The Project Gutenberg EBook of The White Bees, by Henry Van Dyke
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org
Title: The White Bees
Author: Henry Van Dyke
Posting Date: May 13, 2009 [EBook #3757]
Release Date: February, 2003
First Posted: August 21, 2001
Language: English
*** START OF THIS PROJECT GUTENBERG EBOOK THE WHITE BEES ***
Produced by Charles Franks, Robert Rowe, and the Online
Distributed Proofreading Team.
The White Bees
by
Henry van Dyke
CONTENTS
THE WHITE BEES
NEW YEAR'S EVE
SONGS FOR AMERICA
Sea-Gulls of Manhattan
Urbs Coronata
America
Doors of Daring
A Home Song
A Noon Song
An American in Europe
The Ancestral Dwellings
Francis Makemie
National Monuments
IN PRAISE OF POETS
Mother Earth
Milton: Three Sonnets
Wordsworth
Keats
Shelley
Robert Browning
Longfellow
Thomas Bailey Aldrich
Edmund Clarence Stedman
LYRICS, DRAMATIC AND PERSONAL
Late Spring
Nepenthe
Hesper
Arrival
Departure
The Black Birds
Without Disguise
Gratitude
Master of Music
Stars and the Soul
To Julia Marlowe
Pan Learns Music
"Undine"
Love in a Look
My April Lady
A Lover's Envy
The Hermit Thrush
Fire-Fly City
The Gentle Traveller
Sicily, December, 1908
The Window
Twilight in the Alps
Jeanne D'Arc
Hudson's Last Voyage
THE WHITE BEES AND OTHER POEMS
THE WHITE BEES
I
LEGEND
Long ago Apollo called to Aristaeus, youngest
of the shepherds,
Saying, "I will make you keeper of my bees."
Golden were the hives, and golden was the honey;
golden, too, the music,
Where the honey-makers hummed among the trees.
Happy Aristaeus loitered in the garden, wandered
in the orchard,
Careless and contented, indolent and free;
Lightly took his labour, lightly took his pleasure,
till the fated moment
When across his pathway came Eurydice.
Then her eyes enkindled burning love within him;
drove him wild with longing,
For the perfect sweetness of her flower-like face;
Eagerly he followed, while she fled before him,
over mead and mountain,
On through field and forest, in a breathless
race.
But the nymph, in flying, trod upon a serpent;
like a dream she vanished;
Pluto's chariot bore her down among the dead;
Lonely Aristaeus, sadly home returning, found his
garden empty,
All the hives deserted, all the music fled.
Mournfully bewailing,--"ah, my honey-makers,
where have you departed?"--
Far and wide he sought them, over sea and shore;
Foolish is the tale that says he ever found them,
brought them home in triumph,--
Joys that once escape us fly for evermore.
Yet I dream that somewhere, clad in downy
whiteness, dwell the honey-makers,
In aerial gardens that no mortal sees:
And at times returning, lo, they flutter round us,
gathering mystic harvest,--
So I weave the legend of the long-lost bees.
II
THE SWARMING OF THE BEES
I
Who can tell the hiding of the white bees'
nest?
Who can trace the guiding of their swift home
flight?
Far would be his riding on a life-long quest:
Surely ere it ended would his beard grow
white.
Never in the coming of the rose-red Spring,
Never in the passing of the wine-red Fall,
May you hear the humming of the white bee's
wing
Murmur o'er the meadow, ere the night bells
call.
Wait till winter hardens in the cold grey sky,
Wait till leaves are fallen and the brooks all
freeze,
Then above the gardens where the dead flowers
lie,
Swarm the merry millions of the wild white
bees.
II
Out of the high-built airy hive,
Deep in the clouds that veil the sun,
Look how the first of the swarm arrive;
Timidly venturing, one by one,
Down through the tranquil air,
Wavering here and there,
Large, and lazy in flight,--
Caught by a lift of the breeze,
Tangled among the naked trees,--
Dropping then, without a sound,
Feather-white, feather-light,
To their rest on the ground.
III
Thus the swarming is begun.
Count the leaders, every one
Perfect as a perfect star
Till the slow descent is done.
Look beyond them, see how far
Down the vistas dim and grey,
Multitudes are on the way.
Now a sudden brightness
Dawns within the sombre day,
Over fields of whiteness;
And the sky is swiftly alive
With the flutter and the flight
Of the shimmering bees, that pour
From the hidden door of the hive
Till you can count no more.
IV
Now on the branches of hemlock and pine
Thickly they settle and cluster and swing,
Bending them low; and the trellised vine
And the dark elm-boughs are traced with a line
Of beauty wherever the white bees cling.
Now they are hiding the wrecks of the flowers,
Softly, softly, covering all,
Over the grave of the summer hours
Spreading a silver pall.
Now they are building the broad roof ledge,
Into a cornice smooth and fair,
Moulding the terrace, from edge to edge,
Into the sweep of a marble stair.
Wonderful workers, swift and dumb,
Numberless myriads, still they come,
Thronging ever faster, faster, faster!
Where is their queen? Who is their master?
The gardens are faded, the fields are frore,--
How will they fare in a world so bleak?
Where is the hidden honey they seek?
What is the sweetness they toil to store
In the desolate day, where no blossoms gleam?
Forgetfulness and a dream!
V
But now the fretful wind awakes;
I hear him girding at the trees;
He strikes the bending boughs, and shakes
The quiet clusters of the bees
To powdery drift;
He tosses them away,
He drives them like spray;
He makes them veer and shift
Around his blustering path.
In clouds blindly whirling,
In rings madly swirling,
Full of crazy wrath,
So furious and fast they fly
They blur the earth and blot the sky
In wild, white mirk.
They fill the air with frozen wings
And tiny, angry, icy stings;
They blind the eyes, and choke the breath,
They dance a maddening dance of death
Around their work,
Sweeping the cover from the hill,
Heaping the hollows deeper still,
Effacing every line and mark,
And swarming, storming in the dark
Through the long night;
Until, at dawn, the wind lies down,
Weary of fight.
The last torn cloud, with trailing gown,
Passes the open gates of light;
And the white bees are lost in flight.
VI
Look how the landscape glitters wide and still,
Bright with a pure surprise!
The day begins with joy, and all past ill,
Buried in white oblivion, lies
Beneath the snowdrifts under crystal skies.
New hope, new love, new life, new cheer,
Flow in the sunrise beam,--
The gladness of Apollo when he sees,
Upon the bosom of the wintry year,
The honey-harvest of his wild white bees,
Forgetfulness and a dream!
III
LEGEND
Listen, my beloved, while the silver morning,
like a tranquil vision,
Fills the world around us and our hearts with
peace;
Quiet is the close of Aristaeus' legend, happy is
the ending--
Listen while I tell you how he found release.
Many months he wandered far away in sadness,
desolately thinking
Only of the vanished joys he could not find;
Till the great Apollo, pitying his shepherd, loosed
him from the burden
Of a dark, reluctant, backward-looking mind.
Then he saw around him all the changeful beauty
of the changing seasons,
In the world-wide regions where his journey
lay;
Birds that sang to cheer him, flowers that bloomed
beside him, stars that shone to guide him,--
Traveller's joy was plenty all along the way!
Everywhere he journeyed strangers made him
welcome, listened while he taught them
Secret lore of field and forest he had learned:
How to train the vines and make the olives fruit-
ful; how to guard the sheepfolds;
How to stay the fever when the dog-star burned.
Friendliness and blessing followed in his foot-
steps; richer were the harvests,
Happier the dwellings, wheresoe'er he came;
Little children loved him, and he left behind him,
in the hour of parting,
Memories of kindness and a god-like name.
So he travelled onward, desolate no longer,
patient in his seeking,
Reaping all the wayside comfort of his quest;
Till at last in Thracia, high upon Mount Haemus,
far from human dwelling,
Weary Aristaeus laid him down to rest.
