The Project Gutenberg EBook of Round-about Rambles in Lands of Fact and
Fancy, by Frank Richard Stockton
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Title: Round-about Rambles in Lands of Fact and Fancy
Author: Frank Richard Stockton
Release Date: January 23, 2006 [EBook #17582]
Language: English
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ROUND-ABOUT RAMBLES
In Lands of
FACT AND FANCY
BY
FRANK R STOCKTON
_NEW EDITION_
NEW YORK
CHARLES SCRIBNER'S SONS
1910
Entered according to Act of Congress, in the year 1872,
BY SCRIBNER. ARMSTRONG & CO.,
In the Office of the Librarian of Congress, at Washington.
CONTENTS
WINTER IN THE WOODS
TRICKS OF LIGHT
SAVING THE TOLL
THE REAL KING OF BEASTS
THE FRENCH SOLDIER-BOY
A LIVELY WAY TO RING A BELL
DOWN IN THE EARTH
THE LION
BOB'S HIDING-PLACE
THE CONTINENTAL SOLDIER
A JUDGE OF MUSIC
THE SENSITIVE PLANT
SIR MARMADUKE
THE GIRAFFE
UP IN THE AIR
THE ARABIAN HORSE
INDIAN-PUDDINGS: PUMPKIN-PIES
LIVING IN SMOKE
THE CANNON OF THE PALAIS-ROYAL
WATERS, DEEP AND SHALLOW
HANS THE HERB-GATHERER
SOME CUNNING INSECTS
A FIRST SIGHT OF THE SEA
THE LARGEST CHURCH IN THE WORLD
THE SOFT PLACE
A FEW FEATHERED FRIENDS
IN A WELL
A VEGETABLE GAS MANUFACTORY
ABOUT BEARS
AN OLD COUNTRY-HOUSE
FAR-AWAY FORESTS
BUILDING SHIPS
THE ORANG-OUTANG
LITTLE BRIDGET'S BATH
SOME NOVEL FISHING
EAGLES AND LITTLE GIRLS
CLIMBING MOUNTAINS
ANDREW'S PLAN
THE WILD ASS
ANCIENT RIDING
BEAUTIFUL BUGS
A BATTLE ON STILTS
DRAWING THE LONG BOW
AN ANCIENT THEATRE
BIRD CHAT
MUMMIES
TAME SNAKES
GYMNASTICS
BUYING "THE MIRROR"
BIG GAME
THE BOOTBLACK'S DOG
GOING AFTER THE COWS
THE REFLECTIVE STAG
WHEN WE MUST NOT BELIEVE OUR EYES
A CITY UNDER THE GROUND
THE COACHMAN
GEYSERS, AND HOW THEY WORK
A GIANT PUFF-BALL
TICKLED BY A STRAW
THE LIGHT IN THE CASTLE
THE OAK TREE
THE SEA-SIDE
THE SICK PIKE
TWO KINDS OF BLOSSOMS
ABOUT GLASS
CARL
SCHOOL'S OUT
NEST-BUILDERS
THE BOOMERANG
LIST OF ILLUSTRATIONS
_Frontispiece._
The Woodcutter
The Minstrel on the Wall
Tricks in a Church
The Dance of Demons
Nostradamus
The Lion's Head
The Theatrical Ghost
The Toll-bridge
A Royal Procession
An Elephant after Him
The Dog's Protector
An Elephant Nurse
Saving the Artillery-man
The Gallant Elephant
The French Soldier-Boy
On a Bell
Fishes found in the Mammoth Cave
The Bottomless Pit
The Lion's Home
The Uncaged Lion
A Lion's Dinner
A Terrible Companion
Off to the Kitchen
Blind Man's Buff
The Story-Teller
In the Cellar
Handing round the Apples
The Drummer of 1776
The Continental Soldier
The Donkey in the Parlor
Sir Marmaduke
The Giraffe
Above the Clouds
The Flying Man
The Parachute--shut
The Parachute--open
Le Flesseles
Bagnolet's Balloon
Coming down Roughly
A Balloon with Sails and Rudders
The Minerva
Safe Ballooning
Driven out to Sea
The Arabian Horse
In the Cornfield
A Big Mosquito
Exactly Noon
The Spring
The Brook
The Mill
The Cascade
The Great River
Falls of Gavarni
The Falls of Zambesi
Niagara
Fishing with a Net
Fishing with a Spear
Sponge-Fishing
A Pearl Oyster
Divers
Rough Water
The Iceberg
The Storm
The Shipwreck
Water-Spouts
A Bit of Cable
Hans, the Herb-Gatherer
Patsey
A Spider at Home
The Ant's Arch
The Cock-chafer's Wing
The Spider's Bridge
The Moth and the Bees
Learned Fleas
The Pacific
St. Peter's at Rome
Interior of St. Peter's
The Five Young Deer
Waking Up
Familiar Friends
The Pigeon
The Dove
The Swan
The Goose that Led
The Goose that Followed
The Sensible Duck
The Goldfinch
The Magpie
The Owl
Morning Singers
In a Well
The Fraxinella
A Company of Bears
The Black Bear
The Grizzly Bear
The White Bear
The Tame Bear
An old Country-House
Ancient Builders
The Pine Forest
Tree Ferns
Tropical Forest
The Giant Trees
The Great Eastern
The Orang-Outang
Bridget and the Fairies
Flat-Fish
Turbots
The Sea-Horse
The Cuttle-Fish
The Polypier
Tunnies
The Sword-Fish
The Shark
The Child and the Eagle
Climbing the Mountain
Andrew and Jenny
Wild Asses
The Palanquin
The Chariot
Transformation of Beetles
A Battle on Stilts
Drawing the Long Bow
The Colosseum
The Cormorants
The Bittern
The Pelican
The Hoopoe
The Falcon
The Mummy
The Stand
The Coffin
The Outside Coffin
The Sarcophagus
The Tame Snake
The Novel Team
Youngsters Fighting
Throwing the Hammer
Throwing the Stone
Thomas Topham
Venetian Acrobats
The Tight-Rope
The See-Saw
The Wild Boar
The Musk-Ox and the Sailor
Hunting the Brown Bear
A Brave Hippopotamus
A Rhinocerus Turning the Table
A Tiger-Hunt
A Fight with a Gorilla
The Boot-black's Dog
Going after the Cows
The Reflective Stag
The Mirage
Fata Morgana
The Spectre of the Brocken
A Narrow Street in Pompeii
A Cleared Street in Pompeii
The Atrium in the House of Pansa
Ornaments from Pompeii
A Pompeiian Bakery
The Amphitheatre of Pompeii
The Coachman
The Grand Geyser
The Artificial Geyser
A Giant Puff-ball
Tickled by a Straw
The Will-o'-the-Wisp
The Oak Tree
The Sea-Side
The Vessels on Shore
The Sick Pike
The Blossoms
Ice-Blossoms
Ice-Flowers
Ancient Bead
Venetian Bottle
German Drinking-Glass
Glass Jug
Making Bottles
Venetian Goblet
Modern Goblets
The Queen's Mirror
Bohemian Goblet
French Flagon
The Portland Vase
The Strange Lady
Carl and the Duke
The Dominie
Wrens' Nests
Orioles' Nest
Owl's Nests
Flamingoes' Nests
The little Grebe's Nest
The Ostrich-Nest
The Stork's Nest
A Fish's Nest
Throwing the Boomerang
The Way the Boomerang Goes
PREFACE
Come along, boys and girls! We are off on our rambles. But please do
not ask me where we are going. It would delay us very much if I should
postpone our start until I had drawn you a map of the route, with all
the stopping-places set down.
We have far to go, and a great many things to see, and it may be that
some of you will be very tired before we get through.
If so, I shall be sorry; but it will be a comfort to think that none
of us need go any farther than we choose.
There will be considerable variety in our rambles. We shall walk about
familiar places, and we shall explore streets and houses that have
been buried for centuries. We shall go down deep into the earth, and
we shall float in a balloon, high up into the air. We shall see many
beasts of the forest; some that are bloody and cruel, and others that
are gentle and wise. We will meet with birds, fishes, grand old
buildings, fleas, vast woods, bugs, mummies, snakes, tight-rope
dancers, gorillas, will-o'-the-wisps, beautiful blossoms, boomerangs,
oceans, birds' nests, and I cannot tell you what all besides. We will
also have some adventures, hear some stories, and have a peep at a
fairy or two before we are done.
I shall not, however, be able to go with you everywhere. When you are
enjoying a "Bird Chat;" "Buying the Mirror;" learning when "We must
not Believe our Eyes;" visiting "A City under the Ground;" hearing of
"The Coachman's" troubles; sitting under "The Oak-tree;" finding out
wonderful things "About Glass;" watching what happens when "School's
Out;" or following the fortunes of "Carl," your guide will be a lady,
and I think that you will all agree that she knows very well where she
ought to go, and how to get there. The rest of the time you will be
with me.
And now, having talked enough, suppose we start.
WINTER IN THE WOODS
[Illustration]
What can be more delightful, to a boy of spirit, than a day in the
woods when there has been a good snow! If he also happens to have a
good friend or two, and some good dogs (who are just as likely to be
friends as his boy-companions), he ought to be much happier than an
ordinary king. A forest is a fine place at any time, but when the
ground is well covered with snow--especially if there is a hard crust
upon it--the woods seem to possess a peculiar charm. You can go
anywhere then.
In the summer, the thick undergrowth, the intertwining vines, and the
heavy lower branches of the trees, make it difficult even to see into
the dark recesses of the forest. But in the winter all is open. The
low wet places, the deep holes, the rotten bogs, everything on the
ground that is in the way of a good run and a jump, is covered up. You
do not walk a hundred yards under the bare branches of the trees
before up starts a rabbit, or a hare, if you would rather call him by
his right name,--and away go the dogs, and away you go--all of you
tearing along at the top of your speed!
But poor Bunny has a small chance, when a hard snow is on the ground.
His hiding-places are all covered up, and before he knows it the dogs
have caught him, and your mother will have stewed rabbit for supper.
It seems a hard fate for the poor little fellow, but he was born
partly for that purpose.
When you have caught your rabbit, and come back to where the men are
cutting wood, you will be just as proud to tell the boy who is cutting
up the branches all about your splendid hunt, as if you had chased and
killed a stag.
"There's where we started him!" you will cry, "and away he scudded,
over there among the chestnuts, and Rover right at his heels, and when
we got down there to the creek, Rover turned heels-over-head on the
ice, he was going so fast; but I gave one slide right across, and just
up there, by the big walnut, the other two dogs got him!"
That boy is almost as much excited as you are, and he would drop his
axe in one minute, and be off with you on another chase, if his father
were not there.
And now you find that you have reached the wood-cutters exactly in
time, for that great tree is just about to come down.
There go the top-branches, moving slowly along through the tops of the
other trees, and now they move faster, and everything begins to crack;
and, with a rush and a clatter of breaking limbs, the great oak comes
crashing down; jarring the very earth beneath your feet, and making
the snow fly about like a sparkling cloud, while away run the dogs,
with their tails between their legs.
The tree is down now, and you will want to be home in time for dinner.
Farmer Brown's sled has just passed, and if you will cut across the
woods you can catch up with him, and have a ride home, and tell him
all about the rabbit-hunt, on the way.
If it is Saturday, and a holiday, you will be out again this
afternoon, with some of the other boys, perhaps, and have a grand
hunt.
Suppose it is snowing, what will you care? You will not mind the snow
any more than if it were a shower of blossoms from the apple-trees in
May.
TRICKS OF LIGHT.
[Illustration]
There is nothing more straightforward in its ways than light--when we
let it alone. But, like many of us, when it is introduced to the
inventions and contrivances of the civilized world, it often becomes
exceedingly fond of vagaries and extravagances.
Of all the companions of light which endeavor to induce it to forsake
its former simple habits, there is not one which has the influence
possessed by glass. When light and glass get together it is difficult
to divine what tricks they are going to perform. But some of these are
very interesting, if they are a little wild, and there are very few of
us who do not enjoy them.
[Illustration]
For instance, what a delight to any company, be it composed of young
folks or old, is a magic-lantern! The most beautiful and the most
absurd pictures may be made to appear upon the wall or screen. But
there is an instrument, called the phantasmagoria, which is really
nothing but an improved magic-lantern, which is capable of producing
much more striking effects. It is a much larger instrument than the
other, and when it is exhibited a screen is placed between it and the
spectators, so that they do not see how the pictures are produced. It
is mounted on castors, so that at times it can be brought nearer and
nearer to the screen, until the picture seems to enlarge and grow in a
wonderful manner. Then, when it is drawn back, the image diminishes
and recedes far into the distance. The lenses and other mechanism of
the phantasmagoria can also be moved in various directions, making the
action of the pictures still more wonderful. Sometimes, when the
instrument is exhibited in public, the screen is not used, but the
pictures are thrown upon a cloud of smoke, which is itself almost
invisible in the dim light of the room. In such a case the figures
seem as if they were floating in the air.
A man, named Robertson, once gave exhibitions in Paris, in an old
chapel, and at the close of his performances he generally caused a
great skeleton figure of Death to appear among the pillars and arches.
Many of the audience were often nearly scared to death by this
apparition. The more ignorant people of Paris who attended these
exhibitions, could not be persuaded, when they saw men, women, and
animals walking about in the air between the arches of the chapel,
that Robertson was not a magician, although he explained to them that
the images were nothing but the effect of a lantern and some glass
lenses. When these people could see that the figures were produced on
a volume of smoke, they were still more astonished and awed, for they
thought that the spirits arose from the fire which caused the smoke.
But Robertson had still other means of exhibiting the tricks of light.
Opposite is a picture of the "Dance of Demons."
This delusion is very simple indeed, and is produced by placing a
card-figure on a screen, and throwing shadows from this upon another
screen, by means of several lights, held by assistants. Thus each
light throws its own shadow, and if the candles are moved up and down,
and about, the shadows will dance, jump over each other, and do all
sorts of wonderful things. Robertson, and other public exhibitors, had
quite complicated arrangements of this kind, but they all acted on the
same principle. But all of those who exhibit to the public the freaks
of light are not as honest as Mr. Robertson. You may have heard of
Nostradamus, who also lived in Paris, but long before Robertson, and
who pretended to be a magician. Among other things, he asserted that
he could show people pictures of their future husbands or wives. Marie
de Medicis, a celebrated princess of the time, came to him on this
sensible errand, and he, being very anxious to please her, showed her,
in a looking-glass, the reflected image of Henry of Navarre, sitting
upon the throne of France. This, of course, astonished the princess
very much, but it need not astonish us, if we carefully examine the
picture of that conjuring scene.
[Illustration]
The mirror into which the lady was to look, was in a room adjoining
that in which Henry was sitting on the throne. It was placed at such
an angle that her face would not be reflected in it, but an aperture
in the wall allowed the figure of Henry to be reflected from a
looking-glass, hung near the ceiling, down upon the "magic" mirror.
So, of course, she saw his picture there, and believed entirely in the
old humbug, Nostradamus.
[Illustration]
But there are much simpler methods by which the vagaries of light may
be made amusing, and among the best of these are what are called
"Chinese shadows." These require a little ingenuity, but they are
certainly simple enough. They consist of nothing but a card or paper,
upon which the lights of the picture intended to be represented are
cut out. When this is held between a candle and a wall, a startling
shadow-image may be produced, which one would not imagine to have any
connection with the card, unless he had studied the manner in which
said card was cut. Here is a picture of a company amusing themselves
with these cards. No one would suppose that the card which the young
man is holding in his hand bore the least resemblance to a lion's
head, but there is no mistaking the shadow on the wall.
[Illustration]
The most wonderful public exhibitions of optical illusions have been
those in which a real ghost or spectre apparently moves across the
stage of a theatre. This has frequently been done in late years, both
in this country and Europe. The audiences were perfectly amazed to see
a spirit suddenly appear, walk about the stage, and act like a regular
ghost, who did not seem to be in the least disturbed when an actor
fired a pistol at him, or ran him through with a sword. The method of
producing this illusion is well shown in the accompanying picture. A
large plate of glass is placed in front of the stage so that the
audience does not perceive it. The edges of it must be concealed by
curtains, which are not shown in the picture. An actor, dressed as a
ghost, walks in front of the stage below its level, where he is not
seen by the audience, and a strong electric light being thrown upon
him, his reflected image appears to the spectator as if it were
walking about on the stage. When the light is put out of course the
spirit instantly vanishes.
[Illustration]
A very amusing account is given of a man who was hired to do some work
about a theatre. He had finished his work for the present, and wishing
to eat his supper, which he had brought with him, he chose a nice
quiet place under the stage, where he thought he would not be
disturbed. Not knowing that everything was prepared for the
appearance of a ghost, he sat down in front of the electric lamp, and
as soon as it was lighted the audience was amazed to see, sitting very
comfortably in the air above the stage, a man in his shirt-sleeves,
eating bread and cheese! Little did he think, when he heard the
audience roaring with laughter, that they were laughing at his ghost!
Light plays so many tricks with our eyes and senses that it is
possible to narrate but a few of them here. But those that I have
mentioned are enough to show us what a wild fellow he is, especially
where he and glass get frolicking together.
SAVING THE TOLL.
[Illustration]
When I was a youngster and lived in the country, there were three of
us boys who used to go very frequently to a small village about a mile
from our homes. To reach this village it was necessary to cross a
narrow river, and there was a toll-bridge for that purpose. The toll
for every foot-passenger who went over this bridge was one cent. Now,
this does not seem like a very high charge, but, at that time, we very
often thought that we would much rather keep our pennies to spend in
the village than to pay them to the old man who took toll on the
bridge. But it was often necessary for us to cross the river, and to
do so, and save our money at the same time, we used to adopt a very
hazardous expedient.
At a short distance below the toll-bridge there was a railroad-bridge,
which you cannot see in the picture. This bridge was not intended for
anything but railroad trains; it was very high above the water, it
was very long, and it was not floored. When any one stood on the
cross-ties which supported the rails, he could look right down into
the water far below him. For the convenience of the railroad-men and
others who sometimes were obliged to go on the bridge, there was a
single line of boards placed over the ties at one side of the track,
and there was a slight hand-rail put up at that side of the bridge.
To save our pennies we used to cross this bridge, and every time we
did so we risked our lives.
We were careful, however, not to go on the bridge at times when a
train might be expected to cross it, for when the cars passed us, we
had much rather be on solid ground. But one day, when we had forgotten
the hour; or a train was behind, or ahead of time; or an extra train
was on the road--we were crossing this railroad bridge, and had just
about reached the middle of it, when we heard the whistle of a
locomotive! Looking up quickly, we saw a train, not a quarter of a
mile away, which was coming towards us at full speed. We stood
paralyzed for a moment. We did not know what to do. In a minute, or
less, the train would be on the bridge and we had not, or thought we
had not, time to get off of it, whether we went forward or backward.
But we could not stand on that narrow path of boards while the train
was passing. The cars would almost touch us. What could we do? I
believe that if we had had time, we would have climbed down on the
trestle-work below the bridge, and so let the train pass over us. But
whatever could be done must be done instantly, and we could think of
nothing better than to get outside of the railing and hold on as well
as we could. In this position we would, at any rate, be far enough
from the cars to prevent them from touching us. So out we got, and
stood on the ends of the timbers, holding fast to the slender
hand-rail. And on came the train! When the locomotive first touched
the bridge we could feel the shock, and as it came rattling and
grinding over the rails towards us--coming right on to us, as it
seemed--our faces turned pale, you may well believe.
But the locomotive did not run off the track just at that exact spot
where we were standing--a catastrophe which, I believe, in the bottom
of our hearts, every one of us feared. It passed on, and the train
came thundering after it. How dreadfully close those cars did come to
us! How that bridge did shake and tremble in every timber; and how we
trembled for fear we should be shaken off into the river so far below
us! And what an enormously long train it was! I suppose that it took,
really, but a very short time to pass, but it seemed to us as if there
was no end to it at all, and as if it would never, never get entirely
over that bridge!
But it did cross at last, and went rumbling away into the distance.
Then we three, almost too much frightened to speak to each other,
crept under the rail and hurried over the bridge.
All that anxiety, that fright, that actual misery of mind, and
positive danger of body, to save one cent apiece!
But we never saved any more money in that way. When we crossed the
river after that, we went over the toll-bridge, and we paid our
pennies, like other sensible people.
Had it been positively necessary for us to have crossed that river,
and had there been no other way for us to do it but to go over the
railroad bridge, I think we might have been called brave boys, for the
bridge was very high above the water, and a timid person would have
been very likely to have been frightened when he looked down at his
feet, and saw how easy it would be for him to make a misstep and go
tumbling down between the timbers.
But, as there was no necessity or sufficient reason for our risking
our lives in that manner, we were nothing more or less than three
little fools!
It would be well if all boys or girls, to whom a hazardous feat
presents itself, would ask themselves the question: "Would it be a
brave thing for me to do that, or would I be merely proving myself a
simpleton?"
THE REAL KING OF BEASTS.
[Illustration: A ROYAL PROCESSION.]
For many centuries there has been a usurper on the throne of the
Beasts. That creature is the Lion.
But those who take an interest in the animal kingdom (and I am very
sorry for those who do not) should force the Lion to take off the
crown, put down the sceptre, and surrender the throne to the real King
of Beasts--the Elephant.
There is every reason why this high honor should be accorded to the
Elephant. In the first place, he is physically superior to the Lion.
An Elephant attacked by a Lion could dash his antagonist to the ground
with his trunk, run him through with his tusks, and trample him to
death under his feet. The claws and teeth of the Lion would make no
impression of any consequence on the Elephant's thick skin and massive
muscles. If the Elephant was to decide his claim to the throne by dint
of fighting for it, the Lion would find himself an ex-king in a very
short time. But the Elephant is too peaceful to assert his right in
this way--and, what is more, he does not suppose that any one could
even imagine a Lion to be his superior. He never had such an idea
himself.
But besides his strength of body, the Elephant is superior in
intelligence to all animals, except the dog and man. He is said by
naturalists to have a very fine brain, considering that he is only a
beast. His instinct seems to rise on some occasions almost to the
level of our practical reasoning, and the stories which are told of
his smartness are very many indeed.
But no one can assert that the Lion has any particular intelligence.
To be sure, there have been stories told of his generosity, but they
are not many, and they are all very old. The Elephant proves his
pre-eminence as a thinking beast every day. We see him very
frequently in menageries, and we can judge of what he is capable. We
see the Lion also, and we very soon find out what he can do. He can
lie still and look grave and majestic; he can jump about in his cage,
if he has been trained; and he can eat! He is certainly great in that
respect.
We all know a great deal about the Elephant, how he is caught and
tamed, and made the servant and sometimes the friend of man. This,
however, seldom happens but in India. In Africa they do not often tame
Elephants, as they hunt them generally for the sake of their ivory,
and the poor beasts are killed by hundreds and hundreds so that we may
have billiard-balls, knife-handles, and fine-tooth combs.
Rut whether the Elephant is wanted as a beast of burden, or it is only
his great tusks that are desired, it is no joke to hunt him. He will
not attack a man without provocation (except in very rare cases); when
he does get in a passion it is time for the hunter to look out for his
precious skin. If the man is armed with a gun, he must take the best
of aim, and his bullets must be like young cannon-balls, for the
Elephant's head is hard and his skin is tough. If the hunter is on a
horse, he need not suppose that he can escape by merely putting his
steed to its best speed. The Elephant is big and awkward-looking, but
he gets over the ground in a very rapid manner.
Here is an illustration of an incident in which a boy found out, in
great sorrow and trepidation, how fast an Elephant can run.
This boy was one of the attendants of the Duke of Edinburgh, one of
Queen Victoria's sons, who was hunting Elephants in Africa. The
Elephants which the party were after on that particular day had got
out of the sight of the hunters, and this boy, being mounted on a
horse, went to look them up. It was not long before he found them,
and he also found much more than he had bargained for. He found that
one of the big fellows was very much inclined to hunt _him_ and he
came riding out of the forest as hard as he could go, with a great
Elephant full tilt after him. Fortunately for the boy, the Duke was
ready with his gun, and when the Elephant came dashing up he put two
balls into his head. The great beast dropped mortally wounded, and the
boy was saved. I don't believe that he was so curious about the
whereabouts of Elephants after that.
[Illustration]
When the Elephant is desired as a servant, he is captured in various
ways. Sometimes he is driven into great pens; sometimes he tumbles
into pitfalls, and sometimes tame Elephants coax him into traps, and
fondle and amuse him while their masters tie up his legs with strong
ropes. The pitfalls are not favorite methods of capturing Elephants.
Besides the injury that may be done to the animal, other beasts may
fall into and disturb the trap, and even men may find themselves at
the bottom of a great deep hole when they least expect it, for the top
is very carefully covered over with sticks and leaves, so as to look
as much as possible like the surrounding ground. Du Chaillu, who was a
great hunter in Africa, once fell down one of these pits, and it was a
long time before he could make anybody hear him and come and help him
out. If an Elephant had happened to put his foot on the covering of
that hole while Du Chaillu was down there, the hunter would have found
himself very much crowded.
When the Elephant is caught, he is soon tamed and trained, and then he
goes to work to make himself useful, if there is anything for him to
do. And it is when he becomes the servant and companion of man that we
have an opportunity of seeing what a smart fellow he is.
It is sometimes hard to believe all that we hear of the Elephant's
cleverness and sagacity, but we know that most of the stories we hear
about him are true.
For instance, an Elephant which was on exhibition in this country had
a fast and true friend, a little dog. One day, when these animals were
temporarily residing in a barn, while on their march from one town to
another, the Elephant heard some men teasing the dog, just outside of
the barn. The rough fellows made the poor little dog howl and yelp, as
they persecuted him by all sorts of mean tricks and ill usage. When
the Elephant heard the cries of his friend he became very much
worried, and when at last he comprehended that the dog was being
badly treated, he lifted up his trunk and just smashed a great hole in
the side of the barn, making the stones and boards fly before him.
[Illustration]
When the men saw this great head sticking out through the side of the
barn, and that great long trunk brandishing itself above their heads,
they thought it was time to leave that little dog alone.
Here, again, is an Elephant story which is almost as tough as the
animal's hide, but we have no right to disbelieve it, for it is told
by very respectable writers. During the war between the East Indian
natives and the English, in 1858, there was an Elephant named Kudabar
Moll the Second,--his mother having been a noted Elephant named
Kudabar Moll. This animal belonged to the British army, and his duty
was to carry a cannon on his back. In this way he became very familiar
with artillery. During a battle, when his cannon was posted on a
battery, and was blazing away at the enemy, the good Kudabar was
standing, according to custom, a few paces in the rear of the gunners.
But the fire became very hot on that battery, and very soon most of
the gunners were shot down, so that there was no one to pass the
cartridges from the ammunition wagon to the artillery-men. Perceiving
this, Kudabar, without being ordered, took the cartridges from the
wagon, and passed them, one by one, to the gunner. Very soon, however,
there were only three men left, and these, just as they had loaded
their cannon for another volley, fell killed or wounded, almost at the
same moment. One of them, who held a lighted match in his hand, called
as he fell to the Elephant and handed him the match. The intelligent
Kudabar took the match in his trunk, stepped up to the cannon, and
fired it off!
He was then about to apply the match to others, when re-enforcements
came up, and his services as an artillery-man were no longer required.
I cannot help thinking, that if that Elephant had been furnished with
a pen and ink, he might possibly have written a very good account of
the battle.
But few stories are quite as wonderful as that one. We have no
difficulty at all in believing the account of the Elephant who took
care of a little child. He did not wear a cap and apron, as the artist
has shown in the picture, but he certainly was a very kind and
attentive nurse. When the child fell down, the Elephant would put his
trunk gently around it, and pick it up. When it got tangled among
thorns or vines, the great nurse would disengage it as carefully as
any one could have done it; and when it wandered too far, the Elephant
would bring it back and make it play within proper limits. I do not
know what would have been the consequence if this child had behaved
badly, and the Elephant had thought fit to give it a box on the ear.
But nothing of the kind ever happened, and the child was a great deal
safer than it would have been with many ordinary nurses.
[Illustration]
There are so many stories told about the Elephant that I can allude to
but few, even if I did not believe that you were familiar with a great
many of them.
One of the most humane and thoughtful Elephants of whom I have ever
heard was one which was attached, like our friend Kudabar, to an
artillery train in India. He was walking, on a march, behind a wagon,
when he perceived a soldier slip down in the road and fall exactly
where, in another instant, the hind-wheel of the wagon would pass over
him. Without being ordered, the Elephant seized the wheel with his
trunk, lifted it--wagon and all--in the air, and held it up until it
had passed over the fallen soldier!
Neither you nor I could have done better than that, even if we had
been strong enough.
[Illustration]
A very pretty story is told of an Indian Elephant who was very
gallant. His master, a young Burman lord, had recently been married,
and, shortly after the wedding, he and his bride, with many of their
guests and followers, were gathered together in the veranda, on the
outside of his house. The Elephant, who was a great favorite with the
young lord, happened to be conducted past the house as the company
were thus enjoying themselves. Feeling, no doubt, that it was right to
be as polite as possible on this occasion, he put his trunk over a
bamboo-fence which enclosed a garden, and selecting the biggest and
brightest flower he could see, he approached the veranda, and rearing
himself upon his hind-legs, he stretched out his trunk, with the
flower held delicately in the little finger at its end, towards the
company. One of the women reached out her hand for it, but the
Elephant would not give it to her. Then his master wished to take it,
but the Elephant would not let him have it. But when the newly-made
bride came forward the Elephant presented it to her with all the grace
of which he was capable!
[Illustration]
Now, do you not think that an animal which is larger and more powerful
than any beast which walks the earth, and is, at the same time, gentle
enough to nurse a child, humane enough to protect a dog or a man, and
sensible enough to be polite to a newly-married lady, is deserving of
the title of the King of Beasts?
THE FRENCH SOLDIER-BOY
[Illustration]
Anxiously the General-in-chief of the French Army stood upon a little
mound overlooking the battle-field. The cannon were thundering, the
musketry was rattling, and clouds of smoke obscured the field and the
contending armies.
"Ah!" thought he, "if that town over yonder is not taken; if my brave
captains fall, and my brave soldiers falter at that stone wall; and if
our flag shall not soon wave over those ramparts, France may yet be
humbled."
Is it, then, a wonder, feeling that so much depended on the result of
this battle, that his eyes strove so earnestly to pierce the heavy
clouds of smoke that overhung the scene?
But while he stood, there came towards him, galloping madly out of the
battle, a solitary rider.
In a few minutes he had reached the General, and thrown himself from
his saddle.
It was a mere boy--one of the very youngest of soldiers!
"Sire!" he cried, "we've taken the town! Our men are in the
market-place, and you can ride there now! And see!--upon the
walls--our flag!"
The eyes of the General flashed with joy and triumph. Here was
glorious news!
As he turned to the boy to thank him for the more than welcome tidings
that he brought, he noticed that the lad was pale and trembling, and
that as he stood holding by the mane of his horse, his left hand was
pressed upon his chest, and the blood was slowly trickling between his
fingers.
"My boy!" said he, tenderly, as he fixed his eyes upon the stripling,
"you're wounded!"
"No, sire!" cried the boy, his pale face flushing as his General thus
addressed him, and the shouts of victory filled his ears, "I am not
wounded; I am killed!" And down at his General's feet he fell and
died.
There have been brave men upon the battle-field ever since the world
began, but there never was a truer soldier's heart than that which
kept this boy alive until he had borne to his General the glorious
news of the battle won.
A LIVELY WAY TO RING A BELL.
[Illustration]
Here are two young men who look very much as if they were trying to
break their necks; but in reality they have no such desire.
They are simply ringing that great bell, and riding backward and
forward on it as it swings through the air.
These young fellows are Spaniards, and in many churches in their
country it is considered a fine thing to go up into the belfry of a
church or cathedral, and, when the regular bell-ringers are tired, to
jump on the great bells and swing away as hard as they can make them
go. No matter about any particular peal or style of ringing.
The faster and the more furiously they swing, the jollier the ride,
and the greater the racket. Sometimes in a cathedral there are twenty
bells, all going at once, with a couple of mad chaps riding on each
one of them. It is, doubtless, a very pleasant amusement, after one
gets used to it, but it is a wonder that some of those young men are
not shot off into the air, when the great bell gets to swinging as
fast and as far as it can go.
But although they hold on as tightly as if they were riding a wild
young colt, they are simply foolhardy. No man or boy has a right to
risk his life and limbs in such reckless feats.
There is no probability, however, of the sport ever being introduced
into this country.
Even if there were no danger in it, such a clatter and banging as is
heard in a Spanish belfry, when the young men are swinging on the
bells, would never be allowed in our churches. The Spaniards may like
such a noise and hubbub, but they like a great many things which would
not suit us.
DOWN IN THE EARTH.
[Illustration]
Let us take a little trip down under the surface of the earth. There
will be something unusual about such an excursion. Of course, as we
are not going to dig our way, we will have to find a convenient hole
somewhere, and the best hole for the purpose which I know of is in
Edmondson County, Kentucky.
So let us go there.
When we reach this hole we find that it is not a very large one, but
still quite high and wide enough for us to enter. But, before we go in
to that dark place, we will get some one to carry a light and guide
us; for this underground country which we are going to explore is very
extensive, very dark, and, in some places, very dangerous.
Here is a black man who will go with us. He has a lantern, and he says
he knows every nook and corner of the place. So we engage him, get
some lanterns for ourselves, and in we go. We commence to go downwards
very soon after we have passed from the outer air and sunshine, but it
is not long before we stand upon a level surface, where we can see
nothing of the outside world. If our lanterns went out, we should be
in pitchy darkness.
Now we are in the Mammoth Cave of Kentucky!
This vast cavern, which stretches so many miles beneath the surface of
the earth, has never been fully explored; but we are going over as
much of it as our guide is accustomed to show to visitors, and if our
legs are not tired before we get back I shall be very much surprised,
for the trip will take us all day. The floor on which we are now
standing is smooth and level, and runs back into the interior of the
cave fully a thousand yards. This place they call the "Audubon
Gallery"--after our famous naturalist who made birds the study of his
life. His works are published in enormous volumes, costing about one
hundred and fifty dollars apiece. Perhaps your father will get you
one.
We pass quickly through this gallery, where there is not much to see,
although, to be sure, they used to manufacture saltpetre here. Think
of that! A manufactory in the bowels of the earth! Then we enter a
large, roundish room called the "Rotunda," and from this there are a
great many passages, leading off in various directions. One of these,
which is called the "Grand Vestibule," will take us to the "Church."
Yes, we have a church here, and, what is more, there has been
preaching in it, although I have never heard that it had any regular
members. This room has a vast arched roof, and a great many
stalactites hang from the walls and roof in such a way as to give one
an idea of Gothic architecture. Therefore this has been called the
"Gothic Church." You can see a great deal which looks like
old-fashioned church ornaments and furniture, and, as the light of the
lanterns flashes about on the walls and ceiling, you can imagine a
great deal more.
After this we come to the "Gothic Avenue," which would be a very
interesting place to us if we but had a little more time; but we hurry
through it, for the next room we are to visit is called the "Haunted
Chamber!" Every one of us must be very anxious to see anything of that
kind. When we get into it, however, we are very much disappointed. It
is not half so gloomy and dark as the rest of the cave, for here we
are pretty sure to find people, and lights, and signs of life.
Here you may sometimes buy gingerbread and bottled beer, from women
who have stands here for that purpose. It is expected that when
visitors get this far they will be hungry. Sometimes, too, there are
persons who live down here, and spend most of their time in this
chamber. These are invalid people with weak lungs, who think that the
air of the cave is good for them. I do not know whether they are right
or not, but I am sure that they take very gloomy medicine. The only
reason for calling this room the Haunted Chamber is, that the first
explorers of the cave found mummies here.
Who these were when they were alive, no man can say. If they were
Indians, they were very different Indians from those who have lived in
this country since its discovery. They do not make mummies. But all
over our land we find evidences that some race--now extinct--lived
here before the present North American Indian.
Whether the ghosts of any of these mummies walk about in this room. I
cannot say; but as no one ever saw any, or heard any, or knew anybody
who had seen or heard any, I think it is doubtful.
When we leave this room we go down some ladders and over a bridge, and
then we enter what is called the "Labyrinth," where the passage turns
and twists on itself in a very abrupt manner, and where the roof is so
low that all of us, except those who are very short indeed, must stoop
very low. When we get through this passage, which some folks call the
"Path of Humiliation"--for everybody has to bow down, you know--we
come to a spot where the guide says he is going to show us something
through a window.
The window is nothing but a hole broken in a rocky wall; but as we
look through it, and hold the lanterns so that we can see as much as
possible, we perceive that we are gazing down into a deep and enormous
well. They call it the "Bottomless Pit." If we drop bits of burning
paper into this well we can see them fall down, down, and down, until
they go out, but can never see them stop, as if they had reached the
bottom.
The hole through which we are looking is cut through one side of this
well, so that there is a great deal of it above us as well as below;
but although we hold our lanterns up, hoping to see the top, we can
see nothing but pitchy darkness up there. The roof of this pit is too
high for the light to strike upon it. Here is a picture of some
persons dropping lights down into this pit, hoping to be able to see
the bottom.
We must climb up and down some more ladders now, and then we will
reach the "Mammoth Dome." This is a vast room--big enough for a
gymnasium for giants--and the roof is so high that no ordinary light
will show it. It is nearly four hundred feet from the floor. The next
room we visit is one of the most beautiful places in the whole cave.
It is called the Starry Chamber. The roof and walls and floor are
covered with little bright bits of stone, which shine and glitter,
when a light is brought into the room, like real stars in the sky. If
the guide is used to his business, he can here produce most beautiful
effects. By concealing his lantern behind a rock or pillar, and then
gradually bringing it out, throwing more and more light upon the roof,
he can create a most lovely star-light scene.
[Illustration]
At first all will be dark, and then a few stars will twinkle out, and
then there will be more of them, and each one will be brighter, and at
last you will think you are looking up into a dark sky full of
glorious shining stars! And if you look at the walls you will see
thousands of stars that seem as if they were dropping from the sky;
and if you cast your eyes upon the ground, you will see it covered
with other thousands of stars that seem to have already fallen!
This is a lovely place, but we cannot stay here any longer. We want to
reach the underground stream of which we have heard so much--the
"River Styx."
This is a regular river, running through a great part of the Mammoth
Cave. You may float on it in a boat, and, if you choose, you may fish
in it, although you would not be likely to catch anything. But if you
did, the fish would have no eyes! All the fish in this river are
blind. You can easily perceive that eyes would be of no use in a place
where it is always as dark as pitch, except when travellers come along
with their lanterns.
There is a rough boat here, and we will get into it and have a row
over this dark and gloomy river. Whenever our guide shouts we hear the
wildest kind of echoes, and everything seems solemn and unearthly. At
one time our boat stops for a moment, and the guide goes on shore, and
directly we hear the most awful crash imaginable. It sounds as if a
dozen gong-factories had blown up at once, and we nearly jump out of
the boat! But we soon see that it was nothing but the guide striking
on a piece of sheet-iron or tin. The echoes, one after another, from
this noise had produced the horrible crashing sounds we had heard.
After sailing along for about half an hour we land, and soon reach an
avenue which has its walls ornamented with beautiful flowers--all
formed on the rocky walls by the hand of Nature.
Now we visit the "Ball Room," which is large and handsome, with its
walls as white as snow. Leaving this, we take a difficult and exciting
journey to the "Rocky Mountains." We go down steep paths, which are
narrow, and up steep ones, which are wide; we jump over wide cracks
and step over great stones, and we are getting very tired of
scrambling about in the bowels of the earth; but the guide tells us
that if we will but cross the "mountains"--which we find to be nothing
more than great rocks, which have fallen from the roof above, but
which, however, are not very easy to get over--we shall rest in the
"Fairy Grotto." So on we push, and reach the delightful abode of the
fairies of the Mammoth Cave. That is, if there were any fairies in
this cave, they would live here.
And a splendid place they would have!
Great colonnades and magnificent arches, all ornamented with beautiful
stalactites of various forms, and glittering like cut-glass in the
light of our lanterns, and thousands of different ornaments of
sparkling stone, many of them appearing as if they were cut by the
hand of skilful artists, adorn this beautiful grotto. At one end there
is a group of stalactites, which looks to us exactly like a graceful
palm-tree cut out of alabaster. All over the vast hall we can hear the
pattering and tinkling of the water, which has been dripping, drop by
drop, for centuries, and making, as it carried with it little
particles of earth and rock, all these beautiful forms which we see.
We have now walked nearly five miles into the great cave, and there is
much which we have not seen. But we must go back to the upper earth.
We will have a tiresome trip of it, but it is seldom that we can get
anything good without taking a little trouble for it. And to have seen
this greatest of all natural caverns is worth far more labor and
fatigue than we have expended on its exploration. There is nothing
like it in the known world.
THE LION.
[Illustration: THE LION'S HOME.]
I do not desire to be wanting in respect to the Lion. Because I
asserted that it was my opinion that he should resign the throne of
the King of Beasts to the Elephant, I do not wish to deprive him of
any part of his just reputation.
The Lion, with the exception of any animal but the Elephant, the
Rhinoceros, the Hippopotamus, and such big fellows, is the strongest
of beasts. Compared to Tigers and Panthers, he is somewhat generous,
and compared to most of the flesh-eating animals, he is quite
intelligent. Lions have been taught to perform certain feats when in a
state of captivity; but, as all of us know who have seen the
performing animals in a menagerie, he is by no means the equal of a
Dog or an Elephant.
The Lion appears to the greatest advantage in the midst of his family.
When he and his wife are taking their walks abroad they will often fly
before a man, especially if he is a white man.
But at home, surrounded by their little ones, the case is different.
Those cubs, in the picture of the Lion's home, are nice little
fellows, and you might play with them without fear of more than a few
scratches. But where is the brave man who would dare to go down among
those rocks, armed with guns, pistols, or whatever he pleased, and
take one of them!
I do not think he lives in your town.
We never see a Lion looking very brave or noble in a cage. Most of
those that I have seen appeared to me to be excessively lazy. They had
not half the spirit of the tigers and wolves. But, out in his native
country, he presents a much more imposing spectacle, especially if
one can get a full view of him when he is a little excited. Here is a
picture of such a Lion as you will not see in a cage.
[Illustration]
Considering his size, the strength of the Lion is astonishing. He will
kill an ox with one blow of his great paw, if he strikes it on the
back, and then seizing it in his great jaws, he will carry it off
almost as easily as you could carry a baby.
And when he has carried his prey to the spot where he chooses to have
his dinner, he shows that no beast can surpass him in the meat-eating
line. When he has satisfied his hunger on an ox, there is not much
left for those who come to the second table. And there are often other
Lions, younger and weaker than the one who has provided the dinner,
who must wait until their master or father is done before they have a
chance to take a bite. But, as you may see by this picture, they do
not wait very patiently. They roar and growl and grumble until their
turn comes.
[Illustration]
Lions have some very peculiar characteristics. When they have made a
bound upon their prey and have missed it, they seldom chase the
frightened animal. They are accustomed to make one spring on a deer or
an ox, and to settle the matter there and then. So, after a failure to
do this, they go to the place from which they have made the spring and
practise the jump over and over until they feel that they can make it
the next time they have a chance.
