Benighted

By J. B. Priestley

The Project Gutenberg eBook of Benighted
    
This ebook is for the use of anyone anywhere in the United States and
most other parts of the world at no cost and with almost no restrictions
whatsoever. You may copy it, give it away or re-use it under the terms
of the Project Gutenberg License included with this ebook or online
at www.gutenberg.org. If you are not located in the United States,
you will have to check the laws of the country where you are located
before using this eBook.

Title: Benighted

Author: J. B. Priestley

Release date: May 24, 2024 [eBook #73673]

Language: English

Original publication: London: William Heinemann Ltd, 1927


*** START OF THE PROJECT GUTENBERG EBOOK BENIGHTED ***





                               BENIGHTED




  BY THE SAME AUTHOR

  _Fiction_
  ADAM IN MOONSHINE

  _Essays, etc._
  BRIEF DIVERSIONS
  PAPERS FROM LILLIPUT
  I FOR ONE
  TALKING
  OPEN HOUSE

  _Criticism_
  FIGURES IN MODERN LITERATURE
  THE ENGLISH COMIC CHARACTERS
  MEREDITH (English Men of Letters)
  PEACOCK (English Men of Letters)




                               BENIGHTED

                                  BY

                            J. B. PRIESTLEY


                       _.....the bright day is done.
                     And we are for the dark....._


  [Illustration: description: Logo of four-bladed windmill with
                              letters W on left side and H on right
                              side.]

                    LONDON: WILLIAM HEINEMANN LTD.




                      _First published ... 1927_

          _Printed in Great Britain at_ The Ballantyne Press
               _by_ Spottiswoode, Ballantyne & Co. Ltd.
                      _Colchester, London & Eton_




                               BENIGHTED




                               CHAPTER I


Margaret was saying something, but he couldn’t hear a word. The
downpour and the noise of the engine were almost deafening. Suddenly he
stopped the car and leaned back, relieved, relaxed, free for a moment
from the task of steering a way through the roaring darkness. He had
always felt insecure driving at night, staring out at a little lighted
patch of road and groping for levers and switches, pressing pedals,
had always been rather surprised when the right thing happened. But
to-night, on these twisting mountain roads, some of them already awash,
with storm after storm bursting upon them and the whole night now
one black torrent, every mile was a miracle. It couldn’t last. Their
rattling little box of mechanical tricks was nothing but a piece of
impudence. He turned to Margaret.

‘You needn’t have done that,’ she was saying now. She had had to
raise her voice, of course, but it was as cool and clear as ever. She
was still detached, but apparently, for once, not amused.

‘Done what?’ Philip returned, but his heart sank, for he knew what she
meant. Then he felt annoyed. Couldn’t he stop the damned thing for a
minute? He was easily the coldest and wettest of the three of them.

‘You needn’t have stopped the car,’ Margaret replied. ‘I was only
saying that we ought to have turned back before. It’s simply idiotic
going on like this. Where are we?’

He felt an icy trickle going down his back and shook himself. ‘Hanged
if I know,’ he told her. ‘Somewhere in wildest Wales. That’s as near as
I can get. I’ve never found my bearings since we missed that turning.
But I think the direction’s vaguely right.’ He wriggled a little. He
was even wetter than he had imagined. He had got wet when he had gone
out to change the wheel and then later when she had stopped and he had
had to look at the engine, and since then the rain had been coming in
steadily. Not all the hoods and screens in the world could keep out
this appalling downpour.

‘This is hopeless.’ Margaret was calmly condemning the situation.
‘What time is it?’

There was no light on the dashboard, so he struck a match and held it
near the clock. Half-past nine. There was just time to catch a glimpse
of Margaret’s profile before the tiny flame vanished. It was like
overhearing a faintly scornful phrase about himself. He suddenly felt
responsible for the whole situation, not only for the delay on the road
and the missed turning, but for the savage hills and the black spouting
night. Once again he saw himself fussing away, nervous, incompetent,
slightly disordered, while she looked on, critical, detached, indulgent
or contemptuous. When anything went wrong—and it was in the nature of
things to go wrong—she always made him feel like that. Perhaps all
wives did. It wasn’t fair. It was taking a mean advantage of the fact
that you cared what they thought, for once you stopped caring the trick
must fail.

‘We’d better go on and try and arrive somewhere,’ Margaret was saying.
‘Shall I drive now?’ He was expecting that. She always imagined that
she was the better driver. And perhaps she was, though. Not really so
skilful with the wheel, the gears, the brakes, but far cooler than
he was simply because she never saw the risks. Her imagination didn’t
take sudden leaps, didn’t see a shattered spine a finger’s breadth
away, didn’t realise that we all went capering along a razor-edge.
Unlike him, she blandly trusted everything, everything, that is, except
human beings. Now _they_ were not so bad, merely stupid—the thought
came flashing as he shifted his position—it was only the outside things
that were so devilish.

‘No, thanks. I’ll keep on. There’s no point in changing now. We’ll
arrive somewhere soon.’ He was about to reach out to the switch when
the light of a match at the back turned him round. Penderel, who had
been dozing there for the last two hours, was now lighting a cigarette.
‘Hello!’ he shouted back. ‘You all right, Penderel? Not drowned yet?’
Penderel’s face, queerly illuminated, looked at once drawn and impish.
A queer stick!—mad as a hatter some people thought, Margaret among
them; but Philip wasn’t sure. He suddenly felt glad to see him there.
Penderel wouldn’t mind all this.

Penderel blew out smoke, held up the lighted match, and leaned
forward, as vivid as a newly painted portrait. He grinned. ‘Where are
we?’ Then the match went out and he was nothing but a shadow.

‘We don’t know,’ Philip shouted back above the drumming rain. ‘We’ve
missed the way. We’re somewhere in the Welsh mountains and it’s
half-past nine. Sorry.’

‘Don’t mention it.’ Penderel seemed to be amused. ‘I say, this storm’s
going on for ever. I believe it’s the end of the world. They’ve
overheard the talk at the Ainsleys and have decided to blot us all out.
What do you think?’

Philip felt Margaret stirring beside him. He knew that her body was
stiffening with disapproval, partly because the Ainsleys, with whom
they had all three been staying, were old friends of hers, but chiefly
because she didn’t like Penderel, whose existence she had almost
forgotten, and was only too ready to disapprove of everything he said
or did. ‘We shan’t see even Shrewsbury to-night,’ Philip shouted back.
A halt at Shrewsbury had been their modified plan, following upon their
delay on the road and their slow progress in the torrential rain.

‘Shrewsbury!’ Penderel laughed. ‘Nor the Hesperides either. We’ll
be lucky if we get anywhere, out of this. I’ll tell you what’—he
hesitated a moment—‘I don’t want to frighten Mrs. Waverton——’

‘Go on, Mr. Penderel.’ Margaret was icy. ‘I’m not easily frightened.’

‘Aren’t you? I am,’ Penderel replied, loudly and cheerfully. He seemed
to be for ever putting his foot in it, either didn’t know or didn’t
care. ‘I was thinking that you’ll have to be careful here. We’ve had a
week’s heavy rain, and thunderstorms for the last two days, and in this
part of the world they’re always having landslides and whatnot. Don’t
be surprised to find yourself driving into the middle of a lake, or the
whole hillside coming down on you, or the road disappearing under the
front wheels.’

The noise and the darkness made snubbing difficult, but Margaret did
what she could. ‘I must say I should be very surprised indeed,’ she
threw back. ‘Hurry on, Philip. Open the windscreen. We can’t be any
wetter than we are now and I want to look out for any turnings or
signposts.’

‘Not that I care, you know,’ Penderel called out. ‘I don’t want to
go to Shrewsbury. I don’t particularly want to go anywhere. Something
might happen here, and nothing ever happens in Shrewsbury, and nothing
much on the other side of Shrewsbury. But here there’s always a chance.’

As Philip started the car again he wished himself a hundred miles the
other side of Shrewsbury, moving sedately down some sensible main road
towards a fire and clean sheets. The road they were on now seemed
little better than a track, twisting its way along the hillside. There
were no lights to be seen, nothing but the flashing rain and the
jumping scrap of lighted road ahead, full of deep ruts and stones and
shining with water. He moved cautiously forward, shaking the raindrops
from his eyes and gripping the wheel as hard as he could. This ring of
metal seemed his only hold upon security now that everything was black
and sliding and treacherous, and even then it rattled uselessly in his
hand at times. One silly twist and they were bogged for the night or
even over the edge. Earlier it had been rather exhilarating rushing
through this savagery of earth and weather, but now he felt tired and
apprehensive. Penderel had been exaggerating, of course, perhaps
trying to frighten Margaret. But no, he wouldn’t be doing that, though
he probably knew that she didn’t like him and was against his returning
from the Ainsleys’ with them. He exaggerated for his own good pleasure,
being a wild youth who liked to see life as either a screaming
buffoonery or a grand catastrophe, something Elizabethan in five acts.
Yet there were landslides after heavy rain in this part of the world.
There might be floods too. Philip saw them stuck somewhere on this
hillside all night. And what a night too! He shivered and involuntarily
pressed the accelerator.

The car roared forward, and though he immediately released the pressure
it did not slacken speed because there was a sudden dip in the road.
Just in front the hillside jutted into a sharp edge of rock and the
road turned a blind corner. Philip had only time to touch the footbrake
when this corner swung towards him. He gave the wheel a hard twist; for
a second the car went sliding; and the next moment they were round the
corner but apparently plunging into a river. The road had disappeared;
there was nothing ahead but the gleam of water. In they went with
a roar and a splash. Philip gripped the wheel harder than ever; he
felt Margaret’s hand upon his left arm; he heard a shout from Penderel
behind. Then the roaring and splashing filled the night, but the car
seemed to be slowing down. He accelerated and the engine responded,
with loud spasmodic bursts, but all to no purpose. The car swung
forward, stopped, drummed, and then shook violently, swung forward
again, then stopped.

‘Don’t stop.’ Margaret was crying in his ear.

‘Can’t help it,’ he shouted. What a damn silly remark! Did she think
they were in a motor-boat! He must do something though. The engine
was still running, trembling there under his feet, like a hunted
beast. Hastily he shoved the lever into low gear and rammed down the
accelerator. The car gave an agonised roar and seemed to shake itself
like a dog, but for a moment or so nothing else happened. ‘Here for the
night, here for the night,’ Philip heard himself chanting idiotically.
Then slowly, almost painfully it seemed, the car moved forward,
protesting every yard against the unfamiliar element. And now the
road began to climb again; the worst was passed; the lights showed
solid ground ahead, and a few minutes’ more splashing brought them out
into earth and air. The little box of tricks had won. At least, Philip
reminded himself, it had won so far; end of first round. But what was
coming next? They were still climbing a little, and now the hillside to
the right seemed less steep and rocky, but that to the left fell away
more sharply. He could see nothing there but rain falling into a black
gulf. It had the curiously vivid and dramatic quality of rain in a film.

Margaret was saying something and appeared to be fumbling in the pocket
in the door. What was it she wanted? He caught the word ‘stop’ in her
reply, and so once again brought the car to a standstill. ‘What is it?’
he asked.

‘I’m looking for the map,’ she replied. ‘We must find out where we are.
We can’t go on like this.’

‘A good voyage, Waverton!’ Penderel shouted. ‘Have a cigarette?’
Philip found the open case under his nose when he turned, and lit up
with Penderel. Then there was a little click and the whole car
was illuminated, transformed into a queer tiny room. The night was
banished, wind and rain and darkness disappearing behind the shining
screen; Margaret had found the little observation lamp and had fixed
it in the plug. She had also found the map and was now bending over
it, the lamp in her hand. But it was only a flimsy affair of paper and
the rain had played havoc with it. Philip, who was visited by a sudden
feeling of cosiness, watched her turn it over and stare at it with
wide grave eyes. Then he saw her shake her head; just like a child, he
thought. He wanted to tell her so and give her a quick little hug, a
sign across a thousand miles of desert; then rush away to the nearest
shelter and talk everything out with her. What was she feeling? How odd
it was that he didn’t know!

‘You look,’ she said, holding out the map. ‘I can’t see anything. It’s
all a stupid puddle.’

He peered at the thing just to satisfy her. Roads and rivers and stout
acres were now so many blotches. ‘It seems to me it represents this
country very well, for everything here’s under water. The thing’s
useless. Besides I can’t make out where we missed the turning.’ He
followed a possible road with his forefinger, only to discover that
it led him into a long blue smudge, under which some fifty square
miles were submerged. Perhaps if they went there, everything would be
different. Perhaps they were there. ‘I give it up,’ he told her. Then
he turned to see Penderel’s tousled hair and bright eyes above the back
of the seat. ‘Would you like to look at the map, Penderel? We can’t
make anything of it.’

Penderel grinned and shook his head. ‘No map for me. I don’t believe
we’re on a map. Drive on and we’ll arrive somewhere. Only don’t let it
be water. We be land rats.’

Margaret made a slight gesture of impatience. ‘It’s absurd now trying
to get to any particular place. We must stop at the first village
we come to and ask for shelter. What’s that?’ There came a crack of
thunder that rolled and clanged among the hills. Philip opened the
door on his side, threw away his cigarette, looked out at the thick
jigging wires of rain, and then hastily closed the door. ‘More rain and
thunder,’ he said, then looked doubtfully at Margaret.

‘We’d better move on and, as you say, get in anywhere.’ There
arrived with Margaret’s nod a savage assent from the sky, another roll
and clanging of iron doors on the summits above.

Philip started the engine again. Margaret put out the little
observation lamp and with it any fleeting sense of cosiness. The night
invaded them once more; they were wet and numbed and maundering on
towards a furious autumnal midnight, among cracking mountains, lost
in a world of black water; they were sitting crazily behind two lamps
that showed nothing but a streaming track, the flashing of the rain,
and the gulf beyond. When they moved off, very cautiously hugging the
right-hand side, he could hear Penderel’s voice raised above the din.
He was singing or at least shouting some kind of song, like a man in
his bath. The whole night was going to be one vast bath and so Penderel
was singing. A queer youth!—Philip looked down on him from a great
height, but then suddenly remembered that Penderel was only two years
younger than himself. It was his daft drinking and shouting and singing
that magnified these two years. Unlike him, Penderel didn’t seem’
to have escaped from the War yet, and every night with him was still
the night before one moved up to the line. Why didn’t Margaret like
him? He wanted to think about Margaret, but just now there wasn’t time.

There was another sharp bend in the road, not fifty yards away, and he
decided to nose round it very cautiously. What a tremendous rumbling
there was! Was it thunder? He shouted to the others. Margaret was
leaning forward, peering out. ‘Look out, Waverton,’ he thought he heard
Penderel shout. The bend was here, another corner as sharp as the last,
and he pulled round and ran straight into roaring chaos. A torrent of
water was pouring down upon the road and something struck the car, a
large clod of earth or a rock, with a resounding jolt. The entire slope
above seemed to be rumbling and shuttering. In another minute they
would be buried or sent flying over the other side of the road. Dazed
as he was, he realised that there was just a chance of escape, and he
pressed down the accelerator while he kept the other foot trembling
on the brake for fear the road in front should be blocked or should
have fallen away. So far it seemed to be clear, though the whole
hillside immediately behind them now seemed to be crashing down. The
road ran back in a curve, probably between two spurs of the hill.
Margaret was shrieking in his ear: ‘Lights! Look, Phil. Lights! Pull
in there.’ He saw them not far in front, where the road seemed to bend
back again, beyond the centre of its horseshoe curve. Without thinking,
he began to slow down. There seemed to be some sort of gateway there,
an entrance to a drive perhaps. Then the rumbling and crashing and
tearing behind, growing in volume every moment, awakened him to the
danger of the situation.

It was obvious now that there was a house in front, and he could see
the open entrance to the drive. But what kind of place was this to stay
in, with the whole hillside threatening to descend upon them and tons
of water coming down from somewhere? ‘We’d better go on while we can,’
he shouted to Margaret. ‘It’s not safe here.’ But at the same time he
clapped on the brakes and brought the car down to a walking pace. They
were now only a few yards from the gateway, were actually sheltered
by the high wall of the garden. He felt a vague sense of safety,
the sight of that wall keeping at bay the terror of the water and the
crumbling slope.

He caught Margaret’s ‘No, stop!’ and instantly obeyed the cry. He did
it against his judgment, yet felt partly relieved to be free for a
moment from wheels and brakes. She clutched his arm and he could feel
her trembling a little. ‘Let’s stay here,’ she was gasping.

‘We ought to go on while the road’s still open.’ His voice was hoarse
and he too was shaking.

‘Let’s get out and see what’s happening,’ Penderel chimed in. ‘I
believe the whole damned hill’s going. Something’s burst up above.’ He
was opening the door. Horribly cramped, Philip tumbled out and joined
him in the black downpour. At least it was good to be on one’s legs
again, and though the night was hideous, the situation seemed less
precarious than it did when one was sitting in there, playing fantastic
tricks with mechanism.

‘Are we going to push on,’ Penderel shouted, ‘or stay here and ask
these people for shelter? We can’t go back, for that road’s
completely done in. And the road in front may be done in too. I’m for
staying here.’

‘But listen to that.’ The fury behind had not spent itself and even
appeared to be gathering force. ‘We’re close to it,’ Philip went on,
‘and the whole place seems dangerous to me. It may be all washed
away before morning. And really we ought to tell those people what’s
happening.’

Penderel walked forward, peered through the entrance, and then
returned. ‘They don’t seem to be bothering much about it. Lights on,
but no signs of alarm.’

‘Perhaps they don’t know.’ Philip shivered. ‘For that matter there may
not be anybody there. They may have cleared off.’

Margaret was looking out of the car. ‘Why are you standing there?’ For
once she sounded forlorn. ‘I can’t stand much more of this. It’s a
nightmare.’

‘Penderel thinks we ought to stay here,’ Philip told her. ‘But I feel
inclined to go on. It isn’t safe here and the road in front seems to be
still open.’ He looked forward as far as he could, and though the road
was partly flooded it revealed no dangerous obstacle.

‘But is it open?’ Penderel asked the question, and Margaret, still
peering out, seemed to echo him.

The next moment they were answered. There came a rumble and a following
roar, this time in front of them, somewhere not far away in the
darkness. It seemed as if a whole side of the hill was slipping or
being washed away. The noise was deafening, terrifying, like a great
buffeting of the ears; and even the ground beneath their feet seemed to
tremble. The road in front had gone, and what was left of the horseshoe
bend, the little stretch on which they stood, was now being rapidly
flooded. ‘Bring her in here,’ Penderel shouted, and rushed to the
drive, bent on leading the way. Philip hesitated long enough to feel
the sudden chill wash of water round his legs, and then clambered back
into the car. The rain was streaming down his face and he could hardly
see; his hands were so numbed that they were like pieces of wood; but
the engine was running and he contrived to jam in the gear and slip the
clutch with only the loss of a few seconds. For a moment or two the car
roared helplessly, but then it began to move slowly, with a prodigious
splashing, and he turned it through the entrance and up the drive,
which ran forward at a slight incline. He could see Penderel hurrying
in front, a jerky and blurred figure in the rain, just like a man in a
film. Now the house, surprisingly large to be in such an out-of-the-way
place, towered above them. What was to be done with the car? Philip
couldn’t decide, so merely turned it round the corner, where the drive
curved towards the front door only a few yards away, and then came to
a standstill. The head lamps shone upon the house and the door was
strongly, dramatically, illuminated by their uncouth glare. It was a
large door, stout enough for a little fortress, and three broad steps
led up to it. Somehow it looked as if it were closed for ever.

Philip found Penderel looking in at him. ‘Benighted!—that’s the word,’
Penderel said. ‘I’ve been trying to remember it all the way from the
gate. I’ll go and beg for shelter. What a night! What a place! I like
this, though, don’t you?’

Philip stared after him as he walked forward to the door. The night was
still a tumult, full of a distant rumbling and crashing and the
ceaseless drumming of the rain, yet there seemed to fall in it now a
sudden quietness. It was the house itself that was so quiet. Driving
up like this, you expected a bustle, shadows hurrying across the
blinds, curtains lifted, doors flung open. But so far this house hadn’t
given the slightest sign, in spite of its lighted windows. It seemed
strangely turned in upon itself, showing nothing but a blank face in
the night. You could hardly imagine that great front door ever being
opened at all.

And now Penderel was there at the door, darkening it with his shadow
and groping for a knocker. Philip turned to Margaret, who was leaning
back, exhausted perhaps. Once inside, out of the night, warmed and
dry, eyes meeting eyes again in the light, they could perhaps talk
everything out: now was their chance, before they reached home again
and custom fell on them like weights of armour. He put out a reassuring
hand, and though she didn’t meet it with her own, he seemed to catch a
faint smile. Did she whisper something? He couldn’t tell. All he heard
now was Penderel knocking at that door.




                              CHAPTER II


Penderel thought he would give them another and louder rap. _‘Is there
anybody there?’ said the Traveller._ That’s why poetry is so good, he
told himself, his hand on the knocker; at such times odd bits of it
come shooting up in the mind like rockets. _Rattatta-tat-tat_. Should
he give them another and conclusive _tat-tat_, rounding off the phrase?
No, that always sounded so complete that there was no urgency in it.
That was loud enough anyhow, loud enough—as people said in their
hellishly grim fashion—to waken the dead. Suppose the people inside
_were_ dead, all stretched out with the lights quietly burning above
them. Suppose one of them was just dying or dead and the others were
all crying or praying at the bedside, and he and the Wavertons marched
in, ‘Can you put us up for the night, please?’ But most likely the
owner of the house would be a fat little Welsh squire, and the place
would be full of dogs and drinks. He could do with the drinks.
Everything about him was soaking except his throat, which was Sahara
itself. If people are to be sodden, let them be sodden inside, where
all the real mischief’s done.

There was somebody at the other side of the door at last. He had a
feeling that somebody was there, although he couldn’t really hear
anything. This door, he was positive, would take some opening; you
couldn’t imagine it flying open; it looked as if somehow it would have
to be unscrewed. Yes, something was happening to it. It was creaking.
It was moving. Now for it!—a neat little speech.

The door opened an inch or two, and Penderel saw an eye. There was
no talking to an eye and so he waited. The eye withdrew and then the
door was slowly pulled back. A huge lump of a man stood there, blankly
staring at him; a shapeless man with a full black beard and matted hair
over a low forehead. For a minute Penderel himself was all eyes and no
tongue, staring blankly back. Then he recovered himself and rapidly
plunged into speech.

‘We’ve come to ask for shelter,’ he began. ‘We got lost and now we’re
absolutely cut off. We can’t go forward or back. The road seems to
have gone on each side.’

He broke off for a moment to see if there was any response to his
appeal. The man made neither sound nor movement; not a gleam of
comprehension lit his face; he just stood there, so much humped flesh
and staring eyes. It was as if the door had been opened into Siberia.
The thought of the menacing night and the Wavertons waiting there
behind him, the contrast between their situation and this senseless
immobility suddenly angered him. He raised his voice: ‘The road here’s
under water now. There are floods, landslides. All the mountain side’s
coming down. We shall have to stay here. Don’t you understand?’

If the man did, he gave no sign, but stood there as if he were staring
out of another world. Penderel had a sudden desire to pound the great
senseless carcase. But then he remembered that they were now in a
remote part of Wales, were really travellers in a foreign country,
and that it was quite possible that this fellow, who was obviously
some kind of servant, could hardly understand English. He might be the
solitary surviving specimen of the original aborigines of this
island. Penderel knew no Welsh and could only begin all over again,
this time raising his voice and introducing some fine descriptive
gestures. At the end, the man came to life, though only slowly.
First, he lumbered forward a pace, looked towards the car, examined
the night, then very laboriously and solemnly shook his head. After
that, he tapped Penderel, who looked in silence and amazement as if
he were watching the movements of some prehistoric monster, lightly
on the chest, pointed indoors, tapped himself on the chest, and ended
by producing from somewhere at the back of his throat, a very queer
gurgling sound.

This noise made Penderel jump, it was so unexpected. ‘What’s that?’ he
cried sharply. Even Welsh ought not to sound like that; it was as if a
lump of earth had tried to make a remark.

By way of reply, the man pushed his face near to Penderel’s, opened
his mouth very wide, and pointed to it with a long dark forefinger.
Then he padded away, leaving Penderel to gape through the open door. He
must have retired to fetch his master, for it could hardly be his own
house, though he looked more like a performing bear than a butler.
Penderel wondered whether to walk forward into the large hall visible
through the door or to return for a moment to the Wavertons, who must
be wondering what was happening. He turned, however, only to find them
at his elbow.

‘This is absurd,’ Mrs. Waverton was declaring indignantly. ‘Keeping us
here like this! What’s the matter?’

He determined to put an easy face upon it. ‘The matter has just
disappeared, to find somebody, I think. Did you see him? I don’t think
he’s real.’

‘What did he say?’ Waverton asked.

‘Nothing. I don’t believe he could say anything. I don’t think he knows
English or anything else. Wait until you have a good look at him. He’s
a huge troll who’s got all rusty inside.’

Mrs. Waverton, as usual, seemed to brush away this kind of talk. ‘Let’s
go in, Philip. They couldn’t refuse to let us stay, an awful night like
this. And it’s ridiculous standing here.’

‘Isn’t it?’ said Penderel, heartily. ‘As if we were carol-singers and
this were some kind of devilish Christmas, perhaps Lucifer’s birthday.’

‘We’ll go in then,’ said Waverton. ‘But what about the car?’

‘They’ll tell us where to put it later. I must sit down somewhere where
there isn’t any rain. My head screams with it.’ And Mrs. Waverton
marched in, followed by the two men.

The first thing that Penderel noticed was that the house had electric
light. Somehow he hadn’t expected that: it was impossible to imagine
the giant troll fingering the switches or going round the accumulators.
But the lights weren’t behaving properly though; they were jumping and
flickering, and they made the whole place jumpy, queerly uncertain. It
was the kind of hall you rarely see except on the stage, being both
entrance hall and lounge (and, if necessary, dining and drawing rooms),
lofty and panelled, with a large open fireplace in the left-hand far
corner, a broad staircase running up on the right and a gallery above,
with a door immediately on the left and two more on the right. The
fire was a smouldering old ruin; the table in the centre was very old;
and all the chairs seemed to be faded and crazy. There was something
ruinous about the whole place, and though it was gloriously snug after
the howling misery of the night outside, it hardly suggested
comfort and a warm hospitality. Penderel decided that it had a smell of
mice and old newspapers.

They all stood bunched together and dripping near the door, and waited
in silence for something to happen. After the first glance round,
Penderel fixed his eyes on the staircase, down which—if life were what
it ought to be—a lady with a long white train should come sweeping,
with a great candlestick in each hand. He watched the stairs jump with
the lights, and had a sudden daft desire to rush to the bottom of them,
strike an attitude, and say something very romantic at the top of his
voice. _Enter the three wettest people in Christendom: one of them,
obviously a tragic clown, approaches the jumping stairs._ What a pity
people didn’t really think of life as a play, taking care to come on
properly, to say and do no more than was necessary, and then to make a
good clean exit. If there were any drinks going later, he must point
that out to Waverton: it was one of those things you can only say over
a drink.

The first door on the right suddenly opened and a thin elderly man in
black walked into the hall, halting when he was a few paces from them.
He was followed by a waddling old woman who came up and looked them
over curiously with eyes like tiny black buttons. At the back was the
huge creature, who stood lumpishly near the door.

‘My name is Femm,’ said the thin man, ‘Horace Femm. I cannot understand
what is the matter. Our servant, Morgan there, is dumb.’ His voice was
as thin as he was, very dry and harsh, and he spoke with a curious and
disconcerting precision.

Penderel cleared his throat, but Mrs. Waverton cut in before him,
hastily giving their names and declaring their errand.

‘Shelter?’ Mr. Femm looked dubious and put his long hand to his chin.
You seemed to hear bone rubbing bone.

‘What is it?’ the old woman suddenly screamed, making them all jump.

Mr. Femm pushed out his neck, bringing his mouth nearer to the hand
she held to her ear. Instead of raising his voice he contrived to make
it extraordinarily penetrating by hissing his words. The effect was
strangely sinister, and indeed he seemed to turn a malignant eye upon
the woman. ‘Shelter,’ he hissed. ‘They want to stay here all night.’
It sounded rather like the villain of old-fashioned melodrama.

The other shook her head. ‘They can’t. We can’t have them here.’
Although she had examined them so thoroughly, she talked as if they
weren’t really there.

‘You see how it is,’ said Mr. Femm, in his ordinary tones. ‘My sister,
Rebecca here, is somewhat deaf. Morgan, as I have already pointed out,
is dumb. My brother, Sir Roderick Femm, the master of this house, is
confined to his bed upstairs, very old, very weak, and may not live
long. Though not, I beg to assure you, without hospitable instincts,
I myself am as rusty as an old file. This house is partly a barn and
partly a ruin and could not accommodate you even for a night. I advise
you, for your own sakes, to look elsewhere. There is, I believe, an inn
about twelve miles from here.’

These people might have been living in another world; they didn’t seem
to know what was happening all round them; it was time now to make
them understand the situation. All three began explaining at once.
Mrs. Waverton went up to Miss Femm and shouted in her ear. Penderel
and Waverton hustled the uncomprehending Mr. Femm to the open door
and confronted him with the black and torrential night itself, through
which there still came a menacing roar.

‘The road’s gone on each side of this house,’ cried Waverton, waving
a hand to left and right. ‘We can’t go half a mile, let alone twelve
miles. We’re cut off from everywhere. Even the road below’s under
water.’

‘For that matter,’ Penderel added, determined to show Mr. Femm what
sort of world he was living in, ‘this place may be under water soon
or even buried. The hill’s crumbling on each side, and it looks as
if something above here, a lake or a reservoir, has burst its banks.
Listen to that.’ He held up his hand impressively. The roaring really
did seem louder than ever. Penderel thought he could hear the distant
crashing of rocks.

Mr. Femm retreated a step, his eyes two pin-points in a crumpled sheet
of paper. Penderel hadn’t seen a man look so frightened for years.
What an oddity!—dense at first, and then flying into a panic. A man
so thin, with so little flesh and so much shining bone ought to be
braver than that; he was almost a skeleton, and skeletons, jangling and
defiant, are brave enough. It’s our flesh, Penderel told himself,
the jellied-stuff that rots so easily, which quivers and creeps, goes
goosey with fright; but our bones stand up and don’t give a damn. This
fellow was a fraud.

Mr. Femm had now turned and gone hissing towards his sister. ‘Did
you hear that?’ he asked her. ‘They say there’s been a landslide on
each side of us, and floods too. The lake has burst its banks. We are
trapped. We shall have to go. Do you hear?’ His voice had almost risen
to a scream.

She was now as quiet as he was noisy. She looked him up and down
contemptuously, clasped her little fat hands in front of her, and
said: ‘Yes, I heard. I’ve expected it after all this rain and rain and
rain. It will all come tumbling down again. God is not mocked.’ She
gloated over this, and looked at her brother triumphantly, her suety
face alight with malice. ‘You’re afraid, Horace. You don’t believe in
God. Oh, no! But you’re afraid to die. You don’t believe in His mercy,
but now you can believe in His wrath.’ She looked at him steadily, and
then when he opened his mouth to reply she went on again, more
vehemently. ‘You’ve seen His anger in the sky. You’ve heard Him in the
night. And you’re afraid. Where’s your mocking now?’ She stopped, and
nobody spoke or stirred for a moment. ‘Well, your time hasn’t come yet.
This house is safe enough. This has happened before, before you came
back, Horace, and we were never touched.’ She turned her head. ‘Morgan,
come here,’ she shrieked, and when he came towering above her, she
screamed up at him: ‘You remember the great storm, when we were cut off
once before, and there were floods and landslides and the road down
there was all washed away? This house was safe then, wasn’t it?’

Morgan nodded and made a noise in his beard. Then he made a sweeping
gesture to include the whole house, and pointed impressively to the
floor.

‘Morgan remembers,’ cried Miss Femm. ‘He means that the house was safe
because it stands on a great rock.’

He nodded his head affirmatively again, pointed to the back of the
house, raised his finger, and then clenched his fist, grinning
trollishly throughout the dumb show.

‘He means that this rock comes out at the back of the house and
shields it,’ Miss Femm explained, ‘Morgan remembers the last time we
had storms like these, when this was the only place left untouched. And
so you see, Horace, we can stay where we are.’

Mr. Femm had now recovered himself. ‘It is obvious,’ he said, looking
at Mrs. Waverton, ‘that you will have to remain here for the night.
The misfortune is yours, not ours. I am afraid we can promise you very
little.’

‘No beds,’ screamed his sister, with that terrifying unexpectedness
of hers. Penderel had begun to cherish an intense dislike of her, and
longed to bellow in return, particularly when she gave another screech:
‘They can’t have beds.’

‘As my sister hints,’ said Mr. Femm, smoothly, ‘there are no beds, I
am afraid, at your disposal. Indeed, this is the last house in Britain
I should choose to be either a guest or a host in. But please remember
that it is not mine.’

‘We really don’t need beds or anything, thank you. We quite
understand,’ Mrs. Waverton told him.

‘Just a roof,’ added Waverton.

‘And a fire,’ Penderel put in. And for the love of Mike, he whispered
to himself, a drink too. A brief tussle with floods and landslides
was sufficiently heartening in itself, but an acquaintance with this
house, these people, was not to be undertaken feeling all cold and dark
inside, without a drink.

A faint suggestion of geniality, like a leaden and watery gleam of
November sunshine, crept into Mr. Femm’s manner. ‘Of course, of course!
We can offer you a roof and a fire and some food and drink. You can
spend the night sitting round the fire here, perhaps the best place
a night like this. I am not sure that I want to go to bed myself
to-night. Morgan, attend to the fire. You must make yourselves as
comfortable as you can.’ He bent forward again and hissed: ‘Perhaps we
could have supper soon, Rebecca.’

‘I’ll see that they have some supper, Horace,’ cried his sister. ‘Don’t
give yourself airs. You’re not the master here.’

‘What about the car?’ Waverton asked. ‘Is there anywhere I could put it
where it would be safe all night?’

‘Your motor car? You have it outside there?’ Mr. Femm twisted
his long dry fingers and called Morgan from the fire. ‘There are
out-houses, round the corner there, on the left, where we only keep a
horse and a trap now. There might be room for a motor car there. Morgan
will know. Morgan, go with this gentleman and see if there is room for
his motor car in the stables or coach-house.’ Morgan nodded sullenly
and lurched towards the door.

‘What about the bags?’ Waverton looked at both his wife and Penderel.

‘We’ll get them in,’ Penderel replied.

Mrs. Waverton was emphatic. ‘I simply must have mine, Philip. I’m
soaked to the skin and must change my things. Bring the bags in now.’

Darkness and rain and a vague tumult still held the night. ‘Thank God
I’m now seeing the last of this car to-night,’ Waverton said, as they
tugged at the straps round the luggage grid. ‘We’re well out of this,
though I must say this is a queer house.’

‘A very queer house and very queer people,’ Penderel replied, pulling
at the swollen leather. ‘I now know the real meaning of the phrase,
“Cherchez les Femms.” I’ve taken this old bag of mine into some
damned odd places, but I have a feeling this is going to be about the
oddest.’

Waverton grunted. ‘It’s better than capering in the dark along roads
that aren’t there, anyhow. It’s safe and there’s a roof and a fire.’

‘Nothing’s safe,’ said Penderel, swinging out two bags. ‘Perhaps this
is the fire, and we’re merely taking the bags out of the frying-pan.’
He hurried round to the door and did not hesitate to jostle Morgan,
who had been standing in the doorway all the time. If the man didn’t
like it, he could lump it, and lumping it seemed to be all he could do.
A gorilla would have been a little more amiable and helpful: the man
overdid his dumbness and his part as giant troll.

They all began bustling about now, just as if the hall had been
suddenly turned into a railway station, Penderel thought. Mrs.
Waverton, looking less like a superior person than usual (she was
really rather pretty), shed her sodden hat and coat, pounced upon one
of the bags, and was now exchanging confidential little shrieks with
Miss Femm. Waverton had gone out again, accompanied by Morgan, and
was now steering his car round the corner into the coach-house or shed
or whatever it was. Mr. Femm had gone creaking away somewhere. Penderel
did his best to join in the bustle, but when he had taken off his heavy
dripping coat and had flung it over his bag near the door, there was
nothing left for him to do. He lit a cigarette, sat down near the fire,
and dreamily regarded his steaming outstretched legs and enjoyed the
creeping warmth. He was tired. Images of his companions came floating
by like spectral ships: Mrs. Waverton, one of those pale and clear
and terrifically educated women who knew everything and who knew
nothing, never actually breaking through into the real world; Philip
Waverton himself, crammed with shy sense and honest-to-God feeling,
but too anxious, too married, too well broken-in; the Femms here,
the string-and-bone dithering male and the fat and somehow obscene
female, with her revivalist God, and that tongueless hulk of a Morgan.
And there was another somewhere, upstairs in bed. What was his name?
Sir Roderick—that was it. Old Sir Roderick, the master of the house,
doomed to be for ever upstairs silent and unseen. Did he ever give
any orders? Perhaps Rebecca brought them down—what was it?—written on
tables of stone.