Then the honey-makers, clad in downy whiteness,
fluttered soft around him,
Wrapt him in a dreamful slumber pure and
deep.
This is life, beloved: first a sheltered garden,
then a troubled journey,
Joy and pain of seeking,--and at last we sleep!
NEW YEAR'S EVE
I
The other night I had a dream, most clear
And comforting, complete
In every line, a crystal sphere,
And full of intimate and secret cheer.
Therefore I will repeat
That vision, dearest heart, to you,
As of a thing not feigned, but very true,
Yes, true as ever in my life befell;
And you, perhaps, can tell
Whether my dream was really sad or sweet.
II
The shadows flecked the elm-embowered street
I knew so well, long, long ago;
And on the pillared porch where Marguerite
Had sat with me, the moonlight lay like snow.
But she, my comrade and my friend of youth,
Most gaily wise,
Most innocently loved,--
She of the blue-grey eyes
That ever smiled and ever spoke the truth,--
From that familiar dwelling, where she moved
Like mirth incarnate in the years before,
Had gone into the hidden house of Death.
I thought the garden wore
White mourning for her blessed innocence,
And the syringa's breath
Came from the corner by the fence,
Where she had made her rustic seat,
With fragrance passionate, intense,
As if it breathed a sigh for Marguerite.
My heart was heavy with a sense
Of something good forever gone. I sought
Vainly for some consoling thought,
Some comfortable word that I could say
To the sad father, whom I visited again
For the first time since she had gone away.
The bell rang shrill and lonely,--then
The door was opened, and I sent my name
To him,--but ah! 't was Marguerite who came!
There in the dear old dusky room she stood
Beneath the lamp, just as she used to stand,
In tender mocking mood.
"You did not ask for me," she said,
"And so I will not let you take my hand;
"But I must hear what secret talk you planned
"With father. Come, my friend, be good,
"And tell me your affairs of state:
"Why you have stayed away and made me wait
"So long. Sit down beside me here,--
"And, do you know, it seemed a year
"Since we have talked together,--why so late?"
Amazed, incredulous, confused with joy
I hardly dared to show,
And stammering like a boy,
I took the place she showed me at her side;
And then the talk flowed on with brimming tide
Through the still night,
While she with influence light
Controlled it, as the moon the flood.
She knew where I had been, what I had done,
What work was planned, and what begun;
My troubles, failures, fears she understood,
And touched them with a heart so kind,
That every care was melted from my mind,
And every hope grew bright,
And life seemed moving on to happy ends.
(Ah, what self-beggared fool was he
That said a woman cannot be
The very best of friends?)
Then there were memories of old times,
Recalled with many a gentle jest;
And at the last she brought the book of rhymes
We made together, trying to translate
The Songs of Heine (hers were always best).
"Now come," she said,
"To-night we will collaborate
"Again; I'll put you to the test.
"Here's one I never found the way to do,--
"The simplest are the hardest ones, you know,--
"I give this song to you."
And then she read:
Mein kind, wir waren Kinder,
Zwei Kinder, jung und froh.
But all the while a silent question stirred
Within me, though I dared not speak the word:
"Is it herself, and is she truly here,
"And was I dreaming when I heard
"That she was dead last year?
"Or was it true, and is she but a shade
"Who brings a fleeting joy to eye and ear,
"Cold though so kind, and will she gently fade
"When her sweet ghostly part is played
"And the light-curtain falls at dawn of day?"
But while my heart was troubled by this fear
So deeply that I could not speak it out,
Lest all my happiness should disappear,
I thought me of a cunning way
To hide the question and dissolve the doubt.
"Will you not give me now your hand,
"Dear Marguerite," I asked, "to touch and hold,
"That by this token I may understand
"You are the same true friend you were of old?"
She answered with a smile so bright and calm
It seemed as if I saw new stars arise
In the deep heaven of her eyes;
And smiling so, she laid her palm
In mine. Dear God, it was not cold
But warm with vital heat!
"You live!" I cried, "you live, dear Marguerite!"
Then I awoke; but strangely comforted,
Although I knew again that she was dead.
III
Yes, there's the dream! And was it sweet or
sad?
Dear mistress of my waking and my sleep,
Present reward of all my heart's desire,
Watching with me beside the winter fire,
Interpret now this vision that I had.
But while you read the meaning, let me keep
The touch of you: for the Old Year with storm
Is passing through the midnight, and doth shake
The corners of the house,--and oh! my heart
would break
Unless both dreaming and awake
My hand could feel your hand was warm, warm,
warm!
SONGS FOR AMERICA
SEA-GULLS OF Manhattan
Children of the elemental mother,
Born upon some lonely island shore
Where the wrinkled ripples run and whisper,
Where the crested billows plunge and roar;
Long-winged, tireless roamers and adventurers,
Fearless breasters of the wind and sea,
In the far-off solitary places
I have seen you floating wild and free!
Here the high-built cities rise around you;
Here the cliffs that tower east and west,
Honeycombed with human habitations,
Have no hiding for the sea-bird's nest:
Here the river flows begrimed and troubled;
Here the hurrying, panting vessels fume,
Restless, up and down the watery highway,
While a thousand chimneys vomit gloom.
Toil and tumult, conflict and confusion,
Clank and clamor of the vast machine
Human hands have built for human bondage--
Yet amid it all you float serene;
Circling, soaring, sailing, swooping lightly
Down to glean your harvest from the wave;
In your heritage of air and water,
You have kept the freedom Nature gave.
Even so the wild-woods of Manhattan
Saw your wheeling flocks of white and grey;
Even so you fluttered, followed, floated,
Round the Half-Moon creeping up the bay;
Even so your voices creaked and chattered,
Laughing shrilly o'er the tidal rips,
While your black and beady eyes were glistening
Round the sullen British prison-ships.
Children of the elemental mother,
Fearless floaters 'mid the double blue,
From the crowded boats that cross the ferries
Many a longing heart goes out to you.
Though the cities climb and close around us,
Something tells us that our souls are free,
While the sea-gulls fly above the harbor,
While the river flows to meet the sea!
URBS CORONATA
(Song for the City College of New York)
O youngest of the giant brood
Of cities far-renowned;
In wealth and power thou hast passed
Thy rivals at a bound;
And now thou art a queen, New York;
And how wilt thou be crowned?
"Weave me no palace-wreath of pride,"
The royal city said;
"Nor forge an iron fortress-wall
To frown upon my head;
But let me wear a diadem
Of Wisdom's towers instead."
And so upon her island height
She worked her will forsooth,
She set upon her rocky brow
A citadel of Truth,
A house of Light, a home of Thought,
A shrine of noble Youth.
Stand here, ye City College towers,
And look both up and down;
Remember all who wrought for you
Within the toiling town;
Remember all they thought for you,
And all the hopes they brought for you,
And be the City's Crown.
AMERICA
I Love thine inland seas,
Thy groves of giant trees,
Thy rolling plains;
Thy rivers' mighty sweep,
Thy mystic canyons deep,
Thy mountains wild and steep,
All thy domains;
Thy silver Eastern strands,
Thy Golden Gate that stands
Wide to the West;
Thy flowery Southland fair,
Thy sweet and crystal air,--
O land beyond compare,
Thee I love best!
Additional verses for the National Hymn, March, 1906.
DOORS OF DARING
The mountains that enfold the vale
With walls of granite, steep and high,
Invite the fearless foot to scale
Their stairway toward the sky.
The restless, deep, dividing sea
That flows and foams from shore to shore,
Calls to its sunburned chivalry,
"Push out, set sail, explore!"
And all the bars at which we fret,
That seem to prison and control,
Are but the doors of daring, set
Ajar before the soul.
Say not, "Too poor," but freely give;
Sigh not, "Too weak," but boldly try.
You never can begin to live
Until you dare to die.