This is by no means a bad idea for a Lion--or a man either.
Another of their peculiarities is their fear of traps and snares.
Very often they will not spring upon an ox or a horse, simply because
it is tied to a tree. They think there is some trick when they see the
animal is fastened by a rope.
And when they come upon a man who is asleep, they will very often let
him lie undisturbed. They are not accustomed to seeing men lying about
in their haunts, and they don't know what to make of it. Sometimes
they take it in their heads to lie down there themselves. Then it
becomes disagreeable for the man when he awakes.
[Illustration]
A story of this kind is told of an African who had been hunting, and
who, being tired, had lain down to sleep. When he awoke there lay a
great Lion at a short distance from him! For a minute or two the man
remained motionless with fright, and then he put forth his hand to
take his gun, which was on the ground a few feet from him.
But when the Lion saw him move he raised his head and roared.
The man was quiet in a second.
After a while it began to be terribly hot, and the rocks on which the
poor man was lying became so heated by the sun that they burned his
feet.
But whenever he moved the old Lion raised his head and growled.
The African lay there for a very long time, and the Lion kept watch
over him. I expect that Lion had had a good meal just before he saw
this man, and he was simply saving him up until he got hungry again.
But, fortunately, after the hunter had suffered awfully from the heat
of the burning sun, and had also lain there all night, with this
dreadful beast keeping watch over him, the Lion became thirsty before
he got hungry, and when he went off to a spring to get a drink the
African crawled away.
If that Lion had been a Tiger, I think he would have killed the man,
whether he wished to eat him or not.
So there is something for the Lion's reputation.
BOB'S HIDING-PLACE.
[Illustration]
Bob was not a very big boy, but he was a lively little fellow and full
of fun. You can see him there in the picture, riding on his brother
Jim's back. One evening there happened to be a great many boys and
girls at Bob's father's house. The grown-up folks were having a family
party, and as they were going to stay all night--you see this was in
the country--some of them brought their children with them.
[Illustration]
It was not long after supper that a game of Blind-Man's-Buff was
proposed, and, as it would not do to have such an uproar in the
sitting-room as the game would produce, the children were all packed
off to the kitchen. There they have a glorious time. Jim is the first
one blindfolded, and, as he gropes after the others, they go stumbling
up against tables, and rattling down tin-pans, and upsetting each
other in every direction. Old Grandfather, who has been smoking his
pipe by the kitchen fire, takes as much pleasure in the game as the
young folks, and when they tumble over his legs, or come banging up
against his chair, he only laughs, and warns them not to hurt
themselves.
I could not tell you how often Grandfather was caught, and how they
all laughed at the blind-man when he found out whom he had seized.
But after a while the children became tired of playing
Blind-Man's-Buff, and a game of Hide-and-Seek was proposed. Everybody
was in favor of that, especially little Bob. It appears that Bob had
not a very good time in the other game. Everybody seemed to run up
against him and push him about, and whenever he was caught the
blind-man said "Bob!" immediately. You see there was no mistaking Bob;
he was so little.
But in Hide-and-Seek he would have a better chance. He had always
liked that game ever since he had known how to play anything. He was a
good little fellow for hiding, and he knew it.
When the game had begun, and all the children--except the biggest
girl, who was standing in a corner, with her hands before her face,
counting as fast as she could, and hoping that she would come to one
hundred before everybody had hidden themselves--had scampered off to
various hiding-places, Bob still stood in the middle of the
kitchen-floor, wondering where in the world he should go to! All of a
sudden--the girl in the corner had already reached sixty-four--he
thought he would go down in the cellar.
There was no rule against that--at least none that he knew of--and so,
slipping softly to the cellar-door, over in the darkest corner of the
kitchen, he opened it, and went softly down the steps.
There was a little light on the steps, for Bob did not shut the door
quite tightly after him, and if there had been none at all, he would
have been quite as well pleased. He was not afraid of the dark, and
all that now filled his mind was the thought of getting somewhere
where no one could possibly find him. So he groped his way under the
steps, and there he squatted down in the darkness, behind two barrels
which stood in a corner.
"Now," thought Bob, "she won't find me--easy."
He waited there a good while, and the longer he waited the prouder he
became.
"I'll bet mine's the hardest place of all," he said to himself.
[Illustration]
Bob heard a great deal of noise and shouting after the big girl came
out from her corner and began finding the others, and he also heard a
bang above his head, but he did not know that it was some one shutting
the cellar-door. After that all was quiet.
Bob listened, but could not hear a step. He had not the slightest
idea, of course, that they had stopped playing and were telling
stories by the kitchen fire. The big girl had found them all so easily
that Hide-and-Seek had been voted down.
Bob had his own ideas in regard to this silence. "I know," he
whispered to himself, "they're all found, and they're after me, and
keeping quiet to hear me breathe!"
And, to prevent their finding his hiding-place by the sound of his
breathing, Bob held his breath until he was red in the face. He had
heard often enough of that trick of keeping quiet and listening to
breathing. You couldn't catch him that way!
When he was at last obliged to take a breath, you might have supposed
he would have swallowed half the air in the cellar. He thought he had
never tasted anything so good as that long draught of fresh air.
"Can't hold my breath all the time!" Bob thought. "If I could, maybe
they'd never find me at all," which reflection was much nearer the
truth than the little fellow imagined.
I don't know how long Bob had been sitting under the steps--it may
have been five minutes, or it may have been a quarter of an hour, and
he was beginning to feel a little cold--when he heard the cellar-door
open, and some one put their foot upon the steps.
"There they are!" he thought, and he cuddled himself up in the
smallest space possible.
Some one was coming down, sure enough, but it was not the children, as
Bob expected. It was his Aunt Alice and her cousin Tom Green. They had
come down to get some cider and apples for the company, and had no
thought of Bob. In fact, when Bob was missed it was supposed that he
had got tired and had gone up-stairs, where old Aunt Hannah was
putting some of the smaller children to bed.
So, of course, Alice and Tom Green did not try to find him, but Bob,
who could not see them, thought it was certainly some of the children
come down to look for him.
In this picture of the scene in the cellar, little Bob is behind those
two barrels in the right-hand upper corner, but of course you can't
see him. He knows how to hide too well for that.
[Illustration]
But when Tom and Alice spoke, Bob knew their voices and peeped out.
"Oh!" he thought, "it's only Aunt Alice and he. They've come down for
cider and things. I've got to hide safe now, or they'll tell when they
go up-stairs."
"I didn't know _all_ them barrels had apples in! I thought some were
potatoes. I wish they would just go up-stairs again and leave that
candle on the floor! I wonder if they will forget it! If they do, I'll
just eat a whole hat-full of those big red apples, and some of the
streakedy ones in the other barrel too; and then I'll put my mouth to
the spigot of that cider-barrel, and turn it, and drink and drink and
drink--and if there isn't enough left in that barrel, I'll go to
another one and turn that. I never did have enough cider in all my
life. I wish they'd hurry and go up.
"Kissin'! what's the good of kissin'! A cellar ain't no place for
that. I expect they won't remember to forget the candle if they don't
look out!
"Oh, pshaw! just look at 'em! They're a-going up again, and taking the
candle along! The mean things!"
Poor little Bob!
There he sat in his corner, all alone again in the darkness and
silence, for Tom and Alice had shut the cellar-door after them when
they had gone up-stairs. He sat quietly for a minute or two, and then
he said to himself:
"I b'lieve I'd just as lieve they'd find me as not."
And to help them a little in their search he began to kick very gently
against one of the barrels.
Poor Bob! If you were to kick with all your force and even upset the
barrel they would not hear you. And what is more, they are not even
thinking of you, for the apples are now being distributed.
"I wonder," said the little fellow to himself, "if I could find that
red-apple barrel in the dark. But then I couldn't tell the red ones
from the streakedy ones. But either of 'em would do. I guess I won't
try, though, for I might put my hand on a rat. They run about when
it's dark. I hope they won't come in this corner. But there's nothin'
for 'em to eat in this corner but me, and they ain't lions. I wonder
if they'll come down after more cider when that's all drunk up. If
they do, I guess I'll come out and let Aunt Alice tell them all where
I am. I don't like playin' this game when it's too long."
[Illustration]
And so he sat and waited and listened, and his eye-lids began to grow
heavy and his head began to nod, and directly little Bob was fast
asleep in the dark corner behind the barrels.
By ten o'clock the children were all put to bed, and soon after the
old folks went up-stairs, leaving only Tom Green, Alice, and some of
the young men and women down in the big sitting-room.
Bob's mother went up into the room where several of the children were
sleeping, and after looking around, she said to the old colored nurse:
"Hannah, what have you done with Bob?"
"I didn't put him to bed, mum. I spect Miss Alice has took him to her
bed. She knowed how crowded the chil'un all was, up here."
"But Alice has not gone to bed," said Bob's mother.
"Don't spect she has, mum," said Hannah. "But I reckon she put him in
her bed till she come."
"I'll go and see," said Bob's mother.
She went, and she saw, but she didn't see Bob! And he wasn't in the
next room, or in any bed in the house, or under any bed, or anywhere
at all, as far as she could see; and so, pretty soon, there was a nice
hubbub in that house!
Bob's mother and father, and his grandfather, and Hannah, and the
young folks in the parlor, and nearly all the rest of the visitors,
ransacked the house from top to bottom. Then they looked out of doors,
and some of them went around the yard, where they could see very
plainly, as it was bright moonlight. But though they searched and
called, there was no Bob.
The house-doors being open, Snag the dog came in, and he joined in the
search, you may be sure, although I do not know that he exactly
understood what they were looking for.
Some one now opened the cellar-door, but it seemed preposterous to
look down in the cellar for the little fellow.
But nothing was preposterous to Snag.
The moment the cellar-door was opened he shuffled down the steps as
fast as he could go. He knew there was somebody down there.
And when those who followed him with a candle reached the
cellar-floor, there was Snag, with his head between the barrels,
wagging his tail as if he was trying to jerk it off, and whining with
joy as he tried to stick his cold nose into the rosy face of little
sleeping Bob.
It was Tom Green who carried Bob up-stairs, and very soon indeed, all
the folks were gathered in the kitchen, and Bob sleepily told his
story.
"But Tom and I were down in the cellar," said his Aunt Alice, "and we
didn't see you."
"I guess you didn't," said Bob, rubbing his eyes. "I was a-hidin' and
you was a-kissin'."
What a shout of laughter arose in the kitchen at this speech!
Everybody laughed so much that Bob got wide awake and wanted some
apples and cake.
The little fellow certainly made a sensation that night; but it was
afterwards noticed that he ceased to care much for the game of
Hide-and-Seek. He played it too well, you see.
THE CONTINENTAL SOLDIER.
[Illustration]
Did you ever see a Continental Soldier? I doubt it. Some twenty years
ago there used to be a few of them scattered here and there over the
country, but they must be nearly all gone now. About a year ago there
were but two of them left. Those whom some of us can remember were
rather mournful old gentlemen. They shuffled about their
dwelling-places, they smoked their pipes, and they were nearly always
ready to talk about the glorious old days of the Revolution. It was
well they had those days to fall back upon, for they had but little
share in the glories of the present. When they looked abroad upon the
country that their arms, and blood perhaps, had helped give to that
vigorous Young America which now swells with prosperity from Alaska to
Florida, they could see very little of it which they could call their
own.
It was difficult to look upon those feeble old men and imagine that
they were once full of vigor and fire; that they held their old
flintlocks with arms of iron when the British cavalry rushed upon
their bayonets; that their keen eyes flashed a deadly aim along their
rusty rifle-barrels; that, with their good swords quivering in their
sinewy hands, they urged their horses boldly over the battle-field,
shouting brave words to their advancing men; and that they laughed at
heat and cold, patiently endured hunger and privation, strode along
bravely on the longest marches, and, at last, stood proudly by when
Cornwallis gave up his sword.
Those old gentlemen did not look like anything of that sort. Their
old arms could hardly manage their old canes; their old legs could
just about carry them on a march around the garden, and they were very
particular indeed about heat and cold.
But History and Art will better keep alive the memory of their good
deeds, and call more vigorously upon the gratitude of their
countrymen, than those old Continentallers could themselves have done
it, had they lived on for years and years, and told generation after
generation how once they galloped proudly along the ranks, or, in
humbler station, beat with vigorous arm the stirring drum-roll that
called their comrades to the battle-field.
[Illustration]
A JUDGE OF MUSIC.
[Illustration]
It is not well to despise anybody or anything until you know what they
can do. I have known some very stupid-looking people who could do a
sum in the rule-of-three in a minute, and who could add up a column of
six figures abreast while I was just making a beginning at the
right-hand bottom corner. But stupid-looking beings are often good at
other things besides arithmetic. I have seen doctors, with very dull
faces, who knew all about castor-oil and mustard-plasters, and above
you see a picture of a Donkey who understood music.
This animal had a very fine ear for music. You can see how much ear he
had, and I have no doubt that he enjoyed the sweet sounds from one end
to the other of those beautiful long flaps. Well, he very often had an
opportunity of enjoying himself, for the lady of the house was a fine
musician, and she used to sing and play upon the piano nearly every
day. And as soon as he heard the sweet sounds which thrilled his
soul, the Donkey would come to the parlor window and listen.
One day the lady played and sang something which was particularly
sweet and touching. I never heard the name of the song--whether it was
"I'm sitting on the stile, Mary," or "A watcher, pale and weary"--but
if it was the latter, I am not surprised that it should have overcome
even a jackass. At any rate, the music so moved the soul of Mr. Donkey
that he could no longer restrain himself, but entering the open door
he stepped into the parlor, approached the lady, and with a voice
faltering from the excess of his emotion, he joined in the chorus!
The lady jumped backwards and gave a dreadful scream, and the Donkey,
thinking that the music went up very high in that part, commenced to
bray at such a pitch that you could have heard him if you had been up
in a balloon.
That was a lively concert; but it was soon ended by the lady rushing
from the room and sending her man John to drive out the musical
jackass with a big stick.
Fortunately, all donkeys have not this taste for music. The nearest
that the majority of jackasses come to being votaries of music is when
their skins are used for covering cases for musical instruments. And
if they have any ambition in the cause of harmony, that is better than
nothing.
THE SENSITIVE PLANT.
There was never a better name for a plant than this, for the delicate
leaves which grow on this slender stalk are almost as sensitive to the
touch as if they were alive. If you place your hand on a growing
plant, you will soon see all the leaves on the stem that you have
touched fold themselves up as tightly as if they had been packed up
carefully to be sent away by mail or express. In some of the common
kinds of this plant, which grow about in our fields, it takes some
time for the leaves to fold after they have been touched or handled;
but if you watch them long enough--five or ten minutes--you will see
that they never fail to close. They are not so sensitive as their
cultivated kindred, but they still have the family disposition.
Now this is certainly a wonderful property for a plant to possess, but
it is not half so strange as another trait of these same pretty green
leaves. They will shut up when it is dark, and open when it is light.
It may be said that many other plants will do this, but that is a
mistake. Many flowers and leaves close at _night_ and open in the
_day-time_, but very few indeed exhibit the peculiar action of the
sensitive plant in this respect. That plant will open at night if you
bring a bright light into the room where it is growing, and it will
close its leaves if the room is made dark in the day-time.
Other plants take note of times and seasons. The sensitive plant obeys
no regular rules of this kind, but acts according to circumstances.
When I was a boy, I often used to go to a green-house where there were
a great many beautiful and rare plants; but I always thought that the
sensitive plant was the most wonderful thing in the whole
collection, and I did not know then how susceptible it was to the
influence of light. I was interested in it simply because it seemed to
have a sort of vegetable reason, and understood that it should shut up
its leaves whenever I touched it.
[Illustration: THE SENSITIVE PLANT.]
But there were things around me in the vegetable kingdom which were
still more wonderful than that, and I took no notice of them at all.
In the garden and around the house, growing everywhere, in the most
common and ordinary places, were vines of various kinds--I think there
were more morning-glories than anything else--and these exhibited a
great deal more sense, and a much nearer approach to reasoning powers,
than the sensitive plants, which were so carefully kept in the
green-house.
When one of these vines came up out of the earth, fresh from its seed,
the first thing it wanted, after its tendrils began to show
themselves, was something to climb up upon. It would like a good high
pole. Now, if there was such a pole within a few feet of the little
vine it would grow straight towards it, and climb up it!
It would not grow first in one direction, and then in another and then
in another, until it ran against something to climb on, but it would
go right straight towards the pole, as if it saw it, and knew it was a
good one for its purpose.
I think that there is not much in the vegetable kingdom more wonderful
than that.
SIR MARMADUKE.
[Illustration]
Sir Marmaduke was a good old English gentleman, all of the olden time.
There you see him, in his old-fashioned dining-room, with his
old-fashioned wife holding her old-fashioned distaff, while he is
surrounded by his old-fashioned arms, pets, and furniture.
On his hand he holds his hawk, and his dogs are enjoying the great
wood fire. His saddle is thrown on the floor; his hat and his pipes
lie near it; his sword and his cross-bows are stood up, or thrown
down, anywhere at all, and standing by his great chair is something
which looks like a coal-scuttle, but which is only a helmet.
Sir Marmaduke was certainly a fine old gentleman. In times of peace he
lived happily with his family, and was kind and generous to the poor
around him. In times of war he fought bravely for his country.
But what a different old gentleman would he have been had he lived in
our day!
Then, instead of saying "Rebeck me!" and "Ods Boddikins!" when his
hawk bit his finger or something else put him out of humor, he would
have exclaimed, "Oh, pshaw!" or, "Botheration!" Instead of playing
with a hawk, he would have had a black-and-tan terrier,--if he had any
pet at all; and his wife would not have been bothering herself with a
distaff, when linen, already spun and woven, could be bought for fifty
cents a yard. Had she lived now, the good lady would have been mending
stockings or crocheting a tidy.
Instead of a pitcher of ale on his supper-table, the good knight would
have had some tea or coffee; and instead of a chine of beef, a mess of
pottage, and a great loaf of brown bread for his evening meal, he
would have had some white bread, cakes, preserves, and other trifles
of that sort, which in the olden days were considered only fit for
children and women. The good old English gentlemen were tremendous
eaters. They used to take five meals a day, and each one of them was
heavy and substantial.
If Sir Marmaduke had any sons or daughters, he would have treated them
very differently in the present day. Instead of keeping them at home,
under the tuition of some young clergyman or ancient scholar, until
they should be old enough and accomplished enough to become pages to a
great lord, or companions to some great lady, he would have sent them
to school, and the boys--the younger ones, at least--would have been
prepared for some occupation which would support them, while the girls
would have been taught to play on the piano and to work slippers.
In these days, instead of that old helmet on the floor, you would have
seen a high-top hat--that is, if the old gentleman should continue to
be as careless as the picture shows him; instead of a cross-bow on the
floor, and another leaning against the chair, you would have seen a
double-barrelled gun and a powder-horn; and instead of the picturesque
and becoming clothes in which you see Sir Marmaduke, he would have
worn some sort of a tight-fitting and ugly suit, such as old gentlemen
now-a-days generally wear.
There were a great many advantages in the old style of living, and
also a very great many disadvantages. On the whole, we should be very
thankful indeed that we were born in this century, and not in the good
old times of yore.
A little boy once made a very wise remark on this subject. He said: "I
wish I could have seen George Washington and Israel Putnam; but I'm
glad I didn't, for if I'd been alive then, I should have been dead
now."
There is enough in that boy's remark for a whole composition, if any
one chose to write it.
THE GIRAFFE.
[Illustration]
Some one once called the Giraffe a "two-story animal," and the remark
was not altogether inapplicable.
As you see him in the picture, lying down, he seems to be high enough
for all ordinary purposes; but when he stands up, you will see that
his legs--or his lower story--will elevate him to a surprising height.
The ordinary giraffe measures about fifteen feet from the top of his
head to the ground, but some of them have been known to be over
sixteen feet high. Most of this height is owing to their long necks,
but their fore-legs are also very long. The hind-legs seem much
shorter, although, in reality, they are as long as the fore-legs. The
legs and neck of the Giraffe are made long so that he can eat the
leaves from the tops of young trees. This tender foliage is his
favorite diet; but he will eat the foliage from any part of a tree,
and he is content with the herbage on the ground, when there is
nothing else.
He is not a fighting animal. Those little horns which you see on his
head, and which look as if they had been broken off--although they are
really their full size--are of no use as offensive weapons. When
danger threatens him he runs away, and a funny sight he is then. He
can run very fast, but he is very awkward; he goes like a cow on
stilts.
But when there is no chance for him to run away, he can often defend
himself, for he can kick like a good fellow. His hind-legs fly so fast
when he is kicking that you can hardly see them, and he has been known
to drive off a lion by this means of defence.
When hunters wish to catch a giraffe alive, they generally drive him
into a thick woods, where his great height prevents him from running
very rapidly; and as soon as they come up with him, they endeavor to
entangle him in ropes, to throw him down, and to put a halter round
his neck. If they only keep out of the way of his heels, there is no
need of being afraid of him. When they have secured him they lead him
off, if he will come; but if he is an old fellow he will not walk
after them, and he is too strong to be easily pulled along, no matter
how many men may be in the hunt. So in this case they generally kill
him, for his skin is valuable, and his flesh is very good to eat. But
if the giraffe is a young one, he will follow his captors without
difficulty, for these animals are naturally very gentle.
Why the natives of Africa should desire to obtain living giraffes,
unless it is to sell them to people who wish to carry them to other
countries, travellers do not inform us. We have never heard that any
domestic use was made of them, nor that they were kept for the sake of
their meat. But we suppose the hunters know their own business.
It is probable that the lion is really the greatest enemy of the
giraffe. It is not often that this crafty and powerful hunter will put
himself within reach of his victim's heels. Approaching softly and
slowly, the lion waits until he is quite near the giraffe, and then,
with one bound, he springs upon his back. Sometimes the giraffe
succeeds in shaking him off, but generally they both fall
together--the giraffe dead, and the lion with his appetite whetted for
an enormous dinner.
UP IN THE AIR.
[Illustration: UP IN A BALLOON.]
[Illustration]
We have already taken a journey under the earth, and now, if you like,
we will try a trip in the air. Anything for a novelty. We have lived
on the surface of the earth ever since we were born.
We will make our ascent in a balloon. It has been thought by some
folks, that there were easier methods of ascending into the air than
by a cumbrous balloon, but their inventions never became popular.
For instance, look at the picture of a flying-man.
This gentleman had an idea that he could fly by the aid of this
ingenious machinery. You will see that his wings are arranged so that
they are moved by his legs, and also by cords attached to his arms.
The umbrella over his head is not intended to ward off the rain or the
sun, but is to act as a sort of parachute, to keep him from falling
while he is making his strokes. The basket, which hangs down low
enough to be out of the way of his feet, is filled with provisions,
which he expects to need in the course of his journey.
That journey lasted exactly as long as it took him to fall from the
top of a high rock to the ground below.
But we are not going to trust ourselves to any such _harem-scarem_
contrivance as this. We are going up in a regular balloon.
We all know how balloons are made, and this one of ours is like most
others. It is a great globular bag, made of strips of silk sewn
together, and varnished with a certain composition which renders the
balloon air-tight. The car in which we will travel is made of
wicker-work, for that is both light and strong, and it is suspended
from a net-work of strong cord which covers the whole balloon. It
would not do, you know, to attach a cord to any particular part of the
silk, for that would tear it. In the top of the balloon is a valve,
and a cord from it comes down into the car. This valve is to be pulled
open when we wish to come down towards the earth. The gas then
escapes, and of course the balloon descends. In the car are bags of
sand, and these are to be emptied out when we think we are too heavy
for the balloon, and are either coming down too fast or are not as
high as we wish to go. Relieved of the weight of a bag, the balloon
rises.
Sand is used because it can be emptied out and will not injure anybody
in its descent. It would be rather dangerous, if ballooning were a
common thing, for the aëronauts to throw out stones and old iron, such
as are used for the ballast of a ship. If you ever feel a shower of
sand coming down upon you through the air, look up, and you will
probably see a balloon--that is, if you do not get some of the sand in
your eyes.
The gas with which our balloon is to be filled is hydrogen gas; but I
think we will not use the pure hydrogen, for it is troublesome and
expensive to produce. We will get permission of the city gas
authorities to take gas from one of their pipes.
That will carry us up very well indeed. When the balloon is nearly
full--we never fill it entirely, for the gas expands when it rises
into lighter air, and the balloon would explode if we did not leave
room for this expansion--it is almost as round as a ball, and swells
out proudly, struggling and pulling at the ropes which confine it to
the ground.
[Illustration]
Now we have but to attach the car, get in, and cut loose. But we are
going to be very careful on this trip, and so we will attach a
parachute to the balloon. I hope we may not use it, but it may save us
in case of an accident. This is the manner in which the parachute will
hang from the bottom of the car.
It resembles, you see, a closed umbrella without a handle, and it has
cords at the bottom, to which a car is attached. If we wish to come
down by means of this contrivance, we must descend from the car of the
balloon to that of the parachute, and then we must unfasten the rope
which attaches us to the balloon. We shall then drop like a shot; but
as soon as the air gets under our parachute it will spread open, and
our descent will immediately begin to be much more gradual, and if
nothing unusual occurs to us, we shall come gently to the ground. This
picture shows the manner in which we would come down in a parachute.
[Illustration]
This man's balloon has probably burst, for we see it is tumbling down,
and it will no doubt reach the ground before him.
When all is ready and we are properly seated in the car, with our
instruments and extra clothes and ballast, and some provisions, we
will give the word to "let her go."
There!
Did you see that?
The earth dropped right down. And it is dropping, but more slowly,
yet.
That is the sensation persons generally experience when they first go
up in a balloon. Not being used to rising in the air, they think at
first that they are stationary, and that the earth and all the people
and houses on it are falling below them.
Now, then, we are off! Look down and see how everything gets smaller,
and smaller, and smaller. As we pass over a river, we can look down to
its very bottom; and if we were not so high we could see the fishes
swimming about. The houses soon begin to look like toy-cottages, and
the trees like bushes, and the creeks and rivers like silvery bands.
The people now appear as black spots; we can just see some of them
moving about; but if they were to shout very loud we might hear them,
for sound travels upward to a great distance.
[Illustration: MOONLIGHT ABOVE THE CLOUDS.]
Soon everything begins to be mixed up below us. We can hardly tell the
woods from the fields; all seem pretty much alike. And now we think it
is getting foggy; we can see nothing at all beneath us, and when we
look up and around us we can see nothing but fog.
[Illustration]
We are in the clouds! Yes, these are the clouds. There is nothing very
beautiful about them--they are only masses of vapor. But how thick
that vapor is! Now, when we look up, we cannot even see the balloon
above us. We are sitting in our little basket-work car, and that is
all we know! We are shut out from the whole world, closed up in a
cloud!
But this foggy atmosphere is becoming thinner, and we soon shoot out
of it! Now we can see clearly around us. Where are the clouds? Look!
there they are, spread out like a great bed below us.
How they glisten and sparkle in the bright sunlight!
Is not this glorious, to ride above the clouds, in what seems to us
illimitable space! The earth is only a few miles below us, it is true,
but up and around us space _is_ illimitable.
[Illustration]
But we shall penetrate space no longer in an upward direction. It is
time we were going back to the world. We are all very cold, and the
eyes and ears of some of us are becoming painful. More than that, our
balloon is getting too large. The gas within it is expanding, on
account of the rarity of the air.
We shall pull the rope of the valve.
Now we are descending. We are in the clouds, and before we think much
about it we are out of them. We see the earth beneath us, like a great
circular plain, with the centre a little elevated. Now we see the
rivers; the forests begin to define themselves; we can distinguish
houses, and we know that we are falling very rapidly. It is time to
throw out ballast. We do so, and we descend more slowly.
Now we are not much higher than the tops of the trees. People are
running towards us. Out with another bag of sand! We rise a little.
Now we throw out the anchor. It drags along the ground for some
distance, as the wind carries us over a field, and then it catches in
a fence. And now the people run up and pull us to the ground, and the
most dangerous part of our expedition is over.
[Illustration]
For it is comparatively safe to go up in a balloon, but the descent
is often very hazardous indeed.
On the preceding page is a picture of a balloon which did not come
down so pleasantly as ours.
With nine persons in it, it was driven over the ground by a tremendous
wind; the anchors were broken; the car was bumped against the ground
ever so many times; and the balloon dashed into trees, breaking off
their branches; it came near running into a railroad train; it struck
and carried away part of a telegraph line, and at last became tangled
up in a forest, and stopped. Several of the persons in it had their
limbs broken, and it is a wonder they were not all killed.
The balloon in which we ascended was a very plain, common-sense
affair; but when aerial ascents were first undertaken the balloons
were very fancifully decorated.
For instance, Bagnolet's balloon and that of Le Flesselles, of which
we have given you pictures, are much handsomer than anything we have
at present. But they were not any more serviceable for all their
ornamentation, and they differed from ours in still another way--they
were "hot-air balloons."
Other balloons were furnished with all sorts of fans, rudders, etc.,
for the purpose of steering them, or accelerating their motion up or
down.
On the next page is one of that kind.
This balloon ascended from Dijon, France, in 1784, but the
steering-apparatus did not prove to be of much use.
There were other balloons devised by the early aëronauts, which were
still stranger than that one which arose from Dijon. The _Minerva_,
the picture of which you can examine at your leisure, was invented by
a Mr. Robertson, in the beginning of this century. He wished to make
a grand aerial voyage of several months, with a company of about sixty
persons, and therefore he had to have a very large balloon. To procure
this he desired the co-operation of the scientific men throughout
Europe, and sent plans and descriptions of his projected balloon to
all the learned societies.
[Illustration]
This great ship of the air was to be a regular little town, as you may
see. The balloon was to be one hundred and fifty feet in diameter, and
was to carry a large ship, on which the passengers would be safe if
they descended in the water, even if it were the middle of the ocean.
Everything was to be provided for the safety and convenience of the
passengers. Around the upper part of the balloon you will see a
platform, with sentries and tents. These soldiers were to be called
the "air-marines." There is a small balloon--about the common
size--which could be sent off like a small boat whenever occasion
required. If any one got tired of the expedition, and wanted to go
home, there was a parachute by which he might descend. On the deck of
the ship, near the stern, was to be a little church; small houses hung
from below, reached by ladders of silk, which were to be used as
medicine-rooms, gymnasiums, etc.; and under the ship would hang a
great hogshead, as big as a house, which would contain provisions and
stores, and keep them tight and dry. There was also a kitchen; and a
cannon, with which to fire off salutes, besides a number of guns,
which you see projecting from the port-holes of the ship. These, I
suppose, were to be used against all enemies or pirates of the air,
sea, or land.
[Illustration]
[Illustration]
I cannot enumerate all the appendages of this wonderful balloon--you
see there are telescopes, sails, great speaking-trumpets, anchors,
etc.; but I will merely remark that it was never constructed.
One of the safest, and sometimes the most profitable, methods of using
a balloon, is that shown in the picture, "Safe Ballooning." Here a
battle is going on, and the individuals in the balloon, safely
watching the progress of events and the movements of the enemy,
transmit their observations to the army with which they are connected.
Of course the men on the ground manage a balloon of this sort, and
pull it around to any point that they please, lowering it by the ropes
when the observations are concluded. Balloons are often used in
warfare in this manner.
But during the late siege of Paris, balloons became more useful than
they have ever been since their invention. A great many aëronauts left
the besieged city, floated safely over the Prussian army, and
descended in friendly localities. Some of these balloons were
captured, but they generally accomplished their purposes, and were of
great service to the French. On one occasion, however, a balloon from
Paris was driven by adverse winds to the ocean, and its occupants were
drowned.
It has not been one hundred years since the balloon was invented by
the brothers Montgolfier, of France. They used heated air instead of
gas, and their balloons were of course inferior to those of the
present day. But we have not improved very much upon the original
balloon, and what progress will eventually be made in aerial
navigation it is difficult to prophesy. But there are persons who
believe that in time air-ships will make regular trips in all
directions, like our present steamboats and railroad-trains.
If this is ever the case, I hope we may all be living to see it.
[Illustration: DRIVEN OUT TO SEA]
THE HORSE OF ARABIA.
The Arabian horse has long been celebrated as the most valuable of his
race. He is considered an aristocrat among horses, and only those
steeds which can trace their descent from Arabian ancestors have the
right to be called "thorough-bred."
Occasionally an Arabian horse is brought to this country, but we do
not often see them. In fact, they would not be as valuable here as
those horses which, besides Arabian descent, have also other
characteristics which especially adapt them to our country and
climate.
In Arabia the horse, as an individual, especially if he happens to be
of the purest breed, is more highly prized than in any other part of
the world. It is almost impossible to buy a favorite horse from an
Arab, and even if he can be induced to sell it, the transaction is a
very complicated one. In the first place, all the relations and allies
of the owner must give their consent, for the parting with a horse to
a stranger is a very important matter with them. The buyer must then
make himself sure that the _whole of the horse_ belongs to the man who
is selling him, for the Arabs, when they wish to raise money, very
often do so by selling to a member of their tribe a fore-leg, a
hind-leg, or an ear, of one of their horses; and in this case, the
person who is a part owner of the animal must have his proportionate
share of all profits which may arise from its sale or use. This
practice is very much like our method of mortgaging our lands.
When the horse is finally bought and paid for, it had better be taken
away as soon as possible, for the Arabs--even those who have no
interest whatever in the sale--cannot endure to see a horse which once
belonged to their tribe passing into the hands of strangers. And
therefore, in order to soothe their wounded sensibilities, they
often steal the animal, if they can get a chance, before the buyer
carries him out of their reach.
[Illustration: ARABIAN HORSE.]
The Arabian horse is generally much more intelligent and docile than
those of our country. But this is not altogether on account of his
good blood. The Arab makes a friend and companion of his horse. The
animal so constantly associates with man, is talked to so much, and
treated so kindly, that he sometimes shows the most surprising
intelligence. He will follow his master like a dog; come at his call;
stand anywhere without moving, until his master returns to him; stop
instantly if his rider falls from his back, and wait until he mounts
again; and it has been said that an Arabian horse has been known to
pick up his wounded master from the field of battle, and by fastening
his teeth in the man's clothes, to carry him to a place of safety.
There is no doubt, if we were to treat our horses with gentleness and
prudence, and in a measure make companions of them whenever it was
possible, that they would come to regard us with much of the affection
and obedience which the Arabian horse shows to his master.
INDIAN PUDDINGS: PUMPKIN PIES.
[Illustration]
Some of the good old folks whom I well remember, called these things
"Ingin-puddins and punkin pies," but now we all know what very
incorrect expressions those were. Rut, even with such highly improper
names, these delicacies tasted quite--as well in those days as they
do now, and, if my youthful memory does not mislead me, they tasted a
little better.
There is no stage of the rise and progress of Indian puddings and
pumpkin pies, with which, when a youngster, I was not familiar. In the
very beginning of things, when the fields were being ploughed, "we
boys" were there. True, we went with no intent to benefit either the
corn-crop or the pumpkin-vines. We merely searched in the newly
turned-up earth for fish-worms. But for all that, we were there.
And when the corn was all planted, how zealous we used to be about the
crows! What benevolent but idiotic old scarecrows we used to
construct, and how _extremely_ anxious we were to be intrusted with
guns, that we might disperse, at once and forever, these black
marauders! For well we knew that a few dead crows, stuck up here and
there on stakes, would frighten away all the rest of the flock.
But we were not allowed the guns, and, even if we had had them, it is
probable that the crows would all have died of old age, had they
depended for an early death upon our powder and shot. With their
sagacity, their long sight, and their sentinels posted on the high
trees around the field, they were not likely to let a boy with a gun
approach very near to them. I have heard--and have no doubt of the
truth of the statement--that one of the best ways to shoot crows is to
go after them in a wagon, keeping your gun, of course, as much out of
sight as possible. Crows seem to know exactly what guns are intended
for. But they are seldom afraid of a wagon. They expect no danger from
it, and one can frequently drive along a country road while crows are
quietly feeding in the field adjoining, quite close to the fence.
But if any one goes out to shoot crows in this way he had better be
very careful that he has an excessively mild and unimpressible horse.
For, if the horse is frightened at the report of the gun, and dashes
away, and smashes the wagon, and breaks his harness, and spills
everything out of the wagon into the dust, mud, and bramble-bushes,
and throws the gunner heels over head into a ditch, it may be that a
dead crow will hardly pay him for his trouble and expense in procuring
it.
But after a time the corn got so high that it was not afraid of a
bird, and then we forgot the crows. But we liked to watch the corn in
all its stages. We kept a sharp look-out for the young pumpkin-vines,
and were glad to see the beans, which were planted in the hills with
the corn in some parts of the field.
There is one great advantage in a corn-field which many other fields
do not possess: you can always walk in it! And when the corn is higher
than your head, and the great long leaves are rustling in the wind,
and you can hardly see each other a dozen yards away, what a glorious
thing it is to wander about amidst all this cool greenness, and pick
out the biggest and the fattest ears for roasting!
You have then all the loveliness of Nature, combined with the hope of
a future joy, which Art--the art of your mother, or whoever roasts the
corn--will give you.
But the triumph of the corn-field is not yet. The transformation of
its products into Indian puddings and pumpkin pies will not occur
until the golden Autumn days, when the sun, and the corn, and the
pumpkins are all yellow alike, and gold--if it was not so
scarce--would be nothing to compare to any of them. Then come the men,
with their corn-cutters--pieces of scythe-blades, with handles fitted
to them--and down go the corn-stalks. Only one crack apiece, and
sometimes a big cut will slice off the stalks on a whole hill.
How we used to long to wield those corn-cutters!
But our parents thought too much of our legs.
When the corn has been cut and carried away, the pumpkins are enough
to astonish anybody. We never had any idea that there were so many!
At last, when the days were getting short, and the mornings were a
little cool, and the corn was in the cribs, and the pumpkins were in
the barn, and some of us had taken a grist to the mill, then were the
days of the pudding of Indian corn and the pies of pumpkin!
Then we stayed in the kitchen and saw the whole delightful process,
from the first mixing of the yellow meal with water, and the first cut
into the round pumpkins, until the swelling pudding and the tranquil
pie emerged in hot and savory grandeur from the oven.
It is of no use to expect those days to return. It is easy enough to
get the pies and the puddings, but it is very hard to be a boy again.
LIVING IN SMOKE.
[Illustration]
Here is a mosquito of which the bravest man might be afraid; but,
fortunately, these insects are not found quite so large as the one in
the drawing, for he is considerably magnified. But when we hear even a
very small fellow buzzing around our heads, in the darkness of a
summer night, we are very apt to think that he sounds as if he were at
least as big as a bat.
In some parts of our country, mosquitoes are at certain seasons so
plentiful and bloodthirsty that it is impossible to get along
comfortably in their company. But, except in spots where no one would
be likely to live, whether there were mosquitoes there or not, these
insects do not exist in sufficient numbers to cause us to give up our
ordinary style of living and devote all our energies to keeping them
at a distance.
In some other countries, however, the people are not so fortunate. In
Senegal, at certain seasons, the inhabitants are driven from their
habitations by the clouds of mosquitoes which spread over the land,
and are forced to take refuge on high platforms, under which they keep
fires continually burning.
The smoke from these fires will keep away the mosquitoes, but it
cannot be very pleasant to the Senegalians. However, they become used
to it, and during the worst of the mosquito season, they eat, drink,
sleep, and enjoy themselves to the best of their ability on these
platforms, which for the time become their houses.
[Illustration: A SMOKY DWELLING.]
It would probably seem to most of us, that to breathe an atmosphere
constantly filled with smoke, and to have it in our eyes and noses all
the time, would be almost as bad, if not quite, as suffering the
stings of mosquitoes.
But then we do not know anything about Senegalian mosquitoes, and the
accounts which Dr. Livingstone and other travellers give of the
insects in Africa, ought to make us feel pretty sure that these
woolly-headed folks on the platforms know what is good for them.
THE CANNON OF THE PALAIS ROYAL.
[Illustration]
In the Gardens of the Palais Royal, in Paris, there is a little cannon
which stands on a pedestal, and is surrounded by a railing. Every day
it is loaded with powder and wadding, but no one on earth is allowed
to fire it off. However, far away in the realms of space, ninety-three
millions of miles from our world, there is the great and glorious Sun,
and every day, at twelve o'clock, he fires off that little cannon,
provided there are no clouds in the way. Just before noon on bright
days, the people gather around the railing, with their watches in
their hands,--if they are so lucky as to have watches,--and precisely
at twelve o'clock, _bang!_ she goes.
The arrangement which produces this novel artillery-practice is very
simple. A burning-glass is fixed over the cannon in such a manner that
when the sun comes to the meridian--which it does every day at noon,
you know--its rays are concentrated on the touch-hole, and of course
the powder is ignited and the cannon is fired.
Most boys understand the power of a burning-glass, and know how easily
dry grass or tinder, or a piece of paper, may be set on fire by a good
glass when the sun is bright; but they would find it very difficult to
place a glass over a little cannon so that it would infallibly be
discharged at any set hour. And even if they could do it, they would
not be sure of their cannon-clock being _exactly_ right, for the sun
does not keep the very best time. He varies a little, and there is a
difference between solar time and true time. But the sun is always
near enough right for all ordinary intents and purposes.
I know boys--lazy fellows--and some girls of the same sort, for that
matter,--who, if they could, would have, just outside of their
school-doors, one of the largest cannon, which should go off every day
at the very earliest hour at which school would let out, and which
should make such a tremendous report that it would be impossible for
the teacher to overlook the time and keep them in too long.
But if these same boys and girls were putting up a cannon to go off at
the hour when school commenced, they would get such a little one that
it wouldn't frighten a mouse.
WATERS, DEEP AND SHALLOW.
With such a vast subject before us as the waters of our beautiful
world, we must be systematic. So we will at first confine ourselves to
the observation of _pleasant waters_.
[Illustration]
Let us begin at the beginning.
This pretty little spring, with its cool water running day and night
into the old barrel, and then gurgling over the staves, flowing away
among the grass and flowers, is but a trifling thing perhaps, and
might be passed with but little notice by people who have always lived
in cities. But country-folks know how to value a cool, unfailing
spring. In the hot days of summer the thirsty and tired farmer would
rather see that spring than an ice-cream saloon. Yes, even if he has
nothing to drink from but a gourd, which may be lying there among the
stones. He may have a tin-cup with him,--and how shocking! he may
drink out of his hands! But, let him use what he may, he certainly
gets a most delicious drink.
I once knew a little girl who said she could not bear spring-water;
she did not think it was clean, coming out of the ground in that way.
I asked her if she liked well-water; but she thought that was worse
yet, especially when it was hauled up in old buckets. River-water she
would not even consider, for that was too much exposed to all sorts of
dirty things to be fit to drink. I then wished to know what kind of
water she did like, and she answered, readily enough, "hydrant-water."
I don't know where she imagined hydrant-water came from, but she may
have thought it was manufactured, by some clean process, out at the
water-works.
But let us follow this little stream which trickles from the barrel.
We cannot walk by its banks all the time, for it winds so much and
runs through places where the walking is very bad; but let us go
across the fields and walk a mile or two into the woods, and we will
meet with it again. Here it is!
