The Project Gutenberg eBook of Tales of a Wayside Inn, by Henry Wadsworth Longfellow
This eBook is for the use of anyone anywhere in the United States and
most other parts of the world at no cost and with almost no restrictions
whatsoever. You may copy it, give it away or re-use it under the terms
of the Project Gutenberg License included with this eBook or online at
www.gutenberg.org. If you are not located in the United States, you
will have to check the laws of the country where you are located before
using this eBook.
Title: Tales of a Wayside Inn
Author: Henry Wadsworth Longfellow
Release Date: April 24, 2008 [eBook #25153]
[Most recently updated: January 19, 2021]
Language: English
Produced by: Sigal Alon, Lisa Reigel, Michael Zeug, and the Online Distributed Proofreading Team
*** START OF THE PROJECT GUTENBERG EBOOK TALES OF A WAYSIDE INN ***
[Illustration]
TALES
OF A
WAYSIDE INN
BY
HENRY WADSWORTH LONGFELLOW.
[Illustration]
BOSTON:
TICKNOR AND FIELDS.
1863.
Entered according to Act of Congress, in the year 1863, by
HENRY WADSWORTH LONGFELLOW,
in the Clerk's Office of the District Court of the District of
Massachusetts.
UNIVERSITY PRESS:
WELCH, BIGELOW, AND COMPANY,
CAMBRIDGE.
CONTENTS.
TALES OF A WAYSIDE INN.
PAGE
PRELUDE.
THE WAYSIDE INN 1
THE LANDLORD'S TALE.
PAUL REVERE'S RIDE 18
INTERLUDE 26
THE STUDENT'S TALE.
THE FALCON OF SER FEDERIGO 30
INTERLUDE 46
THE SPANISH JEW'S TALE.
THE LEGEND OF RABBI BEN LEVI 49
INTERLUDE 53
THE SICILIAN'S TALE.
KING ROBERT OF SICILY 55
INTERLUDE 69
THE MUSICIAN'S TALE.
THE SAGA OF KING OLAF 71
I. The Challenge of Thor 71
II. King Olaf's Return 74
III. Thora of Rimol 79
IV. Queen Sigrid the Haughty 83
V. The Skerry of Shrieks 88
VI. The Wraith of Odin 94
VII. Iron-Beard 98
VIII. Gudrun 103
IX. Thangbrand the Priest 106
X. Raud the Strong 111
XI. Bishop Sigurd at Salten Fiord 114
XII. King Olaf's Christmas 120
XIII. The Building of the Long Serpent 125
XIV. The Crew of the Long Serpent 130
XV. A Little Bird in the Air 134
XVI. Queen Thyri and the Angelica Stalks 137
XVII. King Svend of the Forked Beard 144
XVIII. King Olaf and Earl Sigvald 149
XIX. King Olaf's War-Horns 152
XX. Einar Tamberskelver 156
XXI. King Olaf's Death-drink 160
XXII. The Nun of Nidaros 165
INTERLUDE 169
THE THEOLOGIAN'S TALE.
TORQUEMADA 173
INTERLUDE 187
THE POET'S TALE.
THE BIRDS OR KILLINGWORTH 189
FINALE 205
BIRDS OF PASSAGE.
FLIGHT THE SECOND.
THE CHILDREN'S HOUR 209
ENCELADUS 212
THE CUMBERLAND 215
SNOW-FLAKES 218
A DAY OF SUNSHINE 220
SOMETHING LEFT UNDONE 222
WEARINESS 224
TALES OF A WAYSIDE INN.
PRELUDE.
THE WAYSIDE INN.
One Autumn night, in Sudbury town,
Across the meadows bare and brown,
The windows of the wayside inn
Gleamed red with fire-light through the leaves
Of woodbine, hanging from the eaves
Their crimson curtains rent and thin.
As ancient is this hostelry
As any in the land may be,
Built in the old Colonial day,
When men lived in a grander way,
With ampler hospitality;
A kind of old Hobgoblin Hall,
Now somewhat fallen to decay,
With weather-stains upon the wall,
And stairways worn, and crazy doors,
And creaking and uneven floors,
And chimneys huge, and tiled and tall.
A region of repose it seems,
A place of slumber and of dreams,
Remote among the wooded hills!
For there no noisy railway speeds,
Its torch-race scattering smoke and gleeds;
But noon and night, the panting teams
Stop under the great oaks, that throw
Tangles of light and shade below,
On roofs and doors and window-sills.
Across the road the barns display
Their lines of stalls, their mows of hay,
Through the wide doors the breezes blow,
The wattled cocks strut to and fro,
And, half effaced by rain and shine,
The Red Horse prances on the sign.
Round this old-fashioned, quaint abode
Deep silence reigned, save when a gust
Went rushing down the county road,
And skeletons of leaves, and dust,
A moment quickened by its breath,
Shuddered and danced their dance of death,
And through the ancient oaks o'erhead
Mysterious voices moaned and fled.
But from the parlor of the inn
A pleasant murmur smote the ear,
Like water rushing through a weir;
Oft interrupted by the din
Of laughter and of loud applause,
And, in each intervening pause,
The music of a violin.
The fire-light, shedding over all
The splendor of its ruddy glow,
Filled the whole parlor large and low;
It gleamed on wainscot and on wall,
It touched with more than wonted grace
Fair Princess Mary's pictured face;
It bronzed the rafters overhead,
On the old spinet's ivory keys
It played inaudible melodies,
It crowned the sombre clock with flame,
The hands, the hours, the maker's name,
And painted with a livelier red
The Landlord's coat-of-arms again;
And, flashing on the window-pane,
Emblazoned with its light and shade
The jovial rhymes, that still remain,
Writ near a century ago,
By the great Major Molineaux,
Whom Hawthorne has immortal made.
Before the blazing fire of wood
Erect the rapt musician stood;
And ever and anon he bent
His head upon his instrument,
And seemed to listen, till he caught
Confessions of its secret thought,--
The joy, the triumph, the lament,
The exultation and the pain;
Then, by the magic of his art,
He soothed the throbbings of its heart,
And lulled it into peace again.
Around the fireside at their ease
There sat a group of friends, entranced
With the delicious melodies;
Who from the far-off noisy town
Had to the wayside inn come down,
To rest beneath its old oak-trees.
The fire-light on their faces glanced,
Their shadows on the wainscot danced,
And, though of different lands and speech,
Each had his tale to tell, and each
Was anxious to be pleased and please.
And while the sweet musician plays,
Let me in outline sketch them all,
Perchance uncouthly as the blaze
With its uncertain touch portrays
Their shadowy semblance on the wall.
But first the Landlord will I trace;
Grave in his aspect and attire;
A man of ancient pedigree,
A Justice of the Peace was he,
Known in all Sudbury as "The Squire."
Proud was he of his name and race,
Of old Sir William and Sir Hugh,
And in the parlor, full in view,
His coat-of-arms, well framed and glazed,
Upon the wall in colors blazed;
He beareth gules upon his shield,
A chevron argent in the field,
With three wolf's heads, and for the crest
A Wyvern part-per-pale addressed
Upon a helmet barred; below
The scroll reads, "By the name of Howe."
And over this, no longer bright,
Though glimmering with a latent light,
Was hung the sword his grandsire bore,
In the rebellious days of yore,
Down there at Concord in the fight.
A youth was there, of quiet ways,
A Student of old books and days,
To whom all tongues and lands were known,
And yet a lover of his own;
With many a social virtue graced,
And yet a friend of solitude;
A man of such a genial mood
The heart of all things he embraced,
And yet of such fastidious taste,
He never found the best too good.
Books were his passion and delight,
And in his upper room at home
Stood many a rare and sumptuous tome,
In vellum bound, with gold bedight,
Great volumes garmented in white,
Recalling Florence, Pisa, Rome.
He loved the twilight that surrounds
The border-land of old romance;
Where glitter hauberk, helm, and lance,
And banner waves, and trumpet sounds,
And ladies ride with hawk on wrist,
And mighty warriors sweep along,
Magnified by the purple mist,
The dusk of centuries and of song.
The chronicles of Charlemagne,
Of Merlin and the Mort d'Arthure,
Mingled together in his brain
With tales of Flores and Blanchefleur,
Sir Ferumbras, Sir Eglamour,
Sir Launcelot, Sir Morgadour,
Sir Guy, Sir Bevis, Sir Gawain.
A young Sicilian, too, was there;--
In sight of Etna born and bred,
Some breath of its volcanic air
Was glowing in his heart and brain,
And, being rebellious to his liege,
After Palermo's fatal siege,
Across the western seas he fled,
In good King Bomba's happy reign.
His face was like a summer night,
All flooded with a dusky light;
His hands were small; his teeth shone white
As sea-shells, when he smiled or spoke;
His sinews supple and strong as oak;
Clean shaven was he as a priest,
Who at the mass on Sunday sings,
Save that upon his upper lip
His beard, a good palm's length at least,
Level and pointed at the tip,
Shot sideways, like a swallow's wings.
The poets read he o'er and o'er,
And most of all the Immortal Four
Of Italy; and next to those,
The story-telling bard of prose,
Who wrote the joyous Tuscan tales
Of the Decameron, that make
Fiesole's green hills and vales
Remembered for Boccaccio's sake.
Much too of music was his thought;
The melodies and measures fraught
With sunshine and the open air,
Of vineyards and the singing sea
Of his beloved Sicily;
And much it pleased him to peruse
The songs of the Sicilian muse,--
Bucolic songs by Meli sung
In the familiar peasant tongue,
That made men say, "Behold! once more
The pitying gods to earth restore
Theocritus of Syracuse!"
A Spanish Jew from Alicant
With aspect grand and grave was there;
Vender of silks and fabrics rare,
And attar of rose from the Levant.
Like an old Patriarch he appeared,
Abraham or Isaac, or at least
Some later Prophet or High-Priest;
With lustrous eyes, and olive skin,
And, wildly tossed from cheeks and chin,
The tumbling cataract of his beard.
His garments breathed a spicy scent
Of cinnamon and sandal blent,
Like the soft aromatic gales
That meet the mariner, who sails
Through the Moluccas, and the seas
That wash the shores of Celebes.
All stories that recorded are
By Pierre Alphonse he knew by heart,
And it was rumored he could say
The Parables of Sandabar,
And all the Fables of Pilpay,
Or if not all, the greater part!
Well versed was he in Hebrew books,
Talmud and Targum, and the lore
Of Kabala; and evermore
There was a mystery in his looks;
His eyes seemed gazing far away,
As if in vision or in trance
He heard the solemn sackbut play,
And saw the Jewish maidens dance.
A Theologian, from the school
Of Cambridge on the Charles, was there;
Skilful alike with tongue and pen,
He preached to all men everywhere
The Gospel of the Golden Rule,
The New Commandment given to men,
Thinking the deed, and not the creed,
Would help us in our utmost need.
With reverent feet the earth he trod,
Nor banished nature from his plan,
But studied still with deep research
To build the Universal Church,
Lofty as is the love of God,
And ample as the wants of man.
A Poet, too, was there, whose verse
Was tender, musical, and terse;
The inspiration, the delight,
The gleam, the glory, the swift flight,
Of thoughts so sudden, that they seem
The revelations of a dream,
All these were his; but with them came
No envy of another's fame;
He did not find his sleep less sweet
For music in some neighboring street,
Nor rustling hear in every breeze
The laurels of Miltiades.
Honor and blessings on his head
While living, good report when dead,
Who, not too eager for renown,
Accepts, but does not clutch, the crown!
Last the Musician, as he stood
Illumined by that fire of wood;
Fair-haired, blue-eyed, his aspect blithe,
His figure tall and straight and lithe,
And every feature of his face
Revealing his Norwegian race;
A radiance, streaming from within,
Around his eyes and forehead beamed,
The Angel with the violin,
Painted by Raphael, he seemed.
He lived in that ideal world
Whose language is not speech, but song;
Around him evermore the throng
Of elves and sprites their dances whirled;
The Strˆmkarl sang, the cataract hurled
Its headlong waters from the height;
And mingled in the wild delight
The scream of sea-birds in their flight,
The rumor of the forest trees,
The plunge of the implacable seas,
The tumult of the wind at night,
Voices of eld, like trumpets blowing,
Old ballads, and wild melodies
Through mist and darkness pouring forth,
Like Elivagar's river flowing
Out of the glaciers of the North.
The instrument on which he played
Was in Cremona's workshops made,
By a great master of the past,
Ere yet was lost the art divine;
Fashioned of maple and of pine,
That in Tyrolian forests vast
Had rocked and wrestled with the blast:
Exquisite was it in design,
Perfect in each minutest part,
A marvel of the lutist's art;
And in its hollow chamber, thus,
The maker from whose hands it came
Had written his unrivalled name,--
"Antonius Stradivarius."
And when he played, the atmosphere
Was filled with magic, and the ear
Caught echoes of that Harp of Gold,
Whose music had so weird a sound,
The hunted stag forgot to bound,
The leaping rivulet backward rolled,
The birds came down from bush and tree,
The dead came from beneath the sea,
The maiden to the harper's knee!
The music ceased; the applause was loud,
The pleased musician smiled and bowed;
The wood-fire clapped its hands of flame,
The shadows on the wainscot stirred,
And from the harpsichord there came
A ghostly murmur of acclaim,
A sound like that sent down at night
By birds of passage in their flight,
From the remotest distance heard.
Then silence followed; then began
A clamor for the Landlord's tale,--
The story promised them of old,
They said, but always left untold;
And he, although a bashful man,
And all his courage seemed to fail,
Finding excuse of no avail,
Yielded; and thus the story ran.
THE LANDLORD'S TALE.
PAUL REVERE'S RIDE.
Listen, my children, and you shall hear
Of the midnight ride of Paul Revere,
On the eighteenth of April, in Seventy-five;
Hardly a man is now alive
Who remembers that famous day and year.
He said to his friend, "If the British march
By land or sea from the town to-night,
Hang a lantern aloft in the belfry arch
Of the North Church tower as a signal light,--
One, if by land, and two, if by sea;
And I on the opposite shore will be,
Ready to ride and spread the alarm
Through every Middlesex village and farm,
For the country-folk to be up and to arm."
Then he said, "Good night!" and with muffled oar
Silently rowed to the Charlestown shore,
Just as the moon rose over the bay,
Where swinging wide at her moorings lay
The Somerset, British man-of-war;
A phantom ship, with each mast and spar
Across the moon like a prison bar,
And a huge black hulk, that was magnified
By its own reflection in the tide.
Meanwhile, his friend, through alley and street,
Wanders and watches with eager ears,
Till in the silence around him he hears
The muster of men at the barrack door,
The sound of arms, and the tramp of feet,
And the measured tread of the grenadiers,
Marching down to their boats on the shore.
Then he climbed to the tower of the church,
Up the wooden stairs, with stealthy tread,
To the belfry-chamber overhead,
And startled the pigeons from their perch
On the sombre rafters, that round him made
Masses and moving shapes of shade,--
Up the trembling ladder, steep and tall,
To the highest window in the wall,
Where he paused to listen and look down
A moment on the roofs of the town,
And the moonlight flowing over all.
Beneath, in the churchyard, lay the dead,
In their night-encampment on the hill,
Wrapped in silence so deep and still
That he could hear, like a sentinel's tread,
The watchful night-wind, as it went
Creeping along from tent to tent,
And seeming to whisper, "All is well!"
A moment only he feels the spell
Of the place and the hour, and the secret dread
Of the lonely belfry and the dead;
For suddenly all his thoughts are bent
On a shadowy something far away,
Where the river widens to meet the bay,--
A line of black that bends and floats
On the rising tide, like a bridge of boats.
Meanwhile, impatient to mount and ride,
Booted and spurred, with a heavy stride
On the opposite shore walked Paul Revere.
Now he patted his horse's side,
Now gazed at the landscape far and near,
Then, impetuous, stamped the earth,
And turned and tightened his saddle-girth;
But mostly he watched with eager search
The belfry-tower of the Old North Church,
As it rose above the graves on the hill,
Lonely and spectral and sombre and still.
And lo! as he looks, on the belfry's height
A glimmer, and then a gleam of light!
He springs to the saddle, the bridle he turns,
But lingers and gazes, till full on his sight
A second lamp in the belfry burns!
A hurry of hoofs in a village street,
A shape in the moonlight, a bulk in the dark,
And beneath, from the pebbles, in passing, a spark
Struck out by a steed flying fearless and fleet;
That was all! And yet, through the gloom and the light,
The fate of a nation was riding that night;
And the spark struck out by that steed, in his flight,
Kindled the land into flame with its heat.
He has left the village and mounted the steep,
And beneath him, tranquil and broad and deep,
Is the Mystic, meeting the ocean tides;
And under the alders, that skirt its edge,
Now soft on the sand, now loud on the ledge,
Is heard the tramp of his steed as he rides.
It was twelve by the village clock
When he crossed the bridge into Medford town.
He heard the crowing of the cock,
And the barking of the farmer's dog,
And felt the damp of the river fog,
That rises after the sun goes down.
It was one by the village clock,
When he galloped into Lexington.
He saw the gilded weathercock
Swim in the moonlight as he passed,
And the meeting-house windows, blank and bare,
Gaze at him with a spectral glare,
As if they already stood aghast
At the bloody work they would look upon.
It was two by the village clock,
When he came to the bridge in Concord town.
He heard the bleating of the flock,
And the twitter of birds among the trees,
And felt the breath of the morning breeze
Blowing over the meadows brown.
And one was safe and asleep in his bed
Who at the bridge would be first to fall,
Who that day would be lying dead,
Pierced by a British musket-ball.
You know the rest. In the books you have read,
How the British Regulars fired and fled,--
How the farmers gave them ball for ball,
From behind each fence and farm-yard wall,
Chasing the red-coats down the lane,
Then crossing the fields to emerge again
Under the trees at the turn of the road,
And only pausing to fire and load.
So through the night rode Paul Revere;
And so through the night went his cry of alarm
To every Middlesex village and farm,--
A cry of defiance and not of fear,
A voice in the darkness, a knock at the door,
And a word that shall echo forevermore!
For, borne on the night-wind of the Past,
Through all our history, to the last,
In the hour of darkness and peril and need,
The people will waken and listen to hear
The hurrying hoof-beats of that steed,
And the midnight message of Paul Revere.
INTERLUDE.
The Landlord ended thus his tale,
Then rising took down from its nail
The sword that hung there, dim with dust,
And cleaving to its sheath with rust,
And said, "This sword was in the fight."
The Poet seized it, and exclaimed,
"It is the sword of a good knight,
Though homespun was his coat-of-mail;
What matter if it be not named
Joyeuse, Colada, Durindale,
Excalibar, or Aroundight,
Or other name the books record?
Your ancestor, who bore this sword
As Colonel of the Volunteers,
Mounted upon his old gray mare,
Seen here and there and everywhere,
To me a grander shape appears
Than old Sir William, or what not,
Clinking about in foreign lands
With iron gauntlets on his hands,
And on his head an iron pot!"
All laughed; the Landlord's face grew red
As his escutcheon on the wall;
He could not comprehend at all
The drift of what the Poet said;
For those who had been longest dead
Were always greatest in his eyes;
And he was speechless with surprise
To see Sir William's plumed head
Brought to a level with the rest,
And made the subject of a jest.
And this perceiving, to appease
The Landlord's wrath, the others' fears,
The Student said, with careless ease,
"The ladies and the cavaliers,
The arms, the loves, the courtesies,
The deeds of high emprise, I sing!
Thus Ariosto says, in words
That have the stately stride and ring
Of armed knights and clashing swords.
Now listen to the tale I bring;
Listen! though not to me belong
The flowing draperies of his song,
The words that rouse, the voice that charms.
The Landlord's tale was one of arms,
Only a tale of love is mine,
Blending the human and divine,
A tale of the Decameron, told
In Palmieri's garden old,
By Fiametta, laurel-crowned,
While her companions lay around,
And heard the intermingled sound
Of airs that on their errands sped,
And wild birds gossiping overhead,
And lisp of leaves, and fountain's fall,
And her own voice more sweet than all,
Telling the tale, which, wanting these,
Perchance may lose its power to please."
THE STUDENT'S TALE.
THE FALCON OF SER FEDERIGO.
One summer morning, when the sun was hot,
Weary with labor in his garden-plot,
On a rude bench beneath his cottage eaves,
Ser Federigo sat among the leaves
Of a huge vine, that, with its arms outspread,
Hung its delicious clusters overhead.
Below him, through the lovely valley, flowed
The river Arno, like a winding road,
And from its banks were lifted high in air
The spires and roofs of Florence called the Fair:
To him a marble tomb, that rose above
His wasted fortunes and his buried love.
For there, in banquet and in tournament,
His wealth had lavished been, his substance spent,
To woo and lose, since ill his wooing sped,
Monna Giovanna, who his rival wed,
Yet ever in his fancy reigned supreme,
The ideal woman of a young man's dream.
Then he withdrew, in poverty and pain,
To this small farm, the last of his domain,
His only comfort and his only care
To prune his vines, and plant the fig and pear;
His only forester and only guest
His falcon, faithful to him, when the rest,
Whose willing hands had found so light of yore
The brazen knocker of his palace door.
Had now no strength to lift the wooden latch,
That entrance gave beneath a roof of thatch.
Companion of his solitary ways,
Purveyor of his feasts on holidays,
On him this melancholy man bestowed
The love with which his nature overflowed.
And so the empty-handed years went round,
Vacant, though voiceful with prophetic sound,
And so, that summer morn, he sat and mused
With folded, patient hands, as he was used,
And dreamily before his half-closed sight
Floated the vision of his lost delight.
Beside him, motionless, the drowsy bird
Dreamed of the chase, and in his slumber heard
The sudden, scythe-like sweep of wings, that dare
The headlong plunge thro' eddying gulfs of air,
Then, starting broad awake upon his perch,
Tinkled his bells, like mass-bells in a church,
And, looking at his master, seemed to say,
"Ser Federigo, shall we hunt to-day?"
Ser Federigo thought not of the chase;
The tender vision of her lovely face,
I will not say he seems to see, he sees
In the leaf-shadows of the trellises,
Herself, yet not herself; a lovely child
With flowing tresses, and eyes wide and wild,
Coming undaunted up the garden walk,
And looking not at him, but at the hawk.
"Beautiful falcon!" said he, "would that I
Might hold thee on my wrist, or see thee fly!"
The voice was hers, and made strange echoes start
Through all the haunted chambers of his heart,
As an Êolian harp through gusty doors
Of some old ruin its wild music pours.
"Who is thy mother, my fair boy?" he said,
His hand laid softly on that shining head.
"Monna Giovanna.--Will you let me stay
A little while, and with your falcon play?
We live there, just beyond your garden wall,
In the great house behind the poplars tall."
So he spake on; and Federigo heard
As from afar each softly uttered word,
And drifted onward through the golden gleams
And shadows of the misty sea of dreams,
As mariners becalmed through vapors drift,
And feel the sea beneath them sink and lift,
And hear far off the mournful breakers roar,
And voices calling faintly from the shore!
Then, waking from his pleasant reveries,
He took the little boy upon his knees,
And told him stories of his gallant bird,
Till in their friendship he became a third.
