Project Gutenberg's Cautionary Tales for Children, by Hilaire Belloc
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org
Title: Cautionary Tales for Children
Author: Hilaire Belloc
Illustrator: Basil T. Blackwood
Release Date: December 5, 2008 [EBook #27424]
Language: English
*** START OF THIS PROJECT GUTENBERG EBOOK CAUTIONARY TALES FOR CHILDREN ***
Produced by Chris Curnow, Joseph Cooper, Anne Storer and
the Online Distributed Proofreading Team at
https://www.pgdp.net
CAUTIONARY TALES FOR CHILDREN
CAUTIONARY TALES FOR
CHILDREN
_Designed for the Admonition of Children between the ages
of eight and fourteen years_
Verses by
H. BELLOC
Pictures by
B. T. B.
[Illustration]
DUCKWORTH
3 HENRIETTA STREET, LONDON, W.C.
First published by Eveleigh Nash, 1907
First published by Gerald Duckworth & Co. Ltd., 1918
Thirteenth Impression, 1957
_All rights reserved_
_Made and Printed in Great Britain by_
_Thomas Nelson and Sons Ltd_
_London and Edinburgh_
DEDICATED
TO
BOBBY, JOHNNY, AND EDDIE
SOMERSET
INTRODUCTION
Upon being asked by a Reader whether the verses contained in this book
were true.
[Illustration]
And is it True? It is not True.
And if it were it wouldn't do,
For people such as me and you
Who pretty nearly all day long
Are doing something rather wrong.
Because if things were really so,
You would have perished long ago,
And I would not have lived to write
The noble lines that meet your sight,
Nor B. T. B. survived to draw
The nicest things you ever saw.
H. B.
* * * * *
JIM,
_Who ran away from his Nurse, and was eaten by a Lion._
[Illustration]
There was a Boy whose name was Jim;
His Friends were very good to him.
They gave him Tea, and Cakes, and Jam,
And slices of delicious Ham,
And Chocolate with pink inside,
And little Tricycles to ride,
And
[Illustration]
read him Stories through and through,
And even took him to the Zoo--
But there it was the dreadful Fate
Befell him, which I now relate.
You know--at least you _ought_ to know.
For I have often told you so--
That Children never are allowed
To leave their Nurses in a Crowd;
Now this was Jim's especial Foible,
He ran away when he was able,
And on this inauspicious day
He slipped his hand and ran away!
He hadn't gone a yard when--
[Illustration]
Bang!
With open Jaws, a Lion sprang,
And hungrily began to eat
The Boy: beginning at his feet.
Now just imagine how it feels
When first your toes and then your heels,
And then by gradual degrees,
Your shins and ankles, calves and knees,
Are slowly eaten, bit by bit.
[Illustration]
No wonder Jim detested it!
No wonder that he shouted "Hi!"
The Honest Keeper heard his cry,
Though very fat
[Illustration]
he almost ran
To help the little gentleman.
"Ponto!" he ordered as he came
(For Ponto was the Lion's name),
"Ponto!" he cried,
[Illustration]
with angry Frown.
"Let go, Sir! Down, Sir! Put it down!"
The Lion made a sudden Stop,
He let the Dainty Morsel drop,
And slunk reluctant to his Cage,
Snarling with Disappointed Rage
But when he bent him over Jim,
The Honest Keeper's
[Illustration]
Eyes were dim.
The Lion having reached his Head,
The Miserable Boy was dead!
[Illustration]
When Nurse informed his Parents, they
Were more Concerned than I can say:--
His Mother, as She dried her eyes,
Said, "Well--it gives me no surprise,
He would not do as he was told!"
His Father, who was self-controlled,
Bade all the children round attend
To James' miserable end,
And always keep a-hold of Nurse
For fear of finding something worse.
HENRY KING,
_Who chewed bits of String, and was early cut off in Dreadful Agonies._
The Chief Defect of Henry King
Was
[Illustration]
chewing little bits of String.
At last he swallowed some which tied
Itself in ugly Knots inside.
[Illustration]
Physicians of the Utmost Fame
Were called at once; but when they came
They answered,
[Illustration]
as they took their Fees,
"There is no Cure for this Disease.
