Project Gutenberg's The Ordeal of Colonel Johns, by George H. Smith This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: The Ordeal of Colonel Johns Author: George H. Smith Illustrator: Rudolph Palais Release Date: June 4, 2010 [EBook #32688] Language: English *** START OF THIS PROJECT GUTENBERG EBOOK THE ORDEAL OF COLONEL JOHNS *** Produced by Sankar Viswanathan, Greg Weeks, and the Online Distributed Proofreading Team at http://www.pgdp.net Transcriber's Note: This etext was produced from IF Worlds of Science Fiction June 1954. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed. [Illustration] _The Ordeal of_ COLONEL JOHNS By George H. Smith Illustrated by Rudolph Palais _Colonel Johns, that famous Revolutionary War hero, had the unique--and painful--experience of meeting his great-great-great-great granddaughter. Now maybe you can't change history, but what's there to prevent a soldier from changing his mind about the gal he is going to marry?_ * * * * * Clark Decker winced and scrounged still lower in his seat as Mrs. Appleby-Simpkin rested her enormous bosom on the front of the podium and smiled down on the Patriot Daughters of America in convention assembled as she announced: "And now, my dears, I will read you one more short quotation from Major Wicks' fascinating book 'The Minor Tactics of The American Revolution.' When I am finished, I know that you will all agree that Rebecca Johns-Hayes will be a more than fitting successor to myself as your President." Decker looked wildly about for a way of escape from the convention auditorium. If he had only remained in the anteroom with Professor MacCulloch and the Historical Reintegrator! After suffering through four days of speeches by ladies in various stages of mammalian top-heaviness, he hadn't believed it possible that anyone could top Mrs. Appleby-Simpkin for either sheer ability to bore or for the nobility of her bust. Mrs. Rebecca Johns-Hayes had come as something of a shock as she squirmed her way onto the speaker's platform. But there she was as big as life, or rather bigger, smiling at Mrs. Appleby-Simpkin, the Past President, beaming at Mrs. Lynd-Torris, a defeated candidate for the presidency and whose ancestor had been only a captain, and completely ignoring Mrs. Tolman, the other defeated candidate whose ancestor had been so inconsiderate as to have been a Continental sergeant. Only the thought that now that the voting was over and the new president chosen, the ladies might be ready for the demonstration of the Reintegrator had brought Decker onto the convention floor, and now he was trapped and would have to listen. "And so," Mrs. Appleby-Simpkin was reading, "upon such small events do the great moments of history depend. The brilliant scouting and skirmishing of the riflemen under Colonel Peter Johns prevented the breakthrough of Captain Fosdick's column and the possible flanking of the American army before Saratoga. Thus, this little known action may have been the deciding factor in the whole campaign that prevented General Burgoyne from carrying out the British plan to divide the colonies and end the war. It is impossible for the historian to refrain from speculation as to what might have happened had Colonel Johns not been on hand to direct the riflemen and militia in this section; as indeed he might _not_ have been, since his own regiment of short-term enlistees had returned to Pennsylvania a few days previously. Only the Colonel's patriotism and devotion to duty kept him in the field and made his abilities available to the country when they were most needed." Mrs. Appleby-Simpkin waited until the burst of applause had died down and then continued, "That is the man whose great-great-great-great-granddaughter you have elected your president today ... Mrs. Rebecca Johns-Hayes!" Turning to Mrs. Johns-Hayes she went on, "Before you make your acceptance speech, dear, we have a little surprise for you." Clark Decker had been edging his way toward the side of the auditorium where the Men's Auxiliary of the Daughters had their seats but he turned back at the mention of the surprise. It sounded as though it was time for him and the Professor to start their demonstration. "A surprise which we hope will also be a surprise to the whole world of science," Mrs. Appleby-Simpkin was holding the podium against a determinedly advancing Mrs. Johns-Hayes. "Indeed we may be able to say in future years, that the 1989 Convention of the Patriot Daughters was marked by the first public demonstration of one of the most momentous inventions in the history of science." The Past President was speaking faster and faster, because the new President with a hand full of notes was doing her best to edge her away from both the podium and the microphone. "Thank you, darling," Mrs. Johns-Hayes said, pulling the microphone firmly toward her, "but we really must get along with business. I have quite a few things I want to say and several motions which I want to place before the Convention." "And as I was saying, dear," Mrs. Appleby-Simpkin said, pulling the microphone back with equal firmness, "I know that you will be just unbearably thrilled." There was another brief struggle for the mike and Mrs. Appleby-Simpkin won and went on. "I know that he will be just as proud of you as you are of him. That is why we have arranged for Professor MacCulloch to demonstrate his historical