The Verse-Book of a Homely Woman

By Fay Inchfawn

The Project Gutenberg EBook of The Verse-Book Of A Homely Woman, by 
Elizabeth Rebecca Ward, AKA Fay Inchfawn

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org


Title: The Verse-Book Of A Homely Woman

Author: Elizabeth Rebecca Ward, AKA Fay Inchfawn

Posting Date: February 28, 2009 [EBook #3477]
Release Date: October, 2002

Language: English


*** START OF THIS PROJECT GUTENBERG EBOOK THE VERSE-BOOK OF A HOMELY WOMAN ***






THE VERSE-BOOK OF A HOMELY WOMAN


By Fay Inchfawn

[Elizabeth Rebecca Ward]




CONTENTS


     PART I

     INDOORS


     THE LONG VIEW

     WITHIN MY HOUSE

     THE HOUSEWIFE

     TO MOTHER

     IN SUCH AN HOUR

     THE DAILY INTERVIEW

     THE LITTLE HOUSE

     THE HOUSE-MOTHER

     A WOMAN IN HOSPITAL

     IN CONVALESCENCE

     HOMESICK

     ON WASHING DAY

     WHEN BABY STRAYED

     IF ONLY ----

     LISTENING

     THE DEAR FOLKS IN DEVON

     THE REASON

     TWO WOMEN

     THE PRIZE FIGHT

     THE HOME LIGHTS

     TO AN OLD TEAPOT

     TO A REBELLIOUS DAUGHTER

     FOR MOTHERING!

     LITTLE FAN

     THE NAUGHTY DAY

     TO A LITTLE WHITE BIRD

     BECAUSE

     WHEN HE COMES



     PART II


     OUT OF DOORS

     EARLY SPRING

     THE WITNESS

     IN SOMERSET

     SONG OF A WOODLAND STREAM

     LUGGAGE IN ADVANCE

     AT THE CROSS ROADS

     SUMMER MET ME

     THE CARRIER

     THE LAD'S LOVE BY THE GATE

     THE THRUSH

     IN DORSET DEAR

     THE FLIGHT OF THE FAIRIES

     THE STREET PLAYER

     ON ALL SOULS' EVE

     THE LOG FIRE

     GOD SAVE THE KING



          Dedicated

          TO

          MY FIRST LOVE, MY MOTHER




PART I. INDOORS




The Long View

     Some day of days! Some dawning
         yet to be
     I shall be clothed with immortality!

     And, in that day, I shall not greatly care
     That Jane spilt candle grease upon the
         stair.

     It will not grieve me then, as once it did,
     That careless hands have chipped my
         teapot lid.

     I groan, being burdened. But, in that
         glad day,
     I shall forget vexations of the way.

     That needs were often great, when means
         were small,
     Will not perplex me any more at all
     A few short years at most (it may be less),
     I shall have done with earthly storm and
         stress.

     So, for this day, I lay me at Thy feet.
     O, keep me sweet, my Master! Keep
         me sweet!





Within my House

     First, there's the entrance, narrow,
         and so small,
     The hat-stand seems to fill the tiny hall;
     That staircase, too, has such an awkward
         bend,
     The carpet rucks, and rises up on end!
     Then, all the rooms are cramped and close
         together;
     And there's a musty smell in rainy weather.
     Yes, and it makes the daily work go hard
     To have the only tap across a yard.
     These creaking doors, these draughts, this
         battered paint,
     Would try, I think, the temper of a saint,

     How often had I railed against these
         things,
     With envies, and with bitter murmurings
     For spacious rooms, and sunny garden
         plots!
     Until one day,
     Washing the breakfast dishes, so I think,
     I paused a moment in my work to pray;
     And then and there
     All life seemed suddenly made new and
         fair;
     For, like the Psalmist's dove among the
         pots
     (Those endless pots, that filled the tiny
         sink!),
     My spirit found her wings.

     "Lord" (thus I prayed), "it matters not
         at all
     That my poor home is ill-arranged and
         small:
     I, not the house, am straitened; Lord,
         'tis I!
     Enlarge my foolish heart, that by-and-by
     I may look up with such a radiant face
     Thou shalt have glory even in this place.
     And when I trip, or stumble unawares
     In carrying water up these awkward stairs,
     Then keep me sweet, and teach me day
         by day
     To tread with patience Thy appointed
         way.
     As for the house . . . . Lord, let it be
         my part
     To walk within it with a perfect heart."





The Housewife

     See, I am cumbered, Lord,
        With serving, and with small vexa-
          tious things.
     Upstairs, and down, my feet
     Must hasten, sure and fleet.
     So weary that I cannot heed Thy word;
     So tired, I cannot now mount up with
          wings.
     I wrestle--how I wrestle!--through the
          hours.
     Nay, not with principalities, nor powers--
     Dark spiritual foes of God's and man's--
     But with antagonistic pots and pans:
     With footmarks in the hall,
     With smears upon the wall,
     With doubtful ears, and small unwashen
          hands,
     And with a babe's innumerable demands.

     I toil with feverish haste, while tear-drops
          glisten,

     (O, child of mine, be still. And listen--
          listen!)

     At last, I laid aside
     Important work, no other hands could do
     So well (I thought), no skill contrive so
          true.
     And with my heart's door open--open
          wide--
     With leisured feet, and idle hands, I sat.
     I, foolish, fussy, blind as any bat,
     Sat down to listen, and to learn. And lo,
     My thousand tasks were done the better so.





To Mother

     I would that you should know,
     Dear mother, that I love you--love
          you so!
     That I remember other days and years;
     Remember childish joys and childish fears.
     And this, because my baby's little hand
     Opened my own heart's door and made
          me understand.

     I wonder how you could
     Be always kind and good!
     So quick to hear; to tend
     My smallest ills; to lend
     Such sympathising ears
     Swifter than ancient seer's.
     I never yet knew hands so soft and kind,
     Nor any cheek so smooth, nor any mind
     So full of tender thoughts. . . . Dear
          mother, now
     I think that I can guess a little how
     You must have looked for some response,
          some sign,
     That all my tiresome wayward heart was
          thine.

     And sure it was! You were my first dear
          love!
     You who first pointed me to God above;
     You who seemed hearkening to my lightest
          word,
     And in the dark night seasons always
          heard
     When I came trembling, knocking at your
          door.
     Forgive me, mother, if my whims outwore
     Your patient heart. Or if in later days
     I sought out foolish unfamiliar ways;
     If ever, mother dear, I loosed my hold
     Of your loved hand; or, headstrong,
          thought you cold,
     Forgive me, mother! Oh, forgive me,
          dear!
     I am come back at last--you see me
          here,
     Your loving child. . . . And, mother,
          on my knee
     I pray that thus my child may think of
          me!





In Such an Hour

     Sometimes, when everything goes
          wrong:
     When days are short, and nights are long;
     When wash-day brings so dull a sky
     That not a single thing will dry.
     And when the kitchen chimney smokes,
     And when there's naught so "queer" as
          folks!
     When friends deplore my faded youth,
     And when the baby cuts a tooth.
     While John, the baby last but one,
     Clings round my skirts till day is done;
     When fat, good-tempered Jane is glum,
     And butcher's man forgets to come.