Monna Giovanna, widowed in her prime,
Had come with friends to pass the summer time
In her grand villa, half-way up the hill,
O'erlooking Florence, but retired and still;
With iron gates, that opened through long lines
Of sacred ilex and centennial pines,
And terraced gardens, and broad steps of stone,
And sylvan deities, with moss o'ergrown,
And fountains palpitating in the heat,
And all Val d'Arno stretched beneath its feet.
Here in seclusion, as a widow may,
The lovely lady whiled the hours away,
Pacing in sable robes the statued hall,
Herself the stateliest statue among all,
And seeing more and more, with secret joy,
Her husband risen and living in her boy,
Till the lost sense of life returned again,
Not as delight, but as relief from pain.
Meanwhile the boy, rejoicing in his strength,
Stormed down the terraces from length to length;
The screaming peacock chased in hot pursuit,
And climbed the garden trellises for fruit.
But his chief pastime was to watch the flight
Of a gerfalcon, soaring into sight,
Beyond the trees that fringed the garden wall,
Then downward stooping at some distant call;
And as he gazed full often wondered he
Who might the master of the falcon be,
Until that happy morning, when he found
Master and falcon in the cottage ground.
And now a shadow and a terror fell
On the great house, as if a passing-bell
Tolled from the tower, and filled each spacious room
With secret awe, and preternatural gloom;
The petted boy grew ill, and day by day
Pined with mysterious malady away.
The mother's heart would not be comforted;
Her darling seemed to her already dead,
And often, sitting by the sufferer's side,
"What can I do to comfort thee?" she cried.
At first the silent lips made no reply,
But, moved at length by her importunate cry,
"Give me," he answered, with imploring tone,
"Ser Federigo's falcon for my own!"
No answer could the astonished mother make;
How could she ask, e'en for her darling's sake,
Such favor at a luckless lover's hand,
Well knowing that to ask was to command?
Well knowing, what all falconers confessed,
In all the land that falcon was the best,
The master's pride and passion and delight,
And the sole pursuivant of this poor knight.
But yet, for her child's sake, she could no less
Than give assent, to soothe his restlessness,
So promised, and then promising to keep
Her promise sacred, saw him fall asleep.
The morrow was a bright September morn;
The earth was beautiful as if new-born;
There was that nameless splendor everywhere,
That wild exhilaration in the air,
Which makes the passers in the city street
Congratulate each other as they meet.
Two lovely ladies, clothed in cloak and hood,
Passed through the garden gate into the wood,
Under the lustrous leaves, and through the sheen
Of dewy sunshine showering down between.
The one, close-hooded, had the attractive grace
Which sorrow sometimes lends a woman's face;
Her dark eyes moistened with the mists that roll
From the gulf-stream of passion in the soul;
The other with her hood thrown back, her hair
Making a golden glory in the air,
Her cheeks suffused with an auroral blush,
Her young heart singing louder than the thrush.
So walked, that morn, through mingled light and shade,
Each by the other's presence lovelier made,
Monna Giovanna and her bosom friend,
Intent upon their errand and its end.
They found Ser Federigo at his toil,
Like banished Adam, delving in the soil;
And when he looked and these fair women spied,
The garden suddenly was glorified;
His long-lost Eden was restored again,
And the strange river winding through the plain
No longer was the Arno to his eyes,
But the Euphrates watering Paradise!
Monna Giovanna raised her stately head,
And with fair words of salutation said:
"Ser Federigo, we come here as friends,
Hoping in this to make some poor amends
For past unkindness. I who ne'er before
Would even cross the threshold of your door,
I who in happier days such pride maintained,
Refused your banquets, and your gifts disdained,
This morning come, a self-invited guest,
To put your generous nature to the test,
And breakfast with you under your own vine."
To which he answered: "Poor desert of mine,
Not your unkindness call it, for if aught
Is good in me of feeling or of thought,
From you it comes, and this last grace outweighs
All sorrows, all regrets of other days."
And after further compliment and talk,
Among the dahlias in the garden walk
He left his guests; and to his cottage turned,
And as he entered for a moment yearned
For the lost splendors of the days of old,
The ruby glass, the silver and the gold,
And felt how piercing is the sting of pride,
By want embittered and intensified.
He looked about him for some means or way
To keep this unexpected holiday;
Searched every cupboard, and then searched again,
Summoned the maid, who came, but came in vain;
"The Signor did not hunt to-day," she said,
"There's nothing in the house but wine and bread."
Then suddenly the drowsy falcon shook
His little bells, with that sagacious look,
Which said, as plain as language to the ear,
"If anything is wanting, I am here!"
Yes, everything is wanting, gallant bird!
The master seized thee without further word,
Like thine own lure, he whirled thee round; ah me!
The pomp and flutter of brave falconry,
The bells, the jesses, the bright scarlet hood,
The flight and the pursuit o'er field and wood,
All these forevermore are ended now;
No longer victor, but the victim thou!
Then on the board a snow-white cloth he spread,
Laid on its wooden dish the loaf of bread,
Brought purple grapes with autumn sunshine hot,
The fragrant peach, the juicy bergamot;
Then in the midst a flask of wine he placed,
And with autumnal flowers the banquet graced.
Ser Federigo, would not these suffice
Without thy falcon stuffed with cloves and spice?
When all was ready, and the courtly dame
With her companion to the cottage came,
Upon Ser Federigo's brain there fell
The wild enchantment of a magic spell;
The room they entered, mean and low and small,
Was changed into a sumptuous banquet-hall,
With fanfares by aerial trumpets blown;
The rustic chair she sat on was a throne;
He ate celestial food, and a divine
Flavor was given to his country wine,
And the poor falcon, fragrant with his spice,
A peacock was, or bird of paradise!
When the repast was ended, they arose
And passed again into the garden-close.
Then said the lady, "Far too well I know,
Remembering still the days of long ago,
Though you betray it not, with what surprise
You see me here in this familiar wise.
You have no children, and you cannot guess
What anguish, what unspeakable distress
A mother feels, whose child is lying ill,
Nor how her heart anticipates his will.
And yet for this, you see me lay aside
All womanly reserve and check of pride,
And ask the thing most precious in your sight,
Your falcon, your sole comfort and delight,
Which if you find it in your heart to give,
My poor, unhappy boy perchance may live."
Ser Federigo listens, and replies,
With tears of love and pity in his eyes:
"Alas, dear lady! there can be no task
So sweet to me, as giving when you ask.
One little hour ago, if I had known
This wish of yours, it would have been my own.
But thinking in what manner I could best
Do honor to the presence of my guest,
I deemed that nothing worthier could be
Than what most dear and precious was to me,
And so my gallant falcon breathed his last
To furnish forth this morning our repast."
In mute contrition, mingled with dismay,
The gentle lady turned her eyes away,
Grieving that he such sacrifice should make,
And kill his falcon for a woman's sake,
Yet feeling in her heart a woman's pride,
That nothing she could ask for was denied;
Then took her leave, and passed out at the gate
With footstep slow and soul disconsolate.
Three days went by, and lo! a passing-bell
Tolled from the little chapel in the dell;
Ten strokes Ser Federigo heard, and said,
Breathing a prayer, "Alas! her child is dead!"
Three months went by; and lo! a merrier chime
Rang from the chapel bells at Christmas time;
The cottage was deserted, and no more
Ser Federigo sat beside its door,
But now, with servitors to do his will,
In the grand villa, half-way up the hill,
Sat at the Christmas feast, and at his side
Monna Giovanna, his beloved bride,
Never so beautiful, so kind, so fair,
Enthroned once more in the old rustic chair,
High-perched upon the back of which there stood
The image of a falcon carved in wood,
And underneath the inscription, with a date,
"All things come round to him who will but wait."
INTERLUDE.
Soon as the story reached its end,
One, over eager to commend,
Crowned it with injudicious praise;
And then the voice of blame found vent,
And fanned the embers of dissent
Into a somewhat lively blaze.
The Theologian shook his head;
"These old Italian tales," he said,
"From the much-praised Decameron down
Through all the rabble of the rest,
Are either trifling, dull, or lewd;
The gossip of a neighborhood
In some remote provincial town,
A scandalous chronicle at best!
They seem to me a stagnant fen,
Grown rank with rushes and with reeds,
Where a white lily, now and then,
Blooms in the midst of noxious weeds
And deadly nightshade on its banks."
To this the Student straight replied,
"For the white lily, many thanks!
One should not say, with too much pride,
Fountain, I will not drink of thee!
Nor were it grateful to forget,
That from these reservoirs and tanks
Even imperial Shakspeare drew
His Moor of Venice and the Jew,
And Romeo and Juliet,
And many a famous comedy."
Then a long pause; till some one said,
"An Angel is flying overhead!"
At these words spake the Spanish Jew,
And murmured with an inward breath:
"God grant, if what you say is true
It may not be the Angel of Death!"
And then another pause; and then,
Stroking his beard, he said again:
"This brings back to my memory
A story in the Talmud told,
That book of gems, that book of gold,
Of wonders many and manifold,
A tale that often comes to me,
And fills my heart, and haunts my brain,
And never wearies nor grows old."
THE SPANISH JEW'S TALE.
THE LEGEND OF RABBI BEN LEVI.
Rabbi Ben Levi, on the Sabbath, read
A volume of the Law, in which it said,
"No man shall look upon my face and live."
And as he read, he prayed that God would give
His faithful servant grace with mortal eye
To look upon His face and yet not die.
Then fell a sudden shadow on the page
And, lifting up his eyes, grown dim with age,
He saw the Angel of Death before him stand,
Holding a naked sword in his right hand.
Rabbi Ben Levi was a righteous man,
Yet through his veins a chill of terror ran.
With trembling voice he said, "What wilt thou here?"
The angel answered, "Lo! the time draws near
When thou must die; yet first, by God's decree,
Whate'er thou askest shall be granted thee."
Replied the Rabbi, "Let these living eyes
First look upon my place in Paradise."
Then said the Angel, "Come with me and look."
Rabbi Ben Levi closed the sacred book,
And rising, and uplifting his gray head,
"Give me thy sword," he to the Angel said,
"Lest thou shouldst fall upon me by the way."
The Angel smiled and hastened to obey,
Then led him forth to the Celestial Town,
And set him on the wall, whence, gazing down,
Rabbi Ben Levi, with his living eyes,
Might look upon his place in Paradise.
Then straight into the city of the Lord
The Rabbi leaped with the Death-Angel's sword,
And through the streets there swept a sudden breath
Of something there unknown, which men call death.
Meanwhile the Angel stayed without, and cried,
"Come back!" To which the Rabbi's voice replied,
"No! in the name of God, whom I adore,
I swear that hence I will depart no more!"
Then all the Angels cried, "O Holy One,
See what the son of Levi here has done!
The kingdom of Heaven he takes by violence,
And in Thy name refuses to go hence!"
The Lord replied, "My Angels, be not wroth;
Did e'er the son of Levi break his oath?
Let him remain; for he with mortal eye
Shall look upon my face and yet not die."
Beyond the outer wall the Angel of Death
Heard the great voice, and said, with panting breath,
"Give back the sword, and let me go my way."
Whereat the Rabbi paused, and answered, "Nay!
Anguish enough already has it caused
Among the sons of men." And while he paused
He heard the awful mandate of the Lord
Resounding through the air, "Give back the sword!"
The Rabbi bowed his head in silent prayer;
Then said he to the dreadful Angel, "Swear,
No human eye shall look on it again;
But when thou takest away the souls of men,
Thyself unseen, and with an unseen sword,
Thou wilt perform the bidding of the Lord."
The Angel took the sword again, and swore,
And walks on earth unseen forevermore.
INTERLUDE.
He ended: and a kind of spell
Upon the silent listeners fell.
His solemn manner and his words
Had touched the deep, mysterious chords,
That vibrate in each human breast
Alike, but not alike confessed.
The spiritual world seemed near;
And close above them, full of fear,
Its awful adumbration passed,
A luminous shadow, vague and vast.
They almost feared to look, lest there,
Embodied from the impalpable air,
They might behold the Angel stand,
Holding the sword in his right hand.
At last, but in a voice subdued,
Not to disturb their dreamy mood,
Said the Sicilian: "While you spoke,
Telling your legend marvellous,
Suddenly in my memory woke
The thought of one, now gone from us,--
An old Abate, meek and mild,
My friend and teacher, when a child,
Who sometimes in those days of old
The legend of an Angel told,
Which ran, if I remember, thus."
THE SICILIAN'S TALE.
KING ROBERT OF SICILY.
Robert of Sicily, brother of Pope Urbane
And Valmond, Emperor of Allemaine,
Apparelled in magnificent attire,
With retinue of many a knight and squire,
On St. John's eve, at vespers, proudly sat
And heard the priests chant the Magnificat.
And as he listened, o'er and o'er again
Repeated, like a burden or refrain,
He caught the words, "_Deposuit potentes
De sede, et exaltavit humiles_";
And slowly lifting up his kingly head
He to a learned clerk beside him said,
"What mean these words?" The clerk made answer meet,
"He has put down the mighty from their seat,
And has exalted them of low degree."
Thereat King Robert muttered scornfully,
"'Tis well that such seditious words are sung
Only by priests and in the Latin tongue;
For unto priests and people be it known,
There is no power can push me from my throne!"
And leaning back, he yawned and fell asleep,
Lulled by the chant monotonous and deep.
When he awoke, it was already night;
The church was empty, and there was no light,
Save where the lamps, that glimmered few and faint,
Lighted a little space before some saint.
He started from his seat and gazed around,
But saw no living thing and heard no sound.
He groped towards the door, but it was locked;
He cried aloud, and listened, and then knocked,
And uttered awful threatenings and complaints,
And imprecations upon men and saints.
The sounds re-echoed from the roof and walls
As if dead priests were laughing in their stalls!
At length the sexton, hearing from without
The tumult of the knocking and the shout,
And thinking thieves were in the house of prayer,
Came with his lantern, asking, "Who is there?"
Half choked with rage, King Robert fiercely said,
"Open: 'tis I, the King! Art thou afraid?"
The frightened sexton, muttering, with a curse,
"This is some drunken vagabond, or worse!"
Turned the great key and flung the portal wide;
A man rushed by him at a single stride,
Haggard, half naked, without hat or cloak,
Who neither turned, nor looked at him, nor spoke,
But leaped into the blackness of the night,
And vanished like a spectre from his sight.
Robert of Sicily, brother of Pope Urbane
And Valmond, Emperor of Allemaine,
Despoiled of his magnificent attire,
Bare-headed, breathless, and besprent with mire,
With sense of wrong and outrage desperate,
Strode on and thundered at the palace gate;
Rushed through the court-yard, thrusting in his rage
To right and left each seneschal and page,
And hurried up the broad and sounding stair,
His white face ghastly in the torches' glare.
From hall to hall he passed with breathless speed;
Voices and cries he heard, but did not heed,
Until at last he reached the banquet-room,
Blazing with light, and breathing with perfume.
There on the dais sat another king,
Wearing his robes, his crown, his signet-ring,
King Robert's self in features, form, and height,
But all transfigured with angelic light!
It was an Angel; and his presence there
With a divine effulgence filled the air,
An exaltation, piercing the disguise,
Though none the hidden Angel recognize.
A moment speechless, motionless, amazed,
The throneless monarch on the Angel gazed,
Who met his looks of anger and surprise
With the divine compassion of his eyes;
Then said, "Who art thou? and why com'st thou here?"
To which King Robert answered, with a sneer,
"I am the King, and come to claim my own
From an impostor, who usurps my throne!"
And suddenly, at these audacious words,
Up sprang the angry guests, and drew their swords;
The Angel answered, with unruffled brow,
"Nay, not the King, but the King's Jester, thou
Henceforth shalt wear the bells and scalloped cape,
And for thy counsellor shalt lead an ape;
Thou shalt obey my servants when they call,
And wait upon my henchmen in the hall!"
Deaf to King Robert's threats and cries and prayers,
They thrust him from the hall and down the stairs;
A group of tittering pages ran before,
And as they opened wide the folding-door,
His heart failed, for he heard, with strange alarms,
The boisterous laughter of the men-at-arms,
And all the vaulted chamber roar and ring
With the mock plaudits of "Long live the King!"
Next morning, waking with the day's first beam,
He said within himself, "It was a dream!"
But the straw rustled as he turned his head,
There were the cap and bells beside his bed,
Around him rose the bare, discolored walls,
Close by, the steeds were champing in their stalls,
And in the corner, a revolting shape,
Shivering and chattering sat the wretched ape.
It was no dream; the world he loved so much
Had turned to dust and ashes at his touch!
Days came and went; and now returned again
To Sicily the old Saturnian reign;
Under the Angel's governance benign
The happy island danced with corn and wine,
And deep within the mountain's burning breast
Enceladus, the giant, was at rest.
Meanwhile King Robert yielded to his fate,
Sullen and silent and disconsolate.
Dressed in the motley garb that Jesters wear,
With looks bewildered and a vacant stare,
Close shaven above the ears, as monks are shorn,
By courtiers mocked, by pages laughed to scorn,
His only friend the ape, his only food
What others left,--he still was unsubdued.
And when the Angel met him on his way,
And half in earnest, half in jest, would say,
Sternly, though tenderly, that he might feel
The velvet scabbard held a sword of steel,
"Art thou the King?" the passion of his woe
Burst from him in resistless overflow,
And, lifting high his forehead, he would fling
The haughty answer back, "I am, I am the King!"
Almost three years were ended; when there came
Ambassadors of great repute and name
From Valmond, Emperor of Allemaine,
Unto King Robert, saying that Pope Urbane
By letter summoned them forthwith to come
On Holy Thursday to his city of Rome.
The Angel with great joy received his guests,
And gave them presents of embroidered vests,
And velvet mantles with rich ermine lined,
And rings and jewels of the rarest kind.
Then he departed with them o'er the sea
Into the lovely land of Italy,
Whose loveliness was more resplendent made
By the mere passing of that cavalcade,
With plumes, and cloaks, and housings, and the stir
Of jewelled bridle and of golden spur.
And lo! among the menials, in mock state,
Upon a piebald steed, with shambling gait,
His cloak of fox-tails flapping in the wind,
The solemn ape demurely perched behind,
King Robert rode, making huge merriment
In all the country towns through which they went.
The Pope received them with great pomp, and blare
Of bannered trumpets, on Saint Peter's square,
Giving his benediction and embrace,
Fervent, and full of apostolic grace.
While with congratulations and with prayers
He entertained the Angel unawares,
Robert, the Jester, bursting through the crowd,
Into their presence rushed, and cried aloud,
"I am the King! Look, and behold in me
Robert, your brother, King of Sicily!
This man, who wears my semblance to your eyes,
Is an impostor in a king's disguise.
Do you not know me? does no voice within
Answer my cry, and say we are akin?"
The Pope in silence, but with troubled mien,
Gazed at the Angel's countenance serene;
The Emperor, laughing, said, "It is strange sport
To keep a madman for thy Fool at court!"
And the poor, baffled Jester in disgrace
Was hustled back among the populace.
In solemn state the Holy Week went by,
And Easter Sunday gleamed upon the sky;
The presence of the Angel, with its light,
Before the sun rose, made the city bright,
And with new fervor filled the hearts of men,
Who felt that Christ indeed had risen again.
Even the Jester, on his bed of straw,
With haggard eyes the unwonted splendor saw,
He felt within a power unfelt before,
And, kneeling humbly on his chamber floor,
He heard the rushing garments of the Lord
Sweep through the silent air, ascending heavenward.
And now the visit ending, and once more
Valmond returning to the Danube's shore,
Homeward the Angel journeyed, and again
The land was made resplendent with his train,
Flashing along the towns of Italy
Unto Salerno, and from there by sea.
And when once more within Palermo's wall,
And, seated on the throne in his great hall,
He heard the Angelus from convent towers,
As if the better world conversed with ours,
He beckoned to King Robert to draw nigher,
And with a gesture bade the rest retire;
And when they were alone, the Angel said,
"Art thou the King?" Then bowing down his head,
King Robert crossed both hands upon his breast,
And meekly answered him: "Thou knowest best!
My sins as scarlet are; let me go hence,
And in some cloister's school of penitence,
Across those stones, that pave the way to heaven,
Walk barefoot, till my guilty soul is shriven!"
The Angel smiled, and from his radiant face
A holy light illumined all the place,
And through the open window, loud and clear,
They heard the monks chant in the chapel near,
Above the stir and tumult of the street:
"He has put down the mighty from their seat,
And has exalted them of low degree!"
And through the chant a second melody
Rose like the throbbing of a single string:
"I am an Angel, and thou art the King!"
King Robert, who was standing near the throne,
Lifted his eyes, and lo! he was alone!
But all apparelled as in days of old,
With ermined mantle and with cloth of gold;
And when his courtiers came, they found him there
Kneeling upon the floor, absorbed in silent prayer.
INTERLUDE.
And then the blue-eyed Norseman told
A Saga of the days of old.
"There is," said he, "a wondrous book
Of Legends in the old Norse tongue,
Of the dead kings of Norroway,--
Legends that once were told or sung
In many a smoky fireside nook
Of Iceland, in the ancient day,
By wandering Saga-man or Scald;
Heimskringla is the volume called;
And he who looks may find therein
The story that I now begin."
And in each pause the story made
Upon his violin he played,
As an appropriate interlude,
Fragments of old Norwegian tunes
That bound in one the separate runes,
And held the mind in perfect mood,
Entwining and encircling all
The strange and antiquated rhymes
With melodies of olden times;
As over some half-ruined wall,
Disjointed and about to fall,
Fresh woodbines climb and interlace,
And keep the loosened stones in place.
THE MUSICIAN'S TALE.
THE SAGA OF KING OLAF.
I.
THE CHALLENGE OF THOR.
I am the God Thor,
I am the War God,
I am the Thunderer!
Here in my Northland,
My fastness and fortress,
Reign I forever!
Here amid icebergs
Rule I the nations;
This is my hammer,
Miˆlner the mighty;
Giants and sorcerers
Cannot withstand it!
These are the gauntlets
Wherewith I wield it,
And hurl it afar off;
This is my girdle;
Whenever I brace it,
Strength is redoubled!
The light thou beholdest
Stream through the heavens,
In flashes of crimson,
Is but my red beard
Blown by the night-wind,
Affrighting the nations!
Jove is my brother;
Mine eyes are the lightning;
The wheels of my chariot
Roll in the thunder,
The blows of my hammer
Ring in the earthquake!
Force rules the world still,
Has ruled it, shall rule it;
Meekness is weakness,
Strength is triumphant,
Over the whole earth
Still is it Thor's-Day!
Thou art a God too,
O Galilean!
And thus single-handed
Unto the combat,
Gauntlet or Gospel,
Here I defy thee!
II.
KING OLAF'S RETURN.
And King Olaf heard the cry,
Saw the red light in the sky,
Laid his hand upon his sword,
As he leaned upon the railing,
And his ships went sailing, sailing
Northward into Drontheim fiord.
There he stood as one who dreamed;
And the red light glanced and gleamed
On the armor that he wore;
And he shouted, as the rifted
Streamers o'er him shook and shifted,
"I accept thy challenge, Thor!"
To avenge his father slain,
And reconquer realm and reign,
Came the youthful Olaf home,
Through the midnight sailing, sailing,
Listening to the wild wind's wailing,
And the dashing of the foam.
To his thoughts the sacred name
Of his mother Astrid came,
And the tale she oft had told
Of her flight by secret passes
Through the mountains and morasses,
To the home of Hakon old.
