The Project Gutenberg EBook of Victorian Ode, by Francis Thompson This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: Victorian Ode For Jubilee Day, 1897 Author: Francis Thompson Release Date: April 20, 2011 [EBook #35922] Language: English *** START OF THIS PROJECT GUTENBERG EBOOK VICTORIAN ODE *** Produced by The Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive.) VICTORIAN ODE FOR JUBILEE DAY, 1897, BY FRANCIS THOMPSON. Printed for private circulation at The Westminster Press, 1897. VICTORIAN ODE. Night; and the street a corpse beneath the moon, Upon the threshold of the jubilant day That was to follow soon; Thickened with inundating dark 'Gainst which the drowning lamps kept struggle; pole And plank cast rigid shadows; 'twas a stark Thing waiting for its soul, The bones of the preluded pomp. I saw In the cloud-sullied moon a pale array, A lengthened apparition, slowly draw; And as it came, Brake all the street in phantom flame Of flag and flower and hanging, shadowy show Of the to-morrow's glories, as might suit A pageant of the dead; and spectral bruit I heard, where stood the dead to watch the dead, The long Victorian line that passed with printless tread. First went the holy poets, two on two, And music, sown along the hardened ground, Budded like frequence of glad daisies, where Those sacred feet did fare; Arcadian pipe, and psaltery, around, And stringèd viol, sound To make for them melodious due. In the first twain of those great ranks of death Went one, the impress recent on his hair Where it was dinted by the laureate wreath: Who sang those goddesses with splendours bare On Ida hill, before the Trojan boy; And many a lovely lay, Where Beauty did her beauties unarray In conscious song. I saw young Love his plumes deploy, And shake their shivering lustres, till the night Was sprinkled and bedropt with starry play Of versicoloured light, To see that poet pass who sang him well; And I could hear his heart Throb like the after-vibrance of a bell. A Strength beside this Beauty, Browning went, With shrewd looks and intent, And meditating still some gnarlèd theme. Then came, somewhat apart, In a fastidious dream, Arnold, with a half-discontented calm, Binding up wounds, but pouring in no balm. The fervid breathing of Elizabeth Broke on Christina's gentle-taken breath. Rossetti, whose heart stirred within his breast Like lightning in a cloud, a spirit without rest, Came on disranked; Song's hand was in his hair, Lest Art should have withdrawn him from the band, Save for her strong command; And in his eyes high Sadness made its lair. Last came a shadow tall, with drooping lid, Which yet not hid The steel-like flashing of his armèd glance; Alone he did advance, And all the throngs gave room For one that looked with such a captain's mien: A scornful smile lay keen On lips that, living, prophesied of doom. His one hand held a lightning-bolt, the other A cup of milk and honey blent with fire; It seemed as in that quire He had not, nor desired not, any brother. A space his alien eye surveyed the pride Of meditated pomp, as one that much Disdained the sight, methought; then at a touch, He turned the heel, and sought with shadowy stride His station in the dim, Where the sole-thoughted Dante waited him. What throngs illustrious next, of Art and Prose, Too long to tell; but other music rose When came the sabre's children: they who led The iron-throated harmonies of war, The march resounding of the armèd line, And measured movement of battalia: Accompanied their tread No harps, no pipes of soft Arcadia, But--borne to me afar-- The tramp of squadrons, and the bursting mine, The shock of steel, the volleying rifle-crack, And echoes out of ancient battles dead. So Cawnpore unto Alma thundered back, And Delhi's cannon roared to Gujerat: Carnage through all those iron vents gave out Her thousand-mouthèd shout. As balefire answering balefire is unfurled, From mountain-peaks, to tell the foe's approaches, So ran that battle-clangour round the world, From famous field to field So that reverberated war was tossed; And--in the distance lost-- Across the plains of France and hills of Spain It swelled once more to birth, And broke on me again, The voice of England's glories girdling in the earth. It caught like fire the main, Where rending planks were heard, and broadsides pealed, That shook were all the seas, Which feared, and thought on Nelson. For with them That struck the Russ, that brake the Mutineer, And smote the stiff Sikh to his knee,--with these Came they that kept our England's sea-swept hem, And held afar from her the foreign fear. After them came They who pushed back the ocean of the Unknown, And fenced some strand of knowledge for our own Against the outgoing sea Of ebbing mystery; And on their banner "Science" blazoned shone. The rear were they that wore the statesman's fame, From Melbourne, to The arcane face of the much-wrinkled Jew. Lo, in this day we keep the yesterdays, And those great dead of the Victorian line. They passed, they passed, but cannot pass away, For England feels them in her blood like wine. She was their mother, and she is their daughter, This Lady of the water, And from their loins she draws the greatness which they were. And still their wisdom sways, Their power lives in her. Their thews it is, England, that lift thy sword, They are the splendour, England, in thy song, They sit unbidden at thy council-board, Their fame doth compass all thy coasts from wrong, And in thy sinews they are strong. Their absence is a presence and a guest In this day's feast; This living feast is also of the dead, And this, O England, is thine All Souls' Day. And when thy cities flake the night with