A HOME SONG
I Read within a poet's book
A word that starred the page:
"Stone walls do not a prison make,
Nor iron bars a cage!"
Yes, that is true; and something more
You'll find, where'er you roam,
That marble floors and gilded walls
Can never make a home.
But every house where Love abides,
And Friendship is a guest,
Is surely home, and home-sweet-home:
For there the heart can rest.
A NOON SONG
There are songs for the morning and songs
for the night,
For sunrise and sunset, the stars and the moon;
But who will give praise to the fulness of light,
And sing us a song of the glory of noon?
Oh, the high noon, and the clear noon,
The noon with golden crest;
When the sky burns, and the sun turns
With his face to the way of the west!
How swiftly he rose in the dawn of his strength;
How slowly he crept as the morning wore by;
Ah, steep was the climbing that led him at length
To the height of his throne in the blue summer
sky.
Oh, the long toil, and the slow toil,
The toil that may not rest,
Till the sun looks down from his journey's
crown,
To the wonderful way of the west!
AN AMERICAN IN EUROPE
'Tis fine to see the Old World, and travel up
and down
Among the famous palaces and cities of renown,
To admire the crumbly castles and the statues of
the kings,--
But now I think I've had enough of antiquated
things.
So it's home again, and home again, America for
me I
My heart is turning home again, and there I long to
be,
In the land of youth and freedom beyond the ocean
bars,
Where the air is full of sunlight and the flag is full
of stars.
Oh, London is a man's town, there's power in
the air;
And Paris is a woman's town, with flowers in
her hair;
And it's sweet to dream in Venice, and it's great
to study Rome;
But when it comes to living there is no place like
home.
I like the German fir-woods, in green battalions
drilled;
I like the gardens of Versailles with flashing
fountains filled;
But, oh, to take your hand, my dear, and ramble
for a day
In the friendly western woodland where Nature
has her way!
I know that Europe's wonderful, yet something
seems to lack:
The Past is too much with her, and the people
looking back.
But the glory of the Present is to make the
Future free,--
We love our land for what she is and what she
is to be.
Oh, it's home again, and home again, America for
me I
I want a ship that's westward bound to plough the
rotting sea.
To the blessed Land of Room Enough beyond the
ocean bars,
Where the air is full of sunlight and the flag is full
of stars.
THE ANCESTRAL DWELLINGS
Dear to my heart are the ancestral dwellings
of America,
Dearer than if they were haunted by ghosts of
royal splendour;
These are the homes that were built by the brave
beginners of a nation,
They are simple enough to be great, and full of
a friendly dignity.
I love the old white farmhouses nestled in New
England valleys,
Ample and long and low, with elm-trees feather-
ing over them:
Borders of box in the yard, and lilacs, and old-
fashioned flowers,
A fan-light above the door, and little square panes
in the windows,
The wood-shed piled with maple and birch and
hickory ready for winter,
The gambrel-roof with its garret crowded with
household relics,--
All the tokens of prudent thrift and the spirit of
self-reliance.
I love the look of the shingled houses that front
the ocean;
Their backs are bowed, and their lichened sides
are weather-beaten;
Soft in their colour as grey pearls, they are full
of patience and courage.
They seem to grow out of the rocks, there is
something indomitable about them:
Pacing the briny wind in a lonely land they stand
undaunted,
While the thin blue line of smoke from the
square-built chimney rises,
Telling of shelter for man, with room for a hearth
and a cradle.
I love the stately southern mansions with their
tall white columns,
They look through avenues of trees, over fields
where the cotton is growing;
I can see the flutter of white frocks along their
shady porches,
Music and laughter float from the windows, the
yards are full of hounds and horses.
They have all ridden away, yet the houses have
not forgotten,
They are proud of their name and place, and
their doors are always open,
For the thing they remember best is the pride
of their ancient hospitality.
In the towns I love the discreet and tranquil
Quaker dwellings,
With their demure brick faces and immaculate
white-stone doorsteps;
And the gabled houses of the Dutch, with their
high stoops and iron railings,
(I can see their little brass knobs shining in the
morning sunlight);
And the solid houses of the descendants of the
Puritans,
Fronting the street with their narrow doors and
dormer-windows;
And the triple-galleried, many-pillared mansions
of Charleston,
Standing sideways in their gardens full of roses
and magnolias.
Yes, they are all dear to my heart, and in my
eyes they are beautiful;
For under their roofs were nourished the thoughts
that have made the nation;
The glory and strength of America came from
her ancestral dwellings.
FRANCIS MAKEMIE
(Presbyter of Christ in America, 1683-1708)
To thee, plain hero of a rugged race,
We bring the meed of praise too long delayed!
Thy fearless word and faithful work have made
For God's Republic firmer path and place
In this New World: thou hast proclaimed the
grace
And power of Christ in many a forest glade,
Teaching the truth that leaves men unafraid
Of frowning tyranny or death's dark face.
Oh, who can tell how much we owe to thee,
Makemie, and to labour such as thine,
For all that makes America the shrine
Of faith untrammeled and of conscience free?
Stand here, grey stone, and consecrate the sod
Where rests this brave Scotch-Irish man of God!
NATIONAL MONUMENTS
Count not the cost of honour to the dead!
The tribute that a mighty nation pays
To those who loved her well in former days
Means more than gratitude for glories fled;
For every noble man that she hath bred,
Lives in the bronze and marble that we raise,
Immortalized by art's immortal praise,
To lead our sons as he our fathers led.
These monuments of manhood strong and high
Do more than forts or battle-ships to keep
Our dear-bought liberty. They fortify
The heart of youth with valour wise and deep;
They build eternal bulwarks, and command
Eternal strength to guard our native land.
IN PRAISE OF POETS
MOTHER EARTH
Mother of all the high-strung poets and
singers departed,
Mother of all the grass that weaves over their
graves the glory of the field,
Mother of all the manifold forms of life, deep-
bosomed, patient, impassive,
Silent brooder and nurse of lyrical joys and sor-
rows!
Out of thee, yea, surely out of the fertile depth
below thy breast,
Issued in some Strange way, thou lying motion-
less, voiceless,
All these songs of nature, rhythmical, passionate,
yearning,
Coming in music from earth, but not unto earth
returning.
Dust are the blood-red hearts that beat in time
to these measures,
Thou hast taken them back to thyself, secretly,
irresistibly
Drawing the crimson currents of life down, down,
down
Deep into thy bosom again, as a river is lost in
the sand.
But the souls of the singers have entered into
the songs that revealed them,--
Passionate songs, immortal songs of joy and
grief and love and longing:
Floating from heart to heart of thy children, they
echo above thee:
Do they not utter thy heart, the voices of those
that love thee?
Long hadst thou lain like a queen transformed by
some old enchantment
Into an alien shape, mysterious, beautiful, speech-
less,
Knowing not who thou wert, till the touch of thy
Lord and Lover
Working within thee awakened the man-child to
breathe thy secret.
All of thy flowers and birds and forests and flow-
ing waters
Are but enchanted forms to embody the life of
the spirit;
Thou thyself, earth-mother, in mountain and
meadow and ocean,
Holdest the poem of God, eternal thought and
emotion.
MILTON
I
Lover of beauty, walking on the height
Of pure philosophy and tranquil song;
Born to behold the visions that belong
To those who dwell in melody and light;
Milton, thou spirit delicate and bright!
What drew thee down to join the Roundhead
throng
Of iron-sided warriors, rude and strong,
Fighting for freedom in a world half night?
Lover of Liberty at heart wast thou,
Above all beauty bright, all music clear:
To thee she bared her bosom and her brow,
Breathing her virgin promise in thine ear,
And bound thee to her with a double vow,--
Exquisite Puritan, grave Cavalier!
