The Project Gutenberg EBook of Nan of Music Mountain, by Frank H. Spearman
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org
Title: Nan of Music Mountain
Author: Frank H. Spearman
Illustrator: N. C. Wyeth
Release Date: August 2, 2009 [EBook #29571]
Language: English
*** START OF THIS PROJECT GUTENBERG EBOOK NAN OF MUSIC MOUNTAIN ***
Produced by Roger Frank and the Online Distributed
Proofreading Team at https://www.pgdp.net
[Illustration: De Spain covered a hardly perceptible black object on the
trail.]
NAN OF
MUSIC MOUNTAIN
BY
FRANK H. SPEARMAN
AUTHOR OF
WHISPERING SMITH, ETC.
ILLUSTRATED BY
N. C. WYETH
NEW YORK
GROSSET & DUNLAP
PUBLISHERS
Published by Arrangement with Charles Scribner's Sons
Copyright, 1916, by
CHARLES SCRIBNER'S SONS
Published April, 1916
Printed in U. S. A.
TO MY SON
EUGENE LONERGAN SPEARMAN
CONTENTS
CHAPTER PAGE
I. Frontier Day 1
II. The Thief River Stage Line 18
III. The Spanish Sinks 34
IV. First Blood at Calabasas 52
V. Rounding up Sassoon 61
VI. Heels for It 73
VII. Maintaining a Reputation 87
VIII. The Gambling-Room 101
IX. A Cup of Coffee 111
X. The Glass Button 124
XI. After the Storm 138
XII. On Music Mountain 154
XIII. Parley 167
XIV. Nan Drifts 182
XV. Crossing a Deep River 193
XVI. A Venture in the Dark 210
XVII. Strategy 222
XVIII. Her Bad Penny 237
XIX. Danger 250
XX. Facing the Music 262
XXI. A Try Out 273
XXII. Gale Persists 289
XXIII. De Spain Worries 302
XXIV. An Ominous Message 313
XXV. A Surprising Slip 323
XXVI. Flight 338
XXVII. El Capitan 349
XXVIII. Lefever to the Rescue 362
XXIX. Puppets of Fate 371
XXX. Hope Forlorn 386
XXXI. De Spain Rides Alone 399
XXXII. The Truth 408
XXXIII. Gambling With Death 420
XXXIV. At Sleepy Cat 428
ILLUSTRATIONS
De Spain covered a hardly perceptible black object on
the trail. Frontispiece
FACING PAGE
Hugging his shield, de Spain threw his second shot over
Sandusky's left shoulder. 135
"Stand away from that girl!" repeated de Spain harshly,
backing the words with a step forward. 200
"I've promised you I would. I will promise every time
you ask me." 417
NAN OF MUSIC MOUNTAIN
CHAPTER I
FRONTIER DAY
Lefever, if there was a table in the room, could never be got to sit
on a chair; and being rotund he sat preferably sidewise on the edge of
the table. One of his small feet--his feet were encased in tight,
high-heeled, ill-fitting horsemen's boots--usually rested on the
floor, the other swung at the end of his stubby leg slowly in the air.
This idiosyncrasy his companion, de Spain, had learned to tolerate.
But Lefever's subdued whistle, which seemed meditative, always
irritated de Spain more or less, despite his endeavor not to be
irritated. It was like the low singing of a tea-kettle, which, however
unobtrusive, indicates steam within. In fact, John Lefever, who was
built not unlike a kettle, and whose high, shiny forehead was topped
by a pompadour shock of very yellow hair, never whistled except when
there was some pressure on his sensibilities.
The warm sun streaming through the windows of the private office of
the division superintendent at Sleepy Cat, a railroad town lying
almost within gunshot of the great continental divide, would easily
have accounted for the cordial perspiration that illumined Lefever's
forehead. Not that a perspiration is easily achieved in the high
country; it isn't. None, indeed, but a physical giant, which Lefever
was, could maintain so constant and visible a nervous moisture in the
face of the extraordinary atmospheric evaporation of the mountain
plateaus. And to de Spain, on this occasion, even the glistening beads
on his companion's forehead were annoying, for he knew that he himself
was properly responsible for their presence.
De Spain, tilted back in the superintendent's chair, sat near
Lefever--Jeffries had the mountain division then--his elbows resting
on the arms of the revolving-chair, and with his hands he gripped
rather defiantly the spindles supporting them; his feet were crossed
on the walnut rim of the shabby, cloth-topped table. In this attitude
his chin lay on his soft, open collar and tie, his sunburnt lips were
shut tight, and above and between his nervous brown eyes were two
little, vertical furrows of perplexity and regret. He was looking at
the dull-finish barrel of a new rifle, that lay across Lefever's lap.
At intervals Lefever took the rifle up and, whistling softly, examined
with care a fracture of the lever, the broken thumb-piece of which lay
on the table between the two men.
From the Main Street side of the large room came the hooting and
clattering of a Frontier Day celebration, and these noises seemed not
to allay the discomfort apparent on the faces of the two men.
"It certainly is warm," observed Lefever, apropos of nothing at all.
"Why don't you get out of the sun?" suggested de Spain shortly.
Lefever made a face. "I am trying to keep away from that noise."
"Hang it, John," blurted out de Spain peevishly, "what possessed you
to send for _me_ to do the shooting, anyway?"
His companion answered gently--Lefever's patience was noted even among
contained men--"Henry," he remonstrated, "I sent for you because I
thought you could shoot."
De Spain's expression did not change under the reproach. His bronzed
face was naturally amiable, and his mental attitude toward ill luck,
usually one of indifference, was rarely more than one of perplexity.
His features were so regular as to contribute to this undisturbed
expression, and his face would not ordinarily attract attention but
for his extremely bright and alive eyes--the frequent mark of an
out-of-door mountain life--and especially for a red birthmark, low on
his left cheek, disappearing under the turn of the jaw. It was merely
a strawberry, so-called, but an ineradicable stamp, and perhaps to a
less preoccupied man a misfortune. Henry de Spain, however, even at
twenty-eight, was too absorbed in many things to give thought to this
often, and after knowing him, one forgot about the birthmark in the
man that carried it. Lefever's reproach was naturally provocative. "I
hope now," retorted de Spain, but without any show of resentment, "you
understand I can't."
"No," persisted Lefever good-naturedly, "I only realize, Henry, that
this wasn't your day for the job."
The door of the outer office opened and Jeffries, the superintendent,
walked into the room; he had just come from Medicine Bend in his car.
The two men rose to greet him. He asked about the noise in the
street.
"That noise, William, comes from all Calabasas and all Morgan's
Gap," explained Lefever, still fondling the rifle. "The Morgans
are celebrating our defeat. They put it all over us. We were
challenged yesterday," he continued in response to the abrupt
questions of Jeffries. "The Morgans offered to shoot us offhand,
two hundred yards, bull's-eye count. The boys here--Bob Scott and some
of the stage-guards--put it up to me. I thought we could trim them by
running in a real gunman. I wired to Medicine Bend for Henry. Henry
comes up last night with a brand-new rifle, presented, I imagine,
by the Medicine Bend Black Hand Local, No. 13. This is the gun,"
explained Lefever feebly, holding forth the exhibit. "The lever," he
added with a patient expletive, "broke."
"Give me the gun, John," interposed de Spain resignedly. "I'll lay it
on the track to-night for a train to run over."
"It was a time limit, you understand, William," persisted Lefever,
continuing to stick pins calmly into de Spain. "Henry got to shooting
too fast."
"That wasn't what beat me," exclaimed de Spain curtly. And taking up
the offending rifle he walked out of the room.
"Nor was it the most humiliating feature of his defeat," murmured
Lefever, as the door closed behind his discomfited champion. "What do
you think, William?" he grumbled on. "The Morgans ran in a girl to
shoot against us--true as there's a God in heaven. They put up Nan
Morgan, old Duke Morgan's little niece. And what do you think? She
shot the fingers clean off our well-known Black Hand scout. I never
before in my life saw Henry so fussed. The little Music Mountain skirt
simply put it all over him. She had five bull's-eyes to Henry's three
when the lever snapped. He forfeited."
"Some shooting," commented Jeffries, rapidly signing letters.
"We expected some when Henry unslung his gun," Lefever went on without
respecting Jeffries's preoccupation. "As it is, those fellows have
cleaned up every dollar loose in Sleepy Cat, and then some. Money?
They could start a bank this minute."
Sounds of revelry continued to pour in through the street window. The
Morgans were celebrating uncommonly. "Rubbing it in, eh, John?"
suggested Jeffries.
"Think of it," gasped Lefever, "to be beaten by an eighteen-year-old
girl."
"Now that," declared Jeffries, waking up as if for the first time
interested, "is exactly where you made your mistake, John. Henry is
young and excitable----"
"Excitable!" echoed Lefever, taken aback.
"Yes, excitable--when a girl is in the ring--why not? Especially a
trim, all-alive, up-and-coming, blue-eyed hussy like that girl of
Duke Morgan's. She would upset any young fellow, John."
"A girl from Morgan's Gap?"
"Morgan's Gap, nothing!" responded Jeffries scornfully. "What's that
got to do with it? Does that change the fire in the girl's eye, the
curve of her neck, the slope of her shoulder, John, or the color of
her cheek?" Lefever only stared. "De Spain got to thinking about the
girl," persisted Jeffries, "her eyes and neck and pink cheeks rattled
him. Against a girl you should have put up an old, one-eyed scout like
yourself, or me, or Bob Scott.
"There's another thing you forget, John," continued Jeffries, signing
even more rapidly. "A gunman shoots his best when there's somebody
shooting at him--otherwise he wouldn't be a gunman--he would be just
an ordinary, every-day marksman, with a Schuetzenverein medal and a
rooster feather in his hat. That's why you shoot well, John--because
you're a gunman, and not a marksman."
"That boy can shoot all around me, Jeff."
"For instance," continued Jeffries, tossing off signatures now with a
rubber stamp, and developing his incontestable theory at the same
time, "if you had put Gale Morgan up against Henry at, say five
hundred yards, and told them to shoot _at_ each other, instead of
against each other, you'd have got bull's-eyes to burn from de Spain.
And the Calabasas crowd wouldn't have your money. John, if you want to
win money, you must study the psychological."
There was abundance of raillery in Lefever's retort: "That's why you
are rich, Jeff?"
"No, I am poor because I failed to study it. That is why I am at
Sleepy Cat holding down a division. But now that you've brought Henry
up here, we'll keep him."
"What do you mean, keep him?" demanded Lefever, starting in protest.
"What do I mean?" thundered Jeffries, who frequently thundered even
when it didn't rain in the office. "I mean I need him. I mean the time
to shoot a bear is when you see him. John, what kind of a fellow is de
Spain?" demanded the superintendent, as if he had never heard of him.
"Henry de Spain?" asked Lefever, sparring innocently for time.
"No, Commodore George Washington, General Jackson, Isaac Watts de
Spain," retorted Jeffries peevishly. "Don't you know the man we're
talking about?"
"Known him for ten years."
"Then why say 'Henry' de Spain, as if there were a dozen of him? He's
the only de Spain in these parts, isn't he? What kind of a fellow is
he?"
Lefever was ready; and as he sat in a chair sidewise at the table,
one arm flung across the green baize, he looked every inch his
devil-may-care part. Regarding Jeffries keenly, he exclaimed with
emphasis: "Why, if you want him short and sharp, he's a man with a
soft eye and a snap-turtle jaw, a man of close squeaks and short-arm
shots, always getting into trouble, always getting out; a man that
can wheedle more out of a horse than anybody but an Indian; coax more
shots out of a gun than anybody else can put into it--if you want him
flat, that's Henry, as I size him."
Jeffries resumed his mildest tone: "Tell him to come in a minute,
John."
De Spain himself expressed contemptuous impatience when Lefever told
him the superintendent wanted him to go to work at Sleepy Cat. He
declared he had always hated the town; and Lefever readily understood
why he should especially detest it just now. Every horseman's yell
that rang on the sunny afternoon air through the open windows--and
from up the street and down there were still a good many--was one of
derision at de Spain's galling defeat. When he at length consented to
talk with Jeffries about coming to Sleepy Cat, the interview was of a
positive sort on the one side and an obstinate sort on the other. De
Spain raised one objection after another to leaving Medicine Bend, and
Jeffries finally summoned a show of impatience.
"You are looking for promotion, aren't you?" he demanded threateningly.
"Yes, but not for motion without the 'pro,'" objected de Spain. "I
want to stick to the railroad business. You want to get me into the
stage business."
"Temporarily, yes. But I've told you when you come back to the
division proper, you come as my assistant, if you make good running
the Thief River stages. Think of the salary."
"I have no immediate heirs."
"This is not a matter for joking, de Spain."
"I know that, too. How many men have been shot on the stages in the
last six months?"
"Why, now and again the stages are held up, yes," admitted Jeffries
brusquely; "that is to be expected where the specie shipments are
large. The Thief River mines are rotten with gold just now. But you
don't have to drive a stage. We supply you with good men for that, and
good guards--men willing to take any kind of a chance if the pay is
right. And the pay is right, and yours as general manager will be
right."
"I have never as yet generally managed any stage line," remarked de
Spain, poking ridicule at the title, "no matter how modest an
outfit."
"You will never learn younger. There is a fascination," declared
Jeffries, ignoring the fling, and tilting his chair eloquently back to
give ease and conviction to his words, "about running a good stage
line that no railroad business can ever touch. There is, of course,
nothing in the Rocky Mountains, for that matter in the United
States--nothing, I guess, in the world--that approaches the Thief
River line in its opportunities. Every wagon we own, from the lightest
to the heaviest, is built to order on our particular specifications by
the Studebaker people." Here Jeffries pointed his finger sharply at de
Spain as if to convict him of some dereliction. "You've seen them! You
know what they are."
De Spain, bullied, haltingly nodded acquiescence.
"Second-growth hickory in the gears," continued Jeffries encouragingly,
"ash tongues and boxes----"
"Some of those old buses look like ash-boxes," interposed de Spain
irreverently.
But Jeffries was not to be stopped: "Timkin springs, ball-bearing
axles--why, man, there is no vehicle in the world built like a Thief
River stage."
"You are some wagon-maker, Jeff," said de Spain, regarding him
ironically.
Jeffries ignored every sarcasm. "This road, as you know, owns the
line. And the net from the specie shipments equals the net on an
ordinary railroad division. But we must have a man to run that line
that can curb the disorders along the route. Calabasas Valley, de
Spain, is a bad place."
"Is it?" de Spain asked as naïvely as if he had never heard of
Calabasas, though Jeffries was nervily stating a fact bald and
notorious to both.
"There are a lot of bad men there," Jeffries went on, "who are bad
simply because they've never had a man to show them."
"The last 'general' manager was killed there, wasn't he?"
"Not in the valley, no. He was shot at Calabasas Inn."
"Would that make very much difference in the way he felt about it?"
Jeffries, with an effort, laughed. "That's all right, Henry! They
won't get you." Again he extended his finger dogmatically: "If I
thought they would, I wouldn't send you down there."
"Thank you."
"You are young, ambitious: four thousand a year isn't hanging from
every telegraph-pole; it is almost twice what they are paying me."
"You're not getting shot at."
"No man, Henry, knows the hour of his death. No man in the high
country knows when he is to be made a target--that you well
understand. Men are shot down in this country that have no more idea
of getting killed than I have--or you have."
"Don't include me. I have a pretty good idea of getting killed right
away--the minute I take this job."
"We have temporized with this Calabasas outfit long enough," declared
Jeffries, dropping his mask at last. "Deaf Sandusky, Logan, and that
squint-eyed thief, Dave Sassoon--all hold-up men, every one of them!
Henry, I'm putting you in on that job because you've got nerve,
because you can shoot, because I don't think they can get you--and
paying you a whaling big salary to straighten things out along the
Spanish Sinks. Do you know, Henry--" Jeffries leaned forward and
lowered his tone. Master of the art of persuading and convincing, of
hammering and pounding, of swaying the doubting and deciding the
undecided, the strong-eyed mountain-man looked his best as he held the
younger man under his spell. "Do you know," he repeated, "I suspect
that Morgan Gap bunch are really behind and beneath a lot of this
deviltry around Calabasas? You take Gale Morgan: why, he trains with
Dave Sassoon; take his uncle, Duke: Sassoon never is in trouble but
what Duke will help him out." Jeffries exploded with a slight but
forcible expletive. "Was there ever a thief or a robber driven into
Morgan's Gap that didn't find sympathy and shelter with some of the
Morgans? I believe they are in every game pulled on the Thief River
stages."
"As bad as that?"
Jeffries turned to his desk. "Ask John Lefever."
De Spain had a long talk with John. But John was a poor adviser. He
advised no one on any subject. He whistled, he hummed a tune, if his
hat was on he took it off, and if it happened to be off, which was
unusual, he put it on. He extended his arm, at times, suddenly, as if
on the brink of a positive assertion. But he decided nothing, and
asserted nothing. If he talked, he talked well and energetically; but
the end of a talk usually found him and de Spain about where they
began. So it was on this trying day--for Lefever was not able wholly
to hide the upsetting of his confidence of victory, and his
humiliation at the now more distant yells from the Calabasas and
Morgan Gap victors.
But concerning the Morgans and their friends, Lefever, to whom
Jeffries had rudely referred the subject at the close of his talk with
de Spain, did abandon his habitual reticence. "Rustlers, thieves,
robbers, coiners, outlaws!" he exclaimed energetically.
"Is this because they got your money to-day, John?" asked de Spain.
"Never mind my money. I've got a new job with nothing to do, and
plenty of cash."
De Spain asked what the job was. "On the stages," announced Lefever.
"I am now general superintendent of the Thief River Line."
"What does that mean?"
"It means that I act for the reorganization committee in buying
alfalfa for the horses and smokeless pipes for the guards. I am to be
your assistant."
"I'm not going to take that job, John."
"Yes, you are."
"Not if I know it. I am going back to Medicine Bend to-night." Lefever
took off his hat and twirled it skilfully on one hand, humming softly
the while. "John," asked de Spain after a pause, "who is that girl
that shot against me this afternoon?"
"That," answered Lefever, thinking, shocked, of Jeffries's words, "was
Nan Morgan."
"Who is she?"
"Just one of the Morgans; lives in the Gap with old Duke Morgan, her
uncle; lived there as long as I can remember. Some shot, Henry."
"How can she live in the Gap," mused de Spain, "with an outfit like
that?"
"Got nowhere else to live, I guess. I believe you'd better change your
mind, Henry, and stay with us."
"No," returned de Spain meditatively, "I'm not going to stay. I've had
glory enough out of this town for a while." He picked up his hat and
put it on. Lefever thought it well to make no response. He was charged
with the maintenance and operation of the stage-line arsenal at Sleepy
Cat, and spent many of his idle moments toying with the firearms. He
busied himself now with the mechanism of a huge revolver--one that the
stage-driver, Frank Elpaso, had wrecked on the head of a troublesome
negro coming in from the mines. De Spain in turn took off his hat,
poked the crown discontentedly, and, rising with a loss of amiability
in his features and manner, walked out of the room.
The late sun was streaming down the full length of Main Street. The
street was still filled with loiterers who had spent the day at the
fair, and lingered now in town in the vague hope of seeing a brawl or
a fight before sundown--cattlemen and cowboys from the northern
ranges, sheepmen from the Spider River country, small ranchers and
irrigators from the Bear basin, who picked their steps carefully, and
spoke with prudence in the presence of roisterers from the Spanish
Sinks, and gunmen and gamblers from Calabasas and Morgan's Gap. The
Morgans themselves and their following were out to the last
retainer.
CHAPTER II
THE THIEF RIVER STAGE LINE
Sleepy Cat has little to distinguish it in its casual appearance from
the ordinary mountain railroad town of the western Rockies. The long,
handsome railroad station, the eating-house, and the various
division-headquarters buildings characteristic of such towns are in
Sleepy Cat built of local granite. The yard facilities, shops, and
roundhouses are the last word in modern railroad construction, and the
division has not infrequently held the medal for safety records.
But more than these things go toward making up the real Sleepy Cat. It
is a community with earlier-than-railroad traditions. Sleepy Cat has
been more or less of a settlement almost since the day of Jim Bridger,
and its isolated position in the midst of a country of vast deserts,
far mountain ranges, and widely separated watercourses has made it
from the earliest Western days a rendezvous for hunters, trappers,
emigrants, prospectors, and adventurers--and these have all, in some
measure, left their impress on the town.
Sleepy Cat lies prettily on a high plateau north and east of the
railroad, which makes a détour here to the north to round the
Superstition Range; it is a county-seat, and this, where counties are
as large as ordinary Eastern States, gives it some political
distinction.
The principal street lies just north of the railroad, and parallels
it. A modern and substantial hotel has for some years filled the
corner above the station. The hotel was built by Harry Tenison soon
after the opening of the Thief River gold-fields. Along Main Street to
the west are strung the usual mountain-town stores and saloons, but to
the north a pretty residence district has been built up about the
court-house square. And a good water-supply, pumped from Rat River, a
brawling mountain stream that flows just south of the town, has
encouraged the care of lawns and trees.
Before de Spain had walked far he heard music from the open-air
dancing-pavilion in Grant Street. Stirred by an idle curiosity, he
turned the corner and stopped to watch the crowded couples whirling up
and down the raised platform under paper lanterns and red streamers to
the music of an automatic piano. He took his place in a fringe of
onlookers that filled the sidewalk. But he was thinking as he stood,
not of the boisterous dancing or the clumsy dancers, but of the
broken lever and the defeat at the fair-grounds. It still rankled in
his mind. While he stood thinking the music ceased.
A man, who appeared to be in authority, walked to the centre of the
dancing-floor and made an announcement that de Spain failed to catch.
The manager apparently repeated it to those of his patrons that
crowded around him, and more than once to individual inquirers who had
not caught the purport of what had been said. These late comers he
pushed back, and when the floor had been well cleared he nodded to the
boy operating the piano, and looked toward a young couple standing in
an attitude of waiting at the head of the hall.
All eyes being turned their way, de Spain's attention as well was
drawn toward them. The man was powerful in stature, and rather too
heavy, but straight as an Indian. His small, reddish face was tanned
by the sun and wind, and his manner as he stood with arms akimbo, his
hands resting on his belt, facing his partner and talking to her, had
the confidence of a man at ease with women. From the handsome hat
which, as he turned to his partner for the dance, he sent spinning
toward a table beside the piano, the soft brown shirt and flowing tie,
down to the small, high-heeled and spurred boots, he wore the
distinctive cowboy rig of the mountains, even to the heavy
hip-holster, in which his revolver was slung. He was, in fact, rather
too smartly dressed, too confident in manner to please de Spain, who
was in no mood to be pleased anyway, and who could conceive a dislike
for a man the instant he set eyes on him--and a liking as quickly. He
seemed to recall, too, that this particular fellow had crowed the
loudest when he himself forfeited the shooting-match earlier in the
day.
But de Spain, unamiable as he now was, looked with unconcealed
interest at the man's dancing partner. She, too, was browned by the
mountain sun and air--a slight, erect girl, her head well set, and a
delicate waist-line above a belted brown skirt, which just reached the
tops of her small, high, tan riding-boots. She wore a soft,
French-gray Stetson hat. Her dark-brown hair was deftly hidden under
it, but troublesome ringlets strayed about her ears as if she had not
seen a glass for hours, and these, standing first with one hand and
then the other laid against her leather belt, she put up into place,
and as if not wholly at ease with her surroundings. Instead of looking
at her partner, who talked to her while waiting, her eyes, noticeably
pretty, wandered about the platform, resting at moments on the closely
drawn lines of spectators. They reflected in their unrest the
dissatisfied expression of her face. A talkative woman standing just
in front of de Spain, told a companion that the man was Gale Morgan, a
nephew of Satterlee, laziest of the Morgans. De Spain, who never had
to look twice at any woman, at once recognized in the dancing partner
the little Music Mountain girl who had been his undoing at the target;
the woman added that Nan was, in some hazy degree, Gale's cousin.
The energetic piano thumped the strains of a two-step. Gale Morgan
extended his arm toward Nan; she looked very slight at his side. But
instead of taking her position, she drew back, looking up and frowning
as she seemed to speak objectingly to Gale. De Spain saw her
hesitation without catching its import. The talkative woman near at
hand was more divining. "Lord, that Nan Morgan makes me tired," she
exclaimed to her gum-chewing companion, "ever see anything like her?
First she wouldn't dance unless the floor was cleared--Sleepy Cat
folks ain't good enough for them Music Mountain cattle thieves! And
now the music doesn't suit her. Listen to that boob of a boy trying
one piece after another to get one to suit my outlaw lady. Nerve!"
But while the impatient woman chafed the right tune was found, and
Nan Morgan's face, as she watched the manipulator of the piano,
brightened. "Faster!" she cried under her breath, taking her position
on her cousin's arm. Then, responding with a sort of fiery impatience
to her partner's guiding, she caught the rapid step of the music, and
together the two swept down the floor.
Whatever the impatience of the crowd over the finicky start, the
spectators soon showed their admiration of the dancing with
unrestrained hand-clapping, and followed with approving outcries. De
Spain, standing apart, watched Nan's flying feet, wondering how she
and her people could possibly be what they were painted, and whether
they really were so or not. Every swaying step, every agile turn
proved how sure she was of herself, and how perfectly her body
answered to every exaction of the quick movement of the dance. Gale
Morgan seemed the merest attendant for his partner, who, with
quickened pulses, gave herself up more and more to the lively call of
the music.
Once the two swung away out, near to de Spain's corner. As Nan whirled
by, de Spain, either with the infection of the music or from her
nearness to him, caught his breath. His eyes riveted themselves on her
flushed face as she passed--oblivious of his presence--and he
recalled how in the morning she had handled her rifle in the same
quick, sure way. De Spain could not dance at all; but no one could
successfully accuse him of not knowing how to handle any sort of a
gun. It was only now, as she came so very close to him for the first
time since the mortification of the morning, and he saw the smoothness
of her pink-brown cheeks, that he could ungrudgingly give her full
credit for shooting him down. He forgave her, unasked, the humiliation
she had put on him. He felt an impulse to go up to her--now that she
had stopped dancing--and congratulate her honestly, instead of
boorishly as he had done at the match, and to say, unreservedly, that
she was the better shot--indeed, one of the best he had ever seen.
But while he thought all of this he did not stir a step. The two
dancers at once disappeared, and a new and rougher party crowded out
on the floor.
"Now, isn't that a pretty bunch!" exclaimed the critical woman again.
"That's the Calabasas gang. Look at those four men with the red
neckerchiefs. Sandusky, that big fellow, with the crooked jaw--Butch,
they call him--and his jaw's not half as crooked as Sandusky himself,
either. He couldn't lie in bed straight. And Harvey Logan, with his
black hair plastered over his eyes. Why, for one drink those two
fellows would turn loose on this crowd and kill half a dozen. And
there's two of Duke Morgan's cowboys with them, boozing old Bull Page,
and that squint-eyed Sassoon--he's worse than the others, that
fellow--a fine bunch to allow in this town."
De Spain had excellent ears. He had heard of these Calabasas men--of
Sandusky and of the little fellow, Logan. They had much more than a
local reputation as outlaws; they were known from one end of the
Superstition Range to the other as evil-doers of more than ordinary
ruthlessness. De Spain, from force of habit, studied every detail of
their make-up. Both showed more than traces of drink, and both
securing partners joined rudely in the dancing. It had become second
nature to de Spain to note even insignificant details concerning men,
and he took an interest in and remarked how very low Logan carried his
gun in front of his hip. Sandusky's holster was slung higher and
farther back on the side. Logan wore a tan shirt and khaki. Sandusky,
coatless, was dressed in a white shirt, with a red tie, and wore a
soiled, figured waistcoat fastened at the bottom by a cut-glass
button.
The Sleepy Cat gossip commented on how much money these men had been
spending all day. She wondered aloud, reckless apparently of
consequences, who had been robbed, lately, to provide it. Her
companion scolded her for stirring up talk that might make trouble;
averred she didn't believe half the stories she heard; asserted that
these men lived quietly at Calabasas, minding their own affairs. "And
they're kind to poor folks, too." "Sure," grimaced the obdurate one,
"with other people's money." De Spain had no difficulty in placing the
two women. One was undoubtedly the wife of a railroad man, who hated
the mountain outlaws, and the other was, with equal certainty, a town
sympathizer with slandered men, and the two represented the two
community elements in Sleepy Cat.
De Spain, discontented, turning again into Main Street, continued on
toward the Thief River stage barn. He knew an old Scotch Medicine Bend
barnman that worked there, a boyhood friend; but the man, McAlpin, was
out. After looking the horses over and inspecting the wagons with a
new but mild curiosity, awakened by Jeffries's proposal, de Spain
walked back toward the station. He had virtually decided not to take
the job that Jeffries painted as so attractive, and resolved now to
take the night train back to Medicine Bend. Medicine Bend was his
home. He knew every man, woman, and child in the town. Before the
tragic death of his father, his mother had lived there, and de Spain
had grown up in the town and gone to school there. He was a railroad
man, anyway--a modest trainmaster--and not eager for stage-line
management.
The prospect of reducing the Sinks to a law-and-order basis at his own
proper risk could not be alluring to the most aggressive of
law-and-order men--and de Spain was not aggressive. Yet within a
moment of his sensible decision he was to be hurried by a mere
accident to an exactly contrary fate.
As he passed Grant Street again he encountered a party on horseback
heading for the river bridge. Trotting their horses leisurely, they
turned the corner directly in front of de Spain. There were five in
the company. Three of the men were riding abreast and a little ahead.
Of these, the middle horseman was a spare man of forty years, with a
black military hat, and a frankly disreputable air. His face was drawn
up into a one-sided smile, marked by a deep, vertical wrinkle running
up, close to his nose, from the corner of his mouth almost to the
inner corner of his eye. Satt Morgan's smile was habitual and lessened
his stern aspect. At his right rode his cousin, Duke Morgan, older,
shorter, and stouter. His square, heavy-jawed, smooth-shaven face was
lighted by hard, keen eyes, and finished by an uncompromising chin.
Duke was the real head of the clan, of which there were numerous
branches in the Superstition Mountains, all looking with friendliness
or enmity to the Morgans of Morgan's Gap.
The yellow-haired man riding on the left, with a red face and
red-lidded, squinting eyes, was in stature something between the two
Morgans, and about the age of the elder cousin. His shoulders
slouched, and he showed none of the blood of his companions. But this
man, David Sassoon, the Calabasas gambler, quondam cowboy, and chronic
brawler, stood in some way close to the different Morgans, and was
reputed to have got each of them, at different times, out of more than
one troublesome affair, either by sheer force of arms, or through his
resourceful cunning.
These men were followed by a younger man riding with a very young
woman. De Spain knew none of the front-rank men, but he knew well Nan
Morgan and her dancing partner.
They were talking together, and Nan seemed from her manner at odds
with her companion. He appeared to be trying to laugh the situation
off when he caught sight of de Spain pausing for them to pass. Gale's
face lighted as he set eyes on him, and he spoke quickly to Nan. De
Spain could not at first hear his words, but he needed no ears to
interpret his laugh and the expression on his face. Nan, persistently
importuned, looked around. She saw de Spain, much closer, it would
seem, than she had expected to see a man looking directly at her, and
her eyes rested on him only a moment. The substance of her cousin's
words she apparently had not caught, and he repeated them in a louder
voice: "There's your handsome Medicine Bend gunman!"
Nan, glancing again toward de Spain, seemed aware that he heard. She
looked away. De Spain tightened up with a rage. The blood rushed to
his face, the sarcasm struck in. If the birthmark could have deepened
with humiliation it would have done so at the instant of the cold
inspection of the girl's pretty eyes. But he cared less for Nan's
inspection, cold as it was, than for the jibe of her satisfied cousin.
Not content, Gale, calling ahead to the others, invited their
attention to the man on the street corner. De Spain felt minded to
hurl an insult at them in a body. It would have been four to
one--rather awkward odds even if they were mounted--and there was a
woman. But he only stood still, returning their inspection as
insolently as silence could. Each face was faithfully photographed and
filed in his memory, and his steady gaze followed them until they
rode down the hill and clattered jauntily out on the swaying
suspension bridge that still crosses the Rat River at Grant Street,
and connects the whole south country--the Spanish Sinks, the Thief
River gold-fields, the saw-toothed Superstition Range, Morgan's Gap,
and Music Mountain with Sleepy Cat and the railroad.
De Spain, walking down Grant Street, watched the party disappear among
the hills across the river. The encounter had stirred him. He already
hated the Morgans, at least all except the blue-eyed girl, and she, it
was not difficult to divine from her expression, was, at least,
disdainful of her morning rival.
Reaching the station platform while still busy with his thoughts, de
Spain encountered Jeffries and Lefever.
"When are you coming up to take my job, Henry?" demanded the
superintendent without any parley.
"I am not coming up," announced de Spain bluntly.
"Not coming up, eh? All right, we'll find somebody that will come up,"
retorted Jeffries. "John," he added, "wire Medicine Bend to send
Farrell Kennedy here in the morning to see me."
"What's the reason that fellow sticks so close to Medicine Bend?"
demanded Jeffries, when Lefever joined him later in his office.
"Don't ask me," frowned Lefever perplexed. "Don't ask me. Henry is odd
in some ways. You can't tell what's going on inside that fellow's head
by looking at the outside of it." Jeffries grunted coldly at this bit
of wisdom. "I'll tell you what I should think--if I had to think:
Henry de Spain has never found out rightly who was responsible for the
death of his father. He expects to do it, sometime; and he thinks
sometime he's going to find out right there in Medicine Bend."
While they were talking the train was pulling out for Medicine Bend
with de Spain on board.
It was a tedious ride, and de Spain was much too engaged with his
thoughts to sleep. The Morgans were in his head, and he could not be
rid of them. He recalled having been told that long ago some of these
same Morgans lived on the Peace River above his father's ranch. Every
story he had ever heard of their wild lives, for they were men sudden
in quarrel and reckless of sequel, came back to his mind. He wondered
what sort of a young girl this could be who lived among them--who
_could_ live among them--and be what she seemed at a glance to be--a
fawn among mountain-wolves.
It was late when he reached Medicine Bend, and raining--a dismal
kind of a night. Instead of going to his room, just across the
street from the station, he went up-stairs and sat down with the
train-despatchers. After an hour of indecision, marked by alternative
fits of making up and unmaking his mind, he went, instead of going to
bed, into the telegraph-room, where black-haired Dick Grady sat at a
key.
"How about the fight to-night at Sleepy Cat?" Grady asked at once.
"What fight?" demanded de Spain perfunctorily.
"The Calabasas gang got to going again up there to-night. They say one
of the Morgans was in it. Some town, that Sleepy Cat, eh, Henry?"
"What Morgan was in it?"
"Gale Morgan. A lot of stuff came in on it an hour ago. Was there
anything started when you left?"
"I didn't hear of anything," responded de Spain. But his indifference
to the subject was marked.
"What's the matter?" demanded the operator. "Aren't you well
to-night?"
"Perfectly."
"Sleepy?"
De Spain roused himself. "Dick, have you got a Sleepy Cat wire open?"
"What do you want?"
"Tell Jeffries I'll take that Thief River stage job."
CHAPTER III
THE SPANISH SINKS
From a car window at Sleepy Cat may be seen, stretching far down into
the southwest a chain of towering peaks, usually snow-clad, that
dominate the desert in every direction for almost a hundred miles. In
two extended groups, separated by a narrow but well-defined break,
they constitute a magnificent rampart, named by Spaniards the
Superstition Mountains, and they stretch beyond the horizon to the
south, along the vast depression known locally as the Spanish Sinks.
The break on the eastern side of the chain comes about twenty miles
southwest of Sleepy Cat, and is marked on the north by the most
striking, and in some respects most majestic peak in the range--Music
Mountain; the break itself has taken the name of its earliest white
settlers, and is called Morgan's Gap. No railroad has ever yet
penetrated this southern country, despite the fact that rich mines
have been opened along these mountains, and are still being opened;
but it lies to-day in much of the condition of primitive savagery,
and lawlessness, as the word is conventionally accepted, that obtained
when the first rush was made for the Thief River gold-fields.
It is not to be understood that law is an unknown equation between
Calabasas and Thief River, or even between Calabasas and Sleepy Cat.
But as statute law it suffers so many infractions as to be hardly
recognizable in the ordinary sense. Business is done in this country;
but business must halt everywhere with its means of communication, and
in the Music Mountain country it still rests on the facilities of a
stage line. The stage line is a big and vigorous affair, a perfectly
organized railroad adjunct with the best horses, the best wagons, the
best freighting outfits that money can supply.
But this is by no means, in its civilizing effect, a railroad. A
railroad drives lawlessness before it--the Music Mountain country
still leans on stage-line law. The bullion wagons still travel the
difficult roads. They look for safety to their armed horsemen; the
four and six horse stages look to the armed guard, the wayfarer must
look to his horse--and it should be a good one; the mountain rancher
to his rifle, the cattle thief to the moonless night, the bandit to
his wits, the gunman to his holster: these include practically all of
the people that travel the Spanish Sinks, except the Morgans and the
Mormons. The Mormons looked to the Morgans for safety; the Morgans to
themselves.
For many a year the Morgans have been almost overlords of the Music
Mountain country. They own, or have laid claim to, an extended
territory in the mountains, a Spanish grant. One of the first mountain
Morgans married a Spanish girl, and during the early days, when the
Morgans were not fighting some one out of court, they were fighting
some one in court on their endless and involved titles.
But whether they won domain in lawsuit or lost it, one pearl of their
holdings they never submitted to the jurisdiction of any tribunal
other than their own arms. Morgan's Gap opens south of Music Mountain,
less than ten miles west of Calabasas. It is a narrow valley where
valleys are more precious than water--for the mountain valley means
water--and this in a country where water is much more precious than
life. And some of the best of this land at the foot of Music Mountain
was the maternal inheritance of Nan Morgan.
At Calabasas the Thief River stage line maintains completely equipped
relay barns. They are over twenty miles from Sleepy Cat, but nearly
fifty the other way from Thief River. The unequal division is not due
to what was desirable when the route was laid out, but to the limit of
what man could do in the never-conquered desert. This supplies at
Calabasas a spring, to tempt the unwary traveller still farther within
its clutches. A large number of horses are kept at Calabasas, and the
barn crews are quartered there in a company barrack. Along the low
ridges and in the shallow depressions about Calabasas Spring there are
a very few widely separated shacks, once built by freighters and
occupied by squatter outlaws to be within reach of water. This gives
the vicinity something of the appearance of a poorly sustained
prairie-dog town. And except these shacks, there is nothing between
Calabasas, Thief River, and the mountains except sunshine and alkali.
I say nothing, meaning especially nothing, in the way of a human
habitation.
But there is a queer inn at Calabasas. A pioneer Thief River
prospector, mad with thirst, fought his way across the Sinks to the
Calabasas Spring, and wandered thence one day into Sleepy Cat. In a
delirium of gratitude he ordered built at Calabasas what he termed a
hotel, to provide at that forbidden oasis for the luxurious comfort of
future thirst-mad wanderers. It was built of lumber hauled a thousand
miles, and equipped with luxuries brought three thousand--a fearsome,
rambling structure, big enough for all the prospectors in the Rocky
Mountains.
Having built this monument, creditable to his good-will rather than
his good sense, the unfortunate man went really mad, and had the sorry
distinction of being the first person to be put in the insane asylum
at Bear Dance. It had never occurred to him that any one had any title
to, or that any madder man would lay any claim to, so accursed a spot
as Calabasas. But old Duke Morgan announced in due time that the hotel
was built on Morgan land, and belonged to the Morgans. Nobody outside
a madhouse could be found to dispute with Duke Morgan a title to land
within ten miles of Morgan's Gap, and none but a lunatic would attempt
to run a hotel at Calabasas, anyway. However, a solution of the
difficulty was found: Duke's colorable title gave the cue to his
retainers in the Gap, and in time they carted away piecemeal most of
the main building, leaving for years the kitchen and the servants'
quarters adjoining it to owls, lizards, scorpions, and spiders.
Meantime, to tap the fast-developing gold-fields, the freight route
and stages had been put in, and the barns built at Calabasas. A need
naturally developed for at least one feature of a hotel--a barroom. A
newer lunatic answered the call of civilization--a man only mildly
insane stocked the kitchen range with liquors, and fitted up in a
crude way the ice-boxes--where there never was ice--serving pantries,
and other odd nooks for sleeping quarters. Here the thirsty stage
passenger, little suspecting the origin of the facilities offered him
for a drink, may choose strong drink instead of water--or rather, he
is restricted to strong drink where water might once have been
had--the spring being piped now half a mile to the barns for the
horses. And this shack, as it is locally called, run by a Mexican, is
still the inn at Calabasas. And it continues to contribute, through
its stirring annals, to the tragic history of the continental divide.
It need hardly be said that Duke Morgan laid claim also to the
Calabasas Spring. But on this the company, being a corporation, fought
him. And after somewhat less of argument and somewhat more of siege
and shooting, a compromise was reached whereby the company bought
annually at an exorbitant price all of Duke, Satterlee, and Vance
Morgan's hay, and as the Morgans had small rivers of water in the
mountains, and never, except when crowded, drank water, a _modus
vivendi_ was arranged between the claimants. The only sufferer through
this was the Mexican publican, who found every Morgan his landlord,
and demanding from him tithes over the bar. But force is usually met
with cunning, and such Morgans as would not pay in advance at
Calabasas, when thirsty, often found the half-mad publican out of
goods.
The Calabasas Inn stood in one of the loneliest canyons of the whole
seventy miles between Sleepy Cat and Thief River; it looked in its
depletion to be what it was, a sombre, mysterious, sun, wind, and
alkali beaten pile, around which no one by any chance ever saw a sign
of life. It was a ruin like those pretentious deserted structures
sometimes seen in frontier towns--relics of the wide-open days, which
stand afterward, stark and sombre, to serve as bats' nests or
blind-pigs. The inn at Calabasas looked its part--a haunt of rustlers,
a haven of nameless men, a refuge of road-agents.
The very first time de Spain made an inspection trip over the stage
line with Lefever, he was conscious of the sinister air of this lonely
building. He and Lefever had ridden down from the barn, while their
horses were being changed, to look at the place. De Spain wanted to
look over everything connected in any way, however remotely, with the
operation of his wagons, and this joint, Lefever had told him, was
where the freighters and drivers were not infrequently robbed of
their money. It was here that one of their own men, Bill McCarty, once
"scratched a man's neck" with a knife--which, Bill explained, he just
"happened" to have in his hand--for cheating at cards. Lefever pointed
out the unlucky gambler's grave as he and de Spain rode into the
canyon toward the inn.
Not a sign of any sort was displayed about the habitation. No man was
invited to enter, no man warned to keep out, none was anywhere in
sight. The stage men dismounted, threw their lines, pushed open the
front door of the house and entered a room of perhaps sixteen by
twenty feet. It had been the original barroom. A long, high,
elaborately carved mahogany bar, as much out of keeping as it possibly
could be with its surroundings, stretched across the farther side of
the room. The left end, as they faced the bar, was brought around to
escape a small window opening on a court or patio to the rear of the
room. Back of the bar itself, about midway, a low door in the bare
wall gave entrance to a rear room. Aside from this big, queer-looking
piece of mahogany, the low window at the left end of it, and the low
door at the back, the room presented nothing but walls. Two windows
flanking the front door helped to light it, but not a mirror, picture,
chair, table, bottle, or glass was to be seen. De Spain covered every
feature of the interior at a glance. "Quiet around here, John," he
remarked casually.
"This is the quietest place in the Rocky Mountains most of the
time. But when it is noisy, believe me, it is noisy. Look at the
bullet-holes in the walls."
"The old story," remarked de Spain, inspecting with mild-mannered
interest the punctured plastering, "they always shoot high."
He walked over to the left end of the bar, noting the hard usage shown
by the ornate mahogany, and spreading his hands wide open, palms down,
on the face of it, glanced at the low window on his left, opening on
the gravelled patio. He peered, in the semidarkness, at the battered
door behind the bar.
"Henry," observed Lefever, "if you are looking for a drink, it would
only be fair, as well as politic, to call the Mexican."
"Thank you, John, I'm not looking for one. And I know you don't
drink."
"You want to know, then, where the Mexican keeps his gun?" hazarded
Lefever.
"Not especially. I just want to know----"
"Everything."
"What's behind the bar. That's natural, isn't it?"
Very complete fittings and compartments told of the labor spent in
preparing this inner side for the convenience of the bartender and the
requirements of exacting patrons, but nothing in the way of equipment,
not so much as a pewter spoon, lay anywhere visible.
De Spain, turning, looked all around the room again. "You wouldn't
think," he said slowly, "from looking at the place there was a
road-agent within a thousand miles."
"You wouldn't think, from riding through the Superstition Mountains
there was a lion within a thousand miles. I've hunted them for eleven
years, and I never saw one except when the dogs drove 'em out; but for
eleven years they saw me. If we haven't been seen coming in here by
some of this Calabasas bunch, I miss my guess," declared Lefever
cheerfully.
The batten door behind the bar now began to open slowly and
noiselessly. Lefever peered through it. "Come in, Pedro," he cried
reassuringly, "come in, man. This is no officer, no revenue agent
looking for your license. Meet a friend, Pedro," he continued
encouragingly, as the swarthy publican, low-browed and sullen, emerged
very deliberately from the inner darkness into the obscurity of the
barroom, and bent his one good eye searchingly on de Spain. "This,"
Lefever's left hand lay familiarly on the back of de Spain's
shoulder, "is our new manager, Mr. Henry de Spain. Henry, shake hands
with Mexico."
This invitation to shake hands seemed an empty formality. De Spain
never shook hands with anybody; at least if he did so, he extended,
through habit long inured, his left hand, with an excuse for the
soreness of his right. Pedro did not even bat his remaining eye at the
invitation. The situation, as Lefever facetiously remarked, remained
about where it was before he spoke, and nothing daunted, he asked de
Spain what he would drink. De Spain sidestepped again by asking for a
cigar. Lefever, professing he would not drink alone, called for
cigarettes. While Pedro produced them, from nowhere apparently, as a
conjurer picks cards out of the air, the sound of galloping horses
came through the open door. A moment later three men walked, single
file, into the room. De Spain stood at the left end of the bar, and
Lefever introduced him to Gale Morgan, to David Sassoon, and to
Sassoon's crony, Deaf Sandusky, as the new stage-line manager. The
later arrivals lined up before the bar, Sandusky next to Lefever and
de Spain, so he could hear what was said. Pedro from his den produced
two queer-looking bottles and a supply of glasses.
"De Spain," Gale Morgan began bluntly, "one of our men was put off a
stage of yours last week by Frank Elpaso." He spoke without any
preliminary compliments, and his heavy voice was bellicose.
De Spain, regarding him undisturbed, answered after a little pause:
"Elpaso told me he put a man off his stage last week for fighting."
"No," contradicted Morgan loudly, "not for fighting. Elpaso was
drunk."
"What's the name of the man Elpaso put off, John?" asked de Spain,
looking at Lefever.
Morgan hooked his thumb toward the man standing at his side. "Here's
the man right here, Dave Sassoon."
Sassoon never looked a man in the face when the man looked at him,
except by implication; it was almost impossible, without surprising
him, to catch his eyes with your eyes. He seemed now to regard de
Spain keenly, as the latter, still attending to Morgan's statement,
replied: "Elpaso tells a pretty straight story."
"Elpaso couldn't tell a straight story if he tried," interjected
Sassoon.
"I have the statement of three other passengers; they confirm Elpaso.
According to them, Sassoon--" de Spain looked straight at the accused,
"was drunk and abusive, and kept trying to put some of the other
passengers off. Finally he put his feet in the lap of Pumperwasser,
our tank and windmill man, and Pumperwasser hit him."
Morgan, stepping back from the bar, waved his hand with an air of
finality toward his inoffensive companion: "Here is Sassoon, right
here--he can tell the whole story."
"Those fellows were miners," muttered Sassoon. His utterance was
broken, but he spoke fast. "They'll side with the guards every time
against a cattleman."
"There's only one fair thing to do, de Spain," declared Morgan. He
looked severely at de Spain: "Discharge Elpaso."
De Spain, his hands resting on the bar, drew one foot slowly back.
"Not on the showing I have now," he said. "One of the passengers who
joined in the statement is Jeffries, the railroad superintendent at
Sleepy Cat."
"Expect a railroad superintendent to tell the truth about a Calabasas
man?" demanded Sassoon.
"I should expect him at least to be sober," retorted de Spain.
"Sassoon," interposed Morgan belligerently, "is a man whose word can
always be depended on."
"To convey his meaning," intervened Lefever cryptically. "Of course,
I know," he asserted, earnest to the point of vehemence. "Every one in
Calabasas has the highest respect for Sassoon. That is understood.
And," he added with as much impressiveness as if he were talking
sense, "everybody in Calabasas would be sorry to see Sassoon put off a
stage. But Sassoon is off: that is the situation. We are sorry. If it
occurs again----"
"What do you mean?" thundered Morgan, resenting the interference. "De
Spain is the manager, isn't he? What we want to know is, what you are
going to do about it?" he demanded, addressing de Spain again.
"There is nothing more to be done," returned de Spain composedly.
"I've already told Elpaso if Sassoon starts another fight on a stage
to put him off again."
Morgan's fist came down on the bar. "Look here, de Spain! You come
from Medicine Bend, don't you? Well, you can't bully Music Mountain
men--understand that."
"Any time you have a real grievance, Morgan, I'll be glad to consider
it," said de Spain. "When one of your men is drunk and quarrelsome he
will be put off like any other disturber. That we can't avoid. Public
stages can't be run any other way."
"All right," retorted Morgan. "If you take that tack for your new
management, we'll see how you get along running stages down in this
country."
"We will run them peaceably, just as long as we can," smiled de Spain.
"We will get on with everybody that gives us a chance."
Morgan pointed a finger at him. "I give you a chance, de Spain, right
now. Will you discharge Elpaso?"
"No."
Morgan almost caught his breath at the refusal. But de Spain could be
extremely blunt, and in the parting shots between the two he gave no
ground.
"Jeffries put me here to stop this kind of rowdyism on the stages," he
said to Lefever on their way back to the barn. "This is a good time to
begin. And Sassoon and Gale Morgan are good men to begin with," he
added.
As the horses of the two men emerged from the canyon they saw a
slender horsewoman riding in toward the barn from the Music Mountain
trail. She stopped in front of McAlpin, the barn boss, who stood
outside the office door. McAlpin, the old Medicine Bend barnman, had
been promoted from Sleepy Cat by the new manager. De Spain recognized
the roan pony, but, aside from that, a glance at the figure of the
rider, as she sat with her back to him, was enough to assure him of
Nan Morgan. He spurred ahead fast enough to overhear a request she was
making of McAlpin to mail a letter for her. She also asked McAlpin,
just as de Spain drew up, whether the down stage had passed. McAlpin
told her it had. De Spain, touching his hat, spoke: "I am going right
up to Sleepy Cat. I'll mail your letter if you wish."
She looked at him in some surprise, and then glanced toward Lefever,
who now rode up. De Spain was holding out his hand for the letter. His
eyes met Nan's, and each felt the moment was a sort of challenge. De
Spain, a little self-conscious under her inspection, was aware only of
her rather fearless eyes and the dark hair under her fawn cowboy hat.
"Thank you," she responded evenly. "If the stage is gone I will hold
it to add something." So saying, she tucked the letter inside her
blouse and spoke to her pony, which turned leisurely down the road.
"I'm trying to get acquainted with your country to-day," returned de
Spain, managing with his knee to keep his own horse moving alongside
Nan as she edged away.
She seemed disinclined to answer, but the silence and the awkwardness
of his presence drew at length a dry disclaimer: "This is not my
country."
"I understood," exclaimed de Spain, following his doubtful advantage,
"you lived out this way."
"I live near Music Mountain," returned Nan somewhat ungraciously,
using her own skill at the same time to walk her horse away from her
unwelcome companion.
"I've heard of Music Mountain," continued de Spain, urging his lagging
steed. "I've often wanted to get over there to hunt."
Nan, without speaking, ruthlessly widened the distance between the
two. De Spain unobtrusively spurred his steed to greater activity.
"You must have a great deal of game around you. Do you hunt?" he
asked.
He knew she was famed as a huntress, but he could make no headway
whatever against her studied reserve. He watched her hands, graceful
even in heavy gloves; he noticed the neck-piece of her tan blouse, and
liked the brown throat and the chin set so resolutely against him. He
surmised that she perhaps felt some contempt for him because she had
outshot him, and he continued to ask about game, hoping for a chance
in some far-off time to redeem his marksmanship before her and giving
her every possible chance to invite him to try the hunting around
Music Mountain.
She was deaf to the broadest hints; and when at length she excused
herself and turned her pony from the Sleepy Cat road into the Morgan
Gap trail, de Spain had been defeated in every attempt to arouse the
slightest interest in anything he had said. But, watching with regret,
at the parting, the trim lines of her figure as she dashed away on the
desert trail, seated as if a part of her spirited horse, he felt only
a fast-rising resolution to attempt again to break through her
stubborn reticence and know her better.
CHAPTER IV
FIRST BLOOD AT CALABASAS
Nothing more than de Spain's announcement that he would sustain his
stage-guards was necessary to arouse a violent resentment at Calabasas
and among the Morgan following. Some of the numerous disaffected were
baiting the stages most of the time. They bullied the guards, fought
the passengers, and fomented discontent among the drivers. In all
Thief River disturbances, whether a raid on cattlemen, a stage
hold-up, a gun fight, or a tedious war of words, the Calabasas men,
sometimes apparently for the mere maintaining of prestige, appeared to
take leading rôles. After de Spain's declaration the grievance against
Elpaso was made a general one along the line. His stage was singled
out and ridden at times both by Sandusky and Logan--the really
dangerous men of the Spanish Sinks--and by Gale Morgan and Sassoon to
stir up trouble.
But old Frank Elpaso was far from being a fool. A fight with any one
of these men meant that somebody would be killed, and no one could
tell just who, Elpaso shrewdly reckoned, until the roll-call at the
end of it. He therefore met truculence with diplomacy, threatening
looks with flattery, and hard words with a long story. Moreover, all
Calabasas knew that Elpaso, if he had to, would fight, and that the
eccentric guard was not actually to be cornered with impunity. Even
Logan, who, like Sandusky, was known to be without fear and without
mercy, felt at least a respect for Elpaso's shortened shotgun, and
stopped this side actual hostilities with him. When the June clean-up
of the No. 2 Thief River mine came through--one hundred and six
thousand dollars in gold bullion under double guard--and a Calabasas
contingent of night-riders tried to stop the treasure, rumor along the
Sinks had it that Elpaso's slugs, delivered at the right moment, were
responsible for Deaf Sandusky's long illness at Bear Dance, and the
failure of the subsequent masked attack on the up stage.
Sassoon, however, owing to the indignity now put upon him, also
nourished a particular grievance against the meditative guard, and his
was one not tempered either by prudence or calculation. His chance
came one night when Elpaso had unwisely allowed himself to be drawn
into a card game at Calabasas Inn. Elpaso was notoriously a stickler
for a square deal at cards. He was apparently the only man at
Calabasas that hoped for such a thing, and certainly the only one so
rash as to fight for it--yet he always did. A dispute on this occasion
found him without a friend in the room. Sassoon reached for him with a
knife.
McAlpin was the first to get the news at the barn. He gave first aid
to the helpless guard, and, without dreaming he could be got to a
surgeon alive, rushed him in a light wagon to the hospital at Sleepy
Cat, where it was said that he must have more lives than a wildcat.
Sassoon, not caring to brave de Spain's anger in town, went
temporarily into hiding. A second surgeon was brought from Medicine
Bend, and heroic efforts were put forth to nurse again into life the
feeble spark the assassin had left in the unlucky guard.
