Out of the North

By Howard V. Sutherland

The Project Gutenberg EBook of Out of the North, by Howard V. Sutherland

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org


Title: Out of the North

Author: Howard V. Sutherland

Release Date: June 23, 2009 [EBook #29210]

Language: English


*** START OF THIS PROJECT GUTENBERG EBOOK OUT OF THE NORTH ***




Produced by David Edwards, KarenD, and the Online
Distributed Proofreading Team at https://www.pgdp.net (This
file was produced from images generously made available
by The Internet Archive/American Libraries.)







  OUT

  _of the_

  NORTH


  [Illustration]


  HOWARD V. SUTHERLAND




_BY THE SAME AUTHOR_


  IDYLLS OF GREECE _Series One_
  IDYLLS OF GREECE _Series Two_
  THE WOMAN WHO COULD
  THE LEGEND OF LOVE
  IDAS AND MARPESSA




_OUT OF THE NORTH_



[Illustration: JOAQUIN MILLER]



  _OUT OF THE
  NORTH_


  _By_
  _Howard V. Sutherland_


  _With a Foreword by_
  _Joaquin Miller_


  [Illustration]


  _New York_
  _Desmond FitzGerald, Inc._
  _Mcmxiii_


  _Copyright 1913 by_
  DESMOND FITZGERALD, INC.


_To_ FREDERICK H. RANDALL




_CONTENTS_


                                                                 Page
  _Frontispiece, Joaquin Miller, Dawson, Y. T._
  _Foreword by Joaquin Miller_
  _The Northern Light_                                              1
  _In Winter_                                                       2
  _Lyric_                                                           3
  _Dark Days_                                                       4
  _The Unanswerable_                                                5
  _Vain Dreams_                                                     6
  _December_                                                        7
  _The Unassuageable_                                               8
  _Father Judge S. F._                                              9
  _The Light-o'-Love_                                           10-11
  _Two Quests_                                                     12
  _The Return of the Sun_                                          13
  _Klondyke Roses_                                                 14
  _A Song for the Return of Birds_                                 15
  _The Forest Cotillion_                                           16
  _The Spruces of the Forest_                                      17
  _The Wild Lover_                                                 18
  _Homeward Bound_                                                 19
  _Approaching Night_                                              20




FOREWORD


Songs from a far-away world; a cry from another sphere. To those of
us who once experienced the still and pitiless cold, a cry terribly
suggestive of the horror-charged gloom, of the icy silence as
unbroken as that of unfathomable deeps, of the stern and
uncompromising individuality of a disturbed and vengeful North.

Yet one is also reminded that, even in the Klondyke, in due season
the brooding spruces are awakened from slumber by the songs of
happy-throated songsters, that the melancholy of the forest is
brightened by gay flowers. The weight is then lifted from men's
hearts; singing is heard in the cabin, and the sound of laughter on
the trail. When the mighty Yukon is open to the Behring Sea, the far
North is in touch with the world and men are glad.

But the Arctic summer is short-lived. The days of the bird and the
flower and the rippling creeks are numbered. Soon the sky turns grey,
the wind chants the sun's requiem, the snow falls; and then returns
the cold, the gloom, the feeling of isolation, the indescribable
terror.

I heard these songs sung in the Arctic, the singer at my side--these
songs of nature, songs of hope, home, heart. They seem a part of my
life. I heard them as the cry of a lone bird in the vast silence of
eternal snows.

  JOAQUIN MILLER
  THE HEIGHTS, CAL.
  _Nov. 15th '99_




_The Northern Light_


    Who drapes that mystic veil across that everbrooding sky?
      Who hues it with a soul of pearl? Who draws it to and fro?
    Who breathes upon it with the breath that makes it glow and die,
      Lighting that crystal river, those mountains cowl'd with snow?




_In Winter_


    Beneath the snow the mosses sleep
      Amid the forest's silence;
    Above, the stately birches keep
        Unbroken vigils.

    The spruce trees dream of summer hours
      And birds that carrolled sweetly,
    Of gentle winds and smiling flowers
        That died too quickly.




_Lyric_


    Tell me, tell me, gentle stars,
      Ever watchful, ever bright,
    From your stations in the sky
      Do you see my love to-night?

    White the snow beneath my feet,
      Whiter far her holy breast;
    Peaceful are the mighty woods,
      But her eyes are soft with rest.

