Project Gutenberg's Strife (First Series Plays), by John Galsworthy
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org
Title: Strife (First Series Plays)
Author: John Galsworthy
Last Updated: February 10, 2009
Release Date: September 26, 2004 [EBook #2908]
Language: English
*** START OF THIS PROJECT GUTENBERG EBOOK STRIFE (FIRST SERIES PLAYS) ***
Produced by David Widger
FIRST SERIES PLAYS
By John Galsworthy
STRIFE
A DRAMA IN THREE ACTS
PERSONS OF THE PLAY
JOHN ANTHONY, Chairman of the Trenartha Tin Plate Works
EDGAR ANTHONY, his Son
FREDERIC H. WILDER, |
WILLIAM SCANTLEBURY,| Directors Of the same
OLIVER WANKLIN, |
HENRY TENCH, Secretary of the same
FRANCIS UNDERWOOD, C.E., Manager of the same
SIMON HARNESS, a Trades Union official
DAVID ROBERTS, |
JAMES GREEN, |
JOHN BULGIN, | the workmen's committee
HENRY THOMAS, |
GEORGE ROUS, |
HENRY ROUS, |
LEWIS, |
JAGO, |
EVANS, | workman at the Trenartha Tin Plate Works
A BLACKSMITH, |
DAVIES, |
A RED-HAIRED YOUTH. |
BROWN |
FROST, valet to John Anthony
ENID UNDERWOOD, Wife of Francis Underwood, daughter of John Anthony
ANNIE ROBERTS, wife of David Roberts
MADGE THOMAS, daughter of Henry Thomas
MRS. ROUS, mother of George and Henry Rous
MRS. BULGIN, wife of John Bulgin
MRS. YEO, wife of a workman
A PARLOURMAID to the Underwoods
JAN, Madge's brother, a boy of ten
A CROWD OF MEN ON STRIKE
ACT I. The dining-room of the Manager's house.
ACT II,
SCENE I. The kitchen of the Roberts's cottage near the works.
SCENE II. A space outside the works.
ACT III. The drawing-room of the Manager's house.
The action takes place on February 7th between the hours of noon and
six in the afternoon, close to the Trenartha Tin Plate Works, on the
borders of England and Wales, where a strike has been in progress
throughout the winter.
ACT I
It is noon. In the Underwoods' dining-room a bright fire is
burning. On one side of the fireplace are double-doors leading
to the drawing-room, on the other side a door leading to the
hall. In the centre of the room a long dining-table without a
cloth is set out as a Board table. At the head of it, in the
Chairman's seat, sits JOHN ANTHONY, an old man, big,
clean-shaven, and high-coloured, with thick white hair, and thick
dark eyebrows. His movements are rather slow and feeble, but his
eyes are very much alive. There is a glass of water by his side.
On his right sits his son EDGAR, an earnest-looking man of thirty,
reading a newspaper. Next him WANKLIN, a man with jutting
eyebrows, and silver-streaked light hair, is bending over transfer
papers. TENCH, the Secretary, a short and rather humble, nervous
man, with side whiskers, stands helping him. On WANKLIN'S right
sits UNDERWOOD, the Manager, a quiet man, with along, stiff jaw,
and steady eyes. Back to the fire is SCANTLEBURY, a very large,
pale, sleepy man, with grey hair, rather bald. Between him and
the Chairman are two empty chairs.
WILDER. [Who is lean, cadaverous, and complaining, with drooping
grey moustaches, stands before the fire.] I say, this fire's the
devil! Can I have a screen, Tench?
SCANTLEBURY. A screen, ah!
TENCH. Certainly, Mr. Wilder. [He looks at UNDERWOOD.] That is--
perhaps the Manager--perhaps Mr. Underwood----
SCANTLEBURY. These fireplaces of yours, Underwood----
UNDERWOOD. [Roused from studying some papers.] A screen? Rather!
I'm sorry. [He goes to the door with a little smile.] We're not
accustomed to complaints of too much fire down here just now.
[He speaks as though he holds a pipe between his teeth, slowly,
ironically.]
WILDER. [In an injured voice.] You mean the men. H'm!
[UNDERWOOD goes out.]
SCANTLEBURY. Poor devils!
WILDER. It's their own fault, Scantlebury.
EDGAR. [Holding out his paper.] There's great distress among them,
according to the Trenartha News.
WILDER. Oh, that rag! Give it to Wanklin. Suit his Radical views.
They call us monsters, I suppose. The editor of that rubbish ought
to be shot.
EDGAR. [Reading.] "If the Board of worthy gentlemen who control the
Trenartha Tin Plate Works from their arm-chairs in London would
condescend to come and see for themselves the conditions prevailing
amongst their work-people during this strike----"
WILDER. Well, we have come.
EDGAR. [Continuing.] "We cannot believe that even their leg-of-mutton
hearts would remain untouched."
[WANKLIN takes the paper from him.]
WILDER. Ruffian! I remember that fellow when he had n't a penny to
his name; little snivel of a chap that's made his way by black-guarding
everybody who takes a different view to himself.
[ANTHONY says something that is not heard.]
WILDER. What does your father say?
EDGAR. He says "The kettle and the pot."
WILDER. H'm!
[He sits down next to SCANTLEBURY.]
SCANTLEBURY. [Blowing out his cheeks.] I shall boil if I don't get
that screen.
[UNDERWOOD and ENID enter with a screen, which they place before
the fire. ENID is tall; she has a small, decided face, and is
twenty-eight years old.]
ENID. Put it closer, Frank. Will that do, Mr. Wilder? It's the
highest we've got.
WILDER. Thanks, capitally.
SCANTLEBURY. [Turning, with a sigh of pleasure.] Ah! Merci,
Madame!
ENID. Is there anything else you want, Father? [ANTHONY shakes his
head.] Edgar--anything?
EDGAR. You might give me a "J" nib, old girl.
ENID. There are some down there by Mr. Scantlebury.
SCANTLEBURY. [Handing a little box of nibs.] Ah! your brother uses
"J's." What does the manager use? [With expansive politeness.]
What does your husband use, Mrs. Underwood?
UNDERWOOD. A quill!
SCANTLEBURY. The homely product of the goose. [He holds out
quills.]
UNDERWOOD. [Drily.] Thanks, if you can spare me one. [He takes a
quill.] What about lunch, Enid?
ENID. [Stopping at the double-doors and looking back.] We're going
to have lunch here, in the drawing-room, so you need n't hurry with
your meeting.
[WANKLIN and WILDER bow, and she goes out.]
SCANTLEBURY. [Rousing himself, suddenly.] Ah! Lunch! That hotel--
Dreadful! Did you try the whitebait last night? Fried fat!
WILDER. Past twelve! Are n't you going to read the minutes, Tench?
TENCH. [Looking for the CHAIRMAN'S assent, reads in a rapid and
monotonous voice.] "At a Board Meeting held the 31st of January at
the Company's Offices, 512, Cannon Street, E.C. Present--Mr. Anthony
in the chair, Messrs. F. H. Wilder, William Scantlebury, Oliver
Wanklin, and Edgar Anthony. Read letters from the Manager dated
January 20th, 23d, 25th, 28th, relative to the strike at the
Company's Works. Read letters to the Manager of January 21st, 24th,
26th, 29th. Read letter from Mr. Simon Harness, of the Central
Union, asking for an interview with the Board. Read letter from the
Men's Committee, signed David Roberts, James Green, John Bulgin,
Henry Thomas, George Rous, desiring conference with the Board; and it
was resolved that a special Board Meeting be called for February 7th
at the house of the Manager, for the purpose of discussing the
situation with Mr. Simon Harness and the Men's Committee on the spot.
Passed twelve transfers, signed and sealed nine certificates and one
balance certificate."
[He pushes the book over to the CHAIRMAN.]
ANTHONY. [With a heavy sigh.] If it's your pleasure, sign the same.
[He signs, moving the pen with difficulty. ]
WANKLIN. What's the Union's game, Tench? They have n't made up
their split with the men. What does Harness want this interview for?
TENCH. Hoping we shall come to a compromise, I think, sir; he's
having a meeting with the men this afternoon.
WILDER. Harness! Ah! He's one of those cold-blooded, cool-headed
chaps. I distrust them. I don't know that we didn't make a mistake
to come down. What time'll the men be here?
UNDERWOOD. Any time now.
WILDER. Well, if we're not ready, they'll have to wait--won't do
them any harm to cool their heels a bit.
SCANTLEBURY. [Slowly.] Poor devils! It's snowing. What weather!
UNDERWOOD. [With meaning slowness.] This house'll be the warmest
place they've been in this winter.
WILDER. Well, I hope we're going to settle this business in time for
me to catch the 6.30. I've got to take my wife to Spain to-morrow.
[Chattily.] My old father had a strike at his works in '69; just
such a February as this. They wanted to shoot him.
WANKLIN. What! In the close season?
WILDER. By George, there was no close season for employers then! He
used to go down to his office with a pistol in his pocket.
SCANTLEBURY. [Faintly alarmed.] Not seriously?
WILDER. [With finality.] Ended in his shootin' one of 'em in the
legs.
SCANTLEBURY. [Unavoidably feeling his thigh.] No? Which?
ANTHONY. [Lifting the agenda paper.] To consider the policy of the
Board in relation to the strike. [There is a silence.]
WILDER. It's this infernal three-cornered duel--the Union, the men,
and ourselves.
WANKLIN. We need n't consider the Union.
WILDER. It's my experience that you've always got to, consider the
Union, confound them! If the Union were going to withdraw their
support from the men, as they've done, why did they ever allow them
to strike at all?
EDGAR. We've had that over a dozen times.
WILDER. Well, I've never understood it! It's beyond me. They talk
of the engineers' and furnace-men's demands being excessive--so they
are--but that's not enough to make the Union withdraw their support.
What's behind it?
UNDERWOOD. Fear of strikes at Harper's and Tinewell's.
WILDER. [With triumph.] Afraid of other strikes--now, that's a
reason! Why could n't we have been told that before?
UNDERWOOD. You were.
TENCH. You were absent from the Board that day, sir.
SCANTLEBURY. The men must have seen they had no chance when the
Union gave them up. It's madness.
UNDERWOOD. It's Roberts!
WILDER. Just our luck, the men finding a fanatical firebrand like
Roberts for leader. [A pause.]
WANKLIN. [Looking at ANTHONY.] Well?
WILDER. [Breaking in fussily.] It's a regular mess. I don't like
the position we're in; I don't like it; I've said so for a long time.
[Looking at WANKLIN.] When Wanklin and I came down here before
Christmas it looked as if the men must collapse. You thought so too,
Underwood.
UNDERWOOD. Yes.
WILDER. Well, they haven't! Here we are, going from bad to worse
losing our customers--shares going down!
SCANTLEBURY. [Shaking his head.] M'm! M'm!
WANKLIN. What loss have we made by this strike, Tench?
TENCH. Over fifty thousand, sir!
SCANTLEBURY, [Pained.] You don't say!
WILDER. We shall never got it back.
TENCH. No, sir.
WILDER. Who'd have supposed the men were going to stick out like
this--nobody suggested that. [Looking angrily at TENCH.]
SCANTLEBURY. [Shaking his head.] I've never liked a fight--never
shall.
ANTHONY. No surrender! [All look at him.]
WILDER. Who wants to surrender? [ANTHONY looks at him.] I--I want
to act reasonably. When the men sent Roberts up to the Board in
December--then was the time. We ought to have humoured him; instead
of that the Chairman--[Dropping his eyes before ANTHONY'S]--er--we
snapped his head off. We could have got them in then by a little
tact.
ANTHONY. No compromise!
WILDER. There we are! This strike's been going on now since
October, and as far as I can see it may last another six months.
Pretty mess we shall be in by then. The only comfort is, the men'll
be in a worse!
EDGAR. [To UNDERWOOD.] What sort of state are they really in,
Frank?
UNDERWOOD. [Without expression.] Damnable!
WILDER. Well, who on earth would have thought they'd have held on
like this without support!
UNDERWOOD. Those who know them.
WILDER. I defy any one to know them! And what about tin? Price
going up daily. When we do get started we shall have to work off our
contracts at the top of the market.
WANKLIN. What do you say to that, Chairman?
ANTHONY. Can't be helped!
WILDER. Shan't pay a dividend till goodness knows when!
SCANTLEBURY. [With emphasis.] We ought to think of the
shareholders. [Turning heavily.] Chairman, I say we ought to think
of the shareholders. [ANTHONY mutters.]
SCANTLEBURY. What's that?
TENCH. The Chairman says he is thinking of you, sir.
SCANTLEBURY. [Sinking back into torpor.] Cynic!
WILDER. It's past a joke. I don't want to go without a dividend for
years if the Chairman does. We can't go on playing ducks and drakes
with the Company's prosperity.
EDGAR. [Rather ashamedly.] I think we ought to consider the men.
[All but ANTHONY fidget in their seats.]
SCANTLEBURY. [With a sigh.] We must n't think of our private
feelings, young man. That'll never do.
EDGAR. [Ironically.] I'm not thinking of our feelings. I'm
thinking of the men's.
WILDER. As to that--we're men of business.
WANKLIN. That is the little trouble.
EDGAR. There's no necessity for pushing things so far in the face of
all this suffering--it's--it's cruel.
[No one speaks, as though EDGAR had uncovered something whose
existence no man prizing his self-respect could afford to
recognise.]
WANKLIN. [With an ironical smile.] I'm afraid we must n't base our
policy on luxuries like sentiment.
EDGAR. I detest this state of things.
ANTHONY. We did n't seek the quarrel.
EDGAR. I know that sir, but surely we've gone far enough.
ANTHONY. No. [All look at one another.]
WANKLIN. Luxuries apart, Chairman, we must look out what we're
doing.
ANTHONY. Give way to the men once and there'll be no end to it.
WANKLIN. I quite agree, but----
[ANTHONY Shakes his head]
You make it a question of bedrock principle?
[ANTHONY nods.]
Luxuries again, Chairman! The shares are below par.
WILDER. Yes, and they'll drop to a half when we pass the next
dividend.
SCANTLEBURY. [With alarm.] Come, come! Not so bad as that.
WILDER. [Grimly.] You'll see! [Craning forward to catch ANTHONY'S
speech.] I didn't catch----
TENCH. [Hesitating.] The Chairman says, sir, "Fais que--que--devra."
EDGAR. [Sharply.] My father says: "Do what we ought--and let things
rip."
WILDER. Tcha!
SCANTLEBURY. [Throwing up his hands.] The Chairman's a Stoic--I
always said the Chairman was a Stoic.
WILDER. Much good that'll do us.
WANKLIN. [Suavely.] Seriously, Chairman, are you going to let the
ship sink under you, for the sake of--a principle?
ANTHONY. She won't sink.
SCANTLEBURY. [With alarm.] Not while I'm on the Board I hope.
ANTHONY. [With a twinkle.] Better rat, Scantlebury.
SCANTLEBURY. What a man!
ANTHONY. I've always fought them; I've never been beaten yet.
WANKLIN. We're with you in theory, Chairman. But we're not all made
of cast-iron.
ANTHONY. We've only to hold on.
WILDER. [Rising and going to the fire.] And go to the devil as fast
as we can!
ANTHONY. Better go to the devil than give in!
WILDER. [Fretfully.] That may suit you, sir, but it does n't suit
me, or any one else I should think.
[ANTHONY looks him in the face-a silence.]
EDGAR. I don't see how we can get over it that to go on like this
means starvation to the men's wives and families.
[WILDER turns abruptly to the fire, and SCANTLEBURY puts out a
hand to push the idea away.]
WANKLIN. I'm afraid again that sounds a little sentimental.
EDGAR. Men of business are excused from decency, you think?
WILDER. Nobody's more sorry for the men than I am, but if they
[lashing himself] choose to be such a pig-headed lot, it's nothing
to do with us; we've quite enough on our hands to think of ourselves
and the shareholders.
EDGAR. [Irritably.] It won't kill the shareholders to miss a
dividend or two; I don't see that that's reason enough for knuckling
under.
SCANTLEBURY. [With grave discomfort.] You talk very lightly of your
dividends, young man; I don't know where we are.
WILDER. There's only one sound way of looking at it. We can't go on
ruining ourselves with this strike.
