Messenger

By Joseph Samachson

The Project Gutenberg eBook of Messenger, by William Morrison

This eBook is for the use of anyone anywhere in the United States and
most other parts of the world at no cost and with almost no restrictions
whatsoever. You may copy it, give it away or re-use it under the terms
of the Project Gutenberg License included with this eBook or online at
www.gutenberg.org. If you are not located in the United States, you
will have to check the laws of the country where you are located before
using this eBook.

Title: Messenger

Author: William Morrison

Release Date: September 25, 2021 [eBook #66381]

Language: English


Produced by: Greg Weeks, Mary Meehan and the Online Distributed
             Proofreading Team at http://www.pgdp.net

*** START OF THE PROJECT GUTENBERG EBOOK MESSENGER ***




                               MESSENGER

                          By William Morrison

               He had to find a single planet somewhere
             in the vast Universe. The trouble was, if he
             found it--would he remember what he must do?

           [Transcriber's Note: This etext was produced from
              Imagination Stories of Science and Fantasy
                               July 1954
         Extensive research did not uncover any evidence that
         the U.S. copyright on this publication was renewed.]


He knew that there had been trouble, and he had been told what he had
to do. The trouble was he had forgotten. He didn't remember where it
was.

He had been speeding past an off-color white dwarf when it happened.
If he had taken the trouble to look around, he would have seen that
the white star was going to explode. He knew a potential nova when he
took a good look at one. But after all these centuries he had grown
careless, and when the blast had come--the small star suddenly blazing
into a billion-fold brilliance--the penetrating radiation had hit him
with full intensity. There had been no ship to protect him, no clothing
that might serve as a shield. His kind had done away with such things
eons before, as they had learned to move through space by using some
of the radiant energy that filled it.

He had blacked out completely.

When he came to again, he was far past the nova, in the dazzling
brightness of a rarefied cloud of radiant hydrogen atoms. The nova
itself had lost so much of its momentary brilliance that it was now
indistinguishable from the myriads of other stars. He himself was
speeding on with feverish haste toward a nebular cluster a thousand
light years away.

He slowed down. He had the feeling that the distant cluster was not his
proper destination. But what was? What star, what planet was the spot
in space he had to find? And what was he supposed to do once he got
there?

And who had given him the instructions? Where, in the vast immensity
of the universe was the place called "home", the place where he could
return for the information he had forgotten?

He didn't recall. He knew only, with that same distressing vagueness,
that somewhere there was something he had been ordered to do. And that
once given, the order had to be carried out.

He traveled aimlessly, by feeling alone. Time meant nothing to him as
an individual, for his kind had long mastered the problems of age. But
time meant much to those he had been sent to--to do what? Was it to
help? They must be waiting for him now. They must be wondering why he
didn't come.

He would have to hurry. Hurry to do something he didn't yet suspect,
but would sooner or later remember.

After a few centuries, he began, in his anxiety, to talk to himself,
as is the way of individuals too long alone. "That star cluster there
could be it," he said to himself hopefully, and veered toward the right.

"Doesn't look familiar, though," he muttered. "Maybe if I would get
closer--"

He came close enough to see the thousands of stars as individuals, to
pick out the satellites circling the bright discs of light, to study
the pale planets themselves and their tiny subsatellites. As he turned
his attention from one to another, disappointment slowly filled him.
No, this was not the place. There was nothing in the configuration of
the stars, nothing in the size or position of the planets that sounded
a familiar chord in his consciousness. He would have to go further--or
turn back.

       *       *       *       *       *

He left the place behind him. The next time the same thing happened he
didn't have quite so much hope, and his disappointment was less keen.
But it was disappointment none the less. Time was passing, and they
must be waiting for him impatiently.

After a while the hope and the disappointment both died away almost
completely. The former shrank to a tiny spark that grew dimmer and
dimmer as the centuries passed. He wondered if it would ever wink out
entirely.

It was characteristic of him that the anxiety this caused was only
for those who were waiting, expecting him hourly, and wondering why
he didn't come. He had no sense of fear for himself, no feeling of
despairing loneliness that might be expected to arise from being so
long isolated in space. It was only that he would have liked some one
to talk to, besides himself.

