The Project Gutenberg EBook of With a Vengeance, by J. B. Woodley This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: With a Vengeance Author: J. B. Woodley Illustrator: Knoth Release Date: November 14, 2009 [EBook #30475] Language: English *** START OF THIS PROJECT GUTENBERG EBOOK WITH A VENGEANCE *** Produced by Greg Weeks, Stephen Blundell and the Online Distributed Proofreading Team at https://www.pgdp.net [Illustration: Illustrated by KNOTH] With a Vengeance By J. B. WOODLEY _Keep this in mind in teaching apprentices: They are future journeymen--and even masters!_ October 10, 2119 New San Francisco Today, at precisely 9:50 a.m., Kyle became First Imperator of Terra. His coup was so fantastically direct and facile that I am almost tempted to believe that old cliche "the time was right." Well, however badly it can be expressed, I suppose the world _was_ ripe for this sort of thing. I can remember when much the same used to happen in elections. One man would win over another by a tremendous majority, and historians would then set about to show how "the time was right." Why do I persist in tormenting myself with that phrase! Analytically, I might say I resent this new aristocracy of politics. Specifically, I might say I resent Kyle. And both are true, both are true. This swing, though, to absolute monarchy, complete with the installation of the Kyle Dynasty--damn him! This is something which psychologists, not historians, must explain. Has the age of the Common Man, so bravely flaunted for over one hundred years, truly come to nothing? Would people really prefer a figurehead and a symbol of undisputed authority? In this instance, one may again conclude that "the time was right." Contact with planets like Mars and Venus undoubtedly had its influence. I must confess that the televised audiences with the Mrit of Venus and the Znam of Mars _did_ make Terra's President--I should say, late President--look a bit seedy. I daresay there is such a thing as a too common Common Man. Kyle was such, twenty years ago. His name wasn't Kyle then, although it was something very like that. I must see if any of the old ledgers are about! I'd like to see what the Imperator's name was when His Most Imperial Majesty was an apprenticed nobody! * * * * * October 12, 2119 New San Francisco I found it! Buried in stacks of dust behind the old printing press that was once the heart of my _Beacon-Sentinel_. There were others there too. Spent a delightful morning with them, reading back through those old account books. I wonder whatever happened to Hastings? And Drew? Best linotype men I ever had. They became pilots, or something, as I recall. Too bad, too bad. They could have had such brilliant futures, both of them. Why they felt they must ally themselves with the non-thinking, muscle-flexing variety of mankind--of which our Ruler is an excellent example--I'll never know. Ah, yes, Kyle! In those days he was Kilmer Jones. I don't remember him too well, actually, except for the day I fired him. I suppose he was right in changing his name. We couldn't very well have an Imperator named Kilmer the First, or Jones the First. Much too common, not at all in keeping. Gawky fellow--that Kilmer. When Bard brought me a sample of his work--I guess I'll have to call it that--we both had a good laugh over it! Atrocious spelling! Couldn't follow the proofreader's marks. Indeed, I wonder if the fellow could even read! The punctuation! And the grammar! I called the boy to the office that morning--or was it the next day? No matter. I called him in and told him, as kindly as possible, that I thought there were other vocations to which he might be better suited. The irony of it! Kilmer Jones--Kyle I! And he stood there, I remember, with those seventeen-year-old hands that were all knuckles and bone and chapped skin, twisting those hands and shifting his weight from one foot to the other. "Please, Mr. Booth," he said, his voice cracking. "I ain't got no other job in mind. I wanna be a noospaper man. I ain't got no--" If not for that "ain't got no," I think I might have relented. But no one is going to ruin the English language as he did! Not in my offices! I took him to task severely for his offensive usage, outlined a correct example of what he had attempted to say, gave him a brief lesson in the history of the tongue, and explained why it had been chosen as the official Terran speech. I think my conclusion was, "You'll be much better off in a position which requires you to quote neither Milton nor Shakespeare nor any author save possibly those who write the comic strips." "Got no training," he said softly. (I supposed it was to keep his voice from exhibiting its usual adolescent gymnastics.) I shuddered slightly, I remember. "You mean, 'I _have_ no training.'" "Yeah ..." softly again. "Yeah, Mr. Booth." "_Yes!