Henry will very soon be dead."
His Parents stood about his Bed
Lamenting his Untimely Death,
When Henry, with his Latest Breath,
Cried--
"Oh, my Friends, be warned by me,
[Illustration]
That Breakfast, Dinner, Lunch and Tea
Are all the Human Frame requires ..."
With that the Wretched Child expires.
MATILDA,
_Who told Lies, and was Burned to Death._
Matilda told such Dreadful Lies,
[Illustration]
It made one Gasp and Stretch one's Eyes;
Her Aunt, who, from her Earliest Youth,
Had kept a Strict Regard for Truth,
[Illustration]
Attempted to Believe Matilda:
The effort very nearly killed her,
And would have done so, had not She
Discovered this Infirmity.
For once, towards the Close of Day,
Matilda, growing tired of play,
And finding she was left alone,
Went tiptoe
[Illustration]
to
the Telephone
And summoned the Immediate Aid
Of London's Noble Fire-Brigade.
Within an hour the Gallant Band
Were pouring in on every hand,
From Putney, Hackney Downs and Bow,
With Courage high and Hearts a-glow
They galloped, roaring through the Town,
[Illustration]
"Matilda's House is Burning Down!"
Inspired by British Cheers and Loud
Proceeding from the Frenzied Crowd,
They ran their ladders through a score
Of windows on the Ball Room Floor;
And took Peculiar Pains to Souse
The Pictures up and down the House,
[Illustration]
Until Matilda's Aunt succeeded
In showing them they were not needed
And even then she had to pay
To get the Men to go away!
* * *
It happened that a few Weeks later
Her Aunt was off to the Theatre
To see that Interesting Play
_The Second Mrs. Tanqueray._
[Illustration]
She had refused to take her Niece
To hear this Entertaining Piece:
A Deprivation Just and Wise
To Punish her for Telling Lies.
That Night a Fire _did_ break out--
You should have heard Matilda Shout!
You should have heard her Scream and Bawl,
And throw the window up and call
To People passing in the Street--
(The rapidly increasing Heat
Encouraging her to obtain
Their confidence)--but all in vain!
For every time She shouted "Fire!"
[Illustration]
They only answered "Little Liar!"
And therefore when her Aunt returned,
Matilda, and the House, were Burned.
[Illustration]
FRANKLIN HYDE,
_Who caroused in the Dirt and was corrected by His Uncle._
[Illustration]
His Uncle came on Franklin Hyde
Carousing in the Dirt.
He Shook him hard from Side to Side
And
[Illustration]
Hit him till it Hurt,
Exclaiming, with a Final Thud,
"Take
[Illustration]
that! Abandoned Boy!
For Playing with Disgusting Mud
As though it were a Toy!"
MORAL
From Franklin Hyde's adventure, learn
To pass your Leisure Time
In Cleanly Merriment, and turn
From Mud and Ooze and Slime
And every form of Nastiness--
But, on the other Hand,
Children in ordinary Dress
May always play with Sand.
[Illustration]
GODOLPHIN HORNE,
_Who was cursed with the Sin of Pride, and Became a Boot-Black._
[Illustration]
Godolphin Horne was Nobly Born;
He held the Human Race in Scorn,
And lived with all his Sisters where
His father lived, in Berkeley Square.
And oh! the Lad was Deathly Proud!
He never shook your Hand or Bowed,
But merely smirked and nodded
[Illustration]
thus:
How perfectly ridiculous!
Alas! That such Affected Tricks
Should flourish in a Child of Six!
(For such was Young Godolphin's age).
Just then, the Court required a Page,
Whereat
[Illustration]
the Lord High Chamberlain
(The Kindest and the Best of Men),
He went good-naturedly and
[Illustration]
took
A Perfectly Enormous Book
Called _People Qualified to Be
Attendant on His Majesty_,
And murmured, as he scanned the list
(To see that no one should be missed),
"There's
[Illustration]
William Coutts has got the Flue,
[Illustration]
And Billy Higgs would never do,
[Illustration]
And Guy de Vere is far too young,
[Illustration]
And ... wasn't D'Alton's Father hung?
And as for Alexander Byng!-- ...
