The Project Gutenberg EBook of The Land of Long Ago, by Eliza Calvert Hall
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org
Title: The Land of Long Ago
Author: Eliza Calvert Hall
Illustrator: G. Patrick Nelson
Beulah Strong
Release Date: May 2, 2010 [EBook #32203]
Language: English
*** START OF THIS PROJECT GUTENBERG EBOOK THE LAND OF LONG AGO ***
Produced by Suzanne Lybarger, Jeannie Howse and the Online
Distributed Proofreading Team at https://www.pgdp.net
* * * * *
+-----------------------------------------------------------+
| Transcriber's Note: |
| |
| Inconsistent hyphenation in the original document has |
| been preserved. |
| |
| This e-book contains dialect. |
| |
+-----------------------------------------------------------+
* * * * *
THE LAND OF LONG AGO
[Illustration: "'HERE'S A PICTURE O' HENRIETTA'S HOUSE, CHILD.'"
FRONTISPIECE, _See Page 119_.]
The Land of
Long Ago
By
Eliza Calvert Hall
Author of
"Aunt Jane of Kentucky"
Illustrated by
G. Patrick Nelson
&
Beulah Strong
Boston
Little, Brown, & Company
1909
_Copyright, 1907, 1908, 1909_,
BY COSMOPOLITAN PUBLISHING COMPANY.
_Copyright, 1909_,
BY LITTLE, BROWN, AND COMPANY.
_All rights reserved_
Published, September, 1909
Printers
S.J. PARKHILL & CO., BOSTON, U.S.A.
TO
My Children,
MARGERY, ALEXANDER, THOMAS, AND CECILIA,
I DEDICATE THIS BOOK
[Illustration]
CHAPTERS
PAGE
I. A RIDE TO TOWN 1
II. THE HOUSE THAT WAS A WEDDING FEE 37
III. THE COURTSHIP OF MISS AMARYLLIS 75
IV. AUNT JANE GOES A-VISITING 109
V. THE MARRIAGE PROBLEM IN GOSHEN 143
VI. AN EYE FOR AN EYE 171
VII. THE REFORMATION OF SAM AMOS 207
VIII. IN WAR TIME 235
IX. THE WATCH MEETING 271
[Illustration]
ILLUSTRATIONS
"'HERE'S A PICTURE O' HENRIETTA'S HOUSE, CHILD'" FRONTISPIECE
"I KNOW THE DELICATE DIFFERENCES AND RESEMBLANCES
BETWEEN THE ODORS OF INDIVIDUAL ROSES" _Page_ 14
MISS PENELOPE AND MISS AMARYLLIS " 80
"'ONE MORNING SHE CONCLUDED SHE'D STRAIGHTEN OUT
HENRY'S TRUNK'" " 148
"IT WAS THE TIME OF THE BLOOMING OF THE WISTARIA" " 173
"'THE GLASS BROKE INTO A HUNDRED PIECES'" " 229
"'DAVID! JONATHAN! MY BOYS! WHERE ARE YOU?'" " 257
"REVERENTLY SHE LAID THE HEAVY CALF-BOUND VOLUME
ACROSS HER KNEES" " 290
PROLOGUE
We are so near to those who dwell
In the dear land whereof I tell!
Sometimes when we are far astray,
Their spirit-hands may guide our way;
And if we would but pause to hear,
What whispered words of tender cheer
Might come on those fine airs that blow
From the strange Land of Long Ago!
The scenes are changed, but we and they
Are actors in the same old play.
Their blood is in our throbbing veins;
Their hopes and joys, their griefs and pains,
Bind us fore'er to squire or churl,
To stately dame or laughing girl,--
Those shades that wander to and fro
In the dim Land of Long Ago.
Then let the present hour go by.
Turn back awhile, and you and I
Through quiet garden paths may stray
Where blooms the rose of yesterday,
May meet brave men and women fair
Who sang life's song to simple air;
Mark how their homely virtues glow!--
O pleasant Land of Long Ago!
I
A RIDE TO TOWN
[Illustration]
I
A RIDE TO TOWN
"Make haste, child," called Aunt Jane; "there's mighty little time
between dinner and sundown, and if we're goin' to town we'd better be
startin'."
Aunt Jane came out of the house, drawing on a pair of silk gloves. She
was arrayed in her best gown of black alpaca, a silk-fringed cape
covered her shoulders, her poke bonnet was draped with a veil of
figured lace, and under the lace her face shone with happy
anticipation, for a lifetime of trips to town had not dulled her
enjoyment of such an event.
The horse and buggy stood at the gate. The former had a pedigree as
long as that of the penniless lass, and Aunt Jane could tell many
wonderful tales of Nelly's spirit and speed in the days of her youth.
Some remnant of this fire was supposed to smolder yet in the old
thoroughbred, but as I looked at the drooping head and half-shut eyes,
I saw there was good reason for Aunt Jane's haste, if we were expected
to get back from town before nightfall.
"What are we going to town for?" I asked, as I stepped into the buggy
and took up the reins.
Aunt Jane hesitated. "Well," she said, "I'm goin' to lay in a supply
o' soda and cream o' tartar, and I may buy some gyarden seed and one
thing or another. I ain't exactly out o' soda and cream o' tartar, and
I could git the seed from some o' the neighbors. I reckon if the truth
was told, I'm goin' to town jest to be a-goin'."
A certain English humorist, who is not so well known to this
generation as Mark Twain, once wrote a page of gentle satire about
those misguided people who leave their native land to travel in
foreign countries. He finds but three reasons for their folly:
"infirmity of body, imbecility of mind, and inevitable necessity"; and
the whole circle of such travelers he classifies under the following
heads: the Idle, the Inquisitive, the Lying, the Proud, the Vain, and
the Splenetic. Had he gone a little farther into his subject, he might
have written approvingly of the Innocent Traveler, who, on a May day,
sets forth to go from his home in the country to the near-by town, all
for the mere pleasure of traveling.
Why, indeed, should the desire for travel send one across oceans or
over continents? Wherever we go we find only the old earth and the old
sky, and, under varying forms of dress and complexion, the same old
humanity of which we are a part. Does not the sun rise or set as
splendidly over some blue Kentucky hill as over the Jungfrau? Is the
daisy on Mars Hill any fairer than the daisy that opens its petals on
any meadow of the New World? And if historic associations are the aim
of your wanderings, turn the pages of some old school history, or send
your memory on a backward pilgrimage to the olden days, and a country
road may carry you into a past as glorious as that which lies along
the Appian Way.
For a long time we rode in silence. On crowded streets and in towns
one must talk; but out of doors in the country there is a Voice
continually speaking in a language as old as the song of the morning
stars, and if the soul hears that, human words are not needed.
Aunt Jane was the first to speak. "Ain't it sweet and peaceful this
time o' the year!" she said. "I look at these pretty fields and woods
all fenced in, with good roads runnin' alongside, and it don't seem
like it could be jest a little more'n two generations between now and
the time when this was the Dark and Bloody Ground, and the white men
was fightin' with Indians and bears and wildcats to git possession of
it. Why, right over there on that ridge o' hills is the place where
Sam Amos's grandfather run the ga'ntlet when he was captured by the
Indians. Sam used to have the old tow-linen shirt with the bloodstains
and the cut on the shoulder where one o' the Indians struck him with a
tomahawk. I ricollect Parson Page used to say that life was jest a
runnin' of the ga'ntlet. There's enemies on each side of us, and every
one of 'em is strikin' at us. And we can't run away, and we know that
there's one stroke comin' some time or other that's certain to bring
us down. And all we've got to do is to stand up and keep goin' right
on, and be ready for the last blow, whenever it happens to fall. And
here's Devil's Holler," she continued; "look down that bluff, and
you'll see it."
I looked and saw a deep cup-shaped valley, dark with the shadows of
overhanging rocks and trees, and luxuriant with ferns and underbrush
that grew rankly out of soil made rich by the drifted leaves of a
hundred autumns.
"Some folks say that the old stage road used to run past here, and a
band o' robbers used to hide by the side o' the road and waylay the
stage and rob the passengers, and maybe murder 'em and bury their
bodies at the bottom o' the holler. And"--she lowered her voice--"some
folks say the place is ha'nted. Sam Amos declared the devil come out
o' that holler and chased him for half a mile one dark night when he
was late comin' home from town. But I reckon the only devil that
chased Sam was the devil in the bottom of his whiskey-jug, and Uncle
Billy Bascom says there never was any stage line along this road
within his ricollection. So there you are; don't know what to believe
and what not to believe."
Just here the road made a steep, upward curve, and we looked down on
the clear, green ripples of a river that wound between high rocky
cliffs on one hand, and on the other vast fields of corn growing
lustily in the deep, rich soil.
"Why should such a pretty little river be called the Barren River?" I
asked. "There isn't anything barren about the river or the country
around it."
Aunt Jane's eyes sparkled. She was capable of answering the question,
for it touched a page of ancient history that was to her a twice-told
tale. "You see all these trees, child?" she said impressively, waving
her hand in the direction of the luxuriant masses of foliage. "Jest
look at that tulip-tree yonder, eighty feet high, I reckon, and the
flowers standin' up all over it like the gold candlesticks the Bible
tells about. You wouldn't think all these trees could grow up since
the first settlers come through here. But I've heard father tell about
it many a time. He said the Indians used to set fire to the woods and
the fields, and when the first settlers come through here, they called
this the Barrens on account o' there bein' no trees, and they passed
by all this good land and went further up on Gasper River, where there
was springs comin' out o' the hills and plenty of trees. You see,
there's two things a settler has to have: wood and water; and that's
why the country up around Gasper was settled before this was, and this
got the name of the Barrens, when there ain't a richer lot o' ground
anywhere.
"And speakin' of names, honey, did I ever tell you how Kittle Creek
got its name?
"Well, now, folks has been laughin' about that story for the last
seventy-five years, and I reckon they'll keep on laughin' as long as
there's a old man or a old woman like me livin' to tell it;" and Aunt
Jane began laughing in advance of the story.
"The right name o' Kittle Creek is Clear Fork," she said, "but it's
been Kittle Creek ever since old man Sam Stapleton give it that name.
And this was the way of it. Old man Sam lived on the fur side o' the
creek, and he was in the habit o' comin' to town every once in a while
to lay in his groceries and such things, and every time he'd come to
town he'd git his jug filled, of course, and drink all along the way
home; but by the time he'd git to Clear Fork he wouldn't know where he
was, or who he was, or which way he was goin'. He was a mighty
good-hearted man, but that jug was his besettin' sin.
"Well, one evenin' he was comin' home the usual way, him and the jug,
and he got to the creek and concluded he'd git off his horse and lay
down and take a little nap. Some o' the women folks in that
neighborhood had been doin' their washin' that day, and there was a
big iron kittle on the bank set up on some stones where they'd b'iled
their clothes. Old man Sam laid down by the kittle and went to sleep.
Pretty soon he got awake and set up and rubbed his eyes, and took
notice of the kittle, and says he,
"'Have I crossed this creek or not?' says he. 'It appears to me like
I've seen this kittle before, but whether it was on this side o' the
creek or the other, to save my life I can't tell.'
"Then he studied a while and says he,
"'Well, I'll give myself the benefit of the doubt.' So he crossed the
creek, got off his horse and set down in the shade, and took a drink
out o' the jug and fell asleep again. After a while he woke up and
looked around, and says he: 'Here I am again, and here's the creek,
and yonder's that old kittle jest as natural as life. But what I want
to know is, am I agoin' to town, or am I comin' back home?' And he
looked at the sun, and says he, 'Judgin' by the way that sun looks, it
might be nine o'clock in the mornin', and it might be three o'clock
in the evenin'; and not bein' a Solomon I ain't able to decide which
it is, but I'll take my chances and go across the creek.'
"So across the creek he went, took another drink, and laid down and
fell asleep right by the kittle. Pretty soon he woke up the third
time, and says he: 'Well, if here ain't that old kittle again! Howdy,
Mr. Kittle! Can you tell me which way I'm goin', and whether it's
mornin' or evenin'?'
"Well, the kittle didn't answer; and the old man set there and thought
a while, and then he crossed the creek and took another drink and
another nap, and crossed again, and there was the same old kittle, and
he looked at it and give it a kick, and says he: 'I never saw as many
blame kittles in all my life as I've seen to-day. I reckon this must
be Kittle Creek.'"
Aunt Jane paused to join in my laughter.
"I always thought it was a shame to laugh at a poor drunkard," she
resumed, "but old man Sam told the Kittle Creek story on himself. I
don't reckon he thought he was changin' the name of Clear Fork Creek,
but from that time on nobody ever called it anything but Kittle
Creek."
She stopped and peered over the side of the buggy. Her keen eyes had
detected a change in the road. There had been no rain for a week, but
the horse's hoofs and the wheels of our buggy had suddenly ceased to
raise any dust.
"Looks like there'd been a shower here lately," she remarked; "but I
don't see any sign o' rain except right here in the middle o' the
road."
"Perhaps this is the oiled road, Aunt Jane," said I.
"That's jest what it is!" exclaimed Aunt Jane delightedly. "Uncle
Billy Bascom was tellin' me about the new-fangled way they had of
layin' the dust, but it didn't seem to me like oil'd mix with dust any
more'n it will with water. That shows how little old folks knows.
Well, ain't this nice! Ridin' along in dry weather and never raisin' a
bit o' dust! Uncle Billy didn't approve o' the oiled roads. He says,
says he, 'Jane, it looks to me like them town folks won't never git
through circumventin' Providence.' Says he, 'They've got their gas and
their 'lectricity, so's it don't make a bit o' difference whether the
sun or the moon or the stars shines or not. And they've got their
'lectric fans, which makes 'em independent of the wind blowin', and
now they're fixin' the roads so's they won't have to pray for rain.'
Says he, 'It looks like they're tryin' to git rid of all sense o'
dependence on the Almighty; but as for me,' says he, 'I've got my pegs
sot, and I ain't goin' to have my brains all tore up follerin' after
new ways.'
"That's jest like Uncle Billy. But all the time I'm ridin' along this
road I'm feelin' thankful to Providence that he made the oil, and then
made people with enough sense to know that oil would settle dust.
There's no use stickin' to old ways unless they're better than the new
ways."
Just then there was a whir of wings from a fence corner, and a moment
later a liquid voice sounded over the clover field,
Bob White, is your wheat ripe?
Most birds have a song of but one season. The bluebird, for instance,
sings only of spring; but in the two simple notes of the partridge
there is the melody of falling water, a song of April's pale-green
fields, a song of summer's golden grain, and another of autumn's
scarlet leaf and frosty morning.
"That's a voice that won't be heard in the land much longer," remarked
Aunt Jane; "and when it does stop, it'll be like missin' a voice from
the church choir. The wild things are disappearin' one by one. The
deer's all gone, and even squirrels are gittin' so skeerce the
legislature'll have to pass a law to protect 'em. And I'm bound to say
the first settlers is a good deal to blame for it all. Game was so
plentiful in them early days that nobody thought about it ever givin'
out. Every man was a hunter--he had to be to provide his family with
meat--and I've heard father say that every boy in them days was born
with a gun in his hand. Old Jonathan Petty, Silas's father, had nine
sons, all of 'em sharpshooters. They used to shoot at squirrels for a
mark, and if they hit the squirrel anywhere but in the head, old
Jonathan'd give 'em a good whippin'. That sort o' trainin' was bound
to make a boy a good marksman, but it was hard on the squirrels."
[Illustration: "I know the delicate differences and resemblances
between the odors of individual roses"
Drawn by G. Patrick Nelson]
I had thought myself deeply learned in the lore of sweet odors. I know
that the orient spells of sandal-wood can intoxicate like the
opium-pipe or the draught of Indian hemp. I know the delicate
differences and resemblances between the odors of individual roses. I
know that when nature made the coarse hollyhock, she gave it the
almond perfume that floats over the waves of the Hellespont from the
petals of the patrician oleander growing on its banks. And I know
that, in the same mood, she dowered the vulgar horseweed with the
breath of the mignonette. Every odor is to me as a note of music, and
I know the discords and harmonies in the long, long scale of perfume.
I know that heliotrope and mignonette make a dissonance, and
heliotrope and tea-roses a perfect third; that there is a chord of
melody in heliotrope, tea-roses, and honeysuckle; and in the
orange-blossom or tuberose a dominant note that is stronger than any
symphony of perfume that can be composed from summer's garden-beds.
There are perfumes as evanescent as the dreams of youth, and others as
persistent as the memories of childhood. Go into the fields in
February, gather the dead penny-royal that has stood through the rains
and snows of a long winter, and you will find in its dry stems and
shriveled leaves the same gracious scent the green plant has in June.
A rose of last October is a poor deflowered thing; but turn to the
ice-bound garden-walks where, a month before, the chrysanthemum stood
in autumn splendor. The beautiful acanthus-like leaves and the once
gorgeous blossoms hang in brown tatters, but still they hold the
perfume of lavender and camphor, and from autumn to spring the plant
stands embalmed in its own sweetness, like the body of a mummied
Pharaoh wrapped in precious gums and spices. I know that the flowers
called scentless have their hours when the spirit of perfume visits
them and lends them, for a brief season, the charm without which a
flower is only half a flower. I have found the fragrance of ripe
cherries in the wood of the cherry parted a lifetime from the parent
tree. I have marveled over the alchemy that gives to the bitter
shriveled fruit of the wild crab-apple tree a fragrance as sweet as
its blossom. The heart of a child beats in me at the scent of a green
walnut or a handful of fresh hickory leaves; and I have cried out for
words to express what I feel when the incense of the wild grape
blossom rises from the woodland altars of late spring, and I stand, a
lonely worshiper, at a shrine deserted "since the old Hellenic days."
But what was that breath coming across the meadows on the sun-warmed
air? Was it a lost breeze from the Indian Ocean, caught in some
gulf-stream of the air and drifted down into the wind-currents that
blow across Kentucky fields in May?
"Strawberries, strawberries, child," said Aunt Jane. "Didn't you ever
smell strawberries when the evenin' sun's shinin' on 'em and ripenin'
'em, and the wind's blowin' over 'em like it's blowin' now? There's a
ten-acre patch o' strawberries jest across that medder."
