some bear's-grease," said Miss Jessamine, tying a knot in her pocket-handkerchief)--not to burst in at the parlor door, not to talk at the top of his voice, not to crumple his Sunday frill, and to sit quite quiet during the sermon, to be sure to say "sir" to the General, to be careful about rubbing his shoes on the doormat, and to bring his lesson-books to his aunt at once that she might iron down the dogs' ears. The General arrived, and for the first day all went well, except that Jackanapes' hair was as wild as usual, for the hair-dresser had no bear's-grease left. He began to feel more at ease with his grandfather, and disposed to talk confidentially with him, as he did with the Postman. All that the General felt it would take too long to tell, but the result was the same. He was disposed to talk confidentially with Jackanapes. [Illustration] "Mons'ous pretty place this," he said, looking out of the lattice on to the Green, where the grass was vivid with sunset, and the shadows were long and peaceful. "You should see it in Fair-week, sir," said Jackanapes, shaking his yellow mop, and leaning back in his one of the two Chippendale arm-chairs in which they sat. "A fine time that, eh?" said the General, with a twinkle in his left eye. (The other was glass.) Jackanapes shook his hair once more. "I enjoyed this last one the best of all," he said. "I'd so much money." "By George, it's not a common complaint in these bad times. How much had ye?" "I'd two shillings. A new shilling Aunty gave me, and elevenpence I had saved up, and a penny from the Postman--_sir_!" added Jackanapes with a jerk, having forgotten it. "And how did ye spend it--_sir_?" inquired the General. Jackanapes spread his ten fingers on the arms of his chair, and shut his eyes that he might count the more conscientiously. "Watch-stand for Aunty, threepence. Trumpet for myself, twopence, that's fivepence. Ginger-nuts for Tony, twopence, and a mug with a Grenadier on for the Postman, fourpence, that's elevenpence. Shooting-gallery a penny, that's a shilling. Giddy-go-round, a penny, that's one and a penny. Treating Tony, one and twopence. Flying Boats (Tony paid for himself), a penny, one and threepence. Shooting-gallery again, one and fourpence; Fat Woman a penny, one and fivepence. Giddy-go-round again, one and sixpence. Shooting-gallery, one and sevenpence. Treating Tony, and then he wouldn't shoot, so I did, one and eightpence. Living Skeleton, a penny--no, Tony treated me, the Living Skeleton doesn't count. Skittles, a penny, one and ninepence. Mermaid (but when we got inside she was dead), a penny, one and tenpence. Theatre, a penny (Priscilla Partington, or the Green Lane Murder. A beautiful young lady, sir, with pink cheeks and a real pistol), that's one and elevenpence. Ginger beer, a penny (I _was_ so thirsty!) two shillings. And then the Shooting-gallery man gave me a turn for nothing, because, he said, I was a real gentleman, and spent my money like a man." "So you do, sir, so you do!" cried the General. "Why, sir, you spend it like a prince.--And now I suppose you've not got a penny in your pocket?" "Yes I have," said Jackanapes. "Two pennies. They are saving up." And Jackanapes jingled them with his hand. "You don't want money except at fair-times, I suppose?" said the General. Jackanapes shook his mop. "If I could have as much as I want, I should know what to buy," said he. "And how much do you want, if you could get it?" "Wait a minute, sir, till I think what twopence from fifteen pounds leaves. Two from nothing you can't, but borrow twelve. Two from twelve, ten, and carry one. Please remember ten, sir, when I ask you. One from nothing you can't, borrow twenty. One from twenty, nineteen, and carry one. One from fifteen, fourteen. Fourteen pounds nineteen and--what did I tell you to remember?" "Ten," said the General. "Fourteen pounds nineteen shillings and tenpence then, is what I want," said Jackanapes. "Bless my soul, what for?" "To buy Lollo with. Lollo means red, sir. The Gipsy's red-haired pony, sir. Oh, he is beautiful! You should see his coat in the sunshine! You should see his mane! You should see his tail! Such little feet, sir, and they go like lightning! Such a dear face, too, and eyes like a mouse! But he's a racer, and the Gipsy wants fifteen pounds for him." "If he's a racer, you couldn't ride him. Could you?" "No--o, sir, but I can stick to him. I did the other day." "You did, did you? Well, I'm fond of riding myself, and if the beast is as good as you say, he might suit me." "You're too tall for Lollo, I think," said Jackanapes, measuring his grandfather with his eye. "I can double up my legs, I suppose. We'll have a look at him to-morrow." "Don't you weigh a good deal?" asked Jackanapes. "Chiefly waistcoats," said the General, slapping the breast of his military frock-coat. "We'll have the little racer on the Green the first thing in the morning. Glad you mentioned it, grandson. Glad you mentioned it." The