     Sometimes, I say, on days like these,
     I get a sudden gleam of bliss.
     "Not on some sunny day of ease,
     He'll come . . but on a day like this!"
     And, in the twinkling of an eye,
     These tiresome things will all go by!

     And, 'tis a curious thing, but Jane
     Is sure, just then, to smile again;
     Or, out the truant sun will peep,
     And both the babies fall asleep.
     The fire burns up with roar sublime,
     And butcher's man is just in time.
     And oh! My feeble faith grows strong
     Sometimes, when everything goes wrong!





The Daily Interview

     Such a sensation Sunday's preacher
          made.
     "Christian!" he cried, "what is your stock-
          in-trade?
     Alas! Too often nil. No time to pray;
     No interview with Christ from day to day,
     A hurried prayer, maybe, just gabbled
          through;
     A random text--for any one will do."
     Then gently, lovingly, with look intense,
     He leaned towards us--
     "Is this common sense?
     No person in his rightful mind will try
     To run his business so, lest by-and-by
     The thing collapses, smirching his good
          name,
     And he, insolvent, face the world with
     shame."

     I heard it all; and something inly said
     That all was true. The daily toil and press
     Had crowded out my hopes of holiness.
     Still, my old self rose, reasoning:
     How can you,
     With strenuous work to do--
     Real slogging work--say, how can you
          keep pace
     With leisured folks? Why, you could
          grow in grace
     If you had time . . . the daily Interview
     Was never meant for those who wash and
          bake.

     But yet a small Voice whispered:
     "For My sake
     Keep tryst with Me!
     There are so many minutes in a day,
     So spare Me ten.
     It shall be proven, then,
     Ten minutes set apart can well repay
     You shall accomplish more
     If you will shut your door
     For ten short minutes just to watch and
          pray."

     "Lord, if I do
     Set ten apart for You"
     (I dared, yes dared, to reason thus with
          Him)
     "The baker's sure to come;
     Or Jane will call
     To say some visitor is in the hall;
     Or I shall smell the porridge burning, yes,
     And run to stop it in my hastiness.
     There's not ten minutes, Lord, in all the
          day
     I can be sure of peace in which to watch
          and pray."

     But all that night,
     With calm insistent might,
     That gentle Voice spake softly, lovingly--
     "Keep tryst with Me!
     You have devised a dozen different ways
     Of getting easy meals on washing days;
     You spend much anxious thought on
          hopeless socks;
     On moving ironmould from tiny frocks;
     'Twas you who found
     A way to make the sugar lumps go round;
     You, who invented ways and means of
          making
     Nice spicy buns for tea, hot from the baking,
     When margarine was short . . . and can-
          not you
     Who made the time to join the butter queue
     Make time again for Me?
     Yes, will you not, with all your daily
          striving,
     Use woman's wit in scheming and con-
          triving
     To keep that tryst with Me?"

     Like ice long bound
     On powdered frosty ground,
     My erring will all suddenly gave way.
     The kind soft wind of His sweet pleading
          blew,
     And swiftly, silently, before I knew,
     The warm love loosed and ran.
     Life-giving floods began,
     And so most lovingly I answered Him:
     "Lord, yes, I will, and can.
     I will keep tryst with Thee, Lord, come
          what may!"

     ENVOY.

       It is a wondrous and surprising thing
       How that ten minutes takes the piercing
          sting
       From vexing circumstance and poison-
          ous dart
       Hurled by the enemy straight at my
          heart.
       So, to the woman tempest-tossed and
          tried
       By household cares, and hosts of things
          beside,
       With all my strength God bids me say
          to you:
       "Dear soul, do try the daily Interview!"





The Little House

     One yestereve, in the waning light,
     When the wind was still and the
          gloaming bright,
     There came a breath from a far countrie,
     And the ghost of a Little House called
          to me.

     "Have you forgotten me?" "No!" I cried.
     "Your hall was as narrow as this is wide,
     Your roof was leaky, the rain came
          through
     Till a ceiling fell, on my new frock too!

     "In your parlour flooring a loose board hid,
     And wore the carpet, you know it did!
     Your kitchen was small, and the shelves
          were few,
     While the fireplace smoked--and you
          know it's true!"

     The little ghost sighed: "Do you quite
          forget
     My window boxes of mignonette?
     And the sunny room where you used to
          sew
     When a great hope came to you, long ago?

     "Ah, me! How you used to watch the
          door
     Where a latch-key turned on the stroke
          of four.
     And you made the tea, and you poured
          it out
     From an old brown pot with a broken
          spout

     "Now, times have changed. And your
          footman waits
     With the silver urn, and the fluted plates.
     But the little blind Love with the wings,
          has flown,
     Who used to sit by your warm hearth-
          stone."

     The little ghost paused. Then "Away!"
          I said.
     "Back to your place with the quiet dead.
     Back to your place, lest my servants see,
     That the ghost of a Little House calls
          to me."





The House-Mother

     Across the town the evening bell is
          ringing;
     Clear comes the call, through kitchen
          windows winging!

     Lord, knowing Thou art kind,
     I heed Thy call to prayer.
     I have a soul to save;
     A heart which needs, I think, a double
          share
     Of sweetnesses which noble ladies crave.
     Hope, faith and diligence, and patient
          care,
     With meekness, grace, and lowliness of
          mind.
     Lord, wilt Thou grant all these
     To one who prays, but cannot sit at ease?

     They do not know,
     The passers-by, who go
     Up to Thy house, with saintly faces set;
     Who throng about Thy seat,
     And sing Thy praises sweet,
     Till vials full of odours cloud Thy feet;
     They do not know . . .
     And, if they knew, then would they greatly
          care
     That Thy tired handmaid washed the
          children's hair;
     Or, with red roughened hands, scoured
          dishes well,
     While through the window called the
          evening bell?
     And that her seeking soul looks upward
          yet,
     THEY do not know . . . but THOU wilt
         not forget





A Woman in Hospital

     I know it all . . . I know.
     For I am God. I am Jehovah, He
     Who made you what you are; and I can
          see
     The tears that wet your pillow night by
          night,
     When nurse has lowered that too-brilliant
          light;
     When the talk ceases, and the ward grows
          still,
     And you have doffed your will:
     I know the anguish and the helplessness.
     I know the fears that toss you to and fro.
     And how you wrestle, weariful,
     With hosts of little strings that pull
     About your heart, and tear it so.
     I know.

     Lord, do You know
     I had no time to put clean curtains up;
     No time to finish darning all the socks;
     Nor sew clean frilling in the children's
          frocks?
     And do You know about my Baby's cold?
     And how things are with my sweet three-
          year-old?
     Will Jane remember right
     Their cough mixture at night?
     And will she ever think
     To brush the kitchen flues, or scrub the
          sink?

     And then, there's John! Poor tired
          lonely John!
     No one will run to put his slippers on.
     And not a soul but me
     Knows just exactly how he likes his tea.
     It rends my heart to think I cannot go
     And minister to him. . . .