What a fine, tumbling stream it has grown to be now! It is even big
enough to have a bridge over it. It does not always rush so noisily
among the rocks; but this is early summer; there has been plenty of
rain, and the brook is full and strong. Now, then, if this is a trout
country, we ought to have our hooks and lines with us. Among the
eddies of this stream we might find many a nice trout, and if we were
only successful enough to catch some of them after we had found them,
we would be sure of a reward for our walk, even if the beauty of the
scene did not repay us.
But let us go on. This stream does not stop here.
After we have walked a mile or so more, we find that our noisy friend
has quieted down very much indeed. It is a little wider, and it may be
it is a little deeper, but it flows along very placidly between its
low banks. It is doubtful if we should find any trout in it now, but
there may be cat-fish and perch, and some sun-fish and eels.
[Illustration]
And now the stream suddenly spreads out widely. It is a little lake!
No, it is only a mill-pond.
Let us walk around and come out in front of the mill.
How the stream has diminished again!
[Illustration]
As it comes out of the mill-race and joins itself to that portion
which flows over the dam, it is a considerable creek, to be sure, but
it looks very small compared to the mill-pond. But what it wants in
size it makes up in speed, like some little Morgan horses you may have
seen, and it goes rushing along quite rapidly again. Here, now, is a
splendid chance to catch a chub.
If we had some little minnows for bait, and could stand on the bank
there to the left, and throw our lines down into the race, we ought to
be able to hook a chub, if there are any there, and I think it is very
likely that there are. A chub, if he is a good-sized fellow, is a fish
worth catching, even for people who have been fishing for trout. One
big chub will make a meal for a small family.
But let us follow the creek and see what new developments we shall
discover. To be sure, you may say that following up a stream from its
very source involves a great deal of walking; but I can answer with
certainty that a great deal of walking is a very easy thing--in books!
So on we go, and it is not long before we find that our watery friend
has ceased to be a creek, and is quite worthy of being called a fine
young river. But still it is scarcely fit yet for navigation. There
are rocks in the very middle of the stream, and every now and then we
come to a waterfall. But how beautiful some of those cascades are!
What a delightful thing it would be, on a warm summer evening, to
bathe in that deliciously cool water. It is deep enough for a good
swim, and, if any of us want a shower-bath, it would be a splendid
thing to sit on the rocks and let the spray from the fall dash over
us! And there are fish here, I am sure. It is possible that, if we
were to sit quietly on the bank and fish, we might soon get a string
of very nice perch, and there is no knowing what else. This stream is
now just about big enough and little enough to make the character of
its fish doubtful. I have known pike--fellows two feet long--caught in
such streams as this; and then again, in other small rivers, very much
like it, you can catch nothing but cat-fish, roach, and eels.
If we were to follow up our river, we would soon find that it grew
larger and larger, until row-boats and sloops, and then schooners and
perhaps large ships, sailed upon its surface. And at last we might
follow it down to its mouth, and, if it happened to flow into the sea,
we would probably behold a grand scene. Some rivers widen so greatly
near their mouths that it is difficult to believe that they are rivers
at all.
[Illustration]
On the next page we see a river which, at its junction with the ocean,
seems almost like a little sea itself.
[Illustration]
We can hardly credit the fact that such a great river as the Amazon
arose from a little spring, where you might span the body of the
stream with your hand. But, at its source, there is no doubt just such
a little spring. The great trouble, however, with these long rivers,
is to find out where their source really is. There are so many brooks
and smaller rivers flowing into them that it is difficult to determine
the main line. You know that we have never settled that matter in
regard to the Mississippi and Missouri. There are many who maintain
that the source of the Mississippi is to be found at the head of the
Missouri, and that the latter is the main river. But we shall not try
to decide any questions of that sort. We are in quest of pleasant
waters, not difficult questions.
[Illustration: FALLS OF GAVARNI.]
There is no form which water assumes more grand and beautiful than the
cascade or waterfall. And these are of very varied shapes and sizes.
Some of the most beautiful waterfalls depend for their celebrity, not
upon their height, but upon their graceful forms and the scenery by
which they are surrounded, while others, like the cascade of Gavarni,
are renowned principally for their great height.
There we see a comparatively narrow stream, precipitating itself down
the side of an enormous precipice in the Pyrenees. Although it appears
so small to us, it is really a considerable stream, and as it strikes
upon the jutting rocks and dashes off into showers of spray, it is
truly a beautiful sight.
There are other cascades which are noted for a vast volume of water.
Some of these are well known, but there is one, perhaps, of which you
have never heard.
When Dr. Livingstone was travelling in Africa he was asked by some of
the natives if in his country there was any "smoke which sounds." They
assured him that such a thing existed in their neighborhood, although
some of them did not seem to comprehend the nature of it. The Doctor
soon understood that their remarks referred to a waterfall, and so he
took a journey to it. When he came within five or six miles of the
cataract, he saw five columns of smoke arising in the air; but when he
reached the place he found that this was not smoke, but the vapor from
a great fall in the river Zambesi.
These falls are very peculiar, because they plunge into a great abyss,
not more than eighty feet wide, and over three hundred feet deep. Then
the river turns and flows, for many miles, at the bottom of this vast
crack in the earth. Dr. Livingstone thinks these falls are one of the
wonders of the world.
There is no doubt, however, about the king of cataracts. That is
Niagara. If you have seen it you can understand its grandeur, but
you can never appreciate it from a written description. A picture
will give you some idea of it, but not a perfect one, by any means.
[Illustration: FALLS OF ZAMBESI.]
The Indians called these falls "thundering water," and it was an
admirable title. The waters thunder over the great precipice, as they
have done for thousands of years before we were born, and will
continue to do thousands of years after we are dead.
The Falls of Niagara are divided by an island into two portions,
called the Canadian and the American Falls. This island lies nearer to
the United States shore than to that of Canada. Therefore the American
Falls are the smallest. This island is named Goat Island, and you have
a good view of it in the picture.
[Illustration]
It seems as if the resistless torrent would some day tear away this
lonely promontory, as it rushes upon and around it. It is not unlikely
that in the course of ages the island may be carried away.
Even now, portions of it are occasionally torn off by the rush of the
waters.
You can cross over to Goat Island by means of a bridge, and when there
you can go down _under the falls_. Standing in what is called the
"Cave of the Winds," you can look out at a thick curtain of water,
from eighteen to thirty feet thick, pouring down from the rocks above.
This curtain, dark and glittering, is a portion of the great falls.
It is necessary to spend days at Niagara before its grandeur can be
fully appreciated. But we must pass on to other waters, and not tarry
at this glorious cataract until we are carried away by our subject.
We will now look at, for a short time, what may be called _Profitable
Waters_. The waters of the earth are profitable in so many ways that
it would be impossible for us to consider them all. But we will simply
glance at a few scenes, where we can easily perceive what advantages
man derives from the waters, deep or shallow. In our own country there
is no more common method of making a living out of the water than by
fishing with a net.
The men in the picture, when they have hauled their seine to shore,
will probably find as good a reward for their labor as if they had
been working on the land instead of in the river; and if it is shad
for which they are fishing, their profits will probably be greater.
You know that our shad fisheries are very important sources of income
to a great many people. And the oyster fisheries are still more
valuable.
When we mention the subject, of making a living out of the water, we
naturally think first of nets, and hooks and lines. It is true that
mills, and steamships, and packet-lines, and manufactories, are far
more important; but they require capital as well as water. Men fish
all over the world, but on some waters vessels or saw-mills are never
seen.
[Illustration]
The styles of fishing, however, are very various. Here is a company of
Africans, fishing with javelins or spears.
They build a sort of platform or pier out into the river, and on this
they stand, with their spears in their hands, and when a fish is seen
swimming in the water, down comes the sharp-pointed javelin, which
seldom misses him. Then he is drawn upon the platform by means of the
cord which is fastened to the spear. A whole family will go out
fishing in this way, and spend the day on the platform. Some will
spear the fish, while others will clean them, and prepare them for
use. One advantage that this party possesses is, that if any of them
should tumble into the water, they would not get their clothes wet.
[Illustration]
But sometimes it will not do for the fisherman to endeavor to draw up
the treasures of the deep while he remains at the surface of the
water; very often he must go down after them. In this way a great many
of the most valuable fisheries are conducted. For instance, the
sponge-fishers are obliged to dive down to the very bottom of the
water, and tear off the sponges from the rocks to which they fasten
themselves. Some of the most valuable sponge-fisheries are on the
coast of Syria, and you may here see how they carry on their
operations.
[Illustration]
This is a very difficult and distressing business to the divers They
have to remain under the water as long as they can possibly hold their
breath, and very often they are seriously injured by their exertions
in this way. But when we use the sponges we never think of this. And
if we did, what good would it do? All over the world men are to be
found who are perfectly willing to injure their health, provided they
are paid for it.
The pearl-fisheries are quite as disastrous in their effects upon the
divers as those of which we have just been speaking.
The pearl-diver descends by the help of a long rope, to the end of
which is attached a heavy stone. He stands on the stone, holds the
rope with one hand and his nose with the other, and quickly sinks to
the bottom. Then he goes to work, as fast as he can, to fill a net
which hangs from his neck, with the pearl-oysters. When he can stay
down no longer, the net and stone are drawn up by the cord, and he
rises to the surface, often with blood running from his nose and ears.
But then, those who employ them sometimes get an oyster with as fine
pearls as this one contains.
[Illustration]
It is perfectly possible, however, to dive to the bottom of the sea
with very valuable results, without undergoing all this terrible
injury and suffering. In this country and Europe there are men who,
clad in what is called submarine armor, will go to the bottom of a
river, or bay, or the sea,--where it is not very deep--and there walk
about almost as comfortably as if they were on land. Air is supplied
to them by long pipes, which reach to the surface, and these divers
have been made very useful in discovering and removing wrecks,
recovering sunken treasure, and in many other ways.
[Illustration]
For instance, you have a picture of some divers at the bottom of the
port of Marseilles. A box of gold had fallen from a steamship, and the
next day these two men went down after it. They found it, and it was
hauled safely to the surface by means of the ropes which they attached
to it.
You see how strangely they are dressed. An iron helmet, like a great
iron pot, is over each of their heads, and a reservoir, into which the
air is pumped, is on their backs. They can see through little windows
in their masks or helmets, and all they have to do is to walk about
and attend to their business, for men above supply them with a
sufficiency of air for all breathing purposes, by means of an air-pump
and a long flexible tube.
We have not even alluded to many profitable waters; we have said
nothing about those vast seas where the great whale is found, or of
the waters where men catch the valuable little sardine.
We have not mentioned corals, nor said anything about those
cod-fisheries, which are considered of sufficient importance,
sometimes, to go to war about. But these, with many other subjects of
the kind, we must leave unnoticed, while we cast our eyes upon some
_Dangerous Waters_.
We all know that almost any water, if it be a few feet deep, is
dangerous at certain times and under certain conditions.
The creek, which in its deepest parts is not up to your chin, may be
the death of you if you venture upon it in winter, when the ice is
thin, and you break through. Without help, you may be able neither to
swim out or climb out.
But oceans and seas are the waters where danger may nearly always be
expected. The sea may be as smooth as glass, the skies bright, and not
a breath of wind be stirring; or a gentle breeze, just enough to
ripple the water, may send our vessel slowly before it, and in a few
hours the winds may be roaring, the waves dashing into the air, and
the skies dark with storm-clouds.
If we are upon a large and strong steamer, we may perhaps feel safe
enough among the raging waves; but if our vessel be a fishing-boat, or
a small pleasure-craft, we have good reason to be afraid Yet many a
little sloop like this rides bravely and safely through the storms.
But many other little vessels, as strong and as well steered, go to
the bottom of the ocean every year. If the sailor escapes severe
storms, or sails in a vessel which is so stout and ably managed as to
bid defiance to the angry waves, he has other dangers in his path. He
may, for instance, meet with icebergs. If the weather is clear and the
wind favorable, he need not fear these floating mountains of ice. But
if it be night, or foggy, and he cannot see them, or if, in spite of
all his endeavors, the wind drives him down upon them, then is his
vessel lost, and, in all probability, the lives of all upon it.
Sometimes, however, the passengers and crew may escape in boats, and
instances have been related where they have taken refuge on the
iceberg itself, remaining there until rescued by a passing ship.
[Illustration]
But, be the weather fair or foul, a ship is generally quick to leave
the company of so dangerous a neighbor as an iceberg. Sometimes great
masses of ice take a notion to topple over, and, looking at the matter
in what light you please, I think that they are not to be trusted.
Then there is the hurricane!
A large ship may bravely dare the dangers of an ordinary storm, but
nothing that floats on the surface of the water can be safe when a
whirlwind passes over the sea, driving everything straight before it
Great ships are tossed about like playthings, and strong masts are
snapped off as if they had been made of glass.
[Illustration]
If a ship is then near a coast, her crew is seldom able, if the wind
blows towards the land, to prevent her from being dashed upon the
rocks; and if she is out upon the open sea, she is often utterly
disabled and swallowed up by the waves.
I have known boys who thought that it would be perfectly delightful
to be shipwrecked. They felt certain that they would be cast (very
gently, no doubt) upon a desert island, and there they would find
everything that they needed to support life and make them comfortable;
and what they did not get there they would obtain from the wreck of
the ship, which would be lying on the rocks, at a convenient distance
from the shore. And once on that island, they would be their own
masters, and would not have to go to school or do anything which did
not please them.
[Illustration]
This is the good old Robinson Crusoe idea, which at one time or
another runs in the mind of nearly every boy, and many girls, too, I
expect; but a real shipwreck is never desired the second time by any
person who has experienced one.
Sometimes, even when the crew think that they have safely battled
through the storm, and have anchored in a secure place, the waves
dash upon the vessel with such force that the anchor drags, the masts
go by the board, and the great ship, with the hundreds of pale faces
that crowd her deck, is dashed on the great rocks which loom up in the
distance.
[Illustration]
Among other dangers of the ocean are those great tidal waves, which
often follow or accompany earthquakes, and which are almost as
disastrous to those living upon the sea-coast as to those in ships.
Towns have been nearly destroyed by them, hundreds of people drowned,
and great ships swept upon the land, and left there high and dry. In
tropical latitudes these tremendous upheavals of the ocean appear to
be most common, but they are known in all regions which are subject to
serious shocks of earthquakes.
[Illustration]
Waterspouts are other terrible enemies of the sailor. These, however
dangerous they may be when they approach a ship, are not very common,
and it is said that they may sometimes be entirely dispersed by firing
a cannon-ball into the midst of the column of water. This statement
is rather doubtful, for many instances have been related where the
ball went directly through the water-spout without any effect except
to scatter the spray in every direction. I have no doubt that sailors
always keep as far away from water-spouts as they can, and place very
little reliance on their artillery for their safety.
And now, have you had enough water?
We have seen how the waters of the earth may be enjoyed, how they may
be made profitable to us, and when we should beware of them.
[Illustration]
But before we leave them, I wish to show you, at the very end of this
article, something which is a little curious in its appearance. Let us
take a step down to the very bottom of the sea; not in those
comparatively shallow places, where the divers descend to look for
wrecks and treasure, but in deep Water, miles below the surface. Down
there, on the very bottom, you will see this strange thing. What do
you suppose it is?
It is not an animal or a fish, or a stone, or shell. But plants are
growing upon it, while little animals and fishes are sticking fast to
it, or swimming around it. It is not very thick--scarcely an inch--and
we do not see much of it here; but it stretches thousands of miles. It
reaches from America to Europe, and it is an Atlantic Cable. There is
nothing in the water more wonderful than that.
HANS, THE HERB-GATHERER.
[Illustration]
Many years ago, when people had not quite so much sense as they have
now, there was a poor widow woman who was sick. I do not know what was
the matter with her, but she had been confined to her bed for a long
time.
She had no doctor, for in those days many of the poor people, besides
having but little money, had little faith in a regular physician. They
would rather depend upon wonderful herbs and simples, which were
reported to have a sort of magical power, and they often used to
resort to charms and secret incantations when they wished to be cured
of disease.
This widow, whose name was Dame Martha, was a sensible woman, in the
main, but she knew very little about sickness, and believed that she
ought to do pretty much as her neighbors told her. And so she followed
their advice, and got no better.
There was an old man in the neighborhood named Hans, who made it a
regular business to gather herbs and roots for moral and medical
purposes. He was very particular as to time and place when he went out
to collect his remedies, and some things he would not touch unless he
found them growing in the corner of a churchyard--or perhaps under a
gallows--and other plants he never gathered unless the moon was in its
first quarter, and there was a yellow streak in the northwest, about a
half-hour after sunset. He had some herbs which he said were good for
chills and fever; others which made children obedient; others which
caused an old man's gray hair to turn black and his teeth to grow
again--if he only took it long enough; and he had, besides, remedies
which would cure chickens that had the pip, horses that kicked, old
women with the rheumatism, dogs that howled at the moon, boys who
played truant, and cats that stole milk.
Now, to our enlightened minds it is very evident that this Hans was
nothing more than an old simpleton; but it is very doubtful if he
thought so himself, and it is certain that his neighbors did not. They
resorted to him on all occasions when things went wrong with them,
whether it was the butter that would not come in their churns, or
their little babies who had fevers.
Therefore, you may be sure that Dame Martha sent for Hans as soon as
she was taken ill, and for about a year or so she had been using his
herbs, making plasters of his roots, putting little shells that he
brought under her pillow, and powwowing three times a day over bunches
of dried weeds ornamented with feathers from the tails of yellow hens
that had died of old age. But all that Hans, could do for her was of
no manner of use. In vain he went out at night with his lantern, and
gathered leaves and roots in the most particular way. Whether the moon
was full or on the wane; whether the tail of the Great Dipper was
above the steeple of the old church, or whether it had not yet risen
as high as the roof; whether the bats flew to the east or the west
when he first saw them; or whether the Jack o'lanterns sailed near the
ground (when they were carried by a little Jack), or whether they were
high (when a tall Jack bore them), it made no difference. His herbs
were powerless, and Dame Martha did not get well.
About half a mile from the widow's cottage there lived a young girl
named Patsey Moore. She was the daughter of the village Squire, and a
prettier girl or a better one than Patsey is not often met with. When
she heard of Dame Martha's illness she sometimes used to stop at the
cottage on her way to school, and leave with her some nice little
thing that a sick person might like to eat.
One day in spring, when the fields were full of blossoms and the air
full of sunshine and delicious odors, Patsey stopped on her way from
school to gather a bunch of wild-flowers.
They grew so thickly and there were so many different kinds, that she
soon had a bouquet that was quite fit for a parlor. On her way home
she stopped at Dame Martha's cottage.
"I am sorry, Dame Martha," said she, "that I have nothing nice for
you to-day, but I thought perhaps you would like to have some flowers,
as it's Spring-time and you can't go out."
[Illustration]
"Indeed, Miss Patsey," said the sick woman, "you could'nt have brought
me anything that would do my heart more good. It's like hearing the
birds sing and sittin' under the hedges in the blossoms, to hear you
talk and to see them flowers."
Patsey was very much pleased, of course, at this, and after that she
brought Dame Martha a bouquet every day.
And soon the good woman looked for Patsey and her beautiful flowers as
longingly and eagerly as she looked for the rising of the sun.
Old Hans very seldom came to see her now, and she took no more of his
medicines. It was of no use, and she had paid him every penny that she
had to spare, besides a great many other things in the way of little
odds and ends that lay about the house. But when Patsey stopped in,
one afternoon, a month or two after she had brought the first bunch of
flowers, she said to the widow:
"Dame Martha, I believe you are a great deal better."
"Better!" said the good woman, "I'll tell you what it is, Miss Patsey,
I've been a thinking over the matter a deal for the last week, and
I've been a-trying my appetite, and a-trying my eyes, and a-trying how
I could walk about, and work, and sew, and I just tell you what it is,
Miss Patsey, I'm well!"
And so it was. The widow was well, and nobody could see any reason for
it, except good Dame Martha herself. She always persisted that it was
those beautiful bunches of flowers that Patsey had brought her every
day.
"Oh, Miss Patsey!" she said, "If you'd been a-coming to me with them
violets and buttercups, instead of old Hans with his nasty bitter
yarbs, I'd a been off that bed many a day ago. There was nothing but
darkness, and the shadows of tomb-stones, and the damp smells of the
lonely bogs about his roots and his leaves. But there was the heavenly
sunshine in your flowers, Miss Patsey, and I could smell the sweet
fields, when I looked at them, and hear the hum of the bees!"
It may be that Dame Martha gave a little too much credit to Patsey's
flowers, but I am not at all sure about it. Certain it is, that the
daily visits of a bright young girl, with her heart full of kindness
and sympathy, and her hands full of flowers from the fragrant fields,
would be far more welcome and of far more advantage to many sick
chambers than all the old herb-gatherers in the world, with their
bitter, grave-yard roots, and their rank, evil-smelling plants that
grow down in the swamps among the frogs and snakes.
Perhaps you know some sick person. Try Patsey's treatment.
SOME CUNNING INSECTS.
[Illustration]
We hear such wonderful stories about the sense and ingenuity displayed
by insects, that we are almost led to the belief that some of them
must have a little reason--at least as much as a few men and women
that we know.
Of all, these wise insects, there is none with more intelligence and
cunning than the ant. How many astonishing accounts have we had of
these little creatures, who in some countries build great houses,
almost large enough for a man to live in; who have a regular form of
government, and classes of society--soldiers, workers, gentlemen and
ladies; and who, as some naturalists have declared, even have handsome
funerals on the occasion of the death of a queen! It is certain that
they build, and work, and pursue their various occupations according
to systems that are wisely conceived and most carefully carried out.
[Illustration]
Dr. Ebrard, who wrote a book about ants and their habits, tells a
story of a little black ant who was building an arch at the foundation
of a new ant-hill. It was necessary to have some means of supporting
this arch, which was made of wet mud, until the key-stone should be
put in and all made secure. The ant might have put up a couple of
props, but this is not their habit in building. Their laws say nothing
about props. But the arch must be supported, and so Mr. Ant thought
that it would be a good idea to bend down a tall stalk of wheat which
grew near the hill, and make it support the arch until it was
finished. This he did by carrying bits of wet mud up to the end of the
stalk until he had piled and stuck so much upon it that the heavy top
bent over. But, as this was not yet low enough, and more mud could not
be put on the slender stem without danger of breaking it, the ant
crammed mud in between the stalk at its root and the other stalks, so
that it was forced over still more. Then he used the lowered end to
support his arch!
[Illustration]
Some other ants once found a cockchafer's wing, which they thought
would be a capital thing to dry for winter, and they endeavored to get
it into the entrance of their hill. But it was too big. So they drew
it out and made the hole larger. Then they tried again, but the wing
was still too wide. They turned it and made several efforts to get it
in sideways, and upside down, but it was impossible; so they lifted it
away, and again enlarged the hole. But the wing would not yet go in.
Without losing patience, they once more went to work, and, after
having labored for three hours and a half, they at last had the
pleasure of seeing their dried wing safely pulled into their
store-room.
[Illustration]
Then, there are spiders. They frequently show the greatest skill and
cunning in the construction of their webs and the capture of their
prey, and naturalists say that the spider has a very well developed
brain. They must certainly have a geometrical talent, or they could
not arrange their webs with such regularity and scientific accuracy.
Some spiders will throw their webs across streams that are quite wide.
Now, to do this, they must show themselves to be engineers of no small
ability. Sometimes they fasten one end of a thread to a twig on one
side of the stream, and, hanging on the other end, swing over until
they can land on the other side. But this is not always possible, for
they cannot, in some places, get a chance for a fair swing. In such a
case, they often wait until the wind is blowing across the stream
from the side on which they are, and, weaving a long line, they let it
out until the wind carries it over the stream, and it catches in the
bushes or grass on the other side. Of course, after one thread is
over, the spider can easily run backward and forward on it, and carry
over all the rest of his lines.
[Illustration]
Bees have so much sense that we ought almost to beg their pardon when
we speak of their instinct. Most of us have read what Huber and others
have told us of their plans, inventions, laws, and regular habits. It
is astonishing to read of a bee-supervisor, going the round of the
cells where the larvæ are lying, to see if each of them has enough
food. He never stops until he has finished his review, and then he
makes another circuit, depositing in each cell just enough food--a
little in this one, a great deal in the next, and so on.
There were once some bees who were very much disturbed by a number of
great moths who made a practice of coming into their hives and
stealing their honey. Do what they could, the bees could not drive
these strong creatures out.
But they soon hit upon a plan to save their honey. They blocked up
all the doors of the hive with wax, leaving only a little hole, just
big enough for one bee to enter at a time. Then the moths were
completely dumbfounded, and gave up the honey business in despair.
But the insect to which the epithet of cunning may be best ascribed,
is, I think, the flea. If you doubt this, try to catch one. What
double backsprings he will turn, what fancy dodges he will execute,
and how, at last, you will have to give up the game and acknowledge
yourself beaten by this little gymnast!
[Illustration]
But fleas have been taught to perform their tricks of strength and
activity in an orderly and highly proper manner. They have been
trained to go through military exercises, carrying little sticks for
guns; to work and pull about small cannon, although the accounts say
nothing about their firing them off; and, what seems the most
wonderful of all, two fleas have been harnessed to a little coach
while another one sat on the box and drove! The whole of this
wonderful exhibition was so small that a microscope had to be used in
order to properly observe it.
The last instance of the intelligence of insects which I will give is
something almost too wonderful to believe, and yet the statement is
made by a Dr. Lincecum, who studied the habits of the insect in
question for twelve years, and his investigations were published in
the _Journal of the Linnæan Society_. Dr. Lincecum says, that in Texas
there is an ant called by him the Agricultural Ant, which not only
lays up stores of grain, but prepares the soil for the crop; plants
the seed (of a certain plant called ant-rice); keeps the ground free
from weeds; and finally reaps the harvest, and separating the chaff
from the grain, packs away the latter, and throws the chaff outside of
the plantation. In "Wood's Bible Animals" you can read a full account
of this ant, and I think that after hearing of its exploits, we can
believe almost anything that we hear about the intelligence of
insects.
A FIRST SIGHT OF THE SEA.
[Illustration]
If you have ever seen the ocean, you will understand what a grand
thing it is to look for the first time upon its mighty waters,
stretching away into the distance, and losing themselves in the clouds
and sky. We know it is thousands of miles over to the other shore, but
for all that we have a pretty good idea of that shore. We know its
name, and have read about the people who live there.
But when, in the beginning of the sixteenth century, Vasco Nuñez de
Balboa stood upon the shore of the Pacific, and gazed over its
boundless waters, the sight to him was both grand and mysterious. He
saw that a vast sea lay beneath and before him--but that was all he
knew. Europeans had not visited it before, and the Indians, who had
acted as his guides, knew but little about it. If he had desired to
sail across those vast blue waters, Balboa would have had no idea upon
what shores he would land or what wonderful countries and continents
he would discover.
Now-a-days, any school-boy could tell that proud, brave soldier, what
lay beyond those billows. Supposing little Johnny Green (we all know
him, don't we?) had been there, how quickly he would have settled
matters for the Spanish chieftain.
"Ah, Mr. Balboa," Johnny would have said, "you want to know what lies
off in that direction--straight across? Well, I can tell you, sir. If
you are standing, as I think you are, on a point of the Isthmus of
Darien, where you can look directly westward, you may cast your eyes,
as far as they will go, over a body of water, which, at this point, is
about eleven thousand miles wide. No wonder you jump, sir, but such is
the fact. If you were to sail directly west upon this ocean you would
have a very long passage before you came upon any land at all, and the
first place which you would reach, if you kept straight on your
westward course, would be the Mulgrave Islands. But you would have
passed about seven or eight hundred miles to the southward of the
Sandwich Islands, which are a very important group, where there is an
enormous volcano, and where Captain Cook will be killed in about two
hundred and fifty years. If you then keep on, you will pass among the
Caroline Islands, which your countrymen will claim some day; and if
you are not eaten up by the natives, who will no doubt coax you to
land on some of their islands and will then have you for supper, you
will at last reach the Philippine Islands, and will probably land, for
a time, at Mindanao, to get water and things. Then, if you still keep
on, you will pass to the north of a big island, which is Borneo, and
will sail right up to the first land to the west, which will be part
of a continent; or else you will go down around a peninsula, which
lies directly in your course, and sail upon the other side of it, into
a great gulf, and land anywhere you please. Do you know where you will
be then, Mr. Balboa? Don't, eh? Well, sir, you would be just where
Columbus hoped he would be, when he reached the end of his great
voyage across the Atlantic--in the Indies! Yes, sir, all among the
gold, and ivory, and spices, and elephants and other things!
"If you can get any ships here and will start off and steer carefully
among the islands, you won't find anything in your way until you get
there. But, it was different with Columbus, you see, sir. He had a
whole continent blocking up his road to the Indies; but, for my part,
I'm very glad, for various reasons, that it happened so."
[Illustration]
It is probable that if Johnny Green could have delivered this little
speech, that Vasco Nuñez de Balboa would have been one of the most
astonished men in the world!
Whether he and his fellow-adventurers would ever have set out to sail
over those blue waters, in search of the treasures of the East, is
more than I can say, but it is certain that if he had started off on
such an expedition, he would have found things pretty much as Johnny
Green had told him.
THE LARGEST CHURCH IN THE WORLD.
[Illustration]
This is St. Peter's at Rome. Is it possible to look upon such a
magnificent edifice without acknowledging it as the grandest of all
churches? There are some others in the world more beautiful, and some
more architecturally perfect; but there is none so vast, so
impressive, so grand!
This great building was commenced in 1506, but it was a century and a
half before it was finished. Among other great architects, Michael
Angelo assisted in its construction. The building is estimated to have
cost, simply for its erection, about fifty millions of dollars, and it
has cost a great deal in addition in later years.
Its dimensions are enormous. You cannot understand what a great
building it is unless you could see it side by side with some house
or church with which you are familiar. Several of the largest churches
in this country could be stood up inside of St. Peter's without
touching walls or roof, or crowding each other in the least.
[Illustration]
There are but three works of man in the whole world which are higher
than the little knob which you see on the cupola surmounting the great
dome of St. Peter's. These more lofty buildings are the Great Pyramid
of Egypt, the Spire of Strasbourg, and the Tower of Amiens. The
highest of these, the pyramid, is, however, only forty-two feet above
St. Peter's. The great dome is supported by four pillars, each of
which is seventy feet thick!
But let us step inside of this great edifice. I think you will be
there even more impressed with its height and extent than you were
when you stood on the outside.
Is not here a vast and lofty expanse? But even from this favorable
point you cannot get a complete view of the interior. In front of you,
you see in the distance the light striking down from above. There is
the great dome, and when you walk beneath it you will be amazed at its
enormous height. There are four great halls like this one directly
before us, for the church is built in the form of a cross, with the
dome at the intersection of the arms. There are also openings in
various directions, which lead into what are called chapels, but which
are in reality as large as ordinary sized churches.
The pavement of the whole edifice is made of colored marble, and, as
you see, the interior is heavily decorated with carving and statuary.
Much of this is bronze and gold.
But if you should mount (and there are stairs by which you may make
the ascent) into the cupola at the top of the dome, and look down into
the vast church, and see the people crawling about like little insects
so far below you, you would perhaps understand better than at any
other time that it is not at all surprising that this church should be
one of the wonders of the world.
If we ever go to Europe, we must not fail to see St. Peter's Church at
Rome.
THE SOFT PLACE.
There was once a young Jaguar (he was very intimately related to the
Panther family, as you may remember), and he sat upon a bit of hard
rock, and cogitated. The subject of his reflections was very simple
indeed, for it was nothing more nor less than this--where should he
get his supper?
He would not have cared so much for his supper, if it had been that he
had had no dinner, and even this would not have made so much
difference if he had had his breakfast. But in truth he had eaten
nothing all day.
During the summer of that year the meat-markets in that section of the
country were remarkably bad. It was sometimes difficult for a panther
or a wildcat to find enough food to keep her family at all decently,
and there were cases of great destitution. In years before there had
been plenty of deer, wild turkey, raccoons, and all sorts of good
things, but they were very scarce now. This was not the first time
that our young Jaguar had gone hungry for a whole day.
While he thus sat, wondering where he should go to get something to
eat, he fell asleep, and had a dream. And this is what he dreamed.
He dreamed that he saw on the grass beneath the rock where he was
lying five fat young deer. Three of them were sisters, and the other
two were cousins. They were discussing the propriety of taking a nap
on the grass by the river-bank, and one of them had already stretched
herself out. "Now," thought the Jaguar in his dream, "shall I wait
until they all go to sleep, and then pounce down softly and kill them
all, or shall I spring on that one on the ground and make sure of a
good supper at any rate?" While he was thus deliberating in his mind
which it would be best for him to do, the oldest cousin cocked up her
ears as if she heard something, and just as the Jaguar was going to
make a big spring and get one out of the family before they took to
their heels, he woke up!
[Illustration]
What a dreadful disappointment! Not a deer, or a sign of one, to be
seen, and nothing living within a mile. But no! There is something
moving! It is--yes, it is a big Alligator, lying down there on the
rocks! After looking for a few minutes with disgust at the ugly
creature, the Jaguar said to himself, "He must have come on shore
while I was asleep. But what matters it! An Alligator! Very different
indeed from five fat young deer! Ah me! I wish he had not that great
horny skin, and I'd see if I could make a supper off of him. Let me
see! There is a soft place, as I've been told, about the alligator! If
I could but manage and get a grip of that, I think that I could settle
old Mr. Hardskin, in spite of his long teeth. I've a mind and a half
to try. Yes, I'll do it!"
[Illustration]
So saying, the Jaguar settled himself down as flat as he could and
crept a little nearer to the Alligator, and then, with a tremendous
spring, he threw himself upon him. The Alligator was asleep, but his
nap came to a very sudden close, you may be sure, and he opened his
eyes and his mouth both at the same time. But he soon found that he
would have to bestir himself in a very lively manner, for a strong
and hungry Jaguar had got hold of him. It had never before entered
into the Alligator's head that anybody would want to eat him, but he
did not stop to think about this, but immediately went to work to
defend himself with all his might. He lashed his great tail around, he
snapped his mighty jaws at his enemy, and he made the dust fly
generally. But it all seemed of little use. The Jaguar had fixed his
teeth in a certain soft place in his chest, under his fore-leg, and
there he hung on like grim death. The Alligator could not get at him
with his tail, nor could he turn his head around so as to get a good
bite.
The Alligator had been in a hard case all his life, but he really
thought that this surprising conduct of the Jaguar was something worse
than anything he had ever been called upon to bear.
"Does he really think, I wonder," said the Alligator to himself, "that
he is going to have me for his supper?"
It certainly looked very much as if Mr. Jaguar had that idea, and as
if he would be able to carry out his intention, for he was so charmed
at having discovered the soft place of which he had so often been told
that he resolved never to let go until his victim was dead; and in the
midst of the struggle he could not but regret that he had never
thought of hunting Alligators before.
As it may well be imagined, the Alligator soon began to be very tired
of this sort of thing. He could do nothing at all to damage his
antagonist, and the Jaguar hurt him, keeping his teeth jammed into the
very tenderest spot in his whole body. So he came to the conclusion
that, if he could do nothing else, he would go home. If the Jaguar
chose to follow him, he could not help it, of course. So, gradually,
he pulled himself, Jaguar and all, down to the river, and, as the
banks sloped quite suddenly at this place, he soon plunged into deep
water, with his bloodthirsty enemy still hanging fiercely to him.
As soon as he found himself in the water, the Alligator rolled himself
over and got on top. Then they both sank down, and there was nothing
seen on the surface of the water but bubbles.
The fight did not last very long after this, but the Jaguar succeeded
perfectly in his intentions. He found a soft place--in the mud at the
bottom of the river--and he stayed there.
A FEW FEATHERED FRIENDS.
[Illustration: A FEW FEATHERED FRIENDS.]
Whether dressed in broadcloth, silk, calico, home-spun, or feathers,
friends are such valuable possessions that we must pay these folks who
are now announced as much attention as possible. And if we do this and
in every way endeavor to make them feel comfortable and entirely at
home, we will soon perceive a very great difference between them and
many of our friends who dress in coats and frocks. For the more we do
for our feathered friends, the more they will do for us. Now, you
can't say that of all the men and women and boys and girls that you
know. I wish most sincerely that you could.
The first family who calls upon us (and the head of this family makes
the very earliest calls that I know anything about) are too well known
to all of us to need the slightest introduction. You will see in an
instant that you have met them before.
And there is no doubt but that these are among the very best feathered
friends we have. Those hens are liberal with their eggs, and those
little chickens that are running around like two-legged puff-balls,
are so willing to grow up and be broiled and roasted and stewed, that
it would now be almost impossible for us to do without them. Eggs seem
to come into use on so many occasions that, if there was to be an
egg-famine, it would make itself felt in every family in the land. Not
only would we miss them when boiled, fried, and cooked in omelets for
breakfast; not only without them would ham seem lonely, puddings and
sponge-cakes go into decline, and pound-cake utterly die, but the arts
and manufactures of the whole country would feel the deprivation.
Merely in the photographic business hundreds of thousands of eggs are
needed every year, from which to procure the albumen used in the
preparation of photographic paper.
[Illustration]
Do without eggs? Impossible.
And to do without "chicken" for dinner would seem almost as impossible
for some folks. To be sure, we might live along very comfortably
without those delightful broils, and roasts, and fricassees, but it
would be a great pity. And, if we live in the country, there is no
meat which is so cheap and easily procured all the year round as
chicken. I wonder what country-people would do, especially in the
summer time, when they have little other fresh meat, without their
chickens. Very badly, I imagine.
Next to these good old friends comes the pigeon family. These are very
intimate with many of us.
[Illustration]
Pigeons are in one respect even more closely associated with man than
the domestic fowls, because they live with him as readily in cities as
in the country. City chickens always seem out of place, but city
pigeons are as much at home as anybody else. There are few houses so
small that there is not room somewhere for a pigeon-box, and there are
no roofs or yards so humble that the handsomest and proudest "pouters"
and "tumblers" and "fan-tails" will not willingly come and strut and
coo about them as long as they receive good treatment and plenty of
food.
But apart from the pleasure and profit which these beautiful birds
ordinarily afford to their owners, some of them--the carriers--are
often of the greatest value, and perform important business that would
have to be left undone if it were not for them. The late war in France
has fully proved this. I remember hearing persons say that now, since
telegraph lines had become so common, they supposed carrier-pigeons
would no longer be held in esteem, and that the breed would be
suffered to die out.
[Illustration]
But that is a mistake. There are times, especially during wars, when
telegraphic and railroad lines are utterly useless, and then the
carrier-pigeon remains master of the situation.
The doves are such near relations of the pigeons that we might suppose
they would resemble them in their character as much as in appearance.
But they are not very much alike. Doves are not ambitious; they don't
pout, or tumble, or have fan-tails. As to carrying messages, or doing
anything to give themselves renown, they never think of it. They are
content to be affectionate and happy.
And that is a great deal. If they did nothing all their lives but set
examples to children (and to their parents also, sometimes), the doves
would be among our most useful little birds.
[Illustration]
I suppose we all have some friends whom we are always glad to see,
even if they are of no particular service to us. And this is right; we
should not value people's society in exact proportion to what we think
we can get out of them. Now, the swan is a feathered friend, and a
good one, but I must say he is of very little practical use to us. But
there is something more to be desired than victuals, clothes,
feather-beds, and Easter-eggs. We should love the beautiful as well as
the useful. Not so much, to be sure, but still very much. The boy or
man who despises a rose because it is not a cabbage is much more
nearly related to the cows and hogs than he imagines. If we accustom
ourselves to look for beauty, and enjoy it, we will find it, after
awhile, where we never supposed it existed--in the caterpillar, for
instance, and in the snakes. There is beauty as well as practical
value in almost everything around us, and we are not the lords of
creation that we suppose we are, unless we are able to see it.
Now, then, I have preached you a little sermon, with the swans for a
text. But they are certainly beautiful subjects.
A goose, when it is swimming, is a very handsome bird, and it is most
admirable when it appears on the table roasted of a delightful brown,
with a dish of apple-sauce to keep it company. But, for some reason,
the goose has never been treated with proper consideration. It has for
hundreds of years, I expect, been considered as a silly bird. But
there never was a greater mistake. If we looked at the thing in the
proper light, we would not be at all ashamed to be called a goose. If
any one were to call you an ostrich, I don't believe you would be very
angry, but in reality it would be much more of an insult than to call
you a goose, for an ostrich at times is a very silly bird.
But geese have been known to do as many sensible things as any
feathered creatures of which we know anything. I am not going to say
anything about the geese which saved Rome, for we have no record that
they _intended_ to do anything of the kind; but I will instance the
case of a goose which belonged to an old blind woman, who lived in
Germany.
Every Sunday these two friends used to go to church together, the
goose carefully leading the old woman by her frock.
When they reached the church, the goose would lead his mistress to her
seat and then go outside and eat grass until the services were over.
When the people began to come out the goose would go in, and, taking
the old woman in charge, would lead her home. At other times also he
was the companion of her walks, and her family knew that old blind
Grandmother was all right if she had the goose with her when she went
out.
[Illustration]
There was another goose, in a town in Scotland, who had a great
attachment for a young gentleman to whom she belonged. She would
follow him in his walks about the town, and always testified her
delight when she saw him start for a ramble.
When he went into a barber's shop to be shaved, she would wait on the
pavement until he came out; and in many of his visits she accompanied
him, very decorously remaining outside while her master was enjoying
the society of his friends.
[Illustration]
Ducks, too, have been known to exhibit sociable and friendly traits.
There is a story told of a drake who once came into a room where a
young lady was sitting, and approaching her, caught hold of her dress
with his bill and commenced to pull vigorously at it. The lady was
very much surprised at this performance, and tried to drive the drake
away. But he would neither depart or stop tugging at her dress, and
she soon perceived that he wanted her to do something for him. So she
rose from her chair, and the drake immediately began to lead her
towards the door. When he had conducted her out on to the lawn, he
led her to a little lake near the house, and there she saw what it was
that troubled Mr. Drake. A duck, very probably his wife, had been
swimming in the lake, and in poking her head about, she had caught her
neck in the narrow opening of a sluice-gate and there she was, fast
and tight. The lady lifted the gate, Mrs. Duck drew out her head and
went quacking away, while Mr. Drake testified his delight and
gratitude by flapping his wings and quacking at the top of his voice.
[Illustration]
We have also friends among the feathered tribes, who are not quite so
intimate and sociable as those to which we have already alluded, but
which still are very well deserving of our friendship and esteem. For
instance, what charming little companions are the canary-birds! To be
sure, they would not often stay with us, if we did not confine them in
cages; but they seem perfectly at home in their little wire houses,
and sing and twitter with as much glee as if they were flying about in
the woods of their native land--or rather, of the native land of their
forefathers, for most of our canary-birds were born in the midst of
civilization and in cages.
[Illustration]
There are some birds, however, no bigger than canaries, which seem to
have an attachment for their masters and mistresses, and which do not
need the restraint of a cage. There was once a gold-finch which
belonged to a gentleman who lived in a town in Picardy, France, but
who was often obliged to go to Paris, where he also had apartments.
