The Project Gutenberg EBook of Forced Move, by Henry Lee This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you'll have to check the laws of the country where you are located before using this ebook. Title: Forced Move Author: Henry Lee Release Date: April 19, 2019 [EBook #59309] Language: English *** START OF THIS PROJECT GUTENBERG EBOOK FORCED MOVE *** Produced by Greg Weeks, Mary Meehan and the Online Distributed Proofreading Team at http://www.pgdp.net FORCED MOVE BY HENRY LEE _Wars are won by sacrifice. But computers don't consider sacrifice an optimum move...._ [Transcriber's Note: This etext was produced from Worlds of If Science Fiction, June 1955. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] Snow had fallen in the morning but now the sky was clear and Ruy, with a glance at the frosty stars and a sharp twist of his foot as he ground out a cigarette, stepped out quickly. It was axiomatic. What had to be done, had to be done. A forged pass, with 48 hours of alleged validity gleaming brightly in red letters under the plastic overlaminate was better than no pass. And an outdated pass would wipe away a week's work in the underground. The sharp, massive gray outline of the Pentagon loomed before him, dark and foreboding against the sky. The brightly lighted entrance through which he must gain admittance resembled the glowing peep-hole into the inferno of an atomic drive. Ruy's stomach hardened, then exploded in a surge of bitter, stringent gastric juices as the MP glanced at his pass, scrutinized his face, and then turned his attention toward others coming through the entrance. Ruy wanted to run and hide. His dark blue uniform seemed to shrink tighter and tighter. The misfit must be apparent from the back. The silvery commander's insignia on his jacket weighed heavily at his chest and at his heart. He wished desperately for one fleeting, but excruciating, moment that he were back on his ship, in his own uniform, at the control panel of his computer. He started off to the right in a seeming trance. The first step had been taken. His many hours of thought, study and planning would carry him from here. This was the only way. He had repeated the fact over and over. It was an ugly business, but had to be done. Five years of war was enough. Man was on his knees before the invaders from outer space; but they in turn had been too long from home and were near the breaking point. A continued drain would mean defeat for both sides. Ruy could turn the tide, but very probably his life would be the minimum sacrifice. He had decided his fate long before he left the decks of his ship. Only the belligerent pride of statesmen, and the steadfast belief in the infallability of their computers, kept the two great battle fleets drawn in null position against each other. The computers, perhaps, deserved such ultimate confidence--in theory. They always predicted optimum maneuver envelopes, always predicted mobilization rates to develop force fields designed to offset those of the enemy. And they always kept battle losses to a minimum--merely dribbling away the resources of the solar system. Yet in five years of such optimum maneuvering, not a single battle had been won. Two doors gave way before Ruy's pocket vibrator, the lock tumblers slipping and turning freely in a mad frenzy to escape the resonating hum. A short, windowless corridor lay before him, broken only by a massive door at the other end. Beyond that door lay Ruy's objective. The guard never had time to do more than note Ruy's presence in this sanctum sanctorum. The needle thin spray of a paralyzing drug made his body feel stiff, unmanageable, and peculiarly buoyant, as though he were being hurled through space. His thoughts became blurred and then after a blinding flash, complete oblivion set in. The two officers seated at the control panels of the master computer experienced similar depression of their cardiovascular systems and medullae. Small thermite igniters pressed against the door lock and hinges fused the steel door to its frame. With the smell of scorched paint still stinging his nostrils, Ruy seated himself at the control panel, dabbed his left wrist with stringent antiseptic, gripped his hand into a fist, and plunged the silver probes deep into the nerves of his wrist. Glancing through the observation window into the battle plotting room below, he studied the positions of the fleets as they appeared on the large wall diagram of the solar system. Disregarding the distraction offered by the moving figures of the few officers and technicians on duty by the map, he fixed the positions of the fleets into his mind. He would have need for a clear visual picture until he adapted to the mental images the computer would feed into his brain. He worked with furious haste, yet each step was meticulously precise--everything depended on his grasping the reins of battle from the computer and successfully twisting its authority to his own purposes. Grasping the viewing switch, he threw it on. Pinpoints of light flared deep within his brain and seemed to blot his vision. Closing his eyes, his brain fought for perspective. Gradually, it focused and perceived the solar system, resplendent with sun, planets, moons, and men of war. Enveloping each ship were lines of force, scintillating sharp and hard; forming cosmic vortexes as the lesser computers on board followed the master's directives and distorted the ether around the ships, seeking to build a pattern to penetrate the opposing fields and engulf the enemy men of war. A moment, and the game was on. Ruy grasped the "Manual" switch before him, pulled hard, and dropped his hands to the keyboard before him. * * * * * The General, who was known in military circles as a good Joe, but a stickler for the theory of war, relaxed languidly at his desk in the small office off the Battle Room. The other officers on duty milled around the plotting board within his eyesight awaiting the end of the evening shift. It was strange and new to relax on the job after so many years of fleet duty. But staff duty to the master computer was good, politically. He was getting along in years, and a few more contacts here might mean a separate fleet command of his own, perhaps in pursuit of the invader, if the computers could ever break the deadlock. Suddenly, the sweet reverie of the General was snapped like a tight tension cable. A gong on the wall clanged rapidly three times and a red flashing light next to the gong told him what his ears refused to believe. The computer had been switched to manual. He had received no such instructions. In fact, the computer hadn't been on manual since the war started. "Captain, who ordered manual control?" he barked as he sprang to the doorway of the Battle Room. "I don't know, Sir," stammered the Captain. His manner and bearing were those of a man who had just been faced with a problem of cataclysmic proportions. "Well check with the control room--on the double--before our fleet gets out of defensive position." His parade ground roar snapped the Captain out of the catelepsy which had enveloped him and sent him scurrying into the corridor. An almost hysterical shout whirled the General back to the plotting board. "Sir, our fleet is attacking--_attacking!