The Project Gutenberg eBook of The return
This eBook is for the use of anyone anywhere in the United States and
most other parts of the world at no cost and with almost no restrictions
whatsoever. You may copy it, give it away or re-use it under the terms
of the Project Gutenberg License included with this eBook or online
at www.gutenberg.org. If you are not located in the United States,
you will have to check the laws of the country where you are located
before using this eBook.
Title: The return
Author: Helen R. Hull
Release date: October 23, 2026 [eBook #79844]
Language: English
Original publication: New York: Mary Fanton Roberts, Inc., 1919
Other information and formats: www.gutenberg.org/ebooks/79844
Credits: Jens Sadowski. This book was produced from images made available by the HathiTrust Digital Library.
*** START OF THE PROJECT GUTENBERG EBOOK THE RETURN ***
The Return
Helen R. Hull
The Touchstone, vol. 5, May 1919, pp. 125-133.
“Well, I tell you it’s worth winning a war for, just to get Mary back
again.” Will Rodman leaned back in his chair, his fingers reaching for
an inner pocket.
“Awful to think of the hand that can make a pie like that wasted on a
gas mask, eh, father?”
“I guess you’ve got as much right to feel glad as anybody.” He
extricated his cigar, looking up suspiciously at his daughter.
“The best part of it”—Mrs. Rodman folded her napkin with quick motions
of her plump white hands—“is that she didn’t ask for a raise or
anything. She was glad enough to have her old job back——”
“Things are settling down fast. Won’t be long now”—Mr. Rodman paused
while he slipped the gilt label from his cigar—“not long till
everything’s running along same’s before the war.”
“Stephen should be home soon.”
“What’s that? Stevie coming home?” The old man across the table from
Grace blinked at her out of wrinkled eyelids.
“Pretty soon, Grandpa,” shouted Mr. Rodman, as he pushed back his chair
and rose. “Here’s your cane.” He drew away the chair as the old man, his
lips moving a little in his beard, pulled himself to his feet.
“Now come in and see how you like the new rug.” Mrs. Rodman led the way
into the sitting room, her blue silk rustling.
In the doorway, Grace stopped, watching her grandfather as he clumped
over to the window.
“You’ll be cold there, Father.” Mrs. Rodman pattered after him, made to
draw him back to his easy chair near the table. But he shook his head
and sat down, his hands clasped on his cane. Mrs. Rodman reached past
him to draw the shade.
“Leave it up! Leave it up!” he cried.
With a tolerant shrug of her round shoulders she left the shade half up
and went back to stand by her husband, who was squinting between puffs
of smoke at the great square of soft colors which lay beneath their
feet.
“Turn on more light, Gracie.” The girl snapped on the overhead lights.
“It cost quite a sum, but we haven’t bought anything for the house for
so long—” Her fair face was puckered in a kind of pleased anxiety.
“Well—” Mr. Rodman rubbed his chin. “It’s stylish, ain’t it?”
“Don’t you like it, Will?”
“Oh, I’d like something bright—roses, don’t you know. But suit yourself.
It’s comfortable to walk on.”
“It’s a Persian rug, Father.” Grace chuckled, her fine, dark brows
lifted.
“Um. I suppose so. It’s all right if you like it.” Mr. Rodman sank into
his morris chair and pulled his paper onto his knees. “Anyway it’s fine
to be able to get what you want without feeling like a criminal.”
Mrs. Rodman seated herself with little flirts of her skirt, and reached
for her embroidery.
“It certainly is.” She drew the thread through her needle, her chin
vanishing in soft white folds of flesh. “I feel as if I’d been having a
bad dream and just waked up.”
Grace pushed the button again and the room went into dusk except for the
nucleus of light about the polished reading table, holding in its circle
the bald, good-natured forehead of her father, the neat, light hair of
her mother.
Her father looked at her suddenly over the sheet.
“Did you say Brock was coming in?”
“Later. He ’phoned he had a meeting at the factory.”
“Um. I heard something about trouble there. Well, trust him to settle
it. He’s got a great head. You didn’t make any mistake to choose him, if
you were slow about it.”
“Did you say Stevie was coming?”
At the voice quavering from the window, Grace started, her fingers
shutting into her palms.
“Pretty soon!” her mother shrilled over her shoulder.