The next moment Penderel could have groaned aloud. Suddenly that old
feeling had returned. It came, as usual, without warning. A grey tide,
engulfing all colour and shape of things that had been or were to be,
rushed across his mind, sweeping the life out of everything and leaving
him all hollow inside. Once again he sat benumbed in a shadow show. Yet
as ever—and this was the cruel stroke—there was something left, left
to see that all the lights were being quenched, left to cry out with a
tiny crazed voice in the grey wastes. This was what mattered, this was
the worst, and black nights and storms and floods and crumbling hills
were not to be compared with this treachery from within. It wasn’t
panic nor despair, he told himself, that made so many fellows commit
suicide; it was this recurring mood, draining the colour out of life
and stuffing one’s mouth with ashes. One crashing bullet and there
wasn’t even anything left to remember what had come and gone, to cry in
the mind’s dark hollow; life could then cheat as it liked, for it
did not matter; you had won the last poor trick.

Having conjured the malady into a phrase or two, Penderel felt better,
came out of his reverie and looked about for entertainment. He found
it in the person of Mr. Femm, who was bearing down upon him, carrying
a small tray. There was a bottle on the tray, and Penderel felt like
breaking into applause. _Flourish of trumpets: enter Bottle._

‘Now do you think, Mr.—er——’ Mr. Femm put down the tray and hesitated.

‘Penderel,’ he told him promptly—told the bottle too.

‘Mr. Penderel, of course,’ said Mr. Femm. ‘Do you think you could join
me in a drink?’

‘Mr. Femm, I feel that I could, with pleasure, join you in a drink.’
They were like two old club cronies.

Mr. Femm stood over the bottle. ‘It is not whisky, which all you young
men drink now, I believe. This is gin, which I prefer to all the other
spirits, except, of course, the very old brandies. With some lemon,
a little sugar perhaps, some hot water if you care for it, gin is
excellent, and, remember, the purest of the spirits.’

‘I do remember,’ said Penderel, heartily. ‘Gin for me, with
pleasure. I used to drink it with the sea-dogs. The Navy, at least
the commissioned part of it, has a passion for gin. After it gave up
rum, it went straight to gin. The brave fellows sit round all night,
dropping remarks about turbines and torpedoes, the coast of Manchuria,
and beautiful blue-eyed girls, and drinking gin with admirable
steadiness and ease.’ He watched the other pour out the liquor,
accepted lemon and sugar, refused water, and then, glass in hand,
remarked: ‘We must have a toast.’

Mr. Femm looked thoughtful, even philosophic, with the faint ghost of
conviviality hovering about him. ‘Mr. Penderel, I give you a toast that
you will not appreciate, being young. I give you—Illusion!’ And he
lifted his glass.

‘I’m all for it. Illusion!’ He gasped a little for it was unusually
strong stuff. But that was better. A few more such toasts and illusion
would be something more than a wistful sentiment. ‘But don’t imagine
that I’m too young to appreciate the value of illusion. I’m just the
right age. I was born too late or too early to escape the rotten
truth, and I’ve been stubbing my toes against flinty facts ever since I
left school.’

Mr. Femm smiled grimly. He was about to say that that itself was one
of youth’s illusions. Penderel could see it coming: he had heard it
before. But then Mr. Femm surprised him by not speaking at all; he
merely stared on after the smile had vanished and took a sip from his
glass. The next moment his eyes seemed to be looking out into horrible
space, and his face was twitching. He appeared to be listening. ‘A
dreadful night,’ he muttered at last. ‘It seems to be getting worse.’

‘It’s a brute, certainly,’ Penderel replied, ‘but apparently there’s no
danger here. Miss Femm and your man seem to be positive that this house
is safe enough.’

‘But even if it is, we may be completely cut off, shut in here.’ The
man seemed to be talking to himself rather than to Penderel.

‘We might, of course, and that would be a nuisance for you.’ Penderel
tried to look polite and anxious and sorry, though he did not care
a fig if he had to stay there. He was as well off there as anywhere
else. He had nowhere to go, nowhere he even wanted to go, now. Good
God!—what a thing to admit to oneself at twenty-nine! ‘What I mean
is,’ he went on, ‘that it’s a nuisance your having us here like this,
besieged with you.’

Mr. Femm looked at him with real terror in his face. There was no
mistaking it now. He lashed himself into a kind of anger as frightened
men frequently do. ‘But to go running out there,’ and he pointed
shakily at the door, still open to the night, ‘in the dark, with the
floods there, the rocks tumbling down, everything cold and black and
pitiless. And nowhere else to go, no escape!’ And he clashed together
his bony hands.

Penderel stared at him. ‘A bad business, certainly, if one had to go.
But one hasn’t, you know. Even if we have to go, you won’t have to. You
can stay comfortably here.’ And as he said this, he looked Mr. Femm in
the eyes.

Mr. Femm met the look for a second and then quickly glanced round
the room. He was obviously taking hold of himself. Finally he leaned
forward. ‘As you can probably see,’ he whispered, ‘I am nervous at the
thought of our being shut in here. The fact is that Morgan, who is an
old servant of my brother’s, is an uncivilised brute. Occasionally
he drinks heavily—a night like this would set him going—and once he is
drunk he is very dangerous. He is as strong as in ox and could batter
a door in with ease. You can imagine that I dread being compelled to
remain here, with no means of escape, with such a savage.’

Penderel nodded reassuringly. ‘We must try to keep the drink away from
him. As a drunk and disorderly, he’d be no joke.’ But he had been
observing Mr. Femm very narrowly throughout his speech. All this about
Morgan might be true, it probably was true, for obviously the man was
almost a savage, but nevertheless Penderel was convinced that his
companion was lying. It wasn’t the thought of Morgan that had terrified
him. There was something else; some more fearful image had haunted him
when he had so suddenly and strangely cried out against remaining in
the house. Perhaps there was something here even worse than a drunk
and half-crazed Morgan battering doors in. Perhaps too it was only
some maggot of the brain. These Femms, perched remotely on their hill,
seemed to have gone queer, all maggot-brained. For a moment he stared
at the one before him as if he were staring at a creature from an
unknown continent.

The door behind them closed. Morgan was bolting it, and Waverton,
doffing his coat, was at their elbow. ‘I’ve put the car away,’ he told
Penderel. ‘Just round the corner in a kind of open shed. It seems safe
enough there.’ He glanced round. ‘Where’s my wife?’

Penderel jerked a thumb to the far door on the right. ‘Gone to change,
I think.’ Mr. Femm, still looking somewhat shaken, rose and indicated
the bottle and glasses. ‘Have some gin, Waverton?’ Penderel suggested.
‘It’s jolly good.’

Waverton smiled and shook his head. ‘No, thanks. I don’t like the
stuff. Are you drinking it, Penderel? Neat, too? It’ll make you feel
desperately melancholy.’

‘Gin is saddening,’ Penderel admitted, ‘but it’s not so saddening as
no gin.’ Mr. Femm began to fill the glasses again. His hand was still
trembling, and he seemed as jumpy as the daft lights, though indeed
these were so bad now that they made everything seem jumpy. Such
lights were crazier than darkness itself; they were like a man doing a
witch-doctor’s dance in a top hat and frock coat. Penderel noticed
that Waverton, now no longer a manipulator of brakes and gears but a
human being, was looking about him curiously and stealing an odd glance
or two at friend Femm. And well he might, Penderel told himself, and
suddenly felt unreasonably sorry for Waverton. Somehow he felt that
Waverton ought not to be there. Waverton wasn’t like him, a man without
a load, almost outlawed, naked, but a fellow who had given—what was
it?—yes, hostages to fortune. He had, for example, a wife there, now
changing her clothes. How odd women were, always either not quite human
or too human! She had gone off to change, accompanied by a little
fat deaf monster. There was something curiously pathetic about this
going off and changing. In a minute she would come tripping back, all
dressed up and smiling, just as if it were a party, perhaps somebody’s
birthday. Penderel had an odd impulse to shake Waverton by the hand,
but he restrained it and stretched out his hand for the glass instead.
He must, though, talk to Waverton about Mr. Femm.




                              CHAPTER III


Margaret felt relieved at the very sight of her bag. Five minutes with
it in private and she would be herself again. Dry clothes and a comb
through her hair would settle everything. The last ten minutes had
been dreadful. She felt all wet round her shoulders and knees, and so
bedraggled, so effaced by rain and rushing darkness, that she could
hardly think of herself as having the outward appearance of a complete
real person. It was like being a tattered ghost; you couldn’t possibly
face anything. It had been worse coming in here, meeting these people,
than it was in the actual danger outside. The moment you were less
than yourself, people were the worst of all. There had been one awful
second, when this queer creature, Miss Femm, had been screaming at her
brother, when she had suddenly wanted to scream herself, to clutch at
Philip, to drag him to the door, back to the car. It was absurd. But
she was wet and tired; the storm had got on her nerves. Once neat
outside, cosy within, she would be ready to face anything. Now for some
dry things at last.

She picked up her bag and walked up to Miss Femm. ‘I’m dreadfully wet,’
she said, producing a splendid woman-to-woman smile. ‘May I go and
change my things?’

‘What?’ the woman screamed at her. Of course, she was deaf. How
annoying deaf people were, and how queer: they seemed scarcely human.
Margaret repeated her request in a loud voice, but this time without
the smile. She felt like a ridiculous little girl.

Miss Femm nodded. ‘You look wet. You go and change your clothes.’

‘A bathroom perhaps?’ Margaret shouted. How silly she sounded! ‘Will
you please show me where to go?’

‘You’ll have to go in my bedroom. That’s all there is.’ There was no
note of apology in this. Miss Femm seemed to be enjoying herself.
‘There’s no bathroom, not now. It’s all in ruins. You couldn’t get
inside the door. We’re all in ruins here. You’ll have to put up with
it.’ Only the tiny snapping eyes were alive in that doughy face of
hers. They went travelling over Margaret like two angry little
exiles in a hateful country.

‘I quite understand. It’s very good of you to have us here.’ Margaret
made a movement to show that she was tired of standing there with the
bag in her hand.

‘Come with me then.’ Miss Femm turned and went waddling away. Margaret,
following behind, expected her to make for the staircase and was
surprised to find her going towards a door on the left. They passed
through this door and walked down a very dimly lit corridor that had
an uncarpeted stone floor. Margaret shivered: the place was like a
cellar. There was a big window on the left, without curtains, brightly
slashed with rain until she came up to it, and then it was all black,
with the night roaring outside. This must be the back of the house
then. A little further on, however, they came to a door on the same
side as the window. Miss Femm halted, her hand on the knob. It flashed
upon Margaret that if this door were opened the wind and the rain and
the darkness would come in, and they would walk through it back into
the night. But she must be sensible; this wasn’t the place for silly
fancies; there must be a little wing, of course, jutting out here.

‘You came yourselves, didn’t you?’ cried Miss Femm, still standing at
the door. ‘You thought it better to be here than out there, eh? Well,
you’ll have to put up with it. We’re all going to pieces here. You’d
have been proud to come here once; you’d have thought my brother, Sir
Roderick, a great man then; and so he was, in a way. But not in God’s
way. None of them were that. And now they’re all rotting, going to
pieces, choked with dust, like this house. We’ve done with life here,
what you’d call life.’ Her voice had risen to a scream again.

There was no reply to this and Margaret didn’t try to make any.
With someone else she might have ventured some soothing meaningless
remark, but you couldn’t do that at the top of your voice. The woman
was obviously a little mad, probably touched with religious mania,
and if she had lived here all her life there was some excuse for her.
After all, there was no reason to be alarmed. These were only the old
apologies (I’m afraid you’ll find us all upset, Mrs. Waverton) in a new
fantastic shape. So she said nothing, but nodded sympathetically.
There was something comforting in the very weight of the bag she was
holding.

Miss Femm opened the door. ‘I’ve none of this electric light. I won’t
have it. You’ll have to wait till I’ve lit the candles.’ She went in
and Margaret waited in the doorway. The room was not quite dark for a
sullen glow of firelight crept about in it. Margaret took heart. A fire
was more than she had expected. It was all going to be quite pleasant.
Two candles were alight now, one on a rather high mantelshelf and the
other on a little dressing-table. ‘Come in,’ Miss Femm shouted, ‘and
shut the door.’

The room was not very large; it seemed to be crowded with heavy
furniture; and it was closely shuttered. You couldn’t imagine it ever
having had an open window. The place was muggy and stale, smelling as
if it were buried deep in dirty old blankets. On the left was a big
bed, piled suffocatingly high with clothes, and an enormous wardrobe so
top-heavy that, it seemed to be falling forward. A wood fire smouldered
in a little iron grate. On the other side of the fireplace were a
massive chest of drawers, looking as if they bulged with folded
alpaca and flannel and moth-balls, the little dressing-table, which had
a tiny cracked mirror on it, and a dismal wash-hand stand. The walls
seemed to be crowded with old-fashioned oleographs and steel engravings
of an hysterically religious kind, full of downy-bearded and ringleted
Saviours, and with ornamented texts about the Prince of Love and the
Blood of the Lamb. Having once glanced round, Margaret kept her eyes
away from the walls. Next week, to-morrow even, these things would
probably seem funny; the whole room would be a remembered joke; but at
the moment it was all rather horrible. It was all so thick and woolly
and smelly.

There was a chair near the fire and Margaret promptly took possession
of it. She felt rather sick. Miss Femm, a thick little image, stood
watching her at the other side of the fireplace. Why didn’t the
creature go? Margaret pulled the bag towards her and began to unfasten
it. ‘Thank you,’ she called, looking up. ‘I can manage quite well now.’
It was a relief to see her own things, so familiar, so sensible, snugly
waiting her in the open bag.

Miss Femm suddenly shattered the silence. I stay down here,’ she
shrieked, ‘because it’s less trouble and it’s quiet. My sister Rachel
had this room once, after she’d hurt her spine. She died here. I was
only young then, but she was younger than I was, only twenty-two when
she died. That was in ninety-three—before you were born, eh?’

Margaret nodded and kicked off a shoe. She hoped this wasn’t opening
a chapter of reminiscence. She wanted to change and get out of this
place. The very thought of the hall, with Philip and the others there,
seemed pleasant now.

‘Rachel was a handsome girl, wild as a hawk, always laughing and
singing, tearing up and down the hills, going out riding. She was the
great favourite. My father and Roderick worshipped her and let her have
all her own way. All the young men that came followed her about. Then
it was all Rachel, Rachel, with her big brown eyes and her red cheeks
and her white neck. She found a young man to please her at last, but
one day she went out riding and they brought her back in here. She
was six months on that bed, and many an hour I spent listening to her
screaming. I’d sit there by the bedside and she’d cry out for me
to kill her, and I’d tell her to turn to Jesus. But she didn’t, even
at the end. She was godless to the last.’ With both shoes off now,
Margaret was waiting impatiently for the woman to go. She didn’t want
to listen, but there was no escape from that screeching voice nor from
the image it called up of the long-dead Rachel Femm, who would remain
with her like a figure from a bad dream. Somehow she felt as if the
broad road of life were rapidly narrowing to a glittering wire. She
must hurry, hurry. She stood up, pointedly turned her back on her
companion, and began taking things out of the bag.

But Miss Femm did not stir. In another minute she was talking again,
this time, it would seem, more to herself than to Margaret. ‘They were
bad enough before here, but after Rachel died they were worse. There
was no end to their mocking and blaspheming and evil ways. They were
all accursed, whether they stayed here or went away. I see that now.
They were all branded. They were marked down one by one. I see His hand
in it now. And it’s not finished yet. Sometimes He will reveal his
great plan to the least of His servants. He’s out there to-night.
He’s out there now.’

This was awful. In despair, Margaret sat down and began peeling off her
stockings. She knew that the woman’s eyes were now fixed upon her; she
could feel their beady stare.

Miss Femm was quieter now that her interest had narrowed to Margaret.
‘You’re married, aren’t you?’

Margaret reached out for her towel so that she could dry her feet.
‘Yes. My husband’s out there in the hall.’ Philip turned into something
different, something intangible and yet substantial, like a big account
in a bank, as soon as she called him _my husband_. This thing was not
to be confused with the exciting personal adventure called _Philip_.

‘Which one?’ Miss Femm was asking. ‘The quiet dark one or the other?’

‘Yes, the quiet dark one.’ Margaret rubbed away and suddenly felt proud
of Philip for being a quiet dark one.

‘The other’s a godless lad. I saw him. There isn’t much I don’t see.
He’s got wild eyes, and he’s one of Satan’s own. I’ve seen too many of
them, coming here laughing and singing and drinking and bringing
their lustful red and white women here, not to know. He’ll come to a
quick bad end. If I’d have known, he wouldn’t have set foot in this
house.’ Miss Femm was screaming again and she had now moved forward
a pace or two. But it was quite evident that she had no intention of
going, so Margaret did not hesitate any longer but continued changing
hastily. The room was horribly oppressive; you seemed to breathe dirty
old wool. As she pulled on dry stockings she was annoyed to find that
her hands were trembling.

‘Yes, they’d even bring their women here.’ Miss Femm’s voice was edged
with hate. ‘This house was filled with sin. Nobody took any notice
of me, except to laugh. Even the women, brazen lolling creatures,
smothered in silks and scents, would laugh. They went years ago, and
they’re not laughing now, wherever they are. And you don’t hear any
laughing here. If I came among them—my own father and brothers, my own
blood—they’d tell me to go away and pray, though they never used to
tell Rachel to go away and pray. Yes, and I went away and prayed Oh
yes, I prayed.’

This was poor crazed stuff, but Margaret seemed to hear those
prayers, terribly freighted. She stood up now, before pulling off her
dress, and saw, so vividly in the candle-light from the mantelshelf,
one side of the swollen face, a fungus cheek. It looked like grey
seamed fat, sagging into putrefaction. The woman’s whole figure seemed
so much dead matter, something that would just stay there and rot. Only
her voice and her little eyes were alive, but these were dreadfully
alive; and they would remain, screeching and cursing, staring and
snapping, when everything else had rotted. Oh, what nonsense was this?
The poor old creature was infecting her. She must be sensible, she told
herself, and found relief in pulling off her dress.

After the last outburst, Miss Femm’s mood seemed to change. ‘I’ve kept
myself free from all earthly love, which is nothing but vanity and
lusts of the flesh. You’ll come to see that in time, and then it may be
too late to give yourself, as I’ve done, to the Lord. Just now, you’re
young and handsome and silly, and probably think of nothing but your
long straight legs and white shoulders and what silks to put on and how
to please your man; you’re revelling in the joys of fleshly love,
eh?’

Margaret was only too glad that she was busy rubbing her shoulders with
the towel, for this talk made her want to rub and rub, to wipe every
word away as soon as it reached her. This stuff was even worse than the
other. She towelled away at her bared arms and shoulders and made no
reply.

Miss Femm didn’t seem to care. She went on staring, and said at last:
‘Have you given him a child?’

That, at least, could be answered. ‘Yes, we’ve one child,’ Margaret
told her, ‘a girl, four years old. Her name’s Betty.’ How queer to
think of Betty now! She suddenly saw her asleep in that nursery, far
away, not merely in Hampstead, in another world. But no, Betty wasn’t
in another world—that was the awful thing—she had come into the same
world as this Femm woman, yes, and that other, Rachel, who had once
screamed on that bed. Her heart shook. She wanted to rush back to Betty
at once.

‘Betty,’ Miss Femm began. ‘I once knew a Betty.’

‘I don’t want to hear, I don’t want to hear,’ Margaret repeated to
herself, and somehow contrived to beat off the words that followed as
she picked up the blue dress she had taken out of her bag. It was a
lovely dress—almost new, and Philip and Muriel Ainsley had both admired
it—and it might conquer everything, make this night all clean and
sensible again at a stroke. Lovingly she unfolded it.

When she looked up again, she was surprised to find that Miss Femm,
now silent, was much nearer than she had been before. The eyes in
that swollen, grey, fatty mask were now fixed upon her. She shivered,
suddenly feeling as if she were standing there naked.

Miss Femm came nearer, stretched out a hand and touched the dress.
‘That’s fine stuff, but it’ll rot. And _that’s_ finer stuff still, but
it’ll rot too in time.’

‘What’s finer stuff?’ Margaret was looking down at her dress as she
asked the question.

_‘That is.’_ And the hand that had been fingering the dress was
suddenly pushed flatly and coldly against the bare skin, just above her
right breast.

Margaret sprang back, sick and dazed, all her skin shuddering from that
toad-like touch. ‘Don’t!’ she gasped. She was going to fall, to
faint; the room was slithery with beastliness, dark with swarming
terrors. Then anger came shooting up like a rocket, and cleared the
air. She felt herself towering. ‘How dare you!’ she blazed at her.
She made a sudden movement, shaking herself, and Miss Femm retreated,
mumbling.

There was a knock at the door. Margaret jumped and looked round, then
turned to Miss Femm, who was still mumbling. ‘There’s someone at the
door,’ she shouted. ‘You’d better see who it is.’ The other looked
across, and then, without a word, took the candle from the mantelshelf
and went slowly to the door, opened it an inch or two and peeped out.
The next moment it had shut behind her.

The room darkened and grew as soon as Miss Femm had left it. But
of course there was only one candle now; it sent Margaret’s shadow
sprawling gigantically across the foot of the bed. She turned her eyes
away. She did not want to look at that bed. It was growing ghostly;
the whole room was filling with ghosts. If she looked at that bed long
enough she might see a wasted hand thrust out of it, and meet the eyes
of that girl, Rachel Femm. She had heard Rebecca Femm, perhaps
it was time now for her to hear Rachel Femm. No, no; things were not
really like that; they kept their sanity even if people didn’t; it was
only yourself that pushed you over the edge, where the horrors began.
She wouldn’t look again, but she’d be sensible inside and busy herself
with the familiar comforting things.

But she couldn’t put on that dress yet: she didn’t feel clean; she
wouldn’t feel really clean for days, but something could be done to
wipe away that hand. She could feel it yet. There was some water in a
jug on the wash-hand stand. She stared at it for a moment, disliking
the thought of using it, but finally dipped her towel in it and then
rubbed herself hard. She was very tired now and still trembling a
little, but the rubbing made her feel better. After she had put on her
dress she sat down in front of the little cracked mirror (turning a
twitching back to the ghosts) and hastily, shakily, tidied her hair.
The familiar reflection brought comfort to her; its peeping blue eyes
and lifted mouth sent a message to say that she was Margaret Waverton,
that Philip was waiting for her a few yards away, that the car was only
round the corner, that they were merely taking shelter in a funny
old house among the Welsh mountains. After that message she had time to
powder her nose. Then she put away all the things she had taken off and
fastened the bag. I’m treating you now, she told the house, as if you
were a railway station; you’re not worthy of having an open bag in you
and some stockings left to dry.

She could go now, walk out of this horrible room for ever. (How did
she know she could? What if she were brought back in here, to lie in
that bed and scream, like Rachel Femm?) She took up the candle and
her eye fell on a text just above: _The Lord is my Shepherd._ She
suddenly saw a vast herd of Rebecca Femms. What was their shepherd
like? And somewhere behind all that was a beautiful idea, something
to do with Betty snuggled into her pillow or with Philip smoking his
pipe in the garden on summer nights; and it was all buried, suffocated.
The very air of this room, atmosphere made out of dirty wool, would
suffocate anything. Well, it was her turn now: she would show this
room something, however badly she might be behaving. So she put down
her candle, drew back the heavy curtains from the window, jerked up
the blind, and, after a struggle with the rusty fastenings and the
stiff cord, opened the window. The night came roaring in with a sweep
of wind and rain, but the air was unbelievably fresh and sweet. She
stood there for a moment, lifting her face towards the now friendly
darkness, and strangely she felt the tears gathering in her eyes. A
gust of wind blew out the candle. She turned away, found her bag, and
walked to the door. When she came to close it from outside she could
see nothing of the room, for now all was darkness there, but she seemed
to hear the rain, blown in through the window, faintly pattering on the
floor.

As she went back along the corridor she decided that she wouldn’t
tell Philip what had happened. She wanted to tell him, but that would
have to wait; she couldn’t tell him until things were absolutely dead
right between them again, when they would begin once more to share
everything, halving thoughts and swapping dreams. Things ought to be
like that now, this very minute, she told herself; it would make all
the difference here, in this place, where one was so lonely, lost. If
she had known this was going to happen—but then of course she hadn’t.
She never thought of things like this, and Philip did—it had been
one of her complaints, that silly anxiousness of his—and he ought to
have made the move. They could have walked into this together then,
just a dark night’s adventure. She had had an impulse to say something
too, earlier, but you couldn’t break the months of smooth politeness
(Did you sleep well? Very well, thanks. Did you?) with a few words
shouted in a car during an incessant downpour. And now she couldn’t
begin. It would be nothing but humiliating surrender, with Philip
pretending elaborately to her that it wasn’t. No, this night at least
she must see it through in silence.

She had probably seen the worst of it, though, and everything would
‘now become sensible again instead of getting more and more out of
hand, opening pits under your feet. (Though nerves accounted for most
of it; and days and nights of rain and Penderel’s company—he loved to
make the simplest thing seem sinister and unmanageable, even his stupid
jokes were wild, unpleasant—would account for nerves.) The rest would
be merely discomfort and the writhing memory of that room. But if there
were only another woman there (not that horror), someone of her own
kind who would understand a word or a glance, it would be better.

Yes, everything was all right, she told herself as she pushed open the
door into the hall. The men were there, looking comfortable enough. And
there were signs of supper on the table. Food—even if that woman had a
hand in it—would make a difference. She walked across to them, smiling.
Would they notice that something had happened to her? Philip might, and
he was looking at her, smiling too, though rather vaguely. Now that she
saw him again, that room seemed miles away, shrank to a pin-point of
terror.

She put down the bag and walked up to Philip. ‘You must have wondered
what had become of me,’ she told him.

‘No, they told me you’d gone to change.’ He was surprisingly casual.

‘Didn’t you think I’d been a long time?’ she asked, hoping that he
wouldn’t think she was fishing for a compliment as she used to do in
the old days.

He shook his head and smiled. ‘I didn’t expect you back so soon. You’ve
been quicker than usual.’

It was astonishing. She felt as if she had been away for hours,
just because she had gone through that adventure, been jammed into
all manner of queer horrible lives for a few minutes, while they had
smoked a cigarette or two and chatted by the fire. ‘I seem to have been
away a long time,’ she replied lamely. It was rather frightening, this
difference in the point of view, leaving you so lonely.

‘Good for you, Mrs. Waverton!’ Penderel called out to her from the
other side of the fireplace. ‘You make it look like a party. I knew you
would. And there’s supper coming, though of course it’s not polite to
mention it.’

It was one of his silly remarks, but for once he did not irritate her
and she smiled across at him. But, strangely enough, instead of giving
her his usual grin in return, he gave her a curiously unsmiling but
kind, even sympathetic, glance. It was just as if he knew what had been
happening. That, of course, was absurd, but still there was something
very strange in his look.

‘Supper will be ready in a few minutes, Mrs. Waverton,’ said a harsh
voice at her elbow. This was that long bony creature, Mr. Femm. She
had forgotten his existence, but now she looked at him with a new
and rather creepy interest. ‘We have very little to offer you,
I am afraid,’ he went on, ‘but you will understand that we were not
expecting company. We have to live very simply here.’ He moved forward
to help Morgan, who had just entered, to unload a tray. Morgan too
she had almost forgotten, and now she looked curiously at his bearded
sullen face and gigantic bulk. For one moment he raised his heavy head
and his eyes met hers and some kind of intelligence seemed to dawn in
them. Then, from behind him, a third figure appeared, to busy itself at
the table. It was Miss Femm.

Philip was asking her if she was hungry. ‘I am; just about ready for
anything,’ he added. ‘And by the way, we’re probably entirely cut off
by this time. It’s just possible, I understand, that soon we couldn’t
get out of the house even if we wanted to do. Not that it matters, of
course, for a few hours, an odd night. We’re not too badly off here,
though probably there won’t be much sleep for us.’ It was just the kind
of thing she had wanted to avoid doing, but somehow it was done before
she could think. She had slipped a hand through his arm and was now
pressing it close.




                              CHAPTER IV


Penderel left his chair, and the three of them, making a little group
in front of the fire, talked in whispers. Margaret had released
Philip’s arm and was now feeling rather foolish. She had just caught
sight of a loaf of bread and a large piece of cheese, and the solid
ordinariness of them had suggested to her that she was in danger of
behaving like a tired hysterical woman.

‘It’s absurd,’ said Penderel, ‘that we should have to be so secretive
about food. Why should we have to pretend it isn’t there until our
hosts point it out to us? I’d like to live in a country where all
guests gathered round the table and were expected to make comments as
each dish appeared. They’d say: “What’s this you’re putting on the
table? Oh, yes, splendid! We all like that”; or “Don’t bring that
cabbage in for us. We never touch it.” What do you think?’

‘It would suit me,’ said Philip. ‘But I don’t know how hostesses would
like it.’

‘They wouldn’t,’ Margaret replied for them. ‘It would be beastly.’
She liked the glance that Philip had given her; it wasn’t so blank;
there was friendliness, a hint of long intimacy, in it. She smiled at
him.

Philip returned the smile. ‘You don’t understand hostesses, Penderel. I
suspect you’ve never really been behind the scenes.’ But his thoughts
were with Margaret. She was different somehow. She was thawing. He
wished there was time and opportunity to talk, really to talk, with all
cards quietly set out on the table. Perhaps there would be, later. This
would be just the place for it, so remote, so strange, where, so to
speak, you couldn’t hide any cards as you could at home.

Penderel thought he would keep on, though really he had nothing to
say. He was like a hostess himself. But they seemed to like it, and
it eased the situation. ‘Now that’s not true,’ he cried. ‘I have
imagination, and we imaginative fellows are always behind the scenes,
and so we suffer with all our hosts and hostesses but must only smile
and smile, like true guests. Women don’t suffer like that, do they,
Mrs. Waverton, because though they know what’s going on when they
are guests, they don’t identify themselves with it, but stand on their
dignity as guests and are as aloof as High Court judges.’

‘No, they don’t, Mr. Penderel.’ She was sharp but very friendly. She
liked him much better here than she had done in the outside world, in
civilisation. ‘They only appear to do. It’s no use: you can’t deceive
us. You don’t understand women at all. You don’t know anything about
them.’

‘That’s true,’ Penderel confessed. ‘I don’t understand ’em. I don’t
even pretend to. Another thing, I don’t like the fellows who do.’

‘Neither do I,’ said Philip. ‘It’s a funny thing, but the men who
write little books about women, or lecture about them, or pretend to
specialise in them in their novels are always complete bounders. You
must have noticed that, Penderel?’ He had said this before—he could
almost read the number of times in Margaret’s glance, demure, amused,
tolerant—but he spoke with conviction. The thought of those greasy
experts suddenly annoyed him.

‘I have noticed it.’ Penderel was very emphatic. ‘They’re nasty,
crawly lads, who’d be better employed selling lipsticks. Why women
themselves can’t see it, I don’t know. They seem to love ’em.’

‘There you go again!’ Margaret was amused by the pair of them, so
intolerant and self-righteous, so young mannish. ‘I believe the secret
of your hostility is simple jealousy. You’re both jealous because these
men seem to be so attractive.’ They instantly denied the charge, but
let her continue. ‘And anyhow, sensible women don’t like them very
much, probably don’t like them at all in their heart of hearts. But one
can’t help being interested and curious, of course.’

‘One can,’ said Philip, gloomily, ‘or one ought to try. Too many people
are interested and curious nowadays. We’re all becoming tasters. We sit
at the back of our minds watching our sensations like people at a music
hall, and we find ourselves yawning between the turns. It’s impossible
to be happy, or even cheerful, that way. I’m no better than anybody
else; we seem to be all alike. But I do draw the line somewhere. If
some silly bounder of a woman became a Man expert, and wrote little
books or went round lecturing on Man, I wouldn’t waste a minute reading
her or go a yard to hear her talk. Very few men would.’

‘No, and simply because you are all so conceited,’ Margaret told him.
She was beginning to enjoy this, and for the moment had even forgotten
where they were. ‘We’re so anxious to have men’s opinion because we’re
not conceited, though, thank goodness, we’re beginning to lose our
silly humility. You are convinced that no woman could tell you anything
worth hearing about yourselves; but even if you thought she could,
you’d still take care to keep out of the way so that your complacency
shouldn’t be disturbed.’

‘There’s something in that,’ Philip admitted, and immediately thought
how complacent he sounded. Was he really? Margaret was waking up
delightfully, suddenly flowering in this darkness.

Penderel was staring about him. ‘I suppose this counts as dining-out.
In a day or two we shall be able to say: “The other night when I dined
with the Femms.” That brings it down to commonplace, lets the daylight
in, with a crash. I don’t know why it should, but it does.’

‘I’m glad it does,’ said Philip. ‘I like the commonplace. It’s the
little trim lighted bit of life, with God-knows-what waiting for you if
you just go over the edge. Some people I know say they hate waking in
the morning and leaving their dreams, but it seems to me that either
they must lead a ghastly waking life or they must be crazy. I’m always
glad to wake in the morning and find myself out of my dreams, which
always turn me into a poor shaking barbarian wandering in the dark,
compelled to do some idiotic thing with terror all round me. Ordinary
life’s bad enough, but it’s a prince to the stuff we spin out of our
rotten unconsciousnesses every night. Don’t you think so?’

‘I’m not sure.’ Penderel stopped to consider the question. ‘I think
I must be one of the other people. I often have a splendid time in
dreams, and hate waking up. Perhaps when I wake up, I land into one of
your dreams. It sounds like it from your description of them, which
seems to me a fair account of life on some days. Perhaps we’re all
mixed up, your dreams are my waking life, and so on.’

‘Just like Alice, in “Through the Looking Glass,” you know,’ said
Margaret. ‘She was told she was only part of the King’s dreams—was
it the Red King or the White one?—and didn’t she begin to cry? I
remember how I used to be awfully sorry for her.’

‘Yes. Supposing that Mr. Femm there was dreaming us!’ And then Penderel
was sorry he had spoken. He thought Mrs. Waverton looked startled,
as if she had suddenly remembered something that had been forgotten
during their prattle. But what could she have remembered? Simply that
they were here. Or had she learned something while she was out of
the room with the queer Miss Femm? Perhaps she knew what he did not
know, namely, why Mr. Femm was so frightened. How strange if she were
harbouring, behind that bright face, some fearful piece of knowledge,
the image of some terrifying shape!

‘More likely that we’re dreaming them.’ Philip lowered his voice. ‘Not
Femm himself perhaps, though he’s queer enough. But the other two.
They’re just the kind of people I might dream about, particularly that
great dumb fellow—what’s his name?—Morgan. He’s the worst.’

Margaret could not resist it. ‘The other one, Phil, Miss Femm——’
she whispered.

He lowered his head. ‘What about her?’

‘She’s a horror.’

Philip looked at her quickly, then pretended indignation. ‘Well, that’s
a fine thing to say about your hostess.’

‘No, I mean it, Phil. She’s a horror. She makes me feel sick. I don’t
want to go near her.’

Philip was serious now. ‘Why, what’s she been doing?’

‘Oh nothing, really. It’s not that, it’s just what she _is_. I’ll tell
you later.’ Margaret turned round to find Mr. Femm almost at her elbow.
Supper was ready, he told them.

The coldest of cold suppers awaited them on the table. There was the
red ruin of a great joint of beef, a dish of cold potatoes, and plenty
of bread, butter and cheese. Miss Femm, with her eyes narrowed and her
mouth folded away, was already seated on the left-hand side. Philip and
Margaret sat down on the near side; Mr. Femm seated himself opposite
his sister; and Penderel marched round to the other side and sat down
with his back to the front door. Morgan, looking more sullen than
ever, hung about behind Miss Femm.

Philip looked round the table and fell to wondering. When he had first
taken leave of the car and the rain and the darkness, his senses had
been blunted and he had merely enjoyed, in a numb fashion, the shelter
and the warmth and the feeling of security. Now his senses were sharp
again and he began to tease himself with questions. Penderel caught his
eye and grinned. This was Penderel’s idea of a night, he told himself.
It wasn’t his. And then he suddenly admitted to himself that he didn’t
like this house and the people in it. These people had lived too long
away from everybody and were now half crazy, and the house was musty
with their mutual suspicion and resentment. Even Femm himself, who was
at least civilised, was unsavoury in some queer way. Fine thoughts,
these, for an uninvited guest about to diminish these people’s small
store of food.

‘Tell me, Philip,’ Margaret said, ‘why these lights are so jumpy.
They’re getting on my nerves. They make everything look so unreal.’

‘Evidently they make their own light here,’ he told her, pleasantly
matter-of-fact. ‘And there’s something wrong with the batteries or the
wiring. You can’t be surprised, a night like this, whatever they do. So
don’t be alarmed if they go out altogether.’

Margaret nodded in silence. The thought of being left in total darkness
filled her mind. Her skin tightened and shrank again from a clammy
touch. If those lights did go out, she wouldn’t move a yard from the
fire and Philip until morning.

Mr. Femm, who had exchanged a remark with Penderel, now remembered his
duties as a host and stretched a hand towards the dish of potatoes.

‘Stop!’ screamed his sister, making them all jump. ‘What are you doing?
We’re not all heathens.’

He brought back his hand, folded his arms, and looked across at her
with a sneer on his face. Then he glanced at the others and spoke to
them in a voice that was out of reach of her ears. ‘I had forgotten
that my sister, who is nothing if not a good Christian, would want
to ask a blessing. We shall enjoy our food so much more once she has
called the attention of her tribal deity to us.’

‘Horace Femm,’ she cried across the table, ‘you’re blaspheming. If
I can’t hear, I can see. There’s blasphemy written across your face.’

