The Project Gutenberg EBook of Mistress Nell, by George C. Hazelton, Jr.
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org
Title: Mistress Nell
A Merry Tale of a Merry Time
Author: George C. Hazelton, Jr.
Release Date: February 23, 2010 [EBook #31370]
[This file last updated: February 10, 2011]
Language: English
*** START OF THIS PROJECT GUTENBERG EBOOK MISTRESS NELL ***
Produced by Roger Frank and the Online Distributed
Proofreading Team at http://www.pgdp.net
MISTRESS NELL
The Illustrations Shown in this Edition are Reproductions of
Scenes from the Photo-Play of "Mistress Nell," Produced and
Copyrighted by the Famous Players Film Company, Adolf Zukor,
President, to whom the Publishers Desire to Express their
Thanks and Appreciation for Permission to use the Pictures.
[Illustration: Nell Gwyn the King's Favorite.]
MISTRESS NELL
A MERRY TALE OF A MERRY TIME
(T'wixt Fact and Fancy)
BY
GEORGE C. HAZELTON, Jr.
Author of the Play
"Let not poor Nelly starve."
ILLUSTRATED WITH SCENES FROM THE PHOTO-PLAY
PRODUCED AND COPYRIGHTED BY THE FAMOUS PLAYERS FILM COMPANY,
ADOLPH ZUKOR, PRESIDENT.
NEW YORK
GROSSET & DUNLAP
PUBLISHERS
Copyright, 1901, by Charles Scribner's Sons
All rights reserved
A WORD
It is the vogue to dramatize successful novels. The author of the
present Nell Gwyn story has pursued the contrary course. His "merry"
play of the same name was written and produced before he undertook to
compose this tale, suggested by the same historic sources.
A word of tribute is gratefully given to the _comédienne_, Miss
Crosman, whose courage and exquisite art introduced the "Mistress Nell"
of the play to the public.
CONTENTS
CHAPTER I 1
"And once Nell Gwyn, a frail young sprite,
Looked kindly when I met her;
I shook my head perhaps--but quite
Forgot to quite forget her."
CHAPTER II 10
It's near your cue, Mistress Nell!
CHAPTER III 41
He took them from Castlemaine's hand
yo throw to you.
CHAPTER IV 62
Flowers and Music feed naught but Love.
CHAPTER V 87
It was never treason to steal a King's kisses.
CHAPTER VI 101
Softly on tiptoe;
Here Nell doth lie.
CHAPTER VII 111
Come down!
Come up!
CHAPTER VIII 126
"And the man that is drunk is as
great as a king."
CHAPTER IX 142
Three chickens!
CHAPTER X 168
Arrest him yourself!
CHAPTER XI 182
In the field, men; at court, women!
CHAPTER XII 195
Beau Adair is my name.
CHAPTER XIII 232
For the glory of England?
CHAPTER XIV 240
He loves me! He loves me!
CHAPTER XV 259
I come, my love; I come.
CHAPTER XVI 276
Ods-pitikins, my own reflection!
CHAPTER XVII 290
The day will be so happy; for I've seen
you at the dawn.
MISTRESS NELL
A MERRY TALE OF A MERRY TIME
MISTRESS NELL
"And once Nell Gwyn, a frail young sprite,
Look'd kindly when I met her;
I shook my head perhaps--but quite
Forgot to quite forget her."
It was a merry time in merry old England; for King Charles II. was on
the throne.
Not that the wines were better or the ladies fairer in his day, but the
renaissance of carelessness and good-living had set in. True Roundheads
again sought quiet abodes in which to worship in their gray and sombre
way. Cromwell, their uncrowned king, was dead; and there was no place
for his followers at court or in tavern. Even the austere and Catholic
smile of brother James of York, one day to be the ruler of the land,
could not cast a gloom over the assemblies at Whitehall. There were
those to laugh merrily at the King's wit, and at the players' wit. There
were those in abundance to enjoy to-day--to-day only,--to drink to the
glorious joys of to-day, with no care for the morrow.
It was, indeed, merry old England; for, when the King has no cares, and
assumes no cares, the people likewise have no cares. The state may be
rent, the court a nest of intrigue, King and Parliament at odds, the
treasury bankrupt: but what care they; for the King cares not. Is not
the day prosperous? Are not the taverns in remotest London filled with
roistering spirits who drink and sing to their hearts' content of their
deeds in the wars just done? Can they not steal when hungry and demand
when dry?
Aye, the worldly ones are cavaliers now--for a cavalier is King--e'en
though the sword once followed Cromwell and the gay cloak and the big
flying plume do not quite hide the not-yet-discarded cuirass of an
Ironside.
Cockpits and theatres! It is the Restoration! The maypole is up again at
Maypole Lane, and the milk-maids bedecked with garlands dance to the
tunes of the fiddle. Boys no longer serve for heroines at the play, as
was the misfortune in Shakespeare's day. The air is full of hilarity and
joy.
Let us too for a little hour forget responsibility and fall in with the
spirit of the times; while we tipple and toast, and vainly boast: "The
King! Long live the King!"
Old Drury Lane was alive as the sun was setting, on the day of our visit
to London Town, with loungers and loafers; busy-bodies and hawkers;
traffickers of sweets and other petty wares; swaggering soldiers,
roistering by, stopping forsooth to throw kisses to inviting eyes at the
windows above.
As we turn into Little Russell Street from the Lane, passing many chairs
richly made, awaiting their fair occupants, we come upon the main
entrance to the King's House. Not an imposing or spacious structure to
be sure, it nevertheless was suited to the managerial purposes of the
day, which were, as now, to spend as little and get as much as may be.
The pit was barely protected from the weather by a glazed cupola; so
that the audience could not always hear the sweetest song to a finish
without a drenching, or dwell upon the shapeliness of the prettiest
ankle, that revealed itself in the dance by means of candles set on
cressets, which in those days sadly served the purposes of foot-lights.
It was Dryden's night. His play was on--"The Conquest of Granada." The
best of London were there; for a first night then was as attractive as a
first night now. In the balcony were draped boxes, in which lovely gowns
were seen--lovely hair and lovely gems; but the fair faces were often
masked.
The King sat listless in the royal box, watching the people and the play
or passing pretty compliments with the fair favourites by his side,
diverted, perchance, by the ill-begotten quarrel of some fellow with a
saucy orange-wench over the cost of her golden wares. The true gallants
preferred being robbed to haggling--for the shame of it.
A knowing one in the crowd was heard to say: "'Tis Castlemaine to the
King's left."
"No, 'tis Madame Carwell; curse her," snarled a more vulgar companion.
"Madame Querouaille, knave, Duchess of Portsmouth," irritably exclaimed
a handsome gallant, himself stumbling somewhat over the French name,
though making a bold play for it, as he passed toward his box, pushing
the fellow aside. He added a moment later, but so that no one heard:
"Portsmouth is far from here."
It was the Duke of Buckingham--the great Duke of Buckingham, in the pit
of the King's House! Truly, we see strange things in these strange
times! Indeed, William Penn himself did not hesitate to gossip with the
orange-wenches, unless Pepys lied--and Pepys never lied.
"What said he?" asked a stander-by, a butcher, who, with apron on and
sleeves to elbow, had hastily left his stall at one of the afternoon and
still stood with mouth agape and fingers widespread waiting for the
play. Before, however, his sooty companion could answer, they were
jostled far apart.
The crowd struggled for places in eager expectation, amid banter none
too virtuous, whistlings and jostlings. The time for the play had
arrived. "Nell! Nell! Nell!" was on every lip.
And who was "Nell"?
From amidst the players, lords and coxcombs crowded on the stage stepped
forth Nell Gwyn--the prettiest rogue in merry England.
A cheer went up from every throat; for the little vixen who stood before
them had long reigned in the hearts of Drury Lane and the habitués of
the King's House.
Yea, all eyes were upon the pretty, witty Nell; the one-time
orange-girl; now queen of the theatre, and the idol of the Lane. Her
curls were flowing and her big eyes dancing beneath a huge hat--more,
indeed, a canopy than a hat--so large that the audience screamed with
delight at the incongruity of it and the pretty face beneath.
This pace in foolery had been set at the Duke's House, but Nell out-did
them, with her broad-brimmed hat as large as a cart-wheel and her quaint
waist-belt; for was not her hat larger by half than that at the rival
house and her waist-belt quainter?
As she came forward to speak the prologue, her laugh too was merrier and
more roguish:
_"This jest was first of the other house's making,
And, five times tried, has never fail'd of taking;_
* * * * *
_This is that hat, whose very sight did win ye
To laugh and clap as though the devil were in ye,_
* * * * *
_I'll write a play, says one, for I have got
A broad-brimm'd hat, and waist-belt, towards a plot.
Says the other, I have one more large than that,
Thus they out-write each other with a hat!
The brims still grew with every play they writ;
And grew so large, they cover'd all the wit.
Hat was the play; 't was language, wit, and tale:
Like them that find meat, drink, and cloth in ale."_
The King leaned well out over the box-rail, his dark eyes intent upon
Nell's face.
A fair hand, however, was placed impatiently upon his shoulder and drew
him gently back. "Lest you fall, my liege."
"Thanks, Castlemaine," he replied, kindly but knowingly. "You are always
thoughtful."
The play went on. The actors came and went. Hart appeared in Oriental
robes as Almanzor--a dress which mayhap had served its purposes for
Othello, and mayhap had not; for cast-off court-dresses, without regard
to fitness, were the players' favourite costumes in those days, the
richness more than the style mattering.
With mighty force, he read from the centre of the stage, with elocution
true and syllable precise, Dryden's ponderous lines. The King nodded
approvingly to the poet. The poet glowed with pride at the patronage of
the King. The old-time audience were enchanted. Dryden sat with a
triumphant smile as he dwelt upon his poetic lines and heard the
cherished syllables receive rounds of applause from the Londoners.
Was it the thought, dear Dryden; or was it Nell's pretty ways that
bewitched the most of it? Nell's laugh still echoes in the world; but
where are your plays, dear Dryden?
CHAPTER II
_It's near your cue, Mistress Nell!_
The greenroom of the King's House was scarcely a prepossessing place or
inviting. A door led to the stage; another to the street. On the
remaining doors might have been deciphered from the Old English of a
scene-artist's daub "Mistress Gwyn" and "Mr. Hart." These doors led
respectively to the tiring-room of the sweet sprite who had but now set
the pit wild with a hat over a sparkling eye and to that of the
actor-manager of the House. A rough table, a few chairs, a mirror which
had evidently seen better days in some grand mansion and a large
throne-chair which might equally well have satisfied the royalty of
Macbeth or Christopher Sly--its royalty, forsooth, being in its size,
for thus only could it lord-it over its mates--stood in the corner. Old
armour hung upon the wall, grim in the light of candles fixed in
braziers. Rushes were strewn about the floor.
Ah! Pepys, Pepys, was it here that you recalled "specially kissing of
Nell"? Mayhap; for we read in your book: "I kissed her, and so did my
wife, and a mighty pretty soul she is." Be that as it may, however, you
must have found Nell's lips very agreeable; for a great wit has
suggested that it was well that Mrs. Pepys was present on the occasion.
On great play-nights, however, this most unroyal room assumed the
proportions of royalty. Gallants and even lords sought entrance here and
elbowed their way about; and none dared say them nay. They forced a way
even upon the stage during the play, though not so commonly as before
the Restoration, yet still too much; and the players played as best they
could, and where best they could. _Billets-doux_ passed, sweet
words were said,--all in this dilapidated, unpretentious, candle-lighted
room.
At the moment of which we speak, the greenroom was deserted save for a
lad of twelve or fourteen years, who stood before the mirror, posing to
his personal satisfaction and occasionally delivering bits from
"Hamlet." He was none other than "Dick," the call-boy of the King's
House.
The lad struck a final attitude, his brow clouded. He assumed what
seemed to him the proper pose for the royal Dane. His meditations and
his pose, however, were broken in upon by the sudden entrance of Manager
Hart, flushed and in an unusual state of excitement.
"Where is my dagger, Dick?" he exclaimed, pacing the room.
The boy came to himself but slowly.
"What are you doing? Get my dagger, boy," wildly reiterated the irate
manager. "Don't you see there will be a stage-wait?" He cast an anxious
glance in the direction of the door which led to the stage.
"Where did you leave it, sir?" asked the lad, finally realizing that it
would be wise not to trifle at such a time.
"Never mind where I left it. Get it, get it; do you hear! Nell's on the
stage already." Hart rushed to the door and looked off in an increasing
state of excitement.
"Why, you've got your dagger on, sir," hesitatingly suggested the lad,
as he caught the gleam of a small scimiter among the folds of Almanzor's
tunic.
Hart's face flushed.
"Devil take you, boy," he exclaimed; "you are too stupid ever to make an
actor!"
With this speech, the manager strode out of the greenroom toward the
stage.
Poor Dick sank back in an attitude of resignation. "How long, O Rome,
must I endure this bondage?" he said, sadly.
He again observed his boyish figure in the mirror, and the pretty face
brightened as he realized that there might still be hope in life,
despite Manager Hart's assertion that he would never be able to act. His
features slowly sank into a set expression of tremendous gloom, such as
he thought should characterize his conception of himself as Hamlet when
in days to come the mantles of Burbage and of Betterton should be his
and Manager Hart must bow to him. He stood transfixed before the glass
in a day-dream, forgetful of his ills. His pretty lips moved, and one
close by might have heard again, "To be or not to be" in well-modulated
phrase.
"Ah, boy; here!"
Dick started.
It was a richly dressed gallant, in old-rose with royal orders, who had
entered the room quietly but authoritatively from the street--the same
lordly personage we observed in the pit. His manner was that of one
accustomed to be obeyed and quickly too. The lad knew him and bowed low.
"Tell Mistress Nell, Buckingham would speak with her. Lively, lad;
lively," he said.
"She is on the stage, my lord," replied Dick, respectfully.
"Gad, I thought otherwise and stepped about from my box. Here; put these
flowers in her tiring-room."
The boy took the beautiful bouquet of white roses. "Yes, my lord," he
replied, and turned to do the bidding.
"Flowers strewn in ladies' ways oft' lead to princely favours," muttered
his lordship, thoughtfully, as he removed his gloves and vainly adjusted
his hat and sword. "Portsmouth at Dover told me that."
It was apparent from his face that much passed before his mind, in that
little second, of days when, at Dover Castle not long since, he had been
a part--and no small part--of the intrigue well planned by Louis of
France, and well executed by the Duchess of Orléans assisted by the fair
Louise, now Duchess of Portsmouth, in which his own purse and power had
waxed mightily. Whatever his lordship thought, however, it was gone like
the panorama before a drowning brain.
He stopped the lad as he was entering Nell's tiring-room, with an
exclamation. The boy returned.
"You gave Mistress Nell my note bidding her to supper?" he asked,
questioningly.
"I did, my lord," answered Dick.
"'Sheart, a madrigal worthy of Bacchus! She smiled delightedly?"
continued his lordship, in a jocular mood.
"No, my lord; quite serious."
His lordship's face changed slightly. "Read it eagerly?" he ventured,
where he might have commanded, further to draw out the lad.
"Yes, my lord," added Dick, respectfully, "after a time." The boy's lids
dropped to avoid revealing his amused recollection of the incident; and
his lordship's quick eye noted it.
"Good!" he exclaimed, with an assumed triumphant air. "She folded it
carefully and placed it in her bosom next her heart?"
"She threw it on the floor, my lord!" meekly answered Dick, hiding his
face in the flowers to avoid revealing disrespect.
"My _billet-doux_ upon the floor!" angrily exclaimed his lordship.
"Plague on't, she said something, made some answer, boy?" The diplomat
was growing earnest despite himself, as diplomats often do in the cause
of women.
Dick trembled.
"She said your dinners made amends for your company, my lord," he said,
meekly.
Buckingham's eyes snapped; but he was too clever to reveal his feelings
further to a call-boy, whom he dismissed with a wave of the hand. He
then swaggered to the table and complacently exclaimed: "The rogue!
Nelly, Nelly, your lips shall pay tribute for that. Rosy impudence!
Buckingham's dinners make amends for his company? Minx!" He threw
himself into a chair, filled with deep reflections of supper and wine,
wit and beauty, rather than state-craft.
Thus lost in selfish reflection, he did not observe, or, if he did,
cared not for, the frail figure and sweet face of one who cautiously
tiptoed into the greenroom. It was Orange Moll, whose sad countenance
and tattered garments betokened a sadder story. Her place was in the
pit, with her back to the stage, vending her oranges to artisans, girls
with vizards or foolish gallants. She had no right behind the scenes.
"I am 'most afraid to enter here without Nell," she thought,
faint-heartedly, as she glanced about the room and her eyes fell upon
the great Lord Buckingham.
"Oranges? Will you have my oranges? Only sixpence, my lord," she
ventured at length, then hesitatingly advanced and offered her wares;
but his lordship's thoughts were far away.
"What shall we have for supper?" was his sole concern. "I think Nelly
would like spiced tongue." Instantly his hands and eyes were raised in
mock invocation of the intervention of the Powers that Be, and so
suddenly that Moll drew back. "Ye Gods," he exclaimed aloud, "she has
enough of that already! Ah, the vintage of----"
It was more habit than courage which brought to Moll's trembling lips
the familiar orange-cry, which again interrupted him: "Oranges; only
sixpence. Here is one picked for you, my lord."
Buckingham's eyes flashed with anger; he was not wont to have his way,
much less his pleasure, disturbed by the lowly. "Oh, hang you, you
disturb me. I am thinking; don't you perceive I am thinking? Begone!"
"Only sixpence, my lord; I have not sold one to-night," pleaded the
girl, sadly.
His lordship rose irritably. "I have no pauper's pence," he exclaimed.
"Out of my way! Ragbag!" He pushed the girl roughly aside and crossed
the room.
At the same instant, there was confusion at the stage-door, the climax
of which was the re-entrance of Hart into the greenroom.
"How can a man play when he trembles for his life lest he step upon a
lord?" cried the angry manager. "They should be horsewhipped off the
stage, and"--his eyes falling upon Buckingham--"out of the greenroom."
"Ah, Hart," began his lordship, with a patronizing air, "why is Nelly so
long? I desire to see her."
Hart's lips trembled, but he controlled his passion. "Indeed? His
Majesty and the good folk in front would doubtless gladly await your
interview with Mistress Eleanor Gwyn. Shall I announce your will, my
lord, unto his Majesty and stop the play?"
"You grow ironical, friend Hart," replied his lordship.
"Not so," said the actor, bowing low; "I am your lordship's most
obedient servant."
Buckingham's lip curled and his eyes revealed that he would have said
more, but the room was meantime filling with players from the stage,
some exchanging compliments, some strutting before the glass, and he
would not so degrade his dignity before them. Dick, foil in hand even in
the manager's room, was testing the steel's strength to his utmost, in
boyish fashion.
This confusion lent Moll courage, and forth came again the cry:
"Oranges? Will you have my oranges? Only sixpence, sir."
She boldly offered her wares to Almanzor, but started and paled when
the hero turned and revealed Manager Hart.
"What are you doing here, you little imp? Back to the pit, where you
belong." The manager's voice was full of meaning.
"Nell told me I might come here, sir," said the girl, faintly excusing
herself.
Hart's temper got the better of him. To admit before all that Nell ruled
the theatre was an affront to his managerial dignity which he could not
brook.
"Oh, Nell did, did she?" he almost shrieked, as he angrily paced the
room like some caged beast, gesticulating wildly.
The actors gathered in groups and looked askant.
"Gadso," he continued, "who is manager, I should like to know! Nell
would introduce her whole trade here if she could. Every orange-peddler
in London will set up a stand in the greenroom at the King's, next we
know. Out with you! This is a temple of art, not a marketplace. Out with
you!"
He seized Moll roughly in his anger and almost hurled her out at the
door. He would have done so, indeed, had not Nell entered at this moment
from the stage. Her eye caught the situation at a glance.
"Oh, blood, Iago, blood!" she exclaimed, mock-heroically, then burst
into the merriest laugh that one could care to hear. "How now, a tragedy
in the greenroom! What lamb is being sacrificed?"
Hart stood confused; the players whispered in expectation; and an amused
smile played upon the features of my Lord Buckingham at the manager's
discomfiture. Finally Hart found his tongue.
"An old comrade of yours at orange-vending before you lost the art of
acting," he suggested, with a glance at Moll.
[Illustration: "ENEMIES TO THE KING--BEWARE!"]
"By association with you, Jack?" replied the witch of the theatre in a
way which bespoke more answers that wisdom best not bring forth.
Nell's whole heart went out to the subject of the controversy. Poor
little tattered Orange Moll! She was carried back in an instant to her
own bitter life and bitter struggles when an orange-girl. Throwing an
arm about the child, she kissed away the tears with, "What is the
matter, dear Moll?"
"They are all mocking me, and sent me back to the pit," replied the
girl, hysterically.
"Shame on you all," said Nell; and the eyes that were so full of comedy
revealed tragic fire.
"Fy, fy," pleaded Hart; "I'll be charitable to-morrow, Nell, after this
strain is off--but a first night--"
"You need charity yourself?" suggested Nell; and she burst into a merry
laugh, in which many joined.
Buckingham instantly took up the gauntlet for a bold play, for a _coup
d'état_ in flattery. "Pshaw!" he cried, waving aside the players in a
princely fashion. "When Nell plays, we have no time to munch oranges.
Let the wench bawl in the street."
Poor Moll's tears flowed again with each harsh word. Nell was not so
easily affected.
"Odso, my lord! It is a pity your lordship is not a player. Then the
orange-trade would flourish," she said.
Buckingham bowed, amused and curious. "Say you so, i' faith! Pray, why,
mad minx?"
"Your lordship would make such a good mark for the peel," retorted Nell,
tossing a bit of orange-peel in his face, to the infinite delight of
Hart and his fellow-players.
"Devil!" angrily exclaimed his lordship as he realized the insult. "I
would kill a man for this; a woman, I can only love." His hand left his
sword-hilt; and he bowed low to the vixen of the theatre, picked from
the floor the bit of peel which had fallen, kissed it, tossed it over
his shoulder and turned away.
Nell was not done, however; her revenge was incomplete. "There! dry your
eyes, Moll," she exclaimed. "Give me your basket, child. You shall be
avenged still further."
The greenroom had now filled from the stage and the tiring-rooms; and
all gathered gleefully about to see what next the impish Nell would do,
for avenged she would be they all knew, though the course of her
vengeance none could guess.
The manager, catching at the probable outcome when Nell seized from
Moll's trembling arm the basket heaped with golden fruit, gave the first
warning: "Great Heavens! Flee for your lives! I'faith, here comes the
veteran robber at such traffic."
There was a sudden rush for the stage, but Nell cried: "Guard the door,
Moll; don't let a rascal out. I'll do the rest."
It was not Moll's strength, however, which kept the greenroom filled,
but expectation of Nell. All gathered about with the suspense of a
drama; for Nell herself was a whole play as she stood in the centre of
that little group of lords and players, dressed for Almahyde, Dryden's
heroine, with a basket of oranges on her dimpled arm. What a pretty
picture she was too--prettier here even than on the stage! The nearer,
the prettier! A band of roses, one end of which formed a garland falling
to the floor, circled and bound in her curls. What a figure in her
Oriental garb, hiding and revealing. Indeed, the greenroom seemed
bewitched by her cry: "Oranges, will you have my oranges?"
She lifted the basket high and offered the fruit in her enchanting
old-time way, a way which had won for her the place of first actress in
England. Could it not now dispose of Moll's wares and make the child
happy? Almahyde's royal train was caught up most unroyally, revealing
two dainty ankles; and she laughed and danced and disposed of her wares
all in a breath. Listen and love:
_Sweet as love-lips, dearest mine,
Picked by Spanish maids divine,
Black-eyed beauties, who, like Eve,
With golden fruit their loves deceive!
Buy oranges; buy oranges!_
_Close your eyes, when these you taste;
Think your arm about her waist:
Thus with sixpence may you win
Happiness unstained with sin.
Buy oranges; buy oranges!_
_As the luscious fruit you sip,
You will wager 'tis her lip;
Nothing sweeter since the rise
Of wickedness in Paradise.
Buy oranges; buy oranges!_
There were cries of "Brava!" "Another jig!" and "Hurrah for Nelly!" It
was one of those bits of acting behind the scenes which are so rare and
exquisite and which the audience never see.
"Marry, gallants, deny me after that, if you dare"; and Nell's little
foot came down firmly in the last step of a triumphant jig, indicating a
determination that Moll's oranges should be sold and quickly too.
"Last act! All ready for the last act," rang out in Dick's familiar
voice from the stage-door as she ended. It was well some one thought of
the play and of the audience in waiting.
Many of the players hastily departed to take up their cues; but not so
Nell. Her eyes were upon the lordly Buckingham, who was endeavouring to
effect a crafty exit.
"Not so fast, my lord," she said as she caught his handsome cloak and
drew him back into the room. "I want you with me." She looked coyly into
his lordship's face as though he were the one man in all the world she
loved, and her curls and cheek almost nestled against his rich cloak. "A
dozen, did you say? What a heart you have, my lord. A bountiful heart!"
Buckingham was dazed; his eyes sought Nell, then looked aghast at the
oranges she would force upon him. The impudence of it!
"A dozen!" he exclaimed in awe. "'Slife, Nelly; what would I do with a
dozen oranges?"
"Pay for them, in sooth," promptly replied the vixen. "I never give a
lord credit."
The player-folk gathered closer to watch the scene; for there was
evidently more fun brewing, and that too at the expense of a very royal
gentleman.
"A player talk of credit!" replied his lordship, quite ironically, as he
straightened up proudly for a wit-encounter. "What would become of the
mummers, if the lords did not fill their empty pockets?" he said,
crushingly.
"What would become of the lords, if the players' brains did not try to
fill their empty skulls with wits?" quickly retorted Nell.
"If you were a man, sweet Nelly, I should answer: 'The lords first had
fools at court; then supplanted them with players!'"
"And, being a woman, I do answer," replied the irrepressible Nell,
"'--and played the fools themselves, my lord!'"
The players tried to smother their feelings; but the retort was too apt,
and the greenroom rang with laughter.
Buckingham turned fiercely upon them; but their faces were instantly
mummified.
"Gad, I would sooner face the Dutch fleet, Nelly. Up go my hands, fair
robber," he said. He had decided to succumb for the present. In his
finger-tips glistened a golden guinea.
Nell eyed the coin dubiously.
"Nay, keep this and your wares too," added his lordship, in hope of
peace, as he placed it in her hand.
"Do you think me a beggar?" replied Nell, indignantly. "Take your
possessions, every one--every orange." She filled his hands and arms to
overflowing with her golden wares.
His lordship winced, but stood subdued.
"What am I to do with them?" he asked, falteringly.
"Eat them; eat them," promptly and forcefully retorted the quondam
orange-vender.
"All?" asked his lordship.
"All!" replied her ladyship.
"Damme, I cannot hold a dozen," he exclaimed, aghast.
"A chair! A chair!" cried Nell. "Would your lordship stand at the feast
of gold?"
Before Buckingham had time to reflect upon the outrage to his dignity,
Nell forced him into a chair, to the great glee of the by-standers,
especially of Manager Hart, who chuckled to an actor by his side:
"She'll pluck his fine feathers; curse his arrogance."
"Your knees together, my lord! What, have they never united in prayer?"
gleefully laughed Nell as she further humbled his lordship by forcing
his knees together to form a lap upon which to pile more oranges.
Buckingham did not relish the scene; but he was clever enough to humour
the vixen, both from fear of her tongue and from hope of favours as well
as words from her rosy lips.
"They'll unite to hold _thee_, wench," he suggested, with a sickly
laugh, as he observed his knees well laden with oranges. "I trow not,"
retorted Nell; "they can scarce hold their own. There!" and she
roguishly capped the pyramid which burdened his lordship's knees with
the largest in her basket.
"I'll barter these back for my change, sweet Nell," he pleaded.
"What change?" quickly cried the merry imp of Satan.
"I gave you a golden guinea," answered his lordship, woefully.
"I gave you a golden dozen, my lord!" replied Nell, gleefully.
"Oranges, who will have my oranges?"
She was done with Buckingham and had turned about for other prey.
Hart could not allow the opportunity to escape without a shot at his
hated lordship.
"Fleeced," he whispered grimly over his lordship's shoulder, with a
merry chuckle.
Buckingham rose angrily.
"A plague on the wench and her dealings," he said. His oranges rolled
far and wide over the floor of the greenroom.
"You should be proud, my lord, to be robbed by so fair a hand,"
continued Hart, consolingly. "'Tis an honour, I assure you; we all envy
you."
Buckingham did not relish the consolation.
"'Tis an old saw, Master Hart," he replied: "'He laughs best who laughs
last.'"
As he spoke, Nell's orange-cry rang out again above the confusion and
the fun. She was still at it. Moll was finding vengeance and money,
indeed, though she dwelt upon her accumulating possessions through
eyelashes dim with tears.
"It's near your cue, Mistress Nell," cried out the watchful Dick at the
stage-door.
"Six oranges left; see me sell them, Moll," cried the unheeding vender.
"It's near your cue, Mistress Nell!" again shouted the call-boy, in
anxious tones.
"Marry, my cue will await my coming, pretty one," laughed Nell.
The boy was not so sure of that. "Oh, don't be late, Mistress Nell," he
pleaded. "I'll buy the oranges rather than have you make a stage-wait."
"Dear heart," replied Nell, touched by the lad's solicitude. "Keep your
pennies, Dick, and you and I will have a lark with them some fine day.
Six oranges, left; going--going--" She sprang into the throne-chair,
placed one of the smallest feet in England impudently on one of its arms
and proceeded to vend her remaining wares from on high, to the huge
satisfaction of her admirers.
The situation was growing serious. Nell was not to be trifled with. The
actors stood breathless. Hart grew wild as he realized the difficulty
and the fact that she was uncontrollable. King and Parliament, he well
knew, could not move her from her whimsical purpose, much less the
manager of the King's.
"What are you doing, Nell?" he pleaded, wildly. "You will ruin the first
night. His Majesty in front, too! Dryden will never forgive us if
'Granada' goes wrong through our fault."
"Heyday! What care I for 'Granada'?" and Nell swung the basket of
oranges high in air and calmly awaited bids. "Not a step on the stage
till the basket is empty."
It was Buckingham's turn now. "Here's music for our manager," he
chuckled. "Our deepest sympathy, friend Hart."
This was more than Hart could bear. The manager of the King's House was
forced into profanity. "Damn your sympathy," exclaimed he; and few would
criticise him for it. He apologized as quickly, however, and turned to
Nell. "There goes your scene, Nell. I'll buy your oranges, when you come
off," he continued to plead, in desperation, scarcely less fearful of
offending her than of offending the great Lord Buckingham.
"Now or never," calmly replied the vender from her chair-top.
"The devil take the women," muttered Hart, frantically, as he rushed
headlong into his tiring-room.
"Marry, Heaven defend," laughed Nell; "for he's got the men already."
She sprang lightly from the chair to the floor.
Hart was back on the instant, well out of breath but purse in hand.
"Here, here," he exclaimed. "Never mind the oranges, wench. The audience
will be waiting."
"Faith and troth, and is not Nell worth waiting for?" she cried, her
eyes shining radiantly. Indeed, the audience would have gladly waited,
could they have but seen her pretty, winsome way! "These are
yours--all--all!" she continued, as she gleefully emptied the basket of
its remaining fruit over Prince Almanzor's head.
Hart protested vainly.
Then rushing back to Moll, Nell threw both arms about the girl
triumphantly. "There, Moll," she said, "is your basket and all the
trophies"; and she gave Moll the basket with the glittering coins
jangling in it.
"Your cue--your cue is spoken, Mistress Nell," shrieked Dick from the
stage-door.
Nell heeded not. Her eyes happening upon an orange which had fallen near
the throne-chair, she caught it up eagerly and hurled it at Manager
Hart.
"Forsooth, here's another orange, Master Manager."
He succeeded in catching it despite his excitement.
"Your cue--your cue--Mistress Nell!" came from every throat as one.
Nell tossed back her head indifferently. "Let them wait; let them wait,"
she said, defiantly.
The stage-beauty crossed leisurely to the glass and carelessly arranged
her drapery and the band of roses encircling her hair.
Then the hoyden was gone. In an instant, Nell was transformed into the
princess, Almahyde. The room had been filled with breathless suspense;
but what seemed to the players an endless period of time was but a
minute. Nell turned to the manager, and with all the suavity of a
princess of tragedy kissed her hand tantalizingly to him and said: "Now,
Jack, I'll teach you how to act."
She passed out, and, in a moment, rounds of applause from the
amphitheatre filled the room. She was right; the audience would wait for
her.
A moment later, the greenroom was deserted except for Manager Hart and
Lord Buckingham. Hart had thrown the call-boy almost bodily through the
door that led to the stage, thus venting his anger upon the unoffending
lad, who had been unfortunate enough to happen in his way ill betimes.
He now stood vainly contemplating himself before the glass and awaiting
his cue. Buckingham leaned upon a chair-top, uncertain as to his course.
"Damme! She shall rue this work," he muttered at length. "A man might as
well make love to a wind-mill. I forgot to tell her how her gown becomes
her. That is a careless thing to forget." The reflection forthwith
determined his course. "Nelly, Nelly, Nelly," he called as he quickly
crossed the room after the departed Nell, "you are divine to-night. Your
gown is simply--"
The manager's voice stayed him at the stage-door. "My lord, come back;
my lord--"
Buckingham's hand had gone so far, indeed, as to push open the door. He
stood entranced as he looked out upon the object of his adoration upon
the stage. "Perfection!" he exclaimed. "Your eyes--"
"My lord, my lord, you forget--"
Buckingham turned indignantly at the voice which dared to interrupt him
in the midst of his rhapsody.
"You forget--your oranges, my lord," mildly suggested Hart, as he
pointed to the fruit scattered upon the floor.
Buckingham's face crimsoned. "Plague on't! They are sour, Master Hart."
With a glance of contempt, he turned on his heel and left the room.
A triumphant smile played upon the manager's face. He felt that he had
annoyed his lordship without his intention being apparent. "A good exit,
on my honour," he muttered, as he stood contemplating the door through
which Buckingham had passed; "but, by Heaven, he shall better it unless
he takes his eyes from Nell. Great men believe themselves resistless
with the fair; more often, the fair are resistless with great men."
He took a final look at himself in the glass, adjusted his scimiter;
and, well satisfied with himself and the conceit of his epigram unheard
save by himself, he also departed, to take up his cue.
CHAPTER III
_He took them from Castlemaine's hand to throw to you._
The greenroom seemed like some old forest rent by a storm. Its
furniture, which was none too regular at best, either in carving or
arrangement, had the irregularity which comes only with a tempest, human
or divine. The table, it is true, still stood on its four oaken legs;
but even it was well awry. The chairs were scattered here and there,
some resting upon their backs. To add to all this, oranges in confusion
were strewn broadcast upon the floor.
A storm in fact had visited the greenroom. The storm was Nell.