II
The cause, the cause for which thy soul resigned
Her singing robes to battle on the plain,
Was won, O poet, and was lost again;
And lost the labour of thy lonely mind
On weary tasks of prose. What wilt thou find
To comfort thee for all the toil and pain?
What solace, now thy sacrifice is vain
And thou art left forsaken, poor, and blind?
Like organ-music comes the deep reply:
"The cause of truth looks lost, but shall be
won.
For God hath given to mine inward eye
Vision of England soaring to the sun.
And granted me great peace before I die,
In thoughts of lowly duty bravely done."
III
O bend again above thine organ-board,
Thou blind old poet longing for repose!
Thy Master claims thy service not with those
Who only stand and wait for his reward.
He pours the heavenly gift of song restored
Into thy breast, and bids thee nobly close
A noble life, with poetry that flows
In mighty music of the major chord.
Where hast thou learned this deep, majestic
strain,
Surpassing all thy youthful lyric grace,
To sing of Paradise? Ah, not in vain
The griefs that won at Dante's side thy place,
And made thee, Milton, by thy years of pain,
The loftiest poet of the Saxon race!
WORDSWORTH
Wordsworth, thy music like a river rolls
Among the mountains, and thy song is fed
By living springs far up the watershed;
No whirling flood nor parching drought controls
The crystal current; even on the shoals
It murmurs clear and sweet; and when its bed
Darkens below mysterious cliffs of dread,
Thy voice of peace grows deeper in our souls.
But thou in youth hast known the breaking stress
Of passion, and hast trod despair's dry ground
Beneath black thoughts that wither and de-
stroy.
Ah, wanderer, led by human tenderness
Home to the heart of Nature, thou hast found
The hidden Fountain of Recovered Joy.
KEATS
The melancholy gift Aurora gained
From Jove, that her sad lover should not
see
The face of death, no goddess asked for thee,
My Keats! But when the crimson blood-drop
stained
Thy pillow, thou didst read the fate ordained,--
Brief life, wild love, a flight of poesy!
And then,--a shadow fell on Italy:
Thy star went down before its brightness waned.
Yet thou hast won the gift Tithonus missed:
Never to feel the pain of growing old,
Nor lose the blissful sight of beauty's truth,
But with the ardent lips that music kissed
To breathe thy song, and, ere thy heart grew
cold,
Become the Poet of Immortal Youth.
SHELLEY
Knight-errant of the Never-ending
Quest,
And Minstrel of the Unfulfilled Desire;
For ever tuning thy frail earthly lyre
To some unearthly music, and possessed
With painful passionate longing to invest
The golden dream of Love's immortal fire
In mortal robes of beautiful attire,
And fold perfection to thy throbbing breast!
What wonder, Shelley, if the restless wave
Should claim thee and the leaping flame con-
sume
Thy drifted form on Viareggio's beach?
Fate to thy body gave a fitting grave,
And bade thy soul ride on with fiery plume,
Thy wild song ring in ocean's yearning
speech!
ROBERT BROWNING
How blind the toil that burrows like the mole,
In winding graveyard pathways under-
ground,
For Browning's lineage! What if men have
found
Poor footmen or rich merchants on the roll
Of his forbears? Did they beget his soul?
Nay, for he came of ancestry renowned
Through all the world,--the poets laurel-
crowned
With wreaths from which the autumn takes no
toll.
The blazons on his coat-of-arms are these:
The flaming sign of Shelley's heart on fire,
The golden globe of Shakespeare's human
stage,
The staff and scrip of Chaucer's pilgrimage,
The rose of Dante's deep, divine desire,
The tragic mask of wise Euripides.
LONGFELLOW
In a great land, a new land, a land full of labour
and riches and confusion,
Where there were many running to and fro, and
shouting, and striving together,
In the midst of the hurry and the troubled noise,
I heard the voice of one singing.
"What are you doing there, O man, singing
quietly amid all this tumult?
This is the time for new inventions, mighty
shoutings, and blowings of the trumpet."
But he answered, "I am only shepherding my
sheep with music."
So he went along his chosen way, keeping his
little flock around him;
And he paused to listen, now and then, beside
the antique fountains,
Where the faces of forgotten gods were refreshed
with musically falling waters;
Or he sat for a while at the blacksmith's door,
and heard the cling-clang of the anvils;
Or he rested beneath old steeples full of bells,
that showered their chimes upon him;
Or he walked along the border of the sea, drink-
ing in the long roar of the billows;
Or he sunned himself in the pine-scented ship-
yard, amid the tattoo of the mallets;
Or he leaned on the rail of the bridge, letting
his thoughts flow with the whispering river;
He hearkened also to ancient tales, and made
them young again with his singing.
Then a flaming arrow of death fell on his flock,
and pierced the heart of his dearest!
Silent the music now, as the shepherd entered
the mystical temple of sorrow:
Long he tarried in darkness there: but when he
came out he was singing.
And I saw the faces of men and women and
children silently turning toward him;
The youth setting out on the journey of life, and
the old man waiting beside the last mile-stone;
The toiler sweating beneath his load; and the
happy mother rocking her cradle;
The lonely sailor on far-off seas; and the grey-
minded scholar in his book-room;
The mill-hand bound to a clacking machine; and
the hunter in the forest;
And the solitary soul hiding friendless in the
wilderness of the city;
Many human faces, full of care and longing, were
drawn irresistibly toward him,
By the charm of something known to every heart,
yet very strange and lovely,
And at the sound of that singing wonderfully
all their faces were lightened.
"Why do you listen, O you people, to this old
and world-worn music?
This is not for you, in the splendour of a new
age, in the democratic triumph!
Listen to the clashing cymbals, the big drums, the
brazen trumpets of your poets."
But the people made no answer, following in
their hearts the simpler music:
For it seemed to them, noise-weary, nothing
could be better worth the hearing
Than the melodies which brought sweet order
into life's confusion.
So the shepherd sang his way along, until he
came unto a mountain:
And I know not surely whether it was called
Parnassus,
But he climbed it out of sight, and still I heard
the voice of one singing.
THOMAS BAILEY ALDRICH
I
BIRTHDAY VERSES
Dear Aldrich, now November's mellow days
Have brought another Festa round to you,
You can't refuse a loving-cup of praise
From friends the fleeting years have bound to
you.
Here come your Marjorie Daw, your dear Bad
Boy,
Prudence, and Judith the Bethulian,
And many more, to wish you birthday joy,
And sunny hours, and sky caerulean!
Your children all, they hurry to your den,
With wreaths of honour they have won for
you,
To merry-make your threescore years and ten
You, old? Why, life has just begun for you!
There's many a reader whom your silver songs
And crystal stories cheer in loneliness.
What though the newer writers come in throngs?
You're sure to keep your charm of only-ness.
You do your work with careful, loving touch,--
An artist to the very core of you,--
you know the magic spell of "not-too-much":
We read,--and wish that there was more of
you.
And more there is: for while we love your books
Because their subtle skill is part of you;
We love you better, for our friendship looks
Behind them to the human heart of you.
November 24,1906.
II
MEMORIAL SONNET
This is the house where little Aldrich read
The early pages of Life's wonder-book:
With boyish pleasure, in this ingle-nook
He watched the drift-wood fire of Fancy spread
Bright colours on the pictures, blue and red:
Boy-like he skipped the longer words, and took
His happy way, with searching, dreamful look
Among the deeper things more simply said.
Then, came his turn to write: and still the flame
Of Fancy played through all the tales he told,
And still he won the laurelled poet's fame
With simple words wrought into rhymes of
gold.
Look, here's the face to which this house is
frame,--
A man too wise to let his heart grow old!
(Dedication of the Aldrich Memorial at Portsmouth, June 11, 1908.)
EDMUND CLARENCE STEDMAN
Oh, quick to feel the lightest touch
Of beauty or of truth,
Rich in the thoughtfulness of age,
The hopefulness of youth,
The courage of the gentle heart,
The wisdom of the pure,
The strength of finely tempered souls
To labour and endure!
