Kipps: The Story of a Simple Soul

By H. G. Wells

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Title: Kipps
       The Story of a Simple Soul

Author: H. G. Wells

Release Date: March 16, 2012 [EBook #39162]

Language: English


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KIPPS

THE STORY OF A SIMPLE SOUL




Books by H. G. Wells


SHORT STORIES

Twelve Stories and a Dream
The Plattner Story and Others
Tales of Space and Time
The Stolen Bacillus and Other Stories


ROMANCES

The Food of the Gods
The Wonderful Visit
The War of the Worlds
The Invisible Man
The Time Machine
The First Men in the Moon
The Sea Lady
The Island of Dr. Moreau


NOVELS

Kipps
Love and Mr. Lewisham
The Wheels of Chance


SOCIOLOGICAL ESSAYS

A Modern Utopia
Anticipations
Mankind in the Making.




KIPPS
THE STORY OF A SIMPLE SOUL

BY
H. G. WELLS

NEW YORK
CHARLES SCRIBNER'S SONS
1906


COPYRIGHT 1906, BY
CHARLES SCRIBNER'S SONS
PUBLISHED, 1906


     "Those individuals who have led secluded or isolated lives, or have
     hitherto moved in other spheres than those wherein well-bred people
     move, will gather all the information necessary from these pages to
     render them thoroughly conversant with the manners and amenities of
     society."

     _Manners and Rules of Good Society_

     _By a Member of the Aristocracy_




CONTENTS:


BOOK I.

THE MAKING OF KIPPS
                                      PAGE
   I. The Little Shop at New Romney      3
  II. The Emporium                      36
 III. The Wood-Carving Class            64
  IV. Chitterlow                        88
   V. "Swapped"                        117
  VI. The Unexpected                   128


BOOK II.

MR. COOTE, THE CHAPERON

   I. The New Conditions               169
  II. The Walshinghams                 201
 III. Engaged                          218
  IV. The Bicycle Manufacturer         245
   V. The Pupil Lover                  259
  VI. Discords                         282
 VII. London                           309
VIII. Kipps Enters Society             354
  IX. The Labyrinthodon                380


BOOK III.

KIPPSES

   I. The Housing Problem              395
  II. The Callers                      424
 III. Terminations                     443




BOOK I

THE MAKING OF KIPPS




CHAPTER I

THE LITTLE SHOP AT NEW ROMNEY


§1

Until he was nearly arrived at adolescence it did not become clear to
Kipps how it was that he was under the care of an aunt and uncle instead
of having a father and mother like other boys. Yet he had vague memories
of a somewhere else that was not New Romney--of a dim room, a window
looking down on white buildings--and of a some one else who talked to
forgotten people, and who was his mother. He could not recall her
features very distinctly, but he remembered with extreme definition a
white dress she wore, with a pattern of little sprigs of flowers and
little bows of ribbon upon it, and a girdle of straight-ribbed white
ribbon about the waist. Linked with this, he knew not how, were clouded
half-obliterated recollections of scenes in which there was weeping,
weeping in which he was inscrutably moved to join. Some terrible tall
man with a loud voice played a part in these scenes, and either before
or after them there were impressions of looking for interminable periods
out of the windows of railway trains in the company of these two
people....

He knew, though he could not remember that he had ever been told, that
a certain faded, wistful face, that looked at him from a plush and gilt
framed daguerreotype above the mantel of the "sitting-room," was the
face of his mother. But that knowledge did not touch his dim memories
with any elucidation. In that photograph she was a girlish figure,
leaning against a photographer's stile, and with all the self-conscious
shrinking natural to that position. She had curly hair and a face far
younger and prettier than any other mother in his experience. She swung
a Dolly Varden hat by the string, and looked with obedient respectful
eyes on the photographer-gentleman who had commanded the pose. She was
very slight and pretty. But the phantom mother that haunted his memory
so elusively was not like that, though he could not remember how she
differed. Perhaps she was older, or a little less shrinking, or, it may
be, only dressed in a different way....

It is clear she handed him over to his aunt and uncle at New Romney with
explicit directions and a certain endowment. One gathers she had
something of that fine sense of social distinctions that subsequently
played so large a part in Kipps' career. He was not to go to a "common"
school, she provided, but to a certain seminary in Hastings that was not
only a "middle-class academy," with mortar boards and every evidence of
a higher social tone, but also remarkably cheap. She seems to have been
animated by the desire to do her best for Kipps, even at a certain
sacrifice of herself, as though Kipps were in some way a superior sort
of person. She sent pocket-money to him from time to time for a year or
more after Hastings had begun for him, but her face he never saw in the
days of his lucid memory.

His aunt and uncle were already high on the hill of life when first he
came to them. They had married for comfort in the evening or at any rate
in the late afternoon of their days. They were at first no more than
vague figures in the background of proximate realities, such realities
as familiar chairs and tables, quiet to ride and drive, the newel of the
staircase, kitchen furniture, pieces of firewood, the boiler tap, old
newspapers, the cat, the High Street, the back yard and the flat fields
that are always so near in that little town. He knew all the stones in
the yard individually, the creeper in the corner, the dustbin and the
mossy wall, better than many men know the faces of their wives. There
was a corner under the ironing-board which by means of a shawl could,
under propitious gods, be made a very decent cubby-house, a corner that
served him for several years as the indisputable hub of the world; and
the stringy places in the carpet, the knots upon the dresser, and the
several corners of the rag hearthrug his uncle had made, became
essential parts of his mental foundations. The shop he did not know so
thoroughly--it was a forbidden region to him; yet somehow he managed to
know it very well.

His aunt and uncle were, as it were, the immediate gods of this world;
and, like the gods of the world of old, occasionally descended right
into it, with arbitrary injunctions and disproportionate punishments.
And, unhappily, one rose to their Olympian level at meals. Then one had
to say one's "grace," hold one's spoon and fork in mad, unnatural ways
called "properly," and refrain from eating even nice sweet things "too
fast." If he "gobbled" there was trouble, and at the slightest _abandon_
with knife, fork, and spoon, his aunt rapped his knuckles, albeit his
uncle always finished up his gravy with his knife. Sometimes, moreover,
his uncle would come, pipe in hand, out of a sedentary remoteness in the
most disconcerting way, when a little boy was doing the most natural and
attractive things, with "Drat and drabbit that young rascal! What's he
a-doing of now?" And his aunt would appear at door or window to
interrupt interesting conversation with children who were upon unknown
grounds considered "low" and undesirable, and call him in. The
pleasantest little noises, however softly you did them,--drumming on
tea-trays, trumpeting your fists, whistling on keys, ringing chimes with
a couple of pails, or playing tunes on the window-panes,--brought down
the gods in anger. Yet what noise is fainter than your finger on the
window--gently done? Sometimes, however, these gods gave him broken toys
out of the shop, and then one loved them better--for the shop they kept
was, among other things, a toy shop. (The other things included books to
read and books to give away and local photographs; it had some
pretensions also to be a china shop, and the fascia spoke of glass; it
was also a stationer's shop with a touch of haberdashery about it, and
in the windows and odd corners were mats and terra-cotta dishes, and
milking-stools for painting; and there was a hint of picture-frames, and
fire-screens, and fishing tackle, and air-guns, and bathing suits, and
tents: various things, indeed, but all cruelly attractive to a small
boy's fingers.) Once his aunt gave him a trumpet if he would _promise_
faithfully not to blow it, and afterwards took it away again. And his
aunt made him say his Catechism and something she certainly called the
"Colic for the Day" every Sunday in the year.

As the two grew old while he grew up, and as his impression of them
modified insensibly from year to year, it seemed to him at last that
they had always been as they were when, in his adolescent days, his
impression of things grew fixed. His aunt he thought of as always lean,
rather worried-looking, and prone to a certain obliquity of cap, and his
uncle massive, many-chinned, and careless about his buttons. They
neither visited nor received visitors. They were always very suspicious
about their neighbours and other people generally; they feared the "low"
and they hated and despised the "stuck-up," and so they "kept themselves
_to_ themselves," according to the English ideal. Consequently little
Kipps had no playmates, except through the sin of disobedience. By
inherent nature he had a sociable disposition. When he was in the High
Street he made a point of saying "Hello!" to passing cyclists, and he
would put his tongue out at the Quodling children whenever their
nursemaid was not looking. And he began a friendship with Sid Pornick,
the son of the haberdasher next door, that, with wide intermissions, was
destined to last his lifetime through.

Pornick, the haberdasher, I may say at once, was, according to old
Kipps, a "blaring jackass"; he was a teetotaller, a "nyar, nyar,
'im-singing Methodis'," and altogether distasteful and detrimental, he
and his together, to true Kipps ideals, so far as little Kipps could
gather them. This Pornick certainly possessed an enormous voice, and he
annoyed old Kipps greatly by calling, "You--Arn" and "Siddee," up and
down his house. He annoyed old Kipps by private choral services on
Sunday, all his family "nyar, nyar-ing"; and by mushroom culture; by
behaving as though the pilaster between the two shops was common
property; by making a noise of hammering in the afternoon, when old
Kipps wanted to be quiet after his midday meal; by going up and down
uncarpeted stairs in his boots; by having a black beard; by attempting
to be friendly; and by--all that sort of thing. In fact, he annoyed old
Kipps. He annoyed him especially with his shop doormat. Old Kipps never
beat his mat, preferring to let sleeping dust lie; and, seeking a motive
for a foolish proceeding, he held that Pornick waited until there was a
suitable wind in order that the dust disengaged in that operation might
defile his neighbour's shop. These issues would frequently develop into
loud and vehement quarrels, and on one occasion came so near to violence
as to be subsequently described by Pornick (who read his newspaper) as a
"Disgraceful Frackass." On that occasion he certainly went into his own
shop with extreme celerity.

But it was through one of these quarrels that the friendship of little
Kipps and Sid Pornick came about. The two small boys found themselves
one day looking through the gate at the doctor's goats together; they
exchanged a few contradictions about which goat could fight which, and
then young Kipps was moved to remark that Sid's father was a "blaring
jackass." Sid said he wasn't, and Kipps repeated that he was, and quoted
his authority. Then Sid, flying off at a tangent rather alarmingly, said
he could fight young Kipps with one hand, an assertion young Kipps with
a secret want of confidence denied. There were some vain repetitions,
and the incident might have ended there, but happily a sporting butcher
boy chanced on the controversy at this stage, and insisted upon seeing
fair play.

The two small boys under his pressing encouragement did at last button
up their jackets, square and fight an edifying drawn battle, until it
seemed good to the butcher boy to go on with Mrs. Holyer's mutton. Then,
according to his directions and under his experienced stage management,
they shook hands and made it up. Subsequently, a little tear-stained
perhaps, but flushed with the butcher boy's approval ("tough little
kids"), and with cold stones down their necks as he advised, they sat
side by side on the doctor's gate, projecting very much behind,
staunching an honourable bloodshed, and expressing respect for one
another. Each had a bloody nose and a black eye--three days later they
matched to a shade--neither had given in, and, though this was tacit,
neither wanted any more.

It was an excellent beginning. After this first encounter the attributes
of their parents and their own relative value in battle never rose
between them, and if anything was wanted to complete the warmth of their
regard it was found in a joint dislike of the eldest Quodling. The
eldest Quodling lisped, had a silly sort of straw hat and a large pink
face (all covered over with self-satisfaction), and he went to the
National School with a green baize bag--a contemptible thing to do. They
called him names and threw stones at him, and when he replied by
threatenings ("Look 'ere, young Art Kipth, you better _thtoppit_!") they
were moved to attack and put him to flight.

And after that they broke the head of Ann Pornick's doll, so that she
went home weeping loudly--a wicked and endearing proceeding. Sid was
whacked, but, as he explained, he wore a newspaper tactically adjusted
during the transaction, and really it didn't hurt him at all.... And
Mrs. Pornick put her head out of the shop door suddenly, and threatened
Kipps as he passed.


§2

"Cavendish Academy," the school that had won the limited choice of
Kipps' vanished mother, was established in a battered private house in
the part of Hastings remotest from the sea; it was called an Academy for
Young Gentlemen, and many of the young gentlemen had parents in "India,"
and other unverifiable places. Others were the sons of credulous widows,
anxious, as Kipps' mother had been, to get something a little "superior"
to a board school education as cheaply as possible; and others again
were sent to demonstrate the dignity of their parents and guardians. And
of course there were boys from France.

Its "principal" was a lean, long creature of indifferent digestion and
temper, who proclaimed himself on a gilt-lettered board in his front
garden George Garden Woodrow, F.S.Sc., letters indicating that he had
paid certain guineas for a bogus diploma. A bleak white-washed outhouse
constituted his schoolroom, and the scholastic quality of its carved and
worn desks and forms was enhanced by a slippery blackboard and two large
yellow out-of-date maps, one of Africa and the other of Wiltshire, that
he had picked up cheap at a sale. There were other maps and globes in
his study, where he interviewed inquiring parents, but these his pupils
never saw. And in a glass cupboard in the passage was several
shillingsworth of test tubes and chemicals, a tripod, a glass retort,
and a damaged Bunsen burner, manifesting that the "Scientific
laboratory" mentioned in the prospectus was no idle boast.

This prospectus, which was in dignified but incorrect English, laid
particular stress on the sound preparation for a commercial career given
in the Academy, but the army, navy and civil service were glanced at in
an ambiguous sentence. There was something vague in the prospectus about
"examinational successes"--though Woodrow, of course, disapproved of
"cram"--and a declaration that the curriculum included "art," "modern
foreign languages" and "a sound technical and scientific training." Then
came insistence upon the "moral well-being" of the pupils, and an
emphatic boast of the excellence of the religious instruction, "so often
neglected nowadays even in schools of wide repute." "That's bound to
fetch 'em," Mr. Woodrow had remarked when he drew up the prospectus. And
in conjunction with the mortarboards it certainly did. Attention was
directed to the "motherly" care of Mrs. Woodrow--in reality a small
partially effaced woman with a plaintive face and a mind above cookery;
and the prospectus concluded with a phrase intentionally vague, "Fare
unrestricted, and our own milk and produce."

The memories Kipps carried from that school into after life were set in
an atmosphere of stuffiness and mental muddle; and included countless
pictures of sitting on creaking forms bored and idle, of blot licking
and the taste of ink, of torn books with covers that set one's teeth on
edge, of the slimy surface of the laboured slates, of furtive
marble-playing, whispered story-telling, and of pinches, blows, and a
thousand such petty annoyances being perpetually "passed on" according
to the custom of the place, of standing up in class and being hit
suddenly and unreasonably for imaginary misbehaviour, of Mr. Woodrow's
raving days, when a scarcely sane injustice prevailed, of the cold
vacuity of the hour of preparation before the bread-and-butter
breakfast, and of horrible headaches and queer, unprecedented, internal
feelings resulting from Mrs. Woodrow's motherly rather than intelligent
cookery. There were dreary walks, when the boys marched two by two, all
dressed in the mortarboard caps that so impressed the widowed mothers;
there were dismal half-holidays when the weather was wet and the spirit
of evil temper and evil imagination had the pent boys to work its will
on; there were unfair, dishonourable fights and miserable defeats and
victories, there was bullying and being bullied. A coward boy Kipps
particularly afflicted, until at last he was goaded to revolt by
incessant persecution, and smote Kipps to tolerance with whirling fists.
There were memories of sleeping three in a bed, of the dense leathery
smell of the schoolroom when one returned thither after ten minutes'
play, of a playground of mud and incidental sharp flints. And there was
much furtive foul language.

"Our Sundays are our happiest days," was one of Woodrow's formulæ with
the inquiring parent, but Kipps was not called in evidence. They were to
him terrible gaps of inanity--no work, no play, a drear expanse of time
with the mystery of church twice and plum duff once in the middle. The
afternoon was given up to furtive relaxations, among which "Torture
Chamber" games with the less agreeable, weaker boys figured. It was from
the difference between this day and common days that Kipps derived his
first definite conceptions of the nature of God and heaven. His instinct
was to evade any closer acquaintance as long as he could.

The school work varied, according to the prevailing mood of Mr. Woodrow.
Sometimes that was a despondent lethargy; copy-books were distributed or
sums were "set," or the great mystery of bookkeeping was declared in
being, and beneath these superficial activities lengthy conversations
and interminable guessing games with marbles went on while Mr. Woodrow
sat inanimate at his desk heedless of school affairs, staring in front
of him at unseen things. At times his face was utterly inane, at times
it had an expression of stagnant amazement, as if he saw before his eyes
with pitiless clearness the dishonour and mischief of his being....

At other times the F.S.Sc. roused himself to action, and would stand up
a wavering class and teach it, goading it with bitter mockery and blows
through a chapter of Ann's "First French Course," or "France and the
French," or a Dialogue about a traveller's washing, or the parts of an
opera-house. His own knowledge of French had been obtained years ago in
another English private school, and he had refreshed it by occasional
weeks of loafing and mean adventure in Dieppe. He would sometimes in
their lessons hit upon some reminiscence of these brighter days, and
then he would laugh inexplicably and repeat French phrases of an
unfamiliar type.

Among the commoner exercises he prescribed the learning of long passages
of poetry from a "Poetry Book," which he would delegate an elder boy to
"hear," and there was reading aloud from the Holy Bible, verse by
verse--it was none of your "godless" schools!--so that you counted the
verses up to your turn and then gave yourself to conversation--and
sometimes one read from a cheap History of this land. They did, as Kipps
reported, "loads of catechism." Also there was much learning of
geographical names and lists, and sometimes Woodrow in an outbreak of
energy would see these names were actually found on a map. And once,
just once, there was a chemistry lesson--a lesson of indescribable
excitement--glass things of the strangest shape, a smell like bad eggs,
something bubbling in something, a smash and stench, and Mr. Woodrow
saying quite distinctly--they thrashed it out in the dormitory
afterwards--"Damn!" followed by the whole school being kept in, with
extraordinary severities, for an hour....

But interspersed with the memories of this grey routine were certain
patches of brilliant colour--the holidays, his holidays, which in spite
of the feud between their seniors, he spent as much as possible with
Sid Pornick, the son of the irascible black-bearded haberdasher next
door. They seemed to be memories of a different world. There were
glorious days of "mucking about" along the beach, the siege of
unresisting Martello towers, the incessant interest of the mystery and
motion of windmills, the windy excursions with boarded feet over the
yielding shingle to Dungeness lighthouse--Sid Pornick and he far adrift
from reality, smugglers and armed men from the moment they left Great
Stone behind them--wanderings in the hedgeless reedy marsh, long
excursions reaching even to Hythe, where the machine guns of the Empire
are forever whirling and tapping, and to Rye and Winchelsea, perched
like dream-cities on their little hills. The sky in these memories was
the blazing hemisphere of the marsh heavens in summer, or its wintry
tumult of sky and sea; and there were wrecks, real wrecks, in it (near
Dymchurch pitched high and blackened and rotting were the ribs of a
fishing smack flung aside like an empty basket when the sea had devoured
its crew); and there was bathing all naked in the sea, bathing to one's
armpits and even trying to swim in the warm sea-water (spite of his
aunt's prohibition), and (with her indulgence) the rare eating of dinner
from a paper parcel miles away from home. Toke and cold ground rice
pudding with plums it used to be--there is no better food at all. And
for the background, in the place of Woodrow's mean, fretting rule, were
his aunt's spare but frequently quite amiable figure--for though she
insisted on his repeating the English Church Catechism every Sunday,
she had an easy way over dinners that one wanted to take abroad--and his
uncle, corpulent and irascible, but sedentary and easily escaped. And
freedom!

The holidays were indeed very different from school. They were free,
they were spacious, and though he never knew it in these words--they had
an element of beauty. In his memory of his boyhood they shone like
strips of stained glass window in a dreary waste of scholastic wall,
they grew brighter and brighter as they grew remoter. There came a time
at last and moods when he could look back to them with a feeling akin to
tears.

The last of these windows was the brightest, and instead of the
kaleidoscopic effects of its predecessors its glory was a single figure.
For in the last of his holidays, before the Moloch of Retail Trade got
hold of him, Kipps made his first tentative essays at the mysterious
shrine of Love. Very tentative they were, for he had become a boy of
subdued passions, and potential rather than actual affectionateness.

And the objects of these first stirrings of the great desire was no
other than Ann Pornick, the head of whose doll he and Sid had broken
long ago, and rejoiced over long ago, in the days when he had yet to
learn the meaning of a heart.


§3

Negotiations were already on foot to make Kipps into a draper before he
discovered the lights that lurked in Ann Pornick's eyes. School was
over, absolutely over, and it was chiefly present to him that he was
never to go to school again. It was high summer. The "breaking up" of
school had been hilarious; and the excellent maxim, "Last Day's Pay
Day," had been observed by him with a scrupulous attention to his
honour. He had punched the heads of all his enemies, wrung wrists and
kicked shins; he had distributed all his unfinished copybooks, all his
school books, his collection of marbles and his mortarboard cap among
such as loved him; and he had secretly written in obscure pages of their
books, "remember Art Kipps." He had also split the anæmic Woodrow's
cane, carved his own name deeply in several places about the premises,
and broken the scullery window. He had told everybody so often that he
was to learn to be a sea captain that he had come almost to believe the
thing himself. And now he was home, and school was at an end for him for
evermore.

He was up before six on the day of his return, and out in the hot
sunlight of the yard. He set himself to whistle a peculiarly penetrating
arrangement of three notes supposed by the boys of the Hastings Academy
and himself and Sid Pornick, for no earthly reason whatever, to be the
original Huron war-cry. As he did this he feigned not to be doing it,
because of the hatred between his uncle and the Pornicks, but to be
examining with respect and admiration a new wing of the dustbin recently
erected by his uncle--a pretence that would not have deceived a nestling
tomtit.

Presently there came a familiar echo from the Pornick hunting-ground.
Then Kipps began to sing, "Ar pars eight tra-la, in the lane be'ind the
church." To which an unseen person answered, "Ar pars eight it is, in
the lane be'ind the church." The "tra-la" was considered to render this
sentence incomprehensible to the uninitiated. In order to conceal their
operations still more securely, both parties to this duet then gave vent
to a vocalisation of the Huron war-cry again, and after a lingering
repetition of the last and shrillest note, dispersed severally, as
became boys in the enjoyment of holidays, to light the house fires for
the day.

Half-past eight found Kipps sitting on the sunlit gate at the top of the
long lane that runs towards the sea, clashing his boots in a slow
rhythm, and whistling with great violence all that he knew of an
excruciatingly pathetic air. There appeared along by the churchyard wall
a girl in a short frock, brown-haired, quick-coloured, and with dark
blue eyes. She had grown so that she was a little taller than Kipps, and
her colour had improved. He scarcely remembered her, so changed was she
since last holidays--if indeed he had seen her last holidays, a thing he
could not clearly remember. Some vague emotion arose at the sight of
her. He stopped whistling and regarded her, oddly tongue-tied.

"He can't come," said Ann, advancing boldly. "Not yet."

"What--not Sid?"

"No. Father's made him dust all his boxes again."

"What for?"

"I dunno. Father's in a stew 'smorning."

"Oh!"

Pause. Kipps looked at her, and then was unable to look at her again.
She regarded him with interest. "You left school?" she remarked after a
pause.

"Yes."

"So's Sid."

The conversation languished. Ann put her hands on the top of the gate,
and began a stationary hopping, a sort of ineffectual gymnastic
experiment.

"Can you run?" she said presently.

"Run you any day," said Kipps.

"Gimme a start?"

"Where for?" said Kipps.

Ann considered, and indicated a tree. She walked towards it, and turned.
"Gimme to here?" she called.

Kipps, standing now and touching the gate, smiled to express conscious
superiority. "Further!" he said.

"Here?"

"Bit more!" said Kipps, and then, repenting of his magnanimity, said
"Orf!" suddenly, and so recovered his lost concession.

They arrived abreast at the tree, flushed and out of breath.

"Tie!" said Ann, throwing her hair back from her face with her hand.

"I won," panted Kipps.

They disputed firmly but quite politely.

"Run it again, then," said Kipps. "_I_ don't mind."

They returned towards the gate.

"You don't run bad," said Kipps, temperately expressing sincere
admiration. "I'm pretty good, you know."

Ann sent her hair back by an expert toss of the head. "You give me a
start," she allowed.

They became aware of Sid approaching them.

"You better look out, young Ann," said Sid, with that irreverent want of
sympathy usual in brothers. "You been out nearly 'arf-hour. Nothing
ain't been done upstairs. Father said he didn't know where you was, but
when he did he'd warm y'r young ear."

Ann prepared to go.

"How about that race?" asked Kipps.

"Lor!" cried Sid, quite shocked. "You ain't been racing _her!_"

Ann swung herself round the end of the gate with her eyes on Kipps, and
then turned away suddenly and ran off down the lane.

Kipps' eyes tried to go after her, and came back to Sid's.

"I give her a lot of start," said Kipps apologetically. "It wasn't a
proper race." And so the subject was dismissed. But Kipps was
_distrait_ for some seconds, perhaps, and the mischief had begun in him.


§4

They proceeded to the question of how two accomplished Hurons might most
satisfactorily spend the morning. Manifestly their line lay straight
along the lane to the sea.

"There's a new wreck," said Sid, "and my!--don't it smell just!"

"Smell?"

"Fair make you sick. It's rotten wheat."

They fell to talking of wrecks, and so came to ironclads and wars and
suchlike manly matters.

Half-way to the wreck Kipps made a casual irrelevant remark. "Your
sister ain't a bad sort," he said off-handedly.

"I clout her a lot," said Sidney modestly, and after a pause the talk
reverted to more suitable topics.

The new wreck was full of rotting grain, and smelt abominably, even as
Sid had said. This was excellent. They had it all to themselves. They
took possession of it in force, at Sid's suggestion, and had speedily to
defend it against enormous numbers of imaginary "natives," who were at
last driven off by loud shouts of _bang_, _bang_, and vigorous thrusting
and shoving of sticks. Then, also at Sid's direction, they sailed with
it into the midst of a combined French, German and Russian fleet,
demolishing the combination unassisted, and having descended to the
beach, clambered up the side and cut out their own vessel in brilliant
style, they underwent a magnificent shipwreck (with vocalised thunder)
and floated "waterlogged"--so Sid insisted--upon an exhausted sea.

These things drove Ann out of mind for a time. But at last, as they
drifted without food or water upon a stagnant ocean, haggard-eyed, chins
between their hands, looking in vain for a sail, she came to mind again
abruptly.

"It's rather nice 'aving sisters," remarked one perishing mariner.

Sid turned round and regarded him thoughtfully. "Not it!" he said.

"No?"

"Not a bit of it." He grinned confidentially. "Know too much," he said;
and afterwards, "Get out of things."

He resumed his gloomy scrutiny of the hopeless horizon. Presently he
fell to spitting jerkily between his teeth, as he had read was the way
with such ripe manhood as chews its quid.

"Sisters," he said, "is rot. That's what sisters are. Girls if you like,
but sisters--no!"

"But ain't sisters girls?"

"_N-eaow!_" said Sid, with unspeakable scorn.

And Kipps answered, "Of course. I didn't mean---- I wasn't thinking of
that."

"You got a girl?" asked Sid, spitting very cleverly again.

Kipps admitted his deficiency. He felt compunction.

"You don't know who _my_ girl is, Art Kipps--I bet."

"Who is, then?" asked Kipps, still chiefly occupied by his own poverty.

"Ah!"

Kipps let a moment elapse before he did his duty. "Tell us!"

Sid eyed him and hesitated. "Secret?" he said.

"Secret."

"Dying solemn?"

"Dying solemn!" Kipps' self-concentration passed into curiosity.

Sid administered a terrible oath. Even after that precaution he adhered
lovingly to his facts. "It begins with a Nem," he said, doling them out
parsimoniously. "M A U D," he spelt, with a stern eye on Kipps, "C H A R
T E R I S."

Now, Maud Charteris was a young person of eighteen and the daughter of
the vicar of St. Bavon's,--besides which she had a bicycle,--so that as
her name unfolded the face of Kipps lengthened with respect. "Get out!"
he gasped incredulously. "She ain't your girl, Sid Pornick."

"She is!" answered Sid, stoutly.

"What--truth?"

"_Truth._"

Kipps scrutinised his face. "Reely?"

Sid touched wood, whistled, and repeated a binding doggerel with great
solemnity.

Kipps still struggled with the amazing new light on the world about
him. "D'you mean--she knows?"

Sid flushed deeply, and his aspect became stern and gloomy. He resumed
his wistful scrutiny of the sunlit sea. "I'd die for that girl, Art
Kipps," he said presently, and Kipps did not press a question he felt to
be ill timed. "I'd do anything she asked me to do," said Sid--"just
anything. If she was to ask me to chuck myself into the sea." He met
Kipps' eye. "I _would_," he said.

They were pensive for a space, and then Sid began to discourse in
fragments of Love, a theme upon which Kipps had already in a furtive way
meditated a little, but which, apart from badinage, he had never yet
heard talked about in the light of day. Of course many and various
aspects of life had come to light in the muffled exchange of knowledge
that went on under the shadow of Woodrow, but this of Sentimental Love
was not among them. Sid, who was a boy with an imagination, having once
broached this topic, opened his heart, or at any rate a new wing of his
heart, to Kipps, and found no fault with Kipps for a lack of return. He
produced a thumbed novelette that had played a part in his sentimental
awakening; he proffered it to Kipps, and confessed there was a character
in it, a baronet, singularly like himself. This baronet was a person of
volcanic passions which he concealed beneath a demeanour of "icy
cynicism." The utmost expression he permitted himself was to grit his
teeth; and now his attention was called to it, Kipps remarked that Sid
also had a habit of gritting his teeth--and indeed had had all the
morning. They read for a time, and presently Sid talked again. The
conception of love Sid made evident was compact of devotion and much
spirited fighting and a touch of mystery; but through all that cloud of
talk there floated before Kipps a face that was flushed and hair that
was tossed aside.

So they budded, sitting on the blackening old wreck in which men had
lived and died, looking out to sea, talking of that other sea upon which
they must presently embark....

They ceased to talk, and Sid read; but Kipps falling behind with the
reading and not wishing to admit that he read slowlier than Sid, whose
education was of the inferior elementary school brand, lapsed into
meditation.

"I _would_ like to 'ave a girl," said Kipps. "I mean just to talk to and
all that...."

A floating object distracted them at last from this obscure topic. They
abandoned the wreck and followed the new interest a mile along the
beach, bombarding it with stones until it came to land. They had
inclined to a view that it would contain romantic mysteries, but it was
simply an ill-preserved kitten--too much even for them. And at last they
were drawn dinnerward and went home hungry and pensive side by side.


§5

But Kipps' imagination had been warmed by that talk of love, and in the
afternoon, when he saw Ann Pornick in the High Street and said "Hello!"
it was a different "hello" from that of their previous intercourse. And
when they had passed they both looked back and caught each other doing
so. Yes, he _did_ want a girl badly....

Afterwards he was distracted by a traction engine going through the
town, and his aunt had got some sprats for supper. When he was in bed,
however, sentiment came upon him again in a torrent quite abruptly and
abundantly, and he put his head under the pillow and whispered very
softly, "I love Ann Pornick," as a sort of supplementary devotion.

In his subsequent dreams he ran races with Ann, and they lived in a
wreck together, and always her face was flushed and her hair about her
face. They just lived in a wreck and ran races, and were very, very fond
of one another. And their favourite food was rock-chocolate, dates, such
as one buys off barrows, and sprats--fried sprats....

In the morning he could hear Ann singing in the scullery next door. He
listened to her for some time, and it was clear to him that he must put
things before her.

Towards dusk that evening they chanced on one another at the gate by the
church; but though there was much in his mind, it stopped there with a
resolute shyness until he and Ann were out of breath catching
cockchafers, and were sitting on that gate of theirs again. Ann sat up
upon the gate, dark against vast masses of flaming crimson and darkling
purple, and her eyes looked at Kipps from a shadowed face. There came a
stillness between them, and quite abruptly he was moved to tell his
love.

"Ann," he said, "I _do_ like you. I wish you was my girl.... I say, Ann:
will you _be_ my girl?"

Ann made no pretence of astonishment. She weighed the proposal for a
moment with her eyes on Kipps. "If you like, Artie," she said lightly.
"_I_ don't mind if I am."

"All right," said Kipps, breathless with excitement, "then you are."

"All right," said Ann.

Something seemed to fall between them, and they no longer looked openly
at one another. "Lor'!" cried Ann suddenly, "see that one!" and jumped
down and darted after a cockchafer that had boomed within a yard of her
face. And with that they were girl and boy again....

They avoided their new relationship painfully.

They did not recur to it for several days, though they met twice. Both
felt that there remained something before this great experience was
complete, but there was an infinite diffidence about the next step.
Kipps talked in fragments of all sorts of matters, telling particularly
of the great things that were being done to make a man and a draper of
him, how he had two new pairs of trousers and a black coat and four new
shirts. And all the while his imagination was urging him to that unknown
next step, and when he was alone and in the dark he became even an
enterprising wooer. It became evident to him that it would be nice to
take Ann by the hand; even the decorous novelettes Sid affected egged
him on to that greater nearness of intimacy.

Then a great idea came to him, in a paragraph called "Lovers' Tokens"
that he read in a torn fragment of _Tit Bits_. It fell in to the measure
of his courage--a divided sixpence! He secured his aunt's best scissors,
fished a sixpence out of his jejune tin money-box, and jabbed his finger
in a varied series of attempts to get it in half. When they met again
the sixpence was still undivided. He had not intended to mention the
matter to her at that stage, but it came up spontaneously. He
endeavoured to explain the theory of broken sixpences and his unexpected
failure to break one.

"But what you break it for?" said Ann. "It's no good if it's broke."

"It's a Token," said Kipps.

"Like...?"

"Oh, you keep half and I keep half, and when we're sep'rated you look at
your half and I look at mine--see! Then we think of each other."

"Oh!" said Ann, and appeared to assimilate this information.

"Only _I_ can't get it in 'arf nohow," said Kipps.

They discussed this difficulty for some time without illumination. Then
Ann had a happy thought. "Tell you what," she said, starting away from
him abruptly and laying a hand on his arm, "you let _me_ 'ave it, Artie.
I know where father keeps his file."

Kipps handed her the sixpence, and they came upon a pause.

"I'll easy do it," said Ann.

In considering the sixpence side by side, his head had come near her
cheek. Quite abruptly he was moved to take his next step into the
unknown mysteries of love.

"Ann," he said, and gulped at his temerity, "I _do_ love you. Straight.
I'd do anything for you, Ann. Reely--I would."

He paused for breath. She answered nothing, but she was no doubt
enjoying herself. He came yet closer to her--his shoulder touched hers.
"Ann, I wish you'd----"

He stopped.

"What?" said Ann.

"Ann--lemme kiss you."

Things seemed to hang for a space; his tone, the drop of his courage,
made the thing incredible as he spoke. Kipps was not of that bold order
of wooers who impose conditions.

Ann perceived that she was not prepared for kissing after all. Kissing,
she said, was silly, and when Kipps would have displayed a belated
enterprise, she flung away from him. He essayed argument. He stood afar
off, as it were--the better part of a yard--and said she _might_ let him
kiss her, and then that he didn't see what good it was for her to be his
girl if he couldn't kiss her.

She repeated that kissing was silly. A certain estrangement took them
homeward. They arrived in the dusky High Street not exactly together,
and not exactly apart, but struggling. They had not kissed, but all the
guilt of kissing was between them. When Kipps saw the portly contours of
his uncle standing dimly in the shop doorway, his footsteps faltered,
and the space between our young couple increased. Above, the window over
Pornick's shop was open, and Mrs. Pornick was visible, taking the air.
Kipps assumed an expression of extreme innocence. He found himself face
to face with his uncle's advanced outposts of waistcoat buttons.

"Where ye bin, my boy?"

"Bin for a walk, uncle."

"Not along of that brat of Pornick's?"

"Along of who?"

"That gell"--indicating Ann with his pipe.

"Oh, no, uncle!"--very faintly.

"Run in, my boy."

Old Kipps stood aside, with an oblique glance upward, and his nephew
brushed clumsily by him and vanished out of sight of the street, into
the vague obscurity of the little shop. The door closed behind old Kipps
with a nervous jangle of its bell, and he set himself to light the
single oil lamp that illuminated his shop at nights. It was an
operation requiring care and watching, or else it flared and "smelt."
Often it smelt after all. Kipps for some reason found the dusky
living-room with his aunt in it too populous for his feelings, and went
upstairs.

"That brat of Pornick's!" It seemed to him that a horrible catastrophe
had occurred. He felt he had identified himself inextricably with his
uncle, and cut himself off from her for ever by saying "Oh, no!" At
supper he was so visibly depressed that his aunt asked him if he wasn't
feeling well. Under this imminent threat of medicine he assumed an
unnatural cheerfulness.

He lay awake for nearly half an hour that night, groaning because things
had all gone wrong--because Ann wouldn't let him kiss her, and because
his uncle had called her a brat. It seemed to Kipps almost as though he
himself had called her a brat....

There came an interval during which Ann was altogether inaccessible.
One, two, three days passed, and he did not see her. Sid he met several
times; they went fishing, and twice they bathed; but though Sid lent and
received back two further love stories, they talked no more of love.
They kept themselves in accord, however, agreeing that the most
flagrantly sentimental story was "proper." Kipps was always wanting to
speak of Ann, but never daring to do so. He saw her on Sunday evening
going off to chapel. She was more beautiful than ever in her Sunday
clothes, but she pretended not to see him because her mother was with
her. But he thought she pretended not to see him because she had given
him up for ever. Brat!--who could be expected ever to forgive that? He
abandoned himself to despair, he ceased even to haunt the places where
she might be found.


§6

With paralysing unexpectedness came the end.

Mr. Shalford, the draper at Folkestone to whom he was to be bound
apprentice, had expressed a wish to "shape the lad a bit" before the
autumn sale. Kipps became aware that his box was being packed, and
gathered the full truth of things on the evening before his departure.
He became feverishly eager to see Ann just once more. He made silly and
needless excuses to go out into the yard, he walked three times across
the street without any excuse at all, to look up at the Pornick windows.
Still she was hidden. He grew desperate. It was within half an hour of
his departure that he came on Sid.

"Hello!" he said; "I'm orf!"

"Business?"

"Yes."

Pause.

"I say, Sid. You going 'ome?"

"Straight now."

"D'you mind? Ask Ann about that."

"About what?"

"She'll know."

And Sid said he would. But even that, it seemed, failed to evoke Ann.

At last the Folkestone bus rumbled up, and he ascended. His aunt stood
in the doorway to see him off. His uncle assisted with the box and
portmanteau. Only furtively could he glance up at the Pornick windows,
and still it seemed Ann hardened her heart against him. "Get up!" said
the driver, and the hoofs began to clatter. No--she would not come out
even to see him off. The bus was in motion, and old Kipps was going back
into his shop. Kipps stared in front of him, assuring himself that he
did not care.

He heard a door slam, and instantly craned out his neck to look back. He
knew that slam so well. Behold! out of the haberdasher's door a small,
untidy figure in homely pink print had shot resolutely into the road,
and was sprinting in pursuit. In a dozen seconds she was abreast of the
bus. At the sight of her Kipps' heart began to beat very quickly, but he
made no immediate motion of recognition.

"Artie!" she cried breathlessly, "Artie! Artie! You know! I got _that_!"

The bus was already quickening its pace, and leaving her behind again,
when Kipps realized what "that" meant. He became animated, he gasped,
and gathered his courage together, and mumbled an incoherent request to
the driver to "stop jest a jiff for sunthin'." The driver grunted, as
the disparity of their years demanded, and then the bus had pulled up,
and Ann was below.

She leapt up upon the wheel. Kipps looked down into Ann's face, and it
was foreshortened and resolute. He met her eyes just for one second as
their hands touched. He was not a reader of eyes. Something passed
quickly from hand to hand, something that the driver, alert at the
corner of his eye, was not allowed to see. Kipps hadn't a word to say,
and all she said was, "I done it, 'smorning." It was like a blank space
in which something pregnant should have been written and wasn't. Then
she dropped down, and the bus moved forward.

After the lapse of about ten seconds it occurred to him to stand and
wave his new bowler hat at her over the corner of the bus top, and to
shout hoarsely, "Goo-bye, Ann! Don' forget me--while I'm away!"

She stood in the road looking after him, and presently she waved her
hand.

He remained standing unstably, his bright, flushed face looking back at
her, and his hair fluffing in the wind, and he waved his hat until at
last the bend of the road hid her from his eyes. Then he turned about
and sat down, and presently he began to put the half sixpence he held
clenched in his hand into his trouser pocket. He looked sideways at the
driver, to judge how much he had seen.

Then he fell a-thinking. He resolved that, come what might, when he came
back to New Romney at Christmas, he would by hook or by crook kiss Ann.

Then everything would be perfect and right, and he would be perfectly
happy.




CHAPTER II

THE EMPORIUM


§1

When Kipps left New Romney, with a small yellow tin box, a still smaller
portmanteau, a new umbrella, and a keepsake half-sixpence, to become a
draper, he was a youngster of fourteen, thin, with whimsical drakes'
tails at the poll of his head, smallish features, and eyes that were
sometimes very light and sometimes very dark, gifts those of his birth;
and by the nature of his training he was indistinct in his speech,
confused in his mind, and retreating in his manners. Inexorable fate had
appointed him to serve his country in commerce, and the same national
bias towards private enterprise and leaving bad alone, which entrusted
his general education to Mr. Woodrow, now indentured him firmly into the
hands of Mr. Shalford, of the Folkestone Drapery Bazaar. Apprenticeship
is still the recognised English way to the distributing branch of the
social service. If Mr. Kipps had been so unfortunate as to have been
born a German he might have been educated in an elaborate and costly
special school ("over-educated--crammed up"--Old Kipps) to fit him for
his end--such being their pedagogic way. He might.... But why make
unpatriotic reflections in a novel? There was nothing pedagogic about
Mr. Shalford.

He was an irascible, energetic little man, with hairy hands, for the
most part under his coat tails, a long, shiny, bald head, a pointed,
aquiline nose a little askew, and a neatly trimmed beard. He walked
lightly and with a confident jerk, and he was given to humming. He had
added to exceptional business "push," bankruptcy under the old
dispensation, and judicious matrimony. His establishment was now one of
the most considerable in Folkestone, and he insisted on every inch of
frontage by alternate stripes of green and yellow down the houses over
the shops. His shops were numbered 3, 5 and 7 on the street, and on his
billheads 3 to 7. He encountered the abashed and awestricken Kipps with
the praises of his system and himself. He spread himself out behind his
desk with a grip on the lapel of his coat and made Kipps a sort of
speech. "We expect y'r to work, y'r know, and we expect y'r to study our
interests," explained Mr. Shalford in the regal and commercial plural.
"Our system here is the best system y'r could have. I made it, and I
ought to know. I began at the very bottom of the ladder when I was
fourteen, and there isn't a step in it I don't know. Not a step. Mr.
Booch in the desk will give y'r the card of rules and fines. Jest wait a
minute." He pretended to be busy with some dusty memoranda under a
paper-weight, while Kipps stood in a sort of paralysis of awe regarding
his new master's oval baldness. "Two thous'n three forty-seven pounds,"
whispered Mr. Shalford audibly, feigning forgetfulness of Kipps. Clearly
a place of great transactions!

Mr. Shalford rose, and handing Kipps a blotting-pad and an inkpot to
carry--mere symbols of servitude, for he made no use of them--emerged
into a counting-house where three clerks had been feverishly busy ever
since his door handle had turned. "Booch," said Mr. Shalford, "'ave y'r
copy of the rules?" and a down-trodden, shabby little old man with a
ruler in one hand and a quill pen in his mouth, silently held out a
small book with green and yellow covers, mainly devoted, as Kipps
presently discovered, to a voracious system of fines. He became acutely
aware that his hands were full, and that everybody was staring at him.
He hesitated a moment before putting the inkpot down to free a hand.

"Mustn't fumble like _that_," said Mr. Shalford as Kipps pocketed the
rules. "Won't do here. Come along, come along," and he cocked his coat
tails high, as a lady might hold up her dress, and led the way into the
shop.

A vast interminable place it seemed to Kipps, with unending shining
counters and innumerable faultlessly dressed young men and presently
Houri-like young women staring at him. Here there was a long vista of
gloves dangling from overhead rods, there ribbons and baby-linen. A
short young lady in black mittens was making out the account of a
customer, and was clearly confused in her addition by Shalford's eagle
eye.

A thickset young man with a bald head and a round, very wise face, who
was profoundly absorbed in adjusting all the empty chairs down the
counter to absolutely equal distances, awoke out of his preoccupation
and answered respectfully to a few Napoleonic and quite unnecessary
remarks from his employer. Kipps was told that this young man's name was
Mr. Buggins, and that he was to do whatever Mr. Buggins told him to do.

They came round a corner into a new smell, which was destined to be the
smell of Kipps' life for many years, the vague, distinctive smell of
Manchester goods. A fat man with a large nose jumped--actually
jumped--at their appearance, and began to fold a pattern of damask in
front of him exactly like an automaton that is suddenly set going.

"Carshot, see to this boy to-morrow," said the master. "See he don't
fumble. Smart'n 'im up."

"Yussir," said Carshot fatly, glanced at Kipps, and resumed his
pattern-folding with extreme zeal.

"Whatever Mr. Carshot says y'r to do, ye _do_," said Mr. Shalford,
trotting onward; and Carshot blew out his face with an appearance of
relief.

They crossed a large room full of the strangest things Kipps had ever
seen. Ladylike figures, surmounted by black wooden knobs in the place of
the refined heads one might have reasonably expected, stood about with a
lifelike air of conscious fashion.

"Costume room," said Shalford.

Two voices engaged in some sort of argument--"I can assure you, Miss
Mergle, you are entirely mistaken--entirely, in supposing I should do
anything so unwomanly,"--sank abruptly, and they discovered two young
ladies, taller and fairer than any of the other young ladies, and with
black trains to their dresses, who were engaged in writing at a little
table. Whatever they told him to do, Kipps gathered he was to do. He was
also, he understood, to do whatever Carshot and Booch told him to do.
And there were also Buggins and Mr. Shalford. And not to forget or
fumble!

They descended into a cellar called "The Warehouse," and Kipps had an
optical illusion of errand boys fighting. Some aerial voice said,
"Teddy!" and the illusion passed. He looked again, and saw quite clearly
that they were packing parcels and always would be, and that the last
thing in the world that they would or could possibly do was to fight.
Yet he gathered from the remarks Mr. Shalford addressed to their busy
backs that they had been fighting--no doubt at some past period of their
lives.

Emerging in the shop again among a litter of toys and what are called
"fancy articles," Shalford withdrew a hand from beneath his coat tails
to indicate an overhead change-carrier. He entered into elaborate
calculations to show how many minutes in one year were saved thereby,
and lost himself among the figures. "Seven tums eight seven nine--was
it? Or seven eight nine? Now, _now_! Why, when I was a boy your age I
c'd do a sum like that as soon as hear it. We'll soon get y'r into
better shape than that. Make you Fishent. Well, y'r must take my word,
it comes to pounds and pounds saved in the year--pounds and pounds.
System! System everywhere. Fishency." He went on murmuring "Fishency"
and "System" at intervals for some time.

They passed into a yard, and Mr. Shalford waved his hand to his three
delivery vans all striped green and yellow--"uniform--green,
yell'r--System." All over the premises were pinned absurd little cards.
"This door locked after 7:30.--By order, Edwin Shalford," and the like.

Mr. Shalford always wrote "By order," though it conveyed no earthly
meaning to him. He was one of those people who collect technicalities
upon them as the Reduvius bug collects dirt. He was the sort of man who
is not only ignorant, but absolutely incapable of English. When he
wanted to say he had a sixpenny-ha'penny longcloth to sell, he put it
thus to startled customers: "Can DO you one, six half if y' like." He
always omitted pronouns and articles and so forth; it seemed to him the
very essence of the efficiently businesslike. His only preposition was
"as" or the compound "as per." He abbreviated every word he could; he
would have considered himself the laughing-stock of Wood Street if he
had chanced to spell _socks_ in any way but "sox." But, on the other
hand, if he saved words here, he wasted them there: he never
acknowledged an order that was not an esteemed favour, nor sent a
pattern without begging to submit it. He never stipulated for so many
months' credit, but bought in November "as Jan." It was not only words
he abbreviated in his London communications. In paying his wholesalers
his "System" admitted of a constant error in the discount of a penny or
twopence, and it "facilitated business," he alleged, to ignore odd pence
in the cheques he wrote. His ledger clerk was so struck with the beauty
of this part of the System, that he started a private one on his own
account with the stamp box, that never came to Shalford's knowledge.

This admirable British merchant would glow with a particular pride of
intellect when writing his London orders.

"Ah! do y'r think _you_'ll ever be able to write London orders?" he
would say with honest pride to Kipps, waiting impatiently long after
closing time to take these triumphs of commercial efficiency to post,
and so end the interminable day.

Kipps shook his head, anxious for Mr. Shalford to get on.

"Now, here, f' example, I've written--see?--'1 piece 1 in. cott. blk,
elas. 1/ or.' What do I mean by that _or_, eh?--d'ye know?"

Kipps promptly hadn't the faintest idea.

"And then, '2 ea. silk net as per patts herewith': _ea._, eh?"

"Dunno, sir."

It was not Mr. Shalford's way to explain things. "Dear, dear! Pity you
couldn't get some c'mercial education at your school. 'Stid of all this
lit'ry stuff. Well, my boy, if y' don't 'ussel a bit y'll never write
London orders, _that's_ pretty plain. Jest stick stamps on all those
letters, and mind y'r stick 'em right way up, and try and profit a
little more by the opportunities your aunt and uncle have provided ye.
Can't say _what_'ll happen t'ye if ye don't."

And Kipps, tired, hungry, and belated, set about stamping with vigour
and despatch.

"Lick the _envelope_," said Mr. Shalford, "lick the _envelope_," as
though he grudged the youngster the postage-stamp gum. "It's the little
things mount up," he would say; and, indeed, that was his philosophy of
life--to bustle and save, always to bustle and save. His political creed
linked Reform, which meant nothing, with Efficiency which meant a
sweated service, and Economy which meant a sweated expenditure, and his
conception of a satisfactory municipal life was to "keep down the
rates." Even his religion was to save his soul, and to preach a similar
cheese-paring to the world.


§2

The indentures that bound Kipps to Mr. Shalford were antique and
complex: they insisted on the latter gentleman's parental privileges;
they forbade Kipps to dice and game; they made him over body and soul
to Mr. Shalford for seven long years, the crucial years of his life. In
return there were vague stipulations about teaching the whole art and
mystery of the trade to him; but as there was no penalty attached to
negligence, Mr. Shalford, being a sound, practical business man,
considered this a mere rhetorical flourish, and set himself assiduously
to get as much out of Kipps and to put as little into him as he could in
the seven years of their intercourse.

What he put into Kipps was chiefly bread and margarine, infusions of
chicory and tea-dust, colonial meat by contract at threepence a pound,
potatoes by the sack, and watered beer. If, however, Kipps chose to buy
any supplementary material for growth, Mr. Shalford had the generosity
to place his kitchen resources at his disposal free--if the fire chanced
to be going. He was also allowed to share a bedroom with eight other
young Englishmen, and to sleep in a bed which, except in very severe
weather, could be made with the help of his overcoat and private
underlinen, not to mention newspapers, quite sufficiently warm for any
reasonable soul. In addition Kipps was taught the list of fines; and how
to tie up parcels; to know where goods were kept in Mr. Shalford's
systematised shop; to hold his hands extended upon the counter and to
repeat such phrases as "What can I have the pleasure...?" "No trouble, I
'ssure you," and the like; to block, fold, and measure materials of all
sorts; to lift his hat from his head when he passed Mr. Shalford abroad,
and to practise a servile obedience to a large number of people. But he
was not, of course, taught the "cost" mark of the goods he sold, nor
anything of the method of buying such goods. Nor was his attention
directed to the unfamiliar social habits and fashions to which his trade
ministered. The use of half the goods he saw sold and was presently to
assist in selling he did not understand; materials for hangings,
cretonnes, chintzes, and the like, serviettes and all the bright, hard
white wear of a well-ordered house, pleasant dress materials, linings,
stiffenings--they were to him from first to last no more than things
heavy and difficult to handle in bulk, that one folded up, unfolded, cut
in lengths, and saw dwindle and pass away out into that mysterious happy
world in which the customer dwells. Kipps hurried from piling linen
table-cloths, that were collectively as heavy as lead, to eat off
oil-cloth in a gas-lit dining-room underground; and he dreamt of combing
endless blankets beneath his overcoat, spare undershirt, and three
newspapers. So he had at least the chance of learning the beginnings of
philosophy.

In return for these benefits he worked so that he commonly went to bed
exhausted and footsore. His round began at half-past six in the morning,
when he would descend unwashed and shirtless, in old clothes and a
scarf, and dust boxes and yawn, and take down wrappers and clean the
windows until eight. Then in half an hour he would complete his toilet
and take an austere breakfast of bread and margarine and what only an
Imperial Englishman would admit to be coffee, after which refreshment
he ascended to the shop for the labours of the day. Commonly these began
with a mighty running to and fro with planks and boxes and goods for
Carshot, the window-dresser, who, whether he worked well or ill, nagged
persistently by reason of a chronic indigestion, until the window was
done. Sometimes the costume window had to be dressed, and then Kipps
staggered down the whole length of the shop from the costume room with
one after another of those ladylike shapes grasped firmly, but
shamefully, each about her single ankle of wood. Such days as there was
no window-dressing, there was a mighty carrying and lifting of blocks
and bales of goods into piles and stacks. After this there were terrible
exercises, at first almost despairfully difficult: certain sorts of
goods that came in folded had to be rolled upon rollers, and for the
most part refused absolutely to be rolled, at any rate by Kipps; and
certain other sorts of goods that came from the wholesalers rolled had
to be measured and folded, which folding makes young apprentices wish
they were dead. All of it, too, quite avoidable trouble, you know, that
is not avoided because of the cheapness of the genteeler sorts of labour
and the dearness of forethought in the world. And then consignments of
new goods had to be marked off and packed into proper parcels; and
Carshot packed like conjuring tricks, and Kipps packed like a boy with
tastes in some other direction--not ascertained. And always Carshot
nagged.

He had a curious formula of appeal to his visceral oeconomy, had
Carshot, that the refinement of the times and the earnest entreaties of
my friends induce me to render by an anæmic paraphrase.

"My heart and lungs! I never see such a boy," so I present Carshot's
refrain; and even when he was within a foot or so of the customer's face
the disciplined ear of Kipps would still at times develop a featureless,
intercalary murmur into--well, "my heart and lungs!"

There came a blessed interval when Kipps was sent abroad "matching."
This consisted chiefly in supplying unexpected defects in buttons,
ribbon, lining, and so forth in the dressmaking department. He was given
a written paper of orders with patterns pinned thereto, and discharged
into the sunshine and interest of the street. Then, until he thought it
wise to return and stand the racket of his delay, he was a free man,
clear of all reproach.

He made remarkable discoveries in topography, as for example that the
most convenient way from the establishment of Mr. Adolphus Davis to the
establishment of Messrs. Plummer, Roddis & Tyrrel, two of his principal
places of call, is not as is generally supposed down the Sandgate Road,
but up the Sandgate Road, round by West Terrace, and along the Leas to
the lift, watch the lift up and down _twice_, but not longer, because
that wouldn't do, back along the Leas, watch the Harbour for a short
time, and then round by the churchyard, and so (hurrying) into Church
Street and Rendezvous Street. But on some exceptionally fine days the
route lay through Radnor Park to the pond where the little boys sail
ships and there are interesting swans.

He would return to find the shop settling down to the business of
serving customers. And now he had to stand by to furnish any help that
was necessary to the seniors who served, to carry parcels and bills
about the shop, to clear away "stuff" after each engagement, to hold up
curtains until his arms ached, and what was more difficult than all, to
do nothing, and not stare disconcertingly at customers when there was
nothing for him to do. He plumbed an abyss of boredom, or stood a mere
carcass, with his mind far away, fighting the enemies of the Empire, or
steering a dream ship perilously into unknown seas. To be recalled
sharply to our higher civilisation by some bustling senior's "Nar then,
Kipps. _Look_ alive! Ketch 'old. (My heart and lungs!)"

At half-past seven o'clock--except on late nights--a feverish activity
of "straightening up" began, and when the last shutter was up outside,
Kipps with the speed of an arrow leaving a bow would start hanging
wrappers over the fixtures and over the piles of wares upon the
counters, preparatory to a vigorous scattering of wet sawdust and the
sweeping out of the shop.

Sometimes people would stay long after the shop was closed--"They don't
mind a bit at Shalford's," these ladies used to say--it is always ladies
do this sort of thing--and while they loitered it was forbidden to
touch a wrapper, or take any measures to conclude the day until the
doors closed behind them.

Mr. Kipps would watch these later customers from the shadow of a stack
of goods, and death and disfigurement was the least he wished for them.
Rarely much later than nine, a supper of bread and cheese and watered
beer awaited him upstairs, and, that consumed, the rest of the day was
entirely at his disposal for reading, recreation, and the improvement of
his mind....

The front door was locked at half-past ten, and the gas in the dormitory
extinguished at eleven.


§3

On Sundays he was obliged to go to church once, and commonly he went
twice, for there was nothing else to do. He sat in the free seats at the
back; he was too shy to sing, and not always clever enough to keep his
place in the prayer-book, and he rarely listened to the sermon. But he
had developed a sort of idea that going to church had a tendency to
alleviate life. His aunt wanted to have him confirmed, but he evaded
this ceremony for some years.

In the intervals between services he walked about Folkestone with an air
of looking for something. Folkestone was not so interesting on Sundays
as on week-days, because the shops were shut; but on the other hand
there was a sort of confusing brilliance along the front of the Leas in
the afternoon. Sometimes the apprentice next above him would condescend
to go with him; but when the apprentice next but one above him
condescended to go with the apprentice next above him, then Kipps, being
habited as yet in ready-made clothes without tails, and unsuitable
therefore to appear in such company, went alone.

Sometimes he would strike out into the country--still as if looking for
something he missed--but the rope of meal-times haled him home again;
and sometimes he would invest the major portion of the weekly allowance
of a shilling that old Booch handed out to him, in a sacred concert on
the pier. He would sometimes walk up and down the Leas between twenty
and thirty times after supper, desiring much the courage to speak to
some other person in the multitude similarly employed. Almost invariably
he ended his Sunday footsore.

He never read a book; there were none for him to read, and besides, in
spite of Mr. Woodrow's guidance through a cheap and cheaply annotated
edition of the _Tempest_ (English Literature) he had no taste that way;
he never read any newspapers, except occasionally _Tit-Bits_ or a
ha'penny "comic." His chief intellectual stimulus was an occasional
argey-bargey that sprang up between Carshot and Buggins at dinner. Kipps
listened as if to unparalleled wisdom and wit, and treasured all the
gems of repartee in his heart against the time when he, too, should be a
Buggins and have the chance and courage for speech.

At times there came breaks in this routine--sale times, darkened by
extra toil and work past midnight, but brightened by a sprat supper and
some shillings in the way of 'premiums.' And every year--not now and
then, but every year--Mr. Shalford, with parenthetic admiration of his
own generosity and glancing comparisons with the austerer days when _he_
was apprenticed, conceded Kipps no less than ten days' holiday--ten
whole days every year! Many a poor soul at Portland might well envy the
fortunate Kipps. Insatiable heart of man! but how those days were
grudged and counted as they snatched themselves away from him one after
another!

Once a year came stock-taking, and at intervals gusts of "marking off"
goods newly arrived. Then the splendours of Mr. Shalford's being shone
with oppressive brilliancy. "System!" he would say, "system. Come!
'ussel!" and issue sharp, confusing, contradictory orders very quickly.
Carshot trotted about, confused, perspiring, his big nose up in the air,
his little eye on Mr. Shalford, his forehead crinkled, his lips always
going to the formula "Oh, my heart and lungs!" The smart junior and the
second apprentice vied with one another in obsequious alacrity. The
smart junior aspired to Carshot's position, and that made him almost
violently subservient to Shalford. They all snapped at Kipps. Kipps held
the blotting-pad and the safety inkpot and a box of tickets, and ran and
fetched things. If he put the ink down before he went to fetch things
Mr. Shalford usually knocked it over, and if he took it away Mr.
Shalford wanted it before he returned. "You make my tooth ache, Kipps,"
Mr. Shalford would say. "You gimme n'ralgia. You got no more System in
you than a bad potato." And at the times when Kipps carried off the
inkpot Mr. Shalford would become purple in the face and jab round with
his dry pen at imaginary inkpots and swear, and Carshot would stand and
vociferate, and the smart junior would run to the corner of the
department and vociferate, and the second apprentice would pursue Kipps,
vociferating, "Look Alive, Kipps! Look Alive! Ink, Man! Ink!"

A vague self-disgust, that shaped itself as an intense hate of Shalford
and all his fellow-creatures, filled the soul of Kipps during these
periods of storm and stress. He felt that the whole business was unjust
and idiotic, but the why and the wherefore was too much for his
unfortunate brain. His mind was a welter. One desire, the desire to
dodge some at least of a pelting storm of disagreeable comment, guided
him through a fumbling performance of his duties. His disgust was
infinite! It was not decreased by the inflamed ankles and sore feet that
form a normal incident in the business of making an English draper; and
the senior apprentice, Minton, a gaunt, sullen-faced youngster with
close-cropped, wiry, black hair, a loose, ugly mouth, and a moustache
like a smudge of ink, directed his attention to deeper aspects of the
question and sealed his misery.

"When you get too old to work they chuck you away," said Minton. "Lor!
you find old drapers everywhere--tramps, beggars, dock labourers, 'bus
conductors--Quod. Anywhere but in a crib."

"Don't they get shops of their own?"

"Lord! '_Ow_ are they to get shops of their own? They 'aven't any
capital! How's a draper's shopman to save up five hundred pounds even? I
tell you it can't be done. You got to stick to cribs until it's over. I
tell you we're in a blessed drainpipe, and we've got to crawl along it
till we die."

The idea that fermented perpetually in the mind of Minton was to "hit
the little beggar slap in the eye"--the little beggar being Mr.
Shalford--"and see how his blessed System met that."

The threat filled Kipps with splendid anticipations whenever Shalford
went marking off in Minton's department. He would look at Minton and
look at Shalford, and decide where he would best like Shalford hit....
But for reasons known to himself Shalford never pished and tushed with
Minton, as he did at the harmless Carshot, and this interesting
experiment upon the System was never attempted.


§4

There were times when Kipps would lie awake, all others in the dormitory
asleep and snoring, and think dismally of the outlook Minton pictured.
Dimly he perceived the thing that had happened to him--how the great,
stupid machine of retail trade had caught his life into its wheels, a
vast, irresistible force which he had neither strength of will nor
knowledge to escape. This was to be his life until his days should end.
No adventures, no glory, no change, no freedom. Neither--though the
force of that came home to him later--might he dream of effectual love
and marriage. And there was a terrible something called the "swap," or
"the key of the street," and "crib hunting," of which the talk was
scanty but sufficient. Night after night he would resolve to enlist, to
run away to sea, to set fire to the warehouse, or drown himself; and
morning after morning he rose up and hurried downstairs in fear of a
sixpenny fine. He would compare his dismal round of servile drudgery
with those windy, sunlit days at Littlestone, those windows of happiness
shining ever brighter as they receded. The little figure of Ann seemed
in all these windows now.

She, too, had happened on evil things. When Kipps went home for the
first Christmas after he was bound, that great suspended resolve of his
to kiss her flared up to hot determination, and he hurried out and
whistled in the yard. There was a still silence, and then old Kipps
appeared behind him.

"It's no good your whistling there, my boy," said Old Kipps in a loud,
clear tone, designed to be audible over the wall. "They've cleared out
all you 'ad any truck with. _She's_ gone as help to Ashford, my boy.
_Help!_ Slavey is what we used to call 'em, but times are changed.
Wonder they didn't say lady-'elp while they was about it. It 'ud be like
'em."

And Sid? Sid had gone, too. "Arrand boy or somethink," said Old Kipps.
"To one of these here brasted cicycle shops."

"_Has_ 'e!" said Kipps, with a feeling that he had been gripped about
the chest, and he turned quickly and went indoors.

Old Kipps, still supposing him present, went on to further observations
of an anti-Pornick hue....

When Kipps got upstairs safe in his own bedroom, he sat down on the bed
and stared at nothing. They were caught--they were all caught. All life
took on the hue of one perpetual, dismal Monday morning. The Hurons were
scattered, the wrecks and the beach had passed away from him, the sun of
those warm evenings at Littlestone had set for evermore....

The only pleasure left for the brief remainder of his holiday after that
was to think he was not in the shop. Even that was transient. Two more
days--one more day--half a day. When he went back there were one or two
very dismal nights indeed. He went so far as to write home some vague
intimation of his feelings about business and his prospects, quoting
Minton. But Mrs. Kipps answered him, "Did he want the Pornicks to say he
wasn't good enough to be a draper?" This dreadful possibility was of
course conclusive in the matter. "No," he resolved they should not say
he failed at that.

He derived much help from a "manly" sermon delivered in an enormous
voice by a large, fat, sun-red clergyman, just home from a colonial
bishopric he had resigned on the plea of ill-health, exhorting him that
whatever his hand found to do, he was to do with all his might; and the
revision of his Catechism preparatory to his confirmation reminded him
that it behooved him "to do his duty in that state of life unto which it
shall please God to call him...."

After a time the sorrows of Kipps grew less acute, and save for a
miracle the brief tragedy of his life was over. He subdued himself to
his position even as his Church required of him, seeing moreover no way
out of it.

The earliest mitigation of his lot was that his soles and ankles became
indurated to the perpetual standing. The next was an unexpected weekly
whiff of freedom that came every Thursday. Mr. Shalford, after a brave
stand for what he called "Innyvishal lib'ty" and the "Idea of my
System," a stand which he explained he made chiefly on patriotic
grounds, was at last, under pressure of certain of his customers,
compelled to fall in line with the rest of the local Early Closing
Association, and Mr. Kipps could emerge in daylight and go where he
listed for long, long hours. Moreover Minton, the pessimist, reached the
end of his appointed time and left--to enlist in a cavalry regiment and
go about this planet leading an insubordinate but interesting life, that
ended at last in an intimate, vivid and really you know by no means
painful or tragic night grapple in the Terah Valley. In a little while
Kipps cleaned windows no longer; he was serving customers (of the less
important sort) and taking goods out on approval; and presently he was
third apprentice, and his moustache was visible, and there were three
apprentices whom he might legally snub and cuff. But one was (most
dishonestly) too big to cuff in spite of his greener years.


§5

There came still other distractions, the natural distractions of
adolescence, to take his mind off the inevitable. His costume, for
example, began to interest him more; he began to realise himself as a
visible object, to find an interest in the costume-room mirrors and the
eyes of the girl apprentices.

In this he was helped by counsel and example. Pierce, his immediate
senior, was by way of being what was called a Masher, and preached his
cult. During slack times grave discussions about collars, ties, the cut
of trouser legs, and the proper shape of a boot-toe, were held in the
Manchester department. In due course Kipps went to a tailor, and his
short jacket was replaced by a morning coat with tails. Stirred by this,
he purchased at his own expense three stand-up collars to replace his
former turn-down ones. They were nearly three inches high, higher than
those Pierce wore, and they made his neck quite sore and left a red mark
under his ears.... So equipped, he found himself fit company even for
this fashionable apprentice, who had now succeeded Minton in his
seniority.

Most potent help of all in the business of forgetting his cosmic
disaster was this, that so soon as he was in tail coats the young ladies
of the establishment began to discover that he was no longer a "horrid
little boy." Hitherto they had tossed heads at him and kept him in his
place. Now they discovered that he was a "nice boy," which is next door
at least to being a "feller," and in some ways even preferable. It is
painful to record that his fidelity to Ann failed at their first onset.
I am fully sensible how entirely better this story would be from a
sentimental point of view if he had remained true to that early love.
Only then it would have been a different story altogether. And at least
Kipps was thus far true, that with none of these later loves was there
any of that particular quality that linked Ann's flushed face and warmth
and the inner things of life so inseparably together. Though they were
not without emotions of various sorts.