In the midst of the confusion, a jolly old face peeped cautiously in at
the door which led to the street. At the sound of Manager Hart's
thunderous tones coming from the stage, however, it as promptly
disappeared, only to return when the apparent danger ceased. It was a
rare old figure and a rare old dress and a rare old man. Yet, not an old
man either. His face was red; for he was a tavern spirit, well known and
well beloved,--a lover of good ale! Across his back hung a fiddle which
too had the appearance of being the worse for wear, if fiddles can ever
be said to be the worse for wear.
The intruder took off his dilapidated hat, hugged his fiddle closely
under his arm and looked about the room, more cautiously than
respectfully.
"Oons, here is a scattering of props; a warfare of the orange-wenches!"
he exclaimed. "A wise head comes into battle after the last shot is
fired."
He proceeded forthwith to fill his pockets, of which there seemed to be
an abundance of infinite depth, with oranges. This done, he calmly made
a hole in the next orange which came to his hand and began to suck it
loudly and persistently, boy-fashion, meanwhile smacking his lips. His
face was one wreath of unctuous smiles. "There is but one way to eat an
orange," he chuckled; "that's through a hole."
At this moment, Hart's voice was heard again upon the stage, and the
new-comer to the greenroom liked to have dropped his orange. "Odsbud,
that's one of Master Hart's love-tones," he thought. "I must see Nell
before he sees me, or it will be farewell Strings." He hastened to
Nell's tiring-room and rapped lightly on the door. "Mistress Nell!
Mistress Nell!" he called.
The door opened, but it was not Nell. Her maid pointed toward the stage.
Strings--for Strings was his name, or at least none knew him by a
better--accordingly hobbled across the room--for the wars too had left
their mark on him--and peeped off in the direction indicated.
"Gad," he exclaimed, gleefully clapping his hands, "there she goes on
the stage as a Moorish princess."
There was a storm of applause without.
"Bravo, Nelly, bravo!" he continued. "She's caught the lads in the pit.
They worship Nell out there." The old fellow straightened up as if he
felt a personal pride in the audience for evincing such good taste.
"Oons! Jack Hart struts about like a young game-cock at his first
fight," he observed. He broke into an infectious laugh, which would have
been a fine basso for Nell's laugh.
From the manager, his eye turned toward the place which he himself had
once occupied among the musicians. He began to dance up and down with
both feet, his knees well bent, boy-fashion, and to clap his hands
wildly. "Look ye, little Tompkins got my old place with the fiddle.
Whack, de-doodle-de-do! Whack, de-doodle, de-doodle-de-do!" he cried,
giving grotesque imitations to his own great glee of his successor as
leader of the orchestra.
Then, shaking his head, confident of his own superiority with the bow,
he turned back into the greenroom and, with his mouth half full of
orange, uttered the droll dictum: "It will take more than catgut and
horse-hair to make you a fiddler, Tommy, my boy."
Thus Strings stood blandly sucking his orange with personal satisfaction
in the centre of the room, when Dick entered from the stage. The
call-boy paused as if he could not believe his eyes. He looked and
looked again.
"Heigh-ho!" he exclaimed at last, and then rushed across the room to
greet the old fiddler. "Why, Strings, I thought we would never see you
again; how fares it with you?"
Strings placed the orange which he had been eating and which he knew
full well was none of his own well behind him; and, assuming an
unconcerned and serious air, he replied: "Odd! A little the worse for
wear, Dickey, me and the old fiddle, but still smiling with the world."
There was a bit of a twinkle in his eye as he spoke.
Dick, ever mindful of the welfare and appearance of the theatre,
unhooked from the wall a huge shield, which mayhap had served some
favourite knight of yore, and, using it as a tray, proceeded to gather
the scattered fruit.
"Have an orange?" he inquired of Strings, who still stood in a
reflective mood in the centre of the room, as he rested in his labours
by him.
"How; do they belong to you?" demanded Strings.
"Oh, no," admitted Dick, "but--"
The fiddler instantly assumed an air of injured innocence.
"How dare you," he cried, "offer me what don't belong to you?" He turned
upon the boy almost ferociously at the bare thought. "Honesty is the
best policy," he continued, seriously. "I have tried both, lad"; and, in
his eagerness to impress upon the boy the seriousness of taking that
which does not belong to you, he gestured inadvertently with the hand
which till now had held the stolen orange well behind him.
[Illustration: A FRIEND EVEN UNTO HER WORST ENEMY.]
Dick's eye fell upon it, and so did Strings's. There was a moment's
awkwardness, and then both burst into a peal of joyous laughter.
"Oh, well, egad,--I _will_ join you, Dick," said Strings, with more
patronage still than apology. He seated himself upon the table and began
anew to suck his orange in philosophic fashion.
"But, mind you, lad; never again offer that which is not your own, for
there you are twice cursed," he discoursed pompously. "You make him who
receives guilty of your larceny. Oons, my old wound." He winced from
pain. "He becomes an accomplice in your crime. So says the King's law.
Hush, lad, I am devouring the evidence of your guilt."
The boy by this time had placed the shield of oranges in the corner of
the room and had returned to listen to Strings's discourse. "You speak
with the learning of a solicitor," he said, as he looked respectfully
into the old fiddler's face.
Strings met the glance with due dignity.
"Marry, I've often been in the presence of a judge," he replied, with
great solemnity. His face reflected the ups and downs in his career as
he made the confession.
"Is that where you have been, Strings, all these long days?" asked Dick,
innocently.
"Heaven forbid!" exclaimed Strings, with sadly retrospective
countenance. "Travelling, lad--contemplating the world, from the King's
highways. Take note, my boy,--a prosperous man! I came into the world
without a rag that I could call my own, and now I have an abundance.
Saith the philosopher: Some men are born to rags, some achieve rags and
some have rags thrust upon them."
"I wish you were back with us, Strings," said the boy, sympathetically,
as he put a hand upon Strings's broad shoulder and looked admiringly up
into his face.
"I wish so myself," replied the fiddler. "Thrice a day, I grow lonesome
here." A weather-beaten hand indicated the spot where good dinners
should be.
"They haven't all forgot you, Strings," continued his companion,
consolingly.
"Right, lad!" said Strings, musingly, as he lifted the old viol close
against his cheek and tenderly picked it. "The old fiddle is true to me
yet, though there is but one string left to its dear old neck." There
was a sob in his voice as he spoke. "I tell you, a fiddle's human, Dick!
It laughs at my jokes alone now; it weeps at my sorrows." He sighed
deeply and the tears glistened in his eyes. "The fiddle is the only
friend left me and the little ones at home now, my lad."
"--And Dick!" the boy suggested, somewhat hurt. He too was weeping.
"It's a shame; that's what it is!" he broke out, indignantly. "Tompkins
can't play the music like you used to, Strings."
"Oons!" exclaimed the fiddler, the humour in his nature bubbling again
to the surface. "It's only now and then the Lord has time to make a
fiddler, Dickey, my boy."
As he spoke, the greenroom shook with the rounds of applause from the
pit and galleries without.
"Hurrah!" he shouted, following Dick to the stage-door--his own sorrows
melting before the sunshine of his joy at the success of his favourite.
"Nell has caught them with the epilogue." He danced gleefully about,
entering heartily into the applause and totally forgetful of the fact
that he was on dangerous ground.
Dick was more watchful. "Manager Hart's coming!" he exclaimed in
startled voice, fearful for the welfare of his friend.
Strings collapsed. "Oh, Lord, let me be gone," he said, as he remembered
the bitter quarrel he had had with the manager of the King's House,
which ended in the employment of Tompkins. He did not yearn for another
interview; for Hart had forbidden him the theatre on pain of whipping.
"Where can you hide?" whispered Dick, woefully, as the manager's voice
indicated that he was approaching the greenroom, and that too in far
from the best of humour.
"Behind Richard's throne-chair! It has held sinners before now," added
the fiddler as he glided well out of sight.
Dick was more cautious. In a twinkling, he was out of the door which led
to the street.
The greenroom walls looked grim in the sputtering candle-light, but they
had naught to say.
The door from the stage opened, and in came Nell. There was something
sadly beautiful and pathetic in her face. She had enjoyed but now one of
the grandest triumphs known to the theatre, and yet she seemed oblivious
to the applause and bravas, to the lights and to the royalty.
A large bouquet of flowers was in her arms--a bouquet of red roses. Her
lips touched them reverently. Her eyes, however, were far away in a
dream of the past.
"From the hand of the King of England!" she mused softly to herself.
"The King? How like his face to the youthful cavalier, who weary and
worn reined in his steed a summer's day, now long ago, and took a gourd
of water from my hand. Could he have been the King? Pooh, pooh! I dream
again."
She turned away, as from herself, with a heart-heavy laugh. The manager
entered from the stage.
"See, Jack, my flowers," she said, again in an ecstasy of happiness.
"Are they not exquisite?"
"He took them from Castlemaine's hand to throw to you," snarled Hart,
jealously.
"The sweeter, then!" and Nell broke into a tantalizing laugh. "Mayhap he
was teaching the player-king to do likewise, Jack," she added,
roguishly, as she arranged the flowers in a vase.
"I am in no mood for wit-thrusts," replied Hart as he fretfully paced
the room. "You played that scene like an icicle."
"In sooth, your acting froze me," slyly retorted Nell, kindly but
pointedly. She took the sweetest roses from the bunch, kissed them and
arranged them in her bosom.
This did not improve Hart's temper.
Strings seized the opportunity to escape from his hiding-place to the
stage.
"I say, you completely ruined my work," said Hart. "The audience were
rightly displeased."
"With you, perhaps," suggested Nell. "I did not observe the feeling."
Hart could no longer control himself. "You vilely read those glorious
lines:
_"See how the gazing People crowd the Place;
All gaping to be fill'd with my Disgrace.
That Shout, like the hoarse Peals of Vultures rings,
When, over fighting Fields they beat their wings."_
"And how should I read them, dear master?" she asked demurely of her
vainglorious preceptor.
"Like I read them, in sooth," replied he, well convinced that his
reading could not be bettered.
"Like you read them, in sooth," replied Nell, meekly. She took the floor
and repeated the lines with the precise action and trick of voice which
Hart had used. Every "r" was well trilled; "gaping" was pronounced with
an anaconda-look, as though she were about to swallow the theatre,
audience and all; and, as she spoke the line, "When, over fighting
Fields they beat their wings," she raised her arms and shoulders in
imitation of some barn-yard fowl vainly essaying flight and swept across
the room, the picture of grace in ungracefulness.
"'Tis monstrous!" exclaimed Hart, bitterly, as he realized the travesty.
"You cannot act and never could. I was a fool to engage you."
Nell was back by the vase, toying with the flowers. "London applauds my
acting," she suggested, indifferently.
"London applauds the face and figure; not the art," replied Hart.
"London is wise; for the art is in the face and figure, Master Jack. You
told me so yourself," she added, sharply, pointing her finger at her
adversary in quick condemnation. She turned away triumphant.
"I was a fool like the rest," replied Hart, visibly irritated that he
could not get the better of the argument.
"Come, don't be angry," said Nell. Her manner had changed; for her heart
had made her fearful lest her tongue had been unkind. "Mayhap Almahyde
is the last part Nell will ever play." She looked thoughtfully into the
bunch of roses. Did she see a prophecy there?
He approached the table where she stood. "Your head is turned by the
flowers," he said, bitterly. "An honest motive, no doubt, prompted the
royal gift."
Nell turned sharply upon him. Her lips trembled, but one word only came
to them--"Jack!"
Hart's eyes fell under the rebuke; for he knew that only anger prompted
what he had said. He would have struck another for the same words.
"Pardon, Nell," he said, softly. "My heart rebukes my tongue. I love
you!"
Nell stepped back to the mirror, contemplating herself, bedecked as she
was with the flowers. In an instant she forgot all, and replied
playfully to Hart's confession of love: "Of course, you do. How could
you help it? So do others."
"I love you better than the rest," he added, vehemently, "better than my
life." He tried to put his arms about her.
Nell, however, was by him like a flash.
"Not so fast, dear sir," she said, coyly; and she tiptoed across the
room and ensconced herself high in the throne-chair.
Hart followed and knelt below her, adoring.
"Admit that I can act--a little--just a little--dear Hart, or tell me no
more of love." She spoke with the half-amused, half-indifferent air of a
beautiful princess to some servant-suitor; and she was, indeed, most
lovable as she leaned back in the great throne-chair. She seemed a queen
and the theatre her realm. Her beautiful arms shone white in the
flickering candle-light. Her sceptre was a rose which the King of
England had given her.
Hart stepped back and looked upon the picture. "By heaven, Nell," he
cried, "I spoke in anger. You are the most marvellous actress in the
world. Nature, art and genius crown your work."
Nell smiled at his vehemence. "I begin to think that you have taste most
excellent," she said.
Hart sprang to her side, filled with hope. As the stage-lover he ne'er
spoke in tenderer tones. "Sweet Nell, when I found you in the pit, a
ragged orange-girl, I saw the sparkle in your eye, the bright
intelligence, the magic genius, which artists love. I claimed you for my
art, which is the art of arts--for it embraces all. I had the theatre. I
gave it you. You captured the Lane--then London. You captured my soul as
well, and held it slave."
"Did I do all that, dear Jack?" she asked, wistfully.
"And more," said Hart, rapturously. "You captured my years to come, my
hope, ambition, love--all. All centred in your heart and eyes, sweet
Nell, from the hour I first beheld you."
Nell's look was far away. "Is love so beautiful?" she murmured softly.
Her eye fell upon her sceptre-rose. "Yea, I begin to think it is." She
mused a moment, until the silence seemed to awaken her. She looked into
Hart's eyes again, sadly but firmly, then spoke as with an effort: "You
paint the picture well, dear Jack. Paint on." Her hand waved
commandingly.
"I could not paint ill with such a model," said he, his voice full of
adoration.
"Well said," she replied; "and by my troth, I have relented like you,
dear Jack. I admit you too can act--and marvellously well." She took his
trembling hand and descended from the throne. He tried once again to
embrace her, but she avoided him as before.
"Is't true?" he asked, eagerly, without observing the hidden meaning in
her voice.
"'Tis true, indeed--with proper emphasis and proper art and proper
intonation." She crossed the room, Hart following her.
"I scarce can live for joy," he breathed.
Nell leaned back upon the table and looked knowingly and deeply into
Hart's eyes. Her voice grew very low, but clear and full of meaning.
"In faith," she said, "I trow and sadly speak but true; for I am sad at
times--yea--very sad--when I observe, with all my woman's wiles and
arts, I cannot act the hypocrite like men."
"What mean you, darling cynic?" asked he, jocosely.
"Darling!" she cried, repeating the word, with a peculiar look. "To tell
two girls within the hour you love each to the death would be in me
hypocrisy, I admit, beyond my art; but you men can do such things with
conscience clear."
Hart turned away his face. "She's found me out," he thought.
"Nell, I never loved the Spanish dancing-girl. You know I love but you."
"Oh, ho!" laughed Nell. "Then why did you tell her so?--to break her
heart or mine?"
The manager stood confused. He scarce knew what to say.
"You are cruel, Nell," he pleaded, fretfully. "You never loved me,
never."
"Did I ever say I did?"
Hart shook his head sadly.
"Come, don't pout, Jack. An armistice in this, my friend, for you were
my friend in the old days when I needed one, and I love you for that."
She placed her hands kindly on the manager's shoulders, then turned and
began to arrange anew the gift-flowers in the vase.
"I'll win your life's love, Nell, in spite of you," he said,
determinedly.
She turned her honest eyes upon him. "Nay, do not try; believe me, do
not try," she said softly.
"Nell, you do not mean--?" His voice faltered.
"You must not love me," she said, firmly; "believe me, you must not."
"I must not love you!" His voice scarcely breathed the words.
"There, there; we are growing sentimental, Jack,--and at our age," she
replied. She laughed gaily and started for her tiring-room.
He followed her.
"Sup with me, Nell," he pleaded. "No word of this, I promise you."
"Heyday, I'll see how good you are, Jack," she answered, cordially.
"My second bid to sup to-night," she thought. "Who sets the better
feast?"
The tiring-room door was open; and the little candles danced gleefully
about the make-up mirror, for even candles seemed happy when Nell came
near. The maid stood ready to assist her to a gown and wrap, that she
might leave the theatre.
Nell turned. Hart still stood waiting. The spirit of kindness
o'er-mastered her.
"Your hand, friend, your hand," she said, taking the manager's hand.
"When next you try to win a woman's love, don't throw away her
confidence; for you will never get it back again entire."
Hart bowed his head under the rebuke; and she entered her room.
CHAPTER IV
_Flowers and Music feed naught but Love._
The manager stood a moment looking through the half-closed door at Nell.
There was a strange mingling of contending forces at work in his nature.
To be sure, he had trifled with the affections of the Spanish
dancing-girl, a new arrival from Madrid and one of the latest
attractions of the King's House; but it was his pride, when he
discovered that Nell's sharp eyes had found him out, that suffered, not
his conscience. Was he not the fascinating actor-manager of the House?
Could he prevent the ladies loving him? Must he be accused of not loving
Nell, simply because his charms had edified the shapely new-comer?
Nell's rebuke had depressed him, but there was a smouldering fire
within. "'Slife!" he muttered. "If I do not steal my way into Nell's
heart, I'll abandon the rouge-box and till the soil."
As he approached his tiring-room, he bethought him that it would be well
first to have an oversight of the theatre. He turned accordingly and
pulled open the door that led to the stage.
As he did so, a figure fell into the greenroom, grasping devotedly a
violin, lest his fall might injure it. Strings had been biding his time,
waiting an opportunity to see Nell, and had fallen asleep behind the
door.
"How now, dog!" exclaimed the manager when he saw who the intruder was.
Strings hastened to his feet and hobbled across the room.
"I told you not to set foot here again," shouted Hart, following him
virulently.
Strings bowed meekly. "I thought the King's House in need of a player;
so I came back, sir," said he.
Hart was instantly beside himself. "Zounds!" he stormed. "I have had
enough impudence to contend with to-night. Begone; or up you go for a
vagrant."
"I called on Mistress Gwyn, sir," explained Strings.
"Mistress Gwyn does not receive drunkards," fiercely retorted Hart; and
he started hastily to the stage-door and called loudly for his force of
men to put the fiddler out.
Nell's door was still ajar. She had removed the roses from her hair and
dress. She caught at once her name. Indeed, there was little that went
on which Nell did not see or hear, even though walls intervened. "Who
takes my name in vain?" she called. Her head popped through the opening
left by the door, and she scanned the room.
As her eye fell upon the old fiddler, who had often played songs and
dances for her in days gone by, a cry of joy came from her lips. She
rushed into the greenroom and threw both arms about Strings's neck. "My
old comrade, as I live," she cried, dancing about him. "I am joyed to
see you, Strings!"
Turning, she saw the manager eying them with fiery glances. She knew the
situation and the feeling. "Jack, is it not good to have Strings back?"
she asked, sweetly.
Hart's face grew livid with anger. He could see the merry devil dancing
in her eye and on her tongue. He knew the hoyden well. "Gad, I will
resign management." He turned on his heel, entered his tiring-room and
closed the door, none too gently. He feared to tarry longer, lest he
might say too much.
Nell broke into a merry laugh; and the fiddler chuckled.
"You desert me these days, Strings," she said, as she leaned against the
table and fondly eyed the wayfarer of the tattered garments and
convivial spirits.
"I don't love your lackey-in-waiting, Mistress Nell," said he, with a
wink in the direction of the departed manager.
"Poor Jack. Never mind him," she said, with a roguish laugh, though with
no touch of malice in it, for there was devil without malice in Nell's
soul.
As she again sought the eyes of the fiddler, her face grew thoughtful.
She spoke--hesitated--and then spoke again, as if the thought gave her
pain. "Have you kept your word to me, Strings, and stopped--drinking?"
she asked. The last word fell faintly, tremblingly, from her
lips--almost inaudibly.
"Mistress Nell, I--I--" Strings's eyes fell quickly.
Nell's arm was lovingly about him in an instant. "There, there; don't
tell me, Strings. Try again, and come and see me often." There was a
delicacy in her voice and way more beautiful than the finest acting. The
words had hurt her more than him. She changed her manner in an instant.
Not so with Strings. The tears were in his eyes. "Mistress Nell, you are
so good to me," he said; "and I am such a wretch."
"So you are, Strings," and she laughed merrily.
"I have taught my little ones at home who it is that keeps the wolf from
our door," he continued.
"Not a word of that!" she exclaimed, reprovingly. "Poor old fellow!" Her
eyes grew big and bright as she reflected on the days she had visited
the fiddler's home and on the happiness her gifts had brought his
children. For her, giving was better than receiving. The feeling sprang
from the fulness of her own joy at seeing those about her happy, and not
from the teachings of priests or prelates. Dame Nature was her sole
preceptor in this.
"I'll bring the babes another sugar plum to-morrow. I haven't a farthing
to-night. Moll ran away with the earnings, and there is no one left to
rob," she said.
"Heyday," and she ran lightly to the vase and caught up the flowers.
"Take the flowers to the bright eyes, to make them brighter." They would
at least add cheerfulness to the room where Strings lived until she
could bring something better.
As she looked at the roses, she began to realize how dear they were
becoming to herself, for they were the King's gift; and her heart beat
quickly and she touched the great red petals lovingly with her lips.
Strings took the flowers awkwardly; and, as he did so, something fell
upon the floor. He knelt and picked it up, in his eagerness letting the
roses fall.
"A ring among the flowers, Mistress Nell," he cried.
"A ring!" she exclaimed, taking the jewel quickly. Her lips pressed the
setting. "Bless his heart! A ring from his finger," she continued half
aloud. "Is it not handsome, Strings?" Her eyes sparkled brightly and
there was a triumphant smile upon her lips.
The fiddler's face, however, was grave; his eyes were on the floor.
"How many have rings like that, while others starve," he mused,
seriously.
Nell held the jewel at arm's length and watched its varying brightness
in the candle-light. "We can moralize, now we have the ring," she said,
by way of rejoinder, then broke into a ringing laugh at her own
way-of-the-world philosophizing. "Bless the giver!" she added, in a mood
of rhapsody.
She turned, only again to observe the sad countenance of Strings.
"Alack-a-day! Why do you not take the nosegay?" she asked, wonderingly;
for she herself was so very happy that she could not see why Strings too
should not be so.
"It will not feed my little ones, Mistress Nell," he answered, sadly.
Nell's heart was touched in an instant. "Too true!" she said,
sympathetically, falling on her knee and lovingly gathering up the
roses. "Flowers and Music feed naught but Love, and often then Love goes
hungry--very hungry." Her voice was so sweet and tender that it seemed
as though the old viol had caught the notes.
"Last night, Mistress Nell," said Strings, "the old fiddle played its
sweetest melody for them, but they cried as if their tiny hearts would
break. They were starving, and I had nothing but music for them."
"Starving!" Nell listened to the word as though at first she did not
realize its meaning. "What can I send?" she cried, looking about in vain
and into her tiring-room.
Her eyes fell suddenly upon the rich jewel upon her finger. "No, no; I
cannot think of that," she thought.
Then the word "starving" came back to her again with all its force.
"Starving!" Her imagination pictured all its horrors. "Starving" seemed
written on every wall and on the ceiling. It pierced her heart and
brain. "Yes, I will," she exclaimed, wildly. "Here, Strings, old fellow,
take the ring to the babes, to cut their teeth on."
Strings stood aghast. "No, Mistress Nell; it is a present. You must
not," he protested.
"There are others where that came from," generously laughed Nell.
"You must not; you are too kind," he continued, firmly.
[Illustration: NELL PREVENTS A QUARREL.]
"Pooh, pooh! I insist," said Nell as she forced the jewel upon him. "It
will make a pretty mouthful; and, besides, I do not want my jewels to
outshine me."
Strings would have followed her and insisted upon her taking back the
beautiful gift, but Nell was gone in an instant and her door closed.
"To cut their teeth on!" he repeated as he placed the jewelled ring
wonderingly upon his bow-finger and watched it sparkle and laugh in the
light as he pretended to play a tune. "She is always joking like that;
Heaven reward her."
He stood lost in the realization of sudden affluence.
Buckingham entered the room from the stage-door. His eyes were full of
excitement. "The audience are wild over Nell, simply wild," he exclaimed
in his enthusiasm, unconscious of the fact that he had an auditor, who
was equally oblivious of his lordship's presence. "Gad," he continued,
rapturously, half aloud, half to himself, "when they are stumbling home
through London fog, the great _comédienne_ will be playing o'er the
love-scenes with Buckingham in a cosy corner of an inn. She will not
dare deny my bid to supper, with all her impudence. _Un petit
souper!_" He broke into a laugh. "Tis well Old Rowley was too engaged
to look twice at Nelly's eyes," he thought. "His Majesty shall never
meet the wench at arm's length, an I can help it."
He observed or rather became aware for the first time that there was
another occupant of the room.
"Ah, sirrah," he called, without noting the character of his companion,
"inform Mistress Nell, Buckingham is waiting."
Strings looked up. He seemed to have grown a foot in contemplation of
his sudden wealth. Indeed, each particular tatter on his back seemed to
have assumed an independent air.
"Inform her yourself!" he declared; and his manner might well have
become the dress of Buckingham. "Lord Strings is not your lackey this
season."
Buckingham gazed at him in astonishment, followed by amusement. "Lord
Strings!" he observed. "Lord Rags!"
Strings approached his lordship with a familiar, princely air. "How does
that look on my bow-finger, my lord?" and he flourished his hand wearing
the ring where Buckingham could well observe it.
His lordship started. "The King's ring!" he would have exclaimed, had
not the diplomat in his nature restrained him. "A fine stone!" he said
merely. "How came you by it?"
"Nell gave it to me," Strings answered.
Buckingham nearly revealed himself in his astonishment. "Nell!" he
muttered; and his face grew black as he wondered if his Majesty had
out-generalled him. "Damme," he observed aloud, inspecting the ring
closely, "I have taken a fancy to this gem."
"So have I," ejaculated Strings, as he avoided his lordship and strutted
across the room.
"I'll give you fifty guineas for it," said Buckingham, following him
more eagerly than the driver of a good bargain is wont.
Strings stood nonplussed. "Fifty guineas!" he exclaimed, aghast. This
was more money than the fiddler had ever thought existed. "Now?" he
asked, wonderingly.
"Now," replied his lordship, who proceeded at once to produce the
glittering coins and toss them temptingly before the fiddler's eyes.
"Oons, Nell surely meant me to sell it," he cried as he eagerly seized
the gold and fed his eyes upon it. "Odsbud, I always did love yellow."
He tossed some of the coins in the air and caught them with the
dexterity of a juggler.
Buckingham grew impatient. He desired a delivery. "Give me the ring," he
demanded.
Strings looked once more at the glittering gold; and visions of the
plenty which it insured to his little home, to say nothing of a flagon
or two of good brown ale which could be had by himself and his boon
comrades without disparagement to the dinners of the little ones, came
before him. If he had ever possessed moral courage, it was gone upon the
instant. "Done!" he exclaimed. "Oons, fifty guineas!" and he handed the
ring to Buckingham.
The fiddler was still absorbed in his possessions, whispering again and
again to the round bits of yellow: "My little bright-eyes will not go to
bed hungry to-night!" when Manager Hart entered proudly from his
tiring-room, dressed to leave the theatre.
Buckingham nodded significantly. "Not a word of this," he said,
indicating the ring, which he had quickly transferred to his own finger,
turning the jewel so that it could not be observed.
"'Sdeath, you still here?" said Hart, sharply, as his eyes fell upon the
fiddler.
Strings straightened up and puffed with the pomposity and pride of a
landed proprietor. He shook his newly acquired possessions until the
clinking of the gold was plainly audible to the manager.
"Still here, Master Hart, negotiating. When you are pressed for coin,
call on me, Master Hart. I run the Exchequer," he said, patronizingly.
It was humorous to see his air of sweeping condescension toward the tall
and dignified manager of the theatre who easily overtopped him by a
head.
"Gold!" exclaimed Hart, as he observed the glitter of the guineas in the
candle-light. His eyes turned quickly and suspiciously upon the lordly
Buckingham.
There was nothing, however, in his lordship's face to indicate that he
was aware even of the existence of the fiddler or of his gold. He sat by
the table, leaning carelessly upon it, his face filled with an
expression of supreme satisfaction. He had the attitude of one who was
waiting for somebody or something and confidently expected not to be
disappointed.
"Sup with me, Hart," continued Strings, with the air of a boon comrade.
"Sup with me--venison, capons, and--Epsom water."
"Thank you, I am engaged to supper," replied Hart, contemptuously,
brushing his cloak where it had been touched by the fiddler, as if his
fingers had contaminated it.
The insult clearly observable in the manager's tone, however, had no
effect whatever upon Strings. He tossed his head proudly and said
indifferently: "Oh, very well. Strings will sup with Strings. My coach,
my coach, I say. Drive me to my bonnie babes!"
He pushed open the door with a lordly air and passed out; and, for some
seconds, they heard a mingling of repeated demands for the coach and a
strain of music which sounded like "Away dull care; prythee away from
me."
Buckingham had observed the fiddler's tilt with the manager and the
royal exit of the ragged fellow with much amusement. "A merry wag! Who
is that?" he asked, as Strings's voice grew faint in the entry-way.
Hart was strutting actor-fashion before the mirror, arranging his curls
to hang gracefully over his forehead and tilting now and again the big
plumed hat. "A knave of fortune, it seems," he answered coolly and still
suspiciously.
"Family?" asked Buckingham, indifferently.
"Twins, I warrant," replied Hart, in an irritated tone.
Buckingham chuckled softly.
"No wonder he's tattered and gray," he declared, humorously
philosophizing upon Hart's reply, though it was evident that Hart
himself was too much chafed by the presence of his lordship in the
greenroom after the play to know what he really had said.
An ominous coolness now pervaded the atmosphere. Buckingham sat by the
table, impatiently tapping the floor with his boot, his eyes growing
dark at the delay. Hart still plumed himself before the mirror. His
dress was rich; his sword was well balanced, a Damascus blade; his cloak
hung gracefully; his big black hat and plumes were jaunty. He had, too,
vigour in his step. With it all, however, he was a social outcast, and
he felt it, while his companion, whose faults of nature were none the
less glaring than his own, was almost the equal of a king.
There was a tap at Nell's door. It was the call-boy, who had slipped
unobserved into the room.
"What is it, Dick?" asked Nell, sweetly, as she opened the door slightly
to inspect her visitor.
"A message,--very important," whispered Dick, softly, as he passed a
note within.
"Thank you," replied the actress; and the door closed again.
Dick was about to depart, when the alert Buckingham, rising hastily from
his seat, called him.
"That was Nell's voice?" he asked.
"Yes, my lord. She's dressing," answered Dick. "Good night, Master
Hart," he added, as he saw the manager.
Hart, however, was not in a good humour and turned sharply upon him.
Dick vanished.
"She will be out shortly, my lord," the manager observed to Buckingham,
somewhat coldly. "But it will do you little good," he thought, as he
reflected upon his conversation with Nell.
Buckingham leaned lazily over the back of a chair and replied
confidently, knowing that his speech would be no balm to the irate
manager: "Nell always keeps her engagements religiously with me. We are
to sup together to-night, Hart."
"Odso!" retorted the other, drawing himself up to his full height. "You
will be disappointed, methinks."
"I trow not," Buckingham observed, with a smile which made Hart wince.
"Pepys's wife has him mewed up at home when Nelly plays, and the King is
tied to other apron-strings." His lordship chuckled as he bethought him
how cleverly he had managed that his Majesty be under the proper
influence. "What danger else?" he inquired, cuttingly.
Though the words were mild, the feelings of the two men were at
white-heat.
"Your lordship's hours are too valuable to waste," politely suggested
the manager. "I happen to know Mistress Gwyn sups with another
to-night."
"Another?" sneered his lordship.
"Another!" hotly repeated the actor.
"We shall see, friend Hart," said Buckingham, in a tone no less
agreeable, with difficulty restraining his feelings.
He threw himself impatiently into a big arm-chair, which he had swung
around angrily, so that its back was to the manager.
The insult was more than Hart could bear. He also seized a chair, and
vented his vengeance upon it. Almost hurled from its place, it fell back
to back with Buckingham's.
"We shall see, my lord," he said as he likewise angrily took his seat
and folded his arms.
It was like "The Schism" of Vibert.
It is difficult to tell what would have been the result, had the place
been different. Each knew that Nell was just beyond her door; each
hesitated; and each, with bitterness in his heart, held on to himself.
They sat like sphinxes.
Suddenly, Nell's door slightly opened. She was dressed to leave the
theatre. In her hand she held a note.
"A fair message, on my honour! Worth reading twice or even thrice," she
roguishly exclaimed unto her maid as she directed her to hold a candle
nearer that she might once again spell out its words. "'To England's
idol, the divine Eleanor Gwyn.' A holy apt beginning, by the mass! 'My
coach awaits you at the stage-door. We will toast you to-night at
Whitehall.'"
Nell's eyes seemed to drink in the words, and it was her heart which
said: "Long live his Majesty."
She took the King's roses in her arms; the Duke's roses, she tossed upon
the floor.
The manager awoke as from a trance. "You will not believe me," he said
to Buckingham, confidently. "Here comes the arbiter of your woes, my
lord." He arose quickly.
"It will not be hard, methinks, sir, to decide between a coronet and a
player's tinsel crown," observed his princely rival, with a sneer, as he
too arose and assumed an attitude of waiting.
"Have a care, my lord. I may forget--" Hart's fingers played upon his
sword-hilt.
"Your occupation, sir?" jeered Buckingham.
"Aye; my former occupation of a soldier"; and Hart's sword sprang from
its scabbard, with a dexterity that proved that he had not forgotten the
trick of war.
Buckingham too would have drawn, but a merry voice stayed him.
"How now, gentlemen?" sprang from Nell's rosy lips, as she came between
them, a picture of roguish beauty.
Hart's pose in an instant was that of apology. "Pardon, Nell," he
exclaimed, lifting his hat and bowing in courtly fashion. "A small
difference of opinion; naught else."
"Between friends," replied Nell, reprovingly.
"By the Gods," cried Buckingham,--and his hat too was in the air and his
knee too was bent before the theatre-queen,--"the rewards are worth more
than word-combats."
"Pshaw!" said Nell, as she hugged the King's roses tighter in her arms.
"True Englishmen fight shoulder to shoulder, not face to face."
"In this case," replied his lordship, with the air of a conqueror, "the
booty cannot be amicably distributed."
"Oh, ho!" cried Nell. "Brave generals, quarrelling over the spoils.
Pooh! There is no girl worth fighting for--that is, not over one!
Buckingham! Jack! For shame! What coquette kindles this hot blood?"
"The fairest maid in England," said Hart, with all the earnestness of
conviction, and with all the courtesy of the theatre, which teaches
courtesy.
"The dearest girl in all this world," said Buckingham as quickly; for he
too must bow if he would win.
"How stupid!" lisped Nell, with a look of baby-innocence. "You must mean
me! Who else could answer the description? A quarrel over poor me! This
is delicious. I love a fight. Out with your swords and to't like men! To
the victor! Come, name the quarrel."
