Project Gutenberg EBook, Poems of Nature: The Frost Spirit and Others Volume II., The Works of Whittier: Poems of Nature, Poems Subjective and Reminiscent, Religious Poems #13 in our series by John Greenleaf Whittier Copyright laws are changing all over the world. Be sure to check the copyright laws for your country before downloading or redistributing this or any other Project Gutenberg eBook. This header should be the first thing seen when viewing this Project Gutenberg file. Please do not remove it. Do not change or edit the header without written permission. Please read the "legal small print," and other information about the eBook and Project Gutenberg at the bottom of this file. Included is important information about your specific rights and restrictions in how the file may be used. You can also find out about how to make a donation to Project Gutenberg, and how to get involved. **Welcome To The World of Free Plain Vanilla Electronic Texts** **EBooks Readable By Both Humans and By Computers, Since 1971** *****These EBooks Were Prepared By Thousands of Volunteers***** Title: The Frost Spirit and Others from Poems of Nature, Poems Subjective and Reminiscent and Religious Poems Volume II., The Works of Whittier Author: John Greenleaf Whittier Release Date: Dec, 2005 [EBook #9568] [Yes, we are more than one year ahead of schedule] [This file was first posted on October 2, 2003] Edition: 10 Language: English *** START OF THE PROJECT GUTENBERG EBOOK, THE FROST SPIRIT, ETC. *** This eBook was produced by David Widger POEMS OF NATURE POEMS SUBJECTIVE AND REMINISCENT RELIGIOUS POEMS BY JOHN GREENLEAF WHITTIER ENTIRE CONTENTS: POEMS OF NATURE: THE FROST SPIRIT THE MERRIMAC HAMPTON BEACH A DREAM OF SUMMER THE LAKESIDE AUTUMN THOUGHTS ON RECEIVING AN EAGLE'S QUILL FROM LAKE SUPERIOR APRIL PICTURES SUMMER BY THE LAKESIDE THE FRUIT-GIFT FLOWERS IN WINTER THE MAYFLOWERS THE LAST WALK IN AUTUMN THE FIRST FLOWERS THE OLD BURYING-GROUND THE PALM-TREE THE RIVER PATH MOUNTAIN PICTURES I. FRANCONIA FROM THE PEMIGEWASSET II. MONADNOCK FROM WACHUSET THE VANISHERS THE PAGEANT THE PRESSED GENTIAN A MYSTERY A SEA DREAM HAZEL BLOSSOMS SUNSET ON THE BEARCAMP THE SEEKING OF THE WATERFALL THE TRAILING ARBUTUS ST. MARTINS SUMMER STORM ON LAKE ASQUAM A SUMMER PILGRIMAGE SWEET FERN THE WOOD GIANT A DAY POEMS SUBJECTIVE AND REMINISCENT: MEMORIES RAPHAEL EGO THE PUMPKIN FORGIVENESS TO MY SISTER MY THANKS REMEMBRANCE MY NAMESAKE A MEMORY MY DREAM THE BAREFOOT BOY MY PSALM THE WAITING SNOW-BOUND MY TRIUMPH IN SCHOOL-DAYS MY BIRTHDAY RED RIDING-HOOD RESPONSE AT EVENTIDE VOYAGE OF THE JETTIE MY TRUST A NAME GREETING CONTENTS AN AUTOGRAPH ABRAM MORRISON A LEGACY RELIGIOUS POEMS: THE STAR OF BETHLEHEM THE CITIES OF THE PLAIN THE CALL OF THE CHRISTIAN THE CRUCIFIXION PALESTINE HYMNS FROM THE FRENCH OF LAMARTINE I. ENCORE UN HYMNE II. LE CRI DE L'AME THE FAMILIST'S HYMN EZEKIEL WHAT THE VOICE SAID THE ANGEL OF PATIENCE THE WIFE OF MANOAH TO HER HUSBAND MY SOUL AND I WORSHIP THE HOLY LAND THE REWARD THE WISH OF TO-DAY ALL'S WELL INVOCATION QUESTIONS OF LIFE FIRST-DAY THOUGHTS TRUST TRINITAS THE SISTERS "THE ROCK" IN EL GHOR THE OVER-HEART THE SHADOW AND THE LIGHT THE CRY OF A LOST SOUL ANDREW RYKMAN'S PRAYER THE ANSWER THE ETERNAL GOODNESS THE COMMON QUESTION OUR MASTER THE MEETING THE CLEAR VISION DIVINE COMPASSION THE PRAYER-SEEKER THE BREWING OF SOMA A WOMAN THE PRAYER OF AGASSIZ IN QUEST THE FRIEND'S BURIAL A CHRISTMAS CARMEN VESTA CHILD-SONGS THE HEALER THE TWO ANGELS OVERRULED HYMN OF THE DUNKERS GIVING AND TAKING THE VISION OF ECHARD INSCRIPTIONS ON A SUN-DIAL ON A FOUNTAIN THE MINISTER'S DAUGHTER BY THEIR WORKS THE WORD THE BOOK REQUIREMENT HELP UTTERANCE ORIENTAL MAXIMS THE INWARD JUDGE LAYING UP TREASURE CONDUCT AN EASTER FLOWER GIFT THE MYSTIC'S CHRISTMAS AT LAST WHAT THE TRAVELLER SAID AT SUNSET THE "STORY OF IDA" THE LIGHT THAT IS FELT THE TWO LOVES ADJUSTMENT HYMNS OF THE BRAHMO SOMAJ REVELATION POEMS OF NATURE THE FROST SPIRIT He comes,--he comes,--the Frost Spirit comes You may trace his footsteps now On the naked woods and the blasted fields and the brown hill's withered brow. He has smitten the leaves of the gray old trees where their pleasant green came forth, And the winds, which follow wherever he goes, have shaken them down to earth. He comes,--he comes,--the Frost Spirit comes! from the frozen Labrador, From the icy bridge of the Northern seas, which the white bear wanders o'er, Where the fisherman's sail is stiff with ice, and the luckless forms below In the sunless cold of the lingering night into marble statues grow He comes,--he comes,--the Frost Spirit comes on the rushing Northern blast, And the dark Norwegian pines have bowed as his fearful breath went past. With an unscorched wing he has hurried on, where the fires of Hecla glow On the darkly beautiful sky above and the ancient ice below. He comes,--he comes,--the Frost Spirit comes and the quiet lake shall feel The torpid touch of his glazing breath, and ring to the skater's heel; And the streams which danced on the broken rocks, or sang to the leaning grass, Shall bow again to their winter chain, and in mournful silence pass. He comes,--he comes,--the Frost Spirit comes! Let us meet him as we may, And turn with the light of the parlor-fire his evil power away; And gather closer the circle round, when that fire-light dances high, And laugh at the shriek of the baffled Fiend as his sounding wing goes by! 1830. THE MERRIMAC. "The Indians speak of a beautiful river, far to the south, which they call Merrimac."--SIEUR. DE MONTS, 1604. Stream of my fathers! sweetly still The sunset rays thy valley fill; Poured slantwise down the long defile, Wave, wood, and spire beneath them smile. I see the winding Powow fold The green hill in its belt of gold, And following down its wavy line, Its sparkling waters blend with thine. There 's not a tree upon thy side, Nor rock, which thy returning tide As yet hath left abrupt and stark Above thy evening water-mark; No calm cove with its rocky hem, No isle whose emerald swells begin Thy broad, smooth current; not a sail Bowed to the freshening ocean gale; No small boat with its busy oars, Nor gray wall sloping to thy shores; Nor farm-house with its maple shade, Or rigid poplar colonnade, But lies distinct and full in sight, Beneath this gush of sunset light. Centuries ago, that harbor-bar, Stretching its length of foam afar, And Salisbury's beach of shining sand, And yonder island's wave-smoothed strand, Saw the adventurer's tiny sail, Flit, stooping from the eastern gale; And o'er these woods and waters broke The cheer from Britain's hearts of oak, As brightly on the voyager's eye, Weary of forest, sea, and sky, Breaking the dull continuous wood, The Merrimac rolled down his flood; Mingling that clear pellucid brook, Which channels vast Agioochook When spring-time's sun and shower unlock The frozen fountains of the rock, And more abundant waters given From that pure lake, "The Smile of Heaven," Tributes from vale and mountain-side,-- With ocean's dark, eternal tide! On yonder rocky cape, which braves The stormy challenge of the waves, Midst tangled vine and dwarfish wood, The hardy Anglo-Saxon stood, Planting upon the topmost crag The staff of England's battle-flag; And, while from out its heavy fold Saint George's crimson cross unrolled, Midst roll of drum and trumpet blare, And weapons brandishing in air, He gave to that lone promontory The sweetest name in all his story; Of her, the flower of Islam's daughters, Whose harems look on Stamboul's waters,-- Who, when the chance of war had bound The Moslem chain his limbs around, Wreathed o'er with silk that iron chain, Soothed with her smiles his hours of pain, And fondly to her youthful slave A dearer gift than freedom gave. But look! the yellow light no more Streams down on wave and verdant shore; And clearly on the calm air swells The twilight voice of distant bells. From Ocean's bosom, white and thin, The mists come slowly rolling in; Hills, woods, the river's rocky rim, Amidst the sea--like vapor swim, While yonder lonely coast-light, set Within its wave-washed minaret, Half quenched, a beamless star and pale, Shines dimly through its cloudy veil! Home of my fathers!