Star Pirate

By Frederic Arnold Kummer

The Project Gutenberg EBook of Star Pirate, by Frederick A. Kummer

This eBook is for the use of anyone anywhere in the United States and
most other parts of the world at no cost and with almost no restrictions
whatsoever.  You may copy it, give it away or re-use it under the terms
of the Project Gutenberg License included with this eBook or online at
www.gutenberg.org.  If you are not located in the United States, you'll
have to check the laws of the country where you are located before using
this ebook.



Title: Star Pirate

Author: Frederick A. Kummer

Release Date: April 8, 2020 [EBook #61781]

Language: English


*** START OF THIS PROJECT GUTENBERG EBOOK STAR PIRATE ***




Produced by Greg Weeks, Mary Meehan and the Online
Distributed Proofreading Team at http://www.pgdp.net









                              STAR PIRATE

                    By FREDERICK ARNOLD KUMMER, JR.

             It meant death if Vance McClean ever returned
             to Ceres. Still, a cool million in palladium
             was tempting bait to that exiled star-pirate.

           [Transcriber's Note: This etext was produced from
                      Planet Stories Summer 1940.
         Extensive research did not uncover any evidence that
         the U.S. copyright on this publication was renewed.]


It was cold that night, I remember. Cold and clear as ice. And although
Ceres has no moon ... it's hardly more than a satellite itself, ... the
starlight penetrated its thin, dustless atmosphere with surprising
brilliance, throwing weird shadows across the icy plain.

Gazing through the window of the little administration building, I
could see the head of the mine shaft perhaps a mile away, and the
huts of the miners, all dark, for now that the rich vein of palladium
was exhausted, my uncle had dismissed our workmen. The scene was a
familiar one to me. I had lived on the asteroid for fifteen years and
my recollections of earth, which I had left at the age of five, were
hazy, a series of dream-like impressions of big buildings, green grass,
and warm yellow sunlight.

I felt very lonely that evening with the workmen gone and my Uncle John
at Verlis arranging for our passage to earth. Cerean Mining, Inc.,
had paid well these fifteen years before the vein ran out; in the
huge wall-safe behind me were stacks of the gray ingots, Uncle John's
profits over that period of time. Nearly a million dollars' worth in
earth currency. He planned to take the precious metal back to earth
with him, where its sale would bring higher prices than on Ceres, then
retire on his hard-earned proceeds. He was paying my fare back to
earth, gratis, and had arranged to get me a job there, which was more
than many uncles would have done for a needy and lonely nephew.

I was thinking about earth, as I sat there at the office desk, my back
to the big wall safe, a heavy flame gun lying on the blotter before
me. I was supposed to guard the palladium until Uncle John returned,
though this was a mere formality. Ceres was too small for anyone to get
very far, and all the passenger liners leaving Verlis were thoroughly
checked. And even supposing some thief were to overcome me, force the
huge, triply-reinforced safe, he would find it hard, even in Ceres'
light gravity, to carry off a million dollars' worth of palladium.
So I wasn't greatly worried about playing guard; my thoughts were
busy trying to visualize earth, planning what I would do there when I
arrived.

About eleven o'clock, earth-time, however, I awoke with a start from
my day-dreaming. A light ... a lurid flickering light ... was dancing
through the big glassex window. I leaped to my feet, gripping the flame
gun, and peered out. A sleek, silvery little space-ship was settling
down on the plain outside!

As I watched the ship ride in to land on its columns of fire, a vague
uneasiness filled me. Vessels weren't accustomed to put in at the
Cerean Mining field; especially swift little craft that were neither
slovenly freighters nor stately liners. Gun in hand, I stepped to the
door of the administration building.

       *       *       *       *       *

The ship had landed as lightly as a snowflake on the barren plain,
switched off her rockets. The air-lock clanged open and two bulky
figures in asbestoid jumpers swung down; so hot was the rock from
the rocket exhausts that their lead-soled gravity shoes left silvery
patches as they strode toward the administration building. One of the
men, to judge from his build, was a Jovian, huge, squat, mighty-thewed;
the other, a slender earthman, his face hidden by the hood that
protected him from the cold. I waited until they were within twenty
feet of me, then raised the flame-gun.

"Stop where you are!" I said curtly. "This is private property ... the
property of the Cerean Mining Company. What do you want?"

The earthman paused, studying me as I stood there in the light that
streamed from the doorway.

"So big," I heard him mutter as though to himself. "Who'd have thought
it! Eleven years! It's passed quickly ... for some."

This didn't make much sense, but it wasn't the meaning of his words
that struck me. It was his voice. There was something about the voice
that sounded a familiar chord in the back of my mind. For a moment I
tried to puzzle out the disturbing memories but without much success.
Then, shaking off the strange uneasiness, I raised the gun once more.

"Stay where you are! Another step and I'll shoot!"

The earthman continued to move toward me, the big Jovian in his wake.

"If you must shoot, Steve," he said quietly, "I suppose there's no help
for it. You'd regret it, though, I think."

Again the puzzling familiarity of that voice! Where had I heard those
calm, bitterly mocking tones before? And how did he know my name? Was
this some trick to force an entrance into the administration building
where Uncle John's fortune in palladium lay?

"You asked for it!" I cried, drawing a bead on him.

The stranger must have realized that I meant business. He was only
ten feet from me, now, and could have guessed from my expression that
I was about to shoot. With a swift movement he threw back the hood
that concealed his face. My arm sagged down and I heard myself give
a quick involuntary gasp. No mistaking those clean, sharp features,
those frosty, sardonic eyes, that lined, thin mouth, lips twisted in an
ironic smile! The man who stood there in the light that jetted from the
doorway was my father!

       *       *       *       *       *

It had been eleven years since I'd seen him, but he hadn't changed
much, except that his black hair was gray at the temples. Apart from
that, he didn't show his forty-five years in the least. Staring at
him, my memory flashed back to that night eleven years before in this
same administration building. There had been three owners of Cerean
Mining in those days. My father; his brother-in-law, Uncle John; and
big, red-haired Carl Conroy. They had formed the partnership on earth
shortly after my mother's death, come here to Ceres looking for rare
palladium. They'd just scraped along for five years, then struck the
rich vein of ore. And about two months after the big strike, there came
that terrible night.

