The Project Gutenberg EBook of Love-Songs of Childhood, by Eugene Field
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org
Title: Love-Songs of Childhood
Author: Eugene Field
Posting Date: January 8, 2009 [EBook #2670]
Release Date: June, 2001
Language: English
*** START OF THIS PROJECT GUTENBERG EBOOK LOVE-SONGS OF CHILDHOOD ***
Produced by An Anonymous Volunteer
LOVE-SONGS OF CHILDHOOD
By Eugene Field
To Mrs. Belle Angler
Dearest Aunt:
Many years ago you used to rock me to sleep, cradling me in your
arms and singing me petty songs. Surely you have not forgotten
that time, and I recall it with tenderness. You were very
beautiful then. But you are more beautiful now; for, in the years
that have come and gone since then, the joys and the sorrows of
maternity have impressed their saintly grace upon the dear face I
used to kiss, and have made your gentle heart gentler still.
Beloved lady, in memory of years to be recalled only in thought,
and in token of my gratitude and affection, I bring you these
little love-songs, and reverently I lay them at your feet.
Eugene Field
Chicago, November 1, 1894
Contents:
THE ROCK-A-BY LADY
"BOOH"!
GARDEN AND CRADLE
THE NIGHT WIND
KISSING TIME
JEST 'FORE CHRISTMAS
BEARD AND BABY
THE DINKEY-BIRD
THE DRUM
THE DEAD BABE
THE HAPPY HOUSEHOLD
So, so, ROCK-A-BY SO!
THE SONG OF LUDDY-DUD
THE DUEL
GOOD-CHILDREN STREET
THE DELECTABLE BALLAD OF THE WALLER LOT
THE STORK
THE BOTTLE TREE
GOOGLY-GOO
THE BENCH-LEGGED FYCE
LITTLE MISS BRAG
THE HUMMING TOP
LADY BUTTON-EYES
THE RIDE TO BUMPVILLE
THE BROOK
PICNIC-TIME
SHUFFLE-SHOON AND AMBER-LOCKS
THE SHUT-EYE TRAIN
LITTLE-OH-DEAR
THE FLY-AWAY HORSE
SWING HIGH AND SWING LOW
WHEN I WAS A BOY
AT PLAY
A VALENTINE
LITTLE ALL-ALONEY
SEEIN' THINGS
THE CUNNIN' LITTLE THING
THE DOLL'S WOOING
INSCRIPTION FOR MY LITTLE SON'S SILVER PLATE
FISHERMAN JIM'S KIDS
"FIDDLE-DEE-DEE"
OVER THE HILLS AND FAR AWAY
THE ROCK-A-BY LADY
The Rock-a-By Lady from Hushaby street
Comes stealing; comes creeping;
The poppies they hang from her head to her feet,
And each hath a dream that is tiny and fleet--
She bringeth her poppies to you, my sweet,
When she findeth you sleeping!
There is one little dream of a beautiful drum--
"Rub-a-dub!" it goeth;
There is one little dream of a big sugar-plum,
And lo! thick and fast the other dreams come
Of popguns that bang, and tin tops that hum,
And a trumpet that bloweth!
And dollies peep out of those wee little dreams
With laughter and singing;
And boats go a-floating on silvery streams,
And the stars peek-a-boo with their own misty gleams,
And up, up, and up, where the Mother Moon beams,
The fairies go winging!
Would you dream all these dreams that are tiny and fleet?
They'll come to you sleeping;
So shut the two eyes that are weary, my sweet,
For the Rock-a-By Lady from Hushaby street,
With poppies that hang from her head to her feet,
Comes stealing; comes creeping.
"BOOH!"
On afternoons, when baby boy has had a splendid nap,
And sits, like any monarch on his throne, in nurse's lap,
In some such wise my handkerchief I hold before my face,
And cautiously and quietly I move about the place;
Then, with a cry, I suddenly expose my face to view,
And you should hear him laugh and crow when I say "Booh"!
Sometimes the rascal tries to make believe that he is scared,
And really, when I first began, he stared, and stared, and stared;
And then his under lip came out and farther out it came,
Till mamma and the nurse agreed it was a "cruel shame"--
But now what does that same wee, toddling, lisping baby do
But laugh and kick his little heels when I say "Booh!"
He laughs and kicks his little heels in rapturous glee, and then
In shrill, despotic treble bids me "do it all aden!"
And I--of course I do it; for, as his progenitor,
It is such pretty, pleasant play as this that I am for!
And it is, oh, such fun I am sure that we shall rue
The time when we are both too old to play the game "Booh!"
GARDEN AND CRADLE
When our babe he goeth walking in his garden,
Around his tinkling feet the sunbeams play;
The posies they are good to him,
And bow them as they should to him,
As fareth he upon his kingly way;
And birdlings of the wood to him
Make music, gentle music, all the day,
When our babe he goeth walking in his garden.
When our babe he goeth swinging in his cradle,
Then the night it looketh ever sweetly down;
The little stars are kind to him,
The moon she hath a mind to him
And layeth on his head a golden crown;
And singeth then the wind to him
A song, the gentle song of Bethlem-town,
When our babe he goeth swinging in his cradle.
THE NIGHT WIND
Have you ever heard the wind go "Yooooo"?
'T is a pitiful sound to hear!
It seems to chill you through and through
With a strange and speechless fear.
'T is the voice of the night that broods outside
When folk should be asleep,
And many and many's the time I've cried
To the darkness brooding far and wide
Over the land and the deep:
"Whom do you want, O lonely night,
That you wail the long hours through?"
And the night would say in its ghostly way:
"Yoooooooo!
Yoooooooo!
Yoooooooo!"
My mother told me long ago
(When I was a little tad)
That when the night went wailing so,
Somebody had been bad;
And then, when I was snug in bed,
Whither I had been sent,
With the blankets pulled up round my head,
I'd think of what my mother'd said,
And wonder what boy she meant!
And "Who's been bad to-day?" I'd ask
Of the wind that hoarsely blew,
And the voice would say in its meaningful way:
"Yoooooooo!
Yoooooooo!
Yoooooooo!"
That this was true I must allow--
You'll not believe it, though!
Yes, though I'm quite a model now,
I was not always so.
And if you doubt what things I say,
Suppose you make the test;
Suppose, when you've been bad some day
And up to bed are sent away
From mother and the rest--
Suppose you ask, "Who has been bad?"
And then you'll hear what's true;
For the wind will moan in its ruefulest tone:
"Yoooooooo!
Yoooooooo!
Yoooooooo!"
KISSING TIME
'T is when the lark goes soaring
And the bee is at the bud,
When lightly dancing zephyrs
Sing over field and flood;
When all sweet things in nature
Seem joyfully achime--
'T is then I wake my darling,
For it is kissing time!
Go, pretty lark, a-soaring,
And suck your sweets, O bee;
Sing, O ye winds of summer,
Your songs to mine and me;
For with your song and rapture
Cometh the moment when
It's half-past kissing time
And time to kiss again!
So--so the days go fleeting
Like golden fancies free,
And every day that cometh
Is full of sweets for me;
And sweetest are those moments
My darling comes to climb
Into my lap to mind me
That it is kissing time.
Sometimes, maybe, he wanders
A heedless, aimless way--
Sometimes, maybe, he loiters
In pretty, prattling play;
But presently bethinks him
And hastens to me then,
For it's half-past kissing time
And time to kiss again!
JEST 'FORE CHRISTMAS
Father calls me William, sister calls me Will,
Mother calls me Willie, but the fellers call me Bill!