--I have stood Where Hudson rolled his lordly flood Seen sunrise rest and sunset fade Along his frowning Palisade; Looked down the Appalachian peak On Juniata's silver streak; Have seen along his valley gleam The Mohawk's softly winding stream; The level light of sunset shine Through broad Potomac's hem of pine; And autumn's rainbow-tinted banner Hang lightly o'er the Susquehanna; Yet wheresoe'er his step might be, Thy wandering child looked back to thee! Heard in his dreams thy river's sound Of murmuring on its pebbly bound, The unforgotten swell and roar Of waves on thy familiar shore; And saw, amidst the curtained gloom And quiet of his lonely room, Thy sunset scenes before him pass; As, in Agrippa's magic glass, The loved and lost arose to view, Remembered groves in greenness grew, Bathed still in childhood's morning dew, Along whose bowers of beauty swept Whatever Memory's mourners wept, Sweet faces, which the charnel kept, Young, gentle eyes, which long had slept; And while the gazer leaned to trace, More near, some dear familiar face, He wept to find the vision flown,-- A phantom and a dream alone! 1841. HAMPTON BEACH The sunlight glitters keen and bright, Where, miles away, Lies stretching to my dazzled sight A luminous belt, a misty light, Beyond the dark pine bluffs and wastes of sandy gray. The tremulous shadow of the Sea! Against its ground Of silvery light, rock, hill, and tree, Still as a picture, clear and free, With varying outline mark the coast for miles around. On--on--we tread with loose-flung rein Our seaward way, Through dark-green fields and blossoming grain, Where the wild brier-rose skirts the lane, And bends above our heads the flowering locust spray. Ha! like a kind hand on my brow Comes this fresh breeze, Cooling its dull and feverish glow, While through my being seems to flow The breath of a new life, the healing of the seas! Now rest we, where this grassy mound His feet hath set In the great waters, which have bound His granite ankles greenly round With long and tangled moss, and weeds with cool spray wet. Good-by to Pain and Care! I take Mine ease to-day Here where these sunny waters break, And ripples this keen breeze, I shake All burdens from the heart, all weary thoughts away. I draw a freer breath, I seem Like all I see-- Waves in the sun, the white-winged gleam Of sea-birds in the slanting beam, And far-off sails which flit before the south-wind free. So when Time's veil shall fall asunder, The soul may know No fearful change, nor sudden wonder, Nor sink the weight of mystery under, But with the upward rise, and with the vastness grow. And all we shrink from now may seem No new revealing; Familiar as our childhood's stream, Or pleasant memory of a dream The loved and cherished Past upon the new life stealing. Serene and mild the untried light May have its dawning; And, as in summer's northern night The evening and the dawn unite, The sunset hues of Time blend with the soul's new morning. I sit alone; in foam and spray Wave after wave Breaks on the rocks which, stern and gray, Shoulder the broken tide away, Or murmurs hoarse and strong through mossy cleft and cave. What heed I of the dusty land And noisy town? I see the mighty deep expand From its white line of glimmering sand To where the blue of heaven on bluer waves shuts down! In listless quietude of mind, I yield to all The change of cloud and wave and wind And passive on the flood reclined, I wander with the waves, and with them rise and fall. But look, thou dreamer! wave and shore In shadow lie; The night-wind warns me back once more To where, my native hill-tops o'er, Bends like an arch of fire the glowing sunset sky. So then, beach, bluff, and wave, farewell! I bear with me No token stone nor glittering shell, But long and oft shall Memory tell Of this brief thoughtful hour of musing by the Sea. 1843. A DREAM OF SUMMER. Bland as the morning breath of June The southwest breezes play; And, through its haze, the winter noon Seems warm as summer's day. The snow-plumed Angel of the North Has dropped his icy spear; Again the mossy earth looks forth, Again the streams gush clear. The fox his hillside cell forsakes, The muskrat leaves his nook, The bluebird in the meadow brakes Is singing with the brook. "Bear up, O Mother Nature!" cry Bird, breeze, and streamlet free; "Our winter voices prophesy Of summer days to thee!" So, in those winters of the soul, By bitter blasts and drear O'erswept from Memory's frozen pole, Will sunny days appear. Reviving Hope and Faith, they show The soul its living powers, And how beneath the winter's snow Lie germs of summer flowers! The Night is mother of the Day, The Winter of the Spring, And ever upon old Decay The greenest mosses cling. Behind the cloud the starlight lurks, Through showers the sunbeams fall; For God, who loveth all His works, Has left His hope with all! 4th 1st month, 1847. THE LAKESIDE The shadows round the inland sea Are deepening into night; Slow up the slopes of Ossipee They chase the lessening light. Tired of the long day's blinding heat, I rest my languid eye, Lake of the Hills! where, cool and sweet, Thy sunset waters lie! Along the sky, in wavy lines, O'er isle and reach and bay, Green-belted with eternal pines, The mountains stretch away. Below, the maple masses sleep Where shore with water blends, While midway on the tranquil deep The evening light descends. So seemed it when yon hill's red crown, Of old, the Indian trod, And, through the sunset air, looked down Upon the Smile of God. To him of light and shade the laws No forest skeptic taught; Their living and eternal Cause His truer instinct sought. He saw these mountains in the light Which now across them shines; This lake, in summer sunset bright, Walled round with sombering pines. God near him seemed; from earth and skies His loving voice he beard, As, face to face, in Paradise, Man stood before the Lord. Thanks, O our Father! that, like him, Thy tender love I see, In radiant hill and woodland dim, And tinted sunset sea. For not in mockery dost Thou fill Our earth with light and grace; Thou hid'st no dark and cruel will Behind Thy smiling face! 1849. AUTUMN THOUGHTS Gone hath the Spring, with all its flowers, And gone the Summer's pomp and show, And Autumn, in his leafless bowers, Is waiting for the Winter's snow. I said to Earth, so cold and gray, "An emblem of myself thou art." "Not so," the Earth did seem to say, "For Spring shall warm my frozen heart." I soothe my wintry sleep with dreams Of warmer sun and softer rain, And wait to hear the sound of streams And songs of merry birds again. But thou, from whom the Spring hath gone, For whom the flowers no longer blow, Who standest blighted and forlorn, Like Autumn waiting for the snow; No hope is thine of sunnier hours, Thy Winter shall no more depart; No Spring revive thy wasted flowers, Nor Summer warm thy frozen heart. 