The Project Gutenberg EBook of Grandmother's Story of Bunker Hill Battle, by Oliver Wendell Holmes, Sr. This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: Grandmother's Story of Bunker Hill Battle as She Saw it from the Belfry Author: Oliver Wendell Holmes, Sr. Illustrator: Howard Pyle Release Date: June 26, 2007 [EBook #21941] Language: English *** START OF THIS PROJECT GUTENBERG EBOOK BUNKER HILL *** Produced by Audrey Longhurst, Janet Blenkinship and the Online Distributed Proofreading Team at http://www.pgdp.net Grandmother's Story of Bunker Hill Battle _as She Saw it from the Belfry_ by Oliver Wendell Holmes _With Illustrations by_ Howard Pyle _Boston and New York_ Houghton Mifflin Company The Riverside Press Cambridge MCMXXV COPYRIGHT, 1875, BY JAMES R. OSGOOD & CO. COPYRIGHT, 1903, BY HOUGHTON, MIFFLIN & CO. COPYRIGHT, 1917, BY OLIVER WENDELL HOLMES ALL RIGHTS RESERVED The Riverside Press CAMBRIDGE · MASSACHUSETTS PRINTED IN THE U.S.A. [Illustration] * * * * * _GRANDMOTHER'S STORY_ _of_ BUNKER HILL _BATTLE_ 'T is like stirring living embers when, at eighty, one remembers All the achings and the quakings of "the times that tried men's souls;" When I talk of _Whig_ and _Tory_, when I tell the _Rebel_ story, To you the words are ashes, but to me they're burning coals. I had heard the muskets' rattle of the April running battle; Lord Percy's hunted soldiers, I can see their red coats still; But a deadly chill comes o'er me, as the day looms up before me, When a thousand men lay bleeding on the slopes of Bunker's Hill. [Illustration] [Illustration] 'T was a peaceful summer's morning, when the first thing gave us warning Was the booming of the cannon from the river and the shore: "Child," says grandma, "what's the matter, what is all this noise and clatter? Have those scalping Indian devils come to murder us once more?" Poor old soul! my sides were shaking in the midst of all my quaking, To hear her talk of Indians when the guns began to roar: She had seen the burning village, and the slaughter and the pillage, When the Mohawks killed her father with their bullets through his door. [Illustration] [Illustration] Then I said, "Now, dear old granny, don't you fret and worry any, For I'll soon come back and tell you whether this is work or play; There can't be mischief in it, so I won't be gone a minute"-- For a minute then I started. I was gone the livelong day. No time for bodice-lacing or for looking-glass grimacing; Down my hair went as I hurried, tumbling half-way to my heels; God forbid your ever knowing, when there's blood around her flowing, How the lonely, helpless daughter of a quiet household feels! [Illustration] [Illustration] In the street I heard a thumping; and I knew it was the stumping Of the Corporal, our old neighbor, on that wooden leg he wore, With a knot of women round him,--it was lucky I had found him, So I followed with the others, and the Corporal marched before. They were making for the steeple,--the old soldier and his people; The pigeons circled round us as we climbed the creaking stair, Just across the narrow river--oh, so close it made me shiver!-- Stood a fortress on the hill-top that but yesterday was bare. [Illustration] [Illustration] Not slow our eyes to find it; well we knew who stood behind it, Though the earthwork hid them from us, and the stubborn walls were dumb: Here were sister, wife, and mother, looking wild upon each other, And their lips were white with terror as they said, THE HOUR HAS COME! The morning slowly wasted, not a morsel had we tasted, And our heads were almost splitting with the cannons' deafening thrill, When a figure tall and stately round the rampart strode sedately; It was PRESCOTT, one since told me; he commanded on the hill. [Illustration] [Illustration] Every woman's heart grew bigger when we saw his manly figure, With the banyan buckled round it, standing up so straight and tall; Like a gentleman of leisure who is strolling out for pleasure, Through the storm of shells and cannon-shot he walked around the wall. At eleven the streets were swarming, for the red-coats' ranks were forming; At noon in marching order they were moving to the piers; How the bayonets gleamed and glistened, as we looked far down, and listened To the trampling and the drum-beat of the belted grenadiers! [Illustration] [Illustration] At length the men have started, with a cheer (it seemed faint-hearted), In their scarlet regimentals, with their knapsacks on their backs, And the reddening, rippling water, as after a sea-fight's slaughter, Round the barges gliding onward blushed like blood along their tracks. So they crossed to the other border, and again they formed in order; And the boats came back for soldiers, came for soldiers, soldiers still: The time seemed everlasting to us women faint and fasting,-- At last they're moving, marching, marching proudly up the hill. [Illustration] [Illustration] We can see the bright steel glancing all along the lines advancing-- Now the front rank fires a volley--they have thrown away their shot; For behind their earthwork lying, all the balls above them flying, Our people need not hurry; so they wait and answer not. Then the Corporal, our old cripple (he would swear sometimes and tipple),-- He had heard the bullets whistle (in the old French war) before,-- Calls out in words of jeering, just as if they all were hearing,-- And his wooden leg thumps fiercely on the dusty belfry floor:-- [Illustration] [Illustration] "Oh! fire away, ye villains, and earn King George's shillin's, But ye'll waste a ton of powder afore a 'rebel' falls; You may bang the dirt and welcome, they're as safe as Dan'l Malcolm Ten foot beneath the gravestone that you've splintered with your balls!" In the hush of expectation, in the awe and trepidation Of the dread approaching moment, we are well-nigh breathless all; Though the rotten bars are failing on the rickety belfry railing, We are crowding up against them like the waves against a wall. [Illustration] [Illustration] Just a glimpse (the air is clearer), they are nearer,--nearer,--nearer, When a flash--a curling smoke-wreath--then a crash--the steeple shakes-- The deadly truce is ended; the tempest's shroud is rended; Like a morning mist it gathered, like a thunder-cloud it breaks! Oh the sight our eyes discover as the blue-black smoke blows over! The red-coats stretched in windrows as a mower rakes his hay; Here a scarlet heap is lying, there a headlong crowd is flying Like a billow that has broken and is shivered into spray. [Illustration] [Illustration] Then we cried, "The troops are routed! they are beat--it can't be doubted! God be thanked, the fight is over!"