The Project Gutenberg EBook of Index of the Project Gutenberg Works of
Irving Bacheller, by Irving Bacheller
This eBook is for the use of anyone anywhere in the United States and
most other parts of the world at no cost and with almost no restrictions
whatsoever. You may copy it, give it away or re-use it under the terms
of the Project Gutenberg License included with this eBook or online at
www.gutenberg.org. If you are not located in the United States, you'll
have to check the laws of the country where you are located before using
this ebook.
Title: Index of the Project Gutenberg Works of Irving Bacheller
Author: Irving Bacheller
Editor: David Widger
Release Date: August 13, 2018 [EBook #57684]
[Most recently updated: March 4, 2021]
Language: English
*** START OF THIS PROJECT GUTENBERG EBOOK INDEX OF THE PG WORKS OF IRVING BACHELLER ***
Produced by David Widger
INDEX OF THE PROJECT GUTENBERG WORKS OF IRVING BACHELLER
Compiled by David Widger
CONTENTS
## EBEN HOLDEN
## THE MASTER OF SILENCE
## THE LIGHT IN THE CLEARING
## THE DAYS OF POOR RICHARD
## A MAN FOR THE AGES
## CHARGE IT
## THE PRODIGAL VILLAGE
## THE HAND-MADE GENTLEMAN
## THE TURNING OF GRIGGSBY
## THE MARRYERS
## SILAS STRONG, EMPEROR OF THE WOODS
## KEEPING UP WITH WILLIAM
## EBEN HOLDEN'S LAST DAY A-FISHING
## IN VARIOUS MOODS
TABLES OF CONTENTS OF VOLUMES
EBEN HOLDEN
A TALE OF THE NORTH COUNTRY
By Irving Bacheller
CONTENTS
PREFACE
BOOK ONE
Chapter I
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
BOOK TWO
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Chapter 16
Chapter 17
Chapter 18
Chapter 19
Chapter 20
Chapter 21
Chapter 22
Chapter 23
Chapter 24
Chapter 25
Chapter 26
Chapter 27
Chapter 28
Chapter 29
Chapter 30
Chapter 31
Chapter 32
Chapter 33
Chapter 34
Chapter 35
Chapter 36
Chapter 37
Chapter 38
Chapter 39
Chapter 40
Chapter 41
Chapter 42
Chapter 43
Chapter 44
Chapter 45
THE MASTER OF SILENCE
A ROMANCE
Fiction, Fact, and Fancy Series
Edited by Arthur Stedman
By Irving Bacheller
CONTENTS
THE MASTER OF SILENCE
CHAPTER I
CHAPTER II
CHAPTER III
CHAPTER IV
CHAPTER V
CHAPTER VI
CHAPTER VII
CHAPTER VIII
CHAPTER IX
CHAPTER X
CHAPTER XI
CHAPTER XII
CHAPTER XIII
CHAPTER XIV
CHAPTER XV
CHAPTER XVI
CHAPTER XVII
THE LIGHT IN
THE CLEARING
A Tale of the North Country
in the Time of Silas Wright
BY
IRVING BACHELLER
ILLUSTRATED BY
ARTHUR I. KELLER.
CONTENTS
BOOK ONE
WHICH IS THE STORY OF THE CANDLE AND COMPASS
I The Melon Harvest
II I Meet the Silent Woman and Silas Wright, Jr
III We Go to Meeting and See Mr. Wright Again
IV Our Little Strange Companion
V In the Light of the Candles
VI The Great Stranger
VII My Second Peril
VIII My Third Peril
BOOK TWO
WHICH IS THE STORY OF THE PRINCIPAL WITNESS
IX In Which I Meet Other Great Men
X I Meet President Van Buren and Am
Cross-Examined by Mr. Grimshaw
XI A Party and—My Fourth Peril?