1849. ON RECEIVING AN EAGLE'S QUILL FROM LAKE SUPERIOR. All day the darkness and the cold Upon my heart have lain, Like shadows on the winter sky, Like frost upon the pane; But now my torpid fancy wakes, And, on thy Eagle's plume, Rides forth, like Sindbad on his bird, Or witch upon her broom! Below me roar the rocking pines, Before me spreads the lake Whose long and solemn-sounding waves Against the sunset break. I hear the wild Rice-Eater thresh The grain he has not sown; I see, with flashing scythe of fire, The prairie harvest mown! I hear the far-off voyager's horn; I see the Yankee's trail,-- His foot on every mountain-pass, On every stream his sail. By forest, lake, and waterfall, I see his pedler show; The mighty mingling with the mean, The lofty with the low. He's whittling by St. Mary's Falls, Upon his loaded wain; He's measuring o'er the Pictured Rocks, With eager eyes of gain. I hear the mattock in the mine, The axe-stroke in the dell, The clamor from the Indian lodge, The Jesuit chapel bell! I see the swarthy trappers come From Mississippi's springs; And war-chiefs with their painted brows, And crests of eagle wings. Behind the scared squaw's birch canoe, The steamer smokes and raves; And city lots are staked for sale Above old Indian graves. I hear the tread of pioneers Of nations yet to be; The first low wash of waves, where soon Shall roll a human sea. The rudiments of empire here Are plastic yet and warm; The chaos of a mighty world Is rounding into form! Each rude and jostling fragment soon Its fitting place shall find,-- The raw material of a State, Its muscle and its mind! And, westering still, the star which leads The New World in its train Has tipped with fire the icy spears Of many a mountain chain. The snowy cones of Oregon Are kindling on its way; And California's golden sands Gleam brighter in its ray! Then blessings on thy eagle quill, As, wandering far and wide, I thank thee for this twilight dream And Fancy's airy ride! Yet, welcomer than regal plumes, Which Western trappers find, Thy free and pleasant thoughts, chance sown, Like feathers on the wind. Thy symbol be the mountain-bird, Whose glistening quill I hold; Thy home the ample air of hope, And memory's sunset gold! In thee, let joy with duty join, And strength unite with love, The eagle's pinions folding round The warm heart of the dove! So, when in darkness sleeps the vale Where still the blind bird clings The sunshine of the upper sky Shall glitter on thy wings! 1849. APRIL. "The spring comes slowly up this way." Christabel. 'T is the noon of the spring-time, yet never a bird In the wind-shaken elm or the maple is heard; For green meadow-grasses wide levels of snow, And blowing of drifts where the crocus should blow; Where wind-flower and violet, amber and white, On south-sloping brooksides should smile in the light, O'er the cold winter-beds of their late-waking roots The frosty flake eddies, the ice-crystal shoots; And, longing for light, under wind-driven heaps, Round the boles of the pine-wood the ground-laurel creeps, Unkissed of the sunshine, unbaptized of showers, With buds scarcely swelled, which should burst into flowers We wait for thy coming, sweet wind of the south! For the touch of thy light wings, the kiss of thy mouth; For the yearly evangel thou bearest from God, Resurrection and life to the graves of the sod! Up our long river-valley, for days, have not ceased The wail and the shriek of the bitter northeast, Raw and chill, as if winnowed through ices and snow, All the way from the land of the wild Esquimau, Until all our dreams of the land of the blest, Like that red hunter's, turn to the sunny southwest. O soul of the spring-time, its light and its breath, Bring warmth to this coldness, bring life to this death; Renew the great miracle; let us behold The stone from the mouth of the sepulchre rolled, And Nature, like Lazarus, rise, as of old! Let our faith, which in darkness and coldness has lain, Revive with the warmth and the brightness again, And in blooming of flower and budding of tree The symbols and types of our destiny see; The life of the spring-time, the life of the whole, And, as sun to the sleeping earth, love to the soul! 1852. PICTURES I. Light, warmth, and sprouting greenness, and o'er all Blue, stainless, steel-bright ether, raining down Tranquillity upon the deep-hushed town, The freshening meadows, and the hillsides brown; Voice of the west-wind from the hills of pine, And the brimmed river from its distant fall, Low hum of bees, and joyous interlude Of bird-songs in the streamlet-skirting wood,-- Heralds and prophecies of sound and sight, Blessed forerunners of the warmth and light, Attendant angels to the house of prayer, With reverent footsteps keeping pace with mine,-- Once more, through God's great love, with you I share A morn of resurrection sweet and fair As that which saw, of old, in Palestine, Immortal Love uprising in fresh bloom From the dark night and winter of the tomb! 2d, 5th mo., 1852. II. White with its sun-bleached dust, the pathway winds Before me; dust is on the shrunken grass, And on the trees beneath whose boughs I pass; Frail screen against the Hunter of the sky, Who, glaring on me with his lidless eye, While mounting with his dog-star high and higher Ambushed in light intolerable, unbinds The burnished quiver of his shafts of fire. Between me and the hot fields of his South A tremulous glow, as from a furnace-mouth, Glimmers and swims before my dazzled sight, As if the burning arrows of his ire Broke as they fell, and shattered into light; Yet on my cheek I feel the western wind, And hear it telling to the orchard trees, And to the faint and flower-forsaken bees, Tales of fair meadows, green with constant streams, And mountains rising blue and cool behind, Where in moist dells the purple orchis gleams, And starred with white the virgin's bower is twined. So the o'erwearied pilgrim, as he fares Along life's summer waste, at times is fanned, Even at noontide, by the cool, sweet airs Of a serener and a holier land, Fresh as the morn, and as the dewfall bland. Breath of the blessed Heaven for which we pray, Blow from the eternal hills! make glad our earthly way! 8th mo., 1852. SUMMER BY THE LAKESIDE LAKE WINNIPESAUKEE. I. NOON. White clouds, whose shadows haunt the deep, Light mists, whose soft embraces keep The sunshine on the hills asleep! O isles of calm! O dark, still wood! And stiller skies that overbrood Your rest with deeper quietude! O shapes and hues, dim beckoning, through Yon mountain gaps, my longing view Beyond the purple and the blue, To stiller sea and greener land, And softer lights and airs more bland, And skies,--the hollow of God's hand! Transfused through you, O mountain friends! With mine your solemn spirit blends, And life no more hath separate ends. I read each misty mountain sign, I know the voice of wave and pine, And I am yours, and ye are mine. Life's burdens fall, its discords cease, I lapse into the glad release Of Nature's own exceeding peace. O welcome calm of heart and mind! As falls yon fir-tree's loosened rind To leave a tenderer growth behind, So fall the weary years away; A child again, my head I lay Upon the lap of this sweet day. This western wind hath Lethean powers, Yon noonday cloud