The Project Gutenberg eBook, Beacon Lights of History, Volume XIV, by John
Lord
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org
Title: Beacon Lights of History, Volume XIV
Author: John Lord
Release Date: January 9, 2004 [eBook #10649]
Language: English
***START OF THE PROJECT GUTENBERG EBOOK BEACON LIGHTS OF HISTORY, VOLUME
XIV***
E-text prepared by Juliet Sutherland, Charlie Kirschner, and the Project
Gutenberg Online Distributed Proofreading Team
LORD'S LECTURES
BEACON LIGHTS OF HISTORY, VOLUME XIV
THE NEW ERA
A Supplementary Volume, by Recent Writers,
as Set Forth in the Preface and Table of Contents.
BY JOHN LORD, LL.D.,
AUTHOR OF "THE OLD ROMAN WORLD," "MODERN EUROPE,"
ETC., ETC.
PUBLISHERS' PREFACE.
In preparing the new edition of Dr. Lord's great work, it has been
thought desirable to do what the venerable author's death in 1894 did
not permit him to accomplish, and add a volume summarizing certain broad
aspects of achievement in the last fifty years. It were manifestly
impossible to cover in any single volume--except in the dry, cyclopaedic
style of chronicling multitudinous facts, so different from the vivid,
personal method of Dr. Lord--all the growths of the wonderful period
just closed. The only practicable way has been to follow our author's
principle of portraying _selected historic forces_,--to take, as
representative or typical of the various departments, certain great
characters whose services have signalized them as "Beacon Lights" along
the path of progress, and to secure adequate portrayal of these by men
known to be competent for interesting exposition of the several themes.
Thus the volume opens with a paper on "Richard Wagner: Modern Music," by
Henry T. Finck, the musical critic of the _New York Evening Post_, and
author of various works on music, travel, etc.; and then follow in order
these: "John Ruskin: Modern Art," by G. Mercer Adam, author of "A Précis
of English History," recently editor of the _Self-Culture Magazine_ and
of the Werner Supplements to the Encyclopaedia Britannica; "Herbert
Spencer: The Evolutionary Philosophy," and "Charles Darwin: His Place in
Modern Science," both by Mayo W. Hazeltine, literary editor of the _New
York Sun_, whose book reviews over the signature "M.W.H." have for years
made the _Sun's_ book-page notable; "John Ericsson: Navies of War and
Commerce," by Prof. W.F. Durand, of the School of Marine Engineering and
the Mechanic Arts in Cornell University; "Li Hung Chang: The Far East,"
by Dr. William A. P. Martin, the distinguished missionary, diplomat, and
author, recently president of the Imperial University, Peking, China;
"David Livingstone: African Exploration," by Cyrus C. Adams,
geographical and historical expert, and a member of the editorial staff
of the _New York Sun_; "Sir Austen H. Layard: Modern Archaeology," by
Rev. William Hayes Ward, D.D., editor of _The Independent_, New York,
himself eminent in Oriental exploration and decipherment; "Michael
Faraday: Electricity and Magnetism," by Prof. Edwin J. Houston of
Philadelphia, an accepted authority in electrical engineering; and,
"Rudolf Virchow: Modern Medicine and Surgery," by Dr. Frank P. Foster,
physician, author, and editor of the _New York Medical Journal_.
The selection of themes must be arbitrary, amid the numberless lines of
development during the "New Era" of the Nineteenth Century, in which
every mental, moral, and physical science and art has grown and
diversified and fructified with a rapidity seen in no other five
centuries. It is hoped, however, that the choice will be justified by
the interest of the separate papers, and that their result will be such
a view of the main features as to leave a distinct impression of the
general life and advancement, especially of the last half of
the century.
It is proper to say that the preparation and issuance of Dr. Lord's
"Beacon Lights of History" were under the editorial care of Mr. John E.
Howard of Messrs. Fords, Howard, and Hulbert, the original publishers of
the work, while the proof-sheets also received the critical attention of
Mr. Abram W. Stevens, one of the accomplished readers of the University
Press in Cambridge, Mass. Mr. Howard has also supervised the new
edition, including this final volume, which issues from the same choice
typographical source.
NEW YORK, September, 1902.
CONTENTS.
RICHARD WAGNER.
MODERN Music.
BY HENRY T. FINCK.
Youth-time; early ambitions as a composer.
Weber, his fascinator and first inspirer.
"Der Freischütz" and "Euryanthe" prototypes of his operas.
Their supernatural, mythical, and romantic elements.
What he owed to his predecessors acknowledged in his essay on "The Music
of the Future" (1860).
Marriage and early vicissitudes.
"Rienzi," "The Novice of Palermo," and "The Flying Dutchman".
Writes stories and essays for musical publications.
After many disappointments wins success at Dresden.
"Tannhäuser" and "Lohengrin".
Compromises himself in Revolution of 1849 and has to seek safety in
Switzerland.
Here he conceives and partly writes the "Nibelung Tetralogy".
Discouragements at London and at Paris.
"Siegfried" and "Tristan and Isolde".
Finds a patron in Ludwig II. of Bavaria.
Nibelung Festival at Bayreuth.
"Parsifal" appears; death of Wagner at Vienna (1882).
Beethoven, Schubert, and Chopin.
Other eminent composers and pianists.
Liszt as a contributor to current of modern music.
Berlioz, Saint-Saëns, Tchaikovsky, Dvorák, Strauss, and Weber.
"The Music of the Future" the music of the present.
JOHN RUSKIN.
MODERN ART.
BY G. MERCER ADAM.
Passionate and luminous exponent of Nature's beauties.
His high if somewhat quixotic ideal of life.
Stimulating writings in ethics, education, and political economy.
Frederic Harrison on Ruskin's stirring thoughts and melodious speech.
Birth and youth-time; Collingwood's "Life" and his own "Praeterita".
Defence of Turner and what it grew into.
Architectural writings, lectures, and early publications.
Interest in Pre-Raphaelitism and its disciples.
Growing fame; with admiring friends and correspondents.
On the public platform; personal appearance of the man.
Economic and socialistic vagaries.
F. Harrison on "Ruskin as Prophet" and teacher.
Inspiring lay sermons and minor writings.
Reformer and would-be regenerator of modern society.
Attitude towards industrial problems of his time.
Founds the communal "Guild of St. George".
Philanthropies, and lecturings in "Working Men's College".
Death and epoch-making influence, in modern art.
HERBERT SPENCER.
THE EVOLUTIONARY PHILOSOPHY.
BY MAYO W. HAZELTINE.
Constructs a philosophical system in harmony with the theory of
evolution.
Birth, parentage, and early career.
Scheme of his system of Synthetic Philosophy.
His "Facts and Comments;" views on party government, patriotism, and
style.
His religious attitude that of an agnostic.
The doctrine of the Unknowable and the knowable.
"First Principles;" progress of evolution in life, mind, society, and
morality.
The relations of matter, motion, and force.
"Principles of Biology;" the data of; the development hypothesis.
The evolutionary hypothesis _versus_ the special creation hypothesis;
arguments.
Causes and interpretation of the evolution phenomena.
Development as displayed in the structures and functions of individual
organisms.
"Principles of Psychology;" the evolution of mind and analysis of mental
states.
"Principles of Sociology;" the adaptation of human nature to the social
state.
Evolution of governments, political and ecclesiastical; industrial
organizations.
Qualifications; Nature's plan an advance, and again a retrogression.
Social evolution; equilibriums between constitution and conditions.
Assisted by others in the collection, but not the systemization, of his
illustrative material.
"Principles of Ethics;" natural basis for; secularization of morals.
General inductions; his "Social Statics".
Relations of Mr. Spencer and Mr. Darwin to the thought of the Nineteenth
Century.
CHARLES DARWIN.
HIS PLACE IN MODERN SCIENCE.
BY MAYO W. HAZELTINE.
The Darwinian hypothesis a rational and widely accepted explanation of
the genesis of organic life on the earth.
Darwin; birth, parentage, and education.
Naturalist on the voyage of the "Beagle".
His work on "Coral Reefs" and the "Geology of South America".
Observations and experiments on the transmutation of species.
Contemporaneous work on the same lines by Alfred R. Wallace.
"The Origin of Species" (1859).
His "Variation of Animals and Plants under Domestication" (1868).
"The Descent of Man" (1871).
On the "Expression of Emotion in Man and Animals" (1872).
"Fertilization of Orchids" (1862), "The Effects of Cross and
Self-Fertilization" (1876), and "The Formation of Vegetable Mould
through the Action of Worms" (1881).
Ill-health, death, and burial.
Personality, tastes, and mental characteristics.
His beliefs and agnostic attitude toward religion.
His prime postulate, that species have been modified during a long
course of descent.
Antagonistic views on the immutability of species.
His theory of natural selection: that all animal and plant life has a
common progenitor, difference in their forms arising primarily from
beneficial variations.
Enunciates in the "Descent of Man" the great principle of Evolution, and
the common kinship of man and the lower animals.
Biological evidence to sustain this view.
Man's moral qualities, and the social instinct of animals.
Religious beliefs not innate, nor instinctive.
Bearing of this on belief in the immortality of the soul.
As a scientist Darwin concerned only with truth; general acceptance of
his theory of the origin of species.
JOHN ERICSSON.
NAVIES OF WAR AND COMMERCE.
BY PROF. W. F. DUKAND.
Ericsson's life-work little foreseen in his youth and early
surroundings.
His impress on the engineering practice of his time.
Dependence, in our modern civilization, on the utilization of the great
natural forces and energies of the world.
Life-periods in Sweden, England, and the United States.
Birth, parentage, and early engineering career.
An officer in the Swedish army, and topographical surveyor for his
native government.
Astonishing insight into mechanical and scientific questions.
His work, 1827 to 1839, when he came to the United States.
"A spendthrift in invention;" versatility and daring.
The screw-propeller _vs_. the paddle-wheel for marine propulsion.
Designs and constructs the steam-frigate "Princeton" and the hot-air
ship "Ericsson".
The Civil War and his services in the art of naval construction.
His new model of a floating battery and warship, "The Monitor".
The battle between it and the "Merrimac" a turning-point in naval aspect
of the war.
"The Destroyer," built in connection with Mr. Delamater.
Improves the character and reduces friction in the use of heavy
ordnance.
Work on the improvement of steam-engines for warships.
Death, and international honors paid at his funeral.
His work in improving the motive-power of ships.
Special contributions to the art of naval war.
Ships of low freeboard equipped with revolving turrets.
Influence of his work lives in the modern battleship.
Other features of work which he did for his age.
Personality and professional traits.
Essentially a designer rather than a constructing engineer.
LI HUNG CHANG.
THE FAR EAST.
BY W.A.P. MARTIN, D.D., LL.D.
Introductory; Earl Li's foreign fame; his rising star.
Intercourse with China by land.
The Great Wall; China first known to the western world through its
conquest by the Mongols.
The houses of Han, Tang, and Sang.
The diplomat Su Wu on an embassy to Turkey.
Intercourse by sea.
Expulsion of the Mongols; the magnetic needle.
Art of printing; birth of alchemy.
Manchu conquest; Macao and Canton opened to foreign trade.
The Opium War.
Li Hung Chang appears on the scene.
His contests for academical honors and preferment.
The Taiping rebellion.
Li a soldier; General Ward and "Chinese Gordon".
The Arrow War; the treaties.
Lord Elgin's mistake leads to renewal of the war.
Fall of the Peiho forts and flight of the Court.
The war with France.
Mr. Seward and Anson Burlingame.
War ended through the agency of Sir Robert Hart.
War with Japan.
Perry at Tokio (Yeddo); overturn of the Shogans.
Formosa ceded to Japan.
China follows Japan and throws off trammels of antiquated usage.
War with the world.
The Boxer rising; menace to the Peking legations.
Prince Ching and Viceroy Li arrange terms of peace.
Li's death; patriot, and patron of educational reform.
DAVID LIVINGSTONE.
AFRICAN DEVELOPMENT.
BY CYRUS C. ADAMS.
Difficulties of exploration in the "Dark Continent"
Livingstone's belief that "there was good in Africa," and that it was
worth reclaiming.
His early journeyings kindled the great African movement.
Youthful career and studies, marriage, etc.
Contact with the natives; wins his way by kindness.
Sublime faith in the future of Africa.
Progress in the heart of the continent since his day.
Interest of his second and third journeyings (1853-56).
Visits to Britain, reception, and personal characteristics.
Later discoveries and journeyings (1858-1864, 1866-1873).
Death at Chitambo (Ilala) Lake Bangweolo, May 1, 1873.
General accuracy of his geographical records; his work, as a whole,
stands the test of time.
Downfall of the African slave-trade, the "open sore of the world".
Remarkable achievements of later explorers and surveyors.
The work of Burton, Junker, Speke, and Stanley.
Father Schynse's chart.
Surveys of Commander Whitehouse.
Missionary maps of the Congo Free State and basin.
Other areas besides tropical Africa made known and opened up.
Pygmy tribes and cannibalism in the Congo basin.
Human sacrifices now prohibited and punishable with death.
Railway and steamboat development, and partition of the continent.
South Africa: the gold and diamond mines and natural resources.
Future philanthropic work.
SIR AUSTEN HENRY LAYARD.
MODERN ARCHAEOLOGY.
BY WILLIAM HAYES WARD, D.D., LL/D.
Overthrow of Nineveh and destruction of the Assyrian Empire.
Kingdoms and empires extant and buried before the era of Hebrew and
Greek history.
Bonaparte in Egypt, and the impulse he gave to French archaeology.
Champollion and his deciphering Egyptian hieroglyphic inscriptions.
Paul Émile Botta and his discoveries in Assyria.
His excavations of King Sargon's palace at Khorsabad.
Layard begins his excavations and discoveries at Nineveh.
Sir Stratford Canning's (Viscount Stratford de Redcliffe) gift to the
British Museum of the marbles of Halicarnassus.
Layard's published researches, "Nineveh and its Remains," and "Babylon
and Nineveh".
His work, "The Monuments of Nineveh" (1849-53).
Obelisk and monoliths of Shalmaneser II., King of Assyria, discovered by
Layard at Nimroud.
George Smith and his discovery of the Babylonian account of the Deluge.
Light thrown by these discoveries on the Pharaoh of the Bible, and on
Melchizedek, who reigned in Abraham's day.
Other archaeologists of note, Glaser, De Morgan, De Sarzec, and Botta.
Relics of Buddha, and the Hittite inscriptions.
The Moabite Stone, and work of the English Palestine Exploration Fund at
Jerusalem.
Dr. Schliemann's labors among the ruins of Troy.
Researches and discoveries at Crete.
The mounds, pyramids, and temples of the American aborigines.
The cliff-dwellers and the Mayas, Incas, and Toltecs.
The Calendar Stone and statue of the gods of war and death found in
Mexico.
What treasure yet remains to be recovered of a past civilization.
MICHAEL FARADAY.
ELECTRICITY AND MAGNETISM.
BY EDWIN J. HOUSTON, PH.D.
"The Prince of Experimental Philosophers".
Unprecocious as a child; environment of his early years.
His early study of Mrs. Marcet's "Conversations on Chemistry," and the
articles on electricity in the "Encyclopaedia Britannica".
Appointed laboratory assistant at the London Royal Institution.
Inspiration received from his teacher, Sir Humphry Davy.
Investigations in chemistry, electricity, and magnetism.
His discovery (1831) of the means for developing electricity direct from
magnetism.
Substitutes magnets for active circuits.
Simplicity of the apparatus used in his successful experiments.
Some of the results obtained by him in his experimental researches.
What is to-day owing to him for his discovery and investigation of all
forms of magneto-electric induction.
His discovery of the relations between light and magnetism.
Action of glass and other solid substances on a beam of polarized light.
His paper on "Magnetization of Light and the Illumination of the Lines
of Magnetic Force".
His contribution (1845) on the "Magnetic Condition of All Matter".
Investigation of the phenomena which he calls "the Magne-crystallic
force".
Extent of his work in the electro-chemical field.
His invention of the first dynamo.
His alternating-current transformer.
Induction coils and their use in producing the Röntgen rays.
Edison's invention of the fluoroscope.
Faraday's gift to commercial science of the electric motor.
His dynamo-electric machine.
Modern electric transmissions of power.
Tesla's multiphase alternating-current motor.
Faraday's electric generator and motor.
The telephone, aid given by Faraday's discoveries in the invention and
use of the transmitter.
Modern power-generating and transmission plants a magnificent
testimonial to the genius of Faraday.
Death and honors.
RUDOLF VIRCHOW.
MEDICINE AND SURGERY.
BY FRANK P. FOSTER, M.D.
Jenner demonstrates efficacy of vaccination against small-pox.
Debt to the physicists, chemists, and botanists of the new era.
Appendicitis (peritonitis), its present frequency.
Experimental methods of study in physiology.
Hahnemann, founder of homoeopathy, and physical diagnosis of the sick.
The clinical thermometer and other instruments of precision.
Animal parasites the direct cause of many diseases.
Bacteria and the germ theory of disease.
Pasteur, viruses, and aseptic surgery.
Consumption and its germ; the corpuscles and their resistance to
bacterial invasion.
Antitoxines as a cure in diphtheria.
Their use in surgery; asepticism and Lord Lister.
Listerism and midwifery.
American aid in the treatment of fractures.
Use of artificial serum in disease treatment.
Koch's tuberculin and its use in consumption.
Chemistry as a handmaid of medicine.
Brown-Séquard and "internal secretions".
Febrile ailment and cold-water applications.
Surgical anaesthetics; Long, Morton, and Simpson.
Ovariotomy operations by McDowell and Bell.
Professional nursing.
Virchow and the literature of medicine, anatomy, and physiology; his
death; his "Archiv," "Cellular-Pathology," etc.
LIST OF ILLUSTRATIONS
VOLUME XIV.
Dr. Jenner Vaccinates a Child
_After the painting by George Gaston Melingue_
Richard Wagner
_After the painting by Franz von Lenbach_
John Ruskin
_After a photograph from life_
Herbert Spencer
_After a photograph from life_
Charles Robert Darwin
_After the painting by G. F. Watts, R.A._
John Ericsson
_From a contemporaneous engraving_
Li Hung Chang
_After a photograph from life_
David Livingstone
_After a photograph from life_
Sir Austen Henry Layard
_After the painting by H. W. Phillips_
Michael Faraday
_After a photograph from life_
Rudolf Virchow
_After a photograph from life_
BEACON LIGHTS OF HISTORY.
RICHARD WAGNER: MODERN MUSIC.
BY HENRY T. FINCK.
If the Dresden schoolboys who attended the _Kreuzschule_ in the years
1823-1827 could have been told that one of them was destined to be the
greatest opera composer of all times, and to influence the musicians of
all countries throughout the second half of the nineteenth century, they
would, no doubt, have been very much surprised. Nor is it likely that
they could have guessed which of them was the chosen one. For Richard
Wagner--or Richard Geyer, as he was then called, after his
stepfather--was by no means a youthful prodigy, like Mozart or Liszt. It
is related that Beethoven shed tears of displeasure over his first music
lessons; nevertheless, it was obvious from the beginning that he had a
special gift for music. Richard Wagner, on the other hand, apparently
had none. When he was eight years old his stepfather, shortly before his
death, heard him play on the piano two pieces from one of Weber's
operas, which made him wonder if Richard might "perhaps" have talent for
music. His piano teacher did not believe even in that "perhaps," but
told him bluntly he would "never amount to anything" as a musician.
For poetry, however, young Richard had a decided inclination in his
school years; and this was significant, inasmuch as it afterwards became
his cardinal maxim that in an opera "the play's the thing," and the
music merely a means of intensifying the emotional expression. Before
his time the music, or rather the singing of florid tunes, had been "the
thing," and the libretto merely a peg to hang these tunes on. In this
respect, therefore, the child was father to the man. At the age of
eleven he received a prize for the best poem on the death of a
schoolmate. At thirteen he translated the first twelve books of Homer's
Odyssey. He studied English for the sole purpose of being able to read
Shakspeare. Then he projected a stupendous tragedy, in the course of
which he killed off forty-two persons, many of whom had to be brought
back as ghosts to enable him to finish the play.
This extravagance also characterized his first efforts as a composer,
when he at last turned to music, at the age of sixteen. One of his first
tasks, when he had barely mastered the rudiments of composition, was to
write an overture which he intended to be more complicated than
Beethoven's Ninth Symphony. Heinrich Dorn, who recognized his talent
amid all the bombast, conducted this piece at a concert. At the
rehearsal the musicians were convulsed with laughter, and at the
performance the audience was at first surprised and then disgusted at
the persistence of the drum-player, who made himself heard loudly every
fourth bar. Finally there was a general outburst of hilarity which
taught the young man a needed lesson.
Undoubtedly the germs of his musical genius had been in Wagner's brain
in his childhood,--for genius is not a thing that can be acquired. They
had simply lain dormant, and it required a special influence to develop
them. This influence was supplied by Weber and his operas. In 1815, two
years after Wagner's birth, the King of Saxony founded a German opera in
Dresden, where theretofore Italian opera had ruled alone. Weber was
chosen as conductor, and thus it happened that Wagner's earliest and
deepest impressions came from the composer of the "Freischütz." In his
autobiographic sketch Wagner writes: "Nothing gave me so much pleasure
as the 'Freischütz.' I often saw Weber pass by our house when he came
from rehearsals. I always looked upon him with a holy awe." It was lucky
for young Richard that his stepfather, Geyer, besides being a
portrait-painter, an actor, and a playwright, was also one of Weber's
tenors at the opera. This enabled the boy, in spite of the family's
poverty, to hear many of the performances. In fact, Wagner, like Weber,
owes a considerable part of his success as a writer for the stage to the
fact that he belonged to a theatrical family, and thus gradually learned
"how the wheels go round." Such practical experience is worth more than
years of academic study.
While Wagner cordially acknowledged the fascination which Weber's music
exerted on him in his boyhood, he was hardly fair to Weber in his later
writings. In these he tries to prove that his own music-dramas are an
outgrowth of Beethoven's Ninth Symphony. When Beethoven wrote that work,
Wagner argues, he had come to the conclusion that purely instrumental
music had reached a point beyond which it could not go alone, wherefore
he called in the aid of poetry (sung by soloists and chorus), and thus
intimated that the art-work of the future was the musical drama,--a
combination of poetry and music.
This is a purely fantastic notion on Wagner's part. There is no evidence
that Beethoven had any such purpose; he merely called in the aid of the
human voice to secure variety of sound and expression. Poetry and music
had been combined centuries before Beethoven in the opera and in
lyric song.
No, the roots of Wagner's music-dramas are not to be found in Beethoven,
but in Weber. His "Freischütz" and "Euryanthe" are the prototypes of
Wagner's operas. The "Freischütz" is the first masterwork, as Wagner's
operas are the last, up to date, of the romantic school; and it embodies
admirably two of the principal characteristics of that school: one, a
delight in the demoniac, the supernatural--what the Germans call
_gruseln_; the other, the use of certain instruments, alone or in
combination, for the sake of securing peculiar emotional effects. In
both these respects Wagner followed in Weber's footsteps. With the
exception of "Rienzi" and "Die Meistersinger," all of his operas, from
the "Flying Dutchman" to "Parsifal," embody supernatural, mythical,
romantic elements; and in the use of novel tone colors for special
emotional effects he opened a new wonder-world of sound, to which Weber,
however, had given him the key.
"Lohengrin," the last one of what are usually called Wagner's "operas,"
as distinguished from his "music-dramas" (comprising the last seven of
his works), betrays very strongly the influence of Weber's other
masterwork, "Euryanthe." This opera, indeed, may also be called the
direct precursor of Wagner's music-dramas. It contains eight "leading
motives," which recur thirty times in course of the opera; and the
dramatic recitatives are sometimes quite in the "Wagnerian" manner. But
the most remarkable thing is that Weber uses language which practically
sums up Wagner's idea of the music-drama. "'Euryanthe,'" he says, "is a
purely dramatic work, which depends for its success solely on the
co-operation of the united sister-arts, and is certain to lose its
effect if deprived of their assistance."
When Wagner wrote his essay on "The Music of the Future" for the
Parisians (1860) he remembered his obligations to the Dresden idol of
his boyhood by calling attention to "the still very noticeable
connection" of his early work, "Tannhäuser," with "the operas of my
predecessors, among whom I name especially Weber," He might have
mentioned others,--Gluck, for instance, who curbed the vanity of the
singers, and taught them that they were not "the whole show;" Marschner,
whose grewsome "Hans Heiling" Wagner had in mind when he wrote his
"Flying Dutchman;" Auber, whose "Masaniello," with its dumb heroine,
taught Wagner the importance and expressiveness of pantomimic music, of
which there are such eloquent examples in all his operas. During his
three and a half years' sojourn in Paris, just at the opening of his
career as an opera composer (1839-1842), he learned many things
regarding operatic scenery, machinery, processions, and details, which
he subsequently turned to good account. Even Meyerbeer, the ruler of the
musical world in Paris at that time, was not without influence on him,
though he had cause to disapprove of him because of his submission to
the demands of the fashionable taste of the day, which contrasted so
strongly with Wagner's own courageous defiance of everything
inconsistent with his ideals of art. The result to-day--Meyerbeer's fall
and Wagner's triumph--shows that courage, like honesty, is, in the long
run, the best policy, and, like virtue, its own reward.
It is important to bear in mind all these lessons that Wagner learned
from his predecessors, as it helps to explain the enormous influence he
exerted on his contemporaries. Wonderful as was the power and
originality of his genius, even he could not have achieved such results
had he not had truth on his side,--truth, as hinted at, in moments of
inspiration, by many of his predecessors.
Wagner was most shamefully misrepresented by his enemies during his
lifetime. A thousand times they wrote unblushingly that he despised and
abused the great masters, whereas in truth no one ever spoke of them
more enthusiastically than he, or was more eager to learn of them,
though, to be sure, he was honest and courageous enough also to call
attention to their shortcomings. In all his autobiographic writings
there is not a more luminous passage than the following, in which he
relates his experiences as conductor at the Riga Opera in 1838, when he
was at work on "Rienzi":--
"The peculiar gnawing melancholy which habitually overpowered me when I
conducted one of our ordinary operas was interrupted by an
inexpressible, enthusiastic delight, when, here and there, during the
performance of nobler works, I became conscious of the incomparable
effects that can be produced by musico-dramatic combinations on the
stage,--effects of a depth, sincerity, and direct realistic vivacity,
such as no other art can produce. I felt quite elated and ennobled
during the time that I was rehearsing Méhul's enchanting 'Joseph' with
my little opera company." "Such impressions," he continues, "like
flashes of lightning" revealed to him "unsuspected possibilities." It
was by utilizing these "possibilities" and hints, and at the same time
avoiding the errors and blemishes of his predecessors, that his
superlative genius was enabled to create such unapproachable masterworks
as "Siegfried" and "Tristan and Isolde."
The way up to those peaks was, however, slow and toilsome. For years he
groped in darkness, and light came but gradually. It has already been
intimated that his genius was slow in developing. A brief review of his
romantic career will bring out this and other interesting points.
At the time when Richard Wagner was born (May 22, 1813), Leipzig was in
such a state of commotion on account of the war to liberate Germany from
the Napoleonic yoke that the child's baptism was deferred several
months. To his schooldays reference has been made already, and we may
therefore pass on to the time when he tried to make his living as an
operatic conductor. Although he was then only twenty-one years old, he
showed remarkable aptitude for this kind of work from the beginning, and
it was through no fault of his that misfortune overtook every opera
company with which he had anything to do. The bankruptcy, in 1836, of
the manager of the Magdeburg Opera, affected him most disastrously, for
it came at the moment when he had arranged for the first performance of
an opera he had written, entitled, "Das Liebesverbot," or "The Novice of
Palermo," and which therefore was given only once. Many years later an
attempt was made to revive this juvenile work at Munich, but the project
was abandoned because, as the famous Wagnerian tenor, Heinrich Vogl,
informed the writer of this article, "Its arias and other numbers were
such ludicrous and undisguised imitations of Donizetti and other popular
composers of that time that we all burst out laughing, and kept up the
merriment throughout the rehearsal." This is of interest because it
shows that Wagner, like that other great reformer, Gluck, began his
career by writing fashionable operas in the Italian style. A still
earlier opera of his, "The Fairies,"--the first one he completed,--was
not produced till 1888, fifty-five years after it had been written, and
five years after Wagner's death. This has been performed a number of
times in Munich, but it is so weak and uninteresting in itself that it
required a splendid stage setting, and the "historic" curiosity of
Wagner's admirers to make it palatable. It is significant that already
in these early works, Wagner wrote his own librettos,--a policy which he
pursued to the end.
Königsberg was the next city where the opera company with which he was
connected, failed. This was the more embarrassing to him, as he had in
the meantime been so unwise as to marry a pretty actress, Minna Planer,
who was destined, for a quarter of a century, to faithfully share his
experiences,--chiefly disappointments. The pittance he got as conductor
of these small German opera companies did not pay his expenses, all the
less as he was fond of luxurious living, and, like most artists, the
world over, foolishly squandered his money when he happened to have any.
At Riga, where Wagner next attempted to establish himself, the opera
company again got into trouble, and his financial straits became such
that, relying on his future ability to meet his obligations, he resolved
to leave that part of the world altogether and seek his fortune in
Paris. He knew that the Prussian Meyerbeer had won fame and fortune
there,--why should not he have the same good luck? He had unbounded
confidence in his own ability, and what increased his hopes of a
Parisian success, was that he had already completed two acts of a grand
historic opera, "Rienzi," based on Bulwer's novel, and written in the
sensational and spectacular style of Meyerbeer. He supposed that all he
had to do was to go to Paris, finish this opera, get it accepted through
the influence of his countryman and colleague, Meyerbeer, and--wake up
some morning famous and wealthy. He was not the first man who built
castles in Spain.
To-day a trip from Riga to Paris is a very simple affair. You get into a
train, and in about twenty-four hours are at your goal. In 1839 there
were no such conveniences. Wagner had to go to the Prussian seaport of
Pillau, and there board a sailing vessel which took him to London in
three weeks and a half. His journey, however, was a much more romantic
affair than a railway trip would have been. In the first place, it was a
real flight--from his creditors whom he had to evade. Next he had to
dodge the Russian sentries, whose boxes were placed on the boundary line
only a thousand yards apart. A friend discovered a way of accomplishing
this feat, and Wagner presently found himself on the ship, with his
wife and his enormous Newfoundland dog. In his trunk he had what he
hoped would help him to begin a brilliant career in Paris: one opera
completed,--"The Novice of Palermo;" two acts of another,--"Rienzi;" and
in his head he had the plot and some of the musical themes for a
third,--"The Flying Dutchman."
The sea voyage came just in time to give him local color for this weird
nautical opera. Three times the vessel was tossed by violent storms, and
once the captain was obliged to seek safety in a Norwegian harbor. The
sailors told Wagner their version of the "Flying Dutchman" legend, and
altogether these adventures were the very thing he wanted at the time,
and aided him in making his opera realistic, both in its text and its
music, which imitates the howling of the storm winds and "smells of the
salt breezes."
So for once our young musician had a streak of luck. But it did not last
long. He found Paris a very large city, and with very little use for
him. He made the most diverse efforts to support himself, nearly always
without success. Once it seemed as if his hopes were to be fulfilled.
The Théâtre de la Renaissance accepted his "Novice of Palermo;" but at
the last moment there was the usual bankruptcy of the management,--the
fourth that affected him! Then he wrote a Parisian Vaudeville, but it
had to be given up because the actors declared it could not be executed.
The Grand Opera, on which he had fixed his eye, was absolutely out of
the question. He was brought to such straits that he offered to sing in
the chorus of a small Boulevard theatre, but was rejected. His wife
pawned her jewels; on several occasions it is said that she even went
into the street to beg a few pennies for their supper. It was doubtless
during these years of starvation that Wagner acquired those gastric
troubles which in later years often prevented him from working more than
an hour or two a day.
A few German friends occasionally gave a little pecuniary aid, but the
only regular source of income was musical hackwork for the publisher
Schlesinger, who gladly availed himself of Wagner's skill in having him
make vocal scores of operas, or arrange popular melodies for the piano
and other instruments. Wagner also wrote stories and essays for musical
periodicals, for which he received fair remuneration; but his attempt to
compose romances and become a parlor favorite failed. Nobody wanted his
songs, and he finally offered them to the editor of a periodical in
Germany for two dollars and a half to four dollars apiece. This may seem
ludicrously pathetic; but then had not poor Schubert, a little more than
a decade before this, sold much better songs for twenty cents each!
Meyerbeer no doubt aided Wagner, but considering his very great
influence in Paris, he achieved surprisingly little for him. The score
of "Rienzi" had been completed in 1840, and in the spring of the next
year, Wagner went to Meudon, near Paris, and there composed the music of
"The Flying Dutchman," in seven weeks, but neither of these operas
seemed to have the least chance to appear on the boards of the Grand
Opera. The best their author could do was to sell the libretto of "The
Flying Dutchman" for one hundred dollars, reserving the right to set it
to music himself.
The outcome of all these disappointments was that he finally lost hope
so far as Paris was concerned, and sent his "Rienzi" to Dresden and his
"Flying Dutchman" to Berlin. The "Novice of Palermo" he had given up
entirely after the bankruptcy of the Renaissance Théâtre, because, as he
wrote, "I felt that I could no longer respect myself as its composer."
Meyerbeer had, at his request, kindly sent a note to the intendant of
the Dresden Opera, in which he said, among other things, that he had
found the selections from "Rienzi," which Wagner had played for him,
"highly imaginative and of great dramatic effect." Tichatschek, the
famous Dresden tenor, examined the score, and liked the title role; the
chorus director, Fischer, also pleaded for the acceptance of the opera;
and so at last Wagner got word in Paris that it would be produced in
Dresden. As Berlin, too, retained the manuscript of his other opera,
there was reason enough for him to end his Parisian sojourn and return
to his native country. He went overland this time, and, to cite his own
words, "For the first time I saw the Rhine; with tears in my eyes I, the
poor artist, swore eternal allegiance to my German fatherland."
It was fortunate in every way that he went to Dresden. His opera
required many alterations and improvements, which he alone could make.
He was permitted to superintend the rehearsals, which was, of course, a
great advantage to the opera. The singers grew more and more
enthusiastic over the music, and when the first public performance was
given, on October 20, 1842, the audience also was delighted and remained
to the very end, although the performance lasted six hours. The composer
immediately applied the pruning-knife and reduced the duration to four
hours and a half (from 6 to 10.30,--opera hours were early in those
days); but the tenor, Tichatschek, declared with tears in his eyes, "I
shall not permit any cuts in my part! It is too heavenly."
Those were proud and happy days for Wagner. "I, who had hitherto been
lonely, deserted, homeless," he wrote, "suddenly found myself loved,
admired, by many even regarded with wonderment." "Rienzi" was repeated a
number of times to overcrowded houses, though the prices had been put
up. It was regarded as "a fabulous success," and the management was
eager to follow it up with another. So the score of "The Flying
Dutchman" was demanded of Berlin (where they seemed in no hurry to use
it), and at once put into rehearsal. It was produced in Dresden on
January 2, 1843, only about ten weeks after "Rienzi,"--an almost
unprecedented event in the life of an opera composer. Wagner conducted
the second opera himself (also "Rienzi," after the first few
performances), and gave so much satisfaction that he was shortly
afterwards appointed to the position of royal conductor (which he held
about six years).
So far, all seemed well. But disappointments soon began to overshadow
his seeming good luck. The first production of the "Flying Dutchman" can
hardly be called a success. Wagner himself characterized the performance
as being, in its main features, "a complete failure," and the stage
setting "incredibly awkward and wooden" (very different from what it is
in Dresden to-day). Mme. Schroeder-Devrient was an admirable "Senta,"
and received enthusiastic applause; but the opera itself puzzled the
audience rather than pleased it.
The music-lovers of Dresden had expected another opera _à la_ Meyerbeer,
like "Rienzi," with its arias and duos, its din and its dances, its
pomps and processions, its scenic and musical splendors. Instead of
that, they heard a work utterly unlike any opera ever before written; an
opera without arias, duets, and dances, without any of the glitter that
had theretofore entertained the public; an opera that simply related a
legend in one breath, as it were,--like a dramatic ballad; an opera that
indulged in weird chromatic scales, and harsh but expressive harmonies,
with an unprecedented license. Here was the real Wagner, but even in
this early and comparatively crude and simple phase, Wagner was too
novel and revolutionary to be appreciated by his contemporaries; hence
it is not to be wondered at that the "Flying Dutchman," after four
performances in Dresden, and a few in Cassel and Berlin, disappeared
from the stage for ten years.
Although Wagner was now royal conductor, he did not succeed in securing
a revival of this opera at Dresden. His next work, "Tannhäuser," was
nevertheless promptly accepted. The score was completed on April 13,
1845, and six, months later (October 19), the first performance was
given. Wagner had thrown himself with all his soul into the composition
of this score. To a friend in Berlin he wrote: "This opera must be good,
or else I never shall be able to do anything worth while." The public at
first seemed to agree with him. Seven performances were given before the
end of the season, and it was resumed the following year; yet Wagner
came to the conclusion that he had written the opera "for a few intimate
friends, but not for the public," to cite his own words. What the public
had expected and desired was shown by its enthusiastic reception of
"Rienzi," and its colder treatment of the "Dutchman." But "Tannhäuser"
was like the second opera; in fact, even "more so." Wagner had outlived
the time when he was willing to make concessions to current taste and
fashion; thenceforth he went his own way, eager, indeed, for approval,
but stubbornly refusing to win it by sacrificing his high art ideals.
Here was true heroism, genuine manliness! Had he been willing to write
more operas like "Rienzi," he might have revelled in wealth (he loved
wealth!) and basked in the sunshine of popularity, like Meyerbeer. But
not one inch of concession did he make for the sake of the much-coveted
riches and popular favor.
Yet was not his next work, "Lohengrin," of a popular character? Popular
to-day, yes; but in the days of his Dresden conductorship he could not
even get it accepted for performance at his own opera-house! It was
completed in August, 1847 (the last act having been written first and
the second last), but although he remained in Dresden two years longer,
all his efforts to get it staged failed, for various reasons. And when,
at last, Liszt gave it for the first time, on August 28, 1850, at
Weimar, whence it gradually made its way to other opera-houses, its
reception everywhere showed that it was very far from being considered a
"popular" work. The critics, especially, vied with one another in
abusing this same "Lohengrin," which at present is sung more frequently
than any other opera; and they continued to abuse it until about twenty
years ago. "An abyss of ennui," "void of all melody," "an insult to the
very essence of music," "a caricature of music," "algebraic harmonies,"
"no tangible ideas," "not a dozen bars of melody," "an opera without
music," "an incoherent mass of rubbish,"--are a few of the "critical"
opinions passed on this opera, which is now regarded in all countries as
a very wonderland of beautiful melodies and expressive harmonies.
The non-acceptance in Dresden of this glorious opera, concerning which
Wagner wrote, "It is the best thing I have done so far," was only one of
many trials and disappointments which daily harassed him. He was over
head and ears in debt, because, in his confidence in the immediate
success of his operas, he had had them printed at once, at his own
expense. The opera-houses were very slow in accepting them, and this
left him in a sad predicament. There were, moreover, enemies
everywhere,--ignorant, old-fashioned professionals, who objected to his
way of interpreting the masters (though it was afterwards admitted that
he was epoch-making as an interpreter of their deepest thoughts). All
this galled him; and, furthermore, no attention whatever was paid to his
pet plans for reforming the Dresden Opera, and theatrical matters
in general.
In the state of mind brought about by this condition of affairs, it
needed but a firebrand to start an explosion. This firebrand was
supplied by the revolutionary uprising of 1849. Now, although Wagner had
never really cared much for politics (to his friend Fischer he once
wrote: "I do not consider true art possible until politics cease to
exist"), he was foolish enough to believe that a general overturning of
affairs would benefit art-matters, too, and facilitate his operatic
reforms; so he became, as he himself admits, "a revolutionist in behalf
of the theatre." He actively assisted the insurgents, and the
consequence was that, when the rebellion failed, he had to leave Dresden
and seek safety in flight.
Three of the leaders of the insurrection--Roeckel, Bakunin, and Heubner;
personal friends of Wagner--were captured and imprisoned; he himself was
so lucky as to escape to Weimar, where Franz Liszt took care of him. It
so happened that Liszt, who had given up his career as concert pianist
(though all the world was clamoring to hear him), and was conducting the
Weimar Opera, had been preparing a performance of "Tannhäuser," to which
Wagner would, under normal conditions, have been invited as a matter of
course. He was now there, but as a political fugitive, wherefore it was
not deemed advisable to have him attend the public performance; but he
did secretly witness a rehearsal, and was delighted to find that Liszt's
genius had enabled him to penetrate into the innermost recesses of this
music. It was impossible, however, for him to stay any longer. The
Dresden police had issued a warrant for the arrest of "the royal
Kapellmeister Richard Wagner," who was to be "placed on trial for active
participation in the riots which have taken place here." No time was,
therefore, to be lost. Late in the evening of May 18, Liszt's noble
patroness, the Princess Wittgenstein, received this note from him: "Can
you give the bearer sixty thalers? Wagner is obliged to fly, and I
cannot help him at this moment."
Early the next morning Wagner, provided with a false pass, left Weimar
and headed for Switzerland, which was to be his home for the greater
part of the following twelve years of his exile from Germany. Had he
been caught, like his friends, and, like them, imprisoned during these
years, it is not likely that the world would now possess those seven
monuments of his ripest genius, "Rheingold," "Die Walküre," "Siegfried,"
"Götterdämmerung," "Tristan and Isolde," "Die Meistersinger," and
"Parsifal." Even as it was, the world has undoubtedly lost an immortal
opera or two through his unfortunate participation in the rebellion. For
during the first four years of his exile, he did not compose any music.
He reasoned that he had written four good operas and nobody seemed to
want them; why, therefore, should he compose any more?
At the same time, he realized that there were natural reasons why his
operas were not understood. They were written in such a novel style,
both vocal and instrumental, that the singers, players, and conductors
found it difficult to perform them correctly, the consequence being that
they did not specially impress the audiences, which, moreover, were
bewildered by finding themselves listening to works so radically
different from what they had been accustomed to in the opera-houses. In
the hope of remedying this state of affairs Wagner devoted several years
to writing essays, in which he explained his aims and ideals for the
benefit both of performers and listeners. Little attention was, however,
paid to these essays, and although they are valuable aesthetic
treatises, most lovers of Wagner would gladly give them for the operas
he might have written in the same time,--operas uniting the
characteristics of "Lohengrin" and "The Valkyrie."
Wagner's letters to Liszt and other friends show that he suffered
tortures, and was often brought to the verge of suicide by the thought
that, as a political refugee, he was unable to go to Germany to
superintend the production of his works. His one consolation was that,
as he put it, through the friendship of Liszt his art had found a home
at Weimar at the moment when he himself became homeless. Weimar became,
as it were, a sort of preliminary Bayreuth, to which pilgrimages were
made to hear Wagner's operas. Liszt not only produced the "Flying
Dutchman," "Tannhäuser," and "Lohengrin," but wrote eloquent essays on
them, and in every possible way advanced the good cause. It has been
justly said that by his efforts he accelerated the vogue of Wagner's
operas fully ten years. He also helped him pecuniarily, and induced
others to do the same. Never in the world's history has one artist done
so much for another as Liszt did for Wagner during all the years of his
exile in Switzerland.
Few persons would consider residence in Switzerland (the usual home in
those days of political refugees) a special hardship; nor would Wagner
have considered it in that light except for the solicitude he felt for
the children of his brain. Otherwise he greatly enjoyed life in that
glorious country, and the Alpine ozone nourished and stimulated his
brain. Moreover, from the creative point of view, it was an actual
advantage for him to be away from the opera-houses of the great
capitals. In Switzerland, except for a short time when he was connected
with the Zurich opera, he heard no operatic music except such as his own
brain created. Undoubtedly this helps to account for the astounding
originality of the music-dramas he wrote in Switzerland.
These music-dramas go as far beyond "Lohengrin" in certain directions as
"Lohengrin" goes beyond the operas of Wagner's predecessors. It was a
reckless thing to do, to make another such giant stride before the world
had caught up with his first, and he had to suffer the consequences;
but genius disregards prudence, and looks to the future alone. What he
was now writing was what his enemies tauntingly called "the music of the
future," because, as they said, nobody liked it at present; but what he
himself called the "art work of the future," in which all the fine arts
are inseparably united.
The biggest of his works, the "Nibelung Tetralogy," was conceived and
for the most part written in Switzerland. Before leaving Dresden he had
already written the poem of an opera which he called "Siegfried's
Death." Returning to this in his exile he came to the conclusion,
gradually, that the legend on which it is based, and which he had
sketched out in prose at the beginning, contained the material for two,
three, nay, four operas. Accordingly, he wrote the poems of these:
first, "Götterdämmerung," then "Siegfried," "Die Walküre," and
"Rheingold." The music to these four dramas was, however, composed in
the reverse order, in which they were to be performed.
Wagner indulged in no illusions regarding these music-dramas. He knew
that they were beyond the capacity of even the best royal opera-houses
of that time, and that they could be performed only under exceptional
conditions, such as he finally succeeded, after herculean efforts and
many disappointments, in securing at Bayreuth in 1876. It is of great
interest to note that the germs of a sort of "Bayreuth festival plan"
can be found in his letters as early as 1850,--the year when "Lohengrin"
had its first hearing. Thus a full quarter of a century elapsed between
the conception of this festival plan and its execution. But Wagner had
the patience of Job, as well as his capacity for suffering.
Amid privations of all sorts, he wrote the sublime music of these
dramas, beginning with "Rheingold," on Nov. 1, 1853,--the first time he
had put new operatic melodies on paper since the completion of
"Lohengrin," in August, 1847. In his head, to be sure, he had been
carrying much of the Nibelung music for some time, for he habitually
created his leading melodies at the same time as the verse; and the four
Nibelung poems were in print in 1853. On May 28, 1854, the score of
"Rheingold" was completed, and four weeks later he began the sketches of
"The Valkyrie," the completed score of which was in his desk by the end
of March, 1856.
In the meantime his poverty had compelled him, much against his wishes,
to accept an offer from the London Philharmonic Society to conduct their
concerts for a season (March to June, 1855). He had reason to bitterly
regret this action. With the limited number of rehearsals at his command
it was impossible for him to make the orchestra follow his intentions
and reveal his greatness as a conductor. He was not allowed to make the
programmes, and the directors, ignorant of the fact that they had
engaged the greatest musical genius of the century, gave no Wagner
concert, and put only a few short selections from his early operas on
the programs. Thus his hopes of creating a desire for the hearing of his
complete operas, which had been one of his motives in going to London,
were frustrated. He was, moreover, constantly abused for doing things
differently from Mendelssohn, and the leading critics referred to his
best music as "senseless discord," "inflated display of extravagance and
noise," and so on. Almost the only pleasant episode was the sympathy and
interest of Queen Victoria, who had a long talk with him, and informed
him that his music had enraptured her.
For all this trouble and loss of time (he found himself unable in London
to do any satisfactory work on the uncompleted "Valkyrie" score), he
received the munificent sum of $1,000,--considerably less than many
Wagner singers to-day get for one evening's work. Shortly before leaving
London he wrote to a friend that he would bring home about 200
francs,--$40! For this he had wasted four months of precious time and
endured endless "contrarieties and vulgar animosities," to use his
own words.
Equally unsuccessful were his efforts, a few years later, to better
himself financially by a series of concerts in Paris (1860). They
resulted in a large deficit. Nor was he benefited by the performances of
his "Tannhäuser," which were given at the grand opera in March, 1861, by
order of Napoleon, at the request of the influential Princess
Metternich. He had refused to interpolate a vulgar ballet in the second
act for the benefit of the members of the aristocratic Jockey Club, who
dined late and insisted on having a ballet on entering the opera-house.
They took their revenge by creating such a disturbance every evening
that after the third performance Wagner refused to allow any further
repetitions, although the house on the third night had been completely
sold out. He was to receive $50 for each performance. The result was
$150, or less than 50 cents a day, for a year's hard work and no end of
worry in connection with the rehearsals.
How many men are there in the annals of art who would have refused,
after all these disappointments and bitter lessons, to make _some_
concessions? Wagner was writing a gigantic work, the Nibelung Tetralogy,
which, he was convinced, would never yield a penny's profit during his
lifetime. Sometimes despair seized him. In one of his letters he
exclaims: "Why should I, poor devil, burden and torture myself with such
terrible tasks, if the present generation refuses to let me have even a
workshop?" Yet the only deviation he made from his plan was that when
he had reached the second act of the third of the Nibelung dramas, the
poetic "Siegfried," in June, 1857, he made up his mind to abandon the
Tetralogy for the time being, and compose an opera which might be
performed separately and once more bring him into contact with
the stage.
This opera was "Tristan and Isolde;" but instead of being a concession,
it turned out to be the most difficult and Wagnerian of all his
works,--an opera with much emotion but little action, no processions or
choruses such as "Lohengrin" still had, and, of course, no arias or
tunes whatever. "Tristan and Isolde" was completed in 1859, and Wagner
would have much preferred to have its performance in Paris commanded by
Napoleon in place of "Tannhäuser." What the Jockey Club would have done
in that case is inconceivable, for, compared with "Tristan,"
"Tannhäuser" is almost Meyerbeerian, if not Donizettian. No singers,
moreover, could have been found in Paris able to interpret this work,
with its new vocal style,--"speech-song," as the Germans call it. Even
Germany could do nothing, at first, with this opera. In Vienna, after
fifty-four rehearsals, it was abandoned, in 1863, as "impossible," and
that city did not produce it till after Wagner's death. Instead of
bringing him into immediate contact with the stage, it was not heard
_anywhere_ till seven years after its completion.
There was one more card for him to play. All his operas, so far, had
been tragedies. What if he were to write a comic opera? Would not that
be likely to get him access to the stage again, and help him
financially? He had the plan for a comic opera; indeed, he had sketched
it as early as 1845, at the same time as the plot of "Lohengrin."
Sixteen years it lay dormant in his brain. At last he wrote out the poem
in Paris, immediately after the "Tannhäuser" disaster there. Perhaps it
would be more accurate to call "Die Meistersinger" a humorous opera; for
while the story of the mediaeval knight who wins the goldsmith's
daughter has comic features, its chief characteristic is humor, with
that undercurrent of seriousness that belongs to all masterpieces of
humor. To a certain extent, it is a musical and poetic autobiography,
the victorious young Knight Walter, who sings as he pleases, without
regard to pedantic rules, representing Wagner himself and the "music of
the future," while the vain and malicious Beckmesser stands for the
critics, and Hans Sachs for enlightened public opinion.
It was during the time that he wrote the gloriously melodious and
spontaneous music to this poem that the most important event of his life
happened. Work on the score was repeatedly interrupted by the necessity
of making some money. Most of his concerts in German cities, undertaken
for this purpose, did not yield him any profits. In Russia, however, he
was very successful, and as he had the promise of a repetition of his
success, he rented a fine villa at Penzing, near Vienna, and proceeded
to enjoy life for a change. Who can blame him for this? As he said to a
friend not long after this, "I am differently organized from others,
have sensitive nerves, must have beauty, splendor, and light. Is it
really such an outrageous thing if I lay claim to the little bit of
luxury which I like,--I, who am preparing enjoyment for the world and
for thousands?"
Unfortunately the second Russian project failed, through no fault of his
own, and as he had borrowed money at usurious rates on his expected
profits, he found himself compelled to fly once more from his creditors.
After spending a short time in Switzerland, he went to Stuttgart, where
he persuaded his friend Weissheimer to go with him into the Suabian
Alps, where he intended to hide for half a year, until he could finish
his "Meistersinger," and with the score raise money for his creditors.
The wagon had already been ordered for the next morning, May 3, 1864,
and Wagner was packing his trunk, when a card was brought up to him with
the inscription: "von Pfistenmeister, Secrétaire aulique de S.M. le roi
de Bavière," and the message that the Baron came by order of the King of
Bavaria, and was very anxious to see him.
King Ludwig II. of Bavaria had declared, while he was still crown
prince, that as soon as he became king he would show the world how
highly he held the genius of Wagner in honor. He kept his word. One of
his first acts was to despatch Baron von Pfistenmeister to search for
Wagner, and not to return without him. He was to tell him that the king
was his most ardent admirer; that he wanted him to come at once to
Munich, to live there in comfort, at the king's expense, to complete his
Nibelung operas, and produce them forthwith. Was it a wonder that when
the Baron had left, Wagner, who was thus suddenly raised from the depth
of despair (he had even meditated suicide) to the height of happiness,
fell on Weissheimer's neck, and wept for joy.
Surely the brain of a Dumas could not have conceived a more romantic
event than this sudden transformation of one who was a fugitive from
debtor's prison into the favorite of a young and enthusiastic king. At
last Wagner had an opportunity to bring forward his music-dramas.
"Tristan and Isolde" was sung at the Munich Opera on June 10, 1865, with
an excellent cast, and Hans von Bülow as conductor. "Die Meistersinger"
followed on June 21,1868. Both these works were received with enthusiasm
by the ever-growing band of Wagner-lovers. His plan of building a
special theatre in Munich for the performance of his Nibelung operas
could not be carried out, however, even with the king's aid; for his
great influence with the king (he was rumored to be even his political
and religious adviser, though this was not true), aroused so much
hostile feeling that Wagner finally decided to have his Nibelung
festival at the old secluded town of Bayreuth.
At the suggestion of the eminent pianist, Carl Taussig, Wagner societies
were formed in the cities of Europe and America to raise funds for this
festival and give Wagner a chance to establish a tradition by showing
the world how his operas should be performed. With the aid of these and
liberal contributions by his ever-devoted king, Wagner was able, after
many trials, tribulations, and postponements, to bring out, at last, his
great Tetralogy, on August 13, 14,16, and 17, of the year 1876. It was
beyond comparison the most interesting and important event in the whole
history of music. Wagner had personally visited the opera-houses
throughout the land and selected the best singers. The audience included
the Emperors of Germany and Brazil, King Ludwig, the Grand Dukes of
Weimar and Baden, eminent composers like Liszt, Grieg, Saint-Saëns, and
many other notable persons. The impression made by the great work was
the deeper because of the unusual circumstances: the theatre specially
constructed after Wagner's novel plan; the amphitheatric seats; the
concealed orchestra; the stereoscopic clearness and nearness of the
stage scenes, etc.
The necessity of charging very high rates ($225 for the four dramas)
naturally prevented the audiences from being large, and the result was
that Wagner had a deficit of $37,000 on his hands as the reward for his
genius and years of business worries. When, however, his last work, the
sublime, semi-religious "Parsifal," was produced in 1882, there was a
balance in his favor. He was then in his sixty-ninth year, and the
exertion of producing this final masterpiece was too great for him. To
recuperate, he went to Venice, where he died on Feb. 13, 1882. King
Ludwig sent a special train to convey his body to Bayreuth, where it was
buried in the garden behind his villa Wahnfried.
Since Wagner's death the Bayreuth festivals have been kept up with
ever-increasing success, under the guidance of his widow Cosima, the
daughter of Liszt (whom he married in 1870, four years after the death
of his first wife), and their son, Siegfried, who has in recent years
also won some success as an opera composer. The performances at Bayreuth
are no longer what they were during Wagner's lifetime,--models for all
the world; but they are still of unique interest. In truth, headquarters
like Bayreuth are no longer needed, for all the German cities now vie
with one another in their efforts to interpret the Wagner operas
according to the composer's intentions; and his influence on other
musicians, which began with the performance of "Lohengrin" under Liszt,
in 1850, is to-day greater than ever,--more powerful, perhaps, than that
ever exerted by any other master.
But while an eminent German critic wrote not long ago that "the
music-drama of Wagner constitutes modern opera," it would be a huge
mistake to make Wagnerism synonymous with modern music in general. Apart
from the opera, there are several other very powerful currents, and
while most of them can be traced to the first half of the nineteenth
century, they are none the less modern. Their principal sources are
Beethoven, Schubert, and Chopin, to whom we must add, in the second half
of the century, Liszt.
The symphonies of Haydn and Mozart are like toy-houses compared with the
massive architecture of Beethoven's. He not only elaborated the forms,
but varied the rhythms, broadened the melody, and deepened the
expression of orchestral music. In his works, too, are to be found the
germs of romanticism, which others, notably Mendelssohn and Schumann,
developed so fascinatingly in their best works. Most of Mendelssohn's
compositions have had their day; but Schumann is still a force in modern
music and will long remain so.
Brahms, the musical Browning, is, musically speaking, a son of Schumann
and a grandson of Beethoven. While even Brahms did not escape the
influence of Wagner, nor that of the romanticists Schubert and Chopin,
still, in his essence, he represents reaction against modern romanticism
and an atavistic return to the spirit of Beethoven. He has been, for
decades, the idol of Wagner's enemies; yet, in truth, there was no
occasion for opposing these two men, since they worked in entirely
different fields. Brahms wrote no operas, while Wagner wrote little but
operas. The real antagonist of Brahms is Liszt, who also worked only for
the concert hall and who represents poetic or pictorial music (programme
music), while Brahms stands for absolute music, or music _per se_,
without any poetic affiliations.
While Schubert in his youth also came under the influence of his great
contemporary, Beethoven, he soon emancipated himself completely from
him, even in the symphony, in which, as Schumann pointed out, he opened
up "an entirely new world" of melody, color, and emotion. His
orchestration is more varied, euphonious, and enchanting than
Beethoven's, and in this direction he did for the symphony what Weber
did for the opera. By using the brass instruments pianissimo, for color
instead of for loudness, he opened a path in which later masters,
including Wagner, eagerly followed him. Schubert was also the first
composer who revealed the exquisite beauty and the great emotional power
of the freest modulation from key to key. His poetic impromptus for
piano became the model for Mendelssohn's "Songs without Words," and the
multitudinous forms of modern short pieces, while his melodious, dainty,
graceful valses were the forerunners of the exquisite dance-music which
subsequently made Vienna famous, and which reached its climax in Johann
Strauss the younger, universally known as "the waltz king."
In all these respects, Schubert was epoch-making; and if the beautiful
details he suggested to his successors up to the present day could be
taken out of their works there would be some surprising blanks.
Especially also is this true in the realm of lyric song, for, as
everybody knows, he practically created the art song as we know and love
it. The greatest of his immediate successors, Schumann and Franz,
cheerfully admitted that they could never have written such songs as
they gave the world but for Schubert, and the same confession might be
made by the latest of the great songwriters, Grieg, Richard Strauss, and
our American MacDowell. Schubert's best songs have never been equalled.
They belong in the realm of modern music quite as much as Wagner's
music-dramas and Liszt's symphonic poems.
Chopin is another composer who, although he died in 1849 (Schubert died
in 1828), is as modern as the masters just named. He was as boldly
original as Schubert, and as great a magician in the art of arousing
deep emotion by means of novel, unexpected modulations. As an originator
of new harmonic progressions he has had only three equals,--Bach,
Schubert, and Wagner. Harmonies as ultra-modern as those of Wagner's
"Parsifal" may be found in some of the mazurkas of Chopin. He was, as
Rubinstein called him, "the soul of the pianoforte." No one before or
after him knew how to make that instrument speak so eloquently. By
ingeniously scattering the notes of a chord over the keyboard while
holding down the pedal, he practically gave the player three or four
hands, and greatly enlarged the harmonic and coloristic possibilities of
the pianoforte. Liszt, Rubinstein, Paderewski, and others have gone
farther still in the same direction, but he showed the way, and most of
his pieces are as delightful and as modern now as they were on the day
when they were written. He wrote a few sonatas, but the majority of his
works are short pieces such as are characteristic of the modern
romantic school.
Before Chopin modernized pianoforte music the world's greatest composers
had been Italians, Germans, and Frenchmen. Chopin's father was a
Frenchman, but his mother was a native of Poland, and he was born in
that country. While his music has the French qualities of elegance and
clearness (which every one admires in the works of Gounod, Bizet,
Massenet, and other Parisian masters), in its essence it is Polish--a
fact of special significance, for from this time on other nations than
the three mentioned--especially the Slavic and Scandinavian--begin to
play a prominent role in music. In this brief sketch only the greatest
names can be considered,--such names as Rubinstein, Tschaikowsky,
Dvorák, Grieg.
Rubinstein was not only one of the greatest pianists, but one of the
most spontaneous and fertile melodists of all times. His frequently
careless workmanship and his foolish, savage hostility to the dominant
Wagner movement prevented him from enjoying the fruits of his rare
genius. He felt that, had it not been for the all-absorbing Wagner, he
himself might have been as popular as Mendelssohn. Although a Russian,
there is little local color in his music, for the enchanting exotic
melodic intervals in his "Persian" songs are Oriental in general, rather
than Russian in particular. Similar exotic intervals may be found in the
"Aïda" of Verdi, a pure Italian. Rubinstein, like Mendelssohn and
Meyerbeer, was a Hebrew. His day will yet come, for his Dramatic and
Ocean symphonies are among the grandest orchestral works in existence.
His countryman, Tschaikowsky, also was neglected during his lifetime;
but since his death he has become, especially in London, almost as
popular as Wagner; and deservedly so, for he was a genius of the
highest type, less in his songs and pianoforte works than in his
symphonies and symphonic poems, which include some of the most inspired
pages in modern music. In some of his compositions there is a barbaric
splendor which proclaims the Russian and delights those who like exotic
novelty in music. Like all the Russians, Tschaikowsky was strongly
influenced by Liszt; indeed, it may be said that in Russia Liszt was
more potent in shaping the course of modern music than even Wagner.
Another Slavic composer, the Bohemian Dvorák, is of special interest to
Americans not only because he is one of the greatest of modern
orchestral writers (a colorist of rare charm), but because he presided
for several years over Mrs. Thurber's National Conservatory of Music in
New York, and there wrote that truly melodious and deeply emotional
work, "From the New World," which has become almost as popular as
Tschaikowsky's "Pathétique." His Bohemian rhythms have a unique charm.
Among the Scandinavian composers the greatest, by far, is Grieg, one of
the most original melodists and harmonists of all times. His songs, in
particular, are destined to immortality; they are among the very best
written since Schubert. Of his pianoforte and chamber music, too, it can
be said that everything is new, free from commonplace, and ultra-modern.
He has written mostly short pieces, and for that reason has had to wait
(like Chopin in his day) a long time for full recognition of his genius,
the critics not having yet got over the foolish habit of measuring
art-works with a yardstick. Like Chopin, moreover, Grieg has had the
ill-fortune of having his most original and individual traits accredited
to his nation and described as "national peculiarities." His music does
contain such peculiarities; but it is necessary to distinguish between
what is Norwegian and what is Griegian. Grieg's little pieces and songs
are big with genius.
The Hungarian Liszt is another immortal master who, beside the fruits of
his individual genius, contributed to the current of modern music some
of those exotic national traits which distinguish it from that of
earlier epochs when it was almost exclusively Italian, French, and
German. His fifteen Hungarian rhapsodies constitute, however, only a
small part of the invaluable legacy he has left the world. He was the
most many-sided of all musicians,--the greatest of all pianists, and one
of the best composers of oratorios, songs, orchestral, and pianoforte
works,--everything, in short, except operas and chamber music. He was
also the greatest of teachers and (with the exception of Wagner) the
greatest of conductors; as such, he carried out both his own and
Wagner's new and revolutionary principles of interpretation, which have
gradually made the orchestral conductor a personage of even greater
importance, in concert hall and opera-house, than the prima donna,
travelling, like her, from city to city, to delight lovers of music.