I think I know the kind of thing,
A Churchman, cleanly, nobly born,
Come
let us say Godolphin Horne?"
But hardly had he said the word
When Murmurs of Dissent were heard.
The King of Iceland's Eldest Son
Said, "Thank you! I am taking none!"
The Aged Duchess of Athlone
Remarked, in her sub-acid tone,
"I doubt if He is what we need!"
With which the Bishops all agreed;
And even Lady Mary Flood
(_So_ Kind, and oh! so _really_ good)
Said, "No! He wouldn't do at all,
He'd make us feel a lot too small,"
The Chamberlain said,
" ... Well, well, well!
No doubt you're right.... One cannot tell!"
He took his Gold and Diamond Pen
And
[Illustration]
Scratched Godolphin out again.
So now Godolphin is the Boy
Who blacks the Boots at the Savoy.
[Illustration]
ALGERNON,
_Who played with a Loaded Gun, and, on missing his Sister was
reprimanded by his Father._
Young Algernon, the Doctor's Son,
Was
[Illustration]
playing with a Loaded Gun.
He pointed it towards his sister,
Aimed very carefully, but
[Illustration]
Missed her!
His Father, who was standing near,
[Illustration]
The Loud Explosion chanced to Hear,
[Illustration]
And reprimanded Algernon
For playing with a Loaded Gun.
HILDEBRAND,
_Who was frightened by a Passing Motor, and was brought to Reason._
[Illustration]
"Oh, Murder! What was that, Papa!"
"My child,
It was a Motor-Car,
A Most Ingenious Toy!
[Illustration]
Designed to Captivate and Charm
Much rather than to rouse Alarm
In any English Boy.
"What would your Great Grandfather who
[Illustration]
Was Aide-de-Camp to General Brue,
And lost a leg at
[Illustration]
Waterloo,
And
[Illustration]
Quatre-Bras and
[Illustration]
Ligny too!
And died at Trafalgar!--
[Illustration]
What would he have remarked to hear
His Young Descendant shriek with fear,
Because he happened to be near
A Harmless Motor-Car!
But do not fret about it! Come!
We'll off to Town
[Illustration]
And purchase some!"
LORD LUNDY,
_Who was too Freely Moved to Tears, and thereby ruined his Political
Career._
[Illustration]
Lord Lundy from his earliest years
Was far too freely moved to Tears.
For instance if his Mother said,
"Lundy! It's time to go to Bed!"
He bellowed like a Little Turk.
Or if
[Illustration]
his father Lord Dunquerque
Said "Hi!" in a Commanding Tone,
"Hi, Lundy! Leave the Cat alone!"
Lord Lundy, letting go its tail,
Would raise so terrible a wail
As moved
His
Grandpapa
the
[Illustration]
Duke
To utter the severe rebuke:
"When I, Sir! was a little Boy,
An Animal was not a Toy!"
His father's Elder Sister, who
Was married to a Parvenoo,
[Illustration]
Confided to Her Husband, "Drat!
The Miserable, Peevish Brat!
Why don't they drown the Little Beast?"
Suggestions which, to say the least,
Are not what we expect to hear
From Daughters of an English Peer.
His grandmamma, His Mother's Mother,
Who had some dignity or other,
The Garter, or no matter what,
I can't remember all the Lot!
Said "Oh! that I were Brisk and Spry
To give him that for which to cry!"
(An empty wish, alas! for she
[Illustration]
Was Blind and nearly ninety-three).
The
[Illustration]
Dear Old Butler
thought--but there!
I really neither know nor care
For what the Dear Old Butler thought!
In my opinion, Butlers ought
To know their place, and not to play
The Old Retainer night and day
I'm getting tired and so are you,
Let's cut the Poem into two!
* * *
LORD LUNDY
(_SECOND CANTO_)
It happened to Lord Lundy then,
As happens to so many men:
Towards the age of twenty-six,
They shoved him into politics;
In which profession he commanded
The income that his rank demanded
In turn as Secretary for
India, the Colonies, and War.
But very soon his friends began
To doubt if he were quite the man:
Thus, if a member rose to say
(As members do from day to day),
[Illustration]
"Arising out of that reply ...!"
[Illustration]
Lord Lundy would begin to cry.