"This player--" began his lordship, hotly. He caught the quick gleam in
Nell's eyes and hesitated. "I mean," he substituted, apologetically,
"Master Hart--labours under the misapprehension that you sup with him
to-night."
"Nell," asserted the manager, defensively, "it is his lordship who
suffers from the delusion that the first actress of England sups with
him to-night."
"My arm and coach are yours, madame," pleaded his lordship, as he
gallantly offered an arm.
"Pardon, my lord; Nell, my arm!" said Hart.
"Heyday!" cried the witch, bewitchingly. "Was ever maid so nobly
squired? This is an embarrassment of riches." She looked longingly at
the two attending gallants. There was something in her voice that might
be mockery or that might be love. Only the devil in her eyes could tell.
"Gentlemen, you tear my heart-strings," she continued. "How can I choose
between such loves? To-night, I sup at Whitehall!" and she darted
quickly toward the door.
"Whitehall!" the rivals cried, aghast.
"Aye, Whitehall--_with the King_!"
There was a wild, hilarious laugh, and she was gone.
[Illustration: MISTRESS NELL IS TOLD OF THE KING'S DANGER.]
Buckingham and Hart stood looking into each other's face. They heard the
sound of coach-wheels rapidly departing in the street.
CHAPTER V
_It was never treason to steal a King's kisses._
A year and more had flown.
It was one of those glorious moon-lit nights in the early fall when
there is a crispness in the air which lends an edge to life.
St. James's Park was particularly beautiful. The giant oaks with their
hundreds of years of story written in their rings lifted high their
spreading branches, laden with leaves, which shimmered in the light. The
historic old park seemed to be made up of patches of day and night. In
the open, one might read in the mellow glow of the harvest-moon; in the
shade of one of its oaks, a thief might safely hide.
Facing on the park, there stood a house of Elizabethan architecture.
Along its wrinkled, ivy-mantled wall ran a terrace-like balustrade,
where one might walk and enjoy the night without fear.
The house was well defined by the rays of the moon, which seemed to
dance upon it in a halo of mirth; and from the park, below the terrace,
came the soft notes of a violin, tenderly picked.
None other than Strings was sitting astride of a low branch of an oak,
looking up at a window, like some guardian spirit from the devil-land,
singing in his quaintly unctuous way:
_"Four and twenty fiddlers all in a row,
And there was fiddle-fiddle, and twice fiddle-fiddle."_
"How's that for a serenade to Mistress Nell?" he asked himself as he
secured a firm footing on the ground and slung his fiddle over his back.
"She don't know it's for her, but the old viol and old Strings know." He
came to a stand-still and winced. "Oons, my old wound again," he said,
with a sharp cry, followed as quickly by a laugh. His eyes still
wandered along the balustrade, as eagerly as some young Romeo at the
balcony of his Juliet. "I wish she'd walk her terrace to-night," he
sighed, "where we could see her--the lovely lady!"
His rhapsody was suddenly broken in upon by the approach of some one
down the path. He glided into the shadow of an oak and none too quickly.
From the obscurity of the trees, into the open, a chair was swiftly
borne, by the side of which ran a pretty page of tender years, yet well
schooled in courtly wisdom. The lovely occupant leaned forward and
motioned to the chairmen, who obediently rested and assisted her to
alight.
"Retire beneath the shadow of the trees," she whispered. "Have a care;
no noise."
The chairmen withdrew quietly, but within convenient distance, to await
her bidding.
Strings's heart quite stopped beating. "The Duchess of Portsmouth at
Mistress Nell's!" he said, almost aloud in his excitement. "Then the
devil must be to pay!" and he slipped well behind the oak-trunk again.
Portsmouth's eyes snapped with French fire as she glanced up at Nell's
terrace. Then she turned to the page by her side. "His Majesty came this
path before?" she asked, with quick, French accent.
"Yes, your grace," replied the page.
"And up this trellis?"
"Yes, your grace."
"Again to-night?"
"I cannot tell, your grace," replied the lad. "I followed as you bade
me; but the King's legs were so long, you see, I lost him."
Portsmouth smiled. "Softly, pretty one," she said. "Watch if he comes
and warn me; for we may have passed him."
The lad ran gaily down the path to perform her bidding.
"State-business!" she muttered, as she reflected bitterly upon the
King's late excuses to her. "_Mon Dieu_, does he think me a country
wench? I was schooled at Louis's court." Her eyes searched the house
from various points of advantage. "A light!" she exclaimed, as a candle
burned brightly from a window, like a spark of gold set in the silver of
the night. "Would I had an invisible cloak." She tiptoed about a corner
of the wall--woman-like, to see if she could see, not Nell, but Charles.
Scarcely had she disappeared when a second figure started up in the
moonlight, and a gallant figure, too. It was the Duke of Buckingham.
"Not a mouse stirring," he reflected, glancing at the terrace. "Fair
minx, you will not long refuse Buckingham's overtures. Come, Nelly, thy
King is already half stolen away by Portsmouth of France, and Portsmouth
of France is our dear ally in the great cause and shall be more so."
To his astonishment, as he drew nearer, he observed a lady, richly
dressed, gliding between himself and the terrace. He rubbed his eyes to
see that he was not dreaming. She was there, however, and a pretty
armful, too.
"Nell," he chuckled, as he stole up behind her.
Portsmouth meanwhile had learned that the window was too high to allow
her to gain a view within the dwelling. She started--observing, more by
intuition than by sight, that she was watched--and drew her veil closely
about her handsome features.
"Nelly, Nelly," laughed Buckingham, "I have thee, wench. Come, a
kiss!--a kiss! Nay, love; it was never treason to steal a King's
kisses."
He seized her by the arm and was about to kiss her when she turned and
threw back her veil.
"Buckingham!" she said, suavely.
"Portsmouth!" he exclaimed, awestruck.
He gathered himself together, however, in an instant, and added, as if
nothing in the world had happened: "An unexpected pleasure, your grace."
"Yes," said she, with a pretty shrug. "I did not know I was so honoured,
my lord."
"Or you would not have refused the little kiss?" he asked, suggestively.
"You called me 'Nelly,' my lord. I do not respond to that name."
"Damme, I was never good at names, Louise," said he, with mock-apology,
"especially by moonlight."
"Buz, buz!" she answered, with a knowing gesture and a knowing look.
Then, pointing toward the terrace, she added: "A pretty nest! A pretty
bird within, I warrant. Her name?"
"Ignorance well feigned," he thought. He replied, however, most
graciously: "Nell Gwyn."
"Oh, ho! The King's favourite, who has more power, they say, than great
statesmen--like my lord."
Her speech was well defined to draw out his lordship; but he was wary.
"Unless my lord is guided by my lady, as formerly," he replied,
diplomatically.
A look of suspicion crept into Portsmouth's face: but it was not visible
for want of contrast; for all things have a perverted look by the light
of the moon.
She had known Buckingham well at Dover. Their interests there had been
one in securing privileges from England for her French King. Both had
been well rewarded too for their pains. There were no proofs, however,
of this; and where his lordship stood to-day, and which cause he would
espouse, she did not know. His eyes at Dover had fallen fondly upon her,
but men's eyes fall fondly upon many women, and she would not trust too
much until she knew more.
"My chairmen have set me down at the wrong door-step," she said, most
sweetly. "My lord longs for his kiss. _Au revoir!_"
She bowed and turned to depart.
Buckingham was alert in an instant. He knew not when the opportunity
might come again to deal so happily with Louis's emissary and the place
and time of meeting had its advantages.
"Prythee stay, Duchess. I left the merry hunters, returning from
Hounslow Heath, all in Portsmouth's interest," he said. "Is this to be
my thanks?"
She approached him earnestly. "My lord must explain. I am stupid in
fitting English facts to English words."
"Have you forgotten Dover?" he asked, intensely, but subdued in voice,
"and my pledges sworn to?--the treaty at the Castle?--the Duchess of
Orléans?--the Grand Monarch?"
"Hush!" exclaimed Portsmouth, clutching his arm and looking cautiously
about.
"If my services to you there were known," he continued, excitedly, "and
to the great cause--the first step in making England pensioner of France
and Holland the vassal of Louis--my head would pay the penalty. Can you
not trust me still?"
"You are on strange ground to-night," suggested Portsmouth, tossing her
head impatiently to indicate the terrace, as she tried to fathom the
real man.
"I thought the King might pass this way, and came to see," hastily
explained his lordship, observing that she was reflecting upon the
incongruity of his friendship for her and of his visit to Madame Gwyn.
"And if he did?" she asked, dubiously, not seeing the connection.
"I have a plan to make his visits less frequent, Louise,--for your sweet
sake and mine."
The man was becoming master. He had pleased her, and she was beginning
to believe.
"Yes?" she said, in a way which might mean anything, but certainly that
she was listening, and intently listening too.
"You have servants you can trust?" he asked.
"I have," she replied as quickly; and she gloried in the thought that
some at least were as faithful as Louis's court afforded.
"They must watch Nell's terrace here, night and day," he almost
commanded in his eagerness, "who comes out, who goes in and the hour.
She may forget her royal lover; and--well--we shall have witnesses in
waiting. We owe this kindness--to his Majesty."
Portsmouth shrugged her shoulders impatiently. "_Mon Dieu!_" she
said. "My servants have watched, my lord, already. The despatches would
have been signed and Louis's army on the march against the Dutch but for
this vulgar player-girl, whom I have never seen. The King forgets all
else."
The beautiful Duchess was piqued, indeed, that the English King should
be so swayed. She felt that it was a personal disgrace--an insult to her
charms and to her culture. She felt that the court knew it and laughed,
and she feared that Louis soon would know. Nell Gwyn! How she hated
her--scarce less than she loved Louis and her France.
"Be of good cheer," suggested Buckingham, soothingly; and he half
embraced her. "My messenger shall await your signal, to carry the news
to Louis and his army."
"There is no news," replied she, and turned upon him bitterly. "Charles
evades me. Promise after promise to sup with me broken. I expected him
to-night. My spies warned me he would not come; that he is hereabouts
again. I followed myself to see. I have the papers with me always. If I
can but see the King alone, it will not take long to dethrone this
up-start queen; wine, sweet words--England's sign-manual."
There was a confident smile on her lips as she reflected upon her
personal powers, which had led Louis XIV. of France to entrust a great
mission to her. His lordship saw his growing advantage. He would make
the most of it.
"In the last event you have the ball!" he suggested, hopefully.
"Aye, and we shall be prepared," she cried. "But Louis is impatient to
strike the blow for Empire unhampered by British sympathy for the Dutch,
and the ball is--"
"A fortnight off," interrupted Buckingham, with a smile.
"And my messenger should be gone to-night," she continued, irritably.
She approached him and whispered cautiously: "I have to-day received
another note from Bouillon. Louis relies upon me to win from Charles his
consent to the withdrawal of the British troops from Holland. This will
insure the fall of Luxembourg--the key to our success. You see,
Buckingham, I must not fail. England's debasement shall be won."
There was a whistle down the path.
"Some one comes!" she exclaimed. "My chair!"
The page, who had given the signal, came running to her. Her chairmen
too were prompt.
"Join me," she whispered to Buckingham, as he assisted her to her seat
within.
"Later, Louise, later," he replied. "I must back to the neighbouring
inn, before the huntsmen miss me."
Portsmouth waved to the chairmen, who moved silently away among the
trees.
Buckingham stood looking after them, laughing.
"King Charles, a French girl from Louis's court will give me the keys to
England's heart and her best honours," he muttered.
He glanced once again quickly at the windows of the house, and then,
with altered purpose, swaggered away down a side path. He was well
pleased with his thoughts, well pleased with his chance interview with
the beautiful Duchess and well pleased with himself. His brain wove and
wove moonbeam webs of intrigue as he passed through the light and shadow
of the night, wherein he would lend a helping hand to France and secure
gold and power for his pains. He had no qualms of conscience; for must
not his estates be kept, his dignity maintained? His purpose was clear.
He would bring Portsmouth and the King closer together: and what England
lost, he would gain--and, therefore, England; for was not he himself a
part of England, and a great part?
Then too he must and would have Nell.
CHAPTER VI
Softly on tiptoe;
Here Nell doth lie.
As often happens in life, when one suitor departs, another suitor
knocks; and so it happened on this glorious night. The belated suitor
was none other than Charles, the Stuart King. He seemed in the moonlight
the picture of royalty, of romance, of dignity, of carelessness, of
indifference--the royal vagabond of wit, of humour and of love. A
well-thumbed "Hudibras" bulged from his pocket. He was alone, save for
some pretty spaniels that played about him. He heeded them not. His
thoughts were of Nell.
"Methought I heard voices tuned to love," he mused, as he glanced about.
"What knave has spied out the secret of her bower? Ho, Rosamond, my
Rosamond! Why came I here again to-night? What is there in this girl,
this Nell? And yet her eyes, how like the pretty maid's who passed me
the cup that day at the cottage where we rested. Have I lived really to
love--I, Solomon's rival in the entertainment of the fair,--to have my
heart-strings torn by this roguish player?"
His reflections were broken in upon by the hunters' song in the
distance. The music was so in harmony with the night that the forest
seemed enchanted.
"Hush; music!" he exclaimed, softly, as he lent himself reluctantly to
the spell, which pervaded everything as in a fairyland. "Odds, moonlight
was once for me as well the light for revels, bacchanals and frolics;
yet now I linger another evening by Nell's terrace, mooning like a lover
o'er the memory of her eyes and entranced by the hunters' song."
[Illustration: THE KING PROFESSES HIS LOVE FOR NELL.]
The singers were approaching. The King stepped quickly beneath the
trellis, in an angle of the wall, and waited. Their song grew richer, as
melodious as the night, but it struck a discord in his soul. He was
thinking of a pair of eyes.
"Cease those discordant jangles," he exclaimed impatiently to himself;
"cease, I say! No song except for Nell! Nell! Pour forth your sweetest
melody for Nell!"
The hunters stopped as by intuition before the terrace. A goodly company
they were, indeed; there were James and Rochester and others of the
court returning from the day's hunt. There was Buckingham too, who had
rejoined them as they left the inn. The music died away.
"Whose voice was that?" asked James, as he caught the sound of the
King's impatient exclamation from the corner of the wall.
"Some dreamer of the night," laughed Buckingham. "Yon love-sick fellow,
methinks," he continued, pointing to a figure, well aloof beneath the
trees, who was watching the scene most jealously. It was none other than
Hart, who rarely failed to have an eye on Nell's terrace and who
instantly stole away in the darkness.
"This is the home of Eleanor Gwyn we are passing," said Rochester,
superfluously; for all knew full well that it was Nelly's terrace.
"The love-lorn seer is wise," cried the Duke of York, quite forgetting
his frigid self as he bethought him of Nell, and becoming quite
lover-like, as he, sighing, said: "It were well to make peace with
Nelly. Sing, hunters, sing!"
The command was quickly obeyed and the voices well attuned; for none
were there but worshipped Nelly.
Hail to the moonbeams'
Crystal spray,
Nestling in Heaven
All the day,
Falling by night-time,
Silvery showers,
Twining with love-rhyme
Nell's fair bowers.
Sing, hunters, sing,
Gently carolling,
Here lies our hart--
Sleeping, sleeping, sleeping.
Hail to the King's oaks,
Sentries blest,
Spreading their branches,
Guarding her rest,
Telling the breezes,
Hastening by:
"Softly on tiptoe;
Here Nell doth lie."
Sing, hunters, sing,
Gently carolling,
Here lies our hart--
Sleeping, sleeping, sleeping.
The King heard the serenade to the end, then stepped gaily from his
hiding-place.
"Brother James under Nelly's window!" he said, with a merry laugh.
"The King!" exclaimed James, in startled accents, as he realized the
presence of his Majesty and the awkward position in which he and his
followers were placed.
"The King!" repeated the courtiers. Hats were off and knees were bent
respectfully.
"Brother," saluted Charles, as he embraced the Duke of York
good-naturedly.
Buckingham withdrew a few steps. He was the most disturbed at the
presence of the King at Nelly's bower. "As I feared," he thought. "Devil
take his Majesty's meandering heart."
"Odsfish," laughed Charles, "we must guard our Nelly, or James and his
saintly followers will rob her bower by moonlight."
The Duke of York assumed a devout and dignified mien. "Sire," he
attempted to explain, but was interrupted quickly by his Majesty.
"No apologies, pious brother. God never damned a man for a little
irregular pleasure."
There was a tittering among the courtiers as the King's words fell upon
their ears.
James continued to apologize. "In faith, we were simply passing--" he
said.
Again he was interrupted by his Majesty, who was in the best of humour
and much pleased at the discomfiture of his over-religious brother.
"Lorenzo too was simply passing," he observed, "but the fair Jessica and
some odd ducats stuck to his girdle; and the Jew will still be tearing
his hair long after we are dust. Ah, Buckingham, they tell me you too
have a taste for roguish Nelly. Have a care!"
The King strode across to Buckingham as he spoke; and while there was
humour in his tone, there was injunction also.
Buckingham was too great a courtier not to see and feel it. He bowed
respectfully, replying to his Majesty, "Sire, I would not presume to
follow the King's eyes, however much I admire their taste."
"'T'is well," replied his Majesty, pointedly, "lest they lead thee
abroad on a sleeveless mission."
Others had travelled upon such missions; Buckingham knew it well.
"But what does your Majesty here to-night, if we dare ask?" questioned
James, who had just bethought him how to turn the tables upon the King.
Charles looked at his brother quizzically. "Humph!" he exclaimed, in his
peculiar way. "Feeding my ducks in yonder pond." His staff swept
indefinitely toward the park.
"Hunting with us were nobler business, Sire," suggested James,
decisively.
"Not so," replied the King, quite seriously. "My way--I learn to
legislate for ducks."
"'T'were wiser," preached York, "to study your subjects' needs."
The King's eyes twinkled. "I go among them," he said, "and learn their
needs, while you are praying, brother."
At this sally, Rochester became convulsed, though he hid it well; for
Rochester was not as pious as brother James.
York, feeling that the sympathy was against him, grew more earnest
still. "I wish your Majesty would have more care," he pleaded. "'Tis a
crime against yourself, a crime against the state, a crime against the
cavaliers who fought and died for you, to walk these paths alone in such
uncertain times. Perchance, 'tis courting lurking murder!"
"No kind of danger, James," answered the King, with equal seriousness,
laying a hand kindly on his brother's shoulder; "for I am sure no man in
England would take away my life to make you King."
There was general laughter from the assembled party; for all dared
laugh, even at the expense of the Duke of York, when the jest was of the
King's making. Indeed, not to laugh at a king's jest has been in every
age, in or out of statutes, the greatest crime. Fortunately, King
Charles's wit warranted its observation.
James himself grew mellow under the influence of the gaiety, and almost
affectionately replied, "God grant it be ever so, brother." He then
turned the thought. "We heard but now an ambassador from Morocco's court
is lately landed. He brings your Majesty two lions and thirty
ostriches."
"Odsfish, but he is kind," replied the King, reflecting on the gift. "I
know of nothing more proper to send by way of return than a flock of
geese."
His brow arched quizzically, as he glanced over the circle of inert
courtiers ranged about him. "Methinks I can count them out at
Whitehall," he thought.
"He seeks an audience to-night. Will you grant it, Sire?" besought
James.
"'Sheart!" replied the King. "Most cheerfully, I'll lead you from
Nelly's terrace, brother. Hey! Tune up your throats. On to the palace."
CHAPTER VII
Come down!
Come up!
The music died away among the old oaks in the park. Before its final
notes were lost on the air, however, hasty steps and a chatter of
women's voices came from the house. The door leading to the terrace was
thrown quickly open, and Nell appeared. Her eyes had the bewildered look
of one who has been suddenly awakened from a sleep gilded with a
delightful dream.
She had, indeed, been dreaming--dreaming of the King and of his coming.
As she lay upon her couch, where she had thrown herself after the
evening meal, she had seemed to hear his serenade.
Then the music ceased and she started up and rubbed her eyes. It was
only to see the moonlight falling through the latticed windows on to the
floor of her dainty chamber. She was alone and she bethought herself
sadly that dreams go by contraries.
Once again, however, the hunters' song had arisen on her startled
ear--and had died away in sweet cadences in the distance. It was not a
dream!
As she rushed out upon the terrace, she called Moll reprovingly; and, in
an instant, Moll was at her side. The faithful girl had already seen the
hunters and had started a search for Nell; but the revellers had gone
before she could find her.
"What is it, dear Nell?" asked her companion, well out of breath.
"Why did you not call me, cruel girl?" answered Nell, impatiently. "To
miss seeing so many handsome cavaliers! Where is my kerchief?"
Nell leaned over the balustrade and waved wildly to the departing
hunters. A pretty picture she was too, in her white flowing gown,
silvered by the moonlight.
"See, see," she exclaimed to Moll, with wild enthusiasm, "some one waves
back. It may be he, sweet mouse. Heigh-ho! Why don't you wave, Moll?"
Before Moll could answer, a rich bugle-horn rang out across the park.
"The hunters' horn!" cried Nell, gleefully. "Oh, I wish I were a
man--except when one is with me"; and she threw both arms about Moll,
for the want of one better to embrace. She was in her varying mood,
which was one 'twixt the laughter of the lip and the tear in the eye.
"I have lost my brother!" ejaculated some one; but she heard him not.
This laconic speech came from none other than the King, who in a
bantering mood had returned.
"I went one side a tree and pious James t'other; and here I am by
Nelly's terrace once again," he muttered. "Oh, ho! wench!" His eyes had
caught sight of Nell upon the terrace.
He stepped back quickly into the shadow and watched her playfully.
Nell looked longingly out into the night, and sighed heavily. She was at
her wit's end. The evening was waning, and the King, as she thought, had
not come.
"Why do you sigh?" asked Moll, consolingly.
"I was only looking down the path, dear heart," replied Nell, sadly.
"He will come," hopefully suggested Moll, whose little heart sympathized
deeply with her benefactress.
"Nay, sweet," said Nell, and she shook her curls while the moonbeams
danced among them, "he is as false as yonder moon--as changeable of
face."
She withdrew her eyes from the path and they fell upon the King. His
Majesty's curiosity had quite over-mastered him, and he had
inadvertently stepped well into the light. The novelty of hearing
himself derided by such pretty lips was a delicious experience, indeed.
"The King!" she cried, in joyous surprise.
Moll's diplomatic effort to escape at the sight of his Majesty was not
half quick enough for Nell, who forthwith forced her companion into the
house, and closed the door sharply behind her, much to the delight of
the humour-loving King.
Nell then turned to the balustrade and, somewhat confused, looked down
at his Majesty, who now stood below, calmly gazing up at her, an amused
expression on his face.
"Pardon, your Majesty," she explained, falteringly, "I did not see you."
"You overlooked me merely," slyly suggested Charles, swinging his stick
in the direction of the departed hunters.
"I'faith, I thought it was you waved answer, Sire," quickly replied
Nell, whose confusion was gone and who was now mistress of the situation
and of herself.
"No, Nell; I hunt alone for my hart."
"You hunt the right park, Sire."
"Yea, a good preserve, truly," observed the King. "I find my game, as I
expected, flirting, waving kerchiefs, making eyes and throwing kisses to
the latest passer-by."
"I was encouraging the soldiers, my liege. That is every woman's duty to
her country."
"And her country_men_," said he, smiling. "You are very loyal,
Nell. Come down!" It was irritating, indeed, to be kept so at arm's
length.
She gazed down at him with impish sweetness--down at the King of
England!
"Come up!" she said, leaning over the balustrade.
"Nay; come down if you love me," pleaded the King.
"Nay; come up if you love me," said Nell, enticingly.
"Egad! I am too old to climb," exclaimed the Merry Monarch.
"Egad! I am too young yet for the downward path, your Majesty," retorted
Nell.
The King shrugged his shoulders indifferently.
"You will fall if we give you time," he said.
"To the King's level?" she asked, slyly, then answered herself:
"Mayhap."
Thus they stood like knights after the first tilt. Charles looked up at
Nell, and Nell looked down at Charles. There was a moment's silence.
Nell broke it.
"I am surprised you happen this way, Sire."
"With such eyes to lure me?" asked the King, and he asked earnestly too.
"Tush," answered Nell, coyly, "your tongue will lead you to perdition,
Sire."
"No fear!" replied he, dryly. "I knelt in church with brother James but
yesterday."
"In sooth, quite true!" said Nell, approvingly, as she leaned back
against the door and raised her eyes innocently toward the moon. "I sat
in the next pew, Sire, afraid to move for fear I might awake your
Majesty."
The King chuckled softly to himself. Nell picked one of the flowers that
grew upon the balustrade.
"Ah, you come a long-forgotten path to-night," she said abruptly.
The King was alert in an instant. He felt that he had placed himself in
a false light. He loved the witch above despite himself.
"I saw thee twa evenings ago, lass," he hastily asserted, in good Scotch
accents, somewhat impatiently.
"And is not that a long time, Sire," questioned Nell, "or did Portsmouth
make it fly?"
"Portsmouth!" exclaimed Charles. He turned his face away. "Can it be my
conscience pricks me?" he thought. "You know more of her than I, sweet
Nell," he then asserted, with open manner.
"Marry, I know her not at all and never saw her," said Nell. "I shall
feel better when I do," she thought.
"It were well for England's peace you have not met," laughed Charles.
"Faith and troth," said Nell, "I am happy to know our King has lost his
heart."
"Odso! And why?" asked Charles; and he gazed at Nell in his curious
uncertain way, as he thought it was never possible to tell quite what
she meant or what she next would think or say or do.
"We feared he had not one to lose," she slyly suggested. "It gives us
hope."
"To have it in another's hand as you allege?" asked Charles.
"Marry, truly!" answered Nell, decisively. "The Duchess may find it more
than she can hold and toss it over."
"How now, wench!" exclaimed the King, with assumption of wounded
dignity. "My heart a ball for women to bat about!"
"Sire, two women often play at rackets even with a king's heart," softly
suggested Nell.
"Odsfish," cried the King, with hands and eyes raised in mock
supplication. "Heaven help me then."
Again the hunters' horn rang clearly on the night.
"The horn! The horn!" said Nell, with forced indifference. "They call
you, Sire."
There was a triumphantly bewitching look in her eyes, however, as she
realized the discomfiture of the King. He was annoyed, indeed. His
manner plainly betokened his desire to stay and his irritation at the
interruption.
"'Tis so!" he said at last, resignedly. "The King is lost."
The horn sounded clearer. The hunters were returning.
"Again--nearer!" exclaimed Charles, fretfully. His mind reverted to his
pious brother; and he laughed as he continued: "Poor brother James and
his ostriches!"
He could almost touch Nell's finger-tips.
"Farewell, sweet," he said; "I must help them find his Majesty or they
will swarm here like bees. Yet I must see my Nell again to-night. You
have bewitched me, wench. Sup with me within the hour--at--Ye Blue Boar
Inn. Can you find the place?"
There was mischief in Nell's voice as she leaned upon the balustrade.
She dropped a flower; he caught it.
"Sire, I can always find a rendezvous," she answered.
"You're the biggest rogue in England," laughed Charles.
"Of a _subject_, perhaps, Sire," replied Nell, pointedly.
"That is treason, sly wench," rejoined the King; but his voice grew
tender as he added: "but treason of the tongue and not the heart. Adieu!
Let that seal thy lips, until we meet."
He threw a kiss to the waiting lips upon the balcony.
"Alack-a-day," sighed Nell, sadly, as she caught the kiss. "Some one may
break the seal, my liege; who knows?"
"How now?" questioned Charles, jealously.
Nell hugged herself as she saw his fitful mood; for beneath mock
jealousy she thought she saw the germ of true jealousy. She laughed
wistfully as she explained: "It were better to come up and seal them
tighter, Sire."
"Minx!" he chuckled, and tossed another kiss.
The horn again echoed through the woods. He started.
"Now we'll despatch the affairs of England, brother; then we'll sup with
pretty Nelly. Poor brother James! Heaven bless him and his ostriches."
He turned and strode quickly through the trees and down the path; but,
as he went, ever and anon he called: "Ye Blue Boar Inn, within the
hour!"
Each time from the balcony in Nell's sweet voice came back--"Ye Blue
Boar Inn, within the hour! I will not fail you, Sire!"
Then she too disappeared. There was again a slamming of doors and much
confusion within the house. There were calls and sounds of running feet.
The door below the terrace opened suddenly, and Nell appeared breathless
upon the lawn--at her heels the constant Moll. Nell ran some steps down
the path, peering vainly through the woods after the departing King. Her
bosom rose and fell in agitation.
"Oh, Moll, Moll, Moll!" she exclaimed, fearfully. "He has been at
Portsmouth's since high noon. I could see it in his eyes." Her own eyes
snapped as she thought of the hated French rival, whom she had not yet
seen, but whose relation to the royal household, as she thought, gave
her the King's ear almost at will.
She walked nervously back and forth, then turned quickly upon her
companion, asking her, who knew nothing, a hundred questions, all in one
little breath. "What is she? How looks she? What is her charm, her
fascination, the magic of her art? Is she short, tall, fat, lean, joyous
or sombre? I must know."
"Oh, Nell, what will you do?" cried Moll in fearful accents as she
watched her beautiful mistress standing passion-swayed before her like a
queen in the moonlight, the little toe of her slipper nervously beating
the sward as she general-like marshalled her wits for the battle.
"See her, see her,--from top to toe!" Nell at length exclaimed. "Oh,
there will be sport, sweet mouse. France again against England--the
stake, a King!"
She glanced in the direction of the house and cried joyously as she saw
Strings hobbling toward her.
"Heaven ever gave me a man in waiting," she said, gleefully. "Poor
fellow, he limps from youthful, war-met wounds. Comrade, are you still
strong enough for service?"
"To the death for you, Mistress Nell!" he faithfully replied.
"You know the Duchess of Portsmouth, and where she lives?" artfully
inquired Nell.
"Portsmouth!" he repeated, excitedly. "She was here but now, peeping at
your windows."
Nell stood aghast. Her face grew pale, and her lips trembled.
"Here, here!" she exclaimed, incredulously. "The imported hussy!"
She turned hotly upon Strings, as she had upon poor Moll, with an array
of questions which almost paralyzed the old fiddler's wits. "How looks
she? What colour eyes? Does her lip arch? How many inches span her
waist?"
Strings looked cautiously about, then whispered in Nell's ear. He might
as well have talked to all London; for Nell, in her excitement, repeated
his words at the top of her voice.
"You overheard? Great Heavens! Drug the King and win the rights of
England while he is in his cups? Bouillon--the army--Louis--the Dutch! A
conspiracy!"
"Oh, dear; oh, dear," came from Moll's trembling lips.
Nell's wits were like lightning playing with the clouds. Her plans were
formed at once.
"Fly, fly, comrade," she commanded Strings. "Overtake her chair. Tell
the Duchess that her beloved Charles--she will understand--entreats her
to sup at Ye Blue Boar Inn, within the hour. Nay, she will be glad
enough to come. Say he awaits her alone. Run, run, good Strings, and you
shall have a hospital to nurse these wounds, as big as Noah's ark; and
the King shall build it for the message."
Strings hastened down the path, fired by Nell's inspiration, with almost
the eagerness of a boy.
"Run, run!" cried Nell, in ecstasy, as she looked after him and dwelt
gleefully upon the outcome of her plans.
He disappeared through the trees.
"Heigh-ho!" she said, with a light-hearted step. "Now, Moll, we'll get
our first sight of the enemy."
She darted into the house, dragging poor Moll after her.
CHAPTER VIII
_"And the man that is drunk is as great as a king."_
An old English inn! What spot on earth is more hospitable, even though
its floor be bare and its tables wooden? There is a homely atmosphere
about it, with its cobwebbed rafters, its dingy windows, its big
fireplace, where the rough logs crackle, and its musty ale. It has ever
been a home for the belated traveller, where the viands, steaming hot,
have filled his soul with joy. Oh, the Southdown mutton and the roasts
of beef!
If England has given us naught else, she should be beloved for her
wealth of inns, with their jolly landlords and their pert bar-maids and
their lawns for the game of bowls. May our children's children find them
still unchanged.
In a quaint corner of London, there stood such an inn, in the days of
which we speak; and it lives in our story. When it was built, no one
knew and none cared. Tradition said that it had been a rendezvous for
convivial spirits for ages that had gone. A sign hung from the door, on
which was a boar's head; and under it, in Old English lettering, might
have been deciphered, if the reader had the wit to read, "Ye Blue Boar
Inn."
It was the evening of a certain day, known to us all, in the reign of
good King Charles. Three yesty spirits sat convivially enjoying the
warmth of the fire upon the huge hearth. A keg was braced in the centre
of the room. One of the merry crew--none other, indeed, than Swallow, a
constable to the King--sat astride the cask, Don Quixote-like. In place
of the dauntless lance, he was armed with a sturdy mug of good old ale.
He sang gaily to a tune of his own, turning ever and anon for
approbation to Buzzard, another spirit of like guild, who sat in a
semi-maudlin condition by the table, and also to the moon-faced landlord
of the inn, who encouraged the joviality of his guests--not forgetting
to count the cups which they demolished.
Swallow sang:
_"Here's a health unto his Majesty, with a fa, la, fa,
Conversion to his enemies with a fa, la, fa,
And he that will not pledge his health,
I wish him neither wit nor wealth,
Nor yet a rope to hang himself--
With a fa, la, fa,
With a fa, la, fa."_
The song ended in a triumphant wave of glory. The singer turned toward
the fellow, Buzzard, and demanded indignantly:
"Why don't ye sing, knave, to the tune of the spigot?"
"My gullet's dry, Master Constable," stupidly explained his companion,
as he too buried his face in the ale.
"Odsbud, thou knowest not the art, thou clod," retorted the constable,
wisely.
"Nay; I can sing as well as any man," answered Buzzard, indignantly, "an
I know when to go up and when to come down." He pointed stupidly,
contrary to the phrase, first to the floor and then to the ceiling.
The landlord chuckled merrily, imitating him. "When to go up and when to
come down!" he repeated with the same idiotic drawl and contradictory
gesture.
"Go to, simple," replied Swallow, with tremendous condescension of
manner. "Thy mother gave thee a gullet but no ear. Pass the schnapps."
He arose and staggered to the table.
"Good Master Constable, how singest thou?" sheepishly inquired Buzzard,
as he filled Swallow's tankard for the twentieth time.
"Marry, by main force, thou jack-pudding; how else?" demanded Swallow,
pompously. He reseated himself with much effort astride the cask. "Oh,
bury me here," he continued, looking into the foaming mug, and then
buried his face deep in the ale.
His companions were well pleased with the toast; for each repeated it
after him, each in his turn emphasizing the "me" and the "here"--"Oh,
bury _me here!"_ "Oh, bury _me here!_"--Buzzard in a voice
many tones deeper than that of Swallow and the landlord in a voice many
tones deeper than that of Buzzard. Indeed, the guttural tones of the
landlord bespoke the grave-yard.