The blue of springtime in your eyes
Was never quenched by pain;
And winter brought your head the crown
Of snow without a stain.
The poet's mind, the prince's heart,
You kept until the end,
Nor ever faltered in your work,
Nor ever failed a friend.
You followed, through the quest of life,
The light that shines above
The tumult and the toil of men,
And shows us what to love.
Right loyal to the best you knew,
Reality or dream,
You ran the race, you fought the fight,
A follower of the Gleam.
We lay upon your well-earned grave
The wreath of asphodel,
We speak above your peaceful face
The tender word Farewell!
For well you fare, in God's good care,
Somewhere within the blue,
And know, to-day, your dearest dreams
Are true,--and true,--and true!
(Read at the funeral of Mr. Stedman, January 21, 1908.)
LYRICS
DRAMATIC AND PERSONAL
LATE SPRING
I
Ah, who will tell me, in these leaden days,
Why the sweet Spring delays,
And where she hides,--the dear desire
Of every heart that longs
For bloom, and fragrance, and the ruby fire
Of maple-buds along the misty hills,
And that immortal call which fills
The waiting wood with songs?
The snow-drops came so long ago,
It seemed that Spring was near!
But then returned the snow
With biting winds, and all the earth grew sere,
And sullen clouds drooped low
To veil the sadness of a hope deferred:
Then rain, rain, rain, incessant rain
Beat on the window-pane,
Through which I watched the solitary bird
That braved the tempest, buffeted and tossed,
With rumpled feathers, down the wind again.
Oh, were the seeds all lost
When winter laid the wild flowers in their tomb?
I searched their haunts in vain
For blue hepaticas, and trilliums white,
And trailing arbutus, the Spring's delight,
Starring the withered leaves with rosy bloom.
The woods were bare: and every night the frost
To all my longings spoke a silent nay,
And told me Spring was far and far away.
Even the robins were too cold to sing,
Except a broken and discouraged note,--
Only the tuneful sparrow, on whose throat
Music has put her triple finger-print,
Lifted his head and sang my heart a hint,--
"Wait, wait, wait! oh, wait a while for Spring!"
II
But now, Carina, what divine amends
For all delay! What sweetness treasured up,
What wine of joy that blends
A hundred flavours in a single cup,
Is poured into this perfect day!
For look, sweet heart, here are the early flowers,
That lingered on their way,
Thronging in haste to kiss the feet of May,
And mingled with the bloom of later hours,--
Anemonies and cinque-foils, violets blue
And white, and iris richly gleaming through
The grasses of the meadow, and a blaze
Of butter-cups and daisies in the field,
Filling the air with praise,
As if a silver chime of bells had pealed!
The frozen songs within the breast
Of silent birds that hid in leafless woods,
Melt into rippling floods
Of gladness unrepressed.
Now oriole and blue-bird, thrush and lark,
Warbler and wren and vireo,
Confuse their music; for the living spark
Of Love has touched the fuel of desire,
And every heart leaps up in singing fire.
It seems as if the land
Were breathing deep beneath the sun's caress,
Trembling with tenderness,
While all the woods expand,
In shimmering clouds of rose and gold and green,
To veil the joys too sacred to be seen.
III
Come, put your hand in mine,
True love, long sought and found at last,
And lead me deep into the Spring divine
That makes amends for all the wintry past.
For all the flowers and songs I feared to miss
Arrive with you;
And in the lingering pressure of your kiss
My dreams come true;
And in the promise of your generous eyes
I read the mystic sign
Of joy more perfect made
Because so long delayed,
And bliss enhanced by rapture of surprise.
Ah, think not early love alone is strong;
He loveth best whose heart has learned to wait
Dear messenger of Spring that tarried long,
You're doubly dear because you come so late.
NEPENTHE
Yes it was like you to forget,
And cancel in the welcome of your smile
My deep arrears of debt,
And with the putting forth of both your hands
To sweep away the bars my folly set
Between us--bitter thoughts, and harsh de-
mands,
And reckless deeds that seemed untrue
To love, when all the while
My heart was aching through and through
For you, sweet heart, and only you.
Yet, as I turned to come to you again,
I thought there must be many a mile
Of sorrowful reproach to cross,
And many an hour of mutual pain
To bear, until I could make plain
That all my pride was but the fear of loss,
And all my doubt the shadow of despair
To win a heart so innocent and fair;
And even that which looked most ill
Was but the fever-fret and effort vain
To dull the thirst which you alone could still.
But as I turned the desert miles were crossed,
And when I came the weary hours were sped!
For there you stood beside the open door,
Glad, gracious, smiling as before,
And with bright eyes and tender hands outspread
Restored me to the Eden I had lost.
Never a word of cold reproof,
No sharp reproach, no glances that accuse
The culprit whom they hold aloof,--
Ah, 't is not thus that other women use
The power they have won!
For there is none like you, beloved,--none
Secure enough to do what you have done.
Where did you learn this heavenly art,--
You sweetest and most wise of all that live,--
With silent welcome to impart
Assurance of the royal heart
That never questions where it would forgive?
None but a queen could pardon me like this!
My sovereign lady, let me lay
Within each rosy palm a loyal kiss
Of penitence, then close the fingers up,
Thus--thus! Now give the cup
Of full nepenthe in your crimson mouth,
And come--the garden blooms with bliss,
The wind is in the south,
The rose of love with dew is wet--
Dear, it was like you to forget!
HESPER
Her eyes are like the evening air,
Her voice is like a rose,
Her lips are like a lovely song,
That ripples as it flows,
And she herself is sweeter than
The sweetest thing she knows.
A slender, haunting, twilight form
Of wonder and surprise,
She seemed a fairy or a child,
Till, deep within her eyes,
I saw the homeward-leading star
Of womanhood arise.
ARRIVAL
Across a thousand miles of sea, a hundred
leagues of land,
Along a path I had not traced and could not
understand,
I travelled fast and far for this,--to take thee
by the hand.
A pilgrim knowing not the shrine where he would
bend his knee,
A mariner without a dream of what his port
would be,
So fared I with a seeking heart until I came to
thee.
O cooler than a grove of palm in some heat-weary
place,
O fairer than an isle of calm after the wild sea
race,
The quiet room adorned with flowers where first
I saw thy face!
Then furl the sail, let fall the oar, forget the paths
of foam!
The Power that made me wander far at last has
brought me home
To thee, dear haven of my heart, and I no more
will roam.
DEPARTURE
Oh, why are you shining so bright, big Sun,
And why is the garden so gay?
Do you know that my days of delight are done,
Do you know I am going away?
If you covered your face with a cloud, I'd dream
You were sorry for me in my pain,
And the heads of the flowers all bowed would
seem
To be weeping with me in the rain.
But why is your head so low, sweet heart,
And why are your eyes overcast?
Are they clouded because you know we must part,
Do you think this embrace is our last?
Then kiss me again, and again, and again,
Look up as you bid me good-bye!
For your face is too dear for the stain of a tear,
And your smile is the sun in my sky.
THE BLACK BIRDS
I
Once, only once, I saw it clear,--
That Eden every human heart has dreamed
A hundred times, but always far away!
Ah, well do I remember how it seemed,
Through the still atmosphere
Of that enchanted day,
To lie wide open to my weary feet:
A little land of love and joy and rest,
With meadows of soft green,
Rosy with cyclamen, and sweet
With delicate breath of violets unseen,--
And, tranquil 'mid the bloom
As if it waited for a coming guest,
A little house of peace and joy and love
Was nested like a snow-white dove
From the rough mountain where I stood,
Homesick for happiness,
Only a narrow valley and a darkling wood
To cross, and then the long distress
Of solitude would be forever past,--
I should be home at last.
But not too soon! oh, let me linger here
And feed my eyes, hungry with sorrow,
On all this loveliness, so near,
And mine to-morrow!
