On Patrol

By John Graham Bower

The Project Gutenberg EBook of On Patrol, by John Graham Bower and Klaxon

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org


Title: On Patrol

Author: John Graham Bower
        Klaxon

Release Date: January 29, 2013 [EBook #41944]

Language: English


*** START OF THIS PROJECT GUTENBERG EBOOK ON PATROL ***




Produced by sp1nd, Mary Akers and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)








Transcriber's note:
    Spelling and punctuation inconsistencies, mainly quotes that
    had not been closed, have been harmonized. Italic text has
    been marked with _underscores_.




ON PATROL




    ON PATROL

    BY
    KLAXON
    AUTHOR OF 'H. M. S. ----'


    William Blackwood and Sons
    Edinburgh and London
    1919




_TO D. V. B._


    They watch us leaving harbour for the greatest game of all,
      And wonder if we're coming back across the greedy sea;
    They never know the fighting thrill or high adventure's call--
      I rather think the women folk are better men than we.
    But I suspect they say of us as out to sea we go,
      In all our panoply of pride from Orkney to the Nore:
    "It keeps them quiet, we suppose--they like the work, we know--
      And soon perhaps they'll tire and play some safer game than War."




CONTENTS.


                                  PAGE

    TO----                           1

    OLD WOMEN                        5

    CHIN UP                          9

    "... THAT HAVE NO DOUBTS"       15

    SKY SIGNS                       21

    AN ENTENTE                      27

    A BATTLE-PRAYER                 33

        SUBMARINES                  35

        THE BATTLE-FLEET            36

        DESTROYERS                  37

    AN ADMINISTRATIVE VICTORY       39

    A NIGHTMARE                     49

    RELEASED                        57

    REGULUS                         63

    A NORTH SEA NOTE                67

    SOMETHING WRONG                 73

    WE                              77

    THE SAILOR'S VIEW               83

    STONEWALL JACKSON               89

    WET SHIPS                       93

    THAT BLINKIN' CAT               99

    1797                           105

    AFTER THE WAR                  109

    LOW VISIBILITY                 117

    HANG ON                        123

    TO FRITZ                       129

    TO THE SCOTTISH REGIMENTS      135

    PRIVILEGED                     141

    "OUR ANNUAL"                   147

    MASCOTS                        151

    A HYMN OF DISGUST              157

    A TRINITY                      165

    IN THE MORNING                 173

    IN FORTY WEST                  179

    A RING AXIOM                   183

    THE QUARTERMASTER              187

    IN THE BARRED ZONE             193

    WHO CARES?                     199

    THE UNCHANGING SEX             203

    LOOKING AFT                    209

    A MAXIM                        215

    THE CRISIS                     219

    A SEA CHANTY                   223

    A.D. 400                       229

    OVERDUE                        233




TO----




TO----.


    He went to sea on the long patrol,
    Away to the East from the Corton Shoal,
        But now he's overdue.
    He signalled me as he bore away
    (A flickering lamp through leaping spray,
    And darkness then till judgment day),
        "So long! Good luck to you!"

    He's waiting out on the long patrol,
    Till the names are called at the muster-roll
        Of seamen overdue.
    Far above him, in wind and rain,
    Another is on patrol again--
    The gap is closed in the Naval Chain
        Where all the links are new.

    Over his head the seas are white,
    And the wind is blowing a gale to-night,
        As if the Storm-King knew,
    And roared a ballad of sleet and snow
    To the man that lies on the sand below,
    A trumpet-song for the winds to blow
        To seamen overdue.

    Was it sudden or slow--the death that came?
    Roaring water or sheets of flame?
        The end with none to view?
    No man can tell us the way he died,
    But over the clouds Valkyries ride
    To open the gates and hold them wide
        For seamen overdue.

    But whether the end was swift or slow,
    By the Hand of God, or a German blow,
        My messmate overdue--
    You went to Death--and the whisper ran
    As over the Gates the horns began,
    _Splendour of God! We have found a man_--
        Good-bye! Good luck to you!




OLD WOMEN




OLD WOMEN.


    Faint against the twilight, dim against the evening,
    Fading into darkness against the lapping sea,
    She sailed away from harbour, from safety into danger,
    The ship that took him from me--my sailor boy from me.

    He went away to join her, from me that loved and bore him,
    Loved him ere I bore him, that was all the world to me.
    "No time for leave, mother, must be back this evening,
    Time for our patrol again, across the winter sea."

    Six times over, since he went to join her,
    Came he to see me, to run back again.
    "Four hours' leave, mother--still got the steam up,
    Going on patrol to-night--the old East lane."

    "Seven times lucky, and perhaps we'll have a battle,
    Then I'll bring a medal back and give it you to keep."
    And his name is in the paper, with close upon a hundred,
    Who lie there beside him, many fathom deep.

    And beside him in the paper, somebody is writing,
    --God! but how I hate him--a liar and a fool,--
    "Where is the British Navy--is it staying in the harbours?
    Has the Nelson spirit in the Fleet begun to cool?"




CHIN UP




CHIN UP.


    Are the prices high and taxes stiff, is the prospect sad and dark?
    Have you seen your capital dwindle down as low as the German mark?
    Do you feel your troubles around you rise in an endless dreary wall?
    Well--thank your God you were born in time for the Greatest War of all.

    It will be all right in a thousand years--you won't be bankrupt then.
    This isn't the time of stocks and shares, it's just the age of men.
    The one that sticks it out will win--so don't lie down and bawl,
    But thank your God you've helped to win the noblest War of all.

    Away to the East in Flanders' mud, through Dante's dream of Hell,
    The troops are working hard for peace with bayonet, bomb, and shell,
    With poison gas and roaring guns beneath a smoking pall;
    Yes--thank your God your kin are there--the finest troops of all.

    You may be stripped of all you have--it may be all you say,
    But you'll have your life and eyesight left, so stow your talk of pay.
    You won't be dead in a bed of lime with those that heard the Call;
    So thank your God you've an easy job in the Greatest War of all.

    It isn't the money that's going to count when the Flanders' men return,
    And a shake of your hand from Flanders' men is a thing you've
       got to earn.
    Just think how cold it's going to be in the Nation's Judgment Hall;
    So damn your troubles and find your soul in the Greatest War of all!




"... THAT HAVE NO DOUBTS"




"... THAT HAVE NO DOUBTS."

    --RUDYARD KIPLING.


    _The last resort of Kings are we, but the voice of peoples too_--
            Ask the guns of Valmy Ridge--
            Lost at the Beresina Bridge,
    When the Russian guns were roaring death and the Guard was
       charging through.

    _Ultima Ratio Regis, we--but he who has may hold,_
            Se curantes Dei curant,
            Hear the gunners that strain and pant,
    As when before the rising gale the Great Armada rolled.

    _Guns of fifty--sixty tons that roared at Jutland fight_,
            Clatter and clang of hoisting shell;
            See the flame where the salvo fell
    Amidst the flash of German guns against the wall of white.

    _The sons of English carronade or Spanish culverin_--
            The Danish windows shivered and broke
            When over the sea the children spoke,
    And groaning turrets rocked again as we went out and in.

    _We have no passions to call our own, we work for serf or lord,_
            Load us well and sponge us clean--
            Be your woman a slave or queen--
    And we will clear the road for you who hold us by the sword.

    _We come into our own again and wake to life anew_--
            Put your paper and pens away,
            For the whole of the world is ours to-day,
    And we shall do the talking now to smooth the way for you.

    _Howitzer gun or Seventy-five, the game is ours to play,_
            And hills may quiver and mountains shake,
            But the line in front shall bend or break.
    What is it to us if the world is mad? For we are the Kings to-day.




SKY SIGNS




SKY SIGNS.


    WHEN ALL THE GUNS ARE SPONGED AND CLEANED, AND FUZES GO TO STORE,
    WHEN ALL THE WIRELESS STATIONS CRY--"COME HOME, YOU SHIPS OF WAR"--
    "COME HOME AGAIN AND LEAVE PATROL, NO MATTER WHERE YOU BE."
            We'll see the lights of England shine,
            Flashing again on the steaming line,
    As out of the dark the long grey hulls come rolling in from sea.

    THE LONG-FORGOTTEN LIGHTS WILL SHINE AND GILD THE CLOUDS AHEAD,
    OVER THE DARK HORIZON-LINE, ACROSS THE DREAMING DEAD
    THAT WENT TO SEA WITH THE DARK BEHIND AND THE SPIN OF A COIN BEFORE.
            Mark the gleam of Orfordness,
            Showing a road we used to guess,
    From the Shetland Isles to Dover cliffs--the shaded lane of war.

    UP THE CHANNEL WITH GLEAMING PORTS WILL HOMING SQUADRONS GO,
    AND SEE THE ENGLISH COAST ALIGHT WITH HEADLANDS ALL AGLOW
    WITH THIRTY THOUSAND CANDLE-POWER FLUNG UP FROM FAR GRIS-NEZ.
            Portland Bill and the Needles' Light--
            Tompions back in the guns to-night--
    For English lights are meeting French across the Soldiers' Way.

    WHEN WE COME BACK TO ENGLAND THEN, WITH ALL THE WARRING DONE,
    AND PAINT AND POLISH COME UP THE SIDE TO RULE ON TUBE AND GUN,
    WE'LL KNOW BEFORE THE ANCHOR'S DOWN, THE TIDINGS WON'T BE NEW.
            Lizard along to the Isle of Wight,
            Every lamp was burning bright,
    Northern Lights or Trinity House--we had the news from you!