XII The Spirit of Michael Henry and Others
XIII The Thing and Other Things
XIV The Bolt Falls
BOOK THREE
WHICH IS THE STORY OF THE CHOSEN WAYS
XV Uncle Peabody's Way and Mine
XVI I Use My Own Compass at a Fork in the Road
XVII The Man with the Scythe
XVIII I Start in a Long Way
XIX On the Summit
Epilogue
IN THE DAYS OF POOR RICHARD
By
IRVING BACHELLER
ILLUSTRATED BY
JOHN WOLCOTT ADAMS
1922
CONTENTS
CHAPTER BOOK ONE
I The Horse Valley Adventure
II Sowing the Dragon's Teeth
III The Journey to Philadelphia
IV The Crossing
V Jack Sees London and the Great Philosopher
VI The Lovers
VII The Dawn
VIII An Appointment and a Challenge
IX The Encounter
X The Lady of the Hidden Face
XI The Departure
XII The Friend and the Girl He Left Behind Him
BOOK TWO
XIII The Ferment
XIV Adventures in the Service of the Commander-in-Chief
XV In Boston Jail
XVI Jack and Solomon Meet the Great Ally
XVII With the Army and in the Bush
XVIII How Solomon Shifted the Skeer
XIX The Voice of a Woman Sobbing
XX The First Fourth of July
XXI The Ambush
XXII The Binkussing of Colonel Burley
XXIII The Greatest Trait of a Great Commander
BOOK THREE
XXIV In France with Franklin
XXV The Pageant
XXVI In Which Appears the Horse of Destiny
and the Judas of Washington's Army
XXVII Which Contains the Adventures of Solomon in the Timber Sack
and on the "Hand-made River"
XXVIII In Which Arnold and Henry Thornhill Arrive in the Highlands
XXIX Love and Treason
XXX "Who Is She that Looketh Forth as the Morning,
Fair as the Moon, Clear as the Sun,
and Terrible as an Army with Banners?"
XXXI The Lovers and Solomon's Last Fight
List of Illustrations
A young John Irons and Margaret Hare in the forest
"The soldiers are slaying people," a man shouted.
Jack Irons and Solomon Binkus with General George Washington.
Solomon Binkus with Whig Scott on his shoulder.
Ben Franklin
Ben Franklin, surrounded by his grandchildren.
A MAN FOR THE AGES
By IRVING BACHELLER
A STORY OF THE BUILDERS OF DEMOCRACY
1919
CONTENTS
A Letter
BOOK ONE
CHAPTER I--Which Describes the Journey of Samson Henry Traylor and His
Wife and Their Two Children and Their Dog Sambo through the Adirondack
Wilderness in 1831 on Their Way to the Land of Plenty, and Especially
Their Adventures in Bear Valley and No Santa Claus Land. Furthermore, It
Describes the Soaping of the Brimsteads and the Capture of the Veiled
Bear
CHAPTER II--Wherein Is Recorded the Vivid Impression Made upon the
Travelers by Their View of a Steam Engine and of the Famous Erie Canal.