Reintegrator at our convention by bringing into our midst Colonel Peter Johns, the hero of the action at Temple Farm, to see his great-great-great-great-granddaughter installed as the fifty-fourth president of the Loyal Order of Patriot Daughters of America. Now I...." Mrs. Johns-Hayes again won control of the mike. "Thank you very much, dear." Her voice was a genteel screech. "I'm sure that we will be only too glad to have the ... who? Who did you say?" Mrs. Appleby-Simpkin regained the microphone from the other woman's relaxing grip. "I believe I see Mr. Decker, the Professor's assistant, in the audience," she said. "Will you be so good as to tell the Professor that we are ready for his epic-making experiment?" With a great feeling of relief, Decker escaped from the rising turmoil of the convention hall into the relative quiet of the anteroom where MacCulloch waited with the Reintegrator. He found the Professor sitting with his head in his hands staring at the machine. The little man looked up and smiled quizzically as his assistant approached him. "They're ready, Professor! They're ready!" Still under the influence of the convention, Decker found himself shouting. "Ah. Ah, yes. Then it will be today. I've waited so long. Ten years of work and now instead of a scientific gathering, I have to demonstrate my machine before a woman's club." * * * * * Decker began to wheel the platform which held the Reintegrator toward the door. "After today, Professor, all the scientific organizations in the world will have heard of you and will be demanding demonstrations." "Yes, but these Patriot Daughters! Who are they? Who in the scientific world ever heard of them?" "No one except a few scientists unfortunate enough to fall afoul of their Loyalty and Conformity Committee." "I think we should have gone elsewhere for our demonstration." "Now Professor. Who in the world today would be interested in the past except a group of ancestor conscious women?" "Some historical society perhaps," the Professor said wistfully. "And what historical society could have advanced the twenty thousand dollars we needed to complete the machine?" "I suppose you're right, my boy," MacCulloch sighed as he helped push the Reintegrator onto the auditorium floor. By the time Clark Decker reached the platform to explain the demonstration, the fight for the microphone had turned into a three-way struggle. A lady who represented the Finance Committee was trying to win it away from both the Past President and the new President. Taking them by surprise, Decker managed to gain control long enough to explain what was about to happen. "You mean," demanded Mrs. Johns-Hayes, "that this is some sort of time machine and you're going to transport great-great-great-great-grandfather from the past into the present?" "No, Mrs. Hayes. This isn't a time machine in the comic book use of the term. It is just what Professor MacCulloch has called it, an historical Reintegrator. The theory upon which it is based, the MacCulloch Reaction, says that every person who ever existed, and every event which ever took place caused electrical disturbances in the space-time continuum of the universe by displacing an equal and identical group of electrons. The task of the Reintegrator is to reassemble those electrons. That is why Professor MacCulloch is now placing your ancestor's sword in the machine. We will use that as a base point from which our recreation will begin." The machine was humming and small lights were beginning to play about its tubes and dials. "If our calculations are accurate, and we believe that they are," Decker said, "within a very few minutes, Colonel Johns should be standing before us as he was on a day approximately a week before his heroic action in the battle at Temple Farm." Mrs. Johns-Hayes, although still gripping her notes, was beginning to get a little flustered. "Oh my, that would be before he married great-great-great-great-grandmother Sayles. They were married only two days before the battle, you know. It was so romantic ... a wartime romance and all." "Just imagine," Mrs. Tolman remarked, "at that time your whole family was just a gleam in the Colonel's eye!" Professor MacCulloch made one or two last passes at the machine and then stood back to watch, a look of pure scientific ecstasy on his face. A mistiness began to gather on the platform where the Colonel's sword lay and through it from time to time shot sparks of electricity. Suddenly a gasp went up from the assembled Daughters as a man's head and shoulders appeared and expanded downward, a long way downward, to a large pair of feet. There was one last hum from the machine and then a tall young man in faded blue regimentals and very much in need of a shave was standing blinking in the blazing lights of the auditorium. "Oh, Mr. Decker, surely there's some mistake!" was Mrs. Johns-Hayes' first comment as she surveyed the very tall, very tattered, and very dirty young man. "Great-great-great-great-grandfather's pictures always show him as a dignified old gentleman." The Colonel took one quick look around and made a grab for his sword, but the Professor managed to calm him and to explain the situation before any violence could take place. After a few minutes of hurried talk, MacCulloch steered the Colonel in the direction of the speaker's platform for the meeting with his great-great-great-great-granddaughter. Peter