A Hint at harmless little jobs
Would shake him with convulsive sobs.
While as for Revelations, these
Would simply bring him to his knees,
And leave him whimpering like a child.
It drove his Colleagues raving wild!
They let him sink from Post to Post,
From fifteen hundred at the most
To eight, and barely six--and then
To be Curator of Big Ben!...
And finally there came a Threat
To oust him from the Cabinet!
The Duke--his aged grand-sire--bore
The shame till he could bear no more.
He rallied his declining powers,
Summoned the youth to Brackley Towers,
And bitterly addressed him thus--
"Sir! you have disappointed us!
We had intended you to be
The next Prime Minister but three:
The stocks were sold; the Press was squared:
The Middle Class was quite prepared.
But as it is!... My language fails!
[Illustration]
Go out and govern New South Wales!"
* * *
The Aged Patriot groaned and died:
And gracious! how Lord Lundy cried!
[Illustration]
REBECCA,
_Who slammed Doors for Fun and Perished Miserably._
A Trick that everyone abhors
In Little Girls is slamming Doors.
A
[Illustration]
Wealthy Banker's
Little Daughter
[Illustration]
Who lived in Palace Green, Bayswater
(By name Rebecca Offendort),
Was given to this Furious Sport.
She would deliberately go
[Illustration]
And Slam the door like
Billy-Ho!
To make
her
[Illustration]
Uncle Jacob start.
She was not really bad at heart,
But only rather rude and wild:
She was an aggravating child....
It happened that a Marble Bust
Of Abraham was standing just
Above the Door this little Lamb
Had carefully prepared to Slam,
And Down it came! It knocked her flat!
It laid her out! She looked like that.
[Illustration]
* * *
Her funeral Sermon (which was long
And followed by a Sacred Song)
Mentioned her Virtues, it is true,
But dwelt upon her Vices too,
And showed the Dreadful End of One
Who goes and slams the door for Fun.
* * *
The children who were brought to hear
The awful Tale from far and near
Were much impressed,
and inly swore
They never more would slam the Door.
--As often they had done before.
[Illustration]
GEORGE,
_Who played with a Dangerous Toy, and suffered a Catastrophe of
considerable Dimensions._
When George's Grandmamma was told
[Illustration]
That George had been as good as Gold,
She Promised in the Afternoon
To buy him an _Immense BALLOON_.
And
[Illustration]
so she did; but when it came,
It got into the candle flame,
And being of a dangerous sort
Exploded
[Illustration]
with a loud report!
The Lights went out! The Windows broke!
The Room was filled with reeking smoke.
And in the darkness shrieks and yells
Were mingled with Electric Bells,
And falling masonry and groans,
And crunching, as of broken bones,
And dreadful shrieks, when, worst of all,
The House itself began to fall!
It tottered, shuddering to and fro,
Then crashed into the street below--
Which happened to be Savile Row.
* * *
When Help arrived, among the Dead
[Illustration]
Were
Cousin Mary,
[Illustration]
Little Fred,
[Illustration]
The Footmen
[Illustration]
(both of them),
[Illustration]
The Groom,
[Illustration]
The man that cleaned the Billiard-Room,
[Illustration]
The Chaplain, and
[Illustration]
The Still-Room Maid.
And I am dreadfully afraid
That Monsieur Champignon, the Chef,
Will now be
[Illustration]
permanently deaf--
And both his
Aides
[Illustration]
are much the same;
While George, who was in part to blame,
Received, you will regret to hear,
A nasty lump
[Illustration]
behind the ear.
MORAL
The moral is that little Boys
Should not be given dangerous Toys.
CHARLES AUGUSTUS FORTESCUE,
_Who always Did what was Right, and so accumulated an Immense Fortune._
The nicest child I ever knew
Was Charles Augustus Fortescue.
He never lost his cap, or tore
His stockings or his pinafore:
In eating Bread he made no Crumbs,
He was extremely fond of sums,
[Illustration]
To which, however, he preferred
The Parsing of a Latin Word--
He sought, when it was in his power,
For information twice an hour,
And as for finding Mutton-Fat
Unappetising, far from that!
