The Project Gutenberg EBook of Poems, by Frances E. W. Harper This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: Poems Author: Frances E. W. Harper Posting Date: July 26, 2008 [EBook #679] Release Date: October, 1996 Language: English *** START OF THIS PROJECT GUTENBERG EBOOK POEMS *** Produced by Judith Boss Poems By FRANCES E. W. HARPER The Black Heritage Library Collection First Published 1895 POEMS BY FRANCES E. W. HARPER Whereas thou hast been forsaken and hated, so that no man went through thee, I will make thee an eternal excellency, a joy of many generations. ISAIAH 60:15. CONTENTS. PAGE My Mother's Kiss . . . . . . . . . . 1 A Grain of Sand . . . . . . . . . . 3 The Crocuses . . . . . . . . . . . . 4 The Present Age . . . . . . . . . . 6 Dedication Poem . . . . . . . . . . 9 A Double Standard . . . . . . . . . 12 Our Hero . . . . . . . . . . . . . . 15 The Dying Bondman . . . . . . . . . 17 A Little Child Shall Lead Them . . . 19 The Sparrow's Fall . . . . . . . . . 21 God Bless Our Native Land . . . . . 23 Dandelions . . . . . . . . . . . . . 24 The Building . . . . . . . . . . . . 25 Home, Sweet Home . . . . . . . . . . 26 The Pure in Heart Shall See God . . 28 He Had Not Where to Lay His Head . . 30 Go Work in My Vineyard . . . . . . . 31 Renewal of Strength . . . . . . . . 33 Jamie's Puzzle . . . . . . . . . . . 34 Truth . . . . . . . . . . . . . . . 36 Death of the Old Sea King . . . . . 38 Save the Boys . . . . . . . . . . . 40 Nothing and Something . . . . . . . 42 Vashti . . . . . . . . . . . . . . . 44 Thank God for Little Children . . . 47 The Martyr of Alabama . . . . . . . 49 The Night of Death . . . . . . . . . 53 Mother's Treasures . . . . . . . . . 56 The Refiner's Gold . . . . . . . . . 58 A Story of the Rebellion . . . . . . 60 Burial of Sarah . . . . . . . . . . 61 Going East . . . . . . . . . . . . . 63 The Hermit's Sacrifice . . . . . . . 66 Songs for the People . . . . . . . . 69 Let the Light Enter . . . . . . . . 71 An Appeal to My Country Women . . . 72 MY MOTHER'S KISS. My mother's kiss, my mother's kiss, I feel its impress now; As in the bright and happy days She pressed it on my brow. You say it is a fancied thing Within my memory fraught; To me it has a sacred place-- The treasure house of thought. Again, I feel her fingers glide Amid my clustering hair; I see the love-light in her eyes, When all my life was fair. Again, I hear her gentle voice In warning or in love. How precious was the faith that taught My soul of things above. (1) 2 MY MOTHER'S KISS. The music of her voice is stilled, Her lips are paled in death. As precious pearls I'll clasp her words Until my latest breath. The world has scattered round my path Honor and wealth and fame; But naught so precious as the thoughts That gather round her name. And friends have placed upon my brow The laurels of renown; But she first taught me how to wear My manhood as a crown. My hair is silvered o'er with age, I'm longing to depart; To clasp again my mother's hand, And be a child at heart. To roam with her the glory-land Where saints and angels greet; To cast our crowns with songs of love At our Redeemer's feet. A GRAIN OF SAND. 3 A GRAIN OF SAND. Do you see this grain of sand Lying loosely in my hand? Do you know to me it brought Just a simple loving thought? When one gazes night by night On the glorious stars of light, Oh how little seems the span Measured round the life of man. Oh! how fleeting are his years With their smiles and their tears; Can it be that God does care For such atoms as we are? Then outspake this grain of sand "I was fashioned by His hand In the star lit realms of space I was made to have a place. "Should the ocean flood the world, Were its mountains 'gainst me hurled All the force they could employ Wouldn't a single grain destroy; And if I, a thing so light, Have a place within His sight; You are linked unto his throne Cannot live nor die alone. 4 THE CROCUSES. In the everlasting arms Mid life's dangers and alarms Let calm trust your spirit fill; Know He's God, and then be still." Trustingly I raised my head Hearing what the atom said; Knowing man is greater far Than the brightest sun or star. THE CROCUSES. They heard the South wind sighing A murmur of the rain; And they knew that Earth was longing To see them all again. While the snow-drops still were sleeping Beneath the silent sod; They felt their new life pulsing Within the dark, cold clod. Not a daffodil nor daisy Had dared to raise its head; Not a fairhaired dandelion Peeped timid from its bed; THE CROCUSES. 5 Though a tremor of the winter Did shivering through them run; Yet they lifted up their foreheads To greet the vernal sun. And the sunbeams gave them welcome. As did the morning air And scattered o'er their simple robes Rich tints of beauty rare. Soon a host of lovely flowers From vales and woodland burst; But in all that fair procession The crocuses were first. First to weave for Earth a chaplet To crown her dear old head; And to beautify the pathway Where winter still did tread. And their loved and white haired mother Smiled sweetly 'neath the touch, When she knew her faithful children Were loving her so much. 6 THE PRESENT AGE. THE PRESENT AGE. Say not the age is hard and cold-- I think it brave and grand; When men of diverse sects and creeds Are clasping hand in hand. The Parsee from his sacred fires Beside the Christian kneels; And clearer light to Islam's eyes The word of Christ reveals. The Brahmin from his distant home Brings thoughts of ancient lore; The Bhuddist breaking bonds of caste Divides mankind no more. The meek-eyed sons of far Cathay Are welcome round the board; Not greed, nor malice drives away These children of our Lord. And Judah from whose trusted hands Came oracles divine; Now sits with those around whose hearts The light of God doth shine. THE PRESENT AGE. 7 Japan unbars her long sealed gates From islands far away; Her sons are lifting up their eyes To greet the coming day. The Indian child from forests wild Has learned to read and pray; The tomahawk and scalping knife From him have passed away. From centuries of servile toil The Negro finds release, And builds the fanes of prayer and praise Unto the God of Peace. England and Russia face to face With Central Asia meet; And on the far Pacific coast, Chinese and natives greet. Crusaders once with sword and shield The Holy Land to save; From Moslem hands did strive to clutch The dear Redeemer's grave. A battle greater, grander far Is for the present age; 8 THE PRESENT AGE. A crusade for the rights of man To brighten history's page. Where labor faints and bows her head, And want consorts with crime; Or men grown faithless sadly say That evil is the time. There is the field, the vantage ground For every earnest heart; To side with justice, truth and right And act a noble part. To save from ignorance and vice The poorest, humblest child; To make our age the fairest one On which the sun has smiled; To plant the roots of coming years In mercy, love and truth; And bid our weary, saddened earth Again renew her youth. Oh! earnest hearts! toil on in hope, 'Till darkness shrinks from light; To fill the earth with peace and joy, Let youth and age unite: DEDICATION POEM. 9 To stay the floods of sin and shame That sweep from shore to shore; And furl the banners stained with blood, 'Till war shall be no more. Blame not the age, nor think it full Of evil and unrest; But say of every other age, "This one shall be the best." The age to brighten every path By sin and sorrow trod; For loving hearts to usher in The commonwealth of God. DEDICATION POEM. Dedication Poem on the reception of the annex to the home for aged colored people, from the bequest of Mr. Edward T. Parker. Outcast from her home in Syria In the lonely, dreary wild; Heavy hearted, sorrow stricken, Sat a mother and her child. 10 DEDICATION POEM. There was not a voice to cheer her Not a soul to share her fate; She was weary, he was fainting, And life seemed so desolate. Far away in sunny Egypt Was lone Hagar's native land; Where the Nile in kingly bounty Scatters bread with gracious hand. In the tents of princely Abram She for years had found a home; Till the stern decree of Sarah Sent her forth the wild to roam. Hour by hour she journeyed onward From the shelter of their tent, Till her footsteps slowly faltered And the water all was spent; Then she veiled her face in sorrow, Feared her child would die of thirst Till her eyes with tears so holden Saw a sparkling fountain burst. Oh! how happy was that mother, What a soothing of her pain; DEDICATION POEM. 11 When she saw her child reviving, Life rejoicing through each vein Does not life repeat this story, Tell it over day by day? Of the fountains of refreshment Ever springing by our way. Here is one by which we gather, On this bright and happy day, Just to bask beside a fountain Making gladder life's highway. Bringing unto hearts now aged Who have borne life's burdens long, Such a gift of love and mercy As deserves our sweetest song. Such a gift that even heaven May rejoice with us below, If the pure and holy angels Join us in our joy and woe. May the memory of the giver In this home where age may rest, Float like fragrance through the ages, Ever blessing, ever blest. 