nepenthe showers, The lake is white with lotus-flowers! Even Duty's voice is faint and low, And slumberous Conscience, waking slow, Forgets her blotted scroll to show. The Shadow which pursues us all, Whose ever-nearing steps appall, Whose voice we hear behind us call,-- That Shadow blends with mountain gray, It speaks but what the light waves say,-- Death walks apart from Fear to-day! Rocked on her breast, these pines and I Alike on Nature's love rely; And equal seems to live or die. Assured that He whose presence fills With light the spaces of these hills No evil to His creatures wills, The simple faith remains, that He Will do, whatever that may be, The best alike for man and tree. What mosses over one shall grow, What light and life the other know, Unanxious, leaving Him to show. II. EVENING. Yon mountain's side is black with night, While, broad-orhed, o'er its gleaming crown The moon, slow-rounding into sight, On the hushed inland sea looks down. How start to light the clustering isles, Each silver-hemmed! How sharply show The shadows of their rocky piles, And tree-tops in the wave below! How far and strange the mountains seem, Dim-looming through the pale, still light The vague, vast grouping of a dream, They stretch into the solemn night. Beneath, lake, wood, and peopled vale, Hushed by that presence grand and grave, Are silent, save the cricket's wail, And low response of leaf and wave. Fair scenes! whereto the Day and Night Make rival love, I leave ye soon, What time before the eastern light The pale ghost of the setting moon Shall hide behind yon rocky spines, And the young archer, Morn, shall break His arrows on the mountain pines, And, golden-sandalled, walk the lake! Farewell! around this smiling bay Gay-hearted Health, and Life in bloom, With lighter steps than mine, may stray In radiant summers yet to come. But none shall more regretful leave These waters and these hills than I Or, distant, fonder dream how eve Or dawn is painting wave and sky; How rising moons shine sad and mild On wooded isle and silvering bay; Or setting suns beyond the piled And purple mountains lead the day; Nor laughing girl, nor bearding boy, Nor full-pulsed manhood, lingering here, Shall add, to life's abounding joy, The charmed repose to suffering dear. Still waits kind Nature to impart Her choicest gifts to such as gain An entrance to her loving heart Through the sharp discipline of pain. Forever from the Hand that takes One blessing from us others fall; And, soon or late, our Father makes His perfect recompense to all! Oh, watched by Silence and the Night, And folded in the strong embrace Of the great mountains, with the light Of the sweet heavens upon thy face, Lake of the Northland! keep thy dower Of beauty still, and while above Thy solemn mountains speak of power, Be thou the mirror of God's love. 1853. THE FRUIT-GIFT. Last night, just as the tints of autumn's sky Of sunset faded from our hills and streams, I sat, vague listening, lapped in twilight dreams, To the leaf's rustle, and the cricket's cry. Then, like that basket, flush with summer fruit, Dropped by the angels at the Prophet's foot, Came, unannounced, a gift of clustered sweetness, Full-orbed, and glowing with the prisoned beams Of summery suns, and rounded to completeness By kisses of the south-wind and the dew. Thrilled with a glad surprise, methought I knew The pleasure of the homeward-turning Jew, When Eshcol's clusters on his shoulders lay, Dropping their sweetness on his desert way. I said, "This fruit beseems no world of sin. Its parent vine, rooted in Paradise, O'ercrept the wall, and never paid the price Of the great mischief,--an ambrosial tree, Eden's exotic, somehow smuggled in, To keep the thorns and thistles company." Perchance our frail, sad mother plucked in haste A single vine-slip as she passed the gate, Where the dread sword alternate paled and burned, And the stern angel, pitying her fate, Forgave the lovely trespasser, and turned Aside his face of fire; and thus the waste And fallen world hath yet its annual taste Of primal good, to prove of sin the cost, And show by one gleaned ear the mighty harvest lost. 1854. FLOWERS IN WINTER PAINTED UPON A PORTE LIVRE. How strange to greet, this frosty morn, In graceful counterfeit of flowers, These children of the meadows, born Of sunshine and of showers! How well the conscious wood retains The pictures of its flower-sown home, The lights and shades, the purple stains, And golden hues of bloom! It was a happy thought to bring To the dark season's frost and rime This painted memory of spring, This dream of summer-time. Our hearts are lighter for its sake, Our fancy's age renews its youth, And dim-remembered fictions take The guise of--present truth. A wizard of the Merrimac,-- So old ancestral legends say, Could call green leaf and blossom back To frosted stem and spray. The dry logs of the cottage wall, Beneath his touch, put out their leaves The clay-bound swallow, at his call, Played round the icy eaves. The settler saw his oaken flail Take bud, and bloom before his eyes; From frozen pools he saw the pale, Sweet summer lilies rise. To their old homes, by man profaned, Came the sad dryads, exiled long, And through their leafy tongues complained Of household use and wrong. The beechen platter sprouted wild, The pipkin wore its old-time green The cradle o'er the sleeping child Became a leafy screen. Haply our gentle friend hath met, While wandering in her sylvan quest, Haunting his native woodlands yet, That Druid of the West; And, while the dew on leaf and flower Glistened in moonlight clear and still, Learned the dusk wizard's spell of power, And caught his trick of skill. But welcome, be it new or old, The gift which makes the day more bright, And paints, upon the ground of cold And darkness, warmth and light. Without is neither gold nor green; Within, for birds, the birch-logs sing; Yet, summer-like, we sit between The autumn and the spring. The one, with bridal blush of rose, And sweetest breath of woodland balm, And one whose matron lips unclose In smiles of saintly calm. Fill soft and deep, O winter snow! The sweet azalea's oaken dells, And hide the bank where roses blow, And swing the azure bells! O'erlay the amber violet's leaves, The purple aster's brookside home, Guard all the flowers her pencil gives A life beyond their bloom. And she, when spring comes round again, By greening slope and singing flood Shall wander, seeking, not in vain, Her darlings of the wood. 1855. THE MAYFLOWERS The trailing arbutus, or mayflower, grows abundantly in the vicinity of Plymouth, and was the first flower that greeted the Pilgrims after their fearful winter. The name mayflower was familiar in England, as the application of it to the historic vessel shows, but it was applied by the English, and still is, to the hawthorn. Its use in New England in connection with _Epigma repens _dates from a very early day, some claiming that the first Pilgrims so used it, in affectionate memory of the vessel and its English flower association. Sad Mayflower! watched by winter stars, And nursed by winter gales, With petals of the sleeted spars, And leaves of frozen sails! What had she in those dreary hours, Within her ice-rimmed bay, In common with the wild-wood flowers, The first sweet smiles of May? Yet, "God be praised!" the Pilgrim said, Who saw the blossoms peer Above the brown leaves, dry and dead, "Behold our Mayflower here!" "God wills it: here our rest shall be, Our years of wandering o'er; For us the Mayflower of the sea Shall spread her sails no more." O sacred flowers of faith and hope, As sweetly now as then Ye bloom on many a birchen slope, In many a pine-dark glen. Behind the sea-wall's rugged length, Unchanged, your leaves unfold, Like love behind the manly strength Of the brave hearts of old. So live the fathers in their sons, Their sturdy faith be ours, And ours the love that overruns Its rocky strength with flowers! The Pilgrim's wild and wintry day Its shadow round us draws; The Mayflower of his stormy bay, Our Freedom's struggling cause. But warmer suns erelong shall bring To life the frozen sod; And through dead leaves of hope shall spring Afresh the flowers of God! 1856. THE LAST WALK IN AUTUMN. I. O'er the bare woods, whose outstretched hands Plead with the leaden heavens in vain, I see, beyond the valley lands, The sea's long level dim with rain. Around me all things, stark and dumb, Seem praying for the snows to come, And, for the summer bloom and greenness gone, With winter's sunset lights and dazzling morn atone. II. Along the river's summer walk, The withered tufts of asters nod; And trembles on its arid stalk The boar plume of the golden-rod. And on a ground of sombre fir, And azure-studded juniper, The silver birch its buds of purple shows, And scarlet berries tell where bloomed the sweet wild-rose! III. With mingled sound of horns and bells, A far-heard clang, the wild geese fly, Storm-sent, from Arctic moors and fells, Like a great arrow through the sky, Two dusky lines converged in one, Chasing the southward-flying sun; While the brave snow-bird and the hardy jay Call to them from the pines, as if to bid them stay. IV. I passed this way a year ago The wind blew south; the noon of day Was warm as June's; and save that snow Flecked the low mountains far away, And that the vernal-seeming breeze Mocked faded grass and leafless trees, I might have dreamed of summer as I lay, Watching the fallen leaves with the soft wind at play. V. Since then, the winter blasts have piled The white pagodas of the snow On these rough slopes, and, strong and wild, Yon river, in its overflow Of spring-time rain and sun, set free, Crashed with its ices to the sea; And over these gray fields, then green and gold, The summer corn has waved, the thunder's organ rolled. VI. Rich gift of God! A year of time What pomp of rise and shut of day, What hues wherewith our Northern clime Makes autumn's dropping woodlands gay, What airs outblown from ferny dells, And clover-bloom and sweetbrier smells, What songs of brooks and birds, what fruits and flowers, Green woods and moonlit snows, have in its round been ours! VII. I know not how, in other lands, The changing seasons come and go; What splendors fall on Syrian sands, What purple lights on Alpine snow! Nor how the pomp of sunrise waits On Venice at her watery gates; A dream alone to me is Arno's vale, And the Alhambra's halls are but a traveller's tale. VIII. Yet, on life's current, he who drifts Is one with him who rows or sails And he who wanders widest lifts No more of beauty's jealous veils Than he who from his doorway sees The miracle of flowers and trees, Feels the warm Orient in the noonday air, And from cloud minarets hears the sunset call to prayer! IX. The eye may well be glad that looks Where Pharpar's fountains rise and fall; But he who sees his native brooks Laugh in the sun, has seen them all. The marble palaces of Ind Rise round him in the snow and wind; From his lone sweetbrier Persian Hafiz smiles, And Rome's cathedral awe is in his woodland aisles. X. And thus it is my fancy blends The near at hand and far and rare; And while the same horizon bends Above the silver-sprinkled hair Which flashed the light of morning skies On childhood's wonder-lifted eyes, Within its round of sea and sky and field, Earth wheels with all her zones, the Kosmos stands revealed. XI. And thus the sick man on his bed, The toiler to his task-work bound, Behold their prison-walls outspread, Their clipped horizon widen round! While freedom-giving fancy waits, Like Peter's angel at the gates, The power is theirs to baffle care and pain, To bring the lost world back, and make it theirs again! XII. What lack of goodly company, When masters of the ancient lyre Obey my call, and trace for me Their words of mingled tears and fire! I talk with Bacon, grave and wise, I read the world with Pascal's eyes; And priest and sage, with solemn brows austere, And poets, garland-bound, the Lords of Thought, draw near. XIII. Methinks, O friend, I hear thee say, "In vain the human heart we mock; Bring living guests who love the day, Not ghosts who fly at crow of cock! The herbs we share with flesh and blood Are better than ambrosial food With laurelled shades." I grant it, nothing loath, But doubly blest is he who can partake of both. XIV. He who might Plato's banquet grace, Have I not seen before me sit, And watched his puritanic face, With more than Eastern wisdom lit? Shrewd mystic! who, upon the back Of his Poor Richard's Almanac, Writing the Sufi's song, the Gentoo's dream, Links Manu's age of thought to Fulton's age of steam! XV. Here too, of answering love secure, Have I not welcomed to my hearth The gentle pilgrim troubadour, Whose songs have girdled half the earth; Whose pages, like the magic mat Whereon the Eastern lover sat, Have borne me over Rhine-land's purple vines, And Nubia's tawny sands, and Phrygia's mountain pines! XVI. And he, who to the lettered wealth Of ages adds the lore unpriced, The wisdom and the moral health, The ethics of the school of Christ; The statesman to his holy trust, As the Athenian archon, just, Struck down, exiled like him for truth alone, Has he not graced my home with beauty all his own? XVII. What greetings smile, what farewells wave, What loved ones enter and depart! The good, the beautiful, the brave, The Heaven-lent treasures of the heart! How conscious seems the frozen sod And beechen slope whereon they trod The oak-leaves rustle, and the dry grass bends Beneath the shadowy feet of lost or absent friends. XVIII. Then ask not why to these bleak hills I cling, as clings the tufted moss, To bear the winter's lingering chills, The mocking spring's perpetual loss. I dream of lands where summer smiles, And soft winds blow from spicy isles, But scarce would Ceylon's breath of flowers be sweet, Could I not feel thy soil, New England, at my feet! XIX. At times I long for gentler skies, And bathe in dreams of softer air, But homesick tears would fill the eyes That saw the Cross without the Bear. The pine must whisper to the palm, The north-wind break the tropic calm; And with the dreamy languor of the Line, The North's keen virtue blend, and strength to beauty join. XX. Better to stem with heart and hand The roaring tide of life, than lie, Unmindful, on its flowery strand, Of God's occasions drifting by Better with naked nerve to bear The needles of this goading air, Than, in the lap of sensual ease, forego The godlike power to do, the godlike aim to know. XXI. Home of my heart! to me more fair Than gay Versailles or Windsor's halls, The painted, shingly town-house where The freeman's vote for Freedom falls! The simple roof where prayer is made, Than Gothic groin and colonnade; The living temple of the heart of man, Than Rome's sky-mocking vault, or many-spired Milan! XXII. More dear thy equal village schools, Where rich and poor