I was only nine at the time, and had been sent off to bed. I was
awakened by the hiss of a flame-gun, a short gasping cry. I remember
lying there long minutes, terrorized, then creeping to the head of the
stairs, peering down. On the floor of the big room, near the safe,
was Carl Conroy, a terrible blackened form, with my father bending
over him. I can remember Conroy's twisted figure, the stench of burned
flesh, my father's hoarse breathing. Then suddenly the door opened
and my Uncle John entered, his face gray, a gun in his hand. Uncle
John spoke slowly. He said that he'd noticed some of the palladium was
missing every morning, and he'd asked Conroy to watch the safe. Now
he knew who the thief was. My father seemed sort of stunned, choked.
And I'd clung there unnoticed, hoping to wake up and find it all a
dream. But it hadn't been a dream. Keeping his prisoner covered, Uncle
John had backed toward the micro-wave communications set to call the
authorities at Verlis. For a long moment my father stared at him, then
leaped for the door. I screamed.

Uncle John could have shot him in that instant, but he didn't. He just
stood there, flame-gun in hand, as my father disappeared into the
darkness; then he climbed the stairs to where I crouched, crying, and
put an arm about my shoulders. "We'll try to forget this, Stephen,"
he said to me. "There's a space-ship leaving Verlis in the morning.
Maybe he can make a fresh start somewhere else in the solar system.
We'll bury Conroy out here, report that he died an accidental death.
That's the least I can do to keep you from being known as the son of a
murderer." And I cried myself to sleep on Uncle John's shoulder.

All that eleven years ago. We'd never mentioned my father again. When
people asked me, I said that he was dead. I hoped he was. The thought
of having a father who was a murderer, a thief, a fugitive in the solar
system, wasn't pleasant. Better to think he'd died bravely, decently,
on some far-flung world. And now, after eleven years...!

"You remember me, then ... son?" My father laughed ironically; he
strode by me into the room, followed by the big Jovian. The latter, I
noticed, carried several large cylinders on his back.

I stood there undecided, confused, fumbling with the flame-gun. My
father perched himself on the edge of the table, lit a slender,
aromatic Martian cigarette, an _eyla_, the same kind he'd smoked in
the past. Its fragrant, sharp aroma awoke memories of my childhood.
Suddenly he spoke.

"Where's John?"

"He's gone to Verlis, to arrange for our passage to earth. The vein's
worked out."

"So that's why the miners' shacks are dark." He nodded. "I arrived just
in time, then. And from the close watch you were keeping, I'd say the
palladium was still here." For a long moment he eyed me, studying my
face. "Healthy, and as sanctimonious as John, from the looks of you.
Taon" ... he turned to the big silent Jovian ... "his gun!"

Before I realized what had happened, the Jovian had snatched the
flame-gun from my grasp.

"I apologize, Steve," my father said blandly, "for using force. But in
my past eleven years knocking about the solar system, I've noticed that
people are unaccustomed to yield to reason. It's for your own good, as
well. Some years ago on Jupiter I saved Taon's life. If you were to
commit an indiscretion, such as killing me, he would tear you to bits.
A faithful fellow, Taon. And since I am about to force this safe, I
felt that you might do something rash with that gun...."

       *       *       *       *       *

I stood there, speechless, as the huge Taon swung a double-cylindered
oxy-hydrogen burner from his shoulders. He tinkered for a moment with
first the hydrogen flash, then the oxygen one; a moment later a jet of
cruel white flame bit into the big wall-safe.

"Good Lord!" I whispered. "I've known all along that you were a thief,
a murderer, but with all the solar system to prey upon, why must you
come back here! To rob your own brother-in-law, after he let you escape
that night! And to make sure your son is known as the son of a common
thief! I'd rather have the cheapest space-rat as a father than you!"

For just a moment there was a cloud in my father's eyes, but the ironic
bitter smile clung to his lips.

"Very melodramatic," he applauded. "You inherit that, I think, from
the other side of the family. John has the same flair for theatrics.
I regret now that the business of obtaining a space-ship, of finding
certain ... necessary persons ... took so long. Had I come sooner, I
might have aided in your education." He turned to the big Jovian. "How
goes it?"

"Safe good steel," Taon grunted. "One ... two ... hour job."

"No hurry." My father puffed lazily at his _eyla_, flicked a bit
of ash from his coat sleeve. His gestures, his well chosen words,
his carefully modulated voice, all indicated that he was playing
the role of debonair, cosmopolitan man of the worlds. The perfect
gentleman--even when engaged in cracking a safe! I hated him for
it! This space-rover, thief, murderer ... my father! Better to see
him imprisoned at Verlis, than to have him at large, adding to the
shame of our name. With one leap, I crossed the room, snapped on the
micro-wave communications set.

"Cerean Mining, calling Verlis!" I snapped. "Come...."

My father hardly seemed to move, but a pencil of blue flame from his
gun leaped across the room, blasting the radio to bits.

"All right, Taon." He motioned back the Jovian, who, like a great
faithful mastiff had sprung to his side. "No need to worry." Wiping off
the gun, he turned to me. "As for you, Steve, you show more spirit than
I had suspected. Although misdirected, since there was never a chance
of contacting Verlis. However, I am going to pay you the compliment of
putting you under lock and key while we complete our business here. In
the next room, Taon, you will find, to the right of the heating unit, a
closet, used, as I remember, for over-suits. Lock the boy in it."

The big man nodded, his slitted, ice-green eyes expressionless. In his
grip I was helpless; no earthman can match a Jovian in strength. I shot
one furious glance at my father; who was perched upon the edge of the
table, swinging one foot, humming placidly. For just an instant as he
felt my gaze upon him, he paused in his humming, a peculiar expression
upon his face. Then Taon carried me into the next room, pushed me into
the closet, slid the loose, rattling bolt. I was a prisoner--a prisoner
of my own father!