Whenever he was obliged to go to the great city, his gold-finch would
fly on ahead of him, and, arriving there some time in advance of the
carriage, the servants would know that their master was coming, in
time to have the rooms ready for him. And when the gentleman drove up
to the door he would generally see his little gold-finch sitting on
the finger of a cook or a chamber-maid, and twittering away as if he
was endeavoring to inform the good people of all the incidents of the
journey.
Some of these little birds, however, which are very friendly and
comparatively sociable as long as they are not troubled and annoyed,
are not only able to distinguish their friends from their foes, but
are very apt to stand up vigorously in defence of their rights. Those
little sparrows, which hop about so cunningly in the streets of many
of our cities, understand very well that no one will hurt them, and
that they may pick up crumbs wherever they can find them. But let a
few boys get into the habit of throwing sticks and stones at them, and
the little things will leave that neighborhood as quickly as if the
rents of all their tiny houses had been raised beyond their means.
[Illustration]
Magpies, too, are very companionable in their own way, if they are
well treated; but if a boy should undertake to steal away with one of
their nests, when it was full of young ones, he would run a very great
risk of having his eyes picked out.
There is a feathered friend of ours who keeps himself so secluded, at
least during the day-time, that he is very apt to escape our notice. I
refer to the owl.
It may not be supposed, by some, that the owl is a friend of mankind,
and I am perfectly willing to admit that very often he acts very much
like an enemy, especially when he kills our young chickens and
turkeys. But for all that, he has his good points, and very often
behaves in a commendable manner. If you have a barn or a house that is
overrun with mice, there is nothing that will be more certain to drive
them out than an owl. And he will not be so apt to steal your milk or
kill your canary as many of the cats which you have taken into your
family without a recommendation.
[Illustration]
We once had an owl living in our house. He belonged to my young
brother, who caught him in a trap, I believe. All day long, this
solemn little fellow (for he was a small brown one), would sit on the
back of a chair, or some such convenient place, and if any of us came
near him, he would turn his head and look at us, although he could not
see very well in the day-time; and if we walked behind him, or on
different sides of him, he would always keep his eyes on us, turning
his head around exactly as if it was set on a pivot.
It was astonishing how easily he could turn his head without moving
his body. Some folks told us that if we walked around and around him,
he would turn and turn his head, until he twisted it off, but we never
tried that.
It was really astonishing how soon the mice found out that there was
an owl in the house. He had the range of a great part of the house all
night, and in a very short time he had driven every mouse away. And
the first time he found a window open, he went away himself. There is
that objection to owls, as mousers. They are very good so long as they
will hold the situation, but they are exceedingly apt to leave without
giving the family any notice. You won't find a cat doing that. The
trouble with her very often is that she will not go when you give
_her_ notice to leave.
When we speak of our feathered friends, it is hardly fair to exclude
all but those which are domesticated with us, or which are willing,
sometimes, to come and live in our houses. In the country, and very
often in towns, our homes are surrounded, at certain seasons, by
beautiful birds, that flutter and twitter about in the trees, and sing
most charmingly in the bright hours of the early morning, making the
spring-time and the summer tenfold more delightful than they would be
without them. These birds ask nothing of us but a few cherries or
berries now and then, and they pay well for these by picking up the
worms and grubs from our gardens.
I think that these little warblers and twitterers, who fill the air
with their songs and frolic about on the trees and bushes, who build
their nests under our eaves and in any little box that we may put up
for them, who come regularly back to us every spring, although they
may have been hundreds of miles away during the cold weather, and who
have chosen, of their own accord, to live around our houses and to
sing in our trees and bushes, ought to be called our friends, as much
as the fowls in our poultry-yards.
[Illustration]
[Illustration]
IN A WELL.
Perhaps very few of you have ever seen such an old-fashioned well as
this. No pump, no windlass, no arrangement that you are apt to call at
all convenient for raising the water. Nothing but that upright stake,
on top of which moves a long pole, with the bucket hanging from one
end of it. But the artist does not show in the picture the most
important part of this arrangement. On the other end of this long pole
a heavy stone is fastened, and it is easy to see that a bucket of
water may be raised without much trouble, with the stone bearing down
the other end of the pole. To be sure, the stone must be raised when
the bucket is lowered, but that is done by pulling downward on the
rope, which is not so hard as to haul a rope upward when the
resistance is equal in both cases. Try it some time, and you will see
that the weight of your body will count for a great deal in the
operation. In old Mr. Naylor's yard--he lived in a little town in
Pennsylvania--there was one of these wells. It had been dug by his
father, and, as it had answered all his needs from his childhood, Mr.
Naylor very justly considered it would continue to do so until his
death, and he would listen to no one who proposed to put up a pump for
him, or make him a windlass.
One afternoon in the summer-time, Jenny Naylor, his granddaughter, had
company, and after they had been playing around the orchard for an
hour or two, and had slid down the straw-stacks to their heart's
content, the children all went to the well to get a drink. A bucket of
water was soon hauled up, and Tommy Barrett with a tin-cup ladled out
the refreshment to the company. When they had all drank enough they
began to play with the well-pole. Boys and girls will play, you know,
with things that no grown person would imagine could be tortured into
means of amusement. In less than five minutes they had invented a
game. That is, the boys had. I will give the girls the credit of
standing by and looking on, in a very disapproving manner, while this
game was going on. The pastime was a very simple one. When the
stone-end of the pole rested on the ground, on account of the bucket
being empty, one of the boys stood by the well-curb, and, seizing the
rope as high up as he could, pulled upon it, the other boys lifting
the stone-end at the same time. When the stone was a foot or two from
the ground the boys at that end sat on the pole and endeavored to
hoist up the fellow at the other end.
A glorious game!
The sport went on very nicely until Tommy Barrett took hold of the
rope. He was the biggest boy, and the little fellows could not raise
him. No, it was no use, so they gave it up and jumped off of the pole.
But what was their amazement to see the stone rise in the air, while
at the same time Tommy Barrett disappeared down the well!
The fact was, Tommy had been trying to "show off" a little before the
girls, and when he found the boys could not raise him, had stepped on
the well-curb, and pushing the bucket off, had stood on it, trying, on
his part, to raise the boys. So, when they jumped off, down he sank.
The stone was not nearly so heavy as Tommy, but it was weighty enough
to prevent his going down very fast, and he arrived safely at the
bottom, where the boys and girls saw him, when they crowded around the
well, standing up to his arm-pits in water.
"Pull me up, quick!" cried Tommy, who still stood on the bucket, and
had hold of the rope.
The children did not wait to be asked twice. They seized the rope and
pulled their very best. But they could not move Tommy one inch. The
rope hung right down the middle of the well, and as they had to reach
over a good deal even to touch it, they could get no opportunity of
exerting their full strength upon it. And it is very well that they
could not, for had they been able to raise Tommy, it is probable that
one or two of them would have been jerked down the well every time he
slipped down again, which he would have been certain to do a great
many times before he reached the top.
They soon perceived that they could not draw Tommy from the well in
that way. And the stone-end of the pole was far out of their reach.
What should they do?
There was no one at the house but the two old people, and they were
scarcely as strong as the children. They all said a great deal, but
Jenny Naylor, who was much older than any of the others, saw that
something must be done instantly, for Tommy was crying out that he was
nearly frozen to death, and she was afraid that he would let go of the
rope, slip off of the bucket, and be drowned.
So, without a word to anybody, she ran to the upright stake and began
to climb it. This was a very unlady-like proceeding, perhaps, but
Jenny did not think about anything of that kind. She was the oldest
and the largest of them all, and there was no time to explain matters
to the boys. Up she went, as actively as any boy, and scrambling to
the crotch of the stake, she seated herself upon the pole.
Then she began to work herself slowly up towards the stone-end. And as
she gradually approached the stone, so she gradually began to sink a
little, and the nearer she got to it the more she sank and the higher
Tommy Barrett rose in the well!
She and the stone were heavier than he was, and some of the children
stood, with open mouths, looking at Jenny slowly coming down, while
the others crowded around the well to see Tommy slowly coming up.
When Jenny had nearly touched the ground, there was Tommy hanging
above the well!
Half a dozen little hands seized the bucket, and Tommy, as wet as a
dish-rag, stepped on to the curb.
I wish, from the bottom of my heart, that whenever there is a party of
children, playing around an open well, that there could be a girl like
Jenny Naylor with them.
A VEGETABLE GAS MANUFACTORY.
[Illustration]
There is a plant, called by botanists the Fraxinella, which has the
peculiar property of giving out, from its leaves and stalks, a gas
which is inflammable. Sometimes, on a very still day, when there is
no wind to blow it away as fast as it is produced, this gas may be
ignited by a match, when the plant is growing in the open air. But
this is very seldom the case, for the air must be very quiet, and the
plant very productive, for enough gas to be found around it to ignite
when a flame is applied.
But it is perfectly possible, as you may see in the engraving, to
collect sufficient gas from the Fraxinella to produce combustion
whenever desired. If the plant is surrounded by a glass case, the gas,
as fast as produced, is confined in the case, and at last there is so
much collected in this novel gasometer, that it is only necessary to
open the case, and apply a match, to see plant-gas burning.
It is not at all probable that the least use in the world could be
made of this gas, but it is certainly a very pretty experiment to
collect and ignite it.
There are other plants which have this property of exuding
illuminating gas in very small quantities, but none, I believe, except
the Fraxinella, will produce enough of it to allow this experiment to
be performed.
A FEW WORDS ABOUT BEARS.
[Illustration: A COMPANY OF BEARS.]
If you should ever be going up a hill, and should meet such a
procession as that on the opposite page, coming down, I would
recommend you to get just as far to one side as you can possibly go.
Bears, especially when there are so many of them together, are by no
means pleasant companions in a walk.
But it is likely that you might wander about the world for the rest of
your lives, and never meet so many bears together as you see in the
engraving. They are generally solitary animals, and unless you
happened to fall in with a mother and her cubs, you would not be
likely to see more than one at a time.
In our own country, in the unsettled parts of many of the States, the
black bear is still quite common; and I could tell you of places
where, if you pushed carefully up mountain-paths and through lonely
forests, you might come upon a fine black bear, sitting at the
entrance of her cave, with two or three of her young ones playing
about her.
If it should so happen that the bear neither heard you, saw you, or
smelt you, you might see this great beast fondling her young ones, and
licking their fur as gently and tenderly as a cat with her kittens.
If she perceived you at last, and you were at a distance, it is very
probable that she and her young ones, if they were big enough, would
all scramble out of sight in a very short time, for the black bears
are very shy of man if circumstances will permit them to get away
before he approaches too near to them. But if you are so near as to
make the old bear-mother fearful for the safety of her children, you
will find that she will face you in a minute, and if you are not well
able to take care of yourself, you will wish you had never seen a
bear.
[Illustration]
But, in the western part of our country, especially in the Rocky
Mountain region, the grizzly bear is found, and he is a very different
animal from his black relations.
He is the most savage and formidable animal on this continent, and
very seldom is it that he runs away from a man. He is glad enough to
get a chance to fight one. He is so large and powerful that he is very
difficult to kill, and the hunter who has slain a grizzly bear may
well be proud of the exploit.
Washington Irving tells of a hunter who accidentally fell into a deep
hole, out in the prairies, and he tumbled right on top of a great
grizzly bear! How the bear got down there is not stated, and I don't
suppose the hunter stopped to inquire. A fight immediately commenced
between these two involuntary companions, and after a long struggle,
in which the man had an arm and leg broken, and was severely bitten
and torn besides, he killed the bear.
The hunter had a very hard time after that, but after passing through
adventures of various kinds, he floated down the Mississippi on a log
and was taken in at a fort. He recovered, but was maimed for life.
[Illustration]
I think it is probable that no other man ever killed a grizzly bear in
single combat, and I also have my doubts about this one having done
so. It is very likely that his victim was a black bear.
Few men care to hunt the grizzly bear except on horseback, so that if
they have to run away, they may have better legs than their own under
them.
The other great bear of this continent is the white or Polar bear, of
which we have all heard so much. Up in the regions of ice and snow
this bear lives just as comfortably as the tiger in the hot jungles of
Asia, and while he is not quite so savage as the tiger, he is almost
as hard to kill. But, in speaking of his disposition, I have no
intention whatever to give him a character for amiability. In fact, he
is very ferocious at times. He has often been known to attack parties
of men, and when wounded can make a most soul-stirring defence.
The Polar bear is a big fellow, with long white hair, and he lives on
seals and fish, and almost anything he can pick up. Sometimes he takes
a fancy to have a man or two for his supper, as the following story
will prove.
A ship, returning from Nova Zembla, anchored near an island in the
Arctic Ocean, and two of the sailors went on land. They were standing
on the shore, talking to each other, when one of them cried out, "Stop
squeezing me!"
The other one looked around, and there was a white bear, very large
but very lean and scraggy, which had sneaked up behind the sailors,
and now had clutched one of them, whom he very speedily killed and
commenced to eat, while the other sailor ran away.
The whole crew of the ship now landed, and came after the bear,
endeavoring to drive him away from the body of their comrade; but as
they approached him, he quietly looked at them for a minute, and then
jumped right into the middle of the crowd, seized another man, and
killed him. Upon this, the crew ran away as fast as they could, and
scuttling into their boats, rowed away to the ship.
There were three of these sailors, however, who were too brave to
stay there and see a bear devouring the bodies of their friends, and
they returned to the island.
The bear did not move as they approached him, and they fired on him,
without seeming to injure him in the least. At length one of them
stepped up quite close to him, and put a ball into his head just above
his eye.
[Illustration]
But even this did not kill him, although it is probable that it
lessened his vigor, for he soon began to stagger, and the sailors,
falling upon him with their swords, were able to put him to death, and
to rescue the remains of their comrades.
After these stories, I think that we will all agree that when we meet
a procession of bears, be they black, white, or grizzly, we will be
very wise to give them the right of way, and to endeavor to drive from
our minds, as far as possible, such ideas of the animals as we may
have derived from those individuals which we have seen in rural
menageries, nimbly climbing poles, or sedately drinking soda-water.
[Illustration]
AN OLD COUNTRY-HOUSE.
[Illustration]
Here is a picture of a handsome summer residence. It apparently
belongs to a rich man, and a man of taste. The house is large and
commodious; the grounds are well laid out; there is a garden,
evidently a fine one, close at hand; there is shade, water, fruit,
flowers, and apparently everything that a country-house ought to have.
But yet there is a certain something strange and unusual about it.
There are handsome porticos, but they are differently arranged from
those to which we have been accustomed. Such as those in front we have
often seen; but the upper one, which appears to go nearly around the
house, with short pillars on the sides, is different from anything
that we see in our country neighborhoods. Those long pillars at the
rear of the house seem very peculiar. We have never noticed anything
like them in such positions. There seems to be scarcely any portico at
the back, and those slim pillars are certainly useless, and, to our
eyes, not very ornamental. The windows, too, are remarkable. They are
not only very small, but they are wider at the bottom than the top--a
strange idea of the architect to make them in that way. The upper
story of the house does not appear to have any windows at all, but we
suppose that they must be in the back and front, or the artist may
have accidentally left them out. Even if that floor was used for
lumber-rooms, there ought to be windows.
The garden has a very high wall for a private estate. It is evident
that there must be great fear of thieves in that neighborhood.
But it is no wonder that some things about this house and its grounds
strike us as peculiar, for it was built more than three thousand years
ago.
It was the country residence of an Egyptian gentleman, and was, no
doubt, replete with all the modern conveniences of the period. Even in
the present day he might consider himself a very fortunate man who had
so good a house and grounds as these. If the windows were made a
little larger, a few changes effected in the interior of the
establishment, and some chimneys and fire-places built, none of our
rich men need be ashamed of such a house.
But, handsome as it is, it is not probable that this house cost the
Egyptian gentleman very much.
It is very likely, indeed, that it was built, under the supervision of
an architect, by his own slaves, and that the materials came from his
own estates. But he may, of course, have spent large sums on its
decoration and furniture, and it is very probable, judging from the
outside of his house, that he did so. Some of those old Egyptians
were most luxurious fellows.
If you wish to see how his slaves worked while they were building his
house, just examine this picture.
To be sure, it is a temple which these men are building, but the
bricklayers, hod-carriers, etc., worked in the same way when they were
putting up a private house.
[Illustration]
These poor men whom you see toiling here were probably not born
slaves, and it is very likely that many of them are equal in birth and
education to those who own them.
A great proportion of them are captives taken in war, and condemned
for the rest of their lives to labor for their victorious enemies
That will be a vast temple which they are building. Look at the
foundations--what enormously thick walls! It is probable that several
generations of slaves will labor upon that temple before it is
finished.
They do not work exactly as we do in the present day. The hod-carrier,
who is bringing bricks from the background, has a very good way of
carrying them; but those who are bearing a pile of bricks between them
seem to make a very awkward business of it. And the man who is
carrying mortar on his shoulder, as he ascends the ladder, might very
profitably take a lesson from some of our Irish hod-carriers. An
earthen pot with a round bottom is certainly a poor thing in which to
carry mortar up a ladder.
The man who is apparently squaring a stone, and the one who is
smoothing or trimming off some bricks, are using very peculiar
chopping tools. But they may have answered their purpose very well. At
any rate, most magnificent edifices were built by the men who used
them, although it is probable that the poor fellows progressed very
slowly with their work.
It may be, when three thousand years more have elapsed, that our
country-houses and our methods of building may appear as strange as
this mansion of the Egyptian gentleman, and the customs of the
Egyptian bricklayers, seem to us.
But then we shall be the ancient Americans, and it will make no sort
of difference to us what the future moderns say about us.
FAR-AWAY FORESTS.
[Illustration: PINE FOREST.]
I have no doubt that you all like to wander in the woods, but suppose
we ramble for an hour or two in forests so far away that it is
probable none of you have ever seen them.
Let us first enter a pine forest.
We have plenty of pines in our own country, and it is probable that
most of you have walked in the pine woods, on many a summer's day,
when the soft carpet of "needles," or "pine-shatters," as some people
call them, was so pleasant to the feet, the aromatic perfume of the
leaves and trees was so delicious, and everything was so quiet and
solemn.
But here is a pine forest in the Eastern hemisphere.
These woods are vast and lonely. The ground is torn up by torrents,
for it is a mountainous district, and the branches have been torn and
broken by many a storm. It is not a pleasant place for those who love
cheerful scenery, and moreover, it is not so safe to ramble here as in
our own woods at home. Companies of bandits inhabit many of these
forests, especially those that stretch over the mountainous portions
of Italy. It seems strange that in this enlightened era and in one of
the civilized countries of Europe, bandits should still exist to
terrify the traveller; but so it is.
Let us get out of this pine forest, so gloomy and perhaps so
dangerous.
Here, now, is a very different place. This is a forest in the tropics.
You will not be likely to meet with bandits here. In fact, it is very
improbable indeed that you will meet with any one. There are vast
portions of these woods which have never been trodden by the foot of
man, and which you can never see unless you cut your way, hatchet in
hand, among the thick undergrowth and the interlacing vines.
[Illustration]
Here are ferns as large as trees--great masses of flowers that seem as
if a whole garden had been emptied down before us--vast wildernesses
of green, which we know extend for miles and miles, and which,
although apparently so thick and impenetrable, are full of all kinds
of life, vegetable and animal. The trees are enormous, but many of
them are so covered with vines and creepers that we can scarcely
distinguish the massive trunks and luxuriant foliage. Every color is
here, rich green, royal purple, red, yellow, lilac, brown, and gray.
The vines, which overrun everything, are filled with gorgeous flowers,
and hang from the branches in the most graceful forms. Monkeys chatter
among the trees, beautiful parrots fly from limb to limb, butterflies
of the most gorgeous hues flutter about the grass-tops and the leaves
near the ground, and on every log and trunk are myriads of insects,
lizards and little living things of endless varieties, all strange and
wonderful to us.
[Illustration]
In some parts of this interminable forest, where the light breaks
through the foliage, we see suspended from the trees the wonderful
air-plants or orchids. They seem like hanging-baskets of flowers, and
are far more beautiful and luxuriant than anything of the kind that we
have in our hothouses at home.
But we shall not find it easy to walk through all these beauties. As I
said before, we shall often be obliged to cut a path with our
hatchets, and even then we may be unable to penetrate very far into
this jungle of beauties. The natives of these countries, when they are
compelled to pass through these dense forests, often take to the
small streams and wade along in the water, which is sometimes up to
their shoulders, occasionally finding shallower places, or a little
space on the banks where they can pick their way along for a few
hundred yards before they are obliged to take to the stream again.
[Illustration: GIANT TREES OF CALIFORNIA.]
Everything is lovely and luxuriant here, but it will not do to stay
too long. There are fevers and snakes.
Let us now go to the greatest woods in the whole world. I do not mean
the most extensive forest, but that one where the trees are the
grandest. This is the region where the giant trees of California grow.
Nowhere on the face of the earth are there such trees as these. Some
of them stand over four hundred feet high, and are thirty feet in
diameter!
Their age is believed to be about eighteen hundred years. Think of it!
They have been growing there during the whole of the Christian era!
One of them, the very largest of all, has been lying on the ground for
about one hundred and fifty years. When it was standing its diameter
was about forty feet.
Another trunk, which is lying on the ground, has been hollowed out by
fire, and through this great bore or tube a whole company of horsemen
has ridden.
One of these trees was cut down some years ago by a party of men, who,
I think, should have been sent to prison for the deed. It took five
men twenty-five days to cut it through with augers and saws, and then
they were obliged to use a great wedge and a battering-ram to make it
fall.
These are the kings of all trees. After such a grand sight, we will
not want to see any more trees to-day, and we will leave the forests
of Far-away and sit and think of them under our humble grape-vines and
honeysuckles.
BUILDING SHIPS.
[Illustration: BOAT BUILDING.]
It is a grand thing to own great ships, and to send them over the
ocean to distant countries; but I will venture to say that few men
have derived so much pleasure from their fine vessels, laden with all
kinds of valuable freight, as many a boy has had in the possession of
a little schooner, which would be overloaded with a quart of
chestnuts. And it is not only in the ownership of these little crafts
that boys delight; they enjoy the building of them quite as much.
And a boy who can build a good ship is not to be laughed at by any
mechanic or architect, no matter how tall or how old he may be.
The young ship-builder who understands his trade, when he is about to
put a vessel on the stocks--to speak technically--first makes up his
mind whether it is to be a ship, a schooner, a sloop, or merely a
sail-boat, and determines its size. Then he selects a good piece of
solid, but light wood, which will be large enough for the hull. Pine
is generally used; but if he can get a piece of well-seasoned white
willow, he will find it to work very easily. Then he shapes his hull
with knife and saw, according to the best of his ability. On this
process the success of the whole undertaking depends. If the bottom is
not cut perfectly true on both sides, if the bow is not shapely and
even, if the stern is not rounded off and cut up in the orthodox
fashion, his ship will never sail well, no matter how admirably he may
execute the rest of his work. If there is a ship or boat builder's
establishment anywhere within reasonable walking distance, it will
well pay our young shipwright to go there, and study the forms of
hulls. Even if he should never build a ship, he ought to know how they
look out of the water.
When the hull is properly shaped it must be hollowed out. This is
done by means of a "gouge," or chisel with a curved edge. A small
vessel can be hollowed by means of a knife or ordinary chisel, but it
is best to have a "gouge," if there is much wood to be taken out. When
he has made the interior of his vessel as deep and wide as he thinks
proper, he will put a deck on it, if it is a ship or a schooner; but
if it is a sail-boat or sloop, he will probably only put in seats (or
"thwarts," as the sailors call them), or else half-deck it.
Then comes the most interesting part of the work--the rigging. First
the masts, which must be light and tapering, and standing back at a
slight angle, are set up, and the booms and yards are attached. A
great deal of ingenuity can be displayed: in making the booms work
well on the masts. The bowsprit is a simple matter, and the stays, or
ropes which support and strengthen the masts, are very easily
attached, as they are stationary affairs. But the working-tackle and
the sails will show whether our young friend has a genius for
boat-building or not. If his vessel has but a single mast, and he
merely makes a mainsail and a jib, he will not have much trouble; but
if he intends to fit out a schooner, a brig, or a ship, with sails
that will work (and where is the boy with soul so dead as to have any
other kind?), he will find that he will have a difficult job before
him. But if he tries hard, and examines the construction and working
of sails in real ships, he will also find that he can do it.
If the vessel is a fine one, she ought to be painted (this, of course,
to be done before the sails are finally fastened to the booms and
yards), and her name should be tastefully painted on her stern, where
of course, a rudder, carefully working on little hooks, is already
hung.
It will be very difficult to tell when the ship will be actually
finished. There will always be a great deal to do after you think all
is done. Flags must be made, and little halyards running nicely
through little pulleys or rings; ballast must be provided and
adjusted; conveniences for storing away freight, if the ship is large
and voyages are contemplated, must be provided; a crew; perhaps a
little cannon for salutes; an anchor and windlass, and I am sure I
cannot tell you what else besides, will be thought of before the ship
is done.
But it will be done some time, and then comes the happy hour!
If the owner is fortunate enough to live near a pond or a brook, so
that he can send her right across to where his partner stands ready to
receive her, he is a lucky boy indeed.
What a proud moment, when, with all sails set and her rudder fixed at
the proper angle, she is launched!
How straight she sits in the water, and how her little streamer begins
to float in the wind! Now see her sails gradually puff out! She moves
gently from the shore. Now she bends over a little as the wind fills
her sails, and she is off! Faster and faster she glides along, her
cutwater rippling the water in front of her, and her flags fluttering
bravely in the air; and her delighted owner, with laughing eyes,
beholds her triumphantly scudding over the surface of the pond!
I tell you what it is, boys, I have built a great many ships, and I
feel very much like building another.
THE ORANG-OUTANG.
[Illustration]
The Orang-outang and the Chimpanzee approach nearer to man in their
formation and disposition than any other animals, and yet these Apes
seldom evince as much apparent sense and good feeling as the dog or
elephant. They imitate man very often, but they exhibit few inherent
qualities which should raise them to the level of many of man's brute
companions.
I do not wish, however, to cast any aspersions on an animal generally
so good-tempered and agreeable in captivity as the Orang-outang. What
he might become, after his family had been for several generations in
a condition of domestic servitude, I cannot tell. He might then even
surpass the dog in his attachment to man and his general intelligence.
At all events, the Orang-outang has a certain sense of humor which is
not possessed by animals in general. He is very fond of imitating
people, and sometimes acts in the most grotesque and amusing way, but,
like many human wits of whom we read, his manner is always very
solemn, even when performing his funniest feats.
An old gentleman once went to see a very large and fine Orang-outang,
and was very much surprised when the animal approached him, and taking
his hat and his cane from him, put on the hat, and, with the cane in
his hand, began to walk up and down the room, imitating, as nearly as
possible, the gait and figure of his venerable visitor.
There was another Orang-outang, who belonged to a missionary, who
performed a trick even more amusing than this. His master was
preaching one Sunday to his congregation, when Mr. Orang-outang,
having escaped from the room where he had been shut up, slipped very
quietly into the church, and climbed up on the top of the organ, just
over the pulpit, where his master was delivering his sermon. After
looking about him for a minute or two, the ape commenced to imitate
the preacher, making all his gestures and motions. Of course the
people began to smile when they saw this, and the minister, thinking
that they were behaving very improperly, rebuked them for their
inattention, and preached away more earnestly than before. The
Orang-outang, of course, followed his example, and commenced to
gesticulate so earnestly and powerfully that the congregation burst
into laughter, and pointed out the irreverent ape.
When he turned and saw the performance of his imitator, the preacher
could not help laughing himself, and the Orang-outang, after a good
deal of time had been spent in catching him, was put out of church,
and the services went on as usual.
Nobody likes to be made an object of ridicule, and it is probable that
this disposition of making fun of people, which seems so natural to
the Orang-outang, would prevent his becoming a domesticated member of
our families, no matter how useful and susceptible of training he
might prove to be.
Nearly all of us have some comical peculiarity, and we would not want
an animal in the house who would be sure, at some time, to expose us
to laughter by his imitative powers.
So I am afraid that the Orang-outangs, intelligent as they are, will
have to stay in the woods.
LITTLE BRIDGET'S BATH.
Little Bridget was a good girl and a pretty one, but she had ideas of
her own. She liked to study her lessons, to mind her mother, and to
behave herself as a little girl should, but she did despise to be
washed. There was something about the very smell of soap and the touch
of water which made her shrink and shiver, and she would rather have
seen the doctor come to her with a teaspoonful of medicine than to
have her Aunt Ann approach with a bowlful of water, a towel, and a
great piece of soap.
[Illustration]
For a long time little Bridget believed that there was no escape from
this terrible daily trial, but one bright morning, when she awoke very
early, long before any one else in the house, she thought that it was
too bad, when everything else was so happy,--when the birds and
butterflies were flying about so gayly in the early sunbeams, and the
flowers were all so gay and bright, and smelling so sweet and
contented, that she should have to lie there on her little bed until
her Aunt Ann came with that horrible soap and towel! She made up her
mind! She wouldn't stand it; she would run away before she came to
wash her. For one morning she would be happy.
So up she jumped, and without stopping to dress herself, ran out among
the birds and flowers.
She rambled along by the brook, where the sand felt so nice and soft
to her bare feet; she wandered through the woods, where she found
blackberries and wild strawberries, and beautiful ferns; and she
wandered on and on, among the rocks and the trees, and over the grass
and the flowers, until she sat down by a great tree to rest. Then,
without intending anything of the kind, she went fast asleep.
She had not slept more than five minutes, before along came a troop of
fairies, and you may be assured that they were astonished enough to
see a little girl lying fast asleep on the grass, at that time in the
morning.
"Well, I never!" said the largest fairy, who was the Principal One.
"Nor I," said the Next Biggest; "It's little Bridget, and with such a
dirty face! Just look! She has been eating blackberries and
strawberries--and raspberries too, for all I know; for you remember,
brother, that a face dirtied with raspberries is very much like one
dirtied with strawberries."
"Very like, indeed, brother," said the Principal One, "and look at her
feet! She's been walking in the wet sand!"
"And her hands!" cried the Very Least, "what hands! They're all
smeared over with mixtures of things."
"Well," said the Next Biggest, "she is certainly a dirty little girl,
but what's to be done?"
"Done?" said the Principal One. "There is only one thing to be done,
and that is to wash her. There can be no doubt about that."
All the fairies agreed that nothing could be more sensible than to
wash little Bridget, and so they gathered around her, and, with all
gentleness, some of them lifted her up and carried her down towards
the brook, while the others danced about her, and jumped over her, and
hung on to long fern leaves, and scrambled among the bushes, and were
as merry as a boxful of crickets.
When they approached the brook, one of the fairies jumped in to see if
the water was warm enough, and the Principal One and the Next Biggest
held a consultation, as to how little Bridget should be washed.
"Shall we just souse her in?" said the Next Biggest.
"I hardly think so," said the Principal One. "She may not be used to
that sort of thing, and she might take cold. It will be best just to
lay her down on the bank and wash her there."
So little Bridget, who had never opened her eyes all this time (and no
wonder, for you will find, if you are ever carried by fairies while
you are asleep, that they will bear you along so gently that you will
never know it), was brought to the brook and laid softly down by the
water's edge.
Then all the fairies set to work in good earnest. Some dipped clover
blossoms in the water, and washed and rubbed her mouth and cheeks
until there was not a sign left of strawberry or blackberry stain;
others gathered fern leaves and soft grass, and washed her little feet
until they were as white as lambs' wool; and the Very Least, who had
been the one to carry her hand, now washed it with ever so many
morning-glory-blossom-fuls of water and rubbed it dry with soft clean
moss.
Other fairies curled her hair around flower stalks, while some
scattered sweet smelling blossoms about her, until there was never
such a sweet, clean, and fragrant little girl in the whole world.
And all this time she never opened her eyes. But no wonder, for if you
are ever washed by fairies while you are asleep, you will find that
you will never know it.
When all was done, and not a speck of dirt was to be seen anywhere on
little Bridget, the fairies took her gently up and carried her to her
mother's house, for they knew very well where she lived. There they
laid her down on the doorstep, where it was both warm and shady, and
they all scampered away as fast as their funny little legs could carry
them.
It was now about the right time in the morning to get up, and very
soon the front door opened and out came Aunt Ann, with a bucket on her
arm, which she was going to fill at the well for the purpose of giving
little Bridget her morning wash.
When Aunt Ann saw the little girl lying on the door step she was so
astonished that she came very near dropping the bucket.
"Well, I never!" said she, "if it isn't little Bridget, and just as
clean as a new pin! I do declare I believe the sweet innocent has
jumped out of bed early, and gone and washed and combed herself, just
to save me the trouble!"
Aunt Ann's voice was nothing like so soft and gentle as a fairy's, and
it woke up little Bridget.
"You lovely dear!" cried her Aunt, "I hadn't the least idea in the
world that you were such a smart little thing, and there is no doubt
but that you are now old enough to wash and dress yourself, and after
this you may do it!"
So, after that, Bridget washed and dressed herself, and was just as
happy as the birds, the butterflies, and flowers.
SOME NOVEL FISHING.
[Illustration]
Fishing has one great peculiarity which makes it often vastly more
interesting than hunting, gunning, or many other sports of the kind,
and that is that you never know exactly what you are going to get.
If we fish in waters known to us, we may be pretty sure of what we
shall _not_ get, but even in our most familiar creeks and rivers, who
can say that the fish which is tugging at our line is certainly a
perch, a cat-fish, or an eel? We know that we shall not pull up a shad
or a salmon, but there is always a chance for some of those great
prizes which are to be found, by rare good luck, in every river and
good-sized stream; a rock-fish, or striped-bass perhaps, or a pike, or
enormous chub.
But there are some fish which would not only gratify but astonish
most of us, if we could be so fortunate as to pull them out of the
water. For instance, here are some fish with both their eyes on one
side of their heads.
[Illustration]
These are Turbots, and are accounted most excellent eating. They
resemble, in their conformation but not in their color, our flounders
or flat-fish, which some of you may have caught, and many of you have
eaten. These fish lie on one side, at the very bottom of the water in
which they live, and consequently one eye would be buried in the mud
and would be of no use, if they were formed like common fish. But as
their enemies and their food must come from above them, they need both
their eyes placed so that they can always look upwards. In the picture
at the head of this article, you will see some Soles lying together
at the bottom. These are formed in the same way. They are white on one
side, which is always down except when they are swimming about, and a
very dark green on the other, so that they can scarcely be
distinguished from the mud when they are lying at the bottom. The
Turbot, however, as you see, is very handsomely spotted.
But there are much stranger fish than these flat fellows, and we must
take a look at some of them. What would you say if you were to pull up
such a fish as this on your hook?
[Illustration]
This is a _Hippocampus_, or sea-horse. He is a little fellow, only a
few inches in length, but he is certainly a curiosity. With a head and
neck very much like those of a horse, he seems to take pleasure in
keeping himself in such a position as will enable him to imitate a
high mettled charger to the greatest advantage. He curves his neck and
holds up his head in a manner which few horses adopt, unless they are
reined up very tightly. I have seen these little fellows in aquariums,
and have always regarded them as the most interesting of fishes.
But although it is by no means probable that any of us will ever catch
a sea-horse, we might get even stranger fish upon our hooks. If we had
a very large hook, a long and strong line, and a tempting bait, it is
just possible, if we were to go to exactly the right spot, and had
extraordinary good fortune, that we might catch such a beauty as this.
[Illustration]
This fellow you will probably recognize as the Cuttle-fish. Some
persons call it the Devil-fish, but the name is misapplied. The
Devil-fish is a different kind of a sea monster. But the Cuttle-fish
is bad enough to have the very worst name that could be bestowed upon
him. Those great arms, which sometimes grow to a length of several
feet, he uses to wrap around his prey, and they are strong and tough.
He has two eyes and a little mouth, and is about as pugnacious a fish
as is to be found anywhere. If I should ever haul a Cuttle-fish into
my boat, I think I should feel very much like getting out, no matter
how deep the water might be.
There was once a sea captain, who was walking on a beach with some of
his men, when he spied one of these Cuttle-fish, travelling over the
sand towards the water. He thought it would be a fine thing to capture
such a strange fish, and he ran after it, and caught hold of one of
its legs. But he soon wished that it had got away from him, for the
horrid creature turned on him, and wrapped several of its long arms or
legs--whichever they may be--around him, and the poor captain soon
began to fear that he himself would not be able to escape.
Nothing that he could do would loosen the hold of the monster upon
him, and if it had not been for a sailor who ran up with a hatchet and
cut the limbs of the Cuttle-fish from its body, the poor captain might
have perished in the embrace of this most disagreeable of all fishes.
There are a great many stories told of this fish, and it is very
probable that all the worst ones are true. Canary birds are very fond
of pecking at the bones taken from small Cuttle-fish, and India-ink is
made from a black substance that it secretes, but I would rather do
without canary birds altogether, and never use India-ink, than to be
obliged to catch my own Cuttle-fish.
But while we are hauling strange things up from the deep, suppose we
take something that is not exactly a fish, but which is alive and
lives in the water. What do you think of a living thing like this?
This is a polypier, and its particular name is the _fungia_ being so
called because it resembles a vegetable fungus. The animal lives
inside of that circular shell, which is formed something like the
under side of a toad-stool. Between the thin plates, or leaves, the
polypier thrusts out its arms with little suckers at the ends. With
these it seizes its food and conveys it to its mouth, which is
situated at the centre of its body.
[Illustration]
But there are more strange fish in the sea than we can ever mention,
and the strange fish are by no means the most profitable. Still there
is a pleasure in fishing, no matter what we pull up.
The greatest fishers in the world are fish. The Whale will catch, in
the course of a day, enough herring to last a family for many years,
and in all the rivers and oceans and lakes, fishing is going on so
constantly and extensively that the efforts of man in that direction
seem ridiculous, by contrast.
[Illustration]
The Tunny, a large fish, measuring from two to five feet in ordinary
length, is a great fisher. He, like the Whale, is fond of herrings,
and he likes them fresh, not salt, smoked, or pickled. Often, when the
fishermen are busy in their boats, setting their nets for herring, a
troupe of Tunnies will come along, and chase the herring in every
direction, swallowing every unfortunate fellow that they can catch.
Some of the fishers that live in the sea are terrible fellows, and are
by no means content with such small game as herring. The Sword-fish,
for instance, always appears to prefer large victims, and he has such
strong tastes of that kind, that he has been known to attack ships,
driving his long sword clean through the bottom of the vessel. But he
generally comes off second best on such occasions, for his sword is
very often broken off and left sticking fast in the thick hull.
[Illustration]
The Sword-fish has a better chance when he attacks a Whale, and this
he has often been known to do. The Whale could probably kill the
Sword-fish, if he could get one good crack at him, but the smaller
fish is generally active enough to keep out of the way of harm, while
he drives his sword into the Whale again and again, until the great
creature often perishes from loss of blood.
The Shark, as you all know, is the most ferocious and dangerous of
all the fishers in the sea. He considers anything suitable for a meal
which will go into his mouth; he will eagerly snap at a man, a mouse,
or even a tin coffee-pot, or a band-box. So savage and relentless is
this "tiger of the sea" as he is sometimes called, that it is
gratifying to think that he occasionally goes out fishing and gets
caught himself. Many instances have been related of natives of the
Pacific Islands, who are accustomed to bathe so much in the ocean that
they swim almost like fishes themselves, who have successfully given
battle to Sharks which have pursued them. The Shark is unable, from
the peculiar formation of his mouth, to seize the man, unless he can
turn partially over. Therefore the man takes care to keep below the
Shark, and a few stabs with his long knife are generally sufficient to
finish the combat, and to slay the monster.
[Illustration]
Still, although it appears so easy to kill a Shark in this way, I
think it will generally be found preferable to try for some other kind
of fish.
Let others go seek the Shark, the Sword-fish, or the squirming
Cuttle-fish. Give us the humble Perch and the tender Trout. Don't you
say so?
EAGLES AND LITTLE GIRLS.
[Illustration: THE CHILD AND THE EAGLE.]
Many years ago, among the mountains of Switzerland, an Eagle pounced
down upon a little girl, and carried her away. Her parents were
harvesting in the field, and they did not notice the danger of their
little daughter, until the great bird had lifted her up in his talons,
and was flying away with her to his nest in the mountain crags.
I remember having read all the particulars of this remarkable affair,
but I forget whether the child was rescued alive or not. At any rate
let us hope that she was.
But this incident suggests the following question: Ought little girls
to be allowed to play out of doors in countries where there are
Eagles?
Many a child, after looking at such a picture as that upon the
opposite page, might reasonably stand in awe of the national bird of
our country; but I will state that it is my firm belief that a child
runs quite as much risk of being swallowed up by an earthquake as it
does of being carried away by an Eagle.
There have been a few instances where the bald-headed Eagle of this
country--(so called, not because its head is bald, but because it is
gray)--has attacked children, but these cases are very rare indeed.
The Eagle which carried off the little girl in Switzerland was of a
very different kind from the national emblem of America,--much more
powerful and fierce. But even in Switzerland, if the children all
lived until they were carried away by Eagles, the country would soon
become like one great school-house yard.
So, looking at the matter in all its various aspects, I think that we
may reasonably conclude that little girls, when they play out of
doors, are in more danger from horses, dogs, snakes, and bad company,
than of being attacked by Eagles, and the children may all look upon
the picture of the Eagle of the Alps and its baby prey without a
shudder on their own account.
CLIMBING MOUNTAINS.
[Illustration]
There is nothing which can give us grander ideas of Nature than to
stand on the top of a high Mountain. But it is very hard to get there.
And yet there are very few Mountains in the world which have not been
ascended by man.
For hundreds of years, Mont Blanc, that lofty peak of the Alps, was
considered absolutely inaccessible, but it is now frequently ascended.
Even ladies, and some of them Americans, have stood upon its summit.
But few persons, except those who have actually made the ascent of
high and precipitous Mountains, have any idea of the dangers and
difficulties of the undertaking. The adventurers are obliged to wear
shoes studded with strong iron spikes to prevent slipping; they carry
long poles with iron points by which they assist themselves up the
steep inclines; they are provided with ladders, and very often the
whole party fasten themselves together with a long rope, so that if
one slips the others may prevent him from falling.
Where there are steep and lofty precipices, crumbling rocks, and
overhanging cliffs, such as those which obstruct the path of the party
whose toilsome journey is illustrated in the accompanying engraving,
the feat of climbing a Mountain is hazardous and difficult enough; but
when heights are reached where the rocks are covered with ice, where
deep clefts are concealed by a treacherous covering of snow where
avalanches threaten the traveller at every step, and where the
mountain-side often seems as difficult to climb as a pane of glass,
the prospect seems as if it ought to appal the stoutest heart.
But some hearts are stouter than we think, and up those icy rocks,
along the edges of bewildering precipices, over, under, and around
great masses of rock, across steep glaciers where every footstep must
be made in a hole cut in the ice, brave men have climbed and crept and
gradually and painfully worked their way, until at last they stood
proudly on the summit, and gazed around at the vast expanse of
mountains, plains, valleys, and forests, spread far and wide beneath
them.
In Europe there are regular associations or clubs of
mountain-climbers, which at favorable periods endeavor to make the
ascent of lofty and difficult Mountains. Nearly every peak of the
Pyrenees and the Alps has felt the feet of these adventurers, who take
as much delight in their dangerous pursuits as is generally found by
the happiest of those who are content with the joys of ordinary
altitudes.