Johns' bewilderment faded into astonishment, but he still gripped his sword as the Professor guided him through the throngs of excited ladies onto the stage. He paused momentarily to look at the brilliant lights and at the huge number of American flags which hung overhead. A picture of George Washington, hung among the flags, seemed to reassure him and he allowed the Professor to lead him to Mrs. Johns-Hayes. That lady had drawn herself together at the approach of her ancestor and had obviously decided to carry it off as best she could. She advanced to meet him crying, "Dear, dear great-great-great-great-grandfather! This is such a pleasure! You can't know how proud all of us in the family have always been of you." The young Continental officer stared open mouthed at the red-faced, big-bosomed woman who was twice his age, but who addressed him as great-great-great-great-grandfather. Then he turned to MacCulloch who stood beside him. "Are you sure you have the right man?" he asked. "Oh yes! Perfectly, perfectly! You're Colonel Peter Johns of Pamworth, Pennsylvania, and this is your great-great-great-great-granddaughter, Rebecca Johns-Hayes." "Rebecca? You mean she's named after Becky Sayles?" The Colonel rubbed a hand across his several days' growth of beard. "That's right, dear great-great-great-great-grandfather. I'm named after great-great-great-great-grandmother," Mrs. Johns-Hayes announced. "Then I married Becky Sayles?" the Colonel asked. "Why, of course! Aren't you planning on getting married in a few days?" Clark Decker asked. The Colonel was embarrassed but he grinned, "Well, I don't rightly know. Miss Sayles and I have been courtin' for some months but there's little Jennie Taylor down in Trenton.... To tell the truth, I haven't quite made up my mind." "Well! Of all things! What would the family think! What would great Aunt Mary Hayes say?" Mrs. Johns-Hayes puffed out even farther than usual. "Well, we can ease your mind on that subject, Colonel. The history books say that you married Miss Sayles--and here is Mrs. Johns-Hayes to prove it." The Colonel scratched his chin again as he looked at Mrs. Johns-Hayes. "Is that so? Is that so? What's all this about history books? You mean I got in history because I married Becky Sayles?" The Professor laughed. "Well, not exactly. It was because of your heroism in the defeat of Burgoyne's army. If you hadn't blocked Captain Fenwick's flanking move at Temple Farm, the American army under General Gates might have been defeated and the Colonies might even have lost the war." "Well, I'll be.... Me? I did all that? I didn't even know there was going to be a battle. Did I end up a live hero or a dead one?" The Colonel was beginning to feel a bit more easy in his surroundings, and, to the horror of Mrs. Johns-Hayes, took a plug of tobacco out of his pocket and bit off a piece and began to chew it. "You came through the battle with only a slight wound and lived to a ripe old age surrounded by grandchildren," the Professor told him. "Then I reckon I won't go back to Pennsylvania with the other boys. They figure that since their enlistments are up, it's time to get back to the farm and let them New Yorkers do some of their own fighting." "Oh no! You weren't thinking of going back--of leaving the fighting?" Mrs. Johns-Hayes demanded. The Colonel shifted his wad of tobacco and looked at the woman carefully as though he couldn't quite believe the evidence of his eyes. "No, ma'am, I don't reckon I am. I don't exactly look on it the same as the other boys do. I kind of feel like if we're ever going to have a country, it's worth fighting for." Mrs. Johns-Hayes beamed, as did all the other officers of the Daughters. "Well, your faith and heroism have been rewarded, great-great-great-great-grandfather. I know you'll be proud to know that these ladies whom you see before you are the present guardians of the ideals that you fought for." "Well, now, is that so, ma'am? Is that so?" Peter Johns looked around the convention hall in amazement. "And that I, your descendant, have just been elected their President!" "Well, what do you know about that! Maybe all the hard times and the danger we been going through is worth it if you folks still remember the way we felt about things." "It's too bad," Decker whispered to MacCulloch, "that we can't let him see what the country is really like. I'm not sure these ladies are representative." There was a worried look on the Professor's face. "That's impossible. The reintegration is good for only an hour or so. I hope nothing goes wrong here." Mrs. Appleby-Simpkin took charge of the Colonel and ushered him to a seat of honor near the podium while the new President prepared to deliver her speech. Decker and the professor managed to obtain seats on either side of Johns just as Rebecca started. He managed to whisper to them, "I'm sure amazed! I'm sure amazed! All these nice old ladies feeling the same way about things as we do." * * * * * Decker had a premonition of trouble as Mrs. Hayes' words poured forth. He had hoped for a cut and dried acceptance speech with nothing but the usual patriotic platitudes, but, as she went on his worst fears were realized. Inspired by the presence of her ancestor, the woman was going into superlatives about the purposes and aims of the Patriot Daughters. She covered everything from the glories of her