       *       *       *       *       *

For my first few minutes in the closet, my mind was a skein of tangled
thoughts. The past that I had believed securely buried, returned to
haunt me! Another day and the palladium would have been aboard a space
liner at Verlis, Uncle John and I would have left Ceres for earth. All
my day-dreaming of a new life on Terra was ruined. If my father should
get away with the fortune in palladium, it would be broadcast over the
entire solar system. Uncle John had never reported the murder of Carl
Conroy, in hopes of saving my name. But this would be bound to come
out, and my chances of finding a job, a decent place in society, would
be wrecked when the solar system learned that I was the son of the
notorious Vance McClean. And Uncle John, who had been like a father
to me since that night of Conroy's murder, would be rendered penniless
after fifteen years' work! Unless I could escape, summon help....

The closet was roomy and had a light. Not one of the new astra-lux
arcs, but an old-fashioned electric bulb hanging from the ceiling. We
don't have all the modern gadgets on Ceres.

I snapped on the light, and glanced about seeking some means of
escape. On a row of nails hung several over-suits; asbestoid garments,
electrically heated, for use in the biting cold of the Cerean plains.
Nothing there. I then turned my attention to the door. It was of very
thin, very strong plastic. Taon had not locked it, only slid home the
iron bolt that fitted loosely in the brass staples. No chance, however,
of working it free from this side; and while I might conceivably force
the door open by battering against it, the noise would be sure to bring
Taon and my father from the next room to recapture me. If any escape
were made, it must be done quietly. Outside I could hear the roar of
the oxy-hydrogen torch, cutting into the big wall-safe where my uncle's
fortune in palladium was stored.

Then suddenly the idea struck me. A wild idea, true, but one which, if
it succeeded, would enable me to draw the bolt quietly. I turned to the
rear of the closet, and began working back and forth one of the nails
upon which over-suits were hung. After some difficulty, it came loose.
My next task was more difficult ... stripping the wire from one of the
electrically heated suits. The point of the nail aided me in ripping
open the tough asbestoid. At length I obtained fully ten feet of wire
and commenced wrapping it about the nail. This done, I tore loose the
bulb and socket from the light, and, working in the dark, in danger of
a severe shock, managed to connect the live wires to my wire-wrapped
nail, forming a crude, but, I hoped, powerful magnet. But was it
powerful enough to be effective through the thin, tough plastic door?

I paused, listening. The sound of the torch would cover the noise of
drawing the bolt. And if I could escape unobserved, climb through one
of the windows.... Holding my magnet against the door jamb, I moved it
slowly to one side. A faint squeak seemed to indicate that the bolt
had moved. I repeated the operation again, and again, drawing the bolt
a fraction of an inch each time. The little magnet, separated from
the piece of iron by a quarter inch of steel-tough plastic, still had
sufficient force to grip the bolt, draw it slightly. At last, after a
score or more attempts, the bolt slid clear of the brass staples. A
touch of my shoulder sent the door ajar. I was free!

Very cautiously I peered through the crack. The room before me was
dark, but beyond the doorway at its far end I could see Uncle John's
office, brilliantly lighted by the whitish flame of the oxy-hydrogen
torch. My father was still seated upon the edge of the table, swinging
one foot; his face was intent, far-away. He seemed to be peering into
the dim mists of the past as he sat there, and I noticed that his
suave, bitter mask had vanished. Taon was working on the safe. His
brutish, colossal shadow was visible on the wall like that of some
great grim satyr.

With infinite care I pushed open the closet door, stepped out, then
slid the bolt again to make it appear that I was still a prisoner. On
tiptoe I approached a window, raised it. Still no sound other than the
hiss of the torch. I swung down to the ground, closed the window behind
me, and ran toward the sleek silvery little space-ship.

       *       *       *       *       *

The ice-covered plain was bitter cold; I had neglected to put on one
of the asbestoid over-suits. The deserted huts, the head of the mine
shaft loomed like a row of dark specters in the wan starlight. And
since the cold light of the stars was cast from different angles,
double, triple and even quadruple shadows fell across the barren
wastes. Bleak, desolate, to an earthman, but I was used to the cold
Cerean scene. Great jagged pinnacles of rock stabbing like crooked
daggers at the frosty sky; rounded meteor holes dug into the ground;
occasional patches of pale ice-moss, dangling like white beards from
the grotesque rocks; and beyond, the glistening plain, dropping away to
a ridiculously close horizon. I gasped in the cold air as I ran, felt
it bite my lungs. Without gravity shoes, I covered the distance to the
ship in a dozen great bounding leaps. No signs of life were visible
aboard her and I felt that from the size of the little vessel it was
unlikely she carried more of a crew than my father and Taon. If there
were others aboard, I would have to take my chances.

I glanced up at the ship. Her burnished hull shone in the thin light;
the heavy outer door of the circular air-lock remained open as my
father had left it. I reached up, grasped the metal stanchion, drew
myself into the air-lock. A moment later I had pushed open the inner
door, entered the vessel.

The little ship was dimly lit, shadowy, inside. Glancing about, I found
myself in a narrow companionway, one end of which led to the living
quarters of the craft, the other, stretching in the direction of the
control room. I turned in this latter direction, running softly to
prevent my shoes from clanging on the metal floor-plates; for while the
ship was silent as a tomb, I could take no chances on anyone else being
aboard, surprising me.

The door to the control room, at the end of the passage, was open. For
a moment, as I raced along the corridor, I had entertained thoughts of
making off with the ship, leaving my father and Taon marooned on Ceres,
where they would soon be tracked down. Sight of the control panel, with
its complicated array of dials, gauges, and switches, soon dispelled
this illusion. I had never flown a space-ship before, and any attempt
on my part to do so now must surely result in disaster. But with the
big ultra-wave communications set that stood to one side of the control
panel it would be a simple matter to call Verlis, as I had previously
attempted, and notify Uncle John.