     I know. I know.

     Then, there are other things,
     Dear Lord . . . more little strings
     That pull my heart. Now Baby feels her
          feet
     She loves to run outside into the street
     And Jane's hands are so full, she'll never
          see. . . .
     And I'm quite sure the clean clothes won't
          be aired--
     At least, not properly.
     And, oh, I can't, I really can't be spared--
     My little house calls so!

     I know.
     And I am waiting here to help and bless.
     Lay down your head. Lay down your hope-
          lessness
     And let Me speak.
     You are so weary, child, you are so weak.
     But let us reason out
     The darkness and the doubt;
     This torturing fear that tosses you about.

     I hold the universe. I count the stars.
     And out of shortened lives I build the
     ages. . . .

     But, Lord, while such high things Thy
          thought engages,
     I fear--forgive me--lest
     Amid those limitless eternal spaces
     Thou shouldest, in the high and heavenly
          places,
     Pass over my affairs as things of nought.
     There are so many houses just like mine.
     And I so earth-bound, and Thyself Divine.
     It seems impossible that Thou shouldst
          care
     Just what my babies wear;
     And what John gets to eat; . . . and
          can it be
     A circumstance of great concern to Thee
     Whether I live or die?

     Have you forgotten then, My child, that I,
     The Infinite, the Limitless, laid down
     The method of existence that I knew,
     And took on Me a nature just like you?
     I laboured day by day
     In the same dogged way
     That you have tackled household tasks.
          And then,
     Remember, child, remember once again
     Your own beloveds . . . did you really
          think--
     (Those days you toiled to get their meat
          and drink,
     And made their clothes, and tried to under-
          stand
     Their little ailments)--did you think your
          hand,
     Your feeble hand, was keeping them from ill?
     I gave them life, and life is more than meat;
     Those little limbs, so comely and so sweet.
     You can make raiment for them, and are glad,
     But can you add
     One cubit to their stature? Yet they grow!
     Oh, child, hands off! Hands off! And
          leave them so.
     I guarded hitherto, I guard them still.

     I have let go at last. I have let go.
     And, oh, the rest it is, dear God, to know
     My dear ones are so safe, for Thou wilt
          keep.
     Hands off, at last! Now, I can go to
          sleep.





In Convalescence

     Not long ago, I prayed for dying
          grace,
     For then I thought to see Thee face to
          face.

     And now I ask (Lord, 'tis a weakling's
          cry)
     That Thou wilt give me grace to live, not
          die.

     Such foolish prayers! I know. Yet
          pray I must.
     Lord help me--help me not to see the
          dust!

     And not to nag, nor fret because the blind
     Hangs crooked, and the curtain sags be-
          hind.

     But, oh! The kitchen cupboards! What a
          sight!
     'T'will take at least a month to get them
          right.

     And that last cocoa had a smoky taste,
     And all the milk has boiled away to waste!

     And--no, I resolutely will not think
     About the saucepans, nor about the sink.

     These light afflictions are but temporal
          things--
     To rise above them, wilt Thou lend me
          wings?

     Then I shall smile when Jane, with towzled
          hair
     (And lumpy gruel!), clatters up the stair.





Homesick

     I shut my eyes to rest 'em, just a bit
          ago it seems,
     An' back among the Cotswolds I were
          wanderin' in me dreams.
     I saw the old grey homestead, with the
          rickyard set around,
     An' catched the lowin' of the herd, a
          pleasant, homelike sound.
     Then on I went a-singin', through the
          pastures where the sheep
     Was lyin' underneath the elms, a-tryin' for
          to sleep.

     An' where the stream was tricklin' by, half
          stifled by the grass,
     Heaped over thick with buttercups, I saw
          the corncrake pass.
     For 'twas Summer, Summer, SUMMER!
          An' the blue forget-me-nots
     Wiped out this dusty city and the smoky
          chimbley pots.
     I clean forgot My Lady's gown, the
          dazzlin' sights I've seen;
     I was back among the Cotswolds, where
          me heart has always been.

     Then through the sixteen-acre on I went,
          a stiffish climb,
     Right to the bridge, where all our sheep
          comes up at shearin' time.
     There was the wild briar roses hangin'
          down so pink an' sweet,
     A-droppin' o' their fragrance on the clover
          at my feet
     An' here me heart stopped beatin', for
          down by Gatcombe's Wood
     My lad was workin' with his team, as only
          my lad could!

     "COME BACK!" was what the tricklin' brook
          an' breezes seemed to say.
     "'TIS LONESOME ON THE COTSWOLDS NOW THAT
          MARY DREW'S AWAY."

     An' back again I'm goin' (for me wages
          has been paid,
     An' they're lookin' through the papers for
          another kitchen maid).
     Back to the old grey homestead, an' the
          uplands cool an' green,
     To my lad among the Cotswolds, where
          me heart has always been!





On Washing Day

     "I'm going to gran'ma's for a bit
     My mother's got the copper lit;
     An' piles of clothes are on the floor,
     An' steam comes out the wash-house door;
     An' Mrs. Griggs has come, an' she
     Is just as cross as she can be.
     She's had her lunch, and ate a lot;
     I saw her squeeze the coffee-pot.
     An' when I helped her make the starch,
     She said: 'Now, Miss, you just quick
          march!
     What? Touch them soap-suds if you
          durst;
     I'll see you in the blue-bag first!'
     An' mother dried my frock, an' said:
     'Come back in time to go to bed.'
     I'm off to gran'ma's, for, you see,
     At home, they can't put up with me.

     "But down at gran'ma's 'tis so nice.
     If gran'ma's making currant-cake,
     She'll let me put the ginger spice,
     An' grease the tin, an' watch it bake;
     An' then she says she thinks it fun
     To taste the edges when it's done.

     "That's gran'ma's house. Why, hip,
          hooray!
     My gran'ma's got a washing day;
     For gran'pa's shirts are on the line,
     An' stockings, too--six, seven, eight, nine!
     She'll let me help her. Yes, she'll tie
     Her apron round to keep me dry;
     An' on her little stool I'll stand
     Up to the wash-tub. 'Twill be grand!
     There's no cross Mrs. Griggs to say,
     'Young Miss is always in the way.'
     An' me and gran'ma will have tea
     At dinner-time--just her an' me--
     An' eggs, I 'spect, an' treacle rice.
     My goodness! Won't it all be nice?

     "Gran'ma, I'm come to spend the day,
     'Cause mother finds me in the way.
     Gran'ma, I'll peg the hankies out;
     Gran'ma, I'll stir the starch about;
     Gran'ma, I'm come, because, you see,
     At home, they can't put up with me."





When Baby Strayed

     When Baby strayed, it seemed to
          me,
     Sun, moon and stars waned suddenly.

     At once, with frenzied haste, my feet
     Ran up and down the busy street.

     If ever in my life I prayed,
     It was the evening Baby strayed.