Then strange memories crowded back
Of Queen Gunhild's wrath and wrack,
And a hurried flight by sea;
Of grim Vikings, and their rapture
In the sea-fight, and the capture,
And the life of slavery.
How a stranger watched his face
In the Esthonian market-place,
Scanned his features one by one,
Saying, "We should know each other;
I am Sigurd, Astrid's brother,
Thou art Olaf, Astrid's son!"
Then as Queen Allogia's page,
Old in honors, young in age,
Chief of all her men-at-arms;
Till vague whispers, and mysterious,
Reached King Valdemar, the imperious,
Filling him with strange alarms.
Then his cruisings o'er the seas,
Westward to the Hebrides,
And to Scilly's rocky shore;
And the hermit's cavern dismal,
Christ's great name and rites baptismal,
In the ocean's rush and roar.
All these thoughts of love and strife
Glimmered through his lurid life,
As the stars' intenser light
Through the red flames o'er him trailing,
As his ships went sailing, sailing,
Northward in the summer night.
Trained for either camp or court,
Skilful in each manly sport,
Young and beautiful and tall;
Art of warfare, craft of chases,
Swimming, skating, snow-shoe races,
Excellent alike in all.
When at sea, with all his rowers,
He along the bending oars
Outside of his ship could run.
He the Smalsor Horn ascended,
And his shining shield suspended
On its summit, like a sun.
On the ship-rails he could stand,
Wield his sword with either hand,
And at once two javelins throw;
At all feasts where ale was strongest
Sat the merry monarch longest,
First to come and last to go.
Norway never yet had seen
One so beautiful of mien,
One so royal in attire,
When in arms completely furnished,
Harness gold-inlaid and burnished,
Mantle like a flame of fire.
Thus came Olaf to his own,
When upon the night-wind blown
Passed that cry along the shore;
And he answered, while the rifted
Streamers o'er him shook and shifted,
"I accept thy challenge, Thor!"
III.
THORA OF RIMOL.
"Thora of Rimol! hide me! hide me!
Danger and shame and death betide me!
For Olaf the King is hunting me down
Through field and forest, through thorp and town!"
Thus cried Jarl Hakon
To Thora, the fairest of women.
"Hakon Jarl! for the love I bear thee
Neither shall shame nor death come near thee!
But the hiding-place wherein thou must lie
Is the cave underneath the swine in the sty."
Thus to Jarl Hakon
Said Thora, the fairest of women.
So Hakon Jarl and his base thrall Karker
Crouched in the cave, than a dungeon darker,
As Olaf came riding, with men in mail,
Through the forest roads into Orkadale,
Demanding Jarl Hakon
Of Thora, the fairest of women.
"Rich and honored shall be whoever
The head of Hakon Jarl shall dissever!"
Hakon heard him, and Karker the slave,
Through the breathing-holes of the darksome cave.
Alone in her chamber
Wept Thora, the fairest of women.
Said Karker, the crafty, "I will not slay thee!
For all the king's gold I will never betray thee!"
"Then why dost thou turn so pale, O churl,
And then again black as the earth?" said the Earl.
More pale and more faithful
Was Thora, the fairest of women.
From a dream in the night the thrall started, saying,
"Round my neck a gold ring King Olaf was laying!"
And Hakon answered, "Beware of the king!
He will lay round thy neck a blood-red ring."
At the ring on her finger
Gazed Thora, the fairest of women.
At daybreak slept Hakon, with sorrows encumbered,
But screamed and drew up his feet as he slumbered;
The thrall in the darkness plunged with his knife,
And the Earl awakened no more in this life.
But wakeful and weeping
Sat Thora, the fairest of women.
At Nidarholm the priests are all singing,
Two ghastly heads on the gibbet are swinging;
One is Jarl Hakon's and one is his thrall's,
And the people are shouting from windows and walls;
While alone in her chamber
Swoons Thora, the fairest of women.
IV.
QUEEN SIGRID THE HAUGHTY.
Queen Sigrid the Haughty sat proud and aloft
In her chamber, that looked over meadow and croft.
Heart's dearest,
Why dost thou sorrow so?
The floor with tassels of fir was besprent,
Filling the room with their fragrant scent.
She heard the birds sing, she saw the sun shine,
The air of summer was sweeter than wine.
Like a sword without scabbard the bright river lay
Between her own kingdom and Norroway.
But Olaf the King had sued for her hand,
The sword would be sheathed, the river be spanned.
Her maidens were seated around her knee,
Working bright figures in tapestry.
And one was singing the ancient rune
Of Brynhilda's love and the wrath of Gudrun.
And through it, and round it, and over it all
Sounded incessant the waterfall.
The Queen in her hand held a ring of gold,
From the door of LadÈ's Temple old.
King Olaf had sent her this wedding gift,
But her thoughts as arrows were keen and swift.
She had given the ring to her goldsmiths twain,
Who smiled, as they handed it back again.
And Sigrid the Queen, in her haughty way,
Said, "Why do you smile, my goldsmiths, say?"
And they answered: "O Queen! if the truth must be told,
The ring is of copper, and not of gold!"
The lightning flashed o'er her forehead and cheek,
She only murmured, she did not speak:
"If in his gifts he can faithless be,
There will be no gold in his love to me."
A footstep was heard on the outer stair,
And in strode King Olaf with royal air.
He kissed the Queen's hand, and he whispered of love,
And swore to be true as the stars are above.
But she smiled with contempt as she answered: "O King,
Will you swear it, as Odin once swore, on the ring?"
And the King: "O speak not of Odin to me,
The wife of King Olaf a Christian must be."
Looking straight at the King, with her level brows,
She said, "I keep true to my faith and my vows."
Then the face of King Olaf was darkened with gloom,
He rose in his anger and strode through the room.
"Why, then, should I care to have thee?" he said,--
"A faded old woman, a heathenish jade!"
His zeal was stronger than fear or love,
And he struck the Queen in the face with his glove.
Then forth from the chamber in anger he fled,
And the wooden stairway shook with his tread.
Queen Sigrid the Haughty said under her breath,
"This insult, King Olaf, shall be thy death!"
Heart's dearest,
Why dost thou sorrow so?
V.
THE SKERRY OF SHRIEKS.
Now from all King Olaf's farms
His men-at-arms
Gathered on the Eve of Easter;
To his house at Angvalds-ness
Fast they press,
Drinking with the royal feaster.
Loudly through the wide-flung door
Came the roar
Of the sea upon the Skerry;
And its thunder loud and near
Reached the ear,
Mingling with their voices merry.
"Hark!" said Olaf to his Scald,
Halfred the Bald,
"Listen to that song, and learn it!
Half my kingdom would I give,
As I live,
If by such songs you would earn it!
"For of all the runes and rhymes
Of all times,
Best I like the ocean's dirges,
When the old harper heaves and rocks,
His hoary locks
Flowing and flashing in the surges!"
Halfred answered: "I am called
The Unappalled!
Nothing hinders me or daunts me.
Hearken to me, then, O King,
While I sing
The great Ocean Song that haunts me."
"I will hear your song sublime
Some other time,"
Says the drowsy monarch, yawning,
And retires; each laughing guest
Applauds the jest;
Then they sleep till day is dawning.
Pacing up and down the yard,
King Olaf's guard
Saw the sea-mist slowly creeping
O'er the sands, and up the hill,
Gathering still
Round the house where they were sleeping.
It was not the fog he saw,
Nor misty flaw,
That above the landscape brooded;
It was Eyvind Kallda's crew
Of warlocks blue,
With their caps of darkness hooded!
Round and round the house they go,
Weaving slow
Magic circles to encumber
And imprison in their ring
Olaf the King,
As he helpless lies in slumber.
Then athwart the vapors dun
The Easter sun
Streamed with one broad track of splendor!
In their real forms appeared
The warlocks weird,
Awful as the Witch of Endor.
Blinded by the light that glared,
They groped and stared
Round about with steps unsteady;
From his window Olaf gazed,
And, amazed,
"Who are these strange people?" said he.
"Eyvind Kellda and his men!"
Answered then
From the yard a sturdy farmer;
While the men-at-arms apace
Filled the place,
Busily buckling on their armor.
From the gates they sallied forth,
South and north,
Scoured the island coast around them,
Seizing all the warlock band,
Foot and hand
On the Skerry's rocks they bound them.
And at eve the king again
Called his train,
And, with all the candles burning,
Silent sat and heard once more
The sullen roar
Of the ocean tides returning.
Shrieks and cries of wild despair
Filled the air,
Growing fainter as they listened;
Then the bursting surge alone
Sounded on;--
Thus the sorcerers were christened!
"Sing, O Scald, your song sublime,
Your ocean-rhyme,"
Cried King Olaf: "it will cheer me!"
Said the Scald, with pallid cheeks,
"The Skerry of Shrieks
Sings too loud for you to hear me!"
VI.
THE WRAITH OF ODIN.
The guests were loud, the ale was strong,
King Olaf feasted late and long;
The hoary Scalds together sang;
O'erhead the smoky rafters rang.
Dead rides Sir Morten of Fogelsang.
The door swung wide, with creak and din;
A blast of cold night-air came in,
And on the threshold shivering stood
A one-eyed guest, with cloak and hood.
Dead rides Sir Morten of Fogelsang.
The King exclaimed, "O graybeard pale!
Come warm thee with this cup of ale."
The foaming draught the old man quaffed,
The noisy guests looked on and laughed.
Dead rides Sir Morten of Fogelsang.
Then spake the King: "Be not afraid;
Sit here by me." The guest obeyed,
And, seated at the table, told
Tales of the sea, and Sagas old.
Dead rides Sir Morten of Fogelsang.
And ever, when the tale was o'er,
The King demanded yet one more;
Till Sigurd the Bishop smiling said,
"'Tis late, O King, and time for bed."
Dead rides Sir Morten of Fogelsang.
The King retired; the stranger guest
Followed and entered with the rest;
The lights were out, the pages gone,
But still the garrulous guest spake on.
Dead rides Sir Morten of Fogelsang.
As one who from a volume reads,
He spake of heroes and their deeds,
Of lands and cities he had seen,
And stormy gulfs that tossed between.
Dead rides Sir Morten of Fogelsang.
Then from his lips in music rolled
The Havamal of Odin old,
With sounds mysterious as the roar
Of billows on a distant shore.
Dead rides Sir Morten of Fogelsang.
"Do we not learn from runes and rhymes
Made by the gods in elder times,
And do not still the great Scalds teach
That silence better is than speech?"
Dead rides Sir Morten of Fogelsang.
Smiling at this, the King replied,
"Thy lore is by thy tongue belied;
For never was I so enthralled
Either by Saga-man or Scald."
Dead rides Sir Morten of Fogelsang.
The Bishop said, "Late hours we keep!
Night wanes, O King! 'tis time for sleep!"
Then slept the King, and when he woke
The guest was gone, the morning broke.
Dead rides Sir Morten of Fogelsang.
They found the doors securely barred,
They found the watch-dog in the yard,
There was no footprint in the grass,
And none had seen the stranger pass.
Dead rides Sir Morten of Fogelsang.
King Olaf crossed himself and said:
"I know that Odin the Great is dead;
Sure is the triumph of our Faith,
The one-eyed stranger was his wraith."
Dead rides Sir Morten of Fogelsang.
VII.
IRON-BEARD.
Olaf the King, one summer morn,
Blew a blast on his bugle-horn,
Sending his signal through the land of Drontheim.
And to the Hus-Ting held at Mere
Gathered the farmers far and near,
With their war weapons ready to confront him.
Ploughing under the morning star,
Old Iron-Beard in Yriar
Heard the summons, chuckling with a low laugh.
He wiped the sweat-drops from his brow,
Unharnessed his horses from the plough,
And clattering came on horseback to King Olaf.
He was the churliest of the churls;
Little he cared for king or earls;
Bitter as home-brewed ale were his foaming passions.
Hodden-gray was the garb he wore,
And by the Hammer of Thor he swore;
He hated the narrow town, and all its fashions.
But he loved the freedom of his farm,
His ale at night, by the fireside warm,
Gudrun his daughter, with her flaxen tresses.
He loved his horses and his herds,
The smell of the earth, and the song of birds,
His well-filled barns, his brook with its watercresses.
Huge and cumbersome was his frame;
His beard, from which he took his name,
Frosty and fierce, like that of Hymer the Giant.
So at the Hus-Ting he appeared,
The farmer of Yriar, Iron-Beard,
On horseback, with an attitude defiant.
And to King Olaf he cried aloud,
Out of the middle of the crowd,
That tossed about him like a stormy ocean:
"Such sacrifices shalt thou bring;
To Odin and to Thor, O King,
As other kings have done in their devotion!"
King Olaf answered: "I command
This land to be a Christian land;
Here is my Bishop who the folk baptizes!
"But if you ask me to restore
Your sacrifices, stained with gore,
Then will I offer human sacrifices!
"Not slaves and peasants shall they be,
But men of note and high degree,
Such men as Orm of Lyra and Kar of Gryting!"
Then to their Temple strode he in,
And loud behind him heard the din
Of his men-at-arms and the peasants fiercely fighting.
There in the Temple, carved in wood,
The image of great Odin stood,
And other gods, with Thor supreme among them.
King Olaf smote them with the blade
Of his huge war-axe, gold inlaid,
And downward shattered to the pavement flung them.
At the same moment rose without,
From the contending crowd, a shout,
A mingled sound of triumph and of wailing.
And there upon the trampled plain
The farmer Iron-Beard lay slain,
Midway between the assailed and the assailing.
King Olaf from the doorway spoke:
"Choose ye between two things, my folk,
To be baptized or given up to slaughter!"
And seeing their leader stark and dead,
The people with a murmur said,
"O King, baptize us with thy holy water!"
So all the Drontheim land became
A Christian land in name and fame,
In the old gods no more believing and trusting.
And as a blood-atonement, soon
King Olaf wed the fair Gudrun;
And thus in peace ended the Drontheim Hus-Ting!
VIII.
GUDRUN.
On King Olaf's bridal night
Shines the moon with tender light,
And across the chamber streams
Its tide of dreams.
At the fatal midnight hour,
When all evil things have power,
In the glimmer of the moon
Stands Gudrun.
Close against her heaving breast,
Something in her hand is pressed;
Like an icicle, its sheen
Is cold and keen.
On the cairn are fixed her eyes
Where her murdered father lies,
And a voice remote and drear
She seems to hear.
What a bridal night is this!
Cold will be the dagger's kiss;
Laden with the chill of death
Is its breath.
Like the drifting snow she sweeps
To the couch where Olaf sleeps;
Suddenly he wakes and stirs,
His eyes meet hers.
"What is that," King Olaf said,
"Gleams so bright above thy head?
Wherefore standest thou so white
In pale moonlight?"
"'Tis the bodkin that I wear
When at night I bind my hair;
It woke me falling on the floor;
'Tis nothing more."
"Forests have ears, and fields have eyes;
Often treachery lurking lies
Underneath the fairest hair!
Gudrun beware!"
Ere the earliest peep of morn
Blew King Olaf's bugle-horn;
And forever sundered ride
Bridegroom and bride!
IX.
THANGBRAND THE PRIEST.
Short of stature, large of limb,
Burly face and russet beard,
All the women stared at him,
When in Iceland he appeared.
"Look!" they said,
With nodding head,
"There goes Thangbrand, Olaf's Priest."
All the prayers he knew by rote,
He could preach like Chrysostome,
From the Fathers he could quote,
He had even been at Rome.
A learned clerk,
A man of mark,
Was this Thangbrand, Olaf's Priest.
He was quarrelsome and loud,
And impatient of control,
Boisterous in the market crowd,
Boisterous at the wassail-bowl,
Everywhere
Would drink and swear,
Swaggering Thangbrand, Olaf's Priest.
In his house this malecontent
Could the King no longer bear,
So to Iceland he was sent
To convert the heathen there,
And away
One summer day
Sailed this Thangbrand, Olaf's Priest.
There in Iceland, o'er their books
Pored the people day and night,
But he did not like their looks,
Nor the songs they used to write.
"All this rhyme
Is waste of time!"
Grumbled Thangbrand, Olaf's Priest.
To the alehouse, where he sat,
Came the Scalds and Saga-men;
Is it to be wondered at,
That they quarrelled now and then,
When o'er his beer
Began to leer
Drunken Thangbrand, Olaf's Priest?
All the folk in Altafiord
Boasted of their island grand;
Saying in a single word,
"Iceland is the finest land
That the sun
Doth shine upon!"
Loud laughed Thangbrand, Olaf's Priest.
And he answered: "What's the use
Of this bragging up and down,
When three women and one goose
Make a market in your town!"
Every Scald
Satires scrawled
On poor Thangbrand, Olaf's Priest.
Something worse they did than that;
And what vexed him most of all
Was a figure in shovel hat,
Drawn in charcoal on the wall;
With words that go
Sprawling below,
"This is Thangbrand, Olaf's Priest."
Hardly knowing what he did,
Then he smote them might and main,
Thorvald Veile and Veterlid
Lay there in the alehouse slain.
"To-day we are gold,
To-morrow mould!"
Muttered Thangbrand, Olaf's Priest.
Much in fear of axe and rope,
Back to Norway sailed he then.
"O, King Olaf! little hope
Is there of these Iceland men!"
Meekly said,
With bending head,
Pious Thangbrand, Olaf's Priest.
X.
RAUD THE STRONG.
"All the old gods are dead,
All the wild warlocks fled;
But the White Christ lives and reigns,
And throughout my wide domains
His Gospel shall be spread!"
On the Evangelists
Thus swore King Olaf.
But still in dreams of the night
Beheld he the crimson light,
And heard the voice that defied
Him who was crucified,
And challenged him to the fight.
To Sigurd the Bishop
King Olaf confessed it.
And Sigurd the Bishop said,
"The old gods are not dead,
For the great Thor still reigns,
And among the Jarls and Thanes
The old witchcraft still is spread."
Thus to King Olaf
Said Sigurd the Bishop.
"Far north in the Salten Fiord,
By rapine, fire, and sword,
Lives the Viking, Raud the Strong;
All the Godoe Isles belong
To him and his heathen horde."
Thus went on speaking
Sigurd the Bishop.
"A warlock, a wizard is he,
And lord of the wind and the sea;
And whichever way he sails,
He has ever favoring gales,
By his craft in sorcery."
Here the sign of the cross made
Devoutly King Olaf.
"With rites that we both abhor,
He worships Odin and Thor;
So it cannot yet be said,
That all the old gods are dead,
And the warlocks are no more,"
Flushing with anger
Said Sigurd the Bishop.
Then King Olaf cried aloud:
"I will talk with this mighty Raud,
And along the Salten Fiord
Preach the Gospel with my sword,
Or be brought back in my shroud!"
So northward from Drontheim
Sailed King Olaf!
XI.
BISHOP SIGURD AT SALTEN FIORD.
Loud the angry wind was wailing
As King Olaf's ships came sailing
Northward out of Drontheim haven
To the mouth of Salten Fiord.
Though the flying sea-spray drenches
Fore and aft the rowers' benches,
Not a single heart is craven
Of the champions there on board.
All without the Fiord was quiet,
But within it storm and riot,
Such as on his Viking cruises
Raud the Strong was wont to ride.
And the sea through all its tide-ways
Swept the reeling vessels sideways,
As the leaves are swept through sluices,
When the flood-gates open wide.
"'Tis the warlock! 'tis the demon
Raud!" cried Sigurd to the seamen;
"But the Lord is not affrighted
By the witchcraft of his foes."
To the ship's bow he ascended,
By his choristers attended,
Round him were the tapers lighted,
And the sacred incense rose.
On the bow stood Bishop Sigurd,
In his robes, as one transfigured,
And the Crucifix he planted
High amid the rain and mist.
Then with holy water sprinkled
All the ship; the mass-bells tinkled;
Loud the monks around him chanted,
Loud he read the Evangelist.
As into the Fiord they darted,
On each side the water parted;
Down a path like silver molten
Steadily rowed King Olaf's ships;
Steadily burned all night the tapers,
And the White Christ through the vapors
Gleamed across the Fiord of Salten,
As through John's Apocalypse,--
Till at last they reached Raud's dwelling
On the little isle of Gelling;
Not a guard was at the doorway,
Not a glimmer of light was seen.
But at anchor, carved and gilded,
Lay the dragon-ship he builded;
'Twas the grandest ship in Norway,
With its crest and scales of green.
Up the stairway, softly creeping,
To the loft where Raud was sleeping,
With their fists they burst asunder
Bolt and bar that held the door.
Drunken with sleep and ale they found him,
Dragged him from his bed and bound him,
While he stared with stupid wonder,
At the look and garb they wore.
Then King Olaf said: "O Sea-King!
Little time have we for speaking,
Choose between the good and evil;
Be baptized, or thou shalt die!"
But in scorn the heathen scoffer
Answered: "I disdain thine offer;
Neither fear I God nor Devil;
Thee and thy Gospel I defy!"
Then between his jaws distended,
When his frantic struggles ended,
Through King Olaf's horn an adder,
Touched by fire, they forced to glide.
Sharp his tooth was as an arrow,
As he gnawed through bone and marrow;
But without a groan or shudder,
Raud the Strong blaspheming died.
Then baptized they all that region,
Swarthy Lap and fair Norwegian,
Far as swims the salmon, leaping,
Up the streams of Salten Fiord.
In their temples Thor and Odin
Lay in dust and ashes trodden,
As King Olaf, onward sweeping,
Preached the Gospel with his sword.
Then he took the carved and gilded
Dragon-ship that Raud had builded,
And the tiller single-handed,
Grasping, steered into the main.
Southward sailed the sea-gulls o'er him,
Southward sailed the ship that bore him,
Till at Drontheim haven landed
Olaf and his crew again.
XII.
KING OLAF'S CHRISTMAS.
At Drontheim, Olaf the King
Heard the bells of Yule-tide ring,
As he sat in his banquet-hall,
Drinking the nut-brown ale,
With his bearded Berserks hale
And tall.
Three days his Yule-tide feasts
He held with Bishops and Priests,
And his horn filled up to the brim;
But the ale was never too strong,
Nor the Saga-man's tale too long,
For him.
O'er his drinking-horn, the sign
He made of the cross divine,
As he drank, and muttered his prayers;
But the Berserks evermore
Made the sign of the Hammer of Thor
Over theirs.
The gleams of the fire-light dance
Upon helmet and hauberk and lance,
And laugh in the eyes of the King;
And he cries to Halfred the Scald,
Gray-bearded, wrinkled, and bald,
"Sing!"
"Sing me a song divine,
With a sword in every line,
And this shall be thy reward."
And he loosened the belt at his waist,
And in front of the singer placed
His sword.
"Quern-biter of Hakon the Good,
Wherewith at a stroke he hewed
The millstone through and through,
And Foot-breadth of Thoralf the Strong,
Were neither so broad nor so long,
Nor so true."
Then the Scald took his harp and sang,
And loud through the music rang
The sound of that shining word;
And the harp-strings a clangor made,
As if they were struck with the blade
Of a sword.
And the Berserks round about
Broke forth into a shout
That made the rafters ring:
They smote with their fists on the board,
And shouted, "Long live the Sword,
And the King!"
But the King said, "O my son,
I miss the bright word in one
Of thy measures and thy rhymes."
And Halfred the Scald replied,
"In another 'twas multiplied
Three times."
Then King Olaf raised the hilt
Of iron, cross-shaped and gilt,
And said, "Do not refuse;
Count well the gain and the loss,
Thor's hammer or Christ's cross:
Choose!"