Mighty glad I ain't a girl--ruther be a boy,
Without them sashes, curls, an' things that's worn by Fauntleroy!
Love to chawnk green apples an' go swimmin' in the lake--
Hate to take the castor-ile they give for bellyache!
'Most all the time, the whole year round, there ain't no flies on me,
But jest 'fore Christmas I'm as good as I kin be!
Got a yeller dog named Sport, sick him on the cat;
First thing she knows she doesn't know where she is at!
Got a clipper sled, an' when us kids goes out to slide,
'Long comes the grocery cart, an' we all hook a ride!
But sometimes when the grocery man is worrited an' cross,
He reaches at us with his whip, an' larrups up his hoss,
An' then I laff an' holler, "Oh, ye never teched me!"
But jest 'fore Christmas I'm as good as I kin be!
Gran'ma says she hopes that when I git to be a man,
I'll be a missionarer like her oldest brother, Dan,
As was et up by the cannibuls that lives in Ceylon's Isle,
Where every prospeck pleases, an' only man is vile!
But gran'ma she has never been to see a Wild West show,
Nor read the Life of Daniel Boone, or else I guess she'd know
That Buff'lo Bill an' cow-boys is good enough for me!
Excep' jest 'fore Christmas, when I'm good as I kin be!
And then old Sport he hangs around, so solemn-like an' still,
His eyes they seem a-sayin': "What's the matter, little Bill?"
The old cat sneaks down off her perch an' wonders what's become
Of them two enemies of hern that used to make things hum!
But I am so perlite an' 'tend so earnestly to biz,
That mother says to father: "How improved our Willie is!"
But father, havin' been a boy hisself, suspicions me
When, jest 'fore Christmas, I'm as good as I kin be!
For Christmas, with its lots an' lots of candies, cakes, an' toys,
Was made, they say, for proper kids an' not for naughty boys;
So wash yer face an' bresh yer hair, an' mind yer p's and q's,
An' don't bust out yer pantaloons, and don't wear out yer shoes;
Say "Yessum" to the ladies, an' "Yessur" to the men,
An' when they's company, don't pass yer plate for pie again;
But, thinkin' of the things yer'd like to see upon that tree,
Jest 'fore Christmas be as good as yer kin be!
BEARD AND BABY
I say, as one who never feared
The wrath of a subscriber's bullet,
I pity him who has a beard
But has no little girl to pull it!
When wife and I have finished tea,
Our baby woos me with her prattle,
And, perching proudly on my knee,
She gives my petted whiskers battle.
With both her hands she tugs away,
While scolding at me kind o' spiteful;
You'll not believe me when I say
I find the torture quite delightful!
No other would presume, I ween,
To trifle with this hirsute wonder,
Else would I rise in vengeful mien
And rend his vandal frame asunder!
But when her baby fingers pull
This glossy, sleek, and silky treasure,
My cup of happiness is full--
I fairly glow with pride and pleasure!
And, sweeter still, through all the day
I seem to hear her winsome prattle--
I seem to feel her hands at play,
As though they gave me sportive battle.
Yes, heavenly music seems to steal
Where thought of her forever lingers,
And round my heart I always feel
The twining of her dimpled fingers!
THE DINKEY BIRD
In an ocean, 'way out yonder
(As all sapient people know),
Is the land of Wonder-Wander,
Whither children love to go;
It's their playing, romping, swinging,
That give great joy to me
While the Dinkey-Bird goes singing
In the amfalula tree!
There the gum-drops grow like cherries,
And taffy's thick as peas--
Caramels you pick like berries
When, and where, and how you please;
Big red sugar-plums are clinging
To the cliffs beside that sea
Where the Dinkey-Bird is singing
In the amfalula tree.
So when children shout and scamper
And make merry all the day,
When there's naught to put a damper
To the ardor of their play;
When I hear their laughter ringing,
Then I'm sure as sure can be
That the Dinkey-Bird is singing
In the amfalula tree.
For the Dinkey-Bird's bravuras
And staccatos are so sweet--
His roulades, appoggiaturas,
And robustos so complete,
That the youth of every nation--
Be they near or far away--
Have especial delectation
In that gladsome roundelay.
Their eyes grow bright and brighter,
Their lungs begin to crow,
Their hearts get light and lighter,
And their cheeks are all aglow;
For an echo cometh bringing
The news to all and me,
That the Dinkey-Bird is singing
In the amfalula tree.
I'm sure you like to go there
To see your feathered friend--
And so many goodies grow there
You would like to comprehend!
Speed, little dreams, your winging
To that land across the sea
Where the Dinkey-Bird is singing
In the amfalula tree!
THE DRUM
I'm a beautiful red, red drum,
And I train with the soldier boys;
As up the street we come,
Wonderful is our noise!
There's Tom, and Jim, and Phil,
And Dick, and Nat, and Fred,
While Widow Cutler's Bill
And I march on ahead,
With a r-r-rat-tat-tat
And a tum-titty-um-tum-tum--
Oh, there's bushels of fun in that
For boys with a little red drum!
The Injuns came last night
While the soldiers were abed,
And they gobbled a Chinese kite
And off to the woods they fled!
The woods are the cherry-trees
Down in the orchard lot,
And the soldiers are marching to seize
The booty the Injuns got.
With tum-titty-um-tum-tum,
And r-r-rat-tat-tat,
When soldiers marching come
Injuns had better scat!
Step up there, little Fred,
And, Charley, have a mind!
Jim is as far ahead
As you two are behind!
Ready with gun and sword
Your valorous work to do--
Yonder the Injun horde
Are lying in wait for you.
And their hearts go pitapat
When they hear the soldiers come
With a r-r-rat-tat-tat
And a tum-titty-um-tum-tum!
Course it's all in play!
The skulking Injun crew
That hustled the kite away
Are little white boys, like you!
But "honest" or "just in fun,"
It is all the same to me;
And, when the battle is won,
Home once again march we
With a r-r-rat-tat-tat
And tum-titty-um-tum-tum;
And there's glory enough in that
For the boys with their little red drum!
THE DEAD BABE
Last night, as my dear babe lay dead,
In agony I knelt and said:
"O God! what have I done,
Or in what wise offended Thee,
That Thou should'st take away from me
My little son?
"Upon the thousand useless lives,
Upon the guilt that vaunting thrives,
Thy wrath were better spent!
Why should'st Thou take my little son--
Why should'st Thou vent Thy wrath upon
This innocent?"
Last night, as my dear babe lay dead,
Before mine eyes the vision spread
Of things that might have been:
Licentious riot, cruel strife,
Forgotten prayers, a wasted life
Dark red with sin!
Then, with sweet music in the air,
I saw another vision there:
A Shepherd in whose keep
A little lamb--my little child!
Of worldly wisdom undefiled,
Lay fast asleep!
Last night, as my dear babe lay dead,
In those two messages I read
A wisdom manifest;
And though my arms be childless now,
I am content--to Him I bow
Who knoweth best.
THE HAPPY HOUSEHOLD
It's when the birds go piping and the daylight slowly breaks,
That, clamoring for his dinner, our precious baby wakes;
Then it's sleep no more for baby, and it's sleep no more for me,
For, when he wants his dinner, why it's dinner it must be!
And of that lacteal fluid he partakes with great ado,
While gran'ma laughs,
And gran'pa laughs,
And wife, she laughs,
And I--well, I laugh, too!
You'd think, to see us carrying on about that little tad,
That, like as not, that baby was the first we'd ever had;
But, sakes alive! he isn't, yet we people make a fuss
As if the only baby in the world had come to us!