He leaned forward and used that curious hissing voice which they had
noticed before. ‘My dear Rebecca, I was merely telling your guests,
who were wondering why they were not being served, that you were about
to ask a blessing, to thank God for His bounty and His mercy, for this
ample and delectable supper——’

‘That will do,’ she screamed at him. ‘I know your mocking, lying
tongue.’

‘——For the health and prosperity and happiness granted to this family,
for these years of peace and plenty, for all our pleasant days and
quiet nights. Thank Him not only for yourself but for me, and for
Roderick, and for Saul——’

‘Stop, you fool!’ She threw out her hand as she yelled and glared
at him across the table, and immediately the spirit, which had made
his voice drop wormwood, died out of him. He looked confused and
frightened, and sank back into his chair. There followed a moment’s
silence. They were all little frozen figures. Then Miss Femm bent
her head and gabbled a grace.

‘You think you’re safe now, Horace, and you’ve had something to drink.’
She was busy filling the plates at her side with slices of beef, and
she spoke more quietly. ‘And now you think you can afford to let that
bad tongue of yours wag again. You’ll be sorry you didn’t keep it
still.’

He roused himself. ‘I am sorry I have had a hand in this ridiculous
scene,’ he told her. Then he turned to Margaret and showed her the
ghost of a smile. ‘I must apologise for these exhibitions of—what shall
I say?—rural eccentricities. We have lived so long alone here that we
have forgotten how to behave in front of visitors. Even I, who only
returned here during the War and have known the world, have forgotten
my manners. We are old and rusty mountain hermits. You must excuse us.’

This was as embarrassing as the rest of it, and Margaret was glad to
busy herself with the potatoes that he somewhat fantastically proffered
with his apology. Philip and Penderel, having exchanged glances across
the width of the table, said nothing but tried to be bustling with
plates and slices of bread and the cruet. Good old eating, thought
Penderel, it’ll carry anything off. Not that he minded these little
family quarrels of the Femms, he told himself; he rather enjoyed them.
They were like a passage from a new kind of morality play; a short
scene for the sneering bone and the screaming flesh.

Nobody spoke. It was one of those silences not easily broken; their
strength is tested by a tap or two of words tried over in the mind, and
then they are left alone. Margaret bent over her plate. Philip was idly
watching Miss Femm, who was heaping red meat on the plate that Morgan
held out to her. The man looked so huge and savage that it seemed
strange to see him with a plate at all. He ought to have taken the
joint itself in his hairy hands and retired mumbling into a corner to
gnaw it. Philip turned to his supper, and wondered who would speak next.

In another moment he was answered. The whole world spoke next. What
happened was the last thing that any of them expected to happen. They
all jumped and looked towards the door, now clamourous with repeated
and urgent rappings.

‘What’s that?’ cried Miss Femm. ‘The door?’

‘Yes,’ roared Penderel, enjoying the sound of his own voice. ‘There’s
someone outside.’

‘They can’t come in,’ she shrieked.

‘Who can it be?’ Mr. Femm looked from one to the other and his voice
quavered.

Penderel answered him. ‘More visitors. Benighted, like us.’ He looked
across at Waverton and grinned.

‘They can’t come in,’ Miss Femm shrieked again.

This angered Philip and he found his voice. ‘That’s what they are, I
expect,’ he told Mr. Femm. ‘You’ll have to let them in, of course. It’s
probably dangerous to be out now.’

The knocking had stopped now. There was a faint sound of voices. Mr.
Femm glanced rapidly from Philip to his sister. Then the knocking began
again.

Penderel stood up. ‘The poor beggars must be half drowned. We can’t
keep them waiting there.’

‘No, we shall have to let them in.’ Mr. Femm bent forward and looked at
his sister. ‘Of course they will have to come in, if they want shelter.
Morgan, go and open the door.’

Miss Femm pushed back her chair and looked up at Morgan. ‘Go on
then,’ she cried, pointing to the door. ‘And I’ll come with you and see
who they are.’ Morgan lumbered forward and very slowly drew back the
bolts. When he had opened the door an inch or two so that Miss Femm
might peer out, it was unexpectedly thrown wide open and someone came
in, pushing past the two at the door. It was a girl, all wet and muddy.
She came further into the room, stopped to draw a long breath, then
threw herself into the nearest chair and cried: ‘My God! What a night!’

She was followed by a bulky middle-aged man, equally wet and muddy. For
a moment he stood there looking about him and gasping for breath. Then
he removed his dripping hat and showed them a ruddy face with a heavy
shaven jowl. ‘Thought you were never going to open that door. Never
knew such a night. There’s a reservoir burst or something and a big
landslide. Smashed my car and only just got away with our lives. Doubt
if you’re safe here. Phew!’ He mopped his face and then looked from one
to another of them. ‘Sorry to barge in like this, but you see how
it is. Who’s the owner here?’

Philip suddenly recognised the man. ‘Why,’ he cried, stepping forward,
‘surely you’re Sir William Porterhouse? I thought so. I’m Waverton, of
Treffield and Waverton, architects. You once called to see us about
something.’

‘So I did.’ Sir William extended a hand. ‘I remember you now. This your
place?’

Philip explained the situation and everybody was introduced. The girl
was presented to them as Miss Gladys Du Cane. She had now taken off
her hat and coat and stood revealed as a very pretty girl in her early
twenties. She was slightly below medium height (an inch or two shorter
than Margaret) and squarely though finely built. Her hair was thick and
dark and crisp, and she had full hazel eyes, and a wide-lipped scarlet
mouth setting off a rather pale face. Margaret decided at once that
the girl belonged to a type that she detested. It was curious to see
her here, so far from Shaftesbury Avenue and the lights and the dance
bands and the theatres and the film agencies that were her obvious
background. It was just as if an electric sign had found its way
into the room. But these two people, insufferable though they might be
in other circumstances, were not unwelcome. They made everything seem
less fantastic and mysterious and unbearable.

‘No telephone here, I suppose?’ Sir William had turned to Mr. Femm.

‘No telephone or any other sign and mark of civilisation,’ Mr. Femm
told him. ‘You are now completely cut off from the world, sir,
but apparently this house will not suffer from the floods and the
landslides.’

‘The road must have gone completely at each side now, said Philip.
He remembered how he had resented the magnate’s super-man airs in
town, and found a certain malicious pleasure now in the sight of his
helplessness. It would do him good. ‘It was impassable when we came
here, three-quarters of an hour ago. I can’t imagine how you got here
at all.’

‘We must have been just behind you.’ Sir William found a chair and drew
up to the table. ‘Think I saw your lights once. I pressed on, no good
going back, and found myself in a devil of a situation. Car was nearly
under water, stopped, started again, stopped again, then ran into a
landslide or something of that sort. The bonnet was hit by a flying
rock, the wheels were stuck, and in a minute the car was half buried.
Took us all our time to get out.’

‘How did you find this place?’ Philip asked him.

‘Left, the car there. It’s there now if it hasn’t been washed into the
valley—damn shame, too—it’s a little Hispano I had made specially, to
drive myself—only car I ever cared about. Always the same though, care
about a thing and it’s done in before you can say “knife.” Well, we
crawled out and didn’t know where we were. Pitch black and raining like
fury and water spouting all over the place. Had to leave everything,
bags and all. No use going back, I said, we hadn’t passed a light or
signs of a house for miles. We went on, sloshing in mud, up to the
knees in water, climbing over rocks. We’d an electric torch, but that
wasn’t much good. Then we saw a light and made for it as best we could.
And here we are, and here we’ll have to stay, at least till morning and
perhaps longer. It’s getting worse out there. You’d think it was the
end of the world after being out in it for ten minutes; I don’t mind
telling you I thought I was nearly through. Can I use this glass?’
He produced a flask from his pocket, emptied it into the glass, and
promptly swallowed the inch of whisky in one gulp.

‘Hello!’ his late companion called across. ‘You’ve not finished it,
have you?’

‘Afraid I have, Gladys.’ And he showed her the flask.

‘Well, I must say, Bill, you _are_ a pig.’ And the girl made a face
when he threw her a rather perfunctory ‘Sorry.’ She was now sitting
close to the fire and, having pulled off the high boots she had been
wearing, was holding out one steaming silk-stockinged foot after
another near the blaze.

‘I’ve got a pair of slippers with me that I had in the car,’ she
confided to Margaret, ‘and that’s all I have got. What a night! I’ll
bet you had it pretty rough, didn’t you?’

‘Yes, it was very bad,’ Margaret answered indifferently.

‘Well, we’re out of it now all right unless this place is swamped
during the night.’ Then she lowered her voice. ‘Any beds going?’

Margaret shook her head. ‘No, we shall have to stay in here all night.’
Her voice sounded stiff, unfriendly, and that was a pity perhaps,
but really she couldn’t help it. She had spent years disliking the type
at a distance and she couldn’t change in a few minutes just because
this obvious week-ending chorus girl had chanced to come under the same
roof, out of the same wild night. The man was different. She didn’t
mind him. Indeed, his very bluffness and vulgarity would be useful
here, breeding a coarse sanity in this queer situation.

They were returning to supper now. Morgan had lurched off with his
plate, and the others were settling down again at the table. The
baronet confessed that he was ready for some cold meat and bread
and cheese, and had found a place between Margaret and Mr. Femm.
‘Come along, Gladys,’ he called, ‘if you want something to eat. We
interrupted this little supper party and we’ve been asked to join it.’

‘Righto,’ she cried. ‘I’m coming.’ And Penderel brought up a chair for
her and she sat down by his side. He noticed that she met the long
stare of Miss Femm, now so much folded and silent fat, with a smile
that was deliciously near a grin. It wasn’t mere cheek either. This
girl was all right.

She looked at him frowningly. ‘What’s your name? Sorry, but I can
never remember.’

‘Penderel.’ And that’s the worst of being nobody in particular, he
thought, for you always feel a fool when you bring out your name.

She frowned at him again. ‘What else? ’Scuse me asking.’

‘Roger,’ he told her, and thought it sounded rusty. It was some time
since he heard it.

‘Roger Penderel.’ She was obviously turning it over in her mind. ‘Look
here, don’t you know a boy called Ranger, Dick Ranger?’

‘Lord, yes. I know young Ranger. His elder brother, Tom, used to be a
great pal of mine. He’s somewhere in the Sudan now, being done to a
turn. Dick’s not been down long from Oxford and has developed into a
tremendous West Ender. He knows all the places, stops out late, and is
as cynical as a taxi driver. He quite frightens me, makes me feel old
and simple.’

‘I know him too,’ she said. ‘He’s rather a nice boy really, bit young
and silly of course. I asked because I’m sure I saw you with him once.
I knew I’d seen you somewhere and I couldn’t think where, but now I
remember. Weren’t you with him one night—three or four months
ago—at the “Rats and Mice”?’

‘The “Rats and Mice”?’ Then he remembered the place, one of the smaller
night clubs. ‘Yes, I did go there one night with Dick Ranger. It’s a
little place, isn’t it, with everything and everybody jammed together.
There was a band all squashed in a balcony, just like sardines in a
half-opened tin. I remember the name of the place because I told Ranger
it was like being inside a cheese. I hated it. The drinks were about
the worst and the dearest I’ve ever known.’

‘Pretty rotten, yes, but not quite so bad if you’re in with the crowd
who are running it. I go there a lot, though it’s not my favourite
haunt.’

‘Haunt’s a good word, isn’t it?’ He grinned at her and she—perhaps
mechanically, he didn’t know—wrinkled her nose in reply. ‘We have to go
somewhere, haven’t we?’

‘That’s just it. That’s what I always say.’ She was quite eager about
this. ‘You can have a dance or two and a drink with some of the girls
and boys you know, and the band’s making a cheerful row and the lights
are nice and bright, and so you turn in there night after night and
hang on, not wanting to turn out and crawl home to your rotten digs.’

‘I know. Once down the steps and outside the door, it’s dark and
raining probably and to-morrow’s begun. So you put it off.’

‘You’ve hit it in one,’ she told him. And then, after a moment’s
reflection, she went on: ‘It’s like being in here after that.’ She
jerked her head towards the door. Then she lowered her voice. ‘This
seems a funny, dingy sort of hole—funny people here too—but it’s the
Ritz itself after being out there.’

‘Yes, I suppose it is.’ He didn’t want to sound dubious, but he
couldn’t help wondering. He turned his glance on the impassive Miss
Femm for a moment, then looked across at her brother, who was talking
to Porterhouse.

‘You surprise me, sir,’ Mr. Femm was remarking, though there was no
surprise but something quite different flickering in his eyes. ‘But
then, I have been out of the world, you might say, for at least ten
years. I never even see a newspaper now.’

‘You wouldn’t know it, then. Take my word for that,’ said Porterhouse.
‘You couldn’t come back into it. It’s a different world altogether.
I’ve kept pace with it, so to speak; might even say I’ve been in
front; but it’s taken me all my time.’

‘The world will be very different,’ said Mr. Femm, slowly, ‘when
all the people have been cleared out of it, and not before. Men and
women do not change. Their silly antics are always the same. There
will always be a few clever ones, who can see a yard or two in front
of their noses, and a host of fools who can see nothing, who are all
befuddled, who pride themselves on being virtuous because they are
incompetent or short-sighted.’

‘Something in that, p’r’aps,’ the other admitted, after a stare.

Margaret Waverton was talking to her husband. Her rather clipped and
very clear voice found its way across the table. ‘But you’ll never get
Muriel Ainsley to see that, Philip. It’s really astonishing how people,
people with brains too, can know so little about themselves. The more I
see of life, the more I’m convinced that onlookers really do see most
of the game.’

‘So they do.’ Philip’s voice, dropping into a meditative bass, could
be heard distinctly. ‘Only life isn’t a game, you know, and you never
really feel it is except where you yourself are not concerned.
That’s where the smart saying breaks down; nearly all smart sayings do
break down badly. Anyhow, we ought to stop talking about life, because
what we say doesn’t mean anything. What’s the use of saying it’s like
this or means that, when obviously it includes both this and that and
their opposites.’

‘Don’t be sententious, Philip,’ she told him. ‘You’ve said that before,
too. Besides, I was talking about Muriel Ainsley.’

But they were all sententious, Penderel reflected, himself included.
They were settling down very cosily. They would all start boasting
soon, and if he wasn’t careful, he would be the first, though as usual
he would do it topsy-turvily. It was odd how what you might call the
Femmishness of the place had suddenly vanished—no, not vanished but
retreated. He thought of the girl at his side. Certainly it didn’t
stand much of a chance with her, this Femmishness. But perhaps it
hadn’t fairly begun yet. He had a feeling that there was more to come.
There was a whole night before them and it was early yet. Why, the
little band wouldn’t have arrived yet at the ‘Rats and Mice.’




                               CHAPTER V


They had finished eating now and had somehow drifted into silence.
Throughout supper, all six of them (Miss Femm had never spoken a word)
had chatted easily, though there had been no general burst of talk;
but now they were quiet. They might have been waiting for a signal,
they were so curiously still. Then suddenly they were given one, for
Miss Femm, who had begun to seem a mere object, turned herself into a
real person again by rising from her chair and waddling away. She said
nothing, gave no meaning glances, did not hesitate, but simply arose
and departed. From her manner, they might have been as unreal to her as
she had been to them. They stared after her in silence. If they were
waiting for a signal, it was not this.

There came a second one, this time out of the encompassing night, which
they had almost forgotten. It might have been thunder rolling among
the hills, the bursting of a bank above, or another landslide; the
noise was distant and indeterminate, and yet it was full of menace.
Sharply, dramatically, it pointed to their situation, like a pin stuck
into a map. The roof and walls were no longer another sky and horizon
but were roof and walls and nothing more. A little box held them all,
tiny creatures crouching in a dot of light. Thus dwarfed and huddled
together in body, their spirits first shrank to a point and then
expanded in concert. They awoke to share a common mood. The change
in them was as decisive as Miss Femm’s exit, but it had to struggle
through to the surface, into speech, and so it seemed gradual, as if
curtain after curtain of gauze were being raised between them.

Philip made the first remark, and all he said was: ‘If nobody objects,
I think I’ll have a pipe.’ That was nothing, yet by addressing the
whole company as he did, he made it easier for the others to speak to
the whole table. He brought out his pipe, Sir William found a cigar,
and Penderel and the two women lit cigarettes. Mr. Femm contented
himself with gin-and-water.

‘You know,’ said Penderel, ‘we ought to play a game.’

‘Good idea,’ cried Sir William, very hearty and masterful behind
his cigar. ‘Can’t sleep yet. What about bridge?’

Margaret jumped at this. ‘I’d love a game.’ She thought how comforting
the familiar faces of the kings and queens would be. No wonder old
people, surrounded by strange faces and passing Death every night on
the stairs, became so passionately fond of cards.

‘But I’ve no cards,’ Sir William went on. He turned to Mr. Femm.
‘Expect you’ve got a pack of cards you could lend us, eh?’

‘I have none myself,’ Mr. Femm began, ‘but I have seen a pack here——’
He stopped short, something came and went in his eyes, then he shook
his head hastily. ‘No, there are none here. I am sorry.’ It was very
queer. Penderel, remembering, looked at him curiously and began to
wonder again. Sir William appealed to the Wavertons, but they had none.

‘We’ll play Truth,’ said Penderel. ‘It’s just the moment for it.’

‘So they have turned it into a game now, have they?’ cried Mr. Femm, in
his thin, bitter voice. ‘It was high time they did.’

Sir William looked puzzled. ‘Don’t seem to know it, and don’t like
the sound of it. How d’you play it? Hope it isn’t one of those games
that make you use paper and pencil, like so many kids at school. If it
is, you can count me out. I hate ’em.’

‘So do I,’ cried Gladys. ‘Is it one of them?’

‘It’s the simplest game in the world,’ Penderel explained. ‘Indeed you
can hardly call it a game. We just go on talking but we stop lying. We
simply ask one another questions, and these questions must be answered
truthfully. You have to be on your honour to answer as truthfully as
you can.’

‘My God!’ Gladys couldn’t help it, but she stopped short and then said
‘Sorry!’

‘This doesn’t seem to be your game, Gladys,’ Sir William told her.
‘You’d better keep out.’

She shook her head very decisively. ‘Not me. I’m on. It’ll be a nice
change for some of us, you particularly, Bill. But somebody wants to be
easy with the questions, or God knows what we shall hear.’ She darted a
glance across the table at Margaret to see how she was taking it. Not
too well apparently. Serve her right.

‘You two are in?’ Penderel looked at the Wavertons and they nodded.
‘We’re all in, then. Now, don’t forget, you’re bound to answer as
truthfully as you can. Get down to the stony facts.’

‘When you think of it,’ Philip growled, looking down into his pipe,
‘the very existence of this pastime, with its one rule about answering
truthfully, is an awful comment on society.’

Mr. Femm stared at him. ‘But what do you expect?’

‘Couldn’t say what we think all the time or there’d’—and Sir William
waved his cigar—‘there’d be the devil to pay! Not sure how it’ll work
even here. Still, I’m with you, and I promise to tell the truth. Won’t
hurt me for once. D’you all promise?’ They all promised.

‘How shall we begin, then?’ asked Margaret. It was queer, but she was
quite eager to begin. She had played it before and had hated it—a
thoroughly mischievous little game, she had thought. But now, perhaps
because she was in such an odd jumble of a company, perhaps because she
was simply taking shelter here, she was more than willing to ask and
answer and listen.

‘We’ll do it this way,’ Penderel suggested. He pointed to Waverton.
‘I’ll ask you a question, then you’ll ask Mrs. Waverton, and so on
round the table. That’s a pleasant neighbourly way of doing it. But
everyone must speak up so that we can all hear.’

Nobody objected to the arrangement. ‘Ask away, then,’ said Philip. ‘But
don’t be too hard on me. Remember I’m a shy man and I’m the first in
the confessional.’

‘All right. Nothing too searching to begin with.’ Penderel reflected
for a moment. ‘How’s this, then? There are, you’ll agree, innumerable
snags in life——’

‘Oh, you mustn’t talk to him about life,’ Margaret broke in. ‘He’s just
told me not to.’

‘You be quiet, Margaret,’ Philip growled, but felt himself warming
towards her. That little characteristic thrust suddenly and cosily
domesticated them. ‘Yes,’ he told Penderel, ‘I admit the snags.’

‘Good. Well, then’—and Penderel rumpled his hair and the girl at his
side laughed at him—‘tell us what seems to you the snag-in-chief, the
great, the fundamental snag. In a word, if there’s a catch in life,
where does the catch come in? You follow me? Name the fly in the
ointment?

Philip puffed at his pipe. ‘Wait a minute. That’s a question that can’t
be answered without thought? He puffed away again.

‘You see what I mean?’ said Penderel. ‘Of course, you may not think
there is any one great snag or catch. If so, you simply say so?

‘I wish I could,’ Philip replied. ‘I can’t, though, because there
_is_ a catch, an enormous fly in the ointment. And to me, it’s this.
It seems to me that life demands so much care to be lived at all
decently that it’s hardly worth living. I’m talking about life as we
see it, civilisation as it’s called, and not the life, say, of a Fiji
Islander or a Zulu. With us the whole thing has got to be so careful,
so ordered, has become so conscious, asks for so much planning and
safeguarding, that we never arrive at any real enjoyment or ease, to
say nothing of sheer rapture. We’re like people walking on a tightrope,
and the only real pleasure we get is when we say to ourselves, “Well,
that bit’s safely passed.” Do you see what I mean? If you decide
to lean back and enjoy things, then you simply come a cropper and
everything’s smashed for you; but if you’re careful to avoid the
cropper, it takes so much out of you that you can’t really enjoy life
at all. And it’s no use talking about the golden mean and compromise
and so forth, because if you try to work on that principle, you only
get bits of cropper, bits of anxiety and carefulness, bits of cropper
again, a miserable alternation. If you let things go at all, disaster
comes; if you don’t, if you look after them, then you’re simply working
hard at it all the time. The trouble is that we can’t trust life, and
in order to keep going with it at all, we have to be for ever watching
it and patching it up. Therefore the only sort of happiness we can
get out of it is like the weird pleasure that some people get from
making and altering and fiddling about with wireless sets. So long as
we continually turn the discs and change coils, we can congratulate
ourselves on the fact that the set’s working, but that’s all we can do.
We can’t sit back and listen to the music. There’s the great snag. You
all see what I mean?’

‘Can’t say that I do exactly,’ said Sir William. ‘Give me an instance.’

‘Well, take a comparatively simple matter. Health, for example. Life’s
hardly worth living without decent health, but according to the
thousand and one experts of the body, we must look after this and
that and the other in order to keep reasonably fit, and if we took
the slightest notice of one-half of them we should be worrying about
our bodies all day. Most of us don’t trouble, of course, but the fact
remains that most of us are rapidly drifting further and further away
from good health and we shall soon find ourselves crocked. I’d like
to come to a life in which I could play the fool with my body without
inevitable disaster. I must have been meant for such a life, for
there’s something inside me that protests against these conditions
we know. Or, take personal relations. They ought to be delightfully
easy and careless, but they can’t be now that we’re so self-conscious.
The best of them can’t be left to look after themselves a month, and
to keep them going properly is only another anxiety. By the time
our relations with the people close to us have been put in proper
trim, we’re in no state to enjoy them but can only find a dim sort
of pleasure in the thought that they are in proper trim. Again, take
children. Being a parent is rapidly becoming a nightmare of worry.
I’m not attacking mere crankiness now, for most of the worry is
justified, and that’s the trouble. If you don’t worry, if you are grand
and complacent, then life will make haste to see that they suffer for
it. You can’t enjoy the children—you’ve no energy left for it—you
can only enjoy repeating to yourself that you’re doing your best for
them. We’ve no easy and rapturous contact with things themselves; we
only watch their shadows, either anxiously or, at the best, with a dim
sense of triumph. There’s the snag, the catch, then. We’ve either eaten
too much or still too little from the Tree of Knowledge. As it is, we
know just enough to give life a hair-trigger.’ Then he looked round
apologetically. ‘Sorry. I seem to have made a speech.’

While the others were waving away his apology, Margaret was telling
herself that she had never heard Philip reveal himself so clearly and
fully, even though he did it unconsciously. That speech was dear old
Phil all over: he didn’t trust life an inch. It was a silly grumble,
she told herself, but only the very nicest kind of man could have made
it. And now it was her turn. She looked at Philip speculatively. What
would he ask her?

‘Your turn to ask now, Waverton,’ said Penderel. ‘And you’re
lucky, having a wife for victim.’

Philip looked at her as if she were a strange person. It gave Margaret
a little thrill, though she knew that it was because they were playing
this game, for she had noticed that look before in company.

‘Your question is this,’ said Philip, still looking at her as if he had
hardly ever seen her before. ‘What do you want? What are you getting
at? What do you want, in your heart of hearts, to do, to be? What’s the
core of the thing for you?’

‘That’s the sort of question a man _would_ ask,’ Margaret exclaimed.
‘As if I had a definite object in life tucked away in a pigeonhole in
my mind! Still, I’ll try to find an answer. Let me think.’ She glanced
round at the eyes fixed upon her, and wished there was another woman
of her own kind there, to whom she could address herself. That girl
wouldn’t understand. ‘Well,’ she began, hesitatingly, ‘I’m not sure
I can make myself clear or whether you’ll understand. The question
is, what am I getting at, what do I really want to do or to be, isn’t
it? All I can say is that I want to create a certain atmosphere,
which I won’t attempt to define for you. It’s in my mind, just as the
idea for a novel or a play is in an author’s mind, but I have to bring
it outside, into life—do you see?—just as the author has. I want to
bathe life itself in this atmosphere. I want to move in the centre
of this atmosphere, really to be always creating it, and I want the
people close to me, the ones I care for, to live in this atmosphere,
and other people, friendly outsiders, to come and dip into it and
recognise it and tell themselves that it’s my atmosphere and very good.
This atmosphere contains all the good things of life, all those things
that men put into separate compartments and somehow raise above life,
and because it includes them, is served by them, it’s naturally more
important than any of them.’ She warmed to the thought now and forgot
her audience. ‘By doing this—or trying to do this—you’re creating in
the most marvellous way because you’re using life itself as the raw
material. And the women who’ve succeeded in doing it—there are bad
atmospheres as well as good ones, of course—are really tremendous, like
queens without the fuss and the show. Men only notice it in a dim sort
of way, though they’re affected by it, of course, and you can
see how the greatest of them have been enchanted by a certain woman’s
atmosphere. They’ve not simply fallen in love, as people always think,
but they’ve discovered a new country and have stayed there. That’s what
I want then, to create my own little country.’ She stopped, breathless,
and looked round at her listeners, feeling suddenly frightened. The
next moment there would be a huge guffaw. But there wasn’t; everybody
looked either puzzled or friendly or both; and she felt relieved and
rather happy. She smiled at them: ‘I seem to have been guilty of a
speech too. I apologise.’

They cried out at this. ‘No apologies necessary, Mrs. Waverton,’ Sir
William’s voice came booming. ‘You’re too deep for me, though. Who’s
next? Can’t we have a few facts?’

It was Margaret’s turn, and her neighbour was Mr. Femm. She looked at
him in bewilderment. He ought not to have been included, she felt, as
she stared at the long, lined yellow mask he turned to her. There were
deep wrinkles all round his eyes and the thin high bridge of his nose
gleamed white as if the bone had burst through the skin, but the eyes
themselves were as vague as smoke. She couldn’t ask him anything.
He was as strange as a mandarin. Then she suddenly remembered Rebecca
Femm and the dead Rachel Femm and the women who came in silks and
scents and the men who said ‘Go away and pray,’ and it all seemed like
something from a crazy old story she had just laid aside, and yet this
man was in it, a character come to life. No, not quite to life.

‘I am ready, Mrs. Waverton.’ How queer it was to hear him speak. It
made it worse.

‘Hurry up, Margaret.’ This from Philip. She was being absurd. Anything
would do. ‘Tell us,’ she heard herself saying, ‘why you chose to live
here.’

Mr. Femm took a sip of his gin-and-water and replaced the glass very
carefully, then he peered across the table, at the place his sister had
vacated, and compressed his thin lips until his mouth seemed to vanish
completely. ‘I came here,’ he said finally, ‘or rather I returned here,
for I was born and brought up in this very house, for the same reason
that brought you here. I did not want to live again in this house just
as you did not want to spend a night in it. You came here for
shelter, and so did I. When I decided to return, I had no money and no
further prospects, if only because I was wanted by the police. That
surprises you. It was nothing really criminal, nothing, that is, in bad
taste, but the Law in this country happens to be as heavy and stupid
and idiotic as the poor creatures it is supposed to benefit, and Chance
for once was not on my side. This is the home of my family, it was my
home too, once, so I returned to it, knocked at the door as you did
to-night and demanded shelter. I have been here ever since.’ He lifted
his glass again while they stared at him in silence. It was not that
they were struck dumb by amazement but that there did not seem to be
anything to say. Sir William made a noise in his throat that sounded
like the preliminaries of speech, but he must have changed his mind for
no words came.

‘So far, so good,’ said Penderel. ‘It’s your question now, Mr. Femm.’
But he couldn’t imagine that heavy-jowled magnate, whose turn it was,
telling the truth. He was too rich, too successful, for the truth.

Mr. Femm glanced at his neighbour and then looked straight in front of
him. ‘You must tell us,’ he said, slowly, ‘the worst thing you
have done during these last twelve months.’

‘Here!’ cried Sir William, protesting.

‘That’s a stinger, isn’t it?’

‘The thing,’ Mr. Femm added calmly, ‘that you are most ashamed of
doing.’

‘You don’t want much, do you?’ He blew out a cloud of cigar smoke as
if to relieve his feelings. Then he considered. ‘Well, I don’t know.’
He frowned and looked doubtful, but then suddenly his face cleared.
‘All right. You shall have it. The worst thing I’ve done this year.
It’s nothing startling. Don’t expect any Sunday paper stuff, amazing
revelations, orgies in the West End, that sort of stuff. But I’ll be
honest with you; this really is the thing I’m most ashamed of. No
names, of course, and all in confidence. Well, a few months ago I had
a quarrel with the manager of one of my concerns and got rid of him.
That’s all. But there’s a devil of a lot behind it. I said he wasn’t
good enough, didn’t suit me, but the fact is he was one of the best
managers I’d got and a better man than the fellow that took his place.
And I knew it. He was just the sort of man I wanted in the business,
a real find, all over the work and keen as a razor. But I booted
him out. Why? I’ll tell you.’ He stopped for a moment, set his jaw,
then laughed shortly. ‘You’ll probably find it amusing. I got rid of
him because I couldn’t stand his damned superiority. That’s what it
amounts to. He was only a youngster, had only left Oxford or Cambridge
a few years when he came to me. He got to be manager of this particular
concern in no time. I believe in rapid promotion and this fellow was
worth it. But every time I saw him he made me uneasy. Nothing in his
manner, at least nothing you could put a finger on. But—well, I always
wanted to ask him where he got his shirts and ties from; I could
never find any like ’em. That’s nothing, you think, but it worried
me, made me feel uneasy. Then one day he asked me to go to dinner,
meet his wife, who’d be honoured and delighted and so on. I went, and
that settled it. There were only the three of us. His wife was very
charming, very pretty woman too, and talked well. Her father’d been
the Professor of something-or-other at Edinburgh. She was obviously in
love with her husband and he with her, really in love, and I know the
difference. Well, that was all right, something I like to see, in
fact, though you mightn’t think it, but I’m a bit of a sentimentalist.
They talked and they let me talk, encouraged me, were almost
deferential. But that superiority was there. It was the shirts and ties
all over again, only much worse. I felt more and more uncomfortable,
uneasy, dissatisfied somehow. I tried to talk the feeling down, told
’em some of the things I’d done, spread myself out, but I knew it was
just missing all the time. I could hear my own voice going on and on,
bragging to no purpose; I could see myself, hot and sweating and waving
my arms; and yet I knew this wasn’t really myself, you know. There was
something in the confounded atmosphere of these people that was making
me publish a libel of myself just to make some sort of impression on
them. And the harder I tried, the more I was convinced that what I was
saying, what I did, what I looked like, didn’t amount to anything,
that is, didn’t seem to amount to anything with these people. D’you
see what I mean? Of course I knew well enough, nobody better, that
it did amount to something; I don’t pretend to despise myself. But I
couldn’t get it over, as the actors say. And while I was fuming
and sweating and talking big, there they sat, absolutely easy and
comfortable, so damned sure of themselves. Nothing to do with social
experience, y’know, for I’d had as much of that as they had. I’d had
more, been to places they hadn’t reached, not by a long chalk. It was
that mysterious superiority. Well, when I couldn’t make any headway
against it, it got on my nerves. I’d beat it somehow. So when I left
them that night, I said to myself, going home, “All right. I’ll show
you. You’re doing very well, aren’t you? Everything’s beautiful. Well,
we’ll see. I’ve made you and I’ll unmake you.” Within a month I’d faked
a lot of grievances against him, and very soon I had him out. I paid
for it, of course, losing a good man. It was all dead against my own
interests. But I couldn’t rest until I’d done it. But I knew what I’d
done. A damned dirty trick, weak too. And that’s that. Gad, but I’m
thirsty.’

He accepted some of Mr. Femm’s gin, the only drink on hand, hastily
mixed it with water, and, without lifting his eyes, emptied the glass.
‘That’s better,’ he said, and looked round. If they didn’t like
it, he thought, they could lump it. Anyhow, they had asked him and
he had told them the truth. He had rather enjoyed it too; this was
the time and place for telling these things, explaining yourself for
once in a while. It was all right; they all looked just curious and
friendly, except perhaps the one person he knew, Gladys. She was
looking a bit scornful (as she always said herself), not so friendly
as the other girl, Mrs. Waverton, who had seemed so cool and superior
at first. But then Gladys was probably not judging the case but merely
happened to be out of patience with him.

‘Your turn to answer now, Miss Du Cane,’ Penderel told her. ‘You’re in
this, of course?’

Yes, she was in it, and looked eagerly at Sir William. ‘Come on,’ she
cried, ‘let’s know the worst.’

‘So it’s your turn, Miss Du Cane, is it?’ Sir William smiled rather
grimly at her. The name itself suggested a question to him. ‘Suppose,
then, you tell us exactly who you are.’

‘Well, if you’re not the limit!’ There was real anger in her fine eyes.
‘What d’you mean by your “exactly who you are”?’

The others felt uncomfortable, but Sir William himself was not
disturbed. ‘Nothing in that. I mean, give us a few biographical
details, the sort of thing you find in “Who’s Who.” Think of the
question I had to answer. Yours is easy.’ But there was a touch of
malice in the smile he gave her.

Gladys stared at him, pushing out her full underlip, then gave a slight
shrug and leaned back in her chair. ‘All right then. Here goes.’ But
she stopped for a moment and looked in front of her with unseeing eyes.
Then she seemed to give herself a little shake, lifted her chin, and
spoke out briskly and bravely. ‘Well, to begin with my name’s not Du
Cane. Probably none of you thought it really was, but that doesn’t
make it easier to say right out that it isn’t. My real name’s Hoskiss;
the Gladys is all right. When I first thought of trying to get into
the chorus, I wanted another name, and I happened to see a book called
“The Expensive Miss Du Cane.” That’s me, I thought. I was only a kid,
seventeen about, at the time. We lived down in Fulham, Walham Green, to
be exact, just off North End Road. There were seven of us, three girls,
two boys, and mother and father. Father’s a joiner, when he’s
working. I don’t suppose any of you know North End Road and district.
You should go and have a look at it some time. It’s not one of these
absolutely poverty-stricken places, and it strikes you as being quite
cheery, lively in fact—so long as you’re half tight or don’t have to
live there. I used to run up and down North End Road fetching fried
fish and bottles of stout for the family, and try to make enough to get
into the gallery of the Granville—that’s the little music-hall at the
bottom. We’d only got half a house for the whole seven of us, and the
house itself was no size at all, and we were always in one another’s
way, with everybody grousing and nagging like fury. We’d one little
room for the three of us, the girls I mean, and you can imagine what
that was like, each of us shoving the others’ things out of the way
or borrowing them to go out in. I was always doing that, being the
youngest. Maggie, my eldest sister, got a job as a waitress, met a
soldier on leave she liked who said he’d marry her when the war was
over. She had a baby and he never came back, and that was that. The
kid’s at home now and Maggie’s still a waitress, though not at
the same place. Ethel, the one next to me, went to work in a laundry
and then got married, married to something that looks like a rat and
acts like one. The only thing you could say in his favour was that he
was a great change after a laundry. Then I had to go out and work, and
went through job after job, three months in one of those cheap sweet
shops run by a dirty little Jew who was always putting his arm round
me, another three months running about in a big draper’s, running
round from morning till night, till I was fit to drop, then in other
shops till I landed in the pictures, odd-job girl at one of the local
picture palaces. That suited me all right, and at first I thought no
end of myself, but the money was rotten, the manager got too friendly,
and I couldn’t stick being at home. After I’d been an hour in that
house, I wanted to scream. Every time I went up West—to see a show at
Daly’s or the Gaiety or the Palace or the Palladium—I’d be awake half
the night. And then one night I went to the Granville with two girls I
knew and some boys, and they took us into the bar at the interval and
gave us some port, and some people from the show came in and we all got
friendly. One of the girls had dropped out of that show—it was a
revue called “Oh, my eye!” absolutely fifteenth rate—and I dropped in
They’d been playing at some of the little London halls and were now
going down into the country on one of the bread-and-dripping tours, you
know the sort, All This Week in the Pier Pavilion or Three Nights Only
at the Corn Exchange. I went with ’em, Miss Du Cane, third from the
right in the chorus of twelve. And that’s how Gladys left home.’

‘Ever been back since?’ asked Sir William.