12 A DOUBLE STANDARD. When the gates of pearl are opened May we there this friend behold, Drink with him from living fountains, Walk with him the streets of gold. When life's shattered cords of music Shall again be sweetly sung; Then our hearts with life immortal, Shall be young, forever young. A DOUBLE STANDARD. Do you blame me that I loved him? If when standing all alone I cried for bread a careless world Pressed to my lips a stone. Do you blame me that I loved him, That my heart beat glad and free, When he told me in the sweetest tones He loved but only me? Can you blame me that I did not see Beneath his burning kiss The serpent's wiles, nor even hear The deadly adder hiss? A DOUBLE STANDARD. 13 Can you blame me that my heart grew cold The tempted, tempter turned; When he was feted and caressed And I was coldly spurned? Would you blame him, when you draw from me Your dainty robes aside, If he with gilded baits should claim Your fairest as his bride? Would you blame the world if it should press On him a civic crown; And see me struggling in the depth Then harshly press me down? Crime has no sex and yet to-day I wear the brand of shame; Whilst he amid the gay and proud Still bears an honored name. Can you blame me if I've learned to think Your hate of vice a sham, When you so coldly crushed me down And then excused the man? Would you blame me if to-morrow The coroner should say, 14 A DOUBLE STANDARD. A wretched girl, outcast, forlorn, Has thrown her life away? Yes, blame me for my downward course, But oh! remember well, Within your homes you press the hand That led me down to hell. I'm glad God's ways are not our ways He does not see as man; Within His love I know there's room For those whom others ban. I think before His great white throne, His throne of spotless light, That whited sepulchres shall wear The hue of endless night. That I who fell, and he who sinned, Shall reap as we have sown; That each the burden of his loss Must bear and bear alone. No golden weights can turn the scale Of justice in His sight; And what is wrong in woman's life In man's cannot be right. OUR HERO. 15 OUR HERO. Onward to her destination, O'er the stream the Hannah sped, When a cry of consternation Smote and chilled our hearts with dread. Wildly leaping, madly sweeping, All relentless in their sway, Like a band of cruel demons Flames were closing 'round our way Oh! the horror of those moments; Flames above and waves below-- Oh! the agony of ages Crowded in one hour of woe. Fainter grew our hearts with anguish In that hour with peril rife, When we saw the pilot flying, Terror-stricken, for his life. Then a man uprose before us-- We had once despised his race-- But we saw a lofty purpose Lighting up his darkened face. 16 OUR HERO. While the flames were madly roaring, With a courage grand and high, Forth he rushed unto our rescue, Strong to suffer, brave to die. Helplessly the boat was drifting, Death was staring in each face, When he grasped the fallen rudder, Took the pilot's vacant place. Could he save us? Would he save us? All his hope of life give o'er? Could he hold that fated vessel 'Till she reached the nearer shore? All our hopes and fears were centered 'Round his strong, unfaltering hand; If he failed us we must perish, Perish just in sight of land. Breathlessly we watched and waited While the flames were raging fast; When our anguish changed to rapture-- We were saved, yes, saved at last. Never strains of sweetest music Brought to us more welcome sound THE DYING BONDMAN. 17 Than the grating of that steamer When her keel had touched the ground. But our faithful martyr hero Through a fiery pathway trod, Till he laid his valiant spirit On the bosom of his God. Fame has never crowned a hero On the crimson fields of strife, Grander, nobler, than that pilot Yielding up for us his life. THE DYING BONDMAN. Life was trembling, faintly trembling On the bondman's latest breath, And he felt the chilling pressure Of the cold, hard hand of Death. He had been an Afric chieftain, Worn his manhood as a crown; But upon the field of battle Had been fiercely stricken down. 18 THE DYING BONDMAN. He had longed to gain his freedom, Waited, watched and hoped in vain, Till his life was slowly ebbing-- Almost broken was his chain. By his bedside stood the master, Gazing on the dying one, Knowing by the dull grey shadows That life's sands were almost run. "Master," said the dying bondman, "Home and friends I soon shall see; But before I reach my country, Master write that I am free; "For the spirits of my fathers Would shrink back from me in pride, If I told them at our greeting I a slave had lived and died; "Give to me the precious token, That my kindred dead may see-- Master! write it, write it quickly! Master! write that I am free!" At his earnest plea the master Wrote for him the glad release, "A LITTLE CHILD SHALL LEAD THEM." 19 O'er his wan and wasted features Flitted one sweet smile of peace. Eagerly he grasped the writing; "I am free!" at last he said. Backward fell upon the pillow, He was free among the dead. "A LITTLE CHILD SHALL LEAD THEM." Only a little scrap of blue Preserved with loving care, But earth has not a brilliant hue To me more bright and fair. Strong drink, like a raging demon, Laid on my heart his hand, When my darling joined with others The Loyal Legion * band. But mystic angels called away My loved and precious child, And o'er life's dark and stormy way Swept waves of anguish wild. * The Temperance Band, 20 "A LITTLE CHILD SHALL LEAD THEM." This badge of the Loyal Legion We placed upon her breast, As she lay in her little coffin Taking her last sweet rest. To wear that badge as a token She earnestly did crave, So we laid it on her bosom To wear it in the grave. Where sorrow would never reach her Nor harsh words smite her ear; Nor her eyes in death dimmed slumber Would ever shed a tear. "What means this badge?" said her father, Whom we had tried to save; Who said, when we told her story, "Don't put it in the grave." We took the badge from her bosom And laid it on a chair; And men by drink deluded Knelt by that badge in prayer. And vowed in that hour of sorrow From drink they would abstain; THE SPARROW'S FALL. 21 And this little badge became the wedge Which broke their galling chain. And lifted the gloomy shadows That overspread my life, And flooding my home with gladness, Made me a happy wife. And this is why this scrap of blue Is precious in my sight; It changed my sad and gloomy home From darkness into light. THE SPARROW'S FALL. Too frail to soar--a feeble thing-- It fell to earth with fluttering wing; But God, who watches over all, Beheld that little sparrow's fall. 'Twas not a bird with plumage gay, Filling the air with its morning lay; 'Twas not an eagle bold and strong, Borne on the tempest's wing along. 22 THE SPARROW'S FALL. Only a brown and weesome thing, With drooping head and listless wing; It could not drift beyond His sight Who marshals the splendid stars of night. Its dying chirp fell on His ears, Who tunes the music of the spheres, Who hears the hungry lion's call, And spreads a table for us all. Its mission of song at last is done, No more will it greet the rising sun; That tiny bird has found a rest More calm than its mother's downy breast Oh, restless heart, learn thou to trust In God, so tender, strong and just; In whose love and mercy everywhere His humblest children have a share. If in love He numbers ev'ry hair, Whether the strands be dark or fair, Shall we not learn to calmly rest, Like children, on our Father's breast? GOD BLESS OUR NATIVE LAND. 23 GOD BLESS OUR NATIVE LAND. God bless our native land, Land of the newly free, Oh may she ever stand For truth and liberty. God bless our native land, Where sleep our kindred dead, Let peace at thy command Above their graves be shed. God help our native land, Bring surcease to her strife, And shower from thy hand A more abundant life. God bless our native land, Her homes and children bless, Oh may she ever stand For truth and righteousness. 24 DANDELIONS. DANDELIONS. Welcome children of the Spring, In your garbs of green and gold, Lifting up your sun-crowned heads On the verdant plain and wold. As a bright and joyous troop From the breast of earth ye came Fair and lovely are your cheeks, With sun-kisses all aflame. In the dusty streets and lanes, Where the lowly children play, There as gentle friends ye smile, Making brighter life's highway Dewdrops and the morning sun, Weave your garments fair and bright, And we welcome you to-day As the children of the light. Children of the earth and sun. We are slow to understand All the richness of the gifts Flowing from our Father's hand. THE BUILDING. 25 Were our vision clearer far, In this sin-dimmed world of ours, Would we not more thankful be For the love that sends us flowers? Welcome, early visitants, With your sun-crowned golden hair, With your message to our hearts Of our Father's loving care. THE BUILDING. "Build me a house," said the Master, "But not on the shifting sand, Mid the wreck and roar of tempests, A house that will firmly stand. "I will bring thee windows of agates, And gates of carbuncles bright, And thy fairest courts and portals Shall be filled with love and light. "Thou shalt build with fadeless rubies, All fashioned around the throne, A house that shall last forever, With Christ as the cornerstone. 