the Bible read, Than classic halls where Priestcraft rules, And Learning wears the chains of Creed; Thy glad Thanksgiving, gathering in The scattered sheaves of home and kin, Than the mad license ushering Lenten pains, Or holidays of slaves who laugh and dance in chains. XXIII. And sweet homes nestle in these dales, And perch along these wooded swells; And, blest beyond Arcadian vales, They hear the sound of Sabbath bells! Here dwells no perfect man sublime, Nor woman winged before her time, But with the faults and follies of the race, Old home-bred virtues hold their not unhonored place. XXIV. Here manhood struggles for the sake Of mother, sister, daughter, wife, The graces and the loves which make The music of the march of life; And woman, in her daily round Of duty, walks on holy ground. No unpaid menial tills the soil, nor here Is the bad lesson learned at human rights to sneer. XXV. Then let the icy north-wind blow The trumpets of the coming storm, To arrowy sleet and blinding snow Yon slanting lines of rain transform. Young hearts shall hail the drifted cold, As gayly as I did of old; And I, who watch them through the frosty pane, Unenvious, live in them my boyhood o'er again. XXVI. And I will trust that He who heeds The life that hides in mead and wold, Who hangs yon alder's crimson beads, And stains these mosses green and gold, Will still, as He hath done, incline His gracious care to me and mine; Grant what we ask aright, from wrong debar, And, as the earth grows dark, make brighter every star! XXVII. I have not seen, I may not see, My hopes for man take form in fact, But God will give the victory In due time; in that faith I act. And lie who sees the future sure, The baffling present may endure, And bless, meanwhile, the unseen Hand that leads The heart's desires beyond the halting step of deeds. XXVIII. And thou, my song, I send thee forth, Where harsher songs of mine have flown; Go, find a place at home and hearth Where'er thy singer's name is known; Revive for him the kindly thought Of friends; and they who love him not, Touched by some strain of thine, perchance may take The hand he proffers all, and thank him for thy sake. 1857. THE FIRST FLOWERS For ages on our river borders, These tassels in their tawny bloom, And willowy studs of downy silver, Have prophesied of Spring to come. For ages have the unbound waters Smiled on them from their pebbly hem, And the clear carol of the robin And song of bluebird welcomed them. But never yet from smiling river, Or song of early bird, have they Been greeted with a gladder welcome Than whispers from my heart to-day. They break the spell of cold and darkness, The weary watch of sleepless pain; And from my heart, as from the river, The ice of winter melts again. Thanks, Mary! for this wild-wood token Of Freya's footsteps drawing near; Almost, as in the rune of Asgard, The growing of the grass I hear. It is as if the pine-trees called me From ceiled room and silent books, To see the dance of woodland shadows, And hear the song of April brooks! As in the old Teutonic ballad Of Odenwald live bird and tree, Together live in bloom and music, I blend in song thy flowers and thee. Earth's rocky tablets bear forever The dint of rain and small bird's track Who knows but that my idle verses May leave some trace by Merrimac! The bird that trod the mellow layers Of the young earth is sought in vain; The cloud is gone that wove the sandstone, From God's design, with threads of rain! So, when this fluid age we live in Shall stiffen round my careless rhyme, Who made the vagrant tracks may puzzle The savants of the coming time; And, following out their dim suggestions, Some idly-curious hand may draw My doubtful portraiture, as Cuvier Drew fish and bird from fin and claw. And maidens in the far-off twilights, Singing my words to breeze and stream, Shall wonder if the old-time Mary Were real, or the rhymer's dream! 1st 3d mo., 1857. THE OLD BURYING-GROUND. Our vales are sweet with fern and rose, Our hills are maple-crowned; But not from them our fathers chose The village burying-ground. The dreariest spot in all the land To Death they set apart; With scanty grace from Nature's hand, And none from that of Art. A winding wall of mossy stone, Frost-flung and broken, lines A lonesome acre thinly grown With grass and wandering vines. Without the wall a birch-tree shows Its drooped and tasselled head; Within, a stag-horned sumach grows, Fern-leafed, with spikes of red. There, sheep that graze the neighboring plain Like white ghosts come and go, The farm-horse drags his fetlock chain, The cow-bell tinkles slow. Low moans the river from its bed, The distant pines reply; Like mourners shrinking from the dead, They stand apart and sigh. Unshaded smites the summer sun, Unchecked the winter blast; The school-girl learns the place to shun, With glances backward cast. For thus our fathers testified, That he might read who ran, The emptiness of human pride, The nothingness of man. They dared not plant the grave with flowers, Nor dress the funeral sod, Where, with a love as deep as ours, They left their dead with God. The hard and thorny path they kept From beauty turned aside; Nor missed they over those who slept The grace to life denied. Yet still the wilding flowers would blow, The golden leaves would fall, The seasons come, the seasons go, And God be good to all. Above the graves the' blackberry hung In bloom and green its wreath, And harebells swung as if they rung The chimes of peace beneath. The beauty Nature loves to share, The gifts she hath for all, The common light, the common air, O'ercrept the graveyard's wall. It knew the glow of eventide, The sunrise and the noon, And glorified and sanctified It slept beneath the moon. With flowers or snow-flakes for its sod, Around the seasons ran, And evermore the love of God Rebuked the fear of man. We dwell with fears on either hand, Within a daily strife, And spectral problems waiting stand Before the gates of life. The doubts we vainly seek to solve, The truths we know, are one; The known and nameless stars revolve Around the Central Sun. And if we reap as we have sown, And take the dole we deal, The law of pain is love alone, The wounding is to heal. Unharmed from change to change we glide, We fall as in our dreams; The far-off terror at our side A smiling angel seems. Secure on God's all-tender heart Alike rest great and small; Why fear to lose our little part, When He is pledged for all? O fearful heart and troubled brain Take hope and strength from this,-- That Nature never hints in vain, Nor prophesies amiss. Her wild birds sing the same sweet stave, Her lights and airs are given Alike to playground and the grave; And over both is Heaven. 