Word of this cutting reached de Spain at Thief River. He started for
Calabasas, learned there during a brief stop what he could--which was,
of course, next to nothing--of the affray, and posted on to Sleepy
Cat.
A conference was held in Jeffries's office. De Spain, Lefever, and
some of the division staff discussed the situation raised by the
affair. De Spain was instructed to see that Sassoon was brought in and
made an example of for the benefit of his Calabasas friends.
Accordingly, while the guard's life hung in the balance, the sheriff,
Jim Druel, was despatched after Sassoon. A great deal of inquiry, much
riding, and a lot of talk on Druel's part accomplished nothing.
Lefever spoiled with impatience to get after Sassoon. "The only way
we'll ever get one of that gang is to go for him ourselves," said he.
The sheriff's campaign did collapse. Sassoon could not be found
although rumor was notorious that he continued to haunt Calabasas.
Lefever's irritation grew. "Never mind, John," counselled de Spain,
"forget about wanting him. Sometime one of us will stumble on him, and
when we do we'll shackle him." The precaution was taken, meantime, to
secure a warrant for the missing man, together with authority for
either of the two to serve it. Elpaso, in the end, justified his old
reputation by making a recovery--haltingly, it is true, and with
perilous intervals of sinking, but a recovery.
It was while he still lay in the hospital and hope was very low that
de Spain and Lefever rode, one hot morning, into Calabasas and were
told by McAlpin that Sassoon had been seen within five minutes at the
inn. To Lefever the news was like a bubbling spring to a thirsty man.
His face beamed, he tightened his belt, shook out his gun, and looked
with benevolent interest on de Spain, who stood pondering. "If you
will stay right here, Henry," he averred convincingly, "I will go over
and get Sassoon."
The chief stage-guard, Bob Scott, the Indian, was in the barn. He
smiled at Lefever's enthusiasm. "Sassoon," said he, "is slippery."
"You'd better let us go along and see you do it," suggested de Spain,
who with the business in hand grew thoughtful.
"Gentlemen, I thank you," protested Lefever, raising one hand in
deprecation, the other resting lightly on his holster. "We still have
some _little_ reputation to maintain along the Sinks. Don't let us
make it a _posse_ for _Sassoon_." No one opposed him further, and he
rode away alone.
"It won't be any trouble for John to bring Sassoon in," murmured
Scott, who spoke with a smile and in the low tone and deliberate
manner of the Indian, "if he can find him."
With de Spain, Scott remained in front of the barn, saddled horses in
hand. They could see nothing of the scene of action, and de Spain was
forced in idleness to curb his impatience. Lefever rode down to the
inn without seeing a living thing anywhere about it. When he
dismounted in front he thought he heard sounds within the barroom,
but, pushing open the door and looking circumspectly into the room
before entering, he was surprised to find it empty.
There was something, under the circumstances and in the stimulus of
danger, almost uncanny in the silence, the absence of any life
whatever about the place. Lefever walked cautiously inside; there
seemed no need of caution. No one was there to confront or oppose him.
Surveying the interior with a rapid glance, he walked to the left end
of the bar and, gun in readiness, looked apprehensively behind it. Not
so much as a strainer was to be seen underneath. He noticed, however,
that the sash of the low window on his left, which looked into the
patio, was open, and two heel-marks in the hard clay suggested that a
man might have jumped through. Whether these were Sassoon's heels or
another's, Lefever decided they constituted his clew, and, running out
of the front door, he sprang into his saddle and rode to where he
could signal de Spain and Scott to come up.
He told his story as they joined him, and the three returned to the
inn. Scott rode directly to the rear. Lefever took de Spain in to the
bar, showed him the open sash, and pointed to the heel-prints. De
Spain stepped through the window, Lefever following. An examination
showed the slide of a spur-rowel behind one heel-mark and indications
of a hasty jump.
While they bent over the signs that seemed to connect their quarry
with the place, a door opened across the courtyard, and Pedro
appeared. He was curiously dense to all inquiries, and Lefever,
convinced that Sassoon was somewhere at hand, revenged himself by
searching the place.
In the dark kitchen a very old woman and a slovenly girl were at work.
No one else was to be found anywhere.
De Spain, who was the more experienced tracker, thought he could
follow the footprints to the arched opening across the patio. This was
closed only by a swinging gate, and afforded easy escape from a
pursuer. At some distance outside this gate, as de Spain threw it
open, sat Bob Scott on his horse. De Spain made inquiry of Scott. No
one had been seen. Returning to Lefever, who, greatly chagrined, had
convinced himself that Sassoon had got away, de Spain called Scott
into the patio.
A better tracker than either of his companions, Scott after a minute
confirmed their belief that Sassoon must have escaped by the window.
He then took the two men out to where some one, within a few minutes,
had mounted a horse and galloped off.
"But where has he gone?" demanded Lefever, pointing with his hand.
"There is the road both ways for three miles." Scott nodded toward the
snow-capped peak of Music Mountain. "Over to Morgan's, most likely. He
knows no one would follow him into the Gap. Just for fun, now, let's
see."
Dismounting, the Indian scrutinized the hoof-prints where the horse
had stood. Getting into the saddle again, he led the way, bending over
his horse's neck and stopping frequently to read the trail, half a
mile out along the Gap road, until he could once more readily point
out the hoof-prints to his companions. "That is Sassoon," he
announced. "I know the heels. And I know he rides this horse; it
belongs to Gale Morgan. Sassoon," Scott smiled sympathetically on
Lefever, "is half-way to Morgan's Gap."
"After him!" cried Lefever hotly. De Spain looked inquiringly at the
guard. Scott shook his head. "That would be all right, but there's two
other Calabasas men in the Gap this afternoon it wouldn't be nice to
mix with--Deaf Sandusky and Harvey Logan."
"We won't mix with them," suggested de Spain.
"If we tackle Sassoon, they'll mix with us," explained Scott. He
reflected a moment. "They always stay at Gale Morgan's or Duke's. We
might sneak Sassoon out without their getting on. Sassoon knows he is
safe in the Gap; but he'll hide even after he gets there. He takes two
precautions for every other man's one. Sassoon is a wonder at hiding
out. I've got the Thief River run this afternoon----"
De Spain looked at him. "Well?"
Scott's face softened into the characteristic smile--akin to a quiet
grin--that it often wore. "If I didn't have to go through to-day, and
the three of us could get to the Gap before daylight to-morrow
morning, I would give Sassoon a run for his money in spite of the
other fellows."
"Don't take your run this afternoon," directed de Spain. "Telephone
Sleepy Cat for a substitute. Suppose we go back, get something to eat,
and you two ride singly over toward the Gap this afternoon; lie
outside under cover to see whether Sassoon or his friends leave before
night--there's only one way out of the place, they tell me. Then I
will join you, and we'll ride in before daylight, and perhaps catch
him while everybody is asleep."
"If you do," predicted Scott, in his deliberate way of expressing a
conclusion, "I think you'll get him."
It was so arranged.
CHAPTER V
ROUNDING UP SASSOON
De Spain joined his associates at dark outside the Gap. Neither
Sassoon nor his friends had been seen. The night was still, the sky
cloudless, and as the three men with a led horse rode at midnight into
the mountains, the great red heart of the Scorpion shone afire in the
southern sky. Spreading out when they rode between the mountain walls,
they made their way without interruption silently toward their
rendezvous, an aspen grove near which Purgatoire Creek makes its way
out of the Gap and, cutting a deep gash along the edge of the range
for a hundred miles, empties into the Thief.
Scott was the first to reach the trees. The little grove spreads
across a slope half a mile wide between the base of one towering
cliff, still bearing its Spanish name, El Capitan, and the gorge of
the Purgatoire. To the east of this point the trails to Calabasas and
to Sleepy Cat divide, and here Scott and Lefever received de Spain,
who had ridden slowly and followed Scott's injunctions to keep the
red star to the right of El Capitan all the way across the Sinks.
Securing their horses, the three stretched out on the open ground to
wait for daylight. De Spain was wakeful, and his eyes rested with
curiosity on the huge bulk of Music Mountain, rising overwhelmingly
above him. Through the Gap that divided the great, sentinel-like front
of El Capitan, marking the northern face of the mountain rift, from
Round Top, the south wall of the opening, stars shone vividly, as if
lighting the way into the silent range beyond.
The breathing of his companions soon assured de Spain that both were
asleep. The horses were quiet, and the night gave no sound save that
vaguely through the darkness came the faint brawl of tiny cataracts
tumbling down far mountain heights. De Spain, lying on his side, his
head resting on his elbow, and his hands clasped at the back of his
neck, meditated first on how he should capture Sassoon at daybreak,
and then on Nan Morgan and her mountain home, into which he was about
to break to drag out a criminal. Sassoon and his malice soon drifted
out of his mind, but Nan remained. She stayed with him, it seemed, for
hours--appearing and disappearing, in one aspect more alluring than
another. Then her form outlined in the mists that rose from the
hidden creek seemed to hover somewhere near until Scott's hand laid on
the dreamer's shoulder drove it suddenly away. Day was at hand.
De Spain got up and shook off the chilliness and drowsiness of the
night. It had been agreed that he, being less known in the Gap than
either of his companions, could best attempt the difficult capture. It
was strictly a _coup de main_, depending for its success on chance and
nerve. The one that tried it might manage to bring out his man--or
might be brought out himself. Between these alternatives there was not
much middle ground, except that failing to find Sassoon, or in case he
should be intercepted with his prisoner, the intruder, escaping
single-handed from a shower of bullets, might still get away. But
Morgan's Gap men were esteemed fairly good marksmen.
Bob Scott, who knew the recess well, repeated his explicit directions
as to how de Spain was to reach Sassoon's shack. He repeated his
description of its interior, told him where the bed stood, and even
where Sassoon ordinarily kept his knife and his revolver. The western
sky was still dark when de Spain, mounting, discussed the last
arrangements with his scouts and, taking the bridle of the led horse,
turned toward Round Top. At its narrowest point the Gap opening is
barely two miles wide, and the one road, in and out, lies among the
rocks through this neck; toward it all trails inside the Gap converge.
De Spain gave his horse his head--it was still too dark to distinguish
the path--and depended on his towering landmarks for his general
direction. He advanced at a snail's pace until he passed the base of
El Capitan, when of a sudden, as he rode out from among high
projecting rocks full into the opening, faint rays of light from the
eastern dawn revealed the narrow, strangely enclosed and perfectly
hidden valley before him. The eastern and southern sides still lay in
darkness, but the stupendous cliffs frowning on the north and west
were lighted somewhat from the east. The southern wall, though
shrouded, seemed to rise in an unending series of beetling arêtes.
De Spain caught his breath. No description he had ever heard of the
nook that screened the Morgans from the outside world had prepared him
for what he saw. From side to side of the gigantic mountain fissure,
it could hardly be, de Spain thought, more than a few thousand
yards--so completely was his sense of proportion stunned by the
frowning cliffs which rose, at points, half a mile into the sky. But
it was actually several miles from wall to wall, and the Gap was more
than as much in depth, as it ran back to a mere wedge between unnamed
Superstition peaks.
Every moment that he pushed ahead warned him that daylight would come
suddenly and his time to act would be short. The trail he followed
broadened into a road, and he strained his eyes for signs, first of
life, and then of habitation. The little creek, now beside his way,
flowed quietly albeit swiftly along, and his utmost vigilance could
detect no living thing stirring; but a turn in the trail, marked by a
large pine-tree and conforming to a bend of the stream, brought him up
startled and almost face to face with a long, rambling ranch-house.
The gable end of the two-story portion of the building was so close to
him that he instantly reined up to seek hiding from its upper and
lower windows.
From Scott's accurate description he knew the place. This was Duke
Morgan's ranch-house, set as a fortress almost at the mouth of the
Gap. To pass it unobserved was to compass the most ticklish part of
his mission, and without changing his slow pace he rode on, wondering
whether a bullet, if fired from any of the low, open windows--which he
could almost throw his hat into as he trotted past--would knock him
off his horse or leave him a chance to spur away. But no bullet
challenged him and no sound came from the silent house. He cantered
away from the peril, thinking with a kind of awe of Nan, asleep, so
close, under that roof--confident, too, he had not been seen--though,
in matter of fact, he had been.
He quickened his pace. The place he wanted to reach was more than a
mile distant. Other cabins back toward the north wall could be seen
dimly to his right, but all were well removed from his way. He found,
in due time, the ford in the creek, as Scott had advised, made it
without mishap, scrambled up a steep and rocky path, and saw
confronting him, not far ahead, a small, ruinous-looking cabin shack.
Dismounting before this, he threw his lines, shook himself a little,
and walked up to the cabin door. It was open.
The mild-minded conspirators who had planned the details of the
abduction were agreed that if the effort could be made a success at
all, there was but one way to effect it, and that was to act, in
every step, openly. Any attempt to steal on Sassoon unawares would
be a desperate one; while to walk boldly into his cabin at daybreak
would be to do only what his companions were likely at any time to do,
and was the course least calculated to lead to serious trouble. None
of the three were unaware of the psychological action of that
peculiar instinct of danger possessed by men habitually exposed to
surprise--they knew how easily it may be aroused in a sleeper by the
unusual happening about him, and how cunningly it is allayed by
counterfeiting within his hearing the usual course of normal events.
De Spain, following the chosen policy, called gruffly to the cabin
inmate. There was no answer. All had sounded extremely plausible to de
Spain at the time he listened to Bob Scott's ingenious anticipation of
the probabilities, and he had felt while listening to the subtle
Indian that the job was not a complicated one.
But now, as he hitched his trouser band near to the butt of his
revolver with his right hand, and laid his left on the jamb of
the door with an effort to feel at home, stepped unevenly across
the threshold, and tried to peer into the interior darkness,
Scott's strategy did not, for some reason, commend itself quite
so convincingly to him. There seemed, suddenly, a great many
chances for a slip in the programme. De Spain coughed slightly, his
eyes meantime boring the darkness to the left, where Sassoon's bed
should be. The utmost scrutiny failed to disclose any sign of it
or any sound of breathing from that corner. He took a few steps
toward where the man should be asleep, and perceived beyond a
doubt that there was no bed in the corner at all. He turned
toward the other corner, his hand covering the butt of his gun.
"Hello, Shike!" he called out in a slightly strained tone of
camaraderie, addressing Sassoon by a common nickname. Then he
listened. A trumpeting snore answered. No sound was ever sweeter to
de Spain's ear. The rude noise cleared the air and steadied the
intruder as if Music Mountain itself had been lifted off his
nerves.
He tried again: "Where are you, Shike?" he growled. "What's this stuff
on the floor?" he continued, shuffling his way ostentatiously to the
other side of the room. But his noise-making was attended with the
utmost caution. He had dropped, like a shot, flat on the floor and
crawled, feeling his way, to the opposite side of the room, only to
find, after much trouble, that the bed in the darkness was there, but
it was empty. De Spain rose. For a moment he was nonplussed. An inside
room remained, but Scott had said there was no bed within it. He felt
his way toward the inner door. This was where he expected to find it,
and it was closed. He laid a hand gingerly on the latch. "Where are
you, Shike?" he demanded again, this time with an impatient expletive
summoned for the occasion. A second fearful snore answered him. De
Spain, relieved, almost laughed as he pushed the door open, though
not sure whether a curse or a shot would greet him. He got neither.
And a welcome surprise in the dim light came through a stuffy pane of
glass at one end of the room. It revealed at the other end a man
stretched asleep on a wall bunk--a man that would, in all likelihood,
have heard the stealthiest sound had any effort been made to conceal
it, but to whose ears the rough voices of a mountain cabin are mere
sleeping-potions.
The sleeper was destined, a moment later, to a ruder awakening than
even his companion outlaws ever gave him. Lying unsuspectingly on his
back, he woke to feel a hand laid lightly on his shoulder. The
instinct of self-preservation acted like a flash. His eyes opened and
his hands struck out like cat's paws to the right and left: no knife
and no revolver met them. Instead, in the semidarkness a strange face
bent over him. His fists shot out together, only to be caught in a
vise that broke his arms in two at the elbows, and forced them back
against his throat. Like lightning, he threw up his knees, drew
himself into a heap, and shot himself out, hands, arms, legs, back,
everything into one terrific spring. But the sinewy vise above only
gave for the shock, then it closed again relentlessly in. A knee, like
an anvil, pushed inexorably into his stomach and heart and lungs.
Another lay across his right arm, and his struggling left arm he could
not, though his eyes burst with the strain from their sockets, release
from where, eagle-like claws gripped at his throat and shut off his
breath.
Again and again, with the fury of desperation, Sassoon drew in his
powerful frame, shot it out, twisted and struggled. Great veins
swelled on his forehead, his breath burst in explosive gasps, he
writhed from side to side--it was all one. After every effort the
cruel fingers at his throat tightened. The heavy knee on his chest
crushed more relentlessly. He lay still.
"Are you awake, Shike?" Sassoon heard from the gloom above him. But he
could not place the voice. "You seem to move around a good deal in
your sleep. If you're awake, keep still. I've come from Sleepy Cat to
get you. Don't mind looking for your gun and knife. Two men are with
me. You can have your choice. We've got a horse for you. You can ride
away from us here inside the Gap, and take what hits you in the back,
or you can go to Sleepy Cat with us and stand your trial. I'll read
your warrant when the sun gets a little higher. Get up and choose
quick."
Sassoon could not see who had subdued him, nor did he take long to
decide what to do. Scott had predicted he would go without much fuss,
and de Spain, now somewhat surprised, found Bob right in his forecast.
With less trouble than he expected, the captor got his man sullenly on
horseback, and gave him severely plain directions as to what not to
do. Sassoon, neither bound nor gagged, was told to ride his horse down
the Gap closely ahead of de Spain and neither to speak nor turn his
head no matter what happened right or left. To get him out in this
manner was, de Spain realized, the really ticklish part of the
undertaking.
Fortune, however, seemed to favor his assurance in invading the lions'
den. In the growing light the two men trotted smartly a mile down the
trail without encountering a sign of life. When they approached the
Morgan ranch-house de Spain again felt qualms. But he rode close to
his prisoner, told him in restrained monologue what would happen if he
made a noise, and even held him back in his pace as they trotted
together past the Gap stronghold. Nevertheless, he breathed more
freely when they left the house behind and the turn in the road put
them out of range of its windows. He closed up the distance between
himself and Sassoon, riding close in to his side, and looked back at
the house. He looked quickly, but though his eyes were off his path
and his prisoner for only a fraction of a second, when he looked ahead
again he saw confronting him, not a hundred yards away, a motionless
horseman.
CHAPTER VI
HEELS FOR IT
With a sudden, low command to Sassoon to check his horse, and without
a movement that could be detected in the dawn ten yards away, de Spain
with the thumb and finger of his right hand lifted his revolver from
its scabbard, shifted his lines from his left hand to his right, rode
closer to Sassoon and pressed the muzzle of the gun to his prisoner's
side. "You've got one chance yet, Shike, to ride out of here alive,"
he said composedly. "You know I am a rustler--cousin of John
Rebstock's. My name is 'Frenchy'; I belong in Williams Cache. I rode
in last night from Thief River, and you are riding out with me to
start me on to the Sleepy Cat trail. If you can remember that
much----"
While he spoke to Sassoon his eyes were fixed on the rider halted in
their path. De Spain stopped half-way through his sentence. The figure
revealed in the half-light puzzled him at first. Then it confused and
startled him. He saw it was not a man at all, but a woman--and a
woman than whom he would rather have seen six men. It was Nan
Morgan.
With her head never more decisively set under her mannish hat, her
waist never more attractively outlined in slenderness, she silently
faced de Spain in the morning gray. His face reflected his chagrined
perplexity. The whole fabric of his slender plot seemed to go to
pieces at the sight of her. At the mere appearance of his frail and
motionless foe a feeling of awkward helplessness dissolved his easy
confidence. He now reversed every move he had so carefully made with
his hands and, resentfully eying Nan, rode in somewhat behind Sassoon,
doing nothing further than to pull his kerchief up about his neck, and
wondering what would be likely to happen before the next three minutes
were up. Beyond that flash the future held no interest for him--his
wits had temporarily failed.
Of one thing he felt assured, that it was in no wise up to him to
speak or do first. He could already see Nan's eyes. They were bent
keenly first on him, then on his companion, and again on him. De Spain
kept his face down as much as he dared, and his hat had been pulled
well over it from the beginning. She waited so long before accosting
the two men that de Spain, who was ready to hope any improbable thing,
began to hope she might let them pass unchallenged. He had resolved,
if she did not speak to push past without even looking at her. They
were now almost abreast. His fine resolution went smash overboard. The
very instinctive knowledge that her eyes were bent on his made him
steal a glance at her in spite of himself. The next instant he was
shamefacedly touching his hat. Though nothing was lost on her, Nan
professed not to see the greeting. He even continued to dream she did
not recognize him. Her eyes, in fact, were directed toward Sassoon,
and when she spoke her tone was dry with suspicion.
"Wait a moment, Sassoon. Where are you going?" she demanded. Sassoon
hitched with one hand at his trousers band. He inclined his head
sulkily toward his companion. "Starting a man on the trail for Sleepy
Cat."
"Stop," she exclaimed sharply, for de Spain, pushing his own horse
ahead, had managed without being observed, to kick Sassoon's horse in
the flank, and the two were passing. Sassoon at the resolute summons
stopped. De Spain could do no less; both men, halting, faced their
suspicious inquisitor. She scrutinized de Spain keenly. "What is this
man doing in the Gap?"
"He come up from Thief River last night," answered Sassoon monotonously.
"What is he doing here with you?" persisted Nan.
"He's a cousin of John Rebstock's from Williams Cache," continued
Sassoon. The yarn would have sounded decently well in the circumstances
for which it was intended, but in the searching gaze of the eyes now
confronting and clearly recognizing him, it sounded so grotesque that
de Spain would fully as lief have been sitting between his horse's
legs as astride his back.
"That's not true, Sassoon," said his relentless questioner. Her tone
and the expression of her face boded no friendliness for either of the
two she had intercepted.
De Spain had recovered his wits. "You're right," he interposed without
an instant's hesitation. "It isn't true. But that's not his fault; he
is under arrest, and is telling you what I told him to tell you. I
came in here this morning to take Sassoon to Sleepy Cat. He is a
prisoner, wanted for cutting up one of our stage-guards."
Nan, coldly sceptical, eyed de Spain. "And do you try to tell me"--she
pointed to Sassoon's unbound hands--"that he is riding out of here, a
free man, to go to jail?"
"I do tell you exactly that. He is my prisoner----"
"I don't believe either of you," declared Nan scornfully. "You are
planning something underhand together."
De Spain laughed coolly. "We've planned that much together, but not, I
assure you, with his consent."
"I don't believe your stories at all," she declared firmly.
De Spain flushed. The irritation and the serious danger bore in on
him. "If you don't believe me it's not my fault," he retorted. "I've
told you the truth. Ride on, Sassoon."
He spoke angrily, but this in no wise daunted Nan. She wheeled her
horse directly in front of them. "Don't you stir, Sassoon," she
commanded, "until I call Uncle Duke."
De Spain spurred straight at her; their horses collided, and his knee
touched hers in the saddle. "I'm going to take this man out of here,"
he announced in a tone she never had heard before from a man. "I've no
time to talk. Go call your uncle if you like. We must pass."
"You shan't pass a step!"
With the quick words of defiance the two glared at each other. De
Spain was taken aback. He had expected no more than a war of words--a
few screams at the most. Nan's face turned white, but there was no
symptom even of a whimper. He noticed her quick breathing, and felt,
instinctively, the restrained gesture of her right hand as it started
back to her side. The move steadied him. "One question," he said
bluntly, "are you armed?"
She hated even to answer, and met his searching gaze resentfully, but
something in his tone and manner wrung a reply. "I can defend myself,"
she exclaimed angrily.
De Spain raised his right hand from his thigh to the pommel of his
saddle. The slight gesture was eloquent of his surrender of the issue
of force. "I can't go into a shooting-match with you about this cur.
If you call your uncle there will be bloodshed--unless you drop me off
my horse right here and now before he appears. All I ask you is this:
Is this kind of a cutthroat worth that? If you shoot me, my whole
posse from Sleepy Cat is right below us in the aspens. Some of your
own people will be killed in a general fight. If you want to shoot me,
shoot--you can have the match all to yourself. If you don't, let us go
by. And if I've told you one word that isn't true, call me back to
this spot any time you like, and I'll come at your call, and answer
for it."
His words and his manner confounded her for a moment. She could not at
once make an answer, for she could not decide what to say. Then, of a
sudden, she was robbed of her chance to answer. From down the trail
came a yell like a shot. The clatter of hoofs rang out, and men on
horses dashed from the entrance of the Gap toward them. De Spain could
not make them out distinctly, but he knew Lefever's yell, and pointed.
"There they are," he exclaimed hurriedly. "There is the whole posse.
They are coming!" A shot, followed closely by a second, rang out from
below. "Go," he cried to Nan. "There'll be shooting here that I can't
stop!" He slapped Sassoon's pony viciously with his hand, yelled loud
in answer to Lefever, and before the startled girl could collect
herself, de Spain, crouching in his saddle, as a fusillade cracked
from Lefever's and Scott's revolvers, urged Sassoon's horse around
Nan's, kicked it violently, spurred past her himself, and was away.
White with consternation and anger, she steadied herself and looked
after the fleeing pair. Then whirling in her saddle, she ran her pony
back to the ranch-house to give the alarm.
Yelling like half a dozen men, Lefever and Scott, as de Spain and his
prisoner dashed toward them, separated, let the pair pass, and spurred
in behind to cover the flight and confront any pursuers. None at the
moment threatened, but no words were exchanged until the whole party,
riding fast, were well past El Capitan and out of the Gap. For some
unexpressed reason--so strong is the influence of tradition and
reputation--no one of the three coveted a close encounter with the
Morgans within its walls.
"It's the long heels for it now, boys," cried de Spain. His companions
closed up again.
"Save your horses," cautioned Scott, between strides. "It's a good
ways home."
"Make for Calabasas," shouted Lefever.
"No," yelled Scott. "They would stand us a siege at Calabasas. While
the trail is open make for the railroad."
A great globe of dazzling gold burst into the east above the distant
hills. But the glory of the sunrise called forth no admiration from
the three men hurrying a fourth urgently along the Sleepy Cat trail.
Between breaths de Spain explained his awkward meeting with Nan, and
of the strait he was in when Lefever's strong lungs enabled him to get
away unscratched. But for a gunman a narrow squeak is as good as a
wide one, and no one found fault with the situation. They had the
advantage--the only question was whether they could hold it. And while
they continued to cast anxious glances behind, Scott's Indian eyes
first perceived signs on the horizon that marked their pursuit.
"No matter," declared Lefever. "This is a little fast for a fat man,
anyway." He was not averse, either, to the prospect of a long-range
exchange with the fighting mountaineers. All drew rein a little.
"Suppose I cover the rear till we see what this is," suggested
Lefever, limbering up as the other two looked back. "Push ahead with
Sassoon. These fellows won't follow far."
"Don't be sure about that," muttered Scott. "Duke and Gale have got
the best horses in the mountains, and they'd rather fight than eat.
There they come now."
Dashing across a plain they themselves had just crossed, they could
see three horsemen in hot chase. The pursued men rode carefully, and,
scanning the ground everywhere ahead and behind, de Spain, Scott, and
Lefever awaited the moment when their pursuers should show their hand.
Scott was on the west of the line, and nearest the enemy.
"Who are they, Bob?" yelled Lefever.
Scott scrutinized the pursuers carefully. "One," he called back, "that
big fellow on the right, is Deaf Sandusky, sure. Harvey Logan, likely,
the middle man. The other I can't make out. Look!" he exclaimed,
pointing to the foot-hills on their distant left. Two men, riding out
almost abreast of them, were running their horses for a small canyon
through which the trail led two miles ahead. "Some riding," cried
Scott, watching the newcomers. "That farther man must be Gale Morgan.
They are trying for the greasewood canyon, to cut us off."
"We can't stand for that," decided de Spain, surveying the ground
around them. "There's not so much as a sage-brush here for cover."
Lefever pointed to his right; at some distance a dark, weather-beaten
cone rose above the yellow desert. "Let's make a stand in the lava
beds," he cried.
De Spain hesitated. "It takes us the wrong way." He pointed ahead.
"Give them a run for that canyon, boys."
Urging their horses, the Sleepy Cat men rode at utmost speed to beat
the flanking party to the trail gateway. For a few minutes it looked
an even break between pursuers and pursued. The two men in the
foot-hills now had a long angle to overcome, but they were doing a
better pace than those of the Gap party behind, and half-way to the
canyon it looked like a neck-and-neck heat for the narrow entrance.
Lefever complained of the effort of keeping up, and at length reined
in his horse. "Drop me here on the alkali, boys," he cried to the
others. "I'll hold this end while you get through the canyon."
"No," declared de Spain, checking his pace. "If one stays, all stay.
This is as good a time as any to find out what these fellows mean."
"But not a very good place," commented Scott, as they slowed, looking
for a depression.
"It's as good for us as it is for them," returned de Spain abruptly.
"We'll try it right here."
He swung out of his saddle, Lefever and Scott after an instant's
reconnoissance following. Sassoon they dismounted. Scott lashed his
wrists together, while de Spain and Lefever unslung their carbines,
got their horses down, and, facing the west and south, spread
themselves on the ground.
The men behind lost nothing of the defensive movement of the pursued
party, and slowed up in turn. For the moment the flankers were out of
sight, but they must soon appear on the crest of a rise between them
and the canyon. Lefever was first down and first ready with his rifle
to cover the men behind. These now spread out and came on, as if for a
rush.
Lefever, picking Logan, the foremost, sent a warning shot in front of
him. De Spain fired almost at the same moment toward the big man
making a détour to the right of the leader. The two bullets puffed in
the distant alkali, and the two horsemen, sharply admonished, swerved
backward precipitately. After a momentary circling indecision, the
three rode closer together for a conference, dismounted, and opened a
return fire on the little party lying to.
The strategy of their halt and their firing was not hard to penetrate.
The men from the foot-hills were still riding for the canyon. No views
were exchanged among Sassoon's captors, but all understood that this
move must be stopped. Lefever and Scott, without words, merely left
the problem to de Spain as the leader. He lay on the right of the line
as they faced south, and this brought him nearest to the riders out of
the foot-hills. Taking advantage of a lull in the firing, he pulled
his horse around between himself and the attacking party, and in such
a position that he could command with his rifle the fast-moving riders
to the west.
Something of a predicament confronted him. He was loath to take a
human life in the effort to get a cutthroat jailed, and hated even to
cripple a beast for it, but the two men must be stopped. Nor was it
easy to pick up the range offhand, but meaning that the Morgans, if
they were Morgans, should understand how a rush would be met, he sent
one shot after another, short, beyond, and ahead of the horsemen, to
check them, and to feel the way for closer shooting if it should be
necessary. The two dashed on undaunted. De Spain perceived that
warnings were wasted. He lowered his sights, and, waiting his chance
as the leader of the foot-hill pursuers rode into a favorable range,
he fired for his horse's head. The beast jumped convulsively and
pitched forward, head down in a half somersault, throwing his rider
violently to the ground. Scott and Lefever yelled loudly.
Out of the cloud of dust the man scrambled to his feet, looked coolly
around, and brushed the alkali disgustedly from his eyes just as a
second bullet from de Spain tore up the earth a few feet to one side
of him. He jumped like a rabbit at this summons, and did not even make
a further pretense at composure. Grabbing his hat from the ground, he
ran like mad toward the hills. Meantime his mounted companion had
turned about. De Spain sprang to his feet, jerked up his horse and
cried: "Now for the canyon!" Pushing Sassoon into the saddle and
profiting by the confusion, the railroad men rode hard for their
refuge, and reached it without more molestation than an occasional
shot from their distant pursuers on the main trail. De Spain and his
scouts now felt assured of their escape. The foot-hills contingent was
left far behind, and, though their remaining pursuers rode in at times
with a show of rushing, the chase was a stern one, and could be
checked whenever necessary. Halting at times in this way to breathe
their horses, or to hold off the rear pursuit, de Spain with his two
companions and their prisoner rode into Sleepy Cat, locked Sassoon up,
and went to the Mountain House for breakfast.
CHAPTER VII
MAINTAINING A REPUTATION
The abduction of Sassoon, which signalized de Spain's entry into the
stage-line management, created a sensation akin to the exploding of a
bomb under the range. The whole mountain country, which concentrates,
sensibly, on but one topic at a time, talked for a week of nothing
else. No such defiance of the traditions of the Morgan rule along the
reaches of the Spanish Sinks had been attempted in years--and it was
recalled more than once, when de Spain's feat was discussed at the
ranches, on the trails, and in the haunts of gunmen in Calabasas, that
no one of those who had ever braved the wrath of the Sink rulers had
lived indefinitely to boast of it.
Experienced men, therefore, in the high country--men of that class
who, wherever found, are old in the ways of the world, and not
promptly moved by new or youthful adventure--dismissed the incident
after hearing the details, with the comment or the conclusion that
there would hardly be for de Spain more than one additional chapter to
the story, and that this would be a short one. The most active
Morgans--Gale, Duke, and the easy-going Satterlee--were indeed wrought
to the keenest pitch of revengeful anger. No question of the right or
wrong of the arrest was discussed--justification was not considered.
It was an overwhelmingly insolent invasion--and worst of all, a
successful invasion, by one who had nothing but cool impudence, not
even a budding reputation to justify his assault on the lifelong
prestige of the Gap clan. Gale Morgan strode and rode the streets of
Sleepy Cat looking for de Spain, and storming.
De Spain himself, somewhat surprised at the storm he had kicked up,
heeded the counsel of Scott, and while the acute stage of the
resentment raged along the trail he ran down for a few days to
Medicine Bend to buy horses. Both Gale and Duke Morgan proclaimed, in
certain public places in Sleepy Cat, their intention of shooting de
Spain on sight; and as a climax to all the excitement of the week
following his capture, the slippery Sassoon broke jail and, after a
brief interval, appeared at large in Calabasas.
This feat of the Morgan satellite made a loud laugh at de Spain's
expense. It mitigated somewhat the humiliation of Sassoon's friends,
but it in no wise diminished their expressed resolve to punish de
Spain's invasion. Lefever, who as the mixer among the stage men, kept
close to the drift of public sentiment, decided after de Spain's
return to Sleepy Cat that the stage-line authorities had gained
nothing by Sassoon's capture.
"We ought to have thought of it before, Henry," he said frankly one
night in Jeffries's office, "but we didn't think."
"Meaning just what, John?" demanded de Spain without real interest.
"Meaning, that in this country you can't begin on a play like pulling
Sassoon out from under his friends' noses without keeping up the
pace--without a second and third act. You dragged Sassoon by his hair
out of the Gap; good. You surprised everybody; good. But you can't
very well stop at that, Henry. You have raised hopes, you have led
people to invest you with the faint glimmerings of a reputation. I
say, the glimmerings, because such a feat by itself doesn't insure a
permanent reputation, Henry. It is, so to say, merely a 'demand'
reputation--one that men reserve the right to recall at any moment.
And the worst of it is, if they ever do recall it, you are worse off
than when before they extended the brittle bauble to you."
"Jingo, John! For a stage blacksmith you are some spieler." De Spain
added an impatient, not to say contumelious exclamation concerning
the substance of Lefever's talk. "I didn't ask them for a reputation.
This man interfered with my guard--in fact, tried to cut his throat,
didn't he?"
"Would have done it if Frank had been an honest man."
"That is all there is to it, isn't it? If Sassoon or anybody else gets
in the way of the stages, I'll go after them again--that's all there
is to it, isn't it?"
Lefever tapped the second finger of one fat hand gently on the table.
"Practically; practically all, Henry, yes. You don't quite understand,
but you have the right idea. What I am trying to hammer into your
dense cocoanut is, that when a man has, gets, or is given a reputation
out in this country, he has got to live up to it."
"What do you want me to do--back a horse and shoot two guns at once up
and down Main Street, cowboy style?"
Lefever kept his patience without difficulty. "No, no. You'll
understand."
"Scott advised me to run down to Medicine Bend for a few days to let
the Morgans cool off."
"Right. That was the first step. The few days are a thing of the past.
I suppose you know," continued Lefever, in as well-modulated a tone
as he could assume to convey information that could not be regarded as
wholly cheerful, "that they expect to get you for this Sassoon job."
De Spain flushed. But the red anger lasted only a moment. "Who are
'they'?" he asked after a pause.
"Deaf Sandusky, Logan, of course, the Calabasas bunch, and the
Morgans."
De Spain regarded his companion unamiably. "What do they expect I'll
be doing while they are getting me?"
Lefever raised a hand deprecatingly. "Don't be overconfident, Henry;
that's your danger. I know you can take care of yourself. All I want
to do is to get the folks here acquainted with your ability, without
taking unnecessary chances. You see, people are not now asking
questions of one another; they are asking them of themselves. Who and
what is this newcomer--an accident or a genuine arrival? A common
squib or a real explosion? Don't get excited," he added, in an effort
to soothe de Spain's obvious irritation. "You have the idea, Henry.
It's time to show yourself."
"I can't very well do business here without showing myself," retorted
de Spain.
"But it is a thing to be managed," persisted Lefever. "Now,
suppose--since the topic is up--we 'show' in Main Street for a
while."
"Suppose we do," echoed de Spain ungraciously.
"That will crack the début ice. We will call at Harry Tenison's hotel,
and then go to his new rooms--go right to society headquarters
first--that's my theory of doing it. If anybody has any shooting in
mind, Tenison's is a quiet and orderly place. And if a man declines to
eat anybody up at Tenison's, we put him down, Henry, as not ravenously
hungry."
"One man I would like to see is that sheriff, Druel, who let Sassoon
get out."
"Ready to interview him now?"
"I've got some telegrams to answer."
"Those will keep. The Morgans are in town. We'll start out and find
somebody."
It was wet and sloppy outside, but Lefever was indifferent to the
rain, and de Spain thought it would be undignified to complain of it.
When, followed by Lefever, he walked into the lobby of Tenison's hotel
a few moments later the office was empty. Nevertheless, the news of
the appearance of Sassoon's captor spread. The two sauntered into the
billiard-hall, which occupied a deep room adjoining the office and
opened with large plate-glass windows on Main Street. Every table was
in use. A fringe of spectators in the chairs, ostensibly watching the
pool games, turned their eyes toward de Spain--those that recognized
him distinguishing him by nods and whispers to others.
Among several groups of men standing before the long bar, one party of
four near the front end likewise engaged the interest of those keener
loafers who were capable of foreseeing situations. These men,
Satterlee Morgan, the cattleman; Bull Page, one of his cowboys;
Sheriff Druel, and Judge Druel, his brother, had been drinking
together. They did not see Lefever and his companion as the two came
in through the rear lobby door. But Lefever, on catching sight of
them, welcomed his opportunity. Walking directly forward, he laid his
hand on Satt Morgan's shoulder. As the cattleman turned, Lefever,
genially grasping his hand, introduced de Spain to each of the party
in turn. What followed in the brief interval between the meeting of
the six men and the sudden breaking up of the group a few moments
later was never clearly known, but a fairly conclusive theory of it
was afterward accepted by Sleepy Cat.
Morgan threw the brim of his weather-beaten hat back from his tanned
face. He wore a mustache and a chin whisker of that variety
designated in the mountains by the most opprobrious of epithets. But
his smile, which drew his cheeks into wrinkles all about his long,
round nose, was not unfriendly. He looked with open interest from his
frank but not overtrustworthy eyes at de Spain. "I heard," he said in
a good-natured, slightly nasal tone, "you made a sunrise call on us
one day last week."
"And I want to say," returned de Spain, equally amiable, "that if I
had had any idea you folks would take it so hard--I mean, as an
affront intended to any of you--I never would have gone into the Gap
after Sassoon. I just assumed--making a mistake as I now realize--that
my scrap would be with Sassoon, not with the Morgans."
Satt's face wrinkled into a humorous grin. "You sure kicked up some
alkali."
De Spain nodded candidly. "More than I intended to. And I say--without
any intention of impertinence to anybody else--Sassoon is a cur. I
supposed when I brought him in here after so much riding, that we had
sheriff enough to keep him." He looked at Druel with such composure
that the latter for a moment was nonplussed. Then he discharged a
volley of oaths, and demanded what de Spain meant. De Spain did not
move. He refused to see the angry sheriff. "That is where I made my
second mistake," he continued, speaking to Morgan and forcing his
tone just enough to be heard. Druel, with more hard words, began to
abuse the railroad for not paying taxes enough to build a decent jail.
De Spain took another tack. He eyed the sheriff calmly as the latter
continued to draw away and left de Spain standing somewhat apart from
the rest of the group. "Then it may be I am making another mistake,
Druel, in blaming you. It may not be your fault."
"The fault is, you're fresh," cried Druel, warming up as de Spain
appeared to cool. The line of tipplers backed away from the bar. De
Spain, stepping toward the sheriff, raised his hand in a friendly way.
"Druel, you're hurting yourself by your talk. Make me your deputy
again sometime," he concluded, "and I'll see that Sassoon stays where
he is put."
"I'll just do that," cried Druel, with a very strong word, and he
raised his hand in turn. "Next time you want him locked up, you can
take care of him yourself."
The sharp crack of a rifle cut off the words; a bullet tore like a
lightning-bolt across de Spain's neck, crashed through a mahogany
pilaster back of the bar, and embedded itself in the wall. The shot
had been aimed from the street for his head. The noisy room instantly
hushed. Spectators sat glued to their chairs. White-faced players
leaned motionless against the tables. De Spain alone had acted; all
that the bartenders could ever remember after the single rifle-shot
was seeing his hand go back as he whirled and shot instantly toward
the heavy report. He had whipped out his gun and fired sidewise
through the window at the sound.
That was all. The bartenders breathed and looked again. Men were
crowding like mad through the back doors. De Spain, at the cigar case,
looked intently into the rainy street, lighted from the corner by a
dingy lamp. The four men near him had not stirred, but, startled and
alert, the right hand of each covered the butt of a revolver. De Spain
moved first. While the pool players jammed the back doors to escape,
he spoke to, without looking at, the bartender. "What's the matter
with your curtains?" he demanded, sheathing his revolver and pointing
with an expletive to the big sheet of plate glass. "Is this the way
you build up business for the house?"
Those close enough to the window saw that the bare pane had been cut,
just above the middle, by two bullet-holes. Curious men examined both
fractures when de Spain and Lefever had left the saloon. The first
hole was the larger. It had been made by a high-powered rifle; the
second was from a bullet of a Colt's revolver; it was remarked as a
miracle of gun-play that the two were hardly an inch apart.
In the street a few minutes later, de Spain and Lefever encountered
Scott, who, with his back hunched up, his cheap black hat pulled well
down over his ears, his hands in his trousers pockets and his thin
coat collar modestly turned against the drizzling rain, was walking
across the parkway from the station.
"Sassoon is in town," exclaimed Lefever with certainty after he had
told the story. He waited for the Indian's opinion. Scott, looking
through the water dripping from the brim of his seasoned derby, gave
it in one word. "Was," he amended with a quiet smile.
"Let's make sure," insisted Lefever. "Supposing he might be in town
yet, Bob, where is he?"
Scott gazed up the street through the rain lighted by yellow lamps on
the obscure corners, and looked down the street toward the black
reaches of the river. "If he's here, you'll find him in one of two
places. Tenison's----"
"But we've just come from Tenison's," objected Lefever.
"I mean, across the street, up-stairs; or at Jim Kitchen's barn. If he
was hurried to get away," added Scott reflectively, "he would slip
up-stairs over there as the nearest place to hide; if he had time he
would make for the barn, where it would be easy to cache his rifle."
Lefever took the lapel of the scout's coat in his hand. "Then you,
Bob, go out and see if you can get the whole story. I'll take
the barn. Let Henry go over to Tenison's and wait at the head of
the stairs till we can get back there. It is just around the
corner--second floor--a dark hall running back, opposite the
double doors that open into an anteroom. Stay there, Henry, till we
come. It won't be long, and if we don't get track of him you may
spot your man yourself."
De Spain found no difficulty in locating the flight of marble stairs
that led to the gambling-rooms. It was the only lighted entrance
in the side street. No light shone at the head of the stairs, but a
doorway on the left opened into a dimly lighted anteroom and this, in
turn, through a large arch, opened on a large room brilliantly
lighted by chandeliers--one in the centre and one near each corner.
Around three sides of this room were placed the keno layouts,
roulette-wheels, faro-tables, and minor gambling devices. Off the
casino itself small card-rooms opened.
The big room was well filled for a wet night. The faro-tables were
busy, and at the central table at the farther end of the room--the
table designated as Tenison's, because, at the rare intervals in which
the proprietor dealt, he presided at this table--a group watched
silently a game in progress. De Spain took a place in shadow near one
side of the archway facing the street-door and at times looked within
for the loosely jointed frame, crooked neck, tousled forehead, and
malevolent face of the cattle thief. He could find in the many figures
scattered about the room none resembling the one he sought.
A man entering the place spoke to another coming out. De Spain
overheard the exchange. "Duke got rid of his steers yet?" asked the
first.
"Not yet."
"Slow game."
"The old man sold quite a bunch this time. The way he's playing now
he'll last twenty-four hours."
De Spain, following the newcomer, strolled into the room and,
beginning at one side, proceeded in leisurely fashion from wheel to
wheel and table to table inspecting the players. Few looked at him and
none paid any attention to his presence. At Tenison's table he saw in
the dealer's chair the large, white, smooth face, dark eyes, and
clerical expression of the proprietor, whose presence meant a real
game and explained the interest of the idlers crowded about one
player whom de Spain, without getting closer in among the onlookers
than he wanted to, could not see.
Tenison, as de Spain approached, happened to look wearily up; his face
showed the set lines of a protracted session. He neither spoke nor
nodded to the newcomer, but recognized him with a mere glance. Then,
though his eyes had rested for only an instant on the new face, he
spoke in an impassive tone across the intervening heads: "What
happened to your red tie, Henry?"
De Spain put up his hand to his neck, and looked down at a loose end
hanging from his soft cravat. It had been torn by the bullet meant for
his head. He tucked the end inside his collar. "A Calabasas man tried
to untie it a few minutes ago. He missed the knot."
Tenison did not hear the answer. He had reverted to his case. De Spain
moved on and, after making the round of the scattered tables, walked
again through the archway into the anteroom, only to meet, as she
stood hesitating and apparently about to enter the room, Nan Morgan.
CHAPTER VIII
THE GAMBLING-ROOM
They confronted each other blankly. To Nan's confusion was added her
embarrassment at her personal appearance. Her hat was wet, and the
limp shoulders of her khaki jacket and the front of her silk blouse
showed the wilting effect of the rain. In one hand she clutched wet
riding-gloves. Her cheeks, either from the cold rain or mental stress,
fairly burned, and her eyes, which had seemed when he encountered her,
fired with some resolve, changed to an expression almost of dismay.
This was hardly for more than an instant. Then her lips tightened, her
eyes dropped, and she took a step to one side to avoid de Spain and
enter the gambling-room. He stepped in front of her. She looked up,
furious. "What do you mean?" she exclaimed with indignation. "Let me
pass."
The sound of her voice restored his self-possession. He made no move
to get out of her way, indeed he rather pointedly continued to
obstruct her. "You've made a mistake, I think," he said evenly.
"I have not," she replied with resentment. "Let me pass."
"I think you have. You don't know where you are going," he persisted,
his eyes bent uncompromisingly on hers.
She showed increasing irritation at his attempt to exculpate her. "I
know perfectly well where I am going," she retorted with heat.
"Then you know," he returned steadily, "that you've no business to
enter such a place."
His opposition seemed only to anger her. "I know where I have
business. I need no admonitions from you as to what places I enter.
You are impertinent, insulting. Let me pass!"
His stubborn opposition showed no signs of weakening before her
resolve. "One question," he said, ignoring her angry words. "Have you
ever been in these rooms before?"
He thought she quailed the least bit before his searching look. She
even hesitated as to what to say. But if her eyes fell momentarily it
was only to collect herself. "Yes," she answered, looking up
unflinchingly.
Her resolute eyes supported her defiant word and openly challenged his
interference, but he met her once more quietly. "I am sorry to hear
it," he rejoined. "But that won't make any difference. You can't go in
to-night."
"I will go in," she cried.
"No," he returned slowly, "you are not going in--not, at least, while
I am here."
They stood immovable. He tried to reason her out of her determination.
She resented every word he offered. "You are most insolent," she
exclaimed. "You are interfering in something that is no concern of
yours. You have no right to act in this outrageous way. If you don't
stand aside I'll call for help."
"Nan!" De Spain spoke her name suddenly and threateningly. His words
fell fast, and he checked her for an instant with his vehemence. "We
met in the Gap a week ago. I said I was telling you the exact truth.
Did I do it?"
"I don't care what you said or what you did----"
"Answer me," he said sharply, "did I tell you the truth?"
"I don't know or care----"
"Yes, you do know----"
"What you say or do----"
"I told you the truth then, I am telling it now. I will never see you
enter a gambling-room as long as I can prevent it. Call for help if
you like."
She looked at him with amazement. She seemed about to speak--to make
another protest. Instead, she turned suddenly away, hesitated again,
put both her hands to her face, burst into tears, and hurried toward
the stairs. De Spain followed her. "Let me take you to where you are
going?"
Nan turned on him, her eyes blazing through her tears, with a single,
scornful, furious word: "No!" She quickened her step from him in such
confusion that she ran into two men just reaching the top of the
stairs. They separated with alacrity, and gave her passage. One of the
men was Lefever, who, despite his size, was extremely nimble in
getting out of her urgent way, and quick in lifting his hat. She
fairly raced down the flight of steps, leaving Lefever looking after
her in astonishment. He turned to de Spain: "Now, who the deuce was
that?"
De Spain ignored his question by asking another: "Did you find him?"
Lefever shook his head. "Not a trace; I covered Main Street. I guess
Bob was right. Nobody home here, Henry?"
"Nobody we want."
"Nothing going on?"
"Not a thing. If you will wait here for Bob, I'll run over to the
office and answer those telegrams."
De Spain started for the stairs. "Henry," called Lefever, as his
companion trotted hastily down, "if you catch up to her, kindly
apologize for a fat man."
But de Spain was balked of an opportunity to follow Nan. In the street
he ran into Scott. "Did you get the story?" demanded de Spain.
"Part of it."
"Was it Sassoon?"
Scott shook his head. "I wish it was."
"What do you mean?"
"Deaf Sandusky."
"Calabasas?"
Scott nodded. "You must have moved a couple of inches at the right
nick, Henry. That man Sandusky," Bob smiled a sickly smile, "doesn't
miss very often. He was bothered a little by his friends being all
around you."
The two regarded each other for a moment in silence. "Why," asked de
Spain, boiling a little, "should that damned, hulking brute try to
blow _my_ head off just now?"
"Only for the good of the order, Henry," grinned the scout.
"Nice job Jeff has picked out for me," muttered de Spain grimly,
"standing up in these Sleepy Cat barrooms to be shot at." He drew in a
good breath and threw up the wet brim of his hat. "Well, such is life
in the high country, I suppose. Some fine day Mr. Sandusky will manage
to get me--or I'll manage to get him--that all depends on how the
happening happens. Anyway, Bob, it's bad luck to miss a man. We'll
hang that much of a handicap on his beef-eating crop. Is he the fellow
John calls the butcher?" demanded de Spain.
"That's what everybody calls him, I guess."
The two rejoined Lefever at the head of the stairs and the three
discussed the news. Even Lefever seemed more serious when he heard the
report. Scott, when asked where Sandusky now was, nodded toward the
big room in front of them.
Lefever looked toward the gambling-tables. "We'll go in and look at
him." He turned to Scott to invite his comment on the proposal. "Think
twice, John," suggested the Indian. "If there's any trouble in a crowd
like that, somebody that has no interest in de Spain or Sandusky is
pretty sure to get hurt."
"I don't mean to start anything," explained Lefever. "I only want de
Spain to look at him."
But sometimes things start themselves. Lefever found Sandusky at a
faro-table. At his side sat his partner, Logan. Three other players,
together with the onlookers, and the dealer--whose tumbled hair fell
partly over the visor that protected his eyes from the glare of the
overhead light--made up the group. The table stood next to that of
Tenison, who, white-faced and impassive under the heat and light,
still held to his chair.
Lefever took a position at one end of the table, where he faced
Sandusky, and de Spain, just behind his shoulder, had a chance to look
the two Calabasas men closely over. Sandusky again impressed him as a
powerful man, who, beyond an ample stomach, carried his weight without
showing it. What de Spain most noted, as it lay on the table, was the
size and extreme length of the outlaw's hand. He had heard of
Sandusky's hand. From the tips of the big fingers to the base of the
palm, this right hand, spread over his chips, would cover half again
the length of the hand of the average man.
De Spain credited readily the extraordinary stories he had heard of
Sandusky's dexterity with a revolver or a rifle. That he should so
lately have missed a shot at so close range was partly explained
now that de Spain perceived Sandusky's small, hard, brown eyes
were somewhat unnaturally bright, and that his brows knit every
little while in his effort to collect himself. But his stimulation
only partly explained the failure; it was notoriously hard to upset
the powerful outlaw with alcohol. De Spain noted the coarse,
straw-colored hair--plastered recently over the forehead by a
barber--the heavy, sandy mustache, freshly waxed by the same hand,
the bellicose nostrils of the Roman nose, the broad, split chin,
and mean, deep lines of a most unpromising face. Sandusky's brown
shirt sprawled open at the collar, and de Spain remembered again
the flashy waistcoat, fastened at the last buttonhole by a cut-glass
button.
At Sandusky's side sat his crony in all important undertakings--a much
smaller, sparer man, with aggressive shoulders and restless eyes.
Logan was the lookout of the pair, and his roving glance lighted on de
Spain before the latter had inspected him more than a moment. He lost
no time in beginning on de Spain with an insolent question as to what
he was looking at. De Spain, his eye bent steadily on him, answered
with a tone neither of apology nor pronounced offense: "I am looking
at you."
Lefever hitched at his trousers cheerily and, stepping away from de
Spain, took a position just behind the dealer. "What are you looking
at me for?" demanded Logan insolently.
De Spain raised his voice to match exactly the tone of the inquiry.
"So I'll know you next time."
Logan pushed back his chair. As he turned his legs from under the
table to rise, a hand rested on his shoulder. He looked up and saw the
brown face and feeble smile of Scott. Logan with his nearest foot
kicked Sandusky. The big fellow looked up and around. Either by chance
or in following the sound of the last voice, his glance fell on de
Spain. He scrutinized for a suspicious instant the burning eyes and
the red mark low on the cheek. While he did so--comprehension dawning
on him--his enormous hands, forsaking the pile of chips with which
both had been for a moment busy, flattened out, palms down, on the
faro-table. Logan tried to rise. Scott's hand rested heavily on him.
"What's the row?" demanded Sandusky in the queer tone of a deaf man.
Logan pointed at de Spain. "That Medicine Bend duck wants a fight."
"With a man, Logan; not with a cub," retorted de Spain, matching
insult with insult.
"Maybe I can do something for you," interposed Sandusky. His eyes ran
like a flash around the table. He saw how Lefever had pre-empted the
best place in the room. He looked up and back at the man standing now
at his shoulder, and almost between Logan and himself. It was the
Indian, Scott. Sandusky felt, as his faculties cleared and arranged
themselves every instant, that there was no hurry whatever about
lifting his hand; but he could not be faced down without a show of
resistance, and he concluded that for this occasion his tongue was the
best weapon. "If I can," he added stiffly, "I'm at your service."