ANTHONY. No caving in!
SCANTLEBURY. [With a gesture of despair.] Look at him!
[ANTHONY'S leaning back in his chair. They do look at him.]
WILDER. [Returning to his seat.] Well, all I can say is, if that's
the Chairman's view, I don't know what we've come down here for.
ANTHONY. To tell the men that we've got nothing for them----
[Grimly.] They won't believe it till they hear it spoken in plain
English.
WILDER. H'm! Shouldn't be a bit surprised if that brute Roberts had
n't got us down here with the very same idea. I hate a man with a
grievance.
EDGAR. [Resentfully.] We didn't pay him enough for his discovery.
I always said that at the time.
WILDER. We paid him five hundred and a bonus of two hundred three
years later. If that's not enough! What does he want, for goodness'
sake?
TENCH. [Complainingly.] Company made a hundred thousand out of his
brains, and paid him seven hundred--that's the way he goes on, sir.
WILDER. The man's a rank agitator! Look here, I hate the Unions.
But now we've got Harness here let's get him to settle the whole
thing.
ANTHONY. No! [Again they look at him.]
UNDERWOOD. Roberts won't let the men assent to that.
SCANTLEBURY. Fanatic! Fanatic!
WILDER. [Looking at ANTHONY.] And not the only one! [FROST enters
from the hall.]
FROST. [To ANTHONY.] Mr. Harness from the Union, waiting, sir. The
men are here too, sir.
[ANTHONY nods. UNDERWOOD goes to the door, returning with
HARNESS, a pale, clean-shaven man with hollow cheeks, quick
eyes, and lantern jaw--FROST has retired.]
UNDERWOOD. [Pointing to TENCH'S chair.] Sit there next the
Chairman, Harness, won't you?
[At HARNESS'S appearance, the Board have drawn together, as it
were, and turned a little to him, like cattle at a dog.]
HARNESS. [With a sharp look round, and a bow.] Thanks! [He sits---
his accent is slightly nasal.] Well, gentlemen, we're going to do
business at last, I hope.
WILDER. Depends on what you call business, Harness. Why don't you
make the men come in?
HARNESS. [Sardonically.] The men are far more in the right than you
are. The question with us is whether we shan't begin to support them
again.
[He ignores them all, except ANTHONY, to whom he turns in
speaking.]
ANTHONY. Support them if you like; we'll put in free labour and have
done with it.
HARNESS. That won't do, Mr. Anthony. You can't get free labour, and
you know it.
ANTHONY. We shall see that.
HARNESS. I'm quite frank with you. We were forced to withhold our
support from your men because some of their demands are in excess of
current rates. I expect to make them withdraw those demands to-day:
if they do, take it straight from me, gentlemen, we shall back them
again at once. Now, I want to see something fixed upon before I go
back to-night. Can't we have done with this old-fashioned tug-of-war
business? What good's it doing you? Why don't you recognise once
for all that these people are men like yourselves, and want what's
good for them just as you want what's good for you [Bitterly.] Your
motor-cars, and champagne, and eight-course dinners.
ANTHONY. If the men will come in, we'll do something for them.
HARNESS. [Ironically.] Is that your opinion too, sir--and yours--
and yours? [The Directors do not answer.] Well, all I can say is:
It's a kind of high and mighty aristocratic tone I thought we'd grown
out of--seems I was mistaken.
ANTHONY. It's the tone the men use. Remains to be seen which can
hold out longest--they without us, or we without them.
HARNESS. As business men, I wonder you're not ashamed of this waste
of force, gentlemen. You know what it'll all end in.
ANTHONY. What?
HARNESS. Compromise--it always does.
SCANTLEBURY. Can't you persuade the men that their interests are the
same as ours?
HARNESS. [Turning, ironically.] I could persuade them of that, sir,
if they were.
WILDER. Come, Harness, you're a clever man, you don't believe all
the Socialistic claptrap that's talked nowadays. There 's no real
difference between their interests and ours.
HARNESS. There's just one very simple question I'd like to put to
you. Will you pay your men one penny more than they force you to pay
them?
[WILDER is silent.]
WANKLIN. [Chiming in.] I humbly thought that not to pay more than
was necessary was the A B C of commerce.
HARNESS. [With irony.] Yes, that seems to be the A B C of commerce,
sir; and the A B C of commerce is between your interests and the
men's.
SCANTLEBURY. [Whispering.] We ought to arrange something.
HARNESS. [Drily.] Am I to understand then, gentlemen, that your
Board is going to make no concessions?
[WANKLIN and WILDER bend forward as if to speak, but stop.]
ANTHONY. [Nodding.] None.
[WANKLIN and WILDER again bend forward, and SCANTLEBURY gives an
unexpected grunt.]
HARNESS. You were about to say something, I believe?
[But SCANTLEBURY says nothing.]
EDGAR. [Looking up suddenly.] We're sorry for the state of the men.
HARNESS. [Icily.] The men have no use for your pity, sir. What
they want is justice.
ANTHONY. Then let them be just.
HARNESS. For that word "just" read "humble," Mr. Anthony. Why
should they be humble? Barring the accident of money, are n't they
as good men as you?
ANTHONY. Cant!
HARNESS. Well, I've been five years in America. It colours a man's
notions.
SCANTLEBURY. [Suddenly, as though avenging his uncompleted grunt.]
Let's have the men in and hear what they've got to say!
[ANTHONY nods, and UNDERWOOD goes out by the single door.]
HARNESS. [Drily.] As I'm to have an interview with them this
afternoon, gentlemen, I 'll ask you to postpone your final decision
till that's over.
[Again ANTHONY nods, and taking up his glass drinks.]
[UNDERWOOD comes in again, followed by ROBERTS, GREEN, BULGIN,
THOMAS, ROUS. They file in, hat in hand, and stand silent in a
row. ROBERTS is lean, of middle height, with a slight stoop.
He has a little rat-gnawn, brown-grey beard, moustaches, high
cheek-bones, hollow cheeks, small fiery eyes. He wears an old
and grease-stained blue serge suit, and carries an old bowler
hat. He stands nearest the Chairman. GREEN, next to him, has a
clean, worn face, with a small grey goatee beard and drooping
moustaches, iron spectacles, and mild, straightforward eyes. He
wears an overcoat, green with age, and a linen collar. Next to
him is BULGIN, a tall, strong man, with a dark moustache, and
fighting jaw, wearing a red muffler, who keeps changing his cap
from one hand to the other. Next to him is THOMAS, an old man
with a grey moustache, full beard, and weatherbeaten, bony face,
whose overcoat discloses a lean, plucked-looking neck. On his
right, ROUS, the youngest of the five, looks like a soldier; he
has a glitter in his eyes.]
UNDERWOOD. [Pointing.] There are some chairs there against the
wall, Roberts; won't you draw them up and sit down?
ROBERTS. Thank you, Mr. Underwood--we'll stand in the presence of
the Board. [He speaks in a biting and staccato voice, rolling his
r's, pronouncing his a's like an Italian a, and his consonants short
and crisp.] How are you, Mr. Harness? Did n't expect t' have the
pleasure of seeing you till this afternoon.
HARNESS. [Steadily.] We shall meet again then, Roberts.
ROBERTS. Glad to hear that; we shall have some news for you to take
to your people.
ANTHONY. What do the men want?
ROBERTS. [Acidly.] Beg pardon, I don't quite catch the Chairman's
remark.
TENCH. [From behind the Chairman's chair.] The Chairman wishes to
know what the men have to say.
ROBERTS. It's what the Board has to say we've come to hear. It's
for the Board to speak first.
ANTHONY. The Board has nothing to say.
ROBERTS. [Looking along the line of men.] In that case we're
wasting the Directors' time. We'll be taking our feet off this
pretty carpet.
[He turns, the men move slowly, as though hypnotically
influenced.]
WANKLIN: [Suavely.] Come, Roberts, you did n't give us this long
cold journey for the pleasure of saying that.
THOMAS. [A pure Welshman.] No, sir, an' what I say iss----
ROBERTS.[Bitingly.] Go on, Henry Thomas, go on. You 're better able
to speak to the--Directors than me. [THOMAS is silent.]
TENCH. The Chairman means, Roberts, that it was the men who asked
for the conference, the Board wish to hear what they have to say.
ROBERTS. Gad! If I was to begin to tell ye all they have to say, I
wouldn't be finished to-day. And there'd be some that'd wish they'd
never left their London palaces.
HARNESS. What's your proposition, man? Be reasonable.
ROBERTS. You want reason Mr. Harness? Take a look round this
afternoon before the meeting. [He looks at the men; no sound escapes
them.] You'll see some very pretty scenery.
HARNESS. All right my friend; you won't put me off.
ROBERTS. [To the men.] We shan't put Mr. Harness off. Have some
champagne with your lunch, Mr. Harness; you'll want it, sir.
HARNESS. Come, get to business, man!
THOMAS. What we're asking, look you, is just simple justice.
ROBERTS. [Venomously.] Justice from London? What are you talking
about, Henry Thomas? Have you gone silly? [THOMAS is silent.] We
know very well what we are--discontented dogs--never satisfied. What
did the Chairman tell me up in London? That I did n't know what I
was talking about. I was a foolish, uneducated man, that knew
nothing of the wants of the men I spoke for.
EDGAR. Do please keep to the point.
ANTHONY. [Holding up his hand.] There can only be one master,
Roberts.
ROBERTS. Then, be Gad, it'll be us.
[There is a silence; ANTHONY and ROBERTS stare at one another.]
UNDERWOOD. If you've nothing to say to the Directors, Roberts,
perhaps you 'll let Green or Thomas speak for the men.
[GREEN and THOMAS look anxiously at ROBERTS, at each other, and
the other men.]
GREEN. [An Englishman.] If I'd been listened to, gentlemen----
THOMAS. What I'fe got to say iss what we'fe all got to say----
ROBERTS. Speak for yourself, Henry Thomas.
SCANTLEBURY. [With a gesture of deep spiritual discomfort.] Let the
poor men call their souls their own!
ROBERTS. Aye, they shall keep their souls, for it's not much body
that you've left them, Mr. [with biting emphasis, as though the word
were an offence] Scantlebury! [To the men.] Well, will you speak,
or shall I speak for you?
ROUS. [Suddenly.] Speak out, Roberts, or leave it to others.
ROBERTS. [Ironically.] Thank you, George Rous. [Addressing himself
to ANTHONY.] The Chairman and Board of Directors have honoured us by
leaving London and coming all this way to hear what we've got to say;
it would not be polite to keep them any longer waiting.
WILDER. Well, thank God for that!
ROBERTS. Ye will not dare to thank Him when I have done, Mr. Wilder,
for all your piety. May be your God up in London has no time to
listen to the working man. I'm told He is a wealthy God; but if he
listens to what I tell Him, He will know more than ever He learned in
Kensington.
HARNESS. Come, Roberts, you have your own God. Respect the God of
other men.
ROBERTS. That's right, sir. We have another God down here; I doubt
He is rather different to Mr. Wilder's. Ask Henry Thomas; he will
tell you whether his God and Mr. Wilder's are the same.
[THOMAS lifts his hand, and cranes his head as though to
prophesy.]
WANKLIN. For goodness' sake, let 's keep to the point, Roberts.
ROBERTS. I rather think it is the point, Mr. Wanklin. If you can
get the God of Capital to walk through the streets of Labour, and pay
attention to what he sees, you're a brighter man than I take you for,
for all that you're a Radical.
ANTHONY. Attend to me, Roberts! [Roberts is silent.] You are here
to speak for the men, as I am here to speak for the Board.
[He looks slowly round.]
[WILDER, WANKLIN, and SCANTLEBURY make movements of uneasiness,
and EDGAR gazes at the floor. A faint smile comes on HARNESS'S
face.]
Now then, what is it?
ROBERTS. Right, Sir!
[Throughout all that follows, he and ANTHONY look fixedly upon
each other. Men and Directors show in their various ways
suppressed uneasiness, as though listening to words that they
themselves would not have spoken.]
The men can't afford to travel up to London; and they don't trust you
to believe what they say in black and white. They know what the post
is [he darts a look at UNDERWOOD and TENCH], and what Directors'
meetings are: "Refer it to the manager--let the manager advise us on
the men's condition. Can we squeeze them a little more?"
UNDERWOOD. [In a low voice.] Don't hit below the belt, Roberts!
ROBERTS. Is it below the belt, Mr. Underwood? The men know. When I
came up to London, I told you the position straight. An' what came
of it? I was told I did n't know what I was talkin' about. I can't
afford to travel up to London to be told that again.
ANTHONY. What have you to say for the men?
ROBERTS. I have this to say--and first as to their condition. Ye
shall 'ave no need to go and ask your manager. Ye can't squeeze them
any more. Every man of us is well-nigh starving. [A surprised
murmur rises from the men. ROBERTS looks round.] Ye wonder why I
tell ye that? Every man of us is going short. We can't be no worse
off than we've been these weeks past. Ye need n't think that by
waiting yell drive us to come in. We'll die first, the whole lot of
us. The men have sent for ye to know, once and for all, whether ye
are going to grant them their demands. I see the sheet of paper in
the Secretary's hand. [TENCH moves nervously.] That's it, I think,
Mr. Tench. It's not very large.
TENCH. [Nodding.] Yes.
ROBERTS. There's not one sentence of writing on that paper that we
can do without.
[A movement amongst the men. ROBERTS turns on them sharply.]
Isn't that so?
[The men assent reluctantly. ANTHONY takes from TENCH the paper
and peruses it.]
Not one single sentence. All those demands are fair. We have not.
asked anything that we are not entitled to ask. What I said up in
London, I say again now: there is not anything on that piece of paper
that a just man should not ask, and a just man give.
[A pause.]
ANTHONY. There is not one single demand on this paper that we will
grant.
[In the stir that follows on these words, ROBERTS watches the
Directors and ANTHONY the men. WILDER gets up abruptly and goes
over to the fire.]
ROBERTS. D' ye mean that?
ANTHONY. I do.
[WILDER at the fire makes an emphatic movement of disgust.]
ROBERTS. [Noting it, with dry intensity.] Ye best know whether the
condition of the Company is any better than the condition of the men.
[Scanning the Directors' faces.] Ye best know whether ye can afford
your tyranny--but this I tell ye: If ye think the men will give way
the least part of an inch, ye're making the worst mistake ye ever
made. [He fixes his eyes on SCANTLEBURY.] Ye think because the
Union is not supporting us--more shame to it!--that we'll be coming
on our knees to you one fine morning. Ye think because the men have
got their wives an' families to think of--that it's just a question
of a week or two----
ANTHONY. It would be better if you did not speculate so much on what
we think.
ROBERTS. Aye! It's not much profit to us! I will say this for you,
Mr. Anthony--ye know your own mind! [Staying at ANTHONY.] I can
reckon on ye!
ANTHONY. [Ironically.] I am obliged to you!
ROBERTS. And I know mine. I tell ye this: The men will send their
wives and families where the country will have to keep them; an' they
will starve sooner than give way. I advise ye, Mr. Anthony, to
prepare yourself for the worst that can happen to your Company. We
are not so ignorant as you might suppose. We know the way the cat is
jumping. Your position is not all that it might be--not exactly!
ANTHONY. Be good enough to allow us to judge of our position for
ourselves. Go back, and reconsider your own.
ROBERTS. [Stepping forward.] Mr. Anthony, you are not a young man
now; from the time I remember anything ye have been an enemy to every
man that has come into your works. I don't say that ye're a mean
man, or a cruel man, but ye've grudged them the say of any word in
their own fate. Ye've fought them down four times. I've heard ye
say ye love a fight--mark my words--ye're fighting the last fight
ye'll ever fight!
[TENCH touches ROBERTS'S sleeve.]
UNDERWOOD. Roberts! Roberts!
ROBERTS. Roberts! Roberts! I must n't speak my mind to the
Chairman, but the Chairman may speak his mind to me!
WILDER. What are things coming to?
ANTHONY, [With a grim smile at WILDER.] Go on, Roberts; say what you
like!
ROBERTS. [After a pause.] I have no more to say.
ANTHONY. The meeting stands adjourned to five o'clock.
WANKLIN. [In a low voice to UNDERWOOD.] We shall never settle
anything like this.