And Halfred the Scald said, "This
In the name of the Lord I kiss,
Who on it was crucified!"
And a shout went round the board,
"In the name of Christ the Lord,
Who died!"
Then over the waste of snows
The noonday sun uprose,
Through the driving mists revealed,
Like the lifting of the Host,
By incense-clouds almost
Concealed.
On the shining wall a vast
And shadowy cross was cast
From the hilt of the lifted sword,
And in foaming cups of ale
The Berserks drank "Was-hael!
To the Lord!"
XIII.
THE BUILDING OF THE LONG SERPENT.
Thorberg Skafting, master-builder,
In his ship-yard by the sea,
Whistled, saying, "'Twould bewilder
Any man but Thorberg Skafting,
Any man but me!"
Near him lay the Dragon stranded,
Built of old by Raud the Strong,
And King Olaf had commanded
He should build another Dragon,
Twice as large and long.
Therefore whistled Thorberg Skafting,
As he sat with half-closed eyes,
And his head turned sideways, drafting
That new vessel for King Olaf
Twice the Dragon's size.
Round him busily hewed and hammered
Mallet huge and heavy axe;
Workmen laughed and sang and clamored;
Whirred the wheels, that into rigging
Spun the shining flax!
All this tumult heard the master,--
It was music to his ear;
Fancy whispered all the faster,
"Men shall hear of Thorberg Skafting
For a hundred year!"
Workmen sweating at the forges
Fashioned iron bolt and bar,
Like a warlock's midnight orgies
Smoked and bubbled the black caldron
With the boiling tar.
Did the warlocks mingle in it,
Thorberg Skafting, any curse?
Could you not be gone a minute
But some mischief must be doing,
Turning bad to worse?
'Twas an ill wind that came wafting,
From his homestead words of woe;
To his farm went Thorberg Skafting,
Oft repeating to his workmen,
Build ye thus and so.
After long delays returning
Came the master back by night;
To his ship-yard longing, yearning,
Hurried he, and did not leave it
Till the morning's light.
"Come and see my ship, my darling!"
On the morrow said the King;
"Finished now from keel to carling;
Never yet was seen in Norway
Such a wondrous thing!"
In the ship-yard, idly talking,
At the ship the workmen stared:
Some one, all their labor balking,
Down her sides had cut deep gashes,
Not a plank was spared!
"Death be to the evil-doer!"
With an oath King Olaf spoke;
"But rewards to his pursuer!"
And with wrath his face grew redder
Than his scarlet cloak.
Straight the master-builder, smiling,
Answered thus the angry King:
"Cease blaspheming and reviling,
Olaf, it was Thorberg Skafting
Who has done this thing!"
Then he chipped and smoothed the planking,
Till the King, delighted, swore,
With much lauding and much thanking,
"Handsomer is now my Dragon
Than she was before!"
Seventy ells and four extended
On the grass the vessel's keel;
High above it, gilt and splendid,
Rose the figure-head ferocious
With its crest of steel.
Then they launched her from the tressels,
In the ship-yard by the sea;
She was the grandest of all vessels,
Never ship was built in Norway
Half so fine as she!
The Long Serpent was she christened,
'Mid the roar of cheer on cheer!
They who to the Saga listened
Heard the name of Thorberg Skafting
For a hundred year!
XIV.
THE CREW OF THE LONG SERPENT.
Safe at anchor in Drontheim bay
King Olaf's fleet assembled lay,
And, striped with white and blue,
Downward fluttered sail and banner,
As alights the screaming lanner;
Lustily cheered, in their wild manner,
The Long Serpent's crew.
Her forecastle man was Ulf the Red;
Like a wolf's was his shaggy head,
His teeth as large and white;
His beard, of gray and russet blended,
Round as a swallow's nest descended;
As standard-bearer he defended
Olaf's flag in the fight.
Near him Kolbiorn had his place,
Like the King in garb and face,
So gallant and so hale;
Every cabin-boy and varlet
Wondered at his cloak of scarlet;
Like a river, frozen and star-lit,
Gleamed his coat of mail.
By the bulkhead, tall and dark,
Stood Thrand Rame of Thelemark,
A figure gaunt and grand;
On his hairy arm imprinted
Was an anchor, azure-tinted;
Like Thor's hammer, huge and dinted
Was his brawny hand.
Einar Tamberskelver, bare
To the winds his golden hair,
By the mainmast stood;
Graceful was his form, and slender,
And his eyes were deep and tender
As a woman's, in the splendor
Of her maidenhood.
In the fore-hold Biorn and Bork
Watched the sailors at their work:
Heavens! how they swore!
Thirty men they each commanded,
Iron-sinewed, horny-handed,
Shoulders broad, and chests expanded,
Tugging at the oar.
These, and many more like these,
With King Olaf sailed the seas,
Till the waters vast
Filled them with a vague devotion,
With the freedom and the motion,
With the roll and roar of ocean
And the sounding blast.
When they landed from the fleet,
How they roared through Drontheim's street,
Boisterous as the gale!
How they laughed and stamped and pounded,
Till the tavern roof resounded,
And the host looked on astounded
As they drank the ale!
Never saw the wild North Sea
Such a gallant company
Sail its billows blue!
Never, while they cruised and quarrelled,
Old King Gorm, or Blue-Tooth Harald,
Owned a ship so well apparelled,
Boasted such a crew!
XV.
A LITTLE BIRD IN THE AIR.
A little bird in the air
Is singing of Thyri the fair,
The sister of Svend the Dane;
And the song of the garrulous bird
In the streets of the town is heard,
And repeated again and again.
Hoist up your sails of silk,
And flee away from each other.
To King Burislaf, it is said,
Was the beautiful Thyri wed,
And a sorrowful bride went she;
And after a week and a day,
She has fled away and away,
From his town by the stormy sea.
Hoist up your sails of silk,
And flee away from each other.
They say, that through heat and through cold,
Through weald, they say, and through wold,
By day and by night, they say,
She has fled; and the gossips report
She has come to King Olaf's court,
And the town is all in dismay.
Hoist up your sails of silk,
And flee away from each other.
It is whispered King Olaf has seen,
Has talked with the beautiful Queen;
And they wonder how it will end;
For surely, if here she remain,
It is war with King Svend the Dane,
And King Burislaf the Vend!
Hoist up your sails of silk,
And flee away from each other.
O, greatest wonder of all!
It is published in hamlet and hall,
It roars like a flame that is fanned!
The King--yes, Olaf the King--
Has wedded her with his ring,
And Thyri is Queen in the land!
Hoist up your sails of silk,
And flee away from each other.
XVI.
QUEEN THYRI AND THE ANGELICA STALKS.
Northward over Drontheim,
Flew the clamorous sea-gulls,
Sang the lark and linnet
From the meadows green;
Weeping in her chamber,
Lonely and unhappy,
Sat the Drottning Thyri,
Sat King Olaf's Queen.
In at all the windows
Streamed the pleasant sunshine,
On the roof above her
Softly cooed the dove;
But the sound she heard not,
Nor the sunshine heeded,
For the thoughts of Thyri
Were not thoughts of love.
Then King Olaf entered,
Beautiful as morning,
Like the sun at Easter
Shone his happy face;
In his hand he carried
Angelicas uprooted,
With delicious fragrance
Filling all the place.
Like a rainy midnight
Sat the Drottning Thyri,
Even the smile of Olaf
Could not cheer her gloom;
Nor the stalks he gave her
With a gracious gesture,
And with words as pleasant
As their own perfume.
In her hands he placed them,
And her jewelled fingers
Through the green leaves glistened
Like the dews of morn;
But she cast them from her,
Haughty and indignant,
On the floor she threw them
With a look of scorn.
"Richer presents," said she,
"Gave King Harald Gormson
To the Queen, my mother,
Than such worthless weeds;
"When he ravaged Norway,
Laying waste the kingdom,
Seizing scatt and treasure
For her royal needs.
"But thou darest not venture
Through the Sound to Vendland,
My domains to rescue
From King Burislaf;
"Lest King Svend of Denmark,
Forked Beard, my brother,
Scatter all thy vessels
As the wind the chaff."
Then up sprang King Olaf,
Like a reindeer bounding,
With an oath he answered
Thus the luckless Queen:
"Never yet did Olaf
Fear King Svend of Denmark;
This right hand shall hale him
By his forked chin!"
Then he left the chamber,
Thundering through the doorway,
Loud his steps resounded
Down the outer stair.
Smarting with the insult,
Through the streets of Drontheim
Strode he red and wrathful,
With his stately air.
All his ships he gathered,
Summoned all his forces,
Making his war levy
In the region round;
Down the coast of Norway,
Like a flock of sea-gulls,
Sailed the fleet of Olaf
Through the Danish Sound.
With his own hand fearless,
Steered he the Long Serpent,
Strained the creaking cordage,
Bent each boom and gaff;
Till in Vendland landing,
The domains of Thyri
He redeemed and rescued
From King Burislaf.
Then said Olaf, laughing,
"Not ten yoke of oxen
Have the power to draw us
Like a woman's hair!
"Now will I confess it,
Better things are jewels
Than angelica stalks are
For a Queen to wear."
XVII.
KING SVEND OF THE FORKED BEARD.
Loudly the sailors cheered
Svend of the Forked Beard,
As with his fleet he steered
Southward to Vendland;
Where with their courses hauled
All were together called,
Under the Isle of Svald
Near to the mainland.
After Queen Gunhild's death,
So the old Saga saith,
Plighted King Svend his faith
To Sigrid the Haughty;
And to avenge his bride,
Soothing her wounded pride,
Over the waters wide
King Olaf sought he.
Still on her scornful face,
Blushing with deep disgrace,
Bore she the crimson trace
Of Olaf's gauntlet;
Like a malignant star,
Blazing in heaven afar,
Red shone the angry scar
Under her frontlet.
Oft to King Svend she spake,
"For thine own honor's sake
Shalt thou swift vengeance take
On the vile coward!"
Until the King at last,
Gusty and overcast,
Like a tempestuous blast
Threatened and lowered.
Soon as the Spring appeared,
Svend of the Forked Beard
High his red standard reared,
Eager for battle;
While every warlike Dane,
Seizing his arms again,
Left all unsown the grain,
Unhoused the cattle.
Likewise the Swedish King
Summoned in haste a Thing,
Weapons and men to bring
In aid of Denmark;
Eric the Norseman, too,
As the war-tidings flew,
Sailed with a chosen crew
From Lapland and Finmark.
So upon Easter day
Sailed the three kings away,
Out of the sheltered bay,
In the bright season;
With them Earl Sigvald came,
Eager for spoil and fame;
Pity that such a name
Stooped to such treason!
Safe under Svald at last,
Now were their anchors cast,
Safe from the sea and blast,
Plotted the three kings;
While, with a base intent,
Southward Earl Sigvald went,
On a foul errand bent,
Unto the Sea-kings.
Thence to hold on his course,
Unto King Olaf's force,
Lying within the hoarse
Mouths of Stet-haven;
Him to ensnare and bring,
Unto the Danish king,
Who his dead corse would fling
Forth to the raven!
XVIII.
KING OLAF AND EARL SIGVALD.
On the gray sea-sands
King Olaf stands,
Northward and seaward
He points with his hands.
With eddy and whirl
The sea-tides curl,
Washing the sandals
Of Sigvald the Earl.
The mariners shout,
The ships swing about,
The yards are all hoisted,
The sails flutter out.
The war-horns are played,
The anchors are weighed,
Like moths in the distance
The sails flit and fade.
The sea is like lead,
The harbor lies dead,
As a corse on the sea-shore,
Whose spirit has fled!
On that fatal day,
The histories say,
Seventy vessels
Sailed out of the bay.
But soon scattered wide
O'er the billows they ride,
While Sigvald and Olaf
Sail side by side.
Cried the Earl: "Follow me!
I your pilot will be,
For I know all the channels
Where flows the deep sea!"
So into the strait
Where his foes lie in wait,
Gallant King Olaf
Sails to his fate!
Then the sea-fog veils
The ships and their sails;
Queen Sigrid the Haughty,
Thy vengeance prevails!
XIX.
KING OLAF'S WAR-HORNS.
"Strike the sails!" King Olaf said;
"Never shall men of mine take flight;
Never away from battle I fled,
Never away from my foes!
Let God dispose
Of my life in the fight!"
"Sound the horns!" said Olaf the King;
And suddenly through the drifting brume
The blare of the horns began to ring,
Like the terrible trumpet shock
Of Regnarock,
On the Day of Doom!
Louder and louder the war-horns sang
Over the level floor of the flood;
All the sails came down with a clang,
And there in the mist overhead
The sun hung red
As a drop of blood.
Drifting down on the Danish fleet
Three together the ships were lashed,
So that neither should turn and retreat;
In the midst, but in front of the rest
The burnished crest
Of the Serpent flashed.
King Olaf stood on the quarter-deck,
With bow of ash and arrows of oak,
His gilded shield was without a fleck,
His helmet inlaid with gold,
And in many a fold
Hung his crimson cloak.
On the forecastle Ulf the Red
Watched the lashing of the ships;
"If the Serpent lie so far ahead,
We shall have hard work of it here,"
Said he with a sneer
On his bearded lips.
King Olaf laid an arrow on string,
"Have I a coward on board?" said he.
"Shoot it another way, O King!"
Sullenly answered Ulf,
The old sea-wolf;
"You have need of me!"
In front came Svend, the King of the Danes,
Sweeping down with his fifty rowers;
To the right, the Swedish king with his thanes;
And on board of the Iron Beard
Earl Eric steered
On the left with his oars.
"These soft Danes and Swedes," said the King,
"At home with their wives had better stay,
Than come within reach of my Serpent's sting:
But where Eric the Norseman leads
Heroic deeds
Will be done to-day!"
Then as together the vessels crashed,
Eric severed the cables of hide,
With which King Olaf's ships were lashed,
And left them to drive and drift
With the currents swift
Of the outward tide.
Louder the war-horns growl and snarl,
Sharper the dragons bite and sting!
Eric the son of Hakon Jarl
A death-drink salt as the sea
Pledges to thee,
Olaf the King!
XX.
EINAR TAMBERSKELVER.
It was Einar Tamberskelver
Stood beside the mast;
From his yew-bow, tipped with silver,
Flew the arrows fast;
Aimed at Eric unavailing,
As he sat concealed,
Half behind the quarter-railing,
Half behind his shield.
First an arrow struck the tiller,
Just above his head;
"Sing, O Eyvind Skaldaspiller,"
Then Earl Eric said.
"Sing the song of Hakon dying,
Sing his funeral wail!"
And another arrow flying
Grazed his coat of mail.
Turning to a Lapland yeoman,
As the arrow passed,
Said Earl Eric, "Shoot that bowman
Standing by the mast."
Sooner than the word was spoken
Flew the yeoman's shaft;
Einar's bow in twain was broken,
Einar only laughed.
"What was that?" said Olaf, standing
On the quarter-deck.
"Something heard I like the stranding
Of a shattered wreck."
Einar then, the arrow taking
From the loosened string,
Answered, "That was Norway breaking
From thy hand, O king!"
"Thou art but a poor diviner,"
Straightway Olaf said;
"Take my bow, and swifter, Einar,
Let thy shafts be sped."
Of his bows the fairest choosing,
Reached he from above;
Einar saw the blood-drops oozing
Through his iron glove.
But the bow was thin and narrow;
At the first assay,
O'er its head he drew the arrow,
Flung the bow away;
Said, with hot and angry temper
Flushing in his cheek,
"Olaf! for so great a K‰mper
Are thy bows too weak!"
Then, with smile of joy defiant
On his beardless lip,
Scaled he, light and self-reliant,
Eric's dragon-ship.
Loose his golden locks were flowing,
Bright his armor gleamed;
Like Saint Michael overthrowing
Lucifer he seemed.
XXI.
KING OLAF'S DEATH-DRINK.
All day has the battle raged,
All day have the ships engaged,
But not yet is assuaged
The vengeance of Eric the Earl.
The decks with blood are red,
The arrows of death are sped,
The ships are filled with the dead,
And the spears the champions hurl.
They drift as wrecks on the tide,
The grappling-irons are plied,
The boarders climb up the side,
The shouts are feeble and few.
Ah! never shall Norway again
See her sailors come back o'er the main;
They all lie wounded or slain,
Or asleep in the billows blue!
On the deck stands Olaf the King,
Around him whistle and sing
The spears that the foemen fling,
And the stones they hurl with their hands.
In the midst of the stones and the spears,
Kolbiorn, the marshal, appears,
His shield in the air he uprears,
By the side of King Olaf he stands.
Over the slippery wreck
Of the Long Serpent's deck
Sweeps Eric with hardly a check,
His lips with anger are pale;
He hews with his axe at the mast,
Till it falls, with the sails overcast,
Like a snow-covered pine in the vast
Dim forests of Orkadale.
Seeking King Olaf then,
He rushes aft with his men,
As a hunter into the den
Of the bear, when he stands at bay.
"Remember Jarl Hakon!" he cries;
When lo! on his wondering eyes,
Two kingly figures arise,
Two Olafs in warlike array!
Then Kolbiorn speaks in the ear
Of King Olaf a word of cheer,
In a whisper that none may hear,
With a smile on his tremulous lip;
Two shields raised high in the air,
Two flashes of golden hair,
Two scarlet meteors' glare,
And both have leaped from the ship.
Earl Eric's men in the boats
Seize Kolbiorn's shield as it floats,
And cry, from their hairy throats,
"See! it is Olaf the King!"
While far on the opposite side
Floats another shield on the tide,
Like a jewel set in the wide
Sea-current's eddying ring.
There is told a wonderful tale,
How the King stripped off his mail,
Like leaves of the brown sea-kale,
As he swam beneath the main;
But the young grew old and gray,
And never, by night or by day,
In his kingdom of Norroway
Was King Olaf seen again!
XXII.
THE NUN OF NIDAROS.
In the convent of Drontheim,
Alone in her chamber
Knelt Astrid the Abbess,
At midnight, adoring,
Beseeching, entreating
The Virgin and Mother.
She heard in the silence
The voice of one speaking,
Without in the darkness,
In gusts of the night-wind
Now louder, now nearer,
Now lost in the distance.
The voice of a stranger
It seemed as she listened,
Of some one who answered,
Beseeching, imploring,
A cry from afar off
She could not distinguish.
The voice of Saint John,
The beloved disciple,
Who wandered and waited
The Master's appearance,
Alone in the darkness,
Unsheltered and friendless.
"It is accepted
The angry defiance,
The challenge of battle!
It is accepted,
But not with the weapons
Of war that thou wieldest!
"Cross against corslet,
Love against hatred,
Peace-cry for war-cry!
Patience is powerful;
He that o'ercometh
Hath power o'er the nations!
"As torrents in summer,
Half dried in their channels,
Suddenly rise, though the
Sky is still cloudless,
For rain has been falling
Far off at their fountains;
"So hearts that are fainting
Grow full to o'erflowing,
And they that behold it
Marvel, and know not
That God at their fountains
Far off has been raining!
"Stronger than steel
Is the sword of the Spirit;
Swifter than arrows
The light of the truth is,
Greater than anger
Is love, and subdueth!
"Thou art a phantom,
A shape of the sea-mist,
A shape of the brumal
Rain, and the darkness
Fearful and formless;
Day dawns and thou art not!
"The dawn is not distant,
Nor is the night starless;
Love is eternal!
God is still God, and
His faith shall not fail us;
Christ is eternal!"
INTERLUDE.
A strain of music closed the tale,
A low, monotonous, funeral wail,
That with its cadence, wild and sweet,
Made the long Saga more complete.
"Thank God," the Theologian said,
"The reign of violence is dead,
Or dying surely from the world;
While Love triumphant reigns instead,
And in a brighter sky o'erhead
His blessed banners are unfurled.
And most of all thank God for this:
The war and waste of clashing creeds
Now end in words, and not in deeds,
And no one suffers loss, or bleeds,
For thoughts that men call heresies.
"I stand without here in the porch,
I hear the bell's melodious din,
I hear the organ peal within,
I hear the prayer, with words that scorch
Like sparks from an inverted torch,
I hear the sermon upon sin,
With threatenings of the last account.
And all, translated in the air,
Reach me but as our dear Lord's Prayer,
And as the Sermon on the Mount.
"Must it be Calvin, and not Christ?
Must it be Athanasian creeds,
Or holy water, books, and beads?
Must struggling souls remain content
With councils and decrees of Trent?
And can it be enough for these
The Christian Church the year embalms
With evergreens and boughs of palms,
And fills the air with litanies?
"I know that yonder Pharisee
Thanks God that he is not like me;
In my humiliation dressed,
I only stand and beat my breast,
And pray for human charity.
"Not to one church alone, but seven,
The voice prophetic spake from heaven;
And unto each the promise came,
Diversified, but still the same;
For him that overcometh are
The new name written on the stone,
The raiment white, the crown, the throne,
And I will give him the Morning Star!
"Ah! to how many Faith has been
No evidence of things unseen,
But a dim shadow, that recasts
The creed of the Phantasiasts,
For whom no Man of Sorrows died,
For whom the Tragedy Divine
Was but a symbol and a sign,
And Christ a phantom crucified!
"For others a diviner creed
Is living in the life they lead.
The passing of their beautiful feet
Blesses the pavement of the street,
And all their looks and words repeat
Old Fuller's saying, wise and sweet,
Not as a vulture, but a dove,
The Holy Ghost came from above.
"And this brings back to me a tale
So sad the hearer well may quail,
And question if such things can be;
Yet in the chronicles of Spain
Down the dark pages runs this stain,
And naught can wash them white again,
So fearful is the tragedy."
THE THEOLOGIAN'S TALE.
TORQUEMADA.
In the heroic days when Ferdinand
And Isabella ruled the Spanish land,
And Torquemada, with his subtle brain,
Ruled them, as Grand Inquisitor of Spain,
In a great castle near Valladolid,
Moated and high and by fair woodlands hid,
There dwelt, as from the chronicles we learn,
An old Hidalgo proud and taciturn,
Whose name has perished, with his towers of stone,
And all his actions save this one alone;
This one, so terrible, perhaps 'twere best
If it, too, were forgotten with the rest;
Unless, perchance, our eyes can see therein
The martyrdom triumphant o'er the sin;
A double picture, with its gloom and glow,
The splendor overhead, the death below.
This sombre man counted each day as lost
On which his feet no sacred threshold crossed;
And when he chanced the passing Host to meet,
He knelt and prayed devoutly in the street;
Oft he confessed; and with each mutinous thought,
As with wild beasts at Ephesus, he fought.
In deep contrition scourged himself in Lent,
Walked in processions, with his head down bent,
At plays of Corpus Christi oft was seen,
And on Palm Sunday bore his bough of green.
His only pastime was to hunt the boar
Through tangled thickets of the forest hoar,
Or with his jingling mules to hurry down
To some grand bull-fight in the neighboring town,
Or in the crowd with lighted taper stand,
When Jews were burned, or banished from the land.
Then stirred within him a tumultuous joy;
The demon whose delight is to destroy
Shook him, and shouted with a trumpet tone,
"Kill! kill! and let the Lord find out his own!"