1858 THE PALM-TREE. Is it the palm, the cocoa-palm, On the Indian Sea, by the isles of balm? Or is it a ship in the breezeless calm? A ship whose keel is of palm beneath, Whose ribs of palm have a palm-bark sheath, And a rudder of palm it steereth with. Branches of palm are its spars and rails, Fibres of palm are its woven sails, And the rope is of palm that idly trails! What does the good ship bear so well? The cocoa-nut with its stony shell, And the milky sap of its inner cell. What are its jars, so smooth and fine, But hollowed nuts, filled with oil and wine, And the cabbage that ripens under the Line? Who smokes his nargileh, cool and calm? The master, whose cunning and skill could charm Cargo and ship from the bounteous palm. In the cabin he sits on a palm-mat soft, From a beaker of palm his drink is quaffed, And a palm-thatch shields from the sun aloft! His dress is woven of palmy strands, And he holds a palm-leaf scroll in his hands, Traced with the Prophet's wise commands! The turban folded about his head Was daintily wrought of the palm-leaf braid, And the fan that cools him of palm was made. Of threads of palm was the carpet spun Whereon he kneels when the day is done, And the foreheads of Islam are bowed as one! To him the palm is a gift divine, Wherein all uses of man combine,-- House, and raiment, and food, and wine! And, in the hour of his great release, His need of the palm shall only cease With the shroud wherein he lieth in peace. "Allah il Allah!" he sings his psalm, On the Indian Sea, by the isles of balm; "Thanks to Allah who gives the palm!" 1858. THE RIVER PATH. No bird-song floated down the hill, The tangled bank below was still; No rustle from the birchen stem, No ripple from the water's hem. The dusk of twilight round us grew, We felt the falling of the dew; For, from us, ere the day was done, The wooded hills shut out the sun. But on the river's farther side We saw the hill-tops glorified,-- A tender glow, exceeding fair, A dream of day without its glare. With us the damp, the chill, the gloom With them the sunset's rosy bloom; While dark, through willowy vistas seen, The river rolled in shade between. From out the darkness where we trod, We gazed upon those bills of God, Whose light seemed not of moon or sun. We spake not, but our thought was one. We paused, as if from that bright shore Beckoned our dear ones gone before; And stilled our beating hearts to hear The voices lost to mortal ear! Sudden our pathway turned from night; The hills swung open to the light; Through their green gates the sunshine showed, A long, slant splendor downward flowed. Down glade and glen and bank it rolled; It bridged the shaded stream with gold; And, borne on piers of mist, allied The shadowy with the sunlit side! "So," prayed we, "when our feet draw near The river dark, with mortal fear, "And the night cometh chill with dew, O Father! let Thy light break through! "So let the hills of doubt divide, So bridge with faith the sunless tide! "So let the eyes that fail on earth On Thy eternal hills look forth; "And in Thy beckoning angels know The dear ones whom we loved below!" 1880. *** END OF THE PROJECT GUTENBERG EBOOK, THE FROST SPIRIT, ETC. *** By John Greenleaf Whittier ****** This file should be named 9568.txt or 9568.zip ****** This eBook was produced by David Widger Project Gutenberg eBooks are often created from several printed editions, all of which are confirmed as Public Domain in the US unless a copyright notice is included. Thus, we usually do not keep eBooks in compliance with any particular paper edition. We are now trying to release all our eBooks one year in advance of the official release dates, leaving time for better editing. Please be encouraged to tell us about any error or corrections, even years after the official publication date. Please note neither this listing nor its contents are final til midnight of the last day of the month of any such announcement. The official release date of all Project Gutenberg eBooks is at Midnight, Central Time, of the last day of the stated month. A preliminary version may often be posted for suggestion, comment and editing by those who wish to do so. Most people start at our Web sites at: https://gutenberg.org or http://promo.net/pg These Web sites include award-winning information about Project Gutenberg, including how to donate, how to help produce our new eBooks, and how to subscribe to our email newsletter (free!). Those of you who want to download any eBook before announcement can get to them as follows, and just download by date. This is also a good way to get them instantly upon announcement, as the indexes our cataloguers produce obviously take a while after an announcement goes out in the Project Gutenberg Newsletter. http://www.ibiblio.org/gutenberg/etext03 or ftp://ftp.ibiblio.org/pub/docs/books/gutenberg/etext03 Or /etext02, 01, 00, 99, 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90 Just search by the first five letters of the filename you want, as it appears in our Newsletters. Information about Project Gutenberg (one page) We produce about two million dollars for each hour we work. The time it takes us, a rather conservative estimate, is fifty hours to get any eBook selected, entered, proofread, edited, copyright searched and analyzed, the copyright letters written, etc. Our projected audience is one hundred million readers. If the value per text is nominally estimated at one dollar then we produce $2 million dollars per hour in 2002 as we release over 100 new text files per month: 1240 more eBooks in 2001 for a total of 4000+ We are already on our way to trying for 2000 more eBooks in 2002 If they reach just 1-2% of the world's population then the total will reach over half a trillion eBooks given away by year's end. The Goal of Project Gutenberg is to Give Away 1 Trillion eBooks! This is ten thousand titles each to one hundred million readers, which is only about 4% of the present number of computer users. Here is the briefest record of our progress (* means estimated): eBooks Year Month 1 1971 July 10 1991 January 100 1994 January 1000 1997 August 1500 1998 October 2000 1999 December 2500 2000 December 3000 2001 November 4000 2001 October/November 6000 2002 December* 9000 2003 November* 10000 2004 January* The Project Gutenberg Literary Archive Foundation has been created to secure a future for Project Gutenberg into the next millennium. We need your donations more than ever! As of February, 2002, contributions are being solicited from people and organizations in: Alabama, Alaska, Arkansas, Connecticut, Delaware, District of Columbia, Florida, Georgia, Hawaii, Illinois, Indiana, Iowa, Kansas, Kentucky, Louisiana, Maine, Massachusetts, Michigan, Mississippi, Missouri, Montana, Nebraska, Nevada, New Hampshire, New Jersey, New Mexico, New York, North Carolina, Ohio, Oklahoma, Oregon, Pennsylvania, Rhode Island, South Carolina, South Dakota, Tennessee, Texas, Utah, Vermont, Virginia, Washington, West Virginia, Wisconsin, and Wyoming. We have filed in all 50 states now, but these are the only ones that have responded. As the requirements for other states are met, additions to this list will be made and fund raising will begin in the additional states. Please feel free to ask to check the status of your state. In answer to various questions we have received on this: We are constantly working on finishing the paperwork to legally request donations in all 50 states. If your state is not listed and you would like to know if we have added it since the list you have, just ask. While we cannot solicit donations from people in states where we are not yet registered, we know of no prohibition against accepting donations from donors in these states who approach us with an offer to donate. International donations are accepted, but we don't know ANYTHING about how to make them tax-deductible, or even if they CAN be made deductible, and don't have the staff to handle it even if there are ways. Donations by check or money order may be sent to: Project Gutenberg Literary Archive Foundation PMB 113 1739 University Ave. Oxford, MS 38655-4109 Contact us if you want to arrange for a wire transfer or payment method other than by check or money order. The Project Gutenberg Literary Archive Foundation has been approved by the US Internal Revenue Service as a 501(c)(3) organization with EIN [Employee Identification Number] 64-622154. Donations are tax-deductible to the maximum extent permitted by law. As fund-raising requirements for other states are met, additions to this list will be made and fund-raising will begin in the additional states. We need your donations more than ever! You can get up to date donation information online at: https://www.gutenberg.org/donation.html *** If you can't reach Project Gutenberg, you can always email directly to: Michael S. HartProf. Hart will answer or forward your message. We would prefer to send you information by email. **The Legal Small Print** (Three Pages) ***START**THE SMALL PRINT!