The Project Gutenberg Etext of Vittoria by George Meredith, v6
#46 in our series by George Meredith
Copyright laws are changing all over the world. Be sure to check the
copyright laws for your country before distributing this or any other
Project Gutenberg file.
We encourage you to keep this file, exactly as it is, on your
own disk, thereby keeping an electronic path open for future
readers. Please do not remove this.
This header should be the first thing seen when anyone starts to
view the etext. Do not change or edit it without written permission.
The words are carefully chosen to provide users with the
information they need to understand what they may and may not
do with the etext.
**Welcome To The World of Free Plain Vanilla Electronic Texts**
**Etexts Readable By Both Humans and By Computers, Since 1971**
*****These Etexts Are Prepared By Thousands of Volunteers!*****
Information on contacting Project Gutenberg to get etexts, and
further information, is included below. We need your donations.
The Project Gutenberg Literary Archive Foundation is a 501(c)(3)
organization with EIN [Employee Identification Number] 64-6221541
Title: Vittoria, v6
Author: George Meredith
Release Date: September, 2003 [Etext #4440]
[Yes, we are more than one year ahead of schedule]
[This file was first posted on January 24, 2002]
Edition: 10
Language: English
The Project Gutenberg Etext of Vittoria by George Meredith, v6
*****This file should be named 4440.txt or 4440.zip*****
This etext was produced by David Widger
Project Gutenberg Etexts are often created from several printed
editions, all of which are confirmed as Public Domain in the US
unless a copyright notice is included. Thus, we usually do not
keep etexts in compliance with any particular paper edition.
We are now trying to release all our etexts one year in advance
of the official release dates, leaving time for better editing.
Please be encouraged to tell us about any error or corrections,
even years after the official publication date.
Please note neither this listing nor its contents are final til
midnight of the last day of the month of any such announcement.
The official release date of all Project Gutenberg Etexts is at
Midnight, Central Time, of the last day of the stated month. A
preliminary version may often be posted for suggestion, comment
and editing by those who wish to do so.
Most people start at our sites at:
https://gutenberg.org or
http://promo.net/pg
These Web sites include award-winning information about Project
Gutenberg, including how to donate, how to help produce our new
etexts, and how to subscribe to our email newsletter (free!).
Those of you who want to download any Etext before announcement
can get to them as follows, and just download by date. This is
also a good way to get them instantly upon announcement, as the
indexes our cataloguers produce obviously take a while after an
announcement goes out in the Project Gutenberg Newsletter.
http://www.ibiblio.org/gutenberg/etext03 or
ftp://ftp.ibiblio.org/pub/docs/books/gutenberg/etext03
Or /etext02, 01, 00, 99, 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90
Just search by the first five letters of the filename you want,
as it appears in our Newsletters.
Information about Project Gutenberg (one page)
We produce about two million dollars for each hour we work. The
time it takes us, a rather conservative estimate, is fifty hours
to get any etext selected, entered, proofread, edited, copyright
searched and analyzed, the copyright letters written, etc. Our
projected audience is one hundred million readers. If the value
per text is nominally estimated at one dollar then we produce $2
million dollars per hour in 2001 as we release over 50 new Etext
files per month, or 500 more Etexts in 2000 for a total of 4000+
If they reach just 1-2% of the world's population then the total
should reach over 300 billion Etexts given away by year's end.
The Goal of Project Gutenberg is to Give Away One Trillion Etext
Files by December 31, 2001. [10,000 x 100,000,000 = 1 Trillion]
This is ten thousand titles each to one hundred million readers,
which is only about 4% of the present number of computer users.
At our revised rates of production, we will reach only one-third
of that goal by the end of 2001, or about 4,000 Etexts. We need
funding, as well as continued efforts by volunteers, to maintain
or increase our production and reach our goals.
The Project Gutenberg Literary Archive Foundation has been created
to secure a future for Project Gutenberg into the next millennium.
We need your donations more than ever!
As of November, 2001, contributions are being solicited from people
and organizations in: Alabama, Arkansas, Connecticut, Delaware,
Florida, Georgia, Idaho, Illinois, Indiana, Iowa, Kansas, Kentucky,
Louisiana, Maine, Michigan, Missouri, Montana, Nebraska, Nevada, New
Hampshire, New Jersey, New Mexico, New York, North Carolina, Oklahoma,
Oregon, Pennsylvania, Rhode Island, South Carolina, South Dakota,
Tennessee, Texas, Utah, Vermont, Virginia, Washington, West Virginia,
Wisconsin, and Wyoming.
We have filed in about 45 states now, but these are the only ones
that have responded.
As the requirements for other states are met, additions to this list
will be made and fund raising will begin in the additional states.
Please feel free to ask to check the status of your state.
In answer to various questions we have received on this:
We are constantly working on finishing the paperwork to legally
request donations in all 50 states. If your state is not listed and
you would like to know if we have added it since the list you have,
just ask.
While we cannot solicit donations from people in states where we are
not yet registered, we know of no prohibition against accepting
donations from donors in these states who approach us with an offer to
donate.
International donations are accepted, but we don't know ANYTHING about
how to make them tax-deductible, or even if they CAN be made
deductible, and don't have the staff to handle it even if there are
ways.
All donations should be made to:
Project Gutenberg Literary Archive Foundation
PMB 113
1739 University Ave.
Oxford, MS 38655-4109
Contact us if you want to arrange for a wire transfer or payment
method other than by check or money order.
The Project Gutenberg Literary Archive Foundation has been approved by
the US Internal Revenue Service as a 501(c)(3) organization with EIN
[Employee Identification Number] 64-622154. Donations are
tax-deductible to the maximum extent permitted by law. As fundraising
requirements for other states are met, additions to this list will be
made and fundraising will begin in the additional states.
We need your donations more than ever!
You can get up to date donation information at:
https://www.gutenberg.org/donation.html
***
If you can't reach Project Gutenberg,
you can always email directly to:
Michael S. Hart
Prof. Hart will answer or forward your message.
We would prefer to send you information by email.
**The Legal Small Print**
(Three Pages)
***START**THE SMALL PRINT!**FOR PUBLIC DOMAIN ETEXTS**START***
Why is this "Small Print!" statement here? You know: lawyers.
They tell us you might sue us if there is something wrong with
your copy of this etext, even if you got it for free from
someone other than us, and even if what's wrong is not our
fault. So, among other things, this "Small Print!" statement
disclaims most of our liability to you. It also tells you how
you may distribute copies of this etext if you want to.
*BEFORE!* YOU USE OR READ THIS ETEXT
By using or reading any part of this PROJECT GUTENBERG-tm
etext, you indicate that you understand, agree to and accept
this "Small Print!" statement. If you do not, you can receive
a refund of the money (if any) you paid for this etext by
sending a request within 30 days of receiving it to the person
you got it from. If you received this etext on a physical
medium (such as a disk), you must return it with your request.
ABOUT PROJECT GUTENBERG-TM ETEXTS
This PROJECT GUTENBERG-tm etext, like most PROJECT GUTENBERG-tm etexts,
is a "public domain" work distributed by Professor Michael S. Hart
through the Project Gutenberg Association (the "Project").
Among other things, this means that no one owns a United States copyright
on or for this work, so the Project (and you!) can copy and
distribute it in the United States without permission and
without paying copyright royalties. Special rules, set forth
below, apply if you wish to copy and distribute this etext
under the "PROJECT GUTENBERG" trademark.
Please do not use the "PROJECT GUTENBERG" trademark to market
any commercial products without permission.
To create these etexts, the Project expends considerable
efforts to identify, transcribe and proofread public domain
works. Despite these efforts, the Project's etexts and any
medium they may be on may contain "Defects". Among other
things, Defects may take the form of incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged
disk or other etext medium, a computer virus, or computer
codes that damage or cannot be read by your equipment.
LIMITED WARRANTY; DISCLAIMER OF DAMAGES
But for the "Right of Replacement or Refund" described below,
[1] Michael Hart and the Foundation (and any other party you may
receive this etext from as a PROJECT GUTENBERG-tm etext) disclaims
all liability to you for damages, costs and expenses, including
legal fees, and [2] YOU HAVE NO REMEDIES FOR NEGLIGENCE OR
UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT,
INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE
OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NOTICE OF THE
POSSIBILITY OF SUCH DAMAGES.
If you discover a Defect in this etext within 90 days of
receiving it, you can receive a refund of the money (if any)
you paid for it by sending an explanatory note within that
time to the person you received it from. If you received it
on a physical medium, you must return it with your note, and
such person may choose to alternatively give you a replacement
copy. If you received it electronically, such person may
choose to alternatively give you a second opportunity to
receive it electronically.
THIS ETEXT IS OTHERWISE PROVIDED TO YOU "AS-IS". NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS
TO THE ETEXT OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A
PARTICULAR PURPOSE.
Some states do not allow disclaimers of implied warranties or
the exclusion or limitation of consequential damages, so the
above disclaimers and exclusions may not apply to you, and you
may have other legal rights.
INDEMNITY
You will indemnify and hold Michael Hart, the Foundation,
and its trustees and agents, and any volunteers associated
with the production and distribution of Project Gutenberg-tm
texts harmless, from all liability, cost and expense, including
legal fees, that arise directly or indirectly from any of the
following that you do or cause: [1] distribution of this etext,
[2] alteration, modification, or addition to the etext,
or [3] any Defect.
DISTRIBUTION UNDER "PROJECT GUTENBERG-tm"
You may distribute copies of this etext electronically, or by
disk, book or any other medium if you either delete this
"Small Print!" and all other references to Project Gutenberg,
or:
[1] Only give exact copies of it. Among other things, this
requires that you do not remove, alter or modify the
etext or this "small print!" statement. You may however,
if you wish, distribute this etext in machine readable
binary, compressed, mark-up, or proprietary form,
including any form resulting from conversion by word
processing or hypertext software, but only so long as
*EITHER*:
[*] The etext, when displayed, is clearly readable, and
does *not* contain characters other than those
intended by the author of the work, although tilde
(~), asterisk (*) and underline (_) characters may
be used to convey punctuation intended by the
author, and additional characters may be used to
indicate hypertext links; OR
[*] The etext may be readily converted by the reader at
no expense into plain ASCII, EBCDIC or equivalent
form by the program that displays the etext (as is
the case, for instance, with most word processors);
OR
[*] You provide, or agree to also provide on request at
no additional cost, fee or expense, a copy of the
etext in its original plain ASCII form (or in EBCDIC
or other equivalent proprietary form).
[2] Honor the etext refund and replacement provisions of this
"Small Print!" statement.
[3] Pay a trademark license fee to the Foundation of 20% of the
gross profits you derive calculated using the method you
already use to calculate your applicable taxes. If you
don't derive profits, no royalty is due. Royalties are
payable to "Project Gutenberg Literary Archive Foundation"
the 60 days following each date you prepare (or were
legally required to prepare) your annual (or equivalent
periodic) tax return. Please contact us beforehand to
let us know your plans and to work out the details.
WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO?
Project Gutenberg is dedicated to increasing the number of
public domain and licensed works that can be freely distributed
in machine readable form.
The Project gratefully accepts contributions of money, time,
public domain materials, or royalty free copyright licenses.
Money should be paid to the:
"Project Gutenberg Literary Archive Foundation."
If you are interested in contributing scanning equipment or
software or other items, please contact Michael Hart at:
[email protected]
[Portions of this header are copyright (C) 2001 by Michael S. Hart
and may be reprinted only when these Etexts are free of all fees.]
[Project Gutenberg is a TradeMark and may not be used in any sales
of Project Gutenberg Etexts or other materials be they hardware or
software or any other related product without express permission.]
*END THE SMALL PRINT! FOR PUBLIC DOMAIN ETEXTS*Ver.10/04/01*END*
This etext was produced by David Widger
VITTORIA
By George Meredith
BOOK 6.
XXIX. EPISODES OF THE REVOLT AND THE WAR--THE TOBACCO RIOTS
--RINALDO GUIDASCARPI
XXX. EPISODES OF THE REVOLT AND THE WAR--THE FIVE DAYS OF MILAN
XXXI. EPISODES OF THE REVOLT AND THE WAR--VITTORIA DISOBEYS HER LOVER
XXXII. EPISODES OF THE REVOLT AND THE WAR--THE TREACHERY OF
PERICLES--THE WHITE UMBRELLA--THE DEATH OF RINALDO GUIDASCARPI
CHAPTER XXIX
EPISODES OF THE REVOLT AND THE WAR--THE TOBACCO-RIOTS--RINALDO GUIDASCARPI
Anna von Lenkenstein was one who could wait for vengeance. Lena punished
on the spot, and punished herself most. She broke off her engagement
with Wilfrid, while at the same time she caused a secret message to be
conveyed to him, telling him that the prolongation of his residence in
Meran would restore him to his position in the army.
Wilfrid remained at Meran till the last days of December.
It was winter in Milan, turning to the new year--the year of flames for
continental Europe. A young man with a military stride, but out of
uniform, had stepped from a travelling carriage and entered a cigar-shop.
Upon calling for cigars, he was surprised to observe the woman who was
serving there keep her arms under her apron. She cast a look into the
street, where a crowd of boys and one or two lean men had gathered about
the door. After some delay, she entreated her customer to let her pluck
his cloak halfway over the counter; at the same time she thrust a cigar-
box under that concealment, together with a printed song in the Milanese
dialect. He lifted the paper to read it, and found it tough as Russ.
She translated some of the more salient couplets. Tobacco had become a
dead business, she said, now that the popular edict had gone forth
against 'smoking gold into the pockets of the Tedeschi.' None smoked
except officers and Englishmen.
"I am an Englishman," he said.
"And not an officer?" she asked; but he gave no answer. "Englishmen are
rare in winter, and don't like being mobbed," said the woman.
Nodding to her urgent petition, he deferred the lighting of his cigar.
The vetturino requested him to jump up quickly, and a howl of "No smoking
in Milan--fuori!--down with tobacco-smokers!" beset the carriage. He
tossed half-a-dozen cigars on the pavement derisively. They were
scrambled for, as when a pack of wolves are diverted by a garment dropped
from the flying sledge, but the unluckier hands came after his heels in
fuller howl. He noticed the singular appearance of the streets. Bands
of the scum of the population hung at various points: from time to time a
shout was raised at a distance, "Abasso il zigarro! "and "Away with the
cigar!" went an organized file-firing of cries along the open place.
Several gentlemen were mobbed, and compelled to fling the cigars from
their teeth. He saw the polizta in twos and threes taking counsel and
shrugging, evidently too anxious to avoid a collision. Austrian soldiers
and subalterns alone smoked freely; they puffed the harder when the yells
and hootings and whistlings thickened at their heels. Sometimes they
walked on at their own pace; or, when the noise swelled to a crisis,
turned and stood fast, making an exhibition of curling smoke, as a mute
form of contempt. Then commenced hustlings and a tremendous uproar;
sabres were drawn, the whitecoats planted themselves back to back. Milan
was clearly in a condition of raging disease. The soldiery not only
accepted the challenge of the mob, but assumed the offensive. Here and
there they were seen crossing the street to puff obnoxiously in the faces
of people. Numerous subalterns were abroad, lively for strife, and
bright with the signal of their readiness. An icy wind blew down from
the Alps, whitening the housetops and the ways, but every street, torso,
and piazza was dense with loungers, as on a summer evening; the clamour
of a skirmish anywhere attracted streams of disciplined rioters on all
sides; it was the holiday of rascals.