One might have expected that the prince of pianists, being at the same
time a composer, would do for the pianoforte what Bach had done for
choral and organ music, Beethoven for the symphony, Schubert for the art
song, and Wagner for the opera. But he could not, for Chopin had
anticipated him. In only one direction was it possible to go beyond
Chopin,--in that of making the piano capable of reproducing orchestral
effects. This, Liszt achieved in his own works and his transcriptions.
But, after all, the grandest pianoforte, while delightful as such, is
but a poor substitute for an orchestra. Hence it was natural that Liszt
should give up the pianoforte as his specialty and devote himself
particularly to the orchestra.
In this domain he was destined to achieve reforms similar to those of
Wagner in the opera. The "classical" symphony, like the old-fashioned
opera, consists of detached numbers, or movements, that have no organic
connection with one another. For the detached numbers of the opera
Wagner substituted his "continuous melody;" and he provided an organic
connection of all the parts by means of the "leading motives" or
characteristic melodies and chords which recur whenever the situation
calls for them. In the same spirit Liszt transformed the symphony into
the symphonic poem, which is continuous and has a leading motive uniting
all its parts.
There is another aspect to the symphonic poem, in which Liszt deviated
from Wagner. In Wagner's operas there is plenty of descriptive or
pictorial music, but no program music, properly speaking; for even in
such things as the Ride of the Valkyries, or the Magic Fire Scene, the
music does not depend on a programme, but is explained by the scenery.
In programme music, on the other hand, the scene or the poetic idea is
simply explained in the programme, or else merely hinted at in the title
of the piece. Crude attempts in this direction were made centuries ago,
but programme music as an important branch of music is a modern
phenomenon. Beethoven encouraged it by his "Pastoral Symphony," and the
French Berlioz did some very remarkable things in this line in his
dramatic symphonies; but it remained for Liszt to hit the nail on the
head in his symphonic poems. The French Saint-Saëns followed him, rather
than his countryman Berlioz; so did Tschaikowsky, Dvorák, and most
modern composers, up to Richard Strauss, whose symphonic poems are the
most widely discussed, praised, and abused compositions of our time.
To the great names contained in the preceding paragraphs another must
be added,--that of an Italian. By an odd coincidence, Verdi was born in
the same year as Wagner, 1813. But what is far more remarkable is that
at the close of their careers, so different otherwise, these two great
composers met again--in their music, Verdi as a Wagnerian convert. Up to
his fifty-eighth year Verdi had written two dozen operas, all made up of
strings of arias in the old-fashioned way,--superb arias, many of them,
especially in "Il Trovatore" and "Aïda," but still arias. Then he rested
from his labors sixteen years; and when he appeared on the stage again,
with his "Otello" and "Falstaff," he had adopted Wagner's maxims that
arias are out of place in a music-drama; that "the play's the thing,"
and that the music should follow the text word for word.
Surely, this was the most remarkable of Wagner's triumphs and conquests.
He who had been denounced for decades as being unable to write properly
for the voice was actually taken up as a model by the greatest composer
of Italy, the land of song. Moreover, all the young composers of Italy
have turned their backs on the traditions of Italian opera. The chief
ambition of Mascagni, Leoncavallo, Puccini, and all the others has been
to be called "the Italian Wagner;" and their operas are much more like
Wagner's than like Rossini's and Donizetti's, being free from arias and
the vocal embroideries that formerly were the essence of Italian opera.
The same is true of the operas written in recent decades in France,
Germany, and other countries. Massenet, Saint-Saëns, Humperdinck,
Goldmark, Richard Strauss, Paderewski, and all the others have followed
in Wagner's footsteps.
Such, briefly told, is the story of Richard Wagner and Modern Music. The
"music of the future" has become the music of the present. What the
future will bring no one can tell. Croakers say, as they have always
said, that the race of giants has died out. But who knew, fifty years
ago, that Wagner and Liszt, or even their predecessors, Chopin and
Schumann, and the song specialist, Robert Franz, were giants? We know it
now, and future generations will know whether we have giants among us.
Things of beauty that will be a joy forever have been created by men of
genius now living in Europe; such men as the Norwegian Grieg, the
Bohemian Dvorák, the French Saint-Saëns and Massenet, the Hungarian
Goldmark, the German Humperdinck and Richard Strauss, the Polish
Paderewski. England has more good composers and listeners than it ever
had before; and the same is true of America. We have no school of opera
yet, but the best operettas of Victor Herbert and De Koven deserve
mention by the side of those of the French. Offenbach, Lecocq, and
Audran, the Viennese Strauss, Suppé, and Milloecker, the English
Sullivan. The orchestral compositions of our John K. Paine are
masterworks, and the songs and pianoforte pieces of MacDowell are equal
to anything produced in Europe since Chopin and Franz. We have several
other men of great promise, and altogether the outlook for America, as
well as for Europe, is bright.
AUTHORITIES.
The books, pamphlets, and newspaper articles on Wagner would fill a
library. He has been more written about than any writers except
Shakspere, Goethe, and Dante. He was also fond of writing about himself.
His autobiography (extending only to 1865) has not yet been given to the
public; but there are many autobiographic pages in the ten volumes of
his literary works, which have been Englished by Ellis. Of great value
are Wagner's letters to Liszt and to other friends. These were utilized
for the first time in "Wagner and His Works," the most elaborate
biography in the English language, by the author of the foregoing
article. Shorter American and English books on Wagner have been written
by Kobbé, Krehbiel, Henderson, Hueffer, Newman, &c. Of French writers
Lavignac, Jullien, Mendès, Servières, Schuré, may be mentioned. Of great
value are Kufferath's monographs on the Wagner operas and Liszt's
analyses. In Germany the standard work of reference is the third edition
of Glasenopp, in six volumes, four of which are now (1902) in print.
Other German writers are Porges, Wolzogen, Pohl, Nohl, Tappert,
Chamberlain, &c. The best histories of Modern Music in general are
Langhaus's larger work and Riemann's "Geschichte der Musik seit
Beethoven." The best general work for reference is "Great Composers and
Their Works," edited by Professor Paine of Harvard. References to about
10,000 articles on Wagner may be found in Oesterlein's "Katalog Einer
Richard Wagner Bibliothek," 3 vols.
JOHN RUSKIN.
1819-1900.
MODERN ART.
BY G. MERCER ADAM.
What John Ruskin has done in a prosaic, commercial, and Philistine age,
in teaching the world to love and study the Beautiful, in opening to it
the hidden mysteries and delights of art, and in inciting the passion
for taking pleasure in and even possessing embodiments of it, that age
owes to the great prose-poet and enthusiastic author of "Modern
Painters." Neither before nor since his day has literature known such a
passionate and luminous exponent of Nature's beauties, such an
inculcator in men's minds of the art of observing her ways and methods,
or one who has given the world such deep insight into what constitutes
the true and the beautiful in art. For these things, and for opening new
worlds of instruction and delight to his age in the realm of art,
heightened by the charm of his marvellous prose, we can readily pardon
Ruskin for his weaknesses and perverseness,--for his dogmatisms, his
fervors, and ecstasies, his exaggerations of praise and blame, and even
for the missionary propagation of his often unsound economic gospel,
valuable though it may be in illustrating and enforcing morality in its
aesthetic aspect. Despite his enemies, and all that the critics have
said contradicting his theories, Ruskin was a surprise and a revelation
to his time. In not a little of all that he said and did, it is true, we
cannot concur; nor can we fail to see the errors he fell into through
his want of reserve and his headlong haste to say and do the things he
said and did; nevertheless, he was a great and inspiring teacher in
things that appeal to our sense of the beautiful, and earnest in his
zeal to raise men's intellectual and moral standard of life. Like most
enthusiasts and geniuses, he had, now and then, his hours of reaction,
waywardness, and gloom; but there was much that was noble and ennobling
in the man, as well as rich and fructifying in his thought. Even in his
social and moral exhortations, tinctured as they are with medievalism,
and however much we may here again disagree with him, he had much that
was uplifting and inspiring to say to his time,--a time that had great
need of his apostolic counsellings and his fervent inculcations of
morality, industry, religion, and humanity.
Throughout Mr. Ruskin's works--and they are amazingly manifold--a strong
and intense purpose runs, given to the highest and noblest ends; and
though their author at times wearies his reader by his diffuseness and
his digressions, and to some is almost fanatical in his reverence for
art, he is ever imaginative and eloquent, and has created for us a new,
instructive, and uniquely fresh and thoughtful body of art-literature.
The truth of infinite value he teaches is "realism,"--the doctrine that
all truth and beauty are to be attained by a reverent and faithful study
of nature, and not, as a reviewer expresses it, "by substituting vague
forms, bred by imagination on the mists of feeling, in place of
definite, substantial reality. The thorough acceptance of this doctrine
would remould our life; and he who teaches its application, even to any
single department of human activity, and with such power as Mr.
Ruskin's, is a prophet for his generation." In all his various labors
and aims, Mr. Ruskin set before himself a high, if somewhat quixotic,
ideal of life, and with great earnestness did much, not only for the
elevation of his fellow-men, but for the development of sound artistic
taste and the enriching and spiritualizing of life by seeking to
surround it at all times with the true and the beautiful, and with the
old-time virtues of purity, manliness, and courage.
Among the "Beacon Lights" of the age there can be no question that
Ruskin is worthy of an exalted place, since few men of our modern time,
rich as it is in eminent thinkers and writers, has done more than he to
illumine the many subjects with which he has so fascinatingly
dealt,--and that not only in art and its cult of the Beautiful, but in
ethics, education, and political economy. The energies, activities, and
impulses he constantly put forth, as well as the high principles that
ever guided him in his earnest endeavor to improve the intellectual and
moral condition of his kind, mark his era as a great artistic epoch in
the onward and upward progress of the race. By stimulus, suggestion, and
inspiration he has powerfully influenced his time, though manifestly not
a little of the seed he abundantly and hopefully scattered has fallen
upon barren ground. Nevertheless, where the seed has fallen and
germinated, the yield has been large: "his spirit has passed far wider
than he ever knew or conceived; and his words, flung to the winds, have
borne fruit a hundredfold in lands that he never thought of or designed
to reach." With what pride and gratitude should not the age regard him
and his memory,--one who has quickened the sensibilities of men in
looking upon nature; opened our dull eyes to its manifold beauties; made
plain to the average intelligence what Art is and stands for; implanted
in our souls worship of the beautiful; shown working-men how to use their
tools in the highest interests of their craft, and taught maidens what
and how to read as well as how and in what spirit to sew and cook. The
world too often acknowledges its true teachers and prophets only when it
begins to build them some belated tomb. "This, at any rate," gratefully
exclaims Frederic Harrison,[1] "we will not suffer to be done to
John Ruskin."
[Footnote 1: Written by Mr. F.H. on Professor Ruskin's eightieth
birthday (February 8, 1899).]
"We may all of us recall to-day with love and gratitude the enormous
mass of stirring thoughts and melodious speech about a thousand things,
divine and human, beautiful and good, which for a whole half-century the
author of 'Modern Painters' has given to the world. They cover every
phase of nature, every type of art, of history, society, economics,
religion; the past and the future; all rules of human duty, whether
personal or social, domestic or national.... He spake to us of trees,
from the cedar of Lebanon unto the hyssop on the wall; he spake also of
beasts, and of fowl, and of creeping things, and of fishes. He has put
new beauty for us into the sky and the clouds and the rainbow, into the
seas at rest or in storm, into the mountains and into the lakes, into
the flowers and the grass, into crystals and gems, into the mightiest
ruins of past ages, and into the humblest rose upon a cottage wall. He
has done for the Alps and the cathedrals of Italy and France, for Venice
and Florence, what Byron did for Greece. We look upon them all now with
new and more searching eyes. Whole schools of art, entire ages of old
workmanship, the very soul of the Middle Age, have been revealed with a
new inspiration and transfigured in a more mysterious light. Poetry,
Greek sculpture, mediaeval worship, commercial morality, the training of
the young, the nobility of industry, the purity of the home,--a thousand
things that make up the joy and soundness of human life have been
irradiated by the flashing searchlight of one ardent soul: irradiated,
let us say, as this dazzling ray shot round the horizon, glancing from
heaven to earth, and touching the gloom with fire. We need not, even
to-day, be tempted from truth, or pretend that the light is permanent or
complete. It has long ceased to flash round the welkin, and its very
scintillations have disturbed our true vision. But we remember still its
dazzling power and its revelation of things that our eyes had not seen.
"What we especially love to dwell on to-day is this: that in all this
unrivalled volume of printed thoughts, in this encyclopaedic range of
topic by this most voluminous and most versatile of modern writers [may
we not say of all English writers?] there is not one line that is base,
or coarse, or frivolous; not a sentence that was framed in envy, malice,
wantonness, or cruelty; not one piece that was written to win money, or
popularity, or promotion; not a line composed for any selfish end or in
any trivial mood. Think what we may of this enormous library of print,
we know that every word of it was put forth of set purpose without any
hidden aim, utterly without fear, and wholly without guile; to make the
world a little better, to guide, inspire, and teach men, come what
might, scoff as they would, turn from him as they chose, though they
left him alone, a broken old man crying in the wilderness, with none to
hear or to care. They might think it all utterly vain; we may think much
of it was in vain: but it was always the very heart's blood of a rare
genius and a noble soul."
Before entering, somewhat in detail, into Ruskin's vast and varied
labors, let us briefly outline the scope and character of the work which
gave the art critic and prophet of his time his chief fame. The
personal incidents in his life need not detain us at the outset, as they
are not specially eventful, and may be more fully gathered from the
excellent "Life" of Ruskin, by his friend and some-time secretary, W.G.
Collingwood, or from the delightfully interesting reminiscences by the
master himself in his autobiographic "Praeterita," published near the
close of his long, arduous, and fruitful career. John Ruskin was born in
London on the 8th of February, 1819. He was of Scotch ancestry, his
father being a prosperous wine merchant in London, who acquired
considerable wealth in trade, which the son in time inherited, and nobly
used in his many private benevolences and philanthropic enterprises. The
comfortable circumstances in which he was born, coupled with his
father's own love of pictures and books, were helpful in giving
encouragement and direction to the young student's studies and tastes.
His mother, a deeply religious woman, was, moreover, influential in
implanting the serious element in Ruskin's character and life, and in
familiarizing him with the Bible, whose noble English, in King James'
version, manifestly entered early into the youth's ardent, prophetic
soul, and, as a writer, had much to do in forming his magnificent prose
style. Ruskin was in early years--indeed, far on in his manhood--in
delicate health, and consequently he was educated privately till he
passed to Christ Church College, Oxford, where, at the age of twenty, he
won the Newdigate prize for verse, and graduated in 1842. His taste for
art was manifested at an early age, and after passing from the
university he studied painting under J.D. Harding and Copley Fielding;
but his masters, as he tells us in "Praeterita," were Rubens and
Rembrandt.
At the outset of his career Ruskin, as is well known, was led to take up
a defence of J.M.W. Turner (1775-1851) and the contemporary school of
English landscape-painting against the foreign trammels, which had
fastened themselves upon modern art, and especially to prove the
superiority of modern landscape-painters over the old masters. This
revolutionary opinion, though at first it was hotly contested,
established the new critic's position as a writer on art, and the
defence, or exposition rather, grew into the famous work called "Modern
Painters" (5 vols., 1843-60). This elaborate work deals with general
aesthetic principles, and, notwithstanding its occasional extravagances,
alike of praise and censure, its charm is irresistible, presenting us
with its brilliant and original author's ideas of beauty, to which he
freshly and powerfully awakened the world, while enshrining throughout
the work the most enchanting word-poems on mountain, leaf, cloud, and
sea, which, it is not too much to say, will live forever in English
literature. In the second volume Mr. Ruskin takes up the Italian
painters, and discusses at length the merits of their respective
schools; in the others, as well as in the work as a whole, we have a
body of principles which should govern high art-work, as well as new
ideas as to what should constitute the equipment of the painter, and
that not only as regards the technique of his art, but in the effect to
be produced on the onlooker in viewing the skilled work of one who,
above all accomplishments, should be lovingly and intimately in contact
with nature.
From the study of painting Mr. Ruskin passed for a time to that of
architecture. In this department we have from his pen "The Seven Lamps
of Architecture" (1849) and "The Stones of Venice" (1851-53). In these
two complementary works their author sets forth as in an impressive
sermon the new and admonitory lesson that architecture is the exponent
of the national characteristics of a people,--the higher and nobler sort
exemplifying the religious life and moral virtue in a nation, the
debased variety, on the other hand, expressing the ignoble qualities of
national vice and shame. The text of "The Stones" is Venice, and the
design of the volumes, in the author's words, is to show that the Gothic
architecture of Venice "had arisen out of, and indicated, a state of
pure domestic faith and national virtue;" while its renaissance
architecture "had arisen out of and indicated a state of concealed
national infidelity and domestic corruption." The earlier work, "The
Seven Lamps,"--the Lamp of Sacrifice, of Truth, Power, Beauty, Life,
Memory, Obedience,--looks upon architecture "as the revealing medium or
lamp through which flame a people's passions,--the embodiment of their
polity, life, history, and religious faith in temple and palace, mart
and home." Akin to these two eloquent works, in which their author
thoughtfully sets forth the civic virtues and moral tone, as well as the
debased characteristics, by which architecture is produced at certain
eras in a people's life, is the earlier volume on "The Poetry of
Architecture" (1837), which discusses the relation between architecture
and its setting of landscape or other environment, illustrated by
examples drawn from regions he had visited,--the English Lakeland,
France, Switzerland, Spain, and northern Italy.
After these works followed lectures on drawing, perspective, decoration,
and manufacture, with later theories (crotchets, some have impiously
called them) on political economy, Pre-Raphaelitism, _et cetera_, with a
flood of opinions on social, ethical, and art subjects, enriched by rare
intellectual gifts and much religious fervor. Ruskin's whole writings
form a body of literature unique of its kind, pervaded with great charm
of literary style, and inspired by a high moral purpose. Ruskin's
excursions into non-aesthetic fields, and the strange jumble of
Christian communism to which, late in life, he gave vehement expression,
it must be honestly admitted, have detracted much from his early fame.
In everything he wrote the Ruskinian spirit comes strongly out, colored
with an amiable egotism and enforced by great assurance of conviction.
The moral purpose he had in view, and the charm and elevated tone of his
writings, lead us to forget the wholly ideal state of society he sought
to introduce, while we are won to the man by the passion of his noble
enthusiasms.
Like Carlyle and Emerson, Ruskin was by his parents intended for the
ministry; but for the ministry he had himself no inclination. The
broadening out early of his mind and the freeing of his thought on
doctrinal subjects, which took him far from the narrow evangelicalism of
his youth, made the ministry of the church repugnant to him, though he
was always a deeply religious man and a force ever making for
righteousness. At the same time, he numbered many divines among his most
cherished friends, and he frequently, and with admitted edification, was
to be found in chapel and church. Meanwhile he continued busily to
educate himself for whatever profession he might choose or drift into,
supplemented by such fitful periods of schooling as his delicate health
permitted, as well as by many jaunts with his parents to the English
lakes and other parts of the kingdom, and by frequent tours on the
Continent, especially in Italy and Switzerland. Before he arrived at his
teens, young Ruskin had composed much, both in prose and verse, and he
early manifested an aptitude for drawing, as well as a decided taste for
art, which, it is said, was in some measure incited by the gift, from a
partner of his father, of a copy of the poet Rogers' "Italy," with
engravings by Turner. Nor, early in manhood, did he escape a youth's
fond dream of love, for as a worshipper of beauty, and an enthusiast of
the "Wizard of the North," we find him drawn tenderly to a daughter of
Lockhart, editor of the "Quarterly Review," a grandchild of his famous
countryman, Sir Walter Scott. The affair, however, though encouraged by
his parents, who longed to see their son settled in life, came to
nought, chiefly owing to the young lover's weak physical frame and
uncertain health. Later on, unhappily, he was caught in the toils of
another Scottish lass, for whom, it is related, he had written "The King
of the Golden River" (1841), and whose rare beauty had readily attracted
him. With her, in 1848, he made an ill-assorted marriage, only to find,
some years afterwards, his heart riven and a bitter ingredient dropped
into his life's chalice by a fatal defection on the wife's part, she
having become enamoured of the then rising young painter, Millais, whom
Ruskin had trustingly invited to his house to paint her portrait. The
sequel of the affair is a pitiful one, which Ruskin ever afterward hid
deep in his heart, though at the time, finding that the woman was unable
to live at the intellectual and spiritual altitude of her loyal husband,
the latter, with a magnanimity beyond parallel, pardoned both Millais
and the erring one, consented to a divorce, and actually stood by her at
the altar as the faithless one took upon herself new vows unto a new
husband. The estrangement and loss of a wife gave Ruskin afresh to
Art,--his true and fondly cherished bride.
At this period, as we know, English painting was at a low ebb, mediocre
and conventional, though with a show of artificial brilliance. Ruskin,
with his scorn of the artificial and scholastic, threw himself into the
work of overturning the established, complacent school of the time, and
with splendid enthusiasm and an unfailing belief in himself and his
ideas he undertook to reform what had been, and to raise current
conceptions of art to a more exalted and lofty plane. We have seen what
he had already achieved in his first dashing period of literary
activity, in the production of the early volumes of "Modern Painters,"
and in his "Seven Lamps" and "Stones of Venice." While he was at work on
the concluding volumes of the first and last of these great books there
arose in England the somewhat fantastic movement in art, launched by the
Pre-Raphaelite Brotherhood, which included such Ruskinites and other
devotees of early Christian and mediaeval painting as Rossetti, Millais,
Morris, Burne-Jones, and Holman Hunt. Towards this new school of
symbolists and affectationists Ruskin was not at first drawn, since it
seemed to him unduly idealistic, if not mystic, and smacked not a
little, as he thought, of popery. Later, however, he saw good in it, as
a breaking away from academic trammels; while he recognized the earnest
enthusiasm of the little band of artists and artist-poets, as well as
their technical dexterity and brilliance. With ready decision as well as
with his accustomed zeal for art, Ruskin ended by defending and
applauding the new innovators, particularly as their chief motive was
the one the master had always strenuously pled for,--adherence to the
simplicity of nature. Their scrupulous attention to detail,
characteristic of the Pre-Raphaelites, later on bore good results, even
after the Brotherhood fell apart, especially in William Morris's
application of their art-principles to household decoration and
furnishings. But for the time the movement was loudly mocked and
decried, and perhaps all the more because of Ruskin's espousal of the
fervid band, his letters of defence in the London "Times," and his
discussion in his booklet on "Pre-Raphaelitism." Heedless of the outcry,
Ruskin pursued his own self-confident course, and by the year 1860 he
had completed his "Modern Painters," and, in spite of objurgation and
detraction, had won a great name for himself as a critic and expounder,
while expanding himself over almost the whole world of art.
We have said that Pre-Raphaelitism, as a movement in art, was
contemporaneously jeered at; while to-day, among superficial or
inappreciative students of the period, seriously to mention it or any of
its cultured brotherhood is to provoke a smile. Nevertheless, there was
not a little high merit in the movement, which Ruskin was keen-eyed and
friendly enough to recognize, while much that is worthy afterwards came
out of it in the later work of the more notable of its members as well
as in that of their unenrolled associates and the admirers of the
Pre-Raphaelite method. What the movement owed to Ruskin is now frankly
conceded, in the lesson the brotherhood took to heart from his
counsellings,--to divest art of conventionality, and to work with
scrupulous fidelity and sincerity of purpose. Nor was contemporary art
alone the gainer by the movement; it also had its influence on poetry,
though this has been obscured--so far as any beneficial influence can be
traced at all--by the tendency manifested in some of the more amorous
poetic swains of the period, who professed to derive their inspiration
from the Brotherhood, to identify themselves with what has been styled
the "Fleshly School" of verse. Of the latter number, Swinburne, in his
early "Poems and Ballads," was perhaps the greatest sinner, though
atoned for in part by the lyrical art and ardor of his verse, and much
more by the higher qualities and scholarly characteristics of his later
dramatic Work. Nor is Dante Rossetti himself, in some of his poems, free
from the same taint, despite the fact of his interesting individuality
as the chief inspirer and laborer among the Brotherhood. Yet the
movement owed much to both his brush and his pen of other and nobler,
because reverential, work, as those will admit who know "The Blessed
Damozel," "Sister Helen," and his fine collection of sonnets, "The House
of Life," as well as his famous paintings, "The Girlhood of Mary
Virgin," and his Annunciation picture, "Ecce Ancilla Domini." Of the
product of other Pre-Raphaelites of note,--such as Ford Madox Brown,
Millais, Morris, Woolner the sculptor, Coventry Patmore, and Holman
Hunt,--much that is commendable as well as finely imaginative came from
their hands, and justified Ruskin in his gallant advocacy of the
movement, its founders, and their work.
By this time, of which we have been writing, Ruskin had reached the
early meridian of his powers, and, as we have hinted, had wrested from
the unwilling many a juster recognition of his amazing industry and
genius. To his fond and indulgent parents this was a great source of
pride and satisfaction, and the practical evidence of it was the throng
of visitors to the family seats of Herne Hill and Denmark Hill, in the
then London suburbs, where Ruskin long had his home, and by the
attentions and honor paid to their son by universities, academies, and
public bodies, as well as by many eminent personages and the
intellectual _élite_ of the nation. Among those with whom the young
celebrity was then ultimate and reckoned among his admiring
correspondents were, besides Turner (who died in 1851) and the chief
artists of the time, the Carlyles and the Brownings, Mary Russell
Mitford, Charlotte Bronté, Harriet Beecher Stowe, Monckton Milnes (Lord
Houghton), Charles Eliot Norton, Lady Trevelyan (Macaulay's sister),
Whewell, Maurice, Kingsley, Dr. John Brown (author of "Rab and his
Friends"), Tennyson, and Dean Milman. To these might be added many
notable foreigners whom he either met with in his continental travels or
who were attracted to him by a lively interest in his writings. In his
home, thanks to a wealthy and indulgent father, he was surrounded with
every comfort, short of luxury, if we except under the latter the large
sums expended on the purchase of "Turners" and many famous foreign
pictures, and a vast and increasing collection of favorite books and
other treasures and curios.
Of the author's home-life we get many delightful reminiscences in
"Praeterita," with entertaining talks of his childhood days, his
youthful companions, his toys and animate pets, his early playful
adventures in authorship, and other garrulities with which, late in life
when the work, as it remains, was incompletely put together, he beguiled
the weariness and feebleness of old age. But we are anticipating, for we
are writing of Ruskin when his hand was yet on the plough, and the
plough was still in the furrow, and half a long life's arduous work was
yet before him. At this era, no brain could well have been more active
or fuller of philanthropies than his, for we approach the second period
of his life's grand activities,--the era of a new departure in the
interests that occupied him and the herculean tasks he set himself
to do.
Before recording some of the achievements of this time and glancing at
the inciting causes of the transition which marks the era we have now
reached, let us note the demands made upon Mr. Ruskin's thought and
labor by universities and public institutions, whose audiences desired
to have him appear before them in person and address them upon topics in
which he and they were interested. These appearances on the lecture
platform were now numerous, since many throughout the kingdom were eager
to see and know the man whose art criticisms, principles that govern the
beautiful, and stimulating thought on all subjects, had made so deep an
impression on the reflecting minds of the age. His earliest appearance
on the rostrum was at Edinburgh, where he delivered four lectures
before the Philosophical Institution, chiefly on landscape-painters and
on Christian art, with a plea for the use of Gothic in domestic
architecture. Subsequent appearances were at Manchester, where he spoke
on the Political Economy of Art and the relation of art to manufactures;
at the South Kensington Museum, London, which had just been opened; and
later at Oxford, where further on in his career he became Slade
Professor of Art in his own University. From the accounts of these
public lectures we get opinions as to the personal appearance of Ruskin
at the period which add to our knowledge of him from paintings,
drawings, and photographs, though not a few of these accounts vary from
those given us in books, chiefly sketched by his lady friends and
correspondents. The more trusty of the contemporary pictures speak of
him as having "light, sand-colored hair; his face more red than pale;
the mouth well cut, with a good deal of decision in its curve, though
somewhat wanting in sustained dignity and strength; an aquiline nose;
his forehead by no means broad or massive, but the brows full and well
bound together; the eye [says the observer from whom we are quoting] we
could not see, in consequence of the shadows that fell upon his
[Ruskin's] countenance from the lights overhead, but we are sure that
the poetry and passion we looked for almost in vain in other features
must be concentrated here." Miss Mitford speaks of him at this time as
"eloquent and distinguished-looking, fair and slender, with a gentle
playfulness, and a sort of pretty waywardness that was quite charming."
Another, a visitor at his London home, characterizes him as "emotional
and nervous, with a soft, genial eye, a mouth thin and severe, and a
voice that, though rich and sweet, yet had a tendency to sink into a
plaintive and hopeless tone." Later on in years we have this verbal
portrait from a disciple of the great art-teacher, occurring in an
inaugural address delivered before the Ruskin Society of Glasgow: "That
spare, stooping figure, the rough-hewn, kindly face, with its mobile,
sensitive mouth, and clear deep eyes, so sweet and honest in repose, so
keen and earnest and eloquent in debate!"
When the fifth and last volume of "Modern Painters" was finally off his
hands, Mr. Ruskin not only engaged, as we have seen, in occasional
lecturing, but began (1861) to add a prolific series of
_brochures_--many of them with quaint but significant titles--to his
already stupendous mass of writing. Their subjects were not alone
aesthetics, but now treated of ethical, social, and political questions,
the prophetic declarations and earnest appeals of a man of wide and
varied culture, deep thought, and large experience. The attempted
alliance of political economy with art was a novel undertaking in that
sixth lustrum of the past century, even by a man of Mr. Ruskin's
eminence and fame in the world of letters. But Mr. Ruskin was a bold and
earnest man, as well as a genius; and he had too much to tell his
heedless, _laissez-faire_ age to keep silent on themes, remote as they
were from those he had hitherto taught, and of which he desired to
deliver his soul, whatever ridicule it might provoke and however adverse
the criticism levelled against him. His humanity and moral sense were
outraged by the manner in which the mass of his countrymen lived, and
trenchant was his castigation of this and eager as well as righteous his
desire to amend their condition and elevate and inspire their minds. As
an economist, it is true, there was not a little that was false as well
as eccentric in what he preached; moreover, much of his counsel was
directly socialistic in its trend, repugnant in large degree to his
English readers and hearers; but all this was atoned for by the honesty
and philanthropy of his motives, by his phenomenal fervor and eloquence,
and by the literary beauty and charm of every page he wrote.
Nevertheless, as in Carlyle--for in these depreciations the style of the
seer of Chelsea was deeply upon him--the note of calamity and the wail
of despair are too much in evidence in Ruskin's writings at this period,
while, like Carlyle also, he was equally precipitate and impulsive in
his attacks on things as they were. Yet in the economic condition just
then of England, and in the circumstances environing the labor world,
there was, possibly, justification for the rebukes and objurgations of
onlookers of the type of both of these men, and very humanitarian as
well as practically helpful were Ruskin's counsel and aid to labor and
to all who sought to raise and expand their outlook and better their
condition in life. Towards politics Ruskin was never drawn, but had he
been more prosaic and less given to anathematizing, most valuable would
have been his aid in legislation at this era of political and moral
reform. But if political science, or science in any other of its
branches or departments, did not come within his purview, great was the
revolution he wrought in the working-man's surroundings, and immense the
illumination he shed upon industry and on the spirit in which the
laborer should think and work.
Referring to Ruskin at this period of his career, and to his influence
as a social and moral exhorter, Frederic Harrison, from whom we have
already quoted, has an admirable passage on "Ruskin as Prophet," [2]
which, as it is presumably too little known, we take pleasure in
embodying in these pages.
[Footnote 2: "Tennyson, Ruskin, Mill, and other Literary Estimates," by
Frederic Harrison; London and New York: Macmillan & Co. 1900.]
"The influence of Ruskin," says Mr. Harrison, "has been part of the
great romantic, historical, catholic, and poetic revival of which
Scott, Carlyle, Coleridge, Freeman, Newman, and Tennyson in our own
country have been leading spirits within the last two generations in
England. There is no need to compare him with any one of these as a
source of original intellectual force. He owns Scott and Carlyle as his
masters, and he might vehemently repudiate certain of the others
altogether. His work has been to put this romantic, historical, and
genuine sympathy inspired by Scott, Wordsworth, and Carlyle into a new
understanding of the arts of form. The philosophic impulse assuredly was
not his own. It is a compound of Scott, Carlyle, Dante, and the Bible.
The compound is strange, for it makes him talk sometimes like a Puritan
father, and sometimes like a Cistercian monk. At times he talks as Flora
MacIvor talked to young Waverley; at other times like Thomas Carlyle
inditing a Latter-day Pamphlet. But to transfuse into this modern
generation of Englishmen this romantic, catholic, historical, and social
sympathy as applied to the arts of form, needed gifts that neither
Scott, nor Carlyle, nor Newman, nor Tennyson possessed--the eye, if not
the hand, of a consummate landscape painter, a torrent of ready
eloquence on every imaginable topic, a fierce and desperate courage that
feared neither man nor devil, neither failure nor ridicule, and above
all things an exquisite tenderness that is akin to St. Francis or St.
Vincent de Paul....
"Here is a man who, laboring for fifty years, has scattered broadcast a
thousand fine ideas to all who practise the arts, and all who care for
art. He has roused in the cultured world an interest in things of art
such as a legion of painters and ten royal academies could never have
done. He has poured out a torrent of words, some right, some wrong, but
such as have raised the level of art into a new world, which have
adorned English literature for centuries, and have inspired the English
race for generations; he has cast his bread upon the waste and muddy
waters with a lavish hand, and has not waited to find it again, though
it has been the seed of abundant harvest to others."
Again, speaking of what Ruskin sought to accomplish in the regeneration
of modern society, and the reformation of our social ideals, and of that
"heroic piece of Quixotism" he founded, "the Guild of St. George," Mr.
Harrison remarks:--
"The first life of John Ruskin was the life of a consummate teacher of
art and master of style; the second life was the life of priest and
evangelist.... Here is the greatest living master [the passage was
written while Mr. Ruskin was yet alive] of the English tongue, one of
the most splendid lights of our noble literature, one to whom a dozen
paths of ambition and power lay open, who had everything that could be
offered by genius, fame, wealth, social popularity, and intense
sensitiveness to all lovely things--and this man, after thirty years of
untiring labor, devotes himself to train, teach, delight, and inspire a
band of young men, girls, workmen, children,--all who choose to come
around him. He lavishes the whole of his fortune on them; he brings to
their door his treasures of art, science, literature, and poetry; he
founds and endows museums; he offers these costly and precious
collections to the people; he wears out his life in teaching them the
elements of art, the elements of manufacture, the elements of science;
he shows workmen how to work, girls how to draw, to sing, to play; he
gives up to them his wealth, his genius, his peace, his whole life. He
is not content with writing books in his study, with enjoying art at
home or abroad; he must carry his message into the streets. He gives
himself up--not to write beautiful thoughts: he seeks to build up a
beautiful world.... When I see this author of 'Modern Painters' and the
'Stones of Venice,' the man who has exhausted almost all that Europe
contains of the beautiful, who has thought and spoken of almost every
phase of human life, and has entered so deeply into the highest
mysteries of the greatest poets--when I see him surrounding himself in
his old age with lads and lasses, schoolgirls and workmen, teaching them
the elements of science and art, reading to them poems and tales,
arranging for them games and holidays, ornaments and dresses, lavishing
on these young people his genius and his wealth, his fame and his
future--I confess my memory goes back instinctively to a fresco I saw in
Italy years ago--was it Luini's?--wherein the Master sat in a crowd of
children and forbade them to be removed, saying that 'of such is the
kingdom of heaven.'"
With this generous tribute to and appreciation of Ruskin, despite the
economic vagaries into which the great critic and teacher of his time
fell, we may more confidently approach the busy era of his later and
self-sacrificing labors, and with less apology take space to deal--as
compactly and intelligently as we can--with some of the more notable of
the many books and _brochures_ of the period. Difficult as would be the
task, fortunately there is little need to epitomize these works, as many
of them are better known, and perhaps more attentively read, than his
earlier, bulkier, and more ambitious writings. A few of them lie outside
the economic gospel of their apostolic author, and these we will first
and briefly deal with. A number of them are instructive and inspiring
lay sermons on the mystical union between nature and art, beauty and
utility, and their reflex in the reverential homage for the beautiful
and the worthy in the mind and character of the English-speaking race.
The whole form a great body of fine and thoughtful work, which is as
enchaining as its meaning is often profound. The best-known of these lay
sermons is: "The Queen of the Air" (1869), a splendid blending of his
fancy with the Greek nature-myths of cloud and storm, represented by
Athena, goddess of the heavens, of the earth, and of the heart. The
parable drawn is that "the air is given us for our life, the rain for
our thirst and baptism, the fire for our warmth, the sun for our light,
and the earth for our meat and rest." Related to the work is "Ethics of
the Dust" (1865), lectures to little housewives on mineralogy and
crystallography, nature's work in crystallization being the text for a
diatribe against sordid living. "Sesame and Lilies," which belongs also
to this period of the writer's work, consists of three addresses,
delivered at Manchester and at Dublin, designed specially for young
girls, and treating in the main of good and improving literature. The
first of them, "Of Kings' Treasuries," deals with the treasures hidden
in books, the writings of the world's great men; its sequel, "Of Queens'
Gardens," deals with the function and sphere of woman, and, by way of
application, with the how and the what to read; the third lecture, on
"The Mystery of Life and its Arts," is a discursive but inspiring
consideration of what life is and how most successfully to battle with
it in the way of our work and of our appointed duty. All three lectures,
observes a commentator, "tell men and women of the ideals they should
set before them; how to read and to build character under the
inspiration of the nobility of the past, fitting one's self for such
great society; how to develop noble womanhood; how to bear one's self
toward the wonder of life, toward one's work in the world, and toward
one's duty to others."
Other lectures and _brochures_ of or about this period are "Hortus
Inclusus" (The Enclosed Garden), being "Messages from the Wood to the
Garden sent in happy days to two sister ladies," residing at Coniston,
and collected in 1887; "Arrows of the Chace," letters on various
subjects to newspapers, gathered and edited in 1880; "The Two Paths,"
lectures on art and its application to Decoration and Manufacture
(1859); "Ariadne Florentina" (1873), a monograph on Italian wood and
metal engraving; "Aratra Pentelici" (1872), on the elements and
principles of sculpture; and "The Eagle's Nest" (1872), on the relation
of natural science to art. Still pursuing his delightful methods of
interpreting nature and teaching the world instructive lessons, even
from the common things of mother earth, we have a series of three
eloquent discourses, entitled (1) "Proserpina," studies of Alpine and
other wayside flowers, dwelling on the mystery of growth in plants and
the tender beauty of their form; (2) "Deucalion," a sort of glorified
geological text-book, treating of stones and their life-history, and
showing the wearing effect upon them of waves and the action of water;
and (3) "Love's Meinie" (1873), a rapture about birds and their
feathered plumage, delivered at Eton and at Oxford. This trilogy,
dealing with botany, geology, and ornithology, was presented to his
audiences with illustrative drawings, representing the flora met with in
his travels or found in the neighborhood of his new home in the
Lancashire lakes, with sketches of regions, including the
characteristics of the soil, in which he had been reared, and talks of
the note and habit of all birds that were wont to warble over him their
morning song. "The Pleasures of England," the "Harbours of England," and
the "Art of England" further treat of his loved native land, the first
of these being talks on the pleasures of learning, of faith, and of
deed, illustrated by examples drawn from early English history, and the
last treating of representative modern English artists, chiefly of the
Pre-Raphaelite school. "The Laws of Fésole" (1878) deals with the
principles of Florentine draughtsmanship; "St. Mark's Rest," with the
art and architecture of Venice; and "Val d'Arno," with early Tuscan art,
interspersed with the author's accustomed ethical reflections. "Mornings
in Florence," intended for the use of visitors to the art galleries of
the beautiful city on the Arno, deals in the true artist-spirit with its
famous examples of Christian art, giving prominence here also to the
ethical side of the city's history. "In Montibus Sanctis," and "Coeli
Enarrant," the one comprising studies of mountain form, and the other of
cloud form and their visible causes, though separately published, are
only reprints of the author's larger and nobler embodiment of his views
on art, in "Modern Painters." "The King of the Golden River," of which
we have previously spoken, is a fairy tale of much beauty, which he
wrote for the "Fair Maid of Perth" whom he married, and who separated
herself from him on the plea of "incompatibility." Playful as is the
style of the story, it is not without a moral, on what constitutes true
wealth and happiness. "The Crown of Wild Olive" (1866) consists of
lectures on work, traffic, and war; the latter lecture, delivered at the
Royal Artillery Institution at Woolwich, was also separately published
under the title of "The Future of England." The two former, being
addressed to working-men, laborers, and traders, discuss economic
problems, and set forth tentatively their author's antagonized political
ethics, with which, in drawing this essay to a close, we now venture
to deal.
After the magnificent work done by Ruskin in art up to his fortieth
year, that he should turn, for practically the remainder of his life, to
the seemingly vain and profitless task of a social reformer and
regenerator of modern society, has to most men been a riddle too elusive
and enigmatic to solve. And yet, in his earlier career, had he not
himself prepared us for just such a departure as he took in the sixties,
for in art was he not equally revolutionary and iconoclastic, as well as
personally self-willed, passionate, and impulsive? Moreover, had not
Mother Nature endowed him with the gifts of a seer and made him
chivalrous as well as intensely sympathetic, while his early training
inclined him to be serious, and even ascetic? Nor were the rebuffs he
met with throughout his career calculated at this stage to make him
court the applause of his fellow-men or be mindful of the world's
censure or approval. Nor can one well quarrel with what he had now to
say on many a subject, visionary and enthusiast as he always was, and
given over to mediaeval views and preachments, and to abounding moral
and ethical exhortation. Like Carlyle's, his voice was that of one
crying in the wilderness, and yet in the industrial and social condition
of Britain at the era there was need of just such appeals for
regeneration and reform as Ruskin strenuously uttered, accompanied by
indignant rebukes of grossness, vulgarity, and meanness, as manifested
in masses of the people. If in his strivings after amelioration he was
too denunciatory as well as too radical, we must remember the temper and
manner of the man, and recognize how difficult it was in him, or in any
iconoclast who scorned modern science as Ruskin scorned it, to reconcile
the age of steam and industrial machinery, which he spurned and would
have none of, with the views he held of Christianity, morals, and faith.
His views on political economy, which he treated neither as an art nor a
science, might be perverse and wrong-headed, and his method of adapting
prophetic and apostolic principles to the practice of every-day life
utterly impracticable; but the virtues he counselled the nation to
manifest, and the graces he enjoined of truthfulness, justice,
temperance, bravery, and obedience, were qualities needed to be
cultivated in his time, with a fuller recognition of and firmer trust in
God and His right of sway in the world He had created.
What Ruskin's economic views were, and what his relations to the
industrial and social problems of his time, most readers of our author
know, are mainly to be found in "Fors Clavigera," a series of letters to
working-men, covering the years 1871-84, and in his early essays on
political economy, "Unto this Last" (1860), and "Munera Pulveris"
(1863). "Unto this Last" appeared in its original form in the pages of
the "Cornhill Magazine," then edited by Thackeray, and our author speaks
confidently of it as embodying his maturest and worthiest thoughts on
social science. The work, which will be found the key to Ruskin's
economic gospel, embraces four essays, treating successively of the
responsibilities and duties of those called to fill all offices of
national trust and service; of the true sources of a nation's riches; of
the right distribution of such riches; and of what is meant by the
economic terms,--value, wealth, price, and produce. Under these several
heads, Ruskin expresses his conviction that co-operation and government
are in all things the law of life, while the deadly things are
competition and anarchy. Whatever errors the book[3] contains--and the
author's unconscious arrogance and dogmatism made him blind to them--his
views were set forth with his accustomed vigor and eloquence, and in
the honest belief that he was more than fundamentally right. It was for
such helpful work as this, and what he accomplished in the kindred
volume, "Munera Pulveris," which first appeared in "Fraser's Magazine,"
that Ruskin for the time dropped his revelations in art to let a new
world of thought into the "dismal science" of political economy,
confound its old-time instructors, and gird at the evils of the
age,--the greed, selfishness, and petty bargaining spirit of industrial
and commercial life. Nor in conducting such a crusade as this was Ruskin
abandoning his old and less controverted gospel of art. He was but
carrying into new and barren fields the high ideals he had hitherto
counselled his age to emulate and heed, and in his sympathy with labor
seeking to bring into its world the comeliness of beauty and the cheer
of prosperity, comfort, and happiness. In "Time and Tide" (1867), and
more at length in "Fors Clavigera," Ruskin reiterates his message to
labor, to get rid of ever-environing misery by realizing what are the
true sources of happiness,--pleasure in sincere and honest work,
inspired by intelligence, culture, religion, and right living. What he
desires for the working-man he desires also for his family, and
consequently he urges parents to train their sons and daughters to see
and love the beautiful, to cultivate their higher instincts, and call
forth and feed their souls. In all this there is much helpful, tonic
thought, which the church or the nation, roused to zeal and earnest
activity, might fittingly teach, and so advance the material weal of the
people, extend the area of public enlightenment and morality, and herald
the dawn of a new and higher civilization.
[Footnote 3: Alluding to the quaint title under which these "Cornhill"
essays afterwards appeared,--a title that hints at the gist of the
work,--Mr. Ruskin's biographer tells us that the motto was taken from
Christ's parable of the husbandman and the laborers: "Friend, I do thee
no wrong. Didst thou not agree with me for a penny? Take that thine is,
and go thy way. I will give UNTO THIS LAST even as unto
thee."--Matt. xx. 14.]
Other aspects of Mr. Ruskin's economic gospel are, unfortunately, not so
sane and beneficent. His altruism knows no bounds, as his philanthropy
and zeal have but few restraints. After the fashion of his mentor,
Carlyle, he is carried away by his humanitarianism and his unreserved
acceptance of the doctrine of the equality and brotherhood of man. Hence
come his economic heresies in regard to rent and interest, and capital
and usury, his denunciations of the division of labor, his Tolstoian
impoverishment of himself for the benefit of his fellow-man, and his
dictum that the wealth of the nation should be its own, and not accrue
to the individual. Hence, also, the wholly ideal state of society he
attempted to realize in his communal Guild of St. George, with its rigid
government and restraints upon the personal liberty of its members.
Ideally beautiful, admittedly, was the plan and scheme of the little
state, with its disciplinings, exactions, and devout selective creed.
But the age is a practical, unimaginative one, and whatever compacts men
make, even for their highest welfare, there are, it is to be feared,
few so loyal, tractable, and docile as to place themselves for long
under such tutoring and one-patterned, fashioning forms of co-operative
living. Into whatever millennial state Ruskin sought to usher his little
band of English followers and disciples, one must speak appreciatively
of his motives in projecting the scheme, and of the money and labor he
personally lavished upon the Utopian project. Reverently also must one
speak of the catholic creed to which its members were asked to
subscribe: namely, to trust in God, recognize the nobleness of human
nature, labor faithfully with one's might, be loyal to one's common
country, its laws, and its monarch's or ruler's orders, so far as they
are consistent with the higher law of God; while exacting obedience, and
a pledge that one will not deceive, either for gain or other motive;
will not rob; will not hurt any living creature nor destroy any
beautiful thing; and will honor one's own body by proper care for it,
for the joy and peace of life. All this is very exemplary and beautiful,
and not over-hard to live up to, though the working-men of Sheffield in
time wearied of the organization, and the Guild and its noble ideals is
now, we believe, but a memory, if we except the art museum and library
of the Order taken over and still maintained by the town.
More practical, may we not say, than this imitation of the Florentine
_arti_ of the Middle Ages was the Working Men's College, founded in
London in the fifties by that other earnest Christian Socialist, F.D.
Maurice, in which Ruskin lectured gratuitously, took charge of the
drawing classes, and hied off to the country with its members to sketch
from nature and otherwise instruct and entertain them. Yet good in many
respects came of the Guild of St. George, in the impulse it gave to the
revival of the then dormant industries, such as the hand-spinning of
linen, hand-weaving of carpets and woollen fabrics, lace-making,
wood-carving, and metal-working, besides the stimulus it gave, with the
infusion of higher ideals of workmanship, to the decorative arts, and
the improvement in the sightliness of factories, and in the homes and
surroundings of labor. Here Ruskin's philanthropy and reform zeal showed
themselves most worthily in the financial aid he gave in the pulling
down, in crowded districts of the British metropolis, of poor tenements,
and the building up in their place of clean, attractive, and wholesome
habitations. In such benevolences and well-doings, and in this life of
renunciation and self-sacrifice, Ruskin spent himself, and made serious
inroads into his bodily health and strength, as well as scattered the
fortune--about a million dollars--left him by his now deceased father.
But this was the manner and character of Ruskin, and this the mode of
expressing his love for his fellow-man, which in myriad ways showed
itself throughout a long and strenuous career of devotion to high
ideals, and of practical, tender help in all good works. In all his
philanthropies he was true to his own preachings and counsellings,
spending and being spent in the spirit of his Divine Master, his whole
soul aglow with reverence and adoration and tender with a profound moral
emotion. Besides his rare endowments as a lover of the beautiful, he had
that other precious gift, of golden speech, which threw a mantle of
loveliness over every book he wrote and perpetual lustre over the domain
of letters.
Ruskin's declining years, while hallowed by suffering, were cheered by
many tender attentions and unexpected kindnesses, and by the
recognition, by many notable public bodies and eminent contemporaries,
of his long life of great service and devotion to his kind. In our
modern age, from which, in his loved Coniston home, he passed from life
Jan. 20, 1900, no one more reverently than he has looked deeper into the
mystery of life, thought more concernedly of its problems, shed more
passionately and eloquently about him love for the beautiful, or
practically and helpfully done more--layman only though he was--for
religion and humanity. At his death the nation paid honor to his memory
by offering his remains a resting-place in the great fane of England's
illustrious dead, Westminster Abbey; but Ruskin had himself otherwise
ordered the disposal of his body. "Bury me," he said, "at Coniston."
And there, on the fifth day after his falling softly asleep, amid a
concourse of loving friends, the earthly tenement of the great art
critic and lover of righteousness was laid to rest, his grave strewn
with myriad wreaths, garlands, and crosses of beautiful, bright flowers.
Here, after his long, strenuous, militant career, do we leave this
inspiring teacher and "consecrated priest of the Ideal," his gentle soul
finding rest and peace after the myriad troubles and tumults of life.
Still now is the once active, fertile, stimulating mind of the man who
so effectively roused his generation from its complacent smugness and
indifference in its appreciation of the beautiful, and with ardent
boldness challenged established beliefs in art and defied the
conventionality and authority of his time. His has been a powerful force
in innumerable departments of human thought, and epoch-making the
influence he has exerted in giving to the world new ideals of the
beautiful and in shaping modern opinion and taste in art. How great is
the work he has done, and what a library of stimulating, inspiring books
he has left us, comparatively few realize, as they little realize what
the age owes to him for his noble activities in well-doing and his many
and impressive lessons and influence. In a commonplace, commercial time,
how stimulating as well as ardent have been his appeals for
sensitiveness of perception in regard to art, and of the tone and
spirit in which it ought to be viewed and valued! And with what tender,
reverent feeling has he not opened our hearts to compassion and to
consideration for the welfare of our fellow-man, and how potent have
been his counsellings pointing to the true and abiding sources of
pleasure in life! Long must his formative opinions and influence extend,
and in the minds of all who think and reflect abiding must be the charm
as well as the power of his imaginative, glowing thought. That he met
with opposition and hostility in his day was but the price to be paid
for the disturbing, correcting, disciplining, yet inspiring part he
played in the work he so impulsively set himself to do. One smiles now
at the epithets of scorn and contumely once hurled at him, at the man
who, little understood as he has been, has done so much to uplift and
purify the thought of his time and do battle with the forces opposed to
reform and arrayed against those of light and truth. And how great were
the weapons with which he was armed, and how varied as well as
marvellous the talents he brought into play in the onslaught upon
shallowness, convention, and ignorance! Truly, he has done much for his
time, and great has been the gain Modern Art has won from his inspiring
lessons and thought. The coming of such a man, and at the time that was
his, one cannot help reflecting, was one of the providences of an
overruling Power, and adequately to estimate his influence and work,
and the tone and temper in which he wrought, we have but to consider
what the age would have been, in countless departments of thought and
activity, had the century now passed possessed no John Ruskin.
AUTHORITIES.
Collingwood, W. G. Life of Ruskin.
Harrison, Frederic. Tennyson, Ruskin, Mill, and other Estimates.
Mather, Marshall. John Ruskin, his Life and Teaching.
Bayne, Peter. Lessons from my Masters--Carlyle, Tennyson, and Ruskin.
Japp, Alex. H. Carlyle, Tennyson, and Ruskin.
Spielmann, M.H. John Ruskin.
Waldstein, Charles. Work of John Ruskin.
Ward, May Alden. Prophets of the Nineteenth Century: Carlyle, Ruskin,
and Tolstoi.
Bates, Herbert. Annotated edition, with Introduction, of Ruskin's
"Sesame and Lilies" and "The King of the Golden River."
Ruskin's "Praeterita": An Autobiography.
HERBERT SPENCER.
1820-
THE EVOLUTIONARY PHILOSOPHY.
BY MAYO W. HAZELTINE.
Herbert Spencer occupies a unique place in the history of human thought,
because he has been the first to attempt the construction of a
philosophical system in harmony with the theory of Evolution and with
the results of modern science. To his contemporaries he is known almost
exclusively as the author of the colossal work which he has chosen to
call the "Synthetic Philosophy." Concerning his personality very little
information has been published, and it is doubtful whether he will deem
it worth while to leave behind him the materials for a detailed
biography. About his private life we know even less than we know about
that of Kant. The very few facts obtainable may be summed up in a score
of sentences.
I.
Herbert Spencer was born on April 27, 1820, at Derby, in England, and
was an only surviving child. His father was a schoolmaster in the town
named, and secretary of a philosophical society. From him the son seems
to have imbibed the love of natural science and the faculty of
observation conspicuous in his work. The father was particularly
interested in entomology, and Spencer himself used to collect, describe,
and draw insects when a boy. At the age of thirteen he was sent to study
with an uncle, Rev. Thomas Spencer, a liberal clergyman and a scholar,
with whom he remained three years, carrying on the study of natural
history, which he had begun in childhood. He now devoted himself to
mathematics, evincing a singular capacity for working out original
problems. At this time, too, he became familiar with physical and
chemical investigations, and already exhibited a strong tendency to
experimental inquiry and original research. His aversion to linguistic
studies put a university career out of the question. At the age of
seventeen he entered the office of Sir Charles Fox and began work as a
civil engineer, but about eight years afterward he gave up this
profession, and devoted the whole of his time to scientific experiments
and studies, and to contributions on philosophical questions to various
periodicals. As early as 1842, in a series of letters to the
Nonconformist newspaper on "The Proper Sphere of Government," he
propounded a belief in human progress based on the modifiability of
human nature through adaptation to its social surroundings, and he
asserted the tendency of these social arrangements to assume of
themselves a condition of stable equilibrium. From 1848 to 1853 he was
sub-editor of the Economist newspaper, and in his first important work,
"Social Statics," published in 1850, he developed the ethical and
sociological ideas which had been set forth in his published letters.
The truth that all organic development is a change from a state of
homogeneity to a state of heterogeneity is regarded by Spencer as the
organizing principle of his subsequent beliefs. It was gradually
expounded and applied by him in a series of articles contributed to the
"North British," the "British Quarterly," the "Westminster," and other
reviews. In these essays, and especially in the volume of "Principles of
Psychology," published in 1855, the doctrine of Evolution began to take
definite form, and to be applied to various departments of inquiry. It
was not until four years later--a fact to be carefully borne in mind by
those who would estimate correctly the relation of Spencer to
Darwin--that the publication of the latter's "Origin of Species"
afforded a wide basis of scientific truth for what had hitherto been
matter of speculation, and demonstrated the important part played by
natural selection in the development of organisms. As early as March,
1860, Spencer issued a prospectus, in which he set forth the general aim
and scope of a series of works which were to be issued in periodical
parts, and would, collectively, constitute a system of philosophy. In
1862 appeared the "First Principles," and in 1867 the "Principles of
Biology." In 1872 the "Principles of Psychology" was published; the
first part of the "Principles of Ethics" in 1879; and his "Principles of
Sociology" in three volumes, begun in 1876, was completed in 1896. In
the preface to the third volume of the last-named work the author
explains that the fourth volume originally contemplated, which was to
deal with the linguistic, intellectual, moral, and aesthetic phenomena,
would have to remain unwritten by reason of the author's age and
infirmities. The astounding extent of Herbert Spencer's labors becomes,
indeed, the more marvellous when one considers that impaired health has
for many years incapacitated him for persistent application. Owing
partly to his ill health, and partly to the absorbing nature of his
occupation, his life has been a retired one, and in the ordinary sense
of the term, uneventful. He has never married, and, although the high
opinion of his writings formed by contemporaries has led to many
academic honors being pressed upon him at home and abroad, these have
all been declined. It only remains to mention that in 1882 he visited
the United States, where the importance of his speculations had been
early recognized, and that his home is now in Brighton, England.
II.
In Mr. Spencer's latest book, "Facts and Comments," a little light is
thrown on the author's habits, opinions, and predilections. Referring to
the athleticism to which so much attention is paid just now in English
and American universities, he points out how erroneous it is to identify
muscular strength with constitutional strength. Not only is there error
in assuming that increase of muscular power and increase of general
vigor necessarily go together, but there is error in assuming that the
reverse connection cannot hold. As a matter of fact, the abnormal powers
acquired by gymnasts may be at the cost of constitutional deterioration.
In a paper on "Party Government" the author maintains that what we boast
of as political freedom consists in the ability to choose a despot, or a
group of oligarchs, and, after long misbehavior has produced
dissatisfaction, to choose another despot or group of oligarchs: having
meanwhile been made subject to laws, some of which are repugnant.
Abolish the existing conventional usages, with respect to party
fealty,--let each member of parliament feel that he may express by his
vote his adverse belief respecting a government measure, without
endangering the government's stability,--and the whole vicious system of
party government would disappear. In a paper on "Patriotism," Mr.
Spencer says that to him the cry "Our country, right or wrong," seems
detestable. The love of country, he adds, is not fostered in him by
remembering that when, after England's Prime Minister had declared that
Englishmen were bound in honor to the Khedive to reconquer the Soudan,
they, after the reconquest, forthwith began to administer it in the name
of the Queen and the Khedive, thereby practically annexing it; and when,
after promising through the mouths of two colonial Ministers not to
interfere in the internal affairs of the Transvaal, the British
Government proceeded to insist on certain electoral arrangements, and
made resistance the excuse for a desolating war. As to the transparent
pretence that the Boers commenced the war, Mr. Spencer reminds us that
in the far West of the United States, where every man carries his life
in his hands and the usages of fighting are well understood, it is held
that he is the real aggressor who first moves his hand toward his
weapon. The application to the South African contest is obvious. In an
essay on "Style," Mr. Spencer tells us that his own diction has been,
from the beginning, unpremeditated. It has never occurred to him to take
any author as a model. Neither has he at any time examined the writing
of this or that author with a view of observing its peculiarities. The
thought of style, considered as an end in itself, has rarely, if ever,
been present with him, his sole purpose being to express ideas as
clearly as possible, and, when the occasion called for it, with as much
force as might be. He has observed, however, he says, that some
difference has been made in his style by the practice of dictation. Up
to 1860 his books and review articles were written with his own hand.
Since then they have all been dictated. He thinks that there is
foundation for the prevailing belief that dictation is apt to cause
diffuseness. The remark was once made to him, it seems, by two good
judges--George Henry Lewes and George Eliot--that the style of "Social
Statics" is better than the style of his later volumes; Mr. Spencer
would ascribe the contrast to the deteriorating effect of dictation. A
recent experience has strengthened him in this conclusion. When lately
revising "First Principles," which originally was dictated, the cutting
out of superfluous words, clauses, sentences, and sometimes paragraphs,
had the effect of abridging the work by about one-tenth. Touching the
style of other writers, Mr. Spencer points out the defects in some
passages quoted from Matthew Arnold and Froude. He says that he is
repelled by the ponderous, involved structure of Milton's prose, and he
dissents from the applause of Ruskin's style on the ground that it is
too self-conscious, and implies too much thought of effect. On the other
hand, he has always been attracted by the finished naturalness of
Thackeray.
A word should here be said about the misconception of Mr. Spencer's
position with reference to the fundamental postulate of religions,--a
misconception which used to be more current than it is now. He cannot
fairly be described as a materialist. He is no more a materialist than
he is a theist. He is, in the strictest sense of the word, an agnostic.
He was the most conspicuous example of the _thing_ before Huxley
invented the _word_. The misconception was shared by no less a man than
the late Benjamin Jowett, the well-known master of Balliol College,
Oxford, who, in one of his published "Letters," says: "I sometimes think
that we platonists and idealists are not half so industrious as those
repulsive people who only 'believe what they can hold in their hand,'
Bain, H. Spencer, etc., who are the very Tuppers of philosophy." It is
hard to see how the law of evolution and other generalizations of an
abstract kind with which Mr. Spencer's name is associated can be held in
anybody's hands. Letting that pass, however, Mr. Spencer has himself
suggested that, since the system of synthetic philosophy begins with a
division entitled the "Unknowable," having for its purpose to show that
all material phenomena are manifestations of a Power which transcends
our knowledge,--that "force as we know it can be regarded only as a
Conditioned effect of the Unconditioned Cause"--there has been thereby
afforded sufficiently decided proof of belief in something which cannot
be held in the hands. It is, indeed, absurd to apply the epithet
"materialist" to a man who has written in "The Principles of
Psychology": "Hence, though of the two it seems easier to translate
so-called matter into so-called spirit than to translate so-called
spirit into so-called matter (which latter is, indeed, wholly
impossible), yet no translation can carry us beyond our symbols."
III.
Any exposition of the "Synthetic Philosophy" must, of course, begin with
the volume entitled "First Principles." In the first part of this
preliminary work the author carries a step further the doctrine of the
Unknowable put into shape by Hamilton and Mansel. He points out the
various directions in which science leads to the same conclusion, and
shows that in their united belief in an Absolute that transcends not
only human knowledge but human conception lies the only possible
reconciliation of science and religion. In the second part of the same
book Mr. Spencer undertakes to formulate the laws of the Knowable. That
is to say, he essays to state the ultimate principles discernible
throughout all manifestations of the Absolute,--those highest
generalizations now being disclosed by science, such, for example, as
"the Conservation of Force," which are severally true, not of one class
of phenomena, but of _all_ classes of phenomena, and which are thus the
keys to all classes of phenomena.