_" I cried impatiently. "Not 'yeah,' but _yes_!" I searched for his severance pay on my desk, wondering who the devil had hired him in the first place. Gave him three weeks pay, as I recall it, one more than necessary. Unmannerly pup! He just stood there for a minute and then finally left without even a "Thank you," or "Good-by." And this is the man who is Kyle the First, Ruler of Terra at the age of thirty-seven! I wonder what he is like now.... * * * * * January 1, 1 New San Francisco There is no longer any need to wonder. Surprisingly few heads have rolled, but apparently Jonesy chooses to exhibit his power in other ways. Thanksgiving Day, a custom preserved in certain portions of the Directorate of North America, is three weeks away--even though it is January. The Year One. There used to be some childish joke about the Year One. Don't remember it just now. Thanksgiving harvest in January. Christmas celebration in February. Spring planting in July! To say nothing of the inconvenience this has caused in my bookkeeping department! I suppose the man will now try to change the weather to suit his new calendar! * * * * * January 8, 1 New San Francisco He can't last! He can't! A dictator is one thing. A monarch is another. But Kyle is something else! Naturally he had to remove certain persons from his way. And his summer palace in the plains region of America--that's all right, that's all right! An authority of Kyle's stature is expected to remove undesirables, and to have a summer palace, and a winter palace, and anything else he wants! Of course! But why this? Why _this_ of all things! No newspapers! Just like that! _He_ waves an edict, and just like that, _no newspapers_! The _Beacon-Sentinel_ has been a great paper for the last twenty-five years! It was nothing, and I was nothing, and together we became a Voice! And now again, we are nothing! Oh, I see what's behind it! It's revenge, that's what it is! Because he once couldn't become a "noospaper" man, he's taking his vengeance this way. A man as petty as that shall be overthrown! Mark my words! And the clumsiness of it! I see what he is! I know him! He's still that pup of seventeen, playing king with the world, twisting his hands in glee over his childish triumph. No subtlety! Just a direct pushing over an applecart he couldn't steer! Doesn't matter whose apples you destroy, does it, Jonesy? Just push it over--push it over! * * * * * January 16, 1 New San Francisco Closed the _Beacon-Sentinel_ yesterday. My savings are enough to take care of me for a few years. After that--ah, well, I am no longer a young man. I am glad that Elsa is not here to see this. * * * * * February 12, 1 New San Francisco Received a letter this morning, requesting me to appear at the chambers of His Most Imperial Majesty, Kyle the First, on Tuesday of next week. His Most Imperial Majesty can see me between 10:15 and 10:25 on that morning. Ten minutes--rather a brief spell in which to roll another head. I find myself amazed, though. Is this man so truly powerful that he needs no police to make his arrests for him? Can he really send messages via jetmail and be certain his enemies will not try to escape? I don't want to attempt flight. Life without my work is no longer life. * * * * * February 17, 1 Kyleton Palace, North America I don't understand. I've gone over it twice, and I don't understand. If only Elsa were still with me! I could talk to her. She would help me decipher what it's all about. This morning, at 10:15 sharp, I was taken to the public audience chamber in the palace. His Majesty was seated behind a desk facing the doors. Behind him, on the wall, was His Coat of Arms. He stood up and walked toward me, waving away the guards. "How are you, Mr. Booth?" he said. And offered me His Hand! I recovered my presence of mind, of course, and replied as was fitting. And then He said it! "I shall be at liberty later this week to discuss more fully the details of these past years." (Shades of "ain't got no!") "Meanwhile, my secretary will give you a complete dossier on my planned Official Bulletin." He lighted a cigarette after offering me one. "I should deem it an honor," he continued, "to have a man of your literary versatility and--I must add--your vast practical experience become Chief Editor of that Bulletin. The publication, which I should enjoy christening _The Terran Beacon-Sentinel_--with your permission, sir--shall be more than my official organ. It shall set the standards for the coming newspaper world." He cocked an eyebrow at me and smiled. "I believe we are in perfect accord about certain standards, are we not, Mr. Booth? The deplorable grammatical practices of some newspapers! Well, really, Mr. Booth! I feel assured of your agreement!" He led me around the desk and pointed to the Coat of Arms. As He stood silent, I felt obliged to look more closely. I had seen it before, of course, but seeing it now, greatly enlarged, I was able to make out its detail. What I had thought was a mere decorative border, I now realized was a motif I have seen all my life! A tiny lighthouse sending forth a beam! The trademark of my paper! As I stood there, gaping, His Majesty laughed softly and said, "That, Mr. Booth, I felt impelled to include. For, without your most fortuitous termination of my apprenticeship in your organization, I should not have risen to my present position." * * * * * Again He took my hand and shook it, warmly. His hair is just a bit gray at the temples, and there are signs of strain on His finely featured face. Those awkward hands are now strong and purposeful. He apologized that He must return to His duties, and went with me to the door. "My secretary will fill in further details about your new position. Newspapers shall once again be published. No--don't say a word, Mr. Booth! I know what you are thinking. "Your salary," he continued as we stood at the open door, "shall, of course, be commensurate to your high authority in this new