Our traveller had ordered his vetturino to drive slowly to his hotel,
that he might take the features of this novel scene. He soon showed his
view of the case by putting an unlighted cigar in his mouth. The
vetturino noted that his conveyance acted as a kindling-match to awaken
cries in quiet quarters, looked round, and grinned savagely at the sight
of the cigar.
"Drop it, or I drop you," he said; and hearing the command to drive on,
pulled up short.
They were in a narrow way leading to the Piazza de' Mercanti. While the
altercation was going on between them, a great push of men emerged from
one of the close courts some dozen paces ahead of the horse, bearing
forth a single young officer in their midst.
"Signore, would you like to be the froth of a boiling of that sort?" The
vetturino seized the image at once to strike home his instance of the
danger of outraging the will of the people.
Our traveller immediately unlocked a case that lay on the seat in front
of him, and drew out a steel scabbard, from which he plucked the sword,
and straightway leaped to the ground. The officer's cigar had been
dashed from his mouth: he stood at bay, sword in hand, meeting a rush
with a desperate stroke. The assistance of a second sword got him clear
of the fray. Both hastened forward as the crush melted with the hiss of
a withdrawing wave. They interchanged exclamations:
"Is it you, Jenna!"
"In the devil's name, Pierson, have you come to keep your appointment in
mid-winter?"
"Come on: I'll stick beside you."
"On, then!"
They glanced behind them, heeding little the tail of ruffians whom they
had silenced.
"We shall have plenty of fighting soon, so we'll smoke a cordial cigar
together," said Lieutenant Jenna, and at once struck a light and blazed
defiance to Milan afresh--an example that was necessarily followed by his
comrade. "What has happened to you, Pierson? Of course, I knew you were
ready for our bit of play--though you'll hear what I said of you. How
the deuce could you think of running off with that opera girl, and
getting a fellow in the mountains to stab our merry old Weisspriess, just
because you fancied he was going to slip a word or so over the back of
his hand in Countess Lena's ear? No wonder she's shy of you now."
"So, that's the tale afloat," said Wilfrid. "Come to my hotel and dine
with me. I suppose that cur has driven my luggage there."
Jenna informed him that officers had to muster in barracks every evening.
"Come and see your old comrades; they'll like you better in bad luck--
there's the comfort of it: hang the human nature! She's a good old
brute, if you don't drive her hard. Our regiment left Verona in
November. There we had tolerable cookery; come and take the best we can
give you."
But this invitation Wilfrid had to decline.
"Why?" said Jenna.
He replied: "I've stuck at Meran three months. I did it, in obedience to
what I understood from Colonel Zofel to be the General's orders. When I
was as perfectly dry as a baked Egyptian, I determined to believe that I
was not only in disgrace, but dismissed the service. I posted to Botzen
and Riva, on to Milan; and here I am. The least I can do is to show
myself here."
"Very well, then, come and show yourself at our table," said Jenna.
"Listen: we'll make a furious row after supper, and get hauled in by the
collar before the General. You can swear you have never been absent from
duty: swear the General never gave you forcible furlough. I'll swear it;
all our fellows will swear it. The General will say, 'Oh! a very big
lie's equal to a truth; big brother to a fact, or something; as he always
does, you know. Face it out. We can't spare a good stout sword in these
times. On with me, my Pierson."
"I would," said Wilfrid, doubtfully.
A douse of water from a window extinguished their cigars.
Lieutenant Jenna wiped his face deliberately, and lighting another cigar,
remarked--"This is the fifth poor devil who has come to an untimely end
within an hour. It is brisk work. Now, I'll swear I'll smoke this one
out."
The cigar was scattered in sparks from his lips by a hat skilfully flung.
He picked it up miry and cleaned it, observing that his honour was
pledged to this fellow. The hat he trampled into a muddy lump. Wilfrid
found it impossible to ape his coolness. He swung about for an
adversary. Jenna pulled him on.
"A salute from a window," he said. "We can't storm the houses. The
time'll come for it--and then, you cats!"
Wilfrid inquired how long this state of things had been going on. Jenna
replied that they appeared to be in the middle of it;--nearly a week.
Another week, and their, day would arrive; and then!
"Have you heard anything of a Count Ammiani here?" said Wilfrid.
"Oh! he's one of the lot, I believe. We have him fast, as we'll have the
bundle of them. Keep eye on those dogs behind us, and manoeuvre your
cigar. The plan is, to give half-a-dozen bright puffs, and then keep it
in your fist; and when you see an Italian head, volcano him like fury.
Yes, I've heard of that Ammiani. The scoundrels, made an attempt to get
him out of prison--I fancy he's in the city prison--last Friday night.
I don't know exactly where he is; but it's pretty fair reckoning to say
that he'll enjoy a large slice of the next year in the charming solitude
of Spielberg, if Milan is restless. Is he a friend of yours?"
"Not by any means," said Wilfrid.
"Mio prigione!" Jenna mouthed with ineffable contemptuousness; "he'll
have time to write his memoirs, as, one of the dogs did. I remember my
mother crying over, the book. I read it? Not I! I never read books.
My father said--the stout old colonel--'Prison seems to make these
Italians take an interest in themselves.' 'Oh!' says my mother, 'why
can't they be at peace with us?' 'That's exactly the question,' says my
father, 'we're always putting to them.' And so I say. Why can't they
let us smoke our cigars in peace?"
Jenna finished by assaulting a herd of faces with smoke.
"Pig of a German!" was shouted; and "Porco, porco," was sung in a scale
of voices. Jenna received a blinding slap across the eyes. He staggered
back; Wilfrid slashed his sword in defence of him. He struck a man down.
"Blood! blood!" cried the gathering mob, and gave space, but hedged the
couple thickly. Windows were thrown up; forth came a rain of household
projectiles. The cry of "Blood! blood!" was repeated by numbers pouring
on them from the issues to right and left. It is a terrible cry in a
city. In a city of the South it rouses the wild beast in men to madness.
Jenna smoked triumphantly and blew great clouds, with an eye aloft for
the stools, basins, chairs, and water descending. They were in the
middle of one of the close streets of old Milan. The man felled by
Wilfrid was raised on strong arms, that his bleeding head might be seen
of all, and a dreadful hum went round. A fire of missiles, stones, balls
of wax, lumps of dirt, sticks of broken chairs, began to play. Wilfrid
had a sudden gleam of the face of his Verona assailant. He and Jenna
called "Follow me," in one breath, and drove forward with sword-points,
which they dashed at the foremost; by dint of swift semicirclings of the
edges they got through, but a mighty voice of command thundered; the
rearward portion of the mob swung rapidly to the front, presenting a
scattered second barrier; Jenna tripped on a fallen body, lost his cigar,
and swore that he must find it. A dagger struck his sword-arm. He
staggered and flourished his blade in the air, calling "On!" without
stirring. "This infernal cigar!" he said; and to the mob, "What mongrel
of you took my cigar?" Stones thumped on his breast; the barrier-line
ahead grew denser. "I'll go at them first; you're bleeding," said
Wilfrid. They were refreshed by the sound of German cheering, as in
approach. Jenna uplifted a crow of the regimental hurrah of the charge;
it was answered; on they went and got through the second fence, saw their
comrades, and were running to meet them, when a weighted ball hit Wilfrid
on the back of the head. He fell, as he believed, on a cushion of down,
and saw thousands of saints dancing with lamps along cathedral aisles.
The next time he opened his eyes he fancied he had dropped into the
vaults of the cathedral. His sensation of sinking was so vivid that he
feared lest he should be going still further below. There was a lamp in
the chamber, and a young man sat reading by the light of the lamp.
Vision danced fantastically on Wilfrid's brain. He saw that he rocked as
in a ship, yet there was no noise of the sea; nothing save the remote
thunder haunting empty ears at strain for sound. He looked again; the
young man was gone, the lamp was flickering. Then he became conscious of
a strong ray on his eyelids; he beheld his enemy gazing down on him and
swooned. It was with joy, that when his wits returned, he found himself
looking on the young man by the lamp. "That other face was a dream," he
thought, and studied the aspect of the young man with the unwearied
attentiveness of partial stupor, that can note accurately, but cannot
deduce from its noting, and is inveterate in patience because it is
unideaed. Memory wakened first.
"Guidascarpi!" he said to himself.
The name was uttered half aloud. The young man started and closed his
book.
"You know me?" he asked.
"You are Guidascarpi?"
"I am."
"Guidascarpi, I think I helped to save your life in Meran."
The young man stooped over him. "You speak of my brother Angelo. I am
Rinaldo. My debt to you is the same, if you have served him."
"Is he safe?"
"He is in Lugano."
"The signorina Vittoria?"
"In Turin."
"Where am I?"
The reply came from another mouth than Rinaldo's.
"You are in the poor lodging of the shoemaker, whose shoes, if you had
thought fit to wear them, would have conducted you anywhere but to this
place."
"Who are you?" Wilfrid moaned.
"You ask who I am. I am the Eye of Italy. I am the Cat who sees in the
dark." Barto Rizzo raised the lamp and stood at his feet. "Look
straight. You know me, I think."
Wilfrid sighed, "Yes, I know you; do your worst."
His head throbbed with the hearing of a heavy laugh, as if a hammer had
knocked it. What ensued he knew not; he was left to his rest. He lay
there many days and nights, that were marked by no change of light; the
lamp burned unwearyingly. Rinaldo and a woman tended him. The sign of
his reviving strength was shown by a complaint he launched at the earthy
smell of the place.
"It is like death," said Rinaldo, coming to his side. "I am used to it,
and familiar with death too," he added in a musical undertone.
"Are you also a prisoner here?" Wilfrid questioned him.
"I am."
"The brute does not kill, then?"
"No; he saves. I owe my life to him. He has rescued yours."
"Mine?" said Wilfrid.
"You would have been torn to pieces in the streets but for Barto Rizzo."
The streets were the world above to Wilfrid; he was eager to hear of the
doings in them. Rinaldo told him that the tobacco-war raged still; the
soldiery had recently received orders to smoke abroad, and street battles
were hourly occurring. "They call this government!" he interjected.
He was a soft-voiced youth; slim and tall and dark, like Angelo, but with
a more studious forehead. The book he was constantly reading was a book
of chemistry. He entertained Wilfrid with very strange talk. He spoke
of the stars and of a destiny. He cited certain minor events of his life
to show the ground of his present belief in there being a written destiny
for each individual man. "Angelo and I know it well. It was revealed to
us when we were boys. It has been certified to us up to this moment.
Mark what I tell you," he pursued in a devout sincerity of manner that
baffled remonstrance, "my days end with this new year. His end with the
year following. Our house is dead."
Wilfrid pressed his hand. "Have you not been too long underground?"
"That is the conviction I am coming to. But when I go out to breathe the
air of heaven, I go to my fate. Should I hesitate? We Italians of this
period are children of thunder and live the life of a flash. The worms
may creep on: the men must die. Out of us springs a better world.
Romara, Ammiani, Mercadesco, Montesini, Rufo, Cardi, whether they see it
or not, will sweep forward to it. To some of them, one additional day of
breath is precious. Not so for Angelo and me. We are unbeloved. We
have neither mother nor sister, nor betrothed. What is an existence that
can fly to no human arms? I have been too long underground, because,
while I continue to hide, I am as a drawn sword between two lovers."
The previous mention of Ammiani's name, together with the knowledge he
had of Ammiani's relationship to the Guidascarpi, pointed an instant
identification of these lovers to Wilfrid.
He asked feverishly who they were, and looked his best simplicity, as one
who was always interested by stories of lovers.
The voice of Barto Rizzo, singing "Vittoria!" stopped Rinaldo's reply:
but Wilfrid read it in his smile at that word. He was too weak to
restrain his anguish, and flung on the couch and sobbed. Rinaldo
supposed that he was in fear of Barto, and encouraged him to meet the man
confidently. A lusty "Viva l'Italia! Vittoria!" heralded Barto's
entrance. "My boy! my noblest! we have beaten them the cravens! Tell me
now--have I served an apprenticeship to the devil for nothing? We have
struck the cigars out of their mouths and the monopoly-money out of their
pockets. They have surrendered. The Imperial order prohibits soldiers
from smoking in the streets of Milan, and so throughout Lombardy! Soon
we will have the prisons empty, by our own order. Trouble yourself no
more about Ammiani. He shall come out to the sound of trumpets. I hear
them! Hither, my Rosellina, my plump melon; up with your red lips, and
buss me a Napoleon salute--ha! ha!"
Barto's wife went into his huge arm, and submissively lifted her face.
He kissed her like a barbaric king, laughing as from wine.
Wilfrid smothered his head from his incarnate thunder. He was unnoticed
by Barto. Presently a silence told him that he was left to himself. An
idea possessed him that the triumph of the Italians meant the release of
Ammiani, and his release the loss of Vittoria for ever. Since her
graceless return of his devotion to her in Meran, something like a
passion--arising from the sole spring by which he could be excited to
conceive a passion--had filled his heart. He was one of those who
delight to dally with gentleness and faith, as with things that are their
heritage; but the mere suspicion of coquettry and indifference plunged
him into a fury of jealous wrathfulness, and tossed so desireable an
image of beauty before him that his mad thirst to embrace it seemed love.
By our manner of loving we are known. He thought it no meanness to
escape and cause a warning to be conveyed to the Government that there
was another attempt brewing for the rescue of Count Ammiani. Acting
forthwith on the hot impulse, he seized the lamp. The door was unlocked.
Luckier than Luigi had been, he found a ladder outside, and a square
opening through which he crawled; continuing to ascend along close
passages and up narrow flights of stairs, that appeared to him to be
fashioned to avoid the rooms of the house. At last he pushed a door, and
found himself in an armoury, among stands of muskets, swords, bayonets,
cartouche-boxes, and, most singular of all, though he observed them last,
small brass pieces of cannon, shining with polish. Shot was piled in
pyramids beneath their mouths. He examined the guns admiringly. There
were rows of daggers along shelves; some in sheath, others bare; one that
had been hastily wiped showed a smear of ropy blood. He stood debating
whether he should seize a sword for his protection. In the act of trying
its temper on the floor, the sword-hilt was knocked from his hand, and he
felt a coil of arms around him. He was in the imprisoning embrace of
Barto Rizzo's wife. His first, and perhaps natural, impression accused
her of a violent display of an eccentric passion for his manly charms;
and the tighter she locked him, the more reasonably was he held to
suppose it; but as, while stamping on the floor, she offered nothing to
his eyes save the yellow poll of her neck, and hung neither panting nor
speaking, he became undeceived. His struggles were preposterous; his
lively sense of ridicule speedily stopped them. He remained passive,
from time to time desperately adjuring his living prison to let him
loose, or to conduct him whither he had come; but the inexorable coil
kept fast--how long there was no guessing--till he could have roared out
tears of rage, and that is extremity for an Englishman. Rinaldo arrived
in his aid; but the woman still clung to him. He was freed only by the
voice of Barto Rizzo, who marched him back. Rinaldo subsequently told
him that his discovery of the armoury necessitated his confinement.