General was as good as his word. Next morning the Gipsy and Lollo, Miss Jessamine, Jackanapes and his grandfather and his dog Spitfire, were all gathered at one end of the Green in a group, which so aroused the innocent curiosity of Mrs. Johnson, as she saw it from one of her upper windows, that she and the children took their early promenade rather earlier than usual. The General talked to the Gipsy, and Jackanapes fondled Lollo's mane, and did not know whether he should be more glad or miserable if his grandfather bought him. "Jackanapes!" "Yes, sir!" "I've bought Lollo, but I believe you were right. He hardly stands high enough for me. If you can ride him to the other end of the Green, I'll give him to you." How Jackanapes tumbled on to Lollo's back he never knew. He had just gathered up the reins when the Gipsy-father took him by the arm. "If you want to make Lollo go fast, my little gentleman--" "_I_ can make him go!" said Jackanapes, and drawing from his pocket the trumpet he had bought in the fair, he blew a blast both loud and shrill. Away went Lollo, and away went Jackanapes' hat. His golden hair flew out an aureole from which his cheeks shone red and distended with trumpeting. Away went Spitfire, mad with the rapture of the race, and the wind in his silky ears. Away went the geese, the cocks, the hens, and the whole family of Johnson. Lucy clung to her mamma, Jane saved Emily by the gathers of her gown, and Tony saved himself by a somersault. The Grey Goose was just returning when Jackanapes and Lollo rode back, Spitfire panting behind. "Good, my little gentleman, good!" said the Gipsy. "You were born to the saddle. You've the flat thigh, the strong knee, the wiry back, and the light caressing hand, all you want is to learn the whisper. Come here!" "What was that dirty fellow talking about, grandson?" asked the General. "I can't tell you, sir. It's a secret." They were sitting in the window again, in the two Chippendale arm-chairs, the General devouring every line of his grandson's face, with strange spasms crossing his own. "You must love your aunt very much, Jackanapes?" "I do, sir," said Jackanapes warmly. "And whom do you love next best to your aunt?" The ties of blood were pressing very strongly on the General himself, and perhaps he thought of Lollo. But Love is not bought in a day, even with fourteen pounds nineteen shillings and tenpence. Jackanapes answered quite readily, "The Postman." "Why the Postman?" "He knew my father," said Jackanapes, "and he tells me about him, and about his black mare. My father was a soldier, a brave soldier. He died at Waterloo. When I grow up I want to be a soldier too." "So you shall, my boy. So you shall." "Thank you, grandfather. Aunty doesn't want me to be a soldier for fear of being killed." "Bless my life! Would she have you get into a feather-bed and stay there? Why, you might be killed by a thunderbolt, if you were a butter-merchant!" "So I might. I shall tell her so. What a funny fellow you are, sir! I say, do you think my father knew the Gipsy's secret? The Postman says he used to whisper to his black mare." "Your father was taught to ride as a child, by one of those horsemen of the East who swoop and dart and wheel about a plain like swallows in autumn. Grandson! Love me a little too. I can tell you more about your father than the Postman can." "I do love you," said Jackanapes. "Before you came I was frightened. I'd no notion you were so nice." "Love me always, boy, whatever I do or leave undone. And--GOD help me--whatever you do or leave undone, I'll love you! There shall never be a cloud between us for a day; no, sir, not for an hour. We're imperfect enough, all of us, we needn't be so bitter; and life is uncertain enough at its safest, we needn't waste its opportunities. Look at me! Here sit I, after a dozen battles and some of the worst climates in the world, and by yonder lych gate lies your mother, who didn't move five miles, I suppose, from your aunt's apron-strings,--dead in her teens; my golden-haired daughter, whom I never saw." Jackanapes was terribly troubled. "Don't cry, grandfather," he pleaded, his own blue eyes round with tears. "I will love you very much, and I will try to be very good. But I should like to be a soldier." "You shall, my boy, you shall. You've more claims for a commission than you know of. Cavalry, I suppose; eh, ye young Jackanapes? Well, well; if you live to be an honor to your country, this old-heart shall grow young again with pride for you; and if you die in the service of your country--GOD bless me, it can but break for ye!" And beating the region which he said was all waistcoats, as if they stifled him, the old man got up and strode out on to the Green. CHAPTER IV. "Greater love hath no man than this, that a man lay down his life for his friends."