ROBERTS. [Bitingly.] We thank the Chairman and Board of Directors
for their gracious hearing.
[He moves towards the door; the men cluster together stupefied;
then ROUS, throwing up his head, passes ROBERTS and goes out.
The others follow.]
ROBERTS. [With his hand on the door--maliciously.] Good day,
gentlemen! [He goes out.]
HARNESS. [Ironically.] I congratulate you on the conciliatory
spirit that's been displayed. With your permission, gentlemen, I'll
be with you again at half-past five. Good morning!
[He bows slightly, rests his eyes on ANTHONY, who returns his
stare unmoved, and, followed by UNDERWOOD, goes out. There is a
moment of uneasy silence. UNDERWOOD reappears in the doorway.]
WILDER. [With emphatic disgust.] Well!
[The double-doors are opened.]
ENID. [Standing in the doorway.] Lunch is ready.
[EDGAR, getting up abruptly, walks out past his sister.]
WILDER. Coming to lunch, Scantlebury?
SCANTLEBURY. [Rising heavily.] I suppose so, I suppose so. It's
the only thing we can do.
[They go out through the double-doors.]
WANKLIN. [In a low voice.] Do you really mean
to fight to a finish, Chairman?
[ANTHONY nods.]
WANKLIN. Take care! The essence of things is to know when to stop.
[ANTHONY does not answer.]
WANKLIN. [Very gravely.] This way disaster lies. The ancient
Trojans were fools to your father, Mrs. Underwood. [He goes out
through the double-doors.]
ENID. I want to speak to father, Frank.
[UNDERWOOD follows WANKLIN Out. TENCH, passing round the table,
is restoring order to the scattered pens and papers.]
ENID. Are n't you coming, Dad?
[ANTHONY Shakes his head. ENID looks meaningly at TENCH.]
ENID. Won't you go and have some lunch, Mr. Tench?
TENCH. [With papers in his hand.] Thank you, ma'am, thank you! [He
goes slowly, looking back.]
ENID. [Shutting the doors.] I do hope it's settled, Father!
ANTHONY. No!
ENID. [Very disappointed.] Oh! Have n't you done anything!
[ANTHONY shakes his head.]
ENID. Frank says they all want to come to a compromise, really,
except that man Roberts.
ANTHONY. I don't.
ENID. It's such a horrid position for us. If you were the wife of
the manager, and lived down here, and saw it all. You can't realise,
Dad!
ANTHONY. Indeed?
ENID. We see all the distress. You remember my maid Annie, who
married Roberts? [ANTHONY nods.] It's so wretched, her heart's
weak; since the strike began, she has n't even been getting proper
food. I know it for a fact, Father.
ANTHONY. Give her what she wants, poor woman!
ENID. Roberts won't let her take anything from us.
ANTHONY. [Staring before him.] I can't be answerable for the men's
obstinacy.
ENID. They're all suffering. Father! Do stop it, for my sake!
ANTHONY. [With a keen look at her.] You don't understand, my dear.
ENID. If I were on the Board, I'd do something.
ANTHONY. What would you do?
ENID. It's because you can't bear to give way. It's so----
ANTHONY. Well?
ENID. So unnecessary.
ANTHONY. What do you know about necessity? Read your novels, play
your music, talk your talk, but don't try and tell me what's at the
bottom of a struggle like this.
ENID. I live down here, and see it.
ANTHONY. What d' you imagine stands between you and your class and
these men that you're so sorry for?
ENID. [Coldly.] I don't know what you mean, Father.
ANTHONY. In a few years you and your children would be down in the
condition they're in, but for those who have the eyes to see things
as they are and the backbone to stand up for themselves.
ENID. You don't know the state the men are in.
ANTHONY. I know it well enough.
ENID. You don't, Father; if you did, you would n't
ANTHONY. It's you who don't know the simple facts of the position.
What sort of mercy do you suppose you'd get if no one stood between
you and the continual demands of labour? This sort of mercy--
[He puts his hand up to his throat and squeezes it.] First would go
your sentiments, my dear; then your culture, and your comforts would
be going all the time!
ENID. I don't believe in barriers between classes.
ANTHONY. You--don't--believe--in--barriers--between the classes?
ENID. [Coldly.] And I don't know what that has to do with this
question.
ANTHONY. It will take a generation or two for you to understand.
ENID. It's only you and Roberts, Father, and you know it!
[ANTHONY thrusts out his lower lip.]
It'll ruin the Company.
ANTHONY. Allow me to judge of that.
ENID. [Resentfully.] I won't stand by and let poor Annie Roberts
suffer like this! And think of the children, Father! I warn you.
ANTHONY. [With a grim smile.] What do you propose to do?
ENID. That's my affair.
[ANTHONY only looks at her.]
ENID. [In a changed voice, stroking his sleeve.] Father, you know
you oughtn't to have this strain on you--you know what Dr. Fisher
said!
ANTHONY. No old man can afford to listen to old women.
ENID. But you have done enough, even if it really is such a matter
of principle with you.
ANTHONY. You think so?
ENID. Don't Dad! [Her face works.] You--you might think of us!
ANTHONY. I am.
ENID. It'll break you down.
ANTHONY. [Slowly.] My dear, I am not going to funk; on that you may
rely.
[Re-enter TENCH with papers; he glances at them, then plucking
up courage.]
TENCH. Beg pardon, Madam, I think I'd rather see these papers were
disposed of before I get my lunch.
[ENID, after an impatient glance at him, looks at her father,
turns suddenly, and goes into the drawing-room.]
TENCH. [Holding the papers and a pen to ANTHONY, very nervously.]
Would you sign these for me, please sir?
[ANTHONY takes the pen and signs.]
TENCH. [Standing with a sheet of blotting-paper behind EDGAR'S
chair, begins speaking nervously.] I owe my position to you, sir.
ANTHONY. Well?
TENCH. I'm obliged to see everything that's going on, sir; I--I
depend upon the Company entirely. If anything were to happen to it,
it'd be disastrous for me. [ANTHONY nods.] And, of course, my
wife's just had another; and so it makes me doubly anxious just now.
And the rates are really terrible down our way.
ANTHONY. [With grim amusement.] Not more terrible than they are up
mine.
TENCH. No, Sir? [Very nervously.] I know the Company means a great
deal to you, sir.
ANTHONY. It does; I founded it.
TENCH. Yes, Sir. If the strike goes on it'll be very serious. I
think the Directors are beginning to realise that, sir.
ANTHONY. [Ironically.] Indeed?
TENCH. I know you hold very strong views, sir, and it's always your
habit to look things in the face; but I don't think the Directors--
like it, sir, now they--they see it.
ANTHONY. [Grimly.] Nor you, it seems.
TENCH. [With the ghost of a smile.] No, sir; of course I've got my
children, and my wife's delicate; in my position I have to think of
these things.
[ANTHONY nods.]
It was n't that I was going to say, sir, if you'll excuse me----
[hesitates]
ANTHONY. Out with it, then!
TENCH. I know--from my own father, sir, that when you get on in life
you do feel things dreadfully----
ANTHONY. [Almost paternally.] Come, out with it, Trench!
TENCH. I don't like to say it, sir.
ANTHONY. [Stonily.] You Must.
TENCH. [After a pause, desperately bolting it out.] I think the
Directors are going to throw you over, sir.
ANTHONY. [Sits in silence.] Ring the bell!
[TENCH nervously rings the bell and stands by the fire.]
TENCH. Excuse me for saying such a thing. I was only thinking of
you, sir.
[FROST enters from the hall, he comes to the foot of the table,
and looks at ANTHONY; TENCH coveys his nervousness by arranging
papers.]
ANTHONY. Bring me a whiskey and soda.
FROST. Anything to eat, sir?
[ANTHONY shakes his head. FROST goes to the sideboard, and
prepares the drink.]
TENCH. [In a low voice, almost supplicating.] If you could see your
way, sir, it would be a great relief to my mind, it would indeed.
[He looks up at ANTHONY, who has not moved.] It does make me so very
anxious. I haven't slept properly for weeks, sir, and that's a fact.
[ANTHONY looks in his face, then slowly shakes his head.]
[Disheartened.] No, Sir? [He goes on arranging papers.]
[FROST places the whiskey and salver and puts it down by
ANTHONY'S right hand. He stands away, looking gravely at
ANTHONY.]
FROST. Nothing I can get you, sir?
[ANTHONY shakes his head.]
You're aware, sir, of what the doctor said, sir?
ANTHONY. I am.
[A pause. FROST suddenly moves closer to him, and speaks in a
low voice.]
FROST. This strike, sir; puttin' all this strain on you. Excuse me,
sir, is it--is it worth it, sir?
[ANTHONY mutters some words that are inaudible.]
Very good, sir!
[He turns and goes out into the hall. TENCH makes two attempts
to speak; but meeting his Chairman's gaze he drops his eyes,
and, turning dismally, he too goes out. ANTHONY is left alone.
He grips the glass, tilts it, and drinks deeply; then sets it
down with a deep and rumbling sigh, and leans back in his
chair.]
The curtain falls.
ACT II
SCENE I
It is half-past three. In the kitchen of Roberts's cottage a
meagre little fire is burning. The room is clean and tidy, very
barely furnished, with a brick floor and white-washed walls,
much stained with smoke. There is a kettle on the fire. A door
opposite the fireplace opens inward from a snowy street. On the
wooden table are a cup and saucer, a teapot, knife, and plate of
bread and cheese. Close to the fireplace in an old arm-chair,
wrapped in a rug, sits MRS. ROBERTS, a thin and dark-haired
woman about thirty-five, with patient eyes. Her hair is not
done up, but tied back with a piece of ribbon. By the fire,
too, is MRS. YEO; a red-haired, broad-faced person. Sitting
near the table is MRS. ROUS, an old lady, ashen-white, with
silver hair; by the door, standing, as if about to go, is MRS.
BULGIN, a little pale, pinched-up woman. In a chair, with her
elbows resting on the table, avid her face resting in her hands,
sits MADGE THOMAS, a good-looking girl, of twenty-two, with high
cheekbones, deep-set eyes, and dark untidy hair. She is
listening to the talk, but she neither speaks nor moves.
MRS. YEO. So he give me a sixpence, and that's the first bit o'
money I seen this week. There an't much 'eat to this fire. Come and
warm yerself Mrs. Rous, you're lookin' as white as the snow, you are.
MRS. ROUS. [Shivering--placidly.] Ah! but the winter my old man
was took was the proper winter. Seventy-nine that was, when none of
you was hardly born--not Madge Thomas, nor Sue Bulgin. [Looking at
them in turn.] Annie Roberts, 'ow old were you, dear?
MRS ROBERTS. Seven, Mrs. Rous.
MRS. ROUS. Seven--well, there! A tiny little thing!
MRS. YEO. [Aggressively.] Well, I was ten myself, I remembers it.
MRS. Rous. [Placidly.] The Company hadn't been started three years.
Father was workin' on the acid, that's 'ow he got 'is pisoned-leg.
I kep' sayin' to 'im, "Father, you've got a pisoned leg." "Well," 'e
said, "Mother, pison or no pison, I can't afford to go a-layin' up."
An' two days after, he was on 'is back, and never got up again. It
was Providence! There was n't none o' these Compensation Acts then.
MRS. YEO. Ye had n't no strike that winter! [With grim humour.]
This winter's 'ard enough for me. Mrs. Roberts, you don't want no
'arder winter, do you? Wouldn't seem natural to 'ave a dinner, would
it, Mrs. Bulgin?
MRS. BULGIN. We've had bread and tea last four days.
MRS. YEO. You got that Friday's laundry job?
MRS. BULGIN. [Dispiritedly.] They said they'd give it me, but when
I went last Friday, they were full up. I got to go again next week.
MRS. YEO. Ah! There's too many after that. I send Yeo out on the
ice to put on the gentry's skates an' pick up what 'e can. Stops 'im
from broodin' about the 'ouse.
MRS. BULGIN. [In a desolate, matter-of-fact voice.] Leavin' out the
men--it's bad enough with the children. I keep 'em in bed, they
don't get so hungry when they're not running about; but they're that
restless in bed they worry your life out.
MRS. YEO. You're lucky they're all so small. It 's the goin' to
school that makes 'em 'ungry. Don't Bulgin give you anythin'?
MRS. BULGIN. [Shakes her head, then, as though by afterthought.]
Would if he could, I s'pose.
MRS. YEO. [Sardonically.] What! 'Ave n't 'e got no shares in the
Company?
MRS. ROUS. [Rising with tremulous cheerfulness.] Well, good-bye,
Annie Roberts, I'm going along home.
MRS. ROBERTS. Stay an' have a cup of tea, Mrs. Rous?
MRS. ROUS. [With the faintest smile.] Roberts 'll want 'is tea when
he comes in. I'll just go an' get to bed; it's warmer there than
anywhere.
[She moves very shakily towards the door.]
MRS. YEO. [Rising and giving her an arm.] Come on, Mother, take my
arm; we're all going' the same way.
MRS. ROUS. [Taking the arm.]Thank you, my dearies!
[THEY go out, followed by MRS. BULGIN.]
MADGE. [Moving for the first time.] There, Annie, you see that! I
told George Rous, "Don't think to have my company till you've made an
end of all this trouble. You ought to be ashamed," I said, "with
your own mother looking like a ghost, and not a stick to put on the
fire. So long as you're able to fill your pipes, you'll let us
starve." "I 'll take my oath, Madge," he said, "I 've not had smoke
nor drink these three weeks!" "Well, then, why do you go on with
it?" "I can't go back on Roberts!" . . . That's it! Roberts,
always Roberts! They'd all drop it but for him. When he talks it's
the devil that comes into them.
[A silence. MRS. ROBERTS makes a movement of pain.]
Ah! You don't want him beaten! He's your man. With everybody like
their own shadows! [She makes a gesture towards MRS. ROBERTS.] If
ROUS wants me he must give up Roberts. If he gave him up--they all
would. They're only waiting for a lead. Father's against him--
they're all against him in their hearts.
MRS. ROBERTS. You won't beat Roberts!
[They look silently at each other.]
MADGE. Won't I? The cowards--when their own mothers and their own
children don't know where to turn.
MRS. ROBERTS. Madge!
MADGE. [Looking searchingly at MRS. ROBERTS.] I wonder he can look
you in the face. [She squats before the fire, with her hands out to
the flame.] Harness is here again. They'll have to make up their
minds to-day.
MRS. ROBERTS. [In a soft, slow voice, with a slight West-country
burr.] Roberts will never give up the furnace-men and engineers.
'T wouldn't be right.
MADGE. You can't deceive me. It's just his pride.
[A tapping at the door is heard, the women turn as ENID enters.
She wears a round fur cap, and a jacket of squirrel's fur. She
closes the door behind her.]
ENID. Can I come in, Annie?
MRS. ROBERTS. [Flinching.] Miss Enid! Give Mrs. Underwood a chair,
Madge!
[MADGE gives ENID the chair she has been sitting on.]
ENID. Thank you!
ENID. Are you any better?
MRS. ROBERTS. Yes, M'm; thank you, M'm.
ENID. [Looking at the sullen MADGE as though requesting her
departure.] Why did you send back the jelly? I call that really
wicked of you!
MRS. ROBERTS. Thank you, M'm, I'd no need for it.
ENID. Of course! It was Roberts's doing, wasn't it? How can he let
all this suffering go on amongst you?
MADGE. [Suddenly.] What suffering?
ENID. [Surprised.] I beg your pardon!
MADGE. Who said there was suffering?
MRS. ROBERTS. Madge!
MADGE. [Throwing her shawl over her head.] Please to let us keep
ourselves to ourselves. We don't want you coming here and spying on
us.
ENID. [Confronting her, but without rising.] I did n't speak to
you.
MADGE. [In a low, fierce voice.] Keep your kind feelings to
yourself. You think you can come amongst us, but you're mistaken.
Go back and tell the Manager that.
ENID. [Stonily.] This is not your house.
MADGE. [Turning to the door.] No, it is not my house; keep clear of
my house, Mrs. Underwood.
[She goes out. ENID taps her fingers on the table.]
MRS. ROBERTS. Please to forgive Madge Thomas, M'm; she's a bit upset
to-day.
[A pause.]