And now, in that old castle in the wood,
His daughters, in the dawn of womanhood,
Returning from their convent school, had made
Resplendent with their bloom the forest shade,
Reminding him of their dead mother's face,
When first she came into that gloomy place,--
A memory in his heart as dim and sweet
As moonlight in a solitary street,
Where the same rays, that lift the sea, are thrown
Lovely but powerless upon walls of stone.
These two fair daughters of a mother dead
Were all the dream had left him as it fled.
A joy at first, and then a growing care,
As if a voice within him cried, "Beware!"
A vague presentiment of impending doom,
Like ghostly footsteps in a vacant room,
Haunted him day and night; a formless fear
That death to some one of his house was near,
With dark surmises of a hidden crime,
Made life itself a death before its time.
Jealous, suspicious, with no sense of shame,
A spy upon his daughters he became;
With velvet slippers, noiseless on the floors,
He glided softly through half-open doors;
Now in the room, and now upon the stair,
He stood beside them ere they were aware;
He listened in the passage when they talked,
He watched them from the casement when they walked,
He saw the gypsy haunt the river's side,
He saw the monk among the cork-trees glide;
And, tortured by the mystery and the doubt
Of some dark secret, past his finding out,
Baffled he paused; then reassured again
Pursued the flying phantom of his brain.
He watched them even when they knelt in church;
And then, descending lower in his search,
Questioned the servants, and with eager eyes
Listened incredulous to their replies;
The gypsy? none had seen her in the wood!
The monk? a mendicant in search of food!
At length the awful revelation came,
Crushing at once his pride of birth and name,
The hopes his yearning bosom forward cast,
And the ancestral glories of the past;
All fell together, crumbling in disgrace,
A turret rent from battlement to base.
His daughters talking in the dead of night
In their own chamber, and without a light,
Listening, as he was wont, he overheard,
And learned the dreadful secret, word by word;
And hurrying from his castle, with a cry
He raised his hands to the unpitying sky,
Repeating one dread word, till bush and tree
Caught it, and shuddering answered, "Heresy!"
Wrapped in his cloak, his hat drawn o'er his face,
Now hurrying forward, now with lingering pace,
He walked all night the alleys of his park,
With one unseen companion in the dark,
The Demon who within him lay in wait,
And by his presence turned his love to hate,
Forever muttering in an undertone,
"Kill! kill! and let the Lord find out his own!"
Upon the morrow, after early Mass,
While yet the dew was glistening on the grass,
And all the woods were musical with birds,
The old Hidalgo, uttering fearful words,
Walked homeward with the Priest, and in his room
Summoned his trembling daughters to their doom.
When questioned, with brief answers they replied,
Nor when accused evaded or denied;
Expostulations, passionate appeals,
All that the human heart most fears or feels,
In vain the Priest with earnest voice essayed,
In vain the father threatened, wept, and prayed;
Until at last he said, with haughty mien,
"The Holy Office, then, must intervene!"
And now the Grand Inquisitor of Spain,
With all the fifty horsemen of his train,
His awful name resounding, like the blast
Of funeral trumpets, as he onward passed,
Came to Valladolid, and there began
To harry the rich Jews with fire and ban.
To him the Hidalgo went, and at the gate
Demanded audience on affairs of state,
And in a secret chamber stood before
A venerable graybeard of fourscore,
Dressed in the hood and habit of a friar;
Out of his eyes flashed a consuming fire,
And in his hand the mystic horn he held,
Which poison and all noxious charms dispelled.
He heard in silence the Hidalgo's tale,
Then answered in a voice that made him quail:
"Son of the Church! when Abraham of old
To sacrifice his only son was told,
He did not pause to parley nor protest,
But hastened to obey the Lord's behest.
In him it was accounted righteousness;
The Holy Church expects of thee no less!"
A sacred frenzy seized the father's brain,
And Mercy from that hour implored in vain.
Ah! who will e'er believe the words I say?
His daughters he accused, and the same day
They both were cast into the dungeon's gloom,
That dismal antechamber of the tomb,
Arraigned, condemned, and sentenced to the flame,
The secret torture and the public shame.
Then to the Grand Inquisitor once more
The Hidalgo went, more eager than before,
And said: "When Abraham offered up his son,
He clave the wood wherewith it might be done.
By his example taught, let me too bring
Wood from the forest for my offering!"
And the deep voice, without a pause, replied:
"Son of the Church! by faith now justified,
Complete thy sacrifice, even as thou wilt;
The Church absolves thy conscience from all guilt!"
Then this most wretched father went his way
Into the woods, that round his castle lay,
Where once his daughters in their childhood played
With their young mother in the sun and shade.
Now all the leaves had fallen; the branches bare
Made a perpetual moaning in the air,
And screaming from their eyries overhead
The ravens sailed athwart the sky of lead.
With his own hands he lopped the boughs and bound
Fagots, that crackled with foreboding sound,
And on his mules, caparisoned and gay
With bells and tassels, sent them on their way.
Then with his mind on one dark purpose bent,
Again to the Inquisitor he went,
And said: "Behold, the fagots I have brought,
And now, lest my atonement be as naught,
Grant me one more request, one last desire,--
With my own hand to light the funeral fire!"
And Torquemada answered from his seat,
"Son of the Church! Thine offering is complete;
Her servants through all ages shall not cease
To magnify thy deed. Depart in peace!"
Upon the market-place, builded of stone
The scaffold rose, whereon Death claimed his own.
At the four corners, in stern attitude,
Four statues of the Hebrew Prophets stood,
Gazing with calm indifference in their eyes
Upon this place of human sacrifice,
Round which was gathering fast the eager crowd,
With clamor of voices dissonant and loud,
And every roof and window was alive
With restless gazers, swarming like a hive.
The church-bells tolled, the chant of monks drew near,
Loud trumpets stammered forth their notes of fear,
A line of torches smoked along the street,
There was a stir, a rush, a tramp of feet,
And, with its banners floating in the air,
Slowly the long procession crossed the square,
And, to the statues of the Prophets bound,
The victims stood, with fagots piled around.
Then all the air a blast of trumpets shook,
And louder sang the monks with bell and book,
And the Hidalgo, lofty, stern, and proud,
Lifted his torch, and, bursting through the crowd,
Lighted in haste the fagots, and then fled,
Lest those imploring eyes should strike him dead!
O pitiless skies! why did your clouds retain
For peasants' fields their floods of hoarded rain?
O pitiless earth! why opened no abyss
To bury in its chasm a crime like this?
That night, a mingled column of fire and smoke
From the dark thickets of the forest broke,
And, glaring o'er the landscape leagues away,
Made all the fields and hamlets bright as day.
Wrapped in a sheet of flame the castle blazed,
And as the villagers in terror gazed,
They saw the figure of that cruel knight
Lean from a window in the turret's height,
His ghastly face illumined with the glare,
His hands upraised above his head in prayer,
Till the floor sank beneath him, and he fell
Down the black hollow of that burning well.
Three centuries and more above his bones
Have piled the oblivious years like funeral stones;
His name has perished with him, and no trace
Remains on earth of his afflicted race;
But Torquemada's name, with clouds o'ercast,
Looms in the distant landscape of the Past,
Like a burnt tower upon a blackened heath,
Lit by the fires of burning woods beneath!
INTERLUDE.
Thus closed the tale of guilt and gloom,
That cast upon each listener's face
Its shadow, and for some brief space
Unbroken silence filled the room.
The Jew was thoughtful and distressed;
Upon his memory thronged and pressed
The persecution of his race,
Their wrongs and sufferings and disgrace;
His head was sunk upon his breast,
And from his eyes alternate came
Flashes of wrath and tears of shame.
The student first the silence broke,
As one who long has lain in wait,
With purpose to retaliate,
And thus he dealt the avenging stroke.
"In such a company as this,
A tale so tragic seems amiss,
That by its terrible control
O'ermasters and drags down the soul
Into a fathomless abyss.
The Italian Tales that you disdain,
Some merry Night of Straparole,
Or Machiavelli's Belphagor,
Would cheer us and delight us more,
Give greater pleasure and less pain
Than your grim tragedies of Spain!"
And here the Poet raised his hand,
With such entreaty and command,
It stopped discussion at its birth,
And said: "The story I shall tell
Has meaning in it, if not mirth;
Listen, and hear what once befell
The merry birds of Killingworth!"
THE POET'S TALE.
THE BIRDS OF KILLINGWORTH.
It was the season, when through all the land
The merle and mavis build, and building sing
Those lovely lyrics, written by His hand,
Whom Saxon CÊdmon calls the Blithe-heart King;
When on the boughs the purple buds expand,
The banners of the vanguard of the Spring,
And rivulets, rejoicing, rush and leap,
And wave their fluttering signals from the steep.
The robin and the blue-bird, piping loud,
Filled all the blossoming orchards with their glee;
The sparrows chirped as if they still were proud
Their race in Holy Writ should mentioned be;
And hungry crows assembled in a crowd,
Clamored their piteous prayer incessantly,
Knowing who hears the ravens cry, and said:
"Give us, O Lord, this day our daily bread!"
Across the Sound the birds of passage sailed,
Speaking some unknown language strange and sweet
Of tropic isle remote, and passing hailed
The village with the cheers of all their fleet;
Or quarrelling together, laughed and railed
Like foreign sailors, landed in the street
Of seaport town, and with outlandish noise
Of oaths and gibberish frightening girls and boys.
Thus came the jocund Spring in Killingworth,
In fabulous days, some hundred years ago;
And thrifty farmers, as they tilled the earth,
Heard with alarm the cawing of the crow,
That mingled with the universal mirth,
Cassandra-like, prognosticating woe;
They shook their heads, and doomed with dreadful words
To swift destruction the whole race of birds.
And a town-meeting was convened straightway
To set a price upon the guilty heads
Of these marauders, who, in lieu of pay,
Levied black-mail upon the garden beds
And corn-fields, and beheld without dismay
The awful scarecrow, with his fluttering shreds;
The skeleton that waited at their feast,
Whereby their sinful pleasure was increased.
Then from his house, a temple painted white,
With fluted columns, and a roof of red,
The Squire came forth, august and splendid sight!
Slowly descending, with majestic tread,
Three flights of steps, nor looking left nor right,
Down the long street he walked, as one who said,
"A town that boasts inhabitants like me
Can have no lack of good society!"
The Parson, too, appeared, a man austere,
The instinct of whose nature was to kill;
The wrath of God he preached from year to year,
And read, with fervor, Edwards on the Will;
His favorite pastime was to slay the deer
In Summer on some Adirondac hill;
E'en now, while walking down the rural lane,
He lopped the wayside lilies with his cane.
From the Academy, whose belfry crowned
The hill of Science with its vane of brass,
Came the Preceptor, gazing idly round,
Now at the clouds, and now at the green grass,
And all absorbed in reveries profound
Of fair Almira in the upper class,
Who was, as in a sonnet he had said,
As pure as water, and as good as bread.
And next the Deacon issued from his door,
In his voluminous neck-cloth, white as snow;
A suit of sable bombazine he wore;
His form was ponderous, and his step was slow;
There never was so wise a man before;
He seemed the incarnate "Well, I told you so!"
And to perpetuate his great renown
There was a street named after him in town.
These came together in the new town-hall,
With sundry farmers from the region round.
The Squire presided, dignified and tall,
His air impressive and his reasoning sound;
Ill fared it with the birds, both great and small;
Hardly a friend in all that crowd they found,
But enemies enough, who every one
Charged them with all the crimes beneath the sun.
When they had ended, from his place apart,
Rose the Preceptor, to redress the wrong,
And, trembling like a steed before the start,
Looked round bewildered on the expectant throng;
Then thought of fair Almira, and took heart
To speak out what was in him, clear and strong,
Alike regardless of their smile or frown,
And quite determined not to be laughed down.
"Plato, anticipating the Reviewers,
From his Republic banished without pity
The Poets; in this little town of yours,
You put to death, by means of a Committee,
The ballad-singers and the Troubadours,
The street-musicians of the heavenly city,
The birds, who make sweet music for us all
In our dark hours, as David did for Saul.
"The thrush that carols at the dawn of day
From the green steeples of the piny wood;
The oriole in the elm; the noisy jay,
Jargoning like a foreigner at his food;
The blue-bird balanced on some topmost spray,
Flooding with melody the neighborhood;
Linnet and meadow-lark, and all the throng
That dwell in nests, and have the gift of song.
"You slay them all! and wherefore? for the gain
Of a scant handful more or less of wheat,
Or rye, or barley, or some other grain,
Scratched up at random by industrious feet,
Searching for worm or weevil after rain!
Or a few cherries, that are not so sweet
As are the songs these uninvited guests
Sing at their feast with comfortable breasts.
"Do you ne'er think what wondrous beings these?
Do you ne'er think who made them, and who taught
The dialect they speak, where melodies
Alone are the interpreters of thought?
Whose household words are songs in many keys,
Sweeter than instrument of man e'er caught!
Whose habitations in the tree-tops even
Are half-way houses on the road to heaven!
"Think, every morning when the sun peeps through
The dim, leaf-latticed windows of the grove,
How jubilant the happy birds renew
Their old, melodious madrigals of love!
And when you think of this, remember too
'Tis always morning somewhere, and above
The awakening continents, from shore to shore,
Somewhere the birds are singing evermore.
"Think of your woods and orchards without birds!
Of empty nests that cling to boughs and beams
As in an idiot's brain remembered words
Hang empty 'mid the cobwebs of his dreams!
Will bleat of flocks or bellowing of herds
Make up for the lost music, when your teams
Drag home the stingy harvest, and no more
The feathered gleaners follow to your door?
"What! would you rather see the incessant stir
Of insects in the windrows of the hay,
And hear the locust and the grasshopper
Their melancholy hurdy-gurdies play?
Is this more pleasant to you than the whirr
Of meadow-lark, and its sweet roundelay,
Or twitter of little field-fares, as you take
Your nooning in the shade of bush and brake?
"You call them thieves and pillagers; but know
They are the winged wardens of your farms,
Who from the cornfields drive the insidious foe,
And from your harvests keep a hundred harms;
Even the blackest of them all, the crow,
Renders good service as your man-at-arms,
Crushing the beetle in his coat of mail,
And crying havoc on the slug and snail.
"How can I teach your children gentleness,
And mercy to the weak, and reverence
For Life, which, in its weakness or excess,
Is still a gleam of God's omnipotence,
Or Death, which, seeming darkness, is no less
The selfsame light, although averted hence,
When by your laws, your actions, and your speech,
You contradict the very things I teach?"
With this he closed; and through the audience went
A murmur, like the rustle of dead leaves;
The farmers laughed and nodded, and some bent
Their yellow heads together like their sheaves;
Men have no faith in fine-spun sentiment
Who put their trust in bullocks and in beeves.
The birds were doomed; and, as the record shows,
A bounty offered for the heads of crows.
There was another audience out of reach,
Who had no voice nor vote in making laws,
But in the papers read his little speech,
And crowned his modest temples with applause;
They made him conscious, each one more than each,
He still was victor, vanquished in their cause.
Sweetest of all the applause he won from thee,
O fair Almira at the Academy!
And so the dreadful massacre began;
O'er fields and orchards, and o'er woodland crests,
The ceaseless fusillade of terror ran.
Dead fell the birds, with blood-stains on their breasts,
Or wounded crept away from sight of man,
While the young died of famine in their nests;
A slaughter to be told in groans, not words,
The very St. Bartholomew of Birds!
The Summer came, and all the birds were dead;
The days were like hot coals; the very ground
Was burned to ashes; in the orchards fed
Myriads of caterpillars, and around
The cultivated fields and garden beds
Hosts of devouring insects crawled, and found
No foe to check their march, till they had made
The land a desert without leaf or shade.
Devoured by worms, like Herod, was the town,
Because, like Herod, it had ruthlessly
Slaughtered the Innocents. From the trees spun down
The canker-worms upon the passers-by,
Upon each woman's bonnet, shawl, and gown,
Who shook them off with just a little cry;
They were the terror of each favorite walk,
The endless theme of all the village talk.
The farmers grew impatient, but a few
Confessed their error, and would not complain,
For after all, the best thing one can do
When it is raining, is to let it rain.
Then they repealed the law, although they knew
It would not call the dead to life again;
As school-boys, finding their mistake too late,
Draw a wet sponge across the accusing slate.
That year in Killingworth the Autumn came
Without the light of his majestic look,
The wonder of the falling tongues of flame,
The illumined pages of his Doom's-Day book.
A few lost leaves blushed crimson with their shame,
And drowned themselves despairing in the brook,
While the wild wind went moaning everywhere,
Lamenting the dead children of the air!
But the next Spring a stranger sight was seen,
A sight that never yet by bard was sung,
As great a wonder as it would have been
If some dumb animal had found a tongue!
A wagon, overarched with evergreen,
Upon whose boughs were wicker cages hung,
All full of singing birds, came down the street,
Filling the air with music wild and sweet.
From all the country round these birds were brought,
By order of the town, with anxious quest,
And, loosened from their wicker prisons, sought
In woods and fields the places they loved best,
Singing loud canticles, which many thought
Were satires to the authorities addressed,
While others, listening in green lanes, averred
Such lovely music never had been heard!
But blither still and louder carolled they
Upon the morrow, for they seemed to know
It was the fair Almira's wedding-day,
And everywhere, around, above, below,
When the Preceptor bore his bride away,
Their songs burst forth in joyous overflow,
And a new heaven bent over a new earth
Amid the sunny farms of Killingworth.
FINALE.
The hour was late; the fire burned low,
The Landlord's eyes were closed in sleep,
And near the story's end a deep
Sonorous sound at times was heard,
As when the distant bagpipes blow.
At this all laughed; the Landlord stirred,
As one awaking from a swound,
And, gazing anxiously around,
Protested that he had not slept,
But only shut his eyes, and kept
His ears attentive to each word.
Then all arose, and said "Good Night."
Alone remained the drowsy Squire
To rake the embers of the fire,
And quench the waning parlor light;
While from the windows, here and there,
The scattered lamps a moment gleamed,
And the illumined hostel seemed
The constellation of the Bear,
Downward, athwart the misty air,
Sinking and setting toward the sun.
Far off the village clock struck one.
BIRDS OF PASSAGE.
FLIGHT THE SECOND.
THE CHILDREN'S HOUR.
Between the dark and the daylight,
When the night is beginning to lower,
Comes a pause in the day's occupations,
That is known as the Children's Hour.
I hear in the chamber above me
The patter of little feet,
The sound of a door that is opened,
And voices soft and sweet.
From my study I see in the lamplight,
Descending the broad hall stair,
Grave Alice, and laughing Allegra,
And Edith with golden hair.
A whisper, and then a silence:
Yet I know by their merry eyes
They are plotting and planning together
To take me by surprise.
A sudden rush from the stairway,
A sudden raid from the hall!
By three doors left unguarded
They enter my castle wall!
They climb up into my turret
O'er the arms and back of my chair;
If I try to escape, they surround me;
They seem to be everywhere.
They almost devour me with kisses,
Their arms about me entwine,
Till I think of the Bishop of Bingen
In his Mouse-Tower on the Rhine!
Do you think, O blue-eyed banditti,
Because you have scaled the wall,
Such an old moustache as I am
Is not a match for you all!
I have you fast in my fortress,
And will not let you depart,
But put you down into the dungeon
In the round-tower of my heart.
And there will I keep you forever,
Yes, forever and a day,
Till the walls shall crumble to ruin,
And moulder in dust away!
ENCELADUS.
Under Mount Etna he lies,
It is slumber, it is not death;
For he struggles at times to arise,
And above him the lurid skies
Are hot with his fiery breath.
The crags are piled on his breast,
The earth is heaped on his head;
But the groans of his wild unrest,
Though smothered and half suppressed,
Are heard, and he is not dead.
And the nations far away
Are watching with eager eyes;
They talk together and say,
"To-morrow, perhaps to-day,
Enceladus will arise!"
And the old gods, the austere
Oppressors in their strength,
Stand aghast and white with fear
At the ominous sounds they hear,
And tremble, and mutter, "At length!"
Ah me! for the land that is sown
With the harvest of despair!
Where the burning cinders, blown
From the lips of the overthrown
Enceladus, fill the air.
Where ashes are heaped in drifts
Over vineyard and field and town,
Whenever he starts and lifts
His head through the blackened rifts
Of the crags that keep him down.
See, see! the red light shines!
'Tis the glare of his awful eyes!
And the storm-wind shouts through the pines
Of Alps and of Apennines,
"Enceladus, arise!"
THE CUMBERLAND.
At anchor in Hampton Roads we lay,
On board of the Cumberland, sloop-of-war;
And at times from the fortress across the bay
The alarum of drums swept past,
Or a bugle blast
From the camp on the shore.
Then far away to the south uprose
A little feather of snow-white smoke,
And we knew that the iron ship of our foes
Was steadily steering its course
To try the force
Of our ribs of oak.
Down upon us heavily runs,
Silent and sullen, the floating fort;
Then comes a puff of smoke from her guns,
And leaps the terrible death,
With fiery breath,
From each open port.
We are not idle, but send her straight
Defiance back in a full broadside!
As hail rebounds from a roof of slate,
Rebounds our heavier hail
From each iron scale
Of the monster's hide.
"Strike your flag!" the rebel cries,
In his arrogant old plantation strain.
"Never!" our gallant Morris replies;
"It is better to sink than to yield!"
And the whole air pealed
With the cheers of our men.
Then, like a kraken huge and black,
She crushed our ribs in her iron grasp!
Down went the Cumberland all a wrack,
With a sudden shudder of death,
And the cannon's breath
For her dying gasp.
Next morn, as the sun rose over the bay,
Still floated our flag at the mainmast-head.
Lord, how beautiful was thy day!
Every waft of the air
Was a whisper of prayer,
Or a dirge for the dead.
Ho! brave hearts that went down in the seas!
Ye are at peace in the troubled stream,
Ho! brave land! with hearts like these,
Thy flag, that is rent in twain,
Shall be one again,
And without a seam!
SNOW-FLAKES.
Out of the bosom of the Air,
Out of the cloud-folds of her garments shaken,
Over the woodlands brown and bare
Over the harvest-fields forsaken,
Silent, and soft, and slow
Descends the snow.
Even as our cloudy fancies take
Suddenly shape in some divine expression,
Even as the troubled heart doth make
In the white countenance confession,
The troubled sky reveals
The grief it feels.
This is the poem of the air,
Slowly in silent syllables recorded;
This is the secret of despair,
Long in its cloudy bosom hoarded,
Now whispered and revealed
To wood and field.
A DAY OF SUNSHINE.
O gift of God! O perfect day:
Whereon shall no man work, but play;
Whereon it is enough for me,
Not to be doing, but to be!
Through every fibre of my brain,
Through every nerve, through every vein,
I feel the electric thrill, the touch
Of life, that seems almost too much.
I hear the wind among the trees
Playing celestial symphonies;
I see the branches downward bent,
Like keys of some great instrument.
And over me unrolls on high
The splendid scenery of the sky,
Where through a sapphire sea the sun
Sails like a golden galleon,
Towards yonder cloud-land in the West,
Towards yonder Islands of the Blest,
Whose steep sierra far uplifts
Its craggy summits white with drifts.
Blow, winds! and waft through all the rooms
The snow-flakes of the cherry-blooms!
Blow, winds! and bend within my reach
The fiery blossoms of the peach!
O Life and Love! O happy throng
Of thoughts, whose only speech is song!
O heart of man! canst thou not be
Blithe as the air is, and as free?
1860.