De Spain made no answer beyond keeping his eyes well on Sandusky's
eyes. Tenison, overhearing the last words, awoke to the situation and
rose from his case. He made his way through the crowd around the
disputants and brusquely directed the dealer to close the game. While
Sandusky was cashing in, Tenison took Logan aside. What Tenison said
was not audible, but it sufficed to quiet the little fellow. The only
thing further to be settled was as to who should leave the room last,
since neither party was willing to go first. Tenison, after a formal
conference with Lefever and Logan, offered to take Sandusky and Logan
by a private stairway to the billiard-room, while Lefever took de
Spain and Scott out by way of the main entrance. This was arranged,
and when the railroad men reached the street rain had ceased falling.
Scott warned de Spain to keep within doors, and de Spain promised to
do so. But when they left him he started out at once to see whether he
could not, by some happy chance, encounter Nan.
CHAPTER IX
A CUP OF COFFEE
He was willing, after a long and bootless search, to confess to
himself that he would rather see Nan Morgan for one minute than
all women else in the world for a lifetime. The other incidents of
the evening would have given any ordinary man enough food for
reflection--indeed they did force de Spain to realize that his life
would hang by a slender thread while he remained at Sleepy Cat and
continued to brave the rulers of the Sinks.
But this danger, which after all was a portion of his responsibility
in freeing his stages from the depredations of the Calabasas gang,
failed to make on him the moving impression of one moment of Nan
Morgan's eyes. She could upset him completely, he was forced to admit,
by a glance, a word, a gesture--a mere turn of her head. There was in
the whole world nothing he wanted to do so much as in some way to
please her--yet it seemed his ill luck to get continually deeper into
her bad graces. It had so stunned and angered him to meet her intent
on entering a gambling-hall that he was tormented the whole night.
Association with outlaws--what might it not do for even such a girl?
While her people were not all equally reprobate, some of them at least
were not far better than the criminals of Calabasas. To conceive of
her gambling publicly in Sleepy Cat was too much. He had even taken a
horse, after cautiously but persistently haunting the streets for an
hour, and ridden across the river away out on the mountain trail,
hoping to catch a sight of her.
On his way back to town from this wild-goose chase, he heard the sound
of hoofs. He was nearing the river and he turned his horse into a
clump of trees beside the bridge. The night was very dark, but he was
close to the trail and had made up his mind to speak to Nan if it were
she. In another moment his ear told him there were two horses
approaching. He waited for the couple to cross the bridge, and they
passed him so close he could almost have touched the nearer rider.
Then he realized, as the horse passing beside him shied, that it was
Sandusky and Logan riding silently by.
For a week de Spain spent most of his time in Sleepy Cat trying to
catch sight of Nan. His reflection on the untoward incidents that had
set them at variance left him rebellious. He meditated more about
putting himself right with her than about all his remaining concerns
together. A strange fire had seized him--that fire of the imagination
which scorns fair words and fine reasoning, but which, smothered,
burns in secret until, fanned by the wind of accident, it bursts out
the more fiercely because of the depths in which it has smouldered.
Every day that de Spain rode across the open country, his eyes turned
to the far range and to Music Mountain. The rounded, distant,
immutable peak--majestic as the sun, cold as the stars, shrouding in
its unknown fastnesses the mysteries of the ages and the secrets of
time--meant to him now only this mountain girl whom its solitude
sheltered and to whom his thoughts continually came back.
Within two weeks he became desperate. He rode the Gap trail from
Sleepy Cat again and again for miles and miles in the effort to
encounter her. He came to know every ridge and hollow on it, every
patch and stone between the lava beds and the Rat River. And in spite
of the counsels of his associates, who warned him to beware of traps,
he spent, under one pretext or another, much of the time either on the
stages to and from Calabasas or in the saddle toward Morgan's Gap,
looking for Nan.
Killing time in this way, after a fruitless ride, his persistence was
one day most unexpectedly rewarded at the Calabasas barns. He had
ridden through a hot sun from Sleepy Cat, passing the up stage
half-way to Calabasas, and had struck from there directly out on
the Sinks toward Morgan's Gap. Riding thence around the lower lava
beds, he had headed for Calabasas, where he had an appointment to
meet Scott and Lefever at five o'clock. When de Spain reached the
Calabasas barn, McAlpin, the barn boss, was standing in the
doorway. "You'd never be comin' from Sleepy Cat in the saddle!"
exclaimed McAlpin incredulously. De Spain nodded affirmatively as he
dismounted. "Hot ride, sir; a hot day," commented McAlpin, shaking
his head dubiously as he called a man to take the horse, unstrapped
de Spain's coat from the saddle, and followed the manager into the
office.
The heat was oppressive, and de Spain unbuckled his cartridge-belt,
slipped his revolver from the holster, mechanically stuck it inside
his trousers waistband, hung the heavy belt up under his coat, and,
sitting down, called for the stage report and asked whether the new
blacksmith had sobered up. When McAlpin had given him all minor
information called for, de Spain walked with him out into the barn to
inspect the horses. Passing the very last of the box-stalls, the
manager saw in it a pony. He stopped. No second glance was needed to
tell him it was a good horse; then he realized that this wiry,
sleek-legged roan, contentedly munching at the moment some company
hay, was Nan Morgan's.
McAlpin, talking volubly, essayed to move on, but de Spain, stubbornly
pausing, only continued to look at the handsome saddle-horse. McAlpin
saw he was in for it, and resigned himself to an inquisition. When de
Spain asked whose horse it was, McAlpin was ready. "That little pony
is Nan Morgan's, sir."
De Spain made no comment. "Good-looking pony, sir," ventured McAlpin
half-heartedly.
"What's it doing here?" demanded de Spain coldly.
Before answering, the barn boss eyed de Spain very carefully to see
how the wind was setting, for the pony's presence confessed an
infraction of a very particular rule. "You see," he began, cocking at
his strict boss from below his visorless cap a questioning Scotch eye,
"I like to keep on good terms with that gang. Some of them can be very
ugly. It's better to be friends with them when you can--by stretching
the barn rules a little once in a while--than to have enemies of 'em
all the time--don't you think so, sir?"
"What's her horse doing here?" asked de Spain, without commenting on
the long story, but also without showing, as far as the barnman could
detect, any growing resentment at the infraction of his regulations.
McAlpin made even the most inconsequential approaches to a statement
with a keen and questioning glance. "The girl went up to the Cat on
the early stage, sir. She's coming back this afternoon."
"What is she riding away over here to Calabasas for to take the stage,
instead of riding straight into Sleepy Cat?"
Once more McAlpin eyed him carefully. "The girl's been sick."
"Sick?"
"She ain't really fit to ride a step," confided the Scotch boss with
growing confidence. "But she's been going up two or three times now to
get some medicine from Doc Torpy--that's the way of it. There's a nice
girl, sir--in a bunch o' ruffians, I know--though old Duke, she lives
with, he ain't a half-bad man except for too many cards; I used to
work for him--but I call her a nice girl. Do you happen to know her?"
De Spain had long been on guard. "I've spoken with her in a business
way one or twice, Jim. I can't really say I know her."
"Nice girl. But that's a tough bunch in that Gap, sure as you're
alive; yes, sir."
De Spain was well aware the canny boss ought to know. McAlpin had
lived at one time in the Gap, and was himself reputed to have been a
hardy and enduring rider on a night round-up.
"Anything sick, Jim?" asked de Spain, walking on down the barn and
looking at the horses. It was only the second time since he had given
him the job that de Spain had called the barn boss "Jim," and McAlpin
answered with the rising assurance of one who realizes he is "in"
right. "Not so much as a sore hoof in either alley, Mr. de Spain. I
try to take care of them, sir."
"What are we paying you, Jim?"
"Twenty-seven a week, sir; pretty heavy work at that."
"We'll try to make that thirty-two after this week."
McAlpin touched his cap. "Thank you kindly, sir, I'm sure. It costs
like hell to live out here, Mr. de Spain."
"Lefever says you live off him at poker."
"Ha, ha! Ha, ha, sir! John will have his joke. He's always after me to
play poker with him--I don't like to do it. I've got a family to
support--he ain't. But by and far, I don't think John and me is ten
dollars apart, year in and year out. Look at that bay, sir! A month
ago Elpaso said that horse was all in--look at him now. I manage to
keep things up."
"What did you say," asked de Spain indifferently, "had been the matter
with Nan Morgan?" Her name seemed a whole mouthful to speak, so
fearful was he of betraying interest.
"Why, I really didn't say, sir. And I don't know. But from what she
says, and the way she coughs, I'm thinking it was a touch of this
p-new-monia that's going around so much lately, sir."
His listener recalled swiftly the days that had passed since the night
he had seen her wet through in the cold rain at Sleepy Cat. He feared
Jim's diagnosis might be right. And he had already made all
arrangements to meet the occasion now presenting itself. Circumstances
seemed at last to favor him, and he looked at his watch. The down
stage bringing Nan back would be due in less than an hour.
"Jim," he said thoughtfully, "you are doing the right thing in showing
some good-will toward the Morgans."
"Now, I'm glad you think that, sir."
"You know I unintentionally rubbed their backs the wrong way in
dragging Sassoon out."
"They're jealous of their power, I know--very jealous."
"This seems the chance to show that I have no real animosity myself
toward the outfit."
Since de Spain was not looking at him, McAlpin cocked two keen and
curious eyes on the sphinx-like birthmark of the very amiable
speaker's face. However, the astute boss, if he wondered, made no
comment. "When the stage comes in," continued de Spain quietly, "have
the two grays--Lady and Ben--hitched to my own light Studebaker. I'll
drive her over to the Gap myself."
"The very thing," exclaimed McAlpin, staring and struggling with his
breath.
"In some way I've happened, both times I talked with her, to get in
wrong--understand?" McAlpin, with clearing wits, nodded more than
once. "No fault of mine; it just happened so. And she may not at first
take kindly to the idea of going with me."
"I see."
"But she ought to do it. She will be tired--it's a long, dusty ride
for a well woman, let alone one that has been ill."
"So it is, so it is!"
De Spain looked now shamelessly at his ready-witted aid. "See that her
pony is lame when she gets here--can't be ridden. But you'll take good
care of him and send him home in a few days--get it?"
McAlpin half closed his eyes. "He'll be so lame it would stagger a
cowboy to back him ten feet--and never be hurt a mite, neither. Trust
me!"
"No other horse that she could ride, in the barn?"
"No horse she could ride between Calabasas and Thief River."
"If she insists on riding _something_, or even walking home,"
continued de Spain dubiously, for he felt instinctively that he should
have the task of his life to induce Nan to accept any kind of a
peace-offering, "I'll ride or walk with her anyway. Can you sleep me
here to-night, on the hay?"
"Sleep you on a hair mattress, sir. You've got a room right here
up-stairs, didn't you know that?"
"Don't mind the bed," directed de Spain prudently. "I like the hay
better."
"As you like; we've got plenty of it fresh up-stairs, from the Gap.
But the bed's all right, sir; it is, on me word."
With arrangements so begun, de Spain walked out-of-doors and looked
reflectively up the Sleepy Cat road. One further refinement in his
appeal for Nan's favor suggested itself. She would be hungry, possibly
faint in the heat and dust, when she arrived. He returned to McAlpin:
"Where can I get a good cup of coffee when the stage comes in?"
"Go right down to the inn, sir. It's a new chap running it--a
half-witted man from Texas. My wife is cooking there off and on.
She'll fix you up a sandwich and a cup of good coffee."
It was four o'clock, and the sun beat fiercely on the desert. De Spain
walked down to the inn unmindful of the heat. In summer rig, with his
soft-shirt collar turned under, his forearms bare, and his thoughts
engaged, he made his way rapidly on, looking neither to the right nor
the left.
As he approached the weather-beaten pile it looked no more inviting in
sunshine than it had looked in shadow; and true to its traditions, not
a living being was anywhere to be seen. The door of the office stood
ajar. De Spain, pushing it all the way open, walked in. No one greeted
him as he crossed the threshold, and the unsightly room was still bare
of furnishings except for the great mahogany bar, with its two very
large broken mirrors and the battered pilasters and carvings.
De Spain pounded on the bar. His effort to attract attention met with
no response. He walked to the left end of the bar, lifted the
hand-rail that enclosed the space behind it, and pushed open the door
between the mirrors leading to the back room. This, too, was empty. He
called out--there was no response. He walked through a second door
opening on an arcaded passageway toward the kitchen--not a soul was in
sight. There was a low fire in the kitchen stove, but Mrs. McAlpin had
apparently gone home for a while. Walking back toward the office, he
remembered the covered way leading to a patio, which in turn opened on
the main road. He perceived also that at the end next the office the
covered way faced the window at the end of the long bar.
Irritated at the desertion of the place, due, he afterward learned, to
the heat of the afternoon, and disappointed at the frustration of his
purpose, he walked back through the rear room into the office. As he
lifted the hand-rail and, passing through, lowered it behind him, he
took out his watch to see how soon the stage was due. While he held
the timepiece in his hand he heard a rapid clatter of hoofs
approaching the place. Thinking it might be Scott and Lefever arriving
from the south an hour ahead of time, he started toward the front
door--which was still open--to greet them. Outside, hurried footsteps
reached the door just ahead of him and a large man, stepping quickly
into the room, confronted de Spain. One of the man's hands rested
lightly on his right side. De Spain recognized him instantly; the
small, drooping head, carried well forward, the keen eyes, the long
hand, and, had there still been a question in his mind, the
loud-patterned, shabby waistcoat would have proclaimed beyond
doubt--Deaf Sandusky.
CHAPTER X
THE GLASS BUTTON
Even as the big fellow stepped lightly just inside and to the left--as
de Spain stood--of the door and faced him, the encounter seemed to de
Spain accidental. While Sandusky was not a man he would have chosen to
meet at that time, he did not at first consider the incident an
eventful one. But before he could speak, a second man appeared in the
doorway, and this man appeared to be joking with a third, behind him.
As the second man crossed the threshold, de Spain saw Sandusky's
high-voiced little fighting crony, Logan, who now made way, as he
stepped within to the right of the open door, for the swinging
shoulders and rolling stride of Gale Morgan.
Morgan, eying de Spain with insolence, as was his wont, closed the
door behind him with a bang. Then he backed his powerful frame
significantly against it.
A blind man could have seen the completeness of the snare. An
unpleasant feeling flashed across de Spain's perception. It was only
for the immeasurable part of a second--while uncertainty was
resolving itself into a rapid certainty. When Gale Morgan stepped into
the room on the heels of his two Calabasas friends, de Spain would
have sold for less than a cup of coffee all his chances for life.
Nevertheless, before Morgan had set his back fairly against the door
and the trap was sprung, de Spain had mapped his fight, and had
already felt that, although he might not be the fortunate man, not
more than one of the four within the room would be likely to leave it
alive.
He did not retreat from where he halted at the instant Sandusky
entered. His one slender chance was to hug to the men that meant to
kill him. Morgan, the nearest, he esteemed the least dangerous of the
three; but to think to escape both Sandusky and Logan at close
quarters was, he knew, more than ought to be hoped for.
While Morgan was closing the door, de Spain smiled at his visitors:
"That isn't necessary, Morgan: I'm not ready to run." Morgan only
continued to stare at him. "I need hardly ask," added de Spain,
"whether you fellows have business with me?"
He looked to Sandusky for a reply; it was Logan who answered in shrill
falsetto: "No. We don't happen to have business that I know of. A
friend of ours may have a little, maybe!" Logan, lifting his
shoulders with his laugh, looked toward his companions for an answer
to his joke.
De Spain's smile appeared unruffled: "You'll help him transact it, I
suppose?"
Logan, looking again toward Sandusky, grinned: "He won't need any
help."
"Who is your friend?" demanded de Spain good-naturedly. Logan's glance
misled him; it did not refer to Sandusky. And even as he asked the
question de Spain heard through the half-open window at the end of the
bar the sound of hoofs. Hoping against hope for Lefever, the
interruption cheered him. It certainly did not seem that his situation
could be made worse.
"Well," answered Logan, talking again to his gallery of cronies,
"we've got two or three friends that want to see you. They're waiting
outside to see what you'll look like in about five minutes--ain't
they, Gale?"
Some one was moving within the rear room. De Spain felt hope in every
footfall he heard, and the mention this time of Morgan's name cleared
his plan of battle. Before Gale, with an oath, could blurt out his
answer, de Spain had resolved to fight where he stood, taking Logan
first and Morgan as he should jump in between the two. It was at the
best a hopeless venture against Sandusky's first shot, which de Spain
knew was almost sure to reach a vital spot. But desperate men cannot
be choosers.
"There's no time for seeing me like the present," declared de Spain,
ignoring Morgan and addressing his words to Logan. "Bring your friends
in. What are you complaining about, Morgan?" he asked, resenting the
stream of abuse that Gale hurled at him whenever he could get a word
in. "I had my turn at you with a rifle the other day. You've got your
turn now. And I call it a pretty soft one, too--don't you, Sandusky?"
he demanded suddenly of the big fellow.
Sandusky alone through the talk had kept an unbroken silence. He was
eating up de Spain with his eyes, and de Spain not only ached to hear
him speak but was resolved to make him. Sandusky had stood motionless
from the instant he entered the room. He knew all about the
preliminary gabble of a fight and took no interest in it. He did _not_
know all about de Spain, and being about to face his bullets he had
prudence enough to wonder whether the man could have brought a
reputation to Sleepy Cat without having done something to earn it.
What Sandusky was sensibly intent on was the determination that he
should not contribute personally to the further upbuilding of
anybody's reputation. His eyes with this resolve shining in them
rested intently on de Spain, and at his side the long fingers of his
right hand beat a soft tattoo against his pistol holster. De Spain's
question seemed to arouse him. "What's your name?" he demanded
bluntly. His voice was heavy and his deafness was reflected in the
strained tone.
"It's on the butt of my gun, Sandusky."
"What's that he says?" demanded the man known as the butcher, asking
the question of Logan, but without taking his eyes off his shifty
prey.
Logan raised his voice to repeat the words and to add a ribald
comment.
"You make a good deal of noise," muttered Sandusky, speaking again to
de Spain.
"That ought not to bother you much, Sandusky," shouted de Spain,
trying to win a smile from his taciturn antagonist.
"His noise won't bother anybody much longer," put in Logan, whose
retorts overflowed at every interval. But there was no smile even
hinted at in the uncompromising vigilance of Sandusky's expressionless
face. De Spain discounted the next few minutes far enough to feel that
Sandusky's first shot would mean death to him, even if he could return
it.
"I'll tell you, de Spain," continued Logan, "we're going to have a
drink with you. Then we're going to prepare you for going back where
you come from--with nice flowers."
"I guess you thought you could come out here and run over everybody in
the Spanish Sinks," interposed Morgan, with every oath he could summon
to load his words.
"Keep out, Morgan," exclaimed Logan testily. "I'll do this talking."
De Spain continued to banter. "Gentlemen," he said, addressing the
three together and realizing that every moment wasted before the
shooting added a grain of hope, "I am ready to drink when you are."
"He's ready to drink, Tom," roared Morgan in the deaf man's ear.
"I'm ready," announced Sandusky in hollow voice.
Still regarding de Spain with the most businesslike expression, the
grizzled outlaw took a guarded step forward, his companions following
suit. De Spain, always with a jealous regard for the relative distance
between him and his self-appointed executioners, moved backward. In
crossing the room, Sandusky, without objection from his companions,
moved across their front, and when the four lined up at the bar their
positions had changed. De Spain stood at the extreme left, Sandusky
next, Logan beside him, and Gale Morgan, at the other end of the line,
pretended to pound the bar for service. De Spain, following mountain
etiquette in the circumstances, spread his open hands, palms down, on
the bar. Sandusky's great palms slid in the same fashion over the
checked slab in unspoken recognition of the brief armistice. Logan's
hands came up in turn, and Morgan still pounded for some one to
serve.
De Spain in the new disposition weighed his chances as being both
better and worse. They had put Sandusky's first shot at no more than
an arm's length from his prey, with Logan next to cover the
possibility of the big fellow's failing to paralyze de Spain the first
instant. On the other hand, de Spain, trained in the tactics of
Whispering Smith and Medicine Bend gunmen, welcomed a short-arm
struggle with the worst of his assailants closest at hand. One factor,
too, that he realized they were reckoning with, gave him no concern.
No men in the mountains understood better or were more expert in the
technicalities of the law of self-defense than the gunmen of
Calabasas. The killing of de Spain they well knew would, in spite of
everything, raise a hornet's nest in Sleepy Cat, and they wished to be
prepared for it. Their manoeuvring on this score caused no disquiet
to their slender, compactly built victim. "You'll wait a long time, if
you wait for service here, Morgan," he said, commenting with composure
on Morgan's impatience. Logan looked again at his two companions and
laughed.
Every hope de Spain had of possible help from the back room died with
that laugh. Then the door behind the bar slowly opened, and the
scar-featured face of Sassoon peered cautiously from the gloom. The
horse thief, stooping, walked in with a leer directed triumphantly at
the railroad man.
If it were possible to deepen it, the sinister spot on de Spain's face
darkened. Something in his blood raged at the sight of the malevolent
face. He glanced at Logan. "This," he smiled faintly, nodding toward
Sassoon as he himself took a short step farther to the left, "is your
drink, Harvey, is it?"
"No," retorted Logan loudly, "this is _your_ drink."
"I'll take Sassoon," assented de Spain, good-natured again and
shifting still another step to the left. "What do you fellows want
now?"
"We want to punch a hole through that strawberry," said Logan, "that
beauty-mark. Where did you get it, de Spain?"
"I might as well ask where you get your gall, Harvey," returned de
Spain, watching Logan hunch Sandusky toward the left that both might
crowd him closer. "I was born with my beauty-mark--just as you were
born with your damned bad manners," he added composedly, for in
hugging up to him his enemies were playing his game. "You can't help
it, neither can I," he went on. "Somebody is bound to pay for putting
that mark on me. Somebody is bound to pay for your manners. Why talk
about either? Sassoon, set out for your friends--or I will. Spread,
gentlemen, spread."
He had reached the position on which he believed his life depended,
and stood so close to the end of the bar that with a single step, as
he uttered the last words, he turned it. Sandusky pushed close next
him. De Spain continued to speak without hesitation or break, but the
words seemed to have no place in his mind. He was thinking only, and
saw only within his field of vision, a cut-glass button that fastened
the bottom of Sandusky's greased waistcoat.
"You've waited one day too long to collect for your strawberry, de
Spain," cried Logan shrilly. "You've turned one trick too many on the
Sinks, young fellow. If the man that put your mark on you ain't in
this room, you'll never get him."
"Which means, I take it, you're going to try to get me," smiled de
Spain.
"No," bellowed Morgan, "it means we have got you."
"You are fooling yourself, Harvey." De Spain addressed the warning to
Logan. "And you, too, Sandusky," he added.
"We'll take care of that," grinned Logan. Sandusky kept silence.
"You are jumping into another man's fight," protested de Spain
steadily.
"Sassoon's fight is our fight," interrupted Morgan.
"I advise you," said de Spain once more, looking with the words at
Sandusky and his crony, "to keep out of it."
"Sandusky," yelled Logan to his partner, "he advises me and you to
keep out of this fight," he shrilly laughed.
"Sure," assented Sandusky, but with no variation in tone and his eyes
on de Spain.
Logan, with an oath, leaned over the bar toward Sassoon, and pointed
contemptuously toward the end of the bar. "Shike!" he cried, "step
through the rail and take that man's gun."
De Spain, looking from one to the other of the four faces confronting
him, laughed for the first time. But he was looking without seeing
what he seemed to look at. In reality, he saw only a cut-glass
button. He was face to face with taking a man's life or surrendering
his own, and he knew the life must be taken in such a way as instantly
to disable its possessor. These men had chosen their time and place.
There was nothing for it but to meet them. Sassoon was stepping toward
him, though very doubtfully. De Spain laughed again, dryly this time.
"Go slow, Sassoon," he said. "That gun is loaded."
"If you want terms, hand over your gun to Sassoon," cried Logan.
"Not till it's empty," returned de Spain. "Do you want to try taking
it?" he demanded of Logan, his cheeks burning a little darker.
[Illustration: Hugging his shield, de Spain threw his second shot over
Sandusky's left shoulder.]
Logan never answered the question. It was not meant to be answered.
For de Spain asked it only to cover the spring he made at that instant
into Sandusky's middle. Catlike though it was, the feint did not take
the big fellow unprepared. He had heard once, when or where he could
not tell, but he had never forgotten the hint, that de Spain, a boxer,
was as quick with his feet as with his hands. The outlaw whirled. Both
men shot from the hip; the reports cracked together. One bullet
grazing the fancy button smashed through the gaudy waistcoat: the
other, as de Spain's free hand struck at the muzzle of the big man's
gun, tore into de Spain's foot. Sandusky, convulsed by the frightful
shock, staggered against de Spain's arm, the latter dancing tight
against him. Logan, alive to the trick but caught behind his partner,
fired over Sandusky's right shoulder at de Spain's head, flattened
sidewise against the gasping outlaw's breast. Hugging his shield, de
Spain threw his second shot over Sandusky's left shoulder into Logan's
face. Logan, sinking to the floor, never moved again. Supporting with
extraordinary strength the unwieldy bulk of the dying butcher, de
Spain managed to steady him as a buffer against Morgan's fire until he
could send a slug over Sandusky's head at the instant the latter
collapsed. Morgan fell against the bar.
Sandusky's weight dragged de Spain down. For an instant the four men
sprawled in a heap. Sassoon, who had not yet got an effective shot
across at his agile enemy, dropping his revolver, dodged under the
rail to close. De Spain, struggling to free himself from the dying
man, saw, through a mist, the greenish eyes and the thirsty knife. He
fired from the floor. The bullet shook without stopping his enemy, and
de Spain, partly caught under Sandusky's body, thought, as Sassoon
came on, the game was up. With an effort born of desperation, he
dragged himself from under the twitching giant, freed his revolver,
rolled away, and, with his sight swimming, swung the gun at Sassoon's
stomach. He meant to kill him. The bullet whirled the white-faced man
to one side and he dropped, but pulled himself, full of fight, to his
knees and, knife in hand, panted forward. De Spain rolling hastily
from him, staggered to his feet and, running in as Sassoon tried to
strike, beat him senseless with the butt of his gun.
His own eyes were streaming blood. His head was reeling and he was
breathless, but he remembered those of the gang waiting outside. He
still could see dimly the window at the end of the bar. Dashing his
fingers through the red stream on his forehead, he ran for the window,
smashed through the sash into the patio and found Sassoon's horse
trembling at the fusillade. Catching the lines and the pommel, he
stuck his foot up again and again for the stirrup. It was useless; he
could not make it. Then, summoning all of his fast-ebbing strength, he
threw himself like a sack across the horse's back, lashed the brute
through the open gateway, climbed into the saddle, and spurred blindly
away.
CHAPTER XI
AFTER THE STORM
It was well along toward midnight of the same day when two horsemen,
after having ridden circumspectly around the outbuildings and corrals,
dismounted from their horses at some little distance from the door of
the Calabasas Inn. They shook out their legs as men do after a long
turn in the saddle and faced each other in a whispered colloquy. An
overcast sky, darkening the night, concealed the alkali crusting the
riders and their horses; but the hard breathing of the latter in the
darkness told of a pace forced for some hours.
"Find your feet before you go in, Pardaloe," suggested the heavier of
the two men guardedly to the taller one.
"Does this man know you?" muttered the man addressed as Pardaloe,
stamping in the soft dust and shifting slightly a gun harness on his
breast.
"Pedro knows me," returned Lefever, the other man, "but McAlpin says
there is a new man here, a half-wit. They all belong to the same
gang--coiners, I believe, every one of them. They work here and push
in Texas."
"Can you spot the room when you get up-stairs, where we saw that
streak of light a minute ago?" demanded Pardaloe, gazing at the black
front of the building.
"I can spot every foot of the place, up-stairs and down, in the dark,"
declared Lefever, peering through the inky night at the ruinous pile.
Instead of meeting de Spain, as appointed, Lefever had come in from
the Thief River stage with Scott three hours late only to learn of the
fight at the Inn and de Spain's disappearance. Jeffries had already
sent a party, of whom Pardaloe, a man of Farrell Kennedy's from
Medicine Bend, had been picked up as one, down from Sleepy Cat, to
look for the missing man, and for hours the search had gone forward.
"Suppose you go back to the barn," suggested Pardaloe, "and wait there
while I go in and have a little talk with the landlord."
"Why, yes, Pardaloe. That's an idea," assented Lefever feebly. Then he
laid the first two fingers of his fat right hand on the lapel of his
companion's coat: "Where should you like your body sent?" he asked in
feigned confidence. "Concerning these little details, it's just as
well to know your wishes now."
"You don't suppose this boob will try to fight, do you, when he knows
Jeffries will burn the shack over his head if another railroad man is
attacked in it?" demanded Pardaloe.
"The most ruinous habit I have had in life--and first and last I have
contracted many--has been, trusting other people," observed Lefever.
"A man shouldn't trust anybody--not even himself. We can burn the
boob's shack down--of course: but if you go in there alone the ensuing
blaze would be of no particular interest to you."
"All right. We go in together."
"Not exactly that, either. You go first. Few of these forty-four
bullets will go through two men at once."
Ignoring Lefever's pleasantry, Pardaloe, pulling his hat brim through
force of habit well over his eyes, shook himself loose and, like a big
cat walking in water, stepped toward the door. He could move his tall,
bony frame, seemingly covered only with muscles and sinews, so
silently that in the dark he made no more sound than a spectre. But
once before the door, with Lefever close at hand, he pounded the
cracked panels till the windows shook. Some time elapsed before there
was any response. The pounding continued till a flickering light
appeared at a window. There was an ill-natured colloquy, a delay, more
impatience, and at length the landlord reluctantly opened the door.
He held in his hand an oil-lamp. The chimney had been smoked in such a
way that the light of the flame was thrown forward and not back.
Lefever in the background, nothing disturbed, threw a flash-light back
at the half-dressed innkeeper. His hair was tumbled sleepily across
his forehead and his eyes--one showing a white scar across the
pupil--set deep in retreating orbits, blinked under heavy brows. "What
do you want?" he demanded. Pardaloe, without answering, pushed through
the half-open door into the room.
"We're staying here to-night," announced Pardaloe, as simply as
possible. Lefever had already edged into the doorway, pushing the
stubborn innkeeper aside by sheer bulk of weight and size.
The sleepy man gave ground stubbornly. "I've got no beds," he growled
surlily. "You can't stay here."
Lefever at once assumed the case for the intruders. "I could sleep
this minute standing on my head," he declared. "And as for staying
here, I can't stay anywhere else. What's your name, son?" he demanded,
buttonholing in his off-hand way the protesting man.
"My name is Philippi," answered the one-eyed defiantly.
"Regards to Brutus, my dear fellow," retorted Lefever, seizing the
man's hand as if happily surprised.
"You can't crowd in here, so you might as well move on," declared
Philippi gruffly. "This is no hotel."
Lefever laughed. "No offense, Philippi, but would it be indiscreet to
ask which side of your face hurts the most when you smile?"
"If you've got no beds, we won't bother you long," interposed
Pardaloe.
"I'd like a pitcher of ice-water, anyway," persisted Lefever. "Sit
down, noble Greek; we'll talk this over."
"Who are you fellows?" demanded Philippi, looking from one to the
other.
"I am a prospector from the Purgatoire," answered Pardaloe.
Philippi turned his keen eye on Lefever. "You a railroad man?"
"No, sir," declared Lefever, dusting the alkali vigorously from his
coat sleeve.
"What are you?"
John looked as modest as it was possible for him to look. "Few people
ask me that, but in matter of fact I am an _objet d'art_."
"What's that?"
"Different things at different times to different men, Philippi,"
answered Lefever simply, exploring, while he spoke, different corners
of the room with his flash-light. "At this moment--" he stopped
suddenly, then resumed reassuringly--"I want a drink."
"Nothing doing," muttered the landlord sulkily.
Lefever's flash-light focussed on a United States license hanging back
of the bar. "Is that a mere frame-up, Philippi?" he demanded, walking
significantly toward the vender's authority.
"Nothing in the house to-night."
"Then," announced Lefever calmly, "I arrest you."
Philippi started. "Arrest me?"
"For obtaining a thirst under false pretenses. Come, now, before we
slip the irons on, get us something to eat. I'll go up-stairs and pick
out a room to sleep in."
"I tell you," insisted Philippi profanely, "there are no rooms for you
to sleep in up-stairs."
"And I," retorted Lefever, "tell you there are. Anyway, I left a
sewing-machine up-stairs here three years ago, and promised to keep it
oiled for the lady. This is a good time to begin."
With Lefever making the old steps creak, ahead, and Pardaloe, with
his long, soft, pigeon-toed tread close behind, the unwilling
landlord was taken up the stairs, and the two men thoroughly searched
the house. Lefever lowered his voice when the hunt began through
the bedrooms--few of which contained even a bed--but he kept up a
running fire of talk that gave Philippi no respite from anxiety.
Outside the kitchen quarters, which likewise were rigorously searched,
not a soul could be found in the house. One room only, over the
kitchen, gave hope of uncovering something. The party reached the door
of this room through a narrow, tortuous passageway along an attic
gable. The door was locked. Philippi told them it belonged to a
sheep-herder who did not use it often. He protested he had no key.
Pardaloe knocked and, getting no response, tried unsuccessfully to
force the lock. Lefever motioned him aside and, after knocking loudly
on the door himself, laid his shoulder against it. The door creaked
and sprung in crazy protest. The panels cracked, the stubborn frame
gave, and with a violent crash Lefever pushed completely through the
locked barrier and threw his flash-light inside. Pardaloe, urging the
unwilling Philippi ahead, followed.
The room, unfinished under the rafters, was destitute of furnishings,
and bore traces of long disuse. Stretched on the floor toward the
middle of it, and side by side, lay two men. One of them was very
large, the other not more than half his companion's size. Lefever
kneeling over the man nearest the door listened for signs of
breathing, and laid his head to the man's heart. Having completed his
examination, he went around to the other--Pardaloe and Philippi
silently watching--and looked him over with equal care. When he had
done, he examined, superficially, the wounds of each man. Rising, he
turned toward Philippi. "Were these men dead when you brought them up
here?"
"I didn't bring 'em up," growled Philippi.
"You know them, Pardaloe?" asked Lefever. Pardaloe answered that he
did. Lefever turned sharply on Philippi. "Where were you when this
fight was going on?"
"Down at the stage barn."
"Getting your alibi ready. But, of course, you know that won't let you
out, Philippi. Your best chance is to tell the truth. There were two
others with this pair--where are Gale Morgan and Sassoon?"
"Satt Morgan was here with hay to-day. He took them over this evening
to Music Mountain."
"Where were they hit?"
"Morgan was hit in the shoulder, as far as I heard. Sassoon was hit in
the side, and in the neck."
"Where is de Spain?"
"Dead, I reckon, by this time."
"Where's his body?"
"I don't know."
"Why do you think he is dead?"
"Sassoon said he was hit in the head."
"Yet he got away on horseback!"
"I'm telling you what Sassoon said; I didn't see him."
Lefever and Pardaloe rode back to the stage barn. "Certainly looks
blue for Henry," muttered Lefever, after he had gone over with
Pardaloe and McAlpin all of the scant information that could be
gathered. "Bob Scott," he added gloomily, "may find him somewhere on
the Sinks."
At Sleepy Cat, Jeffries, wild with impatience, was on the telephone.
Lefever, with McAlpin and Pardaloe standing at his side, reported to
the superintendent all he could learn. "He rode away--without help, of
course," explained Lefever to Jeffries in conclusion. "What shape he
is in, it's pretty hard to say, Jeffries. Three more of the bunch,
Vance Morgan, Bull Page, and a lame man that works for Bill Morgan,
were waiting in the saddle at the head of the draw between the barn
and the hotel for him if he should get away from the inn. Somehow, he
went the other way and nobody saw hide nor hair of him, so far as I
can learn. If he was able to make it, Jeff, he would naturally try for
Sleepy Cat. But that's a pretty fair ride for a sound man, let alone a
man that's hit--and everybody claims he was hit. If he wasn't hit he
should have been in Sleepy Cat long before this. You say you've had
men out across the river?"
"Since dark," responded Jeffries. "But, John," he asked, "could a man
hit in the way de Spain was hit, climb into a saddle and make a
get-away?"
"Henry might," answered Lefever laconically.
Scott, with two men who had been helping him, rode in at two o'clock
after a fruitless search to wait for light. At daybreak they picked up
the trail. Studying carefully the room in which the fight had taken
place, they followed de Spain's jump through the broken sash into the
patio. Blood that had been roughly cleaned up marked the spot where he
had mounted the horse and dashed through an open corral gate down the
south trail toward Music Mountain. There was speculation as to why he
should have chosen a route leading directly into the enemy's country,
but there was no gainsaying the trail--occasional flecks of blood
blazed the direction of the fleeing hoofs. These led--not as the
trailers hoped they would, in a wide détour across easy-riding
country toward the north and the Sleepy Cat stage road--but farther
and farther south and west into extremely rough country, a no man's
land, where there was no forage, no water, and no habitation. Not this
alone disquieted his pursuers; the trail as they pursued it showed the
unsteady riding of a man badly wounded.
Lefever, walking his horse along the side of a ridge, shook his head
as he leaned over the pony's shoulder. Pardaloe and Scott rode abreast
of him. "It would take some hit, Bob, to bring de Spain to this kind
of riding."
Beyond the ridge they found where he had dismounted for the first
time. Here Scott picked up five empty shells ejected from de Spain's
revolver. They saw more than trace enough of how he had tried to
stanch the persistent flow from his wounds. He seemed to have worked a
long time with these and with some success, for his trail thereafter
was less marked by blood. It was, however, increasingly unsteady, and
after a time it reached a condition that led Scott to declare de Spain
was no longer guiding Sassoon's pony; it was wandering at will.
Confirmation, if it were needed, of the declaration could soon be read
in the trail by all of them. The horse, unrestrained by its rider, had
come almost completely about and headed again for Music Mountain.
Within a few miles of the snow-covered peak the hoof-prints ran
directly into the road from Calabasas to Morgan's Gap and were
practically lost in the dust of the wagon road.
"Here's a go," muttered Pardaloe at fault, after riding back and forth
for a mile in an effort to pick the horse up again.
"Remember," interposed Scott mildly, "he is riding Sassoon's
horse--the brute is naturally heading for home."
"Follow him home, then," said Lefever unhesitatingly.
Scott looked at his companion in surprise: "Near home, you mean,
John," he suggested inoffensively. "For three of us to ride into the
Gap this morning would be some excitement for the Morgans. I don't
think the excitement would last long--for us."
The three were agreed, however, to follow up to the mouth of the Gap
itself and did follow. Finding no trace of de Spain's movements in
this quest, they rode separately in wide circles to the north and
south, but without picking up a hoof-print that led anywhere or gave
them any clew to the whereabouts of the missing man.
"There is one consolation," muttered Lefever, as they held to what
each felt to be an almost hopeless search. "As long as Henry can
stick to a saddle he can shoot--and the Morgans after yesterday
afternoon will think twice before they close in on him, if they find
him."
Scott shook his head: "That brings us up against another proposition,
John. De Spain hasn't got any cartridges."
Lefever turned sharply: "What do you mean?"
"His belt is in the barn at Calabasas, hanging up with his coat."
"Why didn't you tell me that before," demanded Lefever indignantly.
"I've been hoping all the time we'd find Henry and I wouldn't have to
tell you."
In spite of the hope advanced by Lefever that de Spain might by some
chance have cartridges in his pocket, Scott's information was
disquieting. However, it meant for de Spain, they knew, only the
greater need of succor, and when the news of his plight was made known
later in the day to Jeffries, efforts to locate him were redoubled.
For a week the search continued day and night, but each day, even each
succeeding hour, reduced the expectation of ever seeing the hunted man
alive. Spies working at Calabasas, others sent in by Jeffries to Music
Mountain among the Morgans, and men from Medicine Bend haunting Sleepy
Cat could get no word of de Spain. Fairly accurate reports accounted
for Gale Morgan, nursing a wound at home, and for Sassoon, badly
wounded and under cover somewhere in the Gap. Beyond this, information
halted.
Toward the end of the week a Mexican sheep-herder brought word in to
Lefever that he had seen in Duke Morgan's stable, Sassoon's horse--the
one on which de Spain had escaped. He averred he had seen the
blood-stained Santa Fe saddle that had been taken off the horse when
the horse was found at daybreak of the day following the fight,
waiting at Sassoon's corral to be cared for. There could be, it was
fairly well ascertained, no mistake about the horse: the man knew the
animal; but his information threw no light on the fate of its missing
rider.
Though Scott had known first of de Spain's helpless condition in
his desperate flight, as regarded self-defense, the Indian was the
last to abandon hope of seeing him alive again. One night, in the
midst of a gloomy council at Jeffries's office, he was pressed for
an explanation of his confidence. It was always difficult for Scott
to explain his reasons for thinking anything. Men with the surest
instinct are usually poorest at reasoning a conviction out. But,
Bob, cross-examined and harried, managed to give some explanation
of the faith that was in him. "In the first place," he said, "I've
ridden a good deal with that man--pretty much all over the country
north of Medicine Bend. He is as full of tricks as a nut's full of
meat. Henry de Spain can hide out like an Indian and doctor himself.
Then, again, I know something about the way he fights; up here,
they don't. If those four fellows had ever seen him in action they
never would have expected to get out of a room alive, after a showdown
with Henry de Spain. As near as I can make out from all the talk
that's floating around, what fooled them was seeing him shoot at a
mark here one day in Sleepy Cat."
Jeffries didn't interrupt, but he slapped his knee sharply.
"You might just as well try to stand on a box of dynamite, and shoot
into it, and expect to live to tell it," continued Scott mildly, "as
to shoot into that fellow in a room with closed doors and expect to
get away with it. The only way the bunch can ever kill that man,
without getting killed themselves, is to get him from behind; and at
that, John, the man that fires the gun," murmured the scout, "ought to
be behind a tree.
"You say he is hit. I grant it," he concluded. "But I knew him once
when he was hit to lie out in the bush for a week. He got cut off once
from Whispering Smith and Kennedy after a scrimmage outside Williams
Cache two years ago."
"You don't believe, then, he's dead, Bob?" demanded Jeffries
impatiently.
"Not till I see him dead," persisted Scott unmoved.
CHAPTER XII
ON MUSIC MOUNTAIN
De Spain, when he climbed into Sassoon's saddle, was losing sight and
consciousness. He knew he could no longer defend himself, and was so
faint that only the determination of putting distance between him and
any pursuers held him to the horse after he spurred away. With the
instinct of the hunted, he fumbled with his right hand for his means
of defense, and was relieved to find his revolver, after his panicky
dash for safety, safe in its place. He put his hand to his belt for
fresh cartridges. The belt was gone.
The discovery sent a shock through his failing faculties. He could not
recollect why he had no belt. Believing his senses tricked him, he
felt again and again for it before he would believe it was not buckled
somewhere about him. But it was gone, and he stuck back in his
waistband his useless revolver. One hope remained--flight, and he
spurred his horse cruelly.
Blood running continually into his eyes from the wound in his head
made him think his eyes were gone, and direction was a thing quite
beyond his power to compass. He made little effort to guide, and his
infuriated horse flew along as if winged.
A warm, sticky feeling in his right boot warned him, when he tried to
make some mental inventory of his condition, of at least one other
wound. But he found he could inventory nothing, recollect next to
nothing, and all that he wanted to do was to escape. More than once he
tried to look behind, and he dashed his hand across his red forehead.
He could not see twenty feet ahead or behind. Even when he hurriedly
wiped the cloud from his eyes his vision seemed to have failed, and he
could only cling to his horse to put the miles as fast as possible
between himself and more of the Morgans.
A perceptible weakness presently forced him to realize he must look to
his wounded foot. This he did without slackening speed. The sight of
it and the feeling inside his torn and blood-soaked boot was not
reassuring, but he rode on, sparing neither his horse nor his
exhaustion. It was only when spells of dizziness, recurring with
frequency, warned him he could not keep the saddle much longer, that
he attempted to dismount to stanch the drip of blood from his
stirrup.
Before he slackened speed he tried to look behind to reconnoitre.
With relief he perceived his sight to be a trifle better, and in
scanning the horizon he could discover no pursuers. Choosing a
secluded spot, he dismounted, cut open his boot, and found that a
bullet, passing downward, had torn an artery under the arch of the
foot. Making a rude tourniquet, he succeeded in checking pretty well
the spurting flow that was sapping his strength. After he had adjusted
the bandage he stood up and looked at it. Then he drew his revolver
again and broke it. He found five empty shells in the chambers and
threw them away. The last cartridge had not been fired. He could not
even figure out how he had happened to have six cartridges in the
cylinder, for he rarely loaded more than five. Indeed, it was his
fixed habit--to avoid accidents--never to carry a cartridge under the
hammer of his gun--yet now there had been one. Without trying to
explain the circumstance, he took fresh stock of his chances and began
to wonder whether he might yet escape and live.
He climbed again into the saddle, and, riding to a ridge, looked
carefully over the desert. It was with an effort that he could steady
himself, and the extent of his weakness surprised him. What further
perplexed him as he crossed a long divide, got another good view and
saw no pursuit threatening in any direction, was to identify the
country he was in. The only landmark anywhere in sight that he could
recognize was Music Mountain. This now lay to the northwest, and he
knew he must be a long way from any country he was familiar with. But
there was no gainsaying, even in his confused condition, Music
Mountain. After looking at it a long time he headed with some
hesitation cautiously toward it, with intent to intercept the first
trail to the northeast. This would take him toward Sleepy Cat.
As his eyes continued to sweep the horizon he noted that the sun was
down and it was growing dark. This brought a relief and a difficulty.
It left him less in fear of molestation, but made it harder for him to
reach a known trail. The horse, in spite of the long, hard ride seemed
fresh yet, and de Spain, with one cartridge would still have laughed
at his difficulties had he not realized, with uneasiness, that his
head was becoming very light. Recurring intervals of giddiness
foreshadowed a new danger in his uncharted ride. It became again a
problem for him to keep his seat in the saddle. He was aware at
intervals that he was steadying himself like a drunken man. His
efforts to guide the horse only bewildered the beast, and the two
travelled on maudlin curves and doubled back on their track until de
Spain decided that his sole chance of reaching any known trail was to
let go and give the horse his head.
A starless night fell across the desert. With danger of pursuit
practically ended, and only a chance encounter to fear, de Spain tried
to help himself by walking the horse and resting his bleeding foot in
front of the pommel, letting the pony pick his way as he chose. A
period of unconsciousness, a blank in de Spain's mind, soon followed
the slowing up. He came to himself as he was lurching out of the
saddle. Pulling himself together, he put the wet foot in the stirrup
again and clung to the pommel with his hands. How long he rode in this
way, or how far, he never knew. He was roused to consciousness by the
unaccustomed sound of running water underneath his horse's feet.
It was pitch dark everywhere. The horse after the hard experience of
the evening was drinking a welcome draft. De Spain had no conception
of where he could be, but the stream told him he had somehow reached
the range, though Music Mountain itself had been swallowed up in the
night. A sudden and uncontrollable thirst seized the wounded man. He
could hear the water falling over the stones and climbed slowly and
painfully out of the saddle to the ground. With the lines in his left
hand he crawled toward the water and, lying flat on the ground beside
the horse, put his head down to drink. The horse, meantime, satisfied,
lifted his head with a gulp, rinsed his mouth, and pulled backward.
The lines slipped from de Spain's hand. Alarmed, the weakened man
scrambled after them. The horse, startled, shied, and before his rider
could get to his feet scampered off in a trot. While de Spain listened
in consternation, the escaped horse, falling into an easy stride,
galloped away into the night.
Stunned by this new misfortune, and listening gloomily to the
retreating hoof-beats, de Spain pondered the situation in which the
disaster left him. It was the worst possible blow that could have
fallen, but fallen it had, and he turned with such philosophy as he
could to complete the drink of water that had probably cost him his
life. At least, cold water never tasted sweeter, never was so grateful
to his parched tongue, and since the price of the draft might be
measured by life itself, he drank extravagantly, stopping at times to
rest and, after breathing deeply, to drink again.
When he had slaked a seemingly unquenchable craving, he dashed the
running water, first with one hand and then the other, over his face.
He tried feebly to wash away some of the alkali that had crusted over
the wound in the front of his head and was stinging and burning in it.
There was now nothing to do but to secrete himself until daylight and
wait till help should reach him--it was manifestly impossible for him
to seek it.
Meantime, the little stream beside him offered first aid. He tried it
with his foot and found it slight and shallow, albeit with a rocky bed
that made wading in his condition difficult. But he felt so much
better he was able to attempt this, and, keeping near to one side of
the current, he began to follow it slowly up-stream. The ascent was at
times precipitous, which pleased him, though it depleted his new
strength. It was easy in this way to hide his trail, and the higher
and faster the stream took him into the mountains the safer he would
be from any Calabasas pursuers. When he had regained a little strength
and oriented himself, he could quickly get down into the hills.
Animated by these thoughts, he held his way up-stream, hoping at every
step to reach the gorge from which the flow issued. He would have
known this by the sound of the falling water, but, weakening soon, he
found he must abandon hope of getting up to it. However, by resting
and scrambling up the rocks, he kept on longer than he would have
believed possible. Encountering at length, as he struggled upward, a
ledge and a clump of bushes, he crawled weakly on hands and knees into
it, too spent to struggle farther, stretched himself on the flattened
brambles and sank into a heavy sleep.
* * * * *
He woke in broad daylight. Consciousness returned slowly and he raised
himself with pain from his rough couch. His wounds were stiff, and he
lay for a long time on his back looking up at the sky. At length he
dragged himself to an open space near where he had slept and looked
about. He appeared to be near the foot of a mountain quite strange to
him, and in rather an exposed place. The shelter that had served him
for the night proved worthless in daylight and, following his strongly
developed instinct of self-preservation, de Spain started once more up
the rocky path of the stream. He clambered a hundred feet above where
he had slept before he found a hiding-place. It was at the foot of a
tiny waterfall where the brook, striking a ledge of granite, had
patiently hollowed out a shallow pool. Beside this a great mass of
frost-bitten rock had fallen, and one of the bowlders lay tilted in
such a way as to roof in a sort of cave, the entrance to which was
not higher than a man's knee. De Spain crawled into this refuge. He
conceived that from this high, open ledge he could show a small
signal-fire at night, and if it were answered by his enemies he had a
semblance of a retreat under the fallen rock, a hunting-knife, and one
lone cartridge to protect himself with. A mountain-lion might have to
be reckoned with; and if a pursuer should follow him under the rock
his only chance would lie in getting hold, after a fight, of the man's
loaded revolver or ammunition-belt. Such a hope involved a great deal
of confidence, but de Spain was an optimist--most railroad men are.
The outlook was, in truth, not altogether cheerful--some would have
called it, for a wounded man, desperate--but it had some slight
consolations and de Spain was not given to long-range forebodings. The
rising sun shone in a glory of clearness, and the cool night air
rolling up the mountain was grateful and refreshing. Lying flat on the
rock, he stretched his head forward and drank deeply of the ice-cold
pool beside which he lay. The violent exertion of reaching the height
had started the ruptured artery anew, and his first work was crudely
to cleanse the wound and attempt to rebandage it. He was hungry, but
for this there was only one alleviation--sleep--and, carefully
effacing all traces of his presence on the ledge, he crawled into his
rock retreat and fell again into a heavy slumber.
It was this repose that proved his undoing. He woke to consciousness
so weak he could scarcely lift his head. It was still day. A consuming
thirst assailed him, but he lacked the strength to crawl out of his
cave, and, looking toward his bandaged foot, he was shocked at the
sight of how it had bled while he slept. When he could rally from his
discouragement he rewound the bandages and told himself what a fool he
had been to drag his foot up the rocks before the wound had had any
chance to heal. He resolved, despite his thirst, to lie still all day
and give the artery absolute quiet. It required only a little
stoicism; the stake was life.
Toward afternoon his restlessness increased, but he clung to his
resolve to lie still. By evening he was burning with thirst, and when
morning came after a feverish night, with his head on fire and his
mouth crusted dry, he concluded rightly that one or both of his wounds
had become infected.
De Spain understood what it meant. He looked regretfully at the
injured foot. Swollen out of shape and angry-looking, the mere
appearance would have told him, had the confirmation been needed,
that his situation was becoming critical. This did not so much
disconcert him as it surprised him and spurred him mentally to the
necessity of new measures. He lay a long time thinking. Against the
infection he could do little. But the one aid at his hand was
abundance of cold water to drink and bathe his wound in, and to this
he resolved now to drag himself. To crawl across the space that
separated him from the pool required all the strength he could summon.
The sun was already well up and its rays shot like spectrum arrows
through the spray of the dainty cataract, which spurted in a jewelled
sheet over a rocky ledge twenty feet above and poured noisily down
from the broad pool along jagged bowlders below.
Crawling, choking with thirst, slowly forward, he reached the water,
and, reclining on his side and one elbow, he was about to lean down to
drink when he suddenly felt, with some kind of an instinctive shock,
that he was no longer alone on the ledge. He had no interest in
analyzing the conviction; he did not even question it. Not a sound had
reached his ears. Only a moment before he had looked carefully all
around. But the field of his vision was closely circumscribed by the
walls about him. It was easy for an invader to come on his retreat
unawares--at all events, somebody, he was almost sure, stood behind
him. The silence meant an enemy. The first thing to expect was a
bullet. It would probably be aimed at the back of his head. At least
he knew this was the spot to aim for to kill a man instantly and
painlessly--yet he shrank from that anticipated crash.
And it was this thought that cost the defenseless man at the moment
the most pain--that feeling, in advance, of the blow of the bullet
that should snuff out his life. Defense was out of the question; he
was as helpless as a baby. An impulse in his fingers to clutch his
revolver he restrained at once--it could only hasten his death. He
wondered, as the seconds passed, why his executioner hesitated to
shoot, but he could not rid himself of the mental horror of being shot
in the base of the brain. Anywhere else he would have almost welcomed
a bullet; anywhere else it might have given him one chance for life
through rolling over after he was struck in an attempt to kill his
assailant.
His thoughts, working in flashes of lightning, suggested every
possible trick of escape, and as rapidly rejected each. There was
nothing for it but to play the part, to take the blow with no more
than a quiver when it came. He had once seen a man shot in just that
way. Braced to such a determination, de Spain bent slowly downward,
and, with eyes staring into the water for a reflection that might
afford a glimpse of his enemy, he began to drink. A splash above his
head frightened him almost to death. It was a water ousel dashing into
the foaming cataract and out again, and the spray falling from the
sudden bath wrecked the mirror of the pool. De Spain nearly choked.
Each mouthful of water was a struggle. The sense of impending death
had robbed even the life-giving drafts of their tonic; each instant
carried its acute sensation of being the last. At length, his nerves
weakened by hunger and exposure, revolted under the strain. Suppose it
should be, after all, a fantasy of his fever that pictured so vividly
an enemy behind. With an effort that cost more mental torture than he
ever had known, he drew back on his elbow from the pool, steadied
himself, turned his head to face his executioner, and confronted Nan
Morgan.
CHAPTER XIII
PARLEY
She stood beside the rock from which the ledge was reached from below,
and as if she had just stepped up into sight. Her rifle was so held in
both hands that it could be fired from her hip, and at such close
quarters with deadly accuracy. As she stood with startled eyes fixed
on his haggard face, her slender neck and poised head were very
familiar to de Spain.