“Brock said yesterday—” Grace spoke hastily—“that he could use Stephen
at the factory——”
“Well, when he comes back—” Her mother held the embroidery out at arm’s
length, her forehead puckering—“he may be willing to settle down.”
“I should think the war might of knocked the poetry bug out of him.” Mr.
Rodman spoke through his paper.
“After all,” said Grace; and her words slipped out as though strung on a
smooth wire of bitterness, an unseemly bit of decoration in the quiet,
comfortable room. “After all, he is the only one of us who gave up
everything and went—to war. We might let him do what he wants to when he
comes back.”
“What did he give up?” cried her father. “I just said I hoped he’d come
back a better man than he went. As for being the only one of us—” He
peered past the circle of light toward the girl, irritatingly
indistinct. “I was too old. If you mean Brock——”
“No. Of course Brock had to manage his business—guns were necessary.”
Grace hesitated.
“His success certainly proves that.” Mrs. Rodman smiled up from her
work. “How many thousands did he say——”
“Many more than Stephen will bring back from war.”
“Well!” Mrs. Rodman jerked her word out with her needle. “I must say!”
“When will Stevie back?” The old man had half risen, supporting the arch
of his body over his cane. Grace crossed to him, drew him down into the
chair again.
“We don’t know, Grandfather,” she said, close to his ear. “The war is
just over.”
“I know. I want to see him. Want to tell him about when I came home from
the war.” He pulled at the girl’s arm. “That’s what gave me this—” he
lifted his hand slowly to his eyes, “and the bad pain here—” it trembled
down to his chest, clenched there for a second, and dropped. “You don’t
know——”
“He won’t come tonight, Grandfather. Don’t you want to go to your room?”
“Eh?”
“It’s bed time.”
“No. No.” He settled down in his chair. “I’m going to wait a bit.” He
turned his face again toward the window.
“Leave him alone, Grace. He’s in one of his stubborn fits.” Mrs. Rodman
hitched her chair around slightly, to look at her daughter. “I hope,
Gracie, you don’t say things like that to Brock. He might think—well——”
“Oh, he doesn’t care. Stephen’s just a poor cousin.”
Grace stood by the window now, her cheek against the pane, her eyes on
the white, cold street outside.
Mrs. Rodman sighed.
“He always was queerer than the law allowed. And you’ve always stood up
for him, ever since we took him.”
“What’s the use of so much talk?” Mr. Rodman rustled his paper.
“No use.” Grace’s voice was low. “I only want him to have a chance when
he does come back. A chance to do what he wants. After all—we made him
go. We don’t know what he’s been through—or what he’ll want.”
“Made him go? We saved him from being a coward.”
“No. He went the minute he thought he ought to go.”
“Yes, that’s the trouble with Stephen, always. He had to think before he
could go. Perhaps he’s learned to do things instead of thinking.” Mr.
Rodman pulled one leg over the other knee. “Here, why fuss? He’ll be
glad of a chance to get into business.”
“For my part—” Mrs. Rodman nodded vigorously—“I’m relieved you are
getting married next week, before Stephen comes back. You always paid
too much attention to his crazy ideas. Now Brock is sensible.”
“You think he—will keep me sensible?”
“Well, see how stirred up you get yourself, just talking!”
“Oh, rot!”
“Gracie!”
“Yes?” The girl broke off, her slim body growing straight and taut at
the sound of a step on the porch. The old man lifted his head. But his
beard dropped back on his breast at the loud call from the hall of,
“Hello, everyone!” Grace slipped away from the window on to the low seat
in the corner.
“Good evening, Brock!” Her mother reached out a hand fluttering in
eagerness, as Brock strode into the room. Mr. Rodman looked up from his
paper, his round face ruddy with good humor again.
Brock stripped off his gauntlets, shook himself out of his great
fur-lined coat.
“Here, let me take your things—” Mrs. Rodman made a little flurry of
movements over her sewing, glancing reproachfully at Grace.
“Not a bit of it! Sit still, please.” He flung them over a chair. “What
you doing in that corner, Grace? Been bad?” He crossed the room, to
stand above her. The light picked out his full lips, the line of square
jaw, the large, heavy-lidded eyes. “Sweets to the sweet.” He dropped a
box with gaudy bow into her lap. “I wanted to get some flowers, but it
was too late. Those fellows—” He threw back his shoulders, a quiet
swagger in the angle of his head. “I fixed ’em. Tell you, it’s fine to
get here—everything comfortable. It’s bitter outside.” He reached for
Grace’s hand, and held it unresisting, to his cheek. “See how cold it
is?” His eyes ran hungrily into the shadow, over the white throat, line
of drooping shoulder, gray eyes vague in the half light.