field. Allow me, now, to thank you most deeply and sincerely for your unwitting aid in my youth. I assure you, Mr. Booth, I have often thought of that day we talked. And I hope to repay you, in some measure, for what you did." He said more, mostly polite phrases of good-by. And then I was outside after being handed a folder by some man. An official jetmobile took me to my residence--which turned out to be in the East Wing. Here I am, and I don't understand. I came prepared to suffer heaven only knows what as part of Kilmer Jones's childish pattern for revenge. Instead, here I am, head of the Official Bulletin, titular ruler and ruler-in-fact of the future journalism of the world! There is something behind this--I keep feeling there is. But what? What? Or is he truly generous, to a degree never before known among absolute monarchs? * * * * * February 13, 1 Kyleton Palace, North America I am a suspicious and most humble old man. I see now that Kyle's generosity amazed me only because I myself would have been incapable of such an action. Just now, I fear for His Majesty. I was right, before, when I said there was no subtlety in the man. He is too open, too fair, too forgiving. A ruler with such greatness of heart might easily allow some small insignificant person in too far, too close. I fear for him! * * * * * February 14, 1 Kyleton Palace, North America Tomorrow we begin publication! The pressroom is magnificent! I can hardly wait. It's been a long time since I've felt such exuberance. This afternoon I am to conduct a conference of some eight hundred editors! His Majesty's secretary has sent me an outline on Journalistic Standards, which I shall study after lunch. There was a note attached, in His Majesty's handwriting--such beautiful penmanship, too. "A mere formality," it said, "for, of course, you and I know full well what the future of journalism shall be, Mr. Booth." * * * * * Later-- How wrong can one man be in one lifetime? I wonder now _why_ he changed the calendar. I wonder now what poor devil he destroyed then. But _I'll_ cheat him! I'll cheat him yet! * * * * * Obituary, _Trran Bacon-Sntinl_, Fbruary 16, 1 Th unfortunat and untimly dmis of Gorg W. Booth is hrby notd with sorrow by thos who knw and lovd him. Mr. Booth, formr ditor and publishr of th _Bacon-Sntinl_ of Nw San Francisco, Dirctorat of North Amrica, had apparntly bn in poor helth for som tim. It is blivd that worry ovr th succss of his nw policy-stting _Trran Bacon-Sntinl_ was a contributing factor in his suicid lat in th aftrnoon of Fbruary 14. His Most Imprial Majsty Kyl th First has ordrd a fitting monumnt to his lat lamntd frind. A simpl shaft of granit shall b rctd in th gardn facing th Ast Wing of Kylton Palac, whr Mr. Booth mad his residnc. On th shaft shall b inscribd th lgnd: "How bautous mankind is! Oh brav nw world, That has much peepl in't!" Th quotation is from _Th Tmpst_. Mr. Booth was a grat admirr of Shakspar. An vn mor fitting and long-livd mmorial is xprssd in th dict rlasd through th offics of His Majsty on th vry day of Mr. Booth's dath. It reeds in part: "Th nw linguistic policy on Trra, as dmonstratd in th _Trran Bacon-Sntinl_, shall hncforth b known as Boothtalk." Mr. Booth bfrindd Our Imprial Rulr in His youngr days, and, as w all know, His Majsty nvr forgts a frind. --J. B. WOODLEY Transcriber's Note: This etext was produced from _Galaxy Science Fiction_ October 1953. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed. Minor spelling and typographical errors have been corrected without note. Calendar dates remain as printed, and, based on the narrative, may be intentional. End of the Project Gutenberg EBook of With a Vengeance, by J. B. Woodley *** END OF THIS PROJECT GUTENBERG EBOOK WITH A VENGEANCE *** ***** This file should be named 30475.txt or 30475.zip ***** This and all associated files of various formats will be found in: https://www.gutenberg.org/3/0/4/7/30475/ Produced by Greg Weeks, Stephen Blundell and the Online Distributed Proofreading Team at https://www.pgdp.net Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away--you may do practically ANYTHING with public domain eBooks. Redistribution is subject to the trademark license, especially commercial redistribution. *** START: FULL LICENSE *** THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg-tm mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase "Project Gutenberg"), you agree to comply with all the terms of the Full Project Gutenberg-tm License (available with this file or online at https://gutenberg.org/license). Section 1. General Terms of Use and Redistributing Project Gutenberg-tm electronic works 1.A. By reading or using any part of this Project Gutenberg-tm electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg-tm electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg-tm electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. "Project Gutenberg" is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg-tm electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg-tm electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg-tm electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" or PGLAF), owns a compilation copyright in the collection of Project Gutenberg-tm electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is in the public domain in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg-tm mission of promoting free