The Project Gutenberg EBook of Poems, by John William Draper
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org
Title: Poems
Author: John William Draper
Release Date: February 6, 2013 [EBook #42034]
Language: English
*** START OF THIS PROJECT GUTENBERG EBOOK POEMS ***
Produced by David E. Brown, Bryan Ness and the Online
Distributed Proofreading Team at http://www.pgdp.net (This
file was produced from images generously made available
by The Internet Archive/Canadian Libraries)
POEMS
JOHN W. DRAPER
THE POET LORE COMPANY
BOSTON
Copyright, 1913, by John W. Draper
All Rights Reserved
THE GORHAM PRESS, BOSTON, U. S. A.
PREFACE
Most of the poems collected in this volume have already seen the light
of print in the _Colonnade_, the monthly publication of the Andiron Club
of New York University. The effort of the author has not been to write
verses especially adapted to the taste of the modern public, but rather
to create "a thing of beauty" from the theme that filled his mind at the
time. Often he has been led into somewhat bold innovations such as the
invention of the miniature ode, and the associating of an idea with a
rime-_motiv_ in the metrical short-stories. While he hopes that the new
forms will justify themselves, he realizes that after all, the poems
must stand or fall in proportion to the amount of pure artistic beauty
contained within them.
CONTENTS
PAGE
FROM A GRECIAN MYTH 9
"CARPE DIEM" 10
THE SONG OF LORENZO 12
THE SONG OF WO HOU 14
THE AURORA 15
THE WILL O' THE WISP 16
WHEN ON THE SHORE GRATES MY BARGE'S KEEL 18
TO SHELLEY 20
THOMAS DE QUINCEY 21
THE VISION OF DANTE 22
THE SPIRIT OF SCHOPENHAUER 24
ARTHUR TO GUENEVER 26
THE DEATH OF THOMAS CHATTERTON 27
A SPRING SONG 28
AFTER THE NEO-PLATONISTS 29
WHAT WOULDST THOU BE? 30
THE PROPHECY OF DAVID 31
THE PROPHECY OF SAINT MARK 39
THE ÆOLIAN HARP 47
THE MAID THAT I WOOED 48
IN A MINOR CHORD 49
A GLASS OF ABSINTHE 51
THE PALACE OF PAIN 53
POEMS
FROM A GRECIAN MYTH
A palace he built him in the west,
A palace of vermeil fringed with gold;
And fain would he lie him down to rest
In the palace he built him in the west
Which every heavenly hue had dressed
With halcyon harmonies untold:
That palace, the sun built in the west,
A palace of vermeil fringed with gold.
_January 3, 1911._
"CARPE DIEM"
Wake, love; Aurora's breath has tinged the sky,
Mounting in faintly flushing shafts on high
To tell the world that Phoebus is at hand;
And all the hours in a glittering band
Cluster around in sweeping, circling flight
Like angels bathing in celestial light.
See, now with one great shaft of molten gold,
No longer vaporous haze around him rolled,
The King of Day mounts the ethereal height,
Scattering the last dim streamers of the night.
Bow down, ye Persians, on your altared hills;
Worship the Sun-god who gives life, and fills
Your horn with plenteous blessings from on high.
Wake! Wake! before the dawning sunbeams die!
Fling incense on your temple's dying flame;
Sing chants and chorals in his mighty name,
For as a weary traveler from afar,
Or as a sailor on the harbor bar
After long absence spies his native town,
So, with benignant brilliance smiles he down;
Or, like a good king ruling o'er his land,
He sprinkles blessings with a bounteous hand.
And thou, O my beloved, wake! arise!
Has not the sun illumined night's dull skies?
Come, Phoebus' breath has tinged the summer morn.
Come, see the light shafts waver 'mong the corn.
Come, see the early lily's opening bloom.
Come, see the wavering light expel the gloom
From yon dark vale still sunk in misty night.
Oh, watch the circling skylark's heavenward flight,
As, wrapped in hazy waves of shimmering light,
In one grand Jubilate to the sun,
He floods the sky with song of day begun.
But golden morn is never truly fair
Unless with day, thou com'st to weave my hair
With perfumed flowers gathered in the dell
Where sylphs sing sweetly 'bout the bubbling well.
Oh, fill my cup of pleasure with new wine
Which sparkles only where thy soft eyes shine!
O my beloved, haste thee to arise
Before the light has scorched the noonday skies!
The fleeting hours haste the falling sun;
And soon the hour-glass of life is run.
_August 5 & 6, 1911._
THE SONG OF LORENZO
Over thy balcony leaning,
Thy languorous glance floats below
Whence arise thousand odours a-streaming,
Thine incense, O goddess of woe!
A star from the infinite whirling,
Taking flight through the dimness of night,
In an ark through the ether is curling;
And touches thy hair with its light.
O lady of sadness and sorrow,
Mine anguish, my hope, my despair,
Will the bright-dawning day of to-morrow
Find thee still in that balcony there?
Near thy casement, an ancient vine groweth,
A ladder that leads thee below;
Were it not for that vine, ah, who knoweth
Thou wert not an _angel_ of woe?
Come down from thy cloud-bosomed chamber;
Not yet has the moon lit the sky;
On the vine-trellis, carefully, clamber--
(Is it thou or the wind that doth sigh?)
Among the copse hedges then darting
Like a ghost at the dawn of the day;
Then, far in the distance departing,
In triumph, I'll bear thee away.
_October 7, 1911._
THE SONG OF WO HOU
_From the Second Act of Kwang Hsu_
List, O list to the song I sing
To the varying note of the sighing breeze
Blowing in cool, refreshing waves
From the endless realm of the seven seas:
Waste not life in pursuit of war,
Holding the nations for one short day,
For the death of the king destroys the realm
Which vanishes like the great Mongol's sway.
Nor hoard up silver in thy vaults,
For the silver once spent, the pleasure is passed,
Or before it is spent, we will mourn thy death:
In the world, neither conquest nor silver last.
Seek, O seek but an hour's joy;
Pleasure and love though they may not endure
Will soothe life's sorrow and bitterness--
The present alone of all time is sure!
Live in the circle of mine arms;
Live in the light of the love in mine eye;
Live in the music of my song;
And, as the music of my song--die!
_October 22, 1911._
THE AURORA
Night in purple fringed with the faintest crimson
Conquered the slowly paling glow of sunset;
Softly the western light expired; and yet
Came there no stars forth--
O'er the tow'ring cliffs and the vales and waters,
O'er the whisp'ring woodland of swaying hemlocks,
O'er the streamlets trickling down on the crag-rocks,
Came there no moon forth.