And her expression, while it reflected her horrified alarm, did
not conceal her anger and aversion at the sight of him. Unaware of
the forbidding spectacle he presented, de Spain, swept by a
brainstorm at the appearance of this Morgan--the only one of all the
Morgans he had not fancied covering him and waiting to deliver his
death-warrant--felt a fury sweep over him at the thought of being
shot by a woman. The wild idea that she meant to kill him, which in a
rational moment would never have entered his mind, now in his
delirium completely obsessed him. Working, as it were, mechanically,
even the instinct of self-defense asserted itself against her. But
enough of reason remained in his disordered senses to tell him that
self-defense was out of the question. Whatever she meant to do, he
could no more fire at this girl, even had he a chance--and he
realized he was at her mercy--than he could at his sister; and he
lay with his eyes bent on hers, trying to read her purpose.
She stood guarded, but motionless with surprise. De Spain turned
himself slowly and, sitting up, waited for her to speak. There was
little to hope for, he thought, in her expression. And all of his
duplicity seemed to desert him before her cold resolution. The tricks
he would have tried, at bay before a man, he felt no inclination to
attempt. He read in her set face only abhorrence and condemnation, and
felt in no way moved to argue her verdict. "I suppose," he said, at
length, not trying to disguise his bitter resentment of her presence,
"you've come to finish me."
His shirt stained and tattered for bandages, his hair matted in blood
on his forehead, his eyes inflamed and sunken, his lips crusted and
swollen, the birthmark fastened vividly on his cheek made him a
desperate sight. Regarding him steadily, Nan, as bewildered as if she
had suddenly come on a great wounded beast of prey still dangerous,
made no response to his words. The two stared at each other defiantly
and for another moment in silence. "If you are going to kill me," he
continued, looking into her eyes without any thought of appeal, "do it
quick."
Something in his long, unyielding gaze impelled her to break the spell
of it. "What are you doing here?" she demanded with anger, curbing her
voice to control her excitement as best she could.
De Spain, still looking at her, answered only after a pause. "Hiding,"
he said harshly.
"Hiding to kill other men!" Nan's accusation as she clutched her rifle
was almost explosive.
He regarded her coolly, and with the interval he had had for thinking,
his wits were clearing. "Do I look like a man hunting for a fight?
Or," he added, since she made no answer, "like a man hunting for a
quiet spot to die in? How," he went on slowly, delirium giving place
to indignation, "can you say I'm hiding here to kill other men? That's
what your people tell you, is it?"
"I know you are a murderer."
In spite of his weakness he flushed. "No," he exclaimed sharply, "I'm
not a murderer. If you think it"--he pointed contemptuously to her
side--"you have your rifle--use it!"
"My rifle is to defend myself with. I am not a public executioner,"
she answered scornfully.
"You need no rifle to defend yourself from me--though I am a
murderer. And if you're not a public executioner, leave me--I'm dying
fast enough."
"You came here to hide to kill somebody!" she exclaimed, as if the
thought were a sudden explanation.
"What do you mean by 'here'? I might better ask why you came here," he
retorted. "I don't know where I am. Do I look as if I came here by
choice?" He paused. "Listen," he said, quite master of himself, "I'll
tell you why I came. I shall never get away alive, anyway--you can
have the truth if you want it. I got off my horse in the night to get
a drink. He bolted. I couldn't walk. I climbed up here to hide till my
wounds heal. Now, I've told you the truth. Where am I?"
The grip of her hands on the rifle might have relaxed somewhat, but
she saw his deadly revolver in its accustomed place and did not mean
to surrender her command of him. Nor would she tell him where he was.
She parried his questions. He could get no information of any sort out
of her. Yet he saw that something more than his mere presence detained
and perplexed her. Her prompt condemnation of him rankled in his mind,
and the strain of facing her suspicion wore on him. "I won't ask you
anything more," he said at length. "You do right to give me no
information. It might help me save my life. I can't talk any longer.
You know you think I've no right to live--that's what you think, isn't
it? Why don't you shoot?" She only stared at him. "Why don't you
answer?" he demanded recklessly.
Nan summoned her resolution. "I know you tried to kill my cousin," she
said hotly, after he had taunted her once more. "And I don't know you
won't try it again as soon as you are able. And I am going to think
what to do before I tell you anything or do anything."
"You know I tried to kill your cousin! You know nothing of the kind.
Your cousin tried to kill me. He's a bully and a coward, a man that
doesn't know what fair fighting means. Tell him that for me."
"You are safe in abusing him when he's not here."
"Send him to me! This is no place for a woman that calls me what you
call me--send your cousin and all his friends!" His voice shook with
anger. "Tell him I'm wounded; tell him I've had nothing to eat since I
fought him before. And if he's still afraid"--de Spain drew and broke
his revolver almost like a flash. In that incredibly quick instant she
realized he might have threatened her life before she could move a
muscle--"tell your fine cousin I've got one cartridge left--just one!"
So saying, he held in one hand the loaded cartridge and in the other
the empty revolver.
"You think little of bloodshed, I know," she returned unpleasantly.
"I think a whole lot," he drawled in painful retort, "of fair
fighting."
"And I'm a woman--you do well to taunt me with that."
"I did not taunt you with it. You are hatefully unjust," he protested
sullenly.
"You've asked me to go--I'm going. How much of what you tell me is
true, I don't know. But I can believe my own eyes, and I believe you
are not in condition to do much injury, even if you came here with
that intention. You will certainly lose your life if you move from
your hiding-place."
She started away. He leaned toward her. "Stop," he said peremptorily,
raising himself with a wrenching effort. Something in the stern eye
held her. His extended hand pointed toward her as arbitrarily as if,
instead of lying helpless at her feet, he could command her to his
bidding. "I want to ask you a question. I've told you the truth. I
have just one cartridge. If you are going to send your cousin and his
men here, it's only fair I should know it now--isn't it?"
Her face was hard in spite of the weakness he struggled to conceal. It
annoyed her to think he had surmised she was revolving in her mind
what to do. He was demanding an answer she had not yet given to
herself.
"My cousin is wounded," she said, pausing. And then with indecision:
"If you stay here quietly you are not likely to be molested."
She stepped down from the ledge as noiselessly as she had come. Shaken
by the discovery she had so unexpectedly made, Nan retreated almost
precipitately from the spot. And the question of what to do worried
her as much as it worried de Spain. The whole range had been shaken by
the Calabasas fight. Even in a country where appeal to arms was
common, where men were ready to snuff out a life for a word, or kill
for a mess of pottage--to settle for the least grave offense a dispute
with a shot--the story of the surprising, unequal, and fatal encounter
of the Calabasas men with de Spain, and of his complete disappearance
after withstanding almost unheard-of odds, was more than a three days'
wonder; nothing else was talked of for weeks. Even the men in Morgan's
Gap, supposed to be past masters of the game played in the closed room
at Calabasas, had been stunned by the issue of the few minutes with
Jeffries's new man.
Nan, who had heard but one side of the story, pictured the aggressor
from the tale of the two who lived to tell of the horribly sharp
action with him. Morning, noon, and night she had heard nothing but
the fight at Calabasas discussed by the men that rode in and out of
the Gap--and in connection with it, de Spain's unexplained flight
and disappearance. Those that knew the real story of the conspiracy
to kill him did not talk much, after the disastrous outcome, of
that part of the affair. But Nan's common sense whispered to her,
whatever might be said about de Spain's starting the fight, that
one man locked in a room with four enemies, all dangerous in an
affray, was not likely to begin a fight unless forced to--none, at
least, but a madman would do so. She had heard stories, too, of de
Spain's drinking and quarrelling, but none that told them had ever
seen him under the influence of drink or had had a quarrel with him
except Gale and Sassoon--and these two were extremely quarrelsome.
Unhappy and irresolute, Nan, when she got home, was glad of an excuse
to ride to Calabasas for a packet of dressings coming by stage from
Sleepy Cat for Gale, who lay wounded at Satt Morgan's; and, eating a
hasty luncheon, she ordered her horse and set out.
Should she tell her Uncle Duke of finding de Spain? Whenever she decided
that she must, something in the recollection of de Spain's condition
unsettled her resolution. Tales enough of his bloodthirstiness, his
merciless efficiency, his ever-ready craft and consummate duplicity
were familiar to her--most of them made so within the last three
days--for no one in her circle any longer professed to underrate the
demonstrated resourcefulness of the man.
Yet only a few of these stories appealed to Nan's innate convictions
of truth and justice. She lived among men who were, for the most part,
not truthful or dependable even in small things--how could they be
relied on to tell the truth about de Spain's motives and conduct? As
to his deadly skill with arms, no stories were needed to confirm this,
even though she herself had once overcome him in a contest. The
evidence of this mastery had now a fatal pre-eminence among the
tragedies of the Spanish Sinks. Where he lay he could, if he meditated
revenge on her people, murder any of them, almost at will. To spare
his life imperilled to this extent theirs--but surely he lay not far
from death by exhaustion. Weighed against all she had ever listened
to concerning his deceit was the evidence of her own sight. She had
seen men desperately ill, and men desperately stricken. This man was
either both or she could never again believe her senses. And if he was
not helped soon he would die.
But who was to help him? Certainly none of his friends could know
where he was hidden or of his plight--no help could come from them
unless she told them. If she told them they would try to reach him.
That would mean an appalling--an unthinkable--fight. If she told her
uncle, could she keep him from killing de Spain? She believed not. He
might promise to let him go. But she knew her uncle's ferocious
resentment, and how easy it would be for him to give her fine words
and, in spite of them, for de Spain to be found dead some morning
where he lay--there were plenty of men available for jobs such as
that.
All came back to one terrifying alternative: Should she help this
wretched man herself? And if he lived, would he repay her by shooting
some one of her own kin?
The long ride to Calabasas went fast as the debate swept on, and the
vivid shock of her strange experience recurred to her imagination.
She drew up before the big barn. Jim McAlpin was coming out to go to
supper. Nan asked for her package and wanted to start directly back
again. McAlpin refused absolutely to hear of it. He looked at her
horse and professed to be shocked. He told her she had ridden hard,
urged her to dismount, and sent her pony in to be rubbed, assuring Nan
heartily there was not a man, outside the hostlers, within ten miles.
While her horse was cared for, McAlpin asked, in his harmless Scotch
way, about Gale.
Concerning Gale, Nan was non-committal. But she listened with
interest, more or less veiled, to whatever running comment McAlpin had
to offer concerning the Calabasas fight. "And I was sorry to see Gale
mixed up in it," he concluded, in his effort to draw Nan out, "sorry.
And sorrier to think of Henry de Spain getting killed that way. Why, I
knowed Henry de Spain when he was a baby in arms." He put out his hand
cannily. "I worked for his father before he was born." His listener
remained obdurate. There was nothing for it except further probing, to
which, however, Jim felt abundantly equal. "Some say," he suggested,
looking significantly toward the door of the barn, and significantly
away again, "that Henry went down there to pick a fight with the boys.
But," he asserted cryptically, "I happen to know _that_ wasn't so."
"Then what did he go down there for?" demanded Nan indignantly, but
not warily.
McAlpin, the situation now in hand, took his time to it. He leaned
forward in a manner calculated to invite confidence without giving
offense. "Miss Nan," said he simply, "I worked for your Uncle Duke for
five years--you know that." Nan had, at least, heard it fifty times.
"I think a good deal of him--I think a good deal of you, so does the
missus, so does little Loretta--she's always asking about you, the
child is--and I hear and see a good deal here that other people don't
get next to--they can't. Now Henry de Spain was here, with me, sitting
right there where you are sitting, Miss Nan, in that chair," declared
McAlpin with an unanswerable finger, "not fifteen minutes before that
fight began, he was there. I told you he never went down there to
fight. Do you want the proof? I'll tell you--I wouldn't want anybody
else to know--will you keep it?"
Nan seemed indifferent. "Girls are not supposed to keep secrets," she
said obstinately.
Her narrator was not to be balked. He pointed to the coat-rack on the
wall in front of them both. "There is Henry de Spain's coat. He hung
it there just before he went down to the inn. Under it, if you look,
you'll find his belt of cartridges. Don't take my word--look for
yourself."
Giving this information time to sink in, McAlpin continued. Nan's eyes
had turned, despite her indifference, to the coat; but she was
thinking more intently about the belt which McAlpin asserted hung
under it. "You want to know what he did go down to the hotel for that
afternoon? I happen to know that, too," averred McAlpin, sitting down,
but respectfully, on the edge of the chair. "First I want to say this:
I worked for your Uncle Duke five years."
He paused to give Nan a chance to dispute the statement if she so
desired. Then taking her despairing silence as an indorsement of his
position in giving her a confidence, he went on: "Henry de Spain is
dead," he said quietly. She eyed him without so much as winking. "I
wouldn't tell it if he wasn't. Some of the boys don't believe he is.
I'm not a pessimist--not a bit--but I'm telling you it's a physical
impossibility for a man to take the fire of four revolvers in the
hands of four men like those four men, at arm's length, and live.
Henry de Spain is the cleverest man with a gun that ever rode the
Spanish Sinks, but limits is limits; the boy's dead. And he was always
talking about you. It's God's truth, and since he's dead it harms no
one to tell it to you, though I'd never breathe it to another. He was
fairly gone on you. Now that's the fair truth: the man was gone on
you. I knowed it, where others didn't know it. I was the only one he
could always ask about whether you'd been here, and when; and when you
might be expected coming again--and all such things like that.
"You don't have to knock me down, Miss Nan, to put me wise about a
man's being keen on a girl. I'm a married man," declared McAlpin with
modest pride. "He thought all the time he was fooling me, and keeping
covered. Why, I laughed to myself at his tricks to get information
without letting on! Now, that afternoon he came in here kind of moody.
It was an anniversary for him, and a hard one--the day his father was
shot from ambush--a good many years ago, but nary one of us had forgot
it. Then he happened to see your pony--this same pony you're riding
to-day--a-standing back there in the box-stall. He asked me whose it
was; and he asked me about you, and, by jinx! the way he perked up
when I told him you were coming in on the stage that afternoon! When
he heard you'd been sick, he was for going down to the hotel to get a
cup of coffee--for you!" McAlpin, like any good story-teller, was
already on his feet again. "He did it," he exclaimed, "and you know
what _he_ got when he stepped into the barroom." He took hold of de
Spain's coat and held it aside to enter his exhibit. "There," he
concluded, "is his cartridge-belt, hanging there yet. The boy is
dead--why shouldn't I tell you?"
Nan rode home much more excited, more bewildered than when she had
ridden over. What should she do? It was already pretty clear to her
that de Spain had not ridden unarmed to where she found him to ambush
any of the Morgans. He was not dead; but he was not far from it if
McAlpin was right and if she could credit her own senses in looking at
him. What ought she to do?
Other things McAlpin had said crowded her thoughts. Strangest shock of
all that this man of all other men should profess to care for her. She
had shown anger when McAlpin dared speak of it; at least, she thought
she had. And she still did not know how, sufficiently, to resent the
thought of such audacity on de Spain's part; but recalling all she
could of his words and actions, she was forced to confess to herself
that McAlpin's assertions were confirmed in them--and that what
McAlpin had said interpreted de Spain's unvarying attitude toward her.
This was, to say the least, a further awkward complication for her
feelings. She already had enough to confuse them.
CHAPTER XIV
NAN DRIFTS
Without going in to speak to Gale, whom Bull Page, his nurse, reported
very cross but not hurt much, Nan left her packet for him and rode
home. Her uncle Duke was in town. She had the house to herself, with
only Bonita, the old Mexican serving-woman, and Nan ate her late
supper alone.
The longer she pondered on de Spain and his dilemma--and her own--the
more she worried. When she went to bed, up-stairs in her little gable
room, she thought sleep--never hard for her to woo--would relieve her
of her anxiety for at least the night. But she waited in vain for
sleep. She was continually asking herself whether de Spain was really
very badly hurt, or whether he might be only tricking her into
thinking he was. Assailed by conflicting doubts, she tossed on her
pillow till a resolve seized her to go up again to his hiding-place
and see what she could see or hear--possibly, if one were on foot, she
could uncover a plot.
She dressed resolutely, buckled a holster to her side, and slipping a
revolver--a new one that Gale had given her--into it for protection,
she walked softly down-stairs and out of doors.
The night air was clear with a three-quarter moon well up in the sky.
She took her way rapidly along the trail to the mountain, keeping as
much as possible within the great shadows cast by the towering peaks.
Not a sound met her acute listening as she pressed on--not a living
thing seemed to move anywhere in the whole great Gap, except this
slender-footed, keen-eyed girl, whose heart beat with apprehension of
wiles, stratagems, and ambush concerning the venture she was making.
Breathing stealthily and keyed to a tense feeling of uncertainty and
suspicion, Nan at length found herself below the ledge where de Spain
was in hiding. She stopped and, with the craft of an Indian, stood
perfectly still for a very long time before she began to climb up to
where the enemy lay. Hearing no sound, she took courage and made the
ascent. She reached without adventure the corner of the ledge where
she had first seen him, and there, lying flat, listened again.
Hearing only the music of the little cascade, she swept the ledge as
well as she could with her eyes, but it was now so far in shadow as to
lie in impenetrable darkness. Hardly daring to breathe, she crept and
felt her way over it with her hands, discovering nothing until she had
almost reached de Spain's retreat at the farther side. Then her heart
stopped in an agony of fear--underneath the overhanging wall she heard
voices.
To attempt to escape was as dangerous as to lie still. Had she dared,
she would have retreated at once the way she came. Since she dared
not, she was compelled to hear what was said, and, indeed, was eager
to hear. De Spain had confederates, then, and had tricked her, after
all. Whatever his plot, she was resolved to know it, and instead of
retreating she took her revolver in hand and drew herself nearer. When
she had gained her new position the mutterings, which had been
indistinct, became audible. It was not two voices she had heard, but
one--de Spain, she judged, was talking in his sleep.
But a moment later this explanation failed to satisfy her. The
mutterings were too constant and too disconnected to be mistaken for
sleep-talking--it dawned on Nan that this must be delirium. She could
hear de Spain throwing himself from side to side, and the near and far
sounds, as if of two voices, were explained. It was possible now for
her to tell herself she was mistress of the situation. She crept
nearer.
He was babbling in the chill darkness about ammunition, urging men to
make haste, warning them of some one coming. He turned on the rock
floor ceaselessly, sometimes toward her, sometimes from her, muttering
of horses, water, passengers, wheels, wrecks. He made broken appeals
to be chopped out, directed men where to use their axes. Nan listened
to his ravings, overcome by the revelation of his condition. Once her
uncle had lain sick of a fever and had been delirious; but that, her
sole experience, was nothing to this. Once de Spain threw out a
groping hand and, before she could escape, caught her skirt. Nan tried
to pull away. His grip did not loosen. She took his hand in hers and,
while he muttered meaningless words, forced his fingers open and drew
away. His hand was dry and burning hot.
She told herself he must die if he remained longer unaided, and there
were unpleasant possibilities, if he died where he lay. Such a death,
so close to her own home might, if it were ever known, throw suspicion
on her uncle and arouse the deeper resentment of the wounded man's
friends. If the least of pity played a part in suggesting that her
safest course was to help de Spain, Nan kept its promptings as much as
she could in the penumbra of her thoughts. She did not want to pity or
to help him, she convinced herself; but she did not want his death
laid to a Morgan plot--for none of his friends would ever believe de
Spain had found his way alive and alone to where he lay.
All of this Nan was casting up in her mind as she walked home. She had
already decided, but without realizing it, what to do, and was willing
to assume that her mind was still open.
Toward daylight of the morning, de Spain dreamed he was not
alone--that a figure moved silently in the faintness of the dawn--a
figure he struggled to believe a reality, but one that tricked his
wandering senses and left him, at the coming of another day, weaker,
with failing courage, and alone.
But when he opened his eyes later, and with a clearer head, he found
food and drink near. Unable to believe his sight, he fancied his
wavering senses deceiving him, until he put out his hand and felt
actually the substance of what he saw. He took up a bottle of milk
incredulously, and sipped at it with the caution of a man not unused
to periods of starvation. He broke eggs and swallowed them, at
intervals, hungrily from the shell; and meat he cached, animal-like,
in near-by crannies and, manlike, in his pockets.
He was determined, if she should come again, to intercept his visitor.
For forty-eight hours he tried cat-naps with an occasional sandwich
to keep up his strength. Nan returned unseen, and disappeared despite
his watchfulness. A new supply of food proved she had been near, but
that it would be hard to time her coming.
When she did come, the third time, an innocent snare discovered her
presence. It was just before day, and de Spain had so scattered small
obstacles--handfuls of gravel and little chips of rock--that should
she cross the ledge in the dark she could hardly escape rousing him.
The device betrayed her. "I'm awake," announced de Spain at once from
his retreat. When she stopped at the words he could not see her; she
had flattened herself, standing, against a wall of the ledge. He
waited patiently. "You give me no chance to thank you," he went on
after a pause. Nan, drawing nearer, put down a small parcel. "I don't
need any thanks," she replied with calculated coolness. "I am hoping
when you are well enough you will go away, quietly, in the night. That
will be the only way you can thank me."
"I shall be as glad to go as you can be to have me," rejoined de
Spain. "But that won't be thanking you as I am going to. If you think
you can save my life and refuse my thanks as I mean to express
them--you are mistaken. I will be perfectly honest. Lying out here
isn't just what I'd choose for comfort. But if by doing it I could see
you once in two or three days----"
"You won't see me again."
"No news could be worse. And if I can't, I don't know how I'm going to
get out at all. I've no horse--you know that. I can't stand on my foot
yet; if you had a light you might see for yourself. I think I showed
you my gun. If you could tell me where I am----"
He halted on the implied question. Nan took ample time to reply.
"Do you mean to tell me you don't know where you are?" she asked, and
there was a touch of vexed incredulity in her tone.
De Spain seemed unmoved by her scepticism. "I can't tell you anything
else," he said simply. "You couldn't have any idea I crawled up here
for the fun of it."
"I've been trying to think," she returned, and he perceived in the
hardness of her voice how at bay she felt in giving him the least bit
of information, "whether I ought to tell you anything at all----"
"I couldn't very decently take any unfair advantage after what you've
done, could I?"
"Then--you are in Morgan's Gap," she said swiftly, as if she wanted it
off her mind.
There was no movement of surprise, neither was there any answer. "I
supposed, when I found you here, you knew that," she added less
resolutely; the darkness and silence were plainly a strain.
"I know you are telling the truth," he responded at length. "But I can
hardly believe it. That's the reason, of course, you _did_ find me. I
rode a good many miles that night without knowing where I was or what
I was doing. I certainly never figured on winding up here. How could I
get in here without being stopped?"
"Everybody inside the Gap was outside hunting for you, I suppose."
"There isn't much use asking where I am, in the Gap. I never was
inside but once. I shouldn't know if you did tell me."
"You are at the foot of Music Mountain, about a mile from where I
live."
"You must have thought I meant to raid your house. I didn't. I was
hit. I got mixed up in trying to get away. You want me out of here?"
"Very much."
"No more than I want to get out. Perhaps by to-morrow I could walk a
few miles. I should have to assassinate somebody to get some
ammunition."
"It wouldn't be hard for you to do that, I presume."
Her words and her tone revealed the intensity of her dislike and the
depth of her distrust.
He was silent for a moment. Then he said, without resentment: "You are
ashamed already of saying that, aren't you?"
"No, I am not," she answered defiantly.
"Yes, you are. You know it isn't true. If you believed it you never
would have brought food here to save my life."
"I brought it to save some of my own people from possible death at
your hands--to prevent another fight--to see if you hadn't manhood
enough after being helped, to go away, when you were able to move,
peaceably. One cartridge might mean one life, dear to me."
"I know whose life you mean."
"You know nothing about what I mean."
"I know better than you know yourself. If I believed you, I shouldn't
respect you. Fear and mercy are two different things. If I thought you
were only afraid of me, I shouldn't think much of your aid. Listen--I
never took the life of any man except to defend my own----"
"No murderer that ever took anybody's life in this country ever said
anything but that."
"Don't class me with murderers."
"You are known from one end of the country to the other as a gunman."
He answered impassively: "Did these men who call me a gunman ever
tell you why I'm one?" She seemed in too hostile a mood to answer. "I
guess not," he went on. "Let me tell you now. The next time you hear
me called a gunman you can tell them."
"I won't listen," she exclaimed, restive.
"Yes, you will listen," he said quietly; "you shall hear every word.
My father brought sheep into the Peace River country. The cattlemen
picked on him to make an example of. He went out, unarmed, one night
to take care of the horses. My mother heard two shots. He didn't come
back. She went to look for him. He was lying under the corral gate
with a hole smashed through his jaw by a rifle-bullet that tore his
head half off." De Spain did not raise his voice nor did he hasten his
words. "I was born one night six months after that," he continued. "My
mother died that night. When a neighbor's wife took me from her arm
and wrapped me in a blanket, she saw I carried the face of my father
as my mother had seen it the night he was murdered. That," he said,
"is what made me a 'gunman.' Not whiskey--not women--not cards--just
what you've heard. And I'll tell you something else you may tell the
men that call me a gunman. The man that shot down my father at his
corral gate I haven't found yet. I expect to find him. For ten years
I've been getting ready to find him. He is here--in these mountains. I
don't even know his name. But if I live, I'll find him. And when I do,
I'll tear open his head with a soft bullet in the way he tore my
father's open. After I get through with that man"--he hesitated--"they
may call me whatever they like."
The faint ghostliness of the coming day, writing its warning in the
eastern sky, the bitter chill of the dying night, the slow, hard,
impassive utterance, the darkness in which she stood listening to an
enemy she could not see, the loneliness and danger of her situation
combined to impress on the unwilling listener the picture of the
murder, the tragic birth, and the mother's death. "You want me out of
the Gap," de Spain concluded, his voice unchanged. "I want to get out.
Come back, once more, in the daytime. I will see what I can do with my
foot by that time." He paused. "Will you come?"
She hesitated. "It would be too dangerous for me to come up here in
the daytime. Trouble would follow."
"Come at dusk. You know I am no murderer."
"I don't know it," she persisted stubbornly. It was her final
protest.
"Count, some day, on knowing it."
CHAPTER XV
CROSSING A DEEP RIVER
A grizzly bear hidden among the haystacks back of the corral would
have given Nan much less anxiety than de Spain secreted in the heart
of the Morgan stronghold. But as she hurried home, fearful of
encountering an early rider who should ask questions, it seemed as if
she might, indeed, find some way of getting rid of the troublesome foe
without having it on her conscience that she had starved a wounded man
to death, or that he had shot some one of her people in getting away.
Her troubled speculations were reduced now almost to wondering when de
Spain would leave, and, disinclined though she felt to further parley,
she believed he would go the sooner if she were to consent to see him
again. Everything he had said to her seemed to unsettle her mind and
to imperil impressions concerning him that she felt it dangerous, or
at least treasonable, to part with. To believe anything but the worst
of a man whom she heard cursed and abused continually by her uncles,
cousins, and their associates and retainers, seemed a monstrous
thing--and every effort de Spain made to dislodge her prejudices
called for fresh distrust on her part. What had most shaken her
convictions--and it would come back to her in spite of everything she
could do to keep it out of her mind--was the recollection of the
murder of his father, the tragic death of his mother. As for the facts
of his story, somehow she never thought of questioning them. The seal
of its dreadful truth he carried on his face.
That day Nan washed her hair. On the second day--because there were no
good reasons for it--she found herself deciding conscientiously to see
de Spain for the last time, and toward sunset. This was about the time
he had suggested, but it really seemed, after long thought, the best
time. She began dressing early for her trip, and with constantly
recurring dissatisfaction with her wardrobe--picking the best of her
limited stock of silk stockings, choosing the freshest of her few
pairs of tan boots. All of her riding-skirts looked shabby as she
fretfully inspected them; but Bonita pressed out the newest one for
the hurried occasion, while Nan used the interval, with more than
usual care, on her troublesome hair--never less tractable, it seemed,
in her life. Nothing, in truth, in her appearance, satisfied her, and
she was obliged at last to turn from her glass with the hateful sigh
that it made no difference anyway.
De Spain was sitting with his back against a rock, and his knees drawn
up, leaning his head on his right hand and resting his elbow on the
knee. His left arm hung down over his left knee, and the look on his
face was one of reflection and irresolution rather than of action and
decision. But he looked so restored after his brief period of
nourishment that Nan, when she stepped up on the ledge at sunset,
would not have known the wreck she had seen in the same place the week
before.
His heart jumped at the sight of her young face, and her clear,
courageous eyes surveyed him questioningly as he scrambled to his
feet.
"I am going to tramp out of here to-morrow night," he confided to her
after his thanks. "It is Saturday; a lot of your men will be in Sleepy
Cat--and they won't all be very keen-sighted on their way back. I can
get a good start outside before daylight."
She heard him with relief. "What will you do then?" she asked.
"Hide. Watch every chance to crawl a mile nearer Calabasas. I can't
walk much, but I ought to make it by Sunday night or Monday morning.
I may see a friend--perhaps I may see the other fellow's friend, and
with my lone cartridge I may be able to bluff him out of a horse," he
suggested, gazing at the crimson tie that flowed from Nan's open neck.
"By the way," he added, his glance resting on her right side as he
noticed the absence of her holster, "where is your protector to-day?"
She made no answer. "Fine form," he said coldly, "to come unarmed on
an errand of mercy to a desperado."
Nan flushed with vexation. "I came away in such a hurry I forgot it,"
she replied lamely.
"A forget might cost you your life."
"Perhaps you've forgotten you left a cartridge-belt behind once
yourself," she returned swiftly. The retort startled him. How could
she know? But he would not, at first, ask a question, though her eyes
told him she knew what she was talking about. They looked at each
other a moment in silence.
De Spain, convicted, finally laid his fingers over the butt of his
empty revolver. "How did you find that out?"
She tossed her head. They were standing only a few feet apart, de
Spain supporting himself now with his left hand high up against the
wall; Nan, with her shoulder lightly against it; both had become
quizzical. "Other people forget, too, then," was all she said,
fingering the loosened tie as the breeze from the west blew it toward
her shoulder.
"No," he protested, "I didn't forget; not that time. I went over to
the joint to get a cup of coffee and expected to be back within five
minutes, never dreaming of walking into a bear trap." He drew his
revolver and, breaking it negligently, took out the single cartridge.
"Take this." He held the cartridge in his left hand and took two
halting steps toward her--"since you are unarmed, I will be, too. Not
that this puts us on an even footing. I don't mean that. Nothing
would. You would be too much for me in any kind of a contest, armed or
unarmed."
"What do you mean?" she demanded to hide her confusion. And she saw
that each step he took cost pain, skilfully concealed.
"I mean," he said, "you are to take this cartridge as a remembrance of
my forgetfulness and your adventure."
She drew back. "I don't want it."
"Take it."
He was persistent. She allowed him to drop the loaded shell into her
hand. "Now," he continued, replacing his gun, "if I encounter any of
your people in an attempt to break through a line, and somebody gets
killed, you will know, when you hear the story, that _this_ time, at
least, _I_ didn't 'start it.'"
"All the same--" She hesitated. "I don't think that's exactly right.
You need not shoot my people, even if you meet them. There are plenty
of others you might meet----"
He put her objections aside, enjoying being so near her and happy that
she made no retreat. "My reputation," he insisted, "has suffered a
little in Morgan's Gap. I mean that at least one who makes her home
under Music Mountain shall know differently of me. What's that?" He
heard a sound. "Listen!"
The two, looking at each other, strained their ears to hear more
through the rush of the falling water. "Some one is coming," said de
Spain. Nan ran lightly to where she could peep over the ledge. Hardly
pausing as she glanced down, she stepped quickly back. "I'll go right
on up the mountain to the azalea fields," she said hastily.
He nodded. "I'll hide. Stop. If you are questioned, you don't know I'm
here. You must say so for your own sake, not for mine."
She was gone before he had finished. De Spain drew quickly back to
where he could secrete himself. In another moment he heard heavy
footsteps where he had stood with his visitor. But the footsteps
crossed the ledge, and their sound died away up the path Nan had
taken. De Spain could not see the intruder. It was impossible to
conjecture who he was or what his errand, and de Spain could only
await whatever should develop. He waited several minutes before he
heard any sign of life above. Then snatches of two voices began to
reach him. He could distinguish Nan's voice and at intervals the
heavier tones of a man. The two were descending. In a few moments they
reached the ledge, and de Spain, near at hand, could hear every word.
"Hold on a minute," said the man roughly. His voice was heavy and his
utterance harsh.
"I must get home," objected Nan.
"Hold on, I tell you," returned her companion. De Spain could not see,
but he began already to feel the scene. "I want to talk to you."
"We can talk going down," parried Nan.
De Spain heard her hurried footfalls. "No, you don't," retorted her
companion, evidently cutting off her retreat.
"Gale Morgan!" There was a blaze in Nan's sharp exclamation. "What do
you mean?"
"I mean you and I are going to have this out right here, before we
leave this ledge."
"I tell you, I want to go home."
"You'll go home when I say so."
[Illustration: "Stand away from that girl!" repeated de Spain harshly,
backing the words with a step forward.]
"How dare you stop me!"
"I'll show you what I dare, young lady. You've been backing and
filling with me for two years. Now I want to know what you're going to
do."
"Gale! Won't you have a little sense? Come along home with me, like a
good fellow, and I'll talk things over with you just as long as you
like."
"You'll talk things over with me right here, and as long as _I_ like,"
he retorted savagely. "Every time I ask you to marry me you've got
some new excuse."
"It's shameful for you to act in this way, Gale." She spoke low and
rapidly to her enraged suitor. De Spain alone knew it was to keep her
humiliation from his own ears, and he made no effort to follow her
quick, pleading words. The moment was most embarrassing for two of the
three involved. But nothing that Nan could say would win from her
cousin any reprieve.
"When you came back from school I told Duke I was going to marry you.
He said, all right," persisted her cousin stubbornly.
"Gale Morgan, what Uncle Duke said, or didn't say, has nothing
whatever to do with _my_ consent."
"I told you I was going to marry you."
"Does that bind me to get married, when I don't want to?"
"You said you'd marry me."
Nan exploded: "I never, never said so in this world." Her voice shook
with indignation. "You know that's a downright falsehood."
"You said you didn't care for anybody else," he fairly bellowed. "Now
I want to know whether you'll marry me if I take you over to Sleepy
Cat to-morrow?"
"No!" Nan flung out her answer, reckless of consequence. "I'll never
marry you. Let me go home."
"You'll go home when I get through with you. You've fooled me long
enough."
Her blood froze at the look in his face. "How dare you!" she gasped.
"Get out of my way!"
"You damned little vixen!" He sprang forward and caught her by the
wrist. "I'll take the kinks out of you. You wouldn't marry me your
way, now you'll marry me mine."
She fought like a tigress. He dragged her struggling into his arms.
But above her half-stifled cries and his grunting laugh, Morgan heard
a sharp voice: "Take your hands off that girl!"
Whirling, with Nan in his savage arms, the half-drunken mountaineer
saw de Spain ten feet away, his right hand resting on the grip of his
revolver. Stunned, but sobered by mortal danger, Morgan greeted his
enemy with an oath. "Stand away from that girl!" repeated de Spain
harshly, backing the words with a step forward. Morgan's grasp
relaxed. Nan, jerking away, looked at de Spain and instantly stepped
in front of her cousin, on whom de Spain seemed about to draw.
"What are you doing here?" demanded Morgan, with an enraged oath.
"I left some business with you the other day at Calabasas half
finished," said de Spain. "I'm here this afternoon to clean it up. Get
away from that girl!"
His manner frightened even Nan. The quick step to the side and
back--poising himself like a fencer--his revolver restrained a moment
in its sheath by an eager right arm, as if at any instant it might
leap into deadly play.
Shocked with new fear, Nan hesitated. If it was play, it was too
realistic for the nerves even of a mountain girl. De Spain's angry
face and burning eyes photographed themselves on her memory from that
moment. But whatever he meant, she had her part to do. She backed,
with arms spread low at her sides, directly against her cousin. "You
shan't fight," she cried at de Spain.
"Stand away from that man!" retorted de Spain sternly.
"You shan't kill my cousin. What do you mean? What are you doing here?
Leave us!"
"Get away, Nan, I tell you. I'll finish him," cried Morgan, puncturing
every word with an oath.
She whirled and caught her cousin in her arms. "He will shoot us both
if you fire. Take me away, Gale. You coward," she exclaimed, whirling
again with trembling tones on de Spain, "would you kill a woman?"
De Spain saw the danger was past. It needed hardly an instant to show
him that Morgan had lost stomach for a fight. He talked wrathfully,
but he made no motion to draw. "I see I've got to chase you into a
fight," said de Spain contemptuously, and starting gingerly to circle
the hesitating cousin. Nan, in her excitement, ran directly toward the
enemy, as if to cut off his movement.
"Don't you dare put me in danger," she cried, facing de Spain
threateningly. "Don't you dare fight my cousin here."
"Stand away from me," hammered de Spain, eying Morgan steadily.
"He is wounded now," stormed Nan, so fast she could hardly frame the
words. "You shan't kill him. If you are a man, don't shoot a wounded
man and a woman. You shan't shoot. Gale! protect yourself!" Whirling
to face her cousin, she took the chance to back directly against de
Spain. Both hands were spread open and partly behind her, the palms
up, as if to check him. In the instant that she and de Spain were in
contact he realized, rather than saw--for his eyes never released
Morgan's eyes--what she was frantically slipping to him--the loaded
cartridge. It was done in a flash, and she was running from him again.
Her warm fingers had swept across his own. She had returned to him,
voluntarily, his slender chance for life. But in doing it she had
challenged him to a new and overwhelming interest in life itself. And
again, in front of her cousin, she was crying out anew against the
shedding of blood.
"I came up here to fight a man. I don't fight women," muttered de
Spain, maintaining the deceit and regarding both with an unpromising
visage. Then to Morgan. "I'll talk to you later. But you've got to
fight or get away from here, both of you, in ten seconds."
"Take me away, Gale," cried Nan. "Leave him here--take me home! Take
me home!"
She caught her cousin's arm. "Stay right where you are," shouted
Morgan, pointing at de Spain, and following Nan as she pulled him
along. "When I come back, I'll give you what you're looking for."
"Bring your friends," said de Spain tauntingly. "I'll accommodate four
more of you. Stop!" With one hand still on his revolver he pointed the
way. "Go down that trail first, Morgan. Stay where you are, girl, till
he gets down that hill. You won't pot me over her shoulder for a while
yet. Move!"
Morgan took the path sullenly, de Spain covering every step he took.
Behind de Spain Nan stood waiting for her cousin to get beyond
earshot. "What," she whispered hurriedly to de Spain, "will you do?"
Covering Morgan, who could whirl on him at any turn in the descent, de
Spain could not look at her in answering. "Looks pretty rocky, doesn't
it?"
"He will start the whole Gap as soon as he gets to his horse."
He looked at the darkening sky. "They won't be very active on the job
before morning."
Morgan was at a safe distance. De Spain turned to Nan. He tried to
speak out to her, but she sternly smothered his every effort. Her
cheeks were on fire, she breathed fast, her eyes burned.
"It looks," muttered de Spain, "as if I should have to climb Music
Mountain to make a get-away."
"There is no good place to hide anywhere above here," said Nan,
regarding him intently.
"Why look so hard at me, then?" he asked. "If this is the last of it,
I can take it here with our one lone cartridge."
Her eyes were bent on him as if they would pierce him through. "If I
save your life--" still breathing fast, she hesitated for words--"you
won't trick me--ever--will you?"
Steadily returning her appealing gaze, de Spain answered with
deliberation. "Don't ever give me a chance to trick you, Nan."
"What do you mean?" she demanded, fear and distrust burning in her
tone.
"My life," he said slowly, "isn't worth it."
"You know--" He could see her resolute underlip, pink with fresh young
blood, quiver with intensity of feeling as she faltered. "You know
what every man says of every girl--foolish, trusting, easy to
deceive--everything like that."
"May God wither my tongue before ever it speaks to deceive _you_,
Nan."
"A while ago you frightened me so----"
"Frightened you! Great God!" He stepped closer and looked straight
down into her eyes. "If you had raised just one finger when I was
bluffing that fellow, I'd have calmed down and eaten out of your
little hand, by the hour!"
"There's not a moment to lose," she said swiftly. "Listen: a trail
around this mountain leads out of the Gap, straight across the face of
El Capitan."
"I can make it."
"Listen! It is terribly dangerous----"
"Whatever it is it's a concrete boulevard to a man in my fix."
"It is half a mile--only inches wide in places--up and down--loose
rock----"
"Some trail!"
"If you slip it's a thousand feet----"
"A hundred would be more than plenty."
"A good climber can do it--I have done it. I'd even go with you, if I
could."
"Why?"
She shook her head angrily at what he dared show in his eyes. "Oh,
keep still, listen!"
"I know you'd go, Nan," he declared unperturbed. "But believe me, I
never would let you."
"I can't go, because to do any good I must meet you with a horse
outside."
He only looked silently at her, and she turned her eyes from his gaze.
"See," she said, taking him eagerly to the back of the ledge and
pointing, "follow that trail, the one to the east--you can't get lost;
you can reach El Capitan before dark--it's very close. Creep carefully
across El Capitan on that narrow trail, and on the other side there
is a wide one clear down to the road--oh, do be careful on El
Capitan."
"I'll be careful."
"I must watch my chance to get away from the corral with a horse. If I
fail it will be because I am locked up at home, and you must hide and
do the best you can. How much they will surmise of this, I don't
know."
"Go now, this minute," he said, restraining his words. "If you don't
come, I shall know why."
She turned without speaking and, fearless as a chamois, ran down the
rocks. De Spain, losing not a moment, hobbled rapidly up along the
granite-walled passage that led the way to his chance for life.
CHAPTER XVI
A VENTURE IN THE DARK
Pushing his way hastily forward when he could make haste; crawling
slowly on his hands and knees when held by opposing rock; feeling for
narrow footholds among loose and treacherous fragments; flattening
himself like a leech against the face of the precipice when the
narrowing ledge left him only inches under foot; clinging with torn
hands to every favoring crevice, and pausing when the peril was
extreme for fresh strength, de Spain dragged his injured foot across
the sheer face of El Capitan in the last shadows of the day's failing
light.
Half-way across, he stopped to look down. Far below lay the valley
shrouded in night. Where he stood, stars, already bright, lighted the
peaks. But nowhere in the depths could he see any sign of life. Spent
by his effort, de Spain reached the rendezvous Nan had indicated, as
nearly as the stars would tell him, by ten o'clock. He fell asleep in
the aspen grove. Horsemen passing not a hundred yards away roused
him.
He could not tell how many or who they were, but from the sounds he
judged they were riding into the Gap. The moon was not yet up, so he
knew it was not much after midnight. The ground was very cold, and he
crawled farther on toward the road along which Nan had said he might
look for her. It was only after a long and doubtful hour that he heard
the muffled footfalls of a horse. He stood concealed among the smaller
trees until he could distinguish the outlines of the animal, and his
eye caught the figure of the rider.
De Spain stepped out of the trees, and, moving toward Nan, caught her
hand and helped her to the ground.
She enjoined silence, and led the horse into the little grove.
Stopping well within it, she stooped and began rearranging the
mufflers on the hoofs.
"I'm afraid I'm too late," she said. "How long have you been here?"
She faced de Spain with one hand on the pony's shoulder.
"How could you get here at all?" he asked, reaching clandestinely for
her other hand.
"I got terribly frightened thinking of your trying El Capitan. Did you
have any falls?"
"You see I'm here--I've even slept since. You! How could you get here
at all with a horse?"
"If I'm only not too late," she murmured, drawing her hand away.
"I've loads of time, it's not one o'clock."
"They are hiding on both trails outside watching for you--and the moon
will be up--" She seemed very anxious. De Spain made light of her
fears. "I'll get past them--I've got to, Nan. Don't give it a
thought."
"Every corner is watched," she repeated anxiously.
"But I tell you I'll dodge them, Nan."
"They have rifles."
"They won't get a chance to use them on me."
"I don't know what you'll think of me--" He heard the troubled note in
her voice.
"What do you mean?"
She began to unbutton her jacket. Throwing back the revers she felt
inside around her waist, unfastened after a moment and drew forth a
leathern strap. She laid it in de Spain's hands. "This is yours," she
said in a whisper.
He felt it questioningly, hurriedly, then with amazement. "Not a
cartridge-belt!" he exclaimed.
"It's your own."
"Where--?" She made no answer. "Where did you get it, Nan?" he
whispered hurriedly.
"Where you left it."
"How?" She was silent. "When?"
"To-night."
"Have you been to Calabasas and back to-night?"
"Everybody but Sassoon is in the chase," she replied uneasily--as if
not knowing what to say, or how to say it. "They said you should never
leave the Gap alive--they are ready with traps everywhere. I didn't
know what to do. I couldn't bear--after what--you did for me
to-night--to think of your being shot down like a dog, when you were
only trying to get away."
"I wouldn't have had you take a ride like that for forty belts!"
"McAlpin showed it to me the last time I was at the stage barn,
hanging where you left it." He strapped the cartridges around him.
"You should never have taken that ride for it. But since you have--"
He had drawn his revolver from his waistband. He broke it now and held
it out. "Load it for me, Nan."
"What do you mean?"
"Put four more cartridges in it yourself. Except for your cartridge,
the gun is empty. When you do that you will know none of them ever
will be used against your own except to protect my life. And if you
have any among them whose life ought to come ahead of mine--name him,
or them, now. Do as I tell you--load the gun."
He took hold of her hands and, in spite of her refusals, made her do
his will. He guided her hand to draw the cartridges, one after
another, from his belt, and waited for her to slip them in the
darkness into the empty cylinder, to close the breech, and hand the
gun back.
"Now, Nan," he said, "you know me. You may yet have doubts--they will
all die. You will hear many stories about me--but you will say: 'I put
the cartridges in his revolver with my own hands, and I know he won't
abuse the means of defense I gave him myself.' There can never be any
real doubts or misunderstandings between us again, Nan, if you'll
forgive me for making a fool of myself when I met you at Tenison's. I
didn't dream you were desperate about the way your uncle was playing;
I pieced it all together afterward." He waited for her to speak, but
she remained silent.
"You have given me my life, my defense," he continued, passing from a
subject that he perceived was better left untouched. "Who is nearest
and dearest to you at home?"
"My Uncle Duke."
"Then I never will raise a hand against your Uncle Duke. And this man,
to-night--this cousin--Gale? Nan, what is that man?"
"I hate him."
"Thank God! So do I!"
"But he is a cousin."
"Then I suppose he must be one of mine."
"Unless he tries to kill you."
"He won't be very long in trying that. And now, what about yourself?
What have you got to defend yourself against him, and against every
other drunken man?"
She laid her own pistol without a word in de Spain's hand. He felt it,
opened, closed, and gave it back. "That's a good defender--when it's
in reach. When it's at home it's a poor one."
"It will never be at home again except when I am."
"Shall I tell you a secret?"
"What is it?" asked Nan unsuspectingly.
"We are engaged to be married." She sprang from him like a deer. "It's
a dead secret," he said gravely; "nobody knows it yet--not even you."
"You need never talk again like that if you want to be friends with
me," she said indignantly. "I hate it."
"Hate it if you will; it's so. And it began when you handed me that
little bit of lead and brass on the mountain to-night, to defend your
life and mine."
"I'll hate you if you persecute me the way Gale does. The moon is
almost up. You must go."
"What have you on your feet, Nan?"
"Moccasins." He stooped down and felt one with his hand. She drew her
foot hastily away. "What a girl to manage!" he exclaimed.
"I'm going home," she said with decision.
"Don't for a minute yet, Nan," he pleaded. "Think how long it will be
before I can ever see you again!"
"You may never see anybody again if you don't realize your danger
to-night. Can you ride with a hackamore?"
"Like a dream."
"I didn't dare bring anything else."
"You haven't told me," he persisted, "how you got away at all." They
had walked out of the trees. He looked reluctantly to the east. "Tell
me and I'll go," he promised.
"After I went up to my room I waited till the house was all quiet.
Then I started for Calabasas. When I came back I got up to my room
without being seen, and sat at the window a long time. I waited till
all the men stopped riding past. Then I climbed through the window and
down the kitchen roof, and let myself down to the ground. Some more
men came past, and I hid on the porch and slipped over to the horse
barns and found a hackamore, and went down to the corral and hunted
around till I found this little pinto--she's the best to ride
bareback."
"I could ride a razorback--why take all that trouble for me?"
"If you don't start while you have a chance, you undo everything I
have tried to do to avoid a fight."
The wind, stirring softly, set the aspen leaves quivering. The stars,
chilled in the thin, clear night air, hung diamond-like in the heavens
and the eastern sky across the distant desert paled for the rising
moon. The two standing at the horse's head listened a moment together
in the darkness. De Spain, leaning forward, said something in a low,
laughing voice. Nan made no answer. Then, bending, he took her hand
and, before she could release it, caught it up to his lips.
* * * * *
For a long time after he had gone she stood, listening for a
shot--wondering, breathless at moments, whether de Spain could get
past the waiting traps. The moon came up, and still lingering, torn
with suspense, she watched a drift of fleecy clouds darken it. She
scanned anxiously the wrinkled face of the desert which, with a
woman's craft, hides at night the accidents of age. It seemed to Nan
as if she could overlook every foot of the motionless sea for miles
before her; but she well knew how much it could conceal of ambush and
death even when it professed so fairly to reveal all. Strain her ears
as she would, the desert gave back no ripple of sound. No shot echoed
from its sinister recesses--not even the clatter of retreating hoofs.
De Spain, true to all she had ever heard of his Indian-like stealth,
had left her side unabashed and unafraid--living, laughing, paying
bold court to her even when she stubbornly refused to be courted--and
had made himself in the twinkling of an eye a part of the silence
beyond--the silence of the night, the wind, the stars, the waste of
sand, and of all the mystery that brooded upon it. She would have
welcomed, in her keen suspense, a sound of some kind, some reminder
that he yet lived and could yet laugh; none came.
When it seemed as if an hour must have passed Nan felt her way
noiselessly home. She regained her room as she had left it, through
her east window, and, throwing herself across her bed, fell into a
heavy sleep.
* * * * *
Day was breaking when the night boss, standing in the doorway at the
Calabasas barns, saw a horseman riding at a leisurely pace up the
Thief River road. The barnman scrutinized the approaching stranger
closely. There was something strange and something familiar in the
outlines of the figure. But when the night-rider had dismounted in
front of the barn door, turned his horse loose, and, limping stiffly,
walked forward on foot, the man rubbed his eyes hard before he could
believe them. Then he uttered an incredulous greeting and led Henry de
Spain into the barn office.
"There's friends of yours in your room up-stairs right now," he
declared, bulging with shock. De Spain, sitting down, forbade the
barnman to disturb them, only asking who they were.
When he had asked half a dozen more leisurely questions and avoided
answering twice as many, the barnman at de Spain's request helped him
up-stairs. Beside himself with excitement, the night boss turned,
grinning, as he laid one hand on the door-knob and the other on de
Spain's shoulder.
"You couldn't have come," he whispered loudly, "at a better time."
The entryway was dark, and from the silence within the room one might
have thought its occupants, if there were such, wrapped in slumber.
But at intervals a faint clicking sound could be heard. The night man
threw open the door. By the light of two stage dash-lamps, one set on
the dresser and the other on a window-ledge, four men sat about a
rickety table in a life-and-death struggle at cards. No voice broke
the tense silence, not even when the door was thrown broadly open.
No one--neither Lefever, Scott, Frank Elpaso, nor McAlpin--looked up
when de Spain walked into the room and, with the night man tiptoeing
behind, advanced composedly toward the group. Even then his presence
would have passed unnoticed, but that Bob Scott's ear mechanically
recorded the limping step and transmitted to his trained intelligence
merely notice of something unusual.
Scott, picking up his cards one at a time as Lefever dealt, raised his
eyes. Startling as the sight of the man given up for dead must have
been, no muscle of Bob Scott's body moved. His expression of surprise
slowly dissolved into a grin that mutely invited the others, as he had
found out for himself, to find out for themselves.
Lefever finished his deal, threw down the pack, and picked up his
hand. His suspicious eyes never rose above the level of the faces at
the table; but when he had thumbed his cards and looked from one to
the other of the remaining players to read the weather-signals, he
perceived on Scott's face an unwonted expression, and looked to where
the scout's gaze was turned for an explanation of it. Lefever's own
eyes at the sight of the thinned, familiar face behind Elpaso's chair,
starting, opened like full moons. The big fellow spread one hand out,
his cards hidden within it, and with the other hand prudently drew
down his pile of chips. "Gentlemen," he said lightly, "this game is
interned." He rose and put a silent hand across the table over
Elpaso's shoulder. "Henry," he exclaimed impassively, "one question,
if you please--and only one: How in thunder did you do it?"
CHAPTER XVII
STRATEGY
One week went to repairs. To a man of action such a week is longer
than ten years of service. But chained to a bed in the Sleepy Cat
hospital, de Spain had no escape from one week of thinking, and for
that week he thought about Nan Morgan.
He rebelled at the situation that had placed him at enmity with her
kinsfolk, yet he realized there was no help for this. The Morgans were
a law unto themselves. Hardened men with a hardened code, they lived
in their fastness like Ishmaelites. Counselled by their leader, old
Duke Morgan, brains of the clan and influential enough to keep outside
the penalties of the law themselves, their understanding with the
outlaws of the Sinks was apparently complete, and the hospitality of
one or another of their following within the Gap afforded a refuge for
practically any mountain criminal.
But none of these reflections lightened de Spain's burden of
discontent. One thought alone possessed him--Nan; her comely body,
which he worshipped to the tips of her graceful fingers; her alert
mind, which he saw reflected in the simplest thought she expressed;
her mobile lips, which he followed to the least sound they gave forth!
The longer he pictured her, figured as she had appeared to him like a
phantom on Music Mountain, the more he longed to be back at the foot
of it, wounded again and famished. And the impulse that moved him the
first moment he could get out of bed and into a saddle was to spur his
way hard and fast to her; to make her, against a score of burly
cousins, his own; and never to release her from his sudden arms
again.
With de Spain, to think was to do; at least to do something, but not
without further careful thinking, and not without anticipating every
chance of failure. And his manner was to cast up all difficulties and
obstacles in a situation, brush them aside, and have his will if the
heavens fell. Such a temperament he had inherited from his father's
fiery heart and his mother's suffering, close-set lips as he had
remembered them in the little pictures of her; and he now set himself,
while doing his routine work every day, to do one particular thing--to
see, talk to, plead with, struggle with the woman, or girl,
rather--child even, to his thoughts, so fragile she was--this girl who
had given him back his life against her own marauding relatives.
For many days Nan seemed a match for all the wiles de Spain could use
to catch sight of her. He spent his days riding up and down the line
on horseback; driving behind his team; on the stages; in and out of
the streets of Sleepy Cat--nominally looking for stock, for equipment,
for supplies, or frankly for nothing--but always looking for Nan.
His friends saw that something was absorbing him in an unusual, even
an extraordinary way, yet none could arrive at a certain conclusion as
to what it was. When Scott in secret conference was appealed to by
Jeffries, he smiled foolishly, at a loss, and shook his head.
Lefever argued with less reticence. "It stands to reason, Jeffries. A
man that went through that ten minutes at Calabasas would naturally
think a good deal about what he is getting out of his job, and what
his future chances are for being promoted any minute, day or night, by
a forty-five."
"Perhaps his salary had better be raised," conceded Jeffries
reflectively.
"I figure," pursued Lefever, "that he has already saved the company
fifty thousands in depredations during the next year or two. The
Calabasas gang is busted for five years--they would eat out of his
hand--isn't that so, Bob?"
"The Calabasas gang, yes; not the Morgans."
John's eyes opened on Scott with that solemnity he could assume to
bolster a baldly unconvincing statement. "Not now, Bob. Not now, I
admit; but they will."