AN ENTENTE




AN ENTENTE.


    AS we were running the Channel along, with a rising wind abeam,
    Steering home from an escort trip as fast as she could steam,
    I'd just come up, relieving Bill, to look for Fritz again,
    When I turns to the Skipper an', "Sir," I says, "I 'ears an aeroplane."
    An' sure enough, from out o' the clouds astern, we seed 'im come,
    An' down the wind the engine sang with a reg'lar oarin' 'um.
    The Skipper 'e puts 'is glasses down, an' smilin' says to me,
    "We needn't be pointin' guns at 'im--'e's one o' the R.F.C.
    We don't expect to meet the Boche, or any o' his machines,
    From here to France an' back again--except for submarines."
    An' 'e looks again at the 'plane above, an' says, "I do believe
    It's a fightin' bus--good luck to them--an' lots of London leave."

          An' jolly good luck, says I, says I,
            To you that's overhead;
          An' may you never go dry, go dry,
            Or want for a decent bed.
          With yer gaudy patch, says I, says I,
            Of Red an' White an' Blue--
          Oh, may the bullets go by, go by,
            An' not be findin' you.
          Astonishing luck, says I, says I,
            To you an' yer aeroplane;
          An' if it's yer joss to die, to die,
            When you go back again--
          May the enemy say as you drop below,
            An' you start your final dive:
          "Three of us left to see him go,
          An' it must be nice for him to know,
            That wasn't afraid o' five."




A BATTLE-PRAYER




A BATTLE-PRAYER.


SUBMARINES.

    When the breaking wavelets pass all sparkling to the sky,
    When beyond their crests we see the slender masts go by,
    When the glimpses alternate in bubbles white and green,
    And funnels grey against the sky show clear and fair between,
    When the word is passed along--"Stern and beam and bow"--
    "Action stations fore and aft--all torpedoes now!"
    When the hissing tubes are still, as if with bated breath
    They waited for the word to loose the silver bolts of death,
    When the Watch beneath the Sea shall crown the great Desire,
    And hear the coughing rush of air that greets the word to fire,
    We'll ask for no advantage, Lord--but only we would pray
    That they may meet this boat of ours upon their outward way.


THE BATTLE-FLEET.

    The moment we have waited long
      Is closing on us fast,
    When, cutting short the turret-gong,
    We'll hear the Cordite's Battle-song
      That hails the Day at last.
    The clashing rams come driving forth
      To meet the waiting shell,
    And far away to East and North
    Our targets steam to meet Thy Wrath,
      And dare the Gates of Hell.
    We do not ask Thee, Lord, to-day
      To stay the sinking sun--
    But hear Thy steel-clad servants pray,
    And keep, O Lord, Thy mists away
      Until Thy work is done.


DESTROYERS.

          Through the dark night
          And the fury of battle
      Pass the destroyers in showers of spray.
    As the Wolf-pack to the flank of the cattle,
      We shall close in on them--shadows of grey.
          In from ahead,
          Through shell-flashes red,
      We shall come down to them, after the Day.
          Whistle and crash
          Of salvo and volley
      Round us and into us while we attack.
    Light on our target they'll flash in their folly,
      Splitting our ears with the shrapnel-crack.

          Fire as they will,
          We'll come to them still,
      Roar as they may at us--Back--Go Back!
          White though the sea
          To the shell-flashes foaming,
      We shall be there at the death of the Hun.
    Only we pray for a star in the gloaming
      (Light for torpedoes and none for a gun).
          Lord--of Thy Grace
          Make it a race,
      Over the sea with the night to run.




AN ADMINISTRATIVE VICTORY




AN ADMINISTRATIVE VICTORY.


    A tale is told of a captain bold
        Of E-boat Seventy-two;
    She steered to eastward--pitched and rolled, and Poulson swore at her,
       damp and cold,
        As E-boat captains do.

    And off the mouth of the German Bight,
        With Borkum on the bow,
    She saw the smoke of a German fleet--MIND YOUR FINGERS--SEVENTY FEET!
        WE'RE IN FOR BUSINESS NOW....

    (For enemy ships are hard to find--
        You have to take them quick;
    So copy the Eastern vulture's rule, that waits for days for an
       Army mule--
        Always ready to click.)

    Out to the west from Helgoland
        The big grey cruiser steered,
    And the glinting rays of a rising sun flashed on funnel and
       mast and gun,
        And--Admiral Schultz's beard.

    Down the wind the E-boat came
       And passed the searching screen;
    Nobody guessed the boat was there, till they heard the wallop and
       saw the flare--
       Where the pride of the fleet had been.

    'Twixt white and green of dancing waves
        The racing tracks were seen,
    And Poulson watching them get there, cried--_Hold the crockery--
       Starboard side!_
        _For the kick of a magazine!_

    The escort ran and the cruisers ran
        At the thought of an English snare;
    Scattered and spread to left and right, to the friendly arms of
       the German Bight,
        And left the ocean bare.

    Then the coffee was spilt, the E-boat rolled
        To a deuce of a shaking bang;
    To the sound of the hammer of Aser-Thor, victory-song of Naval War,
        The hull of the E-boat rang.

    And Poulson swinging the eye-piece round,
        Lifted eyebrows high,
    For far aloft, when the smoke had cleared, he saw the flash of a
       golden beard
        Against the empty sky.

    "Admiral over! _Surface_, lads!
        He's flying a belted sword;
    Pipe the side or stern or bow, stand to attention smartly now--
        Wherever he comes aboard."

    The Admiral landed Cabré-wise
        And high the fountains burst--
    (What is the meaning of Cabré-wise? To men of the air it signifies--
        His after-end was first).

    They piped the side, and still they stood
        To watch him struggle and heave,
    As he fought the slope of the rounded deck (for none could pull at an
       Admiral's neck
        Without the Admiral's leave).

    They took him below, and sat him down
        On the edge of the Captain's bed,--
    Treatment vile for a foemen caught, they gave him a bottle of
       Navy Port--
        Fiery, dark, and red.

    They landed him at a Naval Base,
       With S. two-twenty D.
    _Supplied_--_a large and bearded Hun: Grosse Admirals, angry, One--
        For draft to Admiraltee._

    And Grosse-Admiral Schultz von Schmidt,
        Graf von Hansa-Zoom,
    Faded away to Donnington Hall, to an English park with a guarded wall
        --To an elegant private room.

    And there he paced the carpet up,
        And paced the carpet down,
    "Alte Himmel!"--the prisoners cried--"Some one's trod on the
       German pride,
        And dared the Hansa frown!"

    The Admiral called for a fountain pen
        And Reference Sheets[1] galore,
    And silence fell on the smoking-room--for Grosse-Admiral Hansa-Zoom
        Was throwing a Gage of War.

    "_Can I believe your Lordships mean
        To stand so idly by--
    When a young lieutenant of twenty-four, pleading the need of Naval War,
        Shall make an Admiral fly?_

    _Never shall I believe it true
        That I should have to fall
    On an icy sea with an awful spank, by the act of one of a junior rank,
        I--Schultz, of Donnington Hall._"

    Their Lordships read--and bells were heard
        That woke the echoing past;
    And Scouts and messengers jumped and fled--till all was still as a
       world of dead
        Beneath the wireless mast.

    My Lords in solemn conclave drew
        Behind a bolted door,
    Threshing it out in full debate--"Is it a case for an Acting Rate?
        Or use of Martial Law?"

    At four o'clock in the afternoon,
        With tea-cups clattering past,
    Along the echoing Portland floor the whisper passed from door to door--
        "_They've settled it all at last!_"

    And I have the word of a lady fair
        In Room Two Thousand B--
    (A perfect peach, I beg to state), who typed the letter in triplicate
        And passed it on to me.

    "_We find the Enemy Admiral's Note
        Is based on Service Law--
    That disrespect to a Flag afloat has sullied the fame of Poulson's boat
        Despite the Needs of War._

    _But he erred unknowing--so we shall mask
        His breach of Service pomp,--
    We'll make him an Admiral, D.S.B.[2]--Acting--payless--biscuit free,
        In lieu of lodging and Comp._

    _We'll rate him at once as an A.I.O.[3]
        With a K.R.A. and an I.,[4]
    We'll make him a deputy C.P.O.,[5] with Rank of Admiral, whether or no,
        And a beautiful Flag to fly._"

    And now when Poulson sails to war
        In E-boat Seventy-two,
    The boatswains pipe and the bugles blare, "_Stand to attention--
       forward there_!
        _The Admiral's passing you!_"

    That is the tale as told to me
        By a friend from Beatty's Fleet,
    When over a glass (or even two), he swore to me that the tale was true,
        In a Tavern in Regent Street.

    [1] A letter-form which enables the sender to address his
    Seniors more abruptly than he would dare to do without its
    assistance.

    [2] D.S.B. = Duty Steam Boat.

    [3] A.I.O. = Admiralty Interim Order.

    [4] K.R.A.I. = King's Regulations and Admiralty Instructions.

    [5] C.P.O. = Chief Petty Officer.




A NIGHTMARE




A NIGHTMARE.