Hastily I spun the dial to the wave length of the station at Verlis,
called their letters. The voice of the operator there answered me.

"CQR, Verlis, Ceres," he snapped. "Go ahead!"

"Stephen McClean, of Cerean Mining," I whispered, bending low over
the mike. "My uncle, John Gibson, is in Verlis. He'll be either at
the hotel or the space-port, making arrangements for the transport of
his palladium to earth. Send someone to find him at once! It's vital!
Tell him" ... I hesitated a moment, wondering whether to mention the
robbery and bring in the I.P. patrolmen. But it might be possible to
stop my father's evil work without disgracing our name ... "tell him,"
I went on, "that Vance McClean is here, that he'd better round up a few
men and return as quickly as possible! Got it? As quickly as possible!
It's urgent!"

"Right." The Verlis operator replied. "Checking back!" He repeated my
message to me.

"Okay," I exclaimed. "Hurry!"

"Anything wrong?" the operator asked.

"Only a ... family affair," I said, and snapped off the set.

The message sent, my nerves lost some of their tension. Uncle John had
gone to Verlis in his big rocket-sled. With its exhausts opened full,
the sled could race over the icy plain well in excess of a hundred
miles an hour. And since Verlis was only a short distance away he could
reach the mine, with luck, in thirty minutes.

I glanced through the big observation port of the control room. The
window of the administration building was still lit by the white-hot
glare of the oxy-hydrogen torch. An hour was necessary to cut through
the steel doors of the safe, Taon had said. But the hour must be
nearly up. I had to make sure that they didn't get away before Uncle
John arrived. But how? At that moment my glance fell on the intricate
control panel. If that were smashed....

My eyes swept the crowded control room, fell upon a heavy metal stool,
drawn up at the navigator's table. I seized it, swung it high above my
head. Thrown into the panel, it was sure to wreck the array of delicate
instruments. And with them smashed, the ship would be grounded here
indefinitely. My muscles tensed as I prepared to heave the stool into
the fragile mass of wire and glass tubing. Another moment and....

"Don't throw that chair!" A clear, firm feminine voice came from the
doorway behind me. "Set it gently on the floor! Any tricks and I'll
shoot!"

       *       *       *       *       *

For just a moment I hesitated, the stool held high over my head. A
woman ... here! Then I felt the muzzle of a gun dig into my back, and I
knew that whoever the woman was, she meant business. I set the stool
carefully on the floor, turned, hands raised, to face my captor.

The owner of the clear voice was young, slender, her well-modeled
figure sheathed in a shining green cellatos dress. Her hair was the
coppery red of a Martian desert, and her eyes were cloudy blue, the
color of distant hills. The hand that held the gun was steady, her
expression was determined.

"I thought I heard voices," the girl said. "Who were you talking to?"

"Only the radio." I nodded toward the set, grinning. "I called Verlis
to tell them the Cerean Mining's safe is being cleaned out by my
charming father."

"Your father!" The girl's figure stiffened. "Then you're Steve McClean!
And you've notified your uncle to come here? Oh, you fool! You fool!"
Tears of anger filled her eyes, adding rather than detracting from her
beauty.

I stared at the girl, puzzled. What was she doing on this ship? And
how did she know about me, about Uncle John? There was, of course, one
simple explanation of her presence, but somehow I didn't like to think
of it.

"Now that you've found out who I am," I said, "maybe you'll tell me
your name? And your status aboard this ship?"

She didn't answer. Her lips moved, but she seemed to be talking to
herself.

"Five minutes since he called Verlis; not over half an hour's run in a
rocket sled." Then, squaring her shoulders. "Keep your arms raised! And
head for the air-lock! We're going to the administration building to
warn Captain McClean!"

I had no choice with the flame-gun tightly gripped in the girl's hand.
Arms raised, I stumbled from the control room, along the companionway,
through the air-lock. The girl walked behind me like a shadow, her face
pale, deadly earnest.

Leaving the ship we set out across the bitter icy plain toward the
administration building. The blue-white light no longer streamed from
the window. Which meant only one thing. The great wall-safe had been
forced! A million in palladium, Uncle John's life savings, were at my
father's disposal! Unless that rocket-sled broke all records returning
from Verlis....

"Hurry up!" the girl behind me said through chattering teeth. "I'm
freezing!"

I quickened my pace, bounding across the all but gravity-less plain.
Snow creaked under our feet, our breaths were white clouds, our shadows
sprawled like grotesque monsters on the pale ice. At length we reached
the low crystalloid building; the girl's gun digging into my back, I
opened the door, entered.

       *       *       *       *       *

The room was a scene of desolation. To one side of the safe stood the
twin-cylindered blow torch, shut off, now that its work of destruction
was done. The huge door of the safe, its lock melted away, the edges
of the hole glowing cherry-red, gaped wide, revealing stacks of small,
steel-white ingots. Palladium ... a million dollars' worth! Taon, the
big silent Jovian, was busy taking the bars of precious metal from the
safe, grunting with satisfaction as he stacked the ingots on the floor.
My father, as we entered, had just taken a small, leather-bound book
from the safe, was leafing through it with a queer expression on his
face. On seeing us, he whirled about, gasping,

"Clare! And you, Stephen!" He turned, frowning, to the big Jovian.
"This is your fault, Taon! You have done poorly! I ordered him locked
up."

"Don't blame Taon," I grinned. "It wasn't his fault!"

Without a word my father strode into the next room, unbolted the
closet. At sight of my home-made magnet, still dangling from its wires,
he nodded blandly.

"Very good, Stephen," he said, re-entering the room. "You show signs of
real ingenuity. I'm afraid I underestimated you." He glanced at me with
an air of satisfaction.

"More than you think!" the girl Clare exclaimed. "We've got to hurry!
He radioed John Gibson at Verlis to return at once! He put the call
through before I knew he was on the ship!"

For a long minute my father remained silent, puffing at his eternal
Martian _eyla_ studying the greenish clouds of smoke as though the
future lay revealed in their swirling tendrils. The girl bit her lip
impatiently, glanced nervously toward the door. Taon stood motionless,
his broad, ugly face stolid, awaiting orders.