ancestry to the morals of the younger generation and women in politics. Decker watched the Colonel's face, saw it changed from puzzlement to painful boredom as word after word floated from the battery of speakers overhead. MacCulloch was whispering in Johns' ear in an attempt to draw his attention from the woman's booming voice but the man disregarded him. "Am I really responsible for that?" The Colonel jerked his head in the direction of Mrs. Johns-Hayes. "I'm afraid, Colonel, that you're getting a distorted idea of what America is like in our time," Decker said. The Colonel didn't even turn to look at him. He was scowling at his Amazonian descendant as her screeching reached new heights. "... and we hold that this is true! Our simple motto, as you all know, is: One race, one creed, one way of thinking!" Colonel Johns began to squirm violently in his seat. The professor found it necessary to grasp him firmly by one arm while Decker held him by the other. The president of the Patriot Daughters had finished her speech amidst thunderous applause and started to present suggestions for the formation of new committees, for the passing of new by-laws and for resolutions. "A committee should be formed to see that the public parks are properly policed to prevent so-called 'spooners' from pursuing their immoral behaviour. "A new by-law is needed," and here Mrs. Hayes glanced aside at Mrs. Tolman, "to prevent members being accepted unless their forebears were lieutenants or of higher rank in the glorious Continental army." The Colonel was a strong man and both Decker and MacCulloch were older than he. With something between a snort and a roar he shook them loose and started for the exit. "Oh my," MacCulloch moaned, "I was afraid that this whole thing was a mistake." Colonel Johns had taken only two steps toward the door when he seemed to stagger. MacCulloch leaped to his side and caught him by the arm. There was an uproar in the auditorium as the Colonel faded slightly and the professor hurried him down the steps toward the Reintegrator. "I'm afraid the Colonel isn't going to be with us much longer," the professor explained. Thank goodness, Decker thought, I don't believe the poor man could have stood it much longer. "I'm afraid the reintegration time of Colonel Johns is running out and he must return to his own time," the professor went on. The grim-faced Colonel said nothing as MacCulloch led him up to the machine. "Goodbye, great-great-great-great-grandfather," Mrs. Johns-Hayes called from the platform. "It has been so nice having you with us." "Goodbye, Rebecca," the Colonel said as he began to fade away. "Give my regards to great-great-great-great-grandmother." The figure in the dirty, faded blue uniform was gone but Decker and MacCulloch heard him mutter just before he disappeared altogether, "I will, if I ever see her again!" MacCulloch turned to stare at the platform and Decker turned to follow his gaze. A sudden dizziness overcame them both and there was a slight haze about the auditorium. When it cleared, the podium was empty. Mrs. Johns-Hayes was gone as if she had never been. "My God!," the professor gasped. "I was afraid something like this might happen. He must have married the other girl." "I suppose," Decker said quietly, "that we should consider ourselves lucky that he didn't decide to go back to Pennsylvania." His voice broke off and he wondered what he had been saying. He looked up at the speakers' platform trying to remember why he should think it strange that it was draped in Union Jacks and that Lady Appleby-Simpkin should be saying, "And now, my dears, I know that all of you, as Loyal Daughters of the British Empire will be happy to know...." ... THE END * * * * * End of Project Gutenberg's The Ordeal of Colonel Johns, by George H. Smith *** END OF THIS PROJECT GUTENBERG EBOOK THE ORDEAL OF COLONEL JOHNS *** ***** This file should be named 32688.txt or 32688.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/3/2/6/8/32688/ Produced by Sankar Viswanathan, Greg Weeks, and the Online Distributed Proofreading Team at http://www.pgdp.net Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away--you may do practically ANYTHING with public domain eBooks. Redistribution is subject to the trademark license, especially commercial redistribution. *** START: FULL LICENSE *** THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg-tm mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase "Project Gutenberg"), you agree to comply with all the terms of the Full Project Gutenberg-tm License (available with this file or online at http://gutenberg.org/license). Section 1. General Terms of Use and Redistributing Project Gutenberg-tm electronic works 1.A. By reading or using any part of this Project Gutenberg-tm electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg-tm electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg-tm electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. "Project Gutenberg" is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg-tm electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg-tm electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg-tm electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" or PGLAF), owns a compilation copyright in the collection of Project Gutenberg-tm electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is in the public