"Necessitates it!" cried Wilfrid. "Is this your Italian gratitude?"
The other answered: "My friend, you risked your fortune for my brother;
but this is a case that concerns our country."
He deemed these words to be an unquestionable justification, for he said
no more. After this they ceased to converse.
Each lay down on his strip of couch-matting; rose and ate, and passed the
dreadful untamed hours; nor would Wilfrid ask whether it was day or
night. We belong to time so utterly, that when we get no note of time,
it wears the shrouded head of death for us already. Rinaldo could quit
the place as he pleased; he knew the hours; and Wilfrid supposed that it
must be hatred that kept him from voluntarily divulging that blessed
piece of knowledge. He had to encourage a retorting spirit of hatred in
order to mask his intense craving. By an assiduous calculation of
seconds and minutes, he was enabled to judge that the lamp burned a space
of six hours before it required replenishing. Barto Rizzo's wife trimmed
it regularly, but the accursed woman came at all seasons. She brought
their meals irregularly, and she would never open her lips: she was like
a guardian of the tombs. Wilfrid abandoned his dream of the variation of
night and day, and with that the sense of life deadened, as the lamp did
toward the sixth hour. Thenceforward his existence fed on the movements
of his companion, the workings of whose mind he began to read with a
marvellous insight. He knew once, long in advance of the act or an
indication of it, that Rinaldo was bent on prayer. Rinaldo had slightly
closed his eyelids during the perusal of his book; he had taken a pencil
and traced lines on it from memory, and dotted points here and there; he
had left the room, and returned to resume his study. Then, after closing
the book softly, he had taken up the mark he was accustomed to place in
the last page of his reading, and tossed it away. Wilfrid was prepared
to clap hands when he should see the hated fellow drop on his knees; but
when that sight verified his calculation, he huddled himself exultingly
in his couch-cloth:--it was like a confirming clamour to him that he was
yet wholly alive. He watched the anguish of the prayer, and was rewarded
for the strain of his faculties by sleep. Barto Rizzo's rough voice
awakened him. Barto had evidently just communicated dismal tidings to
Rinaldo, who left the vault with him, and was absent long enough to make
Wilfrid forget his hatred in an irresistible desire to catch him by the
arm and look in his face.
"Ah! you have not forsaken me," the greeting leaped out.
"Not now," said Rinaldo.
"Do you think of going?"
"I will speak to you presently, my friend."
"Hound!" cried Wilfrid, and turned his face to the wall.
Until he slept, he heard the rapid travelling of a pen; on his awakening,
the pen vexed him like a chirping cricket that tells us that cock-crow is
long distant when we are moaning for the dawn. Great drops of sweat were
on Rinaldo's forehead. He wrote as one who poured forth a history
without pause. Barto's wife came to the lamp and beckoned him out,
bearing the lamp away. There was now for the first time darkness in this
vault. Wilfrid called Rinaldo by name, and heard nothing but the fear of
the place, which seemed to rise bristling at his voice and shrink from
it. He called till dread of his voice held him dumb. "I am, then, a
coward," he thought. Nor could he by-and-by repress a start of terror on
hearing Rinaldo speak out of the darkness. With screams for the lamp,
and cries that he was suffering slow murder, he underwent a paroxysm in
the effort to conceal his abject horror. Rinaldo sat by his side
patiently. At last, he said: "We are both of us prisoners on equal terms
now." That was quieting intelligence to Wilfrid, who asked eagerly:
"What hour is it?"
It was eleven of the forenoon. Wilfrid strove to dissociate his
recollection of clear daylight from the pressure of the hideous
featureless time surrounding him. He asked: "What week?" It was the
first week in March. Wilfrid could not keep from sobbing aloud. In the
early period of such a captivity, imagination, deprived of all other
food, conjures phantasms for the employment of the brain; but there is
still some consciousness within the torpid intellect wakeful to laugh at
them as they fly, though they have held us at their mercy. The face of
time had been imaged like the withering mask of a corpse to him. He had
felt, nevertheless, that things had gone on as we trust them to do at the
closing of our eyelids: he had preserved a mystical remote faith in the
steady running of the world above, and hugged it as his most precious
treasure. A thunder was rolled in his ears when he heard of the flight
of two months at one bound. Two big months! He would have guessed, at
farthest, two weeks. "I have been two months in one shirt? Impossible!"
he exclaimed. His serious idea (he cherished it for the support of his
reason) was, that the world above had played a mad prank since he had
been shuffled off its stage.
"It can't be March," he said. "Is there sunlight overhead?"
"It is a true Milanese March," Rinaldo replied.
"Why am I kept a prisoner?"
"I cannot say. There must be some idea of making use of you."
"Have you arms?"
"I have none."
"You know where they're to be had."
"I know, but I would not take them if I could. They, my friend, are for
a better cause."
"A thousand curses on your country!" cried Wilfrid. "Give me air; give
me freedom, I am stifled; I am eaten up with dirt; I am half dead. Are
we never to have the lamp again?"
"Hear me speak," Rinaldo stopped his ravings. "I will tell you what my
position is. A second attempt has been made to help Count Ammiani's
escape; it has failed. He is detained a prisoner by the Government under
the pretence that he is implicated in the slaying of an Austrian noble by
the hands of two brothers, one of whom slew him justly--not as a dog is
slain, but according to every honourable stipulation of the code. I was
the witness of the deed. It is for me that my cousin, Count Ammiani,
droops in prison when he should be with his bride. Let me speak on, I
pray you. I have said that I stand between two lovers. I can release
him, I know well, by giving myself up to the Government. Unless I do so
instantly, he will be removed from Milan to one of their fortresses in
the interior, and there he may cry to the walls and iron-bars for his
trial. They are aware that he is dear to Milan, and these two miserable
attempts have furnished them with their excuse. Barto Rizzo bids me
wait. I have waited: I can wait no longer. The lamp is withheld from me
to stop my writing to my brother, that I may warn him of my design, but
the letter is written; the messenger is on his way to Lugano. I do not
state my intentions before I have taken measures to accomplish them. I
am as much Barto Rizzo's prisoner now as you are."
The plague of darkness and thirst for daylight prevented Wilfrid from
having any other sentiment than gladness that a companion equally
unfortunate with himself was here, and equally desirous to go forth.
When Barto's wife brought their meal, and the lamp to light them eating
it, Rinaldo handed her pen, ink, pencil, paper, all the material of
correspondence; upon which, as one who had received a stipulated
exchange, she let the lamp remain. While the new and thrice-dear rays
were illumining her dark-coloured solid beauty, I know not what touch of
man-like envy or hurt vanity led Wilfrid to observe that the woman's eyes
dwelt with a singular fulness and softness on Rinaldo. It was fulness
and softness void of fire, a true ox-eyed gaze, but human in the fall of
the eyelids; almost such as an early poet of the brush gave to the Virgin
carrying her Child, to become an everlasting reduplicated image of a
mother's strong beneficence of love. He called Rinaldo's attention to it
when the woman had gone. Rinaldo understood his meaning at once.
"It will have to be so, I fear," he said; "I have thought of it. But if
I lead her to disobey Barto, there is little hope for the poor soul." He
rose up straight, like one who would utter grace for meat. "Must we, O
my God, give a sacrifice at every step?"
With that he resumed his seat stiffly, and bent and murmured to himself.
Wilfrid had at one time of his life imagined that he was marked by a
peculiar distinction from the common herd; but contact with this young
man taught him to feel his fellowship to the world at large, and to
rejoice at it, though it partially humbled him.
They had no further visit from Barto Rizzo. The woman tended them in the
same unswerving silence, and at whiles that adorable maternity of aspect.
Wilfrid was touched by commiseration for her. He was too bitterly
fretful on account of clean linen and the liberty which fluttered the
prospect of it, to think much upon what her fate might be: perhaps a
beating, perhaps the knife. But the vileness of wearing one shirt two
months and more had hardened his heart; and though he was considerate
enough not to prompt his companion very impatiently, he submitted
desperate futile schemes to him, and suggested--"To-night?--tomorrow?--
the next day?" Rinaldo did not heed him. He lay on his couch like one
who bleeds inwardly, thinking of the complacent faithfulness of that poor
creature's face. Barto Rizzo had sworn to him that there should be a
rising in Milan before the month was out; but he had lost all confidence
in Milanese risings. Ammiani would be removed, if he delayed; and he
knew that the moment his letter reached Lugano, Angelo would start for
Milan and claim to surrender in his stead. The woman came, and went
forth, and Rinaldo did not look at her until his resolve was firm.
He said to Wilfrid in her presence, "Swear that you will reveal nothing
of this house."
Wilfrid spiritedly pronounced his gladdest oath.
"It is dark in the streets," Rinaldo addressed the woman. "Lead us out,
for the hour has come when I must go."
She clutched her hands below her bosom to stop its great heaving, and
stood as one smitten by the sudden hearing of her sentence. The sight
was pitiful, for her face scarcely changed; the anguish was
expressionless. Rinaldo pointed sternly to the door.
"Stay," Wilfrid interposed. "That wretch may be in the house, and will
kill her."
"She is not thinking of herself," said Rinaldo.
"But, stay," Wilfrid repeated. The woman's way of taking breath shocked
and enfeebled him.
Rinaldo threw the door open.
"Must you? must you?" her voice broke.
"Waste no words."
"You have not seen a priest?"
"I go to him."
"You die."
"What is death to me? Be dumb, that I may think well of you till my last
moment."
"What is death tome? Be dumb!"
She had spoken with her eyes fixed on his couch. It was the figure of
one upon the scaffold, knitting her frame to hold up a strangled heart.
"What is death to me? Be dumb!" she echoed him many times on the rise
and fall of her breathing, and turned to get him in her eyes. "Be dumb!
be dumb!" She threw her arms wide out, and pressed his temples and
kissed him.
The scene was like hot iron to Wilfrid's senses. When he heard her
coolly asking him for his handkerchief to blind him, he had forgotten the
purpose, and gave it mechanically. Nothing was uttered throughout the
long mountings and descent of stairs. They passed across one corridor
where the walls told of a humming assemblage of men within. A current of
keen air was the first salute Wilfrid received from the world above; his
handkerchief was loosened; he stood foolish as a blind man, weak as a
hospital patient, on the steps leading into a small square of visible
darkness, and heard the door shut behind him. Rinaldo led him from the
court to the street.
"Farewell," he said. "Get some housing instantly; avoid exposure to the
air. I leave you."
Wilfrid spent his tongue in a fruitless and meaningless remonstrance.
"And you?" he had the grace to ask.
"I go straight to find a priest. Farewell."
So they parted.
CHAPTER XXX
EPISODES OF THE REVOLT AND THE WAR
THE FIVE DAYS OF MILAN
The same hand which brought Rinaldo's letter to his brother delivered a
message from Barto Rizzo, bidding Angelo to start at once and head a
stout dozen or so of gallant Swiss. The letter and the message appeared
to be grievous contradictions: one was evidently a note of despair, while
the other sang like a trumpet. But both were of a character to draw him
swiftly on to Milan. He sent word to his Lugano friends, naming a
village among the mountains between Como and Varese, that they might join
him there if they pleased.
Toward nightfall, on the nineteenth of the month, he stood with a small
band of Ticinese and Italian fighting lads two miles distant from the
city. There was a momentary break in long hours of rain; the air was
full of inexplicable sounds, that floated over them like a toning of
multitudes wailing and singing fitfully behind a swaying screen. They
bent their heads. At intervals a sovereign stamp on the pulsation of the
uproar said, distinct as a voice in the ear--Cannon. "Milan's alive!"
Angelo cried, and they streamed forward under the hurry of stars and
scud, till thumping guns and pattering musket-shots, the long big boom of
surgent hosts, and the muffled voluming and crash of storm-bells,
proclaimed that the insurrection was hot. A rout of peasants bearing
immense ladders met them, and they joined with cheers, and rushed to the
walls. As yet no gate was in the possession of the people. The walls
showed bayonet-points: a thin edge of steel encircled a pit of fire.
Angelo resolved to break through at once. The peasants hesitated, but
his own men were of one mind to follow, and, planting his ladder in the
ditch, he rushed up foremost. The ladder was full short; he called out
in German to a soldier to reach his hand down, and the butt-end of a
musket was dropped, which he grasped, and by this aid sprang to the
parapet, and was seized. "Stop," he said, "there's a fellow below with
my brandy-flask and portmanteau." The soldiers were Italians; they
laughed, and hauled away at man after man of the mounting troop, calling
alternately "brandy-flask!--portmanteau!" as each one raised a head
above the parapet. "The signor has a good supply of spirits and
baggage," they remarked. He gave them money for porterage, saying, "You
see, the gates are held by that infernal people, and a quiet traveller
must come over the walls. Viva l'Italia! who follows me?" He carried
away three of those present. The remainder swore that they and their
comrades would be on his side on the morrow. Guided by the new accession
to his force, Angelo gained the streets. All shots had ceased; the
streets were lighted with torches and hand-lamps; barricades were up
everywhere, like a convulsion of the earth. Tired of receiving
challenges and mounting the endless piles of stones, he sat down at the
head of the Corso di Porta Nuova, and took refreshments from the hands
of ladies. The house-doors were all open. The ladies came forth bearing
wine and minestra, meat and bread, on trays; and quiet eating and
drinking, and fortifying of the barricades, went on. Men were rubbing
their arms and trying rusty gun-locks. Few of them had not seen Barto
Rizzo that day; but Angelo could get no tidings of his brother. He slept
on a door-step, dreaming that he was blown about among the angels of
heaven and hell by a glorious tempest. Near morning an officer of
volunteers came to inspect the barricade defences. Angelo knew him by
sight; it was Luciano Romara. He explained the position of the opposing
forces. The Marshal, he said, was clearly no street-fighter. Estimating
the army under his orders in Milan at from ten to eleven thousand men of
all arms, it was impossible for him to guard the gates and then walls,
and at the same time fight the city. Nor could he provision his troops.
Yesterday the troops had made one: charge and done mischief, but they had
immediately retired. "And if they take to cannonading us to-day, we
shall know what that means," Romara concluded. Angelo wanted to join
him. "No, stay here," said Romara. "I think you are a man who won't
give ground." He had not seen either Rinaldo or Ammiani, but spoke of
both as certain to be rescued.
Rain and cannon filled the weary space of that day. Some of the
barricades fronting the city gates had been battered down by nightfall;
they were restored within an hour. Their defenders entered the houses
right and left during the cannonade, waiting to meet the charge; but the
Austrians held off. "They have no plan," Romara said on his second visit
of inspection; "they are waiting on Fortune, and starve meanwhile. We
can beat them at that business."