Then, from the wood, across the silvery blue,
A dark bird flew,
Silent, with sable wings.
Close in his wake another came,--
Fragments of midnight floating through
The sunset flame,--
Another and another, weaving rings
Of blackness on the primrose sky,--
Another, and another, look, a score,
A hundred, yes, a thousand rising heavily
From that accursed, dumb, and ancient wood,--
They boiled into the lucid air
Like smoke from some deep caldron of despair!
And more, and more, and ever more,
The numberless, ill-omened brood,
Flapping their ragged plumes,
Possessed the landscape and the evening light
With menaces and glooms.
Oh, dark, dark, dark they hovered o'er the place
Where once I saw the little house so white
Amid the flowers, covering every trace
Of beauty from my troubled sight,--
And suddenly it was night!
II
At break of day I crossed the wooded vale;
And while the morning made
A trembling light among the tree-tops pale,
I saw the sable birds on every limb,
Clinging together closely in the shade,
And croaking placidly their surly hymn.
But, oh, the little land of peace and love
That those night-loving wings had poised
above,--
Where was it gone?
Lost, lost forevermore!
Only a cottage, dull and gray,
In the cold light of dawn,
With iron bars across the door:
Only a garden where the withering heads
Of flowers, presaging decay,
Hung over barren beds:
Only a desolate field that lay
Untilled beneath the desolate day,--
Where Eden seemed to bloom I found but these!
So, wondering, I passed along my way,
With anger in my heart, too deep for words,
Against that grove of evil-sheltering trees,
And the black magic of the croaking birds.
WITHOUT DISGUISE
If I have erred in showing all my heart,
And lost your favour by a lack of pride;
If standing like a beggar at your side
With naked feet, I have forgot the art
Of those who bargain well in passion's mart,
And win the thing they want by what they
hide;
Be mine the fault as mine the hope denied,
Be mine the lover's and the loser's part.
The sin, if sin it was, I do repent,
And take the penance on myself alone;
Yet after I have borne the punishment,
I shall not fear to stand before the throne
Of Love with open heart, and make this plea:
"At least I have not lied to her nor Thee!"
GRATITUDE
Do you give thanks for this?--or that?"
No, God be thanked
I am not grateful
In that cold, calculating way, with blessing
ranked
As one, two, three, and four,--that would be
hateful.
I only know that every day brings good above
My poor deserving;
I only feel that, in the road of Life, true Love
Is leading me along and never swerving.
Whatever gifts and mercies in my lot may fall,
I would not measure
As worth a certain price in praise, or great or
small;
But take and use them all with simple pleasure.
For when we gladly eat our daily bread, we bless
The Hand that feeds us;
And when we tread the road of Life in cheer-
fulness,
Our very heart-beats praise the Love that leads
us.
MASTER OF MUSIC
(In memory of Theodore Thomas, 1905)
Glory of architect, glory of painter, and sculp-
tor, and bard,
Living forever in temple and picture and statue
and song,--
Look how the world with the lights that they lit
is illumined and starred,
Brief was the flame of their life, but the lamps
of their art burn long!
Where is the Master of Music, and how has he
vanished away?
Where is the work that he wrought with his
wonderful art in the air?
Gone,--it is gone like the glow on the cloud
at the close of the day!
The Master has finished his work, and the glory
of music is--where?
Once, at the wave of his wand, all the billows of
musical sound
Followed his will, as the sea was ruled by the
prophet of old:
Now that his hand is relaxed, and his rod has
dropped to the ground,
Silent and dark are the shores where the mar-
vellous harmonies rolled!
Nay, but not silent the hearts that were filled by
that life-giving sea;
Deeper and purer forever the tides of their
being will roll,
Grateful and joyful, O Master, because they have
listened to thee,--
The glory of music endures in the depths of
the human soul.
STARS AND THE SOUL
(To Charles A. Young, Astronomer)
"Two things," the wise man said, "fill me
with awe:
The starry heavens and the moral law."
Nay, add another wonder to thy roll,--
The living marvel of the human soul!
Born in the dust and cradled in the dark,
It feels the fire of an immortal spark,
And learns to read, with patient, searching eyes,
The splendid secret of the unconscious skies.
For God thought Light before He spoke the word;
The darkness understood not, though it heard:
But man looks up to where the planets swim,
And thinks God's thoughts of glory after Him.
What knows the star that guides the sailor's way,
Or lights the lover's bower with liquid ray,
Of toil and passion, danger and distress,
Brave hope, true love, and utter faithfulness?
But human hearts that suffer good and ill,
And hold to virtue with a loyal will,
Adorn the law that rules our mortal strife
With star-surpassing victories of life.
So take our thanks, dear reader of the skies,
Devout astronomer, most humbly wise,
For lessons brighter than the stars can give,
And inward light that helps us all to live.
The world has brought the laurel-leaves to crown
The star-discoverer's name with high, renown;
Accept the flower of love we lay with these
For influence sweeter than the Pleiades!
TO JULIA MARLOWE
(Reading Keats' Ode on a Grecian Urn)
Long had I loved this "Attic shape," the brede
Of marble maidens round this urn divine:
But when your golden voice began to read,
The empty urn was filled with Chian wine.
PAN LEARNS MUSIC
Limber-limbed, lazy god, stretched on the
rock,
Where is sweet Echo, and where is your flock?
What are you making here? "Listen," said
Pan,--
"Out of a river-reed music for man!"
"UNDINE"
'Twas far away and long ago,
When I was but a dreaming boy,
This fairy tale of love and woe
Entranced my heart with tearful joy;
And while with white Undine I wept,
Your spirit,--ah, how strange it seems,
Was cradled in some star, and slept,
Unconscious of her coming dreams.
LOVE IN A LOOK
Let me but feel thy look's embrace,
Transparent, pure, and warm,
And I'll not ask to touch thy face,
Or fold thee with mine arm.
For in thine eyes a girl doth rise,
Arrayed in candid bliss,
And draws me to her with a charm
More close than any kiss.
A loving-cup of golden wine,
Songs of a silver brook,
And fragrant breaths of eglantine,
Are mingled in thy look.
More fair they are than any star,
Thy topaz eyes divine--
And deep within their trysting-nook
Thy spirit blends with mine.
MY APRIL LADY
When down the stair at morning
The sunbeams round her float,
Sweet rivulets of laughter
Are bubbling in her throat;
The gladness of her greeting
Is gold without alloy;
And in the morning sunlight
I think her name is Joy.
When in the evening twilight
The quiet book-room lies,
We read the sad old ballads,
While from her hidden eyes
The tears are falling, falling,
That give her heart relief;
And in the evening twilight,
I think her name is Grief.
My little April lady,
Of sunshine and of showers,
She weaves the old spring magic,
And breaks my heart in flowers!
But when her moods are ended,
She nestles like a dove;
Then, by the pain and rapture,
I know her name is Love.
A LOVER'S ENVY
I envy every flower that blows
Along the meadow where she goes,
And every bird that sings to her,
And every breeze that brings to her
The fragrance of the rose.
I envy every poet's rhyme
That moves her heart at eventime,
And every tree that wears for her
Its brightest bloom, and bears for her
The fruitage of its prime.
I envy every Southern night
That paves her path with moonbeams white,
And silvers all the leaves for her,
And in their shadow weaves for her
A dream of dear delight.
I envy none whose love requires
Of her a gift, a task that tires:
I only long to live to her,
I only ask to give to her
All that her heart desires.
THE HERMIT THRUSH
O wonderful! How liquid clear
The molten gold of that ethereal tone,
Floating and falling through the wood alone,
A hermit-hymn poured out for God to hear!
O holy, holy, holy! Hyaline,
Long light, low light, glory of eventide!
Love far away, far up,--up,--love divine!