‘Course I have. But not to live, not likely. I used to look in
sometimes when I was flush, and take something for mother or Maggie’s
kid. I like ’em all and they like me. If you take any one of them away,
get them into a quiet corner away from home and the others, put a drink
in front of them, they come out then, you really get to know them. It’s
when they’re all jumbled up together at home, nagging and grousing and
snarling, that they get on your nerves, at least on mine.’ She looked
across and met Margaret’s level glance. ‘But that’s enough of that. I’m
not going to tell the story of my life, sir, not even to-night when
we’re all lost and far from home and Piccadilly Circus seems to be
somewhere in New Zealand.’

‘Well, ask a question then,’ said Sir William. ‘Get your own back.’ He
was enjoying this and was wondering what Gladys would demand of the
rather pale but bright-eyed youngster on her right, Penderel, with whom
she seemed to have struck up a friendship at once.

Gladys leaned forward and then turned her head so that she could look
Penderel almost squarely in the face. He was telling himself that
her eyes were like very old brown sherry, when she brought out her
question. ‘What are you so bitter about?’

‘Me!’ It had taken his breath away.

‘Yes, you.’ She nodded at him like a wise child.

‘Why, am I bitter?’

‘I think you are,’ she told him. She appealed to the Wavertons.

‘I know what you mean,’ said Margaret. ‘It’s not perhaps the exact
word, but it will do.’ Then she addressed herself to Penderel: ‘Yes,
you are bitter, you know.’

‘Of course you are, Penderel,’ said Philip heartily. ‘You’re one of the
worst post-War cases I know, a thundering sight worse than I am.
Come on, admit it. You’re the sort of bloke they denounce in little
talks in Bright Sunday Evening Services.’ He grinned and pointed his
pipe-stem across the table. ‘Stand up to your question and explain the
wormwood.’

Penderel made a comical little grimace. ‘Well, I never knew I was so
obvious. I suppose I shall have to explain myself. I went into the
War when I was seventeen, ran away from school to do it, enlisting as
a Tommy and telling them I was nineteen. I’m not going to talk about
the War. You know all about that. It killed my father, who died from
over-work. It killed my elder brother, Jim, who was blown to pieces up
at Passchendaele. He was the best fellow in the world, and I idolised
him. It was always fellows like him, the salt of the earth, who got
done in, whether they were British or French or German or American.
People wonder what’s the matter with the world these days. They forget
that all the best fellows, the men who’d have been in their prime
now, who’d have been giving us a lead in everything, are dead. If you
could bring ’em all back, fellows like Jim, hundreds and hundreds of
thousands of ’em, you’d soon see the difference they’d make in
the place. But they’re dead, and a lot of other people, very different
sort of people, are alive and kicking. Well, I saw all this, took an
honours course in it, you might say, for it was the only education I
got after the fifth form. Then towards the end of the War I fell in
love. I was convalescent in a country house and it was spring. She was
staying there, and every time we went out walking every little gust of
wind snowed down blossom on us. I’ve never seen a place so thick with
apple blossom and cherry blossom. And she’d be waiting down there. We
became engaged. The world was all made over again and I’d only got to
see the War through to find it all waiting for me. I thought about
nothing else, went back to France, went through the dust and the gas
of the last push in the summer and autumn of ’eighteen, thinking about
nothing else. Then just after the Armistice I got a letter. It was all
a mistake; we weren’t really suited, too young to know then; she’d
found someone else; we’d always be friends. All very reasonable, no
doubt, but you see I’d been thinking about nothing else. I got out of
the Army, went home and saw her once, and gave it up. But I remember
I went down to the old place that spring, in ’nineteen, and all
the damned blossom was out again, miles of it, snowing through the air
as it did before. It made me ache to see it. I told myself that it
hadn’t been there for me and only another kind of frost would stop it.
I packed my traps and set off to look for work.’ He stopped and looked
down at his fingers drumming on the table.

‘Go on,’ said Philip, after they had waited a few moments. For that he
received one of Margaret’s fierce little nudges, always so surprising
because they never seemed part of her. They belonged, in fact, to the
other Margaret, the one inside. This was the first he had had for some
months and it was so welcome that it tingled.

‘I’ll cut it short,’ said Penderel. ‘Well, the good fellows were nearly
all gone, love was off, and the world was in a filthy muddle, but there
was still work. That was the thing. I told myself I’d work like hell.
I could have gone up to Oxford or Cambridge, but didn’t want to go. I
wasn’t in the mood for listening to the patter of dry little men in
spectacles and then going ragging with a lot of kids. I felt there was
nothing a varsity could teach me that I wanted to learn. Pure
arrogance, of course, but there you are. I didn’t even want to play
their games, their solemn good-form games. I’d go and work, find a
man’s job. There was an African scheme going, good land for ex-officers
and all that, and so I scraped together every penny I had and went into
it and out to Africa. I won’t bore you with that. It was a swindle,
and a particularly dirty swindle, the kind that sticks in your gullet.
Africa didn’t want me, at least the part I saw didn’t, and I came back
broke. I drifted about town for some time and swapped drinks with
other fellows in the same boat. The work idea was off, but I was still
looking for a job, which isn’t the same thing at all though. One or two
of the fellows I knew joined the Black and Tans, and I nearly joined
myself—nobody else seemed to want me—but I happened to like the Irish
and I didn’t like the sound of their prospective job. So I hung about,
talking over schemes with other drifters and having too many drinks. I
sold one or two things on commission but found it a poor, dirty game.
Then I found I hadn’t a bean, didn’t want to borrow, so put in a spell
of navvying, up North on some public works, got the job through pure
influence. That did me good, but I haven’t the navvy temperament
and technique and it was about as hard as a spell of penal servitude.
But I stuck it till we were paid off, came back to town and went round
the bars, seeing if there was anything doing. There was—there always
is, if you’ve got the stomach for it—but I couldn’t do it. I tried to
write—I’d got plenty of material—but could only make a rotten hack job
of it, just spoiling the stuff. Then my mother died. She’d not had much
to live for after father and Jim went. My one sister had married and
was out in India, and I wasn’t exactly a howling success as the prop
and mainstay of the family. Some money came to me. It wasn’t much and
it didn’t last long. I’ve seen to that. There’s still a little tied up,
but I’ve borrowed on the strength of that. When you’ve nothing to do,
no aim of any kind, very few real friends, money doesn’t last long.
There are twenty-four hours in every day to be paid for, bought off,
you might say. I’m one of the ugly ducklings of the War generation,
the sort that will never become swans. Already another generation’s
come up, who understand this world, who don’t let it take them in, kids
soft enough in body and speech but really as hard as nails, all
out for a damned good time. They know what they want and how to get
it, and nothing’s going to take them in. I’m out too for a damned good
time—there’s nothing else to be out for, nothing left—but I don’t get
it. And I never will.’

He looked round at the faces turned to his. Mr. Femm appeared
impassive, Sir William slightly uncomfortable, and the Wavertons and
Gladys serious and sympathetic. Then suddenly he started up and broke
into speech again, this time swiftly, vehemently.

‘You think I’ve justified myself,’ he cried to them. ‘I haven’t really.
It’s cant, though not the worst kind, but still it’s cant. It’s weak
sentimentality merely turned topsy-turvy. I’ve realised that when I’ve
heard other fellows explaining away their slackness. It’s nearly as
bad as being one of those creatures who, when they get put into the
dock, begin snivelling about their War record. It’s not the first time
that boys have left school to be shot at, have lost their brothers and
friends, have been jilted, have been swindled. If a man’s got guts, he
ought to be able to win through. That’s what you ought to tell me. I
know it. I know this disillusion or cynicism or bitterness or whatever
it is is the new cant, an attitude, weakness trying to disguise
itself. And that makes it worse for me. I say I ought to be able to
win through, and then I ask myself “win through to what?” I don’t like
being in this pit, but there’s no motive-power to lift me out, or you
might say there isn’t even any “out.” You can put it another way. I
asked Waverton what he thought was the great snag in life, the catch in
it. I asked that because I was curious. I wondered if his idea would
agree with mine. But it didn’t. Mine’s this. If you approach life in
the old noble-silly fashion, then it’ll simply cheat you and bump you
badly. If you don’t, if you crawl into it with no grand illusions, then
you’ll come to terms with it, of course, and live easily, but you’ll be
nothing but a pig, and it’s not worth having at all on those terms.’

‘That’s not unlike mine, you know,’ said Philip. ‘Only I feel I could
patch up your trouble, that a compromise is possible.’

‘And that’s what I felt about yours,’ cried Penderel. ‘I felt it
would be possible to find a safe seat somewhere between the horns of
your dilemma, but not between those of mine. Of course, if you’re a
born pig, you don’t feel it, but if you’ve merely turned piggy,
it hurts for a time. I’m hoping it’ll stop hurting soon. I’ve turned
piggy, of course.’

‘You’re a raging idealist,’ Margaret smiled at him, ‘or you wouldn’t
talk like that.’

‘That’s it,’ said Sir William, complacent now. ‘He wants the moon.’

‘No, that’s wrong,’ replied Penderel, eagerly. ‘That’s something quite
different. I know people like that, but if you think I am, you’ve
missed the point.’

‘I don’t know, Penderel,’ said Philip. ‘Surely it’s really a matter of
wanting better bread than can be made of wheat, as someone once said of
somebody.’

‘No, it isn’t.’ Penderel was very emphatic. ‘It’s worse than that. It’s
finding that bread made out of wheat isn’t worth eating.’

‘That’s the same thing,’ Philip told him.

‘I don’t mean it to be.’ He leaned forward on his elbow and frowned.
‘Wait a minute and I’ll tell you what I mean.’

‘I know what you mean.’ Gladys’s voice surprised them all, for somehow
they had not expected her to speak. ‘Well, if I don’t know what you
mean, I know what’s the matter with you. You’ve nothing to live for.
You’re just passing the time and it’s rotten. Everything so far’s
been a washout, and now it’s Monday morning all the week.’

Both Penderel and Sir William opened their mouths to speak, but they
were drowned by a new voice that was so shrill and unexpected that
it startled them all. Miss Femm had returned and was approaching the
table, shrieking at her brother.

‘Morgan’s at the bottle again,’ she was shrieking. ‘I knew he’d begin
to-night. Where did he get it from?’

Mr. Femm bit his lips. ‘He did not get it from me. Can’t you stop him?’

‘There’s no stopping him now. He’s there in the kitchen, stupid
already. I’ll take these things away, the rest can stop where they
are.’ And she bore away the remains of the joint and the cheese.

The others pushed back their chairs and rose to their feet. That
entrance had obviously put an end to their talk, during which they had
seemed to be sitting on a bank, watching life go by like a river and
pointing out to one another its eddies and ripples and gleams; but now,
with the opening of a door and the sound of another voice, life seemed
to be roaring round them again; they were in the river.

Miss Femm was back again. ‘If he goes on, he’ll have to be watched,’
she screamed. ‘It’s getting worse outside too. We’ve not done with it
yet.’ She departed with the bread and the butter.

Sir William felt he wanted to do something. He turned to Mr. Femm.
‘Who’s this fellow, Morgan? Your man? Is he as bad as all that?
Couldn’t you tackle him about it—tell him to get to bed?’

Mr. Femm, who did not look happy, shook his head. ‘I have seen him once
or twice like this before. Being little better than a brute, he is very
close to Nature, and these upheavals have a bad effect upon him, and
then he takes to drink and that makes him worse.’

‘Could I tackle him?’ Sir William looked masterful. ‘I’m used to
dealing with some pretty tough customers. He’s the big rough chap I saw
at the door here, isn’t he?’

‘He is. Very big, very rough, very strong. A tiny smile crept into Mr.
Femm’s face. ‘He is also dumb.’

‘Dumb!’ Sir William was taken aback. Somehow he couldn’t see
himself trying to reason with somebody who was dumb.

Mr. Femm nodded. ‘Very strong, very stupid, and dumb. I said he was
very close to Nature.’ He nodded again and then walked away. Sir
William stared and began to whistle soundlessly. This fellow was as odd
as his servant. He joined the Wavertons at the fire.




                              CHAPTER VI


After they had all risen from the table, Gladys and Penderel found
themselves standing together. There were several yards and the width of
the table between them and the others, who were close to the fire. This
isolation was accidental, but they were in no hurry to put an end to
it. The mood of candour and revelation had passed, leaving them rather
shy and awkward with one another, but something had been carried over
from that shared feeling. Their faces were still strange but their feet
were on common ground.

Gladys looked about her and gave a little shiver. ‘Glad I’m not here
alone,’ she told him. ‘This place’d give me the horrors.’

Penderel was curious. ‘D’you mean absolutely alone?’

‘No, I didn’t really. I meant just with the people here.’

‘The Femms?’ He hoped that that was what she did mean.

She met his glance and nodded. ‘Yes. There’s something a bit queer
about the man, but that little fat woman, with the voice—there’s
something about her....’ She finished the sentence by wrinkling her
nose.

Penderel hadn’t troubled himself much with the thought of Miss Femm.
‘She’s probably a harmless old creature, though she certainly does
remind one of a slug.’

Gladys kept the wrinkle on her nose for a few moments more, then let it
go and smiled. ‘What’s the time?’

He couldn’t tell her. ‘Sorry. No watch.’

‘Fancy a man without a watch!’ she cried, though the thought seemed to
please her. ‘But I never have one neither. Can’t be bothered somehow.
Why don’t you?’

‘I hardly ever want to know how it’s going—the time, I mean; and if I
do, there’s always somebody ready to tell me. Some people never seem to
think about anything else. I don’t think I like watches and clocks. We
ought to go back to hour-glasses and sundials, things that deal with
time quietly and don’t for ever pester you with their sixty seconds to
the minute.’

She seemed to be looking at him rather than listening to him.
‘You’re a funny boy,’ she said at last. ‘I expect you’ve been told that
before.’

Was this something real, only defeated by language, or was she becoming
heavily arch? ‘No, I haven’t,’ he replied lightly. ‘I haven’t been
told anything for ages. I’ve been spending most of my time with men,
and men, you know, never say things like that, never really tell you
anything about yourself.’

‘I can tell you something about _myself_? she said, making a droll
little grimace.

‘What’s that?’ He put on a look of mock gravity.

She curved a hand round her mouth. ‘I’m dying for a drink.’

‘So am I,’ he assented, heartily. ‘This confessional business has made
me thirstier than ever. Well, what about a drink? There’s some gin left
there.’

‘Ugh! Not for me. I’ve not come to mopping straight gins yet. That’ll
be the last act. You wouldn’t like to see me soaking gin now, would
you?’

He admitted that he wouldn’t. And he meant it. It was curious how the
idea revolted him. He had a quick shuddering thought of gay and
impudent youth, of something that deliciously held the balance between
the urchin and the woman, rotted away: a mere trick, of course, of
associations, but nevertheless very curious.

‘Isn’t there anything else?’ she went on. ‘One whisky now, and I’d
face the rest of the night cheerfully. Sir Bill there, the greedy pig,
swallowed all we had as soon as we came in. If you want to know how
those men make so much money, that explains it. They’re greedy pigs.’

Penderel looked at the table and rubbed his chin. ‘I’m with you about
the whisky. But there’s none here.’

‘Well, it’s a dam shame, now, isn’t it? Why don’t you carry a flask?’

He stared at her and suddenly struck his left palm with his right hand.
‘Why,’ he cried, ‘what a fool I am!’

‘Of course you are.’ She made a mocking little face. ‘But what’s the
big idea?’

‘I don’t carry a flask as a rule, but I had one to-day. I’d forgotten
all about it. You can hardly believe it, can you? But it’s true. I had
one, I had one, full of good whisky. I remember having one little drink
out of it, when we started off again just after dinner.’

‘What about it, then?’ she asked him. ‘You’re not going to be a greedy
pig, are you? You’re not going to tell me now that little girls
oughtn’t to drink whisky?’

‘Don’t be silly. I’ll go and get it and we’ll share what there is, just
the two of us.’

‘That’s the spirit.’ Then her face seemed to change a little and now
she really smiled at him. ‘Just the two of us. We don’t want Bill in
this—he doesn’t deserve any either—and the others won’t want any. Where
is it?’

‘In my raincoat pocket, I suppose,’ he replied. ‘I’ll go and see.’ He
went over to his coat, but returned shaking his head. ‘It’s not there.
I must have left it in the car, somewhere on the seat.’

Her face fell. ‘If that isn’t just my luck. What’s the good of having a
flask out there? We can’t start climbing over rocks and wading through
rivers to find it.’

‘But this car’s here, just round the corner,’ he said. ‘You’re
forgetting that. I can easily slip out and get the flask.’

‘Of course!’ she cried. ‘I was thinking of our car. Just a minute
then, and I’ll come to the door with you. I’ll put my boots on first.’

‘Have you got a torch?’ he asked. When he discovered that she had,
having carried Sir William’s through the darkness, he continued: ‘Well,
if you let me have that, I can get the flask in a minute. No need for
you to bother yourself, you know.’ But he hoped she would.

When she returned, wearing her boots and coat and carrying the torch,
she said: ‘No, I’ll come to the door with you. It’ll be something to
do and perhaps we’d better have our drink there. I’ve shocked your
friend—Mrs. What’s-her-name—Waverton—enough for to-night. Besides,
Bill will be wanting to butt in.’ The others were clustered round the
fire and were paying no attention to them. Gladys was eager to go, to
do something. It would be a little adventure. She didn’t want to stand
there, waiting for him.

They left the big door open behind them and stood at the top of the
three steps outside, sheltered from the rain by a small porch. The
night was as black as ever and still roared gustily, and the light from
behind only showed them a gleaming slant of rain and pools in the
sodden gravel. For a minute or so they made neither movement nor sound
but simply stood close together, looking out. Somehow it was as if all
things had narrowed to one perilous rim.

‘Give me London,’ said Gladys, her mouth close to his ear. ‘London
every time. You never see a night like this there. It never seems so
bad. Ugh! I’d get the horrors here. And, mind you, I’ve struck some
rotten places in London, but you always feel you’ve only to make a
little dash for it and everything’s all right, there’s the lights and
the buses and policemen just outside. But look at this.’

‘We’re probably cut off altogether by this time.’ Penderel found the
idea attractive. The five of them were shipwrecked. There had come at
last a break in the smooth and dreary sequence of things. He hoped they
were cut off at least for a few hours. ‘According to these people here,
it’s happened at least once before. The house itself is all right, but
it might easily be impossible to get away from it.’ But it didn’t look
impossible though, and he couldn’t help wishing the evidence were
plainer. He didn’t want everything to settle down again.

Gladys surprised him by touching at once the core of his thought.
‘You’re rather pleased about it, aren’t you? Anything for a bit of
excitement’s your motto, isn’t it?’

‘Perhaps it is,’ he replied. ‘But I hope you’re not going on to say
that you’ve met my sort before. That would make me very angry. I like
to think I’m original.’

She reflected for a moment. ‘No, I’ve met all sorts, and some were a
bit like you but not really very like. You’re different really.’

‘Now that’s a compliment,’ he cried. ‘Nothing like being different.
You’re different too.’

‘Of course you’d have to say that, wouldn’t you?’ She turned her head
to look him in the face. Her eyes seemed enormous in that strange
half-light of the open door. ‘But you don’t really believe it. I know.’

‘You don’t know.’ This was silly stuff, but he had an odd desire to
tease her.

‘Yes, I do. You shut up,’ she retorted, quite calmly. ‘Run away and get
that flask. Where’s the car?’

‘Just round the corner here somewhere.’ He waved his left hand.
‘It’s in a shed or coach-house or something and won’t be locked up. Can
I borrow the torch?’

She handed it to him. ‘I’ll wait here for you.’

‘Right you are,’ he cried. ‘I shan’t be long.’ He hurried away, and a
moment later she saw the light from his torch vanish behind a corner of
the house. Three or four minutes passed for her in a kind of dream, in
the very centre of which, far removed from the darkness and the rain,
there seemed to be something comforting, warm, glowing. It would be fun
when he came back with the flask. The drink didn’t matter much—though
she had missed the whiskies-and-sodas that most evenings brought, and
felt a little uncomfortable, uncertain of herself—but she liked the
idea of the two of them, just them and nobody else, sharing that flask,
making a kind of cosiness together in the middle of this awful night.
There was something about this boy ... she felt she understood him.
She had remembered him from that one night at the ‘Rats and Mice.’
He hadn’t remembered her, hadn’t noticed her. That was nothing. She
wasn’t so sorry about that. He had had a lot to drink, was nearly
tight, but not red and goggly like most of them, but pale, with very
bright eyes, all strung up. He wasn’t the usual sort. He didn’t care
much about girls, but was one of those who went round drinking with
other fellows, played cards for money all night, and talked and talked
about the War and books and politics and all that, very clever and very
funny. They’d think he was happy, they’d know no better; she could
almost see and hear them, a lot of men talking and laughing, silly
babies. That girl had done it for him, or begun it. She found herself
wondering what that girl was like. Tall and fair, little head, high
voice and snobby accent, cool sort of stare, twenty-guinea tailor-mades
as ‘these old rags’ for the morning stroll, one kiss if you’re a good
boy—she’d be that kind, rather like this one here he’d been staying
with, Mrs. Waverton. But he wasn’t in love with this Mrs. Waverton,
wasn’t even interested, she could see that. Perhaps that girl wasn’t
the same kind. And anyhow, what did it matter, what was she being so
silly about? It was time he was back.

Then something happened. The little lighted patch of night, with its
gleam of falling rain and wet ground, at which she had been idly
staring for the last five minutes, was suddenly blotted out, and
there was nothing but darkness before her. The doorway was all dark.
The lights in the house must have gone out. It was all so sudden, so
unexpected, so noiseless, that for a moment or two she was completely
bewildered and rather frightened. Then she heard voices raised indoors.
They would be telling one another that the lights would have to be
attended to, that the fusing or whatever it was would have to be put
right. The lights would probably be on again in a few minutes. She had
said she would wait there. If she went in now, she might spoil it all.
She would stay where she was.

It was queer, frightening, though, standing there in the dark and not
knowing what was happening. She could at least peep in, just to satisfy
herself. There was a very faint firelight creeping through the doorway
now. She could hear voices again, and footsteps, now a loud voice—that
was the fat, deaf woman, who must be quite close. She had been staring
irresolutely at the darkened doorway, but now, having determined to
look into the house, she moved a pace or two forward and to the
right. Had she moved another step the heavy door would have flung her
back bodily, but as it was she stopped just in time. Actually it did
not touch her but it seemed to have been banged in her face.

She was so startled that the crash left her dizzy, leaning against the
door for support. It was as if someone had dealt her a blow. No gust
of wind could have banged that great door into its place; somebody
inside had shut it; and she was locked out. And now it was darker than
ever, and all she could hear was the noise of the rain, a dismal,
frightening, lonely sort of noise.

Why didn’t he come back with that flask? Why didn’t somebody remember
they were out and open the door? It had only been shut by a silly
accident. She would knock and let them know she was there. But even
when she made up her mind, it seemed as if her muscles would not obey
her at once, so that she hesitated for some time, with one hand resting
on the door itself and the other ready clenched for the knocking. She
grew impatient with herself. What was the matter? A rap or two would
settle it. Yet when she did knock at last, it was hurriedly and
rather timidly, like somebody dubious of the fate an opened door would
bring. She waited a moment and then knocked again, this time with more
confidence.

Nothing happened. The massive door looked as if it were closed for
ever. The noise of the rain returned with greater insistence, and
the night, the immense black wet gulf of it, seemed to close round
her. What had happened in the house? What had become of Penderel? She
couldn’t wait for him any longer, everything had suddenly become so
queer. If she stood in front of that door another minute, she would
want to scream and batter it with her two fists. He didn’t know these
things were happening, and he was only round the corner. She would go
and find him.

It was a relief to do something, even though it meant splashing
through the darkness. She made for that corner of the house round
which Penderel’s light had disappeared, but when she had groped her
way to the other side of it there were no signs of any sheds or
coach-houses. There was, however, some sort of light on the left, and
she hurried towards it, imagining for a moment or so that she had
found Penderel. But no, this was still the house itself. The light was
shining through an uncurtained window on the ground floor. She went
nearer and saw that the light came from a solitary candle and that
someone was sitting in there. Could this be Penderel? No, it was not.
She approached the window more cautiously now, and peeped in.

The candle was on a bare table and it showed her the figure of a man
sprawling there, with a bottle of brandy and a glass before him. It
was the huge dumb man she had seen when she first came in, the man
they said was drinking, Morgan. She could not see him very distinctly
because the window was streaming, but she received a vivid if fantastic
impression of his humped shoulders and hairy flushed face. His head
was rolling a little from side to side, and he put one great paw
on the table to steady himself. He looked as if he had reached the
brooding stage, and very soon, she thought, if he didn’t fall asleep,
he would turn nasty. She had seen them before—usually with two or three
policemen hanging on to them before they had done—and he was obviously
that sort and such a huge brute too. He would need about four
policemen if he turned nasty. They ought to have locked him in that
room, which seemed to be a kitchen. Perhaps they had, though. Now
she saw him lift his head, and she felt a sudden stab of fear as he
appeared to turn his eyes towards the window. But she reminded herself
that he couldn’t see her, and she stayed where she was, watching him,
fascinated. Now he had rolled to his feet and was looking about him.
He moved forward for a few paces and then stopped, swaying slightly
and apparently muttering to himself. Obviously he hadn’t reached the
legless state as she thought he might have done, for he moved with some
confidence, but he was drunk, there was no doubt about that, broodingly
and dangerously drunk, ready for mischief and worse.

She turned away, dazed after looking at the light, and groped her way
round the next corner, feeling wet and cold now and apprehensive. Where
was Penderel? For a moment she was completely bewildered by the total
darkness and splashed on helplessly, like someone lost and blind. But
she heard a noise coming from the right somewhere. It sounded like
a horse moving in its stable. She pressed on vaguely in the direction
of the sound and seemed to approach a long black bulk. These must be
the coach-house and sheds he had mentioned. Yes, there was a glimmer
of light further away on the left. She hastened towards it, heedless
of the pools through which she had to splash, and a moment later found
herself blinking in the sudden full glare of the electric torch. She
had found him.

‘Is that you?’ she called, halting.

‘Hello!’ came his voice, and she hurried forward. ‘I was just coming
back,’ he went on. ‘Sorry to have been such a time, but first I
couldn’t find the car and then I couldn’t find the flask. I looked
all round the back seat, then at last remembered I had passed it to
Waverton and he had put it down and forgotten it, and it was on the
front seat. Sorry to have kept you waiting.’

She was hardly listening. They were in a kind of shed, and she was at
his side, leaning against him, breathless. She felt all weak now. ‘Half
a minute,’ she gasped, and straightened herself.

He put a hand on her arm, and with the other hand sent the light
of the torch circling round the shed. ‘Hello, what’s wrong?’

She waited a few moments. It didn’t seem much now. He would think she
was being silly. ‘Nothing much really,’ she told him. ‘Only it seemed
so funny. While I was standing at the door, waiting for you, all the
lights in the house suddenly went out.’

‘That’s nothing,’ he interrupted. ‘They’ve been jumpy all the time.
I’ve been expecting that. This home-made electricity’s always going
wrong, and a night like this just asks for it.’

‘All right, Mr. Wise Man. I thought of that too. But there’s some more.
Just after the lights went out, the door was banged in my face. I was
locked out.’

‘That’s queer certainly,’ he admitted. ‘Perhaps the wind though....’

‘No, it wasn’t. Then I knocked, but nobody came. I was fed up standing
there, waiting for you, so I set off to find you, and on the way I saw
that man Morgan in the kitchen, fighting drunk. Phew!’ She blew out her
breath. ‘I want to sit down.’

‘Of course you do,’ he cried. ‘You want a drink too. Well, then, inside
or out?’

‘What do you mean? If it’s the drink, I want it inside.’

He turned her round and flashed the light forward. There was the car,
which had been backed into the long shed. ‘We can perch on the step or
running-board or whatever they call it, or we can get inside and be
snug and talk it all out over the whisky. Just a minute,’ he added,
moving forward. ‘I’ll switch on the lights to make it cosier. Only the
dims though, because it’s Waverton’s electricity, not mine. There you
are.’

‘We’ll sit inside,’ she decided.

‘Right you are. Front or back?’ he enquired, bowing and waving a hand
towards the two doors.

She laughed. He was turning it all into fun again. ‘Oh, the back!’ she
cried. He held open the door and she climbed in and settled herself
happily on the cushions. He sat down by her side and began to unscrew
the flask.

‘So they’ve shut us out, eh?’ He was pouring the whisky into the little
cup. ‘Well, that’s nothing new, is it? We’re always being shut out.’

‘I’m not.’ She took the cup he offered.

He laughed. ‘Aren’t you? I am. Drink up, and then begin at the
beginning and tell me all about it. Wait, though, I’ll have a drink
first. I don’t suppose there’s anything in it, I mean the business of
the lights and the door, of course, but there might be, there’s just a
chance. If there were, it would be something horrible. Well, I drink
your health, Gladys.’ He drained the cup. ‘I hope you don’t mind my
calling you that, as between fellow adventurers, you know, shut out,
lost in the dark, draining the last flask.’

‘No, I don’t mind. I like it.’ She felt warm now, snuggling in the seat
and with the tiny fire of whisky somewhere inside her; and she found
herself leaning against him a little, discovering a certain comfort
in the suggestion of his neighbouring solidity. ‘But what do you mean
by your something horrible?’ she went on to ask. ‘Are you trying to
frighten me?’

He was more serious now, though not entirely so. ‘No, I’m not. I tell
you I don’t suppose there’s anything in it. But, I repeat, if there
were, it would be something horrible. What I mean is, that this house
we’ve crept into out of the dark might be all right—that is, so
far as we’re concerned, just for to-night, we’ll say—and probably
will be, but it’s very queer, and if it goes wrong, it’ll go wrong
very badly. I feel it in my bones. Once off the track and there’ll be
something hellish let loose. You see, I’ve been brooding over it a bit,
and I know more about it than you do.’

‘You’re making it up,’ she cried. ‘You don’t know any more than I do.
You’re trying to work it all up into something very exciting, just to
pass the time. I know you.’

‘Perhaps I am. But listen. To begin with, there’s old Sir Roderick.’

‘Who’s he?’

‘Exactly, who’s he? You’ve never heard of him. But he’s in there. He’s
the master of the house really and was once tremendously important, but
is now very old and infirm and is somewhere upstairs, invisible and
ungetatable. When you come to think of it, he’s rather like God.’

She pinched his arm. ‘You mustn’t,’ she told him, and meant it. It
wouldn’t do to say such things a night like this. He was worse than she
was, and she would have to hold him in. He didn’t seem to resent the
pinch and she let her hand stay where it was, loosely grasping his
arm.

‘Then there’s woman Femm,’ he continued. ‘You’ve seen and heard her.
She might break out anywhere. I’m not sure now she didn’t frighten
Margaret Waverton. There’s Morgan. You’ve just seen him——’

‘I have,’ she broke in, with conviction, ‘and I hope to God they’ve
locked him in.’

‘There’s man Femm, those bones that have dodged the police. I wonder
what he’d been doing, by the way. Now the queer thing about him is that
he’s terrified, absolutely jangling with fear of something or somebody
in the house. I noticed it, and he said he was afraid of Morgan getting
drunk——’

‘If that’s what it was, I don’t blame him.’ She was very emphatic.

‘But it wasn’t, that’s the point. I’m positive it wasn’t. It was
something, somebody else. In the house too. Perhaps it’s Sir Roderick,
who may be a kind of old horror.’

She tightened her grip on his arm. ‘That’s enough of that. I want to be
able to go back there.’

‘All right. But you ought to have been telling your tale. Now you
begin, and when you’ve finished, we’ll go back and see what’s
really happened.’ He sank a little lower in his seat and rested his
head on the cushions. She began her story of the lights and the door,
and as she spoke her head gradually slipped down until at last her
cheek was resting against his sleeve. Throughout there was at the back
of her mind the thought of that great closed door and the surrounding
darkness and the rain that could still be faintly heard beating against
the roof of the shed. But there was a little roof of their own, the
car’s hood just above their heads, between them and that other roof,
and they seemed to be in a queer tiny room, smelling of leather and
petrol, that lodged them warmly and securely in the very centre of the
night, just the two of them, talking so easily together. She wanted to
give herself a shivering little hug—just as she used to do when she
was a kid and the curtain went up at the theatre—and she hadn’t felt
like that for a long time. It was queer how excited and happy she was
inside, simply because the two of them were there talking about strange
things and all the time talking their own strangeness away.




                              CHAPTER VII


It had looked as if Philip were going to plunge into an explanation,
as if they were going to have it out together at last. They had drawn
away from the others and were standing near the fire, intent upon one
another. They ought to have begun as soon as that curious talk, which
had pretended to be a mere game round the table, had come to an end.
Indeed, their eyes had begun, Margaret told herself, and then admitted
that it was mean of her to have left the actual cold plunge into talk
to Philip. Poor Philip was so dreadfully handicapped. If he wasn’t too
proud to talk to her properly—and she was sure the night had withered
away all but the merest husk of pride in both of them—he was still shy.
Why had she stupidly waited and then squandered the precious moments in
chatter. No, it wasn’t really chatter, nothing they said now could be
called that, but it wasn’t the talk they wanted. Their eyes condemned
it. Eyes were doing that everywhere, watching in despair the world
being chattered away.

Then it had seemed as if he were about to begin. He had tightened his
lips for a moment and that familiar little frown had appeared. How
well she knew that look! There had been times too—and they weren’t
pleasant to think about now—when she had hated it, had turned away
and had allowed other faces (Murrell smiling down at her, the sickly
fool!—how could she have been so silly!) to come flashing into her
mind. The little speech that had followed that look on his face had
seemed to confirm her judgment. He had said, very gravely: ‘Did you
understand what I meant when I was talking at the table, Margaret? It
was important, you know—I mean important for _us_.’

There was everything in that plural. Of course she had understood.
As if she didn’t know him, know every twist and turn of his mind, so
anxious, blundering, honest, yes, gloriously honest! She had waited a
moment before replying, but only to pick out the right words so that
she could get the two of them really launched. And then, before she had
spoken a word, it had happened. The lights had gone out. It was
as if the house couldn’t leave them alone. She was just finding her
feet in it, that queer experience in that horrible room with Miss Femm
was just beginning to look like a mere attack of nerves, everything
was settling down into decency and friendliness, and now the light was
gone. At first they seemed to be in total darkness, but it was soon
partly dispelled by the dull glow from the fire. Now she stood among
shadows in a faintly crimsoned cavern.

The fuss that followed was rather welcome; it did at least keep the
house at bay. The men began shouting to one another about fusing and
short circuiting and accumulators. Philip, who knew all about these
things, offered to try and make the lights work again, but Mr. Femm
seemed to think it was hopeless. Margaret didn’t listen very carefully,
being content that their loud, cheerful voices filled the darkness. But
when Sir William struck a match and held it up and there was talk of
candles, she remembered the one she had brought back with her from Miss
Femm’s room.

They lit this candle and put it on the table, and then they all drew
a little closer and looked down on its tiny wavering flame. At this
moment, Miss Femm marched in upon them, carrying another lighted
candle.

‘You’ve got one, have you,’ she yelled at them. ‘Well, look at it. It’s
guttering. There’s a draught.’ She looked round the room. ‘The door’s
wide open.’ She went over and closed it with a bang. Then she returned
to the table, put down her candlestick, and let her little button eyes
run from one to the other of them.

‘Look here,’ cried Sir William, heartily, ‘isn’t there anything else we
could have, a lamp or something? Not much of a light this.’

‘What’s that?’ Miss Femm screamed, looking at her brother. He explained
in his curious hissing voice that always contrived to reach her ears.
Meanwhile, Margaret seemed to hear a faint knocking, but as no one else
appeared to hear it, she thought she must be mistaken. Then Miss Femm’s
voice drove all thought of it from her head. You couldn’t think of
anything else the moment that woman opened her mouth.

‘Let them have the big lamp then,’ she was saying. Miss Femm always
talked about them to her brother as if they weren’t there. ‘There’s
oil in it. We used it the last time the lights went out. We must
have some light down here, and not just to please them either. There’s
Morgan, remember. Go and get the big lamp, Horace. You know the one.’

He stared at her, his face an edge of bone in the candle-light. Then
after a few moments’ hesitation he stammered: ‘Yes, I—I think so. I
cannot remember where it is though. You get it, Rebecca.’

‘Not I!’ she cried. ‘Too big for me. And if you don’t know where
it is, I’ll tell you; though you know as well as I do. It’s on the
little table on the top landing.’ Her voice rose to a scream of savage
derision. ‘You know where the top landing is, don’t you? You’ve heard
of it, I dare say. You can perhaps believe there’s a top landing, even
though you do believe so little. Well, it’s up there, next to the roof.’

It was strange that Mr. Femm should seem so agitated. It wasn’t the
mere screaming that was upsetting him; he frowned his resentment at
that; yet he was still hesitant and disturbed. ‘I remember it now. Yes,
the big lamp. It is very heavy, too heavy for me.’ He shook his head.
‘I couldn’t carry it down all those stairs.’

‘You mean you’re afraid to go up there alone,’ she screeched,
pointing a finger at him. ‘Well, I’m not going up, I’ve enough to do.
You go with him.’ And the finger was sharply turned until it pointed at
Philip.

Margaret jumped and felt like crying out that Philip shouldn’t go,
but then suddenly realised she would be making a fool of herself. Why
shouldn’t he go? Yet she was half alarmed, half annoyed, when he nodded
across at Mr. Femm. ‘Yes, I’ll go with you, of course, and help to get
it down.’