--JOHN XV. 13. Twenty and odd years later the Grey Goose was still alive, and in full possession of her faculties, such as they were. She lived slowly and carefully, and she lived long. So did Miss Jessamine; but the General was dead. He had lived on the Green for many years, during which he and the Postman saluted each other with a punctiliousness that it almost drilled one to witness. He would have completely spoiled Jackanapes if Miss Jessamine's conscience would have let him; otherwise he somewhat dragooned his neighbors, and was as positive about parish matters as a ratepayer about the army. A stormy-tempered, tender-hearted soldier, irritable with the suffering of wounds of which he never spoke, whom all the village followed to his grave with tears. The General's death was a great shock to Miss Jessamine, and her nephew stayed with her for some little time after the funeral. Then he was obliged to join his regiment, which was ordered abroad. One effect of the conquest which the General had gained over the affections of the village, was a considerable abatement of the popular prejudice against "the military." Indeed the village was now somewhat importantly represented in the army. There was the General himself, and the Postman, and the Black Captain's tablet in the church, and Jackanapes, and Tony Johnson, and a Trumpeter. [Illustration] Tony Johnson had no more natural taste for fighting than for riding, but he was as devoted as ever to Jackanapes, and that was how it came about that Mr. Johnson bought him a commission in the same cavalry regiment that the General's grandson (whose commission had been given him by the Iron Duke) was in, and that he was quite content to be the butt of the mess where Jackanapes was the hero; and that when Jackanapes wrote home to Miss Jessamine, Tony wrote with the same purpose to his mother; namely, to demand her congratulations that they were on active service at last, and were ordered to the front. And he added a postscript to the effect that she could have no idea how popular Jackanapes was, nor how splendidly he rode the wonderful red charger whom he had named after his old friend Lollo. * * * * * "Sound Retire!" A Boy Trumpeter, grave with the weight of responsibilities and accoutrements beyond his years, and stained, so that his own mother would not have known him, with the sweat and dust of battle, did as he was bid; and then pushing his trumpet pettishly aside, adjusted his weary legs for the hundredth time to the horse which was a world too big for him, and muttering, "'Tain't a pretty tune," tried to see something of this, his first engagement, before it came to an end. Being literally in the thick of it, he could hardly have seen less or known less of what happened in that particular skirmish if he had been at home in England. For many good reasons; including dust and smoke, and that what attention he dared distract from his commanding officer was pretty well absorbed by keeping his hard-mouthed troop-horse in hand, under pain of execration by his neighbors in the mêlée. By-and-by, when the newspapers came out, if he could get a look at one before it was thumbed to bits, he would learn that the enemy had appeared from ambush in overwhelming numbers, and that orders had been given to fall back, which was done slowly and in good order, the men fighting as they retired. Born and bred on the Goose Green, the youngest of Mr. Johnson's gardener's numerous off-spring, the boy had given his family "no peace" till they let him "go for a soldier" with Master Tony and Master Jackanapes. They consented at last, with more tears than they shed when an elder son was sent to jail for poaching, and the boy was perfectly happy in his life, and full of _esprit de corps_. It was this which had been wounded by having to sound retreat for "the young gentlemen's regiment," the first time he served with it before the enemy, and he was also harassed by having completely lost sight of Master Tony. There had been some hard fighting before the backward movement began, and he had caught sight of him once, but not since. On the other hand, all the pulses of his village pride had been stirred by one or two visions of Master Jackanapes whirling about on his wonderful horse. He had been easy to distinguish, since an eccentric blow had bared his head without hurting it, for his close golden mop of hair gleamed in the hot sunshine as brightly as the steel of the sword flashing round it. Of the missiles that fell pretty thickly, the Boy Trumpeter did not take much notice. First, one can't attend to everything, and his hands were full. Secondly, one gets used to anything. Thirdly, experience soon teaches one, in spite of proverbs, how very few bullets find their billet. Far more unnerving is the mere suspicion of fear or even of anxiety in the human mass around you. The Boy was beginning to wonder if there were any dark reason for the increasing pressure, and whether they would be allowed to move back more quickly, when the smoke in front lifted for a moment, and he could see the plain, and the enemy's line some two hundred yards away. [Illustration] And