26 HOME, SWEET HOME. "It shall be a royal mansion, A fair and beautiful thing, It will be the presence-chamber Of thy Saviour, Lord and King. "Thy house shall be bound with pinions To mansions of rest above, But grace shall forge all the fetters With the links and cords of love. "Thou shalt be free in this mansion From sorrow and pain of heart, For the peace of God shall enter, And never again depart." HOME, SWEET HOME. Sharers of a common country, They had met in deadly strife; Men who should have been as brothers Madly sought each other's life. In the silence of the even, When the cannon's lips were dumb, HOME, SWEET HOME. 27 Thoughts of home and all its loved ones To the soldier's heart would come. On the margin of a river, 'Mid the evening's dews and damps, Could be heard the sounds of music Rising from two hostile camps. One was singing of its section Down in Dixie, Dixie's land, And the other of the banner Waved so long from strand to strand. In the land where Dixie's ensign Floated o'er the hopeful slave, Rose the song that freedom's banner, Starry-lighted, long might wave. From the fields of strife and carnage, Gentle thoughts began to roam, And a tender strain of music Rose with words of "Home, Sweet Home." Then the hearts of strong men melted, For amid our grief and sin Still remains that "touch of nature," Telling us we all are kin. 28 THE PURE IN HEART SHALL SEE GOD. In one grand but gentle chorus, Floating to the starry dome, Came the words that brought them nearer, Words that told of "Home, Sweet Home." For awhile, all strife forgotten, They were only brothers then, Joining in the sweet old chorus, Not as soldiers, but as men. Men whose hearts would flow together, Though apart their feet might roam, Found a tie they could not sever, In the mem'ry of each home. Never may the steps of carnage Shake our land from shore to shore, But may mother, home and Heaven, Be our watchwords evermore. THE PURE IN HEART SHALL SEE GOD. They shall see Him in the crimson flush Of morning's early light, In the drapery of sunset, Around the couch of night. THE PURE IN HEART SHALL SEE GOD. 29 When the clouds drop down their fatness, In late and early rain, They shall see His glorious footprints On valley, hill and plain. They shall see Him when the cyclone Breathes terror through the land; They shall see Him 'mid the murmurs Of zephyrs soft and bland. They shall see Him when the lips of health, Breath vigor through each nerve, When pestilence clasps hands with death, His purposes to serve. They shall see Him when the trembling earth Is rocking to and fro; They shall see Him in the order The seasons come and go. They shall see Him when the storms of war Sweep wildly through the land; When peace descends like gentle dew They still shall see His hand. They shall see Him in the city Of gems and pearls of light, 30 NOWHERE TO LAY HIS HEAD. They shall see Him in his beauty, And walk with Him in white. To living founts their feet shall tend, And Christ shall be their guide, Beloved of God, their rest shall be In safety by His side. HE "HAD NOT WHERE TO LAY HIS HEAD." The conies had their hiding-place, The wily fox with stealthy tread A covert found, but Christ, the Lord, Had not a place to lay his head. The eagle had an eyrie home, The blithesome bird its quiet rest, But not the humblest spot on earth Was by the Son of God possessed. Princes and kings had palaces, With grandeur could adorn each tomb, For Him who came with love and life, They had no home, they gave no room. GO WORK IN MY VINEYARD. 31 The hands whose touch sent thrills of joy Through nerves unstrung and palsied frame, The feet that travelled for our need, Were nailed unto the cross of shame. How dare I murmur at my lot, Or talk of sorrow, pain and loss, When Christ was in a manger laid, And died in anguish on the cross. That homeless one beheld beyond His lonely agonizing pain, A love outflowing from His heart, That all the wandering world would gain. GO WORK IN MY VINEYARD. Go work in my vineyard, said the Lord, And gather the bruised grain; But the reapers had left the stubble bare, And I trod the soil in pain. 32 GO WORK IN MY VINEYARD. The fields of my Lord are wide and broad, He has pastures fair and green, And vineyards that drink the golden light Which flows from the sun's bright sheen. I heard the joy of the reapers' song, As they gathered golden grain; Then wearily turned unto my task, With a lonely sense of pain. Sadly I turned from the sun's fierce glare, And sought the quiet shade, And over my dim and weary eyes Sleep's peaceful fingers strayed. I dreamed I joined with a restless throng, Eager for pleasure and gain; But ever and anon a stumbler fell, And uttered a cry of pain. But the eager crowd still hurried on, Too busy to pause or heed, When a voice rang sadly through my soul, You must staunch these wounds that bleed. My hands were weak, but I reached them out To feebler ones than mine, RENEWAL OF STRENGTH. 33 And over the shadows of my life Stole the light of a peace divine. Oh! then my task was a sacred thing, How precious it grew in my eyes! 'Twas mine to gather the bruised grain For the "Lord of Paradise." And when the reapers shall lay their grain On the floors of golden light, I feel that mine with its broken sheaves Shall be precious in His sight. Though thorns may often pierce my feet, And the shadows still abide, The mists will vanish before His smile, There will be light at eventide. RENEWAL OF STRENGTH. The prison-house in which I live Is falling to decay, But God renews my spirit's strength, Within these walls of clay. 34 JAMIE'S PUZZLE. For me a dimness slowly creeps Around earth's fairest light, But heaven grows clearer to my view, And fairer to my sight. It may be earth's sweet harmonies Are duller to my ear, But music from my Father's house Begins to float more near. Then let the pillars of my home Crumble and fall away; Lo, God's dear love within my soul Renews it day by day. JAMIE'S PUZZLE. There was grief within our household Because of a vacant chair. Our mother, so loved and precious, No longer was sitting there. JAMIE'S PUZZLE. 35 Our hearts grew heavy with sorrow, Our eyes with tears were blind, And little Jamie was wondering, Why we were left behind. We had told our little darling, Of the land of love and light, Of the saints all crowned with glory, And enrobed in spotless white. We said that our precious mother, Had gone to that land so fair, To dwell with beautiful angels, And to be forever there. But the child was sorely puzzled, Why dear grandmamma should go To dwell in a stranger city, When her children loved her so. But again the mystic angel Came with swift and silent tread, And our sister, Jamie's mother, Was enrolled among the dead. To us the mystery deepened, To Jamie it seemed more clear; 36 TRUTH. Grandma, he said, must be lonesome, And mamma has gone to her. But the question lies unanswered In our little Jamie's mind, Why she should go to our mother, And leave her children behind; To dwell in that lovely city, From all that was dear to part, From children who loved to nestle So closely around her heart. Dear child, like you, we are puzzled, With problems that still remain; But think in the great hereafter Their meaning will all be plain. TRUTH. A rock, for ages, stern and high, Stood frowning 'gainst the earth and sky, And never bowed his haughty crest When angry storms around him prest. Morn, springing from the arms of night, Had often bathed his brow with light. TRUTH. 37 And kissed the shadows from his face With tender love and gentle grace. Day, pausing at the gates of rest, Smiled on him from the distant West, And from her throne the dark-browed Night Threw round his path her softest light. And yet he stood unmoved and proud, Nor love, nor wrath, his spirit bowed; He bared his brow to every blast And scorned the tempest as it passed. One day a tiny, humble seed-- The keenest eye would hardly heed-- Fell trembling at that stern rock's base, And found a lowly hiding-place. A ray of light, and drop of dew, Came with a message, kind and true; They told her of the world so bright, Its love, its joy, and rosy light, And lured her from her hiding-place, To gaze upon earth's glorious face. So, peeping timid from the ground, She clasped the ancient rock around, And climbing up with childish grace, She held him with a close embrace; 38 DEATH OF THE OLD SEA KING. Her clinging was a thing of dread; Where'er she touched a fissure spread, And he who'd breasted many a storm Stood frowning there, a mangled form; A Truth, dropped in the silent earth, May seem a thing of little worth, Till, spreading round some mighty wrong, It saps its pillars proud and strong, And o'er the fallen ruin weaves The brightest blooms and fairest leaves. DEATH OF THE OLD SEA KING. 