Wherein, Also, Is a Brief Account of Sundry Curious Characters Met on
the Road and at a Celebration of the Fourth of July on the Big Waterway
CHAPTER III--Wherein the Reader Is Introduced to Offut's Store and His
Clerk Abe, and the Scholar Jack Kelso and His Cabin and His Daughter
Bim, and Gets a First Look at Lincoln
CHAPTER IV--Which Presents Other Log Cabin Folk and the First Steps in
the Making of a New Home and Certain Incapacities of Abe
CHAPTER V--In Which the Character of Bim Kelso Flashes Out in a Strange
Adventure that Begins the Weaving of a Long Thread of Romance
CHAPTER VI--Which Describes the Lonely Life in a Prairie Cabin and a
Stirring Adventure on the Underground Railroad about the Time It Beganx
Operations
CHAPTER VII--In Which Mr. Eliphalet Biggs Gets Acquainted with Bim Kelso
and Her Father
CHAPTER VIII--Wherein Abe Makes Sundry Wise Remarks to the Boy Harry and
Announces His Purpose to Be a Candidate for the Legislature at Kelso's
Dinner Party
CHAPTER IX--In Which Bim Kelso Makes History, While Abe and Harry and
Other Good Citizens of New Salem Are Making an Effort to that End in the
Indian War
BOOK TWO
CHAPTER X--In Which Abe and Samson Wrestle and Some Raiders Come to Burn
and Stay to Repent
CHAPTER XI--In Which Abe, Elected to the Legislature, Gives What Comfort
He Can to Ann Rutledge in the Beginning of Her Sorrows. Also He Goes to
Springfield for New Clothes and Is Astonished by Its Pomp and the Change
in Eli
CHAPTER XII--Which Continues the Romance of Abe and Ann until the Former
Leaves New Salem to Begin His Work in the Legislature. Also It Describes
the Coloneling of Peter Lukins
CHAPTER XIII--Wherein the Route of the Underground Railroad Is Surveyed
and Samson and Harry Spend a Night in the Home of Henry Brimstead and
Hear Surprising Revelations, Confidentially Disclosed, and Are Charmed
by the Personality of His Daughter Annabel
CHAPTER XIV--In Which Abe Returns from Vandalia and Is Engaged to Ann,
and Three Interesting Slaves Arrive at the Home of Samson Traylor, Who,
with Harry Needles, Has an Adventure of Much Importance on the
Underground Road
CHAPTER XV--Wherein Harry and Abe Ride Up to Springdale and Visit
Kelso's and Learn of the Curious Lonesomeness of Eliphalet Biggs
CHAPTER XVI--Wherein Young Mr. Lincoln Safely Passes Two Great Danger
Points and Turns into the Highway of His Manhood
BOOK THREE
CHAPTER XVII--Wherein Young Mr. Lincoln Betrays Ignorance of Two Highly
Important Subjects, in Consequence of Which He Begins to Suffer Serious
Embarrassment
CHAPTER XVIII--In Which Mr. Lincoln, Samson and Harry Take a Long Ride
Together and the Latter Visit the Flourishing Little City of Chicago
CHAPTER XIX--Wherein Is One of the Many Private Panics Which Followed
the Bursting of the Bubble of Speculation
CHAPTER XX--Which Tells of the Settling of Abe Lincoln and the Traylors
in the Village of Springfield and of Samson's Second Visit to Chicago
CHAPTER XXI--Wherein a Remarkable School of Political Science Begins Its
Sessions in the Rear of Joshua Speed's Store. Also at Samson's Fireside
Honest Abe Talks of the Authority of the Law and the Right of
Revolution, and Later Brings a Suit against Lionel Davis
CHAPTER XXII--Wherein Abe Lincoln Reveals His Method of Conducting a