And, morning, noon, and night-time, whatever he may do,
Gran'ma, she laughs,
Gran'pa, he laughs,
Wife, she laughs,
And I, of course, laugh, too!
But once--a likely spell ago--when that poor little chick
From teething or from some such ill of infancy fell sick,
You wouldn't know us people as the same that went about
A-feelin' good all over, just to hear him crow and shout;
And, though the doctor poohed our fears and said he'd pull him through,
Old gran'ma cried,
And gran'pa cried,
And wife, she cried,
And I--yes, I cried, too!
It makes us all feel good to have a baby on the place,
With his everlastin' crowing and his dimpling, dumpling face;
The patter of his pinky feet makes music everywhere,
And when he shakes those fists of his, good-by to every care!
No matter what our trouble is, when he begins to coo,
Old gran'ma laughs,
And gran'pa laughs,
Wife, she laughs,
And I--you bet, I laugh, too!
SO, SO, ROCK-A-BY SO!
So, so, rock-a-by so!
Off to the garden where dreamikins grow;
And here is a kiss on your winkyblink eyes,
And here is a kiss on your dimpledown cheek
And here is a kiss for the treasure that lies
In the beautiful garden way up in the skies
Which you seek.
Now mind these three kisses wherever you go--
So, so, rock-a-by so!
There's one little fumfay who lives there, I know,
For he dances all night where the dreamikins grow;
I send him this kiss on your droopydrop eyes,
I send him this kiss on your rosyred cheek.
And here is a kiss for the dream that shall rise
When the fumfay shall dance in those far-away skies
Which you seek.
Be sure that you pay those three kisses you owe--
So, so, rock-a-by so!
And, by-low, as you rock-a-by go,
Don't forget mother who loveth you so!
And here is her kiss on your weepydeep eyes,
And here is her kiss on your peachypink cheek,
And here is her kiss for the dreamland that lies
Like a babe on the breast of those far-away skies
Which you seek--
The blinkywink garden where dreamikins grow--
So, so, rock-a-by so!
THE SONG OF LUDDY-DUD
A sunbeam comes a-creeping
Into my dear one's nest,
And sings to our babe a-sleeping
The song that I love the best:
"'T is little Luddy-Dud in the morning--
'T is little Luddy-Dud at night;
And all day long
'T is the same sweet song
Of that waddling, toddling, coddling little mite,
Luddy-Dud."
The bird to the tossing clover,
The bee to the swaying bud,
Keep singing that sweet song over
Of wee little Luddy-Dud.
"'T is little Luddy-Dud in the morning--
'T is little Luddy-Dud at night;
And all day long
'T is the same dear song
Of that growing, crowing, knowing little sprite,
Luddy-Dud."
Luddy-Dud's cradle is swinging
Where softly the night winds blow,
And Luddy-Dud's mother is singing
A song that is sweet and low:
"'T is little Luddy-Dud in the morning--
'T is little Luddy-Dud at night;
And all day long
'T is the same sweet song
Of my nearest and my dearest heart's delight,
Luddy-Dud!"
THE DUEL
The gingham dog and the calico cat
Side by side on the table sat;
'T was half-past twelve, and (what do you think!)
Nor one nor t' other had slept a wink!
The old Dutch clock and the Chinese plate
Appeared to know as sure as fate
There was going to be a terrible spat.
(I wasn't there; I simply state
What was told to me by the Chinese plate!)
The gingham dog went "bow-wow-wow!"
And the calico cat replied "mee-ow!"
The air was littered, an hour or so,
With bits of gingham and calico,
While the old Dutch clock in the chimney place
Up with its hands before its face,
For it always dreaded a family row!
(Now mind: I'm only telling you
What the old Dutch clock declares is true!)
The Chinese plate looked very blue,
And wailed, "Oh, dear! what shall we do!"
But the gingham dog and the calico cat
Wallowed this way and tumbled that,
Employing every tooth and claw
In the awfullest way you ever saw--
And, oh! how the gingham and calico flew!
(Don't fancy I exaggerate--
I got my news from the Chinese plate!)
Next morning, where the two had sat
They found no trace of dog or cat;
And some folks think unto this day
That burglars stole that pair away!
But the truth about the cat and pup
Is this: they ate each other up!
Now what do you really think of that!
(The old Dutch clock it told me so,
And that is how I came to know.)
GOOD-CHILDREN STREET
There's a dear little home in Good-Children street--
My heart turneth fondly to-day
Where tinkle of tongues and patter of feet
Make sweetest of music at play;
Where the sunshine of love illumines each face
And warms every heart in that old-fashioned place.
For dear little children go romping about
With dollies and tin tops and drums,
And, my! how they frolic and scamper and shout
Till bedtime too speedily comes!
Oh, days they are golden and days they are fleet
With little folk living in Good-Children street.
See, here comes an army with guns painted red,
And swords, caps, and plumes of all sorts;
The captain rides gaily and proudly ahead
On a stick-horse that prances and snorts!
Oh, legions of soldiers you're certain to meet--
Nice make-believe soldiers--in Good-Children street.
And yonder Odette wheels her dolly about--
Poor dolly! I'm sure she is ill,
For one of her blue china eyes has dropped out
And her voice is asthmatic'ly shrill.
Then, too, I observe she is minus her feet,
Which causes much sorrow in Good-Children street.
'T is so the dear children go romping about
With dollies and banners and drums,
And I venture to say they are sadly put out
When an end to their jubilee comes:
Oh, days they are golden and days they are fleet
With little folk living in Good-Children street!
But when falleth night over river and town,
Those little folk vanish from sight,
And an angel all white from the sky cometh down
And guardeth the babes through the night,
And singeth her lullabies tender and sweet
To the dear little people in Good-Children Street.
Though elsewhere the world be o'erburdened with care,
Though poverty fall to my lot,
Though toil and vexation be always my share,
What care I--they trouble me not!
This thought maketh life ever joyous and Sweet:
There's a dear little home in Good-Children street.
THE DELECTABLE BALLAD OF THE WALLER LOT
Up yonder in Buena Park
There is a famous spot,
In legend and in history
Yclept the Waller Lot.
There children play in daytime
And lovers stroll by dark,
For 't is the goodliest trysting-place
In all Buena Park.
Once on a time that beauteous maid,
Sweet little Sissy Knott,
Took out her pretty doll to walk
Within the Waller Lot.
While thus she fared, from Ravenswood
Came Injuns o'er the plain,
And seized upon that beauteous maid
And rent her doll in twain.
Oh, 't was a piteous thing to hear
Her lamentations wild;
She tore her golden curls and cried:
"My child! My child! My child!"
Alas, what cared those Injun chiefs
How bitterly wailed she?
They never had been mothers,
And they could not hope to be!
"Have done with tears," they rudely quoth,
And then they bound her hands;
For they proposed to take her off
To distant border lands.
But, joy! from Mr. Eddy's barn
Doth Willie Clow behold
The sight that makes his hair rise up
And all his blood run cold.
He put his fingers in his mouth
And whistled long and clear,
And presently a goodly horde
Of cow-boys did appear.
Cried Willie Clow: "My comrades bold,
Haste to the Waller Lot,
And rescue from that Injun band
Our charming Sissy Knott!"
"Spare neither Injun buck nor squaw,
But smite them hide and hair!
Spare neither sex nor age nor size,
And no condition spare!"
Then sped that cow-boy band away,
Full of revengeful wrath,
And Kendall Evans rode ahead
Upon a hickory lath.
And next came gallant Dady Field
And Willie's brother Kent,
The Eddy boys and Robbie James,
On murderous purpose bent.