SOMETHING LEFT UNDONE.
Labor with what zeal we will,
Something still remains undone,
Something uncompleted still
Waits the rising of the sun.
By the bedside, on the stair,
At the threshold, near the gates,
With its menace or its prayer,
Like a mendicant it waits;
Waits, and will not go away;
Waits, and will not be gainsaid;
By the cares of yesterday
Each to-day is heavier made;
Till at length the burden seems
Greater than our strength can bear,
Heavy as the weight of dreams,
Pressing on us everywhere.
And we stand from day to day,
Like the dwarfs of times gone by,
Who, as Northern legends say,
On their shoulders held the sky.
WEARINESS.
O little feet! that such long years
Must wander on through hopes and fears,
Must ache and bleed beneath your load;
I, nearer to the wayside inn
Where toil shall cease and rest begin,
Am weary, thinking of your road!
O little hands! that, weak or strong,
Have still to serve or rule so long,
Have still so long to give or ask;
I, who so much with book and pen
Have toiled among my fellow-men,
Am weary, thinking of your task.
O little hearts! that throb and beat
With such impatient, feverish heat,
Such limitless and strong desires;
Mine that so long has glowed and burned,
With passions into ashes turned
Now covers and conceals its fires.
O little souls! as pure and white
And crystalline as rays of light
Direct from heaven, their source divine;
Refracted through the mist of years,
How red my setting sun appears,
How lurid looks this soul of mine!
THE END.
Cambridge: Stereotyped and Printed by Welch, Bigelow, & Co.
[Illustration]
135, Washington St., Boston,
NOVEMBER, 1863.
A List of Books
PUBLISHED BY
MESSRS. TICKNOR AND FIELDS.
---> _Any book on this List sent POST-PAID, on receipt of the
advertised price. For a more full description of the works
here advertised, see Ticknor and Fields's "Descriptive
Catalogue," which will be sent gratuitously to any address._
_AGASSIZ'S_ (PROF. LOUIS) Methods of Study in Natural History. 1 vol.
16mo. $1.25.
_ADDISON'S_ (JOSEPH) Sir Roger de Coverley. 1 vol. 16mo. 75 cts.
_AUSTEN'S_ (JANE) Pride and Prejudice, and Northanger Abbey. 1 vol.
12mo. $1.25.
---- Mansfield Park. 1 vol. 12mo. $1.25.
---- Sense and Sensibility, and Persuasion. 1 vol. 12mo. $1.25.
---- Emma. 1 vol. 12mo. $1.25.
_ADAMS'S_ (REV. DR.) Agnes and the Little Key; Or, Bereaved Parents
Instructed and Comforted. 1 vol. 16mo. $1.00.
---- Catharine. 1 vol. 16mo. $1.00.
---- Bertha and her Baptism. 1 vol. 16mo. $1.00.
---- Broadcast. 1 vol. 16mo. $1.00.
---- The Friends of Christ in the New Testament. 1 vol. 12mo. _Nearly
ready._
---- Christ a Friend. 1 vol. 12mo. _Nearly ready._
---- The Communion-Sabbath. 1 vol. 12mo. _Nearly ready._
---- A South-Side View of Slavery. Fourth Edition. 1 vol. 16mo. 63 cts.
---- The Sable Cloud. A Southern Tale with Northern Comments. 1 vol.
16mo. 75 cts.
_ALLSTON'S_ (WASHINGTON) Monaldi. A Tale. 1 vol. 16mo. 75 cts.
_ALFORD'S_ (HENRY) Poetical Works. 1 vol. 16mo. $1.25.
_ALLINGHAM'S_ (WILLIAM) Poems. 1 vol. 32mo. Blue and gold. $1.00.
_ALMOST A HEROINE._ By the Author of "CHARLES AUCHESTER," etc. 1 vol.
16mo. $1.00.
_AMERICAN INSTITUTE LECTURES_, delivered 1840-1862. Complete in
twenty-three 16mo. volumes. Each, 50 cts.
_ANDERSEN'S_ (HANS CHRISTIAN) Sand Hills of Jutland. 1 vol. 16mo. 90
cts.
_ANGEL VOICES_; Or, Words of Counsel for Overcoming the World. With a
Steel Engraving. 1 vol. 16mo. 75 cts.
An entirely new and much enlarged edition, beautifully printed on tinted
paper, and richly bound. 1 vol. small 4to. $2.00. _Just Ready._
_ARAGO'S_ (FRAN«OIS) Biographies of Distinguished Scientific Men. 2
vols. 16mo. $2.00.
_ARNOLD'S_ (REV. THOMAS, D. D.) Life and Correspondence. By ARTHUR
PENRHYN STANLEY. 2 vols. 12mo. $2.50.
_ARNOLD'S_ (MATTHEW) Poetical Works. 1 vol. 16mo. 75 cts.
_ARNOLD'S_ (W. D.) Oakfield; Or, Fellowship in the East. A Novel. 1 vol.
16mo. $1.00.
_AYTOUN'S_ (PROF. WILLIAM EDMONSTONE) Bothwell. A Poem. 1 vol. 16mo. 75
cts.
_AUNT EFFIE'S_ Rhymes for Little Children. With 24 fine Illustrations. 1
vol. Small 4to. 75 cts.
_BACON'S_ (DELIA) Philosophy of Shakspeare's Plays Unfolded. With a
Preface by NATHANIEL HAWTHORNE. 1 vol. 8vo. $3.00.
_BAILEY'S_ (PHILIP JAMES) The Mystic, and other Poems. 1 vol. 16mo. 50
cts.
---- The Age: A Colloquial Satire. 1 vol. 16mo. 75 cts.
_BAILEY'S_ (SAMUEL) Essays on the Formation and Publication of Opinions,
the Pursuit of Truth, etc. 1 vol. 16mo. $1.00.
_BARTOL'S_ (REV. C. A.) Church and Congregation,--a Plea for their
Unity. 1 vol. 16mo. $1.00.
_BEECHER'S_ (REV. HENRY WARD) Eyes and Ears. 1 vol. 12mo. $1.50.
---- Lectures to Young Men. _A New Edition._ 1 vol. 16mo. $1.00.
---- Freedom and War. Discourses upon Topics Suggested by the Times. 1
vol. 12mo. $1.50.
_BOKER'S_ (GEORGE H.) Plays and Poems. _Second Edition._ 2 vols. 16mo.
$2.00.
_BOSTON BOOK._ Specimens of Metropolitan Literature. With a fine Steel
Plate, designed by Billings. 1 vol. 12mo. $1.25.
_BOWRING'S_ (JOHN) Matins and Vespers. With Hymns and Devotional
Pieces. 1 vol. 32mo. Blue and gold. $1.00.
_BROOKS'S_ (REV. C. T.) German Lyrics. 1 vol. 16mo. $1.00.
_BOTTA'S_ (ANNE C. LYNCH) Hand-Book of Universal Literature. From the
Best and Latest Authorities. 1 vol. 12mo. $1.50.
_BROWN'S_ (JOHN, M. D.) Spare Hours. 1 vol. 16mo. $1.50.
---- Rab and his Friends. 16mo. Paper. 15 cts.
_BROWNE'S_ (SIR THOMAS, KT., M. D.) Religio Medici, A Letter to a
Friend, Christian Morals, Urn-Burial and Other Papers. With Steel
Portrait. 1 vol. 16mo. $1.50.
_BROWNING'S_ (ROBERT) Poetical Works. 2 vols. 16mo. $2.50.
---- Men and Women. 1 vol. 16mo. $1.25.
---- Sordello, Stanford, and other Poems. 1 vol. 16mo. _Nearly Ready._
_BUCKINGHAM'S_ (JOSEPH T.) Personal Memoirs and Recollections of
Editorial Life. With Portrait. 2 vols. 16mo. $1.50.
_CALVERT_ (GEORGE H.) The Gentleman. 1 vol. 16mo. 75 cts.
"_CARLETON'S_" (Correspondent of the Boston Journal) My Days and Nights
on the Battle-Field. Illustrated. 1 vol. 16mo. _Nearly Ready._
_CARLYLE'S_ (REV. DR. ALEXANDER) Autobiography. Containing Memorials of
the Men and Events of his Times. Edited by JOHN HILL BURTON. 1 vol.
12mo. With Portrait. $1.50.
_CARY'S_ (PHOEBE) Poems and Parodies. 1 vol. 16mo. 75 cts.
_CARY'S_ (ALICE) Clovernook Children. Illustrated. 1 vol. 16mo. 75 cts.
_CHANNING'S_ (PROF. EDWARD T.) Lectures on Rhetoric. Read to the Seniors
in Harvard College. 1 vol. 16mo. 75 cts.
_CHANNING'S_ (WALTER, M. D.) A Physician's Vacation; Or, A Summer in
Europe. 1 vol. 12mo. $1.50.
_CHANTER'S_ (CHARLOTTE) Over the Cliffs. A Novel. 1 vol. 16mo. $1.00.
_CHAPEL LITURGY._ A Book of Common Prayer. According to the Use of
King's Chapel, Boston. 1 vol. 8vo. Sheep. $2.00. 12mo Edition. $1.50.
_CHILD'S_ (MRS. L. M.) Looking toward Sunset. With Illustrations. 1 vol.
12mo. _Nearly Ready._
---- Rainbows for Children. 1 vol. 16mo. With 28 Illustrations. $1.00.
---- Magician's Show-Box. Illustrated. 1 vol. 16mo. 90 cts.
_CHOMEL'S_ (A. F.) Elements of General Pathology. From the French. By
DRS. OLIVER and MORLAND. 1 vol. 8vo. $3.00.
_CLARKE'S_ (MARY COWDEN) Kit Bam's Adventures; Or, The Yarns of an Old
Mariner. Illustrated. 1 vol. 16mo. 75 cts.
_CLOUGH'S_ (ARTHUR HUGH) Poems. With Memoir by CHARLES ELIOT NORTON. 1
vol. 32mo. Blue and gold. $1.00.
_COALE'S_ (WILLIAM EDWARD, M. D.) Hints on Health. _Third Edition._ 1
vol. 16mo. 63 cts.
_COMBE'S_ (GEORGE) Constitution of Man. _Twenty-Eighth American
Edition._ 1 vol. 16mo. 75 cts.
_CONWAY'S_ (REV. M. D.) The Golden Hour. 1 vol. 16mo. 75 cts.
_CORNWALL'S_ (BARRY) English Songs and Other Poems. 1 vol. 16mo. $1.00.
---- Dramatic Scenes. 1 vol. 16mo. $1.00.
---- Essays and Tales in Prose. 2 vols. 16mo. With Portrait. $1.50.
"_COUNTRY PARSON'S_" (THE) Recreations. 2 vols. 16mo. $3.00. _Cheap
Edition_, $2.00.
---- Leisure Hours. 1 vol. 16mo. $1.50.
---- Graver Thoughts. 1 vol. 16mo. $1.50.
---- Every-day Philosopher. 1 vol. 16mo. $1.50.
_CROSLAND'S_ (MRS. NEWTON) English Tales and Sketches. 1 vol. 16mo.
$1.00.
---- Memorable Women. With Illustrations. 1 vol. 16mo. $1.00.
---- Lydia: A Woman's Book. 1 vol. 16mo. 75 cts.
_CROSWELL'S_ (REV. WILLIAM, D. D.) Poems, Sacred and Secular. With
Memoir and Notes, by Rev. A. Cleveland Cole, D. D., and a Portrait. 1
vol. 16mo. $1.00.
_CUMMINS'S_ (MARIA S.) El Fureidis. 1 vol. 16mo. $1.00.
---- The Lamplighter. 1 vol. 16mo. $1.25.
_CURIOUS STORIES_ about Fairies and other Funny People. Illustrated by
Billings. 1 vol 16mo. 75 cts.
_CURTIS'S_ (HERBERT PELHAM) Arabian Days' Entertainments. From the
German of HAUFF. Illustrated by HOPPIN. 1 vol. 12mo. $1.50.
_DANA'S_ (RICHARD H., JR.) To Cuba and Back: A Vacation Voyage. 1 vol.
16mo. 90 cts.
_DAVIS'S_ (MRS. S. M.) Life and Times of Sir Philip Sidney. With Steel
Portrait and Engraving. 1 vol. 16mo. $1.25.
_DE QUINCEY'S_ (THOMAS) Confessions of an English Opium-Eater. With
Portrait. 1 vol. 16mo. 90 cts.
---- Biographical Essays. 1 vol. 16mo. 90 cts.
---- Miscellaneous Essays. 1 vol. 16mo. 90 cts.
---- Literary Reminiscences. 2 vols. 16mo. $1.50.
---- The CÊsars. 1 vol. 16mo. 90 cts.
---- Narrative and Miscellaneous Papers. 2 vols. 16mo. $1.80.
---- Essays on the Poets and other English Writers. 1 vol. 16mo. 90 cts.
---- Historical and Critical Essays. 2 vols. 16mo. $1.80.
---- Autobiographic Sketches. 1 vol. 16mo. 90 cts.
---- Essays on Philosophical Writers and other Men of Letters. 2 vols.
16mo. $1.80.
---- Letters to a Young Man, and other Papers. 1 vol. 16mo. 90 cts.
---- Theological Essays, and other Papers. 2 vols. 16mo. $1.80.
---- The Note-Book of an English Opium-Eater. 1 vol. 16mo. 90 cts.
---- Memorials, and other Papers. 2 vols. 16mo. $1.80.
---- The Avenger, and other Papers. 1 vol. 16mo. 90 cts.
---- The Logic of Political Economy, and other Papers. 1 vol. 16mo. 90
cts.
---- Beauties Selected from his Writings. 1 vol. 12mo. $1.50.
_DICKENS'S_ (CHARLES) Pickwick Papers. 2 vols. 12mo. $3.00.
---- Nicholas Nickleby. 2 vols. 12mo. $3.00.
---- Martin Chuzzlewit. 2 vols. 12mo. $3.00.
---- Old Curiosity Shop, and Reprinted Pieces. 2 vols. 12mo. $3.00.
---- Barnaby Rudge, and Hard Times. 2 vols. 12mo. $3.00.
---- Sketches, by Boz. 1 vol. 12mo. $1.50.
---- Oliver Twist. 1 vol. 12mo. $1.50.
---- Dombey and Son. 2 vols. 12mo. $3.00.
---- David Copperfield. 2 vols. 12mo. $3.00.
---- Pictures from Italy, and American Notes. 1 vol. 12mo. $1.50.
---- Bleak House. 2 vols. 12mo. $3.00.
---- Little Dorrit. 2 vols. 12mo. $3.00.
---- Christmas Books. 1 vol. 12mo. $1.50.
_DIXON'S_ (W. HEPWORTH) The Personal History of Lord Bacon. From
Unpublished Documents. 1 vol. 12mo. $1.50.
_DOBELL'S_ (SYDNEY) Poems. 1 vol. Blue and gold. $1.00.
_DOLL AND HER FRIENDS._ Illustrated. 1 vol. 50 cts.
_DOUGHTY'S_ (MRS. S. P.) Little Child's Friend. Illustrated. 1 vol.
Small 4to. 38 cts.
_DUFFERIN'S_ (LORD) A Yacht Voyage: Letters from High Latitudes. 1 vol.
16mo. $1.00.
_EDGAR'S_ (JOHN G.) The Crusades and the Crusaders. Illustrated. 1 vol.
16mo. 75 cents.
_ERNEST CARROLL_; Or, Artist-Life in Italy. 1 vol. 16mo. 88 cts.
_EMERSON'S_ (RALPH WALDO) Essays. First Series. With Portrait. 1 vol.
12mo. $1.25.
---- Essays. Second Series. 1 vol. 12mo. $1.25.
---- Miscellanies. 1 vol. 12mo. $1.25.
---- Representative Men. 1 vol. 12mo. $1.25.
---- English Traits. 1 vol. 12mo. $1.25.
---- Poems. With Portrait. 1 vol. 12mo. $1.25.
---- Conduct of Life. 1 vol. 12mo. $1.25.
_FAVORITE AUTHORS._ A Companion-Book of Prose and Poetry. With 26 Steel
Engravings. 1 vol. Small 4to. $3.00.
_FR…MONT'S_ (MRS. JESSIE BENTON) The Story of the Guard: A Chronicle of
the War. 1 vol. 16mo. $1.25. Knapsack Edition, paper, 50 cts.; cloth, 75
cts. German Edition, paper, 50 cts.; cloth, 75 cts.
_FULLER'S_ (THOMAS) Good Thoughts in Bad Times. 1 vol. 16mo. With
Portrait. $1.50.
_GARRATT'S_ (ALFRED C., M. D.) Electro-Physiology and
Electro-Therapeutics; showing the Best Methods for the Medical Uses of
Electricity. 1 vol. 8vo. Illustrated. $3.00.
_GILES'S_ (REV. HENRY) Illustrations of Genius. 1 vol. 16mo. $1.00.
_GOETHE'S_ Faust. Translated by A. HAYWARD, ESQ. 1 vol. 16mo. 90 cts.
---- Translated by REV. C. T. BROOKS. 1 vol. 16mo. $1.00.
---- Correspondence with a Child. 1 vol. 12mo. With Portrait of BETTINA
BRENTANO. $1.50.
_GOOD'S_ Book of Nature. 1 vol. 16mo. 45 cts.
_GREENWELL'S_ (DORA) The Patience of Hope. With an Introduction by John
G. Whittier. 1 vol. 16mo. $1.00.
---- A Present Heaven. 1 vol. 16mo. $1.00.
---- Two Friends. 1 vol. 16mo. $1.00.
---- Poems. 1 vol. 16mo. Nearly ready.
_GREENWOOD'S_ (GRACE) Greenwood Leaves. First Series. 1 vol. 12mo.
$1.25.
---- Haps and Mishaps of a Tour in Europe. 1 vol. 12mo. $1.25.
---- Poems. With Portrait. 1 vol. 16mo. 75 cts.
----Forest Tragedy, and Other Tales. 1 vol. 16mo. $1.00.
---- History of my Pets. Illustrated. 1 vol. 60 cts.
---- Recollections of my Childhood. Illustrated. 1 vol. 60 cts.
---- Merrie England. Illustrated. 1 vol. 16mo. 90 cts.
---- Stories and Legends of Travel and History. Illustrated. 1 vol.
16mo. 90 cts.
---- Stories from Famous Ballads. With Steel Frontispiece and
Engravings. 1 vol. 60 cts.
---- Bonnie Scotland. Illustrated. 1 vol. 16mo. 90 cts.
_HARE'S_ (AUGUSTUS WILLIAM and JULIUS CHARLES) Guesses at Truth. With
Portrait. 1 vol. 12mo. $1.50.
_HALLAM'S_ (ARTHUR HENRY) Literary Remains. 1 vol. 16mo. $1.50.
_HAMILTON'S_ (GAIL) Country Living and Country Thinking. 1 vol. 16mo.
$1.50.
---- Gala-Days. A New Volume. 1 vol. 16mo. $1.50.
_HAWTHORNE'S_ (NATHANIEL) Our Old Home: A Series of English Sketches. 1
vol. 16mo. $1.25.
---- The Marble Faun; Or, The Romance of Monte Beni. 2 vols. 16mo.
$2.00.
---- The Scarlet Letter. 1 vol. 16mo. $1.00.
---- The House of the Seven Gables. 1 vol. 16mo. $1.25.
---- Twice-Told Tales. With Portrait. 2 vols. 16mo. $2.00.
---- The Snow Image, and other Twice-Told Tales. 1 vol. 16mo. $1.00.
---- The Blithedale Romance. 1 vol. 16mo. $1.00.
---- Mosses from an Old Manse. 2 vols. 16mo. $2.00.
---- True Stories from History and Biography. Illustrated. 1 vol. 16mo.
90 cents.
---- The Wonder-Book, for Girls and Boys. Illustrated. 1 vol. 16mo. 90
cts.
---- Tanglewood Tales. Illustrated. 1 vol. 16mo. 90 cts.
_HAYNE'S_ (PAUL H.) Poems. 1 vol. 16mo. 63 cts.
---- Avolio: A Legend of the Island of Cos, and other Poems. 1 vol.
16mo. 75 cts.
_HEWLETT'S_ (HENRY G.) The Heroes of Europe. With 16 Illustrations. 1
vol. 16mo. $1.00.
_HILLARD'S_ (GEORGE S.) Six Months in Italy. 1 vol. 16mo. $1.75.
---- Dangers and Duties of the Mercantile Profession. 8vo. Paper. 25
cents.
---- Selections from the Writings of WALTER SAVAGE LANDOR. 1 vol. 16mo.
75 cts. _Large Paper_, $2.50.
_HIGGINSON'S_ (REV. T. W.) Out-Door Papers. 1 vol. 16mo. $1.25.
_HODSON'S_ (MAJOR W. S. R.) A Soldier's Life in India. 1 vol. 16mo.
$1.13.
_HOLMES'S_ (OLIVER WENDELL, M. D.) Poetical Works. 1 vol. 16mo. With
Portrait. $1.25.
---- AstrÊa: The Balance of Illusions. 1 vol. 16mo. 25 cts.
---- Songs in Many Keys. 1 vol. 16mo. $1.25.
---- Poems. Complete. 1 vol. 32mo. Blue and gold. With New Portrait.
$1.00.
---- Poems. Complete. 1 vol. 16mo. Cabinet Edition. With New Portrait.
$1.25.
---- The Autocrat of the Breakfast-Table. Illustrated by Hoppin. 1 vol.
16mo, $1.25; 8vo, $3.00.
---- The Professor at the Breakfast-Table. With the Story of Iris. 1
vol. 16mo, $1.25; 8vo, $3.00.
---- Elsie Venner: A Romance of Destiny. 2 vols. 16mo. $2.00.
---- Currents and Counter-Currents in Medical Science, with other
Essays. 1 vol. 16mo. $1.25.
---- Border Lines in some Provinces of Medical Science. 1 vol. 16mo. 50
cts.
---- Soundings from the Atlantic. 1 vol. 16mo. $1.25.
_HOOD'S_ (THOMAS) Memorials. Edited by his Daughter, with a Preface and
Notes by his Son. Illustrated with his own Sketches. 2 vols. 16mo.
$2.00.
_HORACE'S_ Odes. An English Metrical Translation. By THEODORE MARTIN.
With Notes and a Life of Horace. 1 vol. 32mo. Blue and gold. $1.00.
_HOSPITAL TRANSPORTS_: A Memoir of the Embarkation of the Sick and
Wounded from the Peninsula of Virginia, in the Summer of 1862. Compiled
and Published at the Request of the Sanitary Commission. 1 vol. 16mo. 75
cts.
_HOUSEHOLD FRIENDS_: A Book for all Seasons. With 18 Portraits on
Steel. Uniform with "Favorite Authors." 1 vol. Small 4to. $3.00.
_HOWE'S_ (MRS. JULIA WARD) A Trip to Cuba. 1 vol. 16mo. 75 cts.
---- Passion Flowers. 1 vol. 16mo. 75 cts.
---- Words for the Hour. 1 vol. 16mo. 75 cts.
---- The World's Own. 1 vol. 16mo. 50 cts.
_HOWITT'S_ (WILLIAM) Land, Labor, and Gold; Or, Two Years in Victoria:
With Visits to Sydney and Von Diemen's Land. 2 vols. 16mo. $2.00.
---- A Boy's Adventures in the Wilds of Australia. Illustrated. 1 vol.