Lawsuit in the Case of Henry Brimstead et al. vs. Lionel Davis
CHAPTER XXIII-- Which Presents the Pleasant Comedy of Individualism in
the New Capital, and the Courtship of Lincoln and Mary Todd
CHAPTER XXIV--Which Describes a Pleasant Holiday and a Pretty Stratagem
CHAPTER XXV--Being a Brief Memoir by the Honorable and Venerable Man
Known in These Pages as Josiah Traylor, Who Saw the Great Procession of
Events between Andrew Jackson and Woodrow Wilson and Especially the
Making and the End of Lincoln
“CHARGE IT”
OR
KEEPING UP WITH HARRY
A story of fashionable extravagance and of the
successful efforts to restrain it made
by The Honorable Socrates Potter
the genial friend of Lizzie
BY
IRVING BACHELLER
MCMXII
CONTENTS
CHAP. PAGE
I. In Which Harry Swiftly Passes from One Stage of His Career to Another 1
II. Which Begins the Story of the Bishop’s Head 11
III. Which Is the Story of the Pimpled Queen and the Black Spot 33
IV. In Which Socrates Encounters “New Thought” and Psychological Hair 45
V. In Which Socrates Discusses the Over-Production of Talk 55
VI. In Which Betsey Commits an Indiscretion 69
VII. In Which Socrates Attacks the Worst Doers and Best Sellers 75
VIII. In Which Socrates Attacks the Helmet and the Battle-Ax 84
IX. In Which Socrates Increases the Supply of Splendor 91
X. In Which Socrates Breaks the Drag and Tandem Monopoly in Pointview 99
XI. In Which Sundry People Make Great Discoveries 106
XII. In Which Harry Is Forced to Abandon Swamp Fiction and Like Follies and to Study the Geography and Natives of a Land Unknown to Our Heiristocracy 118
XIII. In Which the Minister Gets Into Love and Trouble 127
XIV. In Which Socrates Discovers a New Folly 139
XV. In Which Harry Returns to Pointview and Goes to Work 148
XVI. Which Presents an Incident in Our Campaign Against New New England 171
XVII. Which Presents a Decisive Incident in Our Campaign Against Old New England 176
ILLUSTRATIONS
“SHE WISHED ME TO SUGGEST SOMETHING FOR HER TO DO” Frontispiece
“WHAT DIDN’T THEY SAY? THEY FLEW AT ME LIKE WILDCATS.” 60
“‘IT’S THE VAN ALSTYNE CREST,’ I SAID. ‘IT’S A PROOF OF RESPECTABILITY.’” 86
“RADIANT IN SILK, LACE, DIAMONDS, PEARLS, AND RUBIES” 94
“HARRY’S PET COLLIE HAD COME UP TO THE BACK DOOR WITH A HUMAN SKULL IN HIS MOUTH” 148
“HE LOOKED LIKE A MAN WITH A WOODEN LEG” 188
THE
PRODIGAL VILLAGE
A Christmas Tale
By
IRVING BACHELLER
CONTENTS
CHAPTER PAGE
I Which Introduces the Shepherd of the Birds 1
II The Founding of the Phyllistines 18
III Which Tells of the Complaining Coin and the Man Who Lost His Self 68
IV In Which Mr. Israel Sneed and Other Working Men Receive a Lesson in True Democracy 91
V In Which J. Patterson Bing Buys a Necklace of Pearls 103
VI In Which Hiram Blenkinsop Has a Number of Adventures 117
VII In Which High Voltage Develops in the Conversation 137
VIII In Which Judge Crooker Delivers a Few Opinions 146
IX Which Tells of a Merry Christmas Day in the Little Cottage of the Widow Moran 163
THE HAND-MADE GENTLEMAN
A Tale of the Battles of Peace
By Irving Bacheller
CONTENTS
FOREWORD
BOOK ONE—IN WHICH THE ADVENTURES OF CRICKET PRESENTED, WITH SOME ACCOUNT OF HIM
ADVENTURE I—BEING THAT OF CRICKET AND THE CHILD GHOST
ADVENTURE II—BEING THAT OF CRICKET AND THE PEARL OF GREAT PRICE
ADVENTURE III.—BEING THAT OF THE BUNGWOOD COW