    Sweet the scent of spruce and pine,
      Sweeter, though, her fragrant breath;
    Tell her, tell her, gentle stars,
      I am hers alone till death.




_Dark Days_


    The sun has left his throne,
      The sky is leaden-hued;
    The hopeless winds bemoan,
      In icy aisles, their fate.

    All day the shadows press
      About the forest's nuns,
    That dream in loneliness
      Their dreams of birds and spring.




_The Unanswerable_


    O sombre skies that ever mourn,
      O silent skies so grey and stern,
    Are ye the curtains of that bourne
      Where we at last our fate must learn?

    Is it behind your gloomy veil
      The Judge with Book of Judgment stands?
    Where we must pass, with faces pale,
      Awaiting judgment at His hands?

    O sombre skies that frown all day
      Upon us hopeless, hapless men,
    When Death shall beckon us away
      What happens then? What happens then?




_Vain Dreams_


    The trees, my sisters, robed in white,
          Now dream of spring;
    Of sun-lit day and fragrant night,
          Of birds that sing.

    They little think that I can tell
          About their pain;
    They do not know I dream as well
          A dream most vain.




_December_


    Beneath a shroud of unpolluted white,
      The frozen hills lie silent and asleep;
      And moveless spruce and ghostly birches keep
    Their silent vigils through the endless night.
    The frozen creeks, long voiceless, partly veiled
      'Neath drifting snow, dream fondly of the trees;
      Within the woods no bird's song and no breeze
    Make wondrous music when the skies have paled.
    The kingly sun ne'er sends his laughing rays
      To wake the hills and warm the trees and streams;
      His face is hid, and hid are now the beams
    That woke the world on long-dead summer days.
    The patient moon with all her silent train
      Of maiden stars patrols the roads on high,
      And watches well all things that sleeping lie
    Till Spring's first song shall waken them again.
    The white world sleeps, and all is very still,
      Except when rises on the frosted air
      From out its chilly and forbidding lair
    A lone wolf's howl, long-drawn and terrible.




_The Unassuageable_


    I sometimes hear among the snow-clad trees
    The lone wind chanting solemn symphonies.

    I sometimes smell, while yet the woods are bare,
    The breath of unborn blossoms in the air.

    I am at times aware of gentle sighs
    There where the creek, ice-fettered, dreaming lies.

    I sometimes witness when the air is still
    Unearthly splendors on the white-robed hill.

    I sometimes read in flashing stars at night
    Mysterious promises of future light.

    But what can make a spirit's anguish less,
    Or ease a heart's eternal loneliness?




_Father Judge, S. F._


    Here was a man, a humble minister
    Beloved of all in northern latitudes
    Who knew the value of the kingly heart
    That beat beneath his worn and priestly coat.

    A soldier he, who ne'er forsook his post;
    Whose actions were more numerous than words;
    His soul was God's; his heart and body man's--
    Nothing his own except our gratitude.

    Worn e'er his time by hardship none may know
    Who shirked the bitter schooling of the North,
    He passed away, and now forever stands
    As close to God as gentle Damien.




_The Light-o'-Love_


    The dogs were whining; they sensed too well
      The load upon the sled;
    The rough-hewn box with the light-o'-love--
          A girl, 'twas said.

    A week ago, at the Palace Bar,
      She sang the songs of France;
    But many a heart is lead the while
          The feet must dance.

    Kisses she gave and kisses she took,
      Sinned for her daily bread;
    But all we knew as we eyed the box
          Was: she was dead.

    We placed upon it (How much it hurt
      Only the good God knows!)
    A gaud she had worn in her dusky hair--
          A paper rose.

    A crumpled thing that seemed beautiful
      To lonely, broken men,
    Hinting of fairer flowers and things
          Beyond our ken.

    We thought of her as we closed her door
      As somebody's little child;
    As somebody's darling, lost, long lost,
          But undefiled.

           *       *       *       *       *

    The grey above us, the white beneath;
      Chill silence everywhere;
    Yet deep in our hearts we knew that God
          Was also there.

    We knew, far better than others know
      Whose ways are bright and glad,
    His judgments are very merciful
          On good and bad.

    Our little sister was now at peace.
      The snow began to fall.
    The flakes soon hid that gift of ours
          Beneath their pall.

    Under the white, white flakes the rose,
      Crumpled, tawdry and red;
    Hinting the pity which all men need
          When they are dead.