For they were much beholden to
That maid--in sooth, the lot
Were very, very much in love
With charming Sissy Knott.
What wonder? She was beauty's queen,
And good beyond compare;
Moreover, it was known she was
Her wealthy father's heir!
Now when the Injuns saw that band
They trembled with affright,
And yet they thought the cheapest thing
To do was stay and fight.
So sturdily they stood their ground,
Nor would their prisoner yield,
Despite the wrath of Willie Clow
And gallant Dady Field.
Oh, never fiercer battle raged
Upon the Waller Lot,
And never blood more freely flowed
Than flowed for Sissy Knott!
An Injun chief of monstrous size
Got Kendall Evans down,
And Robbie James was soon o'erthrown
By one of great renown.
And Dady Field was sorely done,
And Willie Clow was hurt,
And all that gallant cow-boy band
Lay wallowing in the dirt.
But still they strove with might and main
Till all the Waller Lot
Was strewn with hair and gouts of gore--
All, all for Sissy Knott!
Then cried the maiden in despair:
"Alas, I sadly fear
The battle and my hopes are lost,
Unless some help appear!"
Lo, as she spoke, she saw afar
The rescuer looming up--
The pride of all Buena Park,
Clow's famous yellow pup!
"Now, sick'em, Don," the maiden cried,
"Now, sick'em, Don!" cried she;
Obedient Don at once complied--
As ordered, so did he.
He sicked'em all so passing well
That, overcome by fright,
The Indian horde gave up the fray
And safety sought in flight.
They ran and ran and ran and ran
O'er valley, plain, and hill;
And if they are not walking now,
Why, then, they're running still.
The cow-boys rose up from the dust
With faces black and blue;
"Remember, beauteous maid," said they,
"We've bled and died for you!"
"And though we suffer grievously,
We gladly hail the lot
That brings us toils and pains and wounds
For charming Sissy Knott!"
But Sissy Knott still wailed and wept,
And still her fate reviled;
For who could patch her dolly up--
Who, who could mend her child?
Then out her doting mother came,
And soothed her daughter then;
"Grieve not, my darling, I will sew
Your dolly up again!"
Joy soon succeeded unto grief,
And tears were soon dried up,
And dignities were heaped upon
Clow's noble yellow pup.
Him all that goodly company
Did as deliverer hail--
They tied a ribbon round his neck,
Another round his tail.
And every anniversary day
Upon the Waller Lot
They celebrate the victory won
For charming Sissy Knott.
And I, the poet of these folk,
Am ordered to compile
This truly famous history
In good old ballad style.
Which having done as to have earned
The sweet rewards of fame,
In what same style I did begin
I now shall end the same.
So let us sing: Long live the King,
Long live the Queen and Jack,
Long live the ten-spot and the ace,
And also all the pack.
THE STORK
Last night the Stork came stalking,
And, Stork, beneath your wing
Lay, lapped in dreamless slumber,
The tiniest little thing!
From Babyland, out yonder
Beside a silver sea,
You brought a priceless treasure
As gift to mine and me!
Last night my dear one listened--
And, wife, you knew the cry--
The dear old Stork has sought our home
A many times gone by!
And in your gentle bosom
I found the pretty thing
That from the realm out yonder
Our friend the Stork did bring.
Last night a babe awakened,
And, babe, how strange and new
Must seem the home and people
The Stork has brought you to;
And yet methinks you like them--
You neither stare nor weep,
But closer to my dear one
You cuddle, and you sleep!
Last night my heart grew fonder--
O happy heart of mine,
Sing of the inspirations
That round my pathway shine!
And sing your sweetest love-song
To this dear nestling wee
The Stork from 'Way-Out-Yonder
Hath brought to mine and me!
THE BOTTLE TREE
A bottle tree bloometh in Winkyway land--
Heigh-ho for a bottle, I say!
A snug little berth in that ship I demand
That rocketh the Bottle-Tree babies away
Where the Bottle Tree bloometh by night and by day
And reacheth its fruit to each wee, dimpled hand;
You take of that fruit as much as you list,
For colic's a nuisance that doesn't exist!
So cuddle me and cuddle me fast,
And cuddle me snug in my cradle away,
For I hunger and thirst for that precious repast--
Heigh-ho for a bottle, I say!
The Bottle Tree bloometh by night and by day!
Heigh-ho for Winkyway land!
And Bottle-Tree fruit (as I've heard people say)
Makes bellies of Bottle-Tree babies expand--
And that is a trick I would fain understand!
Heigh-ho for a bottle to-day!
And heigh-ho for a bottle to-night--
A bottle of milk that is creamy and white!
So cuddle me close, and cuddle me fast,
And cuddle me snug in my cradle away,
For I hunger and thirst for that precious repast--
Heigh-ho for a bottle, I say!
GOOGLY-GOO
Of mornings, bright and early,
When the lark is on the wing
And the robin in the maple
Hops from her nest to sing,
From yonder cheery chamber
Cometh a mellow coo--
'T is the sweet, persuasive treble
Of my little Googly-Goo!
The sunbeams hear his music,
And they seek his little bed,
And they dance their prettiest dances
Round his golden curly head:
Schottisches, galops, minuets,
Gavottes and waltzes, too,
Dance they unto the music
Of my googling Googly-Goo.
My heart--my heart it leapeth
To hear that treble tone;
What music like thy music,
My darling and mine own!
And patiently--yes, cheerfully
I toil the long day through--
My labor seemeth lightened
By the song of Googly-Goo!
I may not see his antics,
Nor kiss his dimpled cheek:
I may not smooth the tresses
The sunbeams love to seek;
It mattereth not--the echo
Of his sweet, persuasive coo
Recurreth to remind me
Of my little Googly-Goo.
And when I come at evening,
I stand without the door
And patiently I listen
For that dear sound once more;
And oftentimes I wonder,
"Oh, God! what should I do
If any ill should happen
To my little Googly-Goo!"
Then in affright I call him--
I hear his gleeful shouts!
Begone, ye dread forebodings--
Begone, ye killing doubts!
For, with my arms about him,
My heart warms through and through
With the oogling and the googling
Of my little Googly-Goo!
THE BENCH-LEGGED FYCE
Speakin' of dorgs, my bench-legged fyce
Hed most o' the virtues, an' nary a vice.
Some folks called him Sooner, a name that arose
From his predisposition to chronic repose;
But, rouse his ambition, he couldn't be beat--
Yer bet yer he got thar on all his four feet!
Mos' dorgs hez some forte--like huntin' an' such,
But the sports o' the field didn't bother him much;
Wuz just a plain dorg, an' contented to be
On peaceable terms with the neighbors an' me;
Used to fiddle an' squirm, and grunt "Oh, how nice!"
When I tickled the back of that bench-legged fyce!
He wuz long in the bar'l, like a fyce oughter be;
His color wuz yaller as ever you see;
His tail, curlin' upward, wuz long, loose, an' slim--
When he didn't wag it, why, the tail it wagged him!
His legs wuz so crooked, my bench-legged pup
Wuz as tall settin' down as he wuz standin' up!
He'd lie by the stove of a night an' regret
The various vittles an' things he had et;
When a stranger, most likely a tramp, come along,
He'd lift up his voice in significant song--
You wondered, by gum! how there ever wuz space
In that bosom o' his'n to hold so much bass!
Of daytimes he'd sneak to the road an' lie down,
An' tackle the country dorgs comin' to town;
By common consent he wuz boss in St. Joe,
For what he took hold of he never let go!
An' a dude that come courtin' our girl left a slice
Of his white flannel suit with our bench-legged fyce!