It was impossible to go on while that perfume came and went like a
far-off, exquisite voice, and even Aunt Jane forgot her hurry to get
to town, as we sat with our faces eagerly turned toward the unseen
field of strawberries.
"I've heard folks say," said Aunt Jane, "that Kentucky is the natural
home o' the strawberry, and I reckon it's so, for I ricollect how,
when I was a child, the strawberries grew wild in the pastures, and
the cows'd come home at night with their hoofs dyed red with the juice
o' the berries they'd been treadin' on all day. Parson Page used to
say there was some things that showed the goodness of the Lord, and
some things, such as strawberries and grapes and apples and peaches,
that showed the exceeding great goodness of the Lord. He'd never eat a
strawberry without first holdin' it up and lookin' at it and smellin'
it, and he'd say:
"'Now wouldn't you think it was enough to have a strawberry tastin'
like it does? But here it is, the prettiest color in the world, pretty
as any rose, and, besides that, smellin' like the sweetest flower
that grows.'"
"What is the sweetest flower that grows?" I asked.
"Don't ask me such a question as that," said Aunt Jane with emphasis.
"Every one's the sweetest while I'm smellin' it. But when Parson Page
talked about the sweetest flower, he meant the calycanthus. There's
mighty little difference between smellin' a bowl o' strawberries and a
handful o' calycanthuses. Yes, the world's full o' sweet things,
child, and you don't have to look in gyardens to find 'em, either.
They're scattered around everywhere and free for everybody. Jest look
yonder in that old fence corner. There's catnip and hoarhound and
horsemint and pennyroy'l, and pretty soon there'll be wild
life-everlastin'. Yes, it's a mighty sweet world. I'm glad I've lived
in it this long, and heaven'll have to be somethin' mighty fine if
it's any better'n this old earth. Now hurry up, child, or we won't
have time to see the town sights before dark comes."
Within a mile of town I noticed a house barely visible at the end of
an avenue so long that it made me think of the "lane that knows no
turning."
"What house is that?" I asked.
Aunt Jane's eyes twinkled. "That's the house that was a weddin' fee,"
she said mysteriously.
"A wedding fee?" I echoed doubtfully.
"A weddin' fee," repeated Aunt Jane. "But don't ask me any questions
about it now, for there ain't time to tell it before we git to town."
"But you'll tell it on the way back?" I urged eagerly.
"Yes, child, yes. But hurry up now. I don't believe you care whether
we git to town or not."
I shook the lines over Nelly's back, tapped her gently with the whip,
and on we went. Aunt Jane was impatient to get to town, but I--I
wished for a longer road, a slower steed, and a Joshua to command the
afternoon sun to stand still a while in the heavens. For it was the
last day of May. Time stood reluctant on the border line between
spring and summer, and in every bird-song and every whisper of the
wind I seemed to hear,
"Farewell, farewell, to another spring!"
"You see that pretty farm yonder?" said Aunt Jane, pointing to the
left. "Fields as level as a parlor floor and soil like a river-bottom?
That farm belonged to Henry Amos, Sam Amos's youngest brother. Henry
got the gold-fever back in '49, him and a lot of other young fellers,
and nothin' would do but he must go to California. And here's Henry's
farm, but where Henry is nobody knows. Every time I see the yeller
wheat standin' in these fields, I think of how Henry's grandfather
begged him not to go. Henry was his favorite grandchild, and it broke
the old man's heart to see him leave. He took hold o' Henry's hand and
led him to the front door and says he,
"'Son, do you think the Lord was so forgetful of his children as to
put all the gold in the world out yonder in California?' Says he,
'That potato-patch over there is a gold-mine, and there's a gold-mine
in that wheat-field, and another one in the corn-field. And if you'll
go down in the orchard and gether a load o' them pippin apples and a
few punkins, and haul 'em to town and sell 'em, you'll find there's
some gold in them.' Says he, 'The whole earth's a gold-mine, if men
jest have the patience to dig it out.' But Henry would go, and I
reckon he couldn't help it, poor boy! Some folks are born to stay at
home, and some are born with the wanderin' fever in their bones."
I looked at the fertile fields that were the dead man's heritage, and
read again the old story of restless human ambition that loses the
near and the familiar by grasping at the far-off and unknown.
We were nearing the town limits now. Instead of the infrequent
farmhouses, we were passing rows of pretty suburban homes. Now and
then a fine old elm by the roadside, or within some neat, flowery
yard, spoke of the "forest primeval" vanishing before the stealthy
march of a growing town.
Aunt Jane's face wore the look of the pilgrim who approaches the City
Beautiful. She loved the country, and nature had kindly given her the
power to love one thing without hating its antithesis. But, apart from
Aunt Jane's company, going to town had no attraction for me, to whom a
town is only one of those necessary evils whose sum total we call
civilization. And while Aunt Jane took delighted notice of the
street-cars, the newly laid concrete walks, the sprinkling-cart, and
the automobile with its discordant warning voice, my heart turned back
regretfully to the narrow wayside path bordered by dusty weeds and
watered only by the dew and rain, to the old "dirt road," marked by
the track of the lazy ox-team or the two-horse wagon, and hushed and
bounded by the great silences of field and wood.
Aunt Jane was smiling and looking to right and left, and the children
on the street were quick to respond with answering smiles, as the kind
old face beamed on them. Chauffeurs and drivers of stylish carriages
politely gave us the road, and so we jogged into the little square,
the heart of the town. The park was in its spring raiment of young
leaves and grass, and the waters of the fountain sparkled in the
sunshine.
"It's the prettiest little town in the State," said Aunt Jane proudly.
"Where shall we go first?" I asked.
"There's one place in this town where all us country folks goes
first," said Aunt Jane oracularly, "and that's the old drug-store on
the corner yonder. Let the mare alone, and she'll go right there
without guidin'."
And so she did, stopping at a corner of the square before a
three-story brick building with none of the usual signs of a
drug-store about it. Aunt Jane stepped out to make her purchases, and
I stayed in the buggy to hold the horse, an unnecessary precaution,
for old Nelly at once dropped her head in a drowsy, meditative way
that showed she had no intention of leaving the familiar
stopping-place.
I heard a cheery voice within giving Aunt Jane an old friend's
greeting, and while she made her purchases and gossiped with the
proprietor over the high, old-fashioned counter, I stared into the
dark, dingy vista of the ancient store. The stone door-step, hollowed
like the steps to the Blarney stone, had borne the steady tread of
feet for sixty years, and the floor within was worn in the same way.
At the far end of the store, I discerned a group of elderly men. Some
were seated on packing-boxes, conveniently placed around the store for
the use of those who desired to stay a while to rest and whittle;
others reposed on the small of their backs in rickety, splint-bottomed
chairs tilted against the wall, their feet on the rounds of the
chairs, their knees on a level with their chins, and about them an air
of profound repose that showed them to be as much a part of the store
as the old iron stove. The window proclaimed the place the den of an
archæologist, for it was filled with arrow-heads neatly mounted on
pasteboard, Indian pottery, petrifactions, stone hammers, tomahawks,
relics of aboriginal and prehistoric man that the mounds and caves of
Kentucky yield up to the seeker of such buried treasure. Both within
and without, the old store was like an embodiment of conservatism
standing unmoved while the swift currents of modern progress were
sweeping around it and beating against it.
While I was gazing and wondering, Aunt Jane came out. "I reckon you
think this is a curious-lookin' place, honey," she said, as she stowed
away her packages on the seat. "This old store is one o' the places
that ain't changed in my memory. 'Stablished in 1847, and I don't
reckon it's had a right good cleanin' from that day to this, but the
best of everything a drug-store keeps is in them old dusty bottles and
jars. It does me good to come to town and find one place lookin' jest
like it did when me and Abram used to come on county-court days and
circus days. And there's the old men sittin' around that stove.
They've been there for the last twenty-five years, and they'll be
there till death comes along and picks 'em up and carries 'em away.
And now, child, give me the lines. I'm goin' to drive around a little
while, and then we'll go home."
She took the lines and began what seemed to me an aimless ramble
through the streets of the town. She grew strangely silent, and that
look on her face--was it sadness or only joy in retrospect? I began to
see the meaning of our ride to town. The garden-seed and other
purchases were but a vain pretext. In reality, she had come to keep a
tryst with the past. Now and then she remembered my presence, and
would point to some place that was a link between to-day and
yesterday. Here was the place in which General Buckner had made his
headquarters during the Civil War; in that house Charles Sumner was
once a guest; on yonder height stood a Confederate fortification, and
on a similar elevation on the opposite side of town was another fort
erected by a Federal commander, afterward a president; and--wondrous
miracle!--the angel of peace had turned the old fort into a garden. As
Aunt Jane spoke, the light of other days shone for me, too, and in its
radiance the commonplace faded out of sight.
We traveled in a circle, and our ride ended where it had begun. As we
paused at the drinking-fountain to let old Nelly quench her thirst,
Aunt Jane leaned out of the buggy and looked wistfully up and down the
square. I knew what was in her heart. She was thinking that, perhaps,
this was the last time she would see the town.
"It's a curious thing, child," she said finally, "that while folks are
growin' old, the towns they live in are growin' young. The town I
ricollect when I was a young gyirl is the old town, and now, when I'm
old, the town's young, and growin' younger and newer every day. Ain't
it a pity folks can't grow young instead of growin' old?" She paused,
and I felt the distance of a lifetime growing up between us.
Presently she came out of her reverie, smiling brightly. "We're
lookin' at the same things, honey," she said, "but you see jest one
thing, and I'm seein' double all the time. You see this square with
the park in the middle and the fine four-and five-story buildin's all
around it, and I see it, too; but back of it I can see the old square
with the court-house in the middle of it and the scraggly locust-trees
growin' around it and the market-house back of it. That market-house
wasn't much to look at, but the meat they sold there was the sort a
king can't git nowadays. And there was the clerk's office in front of
the court-house, and the county clerk used to stand on the door-step
and call out the names of the witnesses that was wanted when they was
tryin' a case in court. I can see him now, holdin' up a piece o' paper
to read the names off, and the sun shinin' on his gray head. And that
three-story hotel over yonder on the corner--that used to be the old
tavern in the days when there wasn't any railroad, and the stage'd
come rumblin' up, and everybody'd come runnin' to their front doors to
see who the passengers was.
"The town was so quiet in them days, child, that you could lay down in
the court-house yard and go to sleep, and so little that if you put
your head out o' the winder and hollered for John Smith, you'd be
pretty certain to git John Smith. If he didn't hear you, some of his
neighbors would, and they'd hunt him up for you. Things wasn't as well
kept then as they are now. I ricollect the jimson-weeds growin' in the
court-house yard, and one year the dog-fennel was so plentiful that
Uncle Jim Matthews says to me, says he, 'It looks to me like the
Smiths and the Joneses and the dog-fennel are about to take the
town.'"
She laughed gaily and handed the reins to me. "And now, child, we've
got to make tracks for home, unless we want to be out after sundown."
As we passed out of the square, our faces turned homeward, I noticed
an old Gothic church on the corner of the street leading to the
court-house.
"There's another thing that ain't changed much," said Aunt Jane, with
great satisfaction in her voice. "The inside's all new, and there's a
new congregation, for all the old congregation's lyin' out in the new
cemetery or the old graveyard. But there's the same walls standin' and
lookin' jest like they did when I used to come to town with father and
mother. Makes me think of a body with a new soul in it. Wonder if the
old bell's still up yonder in the steeple.
"Speakin' o' that bell reminds me o' Martin Luther Wilson and the time
he kept it from ringin'. Now, wait till we're fairly outside o'town,
and I'll tell you about it."
When all signs of town were fully half a mile behind us the story
began.
"That church you saw back yonder, honey," she said, "was built when
the Rev. Samuel Wilson was the pastor, and as soon as it was done and
the bell put up in the belfry, Brother Wilson said that bell had to
ring every Saturday mornin' to call the children of the congregation
together in the basement o' the church to receive religious
instruction. He'd been visitin' amongst the church-members, and he'd
found out that some o' the children didn't know the Ten Commandments
or the Shorter Catechism or the Lord's Prayer, and when he asked one
child what a foreign missionary was, the little thing thought a minute
and says she, 'Why, it's a rabbit, ain't it? 'Well, of course Brother
Wilson was clean scandalized, and says he, 'Such a state of things is
a disgrace to a civilized community. And,' says he, 'if the parents of
the church haven't got time to instruct their children, I'll do it
myself, for it's part of my pastoral duty to feed the lambs of this
flock as well as the sheep.'
"Well, of course the parents had no objection to havin' the children
taught. I ricollect old Mis' Zerilda Moore said that if Brother Wilson
could teach her boy Joe to say the Ten Commandments, he was welcome to
the job, for all her time was taken up tryin' to git Joe to keep a few
of 'em. The little gyirls didn't mind goin' to Saturday-mornin' Sunday
School, as they called it, but the boys objected mightily, especially
Brother Wilson's boys, Martin Luther and John Calvin. And Martin
Luther says, says he, 'It ain't fair to take a lamb's play-time away
from it to feed it on such fodder as that Shorter Catechism.' Says he,
'Any healthy lamb can stand the Ten Commandments and the Lord's
Prayer; I can say 'em frontwards and backwards myself, but,' says he,
'when it comes to the catechism, there'll be some lambs missin' from
this flock when Saturday mornin' comes.'
"Well, one mornin' not long after this, the old sexton went to ring
the bell for the children to come to the church, and he pulled the
rope and pulled the rope and couldn't make a sound; and while he was
standin' lookin' up in the belfry and pullin' and wonderin', here come
Brother Wilson wantin' to know why that bell hadn't been rung. Brother
Wilson was a man that was always on time himself, and he hadn't any
patience with folks that wasn't.
"And old Uncle Gloster says, 'Boss, I'm doin' my best, but it looks
like somebody's done hoodooed this bell.' Says he, 'I'm jest gittin'
over a spell o' rheumatism, and my old j'ints won't stand a climb up
that ladder, and you'll have to git somebody that's young and spry to
go up and see what's the matter.'
"Well, Brother Wilson started off to find somebody who could climb the
ladder, and as soon as he got outside the church, he met Judge Grace
and old Doctor Brigham, both of 'em members of the church, and he told
'em about the trouble with the bell, and they went in to see what they
could do. By the time Brother Wilson had walked around the square,
everybody in town knew that the Presbyterian bell wouldn't ring, and
all the folks come flockin' to the church; but nobody wanted to risk
their neck goin' up the old rickety ladder. While they was all
standin' there stretchin' their necks and reckonin' about what was the
matter, here come John Calvin, and says he, 'Gimme fifty cents, and
I'll go up the ladder.'
"And Brother Wilson says, 'No child o' mine shall be hired to do his
duty.' Says he, 'John Calvin, if that ladder was a green-apple tree,
you'd be at the top of it in less than half a minute. Go up, sir, this
instant, and find out what's the matter with that bell.'
"But Judge Grace and Doctor Brigham and the rest o' the men said
they'd throw in and make up the fifty cents, and John Calvin put the
money in his pocket and went up the ladder. As soon as he got to the
top round he hollered down and says he:
"'No wonder the bell won't ring. Here's a yarn sock tied around the
clapper.' And down he come with the sock in his hand, and handed it to
his father. It turned out afterwards that him and Martin Luther had
had a fallin' out that mornin', and he went up and got the sock jest
to git even with his brother.
"Well, while they was passin' the sock around and speculatin' about
it, old Mis' Maria Morris come along with her bag o' knittin' on her
arm, goin' to spend the day with some of her friends. She stopped to
see what was the matter, and when they told her she says, 'Let me look
at the sock,' and she took it and looked at it right close and says
she, 'That's Martin Luther Wilson's sock,' says she. 'I spent the day
with Mis' Wilson three or four weeks ago, and I saw her round off the
toe of this very sock.'
"Well, of course, Brother Wilson started off to look for Martin
Luther, and as soon as he was out o' hearin', Judge Grace brought his
cane down on the pavement, and says he, 'I hate to say such a thing of
my own pastor's son, but they named that boy after the wrong man when
they named him Martin Luther,' says he. 'They ought to 'a' named him
Beelzebub. That's one good old Bible name,' says he, 'that'll fit a
preacher's son nine times out of ten.'
"Brother Wilson went all around the square inquirin' for Martin
Luther, and found out that Martin and the rest o' the boys had been
seen goin' towards the river, all of 'em bleatin' like young lambs
callin' for their mothers. So he come back to the church, and says he
to Judge Grace, 'What mortifies me most in this matter is that a boy
of mine should have so little sense as to tie his own sock on the
bell. It was the act of a fool,' says he, 'and I shall see that it is
properly punished.'
"So when Martin Luther got home late that evenin', his mother was
standin' on the front door-step waitin' for him, and she took him by
the hand and led him into his father's study. And Brother Wilson held
up the sock, and says he, 'My son, can you tell me how this came to be
tied on the clapper of the church bell?' And Martin Luther says, as
prompt as you please, 'Yes, sir; I tied it on myself.' Martin's mother
said Brother Wilson looked mighty pleased at that. And then he says,
'Well, didn't you know you'd be found out if you tied your own sock
on?' And Martin Luther says, 'Yes, but I had to take my chances on
that, for if I'd gone home to git a rag or anything like that, Uncle
Gloster might 'a' had the church locked up before I could git back.'
Mis' Wilson used to say that Brother Wilson laughed like he'd heard
good news when Martin Luther said that, and says he, 'Well, I'm glad
to know you are neither a liar nor a fool, but, all the same, I shall
have to correct you severely for this offense.'
"Brother Wilson believed in Solomon's plan for raisin' children, and
in them days preachers didn't try to explain away the meanin' of a
Bible text like they do now. So he give Martin Luther a good
old-fashioned whippin', and then he called for John Calvin, and says
he, 'I know you were as deep in the mud as your brother was in the
mire, and I understand now why you were so anxious to climb the ladder
and see what was the matter with the bell: you only wanted to get your
brother into trouble, so I shall give you a double punishment.'