On a fair number of planets he found animal-like creatures in
different stages of development, and on a few he discovered life that
was intelligent. It was with these that he had a renewed feeling of
anticipation, the spark of hope glowing momentarily before it faded
again.

"It's intelligent life I've got to find," he told himself. "But where?"

His astronomical memory, insofar as it covered the post-nova
period, was perfect, and he paid more attention to the details of
star-and-planet configuration than he had ever done before. Gradually
a star-map formed in his mind, a map that covered enormous distances
of space. Those places he had investigated and eliminated from
consideration were slowly crossed off. It was a large needle he had to
find, and his own powers were considerable, but the haystack he had to
search was infinite. There was no telling how many more centuries would
pass before he found it.

And then another thought struck him. They'd know back home that
something had gone wrong. Would they send someone else to do the job in
his place?

He rather doubted it. He had a vague feeling that there weren't many
with his own peculiar talents. What had to be done had to be done by
him, or left undone altogether.

More time passed. And one day, when the space charted on his brain-map
had grown to vast dimensions, and the spark of hope had become so tiny
that he was not quite sure any longer that it was there at all, he
noted from a distance a galaxy that seemed familiar.

"That's it!" he cried. "That's it!"

The spark flared, and as he sped toward the galaxy it became a flame.
It was a lens-shaped assemblage of stars, with two small spiral arms
composed of a few million stars each, and it was seemingly not too
different from millions of other galaxies he had passed in the course
of all those centuries. But to him, seeking so desperately, this galaxy
was unique. It was the right one. He coursed through it from spiral arm
to spiral arm, and now there could be no doubt. The star he wanted was
small and yellowish, far from the center of the lens. It had a rather
elaborate planetary system, which he recognized at once.

This was it. The third planet, the one with a single subsatellite, was
the one he had been sent to find. To find, and perhaps to help. But how?

The finding of the planet had solved one problem. So far it had given
him not a hint toward the solution of the second--the reason why he had
been sent here.

       *       *       *       *       *

There was life on this ball of mud and water, a great deal of life,
both vegetable and animal. And some of the latter could, without too
great a distortion of the truth, be called intelligent. It had raised
cities, tunneled into mountains, changed the appearance of sections of
the planet itself. It was to this intelligent life that he had been
sent.

A dim memory of the need for caution kept him from letting himself be
seen. "I'd only frighten them," he thought. "I'll have to investigate
thoroughly before I reveal myself. And maybe the investigation will
remind me of what I have to do."

The first thing was to come down to earth. Choosing the dark side of
the planet, shaded from the central sun by its own bulk, he shrank his
body and let himself drop in the gravitational field. From time to time
he slowed his fall in order to keep from flaming through the atmosphere
and attracting their attention. And at a thousand feet above the
surface he came to a complete stop, hovering over a city, and making up
his mind where to land.

Something droned toward him through the air, colored lights winking
on and off. He darted downward and to one side. Where the city lights
faded out, he let himself fall all the way to the ground.

He was off a dimly lit highway. Small metal vehicles ran along it,
their lights momentarily tearing apart the darkness ahead of them. A
glance through the metal at the creatures inside the vehicles gave him
a queer thrill. Yes, these were the ones he had been sent to.

Quickly reshaping his body and clothing himself so that he seemed to
be one of them, he began to walk along the highway. Cars sped past him,
picking him out in their headlights. None of them stopped, but he had
time to probe their minds and listen to their language.

What he found was not pleasant. Among all the feelings which controlled
their thoughts, fear was easiest to detect. And along with the fear
were hatred and envy and greed, anxiety and guilt. Oddly enough, there
were also hope and affection for each other, but it was the worse
feelings that predominated. There was no doubt that they needed help.

That didn't make any clearer, however, what he had to do. He had an
idea that it was not his mission to work out a detailed solution. He
had to do some simple thing, something--

The two men were lying in wait, either for him or for some other
pedestrian they judged sufficiently unwary. He sensed them long before
the first one stepped out toward him, a cigarette in one hand and what
was supposed to be an ingratiating look on the brutal face.