It was one of the young ladies in the costume-room who first showed by
her manner that he was a visible object and capable of exciting
interest. She talked to him, she encouraged him to talk to her, she lent
him a book she possessed, and darned a sock for him, and said she would
be his elder sister. She allowed him to escort her to church with a
great air of having induced him to go. Then she investigated his eternal
welfare, overcame a certain affectation of virile indifference to
religion, and extorted a promise that he would undergo "confirmation."
This excited the other young lady in the costumes, her natural rival,
and she set herself with great charm and subtlety to the capture of the
ripening heart of Kipps. She took a more worldly line. She went for a
walk with him to the pier on Sunday afternoon, and explained to him how
a gentleman must always walk "outside" a lady on a pavement, and how all
gentlemen wore, or at least carried gloves, and generally the broad
beginnings of the British social ideal. Afterwards the ladies exchanged
"words," upon Sabbatical grounds. In this way was the _toga virilis_
bestowed on Kipps, and he became recognised as a suitable object for
that Platonic Eros whose blunted darts devastate even the very
highest-class establishments. In this way, too, did that pervading
ambition of the British young man to be, if not a "gentleman," at least
mistakably like one, take root in his heart.

He took to these new interests with quite natural and personal zest. He
became initiated into the mysteries of "flirting," and--at a slightly
later stage, and with some leading hints from Pierce, who was of a
communicative disposition in these matters--of the milder forms of
"spooning." Very soon he was engaged. Before two years were out he had
been engaged six times, and was beginning to be rather a desperate
fellow, so far as he could make out. Desperate, but quite gentlemanly,
be it understood, and without let or hindrance to the fact that he was,
in four brief lessons, "prepared" by a distant-mannered and gloomy young
curate, and "confirmed" a member of the Established Church.

The engagements in drapery establishments do not necessarily involve a
subsequent marriage. They are essentially more refined, less coarsely
practical, and altogether less binding than the engagements of the
vulgar rich. These young ladies do not like not to be engaged--it is so
unnatural; and Mr. Kipps was as easy to get engaged to as one could
wish. There are, from the young lady's point of view, many conveniences
in being engaged. You get an escort for church and walks and so forth.
It is not quite the thing to walk abroad with a "feller," much more to
"spoon" with him, when he is neither one's _fiancé_ nor an adopted
brother; it is considered either a little _fast_, or else as savouring
of the "walking-out" habits of the servant girls. Now, such is the
sweetness of human charity, that the shop young lady in England has just
the same horror of doing anything that savours of the servant girl as
the lady journalist, let us say, has of anything savouring of the shop
girl, or the really quite nice young lady has of anything savouring of
any sort of girl who has gone down into the economic battlefield to earn
herself a living.... But the very deepest of these affairs was still
among the shallow places of love; at best it was paddling where it is
decreed that men must sink or swim. Of the deep and dangerous places,
and of the huge buoyant lift of its waves, he tasted nothing. Affairs of
clothes and vanities they were, jealousies about a thing said,
flatteries and mutual boastings, climaxes in the answering grasp of
hands, the temerarious use of Christian names, culminations in a walk,
or a near confidence, or a little pressure more or less. Close-sitting
on a seat after twilight, with some little fondling, was indeed the
boldest of a lover's adventures, the utmost limit of his enterprises in
the service of that stark Great Lady, who is daughter of Uranus and the
sea. The "young ladies" who reigned in his heart came and went like
people in an omnibus: there was the vehicle, so to speak, upon the road,
and they entered and left it without any cataclysm of emotion. For all
that, this development of the sex interest was continuously very
interesting to Kipps, and kept him going as much as anything through all
these servile years.


§6

For a tailpiece to this chapter one may vignette one of those little
affairs.

It is a bright Sunday afternoon; the scene is a secluded little seat
half-way down the front of the Leas, and Kipps is four years older than
when he parted from Ann. There is a quite perceptible down upon his
upper lip, and his costume is just as tremendous a "mash" as lies within
his means. His collar is so high that it scars his inaggressive jawbone,
and his hat has a curly brim, his tie shows taste, his trousers are
modestly brilliant, and his boots have light cloth uppers and button at
the side. He jabs at the gravel before him with a cheap cane, and
glances sideways at Flo Bates, the young lady from the cash desk. She
is wearing a brilliant blouse and a gaily trimmed hat. There is an air
of fashion about her that might disappear under the analysis of a woman
of the world, but which is quite sufficient to make Kipps very proud to
be distinguished as her particular "feller," and to be allowed at
temperate intervals to use her Christian name.

The conversation is light and gay in the modern style, and Flo keeps on
smiling, good temper being her special charm.

"Ye see, you don' mean what _I_ mean," he is saying.

"Well, what do _you_ mean?"

"Not what you mean!"

"Well, tell me."

"_Ah!_ That's another story."

Pause. They look meaningly at one another.

"You _are_ a one for being roundabout," says the lady.

"Well, you're not so plain, you know."

"Not plain?"

"No."

"You don't mean to say I'm roundabout?"

"No. I mean to say ... though----"

Pause.

"Well?"

"You're not a bit plain--you're" (his voice jumps up to a squeak)
"pretty. See?"

"Oh, get _out_!" her voice lifts also--with pleasure.

She strikes at him with her glove, then glances suddenly at a ring upon
her finger. Her smile disappears momentarily. Another pause. Eyes meet
and the smile returns.

"I wish I knew----" says Kipps.

"Knew----?"

"Where you got that ring."

She lifts the hand with the ring until her eyes just show (very
prettily) over it. "You'd just _like_ to know," she says slowly, and
smiles still more brightly with the sense of successful effect.

"I dessay I could guess."

"I dessay you couldn't."

"Couldn't I?"

"No!"

"Guess it in three."

"Not the name."

"Ah!"

"_Ah!_"

"Well, anyhow lemme look at it."

He looks at it. Pause. Giggles, slight struggle, and a slap on Kipps'
coatsleeve. A passerby appears down the path, and she hastily withdraws
her hand.

She glances at the face of the approaching man. They maintain a bashful
silence until he has passed.




CHAPTER III

THE WOOD-CARVING CLASS


§1

Though these services to Venus Epipontia, the seaside Venus, and these
studies in the art of dress, did much to distract his thoughts and
mitigate his earlier miseries, it would be mere optimism to present
Kipps as altogether happy. A vague dissatisfaction with life drifted
about him and every now and again enveloped him like a sea fog. During
these periods it was greyly evident that there was something, something
vital in life, lacking. For no earthly reason that Kipps could discover,
he was haunted by a suspicion that life was going wrong or had already
gone wrong in some irrevocable way. The ripening self-consciousness of
adolescence developed this into a clearly felt insufficiency. It was all
very well to carry gloves, open doors, never say "Miss" to a girl, and
walk "outside," but were there not other things, conceivably even deeper
things, before the complete thing was attained? For example, certain
matters of knowledge. He perceived great bogs of ignorance about him,
fumbling traps, where other people, it was alleged, _real_ gentlemen and
ladies, for example, and the clergy, had knowledge and assurance, bogs
which it was sometimes difficult to elude. A girl arrived in the
millinery department who could, she said, _speak_ French and German. She
snubbed certain advances, and a realisation of inferiority blistered
Kipps. But he tried to pass the thing off as a joke by saying,
"Parlez-vous Francey," whenever he met her, and inducing the junior
apprentice to say the same.

He even made some dim half-secret experiments towards remedying the
deficiencies he suspected. He spent five shillings on five serial
numbers of a Home Educator, and bought (and even thought of reading) a
Shakespeare and a Bacon's "Advancement of Learning" and the poems of
Herrick from a chap who was hard up. He battled with Shakespeare all one
Sunday afternoon, and found the "English Literature" with which Mr.
Woodrow had equipped him had vanished down some crack in his mind. He
had no doubt it was very splendid stuff, but he couldn't quite make out
what it was all about. There was an occult meaning, he knew, in
literature, and he had forgotten it. Moreover, he discovered one day,
while taunting the junior apprentice with ignorance, that his "rivers of
England" had also slipped his memory, and he laboriously restored that
fabric of rote learning: "Ty Wear Tees 'Umber...."

I suppose some such phase of discontent is a normal thing in every
adolescence. The ripening mind seeks something upon which its will may
crystallise, upon which its discursive emotions, growing more abundant
with each year of life, may concentrate. For many, though not for all,
it takes a religious direction, but in those particular years the mental
atmosphere of Folkestone was exceptionally free from any revivalistic
disturbance that might have reached Kipps' mental being. Sometimes they
fall in love. I have known this uneasiness end in different cases in a
vow to read one book (not a novel) every week, to read the Bible through
in a year, to pass in the Honours division of the London Matriculation
examination, to become an accomplished chemist, and never more to tell a
lie. It led Kipps finally into Technical Education as we understand it
in the south of England.

It was in the last year of his apprenticeship that he had pursued his
researches after that missing qualification into the Folkestone Young
Men's Association, where Mr. Chester Coote prevailed. Mr. Chester Coote
was a young man of semi-independent means who inherited a share in a
house agency, read Mrs. Humphry Ward, and took an interest in social
work. He was a whitish-faced young man with a prominent nose, pale blue
eyes, and a quivering quality in his voice. He was very active upon
committees; he was very prominent and useful on all social occasions, in
evidence upon platforms and upon all those semi-public occasions when
the Great descend. He lived with an only sister. To Kipps and his kind
in the Young Men's Association he read a stimulating paper on
"Self-Help." He said it was the noblest of all our distinctive English
characteristics, and he was very much down upon the "over-educated"
Germans. At the close a young German hairdresser made a few commendatory
remarks which developed somehow into an oration on Hanoverian politics.
As he became excited he became guttural and obscure; the meeting
sniggered cheerfully at such ridiculous English, and Kipps was so much
amused that he forgot a private project to ask this Chester Coote how he
might set about a little self-help on his own private account in such
narrow margins of time as the System of Mr. Shalford spared him. But
afterwards in the night-time it came to him again.

It was a few months later, and after his apprenticeship was over and Mr.
Shalford had with depreciatory observations taken him on as an improver
at twenty pounds a year, that this question was revived by a casual
article on Technical Education in a morning paper that a commercial
traveller had left behind him. It played the _rôle_ of the word in
season. Something in the nature of conversion, a faint sort of
concentration of purpose, really occurred in him then. The article was
written with penetrating vehemence, and it stimulated him to the pitch
of inquiring about the local Science and Art Classes, and after he had
told everybody in the shop about it and taken the advice of all who
supported his desperate resolution, he joined. At first he attended the
class in Freehand, that being the subject taught on early closing night;
and he had already made some progress in that extraordinary routine of
reproducing freehand "copies" which for two generations had passed with
English people for instruction in art, when the dates of the classes
were changed. Thereby just as the March winds were blowing he was
precipitated into the wood-carving class, and his mind diverted first to
this useful and broadening pursuit, and then to its teacher.


§2

The class in wood-carving was an extremely select class, conducted at
that time by a young lady named Walshingham, and as this young lady was
destined by fortune to teach Kipps a great deal more than wood carving,
it will be well if the reader gets the picture of her correctly in mind.
She was only a year or so older than he was; she had a pale,
intellectual face, dark grey eyes, and black hair, which she wore over
her forehead in an original and striking way that she had adopted from a
picture by Rossetti in the South Kensington Museum. She was slender, so
that without ungainliness she had an effect of being tall, and her hands
were shapely and white when they came into contrast with hands much
exercised in rolling and blocking. She dressed in those loose and
pleasant forms and those soft and tempered shades that arose in England
in the socialistic-æsthetic epoch and remain to this day among us as the
badge of those who read Turgenev's novels, scorn current fiction, and
think on higher planes. I think she was as beautiful as most beautiful
people, and to Kipps she was altogether beautiful. She had, Kipps
learnt, matriculated at London University, an astounding feat to his
imagination; and the masterly way in which she demonstrated how to prod
and worry honest pieces of wood into useless and unedifying patterns in
relief extorted his utmost admiration.

At first, when Kipps had learnt he was to be taught by a "girl," he was
inclined to resent it, the more so as Buggins had recently been very
strong on the gross injustice of feminine employment.

"We have to keep wives," said Buggins (though as a matter of fact he did
not keep even one), "and how are we to do it with a lot of girls coming
in to take the work out of our mouths?"

Afterwards Kipps, in conjunction with Pierce, looked at it from another
point of view, and thought it would be rather a "lark." Finally, when he
saw her, and saw her teaching, and coming nearer to him with an
impressive deliberation, he was breathless with awe and the quality of
her dark, slender femininity.

The class consisted of two girls and a maiden lady of riper years,
friends of Miss Walshingham's, and anxious rather to support her in an
interesting experiment than to become really expert wood-carvers; an
oldish young man with spectacles and a black beard, who never spoke to
any one, and who was evidently too short-sighted to see his work as a
whole; a small boy who was understood to have a "gift" for wood-carving;
and a lodging-house keeper who "took classes" every winter, she told
Mr. Kipps, as though they were a tonic, and "found they did her good."
And occasionally Mr. Chester Coote--refined and gentlemanly--would come
into the class, with or without papers, ostensibly on committee
business, but in reality to talk to the less attractive one of the two
girl students; and sometimes a brother of Miss Walshingham's, a slender,
dark young man with a pale face, and fluctuating resemblances to the
young Napoleon, would arrive just at the end of the class-time to see
his sister home.

All these personages impressed Kipps with a sense of inferiority that in
the case of Miss Walshingham became positively abysmal. The ideas and
knowledge they appeared to have, their personal capacity and freedom,
opened a new world to his imagination. These people came and went, with
a sense of absolute assurance, against an overwhelming background of
plaster casts, diagrams and tables, benches and a blackboard--a
background that seemed to him to be saturated with recondite knowledge
and the occult and jealously guarded tips and secrets that constitute
Art and the Higher Life. They went home, he imagined, to homes where the
piano was played with distinction and freedom, and books littered the
tables, and foreign languages were habitually used. They had complicated
meals, no doubt--with serviettes. They "knew etiquette," and how to
avoid all the errors for which Kipps bought penny manuals, "What to
Avoid," "Common Errors in Speaking," and the like. He knew nothing
about it all--nothing whatever; he was a creature of the outer darkness
blinking in an unsuspected light.

He heard them speak easily and freely to one another of examinations, of
books and paintings, of "last year's Academy"--a little contemptuously;
and once, just at the end of the class-time, Mr. Chester Coote and young
Walshingham and the two girls argued about something or other called, he
fancied, "Vagner" or "Vargner"--they seemed to say it both ways--and
which presently shaped itself more definitely as the name of a man who
made up music. (Carshot and Buggins weren't in it with them.) Young
Walshingham, it appeared, said something or other that was an "epigram,"
and they all applauded him. Kipps, I say, felt himself a creature of
outer darkness, an inexcusable intruder in an altitudinous world. When
the epigram happened, he first of all smiled, to pretend he understood,
and instantly suppressed the smile to show he did not listen. Then he
became extremely hot and uncomfortable, though nobody had noticed either
phase.

It was clear his only chance of concealing his bottomless baseness was
to hold his tongue, and meanwhile he chipped with earnest care, and
abased his soul before the very shadow of Miss Walshingham. She used to
come and direct and advise him, with, he felt, an effort to conceal the
scorn she had for him; and, indeed, it is true that at first she thought
of him chiefly as the clumsy young man with the red ears.

And as soon as he emerged from the first effect of pure and awestricken
humility--he was greatly helped to emerge from that condition to a
perception of human equality by the need the lodging-house keeper was
under to talk while she worked, and as she didn't like Miss Walshingham
and her friends very much, and the young man with spectacles was deaf,
she naturally talked to Kipps--he perceived that he was in a state of
adoration for Miss Walshingham that it seemed almost a blasphemous
familiarity to speak of us being in love.

This state, you must understand, had nothing to do with "flirting" or
"spooning" and that superficial passion that flashes from eye to eye
upon the leas and pier--absolutely nothing. That he knew from the first.
Her rather pallid, intelligent young face, beneath those sombre clouds
of hair, put her in a class apart; towards her the thought of
"attentions" paled and vanished. To approach such a being, to perform
sacrifices and to perish obviously for her, seemed the limit he might
aspire to, he or any man. For if his love was abasement, at any rate it
had this much of manliness, that it covered all his sex. It had not yet
come to Kipps to acknowledge any man as his better in his heart of
hearts. When one does that the game is played and one grows old indeed.

The rest of his sentimental interests vanished altogether in this great
illumination. He meditated about her when he was blocking cretonne; her
image was before his eyes at tea-time, and blotted out the more
immediate faces, and made him silent and preoccupied, and so careless in
his bearing that the junior apprentice, sitting beside him, mocked at
and parodied his enormous bites of bread and butter unreproved. He
became conspicuously less popular on the "fancy" side, the "costumes"
was chilly with him and the "millinery" cutting. But he did not care. An
intermittent correspondent with Flo Bates, that had gone on since she
left Mr. Shalford's desk for a position at Tunbridge "nearer home," and
which had roused Kipps in its earlier stages to unparalleled heights of
epistolatory effort, died out altogether by reason of his neglect. He
heard with scarcely a pang that, as a consequence perhaps of his
neglect, Flo was "carrying on with a chap who managed a farm."

Every Thursday he jabbed and gouged at his wood, jabbing and gouging
intersecting circles and diamond traceries, and that laboured inane
which our mad world calls ornament, and he watched Miss Walshingham
furtively whenever she turned away. The circles in consequence were
jabbed crooked; and his panels, losing their symmetry, became
comparatively pleasing to the untrained eye--and once he jabbed his
finger. He would cheerfully have jabbed all his fingers if he could have
found some means of using the opening to express himself of the vague
emotions that possessed him. But he shirked conversation just as
earnestly as he desired it; he feared that profound general ignorance of
his might appear.


§3

There came a time when she could not open one of the class-room windows.
The man with the black beard pored over his chipping heedlessly....

It did not take Kipps a moment to grasp his opportunity. He dropped his
gouge and stepped forward. "Lem _me_," he said....

He could not open the window either!

"Oh, please don't trouble," she said.

"'Sno trouble," he gasped.

Still the sash stuck. He felt his manhood was at stake. He gathered
himself together for a tremendous effort, and the pane broke with a
snap, and he thrust his hand into the void beyond.

"_There!_" said Miss Walshingham, and the glass fell ringing into the
courtyard below.

Then Kipps made to bring his hand back, and felt the keen touch of the
edge of the broken glass at his wrist. He turned dolefully. "I'm
tremendously sorry," he said in answer to the accusation in Miss
Walshingham's eyes. "I didn't think it would break like that,"--as if he
had expected it to break in some quite different and entirely more
satisfactory manner. The boy with the gift of wood-carving having stared
at Kipps' face for a moment, became involved in a Laocoon struggle with
a giggle.

"You've cut your wrist," said one of the girl friends, standing up and
pointing. She was a pleasant-faced, greatly freckled girl, with a
helpful disposition, and she said "You've cut your wrist," as brightly
as if she had been a trained nurse.

Kipps looked down, and saw a swift line of scarlet rush down his hand.
He perceived the other man student regarding this with magnified eyes.
"You _have_ cut your wrist," said Miss Walshingham, and Kipps regarded
his damage with greater interest.

"He's cut his wrist," said the maiden lady to the lodging-house keeper,
and seemed in doubt what a lady should do. "It's----" she hesitated at
the word "bleeding," and nodded to the lodging-house keeper instead.

"Dreadfully," said the maiden lady, and tried to look and tried not to
look at the same time.

"Of _course_ he's cut his wrist," said the lodging-house keeper,
momentarily quite annoyed at Kipps; and the other young lady, who
thought Kipps rather common, went on quietly with her wood-cutting with
an air of its being the proper thing to do--though nobody else seemed to
know it.

"You must tie it up," said Miss Walshingham.

"We must tie it up," said the freckled girl.

"I 'adn't the slightest idea that window was going to break like that,"
said Kipps, with candour. "Nort the slightest."

He glanced again at the blood on his wrist, and it seemed to him that it
was on the very point of dropping on the floor of that cultured
class-room. So he very neatly licked it off, feeling at the same time
for his handkerchief. "Oh, _don't!_" said Miss Walshingham as he did
so, and the girl with the freckles made a movement of horror. The giggle
got the better of the boy with the gift, and celebrated its triumph by
unseemly noises; in spite of which it seemed to Kipps at the moment that
the act that had made Miss Walshingham say "Oh, _don't!_" was rather a
desperate and manly treatment of what was after all a creditable injury.

"It ought to be tied up," said the lodging-house keeper, holding her
chisel upright in her hand. "It's a bad cut to bleed like that."

"We must tie it up," said the freckled girl, and hesitated in front of
Kipps. "Have you got a handkerchief?" she said.

"I dunno 'ow I managed _not_ to bring one," said Kipps. "I---- Not
'aving a cold I suppose some'ow I didn't think----"

He checked a further flow of blood.

The girl with the freckles caught Miss Walshingham's eye, and held it
for a moment. Both glanced at Kipps' injury. The boy with the gift, who
had reappeared with a chastened expression from some noisy pursuit
beneath his desk, made the neglected motions of one who proffers shyly.
Miss Walshingham under the spell of the freckled girl's eye produced a
handkerchief. The voice of the maiden lady could be heard in the
background. "I've been through all the technical education ambulance
classes twice, and I know you go _so_ if it's a vein, and _so_ if it's
an artery--at least you go _so_ for one and _so_ for the other,
whichever it may be; but...."

"If you will give me your hand," said the freckled girl, and proceeded
with Miss Walshingham's assistance to bandage Kipps in a most
businesslike way. Yes, they actually bandaged Kipps. They pulled up his
cuffs--happily they were not a very frayed pair--and held his wrist, and
wrapped the soft handkerchief round it, and tightened the knot together.
And Miss Walshingham's face, the face of that almost divine Over-human,
came close to the face of Kipps.

"We're not hurting you, are we?" she said.

"Not a bit," said Kipps, as he would have said if they had been sawing
his arm off.

"We're not experts, you know," said the freckled girl.

"I'm sure it's a dreadful cut," said Miss Walshingham.

"It ain't much reely," said Kipps; "and you're taking a lot of trouble.
I'm sorry I broke that window. I can't think what I could have been
doing."

"It isn't so much the cut at the time, it's the poisoning afterwards,"
came the voice of the maiden lady.

"Of course I'm quite willing to pay for the window," panted Kipps
opulently.

"We must make it just as tight as possible, to stop the bleeding," said
the freckled girl.

"I don't think it's much reely," said Kipps. "I'm awful sorry I broke
that window, though."

"Put your finger on the knot, dear," said the freckled girl.

"Eh?" said Kipps; "I mean----"

Both the young ladies became very intent on the knot, and Mr. Kipps was
very red and very intent upon the two young ladies.

"Mortified, and had to be sawn off," said the maiden lady.

"Sawn off?" said the lodging-house keeper.

"Sawn _right_ off," said the maiden lady, and jabbed at her mangled
design.

"_There_," said the freckled girl, "I think that ought to do. You're
sure it's not too tight?"

"Not a bit," said Kipps.

He met Miss Walshingham's eye, and smiled to show how little he cared
for wounds and pain. "It's only a little cut," he added.

The maiden lady appeared as an addition to their group. "You should have
washed the wound, dear," she said. "I was just telling Miss Collis." She
peered through her glasses at the bandage. "That doesn't look _quite_
right," she remarked critically. "You should have taken the ambulance
classes. But I suppose it will have to do. Are you hurting?"

"Not a bit," said Kipps, and he smiled at them all with the air of a
brave soldier in hospital.

"I'm sure it _must_ hurt," said Miss Walshingham.

"Anyhow, you're a very good patient," said the girl with the freckles.

Mr. Kipps became quite pink. "I'm only sorry I broke the window--that's
all," he said. "But who would have thought it was going to break like
that?"

Pause.

"I'm afraid you won't be able to go on carving to-night," said Miss
Walshingham.

"I'll try," said Kipps. "It reelly doesn't hurt--not anything to
matter."

Presently Miss Walshingham came to him as he carved heroically with his
hand bandaged in her handkerchief. There was a touch of a novel interest
in her eyes. "I'm afraid you're not getting on very fast," she said.

The freckled girl looked up and regarded Miss Walshingham.

"I'm doing a little, anyhow," said Kipps. "I don't want to waste any
time. A feller like me hasn't much time to spare."

It struck the girls that there was a quality of modest disavowal about
that "feller like me." It gave them a light into this obscure person,
and Miss Walshingham ventured to commend his work as "promising" and to
ask whether he meant to follow it up. Kipps didn't "altogether
know"--"things depended on so much," but if he was in Folkestone next
winter he certainly should. It did not occur to Miss Walshingham at the
time to ask why his progress in art depended upon his presence in
Folkestone. There was some more questions and answers--they continued to
talk to him for a little time, even when Mr. Chester Coote had come into
the room--and when at last the conversation had died out it dawned upon
Kipps just how much his cut wrist had done for him....

He went to sleep that night revising that conversation for the twentieth
time, treasuring this and expanding that, and inserting things he might
have said to Miss Walshingham, things he might still say about
himself--in relation more or less explicit to her. He wasn't quite sure
if he wouldn't like his arm to mortify a bit, which would make him
interesting, or to heal up absolutely, which would show the exceptional
purity of his blood.


§4

The affair of the broken window happened late in April, and the class
came to an end in May. In that interval there were several small
incidents and great developments of emotion. I have done Kipps no
justice if I have made it seem that his face was unsightly. It was, as
the freckled girl pointed out to Helen Walshingham, an "interesting"
face, and that aspect of him which presented chiefly erratic hair and
glowing ears ceased to prevail.

They talked him over, and the freckled girl discovered there was
something "wistful" in his manner. They detected a "natural delicacy,"
and the freckled girl set herself to draw him out from that time forth.
The freckled girl was nineteen, and very wise and motherly and
benevolent, and really she greatly preferred drawing out Kipps to
wood-carving. It was quite evident to her that Kipps was in love with
Helen Walshingham, and it struck her as a queer and romantic and
pathetic and extremely interesting phenomenon. And as at that time she
regarded Helen as "simply lovely," it seemed only right and proper that
she should assist Kipps in his modest efforts to place himself in a
state of absolute _abandon_ upon her altar.

Under her sympathetic management the position of Kipps was presently
defined quite clearly. He was unhappy in his position--misunderstood. He
told her he "didn't seem to get on like" with customers, and she
translated this for him as "too sensitive." The discontent with his fate
in life, the dreadful feeling that education was slipping by him,
troubles that time and usage were glazing over a little, revived to
their old acuteness but not to their old hopelessness. As a basis for
sympathy indeed they were even a source of pleasure.

And one day at dinner it happened that Carshot and Buggins fell talking
of "these here writers," and how Dickens had been a labeller of blacking
and Thackeray "an artist who couldn't sell a drawing," and how Samuel
Johnson had walked to London without any boots, having thrown away his
only pair "out of pride." "It's luck," said Buggins, "to a very large
extent. They just happen to hit on something that catches on, and there
you are!"

"Nice easy life they have of it, too," said Miss Mergle. "Write just an
hour or so, and done for the day! Almost like gentlefolks."

"There's more work in it than you'd think," said Carshot, stooping to a
mouthful.

"I wouldn't mind changing, for all that," said Buggins. "I'd like to see
one of these here authors marking off with Jimmy."

"I think they copy from each other a good deal," said Miss Mergle.

"Even then (chup, chup, chup)," said Carshot, "there's writing it out in
their own hands."

They proceeded to enlarge upon the literary life, on its ease and
dignity, on the social recognition accorded to those who led it, and on
the ample gratifications their vanity achieved. "Pictures
everywhere--never get a new suit without being photographed--almost like
Royalty," said Miss Mergle.

And all this talk impressed the imagination of Kipps very greatly. Here
was a class that seemed to bridge the gulf. On the one hand essentially
Low, but by factitious circumstances capable of entering upon those
levels of social superiority to which all true Englishmen aspire, those
levels from which one may tip a butler, scorn a tailor, and even commune
with those who lead "men" into battle. "Almost like gentlefolks"--that
was it! He brooded over these things in the afternoon, until they
blossomed into daydreams. Suppose, for example, he had chanced to write
a book, a well-known book, under an assumed name, and yet kept on being
a draper all the time.... Impossible, of course, but _suppose_--it made
quite a long dream.

And at the next wood-carving class he let it be drawn from him that his
real choice in life was to be a Nawther--"only one doesn't get a
chance."

After that there were times when Kipps had that pleasant sense that
comes of attracting interest. He was a mute, inglorious Dickens, or at
any rate something of that sort, and they were all taking him at that.
The discovery of this indefinable "something in" him, the development of
which was now painfully restricted and impossible, did much to bridge
the gulf between himself and Miss Walshingham. He was unfortunate, he
was futile, but he was not "common." Even now with help...? The two
girls, and the freckled girl in particular, tried to "stir him up" to
some effort to do his imputed potentialities justice. They were still
young enough to believe that to nice and niceish members of the male
sex--more especially when under the stimulus of feminine
encouragement--nothing is finally impossible.

The freckled girl was, I say, the stage manager of this affair, but Miss
Walshingham was the presiding divinity. A touch of proprietorship came
in her eyes at times when she looked at him. He was
hers--unconditionally--and she knew it.

To her directly Kipps scarcely ever made a speech. The enterprising
things that he was continually devising to say to her, he usually did
not say, or he said them in a suitably modified form to the girl with
the freckles. And one day the girl with the freckles smote him to the
heart. She said to him, with the faintest indication of her head across
the class-room to where her friend reached a cast from the shelf, "I do
think Helen Walshingham is sometimes the most lovely person in the
world. Look at her now!"

Kipps gasped for a moment. The moment lengthened, and she regarded him
as an intelligent young surgeon might regard an operation without
anæsthetics.

"You're right," he said, and then looked at her with an entire
abandonment of visage.

She coloured under his glare of silent avowal, and he blushed brightly.

"I think so, too," he said hoarsely, cleared his throat, and after a
meditative moment proceeded sacramentally with his wood-carving.

"You _are_ wonderful," said the freckled girl to Miss Walshingham,
apropos of nothing, as they went on their way home together. "He simply
adores you."

"But, my dear, what have I done?" said Helen.

"That's just it," said the freckled girl. "What _have_ you done?"

And then with a terrible swiftness came the last class of the course, to
terminate this relationship altogether. Kipps was careless of dates, and
the thing came upon him with an effect of abrupt surprise. Just as his
petals were expanding so hopefully, "Finis," and the thing was at an
end. But Kipps did not fully appreciate that the end was indeed and
really and truly the end, until he was back in the Emporium after the
end was over.

The end began practically in the middle of the last class, when the
freckled girl broached the topic of terminations. She developed the
question of just how he was going on after the class ended. She hoped he
would stick to certain resolutions of self-improvement he had breathed.
She said quite honestly that he owed it to himself to develop his
possibilities. He expressed firm resolve, but dwelt on difficulties. He
had no books. She instructed him how to get books from the public
library. He was to get a form of application for a ticket signed by a
ratepayer; and he said "of course," when she said Mr. Shalford would do
that, though all the time he knew perfectly well it would "never do" to
ask Mr. Shalford for anything of the sort. She explained that she was
going to North Wales for the summer, information he received without
immediate regret. At intervals he expressed his intention of going on
with wood-carving when the summer was over, and once he added "If----"

She considered herself extremely delicate not to press for the
completion of that "if----"

After that talk there was an interval of languid wood-carving and
watching Miss Walshingham.

Then presently there came a bustle of packing, a great ceremony of
hand-shaking all round by Miss Collis and the maiden lady of ripe years,
and then Kipps found himself outside the class-room, on the landing
with his two friends. It seemed to him he had only just learnt that this
was the last class of all. There came a little pause, and the freckled
girl suddenly went back into the class-room, and left Kipps and Miss
Walshingham alone together for the first time. Kipps was instantly
breathless. She looked at his face with a glance that mingled sympathy
and curiosity, and held out her white hand.

"Well, good-bye, Mr. Kipps," she said.

He took her hand and held it. "I'd do anything," said Kipps, and had not
the temerity to add, "for you." He stopped awkwardly. He shook her hand
and said, "Good-bye."

There was a little pause.

"I hope you will have a pleasant holiday," she said.

"I shall come back to the class next year, anyhow," said Kipps
valiantly, and turned abruptly to the stairs.

"I hope you will," said Miss Walshingham.

He turned back towards her. "Reelly?" he said.

"I hope everybody will come back."

"I will--anyhow," said Kipps. "You may count on that," and he tried to
make his tones significant.

They looked at one another through a little pause.

"Good-bye," she said.

Kipps lifted his hat. She turned towards the class-room.

"Well?" said the freckled girl, coming back towards her.

"Nothing," said Helen. "At least--presently." And she became very
energetic about some scattered tools on a desk.

The freckled girl went out and stood for a moment at the head of the
stairs. When she came back she looked very hard at her friend. The
incident struck her as important--wonderfully important. It was
unassimilable, of course, and absurd, but there it was, the thing that
is so cardinal to a girl, the emotion, the subservience, the crowning
triumph of her sex. She could not help feeling that Helen took it, on
the whole, a little too hardly.




CHAPTER IV

CHITTERLOW


§1

The hour of the class on the following Thursday found Kipps in a state
of nearly incredible despondency. He was sitting with his eyes on the
reading room clock, his chin resting on his fists and his elbows on the
accumulated comic papers that were comic alas! in vain! He paid no heed
to the little man in spectacles glaring opposite to him, famishing for
_Fun_. In this place it was he had sat night after night, each night
more blissful than the last, waiting until it should be time to go to
Her! And then--bliss! And now the hour had come and there was no class!
There would be no class now until next October; it might be there would
never be a class so far as he was concerned again.

It might be there would never be a class again, for Shalford, taking
exception at a certain absent-mindedness that led to mistakes and more
particularly to the ticketing of several articles in Kipps' Manchester
window upside down, had been "on to" him for the past few days in an
exceedingly onerous manner....

He sighed profoundly, pushed the comic papers back--they were rent away
from him instantly by the little man in spectacles--and tried the old
engravings of Folkestone in the past, that hang about the room. But
these, too, failed to minister to his bruised heart. He wandered about
the corridors for a time and watched the library indicator for awhile.
Wonderful thing that! But it did not hold him for long. People came and
laughed near him and that jarred with him dreadfully. He went out of the
building and a beastly cheerful barrel organ mocked him in the street.
He was moved to a desperate resolve to go down to the beach. There it
might be he would be alone. The sea might be rough--and attuned to him.
It would certainly be dark.

"If I 'ad a penny I'm blest if I wouldn't go and chuck myself off the
end of the pier.... _She'd_ never miss me...." He followed a deepening
vein of thought.

"Penny though! It's tuppence," he said after a space.

He went down Dover Street in a state of profound melancholia--at the
pace and mood as it were of his own funeral procession--and he crossed
at the corner of Tontine Street heedless of all mundane things. And
there it was that Fortune came upon him, in disguise and with a loud
shout, the shout of a person endowed with an unusually rich, full voice,
followed immediately by a violent blow in the back.

His hat was over his eyes and an enormous weight rested on his
shoulders and something kicked him in the back of his calf.

Then he was on all fours in some mud that Fortune, in conjunction with
the Folkestone corporation and in the pursuit of equally mysterious
ends, had heaped together even lavishly for his reception.

He remained in that position for some seconds awaiting further
developments and believing almost anything broken before his heart.
Gathering at last that this temporary violence of things in general was
over, and being perhaps assisted by a clutching hand, he arose, and
found himself confronting a figure holding a bicycle and thrusting
forward a dark face in anxious scrutiny.

"You aren't hurt, Matey?" gasped the figure.

"Was that _you_ 'it me?" said Kipps.

"It's these handles, you know," said the figure with an air of being a
fellow sufferer. "They're too _low_. And when I go to turn, if I don't
remember, Bif!--and I'm _in_ to something."

"Well--you give me a oner in the back--anyhow," said Kipps, taking stock
of his damages.

"I was coming down hill, you know," explained the bicyclist. "These
little Folkestone hills are a Fair Treat. It isn't as though I'd been on
the level. I came rather a whop."

"You did _that_," said Kipps.

"I was back pedalling for all I was worth anyhow," said the bicyclist.
"Not that I _am_ worth much back pedalling."

He glanced round and made a sudden movement almost as if to mount his
machine. Then he turned as rapidly to Kipps again, who was now stooping
down, pursuing the tale of his injuries.

"Here's the back of my trouser leg all tore down," said Kipps, "and I
believe I'm bleeding. You reely ought to be more careful----"

The stranger investigated the damage with a rapid movement. "Holy Smoke,
so you are!" He laid a friendly hand on Kipps' arm. "I say--look here!
Come up to my diggings and sew it up. I'm----. Of course I'm to blame,
and I say----" his voice sank to a confidential friendliness. "Here's a
slop. Don't let on I ran you down. Haven't a lamp, you know. Might be a
bit awkward, for _me_."

Kipps looked up towards the advancing policeman. The appeal to his
generosity was not misplaced. He immediately took sides with his
assailant. He stood up as the representative of the law drew nearer. He
assumed an air which he considered highly suggestive of an accident not
having happened.

"All right," he said, "go on!"

"Right you are," said the cyclist promptly, and led the way, and then,
apparently with some idea of deception, called over his shoulder, "I'm
tremendous glad to have met you, old chap.

"It really isn't a hundred yards," he said after they had passed the
policeman, "it's just round the corner."

"Of course," said Kipps, limping slightly. "I don't want to get a chap
into trouble. Accidents _will_ happen. Still----"

"Oh! _rather!_ I believe you. Accidents _will_ happen. Especially when
you get _me_ on a bicycle." He laughed. "You aren't the first I've run
down not by any manner of means! I don't think you can be hurt much
either. It isn't as though I was scorching. You didn't see me coming. I
was back pedalling like anything. Only naturally it seems to you I must
have been coming fast. And I did all I could to ease off the bump as I
hit you. It was just the treadle I think came against your calf. But it
was All Right of you about that policeman, you know. That was a Fair Bit
of All Right. Under the Circs, if you'd told him I was riding it might
have been forty bob! Forty bob! I'd have had to tell 'em Time is Money.
Just now for Mr. H. C.

"I shouldn't have blamed you either, you know. Most men after a bump
like that might have been spiteful. The least I can do is to stand you a
needle and thread. And a clothes brush. It isn't everyone who'd have
taken it like you.

"Scorching! Why if I'd been scorching you'd have--coming as we
did--you'd have been knocked silly.

"But I tell you, the way you caught on about that slop was something
worth seeing. When I asked you, I didn't half expect it. Bif! Right off.
Cool as a cucumber. Had your line at once. I tell you that there isn't
many men would have acted as you have done, I _will_ say that. You
acted like a gentleman over that slop."

Kipps' first sense of injury disappeared. He limped along a pace or so
behind, making depreciatory noises in response to these flattering
remarks and taking stock of the very appreciative person who uttered
them.

As they passed the lamps he was visible as a figure with a slight
anterior plumpness, progressing buoyantly on knickerbockered legs, with
quite enormous calves, legs that, contrasting with Kipps' own narrow
practice, were even exuberantly turned out at the knees and toes. A
cycling cap was worn very much on one side, and from beneath it
protruded carelessly straight wisps of dark red hair, and ever and again
an ample nose came into momentary view round the corner. The muscular
cheeks of this person and a certain generosity of chin he possessed were
blue shaven and he had no moustache. His carriage was spacious and
confident, his gestures up and down the narrow deserted back street they
traversed, were irresistibly suggestive of ownership; a suggestion of
broadly gesticulating shadows were born squatting on his feet and grew
and took possession of the road and reunited at last with the shadows of
the infinite, as lamp after lamp was passed. Kipps saw by the flickering
light of one of them that they were in Little Fenchurch Street, and then
they came round a corner sharply into a dark court and stopped at the
door of a particularly ramshackle looking little house, held up between
two larger ones, like a drunken man between policemen.

The cyclist propped his machine carefully against the window, produced a
key and blew down it sharply. "The lock's a bit tricky," he said, and
devoted himself for some moments to the task of opening the door. Some
mechanical catastrophe ensued and the door was open.

"You'd better wait here a bit while I get the lamp," he remarked to
Kipps; "very likely it isn't filled," and vanished into the blackness of
the passage. "Thank God for matches!" he said, and Kipps had an
impression of a passage in the transitory pink flare and the bicyclist
disappearing into a further room. Kipps was so much interested by these
things that for the time he forgot his injuries altogether.

An interval and Kipps was dazzled by a pink shaded kerosene lamp. "You
go in," said the red-haired man, "and I'll bring in the bike," and for a
moment Kipps was alone in the lamp-lit room. He took in rather vaguely
the shabby ensemble of the little apartment, the round table covered
with a torn, red, glass-stained cover on which the lamp stood, a mottled
looking-glass over the fireplace reflecting this, a disused gas bracket,
an extinct fire, a number of dusty postcards and memoranda stuck round
the glass, a dusty, crowded paper rack on the mantel with a number of
cabinet photographs, a table littered with papers and cigarette ash and
a syphon of soda water. Then the cyclist reappeared and Kipps saw his
blue-shaved, rather animated face and bright-reddish, brown eyes for
the first time. He was a man perhaps ten years older than Kipps, but his
beardless face made them in a way contemporary.

"You behaved all right about that policeman--anyhow," he repeated as he
came forward.

"I don't see 'ow else I could 'ave done," said Kipps quite modestly. The
cyclist scanned his guest for the first time and decided upon hospitable
details.

"We'd better let that mud dry a bit before we brush it. Whiskey there
is, good old Methusaleh, Canadian Rye, and there's some brandy that's
all right. Which'll you have?"

"_I_ dunno," said Kipps, taken by surprise, and then seeing no other
course but acceptance, "well--whiskey, then."

"Right you are, old boy, and if you'll take my advice you'll take it
neat. I may not be a particular judge of this sort of thing, but I do
know old Methusaleh pretty well. Old Methusaleh--four stars. That's me!
Good old Harry Chitterlow and good old Methusaleh. Leave 'em together.
Bif! He's gone!"

He laughed loudly, looked about him, hesitated and retired, leaving
Kipps in possession of the room and free to make a more precise
examination of its contents.


§2

He particularly remarked the photographs that adorned the apartment.
They were chiefly photographs of ladies, in one case in tights, which
Kipps thought a "bit 'ot," but one represented the bicyclist in the
costume of some remote epoch. It did not take Kipps long to infer that
the others were probably actresses and that his host was an actor, and
the presence of the half of a large, coloured playbill seemed to confirm
this. A note framed in an Oxford frame that was a little too large for
it, he presently demeaned himself to read. "Dear Mr. Chitterlow," it ran
its brief course, "if after all you will send the play you spoke of I
will endeavour to read it," followed by a stylish but absolutely
illegible signature, and across this was written in pencil, "What price,
Harry, now?" And in the shadow by the window was a rough and rather able
sketch of the bicyclist in chalk on brown paper, calling particular
attention to the curvature of the forward lines of his hull and calves
and the jaunty carriage of his nose, and labelled unmistakably
"Chitterlow." Kipps thought it "rather a take-off." The papers on the
table by the syphon were in manuscript. Kipps observed manuscript of a
particularly convulsive and blottesque sort and running obliquely across
the page.

Presently he heard the metallic clamour as if of a series of irreparable
breakages with which the lock of the front door discharged its function,
and then Chitterlow reappeared, a little out of breath as if from
running and with a starry labelled bottle in his large, freckled hand.

"Sit down, old chap," he said, "sit down. I had to go out for it after
all. Wasn't a solitary bottle left. However, it's all right now we're
here. No, don't sit on that chair, there's sheets of my play on that.
That's the one--with the broken arm. I think this glass is clean, but
anyhow wash it out with a squizz of syphon and shy it in the fireplace.
Here! I'll do it! Lend it here!"

As he spoke Mr. Chitterlow produced a corkscrew from a table drawer,
attached and overcame good old Methusaleh's cork in a style a bartender
might envy, washed out two tumblers in his simple, effectual manner, and
poured a couple of inches of the ancient fluid into each. Kipps took his
tumbler, said "Thenks" in an off-hand way, and after a momentary
hesitation whether he should say "here's to you!" or not, put it to his
lips without that ceremony. For a space fire in his throat occupied his
attention to the exclusion of other matters, and then he discovered Mr.
Chitterlow with an intensely bulldog pipe alight, seated on the opposite
side of the empty fireplace and pouring himself out a second dose of
whiskey.

"After all," said Mr. Chitterlow, with his eye on the bottle and a
little smile wandering to hide amidst his larger features, "this
accident might have been worse. I wanted someone to talk to a bit, and I
didn't want to go to a pub, leastways not a Folkestone pub, because as a
matter of fact I'd promised Mrs. Chitterlow, who's away, not to, for
various reasons, though of course if I'd wanted to I'm just that sort I
should have all the same, and here we are! It's curious how one runs up
against people out bicycling!"

"Isn't it!" said Kipps, feeling that the time had come for him to say
something.

"Here we are, sitting and talking like old friends, and half an hour ago
we didn't know we existed. Leastways we didn't know each other existed.
I might have passed you in the street perhaps and you might have passed
me, and how was I to tell that, put to the test, you would have behaved
as decently as you have behaved. Only it happened otherwise, that's all.
You're not smoking!" he said. "Have a cigarette?"

Kipps made a confused reply that took the form of not minding if he did,
and drank another sip of old Methusaleh in his confusion. He was able to
follow the subsequent course of that sip for quite a long way. It was as
though the old gentleman was brandishing a burning torch through his
vitals, lighting him here and lighting him there until at last his whole
being was in a glow. Chitterlow produced a tobacco pouch and cigarette
papers and with an interesting parenthesis that was a little difficult
to follow about some lady named Kitty something or other who had taught
him the art when he was as yet only what you might call a nice boy, made
Kipps a cigarette, and with a consideration that won Kipps' gratitude
suggested that after all he might find a little soda water an
improvement with the whiskey. "Some people like it that way," said
Chitterlow, and then with voluminous emphasis, "_I don't_."

Emboldened by the weakened state of his enemy Kipps promptly swallowed
the rest of him and had his glass at once hospitably replenished. He
began to feel he was of a firmer consistency than he commonly believed,
and turned his mind to what Chitterlow was saying with the resolve to
play a larger part in the conversation than he had hitherto done. Also
he smoked through his nose quite successfully, an art he had only very
recently acquired.

Meanwhile Chitterlow explained that he was a playwright, and the tongue
of Kipps was unloosened to respond that he knew a chap, or rather one of
their fellows knew a chap, or at least to be perfectly correct this
fellow's brother did, who had written a play. In response to
Chitterlow's enquiries he could not recall the title of the play, nor
where it had appeared nor the name of the manager who produced it,
though he thought the title was something about "Love's Ransom" or
something like that.

"He made five 'undred pounds by it, though," said Kipps. "I know that."

"That's nothing," said Chitterlow, with an air of experience that was
extremely convincing. "Nothing. May seem a big sum to _you_, but _I_ can
assure you it's just what one gets any day. There's any amount of money,
an-ny amount, in a good play."

"I dessay," said Kipps, drinking.

"Any amount of money!"

Chitterlow began a series of illustrative instances. He was clearly a
person of quite unequalled gift for monologue. It was as though some
conversational dam had burst upon Kipps, and in a little while he was
drifting along upon a copious rapid of talk about all sorts of
theatrical things by one who knows all about them, and quite incapable
of anticipating whither that rapid meant to carry him. Presently somehow
they had got to anecdotes about well-known theatrical managers, little
Teddy Bletherskite, artful old Chumps, and the magnificent Behemoth,
"petted to death, you know, fair sickened, by all these society women."
Chitterlow described various personal encounters with these personages,
always with modest self-depreciation, and gave Kipps a very amusing
imitation of old Chumps in a state of intoxication. Then he took two
more stiff doses of old Methusaleh in rapid succession.

Kipps reduced the hither end of his cigarette to a pulp as he sat
"dessaying" and "quite believing" Chitterlow in the sagest manner and
admiring the easy way in which he was getting on with this very novel
and entertaining personage. He had another cigarette made for him, and
then Chitterlow, assuming by insensible degrees more and more of the
manner of a rich and successful playwright being interviewed by a young
admirer, set himself to answer questions which sometimes Kipps asked and
sometimes Chitterlow, about the particulars and methods of his career.
He undertook this self-imposed task with great earnestness and vigour,
treating the matter indeed with such fulness that at times it seemed
lost altogether under a thicket of parentheses, footnotes and episodes
that branched and budded from its stem. But it always emerged again,
usually by way of illustration to its own degressions. Practically it
was a mass of material for the biography of a man who had been
everywhere and done everything (including the Hon. Thomas Norgate, which
was a Record), and in particular had acted with great distinction and
profit (he dated various anecdotes, "when I was getting thirty, or forty
or fifty, dollars a week") throughout America and the entire civilised
world.

And as he talked on and on in that full, rich, satisfying voice he had,
and as old Methusaleh, indisputably a most drunken old reprobate of a
whiskey, busied himself throughout Kipps, lighting lamp after lamp until
the entire framework of the little draper was illuminated and glowing
like some public building on a festival, behold Chitterlow and Kipps
with him and the room in which they sat, were transfigured! Chitterlow
became in very truth that ripe, full man of infinite experience and
humour and genius, fellow of Shakespeare and Ibsen and Maeterlinck
(three names he placed together quite modestly far above his own) and no
longer ambiguously dressed in a sort of yachting costume with cycling
knickerbockers, but elegantly if unconventionally attired, and the room
ceased to be a small and shabby room in a Folkestone slum, and grew
larger and more richly furnished, and the fly-blown photographs were
curious old pictures, and the rubbish on the walls the most rare and
costly bric-à-brac, and the indisputable paraffin lamp, a soft and
splendid light. A certain youthful heat that to many minds might have
weakened old Methusaleh's starry claim to a ripe antiquity, vanished in
that glamour, two burnt holes and a claimant darn in the table cloth,
moreover, became no more than the pleasing contradictions natural in the
house of genius, and as for Kipps!--Kipps was a bright young man of
promise, distinguished by recent quick, courageous proceedings not too
definitely insisted upon, and he had been rewarded by admission to a
sanctum and confidences, for which the common prosperous, for which
"society women" even, were notoriously sighing in vain. "Don't _want_
them, my boy; they'd simply play old Harry with the work, you know!
Chaps outside, bank clerks and university fellows, think the life's all
_that_ sort of thing. Don't you believe 'em. Don't you believe 'em."

And then----!

"Boom.... Boom.... Boom.... Boom.... right in the middle of a most
entertaining digression on flats who join touring companies under the
impression that they are actors, Kipps much amused at their flatness as
exposed by Chitterlow.

"Lor'!" said Kipps like one who awakens, "that's not eleven!"

"Must be," said Chitterlow. "It was nearly ten when I got that whiskey.
It's early yet----"

"All the same I must be going," said Kipps, and stood up. "Even
now--maybe. Fact is--I 'ad _no_ idea. The 'ouse door shuts at 'arf past
ten, you know. I ought to 'ave thought before."

"Well, if you _must_ go! I tell you what. I'll come, too.... Why!
There's your leg, old man! Clean forgot it! You can't go through the
streets like that. I'll sew up the tear. And meanwhile have another
whiskey."

"I ought to be getting on _now_," protested Kipps feebly, and then
Chitterlow was showing him how to kneel on a chair in order that the
rent trouser leg should be attainable and old Methusaleh on his third
round was busy repairing the temporary eclipse of Kipps' arterial glow.
Then suddenly Chitterlow was seized with laughter and had to leave off
sewing to tell Kipps that the scene wouldn't make a bad bit of business
in a farcical comedy, and then he began to sketch out the farcical
comedy and that led him to a digression about another farcical comedy of
which he had written a ripping opening scene which wouldn't take ten
minutes to read. It had something in it that had never been done on the
stage before, and was yet perfectly legitimate, namely, a man with a
live beetle down the back of his neck trying to seem at his ease in a
roomful of people....

"_They_ won't lock you out," he said, in a singularly reassuring tone,
and began to read and act what he explained to be (not because he had
written it, but simply because he knew it was so on account of his
exceptional experience of the stage) and what Kipps also quite clearly
saw to be, one of the best opening scenes that had ever been written.

When it was over Kipps, who rarely swore, was inspired to say the scene
was "damned fine" about six times over, whereupon as if by way of
recognition, Chitterlow took a simply enormous portion of the inspiring
antediluvian, declaring at the same time that he had rarely met a
"finer" intelligence than Kipps' (stronger there might be, _that_ he
couldn't say with certainty as yet, seeing how little after all they had
seen of each other, but a finer _never_); that it was a shame such a
gallant and discriminating intelligence should be nightly either locked
up or locked out at ten--well, ten thirty then--and that he had half a
mind to recommend old somebody or other (apparently the editor of a
London daily paper) to put on Kipps forthwith as a dramatic critic in
the place of the current incapable.

"I don't think I've ever made up anything for print," said Kipps;
"----ever. I'd have a thundering good try, though, if ever I got a
chance. I would that! I've written window tickets often enough. Made 'em
up and everything. But that's different."

"You'd come to it all the fresher for not having done it before. And the
way you picked up every point in that scene, my boy, was a Fair Treat! I
tell you, you'd knock William Archer into fits. Not so literary, of
course, you'd be, but I don't believe in literary critics any more than
in literary playwrights. Plays _aren't_ literature--that's just the
point they miss. Plays are plays. No! That won't hamper you anyhow.
You're wasted down here, I tell you. Just as I was, before I took to
acting. I'm hanged if I wouldn't like your opinion on these first two
acts of that tragedy I'm on to. I haven't told you about that. It
wouldn't take me more than an hour to read...."


§3

Then so far as he could subsequently remember, Kipps had "another," and
then it would seem that suddenly, regardless of the tragedy, he insisted
that he "reelly _must_ be getting on," and from that point his memory
became irregular. Certain things have remained quite clearly, and as it
is a matter of common knowledge that intoxicated people forget what
happens to them, it follows that he was not intoxicated. Chitterlow came
with him partly to see him home and partly for a freshener before
turning in. Kipps recalled afterwards very distinctly how in Little
Fenchurch Street he discovered that he could not walk straight and also
that Chitterlow's needle and thread in his still unmended trouser leg
was making an annoying little noise on the pavement behind him. He tried
to pick up the needle suddenly by surprise and somehow tripped and fell
and then Chitterlow, laughing uproariously, helped him up. "It wasn't a
bicycle this time, old boy," said Chitterlow, and that appeared to them
both at the time as being a quite extraordinarily good joke indeed.
They punched each other about on the strength of it.

For a time after that Kipps certainly pretended to be quite desperately
drunk and unable to walk and Chitterlow entered into the pretence and
supported him. After that Kipps remembered being struck with the
extremely laughable absurdity of going down hill to Tontine Street in
order to go up hill again to the Emporium, and trying to get that idea
into Chitterlow's head and being unable to do so on account of his own
merriment or Chitterlow's evident intoxication, and his next memory
after that was of the exterior of the Emporium, shut and darkened, and,
as it were, frowning at him with all its stripes of yellow and green.
The chilly way in which "Shalford" glittered in the moonlight printed
itself with particular vividness on his mind. It appeared to Kipps that
that establishment was closed to him for evermore. Those gilded letters,
in spite of appearances, spelt FINIS for him and exile from Folkestone.
He would never do wood-carving, never see Miss Walshingham again. Not
that he had ever hoped to see her again. But this was the knife, this
was final. He had stayed out, he had got drunk, there had been that row
about the Manchester window dressing only three days ago.... In the
retrospect he was quite sure that he was perfectly sober then and at
bottom extremely unhappy, but he kept a brave face on the matter
nevertheless, and declared stoutly he didn't care if he _was_ locked
out.

Whereupon Chitterlow slapped him on the back very hard and told him
that was a "Bit of All Right," and assured him that when he himself had
been a clerk in Sheffield before he took to acting he had been locked
out sometimes for six nights running.

"What's the result?" said Chitterlow. "I could go back to that place
now, and they'd be glad to have me.... Glad to have me," he repeated,
and then added, "that is to say, if they remember me--which isn't very
likely."

Kipps asked a little weakly, "What am I to do?"

"Keep out," said Chitterlow. "You can't knock 'em up now--that would
give you Right away. You'd better try and sneak in in the morning with
the Cat. That'll do you. You'll probably get in all right in the morning
if nobody gives you away."

Then for a time--perhaps as the result of that slap in the back--Kipps
felt decidedly queer, and acting on Chitterlow's advice went for a bit
of a freshener upon the Leas. After a time he threw off the temporary
queerness and found Chitterlow patting him on the shoulder and telling
him that he'd be all right now in a minute and all the better for
it--which he was. And the wind having dropped and the night being now a
really very beautiful moonlight night indeed, and all before Kipps to
spend as he liked and with only a very little tendency to spin round now
and again to mar its splendour, they set out to walk the whole length of
the Leas to the Sandgate lift and back, and as they walked Chitterlow
spoke first of moonlight transfiguring the sea and then of moonlight
transfiguring faces, and so at last he came to the topic of Love, and
upon that he dwelt a great while, and with a wealth of experience and
illustrative anecdote that seemed remarkably pungent and material to
Kipps. He forgot his lost Miss Walshingham and his outraged employer
again. He became as it were a desperado by reflection.

Chitterlow had had adventures, a quite astonishing variety of adventures
in this direction; he was a man with a past, a really opulent past, and
he certainly seemed to like to look back and see himself amidst its
opulence.

He made no consecutive history, but he gave Kipps vivid, momentary
pictures of relations and entanglements. One moment he was in
flight--only too worthily in flight--before the husband of a Malay woman
in Cape Town. At the next he was having passionate complications with
the daughter of a clergyman in York. Then he passed to a remarkable
grouping at Seaford.

"They say you can't love two women at once," said Chitterlow. "But I
tell you----" He gesticulated and raised his ample voice. "It's _Rot_!
_Rot!_"

"I know that," said Kipps.

"Why, when I was in the smalls with Bessie Hopper's company there were
three." He laughed and decided to add, "Not counting Bessie, that is."

He set out to reveal Life as it is lived in touring companies, a quite
amazing jungle of interwoven "affairs" it appeared to be, a mere
amorous winepress for the crushing of hearts.

"People say this sort of thing's a nuisance and interferes with Work. I
tell you it isn't. The Work couldn't go on without it. They _must_ do
it. They haven't the Temperament if they don't. If they hadn't the
Temperament they wouldn't want to act, if they have--Bif!"

"You're right," said Kipps. "I see that."

Chitterlow proceeded to a close criticism of certain historical
indiscretions of Mr. Clement Scott respecting the morals of the stage.
Speaking in confidence and not as one who addresses the public, he
admitted regretfully the general truth of these comments. He proceeded
to examine various typical instances that had almost forced themselves
upon him personally, and with especial regard to the contrast between
his own character towards women and that of the Hon. Thomas Norgate,
with whom it appeared he had once been on terms of great intimacy....

Kipps listened with emotion to these extraordinary recollections. They
were wonderful to him, they were incredibly credible. Of course the
tumultuous, passionate course was the way life ran--except in high-class
establishments! Such things happened in novels, in plays--only he had
been fool enough not to understand they happened. His share in the
conversation was now indeed no more than faint writing in the margin;
Chitterlow was talking quite continuously. He expanded his magnificent
voice into huge guffaws, he drew it together into a confidential
intensity, it became drawlingly reminiscent, he was frank, frank with
the effect of a revelation, reticent also with the effect of a
revelation, a stupendously gesticulating, moonlit black figure,
wallowing in itself, preaching Adventure and the Flesh to Kipps. Yet
withal shot with something of sentiment, with a sort of sentimental
refinement very coarsely and egotistically done. The Times he had
had!--even before he was as old as Kipps he had had innumerable times.

Well, he said with a sudden transition, he had sown his wild oats--one
had to somewhen--and now he fancied he had mentioned it earlier in the
evening, he was happily married. She was, he indicated, a "born lady."
Her father was a prominent lawyer, a solicitor in Kentish Town, "done a
lot of public house business"; her mother was second cousin to the wife
of Abel Jones, the fashionable portrait painter--"almost Society people
in a way." That didn't count with Chitterlow. He was no snob. What _did_
count was that she possessed, what he ventured to assert without much
fear of contradiction, was the very finest, completely untrained
contralto voice in all the world. ("But to hear it properly," said
Chitterlow, "you want a Big Hall.") He became rather vague and jerked
his head about to indicate when and how he had entered matrimony. She
was, it seemed, "away with her people." It was clear that Chitterlow did
not get on with these people very well. It would seem they failed to
appreciate his playwright, regarding it as an unremunerative pursuit,
whereas as he and Kipps knew, wealth beyond the dreams of avarice would
presently accrue. Only patience and persistence were needful.

He went off at a tangent to hospitality. Kipps must come down home with
him. They couldn't wander about all night, with a bottle of the right
sort pining at home for them. "You can sleep on the sofa. You won't be
worried by broken springs anyhow, for I took 'em all out myself two or
three weeks ago. I don't see what they even put 'em in for. It's a point
I know about. I took particular notice of it when I was with Bessie
Hopper. Three months we were and all over England, North Wales and the
Isle of Man, and I never struck a sofa in diggings anywhere that hadn't
a broken spring. Not once--all the time."

He added almost absently: "It happens like that at times."

They descended the slant road towards Harbour Street and went on past
the Pavilion Hotel.


§4

They came into the presence of old Methusaleh again, and that worthy
under Chitterlow's direction at once resumed the illumination of Kipps'
interior with the conscientious thoroughness that distinguished him.
Chitterlow took a tall portion to himself with an air of asbestos, lit
the bulldog pipe again, and lapsed for a space into meditation, from
which Kipps roused him by remarking that he expected "an acter 'as a
lot of ups and downs like, now and then."

At which Chitterlow seemed to bestir himself. "Ra-ther," he said. "And
sometimes it's his own fault and sometimes it isn't. Usually it is. If
it isn't one thing it's another. If it isn't the manager's wife it's
bar-bragging. I tell you things happen at times. I'm a fatalist. The
fact is Character has you. You can't get away from it. You may think you
do, but you don't."

He reflected for a moment. "It's that what makes tragedy Psychology
really. It's the Greek irony--Ibsen and--all that. Up to date."

He emitted this exhaustive summary of high-toned modern criticism as if
he was repeating a lesson while thinking of something else, but it
seemed to rouse him as it passed his lips, by including the name of
Ibsen.

He became interested in telling Kipps, who was indeed open to any
information whatever about this quite novel name, exactly where he
thought Ibsen fell short, points where it happened that Ibsen was
defective just where it chanced that he, Chitterlow, was strong. Of
course he had no desire to place himself in any way on an equality with
Ibsen; still the fact remained that his own experience in England and
America and the colonies was altogether more extensive than Ibsen could
have had. Ibsen had probably never seen "one decent bar scrap" in his
life. That, of course, was not Ibsen's fault or his own merit, but there
the thing was. Genius, he knew, was supposed to be able to do anything
or to do without anything; still he was now inclined to doubt that. He
had a play in hand that might perhaps not please William Archer--whose
opinion, after all, he did not value as he valued Kipps' opinion--but
which he thought was at any rate as well constructed as anything Ibsen
ever did.

So with infinite deviousness Chitterlow came at last to his play. He
decided he would not read it to Kipps, but tell him about it. This was
the simpler because much of it was still unwritten. He began to explain
his plot. It was a complicated plot and all about a nobleman who had
seen everything and done everything and knew practically all that
Chitterlow knew about women; that is to say, "all about women" and
suchlike matters. It warmed and excited Chitterlow. Presently he stood
up to act a situation--which could not be explained. It was an extremely
vivid situation.

Kipps applauded the situation vehemently. "Tha's dam' fine," said the
new dramatic critic, quite familiar with his part now, striking the
table with his fist and almost upsetting his third portion (in the
second series) of old Methusaleh. "Tha's dam' fine, Chit'low!"

"You see it?" said Chitterlow, with the last vestiges of that incidental
gloom disappearing. "Good, old boy! I thought you'd see it. But it's
just the sort of thing the literary critic can't see. However, it's only
a beginning----"

He replenished Kipps and proceeded with his exposition.

In a little while it was no longer necessary to give that
over-advertised Ibsen the purely conventional precedence he had hitherto
had. Kipps and Chitterlow were friends and they could speak frankly and
openly of things not usually admitted. "Any 'ow," said Kipps, a little
irrelevantly and speaking over the brim of the replenishment, "what you
read jus' now was dam' fine. Nothing can't alter that."

He perceived a sort of faint, buzzing vibration about things that was
very nice and pleasant and with a little care he had no difficulty
whatever in putting his glass back on the table. Then he perceived
Chitterlow was going on with the scenario, and then that old Methusaleh
had almost entirely left his bottle. He was glad there was so little
more Methusaleh to drink because that would prevent his getting drunk.
He knew that he was not now drunk, but he knew that he had had enough.
He was one of those who always know when they have had enough. He tried
to interrupt Chitterlow to tell him this, but he could not get a
suitable opening. He doubted whether Chitterlow might not be one of
those people who did not know when they had had enough. He discovered
that he disapproved of Chitterlow. Highly. It seemed to him that
Chitterlow went on and on like a river. For a time he was inexplicably
and quite unjustly cross with Chitterlow and wanted to say to him, "you
got the gift of the gab," but he only got so far as to say "the gift,"
and then Chitterlow thanked him and said he was better than Archer any
day. So he eyed Chitterlow with a baleful eye until it dawned upon him
that a most extraordinary thing was taking place. Chitterlow kept
mentioning someone named Kipps. This presently began to perplex Kipps
very greatly. Dimly but decidedly he perceived this was wrong.

"Look 'ere," he said suddenly, "_what_ Kipps?"

"This chap Kipps I'm telling you about."

"What chap Kipps you're telling which about?"

"I told you."

Kipps struggled with a difficulty in silence for a space. Then he
reiterated firmly, "_What_ chap Kipps?"

"This chap in my play--man who kisses the girl."

"Never kissed a girl," said Kipps; "leastwise----" and subsided for a
space. He could not remember whether he had kissed Ann or not--he knew
he had meant to. Then suddenly in a tone of great sadness and addressing
the hearth he said, "_My_ name's Kipps."

"Eh?" said Chitterlow.

"Kipps," said Kipps, smiling a little cynically.

"What about him?"

"He's me." He tapped his breastbone with his middle finger to indicate
his essential self.

He leant forward very gravely towards Chitterlow. "Look 'ere, Chit'low,"
he said, "you haven't no business putting my name into play. You
mustn't do things like that. You'd lose me my crib, right away." And
they had a little argument--so far as Kipps could remember. Chitterlow
entered upon a general explanation of how he got his names. These, he
had for the most part got out of a newspaper that was still, he
believed, "lying about." He even made to look for it, and while he was
doing so Kipps went on with the argument, addressing himself more
particularly to the photograph of the girl in tights. He said that at
first her costume had not commended her to him, but now he perceived she
had an extremely sensible face. He told her she would like Buggins if
she met him; he could see she was just that sort. She would admit, all
sensible people would admit, that using names in plays was wrong. You
could, for example, have the law of him.

He became confidential. He explained that he was already in sufficient
trouble for stopping out all night without having his name put in plays.
He was certain to be in the deuce of a row, the deuce of a row. Why had
he done it? Why hadn't he gone at ten? Because one thing leads to
another. One thing, he generalized, always does lead to another....

He was trying to tell her that he was utterly unworthy of Miss
Walshingham, when Chitterlow gave up the search and suddenly accused him
of being drunk and talking "Rot----."




CHAPTER V

"SWAPPED"


§1

He awoke on the thoroughly comfortable sofa that had had all its springs
removed, and although he had certainly not been intoxicated, he awoke
with what Chitterlow pronounced to be, quite indisputably, a Head and a
Mouth. He had slept in his clothes and he felt stiff and uncomfortable
all over, but the head and mouth insisted that he must not bother over
little things like that. In the head was one large, angular idea that it
was physically painful to have there. If he moved his head the angular
idea shifted about in the most agonising way. This idea was that he had
lost his situation and was utterly ruined and that it really mattered
very little. Shalford was certain to hear of his escapade, and that
coupled with that row about the Manchester window----!