"And besides the whippin', Martin Luther said they made him and John
Calvin learn pretty near all the psalms. That's the way children was
dealt with in old times. Martin Luther used to say, 'Boys, if I got
all this for tyin' one sock on that old bell-clapper, what would it
'a' been if I'd tied a pair o' socks on it?'"
The old farmhouse was in sight, and Nelly's brisk gait showed what she
could do if she would. Such inspiration is the thought of home, even
to dumb animals. Suddenly I drew rein and assumed a look of deep
dismay.
"Aunt Jane," I cried, "we have forgotten something."
"La, child, you don't say so," said Aunt Jane, turning over the
parcels in her lap and hurriedly counting them. "Why, no we ain't.
Here's the soda and the cream o' tartar and the gyarden seed all
right."
"But you forgot to tell me the story of the house that was a wedding
fee," said I with dramatic solemnity.
"Now did anybody ever!" laughed Aunt Jane. "Skeerin' me to death about
a old yarn like that! Well, honey, that story's sixty years old
already, and I reckon it'll keep a little longer yet. Some o' these
days I'll tell you the story of that old house. I reckon I owe you
another story for takin' me to town and bringin' me home so nice. I'm
mighty glad I've seen the old place once more, for the next time I go
to town maybe I'll go in the direction of the New Jerusalem."
After Nelly had been unharnessed and fed, I sat down on the porch to
watch the passing of day. Ah! surely it is worth while to go to town
now and then just for the pleasure of getting back to the country, to
its purer air, its solitude, its blessed stillness. I lifted up my
eyes unto the hills and let the sunset and the twilight hold me in
their spells till Aunt Jane's voice called me in with a warning of the
danger that lurks in falling dew; and when I closed my eyes in sleep
that night, my brain was a panorama of strange scenes. Past and
present were mingled, as a picture painted within a picture, for,
through Aunt Jane's eyes, I, too, had seen double. I had gone to town
over the old 'pike, but I had also traveled the road of dead years,
and it had led me into the Land of Long Ago.
II
THE HOUSE THAT WAS A WEDDING FEE
[Illustration]
II
THE HOUSE THAT WAS A WEDDING FEE
It was September, the sad month of the year before I heard the
promised story of the house that was a wedding fee; for it was Aunt
Jane's whim that, as a dramatic sequence, a visit to the house should
follow the telling of the tale, and it was hard to find a convenient
time for the happening of both events. Meanwhile, I was tantalized by
the memory of that half-seen house at the end of the long avenue, and
again and again I tried by adroit questions to draw from Aunt Jane the
story about which my imagination hovered like a bee about a flower.
"Well," she finally remarked with smiling resignation, "I see there
ain't any peace for me till that story's told. Ain't that Johnny Amos
goin' by on horseback? Holler to him, child, and ask him to stop here
on his way back and hitch old Nelly to the buggy for me. Tell him I'll
dance at his weddin' if he'll do that favor for me.
"And now, while we're waitin' for Johnny to come, I'll tell all I can
ricollect about that old house. Fetch my basket o' cyarpet-rags, and
we'll sit out here on the porch. Here's a needle for you, too, child.
If I can sew and talk at the same time, I reckon you can sew and
listen. Jest mix your colors any way you please. I never made a
cyarpet except the hit-or-miss kind."
I took my needle and began to sew, first a black, then a red, then a
blue strip, but Aunt Jane showed no haste to begin her story.
"Goin' back sixty years," she remarked meditatively, "is like goin' up
and rummagin' around in a garret. You don't know what you'll lay your
hands on in the dark, and you can't be certain of findin' what you
went after. I'm tryin' to think whereabouts I'd better begin so as to
git to that old house the quickest."
"No, Aunt Jane, please take the long, roundabout way," I urged.
"Well," she laughed, "come to think about it, it don't make much
difference which way I take, for if I start on the short road, it'll
be roundabout before I git through with it. You know my failin',
child. Well, I reckon the old church is as good a startin'-place as
any. You ricollect me p'intin' it out to you the day we went to town,
and tellin' you about Martin Luther and the bell. That buildin' was
put up when Brother Wilson was pastor of the Presbyterian church.
Before his time they'd been without a preacher for a good while, and
things was in a run-down and gone-to-seed sort o' condition when he
come up from Tennessee to take the charge.
"Brother Wilson's father and mother was Georgia people, and I
ricollect one of his brothers comin' through here with all his slaves
on his way to Mizzourah to set 'em free. The family moved from Georgia
to Tennessee because there was better schools there, and they wanted
to educate their children. They was the sort o' people that thought
more of books and learnin' than they did of money. But before Brother
Wilson got his schoolin', he took a notion he'd go into the army, and
when he wasn't but sixteen or seventeen years old, he was fightin'
under Gen. Andrew Jackson, and went through two campaigns. Then he
come home and went to college, and the next thing he was preachin' the
gospel.
"It's sort o' curious to think of a man bein' a soldier and a
preacher, too. But then, you know, the Bible talks about Christians
jest like they was soldiers, and the Christian's life jest like it was
a warfare. The Apostle tells us to put on the whole armor of God, and
when he was ready to depart he said, 'I have fought a good fight.' And
I used to think that maybe Brother Wilson wouldn't 'a' been as good a
preacher as he was if he hadn't first been a good soldier. He used to
say, 'I come of fighting stock and preaching stock, and the fighting
blood in me had to have its day.' The preachin' blood didn't seem to
come out in Martin Luther and John Calvin, but the fightin' blood was
there mighty strong. Folks used to say that one or the other of 'em
had a fight every day in the week, and if they couldn't git up a fight
with some other boy, they'd fight with each other. The druggist said
that after Brother Wilson come, he sold as much court-plaster and
arnica in a month as he used to sell in six months, and Mis' Zerilda
Moore used to declare she never had seen Martin Luther but once when
his eyes and nose was the natural shape and color. Some of the
church-members was scandalized at havin' their preacher's sons set
such a bad example to the rest o' the town boys, and they went to
Brother Wilson to talk to him about it. But he jest laughed and says
he, 'There's no commandment that says, "Thou shalt not fight," and I
can't whip my boys for having the spirit of their forefathers on both
sides of the house.' Says he, 'Their great-grandfather on their
mother's side was a fighting parson in Revolutionary times. He was in
his pulpit one Sunday morning when news was brought that the British
were coming, and he stepped down out of his pulpit and organized a
company from the men of his congregation, and marched out and whipped
the British; and then he went back to the church and finished his
sermon.' Says he, 'My boys can't help fighting like their mother's
grandfather any more than they can help having their mother's eyes and
hair.'
"Now here I am talkin' about Martin Luther Wilson's great-grandfather
when I started out to tell you about the old church. Le's see if I
can't git back to the straight road and keep on it the rest of the
way.
"When Brother Wilson first come, the Presbyterian church was in the
old graveyard in the lower part o' town. Maybe you ricollect seem' it
the day we went to town. Mighty dismal-lookin' place, all grown up in
weeds and underbrush. And he took a look at it and saw jest how things
was, and says he, 'You've got your church in the right place. A dead
church,' says he, 'ought to be in a graveyard. But,' says he, 'when
the spirit of the Lord breathes over this valley of dry bones, I
expect to see the dead arise, and we'll build a house of the Lord
amongst the habitations of the living.' And bless your life, he went
to work and got up a revival that lasted three months, and spread to
all the churches--the Babtist and the Methodist and the
Christian--till every sinner in town was either converted or at the
mourners' bench. And before it was over in town, it started in the
country churches and kept up till Sam Amos said it looked to him like
the preachers would have to go out o' business for a while or move to
some other place, for there wasn't any material in the county for 'em
to work on. Mother used to say it was pretty near equal to the big
revival they had 'way back yonder in 1830. She said every seat in a
church then was a mourners' bench, and such shoutin' and singin' and
prayin' never was heard before or since. Some o' the converts would
fall in trances, and you couldn't tell whether they was dead or alive.
Uncle Jim Matthews's father, Job Matthews, stayed in a trance for two
days and nights, and mother said he never seemed like the same man
after that. He never could tell what he'd seen when he was in the
trance, and when folks'd question him about it, a sort of a wild
look'd come into the old man's eyes and he'd say, 'I've seen things of
which it is not lawful for me to speak.' He didn't take any more
interest in his farmin' or the family affairs, and when his wife'd try
to stir him up and persuade him to work like he'd been used to
workin', he'd say: 'The things of this world are temporal, but the
things of the other world are eternal. The soul of man is eternal, and
this world can never content it. I've seen the abiding-place o' the
soul,' he'd say, 'and I'm like a homesick child.' Mother said nobody
appeared to understand the old man, and his wife'd be so fretted and
outdone with him that she'd say that if a person went into a trance,
they might as well stay in it, for Job hadn't been any use to the
world since he come out of his.
"Well, when the revival was over, and all the converts had been
received into the church, Brother Wilson called a meetin' o' the
session and says he, 'There's two things to be done now. We've got to
come up out of that old graveyard, and build a church in town that'll
stand as a monument to this generation of Presbyterians long after
their bodies have gone back to the old graveyard and moldered into
dust; and while we're doing that,' says he, 'we must bring this
congregation up to the standards the church has set for its members.'
And he got the session to pass resolutions sayin' that all sinful and
worldly pleasures like cyard-playin' and horse-racin' and dancin' was
forbidden to church-members, and that the Sabbath day must be kept
holy and no member of the church could ride or walk or take a journey
on the Sabbath unless it was to do some work of necessity or mercy.
Says he, 'This flock has been without a shepherd so long that the Good
Shepherd himself could hardly tell which are the sheep and which are
the goats. But,' says he, 'the time has come when every man has got to
take his stand on the right hand or on the left, so the world can
know what he is.'
"Well, of course these strict rulin's went mighty hard with some o'
the church people, for, havin' been without a preacher so long, they'd
got clean out of their religious ways. I ricollect they elected old
Mr. Joe Bigsby superintendent of the Sunday-school, and the very first
Sunday he was examinin' the children to see if their parents had
taught 'em the things they ought to know, and he called on Johnny West
to say the Lord's Prayer, and John was talkin' to the boy next to him
and didn't hear. The old man was mighty quick-tempered, and he
hollered out: 'John West! You John! Confound you, sir! Stand up and
say the Lord's Prayer.' And then he ricollected himself, and he turned
around to Brother Wilson, and says he, 'Now, I know that ain't any way
for a Sunday-school superintendent to talk, but,' says he, 'jest give
me a little time, and I'll git the hang o' this superintendent
business.' Says he, 'When a Presbyterian's been without a church of
his own for three years and been driftin' around loose amongst the
Methodists and the Babtists, you've got to make some allowance for
him.'
"Well, after he'd got the Sunday-school and the weekly prayer-meetin'
started, and all the church-members comin' regular to preachin', and
everything runnin' smooth, Brother Wilson set about havin' the church
built.
"The way they build churches now, child, is mighty different from the
way they used to build 'em. Now nobody gives anything but money. It's
money, money, money, every which way you turn. But in the olden time
the way they built a church was like the way the Israelites built the
tabernacle. You ricollect the Bible says, 'Every one whose heart
stirred him up, and every one whom his spirit made willing, brought an
offering to the Lord.' The rich men brought gold and silver, and the
rulers brought onyx stones and oil and incense, and the poor men
brought wood for the tabernacle and goats' skins and rams' skins, and
the women they spun and wove and made purple and scyarlet cloth and
fine linen. There wasn't anybody so poor that he couldn't give
somethin' if his heart and his spirit was willin'. And that's the way
it was when that Presbyterian church was built in the old time.
"The folks that was called rich then would be called poor nowadays,
and a man's riches wasn't always money. But if one man had a
sand-bank, he'd give sand for the mortar, and if another had good
clay for makin' bricks, he'd give the clay, and somebody else that
owned slaves'd give the labor--so many days' work--and there'd be the
bricks for the walls; and if a church-member was a cyarpenter, he'd
give so much of his time and his work, jest like the 'wise-hearted
men' that worked on the tabernacle and made the curtains and the
cherubims and the sockets of silver and brass and all the rest of the
things that Moses commanded 'em to make.
"I reckon that old subscription paper'd look mighty strange nowadays.
I ricollect one of the members said he'd give fifty dollars in cotton
yarn at the price it was sellin' at in the stores; another said he'd
give a hundred acres o' land in Monroe County; and another one give a
hundred acres o' land 'way up in Illinois. One o' the elders said he'd
give twenty-five dollars in shingles, and when he'd gethered his corn
the next fall, he promised to give twenty-five barrels o' corn;
another elder paid fifteen dollars in pork, and one o' the deacons who
had a two-horse wagon paid sixty dollars in haulin'; and the saddlers
and the tailors paid their part in saddlery and tailorin'. It's many a
day, honey, since they laid the corner-stone o' that church, and
there ain't a crack in the walls yet. The only good work is the work
that love does, and in them days folks loved their churches jest as
they loved their homes, and the work that went into that church was
good work. I ricollect the Sunday they dedicated it the first hymn
was,
"'I love thy kingdom, Lord,
The house of thine abode,
The church our blest Redeemer saved
With his own precious blood.'
"Me and Abram was there, for the country churches and the town
churches was friendlier then than they are now. If the Goshen church
was without a preacher Brother Wilson'd come out every third Sunday
and preach for us, and if the weather and the travelin' was good, the
Goshen folks'd go to town to preachin'.
"Now here I am tellin' about the dedicatin' of the church before I git
through with the buildin'.
"Well, when the church was about half done, things begun to go wrong
amongst the congregation. Somebody give a dancin'-party at the tavern,
and two o' Judge Grace's daughters was there, and the old judge
himself dropped in and looked at the dancin' a while; and before
folks'd got through talkin' about that, here come the news that Squire
Schuyler had taken a journey on the Sabbath day, and, besides that,
he'd been heard usin' profane language. Of course it all come to
Brother Wilson's ears, and as soon as he heard it he didn't lose any
time callin' a meetin' of the session, and they summoned the old judge
and the squire to appear before 'em and answer to the charges that was
brought against 'em.
"The session was in the habit o' meetin' in old Doctor Brigham's
office, and when they come together Judge Grace was on hand, and he
explained how he'd gone to the tavern to bring his daughters home, and
the gyirls wasn't quite ready to go home, and he had to stay and wait
for 'em; and says he, 'I acknowledge that I did go into the hall where
the young folks was dancin', and I stood and looked at 'em a while.
And,' says he, 'I might 'a' patted my foot, keepin' time to the music,
for they was dancin' a Virginia reel, and it's mighty hard for me to
keep my feet still when there's a Virginia reel goin' on. But,' says
he, 'that was the head and front of my offendin'.'
"Then Brother Wilson asked him if his daughters danced at the party,
and the old judge he looked over at one o' the elders and winked, and
then he says, as solemn as you please, 'Not while I was there.' Says
he, 'I forbid my children to dance, and if I had known the nature of
that party I would 'a' forbidden 'em to go to it. But,' says he, 'I
can't say that my forbiddin' 'em would 'a' kept 'em from goin', but
not bein' church-members,' says he, 'my daughters can't be disciplined
for dancin', and if you're going to discipline the parents for what
the children do,' says he, 'there's some ministers that'll have to be
summoned to appear before the session.'
"And with that everybody laughed, and Brother Wilson he j'ined in as
hearty as anybody, for he liked a joke, even when it was on himself.
And says he, 'Well, that's one case settled.' And then he looks
around, and says he, 'It seems that Squire Schuyler has not received
the message from the session. Let the clerk of the session send him
another summons, and to make sure of its reaching him, let one of the
session hand it to him next Monday; that's county-court day, and he's
certain to be in town.' So they fixed up another summons, and Judge
Grace was to hand it to him.
"Well, when Monday mornin' come, the old judge took his stand on the
corner o' the street in front o' the church and watched for the
squire, and pretty soon here he come on horseback, gallopin' as hard
as he could, and five or six hounds lopin' at the horse's heels.
"Squire Schuyler, honey, was a man different from any you see
nowadays. As I look back on it now, it appears to me that he was the
kind o' man that believed in gittin' all the pleasure he could out o'
life. Nowadays everybody's tryin' so hard to make money, that they
don't have time to enjoy life, and some of 'em wouldn't know how to
enjoy it if they had the time. But Squire Schuyler was the kind that
knows how to make the most out of everything that comes their way. The
Schuyler family was a big family in Virginia 'way back in the time o'
the first settlements. They had grants of land and lived high, and the
two brothers that come to Kentucky had the same way of livin' and
takin' things easy and makin' pleasure out o' life as they went along.
Plenty o' money, plenty o' land, plenty o' slaves, fine horses, fine
cattle, and a pack o' hounds--that's the way things was with the
Schuylers, Meredith and Hamilton both. I can see Squire Meredith
Schuyler now, the way he looked in that long overcoat made out o' dark
green broadcloth with big brass buttons on it, ruffled shirt-bosom,
high boots comin' 'way up to his knees, a broad-brimmed hat set back
on his head and a ridin'-whip in his hand, and long leather gloves,
and the hounds skulkin' along behind him.
"That's the way he looked when Judge Grace walked up to him and handed
him the second summons. And he opened the paper and read it, and then
he tore it in two and threw it on the ground. And says he, 'Does the
Rev. Samuel Wilson think that he's the Pope of Rome?' Says he, 'You go
to him and tell him for me that this is a free country and I'm a free
member of the Presbyterian church, and the journeys I take and the
language I use are a matter between me and my conscience and my God.'
And with that he walked off and left Judge Grace standin' there. And
the judge he picked up the pieces o' paper and went right straight to
Brother Wilson's house and told him what had happened. And Brother
Wilson he listened to it all, and he looked mighty stern and says he,
'Call the session together at three o'clock this evening.' Says he,
'This is something that concerns the honor of the church, and we can't
let the sun go down on it.'