_" "What? Where?" asked the General, his eyes darting over the board in a frantic effort to orient himself. "Here, Sir, see. The positions are changing gradually in an unusual pattern. A patrol ship, a destroyer, and a cruiser have all gone right into the enemy vortex field," analyzed the Major. "Yes, I see--But with the enemy concentrating his ships orthogonally--he'll build a vortex that will disintegrate each and every ship of ours near the vortex," said the General, his mind coming up to full battle speed as it grasped the situation. "My God! Can't they see that they're going to certain death?" * * * * * A gong sounded in a muffled sort of way in the plotting room below Ruy, as a gentle buzz told him that the computer had relinquished control. His fingers began to play rapidly over the keys. Swift orders of strategy were transmitted through steel conduits deep into the computer vaults of the building. There, the orders were transposed into detailed tactics and beamed throughout the solar system. And as his fingers limbered to the keys, he played a deadly tune, a concerto of death. The fleet grew alive with a sudden awareness; it seemed to be a thing alive, straining at its bonds in response to the music played into its computers and controls. Suddenly, the fleet sprang forward. A destroyer shot out into the midst of the enemy fleet, launching all of its energy in one tremendous lurch--only to go down in a flaming wreck as the enemy ships swerved and concentrated on it. And a second ship, and then a third ship repeated the frightful maneuver, until the whole heavens were lighted with the flaming novae of berserk atomic drives. "General, sir," said the Lieutenant, with sweat rolling from his brow as he saluted. "Yes, Lieutenant," said the General looking away from the battle map of the solar system. "We can't make any headway against the control room door. Must be solid steel. Whoever got in there must have fused it shut." "Well, get a welding torch," said the General, his eyes going back to watch the devastation of the fleet. "We've got to get in--get that computer back on automatic. Get explosives, if necessary." "We've sent for a welding torch already, sir. It'll be here in a few minutes." "All right. Send someone for hand grenades too. We've got to stop this sabotage before the fleet is annihilated. They're losing ships every minute." "Sir," interposed the Captain standing nearby, "maybe we can cut off the computer room someway. I know it's a direct conduit, right to the vaults from the control room, but maybe we can cut the conduits and let the ships fall back on their emergency circuits." "Looks like a possible alternative, Captain, though we'd put the computer out of operation for several days," said the General. "But we're losing our fleet this way." Seven, eight, nine great men of war went down before the blazing force fields of the enemy, who pounced on every sacrifice offered to it by the computer. The Lieutenant turned his eyes from the incandescent glare of the thick steel conduit glowing red under the finger of the acetylene torch. "General, its extremely resistant to cutting. I doubt if we can cut through it before they finally get the door and frame cut away up in the control room." "Keep at it, boy. We've got to get through at the saboteur one way or another. Do the best you can. The boys in the fleet are counting on you. They're going down to certain death while we delay." * * * * * With the last terms of the new equations of strategy played into the computer, Ruy sat back, gave a sigh, opened his eyes, and slipped the electrodes from his wrist. His job was almost done. If he could keep the others from this control panel for another half hour, the computer could operate on his equations fully, and the battle would be won. The first ships from Earth had already gone down in flames, expendable sacrifices to his purpose. But they were not dying in vain. The end result would be--must be--victory. _Wars are fought by strategy, but also by sacrifice. Every general must send troops into battle, must expect to sacrifice to make the enemy commit himself in the desired way, and so make victory possible._ This was what Ruy believed. He believed it deeply, deeply enough to throw aside his career as a rising young theoretical mathematics officer of the fleet and to go over the heads of his unconvinced superiors, with all their unread reports and unanswered recommendations from subordinates, in the only way a man of action could--by taking things into his own hands, and staking his life on the gamble. The General, eyes riveted to the board, winced with pain as ship after ship roiled the heavens with flaming death. And as he watched, a gradual subtle design became apparent. For every ship he had lost, his ships had taken a similar tally--for each sacrifice, a trap was sprung and a similar toll taken. Computers did not sacrifice, did not send men out to certain death. Therefore a sacrifice was greedily snapped up as a mistake of the enemy. And such greed snapped the trap. One move forced the next, once the bait was taken. As the theme of the theory formed in the General's mind, he suddenly muttered: "Even exchange will balance a computer's potential--but a series of forced, even-exchanges can distort a fleet's position from optimum.... I never realized it before--an optimum move is not an optimum move--if it's a forced move." He turned from the board and spoke quietly to the men who stood in hushed groups watching the flaming battle. "Gentlemen, we are winning a great victory; the war will soon be over." * * * * * The door to the computer room toppled outward, frame and all, after several ceaseless hours of cutting. The impact left the hallway of armed men silent and still, like specters in the unreal light from the glowing acetylene torch. Just inside the doorway stood a man, his youth belied by wise and thoughtful eyes, grinding a cigarette under his foot. And as he stepped through the wrecked and twisted door frame not a hand was raised against him. End of the Project Gutenberg EBook of Forced Move, by Henry Lee *** END OF THIS PROJECT GUTENBERG EBOOK FORCED MOVE *** ***** This file should be named 59309.txt or 59309.