He raised himself into a sitting position under Chitterlow's urgent
encouragement.

He submitted apathetically to his host's attentions. Chitterlow, who
admitted being a "bit off it" himself and in need of an egg-cupful of
brandy, just an egg-cupful neat, dealt with that Head and Mouth as a
mother might deal with the fall of an only child. He compared it with
other Heads and Mouths that he had met, and in particular to certain
experienced by the Hon. Thomas Norgate. "Right up to the last," said
Chitterlow, "he couldn't stand his liquor. It happens like that at
times." And after Chitterlow had pumped on the young beginner's head and
given him some anchovy paste piping hot on buttered toast, which he
preferred to all the other remedies he had encountered, Kipps resumed
his crumpled collar, brushed his clothes, tacked up his knee, and
prepared to face Mr. Shalford and the reckoning for this wild,
unprecedented night, the first "night out" that ever he had taken.

Acting on Chitterlow's advice to have a bit of a freshener before
returning to the Emporium, Kipps walked some way along the Leas and back
and then went down to a shop near the Harbour to get a cup of coffee. He
found that extremely reinvigorating, and he went on up the High Street
to face the inevitable terrors of the office, a faint touch of pride in
his depravity tempering his extreme self-abasement. After all, it was
not an unmanly headache; he had been out all night, and he had been
drinking and his physical disorder was there to witness the fact. If it
wasn't for the thought of Shalford he would have been even a proud man
to discover himself at last in such a condition. But the thought of
Shalford was very dreadful. He met two of the apprentices snatching a
walk before shop began. At the sight of them he pulled his spirits
together, put his hat back from his pallid brow, thrust his hands into
his trouser pockets and adopted an altogether more dissipated carriage;
he met their innocent faces with a wan smile. Just for a moment he was
glad that his patch at the knee was, after all, visible and that some at
least of the mud on his clothes had refused to move at Chitterlow's
brushing. What wouldn't they think he had been up to? He passed them
without speaking. He could imagine how they regarded his back. Then he
recollected Mr. Shalford....

The deuce of a row certainly and perhaps----! He tried to think of
plausible versions of the affair. He could explain he had been run down
by rather a wild sort of fellow who was riding a bicycle, almost stunned
for the moment (even now he felt the effects of the concussion in his
head) and had been given whiskey to restore him, and "the fact is,
sir"--with an upward inflection of the voice, an upward inflection of
the eyebrows and an air of its being the last thing one would have
expected whiskey to do, the manifestation indeed of a practically unique
physiological weakness--"it got into my _'ed_!"

Put like that it didn't look so bad.

He got to the Emporium a little before eight and the housekeeper with
whom he was something of a favourite ("There's no harm in Mr. Kipps,"
she used to say) seemed to like him if anything better for having broken
the rules and gave him a piece of dry toast and a good hot cup of tea.

"I suppose the G. V.----" began Kipps.

"He knows," said the housekeeper.

He went down to shop a little before time, and presently Booch summoned
him to the presence.

He emerged from the private office after an interval of ten minutes.

The junior clerk scrutinised his visage. Buggins put the frank question.

Kipps answered with one word.

"Swapped!" said Kipps.


§2

Kipps leant against the fixtures with his hands in his pockets and
talked to the two apprentices under him.

"I don't care if I _am_ swapped," said Kipps. "I been sick of Teddy and
his System some time. I was a good mind to chuck it when my time was up.
Wish I 'ad now."

Afterwards Pierce came round and Kipps repeated this.

"What's it for?" said Pierce. "That row about the window tickets?"

"No fear!" said Kipps and sought to convey a perspective of splendid
depravity. "I wasn't in las' night," he said and made even Pierce, "man
about town" Pierce, open his eyes.

"Why! where did you get to?" asked Pierce.

He conveyed that he had been "fair round the town." "With a Nactor chap,
I know."

"One can't _always_ be living like a curit," he said.

"No fear," said Pierce, trying to play up to him.

But Kipps had the top place in that conversation.

"My Lor'!" said Kipps, when Pierce had gone, "but wasn't my mouth and
'ed bad this morning before I 'ad a pick-me-up!"

"Whad jer 'ave?"

"Anchovy on 'ot buttered toast. It's the very best pick-me-up there is.
You trust me, Rodgers. I never take no other and I don't advise you to.
See?"

And when pressed for further particulars, he said again he had been
"fair all _round_ the town, with a Nactor chap" he knew. They asked
curiously all he had done and he said, "Well, what do _you_ think?" And
when they pressed for still further details he said there were things
little boys ought not to know and laughed darkly and found them some
huckaback to roll.

And in this manner for a space did Kipps fend off the contemplation of
the "key of the street" that Shalford had presented him.


§3

This sort of thing was all very well when junior apprentices were about,
but when Kipps was alone with himself it served him not at all. He was
uncomfortable inside and his skin was uncomfortable, and Head and Mouth
palliated perhaps, but certainly not cured, were still with him. He
felt, to tell the truth, nasty and dirty and extremely disgusted with
himself. To work was dreadful and to stand still and think still more
dreadful. His patched knee reproached him. These were the second best of
his three pairs of trousers, and they had cost him thirteen and
sixpence. Practically ruined they were. His dusting pair was unfit for
shop and he would have to degrade his best. When he was under inspection
he affected the slouch of a desperado, but directly he found himself
alone, this passed insensibly into the droop.

The financial aspect of things grew large before him. His whole capital
in the world was the sum of five pounds in the Post Office Savings Bank
and four and sixpence cash. Besides there would be two months' screw.
His little tin box upstairs was no longer big enough for his belongings;
he would have to buy another, let alone that it was not calculated to
make a good impression in a new "crib." Then there would be paper and
stamps needed in some abundance for answering advertisements and railway
fares when he went "crib hunting." He would have to write letters, and
he never wrote letters. There was spelling for example to consider.
Probably if nothing turned up before his month was up he would have to
go home to his Uncle and Aunt.

How would they take it?...

For the present at any rate he resolved not to write to them.

Such disagreeable things as this it was that lurked below the fair
surface of Kipps' assertion, "I've been wanting a chance. If 'e 'adn't
swapped me, I should very likely 'ave swapped _'im_."

In the perplexed privacies of his own mind he could not understand how
everything had happened. He had been the Victim of Fate, or at least of
one as inexorable--Chitterlow. He tried to recall the successive steps
that had culminated so disastrously. They were difficult to recall....

Buggins that night abounded in counsel and reminiscence.

"Curious thing," said Buggins, "but every time I've had the swap I've
never believed I should get another Crib--never. But I have," said
Buggins. "Always. So don't lose heart, whatever you do....

"Whatever you do," said Buggins, "keep hold of your collars and
cuffs--shirts if you can, but collars anyhow. Spout them last. And
anyhow, it's summer!--you won't want your coat.... You got a good
umbrella....

"You'll no more get a shop from New Romney, than--anything. Go straight
up to London, get the cheapest room you can find--and hang out. Don't
eat too much. Many a chap's put his prospects in his stomach. Get a cup
o' coffee and a slice--egg if you like--but remember you got to turn up
at the Warehouse tidy. The best places _now_, I believe, are the old
cabmen's eating houses. Keep your watch and chain as long as you can....

"There's lots of shops going," said Buggins. "Lots!"

And added reflectively, "But not this time of year perhaps."

He began to recall his own researches. "'Stonishing lot of chaps you
see," he said. "All sorts. Look like Dukes some of 'em. High hat. Patent
boots. Frock coat. All there. All right for a West End crib.
Others--Lord! It's a caution, Kipps. Boots been inked in some reading
rooms--_I_ used to write in a Reading Room in Fleet Street, regular
penny club--hat been wetted, collar frayed, tail coat buttoned up, black
chest-plaster tie--spread out. Shirt, you know, gone----" Buggins
pointed upward with a pious expression.

"No shirt, I expect?"

"Eat it," said Buggins.

Kipps meditated. "I wonder where old Merton is," he said at last. "I
often wondered about 'im."


§4

It was the morning following Kipps' notice of dismissal that Miss
Walshingham came into the shop. She came in with a dark, slender lady,
rather faded, rather tightly dressed, whom Kipps was to know some day as
her mother. He discovered them in the main shop at the counter of the
ribbon department. He had come to the opposite glove counter with some
goods enclosed in a parcel that he had unpacked in his own department.
The two ladies were both bent over a box of black ribbon.

He had a moment of tumultuous hesitations. The etiquette of the
situation was incomprehensible. He put down his goods very quietly and
stood hands on counter, staring at these two ladies. Then, as Miss
Walshingham sat back, the instinct of flight seized him....

He returned to his Manchester shop wildly agitated. Directly he was out
of sight of her he wanted to see her. He fretted up and down the
counter, and addressed some snappish remarks to the apprentice in the
window. He fumbled for a moment with a parcel, untied it needlessly,
began to tie it up again and then bolted back again into the main shop.
He could hear his own heart beating.

The two ladies were standing in the manner of those who have completed
their purchases and are waiting for their change. Mrs. Walshingham
regarded some remnants with impersonal interest; Helen's eyes searched
the shop. They distinctly lit up when they discovered Kipps.

He dropped his hands to the counter by habit and stood for a moment
regarding her awkwardly. What would she do? Would she cut him? She came
across the shop to him.

"How are _you_, Mr. Kipps?" she said, in her clear, distinct tones, and
she held out her hand.

"Very well, thank you," said Kipps; "how are you?"

She said she had been buying some ribbon.

He became aware of Mrs. Walshingham very much surprised. This checked
something allusive about the class and he said instead that he supposed
she was glad to be having her holidays now. She said she was, it gave
her more time for reading and that sort of thing. He supposed that she
would be going abroad and she thought that perhaps they _would_ go to
Knocke or Bruges for a time.

Then came a pause and Kipps' soul surged within him. He wanted to tell
her he was leaving and would never see her again. He could find neither
words nor voice to say it. The swift seconds passed. The girl in the
ribbons was handing Mrs. Walshingham her change. "Well," said Miss
Walshingham, "Good-bye," and gave him her hand again.

Kipps bowed over her hand. His manners, his counter manners, were the
easiest she had ever seen upon him. She turned to her mother. It was no
good now, no good. Her mother! You couldn't say a thing like that before
her mother! All was lost but politeness. Kipps rushed for the door. He
stood at the door bowing with infinite gravity, and she smiled and
nodded as she went out. She saw nothing of the struggle within him,
nothing but a satisfactory emotion. She smiled like a satisfied goddess
as the incense ascends.

Mrs. Walshingham bowed stiffly and a little awkwardly.

He remained holding the door open for some seconds after they had passed
out, then rushed suddenly to the back of the "costume" window to watch
them go down the street. His hands tightened on the window rack as he
stared. Her mother appeared to be asking discreet questions. Helen's
bearing suggested the off-hand replies of a person who found the world a
satisfactory place to live in. "Really, Mumsie, you cannot expect me to
cut my own students dead," she was in fact saying....

They vanished round Henderson's corner.

Gone! And he would never see her again--never!

It was as though someone had struck his heart with a whip. Never! Never!
Never! And she didn't know! He turned back from the window and the
department with its two apprentices was impossible. The whole glaring
world was insupportable.

He hesitated and made a rush head down for the cellar that was his
Manchester warehouse. Rodgers asked him a question that he pretended not
to hear.

The Manchester warehouse was a small cellar apart from the general
basement of the building and dimly lit by a small gas flare. He did not
turn that up, but rushed for the darkest corner, where on the lowest
shelf the sale window tickets were stored. He drew out the box of these
with trembling hands and upset them on the floor, and so having made
himself a justifiable excuse for being on the ground, with his head well
in the dark, he could let his poor bursting little heart have its way
with him for a space.

And there he remained until the cry of "Kipps! Forward!" summoned him
once more to face the world.




CHAPTER VI

THE UNEXPECTED


§1

Now in the slack of that same day, after the midday dinner and before
the coming of the afternoon customers, this disastrous Chitterlow
descended upon Kipps with the most amazing coincidence in the world. He
did not call formally, entering and demanding Kipps, but privately, in a
confidential and mysterious manner.

Kipps was first aware of him as a dark object bobbing about excitedly
outside the hosiery window. He was stooping and craning and peering in
the endeavour to see into the interior between and over the socks and
stockings. Then he transferred his attention to the door, and after a
hovering scrutiny, tried the baby-linen display. His movements and
gestures suggested a suppressed excitement.

Seen by daylight, Chitterlow was not nearly such a magnificent figure as
he had been by the subdued nocturnal lightings and beneath the glamour
of his own interpretation. The lines were the same indeed, but the
texture was different. There was a quality about the yachting cap, an
indefinable finality of dustiness, a shiny finish on all the salient
surfaces of the reefer coat. The red hair and the profile, though still
forcible and fine, were less in the quality of Michael Angelo and more
in that of the merely picturesque. But it was a bright brown eye still
that sought amidst the interstices of the baby-linen.

Kipps was by no means anxious to interview Chitterlow again. If he had
felt sure that Chitterlow would not enter the shop he would have hid in
the warehouse until the danger was past, but he had no idea of
Chitterlow's limitations. He decided to keep up the shop in the shadows
until Chitterlow reached the side window of the Manchester department
and then to go outside as if to inspect the condition of the window and
explain to him that things were unfavourable to immediate intercourse.
He might tell him he had already lost his situation....

"Ullo, Chit'low," he said, emerging.

"Very man I want to see," said Chitterlow, shaking with vigour. "Very
man I want to see." He laid a hand on Kipps' arm. "How _old_ are you,
Kipps?"

"One and twenty," said Kipps. "Why?"

"Talk about coincidences! And your name now? Wait a minute." He held out
a finger. "_Is_ it Arthur?"

"Yes," said Kipps.

"You're the man," said Chitterlow.

"What man?"

"It's about the thickest coincidence I ever struck," said Chitterlow,
plunging his extensive hand into his breast coat pocket. "Half a jiff
and I'll tell you your mother's Christian name." He laughed and
struggled with his coat for a space, produced a washing book and two
pencils, which he deposited in his side pocket; then in one capacious
handful, a bent but by no means finally disabled cigar, the rubber
proboscis of a bicycle pump, some twine and a lady's purse, and finally
a small pocket book, and from this, after dropping and recovering
several visiting cards, he extracted a carelessly torn piece of
newspaper. "Euphemia," he read and brought his face close to Kipps'.
"Eh?" He laughed noisily. "It's about as fair a Bit of All Right as
anyone _could_ have--outside a coincidence play. Don't say her name
wasn't Euphemia, Kipps, and spoil the whole blessed show."

"Whose name--Euphemia?" asked Kipps.

"Your mother's."

"Lemme see what it says on the paper."

Chitterlow handed him the fragment and turned away. "You may say what
you like," he said, addressing a vast, deep laugh to the street
generally.

Kipps attempted to read. "'WADDY or KIPPS. If Arthur Waddy or Arthur
Kipps, the son of Margaret Euphemia Kipps, who----'"

Chitterlow's finger swept over the print. "I went down the column and
every blessed name that seemed to fit my play I took. I don't believe in
made-up names. As I told you. I'm all with Zola in that. Documents
whenever you can. I like 'em hot and real. See? Who was Waddy?"

"Never heard his name."

"Not Waddy?"

"No!"

Kipps tried to read again and abandoned the attempt. "What does it
mean?" he said. "I don't understand."

"It means," said Chitterlow, with a momentary note of lucid exposition,
"so far as I can make out that you're going to strike it Rich. Never
mind about the Waddy--that's a detail. What does it usually mean? You'll
hear of something to your advantage--very well. I took that newspaper up
to get my names by the merest chance. Directly I saw it again and read
that--I knew it was you. I believe in coincidences. People say they
don't happen. _I_ say they do. Everything's a coincidence. Seen
properly. Here you are. Here's one! Incredible? Not a bit of it! See?
It's you! Kipps! Waddy be damned! It's a Mascot. There's luck in my
play. Bif! You're there. _I'm_ there. Fair _in_ it! Snap!" And he
discharged his fingers like a pistol. "Never you mind about the
'Waddy.'"

"Eh?" said Kipps, with a nervous eye on Chitterlow's fingers.

"You're all right," said Chitterlow; "you may bet the seat of your only
breeches on that! Don't you worry about the Waddy--that's as clear as
day. You're about as right side up as a billiard ball--whatever you do.
Don't stand there gaping, man! Read the paper if you don't believe me.
Read it!"

He shook it under Kipps' nose.

Kipps became aware of the second apprentice watching them from the shop.
His air of perplexity gave place to a more confident bearing.

"'---- who was born at East Grinstead.' I certainly was born there. I've
'eard my Aunt say----"

"I knew it," said Chitterlow, taking hold of one edge of the paper and
bringing his face close alongside Kipps'.

"'----on September the first, eighteen hundred and seventy-eight----'"

"_That's_ all right," said Chitterlow. "It's all, all right, and all you
have to do is write to Watson and Bean and get it----"

"Get what?"

"Whatever it is."

Kipps sought his moustache. "You'd write?" he asked.

"Ra-ther."

"But what d'you think it is?"

"That's the fun of it!" said Chitterlow, taking three steps in some as
yet uninvented dance. "That's where the joke comes in. It may be
anything--it may be a million. If so! Where does little Harry come in?
Eh?"

Kipps was trembling slightly. "But----" he said, and thought. "If you
was me----" he began. "About that Waddy----?"

He glanced up and saw the second apprentice disappear with amazing
swiftness from behind the goods in the window.

"_What?_" asked Chitterlow, but he never had an answer.

"Lor'! There's the guv'nor!" said Kipps, and made a prompt dive for the
door.

He dashed in only to discover that Shalford, with the junior apprentice
in attendance, had come to mark off remnants of Kipps' cotton dresses
and was demanding him. "Hullo, Kipps," he said, "outside----?"

"Seein' if the window was straight, Sir," said Kipps.

"Umph!" said Shalford.

For a space Kipps was too busily employed to think at all of Chitterlow
or the crumpled bit of paper in his trouser pocket. He was, however,
painfully aware of a suddenly disconcerted excitement at large in the
street. There came one awful moment when Chitterlow's nose loomed
interrogatively over the ground glass of the department door, and his
bright, little, red-brown eye sought for the reason of Kipps'
disappearance, and then it became evident that he saw the high light of
Shalford's baldness and grasped the situation and went away. And then
Kipps (with that advertisement in his pocket) was able to come back to
the business in hand.

He became aware that Shalford had asked a question. "Yessir, nosir,
rightsir. I'm sorting up zephyrs to-morrow, Sir," said Kipps.

Presently he had a moment to himself again, and, taking up a safe
position behind a newly unpacked pile of summer lace curtains, he
straightened out the piece of paper and reperused it. It was a little
perplexing. That "Arthur Waddy or Arthur Kipps"--did that imply two
persons or one? He would ask Pierce or Buggins. Only----

It had always been impressed upon him that there was something demanding
secrecy about his mother.

"Don't you answer no questions about your mother," his aunt had been
wont to say. "Tell them you don't know, whatever it is they ask you."

"Now this----?"

Kipps' face became portentously careful and he tugged at his moustache,
such as it was, hard.

He had always represented his father as being a "gentleman farmer." "It
didn't pay," he used to say with a picture in his own mind of a penny
magazine aristocrat prematurely worn out by worry. "I'm a Norfan, both
sides," he would explain, with the air of one who had seen trouble. He
said he lived with his uncle and aunt, but he did not say that they kept
a toy shop, and to tell anyone that his uncle had been a butler--_a
servant!_--would have seemed the maddest of indiscretions. Almost all
the assistants in the Emporium were equally reticent and vague, so great
is their horror of "Lowness" of any sort. To ask about this "Waddy or
Kipps" would upset all these little fictions. He was not, as a matter of
fact, perfectly clear about his real status in the world (he was not,
as a matter of fact, perfectly clear about anything), but he knew that
there was a quality about his status that was--detrimental.

Under the circumstances----?

It occurred to him that it would save a lot of trouble to destroy the
advertisement there and then.

In which case he would have to explain to Chitterlow!

"Eng!" said Mr. Kipps.

"Kipps," cried Carshot, who was shopwalking; "Kipps, Forward!"

He thrust back the crumpled paper into his pocket and sallied forth to
the customers.

"I want," said the customer, looking vaguely about her through glasses,
"a little bit of something to cover a little stool I have. Anything
would do--a remnant or anything----"

The matter of the advertisement remained in abeyance for half an hour,
and at the end the little stool was still a candidate for covering and
Kipps had a thoroughly representative collection of the textile fabrics
in his department to clear away. He was so angry about the little stool
that the crumpled advertisement lay for a space in his pocket,
absolutely forgotten.


§2

Kipps sat on his tin box under the gas bracket that evening, and looked
up the name Euphemia and learnt what it meant in the "Enquire Within
About Everything" that constituted Buggins' reference library. He hoped
Buggins, according to his habit, would ask him what he was looking for,
but Buggins was busy turning out his week's washing. "Two collars," said
Buggins, "half pair socks, two dickeys. Shirt?... M'm. There ought to be
another collar somewhere."

"Euphemia," said Kipps at last, unable altogether to keep to himself
this suspicion of a high origin that floated so delightfully about him,
"Eu--phemia; it isn't a name _common_ people would give to a girl, is
it?"

"It isn't the name any decent people would give to a girl," said
Buggins, "----common or not."

"Lor'!" said Kipps. "Why?"

"It's giving girls names like that," said Buggins, "that nine times out
of ten makes 'em go wrong. It unsettles 'em. If ever I was to have a
girl, if ever I was to have a dozen girls, I'd call 'em all Jane. Every
one of 'em. You couldn't have a better name than that. Euphemia indeed!
What next?... Good Lord!... That isn't one of my collars there, is it?
under your bed?"...

Kipps got him the collar.

"I don't see no great 'arm in Euphemia," he said as he did so.

After that he became restless. "I'm a good mind to write that letter,"
he said, and then, finding Buggins preoccupied wrapping his washing up
in the "half sox," added to himself, "a thundering good mind."

So he got his penny bottle of ink, borrowed the pen from Buggins and
with no very serious difficulty in spelling or composition, did as he
had resolved.

He came back into the bedroom about an hour afterwards a little out of
breath and pale. "Where you been?" said Buggins, who was now reading the
_Daily World Manager_, which came to him in rotation from Carshot.

"Out to post some letters," said Kipps, hanging up his hat.

"Crib hunting?"

"Mostly," said Kipps.

"Rather," he added, with a nervous laugh; "what else?"

Buggins went on reading. Kipps sat on his bed and regarded the back of
the _Daily World Manager_ thoughtfully.

"Buggins," he said at last.

Buggins lowered his paper and looked.

"I say, Buggins, what do these here advertisements mean that say
so-and-so will hear of something greatly to his advantage?"

"Missin' people," said Buggins, making to resume reading.

"How d'yer mean?" asked Kipps. "Money left and that sort of thing?"

Buggins shook his head. "Debts," he said, "more often than not."

"But that ain't to his advantage."

"They put that to get 'old of 'em," said Buggins. "Often it's wives."

"What you mean?"

"Deserted wives, try and get their husbands back that way."

"I suppose it _is_ legacies sometimes, eh? Perhaps if someone was left a
hundred pounds by someone----"

"Hardly ever," said Buggins.

"Well, 'ow----?" began Kipps and hesitated.

Buggins resumed reading. He was very much excited by a leader on Indian
affairs. "By Jove!" he said, "it won't do to give these here Blacks
votes."

"No fear," said Kipps.

"They're different altogether," said Buggins. "They 'aven't the sound
sense of Englishmen, and they 'aven't the character. There's a sort of
tricky dishonesty about 'em--false witness and all that--of which an
Englishman has no idea. Outside their courts of law--it's a pos'tive
fact, Kipps--there's witnesses waitin' to be 'ired. Reg'lar trade. Touch
their 'ats as you go in. Englishmen 'ave no idea, I tell you--not
ord'nary Englishmen. It's in their blood. They're too timid to be
honest. Too slavish. They aren't used to being free like we are, and if
you gave 'em freedom they wouldn't make a proper use of it. Now
_we_----. Oh, _Damn_!"

For the gas had suddenly gone out and Buggins had the whole column of
Society Club Chat still to read.

Buggins could talk of nothing after that but Shalford's meanness in
turning off the gas, and after being extremely satirical indeed about
their employer, undressed in the dark, hit his bare toe against a box
and subsided after unseemly ejaculations into silent ill-temper.

Though Kipps tried to get to sleep before the affair of the letter he
had just posted resumed possession of his mind he could not do so. He
went over the whole thing again, quite exhaustively. Now that his first
terror was abating he couldn't quite determine whether he was glad or
sorry that he had posted that letter. If it _should_ happen to be a
hundred pounds!

It _must_ be a hundred pounds!

If it was he could hold out for a year, for a couple of years even,
before he got a Crib.

Even if it was fifty pounds----!

Buggins was already breathing regularly when Kipps spoke again.
"_Bug_-gins," he said.

Buggins pretended to be asleep, and thickened his regular breathing (a
little too hastily) to a snore.

"I say Buggins," said Kipps after an interval.

"_What's_ up now?" said Buggins unamiably.

"'Spose _you_ saw an advertisement in a paper, with your name in it,
see, asking you to come and see someone, like, so as to hear of
something very much to your----"

"Hide," said Buggins shortly.

"But----"

"I'd hide."

"Er?"

"Goonight, o' man," said Buggins, with convincing earnestness. Kipps lay
still for a long time, then blew profoundly, turned over and stared at
the other side of the dark.

He had been a fool to post that letter!

Lord! _Hadn't_ he been a fool!


§3

It was just five days and a half after the light had been turned out
while Buggins was reading, that a young man with a white face and eyes
bright and wide-open, emerged from a side road upon the Leas front. He
was dressed in his best clothes, and, although the weather was fine, he
carried his umbrella, just as if he had been to church. He hesitated and
turned to the right. He scanned each house narrowly as he passed it, and
presently came to an abrupt stop. "Hughenden," said the gateposts in
firm, black letters, and the fanlight in gold repeated "Hughenden." It
was a stucco house fit to take your breath away, and its balcony was
painted a beautiful sea-green, enlivened with gilding. He stood looking
up at it.

"Gollys!" he said at last in an awestricken whisper.

It had rich-looking crimson curtains to all the lower windows and brass
railed blinds above. There was a splendid tropical plant in a large,
artistic pot in the drawing-room window. There was a splendid bronzed
knocker (ring also) and two bells--one marked "servants." Gollys!
_Servants_, eh?

He walked past away from it, with his eyes regarding it, and then turned
and came back. He passed through a further indecision, and finally
drifted away to the sea front and sat down on a seat a little way along
the Leas and put his arm over the back and regarded "Hughenden." He
whistled an air very softly to himself, put his head first on one side
and then on the other. Then for a space he scowled fixedly at it.

A very stout old gentleman, with a very red face and very protuberant
eyes, sat down beside Kipps, removed a Panama hat of the most abandoned
desperado cut, and mopped his brow and blew. Then he began mopping the
inside of his hat. Kipps watched him for a space, wondering how much he
might have a year, and where he bought his hat. Then "Hughenden"
reasserted itself.

An impulse overwhelmed him. "I say," he said, leaning forward, to the
old gentleman.

The old gentleman started and stared.

"_Whad_ do you say?" he asked fiercely.

"You wouldn't think," said Kipps, indicating with his forefinger, "that
that 'ouse there belongs to me."

The old gentleman twisted his neck round to look at "Hughenden." Then he
came back to Kipps, looked at his mean, little garments with apoplectic
intensity and blew at him by way of reply.

"It does," said Kipps, a little less confidently.

"Don't be a Fool," said the old gentleman, and put his hat on and wiped
out the corners of his eyes. "It's hot enough," panted the old gentleman
indignantly, "without Fools." Kipps looked from the old gentleman to the
house and back to the old gentleman. The old gentleman looked at Kipps
and snorted and looked out to sea, and again, snorting very
contemptuously, at Kipps.

"Mean to say it doesn't belong to me?" said Kipps.

The old gentleman just glanced over his shoulder at the house in dispute
and then fell to pretending Kipps didn't exist. "It's been lef' me this
very morning," said Kipps. "It ain't the only one that's been lef' me,
neither."

"Aw!" said the old gentleman, like one who is sorely tried. He seemed to
expect the passers-by presently to remove Kipps.

"It _'as_," said Kipps. He made no further remark to the old gentleman
for a space, but looked with a little less certitude at the house....

"I got----" he said and stopped.

"It's no good telling you if you don't believe," he said.

The old gentleman, after a struggle with himself, decided not to have a
fit. "Try that game on with me," he panted. "Give you in charge."

"What game?"

"Wasn't born yesterday," said the old gentleman, and blew. "Besides," he
added, "_look_ at you! I know you," and the old gentleman coughed
shortly and nodded to the horizon and coughed again.

Kipps looked dubiously from the house to the old gentleman and back to
the house. Their conversation, he gathered, was over. Presently he got
up and went slowly across the grass to its stucco portal again. He stood
and his mouth shaped the precious word, "Hughenden." It was all _right_!
He looked over his shoulder as if in appeal to the old gentleman, then
turned and went his way. The old gentleman was so evidently past all
reason!

He hung for a moment some distance along the parade, as though some
invisible string was pulling him back. When he could no longer see the
house from the pavement he went out into the road. Then with an effort
he snapped the string.

He went on down a quiet side street, unbuttoned his coat furtively, took
out three bank notes in an envelope, looked at them and replaced them.
Then he fished up five new sovereigns from his trouser pocket and
examined them. To such a confidence had his exact resemblance to his
dead mother's portrait carried Messrs. Watson and Bean.

It was right enough.

It really was _all_ right.

He replaced the coins with grave precaution and went his way with a
sudden briskness. It was all right--he had it now--he was a rich man at
large. He went up a street and round a corner and along another street,
and started towards the Pavilion and changed his mind and came round
back, resolved to go straight to the Emporium and tell them all.

He was aware of someone crossing a road far off ahead of him, someone
curiously relevant to his present extraordinary state of mind. It was
Chitterlow. Of course it was Chitterlow who had told him first of the
whole thing! The playwright was marching buoyantly along a cross street.
His nose was in the air, the yachting cap was on the back of his head
and the large freckled hand grasped two novels from the library, a
morning newspaper, a new hat done up in paper and a lady's net bag full
of onions and tomatoes....

He passed out of sight behind the wine merchant's at the corner, as
Kipps decided to hurry forward and tell him of the amazing change in the
Order of the Universe that had just occurred.

Kipps uttered a feeble shout, arrested as it began, and waved his
umbrella. Then he set off at a smart pace in pursuit. He came round the
corner and Chitterlow had gone; he hurried to the next and there was no
Chitterlow, he turned back unavailingly and his eyes sought some other
possible corner. His hand fluttered to his mouth and he stood for a
space at the pavement edge, staring about him. No good!

But the sight of Chitterlow was a wholesome thing, it connected events
together, joined him on again to the past at a new point, and that was
what he so badly needed....

It was all right--all right.

He became suddenly very anxious to tell everybody at the Emporium,
absolutely everybody, all about it. That was what wanted doing. He felt
that telling was the thing to make this business real. He gripped his
umbrella about the middle and walked very eagerly.

He entered the Emporium through the Manchester department. He flung open
the door (over whose ground glass he had so recently, in infinite
apprehension, watched the nose of Chitterlow) and discovered the second
apprentice and Pierce in conversation. Pierce was prodding his hollow
tooth with a pin and talking in fragments about the distinctive
characteristics of Good Style.

Kipps came up in front of the counter.

"I say," he said; "what d'yer think?"

"What?" said Pierce over the pin.

"Guess."

"You've slipped out because Teddy's in London."

"Something more."

"What?"

"Been left a fortune."

"Garn!"

"I 'ave."

"Get out!"

"Straight. I been lef' twelve 'undred pounds--twelve 'undred pounds a
year!"

He moved towards the little door out of the department into the house,
moving, as heralds say, _regardant passant_. Pierce stood with mouth
wide open and pin poised in air. "No!" he said at last.

"It's right," said Kipps, "and I'm going."

And he fell over the doormat into the house.


§4

It happened that Mr. Shalford was in London buying summer sale
goods--and no doubt also interviewing aspirants to succeed Kipps.

So that there was positively nothing to hinder a wild rush of rumour
from end to end of the Emporium. All the masculine members began their
report with the same formula. "Heard about Kipps?"

The new girl in the cash desk had had it from Pierce and had dashed out
into the fancy shop to be the first with the news on the fancy side.
Kipps had been left a thousand pounds a year, twelve thousand pounds a
year. Kipps had been left twelve hundred thousand pounds. The figures
were uncertain, but the essential facts they had correct. Kipps had gone
upstairs. Kipps was packing his box. He said he wouldn't stop another
day in the old Emporium, not for a thousand pounds! It was said that he
was singing ribaldry about old Shalford.

He had come down! He was in the counting house. There was a general
movement thither. Poor old Buggins had a customer and couldn't make out
what the deuce it was all about! Completely out of it was Buggins.

There was a sound of running to and fro and voices saying this, that
and the other thing about Kipps. Ring-a-dinger, ring-a-dinger went the
dinner bell all unheeded. The whole of the Emporium was suddenly
bright-eyed, excited, hungry to tell somebody, to find at any cost
somebody who didn't know and be first to tell them, "Kipps has been left
thirty--forty--fifty thousand pounds!"

"_What!_" cried the senior porter, "Him!" and ran up to the counting
house as eagerly as though Kipps had broken his neck.

"One of our chaps just been left sixty thousand pounds," said the first
apprentice, returning after a great absence, to his customer.

"Unexpectedly?" said the customer.

"Quite," said the first apprentice....

"I'm sure if Anyone deserves it, it's Mr. Kipps," said Miss Mergle, and
her train rustled as she hurried to the counting house.

There stood Kipps amidst a pelting shower of congratulations. His face
was flushed and his hair disordered. He still clutched his hat and best
umbrella in his left hand. His right hand was anyone's to shake rather
than his own. (Ring-a-dinger, ring-a-dinger ding, ding, ding, dang you!
went the neglected dinner bell.)

"Good old Kipps," said Pierce, shaking; "Good old Kipps."

Booch rubbed one anæmic hand upon the other. "You're sure it's all
right, Mr. Kipps," he said in the background.

"I'm sure we all congratulate him," said Miss Mergle.

"Great Scott!" said the new young lady in the glove department. "Twelve
hundred a year! Great Scott! You aren't thinking of marrying anyone, are
you, Mr. Kipps?"

"Three pounds, five and ninepence a day," said Mr. Booch, working in his
head almost miraculously....

Everyone, it seemed, was saying how glad they were it was Kipps, except
the junior apprentice, upon whom--he being the only son of a widow and
used to having the best of everything as a right--an intolerable envy, a
sense of unbearable wrong, had cast its gloomy shade. All the rest were
quite honestly and simply glad--gladder perhaps at that time than Kipps
because they were not so overpowered....

Kipps went downstairs to dinner, emitting fragmentary, disconnected
statements. "Never expected anything of the sort.... When this here old
Bean told me, you could have knocked me down with a feather.... He says,
'You b'en lef' money.' Even then I didn't expect it'd be mor'n a hundred
pounds perhaps. Something like that."

With the sitting down to dinner and the handing of plates the excitement
assumed a more orderly quality. The housekeeper emitted congratulations
as she carved and the maidservant became dangerous to clothes with the
plates--she held them anyhow, one expected to see one upside down
even--she found Kipps so fascinating to look at. Everyone was the
brisker and hungrier for the news (except the junior apprentice) and the
housekeeper carved with unusual liberality. It was High Old Times there
under the gaslight, High Old Times. "I'm sure if Anyone deserves it,"
said Miss Mergle--"pass the salt, please--it's Kipps."

The babble died away a little as Carshot began barking across the table
at Kipps. "You'll be a bit of a Swell, Kipps," he said. "You won't
hardly know yourself."

"Quite the gentleman," said Miss Mergle.

"Many real gentlemen's families," said the housekeeper, "have to do with
less."

"See you on the Leas," said Carshot. "My gu--!" He met the housekeeper's
eye. She had spoken about that before. "My eye!" he said tamely, lest
words should mar the day.

"You'll go to London, I reckon," said Pierce. "You'll be a man about
town. We shall see you mashing 'em, with violets in your button'ole down
the Burlington Arcade."

"One of these West End Flats. That'd be my style," said Pierce. "And a
first-class club."

"Aren't these clubs a bit 'ard to get into?" asked Kipps, open-eyed,
over a mouthful of potato.

"No fear. Not for Money," said Pierce. And the girl in the laces who had
acquired a cynical view of Modern Society from the fearless exposures
of Miss Marie Corelli, said, "Money goes everywhere nowadays, Mr.
Kipps."

But Carshot showed the true British strain.

"If I was Kipps," he said, pausing momentarily for a knifeful of gravy,
"I should go to the Rockies and shoot bears."

"I'd certainly 'ave a run over to Boulogne," said Pierce, "and look
about a bit. I'm going to do that next Easter myself, anyhow--see if I
don't."

"Go to Oireland, Mr. Kipps," came the soft insistence of Biddy Murphy,
who managed the big workroom, flushed and shining in the Irish way, as
she spoke. "Go to Oireland. Ut's the loveliest country in the world.
Outside Car-rs. Fishin', shootin', huntin'. An' pretty gals! Eh! You
should see the Lakes of Killarney, Mr. Kipps!" And she expressed ecstasy
by a facial pantomime and smacked her lips.

And presently they crowned the event.

It was Pierce who said, "Kipps, you ought to stand Sham!"

And it was Carshot who found the more poetical word, "Champagne."

"Rather!" said Kipps hilariously, and the rest was a question of detail
and willing emissaries. "Here it comes!" they said as the apprentice
came down the staircase. "How about the shop?" said someone. "Oh! _hang_
the shop!" said Carshot and made gruntulous demands for a corkscrew with
a thing to cut the wire. Pierce, the dog! had a wire cutter in his
pocket knife. How Shalford would have stared at the gold tipped bottles
if he had chanced to take an early train! Bang with the corks, and bang!
Gluck, gluck, gluck, and sizzle!

When Kipps found them all standing about him under the gas flare, saying
almost solemnly "Kipps!" with tumblers upheld--"Have it in tumblers,"
Carshot had said; "have it in tumblers. It isn't a wine like you have in
glasses. Not like port and sherry. It cheers you up, but you don't get
drunk. It isn't hardly stronger than lemonade. They drink it at dinner,
some of 'em, every day."

"What! At three and six a bottle!" said the housekeeper incredulously.

"_They_ don't stick at _that_," said Carshot; "not the champagne sort."

The housekeeper pursed her lips and shook her head....

When Kipps, I say, found them all standing up to toast him in that
manner, there came such a feeling in his throat and face that for the
life of him he scarcely knew for a moment whether he was not going to
cry. "Kipps!" they all said, with kindly eyes. It was very good of them,
it was very good of them, and hard there wasn't a stroke of luck for
them all!

But the sight of upturned chins and glasses pulled him together
again....

They did him honour. Unenviously and freely they did him honour.

For example, Carshot being subsequently engaged in serving cretonne and
desiring to push a number of rejected blocks up the counter in order to
have space for measuring, swept them by a powerful and ill-calculated
movement of the arm, with a noise like thunder partly on to the floor
and partly on to the foot of the still gloomily preoccupied junior
apprentice. And Buggins, whose place it was to shopwalk while Carshot
served, shopwalked with quite unparalleled dignity, dangling a new
season's sunshade with a crooked handle on one finger. He arrested each
customer who came down the shop with a grave and penetrating look.
"Showing very 'tractive line new sheason's shun-shade," he would remark,
and, after a suitable pause, "'Markable thing, one our 'sistant leg'sy
twelve 'undred a year. V'ry 'tractive. Nothing more to-day, mum? No!"
And he would then go and hold the door open for them with perfect
decorum and with the sunshade dangling elegantly from his left hand....

And the second apprentice, serving a customer with cheap ticking, and
being asked suddenly if it was strong, answered remarkably,

"Oo! _no_, mum! Strong! Why it ain't 'ardly stronger than lemonade...."

The head porter, moreover, was filled with a virtuous resolve to break
the record as a lightning packer and make up for lost time. Mr.
Swaffenham, of the Sandgate Riviera, for example, who was going out to
dinner that night at seven, received at half-past six, instead of the
urgently needed dress shirt he expected, a corset specially adapted to
the needs of persons inclined to embonpoint. A parcel of summer
underclothing selected by the elder Miss Waldershawe, was somehow
distributed in the form of gratis additions throughout a number of
parcels of a less intimate nature, and a box of millinery on approval to
Lady Pamshort (at Wampachs) was enriched by the addition of the junior
porter's cap....

These little things, slight in themselves, witness perhaps none the less
eloquently to the unselfish exhilaration felt throughout the Emporium at
the extraordinary and unexpected enrichment of Mr. Kipps.


§5

The 'bus that plies between New Romney and Folkestone is painted a
British red and inscribed on either side with the word "Tip-top" in gold
amidst voluptuous scrolls. It is a slow and portly 'bus. Below it swings
a sort of hold, hung by chains between the wheels, and in the summer
time the top has garden seats. The front over the two dauntless
unhurrying horses rises in tiers like a theatre; there is first a seat
for the driver and his company, and above that a seat and above that,
unless my memory plays me false, a seat. There are days when this 'bus
goes and days when it doesn't go--you have to find out. And so you get
to New Romney.

This 'bus it was, this ruddy, venerable and immortal 'bus, that came
down the Folkestone hill with unflinching deliberation, and trundled
through Sandgate and Hythe, and out into the windy spaces of the Marsh,
with Kipps and all his fortunes on its brow. You figure him there. He
sat on the highest seat diametrically above the driver and his head was
spinning and spinning with champagne and this stupendous Tomfoolery of
Luck and his heart was swelling, swelling indeed at times as though it
would burst him, and his face towards the sunlight was transfigured. He
said never a word, but ever and again as he thought of this or that, he
laughed. He seemed full of chuckles for a time, detached and independent
chuckles, chuckles that rose and burst in him like bubbles in a wine....
He held a banjo sceptre-fashion and restless on his knee. He had always
wanted a banjo, and now he had got one at Malchior's while he was
waiting for the 'bus.

There sat beside him a young servant who was sucking peppermint and a
little boy with a sniff, whose flitting eyes showed him curious to know
why ever and again Kipps laughed, and beside the driver were two young
men in gaiters talking about "tegs." And there sat Kipps, all
unsuspected, twelve hundred a year, as it were, disguised as a common
young man. And the young man in gaiters to the left of the driver eyed
Kipps and his banjo, and especially his banjo, ever and again as if he
found it and him, with his rapt face, an insoluble enigma. And many a
King has ridden into a conquered city with a lesser sense of splendour
than Kipps.

Their shadows grew long behind them and their faces were transfigured in
gold as they rumbled on towards the splendid West. The sun set before
they had passed Dymchurch, and as they came lumbering into New Romney
past the windmill the dusk had come.

The driver handed down the banjo and the portmanteau, and Kipps having
paid him--"That's aw right," he said to the change, as a gentleman
should--turned about and ran the portmanteau smartly into Old Kipps,
whom the sound of the stopping of the 'bus had brought to the door of
the shop in an aggressive mood and with his mouth full of supper.

"Ullo, Uncle, didn't see you," said Kipps.

"Blunderin' ninny," said Old Kipps. "What's brought _you_ here? Ain't
early closing, is it? Not Toosday?"

"Got some news for you, Uncle," said Kipps, dropping the portmanteau.

"Ain't lost your situation, 'ave you? What's that you got there? I'm
blowed if it ain't a banjo. Goo-lord! Spendin' your money on banjoes!
Don't put down your portmanty there--anyhow. Right in the way of
everybody. I'm blowed if ever I saw such a boy as you've got lately.
Here! Molly! And, look here! What you got a portmanty for? Why!
Goo-lord! You ain't _really_ lost your place, 'ave you?"

"Somethin's happened," said Kipps slightly dashed. "It's all right,
Uncle. I'll tell you in a minute."

Old Kipps took the banjo as his nephew picked up the portmanteau again.

The living room door opened quickly, showing a table equipped with
elaborate simplicity for supper, and Mrs. Kipps appeared.

"If it ain't young Artie," she said. "Why! Whatever's brought _you_
'ome?"

"Ullo, Aunt," said Artie. "I'm coming in. I got somethin' to tell you.
I've 'ad a bit of Luck."

He wouldn't tell them all at once. He staggered with the portmanteau
round the corner of the counter, set a bundle of children's tin pails
into clattering oscillation, and entered the little room. He deposited
his luggage in the corner beside the tall clock, and turned to his Aunt
and Uncle again. His Aunt regarded him doubtfully, the yellow light from
the little lamp on the table escaped above the shade and lit her
forehead and the tip of her nose. It would be all right in a minute. He
wouldn't tell them all at once. Old Kipps stood in the shop door with
the banjo in his hand, breathing noisily. "The fact is, Aunt, I've 'ad a
bit of Luck."

"You ain't been backin' gordless 'orses, Artie?" she asked.

"No fear."

"It's a draw he's been in," said Old Kipps, still panting from the
impact of the portmanteau; "it's a dratted draw. Jest look here, Molly.
He's won this 'ere trashy banjer and thrown up his situation on the
strength of it--that's what he's done. Goin' about singing. Dash and
plunge! Jest the very fault poor Pheamy always 'ad. Blunder right in and
no one mustn't stop 'er!"

"You ain't thrown up your place, Artie, 'ave you?" said Mrs. Kipps.

Kipps perceived his opportunity. "I 'ave," he said; "I've throwed it
up."

"What for?" said Old Kipps.

"So's to learn the banjo!"

"Goo _Lord_!" said Old Kipps, in horror to find himself verified.

"I'm going about playing!" said Kipps with a giggle. "Goin' to black my
face, Aunt, and sing on the beach. I'm going to 'ave a most tremenjous
lark and earn any amount of money--you see. Twenty-six fousand pounds
I'm going to earn just as easy as nothing!"

"Kipps," said Mrs. Kipps, "he's been drinking!"

They regarded their nephew across the supper table with long faces.
Kipps exploded with laughter and broke out again when his Aunt shook her
head very sadly at him. Then suddenly he fell grave. He felt he could
keep it up no longer. "It's all right, Aunt. Reely. I ain't mad and I
ain't been drinking. I been lef' money. I been left twenty-six fousand
pounds."

Pause.

"And you thrown up your place?" said Old Kipps.

"Yes," said Kipps. "Rather!"

"And bort this banjer, put on your best noo trousers and come right on
'ere?"

"Well," said Mrs. Kipps, "_I_ never did."

"These ain't my noo trousers, Aunt," said Kipps regretfully. "My noo
trousers wasn't done."

"I shouldn't ha' thought that _even you_ could ha' been such a fool as
that," said Old Kipps.

Pause.

"It's _all_ right," said Kipps a little disconcerted by their
distrustful solemnity. "It's all right--reely! Twenny-six fousan'
pounds. And a 'ouse----"

Old Kipps pursed his lips and shook his head.

"A 'ouse on the Leas. I could have gone there. Only I didn't. I didn't
care to. I didn't know what to say. I wanted to come and tell you."

"How d'yer know the 'ouse----?"

"They told me."

"Well," said Old Kipps, and nodded his head portentously towards his
nephew, with the corners of his mouth pulled down in a portentous,
discouraging way. "Well, you _are_ a young Gaby."

"I didn't _think_ it of you, Artie!" said Mrs. Kipps.

"Wadjer mean?" asked Kipps faintly, looking from one to the other with a
withered face.

Old Kipps closed the shop door. "They been 'avin' a lark with you," said
Old Kipps in a mournful undertone. "That's what I mean, my boy. They
jest been seein' what a Gaby like you 'ud do."

"I dessay that young Quodling was in it," said Mrs. Kipps. "'E's jest
that sort."

(For Quodling of the green baize bag had grown up to be a fearful dog,
the terror of New Romney.)

"It's somebody after your place very likely," said Old Kipps.

Kipps looked from one sceptical, reproving face to the other, and round
him at the familiar shabby, little room, with his familiar cheap
portmanteau on the mended chair, and that banjo amidst the supper things
like some irrevocable deed. Could he be rich indeed? Could it be that
these things had really happened? Or had some insane fancy whirled him
hither?

Still--perhaps a hundred pounds----

"But," he said. "It's all right, reely, Uncle. You don't think----? I
'ad a letter."

"Got up," said Old Kipps.

"But I answered it and went to a norfis."

Old Kipps felt staggered for a moment, but he shook his head and chins
sagely from side to side. As the memory of old Bean and Shalford
revived, the confidence of Kipps came back to him.

"I saw a nold gent, Uncle--perfect gentleman. And 'e told me all about
it. Mos' respectable 'e was. Said 'is name was Watson and
Bean--leastways 'e was Bean. Said it was lef' me----" Kipps suddenly
dived into his breast pocket. "By my Grandfather----"

The old people started.

Old Kipps uttered an exclamation and wheeled round towards the mantel
shelf above which the daguerreotype of his lost younger sister smiled
its fading smile upon the world.

"Waddy 'is name was," said Kipps, with his hand still deep in his
pocket. "It was _'is_ son was my father----"

"Waddy!" said Old Kipps.

"Waddy!" said Mrs. Kipps.

"She'd never say," said Old Kipps.

There was a long silence.

Kipps fumbled with a letter, a crumpled advertisement and three bank
notes. He hesitated between these items.

"Why! That young chap what was arsting questions----" said Old Kipps,
and regarded his wife with an eye of amazement.

"Must 'ave been," said Mrs. Kipps.

"Must 'ave been," said Old Kipps.

"James," said Mrs. Kipps, in an awestricken voice, "after
all--perhaps--it's true!"

"_'Ow_ much did you say?" asked Old Kipps. "'Ow much did you say 'ed
lef' you, me b'y?"

It was thrilling, though not quite in the way Kipps had expected. He
answered almost meekly across the meagre supper things, with his
documentary evidence in his hand:

"Twelve 'undred pounds. 'Proximately, he said. Twelve 'undred pounds a
year. 'E made 'is will, jest before 'e died--not more'n a month ago.
When 'e was dying, 'e seemed to change like, Mr. Bean said. 'E'd never
forgiven 'is son, never--not till then. 'Is son 'ad died in Australia,
years and years ago, and _then_ 'e 'adn't forgiven 'im. You know--'is
son what was my father. But jest when 'e was ill and dying 'e seemed to
get worried like and longing for someone of 'is own. And 'e told Mr.
Bean it was 'im that had prevented them marrying. So 'e thought. That's
'ow it all come about...."


§6

At last Kipps' flaring candle went up the narrow uncarpeted staircase to
the little attic that had been his shelter and refuge during all the
days of his childhood and youth. His head was whirling. He had been
advised, he had been warned, he had been flattered and congratulated, he
had been given whiskey and hot water and lemon and sugar, and his health
had been drunk in the same. He had also eaten two Welsh Rabbits--an
unusual supper. His Uncle was chiefly for his going into Parliament, his
Aunt was consumed with a great anxiety. "I'm afraid he'll go and marry
beneath 'im."

"Y'ought to 'ave a bit o' shootin' somewheer," said Old Kipps.

"It's your _duty_ to marry into a county family, Artie. Remember that."

"There's lots of young noblemen'll be glad to 'ang on to you," said Old
Kipps. "You mark my words. And borry your money. And then, good day to
ye."

"I got to be precious Careful," said Kipps. "Mr. Bean said that."

"And you got to be precious careful of this old Bean," said Old Kipps.
"We may be out of the world in Noo Romney, but I've 'eard a bit about
s'licitors, for all that. You keep your eye on old Bean, me b'y.

"'Ow do we know what 'e's up to, with your money, even now?" said Old
Kipps, pursuing this uncomfortable topic.

"'E _looked_ very respectable," said Kipps....

Kipps undressed with great deliberation, and with vast gaps of pensive
margin. Twenty-six thousand pounds!

His Aunt's solicitude had brought back certain matters into the
foreground that his "Twelve 'Undred a year!" had for a time driven away
altogether. His thoughts went back to the wood-carving class. Twelve
Hundred a Year. He sat on the edge of the bed in profound meditation and
his boots fell "whop" and "whop" upon the floor, with a long interval
between each "whop." Twenty-five thousand pounds. "By Gum!" He dropped
the remainder of his costume about him on the floor, got into bed,
pulled the patchwork quilt over him and put his head on the pillow that
had been first to hear of Ann Pornick's accession to his heart. But he
did not think of Ann Pornick now.

It was about everything in the world except Ann Pornick that he seemed
to be trying to think of--simultaneously. All the vivid happenings of
the day came and went in his overtaxed brain; "that old Bean" explaining
and explaining, the fat man who wouldn't believe, an overpowering smell
of peppermint, the banjo, Miss Mergle saying he deserved it,
Chitterlow's vanishing round a corner, the wisdom and advice and
warnings of his Aunt and Uncle. She was afraid he would marry beneath
him, _was_ she? She didn't know....

His brain made an excursion into the wood-carving class and presented
Kipps with the picture of himself amazing that class by a modest yet
clearly audible remark, "I been left twenty-six thousand pounds."

Then he told them all quietly but firmly that he had always loved Miss
Walshingham, always, and so he had brought all his twenty-six thousand
pounds with him to give to her there and then. He wanted nothing in
return.... Yes, he wanted nothing in return. He would give it to her all
in an envelope and go. Of course he would keep the banjo--and a little
present for his Aunt and Uncle--and a new suit perhaps--and one or two
other things she would not miss. He went off at a tangent. He might buy
a motor car, he might buy one of these here things that will play you a
piano--that would make old Buggins sit up! He could pretend he had
learnt to play--he might buy a bicycle and a cyclist suit....

A terrific multitude of plans of what he might do and in particular of
what he might buy, came crowding into his brain, and he did not so much
fall asleep as pass into a disorder of dreams in which he was driving a
four-horse Tip-Top coach down Sandgate Hill ("I shall have to be
precious careful"), wearing innumerable suits of clothes, and through
some terrible accident wearing them all wrong. Consequently he was being
laughed at. The coach vanished in the interest of the costume. He was
wearing golfing suits and a silk hat. This passed into a nightmare that
he was promenading on the Leas in a Highland costume, with a kilt that
kept shrinking, and Shalford was following him with three policemen.
"He's my assistant," Shalford kept repeating; "he's escaped. He's an
escaped Improver. Keep by him and in a minute you'll have to run him in.
I know 'em. We say they wash, but they won't."... He could feel the kilt
creeping up his legs. He would have tugged at it to pull it down only
his arms were paralysed. He had an impression of giddy crisis. He
uttered a shriek of despair. "_Now!_" said Shalford. He woke in horror,
his quilt had slipped off the bed.

He had a fancy he had just been called, that he had somehow overslept
himself and missed going down for dusting. Then he perceived it was
still night and light by reason of the moonlight, and that he was no
longer in the Emporium. He wondered where he could be. He had a curious
fancy that the world had been swept and rolled up like a carpet and that
he was nowhere. It occurred to him that perhaps he was mad. "Buggins!"
he said. There was no answer, not even the defensive snore. No room, no
Buggins, nothing!

Then he remembered better. He sat on the edge of his bed for some time.
Could anyone have seen his face they would have seen it white and drawn
with staring eyes. Then he groaned weakly. "Twenty-six thousand pounds?"
he whispered.

Just then it presented itself in an almost horribly overwhelming mass.

He remade his bed and returned to it. He was still dreadfully wakeful.
It was suddenly clear to him that he need never trouble to get up
punctually at seven again. That fact shone out upon him like a star
through clouds. He was free to lie in bed as long as he liked, get up
when he liked, go where he liked, have eggs every morning for breakfast
or rashers or bloater paste or.... Also he was going to astonish Miss
Walshingham....

Astonish her and astonish her....

       *       *       *       *       *

He was awakened by a thrush singing in the fresh dawn. The whole room
was flooded with warm, golden sunshine. "I say!" said the thrush. "I
say! I say! Twelve 'undred a year! Twelve 'Undred a Year. Twelve 'UNDRED
a Year! I say! I say! I say!"

He sat up in bed and rubbed the sleep from his eyes with his knuckles.
Then he jumped out of bed and began dressing very eagerly. He did not
want to lose any time in beginning the new life.


END OF BOOK I




BOOK II

MR. COOTE, THE CHAPERON




CHAPTER I

THE NEW CONDITIONS


§1

There comes a gentlemanly figure into these events and for a space takes
a leading part therein, a Good Influence, a refined and amiable figure,
Mr. Chester Coote. You must figure him as about to enter our story,
walking with a curious rectitude of bearing through the evening dusk
towards the Public Library, erect, large-headed--he had a great, big
head full of the suggestion of a powerful mind, well under control--with
a large, official-looking envelope in his white and knuckly hand. In the
other he carries a gold-handled cane. He wears a silken grey jacket
suit, buttoned up, and anon he coughs behind the official envelope. He
has a prominent nose, slatey grey eyes and a certain heaviness about the
mouth. His mouth hangs breathing open, with a slight protrusion of the
lower jaw. His straw hat is pulled down a little in front, and he looks
each person he passes in the eye, and directly his look is answered
looks away.

Thus Mr. Chester Coote, as he was on the evening when he came upon
Kipps. He was a local house agent and a most active and gentlemanly
person, a conscious gentleman, equally aware of society and the serious
side of life. From amateur theatricals of a nice, refined sort to
science classes, few things were able to get along without him. He
supplied a fine, full bass, a little flat and quavery perhaps, but very
abundant, to the St. Stylites' choir....

He passes on towards the Public Library, lifts the envelope in
salutation to a passing curate, smiles and enters....

It was in the Public Library that he came upon Kipps.

By that time Kipps had been rich a week or more, and the change in his
circumstances was visible upon his person. He was wearing a new suit of
drab flannels, a Panama hat and a red tie for the first time, and he
carried a silver-mounted stick with a tortoise shell handle. He felt
extraordinarily different, perhaps more different than he really was,
from the meek Improver of a week ago. He felt as he felt Dukes must
feel, yet at bottom he was still modest. He was leaning on his stick and
regarding the indicator with a respect that never palled. He faced round
to meet Mr. Coote's overflowing smile.

"What are you doang hea?" said Mr. Chester Coote.

Kipps was momentarily abashed. "Oh," he said slowly, and then, "Mooching
round a bit."

That Coote should address him with this easy familiarity was a fresh
reminder of his enhanced social position. "Jes' mooching round," he
said. "I been back in Folkestone free days now. At my 'ouse, you know."

"Ah!" said Mr. Coote. "I haven't yet had an opportunity of
congratulating you on your good fortune."

Kipps held out his hand. "It was the cleanest surprise that ever was,"
he said. "When Mr. Bean told me of it--you could have knocked me down
with a feather."

"It must mean a tremendous change for you."

"Oo. Rather. Change. Why, I'm like the chap in the song they sing, I
don't 'ardly know where I are. _You_ know."

"An extraordinary change," said Mr. Coote. "I can quite believe it. Are
you stopping in Folkestone?"

"For a bit. I got a 'ouse, you know. What my gran'father 'ad. I'm
stopping there. His housekeeper was kep' on. Fancy--being in the same
town and everything!"

"Precisely," said Mr. Coote. "That's it!" and coughed like a sheep
behind four straight fingers.

"Mr. Bean got me to come back to see to things. Else I was out in New
Romney, where my Uncle and Aunt live. But it's a Lark coming back. In a
way...."

The conversation hung for a moment.

"Are you getting a book?" asked Coote.

"Well, I 'aven't got a ticket yet. But I shall get one all right, and
have a go in at reading. I've often wanted to. Rather. I was just 'aving
a look at this Indicator. First-class idea. Tells you all you want to
know."

"It's simple," said Coote, and coughed again, keeping his eyes fixed on
Kipps. For a moment they hung, evidently disinclined to part. Then Kipps
jumped at an idea he had cherished for a day or more,--not particularly
in relation to Coote, but in relation to anyone.

"You doing anything?" he asked.

"Just called with a papah about the classes."

"Because----. Would you care to come up and look at my 'ouse and 'ave a
smoke and a chat. Eh?" He made indicative back jerks of the head, and
was smitten with a horrible doubt whether possibly this invitation might
not be some hideous breach of etiquette. Was it, for example, the
correct hour? "I'd be awfully glad if you would," he added.

Mr. Coote begged for a moment while he handed the official-looking
envelope to the librarian and then declared himself quite at Kipps'
service. They muddled a moment over precedence at each door they went
through and so emerged to the street.

"It feels awful rum to me at first, all this," said Kipps "'Aving a
'ouse of my own and all that. It's strange, you know. 'Aving all day.
Reely I don't 'ardly know what to do with my time.

"D'ju smoke?" he said suddenly, proffering a magnificent gold decorated
pigskin cigarette case, which he produced from nothing, almost as
though it was some sort of trick. Coote hesitated and declined, and
then, with great liberality, "Don't let me hinder you...."

They walked a little way in silence, Kipps being chiefly concerned to
affect ease in his new clothes and keeping a wary eye on Coote. "It's
rather a big windfall," said Coote presently. "It yields you an
income----?"

"Twelve 'undred a year," said Kipps. "Bit over--if anything."

"Do you think of living in Folkestone?"

"Don't know 'ardly yet. I _may_. Then again, I may not. I got a
furnished 'ouse, but I may let it."

"Your plans are undecided?"

"That's jest it," said Kipps.

"Very beautiful sunset it was to-night," said Coote, and Kipps said,
"Wasn't it?" and they began to talk of the merits of sunsets. Did Kipps
paint? Not since he was a boy. He didn't believe he could now. Coote
said his sister was a painter and Kipps received this intimation with
respect. Coote sometimes wished he could find time to paint
himself,--but one couldn't do everything and Kipps said that was "jest
it."

They came out presently upon the end of the Leas and looked down to
where the squat dark masses of the Harbour and Harbour Station, gemmed
with pinpoint lights, crouched against the twilit grey of the sea. "If
one could do _that_," said Coote, and Kipps was inspired to throw his
head back, cock it on one side, regard the Harbour with one eye shut
and say that it would take some doing. Then Coote said something about
"Abend," which Kipps judged to be in a foreign language and got over by
lighting another cigarette from his by no means completed first one.
"You're right, _puff_, _puff_."

He felt that so far he had held up his end of the conversation in a very
creditable manner, but that extreme discretion was advisable.

They turned away and Coote remarked that the sea was good for crossing,
and asked Kipps if he had been over the water very much. Kipps said he
hadn't been--"much," but he thought very likely he'd have a run over to
Boulogne soon, and Coote proceeded to talk of the charms of foreign
travel, mentioning quite a number of unheard-of places by name. He had
been to them! Kipps remained on the defensive, but behind his defences
his heart sank. It was all very well to pretend, but presently it was
bound to come out. _He_ didn't know anything of all this....

So they drew near the house. At his own gate Kipps became extremely
nervous. It was a fine, impressive door. He knocked neither a single
knock nor a double, but about one and a half--an apologetic half. They
were admitted by an irreproachable housemaid, with a steady eye, before
which Kipps cringed dreadfully. He hung up his hat and fell about over
hall chairs and things. "There's a fire in the study, Mary?" he had the
audacity to ask, though evidently he knew, and led the way upstairs
panting. He tried to shut the door and discovered the housemaid behind
him coming to light his lamp. This enfeebled him further. He said
nothing until the door closed behind her. Meanwhile to show his _sang
froid_ he hummed and flitted towards the window, and here and there.

Coote went to the big hearthrug and turned and surveyed his host. His
hand went to the back of his head and patted his occiput--a gesture
frequent with him.

"'Ere we are," said Kipps, hands in his pockets and glancing round him.

It was a gaunt Victorian room, with a heavy, dirty cornice, and the
ceiling enriched by the radiant plaster ornament of an obliterated gas
chandelier. It held two large glass fronted bookcases, one of which was
surmounted by a stuffed terrier encased in glass. There was a mirror
over the mantel and hangings and curtains of magnificent crimson
patternings. On the mantel were a huge black clock of classical design,
vases in the Burslem Etruscan style, spills and toothpicks in large
receptacles of carved rock, large lava ash trays and an exceptionally
big box of matches. The fender was very great and brassy. In a
favourable position, under the window, was a spacious rosewood writing
desk, and all the chairs and other furniture were of rosewood and well
stuffed.

"This," said Kipps, in something near an undertone, "was the o'
gentleman's study--my grandfather that was. 'E used to sit at that desk
and write."

"Books?"

"No. Letters to the _Times_, and things like that. 'E's got 'em all cut
out--stuck in a book.... Leastways, he _'ad_. It's in that bookcase....
Won't you sit down?"

Coote did, bowing very slightly, and Kipps secured his vacated position
on the extensive black skin rug. He spread out his legs compass-fashion
and tried to appear at his ease. The rug, the fender, the mantel and
mirror conspired with great success to make him look a trivial and
intrusive little creature amidst their commonplace hauteur, and his own
shadow on the opposite wall seemed to think everything a great lark and
mocked and made tremendous fun of him....


§2

For a space Kipps played a defensive game and Coote drew the lines of
the conversation. They kept away from the theme of Kipps' change of
fortune, and Coote made remarks upon local and social affairs. "You must
take an interest in these things now," was as much as he said in the way
of personalities. But it speedily became evident that he was a person of
wide and commanding social relationships. He spoke of "society" being
mixed in the neighbourhood and of the difficulty of getting people to
work together, and "do" things; they were cliquish. Incidentally he
alluded quite familiarly to men with military titles, and once even to
someone with a title, a Lady Punnet. Not snobbishly, you understand,
nor deliberately, but quite in passing. He had, it appeared, talked to
Lady Punnet about private theatricals! In connection with the Hospitals.
She had been unreasonable and he had put her right, gently of course,
but firmly. "If you stand up to these people," said Coote, "they like
you all the better." It was also very evident he was at his ease with
the clergy; "My friend, Mr. Densemore--a curate, you know, and rather
curious, the Reverend _and_ Honourable." Coote grew visibly in Kipps'
eyes as he said these things; he became, not only the exponent of
"Vagner or Vargner," the man whose sister had painted a picture to be
exhibited at the Royal Academy, the type of the hidden thing called
culture, but a delegate, as it were, or at least an intermediary from
that great world "up there," where there were men servants, where there
were titles, where people dressed for dinner, drank wine at meals, wine
costing very often as much as three and sixpence the bottle, and
followed through a maze of etiquette, the most stupendous practices....

Coote sat back in the armchair smoking luxuriously and expanding
pleasantly, with the delightful sense of Savoir Faire; Kipps sat
forward, his elbows on his chair arm alert, and his head a little on one
side. You figure him as looking little and cheap and feeling smaller and
cheaper amidst his new surroundings. But it was a most stimulating and
interesting conversation. And soon it became less general and more
serious and intimate. Coote spoke of people who had got on, and of
people who hadn't, of people who seemed to be _in_ everything and people
who seemed to be _out_ of everything, and then he came round to Kipps.

"You'll have a good time," he said abruptly, with a smile that would
have interested a dentist.

"I dunno," said Kipps.

"There's mistakes, of course."

"That's jest it."

Coote lit a new cigarette. "One can't help being interested in what you
will do," he remarked. "Of course--for a young man of spirit, come
suddenly into wealth--there's temptations."

"I got to go careful," said Kipps. "O' Bean told me that at the very
first."

Coote went on to speak of pitfalls, of Betting, of Bad Companions. "I
know," said Kipps, "I know." "There's Doubt again," said Coote. "I know
a young fellow--a solicitor--handsome, gifted. And yet, you
know--utterly sceptical. Practically altogether a Sceptic."

"Lor'!" said Kipps, "not a Natheist?"

"I fear so," said Coote. "Really, you know, an awfully fine young
fellow--Gifted! But full of this dreadful Modern Spirit--Cynical! All
this Overman stuff. Nietzsche and all that.... I wish I could do
something for him."

"Ah!" said Kipps and knocked the ash off his cigarette. "I know a
chap--one of our apprentices he was--once. Always scoffing.... He lef'!"