    The Council of Democracy around the table drew
    (The table was a beauty--it was polished--it was new,
    Twenty feet from side to side and half a mile in length,
    Built of rosewood and mahogany of double extra strength.
    The C in C had gone to jail to answer to the charge
    Of saying what he thought about Democracy at large.
    So the Council of Democracy had taken on the job,
    After voting the removal of his Autocratic nob.
    And the table was erected in a calm secluded spot,
    Well away from any trenches, lest a voter should be shot).
    And the Chairman raised a hammer and he hit the board a whack,
    No one paid the least attention, so he put the hammer back.
    Then he read the lengthy minutes of the gathering before,
    To the ever-growing murmur of the Democratic snore.
    And he put before the meeting all the questions of the day,
    Such as "Shorter hours for Delegates, and seven times the pay."
    With a minor matter for the end--"What shall the Council do
    About this fellow Mackensen? they say he's coming through
    With a hundred thousand hirelings of the Hohenzollern Line,
    And breaking all the Union Rules by working after nine."
    At this a group of Delegates departed for the door,
    To consult with their constituents the conduct of the War.
    The remainder started voting on the Delegation Pay,
    And agreed with unanimity to seven quid a day.
    They decided that unless the Germans travelled very fast,
    There'd be time for all the speeches--so they took the matter last.
    But just as Mr Blithers to the Chairman had addressed
    His opinion--he departed for the Country of the Blest,
    (Both in body and in spirit to the heavens he departed,
    And the Council looked dispirited, though hardly broken-hearted).
    All the delegates were wondering from whence the shell had come;
    One arose to ask a question--Bang!!--he went to Kingdom Come.
    "Mr Chairman," cried a Delegate. "A point of order! I
    Don't believe the Huns are coming--it's an Autocratic lie.
    I shall move the Army question do be left upon the Table,
    And I'm going home to England just as fast as I am able."
    Then he gathered up his papers, and was pushing back his chair,
    When a heavy high explosive sent him sailing in the air.
    The Chairman beat his hammer on the table all the while,
    Yelling oaths and calling "Order" in a Democratic style.
    But the Delegates were started on the question of the War,
    (So as not to waste the speeches that they'd written out before).
    And the Council of Democracy--a thousand fluent tongues--
    Let the Germans have it hearty from its Democratic lungs.
    Through the bursting of the shrapnel they were constant to the end,--
    Kept referring to each other as "My honourable friend."
    And in groups of ten and twenty they were blasted into space
    By the disrespectful cannon of an Autocratic race,
    Till the gathering had dwindled to an incoherent few,
    Who were still explaining volubly what England ought to do,
    When the cannon ceased abruptly and they heard the Germans cheer,
    And a sergeant entered roaring, "Himmel, Ach! was Schmutz ist hier!
    Mask your faces, pig-dogs, quickly--all the room is full of gas.
    Vorwärts, Carl der Kindermörder--use your bayonet, Saxon ass!"
    Faithful to the last, the Chairman, spying strangers all around,
    Told them they were out of order; hardly seemed to touch the ground.
    Told them of his best intentions, how with love of them he burned,
    Shouted as the bayonet caught him, "Ow! the Council is adjourned!"




RELEASED




RELEASED.


    We are drifting back from the End of Hell to the home we long for so,--
    Back from the land of fear and hate that jeers at wounded men;
    Maimed and crippled are we to-day, but free from curse or blow--
    That we knew too well in the land of Cain, the guarded prisoners' den.

    We drift away to the homes we left a thousand years ago,
    And there we wait in the Truce of God for the hand of Death to fall,
    Waiting aside in hovel or hall--where only neighbours know--
    The broken men that the War has left to shun the gaze of all.

    Is it nothing to you that pass us by--hurrying on your way,
    Whispering low of peace and rest to the tune of a German song?
    Only but for the Grace of God you might be where we lay--
    With festering wounds in a truck for beasts, the butt
       of a laughing throng.

    Peace and Rest? The peace will come when God shall stay His hand,
    And change the heart of the German race that mocks at wounded men.
    The rest you seek? What need of that? you fight for a Christian land,
    And all Eternity waits for you--what need of rest till then?

    We are broken and down in the fight of the world for an end
       to heathen lust,
    But the sword we dropped when the darkness came is yours to handle yet.
    If you sheathe the sword for a greed of gold or suffer the steel
       to rust,
    The curse of the captive men be yours--the day when you forget--!




REGULUS




REGULUS.

    (Written after reading the story of that name in 'A Diversity
    of Creatures' by Kipling.)


    Out to the wharf where the long ship lay with her beak to the open sea,
    He went by the way of the merchantmen that trade to the ports of Spain;
    Clamouring folk beside him ran with sorrowing voice or wailing plea:
    "Hero--Pride of the Roman State! Turn again at the Harbour-Gate,
    Back and away from Tyrian hate with us to Rome again."

    Out on the wharf he walked from those--that wailed and wept
       to see him go;
    And hand in his she walked with him--her royal head on high.
    And the crowd was still as she turned and spoke--her hand in his and
       her eyes aglow:
    "Here where the tide and Tiber foam, I turn from you to an empty home.
    But alone of women of wailing Rome I have no tears to dry;

    "Pass to the sea and the Death beyond to the home of the Gods you left
       for Earth;
    Of all the women of Rome to-night, no pride shall equal mine.
    A God, the man that leaves me now--but ah! a lover that
       thought me worth--
    The whispered word of a husband true--I thank the Gods that
       I hold from you
    The right that fair Eurydice knew--the love of a man Divine."




A NORTH SEA NOTE




A NORTH SEA NOTE.


    The wind that whispered softly over Kiel across the Bay,
    Died away as the dark closed down,
    Till the Dockyard glare showed the ending of the day
    In the Fortress-Town.

    In the silence of the night as the big ships swung
    To the buoys as the flood-tide made,
    Came a clamour from the wind like a shield that is rung
    By a foemen's blade.

    Far above the masts where the wireless showed,
    Traced out against a star-lit sky,
    A voice called down from the Whist-hound's road
    Where the clouds went by--

    Listen down below--In the High Sea Fleet,
      For a signal that was shouted up to me
    By the sailors that I left on the old, old beat,
      Far out in the cold North Sea.

    They shouted up to me as the glass went down,
      And they ducked to the North-West spray,
    "Will you take a message to the Fortress-Town,
      And the Fleet that is lying in the Bay?

    "Say that we are waiting in the waters of the North,
      And we'll wait till the seas run dry--
    Or the High Sea Fleet from the Bight comes forth,
      And the twelve-inch shells go by.

    "We have waited very long, but we haven't any doubt
      They are longing for the day we'll meet.
    But tell 'em as you pass that the sooner they are out,
      All the better for the English Fleet.

    "For when we see 'em sinking--(they'll be fighting to the last,
      And for those that are lost we'll grieve,)
    We will cheer for a signal at the Flagship's mast--
      On arrival at the Base--Long Leave!"




SOMETHING WRONG




SOMETHING WRONG.


    "The German Fleet is coming,"
    The Sunday papers say,
    "And the shell will soon be humming
    When they fix upon the Day."
    All the Sunday experts write,
    Working very late at night--
    "They are coming--they'll be on you any day."

    Though it's very cheery reading,
    And we hear it ev'ry week;
    Yet the Hun is still unheeding,
    And is just as far to seek.
    And it seems so unavailing
    They should write and tell us so--
    If the Hun is shortly sailing,
    Couldn't _some one_ let him know?

    We are ready, and we're waiting,
    And we know they're going to fight;
    And we're just as good at hating
    As the Brainy Ones that write.
    But they talk of Information
    They have gathered unbeknown--
    That "the mighty German Nation
    Is a mass of skin and bone."
    And they take their affidavy
    That a fight is due at sea:
    _Dammit--tell the German Navy_,
    What's the use of telling me?




WE




WE.


    All our fighting brothers are away across the foam,
      Hats off to the Englishman!
    Here's a chance for Englishmen living safe at home,
      Make a lot of money while you can!

    We are fighting for the Right and the Honour of the Race
      With the Bulldog Grip they know;
    Who's the silly novice there putting on the pace?
      You'll be taken for a Yank--Go slow!

    All the Nations know us as the finest of the Earth;
      Three cheers for the lads in blue!
    An' we're drawing extra wages that are more than we are worth--
      But a half-day's work will do.

    The shades of England's fighting men are watching us with pride
      As we live for England's fame;
    To save us for posterity was why they went and died--
      Oh! The War is a real fine game!

    Let the War go rolling on alone for awhile,
      Let the line stand fast in the West;
    Let 'em learn to use the bayonet in the grand old style,
      While the Bulldog Boys have a rest.

    What's the good of hurrying? British pluck'll win;
      We can stand to the strain all right.
    What about another rise? Send the notice in--
      Just to show how the Bulldogs fight.

    Chorus! all together--We're the finest race of all,
      So beware of the English Blade;
    Now the fighting men are gone--why, however many fall,
      All the more for the lads that stayed.




THE SAILOR'S VIEW




THE SAILOR'S VIEW.

(1916).