The conclusions reached in "First Principles" may be thus summed up:
over and over again in the five hundred pages devoted to their
formulation, it is shown in various ways that the deepest truths we can
reach are simply statements of the widest uniformities in our
experiences of the relations of Matter, Motion, and Force; and that
Matter, Motion, and Force are but symbols of the Unknown reality. A
Power of which the nature remains forever inconceivable, and to which no
limits in Time and Space can be imagined, works in us certain effects.
These effects have certain likenesses of kind, the most general of which
we class together under the names of Matter, Motion, and Force; and
between these effects there are likenesses of connection, the most
constant of which we class as laws of the highest certainty. Analysis
reduces these several kinds of effects to one kind of effect; and these
several kinds of uniformity to one kind of uniformity. The highest
achievement of Science is the interpretation of all orders of phenomena
as differently conditioned manifestations of this one kind of effect,
under differently conditioned modes of this one kind of uniformity. When
science has done this, however, it has done nothing more than
systematize our experiences, and has in no degree extended the limits of
our experiences. We can say no more than before whether the
uniformities are as absolutely necessary as they have become to our
thought relatively necessary. The utmost possibility for us is an
interpretation of the process of things, as it presents itself to our
limited consciousness; but how this process is related to the actual
process we are unable to conceive, much less to know.
Similarly we are admonished to remember that, while the connection
between the phenomenal order and the ontological order is forever
inscrutable, so is the connection between the conditioned forms of being
and the unconditioned form of being forever inscrutable. The
interpretation of all phenomena in terms of Matter, Motion, and Force is
nothing more than the reduction of our complex symbols of thought to the
simplest symbols; and when the equation has been brought to its lowest
terms, the symbols remain symbols still. Hence the reasonings contained
in "First Principles" afford no support to either of the antagonist
hypotheses respecting the ultimate nature of things. Their implications
are no more materialistic than they are spiritualistic, and no more
spiritualistic than they are materialistic. The establishment of
correlation and equivalence between the forces of the outer and the
inner worlds serves to assimilate either to the other, according as we
set out with one or the other. He who rightly interprets the doctrine
propounded in "First Principles" will see that neither the forces of
the outer, nor the forces of the inner, world can be taken as ultimate.
He will see that, though the relation of subject and object renders
necessary to us the antithetical conceptions of Spirit and Matter, the
one is no less than the other to be regarded as but a sign of the
Unknown Reality which underlies both.
In logical order the formulation of "First Principles" should have been
followed by the application of them to Inorganic Nature. This great
division of Mr. Spencer's subject is passed over, however; partly
because, even without it, the scheme is too extensive to be carried out
in the lifetime of one man; and partly because the interpretation of
Organic Nature, after the proposed method, is of more immediate
importance. Before noting how Mr. Spencer applies his fundamental
principles to the interpretation of the phenomena of life, it may be
well to put before the reader's eye the "formula of evolution" in the
author's own language: "Evolution is an integration of matter and
concomitant dissipation of motion; during which the matter passes from
an indefinite, incoherent homogeneity to a definite, coherent
heterogeneity; and during which the retained motion undergoes a parallel
transformation." This law of evolution is equally applicable to all
orders of phenomena,--"astronomic, geologic, biologic, psychologic,
sociologic, etc.,"--since these are all component parts of one cosmos,
though disguised from one another by conventional groupings. It is
obvious that, so long as evolution is merely established by induction,
it belongs, not to philosophy, but to science. To belong to philosophy
it must be deduced from the persistence of force. Mr. Spencer holds that
this can be done. For any finite aggregate, being unequally exposed to
surrounding forces, will become more diverse in structure, every
differentiated part will become the parent of further differences; at
the same time, dissimilar units in the aggregate tend to separate, and
those which are similar, to cluster together ("segregation"); and this
subdivision and dissipation of forces, so long as there are any forces
unbalanced by opposite forces, must end at last in rest; the penultimate
stage of this process "in which the extremest multiformity and most
complex moving equilibrium are established," being the highest
conceivable state. The various derivative laws of phenomenal changes are
thus deducible from the persistence of force. It remains to apply them
to inorganic, organic, and superorganic existences. The detailed
treatment of inorganic evolution is omitted, as we have said, from
Spencer's plan, and he proceeds to interpret "the phenomena of life,
mind, and society in terms of Matter, Motion, and Force."
IV.
The first volume of the "Principles of Biology" consists of three parts,
the first of which sets forth the data of biology, including those
general truths of physics and chemistry with which rational biology must
start. The second part is allotted to the inductions of biology, or, in
other words, to a statement of the leading generalizations which
naturalists, physiologists, and comparative anatomists have established.
The third and final part of the first volume of the "Principles of
Biology" deals with the speculation commonly known as "the development
hypothesis," and considers its _a priori_ and _a posteriori_ evidences.
The inductive evidences for the evolutionary hypothesis, as
contra-distinguished from the special-creation hypothesis, are dealt
with in four chapters. The "Arguments from Classification" are these:
Organisms fall into groups within groups; and this is the arrangement
which we see results from evolution where it is known to take place. Of
these groups within groups, the great or primary ones are the most
unlike, the sub-groups are less unlike, the sub-sub-group still less
unlike, and so on; and this, too, is a characteristic of groups
demonstrably produced by evolution. Moreover, indefiniteness of
equivalence among the groups is common to those which we know have been
evolved, and to those supposed in the volume before us to have been
evolved. There is the further significant fact that divergent groups are
allied through their lowest rather than their highest members. Of the
"Arguments from Embryology," the first is that, when developing embryos
are traced from their common starting-point, and their divergencies and
re-divergencies are symbolized by a genealogical tree, there is manifest
a general parallelism between the arrangement of its primary, secondary,
and tertiary branches, and the arrangement of the divisions and
subdivisions of Mr. Spencer's classifications. Nor do the minor
deviations from this general parallelism, which look like difficulties,
fail on closer observation to furnish additional evidence; since those
traits of a common ancestry which embryology reveals are, if
modifications have resulted from changed conditions, liable to be
disguised in different ways and degrees, in different lines of
descendants. Mr. Spencer next considers the "Arguments from Morphology."
Apart from those kinships among organisms disclosed by their
developmental changes, the kinships which their adult forms show are
profoundly significant. The unities of type found under such different
externals are inexplicable, except as results of community of descent,
with non-community of modification. Again, each organism analyzed apart
shows, in the likenesses obscured by unlikenesses of its component
parts, a peculiarity which can be ascribed only to the formation of a
more heterogeneous organism out of a more homogeneous one. And, once
more, the existence of rudimentary organs, homologous with organs that
are developed in allied animals or plants, while it admits of no other
rational interpretation, is satisfactorily interpreted by the hypothesis
of evolution. Last of the inductive evidences are the "Arguments from
Distribution." While the facts of distribution in space are
unaccountable as results of designed adaptation of organisms to their
habitats, they are accountable as results of the competition of species,
and the spread of the more fit into the habitats of the less fit,
followed by the changes which new conditions induce. Though the facts of
distribution in time are so fragmentary that no positive conclusion can
be drawn, yet all of them are reconcilable with the hypothesis of
evolution, and some of them yield strong support,--especially the near
relationship existing between the living and extinct types in each great
geographical area. Thus of these four categories of evidence, each
furnishes several arguments which point to the same conclusion. This
coincidence would give to the induction a very high degree of
probability, even were it not enforced by deduction. As a matter of
fact, the conclusion deductively reached is in harmony with the
inductive conclusion. Mr. Spencer has deductively shown that, by its
lineage and its kindred, the evolution-hypothesis is as closely allied
with the proved truths of modern science as is the antagonist
hypothesis, that of special creation, with the proved errors of ancient
ignorance. He has shown that, instead of being a mere pseud-idea, it
admits of elaboration into a definite conception, so showing its
legitimacy as an hypothesis. Instead of positing a purely fictitious
process, the process which it alleges proves to be one actually going on
around us. To which may be added that the evolution-hypothesis presents
no radical incongruities from a moral point of view. On the other hand,
the special-creation hypothesis is shown to be not even a thinkable
hypothesis, and, while thus intellectually illusive, to have moral
implications irreconcilable with the professed beliefs of those who
hold it.
Passing from the evidence that Evolution has taken place to the
question--How has it taken place?--Mr. Spencer finds in known agencies
and known processes adequate causes of its phenomena. In astronomic,
geologic, and meteorologic changes, ever in progress, ever combining in
new and more involved ways, we have a set of inorganic factors to which
all organisms are exposed; and in the varying and complicated actions of
organisms on one another we have a set of organic factors that alter
with increasing rapidity. Thus, speaking generally, all members of the
Earth's flora and fauna experience perpetual rearrangements of external
forces. Each organic aggregate, whether considered individually or as a
continuously existing species, is modified afresh by each fresh
distribution of external forces. To its pre-existing differentiations
new differentiations are added; and thus that lapse to a more
heterogeneous state, which would have a fixed limit were the
circumstances fixed, has its limits perpetually removed by the perpetual
change of the circumstances. These modifications upon modifications,
which result in evolution, structurally considered, are the
accompaniments of those functional alterations continually required to
re-equilibrate inner with outer actions. That moving equilibrium of
inner actions corresponding with outer actions, which constitutes the
life of an organism, must either be overthrown by a change in the outer
actions or must undergo perturbations that cannot end until there is a
readjusted balance of functions and correlative adaptation of
structures. But where the external changes are either such as are fatal
when experienced by the individuals, or such as act on the individuals
in ways that do not affect the equilibrium of their functions, then the
readjustment results through the effects produced on the species as a
whole: there is indirect equilibration. By the preservation in
successive generations of those whose moving equilibria are less at
variance with the requirements, there is produced a changed equilibrium
completely in harmony with the requirements.
Even were this the whole of the evidence assignable for the belief that
organisms have been gradually evolved, Mr. Spencer holds that the belief
would have a warrant higher than is possessed by many beliefs which are
regarded as established. As a matter of fact, however, the evidence is
far from exhausted. At the outset of the first volume of "Principles of
Biology," it was remarked by the author that the phenomena presented by
the organic world as a whole cannot be properly dealt with apart from
the phenomena presented by each organism in the course of its growth,
development, and decay. The interpretation of either class of phenomena
implies interpretation of the other, since the two are in reality parts
of one process. Hence the validity of any hypothesis respecting the one
class of phenomena may be tested by its congruity with phenomena of the
other class. In the second volume of "The Principles of Biology," Mr.
Spencer passes to the more special phenomena of development, as
displayed in the structures and functions of individual organisms. If
the hypothesis that plants and animals have been progressively evolved
be true, it must furnish us with keys to these special phenomena. Mr.
Spencer finds that the hypothesis does this, and by doing it gives
numberless additional vouchers for its truth. It is impossible for us
here to review, even in outline, the extensive field traversed in the
second volume of "Principles of Biology." We would not omit, however,
to direct attention to the interesting conclusion reached by Mr. Spencer
toward the close of the volume with regard to the future of the human
race considered from the viewpoint of the possible pressure of
population upon subsistence. He points out that in man all the
equilibrations between constitution and conditions, between the
structure of society and the nature of its members, between fertility
and mortality, advance simultaneously towards a common climax. In
approaching an equilibrium between his nature and the ever-varying
circumstances of his inorganic environment, and in approaching an
equilibrium between his nature and all the requirements of the social
state, man is at the same time approaching that lowest limit of
fertility at which the equilibrium of population is maintained by the
addition of as many infants as there are subtractions by death.
V.
Next in logical order and in order of publication come the two volumes
collectively entitled "The Principles of Psychology." In these volumes
an attempt is made to trace objectively the evolution of mind from
reflex action through instinct to reason, memory, feeling, and will,
from the interaction of the nervous system with its environment.
Subjectively, mental states are analyzed, and it is contended that all
of them--including those primary scientific ideas, the perceptions of
matter, motion, space, and time, assumed in the "First Principles"--can
be analyzed into a primitive element of consciousness, something which
can be defined only as analogous to a nervous shock. These perceptions
have now become innate in the individual. They may be called--as Kant
called space and time--forms of intuition; but they have been acquired
empirically by the race, through the persistence of the corresponding
phenomena in the environment, and from the accumulated experiences of
each individual being transmitted in the form of modified structure to
his descendants. This principle of heredity is one of the laws by which
individuals are connected with one another into an organic whole; and we
thus pass to what Spencer calls superorganic evolution, implying the
co-ordinated actions of many individuals, and giving rise to the science
of sociology.
It is this science which Mr. Spencer undertakes to expound in the three
volumes entitled the "Principles of Sociology." The first of these
volumes presents a statement of the several sets of factors entering
into social phenomena. These factors are, first, human ideas and
feelings considered in their necessary order of evolution; secondly,
surrounding natural conditions; and, thirdly, those ever-complicating
conditions to which society itself gives origin. Under the caption "The
Inductions of Sociology," are set forth the general facts, structural
and functional, gathered from a survey of societies and their changes;
in other words, the empirical generalizations that are arrived at by
comparing different societies, or successive stages of the same
societies. The author then examines the evolution of governments,
general and local, as this is determined by natural causes; their
several types and metamorphosis; their increasing complexity and
specialization, and the progressive limitation of their functions. From
political the author turns to ecclesiastical organization. He traces the
differentiation of religious government from secular; its successive
complications and the multiplication of sects; the growth and continued
modification of religious ideas, as caused by advancing knowledge and
changing moral character; and the gradual reconciliation of these ideas
with the truths of abstract science. A good deal of space is devoted to
what the author calls ceremonial organization, by which he means that
third kind of government which, having a common root with the others,
and slowly becoming separate from and supplementary to them, serves to
regulate the minor actions of life. Finally, Mr. Spencer discusses
industrial organization; that is to say, the development of productive
and distributive agencies, considered in its necessary causes,
comprehending not only the progressive division of labor and the
increasing complexity of each industrial agency, but also the
successive forms of industrial government as passing through like phases
with political government.
Many pages would be requisite adequately to describe the result of the
inquiries prosecuted by Mr. Spencer during some twenty years, and
embodied in the three volumes entitled "Principles of Sociology." The
ultimate conclusions reached, however, may be summed up in a few
paragraphs. It is the author's final conviction that, if the process of
evolution, which, unceasing throughout past time, has brought life to
its present height, continues throughout the future, as we cannot but
anticipate, then, amid all the rhythmical changes in each society, amid
all the lives and deaths of nations, amid all the supplantings of race
by race, there will go on that adaptation of human nature to the social
state which began when savages first gathered together into hordes for
mutual defence,--an adaptation finally complete. Mr. Spencer foresees
that many will think this a wild imagination. Though everywhere around
them are creatures with structures and instincts which have been
gradually so moulded as to subserve their own welfares and the welfares
of their species, yet the immense majority ignore the implication that
human beings, too, have been undergoing in the past, and will undergo in
the future, progressive adjustments to the lives imposed on them by
circumstances. There are a few, nevertheless, who think it rational to
conclude that what has happened with all lower forms must happen with
the highest forms,--a few who infer that among types of men those most
fitted for making a well-working society will hereafter, as heretofore,
from time to time, emerge and spread at the expense of types less
fitted, until a fully fitted type has arisen.
It is, at the same time, conceded that the view thus suggested cannot be
accepted without qualification. If we carry our thoughts as far forward
as palaeolithic implements carry them back, we are introduced, not to an
absolute optimism, but to a relative optimism. The cosmic process brings
about retrogression, as well as progression, where the conditions favor
it. Only amid an infinity of modifications, adjusted to an infinity of
changes of circumstances, do there now and then occur some which
constitute an advance: other changes, meanwhile, caused in other
organisms, usually not constituting forward steps in organization, and
often constituting steps backward. Evolution does not imply a latent
tendency to improve everywhere in operation. There is no uniform ascent
from lower to higher, but only an occasional production of a form,
which, in virtue of greater fitness for more complex conditions, becomes
capable of a longer life of a more varied kind. And, while such higher
type begins to dominate over lower types, and to spread at their
expense, the lower types survive in habitats or modes of life that are
not usurped, or are thrust into inferior habitats or modes of life in
which they retrogress.
Mr. Spencer's examination of "The Principles of Sociology" has led him
to the belief that what holds with organic types must hold also with
types of society. Social evolution throughout the future, like social
evolution throughout the past, must, while producing, step after step,
higher societies, leave outstanding many lower. Varieties of men adapted
here to inclement regions, there to regions that are barren, and
elsewhere to regions unfitted, by ruggedness of surface or insalubrity,
for supporting large populations, will, in all probability, continue to
form small communities of simple structures. Moreover, during future
competitions among the higher races, there will probably be left, in the
less desirable regions, minor nations formed of men inferior to the
highest; at the same time that the highest overspread all the great
areas which are desirable in climate and fertility. But while the entire
assemblage of societies thus fulfils the law of evolution by increase of
heterogeneity,--while within each of them contrasts of structure, caused
by differences of environments and entailed occupations, cause
unlikenesses implying further heterogeneity, we may infer that the
primary process of evolution--integration--which, up to the present
time, has been displayed in the formation of larger and larger nations,
will eventually reach a still higher stage, and bring yet greater
benefits. As when small tribes were welded into great tribes, the head
chief stopped inter-tribal warfare; as, when small feudal governments
became subject to a king, feudal wars were prevented by him,--so, in
time to come, a federation of the highest nations, exercising supreme
authority (already foreshadowed by occasional agreements among "the
Powers"), may, by forbidding wars between any of its constituent
nations, put an end to the re-barbarization which is continually undoing
civilization.
When, eventually, this peace-maintaining federation has been formed, Mr.
Spencer looks for effectual progress towards that equilibrium between
constitution and conditions,--between inner faculties and outer
requirements,--implied by the final stage of human evolution. Adaptation
to the social state, now perpetually hindered by anti-social conflict,
may then go on unhindered; and all the great societies, in other
respects differing, may become similar in those cardinal traits which
result from complete self-ownership of the unit, and from exercise over
him of nothing more than passive influence by the aggregate. On the one
hand, by continual repression of aggressive instincts and by continual
exercise of feelings which prompt ministration to public welfare, and,
on the other hand, by the lapse of restraints gradually becoming less
necessary, there will be produced, in Mr. Spencer's forecast, a kind of
man so constituted that, while fulfilling his own desires, he will
fulfil also the social needs. Already, small groups of men, shielded by
circumstances from external antagonisms, have been moulded into forms of
moral nature so superior to our own that the account of their goodness
almost savors of romance; and it is reasonable to infer that what has
even now happened on a small scale may, under kindred conditions,
ultimately happen on a large scale. Prolonged studies, showing among
other things the need for certain qualifications above indicated, but
also revealing facts like that just named, have not caused our author to
recede from the belief expressed nearly fifty years ago that "the
ultimate man will be one whose private requirements coincide with public
ones. He will be that manner of man who, in spontaneously fulfilling his
own nature, incidentally performs the functions of a social unit; and
yet is only enabled so to fulfil his own nature by all others doing
the like."
Before taking leave of the "Principles of Sociology," we should caution
the reader against a misconception that might seem, at first sight, to
find some warrant in the following remark of a sympathetic reviewer:
"Like Aristotle, he [Mr. Spencer] has had to delegate large portions of
his work to be done for him by others." As our author has himself
pointed out in "Facts and Comments," the reviewer's reference will be
rightly interpreted by those who know that the work delegated by
Aristotle to others was simply the _collection_ of materials for his
Natural History, not the classification of those materials, much less
the drawing of inductions from them. As not one reader in ten knows
this, however, wrong impressions are likely to be made by the reviewer's
remark. Mr. Spencer's name being especially associated with the
"Synthetic Philosophy," the sentence quoted will suggest to many the
thought that large portions of that work were written by deputy. This,
of course, the reviewer did not mean to say. The work to which he
referred is entitled "Descriptive Sociology, or groups of sociological
facts, classified and arranged by Herbert Spencer, compiled and
abstracted by David Duncan, Richard Scheppig and James Collier," eight
parts of which have thus far appeared. Knowing that he should be unable
to read all the works of travel and history containing the facts he
should need when dealing with the science of society, Mr. Spencer
engaged these gentlemen--first one, then two, then three--to read up for
him and arrange the extracts they made in a manner prescribed. With much
material he had himself accumulated in the course of many years, our
author incorporated a much larger amount of material derived from the
compilations just mentioned when writing the "Principles of Sociology."
VI.
It is the two volumes entitled the "Principles of Ethics" to which we
shall lastly invite attention. The six parts of which this work is
composed were published in an irregular manner. Part I., presenting the
data of ethics, was issued in 1879; Part IV., a treatise on "Justice,"
in 1891; Parts II. and III., which set forth respectively the inductions
of ethics and the ethics of individual life, and which, along with Part
I., form the first volume, were issued in 1892; Parts V. and VI., which
treat respectively of negative beneficence and positive beneficence,
were issued in 1893, and, along with Part IV., constitute the second
volume. With regard to the "Principles of Ethics," considered as a
whole, it should be noted that the author was prompted to prepare the
work, notwithstanding the ill health by which he was incessantly
interrupted, by the conviction that the establishment of rules of
conduct on a scientific basis is a pressing need. Now that moral
injunctions are losing the authority given by their supposed sacred
origin, the secularization of morals is becoming imperative. Those who
reject the current creed appear to assume that the controlling agency
conferred by it may safely be thrown aside. On the other hand, those
who defend the current creed allege that, in the absence of the guidance
it yields, no guidance can exist, divine commandments being, in their
opinion, the only possible guides. Dissenting from both of these
beliefs, Mr. Spencer has had for his primary purpose in the two volumes
under review to show that, apart from any supposed supernatural basis,
the principles of ethics have a natural basis. In these two volumes this
natural basis is set forth, and its corollaries are elaborated. If the
conclusions to which the general law of evolution introduces us are not
in all cases as definite as might be wished, yet our author submits that
they are more definite than those to which we are introduced by the
current creed. Complete definiteness is not, of course, to be expected.
Right regulation of the actions of so complex a being as man, living
under conditions so complex as those presented by a society, evidently
forms a subject-matter unlikely to admit of specific statements
throughout its entire range.
The principal inductions drawn from the data collected in the first of
these volumes may be set forth in a few sentences. Multitudinous proofs
are brought forward of the fact that the ethical sentiment prevailing in
different societies, and in the same society under different conditions,
are sometimes diametrically opposed. In Europe and in the United States
to have committed a murder disgraces for all time a man's memory, and
disgraces for generations all who are related to him. By the Pathans,
however, a contrary sentiment is displayed. One who had killed a Mellah
(priest) and failed to find refuge from the avengers, said at length: "I
can but be a martyr; I will go and kill a Sahib." He was hanged after
shooting a sergeant, perfectly satisfied "at having expiated his
offence." The prevailing ethical sentiment in England is such that a man
who should allow himself to be taken possession of and made an
unresisting slave would be regarded with scorn; but the people of
Drekete, a slave-district of Fiji, "said it was their duty to become
food and sacrifices for the chiefs," and that "they were honored by
being considered adequate to such a noble task." Less extreme, though
akin in nature, is the contrast between the feelings which the history
of Englishmen has recorded within a few centuries. In Elizabeth's time,
Sir John Hawkins initiated the slave-trade, and, in commemoration of the
achievement, was allowed to put in his coat-of-arms: "a demi-moor
proper, bound with a cord,"--the honorableness of his action being thus
assumed by himself, and recognized by Queen and public. At the present
day, on the other hand, the making slaves of men, called by Wesley "the
sum of all villanies," is regarded in England with detestation; and for
many years the British government maintained a fleet to suppress the
slave-trade. Again, peoples who have emerged from the primitive
family-and-clan organization, hold that one who is guilty of a crime
must himself bear the punishment, and it is thought extreme injustice
that the punishment should fall upon any one else. The remote ancestors
of the English people thought and felt differently, as do still the
Australians, whose "first great principle with regard to punishment is
that all the relatives of a culprit, in the event of his not being
found, are implicated in his guilt: the brothers of the criminal
conceive themselves to be quite as guilty as he is." Then, too, among
civilized peoples the individualities of women are so far recognized
that the life and liberty of a wife are not supposed to be bound up with
those of her husband; and she now, having obtained a right to exclusive
possession of property, contends for complete independence, domestic and
political. It is, or was, otherwise in Fiji. The wives of the Fijian
chiefs consider it a sacred duty to suffer strangulation on the deaths
of their husbands. A woman who had been rescued by an Englishman
"escaped during the night, and, swimming across the river, and
presenting herself to her own people, insisted upon the completion of
the sacrifice which she had in a moment of weakness reluctantly
consented to forego." Another foreign observer tells of a Fijian woman
who loaded her rescuer "with abuse, and ever afterwards manifested the
most deadly hatred towards him." In England and on the Continent the
religious prohibition of theft and the legal punishment of it are joined
with a strong social reprobation, so that the offence of a thief is
never condoned. In Beloochistan, on the other hand, quite contrary ideas
and feelings are current. There "a favorite couplet is to the effect
that the Biloch who steals and murders, secures Heaven to seven
generations of ancestors." In England and the United States reprobation
of untruthfulness is strongly expressed, alike by the gentleman and the
laborer. In many parts of the world it is not so. In Blantyre, for
example, according to MacDonald, "to be called a liar is rather a
compliment." Once more: English sentiment is such that the mere
suspicion of incontinence on the part of a woman is enough to blight her
life; but there are peoples whose sentiments entail no such effect, and,
in some cases, a reverse effect is produced: "Unchastity is, with the
Wetyaks, a virtue." It seems, then, that in respect of all the leading
divisions of human conduct, different races of men, and the same races
at different stages, entertain opposite beliefs, and display
opposite feelings.
In Mr. Spencer's opinion, the evidence here brought to a focus ought to
dissipate once for all the belief in a moral sense, as commonly
entertained. A long experience of mankind, however, prevents him from
indulging in such an expectation. Among men at large, lifelong
convictions are not to be destroyed either by conclusive arguments or
multitudinous facts. Only to those who are not by creed or cherished
theory committed to the hypothesis of a supernaturally created human
species will the evidence above summed up prove that the human mind has
no originally implanted conscience. Mr. Spencer himself at one time
espoused the doctrine of the intuitive moralists, but it has gradually
become clear to him that the qualifications required practically
obliterate the doctrine as enunciated by them. It has become clear to
him, in other words, that if among civilized folk the current belief is
that a man who robs and does not repent will be eternally damned, while
an accepted proverb among the Bilochs is, that "God will not favor a man
who does not steal and rob," it is impossible to hold that men have in
common an innate perception of right and wrong.
At the same time, while the inductions drawn by Mr. Spencer from the
data of ethics show that the moral-sense doctrine in its original form
is not true, they also show that it adumbrates a truth, and a much
higher truth. For the facts cited, chapter after chapter, unite in
proving that the sentiments and ideas current in each society become
adjusted to the kinds of activity predominating in it. A life of
constant external enmity generates a code in which aggression, conquest,
revenge, are inculcated, while peaceful occupations are reprobated.
Conversely, a life of settled internal amity generates a code
inculcating the virtues conducing to harmonious co-operation,--justice,
honesty, veracity, regard for others' claims. The implication is that,
if the life of internal amity continues unbroken from generation to
generation, there must result not only the appropriate code, but the
appropriate emotional nature,--a moral sense adapted to the moral
requirements. Men so conditioned will acquire to the degree needful for
complete guidance that innate conscience which the intuitive moralists
erroneously supposed to be possessed by mankind at large. There needs
but a continuance of absolute peace externally and a rigorous insistence
on non-aggression internally, to insure the moulding of men into a form
naturally characterized by all the virtues. This general induction is
re-enforced by especial induction. Now as displaying this high trait of
nature, now as displaying that, Mr. Spencer has instanced various
uncivilized peoples who, inferior to us in other respects, are morally
superior to us. He has also pointed out that such peoples are, one and
all, free from inter-tribal antagonisms. The peoples showing this
connection between external and internal peacefulness on the one hand,
and superior morality on the other, are of various races. In the Indian
Hills are found some who are by origin Mongolian, Kelarian, Dravidian;
in the forests of Malacca, Burma, and in secluded parts of China exist
such tribes of yet other bloods; in the East Indian archipelago are
some belonging to the Papuan stock; in Japan there are the amiable
Ainos, who have no traditions of internecine strife; and in North Mexico
exists yet another such people unrelated to the rest, the Pueblos. Our
author holds that no more conclusive proof could be wished than that
supplied by these isolated groups of men, who, widely remote in locality
and differing in race, are alike in the two respects that circumstances
have long exempted them from war, and that they are now organically
good. May we not reasonably infer, asks Mr. Spencer, in conclusion, that
the state reached by these small, uncultured tribes may be reached by
the great cultured nations, when the life of internal amity shall be
unqualified by the life of external enmity?
We bring to an end our review of the "Synthetic Philosophy" by pointing
out that the ethical doctrine constituting the culmination of the system
which is set forth in the "Principles of Ethics" is fundamentally a
corrected and elaborated version of the doctrine propounded in "Social
Statics" issued as long ago as 1850. The correspondence between the two
works is shown not only by the coincidence of their constructive
divisions, but also by the agreement of their cardinal ideas. As in the
one, so in the other, Man, in common with lower creatures, is held to be
capable of indefinite change by adaptation to conditions. In both he is
regarded as undergoing transformation from a nature appropriate to his
aboriginal wild life, to a nature appropriate to a settled civilized
life; and in both this transformation is described as a moulding into a
form fitted for harmonious co-operation. In both works, too, this
moulding is said to be effected by the repression of certain primitive
traits no longer needed, and the development of needful traits. As in
the first work, so in this last, the great factor in the progressive
modification is shown to be sympathy. It was contended in "Social
Statics," as it is contended in the "Principles of Ethics," that
harmonious social co-operation implies that limitation of individual
freedom which results from sympathetic regard for the freedoms of
others; and that the law of equal freedom is the law in conformity to
which equitable individual conduct and equitable social arrangements
co-exist. Mr. Spencer's theory in 1850 was, as his theory still is, that
the mental products of Sympathy which constitute what is called "the
moral sense," arise as fast as men are disciplined into social life; and
that along with them arise intellectual perceptions of right human
relations, which become clearer as the form of social life becomes
better. Further, in the earlier work it was inferred, as it is inferred
in the latest, that there is being effected a conciliation of individual
natures with social requirements; so that there will eventually be
achieved the greatest individuation, along with the greatest mutual
dependence,--an equilibrium of such kind that each, in fulfilling the
wants of his own life, will aid in fulfilling the wants of all other
lives. We observe, finally, that, in the first work, there were drawn
essentially the same corollaries respecting the rights of individuals
and their relations to the State that are drawn in the "Principles
of Ethics."
A word may be said in conclusion about the difference between the
relation of Mr. Spencer on the one hand and Darwin on the other to the
thought of the Nineteenth Century. The fact is not to be lost sight of
that the principles of the Evolutionary, or, as Mr. Spencer prefers to
term it, the Synthetic, philosophy were formulated before the
publication of the "Origin of Species." What the ultimately general
acceptance of the theory propounded in Darwin's work did for Mr. Spencer
was precisely this: it greatly strengthened the biological evidence for
the evolutionary hypothesis. That hypothesis was upheld, however, by
evidence drawn not merely from biology, but from many other sources.
Moreover, while the Darwinian theory of natural selection, supplemented
as it was by the adoption of the Lamarkian factors,--the effect of use
and disuse and the assumed transmissibility of acquired
character,--merely attempted to explain the mode in which the changes in
organic life have taken place upon the earth, the evolutionary
hypothesis put forth by Mr. Spencer professed to be applicable to the
whole sphere of the knowable. It is further to be borne in mind that Mr.
Spencer has devoted a large part of his life to tracing in detail the
applications of his fundamental principles to social, political,
religious, and ethical phenomena. Darwin, on the other hand, strictly
confined himself to the biological field, and left to disciples the task
of indicating the bearing of the Darwinian theory upon sociology,
theology, and morals.
AUTHORITIES.
The Complete Works of Herbert Spencer (The Synthetic Philosophy).
Also, "Facts and Comments," by Herbert Spencer (Appleton's).
John Fiske's "Outlines of Cosmic Philosophy."
F.H. Collins's "Epitome of the Synthetic Philosophy."
A.D. White's "Herbert Spencer: The Completion of the Synthetic
Philosophy."
CHARLES ROBERT DARWIN.
1809-1882;
HIS PLACE IN MODERN SCIENCE.
BY MAYO W. HAZELTINE.
There is no doubt that, by the judgment of a large majority of
scientists, the place of pre-eminence in the history of science during
the nineteenth century should be assigned to Charles Robert Darwin. The
theory associated with his name deserves to be called epoch-making. The
Darwinian hypothesis, indeed, should not be confounded with the cosmic
theory of Evolution which was formulated earlier and independently by
Herbert Spencer, and supported by many arguments drawn from sources
outside the field of natural history. The specific merit of the
Darwinian hypothesis is that it furnishes a rational and almost
universally accepted explanation of the mode in which changes have taken
place in the development of organic life upon the earth. With the
possible cosmical applications of his theory Darwin did not concern
himself, though the bearing of his hypothesis upon wider problems was at
once discerned, and has been set forth by Spencer and others. Before
stating, however, the conclusions at which Darwin arrived in his "Origin
of Species," the "Descent of Man," and other writings, and before
indicating the extent to which these conclusions have been adopted, we
should say a word about his interesting, amiable, and exemplary
personality. Concerning his private life, there is no lack of
information. He himself wrote an autobiographical sketch which has been
amplified by his son Francis Darwin, and supplemented with numerous
extracts from his correspondence.
I.
Charles Robert Darwin was born at Shrewsbury, Feb. 12, 1809. His mother
was a daughter of Josiah Wedgwood, the well-known Staffordshire potter,
and his father, Dr. Robert Waring Darwin, was a son of Erasmus Darwin,
celebrated in the eighteenth century as a physician, a naturalist, and a
poet. It is a curious fact that in some of his speculations Erasmus
Darwin anticipated the views touching the evolution of organic life
subsequently announced by Lamarck, and ultimately incorporated by
Charles Darwin in the theory that bears his name. The only taste kindred
to natural history which Dr. Darwin possessed in common with his father
and his son was a love of plants. The garden of his house in Shrewsbury,
where Charles Darwin spent his boyhood, was filled with ornamental
trees and shrubs, as well as fruit-trees.
When Charles Darwin was about eight years old, he was sent to a
day-school, and it seems that even at this time his taste for natural
history, and especially for collecting shells and minerals, was well
developed. In the summer of 1818 he entered Dr. Butler's great school in
Shrewsbury, well known to the amateur makers of Latin verse by the
volume entitled "Sabrinae Corolla." He expressed the opinion in later
life that nothing could have been worse for the development of his mind
than this school, as it was strictly classical, nothing else being
taught except a little ancient biography and history. During his whole
life he was singularly incapable of mastering any language. With respect
to science, he continued collecting minerals with much zeal, and after
reading White's "Selborne" he took much pleasure in watching the habits
of birds. Towards the close of his school life he became deeply
interested in chemistry, and was allowed to assist his elder brother in
some laboratory experiments. In October, 1825, he proceeded to Edinburgh
University, where he stayed for two years. He found the lectures
intolerably dull, with the exception of those on chemistry. Curiously
enough, while walking one day with a fellow-undergraduate, the latter
burst forth in high admiration of Lamarck and his views on evolution. So
far as Darwin could afterwards judge, no impression was made upon his
own mind. He had previously read his grandfather's "Zoönomia," in which
similar views had been propounded, but no discernible effect had been
produced upon him. Nevertheless, it is probable enough that the hearing
rather early in life such views maintained and praised may have favored
his upholding them under a different form in the "Origin of Species."
While at Edinburgh, Darwin was a member of the Plinian Society, and read
a couple of papers on some observations in natural history. After two
sessions had been spent at Edinburgh, Darwin's father perceived that the
young man did not like the thought of being a physician, and proposed
that he should become a clergyman. In pursuance of this proposal, he
went to the University of Cambridge in 1828, and three years later took
a B.A. degree. In his autobiography the opinion is expressed that at
Cambridge his time was wasted. It was there, however, that he became
intimately acquainted with Professor Henslow, a man of remarkable
acquirements in botany, entomology, chemistry, mineralogy, and geology.
During his last year at Cambridge Darwin read with care and interest
Humboldt's "Personal Narrative," and Sir John Herschel's "Introduction
to the Study of Natural Philosophy." These books influenced him
profoundly, arousing in him a burning desire to make even the most
humble contribution to the structure of natural science. At Henslow's
suggestion he began the study of biology, and in 1831 accompanied
Professor Sedgwick in the latter's investigations amongst the older
rocks in North Wales.
It was Professor Henslow who secured for young Darwin the appointment of
naturalist to the voyage of the "Beagle." This voyage lasted from Dec.
27, 1831, to Oct. 2, 1836. The incidents of this voyage will be found
set forth in Darwin's "Public Journeys." The observations made by him in
geology, natural history, and botany gave him a place of considerable
distinction among scientific men. In 1844 he published a series of
observations on the volcanic islands visited during the voyage of the
"Beagle," and two years later "Geological Observations on South
America." These two books, together with a volume entitled "Coral
Reefs," required four and a half years' steady work. In October, 1846,
he began the studies embodied in "Cirripedia" (barnacles). The outcome
of these studies was published in two thick volumes. The time came when
Darwin doubted whether the work was worth the consumption of the time
employed, but probably it proved of use to him when he had to discuss in
the "Origin of Species" the principles of a natural classification. From
September, 1854, and during the four ensuing years, Darwin devoted
himself to observing and experimenting in relation to the transmutation
of species, and in arranging a huge pile of notes upon the subject. As
early as October, 1838, it had occurred to him as probable, or at least
possible, that amid the struggle for existence which everywhere goes on
in the animal world, favorable variations would tend to be preserved,
and unfavorable ones to be destroyed. The result would be the formation
of new species.
It was not until June, 1842, however, that Darwin allowed himself the
satisfaction of writing a very brief abstract of his theory in
thirty-five pages. This was enlarged two years later into one of 230
pages. Early in 1856, Sir Charles Lyell, the well-known geologist,
advised him to write out his views upon the subject fully, and Darwin
began to do so on a scale three or four times as extensive as that which
was afterwards followed in his "Origin of Species." He got through about
half the work on this scale. His plans were overthrown, owing to the
curious circumstance that, in the summer of 1858, Mr. Alfred E. Wallace,
who was then in the Malay archipelago, sent him an essay "On the
Tendency of Varieties to depart indefinitely from the Original Type." It
turned out upon perusal that this essay contained exactly the same
theory as that which Darwin was engaged in elaborating. Mr. Wallace
expressed the wish that, if Darwin thought well of the essay, he should
send it to Lyell. It was Sir Charles Lyell and Sir Joseph Hooker who
insisted that Darwin should allow an abstract from his manuscript,
together with a letter to Prof. Asa Gray, dated Sept. 5, 1857, to be
published at the same time with Wallace's essay. Darwin was unwilling to
take this course, being then unacquainted with Mr. Wallace's generous
disposition. As a matter of fact, the joint productions excited very
little attention, and the only published notice of them asserted that
what was new in them was false, and that what was true was old. From the
indifference evinced to the papers which first propounded the theory of
natural selection, Darwin drew the inference that it is necessary for
any new view to be explained at considerable length in order to obtain
the public ear.
In September, 1858, Darwin, at the earnest advice of Lyell and Hooker,
set to work to prepare a volume on the transmutation of species. The
book cost him more than thirteen months' hard labor. It was published in
November, 1859, under the title of "Origin of Species." This, which
Darwin justly regarded as the chief work of his life, was from the first
highly successful. The first edition was sold on the day of publication,
and the book was presently translated into almost every European tongue.
Darwin himself attributed the success of the "Origin" in large part to
his having previously written two condensed sketches, and to his having
finally made an abstract of a much larger manuscript, which itself was
an abstract. By this winnowing process he had been enabled to select the
more striking facts and conclusions. As to the current assertion that
the "Origin" succeeded because the subject was in the air, or because
men's minds were prepared for it, Darwin was disposed to doubt whether
this was strictly true. In previous years he had occasionally sounded
not a few naturalists, and had never come across a single one who seemed
to doubt about the permanence of species. Probably men's minds were
prepared in this sense, that innumerable well-verified facts were stored
away in the memories of naturalists, ready to take their proper places
as soon as any theory which would account for them should be strongly
supported. Darwin himself thought that he gained much by a delay in
publishing, from about 1839, when the "Darwinian" theory was clearly
conceived, to 1859; and that he lost nothing, because he cared very
little whether men attributed most originality to him or to Wallace.
Darwin's "Variation of Animals and Plants under Domestication" was begun
in 1860, but was not published till 1868. The book was a big one, and
cost him four years and two months' hard labor. It gives in the first
volume all his personal observations, and an immense number of facts,
collected from various sources, about domestic productions, animal and
vegetable. In the second volume the causes and laws of variation,
inheritance, etc., are discussed. Towards the end of the work is
propounded the hypothesis of Pangenesis, which has been generally
rejected, and which the author himself looked upon as unverified,
although by it a remarkable number of isolated facts could be connected
together and rendered intelligible.
The "Descent of Man" was published in February, 1871. Touching this
work, Darwin has told us that, as soon as he had become (in 1837 or
1838) convinced that species were mutable productions, he could not
avoid the belief that man must come under the same law. Accordingly, he
collected notes on the subject for his own satisfaction, and not for a
long time with any intention of publishing. In the "Origin of Species,"
the derivation of any particular species is never discussed; but in
order that no honorable man should accuse him of concealing his views,
Darwin had thought it best to add that by that work, "light would be
thrown on the origin of man and his history." It would have impeded the
acceptance of the theory of natural selection if Darwin had paraded,
without giving any evidence, his conviction with respect to man's
origin. When he found, however, that many naturalists accepted his
doctrine of the evolution of species, it seemed to him advisable to work
up such notes as he possessed, and to publish a special treatise on the
origin of man. He was the more glad to do so, as it gave him an
opportunity of discussing at length sexual selection, a subject which
had always interested him.
Darwin's book on the "Expression of Emotion in Men and Animals" was
published in the autumn of 1872. This had been intended to form a
chapter on the subject in the "Descent of Man," but as soon as Darwin
began to put his notes together he saw that it would require a separate
treatise. In July, 1875, appeared the book on "Insectivorous Plants."
The fact that a plant should secrete, when properly excited, a fluid
containing an acid and ferment closely analogous to the digestive fluid
of an animal, was certainly a remarkable discovery. In the autumn of
1876 appeared "The Effects of Cross and Self Fertilization," a work in
which are described the endless and wonderful contrivances for the
transportation of pollen from one plant to another of the same species.
About the same time was brought out an enlarged edition of the
"Fertilization of Orchids," originally published in 1862. Among the
minor works issued during the later years of Darwin's life may be
mentioned particularly the little book on "The Formation of Vegetable
Mould through the Action of Worms." This was the outgrowth of a short
paper read before the Geological Society more than fourteen
years before.
In order to appreciate the enormous amount of research accomplished by
Charles Darwin, it is needful to keep in mind the conditions of
ill-health under which almost continually he worked. For nearly forty
years he never knew one day of the health of ordinary men. His life was
one long struggle against the weariness and drain of sickness. During
his last ten years there were signs of amendment in several particulars,
but a loss of physical vigor was apparent. Writing to a friend in 1881,
he complained that he no longer had the heart or strength to begin any
prolonged investigations. In February and March, 1882, he frequently
experienced attacks of pain in the region of the heart, attended with
irregularity of the pulse. On April 18 he fainted, and was brought back
to consciousness with great difficulty. He seemed to recognize the
approach of death, and said, "I am not the least afraid to die." On the
afternoon of Wednesday, April 19, he passed away. On April 26 he was
interred in Westminster Abbey. The funeral was attended by
representatives of France, Germany, Italy, Spain, and Russia, and by
delegates of the universities and learned societies of which he had been
a member. Among the pall-bearers were Sir John Lubbock, Sir Joseph
Hooker, Professor Huxley, Mr. A.R. Wallace, Mr. James Russell Lowell,
the Duke of Argyll, and the Duke of Devonshire. The grave is
appropriately placed in the north aisle of the nave, only a few feet
from the last resting-place of Sir Isaac Newton.
II.
An outline of Darwin's personality would not be complete without a
glance at some of his mental characteristics, and at his attitude toward
religion. Of his intellectual powers, he himself speaks with
extraordinary modesty in his autobiography. He points out that he always
experienced much difficulty in expressing himself clearly and concisely,
but he opines that this very difficulty may have had the compensating
advantage of forcing him to think long and intently about every
sentence, and thus enabling him to detect errors in reasoning and in his
own observations, or in those of others. He disclaimed the possession of
any great quickness of apprehension or wit, such as distinguished
Huxley. He protested, also, that his power to follow a long and purely
abstract train of thought was very limited, for which reason he felt
certain that he never could have succeeded with metaphysics or
mathematics. His memory, too, he described as extensive, but hazy. So
poor in one sense was it that he never could remember for more than a
few days a single date or a line of poetry. On the other hand, he did
not accept as well founded the charge made by some of his critics that,
while he was a good observer, he had no power of reasoning. This, he
thought, could not be true, because the "Origin of Species" is one long
argument from the beginning to the end, and has convinced many able
men. No one, he submits, could have written it without possessing some
power of reasoning. He was willing to assert that "I have a fair share
of invention, and of common sense or judgment, such as every fairly
successful lawyer or doctor must have, but not, I believe, in any higher
degree." He adds humbly that perhaps he was "superior to the common run
of men in noticing things which easily escape attention, and in
observing them carefully."
Writing in the last year of his life, he expressed the opinion that in
two or three respects his mind had changed during the preceding twenty
or thirty years. Up to the age of thirty or beyond it poetry of many
kinds gave him great pleasure. Formerly, too, pictures had given him
considerable, and music very great, delight. In 1881, however, he said:
"Now for many years I cannot endure to read a line of poetry; I have
tried lately to read Shakspeare, and found it so intolerably dull that
it nauseated me. I have also almost lost my taste for pictures or music.
Music generally sets me thinking too energetically of what I have been
at work on, instead of giving me pleasure. I retain some taste for fine
scenery, but it does not cause me the exquisite delight which it
formerly did." Darwin was convinced that the loss of these tastes was
not only a loss of happiness, but might possibly be injurious to the
intellect, and more probably to the moral character, by enfeebling the
emotional side of one's nature. So far as he could judge, his mind had
become in his later years a kind of machine for grinding general laws
out of large collections of facts, and that atrophy had taken place in
that part of the brain on which the higher aesthetic tastes depend.
Curiously enough, however, he retained his relish for novels, and for
books on history, biography, and travels.
It is well known that Darwin was extremely reticent with regard to his
religious views. He believed that a man's religion was essentially a
private matter. Repeated attempts were made to draw him out upon the
subject, and some of these were partially successful. Writing to a Dutch
student in 1873, he said: "I may say that the impossibility of
conceiving that this grand and wondrous universe, with our conscious
selves, arose through chance seems to me the chief argument for the
existence of God; but whether this is an argument of real value I have
never been able to decide. I am aware that if we admit a First Cause,
the mind still craves to know whence it came and how it arose. Nor can I
overlook the difficulty from the immense amount of suffering through the
world. I am also induced to defer to a certain extent to the judgment of
the many able men who have fully believed in God; but here again I see
how poor an argument this is. The safest conclusion seems to me that
the whole subject is beyond the scope of man's intellect; but man can do
his duty." To questions put by a German student in 1879, he replied:
"Science has nothing to do with Christ, except in so far as the habit of
scientific research makes a man cautious in admitting evidence. For
myself I do not believe that there ever has been any revelation. As for
a future life, every man must judge for himself between conflicting
vague probabilities." In the same year he told another correspondent:
"In my most extreme fluctuations I have never been an atheist in the
sense of denying the existence of a God. I think that generally (and
more and more as I grow older), but not always, that an Agnostic would
be the more correct description of my state of mind." His latest view is
indicated in a letter dated July 3, 1881. Here he expressed the "inward
conviction that the universe is not the result of chance." He adds,
however: "But, then, with me the horrid doubt always arises whether the
convictions of man's mind, which has been developed from the mind of the
lower animals, are of any value, or at all trustworthy. Would any one
trust the convictions in a monkey's mind, if there are any convictions
in such a mind?" The Duke of Argyll has recorded the few words on the
subject spoken by Darwin in the last year of his life. The Duke said
that it was impossible to look at the wonderful contrivances for
certain purposes in nature, and fail to recognize that they were the
effect and the expression of mind. Darwin looked at the Duke very hard,
and said, "Well, that often comes over me with overwhelming force; but
at other times"--here he shook his head vaguely--"it seems to go away."
III.
We pass to a consideration of Darwin's masterworks, the "Origin of
Species," the "Variation of Animals and Plants under Domestication," and
the "Descent of Man." Before indicating the conclusions reached in the
first of these works, we should point out to what extent Darwin had been
preceded by dissenters from the belief once almost universally
entertained by biologists that species were independently created, and,
once created, were immutable. Lamarck was the first naturalist whose
divergent views upon the subject excited much attention. In writings
published at various dates from 1801 to 1815, he upheld the doctrine
that all species, including man, are descended from other species. He
pronounced it probable that all changes in the organic, as well as in
the inorganic world, were the result of law, and not of miraculous
interposition. He seems to have been led to his opinion that the change
of species had been gradual by the difficulty experienced in
distinguishing species from varieties by the almost perfect gradation of
forms in certain groups, and by the analogy of domestic productions.
With respect to the means of modification, he attributed something to
the direct action of the physical conditions of life, something to the
crossing of already existing forms, and much to use and disuse, or, in
other words, to the effect of habit. Finally, he held that characters
acquired by an existing individual might be transmitted to its
offspring.
In 1813 Dr. W.C. Wells read before the Royal Society "An Account of a
White Female, Part of whose Skin resembles that of a Negro." In this
paper the author distinctly recognized the principle of natural
selection, but applied it only to the races of man, and in man only to
certain characters. After remarking that negroes and mulattoes enjoy an
immunity from certain tropical diseases, he observed, first, that all
animals tend to vary in some degree, and, secondly, that
agriculturalists improve their domesticated animals by selection. He
added that what is done in the latter case by art seems to be done with
equal efficacy, though more slowly, by nature in the formation of
varieties of mankind fitted for the countries which they inhabit. Again
in 1831 Mr. Patrick Matthew published a work on "Naval Timber and
Arboriculture," in which he put forth precisely the same view
concerning the origin of species as that propounded by Mr. Wallace and
by Darwin. Unfortunately for himself, the view was cursorily suggested
in scattered passages of an appendix to a work on a different subject,
so that it remained unnoticed until Mr. Matthew himself drew attention
to it in 1860, after the publication of the "Origin of Species." We
observe finally that Mr. Herbert Spencer, in an essay published in 1852,
and republished six years later, contrasted the theories of the creation
and the development of organic beings. He argued from the analogy of
domestic productions, from the changes which the embryos of many species
undergo, from the difficulty of distinguishing species and varieties,
and from the principle of general gradation, that species have been
modified; and he attributed the modification to the change of
circumstances.
The two volumes comprising the "Origin of Species" constitute, as the
author said, one long argument. It is, of course, impossible in the
space at our command to recapitulate in detail even the leading facts
and inferences which are brought forward to prove that species have been
modified during a long course of descent. We must confine ourselves to a
succinct statement of the author's general conclusions. What he
undertakes to prove is that the modification of species during a long
course of descent has been effected chiefly through the natural
selection of numerous successive slight favorable variations, aided in
an important manner by the inherited effects of the use and disuse of
parts; and in an unimportant manner,--that is, in relation to adaptive
structures, whether past or present, by the direct action of external
conditions, and by variations which seem to us, in our ignorance, to
arise spontaneously. It should be observed that Darwin does not
attribute the modification exclusively to natural selection. What he
asserts is: "I am convinced that natural selection has been the main,
but not the exclusive, means of modification." He submits that a false
theory would hardly explain in so satisfactory a manner as does the
theory of natural selection the several large classes of facts
marshalled in the two volumes now under review. If it be objected that
this is an unsafe method of arguing, Darwin rejoins that it is a method
usual in judging of the common events of life, and has often been used
by the greatest natural philosophers. The undulatory theory of light,
for instance, has thus been arrived at; and the belief in the revolution
of the earth on its own axis was, until lately, supported by scarcely
any direct evidence. It is no valid objection to the Darwinian theory of
the origin of species that science as yet throws no light on the far
higher problem of the essence or origin of life. Neither has any one
explained what is the essence of the attraction of gravity, though
nobody now objects to following out the results consequent on this
unknown element of attraction.
Why, it may be asked, did nearly all the most eminent naturalists and
geologists until recently decline to believe in the mutability of
species? Darwin replies that the belief that species were immutable
productions was almost unavoidable as long as the history of the world
was thought to be of short duration. Even now that we have acquired some
idea of the lapse of time, men are too apt to assume without proof that
the geological record is so perfect that it would have afforded plain
evidence of the mutation of species if they had really undergone
mutation. The chief cause, however, of the once-prevalent unwillingness
to admit that one species has given birth to other and distinct species
is the fact that men are slow to admit great changes of which they do
not see the steps. The difficulty is the same which was experienced by
many geologists when Lyell first insisted that long lines of inland
cliffs had been formed and great valleys excavated, not by catastrophes,
but by the slow-moving agencies which we see still at work. The human
mind cannot grasp the full meaning of the term of even a million years;
cannot add up and perceive the full effects of many slight variations
accumulated during an almost infinite number of generations.
When the first edition of the "Origin of Species" was published in 1859,
Darwin wrote that he by no means expected to convince experienced
naturalists whose minds were stocked with a multitude of facts, all
regarded during a long course of years from a point of view directly
opposite to his. He looked forward with confidence, however, to the
future, to young and rising naturalists, who would be able to view both
sides of the question with impartiality. He predicted that, when the
conclusions reached by him and by Mr. Wallace concerning the origin of
species should be generally accepted, there would be a considerable
revolution in natural history. Naturalists, for instance, would be
forced to acknowledge that the only distinction between species and
well-marked varieties is that the latter are known or believed to be
connected at the present day by intermediate gradations, whereas species
were formerly, though they are not now, thus connected. It might thus
come to pass that forms generally acknowledged in 1859 to be merely
varieties, would thereafter be thought worthy of specific names; in
which case scientific and common language would come into accordance. In
short, Darwin looked forward to the time when species would have to be
treated in the same manner as genera are treated by those naturalists
who admit that genera are merely artificial combinations made for
convenience.
Darwin also foresaw that when his theory of the origin of species should
be adopted, other and more general departments of natural history would
rise greatly in interest. The terms used by naturalists--such terms as
affinity, relationship, community of type, paternity, morphology,
adaptive characters, rudimentary and abortive organs, etc.--would cease
to be metaphorical, and would have a plain signification. "When," he
wrote, "we no longer look at an organic being as a savage looks at a
ship, as something wholly beyond his comprehension; when we regard every
production of nature as one which has had a long history; when we
contemplate every complex structure and instinct as the summing up of
many contrivances, each useful to the possessor, in the same way as any
great mechanical invention is the summing up of the labor, the
experience, the reason, and even the blunders of numerous workmen; when
we thus view each organic being, how far more interesting--I speak from
experience--does the study of natural history become." Once more: "When
we can feel assured that all the individuals of the same species, and
all the closely allied species of most genera, have within a not very
remote period descended from one parent, and have migrated from some one
birthplace; and when we better know the many means of migration, then,
by the light which geology now throws, and will continue to throw, on
former changes of climate and of the level of the land, we shall surely
be enabled to trace in an admirable manner the former migrations of the
inhabitants of the whole world."
When Darwin published the "Origin of Species," he was aware that
theologians and philosophers seemed to be fully satisfied with the view
that each species had been independently created, and was immutable. To
his own mind, however, it accorded better with what was known of the
laws impressed on matter by the Creator that the production and
extinction of the past and present inhabitants of the world should have
been due to secondary causes like those determining the birth and death
of the individual. "When I view," he said, "all beings not as special
creations, but as the lineal descendants of some few beings which lived
long before the first bed of the Cambrian system was deposited, they
seem to me to become ennobled." And again: "As all the living forms of
life are the lineal descendants of those which lived long before the
Cambrian epoch, we may feel certain that the ordinary succession by
generation has never once been broken, and that no cataclysm has
desolated the whole world. Hence we may look with some confidence to a
secure future of great length. And as natural selection works slowly by
and for the good of each being, all corporeal and mental endowments will
tend to progress towards perfection."
For his own part, Darwin could see no good reason why the views
propounded in the two volumes comprising the "Origin of Species" should
shock the religious feelings of any one. Touching the likelihood of
such a result, he reassured himself by recalling the fact that the
greatest discovery ever made by man--namely, the law of the attraction
of gravitation--was attacked by Leibnitz "as subversive of natural, and
inferentially, of revealed, religion." Darwin was confident that, if any
such impressions were made by his theory, they would prove but
transient, and that ultimately men would come to see that it is just as
noble a conception of the Deity to believe that He created a few
original forms capable of self-development into other and needful forms
as to believe that it required the fresh act of creation to supply the
voids caused by the action of His laws.
IV.
It was, as we have said, in 1868 that Darwin published the two volumes
collectively entitled "Variation of Animals and Plants under
Domestication." It is the second and largely corrected edition brought
out in 1875 which we have under our eye. It is the outcome of the views
maintained by the author in this work and elsewhere that not only the
various domestic races but the most distinct genera and orders within
the same great class--for instance, mammals, birds, reptiles, and
fishes--are all the descendants of one common progenitor, and the whole
vast amount of difference between these forms has primarily arisen from
simple variability. Darwin recognized that he who for the first time
should consider the subject under this point of view would be struck
dumb with amazement. He submits, however, that the amazement ought to be
lessened when we reflect that beings almost infinite in number during an
almost infinite lapse of time have often had their whole organization
rendered in some degree plastic, and that each slight modification of
structure which was in any way beneficial under excessively complex
conditions of life has been preserved, whilst each which was in any way
injurious has been rigorously destroyed. The long-continued accumulation
of beneficial variations will infallibly have led to structures as
diversified, as beautifully adapted for various purposes, and as
excellently co-ordinated as we see in the animals and plants around us.
Hence Darwin regards selection as the paramount power, whether applied
by man to the formation of domestic beings or by nature to the
production of species. Employing a favorite metaphor, he said: "If an
architect were to rear a noble and commodious edifice without the use of
cut stone, by selecting from the fragments at the base of a precipice
wedge-form stones for his arches, elongated stones for his lintels, and
flat stones for his roof, we should admire his skill and regard him as
the paramount power. Now, the fragments of stone, though indispensable
to the architect, bear to the edifice built by him the same relation
which the fluctuating variations of organic beings bear to the varied
and admirable structures ultimately acquired by their modified
descendants."
Some critics of the Darwinian theory of the origin of species have
declared that natural selection explains nothing, unless the precise
cause of each slight individual difference be made clear. Darwin rejoins
that if it were explained to a savage utterly ignorant of the art of
building how the edifice had been raised, stone upon stone, and why
wedge-formed fragments were used for the arches, flat stones for the
roof, etc.; and if the use of each part and of the whole building were
pointed out,--it would be unreasonable if he declared that nothing had
been made clear to him, because the precise cause of the shape of each
fragment could not be told. This, in Darwin's opinion, is a nearly
parallel case, with the objection that selection explains nothing
because we know not the cause of each individual difference in the
structure of each being. The shape of the fragments of stone at the base
of the hypothetical precipice may be called accidental, but the term is
not strictly applicable; for the shape of each depends on a long
sequence of events, all obeying natural laws; on the nature of the rock,
on the lines of deposition or cleavage, on the form of the mountain,
which depends on its upheaval and subsequent denudation, and, lastly,
on the storm or earthquake which throws down the fragments.
In regard to the use, however, to which the fragments may be put, their
shape may be strictly said to be accidental. Here Darwin acknowledged
that we are brought face to face with a great difficulty in alluding to
which he felt that he was travelling beyond his proper province. "An
omniscient Creator must have foreseen every consequence which results
from the laws imposed by Him. But can it be reasonably maintained that
the Creator intentionally ordered, if we use the words in any ordinary
sense, that certain fragments of rock should assume certain shapes, so
that the builder might erect his edifice? If the various laws which have
determined the shape of each fragment were not predetermined for the
builder's sake, can it be maintained with any greater probability that
He specially ordained for the sake of the breeder each of the
innumerable variations in our domestic animals and plants,--many of
these variations being of no service to man, and not beneficial, far
more often injurious, to the creatures themselves? Did He ordain that
the crop and tail-feathers of the pigeon should vary in order that the
fancier might make his grotesque pouter and fan-tail breeds? Did He
cause the frame and mental qualities of the dog to vary in order that a
breed might be formed of indomitable ferocity with jaws fitted to pin
down the bull for man's brutal sport?"
It is obvious, however, that if we give up the principle in one
case,--if we do not admit that the variations of the primeval dog were
intentionally guided in order that the greyhound, for instance, that
perfect image of symmetry and vigor, might be formed,--no shadow of
reason can be assigned for the belief that variations similar in nature
and the result of the same general laws which have been the groundwork
through natural selection of the formation of the most perfectly adapted
animals in the world, man included, were intentionally and specially
guided. Darwin, therefore, was unable to follow the distinguished
botanist, Prof. Asa Gray, in his belief that "variation has been led
along certain beneficial lines," like a stream "along definite and
useful lines of irrigation." Darwin's conclusion was that, if we assume
that each particular variation was from the beginning of all time
preordained, then that plasticity of organization which leads to many
injurious deviations of structure, as well as the redundant power of
reproduction which inevitably leads to a struggle for existence, and, as
a consequence, to a natural selection or survival of the fittest, must
appear to us superfluous laws of nature.
V.
Next to the "Origin of Species," the volume which sets forth Darwin's
theory of the "Descent of Man" naturally excited the most widespread
attention. This book, which took the author three years to write, was
published in 1871, a second and carefully revised edition appearing
three years later. The data brought together occupy more than six
hundred pages. The conclusions reached may be summed up in a few
paragraphs. The principal induction from the evidence is that man is
descended from some less highly organized form. It was Darwin's
conviction that the grounds upon which this conclusion rests will never
be shaken, for the close similarity between man and the lower animals in
embryonic development, as well as in innumerable points of structure and
constitution, both of high and of the most trifling importance,--the
rudiments which he retains and the abnormal reversions to which he is
occasionally liable,--are facts which cannot be disputed. Viewed in the
light of our knowledge of the whole organic world, their meaning is
unmistakable. The great principle of evolution stands out clear and firm
when these groups of facts are considered in connection with others,
such as the mutual affinities of the members of the same group, their
geographical distribution in past and present times, and their
geological succession. It is pronounced incredible that all these facts
should speak falsely. He who is not content to look like a savage at the
phenomena of nature as disconnected cannot any longer believe that man
is the product of a separate act of creation. He will be forced to admit
that the close resemblance of the embryo of man to that, for instance,
of a dog,--the construction of his skull, limbs, and whole frame on the
same plan with that of other mammals, independently of the uses to which
the parts may be put; the occasional reappearance of various structures,
for instance, of several muscles which man does not normally possess,
but which are common to the Quadrumana, and a crowd of analogous
facts,--all point in the plainest manner to the conclusion that man is
the co-descendant with other mammals of a common progenitor.