ENID. [Looking at her.] Oh, I think they're so stupid, all of them.
MRS. ROBERTS. [With a faint smile]. Yes, M'm.
ENID. Is Roberts out?
MRS. ROBERTS. Yes, M'm.
ENID. It is his doing, that they don't come to an agreement. Now is
n't it, Annie?
MRS. ROBERTS. [Softly, with her eyes on ENID, and moving the fingers
of one hand continually on her breast.] They do say that your
father, M'm----
ENID. My father's getting an old man, and you know what old men are.
MRS. ROBERTS. I am sorry, M'm.
ENID. [More softly.] I don't expect you to feel sorry, Annie. I
know it's his fault as well as Roberts's.
MRS. ROBERTS. I'm sorry for any one that gets old, M'm; it 's
dreadful to get old, and Mr. Anthony was such a fine old man, I
always used to think.
ENID. [Impulsively.] He always liked you, don't you remember? Look
here, Annie, what can I do? I do so want to know. You don't get
what you ought to have. [Going to the fire, she takes the kettle
off, and looks for coals.] And you're so naughty sending back the
soup and things.
MRS. ROBERTS. [With a faint smile.] Yes, M'm?
ENID. [Resentfully.] Why, you have n't even got coals?
MRS. ROBERTS. If you please, M'm, to put the kettle on again;
Roberts won't have long for his tea when he comes in. He's got to
meet the men at four.
ENID. [Putting the kettle on.] That means he'll lash them into a
fury again. Can't you stop his going, Annie?
[MRS. ROBERTS smiles ironically.]
Have you tried?
[A silence.]
Does he know how ill you are?
MRS. ROBERTS. It's only my weak 'eard, M'm.
ENID. You used to be so well when you were with us.
MRS. ROBERTS. [Stiffening.] Roberts is always good to me.
ENID. But you ought to have everything you want, and you have
nothing!
MRS. ROBERTS. [Appealingly.] They tell me I don't look like a dyin'
woman?
ENID. Of course you don't; if you could only have proper--- Will you
see my doctor if I send him to you? I'm sure he'd do you good.
MRS. ROBERTS. [With faint questioning.] Yes, M'm.
ENID. Madge Thomas ought n't to come here; she only excites you. As
if I did n't know what suffering there is amongst the men! I do feel
for them dreadfully, but you know they have gone too far.
MRS. ROBERTS. [Continually moving her fingers.] They say there's no
other way to get better wages, M'm.
ENID. [Earnestly.] But, Annie, that's why the Union won't help
them. My husband's very sympathetic with the men, but he says they
are not underpaid.
MRS. ROBERTS. No, M'm?
ENID. They never think how the Company could go on if we paid the
wages they want.
MRS. ROBERTS. [With an effort.] But the dividends having been so
big, M'm.
ENID. [Takes aback.] You all seem to think the shareholders are
rich men, but they're not--most of them are really no better off than
working men.
[MRS. ROBERTS smiles.]
They have to keep up appearances.
MRS. ROBERTS. Yes, M'm?
ENID. You don't have to pay rates and taxes, and a hundred other
things that they do. If the men did n't spend such a lot in drink
and betting they'd be quite well off!
MRS. ROBERTS. They say, workin' so hard, they must have some
pleasure.
ENID. But surely not low pleasure like that.
MRS. ROBERTS. [A little resentfully.] Roberts never touches a drop;
and he's never had a bet in his life.
ENID. Oh! but he's not a com----I mean he's an engineer----
a superior man.
MRS. ROBERTS. Yes, M'm. Roberts says they've no chance of other
pleasures.
ENID. [Musing.] Of course, I know it's hard.
MRS. ROBERTS. [With a spice of malice.] And they say gentlefolk's
just as bad.
ENID. [With a smile.] I go as far as most people, Annie, but you
know, yourself, that's nonsense.
MRS. ROBERTS. [With painful effort.] A lot 'o the men never go near
the Public; but even they don't save but very little, and that goes
if there's illness.
ENID. But they've got their clubs, have n't they?
MRS. ROBERTS. The clubs only give up to eighteen shillin's a week,
M'm, and it's not much amongst a family. Roberts says workin' folk
have always lived from hand to mouth. Sixpence to-day is worth more
than a shillin' to-morrow, that's what they say.
ENID. But that's the spirit of gambling.
MRS. ROBERTS. [With a sort of excitement.] Roberts says a working
man's life is all a gamble, from the time 'e 's born to the time 'e
dies.
[ENID leans forward, interested. MRS. ROBERTS goes on with a
growing excitement that culminates in the personal feeling of
the last words.]
He says, M'm, that when a working man's baby is born, it's a toss-up
from breath to breath whether it ever draws another, and so on all
'is life; an' when he comes to be old, it's the workhouse or the
grave. He says that without a man is very near, and pinches and
stints 'imself and 'is children to save, there can't be neither
surplus nor security. That's why he wouldn't have no children [she
sinks back], not though I wanted them.
ENID. Yes, yes, I know!
MRS. ROBERTS. No you don't, M'm. You've got your children, and
you'll never need to trouble for them.
ENID. [Gently.] You oughtn't to be talking so much, Annie. [Then,
in spite of herself.] But Roberts was paid a lot of money, was n't
he, for discovering that process?
MRS. ROBERTS. [On the defensive.] All Roberts's savin's have gone.
He 's always looked forward to this strike. He says he's no right to
a farthing when the others are suffering. 'T is n't so with all o'
them! Some don't seem to care no more than that--so long as they get
their own.
ENID. I don't see how they can be expected to when they 're
suffering like this. [In a changed voice.] But Roberts ought to
think of you! It's all terrible----! The kettle's boiling. Shall I
make the tea? [She takes the teapot and, seeing tea there, pours
water into it.] Won't you have a cup?
MRS. ROBERTS. No, thank you, M'm. [She is listening, as though for
footsteps.] I'd--sooner you did n't see Roberts, M'm, he gets so
wild.
ENID. Oh! but I must, Annie; I'll be quite calm, I promise.
MRS. ROBERTS. It's life an' death to him, M'm.
ENID. [Very gently.] I'll get him to talk to me outside, we won't
excite you.
MRS. ROBERTS. [Faintly.] No, M'm.
[She gives a violent start. ROBERTS has come in, unseen.]
ROBERTS. [Removing his hat--with subtle mockery.] Beg pardon for
coming in; you're engaged with a lady, I see.
ENID. Can I speak to you, Mr. Roberts?
ROBERTS. Whom have I the pleasure of addressing, Ma'am?
ENID. But surely you know me! I 'm Mrs. Underwood.
ROBERTS. [With a bow of malice.] The daughter of our Chairman.
ENID. [Earnestly.] I've come on purpose to speak to you; will you
come outside a minute?
[She looks at MRS. ROBERTS.]
ROBERTS. [Hanging up his hat.] I have nothing to say, Ma'am.
ENID. But I must speak to you, please.
[She moves towards the door.]
ROBERTS. [With sudden venom.] I have not the time to listen!
MRS. ROBERTS. David!
ENID. Mr. Roberts, please!
ROBERTS. [Taking off his overcoat.] I am sorry to disoblige a lady
--Mr. Anthony's daughter.
ENID. [Wavering, then with sudden decision.] Mr. Roberts, I know
you've another meeting of the men.
[ROBERTS bows.]
I came to appeal to you. Please, please, try to come to some
compromise; give way a little, if it's only for your own sakes!
ROBERTS. [Speaking to himself.] The daughter of Mr. Anthony begs me
to give way a little, if it's only for our own sakes!
ENID. For everybody's sake; for your wife's sake.
ROBERTS. For my wife's sake, for everybody's sake--for the sake of
Mr. Anthony.
ENID. Why are you so bitter against my father? He has never done
anything to you.
ROBERTS. Has he not?
ENID. He can't help his views, any more than you can help yours.
ROBERTS. I really did n't know that I had a right to views!
ENID. He's an old man, and you----
[Seeing his eyes fixed on her, she stops.]
ROBERTS. [Without raising his voice.] If I saw Mr. Anthony going to
die, and I could save him by lifting my hand, I would not lift the
little finger of it.
ENID. You--you----[She stops again, biting her lips.]
ROBERTS. I would not, and that's flat!
ENID. [Coldly.] You don't mean what you say, and you know it!
ROBERTS. I mean every word of it.
ENID. But why?
ROBERTS. [With a flash.] Mr. Anthony stands for tyranny! That's
why!
ENID. Nonsense!
[MRS. ROBERTS makes a movement as if to rise, but sinks back in
her chair.]
ENID. [With an impetuous movement.] Annie!
ROBERTS. Please not to touch my wife!
ENID. [Recoiling with a sort of horror.] I believe--you are mad.
ROBERTS. The house of a madman then is not the fit place for a lady.
ENID. I 'm not afraid of you.
ROBERTS. [Bowing.] I would not expect the daughter of Mr. Anthony
to be afraid. Mr. Anthony is not a coward like the rest of them.
ENID. [Suddenly.] I suppose you think it brave, then, to go on with
the struggle.
ROBERTS. Does Mr. Anthony think it brave to fight against women and
children? Mr. Anthony is a rich man, I believe; does he think it
brave to fight against those who have n't a penny? Does he think it
brave to set children crying with hunger, an' women shivering with
cold?
ENID. [Putting up her hand, as though warding off a blow.] My
father is acting on his principles, and you know it!
ROBERTS. And so am I!
ENID. You hate us; and you can't bear to be beaten!
ROBERTS. Neither can Mr. Anthony, for all that he may say.
ENID. At any rate you might have pity on your wife.
[MRS. ROBERTS who has her hand pressed to her heart, takes it
away, and tries to calm her breathing.]
ROBERTS. Madam, I have no more to say.
[He takes up the loaf. There is a knock at the door, and
UNDERWOOD comes in. He stands looking at them, ENID turns to
him, then seems undecided.]
UNDERWOOD. Enid!
ROBERTS. [Ironically.] Ye were not needing to come for your wife,
Mr. Underwood. We are not rowdies.
UNDERWOOD. I know that, Roberts. I hope Mrs. Roberts is better.
[ROBERTS turns away without answering. Come, Enid!]
ENID. I make one more appeal to you, Mr. Roberts, for the sake of
your wife.
ROBERTS. [With polite malice.] If I might advise ye, Ma'am--make it
for the sake of your husband and your father.
[ENID, suppressing a retort, goes out. UNDERWOOD opens the door
for her and follows. ROBERTS, going to the fire, holds out his
hands to the dying glow.]
ROBERTS. How goes it, my girl? Feeling better, are you?
[MRS. ROBERTS smiles faintly. He brings his overcoat and wraps
it round her.]
[Looking at his watch.] Ten minutes to four! [As though inspired.]
I've seen their faces, there's no fight in them, except for that one
old robber.
MRS. ROBERTS. Won't you stop and eat, David? You've 'ad nothing all
day!
ROBERTS. [Putting his hand to his throat.] Can't swallow till those
old sharks are out o' the town: [He walks up and down.] I shall have
a bother with the men--there's no heart in them, the cowards. Blind
as bats, they are--can't see a day before their noses.
MRS. ROBERTS. It's the women, David.
ROBERTS. Ah! So they say! They can remember the women when their
own bellies speak! The women never stop them from the drink; but
from a little suffering to themselves in a sacred cause, the women
stop them fast enough.
MRS. ROBERTS. But think o' the children, David.
ROBERTS. Ah! If they will go breeding themselves for slaves,
without a thought o' the future o' them they breed----
MRS. ROBERTS. [Gasping.] That's enough, David; don't begin to talk
of that--I won't--I can't----
ROBERTS. [Staring at her.] Now, now, my girl!
MRS. ROBERTS. [Breathlessly.] No, no, David--I won't!
ROBERTS. There, there! Come, come! That's right! [Bitterly.] Not
one penny will they put by for a day like this. Not they! Hand to
mouth--Gad!--I know them! They've broke my heart. There was no
holdin' them at the start, but now the pinch 'as come.
MRS. ROBERTS. How can you expect it, David? They're not made of
iron.
ROBERTS. Expect it? Wouldn't I expect what I would do meself?
Wouldn't I starve an' rot rather than give in? What one man can do,
another can.
MRS. ROBERTS. And the women?
ROBERTS. This is not women's work.
MRS. ROBERTS. [With a flash of malice.] No, the women may die for
all you care. That's their work.
ROBERTS. [Averting his eyes.] Who talks of dying? No one will die
till we have beaten these----
[He meets her eyes again, and again turns his away. Excitedly.]
This is what I've been waiting for all these months. To get the old
robbers down, and send them home again without a farthin's worth o'
change. I 've seen their faces, I tell you, in the valley of the
shadow of defeat.
[He goes to the peg and takes down his hat.]
MRS. ROBERTS. [Following with her eyes-softly.] Take your overcoat,
David; it must be bitter cold.
ROBERTS. [Coming up to her-his eyes are furtive.] No, no! There,
there, stay quiet and warm. I won't be long, my girl.
MRS. ROBERTS. [With soft bitterness.] You'd better take it.
[She lifts the coat. But ROBERTS puts it back, and wraps it
round her. He tries to meet her eyes, but cannot. MRS.
ROBERTS stays huddled in the coat, her eyes, that follow him
about, are half malicious, half yearning. He looks at his watch
again, and turns to go. In the doorway he meets JAN THOMAS, a
boy of ten in clothes too big for him, carrying a penny
whistle.]
ROBERTS. Hallo, boy!
[He goes. JAN stops within a yard of MRS. ROBERTS, and stares
at her without a word.]
MRS. ROBERTS. Well, Jan!
JAN. Father 's coming; sister Madge is coming.
[He sits at the table, and fidgets with his whistle; he blows
three vague notes; then imitates a cuckoo.]
[There is a tap on the door. Old THOMAS comes in.]
THOMAS. A very coot tay to you, Ma'am. It is petter that you are.
MRS. ROBERTS. Thank you, Mr. Thomas.
THOMAS. [Nervously.] Roberts in?
MRS. ROBERTS. Just gone on to the meeting, Mr. Thomas.
THOMAS. [With relief, becoming talkative.] This is fery
unfortunate, look you! I came to tell him that we must make terms
with London. It is a fery great pity he is gone to the meeting. He
will be kicking against the pricks, I am thinking.
MRS. ROBERTS. [Half rising.] He'll never give in, Mr. Thomas.
THOMAS. You must not be fretting, that is very pat for you. Look
you, there iss hartly any mans for supporting him now, but the
engineers and George Rous. [Solemnly.] This strike is no longer
Going with Chapel, look you! I have listened carefully, an' I have
talked with her.
[JAN blows.]
Sst! I don't care what th' others say, I say that Chapel means us to
be stopping the trouple, that is what I make of her; and it is my
opinion that this is the fery best thing for all of us. If it was
n't my opinion, I ton't say but it is my opinion, look you.
MRS. ROBERTS. [Trying to suppress her excitement.] I don't know
what'll come to Roberts, if you give in.
THOMAS. It iss no disgrace whateffer! All that a mortal man coult
do he hass tone. It iss against Human Nature he hass gone; fery
natural any man may do that; but Chapel has spoken and he must not go
against her.
[JAN imitates the cuckoo.]
Ton't make that squeaking! [Going to the door.] Here iss my
daughter come to sit with you. A fery goot day, Ma'am--no fretting
--rememper!
[MADGE comes in and stands at the open door, watching the
street.]
MADGE. You'll be late, Father; they're beginning. [She catches him
by the sleeve.] For the love of God, stand up to him, Father--this
time!
THOMAS. [Detaching his sleeve with dignity.] Leave me to do what's
proper, girl!
[He goes out. MADGE, in the centre of the open doorway,
slowly moves in, as though before the approach of some one.]
ROUS. [Appearing in the doorway.] Madge!
[MADGE stands with her back to MRS. ROBERTS, staring at him with
her head up and her hands behind her.]
ROUS. [Who has a fierce distracted look.] Madge! I'm going to the
meeting.
[MADGE, without moving, smiles contemptuously.]
D' ye hear me?
[They speak in quick low voices.]
MADGE. I hear! Go, and kill your own mother, if you must.
[ROUS seizes her by both her arms. She stands rigid, with her head
bent back. He releases her, and he too stands motionless.]