    Too proud to fight? I'm not so sure--our skipper now and then
    Has lectured to us on patrol on foreign ships and men,
    And other nation's submarines, when cruising round the Bight;
    And 'seems to me--when they begin--the Yankee chaps can fight.
    Why, if I was in the army (which I ain't--and no regrets)
    And had my pick of Generals--from London's latest pets,
    To Hannibal and Wellington--to follow whom I chose,
    I wouldn't think about it long--I'd give the job to those
    Who fought across a continent for three long years and more
    (I bet the neutral papers didn't say in 'sixty-four
    Of Jackson, Sherman, Lee and Grant--"The Yanks can only shout"--
    That lot was somewhere near the front when pluck was handed out);
    But what the Skipper said was this; "There's only been but one
    Successful submarine attack before this war begun,
    And it wasn't on a liner on the easy German plan,
    But on a well-found man-of-war, and Dixon was the man
    Who showed us how to do the trick, a tip for me and you,
    And I'd like to keep the standard up of Dixon and his crew,
    For they hadn't got a submarine that cost a hundred thou',
    But a leaky little biscuit-box, and stuck upon her bow
    A spar torpedo like a mine, and they and Dixon knew
    That if they sank the enemy they'd sink the _David_ too.
    She'd drowned a crew or two before--they dredged her up again,
    And manned and pushed her off to sea.--My oath, it's pretty plain
    They had some guts to give away, that tried another trip
    In a craft they knew was rather more a coffin than a ship;
    And they carried out a good attack, and did it very well.
    As a model for the future, why, it beats the books to Hell,
    A tradition for the U.S.A., and, yes--for England too;
    For they were men with English names, and kin to me and you,
    And I'd like to claim an ancestor with Dixon when he died
    At the bottom of the river at the _Housatonic's_ side."




STONEWALL JACKSON




STONEWALL JACKSON.


    Over the low Virginian farms the smoke of the ev'ning rose and flowed,
    The scent of cedar hung in the air--the scent of burning sap,
    And up the valley the murmur died, the sound of feet on a dusty road--
    A clatter and ring of horse and guns that led to Ashby's Gap.

    And the Blue Ridge called to the Shenandoah stream,
    As the Massanutton hills grew black--
    "Look your last, Shenandoah--where the bayonets gleam,
    On your man who is never coming back.

    "Ah! Manassas, look again on the glimmer of the steel
    That you lit with the red fires' glow,
    When the Grey men roared at an all-night meal,
    Look again as the Grey men go.

    "He is looking back at us with a hand across his eyes,
    Look your last, Shenandoah, as he rides
    To a death beyond the Gap where the dust-clouds rise,
    O'er the road that the greenwood hides.

    "He will send a message back as the dark clouds lower,
    And you'll hear it in the sighing of the breeze,
    _Let us pass across the river (can you hear me, Shenandoah?)
    To a rest in the shadow of the trees_."




WET SHIPS




WET SHIPS.

    "... And will remain on your Patrol till the 8th
    December...."--(_Extract from Orders._)


    The North-East Wind came armed and shod from the ice-locked
       Baltic shore,
    The seas rose up in the track he made, and the rollers raced before;
    He sprang on the Wilhelmshaven ships that reeled across the tide.
    "Do you cross the sea to-night with me?" the cold North-Easter cried--
    Along the lines of anchored craft the Admiral's answer flashed,
    And loud the proud North-Easter laughed as the second anchors splashed.
    "By God! you're right--you German men, with a three-day gale to blow,
    It is better to wait by your harbour gate than follow where I go!"

    Over the Bight to the open sea the great wind sang as he sheered:
    "I rule--I rule the Northern waste--I speak, and the seas are cleared;
    You nations all whose harbours ring the edge of my Northern sea,
    At peace or war, when you hear my voice you shall know no Lord but me."
    Then into the wind in a cloud of foam and sheets of rattling spray,
    Head to the bleak and breaking seas in dingy black and grey,
    Taking it every lurch and roll in tons of icy green
    Came out to her two-year-old patrol--an English submarine.
    The voice of the wind rose up and howled through squalls of
       driving white:
    "You'll know my power, you English craft, before you make the Bight;
    I rule--I rule this Northern Sea, that I raise and break to foam.
    Whom do you call your Overlord that dares me in my home?"
    Over the crest of a lifting sea in bursting shells of spray,
    She showed the flash of her rounded side as over to port she lay,
    Clanging her answer up the blast that made her wireless sing:
    "_I serve the Lord of the Seven Seas. Ha! Splendour of God--
       the King!!_"

    Twenty feet of her bow came out, dripping and smooth it sprang,
    Over the valley of green below as her stamping engines rang;
    Then down she fell till the waters rose to meet her straining rails--
    "I serve my King, who sends me here to meet your winter gales."
    (Rank upon rank the seas swept on and broke to let her through,
    While high above her reeling bridge their shattered remnants flew);
    "_If you blow the stars from the sky to-night, your boast in
       your teeth I'll fling,
    I am your master--Overlord, and--Dog of the English King!_"




THAT BLINKIN' CAT




THAT BLINKIN' CAT.

    (Late of H.M.S. _Maidstone_.)


    In the Diving-room, where the O.O.D.[6] his weary vigil keeps,
    Battered and scarred with years of strife behind the door she sleeps,
    Fighting her battles o'er again as ancient warriors may,
    With bristling fur as she dreams anew of many a noble fray.
                 Savage and Silent,
                 Swift in the onslaught
                 As the great eagle
                 Stoops to the victim;
                 Guard of the Gangway,
                 Dreadful--prolific,
                 Mother of hundreds,
                 Terrier-Strafer,
                 Messenger-biter.
    Hail to the guard of the _Maidstone's_ Gangway--Skoal!

    Sing of the day the air was full of words like "Alabaster,"
    When she ate a piece of the Corporal's hand and bit the Quartermaster;
    The day she fought with an Airedale dog and drove him back to shore--
    For the sake of her sixty little ones, she fought--and had some more.
                 Faithful and loyal,
                 Guard of the Gangway,
                 Turning the dogs back--
                 Yelping and howling.
                 Biting her masters--
                 Corporals--any one
                 Fiercely domestic,
                 Easily queen of--
                 Pugnacious obstetrics--
                 Motherly War.
    Hail to the terror and pride of the _Maidstone_--Skoal!!

    Sing of the day she won the fray with a new "Pandora" dog,
    And the Quartermaster shone with pride as he entered in the log:
    "At 10 P.M. we dowsed our pipes and drew the _Nettle's_ fires,
    At 10.15 six births aboard--_that blinkin' cat of ours_!"

    [6] O.O.D.--Officer of the day.




1797.




1797.


    Our brothers of the landward side
    Are bound by Church and stall,
    By Councils OEcumenical,
    By Gothic arches tall;
    But we who know the cold grey sea,
    The salt and flying spray,
      We praise the Lord in our fathers' way,
      In the simple faith of the sea we pray,
      To the God that the winds and waves obey
    Who sailed on Galilee.
    We pray as the Flag-Lieutenant prayed,
    At St Vincent's cabin door
    (Twenty sail of the line in view--
    South-West by South they bore):
    "O Lord of Hosts, I praise Thee now,
    And bow before Thy might,
      Who has given us fingers and hands to fight,
      And twenty ships of the line in sight;
      Thou knewest, O Lord, and placed them right--
    To leeward, on the bow."




AFTER THE WAR




AFTER THE WAR.


    That far-off day when Peace is signed (and all the papers say--
    "A most important by-election starts at Kew to-day;
    We urge our readers one and all to loyally support
    The Independent Candidate--Count Katzenjammerdordt")
    Will change a lot of little things--perhaps we'll get some leave,
    And hear a yarn of extra pay, which no one will believe;
    The salvage ships will hurry out, two thousand wrecks to find,
    The monuments to Kultur that the Huns have left behind.
    We'll watch the sweepers put to sea ten million mines to seek,
    And--Patrol Flotilla Exercise will start within a week;
    Someone Big will say to Someone: "Time for work and time for play,
    (Rub his hands together briskly) We'll commence the work to-day;
    They have had their fun and fighting, and they must be getting slack,
    Stop all leave and start manoeuvres--for the good old times are back."
    Then destroyers and torpedo-boats and submarines and oilers
    Will receive a little notice headed "Maintenance of Boilers,"
    "To economise in fuel while the ships are out at sea
    Each pound of steam will count as two, and every knot as three."
    We'll have the old manoeuvre Rules to show us what to do.
    "I rose within two thousand yards and have torpedoed you,"
    "My counter-claim is obvious--to port you must retire,"
    "I sank you with a Maxim gun just as you rose to fire."
    Ships will carry navigation lights--"Precautionary Measure,"
    "An infringement of this solemn rule incurs My Lords' Displeasure."
    Yes, the after-war manoeuvres will be fearful to behold,
    Not been held since nineteen--("half a minute, surely you've
       been told"),
    Hush, you'll get me into trouble ("it was eighteen months ago--
    And the whole Grand Fleet was in it--I was there, I ought to know:
    _Red Fleet to start from Helgoland and Blue from Udsire Light,
    To meet in sixty-twenty North and have a morning fight.
    No ship should cross a line between the Jahde and Amrum Bank,
    But should a German flag be seen (unless of junior rank),_
    _No captain can do very wrong who indicates by guns--
    We won't have our manoeuvres spoilt by interfering Huns._
    Perhaps the wording isn't right, perhaps it isn't true,
    But we've got to have manoeuvres when there's nothing else to do.")
    And when the Censor fades away and leaves the presses clear
    For all the "Truths about the War," by "One who has no fear,"
    And all the "Contract Scandals," by "A Clerk behind the Door,"
    The book I want to see in print is "Humours of the War,"
    Though I fear the other Censor (Morals, Cinemas, and Vice)
    Would expurgate the best of them as being hardly nice;
    Still, even with the cream suppressed a volume could be filled
    With the epigrams of killing and the jokes of being killed,
    With a preface by the officer we rescued from the wave,
    When a cloud of steam and lyddite smoke lay o'er the
       "Bluecher's" grave,
    Who, as the bowmen fished him out and passed him aft to dry,
    Read the name upon their ribbons with a twinkle in his eye,
    And said: "A Westo ship, I think--I guess my luck is in,
    I'm sick of German substitutes--now for some Plymouth gin."
    And a picture of the sailor in a certain submarine,
    Which was diving through the waters where the sweepers hadn't been,
    And who heard a muffled bumping noise that passed along the side--
    A noise that many men have heard an instant ere they died;
    And broke the silence following the last appalling thud
    With "Good old ruddy Kaiser! there's another bloomin' dud!"
    There's a story too of Jutland, or perhaps another show,
    When the cruisers and destroyers had a meeting with the foe;
    And as the range was closing, and they waited for the word,
    From a sailor at an after-gun the following was heard:
    "It isn't _that_ that turns me up--'e's not the only one"--
    But then the roar of ranging guns--the action had begun--
    And for twenty awful minutes there was undiluted hell,
    With flame and steam and cordite smoke and high-explosive shell.
    Then as the bugle-call rang out, the savage fire to check,
    The loading numbers wiped their brows and looked around the deck:
    "As I was saying," came the voice, "before this row began,
    I think 'e should 've married 'er--if 'e'd bin 'alf a man."