“Brr-r.” Grace drew her hand away.
“Makes you feel fine, though. Wouldn’t like to come out for a walk—or a
ride——”
“No. Not tonight.”
“Tired?”
“A day with the dressmaker. You’ve no idea how many clothes it takes to
marry you!” Grace drawled a little as she spoke, but she pulled herself
erect in the corner, as though she picked up slack reins.
“I suppose so.” His tone was amused. “Hello, here’s grandfather, asleep
in his chair.”
“Yes—” began Grace, when her mother interrupted.
“He’s quite beside himself since peace was declared. Tonight he’s
insisting on watching for Stephen.”
“You haven’t heard he’s coming?”
“Not a word.”
“That’s what I thought.” Brock drew a chair near the table, seated
himself with a lazy stretch; the strong light etched a rigidity of line
at the corners of his eyes and nostrils.
“I stopped at the house,” he said. “The men have finished doing over the
floors. We are in luck to step into a place furnished like that——”
“Dead men’s shoes——”
“What?” Brock stared at the corner; the shadow hid the quality of
Grace’s smile. “Stone’s not dead. He’s mighty glad to make a good cash
deal.”
“I know. But the war’s ruined him, and out he marches, out of his grand
house. It’s made you, and so in you—we—march. Funny, isn’t it!”
“Not so funny. He wasn’t clever enough, that’s all.”
“Grace, you know you think it’s a wonderful house!” Mrs. Rodman’s cheeks
had an agitated quiver.
Brock leaned back, his square, white hands relaxed along the arms of the
chair.
“It will do for this winter,” he said quietly. “Then if we want to
build, we can sell it.”
“You don’t think it’s unlucky, then, beginning in somebody’s wreck?”
“Gracie!” shrilly from Mrs. Rodman.
“Really, Grace, sometimes you—you are sentimental!” Mr. Rodman let his
foot drop with a bang to the floor, as he shifted in his chair. “Don’t
listen to her, Brock!”
The grandfather stirred, cupping one hand about his ear.
“Did Stevie come in? I thought——”
Grace stretched out her hand to touch his arm.
“No, Grandfather. Won’t you come upstairs now?” He shook his head, and,
patting her hand with gentle old fingers, mumbled a little and was
silent again.
“Women need to be sentimental,” Brock was saying, with a smile. “But we
can’t, we men. It wouldn’t have landed me where I am. Take just tonight,
for instance, at the factory.” His hands shut slowly into fists with
heavy knuckles.
“I heard downtown—” Mr. Rodman dropped his voice—“that trouble was
simmering.”
“Was that all you heard?”
“Um—no. They said you’d cut the wages, and the men weren’t going to
stand for it.”
Brock’s full lips parted in a grin; his hands relaxed again.
“Yes, that’s what they said, the men, this afternoon. Some of them came
in tonight. It wasn’t much of a cut, you know. A few cents an hour. It’s
the principle of the thing I’m after. The war’s over. They needn’t think
they can go on at war rates now. No business could live that way.” Brock
balanced his fingers together over his chest, the lines about his
nostrils deepening. “They threatened a strike.”
“Well?” urged Mr. Rodman.
Grace listened, her head bent, her fingers pressed against the arm of
her grandfather.
“Well, I just pointed out to them that their day of bullying me was
over. Men are coming back, shiploads of them. They’ll need jobs. They
won’t be in any position to force outrageous wages out of me. I told
them they could all walk out. I’d shut the factory. Take a vacation.
Then I’d open it two months from now, with a clean sweep, a new force.”
“And they saw it, did they?”
“Of course they saw it. They know the war’s over, don’t they? This was a
last grab for something out of it.”
The grandfather with a queer whistling of breath through his beard, was
stumbling to his feet. Brock held the admiring eyes of the father and
mother. Only Grace turned to see why the old man strained toward the
doorway. As he came to trembling salute beside her, his cane clattering
to the floor, she flung her hand against her lips. Was there some one
standing there, listening, just outside the door? The old man lunged
past her with a great cry of “Stevie!”