Darwin recognized that the high standard of our intellectual powers and
moral disposition constitutes the greatest difficulty which presents
itself after we have been driven by the mass of biological evidence to
accept his conclusion as to the origin of man. Touching this point, he
observes: "Every one who admits the principle of evolution must see that
the mental powers of the higher animals, which are the same in kind with
those of man, though so different in degree, are capable of advancement.
Thus the interval between the mental powers of one of the higher apes
and of a fish, or between those of an ant and scale-insect, is immense;
yet their development does not offer any special difficulty, for with
our domesticated animals the mental faculties are certainly variable,
and the variations are inherited. No one doubts that their mental
faculties are of the utmost importance to animals in a state of nature.
Therefore the conditions are favorable for their development through
natural selection. The same conclusion may be extended to man; the
intellect must have been all-important to him, even at a very remote
period, as enabling him to invent and use language, to make weapons,
tools, traps, etc., whereby, with the aid of his social habits, he long
ago became the most dominant of all living creatures."
It is further pointed out that a great stride in the development of
man's intellect must have followed as soon as the half-art and
half-instinct of language came into use; for the continued use of
language must have reacted on the brain, and produced an inherited
effect, and this again will have reacted on the improvement of language.
The largeness of the brain in man relatively to his body, compared with
the size of that organ in the lower animals, is attributable in chief
part to the early use of some simple form of language, that engine which
affixes signs to all sorts of objects and qualities, and excites trains
of thought which would never arise from the mere impression of the
senses, or, if they did arise, could not be followed out. The higher
intellectual powers of man, such as those of ratiocination, abstraction,
self-consciousness, etc., probably follow from the continued improvement
and exercise of the other mental faculties.
How man's moral qualities came to be developed is an interesting problem
which is considered by Darwin at some length. He holds that their
foundation lies in the social instincts under which term are included
family ties. These instincts are highly complex, and, in the case of the
lower animals, give special tendencies toward certain definite actions.
But the more important elements are love and the distinct emotion of
sympathy. Animals endowed with the social instincts take pleasure in one
another's company, warn one another of danger, defend and aid one
another in many ways. These instincts do not extend to all the
individuals of the species, but only to those of the same community. As,
however, they are highly beneficial to the species, they have in all
probability been acquired through natural selection. In Darwin's
judgment the moral nature of man has reached its present standard partly
through the advancement of his reasoning powers, and consequently, of a
just public opinion, but especially from his sympathies having been
rendered more tender and widely diffused through the effects of habit,
example, instruction, and reflection. It is pronounced not improbable
that, after long practice, virtuous tendencies may be inherited.
Let us look a little more closely at the matter, for the difficulty of
explaining morality forms one of the greatest obstacles to the
acceptance of the Darwinian account of the descent of man. What do we
mean by a moral being? Manifestly, a moral being is one who is capable
of reflecting on his past actions and their motives, and of approving of
some while he disapproves of others. Man is the one being who certainly
deserves this designation, though attempts have recently been made to
show that a rudimentary morality may be traced in some of the lower
animals. In the fourth chapter of the book before us, Darwin undertakes
to demonstrate that the moral sense follows,--first, from the enduring
and ever-present nature of the social instincts; secondly, from man's
appreciation of the approbation and disapprobation of his fellows; and,
thirdly, from the high activity of his mental faculties, with past
impressions extremely vivid; in these latter respects he differs from
the lower animals. Owing to this condition of mind, man cannot avoid
looking both backwards and forwards, and comparing past impressions.
Hence, after some temporary desire or passion has mastered his social
instincts, he reflects and compares the now weakened impression of such
past impulses with the ever-present social instincts; and he then feels
that sense of dissatisfaction which all unsatisfied instincts leave
behind them, and resolves to act differently for the future. This
dissatisfaction Darwin would identify with conscience. Any instinct
permanently stronger or more enduring than another gives rise to a
feeling which we express by saying that it _ought_ to be obeyed. Darwin
suggests that a pointer dog, if able to reflect on his past conduct,
would say to himself I _ought_ (as indeed we say of him) to have pointed
at that hare, and not have yielded to the passing temptation of
hunting it.
The belief in God has often been advanced as not only the greatest, but
the most decisive, of all the distinctions between man and the lower
animals. Darwin brings forward in the book before us a quantity of
reasons for holding it to be impossible that this belief is innate or
instinctive in man. In some races of men, for instance, we encounter a
total want of the idea of God. On the other hand, a belief in
all-pervading spiritual agencies seems to be universal, and apparently
follows from a considerable advance in man's reason, and from a still
greater advance in the faculties of imagination, curiosity, and wonder.
"I am aware," says Darwin, "that the assumed instinctive belief in God
has been used by many persons as an argument for His existence. But this
is a rash argument, as we should thus be compelled to believe in the
existence of many cruel and malignant spirits only a little more
powerful than man; for the belief in them is far more general than in a
beneficent deity. The idea of a universal and beneficent Creator does
not seem to arise in the mind of man until he has been elevated by
long-continued culture."
How does the belief in the advancement of man from some low organized
form bear on the belief in the immortality of the soul? Sir John Lubbock
has proved that the barbarous races of man possess no clear belief of
the kind; but, as Darwin continually reminds us, arguments derived from
the primeval beliefs of savages are of little or no avail on either side
of a question. Attention is directed by Darwin to the more relevant fact
that few persons feel any anxiety from the impossibility of determining
at what precise period in the development of the individual, from the
first trace of a minute germinal vesicle, man becomes an immortal being.
He submits that there should be no greater cause for anxiety because the
period cannot possibly be determined in the gradually ascending
organic scale.
Darwin was well aware that the conclusions arrived at in the work before
us--namely, that man is descended from some lowly organized form--would
be highly distasteful to many. The very persons, however, who regard the
conclusions with distaste admit without hesitation that they are
descended from barbarians. Darwin recalls the astonishment which he
himself felt on first seeing a party of Fuegians on a wild and broken
shore, when the reflection rushed upon his mind that such men had been
his ancestors. These men were absolutely naked and bedaubed with paint,
their long hair was tangled, their mouths frothed with excitement, and
their expression was wild, startled, and distrustful. They possessed
hardly any arts, and, like wild animals, lived on what they could catch;
they had no government, and were merciless to every one not of their own
small tribe. Remembering the impression made on him by the Fuegians,
Darwin suggests that he who has seen a savage in his native land will
not feel much shame if forced to acknowledge that the blood of some more
humble creature flows in his veins. "For my own part," he says, "I would
as soon be descended from that heroic little monkey who braved his
dreaded enemy in order to save the life of his keeper,--or from that old
baboon, who, descending from the mountains, carried away in triumph his
young comrade from a crowd of astonished dogs,--as from a savage who
delights to torture his enemies, offers up bloody sacrifices, practises
infanticide without remorse, treats his wives like slaves, knows no
decency, and is haunted by the grossest superstitions." Darwin holds, in
fine, that man may be excused for feeling some pride at having risen,
though not through his own exertions, to the very summit of the organic
scale; it is further submitted that the fact of his having thus risen,
instead of having been aboriginally placed there, may give him hope for
a still higher destiny in the distant future.
As a scientist, however, Darwin is not concerned with hopes or fears,
but simply with the truth, as man's reason enables him to discern it. We
must recognize, he thinks, as the truth, established by an overwhelming
array of inductive evidence, that man, with all his noble qualities,
with sympathy which he feels for the most debased, with benevolence
which extends not only to other men, but to the humblest living
creature, with his godlike intellect, which has penetrated into the
movements and constitution of the solar system--with all these exalted
powers--man still bears in his bodily frame the indelible stamp of his
lowly origin.
VI.
We have said that Darwin's theory of the origin of species, together
with its corollary, the descent of man, has met with almost universal
acceptance by scientists. We have to use the qualifying adverb, because
some of Darwin's contemporaries, including Virchow and Owen, not to
mention St. George Mivart and the Duke of Argyll, have withheld their
adhesion. Since his death, moreover, his disciples have tended to split
into two schools. On the one hand, Weismann has rejected the Lamarckian
factors,--the effect of use and disuse upon organs, and the
transmissibility of acquired characters. The importance of these factors
has been emphatically re-asserted, on the other hand, by Lankester and
others. Whether biologists, however, range themselves in the
Neo-Darwinian or in the Neo-Lamarckian camp, the value of the principle
of natural selection is acknowledged by all, and nobody now asserts the
independent creation and permanence of species.
AUTHORITIES.
The Complete Works of Darwin, published by D. Appleton and Company.
The Works of Alfred Russel Wallace.
Francis Darwin's "Life of Charles Darwin."
Huxley's Writings, _passim_.
Haeckel's "Natural History of Creation."
Weismann's "Studies in the Theory of Descent" and subsequent papers.
Romanes's "Scientific Evidences of Organic Evolution."
Lankester's "Degeneration."
Fiske's "Darwinism and Other Essays."
For adverse criticism of Darwin, read Mivart's "Genesis of Species," and
the Duke of Argyll's "Unity of Nature."
JOHN ERICSSON.
1803-1889.
NAVIES OF WAR AND COMMERCE.
BY W.F. DURAND, PH.D.
The exact combination of inspiration, heredity, and environment which
serves to produce genius will perhaps ever be a problem beyond the skill
of human intelligence. When the rare elements do combine, however, the
result is always worthy of most careful study, both because great
achievements furnish a healthy stimulus to emulation, and because some
glimpse may be gained of Nature's working in the formation of her
rarest products.
Few lives better illustrate these remarks than that of John Ericsson.
Born of middle-class parentage and with no apparent source of heredity
from which to draw the stores of genius which he displayed throughout
his life, and with surroundings in boyhood but little calculated to
awaken and inspire the life-work which later made him famous, from this
beginning and with these early surroundings John Ericsson became
unquestionably the greatest of the engineers of the age in which he
lived and of the century which witnessed such mighty advances along all
engineering lines. The imprint left by Ericsson's life on the
engineering practice of his age was deep and lasting, and if one may
dare look into the future, the day is far removed when engineers will
have passed beyond their dependence on his life and labors.
It is perhaps not amiss that, before looking more closely at the
achievements of Ericsson's life and activity, note should be taken of
the large dependence of our present civilization and mode of life on the
engineer and his work.
In different ages of the world's history each has received its name,
appropriate or fanciful as the case may have been. For the modern age no
name is perhaps more adequately descriptive than the "Age of Energy,"
the age in which our entire fabric of civilization rests upon the
utilization of the energies of nature for the needs of humanity, and to
an extent little appreciated by those who have not considered the matter
from this point of view. If we consider the various elements which enter
into our modern civilization,--the items which enter into the daily life
of the average man or woman; the items which we have come to consider as
necessities and those which we may consider as luxuries; the items which
go to make up our needs as expressed in terms of shelter, food,
intercommunication between man and his fellow, and pleasure,--the most
casual consideration of such will serve to show distributed throughout
almost the entire fabric of our civilization dependence at some point on
the power of the steam-engine, the water-wheel, or windmill, the subtle
electric current, or the heat-energy of coal, petroleum oil, or natural
gas. The harnessing and efficient utilization of these great natural
energies is the direct function of the engineer, or more especially of
the dynamic engineer, and in this noble guild of workers, Ericsson
carved for himself an enduring place and left behind a record which
should serve as an inspiration to all who are following the same pathway
in later years.
No one feature perhaps better differentiates our modern civilization
from that of earlier times, four hundred years ago, or even one hundred,
than that of intercommunication between man and his fellow. Compare the
opportunities for such intercommunication in the present with those in
the time of Queen Elizabeth, Sir Isaac Newton, George Washington, or
Napoleon I. We now have our steamships, steam and electric railroads,
cable, telegraph, and telephone. A few years ago not a single one was
known. The modern age is one which demands the utmost in the possibility
of communication between man and his kind, and in this respect the wide
world is now smaller than the confines of an English county a
century ago.
In this field, as we shall see, Ericsson did some of his greatest work,
and left perhaps his most permanent record for the future.
Ericsson's life falls most naturally into three periods chronologically
or geographically, and likewise into three periods professionally,
though the latter mode of subdivision has by no means the same
boundaries as the former. The first mode of subdivision gives us the
life in Sweden, the life in England, and the life in the United States.
The second mode gives us the life of struggle and obscurity, the life of
struggle, achievement, and recognition, and the calmer and easier life
of declining years with recognition, reward, and the assurance of a
life's work well done.
John Ericsson was born in the province of Vermland, Sweden, in 1803. His
father was Olof Ericsson, a mine owner and inspector who was well
educated after the standard of his times, having graduated at the
college in Karlstad, the principal town of the province. His mother was
Britta Sophia Yngstrom, a woman of Flemish-Scotch descent, and to whom
Ericsson seems to have owed many of his stronger characteristics. Three
children were born: Caroline in 1800, Nils in 1802, and John in 1803. Of
John's earliest boyhood we have but slight record, but there seems to
have been a clear foreshadowing of his future genius. He was considered
the wonder of the neighborhood, and busied himself day after day with
the machinery of the mines, drawing the form on paper with his rude
tools or making models with bits of wood and cord, and endeavoring thus
to trace the mystery of its operation.
In 1811 the Ericsson family fell upon evil times. Due to a war with
Russia, business became disturbed and in the end Olof Ericsson became
financially ruined. This brought the little family face to face with the
realities of life, and we soon after find the father occupying a
position as inspector on the Göta Canal, a project which was just then
occupying serious attention after having been neglected for nearly one
hundred years, and nearly three hundred years after it was first
proposed in 1526. Through this connection, in 1815, John and Nils
Ericsson were appointed as cadets in a corps of Mechanical Engineers to
be employed in carrying out the Government's plans with reference to the
canal. During the winter of 1816-17 and at the age of thirteen, John
Ericsson received regular instruction from some of his officers in
Algebra, Chemistry, Field Drawing, and Geometry, and the English
language. Ericsson's education previous to this seems to have consisted
chiefly in lessons at home or from tutors, after the manner of the time.
He had thus received instruction in the ordinary branches and in
drawing and some chemistry. His training in drawing seems to have been
unusually thorough and comprehensive, and with a natural genius for such
work, his later remarkable skill at the drawing board is doubtless in no
small measure due to the excellent instruction which he received in his
early years. His progress in his duties as a young engineer was rapid,
and he was soon given employment in connection with the canal-work,
involving much responsibility and calling for experience and skill.
At length on reaching the age of seventeen he became stirred with
military ambition, and, dissatisfied with his present prospects, he left
his position with its opportunities for the future, and entered the
Swedish army as ensign of a regiment of Field Chasseurs. This regiment
was famous for its rifle practice, and Ericsson was soon one of its most
expert marksmen. The routine of army life was, however, far from being
sufficient to satisfy the uneasy genius of John Ericsson, and we soon
find him engaged in topographical surveying for the Government, and so
rapid and industrious in his work that as the surveyors were paid in
accordance with the amount accomplished, he was carried on the pay rolls
as two men, and paid as such, in order that the amount which he received
might not seem too excessive for one individual. Even this was not
sufficient to exhaust his energy, and about this time he conceived the
idea of publishing a book of plates descriptive of the machinery
commonly employed in the mining operations of his day. To this end he
collected a large number of sketches which he had prepared in his
earlier years, and made arrangements to take up the work of preparation
for publication. The drawings selected were to be engraved for the book,
and, nothing daunted by the undertaking, Ericsson proposed to do this
work himself. After some discouragement the engraving was undertaken,
and eighteen copper plates of the sixty-five selected, averaging in size
fifteen by twenty inches, were completed within a year. In various ways
the project met with delays, and it soon became apparent that the rapid
advance in the applications of machinery to mining would render the work
out of date, and it was at length abandoned.
At about this time Ericsson seems to have taken up seriously his work on
his so-called "flame-engine," certain experiments made by his father
having suggested to him the hope that a source of power might in this
way be developed which would be more economical than the steam-engine.
At this point we see entering into Ericsson's life an idea which never
left him, which controlled much of his work in mid-life, and which
attracted no small part of his attention throughout his closing years.
This idea was the discovery of some form of heat-engine which should be
more economical than the steam-engine, especially as it was in his day.
The flame-engine idea grew rapidly, and soon absorbed his chief
attention. Military life now lost its attraction, and in 1826 obtaining
leave of absence he left his native land and turned his face toward
London, doubtless with the hope strong within him that a substitute for
the steam-engine had been found, and that his future lay secure and easy
before him.
The characteristic features of Ericsson's life up to this time, when he
had reached his twenty-third year, are energy, industry, independence,
all in most pronounced degree, and combined with a most astonishing
insight into mechanical and scientific questions. It was not a period of
achievement, but one of formation and of development in those qualities
which were soon to make him famous in both worlds. Of his work during
this period of life little or nothing outside the idea embodied in the
flame-engine can be said to belong to the permanent record of his life's
achievement. This appeared in the "Caloric" engine, and still later in
the well-known Ericsson "Air" engine of the present day.
This era was one of development and promise, and richly were the
promises fulfilled in the achievements of his later years. A careful
study of his life to this point is sufficient to show that, with health
and time, such a nature would certainly leave a mark wide and deep on
the world in which it was placed. His characteristics were such that
achievement was the very essence of life, and, with the promise and
potency as revealed in this first twenty-three years of his life, we may
be well prepared for the brilliant record of the remaining sixty-three.
With Ericsson's arrival in London began the second important period of
his life. His first efforts were directed toward the introduction of the
flame-engine, but he soon found unexpected difficulties in the use of
coal as fuel instead of wood, and it became clear that in order to live
he must turn his attention to other matters for a time. Then followed a
series of remarkable pieces of work in which Ericsson's genius showed
itself, either in original invention or in the adaptation and
improvement of the existing facts and material of engineering practice.
While thus occupied, his leave from his regiment expired, and he seems
to have overlooked taking proper steps to have it renewed. He was thus
placed technically in the attitude of a deserter. Through the
intervention of a friend, however, he was soon afterward restored, and
promoted to the rank of Captain in the Swedish Army. This commission he
immediately resigned, and thus his record became technically cleared of
all reproach.
To give a mere list of the work with which Ericsson was occupied during
the years from 1827 to 1839, when he removed to the United States, would
be no small task, and reference to the more important only can be here
made. Compressed air for transmitting power, forced draft for boilers by
means of centrifugal blowers, steam boilers of new and improved types,
the surface condenser for marine engines, the location of the engines of
a ship for war purposes below the water line, the steam fire-engine, the
design and construction of the "Novelty" (a locomotive for the Rainhill
contest in 1829, when Stephenson's "Rocket" was awarded the prize,
though Ericsson, heavily handicapped in time and by lack of a track on
which to adjust and perfect the "Novelty," achieved a result apparently
in many ways superior to Stephenson's with the "Rocket"), various
designs for rotary engines, an apparatus for making salt from brine,
further experimental work with various forms of heat, or so-called
"caloric" engines, and the final development, in 1833, of a type from
which great results were for a time expected, superheated steam and
engines for its use, a deep-sea-sounding apparatus embodying the same
principle as that later developed by Lord Kelvin in the well-known
apparatus of the present day, a machine for cutting files automatically,
various types of steam-engines, and finally his work in connection with
the introduction of the screw-propeller as a means of propulsion for
steam vessels. These are some of the important lines of work on which
Ericsson was engaged during the twelve years of his life in London. In
connection with some he was undoubtedly a pioneer, and deserves credit
as an original inventor; in connection with others, his work was that of
improvement or adaptation; but in all his influence was profound, and
the legacy which we have received from this period of engineering
progress is due in no small degree to Ericsson, and to his work in
London during these years. At a later point we shall refer in some
further detail to these questions, but desire for the moment, rather, to
gain a broad and comprehensive view of his life as a whole.
Ericsson has been by some called a spendthrift in invention, and the
term is not without some justice in its application. His genius was
uneasy, and his mind was oppressed by the wealth of his ideas. It was
this very wealth which led him from one idea to another, without always
taking sufficient time in which to develop and perfect his plans. Rich
in invention, he cared but little for exploitation, and when the truth
of his predictions was demonstrated, or the ground of his expectation
justified, he was eager for new achievements and new combinations of the
materials of engineering progress. In this spirit of struggle and
unrest, he passed the years in London, rapidly becoming known for his
versatility in invention, and for his daring and originality in the
details of his engineering work. From 1833 to 1839, or during the second
half of this term of residence in London, he became in increasing
measure absorbed in his work connected with the screw-propeller as a
means of marine propulsion.
Ericsson's name in the popular mind has been most commonly associated
with the "Monitor" and her fight with the "Merrimac" in the Civil War,
and next, probably, with the screw-propeller as a means of marine
propulsion. It will, therefore, be proper at the present point to refer
in some further detail to the circumstances connected with his relation
to the introduction of the screw-propeller.
Regarding this question an entire volume might be written without doing
more than justice to the subject, but only a brief statement of the
chief facts can be here attempted.
As early as the Seventeenth Century the possibility of developing a
propulsive thrust by the use of a submerged helicoidal, or screw,
propeller, had been vaguely recognized, and during the following, or
Eighteenth Century, the same idea had been brought forward. It had been
viewed in this connection, however, merely as a curiosity, and led to no
immediate results. Later, in 1804, Francis B. Stevens, of New Jersey, in
an experimental boat on the Hudson, operated twin screws, and
demonstrated their applicability to the requirements of marine practice.
These propellers, in fact, had a form far more nearly approaching the
modern screw-propeller than did those which came somewhat later, and
which marked the real entry of the screw-propeller into actual and
practical service.
Again, in 1812, Ressel, a student in the University of Vienna, began to
study the screw-propeller, and his first drawing dates from this time.
In 1826 he carried on experiments in a barge driven by hand, and in 1827
an Austrian patent was granted him. Two years later he applied his screw
to a boat with an engine of six horse-power, and a speed of six miles
per hour was said to have been attained. Then came a bursting
steam-pipe, and the police put a stop to the experiments, which seem to
have had no further results.
Likewise in 1823 Captain Delisle, of the French Engineers, presented a
memorial to his Government in which he urged the use of the submerged
propeller for the propulsion of steam vessels. No especial attention was
given to the suggestion, however, and it was apparently forgotten until
later, when the propeller had become a demonstrated success. Then this
memorial was remembered, and its author brought forward to receive his
share of credit in connection with the adaptation of the propeller to
marine propulsion.
These various attempts to introduce the screw-propeller seem curiously
enough to have had no lasting result. They were not followed up, and in
the mean time had to some extent passed out of memory, or, if
remembered, the absence of result can hardly have acted as an incentive
to fresh effort. At the same time it must be admitted that the
screw-propeller as a possibility for marine propulsion was known in a
vague way to the engineering practice of the day, and it is at this time
of course quite impossible to say how much may have been known by
Ericsson, Smith, or others concerned in later developments, or to what
extent they may have been dependent for suggestion on what had preceded
them. The question of who invented the screw-propeller in the absolute
sense is entirely futile and without answer. No one could ever have
reasonably advanced any such unique claim. At the best it is simply a
question of the relative influence in the introduction, improvement, and
practical application of what was the common property of the engineering
practice of the day.
In 1833, or at the period now under consideration, however, the
paddle-wheel was the recognized instrument of marine propulsion. Since
the beginning of the century it had been growing in use with the gradual
growth in the application of steam, and at this time it held the field
alone. Some years earlier it appears that some of the objections to the
paddle-wheel had become plainly apparent to Ericsson, although,
occupied with other matters as he was, there was no immediate result. He
apparently recognized that the slow revolutions possible with the
paddle-wheel did not favor the improvement of the steam-engine along the
lines which have since been followed, and he saw clearly that for
warship purposes the engines employed, exposed above the water-line to
destruction from the shell of an enemy, were entirely out of the
question. Finally in 1833 and 1834 we find him employed by a carrying
company in London to conduct numerous trials with submerged propellers
in the London and Birmingham canal. In an affidavit made in March, 1845,
he states that in 1833 his attention was particularly called to the
subject of oblique propulsion, and that under his direction propellers
of various patterns and embodying these principles were fitted on a
canal-boat named the "Francis," and later in 1834 to another called the
"Annatorius." Shortly after this, or in 1835, his ideas took more
definite form, and he refers to his work in a letter to his friend John
Bourne in the following terms:--
"1835. Designed a rotary propeller to be actuated by steam-power
consisting of a series of segments of a screw attached to a thin broad
hoop supported by arms so twisted as also to form part of a screw. The
propeller subsequently applied to the steamship 'Princeton' was
identical with my said design of 1835. Even the mode adopted to
determine, by geometrical construction, the twist of the blades and arms
of the 'Princeton's' and other propellers was identical with my design
of the year last mentioned."
At about this same time, or in 1835, the attention of Mr. F.P. Smith
seems to have been drawn to the subject of the screw-propeller, and we
find him taking out a patent for his form, consisting of an elongated
helix or spiral of several turns, under date of May 31, 1836. Ericsson's
patent followed some six weeks later, or on July 13, 1836. While it thus
appears that Ericsson had been studying the problem since 1833 or
earlier, according to his own statements, there is no evidence that
Smith's attention was drawn to the matter earlier than 1835. Delay on
Ericsson's part in the matter of patent gives the earlier date to Smith.
The mere date of a patent, however, is of small moment for our present
purposes. It must be admitted that the modern form of screw-propeller is
quite unlike either of these original forms, although they all involve
of course the same fundamental principles. Ericsson's propeller may
properly be called an engineering success, built on sound principles,
but improved and largely modified by the results of later experience and
research. Smith's propeller, while capable of propelling a boat, was the
design of an amateur rather than of an engineer, and in comparison with
Ericsson's seemed to show a somewhat less accurate appreciation of the
underlying principles upon which the propeller operates.
In the present case, as we have noted above, the question is not so much
one of invention as of influence in introduction, adaptation, and
improvement. The screw-propeller was already known, but had not been
introduced into and made a part of actual engineering practice. Services
in this direction are all that can be claimed for any of those concerned
with the question during the third decade of the Nineteenth Century.
From this point of view we must give to Ericsson large credit. He had
the courage of his convictions, and did not allow his work in this
direction to lapse for lack of effort on his part to secure its
introduction into the practice of the day.
Thus, in 1837, the "Francis B. Ogden" was built for the special purpose
of testing the power of the screw-propeller, and was operated on the
Thames for the benefit of the British Admiralty and many others. Shortly
after this, and largely through the influence of Capt. Robert F.
Stockton of the American Navy and Francis B. Ogden, the American Consul
at Liverpool, Ericsson began to consider a visit to the United States
for the purpose of building, under Stockton's auspices, a vessel for the
United States Navy. While these negotiations were under way, in 1838, he
built for Captain Stockton a screw-steamer named the "Robert F.
Stockton," the trials of which attracted much attention from the public
at large and from engineers of the time. At about the same period
Ericsson's propeller was fitted to a canal-boat called the "Novelty,"
plying between Manchester and London. This was presumably the first
instance of a screw-propeller employed on a vessel actually used for
commercial purposes.
Finally, in pursuance of Ericsson's plans with Captain Stockton, he left
England Nov. 1, 1839, and started for New York in the steamer "Great
Western," where he arrived November 23, after a long and stormy passage.
We now reach the final scene of Ericsson's life and professional
activities. His visit was at first intended only as temporary, and he
seems to have anticipated an early return after carrying out his plans
with reference to a ship for the United States Navy. To quote from a
letter to his friend, Mr. John O. Sargent, he says: "I visited this
country at Mr. Ogden's most earnest solicitations to introduce my
propeller on the canals and inland waters of the United States. I had at
the same time strong reasons for supposing that Stockton would be able
to start the 'big frigate' for which I had prepared such laborious plans
in England." The event was otherwise determined, however, and during the
remaining fifty years of his life he lived and wrought in the New World,
and as a citizen of his adopted country.
If the record of his twelve years of work in London was long, that for
the remaining and maturer years of his life may well be imagined as
vastly greater. During the earlier part of this period, or until the
Civil War, when all his energies were concentrated upon his work in
connection with the "Monitor" type of warship, we find the same wealth
of invention and human energy, but for the most part directed along
lines related to marine and naval construction. It was a period of
training for the fuller fruitage of his genius during the Civil War.
Shortly after his arrival, or in 1840, a prize was offered by the
Mechanics' Institute of New York for the best plan of a steam
fire-engine. With his previous experience in London, Ericsson easily
carried off the palm and was awarded the prize. He further occupied
himself with the introduction of propellers on boats engaged in the
inland navigation of the United States, with the design and construction
of the United States steam frigate "Princeton," with the development of
the compound principle in the steam-engine, then in 1851 with his
hot-air ship "Ericsson," or ship propelled by hot-air or caloric
engines, as they were then termed, and later with caloric engines in
smaller sizes for stationary purposes, of which several thousand were
sold during the next succeeding years.
In the work of introducing his propellers good progress was made,
especially in boats built for use on the Great Lakes, so that by 1844,
when the U.S.S. "Princeton" went into commission, there were in use some
twenty-five vessels with the screw-propeller as a means of propulsion.
The project of building a vessel for the American Navy, the purpose
which had most strongly attracted Ericsson to the United States,
suffered long delay in connection with the arrangements between Captain
Stockton and the naval authorities at Washington. At length, in 1841,
Captain Stockton was authorized to proceed with the construction of a
screw steam frigate of about one thousand tons. This was the U.S.S.
"Princeton," which marks an epoch as the first screw vessel-of-war. She
was followed by the French "Pomone" in 1843, and the English "Amphion"
in 1844, for the equipment of which Ericsson's agent in England, Count
Von Rosen, received commissions from the French and English governments
respectively.
The "Princeton" was completed in due time and was equipped with two
12-inch wrought-iron guns, one brought by Ericsson from England and one
designed and built under the direction of Captain Stockton. At the
trials of the ship in 1844 the latter gun exploded, killing the
Secretaries of State and of the Navy, besides other prominent visitors
on board, and wounding several others. This terrible disaster threw an
entirely undeserved stigma upon the ship herself and upon Ericsson's
work, and it was not until many years after that his name was entirely
free from some kind of reproach in connection with the "Princeton" and
the deplorable results of the accident on board.
These are some of the principal lines of work with which Ericsson
occupied himself during the twenty-two years between 1839 and 1861. At
the latter date came the supreme opportunity of his life, and his
services in the art of naval construction during the remainder of the
Civil War, which was then in progress, are a part of the history of that
great struggle. Here, as with the propeller, volumes might be written in
the attempt to give a full account of the inception, growth, and final
vindication of Ericsson's ideas regarding naval offence and defence, as
expressed by the means available in the engineering practice of the day.
The leading points only can be summarized.
The question of armored ships was in the air. The advantages of armor
had been already demonstrated on the French ship "Gloire" and others in
connection with the naval part of the Crimean War, and there was a
feeling that ironclads of some kind were a necessity of the situation.
These facts were perhaps more clearly realized at the South than at the
North; and early in 1861 we find Mr. Stephen R. Mallory, the Confederate
Secretary of the Navy, taking active steps to raise the "Merrimac,"
which had been sunken at the Norfolk Navy Yard, and convert her into an
armor-clad. Information regarding this project naturally became known to
the Federal authorities, and occasioned President Lincoln and the entire
Cabinet the most serious anxiety. At length on August 3, 1861, the
appointment of a Board was authorized, the duty of which it should be to
examine into the question fully, obtain plans, and recommend the
construction of such armor-clads as they should judge best suited to the
demands of the situation.
Shortly after this, Ericsson forwarded to President Lincoln a
communication in which he offered to construct a vessel "for the
destruction of the Rebel fleet at Norfolk and for scouring the Southern
rivers and inlets of all craft protected by Rebel batteries." For one
reason or another this communication does not seem to have produced any
immediate result. Later, however, when the Board made its report dated
September 16, they registered the opinion that the present demand called
for "vessels invulnerable to shot, of light draft of water, before going
into a more perfect system of large iron-clad seagoing vessels of war."
In pursuance of this idea they recommended the construction of three
vessels,--Ericsson's floating battery, a broadside vessel later known as
the "Ironsides," and the "Galena." Mr. C.S. Bushnell, who was
instrumental in bringing Ericsson's plans actually before the Board,
later associated with himself and Ericsson in the project two gentlemen
of means, and large manufacturers of iron plate, Mr. John A. Griswold
and Mr. John F. Winslow, who advanced most of the money needed, Mr.
Bushnell supplying the remainder. The keel was laid Oct. 25, 1861, and
the "Monitor," as she was named by Ericsson, was launched Jan. 30, 1862,
and was turned over to the Government Feb. 19, 1862. This brief record
of construction leaves untold all history of the ceaseless struggle
against time and of the superb organization and distribution of the work
which made possible the completion of such a piece of work in the period
of one hundred working days.
One important fact which goes far to explain this astonishing speed in
design and construction is found in the fact that Ericsson was not
dealing with an entirely new and freshly developed proposition. He has
stated that the thought of a floating battery, which should be small in
size, but impregnable to the heaviest guns known and yet heavily armed
herself, had long occupied his thoughts in connection with the problem
of the defence of Sweden. Ericsson never forgot his native land, and
gave to her political troubles and to the question of her defence
against her more powerful neighbors much serious thought. As a result of
this study, he had produced as early as 1854 a design embodying all the
essential features of the "Monitor," and this design, shown by a model,
was in that year sent to Napoleon III., who was then at war with Russia.
This was in the hope that he might in this way contribute to the
overthrow of the latter, the hereditary enemy of his native land.
The design, however, was not adopted, and after it was returned was laid
aside to collect the dust of his office, until the experiences of the
Civil War brought it again to the light. The plan in all its main
features had therefore long been matured, and it only remained to
proceed rapidly with the details and with the realization of the idea in
the most suitable materials to be obtained.
The result of the battle between the "Monitor" and the "Merrimac" in
Hampton Roads is a part of history. The relentless devastation which the
latter had begun on the old wooden ships of the American Navy at Hampton
Roads was stayed, and the wild fears at the North concerning the
destruction which she might cause to the shipping and to the seaboard
cities was calmed. The "Merrimac" met her master, and retired from the
conflict crippled and shorn of power for further evil. A short time
later she sank beneath the waters of the Chesapeake, and is now
remembered only as the antagonist of the "Monitor."
If the result of this battle between the "Monitor" and the "Merrimac"
marked a turning-point in the naval aspect of the Civil War, it wrought
a no less marked change in the standing and fortunes of her designer.
Some of his engineering efforts had not met with the success for which
he or his friends had hoped. The engines of the air-ship, while a
success as a piece of mechanism, were so enormous and heavy that she had
to be considered as a commercial failure, and the venture was not
repeated; the deplorable accident on the "Princeton" was by some held to
be in part chargeable to Ericsson, though a later and full knowledge of
the circumstances shows that such was in no wise the case. Again,
Ericsson, as an experimenter and pioneer, was by some considered as a
dreamer, and before the "Monitor" was completed there was no lack of
croakers who prophesied failure or who openly ridiculed the idea. This
condition was of course natural. In many ways Ericsson was ahead of his
age; and, again, it must not be supposed that he avoided mistakes or
that all of his work fully realized the expectations which were based
upon it. Furthermore, Ericsson's spirit was proud, and he was little
disposed to accept criticism from those whom he felt to be unqualified
to pass adequate judgment on his work, while he was especially impatient
under the system by which government work was done. He was therefore but
little disposed to pleasantly submit to the exasperating delays and
interferences with his work which arose from the methods of doing
public business, and it is no more than the simple truth to say that
during the preceding years the relations between Ericsson and the
officials of the Navy Department had often become seriously strained,
and they were seldom in cordial accord regarding the various questions
which arose in connection with his public work.
With the demonstration made by the "Monitor," however, the attitude of
the public changed in a moment, and Ericsson was hailed on every hand as
a public benefactor. He received the thanks of Congress on March 28,
1862, and of the Legislature of the State of New York a little later.
Besides these, he was the recipient of numbers of memorials and
mementoes, and of such praise in every form as might well have disturbed
the equilibrium of a mind less well balanced. In all this change of
public opinion, the one thing which must have given him the deepest
satisfaction was the change in the attitude of the naval authorities at
Washington. He was now considered as one whose ideas had demonstrated
their right to serious and respectful attention, and a large fleet of
vessels of the monitor type was ordered, similar to but larger than the
prototype, and containing such minor changes as experience had
suggested. Yet even this was not accomplished without objection. The
officers of the navy were accustomed to the old type of wooden ship,
and were slow to realize that naval war was, after all, an engineering
problem, and that the ideas of the engineer must now be substituted for
those which had been sanctified by long ages of past experience. Still,
the demonstration was too convincing to admit of serious question, and
Ericsson and his associates in business were busily occupied during the
remainder of the war in the design and construction of a numerous fleet
of vessels of the monitor type.
Ericsson's work during this period was enormous. One design followed
another in quick succession, while work of supervision and inspection
and cares of a business nature all combined to make a burden which would
have broken down a nature less determined and self-centred, and a body
less inured to physical endurance and sustained nervous tension.
This prodigious load was not so much but that he found time to devote to
the needs of other nations, and in 1862 he offered to construct for the
Chilian government a monitor similar to those under construction for the
United States, while later a similar offer was made to the Peruvian
Government. With the close of the Civil War Ericsson found still further
time to devote to the introduction of this type of vessel into foreign
navies, and a considerable part of his time seems to have been occupied
with projects of this character, and more particularly with the question
of the naval defence of his native land. As regards the introduction of
warships of the monitor type, the results were not so pronounced as
might have been expected, and while the influence of the idea is seen in
the practice of every maritime nation in regard to the construction of
its warships, still, for the most part, the leading nations preferred to
make application of the idea in their own way rather than order such
vessels direct from their original designer. Yet in not a few cases the
original type was faithfully copied, though it is not always clear to
what extent Ericsson himself may have had direct contact with their
designs. In 1866 the Swedes were able to test the first of a small fleet
of monitors built after Ericsson's plans. This was called the "John
Ericsson," and was armed with two 15-inch guns presented to Sweden by
Ericsson himself. Later, in 1868, he designed for Spain and
superintended the construction of thirty small gunboats for use in
Cuban waters.
For nearly ten years now Ericsson had devoted most of his energies to
the art of war. It was a time of change and unrest. Heavy guns and armor
had brought about a complete break with the past. The torpedo, which had
made its appearance in crude form during the Civil War, was attracting
more and more attention, and questions of naval offence and defence and
of the best governmental policy were attracting the serious attention of
all whose duty led them into relation with such matters. Into this
problem in its broadest aspects Ericsson threw himself in the early
'seventies with all the ardor of his younger days.
It is proper to explain here that there was one feature of the earlier
plans which were submitted to Napoleon III. in 1854, which he did not
embody in the "Monitor," and which, indeed, was omitted from all
published plans and descriptions of the system given out in former
years. This was a system of submarine or subaqueous attack, which, he
states in a letter to John Bourne, had attracted his attention since
1826. The time now seemed ripe for the presentation and development of
this idea, and he accordingly developed his designs for a torpedo, and
for a method of firing it under water from a gun carried in the bow of a
boat, and suitably opening to allow the discharge of the torpedo
projectile. This was Ericsson's so-called "Destroyer" system, and was
embodied finally in a boat called the "Destroyer," which he built in
company with his friend, Mr. C.H. Delamater, and with which he carried
on numerous experiments. In the end, however, the system did not commend
itself to the naval authorities, and the "Destroyer" was left on her
designer's hands, an instance of difference of opinion between Ericsson
and those charged with the duty of naval administration, and with no
supreme test of war to provide opportunity for the determination as to
which were the more correct in their judgment. With the "Destroyer,"
and his work in connection with her, closes the record of Ericsson's
connection with the advance in naval construction.
During these later years of his life it must not be supposed that he was
less busily occupied than in earlier life. His was a nature which knew
no rest, and to the last day of his life he was literally in the
harness. Only brief mention however can be made of some of the more
important lines of work which interested the closing years of
Ericsson's life.
In connection with his naval designs, he devoted much study to the
improvement of heavy ordnance, both as to the gun and its mounting. In
particular, his mounting of the guns in the "Monitor" was quite
original, and the friction arrangement for absorbing the recoil was a
great improvement over methods then in use, and served as a model for
many copies and adaptations of the same principles in later years by
other designers. In 1863 he also designed and built for the acceptance
of the Government a forged 13-inch wrought-iron gun. While his design
was an advance on those of the day, the demands on the makers of iron
forgings were more than could be successfully met, and the gun developed
some slight cracks in the test, which prevented further developments on
this line. Ericsson always maintained that the tests to which this gun
was submitted were unfairly severe, and he showed how the defects could
be remedied by a steel lining. But the Naval Bureau of Ordnance insisted
that this should be done at his own expense, and as he had already lost
some $20,000 on the gun, he was unwilling to proceed farther, and the
matter was allowed to lapse.
Throughout his entire career the improvement of the steam-engine
occupied a large share of Ericsson's attention, and in particular was
this the case in connection with his naval designs. From the
"Princeton," in 1841, to the "Destroyer," in 1878, there succeeded one
long series of types and forms of steam-engine, each in his opinion the
best adapted to the circumstances of the case. Naturally, opinions
differ, and he was brought into competition with other able engineers,
and his designs were often called into question or subjected to
criticism. In 1863, in competition with Chief Engineer Isherwood of the
navy, engines were designed for twin ships, the "Madawaska," afterward
known as the "Tennessee," and the "Wampanoag," afterward called the
"Florida." This was a battle royal of types and modes of application of
the power of the steam-engine to the propulsion of ships. The result was
a victory for Isherwood, although the "Madawaska," which was first
subjected to trial, made a speed higher than any warship at that time
afloat. This was exceeded by the "Wampanoag" a short time later; but
neither engine was of an enduring type, and after a time the machinery
of the "Madawaska" was removed, and she was repowered with a later type
of machinery, and long did service as the "Tennessee" in the list of
wooden frigates of the navy. The "Florida" was too expensive to maintain
in commission, and the special circumstances which had called her into
existence having passed by, she was laid up at New London, and never
again saw active service.
Keenly as Ericsson was interested in the steam-engine, it must be
admitted that he always showed a more profound interest in some form of
engine which should be able to displace it with a superior efficiency;
and hence his long series of efforts relating to the flame-engine, the
caloric engine, the gas-engine, and finally the solar engine,--with
either steam or heated air as the medium for carrying the heat. During
the last years of his life some of his most patient and careful study
was given to the perfection of a solar engine, or engine for utilizing
directly the heat of the sun instead of that of coal or other carbon
compounds. Besides this direct line of study and experimentation, he
gave during these years much thought to various scientific problems
connected with solar energy, the tides, gravitation, the nature of heat,
etc., etc. A plan for deriving power direct from the tides, improvements
in high-speed engines for electric-lighting purposes, further
improvements in his hot-air engine in small sizes for commercial
purposes,--these are some of the further lines of work which occupied
the attention of his closing years.
But the most cunningly devised of all mechanisms, the heart and brain,
must sooner or later tire and cease from their labors. The motive energy
becomes exhausted, and the mechanism must cease its work. So it was with
John Ericsson. In the first hour of the morning of March 8, 1889,
Ericsson died. This was within one day of the twenty-seventh anniversary
of the battle at Hampton Roads, the event with which the name of
Ericsson will always be associated, and which has given to it a
significance that will never be forgotten. His remains were first
interred in New York, and then, in 1890, in accordance with the request
of the Swedish Government, they were returned with impressive services
to his native land, where they now rest. In his death he received his
highest honors, for his remains were conveyed across the Atlantic by the
U.S.S. "Baltimore," one of the new ships of the navy specially detailed
for that service, and on both sides, in the United States and in Sweden,
the event was marked with every honor and ceremony which could indicate
the significance of his life and services for his adopted land and for
the world at large.
The two pieces of work which perhaps will be most permanently linked
with the name of Ericsson are the screw-propeller as a means of marine
propulsion, and the "Monitor" as a type of warship. In addition to
these, however, his life-work was rich in results which bore direct
relation to many other improvements in the broad field of marine
engineering and naval architecture. Of these a few of the more important
may be mentioned, such as the surface condenser, distiller, and
evaporator, forced draft for combustion, placing machinery of warships
below the water-line, and their protection by coal, ventilation by
fan-blowers, together with a vast variety of items involved in the
conception and design of the "Monitor" as a whole, and in his other
naval designs.
In order to appreciate the influence of Ericsson's life and work on the
field of marine construction, a brief glance may profitably be taken at
this branch of engineering work as it was before Ericsson's time, and as
it is now.
The material employed for shipbuilding was almost entirely wood. This
was displaced in the 'sixties and 'seventies by iron, which in turn was
displaced by steel, so that at the present time, except for special
reason, no material other than steel is thought of for this purpose.
With the gradual displacement of wood by iron in the mercantile marine,
Ericsson's relation was only indirect. Some of the earlier mercantile
vessels in which he was interested were of wood and some of iron. In the
field of warship construction, however, his influence through the
"Monitor" was more direct, especially as to the value of metal armor as
a protection against great gun-fire. Still, it is no more than justice
to say that with the change from wood to iron which took place during
the active part of his life, Ericsson had only an indirect relation, and
the change would doubtless have come about at the same time, and in much
the same general way as it did, independent of any influence which his
work may have had upon the question. Turning to the means of propulsion,
we find sails as the main, or almost only, reliance during the early
years of the century. The steam-engine operating paddle-wheels had come
to be recognized as a possibility, and under certain conditions as a
commercial success. The screw-propeller as a means of propulsion was
known only as a freak idea, and was without status or recognition as a
commercial or practical means for propelling ships. So far as the
screw-propeller was thought of as a means of propulsion, it lay under a
suspicion of loss of efficiency due to the oblique nature of its action,
and this was supposed to be such as to render it necessarily and
essentially less efficient than the paddle-wheel.
Ericsson lived to see the use of sails almost entirely discarded for war
purposes, and for mercantile purposes relegated to ships for special
service and of continually decreasing importance. He lived to see the
steam-engine take its place as the only means for supplying the power
required to propel warships, and attain a position of almost equal
relative importance in the mercantile marine. He lived to see the
paddle-wheel grow in importance and estimation as a means of propulsion
only in turn to be supplanted by the screw-propeller, which gradually
increased in engineering favor from the days of its obscure infancy
until it became the only means employed for the propulsion of ships
navigating the high seas, while it had become a most serious rival to
the paddle-wheel even for the purposes of interior and shallow-water
navigation,--long a field considered as peculiarly suited to the
paddle-wheel and to the engines adapted to its operation.
Regarding the change from wind to steam for the motive-power of ships,
Ericsson did his full share among the engineers of his day, but it would
be unfair to many others to claim for him any exclusive or
preponderating influence in this movement, and in such matters it is
difficult to clearly define the services of any one man. The lines of
progress, however, have been in accord with his studies, and his work
has certainly had a most direct and powerful influence upon the
movement. The most important points of contact between Ericsson's work
and these advances were in connection with his introduction of the
surface condenser, the use of artificial draft, devices for heating feed
water, his studies in superheated steam and its use, and his work in
connection with the development of the compound principle in
steam-engines, his relation to the introduction of the screw-propeller,
and to the use of twin screws at a later time. He also devised and
adapted many new types of engines for marine purposes, having respect to
the geometrical character of the connections by means of which a
reciprocating motion of the piston may be transformed into a rotary
motion of the shaft. In particular, he was the first to introduce and
show the advantages of engines directly connected to the
propeller-shaft, instead of through the more indirect and clumsy modes
which others had previously thought necessary.
Aside from his relation to the screw-propeller, perhaps no item of his
work in connection with the steam-engine is of more importance than the
surface condenser, with its variant forms in the distiller and
evaporator. If Ericsson had done nothing else, his claims to recognition
and remembrance as an engineer and benefactor might have been well
founded on his work in this connection. As it is, the fact that he was
so largely instrumental in their perfection and adaptation to marine
uses is wellnigh forgotten in the brighter light of his other
achievements.
Regarding Ericsson's relation to the successful introduction of the
screw-propeller, little need be added to what has already been said.
Whatever may be urged regarding dates and patents or earlier years in
which the screw-propeller was used, it is a fact that in 1833-35 it was
not recognized as an accepted mode of propulsion. While known as a
possibility, it had no standing in the engineering practice of the day.
A few years later it was recognized as an accepted mode of propulsion
and had gained a permanent and definite place in the practice of the
day,--a place which has continued to grow in importance until its
earlier rival, the paddle-wheel, is almost on the brink of relegation to
museums of antiquities, except possibly for rare and special
shallow-water uses. A careful and dispassionate study of the facts, so
far as they can be known at the present time, seems to indicate clearly
that of those who were concerned in successfully adapting the
screw-propeller to the needs of marine propulsion and in laying the
foundation for these changed conditions, especially in the United
States, none was so prominent as Ericsson, or so fairly deserving of the
chief credit; and with this judgment the mature thought of the present
day seems to agree with little dissent.
Turning to a consideration from a similar point of view of Ericsson's
services in connection with warship design and construction, note may be
first taken of the condition of the art of naval warfare in the years
1840-50, or when Ericsson first began his labors in this field.
The material used was wood, the means of propulsion sails, with some
thought of steam-engines and paddle-wheels; the means of offence were
cast-iron guns large in number but small in size, the largest being 9 or
11 inches in diameter and throwing a shell of some 75 or 130 pounds
weight, while the means of defence consisted solely in the "wooden
walls," and modern ideas regarding armor had not even appeared above
the horizon.
Ericsson's contributions to the art of naval warfare are embodied in the
"Princeton," the "Monitor" and its class, and the "Destroyer." In the
"Princeton" the material used was wood, and in the "Monitor" and
"Destroyer" iron, following simply the developments of the age. In the
three the means of propulsion was by screw-propeller. In the "Princeton"
the means of offence were two 12-inch wrought-iron guns, as already
noted. In the "Monitor" and its type the means of offence were two
11-inch smooth-bore cast-iron guns, followed later by larger guns of 13
and 15 inches of similar type. In the double-turreted monitors four such
guns were of course installed. In the "Destroyer" the means of offence
was a single gun for discharging a torpedo under water at the bow. On
the "Princeton" the means of defence consisted still in wooden walls,
while in the "Monitor" and its class the change was profound and
complete. The essential idea of the "Monitor" was low freeboard and
thus small exposed surface to the ship herself, combined with the
mounting of guns in circular revolving turrets, thus giving an
all-around fire and on the whole making possible an adequate protection
of the exposed parts of the ship and providing for the combination in
maximum proportions of armored protection and heavy guns for offence. On
the "Destroyer" the means of defence consisted simply in a light
deflecting deck armor forward, the vessel being intended to fight bows
on and depending on her means of offence rather than defence, which were
made quite secondary in character.
The "Monitor," however, was Ericsson's great contribution to the art of
naval war, and with it his name will always be associated. It broke with
the past in every way. It reduced the number of guns from many to few,
two or at most four; it reduced the freeboard from the lofty topsides of
the old ship-of-the-line to an insignificant two or three feet, and thus
made of the target a circular fort and a low-lying strip of armor. It
placed the guns in this circular fort and covered it with armor thick
enough to insure safety against any guns then afloat, and thus, as
perfectly as the engineering means of the day would permit, insured the
combination of offensive and defensive features in maximum degree. It
cleared away at one stroke masts, sails, and all the lofty top-hamper
which since time immemorial had seemed as much an essential feature of
the fighting ship as the guns themselves. It transformed the design of
the fighting ship from the older ideals expressed in the American
frigate "Constitution," or the English "Victory," to the simplest terms
of offence, defence, and steam motive-power. It made of the man-of-war a
machine rather than a ship, an engine of destruction to be operated by
engineers rather than by officers of the ancient and traditional type.
There is small wonder that in all quarters the idea of ships of this
type was not received with enthusiasm. The break with the past was too
definite and complete. The monitor type represented simply the solution
of the problem of naval warfare worked out by a man untrammelled by the
traditions of the past and determined only on reducing such a ship to
the simplest terms of offence and defence as expressed by the
engineering materials and possibilities of the day. Judged from this
standpoint, the vessel seems beyond criticism. She filled perfectly the
ideal set before himself by her designer, and represents as a complete
and harmonious whole what must still be recognized as the most perfect
solution of the problem in terms of the possibilities of those days.
It is proper here that due reference should be made to the claims in
behalf of Mr. Theodore R. Timby as an inventor of the turret and of the
monitor idea as expressed thereby. These claims and the main facts in
the case have long been known, and there should certainly be no attempt
to take from any one his due share in the developments which gave to our
nation a "Monitor" in her hour of need. It is well known that Mr. Timby
between 1840 and 1850 conceived the idea of a revolving fort of iron
mounted with numerous guns and intended to take the place of the masonry
or earth-structures in common use for such purposes. He seems also to
have conceived of a similar structure for use on a ship of low
freeboard, and a model showing such a design was constructed. In 1843 he
filed a caveat for the invention of the revolving turret. Here the
matter apparently rested until 1862, and after the battle between the
"Monitor" and "Merrimac," when he took out a patent which was dated July
8, 1862, covering "a revolving tower for defensive and offensive
warfare, whether on land or water." Ericsson's associates in the
business of building monitors for the Government acquired these patents
of Timby, presumably as shrewd business men, in order to quiet any claim
on his part, and to have the plan available for land forts, should the
opportunity arise to push the business in this direction. There is no
question but that Ericsson was antedated by Timby in the suggestion of a
revolving turret, at least in so far as public notice is concerned.
Ericsson frankly admitted this, and stated that he made no claim to
absolute originality in this respect. He further stated what is
undoubtedly true, that the main idea in the turret, that of a circular
revolving fort, antedates the Nineteenth Century as a whole, and its
origin is lost in the uncertainties of early tradition. It is simply one
of those early ideas which naturally must have been known in essence
since time immemorial, and as such it was the common property of the
engineering practice of the century. It belongs neither to Timby nor to
Ericsson, and no claims regarding priority in this respect are worthy of
serious consideration. The question is not who first conceived the idea
of a revolving fort, but who designed and built the "Monitor" as she
was, and as she met the "Merrimac" on the 9th of March, 1862. The answer
to the latter is too well known a part of the history of the times to
admit of question or to call for further notice. Ericsson's claim for
recognition in this respect rests not on any priority of idea regarding
the use of a circular fort, but rather upon the actual "Monitor" as she
was built and as she crushed at one blow the sea-power of the South, and
representing as it did a completely and carefully designed whole, dating
back to the earlier dealings with Napoleon III. in 1854. This is an age
which judges men by what they do, and judged by this standard Ericsson's
claims in connection with the monitor type of warship are never likely
to be seriously questioned.
Taking Ericsson's life and work, what portion remains as a permanent
acquisition or as a part of the practice of the present age? This is a
question which merits at least a moment's notice.
We should not make the mistake of thinking that permanency is
necessarily a test of merit, or that the value of his services to the
world should be judged by such parts of his work as are plainly apparent
in the practice of the present day. A piece of work must be judged by
the circumstances which brought it forth, and by the completeness and
perfection of its adaptation to the needs and possibilities of its age.
We have then the steam fire-engine; compressed air which he early
employed in England, and which has become an instrument of enormous
importance in connection with the industrial progress of the age,
although this is in no especial degree due to his efforts; the surface
condenser, distiller, and evaporator are a permanently and absolutely
essential part of modern marine practice; the screw-propeller has almost
sole possession of the field of marine propulsion; modern marine engines
and boilers in naval practice are always placed below the water-line and
are protected by deflective deck armor and frequently by coal as well;
the turret has become a permanent and accepted part of the practice of
the age, while the monitor type in its essential feature seems to be
evanescent.
The modern battleship is a vastly more complex structure, and
represents more complex ideas and combinations than did Ericsson's
"Monitor." It contains a battery of guns of the heaviest type known to
naval ordnance. At present such guns are usually of 12-inch bore and
throw a shell of about 800 pounds weight, with an initial velocity of
nearly 3,000 feet per second. Then there is a supporting battery of
guns, 6, 7, or 8 inches in diameter of bore, and finally a secondary
battery of smaller quick-firing guns, throwing shells of from 1 pound to
20 or 30 pounds weight, and added to these there may be a torpedo outfit
as well. The exigencies of fighting ships at sea and in all weathers
seems to have pronounced against the monitor type with its low freeboard
as unsuitable for use on the open sea, while the enormous advances in
modern guns and armor have made a totally different problem of the
distribution of means offensive and defensive. Again, the monitor type
was never intended for long cruising, or indeed for other service than
the defence of coasts and harbors. The policy of building a vessel thus
adapted only to an inner line of defence, and not adapted to an outer
line of defence and offence as well, has been further called in
question, and the judgment of the present day has decided against such
policy. It is true that in the so-called "new navy," begun in 1883, one
monitor, the "Monterey," has been built, while four others of older
type have been somewhat modernized, and there are three monitors
building at the present time. It may be doubted, however, if they will
be followed by others, at least so long as the conditions of naval
warfare and the spirit of public policy remain as they now are.
The monitor type was a perfect solution of the problem of its day, and
nobly it answered the calls made on it. The problem has now changed, the
conditions affecting its solution have also changed, and it is no
discredit to the original type that it now seems to have had its day,
and that it must give way to other forms more perfectly expressing the
spirit of the present age, and the means available for the solution of
present-day problems in the art of naval war.
In many ways, however, the influence of Ericsson's work still lives in
the modern battleship, and while in our modern designs we have gotten
far away from the essential features of the monitor type, yet it is not
too much to say that the germ of the modern battleship is in many ways
found in the "Monitor," especially as expressed in terms of
concentration of heavy gun-fire and localized protection of gun
positions; and in more ways than may be suspected, the influence of
Ericsson and of his work had its part in the developments which have led
to the splendid designs of the present day.
Returning again to our note of the dependence of the present age on
Ericsson, mention may be made of the blower for forcing the combustion
in steam-boilers as a well-established feature of standard marine
practice, and one absolutely essential to the development of the highest
attainable speeds, such as are required in warships, and especially in
those of the torpedo and modern "Destroyer" types. Likewise the use of
the fan for ventilation, as used by him in his early practice, has
become a necessity of modern conditions both on naval and passenger
ships, for the health and comfort of both passengers and crew. His long
series of experiments and his years of labor on air and other forms of
"caloric" engine are only represented by the "Ericsson air-engine" now
on the market, and having its fair share of service in locations where
simplicity of operation and scarcity of water may naturally suggest
its use.
Of his labors in connection with a solar engine, and with other
questions which occupied much of the time of his closing years, we have
but little direct result. Others are at work on the idea of the solar
engine, and it may be that a practicable solution of the problem will
be found.
Ericsson's lasting imprint on engineering practice, curious as it may
seem, was made in his earlier and middle life, rather than in his later
years, and we have even more in the way of permanent acquisition from
his earlier than from his middle years. This results from the fact that
in middle life he was largely engaged on warship designs, admirably
adapted to the needs of the time and to the possibilities of the age,
but no longer suited to either, while in later life he no longer found
it necessary to work at problems which would produce a direct financial
return, and therefore interested himself in a variety of questions
somewhat farther removed from the walks of every-day engineering
practice than those with which he was occupied in earlier life.
In personality Ericsson possessed the most pronounced and self-centred
characteristics. Professionally he felt that to him had been granted a
larger measure of insight than to others into the mysteries of nature as
expressed in the laws of mechanics, and he was therefore little disposed
to listen to the advice or criticism of those about him. This was
undoubtedly one of Ericsson's most pronounced professional faults. He
did not realize that with all his insight into the laws of mechanics and
all his capacity for applying these laws to the solution of the problems
under consideration, he might well make some use of the work of his
fellow-laborers in the same field. So little disposed was he to thus use
the work of others that a given device or idea which had been in
previous use was often rejected and search made for another, different
and original, even though it might involve only some relatively trivial
part of the work. He was simply unwilling to follow in the lead of
others. He must lead or have none of it, and thus the fact that a device
or expedient was in common use would furnish an argument against rather
than for its adoption. His natural mode of work was utterly to disregard
precedent and to seek for fundamental solutions of his problems, having
only in view the conditions to be fulfilled, the laws of mechanics, and
the engineering materials of construction. This habit of independence
and of seclusion within the narrow circle of his own work so grew upon
him in later years that mechanical science made many advances of which
he took little or no note, and of which he refused to avail himself,
even though he might have done so greatly to his own advantage.
In his later years, in a letter to his friend Captain Adlersparre, he
says: "Do not laugh at me now, Captain, when I say that nobody can
mislead me. Do not condemn me if I at the same time confess that I am
directed by nobody's judgment but my own, and that I never consult
anybody and take nobody's advice." In all matters connected with his
work his will was imperious, and he would brook no interference or
criticism. His temper was high, his organization sensitive, and many
times throughout his life, relations with his best friends became
strained by his instability of temper or impatience with what he might
construe as a criticism regarding his work. With this instability of
temper, however, was combined a deep-seated tenderness and kindness of
heart, and he was as quick to forget the cause of offence as he was to
manifest displeasure upon occasion.
Notwithstanding the asperities of Ericsson's character in regard to his
professional work, and his entire lack of effort to make friends among
the learned of his day, recognition and unsought honors came in upon
him. He was elected to honorary membership in the societies of note in
the United States and Sweden, and in addition to the thanks of Congress
and of the Legislature of the State of New York, he received a
resolution of thanks from the Swedish Riksdag, or Parliament, in 1865.
In 1862 he was granted the rarely bestowed Rumford medal, and received
at other times during his life medals, honors, and decorations such as
have perhaps fallen to no other who has wrought in the same field of
human effort. While recognition of this character pleased him greatly
when it came spontaneously and willingly, he placed but little value on
that which he thought grudgingly or tardily tendered, and in one or two
instances refused membership in societies which he thought granted in
that manner.
A large measure of this independence of character is necessary to the
performance of the work which Ericsson did. Had he been ever ready to
listen to the views of others, and to modify his ideas in accordance
with them, his greatest achievements would never have been accomplished.
In Ericsson, however, this characteristic was carried to an undue
extreme, and he might unquestionably have accomplished more had he been
able to co-operate with others and to accept and use freely the best
work of contemporaries in his own field.
Ericsson was essentially a designing rather than a constructing
engineer. His genius lay in new adaptations of the principles of
mechanics or in new combinations of the elements of engineering practice
in such way as to further the purposes in view. His mode of expression
was the drawing-board. While he wrote vigorously and well, and while he
was a frequent contributor in later years to scientific literature,
especially on the subject of solar physics, yet his best and natural
mode of expression was the graphical representation of his designs on
the drawing-board. Forms and combinations took shape in his brain and
were transferred to the drawing with marvellous speed and skill. Those
who have been associated with him bear testimony that the amount of his
work was simply astounding, and that only by a combination of the most
remarkable celerity and industry could they have been accomplished.
These drawings were furthermore so minute in detail and so accurate in
dimension that as a rule he did not find it necessary to give further
attention to the matter after it had left his hands. Of the many parts
of a complicated mechanism, one could be sent for construction to one
shop and another elsewhere, all ultimately coming together and making a
harmonious and perfectly fitting whole. In no other way could such
astonishing speed in the detailed construction of the "Monitor" and
other vessels of her type possibly have been made; and the fact that
such speed in construction was obtained, and largely in this manner, is
by no means the least impressive of the many evidences of Ericsson's
genius as a designer.