We have very many grand Mountains in our country, but we have not yet
reduced their ascent to such a system as that which these Alpine clubs
have adopted. But very many of our countrymen have climbed to the
loftiest peaks of the White Mountains, the Catskills, the Alleghenies,
and the Rocky Mountains.
Mountain-climbing is certainly dangerous, and it is about the hardest
labor of which man is capable, but the proud satisfaction of standing
upon a mountain-top repays the climber for all the labor, and makes
him forget all the dangers that he has passed through.
ANDREW'S PLAN.
[Illustration]
"Oh, Andy!" said little Jenny Murdock, "I'm so glad you came along
this way. I can't get over."
"Can't get over?" said Andrew; "why, what's the matter?"
"The bridge is gone," said Jenny. "When I came across after breakfast
it was there, and now it's over on the other side, and how can I get
back home?"
"Why so it is," said Andrew. "It was all right when I came over a
little while ago, but Old Donald pulls it on the other side every
morning after he has driven his cows across, and I don't think he has
any right to do it. I expect he thinks the bridge was made for him and
his cows."
"Now I must go down to the big bridge, Andy, and I want you to come
with me. I'm afraid to go through all those dark woods by myself,"
said Jenny.
"But I can't go, Jenny," said Andrew; "it's nearly school time now."
Andrew was a Scotch boy, and a fine fellow. He was next to the head of
his school, and he was as good at play as he was at his books. Jenny
Patterson, his most particular friend, was a little girl who lived
very near Andrew's home. She had no brothers or sisters, but Andrew
had always been as good as a brother to her, and therefore, when she
stood by the water's edge that morning, just ready to burst into
tears, she thought all her troubles over when she saw Andrew approach.
He had always helped her out of her difficulties before, and she saw
no reason why he should not do it now. She had crossed the creek in
search of wild flowers, and when she wished to return had found the
bridge removed, as Andrew supposed, by Old Donald McKenzie, who
pastured his cows on this side of the creek. This stream was not very
wide, nor very deep at its edges, but in the centre it was four or
five feet deep, and in the Spring there was quite a strong current, so
that wading across it, either by cattle or men, was quite a difficult
undertaking. As for Jenny, she could not get across at all without a
bridge, and there was none nearer than the wagon bridge, a mile and a
half below.
"You will go with me, Andy, won't you?" said the little girl.
"And be late to school?" said he. "I have never been late yet, you
know, Jenny."
"Perhaps Dominie Black will think you have been sick, or had to mind
the cows," said Jenny.
"He won't think so unless I tell him," said Andrew, "and you know I
won't do that."
"If we were to run all the way, would you be too late?" said Jenny.
"If we were to run all the way to the bridge and I was to run all the
way back, I would not get to school till after copy-time. I expect
every minute to hear the school-bell ring," said Andrew.
"But what can I do, then?" said poor little Jenny. "I can't wait here
till school's out, and I don't want to go up to the school-house, for
all the boys to laugh at me."
"No," said Andrew, reflecting very seriously, "I must take you home
some way or other. It won't do to leave you here, and no matter where
you might stay, your mother would be troubled to death about you."
"Yes," said Jenny, "she would think I was drowned."
Time pressed, and Jenny's countenance became more and more overcast,
but Andrew could think of no way in which he could take the little
girl home without being late and losing his standing in the school.
It was impossible to get her across the stream at any place nearer
than the "big bridge;" he would not take her that way and make up a
false story to account for his lateness at school, and he could not
leave her alone or take her with him.
What in the world was to be done?
While several absurd and impracticable projects were passing through
his brain the school-bell began to ring, and he must start immediately
to reach the school-house in time.
And now his anxiety and perplexity became more intense than ever, and
Jenny, looking up into his troubled countenance, began to cry.
Andrew, who never before had failed to be at the school door before
the first tap of the bell, began to despair.
Was there nothing to be done?
Yes! a happy thought passed through his mind. How strange that he
should not have thought of it before!
He would ask Dominie Black to let him take Jenny home.
What could be more sensible and straightforward than such a plan?
Of course the good old Schoolmaster gave Andrew the desired
permission, and everything ended happily. But the best thing about the
whole affair was the lesson that young Scotch boy learned that day.
And the lesson was this: when we are puzzling our brains with plans to
help ourselves out of our troubles, let us always stop a moment in our
planning, and try to think if there is not some simple way out of the
difficulty, which shall be in every respect _perfectly right_. If we
do that we shall probably find the way, and also find it much more
satisfactory as well as easier than any of our ingenious and elaborate
plans.
THE WILD ASS.
[Illustration: WILD ASSES.]
If there is any animal in the whole world that receives worse
treatment or is held in less esteem than the ordinary Jackass, I am
very sorry for it.
With the exception of a few warm countries, where this animal grows to
a large size, and is highly valued, the Jackass or Donkey is
everywhere considered a stupid beast, a lazy beast, an obstinate
beast, and very often a vicious beast. To liken any one to a Jackass
is to use very strong language.
In many cases, this character of the Donkey (with the exception of the
stupidity, for very few Donkeys are stupid, although they try to seem
so) is correct, but nevertheless it is doubtful if the animal is much
to blame for it. There is every reason to believe that the dullness
and laziness of the Donkey is owing entirely to his association with
man.
For proof of this assertion, we have but to consider the Ass in his
natural state.
There can be no reasonable doubt but that the domestic Ass is
descended from the Wild Ass of Asia and Africa, for the two animals
are so much alike that it would be impossible, by the eye alone, to
distinguish the one from the other.
But, except in appearance, they differ very much. The tame Ass is
gentle, and generally fond of the society of man; the wild Ass is one
of the shyest creatures in the world; even when caught it is almost
impossible to tame him. The tame Ass is slow, plodding, dull, and
lazy; the wild Ass is as swift as a race-horse and as wild as a Deer.
The best mounted horsemen can seldom approach him, and it is generally
necessary to send a rifle-ball after him, if he is wanted very much.
His flesh is considered a great delicacy, which is another difference
between him and the tame animal.
If any of you were by accident to get near enough to a wild Ass to
observe him closely, you would be very apt to suppose him to be one of
those long-eared fellows which must be beaten and stoned and punched
with sticks, if you want to get them into the least bit of a trot, and
which always want to stop by the roadside, if they see so much as a
cabbage-leaf or a tempting thistle.
But you would find yourself greatly mistaken and astonished when, as
soon as this wild creature discovered your presence, he went dashing
away, bounding over the gullies and brooks, clipping it over the
rocks, scudding over the plains, and disappearing in the distance like
a runaway cannon-ball.
And yet if some of these fleet and spirited animals should be
captured, and they and their descendants for several generations
should be exposed to all sorts of privations and hardships; worked
hard as soon as their spirits were broken, fed on mean food and very
little of it; beaten, kicked, and abused; exposed to cold climates, to
which their nature does not suit them, and treated in every way as our
Jackasses are generally treated, they would soon become as slow, poky,
and dull as any Donkey you ever saw.
If we have nothing else, it is very well to have a good ancestry, and
no nobleman in Europe is proportionately as well descended as the
Jackass.
ANCIENT RIDING.
There are a great many different methods by which we can take a ride.
When we are very young we are generally very well pleased with what
most boys and girls call "piggy-back" riding, and when we get older we
delight in horses and carriages, and some of us even take pleasure in
the motion of railroad cars.
Other methods are not so pleasant. Persons who have tried it say that
riding a Camel, a little Donkey, or a rail, is exceedingly
disagreeable until you are used to it, and there are various other
styles of progression which are not nearly so comfortable as walking.
[Illustration]
There were in ancient times contrivances for riding which are at
present entirely unknown, except among half-civilized nations, and
which must have been exceedingly pleasant.
When, for instance, an Egyptian Princess wished to take the air, she
seated herself in a Palanquin, which was nothing but a comfortable
chair, with poles at the sides, and her bearers, with the ends of the
poles upon their shoulders, bore her gently and easily along, while an
attendant with a threefold fan kept the sun from her face and gently
fanned her as she rode.
Such a method of riding must have been very agreeable, for the
shoulders of practised walkers impart to the rider a much more elastic
and agreeable motion than the best made springs, and, for a well fed,
lazy Princess nothing could have been more charming than to be borne
thus beneath the waving palm-trees, and by the banks of the streams
where the lotus blossomed at the water's edge, and the Ibis sniffed
the cooling breeze.
But when the father or brother of the Princess wished to ride,
especially if it happened to be a time of war, he frequently used a
very different vehicle from an easy-going Palanquin.
He sprang into his war-chariot, and his driver lashed the two fiery
horses into a gallop, while their master aimed his arrows or hurled
his javelin at the foe.
Riding in these chariots was not a very great luxury, especially to
those who were not accustomed to that kind of carriage exercise. There
were no seats, nor any springs. The riders were obliged to stand up,
and take all the bumps that stones and roots chose to give them, and
as they generally drove at full speed, these were doubtless many and
hard. There was in general no back to these Chariots, and a sudden
jerk of the horses would shoot the rider out behind, unless he knew
how to avoid such accidents.
We of the present day would be apt to turn up our noses at these
ancient conveyances, but there can be no doubt that the Egyptian
Princesses and warriors derived just as much pleasure from their
Palanquins and rough-going war-chariots as the ladies of to-day find
in an easy-rolling barouche, or the gentlemen in a light buggy and a
fast horse.
BEAUTIFUL BUGS.
[Illustration]
We are not apt--I am speaking now of mankind in general--to be very
fond of bugs. There is a certain prejudice against these little
creatures, which is, in very many cases, entirely unwarranted. The
fact is that most bugs are harmless, and a great many of them are
positively beautiful, if we will but take the trouble to look at them
properly, and consider their wonderful forms and colors. To be sure,
many insects to which we give the general name of bugs are quite
destructive in our orchards and gardens, but, for all that, they are
only eating their natural food, and although we may be very glad to
get rid of our garden bugs as a body, we can have nothing to say
against any particular bug. None of them are more to blame than the
robins and other birds, which eat our cherries and whatever else we
have that they like, and we never call a robin "horrid" because he
destroys our fruit. True, the insects exist in such great numbers that
it is absolutely necessary for us to kill as many of them as possible,
and it is very fortunate that the robins and black-birds are of so
much benefit to us that we are glad to let them live.
But all this should not make us despise the bugs any more than they
deserve, particularly as they are just as beautiful as the birds, if
we only look at them in the right way. A microscope will reveal
beauties in some of the commonest insects, which will positively
astonish those who have never before studied bugs as they ought to be
studied. The most brilliant colors, the most delicate tracery and
lace-work over the wings and bodies; often the most graceful forms and
beautifully-contrived limbs and bodies and wing-cases and antennæ, are
to be seen in many bugs when they are placed beneath the glasses of
the microscope.
[Illustration: TRANSFORMATIONS OF BEETLES.]
But there are insects which do not need the aid of magnifying glasses
to show us their beauties.
Some of the Beetles, especially the large ones, are so gorgeously
colored and so richly polished that they are imitated, as closely as
Art can imitate Nature, in precious stones and worn as ornaments.
There are few living things more beautiful than a great Beetle,
glittering in resplendent green and gold, and the girl (or woman
either) who will hold one of these in her hand or let it crawl upon
her arm while she examines its varied colors, shows a capacity for
perceiving and enjoying the beauties of nature that should be envied
by those who would dash the pretty creature upon the floor,
exclaiming, "That horrid bug!"
There are many insects with which we need not desire to be too
familiar, such as Mosquitoes, Fleas, Wasps, and Bees; but when a "bug"
is harmless as well as beautiful, there is no reason why we should not
treat it as a friend. Who is afraid of a Butterfly?
And yet a Butterfly is really just as much a bug as a Beetle is. The
fact is that the term "bug" is applied with a certain propriety to
many insects which are not at all pleasant (although the Lightning Bug
is an exception), and we should therefore be very careful about giving
what has grown to be a bad name to insects that do not deserve it, and
should avoid treating such as if they were as ugly and disagreeable as
the name would seem to imply.
A BATTLE ON STILTS
[Illustration: A BATTLE ON STILTS.]
In the year 1748 the great Marshal Saxe, who was travelling through
the Low Countries, came to the town of Namur in Belgium. There the
citizens did everything in their power to make his stay pleasant and
to do him honor, and among other things they got up a battle on
stilts. These inhabitants of Namur were well used to stilts, for their
town, which has a river on each side of it, lay very low, and was
subject to overflows, when the people were obliged to use stilts in
order to walk about the streets. In this way they became very expert
in the use of these slim, wooden legs, and to make their stilts
amusing as well as useful they used to have stilt-battles on all
holidays and great occasions.
The young men of the town, two or three hundred on each side, would
then form themselves into opposing armies, and with flags flying and
trumpets blowing they would advance to the attack.
And they fought hard and well. It was against the rule to use any club
or similar weapon, or to strike with the fists. Punching with their
elbows, to push each other down, and kicking with their stilts, to
knock their opponents' legs from under them, were the methods of
assault in this kind of warfare.
The battle often lasted for an hour or two, the armies fighting and
shouting, advancing and retreating; while their wives and sisters
stood around them, encouraging them by shouts and hand-clapping, and
when an unfortunate fellow was knocked down, these women would hasten
to his assistance, and help him up again as soon as he had recovered
from his fall.
This was pretty rough sport, for the combatants fought as if their
lives and fortunes depended upon the victory, and although they did
not often seriously injure one another, there must have been many a
sore head and bruised leg and arm after the battle was over.
Marshal Saxe knew all about fighting, and on this occasion he
declared, that if two real armies should engage with as much fury as
these young fellows on stilts, the battle would be a butchery.
At another time, when the Archduke Albert came to Namur, the citizens
had one of these stilt-battles, and it proved a very profitable one to
them. Before the fight began, the governor of the city promised the
Archduke to show him a battle between two bodies of men, who would be
neither on horseback nor on foot; and when the engagement was over,
Albert was so much pleased that he gave the town the privilege of
being forever exempt from the duties on beer.
As the good folks of Namur were nearly as good at drinking beer as
they were at walking on stilts, this was a most valuable present for
them.
Things are different in this country. It is said that in 1859 a man
walked across the rapids of the Niagara river on stilts, but I never
heard of any of his taxes being remitted on that account.
DRAWING THE LONG BOW.
[Illustration]
When a man has a bow and arrows as long as those used by some of the
natives of Brazil, so that he has to lie down on his back, and hold
the bow with his foot when he shoots, he may well be said to draw a
long bow, but it is not of these people that I now intend to speak.
Without describing any particular school of archery, I merely wish to
give a few instances where "the long bow" has been drawn in words,
about feats with the bow and arrows.
This expression, "drawing the long bow," does not always mean that a
falsehood has been told. It often refers to a very wonderful story,
which may be true enough, but which is so marvellous that it requires
a firm trust in the veracity of the narrator for us to believe it.
So now let us see what long bows have been drawn about bows and
arrows.
Such stories commenced long ago. The poet Virgil, in the "Æneid,"
tells of four archers who were shooting for a prize, the mark being a
pigeon, tied by a cord to the mast of a ship. The first man struck the
mast with his arrow, the second cut the cord, and the third shot the
pigeon while it was flying away. There now being nothing for the
fourth archer to shoot at, he just drew his bow, and sent his arrow
flying towards the sky with such velocity that the friction of the air
set the feathers on fire, and it swept on, like a fiery meteor, until
it disappeared in the clouds.
It would be very hard, even in this progressive age, to beat that
story.
The Greeks could tell tall stories, too, of their archers. An
historian, named Zosimus, tells of a man who shot, at the same time,
three arrows from the same bow at three different targets, and hit
them all! It is to be hoped that his histories contained some things
easier to believe than this.
But as we approach the present age we still find wonderful narrations
about archers. Robin Hood, for instance, was a great fellow with the
bow. It is said that on one occasion he shot an arrow so that it fell
a mile from where he was standing! A long shot, and hard to be
equalled by the crack rifles of the present day.
Sir Walter Scott, in "Ivanhoe," introduces Robin Hood under the name
of Locksley, and in a shooting match, when his opponent had planted
his arrow right in the centre of the bull's-eye, and everybody, of
course, thought that nothing better than that could be done, Master
Robin just steps up and lets fly his arrow, driving it into the arrow
that was sticking in the target, splitting it from end to end!
And then there is that famous story about William Tell. Many persons
have their doubts about this performance, and either assert that there
never was such a person as Tell, or that no man could have confidence
enough in his own skill to shoot at an apple on his son's head. But I
prefer to believe this good old story, and, in fact, I see no good
reason to doubt it. There was a Dane, named Foke, of whom the same
story is told, and an Englishman, named William of Cloudesley, is said
to have shot an apple from his son's head merely to show his
expertness.
Most of the stories of bows and arrows relate to the accurate aim of
the archers, but here is one which shows the tremendous force by which
an arrow may be propelled, if the bow is strong and long enough. A
French gentleman named Blaise de Vigenère, says that he _saw_ a Turk,
named Barbarossa, an admiral of a ship called the Grand Solyman, send
an arrow from his bow, right through a cannon-ball! He did not state
whether the cannon-ball had a hole through it, or not.
But I think that the most wonderful, astounding, and altogether
amazing story about arrow-shooting is told of the Indians who used to
inhabit Florida. It is stated that these Indians were in the habit of
assembling, in parties of ten or a dozen, for the purpose of having
some amusement in archery. They would form themselves into a circle,
and one of them throwing an ear of maize or Indian corn into the air,
the rest would shoot at it and would shell it of every grain of corn
before it fell to the ground. Sometimes, the arrows would strike it so
hard and fast that it would remain suspended in the air for several
minutes, and the cob never fell until the very last grain had been
shot from it!
After such a specimen of the drawing of the long bow as this, it would
not be well to introduce any feebler illustrations, and so I will keep
the rest of my anecdotal arrows in my quiver.
AN ANCIENT THEATRE.
[Illustration]
I suppose you are all familiar with pictures of the Colosseum at Rome,
but unless you have carefully studied detailed descriptions of this
edifice it is impossible for you to properly comprehend the grand
style in which the ancients amused themselves.
This great theatre, the ruins of which are now standing in Rome, and
which will probably stand for hundreds of years longer, was built
nearly eighteen hundred years ago. It is a vast oval building, four
stories high, and capable of containing ninety thousand spectators!
Seats, one row above the other like steps, were placed around the
walls, from top to bottom. There was no roof to the building, and if
the sun was hot, or it rained, the people were obliged to shelter
themselves as well as they could, although it is probable that the
seats for the emperors and other great dignitaries were protected by
awnings. In the centre of the building, down at the foot of the seats,
was the great amphitheatre where the performances took place. And
wonderful performances they were. There were sometimes great fights
between lions, tigers, bulls, and bears; sometimes wild beasts were
slain by men, and sometimes men were slain by wild beasts. There were
gladiatorial combats, executions of criminals, and many other kinds of
cruel and barbarous amusements. When the Colosseum was inaugurated,
five thousand wild beasts were put to death, and afterwards, at the
celebration of a great victory, eleven thousand animals perished.
Under the ground, in two vast basement stories, the beasts were kept
in cages until they were brought up to destroy human life or to be
butchered themselves.
For six hundred years these barbarous games were celebrated in the
Colosseum, but it afterwards became a fortress, and it was used at one
time for a hospital. When it began to decay, many of the inhabitants
of Rome carried away portions of its materials to build houses for
themselves, but such depredations have long been forbidden and now the
Colosseum stands, useless and ruined, a silent memento of the
wickedness of man. People are bad enough in our age, but the day is
past, when ninety thousand men, women, and children could be gathered
together to see other men, women, and children torn and devoured by
lions and tigers. Let us hope, that by the time the Colosseum has
entirely crumbled away, men will no longer meet in thousands to kill
and mangle each other on the battle-field.
BIRD CHAT.
[Illustration: BIRD CHAT.]
In a far-off country, on a summer day, it chanced that two Cormorants
stood on a great rock, lazily dozing. This rock was by the side of a
little river that, only a few miles below, flowed into the sea; for
the Cormorant is a marine bird, and haunts the sea-coast. It was a
lovely place, although not very far from the habitations of men, and a
number of cows had laid themselves down in the grassy field that
surrounded an old ruined temple on the gentle slope of a hill above
the river. The day had been still and hot, but now a soft breeze was
stirring the long grasses, and bending the tassels of the reeds
gracefully over the water, and the scent of flowers came floating down
from the vines clambering over the old ruin, and the hum of insects
filled the air.
But I do not think the Cormorants noticed any of these things. Their
long necks were folded so that their heads nearly rested on their
backs, for, as I said before, they were dozing. The truth is, these
birds had eaten so much they had made themselves perfectly stupid,
which is a bad way the Cormorant has, as, no doubt, you know; for it
has probably happened to you some time in your life to have indulged
yourself so freely in eating something that you liked that you have
been scornfully called "a little Cormorant!"
But this state of insensibility was passing away, and they were now in
a gentle doze, and sleeping, thinking of the company they were to
entertain. For these Cormorants had come to this spot to meet their
cousin the Pelican to consult with him on some family matters. Upon
their first arrival at the place they had set to work to get together
a good supply of fish, for this is the only food of both the Cormorant
and the Pelican. In a short time they landed a great number, and
bestowed them in a safe place, and then they set to work catching
fish for themselves and eating them greedily.
You might suppose such a lazy-looking bird would find it impossible to
catch anything so active as fish. But you should see it when it is
fully awake and hungry. The bird darts through the water with a speed
greater than that of the fishes. Its wings can be closed so tightly
that they do not hinder its progress, and the tail serves for a
rudder, while the broadly-webbed feet act as paddles. Its long,
snake-like neck gives it the power of darting its beak with great
rapidity, and the hook at the end of the beak prevents the prey from
escaping. The bird is also a diver, and can stay a long time under
water.
[Illustration]
Our two Cormorants opened their eyes when they heard a slight
splashing in the water. Something was about to invade their retreat.
They had not long to wait. Slowly into the stream waded a Bittern.
Seeing the Cormorants there he stopped; and, drawing himself up into
as small a compass as possible, he sunk his head in his shoulders, and
nothing could be seen of his long neck, while his bill was thrust up
in the air as if he cared nothing for his neighbors or their affairs.
The Cormorants heartily wished he would go away, and they kept their
eyes open and watched him, for fear he would spy the fish they had
carefully hidden in the wet grass, for the Bittern also lives on fish.
So the Cormorants winked and blinked, and thought how different the
Bittern looked when on the alert for his prey, or calling his mate.
Many a time had they been roused out of their sleep by the terrible
night-cry of the Bittern--a fearful sound, something between the
neighing of a horse, the bellow of a bull, and a shriek of savage
laughter, and so loud and deep it seemed to shake the marshy ground.
[Illustration]
Soon there appeared hovering over them a snowy cloud. As it floated
nearer it proved to be a magnificent Pelican with its gigantic wings
outspread. It alighted near the Cormorants, at the foot of a little
grassy hill. It was an old male bird, very wise and very cunning. He
greeted his cousin Cormorants cordially, but, ruffling up the crest of
curled feathers on his head, and shaking his half-folded wings
angrily, he looked askance at the Bittern.
Now the Bittern is a very unsocial bird, and as he took not the least
notice of the new comer, the Pelican could not pick a quarrel with
him. Therefore he turned to his cousins, and said: "I have just come
from my pleasant home on a rocky island. The waters make music there
all day long, and the green moss gleams through the white foam, and
gay-colored fish sparkle in the sunlight; so that when men behold it
they exclaim: 'See! what a beautiful spot!' There are some birds that
like dingy pools, where only coarse rushes grow, where there is
nothing but blight and mildew, where even carrion crows will not fly,
and at which men shudder."
Now this exactly described the places the Bittern prefers to all
others; but, as he really considered them very captivating, and hated
the very sight of mankind, he did not feel abashed by the Pelican's
stinging rebuke, and perhaps took it for a compliment; and there is no
knowing how long he would have staid there, if a frisky little Hoopoe
had not chanced to alight on a tree that had fallen across a foaming
brook not very far from the group of birds.
Not liking so much company, the Bittern stalked away. The Hoopoe
nodded so often to the birds that its beautiful tall crest trembled as
if a breeze stirred it, and having preened its prettily-barred
feathers for awhile, it began to talk as fast as ever it could.
"I have came from a long distance, and only stopped twice on my way to
get a meal of insects, which I can dig out of decaying wood with my
long curved beak, very fast, I can tell you. And what do you think I
saw in that place I came from? You would never guess. Why, men had
some pet Cormorants that they had trained to catch fish for them! Oh!
it was fun! And I heard these men say that in the days of Charles I.
of England (I hope you know who he is, for I'm sure I don't),
Cormorants were kept by nobles and kings for the purpose of catching
fish, and that there was attached to the Court an officer called the
King's Master of the Cormorants. Did you ever hear the like of that?"
[Illustration]
Although this was strictly true, the Cormorants had never heard of it;
but, before they could answer, a loud, deep voice cried; "Heigho! What
is all that?"
The startled birds turned towards the spot from whence the voice
proceeded, and there, perched on a lonely rock, a good distance to the
left of them, was a great bird with very large bright eyes and
powerful curved beak.
Neither the Hoopoe nor Pelican had ever before seen him, but the
Cormorants knew him very well. He was the Peregrine Falcon. And they
knew him because, like them, he chose rocky ledges, high and
inaccessible, for his nest. And although his nests were usually on
loftier crags than theirs, they were quite neighborly, especially as
they did not chase the same prey, the Cormorants drawing theirs from
the sea, and the Falcons finding theirs in the air.
[Illustration]
"Those people you speak of," said he sternly to the frightened Hoopoe,
"_may_ have had Cormorants to catch their fish, but I never heard of
it before. Whereas all history is full of the exploits of my
ancestors, and monarchs and nobles spent immense fortunes in buying
and keeping Falcons that hunted birds grandly."
Now the Hoopoe knew very well that it was not this Falcon, but the
great Gerfalcon, his cousin, that was formerly held in such high
esteem; but he did not dare to say so, and, as he must be saying
something, he turned to the Pelican.
"I have long wanted to meet with you to ask you if is true that you
tear open your breast with your hooked bill, and feed your young with
your own blood?"
"Not a word of truth in it!" replied the Pelican scornfully, "I am
often obliged to gather food in places far from home. I do not dive
into the water like the Cormorant, but catch, with a sidelong snatch
of my bill, the fish that rise to the surface. This loose skin, that
is now so folded up under my beak that you can scarcely see it, I can
distend into an enormous pouch. This I fill with fish, and my wings
being wide and powerful, I can easily carry a great weight of fish
through the air. When I reach home I feed my young by pressing my beak
against my breast, and thus forcing out the enclosed fish. And on the
tip of my beak is a little curved hook as red as a drop of blood. And
now you know the whole story."
"Thank you," said the Hoopoe, "I must go and tell the storks all about
it." And away he darted like a streak of colored light. The Falcon,
too, lazily spread out his large wings, and soared majestically up
into the air, leaving the Pelican and Cormorants to discuss their
family affairs and their dinner in peace.
MUMMIES.
[Illustration]
A mummy is not a very pretty thing to look at; but, considered
properly, it is certainly interesting. That stiff form, wrapped up
tightly in ever so many dirty cloths, with a black shrivelled face
which looks as if it had been cut out of a piece of wood and then
smoked, was once, no doubt, a very pleasant person to know. If it was
a woman, it played with the children; sewed a little, perhaps;
complained of the heat, and went to parties. If it was a man, it
probably whistled a little, and sang; settled up its accounts, was
fond of horses, and took an interest in the vegetable garden.
Most of the mummies that have been brought from Egypt to this country
were originally kings, princes, princesses, noblemen, and priests, for
few but those high-born folks could afford to be so well preserved as
to last all this time; but it is very certain that none of them ever
imagined that, thousands of years after their death, they would be
carried away to countries never heard of in their day, and be gazed at
by people who wore chignons and high-top hats, and who were not born
until they had been dead three thousand years.
When we consider the care and skill with which the dead Egyptians used
to be embalmed and encased in their sarcophagi, it is not surprising
that their poor bodies have been so well preserved. At the head of
this article you see a mummy as it appears when it has been embalmed
and wrapped in its bandages. Here is the stand on which it is then
placed.
[Illustration]
Very often, when the body had been a king or some great personage, its
face was covered with a mask of thin gold, and its bandages were
ornamented with pictures and inscriptions.
[Illustration]
When this work of decoration was completed, it was placed in a coffin
which was made large enough to hold the stand.
This coffin was very handsomely ornamented, and then, in order to
make everything very secure indeed, it was enclosed in another or
exterior coffin, which was also decorated in the highest style known
to Egyptian artists.
[Illustration]
One would now suppose that this great king or priest was safe enough,
looking at the matter in an ordinary light. But the Egyptians did not
look at these matters in ordinary lights. Quite otherwise. They
intended the useless bodies of their grandees to be packed away so
that they should not be disturbed as long as the world lasted, little
dreaming of the Americans and Europeans who would come along, in a few
thousand years, and buy them for their museums.
So they put the mummy, with its stand and its two coffins, into a
great stone box called a sarcophagus, and this was fastened and
plastered up so as to seem like one solid rock.
Then, if the inmate had ever done anything wonderful (or sometimes, no
doubt, if he had not been famous for anything in particular), the
history of his great achievements, real or fancied, was sculptured on
the stone. These hieroglyphics have been deciphered in several
instances, and we have learned from them a great deal of Egyptian
history.
[Illustration]
Dead poor people, as well as kings and princes, were made into mummies
in Egypt, but they were not preserved by such costly means as those I
have mentioned. After they had been embalmed, they were wrapped up as
well as the means of their relatives would allow, and were placed in
tombs and vaults, sometimes with but one coffin, and sometimes without
any.
In many cases the mummy was not buried at all, but kept in the house
of the family, so that the friends and relatives could always have it
with them. This may have been very consoling to the ancient Egyptians,
but to us it seems a truly mournful custom.
And it is by no means distressing to think, that though the people who
may be in this country three thousand years hence may possibly find
some of our monuments, they will discover none of our bodies.
TAME SNAKES.
[Illustration]
We have often heard of the tamed snakes belonging to the
serpent-charmers of India and Africa, but it is seldom that the
harmless serpents of civilized countries have been domesticated. But
the common snake, sometimes called the garter-snake, which harmlessly
shows its dark green and yellow colors among the grass and bushes, has
been tamed and has shown quite a fair amount of respect and affection
for its human friends.
A French writer relates that he knew a lady who had a snake which was
so tame that it came when it was called, followed its mistress about,
climbed up into her lap, and gave many signs of knowing and liking
her. It would even swim after her when she threw it into the water
from a boat. But this last feat proved fatal to it, for once swimming
thus and endeavoring to keep up with the boat, the tide became too
strong for it, and it was carried away and drowned.
I am very much afraid that that lady did not deserve even as much
affection as the snake gave her.
The boys and girls in France sometimes amuse themselves by getting up
a snake-team.
[Illustration]
They tie strings to the tails of two common harmless snakes, and then
they drive them about, using a whip (I hope gently) to make these
strange steeds keep together and go along lively.
It is said that snakes which have been played with in this way soon
begin to like their new life, and will allow the children to do what
they please with them, showing all the time the most amiable
disposition.
There is nothing very strange in a tamed snake. Toads, tortoises,
spiders, and many other unpromising animals have been known to show a
capacity for human companionship, and to become quite tame and
friendly. In fact, there are very few animals in the world that cannot
be tamed by man, if man is but kind enough and patient enough.
GYMNASTICS.
Every one who has a body that is worth anything at all, ought to do
his best to keep it in good order, and there is no better way of
attaining this desirable object than by a proper course of gymnastics.
And to know just what is proper for certain ages and certain
individuals, demands a great deal of thought and judgment. Improper
gymnastics are much worse than none. We can generally, however, find
those who are able to advise us in regard to the exercise one ought to
take.
This necessity of training the body as well as the mind has been
recognized from the earliest ages, and the ancient Greeks and Romans
paid as much attention to their gymnasiums as they did to their
academies; and from their youth, their boys and girls were taught
those exercises which develop the muscles and ensure good health. Some
of their methods, however, were not exactly the most praiseworthy. For
instance, they would encourage their youngsters to fight.
[Illustration]
This engraving, copied from an ancient picture, shows how spiritedly
the children practised this exercise.
It would have been better if the individual with the stick had laid it
over the backs of the young combatants, instead of using it to direct
their struggles.
There are three kinds of gymnastics. By the first we take exercise,
simply for the sake of the good we gain from it; by the second we
combine pleasure with our muscular exertion; and the third kind of
gymnastics is practised for the sake of making money.
The exercises of the first division are carried on in regular
gymnasiums or at home, and consist of exercises with dumb-bells, bars,
suspended rings, poles, and many other appliances with which most boys
and girls are familiar. Regular practice in a good gymnasium, under
the direction of a competent teacher, is considered, by those who best
understand the education of young people, an exceedingly necessary
part of their education, and gymnastic instruction, both for boys and
girls, is becoming more popular every year.
We need give but little time to this well understood division of
gymnastics, but will pass at once to the second class, where diversion
and exercise are combined. This is by far the best method of gaining
health and strength, and should be preferred by all instructors
whenever it is possible to adopt it.
It is of no use to say anything in favor of this plan to the boys and
girls themselves, for they never fail to choose that form of exercise
which has a good deal of play in it. And it is well they like it, for
they will get more benefit from an hour of good, vigorous play, than
from many lessons in the monotonous exercises in use in the
gymnasiums.
I shall not now speak of the lively games of boys and girls, by which
their cheeks grow rosy and their legs and arms grow strong, for we all
know enough about them, but I will describe some of the athletic
sports of grown-up folks. There are a great many of these, some of
which are of great antiquity. Wrestling, boxing, vaulting,
foot-racing, and similar exercises have been popular for thousands of
years, and are carried on now with the same spirit as of old.
Out-door sports differ very much in different countries. In the United
States the great game is, at present, base-ball; in England cricket
is preferred, and Scotland has athletic amusements peculiar to itself
In the latter country a very popular game among the strong folks is
called "throwing the hammer."
[Illustration]
These hammers are not exactly what their name implies, being heavy
balls of brass or iron, fitted to a long handle. The hammer is whirled
around the head several times and then thrown as far as possible. The
man who throws it to the greatest distance wins the game.
Another game, very much of this order, consists in tossing a heavy
stone, instead of a hammer. The Scotch call this game "putting the
stone," sometimes using stones that might be called young rocks, and
they "put" or throw them in a different way from the people of other
countries where the game is popular. In some of the mountainous
regions of the continent of Europe the game is played in the manner
shown in the accompanying engraving.
[Illustration]
But it is impossible, in a short article like this, even to allude to
all the different kinds of athletic games, and I will now notice some
of the gymnastics by which people make a living.
Rope-walkers, circus-riders, and acrobats of every kind are now so
common, that a description of their ordinary performances is
unnecessary. They are found on every portion of the globe, some of the
most proficient being now seen in China and Japan.
If any of you have seen the Japanese troupe of acrobats with which
"Little Allright" was connected, you will understand to what a high
state of perfection physical exercises may be brought by people who
give up their whole lives to the study and practice of their various
feats.
[Illustration]
In Europe and this country very remarkable gymnastic performers have
appeared before the public.
About the middle of the last century, there lived in Derby, England, a
man by the name of Thomas Topham, who performed in public some
wonderful feats of strength. At one time he lifted, by a band passed
over his shoulders, three great casks of water which collectively
weighed 1,836 pounds.
He had a platform built for this performance, which was constructed in
such a way that he could use the whole power of his body and limbs. In
this feat, however, he has been surpassed by Dr. Winship, of Boston,
who has lifted, in public, heavier weights than Topham ever attempted.
The latter, however, was enormously strong, and performed a great many
feats which made him quite famous throughout England.
A favorite exhibition of public acrobats is that of pyramids, pillars,
and other tall edifices, built of men, instead of bricks and stones.
The Venetians used to be very expert and artistic in their arrangement
of these exhibitions, and the men composing the human edifice stood as
immovably and gracefully as if they had been carved out of solid
stone, instead of being formed of flesh and blood.
[Illustration]
This performance has been made quite common in late years, and I have
seen the celebrated "Arabs" and other acrobats pile themselves up in a
most astonishing manner.
[Illustration]
One of the most popular, and at the same time dangerous, of all public
gymnastic exhibitions, is that of rope-walking, and most marvellous
feats on the tight-rope have been performed in many parts of the
world. Even in Greece and Rome, men practised this form of gymnastics.
In later days no one has become more famous than Blondin, who crossed
the Niagara River on a tight-rope, performing all sorts of eccentric
feats while balanced on his slender support. He carried a man over on
his shoulders; he wheeled a wheelbarrow across; he walked the rope
blindfolded, and did many other things which would be very difficult
to most people, even if they were standing on solid ground instead of
being poised on a slender rope stretched high above the waters of a
rapid river. In this country, however, the taste for out-door and
dangerous rope-walking is not so general as it is in some countries of
Europe, where it is quite common to see acrobats walking on ropes
stretched from the top of one high building, or steeple, to another.
In Venice, for instance, rope-dancers have often skipped and played on
ropes reaching from the summits of two of the loftiest towers of that
beautiful city.
The Turks were once noted for their great proficiency in rope walking,
but they have been equalled by Japanese, European, and American
performers. Many women have been famous in this line, and a Madame
Sacqui, a Frenchwoman, was such an expert artist that one of her
countrymen likened her to a "Homeric goddess" (although I do not know
how Juno or Minerva would have looked on a tight-rope), and asserted
that her boldness and agility were the glory of the First Empire! This
infatuated Frenchman must have considered glory to have been very
scarce in his country in Madame Sacqui's day. There was a French baby,
however, who surpassed this lady, for the little one walked on the
tight-rope before she could walk on the ground, and afterwards became
famous enough to perform, in 1814, before an assembly of kings--the
allied sovereigns of Europe.
The public performers of different kinds of gymnastic feats often make
a great deal of money; but they sometimes break their necks, and
frequently injure their health by over-exertion.
So that exercises for health and amusement are the only kinds of
gymnastics that I recommend.
BUYING "THE MIRROR."
Miss Harper came into the room where George and Mary Conly and Ella
Lee were playing with jack-straws. They had played everything else
they could think of, and, feeling tired, had quietly settled
themselves down to jack-straws. They could have amused themselves from
morning until night out of doors without being weary; but Mr. Conly's
house was in the city, and had such a tiny bit of a yard that only
fairies could have got up a frolic in it. When they were in the
country there were so many things they could do, and when they were
tired running about, there was the see-saw on the big log under the
old elm.
[Illustration]
But they were not in the country now, and children have not the spirit
to keep up their sports in the house as they do out of doors. So,
when Miss Harper appeared with a book in her hand, George and Mary
sprang up from the table in delight, and exclaimed:
"Oh, cousin Fanny! are you going to read to us?"
"Yes," said Miss Harper, "I thought you would like to hear some more
of those pretty stories I read to you yesterday."
"That we will!" cried George, skipping about the room, while Mary,
with eyes sparkling with pleasure, hastily raked the jack-straws into
a pile.
"We can both get into this big chair, Ella," she said, "and then we
can hear cumfible."
Now Ella would much rather have played jack-straws, for she thought
listening to reading was very dull business indeed; but she was a
polite little girl, which is pretty much the same thing as saying she
was not selfish, and seeing that George and Mary were so pleased, and
expected her to be so also, she made no objection, and climbed up into
the big chair, and found it "cumfible," as Mary had said.
"It will be awfully stupid," she thought, "and this chair is so nice I
am afraid I'll go to sleep, and mamma says that is very rude when any
one is reading or talking to you."
You see Ella had not learned to be fond of books. Her parents had not
been in the habit of reading to her, and, although in school she could
read books that had quite long words in them, still she could not read
with sufficient ease to make it a pleasure to her.
But she did not go to sleep, but, on the contrary, got wider and wider
awake. The stories were all short, so that when the end came she
remembered the beginning perfectly, and they were such lovely stories
about little fairies, and how they helped children to be good, that
Ella was very sorry when the servant came to take her home.
"I thank you very much, Miss Harper, for reading to us," she said,
"Will you please tell me the name of the book?"
"It is 'The Mirror,'" said Miss Harper, "and I will read to you often
if you will come to see us."
Ella thought about the book all the way home, but she was so tired she
was glad to go to bed after supper, and the next morning she had no
time before school to say anything to her mother about the wonderful
"Mirror."
But after dinner there was a pleasant surprise for her. Her father
called her into his study, and, taking her up, kissed her tenderly,
and said: "I saw your teacher yesterday, and she gave me such a good
account of my little girl that I am very much pleased with her. And
now, if there is anything you would particularly like to have, I will
get it for you, if it does not cost too much. Think a moment, now!
Don't be in a hurry!"
"Oh, papa," exclaimed Ella, "I don't need to think a bit! I know what
I want! I do so want to have a 'Mirror!'"
"A _what_?" said Mr. Lee, suddenly putting Ella down on the floor.
"A 'Mirror,' papa. When will you get it for me? Oh! I am so glad!" And
she clapped her little hands softly together.
"You are a very little girl to be so vain," said Mr. Lee gravely, "but
as I said you should have what you wanted, I will keep my promise. Go
and dress yourself, and we will get it this very afternoon."
Ella was so full of her own happy thoughts that she did not notice
what he said about her being vain, or that he looked displeased, and
she skipped merrily away to be dressed. In a short time she had hold
of her father's hand, and was walking down Broadway, looking in at the
shop windows, and talking as fast as her little tongue could go.
Mr. Lee, who knew nothing about the book with such a queer title, and
supposed his daughter wanted a mirror in which to look at herself,
began to hope that, as Ella stopped so often to admire the pretty
things in the windows, she would see something she would prefer for a
present. For, though it is a very proper thing to look in the glass to
see that one's face is clean, and hair smooth, he did not like it that
his daughter should want a looking-glass above everything in the
world.
"O, papa, isn't that a lovely baby?" And Ella paused in admiration
before a wax doll.
"Yes," said Mr. Lee, eagerly. "Would not you rather have that pretty
baby than a mirror?"
Ella considered for a moment. She had a dolly she loved, though she
was not as pretty as this one.
"No, papa, I'd rather have a 'Mirror.' It will be so nice to have one
of my own. I hope you know where to go to get it?" she added
anxiously.
"Certainly," said Mr. Lee, rather sharply, "I know just where to go."
And so they went on by windows filled with floating ribbons, and
shining silks; and others where there were glittering jewels, and some
of the rings small enough for Ella's fingers; and others where there
were white fur capes spread out, with muffs that had such gay linings,
and tassels; and windows hung to the very top with toys, and some of
them such cunning ones--mice that could be made to run and squeak, and
jumping frogs--but none of these things would Ella have. At last they
came to one all filled with flowers, and with this Ella was in
raptures.
"What a very good man must live here," she said, "to put all these
things out for us to see! I can smell them through the glass!"
"They are put here to sell," said Mr. Lee, "and I know you will like
that beautiful pink rose-bush a great deal better than a mirror--or
that great white lily."
"No, no, papa," said Ella, moving impatiently away. "When will we come
to the place?"