'Twas a fearful night--the tempest raved With loud and wrathful pride, The storm-king harnessed his lightning steeds, And rode on the raging tide. The sea-king lay on his bed of death, Pale mourners around him bent; They knew the wild and fitful life Of their chief was almost spent. His ear was growing dull in death When the angry storm he heard, DEATH OF THE OLD SEA KING. 39 The sluggish blood in the old man's veins With sudden vigor stirred. "I hear them call," cried the dying man, His eyes grew full of light; "Now bring me here my warrior robes, My sword and armor bright. "In the tempest's lull I heard a voice, I knew 'twas Odin's call. The Valkyrs are gathering round my bed To lead me unto his hall. "Bear me unto my noblest ship, Light up a funeral pyre; I'll walk to the palace of the braves Through a path of flame and fire." Oh! wild and bright was the stormy light That flashed from the old man's eye, As they bore him from the couch of death To his battle-ship to die, And lit with many a mournful torch The sea-king's dying bed, And like a banner fair and bright The flames around him spread. 40 SAVE THE BOYS. But they heard no cry of anguish Break through that fiery wall, With rigid brow and silent lips He was seeking Odin's hall. Through a path of fearful splendor, While strong men held their breath, The brave old man went boldly forth And calmly talked with death. SAVE THE BOYS. Like Dives in the deeps of Hell I cannot break this fearful spell, Nor quench the fires I've madly nursed, Nor cool this dreadful raging thirst. Take back your pledge--ye come too late! Ye cannot save me from my fate, Nor bring me back departed joys; But ye can try to save the boys. Ye bid me break my fiery chain, Arise and be a man again, SAVE THE BOYS. 41 When every street with snares is spread, And nets of sin where'er I tread. No; I must reap as I did sow. The seeds of sin bring crops of woe; But with my latest breath I'll crave That ye will try the boys to save. These bloodshot eyes were once so bright; This sin-crushed heart was glad and light; But by the wine-cup's ruddy glow I traced a path to shame and woe. A captive to my galling chain, I've tried to rise, but tried in vain-- The cup allures and then destroys. Oh! from its thraldom save the boys. Take from your streets those traps of hell Into whose gilded snares I fell. Oh! freemen, from these foul decoys Arise, and vote to save the boys. Oh, ye who license men to trade In draughts that charm and then degrade, Before ye hear the cry, Too late, Oh, save the boys from my sad fate. 42 NOTHING AND SOMETHING. NOTHING AND SOMETHING. It is nothing to me, the beauty said, With a careless toss of her pretty head; The man is weak if he can't refrain From the cup you say is fraught with pain. It was something to her in after years, When her eyes were drenched with burning tears, And she watched in lonely grief and dread, And startled to hear a staggering tread. It is nothing to me, the mother said; I have no fear that my boy will tread In the downward path of sin and shame, And crush my heart and darken his name. It was something to her when that only son From the path of right was early won, And madly cast in the flowing bowl A ruined body and sin-wrecked soul. It is nothing to me, the young man cried: In his eye was a flash of scorn and pride; I heed not the dreadful things ye tell: I can rule myself I know full well. NOTHING AND SOMETHING. 43 It was something to him when in prison he lay The victim of drink, life ebbing away; And thought of his wretched child and wife, And the mournful wreck of his wasted life. It is nothing to me, the merchant said, As over his ledger he bent his head; I'm busy to-day with tare and tret, And I have no time to fume and fret. It was something to him when over the wire A message came from a funeral pyre-- A drunken conductor had wrecked a train, And his wife and child were among the slain. It is nothing to me, the voter said, The party's loss is my greatest dread; Then gave his vote for the liquor trade, Though hearts were crushed and drunkards made. It was something to him in after life, When his daughter became a drunkard's wife And her hungry children cried for bread, And trembled to hear their father's tread. Is it nothing for us to idly sleep While the cohorts of death their vigils keep? To gather the young and thoughtless in, And grind in our midst a grist of sin? 44 VASHTI. It is something, yes, all, for us to stand Clasping by faith our Saviour's hand; To learn to labor, live and fight On the side of God and changeless light. VASHTI. She leaned her head upon her hand And heard the King's decree-- "My lords are feasting in my halls; Bid Vashti come to me. "I've shown the treasures of my house, My costly jewels rare, But with the glory of her eyes No rubies can compare. "Adorn'd and crown'd I'd have her come, With all her queenly grace, And, 'mid my lords and mighty men, Unveil her lovely face. "Each gem that sparkles in my crown, Or glitters on my throne, VASHTI. 45 Grows poor and pale when she appears, My beautiful, my own!" All waiting stood the chamberlains To hear the Queen's reply. They saw her cheek grow deathly pale, But light flash'd to her eye: "Go, tell the King," she proudly said, "That I am Persia's Queen, And by his crowds of merry men I never will be seen. "I'll take the crown from off my head And tread it 'neath my feet, Before their rude and careless gaze My shrinking eyes shall meet. "A queen unveil'd before the crowd!-- Upon each lip my name!-- Why, Persia's women all would blush And weep for Vashti's shame! "Go back!" she cried, and waved her hand, And grief was in her eye: "Go, tell the King," she sadly said, "That I would rather die." 46 VASHTI. They brought her message to the King; Dark flash'd his angry eye; 'Twas as the lightning ere the storm Hath swept in fury by. Then bitterly outspoke the King, Through purple lips of wrath-- "What shall be done to her who dares To cross your monarch's path?" Then spake his wily counsellors-- "O King of this fair land! From distant Ind to Ethiop, All bow to thy command. "But if, before thy servants' eyes, This thing they plainly see, That Vashti doth not heed thy will Nor yield herself to thee, "The women, restive 'neath our rule, Would learn to scorn our name, And from her deed to us would come Reproach and burning shame. "Then, gracious King, sign with thy hand This stern but just decree, THANK GOD FOR LITTLE CHILDREN. 47 That Vashti lay aside her crown, Thy Queen no more to be." She heard again the King's command, And left her high estate; Strong in her earnest womanhood, She calmly met her fate, And left the palace of the King, Proud of her spotless name-- A woman who could bend to grief, But would not bow to shame. THANK GOD FOR LITTLE CHILDREN. Thank God for little children, Bright flowers by earth's wayside, The dancing, joyous lifeboats Upon life's stormy tide. Thank God for little children; When our skies are cold and gray, They come as sunshine to our hearts, And charm our cares away. 48 THANK GOD FOR LITTLE CHILDREN. I almost think the angels, Who tend life's garden fair, Drop down the sweet wild blossoms That bloom around us here. It seems a breath of heaven Round many a cradle lies, And every little baby Brings a message from the skies. Dear mothers, guard these jewels. As sacred offerings meet, A wealth of household treasures To lay at Jesus' feet. THE MARTYR OF ALABAMA. "Tim Thompson, a little negro boy, was asked to dance for the amusement of some white toughs. He refused, saying he was a church member. One of the men knocked him down with a club and then danced upon his prostrate form. He then shot the boy in the hip. The boy is dead; his murderer is still at large."--News Item. He lifted up his pleading eyes, And scanned each cruel face, Where cold and brutal cowardice Had left its evil trace. It was when tender memories Round Beth'lem's manger lay, (49) 50 THE MARTYR OF ALABAMA. And mothers told their little ones Of Jesu's natal day. And of the Magi from the East Who came their gifts to bring, And bow in rev'rence at the feet Of Salem's new-born King. And how the herald angels sang The choral song of peace, That war should close his wrathful lips, And strife and carnage cease. At such an hour men well may hush Their discord and their strife, And o'er that manger clasp their hands With gifts to brighten life. Alas! that in our favored land, That cruelty and crime Should cast their shadows o'er a day. The fairest pearl of time. A dark-browed boy had drawn anear A band of savage men, Just as a hapless lamb might stray Into a tiger's den. THE MARTYR OF ALABAMA. 