ADVENTURE IV—BEING THAT OF CRICKET AND THE PURPLE GHOST
ADVENTURE V—BEING THAT OF CRICKET AND THE HAND-MADE GENTLEMAN
ADVENTURE VI.—IN WHICH CRICKET HAS SUNDRY EXPERIENCES
ADVENTURE VII.—WHICH IS THAT OF CRICKET AND THE LOVER AND THE POTATO-SACK
ADVENTURE VIII.—IN WHICH CRICKET MEETS THE COLONEL AND THE YOUNG MISS
ADVENTURE IX.—WHICH DESCRIBES THE COERCION OF SAM AND HIS WEDDING
ADVENTURE X.—WHICH IS THE ADVENTURE OF CRICKET ON THE HEMPEN BRIDGE
ADVENTURE XI.—IN WHICH CRICKET MEETS THE HAND-MADE GENTLEMAN AND THE PEARL OF GREAT PRICE
BOOK TWO—IN WHICH CRICKET TAKES THE ROAD TO MANHOOD AND MEETS WITH SUNDRY MISHAPS
STAGE I.—IN WHICH CRICKET COMES TO A QUEER STOPPING-PLACE ON THE ROAD
STAGE II.—WHICH BRINGS CRICKET TO THE STATION OF REMORSE
STAGE III.—IN WHICH CRICKET PROCEEDS WITH HEAVIER BAGGAGE
STAGE IV.—IN WHICH CRICKET COMES TO A TURN IN THE ROAD
STAGE V.—IN WHICH CRICKET MOUNTS ONE OF GOD'S HORSES
STAGE VI.—MY LAST WEEK ON THE FLYING HORSE
STAGE VII.—IN WHICH MR. HERON ARRIVES AT THE SHOP OF THE HAND-MADE GENTLEMAN
STAGE VIII.—IN WHICH YOUNG MR. HERON COMES TO A TURN IN THE ROAD
STAGE IX.—IN WHICH WE MEET THE CAPTAIN OF THE NEW ARMY
STAGE X.—WHICH BRINGS MR. HERON TO A HIGH POINT IN THE ROAD
BOOK THREE
CHAPTER I.—THE SINGULAR BEGINNING OF A NEW CAREER
CHAPTER II.—IN WHICH PEARL'S OLD MARE BEGINS TO HURRY US ALONG
CHAPTER III.—THE GENTLEMAN DISCOVERS A NEW KIND OF POWER
CHAPTER IV.—IN WHICH WE MEET TWO GREAT MEN
CHAPTER V.—THE FIRST THROUGH CARS, AND THEIR BURDEN AND BAPTISM
CHAPTER VI.—THE FIRST BATTLE OF PEACE
CHAPTER VII,—MCCARTHY S FIRST BATTLE WITH SATAN
CHAPTER VIII.—IN WHICH WE TAKE SUPPER WITH THE FIRST CÆSAR OF THE CORPORATIONS
CHAPTER IX.—THE SECOND BATTLE OF PEACE
CHAPTER X.—THE CONTINUATION OF THE BATTLE
CHAPTER XI.—AN UNEXPECTED MEETING OF OLD FRIENDS
CHAPTER XII.—THE STORY OF AN UNSUSPECTED HERO
CHAPTER XIII.—PEACE
THE TURNING OF GRIGGSBY
Being a Story of Keeping up with Dan'l Webster
By Irving Bacheller
Illustrated By Reginald Birch
Harper & Brothers Publishers New York And London
MCMXIII
THE TURNING OF GRIGGSBY
CHAPTER I
CHAPTER II
CHAPTER III
CHAPTER IV
CHAPTER V
CHAPTER VI
CHAPTER VII
CHAPTER VIII
CHAPTER IX
CHAPTER X
CHAPTER XI
THE MARRYERS
A History Gathered from a Brief of The Honorable Socrates Potter
By Irving Bacheller
Illustrated
MCMXIV
CONTENTS
THE MARRYERS
I.—IN WHICH MR. POTTER PRESENTS THE SINGULAR DILEMMA OF WHITFIELD NORRIS, MULTIMILLIONAIRE
II.—MY INTERVIEW WITH THE PIRATE
III.—IN WHICH A MAN IS SEEN HOLDING DOWN THE BUSHEL THAT HIDES HIS LIGHT
IV.—A RATHER SWIFT ADVENTURE WITH THE PIRATE
V.—IN WHICH WE HAVE AN AMUSING VOYAGE
VI.—WE ARRIVE IN THE LAND OF LOVE AND SONG
VII.—IN WHICH I TEACH THE DIFFICULT ART OF BEING AN AMERICAN IN ITALY
VIII.—I AGREE TO FIGHT A DUEL AND NAME A WEAPON WITH WHICH EUROPEAN GENTLEMEN ARE UNFAMILIAR
IX.—A MODERN AMERICAN MARRYER ENTERS THE SCENE
X.—A DAY OF ADVENTURES WITH TUSCAN ARTISTS AND OTHERS
XI.—IN WHICH WE GET INTO THE FLASH AND GLITTER OF HIGH LIFE
XII.—IN WHICH NORRIS TAKES HIS LIGHT FROM UNDER THE BUSHEL
XIII.—IN WHICH I FIGHT A DUEL WITH ONE OF THE OLDEST WEAPONS IN THE WORLD
XIV.—MISS GWENDOLYN DEFINES HER POSITION
XV.—SOMETHING HAPPENS TO THE MAN MUGGS
SILAS STRONG,
EMPEROR OF THE WOODS
By Irving Bacheller
1906
CONTENTS
SILAS STRONG
I
II
III.