"I must confess," my father said at length, "that matters haven't
turned out just as I had expected. I had intended to take the
palladium ... and my loving son, here ... aboard the ship, make a quick
getaway. Now, thanks to that message to Verlis, I am known to be the
person responsible for the ... ah ... robbery, and will be pursued by
the I.P. men. Moreover, there is another matter" ... his glance fell
upon the leather-bound book he had taken from the safe ... "that has
caused me unexpectedly to change my plans. I think it is wiser all
around for us to remain here."

"But you can't!" the girl cried. "It's madness! He can have you
arrested for murder! My father's...."

I never heard the rest of what she was going to say. The staccato roar
of rockets, the grinding of steel brakes biting into ice, drowned
out her words. A rocket-sled was screaming to a stop before the
building, the flare of its exhausts flickering through the window like
terrestrial lightning.

Taon stiffened, his hairy hand seeking the butt of his flame-gun. The
girl went whiter still. And I drew a quick sigh of relief for the first
time in the past two hours. Only my father betrayed no emotion; he sat
there like an image carved from ice, that bitter, mocking smile on his
lips.

With a bang the door of the building slammed open. Uncle John, tall,
gaunt, bushy-browed, strode into the room, frowning.

"Good evening, John," my father said pleasantly. "We've been missing
you. You're all that's needed to complete this family reunion."

"Vance! Then it was true, Stephen's message! You've nerve, coming
here!" Uncle John shook his head. "Thief! Murderer! Liar! I suppose I
was a fool to let you escape that night. I only did so for the honor
of the family and the name of Stephen, here. And so you return to
commit another robbery, to make sure your son is known as the son of a
space-rat!"

"You touch me deeply, John!" my father observed dryly. "As
sanctimonious as ever! Pure, honest John Gibson! Ceres' outstanding
citizen!" He surged to his feet, leaned across the desk; for the
second time that night his cold, mocking mask dropped, revealing the
man beneath. Eyes like glowing coals, face etched in savage lines, he
stared at my uncle. "I've thought of you a great deal these eleven
years! In the radium fields of that hell-planet Mercury, hunting gold
in the stinking Venusian jungles, prospecting the dusty, choking
deserts of Mars! And there was one thing that kept me going! The
thought of this minute! A year ago I'd scraped together enough to
buy the little space-yacht outside. Then I had to go to Terra, find
Clare...." He motioned toward the girl.

Uncle John swung about, noticing the girl for the first time as she
stepped from the shadows. His face took on a drawn, tight look.

"Who is this girl?" he croaked.

"Allow me." My father waved an airy hand. "Miss Clare Conroy, daughter
of the late Carl Conroy."

"Daughter of...! But I didn't know he had a daughter! Why is she here?"
Uncle John whirled about. "What deviltry is this? You, the murderer of
her father, kidnaping the daughter...."

"Not kidnaping, Mr. Gibson," Clare said quietly. "I came of my own free
will."

       *       *       *       *       *

I gasped. This girl, Conroy's daughter! And she'd come with the man
who had killed her father, to the scene of the crime, was aiding him
in stealing the palladium. I felt as though I were living some mad
nightmare.

My father, on the other hand, seemed to be enjoying himself hugely. He
stumped out his _eyla_, smiled ironically across the desk.

"You see," he said, "Clare has faith in me. She believes that after her
father's death, and my own foolish flight, the partnership agreements
were destroyed, leaving you, John, sole possessor of Cerean Mining.
You didn't know Conroy had a daughter on earth. I was a fugitive who'd
never dare go to court over my share, and Stephen knew nothing of the
arrangement, and wouldn't have contested if he had. Thus Cerean Mining
was yours."

"You're accusing me of robbery?" Uncle John roared, the veins of his
temple standing out. "You ... a murderer, a thief! Good Lord! You
accuse me when I arrive to find you committing burglary!" He pointed
to the blasted safe door.

"I'll admit," my father said, smiling, "that my original intention was
to take two-thirds of the palladium, force Stephen aboard, and leave.
With a murder charge hanging over me, I couldn't afford to take the
matter of the metal to court. But now something has occurred that in my
wildest dreams I hadn't hoped for. At no time did I take into account
that vain, boastful streak in your character, John. You had committed
an act which you thought supremely skilful, supremely clever, yet
you had to play the pious, honest business man. You longed to boast
of it, to tell someone, but to do so would have meant your neck. And
so, bursting to recount your cleverness in gaining control of Cerean
Mining, you yielded to sheer folly. You kept a diary!" My father waved
toward the leather-bound book he had found in the safe.

For just an instant Uncle John remained motionless, shadows flickering
over his gaunt face. Then he leaped, clutching for the book.

Quick as he had been, Taon was quicker. The big Jovian seemed to slide
across the room as though on wires. His huge hand caught Uncle John,
held him back as one would hold a child.

My father, who had not even blinked, flipped through the pages of the
little black book.

"It _was_ clever, John," he said serenely. "Very subtle. You heard me
coming, that night, rayed Conroy, ran outside. I entered, knelt at his
side. It was then, dying, that he told me of his daughter on earth. A
moment later you entered, caught me supposedly red-handed. Stephen,
on the stairs above, saw me kneeling beside Conroy, saw you enter.
Even so, I might have had a chance in court if I hadn't lost my head,
run away. Naturally you hushed the matter up, 'for the honor of the
family.' You didn't want an I.P. patrol investigating the crime. The
mine was in your control and you won Stephen over by not prosecuting
me. It might have been wiser if you had. However, I also believe in
the honor of the family. Clare and I have no wish to see you in the
lethal-ray chamber. We'll take a third of the palladium apiece," he
motioned toward the heap of gray ingots, "and leave you a third. Which
you don't deserve."

Eyes hollow pits, my uncle stared at the precious metal. The million he
had counted on, reduced by two thirds! His bony fingers clutched his
belt tightly.

"And if I refuse?" he said slowly.