The three faces were lost in the foam; the three sets of lips smacked in
unison; and the world might have wagged as it would for these three
jolly topers but for a woman's voice, calling sharply from the kitchen:
"Jenkins, love!"
"Body o' me!" exclaimed the landlord, almost dropping his empty tankard.
"Coming, coming, my dear!" and he departed hastily.
The constable poked Buzzard in the ribs; Buzzard poked the constable in
the ribs.
"Jenkins, love!" they exclaimed in one breath as the landlord returned,
much to his discomfiture; and their eyes twinkled and wrinkled as they
poked fun at the taverner.
"Body o' me! Thou sly dog!" said the constable, as he continued to twit
him. "Whence came the saucy wench in the kitchen, landlord? A dimpled
cook, eh?"
The landlord's face grew serious with offended dignity as he attempted
to explain.
"'Tis my wife, Master Constable," he said.
"Marry, the new one?" inquired Swallow.
"'Tis not the old one, Master Swallow," replied the old hypocrite,
wiping away a forced tear. "Poor soul, she's gone, I know not where."
"I' faith, I trow she's still cooking, landlord," consolingly replied
the constable, with tearful mien, pointing slyly downward for the
benefit of Buzzard and steadying himself with difficulty on the cask.
"Bless Matilde," said the landlord as he wiped his eyes again, "I had a
hard time to fill her place."
"Yea, truly," chuckled Swallow in Buzzard's ear, between draughts,
"three long months from grave to altar."
"A good soul, a good soul, Master Swallow," continued the landlord, with
the appearance of deep affliction.
"And a better cook, landlord," said Swallow, sadly. "Odsbud, she knew a
gooseberry tart. Patch your old wife's soul to your new wife's face, and
you'll be a happy man, landlord. Here's a drop to her."
"Thank ye, Master Constable," replied the landlord, much affected. He
looked well to the filling of the flagon in his hand, again wiped a tear
from his eye and took a deep draught to the pledge of
"The old one!"
Swallow, with equal reverence, and with some diplomacy, placed his
flagon to his lips with the pledge of
"The new one!"
Buzzard, who had not been heard from for some time, roused sufficiently
to realize the situation, and broke out noisily on his part with
"The next one!"
A startled expression pervaded the landlord's face as he realized the
meaning of Buzzard's words. He glanced woefully toward the kitchen-door,
lest the new wife might have overheard.
"Peace, Buzzard!" Swallow hastened to command, reprovingly. "Would ye
raise a man's dead wife? Learn discretion from thy elders, an thou
hop'st to be a married man."
"Marry, I do not hope," declared Buzzard, striking the table with his
clenched hand. He had no time for matrimony while the cups were
overflowing.
There was a quick, imperative knock at the door. The constable, Buzzard
and the landlord, all started up in confusion and fear.
"Thieves," stammered Swallow, faintly, from behind the cask, from which
he had dismounted at the first sign of danger. "They are making off with
thy tit-bit-of-a-wife, landlord."
"Be there thieves in the neighbourhood, Master Constable?" whispered the
landlord, in consternation.
"Why should his Majesty's constable be here else?" said Swallow,
reaching for a pike, which trembled in his hand as if he had the ague.
"The country about's o'er-run with them; and I warrant 'tis thy new
wife's blue eyes they are after." He steadied himself with the pike and
took a deep draught of ale to steady his courage as well.
Buzzard started to crawl beneath the table, but the wary constable
caught him by his belt and made a shield for the nonce of his trembling
body.
The landlord's eyes bulged from their sockets as if a spirit from the
nether regions had confronted him. The corners of his mouth, which
ascended in harmony with his moon-face, twitched nervously. "Mercy me,
sayest thou so?" he asked.
[Illustration: MISTRESS NELL FINDS HAPPINESS.]
"And in thine ear," continued Swallow, consolingly, "and if thou see'st
Old Rowley within a ten league, put thy new huswife's face under lock
and key and Constable Swallow on the door to guard thy treasure."
It was not quite clear, however, what the constable meant; for "Old
Rowley" was the name of the King's favourite racehorse, of Newmarket
fame, and had also come to be the nickname of the King himself. Charles
assumed it good-naturedly. Assuredly, neither might be expected as a
visitor to Ye Blue Boar.
There came a more spirited knock at the door. The constable sought a
niche in the fireplace, whence he endeavoured to exclude Buzzard, who
was loath to be excluded.
"Pass the Dutch-courage, good landlord," entreated Swallow, in a hoarse
whisper.
The landlord started boldly toward the door, but his courage failed him.
"Go thou, Master Constable," he exclaimed.
"Go thou thyself," wisely commanded Swallow, with the appearance of much
bravery, though one eye twitched nervously in the direction of the
kitchen-door in the rear, as a possible means of exit. "There's no need
of his Majesty's constable till the battery be complete. There must be
an action and intent, saith the law."
"Old Rowley!" muttered the landlord, fearfully. "Good Master
Constable--" he pleaded. His face, which was usually like a roast of
beef, grew livid with fear.
Swallow, however, gave him no encouragement, and the landlord once more
started for the door.
On the way his eye lighted on a full cask which was propped up in the
corner. Instinct was strong in him, even in death. It had been tapped,
and it would be unsafe to leave it even for an instant within reach of
such guests. He stopped and quickly replaced the spigot with a plug.
There was a third knock at the door--louder than before.
"Anon, anon!" he called, hastily turning and catching up the half-filled
flagon from the table. He disappeared in the entry-way.
The brave representatives of the King's law craned their necks, but they
could hear nothing. As the silence continued, courage was gradually
restored to them; and, with the return of courage, came the desire for
further drink.
Swallow again seized his pike and staggered toward the entry-way to
impress his companion with his bravery.
Buzzard caught the spirit of the action. "Marry, I'd be a constable,
too, an it were to sit by the fire and guard a pretty wench," he said.
His face glowed in anticipation of such happiness as he glanced through
the half-open door to the kitchen, where the landlord's wife reigned.
"Egad, thou a constable!" ejaculated Swallow, contemptuously, throwing a
withering glance in the direction of his comrade. "Thou ignoramamus! Old
Rowley wants naught but brave men and sober men like me to guard the
law. Thou art a drunken Roundhead. One of Old Noll's vile ruffians. I
can tell it by the wart on thy nose, knave."
"Nay, Master Constable," explained Buzzard, with an injured look at the
mention of the wart, "it will soon away. Mother says, when I was a rosy
babe, Master Wart was all in all; now I'm a man, Master Nose is crowding
Neighbour Wart."
Swallow put his hands on his knees and laughed deeply. He contemplated
the nose and person of his companion with a curious air and grew mellow
with patronage.
"Thy fool's pate is not so dull," he said, half aloud, as he lighted a
long pipe and puffed violently. "Thy wit would crack a quarter-staff.
'Sbud, would'st be my _posse?_
This was, indeed, a concession on the part of the constable, who was
over-weighted with the dignity of the law which he upheld.
"Would'st be at my command," he continued, "to execute the King's
_Statu quos_ on rogues?"
"Marry, Constable Buzzard!" exclaimed the toper, gleefully. "Nay, and I
would!"
"Marry, 'Constable' Buzzard!" replied Swallow, with tremendous
indignation at the assumption of the fellow. "Nay, and thou would'st
not, ass! By my patron saint--"
As the constable spoke, Buzzard's eye, with a leer, lighted on the cask
in the corner. He bethought him that it had a vent-hole even though the
landlord had removed the spigot. He tiptoed unsteadily across the room,
and proceeded with much difficulty to insert a straw in the small
opening. He had thus already added materially to his maudlin condition,
before Swallow discovered, with consternation and anger, the temporary
advantage which the newly appointed _posse_ had secured.
The cunning constable held carefully on to his tongue, however. He
quietly produced a knife and staggered in his turn to the cask,
unobserved by the unsuspecting Buzzard, whose eyes were tightly closed
in the realization of a dream of his highest earthly bliss.
In an instant, the straw was clipped mid-way and the constable was
enjoying the contents of the cask through the lower half, while Buzzard
slowly awakened to the fact that his dream of bliss had vanished and
that he was sucking a bit of straw which yielded naught.
"Here, knave," commanded Swallow, between breaths, pushing the other
roughly aside, "thou hast had enough for a _posse_. Fill my mug,
thou ignoranshibus."
Buzzard staggered toward the table to perform the bidding. "The flagon's
empty, Master Constable," he replied, and forthwith loudly called out,
"Landlord! Landlord!"
The constable dropped his straw and raised himself with difficulty to
his full height, one hand firmly resting on the cask.
"Silence, fool of a _posse_" he commanded, when he had poised
himself; "look ye, I have other eggs on the spit. To thy knee, sirrah;
to thy knee, knave!"
Buzzard with difficulty and with many groans unsuspectingly obeyed the
command. Swallow lifted the cask which not long since he had been riding
and which had not as yet been tapped upon the shoulder of his kneeling
companion. There was another groan.
"'Tis too heavy, good Master Constable," cried Buzzard, in sore
distress.
"Thou clodhopper'" yelled Swallow, unsympathetically. "An thou cannot
master a cask of wine, thou wilt never master the King's law. To the
kitchen with thee; and keep thy eyes shut, thou knave of a
_posse_." The constable made a dive for his pike and lantern, and
enforced his authority by punctuating his remarks with jabs of the pike
from behind at his powerless friend, who could scarce keep his legs
under the weight of the cask.
As Buzzard tottered through the kitchen-door and made his exit, the
constable, finding his orders faithfully obeyed, steadied himself with
the pike to secure a good start; and then, with long staggering strides,
he himself made his way after the _posse_, singing loudly to his
heart's content:
_"Good store of good claret supplies everything
And the man that is drunk is as great as a king."_
CHAPTER IX
_Three chickens!_
The door opened quickly, and in came King Charles; but who would have
known him? The royal monarch had assumed the mien and garb of a ragged
cavalier.
His eyes swept the inn quickly and approvingly. He turned upon the
landlord, who followed him with dubious glances.
"Cook the chickens to a turn; and, mark you, have the turbot and sauce
hot, and plenty of wine," he said. "Look to't; the vintage I named,
Master Landlord. I know the bouquet and sparkle and the ripple o'er the
palate."
"Who is to pay for all this, sir?" asked the landlord, aghast at the
order.
"Insolent!" replied Charles. "I command it, sirrah."
"Pardon, sir," humbly suggested the landlord; "guineas, and not words,
command here."
"Odso!" muttered the King, remembering his disguise. "My temper will
reveal me. Never fear, landlord," he boasted loudly. "You shall be paid,
amply paid. I will pledge myself you shall be paid."
"Pardon, sir," falteringly repeated the landlord, rubbing his hands
together graciously; "but the order is a costly one and you--"
"Do not look flourishing?" said Charles, as he laughingly finished the
sentence, glancing somewhat dubiously himself at his own dress. "Never
judge a man by his rags. Plague on't, though; I would not become my own
creditor upon inspection. Take courage, good Master Landlord; England's
debt is in my pocket."
"How many to supper, sir?" asked the landlord, fearful lest he might
offend.
"Two! Two! Only two!" decisively exclaimed Charles. "A man is an
extravagant fool who dines more. The third is expensive and in the way.
Eh, landlord?"
The King winked gaily at the landlord, who grinned in response and
dropped his eyes more respectfully.
"Two, sir," acquiesced the landlord.
"Aye, mine host, thou art favoured beyond thy kind," laughed Charles,
knowingly, as he dwelt upon the joys of a feast incognito alone with
Nell. "A belated goddess would sup at thy hostelry." The landlord's eyes
grew big with astonishment. "I will return. Obey her every wish, dost
hear, her every wish, and leave the bill religiously to me." Charles
swaggered gaily up the steps to the entry-way and out the door.
The moon-face of the inn-keeper grew slowly serious. He could not
reconcile the shabby, road-bespattered garments of the strange cavalier
with his princely commands.
"Body o' me!" he muttered, lighting one by one the candles in the room,
till the rafters fairly glowed in expectation of the feast.
"Roundhead-beggar, on my life! Turbot and capons and the best vintage!
The King could not have better than this rogue. Marry, he shall have the
best in the larder; but Constable Swallow shall toast his feet in the
kitchen, with a mug of musty ale to make him linger."
The corners of the mouth in the moon-face ascended in a chuckle.
"His ragged lordship'll settle the bill very religiously," he thought,
"or sleep off his swollen Roundhead behind the bars."
He passed into the kitchen and gave the order for the repast. As he
returned, there was a tap at the door; and he hastened to the window.
"Bless me, a petticoat!" he cried. "Well, he's told the truth for once.
She's veiled. Ashamed of her face or ashamed of him."
He opened the door and ushered in a lady dressed in white; across her
face and eyes was thrown a scarf of lace.
"Not here?" questioned the new-comer, glancing eagerly about the room and
peeping into every nook and corner without the asking, to the
astonishment of the inn-keeper.
"Not here?" she asked herself again, excitedly. "Tell me, tell me, is
this Ye Blue Boar Inn?"
"Yes, lady--" replied the landlord, graciously.
"Good, good! Has she been here? Have you seen her?"
"Who, the goddess?" asked the landlord, stupidly.
"The goddess!" retorted Nell, for it was none other, with humorous irony
of lip. "How can you so belie the Duchess?" She laughed merrily at the
thought.
There was a second knock; and the landlord again hastened to the window.
"'Tis she; 'tis she!" exclaimed Nell, excitedly. "Haste ye, man; I am in
waiting! What has she on? How is she dressed?"
"Body o' me!" exclaimed the landlord, in awe, as he craned his neck at
the sash. "'Tis a lady of quality."
"Bad quality," ejaculated Nell.
"She has come in a chair of silver," cried the landlord.
"My chair shall be of beaten gold, then," thought Nell, with a twinkle
of the eye. "Charles, you must raise the taxes."
"Mercy me, the great lady's coming in," continued the landlord, beside
himself in his excitement.
"She shall be welcome, most welcome, landlord," observed Nell promptly.
"Body o' me! What shall I say?" asked the landlord, in trembling
accents.
"Faith and troth," replied Nell, coming to his rescue, "I will do the
parlez-vousing with her ladyship. Haste thee, thou grinning fat man."
She glided quickly into a corner of the old fireplace, where she could
not be observed so readily.
The Duchess of Portsmouth entered, with all the haughty grandeur of a
queen. She glanced about contemptuously, and her lip could be seen to
curl, even through the veil which partially hid her face.
"This _bourgeois_ place," she said, "to sup with the King! It
cannot be! _Garçon!_"
"What a voice," reflected Nell, in her hiding-place, "in which to sigh,
'I love you.'"
"Barbarous place!" exclaimed Portsmouth. "His Majesty must have lost
his wits."
She smiled complacently, however, as she reflected that the King might
consent even within these walls and that his sign-manual, if so secured,
would be as binding as if given in a palace.
"_Garçon!_" again she called, irritably.
Nell was meanwhile inspecting her rival from top to toe. Nothing escaped
her quick eye. "I'll wager her complexion needs a veil," she muttered,
with vixenish glee. "That gown is an insult to her native France."
"_Garçon_; answer me," commanded Portsmouth, fretfully.
The landlord had danced about her grace in such anxiety to please that
he had displeased. He had not learned the courtier's art of being ever
present, yet never in the way.
"Yes, your ladyship," he stupidly repeated again and again. "What would
your ladyship?"
"Did a prince leave commands for supper?" she asked, impatiently.
"No, your ladyship," he replied, obsequiously. "A ragged rogue ordered a
banquet and then ran away, your ladyship."
"How, sirrah?" she questioned, angrily, though the poor landlord had
meant no discourtesy.
"If he knew his guests, he would ne'er return," softly laughed Nell.
"_Parbleu_," continued Portsmouth, in her French, impatient way,
now quite incensed by the stupidity of the landlord, "a cavalier would
meet me at Ye Blue Boar Inn; so said the messenger."
She suddenly caught sight of Nell, whose biting curiosity had led her
from her hiding-place. "This is not the rendezvous," she reflected
quickly. "We were to sup alone."
The landlord still bowed and still uttered the meaningless phrase: "Yes,
your ladyship."
The Duchess was at the end of her patience. "_Mon Dieu_," she
exclaimed, "do you know nothing, sirrah?"
The moon-face beamed. The head bowed and bowed and bowed; the hands were
rubbed together graciously.
"Good lack, I know not; a supper for a king was ordered by a ragged
Roundhead," he replied. "Here are two petticoats, your ladyship. When I
know which petticoat is which petticoat, your ladyship, I will serve the
dinner."
The tavern-keeper sidled toward the kitchen-door. As he went out, he
muttered, judiciously low: "I wouldn't give a ha'penny for the choice."
"Beggar!" snapped Portsmouth. "Musty place, musty furniture, musty
_garçon_, musty everything!"
She stood aloof in the centre of the room as if fearful lest she might
be contaminated by her surroundings.
Nell approached her respectfully.
"You may like it better after supper, madame," she suggested, mildly. "A
good spread, sparkling wine and most congenial company have cast a halo
o'er more time-begrimed rafters than these."
"Who are you, madame?" inquired the Duchess, haughtily.
"A fellow-passenger on the earth," gently replied Nell, "and a lover of
good company, and--some wine."
"Yes?" said the Duchess, in a way that only a woman can ask and answer a
question with a "yes" and with a look such as only a woman can give
another woman when she asks and answers that little question with a
"yes."
There was a moment's pause.
The Duchess continued: "Perhaps you have seen the cavalier I await."
"Marry, not I," replied Nell, promptly; and she bethought her that she
had kept a pretty sharp lookout for him, too.
"Is this a proper place for a lady to visit?" pompously inquired the
Duchess.
"You raise the first doubt," said Nell quickly.
"Madame!" exclaimed Portsmouth, interrupting her, with fiery
indignation.
"I say, you are the first to question the propriety of the place,"
explained Nell, apologetically, though she delighted inwardly at the
intended shot which she had given her grace.
"I came by appointment," continued the Duchess; "but it seems I was
misled. _Garçon_, my chair!"
The Duchess made a move toward the door, but Nell's words stopped her.
"Be patient, Duchess! He is too gallant to desert you."
"She knows me!" thought Portsmouth. She turned sharply upon the
stranger. "I have not the pleasure of your acquaintance, madame."
"Such is my loss, not yours," replied Nell, suavely.
"Remove your veil," commanded the Duchess; and her eyes flashed through
her own.
"I dare not before the beauty of Versailles," continued Nell, sweetly.
"Remove yours first. Then I may take mine off unseen."
"Do I know you?" suspiciously inquired Portsmouth.
"I fear not," said Nell, meekly, and she courtesied low. "I am but an
humble player--called Nell Gwyn."
The Duchess raised herself to her full height.
"Nell Gwyn!" she hissed, and she fairly tore off her veil.
"Your grace's most humble servant," said Nell, again courtesying low and
gracefully removing her veil.
"This is a trap," exclaimed the Duchess, as she realized the situation.
"Heaven bless the brain that set it then," sweetly suggested Nell.
"Your own, minx," snapped Portsmouth. "I'll not look at the hussy!" she
muttered. She crossed the room and seated herself upon the bench, back
to Nell.
"Your grace would be more kind if you knew my joy at seeing you."
"And why?" asked the Duchess, ironically.
"I would emulate your warmth and amiability," tenderly responded Nell.
"Yes?" said Portsmouth; but how much again there was in her little
"yes," accented as it was with a French shrug.
"I adore a beautiful woman," continued Nell, "especially when I know her
to be--"
"A successful rival?" triumphantly asked the Duchess.
"A rival!" exclaimed Nell, in well-feigned astonishment, still toying
with the Duchess's temper. "Is the poor actress so honoured in a
duchess's thought? Your grace is generous."
If all the angels had united, they could not have made her speech more
sweet or her manner more enticing.
"I presumed you might conceive it so," replied Portsmouth, with mocking,
condescending mien.
Nell approached her timidly and spoke softly, lovingly, subserviently.
"A rival to the great Duchess of Portsmouth!" she said. "Perish the
thought! It is with trepidation I look upon your glorious face, madame;
a figure that would tempt St. Anthony; a foot so small it makes us swear
the gods have lent invisible wings to waft you to your conquest. Nay, do
not turn your rosy lip in scorn; I am in earnest, so in earnest, that,
were I but a man, I would bow me down your constant slave--unless
perchance you should grow fat."
The turn was delicious: Nell's face was a study; and so was
Portsmouth's.
The Duchess sprang to her feet, realizing fully for the first time that
she had been trapped and trifled with. "Hussy! Beware your own lacings,"
she angrily exclaimed, turning now full face upon her adversary.
Nell was leaning against the table across the room, quietly observing
Portsmouth upon the word-wrack. Her whole manner had changed. She
watched with evident delight the play of discomfiture, mingled with
contempt, upon the beautiful Duchess's face.
"_Me_ fat!" she derisively laughed. "Be sure I shall never grow too
much so. And have not the stars said I shall ne'er grow old?"
"Your stars are falser than yourself," tartly snapped the Duchess.
"Mayhap," said Nell, still gleeful; "but mark you this truth: I shall
reign queen of Love and Laughter while I live, and die with the first
wrinkle."
She was interrupted by his Majesty, who, unsuspecting, swaggered into
the room in buoyant spirits.
"The King!" exclaimed Nell, as she slyly glanced over her shoulder.
The King looked at one woman and then at the other in dismay and horror.
"Scylla and Charybdis!" he muttered, nervously, glancing about for means
of escape. "All my patron-saints protect me!"
Nell was by his side in an instant.
"Good even' to your Majesty," she roguishly exclaimed. "How can I ever
thank you, Sire, for inviting the Duchess to sup with me! I have been
eager to meet her ladyship."
"Ods-pitikins," he thought, "a loophole for me."
"Well,--you see--" he said, "a little surprise, Nelly,--a little
surprise--for me." The last two words were not audible to his hearers.
He looked at the beautiful rivals an instant, then ventured, "I hoped to
be in time to introduce you, ladies."
"Oh, your Majesty," asserted Nell, consolingly, "we are already quite
well acquainted. I knew her grace through her veil."
"No doubt on't," observed the King, knowingly.
"Yes, Sire," said the Duchess, haughtily, casting a frigid glance at
Nell, "I warrant we understand each other perfectly."
"Better and better," said Charles, with a sickly laugh.
His Majesty saw rocks and shoals ahead, and his wits could find no
channel of escape. He turned in dire distress upon Nell, who stood
aloof. She looked up into his face with the innocence of a babe in every
feature.
"Minx, this is your work!" he whispered.
"Yes, Sire!" she answered, mock-reprovingly, bending quite to the floor
as she courtesied low.
"'Yes, Sire.' Baggage!" he exclaimed good-naturedly despite himself.
As he turned away, praying Heaven to see him out of the difficulty, he
observed the landlord, who had just entered with bread and cups,
muttering some dubious invocations to himself. He clutched at this piece
of human stupidity--like a drowning man clutching at a straw: "Ah,
landlord, bring in what we live for; and haste ye, sirrah. The wine! The
wine!"
"It is ready, sir," obsequiously replied the landlord, who had just
sense enough in his dull cranium to reflect also, by way of complement,
"So is Constable Swallow."
"Good news, good news!" cried Charles; and he tossed his plumed hat upon
the sideboard, preparatory to the feast. "D'ye hear, my fair and loving
friends? Come, it is impolite to keep the capons waiting. My arms; my
arms!"
The King stepped gallantly between the ladies, making a bold play for
peace. The Duchess took one arm formally. Nell seized the remaining arm
and almost hugged his Majesty, nestling her head affectionately against
his shoulder. Charles observed the decorum of due dignity. He was
impartial to a fault; for he realized that there only lay his salvation.
The phalanx approached the feast in solemn march. The King tossed his
head proudly and observed: "Who would not play the thorn with two such
buds to blush on either side?"
There was a halt. The Duchess looked coldly at the table, then coldly at
the King, then more coldly at Nell. The King looked at each inquiringly.
"I thought your Majesty ordered supper for three," she said. "It is set
for two."
"Odsfish, for two!" cried Charles, glancing, anxiously, for the first
time at the collation.
Nell had taken her place at the feast, regardless of formality. She was
looking out for herself, irrespective of King or Duchess. She believed
that a dinner, like the grave, renders all equal.
"Egad!" she exclaimed, as she dwelt upon the force of the Duchess's
observation. "Our host is teaching us the virtues of economy."
The unsuspecting landlord re-entered at this moment, wine in hand, which
he proceeded to place upon the table.
"What do you mean, knave, by this treachery!" almost shrieked the King
at sight of him. "Another plate, dost hear; another plate, dog!"
"Bless me," explained the landlord, in confusion, "you said supper for
two, sir; that a man was a fool who dined more; that the third was
expensive and in the way."
"Villain!" cried Charles, in a hopeless effort to suppress the fellow,
"I said two-two--beside myself. I never count myself in the presence of
these ladies."
The landlord beat a hasty retreat.
The Duchess smiled a chilling smile, and asked complacently:
"Which one of us did you expect, Sire?"
"Yes, which did you expect, Sire?" laughed Nell.
"Oh, my head," groaned Charles; "well, well,--you see--Duchess, the
matter lies in this wise--"
"Let me help your Majesty," generously interrupted Nell. "Her ladyship
is ill at figures. You see, Charles and I are one, and you make two,
Duchess."
"I spoke to the King," haughtily replied the Duchess, not deigning to
glance at Nell.
The King placed his hands upon his forehead in bewilderment.
"This is a question for the Prime Minister and sages of the realm in
council."
"There are but two chairs, Sire," continued Portsmouth, coldly.
"Two chairs!" exclaimed the Merry Monarch, aghast, as he saw the breach
hopelessly widening. "I am lost."
"That is serious, Sire," said Nell, sadly; and then her eye twinkled as
she suggested, "but perhaps we might make out with one, for the
Duchess's sake. I am so little."
She turned her head and laughed gaily, while she watched the Duchess's
face out of the corner of her eye.
"'Sheart," sighed the King, "I have construed grave controversies of
state in my time, but ne'er drew the line yet betwixt black eyes and
blue, brunette and blonde, when both were present. Another chair,
landlord! Come, my sweethearts; eat, drink and forget."
The King threw himself carelessly into a chair in the hope that, in meat
and drink, he might find peace.
"Aye," acquiesced Nell, who was already at work, irrespective of
ceremony, "eat, drink and forget! I prefer to quarrel after supper."
"I do not," said the Duchess, who still stood indignant in the centre of
the room.
Nell could scarce speak, for her mouthful; but she replied gaily, with a
French shrug, in imitation of the Duchess:
"Oh, very well! I have a solution. Let's play sphinx, Sire."
Charles looked up hopefully.
"Anything for peace," he exclaimed. "How is't?"
"Why," explained Nell, with the philosophical air of a learned doctor,
"some years before you and I thought much about the ways and means of
this wicked world, your Majesty, the Sphinx spent her leisure asking
people riddles; and if they could not answer, she ate them alive. Give
me some of that turbot. Don't stand on ceremony, Sire; for the Duchess
is waiting."
The King hastened to refill Nell's plate.
"Thank you," laughed the vixen; "that will do for now. Let the Duchess
propound a riddle from the depths of her subtle brain; and if I do not
fathom it upon the instant, Sire, 't is the Duchess's--not
Nell's--evening with the King."
"Odsfish, a great stake!" cried Charles. He arose with a serio-comic
air, much pleased at the turn things were taking.
"Don't be too confident, madame," ironically suggested the Duchess; "you
are cleverer in making riddles than in solving them."
As she spoke, the room was suddenly filled with savoury odour. The
moon-faced landlord had again appeared, flourishing a platter containing
two finely roasted chickens. His face glowed with pride and ale.
"The court's famished," exclaimed Charles, as he greeted the inn-keeper;
"proceed!"
"Two capons! I have it," triumphantly thought Portsmouth, as she
reflected upon a riddle she had once heard in far-off France. It could
not be known in England. Nothing so clever could be known in England.
She looked contemptuously at Nell, and then at the two chickens, as she
propounded it.
"Let your wits find then three capons on this plate."
"Three chickens!" cried Charles, in wonderment, closely scrutinizing the
two fowl upon the plate and then looking up inquiringly at the Duchess.
"There are but two."
Nell only gurgled.
"Another glass, landlord, and I'll see four," she said. "Here's to you
two, and to me too." She drank gaily to her toast.
"That is not the answer, madame," coldly retorted the Duchess.
"Are we come to blows over two innocent chickens?" asked Charles,
somewhat concerned still for the outcome. "Bring on your witnesses."
"This is one chicken, your Majesty," declared the Duchess. "Another's
two; and two and one make three."
With much formality and something of the air of a conjurer, she counted
the first chicken and the second chicken and then recounted the first
chicken, in such a way as to make it appear that there were three birds
in all.
The King, who was ill at figures, like all true spendthrifts, sat
confused by her speech. Nell laughed again. The landlord, who was in and
out, stopped long enough to enter upon his bill, in rambling characters,
"3 chickens." This was all his dull ear had comprehended. He then
piously proceeded on his way.
"Gadso!" exclaimed the King, woefully. "It is too much for me."
"Pooh, pooh, 'tis too simple for you, Sire," laughed Nell. "I solved it
when a child. Here is my bird; and here is your bird; and our dearest
Duchess shall sup on her third bird!"
Nell quickly spitted one chicken upon a huge fork and so removed it to
her own plate. The second chicken, she likewise conveyed to his
Majesty's. Then, with all the politeness which she only could summon,
she bowed low and offered the empty platter to the Duchess.
Portsmouth struck it to the board angrily with her gloved hand and
steadied herself against the table.
"Hussy!" she hissed, and forthwith pretended to grow faint.
Charles was at her elbow in an instant, supporting her.
"Oh,--Sire, I--" she continued, in her efforts to speak.
"What is it?" cried Charles, seriously, endeavouring to assist her. "You
are pale, Louise."
"I am faint," replied she, with much difficulty. "Pardon my longer
audience, Sire; I am not well. _Garçon_, my chair. Assist me to the
door."
The fat landlord made a hasty exit, for him, toward the street, in his
desire to help the great lady. Charles supported her to the threshold.
"Call a leech, Sire," cried Nell after them, with mock sympathy. "Her
grace has choked on a chicken-bone."
"Be still, wench," commanded the King. "Do not leave us, Louise; it
breaks the sport."
"Nay," pleaded Nell also, "do not go because of this little
merry-making, Duchess. I desire we may become better friends."
Her voice revived the Duchess.
"_Sans doute_, we shall, madame," Portsmouth replied, coldly. "_À
mon bal! Pas adieu, mais au revoir_."
The great Duchess courtesied low, kissed the King's hand, arose to her
full height and, with an eye-shot at Nell, took her departure.
CHAPTER X
_Arrest him yourself!_
The King stood at the door, thoughtfully reflecting on the temper of the
departing Duchess. She was a maid of honour and, more than that, an
emissary from his brother Louis of France. Gossip said he loved her, but
it was not true, though he liked her company exceeding well when the
mood suited. He regretted only the evening's incident, with the harsher
feeling it was sure to engender.
Nell stood by the fireplace, muttering French phrases in humorous
imitation of her grace. Observing the King's preoccupation, she tossed a
_serviette_ merrily at his head.
This brought his Majesty to himself again. He turned, and laughed as he
saw her; for his brain and heart delighted in her merry-making. He loved
her.
"What means this vile French?" she asked, with delicious suggestion of
the shrug, accent and manner of her vanquished rival.
"The Duchess means," explained the King, "that she gives a royal ball--"
"And invites me?" broke in Nell, quickly, placing her elbows upon a cask
and looking over it impishly at Charles.
"And invites you _not_" said the King, "and so outwits you."
"By her porters' wits and not her own," retorted Nell.
She threw herself into a chair and became oblivious for the moment of
her surroundings.
"The French hussy! So she gives a ball?" she thought. "Well, well, I'll
be there! I'll teach her much. Oh, I'll be pretty, too, aye, very
pretty. No fear yet of rivalry or harm for England."
Charles watched her amusedly, earnestly, lovingly. The vixen had fallen
unconsciously into imitating again the Duchess's foreign ways, as an
accompaniment even for her thoughts.
"_Sans doute_, we shall, _madame_" Nell muttered audibly, with
much gesticulating and a mocking accent. "_À mon bal! Pas adieu, mais
au revoir_."
The King came closer.
"Are you ill," he asked, "that you do mutter so and wildly act?"
"I was only thinking that, if I were a man," she said, turning toward
him playfully, "I would love your Duchess to devotion. Her wit is so
original, her repartee so sturdy. Your Majesty's taste in horses--and
some women--is excellent."
She crossed the room gaily and threw herself laughing upon the bench.
The King followed her.
"Heaven help the being, naughty Nell," he said, "who offends thy merry
tongue; but I love thee for it." He sat down beside her in earnest
adoration, then caught her lovingly in his arms.
"Love me?" sighed Nell, scarce mindful of the embrace. "Ah, Sire, I am
but a plaything for the King at best, a caprice, a fancy--naught else."
"Nay, sweet," said Charles, "you have not read this heart."
"I have read it too deeply," replied Nell, with much meaning in her
voice. "It is this one to-day, that one to-morrow, with King Charles.
Ah, Sire, your love for the poor player-girl is summed up in three
little words: 'I amuse you!'"
"Amuse me!" exclaimed Charles, thoughtfully. "Hark ye, Nell! States may
marry us; they cannot make us love. Ye Gods, the humblest peasant in my
realm is monarch of a heart of his own choice. Would I were such a
king!"
"What buxom country lass," asked Nell, sadly but wistfully, "teaches
your fancy to follow the plough, my truant master?"
"You forget: I too," continued Charles, "have been an outcast, like
Orange Nell, seeking a crust and bed."
He arose and turned away sadly to suppress his emotion. He was not the
King of England now: he was a man who had suffered; he was a man among
men.
"Forgive me, Sire," said Nell, tenderly, as a woman only can speak, "if
I recall unhappy times."
"Unhappy!" echoed Charles, while Fancy toyed with Recollection. "Nell,
in those dark days, I learned to read the human heart. God taught me
then the distinction 'twixt friend and enemy. When a misled rabble had
dethroned my father, girl, and murdered him before our palace gate, and
bequeathed the glorious arts and progressive sciences to religious
bigots and fanatics, to trample under foot and burn--when, if a little
bird sang overjoyously, they cut out his tongue for daring to be
merry--in some lonely home by some stranger's hearth, a banished prince,
called Charles Stuart, oft found an asylum of plenty and repose; and in
your eyes, my Nell, I read the self-same, loyal, English heart."
There was all the sadness of great music in his speech. Nell fell upon
her knee, and kissed his hand, reverently.
"My King!" she said; and her voice trembled with passionate love.
He raised her tenderly and kissed her upon the lips.
"My queen," he said; and his voice too trembled with passionate love.
"And Milton says that Paradise is lost," whispered Nell. Her head rested
on the King's shoulder. She looked up--the picture of perfect
happiness--into his eyes.
"Not while Nell loves Charles," he said.
"And Charles remembers Nell," her voice answered, softly.