He often, at his Father's Board,
Would beg them, of his own accord,
[Illustration]
To give him, if they did not mind,
The Greasiest Morsels they could find--
His Later Years did not belie
The Promise of his Infancy.
In Public Life he always tried
To take a judgment Broad and Wide;
[Illustration]
In Private, none was more than he
Renowned for quiet courtesy.
He rose at once in his Career,
And long before his Fortieth Year
Had wedded
Fifi,
[Illustration]
Only Child
Of Bunyan, First Lord Aberfylde.
He thus became immensely Rich,
And built the Splendid Mansion which
Is called
[Illustration]
_"The Cedars,
Muswell Hill,"_
Where he resides in Affluence still
To show what Everybody might
Become by
SIMPLY DOING RIGHT.
End of Project Gutenberg's Cautionary Tales for Children, by Hilaire Belloc
*** END OF THIS PROJECT GUTENBERG EBOOK CAUTIONARY TALES FOR CHILDREN ***
***** This file should be named 27424.txt or 27424.zip *****
This and all associated files of various formats will be found in:
https://www.gutenberg.org/2/7/4/2/27424/
Produced by Chris Curnow, Joseph Cooper, Anne Storer and
the Online Distributed Proofreading Team at
https://www.pgdp.net
Updated editions will replace the previous one--the old editions
will be renamed.
Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties. Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark. Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission. If you
do not charge anything for copies of this eBook, complying with the
rules is very easy. You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research. They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks. Redistribution is
subject to the trademark license, especially commercial
redistribution.
*** START: FULL LICENSE ***
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
https://gutenberg.org/license).
Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
electronic works
1.A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.
1.B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works. Nearly all the individual works in the
collection are in the public domain in the United States. If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed. Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work. You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.
1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are in
a constant state of change. If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work. The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.
1.E. Unless you have removed all references to Project Gutenberg:
1.E.1. The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org
1.E.2. If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges. If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.
1.E.3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder. Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.
1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.
1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.
1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form. However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form. Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.
1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.
1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that
- You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg-tm works calculated using the method
you already use to calculate your applicable taxes. The fee is
owed to the owner of the Project Gutenberg-tm trademark, but he
has agreed to donate royalties under this paragraph to the
Project Gutenberg Literary Archive Foundation. Royalty payments
must be paid within 60 days following each date on which you
prepare (or are legally required to prepare) your periodic tax
returns. Royalty payments should be clearly marked as such and
sent to the Project Gutenberg Literary Archive Foundation at the
address specified in Section 4, "Information about donations to
the Project Gutenberg Literary Archive Foundation."
- You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he
does not agree to the terms of the full Project Gutenberg-tm
License. You must require such a user to return or
destroy all copies of the works possessed in a physical medium
and discontinue all use of and all access to other copies of
Project Gutenberg-tm works.
- You provide, in accordance with paragraph 1.F.3, a full refund of any
money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days
of receipt of the work.
- You comply with all other terms of this agreement for free
distribution of Project Gutenberg-tm works.
1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark. Contact the
Foundation as set forth in Section 3 below.
1.F.
1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection. Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.
1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.
1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium with
your written explanation. The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund. If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund. If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.
1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law. The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.
1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.
Section 2. Information about the Mission of Project Gutenberg-tm
Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers. It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.
Volunteers and financial support to provide volunteers with the
assistance they need, is critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at https://www.pglaf.org.
Section 3. Information about the Project Gutenberg Literary Archive
Foundation
The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation's EIN or federal tax identification
number is 64-6221541. Its 501(c)(3) letter is posted at
https://pglaf.org/fundraising. Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.
The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations. Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
[email protected]. Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at https://pglaf.org
For additional contact information:
Dr. Gregory B. Newby
Chief Executive and Director
[email protected]
Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation
Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.
The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To
SEND DONATIONS or determine the status of compliance for any
particular state visit https://pglaf.org
While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.
International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.
Please check the Project Gutenberg Web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including including checks, online payments and credit card
donations. To donate, please visit: https://pglaf.org/donate
Section 5. General Information About Project Gutenberg-tm electronic
works.
Professor Michael S. Hart was the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone. For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.
Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included. Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.
Most people start at our Web site which has the main PG search facility:
https://www.gutenberg.org
This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.