"You'll be turned over to the authorities at Verlis for the murder of
my father!" Clare's voice was like a silken lash.

Then suddenly Uncle John threw back his head, laughing.

"You fools!" he said. "D'you think I'd come back here alone after my
beloved nephew so kindly warned me? There's plenty of room in my sled!"
He raised his voice, shouting, "Scott! Carr! Help! Quick!"

At once the front door of the administration building burst open and
half a dozen space-rats, denizens of the slums of Verlis, swarmed into
the room, flame guns in hand. Vaguely I heard Clare scream and I dove
to snatch up the gun she let drop. As I whirled to face the intruders,
a bolt of blue flame leaped out, knocking the gun from my hand. Taon
crouched to spring, his huge muscles standing out in ridges, but my
father's quiet voice halted him.

"No good, Taon," he said quietly. "They'd only blast you to bits. I
must, I think, be getting old. I should have realized he'd have men
with him. Well, John," he turned to my uncle, "you win this round. Just
what do you propose to do?"

"Your ship is outside," Uncle John said with an unctuous smile. "And
these men of mine can handle her. I'm taking this palladium back to
earth with me!"

"And us?" my father asked quietly.

"So far as Ceres knows, you will have left aboard the yacht with me. So
far as Terra will know, you four contracted space-fever and were buried
in the void. All heirs, claimants, to the palladium gone, leaving me
sole owner. As for this diary" ... he tossed the book onto the floor,
blasted it to ashes with a beam from his flame-gun. "And now," he went
on calmly, "my men will take the four of you outside, dispose of you.
Buried under a few feet of ice, your bodies will certainly never be
found."

       *       *       *       *       *

Clare's hand fluttered to her throat. I stood there stupidly, gaping.
My whole life seemed to be whirling like a pin-wheel. This cold killer,
my Uncle John! My Uncle John whom I had trusted, who had been a father
to me these eleven years! I felt that I should say something, do
something heroic, but I could only stare. The six space-rats, their
guns ready.... Clare's pallid face ... Taon, standing there like a
colossal robot. All at once my father's voice broke the brittle silence.

"Come, come, John!" he said dryly. "You're being melodramatic now. Such
slaughter is useless."

I watched him as he spoke. He was standing near the safe, hands behind
his back, outwardly very calm, but I could see his eyes darting about
the room in search of some means of escape. Uncle John must have
noticed his eyes, too, for he waved the men forward.

"No chance for any of your tricks, Vance," he said harshly. "You four
stand in my way and you're going to be removed! Take them out!"

Still stunned, I stumbled from the room between two of the space-rats.
One of them, a half-breed with Venusian blood predominant, walked
behind Clare, gun in hand. Despite her pallor she kept her chin high.
Taon was stolid, emotionless as always, while my father was jaunty,
careless, as though merely going for a stroll. As we passed through
the door, I glanced back. Uncle John was busy picking up the ingots of
palladium; he seemed to have forgotten us already. His eyes were bright
with avarice, triumph, and he seemed to caress each bar of the precious
stuff as he touched it. The sight filled me with sudden rage.

"You're mad!" I cried. "Mad! You can't hope to get away with this!"

He glanced up impatiently. "Hurry up with it!" he snapped, and slammed
the door behind us.

Like four automatons, we crossed the icy plain. Near a jagged pinnacle
of rock, on the edge of the landing field, the half-breed paused.

"As good a place as any," he grunted. "Line them up over there!"

They placed us with our backs to the rock, retreated several paces,
flame-guns ready. I shot a furious look at my father. Was he going
to see us all butchered by the energy blasts without so much as a
struggle? Better to go down fighting than this. And Clare ... so young,
lovely.... I was just flexing my muscles for a desperate leap when my
father spoke.

"Gentlemen," he said, "it would be to your credit to permit at least
one of us to die happy. Now it so happens that I am addicted to the use
of the Martian _eyla_. It is, I find, far superior to terrestial tobacco,
having a cheering effect not unlike benzedrine. If you would permit me
to enjoy one last smoke of it, I would find my transition to another
and, I hope, better world infinitely more pleasant."

The half-breed glanced questioningly at his companions, then at the
little administration building across the plain.

"Come," my father said pleasantly. "Surely you won't refuse a man's
last wish. It takes only eight minutes to smoke an _eyla_ tube. And at
the first sign of any trickery, you can shoot."

The half-breed shrugged. "Okay," he grunted.

With elaborate care my father drew one of the slim, greenish tubes from
his pocket, lit it.

Quickly the minutes slipped by. The half-breed stamped his feet against
the cold, glanced at the _eyla_. Only a tiny stump remained in my
father's fingers.

"All right," the Venusian growled. "Let's get this over with!"

"As you wish," my father said cheerfully. He took a last puff of the
tube, tossed it onto the ice, ground it out with his foot. One long
glance he shot toward the lights of the administration building,
shining through the gloom, then straightened up. "And now--" he
murmured.

Six flame-guns swung up to face us. Taon, betraying his first signs of
emotion, gazed anxiously at my father. The latter's face was tense,
anxious. In another moment....

       *       *       *       *       *

And then it happened. A blasting, thundering roar echoed across the
plain! Dazed, I saw the windows of the administration building give
forth a blinding flash, lighting up the ice like a magnesium flare!
A sound of shattering glass, of splintering plastic reached us. The
administration building was being wrecked systematically by a mystic,
unknown force!

With the explosion, the space-rats whirled toward it, instinctively.
At the same instant my father plunged forward, Taon at his heels. The
huge Jovian seized two of the men, crashed their heads together with
a sickening crack. Limp, they fell to the ground, and Taon passed on.
While the giant was thus disposing of two of our adversaries, my father
had leaped upon another, borne him to the ground in a wild tangle of
arms and legs.