Scott only smiled. "What do you make out of the way he acts?"
persisted Lefever, resenting his companion's incredulity.
"I can't make anything of it," premised Bob, "except that he has
something on his mind. If you'll tell me what happened from the time
he jumped through the window at Calabasas till he walked into his room
that night at the barn, I'll tell you what he's thinking about."
"What do you mean, what happened?"
"Henry left some things out of his story."
"How do you know?"
"I heard him tell it."
Jeffries, acting without delay on the suspicion that de Spain was
getting ready to resign, raised his salary. To his surprise, de Spain
told him that the company was already paying him more than he was
worth and declined the raise; yet he took nobody whomsoever into his
confidence.
However, the scent of something concealed in de Spain's story had long
before touched Lefever's own nostrils, and he was stimulated by mere
pride to run the secret down. Accordingly, he set himself to find, in
a decent way, something in the nature of an explanation.
De Spain, in the interval, made no progress in his endeavor to see
Nan. The one man in the country who could have surmised the situation
between the two--the barn boss, McAlpin--if he entertained suspicions,
was far too pawky to share them with any one.
When two weeks had passed without de Spain's having seen Nan or having
heard of her being seen, the conclusion urged itself on him that she
was either ill or in trouble--perhaps in trouble for helping him; a
moment later he was laying plans to get into the Gap to find out.
Nothing in the way of a venture could be more foolhardy--this he
admitted to himself--nothing, he consoled himself by reflecting, but
something stronger than danger could justify it. Of all the motley
Morgan following within the mountain fastness he could count on but
one man to help him in the slightest degree--this was the derelict,
Bull Page. There was no choice but to use him, and he was easily
enlisted, for the Calabasas affair had made a heroic figure of de
Spain in the barrooms. De Spain, accordingly, lay in wait for the old
man and intercepted him one day on the road to Sleepy Cat, walking
the twenty miles patiently for his whiskey.
"You must be the only man in the Gap, Bull, that can't borrow or steal
a horse to ride," remarked de Spain, stopping him near the river
bridge.
Page pushed back the broken brim of his hat and looked up. "You
wouldn't believe it," he said, imparting a cheerful confidence, "but
ten years ago I had horses to lend to every man 'tween here and Thief
River." He nodded toward Sleepy Cat with a wrecked smile, and by a
dramatic chance the broken hat brim fell with the words: "They've got
'em all."
"Your fault, Bull."
"Say!" Up went the broken brim, and the whiskied face lighted with a
shaking smile, "you turned some trick on that Calabasas crew--some
fight," Bull chuckled.
"Bull, is old Duke Morgan a Republican?"
Bull looked surprised at the turn of de Spain's question, but answered
in good faith: "Duke votes 'most any ticket that's agin the
railroad."
"How about picking a couple of good barnmen over in the Gap, Bull?"
"What kind of a job y'got?"
"See McAlpin the next time you're over at Calabasas. How about that
girl that lives with Duke?"
Bull's face lighted. "Nan! Say! she's a little hummer!"
"I hear she's gone down to Thief River teaching school."
"Came by Duke's less'n three hours ago. Seen her in the kitchen makin'
bread."
"They're looking for a school-teacher down there, anyway. Much
sickness in the Gap lately, Bull?"
"On'y sickness I knowed lately is what you're responsible for y'self,"
retorted Bull with a grin. "Pity y' left over any chips at all from
that Calabasas job, eh?"
"See McAlpin, Bull, next time you're over Calabasas way. Here"--de
Spain drew some currency from his pocket and handed a bill to Page.
"Go get your hair cut. Don't talk too much--wear your whiskers long
and your tongue short."
"Right-o!"
"You understand."
"Take it from old Bull Page, he's a world's wonder of a sucker, but he
knows his friends."
"But remember this--you don't know me. If anybody knows you for a
friend of mine, you are no good to me. See?"
Bull was beyond expressing his comprehension in words alone. He
winked, nodded, and screwed his face into a thousand wrinkles. De
Spain, wheeling, rode away, the old man blinking first after him, and
then at the money in his hand. He didn't profess to understand
everything in the high country, but he could still distinguish the
principal figures at the end of a bank-note. When he tramped to
Calabasas the next day to interview McAlpin he received more advice,
with a strong burr, about keeping his own counsel, and a little
expense money to run him until an opening presented itself on the
pay-roll.
But long before Bull Page reached Calabasas that day de Spain had
acted. When he left Bull at the bridge, he started for Calabasas, took
supper there, ordered a saddle-horse for one o'clock in the morning,
went to his room, slept soundly and, shortly after he was called,
started for Music Mountain. He walked his horse into the Gap and rode
straight for Duke Morgan's fortress. Leaving the horse under a heavy
mountain-pine close to the road, de Spain walked carefully but
directly around the house to the east side. The sky was cloudy and the
darkness almost complete. He made his way as close as he could to
Nan's window, and raised the soft, crooning note of the desert owl.
After a while he was able to distinguish the outline of her casement,
and, with much patience and some little skill remaining from the
boyhood days, he kept up the faint call. Down at the big barn the
chained watch-dog tore himself with a fury of barking at the intruder,
but mountain-lions were common in the Gap, and the noisy sentinel
gained no credit for his alarm. Indeed, when the dog slackened his
fierceness, de Spain threw a stone over his way to encourage a fresh
outburst. But neither the guardian nor the intruder was able to arouse
any one within the house.
Undeterred by his failure, de Spain held his ground as long as he
dared. When daybreak threatened, he withdrew. The following night he
was in the Gap earlier, and with renewed determination. He tossed a
pebble into Nan's open window and renewed his soft call. Soon, a light
flickered for an instant within the room and died out. In the darkness
following this, de Spain thought he discerned a figure outlined at the
casement. Some minutes later a door opened and closed. He repeated the
cry of the owl, and could hear a footstep; the next moment he
whispered her name as she stood before him.
"What is it you want?" she asked, so calmly that it upset him. "Why do
you come here?"
Where he stood he was afraid of the sound of her voice, and afraid of
his own. "To see you," he said, collecting himself. "Come over to the
pine-tree."
Under its heavy branches where the darkness was most intense, he told
her why he had come--because he could not see her anywhere outside.
"There is nothing to see me about," she responded, still calm. "I
helped you because you were wounded. I was glad to see you get away
without fighting--I hate bloodshed."
"But put yourself in my place a little, won't you? After what you did
for me, isn't it natural I should want to be sure you are well and not
in any trouble on my account?"
"It may be natural, but it isn't necessary. I am in no trouble. No one
here knows I even know you."
"Excuse me for coming, then. I couldn't rest, Nan, without knowing
something. I was here last night."
"I know you were."
He started. "You made no sign."
"Why should I? I suspected it was you. When you came again to-night I
knew I should have to speak to you--at least, to ask you not to come
again."
"But you will be in and out of town sometimes, won't you, Nan?"
"If I am, it will not be to talk with you."
The words were spoken deliberately. De Spain was silent for a moment.
"Not even to speak to me?" he asked.
"You must know the position I am in," she answered. "And what a
position you place me in if I am seen to speak to you. This is my
home. You are the enemy of my people."
"Not because I want to be."
"And you can't expect them not to resent any acquaintance on my part
with you."
He paused before continuing. "Do you count Gale Morgan as one of your
people?" he asked evenly.
"I suppose I must."
"Don't you think you ought to count all of your friends, your
well-wishers, those who would defend you with their lives, among your
people?" She made no answer. "Aren't they the kind of people," he
persisted, "you need when you are in trouble?"
"You needn't remind me I should be grateful to you----"
"Nan!" he exclaimed.
"For I am," she continued, unmoved. "But----"
"It's a shame to accuse me in that way."
"You were thinking when you spoke of what happened with Gale on Music
Mountain."
"I wish to God you and I were on Music Mountain again! I never lived
or did anything worth living for, till you came to me that day on
Music Mountain. It's true I was thinking of what happened when I
spoke--but not to remind you you owed anything to me. You don't; get
that out of your head."
"I do, though."
"I spoke in the way I did because I wanted to remind you of what might
happen some time when I'm not near."
"I shan't be caught off my guard again. I know how to defend myself
from a drunken man."
He could not restrain all the bitterness he felt. "That man," he said
deliberately, "is more dangerous sober than drunk."
"When I can't defend myself, my uncle will defend me."
"Ask him to let me help."
"He doesn't need any help. And he would never ask you, if he did. I
can't live at home and know you; that is why I ask you not to come
again."
He was silent. "Don't you think, all things considered," she
hesitated, as if not knowing how easiest to put it, "you ought to be
willing to shake hands and say good-by?"
"Why, if you wish it," he answered, taken aback. And he added more
quietly, "yes, if you say so."
"I mean for good."
"I--" he returned, pausing, "don't."
"You are not willing to be fair."
"I want to be fair--I don't want to promise more than human nature
will stand for--and then break my word."
"I am not asking a whole lot."
"Not a whole lot to you, I know. But do you really mean that you don't
want me ever to speak to you again?"
"If you must put it that way--yes."
"Well," he took a long breath, "there is one way to make sure of that.
I'll tell you honestly I don't want to stand in the way of such a
wish, if it's really yours. As you have said, it isn't fair, perhaps,
for me to go against it. Got your pistol with you, Nan?"
"No."
"That is the way you take care of yourself, is it?"
"I'm not afraid of you."
"You ought to be ashamed of yourself not to be. And you don't even
know whom you'll meet before you can lock the front door again. You
promised me never to go out without it. Promise me that once more,
will you?" She did as he asked her. "Now, give me your hand, please,"
he went on. "Take hold of this."
"What is it?"
"The butt of my revolver. Don't be afraid." She heard the slight click
of the hammer with a thrill of strange apprehension. "What are you
doing?" she demanded hurriedly.
"Put your finger on the trigger--so. It is cocked. Now pull."
She caught her breath. "What do you mean?"
He was holding the gun in his two hands, his fingers overlapping hers,
the muzzle at the breast of his jacket. "Pull," he repeated, "that's
all you have to do; I'm steadying it."
She snatched back her hand. "What do you mean?" she cried. "For me to
kill you? Shame!"
"You are too excited--all I asked you was to take the trouble to crook
your finger--and I'll never speak to you again--you'll have your wish
forever."
"Shame!"
"Why shame?" he retorted. "I mean what I say. If you meant what you
said, why don't you put it out of my power ever to speak to you? Do
you want me to pull the trigger?"
"I told you once I'm not an assassin--how dare you ask me to do such
a thing?" she cried furiously.
"Call your uncle," he suggested coolly. "You may hold this meantime so
you'll know he's in no danger. Take my gun and call your uncle----"
"Shame on you!"
"Call Gale--call any man in the Gap--they'll jump at the chance."
"You are a cold-blooded, brutal wretch--I'm sorry I ever helped
you--I'm sorry I ever let you help me--I'm sorry I ever saw you!"
She sprang away before he could interpose a word. He stood stunned by
the suddenness of her outburst, trying to listen and to breathe at the
same time. He heard the front door close, and stood waiting. But no
further sound from the house greeted his ears.
"And I thought," he muttered to himself, "that might calm her down a
little. I'm certainly in wrong, now."
CHAPTER XVIII
HER BAD PENNY
Nan reached her room in a fever of excitement, angry at de Spain,
bitterly angry at Gale, angry with the mountains, the world, and
resentfully fighting the pillow on which she cried herself to sleep.
In the morning every nerve was on edge. When her Uncle Duke, with his
chopping utterance, said something short to her at their very early
breakfast he was surprised by an answer equally short. Her uncle
retorted sharply. A second curt answer greeted his rebuff, and while
he stared at her, Nan left the table and the room.
Duke, taking two of the men, started that morning for Sleepy Cat with
a bunch of cattle. He rode a fractious horse, as he always did, and
this time the horse, infuriated as his horses frequently were by his
brutal treatment, bolted in a moment unguarded by his master, and
flung Duke on his back in a strip of lava rocks.
The old man--in the mountains a man is called old after he passes
forty--was heavy, and the fall a serious one. He picked himself up
while the men were recovering his horse, knocked the horse over with
a piece of jagged rock when the frightened beast was brought back,
climbed into the saddle again, and rode all the way into town.
But when his business was done, Duke, too, was done. He could neither
sit a horse, nor sit in a wagon. Doctor Torpy, after an examination,
told him he was booked for the hospital. A stream of profane protest
made no difference with his adviser, and, after many threats and hard
words, to the hospital the hard-shelled mountaineer was taken. Sleepy
Cat was stirred at the news, and that the man who had defied everybody
in the mountains for twenty years should have been laid low and sent
to the hospital by a mere bronco was the topic of many comments.
The men that had driven the cattle with Duke, having been paid off,
were now past getting home, and there were no telephones in the Gap.
De Spain, who was at Calabasas, knew Nan would not be alarmed should
her uncle not return that night. But early in the morning a messenger
from McAlpin rode to her with a note, telling her of the accident.
Whatever his vices, Duke had been a good protector to his dead
brother's child. He had sent her to good schools and tried to revive
in her, despite her untoward surroundings, the better traditions of
the family as it had once flourished in Kentucky. Nan took the saddle
for Sleepy Cat in haste and alarm. When she reached her uncle's
bedside she understood how seriously he had been hurt, and the
doctor's warnings were not needed to convince her he must have care.
Duke refused to let her leave him, in any case, and Nan relieved the
nurse, and what was of equal moment, made herself custodian of the
cash in hand before Duke's town companions could get hold of it.
Occasional trips to the Gap were necessary as the weeks passed and her
uncle could not be moved. These Nan had feared as threatening an
encounter either by accident, or on his part designed, with de Spain.
But the impending encounter never took place. De Spain, attending
closely to his own business, managed to keep accurate track of her
whereabouts without getting in her way. She had come to Sleepy Cat
dreading to meet him and fearing his influence over her, but this
apprehension, with the passing of a curiously brief period, dissolved
into a confidence in her ability to withstand further interference, on
any one's part, with her feelings.
Gale Morgan rode into town frequently, and Nan at first painfully
apprehended hearing some time of a deadly duel between her truculent
Gap admirer and her persistent town courtier--who was more
considerate and better-mannered, but no less dogged and, in fact, a
good deal more difficult to handle.
As to the boisterous mountain-man, his resolute little cousin made no
secret of her detestation of him. She denied and defied him as openly
as a girl could and heard his threats with continued indifference. She
was quite alone, too, in her fear of any fatal meeting between the two
men who seemed determined to pursue her.
The truth was that after Calabasas, de Spain, from Thief River to
Sleepy Cat, was a marked man. None sought to cross his path or his
purposes. Every one agreed he would yet be killed, but not the
hardiest of the men left to attack him cared to undertake the job
themselves. The streets of the towns and the trails of the mountains
were free as the wind to de Spain. And neither the town haunts of
Calabasas men nor those of their Morgan Gap sympathizers had any
champion disposed to follow too closely the alert Medicine Bend
railroader.
In and about the hospital, and in the town itself, Nan found the chief
obstacle to her peace of mind in the talk she could not always avoid
hearing about de Spain. Convalescents in the corridors, practically
all of them men, never gathered in sunny corners or at the tables in
the dining-room without de Spain's name coming in some way into the
talk, to be followed with varying circumstantial accounts of what
really had happened that day at Calabasas.
And with all the known escapades in which he had figured, exhausted as
topics, by long-winded commentators, more or less hazy stories of his
earlier experiences at Medicine Bend in the company of Whispering
Smith were dragged into the talk. One convalescent stage-guard at the
hospital told a story one night at supper about him that chilled Nan
again with strange fears, for she knew it to be true. He had had it
from McAlpin himself, so the guard said, that de Spain's father had
long ago been shot down from ambush by a cattleman and that Henry de
Spain had sworn to find that man and kill him. And it was hinted
pretty strongly that de Spain had information when he consented to
come to Sleepy Cat that the assassin still lived, and lived somewhere
around the head of the Sinks.
That night, Nan dreamed. She dreamed of a sinister mark on a face that
she had never before seen--a face going into bronzed young manhood
with quick brown eyes looking eagerly at her. And before her wondering
look it faded, dreamlike, into a soft mist, and where it had been, a
man lay, lifting himself on one arm from the ground--his sleeve
tattered, his collar torn, his eyes half-living, half-dead, his hair
clotted, his lips stiffened and distended, his face drawn. And all of
this dissolved into an image of de Spain on horseback, sudden, alert,
threatening, looking through the mist at an enemy. Then Nan heard the
sharp report of a rifle and saw him whirl half around--struck--in his
saddle, and fall. But he fell into her arms, and she woke sobbing
violently.
She was upset for the whole day, moody and apprehensive, with a
premonition that she should soon see de Spain--and, perhaps, hurt
again. The dream unnerved her every time she thought of him. That
evening the doctor came late. When he walked in he asked her if she
knew it was Frontier Day, and reminded her that just a year ago she
had shot against Henry de Spain and beaten the most dangerous man and
the deadliest shot on the mountain divide in her rifle match. How he
had grown in the imagination of Sleepy Cat and Music Mountain, she
said to herself--while the doctor talked to her uncle--since that day
a year ago! Then he was no more than an unknown and discomfited
marksman from Medicine Bend, beaten by a mountain girl: now the most
talked-of man in the high country. And the suspicion would sometimes
obtrude itself with pride into her mind, that she who never mentioned
his name when it was discussed before her, really knew and understood
him better than any of those that talked so much--that she had at
least one great secret with him alone.
When leaving, the doctor wished to send over from his office medicine
for her uncle. Nan offered to go with him, but the doctor said it was
pretty late and Main Street pretty noisy: he preferred to find a
messenger.
Nan was sitting in the sick-room a little later--B-19 in the old wing
of the hospital, facing the mountains--when there came a rap on the
half-open door. She went forward to take the medicine from the
messenger and saw, standing before her in the hall, de Spain.
She shrank back as if struck. She tried to speak. Her tongue refused
its office. De Spain held a package out in his hand. "Doctor Torpy
asked me to give you this."
"Doctor Torpy? What is it?"
"I really don't know--I suppose it is medicine." She heard her uncle
turn in his bed at the sound of voices. Thinking only that he must not
at any cost see de Spain, Nan stepped quickly into the hall and faced
the messenger. "I was over at the doctor's office just now," continued
her visitor evenly, "he asked me to bring this down for your uncle."
She took the package with an incoherent acknowledgment. Without
letting her eyes meet his, she was conscious of how fresh and clean
and strong he looked, dressed in a livelier manner than usual--a
partly cowboy effect, with a broader Stetson and a gayer tie than he
ordinarily affected. De Spain kept on speaking: "The telephone girl in
the office down-stairs told me to come right up. How is your uncle?"
She regarded him wonderingly: "He has a good deal of pain," she
answered quietly.
"Too bad he should have been hurt in such a way. Are you pretty well,
Nan?" She thanked him.
"Have you got over being mad at me?" he asked.
"No," she averred resolutely.
"I'm glad you're not," he returned, "I'm not over being mad at myself.
Haven't seen you for a long time. Stay here a good deal, do you?"
"All the time."
"I'll bet you don't know what day this is?"
Nan looked up the corridor, but she answered to the point: "You'd
lose."
"It's our anniversary." She darted a look of indignant disclaimer at
him. But in doing so she met his eyes. "Have you seen the decorations
in Main Street?" he asked indifferently. "Come out for a minute and
look at them."
She shook her head: "I don't care to," she answered, looking
restlessly, this time, down the corridor.
"Come to the door just a minute and see the way they've lighted the
arches." She knew just the expression of his eyes that went with that
tone. She looked vexedly at him to confirm her suspicion. Sure enough
there in the brown part and in the lids, it was, the most troublesome
possible kind of an expression--hard to be resolute against. Her eyes
fell away, but some damage had been done. He did not say another word.
None seemed necessary. He just kept still and something--no one could
have said just what--seemed to talk for him to poor defenseless Nan.
She hesitated helplessly: "I can't leave uncle," she objected at
last.
"Ask him to come along."
Her eyes fluttered about the dimly lighted hall: de Spain gazed on her
as steadily as a charmer. "I ought not to leave even for a minute,"
she protested weakly.
"I'll stay here at the door while you go."
Irresolute, she let her eyes rest again for a fraction of a second on
his eyes; when she drew a breath after that pause everything was over.
"I'd better give him his medicine first," she said, looking toward the
sick-room door.
His monosyllabic answer was calm: "Do." Then as she laid her hand on
the knob of the door to enter the room: "Can I help any?"
"Oh, no!" she cried indignantly.
He laughed silently: "I'll stay here."
Nan disappeared. Lounging against the window-sill opposite the door,
he waited. After a long time the door was stealthily reopened. Nan
tiptoed out. She closed it softly behind her: "I waited for him to go
to sleep," she explained as she started down the corridor with de
Spain. "He's had so much pain to-day: I hope he will sleep."
"I hope so, too," exclaimed de Spain fervently.
Nan ignored the implication. She looked straight ahead. She had
nothing to say. De Spain, walking beside her, devoured her with his
eyes; listened to her footfalls; tried to make talk; but Nan was
silent.
Standing on the wide veranda outside the front door, she assented to
the beauty of the distant illumination but not enthusiastically. De
Spain declared it could be seen very much better from the street
below. Nan thought she could see very well where they stood. But by
this time she was answering questions--dryly, it is true and in
monosyllables, but answering. De Spain leading the way a step or two
forward at a time, coaxed her down the driveway.
She stood again irresolute, he drinking in the fragrance of her
presence after the long separation and playing her reluctance
guardedly. "Do you know," she exclaimed with sudden resentment, "you
make it awfully hard to be mean to you?"
With a laugh he caught her hand and made her walk down the hospital
steps. "You may be as mean as you like," he answered indifferently.
"Only, never ask me to be mean to you."
"I wish to heaven you would be," she retorted.
"Do you remember," he asked, "what we were doing a year ago to-day?"
"No." Before he could speak again she changed her answer: "Yes, I do
remember. If I said 'no' you'd be sure to remind me of what we were
doing. We can't see as well here as we could from the steps."
"But from here, you have the best view in Sleepy Cat of Music
Mountain."
"We didn't come out here to see Music Mountain."
"I come here often to look at it. You won't let me see you--what can I
do but look at where you live? How long are you going to keep me away
from you?"
Nan did not answer. He urged her to speak. "You know very well it is
my people that will never be friendly with you," she replied. "How can
I be?"
They were passing a lawn settee. He sat down. She would not follow.
She stood in a sort of protest at his side, but he did not release her
hand. "I'll tell you how you can be," he returned. "Make me one of
your people."
"That never can be," she declared stubbornly. "You know it as well as
I do. Why do you say such things?" she demanded, drawing away her
hand.
"Do you want to know?"
"No."
"It's because I love you."
She strove to command herself: "Whether you do or not can't make any
difference," she returned steadily. "We are separated by everything.
There's a gulf between us. It never can be crossed. We should both of
us be wretched if it ever were crossed."
He had risen from the bench and caught her hand: "It's because we
haven't crossed it we're wretched," he said determinedly. "Cross it
with me now!" He caught her in his arms. She struggled to escape. She
knew what was coming and fought to keep her face from him. With
resistless strength and yet carefully as a mother with an obstinate
child, he held her slight body against his breast, relentlessly
drawing her head closer. "Let me go!" she panted, twisting her averted
head from the hollow of his arm. Drinking in the wine of her
frightened breath, he bent over her in the darkness until his pulsing
eagerness linked her warm lips to his own. She had surrendered to his
first kiss.
He spoke. "The gulf's crossed. Are you so awfully wretched?"
They sank together down on the bench. "What," she faltered, "will
become of me now?"
"You are better off now than you ever were, Nan. You've gained this
moment a big brother, a lover you can drag around the world after you
with a piece of thread."
"You act as if I could!"
"I mean it: it's true. I'm pledged to you forever--you, to me,
forever. We'll keep our secret till we can manage things; and we
_will_ manage them. Everything will come right, Nan, because
everything must come right."
"I only hope you are not wrong," she murmured, her eyes turned toward
the sombre mountains.
CHAPTER XIX
DANGER
With never such apprehension, never such stealth, never so heavy a
secret, so sensible a burning in cheek and eye, as when she tiptoed
into her uncle's room at midnight, Nan's heart beat as the wings of a
bird beat from the broken door of a cage into a forbidden sky of
happiness. She had left the room a girl; she came back to it a woman.
Sleep she did not expect or even ask for; the night was all too short
to think of those tense, fearful moments that had pledged her to her
lover. When the anxieties of her situation overwhelmed her, as they
would again and again, she felt herself in the arms of this strange,
resolute man whom all her own hated and whom she knew she already
loved beyond all power to put away. In her heart, she had tried this
more than once: she knew she could not, would not ever do it, or even
try to do it, again.
She rejoiced in his love. She trusted. When he spoke she believed this
man whom no one around her would believe; and she, who never had
believed what other men avowed, and who detested their avowals,
believed de Spain, and secretly, guiltily, glowed in every word of his
devotion and breathed faint in its every caress.
Night could hardly come fast enough, after the next long day. A
hundred times during that day she reminded herself, while the slow,
majestic sun shone simmering on the hot desert, that she had promised
to steal out into the grounds the minute darkness fell--he would be
waiting. A hundred times in the long afternoon, Nan looked into the
cloudless western sky and with puny eager hands would have pushed the
lagging orb on its course that she might sooner give herself into the
arms where she felt her place so sure, her honor so safe, her
helplessness so protected, herself so loved.
How her cheeks burned after supper when she asked her uncle for leave
to post a letter down-town! How breathless with apprehension she
halted as de Spain stepped from the shadow of the trees and drew her
importunately beneath them for the kiss that had burned on her
troubled lips all day! How, girl-like, knowing his caresses were all
her own--knowing she could at an instant call forth enough to smother
her--she tyrannized his importuning and, like a lovely miser, hoarded
her responsiveness under calm eyes and laconic whispers until, when
she did give back his eagerness, she made his senses reel.
How dreamily she listened to every word he let fall in his outpouring
of devotion; how gravely she put up her hand to restrain his busy
intrusion, and asked if he knew that no man in the world, least of all
her fierce and burly cousin, had ever touched her lips until he
himself forced a kiss on them the night before: "And now!" She hid her
face against his shoulder. "Oh, Henry, how I love you! I'm so ashamed,
I couldn't tell you if it weren't night: I'll never look you in the
face again in the daytime."
And when he told her how little he himself had had to do with, and how
little he knew about girls, even from boyhood, how she feigned not to
believe, and believed him still! They were two children raised in the
magic of an hour to the supreme height of life and dizzy together on
its summit.
"I don't see how you can care for _me_, Henry. Oh, I mean it," she
protested, holding her head resolutely up. "You know who we are, away
off there in the mountains. Every one hates us; I suppose they've
plenty of reason to: we hate everybody else. And why shouldn't we?
We're at war with every one. You know, better than I do, what goes on
in the Gap. I don't want to know; I try not to know; Uncle Duke tries
to keep things from me. When you began to act--as if you cared for
me--that day on Music--I couldn't believe you meant it at all. And
yet--I'm afraid I liked to try to think you did. When you looked at me
I felt as if you could see right through me."
Confidences never came to an end.
And diplomacy came into its own almost at once in de Spain's efforts
to improve his relations with the implacable Duke. The day came when
Nan's uncle could be taken home. De Spain sent to him a soft-spoken
emissary, Bob Scott, offering to provide a light stage, with his
compliments, for the trip. The intractable mountaineer, with his
refusal to accept the olive-branch, blew Bob out of the room. Nan was
crushed by the result, but de Spain was not to be dismayed.
Lefever came to him the day after Nan had got her uncle home. "Henry,"
he began without any preliminaries, "there is one thing about your
precipitate ride up Music Mountain that I never got clear in my mind.
After the fight, your cartridge-belt was hanging up in the barn at
Calabasas for two weeks. You walked in to us that morning with your
belt buckled on. You told us you put it on before you came up-stairs.
What? Oh, yes, I know, Henry. But that belt wasn't hanging
down-stairs with your coat earlier in the evening. No, Henry: it
wasn't, not when I looked. Don't tell me such things, because--I don't
know. Where was the belt when you found it?"
"Some distance from the coat, John. I admit that. I'll tell you: some
one had moved the belt. It was not where I left it. I was hurried the
morning I rode in and I can't tell you just where I found it."
Lefever never batted an eyelash. "I know you can't, Henry. Because you
won't. That Scotch hybrid McAlpin knows a few things, too, that he
won't tell. All I want to say is, you can trust that man too far. He's
got all my recent salary. Every time Jeffries raises my pay that
hairy-pawed horse-doctor reduces it just so much a month. And he does
it with one pack of fifty-two small cards that you could stick into
your vest pocket."
"McAlpin has a wife and children to support," suggested de Spain.
"Don't think for a moment he does it," returned Lefever vehemently. "I
support his wife and children, myself."
"You shouldn't play cards, John."
"It was by playing cards that I located Sassoon, just the same. A
little game with your friend Bull Page, by the way. And say, that man
blew into Calabasas one day here lately with a twenty-dollar bill;
it's a fact. Now, where do you suppose he got twenty dollars in one
bill? I know _I_ had it two hours after he got there and then in
fifteen minutes that blamed bull-whacker you pay thirty-two a week to
took it away from me. But I got Sassoon spotted. And where do you
suppose Split-lips is this minute?"
"Morgan's Gap."
"Quite so--and been there all the time. Now, Bob has the old warrant
for him: the question is, how to get him out."
De Spain reflected a moment before replying: "John, I'd let him alone
just for the present," he said at length.
Lefever's eyes bulged: "Let Sassoon alone?"
"He will keep--for a while, anyway."
"What do you mean?"
"I don't want to stir things up too strong over that way just at the
minute, John."
"Why not?"
De Spain shuffled a little: "Well, Jeffries thinks we might let things
rest till Duke Morgan and the others get over some of their
soreness."
Lefever, astonished at the indifference of de Spain to the opportunity
of nabbing Sassoon, while he could be found, expostulated strongly.
When de Spain persisted, Lefever, huffed, confided to Bob Scott that
when the general manager got ready he could catch Sassoon himself.
De Spain wanted for Nan's sake, as well as his own, to see what could
be done to pacify her uncle and his relatives so that a wedge might be
driven in between them and their notorious henchman, and Sassoon
brought to book with their consent; on this point, however, he was not
quite bold-faced enough to take his friends into his confidence.
De Spain, as fiery a lover as he was a fighter, stayed none of his
courting because circumstances put Music Mountain between him and his
mistress. And Nan, after she had once surrendered, was nothing behind
in the chances she unhesitatingly took to arrange her meetings with de
Spain. He found in her, once her girlish timidity was overcome and a
woman's confidence had replaced it, a disregard of consequences, so
far as their own plans were concerned, that sometimes took away his
breath.
The very day after she had got her uncle home, with the aid of
Satterlee Morgan and an antiquated spring wagon, Nan rode, later in
the afternoon, over to Calabasas. The two that would not be restrained
had made their appointment at the lower lava beds half-way between
the Gap and Calabasas. The sun was sinking behind the mountain when de
Spain galloped out of the rocks as Nan turned from the trail and rode
toward the black and weather-beaten meeting-place.
They could hardly slip from their saddles fast enough to reach each
other's arms--Nan, trim as a model in fresh khaki, trying with a
handkerchief hardly larger than a postage-stamp to wipe the flecks of
dust from her pink cheeks, while de Spain, between dabs, covered them
with importunate greetings. Looking engrossed into each other's eyes,
and both, in their eagerness, talking at once, they led their horses
into hiding and sat down to try to tell all that had happened since
their parting. Wars and rumors of wars, feuds and raidings, fights and
pursuits were no more to them than to babes in the woods. All that
mattered to them--sitting or pacing together and absorbed, in the path
of the long-cold volcanic stream buried in the shifting sands of the
desert--was that they should clasp each other's clinging hands, listen
each to the other's answering voice, look unrestrained into each
other's questioning eyes.
They met in both the lava beds--the upper lay between the Gap and
town--more than once. And one day came a scare. They were sitting on
a little ledge well up in the rocks where de Spain could overlook the
trail east and west, and were talking about a bungalow some day to be
in Sleepy Cat, when they saw men riding from the west toward
Calabasas. There were three in the party, one lagging well behind. The
two men leading, Nan and de Spain made out to be Gale Morgan and Page.
They saw the man coming on behind stop his horse and lean forward, his
head bent over the trail. He was examining the sand and halted quite a
minute to study something. Both knew what he was studying--the
hoof-prints of Nan's pony heading toward the lava. Nan shrank back and
with de Spain moved a little to where they could watch the intruder
without being seen. Nan whispered first: "It's Sassoon." De Spain
nodded. "What shall we do?" breathed Nan.
"Nothing yet," returned her lover, watching the horseman, whose eyes
were still fixed on the pony's trail, but who was now less than a half
mile away and riding straight toward them.
De Spain, his eyes on the danger and his hand laid behind Nan's waist,
led the way guardedly down to where their horses stood. Nan, needing
no instructions for the emergency, took the lines of the horses, and
de Spain, standing beside his own horse, reached his right hand over
in front of the pommel and, regarding Sassoon all the while, drew his
rifle slowly from its scabbard. The blood fled Nan's cheeks. She said
nothing. Without looking at her, de Spain drew her own rifle from her
horse's side, passed it into her hand and, moving over in front of the
horses, laid his left hand reassuringly on her waist again. At that
moment, little knowing what eyes were on him in the black fragments
ahead, Sassoon looked up. Then he rode more slowly forward. The color
returned to Nan's cheeks: "Do you want me to use this?" she murmured,
indicating the rifle.
"Certainly not. But if the others turn back, I may need it. Stay right
here with the horses. He will lose the trail in a minute now. When he
reaches the rock I'll go down and keep him from getting off his
horse--he won't fight from the saddle."
But with an instinct better than knowledge, Sassoon, like a
wolf scenting danger, stopped again. He scanned the broken and
forbidding hump in front, now less than a quarter of a mile
from him, questioningly. His eyes seemed to rove inquisitively
over the lava pile as if asking why a Morgan Gap pony had visited
it. In another moment he wheeled his horse and spurred rapidly
after his companions.
The two drew a deep breath. De Spain laughed: "What we don't know,
never hurts us." He drew Nan to him. Holding the rifle muzzle at arm's
length as the butt rested on the ground, she looked up from the
shoulder to which she was drawn: "What should you have done if he had
come?"
"Taken you to the Gap and then taken him to Sleepy Cat, where he
belongs."
"But, Henry, suppose----"
"There wouldn't have been any 'suppose.'"
"Suppose the others had come."
"With one rifle, here, a man could stand off a regiment. Nan, do you
know, you fit into my arm as if you were made for it?"
His courage was contagious. When he had tired her with fresh
importunities he unpinned her felt hat and held it out of reach while
he kissed and toyed with and disarranged her hair. In revenge, she
snatched from his pocket his little black memorandum-book and some
letters and read, or pretended to read them, and seizing her
opportunity she broke from him and ran with the utmost fleetness up
into the rocks.
In two minutes they had forgotten the episode almost as completely as
if it never had been. But when they left for home, they agreed they
would not meet there again. They knew that Sassoon, like a jackal,
would surely come back, and more than once, until he found out just
what that trail or any subsequent trail leading into the beds meant.
The lovers laughed the jackal's spying to scorn and rode away,
bantering, racing, and chasing each other in the saddle, as solely
concerned in their happiness as if there were nothing else of moment
in the whole wide world.
CHAPTER XX
FACING THE MUSIC
They had not underestimated the danger from Sassoon's suspicious
malevolence. He returned next morning to read what further he could
among the rocks. It was little, but it spelled a meeting of two
people--Nan and another--and he was stimulated to keep his eyes and
ears open for further discoveries. Moreover, continuing ease in seeing
each other, undetected by hostile eyes, gradually rendered the lovers
less cautious in their arrangements. The one thing that possessed
their energies was to be together.
De Spain, naturally reckless, had won in Nan a girl hardly more
concerned. Self-reliant, both of them, and instinctively vigilant,
they spent so much time together that Scott and Lefever, who, before a
fortnight had passed after Duke's return home, surmised that de Spain
must be carrying on some sort of a clandestine affair hinting toward
the Gap, only questioned how long it would be before something
happened, and only hoped it would not be, in their own word,
unpleasant. It was not theirs in any case to admonish de Spain, nor
to dog the movements of so capable a friend even when his safety was
concerned, so long as he preferred to keep his own counsel--there are
limits within which no man welcomes uninvited assistance. And de
Spain, in his long and frequent rides, his protracted absences,
indifference to the details of business and careless humor, had
evidently passed within these limits.
What was stage traffic to him compared to the sunshine on Nan's hair;
what attraction had schedules to offer against a moment of her eyes;
what pleasing connection could there be between bad-order wheels and
her low laugh?
The two felt they must meet to discuss their constant perplexities and
the problems of their difficult situation; but when they reached their
trysting-places, there was more of gayety than gravity, more of
nonchalance than concern, more of looking into each other's hearts
than looking into the troublesome future. And there was hardly an
inviting spot within miles of Music Mountain that one or the other of
the two had not waited near.
There were, of course, disappointments, but there were only a few
failures in their arrangements. The difficulties of these fell chiefly
on Nan. How she overcame them was a source of surprise to de Spain,
who marvelled at her innocent resource in escaping the demands at
home and making her way, despite an array of obstacles, to his distant
impatience.
Midway between Music Mountain and Sleepy Cat a low-lying wall of lava
rock, in part sand-covered and in part exposed, parallels and
sometimes crosses the principal trail. This undulating ridge was a
favorite with de Spain and Nan, because they could ride in and out of
hiding-places without more than just leaving the trail itself. To the
west of this ridge, and commanding it, rose rather more than a mile
away the cone called Black Cap.
"Suppose," said Nan one afternoon, looking from de Spain's side toward
the mountains, "some one should be spying on us from Black Cap?" She
pointed to the solitary rock.
"If any one has been, Nan, with a good glass he must have seen
exchanges of confidence over here that would make him gnash his teeth.
I know if I ever saw anything like it I'd go hang. But the country
around there is too rough for a horse. Nobody even hides around Black
Cap, except some tramp hold-up man that's crowded in his get-away. Bob
Scott says there are dozens of mountain-lions over there."
But Sassoon had the unpleasant patience of a mountain-lion and its
dogged persistence, and, hiding himself on Black Cap, he made certain
one day of what he had long been convinced--that Nan was meeting de
Spain.
The day after she had mentioned Black Cap to her lover, Nan rode over
to Calabasas to get a bridle mended. Galloping back, she encountered
Sassoon just inside the Gap. Nan so detested him that she never spoke
when she could avoid it. On his part he pretended not to see her as
she passed. When she reached home she found her Uncle Duke and Gale
standing in front of the fireplace in the living-room. The two
appeared from their manner to have been in a heated discussion, one
that had stopped suddenly on her appearance. Both looked at Nan. The
expression on their faces forewarned her. She threw her quirt on the
table, drew off her riding-gloves, and began to unpin her hat; but she
knew a storm was impending.
Gale had been made for a long time to know that he was an unwelcome
visitor, and Nan's greeting of him was the merest contemptuous nod.
"Well, uncle," she said, glancing at Duke, "I'm late again. Have you
had supper?"
Duke always spoke curtly; to-night his heavy voice was as sharp as an
axe. "Been late a good deal lately."
Nan laid her hat on the table and, glancing composedly from one
suspicious face to the other, put her hands up to rearrange her hair.
"I'm going to try to do better. I'll go out and get my supper if
you've had yours." She started toward the dining-room.
"Hold on!" Nan paused at her uncle's ferocious command. She looked at
him either really or feignedly surprised, her expression changing to
one of indignation, and waited for him to speak. Since he did no more
than glare angrily at her, Nan lifted her brows a little. "What do you
want, uncle?"
"Where did you go this afternoon?"
"Over to Calabasas," she answered innocently.
"Who'd you meet there?" Duke's tone snapped with anger. He was working
himself into a fury, but Nan saw it must be faced. "The same people I
usually meet--why?"
"Did you meet Henry de Spain there this afternoon?"
Nan looked squarely at her cousin and returned his triumphant
expression defiantly before she turned her eyes on her uncle. "No,"
she said collectedly. "Why?"
"Do you deny it?" he thundered.
"Yes, I deny it. Why?"
"Did you see de Spain at Calabasas this afternoon?"
"No."
"See him anywhere else?"
"No, I did not. What do you mean? What," demanded his niece with
spirit, "do you want to know? What are you trying to find out?"
Duke turned in his rage on Gale. "There! You hear that--what have you
got to say now?" he demanded with an abusive oath.
Gale, who had been hardly able to refrain from breaking in, answered
fast. "What have I got to say?" he roared. "I say I know what I'm
talking about. I say she's lying, Duke."
Nan's face turned white with anger. Before she could speak her uncle
took up the words. "Hold on," he shouted. "Don't tell me she lies." He
launched another hot expletive. "I know she doesn't lie!"
Gale jumped forward, his finger pointed at Nan. "Look here, do you
deny you are meeting Henry de Spain all over the desert?"
Nan's anger supported her without a tremor. "Who are you to ask me
whom I meet or don't meet?"
"You've been meeting de Spain right along, haven't you? You met him
down the Sleepy Cat trail near Black Cap, didn't you?"
Nan stood with her back against the end of the table where her uncle's
first words had stopped her, and she looked sidewise toward her
cousin. In her answer he heard as much contempt as a girl's voice
could carry to a rejected lover. "So you've turned sneak!"
Gale roared a string of bad words.
"You hire that coyote, Sassoon, to spy for you, do you?" demanded Nan
coolly. "Aren't you proud of your manly relation, uncle?" Duke was
choking with rage. He tried to speak to her, but he could not form his
words. "What is it you want to know, uncle? Whether it is true that I
meet Henry de Spain? It is. I do meet him, and we're engaged to be
married when you give us permission, Uncle Duke--and not till then."
"There you have it," cried Gale. "There's the story. I told you so.
I've known it for a week, I tell you." Nan's face set. "Not only,"
continued her cousin jeeringly, "meeting that----"
Almost before the vile epithet that followed had reached her ears, Nan
caught up the whip. Before he could escape she cut Gale sharply across
the face. "You coward," she cried, trembling so she could not control
her voice. "If you ever dare use that word before me again, I'll
horsewhip you. Go to Henry de Spain's face, you skulker, and say that
if you dare."
"Put down that quirt, Nan," yelled her uncle.
"I won't put it down," she exclaimed defiantly. "And he will get a
good lashing with it if he says one more word about Henry de Spain."
"Put down that quirt, I tell you," thundered her uncle.
She whirled. "I won't put it down. This hulking bully! I know him
better than you do." She pointed a quivering finger at her cousin. "He
insulted me as vilely as he could only a few months ago on Music
Mountain. And if this very same Henry de Spain hadn't happened to be
there to protect me, you would have found me dead next morning by my
own hand. Do you understand?" she cried, panting and furious. "That's
what he is!"
Her uncle tried to break in. "Stop!" she exclaimed, pointing at Gale.
"_He_ never told you that, did he?"
"No; nor you neither," snapped Duke hoarsely.
"I didn't tell you," retorted Nan, "because I've been trying to live
with you here in peace among these thieves and cutthroats, and not
keep you stirred up all the time. And Henry de Spain faced this big
coward and protected me from him with an empty revolver! What business
of yours is it whom I meet, or where I go?" she demanded, raining her
words with flaming eyes on her belligerent cousin. "I will never marry
you to save you from the hangman. Now leave this house." She stamped
her foot. "Leave this house, and never come into it again!"
Gale, beside himself with rage, stood his ground. He poured all that
he safely could of abuse on Nan's own head. She had appeased her wrath
and made no attempt to retort, only looking at him with white face and
burning eyes as she breathed defiance. Duke interfered. "Get out!" he
said to Gale harshly. "I'll talk to her. Go home!"
Not ceasing to mutter threats, Gale picked up his hat and stamped out
of the house, slamming the doors. Duke, exhausted by the quarrel, sat
down, eying his niece. "Now what does this mean?" he demanded
hoarsely.
She tried to tell him honestly and frankly all that her acquaintance
with de Spain did mean--dwelling no more than was necessary on its
beginning, but concealing nothing of its development and consequences,
nothing of her love for de Spain, nor of his for her. But no part of
what she could say on any point she urged softened her uncle's face.
His square hard jaw from beginning to end looked like stone.
"So he's your lover?" he said harshly when she had done.
"He wants to be your friend," returned Nan, determined not to give
up.
Duke looked at her uncompromisingly: "That man can't ever be any
friend of mine--understand that! He can't ever marry you. If he ever
tries to, so help me God, I'll kill him if I hang for it. I know his
game. I know what he wants. He doesn't care a pinch of snuff about
you. He thinks he can hit me a blow by getting you away from me."
"Nothing could be further from the truth," exclaimed Nan hopelessly.
Duke struck the table a smashing blow with his fist. "I'll show Mr. de
Spain and his friends where they get off."
"Uncle Duke, if you won't listen to reason, you must listen to sense.
Think of what a position you put me in. I love you for all your care
of me. I love him for his affection for me and consideration of
me--because he knows how to treat a woman. I know he wouldn't harm a
hair on your head, for my sake, yet you talk now of bloodshed between
you two. I know what your words mean--that one of you, or both of you
are to be killed for a senseless feud. He will not stand up and let
any man shoot him down without resistance. If you lay your blood on
his head, you know it would put a stain between him and me that never
could be washed out as long as we lived. If you kill him I could never
stay here with you. His blood would cry out every day and night
against you."
Duke's violent finger shot out at her. "And you're the gal I took from
your mammy and promised I'd bring up a decent woman. You've got none
o' her blood in you--not a drop. You're the brat of that damned,
mincing brother of mine, that was always riding horseback and showing
off in town while I was weeding the tobacco-beds."
Nan clasped her hands. "Don't blame me because I'm your brother's
child. Blame me because I'm a woman, because I have a heart, because I
want to live and see you live, and to see you live in peace instead of
what we do live in--suspicion, distrust, feuds, alarms, and worse. I'm
not ungrateful, as you plainly say I am. I want you to get out of what
you are in here--I want to be out of it. I'd rather be dead now than
to live and die in it. And what is this anger all for? Nothing. He
offers you his friendship--" She could speak no further. Her uncle
with a curse left her alone. When she arose in the early morning he
had already gone away.
CHAPTER XXI
A TRY OUT
Sleepy Cat is not so large a place that one would ordinarily have much
trouble in finding a man in it if one searched well. But Duke Morgan
drove into town next morning and had to stay for three days waiting
for a chance to meet de Spain. Duke was not a man to talk much when he
had anything of moment to put through, and he had left home
determined, before he came back, to finish for good with his enemy.
De Spain himself had been putting off for weeks every business that
would bear putting off, and had been forced at length to run down to
Medicine Bend to buy horses. Nan, after her uncle left home--justly
apprehensive of his intentions--made frantic efforts to get word to de
Spain of what was impending. She could not telegraph--a publicity that
she dreaded would have followed at once. De Spain had expected to be
back in two days. Such a letter as she could have sent would not reach
him at Medicine Bend.
As it was, a distressing amount of talk did attend Duke's efforts to
get track of de Spain. Sleepy Cat had but one interpretation for his
inquiries--and a fight, if one occurred between these men, it was
conceded would be historic in the annals of the town. Its anticipation
was food for all of the rumors of three days of suspense. For the town
they were three days of thrilling expectation; for Nan, isolated,
without a confidant, not knowing what to do or which way to turn, they
were the three bitterest days of anxiety she had ever known.
Desperate with suspense at the close of the second day--wild for a
scrap of news, yet dreading one--she saddled her pony and rode alone
into Sleepy Cat after nightfall to meet the train on which de Spain
had told her he would return from the east. She rode straight to the
hospital, instead of going to the livery-barn, and leaving her horse,
got supper and walked by way of unfrequented streets down-town to the
station to wait for the train.
Never had she felt so miserable, so helpless, so forsaken, so alone.
With the thought of her nearest relative, the man who had been a
father to her and provided a home for her as long as she could
remember, seeking to kill him whose devotion had given her all the
happiness she had ever known, and whose safety meant her only pledge
of happiness for the future--her heart sank.
When the big train drew slowly, almost noiselessly, in, Nan took her
place where no incoming passenger could escape her gaze and waited for
de Spain. Scanning eagerly the figures of the men that walked up the
long platform and approached the station exit, the fear that she
should not see him battled with the hope that he would still appear.
But when all the arrivals had been accounted for, he had not come.
She turned, heavy-hearted, to walk back uptown, trying to think
of whom she might seek some information concerning de Spain's
whereabouts, when her eye fell on a man standing not ten feet away
at the door of the baggage-room. He was alone and seemed to be
watching the changing of the engines, but Nan thought she knew
him by sight. The rather long, straight, black hair under the
broad-brimmed Stetson hat marked the man known and hated in the Gap
as "the Indian." Here, she said to herself, was a chance. De Spain,
she recalled, spoke of no one oftener than this man. He seemed
wholly disengaged.
Repressing her nervous timidity, Nan walked over to him. "Aren't you
Mr. Scott?" she asked abruptly.
Scott, turning to her, touched his hat as if quite unaware until that
moment of her existence. "Did Mr. de Spain get off this train?" she
asked, as Scott acknowledged his identity.
"I didn't see him. I guess he didn't come to-night." Nan noticed the
impassive manner of his speaking and the low, even tones. "I was kind
of looking for him myself."
"Is there another train to-night he could come on?"
"I don't think he will be back now before to-morrow night."
Nan, much disappointed, looked up the line and down. "I rode in this
afternoon from Music Mountain especially to see him." Scott, without
commenting, smiled with understanding and encouragement, and Nan was
so filled with anxiety that she welcomed a chance to talk to somebody.
"I've often heard him speak of you," she ventured, searching the dark
eyes, and watching the open, kindly smile characteristic of the man.
Scott put his right hand out at his side. "I've ridden with that boy
since he was so high."
"I know he thinks everything of you."
"I think a lot of him."
"You don't know me?" she said tentatively.
His answer concealed all that was necessary. "Not to speak to, no."
"I am Nan Morgan."
"I know your name pretty well," he explained; nothing seemed to
disturb his smile.
"And I came in--because I was worried over something and wanted to see
Mr. de Spain."
"He is buying horses north of Medicine Bend. The rain-storm yesterday
likely kept him back some. I don't think you need worry much over
anything though."
"I don't mean I am worrying about Mr. de Spain at Medicine Bend,"
disclaimed Nan with a trace of embarrassment.
"I know what you mean," smiled Bob Scott. She regarded him questioningly.
He returned her gaze reassuringly as if he was confident of his ground.
"Did your pony come along all right after you left the foot-hills this
afternoon?"
Nan opened her eyes. "How did you know I came through the foot-hills?"
"I was over that way to-day." Something in the continuous smile
enlightened her more than the word. "I noticed your pony went lame.
You stopped to look at his foot."
"You were behind me," exclaimed Nan.
"I didn't see you," he countered prudently.
She seemed to fathom something from the expression of his face. "You
couldn't have known I was coming in," she said quickly.
"No." He paused. Her eyes seemed to invite a further confidence. "But
after you started it would be a pity if any harm came to you on the
road."
"You knew Uncle Duke was in town?" Scott nodded. "Do you know why I
came?"
"I made a guess at it. I don't think you need worry over anything."
"Has Uncle Duke been talking?"
"Your Uncle Duke doesn't talk much, you know. But he had to ask
questions."
"Did you follow me down from the hospital to-night?"
"I was coming from my house after supper. I only kept close enough to
you to be handy."
"Oh, I understand. And you are very kind. I don't know what to do
now."
"Go back to the hospital for the night. I will send Henry de Spain up
there just as soon as he comes to town."
"Suppose Uncle Duke sees him first."
"I'll see that he doesn't see him first."
"Where is Uncle Duke to-night, do you know?"
"Lefever says he is up-street somewhere."
"That means Tenison's," said Nan. "You need not be afraid to speak
plainly, as I must. Uncle Duke is very angry--I am deathly afraid of
their meeting."
Even de Spain himself, when he came back the next night, seemed
hardly able to reassure her. Nan, who had stayed at the hospital,
awaited him there, whither Scott had directed him, with her burden of
anxiety still upon her. When she had told all her story, de Spain
laughed at her fears. "I'll bring that man around, Nan, don't worry.
Don't believe we shall ever fight. I may not be able to bring him
around to-morrow, or next week, but I'll do it. It takes two to
quarrel, you know."
"But you don't know how unreasoning Uncle Duke is when he is angry,"
said Nan mournfully. "He won't listen to _any_body. He always would
listen to me until now. Now, he says, I have gone back on him, and he
doesn't care what happens. Think, Henry, where it would put me if
either of you should kill the other. Henry, I've been thinking it all
over for three days now. I see what must come. It will break both our
hearts, I know, but they will be broken anyway. There is no way out,
Henry--none."
"Nan, what do you mean?"
"You must give me up."
They were sitting in the hospital garden, he at her side on the bench
that he called their bench. It was here he had made his unrebuked
avowal--here, he had afterward told her, that he began to live. "Give
you up," he echoed with gentleness. "How could I do that? You're like
the morning for me, Nan. Without you there's no day; you're the kiss
of the mountain wind and the light of the stars to me. Without the
thought of you I'd sicken and faint in the saddle, I'd lose my way in
the hills; without you there would be no to-morrow. No matter where I
am, no matter how I feel, if I think of you strength wells into my
heart like a spring. I never could give you up."
He told her all would be well because it must be well; that she _must_
trust him; that he would bring her safe through every danger and every
storm, if she would only stick to him. And Nan, sobbing her fears one
by one out on his breast, put her arms around his neck and whispered
that for life or death, she _would_ stick.
It was not hard for de Spain next morning to find Duke Morgan. He was
anxious on Nan's account to meet him early. The difficulty was to meet
him without the mob of hangers-on whose appetite had been whetted with
the prospect of a death, and perhaps more than one, in the meeting of
men whose supremacy with the gun had never been successfully disputed.
It required all the diplomacy of Lefever to "pull off" a conference
between the two which should not from the start be hopeless, because
of a crowd of Duke's partisans whose presence would egg him on, in
spite of everything, to a combat. But toward eleven o'clock in the
morning, de Spain having been concealed like a circus performer every
minute earlier, Duke Morgan was found, alone, in a barber's hands in
the Mountain House. At the moment Duke left the revolving-chair and
walked to the cigar stand to pay his check, de Spain entered the shop
through the rear door opening from the hotel office.
Passing with an easy step the row of barbers lined up in waiting
beside their chairs, de Spain walked straight down the open aisle,
behind Morgan's back. While Duke bent over the case to select a cigar,
de Spain, passing, placed himself at the mountain-man's side and
between him and the street sunshine. It was taking an advantage, de
Spain was well aware, but under the circumstances he thought himself
entitled to a good light on Duke's eye.
De Spain wore an ordinary sack street suit, with no sign of a weapon
about him; but none of those who considered themselves favored
spectators of a long-awaited encounter felt any doubt as to his
ability to put his hand on one at incomparably short notice. There
was, however, no trace of hostility or suspicion in de Spain's
greeting.
"Hello, Duke Morgan," he said frankly. Morgan looked around. His face
hardened when he saw de Spain, and he involuntarily took a short step
backward. De Spain, with his left hand lying carelessly on the cigar
case, faced him. "I heard you wanted to see me," continued de Spain.
"I want to see you. How's your back since you went home?"
Morgan eyed him with a mixture of suspicion and animosity. He took
what was to him the most significant part of de Spain's greeting first
and threw his response into words as short as words could be chopped:
"What do you want to see me about?"
"Nothing unpleasant, I hope," returned de Spain. "Let's sit down a
minute."
"Say what you got to say."