Rose in distance, a dim and fearful spectre;
Rose, accompanied by the forest's singing,
An omen of evil, certainty bringing
Of the divine wroth--
Far from northern forests descends some army;
Far in the heavens, their fires are reflected;
Waver the lights in an archway collected,
Sign of divine wroth--
Shines the arch in a flick'ring wavy brilliance;
Lighting earth from its quivering span of silver;
Shines the Aurora soft o'er lake and river,
Shines from the far north.
_December 8, 1911._
THE WILL O' THE WISP
Over the moorland, over the moor,
Sibilant sounds the rain-storm's sneer,
Sneeringly sounds, yet with a lure
Like the lure of the mermaids of the mere,
Calling the fishermen into their snare--
Through watery veils, my dim eyes peer,
Where can a light or a path be, where?
Lost on the moor, the moorland drear--
Lost, and the storm-lion's out of his lair,
Raging rampant with mighty roar;
And the glistening lightning flashes its glare;
And the torrents descend with a wind-driven pour.
Only the lightning to show by its fire
The tears of Heaven flooding Earth's floor;
And, above the sound of the storm-lion's ire,
Shriek the rain-sheets over the tor,
Shriek in a quavering, tuneless choir.
What's that in the distance shining afar?
See it flickering higher and higher,
Light in a broadening, lengthening bar--
Who is abroad at this lonely hour?
Or is it a cottage high on the scar?
Or does it shine in My Lady's tower
To guide her Lord from lands afar?
Nearer and nearer, I haste--Oh, for power
To reach that light--Oh, to be sure,
My Lady would welcome me in her bower--
I fall; I sink; it was the marsh's lure--
_December 26, 1911._
WHEN ON THE SHORE GRATES MY BARGE'S KEEL
Weariness, weariness, unending weariness, cease--
Break thou the heart thou canst not heal!
Bitterness, bitterness, undying bitterness, peace--
On shore bring to rest my barge's keel,
On that shadowy shore, we seek at life's release;
For thy soul, belovèd, bears Death's seal.
Restlessness, restlessness, wandering restlessness haunts me;
Lacking thy smile, all life's brooklets congeal
Into one image emotional, fearful which daunts me--
Life's frozen image without an ideal.
Ceaselessly, ceaselessly, ceaselessly, mocking, life taunts me;
Gone all my former purpose and zeal.
Thou wert the pattern that ordered my hopes, my existence;
All that life meant to me, thou didst reveal--
And now thou art gone, all my nature is lacking subsistence--
Oh, let this soul from the body steal!
Then to the spectres, Plutonian, silent, ethereal,
Will my sad spirit for thine appeal,
Wandering onward, and onward through realms immaterial
Till at thy feet shall it joyously kneel--
Then must my weariness, weariness, weariness, cease;
Mended the heart, life could not heal--
Bitterness, bitterness, ended all bitterness, peace--
When on the shore grates my barge's keel.
_January 25, 1911._
TO SHELLEY
Shelley, thy spirit is set among the stars;
Exalted from the earth, thy soul sprang high
From these drab pavements to the star-lit sky;
In one grand ecstasy, frail mortal bars
Gave 'way; thy soul purged pure of earthly scars--
No more to languish here with lingering sigh--
Rose from the foaming gulf where thou didst lie,
Rose from the ragged sail and splintered spars,
Rose to Elysium's fairest bowers serene;
There thine Ideal is ever at thy side;
And soft Apollo's hand doth strike the strings;
And Philomel, behind a bowery screen,
Pours forth Anacreon's blessings on thy bride
Who to thine ear unceasing rapture sings.
_July 29, 1911._
THOMAS DE QUINCEY
Through life he strove to reach his longed-for goal,
Living secluded in a forest dell;
It was his wish to learn himself so well
As to command the secrets of the soul;
He studied, wrote, and fashioned out life's scroll
Until the spirit's instincts could he spell;
And then at last diapason swell,
Burst forth his writings, 'round the world to roll!
As organ music sighs through cloistered aisle,
As mighty calms upon the waters steal,
As raging, shrieking tempest-blasts assail;
So doth his magic word our minds beguile
Until, swept onward by each peal on peal,
Our souls are lured beyond this mortal veil.
_February 4, 1912._
THE VISION OF DANTE
Upon my breast there weighed ten thousand waves
Of black, unthinkable despair; I floated
In atmosphere of leaden density,
In atmosphere that burned with heat, yet glowed not--
Then scintillating stars with vivid flashes,
Like sparks from steel struck in a mine's thick blackness,
Tortured my eyes with dazzling glare; and then
Arose a rumbling as of crashing tombs
When the dead waken. Gone my will, my power.
I could nor feel, nor move, nor cry. Creation
Seemed rending downward through eternal space.
The thundering ceased, there shot a wail of pain,
A wail more anguished than arose from Troy
When Hector fell. Fainter, it grew, receding
Through the spheres. The meteors flashed no more.
I floated upward on invisible wings;
The distance purpled in the glow of dawn;
Funereal clouds melted to shimmering gray;
And far away the notes of music sounded,
Echoing onward to Infinity--
Music celestial of that choir of Heaven
Which sings unendingly about His throne.
Distant, it floated, yet how pure, and clearer
Than clear, rebounding Alpine notes. A present
Foretaste of the sublime beatitudes;
And o'er my visual sky moved forms of beings,
Dark forms in solemn, slow-ascending flight
Toward that rich, purple glow. The vision changed:
So pure the light that darkness sealed my eyelids!
So grand the symphony, I could not hear!
The whole cathedral-vault of Heaven rang
In awful majesty of perfect tone;
And 'past my mortal vision, in endless tide,
Flowing, and flowing upward toward the Light,
Angels innumerable, many-hued,
Winged on, majestic, to the music's time,
Winged on and sang a ceaseless Hallelujah--
_February 16, 1912._
THE SPIRIT OF SCHOPENHAUER
Rush on, rush on, humanity, and fill
Your hours with toil-wrought pain. Rush on, rush on
Upon your prizeless race. Where is your gain
In luxury, or seas of swimming gold,
Or starry ether chained to conquerdom?
You do but add new wheels, new chains to man's
Machine to govern man. You build a tower
More high than Babel's, hoping for earthly heaven
Upon this structure formed of luxuries,
And squander here stored-up celestial bliss
Which your poor Wills would mortgage before gained.