IV
V
VI
VII
VIII
IX.
X
XI.
XII.
XIII
XIV
XV
XVI
XVII
XVIII
XIX
XX
XXI
XII
XXIII
XXIV
XXV
XXVI
XXVII
XXVIII
XXIX
XXX
XXXI
XXXII
XXXIII
XXXIV
XXXV
XXXVI
KEEPING UP WITH WILLIAM
In Which the Honorable Socrates Potter Talks of the Relative Merits of Sense Common and Preferred
By Irving Bacheller
With Cartoons by Gaar Williams
1918
CONTENTS
CHAPTER I.—WHICH OPENS FIRE ON THE EXACTING INDUSTRY OF SUPERING
CHAPTER II.—WHICH TEACHES THAT ONE SHOULD NEVER HITCH HIS CONSCIENCE TO
CHAPTER III.—WHICH PRESENTS THE STORY OF THE SMOTHERED SON
CHAPTER IV.—WHICH HANDS OUT SOME SOME COMMON TO THE SUPERERS IN AMERICA
CHAPTER V. WHICH DROPS A FEW ROUNDS OF SHRAPNEL ON THE HUNS IN AMERICA
CHAPTER VI.—WHICH IS MOSTLY FOR THE BOYS OF OUR ARMY
EBEN HOLDEN, LAST DAY A-FISHING
By Irving Bacheller
1907
CONTENTS
EBEN HOLDEN'. LAST DAY A-FISHING
I
II
III
IN VARIOUS MOODS
Poems And Verses
By Irving Bacheller
MCMX
CONTENTS
IN VARIOUS MOODS
THE SOWERS
THE NEW WORLD
FAITH
BALLAD OF THE SABRE CROSS AND 7
WHISPERIN' BILL
THE RED DEW
THE BABY CORPS
PICTURE, SOUND AND SONG
THE VEN'SON-TREE
HIM AN' ME
A VOICE OF THE FIELDS
THE WEAVER'S DYE
THE SLUMBER SHIP
OLD HOME, GOOD-BYE!
THE RUSTIC DANCE
TO A DEAD CLASSMATE
End of the Project Gutenberg EBook of Index of the Project Gutenberg Works
of Irving Bacheller, by Irving Bacheller
*** END OF THIS PROJECT GUTENBERG EBOOK INDEX OF THE PG WORKS OF IRVING BACHELLER ***
***** This file should be named 57684-0.txt or 57684-0.zip *****
This and all associated files of various formats will be found in:
http://www.gutenberg.org/5/7/6/8/57684/
Produced by David Widger
Updated editions will replace the previous one--the old editions will
be renamed.
Creating the works from print editions not protected by U.S. copyright
law means that no one owns a United States copyright in these works,
so the Foundation (and you!) can copy and distribute it in the United
States without permission and without paying copyright
royalties. Special rules, set forth in the General Terms of Use part
of this license, apply to copying and distributing Project
Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
concept and trademark. Project Gutenberg is a registered trademark,
and may not be used if you charge for the eBooks, unless you receive
specific permission. If you do not charge anything for copies of this
eBook, complying with the rules is very easy. You may use this eBook
for nearly any purpose such as creation of derivative works, reports,
performances and research. They may be modified and printed and given
away--you may do practically ANYTHING in the United States with eBooks
not protected by U.S. copyright law. Redistribution is subject to the
trademark license, especially commercial redistribution.
START: FULL LICENSE
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full
Project Gutenberg-tm License available with this file or online at
www.gutenberg.org/license.