"Got a match, bud?"

The other man suddenly plunged at him from the side, an arm wrapping
itself around his neck. The assailant tried to bend him back, the
forearm cutting across his windpipe. The arm of the first man swung, a
rough fist smashing at his face.

Then the two assailants screamed in pain and terror. Where they had
touched him, fist and arm broke into flame. Both men turned from him in
horror, and ran off wildly, as if to get away from themselves.

He hadn't meant to hurt them, but they had contrived their own
punishment. Perhaps--no, that wasn't it. He wasn't here to punish
either.

He walked along, and soon he found himself entering the city. A man in
a blue uniform watched him suspiciously and ordered him gruffly to get
moving.

"I am moving," he said pleasantly.

"Don't you get wise with me," said the bluecoat, and raised a
threatening club.

He paid no attention to the club and kept on, toward the heart of the
city.

What he saw only confirmed the impression he had obtained from the
minds of the men and women in the cars. Too many thoughts were mean and
ignoble, arising only from selfish and vicious desires. Many of those
who saw him seemed to sense his strangeness, and moved toward him with
a single impulse--to take advantage of his ignorance. Men spoke to him
out of the sides of their mouths, offering him bargains. Women offered
themselves.

"_Look, Mac, this stuff is hot, see? Just came off a truck_--"

"_Wanta look at some nice pictures, Mister?_"

"_I can give you a good address, Bud._"

"_Out for a good time, Jack?_"

The planet was sick. Had he been sent to cure it?

       *       *       *       *       *

He came to an area of broad lighted streets. Lights glittered
everywhere, attracting the attention of those around him by going on
and off. Great posters advertised the attractions inside places of
amusement.

He entered one of them, an astonished ticket-collector calling after
him, "Hey, where's your ticket, Bud?" But there was something about him
that prevented the man from pursuing.

He lost himself in the darkness and watched the screen. Here, in
brief and vivid form, was pictured the life of the planet. Women in
bathing suits plunged into a pool and formed a pattern which imitated
sensuously the petals of an unfolding rose. A small animal leaped
through hoops and climbed a ladder. Groups of men drove against each
other for possession of an object which they kicked occasionally
into the air. An elderly man looked grim and made a speech into a
microphone. And then a film showed the main business of the planet,
which seemed to be the killing of its supposedly intelligent
inhabitants. Bombs exploded, planes crashed, desperate lines of men ran
forward to meet their deaths.

Something quickened in his mind. He almost remembered now. This was
what he had come here about.

His will moved, and the theatre vanished behind him. Now he was on the
battlefield itself.

The reality was worse than the image, far worse. Here were not only the
roars of the great guns, but the curses and screams of the wounded, the
gasps of the dying. Here were not only horrible sights and sounds, but
the odors of death--the sharp nitrogenous fragrance of explosives, the
heavy sulfurous smoke of burning oil, the sickening smell of sweating
or decaying flesh.

A cloud came into being from the explosion of a mortar shell, and two
men dropped to the ground. In answer to the mortar, the flaring barrel
of a tank gun spoke hoarsely, and half the crew of the mortar fell in
turn. But there seemed no end to this deadly dialogue. The next moment
there came the burst of a bomb from a low-flying plane, and the tank
half turned over on its side, a heap of smoking steel.

He knew at last why he had been sent here. He knew now what he had to
do.

He ripped the flaring-mouthed gun from the tank. His hands twisted the
thick metal into a shape it had never known before, bent it into a
strange curve, fashioned it so that it would emit overtones to chill
the souls of those who heard it. His brain charged the instrument with
the energy of his own mind, energy that would send its voice to the far
corners of this diseased planet, and leave not a single individual deaf
to its dreaded tones.

Putting the improvised horn to his lips, Gabriel blew the call for
which the planet had so long been waiting.

*** END OF THE PROJECT GUTENBERG EBOOK MESSENGER ***

Updated editions will replace the previous one--the old editions will
be renamed.