Your little lives were never made for racks
And fettered strainings of this new-wrought world
That quivers your nerves with life-intensity.
Death marks your race upon his hour-glass;
And Madness moves upon your city streets.
Your fevered minds reel downward to the gulf
Where knowledge fails, and luxuries lose charm,
Where passion flickers out, and haste seems slow.
Rush on, rush on, destruction marks your goal.
Rush on, rush on, till Death has breathless felled
The last of all your human progeny;
And leaves him lying there alone--alone,
Like him who first had shape of man--unburied,
Lost in a race with no competitor,
And nothing as the goal--unburied, staring
At the passing clouds, his only winding-sheet.
And then the Great Intelligence--if such
There be--will see his moment's pastime o'er,
And turn his arts to other constellations,
Until in rolling æons e'en his mind
May lose the memory of Man which _was_--
Rush on, rush on, humanity, and fill
Your hours with toil-wrought pain, rush on, rush on!
Death is your hope, your pilot, and your goal,
And Nothingness your only consolation--
_April 26, 1911._
ARTHUR TO GUENEVER
O Guenever, O Guenever once mine,
God may assoil thy failing, but can I
Whose quivering soul is blasted, and whose sky
Is tempest-rent in agony?--Ah, thine,
Thine might have been the fire that should refine
My table round to silver chastity,
Lofty ensample to mine Hall. Oh, why
Should thy soft light no longer purely shine
For my parched soul to bathe in? Guenever,
My Guenever, yet thou wert only mortal--
So too am I; and shall thy every tear
Of anguish well, and I not mark? O hear,
And help me, God, to open wide the portal
Of pardon in my heart for Guenever--
_April 10, 1912._
THE DEATH OF THOMAS CHATTERTON
A gutted wick, still flutteringly aflame
Upon a roughened bench--bare walls, bare floor,
And glimmering gray of sunrise--yes, and more--
Ah, brother, for I call thee by that name--
Mine eyes tear-blinded to thy figure came,
Thy figure fallen like a flower when hoar
Frosts blight. Thy soul wont like the lark to soar
The light-flushed dawn, now takes a loftier aim.
Thy funeral chant, the slow-entoning wind;
Thy churchèd tomb, the pillared vault of morn;
Thy requiem, the birds: Thus art thou dead,
Pale, spectred want, thy tribute from thy kind;
But God, himself, thy dirges shall adorn
With sighing psalms of every wind that's sped.
_May 8, 1912._
A SPRING SONG
The air is vibrant with a sensuous charm;
The grasses nod, and drowse beneath the sun;
Dim, swelling tones upon the breezes run.
In soft security from dread alarm,
The doves are cooing; and the wind with warm
Caress, bears the arbutus' missive, one
Love-wrought line of scented rapture, none
Subtler to woo the honey-hunting swarm.
Let me sigh out my soul in ecstasy,
And breathe forth all the fragrance of my being
Upon the slowly-stirring summer air;
Let me no longer merely scent, hear, see;
But _one_ with Nature, in that Law agreeing--
That God-willed Law that tincts the Beauty there--
_May 18, 1912._
AFTER THE NEO-PLATONISTS
Night wove her web across the sun that died
In crimson colors; velvet-falling gloom
Hung curtain-wise, and, like some rich perfume,
Formed the soft essence of each wind that sighed.
Out of my casement through the dark, I spied
The moon afloat in tide of golden spume
Like some fair flower opening into bloom;
The earth lay dim; the Heavens starry-eyed;
And breezes softer than a maiden's breath
Hushed all the air. O night, how sweet thy charm!
Yet not thy moon, nor stars, nor wind, each one
Of these shall pass when we are changed by death--
But rather sleep, thou death-in-life, more warm
Yet not so sweet as sweet oblivion.
_September 18, 1912._
WHAT WOULDST THOU BE?
What wouldst thou be? A cloud upon the air
Of summer skies afloat in sunlit charm,
And drinking azure bliss, all free from care,
And nestling near the sun's breast rich and warm?
What wouldst thou be? A comet, trailing eyes
Of thousand terrors through the throbbing night,
And filling earth with fear and vague surprise
To gaze upon thy bright, liquescent light?
What wouldst thou be? A sullen, stalwart cliff
Immovable upon a grassy plain,
Kissed by no clouds, and cold, and stark, and stiff,
Unmelted by the gentle tears of rain?
I ask nor to be gay, nor great nor strong--
Make me a thought incarnate in some song.
_May 24, 1912._
THE PROPHECY OF DAVID
A METRICAL SHORT-STORY
I
"The prophecy is overthrown at last!
Thy hopes, my fury-tempered steel shall blast.
Mine, mine, thou art; David, thou shalt not rule.
This curse upon my seed is overpassed;
And he who made it was some dream-crazed fool
Whose soul was such poor stuff as could not mast
Futurity's wide ocean. David shall be
All fetter-bound, my captive prisoned fast!"
Before his tent, King Saul in triumph strode;
About Prince David circled his array.
E'er the new sun had sipped the dew, would he
Close on the fugitive.--"Brain-crazing thirst
Of jealousy that drives me on my way
Of torment, drain this cup; and satiate be.
Thy hope, O line of David, fadeth fast
Like pallid starlight into morning cast."
Saul triumphed to the stars; he gasped for air
As one might gasp upon a mountain's height.
Revenge and hate swept storm-like through the lair
Where lurked his soul shrinking before the blast;
"Mine, mine, by high-enthroned Jehovah's might!"
The words upon his lips were hot and fast.--
Thine, thine, thou say'st? Him shalt thou never gain!
Thou dream'st a dream, O King; it is in vain.
Once fixed, the star of forecast cannot wane.
Thine, thine, thou say'st? It is in vain, in vain.--
Was it the echo tortured into shape
Of his own words? Still stood the King aghast.
Did all this prisoning world leave no escape
From evil prophecy to his sworn vow?
He clapped his hands. (How the two sounds contrast!)
A servant came who cringed before his brow.
"Whence came that sighing voice? Let no one go
About my tent." The man was silent. "Now,
My Lord?" he quavered. "All has been quite still."
Saul's forehead frowned: "Return to rest--Or no,
Order my men to muster; 'tis my will
To seize the enemy at once, before
The light of morn. Soon shall I hold my foe;
And when he's bolted safe by gates thick-brassed,
Then may my fury gorge its dread repast."