51 Cruel and dull, they saw in him For sport an evil chance, And then demanded of the child To give to them a dance. "Come dance for us," the rough men said; "I can't," the child replied, "I cannot for the dear Lord's sake, Who for my sins once died." Tho' they were strong and he was weak, He wouldn't his Lord deny. His life lay in their cruel hands, But he for Christ could die. Heard they aright? Did that brave child Their mandates dare resist? Did he against their stern commands Have courage to insist? Then recklessly a man (?) arose, And dealt a fearful blow. He crushed the portals of that life, And laid the brave child low. And trampled on his prostrate form, As on a broken toy; 52 THE MARTYR OF ALABAMA. Then danced with careless, brutal feet, Upon the murdered boy. Christians! behold that martyred child! His blood cries from the ground; Before the sleepless eye of God, He shows each gaping wound. Oh! Church of Christ arise! arise! Lest crimson stain thy hand, When God shall inquisition make For blood shed in the land. Take sackcloth of the darkest hue, And shroud the pulpits round; Servants of him who cannot lie Sit mourning on the ground. Let holy horror blanch each brow, Pale every cheek with fears, And rocks and stones, if ye could speak, Ye well might melt to tears. Through every fane send forth a cry, Of sorrow and regret, Nor in an hour of careless ease Thy brother's wrongs forget. THE NIGHT OF DEATH. 53 Veil not thine eyes, nor close thy lips, Nor speak with bated breath; This evil shall not always last, The end of it is death. Avert the doom that crime must bring Upon a guilty land; Strong in the strength that God supplies, For truth and justice stand. For Christless men, with reckless hands, Are sowing round thy path The tempests wild that yet shall break In whirlwinds of God's wrath. THE NIGHT OF DEATH. Twas a night of dreadful horror,-- Death was sweeping through the land; And the wings of dark destruction Were outstretched from strand to strand Strong men's hearts grew faint with terror, As the tempest and the waves 54 THE NIGHT OF DEATH. Wrecked their homes and swept them downward, Suddenly to yawning graves. 'Mid the wastes of ruined households, And the tempest's wild alarms, Stood a terror-stricken mother With a child within her arms. Other children huddled 'round her, Each one nestling in her heart; Swift in thought and swift in action, She at least from one must part. Then she said unto her daughter, "Strive to save one child from death." "Which one?" said the anxious daughter, As she stood with bated breath. Oh! the anguish of that mother; What despair was in her eye! All her little ones were precious; Which one should she leave to die? Then outspake the brother Bennie: "I will take the little one." "No," exclaimed the anxious mother; "No, my child, it can't be done." THE NIGHT OF DEATH. 55 "See! my boy, the waves are rising, Save yourself and leave the child!" "I will trust in Christ," he answered; Grasped the little one and smiled. Through the roar of wind and waters Ever and anon she cried; But throughout the night of terror Never Bennie's voice replied. But above the waves' wild surging He had found a safe retreat, As if God had sent an angel, Just to guide his wandering feet. When the storm had spent its fury, And the sea gave up its dead She was mourning for her loved ones, Lost amid that night of dread. While her head was bowed in anguish, On her ear there fell a voice, Bringing surcease to her sorrow, Bidding all her heart rejoice. "Didn't I tell you true?" said Bennie, And his eyes were full of light, 56 MOTHER'S TREASURES. "When I told you God would help me Through the dark and dreadful night?" And he placed the little darling Safe within his mother's arms, Feeling Christ had been his guardian, 'Mid the dangers and alarms. Oh! for faith so firm and precious, In the darkest, saddest night, Till life's gloom-encircled shadows Fade in everlasting light. And upon the mount of vision We our loved and lost shall greet, With earth's wildest storms behind us, And its cares beneath our feet. MOTHER'S TREASURES. Two little children sit by my side, I call them Lily and Daffodil; I gaze on them with a mother's pride, One is Edna, the other is Will. Both have eyes of starry light, And laughing lips o'er teeth of pearl. MOTHER'S TREASURES. 57 I would not change for a diadem My noble boy and darling girl. To-night my heart o'erflows with joy; I hold them as a sacred trust; I fain would hide them in my heart, Safe from tarnish of moth and rust. What should I ask for my dear boy? The richest gifts of wealth or fame? What for my girl? A loving heart And a fair and a spotless name? What for my boy? That he should stand A pillar of strength to the state? What for my girl? That she should be The friend of the poor and desolate? I do not ask they shall never tread With weary feet the paths of pain. I ask that in the darkest hour They may faithful and true remain. I only ask their lives may be Pure as gems in the gates of pearl, Lives to brighten and bless the world-- This I ask for my boy and girl. 58 THE REFINER'S GOLD. I ask to clasp their hands again 'Mid the holy hosts of heaven, Enraptured say: "I am here, oh! God, "And the children Thou hast given." THE REFINER'S GOLD. He stood before my heart's closed door, And asked to enter in; But I had barred the passage o'er By unbelief and sin. He came with nail-prints in his hands, To set my spirit free; With wounded feet he trod a path To come and sup with me. He found me poor and brought me gold, The fire of love had tried, And garments whitened by his blood, My wretchedness to hide. The glare of life had dimmed my eyes, Its glamour was too bright. He came with ointment in his hands To heal my darkened sight. THE REFINER'S GOLD. 59 He knew my heart was tempest-tossed, By care and pain oppressed; He whispered to my burdened heart, Come unto me and rest. He found me weary, faint and worn, On barren mountains cold; With love's constraint he drew me on, To shelter in his fold. Oh! foolish heart, how slow wert thou To welcome thy dear guest, To change thy weariness and care For comfort, peace and rest. Close to his side, oh! may I stay, Just to behold his face, Till I shall wear within my soul The image of his grace. The grace that changes hearts of stone To tenderness and love, And bids us run with willing feet Unto his courts above. 60 A STORY OF THE REBELLION. A STORY OF THE REBELLION. The treacherous sands had caught our boat, And held it with a strong embrace And death at our imprisoned crew Was sternly looking face to face. With anxious hearts, but failing strength, We strove to push the boat from shore; But all in vain, for there we lay With bated breath and useless oar. Around us in a fearful storm The fiery hail fell thick and fast; And we engirded by the sand, Could not return the dreadful blast. When one arose upon whose brow The ardent sun had left his trace, A noble purpose strong and high Uplighting all his dusky face. Perchance within that fateful hour The wrongs of ages thronged apace; But with it came the glorious hope Of swift deliverance to his race. Of galling chains asunder rent, Of severed hearts again made one, A STORY OF THE REBELLION. 61 Of freedom crowning all the land Through battles gained and victories won. "Some one," our hero firmly said, "Must die to get us out of this;" Then leaped upon the strand and bared His bosom to the bullets' hiss. "But ye are soldiers, and can fight, May win in battles yet unfought; I have no offering but my life, And if they kill me it is nought." With steady hands he grasped the boat, And boldly pushed it from the shore; Then fell by rebel bullets pierced, His life work grandly, nobly o'er. Our boat was rescued from the sands And launched in safety on the tide; But he our comrade good and grand, In our defence had bravely died. BURIAL OF SARAH. He stood before the sons of Heth, And bowed his sorrowing head; 62 BURIAL OF SARAH. "I've come," he said, "to buy a place Where I may lay my dead. "I am a stranger in your land, My home has lost its light; Grant me a place where I may lay My dead away from sight." Then tenderly the sons of Heth Gazed on the mourner's face, And said, "Oh, Prince, amid our dead, Choose thou her resting-place. "The sepulchres of those we love, We place at thy command; Against the plea thy grief hath made We close not heart nor hand." The patriarch rose and bowed his head, And said, "One place I crave; 'Tis at the end of Ephron's field, And called Machpelah's cave. "Entreat him that he sell to me For her last sleep that cave; I do not ask for her I loved The freedom of a grave." BURIAL OF SARAH. 63 The son of Zohar answered him, "Hearken, my lord, to me; Before our sons, the field and cave I freely give to thee." "I will not take it as a gift," The grand old man then said; "I pray thee let me buy the place Where I may lay my dead." And with the promise in his heart, His seed should own that land, He gave the shekels for the field He took from Ephron's hand. And saw afar the glorious day His chosen seed should tread, The soil where he in sorrow lay His loved and cherished dead. GOING EAST. She came from the East a fair, young bride, With a light and a bounding heart, To find in the distant West a home With her husband to make a start. 