He paused. "Never wrote for his refs," he said, in the deep tone proper
to a moral tragedy, and then, after a pause--"Enlisted!"

"Ah!" said Coote.

"And often," he said, after a pause, "it's just the most spirited chaps,
just the chaps one likes best, who Go Wrong."

"It's temptation," Kipps remarked.

He glanced at Coote, leant forward, knocked the ash from his cigarette
into the mighty fender. "That's jest it," he said; "you get tempted.
Before you know where you are."

"Modern life," said Coote, "is so--complex. It isn't everyone is Strong.
Half the young fellows who go wrong, aren't really bad."

"That's jest it," said Kipps.

"One gets a tone from one's surroundings----"

"That's exactly it," said Kipps.

He meditated. "_I_ picked up with a chap," he said. "A Nacter. Leastways
he writes plays. Clever fellow. But----"

He implied extensive moral obloquy by a movement of his head. "Of course
it's seeing life," he added.

Coote pretended to understand the full implications of Kipps' remark.
"Is it _worth_ it?" he asked.

"That's jest it," said Kipps.

He decided to give some more. "One gets talking," he said. "Then it's
''ave a drink!' Old Methusaleh four stars--and where _are_ you? _I_
been drunk," he said in a tone of profound humility, and added, "lots
of times."

"Tt. Tt.," said Coote.

"Dozens of times," said Kipps, smiling sadly, and added, "lately."

His imagination became active and seductive. "One thing leads to
another. Cards, p'raps. Girls----"

"I know," said Coote; "I know."

Kipps regarded the fire and flushed slightly. He borrowed a sentence
that Chitterlow had recently used. "One can't tell tales out of school,"
he said.

"I can imagine it," said Coote.

Kipps looked with a confidential expression into Coote's face. "It was
bad enough when money was limited," he remarked. "But now----" He spoke
with raised eyebrows, "I got to steady down."

"You _must_," said Coote, protruding his lips into a sort of whistling
concern for a moment.

"I must," said Kipps, nodding his head slowly with raised eyebrows. He
looked at his cigarette end and threw it into the fender. He was
beginning to think he was holding his own in this conversation rather
well, after all.

Kipps was never a good liar. He was the first to break silence. "I don't
mean to say I been reely bad or reely bad drunk. A 'eadache
perhaps--three or four times, say. But there it is!"

"I have never tasted alcohol in my life," said Coote, with an immense
frankness, "never!"

"No?"

"Never. I don't feel _I_ should be likely to get drunk at all--it isn't
that. And I don't go so far as to say even that in small quantities--at
meals--it does one harm. But if I take it, someone else who doesn't know
where to stop--you see?"

"That's jest it," said Kipps, with admiring eyes.

"I smoke," admitted Coote. "One doesn't want to be a Pharisee."

It struck Kipps what a tremendously Good chap this Coote was, not only
tremendously clever and educated and a gentleman and one knowing Lady
Punnet, but Good. He seemed to be giving all his time and thought to
doing good things to other people. A great desire to confide certain
things to him arose. At first Kipps hesitated whether he should confide
an equal desire for Benevolent activities or for further
Depravity--either was in his mind. He rather affected the pose of the
Good Intentioned Dog. Then suddenly his impulses took quite a different
turn, fell indeed into what was a far more serious rut in his mind. It
seemed to him Coote might be able to do for him something he very much
wanted done.

"Companionship accounts for so much," said Coote.

"That's jest it," said Kipps. "Of course, you know, in my new
position----. That's just the difficulty."

He plunged boldly at his most secret trouble. He knew that he wanted
refinement--culture. It was all very well--but he knew. But how was one
to get it? He knew no one, knew no people----. He rested on the broken
sentence. The shop chaps were all very well, very good chaps and all
that, but not what one wanted. "I feel be'ind," said Kipps. "I feel out
of it. And consequently I feel it's no good. And then if temptation
comes along----"

"Exactly," said Coote.

Kipps spoke of his respect for Miss Walshingham and her freckled friend.
He contrived not to look too self-conscious. "You know, I'd like to talk
to people like that, but I can't. A chap's afraid of giving himself
away."

"Of course," said Coote, "of course."

"I went to a middle-class school, you know. You mustn't fancy I'm one of
these here board-school chaps, but you know it reely wasn't a
first-class affair. Leastways he didn't take pains with us. If you
didn't want to learn you needn't--I don't believe it was _much_ better
than one of these here national schools. We wore mortarboards, o'
course. But what's _that_?

"I'm a regular fish out of water with this money. When I got it--it's a
week ago--reely I thought I'd got everything I wanted. But I dunno what
to _do_."

His voice went up into a squeak. "Practically," he said, "it's no good
shuttin' my eyes to things--I'm a gentleman."

Coote indicated a serious assent.

"And there's the responsibilities of a gentleman," he remarked.

"That's jest it," said Kipps.

"There's calling on people," said Kipps. "If you want to go on knowing
Someone you knew before like. People that's refined." He laughed
nervously. "I'm a regular fish out of water," he said, with expectant
eyes on Coote.

But Coote only nodded for him to go on.

"This actor chap," he meditated, "is a good sort of chap. But 'e isn't
what _I_ call a gentleman. I got to 'old myself in with 'im. 'E'd make
me go it wild in no time. 'E's pretty near the on'y chap I know. Except
the shop chaps. They've come round to 'ave supper once already and a bit
of a sing song afterwards. I sang. I got a banjo, you know, and I vamp a
bit. Vamping--you know. Haven't got far in the book--'Ow to Vamp--but
still I'm getting on. Jolly, of course, in a way, but what does it lead
to?... Besides that, there's my Aunt and Uncle. _They're_ very good old
people--very--jest a bit interfering p'r'aps and thinking one isn't
grown up, but Right enough. Only----. It isn't what I _want_. I feel
I've got be'ind with everything. I want to make it up again. I want to
get with educated people who know 'ow to do things--in the regular,
proper way."

His beautiful modesty awakened nothing but benevolence in the mind of
Chester Coote.

"If I had someone like you," said Kipps, "that I knew regular like----"

From that point their course ran swift and easy. "If I _could_ be of any
use to you," said Coote....

"But you're so busy and all that."

"Not _too_ busy. You know, your case is a very interesting one. It was
partly that made me speak to you and draw you out. Here you are with all
this money and no experience, a spirited young chap----"

"That's jest it," said Kipps.

"I thought I'd see what you were made of, and I must confess I've rarely
talked to anyone that I've found quite so interesting as you have
been----"

"I seem able to say things to you like somehow," said Kipps.

"I'm glad. I'm tremendously glad."

"I want a Friend. That's it--straight."

"My dear chap, if I----"

"Yes, but----"

"_I_ want a Friend, too."

"Reely?"

"Yes. You know, my dear Kipps--if I may call you that."

"Go on," said Kipps.

"I'm rather a lonely dog myself. _This_ to-night----. I've not had
anyone I've spoken to so freely of my Work for months."

"No?"

"You. And, my dear chap, if I can do anything to guide or help you----"

Coote displayed all his teeth in a kindly tremulous smile and his eyes
were shiny. "Shake 'ands," said Kipps, deeply moved, and he and Coote
rose and clasped with mutual emotion.

"It's reely too good of you," said Kipps.

"Whatever I can do I will," said Coote.

And so their compact was made. From that moment they were Friends,
intimate, confidential, high-thinking, _sotto voce_ friends. All the
rest of their talk (and it inclined to be interminable) was an expansion
of that. For that night Kipps wallowed in self-abandonment and Coote
behaved as one who had received a great trust. That sinister passion for
pedagoguery to which the Good Intentioned are so fatally liable, that
passion of infinite presumption that permits one weak human being to
arrogate the direction of another weak human being's affairs, had Coote
in its grip. He was to be a sort of lay confessor and director of Kipps,
he was to help Kipps in a thousand ways, he was in fact to chaperon
Kipps into the higher and better sort of English life. He was to tell
him his faults, advise him about the right thing to do----

"It's all these things I don't know," said Kipps. "I don't know, for
instance, what's the right sort of dress to wear--I don't even know if
I'm dressed right now----"

"All these things"--Coote stuck out his lips and nodded rapidly to show
he understood--"Trust me for that," he said, "trust me."

As the evening wore on Coote's manner changed, became more and more the
manner of a proprietor. He began to take up his rôle, to survey Kipps
with a new, with a critical affection. It was evident the thing fell in
with his ideas. "It will be awfully interesting," he said. "You know,
Kipps, you're really good stuff." (Every sentence now he said "Kipps" or
"my dear Kipps" with a curiously authoritative intonation.)

"I know," said Kipps, "only there's such a lot of things I don't seem to
be up to some'ow. That's where the trouble comes in."

They talked and talked, and now Kipps was talking freely. They rambled
over all sorts of things. Among others Kipps' character was dealt with
at length. Kipps gave valuable lights on it. "When I'm reely excited,"
he said, "I don't seem to care _what_ I do. I'm like that." And again,
"I don't like to do anything under'and. I _must_ speak out...."

He picked a piece of cotton from his knee, the fire grimaced behind his
back, and his shadow on the wall and ceiling was disrespectfully
convulsed.


§3

Kipps went to bed at last with an impression of important things
settled, and he lay awake for quite a long time. He felt he was lucky.
He had known--in fact Buggins and Carshot and Pierce had made it very
clear indeed--that his status in life had changed and that stupendous
adaptations had to be achieved, but how they were to be effected had
driven that adaptation into the incredible. Here in the simplest,
easiest way was the adapter. The thing had become possible. Not of
course easy, but possible.

There was much to learn, sheer intellectual toil, methods of address,
bowing, an enormous complexity of laws. One broken, you are an outcast.
How, for example, would one encounter Lady Punnet? It was quite possible
some day he might really have to do that. Coote might introduce him.
"Lord!" he said aloud to the darkness between grinning and dismay. He
figured himself going into the Emporium to buy a tie, for example, and
there in the face of Buggins, Carshot, Pierce and the rest of them,
meeting "my friend, Lady Punnet!" It might not end with Lady Punnet! His
imagination plunged and bolted with him, galloped, took wings and soared
to romantic, to poetical altitudes....

Suppose some day one met Royalty. By accident, say! He soared to that!
After all,--twelve hundred a year is a lift, a tremendous lift. How did
one address Royalty? "Your Majesty's Goodness," it will be, no
doubt--something like that--and on the knees. He became impersonal. Over
a thousand a year made him an Esquire, didn't it? He thought that was
it. In which case, wouldn't he have to be presented at Court? Velvet
cycling breeches like you wear cycling, and a sword! What a curious
place a court must be! Kneeling and bowing, and what was it Miss Mergle
used to talk about? Of course!--ladies with long trains walking about
backward. Everybody walked about backward at court, he knew, when not
actually on their knees. Perhaps, though, some people regular stood up
to the King! Talked to him, just as one might talk to Buggins, say.
Cheek of course! Dukes, it might be, did that--by permission?
Millionnaires?...

From such thoughts this free citizen of our Crowned Republic passed
insensibly into dreams, turgid dreams of that vast ascent which
constitutes the true-born Briton's social scheme, which terminates with
retrogressive progression and a bending back.


§4

The next morning he came down to breakfast looking grave--a man with
much before him in the world....

Kipps made a very special thing of his breakfast. Daily once hopeless
dreams came true then. It had been customary in the Emporium to
supplement Shalford's generous, indeed unlimited, supply of bread and
butter-substitute, by private purchases, and this had given Kipps very
broad, artistic conceptions of what the meal might be. Now there would
be a cutlet or so or a mutton chop--this splendour Buggins had reported
from the great London clubs--haddock, kipper, whiting or fish-balls,
eggs, boiled or scrambled, or eggs and bacon, kidney also frequently and
sometimes liver. Amidst a garland of such themes, sausages, black and
white puddings, bubble-and-squeak, fried cabbage and scallops came and
went. Always as camp followers came potted meat in all varieties, cold
bacon, German sausage, brawn, marmalade and two sorts of jam, and when
he had finished these he would sit among his plates and smoke a
cigarette and look at all these dishes crowded round him with a beatific
approval. It was his principal meal. He was sitting with his cigarette
regarding his apartment with that complacency begotten of a generous
plan of feeding successfully realized, when newspapers and post arrived.

There were several things by the post, tradesmen's circulars and cards
and two pathetic begging letters--his luck had got into the papers--and
there was a letter from a literary man and a book to enforce his request
for 10/--to put down Socialism. The book made it very clear that prompt
action on the part of property owners was becoming urgent, if property
was to last out the year. Kipps dipped in it and was seriously
perturbed. And there was a letter from old Kipps saying it was difficult
to leave the shop and come over and see him again just yet, but that he
had been to a sale at Lydd the previous day and bought a few good old
books and things it would be difficult to find the equal of in
Folkestone. "They don't know the value of these things out here," wrote
old Kipps, "but you may depend upon it they are valuable," and a brief
financial statement followed. "There is an engraving someone might come
along and offer you a lot of money for one of these days. Depend upon
it, these old things are about the best investment you could make...."

Old Kipps had long been addicted to sales, and his nephew's good
fortune had converted what had once been but a looking and a craving--he
had rarely even bid for anything in the old days except the garden tools
or the kitchen gallipots or things like that, things one gets for
sixpence and finds a use for--into a very active pleasure. Sage and
penetrating inspection, a certain mystery of bearing, tactical bids and
Purchase!--Purchase!--the old man had had a good time.

While Kipps was rereading the begging letters and wishing he had the
sound, clear common sense of Buggins to help him a little, the Parcels
Post brought along the box from his uncle. It was a large, insecure
looking case held together by a few still loyal nails, and by what the
British War Office would have recognised at once as an Army Corps of
string, rags and odds and ends tied together. Kipps unpacked it with a
table knife, assisted at a critical point by the poker, and found a
number of books and other objects of an antique type.

There were three bound volumes of early issues of Chambers' Journal, a
copy of Punch's Pocket Book for 1875, Sturm's Reflections, an early
version of Gill's Geography (slightly torn), an illustrated work on
Spinal Curvature, an early edition of Kirke's Human Physiology, The
Scottish Chiefs and a little volume on the Language of Flowers. There
was a fine steel engraving, oak-framed and with some rusty spots, done
in the Colossal style and representing the Handwriting on the Wall.
There were also a copper kettle, a pair of candle snuffers, a brass
shoehorn, a tea caddy to lock, two decanters (one stoppered) and what
was probably a portion of an eighteenth century child's rattle.

Kipps examined these objects one by one and wished he knew more about
them. Turning over the pages of the Physiology again he came upon a
striking plate in which a youth of agreeable profile displayed his
interior in an unstinted manner to the startled eye. It was a new view
of humanity altogether for Kipps, and it arrested his mind.

This anatomised figure made him forget for a space that he was
"practically a gentleman" altogether, and he was still surveying its
extraordinary complications when another reminder of a world quite
outside those spheres of ordered gentility into which his dreams had
carried him overnight, arrived (following the servant) in the person of
Chitterlow.


§5

"Ul-_lo_!" said Kipps, rising.

"Not busy?" said Chitterlow, enveloping Kipps' hand for a moment in one
of his own and tossing the yachting cap upon the monumental carved oak
sideboard.

"Only a bit of reading," said Kipps.

"Reading, eh?" Chitterlow cocked the red eye at the books and other
properties for a moment and then, "I've been expecting you 'round again
one night."

"I been coming 'round," said Kipps. "On'y there's a chap 'ere----. I
was coming 'round last night on'y I met 'im."

He walked to the hearthrug. Chitterlow drifted around the room for a
time, glancing at things as he talked. "I've altered that play
tremendously since I saw you," he said. "Pulled it all to pieces."

"What play's that, Chit'low?"

"The one we were talking about. You know. You said something--I don't
know if you meant it--about buying half of it. Not the tragedy. I
wouldn't sell my twin brother a share in that. That's my investment.
That's my Serious Work. No! I mean that new farce I've been on to. Thing
with the business about a beetle."

"Oo yes," said Kipps. "_I_ remember."

"I thought you would. Said you'd take a fourth share for a hundred
pounds. _You_ know."

"I seem to remember something----"

"Well, it's all different. Every bit of it. I'll tell you. You remember
what you said about a butterfly? You got confused, you know--Old Meth.
Kept calling the beetle a butterfly and that set me off. I've made it
quite different. Quite different. Instead of Popplewaddle--thundering
good farce name that, you know; for all that it came from a Visitors'
List--instead of Popplewaddle getting a beetle down his neck and rushing
about, I've made him a collector--collects butterflies, and this one you
know's a rare one. Comes in at window, centre." Chitterlow began to
illustrate with appropriate gestures. "Pop rushes about after it.
Forgets he mustn't let on he's in the house. After that----. Tells 'em.
Rare butterfly, worth lots of money. Some are, you know. Everyone's on
to it after that. Butterfly can't get out of room, every time it comes
out to have a try, rush and scurry. Well, I've worked on that. Only----"

He came very close to Kipps. He held up one hand horizontally and tapped
it in a striking and confidential manner with the fingers of the other.
"Something else," he said. "That's given me a Real Ibsenish Touch--like
the Wild Duck. You know that woman--I've made her lighter--and she sees
it. When they're chasing the butterfly the third time, she's on! She
looks. 'That's me!' she says. Bif! Pestered Butterfly. _She's_ the
Pestered Butterfly. It's legitimate. Much more legitimate than the Wild
Duck--where there isn't a duck!

"Knock 'em! The very title ought to knock 'em. I've been working like a
horse at it.... You'll have a gold mine in that quarter share, Kipps....
_I_ don't mind. It's suited me to sell it, and suited you to buy. Bif!"

Chitterlow interrupted his discourse to ask, "You haven't any brandy in
the house, have you? Not to drink, you know. But I want just an
eggcupful to pull me steady. My liver's a bit queer.... It doesn't
matter, if you haven't. Not a bit. I'm like that. Yes, whiskey'll do.
Better!"

Kipps hesitated for a moment, then turned and fumbled in the cupboard
of his sideboard. Presently he disinterred a bottle of whiskey and
placed it on the table. Then he put out first one bottle of soda water
and after the hesitation of a moment another. Chitterlow picked up the
bottle and read the label. "Good old Methusaleh," he said. Kipps handed
him the corkscrew and then his hand fluttered up to his mouth. "I'll
have to ring now," he said, "to get glasses." He hesitated for a moment
before doing so, leaning doubtfully as it were towards the bell.

When the housemaid appeared he was standing on the hearthrug with his
legs wide apart, with the bearing of a desperate fellow. And after they
had both had whiskeys--"You know a decent whiskey," Chitterlow remarked
and took another "just to drink."--Kipps produced cigarettes and the
conversation flowed again.

Chitterlow paced the room. He was, he explained, taking a day off; that
was why he had come around to see Kipps. Whenever he thought of any
extensive change in a play he was writing he always took a day off. In
the end it saved time to do so. It prevented his starting rashly upon
work that might have to be rewritten. There was no good in doing work
when you might have to do it over again, none whatever.

Presently they were descending the steps by the Parade _en route_ for
the Warren, with Chitterlow doing the talking and going with a dancing
drop from step to step....

They had a great walk, not a long one, but a great one. They went up by
the Sanatorium, and over the East Cliff and into that queer little
wilderness of slippery and tumbling clay and rock under the chalk
cliffs, a wilderness of thorn and bramble, wild rose and wayfaring tree,
that adds so greatly to Folkestone's charm. They traversed its
intricacies and clambered up to the crest of the cliffs at last by a
precipitous path that Chitterlow endowed in some mysterious way with
suggestions of Alpine adventure. Every now and then he would glance
aside at sea and cliffs with a fresh boyishness of imagination that
brought back New Romney and the stranded wrecks to Kipps' memory; but
mostly he bored on with his great obsession of plays and playwriting,
and that empty absurdity that is so serious to his kind, his Art. That
was a thing that needed a monstrous lot of explaining. Along they went,
sometimes abreast, sometimes in single file, up the little paths, and
down the little paths, and in among the bushes and out along the edge
above the beach, and Kipps went along trying ever and again to get an
insignificant word in edgeways, and the gestures of Chitterlow flew wide
and far and his great voice rose and fell, and he said this and he said
that and he biffed and banged into the circumambient Inane.

It was assumed that they were embarked upon no more trivial enterprise
than the Reform of the British Stage, and Kipps found himself classed
with many opulent and even royal and noble amateurs--the Honourable
Thomas Norgate came in here--who had interested themselves in the
practical realisation of high ideals about the Drama. Only he had a
finer understanding of these things, and instead of being preyed upon by
the common professional--"and they _are_ a lot," said Chitterlow; "I
haven't toured for nothing"--he would have Chitterlow. Kipps gathered
few details. It was clear he had bought the quarter of a farcical
comedy--practically a gold mine--and it would appear it would be a good
thing to buy the half. A suggestion, or the suggestion of a suggestion,
floated out that he should buy the whole play and produce it forthwith.
It seemed he was to produce the play upon a royalty system of a new
sort, whatever a royalty system of any sort might be. Then there was
some doubt, after all, whether that farcical comedy was in itself
sufficient to revolutionise the present lamentable state of the British
Drama. Better perhaps for such a purpose was that tragedy--as yet
unfinished--which was to display all that Chitterlow knew about women,
and which was to centre about a Russian nobleman embodying the
fundamental Chitterlow personality. Then it became clearer that Kipps
was to produce several plays. Kipps was to produce a great number of
plays. Kipps was to found a National Theatre.

It is probable that Kipps would have expressed some sort of disavowal,
if he had known how to express it. Occasionally his face assumed an
expression of whistling meditation, but that was as far as he got
towards protest.

In the clutch of Chitterlow and the Incalculable, Kipps came round to
the house in Fenchurch Street and was there made to participate in the
midday meal. He came to the house, forgetting certain confidences, and
was reminded of the existence of a Mrs. Chitterlow (with the finest
completely untrained Contralto voice in England) by her appearance. She
had an air of being older than Chitterlow, although probably she wasn't,
and her hair was a reddish brown, streaked with gold. She was dressed in
one of those complaisant garments that are dressing gowns or tea gowns
or bathing wraps or rather original evening robes according to the
exigencies of the moment--from the first Kipps was aware that she
possessed a warm and rounded neck, and her well-moulded arms came and
vanished from the sleeves--and she had large, expressive brown eyes that
he discovered ever and again fixed in an enigmatical manner upon his
own.

A simple but sufficient meal had been distributed with careless
spontaneity over the little round table in the room with the photographs
and looking glass, and when a plate had by Chitterlow's direction been
taken from under the marmalade in the cupboard and the kitchen fork and
a knife that was not loose in its handle had been found for Kipps they
began and she had evidently heard of Kipps before, and he made a
tumultuous repast. Chitterlow ate with quiet enormity, but it did not
interfere with the flow of his talk. He introduced Kipps to his wife
very briefly; made it vaguely evident that the production of the comedy
was the thing chiefly settled. His reach extended over the table, and he
troubled nobody. When Mrs. Chitterlow, who for a little while seemed
socially self-conscious, reproved him for taking a potato with a jab of
his fork, he answered, "Well, you shouldn't have married a man of
Genius," and from a subsequent remark it was perfectly clear that
Chitterlow's standing in this respect was made no secret of in his
household.

They drank old Methusaleh and syphon soda, and there was no clearing
away, they just sat among the plates and things, and Mrs. Chitterlow
took her husband's tobacco pouch and made a cigarette and smoked and
blew smoke and looked at Kipps with her large, brown eyes. Kipps had
seen cigarettes smoked by ladies before, "for fun," but this was real
smoking. It frightened him rather. He felt he must not encourage this
lady--at any rate in Chitterlow's presence.

They became very cheerful after the repast, and as there was now no
waste to deplore, such as one experiences in the windy, open air,
Chitterlow gave his voice full vent. He fell to praising Kipps very
highly and loudly. He said he had known Kipps was the right sort, he had
seen it from the first, almost before he got up out of the mud on that
memorable night. "You can," he said, "sometimes. That was why----" he
stopped, but he seemed on the verge of explaining that it was his
certainty of Kipps being the right sort had led him to confer this
great Fortune upon him. He left that impression. He threw out a number
of long sentences and material for sentences of a highly philosophical
and incoherent character about Coincidences. It became evident he
considered dramatic criticism in a perilously low condition....

About four Kipps found himself stranded, as it were, by a receding
Chitterlow on a seat upon the Leas.

He was chiefly aware that Chitterlow was an overwhelming personality. He
puffed his cheeks and blew.

No doubt this was seeing life, but had he particularly wanted to see
life that day? In a way Chitterlow had interrupted him. The day he had
designed for himself was altogether different from this. He had been
going to read through a precious little volume called "Don't" that Coote
had sent round for him, a book of invaluable hints, a summary of British
deportment that had only the one defect of being at points a little out
of date.

That reminded him he had intended to perform a difficult exercise called
an Afternoon Call upon the Cootes, as a preliminary to doing it in
deadly earnest upon the Walshinghams. It was no good to-day, anyhow,
now.

He came back to Chitterlow. He would have to explain to Chitterlow he
was taking too much for granted, he would have to do that. It was so
difficult to do in Chitterlow's presence though; in his absence it was
easy enough. This half share, and taking a theatre and all of it, was
going too far.

The quarter share was right enough, he supposed, but even that----! A
hundred pounds! What wealth is there left in the world after one has
paid out a hundred pounds from it?

He had to recall that in a sense Chitterlow had indeed brought him his
fortune before he could face even that.

You must not think too hardly of him. To Kipps you see there was as yet
no such thing as proportion in these matters. A hundred pounds went to
his horizon. A hundred pounds seemed to him just exactly as big as any
other large sum of money.




CHAPTER II

THE WALSHINGHAMS


§1

The Cootes live in a little house in Bouverie Square with a tangle of
Virginia creeper up the verandah.

Kipps had been troubled in his mind about knocking double or single--it
is these things show what a man is made of--but happily there was a
bell.

A queer little maid, with a big cap, admitted Kipps and took him through
a bead curtain and a door into a little drawing-room, with a black and
gold piano, a glazed bookcase, a Moorish cosy corner and a draped
looking glass over-mantel bright with Regent Street ornaments and
photographs of various intellectual lights. A number of cards of
invitation to meetings and the match list of a Band of Hope cricket club
were stuck into the looking glass frame with Coote's name as a
Vice-President. There was a bust of Beethoven over the bookcase and the
walls were thick with conscientiously executed but carelessly selected
"views" in oil and water colours and gilt frames. At the end of the room
facing the light was a portrait that struck Kipps at first as being
Coote in spectacles and feminine costume and that he afterwards decided
must be Coote's mother. Then the original appeared and he discovered
that it was Coote's elder and only sister who kept house for him. She
wore her hair in a knob behind, and the sight of the knob suggested to
Kipps an explanation for a frequent gesture of Coote's, a patting
exploratory movement to the back of his head. And then it occurred to
him that this was quite an absurd idea altogether.

She said "Mr. Kipps, I believe," and Kipps laughed pleasantly and said,
"That's it!" and then she told him that "Chester" had gone down to the
art school to see about sending off some drawings or other and that he
would be back soon. Then she asked Kipps if he painted, and showed him
the pictures on the wall. Kipps asked her where each one was "of," and
when she showed him some of the Leas slopes he said he never would have
recognised them. He said it was funny how things looked in a picture
very often. "But they're awfully _good_," he said. "Did you do them?" He
would look at them with his neck arched like a swan's, his head back and
on one side and then suddenly peer closely into them. "They _are_ good.
I wish I could paint." "That's what Chester says," she answered. "I tell
him he has better things to do." Kipps seemed to get on very well with
her.

Then Coote came in and they left her and went upstairs together and had
a good talk about reading and the Rules of Life. Or rather Coote talked,
and the praises of thought and reading were in his mouth....

You must figure Coote's study, a little bedroom put to studious uses,
and over the mantel an array of things he had been led to believe
indicative of culture and refinement, an autotype of Rossetti's
"Annunciation," an autotype of Watt's "Minotaur," a Swiss carved pipe
with many joints and a photograph of Amiens Cathedral (these two the
spoils of travel), a phrenological bust and some broken fossils from the
Warren. A rotating bookshelf carried the Encyclopædia Britannica (tenth
edition), and on the top of it a large official looking, age grubby,
envelope bearing the mystic words, "On His Majesty's Service," a number
or so of the "Bookman," and a box of cigarettes were lying. A table
under the window bore a little microscope, some dust in a saucer, some
grimy glass slips and broken cover glasses, for Coote had "gone in for"
biology a little. The longer side of the room was given over to
bookshelves, neatly edged with pinked American cloth, and with an array
of books--no worse an array of books than you find in any public
library; an almost haphazard accumulation of obsolete classics,
contemporary successes, the Hundred Best Books (including Samuel
Warren's "Ten Thousand a Year") old school books, directories, the Times
Atlas, Ruskin in bulk, Tennyson complete in one volume, Longfellow,
Charles Kingsley, Smiles and Mrs. Humphry Ward, a guide book or so,
several medical pamphlets, odd magazine numbers, and much indescribable
rubbish--in fact a compendium of the contemporary British mind. And in
front of this array stood Kipps, ill-taught and untrained, respectful,
awestricken and, for a moment at any rate, willing to learn, while
Coote, the exemplary Coote, talked to him like a bishop of reading and
the virtue in books.

"Nothing enlarges the mind," said Coote, "like Travel and Books.... And
they're both so easy nowadays, and so cheap!"

"I've often wanted to 'ave a good go in at reading," Kipps replied.

"You'd hardly believe," Coote said, "how much you can get out of books.
Provided you avoid trashy reading, that is. You ought to make a rule,
Kipps, and read one Serious Book a week. Of course, we can Learn even
from Novels, Nace Novels that is, but it isn't the same thing as serious
reading. I made a rule, One Serious Book and One Novel--no more. There's
some of the serious books I've been reading lately--on that table;
Sartor Resartus--Mrs. Twaddletome's Pond Life, the Scottish Chiefs, Life
and Letters of Dean Farrar...."


§2

There came at last the sound of a gong and Kipps descended to tea in
that state of nervous apprehension at the difficulties of eating and
drinking that his Aunt's knuckle rappings had implanted in him forever.
Over Coote's shoulder he became aware of a fourth person in the Moorish
cosy corner, and he turned, leaving incomplete something incoherent he
was saying to Miss Coote about his modest respect and desire for
literature to discover this fourth person was Miss Helen Walshingham,
hatless and looking very much at home.

She rose at once with an extended hand to meet his hesitation.

"You're stopping in Folkestone, Mr. Kipps?"

"'Ere on a bit of business," said Kipps. "I thought you was away in
Bruges."

"That's later," said Miss Walshingham. "We're stopping until my
brother's holiday begins and we're trying to let our house. Where are
you staying in Folkestone?"

"I got a 'ouse of mine--on the Leas."

"I've heard all about your good fortune--this afternoon."

"Isn't it a Go!" said Kips. "I 'aven't nearly got to believe its reely
'appened yet. When that Mr. Bean told me of it you could 'ave knocked me
down with a feather.... It's a tremenjous change for me."

He discovered Miss Coote was asking him whether he took milk and sugar.
"_I_ don't mind," said Kipps. "Just as you like."

Coote became active handing tea and bread and butter. It was thinly cut,
and the bread was rather new, and the half of the slice that Kipps took
fell upon the floor. He had been holding it by the edge, for he was not
used to this migratory method of taking tea without plates or table.
This little incident ruled him out of the conversation for a time, and
when he came to attend to it again they were talking about something or
other prodigious--a performer of some sort--that was coming, called, it
seemed, "Padrooski." So Kipps, who had quietly dropped into a chair, ate
his bread and butter, said "No, thenk you" to any more, and by this
discreet restraint got more freedom with his cup and saucer.

Apart from the confusion natural to tea, he was in a state of tremulous
excitement on account of the presence of Miss Walshingham. He glanced
from Miss Coote to her brother and then at Helen. He regarded her over
the top of his cup as he drank. Here she was, solid and real. It was
wonderful. He remarked, as he had done at times before, the easy flow of
the dark hair back from her brow over her ears, the shapeliness of the
white hands that came out from her simple white cuffs, the delicate
pencilling of her brow.

Presently she turned her face to him almost suddenly, and smiled with
the easiest assurance of friendship.

"You will go, I suppose," she said, and added, "to the Recital."

"If I'm in Folkestone I shall," said Kipps, clearing away a little
hoarseness. "I don't _know_ much about music, but what I do know I
like."

"I'm sure you'll like Paderewski," she said.

"If you do," he said, "I dessay I shall."

He found Coote very kindly taking his cup.

"Do you think of living in Folkestone?" asked Miss Coote, in a tone of
proprietorship, from the hearthrug.

"No," said Kipps, "that's jest it--I hardly know." He also said that he
wanted to look around a bit before doing anything. "There's so much to
consider," said Coote, smoothing the back of his head.

"I may go back to New Romney for a bit," said Kipps. "I got an Uncle and
Aunt there. I reely don't know."

Helen regarded him thoughtfully for a moment.

"You must come and see us," she said, "before we go to Bruges."

"Oo, rather!" said Kipps. "If I may."

"Yes, do," she said, and suddenly stood up before Kipps could formulate
an enquiry when he should call.

"You're sure you can spare that drawing board?" she said to Miss Coote,
and the conversation passed out of range.

And when he had said "Good-bye" to Miss Walshingham and she had repeated
her invitation to call, he went upstairs again with Coote to look out
certain initiatory books they had had under discussion. And then Kipps,
blowing very resolutely, went back to his own place, bearing in his arm
(1) Sesame and Lilies, (2) Sir George Tressady, (3) an anonymous book
on "Vitality" that Coote particularly esteemed. And, having got to his
own sitting-room, he opened Sesame and Lilies and read it with ruthless
determination for some time.


§3

Presently he leant back and gave himself up to the business of trying to
imagine just exactly what Miss Walshingham could have thought of him
when she saw him. Doubts about the precise effect of the grey flannel
suit began to trouble him. He turned to the mirror over the mantel, and
then got into a chair to study the hang of the trousers. It looked all
right. Luckily, she had not seen the Panama hat. He knew that he had the
brim turned up wrong, but he could not find out which way the brim was
right. However, that she had not seen. He might perhaps ask at the shop
where he bought it.

He meditated for awhile on his reflected face--doubtful whether he liked
it or not--and then got down again and flitted across to the sideboard
where there lay two little books, one in a cheap, magnificent cover of
red and gold, and the other in green canvas. The former was called, as
its cover witnessed, "Manners and Rules of Good Society, by a Member of
the Aristocracy," and after the cover had indulged in a band of gilded
decoration, light-hearted but natural under the circumstances, it added
"TWENTY-FIRST EDITION." The second was that admirable classic, "The Art
of Conversing." Kipps returned with these to his seat, placed the two
before him, opened the latter with a sigh and flattened it under his
hand.

Then with knitted brows he began to read onward from a mark, his lips
moving.

"Having thus acquired possession of an idea, the little ship should not
be abruptly launched into deep waters, but should be first permitted to
glide gently and smoothly into the shallows, that is to say, the
conversation should not be commenced by broadly and roundly stating a
fact, or didactically expressing an opinion, as the subject would be
thus virtually or summarily disposed of, or perhaps be met with a
'Really' or 'Indeed,' or some equally brief monosyllabic reply. If an
opposite opinion were held by the person to whom the remark were
addressed, he might not, if a stranger, care to express it in the form
of a direct contradiction, or actual dissent. To glide imperceptibly
into conversation is the object to be attained."

At this point Mr. Kipps rubbed his fingers through his hair with an
expression of some perplexity and went back to the beginning.


§4

When Kipps made his call on the Walshinghams, it all happened so
differently from the "Manners and Rules" prescription ("Paying Calls")
that he was quite lost from the very outset. Instead of the footman or
maidservant proper in these cases, Miss Walshingham opened the door to
him herself. "I'm so glad you've come," she said, with one of her rare
smiles.

She stood aside for him to enter the rather narrow passage.

"I thought I'd call," he said, retaining his hat and stick.

She closed the door and led the way to a little drawing-room, which
impressed Kipps as being smaller and less emphatically coloured than
that of the Cootes, and in which at first only a copper bowl of white
poppies upon the brown tablecloth caught his particular attention.

"You won't think it unconventional to come in, Mr. Kipps, will you?" she
remarked. "Mother is out."

"I don't mind," he said, smiling amiably, "if you don't."

She walked around the table and stood regarding him across it, with that
same look between speculative curiosity and appreciation that he
remembered from the last of the art class meetings.

"I wondered whether you would call or whether you wouldn't before you
left Folkestone."

"I'm not leaving Folkestone for a bit, and any'ow, I should have called
on you."

"Mother will be sorry she was out. I've told her about you, and she
wants, I know, to meet you."

"I saw 'er--if that was 'er--in the shop," said Kipps.

"Yes--you did, didn't you!... She has gone out to make some duty calls,
and I didn't go. I had something to write. I write a little, you know."

"Reely!" said Kipps.

"It's nothing much," she said, "and it comes to nothing." She glanced at
a little desk near the window, on which there lay some paper. "One must
do something." She broke off abruptly. "Have you seen our outlook?" she
asked and walked to the window, and Kipps came and stood beside her. "We
look on the Square. It might be worse, you know. That outporter's truck
there is horrid--and the railings, but it's better than staring one's
social replica in the face, isn't it? It's pleasant in early
spring--bright green, laid on with a dry brush--and it's pleasant in
autumn."

"I like it," said Kipps. "That laylock there is pretty, isn't it?"

"Children come and pick it at times," she remarked.

"I dessay they do," said Kipps.

He rested on his hat and stick and looked appreciatively out of the
window, and she glanced at him for one swift moment. A suggestion that
might have come from the Art of Conversing came into his head. "Have you
a garden?" he said.

She shrugged her shoulders. "Only a little one," she said, and then,
"perhaps you would like to see it."

"I like gardenin'," said Kipps, with memories of a pennyworth of
nasturtiums he had once trained over his uncle's dustbin.

She led the way with a certain relief.

They emerged through a four seasons coloured glass door to a little iron
verandah that led by iron steps to a minute walled garden. There was
just room for a patch of turf and a flower-bed; one sturdy variegated
Euonymus grew in the corner. But the early June flowers, the big
narcissus, snow upon the mountains, and a fine show of yellow
wallflowers shone gay.

"That's our garden," said Helen. "It's not a very big one, is it?"

"I like it," said Kipps.

"It's small," she said, "but this is the day of small things."

Kipps didn't follow that.

"If you were writing when I came," he remarked, "I'm interrupting you."

She turned round with her back to the railing and rested, leaning on her
hands. "I had finished," she said. "I couldn't get on."

"Were you making up something?" asked Kipps.

There was a little interval before she smiled. "I try--quite vainly--to
write stories," she said. "One must do something. I don't know whether I
shall ever do any good--at that--anyhow. It seems so hopeless. And, of
course, one must study the popular taste. But, now my brother has gone
to London, I get a lot of leisure."

"I seen your brother, 'aven't I?"

"He came to the class once or twice. Very probably you have. He's gone
to London to pass his examinations and become a solicitor. And then, I
suppose, he'll have a chance. Not much, perhaps, even then. But he's
luckier than I am."

"You got your classes and things."

"They ought to satisfy me. But they don't. I suppose I'm ambitious. We
both are. And we hadn't much of a springboard." She glanced over his
shoulder at the cramped little garden with an air of reference in her
gesture.

"I should think you could do anything if you wanted to," said Kipps.

"As a matter of fact I can't do anything I want to."

"You done a good deal."

"What?"

"Well, didn't you pass one of these here University things?"

"Oh! I matriculated!"

"I should think I was no end of a swell if _I_ did, I know that."

"Mr. Kipps, do you know how many people matriculate into London
University every year?"

"How many then?"

"Between two and three thousand."

"Well, just think how many don't!"

Her smile came again, and broke into a laugh. "Oh, _they_ don't count,"
she said, and then, realising that might penetrate Kipps if he was left
with it, she hurried on to, "The fact is, I'm a discontented person, Mr.
Kipps. Folkestone, you know, is a Sea Front, and it values people by
sheer vulgar prosperity. We're not prosperous, and we live in a back
street. We have to live here because this is our house. It's a mercy we
haven't to 'let.' One feels one hasn't opportunities. If one had, I
suppose one wouldn't use them. Still----"

Kipps felt he was being taken tremendously into her confidence. "That's
jest it," he said, very sagely.

He leant forward on his stick and said, very earnestly, "I believe you
could do anything you wanted to, if you tried."

She threw out her hands in disavowal.

"I know," said he, very sagely and nodding his head. "I watched you once
or twice when you were teaching that wood-carving class."

For some reason this made her laugh--a rather pleasant laugh, and that
made Kipps feel a very witty and successful person. "It's very evident,"
she said, "that you're one of those rare people who believe in me, Mr.
Kipps," to which he answered, "Oo, I _do_!" and then suddenly they
became aware of Mrs. Walshingham coming along the passage. In another
moment she appeared through the four seasons door, bonneted and
ladylike, and a little faded, exactly as Kipps had seen her in the shop.
Kipps felt a certain apprehension at her appearance, in spite of the
reassurances he had had from Coote.

"Mr. Kipps has called on us," said Helen, and Mrs. Walshingham said it
was very kind of him, and added that new people didn't call on them very
much nowadays. There was nothing of the scandalised surprise Kipps had
seen in the shop; she had heard, perhaps, he was a gentleman now. In the
shop he had thought her rather jaded and haughty, but he had scarcely
taken her hand, which responded to his touch with a friendly pressure,
before he knew how mistaken he had been. She then told her daughter that
someone called Mrs. Wace had been out, and turned to Kipps again to ask
him if he had had tea. Kipps said he had not, and Helen moved towards
some mysterious interior. "But _I_ say," said Kipps; "don't you on my
account----!"

Helen vanished, and he found himself alone with Mrs. Walshingham, which,
of course, made him breathless and Boreas-looking for a moment.

"You were one of Helen's pupils in the wood-carving class?" asked Mrs.
Walshingham, regarding him with the quiet watchfulness proper to her
position.

"Yes," said Kipps, "that's 'ow I 'ad the pleasure----"

"She took a great interest in her wood-carving class. She is so
energetic, you know, and it gives her an Outlet."

"I thought she taught something splendid."

"Everyone says she did very well. Helen, I think, would do anything well
that she undertook to do. She's so very clever. And she throws herself
into things so."

She untied her bonnet strings with a pleasant informality.

"She has told me all about her class. She used to be full of it. And
about your cut hand."

"Lor'!" said Kipps; "fancy, telling that!"

"Oh, yes! And how brave you were."

(Though, indeed, Helen's chief detail had been his remarkable expedient
for checking bloodshed.)

Kipps became bright pink. "She said you didn't seem to feel it a bit."

Kipps felt he would have to spend weeks over "The Art of Conversing."

While he still hung fire Helen returned with the apparatus for afternoon
tea upon a tray.

"Do you mind pulling out the table?" asked Mrs. Walshingham.

That, again, was very homelike. Kipps put down his hat and stick in the
corner and, amidst an iron thunder, pulled out a little, rusty,
green-painted table, and then in the easiest manner followed Helen in to
get chairs.

So soon as he had got rid of his teacup--he refused all food, of course,
and they were merciful--he became wonderfully at his ease. Presently he
was talking. He talked quite modestly and simply about his changed
condition and his difficulties and plans. He spread what indeed had an
air of being all his simple little soul before his eyes. In a little
while his clipped, defective accent had become less perceptible to
their ears, and they began to realise, as the girl with the freckles had
long since realised, that there were passable aspects of Kipps. He
confided, he submitted, and for both of them he had the realest, the
most seductively flattering undertone of awe and reverence.

He stopped about two hours, having forgotten how terribly incorrect it
is to stay at such a length. They did not mind at all.




CHAPTER III

ENGAGED


§1

Within two months, within a matter of three and fifty days, Kipps had
clambered to the battlements of Heart's Desire.

It all became possible by the Walshinghams--it would seem at Coote's
instigation--deciding, after all, not to spend the holidays at Bruges.
Instead, they remained in Folkestone, and this happy chance gave Kipps
just all these opportunities of which he stood in need.

His crowning day was at Lympne, and long before the summer warmth began
to break, while indeed August still flamed on high. They had
organized--no one seemed to know who suggested it first--a water party
on the still reaches of the old military canal at Hythe, the canal that
was to have stopped Napoleon if the sea failed us, and they were to
picnic by the brick bridge, and afterwards to clamber to Lympne Castle.
The host of the gathering, it was understood very clearly, was Kipps.

They went, a merry party. The canal was weedy, with only a few inches of
water at the shallows, and so they went in three Canadian canoes. Kipps
had learned to paddle--it had been his first athletic accomplishment,
and his second--with the last three or four of ten private lessons still
to come--was to be cycling. But Kipps did not paddle at all badly;
muscles hardened by lifting pieces of cretonne could cut a respectable
figure by the side of Coote's executions, and the girl with the
freckles, the girl who understood him, came in his canoe. They raced the
Walshinghams, brother and sister; and Coote, in a liquefying state and
blowing mightily, but still persistent and always quite polite and
considerate, toiled behind with Mrs. Walshingham. She could not be
expected to paddle (though, of course, she "offered") and she reclined
upon specially adjusted cushions under a black and white sunshade and
watched Kipps and her daughter, and feared at intervals that Coote was
getting hot.

They were all more or less in holiday costume, the eyes of the girls
looked out under the shade of wide-brimmed hats; even the freckled girl
was unexpectedly pretty, and Helen, swinging sunlit to her paddle, gave
Kipps, almost for the first time, the suggestion of a graceful body.
Kipps was arrayed in the completest boating costume, and when his
fashionable Panama was discarded and his hair blown into disorder he
became, in his white flannels, as sightly as most young men. His
complexion was a notable asset.

Things favoured him, the day favoured him, everyone favoured him. Young
Walshingham, the girl with the freckles, Coote and Mrs. Walshingham,
were playing up to him in the most benevolent way, and between the
landing place and Lympne, Fortune, to crown their efforts, had placed a
small, convenient field entirely at the disposal of an adolescent bull.
Not a big, real, resolute bull, but, on the other hand, no calf; a young
bull, in the same stage of emotional development as Kipps, "standing
where the two rivers meet." Detachedly our party drifted towards him.

When they landed young Walshingham, with the simple directness of a
brother, abandoned his sister to Kipps and secured the freckled girl,
leaving Coote to carry Mrs. Walshingham's light wool wrap. He started at
once, in order to put an effectual distance between himself and his
companion, on the one hand, and a certain persuasive chaperonage that
went with Coote, on the other. Young Walshingham, I think I have said,
was dark, with a Napoleonic profile, and it was natural for him,
therefore, to be a bold thinker and an epigrammatic speaker, and he had
long ago discovered great possibilities of appreciation in the freckled
girl. He was in a very happy frame that day because he had just been
entrusted with the management of Kipps' affairs (old Bean inexplicably
dismissed), and that was not a bad beginning for a solicitor of only a
few months' standing, and, moreover, he had been reading Nietzsche, and
he thought that in all probability he was the Non-Moral Overman referred
to by that writer. He wore fairly large-sized hats. He wanted to expand
the theme of the Non-Moral Overman in the ear of the freckled girl, to
say it over, so to speak, and in order to seclude his exposition they
went aside from the direct path and trespassed through a coppice,
avoiding the youthful bull. They escaped to these higher themes but
narrowly, for Coote and Mrs. Walshingham, subtle chaperones both, and
each indisposed for excellent reasons to encumber Kipps and Helen, were
hot upon their heels. These two kept direct route to the stile of the
bull's field, and the sight of the animal at once awakened Coote's
innate aversion to brutality in any shape or form. He said the stiles
were too high, and that they could do better by going around by the
hedge, and Mrs. Walshingham, nothing loath, agreed.

This left the way clear for Kipps and Helen, and they encountered the
bull. Helen did not observe the bull, but Kipps did; but, that afternoon
at any rate, he was equal to facing a lion. And the bull really came at
them. It was not an affair of the bull-ring exactly, no desperate rushes
and gorings; but he came; he regarded them with a large, wicked, bluish
eye, opened a mouth below his moistly glistening nose and booed, at any
rate, if he did not exactly bellow, and he shook his head wickedly and
showed that tossing was in his mind. Helen was frightened, without any
loss of dignity, and Kipps went extremely white. But he was perfectly
calm, and he seemed to her to have lost the last vestiges of his accent
and his social shakiness. He directed her to walk quietly towards the
stile, and made an oblique advance towards the bull.

"You be orf!" he said....

When Helen was well over the stile Kipps withdrew in good order. He got
over the stile under cover of a feint, and the thing was done--a small
thing, no doubt, but just enough to remove from Helen's mind an
incorrect deduction that a man who was so terribly afraid of a teacup as
Kipps must necessarily be abjectly afraid of everything else in the
world. In her moment of reaction she went perhaps too far in the
opposite direction. Hitherto Kipps had always had a certain flimsiness
of effect for her. Now suddenly he was discovered solid. He was
discovered possible in many new ways. Here, after all, was the sort of
back a woman can get behind!...

As so these heirs of the immemorial ages went past the turf-crowned mass
of Portus Lemanus up the steep slopes towards the mediæval castle on the
crest the thing was also manifest in her eyes.


§2

Everyone who stays in Folkestone gets, sooner or later, to Lympne. The
castle became a farmhouse long ago, and the farmhouse, itself now ripe
and venerable, wears the walls of the castle as a little man wears a big
man's coat. The kindliest of farm ladies entertains a perpetual stream
of visitors and shows her vast mangle, and her big kitchen, and takes
you out upon the sunniest little terrace garden in all the world, and
you look down the sheep-dotted slopes to where, beside the canal and
under the trees, the crumpled memories of Rome sleep forever. For hither
to this lonely spot the galleys once came, the legions, the emperors,
masters of the world. The castle is but a thing of yesterday, King
Stephen's time or thereabout, in that retrospect. One climbs the pitch
of perforation, and there one is lifted to the centre of far more than a
hemisphere of view. Away below one's feet, almost at the bottom of the
hill, the Marsh begins, and spreads and spreads in a mighty crescent
that sweeps about the sea, the Marsh dotted with the church towers of
forgotten mediæval towns and breaking at last into the low, blue hills
of Winchelsea and Hastings; east hangs France, between the sea and the
sky, and round the north, bounding the wide prospectives of farms and
houses and woods, the Downs, with their hangers and chalk pits, sustain
the passing shadows of the sailing clouds.

And here it was, high out of the world of everyday, and in the presence
of spacious beauty, that Kipps and Helen found themselves agreeably
alone. All six, it had seemed, had been coming for the Keep, but Mrs.
Walshingham had hesitated at the horrid little stairs, and then suddenly
felt faint, and so she and the freckled girl had remained below, walking
up and down in the shadow of the house, and Coote had remembered they
were all out of cigarettes, and had taken off young Walshingham into the
village. There had been shouting to explain between ground and parapet,
and then Helen and Kipps turned again to the view, and commended it and
fell silent.

Helen sat fearlessly in an embrasure, and Kipps stood beside her.

"I've always been fond of scenery," Kipps repeated, after an interval.

Then he went off at a tangent. "D'you reely think that was right what
Coote was saying?"

She looked interrogation.

"About my name?"

"Being really C-U-Y-P-S? I have my doubts. I thought at first----. What
makes Mr. Coote add an S to Cuyp?"

"I dunno," said Kipps, foiled. "I was jest thinking----"

She shot one wary glance at him and then turned her eyes to the sea.

Kipps was out for a space. He had intended to lead from this question to
the general question of surnames and change of names; it had seemed a
light and witty way of saying something he had in mind, and suddenly he
perceived that this was an unutterably vulgar and silly project. The
hitch about that "s" had saved him. He regarded her profile for a
moment, framed in weather-beaten stone, and backed by the blue elements.

He dropped the question of his name out of existence and spoke again of
the view. "When I see scenery, and things that are beautiful, it makes
me feel----"

She looked at him suddenly, and saw him fumbling for his words.

"Silly like," he said.

She took him in with her glance, the old look of proprietorship it was,
touched with a certain warmth. She spoke in a voice as unambiguous as
her eyes. "You needn't," she said. "You know, Mr. Kipps, you hold
yourself too cheap."

Her eyes and words smote him with amazement. He stared at her like a man
who awakens. She looked down.

"You mean----" he said; and then, "don't you hold me cheap?"

She glanced up again and shook her head.

"But--for instance--you don't think of me--as an equal like."

"Why not?"

"Oo! But reely----"

His heart beat very fast.

"If I thought," he said, and then, "you know so much."

"That's nothing," she said.

Then, for a long time, as it seemed to them, both kept silence, a
silence that said and accomplished many things.

"I know what I am," he said, at length.... "If I thought it was
possible.... If I thought _you_.... I believe I could do anything----"

He stopped, and she sat downcast and strikingly still.

"Miss Walshingham," he said, "is it possible that you ... could care for
me enough to--to 'elp me? Miss Walshingham, do you care for me at all?"

It seemed she was never going to answer. She looked up at him. "I
think," she said, "you are the most generous--look at what you have done
for my brother--the most generous and the most modest of men. And this
afternoon--I thought you were the bravest."

She turned her head, glanced down, waved her hand to someone on the
terrace below, and stood up.

"Mother is signalling," she said. "We must go down."

Kipps became polite and deferential by habit, but his mind was a tumult
that had nothing to do with that.

He moved before her towards the little door that opened on the winding
stairs--"always precede a lady down or up stairs"--and then on the
second step he turned resolutely. "But," he said, looking up out of the
shadow, flannel-clad and singularly like a man.

She looked down on him, with her hand upon the stone lintel.

He held out his hand as if to help her. "Can you tell me?" he said. "You
must know----"

"What?"

"If you care for me?"

She did not answer for a long time. It was as if everything in the
world had drawn to the breaking point, and in a minute must certainly
break.

"Yes," she said, at last, "I know."

Abruptly, by some impalpable sign, he knew what the answer would be, and
he remained still.

She bent down over him and softened to her wonderful smile.

"Promise me," she insisted.

He promised with his still face.

"If _I_ do not hold you cheap, you will never hold yourself cheap----"

"If you do not hold me cheap, you mean?"

She bent down quite close beside him. "I hold you," she said, and then
whispered, "_dear_."

"Me?"

She laughed aloud.

He was astonished beyond measure. He stipulated, lest there might be
some misconception, "You will marry me?"

She was laughing, inundated by the sense of bountiful power, of
possession and success. He looked quite a nice little man to have.
"Yes," she laughed. "What else could I mean?" and, "Yes."

He felt as a praying hermit might have felt, snatched from the midst of
his quiet devotions, his modest sackcloth and ashes, and hurled neck and
crop over the glittering gates of Paradise, smack among the iridescent
wings, the bright-eyed Cherubim. He felt like some lowly and righteous
man dynamited into Bliss....

His hand tightened upon the rope that steadies one upon the stairs of
stone. He was for kissing her hand and did not.

He said not a word more. He turned about, and with something very like a
scared expression on his face led the way into the obscurity of their
descent.


§3

Everyone seemed to understand. Nothing was said, nothing was explained,
the merest touch of the eyes sufficed. As they clustered in the castle
gateway Coote, Kipps remembered afterwards, laid hold of his arm as if
by chance and pressed it. It was quite evident he knew. His eyes, his
nose, shone with benevolent congratulations, shone, too, with the sense
of a good thing conducted to its climax. Mrs. Walshingham, who had
seemed a little fatigued by the hill, recovered, and was even obviously
stirred by affection for her daughter. There was, in passing, a motherly
caress. She asked Kipps to give her his arm in walking down the steep.
Kipps in a sort of dream obeyed. He found himself trying to attend to
her, and soon he was attending.

She and Kipps talked like sober, responsible people and went slowly,
while the others drifted down the hill together, a loose little group of
four. He wondered momentarily what they would talk about and then sank
into his conversation with Mrs. Walshingham. He conversed, as it were,
out of his superficial personality, and his inner self lay stunned in
unsuspected depths within. It had an air of being an interesting and
friendly talk, almost their first long talk together. Hitherto he had
had a sort of fear of Mrs. Walshingham, as of a person possibly
satirical, but she proved a soul of sense and sentiment, and Kipps, for
all of his abstraction, got on with her unexpectedly well. They talked a
little upon scenery and the inevitable melancholy attaching to the old
ruins and the thought of vanished generations.

"Perhaps they jousted here," said Mrs. Walshingham.

"They was up to all sorts of things," said Kipps, and then the two came
round to Helen. She spoke of her daughter's literary ambitions. "She
will do something, I feel sure. You know, Mr. Kipps, it's a great
responsibility to a mother to feel her daughter is--exceptionally
clever."

"I dessay it is," said Kipps. "There's no mistake about that."

She spoke, too, of her son--almost like Helen's twin--alike, yet
different. She made Kipps feel quite fatherly. "They are so quick, so
artistic," she said, "so full of ideas. Almost they frighten me. One
feels they need opportunities--as other people need air."

She spoke of Helen's writing. "Even when she was quite a little dot she
wrote verse."

(Kipps, sensation.)

"Her father had just the same tastes----" Mrs. Walshingham turned a
little beam of half-pathetic reminiscence on the past. "He was more
artist than business man. That was the trouble.... He was misled by his
partner, and when the crash came everyone blamed him.... Well, it
doesn't do to dwell on horrid things--especially to-day. There are
bright days, Mr. Kipps, and dark days. And mine have not always been
bright."

Kipps presented a face of Coote-like sympathy.

She diverged to talk of flowers, and Kipps' mind was filled with the
picture of Helen bending down towards him in the Keep....

They spread the tea under the trees before the little inn, and at a
certain moment Kipps became aware that everyone in the party was
simultaneously and furtively glancing at him. There might have been a
certain tension had it not been first of all for Coote and his tact, and
afterwards for a number of wasps. Coote was resolved to make this
memorable day pass off well, and displayed an almost boisterous sense of
fun. Then young Walshingham began talking of the Roman remains below
Lympne, intending to lead up to the Overman. "These old Roman chaps," he
said, and then the wasps arrived. They killed three in the jam alone.

Kipps killed wasps, as if it were in a dream, and handed things to the
wrong people, and maintained a thin surface of ordinary intelligence
with the utmost difficulty. At times he became aware, aware with an
extraordinary vividness, of Helen. Helen was carefully not looking at
him and behaving with amazing coolness and ease. But just for that one
time there was the faintest suggestion of pink beneath the ivory of her
cheeks....

Tacitly the others conceded to Kipps the right to paddle back with
Helen; he helped her into the canoe and took his paddle, and, paddling
slowly, dropped behind the others. And now his inner self stirred again.
He said nothing to her. How could he ever say anything to her again? She
spoke to him at rare intervals about reflections and the flowers and the
trees, and he nodded in reply. But his mind moved very slowly forward
now from the point at which it had fallen stunned in the Lympne Keep,
moving forward to the beginnings of realisation. As yet he did not say
even in the recesses of his heart that she was his. But he perceived
that the goddess had come from her altar amazingly, and had taken him by
the hand!

The sky was a vast splendour, and then close to them were the dark,
protecting trees and the shining, smooth, still water. He was an erect,
black outline to her; he plied his paddle with no unskilful gesture, the
water broke to snaky silver and glittered far behind his strokes.
Indeed, he did not seem bad to her. Youth calls to youth the wide world
through, and her soul rose in triumph over his subjection. And behind
him was money and opportunity, freedom and London, a great background of
seductively indistinct hopes. To him her face was a warm dimness. In
truth, he could not see her eyes, but it seemed to his love-witched
brain he did and that they shone out at him like dusky stars.

All the world that evening was no more than a shadowy frame of darkling
sky and water and dripping bows about Helen. He seemed to see through
things with an extraordinary clearness; she was revealed to him
certainly, as the cause and essence of it all.

He was indeed at his Heart's Desire. It was one of those times when
there seems to be no future, when Time has stopped and we are at an end.
Kipps, that evening, could not have imagined a to-morrow, all that his
imagination had pointed towards was attained. His mind stood still and
took the moments as they came.


§4

About nine that night Coote came around to Kipps' new apartment in the
Upper Sandgate Road--the house on the Leas had been let furnished--and
Kipps made an effort toward realisation. He was discovered sitting at
the open window and without a lamp, quite still. Coote was deeply moved,
and he pressed Kipps' palm and laid a knobby, white hand on his shoulder
and displayed the sort of tenderness becoming in a crisis. Kipps was too
moved that night, and treated Coote like a very dear brother.

"She's splendid," said Coote, coming to it abruptly.

"Isn't she?" said Kipps.

"I couldn't help noticing her face," said Coote.... "You know, my dear
Kipps, that this is better than a legacy."

"I don't deserve it," said Kipps.

"You can't say that."

"I don't. I can't 'ardly believe it. I can't believe it at all. No!"

There followed an expressive stillness.

"It's wonderful," said Kipps. "It takes me like that."

Coote made a faint blowing noise, and so again they came for a time of
silence.

"And it began--before your money?"

"When I was in 'er class," said Kipps, solemnly.

Coote, speaking out of a darkness which he was illuminating strangely
with efforts to strike a match, said that it was beautiful. He could not
have _wished_ Kipps a better fortune....

He lit a cigarette, and Kipps was moved to do the same, with a
sacramental expression. Presently speech flowed more freely.

Coote began to praise Helen and her mother and brother. He talked of
when "it" might be, he presented the thing as concrete and credible.
"It's a county family, you know," he said. "She is connected, you know,
with the Beaupres family--you know Lord Beaupres."

"No!" said Kipps, "reely!"

"Distantly, of course," said Coote. "Still----"

He smiled a smile that glimmered in the twilight.

"It's too much," said Kipps, overcome. "It's so all like that."

Coote exhaled. For a time Kipps listened to Helen's praises and matured
a point of view.

"I say, Coote," he said. "What ought I to do now?"

"What do you mean?" said Coote.

"I mean about calling on 'er and all that."

He reflected. "Naturally, I want to do it all right."

"Of course," said Coote.

"It would be awful to go and do something--now--all wrong."

Coote's cigarette glowed as he meditated. "You must call, of course," he
decided. "You'll have to speak to Mrs. Walshingham."

"'Ow?" said Kipps.

"Tell her you mean to marry her daughter."

"I dessay she knows," said Kipps, with defensive penetration.

Coote's head was visible, shaking itself judiciously.

"Then there's the ring," said Kipps. "What 'ave I to do about that?"

"What ring do you mean?"

"'Ngagement Ring. There isn't anything at all about that in 'Manners and
Rules of Good Society'--not a word."

"Of course you must get something--tasteful. Yes."

"What sort of a ring?"

"Something nace. They'll show you in the shop."

"Of course. I 'spose I got to take it to 'er, eh? Put it on her finger."

"Oh, no! Send it. Much better."

"Ah!" said Kipps, for the first time, with a note of relief.

"Then, 'ow about this call--on Mrs. Walshingham, I mean. 'Ow ought one
to go?"

"Rather a ceremonial occasion," reflected Coote.

"Wadyer mean? Frock coat?"

"I _think_ so," said Coote, with discrimination.

"Light trousers and all that?"

"Yes."

"Rose?"

"I think it might run to a buttonhole."

The curtain that hung over the future became less opaque to the eyes of
Kipps. To-morrow, and then other days, became perceptible at least as
existing. Frock coat, silk hat and a rose! With a certain solemnity he
contemplated himself in the process of slow transformation into an
English gentleman, Arthur Cuyps, frock-coated on occasions of ceremony,
the familiar acquaintance of Lady Punnet, the recognised wooer of a
distant connection of the Earl of Beaupres.

Something like awe at the magnitude of his own fortune came upon him. He
felt the world was opening out like a magic flower in a transformation
scene at the touch of this wand of gold. And Helen, nestling beautiful
in the red heart of the flower. Only ten weeks ago he had been no more
than the shabbiest of improvers and shamefully dismissed for
dissipation, the mere soil-burned seed, as it were, of these glories. He
resolved the engagement ring should be of expressively excessive quality
and appearance, in fact, the very best they had.

"Ought I to send 'er flowers?" he speculated.

"Not necessarily," said Coote. "Though, of course, it's an
attention."...

Kipps meditated on flowers.

"When you see her," said Coote, "you'll have to ask her to name the
day."

Kipps started. "That won't be just yet a bit, will it?"

"Don't know any reason for delay."

"Oo, but--a year, say."

"Rather a long time," said Coote.

"Is it?" said Kipps, turning his head sharply. "But----"

There was quite a long pause.

"I say," he said, at last, and in an unaltered voice, "you'll 'ave to
'elp me about the wedding."

"Only too happy," said Coote.

"Of course," said Kipps, "I didn't think----" He changed his line of
thought. "Coote," he asked, "wot's a 'state-eh-tate'?"

"A 'tate-ah-tay'!" said Coote, improvingly, "is a conversation alone
together."

"Lor'!" said Kipps, "but I thought----. It says _strictly_ we oughtn't
to enjoy a tater-tay, not sit together, walk together, ride together or
meet during any part of the day. That don't leave much time for meeting,
does it?"

"The books says that?" asked Coote.

"I jest learnt it by 'eart before you came. I thought that was a bit
rum, but I s'pose it's all right."

"You won't find Miss Walshingham so strict as all that," said Coote. "I
think that's a bit extreme. They'd only do that now in very strict old
aristocratic families. Besides, the Walshinghams are so
modern--advanced, you might say. I expect you'll get plenty of chances
of talking together."

"There's a tremendous lot to think about," said Kipps, blowing a
profound sigh. "D'you mean--p'raps we might be married in a few months
or so."

"You'll _have_ to be," said Coote. "Why not?"...

Midnight found Kipps alone, looking a little tired and turning over the
leaves of the red-covered textbook with a studious expression. He paused
for a moment on page 233, his eye caught by the words:

"FOR AN UNCLE OR AUNT BY MARRIAGE the period is six weeks black, with
jet trimmings."

"No," said Kipps, after a vigorous mental effort. "That's not it." The
pages rustled again. He stopped and flattened out the little book
decisively at the beginning of the chapter on "Weddings."

He became pensive. He stared at the lamp wick. "I suppose I ought to go
over and tell them," he said, at last.


§5

Kipps called on Mrs. Walshingham, attired in the proper costume for
ceremonial Occasions in the Day. He carried a silk hat, and he wore a
deep-skirted frock coat, his boots were patent leather and his trousers
dark grey. He had generous white cuffs with gold links, and his grey
gloves, one thumb in which had burst when he put them on, he held
loosely in his hand. He carried a small umbrella rolled to an exquisite
tightness. A sense of singular correctness pervaded his being and warred
with the enormity of the occasion for possession of his soul. Anon he
touched his silk cravat. The world smelt of his rosebud.

He seated himself on a new re-covered chintz armchair and stuck out the
elbow of the arm that held his hat.

"I know," said Mrs. Walshingham, "I know everything," and helped him out
most amazingly. She deepened the impression he had already received of
her sense and refinement. She displayed an amount of tenderness that
touched him.

"This is a great thing," she said, "to a mother," and her hand rested
for a moment on his impeccable coat sleeve.

"A daughter, Arthur," she explained, "is so much more than a son."

Marriage, she said, was a lottery, and without love and toleration
there was much unhappiness. Her life had not always been bright--there
had been dark days and bright days. She smiled rather sweetly. "This is
a bright one," she said.

She said very kind and flattering things to Kipps, and she thanked him
for his goodness to her son. ("That wasn't anything," said Kipps.) And
then she expanded upon the theme of her two children. "Both so
accomplished," she said, "so clever. I call them my Twin Jewels."

She was repeating a remark that she had made at Lympne, that she always
said her children needed opportunities, as other people needed air, when
she was abruptly arrested by the entry of Helen. They hung on a pause,
Helen perhaps surprised by Kipps' weekday magnificence. Then she
advanced with outstretched hand.

Both the young people were shy. "I jest called 'round," began Kipps, and
became uncertain how to end.

"Won't you have some tea?" asked Helen.

She walked to the window, looked out at the familiar outporter's barrow,
turned, surveyed Kipps for a moment ambiguously, said "I will get some
tea," and so departed again.