LOW VISIBILITY




LOW VISIBILITY.

                _We sailed from the sand-isles,
                In Sea Hawk and Dragon,
                Over the White Water,
                War-ready all of us.
                Soon came the sea-mist,
                Soft was the wind then,
                Lay there the long-ships,
                Lifting and falling.
                Then cried the Captain:
                "Cold is the sea-fog,
                Weary is waiting-time,
                Wet are the byrnies;
                Burnish the breastplates,
                Broadswords and axes!
                Hand we the horns round,
                Hail to the Dragon!"_


    Our gentle pirate ancestors from off the Frisian Isles
    Kept station where we now patrol so many weary miles:
    There were no International Laws of Hall or Halleck then,
    They only knew the simple rule of "Death to beaten men."
    And what they judged a lawful prize was any sail they saw
    From Scarboro' to the sandy isles along the Saxon shore.
    We differ from our ancestors' conception of a prize,
    And we cruise about like Agag 'neath Sir Samuel Evans' eyes;
    But on one eternal subject we would certainly agree:
    It's seldom you can see a mile across the Northern sea,
    For as the misty clouds came down and settled wet and cold,
    The sodden halliards creaked and strained as to the swell they rolled.
    Each yellow-bearded pirate knew beyond the veil of white
    The prize of all the prizes must be passing out of sight;
    And drearily they waited while metheglin in a skin
    Was passed along the benches, and the oars came sliding in;
    Then scramasax and battleaxe were polished up anew,
    And they waited for the fog to lift, the same as me and you;
    Though we're waiting on the bottom at the twenty fathom line,
    We are burnishing torpedoes to a Sunday morning shine.
    The sailor pauses as he quaffs his tot of Navy rum,
    And listens to a noise that drowns the circulator's hum:
    "D'y 'ear those blank propellers, Bill--_the blinking female dog_--
    That's Tirpitz in the 'Indenburg gone past us in the fog!"




HANG ON




HANG ON.


    Two o' the morn, and a rising sea, I'd like to ease to slow,
    But we're off on a stunt and pressed for time, so I reckon it's
       Eastward Ho!
    So pick up your skirts and hustle along, old woman, you've got to go--
          Look-out, you fool. Hang on!

    Up she comes on a big grey sea and winks at the misty moon,
    Then down the hill like a falling lift, we're due for a beauty soon;
    And here it comes--she'll be much too late--yes, damn it, she's
       out of tune--
          Look-out, you fool. Hang on!

    You can feel her shake from stem to stern with the crash of her
       plunging bow,
    And quiver anew to the thrusting screw, and the booming engines' row;
    Then _rah-rah-rah_ on a rising note--my oath, they're racing now--
          Look-out, you fool. Hang on!

    The streaky water rushes by as the crest of the sea goes past,
    And you see her hull from the hydroplanes to the heel of her
       wireless mast
    Stand out and hang as she leaps the trough to dive at the next
       one--Blast--!
          Look-out, you fool. Hang on!

    In the hollow between she stops for breath, then starts her
       climb anew--
    "I can see your guns and wireless mast, old girl, but I can't see you,
    And you'd better be quick and lift again--she won't, she's
       diving through"--
          Look-out, you fool. Hang on!

    The Lord be thanked, it's my relief--Cheer up, old sport, it's clean;
    No, just enough to wash your face--you could hardly call it green;
    A jolly good sea-boat this one is, at least, for a submarine--
          Look-out, you fool. Hang on!




TO FRITZ




TO FRITZ.


    I wish that I could be a Hun, to dive about the sea--
    I wouldn't go for merchantmen, a man-of-war for me;
    There are lots of proper targets for attacking, little Fritz,
    But you seem to like the merchantmen, and blowing them to bits.
    I suppose it must be easy fruit to get an Iron Cross
    By strafing sail and cargo ships--but don't you feel the loss
    Of the wonderful excitement when you face a man-of-war,
    And tearing past you overhead the big propellers roar?
    When you know that it's a case of "May the fish run good and true,"
    For if they don't it's ten to one it's R.I.P. for you?
    Although perhaps you can't be blamed--your motives may be pure--
    You're rather new to submarines--in fact, an amateur;
    But we'd like to take your job awhile and show you how it's done,
    And leave you on the long patrol to wait your brother Hun.
    You wouldn't like the job, my lad--the motors turning slow,
    You wouldn't like the winter-time--storm and wind and snow;
    You'd find it weary waiting, Fritz--unless your faith is strong--
    Up and down on the long patrol--How long, O Lord, how long?
    We don't patrol for merchant ships, there's none but neutrals there,
    Up and down on the old patrol, you can hear the E-boat's prayer:
    "Give us a ten-knot breeze, O Lord, with a clear and blazing sky,
    And help our eyes at the periscope as the High Sea Fleet goes by."




TO THE SCOTTISH REGIMENTS




TO THE SCOTTISH REGIMENTS.


      _Land of sorrow--war and weeping,
        Granite rock and falling snow,
      Where Romance is never sleeping,
        Where the fires of freedom glow._

    Where the spark has never died, be the cause however lost,
      Be the breath however humble that would fan it to a flame;
    From the shieling, from the castle, did they ever count the cost
      Ere they went to meet a rebel's death and perished for a name?

    While England learnt the Roman tongue and paid her tax to Gaul,
    The Caledonian tribute clashed along the Roman wall--
    From East to West the sentinels looked out towards the North--
             "_Amboglanna has sent for aid,
              For the heather is bright with targe and blade
              Away to the silvery Forth._"

    When the Scottish host looked down and scorned to charge the foe
    That filed around the fatal hill and crossed the stream below,
    When the flowers of the forest fell and withered in the fight--
             "_Shoulder to shoulder around the King,
              Hear the Claymore whistle and sing
              Our funeral song to-night._"

    The English knew it at Prestonpans--the wall against their backs,
    When down the slope the clansmen came with the long Lochaber axe,
    The dew on the grass and the morning mist and a roar of charging men,--
              _Pipers playing on either flank--
              "Steady the volleys, the leading rank!"
              The fires were blazing then._

    And the spark has gone to Flanders, as the Prussian butchers know,
      For they learnt at Loos and Hulluch from the Caledonian sword
    The prayer of Anglo-Saxon priests a thousand years ago--
      "From the fury of the Northern men, deliver us, O Lord."




PRIVILEGED




PRIVILEGED.


    They called across to Peter at the changing of the Guard,
      At the red-gold Doors that the Angels keep,--
    "Send us help to the Portal, for they press upon us hard,
      They are straining at the Gate, many deep."

    Then Peter rose and went to the wicket by the Wall,
      Where the Starlight flashed upon the crowd;
    And he saw a mighty wave from the Greatest Gale of all
      Break beneath him with a roar, swelling loud--

    "_Let us in! Let us in! We have left a load of sin
      On the battlefield that flashes far below.
    From the trenches or the sea there's a pass for such as we,
      For we died with our faces to the foe.

    "We haven't any creed, for we never felt the need,
      And our morals are as ragged as can be;
    But we finished in a way that has cleared us of the clay,
      And we're coming to you clean, as you can see."_

    Then Peter looked below him with a smile upon his lips,
      And he answered, "Ye are fighters, as I know
    By your badges of the air, of the trenches, and the ships,
      And the wounds that on your bodies glisten so."

    And he looked upon the wounds, that were many and were grim,
      And his glance was all-embracing--unafraid;
    And he looked to meet the eyes that were smiling up to him,
      All a-level as a new-forged blade.