ROUS. I swore to stand by Roberts. I swore that! Ye want me to go
back on what I've sworn.
MADGE. [With slow soft mockery.] You are a pretty lover!
ROUS. Madge!
MADGE. [Smiling.] I've heard that lovers do what their girls ask
them--
[JAN sounds the cuckoo's notes]
--but that's not true, it seems!
ROUS. You'd make a blackleg of me!
MADGE. [With her eyes half-closed.] Do it for me!
ROUS. [Dashing his hand across his brow.] Damn! I can't!
MADGE. [Swiftly.] Do it for me!
ROUS. [Through his teeth.] Don't play the wanton with me!
MADGE. [With a movement of her hand towards JAN--quick and low.]
I would be that for the children's sake!
ROUS. [In a fierce whisper.] Madge! Oh, Madge!
MADGE. [With soft mockery.] But you can't break your word for me!
ROUS. [With a choke.] Then, Begod, I can!
[He turns and rushes off.]
[MADGE Stands, with a faint smile on her face, looking after
him. She turns to MRS. ROBERTS.]
MADGE. I have done for Roberts!
MRS. ROBERTS. [Scornfully.] Done for my man, with that----!
[She sinks back.]
MADGE. [Running to her, and feeling her hands.] You're as cold as a
stone! You want a drop of brandy. Jan, run to the "Lion"; say, I
sent you for Mrs. Roberts.
MRS. ROBERTS. [With a feeble movement.] I'll just sit quiet, Madge.
Give Jan--his--tea.
MADGE. [Giving JAN a slice of bread.] There, ye little rascal.
Hold your piping. [Going to the fire, she kneels.] It's going out.
MRS. ROBERTS. [With a faint smile.] 'T is all the same!
[JAN begins to blow his whistle.]
MADGE. Tsht! Tsht!--you
[JAN Stops.]
MRS. ROBERTS. [Smiling.] Let 'im play, Madge.
MADGE. [On her knees at the fire, listening.] Waiting an' waiting.
I've no patience with it; waiting an' waiting--that's what a woman
has to do! Can you hear them at it--I can!
[JAN begins again to play his whistle; MADGE gets up; half
tenderly she ruffles his hair; then, sitting, leans her elbows
on the table, and her chin on her hands. Behind her, on MRS.
ROBERTS'S face the smile has changed to horrified surprise. She
makes a sudden movement, sitting forward, pressing her hands
against her breast. Then slowly she sinks' back; slowly her
face loses the look of pain, the smile returns. She fixes her
eyes again on JAN, and moves her lips and finger to the tune.]
The curtain falls.
SCENE II
It is past four. In a grey, failing light, an open muddy space
is crowded with workmen. Beyond, divided from it by a
barbed-wire fence, is the raised towing-path of a canal, on which
is moored a barge. In the distance are marshes and snow-covered
hills. The "Works" high wall runs from the canal across the open
space, and ivy the angle of this wall is a rude platform of
barrels and boards. On it, HARNESS is standing. ROBERTS, a
little apart from the crowd, leans his back against the wall. On
the raised towing-path two bargemen lounge and smoke
indifferently.
HARNESS. [Holding out his hand.] Well, I've spoken to you straight.
If I speak till to-morrow I can't say more.
JAGO. [A dark, sallow, Spanish-looking man with a short, thin
beard.] Mister, want to ask you! Can they get blacklegs?
BULGIN. [Menacing.] Let 'em try.
[There are savage murmurs from the crowd.]
BROWN. [A round-faced man.] Where could they get 'em then?
EVANS. [A small, restless, harassed man, with a fighting face.]
There's always blacklegs; it's the nature of 'em. There's always men
that'll save their own skins.
[Another savage murmur. There is a movement, and old THOMAS,
joining the crowd, takes his stand in front.]
HARNESS. [Holding up his hand.] They can't get them. But that
won't help you. Now men, be reasonable. Your demands would have
brought on us the burden of a dozen strikes at a time when we were
not prepared for them. The Unions live by justice, not to one, but
all. Any fair man will tell you--you were ill-advised! I don't say
you go too far for that which you're entitled to, but you're going
too far for the moment; you've dug a pit for yourselves. Are you to
stay there, or are you to climb out? Come!
LEWIS. [A clean-cut Welshman with a dark moustache.] You've hit it,
Mister! Which is it to be?
[Another movement in the crowd, and ROUS, coming quickly, takes
his stand next THOMAS.]
HARNESS. Cut your demands to the right pattern, and we 'll see you
through; refuse, and don't expect me to waste my time coming down
here again. I 'm not the sort that speaks at random, as you ought to
know by this time. If you're the sound men I take you for--no matter
who advises you against it--[he fixes his eyes on ROBERTS] you 'll
make up your minds to come in, and trust to us to get your terms.
Which is it to be? Hands together, and victory--or--the starvation
you've got now?
[A prolonged murmur from the crowd.]
JAGO. [Sullenly.] Talk about what you know.
HARNESS. [Lifting his voice above the murmur.] Know? [With cold
passion.] All that you've been through, my friend, I 've been
through--I was through it when I was no bigger than [pointing to a
youth] that shaver there; the Unions then were n't what they are
now. What's made them strong? It's hands together that 's made them
strong. I 've been through it all, I tell you, the brand's on my
soul yet. I know what you 've suffered--there's nothing you can tell
me that I don't know; but the whole is greater than the part, and you
are only the part. Stand by us, and we will stand by you.
[Quartering them with his eyes, he waits. The murmuring swells;
the men form little groups. GREEN, BULGIN, and LEWIS talk
together.]
LEWIS. Speaks very sensible, the Union chap.
GREEN. [Quietly.] Ah! if I 'd a been listened to, you'd 'ave 'eard
sense these two months past.
[The bargemen are seen laughing. ]
LEWIS. [Pointing.] Look at those two blanks over the fence there!
BULGIN. [With gloomy violence.] They'd best stop their cackle, or I
'll break their jaws.
JAGO. [Suddenly.] You say the furnace men's paid enough?
HARNESS. I did not say they were paid enough; I said they were paid
as much as the furnace men in similar works elsewhere.
EVANS. That's a lie! [Hubbub.] What about Harper's?
HARNESS. [With cold irony.] You may look at home for lies, my man.
Harper's shifts are longer, the pay works out the same.
HENRY ROUS. [A dark edition of his brother George.] Will ye support
us in double pay overtime Saturdays?
HARNESS. Yes, we will.
JAGO. What have ye done with our subscriptions?
HARNESS. [Coldly.] I have told you what we will do with them.
EVANS. Ah! will, it's always will! Ye'd have our mates desert us.
[Hubbub.]
BULGIN. [Shouting.] Hold your row!
[EVANS looks round angrily.]
HARNESS. [Lifting his voice.] Those who know their right hands from
their lefts know that the Unions are neither thieves nor traitors.
I 've said my say. Figure it out, my lads; when you want me you know
where I shall be.
[He jumps down, the crowd gives way, he passes through them, and
goes away. A BARGEMAN looks after him jerking his pipe with a
derisive gesture. The men close up in groups, and many looks
are cast at ROBERTS, who stands alone against the wall.]
EVANS. He wants ye to turn blacklegs, that's what he wants. He
wants ye to go back on us. Sooner than turn blackleg--I 'd starve, I
would.
BULGIN. Who's talkin' o' blacklegs--mind what you're saying, will
you?
BLACKSMITH. [A youth with yellow hair and huge arms.] What about
the women?
EVANS. They can stand what we can stand, I suppose, can't they?
BLACKSMITH. Ye've no wife?
EVANS. An' don't want one!
THOMAS. [Raising his voice.] Aye! Give us the power to come to
terms with London, lads.
DAVIES. [A dark, slow-fly, gloomy man.] Go up the platform, if you
got anything to say, go up an' say it.
[There are cries of "Thomas!" He is pushed towards the
platform; he ascends it with difficulty, and bares his head,
waiting for silence. A hush.]
RED-HAIRED YOUTH. [suddenly.] Coot old Thomas!
[A hoarse laugh; the bargemen exchange remarks; a hush again,
and THOMAS begins speaking.]
THOMAS. We are all in the tepth together, and it iss Nature that has
put us there.
HENRY ROUS. It's London put us there!
EVANS. It's the Union.
THOMAS. It iss not Lonton; nor it iss not the Union--it iss Nature.
It iss no disgrace whateffer to a potty to give in to Nature. For
this Nature iss a fery pig thing; it is pigger than what a man is.
There iss more years to my hett than to the hett of any one here.
It is fery pat, look you, this Going against Nature. It is pat to
make other potties suffer, when there is nothing to pe cot py it.
[A laugh. THOMAS angrily goes on.]
What are ye laughing at? It is pat, I say! We are fighting for a
principle; there is no potty that shall say I am not a peliever in
principle. Putt when Nature says "No further," then it is no coot
snapping your fingers in her face.
[A laugh from ROBERTS, and murmurs of approval.]
This Nature must pe humort. It is a man's pisiness to pe pure,
honest, just, and merciful. That's what Chapel tells you. [To
ROBERTS, angrily.] And, look you, David Roberts, Chapel tells you ye
can do that without Going against Nature.
JAGO. What about the Union?
THOMAS. I ton't trust the Union; they haf treated us like tirt.
"Do what we tell you," said they. I haf peen captain of the
furnace-men twenty years, and I say to the Union--[excitedly]--"Can you
tell me then, as well as I can tell you, what iss the right wages for
the work that these men do?" For fife and twenty years I haf paid my
moneys to the Union and--[with great excitement]--for nothings! What
iss that but roguery, for all that this Mr. Harness says!
EVANS. Hear, hear.
HENRY ROUS. Get on with you! Cut on with it then!
THOMAS. Look you, if a man toes not trust me, am I going to trust
him?
JAGO. That's right.
THOMAS. Let them alone for rogues, and act for ourselves.
[Murmurs.]
BLACKSMITH. That's what we been doin', haven't we?
THOMAS. [With increased excitement.] I wass brought up to do for
meself. I wass brought up to go without a thing, if I hat not moneys
to puy it. There iss too much, look you, of doing things with other
people's moneys. We haf fought fair, and if we haf peen beaten, it
iss no fault of ours. Gif us the power to make terms with London for
ourself; if we ton't succeed, I say it iss petter to take our peating
like men, than to tie like togs, or hang on to others' coat-tails to
make them do our pisiness for us!
EVANS. [Muttering.] Who wants to?
THOMAS. [Craning.] What's that? If I stand up to a potty, and he
knocks me town, I am not to go hollering to other potties to help me;
I am to stand up again; and if he knocks me town properly, I am to
stay there, is n't that right?
[Laughter.]
JAGO. No Union!
HENRY ROUS. Union!
[Murmurs.]
[Others take up the shout.]
EVANS. Blacklegs!
[BULGIN and the BLACKSMITH shake their fists at EVANS.]
THOMAS. [With a gesture.] I am an olt man, look you.
[A sudden silence, then murmurs again.]
LEWIS. Olt fool, with his "No Union!"
BULGIN. Them furnace chaps! For twopence I 'd smash the faces o'
the lot of them.
GREEN. If I'd a been listened to at the first!
THOMAS. [Wiping his brow.] I'm comin' now to what I was going to
say----
DAVIES. [Muttering.] An' time too!
THOMAS. [Solemnly.] Chapel says: Ton't carry on this strife! Put
an end to it!
JAGO. That's a lie! Chapel says go on!
THOMAS. [Scornfully.] Inteet! I haf ears to my head.
RED-HAIRED YOUTH. Ah! long ones!
[A laugh.]
JAGO. Your ears have misbeled you then.
THOMAS. [Excitedly.] Ye cannot be right if I am, ye cannot haf it
both ways.
RED-HAIRED YOUTH. Chapel can though!
["The Shaver" laughs; there are murmurs from the crowd.]
THOMAS. [Fixing his eyes on "The Shaver."] Ah! ye 're Going the
roat to tamnation. An' so I say to all of you. If ye co against
Chapel I will not pe with you, nor will any other Got-fearing man.
[He steps down from the platform. JAGO makes his way towards
it. There are cries of "Don't let 'im go up!"]
JAGO. Don't let him go up? That's free speech, that is. [He goes
up.] I ain't got much to say to you. Look at the matter plain; ye
've come the road this far, and now you want to chuck the journey.
We've all been in one boat; and now you want to pull in two. We
engineers have stood by you; ye 're ready now, are ye, to give us the
go-by? If we'd aknown that before, we'd not a-started out with you
so early one bright morning! That's all I 've got to say. Old man
Thomas a'n't got his Bible lesson right. If you give up to London,
or to Harness, now, it's givin' us the chuck--to save your skins--you
won't get over that, my boys; it's a dirty thing to do.
[He gets down; during his little speech, which is ironically
spoken, there is a restless discomfort in the crowd. ROUS,
stepping forward, jumps on the platform. He has an air of
fierce distraction. Sullen murmurs of disapproval from the
crowd.]
ROUS. [Speaking with great excitement.] I'm no blanky orator,
mates, but wot I say is drove from me. What I say is yuman nature.
Can a man set an' see 'is mother starve? Can 'e now?
ROBERTS. [Starting forward.] Rous!
ROUS. [Staring at him fiercely.] Sim 'Arness said fair! I've
changed my mind!
ROBERTS. Ah! Turned your coat you mean!
[The crowd manifests a great surprise.]
LEWIS. [Apostrophising Rous.] Hallo! What's turned him round?
ROUS. [Speaking with intense excitement.] 'E said fair. "Stand by
us," 'e said, "and we'll stand by you." That's where we've been
makin' our mistake this long time past; and who's to blame fort? [He
points at ROBERTS] That man there! "No," 'e said, "fight the
robbers," 'e said, "squeeze the breath out o' them!" But it's not the
breath out o' them that's being squeezed; it's the breath out of us
and ours, and that's the book of truth. I'm no orator, mates, it's
the flesh and blood in me that's speakin', it's the heart o' me.
[With a menacing, yet half-ashamed movement towards ROBERTS.] He'll
speak to you again, mark my words, but don't ye listen. [The crowd
groans.] It's hell fire that's on that man's tongue. [ROBERTS is
seen laughing.] Sim 'Arness is right. What are we without the
Union--handful o' parched leaves--a puff o' smoke. I'm no orator,
but I say: Chuck it up! Chuck it up! Sooner than go on starving the
women and the children.
[The murmurs of acquiescence almost drown the murmurs of
dissent.]
EVANS. What's turned you to blacklegging?
ROUS. [With a furious look.] Sim 'Arness knows what he's talking
about. Give us power to come to terms with London; I'm no orator,
but I say--have done wi' this black misery!
[He gives his muter a twist, jerks his head back, and jumps off
the platform. The crowd applauds and surges forward. Amid
cries of "That's enough!" "Up Union!" "Up Harness!" ROBERTS
quietly ascends the platform. There is a moment of silence.]
BLACKSMITH. We don't want to hear you. Shut it!
HENRY Rous. Get down!
[Amid such cries they surge towards the platform.]
EVANS. [Fiercely.] Let 'im speak! Roberts! Roberts!
BULGIN. [Muttering.] He'd better look out that I don't crack his
skull.
[ROBERTS faces the crowd, probing them with his eyes till they
gradually become silent. He begins speaking. One of the
bargemen rises and stands.]
ROBERTS. You don't want to hear me, then? You'll listen to Rous and
to that old man, but not to me. You'll listen to Sim Harness of the
Union that's treated you so fair; maybe you'll listen to those men
from London? Ah! You groan! What for? You love their feet on your
necks, don't you? [Then as BULGIN elbows his way towards the
platform, with calm bathos.] You'd like to break my jaw, John
Bulgin. Let me speak, then do your smashing, if it gives you
pleasure. [BULGIN Stands motionless and sullen.] Am I a liar, a
coward, a traitor? If only I were, ye'd listen to me, I'm sure.
[The murmurings cease, and there is now dead silence.] Is there a
man of you here that has less to gain by striking? Is there a man of
you that had more to lose? Is there a man of you that has given up
eight hundred pounds since this trouble here began? Come now, is
there? How much has Thomas given up--ten pounds or five, or what?