"Well, the session, they all got together at the app'inted time, and
Brother Wilson says, says he, 'Brethren, there's a serious question to
be settled, and before we begin let us ask for light and wisdom from
on high.' And then he prayed a prayer askin' the Lord to guide them in
all they said and did, and when that was over, he called on Judge
Grace to tell the session jest how Squire Schuyler had acted and
talked when he handed him the summons. And the judge told it all jest
so. 'And now,' says Brother Wilson, 'I want you gentlemen to
understand that what Squire Schuyler said and did is not an insult to
me.' Says he, 'I am not summoning him to come before this session.'
Says he, 'The Squire has broken the rules of the church, and when he
refuses to appear before the session, he's resisting the authority of
the church, and when a man does that, why, there's nothing,' says he,
'for the church to do but to cut him off from its membership.'
"Well, the session, they looked at each other, and they hemmed and
hawed, and finally Doctor Brigham says, says he, 'Brother Wilson, I
believe you are right about this thing; but,' says he, 'it looks like
this might be a case that calls for a little of the wisdom of the
serpent.' Says he, 'You know there's good Scriptural authority for
bein' "wise as serpents."' Says he, 'I know the Lord is no respecter
of persons; but,' says he, 'there's times when common sense tells us
to stop and consider a man's standin' and influence. Here we are,'
says he, 'in the midst of buildin' a church. There's none too much
money comin' to us, and Squire Schuyler's subscription is two or three
times as big as anybody's, and, besides, it's all in hard money, and
if we turn him out o' the church, we'll run short o' funds and have to
stop buildin'.' Says he, 'If it was any time but now, I'd say, "Go
ahead, and we'll all stand by you," but as we're buildin' a church,
why, it looks to me like the wrong time to turn people out o' the
church.'
"And Brother Wilson jumped up and says he, 'That's exactly the point
I'm aiming at. We're building a church, and that is the reason why I
want Squire Schuyler, and all members like him, deprived of church
privileges.' Says he, 'What is a church, anyway? Is it that pile of
brick and mortar you're putting up out yonder?' Says he, 'That's the
church building, but the church itself,' says he, 'no eye but the eye
of God has ever seen it, for it is builded of the hearts and
consciences of men and women that have known the power of the spirit.
That's the real church,' says he, 'and if you've got that, it matters
not whether you've got the house of brick and stone or not.' Says he,
'When the Pilgrim Fathers set foot on Plymouth Rock and sang a hymn
and knelt down and prayed under the open sky, _there_ was a living
church of the living God, and not a hypocrite or a mammon-worshiper or
a time-server in it.' Says he, 'You men are mighty particular about
the house for the church to worship in. You are looking for the best
stone, and the best brick, and the best mortar; but when it comes to
the building of the church itself, you're ready to put in hay, straw,
and stubble for the sake of a little filthy lucre.'
"And all the time Brother Wilson was talkin', he was poundin' the
table with his fist till the pens and the papers that was on it jest
danced around, and Judge Grace said afterwards that he believed
Brother Wilson'd rather have hit some o' the session than that table.
"Well, he sort o' stopped to take his breath, and Doctor Brigham says,
says he, 'I agree with you, Brother Wilson, with all my heart. But
there's another thing to be thought of before we do anything rash,'
says he. 'Squire Schuyler ain't only a big contributor to the buildin'
of the church, but he's the mainstay of the church when it comes to
raisin' the preacher's salary. You've got a family dependin' on you.'
says he, 'and do you think you'd be doin' justice to them to take a
step that would cut your salary down?'
"I reckon the old doctor thought he'd pacify Brother Wilson and bring
him to his senses, but instead o' pacifyin' him, it made him madder.
He doubled up his fist and brought it down on the table again, and
says he, 'If a minister of the gospel has to neglect his duty in order
to earn his salary and support his family, then it's time for honest
men to get out of the pulpit and make room for scoundrels that'll sell
their principles and their self-respect for a matter of a few dollars
and cents.' Says he, 'No matter how poor I am, I've never been so poor
that I couldn't afford to do right. I left the army for the church,
and I can go from the church back to the army; for,' says he, 'I'd
rather be a ragged, barefooted soldier in the ranks, living on half
rations and fighting in a good cause, than a cowardly, skulking
preacher dressed in broadcloth and sitting down on his conscience
every time he opened his mouth.' And with that he took up his hat and
went out o' the office, slammin' the door after him.
"And Judge Grace says to Doctor Brigham, 'Where do you reckon that
preacher of ours got his notions of what's right and what's wrong?'
And Doctor Brigham shook his head and says he, 'I reckon he got 'em
from the Bible, for,' says he, 'such notions and such conduct might do
in the days when preachers was fed by the ravens, but they don't fit
into this day and generation when a preacher has to preach for his
livin'.'
"Well, town news can travel to the country as fast as country news can
travel to town, and of course Squire Schuyler wasn't long hearin'
about the meetin' of the session, and as soon as he heard it he got on
his horse and rode to town, and went right straight to Doctor
Brigham's office--the doctor was the treasurer of the church--and says
he, 'I understand that you gentlemen of the session are considering
the question of turning me out of the church, and some of you think my
subscription won't be paid if that's done. I want you to understand,'
says he, 'that my word is better than any man's bond. I promised to
give a thousand dollars toward the church buildin'; here's a check for
fifteen hundred. Now turn me out if you want to. You've got nothing to
lose by turning me out and nothing to gain by keeping me in.'
"That ain't exactly what Meredith Schuyler said, honey," remarked Aunt
Jane, pausing in her story to make an explanatory note. "Jest exactly
what he said it wouldn't be right for me or any Christian woman to
tell, for Meredith Schuyler never opened his mouth, unless it was to
eat his meals, that he didn't take the name o' the Lord in vain. But
that was the sum and substance of it.
"Well, Doctor Brigham he went straight to Brother Wilson's house and
showed him the check, and told him about meetin' the squire and all
that had passed between 'em, and Brother Wilson he slapped his knee,
and says he, 'Now we'll have a meeting of the session to-morrow and
settle the matter right away.' So they all met again in the doctor's
office, and Brother Wilson called the meetin' to order and says he, 'I
have been asking the Lord to turn the hearts and minds of my session
that they might see certain matters as I see them. I cannot tell
whether my prayer has been answered,' says he, 'but, the thing that
kept some of you from doing your duty last week has been
providentially removed, and the way is clear before our feet. Squire
Schuyler,' says he, 'has not only paid his subscription, but he has
paid five hundred dollars more than his subscription. I move that
Judge Grace be a committee of one to write the squire a letter
accepting his gift, and thanking him for his liberality.'
"Well, they seconded the motion, and Judge Grace said he'd be glad to
write the letter, and then Brother Wilson says, 'The payment of that
money shows that Squire Schuyler is an open-hearted, open-handed
gentleman. I wish I could say Christian gentleman,' says he, 'but the
charges of profanity and Sabbath-breaking are still standing against
him, and we must now do our duty and deprive him of the rights and
privileges of church-membership.'
"Well, they said Doctor Brigham and Judge Grace both threw up their
hands and begun talkin' at once, and says they, 'You don't mean to say
you're goin' to turn the squire out now!' And Brother Wilson says,
says he, 'Why not? Here are the charges against him: breaking the
Sabbath, taking the name of the Lord in vain, and refusing to appear
before the officers of the church when he's summoned.' And Doctor
Brigham says, 'But he's paid his subscription.' And Brother Wilson
says, 'That's no more than an honest man ought to do.' And Judge Grace
says, 'But he's paid five hundred dollars besides.' And Brother Wilson
says, 'A letter of thanks is all we owe him for that.' Says he,
'Here's a matter of church discipline, and here's a matter of money,
and one has nothing whatever to do with the other. Can't you see
that?' says he. And they all shook their heads and said they couldn't.
And Judge Grace says: 'It looks to me like it's not treatin' a man
exactly square to take his money to build the church, and then to turn
him out o' the church. It looks like if a man's money's good enough to
go into the church walls, the man's name's good enough to stay on the
church rolls.' And the rest of the session, they agreed with the old
judge. But Brother Wilson, he jumped up and says he, 'A man that sees
things that way has a conscience that needs enlightening.' Says he,
'Money itself is neither good nor evil. Whether it's clean or
unclean,' says he, 'depends on the way it's given and the way it's
taken. The money that's given in fulfilment of a promise,' says he,
'is clean money: let it go into the walls of the church. Coming from
Meredith Schuyler's hands the way it does,' says he, 'it's pure gold.
He's not offering it as a bribe to us to keep him in the church, but
if we take it as a bribe,' says he, 'the minute it gets into our hands
it turns to base coin, and it's a dishonor to us who take it and an
insult to him who gave it.'
"Well, the session set there and studied a while, and shook their
heads, and said they couldn't see things that way. And Brother Wilson
looked at 'em a minute or two, and then he jumped up and says he, 'Let
us pray.' And then he offered up a prayer that God would send his
spirit into the hearts and consciences of his servants, that they
might see things in the right light, so that all they did might be for
the glory of God and of his kingdom on earth. Then they all set down
and waited a while, and Brother Wilson says, 'Brethren, are you still
of the same mind?' And they all nodded their heads, and says he,
'Well, when the session thinks one way and the minister another, it's
time for them to separate.' Says he, 'Here's my resignation by word of
mouth, and as soon as I go home, I'll put it in writing.' And off he
went, leavin' the session sittin' there.
"Well, of course the men went home and told their wives all about it,
and before the next day everybody was talkin' about Brother Wilson
resignin', and the church-members lined up, some on the squire's side
and some on the preacher's side, jest like they did in Goshen church
the time we got the new organ. There was the church walls goin' up,
and both sides had put money into 'em, and neither side had money
enough to buy the other side out, and neither side wanted to be
bought out. And the squire's side, they'd say, 'We've got the money,
and you can't have a church without money.' And the preacher's side,
they'd say, 'But we've got the members and the preacher, and you can't
have a church without church-members and a preacher.' And they had it
up and down and back and forth, and the Methodists and Babtists, they
took sides, and such quarrelin' and disputin' you never heard. Some o'
the outsiders went to Brother Wilson, and says they, 'You Christian
people are settin' a mighty bad example to us outsiders. Can't
somethin' be done,' says they, 'to stop this wranglin' amongst the
churches?'
"And Brother Wilson, he laughed at 'em, and says he, 'Open your Bibles
and find out who it was said, "I came not to send peace, but a
sword."' Says he, 'The word of the Lord is a two-edged sword, and all
this disturbance means that the Lord is visiting his church and his
spirit is striving with the spirit of man.'
"Well, matters was standin' in this loose, unj'inted way when all at
once Squire Schuyler's weddin' invitations come out. Everybody knew he
was waitin' on Miss Drusilla Elrod, but nobody expected the weddin'
that soon, and folks begun speculatin' about who he'd have say the
weddin' ceremony, and Judge Grace says: 'Now see what a man makes by
havin' such curious ideas and bein' so rash in his speech. Here's a
big weddin' fee that ought to go into a Presbyterian pocket, and
instead o' that, it'll fall to some Babtist or Methodist preacher.'
"But--bless your life!--the day before the weddin', Squire Schuyler's
carriage drove up to the parsonage, and the coachman got out and
knocked at the door and handed in a letter with a big red seal, and it
was from the squire, askin' Brother Wilson to say the weddin' ceremony
over him, and promisin' to send his carriage to bring him and Mis'
Wilson to the weddin'.
"Well, that weddin' was the talk o' the town and the country for many
a day before and after it happened. They had cyarpet spread from the
gate to the front door, and they burned over a hundred wax candles
before the evenin' was over, and folks said it looked like they had
ransacked the heavens above and the earth beneath and the waters under
the earth for somethin' to put on that supper-table. Brother Wilson
said a mighty nice ceremony over 'em, and when they went out to supper
the preacher and his wife set on the right hand of the bride and
groom.
"Well, when Brother Wilson got ready to leave, he went up to Squire
Schuyler to shake hands and say good night, and the squire pulled a
long paper out o' the breast pocket of his coat, and he bowed, and
says he, 'Will you do me the honor, sir, to accept this?' Squire
Schuyler had a mighty grand way of talkin', honey, and you don't see
any such manners nowadays as the Schuylers and the Elrods used to
have. And says he, 'Don't open it till you get home.' And Brother
Wilson, he says, 'I'm not the man to look a gift horse in the mouth,
but,' says he, 'I must see the gift horse before I accept it.' With
that he opened the paper, and what do you reckon it was, honey? It was
a deed to that house I p'inted out to you the day we went to
town--Schuyler Hall, they call it--and I don't know how many acres of
land along with it.
"Brother Wilson he looked at it and looked at it, and it seemed as if
he couldn't take it in. And says he, 'There must be some mistake about
this. You surely do not mean to deed me a house and land?'
"And the squire he bows again, and says he, 'There's no mistake. The
house and the land are yours to have and to hold while you live and to
will as you please when you die.'
"And Brother Wilson held out the paper and says he, 'Sir, it's a
princely gift, but I can't take it. It's no suitable fee for a poor
preacher like myself.'
"And the squire he folded his arms and stepped back to keep Brother
Wilson from puttin' the deed into his hands, and says he, 'It takes a
princely gift to suit an occasion like this.' Says he, 'I want the
wedding fee to match the worth of my bride and the worth of my
minister, but, not being a prince, this is the best I can do.' And all
the time he was talkin', Brother Wilson was shakin' his head and
tryin' to make him take back the paper, and sayin', 'I can't take it,
I can't take it.'
"And the squire says: 'Sir, you'll have to take it. The deed has
passed from my hands to yours, and a Schuyler never takes back a
gift.' And Brother Wilson, he says, 'But the gift will be of no use to
me. I've handed in my resignation,' says he, 'and the presbytery will
shortly send me to another field of usefulness.'
"And the squire he ripped out a terrible oath, and says he, 'I beg
your pardon, sir, for swearing in your presence. I've heard,' says he,
'of the doings of that session; but,' says he, 'if I have influence
enough to keep myself in the church, I have influence enough to keep
you in, too; and if I can't do that,' says he, 'I'll build you a
church and pay you a salary for life.' Says he, 'There's nothing too
good for a man that refuses to bow down and worship the golden calf.'
"Honey," said Aunt Jane, lowering her voice, "considerin' it was his
weddin' night and him talkin' to a preacher, the language Squire
Schuyler used was far from fittin'. What he said was all right, but
the way he said it was all wrong.
"Well, they argued back and forth, and it ended by Brother Wilson
goin' home with the deed in his pocket. And the next Saturday Squire
Schuyler come before the session and acknowledged the error of his
ways. 'And,' says he, 'I promise in future to keep the Sabbath day
holy, but as to the profane language,' says he, 'it comes as natural
to me to swear and fight as it does to the Rev. Mr. Wilson to pray and
fight, and all I can promise about that,' says he, 'is that hereafter
I'll try to do the most of my swearing in private, so my example won't
hurt the church I'm a member of.'
"And Sunday mornin', child, here come Squire Schuyler and his bride,
as fine as a fiddle, walkin' down the church aisle arm in arm, and the
squire j'ined in the hymns, and when the contribution plate was passed
around he dropped a gold piece on it as unconcerned as if it was a
copper cent. And Brother Wilson, he moved out to the house the squire
had give him, and there never was anybody as happy as he appeared to
be. He'd walk around under the trees and look at his gyarden on one
side and his clover-fields on the other side, and he'd say: '"Delight
thyself in the Lord, and he shall give thee the desires of thine
heart." I've always wanted a home in the country, and the Lord has
given me one of the desires of my heart.'
"But he didn't live to enjoy it very long, poor man. He died before
his prime, and his tombstone's standin' now in the old graveyard
yonder in town. They had a Bible text cyarved on it, 'For he was a
good man, and full of the Holy Ghost and of God, and much people was
added unto the Lord.'
"And now, child, put on your hat. I see Johnny Amos comin' with the
buggy, and we'll go over and see the old house."
Suppose a child should read the story of Beauty and the Beast, and
straightway a fairy godmother should appear, saying, "Now, let us go
to the palace of the Beast." If you can fancy that child's feelings,
you will know how I felt when I stepped into the old buggy to go to
Schuyler Hall.
It was a gray September afternoon. The air was warm and still, and the
earth lay weary, thirsty, and patient under a three-weeks drouth. Dust
was thick over the grass, flowers, and trees along the roadside, and
on the weed-grown fields that had brought forth their harvest for the
sons of men and now, sun-scorched and desolate, seemed to say, "Is
this the end, the end of all?"
Over the horizon there was a soft haze like smoke from the smoldering
embers of summer's dying fires, and in the west gloomed a cloud from
which the thunder and the lightning would be loosed before the
midnight hour; and after the rain would come a season of gentle suns,
cool dews, and frosts scarce colder than the dew--not spring, but a
memory of spring--when the earth, looking back to her May, would send
a ripple of green over the autumn fields, and, like thoughts of youth
in the heart of age, the clover and the dandelion would spring into
untimely bloom.
"Things look sort o' down-hearted and discouraged, don't they?" said
Aunt Jane, echoing my thought. "But jest wait till the Lord sends us
the latter rain, and things'll freshen up mightily. There's plenty o'
pretty weather to come betwixt now and winter-time. Now, child, you
jump out and open the gate, like I used to do in the days when I was
young and spry."
Old Nelly crept lazily up the long avenue, and my eyes were fixed on
the house of legend that lay at its end.
"Houses and lands are jest like pieces o' money," observed Aunt Jane.
"They pass from one hand to another, and this old place has had many
an owner since Brother Wilson's day. The man that owns it now is a
great-nephew of old Peter Cyartwright, and him and his wife's mighty
proud of the place."
"Do they object to strangers coming to see it?" I asked as we neared
the giant cypress-tree in front of the porch.
"La, child," laughed Aunt Jane. "Ain't this Kentucky? Who ever heard
of a Kentuckian objectin' to folks goin' through his house! We'll jest
walk in at the front door and out at the back door and see all that's
to be seen, up-stairs and down."
As she spoke we heard the voice of the hostess bidding us welcome to
Schuyler Hall, and, fresh from the fairy-land of Aunt Jane's memories,
I walked into one of the scenes of the story, the house that was a
wedding fee.