     And yet my great concern was this
     (Not dread of losing Baby's kiss,

     And Baby's soft small hand in mine,
     And Baby's comradeship divine),

     'Twas BABY'S terror, BABY'S fears!
     Whose hand but mine could dry her
          tears?

     I without Baby? In my need
     I were a piteous soul indeed.

     But piteous far, beyond all other,
     A little child without a mother.

     And God, in mercy, graciously
     Gave my lost darling back to me.

     O high and lofty One!
     THOU couldst have lived to all eternity
     Apart from ME!
     In majesty, upon that emerald throne.
     Thou, with Thy morning stars,
     Thy dawns, with golden bars,
     And all the music of the heavenly train.
     Possessing all things, what hadst Thou to
          gain
     By seeking me?
     What was I? . . . and, what am I? . . .
          less than nought.
     And yet Thy mercy sought.
     Yea, Thou hast set my feet
     Upon the way of holiness, and sweet
     It is, to seek Thee daily, unafraid . . .

     But (this I learnt the night that Baby
          strayed)
     Here was Thy chief, Thy great concern
          for me:
     My desolate estate, apart from Thee!





If Only ----

     If only dinner cooked itself,
     And groceries grew upon the shelf;
     If children did as they were told,
     And never had a cough or cold;
     And washed their hands, and wiped their
          boots,
     And never tore their Sunday suits,
     But always tidied up the floor,
     Nor once forgot to shut the door.

     If John remembered not to throw
     His papers on the ground. And oh!
     If he would put his pipes away,
     And shake the ashes on the tray
     Instead of on the floor close by;
     And always spread his towel to dry,
     And hung his hat upon the peg,
     And never had bones in his leg.

     Then, there's another thing. If Jane
     Would put the matches back again
     Just where she found them, it would be
     A save of time to her and me.
     And if she never did forget
     To put the dustbin out; nor yet
     Contrive to gossip with the baker,
     Nor need ten thunderbolts to wake her.

     Ahem! If wishes all came true,
     I don't know what I'd find to do,
     Because if no one made a mess
     There'd be no need of cleanliness.
     And things might work so blissfully,
     In time--who knows?--they'd not need
          me!

     And this being so, I fancy whether
     I'll go on keeping things together.





Listening

     His step? Ah, no; 'tis but the rain
     That hurtles on the window pane.
     Let's draw the curtains close and sit
     Beside the fire awhile and knit.
     Two purl--two plain. A well-shaped
          sock,
     And warm. (I thought I heard a knock,
     But 'twas the slam of Jones's door.)
     Yes, good Scotch yarn is far before
     The fleecy wools--a different thing,
     And best for wear. (Was that his ring?)
     No. 'Tis the muffin man I see;
     We'll have threepennyworth for tea.
     Two plain--two purl; that heel is neat.
     (I hear his step far down the street.)
     Two purl--two plain. The sock can
          wait;
     I'll make the tea. (He's at the gate!)





The Dear Folks in
     Devon

     Back in the dear old country 'tis Christ-
          mas, and to-night
     I'm thinking of the mistletoe and holly
          berries bright.
     The smoke above our chimbley pots I'd
          dearly love to see,
     And those dear folks down in Devon,
          how they'll talk and think of me.

     Owd Ben'll bring the letters, Christmas
          morn, and if there's one
     As comes across from Canada straight
          from their absent son,
     My Mother's hands'll tremble, and my
          Dad'll likely say:
     "Don't seem like Christmas time no more,
          with our dear lad away."

     I can see 'em carve the Christmas beef,
          and Brother Jimmy's wife
     Will say her never tasted such, no, not in
          all her life.
     And Sister Martha's Christmas pies melt
          in your mouth, 'tis true,
     But 'twas Mother made the puddin', as
          mothers always do!

     Ah me! If I could just have wings, and
          in the dimsey light
     Go stealing up the cobbled path this
          lonesome Christmas night,
     Lift up the latch with gentle hand--My!
          What a shout there'd be!
     From those dear folks down in Devon!
          What a welcomin' for me!





The Reason

        "Why shouldest Thou be as a wayfaring man, that
     turneth aside to tarry for a night?"--Jer. xiv. 8.

     Nay, do not get the venison pasty
          out;
     I shall not greatly put myself about
     Hungry, he may be; yes, and we shall
          spare
     Some bread and cheese, 'tis truly whole-
          some fare.
     We have to-morrow's dinner still to find;
     It's well for you I have a frugal mind.

     Not the best bed! No, no. Whatever
          next?
     Why with such questionings should I be
          vext?
     The man is naught to us; why should
          we care?
     The little attic room will do; 'tis bare,
     But he'll be gone before to-morrow's light;
     He has but come to tarry for a night.

     I shall not speak with him. Oh, no, not I,
     Lest I should pity overmuch, or buy
     Some paltry ware of his. Nay, I'll to
          bed,
     And he can sup alone, well warmed and
          fed;
     'Tis much to take him in a night like this.
     Why should I fret me with concerns of
          his?

     Grey morning came, and at the break of
          day
     The Man rose up and went upon his way





Two Women

        "I beseech Euodias, and beseech Syntyche, that they
     be of the same mind in the Lord"--Phil. iv. 2,

     EUODIAS.

     But if Paul heard her tattlings, I am
          sure
     He never would expect me to endure.
     There is a something in her very face
     Antagonistic to the work of grace.
     And even when I would speak graciously
     Somehow, Syntyche's manner ruffles me.

     SYNTYCHE.

     No, not for worlds! Euodias has no
          mind;
     So slow she is, so spiritually blind.
     Her tongue is quite unbridled, yet she
          says
     She grieves to see my aggravating ways
     Ah, no one but myself knows perfectly
     How odious Euodias can be!

     EUODIAS.

     Yet, "in the Lord." Ah, that's another
          thing!

     SYNTYCHE.

     Yet, "in the Lord." That alters it in-
          deed.

     EUODIAS.

     For His sake I'll endure her whispering

     SYNTYCHE.

     For His sake I'll consent to let her lead.

     EUODIAS.

     Lord, teach me to forbear; yes, day by
          day.

     SYNTYCHE.

     Lord, keep me gentle now, and all the
          way.





The Prize Fight

        "I am a boxer, who does not inflict blows on the air,
     but I hit hard and straight at my own body."--1 Cor.
     ix. 26 (WEYMOUTH'S Translation).

     'T'was breakfast time, and outside in
          the street
     The factory men went by with hurrying
          feet.
     And on the bridge, in dim December light,
     The newsboys shouted of the great prize
          fight.
     Then, as I dished the bacon, and served
          out
     The porridge, all our youngsters gave
          a shout.
     The letter-box had clicked, and through
          the din
     The Picture News was suddenly pushed in.

     John showed the lads the pictures, and
          explained
     Just how the fight took place, and what
          was gained
     By that slim winner. Then, he looked at me
     As I sat, busy, pouring out the tea:
     "Your mother is a boxer, rightly styled.
     She hits the air sometimes, though," and
          John smiled.
     "Yet she fights on." Young Jack, with
          widened eyes
     Said: "Dad, how soon will mother get a
          prize?"