Again he smiled. Footsteps approached in sore,
Short-tempered strides as one who comes from far.
Still paused the servant for Saul's nod to go--
And Saul was smiling to the moon's curved bar.
"My Lord, my Lord, these tidings brook no pause!"
As if unwillingly, the King turned slow.
"Philistines plunder thy rich-garnered grain,
And flood thy fencèd towns with waves of fire!
The land is overswept with bloody rain;
Thy towered throne is tottering to the mire!"
Saul's fingers clenched until the blood was near;
He turned away; the moon was hid from sight.
Only upon Prince David's men one gleam
Pierced through the gloomy, cypress-shaded night.
"Lost, lost--so near, and yet in vain, in vain--"
His enemy who should displace his son,
Would still live on while he must go and fight
To save the realm--save, for this hated one?
He spoke; his voice was tense: "Awake my men;
We must be marching far." A lightening beam
Of anguish flashed and re-flashed through his brain;
And back there floated in his oral ken:
"Once fixed, the star of forecast cannot wane;
Thine, thine, thou say'st? Him shalt thou never gain!"
II
Encamped Philistines lay upon the plain
While Israel held the barren hillock's rise.
Like palm trees in the waste, their gay tents shone;
And many camp-fires vied with sunset skies,
Yet fewer on the hills than blazed below
Down in the darkening valley where had grown
As many flickering lights as flakes of snow
That fall on wintry Lebanus.
Alone
Before his tent, strode Saul; his head was bowed
As bows a palm tree to the tempest blast.
Was this deep thought? Or was the spirit cowed
By some high-topping terror? Then at last
Tensely he spoke as to the blackening cloud
That hung above the sunset: "I, so strong,
Yet cannot banish thee, ill-omened shroud,
That round my writhing soul wraps as a pall
Of mute foreboding?--He and Philistine join
In lowering hate against me on the plain--
God, God, my soul has sought Thy soul; wherein
But Thine Omnipotence can triumph lie?
Yet Thou art wordless.--Shall the King still call
Unto the Silent?"
The clouds were scudding fast
As if breathed through the Heavens by God's sigh.
There turned his eyes; then o'er the valley cast.
"Yet will I win," he cried. "Fate cannot last.
The days are all at odds; the powers conspire
To crush my mortal Will. Oh, I will cast,
And trample dim foreboding in the mire!
Let Fate come on; I'll meet him half the way;
And win----" Ceased in the air his words.
Sudden,
The sky grew dark; a frail gust stirred the fire,
Filling the air with monotone of woe:
"Thou dream'st a dream; it is in vain, in vain;
Him never shalt thou gain----" The sound was flown.
With features fury-tortured, hands clenched fast,
Up leaped he, straining arms stretched forth.
"My foe
I'll rend, rend, rend; hear me ye breeze's blast!
My royal root shall bloom; and David--lost.
Jehovah's evil Providence, I'll cast
Into a sea embalmed in endless frost!"
III
A witch dwelt high upon stern Endor's cliff.
The place was dark: for night had drawn the veiling
Between the mountain peaks that stand still, stiff,
The frozen sentinels of Time; and sailing
Aloft upon the evening air, the smoke
Of hostile camp-fires blackened e'en the night.
Here dwelt this hag to horrid witchcraft given,
A withered, fangless thing whose mutterings spoke
Of all the secrets of Hell's shadow-light.
The wind was coldly wailing. Near her fire,
She crouched. Behind her, through a passage riven
By some swift thunderbolt of wrath divine,
Appeared a man in closely wrapped attire.
Like some lithe snake she turned and cringed
In fear and yet in anger: "By what sign,
And wherefore come you here?" her lips half snarled.
The man unwrapped his mantle deeply fringed;
He threw a purse before her. "For this cost,
Let thine unseen familiar call from rest
The one I name to thee"--She rose all gnarled;
And thus she spake: "Seek not to hide thy mien;
My spirit tells me that thou art--" Her lean
Hand grasped the splintered rock--"Thou art the King!
And whom wouldst thou, my Lord, seek in this fane
Of Chaldee calculations, law and ring?"
"Serve me but well to-night; and be thou wise--
Charm as I bid; and gratitude shall last
All time from me to thee--fulfill this quest--"
He paused his speech and glanced to either side--
"Summon me Samuel. Let his spirit rise
Upon the night in wreathèd, hazy guise."
The fire-embers faded red, and died;
King Saul sat staring into sable space;
The witch was mumbling by the fire-side
Whence curled up wisps of smoke. His heart beat fast.
Within the gray appeared a dim-lit face.
In silent terror gazed the King. At last,
Was audible a voice upon the wind:
"What would'st thou, Saul? What would'st thou learn from me?"
"Samuel, 'tis thou--" and then, as in a gust
The storm sweeps down upon the plain, words burst
In hot-lipped passion uncontrolled and fast--
"Aid me; O, aid me; for I yearn, I thirst
To drink this David's blood. The frenzied lust
Of unfulfilled ambition desert-dry
Burns in my throat. Is my seed barren cast
On earth? Am I condemned to plod, a beast
For any burden? Spectre, tell me why
Should I be King of men, and yet the least
Who cannot even hold or give mine own?"
"The princely David shalt thou never gain;
Thou dream'st a dream, O King, it is in vain--
Once fixed, the star of forecast cannot wane--
The star of forecast cannot wane--wane--wane--"
The spectre's voice swept on upon the wind;
The spectre faded into argent gloom.
Down shot a nacreous moonbeam dim-outlined.
The King's eyes fell upon the armied plain.
There rose a shout again, and yet again--
Below was movement, battling of armed men,
And shrieking clash of arms. How fiercely shines
That flaring light! His camp was sheathed in flame!
In flame that wrote upon his soul the lines:
"Once fixed the star of forecast cannot wane;
Thine all has been in vain, in vain, in vain--"
_April and May, 1912._
THE PROPHECY OF SAINT MARK
A METRICAL SHORT-STORY
Pale night upon its swift, aërial loom
Wove the soft, vaporous substance of the gloom.
The story-sculptured Gothic porch lay dim
And silent in drab haze with which the spring
Covers its carpentry of summer bloom.
A maiden stood within the porch's pale.
"It is the night," she sighed, "Saint Marcus' night
When ghosts of all foredoomed to sickness wing
Into the church to pray; so runs the tale.
Those who make no return shall feel the grim,
Fell scythe of Death within the year. The light
Must flicker up each face as past they sail.
But Gascon, O my Gascon, shalt thou die?