Mrs. Walshingham and Kipps looked at one another and the lady smiled
indulgently. "You two young people mustn't be shy of each other," said
Mrs. Walshingham, which damaged Kipps considerably.

She was explaining how sensitive Helen always had been, even about
quite little things, when the servant appeared with the tea things, and
then Helen followed, and taking up a secure position behind the little
banboo tea table, broke the ice with officious teacup clattering. Then
she introduced the topic of a forthcoming open-air performance of "As
You Like It," and steered past the worst of the awkwardness. They
discussed stage illusion. "I mus' say," said Kipps, "I don't quite like
a play in a theayter. It seems sort of unreal, some'ow."

"But most plays are written for the stage," said Helen, looking at the
sugar.

"I know," admitted Kipps.

They finished tea. "Well," said Kipps, and rose.

"You mustn't go yet," said Mrs. Walshingham, rising and taking his hand.
"I'm sure you two must have heaps to say to each other," and so she
escaped towards the door.


§6

Among other projects that seemed almost equally correct to Kipps at that
exalted moment was one of embracing Helen with ardour as soon as the
door closed behind her mother and one of headlong flight through the
open window. Then he remembered he ought to hold the door open for Mrs.
Walshingham, and turned from that duty to find Helen still standing,
beautifully inaccessible, behind the tea things. He closed the door and
advanced toward her with his arms akimbo and his hands upon his coat
skirts. Then, feeling angular, he moved his right hand to his
moustache. Anyhow, he was dressed all right. Somewhere at the back of
his mind, dim and mingled with doubt and surprise, appeared the
perception that he felt now quite differently towards her, that
something between them had been blown from Lympne Keep to the four winds
of heaven....

She regarded him with an eye of critical proprietorship.

"Mother has been making up to you," she said, smiling slightly.

She added, "It was nice of you to come around to see her."

They stood through a brief pause, as though each had expected something
different in the other and was a little perplexed at its not being
there. Kipps found he was at the corner of the brown covered table, and
he picked up a little flexible book that lay upon it to occupy his mind.

"I bought you a ring to-day," he said, bending the book and speaking for
the sake of saying something, and then he was moved to genuine speech.
"You know," he said, "I can't 'ardly believe it."

Her face relaxed slightly again. "No?" she said, and may have breathed,
"Nor I."

"No," he went on. "It's as though everything 'ad changed. More even than
when I got my money. 'Ere we are going to marry. It's like being someone
else. What I feel is----"

He turned a flushed and earnest face to her. He seemed to come alive to
her with one natural gesture. "I don't _know_ things. I'm not good
enough. I'm not refined. The more you'll see of me the more you'll find
me out."

"But I'm going to help you."

"You'll 'ave to 'elp me a fearful lot."

She walked to the window, glanced out of it, made up her mind, turned
and came towards him, with her hands clasped behind her back.

"All these things that trouble you are very little things. If you don't
mind--if you will let me tell you things----"

"I wish you would."

"Then I will."

"They're little things to you, but they aren't to me."

"It all depends, if you don't mind being told."

"By you?"

"I don't expect you to be told by strangers."

"Oo!" said Kipps, expressing much.

"You know, there are just a few little things. For instance, you know,
you are careless with your pronunciation.... You don't mind my telling
you?"

"I like it," said Kipps.

"There's aitches."

"I know," said Kipps, and then, endorsingly, "I been told. Fact is, I
know a chap, a Nacter, _he's_ told me. He's told me, and he's going to
give me a lesso nor so."

"I'm glad of that. It only requires a little care."

"Of course. On the stage they got to look out. They take regular
lessons."

"Of course," said Helen, a little absently.

"I dessay I shall soon get into it," said Kipps.

"And then there's dress," said Helen, taking up her thread again.

Kipps became pink, but he remained respectfully attentive.

"You don't mind?" she said.

"Oo, no."

"You mustn't be too--too dressy. It's possible to be over-conventional,
over-elaborate. It makes you look like a shop--like a common, well-off
person. There's a sort of easiness that is better. A real gentleman
looks right, without looking as though he had tried to be right."

"Jest as though 'e'd put on what came first?" said the pupil, in a faded
voice.

"Not exactly that, but a sort of ease."

Kipps nodded his head intelligently. In his heart he was kicking his
silk hat about the room in an ecstasy of disappointment.

"And you must accustom yourself to be more at your ease when you are
with people," said Helen. "You've only got to forget yourself a little
and not be anxious----"

"I'll try," said Kipps, looking rather hard at the teapot. "I'll do my
best to try."

"I know you will," she said, and laid a hand for an instant upon his
shoulder and withdrew it.

He did not perceive her caress. "One has to learn," he said. His
attention was distracted by the strenuous efforts that were going on in
the back of his head to translate, "I say, didn't you ought to name the
day?" into easy as well as elegant English, a struggle that was still
undecided when the time came for them to part....

He sat for a long time at the open window of his sitting-room with an
intent face, recapitulating that interview. His eyes rested at last
almost reproachfully on the silk hat beside him. "'Ow is one to know?"
he asked. His attention was caught by a rubbed place in the nap, and,
still thoughtful, he rolled up his handkerchief skilfully into a soft
ball and began to smooth this down.

His expression changed slowly.

"'Ow the Juice is one to know?" he said, putting down the hat with some
emphasis.

He rose up, went across the room to the sideboard, and, standing there,
opened and began to read "Manners and Rules."




CHAPTER IV

THE BICYCLE MANUFACTURER


§1

So Kipps embarked upon his engagement, steeled himself to the high
enterprise of marrying above his breeding. The next morning found him
dressing with a certain quiet severity of movement, and it seemed to his
landlady's housemaid that he was unusually dignified at breakfast. He
meditated profoundly over his kipper and his kidney and bacon. He was
going to New Romney to tell the old people what had happened and where
he stood. And the love of Helen had also given him courage to do what
Buggins had once suggested to him as a thing he would do were he in
Kipps' place, and that was to hire a motor car for the afternoon. He had
an early cold lunch, and then, with an air of quiet resolution, assumed
a cap and coat he had purchased to this end, and thus equipped strolled
around, blowing slightly, to the motor shop. The transaction was
unexpectedly easy, and within the hour Kipps, spectacled and wrapped
about, was tootling through Dymchurch.

They came to a stop smartly and neatly outside the little toy shop.
"Make that thing 'oot a bit, will you," said Kipps. "Yes, that's it."
"Whup," said the motor car. "Whurrup!"

Both his Aunt and Uncle came out on the pavement. "Why, it's Artie,"
cried his Aunt, and Kipps had a moment of triumph.

He descended to hand claspings, removed wraps and spectacles, and the
motor driver retired to take "an hour off." Old Kipps surveyed the
machinery and disconcerted Kipps for a moment by asking him in a knowing
tone what they asked him for a thing like that. The two men stood
inspecting the machine and impressing the neighbours for a time, and
then they strolled through the shop into the little parlour for a drink.

"They ain't settled," old Kipps had said to the neighbours. "They ain't
got no further than experiments. There's a bit of take-in about each.
You take my advice and wait, me boy, even if it's a year or two, before
you buy one for your own use."

(Though Kipps had said nothing of doing anything of the sort.)

"'Ow d'you like that whiskey I sent?" asked Kipps, dodging the old
familiar bunch of children's pails.

Old Kipps became tactful. "It's a very good whiskey, my boy," said old
Kipps. "I 'aven't the slightest doubt it's a very good whiskey and cost
you a tidy price. But--dashed if it soots me! They put this here Foozle
Ile in it, my boy, and it ketches me jest 'ere." He indicated his centre
of figure. "Gives me the heartburn," he said, and shook his head rather
sadly.

"It's a very good whiskey," said Kipps. "It's what the actor manager
chaps drink in London, I 'appen to know."

"I dessay they do, my boy," said old Kipps, "but then they've 'ad their
livers burnt out, and I 'aven't. They ain't dellicat like me. My stummik
always _'as_ been extrey dellicat. Sometimes it's almost been as though
nothing would lay on it. But that's in passing. I liked those segars.
You can send me some of them segars...."

You cannot lead a conversation straight from the gastric consequences of
Foozle Ile to Love, and so Kipps, after a friendly inspection of a rare
old engraving after Morland (perfect except for a hole kicked through
the centre) that his Uncle had recently purchased by private haggle,
came to the topic of the old people's removal.

At the outset of Kipps' great fortunes there had been much talk of some
permanent provision for them. It had been conceded they were to be
provided for comfortably, and the phrase "retire from business" had been
very much in the air. Kipps had pictured an ideal cottage, with a
creeper always in exuberant flower about the door, where the sun shone
forever and the wind never blew and a perpetual welcome hovered in the
doorway. It was an agreeable dream, but when it came to the point of
deciding upon this particular cottage or that, and on this particular
house or that, Kipps was surprised by an unexpected clinging to the
little home, which he had always understood to be the worst of all
possible houses.

"We don't want to move in a 'urry," said Mrs. Kipps.

"When we want to move, we want to move for life. I've had enough moving
about in my time," said old Kipps.

"We can do here a bit more, now we done here so long," said Mrs. Kipps.

"You lemme look about a bit _fust_," said old Kipps.

And in looking about old Kipps found perhaps a finer joy than any mere
possession could have given. He would shut his shop more or less
effectually against the intrusion of customers, and toddle abroad
seeking new matter for his dream; no house was too small and none too
large for his knowing enquiries. Occupied houses took his fancy more
than vacancies, and he would remark, "You won't be a livin' 'ere
forever, even if you think you will," when irate householders protested
against the unsolicited examination of their more intimate premises....

Remarkable difficulties arose of a totally unexpected sort.

"If we 'ave a larger 'ouse," said Mrs. Kipps with sudden bitterness, "we
shall want a servant, and I don't want no gells in the place larfin' at
me, sniggerin' and larfin' and prancin' and trapesin', lardy da! If we
'ave a smaller 'ouse, there won't be room to swing a cat."

Room to swing a cat it seemed was absolutely essential. It was an
infrequent but indispensable operation.

"When we _do_ move," said old Kipps, "if we could get a bit of
shootin'----. I don't want to sell off all this here stock for nothin'.
It's took years to 'cumulate. I put a ticket in the winder sayin'
'sellin' orf,' but it 'asn't brought nothing like a roosh. One of these
'ere dratted visitors pretendin' to want an air gun, was all we 'ad in
yesterday. Jest an excuse for spyin' round and then go away and larf at
you. No-thanky to everything, it didn't matter what.... That's 'ow _I_
look at it, Artie."

They pursued meandering fancies about the topic of their future
settlement for a space and Kipps became more and more hopeless of any
proper conversational opening that would lead to his great announcement,
and more and more uncertain how such an opening should be taken. Once
indeed old Kipps, anxious to get away from this dangerous subject of
removals, began: "And what are you a-doin' of in Folkestone? I shall
have to come over and see you one of these days," but before Kipps could
get in upon that, his Uncle had passed into a general exposition of the
proper treatment of landladies and their humbugging, cheating ways, and
so the opportunity vanished. It seemed to Kipps the only thing to do was
to go out into the town for a stroll, compose an effectual opening at
leisure, and then come back and discharge it at them in its consecutive
completeness. And even out of doors and alone, he found his mind
distracted by irrelevant thoughts.


§2

His steps led him out of the High Street towards the church, and he
leant for a time over the gate that had once been the winning post of
his race with Ann Pornick, and presently found himself in a sitting
position on the top rail. He had to get things smooth again, he knew;
his mind was like a mirror of water after a breeze. The image of Helen
and his great future was broken and mingled into fragmentary reflections
of remoter things, of the good name of Old Methusaleh Three Stars, of
long dormant memories the High Street saw fit, by some trick of light
and atmosphere, to arouse that afternoon....

Abruptly a fine, full voice from under his elbow shouted, "What--O Art!"
and, behold, Sid Pornick was back in his world, leaning over the gate
beside him, and holding out a friendly hand.

He was oddly changed and yet oddly like the Sid that Kipps had known. He
had the old broad face and mouth, abundantly freckled, the same short
nose, and the same blunt chin, the same odd suggestion of his sister Ann
without a touch of her beauty; but he had quite a new voice, loud and a
little hard, and his upper lip carried a stiff and very fair moustache.

Kipps shook hands. "I was jest thinking of _you_, Sid," he said, "jest
this very moment and wondering if ever I should see you again, ever.
And 'ere you are!"

"One likes a look 'round at times," said Sid. "How are _you_, old chap?"

"All right," said Kipps. "I just been lef'----"

"You aren't changed much," interrupted Sid.

"Ent I?" said Kipps, foiled.

"I knew your back directly I came 'round the corner. Spite of that 'at
you got on. Hang it, I said, that's Art Kipps or the devil. And so it
was."

Kipps made a movement of his neck as if he would look at his back and
judge. Then he looked Sid in the face. "You got a moustache, Sid," he
said.

"I s'pose you're having your holidays?" said Sid.

"Well, partly. But I just been lef'----"

"_I'm_ taking a bit of a holiday," Sid went on. "But the fact is, I have
to give _myself_ holidays nowadays. I've set up for myself."

"Not down here?"

"No fear! I'm not a turnip. I've started in Hammersmith, manufacturing."
Sid spoke offhand as though there was no such thing as pride.

"Not drapery?"

"No fear! Engineer. Manufacture bicycles." He clapped his hand to his
breast pocket and produced a number of pink handbills. He handed one to
Kipps and prevented him reading it by explanations and explanatory dabs
of a pointing finger. "That's our make, my make to be exact, The Red
Flag, see?--I got a transfer with my name--Pantocrat tyres, eight
pounds--yes, _there_--Clinchers ten, Dunlop's eleven, Ladies' one pound
more--that's the lady's. Best machine at a democratic price in London.
No guineas and no discounts--honest trade. I build 'em--to order. I've
built," he reflected, looking away seaward--"seventeen. Counting orders
in 'and.... Come down to look at the old place a bit. Mother likes it at
times."

"Thought you'd all gone away----"

"What! after my father's death? No! My mother's come back, and she's
living at Muggett's cottages. The sea air suits 'er. She likes the old
place better than Hammersmith ... and I can afford it. Got an old crony
or so here.... Gossip ... have tea.... S'pose _you_ ain't married,
Kipps?"

Kipps shook his head, "I----" he began.

"_I_ am," said Sid. "Married these two years and got a nipper. Proper
little chap."

Kipps got his word in at last. "I got engaged day before yesterday," he
said.

"Ah!" said Sid airily. "That's all right. Who's the fortunate lady?"

Kipps tried to speak in an offhand way. He stuck his hands in his
pockets as he spoke. "She's a solicitor's daughter," he said, "in
Folkestone. Rather'r nice set. County family. Related to the Earl of
Beaupres----"

"Steady on!" cried Sid.

"You see, I've 'ad a bit of luck, Sid. Been lef' money."

Sid's eye travelled instinctively to mark Kipps' garments. "How much?"
he asked.

"'Bout twelve 'undred a year," said Kipps, more offhandedly than ever.

"Lord!" said Sid, with a note of positive dismay, and stepped back a
pace or two.

"My granfaver it was," said Kipps, trying hard to be calm and simple.
"'Ardly knew I _'ad_ a granfaver. And then--bang! When o' Bean, the
solicitor, told me of it, you could 'ave knocked me down----"

"_'Ow_ much?" demanded Sid, with a sharp note in his voice.

"Twelve 'undred pound a year--'proximately, that is...."

Sid's attempt at genial unenvious congratulation did not last a minute.
He shook hands with an unreal heartiness and said he was jolly glad.
"It's a blooming stroke of Luck," he said.

"It's a bloomin' stroke of Luck," he repeated; "that's what it is," with
the smile fading from his face. "Of course, better you 'ave it than me,
o' chap. So I don't envy you, anyhow. _I_ couldn't keep it, if I did
'ave it."

"'Ow's that?" said Kipps, a little hipped by Sid's patent chagrin.

"I'm a Socialist, you see," said Sid. "I don't 'old with Wealth. What
_is_ Wealth? Labour robbed out of the poor. At most it's only yours in
Trust. Leastways, that 'ow _I_ should take it." He reflected. "The
Present distribution of Wealth," he said and stopped.

Then he let himself go, with unmasked bitterness. "It's no sense at
all. It's jest damn foolishness. Who's going to work and care in a
muddle like this? Here first you do--something anyhow--of the world's
work, and it pays you hardly anything, and then it invites you to do
nothing, nothing whatever, and pays you twelve hundred pounds a year.
Who's going to respect laws and customs when they come to damn silliness
like that?" He repeated, "Twelve hundred pounds a year!"

At the sight of Kipps' face he relented slightly.

"It's not you I'm thinking of, o' man; it's the system. Better you than
most people. Still----"

He laid both hands on the gate and repeated to himself, "Twelve 'undred
a year.... Gee-Whizz, Kipps! You'll be a swell!"

"I shan't," said Kipps with imperfect conviction. "No fear."

"You can't 'ave money like that and not swell out. You'll soon be too
big to speak to--'ow do they put it?--a mere mechanic like me."

"No fear, Siddee," said Kipps with conviction. "I ain't that sort."

"Ah!" said Sid, with a sort of unwilling scepticism, "money'll be too
much for you. Besides--you're caught by a swell already."

"'Ow d'you mean?"

"That girl you're going to marry. Masterman says----"

"Oo's Masterman?"

"Rare good chap I know--takes my first floor front room. Masterson says
it's always the wife pitches the key. Always. There's no social
differences--till women come in."

"Ah!" said Kipps profoundly. "You don't know."

Sid shook his head. "Fancy!" he reflected, "Art Kipps!... Twelve 'Undred
a Year!"

Kipps tried to bridge that opening gulf. "Remember the Hurons, Sid?"

"Rather," said Sid.

"Remember that wreck?"

"I can smell it now--sort of sour smell."

Kipps was silent for a moment with reminiscent eyes on Sid's still
troubled face.

"I say, Sid, 'ow's Ann?"

"_She's_ all right," said Sid.

"Where is she now?"

"In a place ... Ashford."

"Oh!"

Sid's face had become a shade sulkier than before.

"The fact is," he said, "we don't get on very well together. _I_ don't
hold with service. We're common people, I suppose, but I don't like it.
I don't see why a sister of mine should wait at other people's tables.
No. Not even if they got Twelve 'Undred a Year."

Kipps tried to change the point of application. "Remember 'ow you came
out once when we were racing here?... She didn't run bad for a girl."

And his own words raised an image brighter than he could have supposed,
so bright it seemed to breathe before him and did not fade altogether,
even when he was back in Folkestone an hour or so later.

But Sid was not to be deflected from that other rankling theme by any
reminiscences of Ann.

"I wonder what you will do with all that money," he speculated. "I
wonder if you will do any good at all. I wonder what you _could_ do. You
should hear Masterman. He'd tell you things. Suppose it came to me, what
should I do? It's no good giving it back to the state as things are.
Start an Owenite profit-sharing factory perhaps. Or a new Socialist
paper. We want a new Socialist paper."

He tried to drown his personal chagrin in elaborate exemplary
suggestions....


§3

"I must be gettin' on to my motor," said Kipps at last, having to a
large extent heard him out.

"What! Got a motor?"

"No!" said Kipps apologetically. "Only jobbed for the day."

"'Ow much?"

"Five pounds."

"Keep five families for a week! Good Lord!" That seemed to crown Sid's
disgust.

Yet drawn by a sort of fascination he came with Kipps and assisted at
the mounting of the motor. He was pleased to note it was not the most
modern of motors, but that was the only grain of comfort. Kipps mounted
at once, after one violent agitation of the little shop-door to set the
bell a-jingle and warn his Uncle and Aunt. Sid assisted with the great
furlined overcoat and examined the spectacles.

"Good-bye, o' chap!" said Kipps.

"Good-bye, o' chap!" said Sid.

The old people came out to say good-bye.

Old Kipps was radiant with triumph. "'Pon my Sammy, Artie! I'm a goo'
mind to come with you," he shouted, and then, "I got something you might
take with you!"

He dodged back into the shop and returned with the perforated engraving
after Morland.

"You stick to this, my boy," he said. "You get it repaired by someone
who knows. It's the most vallyble thing I got you so far, you take my
word."

"Warrup!" said the motor, and tuff, tuff, tuff, and backed and snorted
while old Kipps danced about on the pavement as if foreseeing complex
catastrophes, and told the driver, "That's all right."

He waved his stout stick to his receding nephew. Then he turned to Sid.
"Now, if you could make something like that, young Pornick, you _might_
blow a bit!"

"I'll make a doocid sight better than _that_ before I done," said Sid,
hands deep in his pockets.

"Not _you_," said old Kipps.

The motor set up a prolonged sobbing moan and vanished around the
corner. Sid stood motionless for a space, unheeding some further remark
from old Kipps. The young mechanic had just discovered that to have
manufactured seventeen bicycles, including orders in hand, is not so big
a thing as he had supposed, and such discoveries try one's manhood....

"Oh well!" said Sid at last, and turned his face towards his mother's
cottage.

She had got a hot teacake for him, and she was a little hurt that he was
dark and preoccupied as he consumed it. He had always been such a boy
for teacake, and then when one went out specially and got him one----!

He did not tell her--he did not tell anyone--he had seen young Kipps. He
did not want to talk about Kipps for a bit to anyone at all.




CHAPTER V

THE PUPIL LOVER


§1

When Kipps came to reflect upon his afternoon's work he had his first
inkling of certain comprehensive incompatibilities lying about the
course of true love in his particular case. He had felt without
understanding the incongruity between the announcement he had failed to
make and the circle of ideas of his Aunt and Uncle. It was this rather
than the want of a specific intention that had silenced him, the
perception that when he travelled from Folkestone to New Romney he
travelled from an atmosphere where his engagement to Helen was sane and
excellent to an atmosphere where it was only to be regarded with
incredulous suspicion. Coupled and associated with this jar was his
sense of the altered behaviour of Sid Pornick, the evident shock to that
ancient alliance caused by the fact of his enrichment, the touch of
hostility in his "You'll soon be swelled too big to speak to a poor
mechanic like me." Kipps was unprepared for the unpleasant truth; that
the path of social advancement is and must be strewn with broken
friendships. This first protrusion of that fact caused a painful
confusion in his mind. It was speedily to protrude in a far more serious
fashion in relation to the "hands" from the Emporium, and Chitterlow.

From the day at Lympne Castle his relations with Helen had entered upon
a new footing. He had prayed for Helen as good souls pray for Heaven,
with as little understanding of what it was he prayed for. And now that
period of standing humbly in the shadows before the shrine was over, and
the Goddess, her veil of mystery flung aside, had come down to him and
taken hold of him, a good, strong, firm hold, and walked by his side....
She liked him. What was singular was that very soon she had kissed him
thrice, whimsically upon the brow, and he had never kissed her at all.
He could not analyse his feelings, only he knew the world was
wonderfully changed about them, but the truth was that, though he still
worshipped and feared her, though his pride in his engagement was
ridiculously vast, he loved her now no more. That subtle something woven
of the most delicate strands of self-love and tenderness and desire, had
vanished imperceptibly; and was gone now for ever. But that she did not
suspect in him, nor as a matter of fact did he.

She took him in hand in perfect good faith. She told him things about
his accent, she told him things about his bearing, about his costume and
his way of looking at things. She thrust the blade of her intelligence
into the tenderest corners of Kipps' secret vanity, she slashed his
most intimate pride to bleeding tatters. He sought very diligently to
anticipate some at least of these informing thrusts by making great use
of Coote. But the unanticipated made a brave number....

She found his simple willingness a very lovable thing.

Indeed she liked him more and more. There was a touch of motherliness in
her feelings towards him. But his upbringing and his associations had
been, she diagnosed, "awful." At New Romney she glanced but little; that
was remote. But in her inventory--she went over him as one might go over
a newly taken house, with impartial thoroughness--she discovered more
proximate influences, surprising intimations of nocturnal
"sing-songs"--she pictured it as almost shocking that Kipps should sing
to the banjo--much low-grade wisdom treasured from a person called
Buggins--"Who _is_ Buggins?" said Helen--vague figures of indisputable
vulgarity, Pierce and Carshot, and more particularly, a very terrible
social phenomenon, Chitterlow.

Chitterlow blazed upon them with unheralded oppressive brilliance the
first time they were abroad together.

They were going along the front of the Leas to see a school play in
Sandgate--at the last moment Mrs. Walshingham had been unable to come
with them--when Chitterlow loomed up into the new world. He was wearing
the suit of striped flannel and the straw hat that had followed Kipps'
payment in advance for his course in elocution, his hands were deep in
his side pockets and animated the corners of his jacket, and his
attentive gaze at the passing loungers, the faint smile under his boldly
drawn nose, showed him engaged in studying character--no doubt for some
forthcoming play.

"What HO!" said he, at the sight of Kipps, and swept off the straw hat
with so ample a clutch of his great, flat hand that it suggested to
Helen's startled mind a conjurer about to palm a half-penny.

"'Ello, Chitt'low," said Kipps a little awkwardly and not saluting.

Chitterlow hesitated. "Half a mo', my boy," he said, and arrested Kipps
by extending a large hand over his chest. "Excuse me, my dear," he said,
bowing like his Russian count by way of apology to Helen and with a
smile that would have killed at a hundred yards. He affected a
semi-confidential grouping of himself and Kipps while Helen stood in
white amazement.

"About that play," he said.

"'Ow about it?" asked Kipps, acutely aware of Helen.

"It's all right," said Chitterlow. "There's a strong smell of syndicate
in the air, I may tell you--Strong."

"That's aw right," said Kipps.

"You needn't tell everybody," said Chitterlow with a transitory,
confidential hand to his mouth, which pointed the application of the
"everybody" just a trifle too strongly. "But I think it's coming off.
However----. I mustn't detain you now. So long. You'll come 'round, eh?"

"Right you are," said Kipps.

"To-night?"

"At eight."

And then, and more in the manner of a Russian prince than any common
count, Chitterlow bowed and withdrew. Just for a moment he allowed a
conquering eye to challenge Helen's and noted her for a girl of
quality....

There was a silence between our lovers for a space.

"That," said Kipps with an allusive movement of the head, "was
Chitterlow."

"Is he--a friend of yours?"

"In a way.... You see--I met 'im. Leastways 'e met me. Run into me with
a bicycle, 'e did, and so we got talking together."

He tried to appear at his ease. The young lady scrutinised his profile.

"What is he?"

"'E's a Nacter chap," said Kipps. "Leastways 'e writes plays."

"And sells them?"

"Partly."

"Whom to?"

"Different people. Shares he sells.... It's all right, reely--I meant to
tell you about him before."

Helen looked over her shoulder to catch a view of Chitterlow's
retreating aspect. It did not compel her complete confidence.

She turned to her lover and said in a tone of quiet authority, "You must
tell me all about Chitterlow. Now."

The explanation began....

The School Play came almost as a relief to Kipps. In the flusterment of
going in he could almost forget for a time his Laocoon struggle to
explain, and in the intervals he did his best to keep forgetting. But
Helen, with a gentle insistence, resumed the explanation of Chitterlow
as they returned towards Folkestone.

Chitterlow was confoundedly difficult to explain. You could hardly
imagine!

There was an almost motherly anxiety in Helen's manner, blended with the
resolution of a schoolmistress to get to the bottom of the affair.
Kipps' ears were soon quite brightly red.

"Have you seen one of his plays?"

"'E's tole me about one."

"But on the stage."

"No. He 'asn't 'ad any on the stage yet. That's all coming...."

"Promise me," she said in conclusion, "you won't do anything without
consulting me."

And of course Kipps promised. "Oo--no!"

They went on their way in silence.

"One can't know everybody," said Helen in general.

"Of course," said Kipps; "in a sort of way it was him that helped me to
my money." And he indicated in a confused manner the story of the
advertisement. "I don't like to drop 'im all at once," he added.

Helen was silent for a space, and when she spoke she went off at a
tangent. "We shall live in London--soon," she remarked. "It's only while
we are here."

It was the first intimation she gave him of their post-nuptial
prospects.

"We shall have a nice little flat somewhere, not too far west, and there
we shall build up a circle of our own."


§2

All that declining summer Kipps was the pupil lover. He made an
extraordinarily open secret of his desire for self-improvement; indeed
Helen had to hint once or twice that his modest frankness was excessive,
and all this new circle of friends did, each after his or her manner,
everything that was possible to supplement Helen's efforts and help him
to ease and skill in the more cultivated circles to which he had come.
Coote was still the chief teacher, the tutor--there are so many little
difficulties that a man may take to another man that he would not care
to propound to the woman he loves--but they were all, so to speak, upon
the staff. Even the freckled girl said to him once in a pleasant way,
"You mustn't say "contre temps," you must say "contraytom,"" when he
borrowed that expression from "Manners and Rules," and she tried at his
own suggestion to give him clear ideas upon the subject of "as" and
"has." A certain confusion between these words was becoming evident, the
first fruits of a lesson from Chitterlow on the aspirate. Hitherto he
had discarded that dangerous letter almost altogether, but now he would
pull up at words beginning with "h" and draw a sawing breath--rather
like a startled kitten--and then aspirate with vigour.

Said Kipps one day, "_As_ 'e?--I should say, ah--Has 'e? Ye know I got a
lot of difficulty over them two words, which is which?"

"Well, 'as' is a conjunction and 'has' is a verb."

"I know," said Kipps, "but when is 'has' a conjunction and when is 'as'
a verb?"

"Well," said the freckled girl, preparing to be very lucid. "It's _has_
when it means one has, meaning having, but if it isn't it's _as_. As for
instance one says 'e--I mean _he_--He has. But one says 'as he has.'"

"I see," said Kipps. "So I ought to say 'as 'e?'"

"No, if you are asking a question you say _has_ 'e--I mean he--'as he?"
She blushed quite brightly, but still clung to her air of lucidity.

"I see," said Kipps. He was about to say something further, but he
desisted. "I got it much clearer now. _Has_ 'e? _Has_ 'e as. Yes."

"If you remember about having."

"Oo I will," said Kipps.

Miss Coote specialised in Kipps' artistic development. She had early
found an opinion that he had considerable artistic sensibility, his
remarks on her work had struck her as decidedly intelligent, and
whenever he called around to see them she would show him some work of
art, now an illustrated book, now perhaps a colour print of a
Botticelli, now the Hundred Best Paintings, now "Academy Pictures," now
a German art handbook and now some magazine of furniture and design. "I
know you like these things," she used to say, and Kipps said, "Oo I
_do_." He soon acquired a little armoury of appreciative sayings. When
presently the Walshinghams took him up to the Arts and Crafts, his
deportment was intelligent in the extreme. For a time he kept a wary
silence and suddenly pitched upon a colour print. "That's rather nace,"
he said to Mrs. Walshingham. "That lill' thing. There." He always said
things like that by preference to the mother rather than the daughter
unless he was perfectly sure.

He quite took to Mrs. Walshingham. He was impressed by her conspicuous
tact and refinement; it seemed to him that the ladylike could go no
further. She was always dressed with a delicate fussiness that was never
disarranged and even a sort of faded quality about her hair and face and
bearing and emotions contributed to her effect. Kipps was not a big man,
and commonly he did not feel a big man, but with Mrs. Walshingham he
always felt enormous and distended, as though he was a navvy who had
taken some disagreeable poison which puffed him up inside his skin as a
preliminary to bursting. He felt, too, as though he had been rolled in
clay and his hair dressed with gum. And he felt that his voice was
strident and his accent like somebody swinging a crowded pig's pail in a
free and careless manner. All this increased and enforced his respect
for her. Her hand, which flitted often and again to his hand and arm,
was singularly well shaped and cool. "Arthur," she called him from the
very beginning.

She did not so much positively teach and tell him as tactfully guide and
infect him. Her conversation was not so much didactic as exemplary. She
would say, "I _do_ like people to do" so and so. She would tell him
anecdotes of nice things done, of gentlemanly feats of graceful
consideration; she would record her neat observations of people in
trains and omnibuses; how, for example, a man had passed her change to
the conductor, "quite a common man he looked," but he had lifted his
hat. She stamped Kipps so deeply with the hat-raising habit that he
would uncover if he found himself in the same railway ticket office with
a lady had to stand ceremoniously until the difficulties of change drove
him to an apologetic provisional oblique resumption of his headgear....
And robbing these things of any air of personal application, she threw
about them an abundant talk about her two children--she called them her
Twin Jewels quite frequently--about their gifts, their temperaments,
their ambition, their need of opportunity. They needed opportunity, she
would say, as other people needed air....

In his conversations with her Kipps always assumed, and she seemed to
assume, that she was to join that home in London Helen foreshadowed, but
he was surprised one day to gather that this was not to be the case. "It
wouldn't do," said Helen, with decision. "We want to make a circle of
our own."

"But won't she be a bit lonely down here?" asked Kipps.

"There's the Waces, and Mrs. Prebble and Mrs. Bindon Botting and--lots
of people she knows." And Helen dismissed this possibility....

Young Walshingham's share in the educational syndicate was smaller. But
he shone out when they went to London on that Arts and Crafts
expedition. Then this rising man of affairs showed Kipps how to buy the
more theatrical weeklies for consumption in the train, how to buy and
what to buy in the way of cigarettes with gold tips and shilling cigars,
and how to order hock for lunch and sparkling Moselle for dinner, how to
calculate the fare of a hansom cab--penny a minute while he goes--how to
look intelligently at an hotel tape, and how to sit still in a train
like a thoughtful man instead of talking like a fool and giving yourself
away. And he, too, would glance at the good time coming when they were
to be in London for good and all.

That prospect expanded and developed particulars. It presently took up a
large part of Helen's conversation. Her conversations with Kipps were
never of a grossly sentimental sort; there was a shyness of speech in
that matter with both of them, but these new adumbrations were at least
as interesting and not so directly disagreeable as the clear-cut
intimations of personal defect that for a time had so greatly chastened
Kipps' delight in her presence. The future presented itself with an
almost perfect frankness as a joint campaign of Mrs. Walshingham's Twin
Jewels upon the Great World, with Kipps in the capacity of baggage and
supply. They would still be dreadfully poor, of course--this amazed
Kipps, but he said nothing--until "Brudderkins" began to succeed, but if
they were clever and lucky they might do a great deal.

When Helen spoke of London a brooding look, as of one who contemplates a
distant country, came into her eyes. Already it seemed they had the
nucleus of a set. Brudderkins was a member of the Theatrical Judges, an
excellent and influential little club of journalists and literary
people, and he knew Shimer and Stargate and Whiffle, of the "Red
Dragon," and besides these were the Revels. They knew the Revels quite
well. Sidney Revel before his rapid rise to prominence as a writer of
epigrammatic essays that were quite above the ordinary public, had been
an assistant master at one of the best Folkestone schools, Brudderkins
had brought him home to tea several times, and it was he had first
suggested Helen should try and write. "It's perfectly easy," Sidney had
said. He had been writing occasional things for the evening papers, and
for the weekly reviews even at that time. Then he had gone up to London
and had almost unavoidedly become a dramatic critic. Those brilliant
essays had followed, and then "Red Hearts a-Beating," the romance that
had made him. It was a tale of spirited adventure, full of youth and
beauty and naïve passion and generous devotion, bold, as the _Bookman_
said, and frank in places, but never in the slightest degree morbid. He
had met and married an American widow with quite a lot of money, and
they had made a very distinct place for themselves, Kipps learnt, in the
literary and artistic society of London. Helen seemed to dwell on the
Revels a great deal; it was her exemplary story, and when she spoke of
Sidney--she often called him Sidney--she would become thoughtful. She
spoke most of him naturally because she had still to meet Mrs. Revel....
Certainly they would be in the world in no time, even if the distant
connection with the Beaupres family came to nothing.

Kipps gathered that with his marriage and the movement to London they
were to undergo that subtle change of name Coote had first adumbrated.
They were to become "Cuyps," Mr. and Mrs. Cuyps. Or, was it Cuyp?

"It'll be rum at first," said Kipps. "I dessay I shall soon get into
it."...

So in their several ways they all contributed to enlarge and refine and
exercise the intelligence of Kipps. And behind all these other
influences, and, as it were, presiding over and correcting these
influences, was Kipps' nearest friend, Coote, a sort of master of the
ceremonies. You figure his face, blowing slightly with solicitude, his
slate coloured, projecting but not unkindly eye intent upon our hero.
The thing he thought was going off admirably. He studied Kipps'
character immensely. He would discuss him with his sister, with Mrs.
Walshingham, with the freckled girl, with anyone who would stand it. "He
is an interesting character," he would say, "likable--a sort of
gentleman by instinct. He takes to all these things. He improves every
day. He'll soon get Sang Froid. We took him up just in time. He wants
now--well----. Next year, perhaps, if there is a good Extension
Literature course, he might go in for it. He wants to go in for
something like that."

"He's going in for his bicycle now," said Mrs. Walshingham.

"That's all right for summer," said Coote, "but he wants to go in for
some serious, intellectual interest, something to take him out of
himself a little more. Savoir Faire and self-forgetfulness is more than
half the secret of Sang Froid."


§3

The world as Coote presented it was in part an endorsement, in part an
amplification and in part a rectification of the world of Kipps, the
world that derived from the old couple in New Romney and had been
developed in the Emporium; the world, in fact, of common British life.
There was the same subtle sense of social graduation that had moved Mrs.
Kipps to prohibit intercourse with labourers' children and the same
dread of anything "common" that had kept the personal quality of Mr.
Shalford's establishment so high. But now a certain disagreeable doubt
about Kipps' own position was removed and he stood with Coote inside the
sphere of gentlemen assured. Within the sphere of gentlemen there are
distinctions of rank indeed, but none of class; there are the Big People
and the modest, refined, gentlemanly little people like Coote, who may
even dabble in the professions and counterless trades; there are lords
and magnificences, and there are gentle folk who have to manage, but
they can all call on one another, they preserve a general equality of
deportment throughout, they constitute that great state within the
state, Society, or at any rate they make believe they do.

"But reely," said the Pupil, "not what you call being in Society?"

"Yes," said Coote. "Of course, down here one doesn't see much of it, but
there's local society. It has the same rules."

"Calling and all that?"

"Precisely," said Coote.

Kipps thought, whistled a bar, and suddenly broached a question of
conscience. "I often wonder," he said, "whether I oughtn't to dress for
dinner--when I'm alone 'ere."

Coote protruded his lips and reflected. "Not full dress," he
adjudicated; "that would be a little excessive. But you should _change_,
you know. Put on a mess jacket and that sort of thing--easy dress. That
is what _I_ should do, certainly, if I wasn't in harness--and poor."

He coughed modestly and patted his hair behind.

And after that the washing bill of Kipps quadrupled, and he was to be
seen at times by the bandstand with his light summer overcoat unbuttoned
to give a glimpse of his nice white tie. He and Coote would be smoking
the gold-tipped cigarettes young Walshingham had prescribed as _chic_,
and appreciating the music highly. "That's--puff--a very nice bit,"
Kipps would say, or better, "That's nace." And at the first grunts of
the loyal anthem up they stood with religiously uplifted hats. Whatever
else you might call them, you could never call them disloyal.

The boundary of Society was admittedly very close to Coote and Kipps,
and a leading solicitude of the true gentleman was to detect clearly
those "beneath" him, and to behave towards them in a proper spirit.
"It's jest there it's so 'ard for me," said Kipps. He had to cultivate a
certain "distance," to acquire altogether the art of checking the
presumption of bounders and old friends. It was difficult, Coote
admitted. "That's what, so harkward--I mean awkward."

"I got mixed up with this lot 'ere," said Kipps.

"You could give them a hint," said Coote.

"'Ow?"

"Oh!--the occasion will suggest something."

The occasion came one early closing night when Kipps was sitting in a
canopy chair near the bandstand, with his summer overcoat fully open and
a new Gibus pulled slightly forward over his brow, waiting for Coote.
They were to hear the band for an hour and then go down to assist Miss
Coote and the freckled girl in trying over some of Beethoven's duets, if
they remembered them, that is, sufficiently well. And as Kipps lounged
back in his chair and occupied his mind with his favourite amusement on
such evenings, which consisted chiefly in supposing that everyone about
him was wondering who he was, came a rude rap at the canvas back and the
voice of Pierce.

"It's nice to be a gentleman," said Pierce, and swung a penny chair into
position while Buggins appeared smiling agreeably on the other side and
leant upon his stick. _He was smoking a common briar pipe!_

Two real ladies, very fashionably dressed and sitting close at hand,
glanced quickly at Pierce, and then away again, and it was evident
_their_ wonder was at an end.

"_He's_ all right," said Buggins, removing his pipe and surveying Kipps.

"'Ello, Buggins!" said Kipps, not too cordially. "'Ow goes it?"

"All right. Holiday's next week. If you don't look out, Kipps, I shall
be on the Continong before you. Eh?"

"You going t' Boologne?"

"Ra-ther. Parley vous Francey. You bet."

"_I_ shall 'ave a bit of a run over there one of these days," said
Kipps.

There came a pause. Pierce applied the top of his stick to his mouth for
a space and regarded Kipps. Then he glanced at the people about them.

"I say, Kipps," he said in a distinct, loud voice, "see 'er Ladyship
lately?"

Kipps perceived the audience was to be impressed, but he responded
half-heartedly, "No, I 'aven't," he said.

"She was along of Sir William the other night," said Pierce, still loud
and clear, "and she asked to be remembered to you."

It seemed to Kipps that one of the two ladies smiled faintly and said
something to the other, and then certainly they glanced at Pierce. Kipps
flushed scarlet. "_Did_ she?" he answered.

Buggins laughed good-humouredly over his pipe.

"Sir William suffers a lot from his gout," Pierce continued unabashed.

(Buggins much amused with his pipe between his teeth.)

Kipps became aware of Coote at hand.

Coote nodded rather distantly to Pierce. "Hope I haven't kept you
waiting, Kipps," he said.

"I kep' a chair for you," said Kipps and removed a guardian foot.

"But you've got your friends," said Coote.

"Oh! _we_ don't mind," said Pierce cordially, "the more the merrier,"
and, "why don't you get a chair, Buggins?" Buggins shook his head in a
sort of aside to Pierce and Coote coughed behind his hand.

"Been kep' late at business?" asked Pierce.

Coote turned quite pale and pretended not to hear. His eyes sought in
space for a time and with a convulsive movement he recognised a distant
acquaintance and raised his hat.

Pierce had also become a little pale. He addressed himself to Kipps in
an undertone.

"Mr. Coote, isn't he?" he asked.

Coote addressed himself to Kipps directly and exclusively. His manner
had the calm of extreme tension.

"I'm rather late," he said. "I think we ought almost to be going on
_now_."

Kipps stood up. "That's all right," he said.

"Which way are you going?" said Pierce, standing also, and brushing some
crumbs of cigarette ash from his sleeve.

For a moment Coote was breathless. "Thank you," he said, and gasped.
Then he delivered the necessary blow; "I don't think we're in need of
your society, you know," and turned away.

Kipps found himself falling over chairs and things in the wake of Coote,
and then they were clear of the crowd.

For a space Coote said nothing; then he remarked abruptly and quite
angrily for him, "I think that was _awful_ Cheek!"

Kipps made no reply....

The whole thing was an interesting little object lesson in distance, and
it stuck in the front of Kipps' mind for a long time. He had
particularly vivid the face of Pierce, with an expression between
astonishment and anger. He felt as though he had struck Pierce in the
face under circumstances that gave Pierce no power to reply. He did not
attend very much to the duets and even forgot at the end of one of them
to say how perfectly lovely it was.


§4

But you must not imagine that the national ideal of a gentleman, as
Coote developed it, was all a matter of deportment and selectness, a
mere isolation from debasing associations. There is a Serious Side, a
deeper aspect of the true, True Gentleman. The True Gentleman does not
wear his heart on his sleeve. He is a polished surface above deeps. For
example, he is deeply religious, as Coote was, as Mrs. Walshingham was,
but outside the walls of a church it never appears, except perhaps now
and then in a pause, in a profound look, in a sudden avoidance. In quite
a little while Kipps also had learnt the pause, the profound look, the
sudden avoidance, that final refinement of spirituality, impressionistic
piety.

And the True Gentleman is patriotic also. When one saw Coote lifting
his hat to the National Anthem, then perhaps one got a glimpse of what
patriotic emotions, what worship, the polish of a gentleman may hide. Or
singing out his deep notes against the Hosts of Midian, in the St.
Stylites choir; then indeed you plumbed his spiritual side.


     Christian, dost thou heed them,
       On the holy ground,
     How the hosts of Mid-i-an,
       Prowl and prowl around!
     Christian, up and smai-it them....


But these were but gleams. For the rest, Religion, Nationality, Passion,
Money, Politics; much more so those cardinal issues, Birth and Death,
the True Gentleman skirted about, and became facially rigid towards and
ceased to speak and panted and blew.

"One doesn't talk of that sort of thing," Coote would say with a gesture
of the knuckly hand.

"O' course," Kipps would reply, with an equal significance.

Profundities. Deep as it were, blowing to deep.

One does not talk, but on the other hand one is punctilious to do.
Actions speak. Kipps--in spite of the fact that the Walshinghams were
more than a little lax--Kipps, who had formerly flitted Sunday after
Sunday from one Folkestone church to another, had now a sitting of his
own, paid for duly at Saint Stylites. There he was to be seen, always at
the surplice evening service, and sometimes of a morning, dressed with
a sober precision, and with an eye on Coote in the chancel. No
difficulties now about finding the place in his book. He became a
communicant again--he had lapsed soon after his confirmation when the
young lady in the costume-room, who was his adopted sister, left the
Emporium--and he would sometimes go around to the Vestry for Coote after
the service. One evening he was introduced to the Hon. and Rev.
Densemore. He was much too confused to say anything, and the noble
cleric had nothing to say, but indisputably they were introduced....

No! you must not imagine our national ideal of a gentleman is without
its "serious side," without even its stern and uncompromising side. The
imagination no doubt refuses to see Coote displaying extraordinary
refinements of courage upon the stricken field, but in the walks of
peace there is sometimes sore need of sternness. Charitable as one may
be, one must admit there are people who _do_ things, impossible things;
people who place themselves "out of it" in countless ways; people,
moreover, who are by a sort of predestination out of it from the
beginning, and against these Society has invented a terrible protection
for its Cootery, the Cut. The cut is no joke for anyone. It is
excommunication. You may be cut by an individual, you may be cut by a
set or you may be--and this is so tragic that beautiful romances have
been written about it--"Cut by the County." One figures Coote
discharging this last duty and cutting somebody--Coote, erect and pale,
never speaking, going past with eyes of pitiless slate, lower jaw
protruding a little, face pursed up and cold and stiff....

It never dawned upon Kipps that he would one day have to face this
terrible front, to be to Coote not only as one dead, but as one gone
more than a stage or so in decay, cut and passed, banned and outcast for
ever.

Yet so it was to be!

One cannot hide any longer that all this fine progress of Kipps is
doomed to end in collapse. So far indeed you have seen him ascend. You
have seen him becoming more refined and careful day by day, more
carefully dressed, less clumsy in the ways and methods of social life.
You have seen the gulf widening between himself and his former low
associates. I have brought you at last to the vision of him, faultlessly
dressed and posed, in an atmosphere of candlelight and chanting, in his
own sitting in one of the most fashionable churches in Folkestone....
All the time I have refrained from the lightest touch upon the tragic
note that must now creep into my tale. Yet the net of his low
connections has been about his feet, and moreover there was something
interwoven in his being....




CHAPTER VI

DISCORDS


§1

One day Kipps set out upon his newly-mastered bicycle to New Romney to
break the news of his engagement to his Uncle and Aunt--this time
positively. He was now a finished cyclist, but as yet an unseasoned one;
the southwest wind, even in its summer guise, as one meets it in the
Marsh, is the equivalent of a reasonable hill, and ever and again he got
off and refreshed himself by a spell of walking. He was walking just
outside New Romney preparatory to his triumphal entry (one hand off)
when abruptly he came upon Ann Pornick.

It chanced he was thinking about her at the time. He had been thinking
curious things; whether, after all, the atmosphere of New Romney and the
Marsh had not some difference, some faint impalpable quality that was
missing in the great and fashionable world of Folkestone behind there on
the hill. Here there was a homeliness, a familiarity. He had noted as he
passed that old Mr. Cliffordown's gate had been mended with a fresh
piece of string. In Folkestone he didn't take notice and he didn't care
if they built three hundred houses. Come to think of it, that was odd.
It was fine and grand to have twelve hundred a year; it was fine to go
about on trams and omnibuses and think not a person aboard was as rich
as oneself; it was fine to buy and order this and that and never have
any work to do and to be engaged to a girl distantly related to the Earl
of Beauprés, but yet there had been a zest in the old time out here, a
rare zest in the holidays, in sunlight, on the sea beach and in the High
Street, that failed from these new things. He thought of those bright
windows of holiday that had seemed so glorious to him in the retrospect
from his apprentice days. It was strange that now, amidst his present
splendours, they were glorious still!

All those things were over now--perhaps that was it! Something had
happened to the world and the old light had been turned out. He himself
was changed, and Sid was changed, terribly changed, and Ann no doubt was
changed.

He thought of her with the hair blown about her flushed cheeks as they
stood together after their race....

Certainly she must be changed, and all the magic she had been fraught
with to the very hem of her short petticoats gone no doubt for ever. And
as he thought that, or before and while he thought it, for he came to
all these things in his own vague and stumbling way, he looked up, and
there was Ann!

She was seven years older and greatly altered; yet for the moment it
seemed to him that she had not changed at all. "Ann!" he said, and she,
with a lifting note, "It's Art Kipps!"

Then he became aware of changes--improvements. She was as pretty as she
had promised to be, her blue eyes as dark as his memory of them, and
with a quick, high colour, but now Kipps by several inches was the
taller again. She was dressed in a simple grey dress that showed her
very clearly as a straight and healthy little woman, and her hat was
Sundayfied with pink flowers. She looked soft and warm and welcoming.
Her face was alight to Kipps with her artless gladness at their
encounter.

"It's Art Kipps!" she said.

"Rather," said Kipps.

"You got your holidays?"

It flashed upon Kipps that Sid had not told her of his great fortune.
Much regretful meditation upon Sid's behaviour had convinced him that he
himself was to blame for exasperating boastfulness in that affair, and
this time he took care not to err in that direction. He erred in the
other.

"I'm taking a bit of a 'oliday," he said.

"So'm I," said Ann.

"You been for a walk?" asked Kipps.

Ann showed him a bunch of wayside flowers.

"It's a long time since I seen you, Ann. Why, 'ow long must it be?
Seven--eight years nearly."

"It don't do to count," said Ann.

"It don't look like it," said Kipps, with the slightest emphasis.

"You got a moustache," said Ann, smelling her flowers and looking at him
over them, not without admiration.

Kipps blushed....

Presently they came to the bifurcation of the roads.

"I'm going down this way to mother's cottage," said Ann.

"I'll come a bit your way if I may."

In New Romney social distinctions that are primary realities in
Folkestone are absolutely non-existent, and it seemed quite permissible
for him to walk with Ann, for all that she was no more than a servant.
They talked with remarkable ease to one another, they slipped into a
vein of intimate reminiscence in the easiest manner. In a little while
Kipps was amazed to find Ann and himself at this:

"You r'ember that half sixpence? What you cut for me?"

"Yes."

"I got it still."

She hesitated. "Funny, wasn't it?" she said, and then, "you got yours,
Artie?"

"Rather," said Kipps. "What do you think?" and wondered in his heart of
hearts why he had never looked at that sixpence for so long.

Ann smiled at him frankly.

"I didn't expect you'd keep it," she said. "I thought often--it was
silly to keep mine. Besides," she reflected, "it didn't mean anything
really."

She glanced at him as she spoke and met his eye.

"Oh, didn't it!" said Kipps, a little late with his response, and
realising his infidelity to Helen even as he spoke.

"It didn't mean much anyhow," said Ann. "You still in the drapery?"

"I'm living at Folkestone," began Kipps and decided that that sufficed.
"Didn't Sid tell you he met me?"

"No! Here?"

"Yes. The other day. 'Bout a week or more ago."

"That was before I came."

"Ah! that was it," said Kipps.

"'E's got on," said Ann. "Got 'is own shop now, Artie."

"'E tole me."

They found themselves outside Muggett's cottages. "You going in?" said
Kipps.

"I s'pose so," said Ann.

They both hung upon the pause. Ann took a plunge.

"D'you often come to New Romney?" she said.

"I ride over a bit at times," said Kipps.

Another pause. Ann held out her hand.

"I'm glad I seen you," she said.

Extraordinary impulses arose in neglected parts of Kipps' being. "Ann,"
he said and stopped.

"Yes," said she, and was bright to him.

They looked at one another.

All and more than all of those first emotions of his adolescence had
come back to him. Her presence banished a multitude of countervaling
considerations. It was Ann more than ever. She stood breathing close to
him, with her soft-looking lips a little apart and gladness in her eyes.

"I'm awful glad to see you again," he said; "it brings back old times."

"Doesn't it?"

Another pause. He would have liked to have had a long talk to her, to
have gone for a walk with her or something, to have drawn nearer to her
in any conceivable way, and, above all, to have had some more of the
appreciation that shone in her eyes, but a vestige of Folkestone still
clinging to him told him it "wouldn't do." "Well," he said, "I must be
getting on," and turned away reluctantly, with a will under
compulsion....

When he looked back from the corner she was still at the gate. She was
perhaps a little disconcerted by his retreat. He felt that. He hesitated
for a moment, half turned, stood and suddenly did great things with his
hat. That hat! The wonderful hat of our civilisation!...

In another minute he was engaged in a singularly absent-minded
conversation with his Uncle about the usual topics.

His Uncle was very anxious to buy him a few upright clocks as an
investment for subsequent sale. And there were also some very nice
globes, one terrestrial and the other celestial, in a shop at Lydd that
would look well in a drawing-room and inevitably increase in value....
Kipps either did or did not agree to this purchase; he was unable to
recollect.

The southwest wind perhaps helped him back, at any rate he found himself
through Dymchurch without having noticed the place. There came an odd
effect as he drew near Hythe. The hills on the left and the trees on the
right seemed to draw together and close in upon him until his way was
straight and narrow. He could not turn around on that treacherous,
half-tamed machine, but he knew that behind him, he knew so well, spread
the wide, vast flatness of the Marsh shining under the afternoon sky. In
some way this was material to his thoughts. And as he rode through Hythe
he came upon the idea that there was a considerable amount of
incompatibility between the existence of one who was practically a
gentleman and of Ann.

In the neighbourhood of Seabrook he began to think he had, in some
subtle way, lowered himself by walking along by the side of Ann....
After all, she was only a servant.

Ann!

She called out all the least gentlemanly instincts of his nature. There
had been a moment in their conversation when he had quite distinctly
thought it would really be an extremely nice thing for someone to kiss
her lips.... There was something warming about Ann--at least for Kipps.
She impressed him as having somewhen during their vast interval of
separation contrived to make herself in some distinctive way his.

Fancy keeping that half sixpence all this time!

It was the most flattering thing that had ever happened to Kipps.


§2

He found himself presently sitting over "The Art of Conversing," lost in
the strangest musings. He got up, walked about, became stagnant at the
window for a space, roused himself and by way of something lighter tried
"Sesame and Lilies." From that, too, his attention wandered. He sat
back. Anon he smiled, anon sighed. He arose, pulled his keys from his
pocket, looked at them, decided and went upstairs. He opened the little
yellow box that had been the nucleus of all his possessions in the
world, and took out a small "Escritoire," the very humblest sort of
present, and opened it--kneeling. And there, in the corner, was a little
packet of paper, sealed as a last defence against any prying invader,
with red sealing wax. It had gone untouched for years. He held this
little packet between finger and thumb for a moment, regarding it, and
then put down the escritoire and broke the seal....

As he was getting into bed that night he remembered something for the
first time!

"Dash it!" he said. "Dashed if I told 'em _this_ time.... _Well!_ I
shall 'ave to go over to New Romney again!"

He got into bed and remained sitting pensively on the pillow for a
space.

"It's a rum world," he reflected after a vast interval.

Then he recalled that she had noticed his moustache and embarked upon a
sea of egotistical musings.

He imagined himself telling Ann how rich he was. What a surprise that
would be for her!

Finally he sighed profoundly, blew out his candle and snuggled down, and
in a little while he was asleep....

But the next morning and at intervals afterwards he found himself
thinking of Ann--Ann, the bright, the desirable, the welcoming, and with
an extraordinary streakiness he wanted quite badly to go and then as
badly not to go over to New Romney again.

Sitting on the Leas in the afternoon, he had an idea. "I ought to 'ave
told 'er, I suppose, about my being engaged.

"Ann!"

All sorts of dreams and impressions that had gone clean out of his
mental existence came back to him, changed and brought up to date to fit
her altered presence. He thought of how he had gone back to New Romney
for his Christmas holidays, determined to kiss her, and of the awful
blankness of the discovery that she had gone away.

It seemed incredible now, and yet not wholly incredible, that he had
cried real tears for her--how many years was it ago?


§3

Daily I should thank my Maker that He did not appoint me Censor of the
world of men. I should temper a fierce injustice with a spasmodic
indecision that would prolong rather than mitigate the bitterness of the
Day. For human dignity, for all conscious human superiority I should
lack the beginnings of charity, for bishops, prosperous schoolmasters,
judges and all large respect-pampered souls. And more especially
bishops, towards whom I bear an atavistic, Viking grudge, dreaming not
infrequently and with invariable zest of galleys and landings and well
known living ornaments of the episcopal bench sprinting inland on
twinkling gaiters before my thirsty blade--all these people, I say,
should treat below their deserts, but, on the other hand, for such as
Kipps----. There the exasperating indecisions would come in. The
Judgment would be arrested at Kipps. Everyone and everything would wait.
_You_ would wait. The balance would sway and sway, and whenever it
heeled towards an adverse decision, my finger would set it swaying
again. Kings, warriors, statesmen, brilliant women of our first
families, personalities, gallants, panting with indignation, headline
humanity in general, would stand undamned, unheeded, or be damned in the
most casual manner for their importunity, while my eye went about for
anything possible that could be said on behalf of Kipps.... Albeit I
fear nothing can save him from condemnation upon this present score,
that within two days he was talking to Ann again.

One seeks excuses. Overnight there had been an encounter of Chitterlow
and young Walshingham in his presence, that had certainly warped his
standards. They had called within a few minutes of each other, and the
two swayed by virile attentions to Old Methuselah Four Stars, had talked
against each other, over and at the hospitable presence of Kipps.
Walshingham had seemed to win at the beginning, but finally Chitterlow
had made a magnificent display of vociferation and swept him out of
existence. At the beginning Chitterlow had opened upon the great profits
of playwrights and young Walshingham had capped him at once with a
cynical, but impressive, display of knowledge of the High Finance. If
Chitterlow boasted his thousands, young Walshingham boasted his hundreds
of thousands, and was for a space left in sole possession of the stage,
juggling with the wealth of nations. He was going on by way of Financial
Politics to the Overman, before Chitterlow recovered from his first
check, and came back to victory. "Talking of Women," said Chitterlow,
coming in abruptly upon some things not generally known, beyond
Walshingham's more immediate circle, about a recently departed
Empire-builder; "Talking of Women and the way they Get at a man----"

[Though as a matter of fact they had been talking of the Corruption of
Society by Speculation.]

Upon this new topic Chitterlow was soon manifestly invincible. He knew
so much, he had known so many. Young Walshingham did his best with
epigrams and reservations, but even to Kipps it was evident that this
was a book-learned depravity. One felt Walshingham had never known the
inner realities of passion. But Chitterlow convinced and amazed. He had
run away with girls, he had been run away with by girls, he had been in
love with several at a time--"not counting Bessie"--he had loved and
lost, he had loved and refrained, and he had loved and failed. He threw
remarkable lights upon the moral state of America--in which country he
had toured with great success. He set his talk to the tune of one of Mr.
Kipling's best known songs. He told an incident of simple, romantic
passion, a delirious dream of love and beauty in a Saturday to Monday
steamboat trip up the Hudson, and tagged his end with, "I learnt about
women from 'er!" After that he adopted the refrain and then lapsed into
the praises of Kipling. "Little Kipling," said Chitterlow, with the
familiarity of affection, "_he_ knows," and broke into quotation:


     "I've taken my fun where I found it;
     I've rogued and I've ranged in my time;
     I've 'ad my picking of sweet'earts,
     An' four of the lot was Prime."


(These things, I say, affect the moral standards of the best of us.)

"_I'd_ have liked to have written that," said Chitterlow. "That's Life,
that is! But go and put it on the Stage, put even a bit of the Realities
of Life on the Stage, and see what they'll do to you! Only Kipling could
venture on a job like that. That Poem KNOCKED me! I don't say Kipling
hasn't knocked me before and since, but that was a Fair Knock Out. And
yet--you know--there's one thing in it ... this:


     "I've taken my fun where I've found it,
     And now I must pay for my fun,
     For the more you 'ave known o' the others,
     The less will you settle to one----"


Well. In my case anyhow--I don't know how much that proves, seeing I'm
exceptional in so many things and there's no good denying it--but so far
as I'm concerned--I tell you two, but of course you needn't let it go
any farther--I've been perfectly faithful to Muriel ever since I married
her--ever since.... Not once. Not even by accident have I ever said or
done anything in the slightest----." His little, brown eye became
pensive after this flattering intimacy and the gorgeous draperies of his
abundant voice fell into graver folds. "_I learnt about women from
'er_," he said impressively.

"Yes," said Walshingham, getting into the hinder spaces of that splendid
pause, "a man must know about women. And the only sound way of learning
is the experimental method."

"If you want to know about the experimental method, my boy," said
Chitterlow, resuming....

So they talked. _Ex pede Herculem_, as Coote, that cultivated polyglot,
would have put it. And in the small hours Kipps went to bed, with his
brain whirling with words and whiskey, and sat for an unconscionable
time upon his bed edge, musing sadly upon the unmanly monogamy of soul
that had cast its shadow upon his career, musing with his thoughts
pointing around more and more certainly to the possibility of at least
duplicity with Ann.


§4

For some days he had been refraining with some insistence from going off
to New Romney again....

I do not know if this may count in palliation of his misconduct. Men,
real Strong-Souled, Healthy Men, should be, I suppose, impervious to
conversational atmospheres, but I have never claimed for Kipps a place
at these high levels. The unquenchable fact remains that the next day he
spent the afternoon with Ann and found no scruple in displaying himself
a budding lover.

He had met her in the High Street, had stopped her, and almost on the
spur of the moment had boldly proposed a walk, "for the sake of old
times."

"_I_ don't mind," said Ann.

Her consent almost frightened Kipps. His imagination had not carried him
to that. "It would be a lark," said Kipps, and looked up the street and
down. "Now?" he said.

"I don't mind a bit, Artie. I was just going for a walk along towards
St. Mary's."

"Let's go that way be'ind the church," said Kipps, and presently they
found themselves drifting seaward in a mood of pleasant commonplace. For
a while they talked of Sid. It went clean out of Kipps' head at that
early stage even that Ann was a "girl" according to the exposition of
Chitterlow, and for a time he remembered only that she was Ann. But
afterwards, with the reek of that talk in his head, he lapsed a little
from that personal relation. They came out upon the beach and sat down
in a tumbled, pebbly place, where a meagre grass and patches of sea
poppy were growing, and Kipps reclined on his elbow and tossed pebbles
in his hand, and Ann sat up, sunlit, regarding him. They talked in
fragments. They exhausted Sid, they exhausted Ann, and Kipps was chary
of his riches.

He declined to a faint love-making. "I got that 'arf sixpence still," he
said.

"Reely?"

That changed the key. "I always kept mine, some'ow," said Ann, and there
was a pause.

They spoke of how often they had thought of each other during those
intervening years. Kipps may have been untruthful, but Ann perhaps was
not. "I met people here and there," said Ann; "but I never met anyone
quite like you, Artie."

"It's jolly our meeting again, anyhow," said Kipps. "Look at that ship
out there. She's pretty close in...."

He had a dull period, became indeed almost pensive, and then he was
enterprising for a while. He tossed up his pebbles so that as if by
accident they fell on Ann's hand. Then, very penitently, he stroked the
place. That would have led to all sorts of coquetries on the part of Flo
Banks, for example, but it disconcerted and checked Kipps to find Ann
made no objection, smiled pleasantly down on him, with eyes half shut
because of the sun. She was taking things very much for granted.

He began to talk, and Chitterlow standards resuming possession of him he
said he had never forgotten her.

"I never forgotten you either, Artie," she said. "Funny, isn't it?"

It impressed Kipps also as funny.

He became reminiscent, and suddenly a warm summer's evening came back to
him. "Remember them cockchafers, Ann?" he said. But the reality of the
evening he recalled was not the chase of cockchafers. The great reality
that had suddenly arisen between them was that he had never kissed Ann
in his life. He looked up and there were her lips.

He had wanted to very badly, and his memory leaped and annihilated an
interval. That old resolution came back to him and all sorts of new
resolutions passed out of mind. And he had learnt something since those
boyish days. This time he did not ask. He went on talking, his nerves
began very faintly to quiver and his mind grew bright.

Presently, having satisfied himself that there was no one to see, he sat
up beside her and remarked upon the clearness of the air, and how close
Dungeness seemed to them. Then they came upon a pause again.

"Ann," he whispered, and put an arm that quivered about her.

She was mute and unresisting, and, as he was to remember, solemn.

He turned her face towards him, and kissed her lips, and she kissed him
back again--kisses frank and tender as a child's.


§5

It was curious that in the retrospect he did not find nearly the
satisfaction in this infidelity he had imagined was there. It was no
doubt desperately doggish, doggish to an almost Chitterlowesque degree
to recline on the beach at Littlestone with a "girl," to make love to
her and to achieve the triumph of kissing her, when he was engaged to
another "girl" at Folkestone, but somehow these two people were not
"girls," they were Ann and Helen. Particularly Helen declined to be
considered as a "girl." And there was something in Ann's quietly
friendly eyes, in her frank smile, in the naïve pressure of her hand,
there was something undefended and welcoming that imparted a flavour to
the business upon which he had not counted. He had learnt about women
from her. That refrain ran through his mind and deflected his thoughts,
but as a matter of fact he had learnt about nothing but himself.

He wanted very much to see Ann some more and explain. He did not clearly
know what it was he wanted to explain.

He did not clearly know anything. It is the last achievement of the
intelligence to get all of one's life into one coherent scheme, and
Kipps was only in a measure more aware of himself as a whole than is a
tree. His existence was an affair of dissolving and recurring moods.
When he thought of Helen or Ann or any of his friends, he thought
sometimes of this aspect and sometimes of that--and often one aspect was
finally incongruous with another. He loved Helen, he revered Helen. He
was also beginning to hate her with some intensity. When he thought of
that expedition to Lympne, profound, vague, beautiful emotions flooded
his being; when he thought of paying calls with her perforce, or of her
latest comment on his bearing, he found himself rebelliously composing
fierce and pungent insults, couched in the vernacular. But Ann, whom he
had seen so much less of, was a simpler memory. She was pretty, she was
almost softly feminine, and she was possible to his imagination just
exactly where Helen was impossible. More than anything else, she carried
the charm of respect for him, the slightest glance of her eyes was balm
for his perpetually wounded self-conceit.

Chance suggestions it was set the tune of his thoughts, and his state
of health and repletion gave the colour. Yet somehow he had this at
least almost clear in his mind, that to have gone to see Ann a second
time, to have implied that she had been in possession of his thoughts
through all this interval, and, above all, to have kissed her, was
shabby and wrong. Only unhappily this much of lucidity had come now just
a few hours after it was needed.


§6

Four days after this it was that Kipps got up so late. He got up late,
cut his chin while shaving, kicked a slipper into his sponge bath and
said, "Desh!"

Perhaps you know those intolerable mornings, dear Reader, when you seem
to have neither the heart nor the strength to rise, and your nervous
adjustments are all wrong and your fingers thumbs, and you hate the very
birds for singing. You feel inadequate to any demand whatever. Often
such awakenings follow a poor night's rest, and commonly they mean
indiscriminate eating, or those subtle mental influences old Kipps
ascribed to "Foozle Ile" in the system, or worry. And with Kipps--albeit
Chitterlow had again been his guest overnight--assuredly worry had
played a leading rôle. Troubles had been gathering upon him for days,
there had been a sort of concentration of these hosts of Midian
overnight, and in the grey small hours Kipps had held his review.