The sound was a sudden wind over the surface of the group, blowing up
waves of excited inquiry, which broke about the slight figure in uniform
that stepped forward, arm over the old man’s shoulders.
“No, don’t get up!” Stephen made a quick gesture with his free hand, the
thin fingers quivering. “I’ve wanted to see you all just sitting around
talking—” He led the grandfather back to his chair, and stood beside
him. He pushed his nervous fingers across his prominent forehead,
through the straggly sandy hair, while his eyes, strangely blue under
their light lashes, went slowly about the room, coming at last to the
wide gray eyes of the girl, stopping there with a smile which lightened
the sombre face.
“Stephen!” she exclaimed. “It’s really you! Back again!”
“Well, well!” Mr. Rodman sank into his chair. “How’d you come? Why
didn’t you let us meet you?”
There was a film of uneasiness over them all, as though they felt they
missed their proper cues. Here was a soldier, home from the war—and yet,
he was still Stephen!
“Don’t you want something to eat, Stephen?” asked Mrs. Rodman.
“No, Auntie. I’m not hungry.”
“I was afraid, Stevie—” The old man reached for the boy’s sleeve, ran
his finger along the braided cuff—“afraid you wouldn’t get here. I
wanted to tell you—when I came back from the war—” He peered up into
Stephen’s face out of opaque old eyes.
“Well, tell us how you like soldiering.” Brock had been watching Stephen
with a tolerant smile, which disappeared under Stephen’s steady gaze.
“I don’t want to talk about that—tonight—” He turned to Grace with
another gesture of his restless fingers. “I’ve come a long way—I’m tired
of all that—won’t you go on—as if I hadn’t come in? If you knew how I’ve
wanted to get back—to drop into things—now!”
“That was what I wanted, Stevie.” The grandfather nodded slowly. “It was
something about that—something—I had to tell you——”
“Don’t mind Grandpa.” Mrs. Rodman had picked up her embroidery again.
“He’s been expecting you all day, and so he’s excited. Now we’ve just
been talking about how things are settling down as comfortable as though
there hadn’t been any war. Except that Brock is much richer. Much. And
prices—” She looked up at Stephen and jerked uneasily under his
intentness. “Why, our Mary came back today. At her old wages, too.”
“The wages of sin is death!” The old man lifted one hand slowly. “The
old wage. We’ve seen it—you and me, Stevie.” His hand dropped back to
his knee.
“He wanders more and more,” said Grace, softly.
Then Mr. Rodman stepped briskly over the curious pause.
“Yes, that’s just a sample, Mary’s return. You’ve put the old world back
in place. Of course, there are things to be done. But it’s just a matter
of time, now.” He stretched himself back in his chair. “Why, the sales
at my store today were twice what they were three years ago. I tell you,
it’s a wonderful thing, seeing the world settled down again. Here’s
Brock too, telling us just before you came in, how he was putting his
men back in their proper place.”
“How?”
The stark monosyllable drew Grace forward to the edge of her seat, her
hands clenched in her lap. Brock’s answer was nonchalant.
“Just a matter of wages. I pointed out to the men that they were no
longer cocks of the walk. Two million men coming back and wanting
jobs—they took what I offered ’em.” He pulled a cigar case from his
pocket, extended it toward Stephen, who only stared, his thin mouth
twitching slightly. Brock tossed it across the table to Mr. Rodman.
The old man, with a pawing motion, found Stephen’s hand, and clutched it
in his gnarled fingers.
“And you—” Stephen looked over the bent shoulders at Grace.
She thrust out her hand, palm up, imploringly, but her mother spoke.
“Gracie’s wedding’s next week. She wouldn’t have it till the war was
over. She and Brock are going to live in the Stone mansion,” she
finished, proudly.
Stephen stepped back, farther into the shadow. Only his eyes, haggard,
blue, shone out of the dusk.
“I suppose—” his low, vibrant voice ran about the room, into dark
corners, like a questing thing. “I suppose I might have known—you could
send me—out to hell—for this.”
The others—all but the grandfather—moved, restlessly, as though the
questing thing came too near them.
Brock spoke out, loudly.