     We laughed. And yet it set me thinking,
          how
     I beat the air, because a neighbour's cow
     Munched at our early cabbages, and ate
     The lettuce up, and tramped my mignon-
          ette!
     And many a time I kicked against the
          pricks
     Because the little dog at number six
     Disturbed my rest. And then, how cross
          I got
     When Jane seemed discontented with her
          lot.
     Until poor John in desperation said
     He wearied of the theme--and went to
          bed!

     And how I vexed myself that day, when he
     Brought people unexpectedly for tea,
     Because the table-cloth was old and
          stained,
     And not a single piece of cake remained.
     And how my poor head ached! Because,
          well there!
     It uses lots of strength to beat the air!

     "I am a boxer!" Here and now I pray
     For grace to hit the self-life every day.
     And when the old annoyance comes once
          more
     And the old temper rises sharp and sore,
     I shall hit hard and straight, O Tender-
          Wise,
     And read approval in Thy loving eyes.





The Home Lights

     "In my father's house!" The words
     Bring sweet cadence to my ears.
     Wandering thoughts, like homing birds,
     Fly all swiftly down the years,
     To that wide casement, where I always see
     Bright love-lamps leaning out to welcome
          me.

     Sweet it was, how sweet to go
     To the worn, familiar door.
     No need to stand a while, and wait,
     Outside the well-remembered gate;
     No need to knock;
     The easy lock
     Turned almost of itself, and so
     My spirit was "at home" once more.
     And then, within, how good to find
     The same cool atmosphere of peace,
     Where I, a tired child, might cease
     To grieve, or dread,
     Or toil for bread.
     I could forget
     The dreary fret.
     The strivings after hopes too high,
     I let them every one go by.
     The ills of life, the blows unkind,
     These fearsome things were left behind.

     ENVOY.

       O trembling soul of mine,
       See how God's mercies shine!
       When thou shalt rise,
       And, stripped of earth, shall stand
       Within an Unknown Land;
       Alone, where no familiar thing
       May bring familiar comforting;
       Look up! 'Tis but thy Father's
           House! And, see
       His love-lamps leaning out to welcome
           thee!





To an Old Teapot

     Now from the dust of half-forgotten
          things,
     You rise to haunt me at the year's Spring-
          cleaning,
     And bring to memory dim imaginings
     Of mystic meaning.

     No old-time potter handled you, I ween,
     Nor yet were you of gold or silver molten;
     No Derby stamp, nor Worcester, can be
          seen,
     Nor Royal Doulton.

     You never stood to grace the princely
          board
     Of monarchs in some Oriental palace.
     Your lid is chipped, your chubby side is
          scored
     As if in malice.

     I hesitate to say it, but your spout
     Is with unhandsome rivets held together--
     Mute witnesses of treatment meted out
     In regions nether.

     O patient sufferer of many bumps!
     I ask it gently--shall the dustbin hold
          you?
     And will the dust-heap, with its cabbage
          stumps,
     At last enfold you?

     It ought. And yet with gentle hands I
          place
     You with my priceless Delft and Dresden
          china,
     For sake of one who loved your homely
          face
     In days diviner.





To a Rebellious
     Daughter

     You call authority "a grievous thing."
     With careless hands you snap the
          leading string,
     And, for a frolic (so it seems to you),
     Put off the old love, and put on the new.

     For "What does Mother know of love?"
          you say.
     "Did her soul ever thrill?
     Did little tendernesses ever creep
     Into her dreams, and over-ride her will?
     Did her eyes shine, or her heart ever leap
     As my heart leaps to-day?
     I, who am young; who long to try my
          wings!

     How should she understand,
     She, with her calm cool hand?
     She never felt such yearnings? And,
          beside,
     It's clear I can't be tied
     For ever to my mother's apron strings."

     There are Infinities of Knowledge, dear.
     And there are mysteries, not yet made
          clear
     To you, the Uninitiate. . . . Life's book
     Is open, yes; but you may only look
     At its first section. Youth
     Is part, not all, the truth.
     It is impossible that you should see
     The end from the beginning perfectly.

     You answer: "Even so.
     But how can Mother know,
     Who meditates upon the price of bacon?
     On 'liberties' the charwoman has taken,
     And on the laundry's last atrocities?
     She knows her cookery book,
     And how a joint of English meat should
          look.
     But all such things as these
     Make up her life. She dwells in tents,
          but I
     In a vast temple open to the sky."

     Yet, time was, when that Mother stooped
          to learn
     The language written in your infant face.
     For years she walked your pace,
     And none but she interpreted your chatter.
     Who else felt interest in such pitter-patter?
     Or, weary, joined in all your games with
          zest,
     And managed with a minimum of rest?
     Now, is it not your turn
     To bridge the gulf, to span the gap be-
          tween you?
     To-day, before Death's angel over-lean
          you,
     Before your chance is gone?
     This is worth thinking on.

     "Are mothers blameless, then?" Nay,
          dearie, nay.
     Nor even tactful, always. Yet there may
     Come some grey dawning in the by
          and by,
     When, no more brave, nor sure, nor strong,
          you'll cry
     Aloud to God, for that despised thing,
     The old dear comfort--Mother's apron
          string.





For Mothering!

     Up to the Hall, my lady there'll wear
          her satin gown,
     For little Miss and Master'll be coming
          down from town.
     Oh ay, the childern's coming! The
          CHILDERN did I say?
     Of course, they're man and woman grown,
          this many and many a day.
     But still, my lady's mouth do smile, and
          squire looks fit to sing,
     As Master John and Miss Elaine is coming
          Mothering.

     Then down to Farmer Westacott's, there's
          doings fine and grand,
     Because young Jake is coming home from
          sea, you understand.
     Put into port but yesternight, and when
          he steps ashore,
     'Tis coming home the laddie is, to Somer-
          set once more.
     And so her's baking spicy cakes, and stir-
          ring raisins in,
     To welcome of her only chick, who's
          coming Mothering.

     And what of we? And ain't we got no
          childern for to come?
     Well, yes! There's Sam and Henery,
          and they'll be coming home.
     And Ned is very nigh six foot, and Joe is
          six foot three!
     But childern still to my good man, and
          childern still to me!
     And all the vi'lets seem to know, and all
          the thrushes sing,
     As how our Kate, and Bess and Flo is
          coming Mothering.





Little Fan

     When little Fanny came to town, I
          felt as I could sing!
     She were the sprackest little maid, the
          sharpest, pertest thing.
     Her mother were as proud as punch, and
          as for I--well, there!
     I never see sich gert blue eyes, I never
          see sich hair!
     "If all the weans in Somerset," says I,
          "was standin' here,
     Not one could hold a candle light, 'long-
          side our little dear."

     Now FANNY'S little Fan have come! She's
          clingin' round my knees,
     She's asking me for sups of tea, and bites
          of bread and cheese.
     She's climbing into grandma's bed, she's
          stroking grandma's face.
     She's tore my paper into bits and strawed
          it round the place.
     "If all the weans in all the world," says
          I, "was standin' here,
     Not one could hold a farthin' dip to
          Fanny's little dear!"
     For Fanny's little Fanny--oh, she's took
          the heart of me!
     'Tis childern's childern is the CROWN of
          humble folk like we!