across the plain between them, he saw Master Jackanapes galloping alone at the top of Lollo's speed, their faces to the enemy, his golden head at Lollo's ear. But at this moment noise and smoke seemed to burst out on every side, the officer shouted to him to sound retire, and between trumpeting and bumping about on his horse, he saw and heard no more of the incidents of his first battle. Tony Johnson was always unlucky with horses, from the days of the giddy-go-round onwards. On this day--of all days in the year--his own horse was on the sick list, and he had to ride an inferior, ill-conditioned beast, and fell off that, at the very moment when it was a matter of life or death to be able to ride away. The horse fell on him, but struggled up again, and Tony managed to keep hold of it. It was in trying to remount that he discovered, by helplessness and anguish, that one of his legs was crushed and broken, and that no feat of which he was master would get him into the saddle. Not able even to stand alone, awkwardly, agonizingly unable to mount his restive horse, his life was yet so strong within him! And on one side of him rolled the dust and smoke-cloud of his advancing foe, and on the other, that which covered his retreating friends. He turned one piteous gaze after them, with a bitter twinge, not of reproach, but of loneliness; and then, dragging himself up by the side of his horse, he turned the other way and drew out his pistol, and waited for the end. Whether he waited seconds or minutes he never knew, before some one gripped him by the arm. "_Jackanapes_! _GOD bless you_! It's my left leg. If you could get me on--" It was like Tony's luck that his pistol went off at his horse's tail, and made it plunge; but Jackanapes threw him across the saddle. "Hold on anyhow, and stick your spur in. I'll lead him. Keep your head down, they're firing high." And Jackanapes laid his head down--to Lollo's ear. It was when they were fairly off, that a sudden upspringing of the enemy in all directions had made it necessary to change the gradual retirement of our force into as rapid a retreat as possible. And when Jackanapes became aware of this, and felt the lagging and swerving of Tony's horse, he began to wish he had thrown his friend across his own saddle, and left their lives to Lollo. When Tony became aware of it, several things came into his head. 1. That the dangers of their ride for life were now more than doubled. 2. That if Jackanapes and Lollo were not burdened with him they would undoubtedly escape. 3. That Jackanapes' life was infinitely valuable, and his--Tony's--was not. 4. That this--if he could seize it--was the supremest of all the moments in which he had tried to assume the virtues which Jackanapes had by nature; and that if he could be courageous and unselfish now-- He caught at his own reins and spoke very loud-- "Jackanapes! It won't do. You and Lollo must go on. Tell the fellows I gave you back to them, with all my heart. Jackanapes, if you love me, leave me!" There was a daffodil light over the evening sky in front of them, and it shone strangely on Jackanapes' hair and face. He turned with an odd look in his eyes that a vainer man than Tony Johnson might have taken for brotherly pride. Then he shook his mop and laughed at him. "_Leave you?_ To save my skin? No, Tony, not to save my soul!" CHAPTER V. Mr. VALIANT _summoned. His will. His last words._ Then, said he, "I am going to my Father's.... My Sword I give to him that shall succeed me in my Pilgrimage, and my Courage and Skill to him that can get it." ... And as he went down deeper, he said, "Grave, where is thy Victory?" So he passed over, and all the Trumpets sounded for him on the other side. BUNYAN'S _Pilgrim's, Progress_. Coming out of a hospital-tent, at headquarters, the surgeon cannonaded against, and rebounded from, another officer; a sallow man, not young, with a face worn more by ungentle experiences than by age; with weary eyes that kept their own counsel, iron gray hair, and a moustache that was as if a raven had laid its wing across his lips and sealed them. "Well?" "Beg pardon, Major. Didn't see you. Oh, compound fracture and bruises, but it's all right. He'll pull through." "Thank GOD." It was probably an involuntary expression, for prayer and praise were not much in the Major's line, as a jerk of the surgeon's head would have betrayed to an observer. He was a bright little man, with his feelings showing all over him, but with gallantry and contempt of death enough for both sides of his profession; who took a cool head, a white handkerchief and a case of instruments, where other men went hot-blooded with weapons, and who was the biggest gossip, male or female, of the regiment. Not even the Major's taciturnity daunted him. "Didn't think he'd as much pluck about him as he has. He'll do all right if he doesn't fret himself into a fever about poor Jackanapes." "Whom are you talking about?" asked the Major hoarsely. "Young