Romara took Angelo and his Swiss away with him. The interior of the city
was abandoned by the Imperialists, who held two or three of the principal
buildings and the square of the Duomo. Clouds were driving thick across
the cold-gleaming sky when the storm-bells burst out with the wild
Jubilee-music of insurrection--a carol, a jangle of all discord, savage
as flame. Every church of the city lent its iron tongue to the peal; and
now they joined and now rolled apart, now joined again and clanged like
souls shrieking across the black gulfs of an earthquake; they swam aloft
with mournful delirium, tumbled together, were scattered in spray,
dissolved, renewed, died, as a last worn wave casts itself on an unfooted
shore, and rang again as through rent doorways, became a clamorous host,
an iron body, a pressure as of a down-drawn firmament, and once more a
hollow vast, as if the abysses of the Circles were sounded through and
through. To the Milanese it was an intoxication; it was the howling of
madness to the Austrians--a torment and a terror: they could neither
sing, nor laugh, nor talk under it. Where they stood in the city, the
troops could barely hear their officers' call of command. No sooner had
the bells broken out than the length of every street and Corso flashed
with the tri-coloured flag; musket-muzzles peeped from the windows; men
with great squares of pavement lined the roofs. Romara mounted a stiff
barricade and beheld a scattered regiment running the gauntlet of storms
of shot and missiles, in full retreat upon the citadel. On they came,
officers in front for the charge, as usual with the Austrians; fire on
both flanks, a furious mob at their heels, and the barricade before them.
They rushed at Romara, and were hurled back, and stood in a riddled lump.
Suddenly Romara knocked up the rifles of the couching Swiss; he yelled to
the houses to stop firing. "Surrender your prisoners,--you shall pass,"
he called. He had seen one dear head in the knot of the soldiery. No
answer was given. Romara, with Angelo and his Swiss and the ranks of the
barricade, poured over and pierced the streaming mass, steel for steel.
"Ammiani! Ammiani!" Romara cried; a roar from the other side, "Barto!
Barto! the Great Cat!" met the cry. The Austrians struck up a cheer
under the iron derision of the bells; it was ludicrous, it was as if a
door had slammed on their mouths, ringing tremendous echoes in a vaulted
roof. They stood sweeping fire in two oblong lines; a show of military
array was preserved like a tattered robe, till Romara drove at their
centre and left the retreat clear across the barricade. Then the
whitecoats were seen flowing over, the motley surging hosts from the city
in pursuit--foam of a storm-torrent hurled forward by the black tumult of
precipitous waters. Angelo fell on his brother's neck; Romara clasped
Carlo Ammiani. These two were being marched from the prison to the
citadel when Barto Rizzo, who had prepared to storm the building,
assailed the troops. To him mainly they were indebted for their rescue.
Even in that ecstasy of meeting, the young men smiled at the
preternatural transport on his features as he bounded by them, mad for
slaughter, and mounting a small brass gun on the barricade, sent the
charges of shot into the rear of the enemy. He kissed the black lip of
his little thunderer in, a rapture of passion; called it his wife, his
naked wife; the best of mistresses, who spoke only when he charged her to
speak; raved that she was fair, and liked hugging; that she was true, and
the handsomest daughter of Italy; that she would be the mother of big
ones--none better than herself, though they were mountains of sulphur big
enough to make one gulp of an army.
His wife in the flesh stood at his feet with a hand-grenade and a rifle,
daggers and pistols in her belt. Her face was black with powder-smoke as
the muzzle of the gun. She looked at Rinaldo once, and Rinaldo at her;
both dropped their eyes, for their joy at seeing one another alive was
mighty.
Dead Austrians were gathered in a heap. Dead and wounded Milanese were
taken into the houses. Wine was brought forth by ladies and household
women. An old crutched beggar, who had performed a deed of singular
intrepidity in himself kindling a fire at the door of one of the
principal buildings besieged by the people, and who showed perforated
rags with a comical ejaculation of thanks to the Austrians for knowing
how to hit a scarecrow and make a beggar holy, was the object of
particular attention. Barto seated him on his gun, saying that his
mistress and beauty was honoured; ladies were proud in waiting on the
fine frowzy old man. It chanced during that morning that Wilfrid Pierson
had attached himself to Lieutenant Jenna's regiment as a volunteer. He
had no arms, nothing but a huge white umbrella, under which he walked dry
in the heavy rain, and passed through the fire like an impassive
spectator of queer events. Angelo's Swiss had captured them, and the mob
were maltreating them because they declined to shout for this valorous
ancient beggarman. "No doubt he's a capital fellow," said Jenna; "but
'Viva Scottocorni' is not my language;" and the spirited little subaltern
repeated his "Excuse me," with very good temper, while one knocked off
his shako, another tugged at his coat-skirts. Wilfrid sang out to the
Guidascarpi, and the brothers sprang to him and set them free; but the
mob, like any other wild beast gorged with blood, wanted play, and urged
Barto to insist that these victims should shout the viva in exaltation of
their hero.
"Is there a finer voice than mine?" said Barto, and he roared the 'viva'
like a melodious bull. Yet Wilfrid saw that he had been recognized. In
the hour of triumph Barto Rizzo had no lust for petty vengeance. The
magnanimous devil plumped his gorge contentedly on victory. His ardour
blazed from his swarthy crimson features like a blown fire, when scouts
came running down with word that all about the Porta Camosina, Madonna
del Carmine, and the Gardens, the Austrians were reaping the white flag
of the inhabitants of that district. Thitherward his cry of "Down with
the Tedeschi!" led the boiling tide. Rinaldo drew Wilfrid and Jenna to
an open doorway, counselling the latter to strip the gold from his coat
and speak his Italian in monosyllables. A woman of the house gave her
promise to shelter and to pass them forward. Romara, Ammiani, and the
Guidascarpi, went straight to the Casa Gonfalonieri, where they hoped to
see stray members of the Council of War, and hear a correction of certain
unpleasant rumours concerning the dealings of the Provisional Government
with Charles Albert.
The first crack of a division between the patriot force and the
aristocracy commenced this day; the day following it was a breach.
A little before dusk the bells of the city ceased their hammering, and
when they ceased, all noises of men and musketry seemed childish. The
woman who had promised to lead Wilfrid and Jenna to the citadel, feared
no longer either for herself or them, and passed them on up the Corso
Francesco past the Contrada del Monte. Jenna pointed out the Duchess of
Graatli's house, saying, "By the way, the Lenkensteins are here; they
left Venice last week. Of course you know, or don't you?--and there they
must stop, I suppose." Wilfrid nodded an immediate good-bye to him, and
crossed to the house-door. His eccentric fashion of acting had given him
fame in the army, but Jenna stormed at it now, and begged him to come on
and present himself to General Schoneck, if not to General Pierson.
Wilfrid refused even to look behind him. In fact, it was a part of the
gallant fellow's coxcombry (or nationality) to play the Englishman. He
remained fixed by the housedoor till midnight, when a body of men in the
garb of citizens, volubly and violently Italian in their talk, struck
thrice at the door. Wilfrid perceived Count Lenkenstein among them.
The ladies Bianca, Anna, and Lena issued mantled and hooded between the
lights of two barricade watchfires. Wilfrid stepped after them. They
had the password, for the barricades were crossed. The captain of the
head-barricade in the Corso demurred, requiring a counter-sign.
Straightway he was cut down. He blew an alarm-call, when up sprang a
hundred torches. The band of Germans dashed at the barricade as at the
tusks of a boar. They were picked men, most of them officers, but a
scanty number in the thick of an armed populace. Wilfrid saw the lighted
passage into the great house, and thither, throwing out his arms, he bore
the affrighted group of ladies, as a careful shepherd might do.
Returning to Count Lenkenstein's side, "Where are they?" the count said,
in mortal dread. "Safe," Wilfrid replied. The count frowned at him
inquisitively. "Cut your way through, and on!" he cried to three or four
who hung near him; and these went to the slaughter.
"Why do you stand by me, sir?" said the count. Interior barricades were
pouring their combatants to the spot; Count Lenkenstein was plunged upon
the door-steps. Wilfrid gained half-a-minute's parley by shouting in his
foreign accent, "Would you hurt an Englishman?" Some one took him by the
arm, and helping to raise the count, hurried them both into the house.
"You must make excuses for popular fury in times like these," the
stranger observed.
The Austrian nobleman asked him stiffly for his name. The name of Count
Ammiani was given. "I think you know it," Carlo added.
"You escaped from your lawful imprisonment this day, did you not?--you
and your cousin, the assassin. I talk of law! I might as justly talk of
honour. Who lives here?" Carlo contained himself to answer, "The
present occupant is, I believe, if I have hit the house I was seeking,
the Countess d'Isorella."
"My family were placed here, sir?" Count Lenkenstein inquired of Wilfrid.
But Wilfrid's attention was frozen by the sight of Vittoria's lover. A
wifely call of "Adalbert" from above quieted the count's anxiety.
"Countess d'Isorella," he said. "I know that woman. She belongs to the
secret cabinet of Carlo Alberto--a woman with three edges. Did she not
visit you in prison two weeks ago? I speak to you, Count Ammiani. She
applied to the Archduke and the Marshal for permission to visit you. It
was accorded. To the devil with our days of benignity! She was from
Turin. The shuffle has made her my hostess for the nonce. I will go to
her. You, sir," the count turned to Wilfrid--"you will stay below. Are
you in the pay of the insurgents?"
Wilfrid, the weakest of human beings where women were involved with him,
did one of the hardest things which can task a young man's fortitude: he
looked his superior in the face, and neither blenched, nor frowned, nor
spoke.
Ammiani spoke for him. "There is no pay given in our ranks."
"The licence to rob is supposed to be an equivalent," said the count.
Countess d'Isorella herself came downstairs, with profuse apologies for
the absence of all her male domestics, and many delicate dimples about
her mouth in uttering them. Her look at Ammiani struck Wilfrid as having
a peculiar burden either of meaning or of passion in it. The count
grimaced angrily when he heard that his sister Lena was not yet able to
bear the fatigue of a walk to the citadel. "I fear you must all be my
guests, for an hour at least," said the countess.
Wilfrid was left pacing the hall. He thought he had never beheld so
splendid a person, or one so subjugatingly gracious. Her speech and
manner poured oil on the uncivil Austrian nobleman. What perchance had
stricken Lena?
He guessed; and guessed it rightly. A folded scrap of paper signed by
the Countess of Lenkenstein was brought to him.
It said:--"Are you making common cause with the rebels? Reply. One asks
who should be told."
He wrote:--"I am an outcast of the army. I fight as a volunteer with the
K. K. troops. Could I abandon them in their peril?"
The touch of sentiment he appended for Lena's comfort. He was too
strongly impressed by the new vision of beauty in the house for his
imagination to be flushed by the romantic posture of his devotion to a
trailing flag.
No other message was delivered. Ammiani presently descended and obtained
a guard from the barricade; word was sent on to the barricades in advance
toward the citadel. Wilfrid stood aside as Count Lenkenstein led the
ladies to the door, bearing Lena on his arm. She passed her lover
veiled. The count said, "You follow." He used the menial second person
plural of German, and repeated it peremptorily.
"I follow no civilian," said Wilfrid.
"Remember, sir, that if you are seen with arms in your hands, and are not
in the ranks, you run the chances of being hanged."
Lena broke loose from her brother; in spite of Anna's sharp remonstrance
and the count's vexed stamp of the foot, she implored her lover:--"Come
with us; pardon us; protect me--me! You shall not be treated harshly.
They shall not Oh! be near me. I have been ill; I shrink from danger.
Be near me!"
Such humble pleading permitted Wilfrid's sore spirit to succumb with the
requisite show of chivalrous dignity. He bowed, and gravely opened his
enormous umbrella, which he held up over the heads of the ladies, while
Ammiani led the way. All was quiet near the citadel. A fog of plashing
rain hung in red gloom about the many watchfires of the insurgents, but
the Austrian head-quarters lay sombre and still. Close at the gates,
Ammiani saluted the ladies. Wilfrid did the same, and heard Lena's call
to him unmoved.
"May I dare to hint to you that it would be better for you to join your
party?" said Ammiani.
Wilfrid walked on. After appearing to weigh the matter, he answered,
"The umbrella will be of no further service to them to-night."
Ammiani laughed, and begged to be forgiven; but he could have done
nothing more flattering.
Sore at all points, tricked and ruined, irascible under the sense of his
injuries, hating everybody and not honouring himself, Wilfrid was fast
growing to be an eccentric by profession. To appear cool and careless
was the great effort of his mind.
"We were introduced one day in the Piazza d'Armi," said Ammiani.
"I would have found means to convey my apologies to you for my behaviour
on that occasion, but I have been at the mercy of my enemies. Lieutenant
Pierson, will you pardon me? I have learnt how dear you and your family
should be to me. Pray, accept my excuses and my counsel. The Countess
Lena was my friend when I was a boy. She is in deep distress."
"I thank you, Count Ammiani, for your extremely disinterested advice,"
said Wilfrid; but the Italian was not cut to the quick by his irony; and
he added: "I have hoisted, you perceive, the white umbrella instead of
wearing the white coat. It is almost as good as an hotel in these times;
it gives as much shelter and nearly as much provision, and, I may say,
better attendance. Good-night. You will be at it again about daylight,
I suppose?"
"Possibly a little before," said Ammiani, cooled by the false ring of
this kind of speech.
"It's useless to expect that your infernal bells will not burst out like
all the lunatics on earth?"
"Quite useless, I fear. Good-night."
Ammiani charged one of the men at an outer barricade to follow the white
umbrella and pass it on.
He returned to the Countess d'Isorella, who was awaiting him, and alone.
This glorious head had aroused his first boyish passion. Scandal was
busy concerning the two, when Violetta d'Asola, the youthfullest widow in
Lombardy and the loveliest woman, gave her hand to Count d'Isorella, who
took it without question of the boy Ammiani. Carlo's mother assisted in
that arrangement; a maternal plot, for which he could thank her only
after he had seen Vittoria, and then had heard the buzz of whispers at
Violetta's name. Countess d'Isorella proved her friendship to have
survived the old passion, by travelling expressly from Turin to obtain
leave to visit him in prison. It was a marvellous face to look upon
between prison walls. Rescued while the soldiers were marching him to
the citadel that day, he was called by pure duty to pay his respects to
the countess as soon as he had heard from his mother that she was in the
city. Nor was his mother sorry that he should go. She had patiently
submitted to the fact of his betrothal to Vittoria, which was his
safeguard in similar perils; and she rather hoped for Violetta to wean
him from his extreme republicanism. By arguments? By influence,
perhaps. Carlo's republicanism was preternatural in her sight, and she
presumed that Violetta would talk to him discreetly and persuasively of
the noble designs of the king.
Violetta d'Isorella received him with a gracious lifting of her fingers
to his lips; congratulating him on his escape, and on the good fortune of
the day. She laughed at the Lenkensteins and the singular Englishman;
sat down to a little supper-tray, and pouted humorously as she asked him
to feed on confects and wine; the huge appetites of the insurgents had
devoured all her meat and bread.
"Why are you here?" he said.
She did well in replying boldly, "For the king."