The designs once completed on the drawing-board, however, Ericsson's
interest in the work ceased in great measure, and as a rule he paid but
little attention to constructive details, and took but slight interest
in the completed whole. Thus he is said to have visited his "Destroyer"
but once after she was built, and then simply in search of his
assistant. He also declined an invitation from the Assistant Secretary
of the Navy to visit Hampton Roads and inspect the "Monitor" immediately
after her fight with the "Merrimac." He seemed to have no curiosity to
inspect his work after it had left his hands, or to receive a report as
to the practical working of his designs. This shows a peculiar lack of
appreciation of the value of intimate contact with constructive and
operative engineering work. No one could hope to avoid errors, or to
realize by drawing-board alone the best possible solution of engineering
problems. Ericsson wilfully handicapped himself in this manner, and
might unquestionably have more effectively improved and perfected his
ideas had he been disposed to combine with his designs at the
drawing-board practical contact with his work as constructed.
His work was all done in his office at his house. For the last
twenty-five years of his life he lived at 36 Beach Street, New York,
where he wrought every day in the year, and often until far into the
night. His office contained, beside his drawing-table and other
furniture, a long table, on which at times, when overcome by fatigue, he
would stretch himself and take a short nap, using a dictionary or low
wooden box for a pillow.
His relations with his native land were always close, and, as already
hinted, he gave much of his best effort to the study of means for her
defence. Toward his friends and relatives he was the embodiment of
watchful care and generosity. His private benefactions were for his
means large, and were given with a whole-hearted generosity which must
have added much to the love and esteem in which the recipients regarded
him. His public benefactions were also notable, and during the later
years of his life he gave away regularly no inconsiderable share of his
income. Though gifted with reasonable prudence, he had no conception of
the "business sense," and no capacity as a money-getter. After acquiring
by his inventions and enterprise a modest competence, he devoted himself
almost entirely to work less directly related to a financial return, and
lived comfortably upon the principal which his earlier efforts
had provided.
Ericsson had absolute faith in himself and in his mission to render
available the energies of nature for the uses of humanity and
civilization. His character was framed about the central idea of
fidelity to this mission. He was dogmatic and optimistic as regards his
own work; he had a contemptuous indifference to the work of others, and
a disregard of the help which he might derive from a closer study of
such work. He trained himself, body, mind, and affections, solely with
reference to his mission, and allowed no interference with it. He was
the embodiment of physical and mental vigor, prodigious industry,
continuity of purpose, indomitable courage, capacity for great
concentration of mind, and oblivion to all distracting surroundings.
With such characteristics, combined with the rare endowment of mental
capacity and insight regarding the principles of engineering science,
small wonder is it that his life was one so rich in results. It could
not have been otherwise, and the results simply came as a consequence
of the combination of the characteristics of the man and the
surroundings in which he was placed.
The question as to how much more or how much better he might have done
had he possessed more faith in the work of others and a willingness to
be guided in some measure by their experience is of course idle.
Ericsson was a combination of certain capacities and characteristics; a
combination of other capacities and characteristics would not have been
Ericsson, and any discussion of such a supposition is therefore aside
from the purpose of this sketch.
John Ericsson lived in a period of rapid engineering development and
change. Old ideals were passing away, and the heritage which the
Nineteenth Century was able to pass on to the Twentieth was in
preparation. In this preparation Ericsson bore a large and most
important part. So long as ships traverse the seas, Ericsson's name will
be remembered for his work in connection with the introduction of the
screw-propeller. So long as the memory of naval warfare endures,
Ericsson's name will be remembered for the part which he bore in the
transition from wood to iron, from unarmored ships to turrets and armor,
from scattered to concentrated energy of gun-fire, and for his general
share in the developments which have led to the ideal of a battleship
prevailing at the opening of the Twentieth century. For these and for
many other achievements he will be remembered, and his life and works
should serve as a constant stimulus to those upon whom the engineering
work of the present age has fallen, to see that with equal fidelity they
live up to the possibilities of their endowments and opportunities, and
serve with like fervency and zeal the needs of the age in which they
are placed.
AUTHORITIES.
Contributions to the Centennial Exhibition: Ericsson, John.
The Life of John Ericsson: Church, W.C.
History of the Steam Engine: Thurston, R.H.
Steam Navy of the United States: Bennett, Frank M.
Who invented the Screw Propeller?: Nicol, James.
The Naval and Mail Steamers of the United States: Stuart, Charles B.
A Chronological History of the Origin and Development of Steam
Navigation: Preble, Rear Admiral G.H.
A Treatise on the Screw Propeller, Screw Vessels, and Screw Engine as
adapted for Purposes of Peace and War: Bourne, John.
LI HUNG CHANG.
1823-1901.
THE FAR EAST.
BY W.A.P. MARTIN, D.D., LL.D
INTRODUCTORY.
Five years ago Earl Li was at the head of the "Tsungli Yamen," or
Foreign Office in Peking. The present writer, having known him long and
intimately, called one morning to request a letter of recommendation to
aid in raising money for an International Institute projected by the
Rev. Dr. Reid. "He's got one letter; why does he want another?" asked
Li, in a tone of mingled surprise and irritation. "True," said I, "but
that is from the Tsungli Yamen. Nobody in America knows anything about
the Yamen. What he wants is a personal letter from you; because the only
Chinese name besides Confucius that is known outside of China is Li
Hung Chang."
"I'll give it! I'll give it!" he exclaimed, smiling from ear to ear at the
thought of his world-wide reputation.
This was taking him on his weak side; but it was fact, not flattery.
Over forty years ago Li's rising star first came to view in connection
with operations against the rebels in the vicinity of Shanghai, and from
that day to this, every war, domestic or foreign, has served to raise it
higher and make it shine the brighter. It reached its zenith in 1901,
when after settling terms of peace with several foreign powers he passed
off the stage at the ripe age of fourscore. What better type to set
forth his age and nation than the man who, through a long career of
unexampled activity, won for himself a triple crown of literary,
military, and civil honors? In physique he was a noble specimen of his
race, over six feet in height, and in his earlier years uncommonly
handsome. The first half of his existence was passed in comparative
obscurity at Hofei in Anhui, a region remote from contact with
foreign nations.
It was there his character was formed, on native models; there he
carried off the higher prizes of the literary arena; and there he became
fitted for the role of China's typical statesman.
His career in outline may be stated in a few words. His native province
being overrun by rebels, he passed from the school-room to the camp, and
got his earliest lessons in the military art under the leadership of the
eminent viceroy Tseng Ko Fan. The neighboring province of Kiangsu
falling into the hands of rebel hordes a few years later, he won renown
by recapturing its principal cities, by the aid of such men as the
American Ward and the English Gordon. His success as a general made him
governor of Kiangsu, and his success as governor raised him to the rank
of viceroy, holding for many years a post at one or other of the foci of
foreign trade north or south.
Beyond the borders of China he was twice sent on special embassies, and
once he made the tour of the globe; but his most brilliant achievement
was in twice making peace on honorable terms, when his country was lying
prostrate before a victorious enemy.
It remains to expand this incomparable catalogue; but to make
intelligible that remarkable series of events in which he bore such a
conspicuous part, we must first invite our readers to accompany us in a
historical retrospect in which we shall point out the opening and growth
of foreign intercourse.
I.
INTERCOURSE WITH CHINA BY LAND.
Of the nature of that intercourse in its earlier period, there exists a
monument that speaks volumes. That is no other than the Great Wall;
which, hugest of the works of man, stretches along the northern frontier
of China proper for one thousand five hundred miles from the sea to the
desert of Gobi. Erected 255 B.C. it shows that even at that early date
the enemies most dreaded by the Chinese were on the north. Yet how
signally it failed to effect its purpose! For since that epoch the
provinces of Northern China have passed no fewer than seven centuries
under Tartar sway. Two Tartar dynasties have succeeded in subjugating
the whole empire, and they have transmitted beyond the seas a reputation
which quite eclipses the fame of China's ancient sovereigns.
In fact, that which first made China known to the western world was its
conquest by the Mongols in the thirteenth century. Barbarous nomads,
with longing eyes forever directed to the sunny plains of the south,
they also conquered India, bringing under their sceptre the two richest
regions of the globe. Of Genghis and Kubla, it may be asserted that they
realized a more extended dominion than Alexander, Caesar, or Napoleon
ever dreamed of. But
"Extended empire, like expanded gold,
Exchanges solid strength for feeble splendor."
Their tenure of China was of short duration,--less than a century. In
India, however, their successors, the great Moguls, continued to
maintain a semblance of sovereignty even down to our own times, when
they were wiped from the blackboard for having taken part in the
Sepoy mutiny.
Liberal beyond precedent, Kubla Khan encouraged the establishment of a
Christian bishopric, in which John de Monte Corvino was the first
representative of the Holy See. He also welcomed those adventurous
Italians, the Polos, and sought to make use of them to open
communication with Europe. Yet we cannot forbear to express a doubt,
whether, aside from the Christian religion, Europe in that age had much
in the way of civilization to impart to China.
Three of the native dynasties, which preceded the Mongol conquest, made
themselves famous by advancing the interests of civilization. The house
of Han (B.C. 202-A.D. 221) restored the sacred books, which the builder
of the Great Wall had destroyed in order to obliterate all traces of
feudalism and make the people submit to a centralized government. Even
down to the present day, the Chinese are proud to describe themselves as
"sons of Han." The house of Tang, A.D. 618-908, is noted above all for
the literary style of its prose-writers and the genius of its poets. In
South China the people are fond of calling themselves "sons of Tang."
The house of Sung, A.D. 970-1127, shows a galaxy of philosophers and
scholars, whose expositions and speculations are accepted as the
standard of orthodoxy. More acute reasoners it would be difficult to
find in any country; and in the line of erudition they have never been
surpassed.
It is reported that in 643 the Emperor Theodosius sent an envoy to
China with presents of rubies and emeralds. Nestorian missionaries also
presented themselves at court. The Emperor received them with respect,
heard them recite the articles of their creed, and ordered a temple to
be erected for them at his capital. This was in the palmy period of the
Tangs, when the frontiers of the Empire had been pushed to the borders
of the Caspian Sea.
If China in part or in whole was sometimes conquered by Tartars, it is
only fair to state that the greatest of the native sovereigns more than
once reduced the extramural Tartars to subjection. Between the two races
there existed an almost unceasing conflict, which had the effect of
civilizing the one and of preventing the other from lapsing
into lethargy.
About B.C. 100, Su Wu, one of China's famous diplomatists, was sent on
an embassy to the Grand Khan of Tartary. An ode, which he addressed to
his wife on the eve of his perilous expedition, speaks alike for the
domestic affections of the Chinese and for their ancient
literary culture.
"Twin trees whose boughs together twine,
Two birds that guard one nest,
We'll soon be far asunder torn
As sunrise from the west.
"Hearts knit in childhood's innocence,
Long bound in Hymen's ties,
One goes to distant battlefields,
One sits at home and sighs.
"Like carrier dove, though seas divide,
I'll seek my lonely mate;
But if afar I find a grave,
You'll mourn my hapless fate.
"To us the future's all unknown;
In memory seek relief.
Come, touch the chords you know so well,
And let them soothe our grief."
II.
INTERCOURSE BY SEA.
In 1388 the Mongols were expelled. The Christian bishopric was swept
away, and left no trace; but a book of the younger Polo, describing the
wealth of China, gave rise to marvellous results. Together with the
magnetic needle, which originated in China, it led to centuries of
effort to open a way by sea to that far-off fairyland. It was from Marco
Polo that Columbus derived his inspiration to seek a short road to the
far East by steering to the West,--finding a new world athwart his
pathway. It was the same needle, if not the same book, that impelled
Vasco da Gama to push his way across the Indian Ocean, after the Cape of
Good Hope had been doubled by Bartholomew Diaz. A century later the same
book led Henry Hudson to search for some inlet or strait that might
open a way to China, when, instead of it, he discovered the port of
New York.
The mariner's compass, which wrought this revolution on the map of the
world, is only one of many discoveries made by the ancient Chinese,
which, unfruitful in their native land, have, after a change of climate,
transformed the face of the globe.
The polarity of the loadstone was observed in China over a thousand
years before the Christian era. One of their emperors, it is said,
provided certain foreign ambassadors with "south-pointing chariots," so
that they might not go astray on their way home. To this day the
magnetic needle in China continues to be called by a name which means
that it points to the south. It heads a long list of contraries in the
notions of the Chinese as compared with our own, such, for example, as
beginning to read at the back of a book; placing the seat of honor on
the left hand; keeping to the left in passing on the street, with many
others, so numerous as to suggest that the same law that placed their
feet opposite to ours must have turned their heads the other way. To the
Chinese the "south-pointing needle" continued to be a mere plaything to
be seen every day in the sedan chair of a mandarin, or in wheeled
vehicles. If employed on the water, it was only used in
coasting voyages.
So with gunpowder, of which the Arabs were transmitters, not inventors.
In other lands it revolutionized the art of war, clothing their people
with irresistible might, while in its native home it remained
undeveloped and served chiefly for fireworks. Have we not seen, even in
this our day, the rank and file of the Chinese army equipped with bows
and arrows? The few who were provided with firearms, for want of
gunlocks, had to set them off by a slow-match of burning tow; and
cannon, meant to guard the mouth of the Peiho, were trained on the
channel and fixed on immovable frames.
The art of printing was known in China five centuries before it made its
way to Europe. The Confucian classics having been engraved on stone to
secure them from being again burned up, as they had been by the builder
of the great wall, the rubbings taken from those stones were printing.
It required nothing but the substitution of wood for stone and of
_relievo_ for _intaglio_ to give that art the form it now has. The
smallest scrap of printed paper in the lining of a tea chest, or wrapped
about a roll of silk, would suffice to suggest the whole art to a mind
like that of Gutenberg. In China it never emerged from the state of wood
engraving. The "Peking Gazette," the oldest newspaper in the world, is
printed on divisible types, but they are of wood, not metal, more than
one attempt to introduce metallic types having proved unsuccessful, for
the want of that happy alloy known as type-metal. It is from us that
they have learned the art of casting type, especially that splendid
achievement, the making of stereotype plates, and, later, electrotype
plates, by the aid of electricity and acid solutions. Chemistry, from
which this beautiful art takes its rise, carries us back to China, for
it was there that alchemy had its birth, as I have elsewhere shown.[4]
[Footnote 4: "The Lore of Cathay." New York: Fleming R. Revell Co., p.
41.]
Man's first desire is long life; his second, to be rich. The Taoist
philosophy commenced with the former before the Christian era, but it
was not long in finding its way to the latter. A powerful impulse was
thus given to research in the three departments of science,--chemistry,
botany, and geography. As in the case of gunpowder, the Arabs
transmitted these discoveries to the West, and along with them the
Chinese doctrine as to the twofold objects of alchemic studies,--the
elixir of life and the philosopher's stone.
From this double root sprang the chemistry of the West, which in no mean
sense has fulfilled its promise by prolonging life and enriching
mankind. In all these the West has performed the part of a nursing
mother, but she has brought the nursling back full grown, and prepared
to repay its obligation to its true parent by effective service.
Portuguese merchants made their way to Canton early in the sixteenth
century, but it was not till the latter part of the century that
Catholic missionaries entered on their grand crusade. In 1601 the Jesuit
pioneer Matteo Ricci and his associates, impelled by religion and armed
with science, presented themselves at the court of Peking. The Chinese
had been able to reckon the length of the year with remarkable accuracy
two thousand years before the time of Christ, but their science had made
no headway. The missionaries found their calendar in a state of
confusion, vanquished the native astronomers in fair competition, and
were formally installed as keepers of the Imperial Observatory; and
these missionaries supervised the casting of the bronze instruments
which have since been taken to Berlin.
This honor they retained even after the fall of the native dynasty that
patronized them. When the Manchus effected their conquest in 1644, not
only were the Jesuit missionaries left in charge of the observatory, but
the heir apparent was placed under their instruction. Coming to the
throne in 1662, under the now illustrious title of _Kanghi_, the young
prince showed himself a generous patron as he had previously been a
respectful pupil. He was apparently not averse to the idea of his
people's adopting Christianity as their national religion, and allowed
the missionaries a free hand to plant churches throughout the vast
interior. Rarely if ever has so fine an opportunity offered for making
an easy conquest of a pagan empire. It was lost through the jealousy of
contending societies, and especially through the blunder of an
infallible Pope. The Dominicans denounced the Jesuits for tolerating the
practice of pagan rites, such as the worship of ancestors, and for
employing for God the name of a pagan deity. The name which they then
objected to was Shang-ti, Supreme Ruler, a venerable designation for the
Supreme Power found in the earliest of the Chinese canonical books, and
at this day accepted by a large proportion of Protestant missionaries.
The question as to its fitness was referred to the Emperor, who decided
in favor of the Jesuits. It was then brought before the Papal See,
condemned as idolatrous, and Tien Chu, the Lord of Heaven, adopted in
its stead. That Shang-ti, however pure in origin, had come to be applied
to a whole class of deities was perfectly true, but the name proposed in
its stead was not free from a taint of idolatry,--Tien Chu, Lord of
Heaven, being one of eight divinities, and worshipped along with Ti Chu,
Lord of Earth, Hai Chu, Lord of the Sea, etc.
The manner in which his opinions had been set aside by the Pope had no
doubt a repelling influence on the mind of the Emperor, so that if he
had ever felt inclined to embrace Christianity, he drew back in his
later years. Not only so, but he left behind him a series of Maxims in
which he censures the foreign creed and warns his people against it.
These Maxims were ordered to be read in public by mandarins, and they
continue to be recited and expounded as a sort of religious ritual. Is
it surprising that this lost opportunity was followed by a century and a
half of open persecution? That most of the churches survived, not only
attests the zeal with which the Faith had been propagated, it throws a
pleasing light on the force of the Chinese character. At the dawn of our
new epoch, there were still some half a million converts,--with here and
there a foreign Father hiding in their midst.
In bringing about this change of policy there was indeed another
influence at work. Had not the Emperor of China heard some rumors of
what was going on in the dominion of his cousin, the Great Mogul--how
the French were dispossessing the Portuguese; and how the English later
on succeeded in expelling the French? How could they doubt that a large
community of native Christians would act as an auxiliary to any foreign
invader? A suspicion of this kind had in fact sprung up under the
preceding dynasty. In consequence of it not a single seaport except
Macao was opened to foreign trade; and when foreigners went to Canton,
they were lodged in a suburb and not allowed to penetrate within the
walls of the provincial capital. Such misgivings as to the designs of
foreigners we find strikingly expressed in a book of that period called
"Strange Stories of an Idle Student."
One story is as follows: When Red-Haired Barbarians first appeared on
our coast they were not allowed to come ashore. They begged, however, to
be permitted to spread a carpet on which to dry their goods, and this
being granted, they took the carpet by its corners and stretched it so
that it covered several acres. On this, they debarked in great force
and, drawing their swords, took possession of the surrounding country.
III.
THE OPIUM WAR.
The first great event that woke China from her dream of solitary
grandeur was the war with England, which broke out in 1839 and was
closed three years later by the Treaty of Nanking. It was not, however,
all that was needed to effect that object. It made the giant rub her
eyes and give a reluctant assent to terms imposed by superior force. But
many a rude lesson was still required before she came to perceive her
true position, as on the lower side of an inclined plane. To bring her
to this discovery four more foreign wars were to follow before the end
of the century, culminating in a siege in Peking and massacres
throughout the northern provinces which may be looked on as the fifth
act in a long and bloody tragedy.
In the last three wars Li Hung Chang was a prominent actor. In the
first two he took no part. Yet was it the shock which they gave to the
empire that drove him from a life of literary seclusion to do battle in
a more public arena.
The Opium War of 1839 is not improperly so designated, but nothing is
more erroneous than to infer that it was waged by England for the
purpose of forcing the product of her Indian poppy fields on the markets
of China. Opium was the occasion, not the cause. The cause, if we are to
put it in a single word, was the overbearing arrogance of an Oriental
despotism, which refused to recognize any equal in the family
of nations.
In the Straits settlements and in the seaports of India, Chinese
merchants had been brought under sway of the bewitching narcotic. It
found its way to their southern seaports, and without being recognized
as an article of commerce, the trade expanded with startling rapidity.
The Emperor, Tao Kwang, one of the most humane of rulers, resolved to
take measures for the suppression of the vice. He had come to the throne
in 1820; and there is a story that he was moved to action by the
untimely fate of his eldest son, who had fallen a victim to the
seductive poison.
Commissioner Lin, whom he selected to carry out his prohibitory policy,
was a fit instrument for such a master, equally virtuous in his aims
and equally tyrannical in his mode of proceeding. Arriving at Canton,
his first object was to get possession of the forbidden drug, which was
stored on ships outside the harbor. This he thought to accomplish by
surrounding the whole foreign community by soldiers and threatening them
with death if the opium was not promptly surrendered. While its owners
or their agents hesitated, Captain Elliot, the British Superintendent of
Trade, came up from Macao, and demanded to share the duress of his
nationals. He then called on them to deliver up the drug to him to be
used in the service of the Queen for the ransom of the lives of her
subjects, assuring them that they would be reimbursed from the public
treasury. No fewer than twenty-one thousand chests, valued at nine
million dollars, were brought in from the opium ships and formally
handed over to Commissioner Lin. The foreign community was set free, and
the drug destroyed by being mixed with quicklime.
War was made to punish this outrage on the rights of the foreign
community, and to exact indemnity for the seizure of their property.
Canton was not captured, but held to ransom, and the haughty Viceroy
sent into exile. Other cities were taken and held; and, in 1842, a
treaty of peace was signed at Nanking by which five ports were opened to
foreign trade. The embargo on opium was not withdrawn; but the defeat of
the Chinese resulted in a virtual immunity from seizure together with a
growth of the traffic, such as to justify the ill-odored name which that
war still bears in history.
Treaties with other powers followed in quick succession. On demand of
the French Minister, the Emperor recalled his prohibitory decrees
against Christianity and issued an Edict of Toleration. If the opening
of the ports gave a stimulus to trade, the decree of toleration opened a
door for missionary enterprise. As yet, however, neither merchant nor
missionary was allowed to penetrate into the interior; while the capital
and the whole of the northern seacoast remained inaccessible. This was
obviously a state of things that could not be permanent; yet fifteen
years were to pass before another war came to settle the terms of
intercourse on a broader basis.
When the war broke out, Li Hung Chang was seventeen years of age, living
at Hofei in Anhui. As there were then no newspapers in China it may be
doubted whether he heard of it until a British squadron sailed up to
Nanking and extorted a treaty at the cannon's mouth. Li was rudely
startled by the appearance of a new force, to which there was no
allusion in any of his ancient books. Along with the sailing-ships there
were two or three small steamers. It struck the Chinese with
astonishment to see them make head against wind and tide. _Shin Chuan_,
"ships of the gods," is the name they gave those mysterious vessels.
Little could Li foresee the part he was destined to take in creating a
steam navy for China.
Descended from a long line of scholars, he was supposed to be born to
the pursuit of letters. He did, in fact, devote himself to study with
unflagging zeal, because he had as yet no temptation to turn aside. Was
there not, moreover, an open door before his face inviting him to win
for himself the honors of a mandarinate? In his native town he placed
his foot on the first step of the ladder by gaining the degree of A.B.,
or, in Chinese, "Budding Genius." At the provincial capital he next
carried off the laurel of the second degree, which is worth more than
our A.M., not merely because it is not conferred in course, but because
it falls to the lot of only one in a hundred among some thousands of
competitors. These provincial tournaments occur but once in three years;
and the successful candidates proceed to Peking to compete for the third
degree, or D.C.L.,--_Tsin-shi_, or, "Fit for Office." Here the chances
amount to three per cent.
Li's fortunes were again propitious, and in company with two or three
hundred new-made doctors, he was summoned to the palace to contend in
presence of the emperor for the honor of a seat in the Imperial
Academy,--the Hanlin, or "Forest of Pencils." Here also he met with
success, but he was not among the first three whose names are marked by
the vermilion pen of majesty, each of whom sheds lustre on his native
province. The highest of the three is called Chuang Yuen, "Head of the
List" or "Prince of Letters." In the 'fifties it fell to a native of
Ningpo, where I then lived. His good luck was announced to his wife by
the magistrate in person, who conducted her to the six gates, at each of
which she scattered a handful of rice, as an omen of good fortune. In
the 'sixties, when I had removed to Peking, this honor was for the first
time conferred on a Manchu, a son of the General Saishanga. His daughter
was deemed a fit consort for the heir to the throne, wearing for a short
time the tiara of empress, and committing suicide on the death of
her lord.
In the two previous contests, handwriting goes for nothing, but in this
it is not without weight, as the avowed object is to select scribes for
the service of the throne. On those occasions extent of erudition and
originality of thought are the qualities most esteemed; but this time
the order of merit is decided by superficial elegance of style, and by
facility in the composition of verse.
However defective the standard of learning, this long course of
competition, extending over ten or fifteen years, has the effect of
bringing before the throne a body of men each of whom is the survivor of
a hundred contests. No country can boast a better system for the
selection of talent, and the government guards it with jealous care. I
have known more than one examiner put to death for tampering with this
ballot-box of the Empire. For ages it has provided the state with able
officers; nor is its least merit that of converting a dangerous
demagogue into a quiet student.
While waiting for an appointment, Li heard with dismay that Nanking had
been taken by a body of rebels, and that his native province was in
danger of being overrun by them. A new career opened before him,--one
that led more directly to the highest offices within the gift of the
sovereign. Asking a commission in the army, he was assigned to a
position on the staff of Tsengkofan, father of the Marquis Tseng, who
was afterwards Minister to England.
This rebellion, among the strangest of strange things, now claims our
attention.
IV.
THE TAIPING REBELLION.
In April, 1853, the news reached us that Nanking had fallen into the
hands of a body of rebels who, by a curious irony, called themselves
Taipings, "Soldiers of Peace."
They were Chinese, not Manchus, and their leaders were all from the
extreme south. Starting near Canton, they had proclaimed as their
object the expulsion of the Tartars. Overrunning Kwangsi and Hunan, they
had got possession of Hankow and the two adjacent cities,--a centre of
wealth which may be compared to the three cities that form our Greater
New York. Everywhere they put to flight the government forces; but they
did not choose to stop anywhere short of the ancient capital of the
Mings. Seizing some thousands of junks, they filled them with the
plunder of that rich mart, and sweeping down the river, carried by
assault every city on its banks until they reached Nanking. Its
resistance was quickly overcome; and putting to death the entire
garrison of twenty-five thousand Manchus, they announced their intention
to make it the capital of their empire, as Hung Wu had done when he
drove out the Mongols and restored freedom to the Chinese race.
In a few months they despatched an expedition to expel the Manchus from
Peking. But that proved a more difficult task than they expected. Before
the detachment had arrived at Tientsin, it was met on the Grand Canal by
a strong force under Sengkolinsin, the Mongol prince. Obliged to winter
on the way, it was divided and cut off in detail; this defeat making it
evident to all the world that the Manchu domination might still hope for
a considerable lease of life. The blood and rapine which everywhere
marked their pathway alienated the sympathy of foreigners from the
Soldiers of Peace. Nor did the new power at Nanking manifest the least
anxiety to obtain foreign aid, feeling assured of ultimate triumph. Yet,
indifferent as they were to the co-operation of foreigners, the Taipings
proclaimed themselves Christians, and appeared to aim their blows no
less at lifeless idols than at living enemies. Shangti, the Supreme
Ruler, the God of the ancient sages, was the object of their worship.
They found his name in the Christian Bibles, and they published the
Bible as the source of their new faith. Their faith amounted to a
frenzy, giving them courage in battle, but not imparting the
self-control essential to Christian morality. Filling their coffers with
spoil, they stocked their harems with the wives and daughters of their
enemies. If their lives had been more decent, they might have had a
better chance to secure the favor of those powerful nations which had
now become the arbiters of destiny in China.
The leader of the movement was a Cantonese by the name of Hung Siu
Chuen. A copy of the Bible having fallen into his hands, he applied to a
Baptist missionary for instruction. How much he learned may be inferred
from the fact that he gave his followers a new form of baptism,
requiring them to wash the bosom as a sign for cleansing the heart. He
had ecstatic visions, and preached a crusade against idolatry and the
Manchus. The ease with which the Manchus had been beaten by the British
in 1842 had revealed their weakness, and the new faith supplied the
rebels with a fresh source of power. They mixed the teachings of the
Gospel with new revelations as freely as Mohammed did in propagating the
religion of the Koran. The chief called himself the younger brother of
Jesus Christ. His prime minister assumed the title of the Holy Ghost;
and his counsels were given out as decrees from Heaven. All this had an
air of blasphemy that shocked the sensibilities of foreigners, and
compelled them to stand aloof or to support the Manchus.
The native authorities were permitted to engage foreign ships and seamen
to operate against the rebels, who sustained a siege in Nanking almost
as long as the siege of Troy. From Shanghai, Suchau, and other cities
the Taipings were driven out by the aid of foreigners, chiefly led by
Ward and Gordon, the former an American, the latter a Briton. General
Ward was never under the command of Li Hung Chang; but to him more than
to any other foreigner belongs the honor of turning the tide of the
Taiping Rebellion. A soldier of fortune, he offered to throw his sword
into the government scale if it were paid for with many times its weight
in gold. Gathering a nondescript force of various nationalities, he
recaptured the city of Sungkiang, and followed this up by such a series
of successes that his little troop came to be known as the
"Ever-victorious Army." Falling before the walls of Tseki, he was
interred with pomp at the scene of his first victory, where a temple was
erected to his memory, and he is now reckoned among the "Joss" of the
Chinese Empire. His force was taken into Li's pay.
General Gordon (the same who fell at Khartoum) acted under the direction
of Li Hung Chang; and his chief exploit was the recovery of Suchau.
Unable to resist his artillery, the rebel chiefs offered to capitulate.
They were assured by him that their lives would be spared. To this Li
Hung Chang consented, and the stronghold was at once surrendered.
Regardless of his plighted faith, Li caused the five leaders to be
beheaded, an act of treachery which filled Gordon with such fury that he
went from camp to camp, looking for Li, determined to put a bullet in
his head. Li, however, avoided a meeting until Gordon's wrath had time
to subside, and that treacherous act laid the foundation of his future
fortunes. He was made governor of the province, and for forty years he
rose in power and influence.
Not only was this terrible rebellion which laid waste the fairest
provinces a sequel to the first war with England, it was prolonged and
aggravated by a second war which broke out in 1857. In 1863, the last
stronghold of the rebels was recaptured, and the rebellion finally
suppressed, after twelve years of dismal carnage. In bringing about this
result, no names are more conspicuous than those of Li Hung Chang and
General Gordon, whose sobriquet of "Chinese Gordon" ever afterwards
characterized him. Li's good fortune served him well in this war. Having
won the favor of the Court, he was in command of the forces of eastern
Kiangsu, and all the brilliant successes of Ward and Gordon were
credited to him. He was not only made governor of the province, but also
created an Earl in perpetuity.
V.
THE "ARROW" WAR; THE TREATIES.
Never did a smaller spark ignite a greater conflagration. In 1856 a
native junk named the "Arrow," sailing under a British flag, was seized
for piracy, her flag hauled down and her crew thrown into prison at
Canton. On demand of Sir John Bowring, Governor of Hong Kong, they were
handed over to Consul Parkes (later Sir Harry); but he refused to
receive them because they were not accompanied by a suitable apology.
The haughty Viceroy Yeh put them all to death, provoking reprisals on
the part of the British, resulting in the occupation of Canton and the
capture of Peking after three campaigns to the north.
In this war England had France for ally; as the two powers had been
associated in that hugest of blunders, the Crimean War. Nor was the
alliance a less blunder on this occasion. Napoleon's excuse for
participation was the murder of a missionary in Kwangsi; but his real
motive was a desire to checkmate Great Britain, and prevent the conquest
of new territory. In the Opium War she had stopped at Nanking, leaving
the pride of China unhumbled, and the state of relations so unstable
that another war was required to place them on a better footing.
England, with unselfish generosity, invited the co-operation of Russia
and the United States. Either power might have found as good a pretext
for hostile action as that of France; but they chose to maintain an
attitude of neutrality, offering only such moral support as might enable
them to gather up the apples after the others had shaken the tree. In
1857 Canton was taken and held by the allies. The next spring the envoys
of the four powers, each with a considerable naval force, proceeded to
the mouth of the Peiho, the gateway to a capital as secluded and
exclusive as that of the Grand Lama. The forts made a show of
resistance, but they were put to silence in less than half an hour; and
negotiations which had been opened by the neutrals were resumed
at Tientsin.
Dr. S. Wells Williams was Chinese secretary to the United States
minister, Mr. William B. Reed; and I acted as interpreter for the spoken
language. An article in favor of Christian missions occasioned some
delay; and Mr. Reed, who was vain and shallow, said to us, "Now,
gentlemen, hurry up with your missionary article for I intend to sign my
treaty on the 18th of June [Waterloo day] with or without that clause."
Fancy a mind that could think of a treaty obtained by British guns as
entitling him to be associated with Wellington! Yet Mr. Reed had the
effrontery to say that he "expected us to make the missionary societies
duly sensible of their obligations" to him. That twenty-ninth article
was the gem of the treaty; and it had the honor of being copied into
that of Lord Elgin, which was signed eight days later.
High-minded, philanthropic, and upright, Lord Elgin made a mistake which
led to a renewal of the war. He refused to place Tientsin on the list of
open ports, because, as he said, "Foreign powers would make use of it to
overawe the Chinese capital,"--just as if overawing was not a matter of
prime necessity. He hastened away to India to aid in suppressing the
Sepoy mutiny, eventually becoming viceroy after another campaign in
China. His brother, Sir F. Bruce, succeeded him as minister in China;
and twelve months later (July, 1859) the ministers of the four powers
were again at the mouth of the Peiho on their way to Peking for the
exchange of ratified copies of the several treaties. The United States
minister was John E. Ward, a noble-hearted son of Georgia, and the chief
of our little squadron was the gallant old Commodore Tatnall.
We were not a little surprised to see the demolished forts completely
rebuilt, and frowning defiance. We were told by officers who came down
to the shore that no vessel would be allowed to pass; but that the way
to Peking was open to us _via_ Peitang, a small port to the north.
To this Mr. Ward made no objection, but the British, who had so recently
held the keys of the capital, were indignant to be met by such a rebuff.
They steamed ahead between the forts, leaving the Chinese to take the
consequences. All at once the long line of batteries opened fire. One or
two gunboats were sunk; two or three were stranded. A storming party was
repulsed, and Admiral Hope, who was dangerously wounded, begged our
American commodore to give him a lift by towing up a flotilla of barges
filled with a reserve force. "Blood is thicker than water," exclaimed
Tatnall, in tones that have echoed round the globe, and Ward making no
objection, he threw neutrality to the winds, and proceeded to tow up the
barges. Our little steamer was commanded by Lieutenant Barker, now
Admiral Barker of the New York Navy Yard.
Even this failed to retrieve the day, the tide having fallen too low for
a successful landing. For the British admiral nothing remained but to
withdraw his shattered forces, and prepare for another campaign. For the
United States minister a dazzling prospect now presented itself,--that
of intervening to prevent the renewal of war. From Peitang we proceeded
by land two days. Then we continued our voyage for five days by boat on
the Upper Peiho.
At Peking, calling on the genial old Kweiliang, who had signed the
treaty in 1858, Mr. Ward was astonished at his change of tone. "You wish
to see the Emperor. That goes as a matter of course; but his Majesty
knows you helped the British, and he requires that you go on your knees
before the throne in token of repentance." "Tell him," said Mr. Ward to
me, "that I go on my knees only to God and woman." "Is not the Emperor
the same as God?" replied the old courtier, taking no notice of a
tribute to woman that was unintelligible to an Oriental mind. "You need
not really touch the ground with your knees," he continued; "but merely
make a show of kneeling. There will be eunuchs at hand to lift you up,
saying 'Don't kneel! Don't kneel!'" The eunuchs, as Mr. Ward well knew,
would be more likely to push us to our knees than to lift us up; and he
wisely decided to decline the honor of an audience on such terms.
Displeased by his obstinacy, the Emperor ordered him to quit the capital
without delay, and exchange ratifications at the sea-coast. A report was
long current in Peking that foreigners have no joints in their knees;
hence their reluctance to kneel. Thus vanished for Mr. Ward the
alluring prospect of winning for himself and his country the beatitude
of the peacemaker.
The summer of 1860 saw the Peiho forts taken, and an allied force of
thirty thousand men advancing on Peking. The court fled to Tartary, and
the summer palace was laid in ashes to punish the violation of a flag of
truce, the bearers of which were bound hand and foot, and left to perish
within its walls. For three days the smoke of its burning, carried by a
northwest wind, hung like a pall over the devoted city, whose
inhabitants were so terrified that they opened the gates half an hour
before the time set for bombardment. No soldiers were admitted, but the
demands of the Allies were all acceded to, and supplementary treaties
signed within the walls by Lord Elgin and Baron Gros. Peking was opened
to foreign residence. The French succeeded in opening the whole country
to the labors of missionaries. Legations were established at the
capital, and a new era of peace and prosperity dawned on the
distracted empire.
VI.
THE WAR WITH FRANCE.
If the opening of Peking required a prolonged struggle, it was followed
by a quarter-century of pacific intercourse. China had at her helm a
number of wise statesmen,--such as Prince Kung and Wensiang. The
Inspectorate of Customs begun under Mr. Lay took shape under the skilful
management of Sir Robert Hart, and from that day to this it has proved
to be a fruitful nursery of reforms, political and social.
Not only were students sent abroad for education at the instance and
under the leadership of Yung Wing, but a school for interpreters was
opened in the capital, which, through the influence of Sir Robert Hart,
was expanded into the well-known Imperial College. On his nomination the
present writer was called to the head of it, and Wensiang proposed to
convert it into a great national university by making it obligatory on
the members of the Hanlin Academy, the Emperor's "Forest of Pencils," to
come there for a course of instruction in science and international law.
Against this daring innovation, Wojin, a Manchu tutor of the Emperor,
protested, declaring that it would be humiliating to China to have her
choicest scholars sit at the feet of foreign professors. The scheme fell
through, but before many years the Emperor himself had taken up the
study of the English language, and two of our students were selected to
be his instructors. One of them is at this present time (1902) Chinese
minister at the Court of St. James. Several of our students have had
diplomatic missions, and one, after serving as minister abroad, is now a
leading member of the Board of Foreign Affairs in Peking. A press
opened in connection with the college printed numerous text-books on
international law, political economy, physics, and mathematics,
translated by the president, professors, and students.
America was fortunate in the choice of the first minister whom she sent
to reside at Peking. This was Anson Burlingame, who, after doing much to
encourage the Chinese in the direction of progress, was by them made the
head of the first embassy which they sent to foreign nations. His
success in other countries was largely due to the sympathy with which he
had been received in the United States by Secretary Seward, and to the
advice and recommendations with which he was provided by that great
statesman. So deep an interest did Mr. Seward take in China that he went
in person to study its condition before the close of his career. In his
visit to Peking he was accompanied by his nephew, George F. Seward, who
was United States Consul at Shanghai. The latter has since that date
worthily represented our country as minister at Peking; but it may be
doubted whether in that high position he ever performed an international
service equal in importance to one performed during his consulship, for
which he has recently received the cross of the Legion of Honor. In
laying out their new concession at Shanghai, the French had excited the
hostility of the people by digging up and levelling down many of those
graves that occupied so much space outside of the city walls, and where
the Chinese who worshipped their ancestors were to be seen every day
burning paper and heaping up the earth. A furious mob fell on the French
police, chased them from the field, and menaced the French settlement
with knife and firebrand. The consuls were appealed to for aid, but no
one responded except Mr. Seward, who headed a strong force from one of
our men-of-war, dispersed the mob, and secured the safety of the foreign
settlement. But for his timely intervention who knows that the French
consulate would not have been reduced to ashes? If the consulate had
been burned down, a war would have been inevitable, with a chain of
consequences that baffles the imagination.
In 1871 a horrid atrocity was perpetrated by Chinese at Tientsin which
certainly would have led to war with France if Napoleon III. had not at
that very time been engaged in mortal combat with Germany. The populace
were made to believe that the sisters at the French hospital had been
seen extracting the eyeballs from their patients to use in the
manufacture of magical drugs. They were set upon by a maddened
multitude, a score or more of them slaughtered, and the buildings where
they had cared for the sick and suffering turned to a heap of ruins.
Count Rocheschouart, instead of reserving the case to be settled at a
later day, thought best to accept from the Chinese government an
apology, with an ample sum in the way of pecuniary compensation. That
grewsome superstition has led to bloodshed in more than one part
of China.
In the summer of 1885 I was called one day from the Western Hills to the
Tsungli-Yamen, or Foreign Office, on business of great urgency. On
arriving, I was informed that the Chinese gunboats in the river Min had
been sunk by the French the day before; that they had also destroyed the
Arsenal at the mouth of the river. "This," said the Secretary, "means
war, and we desire to know how non-combatants belonging to the enemy and
resident in our country are to be treated according to the rules of
International Law." While I was copying out the principles and
precedents bearing on the subject, the same Secretary begged me to
hasten my report, "because," said he, "the Grand Council is waiting for
it to embody in an Imperial Decree." True enough, the next day a decree
from the throne announced the outbreak of war; but it added that
non-combatants belonging to the enemy would not be molested. Two of our
professors were Frenchmen, and they were both permitted to continue in
charge of their classes without molestation.
Hostilities were brought to a happy conclusion by the agency of Sir
Robert Hart. One of his customs cruisers employed in the light-house
service having been seized by the French, Mr. Campbell was sent to Paris
to see the French President and petition for its release. Learning that
President Grévy would welcome the restoration of peace, and ascertaining
what conditions would be acceptable, Sir Robert laid them before the
Chinese government, putting an end to a conflict which, if suffered to
go on, might have ruined the interests of more than one country. In this
war and in those peace negotiations the conduct of the Chinese was
worthy of a civilized nation. Yet the result of their experience was to
make them more ready to appeal to arms in cases of difficulty.
Li's connection with this war was very real, though not conspicuous.
Changpeilun, director of the arsenal at Foochow, was his son-in-law. Not
only was Li disposed to aid him in taking revenge, he was himself
building a great arsenal in the north; and it was, no doubt, owing to
efficient succor from this quarter that Formosa was able to hold out
against the forces of the French.
VII.
WAR WITH JAPAN.
Both in its inception and in its tragic ending the notable conflict with
Japan connects itself with the name of Li Hung Chang. The Island Empire
on the East had long been known to the Chinese, though until our times
no regular intercourse subsisted between the two countries. It is
recorded that a fleet freighted with youth and maidens was despatched
thither by the builder of the Great Wall to seek in those islands of the
blest for the herb of immortality; but none of them returned. It was to
be a colony, and the flowery robe by which its object is veiled is not
sufficient to hide the real aim of that ambitious potentate. Yet,
through that expedition and subsequent emigrations, a pacific conquest
was effected which does honor to both nations, planting in those islands
the learning of China, and blending with their native traditions the
essential teachings of her ancient sages.
For centuries prior to our age of treaties, non-intercourse had been
enforced on both sides,--the Japanese confining their Chinese neighbors,
as they did the Dutch, to a little islet in the port of Nagasaki; and
China seeing nothing of Japan except an occasional descent of Japanese
pirates on her exposed sea-coast.
To America belongs the honor of opening that opulent archipelago to the
commerce of the world. Our shipwrecked sailors having been harshly
treated by those islanders, a squadron was sent under Commodore Perry to
Yeddo (now Tokio) in 1855, to punish them if necessary and to provide
against future outrages. With rare moderation he merely handed in a
statement of his terms and sailed away to Loochoo to give them time for
reflection. Returning six months later, instead of the glove of combat
he was received with the hand of friendship, and a treaty was signed
which provided for the opening of three ports and the residence of an
American chargé d'affaires. In the autumn of 1859 it was my privilege to
visit Yeddo in company with Mr. Ward and Commodore Tatnall. We were
entertained by Townsend Harris and shown the sights of the city of the
Shoguns when it was still clothed in its mediaeval costume. The long
swaddling-garb of the natives had a semi-savage aspect, and the abject
servility with which their todzies (interpreters) prostrated themselves
before their officers excited a feeling of contempt.
Like the mayors of the palace in mediaeval France, the Shoguns or
generals had relegated the Mikado to a single city of the interior;
while for six hundred years they had usurped the power of the Empire,
practically presenting the spectacle of two Emperors, one "spiritual"
(or nominal), one "temporal" (or real). Little did we imagine that
within five years the Shoguns would be swept away, and the Mikado
restored to more than his ancient power. The conflagration was kindled
by a spark from our engines. The feudal nobles, of whom there were four
hundred and fifty, each a prince within his own narrow limits, were
indignant that the Shogun had opened his ports to those aggressive
foreigners of the West. Raising a cry of "Kill the foreigners!" they
overturned the Shoguns and restored the Mikado. Their fury, however,
subsided when they found that the foreigner was too strong to be
expelled. A few more years saw them patriotically surrendering their
feudal powers in order to make the central government strong enough to
face the world. About the same time our Western costume was adopted, and
along with it the parliamentary system of Great Britain and the school
system of America. Some foreigners were shallow enough to laugh at them
when they saw those little soldiers in Western uniform; and the Chinese
despised them more than ever for abandoning the dress of their
forefathers.
To protect themselves at once against China and Russia, the Japanese
felt that the independence of Corea was to them indispensable. The King
had been a feudal subject to China since the days of King Solomon; and
when at the instance of Japan he assumed the title of Emperor, the
Chinese resolved to punish him for such insolence. This was in 1894. The
Japanese took up arms in his defence; and though they had some hard
fighting, they soon made it evident that nothing but a treaty of peace
could keep them out of Peking.
Li Hung Chang, who had long been Viceroy at Tientsin and who had built
a northern arsenal and remodelled the Chinese army, had to confess
himself beaten. For him it was a bitter pill to be sent as a suppliant
to the Court of the Mikado. That China was beaten was not his fault. Yet
he was held responsible by his own government and departed on that
humiliating mission as if with a rope about his neck. Fortunately for
him, during his mission in Japan an assassin lodged a bullet in his
head, and the desire of Japan to undo the effect of that shameful act
made negotiation an easy task, converting his defeat into a sort of
triumph. Happily, too, he enjoyed the counsel and assistance of J.W.
Foster, formerly United States Secretary of State. Formosa, one of the
brightest jewels in the Chinese crown, had to be handed over to Japan,
and lower Manchuria would have gone with it, had not Russia, supported
by Austria and Germany, compelled the Japanese to withdraw their claims.
The next turn of the kaleidoscope shows us China seeking to follow the
example of Japan in throwing off the trammels of antiquated usage. In
1898, when the tide of reform was in full swing, the Marquis Ito of
Japan paid a visit to Peking, and as president of the University, I had
the honor of being asked to meet him along with Li Hung Chang at a
dinner given by Huyufen, mayor of the city, and the grand secretary,
Sunkianai. It was a lesson intended for them when he told us how, on
his returning from England in the old feudal days, his prince asked him
if anything needed to be reformed in Japan. "Everything," he replied.
The lesson was lost on the three Chinese statesmen, progressive though
they were, for China was then on the eve of a violent reaction which
threatened ruin instead of progress.
VIII.
WAR WITH THE WORLD.
The last summer of the century saw the forts at the mouth of the Peiho
captured for the third time since the beginning of 1858. It was the
opening scene in the last act of a long drama, and more imposing than
any that had gone before, not in the number of assailants nor in the
obstinacy of resistance, but in the fact that instead of one or two
nations as hitherto, all the powers of the modern world were now
combined to batter down the barriers of Chinese conservatism. Getting
possession of Tientsin, not without hard fighting, they advanced on
Peking under eight national flags, against the "eight banners" of the
Manchu tribes.
What was the mainspring of this tragic movement? What unforeseen
occurrence had effected a union of powers whose usual attitude is mutual
jealousy or secret hostility? In a word, it was _humanity_. Spurning
petty questions of policy, they combined their forces to extinguish a
conflagration kindled by pride and superstition, which menaced the lives
of all foreigners in North China.
In 1898, when the Emperor had entered on a career of progress, the
Empress Dowager was appealed to by a number of her old servants to save
the Empire from a young Phaeton, who was driving so fast as to be in
danger of setting the world on fire. Coming out of her luxurious
retreat, ten miles from the city, where she had never ceased to keep an
eye on the course of affairs, she again took possession of the throne
and compelled her adopted son to ask her to "teach him how to govern."
This was the _coup d'état_. In her earlier years she had not been
opposed to progress, but now that she had returned to power at the
instance of a conservative party, she entered upon a course of reaction
which made a collision with foreign powers all but inevitable. She had
been justly provoked by their repeated aggressions. Germany had seized a
port in Shantung in consequence of the murder of two missionaries.
Russia at once clapped her bear's paw on Port Arthur. Great Britain set
the lion's foot on Weihaiwei; and France demanded Kwang Chan Bay, all
"to maintain the balance of power." Exasperated beyond endurance, the
Empress gave notice that any further demands of the sort would be met by
force of arms.
The governor of Shantung appointed by her was a Manchu by the name of
Yuhien, who more than any other man is to be held responsible for the
outbreak of hostilities. He it was who called the Boxers from their
hiding-places and supplied them with arms, convinced apparently of the
reality of their claim to be invulnerable. For a hundred years they had
existed as a secret society under a ban of prohibition. Now, however,
they had made amends by killing German missionaries, and he hoped by
their aid to expel the Germans from Shantung. On complaint of the German
Minister he was recalled; but, decorated by the hands of the Empress
Dowager, he was transferred to Shansi, where later on he slaughtered all
the missionaries in that province.
In Shantung he was succeeded by Yuen Shikai, a statesmanlike official,
who soon compelled the Boxers to seek another arena for their
operations. Instead of creeping back to their original hiding-place they
crossed the boundary and directed their march toward Peking,--on the way
not merely laying waste the villages of native Christians, but tearing
up the railway and killing foreigners indiscriminately. They had made a
convert of Prince Tuan, father of the heir apparent. He it was who
encouraged their advance, believing that he might make use of them to
help his son to the throne. Their numbers were swelled by multitudes who
fancied that they would suffer irreparable personal loss through the
introduction of railways and modern labor-saving machinery; and China
can charge the losses of the last war to those misguided crowds.
Fortunately several companies of marines, amounting to four hundred and
fifty men, arrived in Peking the day before the destruction of the
track. The legations were threatened, churches were burnt down, native
Christians put to death, and fires set to numerous shops simply because
they contained foreign goods. Then it was that the foreign admirals
captured the forts, in order to bring relief to our foreign community.
That step the Chinese Foreign Office pronounced an act of war, and
ordered the legations and all other foreigners to quit the capital. The
ministers remonstrated, knowing that on the way we could not escape
being butchered by Boxers. On the 20th of June, the German Minister was
killed on his way to the Foreign Office. The legations and other
foreigners at once took refuge in the British legation, previously
agreed on as the best place to make a defence. Professor James was
killed while crossing a bridge near the legation. That night we were
fired on from all sides, and for eight weeks we were exposed to a daily
fusillade from an enemy that counted more on reducing us by starvation
than on carrying our defences by storm.
About midnight on August 13, we heard firing at the gates of the city,
and knew that our deliverers were near. The next day, scaling the walls
or battering down the gates, they forced their way into the city and
effected our rescue. The day following, the Roman Catholic Cathedral was
relieved,--the defence of which forms the brightest page in the history
of the siege, and in the afternoon we held a solemn service of
thanksgiving. The palaces were found vacant, the Empress Dowager having
fled with her entire court. She was the same Empress who had fled from
the British and French forty years before.
She was not pursued, because Prince Ching came forward to meet the
foreign ministers, and he and Li Hung Chang were appointed to arrange
terms of peace. Li was Viceroy at Canton. Had he been in his old
viceroyalty at Tientsin, this Boxer war could not have occurred. That
its fury was limited to the northern belt of provinces was owing to the
wisdom of Chang[5] and Liu, the great satraps of Central China who
engaged to keep their provinces in order, if not attacked by foreigners.
[Footnote 5: Chang is regarded as the ablest of China's viceroys. He
published, prior to the _coup d'état_, a notable book, in which he
argues that China's only hope is in the adoption of the sciences and
arts of the West.]
I called on the old statesman in the summer of 1901, after the last of
the treaties was signed. He seemed to feel that his work was finished,
but he still had energy enough to write a preface for my translation of
Hall's "International Law," and before the end of another month his
long life of restless activity had come to a close at the age of
seventy-nine. By posthumous decree, he was made a Marquis.
In the autumn the court returned to Peking, the way having been opened
by Li's negotiations. Thanks to the lessons of adversity, the Dowager
has been led to favor the cause of progress. Not only has she re-enacted
the educational reforms proposed by the Emperor, but she has gone a step
farther, and ordered that instead of mere literary finish, a knowledge
of arts and sciences shall be required in examinations for the
Civil Service.
The following words I wrote in an obituary notice, a few days after Li's
death:--
"For over twenty years Earl Li has been a conspicuous patron of
educational reform. The University and other schools at Tientsin were
founded by him; and he had a large share in founding the Imperial
University in Peking. During the last twenty years I have had the honor
of being on intimate terms with him. Five years ago he wrote a preface
for a book of mine on Christian Psychology,--showing a freedom from
prejudice very rare among Chinese officials.
"Another preface which he wrote for me is noteworthy from the fact that
it is one of the last papers that came from his prolific pencil. Having
finished a translation of 'Hall's International Law' (begun before the
siege), I showed it to Li Hung Chang not two weeks ago. The old man took
a deep interest in it, and returned it with a preface in which he says
'I am now near eighty; Dr. Martin is over seventy. We are old and soon
to pass away; but we both hope that coming generations will be guided by
the principles of this book.'
"With all his faults--those of his time and country--Li Hung Chang was a
true patriot. For him it was a fitting task to place the keystone in the
arch that commemorates China's peace with the world."
DAVID LIVINGSTONE.
1813-1873.
AFRICAN DEVELOPMENT.
BY CYRUS C. ADAMS.
Africa is the most ancient and the most recent conquest of the human
race. As far as the light of history can be projected into the past, we
see Egypt among the first and foremost on the threshold of civilization.
The continent discovered last and opened last to the enterprises of the
world is still Africa. Why is it that we see there both the dawn of
civilization and the tardiest development of human progress?
The reasons are not far to seek. The physical conformation of no other
continent is so unfavorable for exploration and development. Africa's
straight coast-lines, affording little shelter to the primitive ships of
early mariners, repelled the enterprising Phoenicians and other
seafarers in their eager search for new lands worth colonizing. Nor was
it easy for explorers to penetrate into the interior. In its surface
Africa has been compared to an inverted saucer,--the high plateaus
occupying most of the interior descending to the sea by short, abrupt,
and steep slopes, so that the wide and peaceful rivers of the plateaus
are lashed into foam as they approach the ocean by many series of rapids
and cataracts.
In all the other continents rivers have been the lines of least
resistance to the advance of man. Civilization has developed first along
the great rivers. The valleys were first settled, and up these valleys
man carried his industries and commerce far inland. Thus the Euphrates
and Tigris of Mesopotamia, the Ganges and Indus of India, and the Hoang
and Yangtse of China, were the creators of history; but this is true in
Africa only of the Nile. All the other rivers have been impediments
instead of helpful factors in the formidable task of exploration and
development.
The trying climate, also, gave Africa odious repute and delayed for
centuries the study and utilization of the continent. When the British
expedition under Captain Tuckey attempted to ascend the Congo, in 1816,
to see if it were really the lower part of the Niger River, as had been
conjectured, nearly all of its members perished miserably among the
rapids less than two hundred miles from the sea. Such tragedies as this
paralyzed enterprise in Africa until white men learned that the climate
was not so deadly, after all, if they adhered to the manner of life, the
hygienic rules, that should be observed in that tropical expanse.
In all the other continents, also, explorers have had the advantage of
domestic animals to carry their food and camp equipment; but in large
parts of tropical Africa the horse, ox, and mule cannot live. The bite
of the little tsetse fly kills them. Its sting is hardly so annoying as
that of the mosquito, but near the base of its proboscis is a little bag
containing the fatal poison. Camels have been loaded near Zanzibar for
the journey to Tanganyika, but they did not live to reach the great
lake. The "ship of the desert" can never be utilized in the humid
regions of tropical Africa.
The elephant is found from sea to sea, but he has not proved to be so
amenable to domestication as his Asian brother. He may yet be reduced to
useful servitude. The efforts in this direction in the German and French
colonies are somewhat encouraging, though in 1901 only six elephants had
thus far been broken to work and were daily used as beasts of burden.
Explorers of tropical Africa have always been compelled to rely upon
human porterage, the most expensive and unsatisfactory form of
transportation, with the result that nearly all the great lines of
exploration have been extended through the continent at enormous cost.
So most other parts of the world were occupied, colonized, civilized,
before Africa was explored. A continent one-fourth larger than our own
was for centuries neglected and despised. "Nothing good can come out of
Africa" became proverbial. Seventy years ago Africa, away from the
coasts and the Nile, was almost a blank upon our maps, save for fanciful
details that are ludicrously grotesque in the light of our present
knowledge (1902).
Then dawned the era of David Livingstone. Sixty-two years ago this
humble Scotchman went to South Africa as a missionary. It was not long
before he became imbued with the idea that missionary service could not
be projected on broad, economic, and effective lines till the field was
known. The explorer, he said, must precede the teacher and the merchant.
We can work best for Christianity and civilization after we learn what
the people are and know the nature of their environment. This was the
thought that took him into the unknown; that inspired him with
unflagging courage and zeal throughout twenty years of weary plodding in
the African wilderness among hundreds of tribes who never before had
seen a white man. And all the years he was studying the country and
winning the love of its people, his faith in Africa, in its abounding
resources worth the world's seeking, in the capacity of its people for
development, steadily grew till it became the all-pervading impulse of
his life. Livingstone's faith converted the world to the belief that,
after all, there was good in Africa.
"I shall never forget," said Stanley, one day in New York, "the time
when I stood with Livingstone on the shore of Lake Tanganyika, and he
raised his trembling hand above his head, leaned towards me as he looked
me in the eye, and said in a voice broken with emotion: 'The day is
coming when the whole world will know that Africa is worth reclaiming,
and that its people may be brought out of barbarism. The world needs
Africa; and teachers, merchants, railroads, and every influence of
civilization will be spread through this continent to fit it for the
place in human interests that belongs to it.' I thought then that
Livingstone was an enthusiast and a visionary; but long ago I learned to
believe that every word he said was true."
Europe and America were thrilled by the simple narrative of those
twenty-two thousand miles of wanderings that brought into the light of
day millions of human beings who had been as much unknown to us as
though they inhabited Mars. Livingstone did not live to know it, but it
was he who kindled the great African Movement,--an outburst of zeal for
geographic discovery and economic development such as was never
seen before.
Thirteen years ago (1889) a Frenchman named De Bissy completed the
largest map yet made of Africa. In the preparation of this great work,
which occupied much of his time for eight years, he used as his sources
of information nearly eighteen hundred route and other maps, nearly all
of which were the result of the work of explorers in the preceding
quarter of a century. All that we know of the geography of over
three-fourths of Africa is the work of the past half-century since
Livingstone made his first journey in 1849; and we know far more of
inner Africa to-day than was known of inner North America three hundred
years after Columbus discovered the western world. A little over a
century ago, our great-grandfathers were reading in their school
geographies that North America had no conspicuous mountains except the
Alleghanies; and these mountains and the Andes of South America were
believed to be one and the same chain, interrupted by the Gulf of
Mexico. Many men not yet bent with years can remember when the interior
of Africa was a white space on the maps; but it is not possible to-day
to make such a geographical blunder as we have mentioned, about any part
of Africa.
It is because of the work he did in those twenty years, sowing all the
while the seeds from which sprang the great African Movement, that "the
gentle master of African exploration" is acclaimed to-day as one of the
world's great men, and that his body rests in Westminster Abbey among
the illustrious dead of Britain.
The son of a worthy weaver in Blantyre, Scotland, Livingstone's early
life was that of a poor boy, working in a spinning-mill, quiet, sober,
affectionate, and faithful in every relation of life. Moved at last by
the thirst for knowledge that has distinguished many a humble Scotch
boy, he entered the University at Glasgow, studying during the winter
months and spending the summers at his trade in the factory, fitting
himself all the while for the conquests he little dreamed he was to
achieve over difficulties almost insurmountable. A classmate spoke of
him as a pale, thin, retiring young man, but frank and most
kind-hearted, ready for any good and useful work, even for chopping the
University fuel and grinding wheat for the bread. In 1838, when he was
twenty-five years old, he went to London to be examined as a candidate
for the African missionary service. Two years later he was sent to South
Africa, where for eight or nine years he labored among the natives
earnestly and unostentatiously north of the place now famous as the site
of the Kimberley diamond mines. It was here that he became intimately
acquainted with the celebrated missionary, Robert Moffatt, whose
daughter he married. His devoted wife accompanied him in some of his
later travels, but long before he finished his work her body was laid to
rest under the shade of a tree that for years was pointed out to all
visitors to the Lower Zambesi.
In 1849, began the series of explorations that continued till his
death. "The end of geographical discovery is the beginning of missionary
enterprise," he wrote. Burning with zeal to reveal Africa to the world,
Livingstone never forgot the main aim of his life,--to open ways for the
planting of mission stations among all the scores of tribes he visited.
"I hope God will in mercy permit me to establish the Gospel somewhere in
this region," he wrote from the land of the Barotse, on the Upper
Zambesi. Does he now look down from his eternal home upon that very land
whose churches and schools are the fruition of the labors of French
Protestants; whose king, in London to attend the coronation of Edward
VII., said he wanted more teachers and more men to train his people to
build houses and work iron? He prayed that he might live to see "the
double influence of the spirit of commerce and Christianity employed to
stay the bitter fountain of African misery." The glowing zeal of the
Christian philanthropist and the untiring ardor of the born explorer
were perfectly blended in the spirit of the great pioneer of modern
African discovery.
Livingstone's routes through Africa would extend about seven times
between New York City and San Francisco; and in his almost endless
marches over plain, through jungle, across mountains and wide rivers,
the natives met him almost without exception in a generous and
hospitable spirit. Love was the secret of his success. He won his way by
kindness. Give the barbarous African time to see that you wish him well,
that you would do him good in ways he knows are helpful, and his
affection is evoked.
It was said that the British could never establish their rule over the
great Wabemba tribe, southwest of Tanganyika, without a military
campaign. In 1894, two humble Catholic fathers entered Lobemba, walked
straight to the chief town, and were told that if they did not leave the
country in one day they would be killed. As the stern message was
delivered, they saw an old woman on the ground in great pain from a
severe wound. The news soon spread that these unwelcome strangers had
washed and dressed the wound, and made the old woman comfortable. "These
people love men," was the word that passed from lip to lip, as the sick
and suffering came out from the town to be treated, while thousands of
natives looked on. At nightfall the white men were told they might
remain another day; they ministered for eleven days to those who needed
help, and were then invited to remain the rest of their lives. The
mission stations of the White Fathers are to-day scattered all over
Lobemba; the country is open in every corner to the whites, and in 1899
British rule was established. The victory was won, not with guns, but
by gentle, helpful kindness.