‘Get it myself, if you like,’ Sir William put in, looking from one to
the other.

Philip grinned at him. ‘No; I’ve been chosen, and I’ll go. We’d better
have one of these candles, hadn’t we?’ He took up a candlestick, gave
a smiling glance at Margaret, and moved a few paces forward. Mr. Femm
joined him at the foot of the stairs, was given the candle, and then
slowly led the way up. The others stared at them in silence, and it
was not until both the men themselves and their jigging shadows had
disappeared that anybody turned away or spoke.

‘I want this,’ cried Miss Femm, laying a hand on the remaining candle.

Margaret exclaimed in protest against being left in the dark for
even a moment. Philip’s queer little exit had somehow left her shaken,
and now she regarded Miss Femm with positive hatred.

‘Must leave us a light, you know,’ Sir William shouted. And he gave
Margaret a friendly glance, as if to suggest that he knew what she
was feeling, a glance for which Margaret, who hadn’t expected it,
was instantly grateful. ‘If you’re going,’ he went on, bellowing
cheerfully, ‘you must leave us this. Can’t sit in the dark.’

In reply to this, Miss Femm, surprisingly enough, produced from the
grey fat folds of her face a kind of smile. ‘It would do you good to
sit in the dark,’ she told him, ‘but I’ll see. I can’t go about in the
dark and I’ll have to find another for myself.’ She fumbled in the
bottom of the candlestick and found there an old candle-end, which she
lit and held before her as she waddled away to the door that led into
the corridor. The other two watched her for a moment and then settled
themselves in front of the fire.

‘I think I’ll try a cigarette,’ said Sir William, producing his case.
‘Will you have one?’

She didn’t really want to smoke, but she took one because it
would help her to feel easy and companionable. Their being left alone
together and the fire and the candle-light all combined to suggest,
quite definitely if not strongly, a certain intimacy. You felt you
ought to begin talking of something very personal and important almost
at once.

Sir William blew out a column of smoke, leaned back in his chair,
stretched out his legs, looked about him, and then remarked easily:
‘Not very cheerful, is it? What’s become of Gladys and that other chap,
Penderel? Funny I never missed ’em. Are they wandering about the house
somewhere?’

She replied that she wasn’t sure. They might have gone out. He doesn’t
seem to be bothering much about his Gladys, she told herself. What a
queer relationship! She felt suddenly curious about it, about him too,
and stared across at his heavy face.

‘We’re a bit dictatorial with these people, when you come to think of
it,’ he mused. ‘Don’t know that I’d like it. Though we’ve every excuse,
of course.’

‘I know. If they were ordinary sort of people, I should say we were
behaving very badly. But they’re so queer, aren’t they?’ And then
she suddenly thought how horrible it would be if he stared at her in
surprise and blandly contradicted her. It would only need a touch like
that, she felt, to throw her off her balance.

He only smiled, however, and there was comfort in his hearty rejoinder,
for there seemed to be a whole sensible world behind it. ‘A bit mad, I
should say,’ he replied. ‘Both of ’em. They get like that, living in
these places, miles from anywhere. Just imagine year after year, with
many and many a night like this, and hardly seeing anybody. I know,
because my own part of the world’s a bit like this.’

She took the cigarette out of her mouth and looked her astonishment.
‘Why, I see you against a background of telephones and cars and express
trains and offices and factories. Nothing like this.’

‘Now, yes. But not always. I came originally from a little village
in East Lancashire on the edge of the moors. A few miles away from
where I used to live it’s as wild as this, and you get some queer
folk—people—up there.’ She seemed to hear the flat Lancashire accent
creeping back into his voice. ‘I still go back sometimes. They
tell me what they think of me up there. I’ve a brother and sister there
yet, living in the same old way.’

She didn’t know anything about these people, but she remembered certain
Scots novels. ‘They don’t make a fuss of you, I suppose, because you’re
now an important person and have made a lot of money?’

He laughed. ‘Well, this is the way it works. They respect the money but
not me. They care about money up there, know what it’s worth, and don’t
pretend to despise it. Now in other places, particularly in the South
of England, they pretend they don’t care about money and they also
pretend to think a lot about me, who happen to have plenty. The other’s
the best way, though I don’t think so when I’m there and they’re
putting me through it.’

Margaret couldn’t resist it, he seemed so willing, almost anxious, to
be communicative. ‘How did you come to make such a lot of money? I
mean, how did you begin?’

He looked across at her with thick, raised brows. ‘That’s a queer
question.’

‘I’m sorry, it’s rather a rude question, I know. But it’s a
question I’ve always wanted to ask someone like you.’

‘Oh, I’m not offended, don’t think that,’ he cried, leaning forward
and then settling himself more comfortably in his chair. ‘It was
queer because I happened to be thinking about the very same thing.’
He stopped and looked with half-closed eyes at the fire. Margaret,
released from her curiosity for a moment, wondered what Philip was
doing. He was a long time returning from that mysterious top landing.
But was he though? No, he had only been gone a few minutes. She
returned with a rush to her companion, who had suddenly lifted his head
and was now looking across at her. ‘Would you really like to know?’ he
enquired.

She nodded. ‘Yes, I’m really curious.’ If it was to be a tale of
high finance, Philip would be back before it had hardly got under
way. But she couldn’t help feeling that it was going to be something
more personal, for even in that dim light she seemed to recognise on
his face that plunging look which men put on when they were about to
unburden themselves.

‘Unless you’re very lucky,’ he began, ‘you only make money by wanting
to make it, wanting hard all the time, not bothering about a lot
of other things. And there’s usually got to be something to start you
off, to give you the first sharp kick. After you’ve got really started,
brought off a few deals and begun to live in the atmosphere of big
money, the game gets hold of you and you don’t want any inducement to
go on playing—d’you follow me? It’s the first push that’s so hard, when
you’re still going round with your cap in your hand. It’s my experience
there’s always something keeps a man going through that, puts an edge
on him and starts him cutting, and it may be some quite little thing. A
man I knew, a Lancashire man too, was an easy-going youngster, thought
more about cricket than his business, until one day, having to see the
head of a firm, he was kept waiting two hours, sitting there in the
general office with the clerks cocking an eye at him every ten minutes.
He’s told me this himself. “All right,” he said to himself, “I’ll show
you.” He walked out when the two hours were up, and that turned him,
gave him an edge. He did show ’em, too. I don’t say, of course, that
every man who says something like that to himself brings it off, but
some do. Well, it was the same with me.’

‘What was it then that made you so ambitious?’ And Margaret looked
at him speculatively.

‘It was a cotton frock,’ he said quietly.

She stared and hastily smothered a laugh; obviously he was in grim
earnest. He reminded her of a big brooding schoolboy. ‘Tell me what
happened,’ she said softly.

‘All right, I will, though I don’t know why I should,’ he remarked.
Then he changed his tone. ‘Just after I left school, I got a job in a
cotton office in Manchester. I met a girl when I was twenty and very
soon we were engaged. Couldn’t get married for a year or two because
I hadn’t enough to do it on. At last they told me to leave my desk
and start going on ’Change, in other words promoted me and gave me
a good rise. That was enough for us, we got married. We hadn’t much
money, but what we had gave us a very good time. I was in love and very
happy then. I wanted to do well at my job and kept my nose down to
it during working hours, but forgot all about it at night and at the
week-end. Still, I wanted to get on, and my wife encouraged me. Well,
I was promoted again, this time to the London office, with more
responsible work and another rise. We were excited about that, I can
tell you. I can see us now, getting all our things packed—not that that
took us long—ready for the great move. We found a little flat, very
cheap, near Swiss Cottage, and Lucy—my wife—slaved away cleaning it up
and I helped her when I came home at night, and we enjoyed ourselves
I can tell you, though we’d no friends and nobody hardly spoke to us
for months. But it was London and we felt we were getting on and we
were happy together. We managed to spread the money out, and we’d have
dinner in Soho once or twice a week and go to the theatre, in the pit.
It was a bit lonely for her, but she didn’t mind it at first. We’d soon
find our feet, move up in fact. I bought a dress-suit, my first.’ He
stopped, stared at her, and cleared his throat. ‘I don’t suppose you
want to hear all this. Don’t know why I’m bothering you with it.’

‘Go on, go on. I want to hear it,’ she told him.

‘Well, I’ll make it as short as I can,’ he went on. ‘One of the
directors gave a party, and we were invited. This was the great event.
We felt everything was beginning for us. They were taking us up.
You can just hear us talking it over, Lucy all nervous and excited,
hoping to make a good impression for my sake. Well, I put on my
dress-suit and she made herself as pretty as a picture. During the
evening I didn’t see much of her. I was among the men most of the time,
talking business, making the most of the opportunity. Once or twice I
looked across and gave her a smile and she smiled back, but I thought
she looked a bit forlorn. I was full of it all going home, but she was
very quiet, tired I thought. Then when we got to bed I pretended to
go to sleep, but I heard her crying. When I asked her what was wrong,
she said she was tired, got a headache. As a matter of fact she hadn’t
been feeling too well, so I left it at that. But I noticed she never
mentioned that party. There was another a month or two afterwards, but
she wouldn’t go. She’d a good excuse then because by that time she
was really ill. Within a year she was dead. But I found out what was
the matter that night. She let it slip. She’d only had a cheap cotton
frock on (it looked pretty enough to me, and I knew a bit about dress
goods) and the other women there had let her know it. She was a little
provincial nobody in a cotton frock and they didn’t forget to let
her see it. She’d had a wretched evening, had felt snubs and sneers in
the air all the time. It kept coming out later, when she was weak, half
delirious. I remember sitting by her bedside....’ He stopped and looked
down into the fire.

Margaret waited, afraid of marching briskly into that reverie of his.
At last she moved a little in her chair and he looked up. There was
just light enough for her to see his face tightening.

‘That did it for me,’ he cried. ‘Up to then I’d been the nice honest
decent little servant of the Company. Well, that was finished. They
couldn’t give a poor little nobody in a cotton frock, all eyes and
smiles and nervousness, a friendly word or look, couldn’t they! I told
myself I’d put them all in rags. I was mad, but it put an edge on me,
strung me up as if I was a fiddle-string. Going home to that empty
little flat night after night during the first year, I swore to myself
I’d spend the rest of my life beggaring every woman who’d been to that
party. Couldn’t do it, of course, but I did what I could. Before I’d
done, I took a lot of cotton away from some of those fellows and
piled it on the backs of their women. Within three years I’d wrecked
that company and walked over to its biggest competitor. That started
me. You wouldn’t think I was sentimental, would you? But that began it.
And it wasn’t hard because there was nothing for me to do but to make
money. I didn’t even want to spend it at first, nobody to spend it on,
and didn’t want to enjoy myself or take it easy, not with that cotton
frock stuck in my throat.’

He rose from his chair and kicked a log back into its place on the
fire. Then he stood looking down at her, his massive face very clear in
the candle-light.

‘You’ll hear some tales of me, probably heard ’em already. I’m one of
the rudest of the rude self-made men. I’ve no respect for charming
hostesses, nice ladies whose husbands could do with a bit of capital,
or dainty aristocratic girls who wouldn’t be above marrying a man
twice their age if he happened to have bought a title and owned a few
factories and ships and a newspaper. They’ll tell you that, and they’re
right. I keep my respect for the young men’s wives who turn up in cheap
frocks. I suppose a man’s got to be sentimental about something,
and that’s how it takes me. I’ve slipped many a year’s dress allowance
into an envelope. Queer, isn’t it?’

Margaret murmured something, but she hardly knew what it was, for she
was troubled by a vision of factories and ships and crowded offices,
and against this background there stood out the figure of this
man, no, this huge resentful boy with his oddly commonplace little
romance, someone lost, now smiling, now crying, in a tiny flat, one of
thousands, nearly thirty years ago. She stared at him. He had never
really grown up. Were they all like that, these men who grabbed power,
who wrecked whole countrysides, who sent other men flying all over the
world? Once again she seemed to ache beneath the sudden pressure of
life. It was time Philip returned. Why didn’t he come, bringing the
lamp? She felt lost herself in this queer light. The very look of that
single candle, pointing at the shadows, made her ache.




                             CHAPTER VIII


‘What’s that?’ Sir William held up his hand. ‘Didn’t you hear
something?’

Margaret leaned forward in her chair. ‘I thought I heard a noise,
a kind of distant rumbling.’ She rose to her feet, and they stood
together, listening. Their eyes were empty, but in their ears was the
whole vague tumult of the night.

‘Nothing much,’ said Sir William at last. ‘Storm’s still going on, I
suppose.’ He thrust his hands into his pockets, and began whistling
softly.

There had been so many things to think about that Margaret had almost
forgotten the storm, the crumbling hills and the floods outside, the
old menace of the night. Their journey through it, their arrival here,
these events had crept away from the foreground of her mind, had
thinned and faded a little. Now they returned, conquering her mind in
one savage rush; the walls and the roof became mere eggshell; and
the night was about to pour in its rain and darkness. She stood there
pressing down so heavily upon one foot that the whole leg was taut and
dully aching, and still she listened.

There was more distant rumbling, then at last a huge crash, coming from
somewhere above and behind the house. ‘I wonder what that was,’ she
said, looking at her companion.

‘Something went then,’ he exclaimed. ‘More water coming down now, I
suppose.’ He went over to the window, rubbed it with his forefinger,
and tried to peer through. ‘Can’t see a thing. It’s as black as pitch.’
He continued to stand there, with his face close to the window. ‘I’ll
tell you what,’ he said, after a minute had passed, ‘I can hear
something though. Sounds like rushing water, tons and tons of it. Come
here and listen.’

She joined him at the window, which looked out at the back of the
house. There was a noise of rushing water coming from somewhere, not a
loud noise yet very disturbing, suggesting the presence of a gigantic
hostile power. ‘Is it coming down on us?’ she asked.

‘All round us now, I should think,’ he replied. ‘Probably finding its
way in.’

Yes, the house was an eggshell perched on the hillside. There was
no security anywhere. This thought angered her; she felt as if she had
been cheated.

‘It won’t bother us,’ Sir William was declaring. ‘Only keep us indoors
here, and anyhow we don’t want to go out.’

She hastened to agree, and told herself not to be so foolish. A foot or
two of water, a few tumbling rocks outside, a little space of darkness,
that was all, and what were they? The trouble really was, she ought to
be asleep, dreaming. There came a fancy that it was the dreaming part
of her, now awake and active, that was taking hold of her experience,
turning it into queer stuff, flashing baleful lights upon it. They were
now both drifting away from the window, going back to the fire again.

The opening of a door behind turned them round. Could it be Philip at
last? No, it was Miss Femm. She came in with a candle in one hand and
with the other outstretched, a finger pointing at Margaret.

‘You opened it, didn’t you?’ she screamed, accusingly. ‘Well, you can
go and shut it now, go and shut it. I can’t. No time to lose
either. It’s down on us, coming in too, I expect, in the cellars.’

Margaret couldn’t find a word. She felt rather sick. Sir William,
however, took charge of the situation. ‘What’s this?’ he called, with
some sternness.

‘The floods, of course!’ cried Miss Femm. ‘All round us.’

‘Yes, I know that,’ he returned. ‘But what’s this about opening and
shutting?’

‘My window.’ She pointed to Margaret again. ‘She must have opened it,
and now she can shut it. I’m being swamped out.’

Margaret found her voice. ‘I’m sorry.’ Then she turned to Sir William
and lowered her voice. ‘I’m afraid I opened the window in her room.
That’s what she means.’

‘Is that all? Well, I’ll go and close it for her,’ he replied, to her
relief. ‘All right,’ he shouted, nodding to Miss Femm. ‘I’ll come and
shut it.’

Miss Femm nodded in reply, keeping her mouth tightly closed and fixing
her little eyes on Margaret in a long evil stare. Then she went over to
the door through which she had just entered, the one that led into the
corridor that Margaret knew, and held it open. Sir William walked
towards it, then turned and looked back at Margaret. ‘Shan’t be long,’
he told her. ‘Your husband ought to be back with that lamp in a minute
or two.’ He went out, followed by Miss Femm, who banged the door behind
her.

It was a desolate sound. Nor was the silence that came so swiftly
afterwards any more comforting. There dripped into it the thought that
she was now alone. The shadows, thick in every corner of the big room,
lit so feebly, despairingly, by the solitary candle, crept nearer to
tell her that she was alone. It was only for a minute or so, though.
Any moment might bring Philip down those stairs. She walked slowly over
to the foot of the staircase and stood there looking up into the gloom
above and listening for his footstep. She heard something, a vague
noise, it might have been someone talking or moving about upstairs. Was
it Philip and Mr. Femm? And if not, who was it, and what had become of
them? There was a creaking somewhere. Was it on the stairs above? She
glanced round the hall and then had a sudden impulse to run upstairs
and find Philip. It would be better than staying there alone. But would
it? She might miss him; he might return some other way, down
another staircase at the back, and find her gone; and she might be
wandering about upstairs. Who knew how big and rambling the house might
be! She saw herself creeping down strange dim corridors. No, she would
remain where she was. And anyhow, Sir William would return soon.

She wandered back to the table and looked down on the candle-flame.
Idly she held one hand above it and began twiddling her fingers,
watching their play of light and shade. Then she saw the shadows they
cast, a dance of uncouth crazy figures, savages leaping in the smoke
of a ceremonial fire, and she brought her hand away and remained
quite still for a few moments, feeling very small and desolate. Soon
she grew impatient, first with herself and then with everybody else.
Why had they all stolen away, leaving her alone? Her mind swayed
towards unreason. There came gibbering into it the fancy that she
was the victim of a plot, that all the others had been deliberately
spirited away by Miss Femm, who would lock them all up and then come
creeping back to lay a toad-like witch’s hand upon her. For one
sickening moment she could feel that hand, but the next instant the
whole fantastic web was broken. Nerves and a too eager imagination
were playing her false again, playing false indeed to life itself,
through which there ran the unbroken cord of sanity; they were lying
and treacherous, betraying her mind back into primitive darkness. You
go native, they whispered, it’s easier. Thought came to steady her, and
things shifted back into a reasonable shape and colouring again.

She was ridiculously impatient, of course, she told herself, swelling
every second into a minute, but still it was queer how long everybody
seemed to stay away. And where were Penderel and that girl Gladys? They
must be together, of course. Perhaps they had tucked themselves away in
some corner of the house (somehow the idea made her shudder), or they
might possibly be outside.

The thought steered her towards the door. She would have a look at the
night. Even if no one had returned by the time she came back from the
door—and that was improbable—a peep outside would at least make things
easier by contrast, would banish the desolation of the room, give
it a suggestion of warmth and security. She opened the door and peered
out. At first there was nothing but darkness and a rush of sweet cold
air in her face. Then the light of the room, dim as it was, stole
through and her eyes began to sift the dark. There were still noises
coming from a distance, the sounds she had heard before, but these only
formed a vague tumultuous background for other and more curious sounds,
near at hand, all watery sounds, a kind of mixed lapping and swishing
and splashing. She leaned forward and looked more closely. There was
little or no rain now, only a few drops came spattering in the rising
wind. But what was that faint curved gleam below? She peered down and
saw that two of the three steps from the door had disappeared. Then she
understood, though it was difficult to say how much her eyes actually
saw. But that was water that darkly shone and lapped and swished and
splashed there below. She was looking out upon what was virtually a
river or a lake. The flood had come pouring down upon them, had rolled
round the house (and was perhaps filling the cellars this very minute),
and its waters had risen to a sufficient height to cover the two
steps. It was besieging them. She was standing on the edge of a little
island. Involuntarily she drew back and swung the door a little further
forward, but did not close it. Fascinated, half lost in a dream, she
still stared out, her fancy deepening the dark water every moment until
she brooded over whole drowned valleys.

Then suddenly she went cold and stiffened. Somebody was standing
behind her, very close. For a moment or so she did not move and there
came back to her, in one crazy flash, that vision of Miss Femm which
tormented her before. It was she who was standing there, malignant,
corrupt, a witch.

There was a shuffling movement and the sound of heavy breathing. She
had no need to turn and look now. It wasn’t Miss Femm, it was Morgan. A
great hand came uncertainly over her head, touched the door she held,
and began closing it; she could feel his hot breath; he was brushing
against her; there came a sickening animal warmth, a rank smell.

One quick desperate twitch of her whole body and she was free. The
door crashed to, with all his weight upon it, and for a moment he
remained there, leaning against it, a breathing hulk. She stood
trembling, only a yard away, and stared at him. She wanted to cry
out, but she dug her nails into her palms and remained silent, asking
herself frantic questions. He was drunk, of course, as they said he
would be. Had he been simply trying to shut the door? Yes, that was
all. She had only to keep quiet, to be calm, dignified, and he would be
gone in a minute.

Without another glance at him, she walked slowly across the hall
towards the fire. It was extraordinary how far it seemed. Her back
crept with little shivers. But it was all right; he would go away, and
somebody would be coming soon, yes, somebody would be coming. She had
reached the table now and the candle burning there gave her confidence.
What was he doing? She turned to see, narrowing her eyes. The dim
light showed him to her still standing there, a vague shape at first,
but then she saw that he was no longer leaning against the door but
had turned round to face her. Was he looking at her? The blur of his
face told her nothing, but she felt sure that he was staring across at
her. It would have been less terrifying if she could have seen
him clearly, but that vague mass, that dark hulking shapelessness,
like something monstrous spawned by the shadows, appalled her. Was he
moving forward or merely swaying? And there was not a sound; nobody was
coming. The whole world was suddenly empty and horrible.

Yes, he was coming towards her, there could be no mistake about that
now. She saw him lurching forward gigantically. She wanted to run
away. But he had stopped again, and was swaying there not two or three
yards from the table; and she could see him clearly now, could see his
hair and dripping beard and even his little sunken eyes, and this was
something for faint comfort, for he did at least become a person again.
Desperately she told herself it was only Morgan, the servant here, a
big stupid creature. Why should she stand looking at him like that?
If she took no notice of him, he would probably go away. She turned a
shivering back upon him and walked slowly across to the other side of
the fireplace. Then she faced about sharply. He too had moved and was
now standing where she had been a moment before.

‘What do you want?’ she cried shakily. Her voice sounded so feeble
that it only emphasised her weakness, her loneliness. And what was the
use? He was dumb. If only he hadn’t been dumb, she felt, she could have
done something with him.

His little eyes dwelt upon her, as if in answer to her question. Then
he raised a hand lumberingly and his mouth seemed to gape into a grin.

She held herself tightly. ‘Go away,’ she cried again, and stared at
him. He did not move but made an uncouth noise in his throat. There
came with it that smell again, rank from a huge unwashed hairy body.
If he could only say something, however foul, it would have helped her
to control herself. But this sickened and terrified her. Still trying
to look self-possessed, she moved away again, with wincing little
steps, this time round the right-hand side of the table, thus keeping
it between them. She would go towards the stairs. Philip was up there
somewhere and might be coming down any moment.

She could see Morgan out of the corner of her eye. He was still
standing there, watching her. Now she was turning away from him,
facing the bottom of the stairs. There was a noise behind her.
Had he moved? She quickened her pace and was now within a yard of the
lowest stair. He was following her; he was very near. Then she gave a
little shriek for a hand fell upon her shoulder, twisting her round.
A great arm swept about her, and there was a fleeting nightmare of a
lowered hairy face, a suffocating hug, heat and stench and huge sliding
paws. She threw herself back, struggling wildly, sickeningly, beating
upon the arm that held her, wriggling desperately in his grasp. A
sharp tearing—the top of her dress ripped—and she was free, stumbling
backward, gasping. He loomed above her, but now she summoned all her
strength, darted blindly beneath the outstretched arm, and contrived to
scramble up the first few stairs.

‘Philip, Philip!’ she called with what breath remained to her. Oh,
where was he, where was he? The stairs heaved and trembled; her hair
fell in front of her eyes, which saw strange flashes of light; there
was a roaring in her ears; but he was coming after her now and she
clutched at the banisters and pulled herself up and up, half falling
and then recovering herself at every other step. He was there
grunting behind her, only a few feet away. The stairs now curved into
darkness, and in a moment she would be at the top. Something freed
her voice at last, breathless though she was. ‘Philip, Philip!’ she
called, and now the cry went ringing through the dark. ‘Philip!’ it
went ringing again, sending her terror and her need clamouring through
the upper rooms and landings, the black space into which he had
disappeared. He was there somewhere and he would hear.




                              CHAPTER IX


Following Femm upstairs left ample time for reflection. He seemed to
move not merely slowly but with downright reluctance, as if he were
climbing to the scaffold. Philip was telling himself that he felt
a durned sight better. He had Penderel (and the house itself too,
perhaps) to thank for that, because it was that outburst of confidences
round the table that had done him good. To begin with, he had let off
steam himself, which made an immense difference. Then Margaret’s answer
to his question had told him a great deal. In fact, he had thought
of trying to put things right between them, had just been about to
begin—led on by the good old Come-now-Philip look in Margaret’s clear
eyes—when the confounded lights went out and eyes and all disappeared.
Then, too, the others had rushed in to give themselves away, and that
had been a warming and heartening kind of experience. The night had
redeemed itself. If you can put yourself right with people, he
announced to himself, the rest doesn’t matter; the roof can fall in.
And a serious young architect couldn’t put it stronger than that.

So far he had been climbing funereally in Femm’s shadow. Now they had
reached the top of the first flight of stairs, and his guide had come
to a halt and was holding the candle above his head, as if he were
inviting the architect in Philip to look round. There wasn’t much
to be seen, but Philip peered curiously and suddenly found himself
interested. He turned to examine the panelling at his elbow, and Femm
brought the light nearer.

‘Seventeenth century?’ Philip asked.

‘That was when this house was built, or at least some of it,’ Mr. Femm
replied, and seemed anxious to remain where he was and to volunteer
further information.

Philip nodded to all that was said, looked about, touched things.
Everything there was magnificently done but had been wickedly neglected
and was now in a ruinous state of decay; it was a sight that went to
his heart. He thought he understood now why the house had depressed
him at first, where he had picked up the idea of an evil desolation,
for everything told the same sad tale, and no doubt downstairs
he had quite unconsciously taken in all this. Treated with anything
like decency, this house would have been a joy, a miracle. Now they
stood there holding a candle to a fallen empire of craftsmanship. A not
unpleasant melancholy, touched with autumnal beauty, invaded his mind.
He wanted to talk about it to somebody, to Margaret.

They moved slowly down the landing, past several stout old doors. The
last of these Mr. Femm tapped with his forefinger. ‘This is my room,’
he said, halting. ‘There are some things here that you would like to
see, I imagine.’ He looked at Philip almost wistfully.

I’ve no doubt I should,’ Philip replied, ‘but not just now, if you
don’t mind. We’ve got to get that lamp, you know.’

Mr. Femm lowered the candle and then made use of his other hand to
stroke his long chin. He looked most fantastically bloodless, brittle.
‘Ah, yes, the lamp.’ He stared at Philip for a moment, then pushed his
face forward a little. ‘Why should we bother about the lamp? We have
been long enough away now. We can go back and say that we cannot
find it or that it was too heavy for us or that it is broken. They will
have to believe us. Why should we trouble about the lamp?’ He spoke
very softly but with even more precision than usual.

Philip looked at him in amazement. What was the matter with the man? ‘I
don’t see the point,’ he began, then broke off and changed his tone,
feeling rather indignant. ‘Besides, we couldn’t do that. We said we’d
get the lamp and we’ll get it. Why shouldn’t we?’

‘Why should we if we don’t want to?’ said Mr. Femm, calmly. ‘And I
don’t want to. Are you afraid of telling a few lies? If you are, I will
take it upon myself to tell them.’

‘It’s not that, though I must say I don’t like lying. And in this case
it would be particularly mean.’ But Philip couldn’t be angry, it was
all so absurd. He never remembered a more absurd conversation—the two
of them standing there in the little glow of candle-light at the end of
the landing, arguing about a tiny errand they had undertaken.

‘I must say, if I may do so without offence,’ Mr. Femm mused, ‘that
for a man of culture, as you have just proved yourself to be, you are
singularly naive. Perhaps you have religious convictions, like my
sister. Perhaps God is on your side.’

‘No, I’ve not,’ Philip replied shortly. He was beginning to be annoyed.
There was something offensive about the man, a queer unpleasant streak
in him that could hardly be dismissed as eccentricity. But something
came to break his thought. ‘Hello, did you hear that?’ he exclaimed.
It was a stifled cry from somewhere, and there came with it a kind of
battering noise.

The candle dipped and shook, and in its wavering light Mr. Femm, who
had started back, looked more ghostly than ever. He answered Philip’s
stare with hollow eyes. ‘I did hear something,’ he said at last.

‘I should think you did,’ Philip returned. It was rude, but he couldn’t
help it. ‘What was it?’ he demanded bluntly.

The other leaned forward again. ‘It must have been Morgan. That fellow
is drunk, as you know. He is probably making a disturbance in the
kitchen.’

The sound had not come from the direction of the kitchen, but Philip
couldn’t very well pursue the topic, although his mind had not
dismissed it. They were wasting time. ‘Well, what about the lamp?’

Mr. Femm bit his lip and then looked apologetic. ‘Listen,’ he began, ‘I
want you to excuse me from accompanying you. I am tired and I am not
strong. I cannot face any more stairs. I should have told you before,
but vanity—the vanity of age—would not allow me. You know where it is,
I believe. You will find it on a small table nearly at the end of the
next landing above’—he pointed—‘at the top of the stairs there.’

The man was so obviously lying that Philip could have laughed in his
face. His excuses were sheer impudence. There was something very
strange in all this, but there was nothing to be done about it. ‘All
right. I see,’ he said, looking him steadily in the eyes. ‘I’ll go and
get it. I suppose,’ he added, remembering his companion’s objection
downstairs, ‘it’s not too heavy for me to carry?’

‘Not at all,’ came the reply. So that had been a lie too. The man was
made up of them. What an extraordinary shifty, spectral creature he
was! That’s what’s the matter with him, why I haven’t liked him from
the first, Philip told himself: he’s a born liar himself and he
makes everything, yes, the whole world, seem hollow and false.

‘I shall want that, you know.’ And Philip held out his hand for the
candle. Mr. Femm begged him to wait a moment and disappeared into his
room. When he returned he was carrying a burning night-light and,
without a word, he now handed over the candle and remained standing at
his door while Philip hurried forward to the foot of the next staircase.

He was not half-way up when he heard the sound of a door closing behind
him. Evidently Mr. Femm had retired into his room. And the next moment
there came the sound of a door either being bolted or locked. It seemed
as if Mr. Femm were determined to feel secure. It was all very strange,
and Philip stopped to tell himself so and to listen again. Somehow he
didn’t like the sound of that door. It was odd how a little thing like
that could leave you feeling uncomfortably insecure yourself, almost
as if you were left naked. He went on, but now he trod very lightly on
the stairs. They were narrower than those below, uncarpeted and given
to creaking long after your feet had passed over them. In the moving
glimmer of candle-light everything here looked very uncared for
and melancholy. Above his head was a little black skylight where the
rain went rap-rapping. It was a place of dust and mildew and long
decay, of things forgotten by the sunlight, as strangely remote as some
house, fragmentary, shadowy, in the dark of a dream.

Here was the landing before him, and there, nearly at the end of it,
were the little table and the lamp. To examine them coolly was to
disperse the fairy-tale dusk that had somehow gathered in his mind
as this absurd little errand had lengthened out and become touched
with fantasy. The lamp was one of those old-fashioned double-branched
affairs, its twin glass cylinders covered with dust. With care, he
ought to be able to carry it down in one hand. The light of his candle
fell on an old steel engraving hanging above the table, and it showed
him a bewhiskered officer standing, sword in hand, in front of a large
cannon, while in the background there towered a quite impossible
pagoda. For a moment he stopped to gaze at this unknown, evidently a
hero of one of the old Chinese wars, and to wonder how he came to be
there, with his sword and his cannon and his pagoda. Then he took up
the lamp, held out the candle at arm’s length, and returned, more
slowly and carefully now, along the landing.

He had been in such a hurry to discover the table and the lamp that
he had never noticed that door on the left. Now, as he walked slowly
back, it invited his attention, then arrested it. There was nothing
very odd about its appearance; it was merely a stout old door that had
lost most of its paint; but there was something very odd about the way
in which it was closed. Then he saw what it was. The door had two large
bolts. It was fastened on the outside. Why should they have done that?
Did they suppose someone would break into the house that way? The very
idea of anyone breaking into this house was monstrous. Pondering these
things, he had actually passed the door, when something pulled him up.
He seemed to hear somebody moving about. Surely there was the sound
of a voice too, a kind of muttering not very far away? It could only
come from behind that door. There was somebody inside that room, the
thickness of a wall away from him, behind that bolted door. And what
about that stifled cry he had heard a few minutes ago, that battering
noise? Curiosity, like a little flame in the mind, burned and
brightened for a moment and then suddenly went out, leaving him in a
crawling darkness, with doubt and terror. He felt suddenly sick and
terrified of life.

Yet he had not halted a minute when his ears seemed to catch another
cry, this time from below, out of another world. Margaret. Surely that
was her voice calling his name? Or was it that old trick of memory,
a phantom call? There was silence now and he moved forward, but
doubtfully. No, there was no mistake. ‘Philip, Philip!’ All of her in
the cry, and a terrible urgency. Still mechanically clutching at the
lamp, with neither hand free to balance himself, he rushed down the
stairs, miraculously without falling; and immediately that feeling
of mental sickness and terror vanished and a curious kind of anger
stirred in him. He’d left her confident and smiling, and now even she’d
been dragged into it. It couldn’t leave even her alone. His mind,
outracing him, found an opposing presence, an enemy, but no name for
it; a density of evil, something gigantic, ancient but enduring, only
dimly felt before, but now taking the mind by storm; it was working
everywhere, in the mirk of rain outside, here in the rotting
corners, and without end, in the black between the stars. Margaret
never seemed to understand about it, but now it had made her understand
or she wouldn’t be calling like that. He’d been telling himself it was
high time she did understand, but as he hurried on now to find her,
the thought that it had got at her while she had been waiting, smiling
there, below, roused him to fury.

As soon as he reached the lower landing, he hastily set down the lamp
and ran forward. There was a flash of blue, a flying fair head, and she
was clinging to him, her hands grasping the lapels of his coat. She
was battling for breath. ‘Morgan—drunk—got hold of me—coming now’ was
all that he could catch, but it was enough. The next moment the man
himself, incredibly hulking in that light, had appeared, but he stopped
short, a few yards away, when he saw the candle and the two of them
standing there.

Margaret swiftly turned her head, then tugged at his coat. ‘He’s there.
Let’s get away from him.’

Philip shook his head, gave a quick glance round, then fixed his eyes
on Morgan’s dark bulk. ‘There’s a doorway just behind us,’ he
told Margaret. ‘If he comes on, get behind me and stay in the doorway.
There’ll be plenty of time to run afterwards, if it’s necessary.’

‘Let’s go, Philip. I’m terrified of him.’

He watched Morgan steadily. The man was swaying a little, but otherwise
he made no movement. ‘He’s probably drunk himself silly and is only
wandering about aimlessly. Are you sure he was after you?’

‘He followed me round downstairs,’ she whispered fiercely. ‘I was all
alone. Then he caught hold of me, and when I escaped he followed me up
the stairs.’ He could feel her trembling. ‘Let’s go now. We might find
the others.’

‘I don’t know where they are.’

What was Morgan going to do? Philip watched him with anxiety, for
the fellow was obviously as strong as a gorilla and was probably
half-crazy, and Philip, though he was fairly tough and was at least
sober, was by no means confident that he could stand up to the brute,
let alone overpower him. He didn’t even know what exactly he would do
if Morgan advanced. He hadn’t used his hands on a man for years,
though there was a time when he had known how to box. Nevertheless, he
was determined not to turn his back on the man, not to budge. The anger
that had been so curiously fired in him on the way down still remained.
Whatever the man may have done already, he still seemed a mere foolish
lump; but if he changed to anything worse, Philip would oppose him
whatever it cost. And anyhow Margaret could easily escape, could run
downstairs—not upstairs, to that landing above, to that room.

‘If he comes on,’ he whispered, ‘and you want to escape, slip past and
run downstairs. Don’t forget.’

Her eyes met his for a second. ‘I shall stay here,’ she said very
quietly. She was composed now. ‘Let me have the candle.’ And she took
it from him, moving a little to one side.

Morgan shuffled his feet and then suddenly lurched forward.

‘Stay where you are,’ Philip called sharply. ‘What do you want?’

He contrived to pull himself up. Then his great shaggy head came
forward and they could see his eyes, fixed in a stare. As if in reply
to Philip’s question, he made a gobbling noise in his throat and
slowly raised a hand until it pointed at Margaret.

There was something overpowering in the very tongueless bulk of the
man, and his approach had shaken Philip at first, sending a flash of
fear through all his nerves. Run, run, run, they screamed. But this
amazing gesture, this raised and pointed hand, so angered him that
his nerves were immediately mastered. He extended an arm and gently
pushed Margaret so that she stepped back into the doorway behind him.
The light she held fell on Morgan, but left Philip shadowy. He watched
those little glassy eyes, now turned from Margaret to him; and leaning
forward slightly, balancing himself upon his toes, he waited.