Year after year, I wait--Thy strong-wrought mail
Surely is sword-proof--" And a hovering sigh
Passed through her lips more still than silence, frail.
The lowering mist grew darker. From the womb
Of day, young night was born. The paling light
Was flecked with haze-clouds flickering in the gloom;
And to and fro in stately pageantry,
Strange shadow-shapes like liquid-silver spume
Charmed into lightness, formed an imagery
Of things half-human.
Still the maiden pale
Waited and hung upon each shadowy trail
Of lingering vapors fainting to and fro.
They took the shape of flitting forms in mail
Or monkish cowl. A Merlin-magic spell
Seemed laid upon her. "And art _thou_ to go?"
She whispered as some well-known face amid
The rest swept by her through that portal fell.
And some, not marked for Death, returned again;
And some returned not. O'er the porch's rail,
Leant her light body as she scanned each form,
And tensely looked with terror anxious-eyed.
Why does she shrink with all-consuming pain,
And seek to gaze again? A blinding storm
Of anguish breaks upon her. "O what doom
Is this for thee and me? Why doest thou glide
Into this silent, terror-freighted tomb?"
Pale Gascon's figure fled along the tide--
Some forms not marked for Death returned again;
But his returned not. Ever anguish-eyed,
She paused and waited--waited in the gloom.
At last the flying cloud flakes ceased to come;
And stilly night arose. "My God, to whom
May I turn now? My richest Self is rent!"
Down from the carven doorway stumbling slow,
The maiden passed, silent with languishment.
Forth from the darkness stepped a man. All dumb,
She gazed in careless stupor such as woe
Stamps on the soul.
"My Lady, may I dare--"
He paused, and gazed, bowed sweepingly and low,
Then spoke again. She stood there sad and fair,
Quivering like a heat-cloud in the air.
"Lady, a traveler asks the way to where
He may find rest and lodgement." One brief while,
She stayed herself in stupor; 'tis but meet,
A soul come slowly from behind the veil.
"Come--come," she said, upon her face a smile
Of sorrow blent with some strange joyance pale.
They passed along the quaintly cobbled street,
And then turned through a lane where high up-reared,
The gloomy oaks and hawthorne hedges greet
The eye on either hand. A cottage stood
With banks of sleepy flowers at its feet;
And all around, the giant, hoary wood
Frowned down its shadows on the garden's bloom,
Frowned down, a fateful harbinger of gloom.
Within the cottage, all was warmth and cheer.
There stayed the mother waiting the return
Of her sweet child. They entered. She did greet
Both with an all-inclusive smile, and clear,
Unchanging peace and kindliness that burn
Before a pure soul's shrine. "Whom have we here,
Marie?--Some houseless stranger gone astray?"
He doffed his feathered cap and bowed full low.
"After long twilight wanderings in despair
Of any hermitage for night, not far
From here, I prayed your daughter's guidance ere
The dark should leave me but a chance faint star
By which to fare."
Beside the oaken board,
They sat and ate the rustic dishes there,
While young Sir Guy poured forth a glittering hoard
Of warriored stories gathered far away:
How one brave knight pierced twenty paynim through;
And how another fled from the affray
To be enslaved by Sarazain corsair.
The maiden hungered for each word. How frail
Be warriors' lives! Upon the thought, she knew
A bitter memory of forecast's gloom.
Oh, she must fly. Oh, something must avail
To give her refuge from this festering sting.
She tried to turn her mind from sorrow's trail,
And gave her thoughts to the narrator's tale.
Now he was speaking of a lord who strove
To win his lady; but the Christian war
Called him to battle for his Faith. He clove
Damascus steel and clinking casques; but e'er
He could return--Sir Guy then ceased; for here
Arose a warning on the mother's brow.
She wished no bitter recollections. Fear
For Marie's plausance was her only care.
Soon all the cottage slept 'mid the garden's bloom;
And fatefully the forest frowned its gloom.
The summer blossomed, faded, and then died;
And still as if enchanted, stayed he there.
They took long walks o'er lonely hill and dale,
And went across the fields with flowers pied.
At times their voices rang upon the air;
But ever when they came upon that vale
Where, in its flowery charm, the cottage stood,
Their talk would fail within the vasty wood.
Thus bathed their souls in summer's sultry tide
Like flashing moths upon the wind that ride.
And hectic autumn came and brought its charm
Of leafy brilliance heralding its death.
Beside the evening blaze, full many a tale
He told of knights in chivalrous career;
But never raised the fluttering alarm
Of the maiden's mother by the faintest breath
Of the warrior lord and his loved one dear.
Then hoary, chilling winter shrouded pale,
Came, and passed by: thus wandered on, the year.
The spring was coldly wrapped in sullen haze;
Even the mounting sun seemed scarce as warm
As during winter. Slowly passed the days
Until the Eve of blest Saint Marcus came.
Among the misty-shadowed forest ways,
Sir Guy did bring the maiden arm in arm.
How oft the times that they had done the same--
"I've lived a life, careless and debonair,
And know nor fettering bonds nor fear;
Yet would I leave it all without a care--"
She upward glanced and then glanced down as pale
As any flowing haze-wreath in the gloom.
"Oh, what is that?" she cried. The misty veil
Parted and showed a glimpse of rock-built wall.
"'Tis but the village kirk," he said. A pall
Of haze enwrapped them like the Will of Doom.
She stood and faced him, quivering as a sail
That blows uncertain in a varying wind.
"Marie, Marie," he faltered. Then a flare
Of passion burnt his soul out in his eyes.
Downward she glances seeming unaware;
But in her heart beneath the outward guise,
Warring emotions make her spirit quail.
Gascon's loved image into vision flies;
And yet her rising love, she cannot quell
For brave Sir Guy; and then, as when the flail
Lashes the chaff, dim mist before her flies
Into the church in Gascon's image pale.
The year is out. What then, should _he_ avail?
"Marie--" Sir Guy is breathing on the air;
She reads the rest within his flaming eyes.
"Yes--yes," she murmurs.
"O despair, despair!
I have no hope; you fell into the snare!"
His eyes dilated with mad light, he cries.
"I, I am Gascon whose memory you dare
To flout for any knight who stays a year
Within your sight! I am undone. My doom
Is set. These fateful forests be my bier!
Your lover is a wreath of shadowy air--
Go, search him in the western tempest's lair!
For me, I hasten from this mortal gloom,
Sound mine own knell, and say mine own last doom!"
She shrinks away, with inward tumult pale.