"Would you tell another that it is for the king?"
"Would I speak to another as I speak to you?"
Ammiani inclined his head.
They spoke of the prospects of the insurrection, of the expected outbreak
in Venice, the eruption of Paris and Vienna, and the new life of Italy;
touching on Carlo Alberto to explode the truce in a laughing dissension.
At last she said seriously, "I am a born Venetian, you know; I am not
Piedmontese. Let me be sure that the king betrays the country, and I
will prefer many heads to one. Excuse me if I am more womanly just at
present. The king has sent his accredited messenger Tartini to the
Provisional Government, requesting it to accept his authority. Why not?
why not? on both sides. Count Medole gives his adhesion to the king,
but you have a Council of War that rejects the king's overtures--a revolt
within a revolt.
"It is deplorable. You must have an army. The Piedmontese once over the
Ticino, how can you act in opposition to it? You must learn to take a
master. The king is only, or he appears, tricksy because you compel him
to wind and counterplot. I swear to you, Italy is his foremost thought.
The Star of Italy sits on the Cross of Savoy."
Ammiani kept his eyelids modestly down. "Ten thousand to plead for him,
such as you!" he said. "But there is only one!"
"If you had been headstrong once upon a time, and I had been weak, you
see, my Carlo, you would have been a domestic tyrant, I a rebel. You
will not admit the existence of a virtue in an opposite opinion. Wise
was your mother when she said 'No' to a wilful boy!"
Violetta lit her cigarette and puffed the smoke lightly.
"I told you in that horrid dungeon, my Carlo Amaranto--I call you by the
old name--the old name is sweet!--I told you that your Vittoria is
enamoured of the king. She blushes like a battle-flag for the king.
I have heard her 'Viva il Re!' It was musical."
"So I should have thought."
"Ay, but my amaranto-innamorato, does it not foretell strife? Would you
ever--ever take a heart with a king's head stamped on it into your arms?"
"Give me the chance!"
He was guilty of this ardent piece of innocence though Violetta had
pitched her voice in the key significant of a secret thing belonging to
two memories that had not always flowed dividedly.
"Like a common coin?" she resumed.
"A heart with a king's head stamped on it like a common coin."
He recollected the sentence. He had once, during the heat of his grief
for Giacomo Piaveni, cast it in her teeth.
Violetta repeated it, as to herself, tonelessly; a method of making an
old unkindness strike back on its author with effect.
"Did we part good friends? I forget," she broke the silence.
"We meet, and we will be the best of friends," said Ammiani.
"Tell your mother I am not three years older than her son,--I am thirty.
Who will make me young again? Tell her, my Carlo, that the genius for
intrigue, of which she accuses me, develops at a surprising rate. As
regards my beauty," the countess put a tooth of pearl on her soft under
lip.
Ammiani assured her that he would find words of his own for her beauty.
"I hear the eulogy, I know the sonnet," said Violetta, smiling, and
described the points of a brunette: the thick black banded hair, the full
brown eyes, the plastic brows couching over them;--it was Vittoria's
face: Violetta was a flower of colour, fair, with but one shade of dark
tinting on her brown eye-brows and eye-lashes, as you may see a strip of
night-cloud cross the forehead of morning. She was yellow-haired, almost
purple-eyed, so rich was the blue of the pupils. Vittoria could be
sallow in despondency; but this Violetta never failed in plumpness and
freshness. The pencil which had given her aspect the one touch of
discord, endowed it with a subtle harmony, like mystery; and Ammiani
remembered his having stood once on the Lido of Venice, and eyed the dawn
across the Adriatic, and dreamed that Violetta was born of the loveliness
and held in her bosom the hopes of morning. He dreamed of it now,
feeling the smooth roll of a torrent.
A cry of "Arms!" rang down the length of the Corso.
He started to his feet thankfully.
"Take me to your mother," she said. "I loathe to hear firing and be
alone."
Ammiani threw up the window. There was a stir of lamps and torches
below, and the low sky hung red. Violetta stood quickly thick-shod and
hooded.
"Your mother will admit my companionship, Carlo?"
"She desires to thank you."
"She has no longer any fear of me?"
"You will find her of one mind with you."
"Concerning the king!"
"I would say, on most subjects."
"But that you do not know my mind! You are modest. Confess that you are
thinking the hour you have passed with me has been wasted."
"I am, now I hear the call to arms."
"If I had all the while entertained you with talk of your Vittoria! It
would not have been wasted then, my amaranto. It is not wasted for me.
If a shot should strike you--"
"Tell her I died loving her with all my soul!" cried Ammiani.
Violetta's frame quivered as if he had smitten her.
They left the house. Countess Ammiani's door was the length of a
barricade distant: it swung open to them, like all the other house-doors
which were, or wished to be esteemed, true to the cause, and hospitable
toward patriots.
"Remember, when you need a refuge, my villa is on Lago Maggiore,"
Violetta said, and kissed her finger-tips to him.
An hour after, by the light of this unlucky little speech, he thought of
her as a shameless coquette. "When I need a refuge? Is not Milan in
arms?--Italy alive? She considers it all a passing epidemic; or,
perhaps, she is to plead for me to the king!"
That set him thinking moodily over the things she had uttered of
Vittoria's strange and sudden devotion to the king.
Rainy dawn and the tongues of the churches ushered in the last day of
street fighting. Ammiani found Romara and Colonel Corte at the head of
strong bodies of volunteers, well-armed, ready to march for the Porta
'rosa. All three went straight to the house where the Provisional
Government sat, and sword in hand denounced Count Medole as a traitor who
sold his country to the king. Corte dragged him to the window to hear
the shouts for the Republic. Medole wrote their names down one by one,
and said, "Shall I leave the date vacant?" They put themselves at the
head of their men, and marched in the ringing of the bells. The bells
were their sacro-military music. Barto Rizzo was off to make a spring at
the Porta Ticinese. Students, peasants, noble youths of the best blood,
old men and young women, stood ranged in the drenching rain, eager to
face death for freedom. At mid-day the bells were answered by cannon and
the blunt snap of musketry volleys; dull, savage responses, as of a
wounded great beast giving short howls and snarls by the interminable
over-roaring of a cataract. Messengers from the gates came running to
the quiet centre of the city, where cool men discoursed and plotted.
Great news, big lies, were shouted:--Carlo Alberto thundered in the
plains; the Austrians were everywhere retiring; the Marshal was a
prisoner; the flag of surrender was on the citadel! These things were
for the ears of thirsty women, diplomatists, and cripples.
Countess Ammiani and Countess d'Isorella sat together throughout the
agitation of the day.
The life prayed for by one seemed a wisp of straw flung on this humming
furnace.
Countess Ammiani was too well used to defeat to believe readily in
victory, and had shrouded her head in resignation too long to hope for
what she craved. Her hands were joined softly in her lap. Her visage
had the same unmoved expression when she conversed with Violetta as when
she listened to the ravings of the Corso.
Darkness came, and the bells ceased not rolling by her open windows: the
clouds were like mists of conflagration.
She would not have the windows closed. The noise of the city had become
familiar and akin to the image of her boy. She sat there cloaked.
Her heart went like a time-piece to the two interrogations to heaven:
"Alive?--or dead?"
The voice of Luciano Romara was that of an angel's answering. He entered
the room neat and trim as a cavalier dressed for social evening duty,
saying with his fine tact, "We are all well;" and after talking like a
gazette of the Porta Tosa taken by the volunteers, Barto Rizzo's
occupation of the gate opening on the Ticino, and the bursting of the
Porta Camosina by the freebands of the plains, he handed a letter to
Countess Ammiani.
"Carlo is on the march to Bergamo and Brescia, with Corte, Sana, and
about fifty of our men," he said.
"And is wounded--where?" asked Violetta.
"Slightly in the hand--you see, he can march," Romara said, laughing at
her promptness to suspect a subterfuge, until he thought, "Now, what does
this mean, madam?"
A lamp was brought to Countess Ammiani. She read:
"MY MOTHER!
"Cotton-wool on the left fore-finger. They deigned to give me no
other memorial of my first fight. I am not worthy of papa's two
bullets. I march with Corte and Sana to Brescia. We keep the
passes of the Tyrol. Luciano heads five hundred up to the hills
to-morrow or next day. He must have all our money. Then go from
door to door and beg subscriptions. Yes, my Chief! it is to be
like God, and deserving of his gifts to lay down all pride, all
wealth. This night send to my betrothed in Turin. She must be with
no one but my mother. It is my command. Tell her so. I hold
imperatively to it.
"I breathe the best air of life. Luciano is a fine leader in
action, calm as in a ball-room. What did I feel? I will talk of it
with you by-and-by;--my father whispered in my ears; I felt him at
my right hand. He said, 'I died for this day.' I feel now that I
must have seen him. This is imagination. We may say that anything
is imagination. I certainly heard his voice. Be of good heart, my
mother, for I can swear that the General wakes up when I strike
Austrian steel. He loved Brescia; so I go there. God preserve my
mother! The eyes of heaven are wide enough to see us both.
Vittoria by your side, remember! It is my will.
"CARLO."
Countess Ammiani closed her eyes over the letter, as in a dead sleep.
"He is more his father than himself, and so suddenly!" she said. She was
tearless. Violetta helped her to her bed-room under the pretext of a
desire to hear the contents of the letter.
That night, which ended the five days of battle in Milan, while fires
were raging at many gates, bells were rolling over the roof-tops, the
army of Austria coiled along the North-eastern walls of the city, through
rain and thick obscurity, and wove its way like a vast worm into the
outer land.
CHAPTER XXXI
EPISODES OF THE REVOLT AND THE WAR
VITTORIA DISOBEYS HER LOVER
Countess d'Isorella's peculiar mission to Milan was over with the victory
of the city. She undertook personally to deliver Carlo's injunction to
Vittoria on her way to the king. Countess Ammiani deemed it sufficient
that her son's wishes should be repeated verbally; and as there appeared
to be no better messenger than one who was bound for Turin and knew
Vittoria's place of residence, she entrusted the duty to Violetta.
The much which hangs on little was then set in motion:
Violetta was crossing the Ticino when she met a Milanese nobleman who had
received cold greeting from the king, and was returning to Milan with
word that the Piedmontese declaration of war against Austria had been
signed. She went back to Milan, saw and heard, and gathered a burden for
the royal ears. This was a woman, tender only to the recollection of
past days, who used her beauty and her arts as weapons for influence.
She liked kings because she saw neither master nor dupe in a republic;
she liked her early lover because she could see nothing but a victim in
any new one. She was fond of Carlo, as greatly occupied minds may be
attached to an old garden where they have aforetime sown fair seed.
Jealousy of a rival in love that was disconnected with political business
and her large expenditure, had never yet disturbed the lady's nerves.
At Turin she found Vittoria singing at the opera, and winning marked
applause from the royal box. She thought sincerely that to tear a prima
donna from her glory would be very much like dismissing a successful
General to his home and gabbling family. A most eminent personage agreed
with her. Vittoria was carelessly informed that Count Ammiani had gone
to Brescia, and having regard for her safety, desired her to go to Milan
to be under the protection of his mother, and that Countess Ammiani was
willing to receive her.
Now, with her mother, and her maid Giacinta, and Beppo gathered about
her, for three weeks Vittoria had been in full operatic career, working,
winning fame, believing that she was winning influence, and establishing
a treasury. The presence of her lover in Milan would have called her to
the noble city; but he being at Brescia, she asked herself why she should
abstain from labours which contributed materially to the strength of the
revolution and made her helpful. It was doubtful whether Countess
Ammiani would permit her to sing at La Scala; or whether the city could
support an opera in the throes of war. And Vittoria was sending money to
Milan. The stipend paid to her by the impresario, the jewels, the big
bouquets--all flowed into the treasury of the insurrection. Antonio-
Pericles advanced her a large sum on the day when the news of the
Milanese uprising reached Turin: the conditions of the loan had simply
been that she should continue her engagement to sing in Turin. He was
perfectly slavish to her, and might be trusted to advance more. Since
the great night at La Scala, she had been often depressed by a secret
feeling that there was divorce between her love of her country and
devotion to her Art. Now that both passions were in union, both active,
each aiding the fire of the other, she lived a consummate life. She
could not have abandoned her path instantly though Carlo had spoken his
command to her in person. Such were her first spontaneous seasonings,
and Laura Piaveni seconded them; saying, "Money, money! we must be Jews
for money. We women are not allowed to fight, but we can manage to
contribute our lire and soldi; we can forge the sinews of war."
Vittoria wrote respectfully to Countess Ammiani stating why she declined
to leave Turin. The letter was poorly worded. While writing it she had
been taken by a sentiment of guilt and of isolation in presuming to
disobey her lover. "I am glad he will not see it," she remarked to
Laura, who looked rapidly across the lines, and said nothing. Praise of
the king was in the last sentence. Laura's eyes lingered on it half-a-
minute.
"Has he not drawn his sword? He is going to march," said Vittoria.
"Oh, yes," Laura replied coolly; "but you put that to please Countess
Ammiani."
Vittoria confessed she had not written it purposely to defend the king.
"What harm?" she asked.
"None. Only this playing with shades allows men to call us hypocrites."
The observation angered Vittoria. She had seen the king of late; she had
breathed Turin incense and its atmosphere; much that could be pleaded on
the king's behalf she had listened to with the sympathetic pity which can
be woman's best judgement, and is the sentiment of reason. She had also
brooded over the king's character, and had thought that if the Chief
could have her opportunities for studying this little impressible, yet
strangely impulsive royal nature, his severe condemnation of him would be
tempered. In fact, she was doing what makes a woman excessively tender
and opinionated; she was petting her idea of the misunderstood one: she
was thinking that she divined the king's character by mystical intuition;
I will dare to say, maternally apprehended it. And it was a character
strangely open to feminine perceptions, while to masculine comprehension
it remained a dead blank, done either in black or in white.
Vittoria insisted on praising the king to Laura.
"With all my heart," Laura said, "so long as he is true to Italy."
"How, then, am I hypocritical?"
"My Sandra, you are certainly perverse. You admitted that you did
something for the sake of pleasing Countess Ammiani."
"I did. But to be hypocritical one must be false."
"Oh!" went Laura.
"And I write to Carlo. He does not care for the king; therefore it is
needless for me to name the king to him; and I shall not."
Laura said, "Very well." She saw a little deeper than the perversity,
though she did not see the springs. In Vittoria's letter to her lover,
she made no allusion to the Sword of Italy.
Countess Ammiani forwarded both letters on to Brescia.
When Carlo had finished reading them, he heard all Brescia clamouring
indignantly at the king for having disarmed volunteers on Lago Maggiore
and elsewhere in his dominions. Milan was sending word by every post of
the overbearing arrogance of the Piedmontese officers and officials, who
claimed a prostrate submission from a city fresh with the ardour of the
glory it had won for itself, and that would fain have welcomed them as
brothers. Romara and others wrote of downright visible betrayal. It was
a time of passions;--great readiness for generosity, equal promptitude
for undiscriminating hatred. Carlo read Vittoria's praise of the king
with insufferable anguish. "You--you part of me, can write like this!"
he struck the paper vehemently. The fury of action transformed the
gentle youth. Countess Ammiani would not have forwarded the letter
addressed to herself had she dreamed the mischief it might do. Carlo
saw double-dealing in the absence of any mention of the king in his own
letter.