Nor had he long to wait. Something flared up at last in Morgan’s dull
brain. Suddenly his arms pawed the air and he hurled himself upon
Philip. This blind rush was Philip’s opportunity and he leaped to take
it, throwing all his weight behind one straight hard punch. Crack!—it
went home, full in that lowered rushing face. Philip recovered himself
and instantly stepped back, to be out of reach of those great arms.
But for the moment he was in no danger. Only his sheer bulk had
saved Morgan from being felled by the blow, which had been well-timed
and had found his jaw; and even as it was he was sent reeling back.
Philip did not follow up his advantage but remained where he was, at
once bewildered and exultant, on the defensive. Perhaps that punch
(undoubtedly a whacker) had knocked some sense into the brute, who had
finished staggering back and was now gropingly bringing his hands to
his head. He felt Margaret’s hand on his sleeve and turned to smile at
her. She was standing pressed back into the doorway, and in the light
of the candle she was holding she looked very pale and shining-eyed. A
noise in front brought him sharply round again. And he was only just in
time.

Morgan had charged like a bull and was upon him. He had just time to
raise his arms and tighten his body when the man’s whole weight was
flung upon him and he found his arms gripped by those huge hands.
All was lost. Instinctively, however, he immediately twisted his
arms so that his hands clutched at Morgan’s coat sleeves, then he
held on tightly, his arms rigid, and instead of trying to withstand
the charging weight of his opponent, slackened his whole body.
The result was that he did not go down but was rushed backward, past
Margaret and down the landing, just as if Morgan were carrying him. It
was a dreadful sensation, this of flying helplessly backward, but he
contrived to keep his wits. So long as he was not actually borne down,
with Morgan’s weight upon him, so long as one of those hands had not
found its way to his throat, it might be still possible to master this
brute, who seemed as gigantic but as brainless as a prehistoric monster.

He had found his feet again. This was the moment. He relaxed his grip
for a second, brought his arms down and then threw them upward and
outward with all his strength. Morgan was not quick enough to retain
his grip and Philip was free to throw himself backward. He went further
than he intended, crashing against the wall, because as he moved a
blind swing of Morgan’s clenched hand, as big as a mallet, caught
him on the side of the head, nearly turning him sick. But the light
was very dim here and Morgan’s own bulk now blotted out most of it.
He didn’t seem to know exactly where Philip was, and when he charged
again, he moved straight forward. Philip threw out a leg and, as
Morgan went flying over it, summoned all the strength left to him and
aimed a savage swinging blow at the man’s body, a blow that landed
somewhere in the ribs and completed his destruction. There was a great
thud and with it the sharper crash of broken glass. Morgan was there,
measuring his length on the ground, and in his fall he had smashed the
lamp that Philip had put down not so many minutes before. That was the
end of the lamp then; and the end too, he hoped, for a time of Morgan,
now a dark unstirring shape.

Philip leaned against the wall, triumphant but dizzy and sick. For a
moment he did not move, but then tried a few faltering steps towards
the light. His head ached and this narrow place couldn’t contain the
loud beating of his heart. Once more he leaned against the wall, and
now he closed his eyes, desiring nothing but to be a breath in the
darkness. But the light, coming nearer, forced his eyes open again. It
was Margaret. Her arm was about his neck, her cheek pressed against
his, and there came back to him, bringing a multitude of flashing
little images from a life long lost, the scent of her hair. ‘It’s me,
Phil,’ she was saying. He remembered that, too. It had come back
with the rest, across a desert.

Her fingers were moving gently across his face. ‘Are you hurt?’

He opened his eyes very wide now and shook his head. ‘No, at least
nothing much. Just one bang. I was very lucky though.’ He smiled at her
and then looked down at Morgan, who was still lying there, motionless.

She followed his glance. ‘He’s not—not dead, is he?’

He took the candle from her. ‘No fear. Probably hardly stunned. He
went down with a fearful whack, but he’s obviously a tough subject and
there’s probably nothing wrong with him. Let’s have a look at him.’. He
held the light above the outstretched Morgan, who was stirring a little
now and breathing heavily, and Margaret came peeping over his shoulder.
‘He’s only knocked himself out,’ Philip told her. ‘He’ll be conscious
again in a minute unless he happens to fall asleep; and it’s more than
likely that he will fall asleep, because he’s very drunk.’

Margaret raised her eyes dubiously to his. ‘Suppose he—begins again?’

‘He won’t. Don’t worry about that.’ Philip took her arm and began
moving away. ‘When he comes to his senses he won’t remember anything,
and he probably won’t be fit for much, anyhow.’

Margaret tightened her arm against his fingers. ‘I can’t imagine how
you did it, Phil.’

He laughed. ‘That’s obviously the right remark and just the right tone
of voice, my dear. You caught the note of pride. Well, I can’t help
feeling rather like Jack-the-Giant-Killer. And, as a matter of fact, I
can’t imagine how I did it either.’

They were walking slowly back along the landing now. Suddenly Margaret
stopped. ‘Listen, Phil. You see that room there, the door where I was
standing?’

‘Yes.’ What was this? The dark house closed round him again.

‘There’s someone in there, a man I think. When I was standing there I
heard him call out, in a tiny weak voice.’

‘Femm’s in one of those rooms,’ he told her. ‘He left me and carefully
locked himself in. But it’s the one behind, not this one.’ His mind was
back on the landing above now, before that other door; it seemed
a place in a nightmare. Should he tell Margaret about it? No; at least
not yet.

‘I distinctly heard somebody. He seemed to want something. It must be
that other one.’

‘What other one?’ He had forgotten who was here, feeling lost for the
moment in a maze of dream-like corridors that offered nothing but
mysterious doors and voices crying in the dark.

‘The oldest, the one they called the master of the house, Sir
Roderick,’ Margaret whispered. ‘Don’t you remember, they said he was
very old and ill? I’m sure he wanted something. And think of him lying
there, hearing all that noise, quite helpless perhaps.’

Yes, this must be old Sir Roderick, whose house had given them shelter.
And what a house, what shelter! He looked at Margaret doubtfully, and
then at the door itself. They were standing in front of it now, and its
rubbed panels shone a little in the candle-light.

‘Listen!’ And Margaret’s hand went up as she leaned forward, her white
shoulder curving through the blue silk where her dress had been torn,
her head a medallion of bright gold. His heart went out to her as he
listened. She turned her head, her eyes seeking his. ‘Did you hear
that?’ she whispered.

He nodded, then raised his brows in an unspoken question. There had
come to them, as if from across a great space, the sound of a voice
calling within, the tiny weak voice that Margaret had described. He
read her decision in her face, and felt no surprise when he saw her
hand creep forward to the door and tap-tap upon it gently. Her other
hand sought his arm and rested there.

‘Come in.’ Their ears caught it as their eyes might have picked out a
point of light on a midnight sea.

Margaret hesitated, and Philip felt her hand squeezing his arm. He put
the candle into her other hand, leaned forward and slowly opened the
door. His shadow went wobbling into the room, he went after it, and
Margaret followed him.




                               CHAPTER X


They were still sitting snugly in the back of the car, and now the talk
had drifted round to Sir William Porterhouse. Gladys was determined to
explain about him, rather to Penderel’s alarm, though he admitted to
himself that he felt curious.

‘Of course I like him,’ she was saying, ‘or I wouldn’t go away with
him. You can depend on that. But I’m just about as much in love with
him as I am with old Banks, the doorkeeper at the Alsatia. I’m not
going to put on any airs with you—we’re through with anything like
that, aren’t we? And that’s funny too, when you think we’ve only just
met.’

‘Yes, but we met in the middle of a black night,’ he told her. ‘And
that makes the difference. It’s too damned lonely putting on airs a
night like this. And then there isn’t much time.’

‘How d’you mean, there isn’t much time? There’s plenty of time. There
always is.’ But she was hurt rather than puzzled. He must mean
that he wouldn’t be seeing her any more after this, and somehow she had
expected he would be, quite a lot.

‘I don’t know what I meant,’ he said. And he didn’t, now that he came
to think of it. It was just a queer spurt of emotion, feeling all
things rushing by them. ‘I think I must have meant the usual poetical
Preacher stuff: we’re like flowers that are fresh in the morning and
withered in the evening; you must know the sort of thing.’

‘Oh, that!’ She dismissed these antique fancies with hearty contempt,
all the more hearty because she felt suddenly relieved. ‘That’s only
true about looks, when you’re bothering about your face and figure.
But it’s not true about anything else, is it? Everybody I’ve ever met
had more time than they knew what to do with; even old Bill there—with
all his cables and telegrams and private secretaries and rushing
about—has more gaps than he knows how to fill; I know that. Those old
fellows—they read ’em out in church, don’t they?—must have really been
Beauty specialists.’

‘Perhaps they were—in a way,’ he put in, reflectively. ‘But what
were you going to say, before you began about not putting on any airs?’

‘Oh, yes. About me and Bill. Well, it really boils down to this. It’s
been a convenient arrangement for both of us. As I said before, I like
him, and he’s helped me a lot, given me a pretty good time. There’s
been nothing regular about it, you know; no little flats and all the
rest of it; he’s just taken me out when he’s felt like it or when I’ve
felt like it, and we’ve had a few week-ends away. This is the longest
and the farthest: I was down on this one from the start, but he was
desperately keen, wanted a day’s golf at Harlech. If he was like some
of them I’ve seen and heard of, not gone away with, though—for ever
pawing round you and very smarmy—there’d have been nothing doing. But
what he really wants—most times anyhow—is just somebody to be with, to
talk big to at dinner or late at night. He likes to sit on the edge of
a bed, boasting a bit to round off the day. He’s lonely really, for all
his talk. He ought to have married again; his wife died when he was
young and he hasn’t forgotten her either. You can guess that pretty
soon. I’ve weighed him up.’

‘I can see the balance in your hand,’ said Penderel. ‘It’s
terrifying, but go on.’

‘Now you’re making fun of me,’ she cried. ‘I shan’t tell you any more.’

It was queer, Penderel thought, how simple she became as soon as she
talked directly to him, almost childish, whereas every time she spoke
about anything else she surprised him. ‘You must go on. I want to be
terrified, and I only wish Porterhouse could hear this. It would open
his eyes, though he’s by no means a complacent fool about himself,
judging from that little anecdote he told at the supper table. Tell me
some more about him. Blow the masculine gaff.’

‘Another thing about him is this. I fancy it’s true about a lot of men
too. When he asks me to go out with him or to go away with him, it’s
not so much that he really wants me there.’ She stopped for a moment
to think it out. ‘What he really wants is not to be wanting somebody,
d’you see? And that’s not the same thing, is it?’

‘Not by a thundering long chalk,’ he told her. ‘There’s all the
difference in the world between ’em.’

‘Well, that’s how it is, mostly, with him. He wants everything,
you see, or thinks he does; and if he was by himself, knocking about
town or staying at some swell seaside hotel, and he saw a lot of smart
and pretty girls drifting round, he’d be as mad as blazes because he
hadn’t one. He wouldn’t be able to eat his dinner for thinking about
it. But if he has one too, there with him, staring him in the face if
he cares to look across, it’s all right then. And he’s got somebody to
show off and somebody to explain himself to and boast to, later on.
That’s where I come in, then. You see he happens to think I’m rather
smart and fairly pretty. Probably you don’t.’

‘My dear Gladys, I think you’re astonishingly pretty, a staggerer.’ He
didn’t though; and it suddenly occurred to him that he had met quite a
number of prettier girls—belonging to his own class, as people still
said—who hadn’t interested him at all, whereas this girl was most
curiously attractive and exciting. Like a jolly good music-hall, he
told himself. Well, whatever it was that drew him, it wasn’t the mere
look of her, though that was agreeable enough.

‘You’d have to say that, wouldn’t you? Well, _I_ don’t think I am very
pretty, so there,’ she said, quite earnestly. ‘There’s honesty for
you.’

‘Why, what’s the trouble?’

‘Oh, my face is too broad, to begin with, and my nose isn’t right. My
figure isn’t either, not for these days when you ought to be very long
and slender or a kind of boy.’

‘They’re all wrong. Don’t you worry about them,’ he remarked easily.
‘I detest these death’s head and crossbones women you see everywhere
now.’ He remembered, with pleasure, her fine sturdiness, now so much
neighbouring warmth. But he was still wondering what it was that
attracted him. All her obvious characteristics, of course, her courage
and common sense and jolly impudence, floated on a deep rich stream, a
Thames itself, of feminine vitality. She made Margaret Waverton seem
nothing but a faintly freshened and animated mummy. And the Thames
must have come into his mind, because, in some queer fashion, she was
mixed up with his feeling about London. It was as if his thought of
her danced all the time before a backcloth of the London scene, the
roaringly human streets of Cockneydom—of buses and evening papers and
oyster-bars and teashops and barrel organs and music-halls. That
in itself, on such a night, might explain it all. But he had a feeling
that it didn’t.

She was asking him if he was listening. ‘I’ve been hearing it some
time,’ she added.

‘Hearing what?’ He leaned forward a little, then looked at the vague
rounded pallor of the face beside him, a mystery and an enchantment in
its little darkness of eyes and lips.

‘Outside. A kind of rushing noise.’

‘I’d almost forgotten there was an outside. I can hear it now though.
It’s getting louder.’

‘I should think it is. Sounds as if a river were coming down on us.’
She gave a little shiver. ‘What are you going to do?’

He was opening the door of the car. ‘I’m going to see what’s happening.’

‘It sounds as if you want something to happen. I believe you do. If
you’re not careful, you’ll _make_ it happen.’ There was a trace of real
resentment in her tones.

He was out now on the floor of the shed, which sloped down towards the
entrance. It seemed to be very wet. There was the noise of a great wash
of water coming down, and already it seemed to be rushing past outside
and creeping up the shed. It was difficult to see though, because
the little lights of the car, which had been backed in at an angle, did
not shine his way.

‘I say, Roger.’ Gladys was calling to him. It was queer to hear his
Christian name like that, coming out of a dark place in a still
unfamiliar voice. He felt as if he had suddenly dropped fifteen years
and started over again. ‘If you’re going far, wait a minute,’ she went
on, ‘because I’m coming with you.’

‘I’m not going far,’ he replied. ‘Hardly a step farther.’ The water was
certainly coming into the shed; a flood had been loosed upon them from
somewhere; there was the sound of a river roaring past. ‘Look out,’ he
shouted. ‘I’m coming back.’ A sudden rush of water had swept round the
corner like a little tidal wave. In a second it was nearly up to his
knees, and the next moment he was climbing into the car again.

‘Look at that,’ he panted. ‘Water’s pouring into the place.’ She leaned
across and looked through the open door, while he tried to squeeze the
water out of the bottom of his trousers.

‘Why,’ she cried, ‘if it gets any higher it’ll be in here soon.’

‘In that case,’ he grunted, still bending and trying to wring his
trousers, ‘you’ll have to keep your feet on the cushions.’

She put out a hand. ‘But suppose it gets higher and higher. My God,
we’re simply trapped here!’

He straightened himself now, brought his face close to hers and smiled
at her through the deep dusk. ‘We could get out somehow. Besides it
can’t rise much. It’s bound to run away very quickly. It’s rather
amusing, don’t you think?’

‘Amusing!’ He thought he saw her pull a face at him. ‘I like your idea
of amusement.’

His fingers touched something smooth and cold. It was the flask. He’d
forgotten that too. ‘There’s just a spot left,’ he said, shaking it.
‘You have it.’

‘Don’t want it, thanks. Finish it yourself.’

‘Shall I? Or shall I keep it for an emergency? Or is this an emergency?
Tell me that.’

‘You just said it wasn’t, didn’t you, Mr. Clever Man? But hurry up and
finish it.’ She leaned sideways against the cushions, her face turned
towards him. ‘I believe I want to go to sleep,’ she yawned. ‘I’ll be
off in a minute.’ But inside she didn’t feel a bit sleepy, all
excited.

‘If you went to sleep, something tremendous would happen and then you’d
miss it.’ He went rambling on while he slowly unscrewed the flask.
‘You might wake up to find the water an inch from your chin and trout
darting under your arms. Then again, of course, you might wake up to
find that you weren’t here at all but crossing Piccadilly Circus to
catch the last Tube train.’

‘And where would you be?’

‘Nowhere at all. You’d have just dreamt me. You know how people you’ve
seen only once or twice, as you saw me, pop up in your dreams and
become quite important. Well, I should be one of them.’

‘I don’t want to wake up in Piccadilly Circus then.’

‘Why?’ He looked at her above the flask.

‘Because I like you.’

‘And by rain, by darkness, and by Sir Roderick Femm himself,’ he cried,
‘I like you too! I feel this is a great and solemn moment. You’re sure
you don’t want any of this whisky?’

‘Yes, I told you I didn’t.’

‘Then it must be put to an even nobler purpose than that of
helping to rot my liver.’

‘What are you going to do? Something crazy, I’ll bet. I can see it
coming.’

‘I’m going to sacrifice it—the last drop too, mind, and I’m coldish—to
celebrate this moment. I’ll address a few remarks, we won’t call it
a prayer, to the gods, and then I’ll pour it out as an offering, a
libation. How’s this?’ He sat bolt upright. ‘Oh, gods of light and
beauty and happiness,’ he began, in rich, vibrating tones, ‘crowned
with flowers in eternal May, hear the cry that comes from the little
world that you have left so long unvisited. Behold two mortals whose
hearts were fashioned for your service but who sit in a darkness within
a darkness, homeless, lost, the black water rising round them——’

‘I shall want to weep in a minute,’ she interrupted. ‘You ought to go
on the stage, Roger.’

‘I am on the stage, Gladys. I’m on it all the time, but only wander
about trying to remember what my next cue is, and what the play’s
about, and wondering who the devil can be in the audience. But you’ve
ruined my exhortation now. I’ll have to trust to the libation.
Here goes.’ He held out the flask and raised his voice again. ‘Accept
this offering, all that we can give, the last drops of our golden
spirit.’ The flask was solemnly emptied into the water just outside the
door.

‘Well, d’you feel any better now?’ she enquired as he returned to her
side. She was smiling at him.

He had twisted round, so that they were sitting face to face, and now
his hands shot out to clasp her arms. ‘Do you know, I believe I do,’
he cried. ‘I think they’d had a glance at us—those gods, I mean—even
before I made the libation, and now they may really take notice of us.
When I come to think of it, I’ve felt depressed only once to-night, and
that’s almost a record.’

‘When was that?’ She pressed gently against the hands that were still
curved loosely round her arms.

‘Oh, before you arrived; just after we went into the house. I can
remember the very moment. I’d been left alone, and suddenly everything
went as hollow as hell—perhaps you don’t know the feeling?’

‘Don’t I though! I’ve had weeks of it, when it’s a bother to
breathe, let alone get up and wash and do your hair and dress and eat——’

‘And walk about and talk to people or even look at their silly eyes,
and then undress and crawl into bed, to try and sleep, and after that
begin it all over again. I know. Still, I shouldn’t have thought you
would.’

‘Well, I do,’ she said gravely. ‘Why did you think I didn’t?’

‘You seemed to have so much life in you, good red stuff,’ he replied,
considering her. ‘I couldn’t imagine anything downing you for more than
a minute. I don’t believe it does.’

‘Oh yes, it does.’ She nodded her head, round-eyed, like a child. Then
she laughed. ‘For that matter,’ she cried, ‘I shouldn’t have thought
it of you either. I never met anybody so full of beans. Why, even when
you’re saying how miserable you are, you seem to be enjoying yourself a
lot more than most people are when they think they’re really happy for
once. Look at Sir Bill there. He wouldn’t admit he wasn’t ever enjoying
himself, but at the top of his form, with a pint or two of champagne
tucked away inside him, he’s a damn sight more miserable than you
are when you talk as if you were nearly dead. So there, Mister Roger.’

‘Ah, but’—and he shook his head—‘to-night’s different. That’s what I’m
really trying to tell you?

‘I’d risk every night being different, with you. Not that you aren’t
fed up, of course. It didn’t take me long to see that. And then that
story of yours. That got over all right with me, I can tell you. But
you’ve no need to sit about, thinking it out over and over again or
doping yourself. You’re not really that sort. I know. You’re full of
fight and fun. I’m a bit like that myself but not so much as you are,
and that’s why I like you or partly why. Only I’m not clever like you
and that makes it easier for me?

‘I’m just not quite so clever as a ten-year-old retriever,’ he
protested. ‘And that’s not modesty either. I don’t even want to be
clever. I’ve met some of the clever ones, and they make me sick?

She stirred and then moved a little closer to him. ‘Why don’t you do
something?’

‘What’s this?’ he exclaimed softly. ‘Good advice?’

‘Sounds like it, doesn’t it? I expect you’re thinking it’s damned
cheek, coming from me.’

‘No, I’m not. It couldn’t come from a better person; I wouldn’t have it
from anybody else, I believe. But what do you mean exactly?’

Before she replied, she slid a hand up the cushion and then rested her
cheek against it. He found something curiously moving in that little
action, seen vaguely in the gloom of their little covered place. It was
one of those things that women carry over from childhood. And now she
was beginning to explain herself in that funny little voice of hers,
which had been hastily shedding acquired accents and becoming more
piquant all the time they had been talking together.

‘What I mean is this,’ she began. ‘Have a pop at something. Start
something fresh. Take a chance again. But try something you haven’t
tried before. You can call it good advice if you like, and it is for
your own good I’m telling you; but I don’t mean you ought to go to
night-school or keep hens or put five shillings a week in the Post
Office Savings Bank. You can work the confidence trick or run a
roulette board, if it comes to a pinch—though I can’t see you
doing anything like that—but the thing is, do something. If you think
everything’s all wrong—about the war and all that—you could at least
take a soapbox round and spout at street corners, like the Bolshies or
socialists or whatever they are. Anyhow, do something, and then you
won’t know yourself.’

He’d had a glimpse of the essentially feminine point of view. We’re
tremendously important as persons, he said to himself, but they’re
just detached and amused about all our antics, whether we’re running
a roulette or weighing the sun. We’re still spending half our time,
in their eyes, scrambling in and out of the big nursery cupboard.
Gladys plainly thought his grand deep philosophic pessimism—which
she was obviously ready to lump with socialism and relativity and
psychoanalysis and fascism and anything else she may have heard
about—could be disposed of by talking it out, being only so much steam
to be let off. And perhaps it _was_ so much steam to be let off.
Perhaps she was wiser than he was. It was all very fascinating; and one
thing having this point of view described in books and quite another
thing coming across it like this, suddenly seeing a fantastically
coloured searchlight flashing out of a familiar sky. Here at his elbow
was really another world; and it was soft, warm, and breathing, a
person, somebody you could talk and laugh and cry with, not so very
different in most things, indeed strangely like you. His thought,
having raced round this little circle, suddenly stopped.

‘And if you’re cross now,’ she was saying, ‘then you’re no sport, and I
don’t like you.’

‘I was never less cross,’ he cried. ‘The fact is, I’m all excited.
Either there’s something very heady about a car that’s standing still
or throwing that whisky away has made me drunk.’ He really did feel
oddly exultant all of a sudden. ‘I think the spell must be working.
Life’s suddenly changed from being a damned long dusty road into an
enormous hamper, and I feel as if I’m trying to lift the lid now.
Gladys, I want to give you a colossal hug.’

Her hands came down in front of her and then fluttered towards him.
‘Well,’ she said calmly, ‘if that’s how you feel, go on.’

She was in his arms and her face was tilted back, a few inches away.
They kissed. Then her hand was passed over his cheek, and his arms
tightened about her and they kissed again. It was all done very quietly
and comfortably, without any of the blind fumbling and straining of a
new passion, yet it had not only meaning but intensity. This intensity,
however, like a slant of sunlight, had passed through a mellowing
atmosphere of large friendliness.

Now, her hands pressing against him, she gently pushed herself away.
Penderel drew a long breath. He wasn’t bewildered, he wasn’t ecstatic;
he was suddenly and solidly happy. He felt enormously rich.

‘I didn’t mean that, you know,’ she remarked, ‘when I said you ought to
do something.’

‘That’s a pity. No, it isn’t.’ It was funny. He was cool enough,
and yet his voice wasn’t. It was hoarse, unsteady. ‘Well, I will do
something now. I’ll start this week.’

‘Listen, Roger.’ She put a hand on his arm. ‘Why don’t you come to
London?’

‘I will. As a matter of fact, I’m on my way there now. That sounds
damned odd, when you think of it.’

‘You must think I’m rushing it.’ She was very serious now. ‘But I
can’t help it. I feel I must, while we’re here and it’s quiet and—Oh!—I
don’t know. But listen. Do you—will you—want to see me again?’

His hands went out, but she caught and held them. ‘No, never mind about
that, now. Tell me, honestly and truly, do you?’

‘Of course I do!’ he cried. ‘What a question! Why, you’re the very
person I’m going up to see, though I didn’t know it when I began this
journey. But then I didn’t know anything. When do we get there? Anyhow,
we’ll begin with dinner the very first night, that is, if Sir William
doesn’t object. What about him?’

‘Don’t be silly. He doesn’t matter. He can fade out. He’s done that
already.’

‘So he has,’ he assented. ‘And it’s a comforting thought. But what’s
this about town?’

‘I want to see you too. And I want to help if you’ll start again. I’ll
do anything, everything.’

His mind went blundering after her. ‘Do you mean——’ he began.

‘Don’t you see what I mean?’ she broke in, with a whispered vehemence.
‘I’ll do everything. Oh, it sounds crazy, I know. Don’t think I’m
always like this. I’ve never been like this before. But the girl from
the chorus you’ve met in the middle of the night is telling you she’ll
live with you if you want her to, and there you have it. She’s gone mad
and is flinging herself at you.’

‘And he’s trying to fling himself at her,’ he cried, clasping her arms.
An idea was fermenting in his mind. Why shouldn’t they try it together?
They’d nothing to lose, at least he hadn’t, and everything to gain. It
was delightfully crazy, this idea of his, which wasn’t identical with
hers, much crazier. But he hadn’t tested the strength of hers yet.
‘You’re absolutely regal, Gladys; you take my breath away. But listen
to me a minute——’

‘Are you going to tell me you don’t want me?’ she demanded. ‘Because
you’ve only to nod and it’ll save you the trouble.’

‘No, I’m not,’ he replied hastily. ‘Something quite different.’

‘Then I know what it is,’ she went on, ‘and I’m going to tell you. You
were just going to point out that you hadn’t much money and didn’t
exactly know where you were going to earn any and that I’d have a
damned thin time, weren’t you? I knew you were. Well, that doesn’t
matter. If you really like me enough, we can have some fun together
and manage somehow. To begin with, I can get a job. I really have been
in the chorus, you know—though lately I’ve been resting—though I’ve
not had much from Bill, you needn’t think it; he’s not been keeping me
really—and I can go back to the chorus. If there’s nothing doing there,
I can easily get a job of some sort—there’s a girl I know managing a
milliner’s who’d get me into the shop. And we’d find a cheap little
flat, high up, somewhere not too far out, and if you found anything at
all to do, we’d manage all right. I know I’d be pretty rotten, and you
probably wouldn’t be comfortable at first. I can’t do much—something
quick and easy on a gas-ring is about my limit in cooking—but I’d
try and I’d be happy so long as you didn’t curse me too often. I
know what it means, of course; I’m not a kid. Living like that with
anybody else but you would be little hell; but with you it would be
all different—there’d be fun and excitement all the time—and we’d go
roaming round together and talk and talk about everything, just as
we’ve been doing to-night, and we wouldn’t feel lost and lonely
any more. I know I’m not the sort of girl you used to think about—like
that other one—but I understand; and if you ever got depressed I’d
tease you out of it and then love you hard—Oh! you must think I’m
silly.’ A little choked cry, and she had flung her arms round him and
was pressing her face against his.

‘My dear, my dear,’ he found himself saying. He saw the two of them
crazily garreting it together somewhere above the bus tops; laughing
or grousing together if nothing came off; jubilant over the occasional
windfalls; rushing one another into life. He was holding her close now,
was protective, soothing; yet all the time he had a dim feeling that
it was he who was finding comfort, sustenance itself, in this happy
weight in his arms. Here was the way back into things. But he wouldn’t
sneak up to share her attic. His own idea, mad as it seemed, was better
than that. They’d get married, risk all and then plunge in together. No
doubt people were right, he’d wanted the moon; now he’d start again and
simply want cheese; and perhaps in the end he’d find that the moon was
made of cheese after all.

He put a hand on her hair and gently tilted back her face so that
he could kiss her again. ‘It’s a great idea, Gladys,’ he told her, ‘and
you’re wonderful, and we’ll make it all happen. Only my idea improves
on yours, though you’ll probably think it crazy.’

‘Tell me,’ she whispered. ‘What is it?’

‘Let’s go back first, and then I will.’ She must hear it back in
the house, with other people not far away, where she could test it.
Anything was plausible here, in this tiny odd world they seemed to have
created for themselves. ‘We’ve been too long away as it is. We’ll go
back now.’

‘No, no. You want to leave me.’ He felt her body stiffen in his arms.

‘I don’t. Not ever. But we must see what the others are doing. They’re
probably asleep.’ He couldn’t help feeling that they weren’t, though.
‘Then we’ll talk it all out. I’ve a special reason for wanting to
finish it off there.’

‘All right.’ She drew back but kept her eyes fixed on his. Then, after
a pause, she went on: ‘But are you sure——?’ The question died away. Her
voice was dubious; her stare was dubious, sombre. He was instantly
visited by a curious mixed feeling of alarm and shame. It had occurred
to her that she really knew nothing about him. And he knew nothing
about her. They were strangers, staring through the dusk at one
another. Voices, questioning eyes, the electric contact of flesh, and
you seemed to know everything—a turn of the wheel, a click, and you
knew nothing. The old despair returned; he was trapped again. Without
thinking what he was doing, he took hold of her hand and the next
moment it had given him a warm hard squeeze. At the same time a thought
arrived, just as if it had been squeezed into him.

‘Why,’ he cried aloud, ‘it’s all bosh!’

‘What!’ She withdrew her hand instantly. ‘What d’you mean?’

‘Sorry! I didn’t mean about us, you know, though we come into it. I’d
been thinking and had just made a discovery.’

She regarded him indulgently. ‘You’d better get it off your chest,
hadn’t you? Go on. I’m listening.’

‘We all get on a romantic switchback—up and down, up and down all the
time.’ He was talking to himself rather than to her. ‘First we can
know everything and it’s wonderful, then we can know nothing and it’s
all rotten. Just as if there wasn’t a way in between! There always is,
all the time, and we’re simply too damned proud and lazy and egoistical
to find it and go down it. The thing we won’t bother with is just plain
common sense. It frightens us. It makes us seem less important. Why,
after all, Gladys, I know you——’

‘Do you though?’ she interrupted. ‘That’s what I’ve just been wondering
about. You don’t really, do you? I don’t really know you, though I seem
to better than anybody. That’s funny, isn’t it?’ She was very eager,
excited.

‘Yes, I do,’ he replied sturdily. ‘I don’t know all about you, but I
feel I know a devil of a lot. If I’ve made it up, I’ve made it up, and
that’s that. But I can go on learning. There’s a truth to come out.’ He
was excited himself now and sat up as if to proclaim his discovery to
the world. He felt as if he had turned a corner. ‘That’s what we really
don’t want to believe, that there’s a truth to come out. We don’t
want to sit tight, wait, and learn anything. We pretend we’re above
sensible compromise, when all the time we’re below it. All this
disillusion’s egoistical bunkum.’

‘I dare say it is, though I don’t know what you mean. I never knew
anybody who went on at such a rate. And who are you talking about, with
your “we pretend” this and “we do” that?’ She wasn’t eager now, but
amused and worshipping, as if he had just done something rather clever
with a box of bricks. ‘Now, who d’you mean?’

‘Oh—er—people like me, I suppose, gloomy young asses,’ he told her. ‘I
speak,’ he added, with mock pompousness, ‘for my own generation, though
whether you are a member of that generation or not, my dear Gladys, I
am not prepared to say.’

‘You’re prepared to say anything, if you ask me.’ She leaned forward.
‘And you’re a funny boy and I don’t know why I’m bothering myself about
you.’ Her cheek was lightly brushed across his and a hand passed over
his head.

‘That was benediction,’ he said. ‘Now we must go. We’ll begin
again—never to end—in the house. Ready?’ He rose from the seat and
discovered that his feet were very cold and his legs were cramped.

‘No, Roger, no!’ She was holding his arm. ‘Don’t let’s go back there.
Let’s stay here.’

He turned to stare at her. ‘Why, what’s the matter? We can finish the
night comfortably there. It may be queerish, but at least there’s a
fire. Why don’t you want to go?’

‘Because there’s something—oh! I dunno. I’m silly I suppose. P’raps
it’s just because I don’t want to leave this funny little place—I’d
almost forgotten it’s the back seat of a car; if you’ve been happy in
a place, no matter what it’s like, you don’t want to leave it, do you?
It’s a risk moving on, isn’t it? I expect that’s it.’ But she sounded
very doubtful.

He switched off the small lights of the car, found the torch, and
stepped out into about a foot of water. ‘We shall have to wade back,’
he told her, flashing the light inside. ‘I wonder if I could carry you.’

‘No, you couldn’t,’ she replied. ‘I’m an awful weight.’ Nevertheless he
swooped upon her, just as she was getting out, and went splashing
forward with her in his arms, contriving at the same time to send the
light of the torch before them. That tiny fantastic journey was for
them both like the mingling of a nightmare, in which all familiar
things suddenly lost their identity, crawling into nothingness or
taking on shapes of terror, and one of those clear dreams in which
the enchanted heart recognises and claims its most secret desires as
if they were children long-lost. Here the dream, their sense of one
another, their nearness and warmth, threaded through the nightmare made
up of the sight of that obliterating black water, the air that seemed
like hanging crape, the corners of the house that gleamed sharply in
the light of his torch like naked bone, and a fear, swelling beyond
sensible dimensions, lest his foot should slip and they should fall.
More than once she protested, but he would not put her down, and twice
he had to rest, leaning heavily against the wall of the house, with one
arm still holding her tight. Wet and aching, he was staggering now past
a lighted window. The door could not be far away. Gladys threw out a
hand, found the wall, and steadied them both, wondering all the while
at his odd determination to indulge his whim at any cost. She
found herself slipping down out of his arms, and her feet touched the
highest of the three steps. He came scrambling up after her, sank back
against the side of the door, and fought for his breath. And now, for
the second time that night, he had his hand upon the knocker.




                              CHAPTER XI


Once inside the room, Margaret peeped round Philip’s shoulder. It was
a large room and Margaret had a vague impression that it was full of
lovely old things; but their candle, the only light there, merely
illuminated a tiny space and then simply conjured the rest of the
room, the circling darkness, into rich dusk, in which there wavered
and shone, from unseen polished surfaces, little reflections of its
flame. Thus she saw a background of shadows and some twinkling points
of light, like a night sky. Then she stepped out from behind Philip
and cleared her eyes. They were in a very large bedroom, heavy with
old furniture. The bed itself was a huge shadowy affair, a great
four-poster, canopied with dark curtains at the head.

A voice came from the gloom there, and they moved forward. The light
now fell on a hand resting on the counterpane, the hand of a very old
man, a featherweight of brittle bone. ‘Who are you?’ the voice was
asking. Leaving Philip behind, still holding the candle, Margaret drew
nearer to the bed. Now she could dimly see the man who was lying there,
could see his white hair and long white beard; his face was vague yet
curiously luminous; it moved a little; he must be looking at her.
‘Who are you?’ The question was repeated. Even here, his voice seemed
nothing more than a whisper.

Philip had heard it too, but remained where he was for the moment,
feeling sure that Margaret wanted to reply herself, to explain why they
were there. He was more than content that she should. Who were they? It
was a question that came very aptly, pointedly, ironically from that
bed.

‘I am Mrs. Waverton and this is my husband,’ Margaret was saying. ‘Are
you Sir Roderick Femm?’

‘Yes ... Sir Roderick.... The voice came as faintly as before; the
words might have been spoken by the very air of that dim place.

Margaret nodded and tried to smile at that blur of face with its
ghostly sheen. ‘We have had to take shelter here for the night. There
has been a very bad storm. We came in because we thought we heard
you calling. Can we get you anything?’

The hand that had been lying on the counterpane seemed to raise itself,
and, like something clumsily floating, it moved uncertainly towards the
right of the bed, where there was a little table. It’s horrible, Philip
thought as he stared; it’s like watching a ghost, no, worse than that,
a spirit coming back to try and make the old, rusty, creaky machinery
of the body work again. The real Sir Roderick had already retired
from life. Yet he hadn’t; he was wanting something; yes, he was still
wanting something; and that made it all the worse. What was he saying?

‘Water,’ came the whisper. ‘Glass empty.... Water over there....’

Margaret had heard and understood. ‘Yes, I’ll get you some,’ she
said, and taking up the glass from the little table, she went in the
direction the hand had pointed and filled the glass from a carafe that
she found on the top of a chest of drawers there. She still trembled
slightly and felt a little heart-sick, but the action gave her a
certain feeling of warmth and confidence. Returning with the glass, she
put it into the awaiting hand, a frail curve of bone. ‘Can you
take it yourself,’ she enquired gently, ‘or shall I give it to you?’

‘I can—do it—myself,—thank you.’ The hand closed round the glass
and slowly raised it. For one second the water caught and held the
candle-light and became liquid gold. The old man’s head came forward
shakily, and they had a glimpse of a great curved nose, shaggy white
brows, and wasted cheeks. Somehow it didn’t seem difficult to believe
that he had once been easily the tallest and strongest and handsomest
of the family, a magnificent figure. He had been a great man once, they
had said. No doubt it was true; and now he could hardly raise the glass
to his lips, and when he did at last succeed in drinking some of the
water, spilling it into his mouth, it seemed a triumphant achievement.