domain in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg-tm mission of promoting free access to electronic works by freely sharing Project Gutenberg-tm works in compliance with the terms of this agreement for keeping the Project Gutenberg-tm name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg-tm License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg-tm work. The Foundation makes no representations concerning the copyright status of any work in any country outside the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg-tm License must appear prominently whenever any copy of a Project Gutenberg-tm work (any work on which the phrase "Project Gutenberg" appears, or with which the phrase "Project Gutenberg" is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org 1.E.2. If an individual Project Gutenberg-tm electronic work is derived from the public domain (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase "Project Gutenberg" associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg-tm electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg-tm License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg-tm. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg-tm License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg-tm work in a format other than "Plain Vanilla ASCII" or other format used in the official version posted on the official Project Gutenberg-tm web site (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original "Plain Vanilla ASCII" or other form. Any alternate format must include the full Project Gutenberg-tm License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg-tm works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg-tm electronic works provided that - You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg-tm works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg-tm trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, "Information about donations to the Project Gutenberg Literary Archive Foundation." - You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg-tm License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg-tm works. - You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. - You comply with all other terms of this agreement for free distribution of Project Gutenberg-tm works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from both the Project Gutenberg Literary Archive Foundation and Michael Hart, the owner of the Project Gutenberg-tm trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread public domain works in creating the Project Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm electronic works, and the medium on which they may be stored, may contain "Defects," such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right of Replacement or Refund" described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg-tm trademark, and any other party distributing a Project Gutenberg-tm electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg-tm electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg-tm electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg-tm work, (b) alteration, modification, or additions or deletions to any Project Gutenberg-tm work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg-tm Project Gutenberg-tm is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need, are critical to reaching Project Gutenberg-tm's goals and ensuring that the Project Gutenberg-tm collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg-tm and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation web page at http://www.pglaf.org. Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation's EIN or federal tax identification number is 64-6221541. Its 501(c)(3) letter is posted at http://pglaf.org/fundraising. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state's laws. The Foundation's principal office is located at 4557 Melan Dr. S. Fairbanks, AK, 99712., but its volunteers and employees are scattered throughout numerous locations. Its business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email [email protected]. Email contact links and up to date contact information can be found at the Foundation's web site and official page at http://pglaf.org For additional contact information: Dr. Gregory B. Newby Chief Executive and Director [email protected] Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg-tm depends upon and cannot survive without wide spread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit http://pglaf.org While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg Web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: http://pglaf.org/donate Section 5. General Information About Project Gutenberg-tm electronic works. Professor Michael S. Hart is the originator of the Project Gutenberg-tm concept of a library of electronic works that could be freely shared with anyone. For thirty years, he produced and distributed Project Gutenberg-tm eBooks with only a loose network of volunteer support. Project Gutenberg-tm eBooks are often created from several printed editions, all of which are confirmed as Public Domain in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our Web site which has the main PG search facility: http://www.gutenberg.org This Web site includes information about Project Gutenberg-tm, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.