He wuz good to us kids--when we pulled at his fur
Or twisted his tail he would never demur;
He seemed to enjoy all our play an' our chaff,
For his tongue 'u'd hang out an' he'd laff an' he'd laff;
An' once, when the Hobart boy fell through the ice,
He wuz drug clean ashore by that bench-legged fyce!
We all hev our choice, an' you, like the rest,
Allow that the dorg which you've got is the best;
I wouldn't give much for the boy 'at grows up
With no friendship subsistin' 'tween him an' a pup!
When a fellow gits old--I tell you it's nice
To think of his youth and his bench-legged fyce!
To think of the springtime 'way back in St. Joe--
Of the peach-trees abloom an' the daisies ablow;
To think of the play in the medder an' grove,
When little legs wrassled an' little han's strove;
To think of the loyalty, valor, an' truth
Of the friendships that hallow the season of youth!
LITTLE MISS BRAG
Little Miss Brag has much to say
To the rich little lady from over the way
And the rich little lady puts out a lip
As she looks at her own white, dainty slip,
And wishes that she could wear a gown
As pretty as gingham of faded brown!
For little Miss Brag she lays much stress
On the privileges of a gingham dress--
"Aha,
Oho!"
The rich little lady from over the way
Has beautiful dolls in vast array;
Yet she envies the raggedy home-made doll
She hears our little Miss Brag extol.
For the raggedy doll can fear no hurt
From wet, or heat, or tumble, or dirt!
Her nose is inked, and her mouth is, too,
And one eye's black and the other's blue--
"Aha,
Oho!"
The rich little lady goes out to ride
With footmen standing up outside,
Yet wishes that, sometimes, after dark
Her father would trundle her in the park;--
That, sometimes, her mother would sing the things
Little Miss Brag says her mother sings
When through the attic window streams
The moonlight full of golden dreams--
"Aha,
Oho!"
Yes, little Miss Brag has much to say
To the rich little lady from over the way;
And yet who knows but from her heart
Often the bitter sighs upstart--
Uprise to lose their burn and sting
In the grace of the tongue that loves to sing
Praise of the treasures all its own!
So I've come to love that treble tone--
"Aha,
Oho!"
THE HUMMING TOP
The top it hummeth a sweet, sweet song
To my dear little boy at play--
Merrily singeth all day long,
As it spinneth and spinneth away.
And my dear little boy
He laugheth with joy
When he heareth the monotone
Of that busy thing
That loveth to sing
The song that is all its own.
Hold fast the string and wind it tight,
That the song be loud and clear;
Now hurl the top with all your might
Upon the banquette here;
And straight from the string
The joyous thing
Boundeth and spinneth along,
And it whirrs and it chirrs
And it birrs and it purrs
Ever its pretty song.
Will ever my dear little boy grow old,
As some have grown before?
Will ever his heart feel faint and cold,
When he heareth the songs of yore?
Will ever this toy
Of my dear little boy,
When the years have worn away,
Sing sad and low
Of the long ago,
As it singeth to me to-day?
LADY BUTTON-EYES
When the busy day is done,
And my weary little one
Rocketh gently to and fro;
When the night winds softly blow,
And the crickets in the glen
Chirp and chirp and chirp again;
When upon the haunted green
Fairies dance around their queen--
Then from yonder misty skies
Cometh Lady Button-Eyes.
Through the murk and mist and gloam
To our quiet, cozy home,
Where to singing, sweet and low,
Rocks a cradle to and fro;
Where the clock's dull monotone
Telleth of the day that's done;
Where the moonbeams hover o'er
Playthings sleeping on the floor--
Where my weary wee one lies
Cometh Lady Button-Eyes.
Cometh like a fleeting ghost
From some distant eerie coast;
Never footfall can you hear
As that spirit fareth near--
Never whisper, never word
From that shadow-queen is heard.
In ethereal raiment dight,
From the realm of fay and sprite
In the depth of yonder skies
Cometh Lady Button-Eyes.
Layeth she her hands upon
My dear weary little one,
And those white hands overspread
Like a veil the curly head,
Seem to fondle and caress
Every little silken tress;
Then she smooths the eyelids down
Over those two eyes of brown--
In such soothing, tender wise
Cometh Lady Button-Eyes.
Dearest, feel upon your brow
That caressing magic now;
For the crickets in the glen
Chirp and chirp and chirp again,
While upon the haunted green
Fairies dance around their queen,
And the moonbeams hover o'er
Playthings sleeping on the floor--
Hush, my sweet! from yonder skies
Cometh Lady Button-Eyes!
THE RIDE TO BUMPVILLE
Play that my knee was a calico mare
Saddled and bridled for Bumpville;
Leap to the back of this steed, if you dare,
And gallop away to Bumpville!
I hope you'll be sure to sit fast in your seat,
For this calico mare is prodigiously fleet,
And many adventures you're likely to meet
As you journey along to Bumpville.
This calico mare both gallops and trots
While whisking you off to Bumpville;
She paces, she shies, and she stumbles, in spots,
In the tortuous road to Bumpville;
And sometimes this strangely mercurial steed
Will suddenly stop and refuse to proceed,
Which, all will admit, is vexatious indeed,
When one is en route to Bumpville!
She's scared of the cars when the engine goes "Toot!"
Down by the crossing at Bumpville;
You'd better look out for that treacherous brute
Bearing you off to Bumpville!
With a snort she rears up on her hindermost heels,
And executes jigs and Virginia reels--
Words fail to explain how embarrassed one feels
Dancing so wildly to Bumpville!
It's bumpytybump and it's jiggytyjog,
Journeying on to Bumpville
It's over the hilltop and down through the bog
You ride on your way to Bumpville;
It's rattletybang over boulder and stump,
There are rivers to ford, there are fences to jump,
And the corduroy road it goes bumpytybump,
Mile after mile to bumpville!
Perhaps you'll observe it's no easy thing
Making the journey to Bumpville,
So I think, on the whole, it were prudent to bring
An end to this ride to Bumpville;
For, though she has uttered no protest or plaint,
The calico mare must be blowing and faint--
What's more to the point, I'm blowed if I ain't!
So play we have got to Bumpville!
THE BROOK
I looked in the brook and saw a face--
Heigh-ho, but a child was I!
There were rushes and willows in that place,
And they clutched at the brook as the brook ran by;
And the brook it ran its own sweet way,
As a child doth run in heedless play,
And as it ran I heard it say:
"Hasten with me
To the roistering sea
That is wroth with the flame of the morning sky!"
I look in the brook and see a face--
Heigh-ho, but the years go by!
The rushes are dead in the old-time place,
And the willows I knew when a child was I.
And the brook it seemeth to me to say,
As ever it stealeth on its way--
Solemnly now, and not in play:
"Oh, come with me
To the slumbrous sea
That is gray with the peace of the evening sky!"
Heigh-ho, but the years go by--
I would to God that a child were I!
PICNIC-TIME
It's June ag'in, an' in my soul I feel the fillin' joy
That's sure to come this time o' year to every little boy;
For, every June, the Sunday-schools at picnics may be seen,
Where "fields beyont the swellin' floods stand dressed in livin' green";
Where little girls are skeered to death with spiders, bugs, and ants,
An' little boys get grass-stains on their go-to meetin' pants.
It's June ag'in, an' with it all what happiness is mine--
There's goin' to be a picnic, an' I'm goin' to jine!
One year I jined the Baptists, an' goodness! how it rained!
(But grampa says that that's the way "baptizo" is explained.)