           *       *       *       *       *

    The dogs still whined as they dragged the sled
      To where the spruces dream;
    And there we left her, a wayward child,
          At rest in Him.




_Two Quests_


    Every day I watch men go
      Up the trail
    Seeking gold. It is a show
    Worth the watching; much I know
          About the game.

    In the dead of night they creep
      Past my door;
    But I hear them in my sleep,
    And I pity. Very steep
          The road to Fame.




_The Return of the Sun_


    Winter is passing. The inconstant sun--
    Neglectful lover, therefore doubly dear--
    Kisses the stern, white faces of the hills,
    Melting their hearts to tenderness again;
    Kisses the earth, still shiv'ring 'neath its shroud,
    And whispers it of blossoms to be born.
    Kisses the boughs and lures the fresh young leaves,
    Spring's verdant heralds, from their hiding place;
    Kisses the trees and tells them of bright birds
    Seeking new homes for merry families.

    Winter is passing. The inconstant sun--
    Neglectful lover, therefore doubly dear--
    Enters the hearts of long despondent men,
    Bidding them smile and be consoled again;
    Enters their souls and whispers them of God,
    Of distant homes and friends that pray for them;
    Enters our cabins and dispels the gloom
    Of soundless days and never-ending nights;
    Enters our eyes and bids us rise and see
    Winter's interment, mourn'd by laughing Spring.




_Klondyke Roses_


    When melts at last the lingering snow
      In sunny days of May or June,
    Amid the velvet mosses grow
        Shy roses, fragrant-smelling.
    A fated sisterhood is theirs,
      They sigh their souls out wistfully;
    No bee makes love to them or hears
        Their tender love a-telling.

    They dream, perhaps, of distant lands,
      (O lands, that seem as far-off spheres;)
    Of love-lit eyes and tender hands
        That pluck far happier roses.
    But while they dream the days pass by
      And August comes with ebon nights,
    And sombre is September's sky--
        And then their sad life closes.




_A Song for the Return of Birds_


    Haste, little songsters, and return
      To your nests in the silent wood;
    The birches are lonely and they yearn
      For your twittering brotherhood.
    The leaves are green on the wakened trees
      And the snow has left the moss;
          The sighing breeze
          With its symphonies
      Suggests our greatest loss--
    Haste, little birds, haste home!

    Haste little songsters, for the Spring
      Has come with her laughing train
    Of radiant blossoms; and now the King
      Is here, and the pattering rain.
    The nights are warm and the days are long,
      There is no more ice or frost;
          And oh! we long
          For a songbird's song,
      For a music the woods have lost--
    Haste, little birds, haste home!




_The Forest Cotillion_


    When the wind is joyous-hearted it stirs the graceful spruces,
    And they nod at one another and toss their arms in abandon;
    Then they sway their supple bodies in wonderful undulations,
    Keeping a perfect time with the wind's mysterious music.

    Then the watchmen of the forest, the solemn and silent birches,
    Bend stiffly their stately heads, saluting their laughing sisters;
    And the alders wake from slumber, and the willows grieve no longer
    When the wild wind woos the stream and sets the trees a-dancing.




_The Spruces of the Forest_


    Unhappy trees, beneath whose graceful branches
      No lovers walk, no children ever play;
    Who never hear the sound of girlish laughter,
      But pass in gloom your silent lives away;
    I wonder if ye heed me as I press
    My heart to yours in utter loneliness.

    I wonder if ye see me as I wander
      Along the trail no feet but mine e'er tread;
    I wonder if ye hear me when I murmur
      The name of one who might as well be dead
    So far away, so very far is she--
    I wonder if ye heed and pity me?




_The Wild Lover_


    Sway your lithe arms, ye graceful trees,
      The wind is out a-wooing!
    Ye may be many, yet he sees
      A way to your undoing.

          Ye need not fear,
          Though birds may hear
              Your whispers or your sighs;
          Or tell the night
          Of your delight--
              Nay, Nay, the birds are wise.

    Your vestiture of maiden green
      Doth very well adorn ye;
    The wind will deem each one a queen,
      And woo. He dare not scorn ye!






_Homeward Bound_


    I have ventured on many a journey,
        By land and sea;
    And whether success or failure
        Was granted me,
    It mattered but very little--
    It is good to be Homeward Bound.