Section 1. General Terms of Use and Redistributing Project
Gutenberg-tm electronic works
1.A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg-tm electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg-tm electronic work and you do not agree to be bound
by the terms of this agreement, you may obtain a refund from the
person or entity to whom you paid the fee as set forth in paragraph
1.E.8.
1.B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this
agreement and help preserve free future access to Project Gutenberg-tm
electronic works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation ("the
Foundation" or PGLAF), owns a compilation copyright in the collection
of Project Gutenberg-tm electronic works. Nearly all the individual
works in the collection are in the public domain in the United
States. If an individual work is unprotected by copyright law in the
United States and you are located in the United States, we do not
claim a right to prevent you from copying, distributing, performing,
displaying or creating derivative works based on the work as long as
all references to Project Gutenberg are removed. Of course, we hope
that you will support the Project Gutenberg-tm mission of promoting
free access to electronic works by freely sharing Project Gutenberg-tm
works in compliance with the terms of this agreement for keeping the
Project Gutenberg-tm name associated with the work. You can easily
comply with the terms of this agreement by keeping this work in the
same format with its attached full Project Gutenberg-tm License when
you share it without charge with others.
1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are
in a constant state of change. If you are outside the United States,
check the laws of your country in addition to the terms of this
agreement before downloading, copying, displaying, performing,
distributing or creating derivative works based on this work or any
other Project Gutenberg-tm work. The Foundation makes no
representations concerning the copyright status of any work in any
country outside the United States.
1.E. Unless you have removed all references to Project Gutenberg:
1.E.1. The following sentence, with active links to, or other
immediate access to, the full Project Gutenberg-tm License must appear
prominently whenever any copy of a Project Gutenberg-tm work (any work
on which the phrase "Project Gutenberg" appears, or with which the
phrase "Project Gutenberg" is associated) is accessed, displayed,
performed, viewed, copied or distributed:
This eBook is for the use of anyone anywhere in the United States and
most other parts of the world at no cost and with almost no
restrictions whatsoever. You may copy it, give it away or re-use it
under the terms of the Project Gutenberg License included with this
eBook or online at www.gutenberg.org. If you are not located in the
United States, you'll have to check the laws of the country where you
are located before using this ebook.
1.E.2. If an individual Project Gutenberg-tm electronic work is
derived from texts not protected by U.S. copyright law (does not
contain a notice indicating that it is posted with permission of the
copyright holder), the work can be copied and distributed to anyone in
the United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase "Project
Gutenberg" associated with or appearing on the work, you must comply
either with the requirements of paragraphs 1.E.1 through 1.E.7 or
obtain permission for the use of the work and the Project Gutenberg-tm
trademark as set forth in paragraphs 1.E.8 or 1.E.9.
1.E.3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any
additional terms imposed by the copyright holder. Additional terms
will be linked to the Project Gutenberg-tm License for all works
posted with the permission of the copyright holder found at the
beginning of this work.
1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.
1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.
1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including
any word processing or hypertext form. However, if you provide access
to or distribute copies of a Project Gutenberg-tm work in a format
other than "Plain Vanilla ASCII" or other format used in the official
version posted on the official Project Gutenberg-tm web site
(www.gutenberg.org), you must, at no additional cost, fee or expense
to the user, provide a copy, a means of exporting a copy, or a means
of obtaining a copy upon request, of the work in its original "Plain
Vanilla ASCII" or other form. Any alternate format must include the
full Project Gutenberg-tm License as specified in paragraph 1.E.1.
1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.
1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works
provided that
* You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg-tm works calculated using the method
you already use to calculate your applicable taxes. The fee is owed
to the owner of the Project Gutenberg-tm trademark, but he has
agreed to donate royalties under this paragraph to the Project
Gutenberg Literary Archive Foundation. Royalty payments must be paid
within 60 days following each date on which you prepare (or are
legally required to prepare) your periodic tax returns. Royalty
payments should be clearly marked as such and sent to the Project
Gutenberg Literary Archive Foundation at the address specified in
Section 4, "Information about donations to the Project Gutenberg
Literary Archive Foundation."