Little love, too, for ever, ever near,
Warm love, earth love, tender love of mine,
In the leafy dark where you hide,
You are mine,--mine,--mine!
Ah, my beloved, do you feel with me
The hidden virtue of that melody,
The rapture and the purity of love,
The heavenly joy that can not find the word?
Then, while we wait again to hear the bird,
Come very near to me, and do not move,--
Now, hermit of the woodland, fill anew
The cool, green cup of air with harmony,
And we will drink the wine of love with you.
FIRE-FLY CITY
Like a long arrow through the dark the train
is darting,
Bearing me far away, after a perfect day of
love's delight:
Wakeful with all the sad-sweet memories of
parting,
I lift the narrow window-shade and look out
on the night.
Lonely the land unknown, and like a river flow-
ing,
Forest and field and hill are gliding backward
still athwart my dream;
Till in that country strange, and ever stranger
growing,
A magic city full of lights begins to glow and
gleam.
Wide through the landscape dim the lamps are lit
in millions;
Long avenues unfold clear-shining lines of gold
across the green;
Clusters and rings of light, and luminous pa-
vilions,--
Oh, who will tell the city's name, and what
these wonders mean?
Why do they beckon me, and what have they to
show me?
Crowds in the blazing street, mirth where the
feasters meet, kisses and wine:
Many to laugh with me, but never one to know
me:
A cityful of stranger-hearts and none to beat
with mine!
Look how the glittering lines are wavering and
lifting,--
Softly the breeze of night, scatters the vision
bright: and, passing fair,
Over the meadow-grass and through the forest
drifting,
The Fire-Fly City of the Dark is lost in empty
air!
Girl of the golden eyes, to you my heart is
turning:
Sleep in your quiet room, while through the
midnight gloom my train is whirled.
Clear in your dreams of me the light of love is
burning,--
The only never failing light in all the phantom
world.
THE GENTLE TRAVELLER
"Through many a land your journey ran,
And showed the best the world can boast
Now tell me, traveller, if you can,
The place that pleased you most."
She laid her hands upon my breast,
And murmured gently in my ear,
"The place I loved and liked the best
Was in your arms, my dear!"
SICILY, DECEMBER, 1908
O garden isle, beloved by Sun and Sea,--
Whose bluest billows kiss thy curving bays,
Whose amorous light enfolds thee in warm
rays
That fill with fruit each dark-leaved orange-
tree,--
What hidden hatred hath the Earth for thee?
Behold, again, in these dark, dreadful days,
She trembles with her wrath, and swiftly lays
Thy beauty waste in wreck and agony!
Is Nature, then, a strife of jealous powers,
And man the plaything of unconscious fate?
Not so, my troubled heart! God reigns above
And man is greatest in his darkest hours:
Walking amid the cities desolate,
The Son of God appears in human love.
Tertius and Henry van Dyke, January, 1909.
THE WINDOW
All night long, by a distant bell,
The passing hours were notched
On the dark, while her breathing rose and fell,
And the spark of life I watched
In her face was glowing or fading,--who could
tell?--
And the open window of the room,
With a flare of yellow light,
Was peering out into the gloom,
Like an eye that searched the night.
Oh, what do you see in the dark, little window, and
why do you fear?
"I see that the garden is crowded wtth creeping forms
of fear:
Little white ghosts in the locust-tree, that wave in the
night-wind's breath,
And low in the leafy laurels the lurking shadow of
death."
Sweet, clear notes of a waking bird
Told of the passing away
Of the dark,--and my darling may have heard;
For she smiled in her sleep, while the ray
Of the rising dawn spoke joy without a word,
Till the splendor born in the east outburned
The yellow lamplight, pale and thin,
And the open window slowly turned
To the eye of the morning, looking in.
Oh, what do you see in the room, little window, that
makes you so bright?
"I see that a child is asleep on her pillow, soft and
white.
With the rose of life on her lips, and the breath of life
in her breast,
And the arms of God around her as she quietly takes
her rest."
Neuilly, June, 1909.
TWILIGHT IN THE ALPS
I love the hour that comes, with dusky hair
And dewy feet, along the Alpine dells
To lead the cattle forth. A thousand bells
Go chiming after her across the fair
And flowery uplands, while the rosy flare
Of sunset on the snowy mountain dwells,
And valleys darken, and the drowsy spells
Of peace are woven through the purple air.
Dear is the magic of this hour: she seems
To walk before the dark by falling rills,
And lend a sweeter song to hidden streams;
She opens all the doors of night, and fills
With moving bells the music of my dreams,
That wander far among the sleeping hills.
Gstaad, August, 1909.
JEANNE D'ARC
The land was broken in despair,
The princes quarrelled in the dark,
When clear and tranquil, through the troubled air
Of selfish minds and wills that did not dare,
Your star arose, Jeanne d'Arc.
O virgin breast with lilies white,
O sun-burned hand that bore the lance,
You taught the prayer that helps men to unite,
You brought the courage equal to the fight,
You gave a heart to France!
Your king was crowned, your country free,
At Rheims you had your soul's desire:
And then, at Rouen, maid of Domremy,
The black-robed judges gave your victory
The martyr's crown of fire.
And now again the times are ill,
And doubtful leaders miss the mark;
The people lack the single faith and will
To make them one,--your country needs you
still,--
Come back again, Jeanne d'Arc!
O woman-star, arise once more
And shine to bid your land advance:
The old heroic trust in God restore,
Renew the brave, unselfish hopes of yore,
And give a heart to France!
Paris, July, 1909.
HUDSON'S LAST VOYAGE
June 22,1611
THE SHALLOP ON HUDSON BAY
One sail in sight upon the lonely sea
And only one, God knows! For never ship
But mine broke through the icy gates that guard
These waters, greater grown than any since
We left the shores of England. We were first,
My men, to battle in between the bergs
And floes to these wide waves. This gulf is mine;
I name it! and that flying sail is mine!
And there, hull-down below that flying sail,
The ship that staggers home is mine, mine, mine!
My ship Discoverie!
The sullen dogs
Of mutineers, the bitches' whelps that snatched
Their food and bit the hand that nourished them,
Have stolen her. You ingrate Henry Greene,
I picked you from the gutter of Houndsditch,
And paid your debts, and kept you in my house,
And brought you here to make a man of you!
You Robert Juet, ancient, crafty man,
Toothless and tremulous, how many times
Have I employed you as a master's mate
To give you bread? And you Abacuck Prickett,
You sailor-clerk, you salted puritan,
You knew the plot and silently agreed,
Salving your conscience with a pious lie!
Yes, all of you--hounds, rebels, thieves! Bring
back
My ship!
Too late,--I rave,--they cannot hear
My voice: and if they heard, a drunken laugh
Would be their answer; for their minds have
caught
The fatal firmness of the fool's resolve,
That looks like courage but is only fear.
They'll blunder on, and lose my ship, and
drown,--
Or blunder home to England and be hanged.
Their skeletons will rattle in the chains
Of some tall gibbet on the Channel cliffs,
While passing mariners look up and say:
"Those are the rotten bones of Hudson's men
"Who left their captain in the frozen North!"
O God of justice, why hast Thou ordained
Plans of the wise and actions of the brave
Dependent on the aid of fools and cowards?
Look,--there she goes,--her topsails in the sun
Gleam from the ragged ocean edge, and drop
Clean out of sight! So let the traitors go
Clean out of mind! We'll think of braver things!
Come closer in the boat, my friends. John King,
You take the tiller, keep her head nor'west.
You Philip Staffe, the only one who chose
Freely to share our little shallop's fate,
Rather than travel in the hell-bound ship,--
Too good an English seaman to desert
These crippled comrades,--try to make them rest
More easy on the thwarts. And John, my son,
My little shipmate, come and lean your head
Against your father's knee. Do you recall
That April morn in Ethelburga's church,
Five years ago, when side by side we kneeled
To take the sacrament with all our men,
Before the Hopewell left St. Catherine's docks
On our first voyage? It was then I vowed
My sailor-soul and years to search the sea
Until we found the water-path that leads
From Europe into Asia.