“Of course you have all sorts of unpleasant things in your head. You
must be practical, man. Not morbid. Now, I was telling Grace, I have a
fine opening for you, just as soon as you feel like getting down to
work——”
“I went on a holy war—a war for freedom—with your words—” His eyes found
Grace—“and your kiss in my heart.”
“I thought you might never come back—” Grace’s fingers moved against her
throat.
“Now, see here, Stephen—” Mr. Rodman sat erect, blustering. “You’re
upset. We’re proud of you, my boy. You’ve licked the Hun. What’s wrong?”
Mrs. Rodman, her eyes round, her chin quivering, was murmuring to
herself, “Shellshock!”
“I had to come back. That was why I could fight—to come back. To see the
new world—the world made beautiful. Were they lies, the words you used
to send me out there——”
“Stevie!” The grandfather pulled himself to his feet, his hands wavering
about Stephen’s shoulders. “That’s it, what I wanted to tell you. I was
afraid I might forget it. When I came back—from the war—the war for
freedom—They were going on—” his old voice thickened with sobs—“They
didn’t know. Making money—hating—being afraid—They didn’t know! It broke
my heart.” He pounded his fist against his old breast. “I sat down to
cry. Tears—here!” His hands quavered up to the boy’s face, dropped
against his heart. “The dead men—it’s long ago—but the dead men—they
were happy—they kept the faith. You’ll keep it. It lasts. It comes
out—ahead—sometime. Not all at once.” He rubbed his hand across his
eyes. “Take me—up to bed, Stevie. I’m old—old.” He started, fumbling,
toward the door, his arm clinging to Stephen’s, drawing him along.
At the door Stephen turned for a moment, his eyes burning in his gaunt
face. Then they were gone, the old man clumping heavily on the stairs.
Into the silence Mrs. Rodman wailed, “Oh, he’s worse than ever,
upsetting us so——”
“He’ll—” Brock choked, and before he could speak again, the sharp note
of the doorbell crackled through the room.
Mr. Rodman rose heavily and walked into the hall. After a moment he was
back, staring at a telegram. Grace moved to her feet, her face a white
blur against the dark hangings. He tore it open, read it, his jaw
pendulous.
“What is it, Will?” Mrs. Rodman cried.
“From the war office. Regret—” he mumbled a little—“‘Stephen Cox died on
shipboard, on way to this country. Wounded at Sedan!’ Funny, now, the
mistakes the old government makes.” He paused, breathing loudly. “Grace,
run—run upstairs—and tell Stephen—the joke.”
Grace swayed as she came around the table and passed out of the room.
The three people left there stared after her, waiting. Presently, in the
thick silence, they heard her feet descending the stairs, slowly,
softly, as though they whispered. She came to the door, her face rigid.
“Well?” Brock threw the word at her, hoarsely.
“No one is there.” Her voice was monotonous, without intonations.
“Grandfather is lying—on his bed. I—can not—wake him.”
Transcriber’s Notes
Transcribed from The Touchstone, vol. 5, May 1919, pp. 125-133.
New original cover art included with this eBook is granted to the public
domain.
The original spelling and punctuation were mostly preserved. Minor
typesetting mistakes were silently corrected. All other changes
(before/after) are listed here:
[p. 130]:
... her, his can clattering to the floor, she flung her hand
against her lips. ...
... her, his cane clattering to the floor, she flung her hand
against her lips. ...
*** END OF THE PROJECT GUTENBERG EBOOK THE RETURN ***
Updated editions will replace the previous one—the old editions will
be renamed.
Creating the works from print editions not protected by U.S. copyright
law means that no one owns a United States copyright in these works,
so the Foundation (and you!) can copy and distribute it in the United
States without permission and without paying copyright
royalties. Special rules, set forth in the General Terms of Use part
of this license, apply to copying and distributing Project
Gutenberg™ electronic works to protect the PROJECT GUTENBERG™
concept and trademark. Project Gutenberg is a registered trademark,
and may not be used if you charge for an eBook, except by following
the terms of the trademark license, including paying royalties for use
of the Project Gutenberg trademark. If you do not charge anything for
copies of this eBook, complying with the trademark license is very
easy. You may use this eBook for nearly any purpose such as creation
of derivative works, reports, performances and research. Project
Gutenberg eBooks may be modified and printed and given away—you may
do practically ANYTHING in the United States with eBooks not protected
by U.S. copyright law. Redistribution is subject to the trademark
license, especially commercial redistribution.