His voice is still. She hears a something fall.
With anguish in her eyes, she turns. There, all
Stretched out upon the ground, he lies. A well
Of ruby richness pulses with his frail,
Departing breath. In Merlin-magic spell
Of agony, she stares into the gloom.
Pale figures, children of the mist-waves' womb
In through the church's doorway seem to sail;
Spectral, they vanish in their destined tomb.
She moves; she starts; she cries, as one to whom
Has come the horrid messenger of doom:
"Is that _my_ figure floating in the gloom?
Shall my life fail; is this its funeral knell?"
Pale night upon his swift, aërial loom,
Wove the soft, vaporous substance of her doom.
_September and October, 1912._
THE ÆOLIAN HARP
Into my wildly whispering heart,
His song the warm sirocco sings,
Whirring, whirring--
And all the artifice of mine art
Comes on the wind by the wind to part,
Part from my whirring strings--
Sometimes I sing a wild, weird tale
That like a wandering phantom wings
Whirring, whirring--
And sometimes only a lonely wail
Wells as an echo all wildly frail,
Frail as my whirring sings--
My notes are like the willow-wands
That lightly wave before, behind.--
Whirring, whirring--
Each whispering harp-string ever responds,
Slave of the breeze in his servile bonds,
Slave of the whirring wind--
Soft the sirocco sighs his tune,
And a waning, funeral chant it wings--
Whirring, whirring--
The song shall die as joys die--soon,
Whelming its melody into a swoon,
Swoon of the whirring strings--
_October 24 & 25, 1912._
THE MAID THAT I WOOED
AN ODE IN MINIATURE
I lie upon my couch by night,
And dream, and dream--
Until the quavering shadow-light
Her portraiture doth seem--
Until the breeze's moaning saith
In limpid-lapping stream,
The same denial she answereth.
I lie upon my couch by night,
And yearn, and yearn--
Until the flickering breeze's flight
Bring kisses that would burn--
Until my soul could moan with pain--
Oh, wherefore should she spurn
My love again, and yet again?
I toss upon my couch by night;
I yearn; I yearn--
Until I see the glimmering light
Upon the east return--
Until with passion-pulsing breath,
I pray my lady stern:
"Oh, let me win thee, sweetest Death--"
_December 27, 1912._
IN A MINOR CHORD
AN ODE IN MINIATURE
I gave my soul to dreams sense-glorified;
I bathed in bliss-exhaling balm.
I sailed through boundless ether Tyrian-dyed,
And breathed the luscious calm.
Tense were my heart-strings tuned;
And, madly quavering as I sighed,
Their music sadly waxed and wailed--then swooned,
And floated feebly down in ebbing tide.
I gave my soul to battle. I defied
All the unlovable in life;
I could have bartered Heavenly bliss and died
Willingly in the strife!
To elevate mankind,
Mine inward power, I strove to guide;
I harnessed the puissance of the mind,
And toward that end all be magnified!
I gave my soul to dreams sense-glorified
Till sated pleasure sank to pain.
I gave my soul to battle. I defied
The sordid; but in vain--
Still, still, my spirit wept;
Its goal was hopeless, deified.
Oh, would this saddened soul had ever slept
Unborn; for slumber is a painless guide.
_December 3, 1912._
A GLASS OF ABSINTHE
AN ODE IN MINIATURE
It lay within a glass of green,
A sinuous glass of subtle green.
It sparkled with a slimy sheen.
A languorous fascination gleamed
With glint of lapis lazuli;
And from its silken surface streamed
The scent of musk from Araby.
Ah--was that music only dreamed
That tinct the drowsy scene?
And was my fancy false, or seemed
The glass to lure me with its limpid green?
My fingers fluttered to the stem,
To kiss the fluted, serpent stem,
As pious Persians kiss the hem,
Enwove with many a wanton trick,
Of Persia's deified Sofi.
I could not see; the light seemed thick
As perfume from the balsam-tree,
Or incense in a basalic
When sounds a requiem.
I drank the draught; my sense was sick;
My quivering fingers crushed the curling stem.
I dropped the cup of crystal-green;
I scattered fragments emerald-green--
False emeralds with a glassy sheen.
Upon the pavement, how they gleamed!
I flung the bits of serpent-stem
Upon the table beryl-seamed.
I swept them with my garment's hem--
Some say I laughed--That night, I dreamed
Of Araby--a scene
Of sleepy charm whence fragrance streamed;
And in mirage, the desert blossomed green.
_January 16, 1913._
THE PALACE OF PAIN
A CYCLE
I
A soul was once incarnate in a man;
And this unseen, incarnate thing was mine;
And, as my body grew, the soul began
To sip more fondly of the scented wine
And sugared blisses life can give at call.
It languished amid luxuries divine
Showering richly like the leaves that fall
Upon the sensuous-silent autumn air.
Pale, fleeting Pleasure took my thoughtless all;
For love, unselfish, passion-fervid, rare,
Vibrated through the discords of dull time,
Blending them into harmony; for where
Life jangled harsh, a mother's care would chime
More blissful chords than can be told in rime.
II
The gentle harmonies of love declined,
And swooned into a dull, funereal moan,
And faintly floated onward with the wind.
The symphony was gone; I stayed alone
In all-enshrouding, opiate sadness bound.
I did not scream; I did not weep nor groan.
My soul was locked in stupor whence it found
Only barred gates across dim vaults; and jangling,
Discordant chaos stung me like a wound.
I could not think; I could not hope; the wrangling
Of jarring sounds oppressed me till my brain
Was lost within a labyrinth, all-entangling--
But this I learned although my powers did wane;
That Love through Death transmutes itself to pain.
III
I sank my soul upon a sea of dreams;
I floated through aërial heights divine
Where saffron clouds a-glint with amber beams
Shimmering strangely, stretched in shining line.
I winged my way to Heaven's very dome,
And on Hell's portal read the horrid sign;
I danced upon the wavelet's crested foam,
And swept tempestuous on the stormy wind.
On earth like some vague terror, did I roam
While moaning misery pursued behind.
Whene'er I sang, my song had one refrain
With anxious care and artifice refined,
Until my soul's accompaniment would wane
And wax to one _motiv_: unending pain.
IV
I broke my dungeon-sepulchre of dreams;
I climbed the winding stair to palace halls
Where all the air was soothed by incense-streams;
And every sight within those magic walls
Was bright with radiant, opalescent sheen
While lulling on the ear, light music falls
Of such a melody as ne'er has been
Unless by fays on fairy lyres played.