"Quit Turin at once," he dashed hasty lines to Vittoria; "and no
'Viva il Re' till we know what he may merit. Old delusions are
pardonable; but you must now look abroad with your eyes. Your words
should be the echoes of my soul. Your acts are mine. For the sake
of the country, do nothing to fill me with shame. The king is a
traitor. I remember things said of him by Agostino; I subscribe to
them every one. Were you like any other Italian girl, you might cry
for him--who would care! But you are Vittoria. Fly to my mother's
arms, and there rest. The king betrays us. Is a stronger word
necessary? I am writing too harshly to you;--and here are the lines
of your beloved letter throbbing round me while I write; but till
the last shot is fired I try to be iron, and would hold your hand
and not kiss it--not be mad to fall between your arms--not wish for
you--not think of you as a woman, as my beloved, as my Vittoria; I
hope and pray not, if I thought there was an ace of work left to do
for the country. Or if one could say that you cherished a shred of
loyalty for him who betrays it. Great heaven! am I to imagine that
royal flatteries----- My hand is not my own! You shall see all that
it writes. I will seem to you no better than I am. I do not tell
you to be a Republican, but an Italian. If I had room for myself in
my prayers--oh! one half-instant to look on you, though with chains
on my limbs. The sky and the solid ground break up when I think of
you. I fancy I am still in prison. Angelo was music to me for two
whole days (without a morning to the first and a night to the
second). He will be here to-morrow and talk of you again. I long
for him more than for battle--almost long for you more than for
victory for our Italy.
"This is Brescia, which my father said he loved better than his
wife.
"General Paolo Ammiani is buried here. I was at his tombstone this
morning. I wish you had known him.
"You remember, we talked of his fencing with me daily. 'I love the
fathers who do that.' You said it. He will love you. Death is the
shadow--not life. I went to his tomb. It was more to think of
Brescia than of him. Ashes are only ashes; tombs are poor places.
My soul is the power.
"If I saw the Monte Viso this morning, I saw right over your head
when you were sleeping.
"Farewell to journalism--I hope, for ever. I jump at shaking off
the journalistic phraseology Agostino laughs at. Yet I was right in
printing my 'young nonsense.' I did, hold the truth, and that was
felt, though my vehicle for delivering it was rubbish.
"In two days Corte promises to sing his song, 'Avanti.' I am at his
left hand. Venice, the passes of the Adige, the Adda, the Oglio are
ours. The room is locked; we have only to exterminate the reptiles
inside it. Romara, D'Arci, Carnischi march to hold the doors.
Corte will push lower; and if I can get him to enter the plains and
join the main army I shall rejoice."
The letter concluded with a postscript that half an Italian regiment,
with white coats swinging on their bayonet-points, had just come in.
It reached Vittoria at a critical moment.
Two days previously, she and Laura Piaveni had talked with the king.
It was an unexpected honour. Countess, d'Isorella conducted them to the
palace. The lean-headed sovereign sat booted and spurred, his sword
across his knees; he spoke with a peculiar sad hopefulness of the
prospects of the campaign, making it clear that he was risking more than
anyone risked, for his stake was a crown. The few words he uttered of
Italy had a golden ring in them; Vittoria knew not why they had it. He
condemned the Republican spirit of Milan more regretfully than severely.
The Republicans were, he said, impracticable. Beyond the desire for
change, they knew not what they wanted. He did not state that he should
avoid Milan in his march. On the contrary, he seemed to indicate that he
was about to present himself to the people of Milan. "To act against the
enemy successfully, we must act as one, under one head, with one aim."
He said this, adding that no heart in Italy had yearned more than his own
for the signal to march for the Mincio and the Adige.
Vittoria determined to put him to one test. She summoned her boldness to
crave grace for Agostino Balderini to return to Piedmont. The petition
was immediately granted. Alluding to the libretto of Camilla, the king
complimented Vittoria for her high courage on the night of the Fifteenth
of the foregoing year. "We in Turin were prepared, though we had only
then the pleasure of hearing of you," he said.
"I strove to do my best to help. I wish to serve our cause now," she
replied, feeling an inexplicable new sweetness running in her blood.
He asked her if she did not know that she had the power to move
multitudes.
"Sire, singing appears so poor a thing in time of war."
He remarked that wine was good for soldiers, singing better, such a voice
as hers best of all.
For hours after the interview, Vittoria struggled with her deep blushes.
She heard the drums of the regiments, the clatter of horses, the bugle-
call of assembly, as so many confirmatory notes that it was a royal hero
who was going forth.
"He stakes a crown," she said to Laura.
"Tusk! it tumbles off his head if he refuses to venture something," was
Laura's response.
Vittoria reproached her for injustice.
"No," Laura said; "he is like a young man for whom his mother has made a
match. And he would be very much in love with his bride if he were quite
certain of winning her, or rather, if she would come a little more than
halfway to meet him. Some young men are so composed. Genoa and Turin
say, 'Go and try.' Milan and Venice say, 'Come and have faith in us.' My
opinion is that he is quite as much propelled as attracted."
"This is shameful," said Vittoria.
"No; for I am quite willing to suspend my judgement. I pray that fortune
may bless his arms. I do think that the stir of a campaign, and a
certain amount of success will make him in earnest."
"Can you look on his face and not see pure enthusiasm?"
"I see every feminine quality in it, my dear."
"What can it be that he is wanting in?"
"Masculine ambition."
"I am not defending him," said Vittoria hastily.
"Not at all; and I am not attacking him. I can excuse his dread of
Republicanism. I can fancy that there is reason for him just now to fear
Republicanism worse than Austria. Paris and Milan are two grisly
phantoms before him. These red spectres are born of earthquake, and are
more given to shaking thrones than are hostile cannonshot. Earthquakes
are dreadfuller than common maladies to all of us. Fortune may help him,
but he has not the look of one who commands her. The face is not
aquiline. There's a light over him like the ray of a sickly star."
"For that reason!" Vittoria burst out.
"Oh, for that reason we pity men, assuredly, my Sandra, but not kings.
Luckless kings are not generous men, and ungenerous men are mischievous
kings."
"But if you find him chivalrous and devoted; if he proves his noble
intentions, why not support him?"
"Dandle a puppet, by all means," said Laura.
Her intellect, not her heart, was harsh to the king; and her heart was
not mistress of her intellect in this respect, because she beheld riding
forth at the head of Italy one whose spirit was too much after the
pattern of her supple, springing, cowering, impressionable sex,
alternately ardent and abject, chivalrous and treacherous, and not to be
confided in firmly when standing at the head of a great cause.
Aware that she was reading him very strictly by the letters of his past
deeds, which were not plain history to Vittoria, she declared that she
did not countenance suspicion in dealing with the king, and that it would
be a delight to her to hear of his gallant bearing on the battle-field.
"Or to witness it, my Sandra, if that were possible;--we two! For,
should he prove to be no General, he has the courage of his family."
Vittoria took fire at this. "What hinders our following the army?"
"The less baggage the better, my dear."
"But the king said that my singing--I have no right to think it myself."
Vittoria concluded her sentence with a comical intention of humility.
"It was a pretty compliment," said Laura. "You replied that singing is a
poor thing in time of war, and I agree with you. We might serve as
hospital nurses."
"Why do we not determine?"
"We are only considering possibilities."
"Consider the impossibility of our remaining quiet."
"Fire that goes to flame is a waste of heat, my Sandra."
The signora, however, was not so discreet as her speech. On all sides
there was uproar and movement. High-born Italian ladies were offering
their hands for any serviceable work. Laura and Vittoria were not alone
in the desire which was growing to be resolution to share the hardships
of the soldiers, to cherish and encourage them, and by seeing, to have
the supreme joy of feeling the blows struck at the common enemy.
The opera closed when the king marched. Carlo Ammiani's letter was
handed to Vittoria at the fall of the curtain on the last night.
Three paths were open to her: either that she should obey her lover,
or earn an immense sum of money from Antonio-Pericles by accepting an
immediate engagement in London, or go to the war. To sit in submissive
obedience seemed unreasonable; to fly from Italy impossible. Yet the
latter alternative appealed strongly to her sense of duty, and as it
thereby threw her lover's commands into the background, she left it to
her heart to struggle with Carlo, and thought over the two final
propositions. The idea of being apart from Italy while the living
country streamed forth to battle struck her inflamed spirit like the
shock of a pause in martial music. Laura pretended to take no part
in Vittoria's decision, but when it was reached, she showed her a
travelling-carriage stocked with lint and linen, wine in jars, chocolate,
cases of brandy, tea, coffee, needles, thread, twine, scissors, knives;
saying, as she displayed them, "there, my dear, all my money has gone in
that equipment, so you must pay on the road."
"This doesn't leave me a choice, then," said Victoria, joining her
humour.
"Ah, but think over it," Laura suggested.
"No! not think at all," cried Vittoria.
"You do not fear Carlo's anger?"
"If I think, I am weak as water. Let us go."
Countess d'Isorella wrote to Carlo: "Your Vittoria is away after the king
to Pavia. They tell me she stood up in her carriage on the Ponte del Po
-'Viva il Re d'Italia!' waving the cross of Savoy. As I have previously
assured you, no woman is Republican. The demonstration was a mistake.
Public characters should not let their personal preferences betrumpeted:
a diplomatic truism:--but I must add, least of all a cantatrice for a
king. The famous Greek amateur--the prop of failing finances--is after
her to arrest her for breach of engagement. You wished to discover an
independent mind in a woman, my Carlo; did you not? One would suppose
her your wife--or widow. She looked a superb thing the last night she
sang. She is not, in my opinion, wanting in height. If, behind all that
innocence and candour, she has any trained artfulness, she will beat us
all. Heaven bless your arms!"
The demonstration mentioned by the countess had not occurred.
Vittoria's letter to her lover missed him. She wrote from Pavia, after
she had taken her decisive step.
Carlo Ammiani went into the business of the war with the belief that his
betrothed had despised his prayer to her.
He was under Colonel Corte, operating on the sub-Alpine range of hills
along the line of the Chiese South-eastward. Here the volunteers, formed
of the best blood of Milan, the gay and brave young men, after marching
in the pride of their strength to hold the Alpine passes and bar Austria
from Italy while the fight went on below, were struck by a sudden
paralysis. They hung aloft there like an arm cleft from the body.
Weapons, clothes, provisions, money, the implements of war, were
withheld from them. The Piedmontese officers despatched to watch their
proceedings laughed at them like exasperating senior scholars examining
the accomplishments of a lower form. It was manifest that Count Medole
and the Government of Milan worked everywhere to conquer the people for
the king before the king had done a stroke to conquer the Austrians for
the people; while, in order to reduce them to the condition of
Piedmontese soldiery, the flame of their patriotic enthusiasm was
systematically damped, and instead of apprentices in war, who possessed
at any rate the elementary stuff of soldiers, miserable dummies were
drafted into the royal service. The Tuscans and the Romans had good
reason to complain on behalf of their princes, as had the Venetians and
the Lombards for the cause of their Republic. Neither Tuscans, Romans,
Venetians, nor Lombards were offering up their lives simply to obtain a
change of rulers; though all Italy was ready to bow in allegiance to a
king of proved kingly quality. Early in the campaign the cry of treason
was muttered, and on all sides such became the temper of the Alpine
volunteers, that Angelo and Rinaldo Guidascarpi were forced to join their
cousin under Corte, by the dispersion of their band, amounting to
something more than eighteen hundred fighting lads, whom a Piedmontese
superior officer summoned peremptorily to shout for the king. They
thundered as one voice for the Italian Republic, and instantly broke up
and disbanded. This was the folly of the young: Carlo Ammiani confessed
that it was no better; but he knew that a breath of generous confidence
from the self-appointed champion of the national cause would have subdued
his impatience at royalty and given heart and cheer to his sickening
comrades. He began to frown angrily when he thought of Vittoria. "Where
is she now?--where now?" he asked himself in the season of his most
violent wrath at the king. Her conduct grew inseparable in his mind from
the king's deeds. The sufferings, the fierce irony, the very deaths of
the men surrounding him in aims, rose up in accusation against the woman
he loved.
CHAPTER XXXI
EPISODES OF THE REVOLT AND THE WAR
THE TREACHERY OF PERICLES--THE WHITE UMBRELLA--THE DEATH OF RINALDO
GUIDASCARPI
The king crossed the Mincio. The Marshal, threatened on his left flank,
drew in his line from the farther Veronese heights upon a narrowed battle
front before Verona. Here they manoeuvred, and the opening successes
fell to the king. Holding Peschiera begirt, with one sharp passage of
arms he cleared the right bank of the Adige and stood on the semicircle
of hills, master of the main artery into Tyrol.
The village of Pastrengo has given its name to the day. It was a day of
intense heat coming after heavy rains. The arid soil steamed; the white
powder-smoke curled in long horizontal columns across the hazy ring of
the fight. Seen from a distance it was like a huge downy ball, kicked
this way and that between the cypresses by invisible giants. A pair of
eager-eyed women gazing on a battle-field for the first time could but
ask themselves in bewilderment whether the fate of countries were verily
settled in such a fashion. Far in the rear, Vittoria and Laura heard the
cannon-shots; a sullen dull sound, as of a mallet striking upon rotten
timber. They drove at speed. The great thumps became varied by musketry
volleys, that were like blocks of rockboulder tumbled in the roll of a
mountain torrent. These, then, were the voices of Italy and Austria
speaking the devilish tongue of the final alternative. Cannon, rockets,
musketry, and now the run of drums, now the ring of bugles, now the tramp
of horses, and the field was like a landslip. A joyful bright black
death-wine seemed to pour from the bugles all about. The women strained
their senses to hear and see; they could realize nothing of a reality so
absolute; their feelings were shattered, and crowded over them in
patches;--horror, glory, panic, hope, shifted lights within their bosoms.
The fascination and repulsion of the image of Force divided them. They
feared; they were prostrate; they sprang in praise. The image of Force
was god and devil to their souls. They strove to understand why the
field was marked with blocks of men who made a plume of vapour here, and
hurried thither. The action of their intellects resolved to a blank
marvel at seeing an imminent thing--an interrogation to almighty heaven
treated with method, not with fury streaming forward. Cleave the
opposing ranks! Cry to God for fire? Cut them through! They had come
to see the Song of Deborah performed before their eyes, and they
witnessed only a battle. Blocks of infantry gathered densely, thinned to
a line, wheeled in column, marched: blocks of cavalry changed posts:
artillery bellowed from one spot and quickly selected another. Infantry
advanced in the wake of tiny smokepuffs, halted, advanced again, rattled
files of shots, became struck into knots, faced half about as from a blow
of the back of a hand, retired orderly. Cavalry curved like a flickering
scimetar in their rear; artillery plodded to its further station.
Innumerable tiny smoke-puffs then preceded a fresh advance of infantry.