flames, Thy proudest torches yet shall be their names. O royal England! happy child Of such a more than regal line; Be it said Fair right of jubilee is thine; And surely thou art unbeguiled If thou keep with mirth and play, With dance, and jollity, and praise, Such a To-day which sums such Yesterdays. Pour to the joyless ones thy joy, thy oil And wine to such as faint and toil. And let thy vales make haste to be more green Than any vales are seen In less auspicious lands, And let thy trees clap all their leafy hands, And let thy flowers be gladder far of hue Than flowers of other regions may; Let the rose, with her fragrance sweetened through, Flush as young maidens do, With their own inward blissfulness at play. And let the sky twinkle an eagerer blue Over our English isle Than any otherwhere; Till strangers shall behold, and own that she is fair. Play up, play up, ye birds of minstrel June, Play up your reel, play up your giddiest spring, And trouble every tree with lusty tune, Whereto our hearts shall dance For overmuch pleasance, And children's running make the earth to sing. And ye soft winds, and ye white-fingered beams, Aid ye her to invest, Our queenly England, in all circumstance Of fair and feat adorning to be drest; Kirtled in jocund green, Which does befit a Queen, And like our spirits cast forth lively gleams: And let her robe be goodly garlanded With store of florets white and florets red, With store of florets white and florets gold, A fair thing to behold; Intrailed with the white blossom and the blue, A seemly thing to view! And thereunto, Set over all a woof of lawny air, From her head wavering to her sea-shod feet, Which shall her lovely beauty well complete, And grace her much to wear. Lo, she is dressed, and lo, she cometh forth, Our stately Lady of the North; Lo, how she doth advance, In her most sovereign eye regard of puissance, And tiar'd with conquest her prevailing brow, While nations to her bow. Come hither, proud and ancient East, Gather ye to this Lady of the North, And sit down with her at her solemn feast, Upon this culminant day of all her days; For ye have heard the thunder of her goings-forth, And wonder of her large imperial ways. Let India send her turbans, and Japan Her pictured vests from that remotest isle Seated in the antechambers of the Sun: And let her Western sisters for a while Remit long envy and disunion, And take in peace Her hand behind the buckler of her seas, 'Gainst which their wrath has splintered; come, for she Her hand ungauntlets in mild amity. Victoria! Queen, whose name is victory, Whose woman's nature sorteth best with peace, Bid thou the cloud of war to cease Which ever round thy wide-girt empery Fumes, like to smoke about a burning brand, Telling the energies which keep within The light unquenched, as England's light shall be; And let this day hear only peaceful din. For, queenly woman, thou art more than woman; Thy name the often-struck barbarian shuns; Thou art the fear of England to her foemen, The love of England to her sons. And this thy glorious day is England's; who Can separate the two? She joys thy joys and weeps thy tears, And she is one with all thy moods; Thy story is the tale of England's years, And big with all her ills, and all her stately goods. Now unto thee The plenitude of the glories thou didst sow Is garnered up in prosperous memory; And, for the perfect evening of thy day, An untumultuous bliss, serenely gay, Sweetened with silence of the after-glow. Nor does the joyous shout Which all our lips give out Jar on that quietude; more than may do A radiant childish crew, With well-accordant discord fretting the soft hour, Whose hair is yellowed by the sinking blaze Over a low-mouthed sea. Exult, yet be not twirled, England, by gusts of mere Blind and insensate lightness; neither fear The vastness of thy shadow on the world. If in the East Still strains against its leash the unglutted beast Of War; if yet the cannon's lip be warm; Thou, whom these portents warn but not alarm, Feastest, but with thy hand upon the sword, As fits a warrior race. Not like the Saxon fools of olden days, With the mead dripping from the hairy mouth, While all the South Filled with the shaven faces of the Norman horde. End of the Project Gutenberg EBook of Victorian Ode, by Francis Thompson *** END OF THIS PROJECT GUTENBERG EBOOK VICTORIAN ODE *** ***** This file should be named 35922-8.txt or 35922-8.zip ***** This and all associated files of various formats will be found in: https://www.gutenberg.org/3/5/9/2/35922/ Produced by The Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive.) Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away--you may do practically ANYTHING with public domain eBooks. Redistribution is subject to the trademark license, especially commercial redistribution. *** START: FULL LICENSE *** THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg-tm mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase "Project Gutenberg"), you agree to comply with all the terms of the Full Project Gutenberg-tm License (available with this file or online at https://gutenberg.org/license). Section 1. General Terms of Use and Redistributing Project Gutenberg-tm electronic works 1.A. By reading or using any part of this Project Gutenberg-tm electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg-tm electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg-tm electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. "Project Gutenberg" is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg-tm electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg-tm electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg-tm electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" or PGLAF), owns a compilation copyright in the collection of Project Gutenberg-tm electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is in the public domain in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg-tm mission of promoting free access to electronic works by freely sharing Project Gutenberg-tm works in compliance with the terms of this agreement for keeping the Project Gutenberg-tm name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg-tm License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg-tm work. The Foundation makes no representations concerning the copyright status of any work in any country outside the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg-tm License must appear prominently whenever any copy of a Project Gutenberg-tm work (any work on which the phrase "Project Gutenberg" appears, or with which the phrase "Project Gutenberg" is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org 1.E.2. If an individual Project Gutenberg-tm electronic work is derived from the public domain (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase "Project Gutenberg" associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg-tm electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg-tm License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg-tm. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg-tm License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg-tm work in a format other than "Plain Vanilla ASCII" or other format used in the official version posted on the official Project Gutenberg-tm web site (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original "Plain Vanilla ASCII" or other form. Any alternate format must include the full Project Gutenberg-tm License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg-tm works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg-tm electronic works provided that - You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg-tm works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg-tm trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, "Information about donations to the Project Gutenberg Literary Archive Foundation." - You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg-tm License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg-tm works. - You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. - You comply with all other terms of this agreement for free distribution of Project Gutenberg-tm works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from both the Project Gutenberg Literary Archive Foundation and Michael Hart, the owner of the Project Gutenberg-tm trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread public domain works in creating the Project Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm electronic works, and the medium on which they may be stored, may contain "Defects," such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right of Replacement or Refund" described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg-tm trademark, and any other party distributing a Project Gutenberg-tm electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg-tm electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg-tm electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg-tm work, (b) alteration, modification, or additions or deletions to any Project Gutenberg-tm work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg-tm Project Gutenberg-tm is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg-tm's goals and ensuring that the Project Gutenberg-tm collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg-tm and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation web page at https://www.pglaf.org. Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation's EIN or federal tax identification number is 64-6221541. Its 501(c)(3) letter is posted at https://pglaf.org/fundraising. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state's laws. The Foundation's principal office is located at 4557 Melan Dr. S. Fairbanks, AK, 99712., but its volunteers and employees are scattered throughout numerous locations. Its business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email [email protected]. Email contact links and up to date contact information can be found at the Foundation's web site and official page at https://pglaf.org For additional contact information: Dr. Gregory B. Newby Chief Executive and Director [email protected] Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg-tm depends upon and cannot survive without wide spread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit https://pglaf.org While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg Web pages for current donation methods and addresses. Donations are accepted in a number of other ways including including checks, online payments and credit card donations. To donate, please visit: https://pglaf.org/donate Section 5. General Information About Project Gutenberg-tm electronic works. Professor Michael S. Hart was the originator of the Project Gutenberg-tm concept of a library of electronic works that could be freely shared with anyone. For thirty years, he produced and distributed Project Gutenberg-tm eBooks with only a loose network of volunteer support. Project Gutenberg-tm eBooks are often created from several printed editions, all of which are confirmed as Public Domain in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our Web site which has the main PG search facility: https://www.gutenberg.org This Web site includes information about Project Gutenberg-tm, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.