--Ah! the grim old soldier's smile! "Tell us, tell us why you look so?" (we could hardly speak, we shook so),-- "Are they beaten? _Are_ they beaten? ARE they beaten?"--"Wait a while." Oh the trembling and the terror! for too soon we saw our error: They are baffled, not defeated; we have driven them back in vain; And the columns that were scattered, round the colors that were tattered, Toward the sullen, silent fortress turn their belted breasts again. [Illustration] [Illustration] All at once, as we are gazing, lo the roofs of Charlestown blazing! They have fired the harmless village; in an hour it will be down! The Lord in heaven confound them, rain his fire and brimstone round them,-- The robbing, murdering red-coats, that would burn a peaceful town! They are marching, stern and solemn; we can see each massive column As they near the naked earth-mound with the slanting walls so steep. Have our soldiers got faint-hearted, and in noiseless haste departed? Are they panic-struck and helpless? Are they palsied or asleep? [Illustration] [Illustration] Now! the walls they're almost under! scarce a rod the foes asunder! Not a firelock flashed against them! up the earthwork they will swarm! But the words have scarce been spoken, when the ominous calm is broken, And a bellowing crash has emptied all the vengeance of the storm! So again, with murderous slaughter, pelted backwards to the water, Fly Pigot's running heroes and the frightened braves of Howe; And we shout, "At last they're done for, it's their barges they have run for: They are beaten, beaten, beaten; and the battle's over now!" [Illustration] [Illustration] And we looked, poor timid creatures, on the rough old soldier's features, Our lips afraid to question, but he knew what we would ask: "Not sure," he said; "keep quiet,--once more, I guess, they'll try it-- Here's damnation to the cut-throats!"--then he handed me his flask, Saying, "Gal, you're looking shaky; have a drop of old Jamaiky; I'm afeard there'll be more trouble afore the job is done;" So I took one scorching swallow; dreadful faint I felt and hollow, Standing there from early morning when the firing was begun. [Illustration] [Illustration] All through those hours of trial I had watched a calm clock dial, As the hands kept creeping, creeping,--they were creeping round to four, When the old man said, "They're forming with their bagonets fixed for storming: It's the death-grip that's a-coming,--they will try the works once more." With brazen trumpets blaring, the flames behind them glaring, The deadly wall before them, in close array they come; Still onward, upward toiling, like a dragon's fold uncoiling,-- Like the rattlesnake's shrill warning the reverberating drum! [Illustration] [Illustration] Over heaps all torn and gory--shall I tell the fearful story, How they surged above the breast-work, as a sea breaks over a deck; How, driven, yet scarce defeated, our worn-out men retreated, With their powder-horns all emptied, like the swimmers from a wreck? It has all been told and painted; as for me, they say I fainted, And the wooden-legged old Corporal stumped with me down the stair: When I woke from dreams affrighted the evening lamps were lighted,-- On the floor a youth was lying; his bleeding breast was bare. [Illustration] [Illustration] And I heard through all the flurry, "Send for WARREN! hurry! hurry! Tell him here's a soldier bleeding, and he'll come and dress his wound!" Ah, we knew not till the morrow told its tale of death and sorrow, How the starlight found him stiffened on the dark and bloody ground. Who the youth was, what his name was, where the place from which he came was, Who had brought him from the battle, and had left him at our door, He could not speak to tell us; but 't was one of our brave fellows, As the homespun plainly showed us which the dying soldier wore. [Illustration] [Illustration] For they all thought he was dying, as they gathered round him crying,-- And they said, "Oh, how they'll miss him!" and "What _will_ his mother do?" Then, his eyelids just unclosing like a child's that has been dozing, He faintly murmured, "Mother!"--and--I saw his eyes were blue. "Why, grandma, how you're winking!" Ah, my child, it sets me thinking Of a story not like this one. Well, he somehow lived along; So we came to know each other, and I nursed him like a--mother, Till at last he stood before me, tall, and rosy-cheeked, and strong. [Illustration] [Illustration] And we sometimes walked together in the pleasant summer weather, --"Please to tell us what his name was?" Just your own, my little dear,-- There's his picture Copley painted: we became so well acquainted, That--in short, that's why I'm grandma, and you children all are here! End of the Project Gutenberg EBook of Grandmother's Story of Bunker Hill Battle, by Oliver Wendell Holmes, Sr. *** END OF THIS PROJECT GUTENBERG EBOOK BUNKER HILL *** ***** This file should be named 21941-8.txt or 21941-8.