64 GOING EAST. He builded his cabin far away, Where the prairie flower bloomed wild; Her love made lighter all his toil, And joy and hope around him smiled. She plied her hands to life's homely tasks, And helped to build his fortunes up; While joy and grief, like bitter and sweet, Were mingled and mixed in her cup. He sowed in his fields of golden grain, All the strength of his manly prime; Nor music of birds, nor brooks, nor bees, Was as sweet as the dollar's chime. She toiled and waited through weary years For the fortune that came at length; But toil and care and hope deferred, Had stolen and wasted her strength. The cabin changed to a stately home, Rich carpets were hushing her tread; But light was fading from her eye, And the bloom from her cheek had fled. Slower and heavier grew her step, While his gold and his gains increased; GOING EAST. 65 But his proud domain had not the charm Of her humble home in the East. Within her eye was a restless light, And a yearning that never ceased, A longing to see the dear old home She had left in the distant East. A longing to clasp her mother's hand, And nestle close to her heart, And to feel the heavy cares of life Like the sun-kissed shadows depart. Her husband was adding field to field, And new wealth to his golden store; And little thought the shadow of death Was entering in at his door. He had no line to sound the depths Of her tears repressed and unshed; Nor dreamed 'mid plenty a human heart Could be starving, but not for bread. The hungry heart was stilled at last; Its restless, baffled yearning ceased. A lonely man sat by the bier Of a corpse that was going East. 66 THE HERMIT'S SACRIFICE. THE HERMIT'S SACRIFICE. From Rome's palaces and villas Gaily issued forth a throng; From her humbler habitations Moved a human tide along. Haughty dames and blooming maidens, Men who knew not mercy's sway, Thronged into the Coliseum On that Roman holiday. From the lonely wilds of Asia, From her jungles far away, From the distant torrid regions, Rome had gathered beasts of prey. Lions restless, roaring, rampant, Tigers with their stealthy tread, Leopards bright, and fierce, and fiery, Met in conflict wild and dread. Fierce and fearful was the carnage Of the maddened beasts of prey, As they fought and rent each other Urged by men more fierce than they. Till like muffled thunders breaking On a vast and distant shore, THE HERMIT'S SACRIFICE. 67 Fainter grew the yells of tigers, And the lions' dreadful roar. On the crimson-stained arena Lay the victims of the fight; Eyes which once had glared with anguish, Lost in death their baleful light. Then uprose the gladiators Armed for conflict unto death, Waiting for the prefect's signal, Cold and stern with bated breath. "Ave Caesar, morituri, Te, salutant," rose the cry From the lips of men ill-fated, Doomed to suffer and to die. Then began the dreadful contest, Lives like chaff were thrown away, Rome with all her pride and power Butchered for a holiday. Eagerly the crowd were waiting, Loud the clashing sabres rang; When between the gladiators All unarmed a hermit sprang. 68 THE HERMIT'S SACRIFICE. "Cease your bloodshed," cried the hermit, "On this carnage place your ban;" But with flashing swords they answered, "Back unto your place, old man." From their path the gladiators Thrust the strange intruder back, Who between their hosts advancing Calmly parried their attack. All undaunted by their weapons, Stood the old heroic man; While a maddened cry of anger Through the vast assembly ran. "Down with him," cried out the people, As with thumbs unbent they glared, Till the prefect gave the signal That his life should not be spared. Men grew wild with wrathful passion, When his fearless words were said Cruelly they fiercely showered Stones on his devoted head. Bruised and bleeding fell the hermit, Victor in that hour of strife; SONGS FOR THE PEOPLE. 69 Gaining in his death a triumph That he could not win in life. Had he uttered on the forum Struggling thoughts within him born, Men had jeered his words as madness, But his deed they could not scorn. Not in vain had been his courage, Nor for naught his daring deed; From his grave his mangled body Did for wretched captives plead. From that hour Rome, grown more thoughtful, Ceased her sport in human gore; And into her Coliseum Gladiators came no more. SONGS FOR THE PEOPLE. Let me make the songs for the people, Songs for the old and young; Songs to stir like a battle-cry Wherever they are sung. Not for the clashing of sabres, For carnage nor for strife; 70 SONGS FOR THE PEOPLE. But songs to thrill the hearts of men With more abundant life. Let me make the songs for the weary, Amid life's fever and fret, Till hearts shall relax their tension, And careworn brows forget. Let me sing for little children, Before their footsteps stray, Sweet anthems of love and duty, To float o'er life's highway. I would sing for the poor and aged, When shadows dim their sight; Of the bright and restful mansions, Where there shall be no night. Our world, so worn and weary, Needs music, pure and strong, To hush the jangle and discords Of sorrow, pain, and wrong. Music to soothe all its sorrow, Till war and crime shall cease; And the hearts of men grown tender Girdle the world with peace. LET THE LIGHT ENTER. 71 LET THE LIGHT ENTER. The dying words of Goethe. "Light! more light! the shadows deepen, And my life is ebbing low, Throw the windows widely open: Light! more light! before I go. "Softly let the balmy sunshine Play around my dying bed, E'er the dimly lighted valley I with lonely feet must tread. "Light! more light! for Death is weaving Shadows 'round my waning sight, And I fain would gaze upon him Through a stream of earthly light." Not for greater gifts of genius; Not for thoughts more grandly bright, All the dying poet whispers Is a prayer for light, more light. Heeds he not the gathered laurels, Fading slowly from his sight; All the poet's aspirations Centre in that prayer for light. 72 AN APPEAL TO MY COUNTRYWOMEN. Gracious Saviour, when life's day-dreams Melt and vanish from the sight, May our dim and longing vision Then be blessed with light, more light. AN APPEAL TO MY COUNTRYWOMEN. You can sigh o'er the sad-eyed Armenian Who weeps in her desolate home. You can mourn o'er the exile of Russia From kindred and friends doomed to roam. You can pity the men who have woven From passion and appetite chains To coil with a terrible tension Around their heartstrings and brains. You can sorrow o'er little children Disinherited from their birth, The wee waifs and toddlers neglected, Robbed of sunshine, music and mirth. For beasts you have gentle compassion; Your mercy and pity they share. For the wretched, outcast and fallen You have tenderness, love and care. AN APPEAL TO MY COUNTRYWOMEN. 73 But hark! from our Southland are floating Sobs of anguish, murmurs of pain, And women heart-stricken are weeping Over their tortured and their slain. On their brows the sun has left traces; Shrink not from their sorrow in scorn. When they entered the threshold of being The children of a King were born. Each comes as a guest to the table The hand of our God has outspread, To fountains that ever leap upward, To share in the soil we all tread. When ye plead for the wrecked and fallen, The exile from far-distant shores, Remember that men are still wasting Life's crimson around your own doors. Have ye not, oh, my favored sisters, Just a plea, a prayer or a tear, For mothers who dwell 'neath the shadows Of agony, hatred and fear? Men may tread down the poor and lowly, May crush them in anger and hate, 74 AN APPEAL TO MY COUNTRYWOMEN. But surely the mills of God's justice Will grind out the grist of their fate. Oh, people sin-laden and guilty, So lusty and proud in your prime, The sharp sickles of God's retribution Will gather your harvest of crime. Weep not, oh my well-sheltered sisters, Weep not for the Negro alone, But weep for your sons who must gather The crops which their fathers have sown. Go read on the tombstones of nations Of chieftains who masterful trod, The sentence which time has engraven, That they had forgotten their God. 'Tis the judgment of God that men reap The tares which in madness they sow, Sorrow follows the footsteps of crime, And Sin is the consort of Woe. THEN AND NOW. 75 THEN AND NOW. "Build me a nation," said the Lord. The distant nations heard the word, Build me a nation true and strong, Bar out the old world's hate and wrong; For men had traced with blood and tears The trail of weary wasting years, And torn and bleeding martyrs trod Through fire and torture up to God. While in the hollow of his hand God hid the secret of our land, Men warred against their fiercest foes, And kingdoms fell and empires rose, Till, weary of the old world strife, Men sought for broader, freer life, And plunged into the ocean's foam To find another, better home. And, like a vision fair and bright The new world broke upon their sight. Men grasped the prize, grew proud and strong, And cursed the land with crime and wrong. The Indian stood despoiled of lands, The Negro bound with servile bands, Oppressed through weary years of toil, His blood and tears bedewed the soil. 76 THEN AND NOW. Then God arose in dreadful wrath, And judgment streamed around his path; His hand the captive's fetters broke, His lightnings shattered every yoke. As Israel through the Red sea trod, Led by the mighty hand of God, They passed to freedom through a flood, Whose every wave and surge was blood. And slavery, with its crime and shame, Went down in wrath and blood and flame The land was billowed-o'er with graves Where men had lived and died as slaves. Four and thirty years--what change since then! Beings once chattles now are men; Over the gloom of