I believe
That God has poured the ocean round His world,
Not to divide, but to unite the lands.
And all the English captains that have dared
In little ships to plough uncharted waves,--
Davis and Drake, Hawkins and Frobisher,
Raleigh and Gilbert,--all the other names,--
Are written in the chivalry of God
As men who served His purpose. I would claim
A place among that knighthood of the sea;
And I have earned it, though my quest should
fail!
For, mark me well, the honour of our life
Derives from this: to have a certain aim
Before us always, which our will must seek
Amid the peril of uncertain ways.
Then, though we miss the goal, our search is
crowned
With courage, and we find along our path
A rich reward of unexpected things.
Press towards the aim: take fortune as it fares!
I know not why, but something in my heart
Has always whispered, "Westward seek your
goal!"
Three times they sent me east, but still I turned
The bowsprit west, and felt among the floes
Of ruttling ice along the Groneland coast,
And down the rugged shore of Newfoundland,
And past the rocky capes and wooded bays
Where Gosnold sailed,--like one who feels his
way
With outstretched hand across a darkened
room,--
I groped among the inlets and the isles,
To find the passage to the Land of Spice.
I have not found it yet,--but I have found
Things worth the finding!
Son, have you forgot
Those mellow autumn days, two years ago,
When first we sent our little ship Half-Moon,--
The flag of Holland floating at her peak,--
Across a sandy bar, and sounded in
Among the channels, to a goodly bay
Where all the navies of the world could ride?
A fertile island that the redmen called
Manhattan, lay above the bay: the land
Around was bountiful and friendly fair.
But never land was fair enough to hold
The seaman from the calling of the sea.
And so we bore to westward of the isle,
Along a mighty inlet, where the tide
Was troubled by a downward-flowing flood
That seemed to come from far away,--perhaps
From some mysterious gulf of Tartary?
Inland we held our course; by palisades
Of naked rock where giants might have built
Their fortress; and by rolling hills adorned
With forests rich in timber for great ships;
Through narrows where the mountains shut us in
With frowning cliffs that seemed to bar the
stream;
And then through open reaches where the banks
Sloped to the water gently, with their fields
Of corn and lentils smiling in the sun.
Ten days we voyaged through that placid land,
Until we came to shoals, and sent a boat
Upstream to find,--what I already knew,--
We travelled on a river, not a strait.
But what a river! God has never poured
A stream more royal through a land more rich.
Even now I see it flowing in my dream,
While coming ages people it with men
Of manhood equal to the river's pride.
I see the wigwams of the redmen changed
To ample houses, and the tiny plots
Of maize and green tobacco broadened out
To prosperous farms, that spread o'er hill and
dale
The many-coloured mantle of their crops;
I see the terraced vineyard on the slope
Where now the fox-grape loops its tangled vine;
And cattle feeding where the red deer roam;
And wild-bees gathered into busy hives,
To store the silver comb with golden sweet;
And all the promised land begins to flow
With milk and honey. Stately manors rise
Along the banks, and castles top the hills,
And little villages grow populous with trade,
Until the river runs as proudly as the Rhine,--
The thread that links a hundred towns and
towers!
And looking deeper in my dream, I see
A mighty city covering the isle
They call Manhattan, equal in her state
To all the older capitals of earth,--
The gateway city of a golden world,--
A city girt with masts, and crowned with spires,
And swarming with a host of busy men,
While to her open door across the bay
The ships of all the nations flock like doves.
My name will be remembered there, for men
Will say, "This river and this isle were found
By Henry Hudson, on his way to seek
The Northwest Passage into Farthest Inde."
Yes! yes! I sought it then, I seek it still,--
My great adventure and my guiding star!
For look ye, friends, our voyage is not done;
We hold by hope as long as life endures!
Somewhere among these floating fields of ice,
Somewhere along this westward widening bay,
Somewhere beneath this luminous northern night,
The channel opens to the Orient,--
I know it,--and some day a little ship
Will push her bowsprit in, and battle through!
And why not ours,--to-morrow,--who can tell?
The lucky chance awaits the fearless heart!
These are the longest days of all the year;
The world is round and God is everywhere,
And while our shallop floats we still can steer.
So point her up, John King, nor'west by north.
We'll keep the honour of a certain aim
Amid the peril of uncertain ways,
And sail ahead, and leave the rest to God.
Oberhofen, July, 1909.
THE END
End of the Project Gutenberg EBook of The White Bees, by Henry Van Dyke
*** END OF THIS PROJECT GUTENBERG EBOOK THE WHITE BEES ***
***** This file should be named 3757.txt or 3757.zip *****
This and all associated files of various formats will be found in:
https://www.gutenberg.org/3/7/5/3757/
Produced by Charles Franks, Robert Rowe, and the Online
Distributed Proofreading Team.
Updated editions will replace the previous one--the old editions
will be renamed.
Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties. Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark. Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission. If you
do not charge anything for copies of this eBook, complying with the
rules is very easy. You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research. They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks. Redistribution is
subject to the trademark license, especially commercial
redistribution.
*** START: FULL LICENSE ***
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
https://gutenberg.org/license).
Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
electronic works
1.A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.
1.B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works. Nearly all the individual works in the
collection are in the public domain in the United States. If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed. Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work. You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.
1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are in
a constant state of change. If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work. The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.
1.E. Unless you have removed all references to Project Gutenberg:
1.E.1. The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org
1.E.2. If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges. If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.
1.E.3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder. Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.
1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.
1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.
1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form. However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form. Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.
1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.
1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that
- You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg-tm works calculated using the method
you already use to calculate your applicable taxes. The fee is
owed to the owner of the Project Gutenberg-tm trademark, but he
has agreed to donate royalties under this paragraph to the
Project Gutenberg Literary Archive Foundation. Royalty payments
must be paid within 60 days following each date on which you
prepare (or are legally required to prepare) your periodic tax
returns. Royalty payments should be clearly marked as such and
sent to the Project Gutenberg Literary Archive Foundation at the
address specified in Section 4, "Information about donations to
the Project Gutenberg Literary Archive Foundation."
- You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he
does not agree to the terms of the full Project Gutenberg-tm
License. You must require such a user to return or
destroy all copies of the works possessed in a physical medium
and discontinue all use of and all access to other copies of
Project Gutenberg-tm works.
- You provide, in accordance with paragraph 1.F.3, a full refund of any
money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days
of receipt of the work.
- You comply with all other terms of this agreement for free
distribution of Project Gutenberg-tm works.
1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark. Contact the
Foundation as set forth in Section 3 below.
1.F.
1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection. Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.
1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.
1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium with
your written explanation. The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund. If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund. If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.
1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law. The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.
1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.
Section 2. Information about the Mission of Project Gutenberg-tm
Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers. It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.
Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at https://www.pglaf.org.
Section 3. Information about the Project Gutenberg Literary Archive
Foundation
The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation's EIN or federal tax identification
number is 64-6221541. Its 501(c)(3) letter is posted at
https://pglaf.org/fundraising. Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.
The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations. Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
[email protected]. Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at https://pglaf.org
For additional contact information:
Dr. Gregory B. Newby
Chief Executive and Director
[email protected]
Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation
Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.
The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To
SEND DONATIONS or determine the status of compliance for any
particular state visit https://pglaf.org
While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.
International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.
Please check the Project Gutenberg Web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including including checks, online payments and credit card
donations. To donate, please visit: https://pglaf.org/donate
Section 5. General Information About Project Gutenberg-tm electronic
works.
Professor Michael S. Hart was the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone. For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.
Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included. Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.
Most people start at our Web site which has the main PG search facility:
https://www.gutenberg.org
This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.