Livingstone never believed that the sympathies of our common humanity
are extinct even in the bosom of a savage. Enfolded in the panoply of
Christian kindness, he passed unscathed among the most warlike tribes.
No memory of wrong or pain rankled in the heart of any man, woman, or
child he ever met. He is known to-day as "the good old man" wherever his
path led him in those twenty years.
When explorers began to study the healthful highlands of the Akikuyu
tribe in East Africa a few years ago, the natives rushed to arms. "Keep
away from us," they said. "One of your white men came through the land,
stealing food from our gardens, and killing all who said he ought to pay
us for our vegetables. We want nothing to do with thieves and murderers
like you."
But no vengeance fell on the head of any white traveller who ever
followed in the footsteps of Livingstone. Those explorers have achieved
most who adhered to his example of unfailing kindness, mercy, and
justice. The brutal German, whose crimes made the Akikuyu hostile to all
whites, marked his path with blood from the Indian Ocean to Victoria
Nyanza. Serpa Pinto, renowned for the scientific value of his work,
aroused condemnation and disgust because he fought his way through many
tribes, among whom Livingstone and Arnot had wandered almost alone and
in perfect safety. Fortunately, there have not been many explorers
militant. The brilliant discoveries of Grenfell, Delcommune, Lemaire,
and others, who are in the first rank of African pioneers, were made
without harming a native.
Let us glance at a few of Livingstone's discoveries and form our own
conclusions as to whether his sublime faith in the future of Africa has
thus far been justified by events. In the depths of the wilderness he
discovered the large lake, Mweru, through which the Upper Congo flows.
Though white influences have reached that remote region only within the
past two or three years, a little steamboat now plies those waters. A
photograph of Mpweto, one of the white settlements on the lake, shows
the commodious quarters of the Europeans, two long lines of cabins in
which the native workmen live, and well-tilled gardens extending for a
half-mile along the shore. Livingstone brought to light the coal fields
of the Zambesi, the only coal yet known in tropical Africa. While these
lines are being written, the British of Rhodesia are preparing to open
mines along these deposits. He told the world of the Victoria Falls of
the Zambesi, the largest known, a mile wide and twice as high as
Niagara. The installation of an electrical plant at this great source of
power is now in progress, and it is hoped within three years to
transmit electrically all the power required to work the large copper
mines in the north, the coal fields in the east, and to move trains on
the Cape to Cairo Railroad for a distance of three hundred miles. The
recent improvements in long-distance transmission of power encourages
the belief that the Victoria Falls may some day possess large industrial
utility for a wide region around them. Coffee plantations on the hills
overlooking the long expanse of Nyassa, the splendid freshwater sea
which Livingstone revealed in its setting of mountains, are selling
their superior product in London at a high price. The town of Blantyre,
among the Nyassa highlands which Livingstone first described, has a
newspaper, telegraphic and cable communication with all the world, and
industrial schools in which the manual arts are taught to hundreds of
natives. Here is the large brick church, now famous, built by native
craftsmen, who before Livingstone's time had never seen a white man, and
lived in a state of barbarism; an edifice that would adorn the suburbs
of any American city, and of which the explorer, Joseph Thomson, said:
"It is the most wonderful sight I have seen in Africa." The natives made
the brick, burned the lime, sawed and hewed the timbers, and erected the
building to the driving of the last nail. They had the capacity, and it
was evoked by the genius of one of the most remarkable men in Africa,
Missionary Scott of Blantyre. Steamboats are afloat on five of the six
important seas of the great lake region of Central Africa; on two of the
three which Livingstone discovered. Only a beginning has been made, for
the field stretches from ocean to ocean; but the man who, in 1873--the
year of Livingstone's death,--should have predicted one-half of the
achievement of the present generation would have been laughed at as a
crack-brained visionary.
Even the surface of Africa is changing, and the truth of Livingstone is
not always the truth of to-day. In his first journey, in which he braved
the perils of the South African thirst lands, he reached the broad and
placid expanse of Lake Ngami, covering an area of three hundred square
miles. In the gradual desiccation of that region, the lake has now
entirely disappeared. Its place is wholly occupied by a partly marshy
plain covered with reeds, and no vestige of water surface is to be seen.
He found the little Lake Dilolo so exactly balanced on a flat plain
between two great river systems that one stream from the lake flowed
north to the Congo and another south to the Zambesi; but for years past
there has been no connection between the lake and the Congo. He sought
in vain, like many explorers after him, for the outlet to Lake
Tanganyika. The mystery was not solved till, more than twenty years
after, Burton discovered the lake; the solution came when the explorer
Thomson and Missionary Hore found the waters of Tanganyika pouring in a
perfect torrent down the valley of the Lukuga to the Congo. The
explanation of the strange phenomenon is that for a series of years the
evaporation exceeds the water receipts, the level of the lake steadily
falls, and the valley of the Lukuga becomes choked with grass; then a
period follows when the water receipts exceed the evaporation, and the
waters rise, burst through the barriers of vegetation in the Lukuga, and
are carried to the Congo once more.
It was his second and third journeys that established Livingstone's fame
as a great explorer. In those journeys (1853-56) his routes were from
the Upper Zambesi to Loanda in Portuguese West Africa, and then from
Loanda to the mouth of the Zambesi, nearly twelve thousand miles of
travel. The third journey was the first crossing of the continent; and
while traversing the wide savannas of the uplands and revealing the
Zambesi, the fourth largest river of Africa, from source to delta, he
was able to verify one of the most brilliant generalizations ever made
by a geologist. Sir Roderick Murchison, President of the Royal
Geographical Society, in 1852, deducing his conclusions from the very
fragmentary and imperfect knowledge of Africa then extant, evolved his
striking hypothesis as to the physical conformation of the continent,
which has been briefly mentioned above and is the accepted fact of
to-day. Livingstone was able to prove the accuracy of this hypothesis,
and he dedicated his "Missionary Travels" to its distinguished author.
The Makalolo chief, Sekeletu, on the Zambesi River, supplied Livingstone
with men, ivory, and trading commissions, that helped the humble and
unknown white man, lacking all financial resources except his slender
salary, to make the two great journeys which kindled the world's
interest and led to the wonderful achievements of our generation. In
this noteworthy incident we see the human agencies through which Africa
will attain the full stature allotted to her. The Caucasian and the
Negro each has his onerous part in the work of bringing the civilized
world and Africa into touch and accord.
When Livingstone went home, after his third journey, his
fellow-countrymen crowded to see and hear the explorer, who had added
more facts to geographical knowledge than any other man of his time.
They saw a person of middle age, plainly and rather carelessly dressed,
whose deep-furrowed and well-tanned face indicated a man of quick and
keen discernment, strong impulses, inflexible resolution, and habitual
self-command. They heard a speaker whose command of his mother tongue
was imperfect, and who apologized for his broken, hesitating speech by
saying that he had not spoken the English language for nearly sixteen
years. In no public place did he ever allude to his personal sufferings,
though fever had brought him to death's door and the years had been
crowded with the most harrowing cares. The work he had done and would
carry on to the end, the new Africa he alone could describe, the faith
that had grown and strengthened in every week of his long pilgrimage
that the world needed Africa, its resources and peoples, were the burden
of every utterance. The great London meeting where he first appeared
took practical measures to support him in the work he had begun unaided;
and one of the resolutions adopted, declaring that "the important
discoveries of Dr. Livingstone will tend hereafter greatly to advance
the interest of civilization, commerce, and freedom among the numerous
tribes and nations of that vast continent," was prophetic of all the
best fruits of the colossal work that has been done to the present time.
During his two years at home, Livingstone wrote his "Missionary
Travels." He returned to England once more (1864-65), when he published
"A Narrative of an Expedition to the Zambesi," and in 1866 went back to
Africa to resume the explorations which ended only with his death.
Between 1849 and 1873 he was four years in Europe and twenty years in
the field, eating native food, sleeping in straw huts (in one of which
he died), lost to view for many years at a time because he had no means
of communication with the coasts. It was this fact that led to Stanley's
successful search for Livingstone in 1871. Perhaps no other explorer
ever gave so many years to continuous field-work. In this respect he far
surpassed the record of any other of the African pioneers.
The discoveries in his last journeys, covering the periods from 1858 to
1864, and from 1866 to 1873, were as brilliant and fruitful as his
earlier work, but not so astonishing, because his first years were given
to revealing the broader aspects of Africa and its tribes, while his
later labors were devoted to more detailed research in a smaller field.
This region, about as large as Mexico and Central America, extends north
and south, from Tanganyika to the Zambesi, and covers the wide region of
the Congo sources between Nyassa and Lake Bangweolo. The greatest
results were the discovery of Lake Nyassa and the Shire River, now the
water route into East Central Africa; Lakes Bangweolo and Mwero; and the
mapping of the eastern part of the sources of the Upper Congo, which
Livingstone believed to the day of his death were the ultimate fountains
of the Nile. Livingstone's "Last Journeys" was published from the
manuscript which his faithful servants brought to the seacoast with the
mortal remains of their gentle master.
Not far from the south coast of Bangweolo stands a wooden construction
to which is affixed a bronze tablet bearing the simple inscription,
"Livingstone died here. Ilala, May 1, 1873." It has taken the place of
the tree under which he died, and where his heart, which had been so
true to Africa, was buried. As the tree was nearly dead, the section
bearing the rude inscription cut by one of his servants was carefully
removed and is now in London.
Livingstone's geographical delineations were remarkably accurate,
considering the inadequate surveying instruments with which he worked.
Dr. Ravenstein, one of the greatest authorities on African cartography,
has said: "I should be loath to reject Livingstone's work simply because
the ground which he was the first to explore has since his death been
gone over by another explorer." It would be marvellous, however, if in
the course of twenty years of exploration he had not made some blunders.
His map of Lake Bangweolo, for example, was very inaccurate. The Lokinga
Mountains, which he mapped to the south of the lake, have not been found
by later explorers. These imperfections resulted from the fact that his
map of Bangweolo and its neighborhood was largely based upon native
information. He knew that his map was inadequate, and as soon as he was
able to travel he returned to Bangweolo to complete his survey. He was
making straight for the true outlet of the lake, and was within
thirty-five miles of it when one morning his servants found him in his
lowly straw hut, dead on his knees. If Livingstone had lived a few weeks
longer and been able to travel, he and not Giraud would have given us
the true map of Bangweolo.
As a whole, Livingstone's work in geography, anthropology, and natural
history, stands the test of time. No river in Africa has yet been laid
down with greater accuracy than the Zambesi as delineated by
this explorer.
The success of Livingstone was both brilliant and unsullied. The apostle
and the pioneer of Africa, he went on his way without fear, without
egotism, without desire of reward. He proved that the white man may
travel safely through many years in Africa. He observed richness of soil
and abundance of natural products, the guarantees of commerce. He
foretold the truth that the African tribes would be brought into the
community of nations. The logical result of the work he began and
carried so far was the downfall of the African slave-trade, which he
denounced as "the open sore of the world." What eulogy is too great for
such a work and such a man?
In 1898, twenty-one journeys had been made by explorers from sea to sea.
Livingstone completed the first journey, from Loanda to the mouth of the
Zambesi, in one year, seven months, and twenty-two days. Nineteen years
elapsed before Central Africa was crossed again, when Cameron gave two
years and nearly eight months to the journey. It took Stanley two years
and eight months to cross Africa, when he solved the great mystery, the
course of the Congo; and when he went to the relief of Emin Pasha, in
1887, he was almost exactly the same time on the road. When Trivier
crossed from the Atlantic to the Indian Ocean, in 1888-89, in nine days
less than a year, the event was held as a remarkably rapid performance.
A little later the journey was made by several travellers in from twelve
to fifteen months. In 1898, the Englishman, Mr. Lloyd, crossed from Lake
Victoria to the mouth of the Congo in three months, about thirteen
hundred miles of the journey being by Congo steamboat and railroad. In
1902, the journey from the Indian Ocean to Lake Victoria is made by rail
in two and one-half days,--a journey that occupied Speke for nine, and
Stanley for eight months. With the present facilities, the continent may
be crossed by way of the lake region and the Congo in about three
months. The era of long and weary foot-marches has nearly ended; now
succeeds travel by steam.
No influence has been so potent in improving the art of the explorer, or
in raising the standard of the work required of him, as the enormous
interest that for thirty years past has centred in African exploration.
The larger part of the best achievements of the explorers of the present
generation in scientific investigation, and in an approach to scientific
map-making, are found in tropical Africa. Many of the hundreds of the
route surveys are not unworthy to be compared with those of Pogge and
Wissmann, when they laid down on their map every cultural and
topographic feature for two miles on both sides of their route, from
Angola to the Upper Congo. The extreme care with which some of the best
explorers have performed their tasks is illustrated by the remarkable
achievement of the late Dr. Junker along the Mobangi River. After years
of service, his scientific equipment had become practically worthless.
He started on his four-hundred-mile journey down the river through the
jungle, with absolutely no instrument except a compass to aid him in
determining his positions. Endeavoring, by the most scrupulous care, to
make up as far as possible for his lack of scientific outfit, he trudged
through the grass, compass in hand, counting every step. Every fifteen
minutes he jotted in his notebook the distance and the mean direction
travelled. At night he used these accumulated data to lay down on his
route map the journey of the day. For many weeks he kept up this trying
routine till he reached his furthest west, and again till he had
returned to his starting-point, whose latitude and longitude he had
previously determined. When he returned to Europe, Dr. Hassenstein and
he made a map from the data Junker had collected, and fixed the position
of his furthest west. This position was found later by the astronomical
observations of Lieutenant Le Marinel to be less than two miles out
of the way.
One of the latest to win a large prize in African discovery is Dr. A.
Donaldson Smith, a young physician of Philadelphia, in the northeastern
region known as Somaliland and Gallaland. His method may be mentioned
here as an illustration of the kind of work that geographers now
require. Before he began his explorations, he took a thorough course in
the use of surveying instruments and the methods of accurately laying
down his positions and making a route map. Many a cartographer, burning
with desire to draw a good map of a newly explored region, has been
driven to despair by the inadequacy of the route surveys in his hands.
Not a few of these surveys have been unworthy of reproduction in the
books of the explorers who made them, and the best that could be done
was to generalize their information on maps of comparatively small
scale. But Donaldson Smith's route-maps appear in his book on the
comparatively large scale of 1:1,000,000 (about sixteen statute miles to
the inch), and they are worthy of that treatment, for his surveys and
observations for geographical positions were recorded in such a way
that their value might be easily ascertained by any one familiar with
such computations. His route-maps have been found to be admirable
map-making material; thus, he has not only traversed a new region of
great extent, but has given in his map ample materials which may be
employed by any atlas-maker in the production of good maps of all the
territory that came under his observation. When Sir Clements Markham
presented to Dr. Smith the Patrons' Medal of the Royal Geographical
Society, he said: "You have not, like an ordinary explorer, made a
common route survey, but you have made a scientific survey, a
triangulation frequently checked by astronomical observations with
theodolite and chronometer."
Most African explorers have been painstaking, conscientious workers,
eager in their quest for the truth, desirous to report nothing but the
truth, and treating the lowly and ignorant they have met as men, with
sensibilities like their own, capable of gratitude for a kindness and
keenly sensitive to an outrage. The world has recognized and applauded
such heroes of discovery,--the men who faced hardship and peril,
enduring and sacrificing much that knowledge might grow; who had to
conquer not only unkind Nature, but to overcome the ignorant violence of
man. And not a few of the leaders in this work have carried it out with
a degree of tactfulness, humanity, gentleness, and kindliness of spirit
amounting to genius. Some of them spent months in disguise, collecting
facts of the highest scientific value among fanatical Mohammedans who
would have killed them if they had known their secret. Such men were
Burton in Harrar, Dr. Lenz in Timbuctoo, and De Foucauld and Harris in
Morocco, who, in stained skins and borrowed costumes, personated
merchants and devotees and doctors and Jews; and most of whom have
enriched the literature of discovery with valuable books. Men also such
as Dr. Junker, who, rich as he was, left his home to spend eight years
alone among the savages of the Welle Makua basin in Central Africa,
living on their food and in their huts that he might minutely study the
people in their country; or Grenfell, who has travelled far more widely
in the Congo basin than Stanley or any of his followers except
Delcommune, and revealed to the world more river systems and unknown
peoples than they, and who, in his long career as an explorer, never
fired a shot upon a native, though his life was often threatened. These
men, and others like them, have exemplified the manysidedness of human
resources against a great variety of peril and obstacle, as no other
explorers in any other part of the world have had an opportunity to do
in equal measure. Their work, with its environment of almost
overwhelming difficulty, should be known to our youth as most forceful
illustrations of what good men may dare and do in good causes and in a
worthy manner.
There have been some exceptions to this rule. A few men have been less
anxious to perform useful service than to figure in the newspapers and
pose before their public. One day a man stood on the north shore of
Victoria Nyanza, and looking south he saw land. When he returned to
London he published a sensational book, in which he said it was
ridiculous for Speke to assert that he had discovered a lake as large as
Scotland, one of the greatest lakes in the world. "Why," said the
writer, "I have stood on the north shore of the Victoria Nyanza and
looked south and seen the southern shore. Lake Victoria is only an
insignificant sheet of water, after all the talk of its being second
only to Lake Superior."
What he really saw was the chain of the Sesse Islands extending far out
into the lake. His book was scarcely off the press when the letters
describing Stanley's boat journeys around the shores of Victoria Nyanza
began to be published in London and New York; and the foolish fellow was
compelled to recall all the copies of his book that had not passed
beyond his reach, and eliminate the statements that made him so
ridiculous. Fortunately, there are not many explorers of this stripe.
All who watched the progress of African discovery were constantly
reminded that geographical progress is usually made only by slow and
painful steps. They saw an explorer emerge from the unknown with his
notebooks and route maps replete with most interesting facts for the
student and the cartographer. Then another explorer would enter the same
region, discover facts that had escaped the notice of the pioneer,
correct blunders his predecessor had made and perpetrate blunders of his
own; so explorer followed explorer, each adding something to
geographical knowledge, each correcting earlier misconceptions, till the
total product, well sifted by critical geographers, gave the world a
fair idea of the region explored; but not the best attainable idea, for
scientific knowledge of a region comes only with its detailed
exploration by trained observers, equipped with the best appliances for
use in their special fields of research. This is the advanced stage of
geographical study, which is now being reached in many parts of Africa.
It was Livingstone's task, in 1859, to inform us that there was a great
Lake Nyassa. It was Rhoades's task, in 1897-1901, to make a careful and
accurate survey of its coast-lines, and to sound its depths, so that we
now have an excellent idea of the conformation of the lake bottom.
Between Livingstone and Rhoades came many explorers, each adding
important facts to our knowledge of this great sheet of water nearly
twice as large as New Jersey.
As each explorer came from the wilds, our maps were corrected to conform
with the new information he supplied; and if we should examine the maps
of Africa in school geographies, atlases, and wall maps, from the time
of Livingstone to the present day, we should see that, as relates to
nearly every part of Africa, they have been in a continual state of
transition.
For years our only map of Victoria Nyanza was that which Speke made on
his second journey to the lake, in 1860-62; but Speke saw the great lake
only at one point on its south shore, and along its northwest and north
central coasts. His map, being based very largely upon native
information, was in many respects most incomplete and erroneous.
Then came Stanley's survey of the lake, made in a boat journey around
its coasts, and for years his map supplanted that of Speke. But he was
not able to follow the shore-line in all its intricate details. His
mapping was a great advance upon that of Speke, but it was necessarily
rough and imperfect. He missed entirely the deep indentation of Baumann
Gulf and the southwestern prolongation of the lake, surveyed by Father
Schynse, in 1891. Stanley's map, modified by the partial surveys of
various explorers, is still our mapping of the lake; but if the reader
will watch the maps for the next year or so, he will doubtless observe
important changes in the contours of Victoria Nyanza; for all the maps,
from Speke to those of 1902, will be placed on the shelf to serve only
as the historical record of the good, honest work which a number of
explorers have done. Commander Whitehouse has recently spent thirteen
months surveying with infinite pains these coasts and islands. "I seem
to see," writes Stanley of this important service, "the sailor, with his
small crew and his little steel boat, wandering from point to point,
crossing and recrossing, going from some island to some headland, taking
his bearings from that headland back again to the island, and to some
point far away."
Commander Whitehouse has made a new delineation of the entire 2,200
miles of coasts, and the results of his survey will be used in making
all the maps of the lake. His map in turn will undoubtedly be replaced
some day by detailed topographic surveys of the best quality, such as
the British already contemplate making of that entire region.
A wall map recently in use in one of the public schools of New York City
was a curious example of ignorant compilation. It exhibited the Victoria
Nyanza of Speke, the Bangweolo of Livingstone, and the Upper Congo of
Stanley, all obsolete for practical purposes years before this map was
printed. Most of our home map-makers were very slow in availing
themselves of the rich materials constantly supplied for the maps by the
army of explorers in Africa. But the most alert cartographers,
particularly between 1880 and 1895, could not keep their maps abreast
of the news of discovery as it came to Europe. More men and energy and
money were utilized in those fifteen years of African discovery than in
the first century and a half of American exploration. The route or
mother-maps, some covering a wide extent of country, others devoted to a
small area, or a short line of travel, were going to Europe for the
improvement of atlas sheets by nearly every steamer. Father Schynse's
chart of the southwest extension of Victoria Nyanza had hardly been
utilized in European map-houses before it was replaced by Dr. Baumann's
more accurate survey. Mr. Wauters of Belgium withdrew his large map of
the Congo Basin from the printer four times, in order to include fresh
information before it was finally issued to the public.
This process is still going on, though more slowly. The mapping we see
of Lake Tanganyika, one of the longest lakes in the world, has been in
use for seventeen years since missionary Hore made his boat journey of
one thousand miles around its coasts, but the new map of the Moore
expedition now being introduced gives the main axis of the lake a more
northeast and southwest direction. The Hore map has met the fate that
usually overtakes the early surveys of every region. It rendered good
service as long as it was the best map; but the Moore expedition had
first-rate appliances for computing longitudes, and as Captain Hore
lacked these, it is not strange that his map has been found to be
defective.
The world has been treated to many geographical surprises in the course
of this incessant transformation of the map of the continent. Many of us
may remember in our school geographies, the particular blackness and
prominence of the Kong Mountains, extending for two hundred miles
parallel with the Gulf of Guinea. They were accepted on the authority of
Mungo Park, Caillié, and Bowditch, all reputable explorers who had not
seen the mountains, but believed from native information that they
existed. The French explorer, Binger, in 1887 sought in vain for them.
Later explorers have been unable to find them. They are, in fact, a
myth, and will be remembered chiefly as a conspicuous instance of
geographic delusion. It had long been supposed that the navigation of
the Niger River, the third largest river in Africa, was permanently
impaired by the Bussa Rapids, about one hundred miles in length, where
Mungo Park was wrecked and drowned. But Major Toutée, a few years ago,
when assailed by hostile natives, made a safe journey with his boats
through the rapids; and Captain Lenfant, in 1901, carried 500,000 pounds
of supplies up the river and through the rapids to the French stations
between Bussa and Timbuktu. He had a small, flat-bottomed steamboat and
a number of little boats propelled by fifty black paddlers. He says
that by the land route he would have required 12,000 porters, and they
would have been one hundred and thirty days on the road.
It was believed that a land portage would always be necessary between
the sea and the Zambesi, above the delta, till 1889, when Mr. Rankin
discovered the Chinde branch of the delta, so broad and so deep that
ocean vessels may ascend it and exchange freight with the river craft.
It has been found that more water pours into the ocean through the
Congo's mouth, which is six miles wide, than from all the other rivers
in Africa together. It is second among the world's rivers, and the dark
detritus it carries to the Atlantic has been distinctly traced on the
ocean bed for six hundred miles from the land. Some geographers still
believed thirty years ago that all the waters of its upper basin might
be tributary to the Nile. Map-makers have been kept very busy recording
discoveries on the Congo. About one hundred explorers, some of them
missionaries and many employees of the Congo Free State, have mapped the
whole basin along its water-courses, and discovered the ultimate source
of its main stream. Our ideas of the hydrography of this great basin
have been revolutionized since Stanley, second only to Livingstone among
the great African explorers, in 1877 revealed the course of the
main river.
On his map, for example, he showed the southern tributaries as probably
flowing nearly due north; but all except one of these rivers rise in the
east and flow far to the west. When Wissmann was sent to the Upper
Kassai to follow it to the Congo, he was greatly surprised to find
himself floating westward week after week. When he reached the Congo a
steamboat was waiting for him at Equatorville, two hundred miles further
up the river, where he was expected to emerge. Schweinfurth believed the
Welle Makua flowed north to Lake Chad on the edge of the Sahara;
seventeen years later, after six or seven explorers had tried to solve
the problem, the river was found to be the upper part of the Mobangi
tributary of the Congo, larger than any rivers of Europe, excepting the
Volga and Danube. While Stanley was for five years planting his stations
on the Congo, he knew nothing of this great tributary, 1,500 miles long,
whose mouth was hidden by a cluster of islands which his steamers
repeatedly passed. Missionary Grenfell, on his little steamer, was
ascending the Congo one day, when accidentally he got into the mouth of
the Mobangi and went on for one hundred miles before he discovered that
he had left the main river. Few explorers have unwittingly stumbled upon
so rich a geographical prize.
While exploratory enterprises have been centred largely in tropical
Africa, no part of the continent has been neglected. We now know that
large areas of the Sahara are underlaid by waters which need only be
brought to the surface to cover the desert around them with verdure;
that most of the rain falling on the south slopes of the Atlas Mountains
sinks into the earth to impermeable strata of rock, along which it makes
its way far out into the desert; that where the surface is depressed so
that these waters come near to it, there are wells for the refreshment
of the camel caravans, and oases, blooming islands of green, in the
sterile wastes; and that artesian wells bring inexhaustible supplies of
water within reach, so that millions of date palms have been planted
along the northern edge of the desert in southern Algiers and Tunis,
making these regions the largest sources of the world's supply of dates.
It has also been discovered why there are very large areas of dry or
desert lands in Africa. The Sahara and the southwest of Africa are
deserts because the prevailing winds, the carriers of moisture, blow
towards the sea instead of away from it, and consequently are always
dry. The winds from the Indian Ocean crossing the highlands of Abyssinia
are wrung nearly dry while passing the mountains, and so Somaliland and
the lowlands to the south of Abyssinia are parched.
It has been found that the most of South Africa stands so high above the
sea that the influences of a temperate climate are projected far
towards the Equator; so that many white men, women, and children are
living and thriving on farms in Mashonaland, seven degrees of latitude
nearer the equator than the south end of Florida. This fact will
profoundly influence the development of South Africa. It is to be the
home of millions of the white race, the seat of a highly civilized
empire, whose business relations with the rest of the world will be to
the advantage of every trading nation. The presence of these millions of
toilers will vitally affect the work of developing tropical Africa which
is now absorbing such enormous treasure and energy; for South Africa is
to be brought by railroads to the very doors of the tropical zone.
It is hoped that such facts as these, even though very briefly stated,
may convey broadly a correct impression of the magnitude of African
exploration, since its revival about the time that Livingstone died. It
is impossible in brief space to signalize the good work that many of the
most conspicuous pioneers have done. The world rendered tardy tribute to
the notable achievements of some of them. When Rebmann discovered
Kilimanjaro, not far from the equator, and told of the snows that crown
the loftiest of African summits, it was decided by British geographers
that Rebmann's snow was probably an imaginary aspect. The snow was
there, and plenty of it, but Rebmann died before justice was done to
his faithful labors. When Paul du Chaillu described the Obongo dwarfs of
West Africa, his narrative was discredited; but four or five groups of
dwarfs, probably numbering many thousands, are now known to be scattered
from the lower border of Abyssinia to the Kalahara desert in the far
south. The ancients had heard of the dwarfs, but the geographers of the
eighteenth century expunged from the maps of Africa about all that the
geographers of Greece and Rome, as well as those of later times, placed
on them; and the nineteenth century was slow in crediting the early
investigators even with statements that were wholly or approximately
accurate.
A curious history is connected with the discovery of the northeastern
group of pygmies, a little south of Abyssinia. No white man had ever
seen them, but about fifteen years ago Dr. Henry Schlichter, of the
British Museum, collected all the information which natives had given to
missionaries, traders, and explorers of the existence of these little
people some hundreds of miles from the sea. Sifting all this evidence,
he concluded that these dwarfs really existed, and that they lived in a
region which he marked on the map north of Lake Stefanie. Donaldson
Smith had not heard of Schlichter's paper, and knew nothing of these
dwarfs, but he found them in 1895 in the region which Schlichter had
indicated as their probable habitat.
The broadest generalization with regard to the African tribes is that
which separates most of the peoples south of the Sahara Desert into two
great groups,--the Negro tribes, whose habitat may be roughly indicated
as extending between the Atlantic and Gallaland in East Africa, with the
Sahara as their northern, and the latitude of the Cameroons as their
southern, boundaries; and the Bantu tribes, occupying nearly all of
Africa south of the Negroes. The distinction between these two great
groups is not based upon special differences as to physical structure,
mental characteristics, habits, or development, but depends solely upon
philological considerations, the languages of the Negroes and the Bantus
forming two distinct groups. Most of the slaves who were brought to our
country were Negroes, while most of those transported to Latin America
were from the Bantu tribes.
One fact that stood out above all others in the study of the African
natives, was the remarkable prevalence of cannibalism in the Congo
basin. In all his wanderings, Livingstone met only one cannibal
tribe,--the Manyema living between Tanganyika and the Upper Congo; but
though they are not found near the sources of the river, nor near its
mouth, they occupy about one-half of the Congo basin. They are regarded
with fear and abhorrence by all tribes not addicted to the practice.
They number several millions. Instead of being the most debased of
human creatures, many of them, in physical strength and courage, in
their iron work, carving, weaving, and other arts, are among the most
advanced of African tribes. The larger part of the natives in the
service of the Congo Free State are from the cannibal tribes. The laws
now impose severe penalties for acts of cannibalism, and the evil is
decreasing as the influence of the state is extended over wider areas. A
few isolated tribes along the Gulf of Guinea are also cannibals.
There is no doubt that the helpful influences of the Caucasian in every
part of Africa so far outweigh his harmful influences that the latter
are but a drop in the bucket in comparison. It is most unfortunate that
a certain admixture of blundering, severity, brutality, and wickedness
seems inseparable from the development of all the newer parts of the
world. The demoralizing drink traffic, the scandalous injustice and
cruelty of some of the agents of civilized governments, are not to be
belittled or condoned. But there is also a very bright side to the story
of the white occupancy of Africa.
The family of a deceased chief in Central Africa recently preserved his
body unburied for fourteen months, in the hope that they might prevail
upon the British Government to permit the sacrifice of women and slaves
on his grave, that he might have companions of his own household in the
other world. He was buried at last, without shedding a drop of blood.
Human sacrifices are now punishable with death throughout a large part
of barbarous Africa, and the terrible evil is being abated as fast as
the influence of the European governments is extended over new regions.
The practice of the arts of fetichism, a kind of chicanery, most
injurious in its effects upon the superstitious natives, is now
punishable throughout the Congo Free State and British Rhodesia. Arab
slave-dealers no longer raid the Congo plains and forests for slaves,
killing seven persons for every one they lead into captivity.
Slave-raiding has been utterly wiped out in all parts of Africa, except
in portions of the Sudan and other districts over which white rule has
not yet been asserted. The Arabs of the Congo, who went there from East
Africa solely that they might grow rich in the slave trade, are now
settled quietly on their rice and banana plantations. The sale of strong
drink has been restricted by international agreement to the coast
regions, where the traffic has long existed, and its evils are somewhat
mitigated there by the regulations now enforced. Fifty thousand Congo
natives who would not carry a pound of freight for Stanley in 1880, are
now in the service of the white enterprises, many of them working, not
for barter goods, but for coin. Many of the missionary fields are
thriving, and wonderful results have been achieved in some of them. In
Uganda, where Stanley in 1875 saw King Mtesa impaling his victims, there
are now ninety thousand natives professing Christianity, three hundred
and twenty churches, and many thousands of children in the schools.
Fifty thousand of the people can read. Between 1880 and 1882 Stanley
carried three little steamboats around 235 miles of rapids to the Upper
Congo. Eighty steamers are now afloat there, plying on nearly 8,000
miles of rivers, and connected with the sea by a railroad that has paid
dividends from the day it was opened. At the end of 1890 there were only
5,813 miles of railroad in Africa. About 15,000 miles are now in
operation, and the end of this decade is certain to see 25,000 miles of
railroads. Trains are running from Cairo to Khartum, the seat of the
Mahdist tyranny, in the centre of a vast region which, until recently,
had been closed for many years to all the world.
These wonderful results are the fruits of the partition of Africa among
the European states. With the exception of some waste regions in the
Libyan desert, which no one has claimed, Morocco, Abyssinia, and
Liberia, every square mile of African territory has been divided among
European powers, either as colonies or as spheres of influence. The
scramble of twenty years for African lands is at an end, there now being
no valuable areas that are not covered by the existing agreements. It
is no mere love of humanity that has impelled the European countries to
divide these regions among themselves. We can scarcely realize the
intensity of the struggle for existence in many of the overcrowded parts
of Europe. Their factories are enormously productive, but their people
will suffer for food unless they can export manufactures. The crying
need for new markets, for new sources of raw material, drove these
states into Africa. And we should be glad, for Africa's sake, that they
have gone there, even though the desire to make money is one of the most
powerful incentives.
It is under the protective aegis of these governments that explorers are
settling down in smaller areas to see what may be found between the
explored water-courses, to study the continent in detail, to give to our
knowledge of Africa the scientific quality now required. The greatest
geographical work there in recent years is the extension of a line of
stations across tropical Africa by Commander Lemaire, each position
astronomically fixed by the most careful methods, constituting a
base-line east and west through Africa to which the scientific mapping
of a very large area will be referred.
The day of the minuter study of the whole continent has now dawned, and
we are witnessing a most notable work. All the colonial powers, and the
Germans most conspicuously, are studying the economic questions relating
to their African possessions. The suitability of climates for
colonists, the essential rules of hygiene, the development of
agriculture, labor supplies, transportation and commercial facilities,
and many other problems are receiving the most careful attention.
Experiment stations are maintained in the colonies and colonial schools
at home, to fit young men for service in the field. The Germans have
already proved that cotton and tobacco are certain to become profitable
export crops.
The mine-owners of the Witwatersrand, on which Johannesburg stands, have
begun a movement which they hope will result in the immigration of
100,000 white laborers to the mining field. We may look for remarkable
development in South Africa, whose promise is larger than that of any
other part of the continent. Whatever may be said of some of the methods
by which the British have enlarged their empire, their rule has blessed
the barbarous peoples whose countries they have absorbed. The task of
improving the few millions of blacks in South Africa, and of developing
the large and in some respects wonderful resources of that region, will
be greatly assisted by the incoming of hundreds of thousands of
Europeans, bringing with them the arts and other blessings of
civilization. The future of none of the newer parts of the world is
brighter with the hope of great development than the region between the
Zambesi and the Cape of Good Hope.
In order to observe intelligently the progress of South Africa in
coming years, the limitations as well as the advantages of the country
must be kept in view. More than half of it, including the entire western
half, is deficient in rainfall and can never be the home of a dense
white population. Some mining will develop on those broad, dry plains
and sandy wastes; some agriculture where irrigation is possible; and
great wool-growing wherever thrive the nutritious grasses on which
13,000,000 sheep, scattered over the Karroo of Cape Colony, and
4,000,000 in the little Orange Free State, were grazing before the
recent war. Wool-growing will always be the greatest grazing industry,
though cattle and horses are raised in large numbers, and the fine, soft
hair of the Angora goat is second only to wool in export importance.
A narrow strip of fine farm lands across the south end of Africa,
another along the southern border of the former Boer republics, and a
large area among the highlands of Mashonaland, far towards the equator,
produce nearly all the crops of the temperate zones. It is not yet
certain, however, that South Africa will ever raise enough wheat for a
great white population. On the northern slopes of the hills, east and
northeast of Cape Town, are thousands of acres of grapes. Cape Colony is
becoming one of the important wine countries; and in February and March,
large quantities of grapes, peaches, nectarines, and plums are placed
in cool rooms on steamships and sent fresh to British markets almost
before English fruit trees are in bloom.
East of the grape region is an area peculiarly adapted for the
cultivation of tobacco; and east of the tobacco district, north of the
coastal belt of wheat in a region of sandy scrub, the bush country, are
the ostrich farms, in the hands mainly of men of considerable capital,
who supply nearly all the feathers derived from the domesticated
ostrich. The plumes are sometimes worth as much as $200 a pound, the
ordinary feathers bringing from $5 to $7 a pound. Natal is unique in two
of its agricultural industries, being the only colony that is producing
tea and important quantities of cane sugar.
But gold, widely scattered over the country on the interior plateau,
exceeds in value all the other exports together. The world never saw
such a development of gold mining in a small area as has occurred on the
Witwatersrand, where Johannesburg stands. The Witwatersrand (White River
Slope) is a slight elevation, the water parting between rivers, about
one and a half miles wide and 125 miles long. On twenty-five miles of
the rand, at and near Johannesburg, more gold was produced in the year
before the Boer war than was yielded by any other country in the world,
The other rich mining regions of the Transvaal and other parts of South
Africa have been completely dwarfed by the wonderful product of the
rand. The surveys in Matabeleland and Mashonaland show gold-bearing
areas 5,000 square miles in extent, which as yet have practically no
development. The mining companies on the rand and elsewhere are now
preparing for far larger operations than ever before.
The Kimberley diamond mines, turning out more than $20,000,000 worth of
rough stones a year, supply nearly all the diamonds of commerce. Two
other diamond centres in the Orange River Colony have scarcely been
touched, and diamonds are found on the Limpopo River and in other
regions where no mining has been undertaken. The minerals of South
Africa, including iron and coal, bid fair to be for many years the
largest sources of wealth; and in wool, hides, mohair, fresh fruits, and
some other products, South Africa may rival other parts of the world.
There are no good natural harbors except Delagoa Bay in Portuguese East
Africa, but by great expenditure the harbors of Cape Town, Port
Elizabeth, East London, and Durban have been adapted for great commerce.
Many persons mistakenly regard Cape Town as the chief commercial centre
of South Africa. It is so only in respect of the export of gold and
diamonds. As it is not centrally situated for business with the
interior, more of the things that South Africa sells to and buys from
the rest of the world, excepting gold and diamonds, pass through Port
Elizabeth than through any other port. Here is centred the largest
wholesale trade.
What South Africa needs is more railroads and more white labor.
Manufacturing industries on an important scale are yet to come, for as
yet the white population is too sparse to develop anything but the
natural products of the country.
The broad summing up of the future work in Africa is that the native
will be taught to help himself. The destiny of the continent depends
largely upon his development, for great parts of Africa may never be
adapted to become the home of many white men. The most powerful motives,
philanthropic and selfish, incite and will sustain the work of helping
these millions to rise to a higher plane of humanity. This work, now
well begun, is the great task which in the present century will call for
all the knowledge, patience, humanity, and justice that may be brought
to bear upon the problem of reclaiming Africa.
AUTHORITIES.
Livingstone's "Missionary Travels," "A Narrative of an Expedition to the
Zambesi," and "Last Journeys;" Blaikie's "Livingstone's Personal Life;"
Stanley's "How I found Livingstone."
Stanley's "Through the Dark Continent," "The Congo and the Founding of
its Free State," "In Darkest Africa;" Schweinfurth's "The Heart of
Africa;" Burton's "The Lake Regions of Central Africa;" Speke's "Journal
of the Discovery of the Source of the Nile;" Thomson's "To the Central
African Lakes and Back;" Barth's "Travels and Discoveries in Central
Africa;" Theal's "Compendium of South African History;" Greswell's
"Geography of Africa South of the Zambesi"; Noble's "The Redemption of
Africa" (A History of African Missions).
No comprehensive compendium of the history of African exploration has
yet been written. Our knowledge of the geography, peoples and resources
of Africa is treated with considerable detail in a number of works such
as Reclus's "Africa" (in "The Earth and Its Inhabitants") and Sievers's
"Afrika" (German). A very large part of the exploratory enterprises in
Africa have not been described in books, but only in the reports of the
explorers, printed with their original maps in the publications of many
geographical and missionary societies.
SIR AUSTEN HENRY LAYARD.
1817-1894.
MODERN ARCHAEOLOGY.
BY WILLIAM HAYES WARD, D.D., LL.D.
It was twenty-three long centuries ago that a Greek soldier of fortune,
who had the honor to be also a disciple of Socrates, was leading ten
thousand mercenaries back to their native land after their famous
failure to set the Younger Cyrus on the throne of Persia. Clearchus and
the other generals had been treacherously murdered. Dispirited, almost
hopeless, on their way to the longed-for Black Sea, in anticipation of
the perilous and tedious journey, past wild mountains and wilder Kurds,
they toiled up the valley of the Tigris River. Of one incident of their
journey their historian and leader makes no record. They reached the
spot where now stands the city of Mosul. On the bank of the river their
eyes fell on a bare and lofty hill. They did not know, they never
suspected,--Xenophon wrote no word of it,--that under that hill lay
buried the ruins of one of the mightiest conquering cities that had ever
ruled the world. From the palaces of that hill, Ninus and Semiramis and
Sardanapalus had led their conquering armies, all now covered
with silence.
Two centuries earlier, in 606 B.C., there had occurred one of the most
tremendous catastrophes recorded in all the grim annals of war. After a
thousand years of primacy in the East, but twenty years after the death
of Sardanapalus (the Greek name of Asshurbanapal), who had carried his
armies to Egypt and had made his capital the centre of the world's
culture and magnificence, as it was of its cruel and hated power,
Nineveh was captured, buried, and utterly desolated by a horde of savage
Scythians from the mountains of the north and east, such people as we
now call the Kurds. Its palaces had no lofty Greek columns to stand for
memorials, as at Palmyra or Persepolis; and when the outer casings of
brick and alabaster were cracked away, and the ashes of the upper
stories and the clay of the inner constructions, soaked by the rains,
covered the ruins of temple and palace, nothing was left to mark the
site but the grass-covered hill. No wonder that the learned scholar of
Socrates saw nothing, knew nothing of the city, most glorious and most
detested of all the cities of the earth. But in its day the overthrow of
Nineveh and the destruction of the Assyrian Empire had been the most
terrible event in the world's history. How the Hebrew prophets gloated
over it! "Where now is the den of the lions, and the feeding-place of
the young lions, where the lion and the lioness walked, the lion's
whelp, and none made them afraid? Wo to the bloody city; it is all full
of lies and rapine; the prey departeth not. The noise of the whip, and
the noise of the rattling of wheels, and prancing horses, and bounding
chariots, the horsemen mounting, and the flashing sword, and the
glittering spear, and a multitude of slain, and a great heap of corpses,
and there is no end of the bodies. There is no assuaging of the hurt;
thy wound is grievous; all that hear the report of thee clap their hands
over thee: for upon whom hath not thy wickedness passed continually?"
And another prophet had uttered the curse: "The pelican and the
porcupine shall lodge in the capitals thereof; their voice shall sound
in the windows; desolation shall be in the thresholds; for he hath laid
bare the cedar-work. This is the joyous city that dwelt carelessly, that
said in her heart, 'I am, and there is none besides me!' How is she
become a desolation, a place for beasts to lie down in! Every one that
passeth by her shall hiss, and wag his hand."
Thus fell Nineveh, amid the universal rejoicing of the nations, and
thus, seventy years later, fell Babylon also, which, in the short
interval, Nebuchadnezzar had made more magnificent than even Nineveh had
been, beautified for its capture by Cyrus. But before Babylon was the
capital of Chaldea, or Nineveh the capital of Assyria, the city of Calah
had been the seat of its kings, and a mighty mound--they call it Nimroud
now--"as high as St. Paul's steeple," old travellers loved to say--marks
the place on the east bank of the Tigris, twenty miles south of Nineveh;
and, before Calah, Assyria had an earlier capital forty miles still
nearer the Babylonian border, at Asshur, now Kalah-Shergat, on the west
of the Tigris; and each capital had its palaces and records, and all are
now equally buried in clay and utter oblivion. And before the Babylon of
Nebuchadnezzar, and long centuries before Nineveh or Calah or Asshur,
there had been mighty kingdoms in Babylonia, of which the world had
quite forgot the names, only vague rumors remaining in song or legend of
Nimrod and Chedorlaomer and Ur of the Chaldees,--only what was preserved
in the dimmest records of the Hebrew Scriptures. Empires were lost,
buried in chiliads of forgetfulness; would they ever be recovered?
And how much else was lost, what kingdoms, what empires buried before
Hebrew or Greek history began to take notice of the world outside and
put them in books, no one knew, no one knows even yet, although so much
has been found. The fame of Egypt was never quite forgotten, nor all its
history, for Egypt was the world's granary, and closely accessible to
the ships of Corinth and Rome; and Egypt never lost her civilization in
all her long succession of enslavement. But what memory had been kept of
the Ionia and Greece of the days before Homer? What of the early
civilization of Cyprus and Crete? Only the name of Minos, a judge in
Hell. What of Persia and Elam? Were they uninhabited before the times of
Xerxes and Cyrus? And who were these kings, Cyrus and Xerxes, whose
names burst upon us with dim light out of a black antiquity? Even they
were but shadows on a screen, just seen and disappearing. What kings and
kingdoms came before them and passed away? Has history no record? Not a
word. Only black vacuity has been left behind them. And there was that
other empire of the East, that of the Hittites, which we now know ruled
Asia Minor and Syria and contested the rule of the world with Assyria
and Egypt centuries before Agamemnon and Achilles, but so utterly buried
and forgotten that not a line of its history was left, not even enough
to let the sharpest scholar ask a question or suspect that it ever built
capitals and fought victories and produced a civilization the harvest of
which we still enjoy. Nothing was left of them but their names in a
Hebrew list of tribes,--"Amorites and Jebusites and Hivites and
Hittites."
Yet all these lost tribes, nay, lost nations, had left their records
behind them, only they were buried under ground and out of sight. What
a travesty it is on history and civilization, what an impeachment of the
glory of these later Christian centuries, that the lands which these old
empires crowded with a busy population should now be among the most
desolate and inaccessible on the face of the earth! There we see the
curse of the Moslem religion, and still more of the Turkish government.
Wherever the Turk has carried the sword and the Koran, there is blight
and death. Only as soldiers and scholars of Europe have forced their way
into these seats of ancient empires has it been possible to ask and
learn what is buried beneath their gray desolation.
The man who did more than any other to awaken the interest of the world
in the search for forgotten empires was Sir Henry Layard, the excavator
of Nineveh. But before his day another man had startled the world with
what we may call the discovery of Egypt. That man was Napoleon
Bonaparte, the man whose sword was a ploughshare turning up the fallow
fields of Europe, and sowing strange crops of tyranny and liberty, and
whose ambition it was to set up a new throne in the land of the Pharaohs
and Ptolemies. The mighty ruins of Karnak and the imperishable pyramids
filled him with amazement, and he set the scholars of France at work to
publish in massive folios the wonders of that most ancient land. Then
was found the Rosetta Stone, with its inscription in two
languages,--Greek, which any scholar could read, and the Egyptian
hieroglyphics, which no living man could read. But here was the key. The
words _Ptolemy_ and _Cleopatra_ were in the Greek text, and it was not
hard to find what were the combinations of characters that stood for
these words in the Egyptian. The letters _p, t_, and _l_ were in both
names. The hieroglyphic signs found in both names must be these three
letters. That beginning gave all the other signs in both words, and the
rest of the alphabet soon followed. Justly great is the fame of the
Frenchman Champollion, who has the honor of having first deciphered and
read this lost language, and opened to us the secret treasures of its
history and religion.
But with the exploration of Egypt the scholarship of the world was
satisfied for fifty years. No one seemed to think to ask what might be
hid under the soil of nearer Palestine and Syria and Asia Minor; much
less did they seek to uncover the buried capitals of Assyria and
Babylonia. Scholarship was devoted to books, to old manuscripts in
convent libraries, to recovering what the wise men of Greece and Rome
had written, and trying to wrest new facts out of their blundering old
compilations of ancient history. It did not occur to them that a hundred
kings and ten thousand merchants and priests might have left the stories
of their conquests or contracts or liturgies, unrotted in the wet soil,
imperishably preserved to be the record of commerce and empires as old
and as great as those of Egypt, but far deeper covered with oblivion.
But there they were, kept safe for twenty, thirty, fifty centuries,
until the man should come whose mission it was to find them.
More than one such man came in the middle of the last century, but one
man is pre-eminent, and typical of all the rest, Sir Austen Henry
Layard. Before him one Frenchman, M. Paul Émile Botta, had made a fine
dash on a palace city a dozen miles north of Nineveh, and had opened
wonders such as the world had never seen before. But the man whose
energy was fullest of impulse, whose enthusiasm compelled British
Ambassadors and Ministers and Parliaments to do his bidding, who aroused
the world to the importance of the exploration and disinterment of the
monuments of Babylonia and Assyria, was the Englishman Layard.
He had a youthful passion for adventure, and slender means to gratify
it. I wish you could see him as he is pictured in the volume which gives
the story of his early adventures, before he had settled on his life-work
of exploration. There he stands clad in his Bakhtiyari costume, the
dress of a mountain tribe in Persia which asserted its independence of
Teheran. It is a well-knit frame, fit to endure hardships. He stands
holding the tall matchlock, the curved scimetar by his side, and the
long pistol and the dagger in his belt. Above the yellow shoes and
parti-woven stockings a red silk robe falls to his ankles, and over that
a green silk garment reaches to his knees, and yet over that a shorter
and richly embroidered coat, with open sleeves, is held close about the
body by a wide silken sash woven in the brightest of red and gold, and
holding the weapons attached to his waist. On his head is a low flat
cap, visorless in front, but with a broad bow in place of a feather, all
striped with the richest embroidery, and with a wide tassel of the same
material falling far down his back. But the face, with its short beard
dyed dark with henna, and its blue eyes, is not that of a warrior, but
of a serious scholar or diplomatist. And he needed all the force of
courage and all the arts of diplomacy for the work he had to do.
Layard's early training was in the line of preparation for his life's
work. Much of his boyhood was spent in Italy, where he acquired a taste
for the fine arts, and as much knowledge of them as a child could obtain
who was constantly in the society of artists and connoisseurs. At about
the age of sixteen he was sent to England to study the law, for which he
was destined by his parents. After six years in the office of a
solicitor, and in the chambers of an eminent conveyancer,--for that is
the way that lawyers were educated then,--he determined to leave
England and seek a career elsewhere. He had a relative in Ceylon, who
gave him hopes of securing a position there, and for Ceylon he started.
A friend of his, ten years older, was bound for the same destination,
both fond of adventure, and they agreed to go together, and to go as far
as they could by land instead of taking the long sea journey around the
Cape of Good Hope. Across Europe they passed to Constantinople, through
Austria, Dalmatia, Montenegro, Albania, and Bulgaria; thence across Asia
Minor to Syria and Palestine; thence to Aleppo and down the Tigris to
Baghdad. It was an extraordinary and adventurous journey, often
dangerous; but greater danger was to follow. Layard had learned some
Turkish, and now he spent the long weeks in Baghdad in the study of
Persian; his companion was quite familiar with Arabic. Before they left
England they had received good advice from Sir John MacNeill, the
British representative at the court of the Shah: "You must either travel
as important personages, with a retinue of servants and an adequate
escort, or alone, as poor men, with nothing to excite the cupidity of
the people amongst whom you will have to mix. If you cannot afford to
adopt the first course, you must take the latter." The latter they were
forced to take.
Many a young man has the gift to acquire languages--almost any Oriental
can talk three or four--and the ability to rough it and live on the fare
of the people, though barbarous; and many a man has the spirit of
adventure; but this young man had one peculiar and unusual qualification
that directed him to his future career. As a child, he had read the
"Arabian Nights" with intense delight, with their stories centred about
Baghdad. Then every book of Eastern adventure, every bit of travel in
Syria, Arabia, or Persia that he could find he had eagerly devoured. It
was his day and night's longing that he might visit strange lands of
history and make explorations and discoveries. So wherever he was, he
visited every ruin and tried to copy every inscription. If his companion
would not turn aside to visit some region of renown and danger, he would
go alone and join him later. As they came down the river Tigris in their
boat, they passed the immense mound of Nimroud, and so impressed was
Layard by it that he then, scarce twenty-three years old, resolved that
some day he would search and learn what was hidden under it; but little
did he imagine what wonderful monuments he was to find there only a few
years later.
Without a servant, as poor men, in a caravan of fanatical and hostile
Persian pilgrims returning from the shrines, just travellers trying to
go by land through Persia and Afghanistan to India and Ceylon, they
left Baghdad. It was a time of unusual danger, for the British Minister
had been recalled from the Persian Court, and war with England was
threatened. They were taken for spies, and sent to the presence of the
Shah, and forbidden to follow the route they had chosen and which had
been marked out for them by the Council of the Royal Geographical
Society, to report on rivers and mountains and ruins not yet explored.
They were insulted and robbed, and their lives were often in danger; but
at last they received from the Shah their firmans. Now they separated.
His companion felt that he must go by the quickest route to his
destination; but Layard had no definite date before him, and he was
anxious to perform the commissions of the Geographical Society, and so
he plunged alone into fresh dangers.
But there is no space to tell the rest of the story of his adventures
among the Bakhtiyari, of his copying of inscriptions, of his return to
Baghdad and his decision to give up the plans of life in Ceylon, and of
his return from Baghdad again to Shuster and Persepolis and other
ancient cities of Persia, and his exploration of the Karun River and his
geographical paper on the subject, his opening of British trade, and his
return to Constantinople. At Mosul he found that M. Botta was planning
to explore the mounds across the Tigris that covered ancient Nineveh,
and he warmly encouraged his plans. At Constantinople he visited Sir
Stratford Canning and delivered to him despatches that had been confided
to his care, in view of a threatened war between Persia and Turkey. Here
he was kept in the service of the British Embassy, and intrusted with
important and delicate negotiations and investigations which were so
highly appreciated by Sir Stratford that he kept him as his attaché.
Meanwhile M. Botta had begun his excavations of a palace of King Sargon
at Khorsabad and was sending his reports and drawings to Paris. They
were all sent by way of Constantinople, and, by M. Botta's generosity,
were all seen by Mr. Layard. So deeply was he interested in them, and so
intense was his desire to carry on excavations himself, that he secured
his release from the Embassy, and also a grant of three hundred dollars
from Sir Stratford's own purse, which, with what he could spare from his
own money, would, he hoped, suffice to begin the work, when, if anything
of value appeared, it was trusted that funds would be secured from
English friends of Oriental learning. Thus, six years after leaving
England, Mr. Layard, well equipped in knowledge of the people and in
diplomatic experience, was ready to launch on his great career, which
brought him fame and earned him the post in later years of British
Ambassador at the Porte, which Sir Stratford had held, and--what is far
greater--gave to the world the larger part of its knowledge of the lost
empires of Assyria and Babylonia.
With these few hundred dollars, and contributing every penny of his own
income, in October of 1845, he left Constantinople without companion or
servant, went by steamer to Samsoun, and then as fast as post-horses
could climb or gallop over mountains and plains, he reached Mosul in
twelve days.
Here at last he was fitted for his task, supplied for the accomplishment
of his passion. The Arabs say: "I had a horse, but no desert; I had a
desert, but no horse; now I have a desert and a horse, and shall I not
ride?" His boyhood, with the artists of Italy, and learning the
languages of the continent, had fitted him for his task; then his study
of all the books of Eastern travel, then half a year wandering with a
trained companion through Asia Minor and Syria, scarcely leaving untrod
one spot hallowed by tradition, or unvisited one ruin consecrated by
history, with no protection but his arms, living with the people and
learning their prejudices and customs. Then an irresistible desire had
brought him to the regions beyond the Euphrates, and the mystery of
Assyria, Babylonia, and Chaldea had fascinated him, so that he had
visited the land of Nimrod, seen the site of their old buried capitals,
had been the guest in the tents of Shammar and Aneyzah Arabs, and even
passed on to see the famous forty columns of Chilminar, old Persian
Persepolis, and to penetrate the mountain fastnesses where the
Bakhtiyari maintained a perilous freedom. Never was man better trained
by enthusiasm and experience for his task, and the late discoveries of
M. Botta had inflamed his desire to surpass what his French friend
had done.
His plan was not to begin excavations at Nineveh, opposite Mosul, but
twenty miles south, at the great mound of Nimroud, which bore the name
of the mighty hunter Nimrod. Xenophon and his Ten Thousand had seen and
wondered at its pyramid. There he would be free from the army of
mischievous spectators that would swarm from Mosul, had he selected the
site of Nineveh, and from the constant interference of the Turkish
governor. The Pasha at Mosul was a cruel scoundrel, who was robbing and
killing the people as his whim or greed prompted, and had reduced the
tribes of the neighborhood to a state of terror. Accordingly, Mr.
Layard, who was armed with protecting letters from the British
Ambassador and the Porte, thought it wise to conceal his purpose, let it
be reported that he was going on a hunting expedition; and with a few
tools and a supply of guns and spears, on the 8th of November, 1845,
accompanied only by his cawass, the soldier attendant detailed for the
protection of travellers, a servant, and one laborer, he floated down
the Tigris, and in four hours reached the bourne of his long hopes. He
had the mound, he had the money, and now he would dig.
The Arabs have strange stories of this ruin. The palace, they say, was
built by Athur, the vizier of Nimrod. There Abraham brake in pieces the
idols worshipped by the unbelievers. Nimrod was angry and waged war on
the holy patriarch. Abraham prayed to God: "Deliver me, O God, from this
man who worships stones, and boasts himself to be lord of all kings;"
and God said to him, "How shall I punish him?" and the prophet answered,
"To thee armies are as nothing, and the strength and power of men
likewise. Before the smallest of thy creatures will they perish." And
God was pleased at the faith of his servant, and he sent a gnat that
vexed Nimrod day and night, so that he built himself a room of glass in
that palace that he might dwell therein and shut out the insect. But the
gnat entered also, and passed by his ear into his brain, upon which it
fed, and increased day by day, so that the servants of Nimrod beat his
head continually with a mallet that he might have some ease from his
pain; but he died after suffering these torments four hundred years. And
after him the mound was named Nimroud.
It was dark when Layard and his little company reached the place. They
found near by a few huts occupied by poor Arabs, who had been harried by
the Turkish Pasha. There they slept, or tried to sleep. But the
explorer could not sleep. Hear him:--
"Hopes, long cherished, were now to be realized, or were to end in
disappointment. Visions of palaces under ground, of gigantic monsters,
of sculptured figures, and endless inscriptions, floated before me.
After forming plan after plan for removing the earth and extricating
these treasures, I fancied myself wandering in a maze of chambers from
which I could find no outlet. Then, again, all was reburied, and I was
standing on the grass-covered mound. Exhausted, I was at length sinking
into sleep, when, hearing the voice of Awad, I rose from my carpet and
joined him outside the tent. The day already dawned. The lofty cone and
broad mound of Nimroud broke like a distant mountain on the
morning sky."
Awad, his host, was a little chief among the Arabs, and was engaged to
take charge of the diggers. The first morning he had six Arabs at work,
and found alabaster slabs with cuneiform inscriptions. He was now sure
he would succeed.
It is not necessary to give the diary of his work. To be sure, the
villanous Pasha forbade him to continue, and recalled him to Mosul, but
a new governor was sent from Constantinople, under whom he had no
difficulty. A great palace had been found, and chamber after chamber was
excavated, the walls covered with bas-reliefs and inscriptions. Then
came strange, gigantic lions with human heads, that had been placed by
the old Assyrian king to guard the entrances to his court. What was the
amazement of the Arabs and Turks cannot be told. First, the head was
uncovered. It stood out from the earth, placid and vast. Hear Layard
tell the story. He had been away to visit a neighboring chief:--
"I was returning to the mound, when I saw two Arabs urging their mares
to the top of their speed. 'Hasten, O Bey,' exclaimed one of them,
'hasten to the diggers, for they have found Nimrod himself. By Allah! it
is wonderful, but it is true! We have seen him with our eyes! There is
no God but God!' And both joining in this pious exclamation, they
galloped back to the tent."
Layard hastened to the trench, and there saw what he knew to be the head
of a gigantic lion or bull, such as Botta had uncovered at Khorsabad. It
was in admirable preservation. The expression was calm, yet majestic,
and the outline of the features showed a freedom and knowledge of art
that was scarcely to be looked for at so early a period. Says the
explorer:--
"I was not surprised that the Arabs had been amazed and terrified at
this apparition. It required no stretch of imagination to conjure up the
most strange fancies. This gigantic head, blanched with age, thus rising
from the bowels of the earth, might well have belonged to one of those
fearful beings which are pictured in the traditions of the country as
appearing to mortals, slowly ascending from the regions below. 'This is
not the work of men's hands,' exclaimed Sheikh Abdurrahman, who had
galloped to the mound on the first news, 'but of those infidel giants of
whom the Prophet, peace be with him! has said that they were higher than
the tallest date-tree; this is one of the idols which Noah, peace be
with him! cursed before the flood!' In this opinion all the bystanders
concurred."
The Arabs have a ready explanation for every fresh discovery. When some
years later Mr. Layard's assistant and successor in the work of
excavation, Mr. Rassam, uncovered, at Abu-habba, a remarkable bas-relief
with the figure of the seated Sun-god and three approaching worshippers,
the Arab diggers rushed to him, declaring that they had found Noah and
his three sons, Shem, Ham, and Japhet, and demanded a sheep to make
a feast.
The report of the wonderful discovery of a royal palace, evidently older
than those of Nineveh, with magnificent decorations in alabaster and
cuneiform inscriptions, reached beyond Mosul to Constantinople. Sir
Stratford Canning was delighted with the result of his expedition. He
had a passion for discovery as well as diplomacy, and it is to him that
the British Museum is indebted for the priceless marbles of
Halicarnassus. He now obtained for Mr. Layard a firman, permitting him
to make what excavations he wished. Then the news reached London, and
the British Museum made a grant to support the work. All difficulties
were now removed. Conditions were even more favorable for him than they
are now. There was then no Imperial Museum in Constantinople to which
all objects found must be taken, but those that dug had the right to
carry off their prizes to London or Paris.
To tell the story of the further excavations is unnecessary. It is all
given in Layard's two splendid volumes, "Nineveh and its Remains," and
"Babylon and Nineveh;" and the bas-reliefs, statues, bronzes, ivories,
and inscriptions are magnificently reproduced in great folio volumes.