Meanwhile, the rotund landlord had entered unobserved; and a contrast he
made, indeed, to the endearing words of the lovers as at this instant he
unceremoniously burst forth in guttural accents with:
"The bill! The bill for supper, sir!"
Nell looked at the King and the King looked at Nell; then both looked at
the landlord. The lovers' sense of humour was boundless. That was their
first tie; the second, their hearts.
"The bill!" repeated Nell, smothering a laugh. "Yes, we were just
speaking of the bill."
"How opportune!" exclaimed Charles, taking the cue. "We feared you would
forget it, sirrah."
"See that it is right," ejaculated Nell.
The King glanced at the bill indifferently, but still could not fail to
see "3 chickens" in unschooled hand. His eyes twinkled and he glanced at
the landlord, but the latter avoided his look with a pretence of
innocence.
[Illustration: THE DECEPTION.]
"Gad," said Charles, with a swagger, "what are a few extra shillings to
Parliament? Here, my man." He placed a hand in a pocket, but found it
empty. "No; it is in the other pocket." He placed his hand in another,
only to find it also empty. Then he went through the remaining pockets,
one by one, turning them each out for inspection--his face assuming an
air of mirthful hopelessness as he proceeded. He had changed his garb
for a merry lark, but had neglected to change his purse. "Devil on't,
I--have--forgotten--Odsfish, where is my treasurer?" he exclaimed at
last.
"Your treasurer!" shrieked the landlord, who had watched Charles's
search, with twitching eyes. "Want your treasurer, do ye? Constable
Swallow'll find him for ye. Constable Swallow! I knew you were a rascal,
by your face."
Charles laughed.
This exasperated the landlord still further. He began to flutter about
the room aimlessly, bill in hand. He presented it to Charles and he
presented it to Nell, who would have none of it; while at intervals he
called loudly for the constable.
"Peace, my man," entreated Nell; "be still for mercy's sake."
"Good lack, my lady," pleaded the landlord, in despair, "good lack, but
you would not see a poor man robbed by a vagabond, would ye? Constable
Swallow!"
The situation was growing serious indeed. The King was mirthful still,
but Nell was fearful.
"Nell, have you no money to stop this heathen's mouth?" he finally
ejaculated, as he caught up his bonnet and tossed it jauntily upon his
head.
"Not a farthing," replied she, sharply. "I was invited to sup, not pay
the bill."
"If the King knew this rascal," yelled the landlord at the top of his
voice, pointing to Charles, "he would be behind the bars long ago."
This was too much for his Majesty, who broke into the merriest of
laughs.
"Verily, I believe you," he admitted. Then he fell to laughing again,
almost rolling off the bench in his glee.
"Master Constable," wildly repeated the landlord, at the kitchen-door.
"Let my new wife alone; they are making off with the house."
Nell was filled with consternation.
"He'll raise the neighbourhood, Sire," she whispered to Charles. "Have
you no money to stop this heathen's mouth?"
"Not even holes in my pockets," calmly replied the Merry Monarch.
"Odsfish, what company am I got into!" sighed Nell. She ran to the
landlord and seized his arm in her endeavour to quiet him.
The landlord, however, was beside himself. He stood at the kitchen-door
gesticulating ferociously and still shouting at the top of his voice:
"Constable Swallow! Help, help; thieves; Constable Swallow!"
Swallow staggered into the room with all his dignity aboard. Tankard in
hand, he made a dive for the table, and catching it firmly, surveyed the
scene.
Nell turned to her lover for protection.
"Murder, hic!" ejaculated the constable. "Thieves! What's the
row?--Hic!"
"Arrest this blackguard," commanded the landlord, nervously, "this
perfiler of honest men."
"Arrest!--You drunken idiot!" indignantly exclaimed Charles; and his
sword cut the air before the constable's eyes.
Nell seized his arm. Her woman's intuition showed her the better course.
"You will raise a nest of them," she whispered. "You need your wits,
Sire; not your sword."
"Nay; come on, I say," cried Charles, fearlessly. "We'll see what his
Majesty's constables are made of."
"You rogue--_Posse!_" exclaimed Swallow, starting boldly for the
King, then making a brilliant retreat, calling loudly for help, as the
rapier tickled him in the ribs.
"You ruffian--_Posse!_" he continued to call, alternately, first to
one and then to the other; for his fear paralyzed all but his tongue.
"You outlaw--_Posse commi-ti-titous_--hic!"
Buzzard also now entered from his warm nest in the kitchen, so
intoxicated that he vented his enthusiasm in song, which in this case
seemed apt:
_"The man that is drunk is as great as a king."_
"Another champion of the King's law!" ejaculated Charles, not without a
shadow of contempt in his voice, once more assuming an attitude of
defence.
"Oh, Charles!" pleaded Nell, again catching his arm.
"_Posse_, arrest that vagabond," commanded the constable, from a
point of safety behind the table.
"Aye, aye, sir," replied the obedient Buzzard. "On what charge--hic?"
"He's a law-breaker and a robber!" yelled the watchful landlord.
"He called the law a drunken idiot. Hic--hic!" woefully wailed Swallow.
"Odsbud, that's treason! Arrest him, _posse_--hic!"
"Knave, I arrest--hic!" asserted Buzzard.
The _posse_ started boldly enough for his game, but was suddenly
brought to a stand-still in his reeling course by the sharp point of the
rapier playing about his legs. He made several indignant efforts to
overcome the obstacle. The point of the blade was none too gentle with
him, even as he beat a retreat; and his enthusiasm waned.
"Arrest him yourself--hic!" he exclaimed.
Swallow's face grew red with rage. To have his orders disobeyed fired
him with much more indignation of soul than the escape of the ruffian,
who was simply defrauding the landlord of a dinner. He turned hotly upon
the insubordinate _posse_, crying:
"I'll arrest you, you Buzzard--hic!"
"I'll arrest you, you Swallow--hic!" with equal dignity retorted
Buzzard.
"I'm his Majesty's constable--hic!" hissed Swallow, from lips charged
with air, bellows-like.
"I'm his Majesty's _posse_--hic!" hissed Buzzard in reply.
The two drunken representatives of the law seized each other angrily.
The landlord, in despair, endeavoured hopelessly to separate them.
"A wrangle of the generals," laughed Charles. "Now is our time." He
looked about quickly for an exit.
"Body o' me! The vagabonds'll escape," shouted the landlord.
"Fly, fly!" said Nell. "This way, Charles."
She ran hastily toward the steps leading to the entry-way; the King
assisted her.
"Stop, thief! Stop, thief!" screamed the landlord. "The bill! The bill!"
"Send it to the Duchess!" replied Nell, gaily, as she and the Merry
Monarch darted into the night.
The landlord turned in despair, to find the drunken champions of the
King's law in a struggling heap upon the floor. He raised his foot and
took out vengeance where vengeance could be found.
CHAPTER XI
_In the field, men; at court, women!_
It was the evening of Portsmouth's long-awaited _bal masqué_. Music
filled her palace with rhythmic sound. In the gardens, its mellowing
strains died away among the shrubs and over-hanging boughs. In every
nook and corner wandered at will the nobility--the richest--the
greatest--in the land.
None entertain like the French; and the Duchess had, indeed, exhausted
French art in turning the grand old place into a land of ravishing
enchantment, with its many lights, its flowers, its works of art. Her
abode was truly an enlivening scene, with its variety of maskers, bright
dominoes and vizards.
The King was there and took a merry part in all the sport, although,
beneath his swaggering abandon, there lurked a vein of sadness. He
laughed heartily, he danced gaily, he jested with one and all; but his
manner was assumed. The shrewdest woman's eye could not have seen it;
though she might have felt it. Brother James too enjoyed the dance,
despite his piety; and Buckingham, Rochester and a score of courtiers
beloved by the King entered mirthfully into the scene, applauding the
Duchess's entertainment heartily.
As the evening wore apace, the merry maskers grew merrier and merrier.
In a drawing-room adjoining the great ball-room, a robber-band, none
other than several gallants, whose identity was concealed by silken
vizards, created huge amusement by endeavouring to steal a kiss from
Lady Hamilton. She feigned shyness, then haughtiness, then anger; then
she ran. They were after her and about her in an instant. There were
cries of "A kiss!" "A kiss!" "This way!" "Make a circle or she'll escape
us!"
A dozen kisses so were stolen by the eager gallants before my lady broke
away, stamping her foot in indignation, as she exclaimed:
"Nay, I am very angry, very--"
"That there were no more, wench!" laughed Buckingham. "Marry, 'tis a
merry night when Portsmouth reigns. Long live the Duchess in the King's
heart!"
"So you may capture its fairer favourite, friend Buckingham?" suggested
the King, softly; and there was no hidden meaning in his speech, for the
King suspected that Buckingham's heart as well was not at Portsmouth's
and Buckingham knew that the King suspected it.
Buckingham was the prince of courtiers; he bowed low and, saying much
without saying anything, replied respectfully:
"So I may console her, Sire, that she is out-beautied by France
to-night."
"Out-beautied! Not bidden, thou mean'st," exclaimed the King, his
thoughts roving toward Nelly's terrace. Ah, how he longed to be there!
"The room is close," he fretted. "Come, gallants, to the promenade!"
He was dressed in white and gold; and a princely prince he looked,
indeed, as the courtiers separated for him to pass out between them.
All followed save Buckingham, whom Portsmouth's eye detained.
She broke into a joyous laugh as she turned from the tapestry-curtains,
through which she could see his Majesty--the centre of a mirthful scene
without.
"What say you now, my lord?" she asked, triumphantly, of Buckingham. "I
am half avenged already, and the articles half signed. The King is here
despite his Madame Gwyn, and in a playful mood that may be tuned to
love."
Buckingham's ardour did not kindle as she hoped.
"Merriment is oft but Sadness's mask, Louise," he replied, thoughtfully.
"What meanest thou?" she asked, in her nervous, Gallic way, and as
quickly, her mind anticipating, answered: "This trifle of the gossips
that Charles advances the player's whim to found a hospital at Chelsea,
for broken-down old soldiers? _Ce n'est rien!"_
She broke into a mocking laugh.
"Aye!" replied Buckingham, quietly but significantly. "The orders are
issued for its building and the people are cheering Nell throughout the
realm."
"_Ma foi!_" came from the Duchess's contemptuous lips. "And what
say the rabble of Portsmouth?"
"That she is Louis's pensioner sent here from France--a spy!" he
answered, quickly and forcefully too. "The hawkers cry it in the
streets."
"Fools! Fools!" she mused. Then, making sure that no arras had ears, she
continued: "Before the night is done, thou shalt hear that Luxembourg
has fallen to the French--Mark!--Luxembourg! Feed the rabble on that, my
lord. Heaven preserve King Louis!"
The Duke started incredulously. When had Portsmouth seen the King? and
by what arts had she won the royal consent? A score of questions
trembled on his lips--and yet were checked before the utterance. Not an
intimation before of her success had reached his ear, though he had
advised with the Duchess almost daily since their accidental meeting
below Nell's terrace. Indeed, in his heart, he had never believed that
she would be able so to dupe the King. The shadow from the axe which
fell upon Charles I. still cast its warning gloom athwart the walls of
Whitehall; and, in the face of the temper of the English people and of
well-known treaties, the acquiescence of Charles II. in Louis's project
would be but madness. Luxembourg was the key strategetically to the
Netherlands and the states beyond. Its fall meant the augmentation of
the Empire of Louis, the personal ignominy of Charles!
"Luxembourg!" He repeated the word cautiously. "King Charles did not
consent--"
"Nay," replied the Duchess, in her sweetest way, "but I knew he would;
and so I sent the message in advance."
"Forgery! 'Twas boldly done, Louise," cried Buckingham, in tones of
admiration mixed with fear.
"I knew my power, my lord," she said confidently; and her eyes glistened
with womanly pride as she added: "The consent will come."
Buckingham's eyes--usually so frank--fell; and, for some seconds, he
stood seemingly lost in abstraction over the revelations made by the
Duchess. He was, however, playing a deeper game than he appeared to
play. Apparently in thoughtlessness, he began to toy with a ring which
hung upon a ribbon about his neck and which till then had been
cautiously concealed.
"Nay, what have you there?" questioned Portsmouth.
Buckingham's face assumed an expression of surprise. He pretended not to
comprehend the import of her words.
She pointed to the ring.
He glanced at it as though he regretted it had been seen, then added
carelessly, apparently to appease but really to whet the Duchess's
curiosity:
"Merely a ring the King gave Nell."
There was more than curiosity now in Portsmouth's eyes.
"I borrowed it to show it you," continued Buckingham, indifferently,
then asked, with tantalizing calmness: "Is your mission quite complete?"
With difficulty, the Duchess mastered herself. Without replying, she
walked slowly toward the table, in troubled thought. The mask of crime
revealed itself in her beautiful features, as she said, half to herself:
"I have a potion I brought from France."
She was of the Latin race and poison was a heritage.
Buckingham caught the words not meant for him, and realized too well
their sinister meaning. Poison Nell! His eyes swept the room fearfully
and he shuddered. He hastened to Portsmouth's side, and in cold whispers
importuned her:
"For Heaven's mercy, woman, as you love yourself and me--poison is an
unhealthy diet to administer in England."
The Duchess turned upon him impatiently. The black lines faded slowly
from her face; but they still were there, beneath the beauty-lines.
"My servants have watched her house without avail," she sneered. "Your
plan is useless; my plan will work."
"Stay!" pleaded Buckingham, still fearful. "We can ourselves entice some
adventurous spirit up Nell's terrace, then trap him. So our end is
reached."
"Aye," replied the Duchess, in milder mood, realizing that she had been
over-hasty at least in speech, "the minx presumes to love the King, and
so is honest! But of her later. The treaties! He shall sign
to-night--to-night, I say."
With a triumphant air, she pointed to the quills and sand upon a table
in readiness for his signing.
Buckingham smiled approvingly; and in his smile lurked flattery so
adroit that it pleased the Duchess despite herself.
"Lord Hyde, St. Albans and the rest," said he, "are here to aid the
cause."
"Bah!" answered Portsmouth, with a shrug. "In the field, men; at court,
women! This girl has outwitted you all. I must accomplish my mission
alone. Charles must be Louis's pensioner in full; England the slave of
France! My fortune--_Le Grand Roi's_ regard--hang upon it."
Buckingham cautioned her with a startled gesture.
"Nay," smiled Portsmouth, complacently, "I may speak frankly, my lord;
for your head is on the same block still with mine."
"And my heart, Louise," he said, in admiration. "Back to the King! Do
nothing rash. We will banish thy rival, dear hostess."
He did not add, save in thought, that Nell's banishment, if left to him,
would be to his own country estate.
There was almost a touch of affection in the Duchess's voice as she
prepared to join the King.
"Leave all to me, my lord," she said, then courtesied low.
"Yea, all but Nell!" reflected his lordship, as he watched her depart.
"With this ring, I'll keep thee wedded to jealous interest, and so
enrich my purse and power. Thou art a great woman, fair France; I half
love thee myself. But thou knowest only a moiety of my purpose. The
other half is Nell!"
He stood absorbed in his own thoughts.
The draperies at the further doorway, on which was worked in Gobelin
tapestry a forest with its grand, imposing oaks, were pushed nervously
aside. Jack Hart entered, mask in hand, and scanned the room with
skeptic eye.
"A happy meeting," mused Buckingham, reflecting upon Hart's one-time
ardour for Mistress Nell and upon the possibility that that ardour, if
directed by himself, might yet compromise Nell in the King's eyes and
lead to the realization of his own fond dreams of greater wealth and
power and, still more sweet, to the possession of his choice among all
the beauties of the realm.
"It is a sad hour," thought Hart, glancing at the merry dancers through
the arch, "when all the world, like players, wear masks."
Buckingham assumed an air of bonhomie.
"Whither away, Master Hart?" he called after the player, who started
perceptibly at his voice. "Let not thy fancy play truant to this gay
assemblage, to mope in St. James's Park."
"My lord!" exclaimed Hart, hotly. The fire, however, was gone in an
instant; and he added, evidently under strong constraint: "Pardon; but
we prefer to change the subject."
"The drift's the same," chuckled the shrewd Buckingham; "we may turn it
to advantage." He approached the player in a friendly manner. "Be not
angry," he exclaimed soothingly; "for there's a rift even in the clouds
of love. Brighter, man; for King Charles was seeking your wits but now."
"He'd have me play court-fool for him?" asked the melancholy mime, who
had in his nature somewhat of the cynicism of Jaques, without his grand
imaginings of soul. "There are many off the stage, my lord, in better
practice." "True, most true," acquiesced Buckingham; "I could point them
out."
He would have continued in this vein but beyond the door, whence Hart
had just appeared, leading by a stair-way of cupids to the entrance to
the palace, arose the sound of many voices in noisy altercation.
"Hark ye, hark!" he exclaimed, in an alarmed tone. "What is't? Confusion
in the great hallway below. We'll see to't."
He had assumed a certain supervision of the palace for the night. With
the player as a body-guard, he accordingly made a hasty exit.
CHAPTER XII
_Beau Adair is my name._
The room was not long vacant. The hostess herself returned. She was
radiant.
As she crossed the threshold, she glanced back proudly at the revellers,
who, led by his Majesty, were turning night into day with their
merry-making. She had the right, indeed, to be proud; for the evening,
though scarce half spent, bespoke a complete triumph for her
entertainment. This was the more gratifying too, in that she knew that
there were many at court who did not wish the "imported" Duchess, as
they called her, or her function well, though they always smiled sweetly
at each meeting and at each parting and deigned now to feast beyond the
limit of gentility upon her rich wines and collations.
The _bal masqué_, however, as we have seen, was with the Duchess
but a means to an end. She took from the hand of a pretty page the
treaties, lately re-drawn by Bouillon, and glanced hastily over the
parchments to see that her instructions from Louis were covered by their
words. A smile played on her arching lips as she read and re-read and
realized how near she was to victory.
"'Tis Portsmouth's night to-night!" she mused. "My great mission to
England is nearly ended. Dear France, I feel that I was born for thy
advancement."
She seated herself by the table, where the materials for writing had
been placed, and further dwelt upon the outcome of the royal agreements,
their contingencies and triumphs. She could write Charles Rex almost as
well as the King, she thought, as her eye caught the places left for his
signature.
"Bouillon never fails me," she muttered. "Drawn by King Charles's
consent, except perchance some trifling articles which I have had
interlined for Louis's sake. We need not speak of them. It would be
troublesome to Charles. A little name and seal will make these papers
history."
Her reflections were interrupted by the return of Buckingham, who was
laughing so that he could scarcely speak.
"What is 't?" she asked, petulantly.
"The guard have stayed but now a gallant, Irish youth," replied he, as
best he could for laughter, "who swore that he had letters to your
highness. Oh, he swore, indeed; then pleaded; then threatened that he
would fight them all with single hand. Of course, he won the ladies'
hearts, as they entered the great hall, by his boyish swagger; but not
the guards. Your orders were imperative--that none unbidden to the ball
could enter."
"'Tis well," cried Portsmouth. "None, none! Letters to me! Did he say
from whom?"
"He said," continued Buckingham, still laughing, "that he was under
orders of his master to place them only in the Duchess's hands. Oh, he
is a very lordly youth."
The Duke throughout made a sad attempt at amusing imitations of the
brogue of the strange, youthful, Irish visitor who, with so much
importunity, sought a hearing.
Portsmouth reflected a moment and then said: "I will see him,
Buckingham, but briefly."
Buckingham, not a little surprised, bowed and departed graciously to
convey the bidding.
The Duchess lost herself again in thought. "His message may have
import," she reflected. "Louis sends strange messengers ofttimes."
In the midst of her reverie, the tapestry at the door was again pushed
back, cautiously this time, then eagerly. There entered the prettiest
spark that ever graced a kingdom or trod a measure.
It was Nell, accoutred as a youth; and a bold play truly she was making.
Her face revealed that she herself was none too sure of the outcome.
"By my troth," she thought, as she glanced uncomfortably about the great
room, "I feel as though I were all breeches." She shivered. "It is such
a little way through these braveries to me."
Her eyes turned involuntarily to the corner where Portsmouth sat, now
dreaming of far-off France.
"The Duchess!" her lips breathed, almost aloud, in her excitement. "So
you'd play hostess to his Majesty," she thought, "give a royal ball and
leave poor Nelly home, would you?"
The Duchess was conscious only of a presence.
"_Garçon!_" she called, without looking up.
Nell jumped a foot.
"That shook me to the boots," she ejaculated, softly.
"_Garçon!_" again called the impatient Duchess.
"Madame," answered Nell, fearfully, the words seeming to stick in her
fair throat, as she hastily removed her hat and bethought her that she
must have a care or she would lose her head as well, by forgetting that
she was an Irishman with a brogue.
"Who are you?" asked Portsmouth, haughtily, as, rising, with surprised
eyes, she became aware of the presence of a stranger.
Indeed, it is not strange that she was surprised. The youth who stood
before her was dressed from top to toe in gray--the silver-gray which
lends a colour to the cheek and piquancy to the form. The dress was of
the latest cut. The hat had the longest plume. The cloak hung gracefully
save where the glistening sword broke its falling lines. The boots were
neat, well rounded and well cut, encasing a jaunty leg. The dress was
edged with silver.
Ah, the strange youth was a love, indeed, with his bright, sparkling
eyes, his lips radiant with smiles, his curls falling to his shoulders.
"Well," stammered Nell, in awkward hesitation but in the richest brogue,
as the Duchess repeated her inquiry, "I'm just I, madame."
The Duchess smiled despite herself.
"You're just you," she said. "That's very clear."
"Yes, that's very clear," reiterated Nell, still fearful of her ground.
"A modest masker, possibly," suggested Portsmouth, observing the youth's
embarrassment and wishing to assist him.
"Yea, very modest," replied Nell, her speech still stumbling, "almost
ashamed."
Portsmouth's eyes looked sharply at her.
"She suspects me," thought Nell, and her heart leaped into her throat.
"I am lost--boots and all."
"Your name?" demanded the Duchess again, impatiently.
For the life of her Nell could not think of it.
"You see," she replied evasively, "I'm in London for the first time in
my present self, madame, and--"
"Your name and mission, sir?" The tone was imperative.
Nell's wits returned to her.
"Beau Adair is my name," she stammered, "and your service my mission."
It was out, though it had like to have choked her, and Nell was more
herself again. The worst she had feared was that the Duchess might
discover her identity and so turn the tables and make her the
laughing-stock at court. She grew, indeed, quite hopeful as she observed
a kindly smile play upon the Duchess's lips and caught the observation:
"Beau Adair! A pretty name, and quite a pretty fellow."
A smile of self-satisfaction and a low bow were Nell's reply.
"Vain coxcomb!" cried Portsmouth, reprovingly, though she was highly
amused and even pleased with the strange youth's conceit.
"Nay; if I admire not myself," wistfully suggested Nell, in reply, with
pretence of much modesty, "who will praise poor me in this great
palace?"
"You are new at court?" asked Portsmouth, doubtingly.
"Quite new," asserted Nell, gaining confidence with each speech. "My
London tailor made a man of me only to-day."
"A man of you only to-day!" cried the Duchess, in wonderment.
"He assured me, madame," Nell hastened to explain, "that the fashion
makes the man. He did not like my former fashion. It hid too much that
was good, he said. I am the bearer of this letter to the great Duchess
of Portsmouth; that you are she, I know by your royalty."
She bowed with a jaunty, boyish bow, sweeping the floor with her plumed
hat, as she offered the letter.
"Oh, you are the gentleman," said Portsmouth, recalling her request to
Buckingham, which for the instant had quite escaped her. She took the
letter and broke the seal eagerly.
"She does not suspect," thought Nell; and she crossed quickly to the
curtained arch, leading to the music and the dancing, in the hope that
she might see the King.
Portsmouth, who was absorbed in the letter, did not observe her.
"From Rochet! Dear Rochet!" mused the Duchess, as she read aloud the
lines: "'The bearer of this letter is a young gallant, very modest and
very little versed in the sins of court.'"
"Very little," muttered Nell, with a mischievous wink, still intent upon
the whereabouts and doings of the King.
"'He is of excellent birth,'" continued the Duchess, reading, "'brave,
young and to be trusted--_to be trusted_. I commend him to your
kindness, protection and service, during his stay in town.'"
She reflected a moment intently upon the letter, then looked up quickly.
Nell returned, somewhat confused, to her side.
"This is a very strong letter, sir," said Portsmouth, with an inquiring
look.
"Yes, very strong," promptly acquiesced Nell; and she chuckled as she
recalled that she had written it herself, taking near a fortnight in the
composition. Her fingers ached at the memory.
"Where did you leave Rochet?" inquired the Duchess, almost
incredulously.
"Leave Rochet?" thought Nell, aghast. "I knew she would ask me something
like that."
There was a moment's awkwardness--Nell was on difficult ground. She
feared lest she might make a misstep which would reveal her identity.
The Duchess grew impatient. Finally, Nell mustered courage and made a
bold play for it, as ever true to her brogue.
"Where did I leave Rochet?" she said, as if she had but then realized
the Duchess's meaning, then boldly answered: "In Cork."
"In Cork!" cried Portsmouth, in blank surprise. "I thought his mission
took him to Dublin." She eyed the youth closely and wondered if he
really knew the mission.
"Nay; Cork!" firmly repeated Nell; for she dared not retract, lest she
awaken suspicion. "I am quite sure it was Cork I left him in."
"Quite sure?" exclaimed the Duchess, her astonishment increasing with
each confused reply.
"Well, you see, Duchess," said Nell, "we had an adventure. It was dark;
and we were more solicitous to know whither the way than whence."
The Duchess broke into a merry laugh. The youth had captured her, with
his wistful, Irish eyes, his brogue and his roguish ways.
"We give a ball to-night," she said, gaily. "You shall stay and see the
King."
"The King!" cried Nell, feigning fright. "I should tremble so to see the
King."
"You need not fear," laughed the hostess. "He will not know you."
"I trust not, truly," sighed Nell, with much meaning, as she scanned her
scanty masculine attire.
"Take my mask," said the Duchess, graciously. "As hostess, I cannot wear
it."
Nell seized it eagerly. She would be safe with this little band of black
across her eyes. Even the King would not know her.
"I shall feel more comfortable behind this," she said, naïvely.
"Did you ever mask?" inquired Portsmouth, gaily.
[Illustration: AS A CAVALIER MISTRESS NELL DECEIVES EVEN THE KING.]
"Nay, I am too honest to deceive," answered Nell; and her eyes grew so
round and so big, who would not believe her?
"But you are at court now," laughed the Duchess, patronizingly. "Masking
is the first sin at court."
"Then I'll begin with the first sin," said Nell, slyly, raising the
Duchess's fingers to her lips, "and run the gamut."
They passed together into the great ball-room, Nell exercising all her
arts of fascination--and they were many. The music ceased as they
entered. The dancers, and more especially the ladies, eyed curiously the
jaunty figure of the new-comer. There were merry whisperings among them.
"Who can he be?" asked one, eagerly. "What a pretty fellow!" exclaimed a
second, in admiration. "I've been eying him," said a third,
complacently.
The men too caught the infection.
"Who can he be?" inquired Rochester.
"Marry, I'll find out," said Lady Hamilton, with an air of confidence,
having recovered by this time from the kisses which had been thrust upon
her and being now ready for a new flirtation.
She approached Adair, artfully, and inquired: "Who art thou, my
butterfly? Tell me now, e'er I die." Her attitude was a credit to the
extremes of euphuism.
There was general laughter at her presumptuous and effete pose and
phrase.
The ladies had gathered about the new hero, like bees about new clover.
The gallants stood, or sat as wall-flowers in a row, deserted. The King
too had been abandoned for the lion of the hour and sat disconsolate.
"Peace, jealous ones!" cried Lady Hamilton, reprovingly, then continued,
with a winning way: "I know thou art Apollo himself, good sir."
Nell smiled complacently, though she felt her mask, to assure herself
that it was firm.
"Apollo, truly," she said, jauntily, "if thou art his lyre, sweet lady."
Lady Hamilton turned to the Duchess.
"Oh, your grace," she asked, languishingly, "tell us in a breath, tell
us, who is this dainty beau of the ball?"
"How am I to know my guests," answered Portsmouth, feigning innocence,
"with their vizors down? Nay, sweet sir, unmask and please the ladies.
I'faith, who art thou?"
The hostess was delighted. The popularity of the new-comer was lending a
unique novelty to her entertainment. She was well pleased that she had
detained Monsieur Adair. She thought she saw a jealous look in the
King's usually carelessly indifferent gaze when she encouraged the
affectionate glances of the Irish youth.
"I'faith," laughed Nell, in reply, "I know not, Duchess."
"D'ye hear?" said Portsmouth. "He knows not himself."
"But I have a suspicion, Duchess," sighed Nell.
"Hark ye," laughed Portsmouth, with a very pretty pout, "he has a
suspicion, ladies."
"Nay, you will tell?" protested Nell, as the ladies gathered closer
about her in eager expectation.
There was a unison of voices to the contrary.
"Trust us, fair sir," said one. "Oh, we are good at keeping secrets."
"Then, 'twixt you and me, I am--" began Nell; and she hesitated,
teasingly.
The group about grew more eager, more wild with curiosity.
"Yes, yes--" they exclaimed together.
"I am," said Nell, "the Pied Piper of Hamlin Town."
"The rat-catcher," cried Portsmouth. "Oh, oh, oh!"
There was a lifting of skirts, revealing many high-born insteps, and a
scramble for chairs, as the ladies reflected upon the long lines of rats
in the train of the mesmeric Pied Piper.
"Flee, flee!" screamed Lady Hamilton, playfully. "He may pipe us into
the mountains after the children."
"You fill me with laughter, ladies," said Portsmouth to her guests. "The
man does not live who can entrap me."
"The woman does," thought Nell, as, mock-heroically, she placed near her
lips a reed-pipe which she had snatched from a musician in the midst of
the fun; and, whistling a merry tune which the pipe took no part in, she
circled about the room, making quite a wizard's exit.
The ladies, heart and soul in the fun, fell into line and followed, as
if spell-bound by the magic of the Piper.
Charles, James, Rochester and the gallants, who remained, each of whom
had been in turn deserted by his fair lady, unmasked and looked at one
another in wonderment. Of one accord, they burst into a peal of
laughter.
"Sublime audacity," exclaimed Charles. "Who is this curled darling--this
ball-room Adonis? Ods-pitikins, we are in the sear and yellow leaf."
"Truly, Sire," said James, dryly, "I myself prefer a gathering of men
only."
"Brother James," forthwith importuned the King, waggishly, "will you
favour me with your lily-white hand for the next dance? I am driven to
extremity."
"Pardon, Sire," replied James, quite humorously for him, "I am engaged
to a handsomer man."
"Odsfish," laughed Charles, "King Charles of England a wall-flower.
Come, Rochester, my epitaph."
The King threw himself into a chair, in an attitude of hopeless
resignation, quite delicious.
Rochester perked up with the conceit and humour of the situation. With
the utmost dignity, and with the quizzical, pinched brow of the
labouring muse, halting at each line, he said:
_"Here lies our sovereign lord, the King,
Whose word no man relies on;
Who never said a foolish thing,
And never did a wise one!"_
The post-mortem verse was sufficiently subtle and clever to revive the
King's drooping spirits; and he joined heartily in the applause.
"The matter," he said, approvingly, "is easily accounted for--my
discourse is my own, my actions are my Ministry's."
There was a _frou-frou_ of petticoats. The hostess entered gaily.
"The King! The courtiers! Unmasked!" she exclaimed, in coy reproof. "Fy,
fy, your Majesty! For shame! Gallants! Are you children that I must pair
you off?"
"We are seeking consolation," suggested Charles, dryly; "for modest
souls have small chance to-night, Louise."
He nodded significantly in the direction of the great ball-room, where
the chatter of women's voices betokened the unrivalled popularity of
Nell.
"When did you turn modest, Sire?" slyly inquired Portsmouth, with a look
of love.
"When I was out-stripped in audacity by yon Hibernian youth," replied
the King, seriously. "Who is this peacock you are introducing?"
A peal of laughter from without punctuated the King's speech. It was the
reward of a wit-thrust from Nell.
"The Piper the maids would now unmask?" queried Portsmouth, rapturously.
"Marry, 'tis the fascinating Beau Adair of Cork, entertaining the
ladies. Oh, he is a love, Sire; he does not sulk in corners. See! See!"
She pointed toward the archway, through which Nell was plainly visible.
She was strutting jauntily back and forth upon the promenade. It is
unnecessary to say that she was escorted by the assembled fair ones.
As Nell caught the eye of the hostess in the distance, she gaily tossed
a kiss to her.
"'Sdeath, that I were a woman to hope for one of his languishing
smiles," observed Buckingham.
"Even the old hens run at his call," sneered the pious James, in
discontent; for he too had been deserted by his ladylove and even before
the others.
The King looked at his brother with an air of bantering seriousness, to
the delight of all assembled.
"Brother James is jealous of the old ones only," he observed. "You know
his favourites are given him by his priests for penance."
A merry ripple ran through the group.
The hostess took advantage of the King's speech to make a point.
"And you are jealous of the young ones only," she said, slyly, quickly
adding as a bid for jealousy: "Pooh, pooh! _Le Beau_ had letters to
me, Sire. Nay, we do not love him very much. We have not as yet had
time."
"Alas, alas," sighed Charles, with drooping countenance, "that it should
come to this."
"My liege, I protest--" cried Portsmouth, hastily, fearful lest she
might have gone too far. "To-night is the first I ever saw the youth. I
adore you, Sire."
"Not a word!" commanded Charles, with mock-heroic mien. He waved his
hand imperatively to his followers. "Friends," he continued, "we will
mix masks and dominoes and to't again to drown our sorrow."
"In the Thames?" inquired James, facetiously for him.
"Tush! In the punch-bowl, pious brother!" protested the Merry Monarch,
with great dignity. "You know, a very little water will drown even a
king."
The gallants mixed masks and dominoes in obedience to the royal wish.
The King, sighing deeply, cast a hopeless glance at Portsmouth, not
without its tinge of humour. He then sauntered slowly toward the windows
of the great ball-room, followed subserviently by all the courtiers,
save Buckingham, who was lost in converse with player Hart.
"Hark ye," suddenly broke off Buckingham, observing the approach of
Adair and his adorers, "here come again the merry maskers. By Bacchus,
the little bantam still reigns supreme. The King and his gallants in
tears. Let us join the mourners, Master Hart."
As the Duke and the player, the former assuming a fraternal air for an
end of his own, joined the royal group, Nell re-entered gaily, every
inch the man. She was still surrounded by the ladies, who, fluttering,
flattering and chattering, hung upon her every word. With one hand she
toyed with her mask, which she had good-naturedly dropped as none were
about who knew her. She clapped it, however, quickly to her eyes at
sight of the King.
"You overwhelm me, my fair ones," she said, with spirit, as she held
court in the centre of the room. "I assure you, I am not used to such
attention--from the ladies."
"Our hospitality is beggarly to your deserts," sighed Portsmouth, who
had joined the bevy, but loud enough for the King to hear.