"Well, don't take my head off, Duke. I was sorry to hear you were
hurt. And I've been trying to figure out how to make it easier for you
to get to and from town while you are getting strong. Jeffries and I
both feel there's been a lot of unnecessary hard feeling between the
Morgans and the company, and we want to ask you to accept this to show
some of it's ended." De Spain put his left hand into his side pocket
and held out an unsealed envelope to Morgan. Duke, taking the
envelope, eyed it distrustfully. "What's this?" he demanded, opening
it and drawing out a card.
"Something for easier riding. An annual pass for you and one over the
stage line between Calabasas and Sleepy Cat--with Mr. Jeffries's
compliments."
Like a flash, Morgan tore the card pass in two and threw it angrily to
the floor. "Tell 'Mr.' Jeffries," he exclaimed violently, "to----"
The man that chanced at that moment to be lying in the nearest chair
slid quietly but imperiously out from under the razor and started with
the barbers for the rear door, wiping the lather from one unshaven
side of his face with a neck towel as he took his hasty way. At the
back of the shop a fat man, sitting in a chair on the high,
shoe-shining platform, while a negro boy polished him, rose at
Morgan's imprecation and tried to step over the bootblack's head to
the floor below. The boy, trying to get out of the way, jumped back,
and the fat man fell, or pretended to fall, over him--for it might be
seen that the man, despite his size, had lighted like a cat on his
feet and was instantly half-way up to the front of the shop,
exclaiming profanely but collectedly at the lad's awkwardness, before
de Spain had had time to reply to the insult.
The noise and confusion of the incident were considerable. Morgan was
too old a fighter to look behind him at a critical moment. No man
could say he had meant to draw when he stamped the card underfoot, but
de Spain read it in his eye and knew that Lefever's sudden diversion
at the rear had made him hesitate; the crisis passed like a flash.
"Sorry you feel that way, Duke," returned de Spain, undisturbed. "It
is a courtesy we were glad to extend. And I want to speak to you about
Nan, too."
Morgan's face was livid. "What about her?"
"She has given me permission to ask your consent to our marriage,"
said de Spain, "sometime in the reasonable future."
It was difficult for Duke to speak at all, he was so infuriated. "You
can get my consent in just one way," he managed to say, "that's by
getting me."
"Then I'm afraid I'll never get it, for I'll never 'get' you, Duke."
A torrent of oaths fell from Morgan's cracked lips. He tried to tell
de Spain in his fury that he knew all about his underhanded work, he
called him more than one hard name, made no secret of his deadly
enmity, and challenged him to end their differences then and there.
De Spain did not move. His left hand again lay on the cigar case.
"Duke," he said, when his antagonist had exhausted his vituperation,
"I wouldn't fight you, anyway. You're crazy angry at me for no reason
on earth. If you'll give me just one good reason for feeling the way
you do toward me, and the way you've always acted toward me since I
came up to this country, I'll fight you."
"Pull your gun," cried Morgan with an imprecation.
"I won't do it. You call me a coward. Ask these boys here in the shop
whether they agree with you on that. You might as well call me an
isosceles triangle. You're just crazy sore at me when I want to be
friends with you. Instead of pulling my gun, Duke, I'll lay it out on
the case, here, to show you that all I ask of you is to talk reason."
De Spain, reaching with his left hand under the lapel of his coat,
took a Colt's revolver from its breast harness and laid it, the muzzle
toward himself, on the plate-glass top of the cigar stand. It reduced
him to the necessity of a spring into Morgan for the smallest chance
for his life if Morgan should draw; but de Spain was a desperate
gambler in such matters even at twenty-eight, and he laid his wagers
on what he could read in another's eye.
"There's more reasons than one why I shouldn't fight you," he said
evenly. "Duke, you're old enough to be my father--do you realize
that? What's the good of our shooting each other up?" he asked,
ignoring Morgan's furious interruptions. "Who's to look after Nan when
you go--as you must, before very many years? Have you ever asked
yourself that? Do you want to leave her to that pack of wolves in the
Gap? You know, just as well as I do, the Gap is no place for a
high-bred, fine-grained girl like Nan Morgan. But the Gap is your
home, and you've done right to keep her under your roof and under your
eye. Do you think _I'd_ like to pull a trigger on a man that's been a
father to Nan? Damnation, Duke, could you expect me to do it,
willingly? Nan is a queen. The best in the world isn't good enough for
her--I'm not good enough, I know that. She's dear to you, she is dear
to me. If you really want to see me try to use a gun, send me a man
that will insult or abuse her. If you want to use your own gun, use it
on me if I ever insult or abuse her--is that fair?"
"Damn your fine words," exclaimed Morgan slowly and implacably. "They
don't pull any wool over my eyes. I know you, de Spain--I know your
breed----"
"What's that?"
Morgan checked himself at that tone. "You can't sneak into my affairs
any deeper," he cried. "Keep away from my blood! I know how to take
care of my own. I'll do it. So help me God, if you ever take any one
of my kin away from me--it'll be over my dead body!" He ended with a
bitter oath and a final taunt: "Is that fair?"
"No," retorted de Spain good-naturedly, "it's not fair. And some day,
Duke, you'll be the first to say so. You won't shake hands with me
now, I know, so I'll go. But the day will come when you will."
He covered his revolver with his left hand, and replaced it under his
coat. The fat man who had been leaning patiently against a barber's
chair ten feet from the disputants, stepped forward again lightly as a
cat. "Henry," he exclaimed, in a low but urgent tone, his hand
extended, "just a minute. There's a long-distance telephone call on
the wire for you." He pointed to the office door. "Take the first
booth, Henry. Hello, Duke," he added, greeting Morgan with an extended
hand, as de Spain walked back. "How are you making it, old man?"
Duke Morgan grunted.
"Sorry to interrupt your talk," continued Lefever. "But the barns at
Calabasas are burning--telephone wires from there cut, too--they had
to pick up the Thief River trunk line to get a message through. Makes
it bad, doesn't it?" Lefever pulled a wry face. "Duke, there's
somebody yet around Calabasas that needs hanging, isn't there? Yes."
CHAPTER XXII
GALE PERSISTS
When within an hour de Spain joined Nan, tense with suspense and
anxiety, at the hospital, she tried hard to read his news in his
face.
"Have you seen him?" she asked eagerly. De Spain nodded. "What does he
say?"
"Nothing very reasonable."
Her face fell. "I knew he wouldn't. Tell me all about it,
Henry--everything."
She listened keenly to each word. De Spain gave her a pretty accurate
recital of the interview, and Nan's apprehension grew with her hearing
of it.
"I knew it," she repeated with conviction. "I know him better than you
know him. _What_ shall we do?"
De Spain took both her hands. He held them against his breast and
stood looking into her eyes. When he regarded her in such a way her
doubts and fears seemed mean and trivial. He spoke only one word, but
there was a world of confidence in his tone: "Stick."
She arched her brows as she returned his gaze, and with a little
troubled laugh drew closer. "Stick, Nan," he repeated. "It will come
out all right."
She paused a moment. "How can you know?"
"I know because it's got to. I talked it all over with my best friend
in Medicine Bend, the other day."
"Who, Henry?"
"Whispering Smith. He laughed at your uncle's opposing us. He said if
your uncle only knew it, it's the best thing that could happen for
him. And he said if all the marriages opposed by old folks had been
stopped, there wouldn't be young folks enough left to milk the cows."
"Henry, what is this report about the Calabasas barns burning?"
"The old Number One barn is gone and some of the old stages. We didn't
lose any horses, and the other barns are all right. Some of our
Calabasas or Gap friends, probably. No matter, we'll get them all
rounded up after a while, Nan. Then, some fine day, we're going to get
married."
De Spain rode that night to Calabasas to look into the story of the
fire.
McAlpin, swathed in bandages, made no bones about accusing the common
enemy. No witnesses could be found to throw any more light on the
inquiry than the barn boss himself. And de Spain made only a pretense
of a formal investigation. If he had had any doubts about the origin
of the fire they would have been resolved by an anonymous scrawl, sent
through the mail, promising more if he didn't get out of the country.
But instead of getting out of the country, de Spain continued as a
matter of energetic policy to get into it. He rode the deserts
stripped, so to say, for action and walked the streets of Sleepy Cat
welcoming every chance to meet men from Music Mountain or the Sinks.
It was on Nan that the real hardships of the situation fell, and Nan
who had to bear them alone and almost unaided.
Duke came home a day or two later without a word for Nan concerning
his encounter with de Spain. He was shorter in the grain than ever,
crustier to every one than she had ever known him--and toward Nan
herself fiercely resentful. Sassoon was in his company a great deal,
and Nan knew of old that Sassoon was a bad symptom. Gale, too, came
often, and the three were much together. In some way, Nan felt that
she herself was in part the subject of their talks, but no information
concerning them could she ever get.
One morning she sat on the porch sewing when Gale rode up. He asked
for her uncle. Bonita told him Duke had gone to Calabasas. Gale
announced he was bound for Calabasas himself, and dismounted near Nan,
professedly to cinch his saddle. He fussed with the straps for a
minute, trying to engage Nan in the interval, without success, in
conversation. "Look here, Nan," he said at length, studiously amiable,
"don't you think you're pretty hard on me, lately?"
"No, I don't," she answered. "If Uncle Duke didn't make me, I'd never
look at you, or speak to you--or live in the same mountains with
you."
"I don't think when a fellow cares for you as much as I do, and gets
out of patience once in a while, just because he loves a girl the way
a red-blooded man can't help loving her, she ought to hold it against
him forever. Think she ought to, Nan?" he demanded after a pause. She
was sewing and had kept silence.
"I think," she responded, showing her aversion in every syllable,
"before a man begins to talk red-blood rot, he ought to find out
whether the girl cares for him, or just loathes the sight of him."
He regarded her fixedly. Paying no attention to him, but bending in
the sunshine over her sewing, her hand flying with the needle, her
masses of brown hair sweeping back around her pink ears and curling in
stray ringlets that the wind danced with while she worked, she
inflamed her brawny cousin's ardor afresh. "You used to care for me,
Nan. You can't deny that." Her silence was irritating. "Can you?" he
demanded. "Come, put up your work and talk it out. I didn't use to
have to coax you for a word and a smile. What's come over you?"
"Nothing has come over me, Gale. I did use to like you--when I first
came back from school. You seemed so big and fine then, and were so
nice to me. I did like you."
"Why didn't you keep on liking me?"
Nan made no answer. Her cousin persisted. "You used to talk about
thinking the world of me," she said at last; "then I saw you one
Frontier Day, riding around Sleepy Cat with a carriage full of
women."
Gale burst into a huge laugh. Nan's face flushed. She bent over her
work. "Oh, that's what's the matter with you, is it?" he demanded
jocularly. "You never mentioned _that_ before."
"That isn't the only thing," she continued after a pause.
"Why, that was just some Frontier Day fun, Nan. A man's got to be a
little bit of a sport once in a while, hasn't he?"
"Not if he likes me." She spoke with an ominous distinctness, but
under her breath. He caught her words and laughed again. "Pshaw, I
didn't think you'd get jealous over a little thing like that, Nan.
When there's a celebration on in town, everybody's friendly with
everybody else. If you lay a little thing like that up against me,
where would the rest of the men get off? Your strawberry-faced
Medicine Bend friend is celebrating in town most of the time."
Her face turned white. "What a falsehood!" she exclaimed hotly.
Looking at her, satisfied, he laughed whole-heartedly again. She rose,
furious. "It's a falsehood," she repeated, "and I know it."
"I suppose," retorted Gale, regarding her jocosely, "you asked him
about it."
He had never seen her so angry. She stamped her foot. "How dare you
say such a thing! One of those women was at the hospital--she is there
yet, and she is going to die there. She told Uncle Duke's nurse the
men they knew, and whom they didn't know, at that place. And Henry de
Spain, when he heard this miserable creature had been taken to the
hospital, and Doctor Torpy said she could never get well, told the
Sister to take care of her and send the bills to him, because he knew
her father and mother in Medicine Bend and went to school with her
there when she was a decent girl. Go and hear what _she_ has to say
about Henry de Spain, you contemptible falsifier."
Gale laughed sardonically. "That's right. I like to see a girl stick
to her friends. De Spain ought to take care of her. Good story."
"And she has other good stories, too, you ought to hear," continued
Nan undismayed. "Most of them about you and your fine friends in town.
She told the nurse it's _you_ who ought to be paying her bills till
she dies."
Gale made a disclaiming face and a deprecating gesture. "No, no,
Nan--let de Spain take care of his own. Be a sport yourself, girlie,
right now." He stepped nearer her. Nan retreated. "Kiss and make up,"
he exclaimed with a laugh. But she knew he was angry, and knew what to
guard against. Still laughing, he sprang toward her and tried to catch
her arm.
"Don't touch me!" she cried, jumping away with her hand in her
blouse.
"You little vixen," he exclaimed with an oath, "what have you got
there?" But he halted at her gesture, and Nan, panting, stood her
ground.
"Keep away!" she cried.
"Where did you get that knife?" thundered Gale.
"From one who showed me how to use it on a coward!"
He affected amusement and tried to pass the incident off as a joke.
But his dissimulation was more dangerous, she knew, than his
brutality, and he left her the prey to more than one alarm and the
renewed resolve never to be taken off her guard. That night he came
back. He told her uncle, glancing admiringly at Nan as he recounted
the story, how she had stood her ground against him in the morning.
Nor did Nan like the way her uncle acted while he listened--and
afterward. He talked a good deal about Gale and the way she was
treating her cousin. When Nan declared she never would have anything
to do with him, her uncle told her with disconcerting bluntness to get
all that out of her head, for she was going to marry him. When she
protested she never would, Duke told her, with many harsh oaths, that
she should never marry de Spain even if he had to kill him or get
killed to stop it, and that if she had any sense she would get ready
to marry her cousin peaceably, adding, that if she didn't have sense,
he would see himself it was provided for her.
His threats left Nan aghast. For two days she thought them all over.
Then she dressed to go to town. On her way to the barn her uncle
intercepted her. "Where you going?"
"To Sleepy Cat," returned Nan, regarding him collectedly.
"No, you're not," he announced bluntly.
Nan looked at him in silence. "I don't want you running to town any
more to meet de Spain," added Duke, without any attempt to soften his
injunction.
"But I've got to go to town once in a while, whether I meet Henry de
Spain or not, Uncle Duke."
"What do you have to go for?"
"Why, for mail, supplies--everything."
"Pardaloe can attend to all that."
Nan shook her head. "Whether he can or not, I'm not going to be cut
off from going to Sleepy Cat, Uncle Duke--nor from seeing Henry de
Spain."
"Meaning to say you won't obey, eh?"
"When I'm going to marry a man it isn't right to forbid me seeing
him."
"You're not going to marry him; you're going to marry Gale, and the
quicker you make up your mind to it the better."
"You might better tell me I am going to marry Bull Page--I would marry
him first. I will never marry Gale Morgan in the living world, and
I've told you so more than once."
He regarded his niece a moment wrathfully and, without replying,
walked back to the house. Nan, upset but resolute, went on to the barn
and asked Pardaloe to saddle her pony. Pardaloe shuffled around in an
obliging way, but at the end of some evasion admitted he had orders
not to do it. Nan flamed at the information. She disliked Pardaloe
anyway, not for any reason she could assign beyond the fact that he
had once been a chum of Gale's. But she was too high-spirited to
dispute with him, and returned to the house pink with indignation.
Going straight to her uncle, she protested against such tyranny. Duke
was insensible alike to her pleas and her threats.
But next morning Nan was up at three o'clock. She made her way into
the barn before a soul was stirring, and at daybreak was well on her
way to Sleepy Cat. She telephoned to de Spain's office from the
hospital and went to breakfast. De Spain joined her before she had
finished, and when they left the dining-room she explained why she had
disappointed him the day before. He heard the story with misgivings.
"I'll tell you how it looks to me, Nan," he said when she had done.
"You are like a person that's being bound tighter every day by
invisible cords. You don't see them because you are fearless. You are
too fearless, Nan," he added, with apprehension reflected in the
expression of his face. "I'll tell you what I wish you'd do, and I say
it knowing you won't do it," he concluded.
She made light of his fears, twisting his right hand till it was
helpless in her two hands and laughing at him. "How do you know I
won't do it?"
"Because I've asked you before. This is it: marry me, now, here,
to-day, and don't take any more chances out there."
"But, Henry," protested Nan, "I can't marry you now and just run away
from poor Uncle Duke. If you will just be patient, I'll bring him
around to our side."
"Never, Nan."
"Don't be so sure. I know him better than you do, and when he comes
for anybody, he comes all at once. Why, it's funny, Henry. Now that
I'm picking up courage, you're losing it!"
He shook his head. "I don't like the way things are going."
"Dearie," she urged, "should I be any safer at home if I were your
wife, than I am as your sweetheart. I don't want to start a horrible
family war by running away, and that is just what I certainly should
do."
De Spain was unconvinced. But apprehension is short-lived in young
hearts. The sun shone, the sky spread a speckless blue over desert
and mountain, the day was for them together. They did not promise
all of it to themselves at once--they filched its sweetness bit
by bit, moment by moment, and hour by hour, declaring to each other
they must part, and dulling the pain of parting with the anodyne
of procrastination. Thus, the whole day went to their castles and
dreams. In a retired corner of the cool dining-room at the Mountain
House, they lingered together over a long-drawn-out dinner. The
better-informed guests by asides indicated their presence to others.
They described them as the hardy couple who had first met in a
stiff Frontier Day rifle match, which the girl had won. Her defeated
rival--the man now most regarded and feared in the mountain
country--was the man with the reticent mouth, mild eyes, curious
birthmark, and with the two little, perplexed wrinkles visible most
of the time just between his dark eyebrows, the man listening
intently to every syllable that fell from the lips of the trimly
bloused, active girl opposite him, leaning forward in her eagerness to
tell him things. Her jacket hung over the back of her chair, and she
herself was referred to by the more fanciful as queen of the outlaw
camp at Music Mountain.
They two were seen together that day about town by many, for the story
of their courtship was still veiled in mystery and afforded ground for
the widest speculation, while that of their difficulties, and such
particulars as de Spain's fruitless efforts to conciliate Duke Morgan
and Duke's open threats against de Spain's life were widely known. All
these details made the movement and the fate of the young couple the
object of keenly curious comment.
In the late afternoon the two rode almost the whole length of Main
Street together on their way to the river bridge. Every one knew the
horseflesh they bestrode--none cleaner-limbed, hardier, or faster in
the high country. Those that watched them amble slowly past, laughing
and talking, intent only on each other, erect, poised, and motionless,
as if moulded to their saddles, often spoke of having seen Nan and her
lover that day. It was a long time before they were seen riding down
Main Street together again.
CHAPTER XXIII
DE SPAIN WORRIES
They parted that evening under the shadow of Music Mountain. Nan
believed she could at least win her Uncle Duke over from any effort of
Gale's to coerce her. Her influence over her uncle had never yet
failed, and she was firm in the conviction she could gain him to her
side, since he had everything to win and nothing to lose by siding
against Gale, whom he disliked and distrusted, anyway.
For de Spain there was manifestly nothing to do but doubtfully to let
Nan try out her influence. They agreed to meet in Calabasas just as
soon as Nan could get away. She hoped, she told him, to bring good
news. De Spain arranged his business to wait at Calabasas for her, and
was there, after two days, doing little but waiting and listening to
McAlpin's stories about the fire and surmises as to strange men that
lurked in and about the place. But de Spain, knowing Jeffries was
making an independent investigation into the affair, gave no heed to
McAlpin's suspicions.
To get away from the barn boss, de Spain took refuge in riding. The
season was drawing on toward winter, and rain clouds drifting at
intervals down from the mountains made the saddle a less dependable
escape from the monotony of Calabasas. Several days passed with no
sight of Nan and no word from her. De Spain, as the hours and days
went by, scanned the horizon with increasing solicitude. When he woke
on the sixth morning, he was resolved to send a scout into the Gap to
learn what he could of the situation. The long silence, de Spain knew,
portended nothing good. And the vexing feature of his predicament was
that he had at hand no trustworthy spy to despatch for information; to
secure one would be a matter of delay. He was schooled, however, to
making use of such material as he had at hand, and when he had made up
his mind, he sent to the stable for Bull Page.
The shambling barn man, summoned gruffly by McAlpin, hesitated as he
appeared at the office door and seemed to regard the situation with
suspicion. He looked at de Spain tentatively, as if ready either for
the discharge with which he was daily threatened or for a renewal of
his earlier, friendly relations with the man who had been queer enough
to make a place for him. De Spain set Bull down before him in the
stuffy little office.
"Bull," he began with apparent frankness, "I want to know how you like
your job."
Wiping his mouth guardedly with his hand to play for time and as an
introduction to a carefully worded reply, Bull parried. "Mr. de Spain,
I want to ask you just one fair question."
"Go ahead, Bull."
Bull plunged promptly into the suspicion uppermost in his mind. "Has
that slat-eyed, flat-headed, sun-sapped sneak of a Scotchman been
complaining of my work? _That_, Mr. de Spain," emphasized Bull,
leaning forward, "is what I want to know first--is it a fair
question?"
"Bull," returned de Spain with corresponding and ceremonial emphasis,
"it is a fair question between man and man. I admit it; it is a fair
question. And I answer, no, Bull. McAlpin has had nothing on the face
of the desert to do with my sending for you. And I add this because I
know you want to hear it: he says he couldn't complain of your work,
because you never do any."
"That man," persisted Bull, reinforced by the hearty tone and not
clearly catching the drift of the very last words, "drinks more liquor
than I do."
"He must be some tank, Bull."
"And I don't hide it, Mr. de Spain."
"You'd have to crawl under Music Mountain to do that. What I want to
know is, do you like your job?"
On this point it was impossible to get an expression from Bull. He
felt convinced that de Spain was pressing for an answer only as a
preliminary to his discharge. "No matter," interposed the latter,
cutting Bull's ramblings short, "drop it, Bull. I want you to do
something for me, and I'll pay for it."
Bull, with a palsied smile and a deep, quavering note of gratitude,
put up his shaky hand. "Say what. That's all. I've been paid."
"You know you're a sot, Bull."
Bull nodded. "I know it."
"A disgrace to the Maker whose image you were made in."
Bull started, but seemed, on reflection, to consider this a point on
which he need not commit himself.
"Still, I believe there's a man in you yet. Something, at any rate,
you couldn't completely kill with whiskey, Bull--what?"
Bull lifted his weak and watery eyes. His whiskey-seamed face
brightened into the ghost of a smile. "What I'm going to ask you to
do," continued de Spain, "is a man's job. You can get into the Gap
without trouble. You are the only man I can put my hand on just now,
that can. I want you to ride over this morning and hang out around
Duke Morgan's place till you can get a chance to see Miss Nan----"
At the mention of her name, Bull shook his head a moment in
affirmative approval. "She's a queen!" he exclaimed with admiring but
pungent expletives. "A queen!"
"I think so, Bull. But she is in troublesome circumstances. You know
Nan and I----"
Bull winked in many ways.
"And her Uncle Duke is making us trouble, Bull. I want you to find
her, speak with her, and bring word to me as to what the situation is.
That doesn't mean you're to get drunk over there--in fact, I don't
think anybody over there would give you a drink----"
"Don't believe they would."
"And you are to ride back here with what you can find out just as
quick, after you get into the clear, as a horse will bring you."
Bull passed his hand over his mouth with a show of resolution. It
indicated that he was pulling himself together. Within half an hour he
was on his way to the Gap.
For de Spain hours never dragged as did the hours between his starting
and the setting of the sun that night without his return. And the sun
set behind Music Mountain in a drift of heavy clouds that brought
rain. All evening it fell steadily. At eleven o'clock de Spain had
given up hope of seeing his emissary before morning and was sitting
alone before the stove in the office when he heard the sound of hoofs.
In another moment Bull Page stood at the door.
He was a sorry sight. Soaked to the skin by the steady downpour; rain
dripping intermittently from his frayed hat, his ragged beard, and
tattered coat; shaking with the cold as if gripped by an ague, Bull,
picking his staggering steps to the fire, and sinking in a heap into a
chair, symbolized the uttermost tribute of manhood to the ravages of
whiskey. He was not drunk. He had not even been drinking; but his
vitality was gone. He tried to speak. It was impossible. His tongue
would not frame words, nor his throat utter them. He could only look
helplessly at de Spain as de Spain hastily made him stand up on his
shaking knees, threw a big blanket around him, sat him down, kicked
open the stove drafts, and called to McAlpin for more whiskey to
steady the wreck of it crouching over the fire.
McAlpin after considerable and reluctant search produced a bottle, and
unwilling, for more reasons than one, to trust it to Bull's uncertain
possession, brought a dipper. Bull held the dipper while de Spain
poured. McAlpin, behind the stove, hopped first on one foot and then
on the other as de Spain recklessly continued to pour. When the liquor
half filled the cup, McAlpin put out unmistakable distress signals,
but Bull, watching the brown stream, his eyes galvanized at the sight,
held fast to the handle and made no sign to stop. "Bull!" thundered
the barn boss with an emphatic word. "That is Elpaso's bottle. What
are you dreaming of, man? Mr. de Spain, you'll kill him. Don't ye see
he can't tell ye to stop?"
Bull, with the last flickering spark of vitality still left within
him, looked steadily up and winked at de Spain. McAlpin, outraged,
stamped out of the room. Steadying the dipper in both hands, Bull with
an effort passed one hand at the final moment preliminarily over his
mouth, and, raising the bowl, emptied it. The poison electrified him
into utterance. "I seen her," he declared, holding his chin well down
and in, and speaking in a pardonably proud throat.
"Good, Bull!"
"They've got things tied up for fair over there." He spoke slowly and
brokenly. "I never got inside the house till after supper. Toward
night I helped Pardaloe put up the stock. He let me into the kitchen
after my coaxing for a cup of coffee--he's an ornery, cold-blooded
guy, that Pardaloe. Old Duke and Sassoon think the sun rises and sets
on the top of his head--funny, ain't it?"
De Spain made no comment. "Whilst I was drinking my coffee----"
"Who gave it to you?"
"Old Bunny, the Mex. Pardaloe goes out to the bunk-house; I sits down
to my supper, alone, with Bunny at the stove. All of a sudden who
comes a-trippin' in from the front of the house but Nan. I jumped up
as strong as I could, but I was too cold and stiff to jump up real
strong. She seen me, but didn't pay no attention. I dropped my spoon
on the floor. It didn't do no good, neither, so I pushed a hot plate
of ham gravy off the table. It hit the dog 'n' he jumped like kingdom
come. Old Bunny sails into me, Nan a-watchin', and while Mex was
pickin' up and cleanin' up, I sneaks over to the stove and winks at
Nan. Say, you oughter seen her look mad at me. She was hot, but I kept
a-winkin' and I says to her kind of husky-like: 'Got any letters for
Calabasas to-night?' Say, she looked at me as if she'd bore holes into
me, but I stood right up and glared back at the little girl. 'Come
from there this mornin',' says I, low, 'going back to-night. Some one
waiting there for news.'
"By jing! Just as I got the words out o' my mouth who comes
a-stalking in but Gale Morgan. The minute he seen me, he lit on me to
beat the band--called me everything he could lay his tongue to. I let
on I was drunk, but that didn't help. He ordered me off the premises.
'N' the worst of it was, Nan chimed right in and began to scold Bunny
for lettin' me in--and leaves the room, quick-like. Bunny put it on
Pardaloe, and she and Gale had it, and b'jing, Gale put me out--said
he'd pepper me. But wait till I tell y' how she fooled him. It was
rainin' like hell, 'n' it looked as if I was booked for a ride through
it and hadn't half drunk my second cup of coffee at that. I starts for
the barn, when some one in the dark on the porch grabs my arm, spins
me around like a top, throws a flasher up into my face, and there was
Nan. 'Bull,' she says, 'I'm sorry. I don't want to see you ride out in
this with nothing to eat; come this way quick.'
"She took me down cellar from the outside, under the kitchen. When
Gale goes out again she flings up the trap-door, speaks to Mex, pulls
all the kitchen shades down, locks the doors, and I sets down on the
trap-door steps 'n' eats a pipin' hot supper; say! Well, I reckon I
drank a couple o' quarts of coffee. 'Bull,' she says, 'I never done
you no harm, did I?' 'Never,' says I, 'and I never done you none,
neither, did I? And what's more, I never will do you none.' Then I up
and told her. 'Tell him,' says she, 'I can't get hold of a horse, nor
a pen, nor a piece of paper--I can't leave the house but what I am
watched every minute. They keep track of me day and night. Tell him,'
she says, 'I can protect myself; they think they'll break me--make me
do what they want me to--marry--but they can't break me, and I'll
never do it--tell him that.'
"'But,' says I, 'that ain't the whole case, Miss Nan. What he'll ask
me, when he's borin' through me with _his_ eyes like the way you're
borin' me through with yours, is: When will you see him--when will he
see you?'
"She looked worrit for a minit. Then she looks around, grabs up the
cover of an empty 'bacco box and a fork and begins a-writing inside."
Bull, with as much of a smile as he could call into life from his
broken nerves, opened up his blanket, drew carefully from an inside
coat pocket an oilskin package, unwrapped from it the flat, square top
of a tin tobacco box on which Nan had scratched a message, and handed
it triumphantly to de Spain.
He read her words eagerly:
"Wait; don't have trouble. I can stand anything better than bloodshed,
Henry. Be patient."
While de Spain, standing close to the lantern, deciphered the brief
note, Bull, wrapping his blanket about him with the air of one whose
responsibility is well ended, held out his hands toward the blazing
stove. De Spain went over the words one by one, and the letters again
and again. It was, after all their months of ardent meetings, the
first written message he had ever had from Nan. He flamed angrily at
the news that she was prisoner in her own home. But there was much to
weigh in her etched words, much to think about concerning her
feelings--not alone concerning his own.
He dropped into his chair and, oblivious for a moment of his
companion's presence, stared into the fire. When he started from his
revery Bull was asleep. De Spain picked him up, carried him in his
blanket over to a cot, cut the wet rags off him, and, rolling him in a
second blanket, walked out into the barn and ordered up a team and
light wagon for Sleepy Cat. The rain fell all night.
CHAPTER XXIV
AN OMINOUS MESSAGE
Few men bear suspense well; de Spain took his turn at it very hard.
For the first time in his life he found himself braved by men of a
type whose defiance he despised--whose lawlessness he ordinarily
warred on without compunction--but himself without the freedom that
had always been his to act. Every impulse to take the bit in his teeth
was met with the same insurmountable obstacle--Nan's feelings--and the
unpleasant possibility that might involve him in bloodshed with her
kinspeople.
"Patience." He repeated the word to himself a thousand times to deaden
his suspense and apprehension. Business affairs took much of his time,
but Nan's situation took most of his thought. For the first time he
told John Lefever the story of Nan's finding him on Music Mountain, of
her aid in his escape, and the sequel of their friendship. Lefever
gave it to Bob Scott in Jeffries's office.
"What did I tell you, John?" demanded Bob mildly.
"No matter what you told me," retorted Lefever. "The question is:
What's he to do to get Nan away from there without shooting up the
Morgans?"
De Spain had gone that morning to Medicine Bend. He got back late and,
after a supper at the Mountain House, went directly to his room.
The telephone-bell was ringing when he unlocked and threw open his
door. Entering the room, he turned on a light, closed the door behind
him, and sat down to answer the call.
"Is this Henry de Spain?" came a voice, slowly pronouncing the words
over the wire.
"Yes."
"I have a message for you."
"What is it?"
"From Music Mountain."
"Go ahead."
"The message is like this: 'Take me away from here as soon as you
can.'"
"Whom is that message from?"
"I can't call any names."
"Who are you?"
"I can't tell you that."
"What do you mean?"
"Just what I say. Good-by."
"Hold on. Where are you talking from?"
"About a block from your office."
"Do you think it a fair way to treat a man to----"
"I have to be fair to myself."
"Give me the message again."
"'Take me away from here as soon as you can.'"
"Where does it come from?"
"Music Mountain."
"If you're treating me fair--and I believe you mean to--come over to
my room a minute."
"No."
"Let me come to where you are?"
"No."
"Let me wait for you--anywhere?"
"No."
"Do you know me?"
"By sight."
"How did you know I was in town to-night?"
"I saw you get off the train."
"You were looking for me, then?"
"To deliver my message."
"Do you think that message means what it says?"
"I know it does."
"Do you know what it means for me to undertake?"
"I have a pretty stiff idea."
"Did you get it direct from the party who sent it?"
"I can't talk all night. Take it or leave it just where it is."
De Spain heard him close. He closed his own instrument and began
feverishly signalling central. "This is 101. Henry de Spain talking,"
he said briskly. "You just called me. Ten dollars for you, operator,
if you can locate that call, quick!"
There was a moment of delay at the central office, then the answer:
"It came from 234--Tenison's saloon."
"Give me your name, operator. Good. Now give me 22 as quick as the
Lord will let you, and ring the neck off the bell."
Lefever answered the call on number 22. The talk was quick and sharp.
Messengers were instantly pressed into service from the despatcher's
office. Telephone wires hummed, and every man available on the special
agent's force was brought into action. Livery-stables were covered,
the public resorts were put under observation, horsemen clattered up
and down the street. Within an incredibly short time the town was
rounded up, every outgoing trail watched, and search was under way for
any one from Morgan's Gap, and especially for the sender of the
telephone message.
De Spain, after instructing Lefever, hastened to Tenison's. His rapid
questioning of the few habitués of the place and the bartender
elicited only the information that a man had used the telephone booth
within a few minutes. Nobody knew him or, if they did know him,
refused to describe him in any but vague terms. He had come in by the
front door and slipped out probably by the rear door--at all events,
unnoticed by those questioned. By a series of eliminating inquiries,
de Spain made out only that the man was not a Morgan. Outside, Bob
Scott in the saddle waited with a led horse. The two men rode straight
and hard for the river bridge. They roused an old hunter who lived in
a near-by hut, on the town side, and asked whether any horseman had
crossed the bridge. The hunter admitted gruffly that he _had_ heard a
horse's hoof recently on the bridge. Within how long? The hunter,
after taking a full precious minute to decide, said thirty minutes;
moreover, he insisted that the horseman he had heard had ridden into
town, and not out.
Sceptical of the correctness of the information, Scott and de Spain
clattered out on the Sinks. Their horseflesh was good and they felt
they could overtake any man not suspecting pursuit. The sky was
overcast, and speed was their only resource. After two miles of
riding, the pursuers reined up on a ridge, and Scott, springing from
the saddle, listened for sounds. He rose from the ground, declaring
he could hear the strides of a running horse. Again the two dashed
ahead.
The chase was bootless. Whoever rode before them easily eluded
pursuit. The next time the scout dropped from his saddle to listen,
not the faintest sound rewarded his attention. De Spain was impatient.
"He could easily slip us," Scott explained, "by leaving the trail for
a minute while we rode past--if he knows his business--and I guess he
does."
"If the old man was right, that man could have ridden in town and out,
too, within half to three-quarters of an hour," said de Spain. "But
how could he have got out without being heard?"
"Maybe," suggested Scott, "he forded the river."
"Could he do it?"
"It's a man's job," returned Scott, reflecting, "but it could be
done."
"If a man thought it necessary."
"If he knew you by sight," responded Scott unmoved, "he might have
thought it necessary."
Undeterred by his failure to overtake the fugitive, de Spain rode
rapidly back to town to look for other clews. Nothing further was
found to throw light on the message or messenger. No one had been
found anywhere in town from Morgan's Gap; whoever had taken a chance
in delivering the message had escaped undetected.
Even after the search had been abandoned the significance of the
incident remained to be weighed. De Spain was much upset. A conference
with Scott, whose judgment in any affair was marked by good sense, and
with Lefever, who, like a woman, reached by intuition a conclusion at
which Scott or de Spain arrived by process of thought, only revealed
the fact that all three, as Lefever confessed, were nonplussed.
"It's one of two things," declared Lefever, whose eyes were
never dulled by late hours. "Either they've sent this to lure you
into the Gap and 'get' you, or else--and that's a great big 'or
else'--she needs you. Henry, did that message--I mean the way it
was worded--sound like Nan Morgan?"
De Spain could hardly answer. "It did, and it didn't," he said
finally. "But--" his companions saw during the pause by which his lips
expressed the resolve he had finally reached that he was not likely to
be turned from it--"I am going to act just as if the word came from
Nan and she does need me."
More than one scheme for getting quickly into touch with Nan was
proposed and rejected within the next ten minutes. And when Lefever,
after conferring with Scott, put up to de Spain a proposal that the
three should ride into the Gap together and demand Nan at the hands of
Duke Morgan, de Spain had reached another conclusion.
"I know you are willing to take more than your share, John, of any
game I play. In the first place it isn't right to take you and Bob in
where I am going on my own personal affair. And I know Nan wouldn't
enjoy the prospect of an all-around fight on her account. Fighting is
a horror to that girl. I've got her feelings to think about as well as
my own. I've decided what to do, John. I'm going in alone."
"You're going in alone!"
"To-night. Now, I'll tell you what I'd like you to do if you want to:
ride with me and wait till morning, outside El Capitan. If you don't
hear from me by ten o'clock, ride back to Calabasas and notify
Jeffries to look for a new manager."
"On the contrary, if we don't hear from you by ten o'clock, Henry, we
will blaze our way in and drag out your body." Lefever put up his hand
to cut off any rejoinder. "Don't discuss it. What happens after ten
o'clock to-morrow morning, if we don't hear from you before that,
can't possibly be of any interest to you or make any difference." He
paused, but de Spain saw that he was not done. When he resumed, he
spoke in a tone different from that which de Spain usually associated
with him. "Henry, when I was a youngster and going to Sunday-school,
my old Aunt Lou often told me a story about a pitcher that used to go
to the well. And she told me it went many, many times, safe and sound;
but my Aunt Lou told me, further, the pitcher got so used to going to
the well safe and sound that it finally went once too many times, just
once too often, and got smashed all to hell. Aunt Lou didn't say it
exactly in that way--but such was the substance of the moral.
"You've pulled a good many tough games in this country, Henry. No man
knows better than I that you never pulled one for the looks of the
thing or to make people talk--or that you ever took a chance you
didn't feel you had to take. But, it isn't humanly possible you can
keep this up for all time; it _can't_ go on forever. The pitcher goes
to the well once too often, Henry; there comes a time when it doesn't
come back.
"Understand--I'm not saying this to attempt to dissuade you from the
worst job you ever started in on. I know your mind is made up. You
won't listen to me; you won't listen to Scott; and I'm too good an
Indian not to know where I get off, or not to do what I'm told. But
this is what I have been thinking of a long, long time; and this is
what I feel I ought to say, here and now."
The two men were sitting in de Spain's room. De Spain was staring
through the broad south window at the white-capped peaks of the
distant range. He was silent for a time. "I believe you're right,
John," he said after a while. "I know you are. In this case I am tied
up more than I've ever been tied before; but I've got to see it
through as best I can, and take what comes without whining. My mind is
made up and, strange as it may sound to you, I feel that I _am_ coming
back. Not but what I know it's due me, John. Not but what I expect to
get it sometime. And maybe I'm wrong now; but I don't feel as if it's
coming till I've given all the protection to that girl that a man can
give to a woman."
CHAPTER XXV
A SURPRISING SLIP
Scott was called by Lefever to conclude in secret the final
arrangements. The ground about the quaking asp grove, and nearest El
Capitan, afforded the best concealment close to the Gap. And to this
point Scott was directed to bring what men he could before daybreak
the following morning.
"It's a short notice to get many men together--of the kind we want,"
admitted Lefever. "You'll have to skirmish some between now and
midnight. What do you think you can do?"
Scott had already made up a tentative list. He named four: first,
Farrell Kennedy, who was in town, and said nobody should go if he
didn't; Frank Elpaso, the Texan; the Englishman, Tommie Meggeson; and
Wickwire, if he could be located--any one of them, Lefever knew, could
give an account of himself under all circumstances.
While Scott was getting his men together, de Spain, accompanied by
Lefever, was riding toward Music Mountain. Scott had urged on them but
one parting caution--not to leave the aspens until rain began
falling. When he spoke there was not a cloud in the sky. "It's going
to rain to-night, just the same," predicted Scott. "Don't leave the
trees till it gets going. Those Gap scouts will get under cover and be
hunting for a drink the minute it gets cold--I know them. You can ride
right over their toes, if you'll be patient."
The sun set across the range in a drift of grayish-black, low-lying
clouds, which seemed only to await its disappearance to envelop the
mountains and empty their moisture on the desert. By the time de Spain
and Lefever reached the end of their long ride a misty rain was
drifting down from the west. The two men had just ridden into the
quaking asps when a man coming out of the Gap almost rode into them.
The intruders had halted and were sufficiently hidden to escape
notice, had not Lefever's horse indiscreetly coughed. The man from the
Gap reined up and called out. Lefever answered.
"It's Bull Page," declared de Spain, after the exchange of a few
words, calling to Bull at the same time to come over to the shelter of
the trees.
"What's going on in there, Bull?" asked de Spain after Bull had told
him that Gale had driven him out, and he was heading for Calabasas.
"You tell," retorted Page. "Looks to me like old Duke's getting ready
to die. Gale says he's going to draw his will to-night, and don't
want nobody around--got old Judge Druel in there."
De Spain pricked up his ears. "What's that, Druel?" he demanded. Bull
repeated his declaration. Lefever broke into violent language at the
Sleepy Cat jurist's expense, and ended by declaring that no will
should be drawn in the Gap that night by Duke Morgan or anybody else,
unless he and Bull were made legatees.
Beyond this nothing could be learned from Bull, who was persuaded
without difficulty by Lefever to abandon the idea of riding to
Calabasas through the rain, and to spend the night with him in the
neighborhood, wherever fancy, the rain, and the wind--which was
rising--should dictate.
While the two were talking de Spain tried to slip away, unobserved by
Lefever, on his errand. He failed, as he expected to, and after some
familiar abuse, rode off alone, fortified by every possible suggestion
at the hands of a man to whom the slightest precaution was usually a
joke.
Mountains never look blacker than when one rides into them conscious
of the presence of enemies and alert for signs and sounds. But custom
dulls the edge of apprehension. De Spain rode slowly up the main road
without expecting to meet any one, and he reached the rise where the
trail forked to Duke's ranch unchallenged. Here he stopped his horse
and looked down toward the roof that sheltered Nan. Night had fallen
everywhere, and the increasing rain obscured even the outline of the
house. But a light shone through one uncurtained window. He waited
some time for a sound of life, for a door to open or close, or for the
dog to bark--he heard nothing. Slipping out of the wet saddle, he led
his horse in the darkness under the shelter of the lone pine-tree and,
securing him, walked slowly toward the house.
The light came from a window in the living-room. Up-stairs and toward
the kitchen everything was dark. De Spain walked gingerly around to
where he could command the living-room window. He could see within,
the figures of three men but, owing to the dim light and the distance
at which he stood, he could identify none of them with certainty.
Mindful of the admonitions he had been loaded with, he tramped around
the house in narrowing circles, pausing at times to look and listen.
In like manner he circled the barn and stables, until he had made sure
there was no ambush and that he was alone outside. He then went among
the horses and, working with a flash-light, found Nan's pony, a bridle
and, after an ineffectual search for a saddle, led the bareback horse
out to where his own stood. Walking over to Nan's window he signalled
and called to her. Getting no answer, he tossed a bit of gravel up
against her window. His signal met with no response and, caching his
rifle under the kitchen porch, he stepped around to the front of the
house, where, screened by a bit of shrubbery, he could peer at close
range into the living-room.
Standing before the fire burning in the open hearth, and with his back
to it, he now saw Gale Morgan. Sitting bolt upright beside the table,
square-jawed and obdurate, his stubby brier pipe supported by his hand
and gripped in his great teeth, Duke Morgan looked uncompromisingly
past his belligerent nephew into the fire. A third and elderly man,
heavy, red-faced, and almost toothless as he spoke, sat to the right
of the table in a rocking-chair, and looked at Duke; this was the old
lawyer and justice from Sleepy Cat, the sheriff's brother--Judge
Druel.
Nan was not to be seen. Gale, big and aggressive, was doing most of
the talking, and energetically, as was his habit. Duke listened
thoughtfully, but seemingly with coldness. Druel looked from Gale to
Duke, and appeared occasionally to put in a word to carry the argument
along.
De Spain suspected nothing of what they were talking about, but he was
uneasy concerning Nan, and was not to be balked, by any combination,
of his purpose of finding her. To secure information concerning her
was not possible, unless he should enter the house, and this, with
scant hesitation, he decided to do.
He wore a snug-fitting leathern coat. He unbuttoned this and threw it
open as he stepped noiselessly up to the door. Laying his hand on the
knob, he paused, then, finding the door unlocked, he pushed it slowly
open.
The wind, rushing in, upset his calculations and blew open the door
leading from the hall into the living-room. A stream of light in turn
shot through the open door, across the hall. Instantly de Spain
stepped inside and directly behind the front door--which he now
realized he dare not close--and stood expectant in the darkness. Gale
Morgan, with an impatient exclamation, strode from the fireplace to
close the front door.
As he walked into the hall and slammed the front door shut, he could
have touched with his hand the man standing in the shadow behind it.
De Spain, not hoping to escape, stood with folded arms, but under the
elbow of his left arm was hidden the long muzzle of his revolver.
Holding his breath, he waited. Gale's mind was apparently filled with
other things. He did not suspect the presence of an intruder, and he
walked back into the living-room, partly closing the second door. De
Spain, following almost on his heels, stepped past this door, past the
hall stairs opposite it, and through a curtained opening at the end of
the hall into the dining-room. Barely ten feet from him, this room
opened through an arch into the living-room, and where he stood he
could hear all that was said.
"Who's there?" demanded Duke gruffly.
"Nobody," said Gale. "Go on, Druel."
"That door never opened itself," persisted Duke.
"The wind blew it open," said Gale impatiently.
"I tell y' it didn't," responded Duke sternly; "somebody came in
there, or went out. Maybe she's slipped y'."
"Go up-stairs and see," bellowed Gale at his uncle.
Duke walked slowly out into the hall and, with some difficulty, owing
to his injured back, up the stairs. A curtain hung beside the arch
where de Spain stood, and this he now drew around him. Gale walked
into the hall again, searched it, and waited at the foot of the
stairs. De Spain could hear Duke's rough voice up-stairs, but could
neither distinguish his words nor hear any response to them. Within a
moment the elder man tramped heavily down again, saying only, "She's
there," and, followed by Gale, returned to the living-room.
"Now go on, Druel," exclaimed Gale, sitting down impatiently, "and
talk quick."
Druel talked softly and through his nose: "I was only going to say it
would be a good idea to have two witnesses."
"Nita," suggested Gale.
Duke was profane. "You couldn't keep the girl in the room if she had
Nita to help her. And I want it understood, Gale, between you and me,
fair and square, that Nan's goin' to live right here with me after
this marriage till I'm satisfied she's willing to go to you--otherwise
it can't take place, now nor never."
De Spain opened his ears. Gale felt the hard, cold tone of his crusty
relative, and answered with like harshness: "What do you keep harping
on that for? You've got my word. All I want of you is to keep
yours--understand?"
"Come, come," interposed Druel. "There's no need of hard words. But we
need two witnesses. Who's going to be the other witness?"
Before any one could answer de Spain stepped out into the open archway
before the three men. "I'll act as the second witness," he said.
With a common roar the Morgans bounded to their feet. They were not
unused to sudden onslaughts, nor was either of them a man to shrink
from a fight at short quarters, if it came to that, but blank
astonishment overwhelmed both. De Spain, standing slightly sidewise,
his coat lapels flapped wide open, his arms akimbo, and his hands on
his hips, faced the three in an attitude of readiness only. He had
reckoned on the instant of indecision which at times, when coupled
with apprehension, paralyzes the will of two men acting together.
Under the circumstances either of the Morgans alone would have whipped
a gun on de Spain at sight. Together, and knowing that to do so meant
death to the one that took the first shot from the archway, each
waited for the other; that fraction of a second unsettled their
purpose. Instead of bullets, each launched curses at the intruder, and
every second that passed led away from a fight.
De Spain took their oaths, demands, and abuse without batting an eye.
"I'm here for the second witness," was all he repeated, covering both
men with short glances. Druel, his face muddily white as the whiskey
bloat deserted it, shrunk inside his shabby clothes. He seemed, every
time de Spain darted a look at him, to grow visibly smaller, until his
loose bulk had shrivelled inside an armchair hardly large enough
normally to contain it.
De Spain with each epithet hurled at him took a dreaded forward step
toward Gale, and Druel, in the line of fire, brought his knees up and
his head down till he curled like a porcupine. Gale, game as he
undoubtedly was, cornered, felt perhaps recollections of Calabasas and
close quarters with the brown eyes and the burning face. What they
might mean in this little room, which de Spain was crossing step by
step, was food for thought. Nor did de Spain break his obstinate
silence until their burst of rage had blown. "You've arranged your
marriage," he said at length. "Now pull it."
"My cousin's ready to marry me, and she's goin' to do it to-night,"
cried Gale violently.
Duke, towering with rage, looked at de Spain and pointed to the hall
door. "You hear that! Get out of my house!" he cried, launching a
vicious epithet with the words.
"This isn't your house," retorted de Spain angrily. "This house is
Nan's, not yours. When she orders me out I'll go. Bring her down," he
thundered, raising his voice to shut off Duke, who had redoubled his
abuse. "Bring her into this room," he repeated. "We'll see whether she
wants to get married. If she does, I'll marry her. If she doesn't, and
you've been putting this up to force her into marrying, so help me
God, you'll be carried out of this room to-night, or I will." He
whirled on her uncle with an accusing finger. "You used to be a man,
Duke. I've taken from you here to-night what I would take from no man
on earth but for the sake of Nan Morgan. She asked me never to touch
you. But if you've gone into this thing to trap your own flesh and
blood, your dead brother's girl, living under your own protection, you
don't deserve mercy, and to-night you shall have what's coming to you.
I've fought you both fair, too fair. Now--before I leave--it's my girl
or both of you."
He was standing near Druel. Without taking his eyes off the other men,
he caught Druel with his left hand by the coat collar, and threw him
half-way across the room. "Get up-stairs, you old carrion, and tell
Nan Morgan, Henry de Spain is here to talk to her."
Druel, frightened to death, scrambled into the hall. He turned on de
Spain. "I'm an officer of the law. I arrest you for trespass and
assault," he shouted, shaking with fear.
"Arrest _me_?" echoed de Spain contemptuously. "You scoundrel, if you
don't climb those stairs I'll send you to the penitentiary the day I
get back to town. Up-stairs with your message!"
"It isn't necessary," said a low voice in the hall, and with the words
Nan appeared in the open doorway. Her face was white, but there was
no sign of haste or panic in it; de Spain choked back a breath; to him
she never had looked in her silence so awe-inspiring.
He addressed her, holding his left hand out with his plea. "Nan," he
said, controlling his voice, "these men were getting ready to marry
you to Gale Morgan. No matter how you feel toward me now, you know me
well enough to know that all I want is the truth: Was this with your
consent?"
She stepped into the line of fire between her cousin and de Spain as
she answered. "No. You know I shall never marry any man but you. This
vile bully," she turned a little to look at her angry cousin, "has
influenced Uncle Duke--who never before tried to persecute or betray
me--into joining him in this thing. They never could have dragged me
into it alive. And they've kept me locked for three days in a room
up-stairs, hoping to break me down."
"Stand back, Nan."
If de Spain's words of warning struck her with terror of a situation
she could not control, she did not reveal it. "No," she said
resolutely. "If anybody here is to be shot, I'll be first. Uncle Duke,
you have always protected me from Gale Morgan; now you join hands with
him. You drive me from this roof because I don't know how I can
protect myself under it."
Gale looked steadily at her. "You promised to marry me," he muttered
truculently. "I'll find a way to make you keep your word."
A loud knocking interrupted him, and, without waiting to be admitted,
Pardaloe, the cowboy, opened the front door and stalked boldly in from
the hall.
If the situation in the room surprised him he gave no evidence of it.
And as he walked in Nan disappeared. Pardaloe was drenched with rain,
and, taking off his hat as he crossed the room to the fire, he shook
it hard into the blazing wood.
"What do you want, Pardaloe?" snapped Duke.
Pardaloe shook his hat once more and turned a few steps so that he
stood between the uncurtained window and the light. "The creek's up,"
he said to Duke in his peculiarly slow, steady tone. "Some of Satt's
boys are trying to get the cattle out of the lower corral." He
fingered his hat, looked first at Duke, then at Gale, then at de
Spain. "Guess they'll need a little help, so I asked Sassoon to come
over--" Pardaloe jerked his head indicatively toward the front. "He's
outside with some of the boys now."
"Tell Sassoon to come in here!" thundered Gale.
De Spain's left arm shot out. "Hold on, Pardaloe; pull down that
curtain behind you!"
"Don't touch that curtain, Pardaloe!" shouted Gale Morgan.
"Pardaloe," said de Spain, his left arm pointing menacingly and
walking instantly toward him, "pull that curtain or pull your gun,
quick." At that moment Nan, in hat and coat, reappeared in the archway
behind de Spain. Pardaloe jerked down the curtain and started for the
door. De Spain had backed up again. "Stop, Pardaloe," he called. "My
men are outside that door. Stand where you are," he ordered, still
enforcing his commands with his right hand covering the holster at his
hip. "I leave this room first. Nan, are you ready?" he asked, without
looking at her.
"Yes."
Her uncle's face whitened. "Don't leave this house to-night, Nan," he
said menacingly.
"You've forced me to, Uncle Duke."
"Don't leave this house to-night."
"I can't protect myself in it."
"Don't leave this house--most of all, with that man!" He pointed at de
Spain with a frenzy of hatred. Without answering, the two were
retreating into the semidarkness of the dining-room. "Nan," came her
uncle's voice, hoarse with feeling, "you're saying good-by to me
forever."
"No, uncle," she cried. "I am only doing what I have to do."
"I tell you I don't want to drive you from this roof, girl."
A rush of wind from an opening door was the only answer from the dark
dining-room. The two Morgans started forward together. The sudden gust
sucked the flame of the living-room lamp up into the chimney and after
a brief, sharp struggle extinguished it. In the confusion it was a
moment before a match could be found. When the lamp was relighted the
Morgans ran into the dining-room. The wind and rain poured in through
the open north door. But the room was empty.
Duke turned on his nephew with a choking curse. "This," he cried,
beside himself with fury, "is your work!"
CHAPTER XXVI
FLIGHT
It was a forbidding night. Moisture-laden clouds, drifting over the
Superstition Range, emptied their fulness against the face of the
mountains in a downpour and buried the Gap in impenetrable darkness.
De Spain, catching Nan's arm, spoke hurriedly, and they hastened
outside toward the kitchen. "We must get away quick," he said as she
buttoned her coat. And, knowing how she suffered in what she was
doing, he drew her into the shelter of the porch and caught her close
to him. "It had to come, Nan. Don't shed a tear. I'll take you
straight to Mrs. Jeffries. When you are ready, you'll marry me; we'll
make our peace with your Uncle Duke together. Great God! What a night!
This way, dearie."
"No, to the stable, Henry! Where's your horse?"
"Under the pine, and yours, too. I found the pony, but I couldn't find
your saddle, Nan."
"I know where it's hidden. Let's get the horses."
"Just a minute. I stuck my rifle under this porch." He stooped and
felt below the stringer. Rising in a moment with the weapon on his
arm, the two hurried around the end of the house toward the pine-tree.
They had almost reached this when a murmur unlike the sounds of the
storm made de Spain halt his companion.
"What is it?" she whispered. He listened intently. While they stood
still the front door of the house was opened hurriedly. A man ran out
along the porch toward the stable. Neither Nan nor de Spain could make
out who it was, but de Spain heard again the suspicious sound that had
checked him. Without speaking, he took Nan and retreated to the corner
of the house. "There is somebody in that pine," he whispered, "waiting
for me to come after the horses. Sassoon may have found them. I'll try
it out, anyway, before I take a chance. Stand back here, Nan."