    When thou bravest the final voyage,
        And thou must steer
    Across the mysterious ocean,
        Friend, have no fear;
    There is only one port for the sailors
    When once they are Homeward Bound!




_Approaching Night_


    The lower'd skies are grey; the trees are bare.
      A week ago they gleam'd in splendid rows
    Of gold and crimson; now in gaunt despair
      They stand like ghosts above new-fallen snows.

    The world seems even greyer than the skies.
      'Twas yesterday the homeward-honking geese
    Fled as from death. They know too well what lies
      Behind this sinister, foreboding peace!





End of Project Gutenberg's Out of the North, by Howard V. Sutherland

*** END OF THIS PROJECT GUTENBERG EBOOK OUT OF THE NORTH ***

***** This file should be named 29210.txt or 29210.zip *****
This and all associated files of various formats will be found in:
        https://www.gutenberg.org/2/9/2/1/29210/

Produced by David Edwards, KarenD, and the Online
Distributed Proofreading Team at https://www.pgdp.net (This
file was produced from images generously made available
by The Internet Archive/American Libraries.)


Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties.  Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark.  Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission.  If you
do not charge anything for copies of this eBook, complying with the
rules is very easy.  You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research.  They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks.  Redistribution is
subject to the trademark license, especially commercial
redistribution.



*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
https://gutenberg.org/license).


Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A.  By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.  If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B.  "Project Gutenberg" is a registered trademark.  It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.  There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.  See
paragraph 1.C below.  There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works.  See paragraph 1.E below.

1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.  Nearly all the individual works in the
collection are in the public domain in the United States.  If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed.  Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work.  You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D.  The copyright laws of the place where you are located also govern
what you can do with this work.  Copyright laws in most countries are in
a constant state of change.  If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work.  The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1.E.  Unless you have removed all references to Project Gutenberg:

1.E.1.  The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org

1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges.  If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.

1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder.  Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5.  Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6.  You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form.  However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form.  Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.

1.E.7.  Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8.  You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
     the use of Project Gutenberg-tm works calculated using the method
     you already use to calculate your applicable taxes.  The fee is
     owed to the owner of the Project Gutenberg-tm trademark, but he
     has agreed to donate royalties under this paragraph to the
     Project Gutenberg Literary Archive Foundation.  Royalty payments
     must be paid within 60 days following each date on which you
     prepare (or are legally required to prepare) your periodic tax
     returns.  Royalty payments should be clearly marked as such and
     sent to the Project Gutenberg Literary Archive Foundation at the
     address specified in Section 4, "Information about donations to
     the Project Gutenberg Literary Archive Foundation."

- You provide a full refund of any money paid by a user who notifies
     you in writing (or by e-mail) within 30 days of receipt that s/he
     does not agree to the terms of the full Project Gutenberg-tm
     License.  You must require such a user to return or
     destroy all copies of the works possessed in a physical medium
     and discontinue all use of and all access to other copies of
     Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1.F.3, a full refund of any
     money paid for a work or a replacement copy, if a defect in the
     electronic work is discovered and reported to you within 90 days
     of receipt of the work.

- You comply with all other terms of this agreement for free
     distribution of Project Gutenberg-tm works.

1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
Foundation as set forth in Section 3 below.

1.F.

1.F.1.  Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection.  Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3.  YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from.  If you
received the work on a physical medium, you must return the medium with
your written explanation.  The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund.  If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund.  If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4.  Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.

1.F.5.  Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law.  The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.


Section  2.  Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers.  It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come.  In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at https://www.pglaf.org.


Section 3.  Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service.  The Foundation's EIN or federal tax identification
number is 64-6221541.  Its 501(c)(3) letter is posted at
https://pglaf.org/fundraising.  Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations.  Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
[email protected].  Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at https://pglaf.org

For additional contact information:
     Dr. Gregory B. Newby
     Chief Executive and Director
     [email protected]


Section 4.  Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment.  Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States.  Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements.  We do not solicit donations in locations
where we have not received written confirmation of compliance.  To
SEND DONATIONS or determine the status of compliance for any
particular state visit https://pglaf.org

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States.  U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses.  Donations are accepted in a number of other
ways including including checks, online payments and credit card
donations.  To donate, please visit: https://pglaf.org/donate


Section 5.  General Information About Project Gutenberg-tm electronic
works.

Professor Michael S. Hart was the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone.  For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.


Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included.  Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.


Most people start at our Web site which has the main PG search facility:

     https://www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.