"You quite o'erpower me, Duchess," answered Nell, modestly, adding for
the satisfaction of her own sense of humour: "No wonder we men are
fools, if you women talk like this."
While she was speaking, Lady Hamilton whispered facetiously in
Portsmouth's ear.
"Beau Adair married!" exclaimed the Duchess, in response. "It cannot be.
He looks too gay for a married man."
"No confidences, my pretty ones," observed Nell, reprovingly.
The hostess hesitated; then she out with it in a merry strain.
"Lady Hamilton asks after the wife you left at home."
"My wife!" cried Nell, in astonishment; for this phase of her
masquerading had not presented itself to her before. "Great Heavens, I
have no wife--I assure you, ladies!"
"So?" observed Portsmouth, her curiosity awakened. "Modest--for a
bachelor."
"A bachelor!" exclaimed Nell, now fully _en rapport_ with the
spirit of the situation. "Well,--not exactly a bachelor
either,--ladies."
"Alack-a-day," sighed Lady Hamilton, with a knowing glance at her
companions, "neither a bachelor nor a married man!"
"Well, you see--" explained Nell, adroitly, "that might seem a trifle
queer, but--I'm in mourning--deeply in mourning, ladies."
She drew a kerchief from her dress and feigned bitter tears.
"A widower!" tittered Lady Hamilton, heartlessly. "Our united
congratulations, sir."
The other ladies one by one sobbed with affected sympathy, wiping their
eyes tenderly, however, lest they might remove the rich colour from
their cheeks.
"Mesdames," said Nell, reprovingly, "the memory is sacred. Believe me,
very sacred."
She fell apparently once again to weeping bitterly.
"The memory is always sacred--with men," observed Portsmouth, for the
benefit of her guests, not excepting the Irish youth. "Nay, tell us the
name of the fair one who left you so young. My heart goes out to you,
dear Beau."
"Kind hostess," replied Nell, assuming her tenderest tones, "the name of
my departed self is--Nell!"
Hart caught the word. The player was standing near, reflecting on the
scene and on the honeyed words of the Duke of Buckingham, who was
preparing the way that he might use him.
"Nell!" he muttered. "Who spoke that name?"
The hostess too was startled.
"Nell!" she exclaimed, with contending emotions. "Strange! Another
cavalier who graces _mon bal masqué_ to-night has lost a loved one
whose name is Nell. Ah, but she was unworthy of his noble love."
She spoke pointedly at the masked King, who started perceptibly.
"Yes," he thought; for his conscience smote him, "unworthy--he of her."
"Unworthy, truly, if he dances so soon and his own Nell dead," added
Nell, reflectively, but so that all might hear, more especially Charles.
"Perchance Nell too thinks so," thought he, as he restlessly walked
away, sighing: "I wish I were with her on the terrace."
"'Sdeath, Duchess," continued Nell abruptly, in assumed horror at the
sudden thought, "the lady's spirit may visit the ball, to the confusion
of us all. Such things have been."
"The Nell I mean," said Portsmouth, with a confident smile, "will not
venture here, e'en in spirit."
Nell assumed a baby-innocence of face.
"She has not been bidden, I presume?" she queried.
"The vixen would not stop for asking," declared Portsmouth, almost
fiercely.
"Come without asking?" cried Nell, as if she could not believe that
there could be such people upon the earth. "How ill-bred! Thine ear,
loved one. My Nell revisits the world again at midnight. The
rendezvous--St. James's Park."
Hart brushed close enough to the group, in his biting curiosity, to
catch her half-whisper to Portsmouth. He at once sought a window and
fresh air, chafing with surprise and indignation at what he had
overheard.
"St. James's at midnight," he muttered. "'Tis my Nell's abode."
The Duchess herself stood stunned at what appeared to her a possible
revelation of great import.
"St. James's!" she thought. "Can he mean Madame Gwyn? No, no!"
The look of suspicion which for an instant had clouded her face changed
to one of merriment, under Adair's magic glance.
"And you would desert me for such a fleshless sprite?" she asked.
"Not so," said Nell, with a winning look; "but, when my better-half
returns to life, I surely cannot refuse an interview--especially an she
come from afar."
Nell's eyes arose with an expression of sadness, while her finger
pointed down--ward in the direction of what she deemed the probable
abode of her departed "Nell." Her lips twitched in merriment, however,
despite her efforts to the contrary; and the hostess fell a-laughing.
"Ladies," she cried, as she appealed to one and all, "is not _le
Beau_ a delight--so different from ordinary men?"
"I am not an ordinary man, I assure you," Nell hastened to declare.
This assertion was acquiesced in by a buzz of pretty compliments from
the entire bevy of ladies. "Positively charming!" exclaimed one. "A
perfect love!" said another.
Nell listened resignedly.
"'Sheart," she said, at length, with an air of _ennui_, "I cannot
help it. 'Tis all part of being a man, you know."
"Would that all men were like you, _le Beau_!" sighed the hostess,
not forgetting to glance at the King, who again sat disconsolate, in the
midst of his attendant courtiers, drawn up, as in line of battle,
against the wall.
"Heaven help us if they were!" slyly suggested Nell.
Rochester, who had been watching the scene in his mischievous, artistic
way, drew from Portsmouth's compliment to Adair another meaning. He was
a mixture 'twixt a man of arts and letters and Satan's own--a man after
the King's own heart. Turning to the King, with no desire to appease the
mischief done, he said, banteringly:
"Egad, there's a rap at you, Sire. France would make you jealous."
The Duke of Buckingham too, though he appeared asleep, had seen it all.
"And succeeds, methinks," he reflected, glancing approvingly in the
direction of the Irish youth. "A good ally, i'faith."
Nell, indeed, was using all her arts of fascination to ingratiate
herself with the Duchess, and making progress, too.
"Your eyes are glorious, fair hostess," she said, in her most gallant
love-tones, "did I not see my rival in them."
She could not, however, look at Portsmouth for laughter, as she thought:
"I believe lying goes with the breeches; I never was so proficient
before."
The compliment aroused the King's sluggish nature.
"I can endure no more, gallants," cried he, with some pretence of anger,
rising abruptly, followed, of course, in each move and grimace by his
courtier-apes, in their desire to please. "Are we to be out-done in our
own realm by this usurper with a brogue? Ha! The fiddlers! Madame, I
claim the honour of this fair hand for the dance."
At the sound of the music, he had stepped gallantly forward, taking the
hostess's hand.
"My thanks, gallant masker," replied the Duchess, pretending not to know
him for flattery's sake, "but I am--"
To her surprise, she had no opportunity to complete the sentence.
"Engaged! Engaged!" interposed Nell, coming unceremoniously between
them, with swaggering assumption and an eye-shot at the King through the
portal of her mask. "Forsooth, some other time, strange sir."
The hostess stood horrified.
"Pardon, Sir Masker," she hastened to explain; "but the dance was
pledged--"
"No apologies, Duchess," replied the King, as he turned away,
carelessly, with the reflection: "All's one to me at this assemblage."
He crossed the room, turning an instant to look, with a humorous,
quizzical glance, at Portsmouth. Nell mistook the glance for a jealous
one and, perking up quickly, caught the royal eye with a challenging
eye, tapping her sword-hilt meaningly. Had the masks been off, the
situation would have differed. As it was, the King smiled indifferently.
The episode did not affect him further than to touch his sense of
humour. Nell turned triumphantly to her partner.
"Odsbud," she exclaimed, with a delicious, youthful swagger, "we may
have to measure swords in your behalf, dear hostess. I trow the fellow
loves you."
"Have a care," whispered the Duchess, nervously. "It is the King."
"What care I for a king?" saucily replied Nell, with a finger-snap. She
had taken good care, however, to speak very low. "My arm, my arm,
Duchess!" she continued, with a gallant step. "Places, places; or the
music will outstrip us."
"Strut on, my pretty bantam," thought Buckingham, whose eyes lost little
that might be turned to his own advantage; "I like you well."
There was no mending things at this stage by an apology. The Duchess,
therefore, tactfully turned the affair into one of mirth, in which she
was quickly joined by her guests. With a merry laugh, she took the Irish
gallant's proffered arm, and together they led the dance. The King
picked a lady indifferently from among the maskers.
It was a graceful old English measure. Nell's roguish wits, as well as
her feet, kept pace with the music. She assured her partner that she had
never loved a woman in all her life before and followed this with a
hundred merry jests and sallies, keyed to the merry fiddles, so full of
blarney that all were set a-laughing. Anon, the gallants drew their
swords and crossed them in the air, while the ladies tiptoed in and out.
Nell's blade touched the King's blade. When all was ended the swords
saluted with a knightly flourish, then tapped the floor.
There was an exultant laugh from one and all, and the dance was done.
Nell hastened to her partner's side. She caught the Duchess's hand and
kissed it.
"You dance divinely, your grace," she said. "A goddess on tiptoe."
"Oh, Beau Adair!" replied the Duchess, courtseying low; and her eyes
showed that she was not wholly displeased at the warmth of his youthful
adoration.
"Oh, Duchess!" said Nell, fondly, acknowledging the salute.
The Duchess hastened to join his Majesty and together they threaded
their way through many groups.
Nell tossed her head.
"How I love her!" she muttered, veiling the sarcasm under her breath.
She crossed the great room, her head erect. Her confidence was quite
restored. This had been the most difficult bit of acting she had ever
done; and how well it had been done!
The other dancers in twos and threes passed from the room in search of
quiet corners, in which to whisper nothings.
Nell's eyes fell upon Strings, who had had a slight turn for the better
in the world and who now, in a dress of somewhat substantial green, was
one of the fiddlers at the Duchess's ball.
"How now, sirrah!" she said, sharply, as she planted herself firmly
before him to his complete surprise. "I knew you were here."
She placed one of her feet in a devil-may-care fashion upon a
convenient chair in manly contempt of its upholstery and peeped amusedly
through her mask at her old friend. He looked at her in blank amazement.
"Gads-bobbs," he exclaimed, in confusion, "the Irish gentleman knows
me!"
"There's nothing like your old fiddle, Strings," continued Nell, still
playing with delight upon his consternation. "It fills me with forty
dancing devils. If you were to play at my wake, I would pick up my
shroud, and dance my way into Paradise."
"Your lordship has danced to my fiddling before?" he gasped, in utter
amazement.
"Danced!" gleefully cried Nell. "I have followed your bow through a
thousand jigs. To the devil with these court-steps. I'm for a jig, jig,
jig, jig, jig! Oh, I'm for a jig! Tune up, tune up, comrade; and we'll
have a touch of the old days at the King's House."
"The King's House! Jigs!" exclaimed the fiddler, now beside himself.
"Jigs!" chuckled Nell. "Jigs are my line of business."
_Oranges, will you have my oranges?
Sweet as love-lips, dearest mine,
Picked by Spanish maids divine,--_
The room had now quite cleared; and, protected by a friendly alcove,
Nell punctuated the old song with a few happily turned jig-steps.
Strings looked at her a moment in bewilderment: then his face grew warm
with smiles; the mystery was explained.
"Mistress Nell, as I live," he cried, joyously, "turned boy!"
"The devil fly away with you, you old idiot! Boy, indeed!" replied Nell,
indignantly. "I'm a full-grown widower!"
She had removed her mask and was dancing about Strings gleefully.
There was the sound of returning voices.
"Oons, you will be discovered," exclaimed Strings, cautiously.
"Marry, I forgot," whispered Nell, glancing over her shoulder. "You may
have to help me out o' this scrape, Strings, before the night is done."
"You can count on me, Mistress Nell, with life," he replied, earnestly.
"I believe you!" said Nell, in her sympathetic, hearty way. Her mind
reverted to the old days when Strings and she were at the King's. "Oh,
for just one jig with no petticoats to hinder."
Nell, despite herself, had fallen into an old-time jig, with much gusto,
for her heart was for a frolic always, when Strings, seized her arm in
consternation, pointing through the archway.
"The King!" she exclaimed.
She clapped her mask to her eyes and near tumbled through the nearest
arras out of the room in her eagerness to escape, dragging her
ever-faithful comrade with her.
CHAPTER XIII
_For the glory of England?_
The King entered the room with his historic stride. His brow was clouded;
but it was all humorous pretence, for trifles were not wont to weigh
heavily upon his Majesty. With him came Portsmouth.
"Can you forgive me, Sire?" she asked. "I had promised the dance to Beau
Adair. I did not know you, Sire; you masked so cleverly."
"'Sdeath, fair flatterer!" replied the King. "I have lived too long to
worry o'er the freaks of women."
"The youth knew not to whom he spoke," still pleaded Portsmouth. "His
introduction here bespeaks his pardon, Sire."
The King looked sardonic, but his laugh had a human ring.
"He is too pretty to kill," he declared, dramatically. "We'll forgive
him for your sake. And now good night."
"So soon?" asked Portsmouth, anxiously.
"It is late," he replied.
"Not while the King is here," she sighed. "Night comes only when he
departs."
"Your words are sweet," said Charles, thoughtfully observing her.
She sighed again.
"My thoughts stumble in your speech," she said. "I regret I have not
English blood within my veins."
"And why?"
"The King would trust and love me then. He does not now. I am French and
powerless to do him good."
There was a touch of honest sadness in her speech which awakened the
King's sympathy.
"Nay," he said hastily, to comfort her; "'tis thy fancy. Thy
entertainment hath made me grateful--to Louis and Louise."
"Think not of Louis and Louise," she said, sadly and reproachfully, "but
of thy dear self and England's glory. For shame! Ah, Sire, my
childhood-dreams were of sunny France, where I was born; at
Versailles--at Fontainebleau among the monarch trees--my early womanhood
sighed for love. France gave me all but that. It came not till I saw the
English King!"
The siren of the Nile never looked more bewitchingly beautiful than this
siren of France as she half reclined upon the couch, playing upon the
King's heart with a bit of memory. His great nature realized her sorrow
and encompassed it.
"And am I not good to thee, child?" he asked. He took her hand and
responded to her eyes, though not with the tenderness of love--the
tenderness for which she sought.
"You are good to none," she replied, bitterly; "for you are not good to
Charles."
"You speak enigmas," he said, curious.
"Have you forgotten your promise?" she asked, naïvely.
"Nay; the passport, pretty one?" he answered, amused at the woman's
wiles. "All this subterfuge of words for that! There; rest in peace. Thy
friend hath a path to France at will."
He smiled kindly as he took the passport from his girdle, handed it to
her and turned to take his leave.
"My thanks are yours. Stay, Sire," she said, hastily; for her mission
was not yet complete and the night was now well gone. "Passports are
trifles. Will you not leave the Dutch to Louis and his army? Think!"
She placed her arms about his neck and looked enticingly into his eyes.
"But," he replied, kindly, "my people demand that I intervene and stay
my brother Louis's aggressive hand."
"Are the people king?" she asked, with coy insinuation. "Do they know
best for England's good? Nay, Sire, for your good and theirs, I beseech,
no more royal sympathy for Holland. I speak to avoid entanglements for
King Charles and to make his reign the greater. I love you, Sire." She
fell upon her knee. "I speak for the glory of England."
His Majesty was influenced by her beauty and her arts,--what man would
not be?--but more by the sense of what she said.
"For the glory of England?" he asked himself. "True, my people are
wrong. 'Tis better we remain aloof. No wars!"
He took the seat by the table, which the Duchess offered him, and
scanned casually the parchment which she handed to him.
Nell peered between the curtains. Strings was close behind her.
"Bouillon's signature for France," mused the King. "'Tis well! No more
sympathy for the Dutch, Louise, until Holland sends a beauty to our
court to outshine France's ambassador."
He looked at Portsmouth, smiled and signed the instrument, which had
been prepared, as he thought, in accordance with his wishes and
directions. He then carelessly tossed the sand over the signature to
blot it.
The fair Duchess's eyes revealed all the things which all the adjectives
of all the lands ever meant.
"Holland may outshine in beauty, Sire," she said, kneeling by the King's
side, "but not in sacrifice and love." She kissed his hand fervently.
He sat complacently looking into her eyes, scarce mindful of her
insinuating arts of love. He was fascinated with her, it is true; but it
was with her beauty, flattery and sophistry, not her heart.
"I believe thou dost love England and her people's good," he said,
finally. "Thy words art wise."
Portsmouth leaned fondly over his shoulder.
"One more request," she said, with modest mien, "a very little one,
Sire."
The King laughed buoyantly.
"Nay, an I stay here," he said, "thy beauty will win my kingdom! What is
thy little wish, sweet sovereign?"
"No more Parliaments in England, Sire," she said, softly.
"What, woman!" he exclaimed, rising, half-aghast, half-humorous, at the
suggestion; for he too had an opinion of Parliament.
"To cross the sway of thy great royal state-craft," she continued,
quickly following up the advantage which her woman's wit taught her she
had gained. "The people's sufferings from taxation spring from
Parliament only, Sire."
"'Tis true," agreed Charles, decisively.
Portsmouth half embraced him.
"For the people's good, Sire," she urged, "for my sweetest kiss."
"You are mad," said Charles, yet three-fourths convinced; "my people--"
"Will be richer for my kiss," the Duchess interrupted, wooingly, "and
their King, by divine right and heritage, will rule untrammelled by
country clowns, court knaves and foolish lords, who now make up a silly
Parliament. With such a King, England will be better with no Parliament
to hinder. Think, Sire, think!"
"I have thought of this before," said Charles, who had often found
Parliament troublesome and, therefore, useless. "The taxes will be less
and contention saved."
[Illustration: BETWEEN TWO FIRES]
"Why hesitate then?" she asked. "This hour's as good for a good deed as
any."
"For England's sake?" reflected Charles, inquiringly, as he took the
second parchment from her hands. "Heaven direct my judgment for my
people's good. I sign."
The treaties which Louis XIV. of France had sent the artful beauty to
procure lay signed upon her desk.
Nell almost pulled the portières from their hangings in her excitement.
"I must see those papers," she thought. "There's no good brewing."
Portsmouth threw her arms about the King and kissed him passionately.
"Now, indeed, has England a great King," she said, adding to herself:
"And that King Louis's slave!"
Charles smiled and took his leave. As he passed through the portal, he
wiped his lips, good-humouredly muttering: "Portsmouth's kisses and
Nell's do not mix well."
Portsmouth listened for a moment to his departing footsteps, then
dropped into the chair by the table and hastily folded and addressed the
papers.
Her mission was ended!
CHAPTER XIV
_He loves me! He loves me!_
Nell, half draped in the arras, had seen the kiss in reality bestowed by
Portsmouth but as she thought bestowed by the King. As his Majesty
departed through the door at the opposite end of the room, the colour
came and went in her cheeks. She could scarce breathe.
Portsmouth sat unconscious of all but her own grand achievement. She had
accomplished what shrewd statesmen had failed to bring about; and this
would be appreciated, she well knew, by Louis.
"'Sdeath!" muttered Nell to herself, hotly, as, with quite a knightly
bearing, she approached the Duchess. "He kisses her before my very eyes!
He kisses her! I'll kill the minx!" She half unsheathed her blade.
"Pshaw! No! No! I am too gallant to kill the sex. I'll do the very manly
act and simply break her heart. Aye, that is true bravery in breeches."
Her manner changed.
"Your grace!" she said suavely.
"Yes," answered Portsmouth, her eyes still gleaming triumphantly.
"It seems you are partial of your favours?"
"Yes."
"Such a gift from lips less fair," continued Nell, all in wooing vein,
"would make a beggar royal."
The hostess was touched with the phrasing of the compliment. She smiled.
"You would be pleased to think me fair?" she coyly asked, with the air
of one convinced that it could not well be otherwise.
"Fairer than yon false gallant thinks you," cried Nell, with an angry
toss of the head in the direction of the departed King. "Charles's kiss
upon her lips?" she thought. "'Tis mine, and I will have it."
In the twinkling of an eye, she threw both arms wildly about the neck of
the astonished hostess and kissed her forcefully upon the lips. Then,
with a ringing laugh, tinged with triumph, she stepped back, assuming a
defiant air.
The Duchess paled with anger. She rose quickly and, turning on the
pretty youth, exclaimed: "Sir, what do you mean?"
"Tilly-vally!" replied the naughty Nell, in her most winning way. "A
frown upon that alabaster brow, a pout upon those rosy lips; and all for
nothing!"
"_Parbleu!_" exclaimed the indignant Duchess. "Your impudence is
outrageous, sir! We will dispense with your company. Good night!"
"Ods-pitikins!" swaggered Nell, feigning umbrage. "Angry because I
kissed you! You have no right, madame, to be angry."
"No right?" asked Portsmouth, her feelings tempered by surprise.
"No right," repeated Nell, firmly. "It is I who should be outraged at
your anger."
"Explain, sir," said the Duchess, haughtily.
Nell stepped toward the lady, and, assuming her most tender tone, with
wistful, loving eyes, declared:
"Because your grace can have no appreciation of what my temptation was
to kiss you."
The Duchess's countenance glowed with delight, despite herself.
"I'faith, was there a temptation?" she asked, quite mollified.
"An overwhelming passion," cried Nell, following up her advantage.
"And you were disappointed, sir?" asked Portsmouth suggestively, her
vanity falling captive to the sweet cajolery.
"I only got yon courtier's kiss," saucily pouted Nell, "so lately
bestowed on you."
"Do you know whose kiss that was?" inquired the Duchess.
"It seemed familiar," answered Nell, dryly.
"The King's," said Portsmouth, proudly.
"The King's!" cried Nell, opening wide her eyes. "Take back your kiss. I
would not have it."
"Indeed!" said Portsmouth, smiling.
"'Tis too volatile," charged Nell, decisively. "'Tis here, 'tis there,
'tis everywhere bestowed. Each rosy tavern-wench with a pretty ankle
commands it halt. A kiss is the gift of God, the emblem of true love.
Take back the King's kiss; I do not wish it."
"He does not love the King," thought Portsmouth, ever on the lookout for
advantage. "A possible ally!"
She turned upon the youth, with humorous, mocking lip, and said
reprovingly: "A kiss is a kiss the world over, fair sir; and the King's
kisses are sacred to Portsmouth's lips."
"Zounds," replied Nell, with a wicked wink, "not two hours since, he
bestowed a kiss on Eleanor Gwyn--"
"Nell Gwyn!" cried the Duchess, interrupting; and she started violently.
"With oaths, mountains high," continued Nell, with pleasurable
harshness, "that his lips were only for her."
The Duchess stood speechless, quivering from top to toe.
Nell herself swaggered carelessly across the room, muttering
mischievously, as she watched the Duchess from the corner of her eye:
"Methinks that speech went home."
"He kissed her in your presence?" gasped Portsmouth, anxiously following
her.
"I was not far off, dear Duchess," was the quizzical reply.
"You saw the kiss?"
"No," answered Nell, dryly, and she could scarce contain her merriment.
"I--I--felt the shock."
Before she had finished the sentence, the King appeared in the doorway.
His troubled spirit had led him to return, to speak further with the
Duchess regarding the purport of the treaties. He had the good of his
people at heart, and he was not a little anxious in mind lest he had
been over-hasty in signing such weighty articles without a more careful
reading. He stopped short as he beheld, to his surprise, the Irish spark
Adair in earnest converse with his hostess.
"I hate Nell Gwyn," he overheard the Duchess say.
"Is't possible?" interrogated Nell, with wondering eyes.
The King caught this utterance as well.
"In a passion over Nelly?" reflected he. "I'd sooner face Cromwell's
soldiers at Boscobel! All hail the oak!"
His Majesty's eye saw with a welcome the spreading branches of the
monarch of the forest, outlined on the tapestry; and, with a sigh of
relief, he glided quickly behind it and, joining a group of maskers,
passed into an anteroom, quite out of ear-shot.
"Most strange!" continued Nell, wonderingly. "Nell told me but yesterday
that Portsmouth was charming company--but a small eater."
"'Tis false," cried the Duchess, and her brow clouded at the unpleasant
memory of the meeting at Ye Blue Boar. "I never met the swearing
orange-wench."
"Ods-pitikins!" acquiesced Nell, woefully. "Nell's oaths are bad enough
for men."
"Masculine creature!" spitefully ejaculated the Duchess.
"Verily, quite masculine--of late," said Nell, demurely, giving a
significant tug at her boot-top.
"A vulgar player," continued the indignant Duchess, "loves every lover
who wears gold lace and tosses coins."
"Nay; 'tis false!" denied Nell, sharply.
The Duchess looked up, surprised.
Nell was all obeisance in an instant.
"Pardon, dear hostess, a thousand pardons," she prayed; "but I have some
reason to know you misjudge Mistress Nell. With all her myriad faults,
she never loved but one."
"You seem solicitous for her good name, dear Beau?" suggested
Portsmouth, suspiciously.
"I am solicitous for the name of all good women," promptly explained
Nell, who was rarely caught a-napping, "or I would be unworthy of their
sex--I mean their friendship."
The Duchess seemed satisfied with the explanation.
"Dear Beau, what do the cavaliers see in that horrid creature?" archly
asked the Duchess, contemptuous of this liking of the stronger sex.
"Alack-a-day, we men, you know," replied Nell, boastfully, "well--the
best of us make mistakes in women."
"Are you mistaken?" questioned Portsmouth, coyly.
"What?" laughed Nell, in high amusement. "I love Nelly? Nay, Duchess,"
and her voice grew tender, "I adore but one!"
"And she?" asked the hostess, encouraging the youth's apparently
awakening passion.
"How can you ask?" said Nell, with a deep sigh, looking adoringly into
Portsmouth's eyes and almost embracing her.
"Do you not fear?" inquired Portsmouth, well pleased.
"Fear what?" questioned Nell.
"My wrath," said Portsmouth.
"Nay, more, thy love!" sighed Nell, meaningly, assuming a true lover's
dejected visage.
"My love!" cried Portsmouth, curiously.
"Aye," again sighed Nell, more deeply still; "for it is hopeless."
"Try," said the Duchess, almost resting her head upon Nell's shoulder.
"I am doing my best," said Nell, her eyes dancing through wistful
lashes, as she embraced in earnest the Duchess's graceful figure and
held it close.
"Do you find it hopeless?" asked Portsmouth, returning the embrace.
"Until you trust me," replied Nell, sadly. She shook her curls, then
fondly pleaded: "Give me the secrets of your brain and heart, and then
I'll know you love me."
The hostess smiled and withdrew from the embrace. Nell stood the picture
of forlorn and hopeless love.
"Nay," laughed Portsmouth, consolingly, "they would sink a ship."
"One would not," still pleaded Nell, determined at all odds to have the
packet.
"One!" The Duchess's eyes fell unconsciously upon the papers which she
had bewitched from the King and which lay so near her heart. She started
first with fear; and then her countenance assumed a thoughtful cast.
There was no time now for delay. The papers must be sent immediately.
The King might return and retract. Many a battle, she knew, had been
lost after it had been won.
That night, at the Rainbow Tavern, well out of reach of the town, of
court spies and gossips, Louis would have a trusted one in waiting. His
commission was to receive news from various points and transmit it
secretly to France. It was a ride of but a few hours to him.
She had purposed to send the packet by her messenger in waiting; but he
had rendered her suspicious by his speech and action in the late
afternoon, and she questioned whether she would be wise in trusting him.
Nor was she willing to risk her triumph in the hands of Buckingham's
courier. It was too dear to her.
Indeed, she was clever enough to know that state-secrets are often safer
in the custody of a disinterested stranger than in the hands of a
friend, especially if the stranger be truly a stranger to the court.
She glanced quickly in the direction of Nell, who looked the ideal of
daring youth, innocent, honest and true to the death.
"Why not?" she thought quickly, as she reflected again upon Rochet's
words, "to be trusted." "Of Irish descent, no love for the King, young,
brave, no court ties; none will suspect or stay him."
Her woman's intuition said "yes." She turned upon Nell and asked, not
without agitation in her voice:
"Can I trust you?"
Nell's sword was out in an instant, glistening in the light, and so
promptly that the Duchess started. Nell saluted, fell upon one knee and
said, with all the exuberance of audacious, loving youth:
"My sword and life are yours."
Portsmouth looked deeply into Nell's honest eyes. She was convinced.
"This little packet," said she, in subdued tones, summoning Nell to her
side, "a family matter merely, must reach the Rainbow Tavern, on the
Canterbury Road, by sunrise, where one is waiting. You'll find his
description on the packet."
Nell sheathed her sword.
"I know the place and road," she said, earnestly, as she took the papers
from the Duchess's hand and placed them carefully in her doublet.
A rustle of the curtains indicated that some one had returned and was
listening by the arras.
"Hush!" cautioned Portsmouth. "Be true, and you will win my love."
Nell did not reply, save to the glance that accompanied the words.
Snatching her hat from a chair on which she had tossed it, she started
eagerly in the direction of the great stairs that led to the hallway
below, where, an hour since, she had been at first refused admission to
the palace. Could she but pass again the guards, all would be well; and
surely there was now no cause for her detention. Yet her heart beat
tumultuously--faster even than when she presented herself with Rochet's
letter written by herself.
As she was hastening by the arras, her quick eye, however, recognized
the King's long plume behind it; and she halted in her course. She was
alert with a thousand maddening thoughts crowding her brain, all in an
instant.
"The King returned--an eavesdropper!" she reflected. "Jealous of
Portsmouth; his eyes follow her. Where are his vows to Nell? I'll defame
Nell's name, drag her fair honour in the mire; so, Charles, we'll test
your manliness and love."
She recrossed the room quickly to Portsmouth.
"Madame," she exclaimed, in crisp, nervous tones, loud enough for the
King's ear, "I have been deceiving, lying to you. I stood here,
praising, honouring Eleanor Gwyn--an apple rotten to the core!"
"How now?" ejaculated Charles, in an undertone.
His carelessness vanished upon the instant. Where he had waited for the
single ear of Portsmouth, he became at once an earnest listener.
Nell paused not.
"I had a friend who told me he loved Nell. I loved that friend. God
knows I loved him."
"Yes, yes!" urged Portsmouth, with eagerness.
"A man of noble name and princely mien," continued Nell, so standing
that the words went, like arrows, straight to the King's ear and heart,
"a man of honour, who would have died fighting for Nell's honour--"
"Misled youth," muttered Portsmouth.
Nell seemed not to hear the words.
"Who, had he heard a murmur of disapproval, a shadow cast upon her name,
would have sealed in death the presumptuous lips which uttered it."
"She betrayed his confidence?" asked Portsmouth, breathlessly.
"Betrayed--and worse!" gesticulated Nell, with the visage of a madman.
"A woman base, without a spark of kindliness--an adventuress! This is
the picture of that Eleanor Gwyn! Where is a champion to take up the
gauntlet for such a Nell?"
As quick as light, the King threw back the arras and came between them.
The Duchess saw him and cried out in surprise. Nell did not turn--only
caught a chair-top to save herself from falling.
"Here, thou defamer!" he called, his voice husky with passion. "Thou
base purveyor of lies, answer me--me, for those words! I am Nell's
champion! I'll force you to own your slander a lie."
The King was terribly in earnest.
"The guard! The guard!" called Portsmouth, faintly, almost overcome by
the scene. In her passion that the King so revealed his love for Nell,
she quite forgot that Adair was the bearer of her packet.
"I want no guard," commanded the King. "An insult to Nell Gwyn is my
cause alone."
Nell was in an elysium of ecstasy. She realized nothing, saw nothing.
"He loves me! He loves me!" her trembling lips breathed only. "He'll
fight for Nell."
"Come; draw and defend yourself," angrily cried the King.
Portsmouth screamed and fell upon his arm.
It is doubtful what the result would otherwise have been. True, Nell
ofttimes had fenced with the King and knew his wrist, but she was no
swordswoman now. Though she took up in her delirium the King's
challenge with a wild cry, "Aye, draw and defend yourself!" she realized
nothing but his confession of love for Nell.
The scene was like a great blur before her eyes.
She rushed upon the King and by him, she scarce knew how. Their swords
harmlessly clashed; that was all.
The cries had been taken up without.
"The guard! The guard!" "Treason!" "Treason!"
The air was alive with voices.
Nell ran up the steps leading to a French window, which opened upon a
tiny railed balcony. Below, one story only, lay a soft carpet of
greensward, shimmering in the moonlight. With her sword, she struck the
frail sash, which instantly yielded.
Meantime, the room had filled with courtiers, guards and gallants, who
had rushed in, sword and spear in hand, to guard the King.
As the glass shivered and flew wide, under the point of Nell's blade,
all eyes turned toward her and all blades quivered threateningly in the
air.
Buckingham was first to ascend the steps in pursuit. He was
disarmed--more through the superiority of Nell's position than through
the dexterity of her wrist.
Then for the first time, she realized her danger. Her eyes staring from
their sockets, she drew back from her murderous pursuers, and, in
startled accents, she knew not why, screamed in supplication, with hands
uplifted:
"Gentlemen! Gentlemen!"
The storm was stayed. All paused to hear what the stranger-youth would
say. Would he apologize or would he surrender?
The suspense was for but a second, though it seemed an eternity to Nell.
The open window was behind.
With a parting glance at the trembling blades, she turned quickly and
with reckless daring leaped the balcony.
"T' hell with ye!" was wafted back in a rich brogue defiantly by the
night.
Astonishment and consternation filled the room; but the bird had flown.
Some said that the wicked farewell-speech had been Adair's, and some
said not.
How it all happened, no one could tell, unless it was a miracle.
CHAPTER XV
_I come, my love; I come._
One lonely candle, or to speak more strictly a bit of one, sputtered in
its silver socket in the cosy drawing-room; and a single moonbeam found
its way in through the draperies of the window leading to the terrace
and to St. James's Park.
Moll lay upon a couch asleep; but it was a restless sleep.
The voice of a town-crier resounded faintly across the park: "Midnight;
and all is well."
She started up and rubbed her eyes in a bewildered way.
"The midnight crier!" she thought; and there was a troubled expression
in her face. "I have been asleep and the candle's nearly out."
She jumped to her feet and hastily lighted two or three of its more
substantial mates, of which there was an abundance in the rich
candelabra about the room.
A cricket in a crevice startled her. She ran to the window and looked
anxiously out upon the park, then hastened to the door, with equal
anxiety, lest it might be unlocked. Every shadow was to her feverish
fancy a spirit of evil or of death.
"I wish Nell would come," she thought. "The ghosts and skeletons fairly
swarm in this old house at midnight; and I am all alone to-night. It's
different when Nell's about. The goblins are afraid of her merry laugh.
Boo! I am cold all over. I am afraid to stand still, and I am afraid to
move."
She ran again to the window and this time pulled it open. The moonlight
instantly flooded the room, dimming the candles which she had lighted.
She saw her shadow, and started back in horror.
"Some one glided behind the old oak in the park," she cried aloud, for
the company of her voice. "Oh, oh! Nell will be murdered! I begged her
not to go to Portsmouth's ball. She said she just wanted to peep in and
pay her respects to the hostess. Moll! You better pray."
She fell upon her knees and reverently lifted her hands and eyes in
prayer.
Something fell in the room with a heavy thud. She shut her eyes tight
and prayed harder. The object of her fear was a long gray boot, which
had been thrown in at the window and had fallen harmlessly by her side.