He put her behind the corner of the house, threw his rifle to his
shoulder, and fired as nearly as he could in the darkness toward and
just above the pine. Without an instant's hesitation a pistol-shot
answered from the direction in which he had fired, and in another
moment a small fusillade followed. "By the Almighty," muttered de
Spain, "we must have our horses, Nan. Stay right here. I'll try
driving those fellows off their perch."
She caught his arm. "What are you going to do?"
"Run in on them from cover, wherever I can find it, Nan, and push them
back. We've got to have those horses."
"Henry, we can get others from the stable."
"There may be more men waiting there for us."
"If we could only get away without a fight!"
"This is Sassoon and his gang, Nan. You heard Pardaloe. These are not
your people. I've got to drive 'em, or we're gone, Nan."
"Then I go with you."
"No."
"Yes!" Her tone was unmistakable.
"Nan, you can't do it," whispered de Spain energetically. "A chance
bullet----"
She spoke with decision: "I go with you. I can use a rifle. Better
both of us be killed than one. Help me up on this roof. I've climbed
it a hundred times. My rifle is in my room. Quick, Henry."
Overruling his continued objections, she lifted her foot to his hand,
caught hold of the corner-post, and springing upward got her hands on
the low end of the roof boards. With the agility of a cat, she put her
second foot on de Spain's shoulder, gained the sloping roof, and
scrambled on her hands and knees up toward the window of her room.
The heavy rain and the slippery boards made progress uncertain, but
with scarcely any delay, she reached her window and pushed open the
casement sash. A far-off peal of thunder echoed down from the
mountains. Luckily, no flash had preceded it, and Nan, rifle in hand,
slid safely down to the end of the lean-to, where de Spain, waiting,
caught one foot on his shoulder, and helped her to the ground. He
tried again to make her stay behind the house. Finding his efforts
vain, he directed her how to make a zigzag advance, how to utilize for
cover every rock and tree she could find in the line toward the pine,
and, above all, to throw herself flat and sidewise after every
shot--and not to fire often.
In this way, amid the falling of rain and the uncharted dangers of the
darkness, they advanced on the pine-tree. Surprisingly little effort
seemed necessary to drive off whoever held it. De Spain made his way
slowly but safely to the disputed point and then understood--the
horses were gone.
He had hardly rejoined Nan, who waited at a safe distance, and told
her the bad news, when a fresh discharge of shots came from two
directions--seemingly from the house and the stable. A moment later
they heard sharp firing far down the Gap. This was their sole avenue
of escape. It was bad enough, under the circumstances, to negotiate
the trail on horseback--but to expose Nan, who had but just put
herself under his protection, to death from a chance bullet while
stumbling along on foot, surrounded by enemies--who could follow the
flash of their own shots if they were forced to use their rifles, and
close in on them at will--was an undertaking not to be faced.
They withdrew to the shelter of a large rock familiar to Nan even in
the dark. While de Spain was debating in his mind how to meet the
emergency, she stood at his side, his equal, he knew, in courage,
daring, and resource, and answered his rapid questions as to possible
gateways of escape. The rain, which had been abating, now ceased, but
from every fissure in the mountains came the roar of rushing water,
and little openings of rock and waterway that might have offered a
chance when dry were now out of the question. In fact, it was Nan's
belief that before morning water would be running over the main trail
itself.
"Yet," said de Spain finally, "before morning we must be a long way
from this particular spot, Nan. Lefever is down there--I haven't the
slightest doubt of that. Sassoon has posted men at the neck of the
Gap--that's the first thing he would do. And if John heard my rifle
when I first shot, he would be for breaking in here, and his men, if
they've come up, would bump into Sassoon's. It would be insane for us
to try to get out over the trail with Sassoon holding it against
Lefever--we might easily be hit by our friends instead of our enemies.
I'll tell you what, Nan, suppose I scout down that way alone and see
what I can find out?"
He put the proposal very lightly, realizing almost as soon as he made
it what her answer would be. "Better we go together," she answered in
the steady tone he loved to hear. "If you were killed, what would
become of me? I should rather be shot than fall into his hands after
this--if there was ever a chance for it before, there'd be no mercy
now. Let's go together."
He would not consent, and she knew he was right. But what was right
for one was right, she told him, for both, and what was wrong for one
was wrong for both. "Then, I'll tell you," he said suddenly, as when
after long uncertainty and anxious doubt one chooses an alternative
and hastens to follow it. "Retreat is the thing for us, Nan. Let's
make for Music Mountain and crawl into our cave till morning. Lefever
will get in here some time to-morrow. Then we can connect with him."
They discussed the move a little further, but there seemed no escape
from the necessity of it, despite the hardship involved in reaching
the refuge; and, realizing that no time was to be lost, they set out
on the long journey. Every foot of the troublesome way offered
difficulties. Water impeded them continually. It lay in shallow pools
underfoot and slipped in running sheets over the sloping rocks that
lay in their obscure path. Sometimes de Spain led, sometimes Nan
picked their trail. But for her perfect familiarity with every foot of
the ground they could not have got to the mountain at all.
Even before they succeeded in reaching the foot of it their ears
warned them of a more serious obstacle ahead. When they got to the
mountain trail itself they heard the roar of the stream that made the
waterfall above the ledge they were trying to reach. Climbing hardly a
dozen steps, they found their way swept by a mad rush of falling
water, its deafening roar punctured by fragments of loosened rock
which, swept downward from ledge to ledge, split and thundered as they
dashed themselves against the mountainside. On a protected floor the
two stood for a moment, listening to the roar of the cataract that had
cut them off their refuge.
"No use, Nan," said de Spain. "There isn't any other trail, is
there?"
She told him there was no other. "And this will run all night," she
added. "Sometimes it runs like this for days. I ought to have known
there would be a flood here. But it all depends on which side of the
mountain the heavy rain falls. Henry," she said, turning to him and as
if thinking of a question she wanted to ask, "how did you happen to
come to me just to-night when I wanted you so?"
"I came because you sent for me," he answered, surprised.
"But I didn't send for you."
He stopped, dumfounded. "What do you mean, Nan?" he demanded uneasily.
"I got your message on the telephone to come at once and take you
away."
"Henry! I didn't send any message--when did you get one?"
"Last night, in my office in Sleepy Cat, from a man that refused to
give his name."
"I never sent any message to you," she insisted in growing wonderment.
"I have been locked in a room for three days, dearie. The Lord knows I
wanted to send you word. Who ever telephoned a message like that? Was
it a trap to get you in here?"
He told her the story--of the strenuous efforts he had made to
discover the identity of the messenger--and how he had been balked.
"No matter," said Nan, at last. "It couldn't have been a trap. It
must have been a friend, surely, not an enemy."
"Or," said de Spain, bending over her as if he were afraid she might
escape, and putting his face close to hers, "some mildly curious
person, some idle devil, Nan, that wanted to see what two timid men
would look like, mixed up in a real fight over the one girl in the
mountains both are trying to marry at once."
"Henry," every time she repeated his name de Spain cared less for what
should happen in the rest of the world, "what are we going to do now?
We can't stay here all night--and take what they will greet us with in
the morning."
He answered her question with another: "What about trying to get out
by El Capitan?"
She started in spite of herself. "I mean," he added, "just to have a
look over there, Nan."
"How could you even have a look a night like this?" she asked,
overcome at the thought of the dizzy cliff. "It would be certain
death, Henry."
"I don't mean at the worst to try to cross it till we get a glimpse of
daylight. But it's quite a way over there. I remember some good
hiding-places along that trail. We may find one where I can build a
little fire and dry you out. I'm more worried over you being wet all
night than the rest of it. The question is, Can we find a trail up to
where we want to go?"
"I know two or three," she answered, "if they are only not flooded."
The storm seemed to have passed, but the darkness was intense, and
from above the northern Superstitions came low mutterings of thunder.
Compelled to strike out over the rocks to get up to any of the trails
toward El Capitan, Nan, helped by de Spain when he could help, led the
ascent toward the first ledge they could hope to follow on their
dangerous course.
The point at which the two climbed almost five hundred feet that night
up Music Mountain is still pointed out in the Gap. An upturned rock at
the foot, a stunted cedar jutting from the ledge at the point they
finally gained, marked the beginning and end of their effort. No
person, looking at that confused wall, willingly believes it could
ever have been scaled in the dead of night. Torn, bruised, and
exhausted, Nan, handed up by her lover, threw herself at last
prostrate on the ledge at the real beginning of their trail, and from
that vantage-point they made their way along the eastern side of Music
Mountain for two miles before they stopped again to rest.
It was already well after midnight. A favoring spot was seized on by
de Spain for the resting-place he wanted. A dry recess beneath an
overhanging wall made a shelter for the fire that he insisted on
building to warm Nan in her soaked clothing. He found cedar roots in
the dark and soon had a blaze going. It was dangerous, both realized,
to start a fire, but they concealed the blaze as best they could and
took the chance--a chance that more nearly than any that had gone
before, cost them their lives. But what still lay ahead of the two
justified in de Spain's mind what he was doing. He acted deliberately
in risking the exposure of their position to unfriendly eyes far
distant.
CHAPTER XXVII
EL CAPITAN
The mutterings above the mountains now grew rapidly louder and while
the two hovered over the fire, a thunder-squall, rolling wildly down
the eastern slope, burst over the Gap. Its sudden fury put aside for a
time all question of moving, and Nan's face took on a grave expression
as she looked in the firelight at her companion, thinking of how far
such a storm might imperil their situation, how far cut off their
already narrow chance of escape.
De Spain--reclining close beside her, looking into the depths of her
eyes as the flickering blaze revealed them, drying himself in their
warmth and light, eating and drinking of their presence on the
mountainside alone with him, and pledged to him, his protection, and
his fortunes against the world--apparently thought of nothing beyond
the satisfaction of the moment. The wind drove the storm against the
west side of the huge granite peak under which they were sheltered and
gave them no present trouble in their slender recess. But Nan knew
even better than her companion the fickle fury of a range storm, and
understood uncomfortably well how a sudden shift might, at any moment,
lay their entire path open to its fierceness. She warned de Spain they
must be moving, and, freshened by the brief rest, they set out toward
El Capitan.
Their trail lay along granite levels of comparatively good going and,
fleeing from the squall, they had covered more than half the distance
that separated them from the cliff, when a second thunder-storm,
seeming to rush in from the desert, burst above their heads. Drenched
with rain, they were forced to draw back under a projecting rock. In
another moment the two storms, meeting in the Gap, crashed together.
Bolt upon bolt of lightning split the falling sheets of water, and
thunder, exploding in their faces, stunned and deafened them.
Mountain peaks, played on by the wild light, leaped like spectres out
of the black, and granite crags, searched by blazing shafts, printed
themselves in ghostly flames on the retina; thunder, searching
unnumbered gorges, echoed beneath the sharper crashes in one long,
unending roll, and far out beyond the mountains the flooded desert
tossed on a dancing screen into the glare, rippled like a madcap sea,
and flashed in countless sheets of blinding facets. As if an unseen
hand had touched a thousand granite springs above the Gap, every
slender crevice spouted a stream that shot foaming out from the
mountainsides. The sound of moving waters rose in a dull, vast roar,
broken by the unseen boom of distant falls, launching huge masses of
water into caverns far below. The storm-laden wind tore and swirled
among the crowded peaks, and above all the angry sky moaned and
quivered in the rage of the elements.
Nan leaned within de Spain's arm. "If this keeps up," he said after
some time, "our best play is to give up crossing to-night. We might
hide somewhere on the mountain to-morrow, and try it toward evening."
"Yes, if we have to," she answered. But he perceived her reluctant
assent. "What I am afraid of, Henry, is, if they were to find us. You
know what I mean."
"Then we won't hide," he replied. "The minute we get the chance we
will run for it. This is too fierce to last long."
"Oh, but it's November!" Nan reminded him apprehensively. "It's
winter; that's what makes it so cold. You never can tell in
November."
"It won't last all night, anyway," he answered with confidence.
Despite his assurance, however, it did last all night, and it was
only the lulls between the sharp squalls that enabled them to cover
the trail before daylight. When they paused before El Capitan the fury
of the night seemed largely to have exhausted itself, but the
overcharged air hung above the mountains, trembling and moaning like a
bruised and stricken thing. Lightning, playing across the inky
heavens, blazed in constant sheets from end to end of the horizon. Its
quivering glare turned the wild night into a kind of ghastly,
uncertain day. Thunder, hoarse with invective, and hurled mercilessly
back and forth by the fitful wind, drew farther and farther into the
recess of the mountains, only to launch its anger against its own
imprisoned echoes. Under it all the two refugees, high on the
mountainside, looked down on the flooding Gap.
Their flight was almost ended. Only the sheer cliff ahead blocked
their descent to the aspen grove. De Spain himself had already crossed
El Capitan once, and he had done it at night--but it was not, he was
compelled to remind himself, on a night like this. It seemed now a
madman's venture and, without letting himself appear to do so, he
watched Nan's face as the lightning played over it, to read if he
could, unsuspected, whether she still had courage for the undertaking.
She regarded him so collectedly, whether answering a question or
asking one, that he marvelled at her strength and purpose. Hardly a
moment passed after they had started until the eastern sky lightened
before the retreating storm, and with the first glimmer of daylight,
the two were at the beginning of the narrow foothold which lay for
half a mile between them and safety.
Here the El Capitan trail follows the face of the almost vertical wall
which, rising two thousand feet in the air, fronts the gateway of
Morgan's Gap.
They started forward, de Spain ahead. There was nothing now to hurry
them unduly, and everything to invite caution. The footholds were
slippery, rivulets still crossed the uncertain path, and fragments of
rock that had washed down on the trail, made almost every step a new
hazard. The face of El Capitan presents, midway, a sharp convex. Just
where it is thrown forward in this keen angle, the trail runs out
almost to a knife-edge, and the mountain is so nearly vertical that it
appears to overhang the floor of the valley.
They made half the stretch of this angle with hardly a misstep, but
the advance for a part of the way was a climb, and de Spain, turning
once to speak to Nan, asked her for her rifle, that he might carry it
with his own. What their story might have been had she given it to
him, none can tell. But Nan, holding back, refused to let him relieve
her. The dreaded angle which had haunted de Spain all night was safely
turned on hands and knees and, as they rounded it toward the east,
clouds scudding over the open desert broke and shot the light of dawn
against the beetling arête.
De Spain turned in some relief to point to the coming day. As he did
so a gust of wind, sweeping against the sheer wall, caught him off his
guard. He regained his balance, but a stone, slipping underfoot,
tipped him sidewise, and he threw himself on his knees to avoid the
dizzy edge. As he fell forward he threw up his hand to save his hat,
and in doing so released his rifle, which lay under his hand on the
rock. Before he could recover it the rifle slipped from reach. In the
next instant he heard it bouncing from rock to rock, five hundred feet
below.
Greatly annoyed and humiliated, he regained his feet and spoke with a
laugh to reassure Nan. Just as she answered not to worry, a little
singing scream struck their ears; something splashed suddenly close at
hand against the rock wall; chips scattered between them. From below,
the sound of a rifle report cracked against the face of the cliff.
They were so startled, so completely amazed that they stood
motionless. De Spain looked down and over the uneven floor of the
Gap. The ranch-houses, spread like toys in the long perspective, lay
peacefully revealed in the gray of the morning. Among the dark
pine-trees he could discern Nan's own home. Striving with the utmost
keenness of vision to detect where the shot had come from, de Spain
could discover no sign of life around any of the houses. But in
another moment the little singing scream came again, the blow of the
heavy slug against the splintering rock was repeated, the distant
report of the rifle followed.
"Under fire," muttered de Spain. He looked questioningly at Nan.
She herself, gazing across the dizzy depths, was searching for
the danger-point. A third shot followed at a seemingly regular
interval--the deliberate interval needed by a painstaking marksman
working out his range and taking his time to find it. De Spain
watched Nan's search anxiously. "We'd better keep moving," he said.
"Come! whoever is shooting can follow us a hundred yards either
way." In front of de Spain a fourth bullet struck the rock. "Nan,"
he muttered, "I've got you into a fix. If we can't stop that
fellow he is liable to stop us. Can you see anything?" he asked,
waiting for her to come up.
"Henry!" She was looking straight down into the valley, and laid her
hand on de Spain's shoulder. "Is there anything moving on the
ridge--over there--see--just east of Sassoon's ranch-house?"
De Spain, his eyes bent on the point Nan indicated, drew her forward
to a dip in the trail which, to one stretched flat, afforded a slight
protection. He made her lie down, and just beyond her refuge chose a
point where the path, broadening a little and rising instead of
sloping toward the outer edge, gave him a chance to brace himself
between two rocks. Flattened there like a target in mid-air, he threw
his hat down to Nan and, resting on one knee, waited for the shot that
should tumble him down El Capitan or betray the man bent on killing
him. Squalls of wind, sweeping into the Gap and sucked upward on the
huge expanse of rock below, tossed his hair and ballooned his coat as
he buttoned it. Another bullet, deliberately aimed, chipped the rock
above him. Nan, agonizing in her suspense, cried out she must join him
and go with him if he went. He steadied her apprehension and with a
few words reminded her, as a riflewoman, what a gamble every shot at a
height such as they occupied, and with such a wind, must be. He
reminded her, too, it was much easier to shoot down than up, but all
the time he was searching for the flash that should point the
assassin. A bullet struck again viciously close between them. De Spain
spoke slowly: "Give me your rifle." Without turning his head he held
out his hand, keeping his eyes rigidly on the suspicious spot on the
ridge. "How far is it to that road, Nan?"
She looked toward the faint line that lay in the deep shadows below.
"Three hundred yards."
"Nan, if it wasn't for you, I couldn't travel this country at all," he
remarked with studious unconcern. "Last time I had no ammunition--this
time, no rifle--you always have what's needed. How high are we, Nan?"
"Seven hundred feet."
"Elevate for me, Nan, will you?"
"Remember the wind," she faltered, adjusting the sight as he had
asked.
With the cautioning words she passed the burnished weapon, glittering
yet with the rain-drops, into his hand. A flash came from the distant
ridge. Throwing the rifle to his shoulder, de Spain covered a hardly
perceptible black object on the trail midway between Sassoon's
ranch-house and a little bridge which he well remembered--he had
crossed it the night he dragged Sassoon into town. It seemed a long
time that he pressed the rifle back against his shoulder and held his
eye along the barrel. He was wondering as he covered the crouching
man with the deadly sight which of his enemies this might be. He even
slipped the rifle from his shoulder and looked long and silently at
the black speck before he drew the weapon back again into place. Then
he fired before Nan could believe he had lined the sights. Once,
twice, three times his hand fell and rose sharply on the lever, with
every mark of precision, yet so rapidly Nan could not understand how
he could discover what his shots were doing.
The fire came steadily back, and deliberately, without the least
intimation of being affected by de Spain's return. It was a duel shorn
of every element of equality, with an assassin at one end of the
range, and a man flattened half-way up the clouds against El Capitan
at the other, each determined to kill the other before he should stir
one more foot.
Far above, an eagle, in morning flight, soared majestically out from a
jutting crag and circled again and again in front of El Capitan, while
the air sang with the whining dice that two gamblers against death
threw across the gulf between them. Nan, half hidden in her trough of
rock, watched the great bird poise and wheel above the deadly firing,
and tried to close her eyes to the figure of de Spain above her,
fighting for her life and his own.
She had never before seen a man shooting to kill another. The very
horror of watching de Spain, at bay among the rocks, fascinated her.
Since the first day they had met she had hardly seen a rifle in his
hands.
Realizing how slightly she had given thought to him or to his skill at
that time, she saw now, spellbound, how a challenge to death,
benumbing her with fear, had transformed him into a silent, pitiless
foeman, fighting with a lightning-like decision that charged every
motion with a fatality for his treacherous enemy. Her rifle, at his
shoulder, no longer a mere mechanism, seemed in his hands something
weightless, sensible, alive, a deadly part of his arm and eye and
brain. There was no question, no thought of adjusting or handling or
haste in his fire, but only an incredible swiftness and sureness that
sent across the thin-aired chasm a stream of deadly messengers to seek
a human life. She could only hope and pray, without even forming the
words, that none of her blood were behind the other rifle, for she
felt that, whoever was, could never escape.
She tried not to look. The butt of the heating rifle lay close against
the red-marked cheek she knew so well, and to the tips of the fingers
every particle of the man's being was alive with strength and
resource. Some strange fascination drew her senses out toward him as
he knelt and threw shot after shot at the distant figure hidden on the
ridge. She wanted to climb closer, to throw herself between him and
the bullets meant for him. She held out her arms and clasped her hands
toward him in an act of devotion. Then while she looked, breathlessly,
he took his eyes an instant from the sights. "He's running!" exclaimed
de Spain as the rifle butt went instantly back to his cheek. "Whoever
he is, God help him now!"
The words were more fearful to Nan than an imprecation. He had driven
his enemy from the scant cover of a rut in the trail, and the man was
fleeing for new cover and for life. The speck of black in the field of
intense vision was moving rapidly toward the ranch-house. Bullet after
bullet pitilessly led the escaping wretch. Death dogged every eager
footfall. Suddenly de Spain jerked the rifle from his cheek, threw
back his head, and swept his left hand across his straining eyes. Once
more the rifle came up to place and, waiting for a heartbeat, to press
the trigger, he paused an instant. Flame shot again in the gray
morning light from the hot muzzle. The rifle fell away from the
shoulder. The black speck running toward the ranch-house stumbled, as
if stricken by an axe, and sprawled headlong on the trail. Throwing
the lever again like lightning, de Spain held the rifle back to his
cheek.
He did not fire. Second after second he waited, Nan, lying very still,
watching, mute, the dull-red mark above the wet rifle butt. No one had
need to tell her what had happened. Too well she read the story in de
Spain's face and in what she saw, as he knelt, perfectly still, only
waiting to be sure there was no ruse. She watched the rifle come
slowly down, unfired, and saw his drawn face slowly relax. Without
taking his eyes off the sprawling speck, he rose stiffly to his feet.
As if in a dream she saw his hand stretched toward her and heard, as
he looked across the far gulf, one word: "Come!"
They reached the end of the trail. De Spain, rifle in hand, looked
back. The sun, bursting in splendor across the great desert, splashed
the valley and the low-lying ridge with ribboned gold. Farther up the
Gap, horsemen, stirred by the firing, were riding rapidly down toward
Sassoon's ranch-house. But the black thing in the sunshine lay quite
still.
CHAPTER XXVIII
LEFEVER TO THE RESCUE
Lefever, chafing in the aspen grove under the restraint of waiting in
the storm, was ready long before daylight to break orders and ride in
to find de Spain.
With the first peep of dawn, and with his men facing him in their
saddles, Lefever made a short explanation.
"I don't want any man to go into the Gap with me this morning under
any misunderstanding or any false pretense," he began cheerfully. "Bob
Scott and Bull will stay right here. If, by any chance, de Spain makes
his way out while the rest of us are hunting for him, you'll be here
to signal us--three shots, Bob--or to ride in with de Spain to help
carry the rest of us out. Now, it's like this," he added, addressing
the others. "You, all of you know, or ought to know--everybody 'twixt
here and the railroad knows--that de Spain and Nan Morgan have
fastened up to each other for the long ride down the dusty trail
together. That, I take it, is their business. But her uncle, old
Duke, and Gale, and the whole bunch, I hear, turned dead sore on it,
and have fixed it up to beat them. You all know the Morgans. They're
some bunch--and they stick for one another like hornets, and all hold
together in a fight. So I don't want any man to ride in there with me
thinking he's going to a wedding. He isn't. He may or may not be going
to a funeral, but he's _not_ going to a shivaree."
Frank Elpaso glanced sourly at his companions. "I guess everybody here
is wise, John."
"I know _you_ are, Frank," retorted Lefever testily; "that's all
right. I'm only explaining. And I don't want _you_ to get sore on me
if I _don't_ show you a fight." Frank Elpaso grunted. "I am under
orders." John waved his hand. "And I can't do anything----"
"But talk," growled Frank Elpaso, not waving his hand.
Lefever started hotly forward in his saddle. "Now look here, Frank."
He pointed his finger at the objecting ranger. "I'm here for business,
not for pleasure. Any time I'm free you can talk to me----"
"Not till somebody gags you, John," interposed Elpaso moodily.
"Look here, Elpaso," demanded Lefever, spurring his horse smartly
toward the Texan, "are you looking for a fight with me right here and
now?"
"Yes, here and now," declared Elpaso fiercely.
"Or, there and then," interposed Kennedy, ironically, "some time,
somewhere, or no time, nowhere. Having heard all of which, a hundred
and fifty times from you two fellows, let us have peace. You've pulled
it so often, over at Sleepy Cat, they've got it in double-faced,
red-seal records. Let's get started."
"Right you are, Farrell," assented Lefever, "but----"
"Second verse, John. You're boss here; what are we going to do? That's
all we want to know."
"Henry's orders were to wait here till ten o'clock this morning.
There's been firing inside twice since twelve o'clock last night. He
told me to pay no attention to that. But if the whole place hadn't
been under water all night, I'd have gone in, anyway. This last time
it was two high-powered guns, picking at long range and, if I'm any
judge of rifles and the men probably behind them, some one must have
got hurt. It's all a guess--but I'm going in there, peaceably if I
can, to look for Henry de Spain; if we are fired on--we've got to
fight for it. And if there's any talking to be done----"
"You can do it," grunted Elpaso.
"Thank you, Frank. And I will do it. I need not say that Kennedy will
ride ahead with me, Elpaso and Wickwire with Tommie Meggeson."
Leaving Scott in the trees, the little party trotted smartly up the
road, picking their way through the pools and across the brawling
streams that tore over the trail toward Duke Morgan's place. The
condition of the trail broke their formation continually and Lefever,
in the circumstances, was not sorry. His only anxiety was to keep
Elpaso from riding ahead far enough to embroil them in a quarrel
before he himself should come up.
Half-way to Duke's house they found a small bridge had gone out. It
cut off the direct road, and, at Elpaso's suggestion, they crossed
over to follow the ridge up the valley. Swimming their horses through
the backwater that covered the depression to the south, they gained
the elevation and proceeded, unmolested, on their way. As they
approached Sassoon's place, Elpaso, riding ahead, drew up his horse
and sat a moment studying the trail and casting an occasional glance
in the direction of the ranch-house, which lay under the brow of a
hill ahead.
When Lefever rode up to him, he saw the story that Elpaso was reading
in the roadway. It told of a man shot in his tracks as he was running
toward the house--and, in the judgment of these men, fatally
shot--for, while his companions spread like a fan in front of him,
Lefever got off his horse and, bending intently over the sudden page
torn out of a man's life, recast the scene that had taken place, where
he stood, half an hour earlier. Some little time Lefever spent
patiently deciphering the story printed in the rutted road, and marked
by a wide crimson splash in the middle of it. He rose from his study
at length and followed back the trail of the running feet that had
been stricken at the pool. He stopped in front of a fragment of rock
jutting up beside the road, studied it a while and, looking about,
picked up a number of empty cartridge-shells, examined them, and
tossed them away. Then he straightened up and looked searchingly
across the Gap. Only the great, silent face of El Capitan confronted
him. It told no tales.
"If this was Henry de Spain," muttered Elpaso, when Lefever rejoined
his companions, "he won't care whether you join him now, or at ten
o'clock, or never."
"That is not Henry," asserted Lefever with his usual cheer. "Not
within forty rows of apple-trees. It's not Henry's gun, not Henry's
heels, not Henry's hair, and thereby, not Henry's head that was hit
that time. But it was to a finish--and blamed if at first it didn't
scare me. I thought it _might_ be Henry. Hang it, get down and see for
yourselves, boys."
Elpaso answered his invitation with an inquiry. "Who was this fellow
fighting with?"
"That, also, is a question. Certainly not with Henry de Spain, because
the other fellow, I think, was using soft-nosed bullets. No white man
does that, much less de Spain."
"Unless he used another rifle," suggested Kennedy.
"Tell me how they could get his own rifle away from him if he could
fire a gun at all. I don't put Henry quite as high with a rifle as
with a revolver--if you want to split hairs--mind, I say, if you want
to split hairs. But no man that's ever seen him handle either would
want to try to take any kind of a gun from him. Whoever it was,"
Lefever got up into his saddle again, "threw some ounces of lead into
that piece of rock back there, though I don't understand how any one
could see a man lying behind it.
"Anyway, whoever was hit here has been carried down the road. We'll
try Sassoon's ranch-house for news, if they don't open on us with
rifles before we get there."
In the sunshine a man in shirt sleeves, and leaning against the jamb,
stood in the open doorway of Sassoon's shack, watching the invaders
as they rode around the hill and gingerly approached. Lefever
recognized Satt Morgan. He flung a greeting to him from the saddle.
Satt answered in kind, but he eyed the horsemen with reserve when they
drew up, and he seemed to Lefever altogether less responsive than
usual. John sparred with him for information, and Satterlee gave back
words without any.
"Can't tell us anything about de Spain, eh?" echoed Lefever at length.
"All right, Satt, we'll find somebody that can. Is there a bridge over
to Duke's on this trail?"
Satt's nose wrinkled into his normal smile. "There is a bridge--" The
report of three shots fired in the distance, seemingly from the mouth
of the Gap, interrupted him. He paused in his utterance. There were no
further shots, and he resumed: "There is a bridge that way, yes, but
it was washed out last night. They're blockaded. Duke and Gale are
over there. They're pretty sore on your man de Spain. You'd better
keep away from 'em this morning unless you're looking for trouble."
Lefever, having all needed information from Scott's signal, raised his
hand quickly. "Not at all," he exclaimed, leaning forward to emphasize
his words and adding the full orbit of his eye to his sincerity of
manner. "Not at all, Satt. This is all friendly, all friendly. But,"
he coughed slightly, as if in apology, "if Henry shouldn't turn up all
right, we'll--ahem--be back."
None of his companions needed to be told how to get prudently away. At
a nod from Lefever Tommie Meggeson, Elpaso, and Wickwire wheeled their
horses, rode rapidly back to the turn near the hill and, facing about,
halted, with their rifles across their arms. Lefever and Kennedy
followed leisurely, and the party withdrew leaving Satterlee, unmoved,
in the sunny doorway. Once out of sight, Lefever led the way rapidly
down the Gap to the rendezvous.
Of all the confused impressions that crowded Nan's memory after the
wild night on Music Mountain, the most vivid was that of a noticeably
light-stepping and not ungraceful fat man advancing, hat in hand, to
greet her as she stood with de Spain, weary and bedraggled in the
aspen grove.
A smile flamed from her eyes when, turning at once, he rebuked de
Spain with dignity for not introducing him to Nan, and while de Spain
made apologies Lefever introduced himself.
"And is this," murmured Nan, looking at him quizzically, "really Mr.
John Lefever whom I've heard so many stories about?"
She was conscious of his pleasing eyes and even teeth as he smiled
again. "If they have come from Mr. de Spain--I warn you," said John,
"take them with all reserve."
"But they haven't all come from Mr. de Spain."
"If they come from any of my friends, discredit them in advance. You
could believe what my enemies say," he ran on; then added ingenuously,
"if I had any enemies!" To de Spain he talked very little. It seemed
to take but few words to exchange the news. Lefever asked gingerly
about the fight. He made no mention whatever of the crimson pool in
the road near Sassoon's hut.
CHAPTER XXIX
PUPPETS OF FATE
The house in the Gap that had sheltered Nan for many years seemed
never so empty as the night she left it with de Spain. In spite of his
vacillation, her uncle was deeply attached to her. She made his home
for him. He had never quite understood it before, but the realization
came only too soon after he had lost her. And his resentment against
Gale as the cause of her leaving deepened with every hour that he sat
next day with his stubborn pipe before the fire. Duke had acceded with
much reluctance to the undertaking that was to force her into a
marriage. Gale had only partly convinced him that once taken, the step
would save her from de Spain and end their domestic troubles. The
failure of the scheme left Duke sullen, and his nephew sore, with
humiliation.
In spite of the alarms and excitement of the night, of Gale's
determination that de Spain should never leave the Gap with Nan, and
of the rousing of every man within it to cut off their escape, Duke
stubbornly refused to pursue the man he so hated or even to leave the
house in any effort to balk his escape. But Gale, and Sassoon who had
even keener reason for hating de Spain, left Duke to sulk as he would,
and set about getting the enemy without any help from the head of the
house. In spite of the caution with which de Spain had covered his
movements, and the flood and darkness of the night, Sassoon by a mere
chance had got wind through one of his men of de Spain's appearance at
Duke Morgan's, and had begun to plan, before Nan and de Spain had got
out of the house, how to trap him.
Duke heard from Pardaloe, during the night and the early morning,
every report with indifference. He only sat and smoked, hour after
hour, in silence. But after it became known that de Spain had, beyond
doubt, made good his escape, and had Nan with him, the old man's
sullenness turned into rage, and when Gale, rankling with defeat,
stormed in to see him in the morning, he caught the full force of
Duke's wrath. The younger man taken aback by the outbreak and in drink
himself, returned his abuse without hesitation or restraint. Pardaloe
came between them before harm was done, but the two men parted with
the anger of their quarrel deepened.
When Nan rode with de Spain into Sleepy Cat that morning, Lefever had
already told their story to Jeffries over the telephone from
Calabasas, and Mrs. Jeffries had thrown open her house to receive Nan.
Weary from exposure, confusion, and hunger, Nan was only too grateful
for a refuge.
On the evening of the second day de Spain was invited to join the
family at supper. In the evening the Jeffrieses went down-town.
De Spain was talking with Nan in the living-room when the telephone-bell
rang in the library.
De Spain took the call, and a man's voice answered his salutation. The
speaker asked for Mr. de Spain and seemed particular to make sure of
his identity.
"This," repeated de Spain more than once, and somewhat testily, "is
Henry de Spain speaking."
"I'd like to have a little talk with you, Mr. de Spain."
"Go ahead."
"I don't mean over the telephone. Could you make it convenient to come
down-town somewhere, say to Tenison's, any time this evening?"
The thought of a possible ambuscade deterred the listener less than
the thought of leaving Nan, from whom he was unwilling to separate
himself for a moment. Likewise, the possibility of an attempt to
kidnap her in his absence was not overlooked. On the other hand, if
the message came from Duke and bore some suggestion of a compromise in
the situation, de Spain was unwilling to lose it. With these
considerations turning in his mind, he answered the man brusquely:
"Who are you?"
The vein of sharpness in the question met with no deviation from the
slow, even tone of the voice at the other end of the wire. "I am not
in position to give you my name," came the answer, "at least, not over
the wire."
A vague impression suddenly crossed de Spain's mind that somewhere he
had heard the voice before. "I can't come down-town to-night,"
returned de Spain abruptly. "If you'll come to my office to-morrow
morning at nine, I'll talk with you."
A pause preceded the answer. "It wouldn't hardly do for me to come to
your office in daylight. But if it would, I couldn't do it to-morrow,
because I shan't be in town in the morning."
"Where are you talking from now?"
"I'm at Tenison's place."
"Hang you," said de Spain instantly, "I know you now." But he said the
words to himself, not aloud.
"Do you suppose I could come up to where you are to-night for a few
minutes' talk?" continued the man coolly.
"Not unless you have something very important."
"What I have is more important to you than to me."
De Spain took an instant to decide. "All right," he said impatiently;
"come along. Only--" he paused to let the word sink in, "--if this is
a game you're springing----"
"I'm springing no game," returned the man evenly.
"You're liable to be one of the men hurt."
"That's fair enough."
"Come along, then."
"Mr. Jeffries's place is west of the court-house?"
"Directly west. Now, I'll tell you just how to get here. Do you
hear?"
"I'm listening."
"Leave Main Street at Rancherio Street. Follow Rancherio north four
blocks, turn west into Grant Avenue. Mr. Jeffries's house is on the
corner."
"I'll find it."
"Don't come any other way. If you do, you won't see me."
"I'm not afraid of you, Mr. de Spain, and I'll come as you say.
There's only one thing I should like to ask. It would be as much as my
life is worth to be seen talking to you. And there are other good
reasons why I shouldn't like to have it known I _had_ talked to you.
Would you mind putting out the lights before I come up--I mean, in the
front of the house and in the room where we talk?"
"Not in the least. I mean--I am always willing to take a chance
against any other man's. But I warn you, come prepared to take care of
yourself."
"If you will do as I ask, no harm will come to any one."
De Spain heard the receiver hung up at the other end of the wire. He
signalled the operator hastily, called for his office, asked for
Lefever, and, failing to get him, got hold of Bob Scott. To him he
explained rapidly what had occurred, and what he wanted. "Get up to
Grant and Rancherio, Bob, as quick as the Lord will let you. Come by
the back streets. There's a high mulberry hedge at the southwest
corner you can get behind. This chap may have been talking for
somebody else. Anyway, look the man over when he passes under the
arc-light. If it is Sassoon or Gale Morgan, come into Jeffries's house
by the rear door. Wait in the kitchen for my call from the
living-room, or a shot. I'll arrange for your getting in."
Leaving the telephone, de Spain rejoined Nan in the living-room. He
told her briefly of the expected visit and explained, laughingly, that
his caller had asked to have the lights out and to see him alone.
Nan, standing close to him, her own hand on his shoulder and her
curling hair against his scarred cheek, asked questions about the
incident because he seemed to be holding something back. She professed
to be satisfied when he requested her to go up to her room and
explained it was probably one of the men coming to tell about some
petty thieving on the line or of a strike brewing among the drivers.
He made so little of the incident that Nan walked up the stairs on de
Spain's arm reassured. When he kissed her at her room door and turned
down the stairs again, she leaned in the half-light over the banister,
waving one hand at him and murmuring the last caution: "Be careful,
Henry, won't you?"
"Dearie, I'm always careful."
"'Cause you're all I've got now," she whispered.
"You're all I've got, Nan, girl."
"I haven't got any home--or anything--just you. Don't go to the door
yourself. Leave the front door open. Stand behind the end of the
piano till you are awfully sure who it is."
"What a head, Nan!"
De Spain cut off the lights, threw open the front door, and in the
darkness sat down on the piano stool. A heavy step on the porch, a
little while later, was followed by a knock on the open door.
"Come in!" called de Spain roughly. The bulk of a large man filled and
obscured for an instant the opening, then the visitor stepped
carefully over the threshold. "What do you want?" asked de Spain
without changing his tone. He awaited with keenness the sound of the
answer.
"Is Henry de Spain here?"
The voice was not familiar to de Spain's ear. He told himself the man
was unknown to him. "I am Henry de Spain," he returned without
hesitation. "What do you want?"
The visitor's deliberation was reflected in his measured speaking. "I
am from Thief River," he began, and his reverberating voice was low
and distinct. "I left there some time ago to do some work in Morgan's
Gap. I guess you know, full as well as I do, that the general office
at Medicine Bend has its own investigators, aside from the division
men. I was sent in to Morgan's Gap some time ago to find out who
burned the Calabasas barn."
"Railroad man, eh?"
"For about six years."
"And you report to----?"
"Kennedy."
De Spain paused in spite of his resolve to push the questions. While
he listened a fresh conviction had flashed across his mind. "You
called me up on the telephone one night last week," he said suddenly.
The answer came without evasion. "I did."
"I chased you across the river?"
"You did."
"You gave me a message from Nan Morgan that she never gave you."
"I did. I thought she needed you right off. She didn't know me as I
rightly am. I knew what was going on. I rode into town that evening
and rode out again. It was not my business, and I couldn't let it
interfere with the business I'm paid to look after. That's the reason
I dodged you."
"There is a chair at the left of the door; sit down. What's your
name?"
The man feeling around slowly, deposited his angular bulk with care
upon the little chair. "My name"--in the tenseness of the dark the
words seemed to carry added mystery--"is Pardaloe."
"Where from?"
"My home is southwest of the Superstition Mountains."
"You've got a brother--Joe Pardaloe?" suggested de Spain to trap him.
"No, I've got no brother. I am just plain Jim Pardaloe."
"Say what you have got to say, Jim."
"The only job I could get in the Gap was with old Duke Morgan--I've
been working for him, off and on, and spending the rest of my time
with Gale and Dave Sassoon. There were three men in the barn-burning.
Dave Sassoon put up the job."
"Where is Dave Sassoon now?"
"Dead."
"What do you mean?"
"I mean what I say."
Both men were silent for a moment.
"Yesterday morning's fight?" asked de Spain reluctantly.
"Yes, sir."
"How did he happen to catch us on El Capitan?"
"He saw a fire on Music Mountain and watched the lower end of the Gap
all night. Sassoon was a wide-awake man."
"Well, I'm sorry, Pardaloe," continued de Spain after a moment.
"Nobody could call it my fault. It was either he or I--or the life of
a woman who never harmed a hair of his head, and a woman I'm bound to
protect. He was running when he was hit. If he had got to cover again
there was nothing to stop him from picking both of us off. I shot
low--most of the lead must have gone into the ground."
"He was hit in the head."
De Spain was silent.
"It was a soft-nose bullet," continued Pardaloe.
Again there was a pause. "I'll tell you about that, too, Pardaloe," de
Spain went on collectedly. "I lost my rifle before that man opened
fire on us. Nan happened to have her rifle with her--if she hadn't,
he'd 've dropped one or both of us off El Capitan. We were pinned
against the wall like a couple of targets. If there were soft-nose
bullets in her rifle it's because she uses them on game--bobcats and
mountain-lions. I never thought of it till this minute. That is it."
"What I came up to tell you has to do with Dave Sassoon. From what
happened to-day in the Gap I thought you ought to know it now. Gale
and Duke quarrelled yesterday over the way things turned out; they
were pretty bitter. This afternoon Gale took it up again with his
uncle, and it ended in Duke's driving him clean out of the Gap."
"Where has he gone?"
"Nobody knows yet. Ed Wickwire told me once that your father was shot
from ambush a good many years ago. It was north of Medicine Bend, on a
ranch near the Peace River; that you never found out who killed him,
and that one reason why you came up into this country was to keep an
eye out for a clew."
"What about it?" asked de Spain, his tone hardening.
"I was riding home one night about a month ago from Calabasas with
Sassoon. He'd been drinking. I let him do the talking. He began
cussing you out, and talked pretty hard about what you'd done, and
what he'd done, and what he was going to do--" Nothing, it seemed,
would hurry the story. "Finally, Sassoon says: 'That hound don't know
yet who got his dad. It was Duke Morgan; that's who got him. I was
with Duke when he turned the trick. We rode down to de Spain's ranch
one night to look up a rustler.' That," concluded Pardaloe, "was all
Sassoon would say."
He stopped. He seemed to wait. There was no word of answer, none of
comment from the man sitting near him. But, for one, at least, who
heard the passionless, monotonous recital of a murder of the long ago,
there followed a silence as relentless as fate, a silence shrouded in
the mystery of the darkness and striking despair into two hearts--a
silence more fearful than any word.
Pardaloe shuffled his feet. He coughed, but he evoked no response. "I
thought you was entitled to know," he said finally, "now that Sassoon
will never talk any more."
De Spain moistened his lips. When he spoke his voice was cracked and
harsh, as if with what he had heard he had suddenly grown old.
"You are right, Pardaloe. I thank you. I--when I--in the morning.
Pardaloe, for the present, go back to the Gap. I will talk with
Wickwire--to-morrow."
"Good night, Mr. de Spain."
"Good night, Pardaloe."
Bending forward, limp, in his chair, supporting his head vacantly on
his hands, trying to think and fearing to think, de Spain heard
Pardaloe's measured tread on the descending steps, and listened
mechanically to the retreating echoes of his footsteps down the shaded
street. Minute after minute passed. De Spain made no move. A step so
light that it could only have been the step of a delicate girlhood, a
step free as the footfall of youth, poised as the tread of womanhood
and beauty, came down the stairs. Slight as she was, and silent as he
was, she walked straight to him in the darkness, and, sinking between
his feet, wound her hands through his two arms. "I heard everything,
Henry," she murmured, looking up. An involuntary start of protest was
his only response. "I was afraid of a plot against you. I stayed at
the head of the stairs. Henry, I told you long ago some dreadful thing
would come between us--something not our fault. And now it comes to
dash our cup of happiness when it is filling. Something told me,
Henry, it would come to-night--some bad news, some horror laid up
against us out of a past that neither you nor I are to blame for. In
all my sorrow I am sorriest, Henry, for you. Why did I ever cross your
path to make you unhappy when blood lay between your people and mine?
My wretched uncle! I never dreamed he had murder on his soul--and of
all others, that murder! I knew he did wrong--I knew some of his
associates were criminals. But he has been a father and mother to me
since I could creep--I never knew any father or mother."
She stopped, hoping perhaps he would say some little word, that he
would even pat her head, or press her hand, but he sat like one
stunned. "If it could have been anything but this!" she pleaded, low
and sorrowfully. "Oh, why did you not listen to me before we were
engulfed! My dear Henry! You who've given me all the happiness I have
ever had--that the blood of my own should come against you and yours!"
The emotion she struggled with, and fought back with all the strength
of her nature, rose in a resistless tide that swept her on, in the
face of his ominous silence, to despair. She clasped her hands in
silent misery, losing hope with every moment of his stoniness that she
could move him to restraint or pity toward her wretched foster-father.
She recalled the merciless words he had spoken on the mountain when he
told her of his father's death. Her tortured imagination pictured the
horror of the sequel, in which the son of the murdered man should meet
him who had taken his father's life. The fate of it, the hopelessness
of escape from its awful consequence, overcame her. Her breath, no
longer controlled, came brokenly, and her voice trembled.
"You have been very kind to me, Henry--you've been the only man I've
ever known that always, everywhere, thought of me first. I told you I
didn't deserve it, I wasn't worthy of it----"
His hands slipped silently over her hands. He gathered her close into
his arms, and his tears fell on her upturned face.
CHAPTER XXX
HOPE FORLORN
There were hours in that night that each had reason long to remember;
a night that seemed to bring them, in spite of their devotion, to the
end of their dream. They parted late, each trying to soften the blow
as it fell on the other, each professing a courage which, in the face
of the revelation, neither could clearly feel.
In the morning Jeffries brought down to de Spain, who had spent a
sleepless night at the office, a letter from Nan.
De Spain opened it with acute misgivings. Hardly able to believe his
eyes, he slowly read:
DEAREST:
A wild hope has come to me. Perhaps we don't know the truth of
this terrible story as it really is. Suppose we should be
condemning poor Uncle Duke without having the real facts? Sassoon
was a wretch, Henry, if ever one lived--a curse to every one. What
purpose he could serve by repeating this story, which he must have
kept very secret till now, I don't know; but there was some
reason. I _must_ know the whole truth--I feel that I, alone, can
get hold of it, and that you would approve what I am doing if you
were here with me in this little room, where I am writing at
daybreak, to show you my heart.
Long before you get this I shall be speeding toward the Gap. I am
going to Uncle Duke to get from him the exact truth. Uncle Duke is
breaking--has broken--and now that the very worst has come, and we
must face it, he will tell me what I ask. Whether I can get him to
repeat this to you, to come to you, to throw himself on your pity,
my dearest one, I don't know. But it is for this I am going to
try, and for this I beg of your love--the love of which I have
been so proud!--that you will let me stay with him until I at
least learn everything and can bring the whole story to you. If I
can bring him, I will.
And I shall be safe with him--perfectly safe. Gale has been driven
away. Pardaloe, I know I can trust, and he will be under the roof
with me. _Please, do not try to come to me._ It might ruin
everything. Only forgive me, and I shall be back with what I hope
for, or what I fear, very, very soon. Not till then can I bear to
look into your eyes. You have a better right than anyone in the
world to know the whole truth, cost what it may. Be patient for
only a little while with
NAN.
It was Jeffries who said, afterward, he hoped never again to be the
bearer of a letter such as that. Never until he had read and grasped
the contents of Nan's note had Jeffries seen the bundle of resource
and nerve and sinew, that men called Henry de Spain, go to pieces. For
once, trouble overbore him.
When he was able to speak he told Jeffries everything. "It is my
fault," he said hopelessly. "I was so crippled, so stunned, she must
have thought--I see it now--that I was making ready to ride out by
daybreak and shoot Duke down on sight. It's the price a man must pay,
Jeffries, for the ability to defend himself against this bunch of
hold-up men and assassins. Because they can't get me, I'm a
'gunman'----"
"No, you're not a 'gunman.'"
"A gunman and nothing else. That's what everybody, friends and
enemies, reckon me--a gunman. You put me here to clean out this
Calabasas gang, not because of my good looks, but because I've been,
so far, a fraction of a second quicker on a trigger than these
double-damned crooks.
"I don't get any fun out of standing for ten minutes at a time with a
sixty-pound safety-valve dragging on my heart, watching a man's eye to
see whether he is going to pull a gun on me and knock me down with a
slug before I can pull one and knock him down. I don't care for that
kind of thing, Jeff. Hell's delight! I'd rather have a little ranch
with a little patch of alfalfa--enough alfalfa to feed a little bunch
of cattle, a hundred miles from every living soul. What I would like
to do is to own a piece of land under a ten-cent ditch, and watch the
wheat sprout out of the desert."
Jeffries, from behind his pipe, regarded de Spain's random talk
calmly.
"I do feel hard over my father's death," he went on moodily. "Who
wouldn't? If God meant me to forget it, why did he put this mark on my
face, Jeff? I did talk pretty strong to Nan about it on Music
Mountain. She accused me then of being a gunman. It made me hot to be
set down for a gunman by her. I guess I did give it back to her too
strong. That's the trouble--my bark is worse than my bite--I'm always
putting things too strong. I didn't know when I was talking to her
then that Sandusky and Logan were dead. Of course, she thought I was a
butcher. But how could I help it?
"I did feel, for a long time, I'd like to kill with my own hands the
man that murdered my father, Jeff. My mother must have realized that
her babe, if a man-child, was doomed to a life of bloodshed. I've been
trying to think most of the night what she'd want me to do now. I
don't know what I _can_ do, or can't do, when I set eyes on that old
scoundrel. He's got to tell the truth--that's all I say now. If he
lies, after what he made my mother suffer, he ought to die like a
dog--no matter who he is.
"I don't want to break Nan's heart. What can I do? Hanging him here in
Sleepy Cat, if I could do it, wouldn't help her feelings a whole lot.
If I could see the fellow--" de Spain's hands, spread before him on
the table, drew up tight, "if I could get my fingers on his throat,
for a minute, and talk to him, tell him what I think of him--I might
know what I would want to do--Nan might be there to see and judge
between us. I'd be almost willing to leave things to her to settle
herself. I only want what's right. But," the oath that recorded his
closing threat was collected and pitiless, "if any harm comes to that
girl now from this wild trip back among those wolves--God pity the men
that put it over. I'll wipe out the whole accursed clan, if I have to
swing for it right here in Sleepy Cat!"
John Lefever, Jeffries, Scott in turn took him in hand to hold him
during three days, to restrain the fury of his resentment, and keep
him from riding to the Gap in a temper that each of them knew would
mean only a tragedy worse than what had gone before. Mountain-men who
happened in and out of Sleepy Cat during those three days remember how
it seemed for that time as if the attention of every man and woman in
the whole country was fixed on the new situation that balked de Spain.
They knew only that Nan had gone back to her people, not why she had
gone back; but the air was eager with surmise and rumor as to what had
happened, and in this complete overturning of all de Spain's hopes,
what would happen before the story ended.
Even three days of tactful representation and patient admonition from
cool-headed counsellors did not accomplish all they hoped for in de
Spain's attitude. His rage subsided, but only to be followed by a
settled gloom that they knew might burst into uncontrollable anger at
any moment.
A report reached McAlpin that Gale Morgan was making ready to return
to Music Mountain with the remnant of Sandusky's gang, to make a
demand on Duke for certain property and partnership adjustments. This
rumor he telephoned to Jeffries. Before talking with de Spain,
Jeffries went over the information with Lefever. The two agreed it was
right, in the circumstances, that de Spain should be nearer than
Sleepy Cat to Nan. Moreover, the period of waiting she had enjoined on
him was almost complete.
Without giving de Spain the story fully, the two men talking before
him let the discussion drift toward a proposal on his part to go down
to Calabasas, where he could more easily keep track of any movement to
or from the Gap, and this they approved. De Spain, already chafing
under a hardly endured restraint, lost no time in starting for
Calabasas, directing Lefever to follow next day.
It added nothing to his peace of mind in the morning to learn
definitely from McAlpin that Gale Morgan, within twenty-four hours,
had really disappeared from Calabasas. No word of any kind had come
from Music Mountain for days. No one at Calabasas was aware even that
Nan had gone into the Gap again. Bob Scott was at Thief River. De
Spain telephoned to him to come up on the early stage, and turned his
attention toward getting information from Music Mountain without
violating Nan's injunction not to frustrate her most delicate effort
with her uncle.
As a possible scout to look into her present situation and report on
it, McAlpin could point only to Bull Page. Bull was a ready
instrument, but his present value as an assistant had become a matter
of doubt, since practically every man in the Gap had threatened within
the week to blow his head off--though Bull himself felt no scruples
against making an attempt to reach Music Mountain and get back again.
It was proposed by the canny McAlpin to send him in with a team and
light wagon, ostensibly to bring out his trunk, which, if it had not
been fed to the horses, was still in Duke's barn. As soon as a rig
could be got up Page started out.
It was late November. A far, clear air drew the snow-capped ranges
sharply down to the eye of the desert--as if the speckless sky,
lighted by the radiant sun, were but a monster glass rigged to trick
the credulous retina. De Spain, in the saddle in front of the barn,
his broad hat brim set on the impassive level of the Western horseman,
his lips seeming to compress his thoughts, his lines over his forearm,
and his hands half-slipped into the pockets of his snug leather coat,
watched Page with his light wagon and horses drive away.
Idling around the neighborhood of the barns in the saddle, de Spain
saw him gradually recede into the long desert perspective, the
perspective which almost alone enabled the watcher to realize as he
curtained his eyes behind their long, steady lashes from the blazing
sun, that it was a good bit of a way to the foot of the great outpost
of the Superstition Range.
De Spain's restlessness prevented his remaining quietly anywhere for
long. As the morning advanced he cantered out on the Music Mountain
trail, thinking of and wishing for a sight of Nan. The deadly shock of
Pardaloe's story had been dulled by days and nights of pain. His
deep-rooted love and his loneliness had quieted his impulse for
vengeance and overborne him with a profound sadness. He realized how
different his feelings were now from what they had been when she knelt
before him in the darkened room and, not daring to plead for mercy
for her uncle, had asked him only for the pity for herself that he had
seemed so slow to give. Something reproached him now for his coldness
at the moment that he should have thought of her suffering before his
own.
The crystal brightness of the day brought no elation to his thoughts.
His attention fixed on nothing that did not revert to Nan and his
hunger to see her again. If he regarded the majestic mountain before
him, it was only to recall the day she had fed him at its foot, long
before she loved him--he thought of that truth now--when he lay dying
on it. If the black reaches of the lava beds came within view, it was
only to remind him that, among those desolate rocks, this simple,
blue-eyed girl, frail in his eyes as a cobweb despite her graceful
strength, had intrusted all her life and happiness to him, given her
fresh lips to his, endured without complaint the headstrong ardor of
his caresses and, by the pretty mockery of her averted eyes, provoked
his love to new adventure.
Memory seemed that morning as keen as the fickle air--so sharply did
it bring back to him the overwhelming pictures of their happiness
together. And out of his acute loneliness rose vague questionings and
misgivings. He said to himself in bitter self-reproach that she would
not have gone if he had been to her all he ought to have been in the
crisis of that night. If harm should befall her now! How the thought
clutched and dragged at his heart. Forebodings tortured him, and in
the penumbra of his thoughts seemed to leave something he could not
shake off--a vague, haunting fear, as if of some impending tragedy
that should wreck their future.