And once I jined the 'Piscopils an' had a heap o' fun--
But the boss of all the picnics was the Presbyteriun!
They had so many puddin's, sallids, sandwidges, an' pies,
That a feller wisht his stummick was as hungry as his eyes!
Oh, yes, the eatin' Presbyteriuns give yer is so fine
That when they have a picnic, you bet I'm goin' to jine!
But at this time the Methodists have special claims on me,
For they're goin' to give a picnic on the 21st, D. V.;
Why should a liberal universalist like me object
To share the joys of fellowship with every friendly sect?
However het'rodox their articles of faith elsewise may be,
Their doctrine of fried chick'n is a savin' grace to me!
So on the 21st of June, the weather bein' fine,
They're goin' to give a picnic, and I'm goin' to jine!
SHUFFLE-SHOON AND AMBER-LOCKS
Shuffle-shoon and Amber-Locks
Sit together, building blocks;
Shuffle-Shoon is old and gray,
Amber-Locks a little child,
But together at their play
Age and Youth are reconciled,
And with sympathetic glee
Build their castles fair to see.
"When I grow to be a man"
(So the wee one's prattle ran),
"I shall build a castle so--
With a gateway broad and grand;
Here a pretty vine shall grow,
There a soldier guard shall stand;
And the tower shall be so high,
Folks will wonder, by and by!"
Shuffle-Shoon quoth: "Yes, I know;
Thus I builded long ago!
Here a gate and there a wall,
Here a window, there a door;
Here a steeple wondrous tall
Riseth ever more and more!
But the years have leveled low
What I builded long ago!"
So they gossip at their play,
Heedless of the fleeting day;
One speaks of the Long Ago
Where his dead hopes buried lie;
One with chubby cheeks aglow
Prattleth of the By and By;
Side by side, they build their blocks--
Shuffle-Shoon and Amber-Locks.
THE SHUT-EYE TRAIN
Come, my little one, with me!
There are wondrous sights to see
As the evening shadows fall;
In your pretty cap and gown,
Don't detain
The Shut-Eye train--
"Ting-a-ling!" the bell it goeth,
"Toot-toot!" the whistle bloweth,
And we hear the warning call:
"All aboard for Shut-Eye Town!"
Over hill and over plain
Soon will speed the Shut-Eye train!
Through the blue where bloom the stars
And the Mother Moon looks down
We'll away
To land of Fay--
Oh, the sights that we shall see there!
Come, my little one, with me there--
'T is a goodly train of cars--
All aboard for Shut-Eye Town!
Swifter than a wild bird's flight,
Through the realms of fleecy light
We shall speed and speed away!
Let the Night in envy frown--
What care we
How wroth she be!
To the Balow-land above us,
To the Balow-folk who love us,
Let us hasten while we may--
All aboard for Shut-Eye Town!
Shut-Eye Town is passing fair--
Golden dreams await us there;
We shall dream those dreams, my dear,
Till the Mother Moon goes down--
See unfold
Delights untold!
And in those mysterious places
We shall see beloved faces
And beloved voices hear
In the grace of Shut-Eye Town.
Heavy are your eyes, my sweet,
Weary are your little feet--
Nestle closer up to me
In your pretty cap and gown;
Don't detain
The Shut-Eye train!
"Ting-a-ling!" the bell it goeth,
"Toot-toot!" the whistle bloweth
Oh, the sights that we shall see!
All aboard for Shut-Eye Town!
LITTLE-OH DEAR
See, what a wonderful garden is here,
Planted and trimmed for my Little-Oh-Dear!
Posies so gaudy and grass of such brown--
Search ye the country and hunt ye the town
And never ye'll meet with a garden so queer
As this one I've made for my Little-Oh-Dear!
Marigolds white and buttercups blue,
Lilies all dabbled with honey and dew,
The cactus that trails over trellis and wall,
Roses and pansies and violets--all
Make proper obeisance and reverent cheer
When into her garden steps Little-Oh-Dear.
And up at the top of that lavender-tree
A silver-bird singeth as only can she;
For, ever and only, she singeth the song
"I love you--I love you!" the happy day long;--
Then the echo--the echo that smiteth me here!
"I love you, I love you," my Little-Oh-Dear!
The garden may wither, the silver-bird fly--
But what careth my little precious, or I?
From her pathway of flowers that in spring time upstart
She walketh the tenderer way in my heart
And, oh, it is always the summer-time here
With that song of "I love you," my Little-Oh-Dear!
THE FLY-AWAY HORSE
Oh, a wonderful horse is the Fly-Away Horse--
Perhaps you have seen him before;
Perhaps, while you slept, his shadow has swept
Through the moonlight that floats on the floor.
For it's only at night, when the stars twinkle bright,
That the Fly-Away Horse, with a neigh
And a pull at his rein and a toss of his mane,
Is up on his heels and away!
The Moon in the sky,
As he gallopeth by,
Cries: "Oh! what a marvelous sight!"
And the Stars in dismay
Hide their faces away
In the lap of old Grandmother Night.
It is yonder, out yonder, the Fly-Away Horse
Speedeth ever and ever away--
Over meadows and lanes, over mountains and plains,
Over streamlets that sing at their play;
And over the sea like a ghost sweepeth he,
While the ships they go sailing below,
And he speedeth so fast that the men at the mast
Adjudge him some portent of woe.
"What ho there!" they cry,
As he flourishes by
With a whisk of his beautiful tail;
And the fish in the sea
Are as scared as can be,
From the nautilus up to the whale!
And the Fly-Away Horse seeks those faraway lands
You little folk dream of at night--
Where candy-trees grow, and honey-brooks flow,
And corn-fields with popcorn are white;
And the beasts in the wood are ever so good
To children who visit them there--
What glory astride of a lion to ride,
Or to wrestle around with a bear!
The monkeys, they say:
"Come on, let us play,"
And they frisk in the cocoanut-trees:
While the parrots, that cling
To the peanut-vines, sing
Or converse with comparative ease!
Off! scamper to bed--you shall ride him tonight!
For, as soon as you've fallen asleep,
With a jubilant neigh he shall bear you away
Over forest and hillside and deep!
But tell us, my dear, all you see and you hear
In those beautiful lands over there,
Where the Fly-Away Horse wings his faraway course
With the wee one consigned to his care.
Then grandma will cry
In amazement: "Oh, my!"
And she'll think it could never be so;
And only we two
Shall know it is true--
You and I, little precious! shall know!
SWING HIGH AND SWING LOW
Swing high and swing low
While the breezes they blow--
It's off for a sailor thy father would go;
And it's here in the harbor, in sight of the sea,
He hath left his wee babe with my song and with me:
"Swing high and swing low
While the breezes they blow!"
Swing high and swing low
While the breezes they blow--
It's oh for the waiting as weary days go!
And it's oh for the heartache that smiteth me when
I sing my song over and over again:
"Swing high and swing low
While the breezes they blow!"
"Swing high and swing low "--
The sea singeth so,
And it waileth anon in its ebb and its flow;
And a sleeper sleeps on to that song of the sea
Nor recketh he ever of mine or of me!
"Swing high and swing low
While the breezes they blow--
'T was off for a sailor thy father would go!"
WHEN I WAS A BOY
Up in the attic where I slept
When I was a boy, a little boy,
In through the lattice the moonlight crept,
Bringing a tide of dreams that swept
Over the low, red trundle-bed,
Bathing the tangled curly head,
While moonbeams played at hide-and-seek
With the dimples on the sun-browned cheek--
When I was a boy, a little boy!
And, oh! the dreams--the dreams I dreamed!
When I was a boy, a little boy!