The water appeared to revive him, however, for he was able to replace
the glass on the table, and though his head sank back again upon the
piled pillows, into the deep shadow of the curtains, there seemed to be
a faint trace of animation in his movements. But his voice remained the
same, a ghostly whisper, a mere breath in the air. Yet it was he who
spoke first, before Margaret could ask him if there was anything
else he wanted.

‘What was—the noise there?’ he asked.

Margaret explained, very briefly and as lightly as she could, what had
happened outside. She had stepped back now and was standing by the side
of Philip.

‘Morgan—is a savage,’ they heard. ‘It was—the drink though. We have had
to keep him here’—and the voice trailed away into a long pause—‘because
of my brother. I must—apologise for him.’

This was the master of the house, though he seemed to whisper to them
across an open grave, and here were accents they had not caught before
under this roof. It was queer how this little speech appeared to lift a
weight, the pressure of something unnamed, from their minds.

‘Did you say—you were husband and wife?’ The whisper came again, after
a brief silence, filled with departing images.

‘Yes, we are,’ Margaret replied, very simply, like a child; and Philip
felt her hand on his arm. She couldn’t help it; answering that had
somehow been like another marriage ceremony, graver than that other
in the little church at Otterwell. She thought of that, and then
innumerable little pictures flashed across her mind: the two of them
dining together that night at the Gare de Lyon; then going through the
dust and faerie of Provence; the tiny flat in Doughty Street, with
Philip painting the fireplace; the Hampstead house and Betty in the
garden; and with all that had not been shared since flitting darkly
through her mind like a bad dream.

He spoke again out of the shadow. ‘You are fortunate—very fortunate. I
never married. There was—so much to do—but I came—to be very lonely—at
last.’ In spite of the frequent pauses, there was no gasping nor
obvious effort in his speech, and its faint drip-drip of words gave
it a strangely remote, oracular quality. He wasn’t conversing, Philip
felt; he was too old for that; there was only time to call faintly from
the darkening hillside. Philip didn’t want to move nor even to speak;
he only wanted to stand there, staring across the flame of the candle,
listening and wondering.

There was a slight stirring in the bed and the hand groped its way
towards the little table. Margaret started forward out of her dream
and gave him the glass again. This time he leaned further forward
than before, and after he had sipped and the glass had been replaced
he remained where he was, looking at them, with the light falling on
his face. Years and disease had played havoc there, and his eyes were
hidden by his thick brows; but, over and above all that, there was a
marked difference between him and the other two Femms. They had only
a moment, however, in which to return his scrutiny, that curiously
impersonal stare of old age, for no sooner had he spoken again than
he sank back into the shadow. ‘You shouldn’t have come here,’ he
whispered, and then vanished from the light.

‘Oh, I’m sorry,’ said Margaret, hastily apologetic. ‘But we couldn’t
help it, you know. We were absolutely cut off and had no other place to
shelter in.’ She flashed a glance at Philip.

‘It wasn’t a mere matter of comfort,’ he put in, ‘but of escaping from
real danger. There was a landslide and a flood.’ He felt as if he were
earnestly addressing nothing, as if Sir Roderick had departed and would
not return until he was ready to make another remark.

He made another now. But first they saw the hand on the counterpane
lifted, presumably to cut short their explanations and apologies.
‘I’m afraid—you misunderstand me,’ he said very slowly. ‘You make
me—seem inhospitable. I was never that—never.’ Here they caught the dry
husk of a laugh, a ghostly and incredible sound. ‘This house—was always
filled with guests—at one time—years ago—many years.’ They could almost
hear those years rustling by in the long pauses. And Margaret suddenly
thought of Rachel Femm and the young men who came riding in and the
women smothered in silks and scents who had laughed at Miss Femm. This
room, the whole house, was dimmed and thick with presences, haunted.

‘I wish—I could have—received you,’ the whisper, so curiously remote,
began again. ‘But you see, I am—old—ailing—tired now. I have done—with
life. No—not quite done. There is always something—we want. Now—it is—a
drink of water.’

‘Do you want one now?’ Margaret asked, reaching out for the glass. She
did not choose to see beyond the simple need.

‘Thank you,’ he said, without emphasis; and the hand went fumbling
out. In that gesture, even more than in the two whispered words,
Philip seemed to discover a deliberate and frugal irony, an irony that
would have been simply terrifying at any other time. Now, after so many
of his thoughts had gone down this dusty way, it came strangely to
reassure him. He was able to cling to the fact that something looked
out above the wreckage, unconquered, serene.

Once more refreshed by a sip or two of water their host returned to the
shadows and spoke again. ‘No doubt—when you came—they told you. I don’t
know what—they told you.’

‘We were told,’ said, Margaret, very quietly, ‘that you were an invalid
and in bed.’

‘That is—only the beginning. Was that all?’

Remembering so many things, Margaret felt confused, and looked at
Philip. But Philip, not knowing how to begin to answer the question,
shook his head. He felt as if the old man were listening carefully to
their silence and would soon reply to it.

This he did. ‘You have seen—my brother, Horace—and my sister? And
Morgan—you have seen him. You have been thinking—this is a strange
house—a strange family. You may have wondered—whether you did
well—in coming—even for shelter—out of the storm—into this
house—this old dark house. I should like—to tell you everything—to
explain. But there’s no time—no time to explain. I like to see
you—standing there—very young, younger than you think—and I haven’t
seen—anybody like you—so young—for many a year. I had almost
forgotten....’ His voice floated into a silence. They waited,
unstirring, for him to come groping out of his reverie. Then he went
on, more brokenly now: ‘I could have told you—a long story—but no time.
And talking—tires me.’

‘I’m sure it does,’ said Margaret. ‘Please don’t trouble. We’re only
disturbing you.’

He raised his hand a few inches, as if gently commanding her to be
silent. ‘Terrible misfortune,’ he whispered, ‘came—to this house. First
death—very early—for two—a young boy—then a girl, Rachel. Then—after
years—something broke down—the life ran out—there came—a strain of
madness.’ He broke off and there was silence again.

Standing here in this shadowy room, listening to this curiously remote
voice, Philip thought, might seem more fantastic than creeping on that
landing above or fighting with Morgan outside, than hearing Miss
Femm’s screaming or watching Mr. Femm’s hollow eyes; yet he could not
help feeling as if a light were about to shine through the house, as if
he were coming out at the end of a long tunnel.

‘It didn’t touch me—this madness,’ he began again. ‘At least—I don’t
think—it did—though there was a time—years and years ago—before you
were born—when I was wild—did mad things—I don’t know. It touched—all
the others—various ways—different degrees—but shut them all off
somehow—stopped them all really living—passed them through a little
death—half-way—then set them going again—with something dead inside.
You have seen my brother Horace—still sharp—a kind of cunning—but
all empty and brittle—a shell—with something gone—for ever. And
then—Rebecca—poor creature—she may have troubled you—nearly deaf—shut
off—everything missed—and now with a God—a God behind her—a God who is
deaf—vengeful—half-crazed—like she is. Don’t let her trouble you—yet
have pity on her—you are young—don’t anger her—only for one night. But
you have seen—the last of her perhaps—is she asleep? Is it—very
late? I feel—we all ought to be asleep.’

‘Yes, it’s very late,’ Margaret told him. ‘Wouldn’t you like to go
to sleep now?’ But this was only a little part of herself, a little
mechanical part, that was talking, though pity for him remained. The
rest of her was darkly bewildered and on edge. The soft slow pat-patter
of his voice and this shuttered room and thick, haunted air were
beating down her spirit.

‘Not yet,’ came the voice again, answering her question. ‘There’ll
be—plenty of time to sleep—soon. There’s still something left—to tell
you—for there may be—danger.’

‘Danger!’ she cried, shooting a glance at Philip. Was he thinking of
Morgan? Was he thinking at all? Perhaps it was he who was mad, far
crazier than the others, and was dragging them and the whole house into
some long nightmare spun out of loneliness and pain.

Philip found his voice now. Here, he felt, he could ask questions and
be answered. ‘Danger? Do you mean from Morgan?’

‘No—not directly. We keep him here—because of my brother, Saul.’

‘Saul?’ But something was swiftly taking shape in Philip’s mind
even as he cried out the name. That door.

‘Ah!—they have said nothing—about Saul?’ It came with maddening
deliberation.

‘No, no; what about him?’ Margaret tore the question out of a tormented
mind. Why didn’t he hurry, hurry?

‘It was on him—there fell—the heaviest blow. A raging madness. At
times—he is a dangerous maniac. Always he wanted—to destroy—to wipe
out everything—so that life—could be made—over again. There was—you
see—a kind of nobility—in Saul—but now his mind—lives—in darkness. Not
always—but the madness returns—to destroy him—the destroyer.’

‘Where is he?’ asked Margaret, shakily. The question was directed at
the bed but actually she was looking at Philip, who was now nodding his
head and frowning as he always did when he thought he knew something
important.

‘I know where he is,’ Philip announced. ‘I’ve heard him and seen his
room, at least the door of it. He’s upstairs, isn’t he, behind those
bolts?’

‘Yes—he is there,’ Sir Roderick replied. ‘He’s been locked
in now—for several days—has been very violent—I understand. Only
Morgan—can look after him—such times. He doesn’t attempt—to hurt
Morgan—even during—the worst attacks. And Morgan—half savage—very
superstitious—is devoted to him. Otherwise—Saul couldn’t have—stayed
here.’ Obviously he could only speak with an effort now, and the pauses
seemed to be longer between each whispered phrase. It seemed to be
sheer weakness, however, and not actual pain that was mastering him.

‘But if he did get out, we could lock ourselves in somewhere, couldn’t
we?’ Margaret herself was whispering now. She was cold and felt all
hollow inside.

‘You could,’ came the answer, so softly. ‘But if he—found his
way—downstairs—to a fire—or lights—or even matches—I think—he might
set fire—to the house. He has tried—before—a sacrifice—cleansing by
fire—he called it. Up there—in his room—there is nothing—no fire nor
matches—that is why—we had electric lighting.’

Margaret bit her lips. She wanted to grab hold of Philip and run away,
anywhere, back into the darkness and rain, through the flood if
necessary.

Philip concentrated his mind, the prey of huge trampling images, with
desperate swiftness. Something had to come yet. This voice, calling so
weakly from some remote high place, seemed to be letting down a fine
silken cord; it floated before him, a silver thread in the mirk; and
he felt he had to grasp it, hold on to it, or the world was lost. ‘But
those bolts will hold, surely,’ he cried. ‘That door seemed strong
enough.’

‘It is—but this is—what I wanted—to tell you. If Morgan—is so bad—if
he’s not asleep—or come—to his senses—I think he might—open the door.
You will have—to watch him.’

‘Philip!’ Margaret gave a little scream, and he felt her hands fumbling
on his coat. Why hadn’t he thought of that before? He must see if
Morgan was still there—though there hadn’t been much time for him to
recover—and then find the others and decide what to do. ‘Stay here,’ he
said to Margaret. ‘I’ll go and have a look at him.’ He dashed out into
the landing, and she followed as far as the door.

A few steps in the flickering candle-light and he saw that Morgan
was not there. ‘Morgan!’ he cried, without thinking. Before he could
reach the place where Morgan had been lying, where the broken lamp and
its splintered glass told their tale, a door on the left opened and
there peered out a face like paper. It was Mr. Femm.

‘He’s just gone,’ Mr. Femm gabbled reedily. ‘Gone upstairs. I heard him
go. He’s gone to let Saul out, I know he has. And Saul’s mad, mad. Get
out of the way. Wait for him downstairs. There are three of you. Wait
for him there. Kill him!’ And the face was gone, the door banged to and
locked.

Philip hastened back down the landing and found Margaret swaying in the
doorway. ‘You heard that?’ he cried, pushing her forward into the room.
‘He may be letting him out.’

‘What are we to do?’ she gasped. ‘Can’t we stay here? Lock the door?’

‘No, we can’t do that. Mustn’t let him loose downstairs. And the others
don’t know.’ He saw there was a key inside the door. ‘We shall have to
get downstairs at once. I can’t go and tackle the two of them up there.’

The whisper came from the bed again. ‘Yes, go. Lock me in—and take the
key— with you.’

Philip drew back the door, took out the key, gave the candle to
Margaret and motioned her forward. She turned swiftly in the doorway,
however, and called back: ‘Oh, are you sure you’ll be all right?’

‘Yes—all right—take care—good luck.’ The voice seemed to come from
miles away, through a great darkness, the last friendly whisper of
humanity. The next moment they were outside, with the door locked
behind them.

There was a moment’s silence, during which their ears seemed to catch
the last faint vibrations of that voice from the darkened bed. They
were hurrying towards the stairs, but they had not gone more than
a few paces when the silence was broken. A yell of laughter went
pealing through the house. It came from somewhere above, perhaps
through an open door. It was the sudden laughter of madness. At the
sound of it, the mind, hearing its own knell ringing in an empty sky,
ran affrighted, and the heart, awaking out of its dream of peace and
kindness, stood still.




                              CHAPTER XII


Sir William heard the knocking again, sat up and rubbed his eyes,
stared at the door for a minute, recovering his wits, then marched
across and opened it wide. ‘Hello!’ he cried, as the bedraggled pair
staggered past him into the room. ‘And where the devil have you two
been?’ He followed them across to the fire.

‘It’s a long story,’ Penderel began; his face was pale and a little
drawn, but his eyes were dancing.

‘Then cut it short,’ Sir William growled. What a wild young devil he
looks, he told himself; something between a gunman and a fiddler.

Penderel was busy taking off his boots. ‘Well, you see, I went out to
Waverton’s car to get my flask——’

Here Gladys broke in: ‘And I went with him to the door, and then I was
shut out and couldn’t get in, and so I found him in the car and we
sat there and talked.’ She looked at him rather defiantly, very
bright-eyed. ‘And we’ve had to wade through a lake to get back.’

Penderel was padding across the room in his stockinged feet, in search
of his bag. ‘Why, what’s been happening here?’ he asked.

‘God knows. I don’t. I’ve been hanging about here, waiting for somebody
to come or something to happen. And just look at the place. It gets on
your nerves. Every time I’ve wakened up I’ve had a shock.’

‘But where are they all?’ Gladys looked bewildered.

‘Don’t ask me. Can’t tell you.’ Sir William blew out his breath
impatiently. ‘I’ll tell you what I do know. The lights went out.
Waverton and what’s-his-name—Femm—went off to find a lamp. They’re
finding it yet. Then that little screeching woman—she’s as mad as a
hatter, that woman, and I hope I’ve seen the last of her—well, she
wanted someone to shut a window. I did that and listened to her raving.
Then she dug out a little lamp and I came back with it. That’s the
one.’ He pointed to the tiny oil lamp burning on the table. ‘Good
job I brought it, too, or I’d have been in the dark. Well, when I
came back, Mrs. Waverton had disappeared. I didn’t want to start
roaming round the house, so waited here by the fire. Must have dozed
off. Thought I heard a crash somewhere, but may have dreamt it. Woke up
though, but nobody came, so dozed off again, and next thing I heard was
you knocking.’

Gladys exchanged glances with Penderel, who was coming back with some
clothes over his arm. ‘We must investigate this,’ he said cheerfully.
He moved over to a door opposite the staircase, to the left of the
fireplace, a door that had not been opened yet. ‘I wonder what happens
in here. Could I go in, do you think?’

‘Why?’ Gladys was alarmed. ‘What are you going to do?’

He grinned at her. ‘Change my trousers.’ He looked a little longer and
his grin changed to a smile. ‘Back in a minute.’ The door closed behind
him.

Sir William had turned quickly and was now holding Gladys lightly at
arms length. ‘What’s the idea, Gladys? Amusing yourself, or love at
first sight?’

She met his look bravely. ‘It’s real, Bill. You won’t mind. You’re too
decent—and friendly. You ought to be glad.’

‘Oh!—ought I?—you monkey! Sharp work, I must say. But—tell me—is
it—both sides? What about him?’

She nodded gravely. Then suddenly her face lit up, and the sentimental
boy who still lived on inside him felt as if he were catching a glimpse
of sunrise in a lost world. It was indeed the most exquisite sensation
she had ever given him, and he struggled hard not to enjoy it. ‘I can’t
begin to tell you——’ she began.

‘Then don’t,’ he broke in, still at odds with himself.

Then he softened: ‘No, go on. Let’s hear all about it.’

She came nearer and put a hand on his arm. ‘There isn’t time. But
listen, Bill. It’s no good pretending to be cross. I know you don’t
mean it. He’s coming to town, to be with me. I want him to do
something, put his back into it, and I know he will. You saw what he
was like before, absolutely fed up, not caring a damn about anything.
Well, I’m knocking that on the head, knocked it already.’

‘Ah, the old game, eh?’ He chuckled over her. ‘Reforming him already,
are we? Then it’s serious.’

‘It is, but it’s going to be a hell of a lark too. Now you’ve got
to help. You can easily find him a job, you’ve plenty to spare.’

‘For solid downright cheek,’ he exclaimed, ‘give me a young woman who
thinks herself in love.’

‘Now don’t be silly. It isn’t cheek, and you know it’s not. Besides,
he’s tremendously clever, you can see that, and full of push and go.
Hurry up and say you will, he’s coming back.’

‘Well, I’ll see,’ he muttered, receiving her quick glance of gratitude.
‘I’ll have a talk to him.’ He could see that door opening behind him in
her very eyes.

‘The world’s great age begins anew.’ Penderel’s voice rang through that
dim place. His sudden high spirits seemed to light it up. ‘Gladys,
Sir William, I’ve changed my socks and trousers—in the dark too, mind
you—and now I’m a new man. I don’t know what there was in that room.
I just stood behind the door. Perhaps it was full of monsters, all
watching me. By the way, you’ve been talking about me. I see it written
in your faces. Your silence tells me all. I could even guess what
you’ve been saying. Here’s the evidence. Sir William knows, in his
heart of hearts, that even if he would, I wouldn’t.’

‘You’ve been listening,’ Gladys cried, making a face at him.

‘I only heard three words,’ he replied. ‘The rest was intuition, for
which we men are now becoming famous. We may not be able to argue, to
debate, to reason, but we _know_. Well, my first step in this new life
is to locate the missing Wavertons. If necessary we could all creep
round the house until we heard Waverton’s snore. Then we’ll sing Sir
William here to sleep again, and after that, you and I, Gladys, will
find a corner and talk and talk, at least I’ll talk and you’ll probably
sleep. The dawn, which must be somewhere on its way, will find me
talking. Mr. Femm will come down to breakfast—but you can’t imagine him
at breakfast, can you?—in fact, you can’t imagine breakfast here at
all. Try to think of it.’

‘I can’t,’ said Gladys, decisively. Then, after a short pause, very
slowly and clearly she added ‘I hate this house.’

‘Rum old place certainly.’ This from Sir William. Penderel said
nothing. He was staring curiously at Gladys, who was strolling away.

She stopped. ‘It’s the worst house I’ve ever been in. And that’s
saying a lot, as you’d admit if you knew anything about professional
digs. There’s something about it—I dunno—like a bad smell—something
putrid.’ She walked on and then stood looking at the staircase.

Sir William took Penderel to one side. ‘No business of mine, of
course,’ he said gruffly, ‘but what’s this about you and Gladys?’

‘I’ll let you into the secret,’ Penderel returned gaily. ‘And, by the
way, isn’t it funny that officially, according to the book of words,
you and I ought to be totally incapable of talking to one another like
ordinary human beings? At the very least, we ought to be embarrassed to
the stuttering point.’

‘Well, I’ll tell you something.’ Sir William was emphatic. ‘That’s just
what I am.’

‘Not you!’ cried Penderel. ‘And I’m not even pretending to be. I’m
going to marry Gladys, that is if she’ll have me; I haven’t asked her
yet. And that’s the idea.’

‘Most people’d tell you that you were either a fool or a hero,’ Sir
William remarked, rather heavily. This rising tide of high spirits made
him feel heavy. But he was trying to deal honestly with the youngster,
who wasn’t a bad sort in his own scatter-brained fashion. ‘But I
don’t say so, though you may be both for all I know. It’ll probably be
the best day’s work you’ve done for a damned long time.’

‘It could easily be that and still not be up to much,’ said Penderel.
‘But I know what you mean. And I can’t help feeling——’

But there came an interruption from Gladys, who was still standing near
the foot of the stairs. ‘I can hear somebody talking up there,’ she
called to them.

Penderel moved a step or two in her direction. ‘That’ll be the
Wavertons. They must be introspecting together on one of the upper
floors, walking up and down corridors still playing Truth. And quite
right too!’

Her hand went up. ‘Hush! I’m trying to listen. They’re coming down, I
think. Oh! what’s that?’ They had all heard it—a kind of laugh. And
now the Wavertons came running downstairs, pale and dusty and somehow
rather tattered.

‘Listen, you fellows.’ Philip hurried across to the two men, and began
to gasp out his news.

‘What is it?’ Gladys clutched at Margaret. ‘Tell me quick.’ Something
terrible was going to happen, she knew there was. She felt sick.
Everything was suddenly falling to pieces.

‘There’s a madman upstairs,’ Margaret cried jerkily. ‘Morgan’s let him
out. He’s dangerous. They both are.’

‘Where’s he now?’ She knew, knew there was something, had known it all
along.

‘Up there, somewhere.’ Margaret made a little gesture of helplessness.
‘Coming down, perhaps.’

‘We must all get out of the way then. Lock ourselves in somewhere.’

‘He might set fire to the place. He’s tried to do that before.’

‘They can prevent him. Three of them.’ Gladys looked towards the men,
and then, moved by a common impulse, they both hurried across. They
felt the whole house pressing down upon them.

‘Even if he’s as bad as all that,’ Sir William was saying, ‘the three
of us can down him.’ He was quite cool, and evidently—rather to their
surprise—a man of courage. But then no imagination was harrying him. He
didn’t see the whole fabric of sense and security shredding, rotting
away.

‘But there’s Morgan; don’t forget him,’ Philip replied. ‘I’ve had
a tussle with him already and was lucky enough to trip him. He was a
bit slow and silly, of course. But he’s as strong as a bull. I don’t
know what sort of state he’s in now, but he might be as bad as the
lunatic—worse.’

‘If the worst came to the worst,’ Sir William said, ‘we could all clear
out. In fact the best thing we can do is to get out of the way.’

‘You’re forgetting what Waverton said,’ Penderel put in. ‘I mean about
him setting fire to things. This old place’d burn easily, wouldn’t it?’
He looked at Philip.

‘I should think it would. It’s full of rotten old timber. That’s the
danger. If he gets down here, left to himself, he could set the whole
place going in a jiffy.’

‘Well, let him, I say,’ said Gladys, viciously. ‘Let the rotten old
place burn.’

‘No, that’s mad, Gladys,’ Penderel told her.

‘Besides,’ Philip added hastily, ‘there are the other Femms——’

‘Poor old Sir Roderick upstairs, unable to move,’ cried Margaret. ‘It
was he who warned us, only just in time too. We can’t leave him.’

Philip and Penderel hastened to agree. Sir William looked at
them and then at the stairs. ‘Well, what are we going to do, then?’
he asked. ‘Time’s going. Though nothing’s happened yet. It may be all
piffle. All these people here are a bit crazy, so far as I can see.’

‘No, it isn’t.’ Margaret was vehement. ‘Didn’t you hear that horrible
laugh? And Philip saw the room.’

Gladys wrung her hands. ‘I’m sure it’s true; I know it is.’ She sought
out Penderel with hollowed eyes. ‘Yes, I do. I’ve felt it creeping.’
Then she recovered herself. ‘But we can do something, can’t we?’ It was
addressed to him alone, wistfully; the others were nothing.

‘Of course we can,’ he told her. But he felt a sudden ache, and there
followed closely upon it a growing anger.

Then they all jumped. A door had been opened, and someone was standing
there. It was Miss Femm. How she came to be there, nobody could
imagine, but there she was, still fully dressed, peering at them over
a stump of candle. They didn’t wait for her to screech out a question.
‘Your brother’s loose!’ cried Philip, who was nearest.

‘What, Saul?’ The name went screaming up.

‘They’re coming down now. Look!’ Gladys cried, pointing. A dark bulk
was moving slowly down the stairs, and another behind it, with a vague
blur of face turned towards them. The one behind must be Saul. That
hand sliding down the banisters was Saul’s. Now it had stopped; but
Morgan was still moving, coming down alone.

‘Don’t do anything yet,’ Philip whispered. ‘Morgan may be all right
now. We’ll see.’

Morgan reached the bottom, lurched forward a step or two, and then
stood still, lowering at them. Such light as there was from the little
lamp fell now on his face, which looked horrible—for it was all covered
with blood. His hands too seemed to be reddened.

‘Cut himself with that glass,’ Philip whispered again.

‘What’s he going to do?’ This was from Penderel, though he was not
looking at Morgan but at that hand which still rested on the banisters.

‘Get back.’ Sir William was motioning to Margaret and Gladys.

Miss Femm had been standing absolutely still, staring fixedly at
Morgan. Now she shook her fist at him, and her voice went piercing
through them all. ‘Morgan, you brute beast, go away. Hide yourself
before God strikes you dead.’

The laugh they had heard before, empty and terrible, rang down from
the dim stairs. ‘That’s Rebecca, sister Rebecca. Don’t listen to
her, Morgan. She’s been talking to God for years now and He’s never
heard her once. He thinks she’s a maggot, a fat little white maggot.
He doesn’t know she’s got a soul. She’ll have to die and be born
again before He’ll hear her. They’re all maggots—still creeping in
the rotting old corpse they call life.’ Saul’s voice thickened with
sudden fury. ‘Trample ’em, smash ’em—and then I’ll burn their filthy
pulp—leave nothing but ashes—clean ashes—clean, clean, clean!’ After
that it was a foul gabble. They had a moment’s vision of a white and
blindly working face, pushed out over the banisters into the light,
while the voice went gibbering on.

Then there was a little space of silence, during which nobody moved.
But it seemed to them as if the ground beneath their feet was sinking,
as if they were blackly descending through putrid air.

Now the madman on the stairs spoke again and his mood had suddenly
changed; he seemed quietly merry. ‘No, Morgan, old flesh and bone,
wait, wait for me.’ They saw the hand disappear. ‘Still something yet
to do. Then we’ll finish it together.’ A stir in the shadows, a creak
or two from the stairs, and he was gone.

Instead of waiting, however, Morgan, who had been standing there,
glowering at Philip, was suddenly quickened into life. With a hoarse
cry, he charged across, straight at Philip, like a mastodon. There was
just time for Philip to swing aside and escape the full weight of the
charge, and the next moment they were all struggling together. Sir
William was hanging on to one great arm and shoulder, and Philip on to
the other.

‘Get him in there,’ screamed Miss Femm, as they went desperately
swaying. ‘You can shut him up.’ She was pointing to the door through
which she had come.

Penderel made up his mind now, and there was no time to be lost. He
threw himself at Morgan, who went rolling back with the other
two still clinging to him. ‘Can you do that?’ he cried to them, as he
pushed at the struggling giant. ‘Shall I knock him on the head?’

‘We’ll manage,’ Philip gasped. They were now near the door, which Miss
Femm had flung wide open. A tremendous heave of Morgan’s right arm
sent Philip flying back, but he quickly recovered himself and sent
his fist, with all his weight behind it, crashing into Morgan’s face.
The man spun round, sending Sir William, pale now and dripping with
sweat but still game, banging into the doorway. Philip grabbed at the
loose arm and savagely twisted it behind its owner’s back, at the same
time charging forward. ‘Rush him down the corridor,’ he cried to Sir
William. They disappeared through the doorway, into the dark.

Miss Femm stood there, holding the door with one hand and her lighted
candle held high in the other. ‘Come on, you,’ she screeched at
Margaret and Gladys. ‘In here with me.’

Margaret, who had faltered forward, looked at her with horror and could
not find her voice.

‘No, no!’ Gladys cried, looking from her to Penderel.

Miss Femm stepped back. ‘Then stay there. Sluts!’ she yelled. She
banged the door behind her and they heard her lock it.

Margaret ran forward, crying ‘She’s locked it. And Philip’s there,
Philip!’ Her hands were fumbling at the door now.

‘It’s done now. Come away.’ Penderel was at her side, though his eyes
were on Gladys.

‘But Philip’s in there, with that man,’ she cried again. Then she
turned on him, with a flash of scorn: ‘And what are you going to do?’

‘I’m going to wait here—for the other man,’ he told them very quietly.

Gladys was clutching his arm. ‘No, no, you can’t. Come away.’

‘Listen, there’s no time to waste,’ he said, and as he spoke he hustled
them across the room. ‘I must wait here until they’ve got Morgan safely
tucked away. He may be down any moment. And you’ve got to be out of the
way.’

‘I’ll stay,’ Gladys cried chokingly.

‘You can’t, my dear,’ he told her. ‘And we must hurry.’

They were at the other side of the room now. ‘But where can we
go?’ Margaret was asking, looking at him piteously.

‘In there.’ He pointed to the door that he had opened before, when he
had been changing his clothes. He remembered that there was a key on
the inside. Now he ran forward, took it out, and then swept them in,
Margaret first. For one brief moment his arm was round Gladys. ‘Sorry
there’s no light for you. Yes, there is, though.’ He rushed away and
then returned carrying the candle that Philip had had, now guttering
sadly, and thrust it into Gladys’s hand. ‘You’ll be all right in
there.’ His eyes dwelt on her face as if he was trying to remember it
for ever. ‘Quite all right. Cheerio!’

Before they could do or say anything more he had closed the door and
locked them in, leaving the key in the lock. If he left them free to
rush out, anything might happen. He walked very slowly and quietly back
into the middle of the hall, looking up at the stairs and listening.




                             CHAPTER XIII


Time stood still for Penderel, waiting there in the hall. A few moments
before, when he had been hustling the women across to that room, it had
seemed as if there wasn’t a second to waste, but now, as he listened in
loneliness between those locked doors, he found there was time enough
and to spare. No sound came from above. He crossed over to the door
through which Morgan and Waverton and Sir William had disappeared in a
struggling mass, and he tried the handle. It was locked, of course; he
knew very well it was. That meant that Waverton and Sir William would
first have to dispose of Morgan and then get the key from the Femm
woman, before they could join him. And Morgan might easily be a match
for both of them for some time yet. He listened at the door. Vague,
distant sounds came through, suggesting that Morgan had not yet been
overpowered but was still putting up a fight somewhere at the end of
the corridor, perhaps in or near the kitchen. A creak from the
stairs sent him back into the middle of the hall, with his heart-beats
filling his ears. But nobody was there.

If that had been the moment for action, he felt, all would have been
well. There was, however, nothing to do but wait, listen to the mocking
old timbers and wait, stare at the jumping shadows and wait; and now he
suddenly felt sick and afraid. He wanted to run away, to take the good
the night had brought him, out of its darkness, and hurry with it into
safety. But he could not take it away, for if he went now, hiding his
head, it would not go with him: all would be lost. Well, he had wanted
something to do, and here was something to do. He hadn’t had to wait
long, he told himself grimly. How queer it was that there was something
inside you that could relish, grinning with irony, the most damnable
situation you found yourself in, pointing out how damnable it was! He’d
discovered that in France, when, as now, something in him was afraid
and something else wasn’t, something shook and something grinned. Some
of the old faces came popping up, smiled, and were gone; fellows he
thought he’d forgotten; a spectral parade; and he wanted to keep
one steadily before him so that he could cry ‘It’s a good war’ and once
again hear it call back to him, just one of the daft old slogans: ‘Jam
for the troops, mate.’ He would feel better after that. He might give
Gladys a shout. She’d understand. But no, that wouldn’t do.

His eye went travelling idly up the dimly lighted stairs, waiting
for madness to creep down from the dark, and then suddenly his mind
cleared. His place wasn’t here, dithering and dreaming, but at the top
of those stairs. Once down here, the madman might easily escape him
and let hell loose, unless of course the other two came back before he
arrived. So long as there wasn’t another way down, the best place for
him was obviously at the top there; and even if there should be another
way down, he wouldn’t be much worse off up there, because it wouldn’t
take him long to get back again. And the sooner he went up the better.

He walked forward, then stopped and looked round hesitantly. His hand
went to his forehead, which was cold and wet. Wasn’t there something
he could take with him, something to grip? Well, there was a
poker, and that was better than nothing. Hastily he seized it, and
was crossing to the foot of the stairs when he bethought himself of
the light. He couldn’t take it with him, that would be too dangerous;
but if he put the lamp somewhere near the front door it would throw a
little more light on the place where he would have to take his stand,
at the very top of the stairs.

He crept up, slowly, shakily, his shadow leaping and sprawling before
him. There were little noises everywhere now, not a stair in the house
without its creak. All that part of the house that yawned above him
seemed tense, expectant. The little patch of darkness at the top was
thick and crawling with unrevealed terrors. A step or two more and
out of that blackness would spring a white, gibbering face. He’d had
a dream like that once—it all came back to him, raw and palpitating,
the whole experience, almost between one stair and the next—and he
remembered how he had wakened, a little boy sobbing in the night, to
find his mother bending over him. Who would bend over him now? Why
hadn’t they turned God into this vast maternal presence, smooth
hands and a murmuring voice and a familiar lovely smell in the dark?

He was standing at the very top now, one hand behind him, touching
the rail, the other achingly folded round the poker. While his eyes
stared into the shadows and his ears seemed to run on and search the
landing, his thoughts went sickeningly racing round. He was terribly
afraid now, angry with himself for standing there. Why shouldn’t he
rush downstairs, join Gladys in that room and lock the door, or plunge
out into the night itself, into safety and sweet air? However, probably
nothing would happen. But then, if nothing happened, he would be all
right here. And if he went and something did happen, whether it hurt
him or not, he knew that all would be over, the road missed for ever;
the rest would be just breathing and eating and sleeping, with his
spirit, a poor shamed ghost, returning time and again to take its stand
on these stairs.

Yes, he could only stay. What was that? Surely that was somebody
moving, not very far away? Why didn’t Waverton and Porterhouse show
themselves? But then they wouldn’t, not because they didn’t want to,
but because it always happened like that: he might have known that
he would have to be alone. He’d always been more afraid of madness than
anything else—the very thought of a maniac had always filled him with
terror, and when this creature had raved on the stairs he’d felt sick,
as if he were being pelted with lumps of putrid flesh—and of course
he’d have to come in the end to face it alone. The thing came at last,
the darkness shaping itself, and immediately everybody disappeared,
doors were locked all round you, and you found yourself alone with it.
That noise again, much nearer this time! Yes, he was at the other end
of the landing. He was coming on steadily.

‘Stop!’ he cried, quite involuntarily. ‘Stay there, d’you hear? Don’t
try to get past. I’ve got a poker here and I shall use it.’ His voice
was ridiculously hoarse and shaky, not at all commanding.

The footsteps ceased, and he found he could just see a vague outline of
the madman standing there a few yards away. Undoubtedly he had stopped
at the sound of a voice, but he made no reply. Penderel waited and then
asked himself despairingly how he could have expected a reply. Madness
wouldn’t stand there bandying words with him. Nevertheless he had
stopped.

‘Go back and don’t be a fool.’ Sheer necessity compelled him to speak
out again, for only the sound of his own voice kept him from running
away. ‘You’re not coming past here. Get back at once.’ It was woefully
grotesque and futile perhaps, yet it raised his spirits a little.

Now there came an answering gabble from that vague shape, a gabble that
seemed to end in a kind of chuckle. There was a movement, followed by a
quick pattering down the landing. He was going away.

In his astonishment and relief, Penderel sank back against the
banisters. Was it all over, then? Had he really gone? Did it only need
a command or two, however shaky, just simple courage, no matter if it
was raised perilously on tip-toe, to turn aside—flicking it away—what
had seemed doom itself? There came now a moment of triumph, and his
spirits went soaring. It seemed as if the corner were turned at last,
and he had a flashing vision of life stretched widely and gloriously
before him, the shining happy valley, lost for years and apparently
gone for ever, a dream bitterly cast off, until this strange night
brought glimpse after glimpse of it through thinning mist, and now
finally swung it into full view. Now he knew what it was to be alive.
He could have cried aloud with happiness.

The very next moment he was sick at heart. He heard the quick pattering
again; the footsteps were hastening towards him through the darkness;
and everything, even his courage, collapsed at the sound. He wanted
to run headlong now, to run crying defeat and then to hide himself
for ever. But one last slender cord of will, still unbroken, kept him
standing there.

‘Stop!’ he cried again. But how feeble it sounded! He wanted to implore
now and not to command.

The maniac had stopped already, however, though this time he was
nearer. There burst from him a sudden yell of rage.

Penderel drew himself up and tried to control his voice. ‘You can’t
come here, I tell you——’ he began; but before he could say any more,
something heavy, a chair or a small table, came flying through the air,
smashing against his right arm and ribs, sending the poker clattering
below, and knocking him sideways and backwards against the
banisters as it crashed into them itself. He fell down, helpless in a
spinning world, dizzy and sick. His arm hurt dreadfully, seemed to be
broken. Soon the creature would be trampling the life out of him. He
tried to rise, but it was too late, the maniac was upon him, and he
received a blow in the face that sent his head back with a dreadful
jolt and blinded him for a moment.

There was no fear left in him now. In an agony of effort he flung
himself forward, grabbed the man’s legs and put out all his strength
in one great lift. Down he came, and now they were rolling about the
floor, tearing at one another. Penderel found himself possessed by a
tremendous fury: ‘You bloody swine!’ he was jerking out, ‘I’ll kill
you.’ He contrived to scramble to his feet, but before he had time to
do anything but pull himself up, dizzily and achingly, the other was
on his feet too and renewing the attack. He was a much older man than
Penderel, but he was also much bigger and heavier and seemed to be
unusually powerful.