"Here it is," said Mr. Lee, as they stopped at a store where then were
two huge windows filled with mirrors of all sizes. "Now which one will
you have? Not a very large one for such a very little lady. But there
is a nice little one that will just suit you, and it has a very pretty
frame."
"Where? where, papa? I don't see it!" And Ella looked about the window
in a very bewildered manner.
"There. In that corner, leaning against the window-frame."
"Why, papa, that's a looking-glass!"
"And is not that what you want?"
"No, sir; I want a '_Mirror_'--a book."
"Oh! that's it!" said Mr. Lee, with a brighter face. "I expect you
want a book called 'The Mirror.'"
"Yes, sir," said Ella, laughing, as they walked on. "How funny that
you should think I wanted a looking-glass! There it is now!" she cried
excitedly, pointing into the window of a book-store.
It was a large sheet of paper Ella saw, called a Poster, but it had
"The Mirror" on it in very big letters. So Mr. Lee and Ella went in,
and the shopman brought her the book, but it was red, and she did not
want it, and then he took down a green one, and then a brown, but Ella
would only have a blue one. After some trouble a blue one was found,
and Ella walked off hugging it close up to her. The book Miss Harper
read had a blue cover, and I believe that Ella was afraid that any
other color would not contain the same stories.
BIG GAME.
When a man or a boy goes hunting--in a book--he might just as well go
after good big game as after these little things that you see about
home. So let us leave chipmunks, rabbits, and tit-birds to those poor
fellows who have to shoot with real guns, and are obliged to be home
in time for supper, and let us go out into the wide world, to hunt the
very largest and most savage beasts we can find. It is perfectly
safe,--in a book.
As we can go wherever we please, suppose we try our skill in hunting
the Wild Boar. He will be a good beast to begin with, because he is
tolerably convenient, being found in Southern Europe, Palestine, and
neighboring countries, and also because he is such a destructive
rascal, when he comes into the neighborhood of civilization, that
every one will be much obliged to us for killing him. If he chances to
get into a vineyard, in company with a set of his reckless fellows,
there is small chance for a vintage that year. He tears down the
vines, devours the grapes, green and ripe, and breaks and ruins
trellises and everything within his reach.
If we are so fortunate as to get sight of him, we will find that he is
no easy game to bag. Very different is he from his tame brethren with
which we are acquainted--old grunters, who wallow about the
mud-puddles and sleep serenely for hours, with their fat sides baking
in the sun. The wild boar is as fast as a horse, and as savage as the
crossest bull. He can run so that you can scarcely catch up to him
with your nag at the top of his speed, and when you do reach him he
will be very apt, if you are not watchful, to rip up your horse with
his tusks and cut some terrible gashes in your own legs, besides.
[Illustration: WILD BOAR.]
We must shoot this fellow as soon as we can get a good chance, for
those sharp tusks will be ready for us, if we come too close, and if
he increases the distance between us, he may get among the rocks and
hills, where he will surely escape, for our horses cannot go over
those rough ascents at the rate the boar would gallop.
When at last he is shot, the boar is capital eating. His flesh is far
superior to common pork, possessing the peculiar delicate flavor which
belongs to most wild meat. If we could shoot a wild boar every few
days, we would be sure to fare very well during our hunting
expedition.
But we must press on after other game, and we will now try and get a
shot at a musk-ox. We shall have to go somewhat out of our way to find
this animal, for he lives in the upper portions of North America, but
an ocean and a continent or two are not at all difficult to cross--in
a book.
The musk-ox is about as large as a small cow; he has very short legs,
and horns which are very large and heavy. They extend over his
forehead and seem as if they were parted in the middle, like a dandy's
front hair. It is probable, if we get near enough to one of them, that
we shall have no trouble in shooting him; but there is sometimes
danger in this sport. A sailor once went out to hunt musk-oxen, and,
to his great surprise, soon found that they intended to hunt him. A
herd got after him, and one big fellow was on the point of crushing
him with his great horns, when he dodged behind a rock, against which
the furious animal came like a battering-ram.
In the fall and winter the flesh of the musk-ox is very good indeed,
but in the spring it is not so nice. It then smells like your sister's
glove-box (if she uses musk), only about one hundred times as strong.
If we were to cut up one of these animals when his flesh is in this
condition, we would find it almost impossible to get the smell off of
our knives. The winter is certainly the time to shoot this game, for
then not only is his flesh very good, but his skin is covered with
very long and warm hair, and we would find it even better, to keep us
warm, than a buffalo robe.
[Illustration: THE MUSK-OX AND THE SAILOR.]
While we are thinking of skins, we might as well get a variety of
them, and we will find the fur of the brown bear very valuable.
So now for a brown bear. He, too, is found in the regions of ice and
snow, and in the North of Europe he is hunted by the peasants in a way
which we will not imitate. When they find a den or cave in the rocks
in which they think a bear is concealed, these sturdy hunters make all
sorts of noises to worry him out, and when at last the bear comes
forth to see what is the matter, he finds a man standing in front of
his den, armed with a short lance with a long sharp head, and a bar of
iron placed crosswise on the handle just below the head. Now, a
full-grown brown bear is not afraid of a man who is armed with a
little weapon like this, and so he approaches the hunter, and rearing
on his hind legs, reaches forth his arms to give the man a good hug,
if he comes any nearer.
[Illustration: HUNTING THE BROWN BEAR.]
The man does come nearer, and, to the bear's great surprise, he
thrusts forth his lance, which is longer than it looked, and drives
the head of it into the animal's breast. The iron bar prevents the
lance from entering too far into the body of the bear--a very
necessary precaution, for if it was not there, the bear would push
himself up along the handle of the lance and have his great paws on
the man in a minute or two. But the bar keeps the bear back, and the
loss of blood soon renders him so weak that the hunter can throw him
down and despatch him. It is strange that the bear never tries to pull
the lance out of his body. He keeps pressing it in, trying all the
time to get over it at his enemy.
This may be a good way to kill a bear, but I don't like it. It is
cruel to the animal, and decidedly dangerous to the hunter. If I could
not get a bear skin in any other way than by killing the animal with a
spear, I would let the bear keep his fur. If we see any brown bears we
will shoot them with our rifles, a much safer and more humane method
than the pike fashion.
After the bears, what shall we hunt? What do you say to a
hippopotamus? That will be something that we are not accustomed to, at
any rate. So away we go to the waters of Africa. If we travel along
the shores of the Nile and other African rivers, we shall, no doubt,
see some of these great creatures. But we must not expect to get a
good sight of any of them, unless we are very careful to hide
ourselves somewhere near where they are in the habit of coming out of
the water to take a walk on land. Ordinarily all that can be seen of a
hippopotamus is his head or his back, sticking up out of the water.
They can stay under water for a long time, occasionally sticking up
their noses to get a breath of air.
At night they often come on shore to see what they can find to eat.
They live on grass and grains, which they find in the water and on
land. These animals are generally shot or harpooned at night, when
they come out of the water, but occasionally a hunter sees one on
shore in the daytime, and he seldom finds any difficulty in shooting
it, if he can hit it in the ear, which is its most vulnerable spot.
The hippopotamus is naturally a timid animal, and seldom turns on its
hunters, but sometimes it shows a courageous disposition. Some
hunters, having shot a young but apparently a tolerably well-grown
hippopotamus, were running up to their prize, when they were astounded
by the old mother beast coming up out of the water and charging
towards them with tremendous roars.
[Illustration: A BRAVE HIPPOPOTAMUS.]
The hunters fired at her and then took to their heels, but having
found her offspring, she stayed with it and did not pursue the men. If
she had overtaken them, she would have been a terrible enemy to
encounter.
If, during our night-watches on the river-banks, we are so fortunate
as to shoot a hippopotamus, we shall find that we have a good supply
of very fine meat And what we cannot eat the natives will be
delighted to get. They consider a hippopotamus a most valuable prize,
and as the meat is good and there is so very much of it, their joy
when they kill one is not at all surprising. The only thing that
troubles them after a successful hunt is that there are so few
hippopotami killed, and so many negroes to eat them.
[Illustration: A RHINOCEROS TURNING THE TABLES.]
And now let us try a rhinoceros hunt. This animal is found in the same
regions that the hippopotamus inhabits, but he also lives in Asia. He
is rather a dangerous animal to hunt. He is a savage fellow when
provoked; he has a great horn on his nose, and a skin so thick that it
is almost bullet-proof, and, besides that, he is the largest and
strongest animal on the earth, excepting the elephant. So no wonder
he is a little unsafe to hunt.
The rhinoceros lives on grass and herbs, and makes his home entirely
on the land. His flesh, like that of the hippopotamus, is very good to
eat, but rhinoceros-beef ought to be dear, if the trouble and danger
in getting it is taken into consideration when the price is fixed. He
very often turns and charges on the hunters, and if he gets his horn
under a man or a horse, he is likely to cause trouble.
It is said that a rhinoceros can kill an elephant, by ripping him up
with his horn, and that the lion and all wild beasts are afraid of
him. I am not at all surprised that this is the case, for I have
examined the skin of a rhinoceros which I saw in a menagerie, and it
was so thick and heavy that scarcely any animal could tear it, with
teeth or claws, so as to get at the enemy within it. The rhinoceros
which I saw in a cage was not quite full-grown. His horn was not more
than an inch or two above his nose, but he was an enormous fellow, and
his great hide, which was as hard as the sole of your shoe, hung on
him in great folds, as if it had been made large so as to give him
room to grow. He was gentle enough, and let me put my hand through the
bars of his cage and take hold of his horn without making the
slightest objection. But we will not find that kind of rhinoceros on
the plains of Africa, and if we hunt one we must kill him very soon,
or be prepared to get out of his way.
After a rhinoceros hunt we will not be apt to be easily frightened, no
matter what beast we pursue, so we might as well go to India and hunt
the Bengal tiger.
There is no animal more graceful in its movements, handsomer in shape
and color, or more bloody and ferocious in its nature, than the Royal
Bengal tiger. Even in a cage he is a magnificent creature. When I go
to a menagerie, I always look first for the Bengal tigers.
If we go to hunt these animals, we had better ride upon elephants, for
we must go into the jungles, where the tall reeds, through which the
tigers roam, are higher than our heads.
[Illustration: "A TIGER HUNT."]
When we are well in the jungle, we must be careful. It is sometimes
very difficult to see a tiger, even if you are quite near to him, for
the stripes on his skin are very much like the reeds and leaves of the
jungle, and we must keep a very sharp look-out, and as soon as we see
one we must be ready with our rifles, for a tiger is very apt to begin
the fight, and he will think nothing of springing on the back of an
elephant and dragging one of us to the ground. Sometimes the elephants
are not used to hunting tigers, and when they see the savage beasts
they turn and run. In that case there is often great danger, for no
one can fire coolly and with certain aim from the back of a bounding
elephant.
If we find a tiger, and we get a good shot--or perhaps many good
shots--at him, and he falls wounded or apparently dead, we must still
be very careful about approaching him, for he is very hard to kill.
Often, when pierced with many balls, a tiger is considered to have
breathed his last, he springs up all of a sudden, seizes one of his
hunters in his great jaws, tears him with his claws, and then falls
back dead.
Hunters accustomed to the pursuit of tigers, always make sure that a
tiger is dead before they come near his fallen body, and they often
put many balls into him after he is stretched upon the ground.
We must by this time be so inured to danger in the pursuit of our big
game, that we will go and hunt an animal which is, I think, the most
dangerous creature with which man can contend. I mean the Gorilla.
This tremendous ape, as tall as a man, and as strong as a dozen men,
has been called the king of the African forests. For many years
travellers in Africa had heard from the natives wonderful stories of
this gigantic and savage beast. The negroes believed that the gorilla,
or pongo, as he was called by some tribes, was not only as ferocious
and dangerous as a tiger, but almost as intelligent as a man. Some of
them thought that he could talk, and that the only reason that he did
not do so was because he did not wish to give himself the trouble.
Notwithstanding the stories of some travellers, it is probable that no
white man ever saw a gorilla until Paul du Chaillu found them in
Africa, where he went, in 1853, for the purpose of exploring the
country which they inhabit.
As Mr. Chaillu has written several books for young folks, in which he
tells his experience with gorillas, I shall not relate any of his
wonderful adventures with these animals, in which he killed some
enormous fellows and at different times captured young ones, all of
which, however, soon died. But the researches of this indefatigable
and intrepid explorer have proved that the gorilla is, as the negroes
reported him to be, a most terrible animal to encounter. When found,
he often comes forward to meet the hunter, roaring like a great lion,
and beating his breast in defiance. If a rifle-ball does not quickly
put an end to him, he will rush upon his assailants, and one blow from
his powerful arm will be enough to stretch a man senseless or dead
upon the ground.
[Illustration: "FIGHT WITH A GORILLA."]
In a hand-to-hand combat with a gorilla, a man, even though armed
with a knife, has not the slightest chance for his life.
If we should be fortunate enough to shoot a gorilla, we may call
ourselves great hunters, even without counting in the bears, the
rhinoceroses, the tigers, and the other animals.
And when we return, proud and satisfied with our endeavors, we will
prove to the poor fellows who were obliged to stay at home and shoot
tit-birds and rabbits, with real guns, what an easy thing it is to
hunt the biggest kind of game--in a book.
THE BOOTBLACK'S DOG.
[Illustration]
Once upon a time there lived, in Paris, a bootblack. He was not a boy,
but a man, and he had a family to support. The profits of his business
would have been sufficient for his humble wants and those of his
family had it not been for one circumstance, which made trade very
dull with him. And that disastrous circumstance was this: nearly every
one who passed his stand had their boots and shoes already blackened!
Now this was hard upon our friend. There was nothing to astonish him
in the fact of so many persons passing with polished boots, for his
stand was in the middle of a block, and there were bootblacks at each
corner. But all he could do was to bear his fate as patiently as
possible, and black the few boots which came to him, and talk to his
dog, his only companion, as he sat all day on the sidewalk by his box.
One day, when he had just blackened his own boots (he did not charge
himself anything--he only did it so as to have the air of being busy),
his dog came running up to him from the muddy street, and accidentally
put his dirty paw on his master's bright boots. The man, who was of an
amiable disposition, did not scold much, but as he was brushing off
the mud he said:
"You little rascal! I wish it had been the boots of some other man
that you had covered with dirt. That would have been sensible."
Just at that moment a thought struck the bootblack.
He would teach his dog to muddy other people's boots!
The man immediately acted on this idea, and gave his dog lessons every
day in the art of muddying boots. In a week or two, no gentleman with
highly polished boots could pass the bootblack's stand without seeing
a dog rush into the street and gutter, and then come and jump on his
feet, spattering his boots with mud and water, and making it necessary
for him to go immediately to the nearest bootblack--which was of course
the dog's master.
The bootblack now had constant custom, and his circumstances began
rapidly to improve. His children, being better fed, grew round and
chubby; his wife had three good meals a day, and some warm flannels,
and she soon lost the wan and feeble look which she had worn so long.
As for the man himself, he and his dog were gay and busy all the day
long.
But people began to suspect something after a while. One gentleman who
had his boots muddied regularly every day, once questioned the
bootblack very closely, for he saw that the dog belonged to him, and
the man was obliged to confess that he had taught the dog the trick.
The gentleman, pleased with the smartness of the dog, and perhaps
desirous of ridding his fellow-citizens of annoyance and expense,
purchased the animal and took him home.
But he did not keep him long. In a few days the dog escaped, and came
back to his old master and his muddy trade.
But I do not think that that bootblack always prospered. People who
live by tricks seldom do. I have no doubt that a great many people
found out his practices, and that the authorities drove him away from
his stand, and that he was obliged to give up his business, and
perhaps go into the army; while his wife supported the family by
taking in washing and going out to scrub. I am not sure that all this
happened, but I would not be at all surprised if it turned out exactly
as I say.
GOING AFTER THE COWS.
[Illustration]
If there is anything which a little country-boy likes, and which a big
country-boy dislikes, it is to go after the cows. There is no need of
giving the reasons why the big boy does not like this duty. It is
enough to say that it is a small boy's business, and the big boy knows
it. The excitement of hunting up and driving home a lot of slow,
meandering cattle is not sufficient for a mind capable of grappling
with the highest grade of agricultural ideas, and the youth who has
reached the mature age of fifteen or sixteen is very apt to think that
his mind is one of that kind.
But it is very different with the little boy. To go down into the
fields, with a big stick and a fixed purpose; to cross over the
ditches on boards that a few years ago he would not have been allowed
to put his foot upon; to take down the bars of the fences, just as if
he was a real man, and when he reaches the pasture, to go up to those
great cows, and even to the old bull himself, and to shake his stick
at them, and shout: "Go along there, now!"--these are proud things to
do.
And then what a feeling of power it gives him to make those big
creatures walk along the very road he chooses for them, and to hurry
them up, or let them go slowly, just as he pleases!
If, on the way, a wayward cow should make a sudden incursion over some
low bars into a forbidden field, the young director of her evening
course is equal to the emergency.
He is over the fence in an instant, and his little legs soon place him
before her, and then what are her horns, her threatening countenance,
and her great body to his shrill voice and brandished stick? Admitting
his superior power, she soon gallops back to the herd, with whack
after whack resounding upon her thick hide.
When at last the great, gentle beasts file, one by one, into the
barn-yard, there is a consciousness of having done something very
important in the air of the little fellow who brings up the rear of
the procession, and who shuts the gate as closely as possible on the
heels of the hindmost cow.
There are also many little outside circumstances connected with a
small boy's trip after the cows which make it pleasant to him.
Sometimes there are tremendous bull-frogs in the ditch. There are ripe
wild-cherries--splendid, bitter, and scarce--on the tree in the corner
of the field. The pears on the little tree by old Mrs. Hopkins's don't
draw your mouth up so very much, if you peel the skins off with your
knife. There is always a chance of seeing a rabbit, and although there
is no particular chance of getting it, the small boy does not think of
that. Now, although it would hardly be worth while to walk very far
for any of these things, they are very pleasant when you are going
after the cows.
So I think it is no wonder that the little boys like to go after the
cows, and I wish that hundreds and thousands of pale-faced and
thin-legged little fellows had cows to go after.
THE REFLECTIVE STAG.
The more we study the habits and natures of animals the more firmly
are we convinced that, in many of them, what we call instinct is very
much like what we call reason.
In the case of a domestic animal, we may attribute, perhaps, a great
deal of its cleverness to its association with man and its capability
of receiving instruction. But wild animals have not the advantages of
human companionship, and what they know is due to the strength and
quality of their own understanding. And some of them appear to know a
great deal.
There are few animals which prove this assertion more frequently than
the stag. As his home is generally somewhere near the abodes of men,
and as his flesh is so highly prized by them, it is absolutely
necessary that he should take every possible precaution to preserve
his life from their guns and dogs. Accordingly, he has devised a great
many plans by which he endeavors--often successfully--to circumvent
his hunters. And to do this certainly requires reflection, and a good
deal of it, too. He even finds out that his scent assists the dogs in
following him. How he knows this I have not the slightest idea, but he
does know it.
Therefore it is that, when he is hunted, he avoids running through
thick bushes, where his scent would remain on the foliage; and, if
possible, he dashes into the water, and runs along the beds of shallow
streams, where the hounds often lose all trace of him. When this is
impossible, he bounds over the ground, making as wide gaps as he can
between his tracks. Sometimes, too, he runs into a herd of cattle, and
so confuses the dogs; and he has been known to jump up on the back of
an ox, and take a ride on the frightened creature, in order to get
his own feet partly off of the ground for a time, and thus to break
the line of his scent. When very hard pressed, a stag has suddenly
dropped on the ground, and when most of the dogs, unable to stop
themselves, dash over him, he springs to his feet, and darts off in an
opposite direction.
[Illustration]
He will also run back on his own track, and employ many other means of
the kind to deceive the dogs, showing most conclusively that he
understands the theory of scent, and the dogs' power of perceiving it;
and also that he has been able to devise the very best plans to elude
his pursuers.
Not only do stags reflect in this general manner in regard to their
most common and greatest danger, but they make particular
reflections, suited to particular places and occasions. The tricks
and manoeuvres which would be very successful in one forest and in one
season would not answer at all in another place and at another time,
and so they reflect on the subject and lay their plans to suit the
occasion.
There are many animals which possess great acuteness in eluding their
hunters, but the tricks of the stag are sufficient to show us to what
an extent some animals are capable of reflection.
WHEN WE MUST NOT BELIEVE OUR EYES.
There are a great number of marvellous things told us of phantom forms
and ghostly apparitions--of spectres that flit about lonely roads on
moonlight nights, or haunt peaceful people in their own homes; of
funeral processions, with long trains of mourners, watched from a
distance, but which, on nearer approach, melt into a line of mist; of
wild witch-dances in deserted houses, and balls of fire bounding out
of doors and windows--stories which cause the flesh of children to
creep upon their bones, and make cowards of them where there is no
reason for fear. For you may lay it down as a fact, established beyond
dispute, that not one of these things is a _reality_. The person who
tells these marvels has always what seems the best of reasons for his
belief. He either saw these things himself or knew somebody, strictly
truthful, who had seen them. He did not know, what I am going to prove
to you, that a thing may be _true_ and yet not be _real_. In other
words, that there are times when we do actually see marvels that seem
supernatural, but that, on such occasions, _we must not believe our
own eyes_, but search for a natural cause, and, if we look faithfully,
we are sure to find one.
Once a vessel was sailing over a northern ocean in the midst of the
short, Arctic summer. The sun was hot, the air was still, and a group
of sailors lying lazily upon the deck were almost asleep, when an
exclamation of fear from one of them made them all spring to their
feet. The one who had uttered the cry pointed into the air at a little
distance, and there the awe-stricken sailors saw a large ship, with
all sails set, gliding over what seemed to be a placid ocean, for
beneath the ship was the reflection of it.
[Illustration]
The news soon spread through the vessel that a phantom-ship with a
ghostly crew was sailing in the air over a phantom-ocean, and that it
was a bad omen, and meant that not one of them should ever see land
again. The captain was told the wonderful tale, and coming on deck, he
explained to the sailors that this strange appearance was caused by
the reflection of some ship that was sailing on the water below this
image, but at such a distance they could not see it. There were
certain conditions of the atmosphere, he said, when the sun's rays
could form a perfect picture in the air of objects on the earth, like
the images one sees in glass or water, but they were not generally
upright, as in the case of this ship, but reversed--turned bottom
upwards. This appearance in the air is called a mirage. He told a
sailor to go up to the foretop and look beyond the phantom-ship. The
man obeyed, and reported that he could see on the water, below the
ship in the air, one precisely like it. Just then another ship was
seen in the air, only this one was a steamship, and was
bottom-upwards, as the captain had said these mirages generally
appeared. Soon after, the steamship itself came in sight. The sailors
were now convinced, and never afterwards believed in phantom-ships.
A French army marching across the burning sands of an Egyptian desert,
fainting with thirst and choked with fine sand, were suddenly revived
in spirit by the sight of a sheet of water in the distance. In it were
mirrored the trees and villages, gardens and pretty houses of a
cultivated land, all reversed. The blue sky was mirrored there, too,
just as you can see the banks of a lake, and the sky that bends over
it, in its calm waters. The soldiers rushed towards the place, frantic
with joy, but when they got there they found nothing but the hot
sands. Again they saw the lake at a distance, and made another
headlong rush, only to be again disappointed. This happened
frequently, until the men were in despair, and imagined that some
demon was tormenting them. But there happened to be with this army a
wise man, who did not trust entirely to his own eyes, and although he
saw exactly what the others did, he did not believe that there was
anything there but air. He set to work to investigate it, and found
out that the whole thing was an illusion--it was the reflection of the
gardens and villages that were on the river Nile, thrown up into the
air, like the ships the sailors saw, only in the clear atmosphere of
Egypt these images are projected to a long distance. And demons had
nothing whatever to do with it.
People used to believe in a fairy called Fata Morgana. Wonderful
things were said of her, and her dominions were in the air, where she
had large cities which she sometimes amused herself by turning into a
variety of shapes. The cities were often seen by dwellers on the
Mediterranean sea-coast. Sometimes one of them would be like an
earthly city, with houses and churches, and nearly always with a
background of mountains. In a moment it would change into a confused
mass of long colonnades, lofty towers, and battlements waving with
flags, and then the mountains reeling and falling, a long row of
windows would appear glowing with rainbow colors, and perhaps, in
another instant, all this would be swept away, and nothing be seen but
gloomy cypress trees.
[Illustration]
These things can be seen now occasionally, as of old, but they are no
longer in Fairyland. Now we know that they are the images of cities
and mountains on the coast, and the reason they assume these
fantastic forms is that the layers of air through which the rays of
light pass are curved and irregular.
[Illustration]
A gigantic figure haunts the Vosges Mountains, known by the name of
"The Spectre of the Brocken." The ignorant peasants were, in former
times, in great fear of it, thinking it a supernatural being, and
fancying that it brought upon them all manner of evil. And it must be
confessed it was a fearful sight to behold suddenly upon the summit of
a lofty mountain an immense giant, sometimes pointing in a threatening
attitude to a village below, as if dooming it to destruction;
sometimes with arms upraised, as if invoking ruin upon all the
country; and sometimes stalking along with such tremendous strides as
to make but one step from peak to peak; often dwarfing himself to
nothingness, and again stretching up until his head is in the clouds,
then disappearing entirely for a moment, only to reappear more
formidable than before.
But now the Spectre of the Brocken is no longer an object of fear.
Why? Because men have found him out, and he is nothing in the world
but a shadow. When the sun is in the right position, an ordinary-sized
man on a lower mountain will see a gigantic shadow of himself thrown
upon a cloud beyond the Brocken, though it appears to be on the
mountain itself, and it is so perfect a representation that it is
difficult to believe it is only a shadow. But it can be easily proved.
If the man stoops to pick up anything, down goes the spectre; if he
raises his hand, so does the spectre; if he takes a step of two feet,
the spectre takes one of miles; if he raises his hat, the spectre
politely returns his salute.
When you behold anything marvellous, and your eyes tell you that you
have seen some ghostly thing, don't believe them, but investigate the
matter closely, and you will find it no more a phantom than the mirage
or the Spectre of the Brocken.
A CITY UNDER THE GROUND.
Under the bright skies of Italy, in a picturesque valley, with the
mountains close at hand and the blue waves of the Mediterranean
rolling at a little distance--at the foot of wonderful Vesuvius, green
and fertile, and covered with vines to its very top, from which smoke
is perpetually escaping, and in whose heart fires are eternally
raging, in this beautiful valley stands the city of Pompeii.
[Illustration: CLEARING OUT A NARROW STREET IN POMPEII.]
You might, however, remain upon the spot a long time and never find
out that there was a city there. All around you would see groves and
vineyards, and cultivated fields and villas. For the city is beneath
your feet. Under the vineyards and orchards are temples filled with
statues, houses with furniture, pictures, and all homelike things.
Nothing is wanting there but life. For Pompeii is a buried city, and
fully two-thirds of it has not yet been excavated.
But a short walk from this place will bring you to the spot where
excavations have been made, and about one-third of the ancient city
lies once more under the light of heaven. It is doubtful whether you
can see it when you get to it for the mounds of ashes and rubbish
piled around. But, clambering over these, you will pay forty cents for
admission, and pass through a turnstile into a street where you will
see long rows of ruined houses, and empty shops, and broken temples,
and niches which have contained statues of heathen gods and goddesses.
As you wander about you will come across laborers busily employed in
clearing away rubbish in obstructed streets. It is a very lively
scene, as you can see in the picture. Men are digging zealously into
the heaps of earth and rubbish, and filling baskets which the
bare-footed peasant-girls carry to the cars at a little distance. A
railroad has been built expressly to carry away the earth. The cars
are drawn by mules. The girls prefer carrying their baskets on their
heads. The men have to dig carefully, for there is no knowing when
they may come across some rare and valuable work of art.
The excavations are conducted in this manner. Among the trees, and in
the cultivated fields there can be traced little hillocks, which are
pretty regular in form and size. These indicate the blocks of houses
in the buried city, and, of course, the streets run between them.
After the land is bought from the owners, these streets are carefully
marked out, the vines are cleared away, the trees cut down, and the
digging out of these streets is commenced from the top. The work is
carried on pretty steadily at present, but it is only within the last
few years that it has been conducted with any degree of enterprise and
skill.
[Illustration: A CLEARED STREET IN POMPEII.]
Let us leave this rubbish, and go into a street that has already been
cleared. The first thing you will observe is that it is very narrow.
It is evidently not intended for a fashionable drive. But few of the
streets are any wider than this one. The greatest width of a street in
Pompeii is seven yards, and some are only two and a half yards,
sidewalks and all. The middle of the street is paved with blocks of
lava. The sidewalks are raised, and it is evident the owners of the
houses were allowed to put any pavement they pleased in front of
their dwellings. In one place you will see handsome stone flags the
next pavement may be nothing but soil beaten down, while the next will
be costly marble.
The upper stories of the houses are in ruins. It is probable,
therefore, that they were built of wood, while the lower stories,
being of stone, still remain. They had few windows on the street, as
the Pompeiians preferred that these should look out on an inner square
or court. To the right of the picture is a small monument, and in the
left-hand corner is a fountain, or rather the stone slabs that once
enclosed a fountain.
As we walk slowly up the solitary street, we think of the busy,
restless feet that trod these very stones eighteen hundred years ago.
Our minds go back to the year of our Lord 79, when there was high
carnival in the little city of Pompeii, with its thirty thousand
people, when the town was filled with strangers who had come to the
great show; at the time of an election, when politicians were scheming
and working to get themselves or their friends into power; when gayly
dressed crowds thronged the streets on their way to the amphitheatre
to see the gladiatorial fight; when there was feasting and revelry in
every house; when merchants were exulting in the midst of thriving
trade; when the pagan temples were hung with garlands and filled with
gifts; when the slaves were at work in the mills, the kitchens, and
the baths; when the gladiators were fighting the wild beasts of the
arena--then it was that a swift destruction swept over the city and
buried it in a silence that lasted for centuries.
Vesuvius, the volcano so near them, but which had been silent so many
years that they had ceased to dread it, suddenly woke into activity,
and threw out of its summit a torrent of burning lava and ashes, and
in a few short hours buried the two cities of Herculaneum and Pompeii
so completely that two centuries after no one could tell the precise
place where they had stood, and men built houses and cultivated farms
over the spot, never dreaming that cities lay beneath them.
[Illustration: THE ATRIUM IN THE HOUSE OF PANSA RESTORED.]
But here we are at the house of Pansa. Let us go in. We do not wait
for any invitation from the owner, for he left it nearly two thousand
years ago, and his descendants, if he have any, are totally ignorant
of their illustrious descent. First we enter a large hall called the
Atrium. You can see from the magnificence of this apartment in what
style the rich Pompeiians lived. The floor is paved in black and white
mosaic, with a marble basin in the centre. The doors opening from
this hall conduct us to smaller apartments, two reception rooms, a
parlor, the library, and six diminutive bedrooms, only large enough to
contain a bedstead, and with no window. It must have been the fashion
to sleep with open doors, or the sleepers must inevitably have been
suffocated.
At the end of the Atrium you see a large court with a fountain in the
middle. This was called the Peristyle. Around it was a portico with
columns. To the left were three bedchambers and the kitchen, and to
the right three bedchambers and the dining-room. Behind the Peristyle
was a grand saloon, and back of this the garden. The upper stories of
this house have entirely disappeared. This is a spacious house, but
there are some in the city more beautifully decorated, with paintings
and mosaics.
When the rubbish was cleared out of this house, much of Pansa's costly
furniture was found to be in perfect preservation, and also the
statues. In the library were found a few books, not quite destroyed;
in the kitchen the coal was in the fire-places; and the kitchen
utensils of bronze and terra-cotta were in their proper places. Nearly
all of the valuable portable things found in Pompeii have been carried
away and placed in the museum at Naples.
This Pansa was candidate for the office of ædile, or mayor of the
city, at the time of the eruption of Vesuvius. We know this from the
placards that were found posted in various parts of the city, and
which were as fresh and clean as on the day they were written. These
placards, or posters, were very numerous, and there seem to have been
a great many candidates for the various city offices; and it is very
evident, from the inscriptions on the houses, on the walls of public
buildings and the baths, that party feeling ran quite as high in this
luxurious city of ancient times as it does now in any city in America.
For these Pompeiians had no newspaper, and expressed their sentiments
on the walls, and they have consequently come down to us of the
present day.
These inscriptions not only related to politics, but referred often to
social and domestic matters, and, taken in connection with the
pictures of home scenes that were painted on the walls of the houses,
give us such accurate and vivid accounts of the people that it is easy
to imagine them all back in their places, and living the old life over
again. Pansa, and Paratus, and Sallust, and Diomed, and Julia, and
Sabina seem to be our own friends, with whom we have often visited the
Forum or the theatre, and gone home to dine.
That curious-looking pin with a Cupid on it is a lady's hair-pin. The
necklaces are in the form of serpents, which were favorite symbols
with the ancients. The stands of their tables, candelabra, &c., were
carved into grotesque or beautiful designs, and even the kitchen
utensils were made graceful with figures of exquisite workmanship, and
were sometimes fashioned out of silver.
Among the pretty things found in Pompeiian houses I will mention the
following:--
A bronze statuette of a Dancing Faun, with head and arms uplifted;
every muscle seems to be in motion, and the whole body dancing.
Another of a boy with head bent forward, and the whole body in the
attitude of listening. Then there is a fine group of statuary
representing the mighty Hercules holding a stag bent over his knee;
another of the beautiful Apollo with his lyre in his hand leaning
against a pillar. There are figures of huntsmen in full chase, and of
fishermen sitting patiently and quietly "waiting for a bite." A very
celebrated curiosity is the large urn or vase of blue glass, with
figures carved on it in half relief, in white. (For the ancients knew
how to carve glass.) These white figures look as if made of the finest
ivory instead of being carved in glass. They represent masks
enveloped in festoons of vine tendrils, loaded with clusters of
grapes, mingled with other foliage, on which birds are swinging,
children plucking grapes or treading them under foot, or blowing on
flutes, or tumbling over each other in frolicsome glee. This superb
urn, which is like nothing we have nowadays, is supposed to have been
intended to hold the ashes of the dead. For it was a custom of ancient
days to burn the bodies of the dead, and place the urns containing
their ashes in magnificent tombs.
[Illustration: ORNAMENTS FROM POMPEII.]
Instead of hanging pictures as we do, the Pompeiians generally had
them painted upon the smoothly prepared walls of their halls and
saloons. The ashes of Vesuvius preserved these paintings so well that,
when first exposed to the light, the coloring on them is fresh and
vivid, and every line and figure clear and distinct. But the sunlight
soon fades them. They are very beautiful, and teach us much about the
beliefs and customs of the old city.
Lovely and graceful as were these pictures, the floors of the houses
are much more wonderful. They are marvels of art. Not only are flowers
and running vines and complicated designs there laid in mosaics, but
pictures that startle with their life-like beauty. There are many of
these, but perhaps the finest of all is the one found in the same
house with the Dancing Faun. It represents a battle. A squadron of
victorious Greeks is rushing upon part of a Persian army. The latter
are turning to flee. Those around the vanquished Persian king think
only of their safety, but the king, with his hand extended towards his
dying general, turns his back upon his flying forces, and invites
death. Every figure in it seems to be in motion. You seem to hear the
noise of battle, and to see the rage, fear, triumph, and pity
expressed by the different faces. Think of such wonderful effects
being produced by putting together pieces of glass and marble, colored
enamel, and various stones! But, leaving all these beauties, and
descending to homely everyday life, we will go into a bakery. Here is
one in a good state of preservation.
[Illustration: DISCOVERIES OF LOAVES OF BREAD BAKED EIGHTEEN HUNDRED
YEARS AGO.]
It is a mill and bakery together. The Pompeiians sent their grain to
the baker, and he ground it into flour, and, making it into dough,
baked it and sent back loaves of bread. The mills look like huge
hour-glasses. They are made of two cone-shaped stones with the small
ends together. The upper one revolved, and crushed the grain between
the stones. They were worked sometimes by a slave, but oftenest by a
donkey. There is the trough for kneading the bread, the arched oven,
the cavity below for the ashes, the large vase for water with which to
sprinkle the crust and make it "shiny," and the pipe to carry off the
smoke. In one of these ovens were found eighty-one loaves, weighing a
pound each, whole, hard, and black, in the order in which they had
been placed on the 23d of November, 79. Suppose the baker who placed
them there had been told that eighteen hundred years would elapse
before they would be taken out!
Having wandered about the city, and looked at all the streets,
monuments, and dwellings, and having seen very much more than I have
here described--the Forum, or Town Hall, the theatres, baths, stores,
temples, the street where the tombs are--and having looked at the rude
cross carved on a wall, showing that the religion of Christ had
penetrated to this Pagan city--having examined all these, you will
visit the amphitheatre.
To do this we must leave the part of the city that has interested us
so much, and, passing once more through the vineyards and orchards
that still cover a large portion of the city, descend again into a
sort of ravine, where we will find the amphitheatre. It was quite as
the end of the city, next to the wall. It is a circus. The large open
space in the centre was called the arena. Here there were fierce and
bloody fights; wild beasts fought with each other, or with men trained
to the business and called gladiators, and these gladiators often
fought with each other--all for the amusement of the people, who were
never satisfied unless a quantity of blood was shed, and many were
killed. This arena was covered with sand, and a ditch filled with
water separated it from the seats.
The seats arose from this arena, tier above tier. There were three
divisions of them, separating the rich from the middle class, and
these again from the slaves. It was well arranged for the comfort of
the audience, having wide aisles and plenty of places of exit. The
whole was covered with an awning. In the wall around the arena are the
holes where thick iron bars were inserted as a precaution against the
bounds of the panthers. To the right of the principal entrance are two
square rooms with gratings where the wild beasts were kept. This
amphitheatre would hold twenty thousand persons!
[Illustration: THE AMPHITHEATRE OF POMPEII.]
We visit this place last because it was while the amphitheatre was
crowded with people intent upon the bloody spectacle; while wild
beasts, and men more cruel than the beasts, were fighting together,
and spectators less pitiful than either were greedily enjoying it,
that suddenly the ground trembled violently. This perhaps was not
perceived in the circus, on account of the excitement all were in, and
the noise that was going on in the arena. But it was soon followed by
a whirlwind of ashes, and lurid flashes of flame darted across the
sky. The beasts were instantly tamed, and cowered down in abject
terror, and the gladiators, for the first time in their lives, grew
pale with fear. Then the startled crowd within the vast building heard
from the streets the fearful cry: "Vesuvius is on fire!" In an instant
the spectacle is forgotten; the terrified crowd rush out of the
building, and happy is it for them that the architects have provided
so many places of exit. Some fled towards the sea, and some to the
open country. Those who reached the ships were saved, but woe to those
who went to their homes to collect their valuables to take with them,
or who took refuge under cover in the cellars.
After the rain of ashes came a shower of blazing stones, which fell
uninterruptedly, setting fire to all parts of the city and blocking up
the streets with burning masses. And then a fresh storm of ashes
sweeping down would partly smother the flames, but, blocking up the
doorways, would stifle those within the houses. And to add to the
horror, the volumes of smoke that poured from the mountain caused a
darkness deeper than night to settle on the doomed city, through which
the people groped their way, except when lighted by the burning
houses. What horror and confusion in the streets! Friends seeking each
other with faces of utter despair; the groans of the dying mingled
with the crash of falling buildings; the pelting of the fiery stones;
the shrieks of women and children; the terrific peals of thunder.
So ended the day, and the dreadful scene went on far into the night.
In a few hours the silence of death fell upon the city. The ashes
continued to pour steadily down upon it, and drifting into every
crevice of the buildings, and settling like a closely-fitting shroud
around the thousands and thousands of dead bodies, preserved all that
the flames had spared for the eyes of the curious who should live
centuries after. And a gray ashy hill blotted out Pompeii from the
sight of that generation.
Hundreds of skeletons have already been found, and their expressive
attitudes tell us the story of their death. We know of the pitiful
avarice and vanity of many of the rich ladies who went to their homes
to save their jewels, and fell with them clutched tightly in their
hands. One woman in the house of the Faun was loaded with jewels, and
had died in the vain effort to hold up with her outstretched arms the
ceiling that was crushing down upon her. But women were not the only
ones who showed an avaricious disposition in the midst of the thunders
and flames of Vesuvius. Men had tried to carry off their money, and
the delay had cost them their lives, and they were buried in the ashes
with the coins they so highly valued. Diomed, one of the richest men
of Pompeii, abandoned his wife and daughters and was fleeing with a
bag of silver when he was stifled in front of his garden by noxious
vapors. In the cellar of his house were found the corpses of seventeen
women and children.
A priest was discovered in the temple of Isis, holding fast to an axe
with which he had cut his way through two walls, and died at the
third. In a shop two lovers had died in each other's arms. A woman
carrying a baby had sought refuge in a tomb, but the ashes had walled
them tightly in. A soldier died bravely at his post, erect before a
city gate, one hand on his spear and the other on his mouth, as if to
keep from breathing the stifling gases.
Thus perished in a short time over thirty thousand citizens and
strangers in the city of Pompeii, now a city under the ground.
THE COACHMAN.
[Illustration]
When a boy sees a coachman driving two showy, high-stepping horses
along the street, or, better still, over a level country road, with
his long whip curling in the air, which whip he now and then flirts so
as to make a sharp, cracking noise over the horses' heads, and
occasionally brings down with a light flick upon the flanks of the
right or left horse,--the carriage, shining with varnish and plate,
rolling along swiftly and smoothly,--the little boy is apt to think
that coachman must be a very happy mortal.
If the man on the carriage-box sees the boy looking at him with so
much admiration, he will probably throw him a jolly little laugh and a
friendly nod, and, gathering up the reins and drawing them in tightly
so as to arch the horses' necks and make them look prouder and more
stately than before, he will give a loud crack with his curling
whip-lash, and the horses will start off at a rapid trot, and the
carriage will sweep around a curve in the road so gracefully that the
boy's heart will be filled with envy--not of the persons in the
carriage--oh, no! riding in a close carriage is a very tame and dull
affair; but he will envy the driver. An ambition springs up in his
mind at that instant. Of all things in the world he would rather be a
coachman! That shall be his business when he grows up to be a man. And
the chances are that when he goes home he tells his father so.
But if the little boy, instead of lying tucked in his warm bed, should
be set down at twelve o'clock at night upon the pavement in front of
that great house with the tall lamps on the steps, he would see this
same coachman under conditions that he would not envy at all.
The empty carriage is close to the curb-stone, with the door swinging
open as if to urge the owners to hurry and take possession. The
high-stepping trotters are covered with blankets to protect them from
the piercing cold, and, with their heads drooping, are either asleep
or wondering why they are not put into the stable to take their
night's rest; and the coachman is dancing about on the pavement to
keep his feet warm--not by any means a merry kind of dance, although
he moves about pretty briskly. He has taken off his gloves, for they
seem to make his hands colder, and now he has thrust one hand into his
pocket and is blowing on the other with all his might. His whip, that
curled so defiantly in the air, is now pushed under his arm, and the
lash is trailing, limp and draggled, on the stones. He is warmly clad,
and his great-coat has three capes, but all cannot put sufficient heat
into his body, for it is a bitter cold night, and the wind comes
howling down the street as if it would like to bite off everybody's
ears and noses. It shakes the leafless branches of the trees until
they all seem to be moaning and groaning together. The moon is just
rising over the church, and the coachman is standing right in a broad
patch of its light. But moonlight, though very beautiful when you are
where you can comfortably admire it, never warmed anybody yet. And so
the poor coachman gets no good out of that.