The predominating trouble marched under this banner:


     MR. KIPPS

              MRS. BINDON BOTTING

                     At Home

            Thursday, September 16th

     Anagrams, 4 to 6:30            R. S. V. P.


a banner that was the fac-simile of a card upon his looking glass in the
room below. And in relation to this terribly significant document things
had come to a pass with Helen that he could only describe in his own
expressive idiom as "words."

It had long been a smouldering issue between them that Kipps was not
availing himself with any energy or freedom of the opportunities he had
of social exercises, much less was he seeking additional opportunities.
He had, it was evident, a peculiar dread of that universal afternoon
enjoyment, the Call, and Helen made it unambiguously evident that this
dread was "silly" and had to be overcome. His first display of this
unmanly weakness occurred at the Coote's on the day before he kissed
Ann. They were all there, chatting very pleasantly, when the little
servant with the big cap announced the younger Miss Wace.

Whereupon Kipps manifested a lively horror and rose partially from his
chair. "O Gum!" he protested. "Carn't I go upstairs?"

Then he sank back, for it was too late. Very probably the younger Miss
Wace had heard him as she came in.

Helen said nothing of that, though her manner may have shown her
surprise, but afterwards she told Kipps he must get used to seeing
people, and suggested that he should pay a series of calls with Mrs.
Walshingham and herself. Kipps gave a reluctant assent at the time and
afterwards displayed a talent for evasion that she had not suspected in
him. At last she did succeed in securing him for a call upon Miss
Punchafer, of Radnor Park--a particularly easy call because Miss
Punchafer being so deaf one could say practically what one liked--and
then outside the gate he shirked again. "I can't go in," he said in a
faded voice.

"You _must_," said Helen, beautiful as ever, but even more than a little
hard and forbidding.

"I can't."

He produced his handkerchief hastily, thrust it to his face, and
regarded her over it with rounded, hostile eyes.

"'Possible," he said in a hoarse, strange voice out of the handkerchief.
"Nozzez bleedin'."

But that was the end of his power of resistance, and when the rally for
the Anagram Tea occurred she bore down his feeble protests altogether.
She insisted. She said frankly, "I am going to give you a good talking
to about this," and she did....

From Coote he gathered something of the nature of Anagrams and Anagram
parties. An anagram, Coote explained, was a word spelt the same way as
another, only differently arranged, as, for instance, T. O. C. O. E.
would be an anagram for his own name, Coote.

"T. O. C. O. E.," repeated Kipps very carefully.

"Or T. O. E. C. O.," said Coote.

"Or T. O. E. C. O.," said Kipps, assisting his poor head by nodding it
at each letter.

"Toe Company like," he said in his efforts to comprehend.

When Kipps was clear what an anagram meant, Coote came to the second
heading, the Tea. Kipps gathered there might be from thirty to sixty
people present, and that each one would have an anagram pinned on. "They
give you a card to put your guesses on, rather like a dance programme,
and then, you know, you go around and guess," said Coote. "It's rather
good fun."

"Oo rather!" said Kipps, with simulated gusto.

"It shakes everybody up together," said Coote.

Kipps smiled and nodded....

In the small hours all his painful meditations were threaded by the
vision of that Anagram Tea; it kept marching to and fro and in and out
of all his other troubles, from thirty to sixty people, mostly ladies
and callers, and a great number of the letters of the alphabet, and
more particularly P. I. K. P. S. and T. O. E. C. O., and he was trying
to make one word out of the whole interminable procession....

This word, as he finally gave it with some emphasis to the silence of
the night, was _"Demn!"_

Then, wreathed as it were in this lettered procession, was the figure of
Helen as she had appeared at the moment of "words"; her face a little
hard, a little irritated, a little disappointed. He imagined himself
going around and guessing under her eye....

He tried to think of other things, without lapsing upon a still deeper
uneasiness that was wreathed with yellow sea poppies, and the figures of
Buggins, Pierce and Carshot, three murdered Friendships, rose
reproachfully in the stillness and changed horrible apprehensions into
unspeakable remorse. Last night had been their customary night for the
banjo, and Kipps, with a certain tremulous uncertainty, had put old
Methuselah amidst a retinue of glasses on the table and opened a box of
choice cigars. In vain. They were in no need, it seemed, of _his_
society. But instead Chitterlow had come, anxious to know if it was all
right about that syndicate plan. He had declined anything but a very
weak whiskey and soda, "just to drink," at least until business was
settled, and had then opened the whole affair with an effect of great
orderliness to Kipps. Soon he was taking another whiskey by sheer
inadvertency, and the complex fabric of his conversation was running
more easily from the broad loom of his mind. Into that pattern had
interwoven a narrative of extensive alterations in the Pestered
Butterfly--the neck and beetle business was to be restored--the story of
a grave difference of opinion with Mrs. Chitterlow, where and how to
live after the play had succeeded, the reasons why the Hon. Thomas
Norgate had never financed a syndicate, and much matter also about the
syndicate now under discussion. But if the current of their conversation
had been vortical and crowded, the outcome was perfectly clear. Kipps
was to be the chief participator in the syndicate, and his contribution
was to be two thousand pounds. Kipps groaned and rolled over and found
Helen, as it were, on the other side. "Promise me," she had said, "you
won't do anything without consulting me."

Kipps at once rolled back to his former position, and for a space lay
quite still. He felt like a very young rabbit in a trap.

Then suddenly, with extraordinary distinctness, his heart cried out for
Ann, and he saw her as he had seen her at New Romney, sitting amidst the
yellow sea poppies with the sunlight on her face. His heart called out
for her in the darkness as one calls for rescue. He knew, as though he
had known it always, that he loved Helen no more. He wanted Ann, he
wanted to hold her and be held by her, to kiss her again and again, to
turn his back forever on all these other things....

He rose late, but this terrible discovery was still there, undispelled
by cockcrow or the day. He rose in a shattered condition, and he cut
himself while shaving, but at last he got into his dining-room and could
pull the bell for the hot constituents of his multifarious breakfast.
And then he turned to his letters. There were two real letters in
addition to the customary electric belt advertisement, continental
lottery circular and betting tout's card. One was in a slight mourning
envelope and addressed in an unfamiliar hand. This he opened first and
discovered a note:


                  MRS. RAYMOND WACE

              Requests the pleasure of

                    MR. KIPPS'

                Company at Dinner

     on Tuesday, September 21st, at 8 o'clock


With a hasty movement Kipps turned his mind to the second letter. It was
an unusually long one from his Uncle, and ran as follows:


"MY DEAR NEPHEW:

"We are considerably startled by your letter though expecting something
of the sort and disposed to hope for the best. If the young lady is a
relation to the Earl of Beauprés well and good but take care you are not
being imposed upon for there are many who will be glad enough to snap
you up now your circumstances are altered--I waited on the old Earl
once while in service and he was remarkably close with his tips and
suffered from corns. A hasty old gent and hard to please--I daresay he
has forgotten me altogether--and anyhow there is no need to rake up
bygones. To-morrow is bus day and as you say the young lady is living
near by we shall shut up shop for there is really nothing doing now what
with all the visitors bringing everything with them down to their very
children's pails and say how de do to her and give her a bit of a kiss
and encouragement if we think her suitable--she will be pleased to see
your old uncle--We wish we could have had a look at her first but still
there is not much mischief done and hoping that all will turn out well
yet I am

"Your affectionate Uncle
     "EDWARD GEORGE KIPPS.


"My heartburn still very bad. I shall bring over a few bits of rhubub I
picked up, a sort you won't get in Folkestone and if possible a good
bunch of flowers for the young lady."


"Comin' over to-day," said Kipps, standing helplessly with the letter in
his hand.

"'Ow, the Juice----?

"I carn't.

"Kiss 'er!"

"I carn't even face 'er----!"

A terrible anticipation of that gathering framed itself in his mind--a
hideous, impossible disaster.

His voice went up to a note of despair, "And it's too late to telegrarf
and stop 'em!"

About twenty minutes after this, an outporter in Castle Hill Avenue was
accosted by a young man, with a pale, desperate face, an exquisitely
rolled umbrella and a heavy Gladstone bag.

"Carry this to the station, will you?" said the young man. "I want to
ketch the nex' train to London.... You'll 'ave to look sharp--I 'aven't
very much time."




CHAPTER VII

LONDON


§1

London was Kipps' third world. There were no doubt other worlds, but
Kipps knew only these three; firstly, New Romney and the Emporium,
constituting his primary world, his world of origin, which also
contained Ann; secondly, the world of culture and refinement, the world
of which Coote was chaperon, and into which Kipps was presently to
marry, a world it was fast becoming evident absolutely incompatible with
the first, and, thirdly, a world still to a large extent unexplored,
London. London presented itself as a place of great, grey spaces and
incredible multitudes of people, centring about Charing Cross station
and the Royal Grand Hotel, and containing at unexpected arbitrary points
shops of the most amazing sort, statuary, Squares, Restaurants--where it
was possible for clever people like Walshingham to order a lunch item by
item, to the waiters' evident respect and sympathy--exhibitions of
incredible things--the Walshinghams had taken him to the Arts and
Crafts and to a picture gallery--and theatres. London, moreover, is
rendered habitable by hansom cabs. Young Walshingham was a natural cab
taker, he was an all-round large minded young man, and he had in the
course of their two days' stay taken Kipps into no less than nine, so
that Kipps was singularly not afraid of these vehicles. He knew that
whereever you were, so soon as you were thoroughly lost you said "Hi!"
to a cab, and then "Royal Grand Hotel." Day and night these trusty
conveyances are returning the strayed Londoner back to his point of
departure, and were it not for their activity in a little while the
whole population, so vast and incomprehensible is the intricate
complexity of this great city, would be hopelessly lost forever. At any
rate, that is how the thing presented itself to Kipps, and I have heard
much the same from visitors from America.

His train was composed of corridor carriages, and he forgot his trouble
for a time in the wonders of this modern substitute for railway
compartments. He went from the non-smoking to the smoking carriage and
smoked a cigarette, and strayed from his second-class carriage to a
first and back. But presently Black Care got aboard the train and came
and sat beside him. The exhilaration of escape had evaporated now, and
he was presented with a terrible picture of his Aunt and Uncle arriving
at his lodgings and finding him fled. He had left a hasty message that
he was called away suddenly on business, "ver' important business," and
they were to be sumptuously entertained. His immediate motive had been
his passionate dread of an encounter between these excellent but
unrefined old people and the Walshinghams, but now that end was secured,
he could see how thwarted and exasperated they would be.

How to explain to them?

He ought never to have written to tell them!

He ought to have got married and told them afterwards.

He ought to have consulted Helen.

"Promise me," she had said.

"Oh, _desh_!" said Kipps, and got up and walked back into the smoking
car and began to consume cigarettes.

Suppose, after all, they found out the Walshingham's address and went
there!

At Charing Cross, however, there were distractions again. He took a cab
in an entirely Walshingham manner, and was pleased to note the enhanced
respect of the cabman when he mentioned the Royal Grand. He followed
Walshingham's routine on their previous visit with perfect success. They
were very nice in the office, and gave him an excellent room at fourteen
shillings the night.

He went up and spent a considerable time in examining the furniture of
his room, scrutinising himself in its various mirrors and sitting on the
edge of the bed whistling. It was a vast and splendid apartment, and
cheap at fourteen shillings. But, finding the figure of Ann inclined to
resume possession of his mind, he roused himself and descended by the
staircase after a momentary hesitation before the lift. He had thought
of lunch, but he drifted into the great drawing-room and read a guide to
the Hotels of Europe for a space, until a doubt whether he was entitled
to use this palatial apartment without extra charge arose in his mind.
He would have liked something to eat very much now, but his inbred
terror of the table was very strong. He did at last get by a porter in
uniform towards the dining-room, but at the sight of a number of waiters
and tables, with remarkable complications of knives and glasses, terror
seized him, and he backed out again, with a mumbled remark to the waiter
in the doorway about this not being the way.

He hovered in the hall and lounge until he thought the presiding porter
regarded him with suspicion, and then went up to his room again by the
staircase, got his hat and umbrella and struck boldly across the
courtyard. He would go to a restaurant instead.

He had a moment of elation in the gateway. He felt all the Strand must
notice him as he emerged through the great gate of the Hotel. "One of
these here rich swells," they would say. "Don't they do it just!" A
cabman touched his hat. "No fear," said Kipps, pleasantly.

Then he remembered he was hungry again.

Yet he decided he was in no great hurry for lunch, in spite of an
internal protest, and turned eastward along the Strand in a leisurely
manner. He tried to find a place to suit him soon enough. He tried to
remember the sort of things Walshingham had ordered. Before all things
he didn't want to go into a place and look like a fool. Some of these
places rook you dreadful, besides making fun of you. There was a place
near Essex Street where there was a window brightly full of chops,
tomatoes and lettuce. He stopped at this and reflected for a time, and
then it occurred to him that you were expected to buy these things raw
and cook them at home. Anyhow, there was sufficient doubt in the matter
to stop him. He drifted on to a neat window with champagne bottles, a
dish of asparagus and a framed menu of a two shilling lunch. He was
about to enter, when fortunately he perceived two waiters looking at him
over the back screen of the window with a most ironical expression, and
he sheered off at once. There was a wonderful smell of hot food half way
down Fleet Street and a nice looking Tavern with several doors, but he
could not decide which door. His nerve was going under the strain.

He hesitated at Farringdon Street and drifted up to St. Paul's and round
the church yard, full chiefly of dead bargains in the shop windows, to
Cheapside. But now Kipps was getting demoralised, and each house of
refreshment seemed to promise still more complicated obstacles to food.
He didn't know how you went in and what was the correct thing to do with
your hat, he didn't know what you said to the waiter or what you called
the different things; he was convinced absolutely he would "fumble," as
Shalford would have said, and look like a fool. Somebody might laugh at
him! The hungrier he got the more unendurable was the thought that
anyone should laugh at him. For a time he considered an extraordinary
expedient to account for his ignorance. He would go in and pretend to be
a foreigner and not know English. Then they might understand....
Presently he had drifted into a part of London where there did not seem
to be any refreshment places at all.

"Oh, _desh_!" said Kipps, in a sort of agony of indecisiveness. "The
very nex' place I see, in I go."

The next place was a fried fish shop in a little side street, where
there were also sausages on a gas-lit grill.

He would have gone in, but suddenly a new scruple came to him, that he
was too well dressed for the company he could see dimly through the
steam sitting at the counter and eating with a sort of nonchalant speed.


§2

He was half minded to resort to a hansom and brave the terrors of the
dining-room of the Royal Grand--they wouldn't know why he had gone out
really--when the only person he knew in London appeared (as the only
person one does know will do in London) and slapped him on the
shoulder. Kipps was hovering at a window at a few yards from the fish
shop, pretending to examine some really strikingly cheap pink baby
linen, and trying to settle finally about those sausages.

"Hullo, Kipps!" cried Sid; "spending the millions?"

Kipps turned, and was glad to perceive no lingering vestige of the
chagrin that had been so painful at New Romney. Sid looked grave and
important, and he wore a quite new silk hat that gave a commercial touch
to a generally socialistic costume. For a moment the sight of Sid
uplifted Kipps wonderfully. He saw him as a friend and helper, and only
presently did it come clearly into his mind that this was the brother of
Ann.

He made amiable noises.

"I've just been up this way," Sid explained, "buying a second-hand
'namelling stove.... I'm going to 'namel myself."

"Lor'!" said Kipps.

"Yes. Do me a lot of good. Let the customer choose his colour. See? What
brings _you_ up?"

Kipps had a momentary vision of his foiled Uncle and Aunt. "Jest a bit
of a change," he said.

Sid came to a swift decision. "Come down to my little show. I got
someone I'd like to see talking to you."

Even then Kipps did not think of Ann in this connection.

"Well," he said, trying to invent an excuse on the spur of the moment.
"Fact is," he explained, "I was jest looking 'round to get a bit of
lunch."

"Dinner, we call it," said Sid. "But that's all right. You can't get
anything to eat hereabout. If you're not too haughty to do a bit of
slumming, there's some mutton spoiling for me now----"

The word "mutton" affected Kipps greatly.

"It won't take us 'arf an hour," said Sid, and Kipps was carried.

He discovered another means of London locomotion in the Underground
Railway, and recovered his self-possession in that interest. "You don't
mind going third?" asked Sid, and Kipps said, "Nort a _bit_ of it." They
were silent in the train for a time, on account of strangers in the
carriage, and then Sid began to explain who it was that he wanted Kipps
to meet. "It's a chap named Masterman--do you no end of good.

"He occupies our first floor front room, you know. It isn't so much for
gain I let as company. We don't _want_ the whole 'ouse, and another, I
knew the man before. Met him at our Sociological, and after a bit he
said he wasn't comfortable where he was. That's how it came about. He's
a first-class chap--first-class. Science! You should see his books!

"Properly he's a sort of journalist. He's written a lot of things, but
he's been too ill lately to do very much. Poetry he's written, all
sorts. He writes for the _Commonweal_ sometimes, and sometimes he
reviews books. 'E's got 'eaps of books--'eaps. Besides selling a lot.

"He knows a regular lot of people, and all sorts of things. He's been a
dentist, and he's a qualified chemist, an' I seen him often reading
German and French. Taught 'imself. He was here----"

Sid indicated South Kensington, which had come opportunely outside the
carriage windows, with a nod of his head, "--three years. Studying
science. But you'll see 'im. When he really gets to talking--he _pours_
it out."

"Ah!" said Kipps, nodding sympathetically, with his two hands on his
umbrella knob.

"He'll do big things some day," said Sid. "He's written a book on
science already. 'Physiography,' it's called. 'Elementary Physiography'!
Some day he'll write an Advanced--when he gets time."

He let this soak into Kipps.

"I can't introduce you to Lords and swells," he went on, "but I _can_
show you a Famous Man, that's going to be. I _can_ do that.
Leastways--unless----"

Sid hesitated.

"He's got a frightful cough," he said.

"He won't care to talk with me," weighed Kipps.

"That's all right; _he_ won't mind. He's fond of talking. He'd talk to
anyone," said Sid, reassuringly, and added a perplexing bit of
Londonized Latin. "He doesn't _pute_ anything, _non alienum_. You know."

"_I_ know," said Kipps, intelligently, over his umbrella knob, though
of course that was altogether untrue.


§3

Kipps found Sid's shop a practical looking establishment, stocked with
the most remarkable collection of bicycles and pieces of bicycle that he
had ever beheld. "My hiring stock," said Sid, with a wave to this
ironmongery, "and there's the best machine at a democratic price in
London, The Red-Flag, built by _me_. See?"

He indicated a graceful, grey-brown framework in the window. "And
there's my stock of accessories--store prices.

"Go in for motors a bit," added Sid.

"Mutton?" said Kipps, not hearing him distinctly.

"Motors, I _said_.... 'Owever, Mutton Department 'ere," and he opened a
door that had a curtain guarded window in its upper panel, to reveal a
little room with red walls and green furniture, with a white clothed
table and the generous promise of a meal. "Fanny!" he shouted. "Here's
Art Kipps."

A bright-eyed young woman of five or six and twenty in a pink print
appeared, a little flushed from cooking, and wiped a hand on an apron
and shook hands and smiled, and said it would all be ready in a minute.
She went on to say she had heard of Kipps and his luck, and meanwhile
Sid vanished to draw the beer, and returned with two glasses for himself
and Kipps.

"Drink that," said Sid, and Kipps felt all the better for it.

"I give Mr. Masterman _'is_ upstairs a hour ago," said Mrs. Sid. "I
didn't think 'e ought to wait."

A rapid succession of brisk movements on the part of everyone, and they
were all four at dinner--the fourth person being Master Walt Whitman
Pornick, a cheerful young gentleman of one and a half, who was given a
spoon to hammer on the table with to keep him quiet, and who got "Kipps"
right at the first effort and kept it all through the meal, combining it
first with this previous acquisition, and then that. "Peacock Kipps"
said Master Walt, at which there was great laughter, and also "More
Mutton, Kipps."

"He's a regular oner," said Mrs. Sid, "for catching up words. You can't
say a word but what 'e's on to it."

There were no serviettes and less ceremony, and Kipps thought he had
never enjoyed a meal so much. Everyone was a little excited by the
meeting and chatting, and disposed to laugh, and things went off easily
from the very beginning. If there was a pause Master Walt filled it in.
Mrs. Sid, who tempered her enormous admiration for Sid's intellect and
his socialism and his severe business methods by a motherly sense of her
sex and seniority, spoke of them both as "you boys," and dilated--when
she was not urging Kipps to have some more of this or that--on the
disparity between herself and her husband.

"Shouldn't ha' thought there was a year between you," said Kipps; "you
seem jest a match."

"_I'm his_ match, anyhow," said Mrs. Sid, and no epigram of young
Walshingham's was ever better received.

"Match," said young Walt, coming in on the trail of the joke and getting
a round for himself.

Any sense of superior fortune had long vanished from Kipps' mind, and he
found himself looking at host and hostess with enormous respect. Really,
old Sid was a wonderful chap, here in his own house at two and twenty,
carving his own mutton and lording it over wife and child. No legacies
needed by him! And Mrs. Sid, so kind and bright and hearty! And the
child, old Sid's child! Old Sid had jumped round a bit. It needed the
sense of his fortune at the back of his mind to keep Kipps from feeling
abject. He resolved he'd buy young Walt something tremendous in toys at
the first opportunity.

"Drop more beer, Art?"

"Right you are, old man."

"Cut Mr. Kipps a bit more bread, Sid."

"Can't I pass _you_ a bit?"

Sid was all right, Sid was, and there was no mistake about that.

It was growing up in his mind that Sid was the brother of Ann, but he
said nothing about her for excellent reasons. After all, because he
remembered Sid's irritation at her name when they had met in New Romney
seemed to show a certain separation. They didn't tell each other
much.... He didn't know how things might be between Ann and Sid, either.

Still, for all that, Sid was Ann's brother.

The furniture of the room did not assert itself very much above the
cheerful business at the table, but Kipps was impressed with the idea
that it was pretty. There was a dresser at the end with a number of gay
plates and a mug or so, a Labour Day poster, by Walter Crane, on the
wall, and through the glass and over the blind of the shop door one had
a glimpse of the bright coloured advertisement cards of bicycle dealers,
and a shelfful of boxes labelled, The Paragon Bell, The Scarum Bell, and
The Patent Omi! Horn....

It seemed incredible that he had been in Folkestone that morning, and
even now his Aunt and Uncle----!

Brrr. It didn't do to think of his Aunt and Uncle.


§4

When Sid repeated his invitation to come and see Masterman, Kipps, now
flushed with beer and Irish stew, said he didn't mind if he did, and
after a preliminary shout from Sid that was answered by a voice and a
cough, the two went upstairs.

"Masterman's a rare one," said Sid over his arm and in an undertone.
"You should hear him speak at a meeting.... If he's in form, that is."

He rapped and went into a large, untidy room.

"This is Kipps," he said. "You know. The chap I told you of. With twelve
'undred a year."

Masterman sat gnawing at an empty pipe and as close to the fire as
though it was alight and the season midwinter. Kipps concentrated upon
him for a space, and only later took in something of the frowsy
furniture, the little bed half behind, and evidently supposed to be
wholly behind, a careless screen, the spittoon by the fender, the
remains of a dinner on the chest of drawers and the scattered books and
papers. Masterman's face showed him a man of forty or more, with curious
hollows at the side of his forehead and about his eyes. His eyes were
very bright; there was a spot of red in his cheeks, and the wiry black
moustache under his short, red nose had been trimmed with scissors into
a sort of brush along his upper lip. His teeth were darkened ruins. His
jacket collar was turned up about a knitted white neck wrap, and his
sleeves betrayed no cuffs. He did not rise to greet Kipps, but held out
a thin wristed hand and pointed with the other to a bedroom arm chair.

"Glad to see you," he said. "Sit down and make yourself at home. Will
you smoke?"

Kipps said he would, and produced his store. He was about to take one,
and then, with a civil afterthought, handed the packet first to
Masterman and Sid. Masterman pretended surprise to find his pipe out
before he took one. There was an interlude of matches. Sid pushed the
end of the screen out of his way, sat down on the bed thus frankly
admitted, and prepared, with a certain quiet satisfaction of manner, to
witness Masterman's treatment of Kipps.

"And how does it feel to have twelve hundred a year?" asked Masterman,
holding his cigarette to his nose tip in a curious manner.

"It's rum," confided Kipps, after a reflective interval. "It feels
juiced rum."

"I never felt it," said Masterman.

"It takes a bit of getting into," said Kipps. "I can tell you that."

Masterman smoked and regarded Kipps with curious eyes.

"I expect it does," he said presently.

"And has it made you perfectly happy?" he asked, abruptly.

"I couldn't 'ardly say _that_," said Kipps.

Masterman smiled. "No," he said. "Has it made you much happier?"

"It did at first."

"Yes. But you got used to it. How long, for example, did the real
delirious excitement last?"

"Oo, _that_! Perhaps a week," said Kipps.

Masterman nodded his head. "That's what discourages _me_ from amassing
wealth," he said to Sid. "You adjust yourself. It doesn't last. I've
always had an inkling of that, and it's interesting to get it confirmed.
I shall go on sponging for a bit longer on _you_, I think."

"You don't," said Sid. "No fear."

"Twenty-four thousand pounds," said Masterman, and blew a cloud of
smoke. "Lord! Doesn't it worry you?"

"It is a bit worrying at times.... Things 'appen."

"Going to marry?"

"Yes."

"H'm. Lady, I guess, of a superior social position?"

"Rather," said Kipps. "Cousin to the Earl of Beauprés."

Masterman readjusted his long body with an air of having accumulated all
the facts he needed. He snuggled his shoulder-blades down into the chair
and raised his angular knees. "I doubt," he said, flicking cigarette ash
into the atmosphere, "if any great gain or loss of money does--as things
are at present--make more than the slightest difference in one's
happiness. It ought to--if money was what it ought to be, the token for
given service; one ought to get an increase in power and happiness for
every pound one got. But the plain fact is the times are out of joint,
and money--money, like everything else, is a deception and a
disappointment."

He turned his face to Kipps and enforced his next words with the index
finger of his lean, lank hand. "If I thought otherwise," he said, "I
should exert _myself_ to get some. But, if one sees things clearly, one
is so discouraged. So confoundedly discouraged.... When you first got
your money, you thought that it meant you might buy just anything you
fancied?"

"I was a bit that way," said Kipps.

"And you found that you couldn't. You found that for all sorts of things
it was a question of where to buy and how to buy, and what you didn't
know how to buy with your money, straight away this world planted
something else upon you----"

"I got rather done over a banjo first day," said Kipps. "Leastways, my
Uncle says."

"Exactly," said Masterman.

Sid began to speak from the bed. "That's all very well, Masterman," he
said, "but, after all, money is Power, you know. You can do all sorts of
things----"

"I'm talking of happiness," said Masterman. "You can do all sorts of
things with a loaded gun in the Hammersmith Broadway, but
nothing--practically--that will make you or any one else very happy.
Nothing. Power's a different matter altogether. As for happiness, you
want a world in order before money or property, or any of those things
that have any real value, and this world, I tell you, is hopelessly out
of joint. Man is a social animal with a mind nowadays that goes around
the globe, and a community cannot be happy in one part and unhappy in
another. It's all or nothing, no patching any more for ever. It is the
standing mistake of the world not to understand that. Consequently
people think there is a class or order somewhere, just above them or
just below them, or a country or place somewhere, that is really safe
and happy. The fact is, Society is one body, and it is either well or
ill. That's the law. This society we live in is ill. It's a fractious,
feverish invalid, gouty, greedy and ill-nourished. You can't have a
happy left leg with neuralgia, or a happy throat with a broken leg.
That's my position, and that's the knowledge you'll come to. I'm so
satisfied of it that I sit here and wait for my end quite calmly, sure
that I can't better things by bothering--in my time, and so far as I am
concerned, that is. I'm not even greedy any more--my egotism's at the
bottom of a pond, with a philosophical brick around its neck. The world
is ill, my time is short and my strength is small. I'm as happy here as
anywhere."

He coughed and was silent for a moment, then brought the index finger
around to Kipps again. "You've had the opportunity of sampling two
grades of society, and you don't find the new people you're among much
better or any happier than the old?"

"No," said Kipps, reflectively. "No. I 'aven't seen it quite like that
before, but----. No. They're not."

"And you might go all up the scale and down the scale and find the same
thing. Man's a gregarious beast, a gregarious beast, and no money will
buy you out of your own time--any more than out of your own skill. All
the way up and all the way down the scale there's the same discontent.
No one is quite sure where they stand, and everyone's fretting. The
herd's uneasy and feverish. All the old tradition goes or has gone, and
there's no one to make a new tradition. Where are your nobles now? Where
are your gentlemen? They vanished directly the peasant found out he
wasn't happy and ceased to be a peasant. There's big men and little men
mixed up together, that's all. None of us know where we are. Your cads
in a bank holiday train and your cads on a two thousand pound motor;
except for a difference in scale, there's not a pin to choose between
them. Your smart society is as low and vulgar and uncomfortable for a
balanced soul as a gin palace, no more and no less; there's no place or
level of honour or fine living left in the world; so what's the good of
climbing?"

"'Ear, 'ear," said Sid.

"It's true," said Kipps.

"_I_ don't climb," said Masterman, and accepted Kipps' silent offer of
another cigarette.

"No," he said. "This world is out of joint. It's broken up, and I doubt
if it will heal. I doubt very much if it'll heal. We're in the beginning
of the Sickness of the World."

He rolled his cigarette in his lean fingers and repeated with
satisfaction: "The Sickness of the World."

"It's we've got to make it better," said Sid, and looked at Kipps.

"Ah, Sid's an optimist," said Masterman.

"So are you, most times," said Sid.

Kipps lit another cigarette with an air of intelligent participation.

"Frankly," said Masterman, recrossing his legs and expelling a jet of
smoke luxuriously, "frankly, I think this civilisation of ours is on the
topple."

"There's Socialism," said Sid.

"There's no imagination to make use of it."

"We've got to _make_ one," said Sid.

"In a couple of centuries perhaps," said Masterman. "But meanwhile we're
going to have a pretty acute attack of confusion. Universal confusion.
Like one of those crushes when men are killed and maimed for no reason
at all, going into a meeting or crowding for a train. Commercial and
Industrial Stresses. Political Exploitation. Tariff Wars. Revolutions.
All the bloodshed that will come of some fools calling half the white
world yellow. These things alter the attitude of everybody to everybody.
Everybody's going to feel 'em. Every fool in the world panting and
shoving. _We're_ all going to be as happy and comfortable as a household
during a removal. What else can we expect?"

Kipps was moved to speak, but not in answer to Masterman's enquiry.
"I've never rightly got the 'eng of this Socialism," he said. "What's it
going to do, like?"

They had been imagining that he had some elementary idea in the matter,
but as soon as he had made it clear that he hadn't, Sid plunged at
exposition, and in a little while Masterman, abandoning his pose of the
detached man ready to die, joined in. At first he joined in only to
correct Sid's version, but afterwards he took control. His manner
changed. He sat up and rested his elbow on his knees, and his cheek
flushed a little. He expanded his case against Property and the property
class with such vigour that Kipps was completely carried away, and never
thought of asking for a clear vision of the thing that would fill the
void this abolition might create. For a time he quite forgot his own
private opulence. And it was as if something had been lit in Masterman.
His languor passed. He enforced his words by gestures of his long, thin
hands. And as he passed swiftly from point to point of his argument it
was evident he grew angry.

"To-day," he said, "the world is ruled by rich men; they may do almost
anything they like with the world. And what are they doing? Laying it
waste!"

"Hear, hear!" said Sid, very sternly.

Masterman stood up, gaunt and long, thrust his hands in his pockets and
turned his back to the fireplace.

"Collectively, the rich to-day have neither heart nor imagination. No!
They own machinery, they have knowledge and instruments and powers
beyond all previous dreaming, and what are they doing with them? Think
what they are doing with them, Kipps, and think what they might do. God
gives them a power like the motor car, and all they can do with it is
to go careering about the roads in goggled masks killing children and
making machinery hateful to the soul of man! ("True," said Sid, "true.")
God gives them means of communication, power unparalleled of every sort,
time and absolute liberty! They waste it all in folly! Here under their
feet (and Kipps' eyes followed the direction of a lean index finger to
the hearthrug) under their accursed wheels, the great mass of men
festers and breeds in darkness, darkness those others make by standing
in the light. The darkness breeds and breeds. It knows no better....
Unless you can crawl or pander or rob you must stay in the stew you are
born in. And those rich beasts above claw and clutch as though they had
nothing! They grudge us our schools, they grudge us a gleam of light and
air, they cheat us and then seek to forget us.... There is no rule, no
guidance, only accidents and happy flukes.... Our multitudes of poverty
increase, and this crew of rulers makes no provision, foresees nothing,
anticipates nothing...."

He paused and made a step, and stood over Kipps in a white heat of
anger. Kipps nodded in a non-commital manner and looked hard and rather
gloomily at his host's slipper as he talked.

"It isn't as though they had something to show for the waste they make
of us, Kipps. They haven't. They are ugly and cowardly and mean. Look at
their women! Painted, dyed and drugged, hiding their ugly shapes under a
load of dress! There isn't a woman in the swim of society at the
present time, wouldn't sell herself, body and soul, who wouldn't lick
the boots of a Jew or marry a nigger, rather than live decently on a
hundred a year! On what would be wealth for you and me! They know it.
They know we know it.... No one believes in them. No one believes in
nobility any more. Nobody believes in kingship any more. Nobody believes
there is justice in the law.... But people have habits, people go on in
the old grooves, as long as there's work, as long as there's weekly
money.... It won't last, Kipps."

He coughed and paused. "Wait for the lean years," he cried. "Wait for
the lean years." And suddenly he fell into a struggle with his cough and
spat a gout of blood. "It's nothing," he said to Kipps' note of startled
horror.

He went on talking, and the protests of his cough interlaced with his
words, and Sid beamed in an ecstasy of painful admiration.

"Look at the fraud they have let life become, the miserable mockery of
the hope of one's youth. What have _I_ had? I found myself at thirteen
being forced into a factory like a rabbit into a chloroformed box.
Thirteen!--when _their_ children are babies. But even a child of that
age could see what it meant, that Hell of a factory! Monotony and toil
and contempt and dishonour! And then death. So I fought--at thirteen!"

Minton's "crawling up a drain pipe until you die" echoed in Kipps'
mind, but Masterman, instead of Minton's growl, spoke in a high,
indignant tenor.

"I got out at last--somehow," he said, quietly, suddenly plumping back
in his chair. He went on after a pause. "For a bit. Some of us get out
by luck, some by cunning, and crawl on to the grass, exhausted and
crippled to die. That's a poor man's success, Kipps. Most of us don't
get out at all. I worked all day and studied half the night, and here I
am with the common consequences. Beaten! And never once have I had a
fair chance, never once!" His lean, clenched fist flew out in a gust of
tremulous anger. "These Skunks shut up all the university scholarships
at nineteen for fear of men like me. And then--do _nothin'_.... We're
wasted for nothing. By the time I'd learnt something the doors were
locked. I thought knowledge would do it--I did think that! I've fought
for knowledge as other men fight for bread. I've starved for knowledge.
I've turned my back on women; I've done even that. I've burst my
accursed lung...." His voice rose with impotent anger. "I'm a better man
than any ten princes alive! And I'm beaten and wasted. I've been
crushed, trampled and defiled by a drove of hogs. I'm no use to myself
or the world. I've thrown my life away to make myself too good for use
in this huckster's scramble. If I had gone in for business, if I had
gone in for plotting to cheat my fellow men--ah, well! It's too late.
It's too late for that, anyhow. It's too late for anything now! And I
couldn't have done it.... And over in New York now there's a pet of
society making a corner in wheat!

"By God!" he cried hoarsely, with a clutch of the lean hand. "By God! If
I had his throat! Even now I might do something for the world."

He glared at Kipps, his face flushed deep, his sunken eyes glowing with
passion, and then suddenly he changed altogether.

There was a sound of tea things rattling upon a tray outside the door,
and Sid rose to open it.

"All of which amounts to this," said Masterman, suddenly quiet and again
talking against time. "The world is out of joint, and there isn't a soul
alive who isn't half waste or more. You'll find it the same with you in
the end, wherever your luck may take you.... I suppose you won't mind my
having another cigarette?"

He took Kipps' cigarette with a hand that trembled so violently it
almost missed its object, and stood up, with something of guilt in his
manner as Mrs. Sid came into the room.

Her eye met his and marked the flush upon his face.

"Been talking Socialism?" said Mrs. Sid, a little severely.


§5

Six o'clock that day found Kipps drifting eastward along the southward
margin of Rotten Row. You figure him a small, respectably attired
figure going slowly through a sometimes immensely difficult and always
immense world. At times he becomes pensive and whistles softly. At times
he looks about him. There are a few riders in the Row, a carriage
flashes by every now and then along the roadway, and among the great
rhododendrons and laurels and upon the greensward there are a few groups
and isolated people dressed in the style Kipps adopted to call upon the
Walshinghams when first he was engaged. Amid the complicated confusion
of Kipps' mind was a regret that he had not worn his other things....

Presently he perceived that he would like to sit down; a green chair
tempted him. He hesitated at it, took possession of it, and leant back
and crossed one leg over the other.

He rubbed his under lip with his umbrella handle and reflected upon
Masterman and his denunciation of the world.

"Bit orf 'is 'ead, poor chap," said Kipps, and added: "I wonder."

He thought intently for a space.

"I wonder what he meant by the lean years?"

The world seemed a very solid and prosperous concern just here, and well
out of reach of Masterman's dying clutch. And yet----

It was curious he should have been reminded of Minton.

His mind turned to a far more important matter. Just at the end Sid had
said to him, "Seen Ann?" and as he was about to answer, "You'll see a
bit more of her now. She's got a place in Folkestone."

It had brought him back from any concern about the world being out of
joint or anything of that sort.

Ann!

One might run against her any day.

He tugged at his little moustache.

He would like to run against Ann very much....

"And it would be juiced awkward if I did!"

In Folkestone! It was a jolly sight too close....

Then, at the thought that he might run against Ann in his beautiful
evening dress on the way to the band, he fluttered into a momentary
dream, that jumped abruptly into a nightmare.

Suppose he met her when he was out with Helen! "Oh, Lor'!" said Kipps.
Life had developed a new complication that would go on and go on. For
some time he wished with the utmost fervour that he had not kissed Ann,
that he had not gone to New Romney the second time. He marvelled at his
amazing forgetfulness of Helen on that occasion. Helen took possession
of his mind. He would have to write to Helen, an easy, off-hand letter,
to say that he had come to London for a day or so. He tried to imagine
her reading it. He would write just such another letter to the old
people, and say he had had to come up on business. That might do for
_them_ all right, but Helen was different. She would insist on
explanations.

He wished he could never go back to Folkestone again. That would settle
the whole affair.

A passing group attracted his attention, two faultlessly dressed
gentlemen and a radiantly expensive lady. They were talking, no doubt,
very brilliantly. His eyes followed them. The lady tapped the arm of the
left hand gentleman with a daintily tinted glove. Swells! No end....

His soul looked out upon life in general as a very small nestling might
peep out of its nest. What an extraordinary thing life was, to be sure,
and what a remarkable variety of people there were in it!

He lit a cigarette and speculated upon that receding group of three, and
blew smoke and watched them. They seemed to do it all right. Probably
they all had incomes of very much over twelve hundred a year. Perhaps
not. Probably none of them suspected, as they went past, that he, too,
was a gentleman of independent means, dressed, as he was, without
distinction. Of course things were easier for them. They were brought up
always to dress well and do the right thing from their very earliest
years; they started clear of all his perplexities; they had never got
mixed up with all sorts of different people who didn't go together. If,
for example, that lady there got engaged to that gentleman, she would be
quite safe from any encounter from a corpulent, osculatory Uncle, or
Chitterlow, or the dangerously insignificant eye of Pierce.

His thoughts came round to Helen.

When they were married and Cuyps, or Cuyp--Coote had failed to justify
his "s"--and in that west end flat and shaken free of all these low
class associations, would he and she parade here of an afternoon dressed
like that? It would be rather fine to do so. If one's dress was all
right.

Helen!

She was difficult to understand at times.

He blew extensive clouds of cigarette smoke.

There would be teas, there would be dinners, there would be calls. Of
course he would get into the way of it.

But Anagrams were a bit stiff to begin with!

It was beastly confusing at first to know when to use your fork at
dinner, and all that. Still----

He felt an extraordinary doubt whether he would get into the way of it.
He was interested for a space by a girl and groom on horseback, and then
he came back to his personal preoccupations.

He would have to write to Helen. What could he say to explain his
absence from the Anagram Tea? She had been pretty clear she wanted him
to come. He recalled her resolute face without any great tenderness. He
_knew_ he would look like a silly ass at that confounded tea! Suppose he
shirked it and went back in time for the dinner! Dinners were beastly
difficult, too, but not as bad as Anagrams. The very first thing that
might happen when he got back to Folkestone would be to run against Ann.
Suppose, after all, he did meet Ann when he was with Helen!

What queer encounters were possible in the world!

Thank goodness, they were going to live in London!

But that brought him around to Chitterlow. The Chitterlows were coming
to London, too. If they didn't get money they'd come after it; they
weren't the sort of people to be choked off easily, and if they did
they'd come to London to produce their play. He tried to imagine some
seemly social occasion invaded by Chitterlow and his rhetoric, by his
torrential thunder of self-assertion, the whole company flattened
thereunder like wheat under a hurricane.

Confound and hang Chitterlow! Yet, somehow, somewhen, one would have to
settle accounts with him! And there was Sid! Sid was Ann's brother. He
realised with sudden horror the social indiscretion of accepting Sid's
invitation to dinner.

Sid wasn't the sort of chap one could snub or cut, and besides--Ann's
brother! He didn't want to cut him. It would be worse than cutting
Buggins and Pierce--a sight worse. And after that lunch!

It would be the next thing to cutting Ann herself. And even as to Ann!

Suppose he was with Helen or Coote!...

"Oh, Blow!" he said, at last, and then, viciously, "_Blow!_" and so rose
and flung away his cigarette end, and pursued his reluctant, dubiating
way towards the really quite uncongenial splendours of the Royal
Grand....

And it is vulgarly imagined that to have money is to have no troubles
at all!


§6

Kipps endured splendour at the Royal Grand Hotel for three nights and
days, and then he retreated in disorder. The Royal Grand defeated and
overcame and routed Kipps, not of intention, but by sheer royal
grandeur, grandeur combined with an organisation for his comfort carried
to excess. On his return he came upon a difficulty; he had lost his
circular piece of cardboard with the number of his room, and he drifted
about the hall and passages in a state of perplexity for some time,
until he thought all the porters and officials in gold lace caps must be
watching him and jesting to one another about him. Finally, in a quiet
corner, down below the hairdresser's shop, he found a kindly looking
personage in bottle green, to whom he broached his difficulty. "I say,"
he said, with a pleasant smile, "I can't find my room nohow." The
personage in bottle green, instead of laughing in a nasty way, as he
might well have done, became extremely helpful, showed Kipps what to do,
got his key, and conducted him by lift and passage to his chamber. Kipps
tipped him half a crown.

Safe in his room, Kipps pulled himself together for dinner. He had
learnt enough from young Walshingham to bring his dress clothes, and now
he began to assume them. Unfortunately, in the excitement of his flight
from his Aunt and Uncle, he had forgotten to put in his other boots, and
he was some time deciding between his purple cloth slippers, with a
golden marigold, and the prospect of cleaning the boots he was wearing
with the towel, but finally, being a little footsore, he took the
slippers.

Afterwards, when he saw the porters and waiters and the other guests
catch a sight of the slippers, he was sorry he had not chosen the boots.
However, to make up for any want of style at that end, he had his crush
hat under his arm.

He found the dining-room without excessive trouble. It was a vast and
splendidly decorated place, and a number of people, evidently quite _au
fait_, were dining there at little tables lit with electric, red shaded
candles, gentlemen in evening dress, and ladies with dazzling,
astonishing necks. Kipps had never seen evening dress in full vigour
before, and he doubted his eyes. And there were also people not in
evening dress who, no doubt, wondered what noble family Kipps
represented. There was a band in a decorated recess, and the band looked
collectively at the purple slippers, and so lost any chance they may
have had of a collection, so far as Kipps was concerned. The chief
drawback to this magnificent place was the excessive space of floor that
had to be crossed before you got your purple slippers hid in under a
table.

He selected a little table--not the one where a rather impudent looking
waiter held a chair, but another--sat down, and finding his gibus in
his hand, decided after a moment of thought to rise slightly and sit on
it. (It was discovered in his abandoned chair at a late hour by a supper
party, and restored to him next day.)

He put the napkin carefully on one side, selected his soup without
difficulty, "Clear, please," but he was rather floored by the
presentation of a quite splendidly bound wine card. He turned it over,
discovered a section devoted to whiskey, and had a bright idea.

"'Ere," he said to the waiter, with an encouraging movement of his head,
and then in a confidential manner, "you haven't any Old Methuselah Three
Stars, 'ave you?"

The waiter went away to enquire, and Kipps went on with his soup with an
enhanced self-respect. Finally, Old Methuselah being unobtainable, he
ordered a claret from about the middle of the list. "Let's 'ave some of
this," he said. He knew claret was a good sort of wine.

"A half bottle?" said the waiter.

"Right you are," said Kipps.

He felt he was getting on. He leant back after his soup, a man of the
world, and then slowly brought his eyes around to the ladies in evening
dress on his right....

He couldn't have thought it!

They were scorchers. Jest a bit of black velvet over the shoulders!

He looked again. One of them was laughing with a glass of wine half
raised--wicked-looking woman she was--the other, the black velvet one,
was eating bits of bread with nervous quickness and talking fast.

He wished old Buggins could see them.

He found a waiter regarding him and blushed deeply. He did not look
again for some time, and became confused about his knife and fork over
the fish. Presently he remarked a lady in pink to the left of him eating
the fish with an entirely different implement.

It was over the _vol au vent_ that he began to go to pieces. He took a
knife to it; then saw the lady in pink was using a fork only, and
hastily put down his knife, with a considerable amount of rich
creaminess on the blade, upon the cloth. Then he found that a fork in
his inexperienced hand was an instrument of chase rather than capture.
His ears became violently red, and then he looked up, to discover the
lady in pink glancing at him and then smiling as she spoke to the man
beside her.

He hated the lady in pink very much.

He stabbed a large piece of the _vol au vent_ at last, and was too glad
of his luck not to take a mouthful of it. But it was an extensive
fragment, and pieces escaped him. Shirt front! "Desh it!" he said, and
had resort to his spoon. His waiter went and spoke to two other waiters,
no doubt jeering at him. He became very fierce suddenly. "Ere!" he said,
gesticulating, and then, "clear this away!"

The entire dinner party on his right, the party of the ladies in
advanced evening dress, looked at him.... He felt that everyone was
watching him and making fun of him, and the injustice of this angered
him. After all, they had every advantage he hadn't. And then, when they
got him there doing his best, what must they do but glance and sneer and
nudge one another. He tried to catch them at it, and then took refuge in
a second glass of wine.

Suddenly and extraordinarily he found himself a socialist. He did not
care how close it was to the lean years when all these things would end.

Mutton came with peas. He arrested the hand of the waiter. "No peas," he
said. He knew something of the difficulty and danger of eating peas.
Then, when the peas went away again he was embittered again.... Echoes
of Masterman's burning rhetoric began to reverberate in his mind. Nice
lot of people these were to laugh at anyone! Women half undressed. It
was that made him so beastly uncomfortable. How could one eat one's
dinner with people about him like that? Nice lot they were. He was glad
he wasn't one of them, anyhow. Yes, they might look. He resolved if they
looked at him again he would ask one of the men who he was staring at.
His perturbed and angry face would have concerned anyone. The band by an
unfortunate accident was playing truculent military music. The mental
change Kipps underwent was, in its way, what psychologists call a
conversion. In a few moments all Kipps' ideals were changed. He who had
been "practically a gentleman," the sedulous pupil of Coote, the
punctilious raiser of hats, was instantly a rebel, an outcast, the hater
of everything "stuck up," the foe of Society and the social order of
to-day. Here they were among the profits of their robbery, these people
who might do anything with the world....

"No, thenks," he said to a dish.

He addressed a scornful eye at the shoulders of the lady to his left.

Presently he was refusing another dish. He didn't like it--fussed up
food! Probably cooked by some foreigner. He finished up his wine and his
bread.

"No, thenks."

"No, thenks."...

He discovered the eye of a diner fixed curiously upon his flushed face.
He responded with a glare. Couldn't he go without things if he liked?

"What's this?" said Kipps to a great green cone.

"Ice," said the waiter.

"I'll 'ave some," said Kipps.

He seized a fork and spoon and assailed the bombe. It cut rather
stiffly. "Come up!" said Kipps, with concentrated bitterness, and the
truncated summit of the bombe flew off suddenly, travelling eastward
with remarkable velocity. Flop, it went upon the floor a yard away, and
for awhile time seemed empty.

At the adjacent table they were laughing together.

Shy the rest of the bombe at them?

Flight?

At any rate a dignified withdrawal.

"No!" said Kipps, "no more," arresting the polite attempt of the waiter
to serve him with another piece. He had a vague idea he might carry off
the affair as though he had meant the ice to go on the floor--not liking
ice, for example, and being annoyed at the badness of his dinner. He put
both hands on the table, thrust back his chair, disengaged a purple
slipper from his napkin, and rose. He stepped carefully over the
prostrate ice, kicked the napkin under the table, thrust his hands deep
into his pockets, and marched out--shaking the dust of the place, as it
were, from his feet. He left behind him a melting fragment of ice upon
the floor, his gibus hat, warm and compressed in his chair, and in
addition every social ambition he had ever entertained in the world.


§7

Kipps went back to Folkestone in time for the Anagram Tea. But you must
not imagine that the change of heart that came to him in the dining-room
of the Royal Grand Hotel involved any change of attitude toward this
promised social and intellectual treat. He went back because the Royal
Grand was too much for him.

Outwardly calm, or at most a little flushed and ruffled, inwardly Kipps
was a horrible, tormented battleground of scruples, doubts, shames and
self-assertions during that three days of silent, desperate grappling
with the big hotel. He did not intend the monstrosity should beat him
without a struggle, but at last he had sullenly to admit himself
overcome. The odds were terrific. On the one hand himself--with, among
other things, only one pair of boots; on the other a vast wilderness of
rooms, covering several acres, and with over a thousand people, staff
and visitors, all chiefly occupied in looking queerly at Kipps, in
laughing at him behind his back, in watching for difficult corners at
which to confront and perplex him, and inflict humiliations upon him.
For example, the hotel scored over its electric light. After the dinner
the chambermaid, a hard, unsympathetic young woman with a superior
manner, was summoned by a bell Kipps had rung under the impression the
button was the electric light switch. "Look 'ere," said Kipps, rubbing a
shin that had suffered during his search in the dark, "why aren't there
any candles or matches?" The hotel explained and scored heavily.

"It isn't everyone is up to these things," said Kipps.

"No, it isn't," said the chambermaid, with ill-concealed scorn, and
slammed the door at him.

"S'pose I ought to have tipped her," said Kipps.

After that Kipps cleaned his boots with a pocket-handkerchief and went
for a long walk and got home in a hansom, but the hotel scored again by
his not putting out his boots and so having to clean them again in the
morning. The hotel also snubbed him by bringing him hot water when he
was fully dressed and looking surprised at his collar, but he got a
breakfast, I must admit, with scarcely any difficulty.

After that the hotel scored heavily by the fact that there are
twenty-four hours in the day and Kipps had nothing to do in any of them.
He was a little footsore from his previous day's pedestrianism, and he
could make up his mind for no long excursions. He flitted in and out of
the hotel several times, and it was the polite porter who touched his
hat every time that first set Kipps tipping.

"What 'e wants is a tip," said Kipps.

So at the next opportunity he gave the man an unexpected shilling, and
having once put his hand in his pocket, there was no reason why he
should not go on. He bought a newspaper at the book-stall and tipped the
boy the rest of the shilling, and then went up by the lift and tipped
the man a sixpence, leaving his newspaper inadvertently in the lift. He
met his chambermaid in the passage and gave her half a crown. He
resolved to demonstrate his position to the entire establishment in this
way. He didn't like the place; he disapproved of it politically,
socially, morally, but he resolved no taint of meanness should disfigure
his sojourn in its luxurious halls. He went down by the lift (tipping
again), and, being accosted by a waiter with his gibus, tipped the
finder half a crown. He had a vague sense that he was making a flank
movement upon the hotel and buying over its staff. They would regard him
as a character. They would get to like him. He found his stock of small
silver diminishing, and replenished it at a desk in the hall. He tipped
a man in bottle green who looked like the man who had shown him his room
the day before, and then he saw a visitor eyeing him, and doubted
whether he was in this instance doing right. Finally he went out and
took chance 'buses to their destinations, and wandered a little in
remote, wonderful suburbs and returned. He lunched at a chop house in
Islington, and found himself back in the Royal Grand, now unmistakably
footsore and London weary, about three. He was drawn towards the
drawing-room by a neat placard about afternoon tea.

It occurred to him that the campaign of tipping upon which he had
embarked was perhaps after all a mistake. He was confirmed in this by
observing that the hotel officials were watching him, not respectfully,
but with a sort of amused wonder, as if to see whom he would tip next.
However, if he backed out now, they would think him an awful fool.
Everyone wasn't so rich as he was. It was his way to tip. Still----

He grew more certain the hotel had scored again.

He pretended to be lost in thought and so drifted by, and having put hat
and umbrella in the cloak-room went into the drawing-room for afternoon
tea.

There he did get what for a time he held to be a point in his favour.
The room was large and quiet at first, and he sat back restfully until
it occurred to him that his attitude brought his extremely dusty boots
too prominently into the light, so instead he sat up, and then people
of the upper and upper middle classes began to come and group themselves
about him and have tea likewise, and so revive the class animosities of
the previous day.

Presently a fluffy, fair-haired lady came into prominent existence a few
yards away. She was talking to a respectful, low-voiced clergyman, whom
she was possibly entertaining at tea. "No," she said, "dear Lady Jane
wouldn't like that!"

"Mumble, mumble, mumble," from the clergyman.

"Poor dear Lady Jane was always so sensitive," the voice of the lady
sang out clear and emphatic.

A fat, hairless, important-looking man joined this group, took a chair
and planted it firmly with its back in the face of Kipps, a thing that
offended Kipps mightily. "Are you telling him," gurgled the fat,
hairless man, "about dear Lady Jane's affliction?" A young couple, lady
brilliantly attired and the man in a magnificently cut frock coat,
arranged themselves to the right, also with an air of exclusion towards
Kipps. "I've told him," said the gentleman in a flat, abundant voice.
"My!" said the young lady, with an American smile. No doubt they all
thought Kipps was out of it. A great desire to assert himself in some
way surged up in his heart. He felt he would like to cut in on the
conversation in some dramatic way. A monologue something in the manner
of Masterman? At any rate, abandoning that as impossible, he would like
to appear self-centred and at ease. His eyes, wandering over the black
surfaces of a noble architectural mass close by, discovered a slot--an
enamelled plaque of directions.

It was some sort of musical box! As a matter of fact, it was the very
best sort of Harmonicon and specially made to the scale of the Hotel.

He scrutinised the plaque with his head at various angles and glanced
about him at his neighbours.

It occurred to Kipps that he would like some music, that to inaugurate
some would show him a man of taste and at his ease at the same time. He
rose, read over a list of tunes, selected one haphazard, pressed his
sixpence--it was sixpence!--home, and prepared for a confidential,
refined little melody.

Considering the high social tone of the Royal Grand, it was really a
very loud instrument indeed. It gave vent to three deafening brays and
so burst the dam of silence that had long pent it in. It seemed to be
chiefly full of the greatuncles of trumpets, megalo-trombones and
railway brakes. It made sounds like shunting trains. It did not so much
begin as blow up your counter-scarp or rush forward to storm under cover
of melodious shrapnel. It had not so much an air as a _ricochette_. The
music had, in short, the inimitable quality of Sousa. It swept down upon
the friend of Lady Jane and carried away something socially striking
into the eternal night of the unheard; the American girl to the left of
it was borne shrieking into the inaudible. "HIGH cockalorum Tootletootle
tootle loo. HIGH cockalorum tootle lootle loo. BUMP, bump, bump--BUMP."
Joyous, exorbitant music it was from the gigantic nursery of the
Future, bearing the hearer along upon its torrential succession of
sounds, as if he was in a cask on Niagara. Whiroo! Yah and have at you!
The strenuous Life! Yaha! Stop! A Reprieve! A Reprieve! No! Bang! Bump!

Everybody looked around, conversation ceased and gave place to gestures.

The friend of Lady Jane became terribly agitated.

"Can't it be stopped?" she vociferated, pointing a gloved finger and
saying something to the waiter about "That dreadful young man."

"Ought not to be working," said the clerical friend of Lady Jane.

The waiter shook his head at the fat, hairless gentleman. People began
to move away. Kipps leant back luxurious, and then tipped with a half
crown to pay. He paid, tipped like a gentleman, rose with an easy
gesture, and strolled towards the door. His retreat evidently completed
the indignation of the friend of Lady Jane, and from the door he could
still discern her gestures as asking, "Can't it be stopped?" The music
followed him into the passage and pursued him to the lift and only died
away completely in the quiet of his own room, and afterwards from his
window he saw the friend of Lady Jane and her party having their tea
carried out to a little table in the court. BUMP, bump, bump, BUMP
floated up to him, and certainly that was a point to him. But it was his
only score; all the rest of the game lay in the hands of the upper
classes and the big hotel. And presently he was doubting whether even
this was really a point. It seemed a trifle vulgar, come to think it
over, to interrupt people when they were talking.

He saw a clerk peering at him from the office, and suddenly it occurred
to him that the place might get back at him tremendously over the bill.

They would probably take it out of him by charging pounds and pounds.

Suppose they charged more than he had!

The clerk had a particularly nasty face, just the face to take advantage
of a vacillating Kipps.

He became aware of a man in a cap touching it, and produced his shilling
automatically, but the strain was beginning to tell. It was a deuce and
all of an expense--this tipping.

If the hotel chose to stick it on to the bill something tremendous what
was Kipps to do? Refuse to pay? Make a row?

If he did he couldn't fight all these men in bottle green....

He went out about seven and walked for a long time and dined at last
upon a chop in the Euston Road; then he walked along to the Edgeware
Road and sat and rested in the Metropolitan Music Hall for a time until
a trapeze performance unnerved him and finally he came back to bed. He
tipped the lift man sixpence and wished him good-night. In the silent
watches of the night he reviewed the tale of the day's tipping, went
over the horrors of the previous night's dinner, and heard again the
triumphant bray of the harmonicon devil released from its long
imprisonment. Everyone would be told about him to-morrow. He couldn't go
on! He admitted his defeat. Never in their whole lives had any of these
people seen such a Fool as he! Ugh!...

His method of announcing his withdrawal to the clerk was touched with
bitterness.

"I'm going to get out of this," said Kipps, blowing windily. "Let's see
what you got on my bill."

"One breakfast?" asked the clerk.

"Do I _look_ as if I'd ate two?"...

At his departure Kipps, with a hot face, convulsive gestures and an
embittered heart, tipped everyone who did not promptly and actively
resist, including an absent-minded South African diamond merchant, who
was waiting in the hall for his wife and succumbed to old habit. He paid
his cabman a four shilling piece at Charing Cross, having no smaller
change, and wished he could burn him alive. Then in a sudden reaction of
economy he refused the proffered help of a porter and carried his bag
quite violently to the train.




CHAPTER VIII

KIPPS ENTERS SOCIETY


§1

Submission to Inexorable Fate took Kipps to the Anagram Tea.

At any rate he would meet Helen there in the presence of other people
and be able to carry off the worst of the difficulty of explaining his
little jaunt to London. He had not seen her since his last portentous
visit to New Romney. He was engaged to her, he would have to marry her,
and the sooner he faced her again the better. Before wild plans of
turning socialist, defying the world and repudiating all calling for
ever, his heart on second thoughts sank. He felt Helen would never
permit anything of the sort. As for the Anagrams he could do no more
than his best and that he was resolved to do. What had happened at the
Royal Grand, what had happened at New Romney, he must bury in his memory
and begin again at the reconstruction of his social position. Ann,
Buggins, Chitterlow, all these, seen in the matter-of-fact light of the
Folkestone train, stood just as they stood before; people of an inferior
social position who had to be eliminated from his world. It was a
bother about Ann, a bother and a pity. His mind rested so for a space on
Ann until the memory of these Anagrams drew him away. If he could see
Coote that evening he might, he thought, be able to arrange some sort of
connivance about the Anagrams, and his mind was chiefly busy sketching
proposals for such an arrangement. It would not, of course, be
ungentlemanly cheating, but only a little mystification. Coote very
probably might drop him a hint of the solution of one or two of the
things, not enough to win a prize, but enough to cover his shame. Or
failing that he might take a humorous, quizzical line and pretend he was
pretending to be very stupid. There were plenty of ways out of it if one
kept a sharp lookout....

The costume Kipps wore to the Anagram Tea was designed as a compromise
between the strict letter of high fashion and seaside laxity, a sort of
easy, semi-state for afternoon. Helen's first reproof had always
lingered in his mind. He wore a frock coat, but mitigated it by a Panama
hat of romantic shape with a black band, grey gloves, but for relaxation
brown button boots. The only other man besides the clergy present, a new
doctor with an attractive wife, was in full afternoon dress. Coote was
not there.

Kipps was a little pale, but quite self-possessed, as he approached Mrs.
Bindon Botting's door. He took a turn while some people went in and then
faced it manfully. The door opened and revealed--Ann!

In the background through a draped doorway behind a big fern in a great
art pot the elder Miss Botting was visible talking to two guests; the
auditory background was a froth of feminine voices....

Our two young people were much too amazed to give one another any
formula of greeting, though they had parted warmly enough. Each was
already in a state of extreme tension to meet the demands of this great
and unprecedented occasion of an Anagram Tea. "Lor'!" said Ann, her sole
remark, and then the sense of Miss Botting's eye ruled her straight
again. She became very pale, but she took his hat mechanically, and he
was already removing his gloves. "Ann," he said in a low tone, and then
"Fency!" The eldest Miss Botting knew Kipps was the sort of guest who
requires nursing, and she came forward vocalising charm. She said it was
"Awfully jolly of him to come, awfully jolly. It was awfully difficult
to get any good men!"

She handed Kipps forward, mumbling in a dazed condition, to the
drawing-room, and there he encountered Helen looking unfamiliar in an
unfamiliar hat. It was as if he had not met her for years.

She astonished him. She didn't seem to mind in the least his going to
London. She held out a shapely hand, and smiled encouragingly. "You've
faced the anagrams?" she said.

The second Miss Botting accosted them, a number of oblong pieces of
paper in her hand, mysteriously inscribed. "Take an anagram," she said;
"take an anagram," and boldly pinned one of these brief documents to
Kipps' lapel. The letters were "Cypshi," and Kipps from the very
beginning suspected this was an anagram for Cuyps. She also left a thing
like a long dance programme, from which dangled a little pencil in his
hand. He found himself being introduced to people, and then he was in a
corner with the short lady in a big bonnet, who was pelting him with
gritty little bits of small talk that were gone before you could take
hold of them and reply.

"Very hot," said this lady. "Very hot, indeed--hot all the
summer--remarkable year--all the years remarkable now--don't know what
we're coming to--don't you think so, Mr. Kipps?"

"Oo rather," said Kipps, and wondered if Ann was still in the hall. Ann!

He ought not to have stared at her like a stuck fish and pretended not
to know her. That couldn't be right. But what _was_ right?

The lady in the big bonnet proceeded to a second discharge. "Hope you're
fond of anagrams, Mr. Kipps--difficult exercise--still one must do
something to bring people together--better than Ludo anyhow. Don't you
think so, Mr. Kipps?"

Ann fluttered past the open door. Her eyes met his in amazed enquiry.
Something had got dislocated in the world for both of them....

He ought to have told her he was engaged. He ought to have explained
things to her. Perhaps even now he might be able to drop her a hint.

"Don't you think so, Mr. Kipps?"

"Oo rather," said Kipps for the third time.

A lady with a tired smile, who was labelled conspicuously "Wogdelenk,"
drifted towards Kipps' interlocutor and the two fell into conversation.
Kipps found himself socially aground. He looked about him. Helen was
talking to a curate and laughing. Kipps was overcome by a vague desire
to speak to Ann. He was for sidling doorward.

"What are _you_, please?" said an extraordinarily bold, tall girl, and
arrested him while she took down "Cypshi."

"I'm sure I don't know what it means," she explained. "I'm Sir Bubh.
Don't you think anagrams are something chronic?"

Kipps made stockish noises, and the young lady suddenly became the
nucleus of a party of excited friends who were forming a syndicate to
guess, and barred his escape. She took no further notice of him. He
found himself jammed against an occasional table and listening to the
conversation of Mrs. "Wogdelenk" and his lady with the big bonnet.

"She packed her two beauties off together," said the lady in the big
bonnet. "Time enough, too. Don't think much of this girl; she's got as
housemaid now. Pretty, of course, but there's no occasion for a
housemaid to be pretty--none whatever. And she doesn't look particularly
up to her work either. Kind of 'mazed expression."

"You never can tell," said the lady labelled "Wogdelenk;" "you never
can tell. My wretches are big enough, Heaven knows, and do they work?
Not a bit of it!"...

Kipps felt dreadfully out of it with regard to all these people, and
dreadfully in it with Ann.

He scanned the back of the big bonnet and concluded it was an extremely
ugly bonnet indeed. It got jerking forward as each short, dry sentence
was snapped off at the end and a plume of osprey on it jerked
excessively. "She hasn't guessed even one!" followed by a shriek of
girlish merriment, came from the group about the tall, bold girl. They'd
shriek at him presently, perhaps. Beyond thinking his own anagram might
be Cuyps, he hadn't a notion. What a chatter they were all making! It
was just like a summer sale! Just the sort of people who'd give a lot of
trouble and swap you! And suddenly the smouldering fires of rebellion
leapt to flame again. These were a rotten lot of people, and the
anagrams were rotten nonsense, and he, Kipps, had been a rotten fool to
come. There was Helen away there, still laughing, with her curate. Pity
she couldn't marry a curate and leave him (Kipps) alone! Then he'd know
what to do. He disliked the whole gathering collectively and in detail.
Why were they all trying to make him one of themselves? He perceived
unexpected ugliness everywhere about him. There were two great pins
jabbed through the tall girl's hat, and the swirls of her hair below the
brim with the minutest piece of tape tie-up showing did not repay close
examination. Mrs. "Wogdelenk" wore a sort of mumps bandage of lace, and
there was another lady perfectly dazzling with beads, and jewels and
bits of trimming. They were all flaps and angles and flounces--these
women. Not one of them looked as neat and decent a shape as Ann's clean,
trim, little figure. Echoes of Masterman woke up in him again. Ladies
indeed! Here were all these chattering people, with money, with leisure,
with every chance in the world, and all they could do was to crowd like
this into a couple of rooms and jabber nonsense about anagrams.

"Could Cypshi really mean Cuyps?" floated like a dissolving wreath of
mist across his mind.

Abruptly resolution stood armed in his heart. He was going to get out of
this!

"'Scuse me," he said, and began to wade neck deep through the bubbling
tea party.

He was going to get out of it all!

He found himself close by Helen. "I'm orf," he said, but she gave him
the briefest glance. She did not appear to hear him. "Still, Mr.
Spratlingdown, you _must_ admit there's a limit even to conformity," she
was saying....

He was in a curtained archway, and Ann was before him carrying a tray
supporting several small sugar bowls.