16mo. 90 cts.
_HOWITT'S_ (ANNA MARY) The School of Life. 1 vol. 16mo. 75 cts.
---- An Art Student in Munich. 1 vol. 16mo. $1.25.
_HUFELAND'S_ (CHRISTOPHER) The Art of Prolonging Life. Edited by ERASMUS
WILSON, F. R. S. 1 vol. 16mo. 90 cts.
_HUGHES'S_ (THOMAS) Tom Brown's School-Days at Rugby. 1 vol. 16mo.
$1.13. 8vo Edition, Illustrated by LARKIN G. MEAD, Jr. $1.50.
---- Tom Brown at Oxford. With Portrait on Steel of the Author. 2 vols.
16mo. $2.25.
---- The Scouring of the White Horse; Or, The Long Vacation Ramble of a
London Clerk. Illustrated by RICHARD DOYLE. 1 vol. 16mo. $1.00.
_HUNT'S_ (LEIGH) Poetical Works. With Portrait after HATTER. 2 vols.
32mo. Blue and gold. $2.00.
_HYMNS OF THE AGES._ First and Second Series. Illustrated with Steel
Vignettes, after TURNER. Each in 1 vol. 12mo. $1.50. 8vo Edition. $3.00.
_IRVING'S_ (WASHINGTON) Sketch-Book. Published by arrangement with Mr.
GEO. P. PUTNAM. 1 vol. 32mo. Blue and gold. $1.00. _Nearly Ready._
_JACK HALLIARD'S_ Voyages in the Arctic Ocean. With many Wood-cuts. 1
vol. 38 cts.
_JACKSON'S_ (DR. JAMES) Letters to a Young Physician. 1 vol. 12mo.
$1.00.
---- Another Letter to a Young Physician. 1 vol. 12mo. 80 cts.
_JAMES'S_ (HENRY) Substance and Shadow; Or, Morality and Religion in
their Relation to Life: An Essay upon the Physics of Creation. 1 vol.
12mo. $1.50.
_JAMESON'S_ (MRS.) Sisters of Charity, Catholic and Protestant, and the
Communion of Labor. 1 vol. 16mo. 75 cts.
---- Characteristics of Women. With Steel Portrait. 1 vol. 32mo. Blue
and gold. $1.00.
---- Loves of the Poets. With Steel Portrait. 1 vol. 32mo. Blue and
gold. $1.00.
---- Diary of an EnnuyÈe. With Steel Portrait. 1 vol. 32mo. Blue and
gold. $1.00.
---- Sketches of Art, Literature, and Character. With Steel Portrait. 1
vol. 32mo. Blue and gold. $1.00.
---- Studies and Stories. With Steel Portrait. 1 vol. 32mo. Blue and
gold. $1.00.
---- Memoirs of the Early Italian Painters. With Steel Portrait. 1 vol.
32mo. Blue and gold. $1.00.
---- Legends of the Madonna. With Steel Portrait. 1 vol. 32mo. Blue and
gold. $1.00.
_JERROLD'S_ (DOUGLAS) Wit. 1 vol. 16mo. 75 cts.
---- Life and Remains. With Portrait. 1 vol. 16mo. $1.00.
_JOHNSON'S_ (ROSA VERTNER) Poems. With Portrait. 1 vol. 16mo. $1.00.
_JUDSON'S_ (MRS. EMILY C.) Alderbrook. With Portrait. Complete Edition.
1 vol. 16mo. $1.63.
---- Kathayan Slave, and other Papers. 1 vol. 16mo. 63 cts.
---- My Two Sisters. 1 vol. 16mo. 50 cts.
_KAVANAGH'S_ (JULIA) Seven Years, and other Tales. 1 vol. 8vo. Paper. 30
cts.
_KEMBLE'S_ (FRANCES ANNE) Poems. Enlarged Edition. 1 vol. 16mo. $1.00.
_KINGSLEY'S_ (CHARLES) Poems. 1 vol. 16mo. 75 cts.
---- Andromeda. 1 vol. 16mo. 50 cts.
---- Amyas Leigh. 1 vol. 12mo. $1.50.
---- Two Years Ago. 1 vol. 12mo. $1.50.
---- Sir Walter Raleigh and his Time, with other Papers. 1 vol. 12mo.
$1.25.
---- New Miscellanies. 1 vol. 12mo. $1.00.
---- Glaucus; Or, The Wonders of the Shore. 1 vol. 16mo. 50 cts.
---- The Heroes; Or, Greek Fairy-Tales for my Children. Illustrated by
the Author. 1 vol. 16mo. 90 cts.
_KINGSLEY'S_ (HENRY) The Recollections of Geoffry Hamlyn. 1 vol. 12mo.
$1.50.
---- Ravenshoe. 1 vol. 12mo. $1.50.
---- Austin Elliot. 1 vol. 12mo. $1.25.
_KINGSTON'S_ (W. H. G.) Ernest Bracebridge: A Story of School-Days. With
16 Illustrations. 1 vol. 16mo. 90 cts.
_KRAPF'S_ (REV. DR. J. LEWIS) Travels, Researches, and Missionary
Labors, during an Eighteen-Years' Residence in Eastern Africa; together
with Journeys to Jagga, Usambara, Ukambani, Shoa, Abessinia, and
Khartum; and a Coasting Voyage from Mombaz to Cape Delgado. With an
Appendix concerning the Source of the Nile, etc., by E. J. RAVENSTEIN,
F. R. S., and Maps. 1 vol. 12mo. $1.25.
_LABOR AND LOVE._ A Tale of English Life. 1 vol. 16mo. 50 cts.
_LAWRENCE'S_ (MRS. MARGARETTE WOODS) Light on the Dark River; Or,
Memorials of Mrs. Henrietta A. L. Hamlin, Missionary in Turkey. With an
Introduction by REV. A. S. STORRS, and a Portrait. 1 vol. 12mo. $1.25.
_LEE'S_ (ELIZA BUCKMINSTER) Memoir of Joseph Buckminster, D. D., and of
his Son, Rev. Joseph Stevens Buckminster. With a fine Portrait of the
elder Buckminster. 1 vol. 12mo. $1.25.
----Florence: The Parish Orphan. 1 vol. 16mo. 50 cts.
---- Parthenia; Or, The Last Days of Paganism. 1 vol. 16mo. $1.00.
---- Life of Jean Paul. _New Edition._ (In press.)
_LEWALD'S_ (FANNY) Lake House. A Romance. Translated from the German by
NATHANIEL GREENE. 1 vol. 16mo. 75 cts.
_LESLIE'S_ (CHARLES ROBERT, R. A.) Autobiographical Recollections.
Edited, with a Prefatory Essay on Leslie as an Artist, and Selections
from his Correspondence, by TOM TAYLOR, ESQ. With fine Portrait. 1 vol.
12mo. $1.25.
_LEWIS'S_ (DR. DIO) The New Gymnastics for Men, Women, and Children.
With 300 Illustrations. 1 vol. 12mo. $1.25.
---- Weak Lungs, and How to Make them Strong; Or, Diseases of the Organs
of the Chest, with their Home-Treatment by the Movement-Cure. Profusely
Illustrated. 1 vol. 12mo. $1.25.
_LEWIS'S_ (LADY THERESA) The Semi-Detached House. 1 vol. 16mo. 75 cts.
_LILIAN._ A Romance. 1 vol. 16mo. $1.00.
_LOCKHART'S_ (J. G.) Ancient Spanish Ballads, Historical and Romantic.
With Biographical Notice and Portrait. 1 vol. 16mo. 75 cts.
_LONGFELLOW'S_ (H. W.) Poems. With Portrait. 2 vols. 16mo. $2.50.
---- Poetical Works. Complete. With Portrait. _Cabinet Edition._ 2 vols.
16mo. $2.50.
---- Poetical Works. Complete. With Portrait. _Blue and gold Edition._ 2
vols. 32mo. $2.00.
---- The Wayside Inn, and other Poems. 1 vol. 16mo. _Nearly Ready._
---- The Courtship of Miles Standish. 1 vol. 16mo. 90 cts.
---- The Song of Hiawatha. 1 vol. 16mo. $1.25. _Large Paper_, $2.50.
---- The Golden Legend. 1 vol. 16mo. $1.25.
---- Evangeline. 1 vol. 16mo. 90 cts.
---- Hyperion. 1 vol. 16mo. $1.25.
---- Outre-Mer. 1 vol. 16mo. $1.25.
---- Kavanagh. 1 vol. 16mo. 90 cts.
---- The Seaside and the Fireside. 1 vol. 16mo. 75 cts.
---- The Voices of the Night. 1 vol. 16mo. 75 cts.
---- The Belfry of Bruges. 1 vol. 16mo. 75 cts.
---- The Spanish Student. 1 vol. 16mo. 75 cts.
_LONGFELLOW'S_ (REV. SAMUEL) and JOHNSON'S (REV. SAMUEL) A Book of
Hymns, for Public and Private Devotion. 1 vol. 16mo. 75 cts.
---- and HIGGINSON'S (T. W.) Thalatta: A Book for the Seaside. 1 vol.
16mo. 75 cts.
_LOWELL'S_ (REV. DR. CHARLES) Sermons, Chiefly Practical. 1 vol. 12mo.
$1.25.
---- Occasional Sermons. With Portrait. 1 vol. 12mo. $1.25.
_LOWELL'S_ (MRS. ANNA C.) Thoughts on the Education of Girls. 1 vol.
16mo. 25 cts.
---- Seed-Grain for Thought and Discussion. 2 vols. 16mo. $1.75.
_LOWELL'S_ (JAMES RUSSELL) Poems. With Portrait. 2 vols. 16mo. $2.00.
---- Poetical Works. Complete. Blue and gold. 2 vols. 32mo. $2.00.
---- The Biglow Papers. 1 vol. 16mo. 75 cts.
---- The Vision of Sir Launfal. 1 vol. 16mo. 25 cts.
_LOWELL'S_ (REV. R. T. S.) Fresh Hearts that Failed Three Thousand Years
Ago. With other Poems. 1 vol. 16mo. 50 cts.
_LUNT'S_ (GEORGE) Lyric Poems, Sonnets, and Miscellanies. 1 vol. 16mo.
63 cts.
---- Julia: A Poem. 1 vol. 16mo. 50 cts.
---- Three Eras of New England History, and other Papers. 1 vol. 16mo.
$1.00.
_MACKENZIE'S_ (KENNETH R. H., F. S. A.) The Marvellous Adventures and
Rare Conceits of Master Tyll Owlglass. Adorned with many most Diverting
and Cunning Devices, by ALFRED CROWQUILL. 1 vol. 16mo. $2.50.
_MACKAY'S_ (CHARLES) Poems. Voices from the Mountains and from the
Crowd. 1 vol. 16mo. $1.00.
_MANN'S_ (HORACE) A Few Thoughts for a Young Man when Entering upon
Life. 1 vol. 16mo. 25 cts.
---- Twelve Sermons, delivered at Antioch College. 1 vol. 12mo. $1.00.
_MANN'S_ (MRS. HORACE) Christianity in the Kitchen. A Physiological
Cook-Book. 1 vol. 16mo. 75 cts.
---- The Flower People. With Illustrations. 1 vol. Square 16mo. 75 cts.
_MARCUS ANTONINUS_ (The Emperor), Thoughts of. 1 vol. 16mo. _Nearly
Ready._
_MASSEY'S_ (GERALD) Poetical Works. Complete. With a Steel Portrait. 1
vol. 32mo. Blue and gold. $1.00.
_MARGRET HOWTH_: A Story of To-Day. 1 vol. 16mo. 90 cts.
_M'CLINTOCK'S_ (CAPTAIN FRANCIS L.) The Voyage of the "Fox" in the
Arctic Seas. A Narrative of the Discovery of the Fate of Sir John
Franklin and his Companions. Preface by SIR RODERICK MURCHISON, F. R. S.
With Maps and Illustrations. 1 vol. 12mo. $1.00.
_MELVILLE'S_ (G. J. WHYTE) Holmby House: A Tale of Old Northamptonshire.
1 vol. 8vo. Paper. 50 cts.
_MEREDITH'S_ (OWEN) [ROBERT BULWER LYTTON] Poetical Works,--containing
The Wanderer, Clytemnestra, etc. 2 vols. 32mo. Blue and gold. $2.00.
---- Lucile. 1 vol. 32mo. Blue and gold. $1.00.
_MILL'S_ (JOHN STUART) On Liberty. 1 vol. 16mo. $1.00.
_MITFORD'S_ (MARY RUSSELL) Our Village. Illustrated. 2 vols. 16mo.
$2.50.
---- Atherton, and other Tales. With a fine Portrait after Lucas. 1 vol.
16mo. $1.25.
_MORLEY'S_ (HENRY) The Life of Bernard Palissy, of Saintes. His Labors
and Discoveries in Art and Science. 2 vols. 16mo. $1.50.
_MOTHERWELL'S_ (WILLIAM) Poetical Works. Complete. With a Memoir by
JAMES MCCONECHY, ESQ., and Portrait. 1 vol. 32mo. Blue and gold. $1.00.
---- Minstrelsy, Ancient and Modern. With a Historical Introduction and
Notes. 2 vols. 16mo. $1.75.
_MOUNTFORD'S_ (WILLIAM) Thorpe: A Quiet English Town, and Human Life
therein. 1 vol. 16mo. $1.00.
_MOWATT'S_ (ANNA CORA) Autobiography of an Actress; Or, Eight Years on
the Stage. With Portrait. 1 vol. 16mo. $1.25.
---- Mimic Life; Or, Before and Behind the Curtain. A Series of
Narratives. 1 vol. 16mo. $1.25.
---- Twin Roses. A Narrative. 1 vol. 16mo. 75 cts.
---- Plays:--Armand; Or, The Peer and the Peasant: Fashion; Or, Life in
New York. 1 vol. 16mo. 50 cts.
_MULOCH'S_ (DINAH MARIA) Poems. 1 vol. 16mo. 90 cts.
_MURDOCH_ (JAMES E.) and RUSSELL'S (WILLIAM) Orthophony; Or, The
Cultivation of the Human Voice in Elocution. With a Supplement on Purity
of Tone by PROF. G. J. WEBB. 1 vol. 12mo. 90 cts.
_NEAL'S_ (JOHN) True Womanhood. A Novel. 1 vol. 12mo. $1.25.
_NORTON'S_ (CHARLES ELIOT) Notes of Travel and Study in Italy. 1 vol.
16mo. $1.00.
_OTIS'S_ (MRS. HARRISON GRAY) The Barclays of Boston. 1 vol. 12mo.
$1.00.
_OUR GRANDMOTHER'S STORIES_, and Aunt Kate's Fireside Memories.
Illustrated by BILLINGS. 1 vol. 16mo. 60 cts.
_PARLEY'S_ (PETER) Lambert Lilly's Histories:--The American Revolution;
The New England States; The Middle States; The Southern States; The
Western States. Illustrated. 5 vols. 18mo. Each, 50 cts.
_PARKER'S_ (REV. THEODORE) A Discourse of Matters Pertaining to
Religion. 1 vol. 12mo. $1.25.
---- Sermons of Theism, Atheism, and the Popular Theology. 1 vol. 12mo.
$1.25.
---- Ten Sermons of Religion. 1 vol. 12mo. $1.00.
---- Critical and Miscellaneous Writings. 1 vol. 12mo. $1.25.
---- Speeches, Addresses, and Occasional Sermons. 3 vols. 12mo. $3.00.
---- Additional Speeches, Addresses, and Occasional Sermons. 2 vols.
12mo. $2.50.
---- A Critical and Historical Introduction to the Canonical Scriptures
of the Old Testament. Translated and Enlarged from the German of DE
WETTE. 2 vols. 8vo. $5.00.
---- The Trial of Theodore Parker for the "Misdemeanor" of a Speech in
Faneuil Hall against Kidnapping, before the Circuit Court of the United
States, at Boston, April 3, 1855. With the Defence. 1 vol. 8vo. $1.00.
---- The Two Christmas Celebrations. A. D. I., and M DCCC LV. A
Christmas Story. 1 vol. 16mo. 50 cts.
_PARSONS'S_ (THOMAS WILLIAM) Poems. 1 vol. 12mo. $1.00.
_PARSONS'S_ (PROF. THEOPHILUS) A Memoir of Chief Justice Theophilus
Parsons, with Notices of Some of his Contemporaries. With a Portrait by
SCHOFF, after STUART. 1 vol. 12mo. $1.50.
_PATMORE'S_ (COVENTRY) The Angel in the House. A Poem. In Two Parts. I.
The Betrothal; II. The Espousals. 2 vols. 16mo. Each, 75 cts.
----Faithful Forever. An Episode of "The Angel in the House." 1 vol.
16mo. $1.00.
_PERCIVAL'S_ (JAMES GATES) Poetical Works. Newly collected. With a
Biographic Sketch and authentic Portrait. 2 vols. 32mo. Blue and gold.
$2.00.
_PIOZZI'S_ (MRS. THRALE) Autobiography, Letters, and Literary Remains.
Edited, with Notes and an Introductory Account of her Life and Writings,
by A. HAYWARD, ESQ., Q. C. 1 vol. 12mo. $1.50.
_PIPER'S_ (R. N., M. D.) Operative Surgery. Illustrated by over 1900
Engravings. 1 vol. 8vo. $5.50.
_PRIOR'S_ (JAMES) Memoir of the Life and Character of Edmund Burke,
with Specimens of his Poetry and Letters, and an Estimate of his Genius
and Talents compared with those of his great Contemporaries. With
Portrait. 2 vols. 16mo. $2.00.
_PRESCOTT_ (GEORGE B.) The History, Theory, and Practice of the Electric
Telegraph. With 100 Engravings. 1 vol. 12mo. $1.75.
_PRESCOTT'S_ (WILLIAM H.) Life. By George Ticknor. 1 vol. _Nearly
Ready._
_PRESCOTT_ (HARRIET E.) The Amber Gods, and other Tales. 1 vol. 16mo.
$1.50.
_PROCTER'S_ (ADELAIDE A.) Complete Poetical Works. 1 vol. 32mo. Blue and
gold. $1.00.
_PUTNAM'S_ (MARY LOWELL) The Record of an Obscure Man. 1 vol. 16mo. 75
cts.
---- The Tragedy of Errors. 1 vol. 16mo. 75 cts.
---- The Tragedy of Success. 1 vol. 16mo. 75 cts.
_QUINCY'S_ (EDMUND) Wensley. A Story without a Moral. 1 vol. 16mo.
Paper, 50 cts.; Cloth, 75 cts.
_QUINCY'S_ (JOSIAH PHILLIPS) Lyteria: A Dramatic Poem. 1 vol. 16mo. 50
cts.
---- Charicles: A Dramatic Poem. 1 vol. 16mo. 50 cts.
_RAMSAY'S_ (E. B., M. A., LL. D., F. R. S. E., Dean of Edinburgh)
Reminiscences of Scottish Life and Character. With an American Preface.
1 vol. 16mo. $1.00.
_RAY'S_ (ISAAC, M. D.) Mental Hygiene. 1 vol. 16mo.
_READ'S_ (THOMAS BUCHANAN) Poetical Works. Including "Sylvia," "The
House by the Sea," "The New Pastoral," etc. 2 vols. 12mo. $2.25.
_READE'S_ (CHARLES) Peg Woffington. 1 vol. 16mo. 90 cts.
---- Christie Johnstone. 1 vol. 16mo. 90 cts.
---- Clouds and Sunshine. 1 vol. 16mo. 90 cts.
---- Never too Late to Mend. 2 vols. 16mo. $1.75.
---- White Lies. 1 vol. 16mo. $1.50.
---- Propria QuÊ Maribus, and the Box-Tunnel. 1 vol. 16mo. Paper. 25
cts.
_REID'S_ (MAYNE) The Desert Home; Or, The Adventures of a Family lost in
the Wilderness. Illustrated. 1 vol. 16mo. $1.00.
---- The Forest Exiles: Or, The Perils of a Peruvian family in the wilds
of the Amazon. Illustrated. 1 vol. 16mo. 90 cts.
---- The Boy Hunters; Or, Adventures in Search of a White Buffalo.
Illustrated. 1 vol. 16mo. 90 cts.
---- The Young Voyageurs; Or, The Boy Hunters in the North. Illustrated.
1 vol. 16mo. 90 cts.
---- The Bush-Boys; Or, The History and Adventures of a Cape Farmer and
his Family in the Wild Karoos of Southern Africa. Illustrated. 1 vol.
16mo. 90 cts.
---- The Young Y‰gers: A Sequel to the Bush-Boys. Illustrated. 1 vol.
16mo. 90 cts.
---- The Plant-Hunters. Illustrated. 1 vol. 16mo. 90 cts.
---- Ran Away to Sea. Illustrated. 1 vol. 16mo. 90 cts.
---- The Boy Tar; Or, A Voyage in the Dark. Illustrated. 1 vol. 16mo. 90
cts.
---- Odd People: A Description of Various Singular Races of Men.
Illustrated. 1 vol. 16mo. 90 cts. _Cheap Edition_, 50 cts.
---- Bruin; Or, The Grand Bear-Hunt Illustrated. 1 vol. 16mo. 90 cts.
_RIGBY'S_ (E. H., M. D.) Obstetric Memoranda. With Additions by the
American editor. 1 vol. 18mo. 25 cts.
_RICHTER'S_ (JEAN-PAUL FRIEDRICH) Titan: A Romance. Translated by
CHARLES T. BROOKS. With Portrait. 2 vols. 12mo. $3.00.
---- Flower, Fruit, and Thorn Pieces. 2 vols. 12mo. _A New Edition._
$2.75.
---- Levana; Or, The Doctrine of Education. 1 vol. 12mo. $1.50.
_ROBERTSON'S_ (the late FREDERICK W.) Sermons. Preached at Trinity
Chapel, Brighton, England. In Four Volumes; the First containing a
Portrait, and the Third a Memoir. 12mo. Each vol., $1.13. Sold separated
or in sets.
---- Lectures and Addresses on Literary and Social Topics. 1 vol. 12mo.
$1.13.
---- Letters on Theological, Scientific and Social Subjects.
_Preparing._
_SALA'S_ (GEORGE AUGUSTUS) A Journey Due North: Being notes of a
Residence in Russia. 1 vol. 16mo. $1.00.
_SARGENT'S_ (EPES) Songs of the Sea, and other Poems. 1 vol. 16mo. 50
cts.
_SARGENT'S_ (WINTHROP) The Life and Career of Major John AndrÈ,
Adjutant-General of the British Army in America. With Portrait. 1 vol.
12mo. $1.50.
_SAXE'S_ (JOHN G.) Humorous and Satirical Poems. With Portrait. 1 vol.
16mo. 75 cts.
---- The Money-King, and other Poems. With New Portrait. 1 vol. 16mo. 75
cts.
---- Poems. The two preceding volumes bound in one. 16mo. $ 1.25.
---- Poetical Works. Complete. With New Portrait. 1 vol. 32mo. Blue and
gold. $1.00.
_ST. JOHN'S_ (BAYLE) Village-Life in Egypt, with Sketches of the Said. 2
vols. 16mo. $1.25.
_SCOTT'S_ (SIR WALTER) The Waverley Novels. _Illustrated Household
Edition._ 50 vols. 16mo. per vol., 90 cts.