From Nimroud he went back to Mosul, and there opened the two mounds
opposite of Kuyunjik and Neby-Yunus, the site of old Nineveh. There more
palaces and friezes were found of other kings. Then he went back to
London, closing his successful campaign, more profitable if not more
glorious than those of war, and published the story of his work. Its
effect was marvellous. No such popular book of travels had ever
appeared; for it was a story of adventure, and also of strange
discovery. Mr. Layard had not suspected that he had the literary gift,
but he had it in rare measure. He had gained an inner view of the heart
of tribes, Moslem and Christian and semi-pagan, by his sympathy with
them and his knowledge of their tongues. He had lived in their tents and
huts. He had saved them from persecution by Turkish governors. Their
gratitude to him was beyond words, and he told their story with
affection and enthusiasm. Then his discoveries were in the lands made
historic not only by the campaigns of Xenophon and Alexander, but made
almost sacred by the Bible history. These were the lands whence came the
armies that fought with Israel. These were the kings whose wars are told
in the Jewish records; and the annals of these kings were found in their
palaces, and they gave full accounts of wars of which the Bible had
given the outline. Piety and learning joined to give extraordinary
interest to these discoveries and to this report of them. Mr. Layard
found himself famous, and the monuments he was bringing to the British
Museum were, and still are, the most extraordinary and fascinating in
all its corridors.
Of course, a new grant was made in behalf of the British Museum, and of
course he went back to continue and extend his researches. Now he wished
to go further south, beyond Nimroud to Kalah Shergat, the yet earlier
capital of Assyria; and yet further to Babylon, that he might see and
test the multitude of mounds of ancient Chaldea, the real land of
Nimrod, the seat of Eden, and the Tower of Babel, far more ancient than
any one of the three capitals of Assyria. While he did scarce more than
to visit and report on the Babylonian mounds, his diggings in Nineveh
itself were of vast importance, for there he found the library of
Asshurbanabal, on clay tablets, which has given us our chief knowledge
of the literature and learning of the ancient East. In 1852 he returned
to England to publish his "Monuments of Nineveh," and left the further
exploration to his able lieutenant, Mr. Rassam, and to a noble
succession of explorers who should follow, and to a no less noble line
of scholars who should interpret the inscriptions and recover the
history of the nations; so that we now know more exactly the history of
Babylonian and Assyrian kings, and from more authentic records, and more
completely the social condition and business life of the countries, than
we do the history of Greece, or the life of the Greeks even of the time
of Pericles, and that, too, for a period of three thousand years.
To illustrate this fact, let us take the black obelisk of Shalmaneser
II., found by Layard at Nimroud. It is a column of basalt seven feet
high and about two feet wide at the base, from which it narrows
slightly, until near the top it is reduced by three steps. On the four
sides is engraved in five rows of bas-reliefs, twenty in all, the
pictured history of the royal conquests, the submission of kings, and
the presentation of tribute. Above and below, and between, in two
hundred and ten lines, was cut an inscription which explained the
figures, and gave a full historical and, of course, contemporary and
official account of the glorious events of the royal reign. Not a line
was defaced; at the British Museum it can be seen to-day as perfect as
when engraved twenty-seven centuries ago. Other monuments of Shalmaneser
have been found. One is a great monolith with a portrait of the king in
all his fine array, and with one hundred and fifty-six lines of text.
Another is a series of splendid bronze plates that covered great wooden
gates, on which, in repoussé work, were pictures of the royal victories,
and inscriptions explaining them. The Bible tells us of the rivalries
and jealousies of Ahab and Jehu, kings of Israel, and Benhadad and
Hazael, kings of Damascus. How surprising it is to find here not only
the story of the successive campaigns of Shalmaneser against these same
kings, the number of their chariots and soldiers, but to see pictured
before us the tribute sent by Jehu. We learn that Shalmaneser reigned
from 859 to 825 B.C., and we have the record of all his successive
campaigns, the first twenty-six of which he led in person. There is not
another country of which, before the invention of printing, we have so
minute a history; and all had been lost, except the mention of a name or
two, whether historical or legendary we hardly knew, until Layard and
his fellow-explorers opened the mounds of Assyria.
But enough for Layard. He is only one, though the principal one, of all
the explorers of the buried records of the empires of the Tigris and
Euphrates. And Babylonia and Assyria are not the only countries that
history required us to explore. Greece and its neighboring states and
islands have not even yet been fairly investigated. Much of Asia Minor
is still a virgin field. Syria and Palestine have hardly been scratched
with the spade. More has been done in Egypt, but more yet is to be done.
And when we go into the further east of Persia and Old Elam, not to
speak of the yet farther east of Central Asia, now just beginning to
yield strange treasures to daring travellers, and ancient India and
China,--how ancient we know not at all,--there is field for centuries of
further research. For we must go back past empires and kingdoms and
tribal conditions to the very beginning of the human race on the earth,
even if so it be, to the first _Pithecanthropus_ which men of science
tell us was the link which connected _Homo sapiens_ with the race of
primitive simians. And all this, it may well be, is preserved in
undecaying records just a few feet under the ground, if one only knew
where to dig for it; nay, we now know where to dig for the most and best
of it, and we only await the Stratford Cannings, who will give the
money, and the Austen Layards, who have the enthusiasm for the work.
After Layard and Rassam, after Rawlinson and Botta, George Smith took
flying trips to the site of Nineveh twice that he might gather the
remaining fragments of the great library of Asshurbanabal, and he died
in the field far from home. It was he that found among Layard's tablets
the Babylonian account of the Deluge, so much like that in the Bible. He
was the first of a second generation who, following Rawlinson and
Oppert, decipherers as well as explorers, were able to read as they
found. I can only mention the names of the Englishmen Taylor and Loftus;
of the Frenchmen, Place and De Sarzec; and, later, the Americans,
Peters, Hilprecht, and Haynes, who have so faithfully explored the
extremely archaic mound of Niffer, which I had the honor to recommend
for excavation after I had visited the mounds of Southern Babylonia in
the winter of 1884-85. And now the Germans, with scientific as well as
commercial and political purpose, with their railroad to pass down the
valley through Baghdad to the Persian Gulf, which gives them predominant
influence, have sent expeditions well equipped with scholars and
engineers to the choicest sites in Babylonia, to Warka, the ancient
Erech, and to Babylon itself; and with Teuton thoroughness they are
excavating the most famous of ancient ruins and gathering fresh
treasures of archaeological research. Nor have they left the land of the
Hittites unexplored, for Germany claims the first rights, politically,
in all Anatolia, the right of succession and possession when the Turk is
expelled, and German archaeological science is bound to be first on
that field.
And now what have we found as the fruit of all this labor of
exploration? Is it worth the labor and the expense?
Let us look first--it can be only a glance--at Egypt, for Egypt was the
land first and most persistently explored. The French Government for
scores of years has been at work there. Germans and Italians have
explored the ruins; two English societies have for years kept
expeditions in the field; and just now a Californian university sends an
American Egyptologist to uncover the tombs and read the hieroglyphs of
the kings. Not only are the figured monuments of Egypt published in
princely folios, but its records have been translated and its lost
history recovered to the world's knowledge. Instead of the bare
"Pharaoh" of the Bible, a common designation for all the kings, and in
place of a bare list of names and dynasties copied from Manetho, and so
altered and corrupted in the copying as to be neither Greek nor
Egyptian, we have, on scarab, or gravestone, or pyramid, or
rock-sepulchre wall, in his own spelling, the name of almost every king
from the latest time of the Ptolemies back to the first king of the
first dynasty, five thousand--or was it six thousand?--years before
Christ. And not their names only, but the very pictures of their wars.
We see how they went up the Nile and fought the blacks of Abyssinia, and
brought back the spoils of Punt We see them sending their squadrons
into Syrian Asia, and waging a dubious battle with the Hittites before
the walls of Hamath, where Rameses in his lion-guarded chariot performs
prodigies of valor, and from which he returns not only to paint on
sacred walls the picture of his victory, but also to inscribe a copy of
the treaty of peace with the Hittite king, the earliest treaty in the
preserved annals of diplomacy. Well wrought that Rameses the Great for
eternal fame in the sixty years of his reign, fifteen centuries before
the birth of our Lord. But what fame had been his, had not explorers and
excavators and scholars dug and found and copied and translated what the
sands had covered for centuries? And to-day the curious traveller stops
in sight of the pyramids on the banks of the Nile, and enters the Bulaq
Museum, and there he sees set up before him the very mummy of Rameses
himself and of a dozen other royal personages, rifled from their tombs
and displayed for your amazement and mine. There is the very
Pharaoh--you can see his features, you can touch his coffin--who chased
the Children of Israel out of Egypt. There are the household implements,
the furniture of their homes, the jewelry their queens wore,--queens who
were also sisters of the kings, as Sarah was the sister of Abraham.
Or would you know of some great revolution in Egypt? These decipherers
of the inscriptions will tell you how the Shepherd Kings overthrew the
native dynasty, coming with their armies from Asia long before Rameses,
and changed religion and customs; under whom Jacob and his sons found
hospitable welcome, until their hated race was expelled by a stronger
native dynasty that knew not Joseph. Or they will tell you of the royal
reformer Khuenaten, son of a famous Eastern mother, a queen from the
banks of the Euphrates. Taught by her, perhaps, a purer religion, he
attempted to replace the worship of Egypt's bestial gods by the worship
of the one only great God, whose symbol was the sun. But the priestly
clan was too strong for him, and the succeeding Pharaohs destroyed his
records and chiselled out his name where it had been cut in stone that
no memory of his sacrilege might be preserved. A royal Moses there could
not be. The worshipper of one God, whether king or son of Pharaoh's
daughter, could bring no reformation to Egypt.
Or would you learn how Egypt ruled its subject territory? You can read
the correspondence of a dozen local Egyptian governors in Palestine and
Syria in the century before Moses led the Hebrew slaves out of Egypt.
There is the letter of the King of Jerusalem, where Melchizedek reigned
in the times of Abraham; and they tell of rebellions against the fading
power of Egypt, and of the fear of the advancing Hittites. The earliest
kings, those that built the pyramids, appear before us real in their
personality, emerging out of misty legend or myth, and, earlier still,
even the prehistoric races that antedated the very beginning of
civilization. Whence came that first dynasty? Who invented writing? Were
they autochthons? Hardly. These are questions left for further explorers
to answer. Probably those first messengers of civilization came from the
East, perhaps from Arabia, perhaps from Babylonia, or perhaps the first
Babylonians and Egyptians formed a common stock somewhere near the mouth
of the Euphrates. Perhaps the Bible is right in saying that the first
seat of civilized man was in Eden, and that the Euphrates was the chief
river of Paradise. Or was it from Arabia, the immemorial home of the
Semitic tribes, that land of sand and mountain and fertile valley, land
of changeless culture and tradition, so near the centres of
civilization, and yet still the most inaccessible, the least known
portion of the inhabited earth,--was it from Arabia that the wiser,
stronger multitude came that first overran the valleys of both the Nile
and the Euphrates, bringing to Egypt and Chaldea arts and letters? We do
not know. Some future explorer must teach us. But the German Glaser has
within these few years brought back from hazardous journeys a multitude
of inscriptions that tell of kingdoms that fringed its southern coast
and extended we know not how far into the interior in those early days
when one of the queens of Sheba brought presents to Solomon, and when,
earlier still, we are told there were dukes of Edom before there was any
king in Israel. They say that a railroad is to be built to Mecca; Arabia
is not to be always a closed land, neighbor as it is to Egypt. We shall
know one of these days whether, as scholars suspect, out of Arabia and
across the Straits of Bab-el-Mandeb, where, at the southern end of the
Red Sea, Africa almost touches Asia, there came that mighty flood of
more forceful men, bred in the deserts and hills, who, passing down the
Nile, first brought history to Egypt; and whether it was this same
Semitic people, as scholars suspect again, that spread resistlessly
eastward to the Euphrates valley, and did an equal service in conquering
and assimilating the black aborigines of these swamps and lagoons. The
spade will tell us.
Or was it still further east, in the highlands of Persia, that men first
learned how to write and record history? We cannot go back so far in the
history of Babylonia--Professor Hilprecht dares to carry us seven
thousand years before Christ--that we do not find its kings fighting
against Elam. And only in the last decade of the Nineteenth century the
Frenchman De Morgan has made marvellous discoveries in the Elamite
lands. What a noble passion those Frenchmen have for discovery! For
Egypt did not Napoleon provide the most elephantine books of monuments
and records that printing-presses have yet issued? And from that time to
this have not Frenchmen held the primacy in excavations until, even
while England holds and rules Egypt, she leaves, by special convention,
the care of its monuments and their exploration to French savants? And
before Layard removed a basketful of the earth that covered the palace
of Shalmaneser at Nimroud, had not the Frenchman Botta disclosed the
friezes and sphinxes of Sargon at Khorsabad; and in these late years is
it not the Frenchman De Sarzec who has brought from Telloh to the Louvre
the statues of Chaldean kings that lived almost five thousand years ago?
And so to France was given the right, for the honor and enrichment of
the Louvre, to explore Persia; and De Morgan went to Susa, to Shushan,
the palace of Xerxes and Darius, of Ahasuerus and Esther, in search of
what was far earlier than they, for another Frenchman and his wife, M.
and Mme. Dieulafoy, had already excavated the noble palace of these
Persian kings. Far below the palace of Xerxes he has found vastly
earlier remains. There is the column set up, if we can believe the
Assyriologists who trust the chronology of Nabonidus, the last king of
Babylon,--and it is not incredible,--three thousand eight hundred years
before Christ, by Naram-Sin, a Babylonian king, to commemorate one of
his raids into the land of what were perhaps his stronger enemies. It
is a noble composition, with archaic writing, and a stately figure of
the king climbing the mountains and slaying his enemies; it shows an art
that might well have developed into the best that Greece has produced.
But De Morgan has only begun to scratch the surface of the mounds of
Elam, and a multitude of scholars believe that out of Elam came the
first civilization of Chaldea. We shall find out yet; for the record is
in the earth, and only waits the man who will dig it out, and then the
man who will read it.
We are tempted to go further east and recall that in India, the land
where Alexander made his most distant conquests, a multitude of English
scholars have been searching the ruins of old temples for the earliest
memorials of the worship of Buddha. Just now they have found his
birthplace and precious relics. But that takes us too far afield, and
would tempt us to further excursions in Burmah and China. We must come
back to Western Asia and the shores of Europe.
As has been indicated, the greatest puzzle of ancient history is that of
the Hittite empire, which seems to have ruled all Asia Minor at some
uncertain time, and to have extended over Syria and Palestine. No sooner
had the greatest Egyptian kings, Thothmes and Rameses, ventured their
armies into Asia, perhaps in vengeance on the incursions of Ionian
pirates, perhaps in requital of the tyrannies of the hated Shepherd
Kings, than they learned of the Hittites on the shores of the Euphrates.
Then, a century or two later, a mass of official correspondence sent by
the Kings of Palestine and Syria, dug up in Egypt, reports that the
Hittites had appeared as invaders from the north and beseeches military
aid. But the power of Egypt had waned, and the Hittites were supreme
until the Assyrians began and carried on for five centuries the
uncertain war which ended in the utter overthrow of the Hittites and all
their allies in a great battle at Carchemish. That great mound of
Carchemish needs to be thoroughly explored. Already an English
expedition has very carelessly just opened the hill and exposed, but not
fairly published, some few as fine friezes as are to be found in the
Assyrian capitals, with unread Hittite inscriptions, and a fine statue
of the Hittite Venus; but much remains to reward the student of Oriental
history and art. At Senjirli a German expedition under Von Luschan has
done more and better work, handsomely published, but this was a smaller
Syrian town, and less was to be expected; and yet here, and near by,
were found what was not expected, steles (upright slabs or pillars) with
the portraits of kings in high relief, covered over with long
inscriptions in Aramaic, the oldest and longest as yet discovered
anywhere in that language. It was a magnificent result of very moderate
labor,--Hittite friezes, Assyrian and Aramean inscriptions all in one
little mound. But for the most part we know the art and writing of the
Hittites from what we have found above ground, in their towns and
fortresses in the hills, for little digging has been done. At Pterium
was a principal sacred capital, and there, on a natural corridor of
rock, they carved a procession of gods and kings and soldiers that
excites the wonder of scholars. As I write, the announcement comes that
Professor Sayce has at last discovered the secret of the Hittite
hieroglyphs, and we may hope that very soon it will be possible to read
them. But there is vastly more of their records yet to be disinterred.
And there remain the two lands most sacred and beloved in poetry and
history,--the land of Israel and the land of Homer. It is amazing that
so little search has been made to find out what is hidden under the soil
of Palestine. Scholars in plenty have walked over the top of it, and
have told all that is on the surface, but almost nothing has been done
underground, no such excavations as in Egypt or Assyria. I do not forget
that the English Palestine Exploration Fund has followed out, with
trenches and tunnels, the walls of Jerusalem, nor that one or two old
mounds have been partly explored. But what is this to the great work
that needs to be done? There has been found on the surface the Moabite
Stone, at the old capital of Dibon, a wonderful record of early kings
mentioned in the Bible. And there is the short account in the rock-cut
conduit of Siloam, of the success of the workmen in the time of
Hezekiah, who, beginning at the two ends, did the fine engineering feat
of having their tunnels meet correctly in the solid rock. But when
Jerusalem is fully explored, and the northern capitals of Bethel and
Tirzah and Samaria, and a hundred other mounds that mark the site of
Jewish, Israelite, Philistine, and Amorite cities, we may expect
marvellous discoveries that will illumine our Holy Scriptures.
And one region yet remains to be considered, the scattered coasts and
islands that owned the Greek speech, and that created the Greek
civilization. It is not the Greece of the Parthenon and Pericles that we
wish to discover, for that we fairly know; but the arts and the history
of those earlier Greeks and Trojans that Homer tells of, the age of
Agamemnon and Ulysses, of Helen and Hector and Priam, and of the yet
earlier tribes that sailed the Aegean, and settled the Mediterranean
islands, and sent their ships to the Egyptian coasts, and sought golden
fleeces on the Euxine Sea. All about the coast of Asia Minor they lived,
while that Hittite power was ruling the interior; and, intermixed with
Phoenician trading-posts, they held the great islands of Crete and
Cyprus and the shores of Sicily and Italy. What shall we call them? Were
they Dorians, or Heraclidae, Achaeans or Pelasgi? Were they of the same
race as the mysterious Etruscans, or shall we name them simply
Mycenaeans, as we call the art Mycenaean that ruled the islands and
coasts down to the Homeric age, and we know not how many centuries
earlier, but certainly as far back as the conquering period of the
Eighteenth Egyptian Dynasty of Thothmes? Their soldiers and merchants
and their fine vases are pictured on the walls of Egypt, and their
pottery has long been studied; but we knew little of them until Dr.
Schliemann, the Greek merchant who achieved wealth in the United States,
bravely opened the great ruins of Troy, in the full patriotism of his
assurance that Homer's story of the Trojan war was history as well as
poetry. As he found one burnt and buried city under another,--for many
times was Troy destroyed,--and extended his investigations to Tiryns and
other ancient cities, one volume of splendid research followed another,
until the trader had compelled the unwilling scholar to confess that he
must dig for both history and art. To be sure, his interpretations were
quite too literal at first, but the whole world of classical scholarship
has learned from him the new method of research. Splendid have been the
results. If we are not sure which stratum represents the city of Priam,
we do learn how the people lived, and how fine was their work in silver
and gold, and how slight their knowledge of letters. Dr. Schliemann has
now a multitude of imitators. France and Germany and England and the
United States each maintain a school of archaeology in Athens, and each
conducts careful explorations. Our American School lost to the French,
for lack of money at the right time, the chance to explore Delphi, but
it has carried on careful explorations at Corinth and other places. How
wonderful was the discovery, not long ago, of a shipload of bronze and
marble statues wrecked while being transported as spoil of war from
Corinth to Rome!
But the most surprising discoveries in the realm of old Greek history
and art are those that have been made in these last two or three years
in Crete. Crete was a famous centre of ancient Greek legend. Jupiter was
born and reared on Mount Ida. From another mountain summit in Crete the
gods watched the battle on the plains of Troy. There ruled Minos, who
first gave laws to men, and who at his death was sent by the gods to
judge the shades as they entered the lower world. There was the famous
Labyrinth, and there the Minotaur devoured his annual tale of maidens
until he was slain by Theseus. Was there such a real palace of Minos as
the Greek poets sung? The magnificent palace of the Cretan kings at
Cnossus has been found, by Mr. Evans, with its friezes, its spiral
ornaments, its flounce-petticoated women, its treasuries, and its
tablets written in a script so old that it cannot yet be read, but which
will be read as surely as scholarship leaves none of its riddles
unsolved. The childhood of Greece, its mighty infancy, out of which it
grew to be the creator and the example of all the world's culture, is
even now being exposed to our view, safely kept to be recovered by the
scholars of our generation.
Of interest rather to the student of the curiosities of history are the
mounds and pyramids and temples built by the aborigines of America; for
these tribes have had absolutely no part in creating our dominant
civilization or developing its art. China and Japan are, at this late
day, giving something to the world's store of beauty and utility; but
the mound-builders and cliff-dwellers, the Mayas and Toltecs and Incas,
have given absolutely nothing which the world cared to accept. But this
does not argue that it is not worth while to learn what we can of the
rude civilization of the races whom we have displaced. Their arrowheads
and hatchets are in every little museum. Their mounds, sometimes shaped
like serpents or tortoises or lizards, are scattered over all the
central States, and many of them have been carefully explored with
scanty results. The cliff-dwellers have left somewhat richer remains,
more baskets and parched corn, yet nothing of artistic value. We have to
go to Mexico and Yucatan and further south to Peru, to find the
majestic capitals of the Mayas and Incas, who had really reached a fair
degree of such civilization as stone and copper, without iron, and the
beginnings of picture symbols, without letters, could provide. Humboldt
and Stephens, and Lord Kingsborough, and Squier, and Tchudi, and Charnay
have made explorations and found vast and wonderful cities, some of them
deserted and overgrown before Cortez and Pizarro took possession of the
lands for Spain and enslaved the people. Where the city of Mexico now
stands was a famous capital, from whose ruins were taken the great
Calendar stone and the double statue of the god of war and the god of
death. In Palenque and Uxmal, capitals of Yucatan, were immense palaces
and temples, with the weird ornamentation of Mayan imagination; and
equal wonders exist in the high uplands where the Incas ruled Peru. Even
their barbaric art and their unrecorded history must be recovered, to
satisfy the curiosity of the more fortunate races whose boasted
Christianity visited on them nothing better than cruel slaughter. At
least we can give them museums and publish magnificent pictures of
their ruins.
So we may bless the ashes and sand that seemed to destroy and bury the
monuments of the mighty empires of the ancient world, but which have
kindly covered and preserved them, just as we put our treasures away in
some safety-vault while absent on a long journey. The fire burned the
upper wooden walls of the city, and it fell in ruins, but under those
ruins, covered by that ashes, were preserved for two thousand, three
thousand, five thousand years uninjured, the choicest sculpture and the
most precious records of ancient nations,--retained beyond the reach of
vandal hands, until scholarship had grown wise enough to ask questions
of forgotten history, and had sent Layard and Schliemann and De Sarzec
and Evans and a hundred other men to dig with their competitive spades.
But in all the long list of enthusiasts not one deserves a higher honor
or has reaped a richer harvest than Sir Henry Layard.
AUTHORITIES.
Layard: "Early Adventures;" "Nineveh and its Remains;" "Nineveh and
Babylon;" "Monuments of Nineveh." Botta: "Monument de Ninive." Loftus:
"Chaldea and Susiana." Y. Place: "Ninive et Assyrie." Hilprecht:
"Babylonian Expedition of the University of Pennsylvania;" "Recent
Research in Bible Lands." Perrot and Chipiez: "History of Art in
Antiquity." J.P. Peters: "Nippur." R.W. Rogers: "History of Babylonia
and Assyria." F. Lenormant: "Students' Manual of the Ancient History of
the East;" "The Beginnings of History." Maspero: "Dawn of Civilization;"
"Struggle of the Nations;" "Passing of the Empires;" "Egyptian
Archaeology;" "Life in Ancient Egypt and Assyria." C.J. Ball: "Light
from the East." Egypt Exploration Fund's Publications. F.J. Bliss:
"Exploration in Jerusalem;" "A Mound of Many Cities." Schliemann: "Troy
and its Remains;" "Ilios;" "Mycenae;" "Tiryns;" "Troja." A.J. Evans:
"Cnossus;" "Cretan Pictographs." Tsountas and Manatt: "The
Mycenaean Age."
MICHAEL FARADAY.
1791-1867.
ELECTRICITY AND MAGNETISM.
BY EDWIN J. HOUSTON, PH.D.
"No man is born into the world whose work
Is not born with him. There is always work,
And tools to work withal, for those who will."
LOWELL
A man was born into the world, on the 22d of September, 1791, whose work
was born with him, and who did this work so well that he became one of
its greatest benefactors. Indeed, much of the marvellous advance made in
the electric arts and sciences, during the last half-century, can be
directly traced to this work.
It was in Newington Butts, in London, England, that the man-child first
opened his eyes on the wonders of the physical world around him. To
those eyes, in after years, were given a far deeper insight into the
mysteries of nature than often falls to the lot of man. This man-child
was Michael Faraday, who has been justly styled, by those best capable
of judging him, "The Prince of Experimental Philosophers."
The precocity so common in the childhood of men of genius was
apparently absent in the case of young Faraday. The growing boy played
marbles, and worried through a scant education in reading, writing, and
arithmetic, unnoticed, and most probably, for the greater part, severely
left alone, as commonly falls to the lot of nearly all boys, whether
ordinary or extraordinary. At the early age of thirteen, he was taken
from school and placed on trial as errand-boy in the book-shop of George
Ribeau, in London. After a year at this work, he was taken as an
apprentice to the book-binding trade, by the same employer, who, on
account of his faithful services, remitted the customary premium. At
this work he spent some eight years of his life.
But far be it from us even to hint at the absence of genius in the young
child. Genius is not an acquired gift. It is born in the individual.
Apart from the marvellous achievements of the man, a mere glance at the
magnificent head, with its high intellectual forehead, the firm lips,
the intelligent inquiring eyes, and the bright face, as seen in existing
pictures, assures us that they portray an unusual individuality,
incompatible with even a suspicion of belonging to an ordinary man.
Doubtless the growing child did give early promise of his future
greatness. Doubtless he was a formidable member of that terrible class
of inquiring youngsters who demand the why and the wherefore of all
around them, and refuse to accept the unsatisfactory belief of their
fathers that things "are because they are." In its self-complacency, the
busy world is too apt to fail to notice unusual abilities in
children,--abilities that perhaps too often remain undeveloped from lack
of opportunities. But whether young Faraday did or did not, at an early
age, display any unusual promise of his life-work, all his biographers
appear to agree that he could not be regarded as a precocious child.
Faraday disclaimed the idea that his childhood was distinguished by any
precocity. "Do not suppose that I was a very deep thinker, or was marked
as a precocious person," says Faraday, when alluding to his early life.
"I was a very lively, imaginative person, and could believe in the
'Arabian Nights' as easily as the 'Encyclopaedia,' but facts were
important to me, and saved me. I could trust a fact and always
cross-examined an assertion. So when I questioned Mrs. Marcet's book [he
is alluding to her 'Conversations on Chemistry'], by such little
experiments as I could find means to perform, and found it true to the
facts as I could understand them, I felt that I had got hold of an
anchor in chemical knowledge, and clung fast to it."
But while there may be a question as to the existence of precocity in
the young lad, there does not appear to be any reason for believing that
his unusual abilities were the result of direct heredity. His father, an
ordinary journeyman blacksmith, never exhibited any special intellectual
ability, though possibly poverty and poor health may have been
responsible for this failure. His mother, too, it appears, was of but
ordinary mentality.
The environment of those early years--that is, from 1804 to 1813, while
in the book-binding business--was far from calculated to develop any
marked abilities inherent in our young philosopher. What would seem less
calculated to inspire a wish to obtain a deeper insight into the
mysteries of the physical world than the trade of book-binding,
especially in the case of a boy whose scholastic education ceased at
fourteen years and was limited to the mere rudiments of learning? But,
fortunately for the world, the inquiring spirit of the lad led him to
examine the inside of the books he bound, and thus, by familiarizing
himself with their contents, he received the inspiration that good
writing is always ready to bestow on those who properly read it. Two
books, he afterwards informs us, proved of especial benefit; namely,
"Marcet's Conversations on Chemistry," already referred to, and the
"Encyclopaedia Britannica." To the former he attributes his grounding in
chemistry, and to the latter his first ideas in electricity, in both of
which studies he excelled in after years. As we have seen, even at this
early age he followed the true plan for the physical investigator,
cross-questioned all statements, only admitting those to the dignity of
facts whose truth he had established by careful experimentation.
But our future experimental philosopher has not as yet fairly started on
the beginnings of his life-work. The possibilities of the book-binding
trade were too limited to permit much real progress. A circumstance
occurred in the spring of 1812 that shaped his entire after-life. This
was the opportunity then afforded him to attend four of the last
lectures delivered at the Royal Institution, by the great Sir Humphry
Davy. Faraday took copious notes of these lectures, carefully wrote them
out, and bound them in a small quarto volume. It was this volume, which
he afterwards sent to Davy, that resulted in his receiving, on March 1,
1813, the appointment of laboratory assistant in the Royal Institution.
His pay for this work was twenty-five shillings a week, with a lodging
on the top floor of the Institute, a very fair compensation for
the times.
Very congenial were the duties of the young assistant. They were to keep
clean the beloved apparatus of the lecturers, and to assist them in
their demonstrations. The new world thus opened was full of bright
promise. He keenly felt the deficiencies of his early education, and
did his best to extend his learning, so that he might be able to make
the most of his opportunities. But what he perhaps appreciated the most
was the inspiration he received from the great teacher Davy, who was
then Professor of Chemistry and Director of the Laboratory of the Royal
Institution; for Faraday assisted at Davy's lectures, and in an humble
way even aided his investigations, sharing the dangers arising from the
explosion of the unstable substance, chloride of nitrogen, that Davy was
then investigating. Faraday has repeatedly acknowledged the debt owed to
the inspiration of this teacher. Davy also, in later life generously
recognized, in his former assistant, a philosopher greater than himself.
As the renowned astronomer, Tycho Brahe, discovered in one of his
pupils, John Kepler, an astronomer greater than the master, and as
Bergman, the Swedish chemist, in a similar manner, discovered the
greater chemist Scheele, so when Davy, in after years, was asked what he
regarded as his greatest discovery, he briefly replied,
"Michael Faraday."
The task of the scientific historian, who endeavors honestly to record
the progress of research, and to trace the influence of the work of some
individual on the times in which he lived, is by no means an easy one;
for, in scientific work one discovery frequently passes so insensibly
into another that it is often difficult to know just where one stops
and the other begins, and much difficulty constantly arises as to whom
the credit should be given, when, as is too often the case, these
discoveries are made by different individuals. It is only when some
great discovery stands alone, like a giant mountain peak against the
clear sky, that it is comparatively easy to determine the extent and
character of its influence on other discoveries, and justly to give the
credit to whom the credit is due. Such discoveries form ready points of
reference in the intellectual horizon, and mark distinct eras in the
world's progress. This is true of all work in the domain of physical
science, but it is especially true in that of electricity and magnetism,
in which Faraday was pre-eminent. The scope of each of these sciences is
so extended, the number of workers so great, and the applications to the
practical arts so nearly innumerable, that it is often by no means an
easy task correctly to trace their proper growth and development.
Faraday's investigations covered vast fields in the domain of chemistry,
electricity, and magnetism. It is to the last two only that reference
will here be made. Faraday's life-work in electricity and magnetism
began practically in 1831, when he made his immortal discovery of the
direct production of electricity from magnetism. His best work in
electricity and magnetism was accomplished between 1831 and 1856,
extending, therefore, over a period of some twenty-five years, although
it is not denied that good work was done since 1856. Consequently, it
was at so comparatively recent a date that most of Faraday's work was
done that some of the world's distinguished electricians yet live who
began their studies during the latter years of Faraday's life. The
difficulties of tracing, at least to some extent, the influence that
Faraday's masterly investigations have had on the present condition of
the electrical arts and sciences will, therefore, be considerably
lessened.
The extent of Faraday's researches and discoveries in magnetism and
electricity was so great that it will be impossible, in the necessarily
limited space of a brief biographical sketch, to notice any but the more
prominent. Nor will any attempt be made, except where the nature of the
research or discovery appears to render it advisable, to follow any
strict chronological order; for, our inquiry here is not so much
directed to a mere matter of history as to the influence which the
investigation or discovery exerted on the life and civilization of the
age in which we live.
There is a single discovery of Faraday that stands out sharply amidst
all his other discoveries, great as they were, and is so important in
its far-reaching results that it alone would have stamped him as a
philosophical investigator of the highest merits, had he never done
anything else. This was his discovery of the means for developing
electricity directly from magnetism. It was made on the 29th of August,
1831, and should be regarded as inspired by the great discovery made by
Oersted in 1820, of the relations existing between the voltaic pile and
electro-magnetism. It was in the same year that Ampere had conducted
that memorable investigation as to the mutual attractions and repulsions
between circuits through which electric currents are flowing, which
resulted in a theory of electro-magnetism, and finally led to the
production of the electro-magnet itself. Ampere had shown that a coil of
wire, or helix, through which an electric current is passing, acted
practically as a magnet, and Arago had magnetized an iron bar by placing
it within such a helix.
In common with the other scientific men of his time, Faraday believed
that since the flow of an electric current invariably produced
magnetism, so magnetism should, in its turn, be capable of producing
electricity. Many investigators before Faraday's time had endeavored to
solve this problem, but it was reserved to Faraday alone to be
successful. Since success in this investigation resulted from some
experiments he made while endeavoring to obtain inductive action on a
quiescent circuit from a neighboring circuit through which an electric
current was flowing, we will first briefly examine this experiment. All
his experiments in this direction were at first unsuccessful. He passed
an electric current through a circuit, which was located close to
another circuit containing a galvanometer,--a device for showing the
presence of an electric current and measuring its strength,--but failed
to obtain any result. He looked for such results only when the current
had been fully established in the active circuit. Undismayed by failure,
he reasoned that probably effects were present, but that they were too
small to be observed owing to the feeble inducing current employed. He
therefore increased the strength of the current in the active wire; but
still with no results.
Again and again he interrogates nature, but unsuccessfully. At last he
notices that there is a slight movement of the galvanometer needle at
the moment of making and breaking the circuit. Carefully repeating his
experiments in the light of this observation, he discovers the important
fact that it is only at the moment a current is increasing or decreasing
in strength--at the moment of making or breaking a circuit--that the
active circuit is capable of producing a current in a neighboring
inactive circuit by induction. This was an important discovery, and in
the light of his after-knowledge was correctly regarded as a solution of
the production of electricity from magnetism.
Observing that the galvanometer needle momentarily swings in one
direction on making the circuit, and in the opposite direction on
breaking it, he establishes the fact that the current induced on making
flows in the opposite direction to the inducing current, and that
induced on breaking flows in the same direction as the inducing current.
Having thus established the fact of current induction, he makes the step
of substituting magnets for active circuits; a simple step in the light
of our present knowledge, but a giant stride at that time. Remembering
that current induction, or, as he called it, voltaic current induction,
takes place only while some effect produced by the current is either
increasing or decreasing, he moves coils of insulated wire towards or
from magnet poles, or magnet poles towards or from coils of wire, and
shows that electric currents are generated in the coils while either the
coils or the magnets are in motion, but cease to be produced as soon as
the motion ceases. Moreover, these magnetically induced currents differ
in no respects from other currents,--for example, those produced by the
voltaic pile,--since, like the latter, they produce sparks, magnetize
bars of steel, or deflect the needle of a galvanometer. In this manner
Faraday solved the great problem. He had produced electricity directly
from magnetism!
With, perhaps, the single exception of the discovery by Oersted, in
1820, of the invariable relation existing between an electric current
and magnetism, this discovery of Faraday may be justly regarded as the
greatest in this domain of physical science. These two master minds in
scientific research wonderfully complemented each other. Oersted showed
that an electric current is invariably attended by magnetic effects;
Faraday showed that magnetic changes are invariably attended by electric
currents. Before these discoveries, electricity and magnetism were
necessarily regarded as separate branches of physical science, and were
studied apart as separate phenomena. Now, however, they must be regarded
as co-existing phenomena. The ignorance of the scientific world had
unwittingly divorced what nature had joined together.
In view of the great importance of Faraday's discovery, we shall be
justified in inquiring, though somewhat briefly, into some of the
apparatus employed in this historic research. Note its extreme
simplicity. In one of his first successful experiments he wraps a coil
of insulated wire around the soft iron bar that forms the armature or
keeper of a permanent magnet of the horse-shoe type, and connects the
ends of this coil to a galvanometer. He discovers that whenever the
armature is placed against the magnet poles, and is therefore being
rendered magnetic by contact therewith, the deflection of the needle of
the galvanometer shows that the coiled wire on the armature is traversed
by a current of electricity; that whenever the armature is removed from
the magnet poles, and is therefore losing its magnetism, the needle of
the galvanometer is again deflected, but now in the opposite direction,
showing that an electric current is again flowing through the coiled
wire on the armature, but reversed in direction. He notices, too, that
these effects take place only while changes are going on in the strength
of the magnetism in the armature, or when magnetic flux is passing
through the coils; for, the galvanometer needle comes to rest, and
remains at rest as long as the contact between the armature and the
poles remains unbroken.
In another experiment he employs a simple hollow coil, or helix, of
insulated wire whose ends are connected with a galvanometer. On suddenly
thrusting one end of a straight cylindrical magnet into the axis of the
helix, the deflection of the galvanometer needle showed the presence of
an electric current in the helix. The magnet being left in the helix,
the galvanometer needle came to rest, thus showing the absence of
current. When the bar magnet was suddenly withdrawn from the helix, the
galvanometer needle was again deflected, but now in the opposite
direction, showing that the direction of the current in the helix had
been reversed.
The preceding are but some of the results that Faraday obtained by
means of his experimental researches in the direct production of
electricity from magnetism. Let us now briefly examine just what he was
doing, and the means whereby he obtained electric currents from
magnetism. We will consider this question from the views of the present
time, rather than from those of Faraday, although the difference between
the two are in most respects immaterial.
Faraday knew that the space or region around a magnet is permeated or
traversed by what he called magnetic curves, or lines of magnetic force.
These lines are still called "lines of magnetic force," or by some
"magnetic streamings" "magnetic flux," or simply "magnetism." They are
invisible, though their presence is readily manifested by means of iron
filings. They are present in every magnet, and although we do not know
in what direction they move, yet in order to speak definitely about
them, it is agreed to assume that they pass out of every magnet at its
north-seeking pole (or the pole which would point to the magnetic north,
were the magnet free to move as a needle), and, after having traversed
the space surrounding the magnet, reenter at its south-seeking pole,
thus completing what is called the magnetic circuit. Any space traversed
by lines of magnetic force is called a magnetic field.
But it is not only a magnet that is thus surrounded by lines of
magnetic force, or by ether streamings. The same is true of any
conductor through which an electric current is flowing, and their
presence may be shown by means of iron filings. If an active
conductor--a conductor conveying an electric current, as, for example, a
copper wire--be passed vertically through a piece of card-board, or a
glass plate, iron filings dusted on the card or plate will arrange
themselves in concentric circles around the axis of the wire. It
requires an expenditure of energy both to set up and to maintain these
lines of force. It is the interaction of their lines of force that
causes the attractions and repulsions in active movable conductors.
These lines of magnetic force act on magnetic needles like other lines
of magnetic force and tend to set movable magnetic needles at right
angles to the conducting wire.
The setting up of an electric current in a conducting wire is,
therefore, equivalent to the setting up of concentric magnetic whirls
around the axis of the wire, and anything that can do this will produce
an electric current. For example, if an inactive conducting wire is
moved through a magnetic field; it will have concentric circular whirls
set up around it; or, in other words, it will have a current generated
in it as a result of such motion. But to set up these whirls it is not
enough that the conducting wire be moved along the lines of force in the
field. In such a case no whirls are produced around the conductor. The
conductor must be moved so as to cut or pass through the lines of
magnetic force. Just what the mechanism is by means of which the cutting
of the lines of force by the conductor produces the circular magnetic
whirls around it, no man knows any more than he knows just what
electricity is; but this much we do know,--that to produce the circular
whirls or currents in a previously inactive conductor, the lines of
force of some already existing magnetic field must be caused to pass
through the conductor, and that the strength of the current so produced
is proportional to the number of lines of magnetic force cut in a given
time, say, per second; or, in other words, is directly proportional to
the strength of the magnetic field, and to the velocity and length of
the moving conductor.
Or, briefly recapitulating: Oersted showed that an electric current,
passed through a conducting circuit, sets up concentric circular whirls
around its axis; that is, an electric current invariably produces
magnetism; Faraday showed, that if the lines of magnetic force, or
magnetism, be caused to cut or pass through an inactive conductor,
concentric circular whirls will be set up around the conductor; that is,
lines of magnetic force passed across a conductor invariably set up an
electric current in that conductor.
The wonderful completeness of Faraday's researches into the production
of electricity from magnetism may be inferred from the fact that all
the forms of magneto-electric induction known to-day--namely,
self-induction, or the induction of an active circuit on itself; mutual
induction, or the induction of an active circuit on a neighboring
circuit; and electro-magnetic induction, and magneto-electric induction,
or the induction produced in conductors through which the magnetic flux
from electro and permanent magnets respectively is caused to pass--were
discovered and investigated by him. Nor were these investigations
carried on in the haphazard, blundering, groping manner that
unfortunately too often characterizes the explorer in a strange country;
on the contrary, they were singularly clear and direct, showing how
complete the mastery the great investigator had over the subject he was
studying. It is true that repeated failures frequently met him, but
despite discouragements and disappointments he continued until he had
entirely traversed the length and breadth of the unknown region he was
the first to explore.
Let us now briefly examine Faraday's many remaining discoveries and
inventions. Though none of these were equal to his great discovery, yet
many were exceedingly valuable. Some were almost immediately utilized;
some waited many years for utilization; and some have never yet been
utilized. We must avoid, however, falling into the common mistake of
holding in little esteem those parts of Faraday's work that did not
immediately result either in the production of practical apparatus, or
in valuable applications in the arts and sciences, or those which have
not even yet proved fruitful. Some discoveries and devices are so far
ahead of the times in which they are produced that several lifetimes
often pass before the world is ready to utilize them. Like immature or
unripe fruit, they are apt to die an untimely death, and it sometimes
curiously happens that, several generations after their birth, a
subsequent inventor or discoverer, in honest ignorance of their prior
existence, offers them to the world as absolutely new. The times being
ripe, they pass into immediate and extended public use, so that the
later inventor is given all the credit of an original discovery, and the
true first and original inventor remains unrecognized.
We will first examine Faraday's discovery of the relations existing
between light and magnetism. Though the discovery has not as yet borne
fruit in any direct practical application, yet it has proved of immense
value from a theoretical standpoint. In this investigation Faraday
proved that light-vibrations are rotated by the action of a magnetic
field. He employed the light of an ordinary Argand lamp, and polarized
it by reflection from a glass surface. He caused this polarized light to
pass through a plate of heavy glass made from a boro-silicate of lead.
Under ordinary circumstances this substance exerted no unusual action on
light, but when it was placed between the poles of a powerful
electro-magnet, and the light was passed through it in the same
direction as the magnetic flux, the plane of polarization of the light
was rotated in a certain direction.
Faraday discovered that other solid substances besides glass exert a
similar action on a beam of polarized light. Even opaque solids like
iron possess this property. Kerr has proved that a beam of light passed
through an extremely thin plate of highly magnetic iron has its plane of
polarization slightly rotated. Faraday showed that the power of rotating
a beam of polarized light is also possessed by some liquids. But what is
most interesting, in both solids and liquids, is that the direction of
the rotation of the light depends on the direction in which the
magnetism is passing, and can, therefore, be changed by changing the
polarity of the electro-magnet.
Faraday did not seem to thoroughly understand this phenomenon. He spoke
as if he thought the lines of magnetic force had been rendered luminous
by the light rays; for, he announced his discovery in a paper entitled,
"Magnetization of Light and the Illumination of the Lines of Magnetic
Force." Indeed, this discovery was so far ahead of the times that it was
not until a later date that the results were more fully developed,
first by Kelvin, and subsequently by Clerk Maxwell. In 1865, two years
before Faraday's death, Maxwell proposed the electro-magnetic theory of
light, showing that light is an electro-magnetic disturbance. He pointed
out that optical as well as electro-magnetic phenomena required a medium
for their propagation, and that the properties of this medium appeared
to be the same for both. Moreover, the rate at which light travels is
known by actual measurement; the rate at which electro-magnetic waves
are propagated can be calculated from electrical measurements, and these
two velocities exactly agree. Faraday's original experiment as to the
relation between light and magnetism is thus again experimentally
demonstrated; and, Maxwell's electro-magnetic theory of light now
resting on experimental fact, optics becomes a branch of electricity. A
curious consequence was pointed out by Maxwell as a result of his
theory; namely, that a necessary relation exists between opacity and
conductivity, since, as he showed, electro-magnetic disturbances could
not be propagated in substances which are conductors of electricity. In
other words, if light is an electro-magnetic disturbance, all conducting
substances must be opaque, and all good insulators transparent. This we
know to be the fact: metallic substances, the best of conductors, are
opaque, while glass and crystals are transparent. Even such apparent
exceptions as vulcanite, an excellent insulator, fall into the law,
since, as Graham Bell has recently shown, this substance is remarkably
transparent to certain kinds of radiant energy.
In 1778, Brugmans of Leyden noticed that if a piece of bismuth was held
near either pole of a strong magnet, repulsion occurred. Other observers
noticed the same effect in the case of antimony. These facts appear to
have been unknown to Faraday, who, in 1845, by employing powerful
electro-magnets rediscovered them, and in addition showed that
practically all substances possess the power of being attracted or
repelled, when placed between the poles of sufficiently powerful
magnets. By placing slender needles of the substances experimented on
between the poles of powerful horse-shoe magnets, he found that they were
all either attracted like iron, coming to rest with their greatest
length extending between the poles; or, like bismuth, were apparently
repelled by the poles, coming to rest at right angles to the position
assumed by iron. He regarded the first class of substances as attracted,
and the second class as repelled, and called them respectively
paramagnetic and diamagnetic substances. In other words, paramagnetic
substances, like iron, came to rest axially (extending from pole to
pole), and diamagnetic substances, like bismuth, equatorially (extending
transversely between the poles). He reserved the term magnetic
substances to cover the phenomena of both para and dia-magnetism. He
communicated the results of this investigation to the Royal Society in a
paper on the "Magnetic Condition of All Matter," on Dec. 18, 1845.
The properties of paramagnetism and diamagnetism are not possessed by
solids only, but exist also in liquids and gases. When experimenting
with liquids, they were placed in suitable glass vessels, such as watch
crystals, supported on pole pieces properly shaped to receive them.
Under these circumstances paramagnetic liquids, such as salts of iron or
cobalt dissolved in water, underwent curious contortions in shape, the
tendency being to arrange the greater part of their mass in the
direction in which the flux passed; namely, directly between the poles.
Diamagnetic liquids, such as solutions of salts of bismuth and antimony,
in a similar manner, arranged the greater part of their mass in
positions at right angles to this direction, or equatorially.
At first Faraday attributed the repulsion of diamagnetic substances to a
polarity, separate and distinct from ordinary magnetic polarity, for
which he proposed the name, diamagnetic polarity. He believed that when
a diamagnetic substance is brought near to the north pole of a magnet, a
north pole was developed in its approached end, and that therefore
repulsion occurred. He afterwards rejected this view, though it has
been subsequently adopted by Weber and Tyndall, the latter of whom
conducted an extended series of experiments on the subject. The majority
of physicists, however, at the present time, do not believe in the
existence of a diamagnetic polarity. They point out that the apparent
repulsion of diamagnetic substances is due to the fact that they are
less paramagnetic than the oxygen of the air in which they are
suspended.
During this investigation Faraday observed some phenomena that led him
to a belief in the existence of another form of force, distinct from
either paramagnetic or diamagnetic force, which he called the
magne-crystallic force. He had been experimenting with some slender
needles of bismuth, suspending them horizontally between the poles of an
electro-magnet. Taking a few of these cylinders at random from a greater
number, he was much perplexed to find that they did not all come to rest
equatorially, as well-behaved bars of diamagnetic bismuth should do,
though, if subjected to the action of a single magnetic pole, they did
show this diamagnetic character by their marked repulsion. After much
experimentation, he ascribed this phenomenon to the crystalline
condition of the cylinder. By experimenting with carefully selected
groups of crystals of bismuth, he believed he could trace the cause of
the phenomenon to the action of a force which he called the
magne-crystallic force.
Extended experiments carried on by Plücker on the influence of
magnetism on crystalline substances led him to believe that a close
relation exists between the ultimate forms of the particles of matter
and their magnetic behavior. This subject is as yet far from being fully
understood.
There was another series of investigations made by Faraday between the
years 1831 and 1840, that has been wonderfully utilized, and may
properly be ranked among his great discoveries. We allude to his
researches on the laws which govern the chemical decomposition of
compound substances by electricity. The fact that the electric current
possesses the power of decomposing compound substances was known as
early as 1800, when Carlisle and Nicholson separated water into its
constituent elements, by the passage of a voltaic current. Davy, too, in
1806, had delivered his celebrated discourse "On Some Chemical Agencies
of Electricity," and in 1807, had announced his great discovery of the
decomposition of the fixed alkalies.
Faraday showed that the amount of chemical action produced by
electricity is fixed and definite. In order to be able to measure the
amount of this action, he invented an instrument which he called a
voltameter, or a volta-electrometer. It consisted of a simple device for
measuring the amount of hydrogen and oxygen gases liberated by the
passage of an electric current through water acidulated with sulphuric
acid. He showed, by numerous experiments, that the decomposition
effected is invariably proportional to the amount of electricity
passing; that variations in the size of the electrodes, in the pressure,
or in the degree of dilution of the electrolyte, had nothing to do with
the result, and that therefore a voltameter could be employed to
determine the amount of electricity passing in a given circuit. He also
demonstrated that when a current is passed through different
electrolytes (compound substances decomposed by the passage of
electricity), the amount of the decompositions are chemically equivalent
to each other.
The extent of Faraday's work in the electro-chemical field may be judged
by considering some of the terms he proposed for its phenomena, most of
which, with some trifling exceptions, are still in use. It was he who
gave the name electrolysis to decomposition by the electric current; he
also proposed to call the wires, or conductors connected with the
battery, or other electric source, the electrodes, naming that one which
was connected with the positive terminal, the anode, and that one
connected with the negative terminal, the cathode. He called the
separate atoms or groups of atoms into which bodies undergoing
electrolysis are separated, the radicals, or ions, and named the
electro-positive ions, which appear at the cathode, the kathions, and
the electro-negative radicals which appear at the anode, the anions.
There were many other researches made by Faraday, such as his
experiments on disruptive electric discharges, his investigations on the
electric eel, his many researches on the phenomena both of frictional
electricity and of the voltaic pile, his investigations on the contact
and chemical theories of the voltaic pile, and those on chemical
decomposition by frictional electricity; these are but some of the mere
important of them. Those we have already discussed will, however, amply
suffice to show the value of his work. Rather than take up any others,
let us inquire what influence, if any, the various groups of discoveries
we have already discussed have exerted on the electric arts and sciences
in our present time. What practical results have attended these
discoveries? What actual, useful, commercial machines have been based on
them? What useful processes or industries have grown out of them?
And, first, as to actual commercial machines. These researches not only
led to the production of dynamo-electric machines, but, in point of
fact, Faraday actually produced the first dynamo. A dynamo-electric
machine, as is well known, is a machine by means of which mechanical
energy is converted into electrical energy, by causing conductors to cut
through, or be cut through by, lines of magnetic force; or, briefly, it
is a machine by means of which electricity is readily obtained from
magnetism.
Faraday's invention of the first dynamo is interesting because at the
same time he made the invention he solved a problem which up to his time
had been the despair of the ablest physicists and mathematicians. This
was the phenomenon of Arago's rotating disc. It was briefly as follows:
If a copper disc be rotated above a magnet, the needle tends to follow
the plate in its rotation; or, if a copper plate be placed at rest above
or below an oscillating magnet, it tends to check its oscillations and
bring the needle quickly to rest. Faraday investigated these phenomena
and soon discovered that a copper disc rotated below two magnet poles
had electric currents generated in it, which flowed radially through the
disc between its circumference and centre. By placing one end of a
conducting circuit on the axis of the disc, and the other end on its
circumference, he succeeded in drawing off a continuous electric current
generated from magnetism, and thus produced the first dynamo. This was
in 1831. Faraday produced many other dynamos besides this simple
disc machine.
Although the disc dynamo in its original form was impracticable as a
commercial machine, yet it was not only the forerunner of the dynamo,
but was, in point of fact, the first machine ever produced that is
entitled to be called a dynamo. He generously left to those who might
come after him the opportunity to avail themselves of his wonderful
discovery. "I have rather, however," he says, "been desirous of
discovering new facts and new relations dependent on magneto-electric
induction than of exalting the force of those already obtained, being
assured that the latter would find their development hereafter." How
profoundly prophetic! Could the illustrious investigator see the
hundreds of thousands of dynamos that are to-day in all parts of the
world engaged in converting millions of horse-power of mechanical energy
into electric energy, he would appreciate how marvellously his
successors have "exalted the force" of some of the effects he had so
ably shown the world how to obtain.
Faraday lived to see his infant dynamo, the first of its kind, developed
into a machine not only sufficiently powerful to maintain electric arc
lights, but also into a form sufficiently practicable to be continuously
engaged in producing such light, in one of the lighthouses on the
English coast. Holmes produced such a machine in 1862, or some years
before Faraday's death. It was installed under the care of the Trinity
House, at the Dungeness Lighthouse, in June, 1862, and continued in use
for about ten years. When this machine was shown to Faraday by its
inventor, the veteran philosopher remarked, "I gave you a baby, and you
bring me a giant."
The alternating-current transformer is another gift of Faraday to the
commercial world. As is well known, this instrument is a device for
raising or lowering electric pressure. The name is derived from the fact
that the instrument is capable of taking in at one pressure the electric
energy supplied to it, and giving it out at another pressure, thus
transforming it. Faraday produced the first transformer during his
investigations on voltaic-current induction. The modern
alternating-current transformer, though differing markedly in minor
details from Faraday's primitive instrument, yet in general details is
essentially identical with it. The enormous use of both step-up and
step-down transformers--transformers which respectively induce currents
of higher and of lower electromotive forces in their secondary coils
than are passed through their primaries--shows the great practical value
of this invention. The wonderful growth of the commercial applications
of alternating currents during the past few decades would have been
impossible without the use of the alternating-current transformer.
It is an interesting fact that it was not in the form of the step-down
alternating-current transformer that Faraday's discovery of
voltaic-current induction was first utilized, but in the form of a
step-up transformer, or what was then ordinarily called an induction
coil. As early as 1842, Masson and Bréguet constructed an induction
coil by means of which minute sparks could be obtained from the
secondary, in vacuo. In 1851, Ruhmkorff constructed an induction coil so
greatly improved, by the careful insulation of its secondary circuit,
that he could obtain from it torrents of long sparks in ordinary air.
The Ruhmkorff induction coil has in late years been greatly improved
both by Tesla and Elihu Thomson, who, separately and independently of
each other, have produced excellent forms of high-frequency
induction coils.
Induction coils have long been in use for purposes of research, and in
later years have been employed in the production both of the Röntgen
rays used in the photography of the invisible, and the electro-magnetic
waves used in wireless telegraphy.
Röntgen's discovery was published in 1895. It was rendered possible by
the prior work of Geissler and Crookes on the luminous phenomena
produced by the passage of electric discharges through high vacua in
glass tubes. Röntgen discovered that the invisible rays, or radiation,
emitted from certain parts of a high-vacuum tube, when high-tension
discharges from induction coils were passing, possessed the curious
property of traversing certain opaque substances as readily as light
does glass or water. He also discovered that these rays were capable of
exciting fluorescence in some substances,--that is, of causing them to
emit light and become luminous,--and that these rays, like the rays of
light, were capable of affecting a photographic plate. From these
properties two curious possibilities arose; namely, to see through
opaque bodies, and to photograph the invisible. Röntgen called these
rays X, or unknown rays. They are now almost invariably called by the
name of their distinguished discoverer.
Let us briefly investigate how it is possible both to see and to
photograph the invisible. Shortly after Röntgen's discovery, Edison,
with that wonderful power of finding practical applications for nearly
all discoveries, had invented the fluoroscope,--a screen covered with a
peculiar chemical substance that becomes luminous when exposed to the
Röntgen rays. Suppose, now, between the rays and such a screen be
interposed a substance opaque to ordinary light, as, for example, the
human hand. The tissues of the hand, such as the flesh and the blood,
permit the rays to readily pass through them, but the bones are opaque
to the rays, and, therefore, oppose their passage; consequently, the
screen; instead of being uniformly illumined, will show shadows of the
bones, so that, to an eye examining the screen, it will seem as though
it were looking through the flesh and blood directly at the bones. In a
similar manner, if a photographic plate be employed instead of the
screen, a distinct photographic picture will be obtained.
Both the fluoroscope and the photographic camera have proved an
invaluable aid to the surgeon, who can now look directly through the
human body and examine its internal organs, and so be able to locate
such foreign bodies as bullets and needles in its various parts, or make
correct diagnoses of fractures or dislocations of the bones, or even
examine the action of such organs as the liver and heart.
About 1886, Hertz discovered that if a small Leyden jar is discharged
through a short and simple circuit, provided with a spark-gap of
suitable length, a series of electro-magnetic waves are set up, which,
moving through space in all directions, are capable of exciting in a
similar circuit effects that can be readily recognized, although the two
circuits are at fairly considerable distances apart. Here we have a
simple basic experiment in wireless telegraphy, which, briefly
considered, consists of means whereby oscillations or waves, set up in
free space by means of disruptive discharges, are caused to traverse
space and produce various effects in suitably constructed receptive
devices that are operated by the waves as they impinge on them.
At first a doubt was expressed by eminent scientific men as to the
practicability of successfully transmitting wireless messages through
long distances, since these waves, travelling in all directions, would
soon become too attenuated to produce intelligible signals; but when it
was shown, from theoretical considerations, that these waves when
traversing great distances are practically confined to the space between
the earth's surface and the upper rarified strata of the atmosphere, the
possibility of long-distance wireless telegraphic transmission was
recognized. To increase the distance, it was only necessary either to
increase the energy of the waves at the transmitting station, or to
increase the delicacy of the receiving instruments, or both.
It has been but a short time since both the scientific and the financial
worlds were astounded by the actual transmission of intelligible
wireless signals across the Atlantic, and the name of Marconi will go
down to posterity as the one who first accomplished this great feat.
The principal limit to the distance of transmission lies in the delicacy
of the receiving instruments. The most sensitive are those in which a
telephone receiver forms a part of the receiving apparatus. The almost
incredibly small amount of electric energy required to produce
intelligible speech in an ordinary Bell telephone receiver nearly passes
belief. The work done in lifting such an instrument from its hook to the
ear of the listener, would, if converted into electric energy, be
sufficient to maintain an audible sound in a telephone for 240,000
years! Even extremely attenuated waves may therefore produce audible
signals in such a receiver.
The electric motor was another gift of Faraday to commercial science,
although in this case there are others who can, perhaps, justly claim to
share the honor with him. Faraday's early electric motor consisted
essentially in a device whereby a movable conductor, suspended so as to
be capable of rotation around a magnet pole, was caused to rotate by the
mutual interaction of the magnetic fields of the active conductor and
the magnet. The magnet, which consisted of a bar of hardened steel, was
fixed in a cork stopper, which completely closed the end of an upright
glass tube. A small quantity of mercury was placed in the lower end of
the tube, so as to form a liquid contact for the lower end of a movable
wire, suspended so as to be capable of rotating at its lower extremity
about the axis of the tube. On the passage of an electric current
through the wire, a continuous rotary motion was produced in it, the
direction of which depends both on the direction of the current, and on
the polarity of the end of the magnet around which the rotation occurs.
The great value of the electric motor to the world is too evident to
need any proof. The number of purposes for which electric motors are now
employed is so great that the actual number of motors in daily use is
almost incredible, and every year sees this number rapidly increasing.
The above are the more important machines or devices that have been
directly derived from Faraday's great investigation as to the production
of electricity from magnetism. Let us now inquire briefly as to what
useful processes or industries have been rendered possible by the
existence of these machines.
Apparently one of the most marked requirements of our twentieth-century
civilization is that man shall be readily able to extend the day far
into the night. He can no longer go to sleep when the sun sets, and keep
abreast with his competitors. Of all artificial illuminants yet
employed, the arc and the incandescent electric lights are
unquestionably the best, whether from a sanitary, aesthetic, or truest
economical standpoint. Now, while it is a well-known matter of record
that both arc and incandescent lights were invented long before
Faraday's time, yet it was not until a source of electricity was
invented, superior both in economy and convenience to the voltaic
battery, that either of these lights became commercial possibilities.
Such an electric source was given to the world by Faraday through his
invention of the dynamo-electric machine, and it was not until this
machine was sufficiently developed and improved that commercial electric
lighting became possible. The energy of burning coal, through the
steam-engine, working the dynamo, is far cheaper and more efficient for
producing electricity than the consumption of metals through the
voltaic pile.
It is characteristic of the modesty of Faraday that when, in
after-life, he heard inventors speaking of their electric lights, he
refrained from claiming the electric light as his own, although, without
the machine he taught the world how to construct, commercial lighting
would have been an impossibility.
The marvellous activity in the electric arts and sciences, which
followed as a natural result of Faraday giving to the world in the
dynamo-electric machine a cheap electric source, naturally leads to the
inquiry as to whether at a somewhat later day a yet greater revolution
may not follow the production of a still cheaper electric source. In
point of fact such a discovery is by no means an impossibility. When a
dynamo-electric machine is caused to produce an electric current by the
intervention of a steam-engine, the transformation of energy which takes
place from the energy of the coal to electric energy is an extremely
wasteful one. Could some practical method be discovered by means of
which the burning of coal liberates electric energy, instead of heat
energy, an electric source would be discovered that would far exceed in
economy the best dynamo in existence. With such a discovery what the
results would be no one can say; this much is certain, that it would,
among other things, relegate the steam-engine to the scrap-heap, and
solve the problem of aerial navigation.
What is justly regarded as one of the greatest achievements of modern
times is the electrical transmission of power over comparatively great
distances. At some cheap source of energy, say, at a waterfall, a
water-wheel is employed to drive a dynamo or generator, thus converting
mechanical energy into electrical energy. This electricity is passed
over a conducting line to a distant station, where it is either directly
utilized for the purpose of lighting, heating, chemical decomposition,
etc., or indirectly utilized for the purpose of obtaining mechanical
power for driving machinery, by passing it through an electric motor.
The electric transmission of power has been successfully made in
California over a distance of some 220 miles, at a pressure on
transmission lines of 50,000 volts.
The high pressures required for the economical use of transmission lines
necessitates the employment of transformers at each end of the line;
namely, step-up transformers at the transmitting end, to raise the
voltage delivered by the generators, and step-down transformers, at the
receiving end, to lower it for use in the various translating devices.
These transformers are employed in connection with alternating-current
dynamos. Faraday not only gave to the world the first electric
generator, but also the first transformer, and one of the first electric
motors, and without these gifts the electric transmission of power over
long distances, which has justly been regarded as one of the most
marvellous achievements of our age, would have been an impossibility.