He was moved to speech. "_What_ a Lot!" he said, and then mysteriously,
"I'm engaged to _her_." He indicated Helen's new hat, and became aware
of a skirt he had stepped upon.

Ann stared at him helplessly, borne past in the grip of
incomprehensible imperatives.

Why shouldn't they talk together?

He was in a small room, and then at the foot of the staircase in the
hall. He heard the rustle of a dress, and what was conceivable his
hostess was upon him.

"But you're not going, Mr. Kipps?" she said.

"I must," he said; "I got to."

"But, Mr. Kipps!"

"I must," he said. "I'm not well."

"But before the guessing! Without any tea!"

Ann appeared and hovered behind him.

"I got to go," said Kipps.

If he parleyed with her Helen might awake to his desperate attempt.

"Of course if you _must_ go."

"It's something I've forgotten," said Kipps, beginning to feel regrets.
"Reely I must."

Mrs. Botting turned with a certain offended dignity, and Ann in a state
of flushed calm that evidently concealed much came forward to open the
door.

"I'm very sorry," he said; "I'm very sorry," half to his hostess and
half to her, and was swept past her by superior social forces--like a
drowning man in a mill-race--and into the Upper Sandgate Road. He half
turned upon the step, and then slam went the door....

He retreated along the Leas, a thing of shame and perplexity--Mrs.
Botting's aggrieved astonishment uppermost in his mind....

Something--reinforced by the glances of the people he was
passing--pressed its way to his attention through the tumultuous
disorder of his mind.

He became aware that he was still wearing his little placard with the
letters "Cypshi."

"Desh it!" he said, clutching off this abomination. In another moment
its several letters, their task accomplished, were scattering gleefully
before the breeze down the front of the Leas.


§2

Kipps was dressed for Mrs. Wace's dinner half an hour before it was time
to start, and he sat waiting until Coote should come to take him around.
"Manners and Rules of Good Society" lay before him neglected. He had
read the polished prose of the Member of the Aristocracy, on page 96, as
far as--


     "the acceptance of an invitation is in the eyes of diners out, a
     binding obligation which only ill-health, family bereavement, or
     some all-important reason justifies its being set on one side or
     otherwise  evaded"--


and then he had lapsed into gloomy thoughts.

That afternoon he had had a serious talk with Helen.

He had tried to express something of the change of heart that had
happened to him. But to broach the real state of the matter had been
altogether too terrible for him. He had sought a minor issue. "I don't
like all this Seciety," he had said.

"But you must _see_ people," said Helen.

"Yes, but----. It's the sort of people you see." He nerved himself. "I
didn't think much of that lot at the Enegram Tea."

"You have to see all sorts of people if you want to see the world," said
Helen.

Kipps was silent for a space and a little short of breath.

"My dear Arthur," she began, almost kindly, "I shouldn't ask you to go
to these affairs if I didn't think it good for you, should I?"

Kipps acquiesced in silence.

"You will find the benefit of it all when we get to London. You learn to
swim in a tank before you go out into the sea. These people here are
good enough to learn upon. They're stiff and rather silly and dreadfully
narrow and not an idea in a dozen of them, but it really doesn't matter
at all. You'll soon get Savoir Faire."

He made to speak again, and found his powers of verbal expression
lacking. Instead he blew a sigh.

"You'll get used to it all very soon," said Helen helpfully....

As he sat meditating over that interview and over the vistas of London
that opened before him, on the little flat, and teas and occasions and
the constant presence of Brudderkins and all the bright prospect of his
new and better life, and how he would never see Ann any more, the
housemaid entered with a little package, a small, square envelope to
"Arthur Kipps, Esquire."

"A young woman left this, Sir," said the housemaid, a little severely.

"Eh?" said Kipps; "what young woman?" and then suddenly began to
understand.

"She looked an ordinary young woman," said the housemaid coldly.

"Ah!" said Kipps. "_That's_ orlright."

He waited till the door had closed behind the girl, staring at the
envelope in his hand, and then, with a curious feeling of increasing
tension, tore it open. As he did so, some quicker sense than sight or
touch told him its contents. It was Ann's half sixpence. And, besides,
not a word!

Then she must have heard him----!

She had kept the half sixpence all these years!

He was standing with the envelope in his hand, trying to get on from
that last inference, when Coote became audible without.

Coote appeared in evening dress, a clean and radiant Coote, with large,
greenish, white gloves and a particularly large white tie, edged with
black. "For a third cousin," he presently explained. "Nace, isn't it?"
He could see Kipps was pale and disturbed and put this down to the
approaching social trial. "You keep your nerve up, Kipps, my dear chap,
and you'll be all right," said Coote, with a big, brotherly glove on
Kipps' sleeve.


§3

The dinner came to a crisis so far as Kipps' emotions were concerned,
with Mrs. Bindon Botting's talk about servants, but before that there
had been several things of greater or smaller magnitude to perturb and
disarrange his social front. One little matter that was mildly insurgent
throughout the entire meal was, if I may be permitted to mention so
intimate a matter, the behaviour of his left brace. The webbing--which
was of a cheerful scarlet silk--had slipped away from its buckle,
fastened no doubt in agitation, and had developed a strong tendency to
place itself obliquely in the manner rather of an official decoration,
athwart his spotless front. It first asserted itself before they went in
to dinner. He replaced this ornament by a dexterous thrust when no one
was looking and thereafter the suppression of his novel innovation upon
the stereotyped sombreness of evening dress became a standing
preoccupation. On the whole, he was inclined to think his first horror
excessive; at any rate no one remarked upon it. However you imagine him
constantly throughout the evening, with one eye and one hand, whatever
the rest of him might be doing, predominantly concerned with the weak
corner.

But this, I say, was a little matter. What exercised him much more was
to discover Helen quite terribly in evening dress.

The young lady had let her imagination rove Londonward, and this
costume was perhaps an anticipation of that clever little flat not too
far west which was to become the centre of so delightful a literary and
artistic set. It was, of all the feminine costumes present, most
distinctly an evening dress. One was advised Miss Walshingham had arms
and shoulders of a type by no means despicable, one was advised Miss
Walshingham was capable not only of dignity but charm, even a certain
glow of charm. It was, you know, her first evening dress, a tribute paid
by Walshingham finance to her brightening future. Had she wanted keeping
in countenance, she would have had to have fallen back upon her hostess,
who was resplendent in black and steel. The other ladies had to a
certain extent compromised. Mrs. Walshingham had dressed with just a
refined, little V and Mrs. Bindon Botting, except for her dear mottled
arms, confided scarcely more of her plump charm to the world. The elder
Miss Botting stopped short of shoulders, and so did Miss Wace. But Helen
didn't. She was--had Kipps had eyes to see it--a quite beautiful human
figure; she knew it and she met him with a radiant smile that had
forgotten all the little difference of the afternoon. But to Kipps her
appearance was the last release. With that, she had become as remote, as
foreign, as incredible as a wife and mate, as though the Cnidian Venus
herself, in all her simple elegance, was before witnesses, declared to
be his. If, indeed, she had ever been credible as a wife and mate.

She ascribed his confusion to modest reverence, and having blazed
smiling upon him for a moment turned a shapely shoulder towards him and
exchanged a remark with Mrs. Bindon Botting. Ann's poor little half
sixpence came against Kipps' fingers in his pocket and he clutched at it
suddenly as though it was a talisman. Then he abandoned it to suppress
his Order of the Brace. He was affected by a cough. "Miss Wace tells me
Mr. Revel is coming," Mrs. Botting was saying.

"Isn't it delightful?" said Helen. "We saw him last night. He's stopped
on his way to Paris. He's going to meet his wife there."

Kipps' eyes rested for a moment on Helen's dazzling deltoid, and then
went enquiringly, accusingly almost to Coote's face. Where, in the
presence of this terrible emergency, was the gospel of suppression
now--that Furtive treatment of Religion and Politics, and Birth and
Death and Bathing and Babies, and "all those things" which constitutes
your True Gentleman? He had been too modest even to discuss this
question with his Mentor, but surely, surely this quintessence of all
that is good and nice could regard these unsolicited confidences only in
one way. With something between relief and the confirmation of his worst
fears he perceived, by a sort of twitching of the exceptionally abundant
muscles about Coote's lower jaw, in a certain deliberate avoidance of
one particular direction by these pale, but resolute, grey eyes, by the
almost convulsive grip of the ample, greenish white gloves behind him,
a grip broken at times for controlling pats at the black-bordered tie
and the back of that spacious head, and by a slight but increasing
disposition to cough, that _Coote did not approve_!

To Kipps Helen had once supplied a delicately beautiful dream, a thing
of romance and unsubstantial mystery. But this was her final
materialisation, and the last thin wreath of glamour about her was
dispelled. In some way (he had forgotten how and it was perfectly
incomprehensible) he was bound to this dark, solid and determined young
person whose shadow and suggestion he had once loved. He had to go
through with the thing as a gentleman should. Still----

And when he was sacrificing Ann!

He wouldn't stand this sort of thing, whatever else he stood.... Should
he say something about her dress to her--to-morrow?

He could put his foot down firmly. He could say, "Look 'ere. I don't
care. I ain't going to stand it. See?"

She'd say something unexpected, of course. She always did say something
unexpected.

Suppose for once he overrode what she said? Simply repeated his point?

He found these thoughts battling with certain conversational aggressions
from Mrs. Wace, and then Revel arrived and took the centre of the stage.

The author of that brilliant romance, "Red Hearts a-Beating," was a less
imposing man than Kipps had anticipated, but he speedily effaced that
disappointment by his predominating manners. Although he lived
habitually in the vivid world of London, his collar and tie were in no
way remarkable, and he was neither brilliantly handsome nor curly nor
long-haired. His personal appearance suggested arm chairs, rather than
the equestrian exercises and amorous toyings and passionate intensities
of his masterpiece; he was inclined to be fat, with whitish flesh, muddy
coloured straight hair, he had a rather shapeless and truncated nose and
his chin was asymmetrical. One eye was more inclined to stare than the
other. He might have been esteemed a little undistinguished looking were
it not for his beeswaxed moustache, which came amidst his features with
a pleasing note of incongruity, and the whimsical wrinkles above and
about his greater eye. His regard sought and found Helen's as he entered
the room and they shook hands presently with an air of intimacy Kipps,
for no clear reason, found objectionable. He saw them clasp their hands,
heard Coote's characteristic cough--a sound rather more like a very,
very old sheep, a quarter of a mile away, being blown to pieces by a
small charge of gunpowder than anything else in the world--did some
confused beginnings of a thought, and then they were all going in to
dinner and Helen's shining bare arm lay along his sleeve. Kipps was in
no state for conversation. She glanced at him, and, though he did not
know it, very slightly pressed his elbow. He struggled with strange
respiratory dislocations. Before them went Coote, discoursing in
amiable reverberations to Mrs. Walshingham, and at the head of the
procession was Mrs. Bindon Botting talking fast and brightly beside the
erect military figure of little Mr. Wace. (He was not a soldier really,
but he had caught a martinet bearing by living so close to Shorncliffe.)
Revel came last, in charge of Mrs. Wace's queenly black and steel,
politely admiring in a flute-like cultivated voice the mellow wall paper
of the staircase. Kipps marvelled at everybody's self-possession.

From the earliest spoonful of soup it became evident that Revel
considered himself responsible for the table talk. And before the soup
was over it was almost as manifest that Mrs. Bindon Botting inclined to
consider his sense of responsibility excessive. In her circle Mrs.
Bindon Botting was esteemed an agreeable rattle, her manner and
appearance were conspicuously vivacious for one so plump, and she had an
almost Irish facility for humorous description. She would keep people
amused all through an afternoon call, with the story of how her jobbing
gardener had got himself married and what his home was like, or how her
favourite butt, Mr. Stigson Warder, had all his unfortunate children
taught almost every conceivable instrument because they had the
phrenological bump of music abnormally large. "They got to trombones, my
dear!" she would say, with her voice coming to a climax. Usually her
friends conspired to draw her out, but on this occasion they neglected
to do so, a thing that militated against her keen desire to shine in
Revel's eyes. After a time she perceived that the only thing for her to
do was to cut in on the talk, on her own account, and this she began to
do. She made several ineffectual snatches at the general attention and
then Revel drifted towards a topic she regarded as particularly her own,
the ordering of households.

They came to the thing through talk about localities. "We are leaving
our house in The Boltons," said Revel, "and taking a little place at
Wimbledon, and I think of having rooms in Dane's Inn. It will be more
convenient in many ways. My wife is furiously addicted to golf and
exercise of all sorts, and I like to sit about in clubs--I haven't the
strength necessary for these hygienic proceedings--and the old
arrangement suited neither of us. And, besides, no one could imagine the
demoralisation the domestics of West London have undergone during the
last three years."

"It's the same everywhere," said Mrs. Bindon Botting.

"Very possibly it is. A friend of mine calls it the servile tradition in
decay and regards it all as a most hopeful phenomenon----"

"He ought to have had my last two criminals," said Mrs. Bindon Botting.

She turned to Mrs. Wace while Revel came again a little too late with a
"Possibly----"

"And I haven't told you, my dear," she said, speaking with voluble
rapidity, "I'm in trouble again."

"The last girl?"

"The last girl. Before I can get a cook, my hard won housemaid"--she
paused--"chucks it."

"Panic?" asked young Walshingham.

"Mysterious grief! Everything merry as a marriage bell until my Anagram
Tea! Then in the evening a portentous rigour of bearing, a word or so
from my Aunt, and immediately--Floods of Tears and Notice!" For a moment
her eye rested thoughtfully on Kipps, as she said: "Is there anything
heartrending about Anagrams?"

"I find them so," said Revel. "I----"

But Mrs. Bindon Botting got away again. "For a time it made me quite
uneasy----"

Kipps jabbed his lip with his fork rather painfully, and was recalled
from a fascinated glare at Mrs. Botting to the immediate facts of
dinner.

"----whether anagrams might not have offended the good domestic's Moral
Code--you never can tell. We made enquiries. No. No. No. She _must_ go
and that's all!"

"One perceives," said Revel, "in these disorders, dimly and distantly,
the last dying glow of the age of Romance. Let us suppose, Mrs. Botting,
let us at least try to suppose--it is Love."

Kipps clattered with his knife and fork.

"It's love," said Mrs. Botting; "what else can it be? Beneath the
orderly humdrum of our lives these romances are going on, until at last
they bust up and give Notice and upset our humdrum altogether. Some
fatal, wonderful soldier----"

"The passions of the common or house domestic," said Revel, and
recovered possession of the table.

Upon the troubled disorder of Kipps' table manners there had supervented
a quietness, an unusual calm. For once in his life he had distinctly
made up his mind on his own account. He listened no more to Revel. He
put down his knife and fork and refused anything that followed. Coote
regarded him with tactful concern and Helen flushed a little.


§4

About half-past nine that night came a violent pull at the bell of Mrs.
Bindon Botting, and a young man in a dress suit, a gibus and other marks
of exalted social position stood without. Athwart his white expanse of
breast lay a ruddy bar of patterned silk that gave him a singular
distinction and minimised the glow of a few small stains of burgundy.
His gibus was thrust back and exposed a disorder of hair that suggested
a reckless desperation. He had, in fact, burnt his boats and refused to
join the ladies. Coote, in the subsequent conversation, had protested
quietly, "You're going on all right, you know," to which Kipps had
answered he didn't care a "Eng" about that, and so, after a brief tussle
with Walshingham's detaining arm, had got away. "I got something to do,"
he said. "'Ome." And here he was--panting an extraordinary resolve. The
door opened, revealing the pleasantly furnished hall of Mrs. Bindon
Botting, lit by rose-tinted lights, and in the centre of the picture,
neat and pretty in black and white, stood Ann. At the sight of Kipps her
colour vanished.

"Ann," said Kipps, "I want to speak to you. I got something to say to
you right away. See? I'm----"

"This ain't the door to speak to me at," said Ann.

"But, Ann! It's something special."

"You spoke enough," said Ann.

"Ann!"

"Besides. That's my door, down there. Basement. If I was caught talking
at _this_ door----!"

"But, Ann, _I'm_----"

"Basement after nine. Them's my hours. I'm a servant and likely to keep
one. If you're calling here, what name please? But you got your friends
and I got mine and you mustn't go talking to _me_."

"But, Ann, I want to ask you----"

Someone appeared in the hall behind Ann. "Not here," said Ann. "Don't
know anyone of that name," and incontinently slammed the door in his
face.

"What was that, Ann?" said Mrs. Bindon Botting's invalid Aunt.

"Ge'm a little intoxicated, Ma'am--asking for the wrong name, Ma'am."

"What name did he want?" asked the lady, doubtfully.

"No name that _we_ know, Ma'am," said Ann, hustling along the hall
towards the kitchen stairs.

"I hope you weren't too short with him, Ann."

"No shorter than he deserved, considering 'ow he be'aved," said Ann,
with her bosom heaving.

And Mrs. Bindon Botting's invalid Aunt, perceiving suddenly that this
call had some relation to Ann's private and sentimental trouble, turned,
after one moment of hesitating scrutiny, away.

She was an extremely sympathetic lady, was Mrs. Bindon Botting's invalid
Aunt; she took an interest in the servants, imposed piety, extorted
confessions and followed human nature, blushing and lying defensively,
to its reluctantly revealed recesses, but Ann's sense of privacy was
strong and her manner under drawing out and encouragement, sometimes
even alarming....

So the poor old lady went upstairs again.


§5

The basement door opened and Kipps came into the kitchen. He was flushed
and panting.

He struggled for speech.

"'Ere," he said, and held out two half sixpences.

Ann stood behind the kitchen table--face pale and eyes round, and
now--and it simplified Kipps very much--he could see she had indeed been
crying.

"Well?" she said.

"Don't you see?"

Ann moved her head slightly.

"I kep' it all these years."

"You kep' it too long."

His mouth closed and his flush died away. He looked at her. The amulet,
it seemed, had failed to work.

"Ann!" he said.

"Well?"

"Ann."

The conversation still hung fire.

"Ann," he said, made a movement with his hands that suggested appeal,
and advanced a step.

Ann shook her head more defiantly, and became defensive.

"Look here, Ann," said Kipps. "I been a fool."

They stared into each other's miserable eyes.

"Ann," he said. "I want to marry you."

Ann clutched the table edge. "You can't," she said faintly.

He made as if to approach her around the table, and she took a step that
restored their distance.

"I must," he said.

"You can't."

"I must. You _got_ to marry me, Ann."

"You can't go marrying everybody. You got to marry 'er."

"I shan't."

Ann shook her head. "You're engaged to that girl. Lady, rather. You
can't be engaged to me."

"I don't want to be engaged to you. I _been_ engaged. I want to be
married to you. See? Rightaway."

Ann turned a shade paler. "But what d'you mean?" she asked.

"Come right off to London and marry me. Now."

"What d'you mean?"

Kipps became extremely lucid and earnest.

"I mean come right off and marry me now before anyone else can. _See?_"

"In London?"

"In London."

They stared at one another again. They took things for granted in the
most amazing way.

"I couldn't," said Ann. "For one thing my month's not up for mor'n free
weeks yet."

They hung before that for a moment as though it was insurmountable.

"Look 'ere, Ann! Arst to go. Arst to go!"

"_She_ wouldn't," said Ann.

"Then come without arsting," said Kipps.

"She's keep my box----"

"She won't."

"She will."

"She won't."

"You don't know 'er."

"Well, desh'er--let'er! LET'ER! Who cares? I'll buy you a 'undred boxes
if you'll come."

"It wouldn't be right towards Her."

"It isn't Her you got to think about, Ann. It's me."

"And you 'aven't treated me properly," she said. "You 'aven't treated me
properly, Artie. You didn't ought to 'ave----"

"I didn't say I _'ad_," he interrupted, "did I, Ann?" he appealed. "I
didn't come to arguefy. I'm all wrong. I never said I wasn't. It's yes
or no. Me or not.... I been a fool. There! See? I been a fool. Ain't
that enough? I got myself all tied up with everyone and made a fool of
myself all around...."

He pleaded, "It isn't as if we didn't care for one another, Ann."

She seemed impassive and he resumed his discourse.

"I thought I wasn't likely ever to see you again, Ann. I reely did. It
isn't as though I was seein' you all the time. I didn't know what I
wanted, and I went and be'aved like a fool--jest as anyone might. I know
what I want and I know what I don't want now."

"Ann!"

"Well?"

"Will you come?... Will you come?..."

Silence.

"If you don't answer me, Ann--I'm desprit--if you don't answer me now,
if you don't say you'll come I'll go right out now----"

He turned doorward passionately as he spoke, with his threat incomplete.

"I'll go," he said; "I 'aven't a friend in the world! I been and throwed
everything away. I don't know why I done things and why I 'aven't. All I
know is I can't stand nothing in the world any more." He choked. "The
pier," he said.

He fumbled with the door latch, grumbling some inarticulate self-pity,
as if he sought a handle, and then he had it open.

Clearly he was going.

"Artie!" said Ann, sharply.

He turned about and the two hung, white and tense.

"I'll do it," said Ann.

His face began to work, he shut the door and came a step back to her,
staring; his face became pitiful and then suddenly they moved together.
"Artie!" she cried, "don't go!" and held out her arms, weeping.

They clung close to one another....

"Oh! I _been_ so mis'bel," cried Kipps, clinging to this lifebuoy, and
suddenly his emotion, having no further serious work in hand, burst its
way to a loud _boohoo_! His fashionable and expensive gibus flopped off
and fell and rolled and lay neglected on the floor.

"I been so mis'bel," said Kipps, giving himself vent. "Oh! I _been_ so
mis'bel, Ann."

"Be quiet," said Ann, holding his poor, blubbering head tightly to her
heaving shoulder, and herself all a-quiver; "be quiet. She's there!
Listenin'. She'll 'ear you, Artie, on the stairs...."


§6

Ann's last words when, an hour later, they parted, Mrs. and Miss Bindon
Botting having returned very audibly upstairs, deserve a section to
themselves.

"I wouldn't do this for everyone, mind you," whispered Ann.




CHAPTER IX

THE LABYRINTHODON


§1

You imagine them fleeing through our complex and difficult social
system, as it were, for life, first on foot and severally to the
Folkestone Central Station; then in a first-class carriage, with Kipps'
bag as sole chaperone to Charing Cross, and then in a four-wheeler, a
long, rumbling, palpitating, slow flight through the multitudinous
swarming London streets to Sid. Kipps kept peeping out of the window.
"It's the next corner after this, I believe," he would say. For he had a
sort of feeling that at Sid's he would be immune from the hottest
pursuits. He paid the cabman in a manner adequate to the occasion and
turned to his prospective brother-in-law. "Me and Ann," he said, "we're
going to marry."

"But I thought----" began Sid.

Kipps motioned him towards explanations in the shop....

"It's no good, my arguing with you," said Sid, smiling delightedly as
the case unfolded. "You done it now." And Masterman being apprised of
the nature of the affair descended slowly in a state of flushed
congratulation.

"I thought you might find the Higher Life a bit difficult," said
Masterman, projecting a bony hand. "But I never thought you'd have the
originality to clear out.... Won't the young lady of the superior
classes swear! Never mind--it doesn't matter anyhow.

"You were starting a climb," he said at dinner, "that doesn't lead
anywhere. You would have clambered from one refinement of vulgarity to
another and never got to any satisfactory top. There isn't a top. It's a
squirrel's cage. Things are out of joint, and the only top there is is a
lot of blazing card playing women and betting men--you should read
Modern Society--seasoned with archbishops and officials and all that
sort of glossy, pandering Bosh.... You'd have hung on, a disconsolate,
dismal, little figure, somewhere up the ladder, far below even the
motor-car class, while your wife larked about--or fretted because she
wasn't a bit higher than she was.... I found it all out long ago. I've
seen women of that sort. And I don't climb any more."

"I often thought about what you said last time I saw you," said Kipps.

"I wonder what I said," said Masterman in parenthesis. "Anyhow, you're
doing the right and sane thing, and that's a rare spectacle. You're
going to marry your equal, and you're going to take your own line, quite
independently of what people up there, or people down there, think you
ought or ought not to do. That's about the only course one can take
nowadays with everything getting more muddled and upside down every day.
Make your own little world and your own house first of all, keep that
right side up whatever you do, and marry your mate.... That, I suppose,
is what _I_ should do--if _I_ had a mate.... But people of my sort,
luckily for the world, don't get made in pairs. No!

"Besides----! However----" And abruptly, taking advantage of an
interruption by Master Walt, he lapsed into thought.

Presently he came out of his musings.

"After all," he said, "there's hope."

"What about?" said Sid.

"Everything," said Masterman.

"Where there's life there's hope," said Mrs. Sid. "But none of you
aren't eating anything like you ought to."

Masterman lifted his glass.

"Here's to Hope!" he said, "The Light of the World!"

Sid beamed at Kipps as who should say, "You don't meet a character like
_this_ every dinner time."

"Here's to Hope," repeated Masterman. "The best thing one can have. Hope
of life--yes."

He imposed his movement of magnificent self-pity on them all. Even young
Walt was impressed.

They spent the days before their marriage in a number of agreeable
excursions together. One day they went to Kew by steamboat, and admired
the house full of paintings of flowers extremely; and one day they went
early to have a good, long day at the Crystal Palace, and enjoyed
themselves very much indeed. They got there so early that nothing was
open inside, all the stalls were wrappered up and all the minor
exhibitions locked and barred; they seemed the minutest creatures even
to themselves in that enormous empty aisle and their echoing footsteps
indecently loud. They contemplated realistic groups of plaster savages,
and Ann thought they'd be queer people to have about. She was glad there
were none in this country. They meditated upon replicas of classical
statuary without excessive comment. Kipps said at large, it must have
been a queer world then, but Ann very properly doubted if they really
went about like that. But the place at that early hour was really
lonely. One began to fancy things. So they went out into the October
sunshine of the mighty terraces, and wandered amidst miles of stucco
tanks and about those quiet Gargantuan grounds. A great, grey emptiness
it was, and it seemed marvellous to them, but not nearly so marvellous
as it might have seemed. "I never see a finer place, never," said Kipps,
turning to survey the entirety of the enormous glass front with Paxton's
vast image in the centre.

"What it must 'ave cost to build!" said Ann, and left her sentence
eloquently incomplete.

Presently they came to a region of caves and waterways, and amidst these
waterways strange reminders of the possibilities of the Creator. They
passed under an arch made of a whale's jaws, and discovered amidst
herbage, as if they were browsing or standing unoccupied and staring as
if amazed at themselves, huge effigies of iguanodons and deinotheria and
mastodons and suchlike cattle, gloriously done in green and gold.

"They got everything," said Kipps. "Earl's Court isn't a patch on it."

His mind was very greatly exercised by these monsters, and he hovered
about them and returned to them. "You'd wonder 'ow they ever got enough
to eat," he said several times.


§2

It was later in the day, and upon a seat in the presence of the green
and gold Labyrinthodon that looms so splendidly above the lake, that the
Kippses fell into talk about their future. They had made a sufficient
lunch in the palace, they had seen pictures and no end of remarkable
things, and that and the amber sunlight made a mood for them, quiet and
philosophical, a heaven mood. Kipps broke a contemplative silence with
an abrupt illusion to one principal preoccupation. "I shall offer an
'pology and I shall offer 'er brother damages. If she likes to bring an
action for Breach after that, well--I done all I can.... They can't get
much out of reading my letters in court, because I didn't write none. I
dessay a thousan' or two'll settle all that, anyhow. I ain't much
worried about that. That don't worry me very much, Ann--No."

And then, "It's a lark, our marrying. It's curious 'ow things come
about. If I 'adn't run against you, where should I 'ave been now. Eh?...
Even after we met, I didn't seem to see it like--not marrying you I
mean--until that night I came. I didn't--reely."

"I didn't neither," said Ann, with thoughtful eyes on the water.

For a time Kipps' mind was occupied by the prettiness of her thinking
face. A faint, tremulous network of lights reflected from the ripples of
a passing duck, played subtly over her cheek and faded away.

Ann reflected. "I s'pose things 'ad to be," she said.

Kipps mused. "It's curious 'ow ever I got on to be engaged to 'er."

"She wasn't suited to you," said Ann.

"Suited. No fear! That's jest it. 'Ow did it come about?"

"I expect she led you on," said Ann.

Kipps was half-minded to assent. Then he had a twinge of conscience. "It
wasn't that, Ann," he said. "It's curious. I don't know what it was, but
it wasn't that. I don't recollect.... No.... Life's jolly rum; that's
one thing any'ow. And I suppose I'm a rum sort of feller. I get excited
sometimes, and then I don't seem to care _what_ I do. That's about what
it was reely. Still----"

They meditated, Kipps with his arms folded and pulling at his scanty
moustache. Presently a faint smile came over his face.

"We'll get a nice _little_ 'ouse out Ithe way."

"It's 'omelier than Folkestone," said Ann.

"Jest a nice _little_ 'ouse," said Kipps. "There's Hughenden, of course.
But that's let. Besides being miles too big. And I wouldn't live in
Folkestone again some'ow--not for anything."

"I'd like to 'ave a 'ouse of my own," said Ann. "I've often thought,
being in service, 'ow much I'd like to manage a 'ouse of my own."

"You'd know all about what the servants was up to, anyhow," said Kipps,
amused.

"Servants! We don't want no servants," said Ann, startled.

"You'll 'ave to 'ave a servant," said Kipps. "If it's only to do the
'eavy work of the 'ouse."

"What! and not be able 'ardly to go into my own kitchen?" said Ann.

"You ought to 'ave a servant," said Kipps.

"One could easy 'ave a woman in for anything that's 'eavy," said Ann.
"Besides---- If I 'ad one of the girls one sees about nowadays I should
want to be taking the broom out of 'er 'and and do it all over myself.
I'd manage better without 'er."

"We ought to 'ave one servant anyhow," said Kipps, "else 'ow should we
manage if we wanted to go out together or anything like that?"

"I might get a _young_ girl," said Ann, "and bring 'er up in my own
way."

Kipps left the matter at that and came back to the house.

"There's little 'ouses going into Hythe, just the sort we want, not too
big and not too small. We'll 'ave a kitching and a dining-room and a
little room to sit in of a night."

"It mustn't be a 'ouse with a basement," said Ann.

"What's a basement?"

"It's a downstairs, where there's not arf enough light and everything
got to be carried--up and down, up and down, all day--coals and
everything. And it's got to 'ave a watertap and sink and things
upstairs. You'd 'ardly believe, Artie, if you 'adn't been in service,
'ow cruel and silly some 'ouses are built--you'd think they 'ad a spite
against servants the way the stairs are made."

"We won't 'ave one of that sort," said Kipps....

"We'll 'ave a quiet little life. Now go out a bit--now come 'ome again.
Read a book perhaps if we got nothing else to do. 'Ave old Buggins in
for an evening at times. 'Ave Sid down. There's bicycles----"

"I don't fancy myself on a bicycle," said Ann.

"'Ave a trailer," said Kipps, "and sit like a lady. I'd take you out to
New Romney easy as anything jest to see the old people."

"I wouldn't mind that," said Ann.

"We'll jest 'ave a sensible little 'ouse, and sensible things. No art
or anything of that sort, nothing stuck-up or anything, but jest
sensible. We'll be as right as anything, Ann."

"No socialism," said Ann, starting a lurking doubt.

"No socialism," said Kipps; "just sensible, that's all."

"I dessay it's all right for them that understand it, Artie, but I don't
agree with this socialism."

"I don't neither, reely," said Kipps. "I can't argue about it, but it
don't seem real like to me. All the same Masterman's a clever fellow,
Ann."

"I didn't like 'im at first, Artie, but I do now--in a way. You don't
understand 'im all at once."

"'E's so clever," said Kipps. "Arf the time I can't make out what 'e's
up to. 'E's the cleverest chap I ever met. I never 'eard such talking.
'E ought to write a book.... It's a rum world, Ann, when a chap like
that isn't 'ardly able to earn a living."

"It's 'is 'ealth," said Ann.

"I expect it is," said Kipps, and ceased to talk for a little while.

Then he spoke with deliberation, "Sea air might be the saving of 'im,
Ann."

He glanced doubtfully at Ann, and she was looking at him even fondly.

"You think of other people a lot," said Ann. "I been looking at you
sittin' there and thinking."

"I suppose I do. I suppose when one's 'appy one does."

"_You_ do," said Ann.

"We shall be 'appy in that little 'ouse, Ann. Don't y' think?"

She met his eyes and nodded.

"I seem to see it," said Kipps, "sort of cosy like. 'Bout tea time and
muffins, kettle on the 'ob, cat on the 'earthrug. We must get a cat,
Ann, and _you_ there. Eh?"

They regarded each other with appreciative eyes and Kipps became
irrelevant.

"I don't believe, Ann," he said, "I 'aven't kissed you not for 'arf an
hour. Leastways not since we was in those caves."

For kissing had already ceased to be a matter of thrilling adventure for
them.

Ann shook her head. "You be sensible and go on talking about Mr.
Masterman," she said....

But Kipps had wandered to something else. "I like the way your 'air
turns back just there," he said, with an indicative finger. "It was like
that, I remember, when you was a girl. Sort of wavy. I've often thought
of it----.... 'Member when we raced that time--out be'ind the church?"

Then for a time they sat idly, each following out agreeable meditations.

"It's rum," said Kipps.

"What's rum?"

"'Ow everything's 'appened," said Kipps. "Who'd 'ave thought of our
being 'ere like this six weeks ago?... Who'd 'ave thought of my ever
'aving any money?"

His eyes went to the big Labyrinthodon. He looked first carelessly and
then suddenly with a growing interest in its vast face.

"I'm deshed," he murmured. Ann became interested. He laid a hand on her
arm and pointed. Ann scrutinised the Labyrinthodon and then came around
to Kipps' face in mute interrogation.

"Don't you see it?" said Kipps.

"See what?"

"'E's jest _like_ old Coote."

"It's extinct," said Ann, not clearly apprehending.

"I dessay 'e is. But 'e's jest like old Coote all the same for that."

Kipps meditated on the monstrous shapes in sight. "I wonder 'ow all
these old antediluvium animals got extinct," he asked. "No one couldn't
possibly 'ave killed 'em."

"Why! _I_ know that," said Ann. "They was overtook by the Flood...."

Kipps meditated for a while. "But I thought they had to take two of
everything there was----"

"Within reason they 'ad," said Ann....

The Kippses left it at that.

The great green and gold Labyrinthodon took no notice of their
conversation. It gazed with its wonderful eyes over their heads into the
infinite--inflexibly calm. It might indeed have been Coote himself
there, Coote, the unassuming, cutting them dead....


§3

And in due course these two simple souls married, and Venus Urania, the
Goddess of Wedded Love, the Goddess of Tolerant Kindliness or Meeting
Half Way, to whom all young couples should pray and offer sacrifices of
self, who is indeed a very great and noble and kindly goddess, was in
some manner propitiated, and bent down and blessed them in their union.


END OF BOOK II.




BOOK III

KIPPSES




CHAPTER I

THE HOUSING PROBLEM


§1

Honeymoons and all things come to an end, and you see at last Mr. and
Mrs. Arthur Kipps descending upon the Hythe platform--coming to Hythe to
find that nice _little_ house--to realise that bright dream of a home
they had first talked about in the grounds of the Crystal Palace. They
are a valiant couple, you perceive, but small, and the world is a large
incongruous system of complex and difficult things. Kipps wears a grey
suit, with a wing-poke collar and a neat, smart tie. Mrs. Kipps is the
same bright and healthy little girl woman you saw in the marsh; not an
inch has been added to her stature in all my voluminous narrative. Only
now she wears a hat.

It is a hat very unlike the hats she used to wear on her Sundays out, a
flourishing hat with feathers and buckle and bows and things. The price
of that hat would take many people's breath away--it cost two guineas!
Kipps chose it. Kipps paid for it. They left the shop with flushed
cheeks and smarting eyes, glad to be out of range of the condescending
saleswoman.

"Artie," said Ann, "you didn't ought to 'ave----"

That was all. And you know, the hat didn't suit Ann a bit. Her clothes
did not suit her at all. The simple, cheap, clean brightness of her
former style had given place not only to this hat, but to several other
things in the same key. And out from among these things looked her
pretty face, the face of a wise little child--an artless wonder
struggling through a preposterous dignity.

They had bought that hat one day when they had gone to see the shops in
Bond street. Kipps had looked at the passers-by and it had suddenly
occurred to him that Ann was dowdy. He had noted the hat of a very
proud-looking lady passing in an electric brougham and had resolved to
get Ann the nearest thing to that.

The railway porters perceived some subtle incongruity in Ann, the knot
of cabmen in the station doorway, the two golfers and the lady with
daughters, who had also got out of the train. And Kipps, a little pale,
blowing a little, not in complete possession of himself, knew that they
noticed her and him. And Ann----. It is hard to say just what Ann
observed of these things.

"'Ere!" said Kipps to a cabman, and regretted too late a vanished "H."

"I got a trunk up there," he said to a ticket inspector, "marked A. K."

"Ask a porter," said the inspector, turning his back.

"Demn!" said Kipps, not altogether inaudibly.


§2

It is all very well to sit in the sunshine and talk of the house you
will have, and another altogether to achieve it. We English--all the
world indeed to-day--live in a strange atmosphere of neglected great
issues, of insistent, triumphant petty things, we are given up to the
fine littlenesses of intercourse; table manners and small correctitudes
are the substance of our lives. You do not escape these things for long
even by so catastrophic a proceeding as flying to London with a young
lady of no wealth and inferior social position. The mists of noble
emotion swirl and pass and there you are divorced from all your deities
and grazing in the meadows under the Argus eyes of the social system,
the innumerable mean judgments you feel raining upon you, upon your
clothes and bearing, upon your pretensions and movements.

Our world to-day is a meanly conceived one--it is only an added meanness
to conceal that fact. For one consequence, it has very few nice little
houses, such things do not come for the asking, they are not to be
bought with money during ignoble times. Its houses are built on the
ground of monstrously rich, shabbily extortionate landowners, by poor,
parsimonious, greedy people in a mood of elbowing competition. What can
you expect from such ridiculous conditions? To go househunting is to spy
out the nakedness of this pretentious world, to see what our
civilization amounts to when you take away curtains and flounces and
carpets and all the fluster and distraction of people and fittings. It
is to see mean plans meanly executed for mean ends, the conventions torn
aside, the secrets stripped, the substance underlying all such Chester
Cootery, soiled and worn and left.

So you see our poor, dear Kippses going to and fro, in Hythe, in
Sandgate, in Ashford and Canterbury and Deal and Dover--at last even in
Folkestone, with "orders to view," pink and green and white and yellow
orders to view, and labelled keys in Kipps' hand and frowns and
perplexity upon their faces.... They did not clearly know what they
wanted, but whatever it was they saw, they knew they did not want that.
Always they found a confusing multitude of houses they could not take,
and none they could. Their dreams began to turn mainly on empty,
abandoned-looking rooms, with unfaded patches of paper to mark the place
of vanished pictures and doors that had lost their keys. They saw rooms
floored with boards that yawned apart and were splintered, skirtings
eloquent of the industrious mouse, kitchens with a dead black-beetle in
the empty cupboard, and a hideous variety of coal holes and dark
cupboards under the stairs. They stuck their little heads through roof
trap-doors and gazed at disorganised ball taps, at the bleak filthiness
of unstoppered roofs. There were occasions when it seemed to them that
they must be the victims of an elaborate conspiracy of house agents, so
bleak and cheerless is a second-hand empty house in comparison with the
humblest of inhabited dwellings.

Commonly the houses were too big. They had huge windows that demanded
vast curtains in mitigation, countless bedrooms, acreage of stone steps
to be cleaned, kitchens that made Ann protest. She had come so far
towards a proper conception of Kipps' social position as to admit the
prospect of one servant--"but lor'!" she would say, "you'd want a
manservant in this 'ouse." When the houses were not too big, then they
were almost invariably the product of speculative building, of that
multitudinous hasty building for the extravagant multitude of new births
that was the essential disaster of the nineteenth century. The new
houses Ann refused as damp, and even the youngest of these that had been
in use showed remarkable signs of a sickly constitution, the plaster
flaked away, the floors gaped, the paper mouldered and peeled, the doors
dropped, the bricks scaled and the railings rusted, Nature in the form
of spiders, earwigs, cockroaches, mice, rats, fungi and remarkable
smells, was already fighting her way back....

And the plan was invariably inconvenient, invariably. All the houses
they saw had a common quality for which she could find no word, but for
which the proper word is incivility. "They build these 'ouses," she
said, "as though girls wasn't 'uman beings." Sid's social democracy had
got into her blood perhaps, and anyhow they went about discovering the
most remarkable inconsiderateness in the contemporary house. "There's
kitching stairs to go up, Artie!" Ann would say. "Some poor girl's got
to go up and down, up and down, and be tired out, jest because they
haven't the sense to leave enough space to give their steps a proper
rise--and no water upstairs anywhere--every drop got to be carried! It's
'ouses like this wear girls out.

"It's 'aving 'ouses built by men, I believe, makes all the work and
trouble," said Ann....

The Kippses, you see, thought they were looking for a reasonably simple
little contemporary house, but indeed they were looking either for
dreamland or 1975 A.D. or thereabouts, and it hadn't come.


§3

But it was a foolish thing of Kipps to begin building a house.

He did that out of an extraordinary animosity for house agents he had
conceived.

Everybody hates house agents just as everybody loves sailors. It is no
doubt a very wicked and unjust hatred, but the business of a novelist is
not ethical principle but facts. Everybody hates house agents because
they have everybody at a disadvantage. All other callings have a certain
amount of give and take; the house agent simply takes. All other
callings want you; your solicitor is afraid you may change him, your
doctor cannot go too far, your novelist--if only you knew it--is mutely
abject towards your unspoken wishes--and as for your tradespeople,
milkmen will fight outside your front door for you, and green-grocers
call in tears if you discard them suddenly; but who ever heard of a
house agent struggling to serve anyone? You want to get a house; you go
to him, you dishevelled and angry from travel, anxious, enquiring; he
calm, clean, inactive, reticent, quietly doing nothing. You beg him to
reduce rents, whitewash ceilings, produce other houses, combine the
summer house of No. 6 with the conservatory of No. 4--much he cares! You
want to dispose of a house; then he is just the same, serene,
indifferent--on one occasion I remember he was picking his teeth all the
time he answered me. Competition is a mockery among house agents, they
are all alike, you cannot wound them by going to the opposite office,
you cannot dismiss them, you can at most dismiss yourself. They are
invulnerably placed behind mahogany and brass, too far usually even for
a sudden swift lunge with an umbrella, and to throw away the keys they
lend you instead of returning them is larceny and punishable as such.

It was a house agent in Dover who finally decided Kipps to build.
Kipps, with a certain faltering in his voice, had delivered his
ultimatum, no basement, not more than eight rooms, hot and cold water
upstairs, coal cellar in the house but with intervening doors to keep
dust from the scullery and so forth. He stood blowing. "You'll have to
build a house," said the house agent, sighing wearily, "if you want all
that." It was rather for the sake of effective answer than with any
intention at the time that Kipps mumbled, "That's about what I shall
do--this goes on."

Whereupon the house agent smiled. He smiled!

When Kipps came to turn the thing over in his mind he was surprised to
find quite a considerable intention had germinated and was growing up in
him. After all, lots of people _have_ built houses. How could there be
so many if they hadn't? Suppose he "reely" did! Then he would go to the
house agent and say, "'Ere, while you been getting me a sootable 'ouse,
blowed if I 'aven't built one!" Go round to all of them; all the house
agents in Folkestone, in Dover, Ashford, Canterbury, Margate, Ramsgate,
saying that! Perhaps then they might be sorry. It was in the small hours
that he awoke to a realisation that he had made up his mind in the
matter.

"Ann," he said, "Ann," and also used the sharp of his elbow.

Ann was at last awakened to the pitch of an indistinct enquiry what was
the matter.

"I'm going to build a house, Ann."

"Eh?" said Ann, suddenly, as if awake.

"Build a house."

Ann said something incoherent about he'd better wait until the morning
before he did anything of the sort, and immediately with a fine
trustfulness went fast asleep again.

But Kipps lay awake for a long while building his house, and in the
morning at breakfast he made his meaning clear. He had smarted under the
indignities of house agents long enough, and this seemed to promise
revenge--a fine revenge. "And, you know, we might reely make rather a
nice little 'ouse out of it--like we want."

So resolved, it became possible for them to take a house for a year,
with a basement, no service lift, blackleading to do everywhere, no
water upstairs, no bathroom, vast sash windows to be cleaned from the
sill, stone steps with a twist and open to the rain into the coal
cellar, insufficient cupboards, unpaved path to the dustbin, no
fireplace to the servant's bedroom, no end of splintery wood to
scrub--in fact, a very typical English middle-class house. And having
added to this house some furniture, and a languid young person with
unauthentic golden hair named Gwendolen, who was engaged to a
sergeant-major and had formerly been in an hotel, having "moved in" and
spent some sleepless nights varied by nocturnal explorations in search
of burglars, because of the strangeness of being in a house for which
they were personally responsible, Kipps settled down for a time and
turned himself with considerable resolution to the project of building a
home.


§4

At first Kipps had gathered advice, finding an initial difficulty in how
to begin. He went into a builder's shop at Seabrook one day, and told
the lady in charge that he wanted a house built; he was breathless but
quite determined, and he was prepared to give his order there and then,
but she temporised with him and said her husband was out, and he left
without giving his name. Also he went and talked to a man in a cart who
was pointed out to him by a workman as the builder of a new house near
Saltwood, but he found him first sceptical and then overpoweringly
sarcastic. "I suppose you build a 'ouse every 'oliday," he said, and
turned from Kipps with every symptom of contempt.

Afterwards Carshot told alarming stories about builders, and shook
Kipps' expressed resolution a good deal, and then Pierce raised the
question whether one ought to go in the first instance to a builder at
all and not rather to an architect. Pierce knew a man at Ashford whose
brother was an architect, and as it is always better in these matters to
get someone you know, the Kippses decided, before Pierce had gone, and
Carshot's warning had resumed their sway, to apply to him. They did
so--rather dubiously.

The architect who was brother of Pierce's friend appeared as a small,
alert individual with a black bag and a cylindrical silk hat, and he sat
at the dining-room table, with his hat and his bag exactly equidistant
right and left of him, and maintained a demeanour of impressive
woodenness, while Kipps on the hearthrug, with a quaking sense of
gigantic enterprise, vacillated answers to his enquiries. Ann held a
watching brief for herself, in a position she had chosen as suitable to
the occasion beside the corner of the carved oak sideboard. They felt,
in a sense, at bay.

The architect began by asking for the site, and seemed a little
discomposed to discover this had still to be found. "I thought of
building just anywhere," said Kipps. "I 'aven't made up my mind about
that yet." The architect remarked that he would have preferred to see
the site in order to know where to put what he called his "ugly side,"
but it was quite possible of course to plan a house "in the air," on the
level, "simply with back and front assumed"--if they would like to do
that. Kipps flushed slightly, and secretly hoping it would make no great
difference in the fees, said a little doubtfully that he thought that
would be all right.

The architect then marked off as it were the first section of his
subject, with a single dry cough, opened his bag, took out a spring tape
measure, some hard biscuits, a metal flask, a new pair of dogskin
gloves, a clockwork motor-car partially wrapped in paper, a bunch of
violets, a paper of small brass screws, and finally a large, distended
notebook; he replaced the other objects carefully, opened his notebook,
put a pencil to his lips and said: "And what accommodation will you
require?" To which Ann, who had followed his every movement with the
closest attention and a deepening dread, replied with the violent
suddenness of one who has long lain in wait, "Cubbuds!"

"Anyhow," she added, catching her husband's eye.

The architect wrote it down.

"And how many rooms?" he said, coming to secondary matters.

The young people regarded one another. It was dreadfully like giving an
order.

"How many bedrooms, for example?" asked the architect.

"One?" suggested Kipps, inclined now to minimise at any cost.

"There's Gwendolen," said Ann.

"Visitors perhaps," said the architect, and temperately, "You never
know."

"Two, p'raps?" said Kipps. "We don't want no more than a _little_ 'ouse,
you know."

"But the merest shooting-box----," said the architect.

They got to six; he beat them steadily from bedroom to bedroom, the word
"nursery" played across their imaginative skies--he mentioned it as the
remotest possibility--and then six being reluctantly conceded, Ann came
forward to the table, sat down and delivered herself of one of her
prepared conditions: "'Ot and cold water," she said, "laid on to each
room--any'ow."

It was an idea long since acquired from Sid.

"Yes," said Kipps, on the hearthrug, "'Ot and cold water laid on to each
bedroom--we've settled on that."

It was the first intimation to the architect that he had to deal with a
couple of exceptional originality, and as he had spent the previous
afternoon in finding three large houses in _The Builder_, which he
intended to combine into an original and copyright design of his own, he
naturally struggled against these novel requirements. He enlarged on the
extreme expensiveness of plumbing, on the extreme expensiveness of
everything not already arranged for in his scheme, and only when Ann
declared she'd as soon not have the house as not have her requirements,
and Kipps, blenching the while, had said he didn't mind what a thing
cost him so long as he got what he wanted, did he allow a kindred
originality of his own to appear beneath the acquired professionalism of
his methods. He dismissed their previous talk with his paragraphic
cough. "Of course," he said, "if you don't mind being
unconventional----"

He explained that he had been thinking of a Queen Anne style of
architecture (Ann directly she heard her name shook her head at Kipps in
an aside) so far as the exterior went. For his own part, he said, he
liked to have the exterior of a house in a style, not priggishly in a
style, but mixed, with one style uppermost, and the gables and dormers
and casements of the Queen Anne style, with a little rough cast and sham
timbering here and there and perhaps a bit of an overhang diversified a
house and made it interesting. The advantages of what he called a Queen
Anne style was that it had such a variety of features.... Still, if they
were prepared to be unconventional it could be done. A number of houses
were now built in the unconventional style and were often very pretty.
In the unconventional style one frequently had what perhaps he might
call Internal Features, for example, an Old English oak staircase and
gallery. White rough-cast and green paint were a good deal favoured in
houses of this type.

He indicated that this excursus on style was finished by a momentary use
of his cough, and reopened his notebook, which he had closed to wave
about in a moment of descriptive enthusiasm while expatiating on the
unbridled wealth of External Features associated with Queen Anne. "Six
bedrooms," he said, moistening his pencil. "One with barred windows
suitable for a nursery if required."

Kipps endorsed this huskily and reluctantly.

There followed a most interesting discussion upon house building, in
which Kipps played a minor part. They passed from bedrooms to the
kitchen and scullery, and there Ann displayed an intelligent
exactingness that won the expressed admiration of the architect. They
were particularly novel upon the position of the coal cellar, which Ann
held to be altogether too low in the ordinary house, necessitating much
heavy carrying. They dismissed as impracticable the idea of having coal
cellar and kitchen at the top of the house, because that would involve
carrying all the coal through the house, and therewith much subsequent
cleaning, and for a time they dealt with a conception of a coal cellar
on the ground floor with a light staircase running up outside to an
exterior shoot. "It might be made a Feature," said the architect, a
little doubtfully, jotting down a note of it. "It would be apt to get
black, you know."

Thence they passed to the alternative of service lifts, and then by an
inspiration of the architect to the possibilities of gas heating. Kipps
did a complicated verbal fugue on the theme, "gas heating heats the
air," with variable aspirates; he became very red and was lost to the
discussion altogether for a time, though his lips kept silently on.

Subsequently the architect wrote to say that he found in his notebook
very full and explicit directions for bow windows to all rooms, for
bedrooms, for water supply, lift, height of stairs and absence of twists
therein, for a well-ventilated kitchen twenty feet square, with two
dressers and a large box-window seat, for scullery and outhouses and
offices, but nothing whatever about drawing-room, dining-room, library
or study, or approximate cost, and he awaited further instructions. He
presumed there would be a breakfast-room, dining-room, drawing-room,
and study for Mr. Kipps, at least that was his conception, and the
young couple discussed this matter long and ardently.

Ann was distinctly restrictive in this direction. "I don't see what you
want a drawin'-room and a dinin' _and_ a kitchen for. If we was going to
let in summer--well and good. But we're not going to let. Consequently
we don't want so many rooms. Then there's a 'all. What use is a 'all? It
only makes work. And a study!"

Kipps had been humming and stroking his moustache since he had read the
architect's letter. "I think I'd like a little bit of a study--not a big
one, of course, but one with a desk and book-shelves, like there was in
Hughenden. I'd like that."

It was only after they had talked to the architect again and seen how
scandalised he was at the idea of not having a drawing-room that they
consented to that Internal Feature. They consented to please him. "But
we shan't never use it," said Ann.

Kipps had his way about a study. "When I get that study," said Kipps, "I
shall do a bit of reading I've long wanted to do. I shall make a habit
of going in there and reading something an hour every day. There's
Shakespeare and a lot of things a man like me ought to read. Besides, we
got to 'ave _somewhere_ to put the Encyclopædia. I've always thought a
study was about what I've wanted all along. You can't 'elp reading if
you got a study. If you 'aven't, there's nothing for it, so far's _I_
can see, but treshy novels."

He looked down at Ann and was surprised to see a joyless thoughtfulness
upon her face.

"Fency, Ann!" he said, not too buoyantly, "'aving a little 'ouse of our
own!"

"It won't be a little 'ouse," said Ann, "not with all them rooms."


§5

Any lingering doubt in that matter was dispelled when it came to plans.

The architect drew three sets of plans on a transparent bluish sort of
paper that smelt abominably. He painted them very nicely; brick red and
ginger, and arsenic green and a leaden sort of blue, and brought them
over to show our young people. The first set were very simple, with
practically no External Features--"a plain style," he said it was--but
it looked a big sort of house nevertheless; the second had such extras
as a conservatory, bow windows of various sorts, one rough-cast gable
and one half-timbered ditto in plaster, and a sort of overhung verandah,
and was much more imposing; and the third was quite fungoid with
External Features, and honeycombed with Internal ones; it was, he said,
"practically a mansion," and altogether a very noble fruit of the
creative mind of man. It was, he admitted, perhaps almost too good for
Hythe; his art had run away with him and produced a modern mansion in
the "best Folkestone style"; it had a central hall with a staircase, a
Moorish gallery, and Tudor stained glass window, crenelated battlements
to the leading over the portico, an octagonal bulge with octagonal bay
windows, surmounted by an oriental dome of metal, lines of yellow bricks
to break up the red and many other richnesses and attractions. It was
the sort of house, ornate and in its dignified way voluptuous, that a
city magnate might build, but it seemed excessive to the Kippses. The
first plan had seven bedrooms, the second eight, the third eleven; that
had, the architect explained, "worked in" as if they were pebbles in a
mountaineer's boat.

"They're big 'ouses," said Ann directly the elevations were unrolled.

Kipps listened to the architect with round eyes and an exuberant caution
in his manner, anxious not to commit himself further than he had done to
the enterprise, and the architect pointed out the Features and other
objects of interest with the scalpel belonging to a pocket manicure set
that he carried. Ann watched Kipps' face and communicated with him
furtively over the architect's head. "_Not so big_," said Ann's lips.

"It's a bit big for what I meant," said Kipps, with a reassuring eye on
Ann.

"You won't think it big when you see it up," said the architect; "you
take my word for that."

"We don't want no more than six bedrooms," said Kipps.

"Make this one a box-room, then," said the architect.

A feeling of impotence silenced Kipps for a time.

"Now which," said the architect, spreading them out, "is it to be?"

He flattened down the plans of the most ornate mansion to show it to
better effect.

Kipps wanted to know how much each would cost "at the outside," which
led to much alarmed signalling from Ann. But the architect could
estimate only in the most general way.

They were not really committed to anything when the architect went away;
Kipps had promised to think it over, that was all.

"We can't 'ave that 'ouse," said Ann.

"They're miles too big--all of them," agreed Kipps.

"You'd want----. Four servants wouldn't be 'ardly enough," said Ann.

Kipps went to the hearthrug and spread himself. His tone was almost
offhand. "Nex' time 'e comes," said Kipps, "I'll 'splain to him. It
isn't at all the sort of thing we want. It's--it's a misunderstanding.
You got no occasion to be anxious 'bout it, Ann."

"I don't see much good reely in building an 'ouse at all," said Ann.

"Oo, we _got_ to build a 'ouse now we begun," said Kipps. "But, now,
supposin' we 'ad----."

He spread out the most modest of the three plans and scratched his
cheek.


§6

It was unfortunate that old Kipps came over the next day.

Old Kipps always produced peculiar states of mind in his nephew, a rash
assertiveness, a disposition towards display unlike his usual self.
There had been great difficulty in reconciling both these old people to
the Pornick mesalliance, and at times the controversy echoed in old
Kipps' expressed thoughts. This perhaps it was, and no ignoble vanity,
that set the note of florid successfulness going in Kipps' conversation
whenever his uncle appeared. Mrs. Kipps was, as a matter of fact, not
reconciled at all, she had declined all invitations to come over on the
'bus, and was a taciturn hostess on the one occasion when the young
people called at the toy shop _en route_ for Mrs. Pornick. She displayed
a tendency to sniff that was clearly due to pride rather than catarrh,
and except for telling Ann she hoped she would not feel too "stuck up"
about her marriage, confined her conversation to her nephew or the
infinite. The call was a brief one and made up chiefly of pauses, no
refreshment was offered or asked for, and Ann departed with a singularly
high colour. For some reason she would not call at the toy shop when
they found themselves again in New Romney.

But old Kipps, having adventured over and tried the table of the new
_menage_ and found it to his taste, showed many signs of softening
towards Ann. He came again and then again. He would come over by the
'bus, and except when his mouth was absolutely full, he would give his
nephew one solid and continuous mass of advice of the most subtle and
disturbing description, until it was time to toddle back to the High
Street for the afternoon 'bus. He would walk with him to the sea front,
and commence _pourparlers_ with boatmen for the purchase of one of their
boats. "You ought to keep a boat of your own," he said, though Kipps was
a singularly poor sailor--or he would pursue a plan that was forming in
his mind in which he should own and manage what he called "weekly"
property in the less conspicuous streets of Hythe. The cream of that was
to be a weekly collection of rents in person, the nearest approach to
feudal splendour left in this democratised country. He gave no hint of
the source of the capital he designed for this investment and at times
it would appear he intended it as an occupation for his nephew rather
than himself.

But there remained something in his manner towards Ann; in the glances
of scrutiny he gave her unawares, that kept Kipps alertly expansive
whenever he was about. And in all sorts of ways. It was on account of
old Kipps, for example, that our Kipps plunged one day, a golden plunge,
and brought home a box of cummerbundy ninepenny cigars, and substituted
blue label old Methusaleh Four Stars for the common and generally
satisfactory white brand.

"Some of this is whiskey, my boy," said old Kipps when he tasted it,
smacking critical lips.

"Saw a lot of young officer fellers coming along," said old Kipps. "You
ought to join the volunteers, my boy, and get to know a few."

"I dessay I shall," said Kipps. "Later."

"They'd make you an officer, you know, 'n no time. They want officers,"
said old Kipps. "It isn't everyone can afford it. They'd be regular glad
to 'ave you.... Ain't bort a dog yet?"

"Not yet, uncle. 'Ave a segar?"

"Not a moty car?"

"Not yet, uncle."

"There's no 'urry 'bout that. And don't get one of these 'ere trashy
cheap ones when you do get it, my boy. Get one as'll last a lifetime....
I'm surprised you don't 'ire a bit more."

"Ann don't seem to fency a moty car," said Kipps.

"Ah!" said old Kipps, "I expect not," and glanced a comment at the door.
"She ain't used to going out," he said. "More at 'ome indoors."

"Fact is," said Kipps, hastily, "we're thinking of building a 'ouse."

"I wouldn't do that, my boy," began old Kipps, but his nephew was
routing in the cheffonier drawer amidst the plans. He got them in time
to check some further comment on Ann. "Um," said the old gentleman, a
little impressed by the extraordinary odour and the unusual transparency
of the tracing paper Kipps put into his hands. "Thinking of building a
'ouse, are you?"

Kipps began with the most modest of the three projects.

Old Kipps read slowly through his silver-rimmed spectacles: "Plan of a
'ouse for Arthur Kipps Esquire--Um."

He didn't warm to the project all at once, and Ann drifted into the room
to find him still scrutinising the architect's proposals a little
doubtfully.

"We couldn't find a decent 'ouse anywhere," said Kipps, leaning against
the table and assuming an offhand note. "I didn't see why we shouldn't
run up one for ourselves." Old Kipps could not help liking the tone of
that.

"We thought we might see----" said Ann.

"It's a spekerlation, of course," said old Kipps, and held the plan at a
distance of two feet or more from his glasses and frowned. "This isn't
exactly the 'ouse I should expect you to 'ave thought of, though," he
said. "Practically it's a villa. It's the sort of 'ouse a bank clerk
might 'ave. 'Tisn't what I should call a gentleman's 'ouse, Artie."

"It's plain, of course," said Kipps, standing beside his uncle and
looking down at this plan, which certainly did seem a little less
magnificent now than it had at the first encounter.

"You mustn't 'ave it too plain," said old Kipps.

"If it's comfortable----," Ann hazarded.

Old Kipps glanced at her over his spectacles. "You ain't comfortable,
my gal, in this world, not if you don't live up to your position," so
putting compactly into contemporary English that fine old phrase,
_noblesse oblige_. "A 'ouse of this sort is what a retired tradesman
might 'ave, or some little whippersnapper of a s'liciter. But _you_----"

"Course that isn't the o'ny plan," said Kipps, and tried the middle one.

But it was the third one which won over old Kipps. "Now that's a
_'ouse_, my boy," he said at the sight of it.

Ann came and stood just behind her husband's shoulder while old Kipps
expanded upon the desirability of the larger scheme. "You ought to 'ave
a billiard-room," he said; "I don't see that, but all the rest's all
right. A lot of these 'ere officers 'ere 'ud be glad of a game of
billiards."...

"What's all these dots?" said old Kipps.

"S'rubbery," said Kipps. "Flow'ing s'rubs."

"There's eleven bedrooms in that 'ouse," said Ann. "It's a bit of a lot,
ain't it, uncle?"

"You'll want 'em, my girl. As you get on, you'll be 'aving visitors.
Friends of your 'usband, p'raps, from the School of Musketry, what you
want 'im to get on with. You can't never tell."

"If we 'ave a great s'rubbery," Ann ventured, "we shall 'ave to keep a
gardener."

"If you don't 'ave a s'rubbery," said old Kipps, with a note of patient
reasoning, "'ow are you to prevent every jackanapes that goes by,
starin' into your drorin'-room winder--p'raps when you get someone a
bit special to entertain?"

"We ain't _used_ to a s'rubbery," said Ann, mulishly; "we get on very
well 'ere."

"It isn't what you're used to," said old Kipps, "it's what you ought to
'ave _now_." And with that Ann dropped out of the discussion.

"Study and lib'ry," old Kipps read. "That's right. I see a Tantalus the
other day over Brookland, the very thing for a gentleman's study. I'll
try and get over and bid for it."...

By 'bus time old Kipps was quite enthusiastic about the house building,
and it seemed to be definitely settled that the largest plan was the one
decided upon. But Ann had said nothing further in the matter.


§7

When Kipps returned from seeing his uncle into the 'bus--there always
seemed a certain doubt whether that portly figure would go into the
little red "Tip-Top" box--he found Ann still standing by the table,
looking with an expression of comprehensive disapproval at the three
plans.

"There don't seem much the matter with uncle," said Kipps, assuming the
hearthrug, "spite of 'is 'eartburn. 'E 'opped up them steps like a
bird."

Ann remained staring at the plans.

"You don't like them plans?" hazarded Kipps.

"No, I don't, Artie."

"We got to build somethin' now."

"But--it's a gentleman's 'ouse, Artie!"

"It's--it's a decent size, o' course."

Kipps took a flirting look at the drawing and went to the window.

"Look at the cleanin'. Free servants'll be lost in that 'ouse, Artie."

"We must _'ave_ servants," said Kipps.

Ann looked despondently at her future residence.

"We got to keep up our position, any'ow," said Kipps, turning towards
her. "It stands to reason, Ann, we got a position. Very well! I can't
'ave you scrubbin' floors. You got to 'ave a servant and you got to
manage a 'ouse. You wouldn't 'ave me ashamed----"

Ann opened her lips and did not speak.

"What?" asked Kipps.

"Nothing," said Ann, "only I did want it to be a _little_ 'ouse, Artie.
I wanted it to be a 'andy little 'ouse, jest for us."

Kipps' face was suddenly flushed and mulish. He took up the curiously
smelling tracings again. "I'm not a-going to be looked down upon," he
said. "It's not only Uncle I'm thinking of!"

Ann stared at him.

Kipps went on. "I won't 'ave that young Walshingham f'r instance,
sneering and sniffling at me. Making out as if we was all wrong. I see
'im yesterday.... Nor Coote neether. I'm as good--we're as good.
Whatever's 'appened."

Silence and the rustle of plans.

He looked up and saw Ann's eyes bright with tears. For a moment the two
stared at one another.

"We'll 'ave the big 'ouse," said Ann, with a gulp. "I didn't think of
that, Artie."

Her aspect was fierce and resolute, and she struggled with emotion.
"We'll 'ave the big 'ouse," she repeated. "They shan't say I dragged you
down wiv' me--none of them shan't say that. I've thought--I've always
been afraid of that."

Kipps looked again at the plan, and suddenly the grand house had become
very grand indeed. He blew.

"No, Artie, none of them shan't say that," and with something blind in
her motions Ann tried to turn the plan round to her....

After all, Kipps thought there might be something to say for the milder
project.... But he had gone so far that now he did not know how to say
it.

And so the plans went out to the builders, and in a little while Kipps
was committed to two thousand five hundred pounds worth of building. But
then, you know, he had an income of twelve hundred a year.


§8

It is extraordinary what minor difficulties cluster about house
building.

"I say, Ann," remarked Kipps one day, "we shall 'ave to call this little
'ouse by a name. I was thinking of 'Ome Cottage. But I dunno whether
'Ome Cottage is quite the thing like. All these little fishermen's
places are called Cottages."

"I like cottage," said Ann.

"It's got eleven bedrooms, d'see," said Kipps. "I don't see 'ow you can
call it a cottage with more bedrooms than four. Prop'ly speaking, it's a
Large Villa. Prop'ly, it's almost a Big 'Ouse. Leastways a 'Ouse."

"Well," said Ann, "if you must call it Villa--Home Villa.... I wish it
wasn't."

Kipps meditated.

"'Ow about Eureka Villa?" he said, raising his voice.

"What's Eureka?"

"It's a name," he said. "There used to be Eureka Dress Fasteners.
There's lots of names, come to think of it, to be got out of a shop.
There's Pyjama Villa. I remember that in the hosiery. No, come to think,
that wouldn't do. But Maraposa--sort of oatmeal cloth, that was.... No!
Eureka's better."

Ann meditated. "It seems silly like to 'ave a name that don't mean
much."

"Perhaps it does," said Kipps. "Though it's what people 'ave to do."

He became meditative. "I got it!" he cried.

"Not Oreeka!" said Ann.

"No! There used to be a 'ouse at Hastings opposite our school--quite a
big 'ouse it was--St. Ann's. Now _that_----"

"No," said Mrs. Kipps with decision. "Thanking you kindly, but I don't
have no butcher boys making game of me."...

They consulted Carshot, who suggested after some days of reflection,
Waddycombe, as a graceful reminder of Kipps' grandfather; Old Kipps, who
was for "Upton Manor House," where he had once been second footman;
Buggins, who favoured either a stern simple number, "Number One"--if
there were no other houses there, or something patriotic, as "Empire
Villa," and Pierce, who inclined to "Sandringham"; but in spite of all
this help they were still undecided when, amidst violent perturbations
of the soul, and after the most complex and difficult hagglings,
wranglings, fears, muddles and goings to and fro, Kipps became the
joyless owner of a freehold plot of three-eighths of an acre, and saw
the turf being wheeled away from the site that should one day be his
home.