START: FULL LICENSE
THE FULL PROJECT GUTENBERG™ LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg™ mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase “Project
Gutenberg”), you agree to comply with all the terms of the Full
Project Gutenberg License available with this file or online at
www.gutenberg.org/license.
Section 1. General Terms of Use and Redistributing Project Gutenberg
electronic works
1.A. By reading or using any part of this Project Gutenberg
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg electronic work and you do not agree to be bound
by the terms of this agreement, you may obtain a refund from the person
or entity to whom you paid the fee as set forth in paragraph 1.E.8.
1.B. “Project Gutenberg” is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg electronic works if you follow the terms of this
agreement and help preserve free future access to Project Gutenberg
electronic works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation (“the
Foundation” or PGLAF), owns a compilation copyright in the collection
of Project Gutenberg electronic works. Nearly all the individual
works in the collection are in the public domain in the United
States. If an individual work is unprotected by copyright law in the
United States and you are located in the United States, we do not
claim a right to prevent you from copying, distributing, performing,
displaying or creating derivative works based on the work as long as
all references to Project Gutenberg are removed. Of course, we hope
that you will support the Project Gutenberg mission of promoting
free access to electronic works by freely sharing Project Gutenberg
works in compliance with the terms of this agreement for keeping the
Project Gutenberg name associated with the work. You can easily
comply with the terms of this agreement by keeping this work in the
same format with its attached full Project Gutenberg License when
you share it without charge with others.
1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are
in a constant state of change. If you are outside the United States,
check the laws of your country in addition to the terms of this
agreement before downloading, copying, displaying, performing,
distributing or creating derivative works based on this work or any
other Project Gutenberg work. The Foundation makes no
representations concerning the copyright status of any work in any
country other than the United States.
1.E. Unless you have removed all references to Project Gutenberg:
1.E.1. The following sentence, with active links to, or other
immediate access to, the full Project Gutenberg License must appear
prominently whenever any copy of a Project Gutenberg work (any work
on which the phrase “Project Gutenberg” appears, or with which the
phrase “Project Gutenberg” is associated) is accessed, displayed,
performed, viewed, copied or distributed:
This eBook is for the use of anyone anywhere in the United States and most
other parts of the world at no cost and with almost no restrictions
whatsoever. You may copy it, give it away or re-use it under the terms
of the Project Gutenberg™ License included with this eBook or online
at www.gutenberg.org. If you
are not located in the United States, you will have to check the laws
of the country where you are located before using this eBook.
1.E.2. If an individual Project Gutenberg electronic work is
derived from texts not protected by U.S. copyright law (does not
contain a notice indicating that it is posted with permission of the
copyright holder), the work can be copied and distributed to anyone in
the United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase “Project
Gutenberg” associated with or appearing on the work, you must comply
either with the requirements of paragraphs 1.E.1 through 1.E.7 or
obtain permission for the use of the work and the Project Gutenberg
trademark as set forth in paragraphs 1.E.8 or 1.E.9.
1.E.3. If an individual Project Gutenberg electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any
additional terms imposed by the copyright holder. Additional terms
will be linked to the Project Gutenberg License for all works
posted with the permission of the copyright holder found at the
beginning of this work.
1.E.4. Do not unlink or detach or remove the full Project Gutenberg
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg.
1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg License.
1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including
any word processing or hypertext form. However, if you provide access
to or distribute copies of a Project Gutenberg work in a format
other than “Plain Vanilla ASCII” or other format used in the official
version posted on the official Project Gutenberg website
(www.gutenberg.org), you must, at no additional cost, fee or expense
to the user, provide a copy, a means of exporting a copy, or a means
of obtaining a copy upon request, of the work in its original “Plain
Vanilla ASCII” or other form. Any alternate format must include the
full Project Gutenberg License as specified in paragraph 1.E.1.
1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg works
unless you comply with paragraph 1.E.8 or 1.E.9.
1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg electronic works
provided that:
• You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg works calculated using the method
you already use to calculate your applicable taxes. The fee is owed
to the owner of the Project Gutenberg trademark, but he has
agreed to donate royalties under this paragraph to the Project
Gutenberg Literary Archive Foundation. Royalty payments must be paid
within 60 days following each date on which you prepare (or are
legally required to prepare) your periodic tax returns. Royalty
payments should be clearly marked as such and sent to the Project
Gutenberg Literary Archive Foundation at the address specified in
Section 4, “Information about donations to the Project Gutenberg
Literary Archive Foundation.”