There was a hint of baronial grandeur in the lofty ceilings, the heavy
walnut wainscoting and oaken floors, the huge fireplaces with their
tall mantels; and underneath the evident remodeling and repairing one
saw the home and the taste of a vanished generation, the same that had
witnessed the building of Monticello, for the hand that wrote the
Declaration of Independence had drawn the plans for the house that was
a wedding fee.
From room to room I went, pleasing myself with fancies of the man who
had never bowed the knee to Mammon. My feet were on the floors that he
had trod. By this worn hearthstone he had knelt, night and morn, to
the God who had given him the desire of his heart. From this doorway
he had looked upon the broad acres that were his by grace of a
generous adversary, the tribute of one noble nature to another. In the
long, low-ceiled bedchamber above the stately lower rooms he had slept
the sleep of one whose conscience is void of offense toward God and
his fellow man, and through the dormer-window that looked toward the
rising of the sun his soul had passed out in its flight to the stars.
Dusty and flowerless, the garden paths wandered to right and left,
but not one did I miss in my pilgrimage; for who could know what
shrines of remembrance might lie hidden in that drift of leaves,
withered and fallen before their time? Perhaps the minister's hand had
planted the clump of tansy and the bed of sage, and well I knew that
here in the night hours he had met his Maker, and his garden had been
to him as that paradise where Adam walked with God.
Near the house was a spring to whose waters came the Indian and the
deer before the foot of the pioneer had touched Kentucky soil. Rising
from sources too deep to be affected by the weather of earth, no
drouth ever checks its flow, no flood increases it, and here I knelt
and drank to the memory of a day that is not dead nor can ever die.
Again on the threshold of the old house I paused and looked back into
the shadowy hall. Ah, if the other world would for a moment give up
its own that I might see them "in their habit as they lived," the
Cavalier squire, the Puritan minister, the bride whose womanly worth
was but faintly shadowed forth in the princely gift of a house and
land! But no presence crossed the dim perspective within, and the only
whisper I heard was the wind in the cypress-tree. The past had buried
its dead, and soon their habitation, like themselves, would be but a
memory and a name.
In that mansion used to be
Free-hearted hospitality;
His great fires up the chimney roared,
The stranger feasted at his board.
Fair and stately are the dwellings that shelter this latest
generation, and by their side such mansions as Schuyler Hall seem only
moldering, ghost-haunted reminders of the past. But those who dwelt in
them are immortal, and though walls of flesh and walls of stone alike
crumble to dust, there shall never lack a heart to treasure and a pen
to record the virtues of the men and women of those early times, who,
in reverence and in honor, founded and built the "old Kentucky home."
III
THE COURTSHIP OF MISS AMARYLLIS
[Illustration]
III
THE COURTSHIP OF MISS AMARYLLIS
"It's curious," said Aunt Jane meditatively, "how, when old people go
to lookin' back on the way things was when they was young, it appears
like everything was better then than it is now. Strawberries was
sweeter, times was easier, men was taller, and women prettier. I ain't
say in' a word against your looks, child; you're as good-lookin' as
the best of 'em nowadays, but I reckon there ain't any harm in me
sayin' that you don't quite come up to Miss Penelope and Miss
Amaryllis. I git to thinkin' about them two, and I wish I could see
'em by the side o' the women that folks call pretty nowadays so I
could tell whether they really was prettier or whether it's jest an
old woman's notion."
"Who was Miss Amaryllis?" I asked. "If she matched her name she must
have been a beauty."
Aunt Jane smiled delightedly and gave an assenting nod. "Miss
Amaryllis was Miss Penelope's sister," she said. "They was first
cousins to Dick Elrod, that married Annie Crawford, and their father
was Judge Elrod, Squire Elrod's brother. The old judge was a mighty
learned sort of a man. He spent most of his time readin' and writin',
and he had a room in his house with nothin' in it but books, clear
from the floor to the ceilin', and some of 'em he never allowed
anybody but himself to touch, he thought so much of 'em. And next to
his books it was his two daughters. Folks used to say that the judge's
wife was right jealous of his books and of Miss Penelope and Miss
Amaryllis.
"Maybe you know, child, where the old judge got the names for his
daughters. The only names I'm used to are the good old family names
that come out o' the Bible, and some people said Penelope and
Amaryllis couldn't be called Christian names, because they sounded so
heathenish, and the judge's wife she objected to 'em because, she
said, they was too long for folks to say. But the old judge wouldn't
hear to anybody's shortenin' the children's names. Says he, 'If you
give a child a plain name it'll be likely to turn out a plain man or a
plain woman. But,' says he, 'I've given my children fine names, and I
expect them to grow up into women that'll become their names.' And I
reckon they did, for two prettier women you never saw, and their names
seemed to suit 'em exactly. And as for their bein' too long, I always
liked to say 'em and hear people say 'em. Penelope and Amaryllis--why,
they're jest as easy to say as Mary and Marthy, and I always thought
they sounded like fallin' water or the singin' of a bird, Amaryllis
especially."
Aunt Jane paused here and laid down her work. She had reached a
difficult point in the story, and there must be time for thought.
"Now, how in the world am I goin' to tell you how Miss Amaryllis
looked?" she said, with an accent of gentle despair. "Why, it's as
hard as tryin' to tell about that yeller rose that grew in old lady
Elrod's gyarden. There never was such a rose as that, and there never
was such a gyirl as Miss Amaryllis, or Miss Penelope either, for that
matter. The judge was always havin' their pictures painted, and there
was one, no bigger around than that, set in gold. If I jest had it to
show you! But I reckon that picture o' Miss Amaryllis is lyin' in a
grave somewhere on the other side o' the ocean. Mighty near every
woman has somethin' pretty about her; one'll have pretty eyes and
another'll have a pretty color, but Miss Amaryllis was pretty every
way. I ricollect once I was passin' along Main Street, one County
Court day, and the old judge's carriage was standin' in front o' Tom
Barker's dry-goods store, and Miss Amaryllis was leanin' back against
the cushions, and her hand was layin' on the carriage door, and she
had a ring on one of her fingers with a yeller stone in it; the sun
was shinin' on it and, I declare to goodness, from that day to this I
never see a white lily with the yeller heart and the dust like grains
o' gold inside of it that I don't think o' Miss Amaryllis's hand and
Miss Amaryllis's ring.
[Illustration: MISS PENELOPE AND MISS AMARYLLIS.
_Page 80._]
"They both had golden hair, Miss Penelope and Miss Amaryllis, but Miss
Penelope had gray eyes like a dove's, and Miss Amaryllis had brown
ones with dark lashes. I reckon it was Miss Amaryllis's eyes and hair
that made her what she was. You can find plenty o' women with brown
eyes and brown hair, but when you find one with brown eyes and golden
hair, why, it's somethin' to ricollect. And then, there was her voice.
You've heard me tell many a time about Miss Penelope's voice, and Miss
Amaryllis had one that was jest as sweet, but hers was low and deep
where Miss Penelope's was clear and high. Miss Amaryllis played on the
guitar, and summer nights they'd sit out on the portico and sing
together, and the old judge used to say that when his gyirls sung the
very mockin'-birds stopped to listen.
"Many a woman has hard work to find one man to love her, and many a
woman can't find even one, but Miss Amaryllis had more beaus on her
string, and more strings to her bow, than any fiddler, in the state;
and she danced with 'em and sung to 'em and played with 'em like a cat
plays with mice, and then, when she got ready, she'd send 'em on their
way, and she'd go on hers. And as fast as one went another'd come. The
judge's wife used to shake her head and say, 'My daughter, there's
such a thing as a woman sayin' "No" once too often.' And Miss
Amaryllis she'd say, 'Yes, and there's such a thing as a woman sayin'
"Yes" a little too soon;' and the old judge he'd laugh and say, 'Let
her alone; one of these days she'll find her master.' And sure enough
she did. They said it was love at first sight on both sides when Miss
Amaryllis and Hamilton Schuyler met each other at a big party at
Squire Elrod's, and before long the weddin' day was set, and everybody
was sayin' that Miss Amaryllis had found her match at last.
"Hamilton Schuyler was as handsome as Miss Amaryllis was pretty, and
when it come to family he had as much to brag of as she had. He was a
first cousin to Squire Meredith Schuyler, and all the Schuylers had
fine houses and plenty o' land. Rich folks in that day had a way of
namin' their places jest as rich folks do now. The Elrod place was
called The Cedars, and Hamilton Schuyler had a big house on the same
'pike, and that was Schuyler Court. The Schuylers was mighty proud o'
their blood, and I used to hear folks talk about the coat of arms that
the squire had hangin' in his front hall. Abram was there once to see
about some land the squire was havin' cleared, and he said he took
particular notice of the coat of arms, but to save his life he
couldn't see why they called it that, for there wasn't any coat or any
arms on it that he could see, jest a curious colored thing, red and
blue and black, and on top of it some kind of a beast standin' on its
hind legs.
"The Elrods come of plain people at the start, but they could hold up
their heads with the best, for they had plenty o' money and plenty o'
learnin', too, and the judge's wife was as blue-blooded as any
Schuyler and twice as proud of her blood, in the bargain. She had
pictures, and silver things, and dishes that'd been in the family for
generations, and her great-great-grandfather was a Fairfax.
"There's some people, child, that'll tell you that one person's as
good as another, and all blood's alike, and all of it red. And maybe
they are right. And when it comes to kindness and right principles and
all that, why, Squire Schuyler and the judge's wife wasn't a bit
better'n Abram and me. But when it come to their manners and their
language, they had somethin' we didn't have. Abram was jest as polite
a man as Squire Schuyler, but he couldn't take off his hat to a lady
the way the squire could, and I couldn't bow and smile like the
judge's wife, and I reckon that's where the blue blood comes in.
"I ricollect talkin' to Parson Page once about this very thing, and he
says, 'The Lord hath made of one blood all the nations of the earth,
and in His sight there is neither high nor low according to blood.'
Says he, 'The Lord looks at the life and the conscience of a man to
tell whether he's high or low; and,' says he, 'in His sight there's
little difference between the good man who is born in the high places
of the earth and the good man who walks in lowly paths. Both are pure
gold, but one's been shaped and stamped by goin' through the mint, and
the other's rough in the nugget.'
"Now, what was I startin' out to tell you, child, before I got to
talkin' about blue blood? Oh, yes, I ricollect now.
"Well, everybody was lookin' for Miss Amaryllis's weddin' cyards,
when, all at once, her and Hamilton had a quarrel, and the match was
broke off then and there. It was a long time before anybody knew what
had happened betwixt the two, but at last it come out that they'd
quarreled about where they'd live after they married. Of course he
expected to take his bride to his own house, and of course any
right-minded woman would 'a' been willin' to go with her husband; but
when he happened to say somethin' about the time when she'd be livin'
at Schuyler Court, she give him to understand that she couldn't leave
The Cedars, and that whoever married her would have to live at her
father's house.
"Now it's my belief, honey, that Miss Amaryllis hadn't any idea of
makin' Hamilton Schuyler leave Schuyler Court and come and live at The
Cedars. She was jest foolin' when she said that. She'd been used to
twistin' the men round her little finger all her life, and she wanted
to see if Hamilton was like all the rest. But Hamilton took it all in
earnest, and he said whoever heard of a man givin' up his own home and
goin' to live with his father-in-law, and did she want him to be the
laughin'-stock of the whole country? And she said that if he cared
more for his house than he cared for her he could stay at Schuyler
Court and she'd stay at The Cedars. And he said it wasn't Schuyler
Court he cared for; he'd leave Schuyler Court and build her another
house anywhere she wanted to live, but if she wouldn't leave her
father's house, then he'd have to believe that she cared more for The
Cedars than she cared for him. And they had it up and down and back
and forth, and at last she give him back his ring and sent him away
jest like she'd sent the others.
"The judge and his wife was terribly upset about it. They both loved
Hamilton like he was their own son, and the old lady said that Miss
Amaryllis had thrown away her best chance, and maybe her last one, and
she grieved mightily, for in that day, honey, an old-maid daughter
wasn't considered a blessin' by any means. They tried their best to
git Hamilton and Miss Amaryllis to make up, but he said he was certain
she didn't love him as well as a woman ought to love the man she was
goin' to marry, and she said a man who wouldn't try to please a woman
before marriage wouldn't be likely to try to please her after they
married; and he said he'd be willin' to give up his way, if he was
only certain she loved him right, and she said how could a woman love
a man that put his pleasure before hers? And the longer the old people
argued with her, the more contrairy it made Miss Amaryllis, and
finally they had to give it up.
"Of course all her old beaus come flockin' back as soon as they heard
that Miss Amaryllis had give Hamilton his walkin'-papers, and things
was as gay as ever at The Cedars. But Hamilton, he settled down at
Schuyler Court, and it looked like all the pleasure he had in life was
gone. Some men, if they can't git the woman they want, they'll take
one they don't want and manage to put up with her tolerable well. But
Hamilton wasn't that sort. With him it was the woman he loved or
nobody.
"Well, the judge dropped off right sudden with paralysis, and in a
year or two the old lady followed him, and Miss Penelope married, and
there was Miss Amaryllis all alone in the big house with jest the
housekeeper, Miss Sempronia Davis, and the family servants; and there
was Hamilton off yonder in Schuyler Court, pale and thin and quiet,
and the years passin', and both of 'em lovin' each other more every
day, and losin' their happiness and wastin' their lives all on account
of a foolish little quarrel.
"They said the judge always felt hard towards Miss Amaryllis for
disapp'intin him so, but he divided the property even betwixt her and
Miss Penelope and give her The Cedars. 'I give and bequeath to my
daughter Amaryllis The Cedars, since she seems to care more for this
than for anything else in the world'--that was the way the will was.
"I reckon most women would 'a' lost their beauty livin' the way Miss
Amaryllis did, everything goin' wrong with her, and old age certain to
come, but it looked like all that time could do to her was to make her
prettier, and there wasn't a young gyirl in the country that could
hold a candle to her.
"I don't exactly ricollect how long things went on this way, but I
reckon death would 'a' found 'em holdin' out against each other if
Schuyler Court hadn't burned.
"They said Hamilton had been lookin' over old papers and letters
durin' the day, and he'd thrown a lot of 'em into the fireplace and
put a match to 'em, and the chimney bein' old and the mortar between
the bricks crumbled away in places, some o' the sparks must 'a' got to
the rafters, and before they found it out the roof was pretty near
ready to fall. The slaves worked hard to save the furniture and things
down-stairs, but they said Hamilton didn't seem to keer whether
anything was saved or not. He'd lost the woman he loved, and the house
was partly the cause of it; and so I reckon the loss of the house was
a small matter. He jest stood with his arms folded and watched the
walls crumble and fall, and then he walked over to the little cabin
where the overseer had his office, and he set down and dropped his
head in his hands and never stirred nor spoke all the rest of the
night. And the next day he was still sittin' there when one of Miss
Amaryllis's slaves come in and handed him a letter. He took it and
read it, and they said he acted like somebody raised from the dead. He
rushed to the stable and saddled his horse and got to The Cedars ahead
of the slave that'd brought the letter, and when he got there every
servant on the place was standin' at the gate bowin' and scrapin' and
sayin': 'Howdy, mahster! Howdy, mahster!' and Miss Sempronia met him
at the door and says she: 'Walk up-stairs, sir. Your room is ready.
Miss Amaryllis herself fixed it for you.' And Hamilton followed her,
not knowin' what it all meant, and expectin' every minute to see Miss
Amaryllis; and when they got up-stairs Miss Sempronia showed him his
room and handed him another letter, and then she went on down-stairs,
leavin' him to read the letter.
"And what do you reckon Miss Amaryllis had done? Why, she'd given him
The Cedars--the house and everything in it and all the slaves that
belonged to the place. I reckon Hamilton was like Brother Wilson when
he got his weddin' fee from the squire. He couldn't take it in at
first, and when he begun to see what she'd done he run out o' the room
and down-stairs callin' her name: 'Amaryllis! Amaryllis!' And the
housekeeper, she met him at the bottom o' the stairs, and says she,
'Miss Amaryllis is not here.' And says he, 'Not here? Then where is
she?' And Miss Sempronia says, 'That's something that nobody knows.
You know Miss Amaryllis is not in the habit of giving an account of
herself to other people, and all I know is that she left The Cedars
early this morning on horseback, but where she went I can't say, and
as to her coming back,' says she, 'the place belongs to you now, and
it wouldn't be proper for her to be here.'
"'Which way did she go?' says Hamilton. 'Tell me that.'
"'She went towards town,' says Miss Sempronia. And before the words
was out of her mouth, Hamilton was out o' the front door and on his
way to town. They said he stopped everybody he met on the road and
asked if they'd seen Miss Amaryllis, and when he got to town, he found
out that Miss Amaryllis had been seen gettin' into the stage and goin'
in the direction of Bell's Tavern. So he set out for the tavern. I
reckon you've heard o' Bell's Tavern, child. That was a great
stoppin'-place in your grandfather's day. Folks was always sure of a
good meal when they got to that tavern, and the drinks Uncle Billy
mixed was famous all over the State.
"Well, Hamilton come gallopin' up to the gate and jumped off and threw
his bridle to the boy that looked after the travelers' horses. He
rushed into the tavern, and says he, 'I'm looking for Miss Amaryllis
Elrod. Has she been this way?'
"Uncle Billy was sittin' in a big hickory chair with one of his feet
all bandaged and propped up on another chair. The old man suffered a
heap from rheumatism. He had a bottle and a tumbler and a bowl of
honey on the table by him, and he was mixin' one of his
peach-and-honey toddies--peach-brandy sweetened with honey instead of
sugar. Well, he didn't even look up, bein' so used to people comin' in
and goin' out. He jest went on stirrin' his toddy and puttin' in a
little more honey and a little more peach. And at last he says, 'Yes,
she's been this way.'
"And Hamilton says: 'Where is she? Where is she?' right quick and
sharp. And Uncle Billy went on stirrin', and at last he says, 'I don't
know.' And Hamilton says: 'Is she here? Has she gone? Which way did
she go?' And Uncle Billy says: 'Maybe it's my time to ask a few
questions. What's your name, and who are you, anyway?' And Hamilton
says, 'My name's Hamilton Schuyler, at your service, sir, if you'll
tell me which way the lady went.'