Creating the works from print editions not protected by U.S. copyright
law means that no one owns a United States copyright in these works,
so the Foundation (and you!) can copy and distribute it in the
United States without permission and without paying copyright
royalties. Special rules, set forth in the General Terms of Use part
of this license, apply to copying and distributing Project
Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
concept and trademark. Project Gutenberg is a registered trademark,
and may not be used if you charge for an eBook, except by following
the terms of the trademark license, including paying royalties for use
of the Project Gutenberg trademark. If you do not charge anything for
copies of this eBook, complying with the trademark license is very
easy. You may use this eBook for nearly any purpose such as creation
of derivative works, reports, performances and research. Project
Gutenberg eBooks may be modified and printed and given away--you may
do practically ANYTHING in the United States with eBooks not protected
by U.S. copyright law. Redistribution is subject to the trademark
license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full
Project Gutenberg-tm License available with this file or online at
www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project
Gutenberg-tm electronic works

1.A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg-tm electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg-tm electronic work and you do not agree to be bound
by the terms of this agreement, you may obtain a refund from the
person or entity to whom you paid the fee as set forth in paragraph
1.E.8.

1.B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this
agreement and help preserve free future access to Project Gutenberg-tm
electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation ("the
Foundation" or PGLAF), owns a compilation copyright in the collection
of Project Gutenberg-tm electronic works. Nearly all the individual
works in the collection are in the public domain in the United
States. If an individual work is unprotected by copyright law in the
United States and you are located in the United States, we do not
claim a right to prevent you from copying, distributing, performing,
displaying or creating derivative works based on the work as long as
all references to Project Gutenberg are removed. Of course, we hope
that you will support the Project Gutenberg-tm mission of promoting
free access to electronic works by freely sharing Project Gutenberg-tm
works in compliance with the terms of this agreement for keeping the
Project Gutenberg-tm name associated with the work. You can easily
comply with the terms of this agreement by keeping this work in the
same format with its attached full Project Gutenberg-tm License when
you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are
in a constant state of change. If you are outside the United States,
check the laws of your country in addition to the terms of this
agreement before downloading, copying, displaying, performing,
distributing or creating derivative works based on this work or any
other Project Gutenberg-tm work. The Foundation makes no
representations concerning the copyright status of any work in any
country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other
immediate access to, the full Project Gutenberg-tm License must appear
prominently whenever any copy of a Project Gutenberg-tm work (any work
on which the phrase "Project Gutenberg" appears, or with which the
phrase "Project Gutenberg" is associated) is accessed, displayed,
performed, viewed, copied or distributed:

  This eBook is for the use of anyone anywhere in the United States and
  most other parts of the world at no cost and with almost no
  restrictions whatsoever. You may copy it, give it away or re-use it
  under the terms of the Project Gutenberg License included with this
  eBook or online at www.gutenberg.org. If you are not located in the
  United States, you will have to check the laws of the country where
  you are located before using this eBook.

1.E.2. If an individual Project Gutenberg-tm electronic work is
derived from texts not protected by U.S. copyright law (does not
contain a notice indicating that it is posted with permission of the
copyright holder), the work can be copied and distributed to anyone in
the United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase "Project
Gutenberg" associated with or appearing on the work, you must comply
either with the requirements of paragraphs 1.E.1 through 1.E.7 or
obtain permission for the use of the work and the Project Gutenberg-tm
trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any
additional terms imposed by the copyright holder. Additional terms
will be linked to the Project Gutenberg-tm License for all works
posted with the permission of the copyright holder found at the
beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including
any word processing or hypertext form. However, if you provide access
to or distribute copies of a Project Gutenberg-tm work in a format
other than "Plain Vanilla ASCII" or other format used in the official
version posted on the official Project Gutenberg-tm website
(www.gutenberg.org), you must, at no additional cost, fee or expense
to the user, provide a copy, a means of exporting a copy, or a means
of obtaining a copy upon request, of the work in its original "Plain
Vanilla ASCII" or other form. Any alternate format must include the
full Project Gutenberg-tm License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works
provided that:

* You pay a royalty fee of 20% of the gross profits you derive from
  the use of Project Gutenberg-tm works calculated using the method
  you already use to calculate your applicable taxes. The fee is owed
  to the owner of the Project Gutenberg-tm trademark, but he has
  agreed to donate royalties under this paragraph to the Project
  Gutenberg Literary Archive Foundation. Royalty payments must be paid
  within 60 days following each date on which you prepare (or are
  legally required to prepare) your periodic tax returns. Royalty
  payments should be clearly marked as such and sent to the Project
  Gutenberg Literary Archive Foundation at the address specified in
  Section 4, "Information about donations to the Project Gutenberg
  Literary Archive Foundation."

* You provide a full refund of any money paid by a user who notifies
  you in writing (or by e-mail) within 30 days of receipt that s/he
  does not agree to the terms of the full Project Gutenberg-tm
  License. You must require such a user to return or destroy all
  copies of the works possessed in a physical medium and discontinue
  all use of and all access to other copies of Project Gutenberg-tm
  works.

* You provide, in accordance with paragraph 1.F.3, a full refund of
  any money paid for a work or a replacement copy, if a defect in the
  electronic work is discovered and reported to you within 90 days of
  receipt of the work.

* You comply with all other terms of this agreement for free
  distribution of Project Gutenberg-tm works.

1.E.9. If you wish to charge a fee or distribute a Project
Gutenberg-tm electronic work or group of works on different terms than
are set forth in this agreement, you must obtain permission in writing
from the Project Gutenberg Literary Archive Foundation, the manager of
the Project Gutenberg-tm trademark. Contact the Foundation as set
forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
works not protected by U.S. copyright law in creating the Project
Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
electronic works, and the medium on which they may be stored, may
contain "Defects," such as, but not limited to, incomplete, inaccurate
or corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged disk or
other medium, a computer virus, or computer codes that damage or
cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium
with your written explanation. The person or entity that provided you
with the defective work may elect to provide a replacement copy in
lieu of a refund. If you received the work electronically, the person
or entity providing it to you may choose to give you a second
opportunity to receive the work electronically in lieu of a refund. If
the second copy is also defective, you may demand a refund in writing
without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of
damages. If any disclaimer or limitation set forth in this agreement
violates the law of the state applicable to this agreement, the
agreement shall be interpreted to make the maximum disclaimer or
limitation permitted by the applicable state law. The invalidity or
unenforceability of any provision of this agreement shall not void the
remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in
accordance with this agreement, and any volunteers associated with the
production, promotion and distribution of Project Gutenberg-tm
electronic works, harmless from all liability, costs and expenses,
including legal fees, that arise directly or indirectly from any of
the following which you do or cause to occur: (a) distribution of this
or any Project Gutenberg-tm work, (b) alteration, modification, or
additions or deletions to any Project Gutenberg-tm work, and (c) any
Defect you cause.

Section 2. Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new computers. It
exists because of the efforts of hundreds of volunteers and donations
from people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future
generations. To learn more about the Project Gutenberg Literary
Archive Foundation and how your efforts and donations can help, see
Sections 3 and 4 and the Foundation information page at
www.gutenberg.org

Section 3. Information about the Project Gutenberg Literary
Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation's EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg Literary
Archive Foundation are tax deductible to the full extent permitted by
U.S. federal laws and your state's laws.

The Foundation's business office is located at 809 North 1500 West,
Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
to date contact information can be found at the Foundation's website
and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without
widespread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine-readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To SEND
DONATIONS or determine the status of compliance for any particular
state visit www.gutenberg.org/donate

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations. To
donate, please visit: www.gutenberg.org/donate

Section 5. General Information About Project Gutenberg-tm electronic works

Professor Michael S. Hart was the originator of the Project
Gutenberg-tm concept of a library of electronic works that could be
freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg-tm eBooks with only a loose network of
volunteer support.

Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as not protected by copyright in
the U.S. unless a copyright notice is included. Thus, we do not
necessarily keep eBooks in compliance with any particular paper
edition.

Most people start at our website which has the main PG search
facility: www.gutenberg.org

This website includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.