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/1/9/4/21941/ Produced by Audrey Longhurst, Janet Blenkinship and the Online Distributed Proofreading Team at http://www.pgdp.net Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away--you may do practically ANYTHING with public domain eBooks. Redistribution is subject to the trademark license, especially commercial redistribution. *** START: FULL LICENSE *** THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg-tm mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase "Project Gutenberg"), you agree to comply with all the terms of the Full Project Gutenberg-tm License (available with this file or online at http://gutenberg.org/license). Section 1. General Terms of Use and Redistributing Project Gutenberg-tm electronic works 1.A. By reading or using any part of this Project Gutenberg-tm electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg-tm electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg-tm electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. "Project Gutenberg" is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg-tm electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg-tm electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg-tm electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" or PGLAF), owns a compilation copyright in the collection of Project Gutenberg-tm electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is in the public domain in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg-tm mission of promoting free access to electronic works by freely sharing Project Gutenberg-tm works in compliance with the terms of this agreement for keeping the Project Gutenberg-tm name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg-tm License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg-tm work. The Foundation makes no representations concerning the copyright status of any work in any country outside the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg-tm License must appear prominently whenever any copy of a Project Gutenberg-tm work (any work on which the phrase "Project Gutenberg" appears, or with which the phrase "Project Gutenberg" is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org 1.E.2. If an individual Project Gutenberg-tm electronic work is derived from the public domain (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase "Project Gutenberg" associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg-tm electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg-tm License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg-tm. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg-tm License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg-tm work in a format other than "Plain Vanilla ASCII" or other format used in the official version posted on the official Project Gutenberg-tm web site (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original "Plain Vanilla ASCII" or other form. Any alternate format must include the full Project Gutenberg-tm License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg-tm works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg-tm electronic works provided that - You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg-tm works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg-tm trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, "Information about donations to the Project Gutenberg Literary Archive Foundation." - You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg-tm License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg-tm works. - You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. - You comply with all other terms of this agreement for free distribution of Project Gutenberg-tm works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from both the Project Gutenberg Literary Archive Foundation and Michael Hart, the owner of the Project Gutenberg-tm trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread public domain works in creating the Project Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm electronic works, and the medium on which they may be stored, may contain "Defects," such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right of Replacement or Refund" described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg-tm trademark, and any other party distributing a Project Gutenberg-tm electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg-tm electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg-tm electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg-tm work, (b) alteration, modification, or additions or deletions to any Project Gutenberg-tm work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg-tm Project Gutenberg-tm is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need, is critical to reaching Project Gutenberg-tm's goals and ensuring that the Project Gutenberg-tm collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg-tm and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation web page at http://www.pglaf.org. Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation's EIN or federal tax identification number is 64-6221541. Its 501(c)(3) letter is posted at http://pglaf.org/fundraising. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state's laws. The Foundation's principal office is located at 4557 Melan Dr. S. Fairbanks, AK, 99712., but its volunteers and employees are scattered throughout numerous locations. Its business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email [email protected]. Email contact links and up to date contact information can be found at the Foundation's web site and official page at http://pglaf.org For additional contact information: Dr. Gregory B. Newby Chief Executive and Director [email protected] Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg-tm depends upon and cannot survive without wide spread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit http://pglaf.org While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg Web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: http://pglaf.org/donate Section 5. General Information About Project Gutenberg-tm electronic works. Professor Michael S. Hart is the originator of the Project Gutenberg-tm concept of a library of electronic works that could be freely shared with anyone. For thirty years, he produced and distributed Project Gutenberg-tm eBooks with only a loose network of volunteer support. Project Gutenberg-tm eBooks are often created from several printed editions, all of which are confirmed as Public Domain in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our Web site which has the main PG search facility: http://www.gutenberg.org This Web site includes information about Project Gutenberg-tm, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.