There is a party in the great house. The boy is standing where he can
only see the lower steps and the tall lamps, but the coachman can see
that it is lighted from garret to cellar. He knows that it is warm as
summer in there. There are stands of flowers all the way up the
stairways, baskets of them are swinging from the ceilings, and vines
are trailing over the walls.
Who in there could ever guess how bleak and cold it is outside! Ladies
in shimmering silks and satins, and glittering with jewels, are
flitting about the halls, and floating up and down the rooms in
graceful dances, to the sound of music that only comes out to the
coachman in fitful bursts.
He has amused himself watching all this during part of the evening,
but now he is looking in at the side-light of the door to see if there
are any signs of the breaking up of the party, or if those he is to
take home are ready to go away. He is getting very impatient, and let
us hope they will soon come out and relieve him.
GEYSERS, AND HOW THEY WORK.
[Illustration: THE GRAND GEYSER OF ICELAND.]
Geysers, or fountains of hot water or mud, are found in several parts
of the world. Iceland possesses the grandest one, but in California
there are a great many of these natural hot fountains, most of which
throw forth mud as well as water. Some of the American Geysers are
terrible things to behold. They are generally found near each other,
in particular localities, and any one wandering about among them sees
in one place a great pool full of black bubbling contents, so hot that
an egg thrown in the spring will be boiled in a minute or two; there
he sees another spring throwing up boiling mud a few feet in the air;
there another one, quiet now, but which may at any time burst out and
send its hot contents high above the heads of the spectators; here a
great hole in the ground, out of which constantly issues a column of
steam, and everywhere are cracks and crevices in the earth, out of
which come little jets of steam, and which give the idea that it would
not require a very heavy blow to break in, at any point, the crust of
the earth, and let the adventurous traveller drop down into the
boiling mass below.
In Iceland the Geysers are not quite so terrible in their aspect as
those in California, but they are bad enough. Their contents are
generally water, some hot and bubbling, and some hot and still; while
the Great Geyser, the grandest work of the kind in the world, bursts
forth at times with great violence, sending jets of hot water hundreds
of feet into the air.
These wonderful hot springs, wherever they have been found, have
excited the greatest attention and interest, in travellers and
scientific men, and their workings have been explained somewhat in
this way:--
Water having gradually accumulated in vast underground crevices and
cavities, is heated by the fires, which, in volcanic regions, are not
very far from the surface of the earth. If there is a channel or tube
from the reservoir to the surface, the water will expand and rise
until it fills the basin which is generally found at the mouth of hot
springs. But the water beneath, being still further heated, will be
changed into steam, which will at times burst out with great force,
carrying with it a column of water high into the air. When this water
falls back into the basin it is much cooler, on account of its contact
with the air, and it cools the water in the basin, and also condenses
the steam in the tube or channel leading from the reservoir. The
spring is then quiet until enough steam is again formed to cause
another eruption. A celebrated German chemist named Bunsen
constructed an apparatus for the purpose of showing the operations of
Geysers. Here it is.
[Illustration: THE ARTIFICIAL GEYSER.]
You see that the two fires in the engraving--one lower and larger than
the other, because the heat of the earth increases as we get farther
from the surface--will heat the water in the iron tube very much as
water is heated in a real Geyser; and when steam enough is formed, a
column of hot water is thrown out of the basin. The great subterranean
reservoir is not imitated in this apparatus, but the action is the
same as if the tube arose from an iron vessel. There is a great deal
in Bunsen's description of this contrivance, in regard to the
difference in the temperature of the water in that part of the tube
between the two fires, and that in the upper portion, which explains
the intermittent character of the eruptions of a Geyser, but it is not
necessary for us to go into all his details.
When we know that under a Geyser the water is boiling in a great
reservoir which communicates with the surface by a natural tube or
spout, we need not wonder that occasionally a volume of steam bursts
forth, sending a column of water far into the air.
A GIANT PUFF-BALL.
[Illustration]
I suppose you have all seen puff-balls, which grow in the fields like
mushrooms and toadstools, but I am quite sure that you never saw
anything of the kind quite so large as that one in the picture. And
yet that engraving was made from a drawing from the puff-ball itself.
So we need not suppose that there is anything fanciful about it.
The vegetable in question is a kind of _fungi_ called the Giganti
Lycoperdon, and it attains its enormous size in one night! It springs
from a seed so small that you could not see it, and grows, while you
are asleep, to be bigger, perhaps, than you are yourself!
Think of that! How would you like to plant the whole garden, some
afternoon, with that kind of seed? Would not your father and mother,
and everybody else, be astounded when they woke up and saw a couple of
hundred of those things, as big as barrels, filling up every bed!
They would certainly think it was the most astonishing crop they had
ever seen, and there might be people who would suppose that fairies or
magicians had been about.
The great trouble about such a crop would be that it would be good for
nothing.
I cannot imagine what any one would do with a barnful of Lycoperdons.
But it would be wonderfully interesting to watch the growth of such a
_fungus_. You could see it grow. In one night you could see its whole
life, from almost nothing at all to that enormous ball in the picture.
Nature could hardly show us a more astonishing sight than that.
TICKLED BY A STRAW.
[Illustration]
From his dreams of tops and marbles,
Where the soaring kites he saw,
Is that little urchin wakened,
Tickled by a wheaten straw.
How do you suppose he likes it,
Young one with annoying paw?
If I only were your mother,
I'd tickle you with birchen straw.
Soon enough, from pleasant dreaming,
You'll be wakened by the law,
Which provides for every vision
Some sort of provoking straw.
In dreams of play, or hope, or loving,
When plans of happiness you draw,
Underneath _your_ nose may wiggle
Life's most aggravating straw
THE LIGHT IN THE CASTLE.
On a high hill, in a lonely part of Europe, there stood a ruined
castle. No one lived there, for the windows were destitute of glass;
there were but few planks left of the floors; the roof was gone; and
the doors had long ago rotted off their hinges. So that any persons
who should take up their residence in this castle would be exposed to
the rain, when there was a storm; to the wind, when it blew; and to
robbers, if they should come; besides running the risk of breaking
their necks by falling between the rafters, every time they attempted
to walk about the house.
It was a very solemn, lonely, and desolate castle, and for many and
many a year no human being had been known to set foot inside of it.
It was about ten o'clock of a summer night that Hubert Flamry and his
sister Hulda were returning to their home from an errand to a distant
village, where they had been belated. Their path led them quite near
to the ruined castle, but they did not trouble themselves at all on
this account, for they had often passed it, both by night and day. But
to-night they had scarcely caught sight of the venerable structure
when Hubert started back, and, seizing his sister's arm, exclaimed:
"Look, Hulda! look! A light in the castle!"
Little Hulda looked quickly in the direction in which her brother was
pointing, and, sure enough, there was a light moving about the castle
as if some one was inside, carrying a lantern from room to room. The
children stopped and stood almost motionless.
"What can it be, Hubert?" whispered Hulda.
"I don't know," said he. "It may be a man, but he could not walk where
there are no floors. I'm afraid it's a ghost."
"Would a ghost have to carry a light to see by?" asked Hulda.
"I don't know," said Hubert, trembling in both his knees, "but I think
he is coming out."
It did seem as if the individual with the light was about to leave the
castle. At one moment he would be seen near one of the lower windows,
and then he would pass along on the outside of the walls, and directly
Hubert and Hulda both made up their minds that he was coming down the
hill.
"Had we better run?" said Hulda.
"No," replied her brother. "Let's hide in the bushes."
So they hid.
In a few minutes Hubert grasped his sister by the shoulder. He was
trembling so much that the bushes shook as if there was a wind.
"Hulda!" he whispered, "he's walking along the brook, right on top of
the water!"
"Is he coming this way?" said Hulda, who had wrapped her head in her
apron.
"Right straight!" cried Hubert. "Give me your hand, Hulda!" And,
without another word, the boy and girl burst out of the bushes and ran
away like rabbits.
When Hulda, breathless, fell down on the grass, Hubert also stopped
and looked behind him. They were near the edge of the brook, and
there, coming right down the middle of the stream, was the light which
had so frightened them.
"Oh-h! Bother!" said Hubert.
"What?" asked poor little Hulda, looking up from the ground.
"Why, it's only a Jack-o'-lantern!" said Hubert. "Let's go home,
Hulda."
As they were hurrying along the path to their home, Hubert seemed very
much provoked, and he said to his sister:
[Illustration]
"Hulda, it was very foolish for you to be frightened at such a thing
as that."
"Me?" said Hulda, opening her eyes very wide, "I guess you were just
as much frightened as I was."
"You might have known that no real person would be wandering about the
castle at night, and a ghost couldn't carry anything, for his fingers
are all smoke."
"You ought to have known that too, I should say, Mr. Hubert," answered
Hulda.
"And then, I don't believe the light was in the castle at all. It was
just bobbing about between us and the castle, and we thought it was
inside. You ought to have thought of that, Hulda."
"Me!" exclaimed little Hulda, her eyes almost as big as two silver
dollars.
It always seems to me a great pity that there should be such boys as
Hubert Flamry.
THE OAK TREE.
[Illustration]
I really don't know which liked the great oak best, Harry or his
grandfather. Harry was a sturdy little fellow, seven years old, and
could play ball, and fly kites, and all such things, when he had
anybody to play with. But his father's house was a long distance from
the village, and so he did not often have playmates, and it is poor
sport to play marbles or ball by one's self. He did sometimes roll his
hoop or fly his kite when alone, but he would soon get tired, and
then, if it was a clear day, he would most likely say:
"Grandpa, don't you want to go to the big oak?"
And Grandpa would answer:
"Of course, child, we will go. I am always glad to give you that
pleasure."
This he said, but everybody knew he liked to go for his own pleasure
too. So Harry would bring Grandpa his cane and hat, and away they
would go down the crooked path through the field. When they got to the
draw-bars, Harry took them down for his Grandpa to pass through, and
then put them carefully up again, so that the cows should not get out
of the pasture. And, when this was done, there they were at the
oak-tree.
This was a very large tree, indeed, and its branches extended over the
road quite to the opposite side. Right at the foot of the tree was a
clear, cold spring, from which a little brook trickled, and lost
itself in the grass. A dipper was fastened to a projecting root above
the spring, that thirsty travellers might drink. The road by the side
of which the oak stood was a very public one, for it led to a city
twenty miles away. So a great many persons passed the tree, and
stopped at the spring to drink. And that was the reason why little
Harry and his Grandpa were so fond of going there. It was really quite
a lively place. Carriages would bowl along, all glittering with plate
and glass, and with drivers in livery; market wagons would rattle by
with geese squawking, ducks quacking, and pigs squealing; horsemen
would gallop past on splendid horses; hay wagons would creak slowly
by, drawn by great oxen; and, best of all, the stage would dash
furiously up, with the horses in a swinging trot, and the driver
cracking his whip, and the bright red stage swaying from side to side.
It generally happened that somebody in the stage wanted a drink from
the spring, and Harry would take the cup handed out of the window, and
dip it full of the cold, sparkling water, and then there would be a
few minutes of friendly chat.
But the most of the talk was with the foot-passengers. The old man sat
on a bench in the cool shade, and the child would run about and play
until some one came along. Then he would march up to the tree and
stand with his hands in his pockets to hear what was said, very often
having a good deal to say himself. Sometimes these people would stay a
long time under the shade of the tree, and there were so many
different people, and they had so many different kinds of things to
say, that Harry thought it was like hearing a book read, only a great
deal better.
At one time it would be a soldier, who had wonderful things to tell of
the battles he had fought. Another day it would be a sailor, who,
while smoking his pipe, would talk about the trackless deserts of
burning sands; and of the groves of cinnamon, and all sweet spices,
where bright-colored parrots are found; and of the great storms at
sea, when the waves dashed ships to pieces. Another time a foreigner
would have much to say about the strange people and customs of other
lands; and sometimes they talked in a strange language, and could not
be understood, and that was very amusing.
The organ-grinders were the best, for they would play such beautiful
tunes, and perhaps there would be children who would tinkle their
tambourines, and sing the songs that the girls sing in Italy when they
tread out the grapes for wine. And sometimes there would be--oh, joy!
a monkey! And then what fun Harry would have!
And sometimes there were poor men and women, tired and sick, who had
nothing to say but what was sad.
Occasionally an artist would stop under the tree. He would have a
great many of his sketches with him, which he would show to Harry and
Grandpa. And then he would go off to a distance, and make a picture of
the splendid oak, with the old man and child under it, and perhaps he
would put into it some poor woman with her baby, who happened to be
there, and some poor girl drinking out of the spring. And Harry and
Grandpa always thought this better than any of the other pictures he
showed them.
[Illustration]
THE SEA-SIDE.
The ocean is so wonderful itself, that it invests with some of its
peculiar interest the very sands and rocks that lie upon its edges.
There is always something to see at the sea-side; whether you walk
along the lonely coast; go down among the fishermen, and their nets
and boats; or pass along the sands, lively with crowds of
many-colored bathers.
But if there was nothing but the grand old ocean itself, it would be
enough. Whether it is calm and quiet, just rolling in steadily upon
the shore, in long lines of waves, which come sweeping and curling
upon the beach and then breaking, spread far out over the sand--or
whether the storm-waves, tossing high their lofty heads, come rushing
madly upon the coast, dashing themselves upon the sands and thundering
up against the rocks, the sea is grand!
What a tremendous thing an ocean is! Ever in powerful motion; so
wonderful and awful in its unknown depths, and stretching so far, far,
far away!
But, even on the coasts of this great ocean, our days seem all too
short, as we search among the rocks and in the little pools for the
curiosities of the sea-side. Here are shells, and shells, and
shells,--from the great conch, which you put up to your ear to hear
the sound of the sea within, to the tiny things which we find stored
away in little round cases, which are all fastened together in a
string, like the rattles of a snake.
In the shallow pools that have been left by the tide we may find a
crab or two, perhaps, some jelly-fish, star-fish, and those wonderful
living flowers, the sea-anemones. And then we will watch the great
gulls sweeping about in the air, and if we are lucky, we may see an
army of little fiddler-crabs marching along, each one with one claw in
the air. We may gather sea-side diamonds; we may, perhaps, go in and
bathe, and who can tell everything that we may do on the shores of the
grand old ocean!
[Illustration]
And if we ever get among the fishermen, then we are sure to have good
times of still another kind. Then we shall see the men who live by the
sea, and on the sea. We shall wander along the shore, and look at
their fishing-vessels, which seem so small when they are on the water,
but which loom up high above our heads when they are drawn up on the
shore--some with their clumsy-looking rudders hauled up out of
danger, and others with rudder and keel resting together on the rough
beach. Anchors, buoys, bits of chains, and hawsers lie about the
shore, while nets are hanging at the doors of the fishermen's
cottages, some hung up to dry and some hung up to mend.
Here we may often watch the fishermen putting out to sea in their
dirty, but strong, little vessels, which go bouncing away on the
waves, their big sails appearing so much too large for the boats that
it seems to us, every now and then, as if they must certainly topple
over. And then, at other times, we will see the fishermen returning,
and will be on the beach when the boats are drawn up on the sand, and
the fish, some white, some gray, some black, but all glittering and
smooth, are tumbled into baskets and carried up to the houses to be
salted down, or sent away fresh for the markets.
Then the gulls come circling about the scene, and the ducks that live
at the fishermen's houses come waddling down to see about any little
fishes that may be thrown away upon the sand; and men with tarpaulin
coats and flannel shirts sit on old anchors and lean up against the
boats, smoking short pipes while they talk about cod, and mackerel,
and mainsails and booms; and, best of all, the delightful sea-breeze
comes sweeping in, browning our cheeks, reddening our blood, and
giving us such a splendid appetite that even the fishermen themselves
could not throw us very far into the shade, at meal-times.
As for bathing in the sea, plunging into the surf, with the waves
breaking over your head and the water dashing and sparkling all about
you, I need not say much about that. I might as well try to describe
the pleasure of eating a saucer of strawberries-and-cream, and you
know I could not do it.
There are nations who never see the ocean, nor have anything to do
with it. They have not even a name for it.
They are to be pitied for many things, but for nothing more than this.
THE SICK PIKE.
There is no reason why a pike should not be sick. Everything that has
life is subject to illness, but it is very seldom that any fish has
the good sense and the good fortune of the pike that I am going to
tell you about.
This pike was a good-sized fellow, weighing about six pounds, and he
belonged to the Earl of Stamford, who lived near Durham, England. His
story was read by Dr. Warwick to the Literary and Philosophical
Society of Liverpool. I am particular about these authorities because
this story is a little out of the common run.
Dr. Warwick was walking by a lake, in the Earl's park, and the pike
was lying in the water near the shore, probably asleep. At any rate,
when it saw the doctor it made a sudden dart into deep water and
dashed its head against a sunken post. This accident seemed to give
the fish great pain, for it pitched and tossed about in the lake, and
finally rushed up to the surface and threw itself right out of the
water on to the bank.
The doctor now stooped to examine it, and to his surprise the fish
remained perfectly quiet in his hands. He found that the skull was
fractured and one eye was injured by the violence with which the fish
had struck the post. With a silver tooth-pick (he had not his
instruments with him) the doctor arranged the broken portion of the
pike's skull, and when the operation was completed he placed the fish
in the water. For a minute or two the Pike seemed satisfied, but then
it jumped out of the water on to the bank again. The doctor put the
fish back, but it jumped out again, and repeated this performance
several times. It seemed to know (and how, I am sure I have not the
least idea) that that man was a doctor, and it did not intend to
leave him until it had been properly treated--just as if it was one
of his best patients.
The doctor began to see that something more was expected of him, and
so he called a game-keeper to him, and with his assistance he put a
bandage around the pike's head.
[Illustration]
When this surgical operation had been completed the pike was put back
into the water, and this time it appeared perfectly satisfied, and
swam away.
The next day, as Dr. Warwick was sitting by the lake, the pike, with,
the bandage around its head, swam up and stuck its head out of the
water, near the doctor's feet. The good physician took up the fish,
examined the wound, and finding that it was getting on very well,
replaced the bandage and put Mr. Pike into the lake again.
This was a very grateful pike. After the excellent surgical treatment
it received from Dr. Warwick, it became very fond of him, and whenever
he walked by the side of the lake it would swim along by him, and
although it was quite shy and gloomy when other people came to the
waterside, it was always glad to see the doctor, and would come when
he whistled, and eat out of his hand.
I suppose in the whole ocean, and in all the rivers and lakes of the
world, there are not more than two or three fish as sensible and
grateful as this pike. In fact, it was very well for Dr. Warwick that
there were no more such on the Earl of Stamford's estate. A large
practice in the lake must soon have made a poor man of him, for I do
not suppose that even that sensible pike would have paid a doctor's
bill, if it had been presented to him.
TWO KINDS OF BLOSSOMS.
[Illustration]
When the winter has entirely gone, and there is not the slightest
vestige left of snow or ice; when the grass is beginning to be
beautifully green, and the crocuses and jonquils are thrusting their
pretty heads up out of the ground; when the sun is getting to be
quite warm and the breezes very pleasant, then is the time for
blossoms.
Then it is especially the time for apple-blossoms. Not that the peach
and the pear and the cherry trees do not fill their branches with pink
and white flowers, and make as lovely a spring opening as any
apple-trees in the land. Oh no! It is only because there are so many
apple-trees and so many apple-orchards, that the peaches and pears are
a little overlooked in blossom-time.
A sweet place is the apple-orchard, when the grass is green, the trees
are full of flowers, the air full of fragrance, and when every breeze
brings down the most beautiful showers of flowery snow.
And how beautiful and delicate is every individual flower! We are so
accustomed to looking at blossoms in the mass--at treesful and whole
orchardsful--that we are not apt to think that those great heaps of
pink and loveliness are composed of little flowers, each one perfect
in itself.
And not only is each blossom formed of the most beautiful white
petals, shaded with pink; not only does each one of them possess a
most pleasant and delicate perfume, but every one of these little
flowers--every one which comes to perfection, I mean--is but the
precursor of an apple. This one may be a Golden Pippin; that one which
looks just like it may be the forerunner of a Belle-flower; while the
little green speck at the bottom of this one may turn into a Russet,
with his sober coat.
The birds that are flying among the branches do not think much about
the apples that are to come, I reckon, and neither do the early
butterflies that flutter about, looking very much like falling
blossoms themselves. And, for that matter, we ourselves need not think
too much about the coming apple crop. We ought sometimes to think of
and enjoy beauty for its own sake, without reference to what it may do
in the future for our pockets and our stomachs.
There are other kinds of blossoms than apple-blossoms, or those of any
tree whatever. There are little flowers which bloom as well or better
in winter than in summer, and which are not, in fact, flowers at all.
These are ice-blossoms.
Perhaps you have never seen any of them, and I think it is very
likely, for they can only be formed and perceived by the means of
suitable instruments. And so here is a picture of some ice-blossoms.
[Illustration]
These curious formations, some of which appear like stars, others like
very simple blossoms, while others are very complex; and some of which
take the form of fern-leaves, are caused to appear in the centre of a
block of ice by means of concentrated rays of lights which are
directed through the ice by means of mirrors and lenses. Sometimes
they are observed by means of a magnifying-glass, and in other
experiments their images are thrown upon a white screen.
[Illustration]
We may consider these ice-flowers as very beautiful and very
wonderful, but they are not a whit more so than our little blossoms of
the apple-orchard.
The latter are more common, and have to produce apples, while the
ice-flowers are uncommon, and of no possible use.
That is the difference between them.
ABOUT GLASS.
Glass is so common and so cheap that we never think of being grateful
for it. But if we had lived a few centuries ago, when the richest
people had only wooden shutters to their windows, which, of course,
had to be closed whenever it was cold or stormy, making the house as
dark as night, and had then been placed in a house lighted by glass
windows, we would scarcely have found words to express our
thankfulness. It would have been like taking a man out of a dreary
prison and setting him in the bright world of God's blessed sunshine.
After a time men made small windows of stones that were partly
transparent; and then they used skins prepared something like
parchment, and finally they used sashes similar to ours, but in them
they put oiled paper. And when at last glass came into use, it was so
costly that very few were able to buy it, and they had it taken out of
the windows and stored carefully away when they went on a journey, as
people now store away pictures and silver-plate.
Now, when a boy wants a clear, white glass vial for any purpose, he
can buy it for five cents; and for a few pennies a little girl can buy
a large box of colored beads that will make her a necklace to go
several times around her neck, and bracelets besides. These her elder
sister regards with contempt; but there was a time when queens were
proud to wear such. The oldest article of glass manufacture in
existence is a bead. It has an inscription on it, but the writing,
instead of being in letters, is in tiny little pictures.
Here you see the bead, and the funny little pictures on it. The
pictures mean this: "The good Queen Ramaka, the loved of Athor,
protectress of Thebes." This Queen Ramaka was the wife of a king who
reigned in Thebes more than three thousand years ago, which is
certainly a very long time for a little glass bead to remain unbroken!
The great city of Thebes, where it was made, has been in ruins for
hundreds of years. No doubt this bead was part of a necklace that
Queen Ramaka wore, and esteemed as highly as ladies now value their
rubies. It was found in the ruins of Thebes by an Englishman.
[Illustration]
It may be thought that this bead contradicts what has been said about
there being a time when glass was unknown, and that time only a few
centuries ago. But it is a singular fact that a nation will perfectly
understand some art or manufacture that seems absolutely necessary to
men's comfort and convenience, and yet this art in time will be
completely lost, and things that were in common use will pass as
completely out of existence as if they had never been, until, in after
ages, some of them will be found among the ruins of cities and in old
tombs. In this way we have found out that ancient nations knew how to
make a great many things that enabled them to live as comfortably and
luxuriously as we do now. But these things seem to have perished with
the nations who used them, and for centuries people lived
comfortlessly without them, until, in comparatively modern times, they
have all been revived.
Glass-making is one of these arts. It was known in the early ages of
the world's history. There are pictures that were painted on tombs two
thousand years before Christ's birth which represent men blowing
glass, pretty much as it is done now, while others are taking pots of
it out of the furnaces in a melted state. But in those days it was
probably costly, and not in common use; but the rich had glass until
the first century after Christ, when it disappeared, and the art of
making it was lost.
[Illustration]
The city of Venice was founded in the fifth century, and here we find
that glass-making had been revived. You will see by this picture of a
Venetian bottle how well they succeeded in the manufacture of glass
articles.
Venice soon became celebrated for this manufacture, and was for a long
time the only place where glass was made. The manufacturers took great
pains to keep their art a secret from other nations, and so did the
government, because they were all growing rich from the money it
brought into the city.
In almost any part of the world to which you may chance to go you
will find Silica. You may not know it by that name, but it is that
shining, flinty substance you see in sand and rock-crystal. It is
found in a very great number of things besides these two, but these
are the most common.
Lime is also found everywhere--in earth, in stones, in vegetables and
bones, and hundreds of other substances.
Soda is a common article, and is very easily produced by artificial
means. Potash, which has the same properties as soda, exists in all
ashes.
Now silica, and lime, and soda, or potash, when melted together, form
glass. So you see that the materials for making this substance which
adds so much to our comfort and pleasure are freely given to all
countries. And after Venice had set the example, other nations turned
their attention to the study of glass-making, and soon found out this
fact, in spite of the secrecy of the Venetians. After a time the
Germans began to manufacture glass; and then the Bohemians. The latter
invented engraving on glass, which art had also been known to the
ancients, and then been lost. They also learned to color glass so
brilliantly that Bohemian glass became more fashionable than Venetian,
and has been highly thought of down to the present day.
On the next page we see an immense drinking-glass of German
manufacture, but this one was made many years after glass-making was
first started there.
This great goblet, which it takes several bottles of wine to fill, was
passed around at the end of a feast, and every guest was expected to
take a sip out of it. This was a very social way of drinking, but I
think on the whole it is just as well that it has gone out of fashion.
The old Egyptians made glass bottles, and so did the early Romans, and
used them just as we do for a very great variety of things. Their
wine-bottles were of glass, sealed and labelled like ours. We might
suppose that, having once had them, people would never be without
glass bottles. But history tells a different story. There evidently
came a time when glass bottles vanished from the face of the earth;
for we read of wooden bottles and those of goat-skin and leather, but
there is no mention of glass. And men were satisfied with these
clumsy contrivances, because in process of time it had been forgotten
that any other were ever made.
[Illustration]
Hundreds of years rolled away, and then, behold! glass bottles
appeared again. Now there is such a demand for them that one country
alone--France--makes sixty thousand tons of bottles every year. To
make bottle-glass, oxide of iron and alumina is added to the silica,
lime, and soda. It seems scarcely possible that these few common
substances melted over the fire and blown with the breath can be
formed into a material as thin and gossamer, almost, as a spider's
web, and made to assume such a graceful shape as this jug.
[Illustration]
This is how glass bottles, vases, etc., are made. When the substances
mentioned above are melted together properly, a man dips a long,
hollow iron tube into a pot filled with the boiling liquid glass, and
takes up a little on the end of it. This he passes quickly to another
man, who dips it once more, and, having twirled the tube around so as
to lengthen the glass ball at the end, gives it to a third man, who
places this glass ball in an earthen mould, and blows into the other
end of the tube, and soon the shapeless mass of glass becomes a
bottle. But it is not quite finished, for the bottom has to be
completed, and the neck to have the glass band put around it. The
bottom is finished by pressing it with a cone-shaped instrument as
soon as it comes out of the mould. A thick glass thread is wound
around the neck. And, if a name is to be put on, fresh glass is added
to the side, and stamped with a seal.
[Illustration]
This is also the process of making the beautiful jug just mentioned,
except that three workmen are engaged at the same time on the three
parts--one blows the vase itself, another the foot, and the third the
handle. They are then fastened together, and the top cut into the
desired shape with shears, for glass can be easily cut when in a soft
state.
You see how clearly and brightly, and yet with what softness, the
windows of the room are reflected in that exquisite jug It was made
only a few years ago.
I will now show you an old Venetian goblet, but you will have to
handle it very carefully, or you will certainly break off one of the
delicate leaves, or snap the stem of that curious flower.
Such glasses as these were certainly never intended for use. They were
probably put upon the table as ornaments. The bowl is a white glass
cup, with wavy lines of light blue. The spiral stem is red and white,
and has projecting from it five leaves of yellow glass, separated in
the middle by another leaf of a deep blue color. The large flower has
six pale-blue petals.
[Illustration]
And now we will look at some goblets intended for use. They are of
modern manufacture, and are plain and simple, but have a beauty of
their own. The right-hand one is of a very graceful shape, and the one
in the middle is odd-looking, and ingeniously made with rollers, and
all of them have a transparent clearness, and are almost as thin as
the fragile soap-bubbles that children blow out of pipe-bowls. They do
not look unlike these, and one can easily fancy that, like them, they
will melt into air at a touch.
[Illustration]
Because the ancients by some means discovered that the union of
silica, lime, and soda made a perfectly transparent and hard substance
it by no means follows that they knew how to make looking-glasses For
this requires something behind the glass to throw back the image. But
vanity is not of modern invention, and people having from the
beginning of time had a desire to look at themselves, they were not
slow in providing the means.
The first mirrors used were of polished metal, and for ages nobody
knew of anything better. But there came a time when the idea entered
the mind of man that "glass lined with a sheet of metal will give back
the image presented to it," for these are the exact words of a writer
who lived four centuries before Christ. And you may be sure that
glass-makers took advantage of this suggestion, if they had not
already found out the fact for themselves. So we know that the
ancients did make glass mirrors. It is matter of history that
looking-glasses were made in the first century of the Christian era,
but whether quicksilver was poured upon the back, as it is now, or
whether some other metal was used, we do not know.
But these mirrors disappeared with the bottles and other glass
articles; and metal mirrors again became the fashion. For fourteen
hundred years we hear nothing of looking-glasses, and then we find
them in Venice, at the time that city had the monopoly of the glass
trade. Metal mirrors were soon thrown aside, for the images in them
were very imperfect compared with the others.
These Venetian glasses were all small, because at that time sheet
glass was blown by the mouth of man, like bottles, vases, etc., and
therefore it was impossible to make them large. Two hundred years
afterward, a Frenchman discovered a method of making sheet glass by
machinery, which is called _founding_, and by this process it can be
made of any size.
But even after the comparatively cheap process of founding came into
use, looking-glasses were very expensive, and happy was the rich
family that possessed one. A French countess sold a farm to buy a
mirror! Queens had theirs ornamented in the most costly manner. Here
is a picture of one that belonged to a queen of France, the frame of
which is entirely composed of precious stones.
[Illustration]
I have told you how the Venetians kept glass-making a secret, and how,
at last, the Germans learned it, and then the French, and their work
came to be better liked than that of the Venetians. But these last
still managed to keep the process of making mirrors a profound secret,
and the French were determined to get at the mystery. Several young
glass-makers went from France to Venice, and applied to all the
looking-glass makers of Venice for situations as workmen, that they
might learn the art. But all positively refused to receive them, and
kept their doors and windows tightly closed while they were at work,
that no one might see what they did. The young Frenchmen took
advantage of this, and climbed up on the roofs, and cautiously made
holes through which they could look; and thus they learned the
carefully-kept secret, and went back to France and commenced the
manufacture of glass mirrors. Twenty years after, a Frenchman invented
founding glass, which gave France such a great advantage that the
trade of Venice in looking-glasses was ruined.
You would be very much interested in watching this process of founding
glass. This is the way it is done. As soon as the glass is melted to
the proper consistency, the furnaces are opened, and the pots are
lifted into the air by machinery, and passed along a beam to an
immense table of cast iron. A signal is given, and the brilliant,
transparent liquid glass falls out and spreads over the table. At a
second signal a roller is passed by machinery over the red-hot glass,
and twenty men stand ready with long shovels to push the sheet of
glass into an oven, not very hot, where it can slowly cool. When taken
out of the oven the glass is thick, and not perfectly smooth, and it
has to be rubbed with sand, imbedded in plaster of Paris, smoothed
with emery, and polished by rubbing it with a woollen cloth covered
with red oxide of iron, all of which is done by machinery.
We know that cut glass is expensive, and the reason is that cutting it
is a slow process. Four wheels have to be used in succession, iron,
sandstone, wood, and cork. Sand is thrown upon these wheels in such a
way that the glass is finely and delicately cut. But this is imitated
in pressed glass, which is blown in a mould inside of which the design
is cut. This is much cheaper than the cut glass.
[Illustration]
A higher art than cutting is engraving on glass, by which the figures
are brought out in relief. Distinguished artists are employed to draw
the designs, and then skilful engravers follow the lines with their
delicate tools. If you will examine carefully the engraving on this
Bohemian goblet, you will see what a wonderful piece of workmanship it
is.
It seems almost a pity that so much time and labor, skill and genius
should be given to a thing so easily broken. And yet we have seen that
a good many glass articles have been preserved for centuries. The
engraving on the Bohemian goblet is ingenious, and curious, and
faithful in detail, but the flowers on this modern French flagon are
really more graceful and beautiful.
[Illustration]
About four hundred years ago there was found in a marble coffin, in a
tomb near Rome, a glass vase which is now famous throughout the world.
There is good reason for supposing it to have been made one hundred
and thirty-eight years before Christ, consequently it is now about two
thousand years old. For many years this was in the Barberini palace in
Rome, and was called the Barberini Vase. Then it was bought by the
Duchess of Portland, of England, for nine thousand dollars, and since
then has been known as the Portland Vase.
She loaned it to the British Museum, and everybody who went to London
wanted to see this celebrated vase.
[Illustration]
One day a crazy man got into the Museum, and with a smart blow of his
cane laid in ruins the glass vase that had survived all the world's
great convulsions and changes for two thousand years! This misfortune
was supposed to be irreparable, but it has been repaired by an artist
so cleverly that it is impossible to tell where it is joined together.
[Illustration]
This vase is composed of two layers of glass, one over the other. The
lower is of a deep blue color, and the upper an opaque white, so that
the figures stand out in white on a deep blue background.
[Illustration]
The picture on it represents the marriage of Peleus and Thetis. The
woman seated, holding a serpent in her left hand, is Thetis, and the
man to whom she is giving her right hand is Peleus. The god in front
of Thetis is Neptune, and a Cupid hovers in the air above. On the
reverse side are Thetis and Peleus, and a goddess, all seated. At the
foot of the vase is a bust of Ganymede, and on each side of this in
the picture are copies of the masks on the handles.
Now I have shown you a few of the beautiful things that have been made
of glass, but there are very many other uses to which glass is applied
that have not even been alluded to. Steam engines, that work like real
ones, have been made of glass; palaces have been built of it; great
telescopes, by which the wonders of the heavens have been revealed,
owe their power to it; and, in fact, it would seem to us, to-day, as
if we could as well do without our iron as without our glass.
CARL.
In the middle of a dark and gloomy forest lived Carl and Greta. Their
father was a forester, who, when he was well, was accustomed to be
away all day with his gun and dogs, leaving the two children with no
one but old Nurse Heine; for their mother died when they were very
little. Now Carl was twelve years old, and Greta nine. Carl was a
fine-looking boy, but Nurse Heine said that he had a melancholy
countenance. Greta, however, was a pretty, bright-faced, merry little
girl. They were allowed to wander through a certain part of the
forest, where their father thought there was no especial danger to
fear.
In truth, Carl was not melancholy at all, but was just as happy in his
way as Greta was in hers. In the summer, while she was pulling the
wood flowers and weaving them into garlands, or playing with her dogs,
or chasing squirrels, Carl would be seated on some root or stone with
a large sheet of coarse card-board on his knee, on which he drew
pictures with a piece of sharpened charcoal. He had sketched, in his
rough way, every pretty mass of foliage, and every picturesque rock
and waterfall within his range. And in the winter, when the icicles
were hanging from the cliffs, and the snow wound white arms around the
dark green cypress boughs, Carl still found beautiful pictures
everywhere, and Greta plenty of play in building snow-houses and
statues. And, moreover, Carl had lately discovered in the brooks some
colored stones, which were soft enough to sharpen sufficiently to give
a blue tint to his skies, and green to his trees; and thus he made
pictures that Nurse Heine said were more wonderful than those in the
chapel of the little village of Evergode.
I have said that the forest was dark and gloomy, because it was
composed chiefly of pines and cypresses, but it never seemed so to
the children. They knew how to read, but had no books that told them
of any lands brighter and sunnier than their own. And then, too,
beyond the belt of pines in which was their home, there was a long
stretch of forest of oaks and beeches, and in this the birds liked to
build their nests and sing; and there were such splendid vines, and
lovely flowers! And, right through the pine forest, not more than half
a mile from their cottage, there was a broad road. It is true, it was
a very rough one, and but little used, but it represented the world to
Carl and Greta. For it did sometimes happen that loaded wagons would
jolt over it, or a rough soldier gallop along, and more rarely still,
a gay cavalier would prance by the wondering children.
For there was a war in the land. And when, after a time, the armies
came near enough to the forest for the children to hear occasionally
the roll of the heavy guns, a strange thing happened.
One evening when they arrived at home, they found in their humble
little cottage one of the gay-looking cavaliers they had sometimes
seen on the forest road, and with him was a very beautiful lady. Old
Nurse Heine was getting the spare room ready by beating up the great
feather bed, and laying down on the floor the few strips of carpet
they possessed. Their father was talking with the strangers, and he
told them that Carl and Greta were his children; but they took no
notice of them, for they were completely taken up with each other, for
the gentleman, it appeared, was going away, and to leave the lady
there. Carl greatly admired this cavalier, and had no doubt he was the
noblest-looking man in the world, and studied him so closely that he
would have known him among a thousand. Presently the forester led his
children out of the cottage, and soon after the cavalier came out, and
springing upon his horse, galloped away among the dark pines.
[Illustration]
The strange lady was at the cottage several weeks, and the children
soon learned to love her dearly. She was fond of rambling about with
them, and was seldom to be found within the house when the weather was
fair. She never went near the road, but preferred the oak wood, and
sometimes when the children were amusing themselves she would sit for
hours absorbed in deep thought or singing to herself in a sad and
dreamy way.
At other times she would interest herself in the children, and tell
them of things in the world outside the forest. She praised Carl's
pictures, and showed him how to work in his colors so as to more
effectively bring out the perspective, and tried to educate his taste,
as far as she could, by describing the pictures of the great masters.
She often said afterwards that she could never have lived through
those dark days but for the comfort she found in the children.
Carl saw that she was sorrowful, and he understood that her sadness
was not because of the plain fare and the way of living at the
forester's cottage, which he knew must seem rough indeed to her, but
because of some great grief. What this grief was he could not guess,
for the children had been told nothing about the beautiful lady,
except that her name was Lady Clarice. She never complained, but the
boy's wistful eyes would follow her as she moved among the trees, and
his heart would swell with pity; and how he would long to do something
to prove to her how he loved her!
The forester told Carl that the cavalier was with the army. But he did
not come to the cottage, and there was no way for the Lady Clarice to
hear from him, and she shuddered at the sound of the great guns. And
finally she fell sick. Nurse Heine did what she could for her, but the
lady grew worse. She felt that she should die, and it almost broke
Carl's heart to hear her moaning: "Oh! if I could but see him once
more!" He knew she meant the noble cavalier, but how should he get
word to him? The old forester was just then stiff with rheumatism, and
could scarcely move from his chair.
"I will go myself!" said Carl to himself one day, "or she will die
with grief!"
Without saying a word to anybody about the matter, for fear that he
would not be allowed to go, he stole out of the house in the gray of
the morning, while all were asleep, and, making his way to the open
road, he turned in the direction from whence, at times, had come the
sound of the cannon. As long as he was in the part of the road that he
knew, he kept up a stout heart, but when he left that he began to grow
frightened. The road was so lonely, and strange sounds seemed to come
out of the forest that stretched away, so black and thick, on each
side! He wondered if any fierce beasts were there, or if robbers were
lurking behind the rocks. But he thought of the beautiful lady, his
kind friend, sick and dying, and that thought was more powerful than
his fear. At noon he rested for awhile, and ate a few dry biscuits he
had put in his pockets.
It was near sunset when he saw that the trees stood less closely
together, the road looked more travel-worn, and there came with the
wind a confused and continuous noise. Then Carl was seized with
terror. "I am now near the camp," he thought. "Suppose a battle is
going on, and I am struck with a ball. I shall die, and father and
little Greta will not know what became of me, and the beautiful lady
will never know that I died in her service! Or if I meet a soldier,
and he don't believe my story, maybe he'll run a bayonet through me!"
It was not too late then to turn back and flee swiftly up the forest
road, and Carl paused.
But in a few moments he went on, animated by the noblest kind of
courage--that which feels there is danger, but is determined to face
it in the cause of duty, affection, and humanity.
At last he stepped out of the forest, and there, before him, was
spread out the vast encampment of the army! There was not time to
wonder at the sight before he was challenged by a sentinel. Carl had
made up his mind what to say, and that he would not mention the lady.
So he promptly replied that he wanted to see a noble lord who had a
sick friend at a cottage in the forest.
As the boy could not tell the name or rank of the noble lord, the
sentinel sent him to an officer, and to him Carl told the same story,
but he described the man of whom he was in search so accurately that
the officer sent him at once to the proper person. And Carl found that
he was a very great personage indeed, and held a high command in the
army. He did not recognize Carl, but as soon as the boy told his
errand he became very much agitated.
"I will go at once," he said; "but I cannot leave you here, my brave
boy! Can you ride?"
Now Carl knew how to sit on a horse, and how to hold the bridle, for
he had ridden the wood-cutters' horses sometimes, so he answered that
he thought he could ride. The Duke (for such was his title) ordered
some refreshments set before the boy, and then went out to make his
arrangements, choosing his gentlest horse for Carl.
In half an hour they were in the forest, speeding like the wind. Carl
felt as if he was flying. The horse chose his own gait, and tried to
keep up with the one that the Duke was riding; but finally, finding
this impossible, he slackened his pace, greatly to Carl's relief. But
the Duke was too anxious about his lady to accommodate himself to the
slower speed of the boy, and soon swept out of sight around a bend in
the road. His cloak and the long feathers of his hat streamed on the
night wind for a moment longer. Then they vanished, and Carl was
alone.
Carl was somewhat afraid of the horse, for he was not used to such a
high-mettled steed; but, on the whole, he was glad he was mounted on
it. For if the woods had seemed lonely in the daylight they were ten
times more so in the night. And the noises seemed more fearful than
before. And Carl thought if any furious beast or robber should dart
upon him, he could make the horse carry him swiftly away. As it was he
let the horse do as he pleased, and as Carl sat quietly and did not
worry him in any way, he pleased to go along very smoothly, and
rather slowly, so it was past midnight when they reached home.
[Illustration]
Carl found that the Duke had been there a long time; that the lady was
overjoyed to see him, and Nurse Heine said she began to grow better
from that moment.
The next morning the Duke went away; but before he left he thanked
Carl for the great service he had done him, and gave him a piece of
gold. But Carl was better pleased when the lady called him into her
room, and kissed him, and cried over him, and praised him for a kind,
brave boy, and said he had saved her life.