Johnson. He--" "What about Jackanapes?" "Don't you know? Sad business. Rode back for Johnson, and brought him in; but, monstrous ill-luck, hit as they rode. Left lung--" "Will he recover?" "No. Sad business." "What a frame--what limbs--what health--and what good looks? Finest young fellow--" "Where is he?" "In his own tent," said the surgeon sadly. The Major wheeled and left him. * * * * * "Can I do anything else for you?" "Nothing, thank you. Except--Major! I wish I could get you to appreciate Johnson." "This is not an easy moment, Jackanapes." "Let me tell you, sir--_he_ never will--that if he could have driven me from him, he would be lying yonder at this moment, and I should be safe and sound." The Major laid his hand over his mouth, as if to keep back a wish he would have been ashamed to utter. "I've known old Tony from a child. He's a fool on impulse, a good man and a gentleman in principle. And he acts on principle, which it's not every--some water, please! Thank you, sir. It's very hot, and yet one's feet get uncommonly cold. Oh, thank you, thank you. He's no fire-eater, but he has a trained conscience and a tender heart, and he'll do his duty when a braver and more selfish man might fail you. But he wants encouragement; and when I'm gone--" "He shall have encouragement. You have my word for it. Can I do nothing else?" "Yes, Major. A favor." "Thank you, Jackanapes." "Be Lollo's master, and love him as well as you can. He's used to it." "Wouldn't you rather Johnson had him?" The blue eyes twinkled in spite of mortal pain. "Tony _rides_ on principle, Major. His legs are bolsters, and will be to the end of the chapter. I couldn't insult dear Lollo, but if you don't care--" "Whilst I live--which will be longer than I desire or deserve--Lollo shall want nothing, but--you. I have too little tenderness for--my dear boy, you're faint. Can you spare me for a moment?" "No, stay--Major!" "What? What?" "My head drifts so--if you wouldn't mind." "Yes! Yes!" "Say a prayer by me. Out loud please, I am getting deaf." "My dearest Jackanapes--my dear boy--" "One of the Church Prayers--Parade Service, you know--" "I see. But the fact is--GOD forgive me, Jackanapes--I'm a very different sort of fellow to some of you youngsters. Look here, let me fetch--" But Jackanapes' hand was in his, and it wouldn't let go. There was a brief and bitter silence. "'Pon my soul I can only remember the little one at the end." "Please," whispered Jackanapes. Pressed by the conviction that what little he could do it was his duty to do, the Major--kneeling--bared his head, and spoke loudly, clearly, and very reverently-- "The Grace of our Lord Jesus Christ--" Jackanapes moved his left hand to his right one, which still held the Major's-- "--The love of GOD." And with that--Jackanapes died. [Illustration] CHAPTER VI. "Und so ist der blaue Himmel grösser als jedes Gewölk darin, und dauerhafter dazu." JEAN PAUL RICHTER. Jackanapes' death was sad news for the Goose Green, a sorrow justly qualified by honorable pride in his gallantry and devotion. Only the Cobbler dissented, but that was his way. He said he saw nothing in it but foolhardiness and vain-glory. They might both have been killed, as easy as not, and then where would ye have been? A man's life was a man's life, and one life was as good as another. No one would catch him throwing his away. And, for that matter, Mrs. Johnson could spare a child a great deal better than Miss Jessamine. But the parson preached Jackanapes' funeral sermon on the text, "Whosoever will save his life shall lose it; and whosoever will lose his life for My sake shall find it;" and all the village went and wept to hear him. Nor did Miss Jessamine see her loss from the Cobbler's point of view. On the contrary, Mrs. Johnson said she never to her dying day should forget how, when she went to condole with her, the old lady came forward, with gentle-womanly self-control, and kissed her, and thanked GOD that her dear nephew's effort had been blessed with success, and that this sad war had made no gap in her friend's large and happy home circle. "But she's a noble, unselfish woman," sobbed Mrs. Johnson, "and she taught Jackanapes to be the same, and that's how it is that my Tony has been spared to me. And it must be sheer goodness in Miss Jessamine, for what can she know of a mother's feelings? And I'm sure most people seem to think that if you've a large family you don't know one from another any more than they do, and that a lot of children are like a lot of store-apples, if one's taken it won't be missed." Lollo--the first Lollo, the Gipsy's Lollo--very aged, draws Miss Jessamine's bath-chair slowly up and down the Goose Green in the sunshine. The Ex-postman walks beside him, which Lollo tolerates to the level of his shoulder. If the Postman advances any nearer to his head, Lollo quickens his pace, and were the Postman to persist in the injudicious attempt, there is, as Miss Jessamine says, no knowing what