All this in a split second, before I could collect my wits. The three
remaining space-rats leaped back, gripping their guns. A flash of blue
flame leaped out, scorching Taon's shoulder, but before the man could
fire again the Jovian's huge fist had stretched him upon the ice.
Moving forward, I saw the Venusian half-breed aim at my father who
was still struggling with his first opponent. With all the force at
my command I hurtled forward, deflecting his arm so that the dazzling
blue bolt of flame tore up the ice, harmlessly. As I struggled with the
man I saw Taon pick up his third opponent, hurl the inert form at the
remaining space-rat, sending him to the ground. Then my father arose
from the unconscious figure of his antagonist, dug a flame-gun into the
half-breed's ribs. At once his struggles ceased; he raised his hands
submissively over his head.

"Thanks, Stephen," my father drawled. "I shouldn't be here if you
hadn't deflected his aim. How badly are you hurt, Taon?"

"Little burn," the Jovian rumbled. "No hurt much." He grinned as Clare
ran toward us. "No die now, missy."

"Chin up," my father said, patting her shoulder. "It's all right now,
child. Let's go back to the house."

As soon as our prisoners were disarmed and bound, we returned to the
administration building. It was wrecked by the explosion. Doors and
windows blown out, walls blackened. Inside, it was even worse. Chairs,
desks, splintered, the floor littered with débris--and Uncle John, a
charred and terrible figure, sprawled before the safe, one hand still
clutching an ingot of palladium.

"What ... what was it?" I whispered. "What caused the explosion?"

"Hydrogen," my father said gravely. "As I stood there with my hands
behind my back, I opened the hydrogen valve of that oxy-hydrogen blow
torch. We'd used a good bit of it to blast open the safe, but there was
still plenty, under that pressure, to fill the room, unite with the
oxygen already present. A gas explosion, and a powerful one."

"But," I demanded, "what caused the gases to unite? What ignited them?"

"And you've been working at these mines all these years?" he cried.
"Don't you know that certain metals like platinum, or palladium, act as
a catalyst? The gases are absorbed on their surface, unite. And when
hydrogen and oxygen unite...." He stooped, picked up one of the gray
ingots. "Here's what ignited that mixture! I knew I had only to stall
until enough hydrogen had entered the room to create an explosion."
He shrugged. "I suppose the play's ended. Now that John's gone, the
metal will only be divided two ways. Half to Clare, as her father's
only heir, and half to me. I'll turn my share over to you, Stephen, as
recompense for any unpleasantness I may have caused you in the past.
Your late uncle's rocket-sled is still outside. I'll have Taon load
half the palladium aboard it and you can go to Verlis, set up as a
wealthy young gentleman of leisure." He smiled, sardonically.

I stared at him. From that smiling mask his eyes were fastened upon me.

"And you, sir?" I asked.

"Me?" he seemed surprised. "I'll be taking Clare and her little fortune
back to Terra. After that" ... he shrugged again. "It'd be of no
interest to you, I'm sure. Taon, take half of these ingots and put them
aboard the rocket-sled outside."

"No!" I heard myself saying in a queer choked voice. "No! I ... I'm
coming with you and Clare. If you'll have me ... Dad."

For the third time that night my father's bitter mocking mask fell from
him ... and this time for good.

"Steve!" he murmured, putting an arm about my shoulders. "Steve!"

Taon, busy picking up the gray ingots, paused, his gaze shifting from
Clare to Dad to myself.

"Good!" he grinned. "Dam' good! All one family soon now! Very dam'
good!"





End of the Project Gutenberg EBook of Star Pirate, by Frederick A. Kummer

*** END OF THIS PROJECT GUTENBERG EBOOK STAR PIRATE ***

***** This file should be named 61781-8.txt or 61781-8.zip *****
This and all associated files of various formats will be found in:
        http://www.gutenberg.org/6/1/7/8/61781/

Produced by Greg Weeks, Mary Meehan and the Online
Distributed Proofreading Team at http://www.pgdp.net


Updated editions will replace the previous one--the old editions will
be renamed.

Creating the works from print editions not protected by U.S. copyright
law means that no one owns a United States copyright in these works,
so the Foundation (and you!) can copy and distribute it in the United
States without permission and without paying copyright
royalties. Special rules, set forth in the General Terms of Use part
of this license, apply to copying and distributing Project
Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
concept and trademark. Project Gutenberg is a registered trademark,
and may not be used if you charge for the eBooks, unless you receive
specific permission. If you do not charge anything for copies of this
eBook, complying with the rules is very easy. You may use this eBook
for nearly any purpose such as creation of derivative works, reports,
performances and research. They may be modified and printed and given
away--you may do practically ANYTHING in the United States with eBooks
not protected by U.S. copyright law. Redistribution is subject to the
trademark license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full
Project Gutenberg-tm License available with this file or online at
www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project
Gutenberg-tm electronic works

1.A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg-tm electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg-tm electronic work and you do not agree to be bound
by the terms of this agreement, you may obtain a refund from the
person or entity to whom you paid the fee as set forth in paragraph
1.E.8.

1.B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this
agreement and help preserve free future access to Project Gutenberg-tm
electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation ("the
Foundation" or PGLAF), owns a compilation copyright in the collection
of Project Gutenberg-tm electronic works. Nearly all the individual
works in the collection are in the public domain in the United
States. If an individual work is unprotected by copyright law in the
United States and you are located in the United States, we do not
claim a right to prevent you from copying, distributing, performing,
displaying or creating derivative works based on the work as long as
all references to Project Gutenberg are removed. Of course, we hope
that you will support the Project Gutenberg-tm mission of promoting
free access to electronic works by freely sharing Project Gutenberg-tm
works in compliance with the terms of this agreement for keeping the
Project Gutenberg-tm name associated with the work. You can easily
comply with the terms of this agreement by keeping this work in the
same format with its attached full Project Gutenberg-tm License when
you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are
in a constant state of change. If you are outside the United States,
check the laws of your country in addition to the terms of this
agreement before downloading, copying, displaying, performing,
distributing or creating derivative works based on this work or any
other Project Gutenberg-tm work. The Foundation makes no
representations concerning the copyright status of any work in any
country outside the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other
immediate access to, the full Project Gutenberg-tm License must appear
prominently whenever any copy of a Project Gutenberg-tm work (any work
on which the phrase "Project Gutenberg" appears, or with which the
phrase "Project Gutenberg" is associated) is accessed, displayed,
performed, viewed, copied or distributed:

  This eBook is for the use of anyone anywhere in the United States and
  most other parts of the world at no cost and with almost no
  restrictions whatsoever. You may copy it, give it away or re-use it
  under the terms of the Project Gutenberg License included with this
  eBook or online at www.gutenberg.org. If you are not located in the
  United States, you'll have to check the laws of the country where you
  are located before using this ebook.