The enemy were on the hills and looked mightier, for they were revealed
among red flashes of their guns, and stood partly visible above clouds of
hostile smoke and through clouds of their own, which grasped viscously by
the skirts of the hills. Yet it seemed a strife of insects, until, one
by one, soldiers who had gone into yonder white pit for the bloody kiss
of death, and had got it on their faces, were borne by Vittoria and Laura
knelt in this horrid stream of mortal anguish to give succour from their
stores in the carriage. Their natural emotions were distraught. They
welcomed the sight of suffering thankfully, for the poor blotted faces
were so glad at sight of them. Torture was their key to the reading of
the battle. They gazed on the field no longer, but let the roaring wave
of combat wash up to them what it would.
The hill behind Pastrengo was twice stormed. When the bluecoats first
fell back, a fine charge of Piedmontese horse cleared the slopes for a
second effort, and they went up and on, driving the enemy from hill to
hill. The Adige was crossed by the Austrians under cover of Tyrolese
rifleshots.
Then, with Beppo at their heels, bearing water, wine, and brandy, the
women walked in the paths of carnage, and saw the many faces of death.
Laura whispered strangely, "How light-hearted they look!" The wounded
called their comforters sweet names. Some smoked and some sang, some
groaned; all were quick to drink. Their jokes at the dead were
universal. They twisted their bodies painfully to stick a cigar between
dead lips, and besprinkle them with the last drops of liquor in their
cups, laughing a benediction. These scenes put grievous chains on
Vittoria's spirit, but Laura evidently was not the heavier for them.
Glorious Verona shone under the sunset as their own to come; Peschiera,
on the blue lake, was in the hollow of their hands. "Prizes worth any
quantity of blood," said Laura. Vittoria confessed that she had seen
enough of blood, and her aspect provoked Laura to utter, "For God's sake,
think of something miserable;--cry, if you can!"
Vittoria's underlip dropped sickly with the question, "Why?"
Laura stated the physical necessity with Italian naivete.
"If I can," said Vittoria, and blinked to get a tear; but laughter helped
as well to relieve her, and it came on their return to the carriage.
They found the spy Luigi sitting beside the driver. He informed them
that Antonio-Pericles had been in the track of the army ever since their
flight from Turin; daily hurrying off with whip of horses at the sound of
cannon-shot, and gradually stealing back to the extreme rear. This day
he had flown from Oliosi to Cavriani, and was, perhaps, retracing his way
already as before, on fearful toe-tips. Luigi acted the caution of one
who stepped blindfolded across hot iron plates. Vittoria, without a
spark of interest, asked why the Signor Antonio should be following the
army.
"Why, it's to find you, signorina."
Luigi's comical emphasis conjured up in a jumbled picture the devotion,
the fury, the zeal, the terror of Antonio-Pericles--a mixture of
demoniacal energy and ludicrous trepidation. She imagined his long
figure, fantastical as a shadow, off at huge strides, and back, with eyes
sliding swiftly to the temples, and his odd serpent's head raised to peer
across the plains and occasionally to exclaim to the reasonable heavens
in anger at men and loathing of her. She laughed ungovernably. Luigi
exclaimed that, albeit in disgrace with the signor Antonio, he had been
sent for to serve him afresh, and had now been sent forward to entreat
the gracious signorina to grant her sincerest friend and adorer an
interview. She laughed at Pericles, but in truth she almost loved the
man for his worship of her Art, and representation of her dear peaceful
practice of it.
The interview between them took place at Oliosi. There, also, she met
Georgiana Ford, the half-sister of Merthyr Powys, who told her that
Merthyr and Augustus Gambier were in the ranks of a volunteer contingent
in the king's army, and might have been present at Pastrengo. Georgiana
held aloof from battle-fields, her business being simply to serve as
Merthyr's nurse in case of wounds, or to see the last of him in case of
death. She appeared to have no enthusiasm. She seconded strongly the
vehement persuasions addressed by Pericles to Vittoria. Her disapproval
of the presence of her sex on fields of battle was precise. Pericles had
followed the army to give Vittoria one last chance, he said, and drag her
away from this sick country, as he called it, pointing at the dusty land
from the windows of the inn. On first seeing her he gasped like one who
has recovered a lost thing. To Laura he was a fool; but Vittoria enjoyed
his wildest outbursts, and her half-sincere humility encouraged him to
think that he had captured her at last. He enlarged on the perils
surrounding her voice in dusty bellowing Lombardy, and on the ardour of
his friendship in exposing himself to perils as tremendous, that he might
rescue her. While speaking he pricked a lively ear for the noise of
guns, hearing a gun in everything, and jumping to the window with horrid
imprecations. His carriage was horsed at the doors below. Let the
horses die, he said, let the coachman have sun-stroke. Let hundreds
perish, if Vittoria would only start in an hour-in two--to-night--to-
morrow.
"Because, do you see,"--he turned to Laura and Georgiana, submitting to
the vexatious necessity of seeming reasonable to these creatures,--"she
is a casket for one pearl. It is only one, but it is ONE, mon Dieu! and
inscrutable heaven, mesdames, has made the holder of it mad. Her voice
has but a sole skin; it is not like a body; it bleeds to death at a
scratch. A spot on the pearl, and it is perished--pfoof! Ah, cruel
thing! impious, I say. I have watched, I have reared her. Speak to me
of mothers! I have cherished her for her splendid destiny--to see it go
down, heels up, among quarrels of boobies! Yes; we have war in Italy.
Fight! Fight in this beautiful climate that you may be dominated by a
blue coat, not by a white coat. We are an intelligent race; we are a
civilized people; we will fight for that. What has a voice of the very
heavens to do with your fighting? I heard it first in England, in a
firwood, in a month of Spring, at night-time, fifteen miles and a quarter
from the city of London--oh, city of peace! Sandra you will come there.
I give you thousands additional to the sum stipulated. You have no
rival. Sandra Belloni! no rival, I say"--he invoked her in English,
"and you hear--you, to be a draggle-tail vivandiere wiz a brandy-bottle
at your hips and a reputation going like ze brandy. Ah! pardon,
mesdames; but did mankind ever see a frenzy like this girl's? Speak,
Sandra. I could cry it like Michiella to Camilla--Speak!"
Vittoria compelled him to despatch his horses to stables. He had relays
of horses at war-prices between Castiglione and Pavia, and a retinue of
servants; nor did he hesitate to inform the ladies that, before
entrusting his person to the hazards of war, he had taken care to be
provided with safe-conduct passes for both armies, as befitted a prudent
man of peace--"or sense; it is one, mesdames."
Notwithstanding his terror at the guns, and disgust at the soldiery and
the bad fare at the inn, Vittoria's presence kept him lingering in this
wretched place, though he cried continually, "I shall have heart-
disease." He believed at first that he should subdue her; then it became
his intention to carry her off.
It was to see Merthyr that she remained. Merthyr came there the day
after the engagement at Santa Lucia. They had not met since the days at
Meran. He was bronzed, and keen with strife, and looked young, but spoke
not over-hopefully. He scolded her for wishing to taste battle, and
compared her to a bad swimmer on deep shores. Pericles bounded with
delight to hear him, and said he had not supposed there was so much sense
in Powys. Merthyr confessed that the Austrians had as good as beaten
them at Santa Lucia. The tactical combinations of the Piedmontese were
wretched. He was enamoured of the gallantly of the Duke of Savoy, who
had saved the right wing of the army from rout while covering the
backward movement. Why there had been any fight at all at Santa Lucia,
where nothing was to be gained, much to be lost, he was incapable of
telling; but attributed it to an antique chivalry on the part of the
king, that had prompted the hero to a trial of strength, a bout of blood-
letting.
"You do think he is a hero?" said Vittoria.
"He is; and he will march to Venice."
"And open the opera at Venice," Pericles sneered. "Powys, mon cher, cure
her of this beastly dream. It is a scandal to you to want a woman's
help. You were defeated at Santa Lucia. I say bravo to anything that
brings you to reason. Bravo! You hear me."
The engagement at Santa Lucia was designed by the king to serve as an
instigating signal for the Veronese to rise in revolt; and this was the
secret of Charles Albert's stultifying manoeuvres between Peschiera and
Mantua. Instead of matching his military skill against the wary old
Marshal's, he was offering incentives to conspiracy. Distrusting the
revolution, which was a force behind him, he placed such reliance on its
efforts in his front as to make it the pivot of his actions.
"The volunteers North-east of Vicenza are doing the real work for us, I
believe," said Merthyr; and it seemed so then, as it might have been
indeed, had they not been left almost entirely to themselves to do it.
These tidings of a fight lost set Laura and Vittoria quivering with
nervous irritation. They had been on the field of Pastrengo, and it was
won. They had been absent from Santa Lucia. What was the deduction?
Not such as reason would have made for them; but they were at the mercy
of the currents of the blood. "Let us go on," said Laura. Merthyr
refused to convoy them. Pericles drove with him an hour on the road, and
returned in glee, to find Vittoria and Laura seated in their carriage,
and Luigi scuffling with Beppo.
"Padrone, see how I assist you," cried Luigi.
Upon this Beppo instantly made a swan's neck of his body and trumpeted:
"A sally from the fortress for forage."
"Whip! whip!" Pericles shouted to his coachman, and the two carriages
parted company at the top of their speed.
Pericles fell a victim to a regiment of bersaglieri that wanted horses,
and unceremoniously stopped his pair and took possession of them on the
route for Peschiera. He was left in a stranded carriage between a dusty
ditch and a mulberry bough. Vittoria and Laura were not much luckier.
They were met by a band of deserters, who made no claim upon the horses,
but stood for drink, and having therewith fortified their fine opinion of
themselves, petitioned for money. A kiss was their next demand. Money
and good humour saved the women from indignity. The band of rascals went
off with a 'Viva l'Italia.' Such scum is upon every popular rising, as
Vittoria had to learn. Days of rain and an incomprehensible inactivity
of the royal army kept her at a miserable inn, where the walls were bare,
the cock had crowed his last. The guns of Peschiera seemed to roam over
the plain like an echo unwillingly aroused that seeks a hollow for its
further sleep. Laura sat pondering for hours, harsh in manner, as if she
hated her. "I think," she said once, "that women are those persons who
have done evil in another world: "The "why?" from Vittoria was uttered
simply to awaken friendly talk, but Laura relapsed into her gloom. A
village priest, a sleek gentle creature, who shook his head to earth when
he hoped, and filled his nostrils with snuff when he desponded, gave them
occasional companionship under the title of consolation. He wished the
Austrians to be beaten, remarking, however, that they were good
Catholics, most fervent Catholics. As the Lord decided, so it would end!
"Oh, delicious creed!" Laura broke out: "Oh, dear and sweet doctrine!
that results and developments in a world where there is more evil than
good are approved by heaven." She twisted the mild man in supple steel
of her irony so tenderly that Vittoria marvelled to hear her speak of him
in abhorrence when they quitted the village. "Not to be born a woman,
and voluntarily to be a woman!" ejaculated Laura. "How many, how many
are we to deduct from the male population of Italy? Cross in hand, he
should be at the head of our arms, not whimpering in a corner for white
bread. Wretch! he makes the marrow in my bones rage at him. He
chronicled pig that squeaked."
"Why had she been so gentle with him?"
"Because, my dear, when I loathe a thing I never care to exhaust my
detestation before I can strike it," said the true Italian.
They were on the field of Goito; it was won. It was won against odds.
At Pastrengo they witnessed an encounter; this was a battle. Vittoria
perceived that there was the difference between a symphony and a lyric
song. The blessedness of the sensation that death can be light and easy
dispossessed her of the meaner compassion, half made up of cowardice,
which she had been nearly borne down by on the field of Pastrengo. At an
angle on a height off the left wing of the royal army the face of the
battle was plain to her: the movements of the troops were clear as
strokes on a slate. Laura flung her life into her eyes, and knelt and
watched, without summing one sole thing from what her senses received.
Vittoria said, "We are too far away to understand it."
"No," said Laura, "we are too far away to feel it."
The savage soul of the woman was robbed of its share of tragic emotion by
having to hold so far aloof. Flashes of guns were but flashes of guns up
there where she knelt. She thirsted to read the things written by them;
thirsted for their mystic terrors, somewhat as souls of great prophets
have craved for the full revelation of those fitful underlights which
inspired their mouths.
Charles Albert's star was at its highest when the Piedmontese drums beat
for an advance of the whole line at Goito.
Laura stood up, white as furnace-fire. "Women can do some good by
praying," she said. She believed that she had been praying. That was
her part in the victory.
Rain fell as from the forehead of thunder. From black eve to black dawn
the women were among dead and dying men, where the lanterns trailed a
slow flame across faces that took the light and let it go. They returned
to their carriage exhausted. The ways were almost impassable for
carriage-wheels. While they were toiling on and exchanging their
drenched clothes, Vittoria heard Merthyr's voice speaking to Beppo on the
box. He was saying that Captain Gambier lay badly wounded; brandy was
wanted for him. She flung a cloak over Laura, and handed out the flask
with a naked arm. It was not till she saw him again that she remembered
or even felt that he had kissed the arm. A spot of sweet fire burned on
it just where the soft fulness of a woman's arm slopes to the bend. He
chid her for being on the field and rejoiced in a breath, for the
carriage and its contents helped to rescue his wounded brother in arms
from probable death. Gambier, wounded in thigh and ankle by rifle-shot,
was placed in the carriage. His clothes were saturated with the soil of
Goito; but wounded and wet, he smiled gaily, and talked sweet boyish
English. Merthyr gave the driver directions to wind along up the Mincio.
"Georgiana will be at the nearest village--she has an instinct for
battle-fields, or keeps spies in her pay," he said.
"Tell her I am safe. We march to cut them (the enemy) off from Verona,
and I can't leave. The game is in our hands. We shall give you Venice."
Georgiana was found at the nearest village. Gambier's wounds had been
dressed by an army-surgeon. She looked at the dressing, and said that it
would do for six hours. This singular person had fully qualified herself
to attend on a soldier-brother. She had studied medicine for that
purpose, and she had served as nurse in a London hospital. Her nerves
were completely under control. She could sit in attendance by a sick-bed
for hours, hearing distant cannon, and the brawl of soldiery and
vagabonds in the street, without a change of countenance. Her dress was
plain black from throat to heel, with a skull cap of white, like a
Moravian sister. Vittoria reverenced her; but Georgiana's manner in
return was cold aversion, so much more scornful than disdain that it
offended Laura, who promptly put her finger on the blot in the fair
character with the word 'Jealousy;' but a single word is too broad a mark
to be exactly true. "She is a perfect example of your English," Laura
said. "Brave, good, devoted, admirable--ice at the heart. The judge of
others, of course. I always respected her; I never liked her; and I
should be afraid of a comparison with her. Her management of the
household of this inn is extraordinary."
Georgiana condescended to advise Vittoria once more not to dangle after
armies.
"I wish to wait here to assist you in nursing our friend," said Vittoria.
Georgiana replied that her strength was unlikely to fail.