might happen. In the opinion of the Goose Green, Miss Jessamine has borne her troubles "wonderfully." Indeed, to-day, some of the less delicate and less intimate of those who see everything from the upper windows, say (well behind her back) that "the old lady seems quite lively with her military beaux again." The meaning of this is, that Captain Johnson is leaning over one side of her chair, whilst by the other bends a brother officer who is staying with him, and who has manifested an extraordinary interest in Lollo. He bends lower and lower, and Miss Jessamine calls to the Postman to request Lollo to be kind enough to stop, whilst she is fumbling for something which always hangs by her side, and has got entangled with her spectacles. It is a two-penny trumpet, bought years ago in the village fair, and over it she and Captain Johnson tell, as best they can, between them, the story of Jackanapes' ride across the Goose Green; and how he won Lollo--the Gipsy's Lollo--the racer Lollo--dear Lollo--faithful Lollo--Lollo the never vanquished--Lollo the tender servant of his old mistress. And Lollo's ears twitch at every mention of his name. Their hearer does not speak, but he never moves his eyes from the trumpet, and when the tale is told, he lifts Miss Jessamine's hand and presses his heavy black moustache in silence to her trembling fingers. The sun, setting gently to his rest, embroiders the sombre foliage of the oak-tree with threads of gold. The Grey Goose is sensible of an atmosphere of repose, and puts up one leg for the night. The grass glows with a more vivid green, and, in answer to a ringing call from Tony, his sisters, fluttering over the daisies in pale-hued muslins, come out of their ever-open door, like pretty pigeons form a dovecote. And, if the good gossips' eyes do not deceive them, all the Miss Johnsons, and both the officers, go wandering off into the lanes, where bryony wreaths still twine about the brambles. * * * * * A sorrowful story, and ending badly? Nay, Jackanapes, for the end is not yet. A life wasted that might have been useful? Men who have died for men, in all ages, forgive the thought! There is a heritage of heroic example and noble obligation, not reckoned in the Wealth of Nations, but essential to a nation's life; the contempt of which, in any people, may, not slowly, mean even its commercial fall. Very sweet are the uses of prosperity, the harvests of peace and progress, the fostering sunshine of health and happiness, and length of days in the land. But there be things--oh, sons of what has deserved the name of Great Britain, forget it not!--"the good of" which and "the use of" which are beyond all calculation of worldly goods and earthly uses; things such as Love, and Honor, and the Soul of Man, which cannot be bought with a price, and which do not die with death. And they who would fain live happily EVER after, should not leave these things out of the lessons of their lives. [Illustration] * * * * * End of the Project Gutenberg EBook of Jackanapes, by Juliana Horatio Ewing *** END OF THIS PROJECT GUTENBERG EBOOK JACKANAPES *** ***** This file should be named 20351-8.txt or 20351-8.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/0/3/5/20351/ Produced by Juliet Sutherland and Sankar Viswanathan Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away--you may do practically ANYTHING with public domain eBooks. Redistribution is subject to the trademark license, especially commercial redistribution. *** START: FULL LICENSE *** THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg-tm mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase "Project Gutenberg"), you agree to comply with all the terms of the Full Project Gutenberg-tm License (available with this file or online at http://gutenberg.org/license). Section 1. General Terms of Use and Redistributing Project Gutenberg-tm electronic works 1.A. By reading or using any part of this Project Gutenberg-tm electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg-tm electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg-tm electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. "Project Gutenberg" is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg-tm electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg-tm electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg-tm electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" or PGLAF), owns a compilation copyright in the collection of Project Gutenberg-tm electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is in the public domain in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg-tm mission of promoting free access to electronic works by freely sharing Project Gutenberg-tm works in compliance with the terms of this agreement for keeping the Project Gutenberg-tm name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg-tm License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg-tm work. The Foundation makes no representations concerning the copyright status of any work in any country outside the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg-tm License must appear prominently whenever any copy of a Project Gutenberg-tm work (any work on which the phrase "Project Gutenberg" appears, or with which the phrase "Project Gutenberg" is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org 1.E.2. If an individual Project Gutenberg-tm electronic work is derived from the public domain (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase "Project Gutenberg" associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg-tm electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg-tm License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg-tm. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg-tm License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg-tm work in a format other than "Plain Vanilla ASCII" or other format used in the official version posted on the official Project Gutenberg-tm web site (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original "Plain Vanilla ASCII" or other form. Any alternate format must include the full Project Gutenberg-tm License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg-tm works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg-tm electronic works provided that - You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg-tm works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg-tm trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, "Information about donations to the Project Gutenberg Literary Archive Foundation." - You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg-tm License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg-tm works. - You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. - You comply with all other terms of this agreement for free distribution of Project Gutenberg-tm works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from both the Project Gutenberg Literary Archive Foundation and Michael Hart, the owner of the Project Gutenberg-tm trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread public domain works in creating the Project Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm electronic works, and the medium on which they may be stored, may contain "Defects," such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right of Replacement or Refund" described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg-tm trademark, and any other party distributing a Project Gutenberg-tm electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg-tm electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg-tm electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg-tm work, (b) alteration, modification, or additions or deletions to any Project Gutenberg-tm work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg-tm Project Gutenberg-tm is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need, is critical to reaching Project Gutenberg-tm's goals and ensuring that the Project Gutenberg-tm collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg-tm and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation web page at http://www.pglaf.org. Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation's EIN or federal tax identification number is 64-6221541. Its 501(c)(3) letter is posted at http://pglaf.org/fundraising. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state's laws. The Foundation's principal office is located at 4557 Melan Dr. S. Fairbanks, AK, 99712., but its volunteers and employees are scattered throughout numerous locations. Its business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email [email protected]. Email contact links and up to date contact information can be found at the Foundation's web site and official page at http://pglaf.org For additional contact information: Dr. Gregory B. Newby Chief Executive and Director [email protected] Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg-tm depends upon and cannot survive without wide spread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit http://pglaf.org While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg Web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: http://pglaf.org/donate Section 5. General Information About Project Gutenberg-tm electronic works. Professor Michael S. Hart is the originator of the Project Gutenberg-tm concept of a library of electronic works that could be freely shared with anyone. For thirty years, he produced and distributed Project Gutenberg-tm eBooks with only a loose network of volunteer support. Project Gutenberg-tm eBooks are often created from several printed editions, all of which are confirmed as Public Domain in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our Web site which has the main PG search facility: http://www.gutenberg.org This Web site includes information about Project Gutenberg-tm, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.