slavery's night, Has flashed the dawn of freedom's light. To-day no mother with anguish wild Kneels and implores that her darling child Shall not be torn from her bleeding heart, With its quivering tendrils rent apart. The father may soothe his child to sleep, And watch his slumbers calm and deep. No tyrant's tread will disturb his rest Where freedom dwells as a welcome guest. THEN AND NOW. 77 His walls may be bare of pictured grace, His fireside the lowliest place; But the wife and children sheltered there Are his to defend and guard with care. Where haughty tyrants once bore rule Are ballot-box and public school. The old slave-pen of former days Gives place to fanes of prayer and praise. To-night we would bring our meed of praise To noble friends of darker days; The men and women crowned with light, The true and tried in our gloomy night. To Lundy, whose heart was early stirred To speak for freedom an earnest word; To Garrison, valiant, true and strong, Whose face was as flint against our wrong. And Phillips, the peerless, grand and brave, A tower of strength to the outcast slave. Earth has no marble too pure and white To enrol his name in golden light. Our Douglass, too, with his massive brain, Who plead our cause with his broken chain, And helped to hurl from his bloody seat The curse that writhed and died at his feet. 78 THEN AND NOW. And Governor Andrew, who, looking back, Saw none he despised, though poor and black; And Harriet Beecher, whose glowing pen Corroded the chains of fettered men. To-night with greenest laurels we'll crown North Elba's grave where sleeps John Brown, Who made the gallows an altar high, And showed how a brave old man could die. And Lincoln, our martyred President, Who returned to his God with chains he had rent.* And Sumner, amid death's icy chill, Leaving to Hoar his Civil Rights Bill. And let us remember old underground, With all her passengers northward bound, The train that ran till it ceased to pay, With all her dividends given away. Nor let it be said that we have forgot The women who stood with Lucretia Mott; Nor her who to the world was known By the simple name of Lucy stone. A tribute unto a host of others Who knew that men though black were brothers, Who battled against our nation's sin, Whose graves are thick whose ranks are thin. Oh, people chastened in the fire, To nobler, grander things aspire; MACEO. 79 In the new era of your life, Bring love for hate, and peace for strife; Upon your hearts this vow record That ye will build unto the Lord A nobler future, true and grand, To strengthen, crown and bless the land. A higher freedom ye may gain Than that which comes from a riven chain; Freedom your native land to bless With peace, and love and righteousness, As dreams that are past, a tale all told, Are the days when men were bought and sold; Now God be praised from sea to sea, Our flag floats o'er a country free. MACEO. Maceo dead! a thrill of sorrow Through our hearts in sadness ran When we felt in one sad hour That the world had lost a man. He had clasped unto his bosom The sad fortunes of his land-- Held the cause for which he perished With a firm, unfaltering hand. 80 MACEO. On his lips the name of freedom Fainted with his latest breath. Cuba Libre was his watchword Passing through the gates of death. With the light of God around us, Why this agony and strife? With the cross of Christ before us, Why this fearful waste of life? Must the pathway unto freedom Ever mark a crimson line, And the eyes of wayward mortals Always close to light divine? Must the hearts of fearless valor Fail 'mid crime and cruel wrong, When the world has read of heroes Brave and earnest, true and strong? Men to stay the floods of sorrow Sweeping round each war-crushed heart; Men to say to strife and carnage-- From our world henceforth depart. God of peace and God of nations, Haste! oh, haste the glorious day MACEO. 81 When the reign of our Redeemer O'er the world shall have its sway. When the swords now blood encrusted, Spears that reap the battle field, Shall be changed to higher service, Helping earth rich harvests yield. Where the widow weeps in anguish, And the orphan bows his head, Grant that peace and joy and gladness May like holy angels tread. Pity, oh, our God the sorrow Of thy world from thee astray, Lead us from the paths of madness Unto Christ the living way. Year by year the world grows weary 'Neath its weight of sin and strife, Though the hands once pierced and bleeding Offer more abundant life. May the choral song of angels Heard upon Judea's plain Sound throughout the earth the tidings Of that old and sweet refrain. 82 ONLY A WORD. Till our world, so sad and weary, Finds the balmy rest of peace-- Peace to silence all her discords-- Peace till war and crime shall cease. Peace to fall like gentle showers, Or on parchéd flowers dew, Till our hearts proclaim with gladness: Lo, He maketh all things new. "FISHERS OF MEN." I had a dream, a varied dream: Before my ravished sight The city of my Lord arose, With all its love and light. The music of a myriad harps Flowed out with sweet accord; And saints were casting down their crowns In homage to our Lord. "FISHERS OF MEN." 83 My heart leaped up with untold joy, Life's toil and pain were o'er; My weary feet at last had found The bright and restful shore. Just as I reached the gates of light, Ready to enter in, From earth arose a fearful cry Of sorrow and of sin. I turned, and saw behind me surge A wild and stormy sea; And drowning men were reaching out Imploring hands to me. And ev'ry lip was blanched with dread, And moaning for relief; The music of the golden harps Grew fainter for their grief. Let me return, I quickly said, Close to the pearly gate; My work is with these wretched ones, So wrecked and desolate. An angel smiled and gently said: This is the gate of life, Wilt thou return to earth's sad scenes, Its weariness and strife, 84 SIGNING THE PLEDGE. To comfort hearts that sigh and break, To dry the falling tear, Wilt thou forego the music sweet Entrancing now thy ear? I must return, I firmly said, The strugglers in that sea Shall not reach out beseeching hands In vain for help to me. I turned to go; but as I turned The gloomy sea grew bright, And from my heart there seemed to flow Ten thousand cords of light. And sin-wrecked men, with eager hands Did grasp each golden cord; And with my heart I drew them on To see my gracious Lord. Again I stood beside the gate. My heart was glad and free; For with me stood a rescued throng The Lord had given me. THE LOST BELLS. 85 THE LOST BELLS. Year after year the artist wrought With earnest, loving care, The music flooding all his soul To pour upon the air. For this no metal was too rare, He counted not the cost; Nor deemed the years in which he toiled As labor vainly lost. When morning flushed with crimson light The golden gates of day, He longed to fill the air with chimes Sweet as a matin's lay. And when the sun was sinking low Within the distant West, He gladly heard the bells he wrought Herald the hour of rest. The music of a thousand harps Could never be so dear As when those solemn chants and thrills Fell on his list'ning ear. He poured his soul into their chimes, And felt his toil repaid; He called them children of his soul, His home a'near them made. 86 THE LOST BELLS. But evil days came on apace, War spread his banner wide, And from his village snatched away The artist's love and pride. At dewy morn and stilly eve The chimes no more he heard; With dull and restless agony His spirit's depths was stirred. A weary longing filled his soul, It bound him like a spell; He left his home to seek the chimes-- The chimes he loved so well. Where lofty fanes in grandeur rose, Upon his ear there fell No music like the long lost chimes Of his beloved bell. And thus he wandered year by year. Touched by the hand of time, Seeking to hear with anxious heart Each well remembered chime. And to that worn and weary heart There came a glad surcease: He heard again the dear old chimes, And smiled and uttered peace. THE LOST BELLS. 87 "The chimes! the chimes!" the old man cried, "I hear their tones at last;" A sudden rapture filled his heart, And all his cares were past. Yes, peace had come with death's sweet calm, His journeying was o'er, The weary, restless wanderer Had reached the restful shore. It may be that he met again, Enfolded in the air, The dear old chimes beside the gates Where all is bright and fair; That he who crossed and bowed his head When Angelus was sung In clearer light touched golden harps By angel fingers strung. 88 "DO NOT CHEER, MEN ARE DYING." "DO NOT CHEER, MEN ARE DYING," SAID CAPT. PHILLIPS, IN THE SPANISH-AMERICAN WAR. Do not cheer, for men are dying From their distant homes in pain; And the restless sea is darkened By a flood of crimson rain. Do not cheer, for anxious mothers Wait and watch in lonely dread; Vainly waiting for the footsteps Never more their paths to tread. Do not cheer, while little children Gather round the widowed wife, Wondering why an unknown people Sought their own dear father's life. Do not cheer, for aged fathers Bend above their staves and weep, While the ocean sings the requiem Where their fallen children sleep. Do not cheer, for lips are paling On which lay the mother's kiss; 'Mid the dreadful roar of battle How that mother's hand they miss! "DO NOT CHEER, MEN ARE DYING." 