* You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he
does not agree to the terms of the full Project Gutenberg-tm
License. You must require such a user to return or destroy all
copies of the works possessed in a physical medium and discontinue
all use of and all access to other copies of Project Gutenberg-tm
works.
* You provide, in accordance with paragraph 1.F.3, a full refund of
any money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days of
receipt of the work.
* You comply with all other terms of this agreement for free
distribution of Project Gutenberg-tm works.
1.E.9. If you wish to charge a fee or distribute a Project
Gutenberg-tm electronic work or group of works on different terms than
are set forth in this agreement, you must obtain permission in writing
from both the Project Gutenberg Literary Archive Foundation and The
Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
trademark. Contact the Foundation as set forth in Section 3 below.
1.F.
1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
works not protected by U.S. copyright law in creating the Project
Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
electronic works, and the medium on which they may be stored, may
contain "Defects," such as, but not limited to, incomplete, inaccurate
or corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged disk or
other medium, a computer virus, or computer codes that damage or
cannot be read by your equipment.
1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.
1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium
with your written explanation. The person or entity that provided you
with the defective work may elect to provide a replacement copy in
lieu of a refund. If you received the work electronically, the person
or entity providing it to you may choose to give you a second
opportunity to receive the work electronically in lieu of a refund. If
the second copy is also defective, you may demand a refund in writing
without further opportunities to fix the problem.
1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of
damages. If any disclaimer or limitation set forth in this agreement
violates the law of the state applicable to this agreement, the
agreement shall be interpreted to make the maximum disclaimer or
limitation permitted by the applicable state law. The invalidity or
unenforceability of any provision of this agreement shall not void the
remaining provisions.
1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in
accordance with this agreement, and any volunteers associated with the
production, promotion and distribution of Project Gutenberg-tm
electronic works, harmless from all liability, costs and expenses,
including legal fees, that arise directly or indirectly from any of
the following which you do or cause to occur: (a) distribution of this
or any Project Gutenberg-tm work, (b) alteration, modification, or
additions or deletions to any Project Gutenberg-tm work, and (c) any
Defect you cause.
Section 2. Information about the Mission of Project Gutenberg-tm
Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new computers. It
exists because of the efforts of hundreds of volunteers and donations
from people in all walks of life.
Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future
generations. To learn more about the Project Gutenberg Literary
Archive Foundation and how your efforts and donations can help, see
Sections 3 and 4 and the Foundation information page at
www.gutenberg.org Section 3. Information about the Project Gutenberg
Literary Archive Foundation
The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation's EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg Literary
Archive Foundation are tax deductible to the full extent permitted by
U.S. federal laws and your state's laws.
The Foundation's principal office is in Fairbanks, Alaska, with the
mailing address: PO Box 750175, Fairbanks, AK 99775, but its
volunteers and employees are scattered throughout numerous
locations. Its business office is located at 809 North 1500 West, Salt
Lake City, UT 84116, (801) 596-1887. Email contact links and up to
date contact information can be found at the Foundation's web site and
official page at www.gutenberg.org/contact
For additional contact information:
Dr. Gregory B. Newby
Chief Executive and Director
[email protected]
Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation
Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.
The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To SEND
DONATIONS or determine the status of compliance for any particular
state visit www.gutenberg.org/donate
While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.
International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.
Please check the Project Gutenberg Web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations. To
donate, please visit: www.gutenberg.org/donate
Section 5. General Information About Project Gutenberg-tm electronic works.
Professor Michael S. Hart was the originator of the Project
Gutenberg-tm concept of a library of electronic works that could be
freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg-tm eBooks with only a loose network of
volunteer support.
Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as not protected by copyright in
the U.S. unless a copyright notice is included. Thus, we do not
necessarily keep eBooks in compliance with any particular paper
edition.
Most people start at our Web site which has the main PG search
facility: www.gutenberg.org
This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.