"And with that Uncle Billy took a good look at him and says he, 'Why,
Hamilton, is this you? I reckon that last toddy must 'a' gone to my
eyes for me not to know you, when I knew your mother and your father
before you.' Says he, 'You've been chasin' Miss Amaryllis for five
years or more. How does it happen you haven't caught up with her yet?
I beg your pardon for talkin' so short a while ago, but,' says he,
'when a man comes along askin' me which way a woman went, I've got to
know somethin' about the man before I tell him what he wants to know.'
Says he, 'Sit down and have a toddy with me.' And Hamilton, he thanked
him and says he, 'No toddy for me, Uncle Billy. Tell me which way the
lady went, and I'm off.'
"Uncle Billy he laughed and stirred his toddy, tryin' to make the
honey and the brandy mix, and says he, 'That's the way with you young
fellers. I've seen the day when a toddy couldn't 'a' stopped me from
follerin' after a gyirl; but now,' says he, 'I'd hate to have to
choose betwixt a woman and this here peach and honey.' And Hamilton,
he was tappin' his boot with his ridin'-whip and walkin' the floor,
and Uncle Billy jest kept on talkin' and stirrin'. 'You're young and
strong,' says he, 'and I'm old and feeble. It's half-past ten in the
mornin' with you, and it's half-past eleven at night with me. You're
on the big road, and jest before you there's a gyirl with yeller hair
and brown eyes, and you'll ketch up with her maybe before night, and
here I am in my old hickory chair and nothin' before me but my old
lame foot and my peach and honey. But,' says he, 'son, take an old
man's advice: don't be in too big a hurry to ketch up with that
yeller-haired gyirl.' Says he, 'You know the old sayin' about a bird
in the hand bein' worth two in the bush, but from long experience,'
says he, 'I've learned that it's the other way with women. A woman in
the bush is worth two in the hand, so keep her in the bush as long as
you can.'
"Well, they said Hamilton burst out laughin', and seein' that the old
man was too far gone to give him any information, he called up all the
servants on the place, and he pulled out a handful o' silver and
threw it around amongst 'em, and by questionin' this one and that one
he found out which way Miss Amaryllis had gone, and away he went after
her as hard as he could gallop. And, to make a long story short, he
hunted around over the biggest half of Warren County, and he wore out
two or three horses, before he found Miss Amaryllis.
"She'd gone to a big country place where one of her cousins on the
Elrod side lived, and when Hamilton got there early one mornin', he
found there was goin' to be a party that night, and everybody for
miles around was to be there. So he rode back to town and went to the
county clerk's office and got his license, and then he found out where
the Presbyterian minister lived, and he went there and told him who he
was and what he'd come for. The minister he thought a minute and says
he, 'I don't know what my congregation will say about me going to a
dance to perform a wedding ceremony. Can't you wait till to-morrow
morning?' They said Hamilton stamped his foot and swore--swearin' was
a Schuyler failin'--and says he, 'I've waited five years, and here you
ask me to wait till to-morrow morning.' Says he, 'Is there water or
milk in your veins?'
"And the minister laughed, and says he, 'No, there's blood in my
veins, the same as there is in yours, and I'm a man before I'm a
preacher. I'll go with you, dancing or no dancing, and see the thing
through.' And Hamilton laughed, and says he, 'It's not a dance you're
going to; it's a wedding.'
"Well, he and the young preacher set out for the country place where
Miss Amaryllis was stayin', and got there jest as the fiddlers was
tunin' up for the first dance and all the men was choosin' their
partners. Hamilton had on his ridin'-clothes, but no matter what kind
o' clothes he had on, he always had a grand sort of a look, and they
said when he come into the big room, everybody turned around and
stopped talkin'. And he stood still a minute, lookin' for Miss
Amaryllis, and as soon as he saw her, he walked straight up and took
hold of her hand, and says he, 'The next dance is mine.' And the young
man that was standin' by Miss Amaryllis he fired up and says he,
'You're mistaken. Miss Amaryllis has promised me this dance.' And
Hamilton, he bowed and says he, 'Five years ago, sir, she promised me
the next dance, and I've been traveling night and day for a week to
have that promise kept.' And he looks down at Miss Amaryllis and says
he, 'Isn't that so?' And she smiles at the young man and nods her
head, and jest then the music struck up and she danced off with
Hamilton.
"And when the dance was over he kept hold of her hand and led her over
to where her cousin was standin', and says he, 'Madam, the minister is
in the next room, and with your leave there'll be a wedding here
to-night.' And Miss Amaryllis tried to pull her hand out of his, and
she was laughin' and blushin', and everybody come crowdin' around to
see what was the matter, and she says, 'Let go my hand, Hamilton. Wait
till I go home, and I'll marry you.' And he laughed and says he, 'You
haven't any home to go to. The Cedars belongs to me, and we might as
well be married here.' And she says, 'Well, let me go up-stairs and
put on a white dress.'
"They said she had on a yeller silk, jest the color of her hair, with
white lace on the waist and sleeves and a string o' pearls around her
neck. And Hamilton jest held on to her hand still tighter. And she
says, 'Hamilton, you hurt my hand; please let go.' And he says, 'I
wouldn't hurt you for worlds, but I'm going to hold your hand till the
minister pronounces us man and wife.' And he put his thumb and finger
together, jest so, around her wrist like a bracelet, and says he,
'That can't hurt you. Now choose your bridesmaids, and we'll call the
minister in and be married at once.' Says he, 'I always intended that
my bride should wear yellow silk.' And one o' the gyirls says, 'But
she must take off the pearl necklace; pearls at a wedding mean tears.'
And Hamilton says, 'Let it alone; every pearl stands for a tear of
joy.' And then he looked around and says he, 'I want four groomsmen.'
And the young man that Miss Amaryllis was about to dance with when
Hamilton come in, he spoke up and says he, 'I'd rather be the
bridegroom, but if I can't be that, I'll be first groomsman.' And
three other young men, they said they'd be groomsmen, too. And they
all stood up, and the preacher come in, and he married 'em jest as
solemn as if they'd been in church.
"They said it was right curious, how they'd been fiddlin' and dancin'
and carryin' on, but the minute the preacher stepped into the room
everybody was as still as death. I've heard folks say that they always
felt like laughin' when they oughtn't to laugh, at a funeral or a
communion service or a babtizin', but, child, when a man and a woman
stands up side by side and the preacher begins to say the words that
binds 'em together for life, nobody ever feels like laughin' then. A
weddin', honey, is the solemnest thing in the world, and they said
before the preacher got through sayin' the ceremony over Hamilton and
Miss Amaryllis, there was tears in nearly everybody's eyes, and when
he stooped down to kiss the bride, it was so still you could hear the
little screech-owls in the woods at the side o' the house. And
Hamilton turned around and bowed to the first groomsman and says he,
'Sir, I robbed you of your partner a while ago, now I give her back to
you for the next dance'; and he took hold o' the first bridesmaid's
hand and motioned to the fiddlers to begin playin', and they struck up
a tune and everybody went to dancin' as if life wasn't made for
anything but pleasure. And the next mornin', Hamilton and his bride
started for home, ridin' horseback and stoppin' along the way as they
come to taverns or their friends' houses, and folks said they looked
like they'd found the pot of gold at the foot o' the rainbow."
Aunt Jane began rolling up her knitting, a sure sign that the story
was ended. But even the tales of childhood went farther than this. It
was not enough to know "and so they were married"; I must hear also
how they "lived happily ever afterward."
"Oh! go on," I cried; "this can't be the end of the story."
"Sometimes it's best not to know the end of a story," said Aunt Jane
gravely.
But I heeded not the warning. I must know more of this girl who drew
to herself the love of men as the ocean draws the rivers. "Tell me a
little more about Miss Amaryllis," I pleaded.
But Aunt Jane was silent, and her eyes were sad. "There's mighty
little more to tell," she said at last, her words coming slowly and
reluctantly. "Miss Amaryllis died when her baby was born. The baby
died, too, and they buried both of 'em in the same grave. It was the
dead o' winter, and one o' the coldest winters we'd had for years. The
ground was froze solid as a rock, and the snow was nearly a foot deep.
It's hard enough, child, to lay the dead in the ground when the sun's
shinin' and the earth's warm and there's plenty of sweet flowers and
green sod to cover the grave with. But when it comes to cuttin' a
grave in the snow and the ice and layin' away the body of a child
that's bone of your bone and flesh of your flesh, or maybe a husband
or a wife that's nearer and dearer yet, why, there's no words, I
reckon, that can tell what a trial that is. I always used to pray
that my funerals might come in the spring or summer when everything
was warm and pretty, and, child, my prayer was answered. I never had a
winter funeral. I ricollect my baby brother dyin' when I was jest a
little child. It was towards the end o' winter, and the first night
after the funeral it rained, a hard, cold, beatin' rain, and mother
walked the floor all night and wrung her hands and cried at the
thought of her child's body lyin' in the grave and the cold rain
fallin' on it; and she never got riconciled to the child's death and
able to sleep right, till spring come and the grass got green, and she
could carry flowers and put 'em on its little grave.
"And that's the way Hamilton Schuyler was, only worse. He had the body
dressed in the dress she was wearin' at the dance the night he married
her, and when they put the corpse in the coffin in the big parlor, he
stayed by it for three days and nights, leanin' over and whisperin'
and smilin' and smoothin' her hair and pattin' the little dead baby on
its hands and face. Every time they'd say anything about buryin' the
body, he'd throw his arms around the coffin and carry on so terrible
that there was nothin' to do but let him have his way. He kept sayin',
'Maybe she's not dead. She may be sleepin' like the baby, and
to-morrow they'll both wake up.' And then he'd say, 'If it was only
summer-time! Can't you find some roses? She ought to have her hands
full of roses.'
"And as soon as dark come, he'd have all the wax candles lighted in
the parlor, and they said it made your flesh creep to hear him talkin'
and laughin' with the dead all night long, and the whole room blazin'
with light jest like there was a weddin' goin' on.
"Well, when the third day come, they said the funeral had to be, and
they dug the grave in the family buryin'-ground and cut branches of
cedar and pine and lined it so you couldn't see the frozen earth
anywhere, and they covered the coffin with ivy off the walls o' the
old house. It was one o' these clear, sunshiny winter days, when the
sky's soft and blue jest like it is in May or June, but the air was
bitter cold, and there was a crust of ice on top o' the snow and the
frozen ground under it. Hamilton had got kind o' quiet by this time,
and he was so weak from loss o' sleep and not eatin' anything that
they thought they wouldn't have any more trouble, but when they let
the coffin down into the ground and the first clod fell on it, it took
the strength of three men to keep Hamilton from throwin' himself into
the grave."
Alas, the sad, sad story, beginning with love and spring and youth,
and ending beside an open grave under wintry skies! Aunt Jane was
wiping her glasses, and my tears were flowing fast.
"Death has mighty few terrors when it comes at the right time, honey,"
said Aunt Jane tremulously. "You know the Bible says 'We all do fade
as a leaf; and when a person's lived out his app'inted time, three
score years and ten, or maybe four score, why, his death is jest like
the fallin' of a leaf. It's had its spring and its summer, and it's
nothin' to cry about when the frost comes and touches it, and it falls
to the ground to make room for the new leaves that'll come next
spring. But jest suppose that the leaves fell as soon as the trees got
green and pretty in the springtime, and suppose all the roses died in
the bud. Wouldn't this be a sorrowful world, if things was that way?
There ain't any bitterness in the tears that's shed over old folks'
coffins, but when I think o' Miss Amaryllis dyin' the way she did,
before she'd lived her life and had the happiness she ought to 'a'
had, I feel like questionin' the ways o' Providence. And then, again,
I think maybe she had as much happiness in that one year as most
folks has in a lifetime. It ain't often a man loves a woman so much
that he can't live without her, but that's the way Hamilton Schuyler
loved Miss Amaryllis, and that's the main reason why I ricollect her
so well after all these years. Her hair and her eyes would keep me
from forgittin' her outright, and when I think of how she looked and
how Hamilton Schuyler loved her, it seems like she was different from
all the other women that ever I've known."
"Dust and ashes! Dust and ashes!" sings the poet; but "Love and
beauty! Love and beauty!" answers the soul. And thus, doubly
immortalized, and radiant as when she played with the hearts of men in
her golden youth, this maiden more beautiful than her name shall live
in the tale I tell as it was told to me.
"You ricollect the Bible says 'Love is strong as death,'" said Aunt
Jane, "but that ain't always so. You'll see a husband or a wife die,
and you'll think the one that's left never will git over grievin' for
the one that's gone, and the first thing you know there's a second
marriage, and that shows that death is stronger than love, and I
reckon it's well that it's so. If one's taken and the other's left,
it's because the livin' has got a work to do in this world. They
can't spend their lives grievin' after the dead, and they oughtn't to
try to foller the dead. But once in a while, honey, it's a good thing
to find a love that's stronger than death. 'Many waters cannot quench
love, neither can the floods drown it.'"
The tremulous old voice ceased again and there was a long silence. At
last, "What became of Hamilton Schuyler?" I asked softly.
Aunt Jane roused herself with a start. She also had known a love that
was stronger than death, and her thoughts were not with Hamilton and
Miss Amaryllis.
"Hamilton?" she said dreamily. "Oh, yes! Poor man! Poor man! It was
all they could do to make him come away from the grave, and when they
got him home and tried to persuade him to go to bed and take some
rest, he'd throw out his arms and push 'em away and say, 'There's no
more rest for me on this earth. How can a man get into his bed and
sleep, when his wife and child are lyin' out in the frozen ground?'
And for weeks he'd go out to the graveyard in the dead o' the night
and wander up and down the house like a ghost. He stayed around the
place till spring come, and when the flowers begun to bloom he got
worse instead o' better. It looked like every flower and tree reminded
him of Miss Amaryllis. And he'd walk down the gyarden lookin' at her
rose-bushes and talkin' to himself, and every time a rose bloomed,
he'd gether it and put it on her grave. And one mornin', about the
last o' May, he told one o' the slaves to saddle his horse, and when
they asked him where he was goin', he said: 'I'm going to find her. I
found her once, and I can find her again.'
"They tried to reason with him, but they might as well 'a' talked to
the air. He rode off like mad, and the next folks heard of him, he was
'way off yonder in some foreign country; and after a while the news
come that he'd been found dead in his bed. Whether he grieved himself
to death or whether he took his own life nobody ever knew. I ricollect
how glad I was when I heard about it, for I knew he'd found Miss
Amaryllis.
"But there's one thing, child, that troubles me and always has
troubled me, especially since Abram died. You know that text that says
there's neither marryin' nor givin' in marriage in heaven, but we'll
all be like the angels? I've thought and thought about that text, but
I can't see how a man and a woman that's loved each other and lived
together as husband and wife for a lifetime in this world can ever be
anything but husband and wife, no matter what other world they go to
nor how long death's kept 'em parted from each other; and when death
comes between 'em at the very beginnin', it looks like they ought to
have their happiness in heaven. I know it's wrong to go against the
words o' the Bible, and yet I can't help hopin' and trustin' that
somehow or other Hamilton Schuyler found his wife and the little child
that never drew a breath in this world; for that was all the heaven he
wanted, and it looks like he had a right to it."
Does it call for laughter or for tears, this splendid audacity of the
soul that gives us strength to stand among the wrecks of human life
and in the face of inexorable law plead our right to love and
happiness? And yet, is not inexorable law, but another name for the
eternal justice that measures out to every man his just deserts? And
who but the fool dare say that eternal justice is but a dream?
For "now abideth faith, hope, love, these three; but the greatest of
these is love." And if faith and hope fail not, surely the love that
is stronger than death shall one day find its own, and hold its own
through all eternity.
IV
AUNT JANE GOES A-VISITING
[Illustration]
IV
AUNT JANE GOES A-VISITING
"Yes," said Aunt Jane, "I've been up to Lexin'ton to see Henrietta,
and I jest got home day before yesterday. Set down, child, and I'll
tell you all about it."
The old lady's eyes were sparkling with happiness, a faint flush was
in her cheeks, and she looked as if she had drunk from that fount
that all are seeking and that none has ever found.
"Henrietta's been wantin' me to visit her for many a year back," she
went on; "but I've been puttin' it off, one way or another, like old
folks always do when young folks wants 'em to do anything that's for
their good. But you see I've lived right here in this old house pretty
near all my life, and takin' me up and carryin' me to off to Lexin'ton
was jest about like takin' up that old ellum-tree out yonder and
carryin' it over and settin' it out in another county. You've got to
be mighty keerful how you move old folks around. However, I've been
and come back again, and I ain't any the worse for it, and Henrietta's
satisfied because she's had her way. Henrietta used to live in
Danville, you know, but Archibald--that's her husband--sold out and
moved to Lexin'ton about a year ago, and he's built her a house the
like o' which never was seen in the blue-grass region, so they say.
And as soon as they moved into it, Henrietta wrote to me and says,
'Grandma, I'm not goin' to ask you to come to see me. But next week
Archibald and I will be down, and we're goin' to take you home with us
whether you want to go or not.'"
Aunt Jane's laugh had a ring of pride, for the love of this favorite
grandchild was very dear to her.
"And, honey," she said confidentially, "that was the only thing that
made me go. If Henrietta had kept on jest askin' me to come to see
her, I'd 'a' kept on holdin' back. I know Henrietta loves me, but
whenever she'd say anything about me goin' to see her, I'd think to
myself, 'Now, Henrietta's jest askin' me because she thinks I'll feel
bad if she don't; and, like as not, if I was to go up there amongst
all her fine friends, she'd be ashamed of me.' But when she said she
was comin' to take me back with her, I says to myself, 'I'll go, for I
know Henrietta wants me.'
"Henrietta was mightily afraid the ride on the cyars would tire me
out; but I don't reckon goin' to heaven'll be any easier and
pleasanter to me than goin' to Lexin'ton that June day. It looked like
everything was fixed to suit me. The weather was jest the kind I like,
and the seats in the cyar was as comfortable as any chair I ever set
in, and I jest leaned back and looked out o' the winder and thought
about the times when I'd ride to town with father, when I was a little
child, and father'd take care of me and p'int out the sights to me
like Henrietta and Archibald did that day.