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/5/9/3/0/59309/ Produced by Greg Weeks, Mary Meehan and the Online Distributed Proofreading Team at http://www.pgdp.net Updated editions will replace the previous one--the old editions will be renamed. Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away--you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution. START: FULL LICENSE THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg-tm mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase "Project Gutenberg"), you agree to comply with all the terms of the Full Project Gutenberg-tm License available with this file or online at www.gutenberg.org/license. Section 1. General Terms of Use and Redistributing Project Gutenberg-tm electronic works 1.A. By reading or using any part of this Project Gutenberg-tm electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg-tm electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg-tm electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. "Project Gutenberg" is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg-tm electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg-tm electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg-tm electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" or PGLAF), owns a compilation copyright in the collection of Project Gutenberg-tm electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg-tm mission of promoting free access to electronic works by freely sharing Project Gutenberg-tm works in compliance with the terms of this agreement for keeping the Project Gutenberg-tm name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg-tm License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg-tm work. The Foundation makes no representations concerning the copyright status of any work in any country outside the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg-tm License must appear prominently whenever any copy of a Project Gutenberg-tm work (any work on which the phrase "Project Gutenberg" appears, or with which the phrase "Project Gutenberg" is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you'll have to check the laws of the country where you are located before using this ebook. 1.E.2. If an individual Project Gutenberg-tm electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase "Project Gutenberg" associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg-tm electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg-tm License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg-tm. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg-tm License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg-tm work in a format other than "Plain Vanilla ASCII" or other format used in the official version posted on the official Project Gutenberg-tm web site (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original "Plain Vanilla ASCII" or other form. Any alternate format must include the full Project Gutenberg-tm License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg-tm works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg-tm electronic works provided that * You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg-tm works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg-tm trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, "Information about donations to the Project Gutenberg Literary Archive Foundation." * You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg-tm License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg-tm works. * You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. * You comply with all other terms of this agreement for free distribution of Project Gutenberg-tm works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from both the Project Gutenberg Literary Archive Foundation and The Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm electronic works, and the medium on which they may be stored, may contain "Defects," such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right of Replacement or Refund" described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg-tm trademark, and any other party distributing a Project Gutenberg-tm electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg-tm electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg-tm electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg-tm work, (b) alteration, modification, or additions or deletions to any Project Gutenberg-tm work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg-tm Project Gutenberg-tm is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg-tm's goals and ensuring that the Project Gutenberg-tm collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg-tm and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation's EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state's laws. The Foundation's principal office is in Fairbanks, Alaska, with the mailing address: PO Box 750175, Fairbanks, AK 99775, but its volunteers and employees are scattered throughout numerous locations. Its business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation's web site and official page at www.gutenberg.org/contact For additional contact information: Dr. Gregory B. Newby Chief Executive and Director [email protected] Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg-tm depends upon and cannot survive without wide spread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg Web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate Section 5. General Information About Project Gutenberg-tm electronic works. Professor Michael S. Hart was the originator of the Project Gutenberg-tm concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg-tm eBooks with only a loose network of volunteer support. Project Gutenberg-tm eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our Web site which has the main PG search facility: www.gutenberg.org This Web site includes information about Project Gutenberg-tm, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.