The Naughty Day

     I've had a naughty day to-day.
        I scrunched a biscuit in my hair,
     And dipped my feeder in the milk,
        And spread my rusk upon a chair.

     When mother put me in my bath,
        I tossed the water all about,
     And popped the soap upon my head,
        And threw the sponge and flannel out.

     I wouldn't let her put my hand
        Inside the arm-hole of my vest;
     I held the sleeve until she said
        I really never SHOULD be dressed.

     And while she made the beds, I found
        Her tidy, and took out the hairs;
     And then I got the water-can
        And tipped it headlong down the stairs.

     I crawled along the kitchen floor,
        And got some coal out of the box,
     And drew black pictures on the walls,
        And wiped my fingers on my socks.

     Oh, this HAS been a naughty day!
        That's why they've put me off to bed.
     "He CAN'T get into mischief there,
        Perhaps we'll have some peace," they
          said.

     They put the net across my cot,
        Or else downstairs again I'd creep.
     But, see, I'll suck the counterpane
        To PULP before I go to sleep!





To a Little White Bird

     Into the world you came, and I was
          dumb,
       Because "God did it," so the wise ones
          said;
     I wonder sometimes "Did you really
          come?"
       And "Are you truly . . . DEAD?"

     Thus you went out--alone and uncaressed;
       O sweet, soft thing, in all your infant
          grace,
     I never held you in my arms, nor pressed
       Warm kisses on your face!

     But, in the Garden of the Undefiled,
       My soul will claim you . . . you, and
          not another;
     I shall hold out my arms, and say "MY
          CHILD!"
     And you will call me "MOTHER!"





Because

     (PSALM CXVI.)

     Because He heard my voice, and
          answered me,
     Because He listened, ah, so patiently,
     In those dark days, when sorrowful, alone,
     I knelt with tears, and prayed Him for a
          stone;
     Because He said me "Nay," and then in-
          stead,
     Oh, wonderful sweet truth! He gave me
          bread,
     Set my heart singing all in sweet accord;
     Because of this, I love--I love the Lord!





When He Comes

     "When He comes!
      My sweetest 'When'!"
                         C. ROSSETTI.

     Thus may it be (I thought) at some
          day's close,
     Some lilac-haunted eve, when every rose
     Breathes forth its incense. May He find
          me there,
     In holy leisure, lifting hands of prayer,
     In some sweet garden place,
     To catch the first dear wonder of His Face!

     Or, in my room above,
     In silent meditation of His love,
       My soul illumined with a rapture rare.
     It would be sweet, if even then, these eyes
     Might glimpse Him coming in the East-
          ern skies,
       And be caught up to meet Him in the
          air.

     But now! Ah, now, the days
     Rush by their hurrying ways!
     No longer know I vague imaginings,
     For every hour has wings.
     Yet my heart watches . . . as I work I
          say,
     All simply, to Him: "Come! And if to-day,
     Then wilt Thou find me thus: just as I
          am--
     Tending my household; stirring goose-
          berry jam;
     Or swiftly rinsing tiny vests and hose,
     With puzzled forehead patching some one's
          clothes;
     Guiding small footsteps, swift to hear, and
          run,
     From early dawn till setting of the sun."

     And whensoe'er He comes, I'll rise and go,
     Yes, all the gladlier that He found me so.





PART II. OUT OF DOORS




Early Spring

     Quick through the gates of Fairyland
        The South Wind forced his way.
     'Twas his to make the Earth forget
        Her grief of yesterday.
     "'Tis mine," cried he, "to bring her joy!"
        And on his lightsome feet
     In haste he slung the snowdrop bells,
     Pushed past the Fairy sentinels,
        And out with laughter sweet.

     Clear flames of Crocus glimmered on
        The shining way he went.
     He whispered to the trees strange tales
        Of wondrous sweet intent,
     When, suddenly, his witching voice
        With timbre rich and rare,
     Rang through the woodlands till it cleft
     Earth's silent solitudes, and left
        A Dream of Roses there!





The Witness

     The Master of the Garden said;
     "Who, now the Earth seems cold
          and dead,
     Will by his fearless witnessing
     Hold men's hearts for the tardy spring?"

     "Not yet. I am but half awake,"
     All drowsily the Primrose spake.
     And fast the sleeping Daffodils
     Had folded up their golden frills.

     "Indeed," the frail Anemone
     Said softly, "'tis too cold for me."
     Wood Hyacinths, all deeply set,
     Replied: "No ice has melted yet."

     When suddenly, with smile so bright,
     Up sprang a Winter Aconite,
     And to the Master joyfully
     She cried: "I will the witness be."





In Somerset

     In Somerset they guide the plough
     From early dawn till twilight now.
     The good red earth smells sweeter yet,
     Behind the plough, in Somerset.
     The celandines round last year's mow
     Blaze out . . . and with his old-time vow
     The South Wind woos the Violet,
     In Somerset.

     Then, every brimming dyke and trough
     Is laughing wide with ripples now,
     And oh, 'tis easy to forget
     That wintry winds can sigh and sough,
     When thrushes chant on every bough
     In Somerset!





Song of a Woodland
     Stream

     Silent was I, and so still,
     As day followed day.
     Imprisoned until
     King Frost worked his will.
     Held fast like a vice,
     In his cold hand of ice,
     For fear kept me silent, and lo
     He had wrapped me around and about
          with a mantle of snow.

     But sudden there spake
     One greater than he.
     Then my heart was awake,
     And my spirit ran free.

     At His bidding my bands fell apart, He
          had burst them asunder.
     I can feel the swift wind rushing by me,
          once more the old wonder
     Of quickening sap stirs my pulses--I
          shout in my gladness,
     Forgetting the sadness,
     For the Voice of the Lord fills the air!

     And forth through the hollow I go, where
          in glad April weather,
     The trees of the forest break out into
          singing together.
     And here the frail windflowers will cluster,
          with young ferns uncurling,
     Where broader and deeper my waters go
          eddying, whirling,
     To meet the sweet Spring on her journey
         --His servant to be,
     Whose word set me free!


     Luggage in Advance

     "The Fairies must have come," I
          said,
     "For through the moist leaves, brown and
          dead,
     The Primroses are pushing up,
     And here's a scarlet Fairy-cup.
     They must have come, because I see
     A single Wood Anemone,
     The flower that everybody knows
     The Fairies use to scent their clothes.
     And hark! The South Wind blowing, fills
     The trumpets of the Daffodils.
     They MUST have come!"

                                 Then loud to me
     Sang from a budding cherry tree,
     A cheerful Thrush . . . "I say! I say!
     The Fairy Folk are on their way.
     Look out! Look out! Beneath your feet,
     Are all their treasures: Sweet! Sweet!
          Sweet!
     They could not carry them, you see,
     Those caskets crammed with witchery,
     So ready for the first Spring dance,
     They sent their Luggage in Advance!"