Penderel had his back against the banisters. For a minute or two,
while the madman was still breathless, there was little danger. He was
able to dodge or ward off the lumbering blows aimed at him. He
covered himself with his left arm, for the right, though not entirely
useless, hurt him terribly every time he moved it. Indeed, all his
right side ached, and whenever he took a deep breath he felt a little
stab of pain there. Standing where he was, he wasn’t really barring the
way downstairs, though he could leap upon the man’s back if he should
try to go down; but it was evident now that Saul Femm—Penderel had
begun to give him his name—intended to settle with him before going
any further. And if he could only hold out here, he told himself, the
others would be in little danger. Waverton and Porterhouse might return
any minute now, and even if he was finished before they did return, he
would leave Saul in no condition to deal with them. There was just a
minute or two in which to think of these things.

Now Saul was completely recovered and, screaming wildly, he hurled
himself upon Penderel, who heard the banisters cracking ominously
behind him. He felt helpless in the man’s grasp. The pressure of the
banisters against the small of his back was agonising. And struggle
as he might, he could not release himself. One hand was fumbling
for his throat. The banisters were cracking again, and he felt himself
being lifted. Desperately he drew up one leg and, hanging on with all
his might, drove his knee into the other man’s belly, released the
pressure a little, contrived to slip his leg down again, pushed a hand
up under Saul’s slavering chin, and by summoning the very remnant of
his strength was able to send them both tottering forward a pace, clear
of the banisters. There they swayed, six inches this way and that, at
close grips.

Blood and sweat ran down his face, blinding him; the pain in his side
was intolerable; and he felt his strength ebbing out; but he held on,
held on as if there was nothing else left in the world to do. And all
the while his mind, escaping from this shameful nightmare of stench and
blood and pain, went darting back to queer memories and flashing along
the edge of vivid little dreams; and once more he was lying in the long
cool grass near the playing-field wall, or listening to Jim and Tom
Ranger outside a tent, a glimmer of starlight there, or standing under
the blossom at Garthstead; and oddly mingling with these memories were
thoughts that came and went like swallows, thoughts of the dusk
and glitter of town at early evening, quiet pipes in the night, the
loud jolly orchestra and the brightening curtain, that little place
up five flights of stairs, Gladys laughing at him, brave eyes meeting
his through a door suddenly opened. They were so long, so long swaying
there in the dark, there was time for a whole shadow show of life.

He couldn’t see at all now; he had to fight for each stabbing breath;
and the blood drummed relentlessly in his ears. One hand had found
Saul’s throat and tightened on it, but he could no longer hold his
ground and fell back inch after inch until at last he seemed to be
lifted off his feet. He went crashing against the banisters; something
was breaking; the life was being squeezed out of him; but still he held
on. Now they were clear of the banisters again, for Saul had relaxed
his pressure for a moment and had been compelled to fall back a step,
with Penderel still clinging to him. Saul put out all his remaining
strength in one tremendous heave. ‘I’m done, I’m done,’ Penderel was
crying, crying through a black night of crashing, splintering woodwork
and rushing air. And then there was no more pain.




                              CHAPTER XIV


Margaret was trying the handle of the door. ‘He’s locked it,’ she
cried, staring at Gladys.

‘I know he has.’ Gladys had sunk to her knees. She put the candlestick,
with its feeble, spluttering flame on the floor beside her, and
stretched out a hand to the door, leaning against it. ‘He’s shut us in
because he thought we’d be safe in here.’ She spoke slowly, dully.

‘I don’t want to be safe, to be shut in like this.’ Margaret rattled
the handle uselessly. ‘I want to know what’s happening. I want to be
with Phil—my husband.’

‘Don’t you see?’ Gladys had roused herself and was looking up now, her
eyes bright with resentment. ‘He’s out there, waiting for that lunatic
to come down, and shoved us in here to be out of the way. You don’t
seem to understand what he’s doing. You thought he was dodging it,
didn’t you? My God!’

‘I did at first,’ Margaret said gently. ‘I’m sorry.’ And as she
looked down at the girl’s pale face, working queerly in that jumpy
little light, she felt sorry too, sorry for her, sorry for everybody.

‘As if he would!’ Then her tone changed from indignation to bitterness.
‘Well, I wish to God he had, wish we’d never come back. It would have
to be him, of course it would be. It was just waiting for him. That’s
silly, I suppose. I don’t care. I’m all to pieces now—and he’s out
there, as lonely as hell, waiting for that—that thing.’

‘It’ll be all right,’ Margaret told her, trying to keep her voice quiet
and confident. ‘The others will be back soon. Then there’ll be three of
them.’

‘That woman locked the other door,’ Gladys muttered.

‘They’ll get the key from her when they’ve done with Morgan,’ Margaret
went on. But she was thinking how all this crazy locking of doors made
it seem like a bad dream. She glanced round in the dying light and
shivered. ‘Where are we?’

‘I don’t know. What does it matter?’ Gladys raised herself up and tried
to listen through the door.

Margaret took up the candlestick and moved forward a few paces.
She saw nothing but the dimmest shapes of furniture, however, for the
little spluttering flame gave a last jump, trembled, and then rapidly
dwindled. Her spirits sank with it as the darkness closed round her.
She trailed back to the door and, when the last flicker had gone, she
let the candlestick fall to the ground. ‘What’s happening?’ She bent
forward.

‘Oh, I can’t hear a thing,’ Gladys whispered.

Together they listened at the door, and it seemed to be hours before
they heard anything but their own quick breathing and heart-beats. They
were lost in a pulsating darkness.

‘We can’t do anything but wait,’ whispered Margaret at last. Somehow
she daren’t raise her voice above a whisper.

‘I can hear him moving about now; can you?’ Gladys listened again.
‘Bill and your husband don’t seem to have come out yet. I believe he’s
going upstairs.’

‘Yes, he is,’ Margaret told her, and could feel her trembling. There
was a long pause, during which they listened again, then Margaret went
on: ‘I can’t hear anything now. Perhaps he’s waiting at the top. That’s
horrible, isn’t it? Why doesn’t Philip come back? It’s awful
waiting here.’

‘It’s worse waiting there,’ cried Gladys, raising her voice now. ‘With
that ghastly loony creeping down. Oh, my God!’ She cleared her throat.
‘I expect you know what’s the matter with me, or you must think I’m
going mad too.’

‘I feel we’re all going mad to-night,’ Margaret broke in, hastily.
‘Everything’s turned crazy and horrible. That’s the awful thing, isn’t
it?—that you can’t trust anything, like being in a nightmare. Haven’t
you been feeling that?’

‘Yes, I have.’ Gladys was at once eager and piteous. ‘Didn’t I tell you
before? I knew, I knew. Something told me all along, and I tried to
tell him but I couldn’t make him understand. It was only a feeling—but
you know what I mean?’

‘Who did you try to tell?’

‘Penderel, of course. When we were outside. That’s what I was going
to tell you, I mean when I said you’d know what’s the matter with
me—because, you see—Oh, you know—I love him. We can talk now, can’t we?
Yes, we went outside and sat and talked, and then I found it out;
came as quick as lightning, sudden but absolutely dead certain.’ Then
she added, simply: ‘And you know what it means. You’re in love with
your husband, aren’t you?’

‘Yes, I am.’ This was neither the time nor the place, Margaret felt,
for all those delicate reservations that her truthful mind had so often
brought out and examined. Then she realised, in a flash, that they no
longer appeared to exist. She couldn’t remember what they were. And she
didn’t want to remember. ‘I haven’t always thought so,’ she went on.
‘But I am.’

‘I knew you were,’ Gladys whispered. ‘I could tell, always can. But I
suppose it doesn’t make you ache any more, does it?’

‘I think,’ said Margaret, slowly, ‘it’s beginning to, again.’

‘It’s funny it’s so different——’ Gladys began, but then broke off.
There was a crash outside. ‘My God! Did you hear that? And we can’t do
a thing! Has that lunatic come down, do you think? Are they fighting?’

‘I think they must be. It’s horrible, horrible.’

‘And he’s there by himself. The other two haven’t come back. Why
don’t they come?’ Gladys pressed her hands together in the darkness.

‘I don’t know,’ Margaret stammered. ‘Something may have happened to
them. That beast—Morgan—and Miss Femm.’ Then something seemed to snap
inside her. ‘Oh, I can’t bear it, can’t bear it any longer.’ Her legs
crumpled like paper and she slipped down the door, sobbing.

Gladys was kneeling by her side now, with an arm about her. ‘Never
mind, never mind, Mrs. Waverton. It’s awful, isn’t it, but it’ll all
come right for you, you’ll see. Nothing’ll have happened to him.
Your man can look after himself.’ They clung together, while through
the dark, from behind the door, came tiny vague sounds, a mysterious
thud-thudding. But neither of them wanted to listen any longer. They
could only wait, comforting one another, until the door was opened
again, to reveal their fate. Until that moment arrived, this was all
their world, and they could only cling together in the darkness and cry
to one another their hope and their despair.

‘It’s worn me down,’ said Margaret, brokenly. ‘You’ve no idea what
it’s been like, for me, here. One thing after another. First, Miss
Femm—telling me about her sister—then touching me—and that horrible
room of hers. Then Morgan—he came after me—like a beast. And Philip had
to fight him, upstairs. And then that strange old man—lying so still
in his bed—whispering terrible things. And now this. All going on and
on. Everything strange and dark and getting queerer and darker. No end
to it. Until at last you begin to feel that all the safe and clean and
sane things have gone for ever. You can’t hold on for ever. It’s been
different for you perhaps; but don’t you see what I mean?’

Gladys murmured that she did and tightened her clasp. She didn’t
understand it all, but that didn’t matter. Nothing mattered now except
keeping close until that door opened.

‘I hated it at first,’ Margaret went on. ‘But then when we were talking
round the table I liked it. And I thought Philip and I could easily
find one another after that, because it seemed so easy to know and
understand people, even strangers, so easy to be happy with someone you
once loved.’

‘I felt that too, or something like it.’ Gladys was crying very
quietly. ‘Oh, what am I crying for! It doesn’t matter though. But—it
was better than that with me. It was really beginning, see? First,
listening to all of you, then talking about myself. Then talking to
him out there. And being able to laugh about everything together, and
knowing as well that I could do a lot for him. He was absolutely fed
up, didn’t care a damn about anything. And I was like that really. And
then I thought, if it lasted, I wouldn’t be lonely any more, wouldn’t
be going in at night sometimes wishing I was dead. And even if it
didn’t last, I’d had something, you see, something different....’

Margaret had been mechanically telling herself that it was all very
sudden and strange, this love affair of her companion’s. But when
Gladys’s voice trailed away, there came, flowing up through the
silence, the thought that it was not strange at all, that it was as
simple and natural as the breath in their bodies. Now it seemed strange
that people whose hearts were empty could meet on such a night and talk
through this darkness without loving. ‘I see,’ she said, after a long
pause. Then she added: ‘You know, I didn’t like you at first, but
I do now.’

‘I hated you,’ said Gladys, very close and warm. ‘But that’s gone
completely.’ She thought for a moment. ‘I don’t think I hated you
really. I was frightened.’

‘Frightened?’ As soon as the word was out, however, Margaret realised
what Gladys had meant. She too had been frightened of Penderel, alarmed
by something unharnessed, mocking, anarchic in him that had called to
its brother, usually safely hidden away, in Philip; and so she had
decided that she detested him. And so people crept about, absurdly
frightened of one another, pretending to hate, keeping it up even when
they had to take shelter together in such a place as this.

‘Yes, I was frightened really,’ Gladys was whispering, ‘of the way you
walked and talked and were dressed. I felt you despised me. But now
it’s all right, isn’t it? Aren’t we women silly with one another? As if
there wasn’t enough——!’

There was a little silence between them, and Margaret’s mind returned
to the world outside. ‘I can hear little noises all the time,’ she
said, at last. ‘I feel sure something’s happening there. What’s that?’

It was a kind of cracking sound, and they heard it repeated several
times. Then it stopped and they could only catch the noises they had
heard before. At last there came another crack, louder this time, and
it seemed to them, as they listened, trembling in the dark, as if
something were breaking.

‘What is it? What’s happening?’ Gladys cried. ‘My God, I can’t stand
much more of this!’ Then her voice rose to a shriek. ‘Oh, what’s that?’

The crash and splintering and heavy thud-thud still rang in their ears.
They clung to one another in agony of apprehension. The moments passed,
but there came no other sound. The silence, as if heavy with doom,
weighed down upon them.

‘What was it?’ The words came from Margaret in a hollow whisper, like
ghost talking to ghost.

Gladys gave a choking little cry and Margaret felt the girl’s whole
body relax and droop. For a few moments she remained passive, but then
suddenly she sprang up and fell on the door in a fury, battering at it
with her fists and even kicking it. The next minute her strength
had left her and she was in Margaret’s arms, quietly sobbing. Holding
her tight and murmuring over her as if she were a child, Margaret was
now the comforter and immediately felt better. We’re being child and
grown-up in turn, she was thinking; and if we always worked like that,
we could all comfort one another through anything.

Gladys was quiet now. At last she spoke, but it was only as if an odd
thought here and there were slipping into words. ‘We said we’d have a
little flat, somewhere high up, very little and cheap.... You wouldn’t
think that much fun, I suppose?’

‘We had one once,’ Margaret told her, gently, ‘when we first began, and
we thought it fun.’

‘I shouldn’t have been able to do much at first, but I’d have managed.
I’d have liked that. I told him so. Even the little rows would have
been a kind of fun. You understand, don’t you?’

Margaret found that she couldn’t reply.

‘There’s a lot of fun in life, isn’t there?’ Gladys went on, very
slowly, as if she were talking in her sleep. ‘I’ve had some. But
not lately. Somehow if you start missing it, you go on missing it.
And it’s so easy to get right off the track of it, just lose the way.
We’d missed it, but we’d have found it together. I would anyhow....’

‘Oh, why are you talking like that?’ Margaret cried. ‘I can’t bear it.
You sound—I don’t know—as if something’s broken—in you, I mean.’

‘I felt as if it had,’ said Gladys, ‘when something broke out there.
You heard it.’

‘No, no.’ Margaret was desperate. ‘That’s all nonsense. Rouse yourself.
We don’t really know what’s happened. It’s only waiting here, in the
dark, not knowing anything, that’s wearing us down. If we give in, I
don’t know what will happen. We can’t let these things drive us out of
our senses, beat us down. That’s what they’re trying to do. We won’t
have it, will we? Let’s do something. Bang on the door again.’

‘I did that,’ said Gladys, dully. ‘There’s nobody to let us out.’

‘Oh, don’t say that! It sounds so horrible.’ And Margaret began
pounding on the door. Then she stopped herself. ‘Perhaps we shouldn’t,
though,’ she faltered. She thought of that vague, gibbering figure
on the stairs. Suppose he was at the other side of the door, alone,
heard them knocking—and opened it. Her hands fell helplessly to her
side, and once more she saw life trembling on the edge of a pit, with
unreason darkening the sky above it. If Philip didn’t come, it wouldn’t
be long before she would be absolutely beaten down and everything would
be lost.

Gladys stirred. ‘I thought I heard something then. Yes, there you are.
Voices.’

‘I can hear Philip,’ Margaret broke in, jubilantly. ‘I’m sure I can.’
Without thinking now, she rapped on the door. Then she stopped to
listen again. ‘Yes, it is Philip. It’s all right now. I’m sure it is.’
She called out and rapped again.

‘Hello!’ Philip was very close now, just at the other side of the door.
‘Is that you, Margaret?’

‘Yes, here we are,’ she called back. ‘Let us out, Philip. Isn’t the key
there?’

‘Yes it is. You’re all right, aren’t you?’ His voice sounded queer.
‘Well, wait a few minutes.’

‘We can’t wait. What’s the matter?’ But he had gone, and they were left
to listen and wonder and whisper together a little longer in the
darkness.

‘I’m frightened, I’m frightened,’ said Gladys at last, putting out a
hand and coming close again.

‘So am I,’ replied Margaret. ‘But it’s really all right now, Gladys,
isn’t it?’

‘I don’t know,’ she whispered. ‘I don’t know.’

Then they waited in silence for the door to open.




                              CHAPTER XV


It had seemed as if dawn were postponed for ever, yet it came at last.
Philip noticed a vague trouble in the air and then a faint greying of
things. He alone appeared to be awake now. He was sitting in a chair,
and his arms were around Margaret, who was leaning against him, curled
across another and lower chair. For some time he had been sitting
there, quiet, unstirring, numbed, but with his thoughts going on and
on, like a river flowing through a frozen land. He seemed to have been
there a long time now. Already the events of the night had receded;
the struggle with Morgan in the hall here, along the corridor, in the
kitchen, and the final victory that sent him, cowed, beaten, into
the cellar; the fantastic interview with Miss Femm, who would not
surrender the key of the door into the hall at first and had to be
stormed at; the discovery of the lifeless bodies of Penderel and Saul
Femm, one with his neck broken and the other mysteriously killed,
perhaps from shock and a weak heart; the huddling away of the bodies,
the scenes that followed with Margaret and Gladys and the two Femms;
already these events were receding, a haze was creeping over them,
though the tale was hardly three hours old.

He himself had not slept, though there was something hot and aching
about his eyes and a weight upon their lids. He had been busy making
Margaret comfortable, holding her securely, and now she slept. Not
far away, Sir William, who had long been exhausted and had not easily
recovered from the blow that Morgan had given him, was stretched out in
the other armchair, dozing heavily. The rich baronet, Philip reflected,
had come out of it all extraordinarily well. Brigand he might be, but
he was certainly a man. He had shown courage and nerve during the
fight with Morgan and later, and, what was even more surprising, he
had been magnificent with Gladys afterwards, the ‘lass,’ as he had
called her with a gruff tenderness that seemed to be part of the real
North-country self he usually kept hidden away.

Philip watched the grey light steal into the room and then begin
to creep towards every corner. There was Gladys, the most tragic figure
among them. She was half-sitting, half-lying on the floor, with her
head against Sir William’s knee and one arm flung across it. She, too,
was sleeping peacefully at last, completely worn out after her long
storm of sobbing. When she had first learned of Penderel’s death, she
had been strangely quiet; and it was only afterwards, when in spite of
all they could say to dissuade her she had gone to look at his body
and had suddenly flung herself down upon it, that she had lost all her
self-control. And now she was asleep, and when she wakened to the world
again the night’s tragedy would have lost something of its stabbing
power, would already be a memory, be softened, gauzed about with dream,
and she would be ready to go quietly away, to complete—and how strange
that seemed—her journey.

His thoughts wandered on as he watched the room tremble between
darkness and light. Penderel and poor crazed Saul Femm had only
seemed to be sleeping, as if suddenly weary of their long wrestling
bout, when they had found them, twisted on the floor beneath the
broken banisters. And there had seemed, he remembered, to be a queer
brotherhood between them. You felt they were going to awaken somewhere
else and immediately shake hands and talk it all out together.

Margaret stirred and his arm tightened about her, but she didn’t
waken. Nothing much had happened between them; they hadn’t had it
out in the old cool and clever way; but they had exchanged a glance
or two, a few broken sentences; and it looked as if everything might
be different yet. ‘I’m so lonely,’ she had whispered once; and then:
‘It’s unbearable without love.’ But that was in the last long terror
of the dark, and perhaps he ought to forget it now. Still, the sun
would set again, and the darkness would come again. And he had said
once, when she was burying her face in his coat: ‘Let’s make another
start’; and he had felt an answering grip upon his arm. But the real
moment which might change everything for them, had been one of silence,
just a clasp of hands. That was when they were standing together on
the landing upstairs. Mr. Femm had come and gone like a shaking ghost;
Miss Femm had departed to pray by the body of; her dead brother;
Gladys, growing calmer at last, had been handed over to Sir William;
and it was then they had remembered old Sir Roderick upstairs, lying
there wondering and helpless in the dark. Nobody could have visited him
because Philip himself still had the key. Together they had returned
there, haunted by a curiously poignant memory of that room, that last
little outpost of sanity, and together they had crept in, carrying the
remaining inch of lighted candle, to whisper the end of the story to
him who had begun it for them in a whisper or two. It was a strange
errand, with a conclusion stranger still. Not a sound nor a movement
had come from that shadowy bed, and when they crept forward to look at
the old man, it had seemed as if he too had died. Then they had noticed
his faint breathing, the very lightest sigh of life, and had seen that
he was calmly sleeping. Probably he had slept through everything. They
left him undisturbed, but when they had closed the door behind them,
they stood very close together, in silence, and hand had reached out
for hand. Something had united them at that moment, little more than a
breath perhaps, and yet it brought them so close, so close. Surely
they could begin again now?

Somebody moved and grunted. That was Sir William. ‘Hello!’ Philip
called softly. ‘You awake?’

‘Yes, worse luck,’ Sir William replied, in a very hoarse, uncertain
voice. ‘Can’t either sleep or keep awake. I’m sore all over. Keep
thinking, too.’

‘So do I,’ said Philip, companionably, and then waited.

‘Tell you what keeps coming into my mind,’ the other went on, after a
pause. ‘Remember when we took hold of that poor devil, the lunatic?
Well, I noticed something lying on the floor on my side, just by his
coat. It was a couple of cards. I can tell you what they were. Seven of
clubs and five of diamonds. I shan’t ever forget ’em either. Seven of
clubs and five of diamonds. And then some more came tumbling out of his
pocket when we lifted the body. He’d a pack in his pocket. Must have
played patience up there sometimes, poor devil. That got me somehow.
Don’t know how it is, but can’t forget those cards.’

Philip made a little answering noise that showed he was listening,
but said nothing. He hoped Sir William would go on talking, but he
didn’t much want to talk himself. There was silence for a few minutes.

‘I liked that lad Penderel, you know,’ Sir William remarked at last, as
if musing aloud. ‘He wasn’t my sort and I don’t suppose he liked me,
but I liked him. I’d have done something for him too. He was going to
get a job, you know. About the last thing he talked about.’

‘What was he going to do?’ Philip found he could talk about Penderel
quite calmly now.

‘God knows! He probably wouldn’t have done it long, whatever it was.
He’d got guts all right—we know that—and I fancy he’d brains, but I
don’t see him fitting in anywhere, I mean I didn’t see him. You never
know, of course, you never know. But this is no way to talk about the
poor lad, is it? I liked him, liked him from the first, when he was
talking about himself. I thought it seemed damned unfair, somehow. I
dunno. What can you do? And it seems a damned sight worse now. Won’t
bear thinking about, will it? Gladys here’s sleeping like a
three-year-old now. Well, I’ll see she’s all right. Made up my mind
about that.’

Then Sir William struggled with a series of yawns. ‘Nearly dead for
want of sleep,’ he confessed. ‘How about you? But then you’re still
young. I’m getting on, and if I didn’t know it before, I know it now.’
He yawned again. ‘There’ll be something to do about this business. Just
thought of that. Inquests and God knows what else, keeping us dodging
about for days. Damned nuisance, eh? Lot to do to-morrow—to-day I
mean—if we’re not still cut off. Well, we’ll have to get busy. But must
have some sleep first.’ His voice sank to a mere grunt and in another
minute he had dozed off again.

Daylight itself was at the windows, suddenly chilling the place. Philip
shivered a little, feeling cold now and very hungry. The arm that held
Margaret was cramped and aching and very gently he tried to move it.
She stirred, turned her head, and he saw that her eyes were wide open
though still vague with sleep. Something caught at his heart as he
stared down at her face, for she looked different, at once dreamy and
curiously fragile, yet he remembered her looking like that once
before. Was it when Betty was born?

For some little time she remained like that, and neither stirred again
nor spoke. He leaned forward and watched her eyes clear themselves of
sleep and then slowly move this way and that, up to his face, towards
the windows. ‘It’s nearly daylight,’ she said at last, very softly.

‘Yes, it’s dawn,’ he told her. ‘I’ve been watching it arrive.’ He saw
her eyes close again and waited a moment. Then he added: ‘It’s been a
long time coming.’

Her only reply was a little murmuring sound from her closed lips. It
seemed as if she were falling asleep again. The next moment, however,
her eyes were wide open once more and looked up at him. ‘You’ve not
been asleep, Phil, have you?’ she said.

‘Not yet. I suppose I’ve been thinking in a numbed sort of fashion. I
must say I’m tired.’

‘You look tired,’ she whispered. ‘Try to go to sleep. Don’t bother
about anything any more.’ Her eyes closed again, but she raised her
head a little and he bent forward and kissed her, very gently.

Now holding her lightly at arms length, he half raised himself
from the chair and gingerly tried his legs. ‘I’m horribly cramped,’ he
said softly. ‘You must be too. Try this big chair while I work this
stiffness off.’ She nodded, and he moved to one side and helped her
into the arm-chair.

Is Gladys asleep?’ she whispered.

‘Yes; she’s never moved.’

‘I’m glad. We mustn’t waken her.’ She sank back and he bent over her
and seemed to see her eyes cloud over with sleep again.

‘I think I’ll go over to the window,’ he remarked,’ just to see what
it’s like outside.’

She looked at him and tried to smile. ‘It’s different now, isn’t it?’
she whispered, and saw him nod and then creep away. Vaguely she thought
how it had seemed once as if it would never be daylight again, as if
it would just go on getting darker and darker, more and more horrible,
as if she too would soon be lost in madness. Then, she couldn’t have
imagined the daylight coming into the house. But it hadn’t, not into
that house. This was a different house.

She was very tired and sleepy, and she had to sink down and close
her eyes again. But her mind went groping about and at last
stumbled back through the night. It seemed different now; something
had vanished from it; that huge background of nightmare, horror
mounting in the dark, all that had gone. They had come running out of
the rain, the black night, into this house, clamouring for shelter,
and had found here some people like themselves, only twisted, crazed,
with loneliness, age, some weakness of blood or brain. Their figures
came swaying before her, and now for a moment she could look into each
face steadily and pitifully. Last night she had been sick, terrified,
despairing; to-morrow, looking back, she might be angry; but just now
she could only be sorry. She thought of the five of them coming in
here, saw them a long way off, dim little figures, and then vaguely
tried to remember the talk they had had, what they had said. She heard
Penderel’s voice again. Something about a snag, the great snag. Had he
got round it now, leaped over it, gone on his way? But what was it?
About being taken in or being piggy, was that it? She could remember
thinking it all rather young and silly, and that’s all she could
remember, she was so sleepy, just sorry and very sleepy.

The window showed Philip no red flares and rising ball of fire, no
sudden triumph of day. It was a chill misty dawn, a landscape in smoke
and steel. It held out no large promises of sunlight and the blue; yet
there was a touch of kindness in its level sober light, which moved so
slowly in that room to which he turned now, and dealt so gently with
the eyes it found there. The morning’s truth would not be proclaimed
with insolent haste. It would be revealed very slowly and quietly.

As he passed, he heard a sudden little noise from Sir William, who was
apparently clearing his throat. Philip stopped and turned, and saw that
he was awake again. He tip-toed nearer, glancing down at Gladys, who
was still in the same position, sleeping soundly. The hand above her
grasped a handkerchief, tiny and crumpled. She looked like a child. Sir
William looked different too in this new light, looked curiously aged,
stony, desolate.

‘Saw you looking out,’ he told Philip in a hoarse whisper. ‘What’s it
like?’

‘The floods have gone down, I think,’ Philip replied very softly. ‘It’s
not too bad a morning.’

Sir William grunted. ‘It’s got plenty of time yet. Wish I could
sleep.’

‘I’m going to try now,’ said Philip, and crept away. The next moment he
was lying on the floor by the side of Margaret’s chair.

‘Your wife asleep?’ The question came faintly.

‘Yes,’ he whispered, ‘fast asleep.’


        _Printed in Great Britain at_ The Ballantyne Press _by_
                  Spottiswoode, Ballantyne & Co. Ltd.
                      _Colchester, London & Eton_




                           ADAM IN MOONSHINE

                          By J. B. PRIESTLEY

                    Third Impression. 7s. 6d. net.


“It is impossible to see how a thing of this kind could be better done,
for even Mr. Chesterton has never sustained an intelligent absurdity at
so high a pitch.”—_The Outlook_.

“The lightness of fantasy is admirably sustained; and the beauty of
description never fails.”—Gerald Gould, _The Observer_.

“It would be difficult to exaggerate the charm of this novel, or to
overpraise the delightful unexpectedness of the plot, the wit and
humour of the presentation, and the delicate beauty of the writing.
But perhaps beyond all these the real secret of the appeal lies in
that elusive and mysterious but authentic emanation of the writer’s
personality, which proclaims the quality of his mind like a mystic coat
of arms.

“In this book all the glory, the charming folly and pathos of youth—its
touching responsiveness, instinctive generosity, as well as its amusing
delight in feeling really important—are remembered, recognised and
described with a perceptiveness and sympathy that have no trace of envy
or patronage.”—_Daily Telegraph_.

“A delightfully mad story.”—_The Sunday Times_.

“The story is as credible as a fairy tale.”—_The Spectator_.




                        Transcriber’s Notes


 1. Italicized text indicated by leading and trailing _underscores_.

 2. Illustrations are indicated by: [Illustration: caption and/or
    descriptive text].

 3. Text spelling has been left unchanged from the original printed
    version.

 4. “Benighted” was published in the US under the title “The Old Dark
    House” in 1928.





*** END OF THE PROJECT GUTENBERG EBOOK BENIGHTED ***


    

Updated editions will replace the previous one—the old editions will
be renamed.

Creating the works from print editions not protected by U.S. copyright
law means that no one owns a United States copyright in these works,
so the Foundation (and you!) can copy and distribute it in the United
States without permission and without paying copyright
royalties. Special rules, set forth in the General Terms of Use part
of this license, apply to copying and distributing Project
Gutenberg™ electronic works to protect the PROJECT GUTENBERG™
concept and trademark. Project Gutenberg is a registered trademark,
and may not be used if you charge for an eBook, except by following
the terms of the trademark license, including paying royalties for use
of the Project Gutenberg trademark. If you do not charge anything for
copies of this eBook, complying with the trademark license is very
easy. You may use this eBook for nearly any purpose such as creation
of derivative works, reports, performances and research. Project
Gutenberg eBooks may be modified and printed and given away—you may
do practically ANYTHING in the United States with eBooks not protected
by U.S. copyright law. Redistribution is subject to the trademark
license, especially commercial redistribution.


START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase “Project
Gutenberg”), you agree to comply with all the terms of the Full
Project Gutenberg™ License available with this file or online at
www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg™
electronic works

1.A. By reading or using any part of this Project Gutenberg™
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg™ electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg™ electronic work and you do not agree to be bound
by the terms of this agreement, you may obtain a refund from the person
or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg™ electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg™ electronic works if you follow the terms of this
agreement and help preserve free future access to Project Gutenberg™
electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the
Foundation” or PGLAF), owns a compilation copyright in the collection
of Project Gutenberg™ electronic works. Nearly all the individual
works in the collection are in the public domain in the United
States. If an individual work is unprotected by copyright law in the
United States and you are located in the United States, we do not
claim a right to prevent you from copying, distributing, performing,
displaying or creating derivative works based on the work as long as
all references to Project Gutenberg are removed. Of course, we hope
that you will support the Project Gutenberg™ mission of promoting
free access to electronic works by freely sharing Project Gutenberg™
works in compliance with the terms of this agreement for keeping the
Project Gutenberg™ name associated with the work. You can easily
comply with the terms of this agreement by keeping this work in the
same format with its attached full Project Gutenberg™ License when
you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are
in a constant state of change. If you are outside the United States,
check the laws of your country in addition to the terms of this
agreement before downloading, copying, displaying, performing,
distributing or creating derivative works based on this work or any
other Project Gutenberg™ work. The Foundation makes no
representations concerning the copyright status of any work in any
country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other
immediate access to, the full Project Gutenberg™ License must appear
prominently whenever any copy of a Project Gutenberg™ work (any work
on which the phrase “Project Gutenberg” appears, or with which the
phrase “Project Gutenberg” is associated) is accessed, displayed,
performed, viewed, copied or distributed:

    This eBook is for the use of anyone anywhere in the United States and most
    other parts of the world at no cost and with almost no restrictions
    whatsoever. You may copy it, give it away or re-use it under the terms
    of the Project Gutenberg License included with this eBook or online
    at www.gutenberg.org. If you
    are not located in the United States, you will have to check the laws
    of the country where you are located before using this eBook.
  
1.E.2. If an individual Project Gutenberg™ electronic work is
derived from texts not protected by U.S. copyright law (does not
contain a notice indicating that it is posted with permission of the
copyright holder), the work can be copied and distributed to anyone in
the United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase “Project
Gutenberg” associated with or appearing on the work, you must comply
either with the requirements of paragraphs 1.E.1 through 1.E.7 or
obtain permission for the use of the work and the Project Gutenberg™
trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any
additional terms imposed by the copyright holder. Additional terms
will be linked to the Project Gutenberg™ License for all works
posted with the permission of the copyright holder found at the
beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including
any word processing or hypertext form. However, if you provide access
to or distribute copies of a Project Gutenberg™ work in a format
other than “Plain Vanilla ASCII” or other format used in the official
version posted on the official Project Gutenberg™ website
(www.gutenberg.org), you must, at no additional cost, fee or expense
to the user, provide a copy, a means of exporting a copy, or a means
of obtaining a copy upon request, of the work in its original “Plain
Vanilla ASCII” or other form. Any alternate format must include the
full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg™ works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg™ electronic works
provided that:

    • You pay a royalty fee of 20% of the gross profits you derive from
        the use of Project Gutenberg™ works calculated using the method
        you already use to calculate your applicable taxes. The fee is owed
        to the owner of the Project Gutenberg™ trademark, but he has
        agreed to donate royalties under this paragraph to the Project
        Gutenberg Literary Archive Foundation. Royalty payments must be paid
        within 60 days following each date on which you prepare (or are
        legally required to prepare) your periodic tax returns. Royalty
        payments should be clearly marked as such and sent to the Project
        Gutenberg Literary Archive Foundation at the address specified in
        Section 4, “Information about donations to the Project Gutenberg
        Literary Archive Foundation.”
    
    • You provide a full refund of any money paid by a user who notifies
        you in writing (or by e-mail) within 30 days of receipt that s/he
        does not agree to the terms of the full Project Gutenberg™
        License. You must require such a user to return or destroy all
        copies of the works possessed in a physical medium and discontinue
        all use of and all access to other copies of Project Gutenberg™
        works.
    
    • You provide, in accordance with paragraph 1.F.3, a full refund of
        any money paid for a work or a replacement copy, if a defect in the
        electronic work is discovered and reported to you within 90 days of
        receipt of the work.
    
    • You comply with all other terms of this agreement for free
        distribution of Project Gutenberg™ works.
    

1.E.9. If you wish to charge a fee or distribute a Project
Gutenberg™ electronic work or group of works on different terms than
are set forth in this agreement, you must obtain permission in writing
from the Project Gutenberg Literary Archive Foundation, the manager of
the Project Gutenberg™ trademark. Contact the Foundation as set
forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
works not protected by U.S. copyright law in creating the Project
Gutenberg™ collection. Despite these efforts, Project Gutenberg™
electronic works, and the medium on which they may be stored, may
contain “Defects,” such as, but not limited to, incomplete, inaccurate
or corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged disk or
other medium, a computer virus, or computer codes that damage or
cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right
of Replacement or Refund” described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg™ trademark, and any other party distributing a Project
Gutenberg™ electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium
with your written explanation. The person or entity that provided you
with the defective work may elect to provide a replacement copy in
lieu of a refund. If you received the work electronically, the person
or entity providing it to you may choose to give you a second
opportunity to receive the work electronically in lieu of a refund. If
the second copy is also defective, you may demand a refund in writing
without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of
damages. If any disclaimer or limitation set forth in this agreement
violates the law of the state applicable to this agreement, the
agreement shall be interpreted to make the maximum disclaimer or
limitation permitted by the applicable state law. The invalidity or
unenforceability of any provision of this agreement shall not void the
remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg™ electronic works in
accordance with this agreement, and any volunteers associated with the
production, promotion and distribution of Project Gutenberg™
electronic works, harmless from all liability, costs and expenses,
including legal fees, that arise directly or indirectly from any of
the following which you do or cause to occur: (a) distribution of this
or any Project Gutenberg™ work, (b) alteration, modification, or
additions or deletions to any Project Gutenberg™ work, and (c) any
Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new computers. It
exists because of the efforts of hundreds of volunteers and donations
from people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg™’s
goals and ensuring that the Project Gutenberg™ collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg™ and future
generations. To learn more about the Project Gutenberg Literary
Archive Foundation and how your efforts and donations can help, see
Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation’s EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg Literary
Archive Foundation are tax deductible to the full extent permitted by
U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West,
Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
to date contact information can be found at the Foundation’s website
and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread
public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine-readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To SEND
DONATIONS or determine the status of compliance for any particular state
visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations. To
donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg™ electronic works

Professor Michael S. Hart was the originator of the Project
Gutenberg™ concept of a library of electronic works that could be
freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg™ eBooks with only a loose network of
volunteer support.

Project Gutenberg™ eBooks are often created from several printed
editions, all of which are confirmed as not protected by copyright in
the U.S. unless a copyright notice is included. Thus, we do not
necessarily keep eBooks in compliance with any particular paper
edition.

Most people start at our website which has the main PG search
facility: www.gutenberg.org.

This website includes information about Project Gutenberg™,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.