"I reckon Kentuckians are the biggest fools in the world over their
own State. Sam Amos used to say if you'd set a born-and-bred
Kentuckian down in the Gyarden of Eden he'd begin to brag about his
farm over in the blue-grass; and you jest ride from here to Lexin'ton
about the first o' June, what Abram used to call 'clover and
blue-grass time,' and if you are a Kentuckian, you'll thank God, and
if you ain't a Kentuckian, you'll wish you was.
"There's a heap of good to be got out of travelin', honey. One thing
is, I won't have to go back thirty or forty years to find somethin' to
talk about when you come to see me. Even if I hadn't seen Henrietta or
Henrietta's home, the things I saw on the way from here to Lexin'ton
will keep me talkin' the rest o' my days and make me happier jest to
think of 'em. Such farms and hills and trees and orchards, and such
level corn-fields, oat-fields and pretty rollin' land in between 'em I
know can't be seen anywhere but in Kentucky.
"I couldn't help thinkin' of old man Mose Elrod. His farm j'ined the
Amos farm, and a better piece o' land you couldn't 'a' found; but he
had a cousin down in Texas, and the cousin kept writin' to him about
the soil o' Texas and the climate o' Texas and the money there was to
be made there, till finally old man Mose got the Texas fever and sold
out and moved down in the neighborhood o' San Antonio. Every now and
then he'd write home, and from what he said we judged he was
prosperin' and feelin' contented in his new home; but in about a year
and a half here he come, walkin' in and takin' the neighbors by
surprise. He went all over the neighborhood shakin' hands and tellin'
folks how glad he was to be back again. Says he, 'I've been homesick
night and day for eighteen months, and all the money in Texas couldn't
keep me away from Kentucky any longer.'
"He said he set up all night on the cyars so's the conductor would
tell him when he got on Kentucky soil, and the nearer he got home the
happier he got, and when the brakeman hollered, 'Muldraughs Hill!' he
jumped up, threw up his hat, and hollered, 'Glory! Hallelujah!' Of
course the passengers was skeered, and one man says, 'Search him and
see if he's got any weapons on him,' and the conductor come runnin'
up, and old man Mose says, 'I haven't got any weapons, conductor, and
I'm not drunk nor crazy, but I've been down in Texas for a year and a
half, and I'm jest happy over gittin' back home.' And the conductor
says: 'Well, that's excuse enough for anything. Holler as loud as you
please; you sha'n't be put off the train.'
"The old man said he could 'a' stood it if there'd been any knobs or
hills or big trees. But he said that prairie land nearly run him
crazy, especially in the evenin'. He said he'd watch the sun goin'
down like a ball o' fire away off across that level prairie, and he'd
think about how the sunset looked in Kentucky, with old Pilot Knob and
Prewitt's Knob loomin' up on the horizon, and he'd drop his head in
his hands and cry like a baby.
"And talkin' about sunsets, child, reminds me of a picture in
Henrietta's parlor. There never was anything like the inside o'
Henrietta's home. Her and Archibald went all over Europe when they was
first married, and everywhere they went they gethered up pictures and
marble images and such things, and whichever way you'd turn there was
somethin' to look at that you never'd seen before. And when you've
been livin' all your life in a house like this old farmhouse o' mine,
it gives you a curious sort o' feelin' to be set down all at once in a
place like Henrietta's. Why, for two or three days I hardly knew the
name of anything I was eatin' or drinkin' or lookin' at or walkin' on
or settin' on, and when I try to ricollect the different rooms, I git
'em all mixed up. But there's one thing that's jest as clear as day in
my mind, and that is the picture I'm tellin' you about. The name of it
was 'The Angelus.' Now ain't that a pretty name?--'The Angelus.' Why,
it sounds jest like music. The minute I come across it, I stopped
still in front of it and looked and looked and looked. And says I,
'Child, this picture makes me feel like sayin' my prayers.' And
Henrietta laughed, and says she, 'Grandma, that's jest what the people
in the picture are doin'.' And she said that over yonder in France, in
some o' the places out in the country, places pretty much like our
Goshen neighborhood, I reckon, they was in the habit o' ringin' the
church bells at sundown, and when people heard the bells, they'd stop
whatever they was doin' and say their prayers. And she told me all
about the man that painted 'The Angelus,' how poor he was, and how
folks laughed at his pictures, and wouldn't buy 'em because he painted
things jest as they was, plain and natural. She said her picture was a
copy of the one he painted, and when she saw how much I liked it, she
says, 'Grandma, I'm goin' to get you a copy of "The Angelus,"' and I
says, 'No, child, I ain't one o' the kind that has to have a picture
o' the folks and the things they love. I've got that picture right in
my old brain, and all I have to do to see it is jest to shut my eyes
and it'll come--the sunset and the field and the two people prayin'
and the bell,--I'll hear that, too, ringin' jest like the old bell
that used to ring in Goshen church.' Every day I'd go into the parlor
at Henrietta's about the time the sun'd be goin' down, and I'd look
first at the sunset in the sky and then at the sunset in the picture,
and I couldn't tell which was the prettiest.
"Uncle Jim Matthews used to say that every church bell said, 'Get up,
get up, and go to church!' And in them days people minded the church
bell. But nowadays it looks like the only bells folks pays any
attention to is the breakfast-bell and the dinner-bell and the
supper-bell. And I've been thinkin', honey, what a blessed thing it
would be, if, all over the world, folks could hear a bell ringin' at
sundown and callin' on everybody to stop their work or their pleasure
and fold their hands for a minute and pray. Why, the prayers would go
up to heaven like the birds flyin' home to their nests, and jest think
how many wrong things would be stopped. If a murderer was liftin' his
hand, that bell would be like a voice from the sky, sayin', 'Thou
shalt not kill.' If a husband and wife was quarrelin', and they heard
the Angelus, and stopped to pray, why, maybe, after they'd prayed
they'd kiss and make up. Yes, child, the Angelus would do a heap o'
good. But if anybody's once looked at the picture, they won't need the
bell. I know I'll never see the sun settin' behind them knobs over
yonder that I won't think o' that picture, and whatever I'm doin' I'll
have to stop and fold my hands and bow my head, the same as I used to
do when Parson Page'd stand up in the old Goshen church and say, 'Let
us pray.'
"Here's a picture o' Henrietta's house, child. I knew I couldn't tell
folks about it so's they'd have any idea o' what it was, so I brought
this picture." And she handed me a photograph of one of those modern
palaces which, under the spells of the two master magicians, Art and
Wealth, are springing up on the soil of the New South to replace the
worn-out mansions of ante-bellum days.
"When I looked at Henrietta's house," continued Aunt Jane, "I thought
o' what Uncle Billy Bascom used to say. Uncle Billy's the kind that
can't enjoy this world for thinkin' about the next one. He's spent
his life preparin' for death, and it looks like it hurts him to see
anybody gittin' any pleasure out o' the things o' this world. Every
time any o' the Goshen folks'd put up a house that was a little bit
better than what Uncle Billy'd been used to, he'd shake his head and
say, 'Yes, Lord; folks can make theirselves so comfortable here on
this earth that they won't have a thought about gittin' a clear title
to a mansion in the skies.'
"And that house o' Henrietta's was enough to make anybody forget about
their mansion in the skies. Henrietta's havin' her heaven now, and
she'll have it hereafter, and Archibald, too. For the 'cares o' the
world and the deceitfulness o' riches' hasn't choked any o' the good
seed that's been sown in their hearts. How many young folks do you
reckon would think o' comin' down here and takin' a old woman like me
home with 'em, and treatin' her like a queen, and showin' her all the
sights in a place like Lexin'ton?
"Archibald named 'em all over to me, and Henrietta says, 'Now where do
you want to go first, grandma?' And I says: 'I want to see Henry
Clay's house. Take me there first, and I don't care whether I see any
o' the rest o' the sights or not.' So the next day Henrietta took me
to Ashland, the place where Henry Clay had lived, and I saw the bed he
slept in and the table he wrote on and the inkstand and the pen he
used. And I says to myself, 'I'm in Henry Clay's home. Henry
Clay!--the man I used to hear my father talk about when I was a young
gyirl--the man that'd rather be in the right than to be President.'
And I ricollected the time Henry Clay spoke in town and father went to
hear him, and when he got back home, mother asked him what kind of a
man Henry Clay was. And father says, says he, 'Henry Clay ain't a
man'; and mother laughed (she was used to father's way o' talkin'),
and says she, 'Well, if he ain't a man, what is he?' And father
studied a minute, and then he says, 'Do you ricollect the tongues o'
fire that descended on the apostles on the day of Pentecost?' Says he,
'If one o' them tongues o' fire was put in the body of a man, that'd
be Henry Clay.' Says he, 'He stands up and runs his eye over the
crowd, and from that minute he's got every man there right in the
holler of his hand, and he does jest what he pleases with 'em; and if
he looks any particular man in the face, that man'll feel like he's in
the presence of his Maker.'
"Father never got over Clay not bein' President; and whenever
anybody'd talk about it, he'd shake his head and say, 'There's
somethin' wrong with the times when a man like Henry Clay can't git
the Presidency.'
"Now, here I am, child, 'way back in Henry Clay's time, when I set out
to tell you about my visit to Henrietta's. That wanderin' o' the mind
is a pretty good sign of old age, I reckon, but I 'most always manage
to ricollect where I started from and where I'm goin' to.
"Well, as soon as I got to feelin' at home Henrietta says, 'Now,
grandma, I'm goin' to give you a reception and introduce you to my
friends.' And I says: 'Honey, you'd better not do that. You know I'm
jest a old-fashioned woman, and maybe I wouldn't know how to behave at
a reception.' And Henrietta laughed, and says she, 'All in the world
you have to do, grandma, is to shake hands with the people and be glad
to see 'em.'
"And, sure enough, it was jest that way. Everybody was smilin' and
sayin' they was glad to see me, and that reception was pretty much
like shakin' hands with your neighbors after prayer-meetin' and
church, only there was more of 'em.
"I started to wear my black alpaca to the reception, but Henrietta
says, 'No, grandma, I've had a dress made especially for you.' Jest
wait a minute, honey, and I'll get that dress."
And when she appeared a moment later her face wore the radiant look of
a girl who displays her first party costume, or a bride her
wedding-gown. Over her arm hung the reception gown of soft, black
China silk, with plain full skirt and shirred waist. There were
ruffles of point lace in the full sleeves, and she held up the
point-lace cap and fichu that completed the costume.
"To think o' me wearin' such clothes," said Aunt Jane exultingly. "And
the curious part of it was, child, that I hadn't had these things on
five minutes, till I felt like they belonged to me, and it seemed as
if I'd been wearin' lace and silk all my life. And Henrietta stood off
and looked at me, and says she, 'Grandma, you look exactly like a
family portrait.' And when Archibald come home after the reception, he
says, says he, 'We ought to have grandma's picture painted in that
dress.' And Henrietta says, 'Yes; and I want another picture of
grandma in her old purple calico dress and gingham apron, settin' in
that old high-back rockin'-chair with one of her patchwork quilts over
her lap.' Says she, 'That's the way I remember seein' grandma when I
was a little gyirl, and that's the way _I_ want her picture taken.'"
She paused to shake out the lustrous silk and spread the fichu over it
that I might see the delicate pattern of the lace.
"I started to leave this dress at Henrietta's," she observed, "for I
knew I wouldn't have use for such clothes as these down here on the
farm, but Henrietta folded 'em up and put 'em in my trunk, and she
said I had to wear 'em every Sunday evenin' and sit out on the porch
and think about her and Archibald. And then, child, when I die they
can bury me in this dress." And her cheerful smile told me that if
death had held any terrors for Aunt Jane, those terrors would be
largely assuaged by the thought of going to her long rest in point
lace and silk. Nigh on to eighty years, "but yet a woman!"
"Now what was the next thing I went to? Oh, yes! the Brownin' Club.
Two or three days after the reception, Henrietta says to me, 'Grandma,
the Brownin' Club meets with me this evenin', and I want you to put on
your silk dress and come down to the parlor and listen to our papers.'
And she told me who Brownin' was, and said she was goin' to read a
paper on his home life.
"Well, I thought to myself that there wasn't much hope o' me
understandin' anything I'd hear at that Brownin' Club, but of course I
was glad to dress up again in my silk dress and my lace, and to please
Henrietta I went down into the parlor and listened to the readin'.
First, a young lady read a paper about the 'Message of Brownin'.' She
said every poet had a message to give to the world jest like the
prophets in Old-Testament times, and I gethered from her paper that
Brownin' was a man that always looked on the bright side and believed
that things was goin' to come right in the end; and towards the last
she read some mighty pretty verses. I wish I could ricollect 'em all.
It was somethin' about the spring o' the year and the mornin' and the
dew like pearls and the birds flyin'. The words was jest like a
picture of a spring mornin', and the last of it was, 'God's in his
heaven--all's right with the world!' That's jest as true as anything
in the Bible, and it sounds like it might 'a' come out o' the Bible,
don't it, child?
"Then another lady read some o' Brownin's poetry, 'Pary--' somethin'
or other."
"Paracelsus," I suggested.
"That's it," said Aunt Jane, "but I ain't a bit wiser than I was
before, for I never did find out whether that was the name of a man or
a woman or a town or a river or what. I set and listened, and every
now and then it'd seem like there was somethin' that I could
understand, but before I could lay hold of it here'd come a lot o' big
words that I never heard tell of before, and, I declare to goodness,
my old brains got tired tryin' to git some sense out o' that poetry.
Why, it was jest like tryin' to read at night by the light o' the
fire. The fire'll blaze up, and you'll see everything plain for a
minute, and then it'll die down, and there you are in the dark again.
"Well, when the lady got through readin' the poetry, she said she was
goin' to read her interpretation of it. I ricollected how Joseph
interpreted Pharaoh's dream and Daniel interpreted Nebuchadnezzar's
dream, and I says to myself, 'Now, I'll find out all about it.' But
bless your life, child, the poetry was hard enough to understand, but
the interpretation was a heap harder; and I says to myself, 'Brownin's
poetry never was intended for a old woman like me.' And I jest leaned
back in my chair and looked at the hats and the bonnets the ladies
had on. Pretty clothes always was one o' my weak points, and will be
till I die, I reckon. When I was a child father used to question us
children about the sermon when we got home from church. I never could
tell much about it, except the text, and I ricollect hearin' mother
say to him one Sunday, 'If Jane could jest remember as much about the
sermon as she remembers about the hats and bonnets, we could have her
ordained to preach.'
"There was one hat I saw at the Brownin' Club that I'll ricollect as
long as I ricollect 'The Angelus.' It was made out o' white lace and
trimmed with pink roses that made me think o' the roses in my
weddin'-bonnet, only they was buds and these was full-blown ones, so
full-blown that it looked like they was ready to shatter and fall if
the wind blew on 'em, and so natural you could almost smell 'em. I
declare, that hat made me wish I was a young gyirl again.
"Then Henrietta read her paper, and it was jest as pretty a story as
ever I listened to; about him fallin' in love with that sick woman
that hadn't walked a step for years, and how he married her against
her father's will, and took her 'way off to Florence, the same place
where Henrietta and Archibald went when they was in Europe, and where
Henrietta got that quilt pattern for me. And she told how kind he was
to her, and how he'd git up in the mornin' and gether roses and put
'em by her bed so they'd be the first things she'd look at when she
opened her eyes. And thinks I to myself, 'Most men wants a woman that
can cook for 'em and sew for 'em and clean up after 'em, and Brownin'
must 'a' been a mighty good man to marry a woman that couldn't do
anything for him but jest love him.' Somehow I can't git the thought
o' Brownin' out o' my head. He must 'a' been mighty different from the
common run o' men, and his life don't need interpretin' like his
poetry does.
"Maybe you wonder, honey, how a old woman like me could enjoy bein' at
a Brownin' Club, and I reckon I was as much out o' place as mother's
old spinnin'-wheel that Henrietta had in one corner of her parlor
along with all that fine furniture and the fine things she'd brought
from Europe. But, then, I couldn't feel a bit bad, for there set
Henrietta, my child's child; she had everything I hadn't had, and I
jest laughed to myself, and thinks I, 'I'm livin' again in my children
and my grandchildren, and I ain't missed a thing.'"
Aunt Jane paused for breath and leaned back in her chair, smiling and
smoothing down her gingham apron. I waited in silence, for I knew that
the near memories of her visit to her beloved grandchild were as vivid
and interesting to her as the far memories of girlhood and young
womanhood, and the tide of recollections would soon flow again.
"Well, the next thing we went to was a big meetin' of women from all
sorts o' clubs. When Henrietta told me what it was, I says to myself,
'Now, I'll see if what Uncle Billy Bascom told me is the truth or
not.' Uncle Billy'd been sent up to the legislature twice from our
district, and when I heard he'd been elected the second time, I
couldn't help thinkin' about what Sam Amos used to say, that when
folks got tired seein' a man around and wanted to git shed of him a
while, they always sent him to the legislature. That's about the way
it was with Uncle Billy.
"Me and Uncle Billy has always been good friends, and after he got
back home he come around to see me, and when we'd shook hands and
inquired about each other's health, he looked me right in the face and
says he, 'Jane, I've been to Sodom and Gomorrah.' And says I, 'Uncle
Billy, that's about the hardest thing ever I heard said about a
Kentucky legislature, and I've heard some pretty hard things in my
day and time.' And says he: 'No, Jane; you misunderstand me. I ain't
referrin' to the legislature; the legislature's all right.' Says he:
'We set sixty days and drawed our pay regular, and we passed pretty
nigh a hundred bills, and might 'a' passed that many more if we'd kept
on settin'; but as the constitution don't permit us to set longer,
why, of course, we had to adjourn and come on home, leavin' a good
deal o' business unfinished. No,' says he, 'it ain't the legislature
I'm talkin' about, it's the women, the women.' Says he: 'There was a
time when it was some pleasure for a man to go up to the legislature.