It was while riding in this way that his eyes, reading mechanically
the wagon trail he was aimlessly following--for no reason other
than that it brought him, though forbidden, a little closer to
her--arrested his attention. He checked his horse. Something, the
trail told him, had happened. Page had stopped his horses. Page had
met two men on horseback coming from the Gap. After a parley--for
the horses had tramped around long enough for one--the wagon had
turned completely from the trail and struck out across the desert,
north; the two horsemen, or one with a led horse, had started back
for the Gap.
All of this de Spain gathered without moving his horse outside a
circle of thirty feet. What did it mean? Page might have fallen in
with cronies from the Gap, abandoned his job, and started for Sleepy
Cat, but this was unlikely. He might have encountered enemies, been
pointedly advised to keep away from the Gap, and pretended to start
for Sleepy Cat, to avoid trouble with them. Deeming the second the
more probable conclusion, de Spain, absorbed in his speculations,
continued toward the Gap to see whether he could not pick up the trail
of Page's rig farther on.
Within a mile a further surprise awaited him. The two horsemen, who
had headed for the Gap after stopping Page, had left the trail, turned
to the south, down a small draw, which would screen them from sight,
and set out across the desert.
No trail and no habitation lay in the direction they had taken--and it
seemed clearer to de Spain that the second horse was a led horse.
There was a story in the incident, but his interest lay in following
Page's movements, and he spurred swiftly forward to see whether his
messenger had resumed the Gap trail and gone on with his mission. He
followed this quest almost to the mountains, without recovering any
trace of Page's rig. He halted. It was certain now that Page had not
gone into the Gap.
Perplexed and annoyed, de Spain, from the high ground on which he sat
his horse, cast his eyes far out over the desert. The brilliant
sunshine flooded it as far as the eye could reach. He scanned the
vast space without detecting a sign of life anywhere, though none
better than he knew that any abundance of it might be there. But his
gaze caught something of interest on the farthest northern horizon,
and on this his scrutiny rested a long time. A soft brown curtain rose
just above the earth line against the blue sky. Toward the east it
died away and toward the west it was cut off by the Superstition
peaks.
De Spain, without giving the weather signs much thought, recognized
their import, but his mind was filled with his own anxieties and he
rode smartly back toward Calabasas, because he was not at ease over
the puzzles in the trail. When he reached the depression where the
horsemen had, without any apparent reason, turned south, he halted.
Should he follow them or turn north to follow Page's wanderings? If
Page had been scared away from the Gap, for a time, he probably had no
information that de Spain wanted, and de Spain knew his cunning and
persistence well enough to be confident he would be back on the Gap
road, and within the cover of the mountains, before a storm should
overtake him. On the north the brown curtain had risen fast and
already enveloped the farthest peaks of the range. Letting his horse
stretch its neck, he hesitated a moment longer trying to decide
whether to follow the men to the south or the wagon to the north. A
woman might have done better. But no good angel was there to guide his
decision, and in another moment he was riding rapidly to the south
with the even, brown, misty cloud behind him rolling higher into the
northern sky.
CHAPTER XXXI
DE SPAIN RIDES ALONE
He had ridden the trail but a short time when it led him in a wide
angle backward and around toward Calabasas, and he found, presently,
that the men he was riding after were apparently heading for the stage
barns. In the north the rising curtain had darkened. Toward Sleepy Cat
the landscape was already obliterated. In the south the sun shone, but
the air had grown suddenly cold, and in the sharp drop de Spain
realized what was coming. His first thought was of the southern
stages, which must be warned, and as he galloped up to the big barn,
with this thought in mind he saw, standing in the doorway, Bull Page.
De Spain regarded him with astonishment. "How did you get here?" was
his sharp question.
Page grinned. "Got what I was after, and c'm' back sooner'n I
expected. Half-way over to the Gap, I met Duke and the young gal on
horseback, headed for Calabasas. They pulled up. I pulled up. Old Duke
looked kind o' ga'nted, and it seemed like Nan was in a considerable
hurry to get to Sleepy Cat with him, and he couldn't stand the
saddle. Anyway, they was heading for Calabasas to get a rig from
McAlpin. I knowed McAlpin would never give old Duke a rig, not if he
was a-dyin' in the saddle."
"They've got your rig!" cried de Spain.
"The gal asked me if I'd mind accommodatin' 'em," explained Bull
deprecatingly, "to save time."
"They headed north!" exclaimed de Spain. The light from the
fast-changing sky fell copper-colored across his horse and figure.
McAlpin, followed by a hostler, appeared at the barn door.
Bull nodded to de Spain. "Said they wanted to get there quick. She
fig'erd on savin' a few miles by strikin' the hill trail in. So I
takes their horses and lets on I was headin' in for the Gap. When they
got out of sight, I turned 'round----"
Even as he spoke, the swift-rolling curtain of mist overhead blotted
the sun out of the sky.
De Spain sprang from his saddle with a ringing order to McAlpin. "Get
up a fresh saddle-horse!"
"A horse!" cried the startled barn boss, whirling on the hostler. "The
strongest legs in the stable, and don't lose a second! Lady Jane; up
with her!" he yelled, bellowing his orders into the echoing barn with
his hands to his mouth. "Up with her for Mr. de Spain in a second!
Marmon! Becker! Lanzon! What in hell are you all doing?" he roared,
rushing back with a fusillade of oaths. "Look alive, everybody!"
"Coming!" yelled one voice after another from the depths of the
distant stalls.
De Spain ran into the office. Page caught his horse, stripped the
rifle from its holster, and hurriedly began uncinching. Hostlers
running through the barn called shrilly back and forth, and de Spain
springing up the stairs to his room provided what he wanted for his
hurried flight. When he dashed down with coats on his arm the hoofs of
Lady Jane were clattering down the long gangway. A stable-boy slid
from her back on one side as Bull Page threw the saddle across her
from the other; hostlers caught at the cinches, while others hurriedly
rubbed the legs of the quivering mare. De Spain, his hand on McAlpin's
shoulder, was giving his parting injunctions, and the barn boss, head
cocked down, and eyes cast furtively on the scattering snowflakes
outside, was listening with an attention that recorded indelibly every
uttered syllable.
Once only, he interrupted: "Henry, you're ridin' out into this thing
alone--don't do it."
"I can't help it," snapped de Spain impatiently,
"It's a man killer."
"I can't help it."
"Bob Scott, if he w's here, 'ud never let you do it. I'll ride wi' ye
myself, Henry. I worked for your father----"
"You're too old a man, Jim----"
"Henry----"
"Don't talk to me! Do as I tell you!" thundered de Spain.
McAlpin bowed his head.
"Ready!" yelled Page, buckling the rifle holster in place. Still
talking, and with McAlpin glued to his elbow, de Spain vaulted into
the saddle, caught the lines from Bull's hands, and steadied the Lady
as she sidestepped nervously--McAlpin following close and dodging the
dancing hoofs as he looked earnestly up to catch the last word. De
Spain touched the horse with the lines. She leaped through the doorway
and he raised a backward hand to those behind. Running outside the
door, they yelled a chorus of cries after the swift-moving horseman
and, clustered in an excited group, watched the Lady with a dozen
great strides round the Calabasas trail and disappear with her rider
into the whirling snow.
She fell at once into an easy reaching step, and de Spain, busy with
his reflections, hardly gave thought to what she was doing, and little
more to what was going on about him.
No moving figure reflects the impassive more than a horseman of the
mountains, on a long ride. Though never so swift-borne, the man,
looking neither to the right nor to the left, moving evenly and
statue-like against the sky, a part of the wiry beast under him,
presents the very picture of indifference to the world around him. The
great swift wind spreading over the desert emptied on it snow-laden
puffs that whirled and wrapped a cloud of flakes about horse and rider
in the symbol of a shroud. De Spain gave no heed to these skirmishing
eddies, but he knew what was behind them, and for the wind, he only
wished it might keep the snow in the air till he caught sight of Nan.
The even reach of the horse brought him to the point where Nan had
changed to the stage wagon. Without a break in her long stride, Lady
Jane took the hint of her swerving rider, put her nose into the wind,
and headed north. De Spain, alive to the difficulties of his venture,
set his hat lower and bent forward to follow the wagon along the sand.
With the first of the white flurries passed, he found himself in a
snowless pocket, as it were, of the advancing storm. He hoped for
nothing from the prospect ahead; but every moment of respite from the
blinding whirl was a gain, and with his eyes close on the trail that
had carried Nan into danger, he urged the Lady on.
When the snow again closed down about him he calculated from the
roughness of the country that he should be within a mile of the road
that Nan was trying to reach, from the Gap to Sleepy Cat. But the
broken ground straight ahead would prevent her from driving directly
to it. He knew she must hold to the right, and her curving track, now
becoming difficult to trail, confirmed his conclusion.
A fresh drive of the wind buffeted him as he turned directly north.
Only at intervals could he see any trace of the wagon wheels. The
driving snow compelled him more than once to dismount and search for
the trail. Each time he lost it the effort to regain it was more
prolonged. At times he was compelled to ride the desert in wide
circles to find the tracks, and this cost time when minutes might mean
life. But as long as he could he clung to the struggle to track her
exactly. He saw almost where the storm had struck the two wayfarers.
Neither, he knew, was insensible to its dangers. What amazed him was
that a man like Duke Morgan should be out in it. He found a spot where
they had halted and, with a start that checked the beating of his
heart, his eyes fell on her footprint not yet obliterated, beside the
wagon track.
The sight of it was an electric shock. Throwing himself from his
horse, he knelt over it in the storm, oblivious for an instant of
everything but that this tracery meant her presence, where he now
bent, hardly half an hour before. He swung, after a moment's keen
scrutiny, into his saddle, with fresh resolve. Pressed by the rising
fury of the wind, the wayfarers had become from this point, de Spain
saw too plainly, hardly more than fugitives. Good ground to the left,
where their hope of safety lay, had been overlooked. Their tracks
wandered on the open desert like those who, losing courage, lose their
course in the confusion and fear of the impending peril.
And with this increasing uncertainty in their direction vanished de
Spain's last hopes of tracking them. The wind swept the desert now as
a hurricane sweeps the open sea, snatching the fallen snow from the
face of the earth as the sea-gale, flattening the face of the waters,
rips the foam from the frantic waves to drive it in wild, scudding
fragments across them.
De Spain, urging his horse forward, unbuckled his rifle holster, threw
away the scabbard, and holding the weapon up in one hand, fired shot
after shot at measured intervals to attract the attention of the two
he sought. He exhausted his rifle ammunition without eliciting any
answer. The wind drove with a roar against which even a rifle report
could hardly carry, and the snow swept down the Sinks in a mad blast.
Flakes torn by the fury of the gale were stiffened by the bitter wind
into powdered ice that stung horse and rider. Casting away the
useless carbine, and pressing his horse to the limit of her strength
and endurance, the unyielding pursuer rode in great coiling circles
into the storm, to cut in, if possible, ahead of its victims, firing
shot upon shot from his revolver, and putting his ear intently against
the wind for the faint hope of an answer.
Suddenly the Lady stumbled and, as he cruelly reined her, slid
helpless and scrambling along the face of a flat rock. De Spain,
leaping from her back, steadied her trembling and looked underfoot.
The mare had struck the rock of the upper lava bed. Drawing his
revolver, he fired signal shots from where he stood. It could not be
far, he knew, from the junction of the two great desert trails--the
Calabasas road and the Gap road. He felt sure Nan could not have got
much north of this, for he had ridden in desperation to get abreast of
or beyond her, and if she were south, where, he asked, in the name of
God, could she be?
He climbed again into the saddle--the cold was gripping his
limbs--and, watching the rocky landmarks narrowly, tried to circle the
dead waste of the half-buried flow. With chilled, awkward fingers he
filled the revolver again and rode on, discharging it every minute,
and listening--hoping against hope for an answer. It was when he had
almost completed, as well as he could compute, the wide circuit he had
set out on, that a faint shot answered his continuing signals.
With the sound of that shot and those that followed it his courage all
came back. But he had yet to trace through the confusion of the wind
and the blinding snow the direction of the answering reports.
Hither and thither he rode, this way and that, testing out the
location of the slowly repeated shots, and signalling at intervals in
return. Slowly and doggedly he kept on, shooting, listening, wheeling,
and advancing until, as he raised his revolver to fire it again, a cry
close at hand came out of the storm. It was a woman's voice borne on
the wind. Riding swiftly to the left, a horse's outline revealed
itself at moments in the driving snow ahead.
De Spain cried out, and from behind the furious curtain heard his
name, loudly called. He pushed his stumbling horse on. The dim outline
of a second horse, the background of a wagon, a storm-beaten man--all
this passed his eyes unheeded. They were bent on a girlish figure
running toward him as he slid stiffly from the saddle. The next
instant Nan was in his arms.
CHAPTER XXXII
THE TRUTH
With the desperation of a joy born of despair she laid her burning
cheek hysterically against his cheek. She rained kisses on his
ice-crusted brows and snow-beaten eyes. Her arms held him rigidly. He
could not move nor speak till she would let him. Transformed, this
mountain girl who gave herself so shyly, forgot everything. Her words
crowded on his ears. She repeated his name in an ecstasy of welcome,
drew down his lips, laughed, rejoiced, knew no shamefacedness and no
restraint--she was one freed from the stroke of a descending knife. A
moment before she had faced death alone; it was still death she
faced--she realized this--but it was death, at least, together, and
her joy and tears rose from her heart in one stream.
De Spain comforted her, quieted her, cut away one of the coats from
his horse, slipped it over her shoulders, incased her in the heavy
fur, and turned his eyes to Duke.
The old man's set, square face surrendered nothing of implacability
to the dangers confronting him. De Spain looked for none of that. He
had known the Morgan record too long, and faced the Morgan men too
often, to fancy they would flinch at the drum-beat of death.
The two men, in the deadly, driving snow, eyed each other. Out of the
old man's deep-set eyes burned the resistance of a hundred storms
faced before. But he was caught now like a wolf in a trap, and he knew
he had little to hope for, little to fear. As de Spain regarded him,
something like pity may have mixed with his hatred. The old outlaw was
thinly clad. His open throat was beaten with snow and, standing beside
the wagon, he held the team reins in a bare hand. De Spain cut the
other coat from his saddle and held it out. Duke pretended not to see
and, when not longer equal to keeping up the pretense, shook his
head.
"Take it," said de Spain curtly.
"No."
"Take it, I say. You and I will settle our affairs when we get Nan out
of this," he insisted.
"De Spain!" Duke's voice, as was its wont, cracked like a pistol, "I
can say all I've got to say to you right here."
"No."
"Yes," cried the old man.
"Listen, Henry," pleaded Nan, seeking shelter from the furious blast
within his arm, "just for a moment, listen!"
"Not now, I tell you!" cried de Spain.
"He was coming, Henry, all the way--and he is sick--just to say it to
you. Let him say it here, now."
"Go on!" cried de Spain roughly. "Say it."
"I'm not afraid of you, de Spain!" shouted the old man, his neck bared
to the flying ice. "Don't think it! You're a better man than I am,
better than I ever was--don't think I don't know that. But I'm not
afraid of e'er a man I faced, de Spain; they'll tell you that when I'm
dead. All the trouble that ever come 'tween you and me come by an
accident--come before you was born, and come through Dave Sassoon, and
he's held it over me ever since you come up into this country. I was a
young fellow. Sassoon worked for my father. The cattle and sheep war
was on, north of Medicine Bend. The Peace River sheepmen raided our
place--your father was with them. He never did us no harm, but my
brother, Bay Morgan, was shot in that raid by a man name of Jennings.
My brother was fifteen years old, de Spain. I started out to get the
man that shot him. Sassoon trailed him to the Bar M, the old de Spain
ranch, working for your father."
The words fell fast and in a fury. They came as if they had been
choked back till they strangled. "Sassoon took me over there. Toward
night we got in sight of the ranch-house. We saw a man down at the
corral. 'That's Jennings,' Sassoon says. I never laid eyes on him
before--I never laid eyes on your father before. Both of us fired.
Next day we heard your father was killed, and Jennings had left the
country. Sassoon or I, one of us, killed your father, de Spain. If it
was I, I did it never knowing who he was, never meaning to touch him.
I was after the man that killed my brother. Sassoon didn't care a damn
which it was, never did, then nor never. But he held it over me to
make trouble sometime 'twixt you and me. I was a young fellow. I
thought I was revenging my brother. And if your father was killed by a
patched bullet, his blood is not on me, de Spain, and never was.
Sassoon always shot a patched bullet. I never shot one in my life. And
I'd never told you this of my own self. Nan said it was the whole
truth from me to you, or her life. She's as much mine as she is yours.
I nursed her. I took care of her when there weren't no other living
soul to do it. _She got me and herself out into this, this morning.
I'd never been caught like this if I'd had my way._ I told her 'fore
we'd been out an hour we'd never see the end of it. She said she'd
rather die in it than you'd think she quit you. I told her I'd go on
with her and do as she said--that's why we're here, and that's the
whole truth, so help me God!
"I ain't afraid of you, de Spain. I'll give you whatever you think's
coming to you with a rifle or a gun any time, anywhere--you're a
better man than I am or ever was, I know that--and that ought to
satisfy you. Or, I'll stand my trial, if you say so, and tell the
truth."
The ice-laden wind, as de Spain stood still, swept past the little
group with a sinister roar, insensible alike to its emotions and its
deadly peril. Within the shelter of his arm he felt the yielding form
of the indomitable girl who, by the power of love, had wrung from the
outlaw his reluctant story--the story of the murder that had stained
with its red strands the relations of each of their lives to both the
others. He felt against his heart the faint trembling of her frail
body. So, when a boy, he had held in his hand a fluttering bird and
felt the whirring beat of its frightened heart against his strong,
cruel fingers.
A sudden aversion to more bloodshed, a sickening of vengeance, swept
over him as her heart mutely beat for mercy against his heart. She had
done more than any man could do. Now her. In the breathless embrace
that drew her closer she read her answer from him. She looked up into
his eyes and waited. "There's more than what's between you and me,
Duke, facing us now," said de Spain sternly, when he turned. "We've
got to get Nan out of this--even if we don't get out ourselves. Where
do you figure we are?" he cried.
"I figure we're two miles north of the lava beds, de Spain," shouted
Morgan.
De Spain shook his head in dissent. "Then where are we?" demanded the
older man rudely.
"I ought not to say, against you. But if I've got to guess, I say two
miles east. Either way, we must try for Sleepy Cat. Is your team all
right?"
"Team is all right. We tore a wheel near off getting out of the lava.
The wagon's done for."
De Spain threw the fur coat at him. "Put it on," he said. "We'll look
at the wheel."
They tried together to wrench it into shape, but worked without avail.
In the end they lashed it, put Nan on the Lady, and walked behind
while the team pushed into the pitiless wind. Morgan wanted to cut the
wagon away and take to the horses, but de Spain said, not till they
found a trail or the stage road.
So much snow had fallen that in spite of the blizzard, driving with
an unrelenting fury, the drifts were deepening, packing, and making
all effort increasingly difficult. It was well-nigh impossible to head
the horses into the storm, and de Spain looked with ever more anxious
eyes at Nan. After half an hour's superhuman struggle to regain a
trail that should restore their bearings, they halted, and de Spain,
riding up to the wagon, spoke to Morgan, who was driving: "How long is
this going to last?"
"All day and all night." Nan leaned closely over to hear the curt
question and answer. Neither man spoke again for a moment.
"We'll have to have help," said de Spain after a pause.
"Help?" echoed Morgan scornfully. "Where's help coming from?"
De Spain's answer was not hurried. "One of us must go after it." Nan
looked at him intently.
Duke set his hard jaw against the hurtling stream of ice that showered
on the forlorn party. "I'll go for it," he snapped.
"No," returned de Spain. "Better for me to go."
"Go together," said Nan.
De Spain shook his head. Duke Morgan, too, said that only one should
go; the other must stay. De Spain, while the storm rattled and shook
at the two men, told why he should go himself. "It's not claiming you
are not entitled to say who should go, Duke," he said evenly. "Nor
that our men, anywhere you reach, wouldn't give you the same attention
they would me. And it isn't saying that you're not the better man for
the job--you've travelled the Sinks longer than I have. But between
you and me, Duke, it's twenty-eight years against fifty. I ought to
hold out a while the longer, that's all. Let's work farther to the
east."
Quartering against the mad hurricane, they drove and rode on until the
team could hardly be urged to further effort against the infuriated
elements--de Spain riding at intervals as far to the right and the
left as he dared in vain quest of a landmark. When he halted beside
the wagon for the last time he was a mass of snow and ice; horse and
rider were frozen to each other. He got down to the ground with a
visible effort, and in the singing wind told Duke his plan and
purpose.
He had chosen on the open desert a hollow falling somewhat abruptly
from the north, and beneath its shoulder, while Morgan loosened the
horses, he scooped and kicked away a mass of snow. The wagon had been
drawn just above the point of refuge, and the two men, with the aid of
the wind, dumped it over sidewise, making of the body a windbreak
over the hollow, a sort of roof, around which the snow, driven by the
gale, would heap itself in hard waves. Within this shelter the men
stowed Nan. The horses were driven down behind it, and from one of
them de Spain took the collar, the tugs, and the whiffletree. He stuck
a hitching-strap in his pocket, and while Morgan steadied the Lady's
head, de Spain buckled the collar on her, doubled the tugs around the
whiffletree, and fastened the roll at her side in front of the
saddle.
Nan came out and stood beside him as he worked. When he had finished
she put her hand on his sleeve. He held her close, Duke listening, to
tell her what he meant to try to do. Each knew it well might be the
last moment together. "One thing and another have kept us from
marriage vows, Nan," said de Spain, beckoning at length to Morgan to
step closer that he might clearly hear. "Nothing must keep us longer.
Will you marry me?"
She looked up into his eyes. "I've promised you I would. I will
promise every time you ask me. I never _could_ have but one answer to
that, Henry--it must always be yes!"
"Then take me, Henry," he said slowly, "here and now for your wedded
husband. Will you do this, Nan?"
[Illustration: "I've promised you I would. I will promise every time you
ask me."]
Still looking into his eyes, she answered without surprise or fear:
"Henry, I do take you."
"And I, Henry, take you, Nan, here and now for my wedded wife, for
better for worse, for richer for poorer, from this day forward, until
death us do part."
They sealed their pact with a silent embrace. De Spain turned to Duke.
"You are the witness of this marriage, Duke. You will see, if an
accident happens, that anything, everything I have--some personal
property--my father's old ranch north of Medicine Bend--some little
money in bank at Sleepy Cat--goes to my wife, Nan Morgan de Spain.
Will you see to it?"
"I will. And if it comes to me--you, de Spain, will see to it that
what stock I have in the Gap goes to my niece, Nan, your wife."
She looked from one to the other of the two men. "All that I have,"
she said in turn, "the lands in the Gap, everywhere around Music
Mountain, go to you two equally together, or whichever survives. And
if you both live, and I do not, remember my last message--bury the
past in my grave."
Duke Morgan tested the cinches of the saddle on the Lady once more,
unloosed the tugs once more from the horse's shoulder, examined each
buckle of the collar and every inch of the two strips of leather, the
reinforced fastenings on the whiffletree, rolled all up again,
strapped it, and stood by the head till de Spain swung up into the
saddle. He bent down once to whisper a last word of cheer to his wife
and, without looking back, headed the Lady into the storm.
CHAPTER XXXIII
GAMBLING WITH DEATH
Beyond giving his horse a safe headway from the shelter, de Spain made
little effort to guide her. He had chosen the Lady, not because she
was fresher, for she was not, but because he believed she possessed of
the three horses the clearest instinct to bring her through the fight
for the lives that were at stake. He did not deceive himself with the
idea he could do anything to help the beast find a way to succor; that
instinct rested wholly in the Lady's head, not in his. He only knew
that if she could not get back to help, he could not. His own part in
the effort was quite outside any aid to the Lady--it was no more than
to reach alive whatever aid she could find, that he might direct it to
where Nan and her companion would endure a few hours longer the fury
of the storm.
His own struggle for life, he realized, was with the wind--the roaring
wind that hurled its broadsides of frozen snow in monstrous waves
across the maddened sky, challenging every living thing. It drove icy
knives into his face and ears, paralyzed in its swift grasp his
muscles and sinews, fought the stout flow of blood through his veins,
and searched his very heart to still it.
Encouraging the Lady with kind words, and caressing her in her groping
efforts as she turned head and tail from the blinding sheets of snow
and ice, de Spain let her drift, hoping she might bring them through,
what he confessed in his heart to be, the narrowest of chances.
He bent low in his saddle under the unending blasts. He buffeted his
legs and arms to fight off the fatal cold. He slipped more than once
from his seat, and with a hand on the pommel tramped beside the horse
to revive his failing circulation; there would come a time, he
realized, when he could no longer climb up again, but he staved that
issue off to the last possible moment of endurance, because the Lady
made better time when he was on her back. When the struggle to remount
had been repeated until nature could no longer by any staggering
effort be made to respond to his will, until his legs were no longer a
part of his benumbed being--until below his hips he had no body
answerable to his commands, but only two insensible masses of lead
that anchored him to the ground--he still forced the frozen feet to
carry him, in a feeble, monstrous gait beside the Lady, while he
dragged with his hands on the saddle for her patient aid.
One by one every thought, as if congealed in their brain cells,
deserted his mind--save the thought that he must not freeze to death.
More than once he had hoped the insensate fury of the blizzard might
abate. The Lady had long since ceased to try to face it--like a
stripped vessel before a hurricane, she was drifting under it. De
Spain realized that his helpless legs would not carry him farther. His
hands, freezing to the pommel, no longer supported him. They finally
slipped from it and he fell prostrate in the snow beside his horse.
When he would cry out to her his frozen lips could mumble no words. It
was the fight no longer of a man against nature, but only of an
indomitable soul against a cruel, hateful death. He struggled to his
feet only to fall again more heavily. He pulled himself up this time
by the stirrup-strap, got his hands and arms up to the pommel, and
clung to it for a few paces more. But he fell at last, and could no
longer rise from the ground. The storm swept unceasingly on.
The Lady, checked by the lines wrapped on his arm, stopped. De Spain
lay a moment, then backed her up a step, pulled her head down by the
bridle, clasped his wooden arms around her neck, spoke to her and,
lifting her head, the mare dragged him to his feet. Clumsily and
helplessly he loosened the tugs and the whiffletree, beat his hands
together with idiotic effort, hooked the middle point of the
whiffletree into the elbow of his left arm, brought the forearm and
hand up flat against his shoulder, and with the hitching-strap lashed
his forearm and upper arm tightly together around the whiffletree.
He drew the tugs stiffly over the Lady's back, unloosed the cinches of
the saddle, pushed it off the horse and, sinking into the snow behind
her, struck with his free arm at her feet. Relieved of the saddle, the
Lady once more started, dragging slowly behind her through the snow a
still breathing human being. Less than an hour before it had been a
man. It was hardly more now, as the Lady plodded on, than an insensate
log. But not even death could part it again from the horse to which de
Spain, alive, had fastened it.
The fearful pain from the tortured arm, torn at times almost from its
socket, the gradual snapping of straining ligaments, the constant
rupture of capillaries and veins sustained his consciousness for a
while. Then the torturing pain abated, the rough dragging shattered
the bruised body less. It was as if the Lady and the storm together
were making easier for the slowly dying man his last trail across the
desert. He still struggled to keep alive, by sheer will-power,
flickering sparks of consciousness, and to do so concentrated every
thought on Nan. It was a poignant happiness to summon her picture to
his fainting senses; he knew he should hold to life as long as he
could think of her. Love, stronger than death, welled in his heart.
The bitter cold and the merciless wind were kinder as he called her
image from out of the storm. She seemed to speak--to lift him in her
arms. Ahead, distant mountains rose, white-peaked. The sun shone. He
rode with her through green fields, and a great peace rested on his
weary senses.
* * * * *
Lady Jane, pushing on and on, enlightened by that instinct before
which the reason of man is weak and pitiful, seeing, as it were,
through the impenetrable curtain of the storm where refuge lay,
herself a slow-moving crust of frozen snow, dragged to her journey's
end--to the tight-shut doors of the Calabasas barn--her unconscious
burden, and stood before them patiently waiting until some one should
open for her. It was one of the heartbreaks of a tragic day that no
one ever knew just when the Lady reached the door or how long she and
her unconscious master waited in the storm for admission. A startled
exclamation from John Lefever, who had periodically and anxiously
left the red-hot stove in the office to walk moodily to the window,
brought the men tumbling over one another as he ran from his
companions to throw open the outer door and pull the drooping horse
into the barn.
It was the Indian, Scott, who, reading first of all the men everything
in the dread story, sprang forward with a stifled exclamation, as the
horse dragged in the snow-covered log, whipped a knife from his
pocket, cut the incumbered arm and white hand free from the
whiffletree and, carrying the stiffened body into the office, began
with insane haste to cut away the clothing.
Lefever, perceiving it was de Spain thus drawn to their feet, shouted,
while he tore from the blade of Scott's knife the frozen garments, the
orders for the snow, the heated water, the warm blankets, the alcohol
and brandy, and, stripped to his waist, chafed the marble feet. The
Indian, better than a staff of doctors, used the cunning of a sorcerer
to revive the spark of inanimate life not yet extinguished by the
storm. A fearful interval of suspense followed the silence into which
the work settled, a silence broken only by the footsteps of men
running to and from the couch over which Scott, Lefever, and McAlpin,
half-naked, worked in mad concert.
De Spain opened his eyes to wander from one to the other of the faces.
He half rose up, struggling in a frenzy with the hands that restrained
him. While his companions pleaded to quiet him, he fought them until,
restored to its seat of reason, his mind reasserted itself and, lying
exhausted, he told them in his exquisite torture of whom he had left,
and what must be done to find and bring them in.
While the relief wagons, equipped with straining teams and flanked by
veteran horsemen, were dashing out of the barn, he lapsed into
unconsciousness. But he had been able to hold Scott's hand long enough
to tell him he must find Nan and bring her in, or never come back.
It was Scott who found her. In their gropings through the blizzard the
three had wandered nearer Calabasas than any one of them dreamed. And
on the open desert, far south and east of the upper lava beds, it was
Scott's horse that put a foot through the bottom of the overturned
wagon box. The suspected mound of snow, with the buried horses
scrambling to their feet, rose upright at the crash. Duke crouched,
half-conscious, under the rude shelter. Lying where he had placed her,
snugly between the horses, Scott found Nan. He spoke to her when she
opened her staring eyes, picked her up in his arms, called to his
companions for the covered wagon, and began to restore her, without a
moment of delay, to life. He even promised if she would drink the
hateful draft he put to her lips and let him cut away her shoes and
leggings and the big coat frozen on her, that in less than an hour she
should see Henry de Spain alive and well.
CHAPTER XXXIV
AT SLEEPY CAT
Nothing in nature, not even the storm itself, is so cruel as the
beauty of the after calm. In the radiance of the sunshine next day de
Spain, delirious and muttering, was taken to the hospital at Sleepy
Cat. In an adjoining room lay Nan, moaning reproaches at those who
were torturing her reluctantly back to life. Day and night the doctors
worked over the three. The town, the division, the stagemen, and the
mountain-men watched the outcome of the struggle. From as far as
Medicine Bend railroad surgeons came to aid in the fight.
De Spain cost the most acute anxiety. The crux of the battle, after
the three lives were held safe, centred on the effort to save de
Spain's arm--the one he had chosen to lose, if he must lose one, when
he strapped it to the whiffletree. The day the surgeons agreed that if
his life were to be saved the arm must come off at the shoulder a
gloom fell on the community.
In a lifetime of years there can come to the greater part of us but a
few days, a few hours, sometimes no more than a single moment, to
show of what stuff we are really made. Such a crisis came that day to
Nan. Already she had been wheeled more than once into de Spain's room,
to sit where she could help to woo him back to life. The chief
surgeon, in the morning, told Nan of the decision. In her hospital bed
she rose bolt upright. "No!" she declared solemnly. "You shan't take
his arm off!"
The surgeon met her rebellion tactfully. But he told Nan, at last,
that de Spain must lose either his arm or his life. "No," she repeated
without hesitation and without blanching, "you shan't take off his
arm. He shan't lose his life."
The blood surged into her cheeks--better blood and redder than the
doctors had been able to bring there--such blood as de Spain alone
could call into them. Nan, with her nurse's help, dressed, joined de
Spain, and talked long and earnestly. The doctors, too, laid the
situation before him. When they asked him for his decision, he nodded
toward Nan. "She will tell you, gentlemen, what we'll do."
And Nan did tell them what the two who had most at stake in the
decision would do. Any man could have done as much as that. But Nan
did more. She set herself out to save the arm and patient both, and,
lest the doctors should change their tactics and move together on the
arm surreptitiously, Nan stayed night and day with de Spain, until he
was able to make such active use of either arm as to convince her that
he, and not the surgeons, would soon need the most watching.
Afterward when Nan, in some doubt, asked the chaplain whether she was
married or single, he obligingly offered to ratify and confirm the
desert ceremony.
This affair was the occasion for an extraordinary round-up at Sleepy
Cat. Two long-hostile elements--the stage and railroad men and the
Calabasas-Morgan Gap contingent of mountain-men, for once at least,
fraternized. Warrants were pigeonholed, suspicion suspended, side-arms
neglected in their scabbards. The fighting men of both camps, in the
presence of a ceremony that united de Spain and Nan Morgan, could not
but feel a generous elation. Each party considered that it was
contributing to the festivity in the bride and the groom the very best
each could boast, and no false note disturbed the harmony of the
notable day.
Gale Morgan, having given up the fight, had left the country.
Satterlee Morgan danced till all the platforms in town gave way. John
Lefever attended the groom, and Duke Morgan sternly, but without
compunction, gave the bride. From Medicine Bend, Farrell Kennedy
brought a notable company of de Spain's early associates for the
event. It included Whispering Smith, whose visit to Sleepy Cat on this
occasion was the first in years; George McCloud, who had come all the
way from Omaha to join his early comrades in arms; Wickwire, who had
lost none of his taciturn bluntness--and so many train-despatchers
that the service on the division was crippled for the entire day.
A great company of self-appointed retainers gathered together from
over all the country, rode behind the gayly decorated bridal-coach in
procession from the church to Jeffries's house, where the feasts had
been prepared. During the reception a modest man, dragged from an
obscure corner among the guests, was made to take his place next
Lefever on the receiving-line. It was Bob Scott, and he looked most
uncomfortable until he found a chance to slip unobserved back to the
side of the room where the distinguished Medicine Bend contingent,
together with McAlpin, Pardaloe, Elpaso, and Bull Page, slightly
unsteady, but extremely serious for the grave occasion, appeared
vastly uncomfortable together.
* * * * *
The railroad has not yet been built across the Sinks to Thief River.
But only those who lived in Sleepy Cat in its really wild stage days
are entitled to call themselves early settlers, or to tell stories
more or less authentic about what then happened. The greater number of
the Old Guard of that day, as cankering peace gradually reasserted
itself along the Sinks, turned from the stage coach to the railroad
coach; some of them may yet be met on the trains in the mountain
country. Wherever you happen to find such a one, he will tell you of
the days when Superintendent de Spain of the Western Division wore a
gun in the mountains and used it, when necessary, on his wife's
relations.
Whether it was this stern sense of discipline or not that endeared him
to the men, these old-timers are, to a man, very loyal to the young
couple who united in their marriage the two hostile mountain elements.
One in especial, a white-haired old man, described by the fanciful as
a retired outlaw, living yet on Nan's ranch in the Gap, always spends
his time in town at the de Spain home, where he takes great interest
in an active little boy, Morgan de Spain, who waits for his Uncle
Duke's coming, and digs into his pockets for rattles captured along
the trail from recent huge rattlesnakes. When his uncle happens to
kill a big one--one with twelve or thirteen rings and a button--Morgan
uses it to scare his younger sister, Nan. And Duke, secretly
rejoicing at his bravado, but scolding sharply, helps him adjust the
old ammunition-belt dragged from the attic, and cuts fresh gashes in
it to make it fit the childish waist. His mother doesn't like to see
her son in warlike equipment, ambushing little Nan in the way Bob
Scott says the Indians used to do. She threatens periodically to burn
the belt up and throw the old rifles out of the house. But when she
sees her uncle and her husband watching the boy and laughing at the
parade together, she relents. It is only children, after all, that
keep the world young.
NOVELS OF FRONTIER LIFE BY
WILLIAM MacLEOD RAINE
HANDSOMELY BOUND IN CLOTH. ILLUSTRATED.
May be had wherever books are sold. Ask for Grosset and Dunlap's list
MAVERICKS.
A tale of the western frontier, where the "rustler," whose depredations
are so keenly resented by the early settlers of the range, abounds.
One of the sweetest love stories ever told.
A TEXAS RANGER.
How a member of the most dauntless border police force carried law
into the mesquit, saved the life of an innocent man after a series of
thrilling adventures, followed a fugitive to Wyoming, and then passed
through deadly peril to ultimate happiness.
WYOMING.
In this vivid story of the outdoor West the author has captured the
breezy charm of "cattleland," and brings out the turbid life of the
frontier with all its engaging dash and vigor.
RIDGWAY OF MONTANA.
The scene is laid in the mining centers of Montana, where politics and
mining industries are the religion of the country. The political
contest, the love scene, and the fine character drawing give this
story great strength and charm.
BUCKY O'CONNOR.
Every chapter teems with wholesome, stirring adventures, replete with
the dashing spirit of the border, told with dramatic dash and
absorbing fascination of style and plot.
CROOKED TRAILS AND STRAIGHT.
A story of Arizona; of swift-riding men and daring outlaws; of a
bitter feud between cattle-men and sheep-herders. The heroine is a
most unusual woman and her love story reaches a culmination that is
fittingly characteristic of the great free West.
BRAND BLOTTERS.
A story of the Cattle Range. This story brings out the turbid life of
the frontier, with all its engaging dash and vigor, with a charming
love interest running through its 320 pages.
Grosset & Dunlap, Publishers, New York
ZANE GREY'S NOVELS
May be had wherever books are sold. Ask for Grosset & Dunlap's list
THE LIGHT OF WESTERN STARS
Colored frontispiece by W. Herbert Dunton.
Most of the action of this story takes place near the turbulent
Mexican border of the present day. A New York society girl buys a
ranch which becomes the center of frontier warfare. Her loyal cowboys
defend her property from bandits, and her superintendent rescues her
when she is captured by them. A surprising climax brings the story to
a delightful close.
DESERT GOLD
Illustrated by Douglas Duer.
Another fascinating story of the Mexican border. Two men, lost in the
desert, discover gold when, overcome by weakness, they can go no
farther. The rest of the story describes the recent uprising along the
border, and ends with the finding of the gold which the two
prospectors had willed to the girl who is the story's heroine.
RIDERS OF THE PURPLE SAGE
Illustrated by Douglas Duer.
A picturesque romance of Utah of some forty years ago when Mormon
authority ruled. In the persecution of Jane Withersteen, a rich ranch
owner, we are permitted to see the methods employed by the invisible
hand of the Mormon Church to break her will.
THE LAST OF THE PLAINSMEN
Illustrated with photograph reproductions.
This is the record of a trip which the author took with Buffalo Jones,
known as the preserver of the American bison, across the Arizona
desert and of a hunt in "that wonderful country of yellow crags, deep
canons and giant pines." It is a fascinating story.
THE HERITAGE OF THE DESERT
Jacket in color. Frontispiece.
This big human drama is played in the Painted Desert. A lovely girl,
who has been reared among Mormons, learns to love a young New
Englander. The Mormon religion, however, demands that the girl shall
become the second wife of one of the Mormons--
Well, that's the problem of this sensational, big selling story.
BETTY ZANE
Illustrated by Louis F. Grant.
This story tells of the bravery and heroism of Betty, the beautiful
young sister of old Colonel Zane, one of the bravest pioneers. Life
along the frontier, attacks by Indians, Betty's heroic defense of the
beleaguered garrison at Wheeling, the burning of the Fort, and Betty's
final race for life, make up this never-to-be-forgotten story.
Grosset & Dunlap, Publishers, New York
JACK LONDON'S NOVELS
May be had wherever books are sold. Ask for Grosset & Dunlap's list
JOHN BARLEYCORN. Illustrated by H. T. Dunn.
This remarkable book is a record of the author's own amazing
experiences. This big, brawny world rover, who has been acquainted
with alcohol from boyhood, comes out boldly against John Barleycorn.
It is a string of exciting adventures, yet it forcefully conveys an
unforgetable idea and makes a typical Jack London book.
THE VALLEY OF THE MOON. Frontispiece by George Harper.
The story opens in the city slums where Billy Roberts, teamster and
ex-prize fighter, and Saxon Brown, laundry worker, meet and love and
marry. They tramp from one end of California to the other, and in the
Valley of the Moon find the farm paradise that is to be their
salvation.
BURNING DAYLIGHT. Four illustrations.
The story of an adventurer who went to Alaska and laid the foundations
of his fortune before the gold hunters arrived. Bringing his fortunes
to the States he is cheated out of it by a crowd of money kings, and
recovers it only at the muzzle of his gun. He then starts out as a
merciless exploiter on his own account. Finally he takes to drinking
and becomes a picture of degeneration. About this time he falls in
love with his stenographer and wins her heart but not her hand and
then--but read the story!
A SON OF THE SUN. Illustrated by A. O. Fischer and C. W. Ashley.
David Grief was once a light-haired, blue-eyed youth who came from
England to the South Seas in search of adventure. Tanned like a native
and as lithe as a tiger, he became a real son of the sun. The life
appealed to him and he remained and became very wealthy.
THE CALL OF THE WILD. Illustrations by Philip R. Goodwin and Charles
Livingston Bull. Decorations by Charles E. Hooper.
A book of dog adventures as exciting as any man's exploits could be.
Here is excitement to stir the blood and here is picturesque color to
transport the reader to primitive scenes.
THE SEA WOLF. Illustrated by W. J. Aylward.
Told by a man whom Fate suddenly swings from his fastidious life into
the power of the brutal captain of a sealing schooner. A novel of
adventure warmed by a beautiful love episode that every reader will
hail with delight.
WHITE FANG. Illustrated by Charles Livingston Bull.
"White Fang" is part dog, part wolf and all brute, living in the frozen
north; he gradually comes under the spell of man's companionship, and
surrenders all at the last in a fight with a bull dog. Thereafter he is
man's loving slave.
Grosset & Dunlap, Publishers, New York
THE NOVELS OF WINSTON CHURCHILL
THE INSIDE OF THE CUP. Illustrated by Howard Giles.
The Reverend John Hodder is called to a fashionable church in a
middle-western city. He knows little of modern problems and in his
theology is as orthodox as the rich men who control his church could
desire. But the facts of modern life are thrust upon him; an awakening
follows and in the end he works out a solution.
A FAR COUNTRY. Illustrated by Herman Pfeifer.
This novel is concerned with big problems of the day. As _The Inside
of the Cup_ gets down to the essentials in its discussion of religion,
so _A Far Country_ deals in a story that is intense and dramatic, with
other vital issues confronting the twentieth century.
A MODERN CHRONICLE. Illustrated by J. H. Gardner Soper.
This, Mr. Churchill's first great presentation of the Eternal
Feminine, is throughout a profound study of a fascinating young
American woman. It is frankly a modern love story.
MR. CREWE'S CAREER. Illus. by A. I. Keller and Kinneys.
A new England state is under the political domination of a railway and
Mr. Crewe, a millionaire, seizes a moment when the cause of the people
is being espoused by an ardent young attorney, to further his own
interest in a political way. The daughter of the railway president
plays no small part in the situation.
THE CROSSING. Illustrated by S. Adamson and L. Baylis.
Describing the battle of Fort Moultrie, the blazing of the Kentucky
wilderness, the expedition of Clark and his handful of followers
in Illinois, the beginning of civilization along the Ohio and
Mississippi, and the treasonable schemes against Washington.
CONISTON. Illustrated by Florence Scovel Shinn.
A deft blending of love and politics. A New Englander is the hero, a
crude man who rose to political prominence by his own powers, and then
surrendered all for the love of a woman.
THE CELEBRITY. An episode.
An inimitable bit of comedy describing an interchange of personalities
between a celebrated author and a bicycle salesman. It is the purest,
keenest fun--and is American to the core.
THE CRISIS. Illustrated with scenes from the Photo-Play.
A book that presents the great crisis in our national life with
splendid power and with a sympathy, a sincerity, and a patriotism that
are inspiring.
RICHARD CARVEL. Illustrated by Malcolm Frazer.
An historical novel which gives a real and vivid picture of Colonial
times, and is good, clean, spirited reading in all its phases and
interesting throughout.
Grosset & Dunlap, Publishers, New York
STORIES OF RARE CHARM BY GENE STRATTON-PORTER
May be had wherever books are sold. Ask for Grosset and Dunlap's list
LADDIE.
Illustrated by Herman Pfeifer.
This is a bright, cheery tale with the scenes laid in Indiana. The
story is told by Little Sister, the youngest member of a large family,
but it is concerned not so much with childish doings as with the love
affairs of older members of the family. Chief among them is that of
Laddie, the older brother whom Little Sister adores, and the Princess,
an English girl who has come to live in the neighborhood and about
whose family there hangs a mystery. There is a wedding midway in the
book and a double wedding at the close.
THE HARVESTER. Illustrated by W. L. Jacobs.
"The Harvester," David Langston, is a man of the woods and fields, who
draws his living from the prodigal hand of Mother Nature herself. If
the book had nothing in it but the splendid figure of this man it
would be notable. But when the Girl comes to his "Medicine Woods," and
the Harvester's whole being realizes that this is the highest point of
life which has come to him--there begins a romance of the rarest
idyllic quality.
FRECKLES. Decorations by E. Stetson Crawford.
Freckles is a nameless waif when the tale opens, but the way in which
he takes hold of life; the nature friendships he forms in the great
Limberlost Swamp; the manner in which everyone who meets him succumbs
to the charm of his engaging personality; and his love-story with "The
Angel" are full of real sentiment.
A GIRL OF THE LIMBERLOST.
Illustrated by Wladyslaw T. Brenda.
The story of a girl of the Michigan woods; a buoyant, lovable type of
the self-reliant American. Her philosophy is one of love and kindness
towards all things; her hope is never dimmed. And by the sheer beauty
of her soul, and the purity of her vision, she wins from barren and
unpromising surroundings those rewards of high courage.
AT THE FOOT OF THE RAINBOW.
Illustrations in colors by Oliver Kemp.
The scene of this charming love story is laid in Central Indiana. The
story is one of devoted friendship, and tender self-sacrificing love.
The novel is brimful of the most beautiful word painting of nature,
and its pathos and tender sentiment will endear it to all.
Grosset & Dunlap, Publishers, New York
JOHN FOX, JR'S. STORIES OF THE KENTUCKY MOUNTAINS
May be had wherever books are sold. Ask for Grosset and Dunlap's list
THE TRAIL OF THE LONESOME PINE.
Illustrated by F. C. Yohn.
The "lonesome pine" from which the story takes its name was a tall
tree that stood in solitary splendor on a mountain top. The fame of
the pine lured a young engineer through Kentucky to catch the trail,
and when he finally climbed to its shelter he found not only the pine
but the _foot-prints of a girl_. And the girl proved to be lovely,
piquant, and the trail of these girlish foot-prints led the young
engineer a madder chase than "the trail of the lonesome pine."
THE LITTLE SHEPHERD OF KINGDOM COME
Illustrated by F. C. Yohn.
This is a story of Kentucky, in a settlement known as "Kingdom Come."
It is a life rude, semi-barbarous; but natural and honest, from which
often springs the flower of civilization.
"Chad," the "little shepherd" did not know who he was nor whence he
came--he had just wandered from door to door since early childhood,
seeking shelter with kindly mountaineers who gladly fathered and
mothered this waif about whom there was such a mystery--a charming
waif, by the way, who could play the banjo better that anyone else in
the mountains.
A KNIGHT OF THE CUMBERLAND.
Illustrated by F. C. Yohn.
The scenes are laid along the waters of the Cumberland, the lair of
moonshiner and feudsman. The knight is a moonshiner's son, and the
heroine a beautiful girl perversely christened "The Blight." Two
impetuous young Southerners' fall under the spell of "The Blight's"
charms and she learns what a large part jealousy and pistols have in
the love making of the mountaineers.
Included in this volume is "Hell fer-Sartain" and other stories, some
of Mr. Fox's most entertaining Cumberland valley narratives.
Ask for complete free list of G. & D. Popular Copyrighted Fiction
Grosset & Dunlap, 526 West 26th St., New York
MYRTLE REED'S NOVELS
May be had wherever books are sold. Ask for Grosset & Dunlap's list
LAVENDER AND OLD LACE.
A charming story of a quaint corner of New England where bygone
romance finds a modern parallel. The story centers round the coming
of love to the young people on the staff of a newspaper--and it is
one of the prettiest, sweetest and quaintest of old fashioned love
stories, * * * a rare book, exquisite in spirit and conception,
full of delicate fancy, of tenderness, of delightful humor and
spontaneity.
A SPINNER IN THE SUN.
Miss Myrtle Reed may always be depended upon to write a story in which
poetry, charm, tenderness and humor are combined into a clever and
entertaining book. Her characters are delightful and she always
displays a quaint humor of expression and a quiet feeling of pathos
which give a touch of active realism to all her writings. In "A
Spinner in the Sun" she tells an old-fashioned love story, of a veiled
lady who lives in solitude and whose features her neighbors have never
seen. There is a mystery at the heart of the book that throws over it
the glamour of romance.
THE MASTER'S VIOLIN.
A love story in a musical atmosphere. A picturesque, old German
virtuoso is the reverent possessor of a genuine "Cremona." He consents
to take for his pupil a handsome youth who proves to have an aptitude
for technique, but not the soul of an artist. The youth has led the
happy, careless life of a modern, well-to-do young American and he
cannot, with his meagre past, express the love, the passion and the
tragedies of life and all its happy phases as can the master who has
lived life in all its fulness. But a girl comes into his life--a
beautiful bit of human driftwood that his aunt had taken into her
heart and home, and through his passionate love for her, he learns the
lessons that life has to give--and his soul awakes.
Founded on a fact that all artists realize.
Ask for a complete free list of G. & D. Popular Copyrighted Fiction
Grosset & Dunlap, 526 West 26th St., New York
CHARMING BOOKS FOR GIRLS
May be had wherever books are sold. Ask for Grosset & Dunlap's list
WHEN PATTY WENT TO COLLEGE, By Jean Webster.
Illustrated by C. D. Williams.
One of the best stories of life in a girl's college that has ever been
written. It is bright, whimsical and entertaining, lifelike, laughable
and thoroughly human.
JUST PATTY, By Jean Webster.
Illustrated by C. M. Relyea.
Patty is full of the joy of living, fun-loving, given to ingenious
mischief for its own sake, with a disregard for pretty convention
which is an unfailing source of joy to her fellows.
THE POOR LITTLE RICH GIRL, By Eleanor Gates.
With four full page illustrations.
This story relates the experience of one of those unfortunate children
whose early days are passed in the companionship of a governess,
seldom seeing either parent, and famishing for natural love and
tenderness. A charming play as dramatized by the author.
REBECCA OF SUNNYBROOK FARM, By Kate Douglas Wiggin.
One of the most beautiful studies of childhood--Rebecca's artistic,
unusual and quaintly charming qualities stand out midst a circle of
austere New Englanders. The stage version is making a phenomenal
dramatic record.
NEW CHRONICLES OF REBECCA, By Kate Douglas Wiggin.
Illustrated by F. C. Yohn.
Additional episodes in the girlhood of this delightful heroine that
carry Rebecca through various stages to her eighteenth birthday.
REBECCA MARY, By Annie Hamilton Donnell.
Illustrated by Elizabeth Shippen Green.
This author possesses the rare gift of portraying all the grotesque
little joys and sorrows and scruples of this very small girl with a
pathos that is peculiarly genuine and appealing.
EMMY LOU: Her Book and Heart, By George Madden Martin.
Illustrated by Charles Louis Hinton.
Emmy Lou is irresistibly lovable, because she is so absolutely real.
She is just a bewitchingly innocent, hugable little maid. The book is
wonderfully human.
Ask for complete free list of G. & D. Popular Copyrighted Fiction
Grosset & Dunlap, 526 West 26th St., New York
End of Project Gutenberg's Nan of Music Mountain, by Frank H. Spearman
*** END OF THIS PROJECT GUTENBERG EBOOK NAN OF MUSIC MOUNTAIN ***
***** This file should be named 29571-8.txt or 29571-8.zip *****
This and all associated files of various formats will be found in:
https://www.gutenberg.org/2/9/5/7/29571/
Produced by Roger Frank and the Online Distributed
Proofreading Team at https://www.pgdp.net
Updated editions will replace the previous one--the old editions
will be renamed.
Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties. Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark. Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission. If you
do not charge anything for copies of this eBook, complying with the
rules is very easy. You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research. They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks. Redistribution is
subject to the trademark license, especially commercial
redistribution.
*** START: FULL LICENSE ***
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
https://gutenberg.org/license).
Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
electronic works
1.A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.
1.B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works. Nearly all the individual works in the
collection are in the public domain in the United States. If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed. Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work. You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.
1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are in
a constant state of change. If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work. The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.
1.E. Unless you have removed all references to Project Gutenberg:
1.E.1. The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org
1.E.2. If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges. If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.
1.E.3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder. Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.
1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.
1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.
1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form. However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form. Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.
1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.
1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that
- You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg-tm works calculated using the method
you already use to calculate your applicable taxes. The fee is
owed to the owner of the Project Gutenberg-tm trademark, but he
has agreed to donate royalties under this paragraph to the
Project Gutenberg Literary Archive Foundation. Royalty payments
must be paid within 60 days following each date on which you
prepare (or are legally required to prepare) your periodic tax
returns. Royalty payments should be clearly marked as such and
sent to the Project Gutenberg Literary Archive Foundation at the
address specified in Section 4, "Information about donations to
the Project Gutenberg Literary Archive Foundation."
- You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he
does not agree to the terms of the full Project Gutenberg-tm
License. You must require such a user to return or
destroy all copies of the works possessed in a physical medium
and discontinue all use of and all access to other copies of
Project Gutenberg-tm works.
- You provide, in accordance with paragraph 1.F.3, a full refund of any
money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days
of receipt of the work.
- You comply with all other terms of this agreement for free
distribution of Project Gutenberg-tm works.
1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark. Contact the
Foundation as set forth in Section 3 below.
1.F.
1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection. Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.
1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.
1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium with
your written explanation. The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund. If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund. If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.
1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law. The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.
1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.
Section 2. Information about the Mission of Project Gutenberg-tm
Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers. It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.
Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at https://www.pglaf.org.
Section 3. Information about the Project Gutenberg Literary Archive
Foundation
The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation's EIN or federal tax identification
number is 64-6221541. Its 501(c)(3) letter is posted at
https://pglaf.org/fundraising. Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.
The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations. Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
[email protected]. Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at https://pglaf.org
For additional contact information:
Dr. Gregory B. Newby
Chief Executive and Director
[email protected]
Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation
Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.
The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To
SEND DONATIONS or determine the status of compliance for any
particular state visit https://pglaf.org
While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.
International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.
Please check the Project Gutenberg Web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including including checks, online payments and credit card
donations. To donate, please visit: https://pglaf.org/donate
Section 5. General Information About Project Gutenberg-tm electronic
works.
Professor Michael S. Hart was the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone. For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.
Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included. Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.
Most people start at our Web site which has the main PG search facility:
https://www.gutenberg.org
This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.