You listened to him, and what had he to say? "None can pretend," he
said, "that I'm not a believer in principle--[with biting irony]--but
when Nature says: 'No further, 't es going agenst Nature.'" I tell
you if a man cannot say to Nature: "Budge me from this if ye can!"--
[with a sort of exaltation] his principles are but his belly. "Oh,
but," Thomas says, "a man can be pure and honest, just and merciful,
and take off his hat to Nature!" I tell you Nature's neither pure
nor honest, just nor merciful. You chaps that live over the hill,
an' go home dead beat in the dark on a snowy night--don't ye fight
your way every inch of it? Do ye go lyin' down an' trustin' to the
tender mercies of this merciful Nature? Try it and you'll soon know
with what ye've got to deal. 'T es only by that--[he strikes a blow
with his clenched fist]--in Nature's face that a man can be a man.
"Give in," says Thomas, "go down on your knees; throw up your foolish
fight, an' perhaps," he said, "perhaps your enemy will chuck you down
a crust."
JAGO. Never!
EVANS. Curse them!
THOMAS. I nefer said that.
ROBERTS. [Bitingly.] If ye did not say it, man, ye meant it.
An' what did ye say about Chapel? "Chapel's against it," ye said.
"She 's against it!" Well, if Chapel and Nature go hand in hand,
it's the first I've ever heard of it. That young man there--
[pointing to ROUS]--said I 'ad 'ell fire on my tongue. If I had I
would use it all to scorch and wither this talking of surrender.
Surrendering 's the work of cowards and traitors.
HENRY ROUS. [As GEORGE ROUS moves forward.] Go for him, George--
don't stand his lip!
ROBERTS. [Flinging out his finger.] Stop there, George Rous, it's
no time this to settle personal matters. [ROUS stops.] But there
was one other spoke to you--Mr. Simon Harness. We have not much to
thank Mr. Harness and the Union for. They said to us "Desert your
mates, or we'll desert you." An' they did desert us.
EVANS. They did.
ROBERTS. Mr. Simon Harness is a clever man, but he has come too
late. [With intense conviction.] For all that Mr. Simon Harness
says, for all that Thomas, Rous, for all that any man present here
can say--We've won the fight!
[The crowd sags nearer, looking eagerly up.]
[With withering scorn.] You've felt the pinch o't in your bellies.
You've forgotten what that fight 'as been; many times I have told
you; I will tell you now this once again. The fight o' the country's
body and blood against a blood-sucker. The fight of those that spend
themselves with every blow they strike and every breath they draw,
against a thing that fattens on them, and grows and grows by the law
of merciful Nature. That thing is Capital! A thing that buys the
sweat o' men's brows, and the tortures o' their brains, at its own
price. Don't I know that? Wasn't the work o' my brains bought for
seven hundred pounds, and has n't one hundred thousand pounds been
gained them by that seven hundred without the stirring of a finger.
It is a thing that will take as much and give you as little as it
can. That's Capital! A thing that will say--"I'm very sorry for
you, poor fellows--you have a cruel time of it, I know," but will not
give one sixpence of its dividends to help you have a better time.
That's Capital! Tell me, for all their talk, is there one of them
that will consent to another penny on the Income Tax to help the
poor? That's Capital! A white-faced, stony-hearted monster! Ye
have got it on its knees; are ye to give up at the last minute to
save your miserable bodies pain? When I went this morning to those
old men from London, I looked into their very 'earts. One of them
was sitting there--Mr. Scantlebury, a mass of flesh nourished on us:
sittin' there for all the world like the shareholders in this
Company, that sit not moving tongue nor finger, takin' dividends a
great dumb ox that can only be roused when its food is threatened.
I looked into his eyes and I saw he was afraid--afraid for himself
and his dividends; afraid for his fees, afraid of the very
shareholders he stands for; and all but one of them's afraid--like
children that get into a wood at night, and start at every rustle of
the leaves. I ask you, men--[he pauses, holding out his hand till
there is utter silence]--give me a free hand to tell them: "Go you
back to London. The men have nothing for you!" [A murmuring.] Give
me that, an' I swear to you, within a week you shall have from London
all you want.
EVANS, JAGO, and OTHERS. A free hand! Give him a free hand! Bravo
--bravo!
ROBERTS. 'T is not for this little moment of time we're fighting
[the murmuring dies], not for ourselves, our own little bodies, and
their wants, 't is for all those that come after throughout all time.
[With intense sadness.] Oh! men--for the love o' them, don't roll
up another stone upon their heads, don't help to blacken the sky, an'
let the bitter sea in over them. They're welcome to the worst that
can happen to me, to the worst that can happen to us all, are n't
they--are n't they? If we can shake [passionately] that white-faced
monster with the bloody lips, that has sucked the life out of
ourselves, our wives, and children, since the world began. [Dropping
the note of passion but with the utmost weight and intensity.] If we
have not the hearts of men to stand against it breast to breast, and
eye to eye, and force it backward till it cry for mercy, it will go
on sucking life; and we shall stay forever what we are [in almost a
whisper], less than the very dogs.
[An utter stillness, and ROBERTS stands rocking his body
slightly, with his eyes burning the faces of the crowd.]
EVANS and JAGO. [Suddenly.] Roberts! [The shout is taken up.]
[There is a slight movement in the crowd, and MADGE passing
below the towing-path, stops by the platform, looking up at
ROBERTS. A sudden doubting silence.]
ROBERTS. "Nature," says that old man, "give in to Nature." I tell
you, strike your blow in Nature's face--an' let it do its worst!
[He catches sight of MADGE, his brows contract, he looks away.]
MADGE. [In a low voice-close to the platform.] Your wife's dying!
[ROBERTS glares at her as if torn from some pinnacle of
exaltation.]
ROBERTS. [Trying to stammer on.] I say to you--answer them--answer
them----
[He is drowned by the murmur in the crowd.]
THOMAS. [Stepping forward.] Ton't you hear her, then?
ROBERTS. What is it? [A dead silence.]
THOMAS. Your wife, man!
[ROBERTS hesitates, then with a gesture, he leaps down, and goes
away below the towing-path, the men making way for him. The
standing bargeman opens and prepares to light a lantern.
Daylight is fast failing.]
MADGE. He need n't have hurried! Annie Roberts is dead. [Then in
the silence, passionately.] You pack of blinded hounds! How many
more women are you going to let to die?
[The crowd shrinks back from her, and breaks up in groups, with
a confused, uneasy movement. MADGE goes quickly away below the
towing-path. There is a hush as they look after her.]
LEWIS. There's a spitfire, for ye!
BULGIN. [Growling.] I'll smash 'er jaw.
GREEN. If I'd a-been listened to, that poor woman----
THOMAS. It's a judgment on him for going against Chapel. I tolt him
how 't would be!
EVANS. All the more reason for sticking by 'im. [A cheer.] Are you
goin' to desert him now 'e 's down? Are you going to chuck him over,
now 'e 's lost 'is wife?
[The crowd is murmuring and cheering all at once.]
ROUS. [Stepping in front of platform.] Lost his wife! Aye! Can't
ye see? Look at home, look at your own wives! What's to save them?
Ye'll have the same in all your houses before long!
LEWIS. Aye, aye!
HENRY ROUS. Right! George, right!
[There are murmurs of assent.]
ROUS. It's not us that's blind, it's Roberts. How long will ye put
up with 'im!
HENRY, ROUS, BULGIN, DAVIES. Give 'im the chuck!
[The cry is taken up.]
EVANS. [Fiercely.] Kick a man that's down? Down?
HENRY ROUS. Stop his jaw there!
[EVANS throws up his arm at a threat from BULGIN. The bargeman,
who has lighted the lantern, holds it high above his head.]
ROUS. [Springing on to the platform.] What brought him down then,
but 'is own black obstinacy? Are ye goin' to follow a man that can't
see better than that where he's goin'?
EVANS. He's lost 'is wife.
ROUS. An' who's fault's that but his own. 'Ave done with 'im, I
say, before he's killed your own wives and mothers.
DAVIES. Down 'im!
HENRY ROUS. He's finished!
BROWN. We've had enough of 'im!
BLACKSMITH. Too much!
[The crowd takes up these cries, excepting only EVANS, JAGO, and
GREEN, who is seen to argue mildly with the BLACKSMITH.]
ROUS. [Above the hubbub.] We'll make terms with the Union, lads.
[Cheers.]
EVANS. [Fiercely.] Ye blacklegs!
BULGIN. [Savagely-squaring up to him.] Who are ye callin'
blacklegs, Rat?
[EVANS throws up his fists, parries the blow, and returns it.
They fight. The bargemen are seen holding up the lantern and
enjoying the sight. Old THOMAS steps forward and holds out his
hands.]
THOMAS. Shame on your strife!
[The BLACKSMITH, BROWN, LEWIS, and the RED-HAIRED YOUTH pull
EVANS and BULGIN apart. The stage is almost dark.]
The curtain falls.
ACT III
It is five o'clock. In the UNDERWOODS' drawing-room, which is
artistically furnished, ENID is sitting on the sofa working at a
baby's frock. EDGAR, by a little spindle-legged table in the
centre of the room, is fingering a china-box. His eyes are
fixed on the double-doors that lead into the dining-room.
EDGAR. [Putting down the china-box, and glancing at his watch.]
Just on five, they're all in there waiting, except Frank. Where's
he?
ENID. He's had to go down to Gasgoyne's about a contract. Will you
want him?
EDGAR. He can't help us. This is a director's job. [Motioning
towards a single door half hidden by a curtain.] Father in his room?
ENID. Yes.
EDGAR. I wish he'd stay there, Enid.
[ENID looks up at him. This is a beastly business, old girl?]
[He takes up the little box again and turns it over and over.]
ENID. I went to the Roberts's this afternoon, Ted.
EDGAR. That was n't very wise.
ENID. He's simply killing his wife.
EDGAR. We are you mean.
ENID. [Suddenly.] Roberts ought to give way!
EDGAR. There's a lot to be said on the men's side.
ENID. I don't feel half so sympathetic with them as I did before I
went. They just set up class feeling against you. Poor Annie was
looking dread fully bad--fire going out, and nothing fit for her to
eat.
[EDGAR walks to and fro.]
But she would stand up for Roberts. When you see all this
wretchedness going on and feel you can do nothing, you have to shut
your eyes to the whole thing.
EDGAR. If you can.
ENID. When I went I was all on their side, but as soon as I got
there I began to feel quite different at once. People talk about
sympathy with the working classes, they don't know what it means to
try and put it into practice. It seems hopeless.
EDGAR. Ah! well.
ENID. It's dreadful going on with the men in this state. I do hope
the Dad will make concessions.
EDGAR. He won't. [Gloomily.] It's a sort of religion with him.
Curse it! I know what's coming! He'll be voted down.
ENID. They would n't dare!
EDGAR. They will--they're in a funk.
ENID. [Indignantly.] He'd never stand it!
EDGAR. [With a shrug.] My dear girl, if you're beaten in a vote,
you've got to stand it.
ENID. Oh! [She gets up in alarm.] But would he resign?
EDGAR. Of course! It goes to the roots of his beliefs.
ENID. But he's so wrapped up in this company, Ted! There'd be
nothing left for him! It'd be dreadful!
[EDGAR shrugs his shoulders.]
Oh, Ted, he's so old now! You must n't let them!
EDGAR. [Hiding his feelings in an outburst.] My sympathies in this
strike are all on the side of the men.
ENID. He's been Chairman for more than thirty years! He made the
whole thing! And think of the bad times they've had; it's always
been he who pulled them through. Oh, Ted, you must!
EDGAR. What is it you want? You said just now you hoped he'd make
concessions. Now you want me to back him in not making them. This
is n't a game, Enid!
ENID. [Hotly.] It is n't a game to me that the Dad's in danger of
losing all he cares about in life. If he won't give way, and he's
beaten, it'll simply break him down!
EDGAR. Did n't you say it was dreadful going on with the men in this
state?
ENID. But can't you see, Ted, Father'll never get over it! You must
stop them somehow. The others are afraid of him. If you back him
up----
EDGAR. [Putting his hand to his head.] Against my convictions--
against yours! The moment it begins to pinch one personally----
ENID. It is n't personal, it's the Dad!
EDGAR. Your family or yourself, and over goes the show!
ENID. [Resentfully.] If you don't take it seriously, I do.
EDGAR. I am as fond of him as you are; that's nothing to do with it.
ENID. We can't tell about the men; it's all guess-work. But we know
the Dad might have a stroke any day. D' you mean to say that he
isn't more to you than----
EDGAR. Of course he is.
ENID. I don't understand you then.
EDGAR. H'm!
ENID. If it were for oneself it would be different, but for our own
Father! You don't seem to realise.
EDGAR. I realise perfectly.
ENID. It's your first duty to save him.
EDGAR. I wonder.
ENID. [Imploring.] Oh, Ted? It's the only interest he's got left;
it'll be like a death-blow to him!
EDGAR. [Restraining his emotion.] I know.
ENID. Promise!
EDGAR. I'll do what I can.
[He turns to the double-doors.]
[The curtained door is opened, and ANTHONY appears. EDGAR opens
the double-doors, and passes through.]
[SCANTLEBURY'S voice is faintly heard: "Past five; we shall
never get through--have to eat another dinner at that hotel!"
The doors are shut. ANTHONY walks forward.]
ANTHONY. You've been seeing Roberts, I hear.
ENID. Yes.
ANTHONY. Do you know what trying to bridge such a gulf as this is
like?
[ENID puts her work on the little table, and faces him.]
Filling a sieve with sand!
ENID. Don't!
ANTHONY. You think with your gloved hands you can cure the trouble
of the century.
[He passes on. ]
ENID. Father!
[ANTHONY Stops at the double doors.]
I'm only thinking of you!
ANTHONY. [More softly.] I can take care of myself, my dear.
ENID. Have you thought what'll happen if you're beaten--
[she points]--in there?
ANTHONY. I don't mean to be.
ENID. Oh! Father, don't give them a chance. You're not well; need
you go to the meeting at all?
ANTHONY. [With a grim smile.] Cut and run?
ENID. But they'll out-vote you!
ANTHONY. [Putting his hand on the doors.] We shall see!
ENID. I beg you, Dad! Won't you?
[ANTHONY looks at her softly.]
[ANTHONY shakes his head. He opens the doors. A buzz of voices
comes in.]
SCANTLEBURY. Can one get dinner on that 6.30 train up?
TENCH. No, Sir, I believe not, sir.
WILDER. Well, I shall speak out; I've had enough of this.
EDGAR. [Sharply.] What?
[It ceases instantly. ANTHONY passes through, closing the doors
behind him. ENID springs to them with a gesture of dismay. She
puts her hand on the knob, and begins turning it; then goes to
the fireplace, and taps her foot on the fender. Suddenly she
rings the bell. FROST comes in by the door that leads into the
hall.]
FROST. Yes, M'm?
ENID. When the men come, Frost, please show them in here; the
hall 's cold.
FROST. I could put them in the pantry, M'm.
ENID. No. I don't want to--to offend them; they're so touchy.
FROST. Yes, M'm. [Pause.] Excuse me, Mr. Anthony's 'ad nothing to
eat all day.
ENID. I know Frost.
FROST. Nothin' but two whiskies and sodas, M'm.
ENID. Oh! you oughtn't to have let him have those.
FROST. [Gravely.] Mr. Anthony is a little difficult, M'm. It's not
as if he were a younger man, an' knew what was good for 'im; he will
have his own way.
ENID. I suppose we all want that.
FROST. Yes, M'm. [Quietly.] Excuse me speakin' about the strike.
I'm sure if the other gentlemen were to give up to Mr. Anthony, and
quietly let the men 'ave what they want, afterwards, that'd be the
best way. I find that very useful with him at times, M'm.
[ENID shakes hey head.]
If he's crossed, it makes him violent [with an air of discovery],
and I've noticed in my own case, when I'm violent I'm always sorry
for it afterwards.
ENID. [With a smile.] Are you ever violent, Frost?
FROST. Yes, M'm; oh! sometimes very violent.
ENID. I've never seen you.
FROST. [Impersonally.] No, M'm; that is so.
[ENID fidgets towards the back of the door.]
[With feeling.] Bein' with Mr. Anthony, as you know, M'm, ever since
I was fifteen, it worries me to see him crossed like this at his age.