---> The following is the order of publication, and the Novels
will be sold separately or in sets, at the option of
purchasers.
Waverley. 2 vols.
Guy Mannering. 2 vols.
The Antiquary. 2 vols.
Rob Roy. 2 vols.
Old Mortality. 2 vols.
Black Dwarf. }
Legend of Montrose. } 2 vols.
Heart of Mid-Lothian. 2 vols.
Bride of Lammermoor. 2 vols.
Ivanhoe. 2 vols.
The Monastery. 2 vols.
The Abbot. 2 vols.
Kenilworth. 2 vols.
The Pirate. 2 vols.
The Fortunes of Nigel. 2 vols.
Peveril of the Peak. 2 vols.
Quentin Durward. 2 vols.
St. Ronan's Well. 2 vols.
Redgauntlet. 2 vols.
The Betrothed. }
The Highland Widow. } 2 vols.
The Talisman. }
Two Drovers. }
My Aunt Margaret's Mirror. } 2 vols.
The Tapestried Chamber. }
The Laird's Jock. }
Woodstock. 2 vols.
The Fair Maid of Perth. 2 vols.
Anne of Geierstein. 2 vols.
Count Robert of Paris. 2 vols.
The Surgeon's Daughter. }
Castle Dangerous. } 2 vols.
Index and Glossary. }
---- Tales of a Grandfather. Uniform with the Novels. Illustrated. 8
vols. 16mo. $5.40.
---- Life. By J. G. LOCKHART. Uniform with the Novels. Illustrated. 9
vols. 16mo. $8.10.
---- Ivanhoe. A Romance. _Holiday Edition._ Illustrated and elegantly
bound. 1 vol. 16mo. $1.75.
_SEVEN LITTLE SISTERS_ (THE) that live in the Round Ball that Floats in
the Air. With Illustrations. 1 vol. Square 12mo. 75 cts.
_SHAKESPEARE SONNETS._ A new and beautiful edition, printed on tinted
paper, and handsomely bound. 1 vol. small 4to. _Nearly Ready._
_SHAKSPEAR'S_ (CAPT. HENRY) The Wild Sports of India. With Remarks on
the Breeding and Rearing of Horses, and the Formation of Light Irregular
Cavalry. 1 vol. 16mo. 75 cts.
_SHELLEY MEMORIALS._ From Authentic Sources. Edited by Lady Shelley. 1
vol. 16mo. 75 cts.
_SILSBEE'S_ (MRS.) Memory and Hope. A Collection of Consolatory Pieces.
1 vol. 8vo. $2.00.
---- Willie Winkie's Nursery Rhymes of Scotland. With Frontispiece by
BILLINGS. 1 vol. 16mo. 75 cts.
_SMITH'S_ (ALEXANDER) A Life Drama, and other Poems. 1 vol. 16mo. 50
cts.
---- City Poems. With Portrait. 1 vol. 16mo. 63 cts.
---- Edwin of Deira. 1 vol. 16mo. 75 cts.
_SMITH'S_ (HORACE AND JAMES) Rejected Addresses; Or, The New Theatrum
Poetarum. With Preface and Notes by the Authors. _A New Edition._ 1 vol.
16mo. 63 cts.
_SMITH'S_ (WILLIAM) Thorndale; Or, The Conflict of Opinions. 1 vol.
12mo. $1.50.
_SMILES'S_ (SAMUEL) The Life of George Stephenson, Railway Engineer.
With a copy of LUCAS'S Portrait, on steel, by SCHOFF. 1 vol. 16mo.
$1.13.
---- Self-Help. With Illustrations of Character and Conduct. Containing
a Complete Analytical Index, and fine Portrait of JOHN FLAXMAN. 1 vol.
16mo. 75 cts.
---- Brief Biographies. With 6 Steel Portraits. 1 vol. 16mo. $1.25.
_SPRAGUE'S_ (CHARLES) Complete Poetical and Prose Writings. With
Portrait. 1 vol. 16mo. 88 cts.
_STODDARD'S_ (R. H.) Poems. 1 vol. 16mo. 63 cts.
---- Songs of Summer. 1 vol. 16mo. 75 cts.
---- Adventures in Fairy Land. A Book for Young People. Illustrated. 1
vol. 16mo. 90 cts.
_STOWE'S_ (MRS. HARRIET BEECHER) Agnes of Sorrento. An Italian Romance.
1 vol 12mo. $ 1.50.
---- The Pearl of Orr's Island. An American Story. 1 vol. 12mo. $
1.50.
---- Uncle Tom's Cabin. _311th Thousand._ 1 vol. 12mo. $1.50.
---- The Minister's Wooing. 1 vol. 12mo. $1.50.
---- The May-Flower, and other Sketches. _A New Edition._ _Nearly
ready._
_STRANGE, SURPRISING ADVENTURES_ of the Venerable Gooroo Simple and his
Five Disciples, Noodle, Doodle, Wiseacre, Zany, and Foozle. Adorned with
50 Illustrations by ALFRED CROWQUILL. 1 vol. 16mo. $ 2.50.
_SWORD AND GOWN._ A Novel. By the Author of "Guy Livingstone." 1 vol.
16mo. 75 cts.
_TABERNACLE_ (THE). A Collection of Hymn-Tunes, Chants, Sentences,
Motetts, and Anthems, adapted to Public and Private Worship, and to the
Use of Choirs, Singing-Schools, Musical Societies, and Conventions;
together with a Complete Treatise on the Principles of Musical Notation.
By B. P. BAKER and W. O. PERKINS. 1 vol. $1.00.
_TALES FROM CATLAND._ 1 vol. Square 16mo. 50 cts.
_TARDIEU'S_ Treatise on Epidemic Cholera. Translated from the French by
S. L. BIGELOW, M. D. With an Appendix by a Fellow of the Massachusetts
Medical Society. 1 vol 12mo. $1.00.
_TAYLOR'S_ (BAYARD) Poems of the Orient. 1 vol. 16mo. 90 cts.
---- Poems of Home and Travel. 1 vol. 16mo. 90 cts.
---- The Poet's Journal. 1 vol. 16mo. $1.00.
_TAYLOR'S_ (HENRY) Notes from Life. 1 vol. 16mo. 63 cts.
---- Philip Van Artevelde. _A New Edition._ 1 vol. 32mo. Blue and gold.
$1.00.
_TENNYSON'S_ (ALFRED) Poems. With Portrait. 2 vols. 16mo. $2.25.
_TENNYSON'S_ (ALFRED) Poetical Works. Complete. With Portrait. _Cabinet
Edition._ 2 vols. 16mo. $2.50.
---- Poetical Works. Complete. With Portrait. _Blue and gold Edition._ 2
vols. 32mo. $2.00.
---- Poetical Works. Complete. With Portrait. _Pocket Edition._ 1 vol.
18mo. $1.13.
---- The Princess. A Medley. 1 vol. 16mo. 60 cts.
---- In Memoriam. 1 vol. 16mo. 90 cts. _Holiday Edition._ 1 vol. 4to.
$3.00.
---- Idyls of the King. 1 vol. 16mo. 90 cts.
_TERRY'S_ (ROSE) Poems. 1 vol. 16mo. 75 cts.
_THACKERAY'S_ (W. M.) Ballads. 1 vol. 16mo. 75 cts.
_THOREAU'S_ (HENRY D.) Walden; Or, Life in the Woods. 1 vol. 16mo.
$1.25.
---- A Week on the Concord and Merrimac Rivers. 1 vol. 12mo. $1.50.
---- Excursions in Field and Forest. With Portrait. 12mo. $1.25.
_TICKNOR'S_ (GEORGE) History of Spanish Literature. _New and Revised
Edition._ 3 vols. 12mo. $5.00.
---- Life of WILLIAM HICKLING PRESCOTT. 1 vol. _Nearly Ready._
_TRELAWNY'S_ (E. J.) Recollections of the Last Days of Shelley and
Byron. 1 vol. 16mo. 75 cts.
_TUCKERMAN'S_ (HENRY THEODORE) Poems. 1 vol. 16mo. 75 cts.
_TOCQUEVILLE'S_ (ALEXIS DE) Memoirs, Letters, and Remains. Translated
From the French of GUSTAVE DE BEAUMONT. 2 vols. 16mo. $2.50.
_TYNDALL'S_ (PROF. JOHN, F. R. S.) The Glaciers of the Alps. Being a
Narrative of Excursions and Ascents, an Account of the Origin and
Phenomena of Glaciers, and an Exposition of the Physical Principles to
which they are related. With numerous Illustrations. 1 vol. 12mo. $1.50.
_UPHAM'S_ (HON. CHARLES W.) Life, Explorations, and Public Services of
John C. FrÈmont. With Portrait and Illustrations. 1 vol 16mo. 75 cts.
_WALLIS'S_ (S. T.) Spain: Her Institutions, Politics, and Public Men. 1
vol. 16mo. $1.00.
_WARREN'S_ (JOHN C., M. D.) Etherization and Chloroform; with Surgical
Remarks. 1 vol. 12mo. 50 cts.
---- Constipation: Its Prevention and Cure. 1 vol. 16mo. 10 cts.
---- The Preservation of Health, with Remarks on Constipation, Old Age,
etc. 1 vol. 16mo. 38 cts.
---- Life. Compiled chiefly from his Autobiography and Journals, by
EDWARD WARREN, M. D. With Illustrations on Steel by SCHOFF. 2 vols. 8vo.
$3.50.
_WALKER'S_ (JAMES, D. D.) Sermons Preached in Harvard Chapel. 1 vol.
12mo. $1.50.
_WHEATON'S_ (ROBERT) Memoir. With Selections from his Writings. 1 vol.
16mo. $1.00.
_WHIPPLE'S_ (E. P.) Lectures on Subjects Connected with Literature and
Life. 1 vol. 16mo. 75 cts.
---- Essays and Reviews. 2 vols. 16mo. $2.50.
---- Washington and the Revolution. 1 vol. 16mo. 20 cts.
_WHITTIER'S_ (JOHN G.) Poetical Works. Complete. With Portrait. _Cabinet
Edition._ 2 vols. 16mo. $2.50.
---- In War-Time, and other Poems. 1 vol. 16 mo. _Just Ready._
---- Poetical Works. Complete. With Portrait. _Blue and gold Edition._ 2
vols. 32mo. $2.00.
---- Songs of Labor. 1 vol. 16mo. 63 cts.
---- The Chapel of the Hermits, and other Poems. 1 vol. 16mo. 50 cts.
---- The Panorama, and other Poems. 1 vol. 16mo. 50 cts.
---- Home Ballads and Poems. 1 vol. 16mo. 75 cts.
---- Old Portraits and Modern Sketches. 1 vol. 16mo. 75 cts.
---- Leaves from Margaret Smith's Journal in the Province of
Massachusetts Bay, 1678-9. 1 vol. 16mo. 75 cts.
---- Literary Recreations and Miscellanies. 1 vol. 16mo. $1.00.
_WILLIAMS'S_ (HENRY W., M. D.) A Practical Guide to the Study of the
Diseases of the Eye. 1 vol. 12mo. $1.50.
_WINTHROP'S_ (THEODORE) Cecil Dreeme. With Biographical Sketch by GEORGE
WILLIAM CURTIS. 1 vol. 16mo. $1.00.
---- John Brent. 1 vol. 16mo. $1.00.
---- Edwin Brothertoft. 1 vol. 16mo. $1.00.
---- The Canoe and the Saddle. 1 vol. 16mo. $1.00.
---- Life in the Open Air, and other Papers. With Portrait on Steel, and
an Engraving of Mt. Katahdin from a Sketch by F. E. CHURCH. 1 vol. 16mo.
$1.25.
_WINTHROP'S_ (ROBERT C.) Life and Letters of John Winthrop. 1 vol. 8vo.
_Nearly Ready._
_WORDSWORTH'S_ (CHRISTOPHER) Memoirs of William Wordsworth. Poet
Laureate, D. C. L. Edited by HENRY REED. 2 vols. 16mo. $2.50.
_ZSCHOKKE'S_ Meditations on Death and Eternity. Translated from the
German by FREDERICA ROWAN. 1 vol. 12mo. $1.25.
---- Meditations on Life and its Religious Duties. Translated from the
German by FREDERICA ROWAN. 1 vol. 12mo. $1.25.
BOOKS PUBLISHED IN BLUE AND GOLD,
BY
TICKNOR AND FIELDS.
_Longfellow's Poems._ 2 vols. $2.00.
_Longfellow's Prose._ 2 vols. $2.00.
_Whittier's Poems._ 2 vols. $2.00.
_Leigh Hunt's Poems._ 2 vols. $2.00.
_Tennyson's Poems._ 2 vols. $2.00.
_Gerald Massey's Poems._ $1.00.
_Lowell's Poems._ 2 vols. $2.00.
_Percival's Poems._ 2 vols. $2.00.
_Motherwell's Poems._ $1.00.
_Owen Meredith's Poems._ 2 vols. $2.00.
_Owen Meredith's Lucile._ $1.00.
_Sydney Dobell's Poems._ $1.00.
_Bowring's Matins and Vespers._ $1.00.
_Allingham's Poems._ $1.00.
_Horace._ Translated by THEODORE MARTIN. $1.00.
_Mrs. Jameson's Characteristics of Women._ $1.00.
_Mrs. Jameson's Loves of the Poets._ $1.00.
_Mrs. Jameson's Diary._ $1.00.
_Mrs. Jameson's Sketches of Art._ $1.00.
_Mrs. Jameson's Legends of the Madonna._ $1.00.
_Mrs. Jameson's Italian Painters._ $1.00.
_Mrs. Jameson's Studies and Stories._ $1.00.
_Saxe's Poems._ $1.00.
_Clough's Poems._ $1.00.
_Holmes's Poems._ $1.00.
_Adelaide Procter's Poems._ $1.00.
_Taylor's Philip Van Artevelde._ $1.00.
_Irving's Sketch-Book._ $1.00. _Nearly Ready._
CABINET EDITIONS OF THE POETS.
MESSRS. TICKNOR AND FIELDS are publishing a new edition of the writings
of popular Poets, called the Cabinet Edition. It is handsomely printed
on laid tinted paper, and elegantly bound in vellum cloth with gilt top.
The following are now published:--
_Longfellow's Poems._ 2 vols. $2.50.
_Tennyson's Poems._ 2 vols. $2.50.
_Whittier's Poems._ 2 vols. $2.50.
_Holmes's Poems._ 1 vol. $1.25.
Transcriber's Notes: Variant spellings of cornfields and corn-fields are
as in the original. The word "Phoebe" has an oe ligature in the
original.
*** END OF THE PROJECT GUTENBERG EBOOK TALES OF A WAYSIDE INN ***
***** This file should be named 25153-0.txt or 25153-0.zip *****
This and all associated files of various formats will be found in:
https://www.gutenberg.org/2/5/1/5/25153/
Updated editions will replace the previous one--the old editions will
be renamed.
Creating the works from print editions not protected by U.S. copyright
law means that no one owns a United States copyright in these works,
so the Foundation (and you!) can copy and distribute it in the United
States without permission and without paying copyright
royalties. Special rules, set forth in the General Terms of Use part
of this license, apply to copying and distributing Project
Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
concept and trademark. Project Gutenberg is a registered trademark,
and may not be used if you charge for the eBooks, unless you receive
specific permission. If you do not charge anything for copies of this
eBook, complying with the rules is very easy. You may use this eBook
for nearly any purpose such as creation of derivative works, reports,
performances and research. They may be modified and printed and given
away--you may do practically ANYTHING in the United States with eBooks
not protected by U.S. copyright law. Redistribution is subject to the
trademark license, especially commercial redistribution.
START: FULL LICENSE
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full
Project Gutenberg-tm License available with this file or online at
www.gutenberg.org/license.
Section 1. General Terms of Use and Redistributing Project
Gutenberg-tm electronic works
1.A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg-tm electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg-tm electronic work and you do not agree to be bound
by the terms of this agreement, you may obtain a refund from the
person or entity to whom you paid the fee as set forth in paragraph
1.E.8.
1.B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this
agreement and help preserve free future access to Project Gutenberg-tm
electronic works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation ("the
Foundation" or PGLAF), owns a compilation copyright in the collection
of Project Gutenberg-tm electronic works. Nearly all the individual
works in the collection are in the public domain in the United
States. If an individual work is unprotected by copyright law in the
United States and you are located in the United States, we do not
claim a right to prevent you from copying, distributing, performing,
displaying or creating derivative works based on the work as long as
all references to Project Gutenberg are removed. Of course, we hope
that you will support the Project Gutenberg-tm mission of promoting
free access to electronic works by freely sharing Project Gutenberg-tm
works in compliance with the terms of this agreement for keeping the
Project Gutenberg-tm name associated with the work. You can easily
comply with the terms of this agreement by keeping this work in the
same format with its attached full Project Gutenberg-tm License when
you share it without charge with others.
1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are
in a constant state of change. If you are outside the United States,
check the laws of your country in addition to the terms of this
agreement before downloading, copying, displaying, performing,
distributing or creating derivative works based on this work or any
other Project Gutenberg-tm work. The Foundation makes no
representations concerning the copyright status of any work in any
country outside the United States.
1.E. Unless you have removed all references to Project Gutenberg:
1.E.1. The following sentence, with active links to, or other
immediate access to, the full Project Gutenberg-tm License must appear
prominently whenever any copy of a Project Gutenberg-tm work (any work
on which the phrase "Project Gutenberg" appears, or with which the
phrase "Project Gutenberg" is associated) is accessed, displayed,
performed, viewed, copied or distributed:
This eBook is for the use of anyone anywhere in the United States and
most other parts of the world at no cost and with almost no
restrictions whatsoever. You may copy it, give it away or re-use it
under the terms of the Project Gutenberg License included with this
eBook or online at www.gutenberg.org. If you are not located in the
United States, you will have to check the laws of the country where
you are located before using this eBook.
1.E.2. If an individual Project Gutenberg-tm electronic work is
derived from texts not protected by U.S. copyright law (does not
contain a notice indicating that it is posted with permission of the
copyright holder), the work can be copied and distributed to anyone in
the United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase "Project
Gutenberg" associated with or appearing on the work, you must comply
either with the requirements of paragraphs 1.E.1 through 1.E.7 or
obtain permission for the use of the work and the Project Gutenberg-tm
trademark as set forth in paragraphs 1.E.8 or 1.E.9.
1.E.3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any
additional terms imposed by the copyright holder. Additional terms
will be linked to the Project Gutenberg-tm License for all works
posted with the permission of the copyright holder found at the
beginning of this work.
1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.
1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.
1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including
any word processing or hypertext form. However, if you provide access
to or distribute copies of a Project Gutenberg-tm work in a format
other than "Plain Vanilla ASCII" or other format used in the official
version posted on the official Project Gutenberg-tm web site
(www.gutenberg.org), you must, at no additional cost, fee or expense
to the user, provide a copy, a means of exporting a copy, or a means
of obtaining a copy upon request, of the work in its original "Plain
Vanilla ASCII" or other form. Any alternate format must include the
full Project Gutenberg-tm License as specified in paragraph 1.E.1.
1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.
1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works
provided that
* You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg-tm works calculated using the method
you already use to calculate your applicable taxes. The fee is owed
to the owner of the Project Gutenberg-tm trademark, but he has
agreed to donate royalties under this paragraph to the Project
Gutenberg Literary Archive Foundation. Royalty payments must be paid
within 60 days following each date on which you prepare (or are
legally required to prepare) your periodic tax returns. Royalty
payments should be clearly marked as such and sent to the Project
Gutenberg Literary Archive Foundation at the address specified in
Section 4, "Information about donations to the Project Gutenberg
Literary Archive Foundation."
* You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he
does not agree to the terms of the full Project Gutenberg-tm
License. You must require such a user to return or destroy all
copies of the works possessed in a physical medium and discontinue
all use of and all access to other copies of Project Gutenberg-tm
works.
* You provide, in accordance with paragraph 1.F.3, a full refund of
any money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days of
receipt of the work.
* You comply with all other terms of this agreement for free
distribution of Project Gutenberg-tm works.
1.E.9. If you wish to charge a fee or distribute a Project
Gutenberg-tm electronic work or group of works on different terms than
are set forth in this agreement, you must obtain permission in writing
from both the Project Gutenberg Literary Archive Foundation and The
Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
trademark. Contact the Foundation as set forth in Section 3 below.
1.F.
1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
works not protected by U.S. copyright law in creating the Project
Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
electronic works, and the medium on which they may be stored, may
contain "Defects," such as, but not limited to, incomplete, inaccurate
or corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged disk or
other medium, a computer virus, or computer codes that damage or
cannot be read by your equipment.
1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.
1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium
with your written explanation. The person or entity that provided you
with the defective work may elect to provide a replacement copy in
lieu of a refund. If you received the work electronically, the person
or entity providing it to you may choose to give you a second
opportunity to receive the work electronically in lieu of a refund. If
the second copy is also defective, you may demand a refund in writing
without further opportunities to fix the problem.
1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of
damages. If any disclaimer or limitation set forth in this agreement
violates the law of the state applicable to this agreement, the
agreement shall be interpreted to make the maximum disclaimer or
limitation permitted by the applicable state law. The invalidity or
unenforceability of any provision of this agreement shall not void the
remaining provisions.
1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in
accordance with this agreement, and any volunteers associated with the
production, promotion and distribution of Project Gutenberg-tm
electronic works, harmless from all liability, costs and expenses,
including legal fees, that arise directly or indirectly from any of
the following which you do or cause to occur: (a) distribution of this
or any Project Gutenberg-tm work, (b) alteration, modification, or
additions or deletions to any Project Gutenberg-tm work, and (c) any
Defect you cause.
Section 2. Information about the Mission of Project Gutenberg-tm
Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new computers. It
exists because of the efforts of hundreds of volunteers and donations
from people in all walks of life.
Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future
generations. To learn more about the Project Gutenberg Literary
Archive Foundation and how your efforts and donations can help, see
Sections 3 and 4 and the Foundation information page at
www.gutenberg.org
Section 3. Information about the Project Gutenberg Literary
Archive Foundation
The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation's EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg Literary
Archive Foundation are tax deductible to the full extent permitted by
U.S. federal laws and your state's laws.
The Foundation's principal office is in Fairbanks, Alaska, with the
mailing address: PO Box 750175, Fairbanks, AK 99775, but its
volunteers and employees are scattered throughout numerous
locations. Its business office is located at 809 North 1500 West, Salt
Lake City, UT 84116, (801) 596-1887. Email contact links and up to
date contact information can be found at the Foundation's web site and
official page at www.gutenberg.org/contact
For additional contact information:
Dr. Gregory B. Newby
Chief Executive and Director
[email protected]
Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation
Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.
The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To SEND
DONATIONS or determine the status of compliance for any particular
state visit www.gutenberg.org/donate
While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.
International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.
Please check the Project Gutenberg Web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations. To
donate, please visit: www.gutenberg.org/donate
Section 5. General Information About Project Gutenberg-tm electronic works.
Professor Michael S. Hart was the originator of the Project
Gutenberg-tm concept of a library of electronic works that could be
freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg-tm eBooks with only a loose network of
volunteer support.
Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as not protected by copyright in
the U.S. unless a copyright notice is included. Thus, we do not
necessarily keep eBooks in compliance with any particular paper
edition.
Most people start at our Web site which has the main PG search
facility: www.gutenberg.org
This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.