    "Ye are savage men and rough--from the fo'c'sle and the tent;
      Ye have put High Heaven to alarm;
    But I see it written clear by the road ye went,
      That ye held by the Fifteenth Psalm."

    And they shouted in return, "_'Tis a thing we've never read,
      But you passed our friends inside
    That won to the end of the road we tread
      Long ago when the Mons Men died._"

    "_Let us in! Let us in! We have fallen for the Right,
      And the Crown that we listed to win,
    That we earned by the Somme or the waters of the Bight;
      You're a fighting man yourself--Let us in!_"

    Then Peter gave a sign and the Gates flung wide
    To the sound of a bugle-call:
    "Pass the fighting men to the ranks inside,
    Who came from the earth or the cold grey tide,
    With their heads held high and a soldiers stride,
    To a Friend in the Judgment Hall."




"OUR ANNUAL"




"OUR ANNUAL."


    Up the well-remembered fairway, past the buoys and forts we drifted--
    Saw the houses, roads, and churches as they were a year ago.
    Far astern were wars and battles, all the dreary clouds were lifted,
    As we turned the Elbow Ledges--felt the engines ease to "Slow."

    Rusty side and dingy paintwork, stripped for war and cleared
       for battle--
    Saw the harbour-tugs around us--smelt the English fields again,--
    English fields and English hedges--sheep and horses, English cattle,
    Like a screen unrolled before us, through the mist of English rain.

    Slowly through the basin entrance--twenty thousand tons a-crawling
    With a thousand men aboard her, all a-weary of the War--
    Warped her round and laid alongside with the cobble-stones a-calling--
    "There's a special train awaiting, just for you to come ashore."

    Out again as fell the evening, down the harbour in the gloaming
    With the sailors on the fo'c'sle looking wistfully a-lee--
    Just another year of waiting--just another year of roaming
    For the Majesty of England--for the Freedom of the Sea.




MASCOTS




MASCOTS.


    When the galleys of Phoenicia, through the gates of Hercules,
    Steered South and West along the coast to seek the Tropic Seas,
    When they rounded Cape Agulhas, putting out from Table Bay,
    They started trading North again, as steamers do to-day.
    They dealt in gold and ivory and ostrich feathers too,
    With a little private trading by the officers and crew,
    Till rounding Guardafui, steering up for Aden town,
    The tall Phoenician Captain called the First Lieutenant down.
    "By all the Tyrian purple robes that you will never wear,
    By the Temples of Zimbabwe, by King Solomon I swear,
    The ship is like a stable, like a Carthaginian sty.
    I am Captain here--confound you!--or I'll know the reason why.
    Every sailor in the galley has a monkey or a goat;
    There are parrots in the eyes of her and serpents in the boat.
    By the roaring fire of Baal, I'll not have it any more:
    Heave them over by the sunset, or I'll hang you at the fore!"
    "What is that, sir? _Not_ as cargo? _Not_ a bit of private trade?
    Well, of all the dumbest idiots you're the dumbest ever made,
    Standing there and looking silly: _leave the animals alone_."
    (Sailors with a tropic liver always have a brutal tone.)
    "By the crescent of Astarte, I am not religious--yet--
    I would sooner spill the table salt than kill a sailor's pet."




A HYMN OF DISGUST




A HYMN OF DISGUST.


        You wrote a pretty hymn of Hate,
        That won the Kaiser's praise,
        Which showed your nasty mental state,
        And made us laugh for days.
        I can't compete with such as you
        In doggerel of mine,
        But this is certain--_and_ it's true,
        You bloody-handed swine--

    We do not mouth a song of hate, or talk about you--much,
    We do not mention things like you--it wouldn't be polite;
    One doesn't talk in drawing-rooms of Prussian dirt and such,
    We only want to kill you off--so roll along and fight.

    For men like you with filthy minds, you leave a nasty taste,
    We can't forget your triumphs with the girls you met in France.
    By your standards of morality, gorillas would be chaste,
    And you consummate your triumphs with the bayonet and the lance.

    You give us mental pictures of your officers at play,
    With naked girls a-dancing on the table as you dine,
    With their mothers cut to pieces, in the knightly German way,
    In the corners of the guard-room in a pool of blood and wine.

    You had better stay in Germany, and never go abroad,
    For wherever you may wander you will find your fame has gone,
    For you are outcasts from the lists, with rust upon your sword--
    The blood of many innocents--of children newly born.

    You are bestial men and beastly, and we would not ask you home
    To meet our wives and daughters, for we doubt that you are clean;
    You will find your fame in front of you wherever you may roam,
    You--who came through burning Belgium with the ladies for a screen.

    You--who love to hear the screaming of a girl beneath the knife,
    In the midst of your companions, with their craning, eager necks;
    When you crown your German mercy, and you take a sobbing life--
    You are not exactly gentlemen towards the gentle sex.

    With your rapings in the market-place and slaughter of the weak,
    With your gross and leering conduct, and your utter lack of shame,--
    When we note in all your doings such a nasty yellow streak,
    You show surprise at our disgust, and say you're not to blame.

    We don't want any whinings, and we'd sooner wait for peace
    Till you realise your position, and you know you whine in vain;
    And you stand within a circle of the Cleaner World's Police,
    And we goad you into charging--and we clean the world again.

    For you should know that never shall you meet us as before,
    That none will take you by the hand or greet you as a friend;
    So stay with it, and finish it--who brought about the War--
    And when you've paid for all you've done--well, that will be the End.




A TRINITY




A TRINITY.


       The way of a ship at racing speed
       In a bit of a rising gale,
       The way of a horse of the only breed
       At a Droxford post-and-rail,
       The way of a brand-new aeroplane
       On a frosty winter dawn.
            You'll come back to those again;
            Wheel or cloche or slender rein
            Will keep you young and clean and sane,
              And glad that you were born.

    The power and drive beneath me now are above the power of kings,
    It's mine the word that lets her loose and in my ear she sings--
      "Mark now the way I sport and play with the rising hunted sea,
      Across my grain in cold disdain their ranks are hurled at me;
      But down my wake is a foam-white lake, the remnant of their line,
      That broke and died beneath my pride--your foemen, man, and mine."
    The perfect tapered hull below is a dream of line and curve,
    An artist's vision in steel and bronze for gods and men to serve.
    If ever a statue came to life, you quivering slender thing,
    It ought to be you--my racing girl--as the Amazon song you sing.

           *       *       *       *       *

    Down the valley and up the slope we run from scent to view.
    "Steady, you villain--you know too much--I'm not so wild as you;
    You'll get me cursed if you catch him first--there's at least
       a mile to go,
    So swallow your pride and ease your stride, and take your fences slow.
    Your high-pricked ears as the jump appears are comforting
       things to see;
    Your easy gallop and bending neck are signals flying to me.
    You wouldn't refuse if it was wire with calthrops down in front,
    And there we are with a foot to spare--you best of all the Hunt!"
          Great sloping shoulders galloping strong, and a yard
       of floating tail,
          A fine old Irish gentleman, and a Hampshire post-and-rail.

           *       *       *       *       *

    The sun on the fields a mile below is glinting off the grass
    That slides along like a rolling map as under the clouds I pass.
    The early shadows of byre and hedge are dwindling dark below
    As up the stair of the morning air on my idle wheels I go,--
          Nothing to do but let her alone--she's flying herself to-day;
          Unless I chuck her about a bit--there isn't a bump or sway.
          So _there's_ a bank at ninety-five--and here's a spin and
             a spiral dive,
              And here we are again.
    And _that's_ a roll and twist around, and that's the sky and there's
       the ground,
              And I and the aeroplane
    Are doing a glide, but upside down, and that's a village and that's
       a town--
              And now we're rolling back.
    And _this_ is the way we climb and stall and sit up and beg on
       nothing at all,
              The wires and strainers slack.
    And now we'll try and be good some more, and open the throttle
       and hear her roar
              And steer for London Town.
    For there never a pilot yet was born who flew a machine on a
       frosty morn
              But started stunting soon,
    To feel if his wires were really there, or whether he flew
       on ice or air,
    Or whether his hands were gloved or bare,
              Or he sat in a free balloon.




IN THE MORNING




IN THE MORNING.


        Back from battle, torn and rent,
          Listing bridge and stanchions bent
                By the angry sea.
          By Thy guiding mercy sent,
          Fruitful was the road we went--
                Back from battle we.

    If Thou hadst not been, O Lord, behind our feeble arm,
    If Thy hand had not been there to slam the lyddite home,
    When against us men arose and sought to work us harm,
    We had gone to death, O Lord, in spouting rings of foam.

          Heaving sea and cloudy sky
          Saw the battle flashing by
              As Thy foemen ran.
          By Thy grace, that made them fly,
          We have seen two hundred die
              Since the fight began.

    If our cause had not been Thine, for Thy eternal Right,
    If the foe in place of us had fought for Thee, O Lord!
    If Thou hadst not guided us and drawn us there to fight,
    We never should have closed with them--Thy seas are dark and broad.

          Through the iron rain they fled,
          Bearing home the tale of dead,
              Flying from Thy sword.
          After-hatch to fo'c'sle head,
          We have turned their decks to red,
              By Thy help, O Lord!

    It was not by our feeble sword that they were overthrown,
    But Thy right hand that dashed them down, the servants of the proud;
    It was not arm of ours that saved, but Thine, O Lord, alone,
    When down the line the guns began, and sang Thy praise aloud.