89 Do not cheer: once joyous maidens, Who the mazy dance did tread, Bow their heads in bitter anguish, Mourning o'er their cherished dead. Do not cheer while maid and matron In this strife must bear a part; While the blow that strikes a soldier Reaches to some woman's heart. Do not cheer till arbitration O'er the nations holds its sway, And the century now closing Ushers in a brighter day. Do not cheer until the nation Shall more wise and thoughtful grow Than to staunch a stream of sorrow By an avalanche of woe. Do not cheer until each nation Sheathes the sword and blunts the spear, And we sing aloud for gladness: Lo, the reign of Christ is here, And the banners of destruction From the battlefield are furled, And the peace of God descending Rests upon a restless world. 90 THE BURDENS OF ALL. THE BURDENS OF ALL. We may sigh o'er the heavy burdens Of the black, the brown and white; But if we all clasped hands together The burdens would be more light. How to solve life's saddest problems, Its weariness, want and woe, Was answered by One who suffered In Palestine long ago. He gave from his heart this precept, To ease the burdens of men, "As ye would that others do to you Do ye even so to them." Life's heavy, wearisome burdens Will change to a gracious trust When men shall learn in the light of God To be merciful and just. Where war has sharpened his weapons, And slavery masterful had, Let white and black and brown unite To build the kingdom of God. And never attempt in madness To build a kingdom or state, Through greed of gold or lust of power, On the crumbling stones of hate. The burdens will always he heavy, The sunshine fade into night, Till mercy and justice shall cement The black, the brown and the white. And earth shall answer with gladness, The herald angel's refrain, When "Peace on earth, good will to men" Was the burden of their strain. End of the Project Gutenberg EBook of Poems, by Frances E. W. Harper *** END OF THIS PROJECT GUTENBERG EBOOK POEMS *** ***** This file should be named 679-8.txt or 679-8.zip ***** This and all associated files of various formats will be found in: https://www.gutenberg.org/6/7/679/ Produced by Judith Boss Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away--you may do practically ANYTHING with public domain eBooks. Redistribution is subject to the trademark license, especially commercial redistribution. *** START: FULL LICENSE *** THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg-tm mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase "Project Gutenberg"), you agree to comply with all the terms of the Full Project Gutenberg-tm License (available with this file or online at https://gutenberg.org/license). Section 1. General Terms of Use and Redistributing Project Gutenberg-tm electronic works 1.A. By reading or using any part of this Project Gutenberg-tm electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg-tm electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg-tm electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. "Project Gutenberg" is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg-tm electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg-tm electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg-tm electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" or PGLAF), owns a compilation copyright in the collection of Project Gutenberg-tm electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is in the public domain in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg-tm mission of promoting free access to electronic works by freely sharing Project Gutenberg-tm works in compliance with the terms of this agreement for keeping the Project Gutenberg-tm name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg-tm License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg-tm work. The Foundation makes no representations concerning the copyright status of any work in any country outside the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg-tm License must appear prominently whenever any copy of a Project Gutenberg-tm work (any work on which the phrase "Project Gutenberg" appears, or with which the phrase "Project Gutenberg" is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org 1.E.2. If an individual Project Gutenberg-tm electronic work is derived from the public domain (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase "Project Gutenberg" associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg-tm electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg-tm License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg-tm. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg-tm License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg-tm work in a format other than "Plain Vanilla ASCII" or other format used in the official version posted on the official Project Gutenberg-tm web site (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original "Plain Vanilla ASCII" or other form. Any alternate format must include the full Project Gutenberg-tm License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg-tm works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg-tm electronic works provided that - You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg-tm works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg-tm trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, "Information about donations to the Project Gutenberg Literary Archive Foundation." - You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg-tm License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg-tm works. - You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. - You comply with all other terms of this agreement for free distribution of Project Gutenberg-tm works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from both the Project Gutenberg Literary Archive Foundation and Michael Hart, the owner of the Project Gutenberg-tm trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread public domain works in creating the Project Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm electronic works, and the medium on which they may be stored, may contain "Defects," such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right of Replacement or Refund" described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg-tm trademark, and any other party distributing a Project Gutenberg-tm electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg-tm electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg-tm electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg-tm work, (b) alteration, modification, or additions or deletions to any Project Gutenberg-tm work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg-tm Project Gutenberg-tm is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need, is critical to reaching Project Gutenberg-tm's goals and ensuring that the Project Gutenberg-tm collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg-tm and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation web page at https://www.pglaf.org. Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation's EIN or federal tax identification number is 64-6221541. Its 501(c)(3) letter is posted at https://pglaf.org/fundraising. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state's laws. The Foundation's principal office is located at 4557 Melan Dr. S. Fairbanks, AK, 99712., but its volunteers and employees are scattered throughout numerous locations. Its business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email [email protected]. Email contact links and up to date contact information can be found at the Foundation's web site and official page at https://pglaf.org For additional contact information: Dr. Gregory B. Newby Chief Executive and Director [email protected] Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg-tm depends upon and cannot survive without wide spread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit https://pglaf.org While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg Web pages for current donation methods and addresses. Donations are accepted in a number of other ways including including checks, online payments and credit card donations. To donate, please visit: https://pglaf.org/donate Section 5. General Information About Project Gutenberg-tm electronic works. Professor Michael S. Hart was the originator of the Project Gutenberg-tm concept of a library of electronic works that could be freely shared with anyone. For thirty years, he produced and distributed Project Gutenberg-tm eBooks with only a loose network of volunteer support. Project Gutenberg-tm eBooks are often created from several printed editions, all of which are confirmed as Public Domain in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our Web site which has the main PG search facility: https://www.gutenberg.org This Web site includes information about Project Gutenberg-tm, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.