In high-tension circuits over which such pressures as 50,000 volts is
transmitted, no little difficulty is experienced from leakage and
consequent loss of energy. This leakage occurs both between the line
conductors and at the insulators placed on the pole lines forming the
line circuit. The insulators are made either of glass or porcelain, and
are of a peculiar form known as triple petticoat pattern. The loss on
such lines, due to leakage between wires, is greater than that which
takes place at the pole insulators, and is diminished by keeping the
circuit wires as far apart as possible.
In the early history of the art, electric transmission of power was
effected by means of direct-current generators and motors,--generators
and motors through which the current always passed in the same
direction. Such generators and motors, however, possessed inconveniences
that prevented extensive commercial transmission of power, since, as we
have seen, high pressure was necessary for efficiency in such
transmission, and the collecting-brushes and commutators employed in all
direct-current generators and motors to carry the current from the
machine or to the motor, were a constant source of trouble and danger.
When the alternating-current motor first same into general use, it was
employed, in connection with the alternating-current generator, in
electric transmission systems; but such motors also possess the
inconvenience of not readily starting from a state of rest, with their
full turning power, or torque, and of therefore being unsuitable where
the motor requires to be frequently stopped or started. Had these
difficulties remained unsolved, long-distance electric transmission of
power, so successful in operation to-day, and which bids fair to be
still more successful in the near future, would have been impossible.
Fortunately, these difficulties were overcome by the genius of Nikola
Tesla, in the invention of the multiphase alternating-current motor, or
the induction motor, as it is now generally called. Although Baily,
Deprez, and Ferraris had accomplished much before Tesla's time, yet it
was practically to the investigations and discoveries made by Tesla,
between 1887 and 1891, that the induction motor of to-day is due.
Another requirement of our twentieth-century civilization is rapid
transit, either urban or inter-urban, and this is afforded by various
systems of electric street railways or electric traction generally,
including electric locomotives and electric automobiles. The wonderful
growth in this direction which has been witnessed in the last few
decades would have been impossible without the electric generator and
motor, both gifts of Faraday to the world. Their application in this
direction must, therefore, go to swell the debt our civilization owes to
the labors of this great investigator.
In the system of electric street-car propulsion very generally employed
to-day, a single trolley wheel is employed for taking the driving
current from an overhead conductor, suspended above the street. The
trolley wheel is supported by a trolley pole, and is maintained in good
electric contact with the trolley wire, or overhead conductor. By this
means the current passes from the wire down the conductor connected with
the trolley pole, thence through the motors placed below the body of the
car, and from them, through the track or ground-return, back to the
power station. A small portion of the current is employed for lighting
the electric lamps in the car. In some systems an underground trolley
is employed.
An important device, called the series-parallel controller, is employed
in all systems of electric street-car propulsion. It consists of means
by which the starting and stopping of the car, and changes, both in its
speed and direction, are placed under the control of the motorman. A
separate controller is placed on both platforms of the car. The
series-parallel controller consists essentially of a switch by means of
which the several motors, that are employed in all street cars, can
be variously connected with each other, or with different electric
resistances, or can be successively cut out or introduced into the
circuit, so that the speed of the car can be regulated at will, as the
handle of the controller is moved by the motorman to the various notches
on the top of the controller box. As generally arranged, the speed
increases from the first notch or starting position to the last notch,
movements in the opposite direction changing connections in the opposite
order of succession, and, therefore, slowing the car. There is, however,
no definite speed corresponding to each notch, for this will vary with
the load on each car, and with the gradient upon which it may
be running.
But there is another valuable gift received by the world as a result of
this great discovery of Faraday; namely, that most marvellous instrument
of modern times, the speaking telephone. This instrument was invented in
1861, by Philip Ries, and subsequently independently reinvented in 1876,
by Elisha Gray and Alexander Graham Bell.
As is well known, it is electric currents and not sound-waves that are
transmitted over a telephone circuit. The magneto-electric telephone in
its simplest form consists of a pair of instruments called respectively
the transmitter and the receiver. We talk into the transmitter and
listen at the receiver. Both transmitter and receiver consist of a
permanent magnet of hardened steel around one end of which is placed a
coil of insulated wire. In front of this coil a diaphragm, or thin
plate, of soft iron, is so supported as to be capable of freely
vibrating towards and from the magnet pole.
The operation of the transmitting instrument is readily understood in
the light of Faraday's discovery. It is simply a dynamo-electric machine
driven by the voice of the speaker. As the sound-waves from the
speaker's voice strike against the diaphragm, which has become magnetic
from its nearness to the magnet pole, electric currents are generated in
the coil of wire surrounding such pole, since the to-and-fro motions
cause the lines of electro-magnetic force to pass through the wire on
the moving coil. The operation of the receiving instrument is also
readily understood. It acts as an electric motor driven by the
to-and-fro currents generated by the transmitter. As these currents are
transmitted over the wire, they pass through the coil of wire on the
receiving instrument, and reproduce therein the exact movements of the
transmitting diaphragm, since, as they strengthen or weaken the
magnetism of the pole, they cause similar motions in the diaphragm
placed before it. Consequently, one listening at the receiving diaphragm
will hear all that is uttered into the transmitting diaphragm. It was
thus, by the combination of the dynamo and motor, both of which were
given by Faraday to the world, that we have received this priceless
instrument, which has been so potent in its effects on the civilization
of the Twentieth century.
The electric telegraph had its beginnings long before Faraday's time. As
early as 1847, Watson had erected a line some two miles in length,
extending over the housetops in London, and operated it by means of
discharges from an ordinary frictional electric machine. In 1774, Lesage
had erected in Geneva an electric telegraph consisting of a number of
metallic wires, one for each letter of the alphabet. These wires were
carefully insulated from each other. When a message was to be sent over
this early telegraphic line an electric discharge was passed through the
particular wire representing the letter of the alphabet to be sent; this
discharge, reaching the other end, caused a pithball to be repelled and
thus laboriously, letter by letter, the message was transmitted. How
ludicrously cumbersome was such an instrument when contrasted with the
Morse electro-magnetic telegraph of to-day, which requires but a single
wire; or with the harmonic telegraph of Gray, which permits the
simultaneous transmission of eight or more separate messages over a
single wire; or with the wonderful quadruplex telegraphic system of
Edison which permits the simultaneous transmission of four separate and
distinct messages over a single wire, two in one direction, and two in
the opposite direction at the same time; or with the still more
wonderful multiplex telegraph of Delaney, which is able to
simultaneously transmit as many as seventy-two separate messages over a
single wire, thirty-six in one direction and thirty-six in the opposite
direction. These achievements have been possible only through the
researches and discoveries of Oersted, Faraday, and hosts of other
eminent workers; for, it was the electro-magnet, rendered possible by
Oersted, together with the magnificent discoveries of Faraday, and
others since his time, that these marvellous advances in
electro-telegraphic transmission of intelligence have become
possibilities.
Before completing this brief sketch of some of the effects that
Faraday's work has had on the practical arts and sciences, let us
briefly examine the generating plants that are either in operation or
construction at Niagara Falls.
Some idea of the size of the Niagara Falls generating plant on the
American side may be gained from the fact that there have already been
installed eleven of the separate 5,000 horse-power generators. The
remaining capacity of the tunnel will permit of the installation of
50,000 additional horse-power, or 105,000 horse-power in all.
On the Canadian side of the Falls another great plant is about to be
erected with an ultimate capacity of several hundred thousand
horse-power. Here, however, the size of the generating unit will be
double that on the American side, or 10,000 horse-power. These
generators will be wound to produce an electric pressure of 12,000
volts, raised by means of step-up transformers to 22,000, 40,000, and
60,000 volts, according to the distance of transmission. Each of the
revolving parts of these machines will weigh 141,000 pounds. To what
gigantic proportions has the little infant dynamo of Faraday grown in
this short time since its birth!
The low rates at which electric power can be sold in the immediate
neighborhood of the Niagara generating plant have naturally resulted in
an enormous growth of the electro-chemical industries, for these
industries could never otherwise develop into extended commercial
applications. Of the total output of, say, 55,000 horse-power at the
Niagara Falls generating plant, no less than 23,200 horse-power is used
in various electrolytic and electro-thermal processes in the immediate
neighborhood. Some of the more important consumers of the electric
power, named in the order of consumption, are for the manufacture of the
following products: calcium carbide, aluminium, caustic soda and
bleaching salt, carborundum, and graphite.
Calcium carbide, employed in the production of acetylene gas, either for
the purposes of artificial illumination, or for the manufacture of ethyl
alcohol, is produced by subjecting a mixture of carbon and lime to the
prolonged action of heat in an electric furnace.
Aluminium, the now well-known valuable metal, present in clay, bauxite,
and a variety of other mineral substances, is electrolytically deposited
from a bath of alumina obtained by dissolving bauxite either in
potassium fluoride or in cryolite. Aluminium is now coming into extended
use in the construction of long-distance electric power
transmission lines.
Caustic soda and bleaching salt are produced by the electrolytic
decomposition of brine (chloride of sodium). The chlorine liberated at
the anode is employed in the manufacture of bleaching-salt, and the
sodium is liberated at a mercury cathode, with which it at once enters
into combination as an alloy. On throwing this alloy into water the
sodium is liberated as caustic soda.
Carborundum, a silicide of carbon, is a valuable substance produced by
the action of the heat of an electric furnace on an intimate mixture of
carbon and sand. It has an extensive use as an abrasive for grinding and
polishing.
Artificial graphite is another product produced by the long-continued
action of the heat of the electric furnace on carbon under certain
conditions.
According to reports from the United States Geological Survey, the
graphite works at Niagara Falls produced in 1901, 2,500,000 lbs. of
artificial graphite, valued at $119,000. This was an increase from
860,270 lbs., valued at $69,860 for 1900, and from 162,382 lbs., valued
at $10,140, in 1897, the first year of its commercial production. In
1901, more than half of the output was in the form of graphitized
electrodes employed in the production of caustic soda and bleaching
salt, and in other electrolytic processes.
The Niagara Falls power transmission system stands to-day as a
magnificent testimonial to the genius of Faraday, and as a living
monument of the varied and valuable gifts his researches have bestowed
upon mankind. For here we have not only the dynamo, motors, and
transformers that he gave freely to the world, not only the
alternating-current transformer, and the system of transmission of
power, but we even find that the principal consumers of the enormous
electric power produced are employing it in carrying on some of the many
processes in electro-chemistry, a science that he had done so much
to advance.
Among some of the surprises electro-chemistry may have in store for the
world in the comparatively near future, may be a nearer approach to a
mastery of the laws which govern the combination of elementary
substances when under the influence of plant-life. If these laws ever
become so well known that man is able to form hi his laboratory the
various food products that are now formed naturally in plant organisms,
such a revolution would be wrought that the work of the agriculturist
would be largely transferred to the electro-chemist. Some little has
already been done in the direct formation of some vegetable substances,
such as camphor, the peculiar flavoring substance present in the vanilla
bean, and in many other substances. Should such discoveries ever reach
to the direct formation of some food staple, the wide-reaching
importance and significance of the discovery would be almost beyond
comprehension.
But, while the direct electro-synthetic formation of food products is
yet to be accomplished on a practical scale, the problem appears to be
nearing actual solution in an indirect manner. It has been known since
the time of Cavendish, in 1785, that small quantities of nitric acid
could be formed directly from the nitrogen and oxygen of the atmosphere
by the passage of electric sparks; but heretofore, the quantity so found
has been too small to be of any commercial value. Quite recently,
however, one of the electro-chemical companies at Niagara Falls has
succeeded in commercially solving the important problem of the fixation
of the nitrogen of the atmosphere; it being claimed that the cost of
thus producing one ton of commercial nitric acid, of a market value of
over eighty dollars, does not greatly exceed twenty dollars. Since
sodium nitrate can readily be produced by the process, and its value as
a fertilizer of wheat-fields is too well known to need comment, there
would thus, to a limited extent, be indirectly solved the
electro-chemical production of food staples.
Faraday's high rank as an investigator in the domain of natural science
was fully recognized by the learned societies of his time, by admission
into their fellowships. As early as 1824, he was honored by the Royal
Society of London by election as one of its Fellows, and in 1825 he had
become a member of the Royal Institution. It is recorded of the great
philosopher that the membership in the Royal Institution was the only
one which he personally sought; all others came unsought, but they came
so rapidly from all portions of the globe that in 1844 he was a member
of no less than seventy of the leading learned societies of the world.
Ries, the German electrician, so well known in connection with his
invention of the speaking telephone, addressed Faraday as "Professor
Michael Faraday, Member of all the Academies." Besides his membership in
the learned societies, Faraday received numerous degrees from the
colleges and universities of his time. Among some of these are the
following: The University of Prague, the degree of Ph.D.; Oxford, the
degree of D.C.L.; and Cambridge, the degree of LL.D. He also received
numerous medals of honor, and was offered the Presidency of the Royal
Society, which, however, he declined, as he did also a knighthood
proffered by the government of England. Faraday died on the 25th of
August, 1867, after a long, well-spent, useful life.
We have thus briefly traced some of the more important discoveries of
Michael Faraday. Many have necessarily been passed by, but what we have
given are more than sufficient to stamp him as a great philosopher and
investigator. Speaking of Faraday in this connection, Professor Tyndall
says: "Take him for all in all, I think it will be conceded that Michael
Faraday is the greatest experimental philosopher the world has ever
seen; and I will add the opinion that the progress of future research
will tend not to diminish or decrease, but to enhance and glorify, the
labors of this mighty investigator."
AUTHORITIES.
Experimental Researches in Electricity. By Michael Faraday. From the
Philosophical Transactions.
Abstracts of the Philosophical Transactions from 1800 to 1837.
Faraday's Experimental Researches in Electricity and Magnetism. 3 vols.
Life and Letters of Faraday. By Dr. Bence Jones.
Michael Faraday. By J.H. Gladstone.
Students' Text-Book of Electricity. By Henry M. Noad. Revised by W.H.
Preece.
Michael Faraday. By John Tyndall.
Pioneers of Electricity. By J. Munro.
Dynamo-Electric Machinery. By Silvanus P. Thompson.
A Dictionary of Electrical Words, Terms, and Phrases. By Edwin J.
Houston.
Electricity and Magnetism. By Edwin J. Houston.
Electricity One Hundred Years Ago and To-Day. By Edwin J. Houston.
Magnetism; Electro-Technical Series. By Edwin J. Houston and Arthur E.
Kennelly.
Electro-Dynamic Machinery. By Edwin J. Houston and A. E. Kennelly.
RUDOLF VIRCHOW.
1821-1902.
MEDICINE AND SURGERY.
BY FRANK P. FOSTER, M.D.
Stagnation was the state of medicine when the Nineteenth Century opened.
It was only three years before that Jenner had announced and
demonstrated the protective efficacy of vaccination against small-pox.
His teaching, in spite of the vehement cavillings of the "antis" of his
day, gained credence readily, and vaccination speedily became recognized
and was constantly resorted to, but hardly any attempt at perfecting the
practice was made until after more than fifty years had elapsed. His
discovery--or, rather, his proof of the truth of a rustic
tradition--fell like a pebble into the doldrums; the ripple soon
subsided, and nobody was encouraged to start another. At the present
time such an announcement would be promptly followed by investigations
leading up to such doctrines as that of the attenuation of viruses and
that of antitoxines. But the times were not ripe for anything of that
sort; medicine reposed on tradition, or at best gave itself only to such
plausibilities in the way of innovation as were cleverly advocated.
Physicians strove not to advance the healing art; as individuals, they
were content to rely on their manners, their tact, and their assumption
of wisdom. In short, the body medical was in a state of suspended
animation, possessed of a mere vegetative existence.
The Humoral pathology, or that doctrine of the nature of disease which
ascribed all ailments to excess, deficiency, or ill "concoction" of some
one of the four humors (yellow and black bile, blood, and phlegm), had
not yet lost its hold on men's convictions, or at least not further than
to make them look upon exposure to cold and errors of diet as amply
explanatory of all diseases not plainly infectious. The medical writers
who were most revered were those who busied themselves with nosology;
that is to say, the naming and classifying of diseases. Wonderful were
the onomatological feats performed by some of these men, and most
diverse and grotesque were the data on which they founded their
classifications. To label a disease was high art; to cure it was
something that Providence might or might not allow. In the treatment of
"sthenic" acute diseases (meaning those accompanied by excitement and
high fever), blood-letting, mercury given to the point of salivation,
antimony, and opium, together with starvation (all included under the
euphemism of "lowering measures"), were the means universally resorted
to and reputed "sheet anchors." Some advance had been made from the
times when disease had been looked upon as an entity to be exorcised,
but it was still so far regarded as a material thing that it was to be
starved out.
But the century was not out of its second decade when signs of an
awakening from this lethargy began to show themselves. The first steps,
naturally, were along preparatory lines, and for those we are largely
indebted to the physicists, the chemists, and the botanists. Gross
anatomy became better known, owing for the most part to more enlightened
legislation on the subject of the dissection of the human body; minute
anatomy (histology) sprang into existence as the result of improvements
of the compound microscope. Physiology took on something of the
experimental; and medication was rendered far less gross and repulsive
by the isolation of the active principles of medicinal plants. But it
was long after all this that the telling strides were taken. Up to
within the memory of many men who are now living, "peritonitis" tortured
its victims to death, said "peritonitis" being often interpreted as a
manifestation of rheumatism, for example, and no well-directed
interposition was attempted against it, whereas we now know perfectly
well that the vast majority of cases of peritonitis are due to local
septic poisoning and for the most part quite readily remediable by the
removal (with a minimum of danger) of the organ from which such
poisoning arises--almost always the vermiform appendix. "Appendicitis,"
of which we hear so much nowadays, is no new disease; it is simply the
"peritonitis" that killed so many people in former times. But while no
well-informed person would now maintain that this disease was a new one,
there are many, and those, too, among the best instructed, who find it
difficult to avoid the conclusion that, if not new, it must at least be
of far more frequent occurrence than formerly. It must be borne in mind,
however, that in the great majority of instances in past years it ended
spontaneously in recovery and was forgotten.
Two features of the progress in medicine in the Nineteenth Century,
negative as they may seem to have been, were undoubtedly potent in the
promotion of advance. They were the recognition of the fact that many
dangerous diseases are self-limited, and the experiment of the so-called
"expectant treatment." The result of the first of them was to teach men
to desist from futile attempts to _cure_ the self-limited diseases, in
the sense of cutting them short in their course, and the "expectant
treatment" followed as a natural consequence. It was a method of
managing disease rather than attempting to cure it. There was no
interference save to promote the patient's comfort, to nourish him as
thoroughly as might be without unduly taxing his powers, and to meet
complications as they arose. It was stooping to conquer, perhaps, but it
was a policy that conduced greatly to the well-being of the sick,
improved their chances of recovery, and enabled physicians to study
disease more accurately by reason of its course not being rendered
irregular by meddlesome medication. It has never been dropped, and it
never will be, save as such directly curative agents as the antitoxines
are made available.
In the early part of the century, except for gross anatomy and operative
surgery, medicine was taught almost wholly, so far as the schools were
concerned, by means of didactic lectures. The "drawing" capacity of a
professor was proportionate rather to his rhetorical powers and to the
persuasiveness with which he inculcated the views peculiar to himself
than to the amount of real information that he conveyed to the students.
Although the apprentice system--for that was what the practice of
students' attaching themselves to individual practitioners, whom they
called their preceptors, virtually amounted to--in many instances made
up more or less completely for the lack of systematic clinical teaching,
yet in the great majority of cases it amounted to little more than the
preceptor's allowing the student the use of his library and occasionally
examining into the latter's diligence and intelligence, in return for
which he, the preceptor, required an annual fee and exacted from the
student such minor services as his proficiency enabled him to render. It
is true the students "walked" the hospitals, drinking in some great
man's utterances, but they did it in droves, not a moiety of them being
able to get a good look at a patient, unless it was such a passing
glance as might tell them that the patient was jaundiced. By clinical
teaching we understand teaching, not in glittering generalities, but in
the concrete, either at the bedside, as the word _clinical_ originally
implied, or at least with the patient actually present to illustrate in
his person the professor's descriptions and the success or failure of
the treatment employed. The clinic is now firmly established, and has
been for years, but it was long before this grand result was attained.
Experimental methods of study gradually came into vogue, particularly in
the domain of physiology. In this sphere Dr. William Beaumont, of the
United States Army, was a pioneer. His historic experiments on Alexis
St. Martin, a soldier who had been wounded in the stomach and recovered
with a permanent opening into that organ, will ever rank among the most
important of the early experimental studies of digestion. It was not
long before Claude Bernard extended similar inquiries to the other
functions of the body, notably those of the nervous system; and since
his time there has been a long array of brilliant investigators of
physiology and of other branches of science tributary to medicine.
Experiments on living animals were almost the only means of carrying on
these researches. In the early days the animals employed were doubtless
put to a great deal of pain--perhaps in many instances to unnecessary
suffering--and an altogether laudable feeling of humanity has led good
people to band themselves together for the purpose of putting a stop to
vivisection, or at least of greatly restricting the practice and of
freeing it from all avoidable infliction of pain. These praiseworthy
efforts have in some instances been carried so far, unfortunately, as to
seriously hamper scientific investigation--investigation which has for
its object the alleviation of human suffering and the saving of human
life. We may earnestly deprecate and strive to prevent wanton
reiteration of painful experiments for purposes of demonstrating anew
that which is unquestioned, and we may resort to all possible means to
render necessary experiments free from actual pain (from the anguish of
trepidation we can seldom relieve the poor animals), but let us not
block the wheels of scientific progress.
At the dawn of the Nineteenth Century, to examine a sick person's
pulse, to inspect his tongue, to observe his breathing, to interrogate
his skin by our sense of touch, and to try to make his statements and
those of his friends fit in with some tenable theory of the nature of
his ailment, were about all we could do. Possibly it was because he
realized to an uncommon degree the tremendous impediment of this narrow
limitation that Samuel Hahnemann, the founder of Homoeopathy, cut the
Gordian knot in sheer rebelliousness, and proclaimed, as he virtually
did, that a diagnosis was not necessary to the successful treatment of
disease, but that one only needed to know empirically how to subdue
symptoms, meaning mainly, if not solely, what we term "subjective"
symptoms--those of which the patient complains, as opposed to those that
we ourselves discover. But the physical examination of the sick, before
extremely meagre in its sphere and restricted in its possibilities, was
destined to expand before many years into the minute and positive
physical diagnosis of the present day.
In the year 1816 a French physician, Réné Théophile Hyacinthe Laennec,
achieved undying fame by publishing to the world an account of his
labors in the application of mediate auscultation and of percussion to
the diagnosis of the diseases of the chest. It is true that no less a
personage than the "Father of Medicine," Hippocrates, is reputed to have
practised succussion as a means of diagnosis; that is, the shaking of a
patient, as one would shake a cask, to ascertain by the occurrence or
non-occurrence of a splashing sound if the person's pleural cavity was
distended partly with water and partly with air. It is probable that
Hippocrates and many others after him carried the physical examination
of the chest still further, for it is difficult to imagine, for example,
that so simple a device as that of thumping a partition to make out the
situation of a joist by the sound evoked should not early have been
applied to the human chest. But, be this as it may, to Laennec belongs
the great credit of having laid a substantial foundation for the
physical diagnosis of the present time, and, more than for laying a
foundation, for constructing a fairly complete edifice. He who should
now undertake to practise general medicine without having first made
himself proficient in the detection and interpretation of the sounds
elicited by auscultation and percussion in diseases of the heart and
lungs would foredoom himself to failure.
It was not until many years later, early in the second half of the
century, that the clinical thermometer came into general use, but it
soon showed most strikingly the superiority of the "instrument of
precision" to the unaided senses of man. Who would think now of trying
to estimate the height of a fever by laying his hand on the patient's
skin, or who, even among the laity, would be satisfied with such a
procedure? "Doubtless," said the present writer in a former publication
("New York Medical Journal," Dec. 29, 1900), "the use of the thermometer
has occasionally given rise to needless alarm, but almost invariably it
may be interpreted with great certainty. Often it dispels unnecessary
anxiety as in a twinkling by its negative indication, and surely it is
to be credited with being distinctly diagnostic in those diseases of
which it has itself established the 'curve.'" By the thermometric
"curve" of a disease is understood the general visual impression made by
the graphic chart of a temperature record--the course of a zigzag line
connecting the points indicated by the various individual observations.
Numerous other instruments of precision are now in constant use, among
the most wonderful of which perhaps is the ophthalmoscope, whereby we
are enabled to subject the retina and the intervening media of the eye
to minute visual examination. There is not an organ of the body that is
not now interrogated daily in the way of physical diagnosis, and we even
examine separately the secretion of each of the two kidneys. In
addition, there are multitudinous specific signs of which we were not
long ago in complete ignorance. To cite only one of these, there is
Widal's agglutination test, by which the bacteriologist can usually make
a diagnosis of typhoid fever far in advance of the time at which it
could otherwise be distinguished. The use of the Röntgen rays in
diagnosis was one of the crowning achievements of the century, and now
we seem about to enter upon a course of their successful employment in
the treatment of disease--even some forms of cancer--as well as in its
detection.
Beyond the vermin that infest the skin and the hair, tapeworm, and a few
other intestinal worms, little if anything was known of morbific
parasites before the Nineteenth Century; but the labors of Van Beneden,
Küchenmeister, Cobbold, Manson, Laveran, and others have now established
the causal relationship between great numbers of animal parasites--gross
and microscopic--and certain definite morbid states. This has led to a
great increase in our knowledge of the connection between the parasites
of the lower animals and grave disease in human beings, and on this
knowledge rest many of the precautions that we are now able to take
against the spread of such disease. From the consideration of animal
parasites as the direct causes of disease, we naturally come to the
contemplation of the subject of insects as the carriers of disease. The
later years of the century have witnessed the demonstration of the fly's
agency in the transmission of malignant pustule and typhoid fever, and
that of certain mosquitoes in the conveyance of yellow fever and
malarial disease. We now know that bad air (the original meaning of the
word _malaria_) has nothing to do with fever and ague, and that swamps
are not unwholesome if they are free from infected mosquitoes. The
mosquito does not originate the malarial infection; it simply serves as
the temporary host of the micro-organism (_Plasmodium malarioe_) which
is the cause of the disease, having obtained its transient "guest" from
some human being. Consequently, marshy districts that are full of
mosquitoes are not malarious unless the mosquitoes are of the kinds
capable of lodging the plasmodium, and unless there is or has recently
been present in the neighborhood some person affected with malarial
disease. Moreover, the most virulently malarious region is a safe place
of residence for human beings, provided they protect themselves
absolutely against the bite of the mosquito. This has been strikingly
demonstrated in the case of the Roman Campagna.
From the disease-producing animal parasites we come now to those that
are believed to be of vegetable nature. Under the general name of
_bacteria_, there are multitudes of micro-organisms having pathogenic
powers, each giving rise to some definite specific disease, and certain
associations of different bacteria causing particular morbid conditions.
Generations ago physicians had a glimmering of what we now term the germ
theory of disease, as was shown by their use of such expressions as
_materies morbi_ and morbid poisons. Even the definite relationship of
special microscopic organisms to individual diseases was foreshadowed by
Salisbury nearly fifty years ago. But it was not until years after those
conceptions, and in no wise descended from or led up to by them, that an
intelligible and satisfactory germ theory of disease was formulated.
It is to Pasteur, the immortal chemist, that we owe this theory, as well
as that of the attenuation of viruses--both of more than theoretical
import, since they have given us aseptic surgery, the power of
frequently preventing hydrophobia, the antitoxine treatment of
diphtheria, and the ability to stay the hand of Death in the form of
many a stalking pestilence. Every infectious disease is now held to be
due to its own particular micro-organism, and many diseases that were
not until recently thought to be infectious are now classed as such
because they have been proved to be caused by living germs. Conspicuous
among these diseases is pulmonary consumption. In the case of almost
every one of these diseases we have discovered the specific germ and are
able to demonstrate its presence, either by its microscopical
appearance, by its behavior on contact with certain stains, or by the
forms that cultures of it assume. The micro-organism of small-pox and
that of cancer (the existence of which is assumed) have not yet been
isolated. Some of these germs, like that of tetanus (lockjaw), gain
entrance to the system only through a wound; others, like those of
typhoid fever and cholera, are swallowed; others, like that of
pneumonia, are inhaled; still others, like that of tuberculous disease,
are either swallowed or inhaled. Some are believed to be transmissible
to the unborn child; and a few are ordinarily harmless parasites,
becoming pathogenic only when they accidentally gain access to other
parts of the system than those which constitute their natural habitat.
These microscopic organisms do not by their mere presence set up
disease, unless indeed they are in such overwhelming numbers as to block
the capillary blood vessels mechanically. Some of them are carried
broadcast in the blood current, while others remain at the point of
entrance; in either case they elaborate certain products, termed
toxines, which act, either locally or through the circulation, to cause
the disease. These toxines eventually kill the micro-organisms that
produced them, quite as an animal may be smothered in its own
exhalations; or at least they would do so if the "host" survived long
enough for the completion of the process. Meantime, they have either
killed the "host" or been defeated by certain very interesting natural
processes. But before either of these occurrences has had time to take
place, fortunately, in the great majority of instances, save those of
exposure to the most deadly of infections, the vital power of the
invaded individual has coped successfully with the invaders at the very
point of attack--has repulsed the attacking party without appreciable
impairment of its own force--and no illness results. For example,
practically all of us inhale the germ of consumption repeatedly, but
most of us suffer no harm from it simply because the fluids which bathe
the surface on which the germ effects a lodgment are endowed with
properties which either kill the germ or rob it of its power for harm;
but these properties suffice only when the general health is unimpaired.
In case the attack is not successfully repelled at the outset, what
happens? There begins a struggle between the invaders and what may be
called the reserves of the organism, consisting of the white blood
corpuscles, which undergo a great augmentation in number. These
corpuscles are endowed with the faculty of amoeboid movement; that is to
say, they may shoot out projections from their substance, and even
convert themselves for the time being into traps, seizing upon the
pathogenic bacteria, incarcerating them within their own mass, and
carrying them away to be thrust out of the system by organs whose
function it is to eliminate extraneous matter. These corpuscles are,
indeed, said figuratively to _eat_ the malign micro-organisms, whence
they have been termed phagocytes (from [Greek: phagein], to eat, and
[Greek: kutos], a cell); also because they carry away refuse and
noxious material, they have been called "the scavengers of the system."
By means of their amoeboid movement they are enabled to worm themselves
through inconceivably minute apertures in the blood vessels, and attack
and devour peccant matter wherever it may have effected a lodgment.
These white corpuscles are also known as leucocytes, and their increase
in number when they are called upon to resist bacterial invasion is
spoken of as hyperleucocytosis. The discovery of their protective
function is to be credited to Metchnikoff, a Russian physician now
teaching in Paris. When they migrate from the blood vessels in great
numbers they finally, after having fulfilled their office as phagocytes,
degenerate into the corpuscular elements of pus, which is the creamy
liquid contained in an abscess. Their migratory power was discovered
by Cohnheim.
But as a general thing the phagocytes do not succeed in making away with
all the pathogenic germs, or even with enough of them to prevent the
illness which they tend to produce. The further combat is between the
poisonous products, termed toxines, engendered by the bacteria and
certain antidotal substances, called antitoxines, newly created in the
watery portion of the blood by some wonderful provision of Nature that
is not yet well understood. Each infective disease has its special
toxine, and for the destruction of each the blood prepares its
particular antitoxine; possibly, however, some of the antitoxines may be
efficacious against more than one kind of toxine, for there are
physicians who are convinced that vaccination is a temporary preventive
of whooping-cough. But the elaboration of an antitoxine takes time, and
the result in any given case, whether in recovery or in death, seems to
be settled by the ability or inability of the vital powers of the
individual to hold out until they are relieved by the evolution of the
necessary amount of antitoxine.
In the long run, provided the sick person survives, more antitoxine is
generated than is required to save life. The excess remains in the
system for a greater or lesser length of time, and this fact explains
the individual's subsequent immunity to the disease from which he has
recovered; any fresh invading force of the microbes of that disease
finds that defensive preparations have been made in advance. In the case
of some diseases this acquired immunity is usually lifelong, as in that
of small-pox; in others, of which influenza is a notable example, it is
as a rule very transitory; and there are all gradations between the two.
It is thought that this acquired immunity to some diseases may be
transmitted to the offspring, for it is quite certain that there are
many people who are from birth insusceptible to scarlet fever, no matter
what may be the extent of their exposure to that disease.
The recognition of Nature's elaboration of protective antitoxines has
led to their artificial cultivation in the lower animals, and, thus
produced, they have been used with brilliant results in the prevention
and cure of at least one formidable disease, diphtheria. The immense
reduction of the mortality from this disease that has followed the
introduction of the treatment with the artificial antitoxine we owe to
Behring, of Germany, and Roux, of France. Omitting unnecessary details,
we may describe the process of obtaining diphtheria antitoxine as
follows: A certain amount of diphtheritic poison (of the bacteriological
sort, prepared by cultivating the diphtheria microbe) is injected into
the circulation of a horse--sufficient to make the horse sick, but not
enough to endanger his life. The horse's system straightway begins to
elaborate the protective antitoxine, and there results from this one
injection a sufficient amount of it to save the horse, although far too
little to make the serum of his blood potent enough for medicinal use.
Hence, after the lapse of a suitable interval, he is again injected with
diphtheritic poison, and for the second time his blood begins to
generate the antitoxine. And the process is repeated again and again,
the virulence of the poison being increased each time, until the horse's
blood is fairly reeking with antitoxine. Then blood is drawn freely from
the horse, and it is allowed to separate into clot and serum, the
latter alone being the part destined for use. This serum is tested on a
small animal that has been inoculated with a deadly dose of the
diphtheritic poison; if it saves the little creature from death, it is
assumed to be potent enough for use on human beings, and, handled with
all possible precautions against putrefaction or any contamination with
pathogenic bacteria, it is furnished to physicians, its degree of
potency being designated in "units."
If in this brief article, which does not purport to be more than a
sketch of the tremendous strides made by medicine in the Nineteenth
Century, so much space has been given to the germ theory of disease, it
is because the demonstration of the truth of that theory has been
absolute, and has constituted the very marrow of almost all the medical
progress of the century that has been the outcome of continuous thought
and study as opposed to chance discovery.
Such results as the germ theory has now led to in the treatment of
diphtheria it had already accomplished in the field of surgery as a
consequence of that strict asepticism which, originating with Joseph
Lister (now Lord Lister), and rapidly carried by him to a condition
verging on technical completeness, was soon taken up by surgeons all
over the world and brought wellnigh to perfection, so that the mortality
of wounds of all sorts has been tremendously reduced, and many surgical
operations are now practised frequently--indeed, whenever the occasion
for them arises--that before the days of Listerism would have been
looked upon as almost tantamount to the patient's death-warrant. More
particularly is this the case as to operations which involve opening
into the abdomen, the chest, or the cranium. So little risk now attaches
to such operations, properly performed, that the opening of the
abdominal cavity for the mere purpose of ascertaining the condition of
its contents--"exploratory laparotomy," as it is called--is a matter of
constant occurrence. Curiously enough, in some way not yet
satisfactorily explained, that procedure in itself, without anything
further being done, has in many instances resulted in decided
amelioration of a morbid condition, if not in its cure. A striking
example of this is seen in the benefit that often results in cases of
one form of "consumption of the bowels," namely, tuberculous disease of
the membrane that lines the abdominal wall and invests the abdominal
organs. This is not the only operation that does good mysteriously; that
of cutting out a bit of the iris in a form of deep-seated eye disease,
glaucoma, that tends toward complete blindness, is hardly more
explicable; neither is an incision of the capsule of the kidney for
certain forms of Bright's disease, each of which stays the progress of
the trouble in a goodly proportion of instances.
Another of the great divisions of the healing art, that of midwifery,
has been enhanced quite as much as general surgery by the employment of
Listerism. The process of childbirth, although a perfectly natural one,
almost necessarily carries with it a certain amount of laceration, and,
through the wound surfaces thus produced, absorption of poisonous
material was formerly so frequent that puerperal fever figured
prominently in mortality reports. It was Oliver Wendell Holmes--a
graduate in medicine and a professor in the Harvard Medical School,
though we are accustomed to think of him only as a delightful
writer--who first declared that puerperal fever was the product of
infection from without the body, and Semmelweis demonstrated the truth
of the proposition. Holmes was a teacher of physiology, and his study of
that branch of medical science was in itself enough to convince him of
the doctrine which he inculcated.
Listerism must be credited, not only with having added immensely to the
safety of the major operations of surgery, but also with having led to
great improvement of their technics by reason of the greatly increased
frequency with which it has come to be thought justifiable to practise
them; what we do again and again we are apt in the end to do well,
whereas that which we turn to only in despair and as rarely as possible,
we do clumsily and imperfectly. Listerism has been unjustly alleged by
a few to be unworthy of the appreciation in which it is held by the
great majority of medical men of all countries; simple cleanliness, it
has been urged, is quite as efficient as the full Listerian precautions.
This is begging the question, for simple cleanliness, "chemical
cleanliness," is all that Listerism purports to accomplish. The use of
antiseptics has been decried in the interest of asepticism, as if the
whole purpose of antisepticism were not to secure asepsis. Lord Lister
is entitled to the full credit of establishing the aseptic surgery of
the present day, in spite of the facts that his doctrine followed rather
than preceded his early improvements, that aseptic procedures have been
brought nearer perfection elsewhere than in his own country, and that
the whole system rests on foundations laid by Pasteur.
While it is quite true that to the Listerian theory and practice are
almost wholly to be ascribed the favorable results of the major surgery
of the present day, we must not forget the immeasurable benefits to the
diseased, the injured, and the crippled that have arisen from patient
efforts and occasional brilliant intuition that have had no connection
with the germ theory of infection. Take the case of a broken leg, for
example, an injury that formerly condemned the victim to weeks and weeks
of confinement to bed, together with the suffering and danger almost
inseparable from the old methods of the long straight splint and tight
bandaging. At the present time he who has met with such a misfortune is
commonly able to be about on crutches within a few days, and his broken
bone mends while he is cultivating his appetite and indulging in
pleasant intercourse with his fellow-men. This great change has been
made possible by one device after another, invented by different men.
Josiah Crosby introduced the use of sticking-plaster for extension,
instead of the chafing bands previously employed; Gurdon Buck
substituted elastic extension by means of a weight and pulley for the
rude and arbitrary traction in vogue before; James L. Little devised the
plaster-of-Paris splint, whereby broken bones were immobilized with
hardly appreciable discomfort; and Henry B. Sands established the safety
and practicability of applying the plaster-of-Paris splint almost
immediately after the reduction ("setting") of the fracture. In the
meantime Nathan R. Smith and John T. Hodgen had demonstrated the
advantages of suspending a fractured limb from above. All these men were
Americans; surely our country has contributed powerfully to the
well-being of the subjects of fracture. Other Americans, notably Lewis
A. Sayre, have enabled sufferers with joint disease, including the
dreaded hip disease, to run about and gain health and strength, instead
of languishing in bed. Sayre, too, by his suspension treatment and the
plaster-of-Paris jacket, set the hunchback on his feet at a stage in his
disease in which before he had been forced to prolonged and painful
recumbency.
Although men professing special skill in certain operations, and
doubtless possessing it, flourished in old times, and left more or less
of their impress on the surgery of the present day, for that matter, it
was not until the second half of the Nineteenth Century that regional
surgery (which is what specialism virtually amounts to) was
systematically cultivated. Now there is hardly a portion of the body to
which practitioners who make its ailments a specialty do not direct
their searching methods of examination or on which they do not practise
their ingenious devices in the way of treatment. Specialism has always
been decried by a large section of the medical profession. On the other
hand, it has been and is still overrated by the laity. The true estimate
lies between the two. The specialists have advanced surgery immensely,
but, with many honorable exceptions, they have laid too much stress on
their several specialties, making too wide a range of ailments fall
within them. As for the community at large, their shortcoming lies in
the fact that most of them would seek for a specialist in mumps in case
that painful but transitory infliction were to come upon them, and in
their underrating of the family physician.
To change for a moment to a topic akin to the germ theory of disease,
the reader may be reminded that the antitoxine treatment of infectious
disease involves in almost every instance the use of some product
contained in the serum (that is to say, the watery part of the blood).
This leads to the subject of the use of natural and artificial serum in
the treatment of disease. To quote again from the article entitled, "The
Nineteenth Century in Medicine" ("New York Medical Journal," Dec.
29,1900): "It has been observed that the normal serum of certain animals
that are insusceptible to particular infectious diseases, if injected
into the human blood current or even into the subcutaneous tissue,
confers more or less of immunity against those diseases.... Artificial
serum seems to have been first employed by Edmund R. Peaslee as a benign
application to the peritonaeum in the operation of ovariotomy. His
conception of its mode of action is not very clear, but he was a very
successful ovariotomist, and we can only conjecture that he builded
better than he knew, like many another man. A few years ago much was
expected from transfusion of blood, but gradually the conviction has
forced itself upon us that it is wellnigh useless, and indeed that, on
the whole, it is worse than useless. It has virtually been abandoned....
But experiments in transfusion have not been fruitless; they have
culminated in demonstrating the inestimable value of infusions of
'normal,' or 'physiological,' solutions of sodium chloride, and not only
of infusions, but also of peritoneal irrigation with such solutions.
Many a life has been saved by resorting to this measure, even in
apparently desperate cases."
Within about a decade of the close of the century, Robert Koch, whose
discoveries and ingenious studies in bacteriology had brought him
world-wide renown, announced that he had produced a derivative of the
tubercle bacillus, which he termed tuberculin, that he thought might
prove curative of tuberculous disease. It was to be injected beneath the
skin. If the subject was really tuberculous, he would "react" by
manifesting a certain degree of fever, and repeated injections would
bring about elimination of the tuberculous deposits and thus effect a
cure. The world was carried away with such an announcement coming from
such a man, and it was thoroughly believed that at last "the great white
plague," consumption, was to be conquered. Tuberculin did, indeed, cure
certain minor forms of tuberculous disease, such as the skin affection
known as lupus, but it soon became evident that it was almost impotent
in the treatment of pulmonary consumption. It has, however, served to
enable the veterinarian to make out the existence of tuberculous disease
in cattle at an early stage of its course, and it is probable that by
the slaughter of cattle thus found to be tuberculous much infection of
human beings has been prevented.
Tuberculin failed of its prime purpose, but it does seem to have marked
the initiative of a campaign against consumption which has already
proved of incalculable benefit, and bids fair to put that omnipresent
disease toward the foot of the list of causes of death. We have made
substantial advances in our knowledge of the disease, and we no longer
regard it as incurable. We have learned that it is communicable from one
person to another, but also that its communication can easily be
prevented, so that there is no reason to shrink from association with
tuberculous persons. We have learned, too, that consumption in one's
progenitors, immediate or remote, hardly makes it even probable that he
himself is doomed to suffer with it; the only tuberculous heredity that
we now recognize is that of defective ability to withstand the
infection, and even this we regard as in most instances readily
surmountable. We have learned, furthermore, that pulmonary tuberculous
disease is by no means so fatal as it was formerly esteemed, for men
whose business it is to make great numbers of post-mortem examinations,
such as coroners' physicians and hospital pathologists, assure us that
in a very large percentage of cases of death from other causes they find
indubitable signs of past tuberculous disease of the lungs which had
ceased its activity--been, in fact, cured, either spontaneously or by
medical intervention. Such intervention, it has been abundantly proved,
is altogether likely to be successful if it is of the right sort and
employed early. There is, to be sure, no cure-all. Powerful as the
climatic treatment is, it must be supplemented by measures accurately
adapted to the individual case, and failure to comprehend this fact
still leads many a phthisical person to his grave. But information is
rapidly being diffused, sanatoria for such of the tuberculous as can
take advantage of them are multiplying, and those who are shut off from
their aid are growing more and more cognizant of how they should live in
order to give themselves the best chance of recovery and save their
associates from infection. The era of consumption-cures--meaning
drugs--is past; but the disease is cured in an ever-increasing
proportion of instances, and that, too, by medical though not
medicinal measures.
At almost every turn medicine has been powerfully assisted by the
sciences which should rather be termed correlative than subsidiary.
Notable among them is chemistry. The isolation of the active principles
of medicinal plants--such as morphine, quinine, strychnine, and
cocaine--has been a remarkable service rendered by chemistry to
medicine. How should we be handicapped if we still had to fight
malarial disease with the crude Peruvian bark instead of its chief
alkaloid, quinine! And how impracticable if not impossible would it be
to render the eye insensitive to pain with any extract of coca leaves,
no matter how concentrated--a purpose that we accomplish almost
instantly with cocaine! Of minor importance, perhaps, but not to be
despised, is the resulting liberation from the old slavery to bulky and
nauseous drugs. The isolation of active principles long antedated the
synthetical preparations, but the latter came at last--the marvellous
array of hypnotics, anodynes, and fever-quellers that are now at our
command, largely coal-tar products. But it is not to pure chemistry
alone that we are indebted for the elegant dosing of the present day;
progressive pharmacy, with its tablets, its coated pills, and its
capsules, has put to shame the old-time purveyor of galenicals. Right
jauntily do we now take our "soda mint" in case of slight derangement of
the stomach, happily oblivious of its vile prototype, the old rhubarb
and soda mixture. Even castor oil has been stripped of its repulsiveness
by the combinations which the soda water fountain affords.
It was but a step, we can now realize, from the employment of isolated
vegetable principles to that of preparations of certain glandular organs
of the animal economy, but the doctrine of "internal secretions" had to
intervene, and its evolution took time; not till toward the close of the
century did the venerable Brown-Séquard lead up to it. We have not yet
come to "eye of newt and toe of frog," but what we have incorporated
into modern therapeutics in the way of animal products lends at least
some theoretical justification to the ancient use of the dried organs of
various animals. It is but a few years since the "ductless glands"--such
organs, as, for example, the thyreoid gland (an organ situated in the
front of the neck, a small affair in its normal state, but prominent and
even pendulous when by its permanent enlargement it comes to constitute
a goître)--were looked upon as puzzles, as structures destitute of any
known function. Some observers even affirmed that they had no function,
though the constancy of goître in cretins ought to have shown the
fallacy of this allegation in the case of the thyreoid. We do not now
need to be told that the thyreoid gland plays a very important part in
the economy, for we know that its surgical removal gives rise to a
special disease known as myxoedema, which, in addition to its physical
manifestations, is characterized by impairment of the mental powers.
Consequently, this ductless gland--a gland, that is to say, which has no
obvious canal by which it throws off any product of its activity--must
elaborate some material that is necessary to the health of the organism
and is imparted to the blood. That material, whatever it may be, is
termed an "internal secretion." Some of the internal secretions have
turned out to be of singular value medicinally. It is apparently not the
ductless glands alone that furnish internal secretions; the glands that
are provided with ducts and yield a definite and observable product
secrete also a substance (perhaps more than one) which they give up to
the blood.
Prominent among the therapeutic advances of the century is the direct
reduction of the high temperature of sunstroke and certain fevers by the
use of cold. Although foreshadowed by Currie early in the century by his
use of cold affusion in the treatment of scarlet fever, it did not come
into general use until the closing decades. It is employed principally
in typhoid fever, on the theory that a condition of high fever is in
itself a source of danger quite distinct from the other injurious
effects of a febrile disease. On the other hand, the employment of high
degrees of heat has of late been shown to be a potent agency in the
treatment of certain forms of disease, notably in various affections
classed as rheumatic. Applications of very hot air, provided it is
thoroughly dry, are borne without serious discomfort, and their
employment promises to be of greater service in the conditions in which
it is resorted to than that of any other agent.
A revelation in the treatment of heart disease has been effected by the
Bad Nauheim system of effervescent baths and resisted exercises. It is
not only functional disorders of the heart that are relieved, but grave
organic diseases also. Somewhat elaborate explanations of the way in
which the treatment proves beneficial have been given, but they are not
altogether satisfactory.
Thus far we have dealt chiefly with those developments of medicine that
seem to have been the outgrowth of much thought and experiment, but
there was one that can hardly be viewed as other than a happy discovery,
yet it was one that was fraught with unspeakable mitigation of human
suffering, and that wrought a boundless extension of the field of
surgery. It was that of anaesthesia. The first to discover an efficient
surgical anaesthetic was Crawford W. Long, of Georgia. It has been
established that he performed several minor operations with the patient
anaesthetized with sulphuric ether, but he did not proclaim his
discovery, and so it was reserved for William T. G. Morton, of Boston
(then a dentist, but subsequently a physician), to make the first public
demonstration of the efficiency of ether as an anaesthetic, which he did
in the operating theatre of the Massachusetts General Hospital, in
Boston, in the year 1846. The news of Morton's achievement spread
broadcast, and it was at once realized that it was destined to
revolutionize surgery. It certainly has done that, and in no less
degree than was afterward accomplished by Listerism. Ether did not long
remain the only anaesthetic known; Simpson, of Edinburgh, soon
discovered that chloroform was possessed of even more decided
anaesthetic properties. The inhalation of ether is disagreeable, and it
is slow in producing the desired effect, whereas that of chloroform is
not unpleasant, and it acts more rapidly. Consequently chloroform soon
came to be generally preferred; but abundant experience has finally
shown that ether is much the safer agent of the two, and improved
methods of administration have almost entirely done away with the
objections to its use, so that now it is looked upon as the preferable
general anaesthetic. But general anaesthesia--meaning the suspension of
sensibility in the whole organism, including unconsciousness--is not
always necessary, and sometimes it is undesirable. We have now
trustworthy local anaesthetics, the chief of which is cocaine, wherewith
we are able to anaesthetize the part to be operated on without rendering
the patient unconscious, and the co-operation that a conscious patient
may be able to render is sometimes valuable. It was not alone in the
direct saving of human suffering that anaesthetics proved a boon to the
world; they have made possible an amount of experimental work on animals
in the way of vivisection that humane investigators would otherwise have
shrunk from, necessary as it has been and still is for the advancement
of the healing art.
The operation of ovariotomy, first performed by Ephraim McDowell, of
Kentucky, can hardly be classed with the happy accidents; but so little
had been said about it or thought concerning it that when the news of it
reached Europe "from the wilds of America" the editor of a ponderous
English quarterly journal of medicine recorded his incredulity in the
words "_Credat Judoeus, non ego_" An ovarian tumor inevitably proves
fatal in the long run if it is not removed. In a certain percentage of
cases it is malignant and will kill whether it is removed or not, but
the general result of ovariotomy has been the saving of thousands of
women from untimely death. Bell, of Edinburgh, had imagined the
operation and had mentioned it in his lectures, but none the less to
McDowell is due the credit of demonstrating its feasibility.
Medicine bore quite its full share in the mitigation of the horrors and
hardships of war that marked the Nineteenth Century. Its work was shown
in the great reduction of pestilential disease incident to camp life, in
prompt aid to the wounded, in the establishment of salubrious field and
general hospitals, and in improved methods of transportation of the sick
and wounded. Certainly the soldier on the sick list never before had
such a fair prospect of rejoining his comrades safe and sound as he
has now.
In the care of the insane, too--care not only in the sense of humane
treatment, but in the systematic employment of measures for their
restoration to mental soundness--the century has been marked by notable
progress. This has been chiefly in the direction of preventing insanity,
and although mental disease is said to be on the increase, it may
undoubtedly be said with entire truth that its growing prevalence is not
in proportion to the heightened frequency of "the strenuous life." We
may confidently expect that a more pronounced mastery over diseases of
the mind will come when physicians in general are taught psychiatry
clinically, so that the beginnings of mental alienation may be
intelligently met by the family practitioner.
The supreme achievement of the medicine of the Nineteenth Century
undoubtedly has been the development of its preventive feature. When we
recall the fact that but a few years ago an attack of infectious disease
was interpreted as a visitation of Providence, by a perversity that even
the triumphs of vaccination did not serve to do away with; when we
contemplate the well-ordered and well-understood measures that are now
resorted to in an ever-increasing number of communities (and resorted to
not solely on the outbreak of an epidemic, but at all times), to purify
the air we breathe, the food we eat, and the water we drink; and when we
reflect upon the greatly reduced morbidity as well as mortality of most
infectious diseases--we must realize the immense service that has been
rendered by preventive medicine. No doubt we must all die some time, and
the day is yet far remote when the only causes of death will be old age
and injury; but a decided prolongation of the average lifetime, such as
the life-insurance companies recognize, is an unquestionable gain to the
human race.
A great blessing that has been brought about in great measure by medical
men has been the establishment of the profession of nursing. The work of
caring for the sick between the physician's visits is no longer, at
least in large communities and in cases of severe illness, left to
over-sympathetic and uninstructed relatives or to outsiders who traded
on mystery. An intelligent and intelligible record is now kept of all
important happenings in the sick room, remedies are administered as they
were ordered, needless alarm at something deemed by the patient to be of
ill omen is quelled, and in case of real emergency, overlooked as it
might otherwise have been, the physician is summoned to meet it. The
advent of the trained nurse marked an era in medicine.
The literature of medicine has fully kept pace in volume with the
progress of the art itself, and its quality has steadily improved. To
this the great tomes of that gigantic work, the "Index-Catalogue of the
Library of the Surgeon-General's Office, United States Army," bear
solid testimony. It is a consolidated catalogue, by subjects and by
authors' names, of practically every medical book published throughout
the world and of every article in the periodical literature of medicine.
For its existence the world is indebted to Dr. John S. Billings,
formerly a surgeon of high rank in the army and now the director of the
New York Public Library, and for its continued existence to the United
States Government, and it is to be hoped that Congress will never cease
to provide adequately for its continued publication. Its completeness
and its accuracy long ago led to its being prized everywhere.
There are some problems of which medicine has hardly yet entered upon
the solution. Prominent among them is that of cancer. Little as we now
know of the real nature of that disease, we know quite as much of it as
we knew but a few years ago concerning other diseases equally
destructive and far more prevalent, which, however, we have now
practically mastered. Who can say that we shall not triumph over cancer
while the Twentieth Century is still young? Our final triumph is
indubitable.
The strongest individuality in the medicine of the Nineteenth Century
was without doubt that of Rudolf Ludwig Karl Virchow (commonly written
by him simply Rudolf Virchow). Although he took no direct part in any
of the striking advances in practice that appeal to the laity, yet he
was recognized the world over, among all classes of educated and
well-informed persons, as the one beacon light of Nineteenth-Century
medicine whose glow had been the steadiest and the most enduring. This
is because of the wide range of his learning in matters not pertaining
closely to his profession. His professional brethren hold the same view,
and this is because he so well controlled himself--checked himself at
every turn by the severest application of system--that he continued for
more than half a century an anchor to hold medical thought strictly down
to fact. This was from no natural lack of volatility, for he was an
_Acht-und-vierziger_ (Forty-eighter). In 1846, as a prosector in the
University of Berlin, Virchow entered with Reinhardt upon a series of
pathological investigations which at once received wide attention. In
conjunction with Reinhardt, he founded the _Archiv für pathologische
Anatomie und Physiologie und für klinische Medicin_[6] (a periodical
familiarly called "Virchow's _Archiv_"), the publication of which was
begun in the year 1847. Reinhardt died in 1852, leaving the editorship
in the hands of Virchow alone, and he was still its editor up to the
time of his death, on September 5, 1902.
[Footnote 6: Archives of Pathological Anatomy and Physiology and of
Clinical Medicine.]
In consequence of his having openly proclaimed himself a Democrat in
1848, Virchow was forced to retire from the University of Berlin in the
following year. He was at once made a professor in the University of
Würzburg, whence seven years later, in 1856, as the result of the
strenuous interposition of various medical organizations, he was
recalled to Berlin, where he was made a professor and director of the
Pathological Institute. He was appointed medical privy councillor in
1874, having several years before that entered upon an active political
career and been one of the founders of the Progressive party, which he
ably represented in the Landtag and the Reichstag. In 1869 he took part
in founding the German and the Berlin Anthropological Societies, of each
of which he was several times president.
Virchow investigated the most diverse subjects, as his profound studies
of Schliemann's discoveries, as well as his other archaeological
researches, show, and he was a rather prolific writer. The most
important of his early works was _Die Cellularpathologie_, the first
edition of which was published in 1858. Chance's English translation
appeared in 1860, and Picard's French version came out in 1861. It is
safe to say that no book of the century exerted a profounder influence
on medical thought than Virchow's exposition of the cellular pathology.
His next notable publication was a collection of thirty lectures on
Tumors (_Die krankhaften Geschwülste_,[7] Berlin, 1863-67). That he was
not too absorbed in these lectures to bring his great powers to bear
upon topics of the day is shown by the fact that before their
publication was completed he brought out his work on Trichinae
(_Darstellung der Lehre von den Trichinen_, 1864). Old age found him
with industry and versatility unabated, for it was in 1892 that his
_Crania ethnica americana_ appeared, and after that time he wrote a
vigorous protest against the new-fangled spelling of the German language
which he accused the schoolmasters of trying to foist on the people.
This was published in his _Archiv_. It may well be that his arguments
have not been unavailing, since it is observable that several German
publications that had adopted the new spelling have now dropped it.
[Footnote 7: Morbid Tumors.]
It must not be supposed that it was by his literary work alone, founded
though it was manifestly on his profound study, that Virchow impressed
his personality upon medicine; it was in his lectures and in his
laboratory teaching, too, that he made himself felt. In all civilized
countries there are many devoted workers in medical science who caught
their first real inspiration from Virchow.
The writer once saw Virchow--only once, but it was a sight never to be
forgotten. It was at a banquet given as one of the festivities incident
to the annual meeting of the British Medical Association in London in
1873. The company was not a large one, but it included such celebrities
as Professor J. Burdon Sanderson, Sir William Jenner, Professor
Chauveau, and Professor Marey. Virchow was conspicuously the man toward
whom the eyes of all others were oftenest directed. Virchow met with the
love as well as the admiration of his contemporaries, and both
sentiments will descend to their successors, for his impress on the
records of medicine is indelible, both as an instructor and as a friend
of all real truth-seekers.
AUTHORITIES.
There is no full and connected account of the progress of medicine
during the Nineteenth Century, but the reader may consult with profit
the various medical biographies, also the following works: Silliman's "A
Century of Medicine and Chemistry;" Jenner's "The Practical Medicine of
To-day;" Buck's "Reference Handbook of the Medical Sciences;"
Eulenburg's "Real-Encyclopädie der gesammten Heilkunde;" the "Annus
Medicus," published in the _Lancet_ at the close of each year; and
Tinker's "America's Contributions to Surgery" (Bulletin of the Johns
Hopkins Hospital, Aug.-Sept., 1902).
***END OF THE PROJECT GUTENBERG EBOOK BEACON LIGHTS OF HISTORY, VOLUME
XIV***
******* This file should be named 10649-8.txt or 10649-8.zip *******
This and all associated files of various formats will be found in:
https://www.gutenberg.org/1/0/6/4/10649
Updated editions will replace the previous one--the old editions
will be renamed.
Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties. Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark. Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission. If you
do not charge anything for copies of this eBook, complying with the
rules is very easy. You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research. They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks. Redistribution is
subject to the trademark license, especially commercial
redistribution.
*** START: FULL LICENSE ***
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
https://gutenberg.org/license).
Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
electronic works
1.A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.
1.B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works. Nearly all the individual works in the
collection are in the public domain in the United States. If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed. Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work. You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.
1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are in
a constant state of change. If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work. The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.
1.E. Unless you have removed all references to Project Gutenberg:
1.E.1. The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org
1.E.2. If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges. If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.
1.E.3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder. Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.
1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.
1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.
1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form. However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form. Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.
1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.
1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that
- You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg-tm works calculated using the method
you already use to calculate your applicable taxes. The fee is
owed to the owner of the Project Gutenberg-tm trademark, but he
has agreed to donate royalties under this paragraph to the
Project Gutenberg Literary Archive Foundation. Royalty payments
must be paid within 60 days following each date on which you
prepare (or are legally required to prepare) your periodic tax
returns. Royalty payments should be clearly marked as such and
sent to the Project Gutenberg Literary Archive Foundation at the
address specified in Section 4, "Information about donations to
the Project Gutenberg Literary Archive Foundation."
- You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he
does not agree to the terms of the full Project Gutenberg-tm
License. You must require such a user to return or
destroy all copies of the works possessed in a physical medium
and discontinue all use of and all access to other copies of
Project Gutenberg-tm works.
- You provide, in accordance with paragraph 1.F.3, a full refund of any
money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days
of receipt of the work.
- You comply with all other terms of this agreement for free
distribution of Project Gutenberg-tm works.
1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark. Contact the
Foundation as set forth in Section 3 below.
1.F.
1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection. Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.
1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.
1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium with
your written explanation. The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund. If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund. If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.
1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS," WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law. The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.
1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.
Section 2. Information about the Mission of Project Gutenberg-tm
Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers. It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.
Volunteers and financial support to provide volunteers with the
assistance they need, is critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at https://www.pglaf.org.
Section 3. Information about the Project Gutenberg Literary Archive
Foundation
The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation's EIN or federal tax identification
number is 64-6221541. Its 501(c)(3) letter is posted at
https://pglaf.org/fundraising. Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.
The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations. Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
[email protected]. Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at https://pglaf.org
For additional contact information:
Dr. Gregory B. Newby
Chief Executive and Director
[email protected]
Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation
Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.
The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To
SEND DONATIONS or determine the status of compliance for any
particular state visit https://pglaf.org
While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.
International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.
Please check the Project Gutenberg Web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including including checks, online payments and credit card
donations. To donate, please visit: https://pglaf.org/donate
Section 5. General Information About Project Gutenberg-tm electronic
works.
Professor Michael S. Hart was the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone. For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.
Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included. Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.
Each eBook is in a subdirectory of the same number as the eBook's
eBook number, often in several formats including plain vanilla ASCII,
compressed (zipped), HTML and others.
Corrected EDITIONS of our eBooks replace the old file and take over
the old filename and etext number. The replaced older file is renamed.
VERSIONS based on separate sources are treated as new eBooks receiving
new filenames and etext numbers.
Most people start at our Web site which has the main PG search facility:
https://www.gutenberg.org
This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.
EBooks posted prior to November 2003, with eBook numbers BELOW #10000,
are filed in directories based on their release date. If you want to
download any of these eBooks directly, rather than using the regular
search system you may utilize the following addresses and just
download by the etext year.
http://www.ibiblio.org/gutenberg/etext06
(Or /etext 05, 04, 03, 02, 01, 00, 99,
98, 97, 96, 95, 94, 93, 92, 92, 91 or 90)
EBooks posted since November 2003, with etext numbers OVER #10000, are
filed in a different way. The year of a release date is no longer part
of the directory path. The path is based on the etext number (which is
identical to the filename). The path to the file is made up of single
digits corresponding to all but the last digit in the filename. For
example an eBook of filename 10234 would be found at:
https://www.gutenberg.org/1/0/2/3/10234
or filename 24689 would be found at:
https://www.gutenberg.org/2/4/6/8/24689
An alternative method of locating eBooks:
https://www.gutenberg.org/GUTINDEX.ALL
*** END: FULL LICENSE ***