There Pleasure gowned in iridescent green,
Reclines upon her couch with gems inlaid,
And gently beckons with a sinuous arm--
But all the sumptuous excesses fade;
The walls seem dim; the music has no charm,
For Pleasure's Palace is a place of harm.
V
I plunged through rooms of deepest Tyrian dye;
I tore the veils from mysteries aside;
But grinning pleasure ever met mine eye.
In anguished ecstasy of bliss, I cried;
And through the halls, I heard the echo wane
Until the last, most distant answer sighed:
"The spirit of the world is pain, pain, pain--"
Then from the drowsy distance, there did well
A voice as of a witch before her fane,
Soft-muttering, some Heaven-blasting spell:
"The world is all in vain, the merest tool
Of accident, an anteroom to Hell,
A counterfeit but fairly glinting pool--
Snatch all the joy thou canst, thou human fool!"
VI
And then I searched within myself to find
The _how_ and _why_ of all I heard and saw.
I found but silent Nothing. Wearied, blind,
I strove to learn the omnipresent Law
On whose foundation all these chambers lean.
I found within the artifice no flaw;
And not the slightest secret could I glean.
I searched the winding, labyrinthine halls,
And scanned colossal colonnades between
Whose rows unending space is seen that palls
The straining sight, yet thither lures the eye
With fairy sheen. Through all the outer walls,
No doorway pierced to water, earth or sky:
Is there an answer to the _how_ and _why_?
VII
And yet I am condemned to live, to be.
What horrid Fate decreed it? Life is blind,
And cannot see the Truth. Oh, but for me
To know, to solve this riddle of the mind!
And yet no whisper through the age's gloom
Has taught the latent answer that I pined;
And finally in a sombre-tinted room,
I sank in languor on the marble floor,
And faintly wondered at my destined doom.
Upon my weary spirit, came once more
A faint remembrance of a former time,
A faint remembrance, I had known before,
That clung about me like an ancient rime:
Death is to the soul but a change of clime.
VIII
Then from the body tear this soul away!
Let me seek death; I'll force the hand of Fate!
I will not suffer more. The game I play
Is held against Creation, and the weight
Of all the ages hangs with Fate. Serene,
Stands Death in sable gossamer bedight,
And with maternal arms would intervene,
And seeks to press me silent to her breast.
Quick, let me free my soul from pain! The scene
Is fair--Oh, let this weariness be blest!
But hold--I still may keep this bitter strain
Of self-tormenting torment e'en in rest--
Death summons up the things of life again;
And pain of life transmutes all death to pain.
IX
Oh, but to float away upon the night,
To lose my soul upon her silent dark,
To feel myself a Nothing, a frail, light,
Aërial Emptiness, a fleeing spark
Of sunshine seeking on the endless void,
Some rest, some painless silence as its mark.
Like an oblivion-destined asteroid,
So would I that my soul should haste away
From all the ordinary, earthly, cloyed,
From all the tawdriness of living day;
But still I know I cannot cease to be,
Though I condemn my body back to clay--
O thrice accursèd immortality
That dooms me life through all Eternity!
X
O maddening horror in a smiling guise!
Alive or dead, I am a slave to life.
The later torment with the former vies
To wring my still-undying soul with strife.
I have a debt; the creditor is Time:
"My bond, my bond," he cries, and holds the knife
To wound yet never kill. But what my crime?
I fled those pleasure-haunted halls where vile,
Sweet-scented blisses soothed to pain. A clime
More active came within my ken. The dial
Of hours hurried round. The rich, new wine
Of busy life, I found. A steady file
Swept past of mortal things with souls like mine--
Yet what the purpose of their streaming line?
XI
With nervous yearning, haste they on their way:
A few direct and rule the work of all;
But most are bringing mortar, stone and clay--
(And some there are that rise, and others fall;
And they are seen no more--we know not why.)
But all are working on the palace wall;
And some invent designs to please the eye;
And some would fain extend the rooms to win
New-fashioned blisses. A soft-moaning cry
Is vibrant in the air. High-pitched and thin,
It quavers dimly, then descends again,
And echoes aimless through the busy din:
Mankind would add to pleasure, but in vain--
For Pleasure's Palace is a house of pain.
XII
They strive; they strive, heap luxury on bliss,
And worship Pleasure as their goddess-queen.
Ah, take who will the subtle harlot's kiss!
Yes, seize thy moment's sweetness--then, I ween,
A pageantry of pain, such throbbing throes
As rive the soul, and cut the quick with keen,
Imprisoned edges till the life-blood flows.
Man little knows it; but two aims has he:
By present anguish, store up future woes,
By present anguish, pain posterity.
The quest for pleasure is a quest in vain;
Pleasure is Nothing in Eternity.
Men rather act than think, for thought is pain,
And action is the opiate of the brain.
XIII
Shall I play Roman, face and fight these ills,
Pretend that I _can_ fight and still may win?
A child his dozen mimic soldiers drills,
And six with six, the battle they begin.
Some victors, and some vanquished; some he slays--
But then the soldiers are mere toys of tin--
And carelessly upon the ground, he lays
Vanquished and victors on one common plane;
And takes some other toy and laughs and plays--
Yes, like that soldier, may I fight, and gain
Great victories. Oh, I may stare my Fate
Between the eyes, and drink whole draughts of pain;
With Stoic-strength, may struggle, and may hate;
But where's the payment that I vainly wait?
XIV
I dare not ponder on humanity;
Myself, I dare not ponder, nor my goal.
Oh, would that I were lost upon that sea
Into whose silence, Lethe's currents roll.
Upon its bosom, would that I pressed mine,
Then might some kindly power transform this soul
Into forgetfulness. Or would some wine
Were brewed with musk or attar of the rose
And colored with a tint incarnadine,
And so compounded that a dreamless doze
Would come from one red, richly-scented draught.
Or would that some unmoving glacier froze
My soul within its crystal mine.--No craft
Can save me from this cup of pain unquaffed.
XV
Oh, every soul is only pain embalmed;
And every torment is but bliss's sting.
Humanity lies gasping and becalmed
Upon a torrid ocean; and no wing
Of albatross is seen--nor e'er was seen--
Our worldly hope is dead--yet rules as king.
Dust, ashes, ashes, dust, upon these lean
All of the upward struggle of mankind;
And pain, unending pain, is all they glean.