          Sixty miles of running fight,
          Finished at the dawning light,
              Off the Zuider Zee.
          Thou that helped throughout the night
          Weary hand and aching sight,
              Praise, O Lord, to Thee.




IN FORTY WEST




IN FORTY WEST.


    We are coming from the ranch, from the city and the mine,
    And the word has gone before us to the towns upon the Rhine;
            As the rising of the tide
            On the Old-World side,
        We are coming to the battle, to the Line.

    From the valleys of Virginia, from the Rockies in the North,
    We are coming by battalions, for the word was carried forth:
            "We have put the pen away,
            And the sword is out to-day,
        For the Lord has loosed the Vintages of Wrath."

    We are singing in the ships as they carry us to fight,
    As our fathers sang before us by the camp-fires' light;
            In the wharf-light glare
            They can hear us Over There,
        When the ships come steaming through the night.

    Right across the deep Atlantic where the _Lusitania_ passed,
    With the battle-flag of Yankeeland a-floating at the mast,
            We are coming all the while,
            Over twenty hundred mile,
        And were staying to the finish, to the last.

    We are many--we are one--and we're in it overhead,
    We are coming as an Army that has seen its women dead,
            And the old Rebel Yell
            Will be loud above the shell
        When we cross the top together, seeing red.




A RING AXIOM




A RING AXIOM.


    When the pitiless gong rings out again, and they whip your chair away,
    When you feel you'd like to take the floor, whatever the crowd
       should say,
    When the hammering gloves come back again, and the world goes round
       your head,
    When you know your arms are only wax, your hands of useless lead,
    When you feel you'd give your heart and soul for a chance to clinch
       and rest,
    And through your brain the whisper comes,
       "Give in, you've done your best,"--
           Why, stiffen your knees and brace your back, and take my
               word as true--
           _If the man in front has got you weak, he's just as
               tired as you_.
           He can't attack through a gruelling fight and finish
               as he began;
           He's done more work than you to-day--you're just as fine a man.
           So call your last reserve of pluck--he's careless
               with his chin--
           You'll put it across him every time--Go in--Go in--_Go in_!




THE QUARTERMASTER




THE QUARTERMASTER.


    I mustn't look up from the compass-card, nor look at the seas at all,
    I must watch the helm and compass-card,--If I heard the trumpet-call
    Of Gabriel sounding Judgment Day to dry the Seas again,
    I must hold her bow to windward now till I'm relieved again--
              To the pipe and wail of a tearing gale,
                   Carrying Starboard Ten.

    I must stare and frown at the compass-card, that chases round the bowl,
    North and South and back again with every lurching roll.
    By the feel of the ship beneath I know the way she's going to swing,
    But I mustn't look up to the booming wind however the halliards sing--
              In a breaking sea with the land a-lee,
                   Carrying Starboard Ten.

    And I stoop to look at the compass-card as closes in the night,
    For it's hard to see by the shaded glow of half a candle-light;
    But the spokes are bright, and I note beside in the corner of my eye
    A shimmer of light on oilskin wet that shows the Owner nigh--
              Foggy and thick and a windy trick,
                   Carrying Starboard Ten.

    Heave and sway or dive and roll can never disturb me now;
    Though seas may sweep in rivers of foam across the straining bow,
    I've got my eyes on the compass-card, and though she broke her keel
    And hit the bottom beneath us now, you'd find me at the wheel--
              In Davy's realm, still at the helm,
                   Carrying Starboard Ten.




IN THE BARRED ZONE




IN THE BARRED ZONE.


    They called us up from England at the breaking of the day,
    And the wireless whisper caught us from a hundred leagues away--
            "Sentries at the Outer Line,
             All that hold the countersign,
    Listen in the North Sea--news for you to-day."

    All across the waters, at the paling of the morn,
    The wireless whispered softly ere the summer day was born--
            "Be you near or ranging far,
             By the Varne or Weser bar,
    The Fleet is out and steaming to the Eastward and the dawn."

    Far and away to the North and West, in the dancing glare of the
       sunlit ocean,
    Just a haze, a shimmer of smoke-cloud, grew and broadened many a mile;
    Low and long and faint and spreading, banner and van of a
       world in motion,
    Creeping out to the North and West, it hung in the skies alone awhile.

    Then from over the brooding haze the roar of murmuring engines swelled,
    And the men of the air looked down to us, a mile below their feet;
    Down the wind they passed above, their course to the silver
       sun-track held,
    And we looked back to the West again, and saw the English Fleet.

    Over the curve of the rounded sea, in ordered lines as the
       ranks of Rome,
    Over the far horizon steamed a power that held us dumb,--
    Miles of racing lines of steel that flattened the sea to a
       field of foam,
            Rolling deep to the wash they made,
            We saw, to the threat of a German blade,
            The Shield of England come.




WHO CARES?




WHO CARES?


           The sentries at the Castle Gate,
           We hold the outer wall,
           That echoes to the roar of hate
           And savage bugle-call--
    Of those that seek to enter in with steel and eager flame,
    To leave you with but eyes to weep the day the Germans came.

           Though we may catch from out the Keep
           A whining voice of fear,
           Of one who whispers "Rest and sleep,
           And lay aside the spear,"
    We pay no heed to such as he, as soft as we are hard;
    We take our word from men alone--the men that rule the guard.

           We hear behind us now and then
           The voices of the grooms,
           And bickerings of serving-men
           Come faintly from the rooms;
    But let them squabble as they please, we will not turn aside,
    But--curse to think it was for them that fighting men have died.

           Whatever they may say or try,
           We shall not pay them heed;
           And though they wail and talk and lie,
           We hold our simple Creed--
    No matter what the cravens say, however loud the din,
    Our Watch is on the Castle Gate, and none shall enter in.




THE UNCHANGING SEX




THE UNCHANGING SEX.


    When the battle-worn Horatius, 'midst the cheering Roman throng--
    All flushed with pride and triumph as they carried him along--
    Reached the polished porch of marble at the doorway of his home,
    He felt himself an Emperor--the bravest man of Rome.
    The people slapped him on the back and knocked his helm askew,
    Then drifted back along the road to look for something new.
    Then Horatius sobered down a bit--as you would do to-day--
    And straightened down his tunic in a calm, collected way.
    He hung his battered helmet up and wiped his sandals dry,
    And set a parting in his hair--the same as you and I.
    His lady kissed him carefully and looked him up and down,
    And gently disengaged his arm to spare her snowy gown.
    "You _are_ a real disgrace, you know, the worst I've ever seen;
    Now go and put your sword away, I _know_ it isn't clean.
    And you must change your clothes at once, you're simply wringing wet;
    You've been doing something mischievous, I hope you lost your bet....
    Why! you're bleeding on the carpet. Who's the brute that hurt you so?
    Did you kill him? _There's a darling!_ Serve him right for
       hitting low."
    Then she hustled lots of water, turning back her pretty sleeves,
    And she set him on the sofa (having taken off his greaves).
    And bold Horatius purred aloud, the stern Horatius smiled,
    And didn't seem to mind that he was treated like a child.
    Though she didn't call him Emperor, or cling to him and cry,
    Yet I rather think he liked it--just the same as you and I.




LOOKING AFT




LOOKING AFT.


        I'm the donkey-man of a dingy tramp
            They launched in 'Eighty-one,
    Rickety, old, and leaky too--but some o' the rivets are shining new
            Beneath our after-gun.

        An' she an' meself are off to sea
            From out o' the breaker's hands,
    An' we laugh to find such an altered game, for devil a thing we
       found the same
            When we came off the land.

        We used to carry a freight of trash
            That younger ships would scorn,
    But now we're running a decent trade--howitzer-shell and hand-grenade,
            Or best Alberta corn.

        We used to sneak an' smouch along
            Wi' rusty side an' rails,
    Hoot an' bellow of liners proud--"Give us the room that we're allowed;
            Get out o' the track--the Mails!"

        We sometimes met--an' took their wash--
            The 'aughty ships o' war,
    An' we dips to them--an' they to us--an' on they went in a
       tearin' fuss,
            But now they count us more.

        For now we're "England's Hope and Pride"--
            The Mercantile Marine,--
    "Bring us the goods and food we lack, because we're hungry,
       Merchant Jack"
            (As often I have been).

        "You're the man to save us now,
            We look to you to win;
    Wot'd yer like? A rise o' pay? We'll give whatever you like to say,
            But bring the cargoes in."

        An' here we are in the danger zone,
            Wi' escorts all around,
    Destroyers a-racing to and fro--"We will show you the way to go,
            An' guide you safe an' sound."

        "An' did you cross in a comfy way,
            Or did you have to run?
    An' is the patch on your hull we see the mark of a bump
       in 'Ninety-three,
            Or the work of a German gun?"

        "We'll lead you now, and keep beside,
            An' call to all the Fleet,
    Clear the road and sweep us in--he carries a freight we need to win,
            A golden load of wheat."

        Yes, we're the hope of England now,
            And rank wi' the Navy too;
    An' all the papers speak us fair--"Nothing he will not lightly dare,
            Nothing he fears to do."

        "Be polite to Merchant Jack,
            Who brings you in the meat,
    For if he went on a striking lay, you'd have to go on your
       knees and pray,
            With never a bone to eat."