At the Cross Roads

     There I halted. Further down the
          hollow
     Stood the township, where my errand lay.
     Firm my purpose, till a voice cried
          (Follow!
     Come this way--I tell you--come this
          way!)

     Silence, Thrush! You know I think of
          buying
     A Spring-tide hat; my frock is worn and
          old.
     So to the shops I go. What's that you're
          crying?
     (Here! Come here! And gather primrose
          gold.)
     Well, yes. Some day I will; but time is
          going.
     I haste to purchase silks and satins fair.
     I'm all in rags. (The Lady's Smock is
          showing
     Up yonder, in the little coppice there.)

     And wood anemones spread out their
          laces;
     Each celandine has donned a silken gown;
     The violets are lifting shy sweet faces.
     (And there's a chiff-chaff, soft, and slim, and
          brown.)

     But what about my hat? (The bees are
          humming.)
     And my new frock? (The hawthorn's
          budding free!
     Sweet! Oh, so sweet!) Well, have your
          way. I'm coming!
     And who's to blame for that? (Why, me!
          Me! Me!)





Summer met Me

     Summer met me in the glade,
        With a host of fair princesses,
     Golden iris, foxgloves staid,
        Sunbeams flecked their gorgeous dresses.
     Roses followed in her train,
        Creamy elder-flowers beset me,
     Singing, down the scented lane,
        Summer met me!

     Summer met me! Harebells rang,
        Honeysuckle clustered near,
     As the royal pageant sang
        Songs enchanting to the ear.
     Rainy days may come apace,
        Nevermore to grieve or fret me,
     Since, in all her radiant grace,
        Summer met me!





The Carrier

     "Owd John's got past his work," said
          they,
     Last week as ever was--"don't pay
     To send by him. He's stoopid, too,
     And brings things what won't never do.
     We'll send by post, he is that slow.
     And that owd hoss of his can't go."

     But 'smornin', well, 'twas fun to see
     The gentlefolks run after we.
     Squire's lady stopped I in the lane,
     "Oh," says she, "goin' to town again?
     You'll not mind calling into Bings
     To fetch my cakes and buns and things?
     I've got a party comin' on,
     And nought to eat . . . so, DO 'ee, John."

     Then, up the street, who should I see,
     But old Mam Bessant hail'n' me.
     And Doctor's wife, and Mrs. Higgs
     Was wantin' vittles for their pigs,
     And would I bring some? (Well, what
          nex'?)
     And Granny Dunn has broke her specs,
     And wants 'em mended up in town,
     So would John call and bring 'em down
     To-night . . . ? and so the tale goes on,
     'Tis, "Sure you will, now DO 'ee, John."

     Well, 'tis a hevil wind that blows
     Nobody any good; it shows
     As owd John haves his uses yet,
     Though now and then he do forget.
     Gee up, owd gal. When strikes is on,
     They're glad of pore owd stoopid John.





The Lad's Love by the
     Gate

     Down in the dear West Country,
          there's a garden where I know
       The Spring is rioting this hour, though
          I am far away--
     Where all the glad flower-faces are old
          loves of long ago,
       And each in its accustomed place is
          blossoming to-day.

     The lilac drops her amethysts upon the
          mossy wall,
       While in her boughs a cheerful thrush
          is calling to his mate.
     Dear breath of mignonette and stocks!
          I love you, know you all.
       And, oh, the fragrant spices from the
          lad's love by the gate!

     Kind wind from the West Country, wet
          wind, but scented so,
       That straight from my dear garden
          you seem but lately come,
     Just tell me of the yellow broom, the
          guelder rose's snow,
       And of the tangled clematis where
          myriad insects hum.

     Oh, is there any heartsease left, or any
          rosemary?
       And in their own green solitudes, say,
          do the lilies wait?
     I knew it! Gentle wind, but once--
          speak low and tenderly--
       How fares it--tell me truly--with the
          lad's love by the gate?





The Thrush

     Across the land came a magic word
       When the earth was bare and
          lonely,
     And I sit and sing of the joyous spring,
       For 'twas I who heard, I only!
     Then dreams came by, of the gladsome
          days,
       Of many a wayside posy;
     For a crocus peeps where the wild rose
          sleeps,
       And the willow wands are rosy!

     Oh! the time to be! When the paths
          are green,
       When the primrose-gold is lying
     'Neath the hazel spray, where the catkins
          sway,
       And the dear south wind comes sigh-
          ing.

     My mate and I, we shall build a nest,
       So snug and warm and cosy,
     When the kingcups gleam on the meadow
          stream,
       Where the willow wands are rosy!





In Dorset Dear

     In Dorset Dear they're making hay
     In just the old West Country way.
     With fork and rake and old-time gear
     They make the hay in Dorset Dear.
     From early morn till twilight grey
     They toss and turn and shake the hay.
     And all the countryside is gay
     With roses on the fallen may,
     For 'tis the hay-time of the year
     In Dorset Dear.

     The loaded waggons wend their way
     Across the pasture-lands, and stay
     Beside the hedge where foxgloves peer;
     And ricks that shall be fashioned here
     Will be the sweetest stuff, they say,
     In Dorset Dear!





The Flight of the Fairies

     There's a rustle in the woodlands,
          and a sighing in the breeze,
     For the Little Folk are busy in the bushes
          and the trees;
     They are packing up their treasures, every
          one with nimble hand,
     Ready for the coming journey back to
          sunny Fairyland.

     They have gathered up the jewels from
          their beds of mossy green,
     With all the dewy diamonds that summer
          morns have seen;
     The silver from the lichen and the
          powdered gold dust, too,
     Where the buttercups have flourished and
          the dandelions grew.

     They packed away the birdies' songs,
          then, lest we should be sad,
     They left the Robin's carol out, to make
          the winter glad;
     They packed the fragrance of the flowers,
          then, lest we should forget,
     Out of the pearly scented box they
          dropped a Violet.

     Then o'er a leafy carpet, by the silent
          woods they came,
     Where the golden bracken lingered and
          the maples were aflame.
     On the stream the starlight shimmered, o'er
          their wings the moonbeams shone,
     Music filtered through the forest--and the
          Little Folk were gone!





The Street Player

     The shopping had been tedious, and
          the rain
     Came pelting down as she turned home
          again.

     The motor-bus swirled past with rush and
          whirr,
     Nought but its fumes of petrol left for
          her.

     The bloaters in her basket, and the cheese
     Malodorously mixed themselves with
          these.

     And all seemed wrong. The world was
          drab and grey
     As the slow minutes wept themselves
          away.

     And then, athwart the noises of the street,
     A violin flung out an Irish air.

     "I'll take you home again, Kathleen."
          Ah, sweet,
     How tender-sweet those lilting phrases
          were!

     They soothed away the weariness, and
          brought
     Such peace to one worn woman, over-
          wrought,

     That she forgot the things which vexed
          her so:
     The too outrageous price of calico,

     The shop-girl's look of pitying insolence
     Because she paused to count the dwindling
          pence.