And when she got well Carl noticed that she was brighter and happier
than she had been before.
In a short time, however, she went away with the Duke, in a grand
coach, with servants and outriders. And Carl and Greta watched them as
they were whirled up the forest road, and then walked home through the
pines with sad hearts.
Then the forester told his children that the Duke had married this
lady secretly, against the king's command, and he had so many bitter
and cruel enemies that he was afraid they would do her some evil while
he was away in the war. She knew of the forester, because his wife had
been a maid of her mother's, so she came to this lonely place for
safety. But now the king was pleased, and it was all right.
The winter came and went. The war was over. And then Lady Clarice,
whom the children never expected to see again, sent for them, and the
forester, and Nurse Heine, to her castle. She provided for them all,
and Greta grew up into a pretty and well-bred young lady.
Lady Clarice had not forgotten the brave act of the boy, and also
remembered what he liked best in the world. So she had him taught to
draw and paint, and in process of time he became a great artist, and
all the world knew of his name and fame.
SCHOOL'S OUT!
[Illustration]
What a welcome and joyful sound! In the winter, when the days are
short, and the sun, near the end of the six school hours, sinks so low
that the light in the room grows dim and gray, with what impatience,
my dear child, do you wait for this signal! But it is in the long
summer days that you find school most tiresome. The air in the room is
hot and drowsy, and outside you can see there is a breeze blowing, for
the trees are gently tossing their green boughs as if to twit you with
having to work out sums in such glorious weather. And there come to
your ears the pleasant sounds of the buzzing of insects and twittering
of birds, and the brook splashing over the stones. Then the four walls
of the school-room look very dreary, and the maps glare at you, and
the black-boards frown darkly, and the benches seem very hard, and the
ink-bespattered desks appear more grimy than ever.
This was the time when the heart of the Dominie would be touched with
pity, and he would say in his bright way: "Now, children, I am going
to read you something!"
Instantly the half-closed eyes would open, the drooping heads would be
raised, the vacant faces would brighten, and the little cramped legs
would be stretched out with a sigh of relief. And then the Dominie
would read them something that was not only instructive, but very
entertaining. Sometimes, instead of reading to them, he would set them
to declaiming or reciting poetry, or they would choose sides and have
a spelling match. They would get so interested that they would forget
all about the birds and sunshine without. They did not even know that
they were learning all this time.
For the Dominie had all sorts of pleasant ways of teaching his
scholars. Not but what they had to work hard too, for nobody can
accomplish anything worth having without putting a good deal of hard
work in it.
You see the Dominie's portrait in the picture. The fringe of hair
around his bald head was as white as snow; his black eyes were bright
and merry; and he had a kindly face. His name was Morris Harvey, but
everybody called him Dominie, and he liked that name best. All the
village people respected and loved the old man; and every child in the
village school that he taught, from the largest boy, whose legs were
so long that he did not know what to do with them, down to Bessie
Gay, who could scarcely reach up to the top of a desk, were very fond
indeed of him.
But even under the Dominie's kindly rule, "School's out!" was always a
welcome sound. What a noise there would be in the school-room for a
minute; and then such a grand rush out into the open air! and such
merry shouts! The Dominie would look after them with a smile. He
wanted them to study, but he was glad that it was natural for them to
love to play.
If little Charlie Lane had known this he would not have had such a cry
the morning he went to school for the first time. He thought his
mother very cruel to make him go, and, I am sorry to say, not only
cried before he started, but all the way to the school-house. The
Dominie took no notice of this, and Charlie soon found that school was
not such a very dreadful place. And there was the nice playtime in the
middle of the day. And, when school was out, the Dominie took him on
his knee and gave him a big apple, and showed him a book full of
bright pictures, and told him a story about every one of them.
You can see the little fellow on the Dominie's lap, looking earnestly
at a picture in the book; and the old man is pleased that the child is
pleased. The Dominie is sitting in his big chair, and his dinner-bag
is hanging on the back of it. On the black-board over his head you see
little Charlie's lesson for that day. It is on the right, and consists
of the letters A, B, C, which the child has been staring at until he
knows them perfectly in any book that is given to him. On the left, is
a sum; and somebody has tried to draw an almanac sun on the lower part
of the board. Across the top the Dominie has written a copy. You can
read it plainly. It was a favorite saying of his; and a very good one
too.
Have we not, all of us, a great deal to make us happy? What pleasure
is it to you to go about with a cross or melancholy face? Try to think
of something pleasant, and call up a smile. Put the ill-natured
feelings out of your heart, and then the brightness will come to your
face without further trouble. If you have a hard task to do, being
cross won't help you along one bit. Go to work at it with a will, and
you will be surprised to find how soon it will be done. Then, with a
clear conscience and a glad heart, you can sit waiting for the welcome
sound, "School's out!"
NEST-BUILDERS.
"Birds in their little nests agree," but they do not at all agree in
their manner of building the said nests.
They have all sorts of ideas on this subject. Nearly every species of
bird has a nest peculiar to itself, and the variety is astonishing.
There are nests like cups, and nests like saucers; nests which are
firmly fixed among the solid rocks, and nests which wave about on the
ends of slender branches; nests which are perched on the very tops of
the tallest trees, and nests which are hidden in the ground. There are
great nests, which will hold a bushel or two of eggs, and little bits
of things, into which you could scarcely put half a dozen peas.
In mentioning some of these nests, it will be needless for us to say
much of those with which we are all familiar. In our rambles together
we must try and see as many novelties as possible, for we may not
always have the chance of wandering freely into any part of the world
to which our fancy may lead us. I remember a little girl who used to
come to our house when I was a boy, and who never cared for anything
at table that was not something of a novelty to her. When offered
potatoes, she would frankly say: "No, thank you; I can get them at
home."
So we will not meddle with hens' nests, robins' nests, and all the
nests, big and little, that we find about our homes, for they are the
"potatoes" of a subject like this, but will try and find some nests
that are a little out of the way, and curious.
But we must stop--just one moment--before we leave home, and look at a
wren's nest.
The Wren, although a very common little bird with us, does not build a
common nest. She makes it round, like a ball, or a woolly orange,
with a little hole at one side for a door. Inside, it is just as soft
and comfortable as anything can be. Being such a little bird herself,
she could not cover and protect her young ones from cold and danger so
well as the larger cat-birds and robins, and her nest is contrived so
that there will not be much covering to do.
[Illustration]
That beautiful bird, the Baltimore Oriole, which may be familiar to
some of you, makes its nest somewhat on the plan of the wren, the
similarity consisting in the fact that the structure is intended to
shelter both parent and young. The oriole, which is a great deal
larger than a wren, builds a much larger nest, forming it like a bag,
with a hole in one end, and hangs it on the branch of a tree.
[Illustration]
It is scarcely possible for any harm to come to the young orioles,
when they are lying snugly at the bottom of the deep nest and their
mother is sitting on a twig near by, ready to protect them at the
hazard of her life.
But, for all the apparent security of this nest, so deep, so warm, so
firmly secured to the twigs and branches, the little orioles are not
entirely safe. Their mother may protect them from rain and cold; from
winged enemies and creeping serpents, but she cannot defend them
against the attacks of boys and men. An oriole's nest is such a
curious structure, and the birds are known to be of such fine form and
gorgeous plumage, that many boys cannot resist the temptation of
climbing up after them and, if there are young ones within, of
carrying the whole affair away in order to try and "raise" the young
birds. Sometimes the nest is put in a cage, where the old bird can
come and feed its young, and in other cases the captor undertakes to
do the feeding himself. I have seen experiments of this kind tried,
but never knew the slightest success to follow them, and the attempt,
generally useless, is always cruel.
But we must positively get away from home and look at some nests to
which few or none of us are accustomed.
There, for instance, is the nest of the Burrowing-Owl, a native of
South America and the regions west of the Rocky Mountains. This little
bird, much smaller than our common owls, likes to live in the ground.
But not having been provided by nature with digging appendages, he
cannot make a hole or burrow for himself, and so he takes up his abode
in the underground holes made by the little prairie-dogs for their own
homes. It is not at all certain that these owls should be called
usurpers or thieves. They may, in some cases, get entire possession of
the holes, but very often they live very sociably with the
prairie-dogs, and may, for all we know, pay for their lodgings by
bringing in grain and seeds, along with the worms and insects which
they reserve for their own table. Any one who does not possess a
habitation of his own, must occasionally expect to be thrown among
strange companions, and this very often happens to the burrowing-owl.
Travellers tell us that not only do the prairie-dogs and owls live
together in these burrows, but that great rattlesnakes sometimes take
up their residence therein--all three families seeming to live
together in peace and unity. I think that it is probable, however,
that the little dogs and owls are not at all pleased with the company
of the snakes. A prairie-dog will not eat an owl, and without the dog
is very young indeed, an owl will not eat him; but a great snake would
just as soon swallow either of them as not, if he happened to be
hungry, which fortunately is not often the case, for a good meal lasts
a snake a long time. But the owls and the prairie-dogs have no way of
ridding themselves of their unwelcome roommates, and, like human
beings, they are obliged to patiently endure the ills they cannot
banish. Perhaps, like human beings again, they become so accustomed to
these ills that they forget how disagreeable they are.
[Illustration]
There is a bird--and it is a Flamingo--which builds a nest which looks
to me as if it must be very unpleasant to sit upon. And yet it suits
the bird very well. In fact, on any other kind of a nest, the
flamingo might not know what to do with its legs.
[Illustration]
It would appear as if there had been a waste of material in making
such a large high nest, when only two or three moderate-sized eggs are
placed in the slight depression at the top; but, when we consider that
the flamingo uses this tall affair as a seat, as well as a nest, we
can easily understand that flamingoes, like most other birds,
understand how to adapt their nests to their own convenience and
peculiarities. Sitting astraddle on one of these tall nests, which
look something like peach-baskets turned upside down, with her head
stuck as far under her wing as she can get it, the flamingo dozes
away, during the long sultry hours of day, as comfortably and happily
as if she was a little wren snugly curled up inside of its cosey nest.
It is not mere situation which makes us happy. Some people enjoy life
in cottages, others in palaces, and some birds sit in a pile of hard
sticks and think themselves quite as cosey as those which repose upon
the softest down.
It is almost impossible to comprehend the different fancies of birds
in regard to their nests. For instance, why should any bird want to
sail about in its nest? Yet there is one--called the Little
Grebe--which builds a water-tight nest, in which she lays her eggs,
and, while she is hatching them, she paddles herself around on the
water.
It seems to me that these birds must have a very pleasant time during
the setting season. To start out some fine morning, after it has had
its breakfast of bugs and things, to gently push its nest from shore;
to jump on board; to sit down comfortably on the eggs, and sticking
out its web-footed legs on each side, to paddle away among the
water-lilies and the beautiful green rushes, in company with other
little grebes, all uniting business and pleasure in the same way, must
be, indeed, quite charming to an appreciative duck.
[Illustration]
If it were to happen to storm, however, when the grebe was at a
distance from shore, her little craft might be upset and her cargo of
eggs go to the bottom. But I expect the grebes are very good sailors,
and know when to look for bad weather.
A nest full of young grebes just hatched, with the mother swimming
behind, pushing them along with her beak, or towing them by the loose
end of a twig, must be a very singular and interesting sight.
[Illustration]
An Ostrich has very different views in regard to a nest from a little
grebe. Instead of wishing to take its nest about with it, wherever it
goes, the ostrich does not care for a great deal of nest-work.
It is, however, a bird of more domestic habits than some writers would
have us believe; for although it does cover up its eggs in the sand,
and then let the sun help hatch them, it is not altogether inattentive
to its nest. The ostrich makes a large nest in the sand, where, it is
said, the eggs of several families are deposited. These eggs are very
carefully arranged in the great hole or basin that has been formed in
the soft sand, and, during the daytime, they are often covered up and
left to be gently heated by the rays of the sun. But the ostrich sits
upon her nest at night, and in many cases the male bird has been known
to sit upon the eggs all day. An ostrich nest is a sort of a wholesale
establishment. There are not only a great many eggs in the nest, but
dozens of them are often found lying about on the sand around it.
This apparent waste is explained by some naturalists by the statement
that these scattered eggs are intended for the food of the young ones
when they are hatched. This may be true; but in that case young
ostriches cannot be very particular about the flavor of the eggs they
eat. A few days in the hot sun of the desert would be very likely to
make eggs of any kind taste rather strongly. But ostrich eggs are so
large, and their shells are so thick, that they may keep better than
the eggs to which we are accustomed.
From nests which are built flat on the ground, let us now go to some
that are placed as high from the earth as their builders can get them.
The nests of the Storks are of this kind.
A pair of storks will select, as a site for their nest, a lofty place
among the rocks; the top of some old ruins; or, when domesticated, as
they often are, the top of a chimney. But when there are a number of
storks living together in a community, they very often settle in a
grove of tall trees and build their nests on the highest branches.
[Illustration: THE NEST OF A STORK.]
In these they lay their eggs, and hatch out their young ones. Soon
after the time when these young storks are able to fly, the whole
community generally starts off on its winter pilgrimage to warm
countries; but the old storks always return in the spring to the same
nest that they left, while the young ones, if they choose to join that
community at all, must make nests for themselves. Although these nests
are nothing but rude structures of sticks and twigs, made apparently
in the roughest manner, each pair of storks evidently thinks that
there is no home like its own.
The stork is a very kind parent, and is, in fact, more careful of the
welfare of its young than most birds; but it never goes to the length
of surrendering its homestead to its children.
The young storks will be carefully nurtured and reared by their
parents; when they grow old enough they will be taught to fly, and
encouraged in the most earnest way to strengthen and develop their
wings by exercise; and, in the annual expedition to the south, they
are not left to themselves, but are conducted to the happy lands where
all good storks spend their winters. But the young storks cannot have
everything. If they wish to live in the nest in which they were born,
they must wait until their parents are dead.
It may be that we have now seen enough of birds' nests, and so I will
not show you any more.
The next nest which we will examine--
"But I thought you were not going to show us any more birds' nests!"
you will say.
That is true. I did say so, and this next one is not a bird's nest but
a fish's nest.
It is probably that very few of you, if any, ever saw a fish's nest;
but there certainly are such things.
[Illustration]
The fish which builds them is called the Stickleback. It is a little
fish, but it knows how to make a good nest. The male stickleback is
the builder, and when he thinks of making a nest he commences by
burrowing a hole in the mud at the bottom of the stream where he
lives. When with his nose and body he has made this hole large enough,
he collects bits of grass, roots, and weeds, and builds his nest over
this hole, which seems to be dug for the purpose of giving security to
the structure. The grass and other materials are fastened to the mud
and earth by means of a sticky substance, which exudes from the body
of the fish, and every part of the nest is stuck together and
interlaced so that it will not be disturbed by the currents. There are
generally two openings to this nest, which is something like a lady's
muff, although, of course, it is by no means so smooth and regular.
The fish can generally stick its head out of one end, and its tail out
of the other.
When the eggs have been laid in the nest, and the young sticklebacks
have been born, the male fish is said to be very strict and particular
in the government of his children. For some time--while they are yet
very small--(and the father himself is a very little fellow) he makes
them stay in the nest, and if any of them come swimming out, he drives
them back again, and forces them to stay at home until they are of a
proper age to swim about by themselves.
We have now seen quite a variety of nests, and I think that we may
come to this conclusion about their builders:--The bird or other
creature which can carefully select the materials for the home of its
young, can decide what is most suitable for the rough outside and what
will be soft and nice for the inner lining, and can choose a position
for its nest where the peculiar wants and habits of its little ones
can be best provided for, must certainly be credited with a degree of
intelligence which is something more than what is generally suggested
by the term instinct.
[Illustration]
THE BOOMERANG.
Civilized folks are superior in so very many respects to their
barbarous brethren that it is well, when we discover anything which a
savage can do better than we can, to make a note of it, and give the
subject some attention.
And it is certain that there are savages who can surpass us in one
particular--they can make and throw boomerangs.
It is very possible that an American mechanic could imitate an
Australian boomerang, so that few persons could tell the difference;
but I do not believe that boomerang would work properly. Either in the
quality of the wood, or in the seasoning, or in some particular which
we would not be apt to notice, it would, in all probability, differ
very much from the weapon carved out by the savage. If the American
mechanic was to throw his boomerang away from him, I think it would
stay away. There is no reason to believe that it would ever come back.
And yet there is nothing at all wonderful in the appearance of the
real boomerang. It is simply a bent club, about two feet long, smooth
on one side and slightly hollowed out on the other. No one would
imagine, merely from looking at it, that it could behave in any way
differently from any other piece of stick of its size and weight.
But it does behave differently, at least when an Australian savage
throws it. I have never heard of an American or European who was able
to make the boomerang perform the tricks for which it has become
famous. Throwing this weapon is like piano-playing; you have to be
brought up to it in order to do it well.
In the hands of the natives of Australia, however, the boomerang
performs most wonderful feats. Sometimes the savage takes hold of it
by one end, and gives it a sort of careless jerk, so that it falls on
the ground at a short distance from him. As soon as it strikes the
earth it bounds up into the air, turns, twists, and pitches about in
every direction, knocking with great force against everything in its
way. It is said that when it bounds in this way into the midst of a
flock of birds, it kills and wounds great numbers of them. At other
times the boomerang-thrower will hurl his weapon at an object at a
great distance, and when it has struck the mark it will turn and fall
at the feet of its owner, turning and twisting on its swift and
crooked way. This little engraving shows how the boomerang will go
around a tree and return again to the thrower. The twisted line
indicates its course.
Most astonishing stories are told of the skill with which the
Australians use this weapon. They will aim at birds or small animals
that are hidden behind trees and rocks, and the boomerang will go
around the trees and rocks and kill the game. They are the only people
who can with any certainty shoot around a corner. Not only do they
throw the boomerang with unerring accuracy, but with tremendous force,
and when it hits a man on the head, giving him two or three terrible
raps as it twists about him, it is very apt to kill him. To ward off
these dangerous blows, the natives generally carry shields when they
go out to fight. Sometimes an Australian throws two boomerangs at
once, one with his right hand and one with his left, and then the
unfortunate man that he aims at has a hard time of it.
Many persons have endeavored to explain the peculiar turning and
twisting properties of the boomerang, but they have not been entirely
successful, for so much depends not only on the form of the weapon,
but on the skill of the thrower. But it is known that the form of the
boomerang, and the fact that one of its limbs is longer and heavier
than the other, gives its centre of gravity a very peculiar situation;
and when the weapon is thrown by one end, it has naturally a tendency
to rotate, and the manner of this rotation is determined by the
peculiar impetus given it by the hand of the man who throws it.
It is well that we are able to explain the boomerang a little, for
that is all we can do with it. The savage cannot explain it at all;
but he can use it.
But, after all, I do not know that a boomerang would be of much
service to us even if we could use it. There is only one thing that I
can now think of that it would be good for. It would be a splendid to
knock down chestnuts with!
Just think of a boomerang going twirling into a chestnut-tree,
twisting, turning, banging, and cracking on every side, knocking down
the chestnuts in a perfect shower, and then coming gently back into
your hand, all ready for another throw!
It would be well worth while to go out chestnuting, if we had a
boomerang to do the work for us.
* * * * *
Now our Ramblings must come to an end. We cannot walk about the world
for ever, you know, no matter how pleasant it may be.
And I wish I was quite sure that you have all found these wanderings
pleasant.
As for me, there were some things that I did not like so well as
others, and I suppose that that was the case with all of you.
But it could not be helped. In this world some things will be better
than others, do what we may.
One of these days, perhaps, we may ramble about again. Until then,
good-by!
THE END.
_Charles Scribner's Sons Books for Young Readers._
* * * * *
Written and Illustrated by Howard Pyle
_A NEW BOOK JUST PUBLISHED._
THE STORY OF SIR LAUNCELOT AND HIS COMPANIONS
Profusely illustrated. Royal 8vo, $2.50 _net_.
The account of the adventures and deeds of Sir Launcelot, fully and
beautifully illustrated in Mr. Pyle's characteristic style, and
uniform with his other two books, "The Story of King Arthur and His
Knights" and "The Story of the Champions of the Round Table." This
book takes up the adventures of the greatest of the Arthurian heroes,
from the very beginning, and also that of his son Sir Galahad.
"There is nobody quite like Howard Pyle, after all, when it comes to
stories for children, nobody with his peculiar freshness and
enthusiasm, and his power of choosing quaint and lovely settings for
the sometimes quiet, sometimes stirring tales that appeal at once to
his readers by their truth and naturalness."--THE SPRINGFIELD
REPUBLICAN.
* * * * *
_OTHER BOOKS BY MR. PYLE_.
THE STORY OF THE CHAMPIONS OF THE ROUND TABLE. Profusely illustrated.
Royal 8vo, $2.50 _net_.
"He has caught the very spirit of chivalry. It is one of the best of
holiday books."--SAN FRANCISCO CHRONICLE.
THE STORY OF KING ARTHUR AND HIS KNIGHTS. Profusely illustrated. Royal
8vo, $2.50 _net_.
"Nothing could be better to give a boy or girl for Christmas than Mr.
Pyle's rendition of these stately, ennobling old legends."--CHICAGO
RECORD-HERALD.
THE MERRY ADVENTURES OF ROBIN HOOD. Illustrated. Royal 8vo, $3.00.
"This superb book is unquestionably the most original and elaborate
ever produced by any American author. Mr. Pyle has told, with pencil
and pen, the complete and consecutive story of Robin Hood and his
merry men in their haunts in Sherwood Forest, gathered from the old
ballads and legends."--BOSTON TRANSCRIPT.
OTTO OF THE SILVER HAND. Illustrated. Royal 8vo, $2.00.
"The scene of the story is mediæval Germany in the time of the feuds
and robber barons and romance. The kidnapping of Otto, his adventures
among rough soldiers and his daring rescue make up a spirited and
thrilling story."--CHRISTIAN UNION.
* * * * *
Heroes of the Olden Time.
By JAMES BALDWIN. Three volumes, 12mo, each beautifully illustrated.
Singly, $1.50; the set, $4.00.
A STORY OF THE GOLDEN AGE. Illustrated by HOWARD PYLE.
"Mr. Baldwin's book is redolent with the spirit of the Odyssey, that
glorious primitive epic, fresh with the dew of the morning of time. It
is an unalloyed pleasure to read his recital of the adventures of the
wily Odysseus. Howard Pyle's illustrations render the spirit of the
Homeric age with admirable felicity."--PROF. H.H. BOYESEN.
THE STORY OF SIEGFRIED. Illustrated by HOWARD PYLE.
"The story of 'Siegfried' is charmingly told. The author makes up the
story from the various myths in a fascinating way which cannot fail to
interest the reader. It is as enjoyable as any fairy tale."--HARTFORD
COURANT.
THE STORY OF ROLAND. Illustrated by R.B. BIRCH.
"Mr. Baldwin has culled from a wide range of epics, French, Italian, and
German, and has once more proved his aptitude as a story-teller for the
young."--THE NATION.
* * * * *
The Boy's Library of Legend and Chivalry.
Edited by SIDNEY LANIER, and richly illustrated by
FREDERICKS, BENSELL, and KAPPES. Four volumes, cloth, uniform binding,
price per set, $7.00. Sold separately, price per volume, $2.00.
Mr. Lanier's books present to boy readers the old English classics of
history and legend in an attractive form. While they are stories of
action and stirring incident, they teach those lessons which manly,
honest boys ought to learn.
THE BOY'S KING ARTHUR.
THE BOY'S FROISSART.
THE BOY'S PERCY.
THE KNIGHTLY LEGENDS OF WALES.
"Amid all the strange and fanciful scenery of these stories, character
and ideals of character remain at the simplest and purest. The romantic
history transpires in the healthy atmosphere of the open air on the
green earth beneath the open sky."--THE INDEPENDENT.
* * * * *
Stories for Boys.
By RICHARD HARDING DAVIS. With 6 full-page illustrations. 12mo, $1.00
CONTENTS: The Reporter who made himself King--Midsummer
Pirates--Richard Carr's Baby, a Football Story--The Great Tri-Club
Tennis Tournament--The Jump at Corey's Slip--The Van Bibber Baseball
Club--The Story of a Jockey.
"It will be astonishing indeed if youths of all ages are not fascinated
with these 'Stories for Boys.' Mr. Davis knows infallibly what will
interest his young readers."--BOSTON BEACON.
* * * * *
Marvels of Animal Life Series.
By CHARLES F. HOLDER. Three volumes, 8vo, each profusely illustrated.
Singly, $1.75; the Set, $5.00.
THE IVORY KING. A POPULAR HISTORY OF THE ELEPHANT AND ITS ALLIES.
"The author talks in a lively and pleasant way about white elephants,
rogue elephants, baby elephants, trick elephants, of the elephant in
war, pageantry, sports and games. A charming accession to books for
young people."--CHICAGO INTERIOR.
MARVELS OF ANIMAL LIFE.
"Mr. Holder combines his description of these odd creatures with
stories of his own adventures in pursuit of them in many parts of the
world. These are told with much spirit, and add greatly to the
fascination of the book."--WORCESTER SPY.
LIVING LIGHTS. A POPULAR ACCOUNT OF PHOSPHORESCENT ANIMALS AND
VEGETABLES.
"A very curious branch of natural history is expounded in most
agreeable style by this delightful book. He has revealed a world of
new wonders."--PHILADELPHIA BULLETIN.
* * * * *
White Cockades.
An Incident of the "Forty-five." By EDWARD I. STEVENSON. 12mo, $1.00.
"A bright historical tale. The scene is Scotland; the time that of
Prince Charles' rebellion. The hero is a certain gallant young
nobleman devoted to the last of the Stuarts and his cause. The action
turns mainly upon the hiding, the hunting, and the narrow escapes of
Lord Geoffrey Armitage from the spies and soldiers of the King."--NEW
YORK MAIL AND EXPRESS.
* * * * *
Prince Peerless.
A Fairy-Folk Story Book. By MARGARET COLLIER (Madam Gelletti Di
Cadilhac). Illustrated by John Collier. 12mo, $1.25.
"More admirable and fascinating a fairy-story book we have not lately
set eyes upon. The stories are most airily conceived and gracefully
executed."--HARTFORD POST.
* * * * *
By William Henry Frost.
FAIRIES AND FOLK OF IRELAND. Illustrated by SIDNEY R. BURLEIGH. 12mo,
$1.50.
"Fresh and delightful materials are incorporated in witty and
interesting narratives."--PHILADELPHIA PRESS.
THE KNIGHTS OF THE ROUND TABLE. Stories of King Arthur and the Holy
Grail. Illustrated by SIDNEY R. BURLEIGH. 12mo, $1.50.
"The book is especially commended to boys, who will delight in the
martial spirit breathed through the tales, and cannot fail to be
benefited by reading of the courage, honor, and truth of these 'brave
knights of old.'"--CHICAGO INTER-OCEAN.
THE COURT OF KING ARTHUR. Stories from the Land of the Round Table.
Illustrated by SIDNEY R. BURLEIGH. 12mo, $1.50.
"Mr. William Henry Frost in 'The Court of King Arthur' has succeeded
admirably in his attempt to make the doughty knights and fair ladies
of ancient days seem distinct and interesting to boys and girls of our
own time."--PUBLIC OPINION.
THE WAGNER STORY BOOK. Firelight Tales of the Great Music Dramas.
Illustrated by SIDNEY R. BURLEIGH. 12mo, $1.50.
"The story of the Knight of the Swan, of the Ring of the Nibelungen,
the Search for the Grail, of Lohengrin and of Parsifal, are among the
richest and deepest of the great mediæval stories. They are
pre-eminently the natural food for children of imagination, and in
this volume these stories are retold in a very effective way."--THE
OUTLOOK.
* * * * *
Robert Grant's Two Books for Boys.
JACK HALL; or, the School Days of an American Boy. Illustrated by F.
G. ATTWOOD. 12mo, $1.25.
"A better book for boys has never been written. It is pure, clean and
healthy, and has throughout a vigorous action that holds the reader
breathless."--BOSTON HERALD.
"A capital story for boys, wholesome and interesting. It reminds one
of 'Tom Brown.'"--BOSTON TRANSCRIPT.
JACK IN THE BUSH; or, a Summer on a Salmon River. Illustrated by F.T.
MERRILL. 12mo, $1.25.
"A clever book for boys. It is the story of the camp-life of a lot of
boys, and is destined to please every boy reader. It is attractively
illustrated."--DETROIT FREE PRESS.
"An ideal story of out-door life and genuine experiences."--BOSTON
TRAVELLER.
* * * * *
Books by Kirk Munroe.
A SON OF SATSUMA; or, WITH PERRY IN JAPAN. Illustrated by RUFUS F.
ZOGBAUM. 12mo, $1.00 _net_.
"If there is a man who understands writing a story for boys better
than another, it is Kirk Munroe."--SPRINGFIELD REPUBLICAN.
BRETHREN OF THE COAST: A TALE OF WEST INDIAN PIRATES. Illustrated by
RUFUS F. ZOGBAUM. 12mo, $1.25.
"There is enough of history and enough of action in this story to make
it valuable as well as readable, and this story of adventure and
description will be read with interest and profit."--HERALD AND
PRESBYTER.
MIDSHIPMAN STUART; OR, THE LAST CRUISE OF THE ESSEX. A tale of 1812.
Illustrated. 12mo, $1.25.
The story tells of the exciting adventures of an unusually plucky and
enterprising American boy whose career at sea is marked with
hairbreadth escapes.
IN PIRATE WATERS: A TALE OF THE AMERICAN NAVY. Illustrated by I.W.
TABER. 12mo, $1.25.
The boy hero of this book assists in the extinction of this cowardly
system, taking part in some of the sea fights which brought glory to
the American navy.
* * * * *
The White Conqueror's Series.
Each 12mo, $1.25. The set in a box, four volumes, $5.00.
WITH CROCKETT AND BOWIE; or, Fighting for the Lone Star State.
Illustrated by VICTOR S. PÉRARD.
"One of the most spirited and interesting tales that he has
written."--NEWS AND COURIER.
THROUGH SWAMP AND GLADE. A tale of the Seminole War.
Illustrated by VICTOR S. PÉRARD.
"No boy can get hold of this story without being carried away with it."
--BOSTON COURIER.
AT WAR WITH PONTIAC; or, the Totem of the Bear. A tale of redcoat and
redskin. Illustrated by J. FENNEMORE.
"The book is admirably written throughout and has not a dull page in
it."--BOSTON BEACON.
THE WHITE CONQUERORS. A tale of Toltec and Aztec. Illustrated
by W.S. STACEY.
"The book is filled with incident and permeated with the high color
and life of the period and country."--CAMBRIDGE TRIBUNE.
* * * * *
Frank R. Stockton's Books for the Young.
"_His books for boys and girls are classics_."--NEWARK ADVERTISER.
THE CLOCKS OF RONDAINE, AND OTHER STORIES. With 24 illustrations by
BLASHFIELD, ROGERS, BEARD, and others. Square 8vo; $1.50.
PERSONALLY CONDUCTED. Illustrated by PENNELL, PARSONS, and others. Sq.
8vo, $2.00.
THE STORY OF VITEAU. Illustrated by R.B. BIRCH. 12mo, $1.50.
A JOLLY FELLOWSHIP. With 20 illustrations. 12mo, $1.50.
THE FLOATING PRINCE AND OTHER FAIRY TALES. Illustrated. Square 8vo,
$1.50.
THE TING-A-LING TALES. Illustrated. 12mo, $1.00.
ROUND-ABOUT RAMBLES IN LANDS OF FACT AND FICTION. Illustrated. Square
8vo, $1.50.
TALES OUT OF SCHOOL. With nearly 200 illustrations. Square 8vo, $1.50.
"The volumes are profusely illustrated and contain the most
entertaining sketches in Mr. Stockton's most entertaining
manner."--CHRISTIAN UNION.
* * * * *
Edward Eggleston's Two Popular Books.
THE HOOSIER SCHOOL-BOY. Illustrated. 12mo, $1.00.
"'The Hoosier School-Boy' depicts some of the characteristics of
boy-life years ago on the Ohio; characteristics, however, that were
not peculiar to that section. The story presents a vivid and
interesting picture of the difficulties which in those days beset the
path of the youth aspiring for an education."--CHICAGO INTER-OCEAN.
QUEER STORIES FOR BOYS AND GIRLS. 12mo, $1.00.
"A very bright and attractive little volume for young readers. The
stories are fresh, breezy, and healthy, with a good point to them and
a good, sound American view of life and the road to success. The book
abounds in good feeling and good sense, and is written in a style of
homely art."--INDEPENDENT.
* * * * *
Evening Tales.
Done into English from the French of Frederic Ortoli, by JOEL CHANDLER
HARRIS. 12mo, $1.00.
"It is a veritable French 'Uncle Remus' that Mr. Harris has discovered
in Frederic Ortoli. The book has the genuine piquancy of Gallic wit,
and will be sure to charm American children. Mr. Harris's version is
delightfully written."--BOSTON BEACON.
* * * * *
Hans Brinker: Or, The Silver Skates. A Story of Life in Holland. By
Mary Mapes Dodge. With 60 illustrations. 12mo, $1.50.
"The author has shown, in her former works for the young, a very rare
ability to meet their wants; but she has produced nothing better than
this charming tale--alive with incident and action, adorned rather than
freighted with useful facts, and moral without moralization."--THE
NATION.
* * * * *
The Norseland Series.
_BY H.H. BOYESEN_.
NORSELAND TALES. Illustrated. 12mo, $1.25.
BOYHOOD IN NORWAY: NINE STORIES OF DEEDS OF THE SONS OF THE VIKINGS.
With 8 illustrations. 12mo, $1.25
AGAINST HEAVY ODDS, AND A FEARLESS TRIO. With 13 full-page
illustrations by W.L. TAYLOR. 12mo, $1.25.
THE MODERN VIKINGS: STORIES OF LIFE AND SPORT IN THE NORSELAND. With
many full-page illustrations. 12mo, $1.25.
The four above volumes in a box, $5.00.
"Charmingly told stories of boy-life in the Land of the Midnight Sun,
illustrated with pictures giving a capital idea of the incidents and
scenes described. The tales have a delight all their own, as they tell
of scenes and sports and circumstances so different from those of our
American life."--N.Y. OBSERVER.
* * * * *
Two Books by Rossiter Johnson.
THE END OF A RAINBOW. AN AMERICAN STORY. Illustrated. 12mo, $1.50.
"It will be read with breathless interest. It is interesting and full
of boyish experiences."--N.Y. INDEPENDENT.
PHAETON ROGERS. A NOVEL OF BOY LIFE. Illustrated. 12mo, $1.50.
"Mr. Johnson has shown in this book capabilities of a really high
quality, for his story abounds with humor, and there are endless bits
of quiet fun in it, which bring out the hearty laugh, even when it is
read by older people. It is a capital book for boys."--NEW YORK TIMES.
* * * * *
Mrs. Burton Harrison's Tales.
BRIC-A-BRAC STORIES. With 24 illustrations by Walter Crane. 12mo,
$1.50.
"When the little boy, for whose benefit the various articles of
bric-a-brac in his father's drawing-room relate stories appropriate to
their several native countries, exclaims at the conclusion of one of
them: 'I almost think there can't be a better one than that!' the
reader, of whatever age, will probably feel inclined to agree with
him. Upon the whole, it is to be wished that every boy and girl might
become acquainted with the contents of this book."--JULIAN HAWTHORNE.
THE OLD FASHIONED FAIRY BOOK. Illustrated by ROSINA EMMET, 16mo,
$1.25.
"The little ones, who so willingly go back with us to 'Jack the Giant
Killer,' 'Bluebeard,' and the kindred stories of our childhood, will
gladly welcome Mrs. Burton Harrison's 'Old-Fashioned Fairy Tales.' The
graceful pencil of Miss Rosina Emmet has given a pictorial interest to
the book."--FRANK R. STOCKTON.
* * * * *
Thomas Nelson Page's Two Books.
AMONG THE CAMPS: OR, YOUNG PEOPLE'S STORIES OF THE WAR. With 8
full-page illustrations. Square, 8vo, $1.50.
"They are five in number, each having reference to some incident of
the Civil War. A vein of mingled pathos and humor runs through them
all, and greatly heightens the charm of them. It is the early
experience of the author himself, doubtless, which makes his pictures
of life in a Southern home during the great struggle so vivid and
truthful."--THE NATION.
TWO LITTLE CONFEDERATES. With 8 full-page illustrations by KEMBLE and
REDWOOD. Square, 8vo, $1.50.
"Mr. Page was 'raised' in Virginia, and he knows the 'darkey' of the
South better than any one who writes about them. And he knows 'white
folks,' too, and his stories, whether for old or young people, have
the charm of sincerity and beauty and reality."--HARPER'S YOUNG
PEOPLE.
* * * * *
W.O. Stoddard's Books for Boys.
DAB KINZER. A STORY OF A GROWING BOY. THE QUARTET. A SEQUEL TO DAB
KINZER SALTILLO BOYS. AMONG THE LAKES. WINTER FUN.
_Five volumes, 12mo, in a box, $5.00. Sold separately, each, $1.00_.
"William O. Stoddard has written capital books for boys. His 'Dab
Kinzer' and 'The Quartet' are among the best specimens of 'Juveniles'
produced anywhere. In his latest volume, 'Winter Fun,' Mr. Stoddard
gives free rein to his remarkable gift of story-telling for boys.
Healthful works of this kind cannot be too freely distributed among
the little men of America."--NEW YORK JOURNAL OF COMMERCE.
* * * * *
Little People
And their Homes in Meadows, Woods, and Waters. By STELLA LOUISE HOOK.
Illustrated by DAN BEARD and HARRY BEARD. One volume, square 8vo,
$1.50.
"A delightful excursion for the little ones into the fairy-land of
nature, telling all about the little people and all in such pleasant
language and such pretty illustrations that the little readers will be
charmed as much as they will be instructed by the book."--NEW YORK
EVANGELIST.
* * * * *
Two Books by Robert Louis Stevenson.
THE BLACK ARROW:
A Tale of the Two Roses. By R.L. STEVENSON. With 12 full-page
illustrations by WILL H. LOW and ALFRED BRENNAN. 12mo, $1.25.
"The story is one of the strongest pieces of romantic writing ever
done by Mr. Stevenson."--THE BOSTON TIMES.
KIDNAPPED: Being Memoirs of the Adventures of David Balfour in the
Year 1751. By R.L. STEVENSON. 12mo, with 16 full-page illustrations,
$1.50.
"Mr. Stevenson has never appeared to greater advantage than in
'Kidnapped.'"--THE NATION.
* * * * *
Two Books by Henry M. Stanley.
MY DARK COMPANIONS
And Their Strange Stories. With 64 illustrations. 8vo, $2.00
"The following legends," says Mr. Stanley in his introduction, "are
the choicest and most curious of those that were related to me during
seventeen years, and which have not been hitherto published in any of
my books of travel." There are in all nineteen stories, new and
striking in motive and quaint in language.
MY KALULU.
Prince, King, and Slave. A Story of Central Africa. By HENRY M.
STANLEY. One volume, 12mo, new edition, with many illustrations,
$1.50.
"A fresh, breezy, stirring story for youths, interesting in itself and
full of information regarding life in the interior of the continent in
which its scenes are laid."--NEW YORK TIMES.
"If the young reader is fond of strange adventures, he will find
enough in this volume to delight him all winter, and he will be hard
to please who is not charmed by its graphic pages."--BOSTON JOURNAL.
* * * * *
Jules Verne's Greatest Work.
"THE EXPLORATION OF THE WORLD."
"M. Verne's scheme in this work is to tell fully how man has made
acquaintance with the world in which he lives, to combine into a
single work in three volumes the wonderful stories of all the great
explorers, navigators, and travelers who have sought out, one after
another, the once uttermost parts of the earth."--THE NEW YORK EVENING
POST.
The three volumes in a set, $7.50; singly, $2.50.
FAMOUS TRAVELS AND TRAVELLERS.
With over 100 full-page illustrations, maps, etc., 8vo, $2.50.
THE GREAT NAVIGATORS OF THE XVIIITH CENTURY.
With 96 full-page illustrations and 19 maps, 8vo, $2.50.
THE GREAT EXPLORERS OF THE XIXTH CENTURY.
With over 100 full-page illustrations, facsimiles, etc., 8vo, $2.50.
Jules Verne's Stories. Uniform Illustrated Edition.
Nine volumes, 8vo, extra cloth, with over 750 full-page illustrations.
Price, per set, in a box, $17.50. Sold also in separate volumes.
MICHAEL STROGOFF; or, The Courier of the Czar, $2.00. A FLOATING CITY
AND THE BLOCKADE RUNNERS, $2.00. HECTOR SERVADAC, $2.00. A JOURNEY TO
THE CENTRE OF THE EARTH, $2.00. FROM THE EARTH TO THE MOON DIRECT IN
NINETY-SEVEN HOURS, TWENTY MINUTES; AND A JOURNEY AROUND IT, $2.00.
DICK SANDS, $2.00. THE STEAM HOUSE, $2.00. THE GIANT RAFT, $2.00. THE
MYSTERIOUS ISLAND, $2.50.
* * * * *
Czar and Sultan.
The adventures of a British Lad in the Russo-Turkish War of 1877-78.
By ARCHIBALD FORBES. Illustrated. 12mo, $2.00.
"Very fascinating and graphic. Mr. Forbes is a forcible writer, and
the present work has the vigor and intensity associated with his name.
It is sure to be popular with youthful readers."--BOSTON BEACON.
"A brilliant and exciting narrative, and the drawings add to its
interest and value."--N.Y. OBSERVER.
* * * * *
Books of Adventure by Robert Leighton.
OLAF THE GLORIOUS.
A Story of Olaf Triggvison, King of Norway, A.D. 995-1000. Crown 8vo,
with numerous full-page illustrations, $1.50.
THE WRECK OF THE GOLDEN FLEECE.
The Story of a North Sea Fisher Boy. Illustrated. Crown 8vo, $1.50.
THE THIRSTY SWORD.
A Story of the Norse Invasion of Scotland, 1262-65. With 8
illustrations and a map. Crown 8vo, $1.50.
THE PILOTS OF POMONA.
A Story of the Orkney Islands. With 8 illustrations and a map. Crown
8vo, $1.50.
"Mr. Leighton as a writer for boys needs no praise, as his books place
him in the front rank."--NEW YORK OBSERVER.
* * * * *
Things Will Take a Turn.
By BEATRICE HARRADEN, author of "Ships that Pass in the Night."
Illustrated. 12mo, $1,00.
The charm of this tale is its delicate, wistful sympathy. It is the
story of a sunny-hearted child, Rosebud, who assists her grandfather
in his dusty, second-hand bookshop. One cannot help being fascinated
by the sweet little heroine, she is so engaging, so natural; and to
love Rosebud is to love all her friends and enter sympathetically into
the good fortune she brought them.
* * * * *
Among the Lawmakers.
By EDMUND ALTON. Illustrated. Sq. 8vo, $1.50.
"The book is a diverting as well as an instructive one. Mr. Alton was
in his early days a page in the Senate, and he relates the doings of
Congress from the point of view he then obtained. His narrative is
easy and piquant, and abounds in personal anecdotes about the great
men whom the pages waited on."--CHRISTIAN UNION.
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