• You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he
does not agree to the terms of the full Project Gutenberg™
License. You must require such a user to return or destroy all
copies of the works possessed in a physical medium and discontinue
all use of and all access to other copies of Project Gutenberg™
works.
• You provide, in accordance with paragraph 1.F.3, a full refund of
any money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days of
receipt of the work.
• You comply with all other terms of this agreement for free
distribution of Project Gutenberg™ works.
1.E.9. If you wish to charge a fee or distribute a Project
Gutenberg™ electronic work or group of works on different terms than
are set forth in this agreement, you must obtain permission in writing
from the Project Gutenberg Literary Archive Foundation, the manager of
the Project Gutenberg™ trademark. Contact the Foundation as set
forth in Section 3 below.
1.F.
1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
works not protected by U.S. copyright law in creating the Project
Gutenberg™ collection. Despite these efforts, Project Gutenberg™
electronic works, and the medium on which they may be stored, may
contain “Defects,” such as, but not limited to, incomplete, inaccurate
or corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged disk or
other medium, a computer virus, or computer codes that damage or
cannot be read by your equipment.
1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right
of Replacement or Refund” described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg™ trademark, and any other party distributing a Project
Gutenberg™ electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.
1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium
with your written explanation. The person or entity that provided you
with the defective work may elect to provide a replacement copy in
lieu of a refund. If you received the work electronically, the person
or entity providing it to you may choose to give you a second
opportunity to receive the work electronically in lieu of a refund. If
the second copy is also defective, you may demand a refund in writing
without further opportunities to fix the problem.
1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of
damages. If any disclaimer or limitation set forth in this agreement
violates the law of the state applicable to this agreement, the
agreement shall be interpreted to make the maximum disclaimer or
limitation permitted by the applicable state law. The invalidity or
unenforceability of any provision of this agreement shall not void the
remaining provisions.
1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg™ electronic works in
accordance with this agreement, and any volunteers associated with the
production, promotion and distribution of Project Gutenberg™
electronic works, harmless from all liability, costs and expenses,
including legal fees, that arise directly or indirectly from any of
the following which you do or cause to occur: (a) distribution of this
or any Project Gutenberg work, (b) alteration, modification, or
additions or deletions to any Project Gutenberg work, and (c) any
Defect you cause.
Section 2. Information about the Mission of Project Gutenberg
Project Gutenberg is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new computers. It
exists because of the efforts of hundreds of volunteers and donations
from people in all walks of life.
Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg’s
goals and ensuring that the Project Gutenberg collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg and future
generations. To learn more about the Project Gutenberg Literary
Archive Foundation and how your efforts and donations can help, see
Sections 3 and 4 and the Foundation information page at www.gutenberg.org.
Section 3. Information about the Project Gutenberg Literary Archive Foundation
The Project Gutenberg Literary Archive Foundation is a non-profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation’s EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg Literary
Archive Foundation are tax deductible to the full extent permitted by
U.S. federal laws and your state’s laws.
The Foundation’s business office is located at 41 Watchung Plaza #516,
Montclair NJ 07042, USA, +1 (862) 621-9288. Email contact links and up
to date contact information can be found at the Foundation’s website
and official page at www.gutenberg.org/contact
Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation
Project Gutenberg™ depends upon and cannot survive without widespread
public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine-readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.
The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To SEND
DONATIONS or determine the status of compliance for any particular state
visit www.gutenberg.org/donate.
While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.
International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.
Please check the Project Gutenberg web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations. To
donate, please visit: www.gutenberg.org/donate.
Section 5. General Information About Project Gutenberg electronic works
Professor Michael S. Hart was the originator of the Project
Gutenberg concept of a library of electronic works that could be
freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg eBooks with only a loose network of
volunteer support.
Project Gutenberg eBooks are often created from several printed
editions, all of which are confirmed as not protected by copyright in
the U.S. unless a copyright notice is included. Thus, we do not
necessarily keep eBooks in compliance with any particular paper
edition.
Most people start at our website which has the main PG search
facility: www.gutenberg.org.
This website includes information about Project Gutenberg,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.