For the grace that through the lattice streamed
Over my folded eyelids seemed
To have the gift of prophecy,
And to bring me glimpses of times to be
When manhood's clarion seemed to call--
Ah! that was the sweetest dream of all,
When I was a boy, a little boy!
I'd like to sleep where I used to sleep
When I was a boy, a little boy!
For in at the lattice the moon would peep,
Bringing her tide of dreams to sweep
The crosses and griefs of the years away
From the heart that is weary and faint to-day;
And those dreams should give me back again
A peace I have never known since then--
When I was a boy, a little boy!
AT PLAY
Play that you are mother dear,
And play that papa is your beau;
Play that we sit in the corner here,
Just as we used to, long ago.
Playing so, we lovers two
Are just as happy as we can be,
And I'll say "I love you" to you,
And you say "I love you" to me!
"I love you" we both shall say,
All in earnest and all in play.
Or, play that you are that other one
That some time came, and went away;
And play that the light of years agone
Stole into my heart again to-day!
Playing that you are the one I knew
In the days that never again may be,
I'll say "I love you" to you,"
And you say "I love you" to me!
"I love you!" my heart shall say
To the ghost of the past come back to-day!
Or, play that you sought this nestling-place
For your own sweet self, with that dual guise
Of your pretty mother in your face
And the look of that other in your eyes!
So the dear old loves shall live anew
As I hold my darling on my knee,
And I'll say "I love you" to you,
And you say "I love you" to me!
Oh, many a strange, true thing we say
And do when we pretend to play!
A VALENTINE
Go, Cupid, and my sweetheart tell
I love her well.
Yes, though she tramples on my heart
And rends that bleeding thing apart;
And though she rolls a scornful eye
On doting me when I go by;
And though she scouts at everything
As tribute unto her I bring--
Apple, banana, caramel--
Haste, Cupid, to my love and tell,
In spite of all, I love her well!
And further say I have a sled
Cushioned in blue and painted red!
The groceryman has promised I
Can "hitch" whenever he goes by--
Go, tell her that, and, furthermore,
Apprise my sweetheart that a score
Of other little girls implore
The boon of riding on that sled
Painted and hitched, as aforesaid;--
And tell her, Cupid, only she
Shall ride upon that sled with me!
Tell her this all, and further tell
I love her well.
LITTLE ALL-ALONEY
Little All-Aloney's feet
Pitter-patter in the hall,
And his mother runs to meet
And to kiss her toddling sweet,
Ere perchance he fall.
He is, oh, so weak and small!
Yet what danger shall he fear
When his mother hovereth near,
And he hears her cheering call:
"All-Aloney"?
Little All-Aloney's face
It is all aglow with glee,
As around that romping-place
At a terrifying pace
Lungeth, plungeth he!
And that hero seems to be
All unconscious of our cheers--
Only one dear voice he hears
Calling reassuringly:
"All-Aloney!"
Though his legs bend with their load,
Though his feet they seem so small
That you cannot help forebode
Some disastrous episode
In that noisy hall,
Neither threatening bump nor fall
Little All-Aloney fears,
But with sweet bravado steers
Whither comes that cheery call:
"All-Aloney!"
Ah, that in the years to come,
When he shares of Sorrow's store,--
When his feet are chill and numb,
When his cross is burdensome,
And his heart is sore:
Would that he could hear once more
The gentle voice he used to hear--
Divine with mother love and cheer--
Calling from yonder spirit shore:
"All, all alone!"
SEEIN' THINGS
I ain't afeard uv snakes, or toads, or bugs, or worms, or mice,
An' things 'at girls are skeered uv I think are awful nice!
I'm pretty brave, I guess; an' yet I hate to go to bed,
For, when I'm tucked up warm an' snug an' when my prayers are said,
Mother tells me "Happy dreams!" and takes away the light,
An' leaves me lyin' all alone an' seein' things at night!
Sometimes they're in the corner, sometimes they're by the door,
Sometimes they're all a-standin' in the middle uv the floor;
Sometimes they are a-sittin' down, sometimes they're walkin' round
So softly an' so creepylike they never make a sound!
Sometimes they are as black as ink, an' other times they're white--
But the color ain't no difference when you see things at night!
Once, when I licked a feller 'at had just moved on our street,
An' father sent me up to bed without a bite to eat,
I woke up in the dark an' saw things standin' in a row,
A-lookin' at me cross-eyed an' p'intin' at me--so!
Oh, my! I wuz so skeered that time I never slep' a mite--
It's almost alluz when I'm bad I see things at night!
Lucky thing I ain't a girl, or I'd be skeered to death!
Bein' I'm a boy, I duck my head an' hold my breath;
An' I am, oh! so sorry I'm a naughty boy, an' then
I promise to be better an' I say my prayers again!
Gran'ma tells me that's the only way to make it right
When a feller has been wicked an' sees things at night!
An' so, when other naughty boys would coax me into sin,
I try to skwush the Tempter's voice 'at urges me within;
An' when they's pie for supper, or cakes 'at 's big an' nice,
I want to--but I do not pass my plate f'r them things twice!
No, ruther let Starvation wipe me slowly out o' sight
Than I should keep a-livin' on an' seein' things at night!
THE CUNNIN' LITTLE THING
When baby wakes of mornings,
Then it's wake, ye people all!
For another day
Of song and play
Has come at our darling's call!
And, till she gets her dinner,
She makes the welkin ring,
And she won't keep still till she's had her fill--
The cunnin' little thing!
When baby goes a-walking,
Oh, how her paddies fly!
For that's the way
The babies say
To other folk "by-by";
The trees bend down to kiss her,
And the birds in rapture sing,
As there she stands and waves her hands--
The cunnin' little thing!
When baby goes a-rocking
In her bed at close of day,
At hide-and-seek
On her dainty cheek
The dreams and the dimples play;
Then it's sleep in the tender kisses
The guardian angels bring
From the Far Above to my sweetest love--
You cunnin' little thing!
THE DOLL'S WOOING
The little French doll was a dear little doll
Tricked out in the sweetest of dresses;
Her eyes were of hue
A most delicate blue
And dark as the night were her tresses;
Her dear little mouth was fluted and red,
And this little French doll was so very well bred
That whenever accosted her little mouth said
"Mamma! mamma!"
The stockinet doll, with one arm and one leg,
Had once been a handsome young fellow;
But now he appeared
Rather frowzy and bleared
In his torn regimentals of yellow;
Yet his heart gave a curious thump as he lay
In the little toy cart near the window one day
And heard the sweet voice of that French dolly say:
"Mamma! mamma!"
He listened so long and he listened so hard
That anon he grew ever so tender,
For it's everywhere known
That the feminine tone
Gets away with all masculine gender!
He up and he wooed her with soldierly zest
But all she'd reply to the love he professed
Were these plaintive words (which perhaps you have guessed):
"Mamma! mamma!"
Her mother--a sweet little lady of five--
Vouchsafed her parental protection,
And although stockinet
Wasn't blue-blooded, yet
She really could make no objection!
So soldier and dolly were wedded one day,
And a moment ago, as I journeyed that way,
I'm sure that I heard a wee baby voice say:
"Mamma! mamma!"
INSCRIPTION FOR MY LITTLE SON'S SILVER PLATE
When thou dost eat from off this plate,
I charge thee be thou temperate;
Unto thine elders at the board
Do thou sweet reverence accord;
And, though to dignity inclined,
Unto the serving-folk be kind;
Be ever mindful of the poor,
Nor turn them hungry from the door;
And unto God, for health and food
And all that in thy life is good,
Give thou thy heart in gratitude.