access to electronic works by freely sharing Project Gutenberg-tm works in compliance with the terms of this agreement for keeping the Project Gutenberg-tm name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg-tm License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg-tm work. The Foundation makes no representations concerning the copyright status of any work in any country outside the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg-tm License must appear prominently whenever any copy of a Project Gutenberg-tm work (any work on which the phrase "Project Gutenberg" appears, or with which the phrase "Project Gutenberg" is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org 1.E.2. If an individual Project Gutenberg-tm electronic work is derived from the public domain (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase "Project Gutenberg" associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg-tm electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg-tm License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg-tm. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg-tm License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg-tm work in a format other than "Plain Vanilla ASCII" or other format used in the official version posted on the official Project Gutenberg-tm web site (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original "Plain Vanilla ASCII" or other form. Any alternate format must include the full Project Gutenberg-tm License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg-tm works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg-tm electronic works provided that - You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg-tm works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg-tm trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, "Information about donations to the Project Gutenberg Literary Archive Foundation." - You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg-tm License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg-tm works. - You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. - You comply with all other terms of this agreement for free distribution of Project Gutenberg-tm works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from both the Project Gutenberg Literary Archive Foundation and Michael Hart, the owner of the Project Gutenberg-tm trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread public domain works in creating the Project Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm electronic works, and the medium on which they may be stored, may contain "Defects," such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right of Replacement or Refund" described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg-tm trademark, and any other party distributing a Project Gutenberg-tm electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg-tm electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg-tm electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg-tm work, (b) alteration, modification, or additions or deletions to any Project Gutenberg-tm work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg-tm Project Gutenberg-tm is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg-tm's goals and ensuring that the Project Gutenberg-tm collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg-tm and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation web page at https://www.pglaf.org. Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation's EIN or federal tax identification number is 64-6221541. Its 501(c)(3) letter is posted at https://pglaf.org/fundraising. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state's laws. The Foundation's principal office is located at 4557 Melan Dr. S. Fairbanks, AK, 99712., but its volunteers and employees are scattered throughout numerous locations. Its business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email [email protected]. Email contact links and up to date contact information can be found at the Foundation's web site and official page at https://pglaf.org For additional contact information: Dr. Gregory B. Newby Chief Executive and Director [email protected] Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg-tm depends upon and cannot survive without wide spread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit https://pglaf.org While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg Web pages for current donation methods and addresses. Donations are accepted in a number of other ways including including checks, online payments and credit card donations. To donate, please visit: https://pglaf.org/donate Section 5. General Information About Project Gutenberg-tm electronic works. Professor Michael S. Hart was the originator of the Project Gutenberg-tm concept of a library of electronic works that could be freely shared with anyone. For thirty years, he produced and distributed Project Gutenberg-tm eBooks with only a loose network of volunteer support. Project Gutenberg-tm eBooks are often created from several printed editions, all of which are confirmed as Public Domain in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our Web site which has the main PG search facility: https://www.gutenberg.org This Web site includes information about Project Gutenberg-tm, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.