After two days of incessant rain, sunshine blazed over 'the watery
Mantuan flats. Laura drove with Beppo to see whether the army was in
motion, for they were distracted by rumours. Vittoria clung to her
wounded friend, whose pleasure was the hearing her speak. She expected
Laura's return by set of sun. After dark a messenger came to her, saying
that the signora had sent a carriage to fetch her to Valeggio. Her
immediate supposition was that Merthyr might have fallen. She found
Luigi at the carriage-door, and listened to his mysterious directions and
remarks that not a minute must be lost, without suspicion. He said that
the signora was in great trouble, very anxious to see the signorina
instantly; there was but a distance of five miles to traverse.
She thought it strange that the carriage should be so luxuriously fitted
with lights and silken pillows, but her ideas were all of Merthyr, until
she by chance discovered a packet marked I chocolate, which told her at
once that she was entrapped by Antonio-Pericles. Luigi would not answer
her cry to him. After some fruitless tremblings of wrath, she lay back
relieved by the feeling that Merthyr was safe, come what might come to
herself. Things could lend to nothing but an altercation with Pericles,
and for this scene she prepared her mind. The carriage stopped while she
was dozing. Too proud to supplicate in the darkness, she left it to the
horses to bear her on, reserving her energies for the morning's
interview, and saying, "The farther he takes me the angrier I shall be."
She dreamed of her anger while asleep, but awakened so frequently during
the night that morning was at her eyelids before they divided. To her
amazement, she saw the carriage surrounded by Austrian troopers.
Pericles was spreading cigars among them, and addressing them affably.
The carriage was on a good road, between irrigated flats, that flashed
a lively green and bright steel blue for miles away. She drew down the
blinds to cry at leisure; her wings were clipped, and she lost heart.
Pericles came round to her when the carriage had drawn up at an inn.
He was egregiously polite, but modestly kept back any expressions of
triumph. A body of Austrians, cavalry and infantry, were breaking camp.
Pericles accorded her an hour of rest. She perceived that he was
anticipating an outbreak of the anger she had nursed overnight, and
baffled him so far by keeping dumb. Luigi was sent up to her to announce
the expiration of her hour of grace.
"Ah, Luigi!" she said. "Signorina, only wait, and see how Luigi can
serve two," he whispered, writhing under the reproachfulness of her eyes.
At the carriage-door she asked Pericles whither he was taking her. "Not
to Turin, not to London, Sandra Belloni!" he replied; "not to a place
where you are wet all night long, to wheeze for ever after it. Go in."
She entered the carriage quickly, to escape from staring officers, whose
laughter rang in her ears and humbled her bitterly; she felt herself
bringing dishonour on her lover. The carriage continued in the track of
the Austrians. Pericles was audibly careful to avoid the border
regiments. He showered cigars as he passed; now and then he exhibited a
paper; and on one occasion he brought a General officer to the carriage-
door, opened it and pointed in. A white-helmeted dragoon rode on each
side of the carriage for the remainder of the day. The delight of the
supposition that these Austrians were retreating before the invincible
arms of King Carlo Alberto kept her cheerful; but she heard no guns in
the rear. A blocking of artillery and waggons compelled a halt, and then
Pericles came and faced her. He looked profoundly ashamed of himself,
ready as he was for an animated defence of his proceedings.
"Where are you taking me, sir?" she said in English.
"Sandra, will you be a good child? It is anywhere you please, if you
will promise--"
"I will promise nothing."
"Zen, I lock you up in Verona." In Verona!"
"Sandra, will you promise to me?"
"I will promise nothing."
"Zen I lock you up in Verona. It is settled. No more of it. I come to
say, we shall not reach a village. I am sorry. We have soldiers for a
guard. You draw out a board and lodge in your carriage as in a bed.
Biscuits, potted meats, prunes, bon-bona, chocolate, wine--you shall find
all at your right hand and your left. I am desolate in offending you.
Sandra, if you will promise--"
"I will promise--this is what I will promise," said Vittoria.
Pericles thrust his ear forward, and withdrew it as if it had been
slapped.
She promised to run from him at the first opportunity, to despise him
ever after, and never to sing again in his hearing. With the darkness
Luigi appeared to light her lamp; he mouthed perpetually, "To-morrow, to-
morrow." The watch-fires of Austrians encamped in the fields encircled
her; and moving up and down, the cigar of Antonio-Pericles was visible.
He had not eaten or drunk, and he was out there sleepless; he walked
conquering his fears in the thick of war troubles: all for her sake.
She watched critically to see whether the cigar-light was puffed in
fretfulness. It burned steadily; and the thought of Pericles supporting
patience quite overcame her. In a fit of humour that was almost tears,
she called to him and begged him to take a place in the carriage and have
food. "If it is your pleasure," he said; and threw off his cloak. The
wine comforted him. Thereupon he commenced a series of strange
gesticulations, and ended by blinking at the window, saying, "No, no; it
is impossible to explain. I have no voice; I am not, gifted. It is," he
tapped at his chest, "it is here. It is, imprisoned in me."
"What?" said Vittoria, to encourage him.
"It can never be explained, my child. Am I not respectful to you? Am I
not worshipful to you? But, no! it can never be explained. Some do
call me mad. I know it; I am laughed at. Oh! do I not know zat?
Perfectly well. My ancestors adored Goddesses. I discover ze voice of a
Goddess: I adore it. So you call me mad; it is to me what you call me--
juste ze same. I am possessed wiz passion for her voice. So it will be
till I go to ashes. It is to me ze one zsing divine in a pig, a porpoise
world. It is to me--I talk! It is unutterable--impossible to tell."
"But I understand it; I know you must feel it," said Vittoria.
"But you hate me, Sandra. You hate your Pericles."
"No, I do not; you are my good friend, my good Pericles."
"I am your good Pericles? So you obey me?"
"In what?"
"You come to London?"
"I shall not."
"You come to Turin?"
"I cannot promise."
"To Milan?"
"No; not yet."
Ungrateful little beast! minx! temptress! You seduce me into your
carriage to feed me, to fill me, for to coax me," cried Pericles.
"Am I the person to have abuse poured on me?" Vittoria rejoined, and she
frowned. "Might I not have called you a wretched whimsical money-
machine, without the comprehension of a human feeling? You are doing me
a great wrong--to win my submission, as I see, and it half amuses me; but
the pretence of an attempt to carry me off from my friends is an offence
that I should take certain care to punish in another. I do not give you
any promise, because the first promise of all--the promise to keep one--
is not in my power. Shut your eyes and sleep where you are, and in the
morning think better of your conduct!"
"Of my conduct, mademoiselle! "Pericles retained this sentence in his
head till the conclusion of her animated speech,--"of my conduct I judge
better zan to accept of such a privilege as you graciously offer to me;"
and he retired with a sour grin, very much subdued by her unexpected
capacity for expression. The bugles of the Austrians were soon ringing.
There was a trifle of a romantic flavour in the notes which Vittoria
tried not to feel; the smart iteration of them all about her rubbed it
off, but she was reduced to repeat them, and take them in various keys.
This was her theme for the day.
They were in the midst of mulberries, out of sight of the army; green
mulberries, and the green and the bronze young vine-leaf. It was a
delicious day, but she began to fear that she was approaching Verona, and
that Pericles was acting seriously. The bronze young vine-leaf seemed to
her like some warrior's face, as it would look when beaten by weather,
burned by the sun. They came now to inns which had been visited by both
armies. Luigi established communication with the innkeepers before the
latter had stated the names of villages to Pericles, who stood map in
hand, believing himself at last to be no more conscious of his position
than an atom in a whirl of dust. Vittoria still refused to give him any
promise, and finally, on a solitary stretch of the road, he appealed to
her mercy. She was the mistress of the carriage, he said; he had never
meant to imprison her in Verona; his behaviour was simply dictated by his
adoration--alas! This was true or not true, but it was certain that the
ways were confounded to them. Luigi, despatched to reconnoitre from a
neighbouring eminence, reported a Piedmontese encampment far ahead, and a
walking tent that was coming on their route. The walking tent was an
enormous white umbrella. Pericles advanced to meet it; after an
interchange of opening formalities, he turned about and clapped hands.
The umbrella was folded. Vittoria recognized the last man she would then
have thought of meeting; he seemed to have jumped out of an ambush from
Meran in Tyrol:--it was Wilfrid. Their greeting was disturbed by the
rushing up of half-a-dozen troopers. The men claimed him as an Austrian
spy. With difficulty Vittoria obtained leave to drive him on to their
commanding officer. It appeared that the white umbrella was notorious
for having been seen on previous occasions threading the Piedmontese
lines into and out of Peschiera. These very troopers swore to it; but
they could not swear to Wilfrid, and white umbrellas were not absolutely
uncommon. Vittoria declared that Wilfrid was an old English friend;
Pericles vowed that Wilfrid was one of their party. The prisoner was
clearly an Englishman. As it chanced, the officer before whom Wilfrid
was taken had heard Vittoria sing on the great night at La Scala.
"Signorina, your word should pass the Austrian Field-Marshal himself," he
said, and merely requested Wilfrid to state on his word of honour that he
was not in the Austrian service, to which Wilfrid unhesitatingly replied,
"I am not."
Permission was then accorded to him to proceed in the carriage.
Vittoria held her hand to Wilfrid. He took the fingers and bowed over
them.
He was perfectly self-possessed, and cool even under her eyes. Like a
pedlar he carried a pack on his back, which was his life; for his
business was a combination of scout and spy.
"You have saved me from a ditch to-day," he said; "every fellow has some
sort of love for his life, and I must thank you for the odd luck of your
coming by. I knew you were on this ground somewhere. If the rascals had
searched me, I should not have come off so well. I did not speak falsely
to that officer; I am not in the Austrian service. I am a volunteer spy.
I am an unpaid soldier. I am the dog of the army--fetching and carrying
for a smile and a pat on the head. I am ruined, and I am working my way
up as best I can. My uncle disowns me. It is to General Schoneck that I
owe this chance of re-establishing myself. I followed the army out of
Milan. I was at Melegnano, at Pastrengo, at Santa Lucia. If I get
nothing for it, the Lenkensteins at least shall not say that I abandoned
the flag in adversity. I am bound for Rivoli. The fortress (Peschiera)
has just surrendered. The Marshal is stealing round to make a dash on
Vicenza." So far he spoke like one apart from her, but a flush crossed
his forehead. "I have not followed you. I have obeyed your brief
directions. I saw this carriage yesterday in the ranks of our troops.
I saw Pericles. I guessed who might be inside it. I let it pass me.
Could I do more?"
"Not if you wanted to punish me," said Vittoria.
She was afflicted by his refraining from reproaches in his sunken state.
Their talk bordered the old life which they had known, like a rivulet,
coming to falls where it threatens to be e, torrent and a flood; like
flame bubbling the wax of a seal. She was surprised to find herself
expecting tenderness from him: and, startled by the languor in her veins,
she conceived a contempt for her sex and her own weak nature. To mask
that, an excessive outward coldness was assumed. "You can serve as a
spy, Wilfrid!"
The answer was ready: "Having twice served as a traitor, I need not be
particular. It is what my uncle and the Lenkensteins call me. I do my
best to work my way up again. Despise me for it, if you please."
On the contrary, she had never respected him so much. She got herself
into opposition to him by provoking him to speak with pride of his army;
but the opposition was artificial, and she called to Carlo Ammiani in
heart. "I will leave these places, cover up my head, and crouch till the
struggle is decided."
The difficulty was now to be happily rid of Wilfrid by leaving him in
safety. Piedmontese horse scoured the neighbourhood, and any mischance
that might befall him she traced to her hand. She dreaded at every
instant to hear him speak of his love for her; yet how sweet it would
have been to hear it,--to hear him speak of passionate love; to shape it
in deep music; to hear one crave for what she gave to another! "I am
sinking: I am growing degraded," she thought. But there was no other way
for her to quicken her imagination of her distant and offended lover.
The sights on the plains were strange contrasts to these conflicting
inner emotions: she seemed to be living in two divided worlds.
Pericles declared anew that she was mistress of the carriage. She issued
orders: "The nearest point to Rivoli, and then to Brescia."
Pericles broke into shouts. "She has arrived at her reason! Hurrah for
Brescia! I beheld you," he confessed to Wilfrid,--"it was on ze right of
Mincio, my friend. I did not know you were so true for Art, or what a
hand I would have reached to you! Excuse me now. Let us whip on. I am
your banker. I shall desire you not to be shot or sabred. You are
deserving of an effigy on a theatral grand stair-case!" His gratitude
could no further express itself. In joy he whipped the horses on. Fools
might be fighting--he was the conqueror. From Brescia, one leap took him
in fancy to London. He composed mentally a letter to be forwarded
immediately to a London manager, directing him to cause the appearance of
articles in the journals on the grand new prima donna, whose singing had
awakened the people of Italy.
Another day brought them in view of the Lago di Garda. The flag of
Sardinia hung from the walls of Peschiera. And now Vittoria saw the
Pastrengo hills--dear hills, that drove her wretched languor out of her,
and made her soul and body one again. The horses were going at a gallop.
Shots were heard. To the left of them, somewhat in the rear, on higher
ground, there was an encounter of a body of Austrians and Italians:
Tyrolese riflemen and the volunteers. Pericles was raving. He refused
to draw the reins till they had reached the village, where one of the
horses dropped. From the windows of the inn, fronting a clear space,
Vittoria beheld a guard of Austrians surrounding two or more prisoners.
A woman sat near them with her head buried in her lap. Presently an
officer left the door of the inn and spoke to the soldiers. "That is
Count Karl von Lenkenstein," Wilfrid said in a whisper. Pericles had
been speaking with Count Karl and came up to the room, saying, "We are to
observe something; but we are safe; it is only fortune of war." Wilfrid
immediately went out to report himself. He was seen giving his papers,
after which Count Karl waved his finger back to the inn, and he returned.
Vittoria sprang to her feet at the words he uttered. Rinaldo Guidascarpi
was one of the prisoners. The others Wilfrid professed not to know. The
woman was the wife of Barto Rizzo.
In the great red of sunset the Tyrolese riflemen and a body of Italians
in Austrian fatigue uniform marched into the village. These formed in
the space before the inn. It seemed as if Count Karl were declaiming an
indictment. A voice answered, "I am the man." It was clear and straight
as a voice that goes up in the night. Then a procession walked some
paces on. The woman followed. She fell prostrate at the feet of Count
Karl. He listened to her and nodded. Rinaldo Guidascarpi stood alone
with bandaged eyes. The woman advanced to him; she put her mouth on his
ear; there she hung.
Vittoria heard a single shot. Rinaldo Guidascarpi lay stretched upon the
ground. and the woman stood over him.
ETEXT EDITOR'S BOOKMARKS:
As the Lord decided, so it would end! "Oh, delicious creed!"
By our manner of loving we are known
Every church of the city lent its iron tongue to the peal
Fast growing to be an eccentric by profession
I always respected her; I never liked her
Too well used to defeat to believe readily in victory
Will not admit the existence of a virtue in an opposite opinion
End of this Project Gutenberg Etext of Vittoria, v6
by George Meredith