1.E.2. If an individual Project Gutenberg-tm electronic work is
derived from texts not protected by U.S. copyright law (does not
contain a notice indicating that it is posted with permission of the
copyright holder), the work can be copied and distributed to anyone in
the United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase "Project
Gutenberg" associated with or appearing on the work, you must comply
either with the requirements of paragraphs 1.E.1 through 1.E.7 or
obtain permission for the use of the work and the Project Gutenberg-tm
trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any
additional terms imposed by the copyright holder. Additional terms
will be linked to the Project Gutenberg-tm License for all works
posted with the permission of the copyright holder found at the
beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including
any word processing or hypertext form. However, if you provide access
to or distribute copies of a Project Gutenberg-tm work in a format
other than "Plain Vanilla ASCII" or other format used in the official
version posted on the official Project Gutenberg-tm web site
(www.gutenberg.org), you must, at no additional cost, fee or expense
to the user, provide a copy, a means of exporting a copy, or a means
of obtaining a copy upon request, of the work in its original "Plain
Vanilla ASCII" or other form. Any alternate format must include the
full Project Gutenberg-tm License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works
provided that

* You pay a royalty fee of 20% of the gross profits you derive from
  the use of Project Gutenberg-tm works calculated using the method
  you already use to calculate your applicable taxes. The fee is owed
  to the owner of the Project Gutenberg-tm trademark, but he has
  agreed to donate royalties under this paragraph to the Project
  Gutenberg Literary Archive Foundation. Royalty payments must be paid
  within 60 days following each date on which you prepare (or are
  legally required to prepare) your periodic tax returns. Royalty
  payments should be clearly marked as such and sent to the Project
  Gutenberg Literary Archive Foundation at the address specified in
  Section 4, "Information about donations to the Project Gutenberg
  Literary Archive Foundation."

* You provide a full refund of any money paid by a user who notifies
  you in writing (or by e-mail) within 30 days of receipt that s/he
  does not agree to the terms of the full Project Gutenberg-tm
  License. You must require such a user to return or destroy all
  copies of the works possessed in a physical medium and discontinue
  all use of and all access to other copies of Project Gutenberg-tm
  works.

* You provide, in accordance with paragraph 1.F.3, a full refund of
  any money paid for a work or a replacement copy, if a defect in the
  electronic work is discovered and reported to you within 90 days of
  receipt of the work.

* You comply with all other terms of this agreement for free
  distribution of Project Gutenberg-tm works.

1.E.9. If you wish to charge a fee or distribute a Project
Gutenberg-tm electronic work or group of works on different terms than
are set forth in this agreement, you must obtain permission in writing
from both the Project Gutenberg Literary Archive Foundation and The
Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
works not protected by U.S. copyright law in creating the Project
Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
electronic works, and the medium on which they may be stored, may
contain "Defects," such as, but not limited to, incomplete, inaccurate
or corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged disk or
other medium, a computer virus, or computer codes that damage or
cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium
with your written explanation. The person or entity that provided you
with the defective work may elect to provide a replacement copy in
lieu of a refund. If you received the work electronically, the person
or entity providing it to you may choose to give you a second
opportunity to receive the work electronically in lieu of a refund. If
the second copy is also defective, you may demand a refund in writing
without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of
damages. If any disclaimer or limitation set forth in this agreement
violates the law of the state applicable to this agreement, the
agreement shall be interpreted to make the maximum disclaimer or
limitation permitted by the applicable state law. The invalidity or
unenforceability of any provision of this agreement shall not void the
remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in
accordance with this agreement, and any volunteers associated with the
production, promotion and distribution of Project Gutenberg-tm
electronic works, harmless from all liability, costs and expenses,
including legal fees, that arise directly or indirectly from any of
the following which you do or cause to occur: (a) distribution of this
or any Project Gutenberg-tm work, (b) alteration, modification, or
additions or deletions to any Project Gutenberg-tm work, and (c) any
Defect you cause.

Section 2. Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new computers. It
exists because of the efforts of hundreds of volunteers and donations
from people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future
generations. To learn more about the Project Gutenberg Literary
Archive Foundation and how your efforts and donations can help, see
Sections 3 and 4 and the Foundation information page at
www.gutenberg.org Section 3. Information about the Project Gutenberg
Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation's EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg Literary
Archive Foundation are tax deductible to the full extent permitted by
U.S. federal laws and your state's laws.

The Foundation's principal office is in Fairbanks, Alaska, with the
mailing address: PO Box 750175, Fairbanks, AK 99775, but its
volunteers and employees are scattered throughout numerous
locations. Its business office is located at 809 North 1500 West, Salt
Lake City, UT 84116, (801) 596-1887. Email contact links and up to
date contact information can be found at the Foundation's web site and
official page at www.gutenberg.org/contact

For additional contact information:

    Dr. Gregory B. Newby
    Chief Executive and Director
    [email protected]

Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To SEND
DONATIONS or determine the status of compliance for any particular
state visit www.gutenberg.org/donate

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations. To
donate, please visit: www.gutenberg.org/donate

Section 5. General Information About Project Gutenberg-tm electronic works.

Professor Michael S. Hart was the originator of the Project
Gutenberg-tm concept of a library of electronic works that could be
freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg-tm eBooks with only a loose network of
volunteer support.

Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as not protected by copyright in
the U.S. unless a copyright notice is included. Thus, we do not
necessarily keep eBooks in compliance with any particular paper
edition.

Most people start at our Web site which has the main PG search
facility: www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.