It was followed in an instant by its mate, equally harmless yet equally
dreadful.
A jaunty figure, assisted by a friendly shoulder, then bounded over the
balustrade and rested with a sigh of relief just within the
window-opening. It was Nell, returning from the wars; she was pale,
almost death-like. The evening's excitement, her daring escapade and
more especially its exciting finish had taken hold of her in earnest.
Her dainty little self was paying the penalty. She was all of a tremble.
"Safe home at last!" she cried wearily. "Heaven reward you, Strings."
From below the terrace, without the window, responded the fiddler, in
sympathetic, loving tones: "Good night, Mistress Nell; and good sleep."
"Good night, comrade," answered Nell, as she almost fell into the room,
calling faintly: "Moll! Moll! What are you doing, Moll?"
Moll closed her eyes tighter and prayed still more fervently.
"Praying for Nell," her trembling lips mechanically replied.
"Humph!" cried Nell, half fainting, throwing herself upon the couch.
"There's no spirit in this flesh worth praying for. Some wine, some
wine; and the blessing after."
The command brought Moll to her senses and she realized that it was
really Nell who had entered thus unceremoniously. She rushed to her for
safety, like a frightened deer to the lake.
"Nell, dear Nell!" she cried. "You are ill."
"Wine, wine, I say," again fell in peremptory tones from the
half-reclining Nell.
Moll glanced in dismay at her bootless mistress: her garments all awry;
her sword ill sheathed; her cloak uncaught from the shoulder and half
used, petticoat-like, as a covering for her trembling-limbs; her hair
dishevelled; her cheeks pale; her wild eyes, excitement-strained,
staring from their sockets.
"You are wounded; you are going to die," she cried. "Moll will be all
alone in the world again."
Her hands shook more than Nell's as she filled a glass half full of wine
and passed it to her mistress.
"To the brim, girl, to the brim," commanded Nell, reviving at the
prospect of the draught. "There!"
She tossed off the drink in gallant fashion: "I tell you, sweetheart, we
men need lots of stimulating."
"You are all of a tremble," continued Moll.
"Little wonder!" sighed Nell. "These braveries are a trifle chilly,
sweet mouse. Boo!" She laughed hysterically, while Moll closed the
window. "You see, I never was a man before, and I had all that lost time
to make up--acres of oats to scatter in one little night. Open my
throat; I cannot breathe. Take off my sword. The wars are done, I hope."
She startled Moll, who was encasing her mistress's pretty feet in a pair
of dainty shoes, with another wild, hilarious laugh. "Moll," she
continued, "I was the gayest mad-cap there. The sex were wild for me. I
knew their weak points of attack, lass. If I had been seeking a mate, I
could have made my market of them all and started a harem."
She seemed to forget all her dangers past in the recollection.
"Wicked girl," said Moll, pouting reprovingly.
"Oh, I am a jolly roisterer, little one," laughed Nell, in reply, as
with cavalier-strides she crossed the room. She threw herself upon the
table and proceeded to boast of her doings for Moll's benefit, swinging
her feet meanwhile. "I ran the gamut. I had all the paces of the truest
cavalier. I could tread a measure, swear like one from the wars, crook
my elbow, lie, gamble, fight--Fight? Did I say fight?"
She hid her curly head in her hands and sobbed spasmodically.
"You have been in danger!" exclaimed Moll, fearfully.
"Danger!" repeated Nell, breaking out afresh. "I taught the King a
lesson he will dream about, my sweet, though it near cost me my life. He
loves me, d'ye hear; he loves me, pretty one! Dance, Moll, dance--Dance,
I say! I could fly for very joy!"
With the tears still wet upon her cheeks, she seized Moll by both hands
and whirled the astonished girl wildly about the room, until she herself
reeled for want of breath. Then, catching at a great carved oaken chair,
she fell into it and cried and laughed alternately.
"Nell, Nell," gasped Moll, as she too struggled for breath; "one minute
you laugh and then you cry. Have you lost your wits?"
"I only know," exulted Nell, "I made him swear his love for Nell to
Portsmouth's face. I made him draw his sword for Nell."
"Great Heavens!" exclaimed Moll, aghast. "You did not draw yourself? A
sword against the King is treason."
"Ods-bodikins, I know not!" answered Nell. "I know not what I did or
said. I was mad, mad! All I remember is: there was a big noise--a
million spears and blunderbusses turned upon poor me! Gad! I made a
pretty target, girl."
"A million spears and blunderbusses!" echoed Moll, her eyes like
saucers.
"An army, child, an army!" continued Nell, in half-frantic accents. "I
did not stop to count them. Then, next I knew, I was in my coach, with
dear old Strings beside me. The horses flew. We alighted at the Chapel,
tiptoed about several corners to break the scent; then I took off my
shoes and stole up the back way like a good and faithful husband. Oh, I
did the whole thing in cavalier-style, sweetheart. But,'twixt us, Moll,"
and she spoke with a mysterious, confidential air,"--I wouldn't have it
go further for worlds--Adair is a coward, a monstrous coward! He ran!"
As if to prove the truth of her words, at a sudden, sharp, shrill sound
from the direction of the park, the sad remnant of Adair clutched Moll
frantically; and both girls huddled together with startled faces and
bated breaths.
"Hark! What is that?" whispered Nell.
"The men, perchance, I told you of," answered Moll; "they've spied about
the house for weeks."
"Nonsense, you little goose," remonstrated Nell, though none too
bravely; "some of your ex-lovers nailing their bleeding hearts to the
trees."
"No, no; listen!" exclaimed Moll, frantically, as the noise grew louder.
"They're in the entry."
"In the entry!" stammered Nell; and she almost collapsed at the thought
of more adventures. "I wish we were in bed, with our heads under the
sheet."
"Here is your sword," said Moll, as she brought Nell the sharp weapon,
held well at arm's length for fear of it.
"Oh, yes, my sword!" exclaimed Nell, perking up--for an instant only. "I
never thought of my sword; and this is one of the bravest swords I ever
drew. I am as weak as a woman, Moll."
"Take heart," said Moll, encouraging her from the rear, as Nell
brandished the glittering blade in the direction of the door. "You know
you faced an army to-night."
"True," replied Nell, her courage oozing out at her finger-tips, "but
then I was a man, and had to seem brave, whether I was or no. Who's
there?" she called faintly. "Who's there? Support me, Moll. Beau Adair
is on his last legs."
Both stood listening intently and trembling from top to toe.
A score of rich voices, singing harmoniously, broke upon the night.
The startled expression on Nell's face changed instantly to one of
fearless, roguish merriment. She was her old self again. She tossed the
sword contemptuously upon the floor, laughing in derision now at her
companion's fear.
"A serenade! A serenade!" she cried. "Moll--Why, Moll, what feared ye,
lass? Come!" She ran gaily to the window and peeped out. "Oh, ho,
masqueraders from the moon. Some merry crew, I'll be bound. I am
generous. I'll give thee all but one, sweet mouse. The tall knight in
white for me! I know he's gallant, though his vizor's down. Marry, he is
their captain, I trow; and none but a captain of men shall be captain of
my little heart."
"It is Satan and his imps," cried Moll, attempting to draw Nell from the
window.
"Tush, little one," laughed Nell, reprovingly. "Satan is my warmest
friend. Besides, they cannot cross the moat. The ramparts are ours. The
draw-bridge is up."
In a merry mood, she threw a piece of drapery, mantle-like, about
Adair's shoulders, quite hiding them, and, decapitating a grim old suit
of armour, placed the helmet on her head. Thus garbed, she threw the
window quickly open and stepped boldly upon the ledge, within full view
of the band beneath. As the moonlight gleamed upon her helmet, one might
have fancied her a goodly knight of yore; and, indeed, she looked quite
formidable.
"Nell, what are you doing?" called Moll, wildly, from a point of safety.
"They can see and shoot you."
"Tilly-vally, girl," replied Nell, undaunted now that she could see that
there was no danger, "we'll parley with the enemy in true feudal style.
We'll teach them we have a man about the house. Ho, there, strangers of
the night--breakers of the King's peace and the slumbers of the
righteous! Brawlers, knaves; would ye raise honest men from their beds
at such an hour? What means this jargon of tipsy voices? What want ye?"
A chorus of throats without demanded, in muffled accents: "Drink!"
"Drink!" "Sack!" "Rhenish!"
[Illustration: "I WAS THAT BOY!"]
"Do ye think this a tavern, knaves?" responded Nell, in a husky, mannish
voice. "Do ye think this a vintner's? There are no topers here.
Jackanapes, revellers; away with you, or we'll rouse the citadel and
train the guns."
Her retort was met with boisterous laughter and mocking cries of "Down
with the doors!" "Break in the windows!"
This was a move Nell had not anticipated. She jumped from the ledge, or
rather tumbled into the room, nervously dropping her disguise upon the
floor.
"Heaven preserve us," she said to Moll, with quite another complexion in
her tone, "they are coming in! Oh, Moll, Moll, I did not think they
would dare."
Moll closed the sashes and bolted them, then hugged Nell close.
"Ho, there, within!" came, in a guttural voice, now from without the
door.
"Yes?" Nell tried to say; but the word scarce went beyond her lips.
Again in guttural tones came a second summons--"Nell! Nell!"
Nell turned to Moll for support and courage, whispering: "Some arrant
knave calls Nell at this hour." Then, assuming an attitude of bravery,
with fluttering heart, she answered, as best she could, in a forced
voice: "Nell's in bed!"
"Yes, Nell's in bed," echoed the constant Moll. "Everybody's in bed.
Call to-morrow!"
"No trifling, wench!" commanded the voice without, angrily. "Down with
the door!"
"Stand close, Moll," entreated Nell, as she answered the would-be
intruder with the question:
"Who are ye? Who are ye?"
"Old Rowley himself!" replied the guttural voice.
This was followed by hoarse laughter from many throats.
"The King--as I thought!" whispered Nell. "Good lack; what shall I do
with Adair? Plague on't, he'll be mad if I keep him waiting, and madder
if I let him in. Where are your wits, Moll? Run for my gown; fly--fly!"
Moll hastened to do the bidding.
Nell rushed to the entry-door, in frantic agitation.
"The bolt sticks, Sire," she called, pretending to struggle with the
door, hoping so to stay his Majesty until she should have time to
dispose of poor Adair. "How can I get out of these braveries?" she then
asked herself, tugging awkwardly at one part of the male attire and then
at another. "I don't know which end of me to begin on first."
Moll re-entered the room with a bundle of pink in her arms, which turned
out to be a flowing, silken robe, trimmed with lace.
"Here is the first I found," she said breathlessly.
Nell motioned to her nervously to put it upon the couch.
"Help me out of this coat," she pleaded woefully.
Moll took off the coat and then assisted Nell to circumscribe with the
gown, from heels to head, her stunning figure, neatly encased in Adair's
habit, which now consisted only of a jaunty shirt of white, gray
breeches, shoes and stockings.
"Marry, I would I were a fairy with a magic wand; I could befuddle men's
eyes easier," Nell lamented.
The King knocked again upon the door sharply.
"Patience, my liege," entreated Nell, drawing her gown close about her
and muttering with personal satisfaction: "There, there; that hides a
multitude of sins. The girdle, the girdle! Adair will not escape from
this--if we can but keep him quiet; the rogue has a woman's tongue, and
it will out, I fear."
She snatched up a mirror and arranged her hair as best she could in the
dim light, with the cries without resounding in her ears and with Moll
dancing anxiously about her.
"Down with the door," threatened the King, impatiently. "The ram; the
battering ram."
"I come, my love; I come," cried Nell, in agitation, fairly running to
the door to open it, but stopping aghast as her eye caught over her
shoulder the sad, telltale condition of the room.
"'Sdeath," she called in a stage-whisper to Moll; "under the couch with
Adair's coat! Patience, Sire," she besought in turn the King. "Help me,
Moll. How this lock has rusted--in the last few minutes. My sword!" she
continued breathlessly to Moll. "My boots! My hat! My cloak!"
Moll, in her efforts to make the room presentable, was rushing hither
and thither, first throwing Adair's coat beneath the couch as Nell
commanded and firing the other evidences of his guilty presence, one
behind one door and another behind another.
It was done.
Nell slipped the bolt and calmly took a stand in the centre of the room,
drawing her flowing gown close about Adair's person. She was quite
exhausted from the nervous strain, but her actress's art taught her the
way to hide it. Moll, panting for breath, across the room, feigned
composure as best she could.
The door opened and in strode the King and his followers.
"Welcome, royal comrades, welcome all!" said Nell, bowing graciously to
her untimely visitors.
CHAPTER XVI
_Ods-pitikins, my own reflection!_
Upon the fine face of the King, as he entered Nell's drawing-room, was
an expression of nervous bantering, not wholly unmixed with anxiety.
The slanderous Adair and his almost miraculous escape had not long
weighed upon his Majesty's careless nature.
As he had not met Adair until that night or even heard of him, his heart
had told him that the Irish roisterer could scarcely be a serious
obstacle in the way of Nell's perfect faith, if, indeed, he had met Nell
at all, which he doubted. His command to the guard to follow and
overtake the youth had been more the command of the ruler than of the
man. Despite himself, there had been something about the dainty peacock
he could not help but like; and the bold dash for the window, the
disarming of the purse-proud Buckingham, who for many reasons displeased
him, and the leap to the sward below, with the accompanying farewell,
had especially delighted both his manhood and his sense of humour.
He had, therefore, dismissed Adair from his mind, except as a possible
subject to banter Nell withal, or as a culprit to punish, if overtaken.
His restless spirit had chafed under the Duchess's lavish
entertainment--for the best entertainment is dull to the lover whose
sweetheart is absent--and he had turned instinctively from the ball to
Nell's terrace, regardless of the hour and scarce noticing his constant
attendants.
The night was so beautiful that their souls had found vent in song.
This serenade, however, had brought to Nell's window a wide-awake
fellow, who had revealed himself in saucy talk; and the delighted
cavaliers, in hope of fun, had charged jeeringly that they had outwitted
the guard and had found Adair.
It was this that had brought the anxious look to the King's face; and,
though his better judgment was still unchanged, the sight of the knave
at the window, together with the suggestions of his merry followers, had
cast a shadow of doubt for the moment upon his soul, and he had
reflected that there was much that the Irish youth had said that could
not be reconciled with that better judgment.
With a careless shrug, he had, therefore, taken up the jest of his
lawless crew, which coincided with his own intended purpose, and had
sworn that he would turn the household out of bed without regard to
pretty protests or formality of warrant. He would raise the question
forthwith, in jest and earnest, and worry Nell about the boaster.
"Scurvy entertainment," he began, with frowning brow.
"Yea, my liege," explained Nell, winsomely; "you see--I did not expect
the King so late, and so was unpresentable."
"It is the one you do not expect," replied Charles, dryly, "who always
causes the trouble, Nell."
"We were in bed, Sire," threw in Moll, thinking to come to the rescue of
her mistress.
"Marry, truly," said Nell, catching at the cue, "--asleep, Sire, sound
asleep; and our prayers said."
"Tilly-vally," exclaimed the King, "we might credit thy tongue, wench,
but for the prayers. No digressions, spider Nell. My sword is in a
fighting mood. 'Sdeath, call forth the knight-errant who holds thy
errant heart secure for one short hour!"
"The knight of my heart!" cried Nell. "Ah, Sire, you know his name."
She looked at his Majesty with eyes of unfailing love; but the King was
true to his jest.
"Yea, marry, I do," laughed Charles, tauntingly, with a wink at his
companions; "a pretty piece of heraldry, a bold escutcheon, a dainty
poniard--pale as a lily, and how he did sigh and drop his lids and smirk
and smirk and dance your latest galliard to surpass De Grammont. Ask
brother James how he did dance."
"Nay, Sire," hastily interceded the ever-gallant Rochester, "his
Highness of York has suffered enough."
York frowned at the reference; for he had been robbed of his lady at the
dance by Adair. He could not forget that. Heedless of his royalty,
bestowed by man, she, like the others, had followed in the train of the
Irish spark, who was royal only by nature.
"Hang the coxcomb!" he snarled.
"'Slife, I will," replied Charles, slyly, "an you overtake him,
brother."
"His back was shapely, Sire," observed Rochester, with quaint humour.
"Yea, and his heels!" cried the King, reflectively. "He had such dainty
heels--Mercury's wings attached, to waft him on his way."
"This is moonshine madness!" exclaimed Nell, with the blandest of bland
smiles. "There's none such here. By my troth, I would there were. Nay,
ask Moll."
Moll did not wait to be asked.
"Not one visitor to-night," she asserted promptly.
"Odso!" cried Charles, in a mocking tone. "Whence came the Jack at the
window--the brave young challenger--'Would ye raise honest men from
their beds at such an hour?'"
A burst of laughter followed the King's grave imitation of the
window-boaster.
"Sire!" sighed Rochester, in like spirit. "'Do you think this a
vintner's? There are no topers here.'"
Another burst of merry laughter greeted the speaker, as he punctuated
his words by catching up the wine-cups from the table and clinking them
gaily.
Nell's face was as solemn as a funeral.
"To your knees, minx," commanded James, grimly, "and crave mercy of your
prince."
"Faith and troth," pleaded Nell, seriously, "'t was I myself with helmet
and mantle on. You see, Sire, my menials were guests at Portsmouth's
ball--to lend respectability."
"Saucy wag," cried the Merry Monarch. "A ball?--A battle--which would
have killed thee straight!"
"It had liked to," reflected Nell, as she tartly replied: "A war of the
sex without me? It was stupid, then. The Duchess missed me, I trow."
"Never fear," answered Charles, with difficulty suppressing his mirth;
"you were bravely championed."
"I am sure of that," said Nell, slyly; "my King was there."
"And a bantam cock," ejaculated Charles, sarcastically, "upon whose lips
'Nell' hung familiarly."
"Some strange gallant," cried Nell, in ecstasy, "took my part before
them all? Who was he, Sire? Don't tantalize me so."
She smiled, half serious, half humorous, as she pleaded in her charming
way.
"A chip from the Blarney Stone," observed the King at length,
ironically, "surnamed Adair!"
"Adair! Adair!" cried Nell, to the astonishment of all. "We spent our
youth together. I see him in my mind's eye, Sire, throw down the
gauntlet in Nell's name and defy the world for her. Fill the cups. We'll
drink to my new-found hero! Fill! Fill! To Beau Adair, as you love me,
gallants! Long life to Adair!"
The cups were filled to overflowing and trembled on eager lips in
response to the hostess's merry toast.
"Stay!" commanded the King, in peremptory tones. "Not a drop to a
coward!"
"A coward!" cried Nell, aghast. "Adair a coward? I'll never credit it,
Sire!"
She turned away, lest she reveal her merriment, as she bethought her:
"He is trembling in my boots now. I can feel him shake."
"Our pledge is Nell, Nell only!" exclaimed the King, his cup high in
air.
With one accord, the gallants eagerly took up the royal pledge. "Aye,
aye, Nell!" "Nell!" "We'll drink to Nell!"
"You do me honour, royal gentlemen," bowed Nell, well pleased at the
King's toast.
She had scarce touched the cup to her lips, however, with a mental
chuckle, "Poor Adair! Here's a health to the inner man!" when her eye
fell upon one of Adair's gray boots, which Moll had failed to hide, in
her excitement, now revealing itself quite plainly in the light of the
many candles. She caught it adroitly on the tip of her toe and sent it
whizzing through the air in the direction of poor Moll, who,
fortunately, caught it in midair and hid it quickly beneath her apron.
The King turned at the sound; but Nell's face was as woefully
unconcerned as a church-warden's at his hundredth burial.
The wine added further zest to the merry-making and the desire for
sport.
"Now, fair huswife," continued Charles, his thoughts reverting to Adair,
"set forth the dish, that we may carve it to our liking. 'Tis a dainty
bit,--lace, velvet and ruffles."
"Heyday, Sire," responded Nell, evasively, "the larder's empty."
"Devil on't," cried Charles, ferociously; "no mincing, wench. In the
confusion of the ball, the bird escaped my guard by magic. We know
whither the flight."
The King assumed a knowing look.
"Escaped the guard?" gasped Nell, in great surprise. "Alas, I trow some
petticoat has hid him then."
"I'll stake my life upon't," observed James, who had not been heard from
in some time but who had been observing the scene with decorous dignity.
"Sire, you would not injure Adair," pleaded Nell, now alert, with all
her arts of fascination. "You are too generous. Blue eyes of heaven, and
such a smile! Did you mark that young Irishman's smile, Sire?"
Her impudence was so bewitching that the King scarce knew whether it
were jest or earnest. He sprang to his feet from the couch, where he had
thrown himself after the toast to Nell, and, with some forcefulness,
exclaimed:
"Odsfish, this to my teeth, rogue! Guard the doors, gallants; we'd gaze
upon this paragon."
"And set him pirouetting, Sire," sardonically suggested James.
"Yea, to the tune of these fiddle-sticks," laughed Charles, as he
unsheathed his rapier. "Search from tile to rafter."
"Aye, aye," echoed the omnipresent Rochester, "from cellar to garret."
Before, however, the command could be obeyed, even in resolution, Nell
moved uneasily to a curtain which hung in the corner of the room and
placed herself before it, as if to shield a hidden man.
"Sire," she pleaded fearfully, "spare him, Sire; for my sake, Sire. He
is not to blame for loving me. He cannot help it. You know that, Sire!"
"Can he really be here?" muttered Charles, with clouding visage. "Saucy
wench! Hey! My blood is charging full-tilt through my veins. Odsfish,
we'll try his mettle once again."
"Prythee, Sire," begged Nell, "he is too noble and brave and handsome to
die. I love his very image."
"Oh, ho!" cried Charles. "A silken blind for the silken bird! Hey, St.
George for merry England! Come forth, thou picture of cowardice, thou
vile slanderer."
He grasped Nell by the wrist and fairly dragged her across the room.
Then, rushing to the curtain, he seized its silken folds and tore it
completely from its hangings--only to face himself in a large mirror.
"Ods-pitikins, my own reflection!" he exclaimed, with menacing tone,
though there was relief as well in his voice. He bent the point of his
blade against the floor, gazed at himself in the pier-glass and looked
over his shoulder at Nell, who stood in the midst of his courtiers,
splitting her sides with laughter, undignified but honest.
"Rogue, rogue," he cried, "I should turn the point on thee for this
trick; but England would be worse than a Puritan funeral with no Nell.
Thou shalt suffer anon."
"I defy thee, Sire, and all thy imps of Satan," laughed the vixen, as
she watched the King sheathe his jewelled sword. "Cast Nell in the
blackest dungeon, Adair is her fellow-prisoner; outlaw Nell, Adair is
her brother outlaw; off with Nell's head, off rolls Adair's. Who else
can boast so true a love!"
"Thou shalt be banished the realm," decided the King, jestingly; for he
was now convinced that her Adair was but a jest to tease him--a Roland
for his Oliver.
"Banished!" cried Nell, with bated breath.
"Aye; beyond sea, witch!" answered the King, with pompous austerity.
"Virginia shall be thy home."
"Good, good!" laughed Nell, gaily. "Sire, the men grow handsome in
Virginia, and dauntless; and they tell me there are a dearth of women
there. Oh, banish me at once to--What's the name?"
"Jamestown," suggested York, recalling the one name because of its
familiar sound.
"Yea, brother James," said Nell, fearlessly mimicking his brusque
accent, "Jamestown."
"Savages, wild men, cannibals," scowled Charles.
"Cannibals!" cried Nell. "Marry, I should love to be a cannibal. Are
there cannibals in Jamestown, brother James? Banish me, Sire; banish me
to Jamestown of all places. Up with the sails, my merry men; give me the
helm! Adair will sail in the same good ship, I trow."
"Adair! I trow thou wert best at home, cannibal Nelly," determined the
King.
"Then set all the men in Britain to watch me, Sire," said Nell; "for,
from now on, I'll need it."
The King shook his finger warningly at her, then leaned carelessly
against the window.
"Ho there!" he cried out suddenly. "A night disturbance, a drunken
brawl, beneath our very ears! Fellow-saints, what mean my subjects from
their beds this hour of night? Their sovereign does the revelling for
the realm. James, Rochester and all, see to 't!"
CHAPTER XVII
_The day will be so happy; for I've seen you at the dawn._
The room was quickly cleared, the King's courtiers jostling one another
in their efforts to carry out the royal bidding.
Charles turned with a merry laugh and seized Nell in his arms almost
fiercely.
"A subterfuge!" he cried eagerly. "Nell, quick; one kiss!"
"Nay; you question my constancy to-night," said Nell, sadly, as she
looked into his eyes, with the look of perfect love. "You do not trust
me."
"I do, sweet Nell," protested the King, earnestly.
"You bring me Portsmouth's lips," said Nell, with sad reproof.
"I left her dance for you," replied the King, drawing her closer to him.
"At near sunrise, Sire," sighed Nell, reprovingly, as she drew back the
curtain and revealed the first gray streaks of the breaking light of
day.
"Nay, do not tantalize me, Nell," besought the King, throwing himself
upon the couch. "I am sad to-night."
The woman's forgiving heart was touched with sympathy. Her eyes sought
his sadly beautiful face. She ran to him, fell upon her knees and kissed
his hand tenderly.
"Tantalize my King!" she cried. "The day will be so happy; for I've seen
you at the dawn." There was all the emotional fervour and pathetic
tenderness which the great composer has compressed into the love-music
of "Tristan and Isolde" in her voice.
"My crown is heavy, Nell," he continued. "Heaven gives us crowns, but
not the eye to see the ending of our deeds."
"God sees them," said Nell. "Ah, Sire, I thank the Maker of the world
for giving a crown to one whom I respect and love."
"And I curse it," cried the King, with earnest eyes; "for 'tis the only
barrier to our united love. It is the sparkling spider in the centre of
a great web of intrigue and infamy."
"You make me bold to speak. Cut the web, Sire, which binds thy crown to
France. There is the only danger."
"Thou art wrong, Nelly, wrong!" He spoke in deep, firm accents. "I have
decided otherwise."
He rose abruptly, his brow clouded with thought. She took his hand
tenderly.
"Then, change your mind, Sire," she pleaded; "for I can prove--"
"What, girl?" he asked eagerly, his curiosity awakened by her manner.
Nell did not respond. To continue would reveal Adair, and she could not
think of that.
"What, I say?" again asked Charles, impatiently.
"To-morrow, Sire," laughed Nell, evasively.
"Aye, to-morrow and to-morrow!" petulantly repeated the King.
He was about to demand a direct reply but was stayed by the sound of a
struggle without.
It befell in the nick of time for Nell, as all things, indeed, in life
seemed to befall in the nick of time for her. The impious huswives shook
their heads and attributed it to the evil influence; the pious huswives
asserted it was providential; Nell herself laughingly declared it was
her lucky star.
"Ho, without there!" Charles cried, impatiently--almost angrily--at the
interruption. "Whence comes this noisy riot?"
James, Rochester and the others unceremoniously re-entered.
"Pardon, Sire," explained the Duke of York; "the guard caught but now an
armed ruffian prowling by the house. They report they stayed him on
suspicion of his looks and insolence."
"Adair! Adair! My life upon't!" laughed the King, ever ready for sport.
"Set him before us."
An officer of the guard departed quickly to bring in the offender. The
courtiers took up the King's cry most readily; and there was a general
cackle of "Adair!" "Adair!" "A trial!" "Sire!" "Bring in the coward!"
Nell stood in the midst of the scene, the picture of demure innocence.
"They've caught Adair!" she whispered to Moll, mischievously.
"Aye, gallants," cried the Merry Monarch, approvingly, "we'll form a
Court of Inquiry. This table shall be our bench, on which we'll hem and
haw and puff and look judicial. Odsfish, we will teach Radamanthus and
Judge Jeffreys ways of terrorizing."
He sprang upon the table, which creaked somewhat beneath the royal
burden, and assumed the austere, frowning brow of worldly justice.
"_Oyer, oyer_, all ye who have grievances--" cried the garrulous
Rochester in the husky tones of the crier, who most generally assumes
that he is the whole court and oftentimes should be.
"Mistress Nell," commanded the royal judge, summoning Nell to the bar,
"thou shalt be counsel for the prisoner; Adair's life hangs upon thy
skill to outwit the law."
"Or bribe the judge, Sire?" suggested Nell, demurely.
"Not with thy traitor lips," retorted Charles, with the injured dignity
of a petty justice about to commit a flash of true wit for contempt of
court.
"Traitor lips?" cried Nell, sadly. "By my troth, I never kissed Adair. I
confess, I tried, your Majesty; but I could not."
"Have a care," replied the King, in a tone which indicated that the
fires of suspicion still smouldered in his breast; "I am growing
jealous."
Nell fell upon one knee and stretched forth her arms suppliantly.
"Adair is in such a tight place, Sire, he can scarcely breathe," she
pleaded, with the zeal of a barrister hard-working for his first fee in
her voice, "much less speak for himself. Mercy!"
"We will have justice; not mercy," replied the court, with a sly wink at
Rochester. "Guilty or not guilty, wench?"
"Not guilty, Sire! Did you ever see the man who was?"
The King laughed despite himself, followed by his ever-aping courtiers.
"I'll plead for the Crown," asserted the grim James, with great
vehemence, "to rid the realm of this dancing-Jack."
"Thou hast cause, brother," laughed the King. "Rochester, thou shalt sit
by us here."
Rochester sprang, with a contented chuckle, into a chair on the opposite
side of the table to that upon which his Majesty was holding his
mock-court and seated himself upon its high back, so poised as not to
fall. From this lofty bench, with a queer gurgle, to say nothing of a
swelling of the chest, and with an approving glance from his Majesty, he
added his mite to the all-inspiring dignity of the revellers' court.
"Judge Rochester!" continued the King, slapping him with his glove,
across the table. "Judge--of good ale. We'll confer with the cups,
imbibe the statutes and drink in the law. Set the rascal before us."
In obedience to the command, a man well muffled with a cloak was forced
into the room, a guard at either arm.
Behind them, taking advantage of the open door to appease their
curiosity, crowded many hangers-on of courtdom, among whom was Strings,
who had met the revellers some distance from the house and had returned
with them.
"Hold off your hands, knaves," commanded the prisoner, who was none
other than Hart, the player, indignant at the detention.
"Silence, rogue!" commanded the King. "Thy name?"
"Sire!" cried Hart, throwing off his mantle and glancing for the first
time at the judge's face. He sank immediately upon one knee, bowing
respectfully.
"Jack Hart!" cried one and all, craning their necks in surprise and
expectation.
"'Slife, a spy upon our merry-making!" exclaimed the displeased monarch.
"What means this prowling, sir?"
"Pardon, pardon, my reply, your Majesty," humbly importuned the player.
"Blinded by passion, I might say that I should regret."
"Your strange behaviour and stranger looks have meaning, sir," cried the
King, impatiently. "Out with it! These are too dangerous times to
withhold your thoughts from your King."
"No need for commands, Sire," entreated Hart. "The words are trembling
on my lips and will out themselves in spite of me. At Portsmouth's ball,
an hour past, I o'erheard that fop Adair boast to-night a midnight
rendezvous here with Nell."
Nell placed her hands upon her heart.
"This--my old friend," she reflected sadly.
"Our jest turned earnest," cried Charles. "Well? Well?" he questioned,
in peremptory tones.
"I could not believe my ears, Sire," the prisoner continued, faltering.
"I watched to refute the lie--"
"Yes--yes--" exhorted the King, in expectation.
"I cannot go on."
"Knave, I command!"
"I saw Adair enter this abode at midnight." Hart's head fell, full of
shame, upon his breast.
"'Sblood," muttered the King, scarce mindful that his words might be
audible to those about him, "my heart stands still as if't were knifed.
My pretty golden-head, my bonnie Nell!" He turned sharply toward the
player. "Your words are false, false, sir! Kind Heaven, they must be."
"Pardon, Sire," pleaded Hart; "I know not what I do or say. Only love
for Nell led me to this spot."
"Love!" cried Nell, with the irony of sadness. "Oh, inhuman, to spy out
my ways, resort to mean device, involve my honour, and call the motive
love!"
"You are cruel, cruel, Nell," sobbed Hart; and he turned away his eyes.
He could not look at her.
"Love!" continued Nell, bitterly. "True love would come alone, filled
with gentle admonition. I pity you, friend Hart, that God has made you
thus!"
"No more, no more!" Hart quite broke beneath the strain.
"Dost hear, dost hear?" cried Charles, in ecstasy, deeply affected by
Nell's exposition of true love. "Sir, you are the second to-night to
belie the dearest name in England. You shall answer well to me."
"Ask the lady, Sire," pleaded Hart, in desperation. "I'll stake my life
upon her reply."
"Nell?--Nell?" questioned the King; for he could scarce refuse to accept
her word when a player had placed unquestioned faith in it.
Nell hid her face in her silken kerchief and burst into seeming
spasmodic sobs of grief. "Sire!" was all the response the King could
hear. He trembled violently and his face grew white. He did not know
that Nell's tears were merry laughs.
"Her tears convict her," exclaimed Hart, triumphantly.
"I'll not believe it," cried the King.
Nell became more hysterical. She sobbed and sobbed, as though her heart
would break, her face buried in her hands and her flying curls falling
over and hiding all.
"Adair's sides are aching," she chuckled, in apparent convulsions of
sorrow. "He's laughing through Nell's tears."
Meanwhile, Moll had been standing by the window; and, though she was
watching eagerly the exciting scene within the room, she could not fail
to note the sound of galloping horses and the rattling of a heavy coach
on the roadway without.
"A coach and six at break-neck speed," she cried, "have landed at the
door. A cavalier alights."
"Time some one arrived," thought Nell, as she glanced at herself in the
mirror, to see that Adair was well hidden, and to arrange her curls, to
bewitch the new arrivals, whosoever they might be.
As the cavalier dashed up the path, in the moonlight, Moll recognized
the Duke of Buckingham, and at once announced his name.
"Ods-pitikins!" exclaimed Charles, angrily. "No leisure for Buckingham
now. We have other business."
He had scarce spoken, however, when Buckingham, unceremoniously and
almost breathless, entered the room.
"How now?" cried the King, fiercely, as the Duke fell on his knee before
him; for his temper had been wrought to a high pitch.
"Pardon, your Majesty," besought his lordship, in nervous accents. "My
mission will excuse my haste and interruption. Your ear I crave one
moment. Sire, I am told Nell has to-night secreted in this house a
lover!"
"Another one!" whispered Nell to Moll.
"'Tis hearsay," cried the King, now at fever-heat, "the give-and-take of
gossips! I'll none of it."
"My witness, Sire!" answered Buckingham.
He turned toward the door; and there, to the astonishment of all, stood
the Duchess of Portsmouth, who had followed him from the coach, a lace
mantilla, caught up in her excitement, protecting her shapely shoulders
and head.
As the assembled courtiers looked upon the beautiful rivals, standing,
as they did, face to face before the King, and realized the situation,
their faces grew grave, indeed.
The suspense became intense.
"The day of reckoning's come," thought Nell, as she met with burning
glances the Duchess's eyes.
"Speak, your grace," exhorted Buckingham. "The King attends you."