Goddess of pain, O mistress of the mind,
Art thou the Soul of life? Or hast thou palmed
Thyself on men once happy? Have we pined
Forever? Can our spirits e'er be calmed;
Or _is_ the spirit only pain embalmed?
XVI
But what of art? Can art no solace hold,
No soothing spikenard, soporose drug or wine
To woo the wounded soul? Must men grow old
In agony? Or has some thought divine
Slipped down upon us, cool, compassionate?
But what of art? Can art's frail power refine
Our souls into that Oversoul, and mate
The each with All in one, sublime design?
Art is the vision of that Truth innate
In man. A soul, prismatic, crystalline,
May show each glow of being with each strife
At once reflected and becalmed, and twine
Then into some new, inward world all rife
With spirit blisses of a spirit life.
XVII
Eternal art can triumph over pain;
And once we breathe the lotus-fragrance deep,
The world may scream with iron tongue in vain,
For all the argosy is soothed to sleep.
The ships may rot forever on the sand;
And far off Greece may wait and faintly weep.
More rare than spice from silken Samarkand,
More sorrow-sweet than young Francesca's tears,
More fair than yearning night upon the strand,
And more majestic than Anchises' years:
Beauty's the image, not the thing. 'Tis shod
With rainbow lightnings of the hopes and fears,
And knows each step humanity may plod.
Art is the Beauty of the face of God.
XVIII
But still I live within this place of pain;
And still I seek for an eternal aim,
For, after death, mere Beauty is in vain.
What is there deeper flowing from this same
Unceasing spring? Quick, let me tear the veil!
There sat a statue on an ebon frame--
A statue in that house of pain. So pale
The brow and still the nostrils, Death it seemed;
But in the face, I read that holy tale
That lay on the Madonna's face where gleamed
The Heavenly light from the young Christ's aureole.
Through all the halls of pain, the brilliance beamed;
And every discord out of chaos stole
To swell the throbbing organ's thunderous roll.
XIX
Faith is the master-spirit of the mind.
All else is vanity, the preacher saith;
And worldly knowledge painful is and blind.
Oh, be thyself, and trust thyself. The breath
Of God is breathed on thee. Believe, and will;
And all that thou wouldst have in life, in death,
Is thine. I heard a rustling like a rill
Upon its leafy bed--just such a sound
As tincts the shadow of a song with skill
More intricate than arabesques, and bound
With tender, faintly-flowing melodies--
But whence the choir sang, I never found.
Mayhap at last, myself may learn the ties
Wherewith are bound those lingering harmonies.
XX
And when the soul has torn the fleshly veil,
And moves majestic to that monotone,
When echo-like upon the air I sail
Whither the wingèd skylark, Faith, has flown,
And borne me fainting upward; then my soul
May seek the God of art which silent, lone,
Broods on a crystal-argent sea, the goal
Of all humanity. Incarnate pain
Is calmed to everlasting peace. There roll
No waves upon the sea. Charmed has it lain
Through incommensurate time; charmed will it lie
Through all eternity; and there again
Upon my soul in silence wrapped, shall sigh,
Most beautiful--a mother's lullaby.
_December, 1912._
_January, 1913._
End of the Project Gutenberg EBook of Poems, by John William Draper
*** END OF THIS PROJECT GUTENBERG EBOOK POEMS ***
***** This file should be named 42034-8.txt or 42034-8.zip *****
This and all associated files of various formats will be found in:
http://www.gutenberg.org/4/2/0/3/42034/
Produced by David E. Brown, Bryan Ness and the Online
Distributed Proofreading Team at http://www.pgdp.net (This
file was produced from images generously made available
by The Internet Archive/Canadian Libraries)
Updated editions will replace the previous one--the old editions
will be renamed.
Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties. Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark. Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission. If you
do not charge anything for copies of this eBook, complying with the
rules is very easy. You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research. They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks. Redistribution is
subject to the trademark license, especially commercial
redistribution.
*** START: FULL LICENSE ***
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License available with this file or online at
www.gutenberg.org/license.
Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
electronic works
1.A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.
1.B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works. Nearly all the individual works in the
collection are in the public domain in the United States. If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed. Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work. You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.
1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are in
a constant state of change. If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work. The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.
1.E. Unless you have removed all references to Project Gutenberg:
1.E.1. The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org
1.E.2. If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges. If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.
1.E.3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder. Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.
1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.
1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.
1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form. However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form. Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.
1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.
1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that
- You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg-tm works calculated using the method
you already use to calculate your applicable taxes. The fee is
owed to the owner of the Project Gutenberg-tm trademark, but he
has agreed to donate royalties under this paragraph to the
Project Gutenberg Literary Archive Foundation. Royalty payments
must be paid within 60 days following each date on which you
prepare (or are legally required to prepare) your periodic tax
returns. Royalty payments should be clearly marked as such and
sent to the Project Gutenberg Literary Archive Foundation at the
address specified in Section 4, "Information about donations to
the Project Gutenberg Literary Archive Foundation."
- You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he
does not agree to the terms of the full Project Gutenberg-tm
License. You must require such a user to return or
destroy all copies of the works possessed in a physical medium
and discontinue all use of and all access to other copies of
Project Gutenberg-tm works.
- You provide, in accordance with paragraph 1.F.3, a full refund of any
money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days
of receipt of the work.
- You comply with all other terms of this agreement for free
distribution of Project Gutenberg-tm works.
1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark. Contact the
Foundation as set forth in Section 3 below.
1.F.
1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection. Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.
1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.
1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium with
your written explanation. The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund. If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund. If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.
1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law. The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.
1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.
Section 2. Information about the Mission of Project Gutenberg-tm
Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers. It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.
Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation information page at www.gutenberg.org
Section 3. Information about the Project Gutenberg Literary Archive
Foundation
The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation's EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.
The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations. Its business office is located at 809
North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email
contact links and up to date contact information can be found at the
Foundation's web site and official page at www.gutenberg.org/contact
For additional contact information:
Dr. Gregory B. Newby
Chief Executive and Director
[email protected]
Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation
Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.
The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To
SEND DONATIONS or determine the status of compliance for any
particular state visit www.gutenberg.org/donate
While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.
International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.
Please check the Project Gutenberg Web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations.
To donate, please visit: www.gutenberg.org/donate
Section 5. General Information About Project Gutenberg-tm electronic
works.
Professor Michael S. Hart was the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone. For forty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.
Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included. Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.
Most people start at our Web site which has the main PG search facility:
www.gutenberg.org
This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.