FISHERMAN JIM'S KIDS
Fisherman Jim lived on the hill
With his bonnie wife an' his little boys;
'T wuz "Blow, ye winds, as blow ye will--
Naught we reck of your cold and noise!"
For happy and warm were he an' his,
And he dandled his kids upon his knee
To the song of the sea.
Fisherman Jim would sail all day,
But, when come night, upon the sands
His little kids ran from their play,
Callin' to him an' wavin' their hands;
Though the wind was fresh and the sea was high,
He'd hear'em--you bet--above the roar
Of the waves on the shore!
Once Fisherman Jim sailed into the bay
As the sun went down in a cloudy sky,
And never a kid saw he at play,
And he listened in vain for the welcoming cry.
In his little house he learned it all,
And he clinched his hands and he bowed his head--
"The fever!" they said.
'T wuz a pitiful time for Fisherman Jim,
With them darlin's a-dyin' afore his eyes,
A-stretchin' their wee hands out to him
An' a-breakin' his heart with the old-time cries
He had heerd so often upon the sands;
For they thought they wuz helpin' his boat ashore--
Till they spoke no more.
But Fisherman Jim lived on and on,
Castin' his nets an' sailin' the sea;
As a man will live when his heart is gone,
Fisherman Jim lived hopelessly,
Till once in those years they come an' said:
"Old Fisherman Jim is powerful sick--
Go to him, quick!"
Then Fisherman Jim says he to me:
"It's a long, long cruise-you understand--
But over beyont the ragin' sea
I kin see my boys on the shinin' sand
Waitin' to help this ol' hulk ashore,
Just as they used to--ah, mate, you know!--
In the long ago."
No, sir! he wuzn't afeard to die;
For all night long he seemed to see
His little boys of the days gone by,
An' to hear sweet voices forgot by me!
An' just as the mornin' sun come up--
"They're holdin' me by the hands!" he cried,
An' so he died.
"FIDDLE-DEE-DEE"
There once was a bird that lived up in a tree,
And all he could whistle was "Fiddle-dee-dee"--
A very provoking, unmusical song
For one to be whistling the summer day long!
Yet always contented and busy was he
With that vocal recurrence of "Fiddle-dee-dee."
Hard by lived a brave little soldier of four,
That weird iteration repented him sore;
"I prithee, Dear-Mother-Mine! fetch me my gun,
For, by our St. Didy! the deed must be done
That shall presently rid all creation and me
Of that ominous bird and his 'Fiddle-dee-dee'!"
Then out came Dear-Mother-Mine, bringing her son
His awfully truculent little red gun;
The stock was of pine and the barrel of tin,
The "bang" it came out where the bullet went in--
The right kind of weapon I think you'll agree
For slaying all fowl that go "Fiddle-dee-dee"!
The brave little soldier quoth never a word,
But he up and he drew a straight bead on that bird;
And, while that vain creature provokingly sang,
The gun it went off with a terrible bang!
Then loud laughed the youth--"By my Bottle," cried he,
"I've put a quietus on 'Fiddle-dee-dee'!"
Out came then Dear-Mother-Mine, saying: "My son,
Right well have you wrought with your little red gun!
Hereafter no evil at all need I fear,
With such a brave soldier as You-My-Love here!"
She kissed the dear boy.
(The bird in the tree
Continued to whistle his "Fiddle-dee-dee")
OVER THE HILLS AND FAR AWAY
Over the hills and far away,
A little boy steals from his morning play
And under the blossoming apple-tree
He lies and he dreams of the things to be:
Of battles fought and of victories won,
Of wrongs o'erthrown and of great deeds done--
Of the valor that he shall prove some day,
Over the hills and far away--
Over the hills, and far away!
Over the hills and far away
It's, oh, for the toil the livelong day!
But it mattereth not to the soul aflame
With a love for riches and power and fame!
On, O man! while the sun is high--
On to the certain joys that lie
Yonder where blazeth the noon of day,
Over the hills and far away--
Over the hills, and far away!
Over the hills and far away,
An old man lingers at close of day;
Now that his journey is almost done,
His battles fought and his victories won--
The old-time honesty and truth,
The trustfulness and the friends of youth,
Home and mother-where are they?
Over the hills and far away--
Over the years, and far away!
End of the Project Gutenberg EBook of Love-Songs of Childhood, by Eugene Field
*** END OF THIS PROJECT GUTENBERG EBOOK LOVE-SONGS OF CHILDHOOD ***
***** This file should be named 2670.txt or 2670.zip *****
This and all associated files of various formats will be found in:
http://www.gutenberg.org/2/6/7/2670/
Produced by An Anonymous Volunteer
Updated editions will replace the previous one--the old editions
will be renamed.
Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties. Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark. Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission. If you
do not charge anything for copies of this eBook, complying with the
rules is very easy. You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research. They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks. Redistribution is
subject to the trademark license, especially commercial
redistribution.
*** START: FULL LICENSE ***
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://gutenberg.org/license).
Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
electronic works
1.A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.
1.B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works. Nearly all the individual works in the
collection are in the public domain in the United States. If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed. Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work. You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.
1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are in
a constant state of change. If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work. The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.
1.E. Unless you have removed all references to Project Gutenberg:
1.E.1. The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org
1.E.2. If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges. If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.
1.E.3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder. Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.
1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.
1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.
1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form. However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form. Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.
1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.
1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that
- You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg-tm works calculated using the method
you already use to calculate your applicable taxes. The fee is
owed to the owner of the Project Gutenberg-tm trademark, but he
has agreed to donate royalties under this paragraph to the
Project Gutenberg Literary Archive Foundation. Royalty payments
must be paid within 60 days following each date on which you
prepare (or are legally required to prepare) your periodic tax
returns. Royalty payments should be clearly marked as such and
sent to the Project Gutenberg Literary Archive Foundation at the
address specified in Section 4, "Information about donations to
the Project Gutenberg Literary Archive Foundation."
- You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he
does not agree to the terms of the full Project Gutenberg-tm
License. You must require such a user to return or
destroy all copies of the works possessed in a physical medium
and discontinue all use of and all access to other copies of
Project Gutenberg-tm works.
- You provide, in accordance with paragraph 1.F.3, a full refund of any
money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days
of receipt of the work.
- You comply with all other terms of this agreement for free
distribution of Project Gutenberg-tm works.
1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark. Contact the
Foundation as set forth in Section 3 below.
1.F.
1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection. Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.
1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.
1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium with
your written explanation. The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund. If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund. If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.
1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law. The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.
1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.
Section 2. Information about the Mission of Project Gutenberg-tm
Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers. It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.
Volunteers and financial support to provide volunteers with the
assistance they need, are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at http://www.pglaf.org.
Section 3. Information about the Project Gutenberg Literary Archive
Foundation
The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation's EIN or federal tax identification
number is 64-6221541. Its 501(c)(3) letter is posted at
http://pglaf.org/fundraising. Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.
The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations. Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
[email protected]. Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at http://pglaf.org
For additional contact information:
Dr. Gregory B. Newby
Chief Executive and Director
[email protected]
Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation
Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.
The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To
SEND DONATIONS or determine the status of compliance for any
particular state visit http://pglaf.org
While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.
International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.
Please check the Project Gutenberg Web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations.
To donate, please visit: http://pglaf.org/donate
Section 5. General Information About Project Gutenberg-tm electronic
works.
Professor Michael S. Hart is the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone. For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.
Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included. Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.
Most people start at our Web site which has the main PG search facility:
http://www.gutenberg.org
This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.