CHAPTER II

THE CALLERS


§1

The Kippses sat at their midday dinner-table and amidst the vestiges of
rhubarb pie, and discussed two postcards the one o'clock post had
brought. It was a rare bright moment of sunshine in a wet and windy day
in the March that followed their marriage. Kipps was attired in a suit
of brown, with a tie of fashionable green, while Ann wore one of those
picturesque loose robes that are usually associated with sandals and
advanced ideas. But there weren't any sandals on Ann or any advanced
ideas, and the robe had come quite recently through the counsels of Mrs.
Sid Pornick. "It's Artlike," said Kipps, giving way. "It's more
comfortable," said Ann. The room looked out by French windows upon a
little patch of green and the Hythe parade. The parade was all shiny wet
with rain, and the green-grey sea tumbled and tumbled between parade and
sky.

The Kipps' furniture, except for certain chromo lithographs of Kipps'
incidental choice that struck a quiet note amidst the wall paper, had
been tactfully forced by an expert salesman, and it was in a style of
mediocre elegance. There was a sideboard of carved oak that had only one
fault, it reminded Kipps at times of wood-carving, and its panel of
bevelled glass now reflected the back of his head. On its shelf were two
books from Parsons' Library, each with a "place" marked by a slip of
paper; neither of the Kippses could have told you the title of either
book they read, much less the author's name. There was an ebonised
overmantel set with phials and pots of brilliant colour, each duplicated
by looking-glass, and bearing also a pair of Chinese jars made in
Birmingham, a wedding present from Mr. and Mrs. Sidney Pornick, and
several sumptuous Japanese fans. And there was a Turkey carpet of great
richness. In addition to these modern exploits of Messrs. Bunt and
Bubble, there were two inactive tall clocks, whose extreme dilapidation
appealed to the connoisseur; a terrestrial and a celestial globe, the
latter deeply indented; a number of good old iron moulded and dusty
books, and a stuffed owl wanting one (easily replaceable) glass eye,
obtained by the exertions of Uncle Kipps. The table equipage was as much
as possible like Mrs. Bindon Botting's, only more costly, and in
addition there were green and crimson wine glasses--though the Kippses
never drank wine.

Kipps turned to the more legible of his two postcards again.

"'Unavoidably prevented from seein' me to-day,' 'e says. I like 'is
cheek. After I give 'im 'is start and everything."

He blew.

"'E certainly treats you a bit orf'and," said Ann.

Kipps gave vent to his dislike of young Walshingham. "He's getting too
big for 'is britches," he said. "I'm beginning to wish she _'ad_ brought
an action for breach. Ever since _'e_ said she wouldn't, 'e's seemed to
think I've got no right to spend my own money."

"'E's never liked your building the 'ouse," said Ann.

Kipps displayed wrath. "What the goodness 'as it got to do wiv' 'im?"

"Overman indeed!" he added. "Overmantel!... 'E trys that on with me,
I'll tell 'im something 'e won't like."

He took up the second card. "Dashed if I can read a word of it. I can
jest make out Chit-low at the end and that's all."

He scrutinised it. "It's like someone in a fit writing. This here might
be W H A T--_what_. P R I C E--_I_ got it! What price Harry now? It was
a sort of saying of 'is. I expect 'e's either done something or not done
something towards starting that play, Ann."

"I expect that's about it," said Ann.

Kipps grunted with effort. "I can't read the rest," he said at last,
"nohow."

A thoroughly annoying post. He pitched the card on the table, stood up
and went to the window, where Ann, after a momentary reconnaisance at
Chitterlow's hieroglyphics, came to join him.

"Wonder what I shall do this afternoon," said Kipps, with his hands deep
in his pockets.

He produced and lit a cigarette.

"Go for a walk, I s'pose," said Ann.

"I _been_ for a walk this morning.

"S'pose I must go for another," he added, after an interval.

They regarded the windy waste of sea for a space.

"Wonder why it is 'e won't see me," said Kipps, returning to the problem
of young Walshingham. "It's all lies about 'is being too busy."

Ann offered no solution.

"Rain again!" said Kipps, as the lash of the little drops stung the
window.

"Oo, bother!" said Kipps, "you got to do something. Look 'ere, Ann! I'll
go orf for a reg'lar tramp through the rain, up by Saltwood, 'round by
Newington, over the camp, and so 'round and back, and see 'ow they're
getting on about the 'ouse. See? And look 'ere! you get Gwendolen to go
out a bit before I come back. If it's still rainy, she can easy go
'round and see 'er sister. Then we'll 'ave a bit of tea, with tea
cake--all buttery, see? Toce it ourselves, p'raps. Eh?"

"I dessay I can find something to do in the 'ouse," said Ann,
considering. "You'll take your mackintosh and leggin's, I s'pose. You'll
get wet without your mackintosh over those roads."

"Righ-O," said Kipps, and went to ask Gwendolen for his brown leggings
and his other pair of boots.


§2

Things conspired to demoralise Kipps that afternoon.

When he got outside the house everything looked so wet under the drive
of the southwester that he abandoned the prospect of the clay lanes
towards Newington altogether, and turned east to Folkestone along the
Seabrook digue. His mackintosh flapped about him, the rain stung his
cheek; for a time he felt a hardy man. And then as abruptly the rain
ceased and the wind fell, and before he was through Sandgate High Street
it was a bright spring day. And there was Kipps in his mackintosh and
squeaky leggings, looking like a fool!

Inertia carried him another mile to the Leas, and there the whole world
was pretending there had never been such a thing as rain--ever. There
wasn't a cloud in the sky; except for an occasional puddle the asphalt
paths looked as dry as a bone. A smartly dressed man in one of those
overcoats that look like ordinary cloth and are really most deceitfully
and unfairly waterproof, passed him and glanced at the stiff folds of
his mackintosh. "Demn!" said Kipps. His mackintosh swished against his
leggings, his leggings piped and whistled over his boot-tops.

"Why do I never get anything right?" Kipps asked of a bright implacable
universe.

Nice old ladies passed him, refined people with tidy umbrellas, bright,
beautiful, supercilious-looking children. Of course! the right thing for
such a day as this was a light overcoat and an umbrella. A child might
have known that. He had them at home, but how could one explain that? He
decided to turn down by the Harvey monument and escape through Clifton
Gardens towards the hills. And thereby he came upon Coote.

He already felt the most abject and propitiatory of social outcasts when
he came upon Coote, and Coote finished him. He passed within a yard of
Coote. Coote was coming along towards the Leas, and when Kipps saw him
his legs hesitated about their office and he seemed to himself to
stagger about all over the footpath. At the sight of him Coote started
visibly. Then a sort of _rigor vitae_ passed through his frame, his jaw
protruded and errant bubbles of air seemed to escape and run about
beneath his loose skin. (Seemed I say--I am perfectly well aware that
there is really connective tissue in Coote as in all of us to prevent
anything of the sort.) His eyes fixed themselves on the horizon and
glazed. As he went by Kipps could hear his even, resolute breathing. He
went by, and Kipps staggered on into a universe of dead cats and dust
heaps, rind and ashes--_cut!_ Cut!

It was part of the inexorable decrees of Providence that almost
immediately afterwards the residuum of Kipps had to pass a very, very
long and observant-looking girls' school.

Kipps recovered consciousness again on the road between Shorncliffe
Station and Cheriton, though he cannot remember, indeed to this day he
has never attempted to remember, how he got there. And he was back at
certain thoughts suggested by his last night's novel reading, that
linked up directly with the pariah-like emotions of these last
encounters. The novel lay at home upon the cheffonier; it was one of
society and politics--there is no need whatever to give the title or
name the author--written with a heavy-handed thoroughness that overrode
any possibility of resistance on the part of the Kipps mind. It had
crushed all his poor little edifice of ideals, his dreams of a sensible,
unassuming existence, of snugness, of not caring what people said and
all the rest of it, to dust; it had reinstated, squarely and strongly
again, the only proper conception of English social life. There was a
character in the book who trifled with Art, who was addicted to reading
French novels, who dressed in a loose, careless way, who was a sorrow to
his dignified, silvery-haired, politico-religious mother, and met the
admonitions of bishops with a front of brass. He treated a "nice girl,"
to whom they had got him engaged, badly; he married beneath him--some
low thing or other. And sank....

Kipps could not escape the application of the case. He was enabled to
see how this sort of thing looked to decent people; he was enabled to
gauge the measure of the penalties due. His mind went from that to the
frozen marble of Coote's visage.

_He deserved it!_...

That day of remorse! Later it found him coming upon the site of his
building operations and surveying it in a mood near to despair, his
mackintosh over his arm.

Hardly anyone was at work that day--no doubt the builders were having
him in some obscure manner--and the whole place seemed a dismal and
depressing litter. The builder's shed, black-lettered WILKINS, BUILDER,
HYTHE, looked like a stranded thing amidst a cast-up disorder of
wheelbarrows and wheeling planks, and earth and sand and bricks. The
foundations of the walls were trenches full of damp concrete, drying in
patches; the rooms--it was incredible they could ever be rooms--were
shaped out as squares and oblongs of coarse, wet grass and sorrel. They
looked absurdly small--dishonestly small. What could you expect? Of
course the builders were having him, building too small, building all
wrong, using bad materials! Old Kipps had told him a wrinkle or two. The
builders were having him, young Walshingham was having him, everybody
was having him! They were having him and laughing at him because they
didn't respect him. They didn't respect him because he couldn't do
things right. Who could respect him?...

He was an outcast, he had no place in the world. He had had his chance
in the world and turned his back on it. He had "behaved badly"--that was
the phrase....

Here a great house was presently to arise, a house to be paid for, a
house neither he nor Ann could manage--with eleven bedrooms, and four
disrespectful servants having them all the time!

How had it all happened exactly?

This was the end of his great fortune! What a chance he had had! If he
had really carried out his first intentions and stuck to things, how
much better everything might have been! If he had got a tutor--that had
been in his mind originally--a special sort of tutor to show him
everything right; a tutor for gentlemen of neglected education. If he
had read more and attended better to what Coote had said!

Coote, who had just cut him!...

Eleven bedrooms! What had possessed him? No one would ever come to see
them, no one would ever have anything to do with them. Even his aunt cut
him! His uncle treated him with a half-contemptuous sufferance. He had
not a friend worth counting in the world! Buggins, Carshot, Pierce; shop
assistants! The Pornicks--a low socialist lot! He stood among his
foundations like a lonely figure among ruins; he stood among the ruins
of his future, and owned himself a foolish and mistaken man. He saw
himself and Ann living out their shameful lives in this great crazy
place--as it would be--with everybody laughing secretly at them and
their eleven rooms, and nobody approaching them--nobody nice and right
that is, for ever. And Ann!

What was the matter with Ann? She'd given up going for walks lately, got
touchy and tearful, been fitful with her food. Just when she didn't
ought to. It was all a part of the judgment upon wrongdoing, it was all
part of the social penalties that Juggernaut of a novel had brought home
to his mind.


§3

He let himself in with his latchkey. He went moodily into the
dining-room and got out the plans to look at them. He had a vague hope
that there would prove to be only ten bedrooms. But he found there were
still eleven. He became aware of Ann standing over him. "Look 'ere,
Artie!" said Ann.

He looked up and found her holding a number of white oblongs. His
eyebrows rose.

"It's Callers," said Ann.

He put his plans aside slowly and took and read the cards in silence,
with a sort of solemnity. Callers after all! Then perhaps he wasn't to
be left out of the world after all. Mrs. G. Porrett Smith, Miss Porrett
Smith, Miss Mabel Porrett Smith, and two smaller cards of the Rev. G.
Porrett Smith. "Lor'!" he said, "_Clergy!_"

"There was a lady," said Ann, "and two growed-up gals--all dressed up!"

"And 'im?"

"There wasn't no _'im_."

"Not----?" He held out the little card.

"No; there was a lady and two young ladies."

"But--these cards! Wad they go and leave these two little cards with the
Rev. G. Smith on for? Not if 'e wasn't with 'em."

"'E wasn't with 'em."

"Not a little chap--dodgin' about be'ind the others? And didn't come
in?"

"I didn't see no gentleman with them at all," said Ann.

"Rum!" said Kipps. A half-forgotten experience came back to him. "_I_
know," he said, waving the reverend gentleman's card; "'e give 'em the
slip, that's what he'd done. Gone off while they was rapping before you
let 'em in. It's a fair call, any'ow." He felt a momentary base
satisfaction at his absence. "What did they talk about, Ann?"

There was a pause. "I didn't let 'em in," said Ann.

He looked up suddenly and perceived that something unusual was the
matter with Ann. Her face was flushed, her eyes were red and hard.

"Didn't let 'em in?"

"No! They didn't come in at all."

He was too astonished for words.

"I answered the door," said Ann; "I'd been upstairs 'namelling the
floor. 'Ow was I to think about Callers, Artie? We ain't never 'ad
Callers all the time we been 'ere. I'd sent Gwendolen out for a bref of
fresh air, and there I was upstairs 'namelling that floor she done so
bad, so's to get it done before she came back. I thought I'd 'namel that
floor and then get tea and 'ave it quiet with you, toce and all, before
she came back. 'Ow was I to think about Callers?"

She paused. "Well," said Kipps, "what them?"

"They came and rapped. 'Ow was I to know? I thought it was a tradesman
or something. Never took my apron off, never wiped the 'namel off my
'ands--nothing. There they was!"

She paused again. She was getting to the disagreeable part.

"Wad they say?" said Kipps.

"She says, 'Is Mrs. Kipps at home?' See? To me."

"Yes."

"And me all painty and no cap on and nothing, neither missis nor servant
like. There, Artie, I could 'a sunk through the floor with shame, I
really could. I could 'ardly get my voice. I couldn't think of nothing
to say but just 'Not at 'Ome,' and out of 'abit like I 'eld the tray.
And they give me the cards and went, and 'ow I shall ever look that lady
in the face again I don't know.... And that's all about it, Artie! They
looked me up and down, they did, and then I shut the door on 'em."

"Goo!" said Kipps.

Ann went and poked the fire needlessly with a passion quivering hand.

"I wouldn't 'ave 'ad that 'appen for five pounds," said Kipps. "A
clergyman and all!"

Ann dropped the poker into the fender with some _éclat_ and stood up and
looked at her hot face in the glass. Kipps' disappointment grew. "You
did ought to 'ave known better than that, Ann! You reely did."

He sat forward, cards in hand, with a deepening sense of social
disaster. The things were laid upon the table, toast sheltered under a
cover, at mid fender, the teapot warmed beside it, and the kettle just
lifted from the hob, sang amidst the coals. Ann glanced at him for a
moment, then stooped with the kettle-holder to wet the tea.

"Tcha!" said Kipps, with his mental state developing.

"I don't see it's any use getting in a state about it now," said Ann.

"Don't you? I do. See? 'Ere's these people, good people, want to
'sociate with us, and 'ere you go and slap 'em in the face!"

"I didn't slap 'em in the face."

"You do--practically. You slams the door in their face, and that's all
we see of 'em ever. I wouldn't 'ave 'ad this 'appen not for a ten-pound
note."

He rounded his regrets with a grunt. For a while there was silence, save
for the little stir of Ann's movements preparing the tea.

"Tea, Artie," said Ann, handing him a cup.

Kipps took it.

"I put sugar _once_," said Ann.

"Oo, dash it! Oo cares?" said Kipps, taking an extraordinarily large
additional lump with fury quivering fingers, and putting his cup with a
slight excess of force on the recess cupboard. "Oo cares?

"I wouldn't 'ave 'ad that 'appen," he said, bidding steadily against
accomplished things, "for twenty pounds."

He gloomed in silence through a long minute or so. Then Ann said the
fatal thing that exploded him. "Artie!" she said.

"What?"

"There's Buttud Toce down there! By your foot!" There was a pause,
husband and wife regarded one another.

"Buttud Toce!" he said. "You go and mess up them callers and then you
try and stuff me up with Buttud Toce! Buttud Toce indeed! 'Ere's our
first chance of knowing anyone that's at all fit to 'sociate with----.
Look 'ere, Ann! Tell you what it is--you got to return that call."

"Return that call!"

"Yes, you got to return that call. That's what you got to do! I
know----" He waved his arm vaguely towards the miscellany of books in
the recess. "It's in Manners and Rools of Good S'ity. You got to find
jest 'ow many cards to leave and you got to go and leave 'em. See?"

Ann's face expressed terror. "But, Artie, 'ow _can_ I?"

"'Ow _can_ you? 'Ow _could_ you? You got to do it, any'ow. They won't
know you--not in your Bond Street 'at! If they do, they won't say
nothing."

His voice assumed a note of entreaty. "You mus', Ann."

"I can't."

"You mus'."

"I can't and I won't. Anything in reason I'll do, but face those people
again I can't--after what 'as 'appened."

"You won't?"

"No!"...

"So there they go--orf! And we never see them again! And so it goes on!
So it goes on! We don't know nobody and we _shan't_ know anybody! And
you won't put yourself out not a little bit, or take the trouble to find
out anything 'ow it ought to be done."

Terrible pause.

"I never ought to 'ave merried you, Artie, that's the troof."

"Oh! _don't_ go into that."

"I never ought to 'ave merried you, Artie. I'm not equal to the
position. If you 'adn't said you'd drown yourself----" She choked.

"I don' see why you shouldn't _try_, Ann. _I've_ improved. Why don't
you? 'Stead of which you go sending out the servant and 'namelling
floors, and then when visitors come----"

"'Ow was _I_ to know about y'r old visitors?" cried Ann in a wail, and
suddenly got up and fled from amidst their ruined tea, the tea of which
"toce, all buttery," was to be the crown and glory.

Kipps watched her with a momentary consternation. Then he hardened his
heart. "Ought to 'ave known better," he said, "goin' on like that!" He
remained for a space rubbing his knees and muttering. He emitted
scornfully: "I carn't an' I won't." He saw her as the source of all his
shames.

Presently, quite mechanically, he stooped down and lifted the flowery
china cover. "Ter dash 'er Buttud Toce!" he shouted at the sight of it,
and clapped the cover down again hard....

When Gwendolen came back she perceived things were in a slightly unusual
poise. Kipps sat by the fire in a rigid attitude reading a casually
selected volume of the _Encyclopaedia Britannica_, and Ann was upstairs
and inaccessible--to reappear at a later stage with reddened eyes.
Before the fire and still in a perfectly assimilable condition was what
was evidently an untouched supply of richly buttered toast under a
cracked cover.

"They've 'ad a bit of a tiff," said Gwendolen, attending to her duties
in the kitchen, with her outdoor hat still on and her mouth full.
"They're rummuns--if ever! My eye!"

And she took another piece of Ann's generously buttered toast.


§4

The Kippses spoke no more that day to one another.

The squabble about cards and buttered toast was as serious to them as
the most rational of differences. It was all rational to them. Their
sense of wrong burnt within them; their sense of what was owing to
themselves, the duty of implacability, the obstinacy of pride. In the
small hours Kipps lay awake at the nadir of unhappiness and came near
groaning. He saw life as an extraordinarily desolating muddle; his
futile house, his social discredit, his bad behaviour to Helen, his low
marriage to Ann....

He became aware of something irregular in Ann's breathing....

He listened. She was awake and quietly and privately sobbing!

He hardened his heart; resolutely he hardened his heart.

The stupid little tragedies of these clipped and limited lives!

What is the good of keeping up the idyllic sham and pretending that
ill-educated, misdirected people "get along very well," and that all
this is harmlessly funny and nothing more? You think I'm going to write
fat, silly, grinning novels about half-educated, under-trained people
and keep it up all the time, that the whole thing's nothing but funny!

As I think of them lying unhappily there in the darkness, my vision
pierces the night. See what I can see! Above them, brooding over them, I
tell you there is a monster, a lumpish monster, like some great, clumsy
griffin thing, like the Crystal Palace labyrinthodon, like Coote, like
the leaden goddess Dulness Pope Abhorred, like some fat, proud flunkey,
like pride, like indolence, like all that is darkening and heavy and
obstructive in life. It is matter and darkness, it is the anti-soul,
Stupidity. My Kippses live in its shadow. Shalford and his
apprenticeship system, the Hastings Academy, the ideas of Coote, the
ideas of the old Kippses, all the ideas that have made Kipps what he is,
all these are its shadow. But for that monster they might not be groping
among false ideas and hurt one another so sorely and so stupidly; but
for that, the glowing promise of childhood and youth might have had a
happier fruition, thought might have awakened in them to meet _the_
thought of the world, the quickening sunshine of literature pierced to
the substance of their souls, their lives might not have been divorced,
as now they are divorced for ever, from the apprehension of beauty that
we favoured ones are given--the vision of the Grail that makes life fine
for ever. I have laughed, and I laugh at these two people; I have sought
to make you laugh....

But I see through the darkness the souls of my Kippses, as they are, as
little pink strips of living stuff, like the bodies of little,
ill-nourished, ailing, ignorant children, children who feel pain, who
are naughty and muddled and suffer and do not understand why. And the
claw of this Beast rests upon them!




CHAPTER III

TERMINATIONS


§1

Next morning came a remarkable telegram from Folkestone. "Please come at
once, urgent, Walshingham," said the telegram, and Kipps, after an
agitated but still ample breakfast, departed....

When he returned his face was very white and his countenance disordered.
He let himself in with his latchkey and came into the dining-room where
Ann sat, affecting to work at a little thing she called a bib. She heard
his hat fall in the hall before he entered, as though he had missed the
peg. "I got something to tell you, Ann," he said, disregarding their
overnight quarrel, and went to the hearthrug and took hold of the
mantel, and stared at Ann as though the sight of her was novel.

"Well?" said Ann, not looking up and working a little faster.

"'E's gone!"

Ann looked up sharply and her hands stopped. "_Who's_ gone?" For the
first time she perceived Kipps' pallor.

"Young Walshingham--I saw 'er and she tole me."

"Gone? What d'you mean?"

"Cleared out! Gone off for good!"

"What for?"

"For 'is 'ealth," said Kipps, with sudden bitterness. "'E's been
speckylating. He's speckylated our money and 'e's speckylated their
money, and now 'e's took 'is 'ook. That's all about it, Ann."

"You mean?"

"I mean 'e's orf and our twenty-four thousand's orf, too! And 'ere we
are! Smashed up! That's all about it, Ann." He panted.

Ann had no vocabulary for such an occasion. "Oh, Lor'!" she said, and
sat still.

Kipps came about and stuck his hands deeply in his trouser pockets.
"Speckylated every penny--lorst it all--and gorn."

Even his lips were white.

"You mean we ain't got nothin' left, Artie?"

"Not a penny! Not a bloomin' penny, Ann. No!"

A gust of passion whirled across the soul of Kipps. He flung out a
knuckly fist. "If I 'ad 'im 'ere," he said, "I'd--I'd--I'd wring 'is
neck for 'im. I'd--I'd----" His voice rose to a shout. He thought of
Gwendolen in the kitchen and fell to "Ugh!"

"But, Artie," said Ann, trying to grasp it, "d'you mean to say he's
took our money?"

"Speckylated it!" said Kipps, with an illustrative flourish of the arm,
that failed to illustrate. "Bort things dear and sold 'em cheap, and
played the 'ankey-pankey jackass with everything we got. That's what I
mean 'e's done, Ann." He repeated this last sentence with the addition
of violent adverbs.

"D'you mean to say our money's _gone_, Artie?"

"Ter-dash it, _Yes_, Ann!" swore Kipps, exploding in a shout. "Ain't I
tellin' you?"

He was immediately sorry. "I didn't mean to 'oller at you, Ann," he
said, "but I'm all shook up. I don't 'ardly know what I'm sayin'. Ev'ry
penny."...

"But, Artie----"

Kipps grunted. He went to the window and stared for a moment at a sunlit
sea. "Gord!" he swore.

"I mean," he said, coming back to Ann and with an air of exasperation,
"that he's 'bezzled and 'ooked it. That's what I mean, Ann."

Ann put down the bib. "But wot are we going to _do_, Artie?"

Kipps indicated ignorance, wrath and despair with one comprehensive
gesture of his hands. He caught an ornament from the mantel and replaced
it. "I'm going to bang about," he said, "if I ain't precious careful."

"You saw _'er_, you say?"

"Yes."

"What did she say 'xactly?" said Ann.

"Told me to see a s'licitor--tole me to get someone to 'elp me at once.
She was there in black--like she used to be--and speaking cool and
careful-like. 'Elen!... She's precious 'ard, is 'Elen. She looked at me
straight. 'It's my fault,' she said, 'I ought to 'ave warned you....
Only under the circumstances it was a little difficult.' Straight as
anything. I didn't 'ardly say anything to 'er. I didn't seem to begin to
take it in until she was showing me out. I 'adn't anything to say. Jest
as well, perhaps. She talked like a call a'most. She said--what _was_ it
she said about her mother? 'My mother's overcome with grief,' she said,
'so naturally everything comes on me.'"

"And she told you to get someone to 'elp you?"

"Yes. I been to old Bean."

"O' Bean?"

"Yes. What I took my business away from!"

"What did he say?"

"He was a bit off'and at first, but then 'e come 'round. He couldn't
tell me anything till 'e knew the facts. What I know of young
Walshingham, there won't be much 'elp in the facts. No!"

He reflected for a space. "It's a smash-up, Ann. More likely than not,
Ann, 'e's left us over'ead in debt. We got to get out of it just 'ow we
can....

"We got to begin again," he went on. "_'Ow_, I don't know. All the way
'ome my 'ead's been going. We got to get a living some'ow or other.
'Aving time to ourselves, and a bit of money to spend, and no hurry and
worry, it's all over for ever, Ann. We was fools, Ann. We didn't know
our benefits. We been caught. Gord!... Gord!"

He was on the verge of "banging about" again.

They heard a jingle in the passage, the large soft impact of a servant's
indoor boots. As if she were a part, a mitigatory part of Fate, came
Gwendolen to lay the midday meal. Kipps displayed self-control
forthwith. Ann picked up the bib again and bent over it, and the Kippses
bore themselves gloomily perhaps, but not despairfully, while their
dependant was in the room. She spread the cloth and put out the cutlery
with a slow inaccuracy, and Kipps, after a whisper to himself, went
again to the window. Ann got up and put away her work methodically in
the cheffonier.

"When I think," said Kipps, as soon as the door closed again behind
Gwendolen, "when I think of the 'ole people and 'aving to tell 'em of it
all--I want to smesh my 'ead against the nearest wall. Smesh my silly
brains out! And Buggins--Buggins what I'd 'arf promised to start in a
lill' outfitting shop in Rendezvous Street."...

Gwendolen returned and restored dignity.

The midday meal spread itself slowly before them. Gwendolen, after her
custom, left the door open and Kipps closed it carefully before sitting
down.

He stood for a moment, regarding the meal doubtfully.

"I don't feel as if I could swaller a moufful," he said.

"You got to eat," said Ann....

For a time they said little, and once swallowing was achieved, ate on
with a sort of melancholy appetite. Each was now busy thinking.

"After all," said Kipps, presently, "whatever 'appens, they can't turn
us out or sell us up before nex' quarter-day. I'm pretty sure about
that."

"Sell us up!" said Ann.

"I dessey we're bankrup'," said Kipps, trying to say it easily and
helping himself with a trembling hand to unnecessary potatoes.

Then a long silence. Ann ceased to eat, and there were silent tears.

"More potatoes, Artie?" choked Ann.

"I couldn't," said Kipps. "No."

He pushed back his plate, which was indeed replete with potatoes, got up
and walked about the room. Even the dinner-table looked distraught and
unusual.

"What to do, I _don't_ know," he said.

"Oh, _Lord_!" he ejaculated, and picked up and slapped down a book.

Then his eye fell upon another postcard that had come from Chitterlow
by the morning's post, and which now lay by him on the mantel-shelf. He
took it up, glanced at its imperfectly legible message, and put it down.

"Delayed!" he said, scornfully. "Not prodooced in the smalls. Or is it
smells 'e says? 'Ow can one understand that? Any'ow 'e's 'umbugging
again.... Somefing about the Strand. No! Well, 'e's 'ad all the money
'e'll ever get out of me!... I'm done."

He seemed to find a momentary relief in the dramatic effect of his
announcement. He came near to a swagger of despair upon the hearthrug,
and then suddenly came and sat down next to Ann and rested his chin on
the knuckles of his two clenched hands.

"I been a fool, Ann," he said in a gloomy monotone. "I been a brasted
fool. But it's 'ard on us, all the same. It's 'ard."

"'Ow was you to know?" said Ann.

"I ought to 'ave known. I did in a sort of way know. And 'ere we are! I
wouldn't care so much if it was myself, but it's _you_, Ann! 'Ere we
are! Regular smashed up! And you----" He checked at an unspeakable
aggravation of their disaster. "I knew 'e wasn't to be depended upon and
there I left it! And you got to pay.... What's to 'appen to us all, I
don't know."

He thrust out his chin and glared at fate.

"'Ow do you know 'e's speckylated everything?" said Ann, after a silent
survey of him.

"'E 'as," said Kipps, irritably, holding firm to disaster.

"She say so?"

"She don't know, of course, but you depend upon it that's it. She told
me she knew something was on, and when she found 'im gone and a note
lef' for her she knew it was up with 'im. 'E went by the night boat. She
wrote that telegram off to me straight away."

Ann surveyed his features with tender, perplexed eyes; she had never
seen him so white and drawn before, and her hand rested an inch or so
away from his arm. The actual loss was still, as it were, afar from her.
The immediate thing was his enormous distress.

"'Ow do you know----?" she said and stopped. It would irritate him too
much.

Kipps' imagination was going headlong.

"Sold up!" he emitted presently, and Ann flinched.

"Going back to work, day after day--I can't stand it, Ann, I can't. And
you----"

"It don't do to think of it," said Ann.

Presently he came upon a resolve. "I keep on thinking of it, and
thinking of it, and what's to be done and what's to be done. I shan't be
any good 'ome s'arfernoon. It keeps on going 'round and 'round in my
'ead, and 'round and 'round. I better go for a walk or something. I'd be
no comfort to you, Ann. I should want to 'owl and 'ammer things if I
'ung about 'ome. My fingers is all atwitch. I shall keep on thinking
'ow I might 'ave stopped it and callin' myself a fool."...

He looked at her between pleading and shame. It seemed like deserting
her.

Ann regarded him with tear-dimmed eyes.

"You'd better do what's good for you, Artie," she said.... "_I'll_ be
best cleaning. It's no use sending off Gwendolen before her month, and
the top room wants turning out." She added with a sort of grim humour:
"May as well turn it out now while I got it."

"I _better_ go for a walk," said Kipps....

And presently our poor exploded Kipps was marching out to bear his
sudden misery. Habit turned him up the road towards his growing house,
and then suddenly he perceived his direction--"Oh, Lor'!"--and turned
aside and went up the steep way to the hill crest and the Sandling Road,
and over the line by that tree-embowered Junction, and athwart the wide
fields towards Postling--a little, black, marching figure--and so up the
Downs and over the hills, whither he had never gone before....


§2

He came back long after dark, and Ann met him in the passage.

"Where you been, Artie?" she asked, with a strained note in her voice.

"I been walking and walking--trying to tire myself out. All the time I
been thinking what shall I do. Trying to fix something up all out of
nothing."

"I didn't know you meant to be out all this time."

Kipps was gripped by compunction....

"I can't think what we ought to do," he said, presently.

"You can't do anything much, Artie, not till you hear from Mr. Bean."

"No; I can't do anything much. That's jest it. And all this time I keep
feelin' if I don't do something the top of my 'ead'll bust.... Been
trying to make up advertisements 'arf the time I been out--'bout finding
a place, good salesman and stock-keeper, and good Manchester dresses,
window-dressing--Lor'! Fancy that all beginning again!... If you went to
stay with Sid a bit--if I sent every penny I got to you--I dunno! I
dunno!"

When they had gone to bed there was an elaborate attempt to get to
sleep.... In one of their great waking pauses Kipps remarked in a
muffled tone: "I didn't mean to frighten you, Ann, being out so late. I
kep' on walking and walking, and some'ow it seemed to do me good. I went
out to the 'illtop ever so far beyond Stanford, and sat there ever so
long, and it seemed to make me better. Just looking over the marsh like,
and seeing the sun set."...

"Very likely," said Ann, after a long interval, "it isn't so bad as you
think it is, Artie."

"It's bad," said Kipps.

"Very likely, after all, it isn't quite so bad. If there's only a
little----"

There came another long silence.

"Ann," said Kipps in the quiet darkness.

"Yes," said Ann.

"Ann," said Kipps, and stopped as though he had hastily shut a door upon
speech.

"I kep' thinking," he said, trying again, "I kep' thinking--after all--I
been cross to you and a fool about things--about them cards, Ann;
but"--his voice shook to pieces--"we _'ave_ been 'appy, Ann ... some'ow
... togever."

And with that he and then she fell into a passion of weeping. They clung
very tightly together--closer than they had been since ever the first
brightness of their married days turned to the grey of common life
again.

All the disaster in the world could not prevent their going to sleep at
last with their poor little troubled heads close together on one pillow.
There was nothing more to be done, there was nothing more to be thought;
Time might go on with his mischiefs, but for a little while at least
they still had one another.


§3

Kipps returned from his second interview with Mr. Bean in a state of
strange excitement. He let himself in with his latch-key and slammed the
door. "Ann!" he shouted, in an unusual note; "Ann!"

Ann replied distantly.

"Something to tell you," said Kipps; "something noo!"

Ann appeared apprehensive from the kitchen.

"Ann," he said, going before her into the little dining-room, for his
news was too dignified for the passage, "very likely, Ann, o' Bean says,
we shall 'ave----" He decided to prolong the suspense. "Guess!"

"I can't, Artie."

"Think of a lot of money!"

"A 'undred pounds p'raps?"

He spoke with immense deliberation. "O v e r a f o u s a n d p o u n d
s!"

Ann stared and said nothing, only went a shade whiter.

"Over, he said. A'most certainly over."

He shut the dining-room door and came forward hastily, for Ann, it was
clear, meant to take this mitigation of their disaster with a complete
abandonment of her self-control. She came near flopping; she fell into
his arms.

"Artie," she got to at last and began to weep, clinging tightly to him.

"Pretty near certain," said Kipps, holding her. "A fousand pounds!"

"I _said_, Artie," she wailed on his shoulder with the note of
accumulated wrongs, "very likely it wasn't so bad."...

"There's things," he said, when presently he came to particulars, "'e
couldn't touch. The noo place! It's freehold and paid for, and with the
bit of building on it, there's five or six 'undred pound p'raps--say
worf free 'undred, for safety. We can't be sold up to finish it, like we
thought. O' Bean says we can very likely sell it and get money. 'E says
you often get a chance to sell a 'ouse lessen 'arf done, 'specially
free'old. _Very_ likely, 'e say. Then there's Hughenden. Hughenden
'asn't been mortgaged not for more than 'arf its value. There's a
'undred or so to be got on that, and the furniture and the rent for the
summer still coming in. 'E says there's very likely other things. A
fousand pounds, that's what 'e said. 'E said it might even be more."...

They were sitting now at the table.

"It alters everything," said Ann.

"I been thinking that, Ann, all the way 'ome. I came in the motor car.
First ride I've 'ad since the smash. We needn't send off Gwendolen,
leastways not till _after_. You know. We needn't turn out of 'ere--not
for a long time. What we been doing for the o' people we can go on doing
a'most as much. And your mother!... I wanted to 'oller coming along. I
pretty near run coming down the road by the hotel."

"Oh, I _am_ glad we can stop 'ere and be comfortable a bit," said Ann.
"I _am_ glad for that."

"I pretty near told the driver on the motor--only 'e was the sort won't
talk.... You see, Ann, we'll be able to start a shop, we'll be able to
get _into_ something like. All about our 'aving to go back to places
and that; all that doesn't matter any more."

For a while they abandoned themselves to ejaculating transports. Then
they fell talking to shape an idea to themselves of the new prospect
that opened before them.

"We must start a sort of shop," said Kipps, whose imagination had been
working. "It'll 'ave to be a shop."

"Drapery?" said Ann.

"You want such a lot of capital for the drapery, mor'n a thousand pounds
you want by a long way--to start it anything like proper."

"Well, outfitting. Like Buggins was going to do."

Kipps glanced at that for a moment, because the idea had not occurred to
him. Then he came back to his prepossession.

"Well, I thought of something else, Ann," he said. "You see, I've always
thought a little book-shop. It isn't like the drapery--'aving to be
learnt. I thought--even before this smash-up--'ow I'd like to 'ave
something to do, instead of always 'aving 'olidays always like we 'ave
been 'aving."

He reflected.

"You don't know _much_ about books, do you, Artie?"

"You don't want to." He illustrated. "I noticed when we used to go to
that Lib'ry at Folkestone, ladies weren't anything like what they was in
a draper's--if you 'aven't got _just_ what they want it's 'Oh, no!' and
out they go. But in a book shop it's different. One book's very like
another--after all, what is it? Something to read and done with. It's
not a thing that matters like print dresses or serviettes--where you
either like 'em or don't, and people judge you by. They take what you
give 'em in books and lib'ries, and glad to be told _what_ to. See 'ow
we was--up at that lib'ry."...

He paused. "You see, Ann----

"Well, I read 'n 'dvertisement the other day. I been asking Mr. Bean. It
said--five 'undred pounds."

"What did?"

"Branches," said Kipps.

Ann failed to understand. "It's a sort of thing that gets up book shops
all over the country," said Kipps. "I didn't tell you, but I arst about
it a bit. On'y I dropped it again. Before this smash, I mean. I'd
thought I'd like to keep a shop for a lark, on'y then I thought it
silly. Besides it 'ud 'ave been beneath me."

He blushed vividly. "It was a sort of projek of mine, Ann.

"On'y it wouldn't 'ave done," he added.

It was a tortuous journey when the Kippses set out to explain anything
to each other. But through a maze of fragmentary elucidations and
questions, their minds did presently begin to approximate to a picture
of a compact, bright, little shop, as a framework for themselves.

"I thought of it one day when I was in Folkestone. I thought of it one
day when I was looking in at a window. I see a chap dressin' a window
and he was whistlin' reg'lar light-'arted.... I thought then I'd like to
keep a bookshop, any'ow, jest for something to do. And when people
weren't about, then you could sit and read the books. See? It wouldn't
be 'arf bad."...

They mused, each with elbows on table and knuckles to lips, looking with
speculative eyes at each other.

"Very likely we'll be 'appier than we should 'ave been with more money,"
said Kipps presently.

"We wasn't 'ardly suited," reflected Ann, and left her sentence
incomplete.

"Fish out of water like," said Kipps....

"You won't 'ave to return that call now," said Kipps, opening a new
branch of the question. "That's one good thing."

"Lor'!" said Ann, visibly brightening, "no more I shan't!"

"I don't s'pose they'd want you to, even if you did--with things as they
are."

A certain added brightness came into Ann's face. "Nobody won't be able
to come leaving cards on us, Artie, now, any more. We are out of
_that_!"

"There isn't no necessity for us to be stuck up," said Kipps, "any more
for ever! 'Ere we are, Ann, common people, with jest no position at all,
as you might say, to keep up. No sev'nts, not if you don't like. No
dressin' better than other people. If it wasn't we been robbed--dashed
if I'd care a rap about losing that money. I b'lieve"--his face shone
with the rare pleasure of paradox--"I reely b'lieve, Ann, it'll prove a
savin' in the end."


§4

The remarkable advertisement which had fired Kipps' imagination with
this dream of a bookshop opened out in the most alluring way. It was one
little facet in a comprehensive scheme of transatlantic origin, which
was to make our old-world methods of book-selling "sit up," and it
displayed an imaginative briskness, a lucidity and promise that aroused
the profoundest scepticism in the mind of Mr. Bean. To Kipps' renewed
investigations it presented itself in an expository illustrated pamphlet
(far too well printed, Mr. Bean thought, for a reputable undertaking) of
the most convincing sort. Mr. Bean would not let him sink his capital in
shares in its projected company that was to make all things new in the
world of books, but he could not prevent Kipps becoming one of their
associated booksellers. And so when presently it became apparent that an
epoch was not to be made, and the "Associated Booksellers' Trading Union
(Limited)" receded and dissolved and liquidated (a few drops) and
vanished and went away to talk about something else, Kipps remained
floating undamaged in this interestingly uncertain universe as an
independent bookseller.

Except that it failed, the Associated Booksellers' Trading Union had all
the stigmata of success. Its fault, perhaps, was that it had them all
instead of only one or two. It was to buy wholesale for all its members
and associates and exchange stock, having a common books-in-stock list
and a common lending library, and it was to provide a uniform registered
shop front to signify all these things to the intelligent passer-by.
Except that it was controlled by buoyant young Over-men with a touch of
genius in their arithmetic, it was, I say, a most plausible and hopeful
project. Kipps went several times to London and an agent came to Hythe;
Mr. Bean made some timely interventions, and then behind a veil of
planks and an announcement in the High Street, the uniform registered
shop front came rapidly into being. "Associated Booksellers' Trading
Union," said this shop front, in a refined, artistic lettering that
bookbuyers were going to value, as wise men over forty value the proper
label for Berncasteler Doctor, and then, "Arthur Kipps."

Next to starting a haberdasher's shop I doubt if Kipps could have been
more truly happy than during those weeks of preparation.

There is, of course, nothing on earth, and I doubt at times if there is
a joy in Heaven, like starting a small haberdasher's shop. Imagine, for
example, having a drawerful of tapes (one whole piece most exquisitely
blocked of every possible width of tape), or, again, an army of neat,
large packages, each displaying one sample of hooks and eyes. Think of
your cottons, your drawer of coloured silks, the little, less, least of
the compartments and thin packets of your needle drawer! Poor princes
and wretched gentlefolk mysteriously above retail trade, may taste only
the faint unsatisfactory shadow of these delights with trays of stamps
or butterflies. I write, of course, for those to whom these things
appeal; there are clods alive who see nothing, or next to nothing, in
spools of mercerised cotton and endless bands of paper-set pins. I write
for the wise, and as I write I wonder that Kipps resisted haberdashery.
He did. Yet even starting a bookshop is at least twenty times as
interesting as building your own house to your own design in unlimited
space and time, or any possible thing people with indisputable social
position and sound securities can possibly find to do. Upon that I rest.

You figure Kipps "going to have a look to see how the little shop is
getting on," the shop that is not to be a loss and a spending of money,
but a gain. He does not walk too fast towards it; as he comes into view
of it his paces slacken and his head goes to one side. He crosses to the
pavement opposite in order to inspect the fascia better, already his
name is adumbrated in faint white lines; stops in the middle of the road
and scrutinises imaginary details for the benefit of his future next
door neighbour, the curiosity-shop man, and so at last, in.... A smell
of paint and of the shavings of imperfectly seasoned pinewood! The shop
is already glazed and a carpenter is busy over the fittings for
adjustable shelves in the side windows. A painter is busy on the
fixtures round about (shelving above and drawers below), which are to
accommodate most of the stock, and the counter--the counter and desk are
done. Kipps goes inside the desk, the desk which is to be the strategic
centre of the shop, brushes away some sawdust, and draws out the
marvellous till; here gold is to be, here silver, here copper--notes
locked up in a cash-box in the well below. Then he leans his elbows on
the desk, rests his chin on his fist and fills the shelves with
imaginary stock; books beyond reading. Every day a man who cares to wash
his hands and read uncut pages artfully may have his cake and eat it,
among that stock. Under the counter to the right, paper and string are
to lurk ready to leap up and embrace goods sold; on the table to the
left, art publications, whatever they may prove to be! He maps it out,
serves an imaginary customer, receives a dream seven and six pence,
packs, bows out. He wonders how it was he ever came to fancy a shop a
disagreeable place.

"It's different," he says at last, after musing on that difficulty,
"being your own."

It _is_ different....

Or, again, you figure Kipps with something of the air of a young
sacristan, handling his brightly virginal account-books, and looking,
and looking again, and then still looking, at an unparalleled specimen
of copperplate engraving, ruled money below and above, bearing the words
"In Account with, ARTHUR KIPPS" (loud flourishes), "The Booksellers'
Trading Union" (temperate decoration). You figure Ann sitting and
stitching at one point of the circumference of the light of the lamp,
stitching queer little garments for some unknown stranger, and over
against her sits Kipps. Before him is one of those engraved memorandum
forms, a moist pad, wet with some thick and greasy greenish purple ink
that is also spreading quietly but steadily over his fingers, a
cross-nibbed pen for first-aid surgical assistance to the patient in his
hand, a dating rubber stamp. At intervals he brings down this latter
with great care and emphasis upon the paper, and when he lifts it there
appears a beautiful oval design of which "Paid, Arthur Kipps, The
Associated Booksellers' Trading Union," and a date, are the essential
ingredients, stamped in purple ink.

Anon he turns his attention to a box of small, round, yellow labels,
declaring "This book was bought from the Associated Booksellers' Trading
Union." He licks one with deliberate care, sticks it on the paper before
him and defaces it with great solemnity. "I can do it, Ann," he says,
looking up brightly. For the Associated Booksellers' Trading Union,
among other brilliant notions and inspirations, devised an ingenious
system of taking back its books again in part payment for new ones
within a specified period. When it failed, all sorts of people were left
with these unredeemed pledges in hand.


§5

Amidst all this bustle and interest, all this going to and fro before
they "moved in" to the High Street, came the great crisis that hung over
the Kippses, and one morning in the small hours Ann's child was born....

Kipps was coming to manhood swiftly now. The once rabbit-like soul that
had been so amazed by the discovery of "chubes" in the human interior
and so shocked by the sight of a woman's shoulder-blades, that had found
shame and anguish in a mislaid Gibus and terror in an Anagram Tea, was
at last facing the greater realities. He came suddenly upon the master
thing in life, birth. He passed through hours of listening, hours of
impotent fear in the night and in the dawn, and then there was put into
his arms something most wonderful, a weak and wailing creature,
incredibly, heart-stirringly soft and pitiful, with minute appealing
hands that it wrung his heart to see. He held this miracle in his arms
and touched its tender cheek as if he feared his lips might injure it.
And this marvel was his Son!

And there was Ann, with a greater strangeness and a greater familiarity
in her quality than he had ever found before. There were little beads of
perspiration on her temples and her lips, and her face was flushed, not
pale as he had feared to see it. She had the look of one who emerges
from some strenuous and invigorating act. He bent down and kissed her,
and he had no words to say. She wasn't to speak much yet, but she
stroked his arm with her hand and had to tell him one thing:

"He's over nine pounds, Artie," she whispered. "Bessie's--Bessie's
wasn't no more than eight."

To have given Kipps a pound of triumph over Sid seemed to her almost to
justify Nunc Dimittis. She watched his face for a moment, then closed
her eyes in a kind of blissful exhaustion as the nurse, with something
motherly in her manner, pushed Kipps out of the room.


§6

Kipps was far too much preoccupied with his own life to worry about the
further exploits of Chitterlow. The man had got his two thousand; on the
whole Kipps was glad he had had it rather than young Walshingham, and
there was an end to the matter. As for the complicated transactions he
achieved and proclaimed by mainly illegible and always incomprehensible
postcards, they were like passing voices heard in the street as one goes
about one's urgent concerns. Kipps put them aside and they got in
between the pages of the stock and were lost forever and sold in with
the goods to customers who puzzled over them mightily.

Then one morning as he was dusting round before breakfast, Chitterlow
returned, appeared suddenly in the shop doorway.

Kipps was overcome with amazement.

It was the most unexpected thing in the world. The man was in evening
dress, evening dress in that singularly crumpled state it assumes after
the hour of dawn, and above his dishevelled red hair, a smallish Gibus
hat tilted remarkably forward. He opened the door and stood, tall and
spread, with one vast white glove flung out as if to display how burst a
glove might be, his eyes bright, such wrinkling of brow and mouth as
only an experienced actor can produce, and a singular radiance of
emotion upon his whole being, an altogether astonishing spectacle.

It was amazing beyond the powers of Kipps. The bell jangled for a bit
and then gave it up and was silent. For a long, great second everything
was quietly attentive. Kipps was amazed to his uttermost; had he had ten
times the capacity he would still have been fully amazed. "It's
Chit'low!" he said at last, standing duster in hand.

But he doubted whether it was not a dream.

"Tzit!" gasped that most excitable and extraordinary person, still in an
incredibly expanded attitude, and then with a slight forward jerk of the
starry split glove, "Bif!"

He could say no more. The tremendous speech he had had ready vanished
from his mind. Kipps stared at his extraordinary facial changes, vaguely
conscious of the truth of the teachings of Nisbet and Lombroso
concerning men of genius.

Then suddenly Chitterlow's features were convulsed, the histrionic fell
from him like a garment, and he was weeping. He said something
indistinct about "Old Kipps! _Good_ old Kipps! Oh, old Kipps!" and
somehow he managed to mix a chuckle and a sob in the most remarkable
way. He emerged from somewhere near the middle of his original attitude,
a merely life-size creature. "My play, boo-hoo!" he sobbed, clutching at
his friend's arm. "My play, Kipps! (sob) You know?"

"Well?" cried Kipps, with his heart sinking in sympathy, "it ain't----"

"No," howled Chitterlow; "no. It's a success! My dear chap! my dear boy!
oh! it's a--bu--boo-hoo!--a big success!" He turned away and wiped
streaming tears with the back of his hand. He walked a pace or so and
turned. He sat down on one of the specially designed artistic chairs of
the Associated Booksellers' Trading Union and produced an exiguous
lady's handkerchief, extraordinarily belaced. He choked. "_My_ play,"
and covered his face here and there.

He made an unsuccessful effort to control himself, and shrank for a
space to the dimensions of a small and pathetic creature. His great nose
suddenly came through a careless place in the handkerchief.

"I'm knocked," he said in a muffled voice, and so remained for a
space--wonderful--veiled.

He made a gallant effort to wipe his tears away. "I had to tell you,"
he said, gulping.

"Be all right in a minute," he added, "calm," and sat still....

Kipps stared in commiseration of such success. Then he heard footsteps
and went quickly to the house doorway. "Jest a minute," he said. "Don't
go in the shop, Ann, for a minute. It's Chitterlow. He's a bit essited.
But he'll be better in a minute. It's knocked him over a bit. You
see"--his voice sank to a hushed note as one who announces death--"'e's
made a success with his play."

He pushed her back lest she should see the scandal of another male's
tears....

Soon Chitterlow felt better, but for a little while his manner was even
alarmingly subdued. "I _had_ to come and tell you," he said. "I _had_ to
astonish someone. Muriel--she'll be firstrate, of course. But she's over
at Dymchurch." He blew his nose with enormous noise, and emerged
instantly a merely garrulous optimist.

"I expect she'll be precious glad."

"She doesn't know yet, my dear boy. She's at Dymchurch--with a friend.
She's seen some of my first nights before.... Better out of it.... I'm
going to her now. I've been up all night--talking to the boys and all
that. I'm a bit off it just for a bit. But--it Knocked 'em. It Knocked
everybody."

He stared at the floor and went on in a monotone. "They laughed a bit at
the beginning--but nothing like a settled laugh--not until the second
act--you know--the chap with the beetle down his neck. Little Chisholme
did that bit to rights. Then they began--_to_ rights." His voice warmed
and increased. "Laughing! It made _me_ laugh! We jumped 'em into the
third act before they had time to cool. Everybody was on it. I never saw
a first night go so fast. Laugh, laugh, laugh, LAUGH, LAUGH, LAUGH" (he
howled the last word with stupendous violence). Everything they laughed
at. They laughed at things that we hadn't meant to be funny--not for one
moment. Bif! Bizz! Curtain. A Fair Knock-Out!... I went on--but I didn't
say a word. Chisholme did the patter. Shouting! It was like walking
under Niagara--going across that stage. It was like never having seen an
audience before....

"Then afterwards--the Boys!"

His emotion held him for a space. "Dear old Boys!" he murmured.

His words multiplied, his importance increased. In a little while he was
restored to something of his old self. He was enormously excited. He
seemed unable to sit down anywhere. He came into the breakfast-room so
soon as Kipps was sure of him, shook hands with Mrs. Kipps
parenthetically, sat down and immediately got up again. He went to the
bassinette in the corner and looked absentmindedly at Kipps, junior, and
said he was glad if only for the youngster's sake. He immediately
resumed the thread of his discourse.... He drank a cup of coffee
noisily and walked up and down the room talking, while they attempted
breakfast amidst the gale of his excitement. The infant slept
marvellously through it all.

"You won't mind my sitting down, Mrs. Kipps. I couldn't sit down for
anyone, or I'd do it for you. It's you I'm thinking of more than anyone,
you and Muriel, and all Old Pals and Good Friends. It means wealth, it
means money--hundreds and thousands.... If you'd heard 'em, _you'd
know_."

He was silent through a portentous moment while topics battled for him
and finally he burst and talked of them all together. It was like the
rush of water when a dam bursts and washes out a fair-sized provincial
town; all sorts of things floated along on the swirl. For example, he
was discussing his future behaviour. "I'm glad it's come now. Not
before. I've had my lesson. I shall be very discreet now, trust me.
We've learnt the value of money." He discussed the possibility of a
country house, of taking a Martello tower as a swimming-box (as one
might say a shooting-box) of living in Venice because of its artistic
associations and scenic possibilities, of a flat in Westminster or a
house in the West End. He also raised the question of giving up smoking
and drinking, and what classes of drink were especially noxious to a man
of his constitution. But discourses on all this did not prevent a
parenthetical computation of the probable profits on the supposition of
a thousand nights here and in America, nor did it ignore the share
Kipps was to have, nor the gladness with which Chitterlow would pay that
share, nor the surprise and regret with which he had learnt, through an
indirect source which awakened many associations, of the turpitude of
young Walshingham, nor the distaste Chitterlow had always felt for young
Walshingham and men of his type. An excursus upon Napoleon had got into
the torrent somehow and kept bobbing up and down. The whole thing was
thrown into the form of a single complex sentence, with parenthetical
and subordinate clauses fitting one into the other like Chinese boxes,
and from first to last it never even had an air of approaching anything
in the remotest degree partaking of the nature of a full stop.

Into this deluge came the _Daily News_, like the gleam of light in
Watts' picture, the waters were assuaged while its sheet was opened, and
it had a column, a whole column, of praise. Chitterlow held the paper
and Kipps read over his left hand, and Ann under his right. It made the
affair more real to Kipps; it seemed even to confirm Chitterlow against
lurking doubts he had been concealing. But it took him away. He departed
in a whirl, to secure a copy of every morning paper, every blessed rag
there is, and take them all to Dymchurch and Muriel forthwith. It had
been the send-off the Boys had given him that had prevented his doing as
much at Charing Cross--let alone that he only caught it by the skin of
his teeth.... Besides which the bookstall wasn't open. His white face,
lit by a vast excitement, bid them a tremendous farewell, and he
departed through the sunlight, with his buoyant walk, buoyant almost to
the tottering pitch. His hair, as one got it sunlit in the street,
seemed to have grown in the night.

They saw him stop a newsboy.

"Every blessed rag," floated to them on the notes of that gorgeous
voice.

The newsboy, too, had happened on luck. Something like a faint cheer
from the newsboy came down the air to terminate that transaction.

Chitterlow went on his way swinging a great budget of papers, a figure
of merited success. The newsboy recovered from his emotion with a jerk,
examined something in his hand again, transferred it to his pocket,
watched Chitterlow for a space, and then in a sort of hushed silence
resumed his daily routine....

Ann and Kipps watched that receding happiness in silence, until he
vanished round the bend of the road.

"I _am_ glad," said Ann at last, speaking with a little sigh.

"So'm I," said Kipps, with emphasis. "For if ever a feller 'as worked
and waited--it's 'im."...

They went back through the shop rather thoughtfully, and after a peep at
the sleeping baby, resumed their interrupted breakfast. "If ever a
feller 'as worked and waited, it's 'im," said Kipps, cutting bread.

"Very likely it's true," said Ann, a little wistfully.

"What's true?"

"About all that money coming."

Kipps meditated. "I don't see why it shouldn't be," he decided, and
handed Ann a piece of bread on the tip of his knife.

"But we'll keep on the shop," he said after an interval for further
reflection, "all the same.... I 'aven't much trust in money after the
things we've seen."


§7

That was two years ago, and as the whole world knows, the "Pestered
Butterfly" is running still. It _was_ true. It has made the fortune of a
once declining little theatre in the Strand, night after night the great
beetle scene draws happy tears from a house packed to repletion, and
Kipps--for all that Chitterlow is not what one might call a business
man--is almost as rich as he was in the beginning. People in Australia,
people in Lancashire, Scotland, Ireland, in New Orleans, in Jamaica, in
New York and Montreal, have crowded through doorways to Kipps'
enrichment, lured by the hitherto unsuspected humours of the
entomological drama. Wealth rises like an exhalation all over our little
planet, and condenses, or at least some of it does, in the pockets of
Kipps.

"It's rum," said Kipps.

He sat in the little kitchen out behind the bookshop and philosophised
and smiled, while Ann gave Arthur Waddy Kipps his evening tub before
the fire. Kipps was always present at this ceremony unless customers
prevented; there was something in the mixture of the odours of tobacco,
soap and domesticity that charmed him unspeakably.

"Chuckerdee, o' man," he said, affably, wagging his pipe at his son, and
thought incidentally, after the manner of all parents, that very few
children could have so straight and clean a body.

"Dadda's got a cheque," said Arthur Waddy Kipps, emerging for a moment
from the towel.

"'E gets 'old of everything," said Ann. "You can't say a word----"

"Dadda got a cheque," this marvellous child repeated.

"Yes, o' man, I got a cheque. And it's got to go into a bank for you,
against when you got to go to school. See? So's you'll grow up knowing
your way about a bit."

"Dadda's got a cheque," said the wonder son, and then gave his mind to
making mighty splashes with his foot. Every time he splashed, laughter
overcame him, and he had to be held up for fear he should tumble out of
the tub in his merriment. Finally he was towelled to his toe-tips,
wrapped up in warm flannel, and kissed, and carried off to bed by Ann's
cousin and lady help, Emma. And then after Ann had carried away the bath
into the scullery, she returned to find her husband with his pipe
extinct and the cheque still in his hand.

"Two fousand pounds," he said. "It's dashed rum. Wot 'ave _I_ done to
get two fousand pounds, Ann?"

"What 'aven't you--not to?" said Ann.

He reflected upon this view of the case.

"I shan't never give up this shop," he said at last.

"We're very 'appy 'ere," said Ann.

"Not if I 'ad _fifty_ fousand pounds."

"No fear," said Ann.

"You got a shop," said Kipps, "and you come along in a year's time and
there it is. But money--look 'ow it come and goes! There's no sense in
money. You may kill yourself trying to get it, and then it comes when
you aren't looking. There's my 'riginal money! Where is it now? Gone!
And it's took young Walshingham with it, and 'e's gone, too. It's like
playing skittles. 'Long comes the ball, right and left you fly, and
there it is rolling away and not changed a bit. No sense in it! 'E's
gone, and she's gone--gone off with that chap Revel, that sat with me at
dinner. Merried man! And Chit'low rich! Lor'!--what a fine place that
Gerrik Club is, to be sure, where I 'ad lunch wiv' 'im! Better'n _any_
'otel. Footmen in powder they got--not waiters, Ann--footmen! 'E's rich
and me rich--in a sort of way.... Don't seem much sense in it, Ann,
'owever you look at it." He shook his head.

"I know one thing," said Kipps.

"What?"

"I'm going to put it in jest as many different banks as I can. See?
Fifty 'ere, fifty there. 'Posit. I'm not going to 'nvest it--no fear."

"It's only frowing money away," said Ann.

"I'm 'arf a mind to bury some of it under the shop. Only I expect one
'ud always be coming down at nights to make sure it was there.... I
don't seem to trust anyone--not with money." He put the cheque on the
table corner and smiled and tapped his pipe on the grate with his eyes
on that wonderful document. "S'pose old Bean started orf," he
reflected.... "One thing, 'e _is_ a bit lame."

"'E wouldn't," said Ann; "not 'im."

"I was only joking like." He stood up, put his pipe among the
candlesticks on the mantel, took up the cheque and began folding it
carefully to put it back in his pocket-book.

A little bell jangled.

"Shop!" said Kipps. "That's right. Keep a shop and the shop'll keep you.
That's 'ow I look at it, Ann."

He drove his pocket-book securely into his breast pocket before he
opened the living-room door....

But whether indeed it is the bookshop that keeps Kipps or whether it is
Kipps who keeps the bookshop is just one of those commercial mysteries
people of my unarithmetical temperament are never able to solve. They do
very well, the dears, anyhow, thank Heaven!

The bookshop of Kipps is on the left-hand side of the Hythe High Street
coming from Folkestone, between the yard of the livery stable and the
shop-window full of old silver and such like things--it is quite easy to
find--and there you may see him for yourself and speak to him and buy
this book of him if you like. He has it in stock, I know. Very
delicately I've seen to that. His name is not Kipps, of course, you must
understand that, but everything else is exactly as I have told you. You
can talk to him about books, about politics, about going to Boulogne,
about life, and the ups and downs of life. Perhaps he will quote you
Buggins--from whom, by the bye, one can now buy everything a gentleman's
wardrobe should contain at the little shop in Rendezvous Street,
Folkestone. If you are fortunate to find Kipps in a good mood he may
even let you know how he inherited a fortune "once." "Run froo it,"
he'll say with a not unhappy smile. "Got another
afterwards--speckylating in plays. Needn't keep this shop if I didn't
like. But it's something to do."...

Or he may be even more intimate. "I seen some things," he said to me
once. "Raver! Life! Why! once I--I _'loped_! I did--reely!"

(Of course you will not tell Kipps that he _is_ "Kipps," or that I have
put him in this book. He does not know. And you know, one never knows
how people are going to take that sort of thing. I am an old and trusted
customer now, and for many amiable reasons I should prefer that things
remained exactly on their present footing.)


§8

One early-closing evening in July they left the baby to the servant
cousin, and Kipps took Ann for a row on the Hythe canal. It was a
glorious evening, and the sun set in a mighty blaze and left a world
warm, and very still. The twilight came. And there was the water,
shining bright, and the sky a deepening blue, and the great trees that
dipped their boughs towards the water, exactly as it had been when he
paddled home with Helen, when her eyes had seemed to him like dusky
stars. He had ceased from rowing and rested on his oars, and suddenly he
was touched by the wonder of life, the strangeness that is a presence
stood again by his side.

Out of the darknesses beneath the shallow, weedy stream of his being
rose a question, a question that looked up dimly and never reached the
surface. It was the question of the wonder of the beauty, the
purposeless, inconsecutive beauty, that falls so strangely among the
happenings and memories of life. It never reached the surface of his
mind, it never took to itself substance or form, it looked up merely as
the phantom of a face might look, out of deep waters, and sank again to
nothingness.

"Artie," said Ann.

He woke up and pulled a stroke. "What?" he said.

"Penny for your thoughts, Artie."

He considered.

"I reely don't think I was thinking of anything," he said at last with a
smile. "No."

He still rested on his oars.

"I expect," he said, "I was thinking jest what a Rum Go everything is. I
expect it was something like that."

"Queer old Artie!"

"Ain't I? I don't suppose there ever was a chap quite like me before."

He reflected for just another minute. "Oo! I dunno," he said, and roused
himself to pull.


THE END




ADVERTISEMENTS


By H. G. WELLS

"Imagination--that is his master quality."--WILLIAM ARCHER.

The Food of the Gods,

and How it Came to Earth

12mo. $1.50


"A remarkably diverting fantasy, to the spell of which it is as easy as
it is pleasant to yield."--New York _Tribune_.

"A strikingly good imaginative novel."--Philadelphia _Press_.

"This is a book well worth reading for those who like something that
stimulates mentally as well as entertains."--Chicago _Inter-Ocean_.

"Mr. Wells never fails to see the romantic as well as mechanical
implications of his imaginary changes in the fate of the world, and this
is one of his most suggestive and satisfactory
stories."--_Congregationalist._

"It is apparent from 'The Food of the Gods' that Mr. Wells's powers of
invention show no sign of relaxation.... Best of all, however, it is an
entertaining story and a far-seeing outlook toward the scientific
possibilities of the future."--Boston _Transcript_.

"'The Food of the Gods,' like Mr. Wells's other books, proves that the
inventor of the romance of science is always able to respond to any call
made upon it, however complex. In the interest of its central idea, no
less than in the careful working out of every part of the subject, 'The
Food of the Gods' proves itself a notable and popular addition to the
author's many successful novels."--Philadelphia _Public Ledger_.


Charles Scribner's Sons, New York


By H. G. WELLS

Twelve Stories and a Dream

12mo. $1.50


THE STORIES

FILMER
THE MAGIC SHOP
THE VALLEY OF SPIDERS
THE TRUTH ABOUT PYECRAFT
MR. LEDBETTER'S VACATION
MR. SKELMERSDALE IN FAIRYLAND
THE INEXPERIENCED GHOST
JIMMY GOGGLES THE GOD
THE NEW ACCELERATOR
THE STOLEN BODY
MR. BRISHER'S TREASURE
MISS WINCHELSEA'S HEART
A DREAM OF ARMAGEDDON

"It is distinctly into another world of fancy and humor that the reader
steps when he turns the title-page of 'TWELVE STORIES AND A DREAM' and
finds himself held by the spell of Mr. Wells's wonderful imagination....
Each tale shows Mr. Wells in a mood that is wholly his own, and they
each give expression to a diverse fancy that displays exceptional
literary skill and ingenuity."--Boston _Transcript_.

"Mr. Wells's technique is admirable, and one scarcely recalls a
better-handled absurdity than 'The Truth About Pyecraft.'"--_Life._

"All are written with an effectiveness and skill that are beyond
criticism."--New York _Times Review_.

"Each of these stories is unique and thoroughly enjoyable."--Boston
_Herald_.


Charles Scribner's Sons, New York


By H. G. WELLS

"A book which everyone should read."--London _Daily Telegraph_.

Mankind in the Making

12mo. $1.50 Net (postage, 13 cents)


"The development of this interesting theory in detail must be left to
the reader, who may anticipate a lively succession of sensations, some
assenting and some dissenting, as he reads how mankind is to be made
over.... Mr. Wells carries his readers with him and does not allow the
least flagging of interest."--_Outlook._

"He shows a wide knowledge of facts and an admirable temper from first
to last ... his book is exceedingly interesting and
stimulating."--Baltimore _Sun_.

"Mr. Wells's discussions of vital themes are suggestive, original, and
plain spoken, and seamed with a racy vigor of style."--Boston _Herald_.

"The first tribute this book draws from us is one of sincere respect....
Mr. Wells's duty as a thinker and a writer lay in the producing of this
brilliant revolutionary book."--London _Daily News_.

"He has an acute eye for prevailing weaknesses and absurdities ... an
admirable knack of showing the absurd side of cant and pedantry."--New
York Evening _Sun_.

"Contains a good deal of plain truth and many suggestions worthy of
consideration."--Boston _Transcript_.


Charles Scribner's Sons, New York


By H. G. WELLS

"Mr. Wells's masterpiece."--_Review of Reviews._

A Modern Utopia

ILLUSTRATED BY E. J. SULLIVAN

12mo. $1.50 net. Postage, 12 cents


"This, the last of Mr. Wells's speculations regarding the future of the
human race, will take its place at the head of the long list of works of
its class, beginning with Plato's 'Republic.'"--_Evening Mail._

"There has been no work of this importance published in the last thirty
years, and it is possible and permissible to hope that some ideas
sketched in it will fructify in the future."--London _Athenæum_.

"Quite the most fascinating, and also most rich in suggestion, will be
found this latest of Mr. Wells's anticipatory writings."--New York
_Globe_.

"Mr. Wells's 'UTOPIA' is far the most interesting, imaginative, and
possible of all the Utopias written since the inventions and discoveries
of science began to color our conceptions of the future."--The London
_Times Literary Supplement_.

"Mr. Wells has the gift of making his philosophical, or rather
sociological, speculations of absorbing interest to the general reader.
His literary imagination, which was born in him, works on the positive,
scientific education to which his mind was subjected at its most
receptive period, and the rare combination gives to his writings a
peculiar distinction."--_The Academy._


Charles Scribner's Sons, New York





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