**FOR PUBLIC DOMAIN EBOOKS**START*** Why is this "Small Print!" statement here? You know: lawyers. They tell us you might sue us if there is something wrong with your copy of this eBook, even if you got it for free from someone other than us, and even if what's wrong is not our fault. So, among other things, this "Small Print!" statement disclaims most of our liability to you. It also tells you how you may distribute copies of this eBook if you want to. *BEFORE!* YOU USE OR READ THIS EBOOK By using or reading any part of this PROJECT GUTENBERG-tm eBook, you indicate that you understand, agree to and accept this "Small Print!" statement. If you do not, you can receive a refund of the money (if any) you paid for this eBook by sending a request within 30 days of receiving it to the person you got it from. If you received this eBook on a physical medium (such as a disk), you must return it with your request. ABOUT PROJECT GUTENBERG-TM EBOOKS This PROJECT GUTENBERG-tm eBook, like most PROJECT GUTENBERG-tm eBooks, is a "public domain" work distributed by Professor Michael S. Hart through the Project Gutenberg Association (the "Project"). Among other things, this means that no one owns a United States copyright on or for this work, so the Project (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth below, apply if you wish to copy and distribute this eBook under the "PROJECT GUTENBERG" trademark. Please do not use the "PROJECT GUTENBERG" trademark to market any commercial products without permission. To create these eBooks, the Project expends considerable efforts to identify, transcribe and proofread public domain works. Despite these efforts, the Project's eBooks and any medium they may be on may contain "Defects". Among other things, Defects may take the form of incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other eBook medium, a computer virus, or computer codes that damage or cannot be read by your equipment. LIMITED WARRANTY; DISCLAIMER OF DAMAGES But for the "Right of Replacement or Refund" described below, [1] Michael Hart and the Foundation (and any other party you may receive this eBook from as a PROJECT GUTENBERG-tm eBook) disclaims all liability to you for damages, costs and expenses, including legal fees, and [2] YOU HAVE NO REMEDIES FOR NEGLIGENCE OR UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT, INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGES. If you discover a Defect in this eBook within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending an explanatory note within that time to the person you received it from. If you received it on a physical medium, you must return it with your note, and such person may choose to alternatively give you a replacement copy. If you received it electronically, such person may choose to alternatively give you a second opportunity to receive it electronically. THIS EBOOK IS OTHERWISE PROVIDED TO YOU "AS-IS". NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS TO THE EBOOK OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A PARTICULAR PURPOSE. Some states do not allow disclaimers of implied warranties or the exclusion or limitation of consequential damages, so the above disclaimers and exclusions may not apply to you, and you may have other legal rights. INDEMNITY You will indemnify and hold Michael Hart, the Foundation, and its trustees and agents, and any volunteers associated with the production and distribution of Project Gutenberg-tm texts harmless, from all liability, cost and expense, including legal fees, that arise directly or indirectly from any of the following that you do or cause: [1] distribution of this eBook, [2] alteration, modification, or addition to the eBook, or [3] any Defect. DISTRIBUTION UNDER "PROJECT GUTENBERG-tm" You may distribute copies of this eBook electronically, or by disk, book or any other medium if you either delete this "Small Print!" and all other references to Project Gutenberg, or: [1] Only give exact copies of it. Among other things, this requires that you do not remove, alter or modify the eBook or this "small print!" statement. You may however, if you wish, distribute this eBook in machine readable binary, compressed, mark-up, or proprietary form, including any form resulting from conversion by word processing or hypertext software, but only so long as *EITHER*: [*] The eBook, when displayed, is clearly readable, and does *not* contain characters other than those intended by the author of the work, although tilde (~), asterisk (*) and underline (_) characters may be used to convey punctuation intended by the author, and additional characters may be used to indicate hypertext links; OR [*] The eBook may be readily converted by the reader at no expense into plain ASCII, EBCDIC or equivalent form by the program that displays the eBook (as is the case, for instance, with most word processors); OR [*] You provide, or agree to also provide on request at no additional cost, fee or expense, a copy of the eBook in its original plain ASCII form (or in EBCDIC or other equivalent proprietary form). [2] Honor the eBook refund and replacement provisions of this "Small Print!" statement. [3] Pay a trademark license fee to the Foundation of 20% of the gross profits you derive calculated using the method you already use to calculate your applicable taxes. If you don't derive profits, no royalty is due. Royalties are payable to "Project Gutenberg Literary Archive Foundation" the 60 days following each date you prepare (or were legally required to prepare) your annual (or equivalent periodic) tax return. Please contact us beforehand to let us know your plans and to work out the details. WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO? Project Gutenberg is dedicated to increasing the number of public domain and licensed works that can be freely distributed in machine readable form. The Project gratefully accepts contributions of money, time, public domain materials, or royalty free copyright licenses. Money should be paid to the: "Project Gutenberg Literary Archive Foundation." If you are interested in contributing scanning equipment or software or other items, please contact Michael Hart at: [email protected] [Portions of this eBook's header and trailer may be reprinted only when distributed free of all fees. Copyright (C) 2001, 2002 by Michael S. Hart. Project Gutenberg is a TradeMark and may not be used in any sales of Project Gutenberg eBooks or other materials be they hardware or software or any other related product without express permission.] *END THE SMALL PRINT! FOR PUBLIC DOMAIN EBOOKS*Ver.02/11/02*END*