        But you can lay your papers down
            An' set your fears aside,
    For we will keep the ocean free--we o' the clean an' open sea--
            To break the German pride.

        We won't go canny or strike for pay,
            Or say we need a rest;
    But you get on wi' the blinkin' War--an' not so much o' your
       strikes ashore,
            Or givin' the German best.




A MAXIM




A MAXIM.


    When the foe is pressing and the shells come down
    In a stream like maxim fire,
    When the long grey ranks seem to thicken all the while,
    And they stamp on the last of the wire,
    When all along the line comes a whisper on the wind
    That you hear through the drumming of the guns:
    "They are through over there and the right is in the air,
    And there isn't any end to the Huns,"--
    Then keep along a-shooting till you can't shoot more,
    And hit 'em with a shovel on the head.
    Don't forget a lot of folk have beaten them before,
    And a Hun'll never hurt you if he's dead.
    If you're in a hole and your hopes begin to fail,
    If you're in a losing fight,
    Think a bit of Jonah in the belly of the whale,
    _'Cause-he-got-out-all-right_.




THE CRISIS




THE CRISIS.


    When the Spartan heroes tried
      To hold the broken gate,
    When--roaring like the rising tide--
    The Persian horsemen charged and died
      In foaming waves of hate.

    When with armour hacked and torn
      They gripped their shields of brass,
    And hailed the gods that light the morn
    With battle-cry of hope forlorn,
      "We shall not let them pass."

    While they combed their hair for death
      Before the Persian line,
    They spoke awhile with easy breath,
    "What think ye the Athenian saith
      In Athens as they dine?"

    "Doth he repent that we alone
      Are here to hold the way,
    That he must reap what he hath sown--
    That only valour may atone
      The fault of yesterday?

    "Is he content that thou and I--
      Three hundred men in line--
    Should show him thus how man may try
    To stay the foemen passing by
      To Athens, where they dine?

    "Ah! now the clashing cymbal rings,
      The mighty host is nigh;
    Let Athens talk of passing things--
    But here, three hundred Spartan kings
    Shall greet the fame the Persian brings
      To men about to die."




A SEA CHANTY




A SEA CHANTY.


    There's a whistle of the wind in the rigging overhead,
            And the tune is as plain as can be.
      "Hey! down below there--d'you know it's going to blow there,
                All across the cold North Sea?"

    And along comes the gale from the locker in the North
            By the Storm-King's hand set free,
      And the wind and the snow and the sleet come forth,
                Let loose to the cold North Sea.

    Tumble out the oilskins, the seas are running white,
            There's a wet watch due for me,
      For we're heading to the east, and a long wet night
                As we drive at the cold North Sea.

    See the water foaming as the waves go by
            Like the tide on the sands of Dee;
      Hear the gale a-piping in the halliards high
                To the tune of the cold North Sea.

    See how she's meeting them, plunging all the while,
            Till I'm wet to the sea-boot knee;
      See how she's beating them--twenty to the mile--
                The waves of the cold North Sea.

    Right across from Helgoland to meet the English coast,
            Lie better than the likes of we,--
      Men that lived in many ways, but went to join the host
                That are buried by the cold North Sea.

    Rig along the life-lines, double-stay the rails,
            Lest the Storm-King call for a fee;
      For if any man should slip, through the rolling of the ship,
                He'd be lost in the cold North Sea.

    We are heading to the gale, and the driving of the sleet,
            And we're far to the east of Three.
      Hey! you German sailormen, here's the British Fleet
                Waiting in the cold North Sea.




A.D. 400




A.D. 400.


    A long low ship from the Orkneys' sailed,
          With a full gale driving her along,
    Three score sailormen singing as they baled
          To the tune of a Viking song--

                _We have a luck-charm
                Carved on the tiller,
                Cut in the fore-room
                See we Thor's Hammer;
                Gods will protect us
                Under a shield-burgh,
                Carved in the mast we--
                The Runes of Yggdrasil!_

    But the Earl called down from the kicking tiller-head,
      "Six hands lay along to me!
    Tumble out the hawsers there, Skallagrim the Red!
      For a battle with a Berserk sea;
    Sing a song of work, of a well-stayed mast,
      Of clinch and rivet and pine,
    Of a bull's-hide sail we can carry to the last
      Of a well-built ship like mine.
    Never mind the Runes on the bending tree
      Or the charms on the tiller that I hold,
    Trust to your hands and the Makers of the Sea,
      To the gods of the Viking bold!

                _Thor of the Hammer--
                King of the Warriors,
                We are not thralls here
                --Men of the sea;
                We are not idle,
                Fight we as seamen,
                Worthy your aid then
                --Men of the Sea!"_




OVERDUE




OVERDUE.


    In the evening--in the sunset--when the long day dies,
      Out across the broad Atlantic, where the great seas go,
    When the Golden Gates are open and the sunlight flies,
      The fairy Islands drift and fade against the crimson glow.

    In the evening, when the fiery sun was sinking in the West,
      St Brandan and the chosen few went sailing out to sea,--
    To the Westward--to the sunset--to the Golden Isle of rest,
      The haven of the weary men, the land of Fairie.

    Is it only in the sunset we may find the Golden Fleece?
      Is it only to the Westward that the Fairyland is found?
    And those who went away from us and passed from war to peace--
      Are they looking still for Fairyland the wide world round?

    Then as I gazed across the dark the morning answer came--
      To Eastward stretched the golden sea for many a golden mile;
    The far horizon joined the sky in dancing lines of flame--
      And drifting on the seas of dawn, I saw St Brandan's Isle.


    PRINTED BY WILLIAM BLACKWOOD AND SONS.





End of Project Gutenberg's On Patrol, by John Graham Bower and Klaxon

*** END OF THIS PROJECT GUTENBERG EBOOK ON PATROL ***

***** This file should be named 41944-8.txt or 41944-8.zip *****
This and all associated files of various formats will be found in:
        http://www.gutenberg.org/4/1/9/4/41944/

Produced by sp1nd, Mary Akers and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)

Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties.  Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark.  Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission.  If you
do not charge anything for copies of this eBook, complying with the
rules is very easy.  You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research.  They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks.  Redistribution is
subject to the trademark license, especially commercial
redistribution.



*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License available with this file or online at
  www.gutenberg.org/license.


Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A.  By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.  If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B.  "Project Gutenberg" is a registered trademark.  It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.  There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.  See
paragraph 1.C below.  There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works.  See paragraph 1.E below.

1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.  Nearly all the individual works in the
collection are in the public domain in the United States.  If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed.  Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work.  You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D.  The copyright laws of the place where you are located also govern
what you can do with this work.  Copyright laws in most countries are in
a constant state of change.  If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work.  The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1.E.  Unless you have removed all references to Project Gutenberg:

1.E.1.  The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org

1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges.  If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.

1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder.  Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5.  Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6.  You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form.  However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form.  Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.

1.E.7.  Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8.  You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
     the use of Project Gutenberg-tm works calculated using the method
     you already use to calculate your applicable taxes.  The fee is
     owed to the owner of the Project Gutenberg-tm trademark, but he
     has agreed to donate royalties under this paragraph to the
     Project Gutenberg Literary Archive Foundation.  Royalty payments
     must be paid within 60 days following each date on which you
     prepare (or are legally required to prepare) your periodic tax
     returns.  Royalty payments should be clearly marked as such and
     sent to the Project Gutenberg Literary Archive Foundation at the
     address specified in Section 4, "Information about donations to
     the Project Gutenberg Literary Archive Foundation."

- You provide a full refund of any money paid by a user who notifies
     you in writing (or by e-mail) within 30 days of receipt that s/he
     does not agree to the terms of the full Project Gutenberg-tm
     License.  You must require such a user to return or
     destroy all copies of the works possessed in a physical medium
     and discontinue all use of and all access to other copies of
     Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1.F.3, a full refund of any
     money paid for a work or a replacement copy, if a defect in the
     electronic work is discovered and reported to you within 90 days
     of receipt of the work.

- You comply with all other terms of this agreement for free
     distribution of Project Gutenberg-tm works.

1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
Foundation as set forth in Section 3 below.

1.F.

1.F.1.  Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection.  Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3.  YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from.  If you
received the work on a physical medium, you must return the medium with
your written explanation.  The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund.  If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund.  If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4.  Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5.  Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law.  The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.


Section  2.  Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers.  It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come.  In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation information page at www.gutenberg.org


Section 3.  Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service.  The Foundation's EIN or federal tax identification
number is 64-6221541.  Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations.  Its business office is located at 809
North 1500 West, Salt Lake City, UT 84116, (801) 596-1887.  Email
contact links and up to date contact information can be found at the
Foundation's web site and official page at www.gutenberg.org/contact

For additional contact information:
     Dr. Gregory B. Newby
     Chief Executive and Director
     [email protected]

Section 4.  Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment.  Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States.  Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements.  We do not solicit donations in locations
where we have not received written confirmation of compliance.  To
SEND DONATIONS or determine the status of compliance for any
particular state visit www.gutenberg.org/donate

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States.  U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses.  Donations are accepted in a number of other
ways including checks, online payments and credit card donations.
To donate, please visit:  www.gutenberg.org/donate


Section 5.  General Information About Project Gutenberg-tm electronic
works.

Professor Michael S. Hart was the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone.  For forty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.

Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included.  Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.

Most people start at our Web site which has the main PG search facility:

     www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.