"Nay, before all, my lord?" protested Portsmouth, with pretended
delicacy. "I could not do Madame Gwyn so much injustice."
"If your speech concerns me," observed Nell, mildly, "out with it
boldly. My friends will consider the source."
"Speak, and quickly!" commanded Charles.
"I would rather lose my tongue," still protested the Duchess, "than
speak such words of any one; but my duty to your Majesty--"
"No preludes," interrupted the King; and he meant it, too. He was done
with trifling, and the Duchess saw it.
"My servants," she said, with a virtuous look, "passing this abode by
chance, this very night, saw at a questionable hour a strange cavalier
entering the boudoir of Madame Gwyn!"
"She would make my honour the price of her revenge," thought Nell, her
eyes flashing. "She shall rue those words, or Adair's head and mine are
one for naught."
"What say you to this, Nell?" asked the King, the words choking in his
throat.
"Sire,--I--I--" answered Nell, evasively. "There's some mistake or
knavery!"
"She hesitates," interpolated the Duchess, eagerly.
"You change colour, wench," cried Charles, his heart, indeed, again upon
the rack. "Ho, without there! Search the house."
An officer entered quickly to obey the mandate.
"Stay, Sire," exclaimed Nell, raising herself to her full height, her
hot, trembling lips compressed, her cheeks aflame. "My oath, I have not
seen Adair's face this night."
Her words fell upon the assemblage like thunder from a June-day sky. The
King's face brightened. The Duchess's countenance grew pale as death.
"_Mon Dieu!_ Adair!" she gasped in startled accents to Lord
Buckingham, attendant at her side. "Could it be he my servants saw? The
packet! Fool! Why did I give it him?"
Buckingham trembled violently. He was even more startled than
Portsmouth; for he had more to lose. England was his home and France was
hers.
"The scales are turning against us," he whispered. "Throw in this ring
for safety. Nell's gift to Adair; you understand."
He slipped, unobserved, upon the Duchess's finger the jewelled ring the
King had given to Almahyde among the roses at the performance of
"Granada."
"Yes! Yes! 'Tis my only chance," she answered, catching at his meaning;
for her wits were of the sharpest in intrigue and cunning, and she
possessed the boldness too to execute her plans.
She approached the King, with the confident air possessed by great women
who have been bred at court.
"Your Majesty recognizes this ring?" she asked in mildest accents.
"The one I gave to Nell!" answered the astonished King.
"The one Adair this night gave to me," said Portsmouth, calmly.
"'Tis false!" cried Nell, who could restrain her tongue no longer. "I
gave that ring to dear old Strings."
"A rare jewel to bestow upon a fiddler," said the Duchess,
sarcastically.
"It is true," said Strings, who had wormed his way through the group at
mention of his name and now stood the meek central figure at the strange
hearing. "My little ones were starving, Sire; and Nell gave me the
ring--all she had. They could not eat the gold; so I sold it to the Duke
of Buckingham!"
"We are lost," whispered Buckingham to Portsmouth, scarce audibly.
"Coward!" sneered the Duchess, contemptuously. "I am not ready to sail
for France so soon."
The King stood irresolute. Events had transpired so quickly that he
scarce knew what it was best to do. His troubled spirit longed for a
further hearing, while his heart demanded the ending of the scene with a
peremptory word.
Before he could decide upon his course, the Duchess had swept across the
room, with queenly grace.
"Our hostess will pardon my eyes for wandering," she said, undaunted;
"but her abode is filled with pleasant surprises. Sire, here is a piece
of handiwork."
She knelt by the couch, and drew from under it a coat of gray, one
sleeve of which had caught her eye.
Nell looked at Moll with reproving glances.
"Marry, 'tis Strings's, of course," continued Portsmouth, dangling the
coat before the wondering eyes of all. "The lace, the ruffle, becomes
his complexion. He fits everything here so beautifully."
As she turned the garment slowly about, she caught sight of a package of
papers protruding from its inner pocket, sealed with her own seal. For
the first time, the significance of the colour of the coat came home to
her.
"_Mon Dieu_," she cried, "Adair's coat.--The packet!"
Her fingers sought the papers eagerly; but Nell's eye and hand were too
quick for her.
"Not so fast, dear Duchess," said Nell, sweetly, passing the little
packet to his Majesty. "Our King must read these papers--and between the
lines as well."
"Enough of this!" commanded Charles. "What is it?"
"Some papers, Sire," said Nell, pointedly, "given for a kiss and taken
with a kiss. I have not had time to read them."
"Some family papers, Sire," asserted the Duchess, with assumed
indifference, "stolen from my house."
She would have taken them from his Majesty, so great, indeed, was her
boldness; but Nell again stayed her.
"Aye, stolen," said Nell, sharply; "but by the hostess herself--from her
unsuspecting, royal guest. There, Sire, stands the only thief!" She
pointed accusingly at Portsmouth.
"My signature!" cried Charles, as he ran his eye down a parchment. "The
treaties! No more Parliaments for England. I agreed to that."
"I agree to that myself," said Nell, roguishly. "England's King is too
great to need Parliaments. The King should have a confidential adviser,
however--not French," and she cast a defiant glance at Portsmouth, "but
English. Read on; read on."
She placed her pretty cheek as near as possible to the King's as she
followed the letters over his shoulder.
"A note to Bouillon!" he said, perusing the parchments further. "Charles
consents to the fall of Luxembourg. I did not sign all this. I see it
all: Louis's ambition to rule the world, England's King debased by
promises won and royal contracts made with a clever woman--forgery mixed
with truth. Sweet Heaven, what have I done!"
"The papers have not gone, Sire," blandly remarked Nell.
"Thanks to you, my Nell," said Charles. He addressed Portsmouth sharply:
"Madame, your coach awaits you."
"But, Sire," replied the Duchess, who was brave to the last, "Madame
Gwyn has yet Adair to answer for!"
"Adair will answer for himself!" cried Nell, triumphantly.
She threw aside the pink gown and stood as Adair before the astonished
eyes of all.
"At your service," she said, bowing sweetly to the Duchess.
"A player's trick!" cried Portsmouth, haughtily, as a parting shot of
contempt.
"Yes, Portsmouth," replied Nell, still in sweetest accents, "to show
where lies the true and where the false."
"You are a witch," hissed Portsmouth.
[Illustration: "ONCE MORE YOU HAVE SAVED ME."]
"You are the King's true love," exclaimed the Merry Monarch. "To my
arms, Nell, to my arms; for you first taught me the meaning of true
love! Buckingham, you forget your courtesy. Her grace wishes to be
escorted to her coach."
"_Bon voyage_, madame," said Nell, demurely, as the Duchess took
Buckingham's arm and departed.
The King's eyes fell upon the player, Hart, who was still in custody.
"Away with this wretch!" he cried, incensed at his conduct. "I am not
done with him."
"Forgive him, Sire," interceded Nell. "He took his cue from Heaven, and
good has come of it."
"True, Nell," said the King, mercifully. Then he turned to Hart: "You
are free; but henceforth act the knave only on the stage." Hart bowed
with shame and withdrew.
"Sire, Sire," exclaimed Strings, forgetting his decorum in his
eagerness.
"Well, Strings?" inquired the King, good-humouredly; for there was now
no cloud in his sky.
"Let me play the exit for the villains?" he pleaded unctuously. "The old
fiddle is just bursting with tunes."
"You shall, Strings," replied his Majesty, "and on a Cremona. From
to-day, you lead the royal orchestra."
"Odsbud," cried Strings, gleefully, "I can offer Jack Hart an
engagement."
"Just retribution, Strings," laughed Nell, happily. "Can you do as much
for Nell, and forgive her, Sire?"
"It is I who should ask your pardon, Nell," exclaimed the King,
ecstatically, throwing both arms passionately about her. "You are
Charles's queen; you should be England's."
_So the story ends, as all good stories should, in a perfect, unbroken
dream of love._
EPILOGUE
Spoken by Miss Crosman for the first time in New York at the Bijou
Theatre on the evening of October 9, 1900:
_Good friends, before we end the play,
I beg you all a moment stay:
I warn my sex, by Nell's affair,
Against a rascal called Adair!_
_If lovers' hearts you'd truly scan,
Odsfish, perk up, and be a man!_
GROSSET & DUNLAP'S DRAMATIZED NOVELS
Original, sincere and courageous--often amusing--the kind that are
making theatrical history.
MADAME X. By Alexandre Bisson and J. W. McConaughy. Illustrated with
scenes from the play.
A beautiful Parisienne became an outcast because her husband would not
forgive an error of her youth. Her love for her son is the great final
influence in her career. A tremendous dramatic success.
THE GARDEN OF ALLAH. By Robert Hichens.
An unconventional English woman and an inscrutable stranger meet and
love in an oasis of the Sahara. Staged this season with magnificent cast
and gorgeous properties.
THE PRINCE OF INDIA. By Lew. Wallace.
A glowing romance of the Byzantine Empire, presenting with extraordinary
power the siege of Constantinople, and lighting its tragedy with the
warm underglow of an Oriental romance. As a play it is a great dramatic
spectacle.
TESS OF THE STORM COUNTRY. By Grace Miller White. Illust. by Howard
Chandler Christy.
A girl from the dregs of society, loves a young Cornell University
student, and it works startling changes in her life and the lives of
those about her. The dramatic version is one of the sensations of the
season.
YOUNG WALLINGFORD. By George Randolph Chester. Illust. by F. R. Gruger
and Henry Raleigh.
A series of clever swindles conducted by a cheerful young man, each of
which is just on the safe side of a State's prison offense. As
"Get-Rich-Quick Wallingford," it is probably the most amusing expose of
money manipulation ever seen on the stage.
THE INTRUSION OF JIMMY. By P. G. Wodehouse. Illustrations by Will Grefe.
Social and club life in London and New York, an amateur burglary
adventure and a love story. Dramatized under the title of "A Gentleman
of Leisure," it furnishes hours of laughter to the play-goers.
Grosset & Dunlap, 526 West 26th St., New York
GROSSET & DUNLAP'S DRAMATIZED NOVELS
THE KIND THAT ARE MAKING THEATRICAL HISTORY
May be had wherever books are sold. Ask for Grosset & Dunlap's list
WITHIN THE LAW. By Bayard Veiller & Marvin Dana Illustrated by Wm.
Charles Cooke.
This is a novelization of the immensely successful play which ran for
two years in New York and Chicago.
The plot of this powerful novel is of a young woman's revenge directed
against her employer who allowed her to be sent to prison for three
years on a charge of theft, of which she was innocent.
WHAT HAPPENED TO MARY. By Robert Carlton Brown. Illustrated with scenes
from the play.
This is a narrative of a young and innocent country girl who is suddenly
thrown into the very heart of New York, "the land of her dreams," where
she is exposed to all sorts of temptations and dangers.
The story of Mary is being told in moving pictures and played in
theatres all over the world.
THE RETURN OF PETER GRIMM. By David Belasco, Illustrated by John Rae.
This is a novelization of the popular play in which David War, field, as
Old Peter Grimm, scored such a remarkable success.
The story is spectacular and extremely pathetic but withal, powerful,
both as a book and as a play.
THE GARDEN OF ALLAH. By Robert Hichens.
This novel is an intense, glowing epic of the great desert, sunlit
barbaric, with its marvelous atmosphere of vastness and loneliness.
It is a book of rapturous beauty, vivid in word painting. The play has
been staged with magnificent cast and gorgeous properties.
BEN HUR. A Tale of the Christ. By General Lew Wallace.
The whole world has placed this famous Religious-Historical Romance on a
height of pre-eminence which no other novel of its time has reached. The
clashing of rivalry and the deepest human passions, the perfect
reproduction of brilliant Roman life, and the tense, fierce atmosphere
of the arena have kept their deep fascination. A tremendous dramatic
success.
BOUGHT AND PAID FOR. By George Broadhurst and Arthur Hornblow.
Illustrated with scenes from the play.
A stupendous arraignment of modern marriage which has created an
interest on the stage that is almost unparalleled. The scenes are laid
in New York, and deal with conditions among both the rich and poor.
The interest of the story turns on the day-by-day developments which
show the young wife the price she has paid.
Ask for a complete free list of G. & D. Popular Copyrighted Fiction
Grosset & Dunlap, 526 West 26th St., New York
TITLES SELECTED FROM
GROSSET & DUNLAP'S LIST
RE-ISSUES OF THE GREAT LITERARY SUCCESSES OF THE TIME
May be had wherever books are sold. Ask for Grosset & Dunlap's list
BEN HUR. A Tale of the Christ. By General Lew Wallace
This famous Religious-Historical Romance with its mighty story,
brilliant pageantry, thrilling action and deep religious reverence,
hardly requires an outline. The whole world has placed "Ben-Hur" on a
height of pre-eminence which no other novel of its time has reached. The
clashing of rivalry and the deepest human passions, the perfect
reproduction of brilliant Roman life, and the tense, fierce atmosphere
of the arena have kept their deep fascination.
THE PRINCE OF INDIA. By General Lew Wallace
A glowing romance of the Byzantine Empire, showing, with vivid
imagination, the possible forces behind the internal decay of the Empire
that hastened the fall of Constantinople.
The foreground figure is the person known to all as the Wandering Jew,
at this time appearing as the Prince of India, with vast stores of
wealth, and is supposed to have instigated many wars and fomented the
Crusades.
Mohammed's love for the Princess Irene is beautifully wrought into the
story, and the book as a whole is a marvelous work both historically and
romantically.
THE FAIR GOD. By General Lew Wallace. A Tale of the Conquest of Mexico.
With Eight Illustrations by Eric Pape.
All the annals of conquest have nothing more brilliantly daring and
dramatic than the drama played in Mexico by Cortes. As a dazzling
picture of Mexico and the Montezumas it leaves nothing to be desired.
The artist has caught with rare enthusiasm the spirit of the Spanish
conquerors of Mexico, its beauty and glory and romance.
TARRY THOU TILL I COME or, Salathiel, the Wandering Jew. By George
Croly. With twenty illustrations by T. de Thulstrup
A historical novel, dealing with the momentous events that occurred,
chiefly in Palestine, from the time of the Crucifixion to the,
destruction of Jerusalem.
The book, as a story, is replete with Oriental charm and richness and
the character drawing is marvelous. No other novel ever written has
portrayed with such vividness the events that convulsed Rome and
destroyed Jerusalem in the early days of Christanity.
Ask for a complete free list of G. & D. Popular Copyrighted Fiction
Grosset & Dunlap, 526 West 26th St., New York
STORIES OF WESTERN LIFE
May be had wherever books are sold. Ask for Grosset & Dunlap's list
RIDERS OF THE PURPLE SAGE, By Zane Grey. Illustrated by Douglas Duer.
In this picturesque romance of Utah of some forty years ago, we are
permitted to see the unscrupulous methods employed by the invisible hand
of the Mormon Church to break the will of those refusing to conform to
its rule.
FRIAR TUCK, By Robert Alexander Wason. Illustrated by Stanley L. Wood.
Happy Hawkins tells us, in his humorous way, how Friar Tuck lived among
the Cowboys, how he adjusted their quarrels and love affairs and how he
fought with them and for them when occasion required.
THE SKY PILOT, By Ralph Connor.
Illustrated by Louis Rhead.
There is no novel, dealing with the rough existence of cowboys, so
charming in the telling, abounding as it does with the freshest and the
truest pathos.
THE EMIGRANT TRAIL, By Geraldine Bonner. Colored frontispiece by John
Rae.
The book relates the adventures of a party on its overland pilgrimage,
and the birth and growth of the absorbing love of two strong men for a
charming heroine.
THE BOSS OF WIND RIVER, By A. M. Chisholm.
Illustrated by Frank Tenney Johnson.
This is a strong, virile novel with the lumber industry for its central
theme and a love story full of interest as a sort of subplot.
A PRAIRIE COURTSHIP, By Harold Bindloss.
A story of Canadian prairies in which the hero is stirred, through the
influence of his love for a woman, to settle down to the heroic business
of pioneer farming.
JOYCE OF THE NORTH WOODS, By Harriet T. Comstock.
Illustrated by John Cassel.
A story of the deep woods that shows the power of love at work among its
primitive dwellers. It is a tensely moving study of the human heart and
its aspirations that unfolds itself through thrilling situations and
dramatic developments.
Ask for a complete free list of G. & D. Popular Copyrighted Fiction
Grosset & Dunlap, 526 West 26th St., New York
THE NOVELS OF STEWART EDWARD WHITE
THE RULES OF THE GAME. Illustrated by Lajaren A. Killer
The romance of the son of "The Riverman." The young college hero goes
into the lumber camp, is antagonized by "graft" and comes into the
romance of his life.
ARIZONA NIGHTS. Illus. and cover inlay by N. C. Wyeth.
A series of spirited tales emphasizing some phases of the life of the
ranch, plains and desert. A masterpiece.
THE BLAZED TRAIL. With illustrations by Thomas Fogarty.
A wholesome story with gleams of humor, telling of a young man who
blazed his way to fortune through the heart of the Michigan pines.
THE CLAIM JUMPERS. A Romance.
The tenderfoot manager of a mine in a lonesome gulch of the Black Hills
has a hard time of it, but "wins out" in more ways than one.
CONJUROR'S HOUSE. Illustrated Theatrical Edition.
Dramatized under the title of "The Call of the North."
Conjuror's House is a Hudson Bay trading post where the head factor is
the absolute lord. A young fellow risked his life and won a bride on
this forbidden land.
THE MAGIC FOREST. A Modern Fairy Tale. Illustrated.
The sympathetic way in which the children of the wild and their life is
treated could only belong to one who is in love with the forest and open
air. Based on fact.
THE RIVERMAN. Illus. by N. C. Wyeth and C. Underwood.
The story of a man's fight against a river and of a struggle between
honesty and grit on the one side, and dishonesty and shrewdness on the
other.
THE SILENT PLACES. Illustrations by Philip R. Goodwin.
The wonders of the northern forests, the heights of feminine devotion,
and masculine power, the intelligence of the Caucasian and the instinct
of the Indian, are all finely drawn in this story.
THE WESTERNERS.
A story of the Black Hills that is justly placed among the best American
novels. It portrays the life of the new West as no other book has done
in recent years.
THE MYSTERY. In collaboration with Samuel Hopkins Adams
Grosset & Dunlap, 526 West 26th St., New York
JOHN FOX, JR'S.
STORIES OF THE KENTUCKY MOUNTAINS
May be had wherever books are sold. Ask for Grosset and Dunlap's list.
THE TRAIL OF THE LONESOME PINE.
Illustrated by F. C. Yohn.
[Illustration]
The "lonesome pine" from which the story takes its name was a tall tree
that stood in solitary splendor on a mountain top. The fame of the pine
lured a young engineer through Kentucky to catch the trail, and when he
finally climbed to its shelter he found not only the pine but the
_foot-prints of a girl_. And the girl proved to be lovely, piquant,
and the trail of these girlish foot-prints led the young engineer a
madder chase than "the trail of the lonesome pine."
THE LITTLE SHEPHERD OF KINGDOM COME
Illustrated by F. C. Yohn.
This is a story of Kentucky, in a settlement known as "Kingdom Come." It
is a life rude, semi-barbarous; but natural and honest, from which often
springs the flower of civilization.
"Chad," the "little shepherd" did not know who he was nor whence he
came--he had just wandered from door to door since early childhood,
seeking shelter with kindly mountaineers who gladly fathered and
mothered this waif about whom there was such a mystery--a charming waif,
by the way, who could play the banjo better that anyone else in the
mountains.
A KNIGHT OF THE CUMBERLAND.
Illustrated by F. C. Yohn.
The scenes are laid along the waters of the Cumberland the lair of
moonshiner and feudsman. The knight is a moonshiner's son, and the
heroine a beautiful girl perversely christened "The Blight." Two
impetuous young Southerners' fall under the spell of "The Blight's"
charms and she learns what a large part jealousy and pistols have in the
love making of the mountaineers.
Included in this volume is "Hell fer-Sartain" and other stories, some of
Mr. Fox's most entertaining Cumberland valley narratives.
Ask for a complete free list of G. & D. Popular Copyrighted Fiction
Grosset & Dunlap, 526 West 26th St., New York
STORIES OF RARE CHARM BY GENE STRATTON-PORTER
May be had wherever books are sold. Ask for Grosset and Dunlap's list.
THE HARVESTER
Illustrated by W. L. Jacobs
[Illustration]
"The Harvester," David Langston, is a man of the woods and fields, who
draws his living from the prodigal hand of Mother Nature herself. If the
book had nothing in it but the splendid figure of this man, with his
sure grip on life, his superb optimism, and his almost miraculous
knowledge of nature secrets, it would be notable. But when the Girl
comes to his "Medicine Woods," and the Harvester's whole sound, healthy,
large outdoor being realizes that this is the highest point of life
which has come to him--there begins a romance, troubled and interrupted,
yet of the rarest idyllic quality.
FRECKLES. Decorations by E. Stetson Crawford
Freckles is a nameless waif when the tale opens, but the way in which he
takes hold of life; the nature friendships he forms in the great
Limberlost Swamp; the manner in which everyone who meets him succumbs to
the charm of his engaging personality; and his love-story with "The
Angel" are full of real sentiment,
A GIRL OF THE LIMBERLOST
Illustrated by Wladyslaw T. Brenda.
The story of a girl of the Michigan woods; a buoyant, lovable type of
the self-reliant American. Her philosophy is one of love and kindness
towards all things; her hope is never dimmed. And by the sheer beauty of
her soul, and the purity of her vision, she wins from barren and
unpromising surroundings those rewards of high courage.
It is an inspiring story of a life worth while and the rich beauties of
the out-of-doors are strewn through all its pages.
AT THE FOOT OF THE RAINBOW.
Illustrations in colors by Oliver Kemp. Design and decorations by Ralph
Fletcher Seymour.
The scene of this charming, idyllic love story is laid in Central
Indiana. The story is one of devoted friendship, and tender
self-sacrificing love; the friendship that gives freely without return,
and the love that seeks first the happiness of the object. The novel is
brimful of the most beautiful word painting of nature, and its pathos
and tender sentiment will endear it to all.
Ask for a complete free list of G. & D. Popular Copyrighted Fiction
Grosset & Dunlap, 526 West 26th St., New York
CHARMING BOOKS FOR GIRLS
May be had wherever books are sold. Ask for Grosset & Dunlap's list
WHEN PATTY WENT TO COLLEGE, By Jean Webster. Illustrated by C. D.
Williams.
One of the best stories of life in a girl's college that has ever been
written. It is bright, whimsical and entertaining, lifelike, laughable
and thoroughly human.
JUST PATTY, By Jean Webster. Illustrated by C. M. Relyea.
Patty is full of the joy of living, fun-loving, given to ingenious
mischief for its own sake, with a disregard for pretty convention which
is an unfailing source of joy to her fellows.
THE POOR LITTLE RICH GIRL, By Eleanor Gates. With four full page
illustrations.
This story relates the experience of one of those unfortunate children
whose early days are passed in the companionship of a governess, seldom
seeing either parent, and famishing for natural love and tenderness. A
charming play as dramatized by the author.
REBECCA OF SUNNYBROOK FARM, By Kate Douglas Wiggin.
One of the most beautiful studies of childhood--Rebecca's artistic,
unusual and quaintly charming qualities stand out midst a circle of
austere New Englanders. The stage version is making a phenomenal
dramatic record.
NEW CHRONICLES OF REBECCA, By Kate Douglas Wiggin. Illustrated by F. C.
Yohn.
Additional episodes in the girlhood of this delightful heroine that
carry Rebecca through various stages to her eighteenth birthday.
REBECCA MARY, By Annie Hamilton Donnell. Illustrated by Elizabeth
Shippen Green.
This author possesses the rare gift of portraying all the grotesque
little joys and sorrows and scruples of this very small girl with a
pathos that is peculiarly genuine and appealing.
EMMY LOU: Her Book and Heart, By George Madden Martin, Illustrated by
Charles Louis Hinton.
Emmy Lou is irresistibly lovable, because she is so absolutely real. She
is; just a bewitchingly innocent, hugable little maid. The book is
wonderfully human.
Ask for a complete free list of G. & D. Popular Copyrighted Fiction
Grosset & Dunlap, 526 West 26th St., New York
THE NOVELS OF CLARA LOUISE BURNHAM
May be had wherever books are sold. Ask for Grosset and Dunlap's list.
JEWEL: A Chapter in Her Life. Illustrated by Maude and Genevieve
Cowles.
A sweet, dainty story, breathing the doctrine of love and patience; and
sweet nature and cheerfulness.
JEWEL'S STORY BOOK. Illustrated by Albert Schmitt.
A sequel to "Jewel" and equally enjoyable.
CLEVER BETSY. Illustrated by Rose O'Neill.
The "Clever Betsy" was a boat--named for the unyielding spinster whom
the captain hoped to marry. Through the two Betsys a clever group of
people are introduced to the reader.
SWEET CLOVER: A Romance of the White City.
A story of Chicago at the time of the World's Fair. A sweet human story
that touches the heart.
THE OPENED SHUTTERS. Frontispiece by Harrison Fisher.
A summer haunt on an island in Casco Bay is the background for this
romance. A beautiful woman, at discord with life, is brought to realize,
by her new friends, that she may open the shutters of her soul to the
blessed sunlight of joy by casting aside vanity and self love. A
delicately humorous work with a lofty motive underlying it all.
THE RIGHT PRINCESS.
An amusing story, opening at a fashionable Long Island resort, where a
stately Englishwoman employs a forcible New England housekeeper to serve
in her interesting home. How types so widely apart react on each other's
lives, all to ultimate good, makes a story both humorous and rich in
sentiment.
THE LEAVEN OF LOVE. Frontispiece by Harrison Fisher.
At a Southern California resort a world-weary woman, young and beautiful
but disillusioned, meets a girl who has learned the art of living--of
tasting life in all its richness, opulence and joy. The story hinges
upon the change wrought in the soul of the blasè woman by this glimpse
into a cheery life.
Ask for a complete free list of G. & D. Popular Copyrighted Fiction
Grosset & Dunlap, 526 West 26th St., New York
LOUIS TRACY'S
CAPTIVATING AND EXHILARATING ROMANCES
May be had wherever books are sold. Ask for Grosset & Dunlap's list
CYNTHIA'S CHAUFFEUR. Illustrated by Howard Chandler Christy.
A pretty American girl in London is touring in a car with a chauffeur
whose identity puzzles her. An amusing mystery.
THE STOWAWAY GIRL. Illustrated by Nesbitt Benson.
A shipwreck, a lovely girl stowaway, a rascally captain, a fascinating
officer, and thrilling adventures in South Seas.
THE CAPTAIN OF THE KANSAS.
Love and the salt sea, a helpless ship whirled into the hands of
cannibals, desperate fighting and a tender romance.
THE MESSAGE. Illustrated by Joseph Cummings Chase.
A bit of parchment found in the figurehead of an old vessel tells of a
buried treasure. A thrilling mystery develops.
THE PILLAR OF LIGHT.
The pillar thus designated was a lighthouse, and the author tells with
exciting detail the terrible dilemma of its cut-off inhabitants.
THE WHEEL O'FORTUNE. With illustrations by James Montgomery
Flagg.
The story deals with the finding of a papyrus containing the particulars
of some of the treasures of the Queen of Sheba.
A SON OF THE IMMORTALS. Illustrated by Howard Chandler Christy.
A young American is proclaimed king of a little Balkan Kingdom, and a
pretty Parisian art student is the power behind the throne.
THE WINGS OF THE MORNING.
A sort of Robinson Crusoe _redivivus_ with modern setting and a
very pretty love story added. The hero and heroine are the only
survivors of a wreck, and have many thrilling adventures en their desert
island.
Ask for a complete free list of G. & D. Popular Copyrighted Fiction
Grosset & Dunlap, 526 West 26th St., New York
B. M. Bower's Novels
Thrilling Western Romances
Large 12 mos. Handsomely bound in cloth. Illustrated
CHIP, OF THE FLYING U
A breezy wholesome tale, wherein the love affairs of Chip and Della
Whitman are charmingly and humorously told. Chip's jealousy of Dr. Cecil
Grantham, who turns out to be a big, blue eyed young woman is very
amusing. A clever, realistic story of the American Cow-puncher.
THE HAPPY FAMILY
A lively and amusing story, dealing with the adventures of eighteen
jovial, big hearted Montana cowboys. Foremost amongst them, we find
Ananias Green, known as Andy, whose imaginative powers cause many lively
and exciting adventures.
HER PRAIRIE KNIGHT
A realistic story of the plains, describing a gay party of Easterners
who exchange a cottage at Newport for the rough homeliness of a Montana
ranch-house. The merry-hearted cowboys, the fascinating Beatrice, and
the effusive Sir Redmond, become living, breathing personalities.
THE RANGE DWELLERS
Here are everyday, genuine cowboys, just as they really exist. Spirited
action, a range feud between two families, and a Romeo and Juliet
courtship make this a bright, jolly, entertaining story, without a dull
page.
THE LURE OF DIM TRAILS
A vivid portrayal of the experience of an Eastern author, among the
cowboys of the West, in search of "local color" for a new novel. "Bud"
Thurston learns many a lesson while following "the lure of the dim
trails" but the hardest, and probably the most welcome, is that of love.
THE LONESOME TRAIL
"Weary" Davidson leaves the ranch for Portland, where conventional city
life palls on him. A little branch of sage brush, pungent with the
atmosphere of the prairie, and the recollection of a pair of large brown
eyes soon compel his return. A wholesome love story.
THE LONG SHADOW
A vigorous Western story, sparkling with the free, outdoor, life a
mountain ranch. Its scenes shift rapidly and its actors play the game of
life fearlessly and like men. It is a fine love story from start to
finish.
Ask for a complete free list of G. & D. Popular Copyrighted Fiction
Grosset & Dunlap, 526 West 26th St., New York
NOVELS OF SOUTHERN LIFE
By THOMAS DIXON, JR.
May be had wherever books are sold. Ask for Grosset & Dunlap's list
THE LEOPARD'S SPOTS: A Story of the White Man's Burden,
1865-1900. With illustrations by C. D. Williams.
A tale of the South about the dramatic events of Destruction,
Reconstruction and Upbuilding. The work is able and eloquent and the
verifiable events of history are followed closely in the development of
a story full of struggle.
THE CLANSMAN. With illustrations by Arthur I. Keller.
While not connected with it in any way, this is a companion volume to
the author's "epoch-making" story _The Leopard's Spots_. It is a
novel with a great deal to it, and which very properly is going to
interest many thousands of readers. * * * It is, first of all, a
forceful, dramatic, absorbing love story, with a sequence of events so
surprising that one is prepared for the fact that much of it is founded
on actual happenings; but Mr. Dixon has, as before, a deeper purpose--he
has aimed to show that the original formers of the Ku Klux Klan were
modern knights errant taking the only means at hand to right intolerable
wrongs.
THE TRAITOR. A Story of the Fall of the Invisible Empire.
Illustrations by C. D. Williams.
The third and last book in this remarkable trilogy of novels relating to
Southern Reconstruction. It is a thrilling story of love, adventure,
treason, and the United States Secret Service dealing with the decline
and fall of the Ku Klux Klan.
COMRADES. Illustrations by C. D. Williams.
A novel dealing with the establishment of a Socialistic Colony upon a
deserted island off the coast of California. The way of disillusionment
is the course over which Mr. Dixon conducts the reader.
THE ONE WOMAN. A Story of Modern Utopia.
A love story and character study of three strong men and two fascinating
women. In swift, unified, and dramatic action, we see Socialism a deadly
force, in the hour of the eclipse of Faith, destroying the home life and
weakening the fiber of Anglo Saxon manhood.
Ask for a complete free list of G. & D. Popular Copyrighted Fiction
Grosset & Dunlap, 526 West 26th St., New York
End of Project Gutenberg's Mistress Nell, by George C. Hazelton, Jr.
*** END OF THIS PROJECT GUTENBERG EBOOK MISTRESS NELL ***
***** This file should be named 31370-8.txt or 31370-8.zip *****
This and all associated files of various formats will be found in:
http://www.gutenberg.org/3/1/3/7/31370/
Produced by Roger Frank and the Online Distributed
Proofreading Team at http://www.pgdp.net
Updated editions will replace the previous one--the old editions
will be renamed.
Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties. Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark. Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission. If you
do not charge anything for copies of this eBook, complying with the
rules is very easy. You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research. They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks. Redistribution is
subject to the trademark license, especially commercial
redistribution.
*** START: FULL LICENSE ***
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://gutenberg.org/license).
Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
electronic works
1.A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.
1.B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works. Nearly all the individual works in the
collection are in the public domain in the United States. If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed. Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work. You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.
1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are in
a constant state of change. If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work. The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.
1.E. Unless you have removed all references to Project Gutenberg:
1.E.1. The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org
1.E.2. If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges. If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.
1.E.3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder. Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.
1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.
1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.
1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form. However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form. Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.
1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.
1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that
- You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg-tm works calculated using the method
you already use to calculate your applicable taxes. The fee is
owed to the owner of the Project Gutenberg-tm trademark, but he
has agreed to donate royalties under this paragraph to the
Project Gutenberg Literary Archive Foundation. Royalty payments
must be paid within 60 days following each date on which you
prepare (or are legally required to prepare) your periodic tax
returns. Royalty payments should be clearly marked as such and
sent to the Project Gutenberg Literary Archive Foundation at the
address specified in Section 4, "Information about donations to
the Project Gutenberg Literary Archive Foundation."
- You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he
does not agree to the terms of the full Project Gutenberg-tm
License. You must require such a user to return or
destroy all copies of the works possessed in a physical medium
and discontinue all use of and all access to other copies of
Project Gutenberg-tm works.
- You provide, in accordance with paragraph 1.F.3, a full refund of any
money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days
of receipt of the work.
- You comply with all other terms of this agreement for free
distribution of Project Gutenberg-tm works.
1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark. Contact the
Foundation as set forth in Section 3 below.
1.F.
1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection. Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.
1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.
1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium with
your written explanation. The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund. If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund. If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.
1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law. The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.
1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.
Section 2. Information about the Mission of Project Gutenberg-tm
Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers. It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.
Volunteers and financial support to provide volunteers with the
assistance they need, are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at http://www.pglaf.org.
Section 3. Information about the Project Gutenberg Literary Archive
Foundation
The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation's EIN or federal tax identification
number is 64-6221541. Its 501(c)(3) letter is posted at
http://pglaf.org/fundraising. Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.
The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations. Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
[email protected]. Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at http://pglaf.org
For additional contact information:
Dr. Gregory B. Newby
Chief Executive and Director
[email protected]
Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation
Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.
The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To
SEND DONATIONS or determine the status of compliance for any
particular state visit http://pglaf.org
While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.
International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.
Please check the Project Gutenberg Web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations.
To donate, please visit: http://pglaf.org/donate
Section 5. General Information About Project Gutenberg-tm electronic
works.
Professor Michael S. Hart is the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone. For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.
Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included. Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.
Most people start at our Web site which has the main PG search facility:
http://www.gutenberg.org
This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.