I've taken the liberty to speak to Mr. Wanklin [dropping his voice]--
seems to be the most sensible of the gentlemen--but 'e said to me:
"That's all very well, Frost, but this strike's a very serious
thing," 'e said. "Serious for all parties, no doubt," I said, "but
yumour 'im, sir," I said, "yumour 'im. It's like this, if a man
comes to a stone wall, 'e does n't drive 'is 'ead against it, 'e gets
over it." "Yes," 'e said, "you'd better tell your master that."
[FROST looks at his nails.] That's where it is, M'm. I said to Mr.
Anthony this morning: "Is it worth it, sir?" "Damn it," he said to
me, "Frost! Mind your own business, or take a month's notice!" Beg
pardon, M'm, for using such a word.
ENID. [Moving to the double-doors, and listening.] Do you know that
man Roberts, Frost?
FROST. Yes, M'm; that's to say, not to speak to. But to look at 'im
you can tell what he's like.
ENID. [Stopping.] Yes?
FROST. He's not one of these 'ere ordinary 'armless Socialists.
'E's violent; got a fire inside 'im. What I call "personal." A man
may 'ave what opinions 'e likes, so long as 'e 's not personal; when
'e 's that 'e 's not safe.
ENID. I think that's what my father feels about Roberts.
FROST. No doubt, M'm, Mr. Anthony has a feeling against him.
[ENID glances at him sharply, but finding him in perfect
earnest, stands biting her lips, and looking at the
double-doors.]
It 's, a regular right down struggle between the two. I've no
patience with this Roberts, from what I 'ear he's just an ordinary
workin' man like the rest of 'em. If he did invent a thing he's no
worse off than 'undreds of others. My brother invented a new kind o'
dumb-waiter--nobody gave him anything for it, an' there it is, bein'
used all over the place.
[ENID moves closer to the double-doors.]
There's a kind o' man that never forgives the world, because 'e
wasn't born a gentleman. What I say is--no man that's a gentleman
looks down on another because 'e 'appens to be a class or two above
'im, no more than if 'e 'appens to be a class or two below.
ENID. [With slight impatience.] Yes, I know, Frost, of course.
Will you please go in and ask if they'll have some tea; say I sent
you.
FROST. Yes, M'm.
[He opens the doors gently and goes in. There is a momentary
sound of earnest, gather angry talk.]
WILDER. I don't agree with you.
WANKLIN. We've had this over a dozen times.
EDGAR. [Impatiently.] Well, what's the proposition?
SCANTLEBURY. Yes, what does your father say? Tea? Not for me, not
for me!
WANKLIN. What I understand the Chairman to say is this----
[FROST re-enters closing the door behind him.]
ENID. [Moving from the door.] Won't they have any tea, Frost?
[She goes to the little table, and remains motionless, looking
at the baby's frock.]
[A parlourmaid enters from the hall.]
PARLOURMAID. A Miss Thomas, M'm
ENID. [Raising her head.] Thomas? What Miss Thomas--d' you
mean a----?
PARLOURMAID. Yes, M'm.
ENID. [Blankly.] Oh! Where is she?
PARLOURMAID. In the porch.
ENID. I don't want----[She hesitates.]
FROST. Shall I dispose of her, M'm?
ENID. I 'll come out. No, show her in here, Ellen.
[The PARLOUR MAID and FROST go out. ENID pursing her lips, sits
at the little table, taking up the baby's frock. The
PARLOURMAID ushers in MADGE THOMAS and goes out; MADGE stands by
the door.]
ENID. Come in. What is it. What have you come for, please?
MADGE. Brought a message from Mrs. Roberts.
ENID. A message? Yes.
MADGE. She asks you to look after her mother.
ENID. I don't understand.
MADGE. [Sullenly.] That's the message.
ENID. But--what--why?
MADGE. Annie Roberts is dead.
[There is a silence.]
ENID. [Horrified.] But it's only a little more than an hour since I
saw her.
MADGE. Of cold and hunger.
ENID. [Rising.] Oh! that's not true! the poor thing's heart----
What makes you look at me like that? I tried to help her.
MADGE. [With suppressed savagery.] I thought you'd like to know.
ENID. [Passionately.] It's so unjust! Can't you see that I want to
help you all?
MADGE. I never harmed any one that had n't harmed me first.
ENID. [Coldly.] What harm have I done you? Why do you speak to me
like that?
MADGE. [With the bitterest intensity.] You come out of your comfort
to spy on us! A week of hunger, that's what you want!
ENID. [Standing her ground.] Don't talk nonsense!
MADGE. I saw her die; her hands were blue with the cold.
ENID. [With a movement of grief.] Oh! why wouldn't she let me help
her? It's such senseless pride!
MADGE. Pride's better than nothing to keep your body warm.
ENID. [Passionately.] I won't talk to you! How can you tell what I
feel? It's not my fault that I was born better off than you.
MADGE. We don't want your money.
ENID. You don't understand, and you don't want to; please to go
away!
MADGE. [Balefully.] You've killed her, for all your soft words, you
and your father!
ENID. [With rage and emotion.] That's wicked! My father is
suffering himself through this wretched strike.
MADGE. [With sombre triumph.] Then tell him Mrs. Roberts is dead!
That 'll make him better.
ENID. Go away!
MADGE. When a person hurts us we get it back on them.
[She makes a sudden and swift movement towards ENID, fixing her
eyes on the child's frock lying across the little table. ENID
snatches the frock up, as though it were the child itself. They
stand a yard apart, crossing glances.]
MADGE. [Pointing to the frock with a little smile.] Ah! You felt
that! Lucky it's her mother--not her children--you've to look after,
is n't it. She won't trouble you long!
ENID. Go away!
MADGE. I've given you the message.
[She turns and goes out into the hall. ENID, motionless till
she has gone, sinks down at the table, bending her head over the
frock, which she is still clutching to her. The double-doors
are opened, and ANTHONY comes slowly in; he passes his daughter,
and lowers himself into an arm-chair. He is very flushed.]
ENID. [Hiding her emotion-anxiously.] What is it, Dad?
[ANTHONY makes a gesture, but does not speak.]
Who was it?
[ANTHONY does not answer. ENID going to the double-doors meets
EDGAR Coming in. They speak together in low tones.]
What is it, Ted?
EDGAR. That fellow Wilder! Taken to personalities! He was
downright insulting.
ENID. What did he say?
EDGAR. Said, Father was too old and feeble to know what he was
doing! The Dad's worth six of him!
ENID. Of course he is.
[They look at ANTHONY.]
[The doors open wider, WANKLIN appears With SCANTLEBURY.]
SCANTLEBURY. [Sotto voce.] I don't like the look of this!
WANKLIN. [Going forward.] Come, Chairman! Wilder sends you his
apologies. A man can't do more.
[WILDER, followed by TENCH, comes in, and goes to ANTHONY.]
WILDER. [Glumly.] I withdraw my words, sir. I'm sorry.
[ANTHONY nods to him.]
ENID. You have n't come to a decision, Mr. Wanklin?
[WANKLIN shakes his head.]
WANKLIN. We're all here, Chairman; what do you say? Shall we get on
with the business, or shall we go back to the other room?
SCANTLEBURY. Yes, yes; let's get on. We must settle something.
[He turns from a small chair, and settles himself suddenly in
the largest chair with a sigh of comfort.]
[WILDER and WANKLIN also sit; and TENCH, drawing up a
straight-backed chair close to his Chairman, sits on the edge
of it with the minute-book and a stylographic pen.]
ENID. [Whispering.] I want to speak to you a minute, Ted.
[They go out through the double-doors.]
WANKLIN. Really, Chairman, it's no use soothing ourselves with a
sense of false security. If this strike's not brought to an end
before the General Meeting, the shareholders will certainly haul us
over the coals.
SCANTLEBURY. [Stirring.] What--what's that?
WANKLIN. I know it for a fact.
ANTHONY. Let them!
WILDER. And get turned out?
WANKLIN. [To ANTHONY.] I don't mind martyrdom for a policy in which
I believe, but I object to being burnt for some one else's
principles.
SCANTLEBURY. Very reasonable--you must see that, Chairman.
ANTHONY. We owe it to other employers to stand firm.
WANKLIN. There's a limit to that.
ANTHONY. You were all full of fight at the start.
SCANTLEBURY. [With a sort of groan.] We thought the men would give
in, but they-have n't!
ANTHONY. They will!
WILDER. [Rising and pacing up and down.] I can't have my reputation
as a man of business destroyed for the satisfaction of starving the
men out. [Almost in tears.] I can't have it! How can we meet the
shareholders with things in the state they are?
SCANTLEBURY. Hear, hear--hear, hear!
WILDER. [Lashing himself.] If any one expects me to say to them
I've lost you fifty thousand pounds and sooner than put my pride in
my pocket I'll lose you another. [Glancing at ANTHONY.] It's--it's
unnatural! I don't want to go against you, sir.
WANKLIN. [Persuasively.] Come Chairman, we 're not free agents.
We're part of a machine. Our only business is to see the Company
earns as much profit as it safely can. If you blame me for want of
principle: I say that we're Trustees. Reason tells us we shall never
get back in the saving of wages what we shall lose if we continue
this struggle--really, Chairman, we must bring it to an end, on the
best terms we can make.
ANTHONY. No.
[There is a pause of general dismay.]
WILDER. It's a deadlock then. [Letting his hands drop with a sort
of despair.] Now I shall never get off to Spain!
WANKLIN. [Retaining a trace of irony.] You hear the consequences of
your victory, Chairman?
WILDER. [With a burst of feeling.] My wife's ill!
SCANTLEBURY. Dear, dear! You don't say so.
WILDER. If I don't get her out of this cold, I won't answer for the
consequences.
[Through the double-doors EDGAR comes in looking very grave.]
EDGAR. [To his Father.] Have you heard this, sir? Mrs. Roberts is
dead!
[Every one stages at him, as if trying to gauge the importance
of this news.]
Enid saw her this afternoon, she had no coals, or food, or anything.
It's enough!
[There is a silence, every one avoiding the other's eyes, except
ANTHONY, who stares hard at his son.]
SCANTLEBURY. You don't suggest that we could have helped the poor
thing?
WILDER. [Flustered.] The woman was in bad health. Nobody can say
there's any responsibility on us. At least--not on me.
EDGAR. [Hotly.] I say that we are responsible.
ANTHONY. War is war!
EDGAR. Not on women!
WANKLIN. It not infrequently happens that women are the greatest
sufferers.
EDGAR. If we knew that, all the more responsibility rests on us.
ANTHONY. This is no matter for amateurs.
EDGAR. Call me what you like, sir. It's sickened me. We had no
right to carry things to such a length.
WILDER. I don't like this business a bit--that Radical rag will
twist it to their own ends; see if they don't! They'll get up some
cock and bull story about the poor woman's dying from starvation. I
wash my hands of it.
EDGAR. You can't. None of us can.
SCANTLEBURY. [Striking his fist on the arm of his chair.] But I
protest against this!
EDGAR. Protest as you like, Mr. Scantlebury, it won't alter facts.
ANTHONY. That's enough.
EDGAR. [Facing him angrily.] No, sir. I tell you exactly what I
think. If we pretend the men are not suffering, it's humbug; and if
they're suffering, we know enough of human nature to know the women
are suffering more, and as to the children--well--it's damnable!
[SCANTLEBURY rises from his chair.]
I don't say that we meant to be cruel, I don't say anything of the
sort; but I do say it's criminal to shut our eyes to the facts. We
employ these men, and we can't get out of it. I don't care so much
about the men, but I'd sooner resign my position on the Board than go
on starving women in this way.
[All except ANTHONY are now upon their feet, ANTHONY sits
grasping the arms of his chair and staring at his son.]
SCANTLEBURY. I don't--I don't like the way you're putting it, young
sir.
WANKLIN. You're rather overshooting the mark.
WILDER. I should think so indeed!
EDGAR. [Losing control.] It's no use blinking things! If you want
to have the death of women on your hands--I don't!
SCANTLEBURY. Now, now, young man!
WILDER. On our hands? Not on mine, I won't have it!
EDGAR. We are five members of this Board; if we were four against
it, why did we let it drift till it came to this? You know perfectly
well why--because we hoped we should starve the men out. Well, all
we've done is to starve one woman out!
SCANTLEBURY. [Almost hysterically.] I protest, I protest! I'm a
humane man--we're all humane men!
EDGAR. [Scornfully.] There's nothing wrong with our humanity. It's
our imaginations, Mr. Scantlebury.
WILDER. Nonsense! My imagination's as good as yours.
EDGAR. If so, it is n't good enough.
WILDER. I foresaw this!
EDGAR. Then why didn't you put your foot down!
WILDER. Much good that would have done.
[He looks at ANTHONY.]
EDGAR. If you, and I, and each one of us here who say that our
imaginations are so good--
SCANTLEBURY. [Flurried.] I never said so.
EDGAR. [Paying no attention.]--had put our feet down, the thing
would have been ended long ago, and this poor woman's life wouldn't
have been crushed out of her like this. For all we can tell there
may be a dozen other starving women.
SCANTLEBURY. For God's sake, sir, don't use that word at a--at a
Board meeting; it's--it's monstrous.
EDGAR. I will use it, Mr. Scantlebury.
SCANTLEBURY. Then I shall not listen to you. I shall not listen!
It's painful to me.
[He covers his ears.]
WANKLIN. None of us are opposed to a settlement, except your Father.
EDGAR. I'm certain that if the shareholders knew----
WANKLIN. I don't think you'll find their imaginations are any better
than ours. Because a woman happens to have a weak heart----
EDGAR. A struggle like this finds out the weak spots in everybody.
Any child knows that. If it hadn't been for this cut-throat policy,
she need n't have died like this; and there would n't be all this
misery that any one who is n't a fool can see is going on.
[Throughout the foregoing ANTHONY has eyed his son; he now moves
as though to rise, but stops as EDGAR speaks again.]
I don't defend the men, or myself, or anybody.
WANKLIN. You may have to! A coroner's jury of disinterested
sympathisers may say some very nasty things. We mustn't lose sight
of our position.
SCANTLEBURY. [Without uncovering his ears.] Coroner's jury! No,
no, it's not a case for that!
EDGAR. I 've had enough of cowardice.
WANKLIN. Cowardice is an unpleasant word, Mr. Edgar Anthony. It
will look very like cowardice if we suddenly concede the men's
demands when a thing like this happens; we must be careful!
WILDER. Of course we must. We've no knowledge of this matter,
except a rumour. The proper course is to put the whole thing into
the hands of Harness to settle for us; that's natural, that's what we
should have come to any way.
SCANTLEBURY. [With dignity.] Exactly! [Turning to EDGAR.] And as
to you, young sir, I can't sufficiently express my--my distaste for
the way you've treated the whole matter. You ought to withdraw!
Talking of starvation, talking of cowardice! Considering what our
views are! Except your own is--is one of goodwill--it's most
irregular, it's most improper, and all I can say is it's--it's given
me pain----
[He places his hand over his heart.]
EDGAR. [Stubbornly.] I withdraw nothing.
[He is about to say mote when SCANTLEBURY once more coveys up
his ears. TENCH suddenly makes a demonstration with the
minute-book. A sense of having been engaged in the unusual comes
over all of them, and one by one they resume their seats. EDGAR
alone remains on his feet.]
WILDER. [With an air of trying to wipe something out.] I pay no
attention to what young Mr. Anthony has said. Coroner's jury! The
idea's preposterous. I--I move this amendment to the Chairman's
Motion: That the dispute be placed at once in the hands of Mr. Simon
Harness for settlement, on the lines indicated by him this morning.
Any one second that?
[TENCH writes in his book.]
WANKLIN. I do.
WILDER. Very well, then; I ask the Chairman to put it to the Board.
ANTHONY. [With a great sigh-slowly.] We have been made the subject
of an attack. [Looking round at WILDER and SCANTLEBURY with ironical
contempt.] I take it on my shoulders. I am seventy-six years old. I
have been Chairman of this Company since its inception two-and-thirty
years ago. I have seen it pass through good and evil report. My
connection with it began in the year that this young man was born.
[EDGAR bows his head. ANTHONY, gripping his chair, goes on.]