     The player stopped. But the rapt vision
          stayed.
     That woman faced life's worries unafraid.

     The sugar shortage now had ceased to be
     An insurmountable calamity.

     Her kingdom was not bacon, no, nor
          butter,
     But things more costly still, too rare to
          utter.

     And, over chimney-pots, so bare and tall,
     The sun set gloriously, after all.





On All Souls' Eve

     Oh, the garden ways are lonely!
     Winds that bluster, winds that
          shout,
     Battle with the strong laburnum,
     Toss the sad brown leaves about.
     In the gay herbaceous border,
     Now a scene of wild disorder,
     The last dear hollyhock has flamed his
          crimson glory out.

     Yet, upon this night of longing,
     Souls are all abroad, they say.
     Will they come, the dazzling blossoms,
     That were here but yesterday?
     Will the ghosts of radiant roses
     And my sheltered lily-closes
     Hold once more their shattered fragrance
          now November's on her way?

     Wallflowers, surely you'll remember,
     Pinks, recall it, will you not?
     How I loved and watched and tended,
     Made this ground a hallowed spot:
     Pansies, with the soft meek faces,
     Harebells, with a thousand graces:
     Dear dead loves, I wait and listen. Tell
          me, have you quite forgot?

     HUSH! THEY COME! For down the path-
          way
     Steals a fragrance honey-sweet.
     Larkspurs, lilies, stocks, and roses,
     Hasten now my heart to greet.
     Stay, oh, stay! My hands would hold
     you . . .
     But the arms that would enfold you
     Crush the bush of lad's love growing in
          the dusk beside my feet.





The Log Fire

     In her last hour of life the tree
     Gave up her glorious memories,
     Wild scent of wood anemone,
     The sapphire blue of April skies.

     With faint but ever-strength'ning flame,
     The dew-drenched hyacinthine spires
     Were lost, as red-gold bracken came,
     With maple bathed in living fires.

     Grey smoke of ancient clematis
     Towards the silver birch inclined,
     And deep in thorny fastnesses
     The coral bryony entwined.

     Then softly through the dusky room
     They strayed, fair ghosts of other days,
     With breath like early cherry bloom,
     With tender eyes and gentle ways.

     They glimmered on the sombre walls,
     They danced upon the oaken floor,
     Till through the loudly silent halls
     Joy reigned majestical once more.

     Up blazed the fire, and, dazzling clear,
     One rapturous Spirit radiant stood.
     'Twas you at last! Yes, YOU, my dear.
     We two were back in Gatcombe Wood!





God save the King

     GOD SAVE OUR GRACIOUS KING. (It
          seems
     The Church is full of bygone dreams.)

     LONG LIVE OUR NOBLE KING. (My own,
     'Tis hard to stand here all alone.)

     GOD SAVE THE KING. (But, sweetheart, you
     Were always brave to dare and do.)

     SEND HIM VICTORIOUS. (For then,
     My darling will come home again!)

     HAPPY AND GLORIOUS ('Twill be
     Like Heaven to him--and what to me?)

     LONG TO REIGN OVER US. (My dear!
     And we'd been wedded one short year!)

     GOD SAVE OUR KING. (And Lord, I pray
     Keep MY King safe this very day.)

     Forgive us, thou--great England's kingly
          King
     That thus do women National Anthems
          sing.





End of the Project Gutenberg EBook of The Verse-Book Of A Homely Woman, by 
Elizabeth Rebecca Ward, AKA Fay Inchfawn

*** END OF THIS PROJECT GUTENBERG EBOOK THE VERSE-BOOK OF A HOMELY WOMAN ***

***** This file should be named 3477.txt or 3477.zip *****
This and all associated files of various formats will be found in:
        http://www.gutenberg.org/3/4/7/3477/



Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties.  Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark.  Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission.  If you
do not charge anything for copies of this eBook, complying with the
rules is very easy.  You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research.  They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks.  Redistribution is
subject to the trademark license, especially commercial
redistribution.



*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://gutenberg.org/license).


Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A.  By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.  If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B.  "Project Gutenberg" is a registered trademark.  It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.  There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.  See
paragraph 1.C below.  There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works.  See paragraph 1.E below.

1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.  Nearly all the individual works in the
collection are in the public domain in the United States.  If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed.  Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work.  You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D.  The copyright laws of the place where you are located also govern
what you can do with this work.  Copyright laws in most countries are in
a constant state of change.  If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work.  The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1.E.  Unless you have removed all references to Project Gutenberg:

1.E.1.  The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org

1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges.  If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.

1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder.  Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5.  Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6.  You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form.  However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form.  Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.

1.E.7.  Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8.  You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
     the use of Project Gutenberg-tm works calculated using the method
     you already use to calculate your applicable taxes.  The fee is
     owed to the owner of the Project Gutenberg-tm trademark, but he
     has agreed to donate royalties under this paragraph to the
     Project Gutenberg Literary Archive Foundation.  Royalty payments
     must be paid within 60 days following each date on which you
     prepare (or are legally required to prepare) your periodic tax
     returns.  Royalty payments should be clearly marked as such and
     sent to the Project Gutenberg Literary Archive Foundation at the
     address specified in Section 4, "Information about donations to
     the Project Gutenberg Literary Archive Foundation."

- You provide a full refund of any money paid by a user who notifies
     you in writing (or by e-mail) within 30 days of receipt that s/he
     does not agree to the terms of the full Project Gutenberg-tm
     License.  You must require such a user to return or
     destroy all copies of the works possessed in a physical medium
     and discontinue all use of and all access to other copies of
     Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1.F.3, a full refund of any
     money paid for a work or a replacement copy, if a defect in the
     electronic work is discovered and reported to you within 90 days
     of receipt of the work.

- You comply with all other terms of this agreement for free
     distribution of Project Gutenberg-tm works.

1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
Foundation as set forth in Section 3 below.

1.F.

1.F.1.  Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection.  Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3.  YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from.  If you
received the work on a physical medium, you must return the medium with
your written explanation.  The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund.  If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund.  If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4.  Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.

1.F.5.  Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law.  The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.


Section  2.  Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers.  It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need, are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come.  In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at http://www.pglaf.org.


Section 3.  Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service.  The Foundation's EIN or federal tax identification
number is 64-6221541.  Its 501(c)(3) letter is posted at
http://pglaf.org/fundraising.  Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations.  Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
[email protected].  Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at http://pglaf.org

For additional contact information:
     Dr. Gregory B. Newby
     Chief Executive and Director
     [email protected]


Section 4.  Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment.  Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States.  Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements.  We do not solicit donations in locations
where we have not received written confirmation of compliance.  To
SEND DONATIONS or determine the status of compliance for any
particular state visit http://pglaf.org

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States.  U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses.  Donations are accepted in a number of other
ways including checks, online payments and credit card donations.
To donate, please visit: http://pglaf.org/donate


Section 5.  General Information About Project Gutenberg-tm electronic
works.

Professor Michael S. Hart is the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone.  For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.


Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included.  Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.


Most people start at our Web site which has the main PG search facility:

     http://www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.