I have had do to with "men" for fifty years; I've always stood up to
them; I have never been beaten yet. I have fought the men of this
Company four times, and four times I have beaten them. It has been
said that I am not the man I was. [He looks at Wilder.] However
that may be, I am man enough to stand to my guns.
[His voice grows stronger. The double-doors are opened. ENID
slips in, followed by UNDERWOOD, who restrains her.]
The men have been treated justly, they have had fair wages, we have
always been ready to listen to complaints. It has been said that
times have changed; if they have, I have not changed with them.
Neither will I. It has been said that masters and men are equal!
Cant! There can only be one master in a house! Where two men meet
the better man will rule. It has been said that Capital and Labour
have the same interests. Cant! Their interests are as wide asunder
as the poles. It has been said that the Board is only part of a
machine. Cant! We are the machine; its brains and sinews; it is for
us to lead and to determine what is to be done, and to do it without
fear or favour. Fear of the men! Fear of the shareholders! Fear of
our own shadows! Before I am like that, I hope to die.
[He pauses, and meeting his son's eyes, goes on.]
There is only one way of treating "men"--with the iron hand. This
half and half business, the half and half manners of this generation,
has brought all this upon us. Sentiment and softness, and what this
young man, no doubt, would call his social policy. You can't eat
cake and have it! This middle-class sentiment, or socialism, or
whatever it may be, is rotten. Masters are masters, men are men!
Yield one demand, and they will make it six. They are [he smiles
grimly] like Oliver Twist, asking for more. If I were in their
place I should be the same. But I am not in their place. Mark my
words: one fine morning, when you have given way here, and given way
there--you will find you have parted with the ground beneath your
feet, and are deep in the bog of bankruptcy; and with you,
floundering in that bog, will be the very men you have given way to.
I have been accused of being a domineering tyrant, thinking only of
my pride--I am thinking of the future of this country, threatened
with the black waters of confusion, threatened with mob government,
threatened with what I cannot see. If by any conduct of mine I help
to bring this on us, I shall be ashamed to look my fellows in the
face.
[ANTHONY stares before him, at what he cannot see, and there is
perfect stillness. FROST comes in from the hall, and all but
ANTHONY look round at him uneasily.]
FROST. [To his master.] The men are here, sir. [ANTHONY makes a
gesture of dismissal.] Shall I bring them in, sir?
ANTHONY. Wait!
[FROST goes out, ANTHONY turns to face his son.]
I come to the attack that has been made upon me.
[EDGAR, with a gesture of deprecation, remains motionless with
his head a little bowed.]
A woman has died. I am told that her blood is on my hands; I am told
that on my hands is the starvation and the suffering of other women
and of children.
EDGAR. I said "on our hands," sir.
ANTHONY. It is the same. [His voice grows stronger and stronger,
his feeling is more and more made manifest.] I am not aware that if
my adversary suffer in a fair fight not sought by me, it is my fault.
If I fall under his feet--as fall I may--I shall not complain. That
will be my look-out--and this is--his. I cannot separate, as I
would, these men from their women and children. A fair fight is a
fair fight! Let them learn to think before they pick a quarrel!
EDGAR. [In a low voice.] But is it a fair fight, Father? Look at
them, and look at us! They've only this one weapon!
ANTHONY. [Grimly.] And you're weak-kneed enough to teach them how
to use it! It seems the fashion nowadays for men to take their
enemy's side. I have not learnt that art. Is it my fault that they
quarrelled with their Union too?
EDGAR. There is such a thing as Mercy.
ANTHONY. And justice comes before it.
EDGAR. What seems just to one man, sir, is injustice to another.
ANTHONY. [With suppressed passion.] You accuse me of injustice--of
what amounts to inhumanity--of cruelty?
[EDGAR makes a gesture of horror--a general frightened
movement.]
WANKLIN. Come, come, Chairman.
ANTHONY. [In a grim voice.] These are the words of my own son.
They are the words of a generation that I don't understand; the words
of a soft breed.
[A general murmur. With a violent effort ANTHONY recovers his
control.]
EDGAR. [Quietly.] I said it of myself, too, Father.
[A long look is exchanged between them, and ANTHONY puts out his
hand with a gesture as if to sweep the personalities away; then
places it against his brow, swaying as though from giddiness.
There is a movement towards him. He moves them back.]
ANTHONY. Before I put this amendment to the Board, I have one more
word to say. [He looks from face to face.] If it is carried, it
means that we shall fail in what we set ourselves to do. It means
that we shall fail in the duty that we owe to all Capital. It means
that we shall fail in the duty that we owe ourselves. It means that
we shall be open to constant attack to which we as constantly shall
have to yield. Be under no misapprehension--run this time, and you
will never make a stand again! You will have to fly like curs before
the whips of your own men. If that is the lot you wish for, you will
vote for this amendment.
[He looks again, from face to face, finally resting his gaze on
EDGAR; all sit with their eyes on the ground. ANTHONY makes a
gesture, and TENCH hands him the book. He reads.]
"Moved by Mr. Wilder, and seconded by Mr. Wanklin: 'That the men's
demands be placed at once in the hands of Mr. Simon Harness for
settlement on the lines indicated by him this morning.'" [With
sudden vigour.] Those in favour: Signify the same in the usual way!
[For a minute no one moves; then hastily, just as ANTHONY is
about to speak, WILDER's hand and WANKLIN'S are held up, then
SCANTLEBURY'S, and last EDGAR'S who does not lift his head.]
[ANTHONY lifts his own hand.]
[In a clear voice.] The amendment is carried. I resign my position
on this Board.
[ENID gasps, and there is dead silence. ANTHONY sits
motionless, his head slowly drooping; suddenly he heaves as
though the whole of his life had risen up within him.]
Contrary?
Fifty years! You have disgraced me, gentlemen. Bring in the men!
[He sits motionless, staring before him. The Board draws
hurriedly together, and forms a group. TENCH in a frightened
manner speaks into the hall. UNDERWOOD almost forces ENID from
the room.]
WILDER. [Hurriedly.] What's to be said to them? Why isn't Harness
here? Ought we to see the men before he comes? I don't----
TENCH. Will you come in, please?
[Enter THOMAS, GREEN, BULGIN, and ROUS, who file up in a row
past the little table. TENCH sits down and writes. All eyes
are foxed on ANTHONY, who makes no sign.]
WANKLIN. [Stepping up to the little table, with nervous cordiality.]
Well, Thomas, how's it to be? What's the result of your meeting?
ROUS. Sim Harness has our answer. He'll tell you what it is. We're
waiting for him. He'll speak for us.
WANKLIN. Is that so, Thomas?
THOMAS. [Sullenly.] Yes. Roberts will not pe coming, his wife is
dead.
SCANTLEBURY. Yes, yes! Poor woman! Yes! Yes!
FROST. [Entering from the hall.] Mr. Harness, Sir!
[As HARNESS enters he retires.]
[HARNESS has a piece of paper in his hand, he bows to the
Directors, nods towards the men, and takes his stand behind the
little table in the very centre of the room.]
HARNESS. Good evening, gentlemen.
[TENCH, with the paper he has been writing, joins him, they
speak together in low tones.]
WILDER. We've been waiting for you, Harness. Hope we shall come to
some----
FROST. [Entering from the hall.] Roberts!
[He goes.]
[ROBERTS comes hastily in, and stands staring at ANTHONY. His
face is drawn and old.]
ROBERTS. Mr. Anthony, I am afraid I am a little late, I would have
been here in time but for something that--has happened. [To the
men.] Has anything been said?
THOMAS. No! But, man, what made ye come?
ROBERTS. Ye told us this morning, gentlemen, to go away and
reconsider our position. We have reconsidered it; we are here to
bring you the men's answer. [To ANTHONY.] Go ye back to London. We
have nothing for you. By no jot or tittle do we abate our demands,
nor will we until the whole of those demands are yielded.
[ANTHONY looks at him but does not speak. There is a movement
amongst the men as though they were bewildered.]
HARNESS. Roberts!
ROBERTS. [Glancing fiercely at him, and back to ANTHONY.] Is that
clear enough for ye? Is it short enough and to the point? Ye made a
mistake to think that we would come to heel. Ye may break the body,
but ye cannot break the spirit. Get back to London, the men have
nothing for ye?
[Pausing uneasily he takes a step towards the unmoving ANTHONY.]
EDGAR. We're all sorry for you, Roberts, but----
ROBERTS. Keep your sorrow, young man. Let your father speak!
HARNESS. [With the sheet of paper in his hand, speaking from behind
the little table.] Roberts!
ROBERT. [TO ANTHONY, with passionate intensity.] Why don't ye
answer?
HARNESS. Roberts!
ROBERTS. [Turning sharply.] What is it?
HARNESS. [Gravely.] You're talking without the book; things have
travelled past you.
[He makes a sign to TENCH, who beckons the Directors. They
quickly sign his copy of the terms.]
Look at this, man! [Holding up his sheet of paper.] "Demands
conceded, with the exception of those relating to the engineers and
furnace-men. Double wages for Saturday's overtime. Night-shifts as
they are." These terms have been agreed. The men go back to work
again to-morrow. The strike is at an end.
ROBERTS. [Reading the paper, and turning on the men. They shrink
back from him, all but ROUS, who stands his ground. With deadly
stillness.] Ye have gone back on me? I stood by ye to the death; ye
waited for that to throw me over!
[The men answer, all speaking together.]
ROUS. It's a lie!
THOMAS. Ye were past endurance, man.
GREEN. If ye'd listen to me!
BULGIN. (Under his breath.) Hold your jaw!
ROBERTS. Ye waited for that!
HARNESS. [Taking the Director's copy of the terms, and handing his
own to TENCH.] That's enough, men. You had better go.
[The men shuffle slowly, awkwardly away.]
WILDER. [In a low, nervous voice.] There's nothing to stay for now,
I suppose. [He follows to the door.] I shall have a try for that
train! Coming, Scantlebury?
SCANTLEBURY. [Following with WANKLIN.] Yes, yes; wait for me. [He
stops as ROBERTS speaks.]
ROBERTS. [To ANTHONY.] But ye have not signed them terms! They
can't make terms without their Chairman! Ye would never sign them
terms! [ANTHONY looks at him without speaking.] Don't tell me ye
have! for the love o' God! [With passionate appeal.] I reckoned on
ye!
HARNESS. [Holding out the Director's copy of the teems.] The Board
has signed!
[ROBERTS looks dully at the signatures--dashes the paper from
him, and covers up his eyes.]
SCANTLEBURY. [Behind his hand to TENCH.] Look after the Chairman!
He's not well; he's not well--he had no lunch. If there's any fund
started for the women and children, put me down for--for twenty
pounds.
[He goes out into the hall, in cumbrous haste; and WANKLIN, who
has been staring at ROBERTS and ANTHONY With twitchings of his
face, follows. EDGAR remains seated on the sofa, looking at the
ground; TENCH, returning to the bureau, writes in his minute--
book. HARNESS stands by the little table, gravely watching
ROBERTS.]
ROBERTS. Then you're no longer Chairman of this Company! [Breaking
into half-mad laughter.] Ah! ha-ah, ha, ha! They've thrown ye over
thrown over their Chairman: Ah-ha-ha! [With a sudden dreadful calm.]
So--they've done us both down, Mr. Anthony?
[ENID, hurrying through the double-doors, comes quickly to her
father.]
ANTHONY. Both broken men, my friend Roberts!
HARNESS. [Coming down and laying his hands on ROBERTS'S sleeve.]
For shame, Roberts! Go home quietly, man; go home!
ROBERTS. [Tearing his arm away.] Home? [Shrinking together--in a
whisper.] Home!
ENID. [Quietly to her father.] Come away, dear! Come to your room
[ANTHONY rises with an effort. He turns to ROBERTS who looks at
him. They stand several seconds, gazing at each other fixedly;
ANTHONY lifts his hand, as though to salute, but lets it fall.
The expression of ROBERTS'S face changes from hostility to
wonder. They bend their heads in token of respect. ANTHONY
turns, and slowly walks towards the curtained door. Suddenly
he sways as though about to fall, recovers himself, and is
assisted out by EDGAR and ENID; UNDERWOOD follows, but stops at
the door. ROBERTS remains motionless for several seconds,
staring intently after ANTHONY, then goes out into the hall.]
TENCH. [Approaching HARNESS.] It's a great weight off my mind, Mr.
Harness! But what a painful scene, sir! [He wipes his brow.]
[HARNESS, pale and resolute, regards with a grim half-smile the
quavering.]
TENCH. It's all been so violent! What did he mean by: "Done us both
down?" If he has lost his wife, poor fellow, he oughtn't to have
spoken to the Chairman like that!
HARNESS. A woman dead; and the two best men both broken!
TENCH. [Staring at him-suddenly excited.] D'you know, sir--these
terms, they're the very same we drew up together, you and I, and put
to both sides before the fight began? All this--all this--and--and
what for?
HARNESS. [In a slow grim voice.] That's where the fun comes in!
[UNDERWOOD without turning from the door makes a gesture of
assent.]
The curtain falls.
THE END
End of Project Gutenberg's Strife (First Series Plays), by John Galsworthy
*** END OF THIS PROJECT GUTENBERG EBOOK STRIFE (FIRST SERIES PLAYS) ***
***** This file should be named 2908.txt or 2908.zip *****
This and all associated files of various formats will be found in:
https://www.gutenberg.org/2/9/0/2908/
Produced by David Widger
Updated editions will replace the previous one--the old editions
will be renamed.
Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties. Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark. Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission. If you
do not charge anything for copies of this eBook, complying with the
rules is very easy. You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research. They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks. Redistribution is
subject to the trademark license, especially commercial
redistribution.
*** START: FULL LICENSE ***
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
https://gutenberg.org/license).
Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
electronic works
1.A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.
1.B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works. Nearly all the individual works in the
collection are in the public domain in the United States. If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed. Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work. You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.
1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are in
a constant state of change. If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work. The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.
1.E. Unless you have removed all references to Project Gutenberg:
1.E.1. The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org
1.E.2. If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges. If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.
1.E.3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder. Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.
1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.
1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.
1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form. However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form. Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.
1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.
1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that
- You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg-tm works calculated using the method
you already use to calculate your applicable taxes. The fee is
owed to the owner of the Project Gutenberg-tm trademark, but he
has agreed to donate royalties under this paragraph to the
Project Gutenberg Literary Archive Foundation. Royalty payments
must be paid within 60 days following each date on which you
prepare (or are legally required to prepare) your periodic tax
returns. Royalty payments should be clearly marked as such and
sent to the Project Gutenberg Literary Archive Foundation at the
address specified in Section 4, "Information about donations to
the Project Gutenberg Literary Archive Foundation."
- You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he
does not agree to the terms of the full Project Gutenberg-tm
License. You must require such a user to return or
destroy all copies of the works possessed in a physical medium
and discontinue all use of and all access to other copies of
Project Gutenberg-tm works.
- You provide, in accordance with paragraph 1.F.3, a full refund of any
money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days
of receipt of the work.
- You comply with all other terms of this agreement for free
distribution of Project Gutenberg-tm works.
1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark. Contact the
Foundation as set forth in Section 3 below.
1.F.
1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection. Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.
1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.
1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium with
your written explanation. The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund. If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund. If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.
1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law. The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.
1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.
Section 2. Information about the Mission of Project Gutenberg-tm
Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers. It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.
Volunteers and financial support to provide volunteers with the
assistance they need, is critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at https://www.pglaf.org.
Section 3. Information about the Project Gutenberg Literary Archive
Foundation
The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation's EIN or federal tax identification
number is 64-6221541. Its 501(c)(3) letter is posted at
https://pglaf.org/fundraising. Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.
The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations. Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
[email protected]. Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at https://pglaf.org
For additional contact information:
Dr. Gregory B. Newby
Chief Executive and Director
[email protected]
Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation
Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.
The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To
SEND DONATIONS or determine the status of compliance for any
particular state visit https://pglaf.org
While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.
International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.
Please check the Project Gutenberg Web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including including checks, online payments and credit card
donations. To donate, please visit: https://pglaf.org/donate
Section 5. General Information About Project Gutenberg-tm electronic
works.
Professor Michael S. Hart was the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone. For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.
Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included. Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.
Most people start at our Web site which has the main PG search facility:
https://www.gutenberg.org
This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.