Us men, we'd git together and resolute, and debate, and pass our
bills, and everything'd go off as smooth as satin. Now and then we
might git a disturbin' sort of a letter from some o' the home folks
about somethin' we'd been doin' that didn't suit 'em, a dog-tax or
somethin' o' that sort, but they'd be too fur to worry us much. But,'
says he, 'the way the women has got to carryin' on, if it wasn't for
the pay and the honor o' the thing, I'd ruther stay right here on my
farm than to go up yonder to Frankfort and rastle with a lot o' women
that's strayed so far from the foot-steps o' their mothers and
grandmothers that nothin' but a miracle could bring 'em back.' Says
he: 'We could hardly pass a bill in any peace whatsoever, for them
women. If we set out to give a little money to the State College, why,
here'd come a delegation o' women from Lexin'ton wantin' to know
whether the gyirls would git their share of it.' Says he: 'There ain't
a right or a privilege goin' that they don't want to cut it half in
two, and give the littlest half to us men and keep the biggest half
for the women; some of 'em even goes so far as to say that women ought
to vote. And,' says he, 'they've got to clubbin' together, and what
one woman can't think of, the others can; and there was hardly a man
in the legislature that wasn't pestered with havin' to look after some
sort o' bill that'd been hatched up in one o' these here clubs. I got
so outdone with 'em,' says he, 'that whenever a bill'd' come up, I'd
say to whoever was settin' by me, "Has the women got anything to do
with it?" And if they had, I'd vote against it, and if they hadn't,
I'd vote for it. One o' their bills,' says he, 'sounded mighty
reasonable, the "forestry bill," they called it, but it never come
up.' Says he, 'We had a little redistricting to do for the benefit o'
the party, and made a few new offices jest to please the people, and
betwixt this and that,' says he, 'we didn't git round to the forestry
bill.' Says he, 'I might 'a' supported that, if it had come up, but
then I don't know but what after all it'd 'a' been a dangerous sort o'
thing.' Says he: 'The more you give a woman the more she wants. We
give women their property rights, and now they're wantin' to vote and
to manage the schools and the 'sylums and pretty near everything else.
And,' says he, 'if we was to pass that there forestry bill, like as
not the first thing you know, a man'd have to git a permit from some
o' these women's clubs before he could chop a piece o' kindlin'-wood
in his own back yard.'
"And then the old man went on to tell how he went up to Lexin'ton
after the legislature was over, and that was what he meant by goin' to
Sodom and Gomorrah. Says he, 'There's women up there, Jane, that don't
know a water-bucket from a churn, and if you was to show 'em a
potater-patch in full bloom, they'd think it was some sort of a
flower-gyarden.' Says he, 'The clubs was more numerous than the
children, and it looks to me like the race is dyin' out, dyin' out,
Jane; and maybe it's jest as well,' says he, 'for there ain't any
women nowadays like the old-time ones, for instance, my mother and
grandmother,' says he."
Aunt Jane broke off with a laugh. "I knew as soon as he started out
that he was comin' to his mother and grandmother. Uncle Billy couldn't
talk twenty minutes with anybody without tellin' 'em how his mother
had fifteen children, and cooked and sewed and washed and ironed for
'em all, and how his grandmother was one o' the women that carried
water at Bryan's Station, and how she fought a wildcat one night on
the Wilderness Road when her husband was away killin' some game for
their supper.
"Well, I went to this club meetin', I can't ricollect jest what
Henrietta called it, but it seems they had got together to tell about
all the work they'd done in the past year, and plan out their next
year's work.
"There was one lady I took particular notice of. I thought she was a
married woman, but I heard 'em callin' her 'Miss Laura,' and I found
out afterwards that she was an old maid. In my day, child, you could
tell an old maid the minute you set eyes on her. But nowadays the old
maids and the married women looks about alike, and one's jest as happy
and good lookin' and busy and well contented as the other, and folks
seem to think jest as much of the old maids as they do of the married
women. I said somethin' o' this sort to Henrietta, and she laughed
and says, 'Yes, grandma; the old maids nowadays have their hands so
full lookin' after the rights o' the married women and the little
children that they don't have time to grow old or worry about not
bein' married, and of course,' says she, 'we can't help lovin' 'em and
lookin' up to 'em when they're so good and so useful.'
"But, as I was sayin', this Miss Laura told how her club had worked
for ten years to git married women their rights, so's a married woman
could own her own property and manage it to suit herself and have the
spendin' of her own wages while she lived and make a will when she
come to die. And that made me think o' Sally Ann's experience and pore
'Lizabeth. And Miss Laura says, 'But there's one right still that a
married woman hasn't got, and that is the right to her own children.'
And she told how the law give the father a right to take a child away
from its mother and carry it off whenever he pleased, and bring it up
as he pleased and app'int its guardians. And she told how many times
they'd been to the legislature to git the law changed, and said they'd
have to keep on goin' till they got this right for mothers, jest like
they'd got property rights for wives. And I thought of Uncle Billy's
grandmother, and says I to myself: 'Don't you reckon a legislature's
jest as terrifyin' to a woman as wildcats and Indians? Ain't these
women got jest as much courage as their grandmothers?'
"One lady got up and told what they was doin to keep the fine trees
from bein' all cut down, jest like Uncle Billy said, and that reminded
me of Abram. A tree was like a brother to Abram. He was always
plantin' trees, but I never knew him to cut one down unless it was
dyin' or dead. You see that big sugar-maple out yonder by the fence,
child? Well, right beside it there used to be a big silver poplar.
There ain't a prettier tree in the world than the silver poplar. It's
pretty in the sunshine and it's still prettier by night, if the moon's
shinin'; and when the wind's blowin', why, I can sit and look at that
tree by the hour. But it's got a bad way o' sproutin' from the root,
and the young trees come up everywhere and crowd out everything else,
jest like people that ain't content with their own land and always
covetin' other folks' farms. Well, I got so tired o' choppin' down the
young sprouts every spring and summer that I told Abram that tree had
to go, and, besides, it was sp'ilin' the shape o' the young
sugar-maple right by it. I reckon Abram had got tired, too, hearin'
me quarrel about the sprouts comin' up in my flower-beds, so he went
out to the wood-shed and got his ax. He stopped a minute on the front
porch and looked up at the tree, and jest then a little breeze sprung
up and every leaf blew wrong side out. And Abram laid down his ax and
says he: 'Jane, I can't do it. I'll cut the sprouts down, but don't
ask me to cut down a tree that looks that way when the wind blows.'
And the old poplar stood, honey, till it was struck by lightnin' one
summer, and died at the top. Then Abram was willin' to have it cut
down.
"What was I talkin' about, honey? Oh, yes; them women's clubs. Well, I
set there listenin' to 'em tellin' how their clubs had worked for this
thing and that, and how hard it was to git men to see things the way
they saw 'em, and it come over me all at once that they was contendin'
with the same sort o' troubles us women down in Goshen had when we got
our organ and our cyarpet for the church. I ricollect when we was
talkin' about the cyarpet Silas Petty says: 'What's the use o' havin'
that cyarpet? Hasn't this church got along fifteen years with jest
these good pine boards underfoot?' And Sally Ann says: 'Yes; you men
folks think that because things has always been thus and so, they've
always got to be. But,' says she, 'I've noticed that when a thing
always has been, most likely it's a thing that ought never to 'a'
been.' And from what I could gether, listenin' to the ladies read
their papers, there was the same old trouble betwixt the clubs and the
legislatures that there used to be down in Goshen church, the women
wantin' to go on, and the men pullin' back and standin' still.
"And one lady told about Emperor William over yonder in Germany
sayin' that women oughtn't to do anything but cook and go to church
and nurse the children, and says I, 'That's Silas Petty over again.'
And then she went on to tell how some o' the men was findin' fault
with women because families wasn't as large as they was in their
great-grandmothers' day. And thinks I to myself, 'That's jest like
old man Bob Crawford.'
"Well, one after another they'd stand up and tell about all the good
works their clubs had done, sendin' books to the mountain people,
tryin' to make better schools for the children, and havin' laws made
to keep women and little children from bein' worked to death in
factories and mills, and I declare, child, it reminded me more of an
old-fashioned experience meetin' than anything I could think of, and
says I to myself: 'Why, Uncle Billy's all wrong. This ain't Sodom and
Gomorrah; it's the comin' of the kingdom of God on earth.' And when
the meetin' was about to break, Henrietta got up and says, 'Grandma,
the ladies want you to make them a speech'; and I jest laughed right
out and says I: 'Why, honey, I can't make a speech. Whoever heard of a
old woman like me makin' a speech?'
"And Henrietta says, 'Well, tell us, grandma, what you've been
thinkin' about us and about our work while you've been sittin' here
listenin' to us talk.' And I says, 'Well, if that's makin' a speech,
I can make one, for I'm always thinkin' somethin', and thinkin' and
talkin' is mighty near kin with me.' Says I, 'One thing I've been
thinkin' is, that I'm like the old timber in the woods--long past my
prime and ready to be cut down, and you all are the young trees
strikin' your roots down and spreadin' your branches and askin' for
room to grow in.' And says I, 'What I think about you ain't likely to
be of much importance. I'm jest a plain, old-fashioned woman. The
only sort o' club I ever belonged to was the Mite Society o' Goshen
church, and the only service I ever did the State was raisin' a
family o' sons and daughters, five sons and four daughters.' Says I,
'There's some folks that thinks women ought to do jest what their
mothers and grandmothers did, but,' says I, 'every generation has its
work. I've done mine and you're doin' yours. And,' says I, 'I look at
you ladies sittin' here in your pretty parlors and your fine clothes,
and back of every one of you I can see your grandmothers and your
great-grandmothers, jest plain hard-workin' women like me. But,' says
I, 'there ain't much difference between you, after all, except the
difference in the clothes and the manners. Your grandmothers traveled
their Wilderness Road, and you're travelin' yours, and one's as hard
as the other. And,' says I, 'if I was in your place, I wouldn't pay a
bit of attention to what the men folks said about me. Suppose you
don't have as many children as your grandmothers had; I can tell by
lookin' at your faces that you're good wives and good mothers; you
love the three or four children you've got as well as your
grandmothers loved their twelve or fifteen, and that's the main
p'int--the way you love your children, not how many children you
have. And further than that,' says I, 'there's such a thing nowadays
as a woman havin' so many children that she hasn't got time to be a
mother, but that's a p'int that men don't consider. And,' says I,
'when I think of all the good work you've done and all you're goin'
to do, I feel like praisin' God. For I know you're helpin' this old
world and this old State to go on like the apostle said we ought to
go, "from glory to glory."'
"And bless your life," laughed Aunt Jane, "if they didn't clap their
hands like they never would stop, and one lady come over and kissed
me, and says, 'That's the best speech I ever heard at a woman's club.'
"And I reckon," concluded Aunt Jane with a gay laugh, "that if Uncle
Billy happened to hear about me speakin' at a woman's club, he'd think
that Sodom and Gomorrah was spreadin' clear down into the Goshen
neighborhood."
"How would you like to live with Henrietta, Aunt Jane?" I asked.
"Child, child," said Aunt Jane with a reproving shake of her head,
"you know better than to ask such a question. That visit to
Henrietta's was like climbin' a hill that you've lived on the other
side of all your life. I've been to the top o' the hill and seen
what's on the other side, and I've come back to my own place. Solomon
says there's a time for everything, and I don't need any Solomon to
tell me that there's a place for everybody; and this old house and
this old farm is the only place that could ever be home to me, and I'm
here to stay till they carry me out through that gate yonder and lay
my bones over in the old buryin'-ground alongside of Abram's and the
children's and the rest of them that's gone before me."
V
THE MARRIAGE PROBLEM IN GOSHEN
[Illustration]
V
THE MARRIAGE PROBLEM IN GOSHEN
Aunt Jane folded the country newspaper that she had been reading and
laid it on the family Bible at her elbow. Her face was grave, and she
sighed as she took up her knitting.
"I sometimes think, honey," she said, in answer to my look of inquiry,
"that if I want to keep my faith in God and man I'll have to quit
readin' the newspapers. I try to believe that everything's goin' on
all right with the world and that whatever happens is for the best,
but I can't open a paper without readin' about some husband and wife
that's parted from each other, and that looks like there's somethin'
mighty wrong with this day and time. Me and Uncle Billy Bascom was
talkin' about it last week, and Uncle Billy says, 'If folks'd only
forsake their sins as easy as they forsake their husbands and their
wives nowadays, this'd be a sanctified world.'
"No, child, the partin' of husbands and wives is one new-fangled way I
can't git used to. Why, as far back as I can ricollect there never was
but one woman in the Goshen neighborhood that left her husband, and
that was Emmeline Amos, that married Henry Sanford. Emmeline was a
first cousin to Sam Amos. Sam's father was Jeremiah Amos, and
Emmeline's father was Middleton Amos. Emmeline was a pretty little
thing, and sweet-tempered and smart about work, but her mother used to
say that Emmeline had a mind like a piece o' changeable silk. She'd
want a thing, and she wouldn't rest till she got it, and the minute
she got it she'd fall out with it and want somethin' else. If she went
to town and bought a blue dress, before she got to the toll-gate
she'd want to turn back and buy a pink one, and about the only thing
she was constant in wantin' was Henry.
"They'd been sweethearts more or less all their lives, and it was a
settled thing that they expected to be married as soon as Henry got
his farm paid for. But before the day was set, the war broke out and
Henry enlisted. It went mighty hard with him to leave Emmeline, but a
man that stayed out o' the army for the sake of a gyirl didn't stand
much chance with the gyirl or anybody else them days. Him and Emmeline
wanted to be married before he went, but the old folks said no.
Emmeline's mother says, 'This'll give Emmeline a chance to know her
own mind and change it--if she's goin' to change it--before it's too
late. If Henry comes back, well and good; and if he don't come back,
it'll be all the better for Emmeline that she didn't marry him, for,'
says she, 'a young gyirl's chances o' gittin' married are better than
a widder's.'
"So Henry went, and Emmeline stayed and waited for him good and
faithful. Towards the end of the war--I don't ricollect what battle it
was--Henry got shot in the shoulder, and after stayin' some time in
the hospittle he managed to come back home more dead than alive, and
it was many a week before he was strong enough to be married. As soon
as he was able to be up and walk around a little he begun to talk
about marryin', and they said old lady Sanford took a lookin'-glass
down from the wall and held it up before him and says she, 'Son, look
at yourself. Do you think you can make a bridegroom out of a
skeleton?' And says she, 'Son, there's jest two people in the world
that wouldn't run from you if they saw you now, and one of 'em's your
mother and the other's the undertaker.' Says she, 'Wait till you look
like a human bein', and then it'll be time to set the weddin' day and
bake the weddin' cake.'
[Illustration: "'ONE MORNING SHE CONCLUDED SHE'D STRAIGHTEN OUT
HENRY'S TRUNK.'"
_Page 148._]
"Well, finally, along in the fall, they got married, and settled down
to housekeepin' as happy as you please. Emmeline was a mighty neat,
orderly sort of a gyirl, and she went to work puttin' things to rights
and makin' the house look homelike, and one mornin' she concluded
she'd straighten out Henry's trunk. I've heard her tell about it many
a time. She said Henry had his outside clothes all mixed up and his
neckties and his socks scattered around all through the trunk, and she
was foldin' things and stackin' 'em up together and singin' 'Flow
Gently, Sweet Afton,' and all at once she come across a little silk
shirt. She said for a minute or so she couldn't take it in, and when
she did, she dropped the shirt like it had been a rattlesnake, and she
got so weak and faint she had to sit down on the side o' the bed. She
said she didn't know how long she set there lookin' at the shirt and
thinkin' terrible things about Henry and makin' up her mind what she'd
say and do, when Henry come in from the field. She said she knew she
ought to be cookin' dinner, and she went down in the kitchen and tried
to, but to save her life she couldn't, her hands trembled so, and she
couldn't keep her mind on what she was tryin' to do. So she went back
up-stairs and set down by the trunk and waited. And when Henry come in
and didn't see her in the kitchen and no signs of dinner anywhere, he
come runnin' up-stairs to find her and started to put his arms around
her and kiss her, but she pushed him off with both hands. And says he,
'Why, Emmeline, what on earth's the matter?' And she said she tried to
answer him, but her voice wouldn't come, and she jest p'inted to the
shirt lyin' on the floor.
"At first Henry didn't understand; but he looked at the shirt and he
looked at her face, and then he burst out laughin', and says he,
'Well, that does look pretty bad, sure enough; but I know you've got
too much confidence in me to let a little thing like that worry you';
and he tried to take hold of her hand, but she jerked it away, and by
that time she was so mad at him for laughin' at her that she didn't
find any trouble about talkin', and the madder she got and the more
she talked, the harder Henry laughed, and says he: 'Oh! come now,
Emmeline. You mustn't be so hard on a man. I never loved that woman
like I love you. I never was married to her, and I never wanted to
marry her. Ain't that enough to satisfy you?'
"Emmeline said she didn't know she could feel so wicked; but when
Henry said that, she felt as if she wanted to kill somebody--she
didn't know whether it was Henry or the other woman--and she jumped up
and run out o' the room, slammin' the door behind her as hard as she
could, and locked herself in the spare bedroom. She said Henry went
down-stairs, and she could hear him goin' around in the kitchen and
pantry lookin' for cold meat and bread, and she looked out o' the
window and watched till she saw him go back to the field. And the
minute he was out o' sight, she packed her trunk and went to the
stable and saddled the mare her father had made her a present of when
she married, and then she dressed herself and wrote a note sayin'
she'd gone back to her father's house and she'd send over for her
trunk the next day. She pinned the note to Henry's piller, and then
she got on her horse and started for home.
"Old man Middleton was sittin' on the front porch smokin' his pipe
when Emmeline rode up, and he hollered out to his wife that here was
Emmeline, and they both come runnin' out to meet her. You know how it
is with the old folks, when a gyirl comes home to make 'em a visit
after gittin' married. They're proud of her for marryin' well, but
they've been missin' her and they're mighty glad to have her back in
her old place. But as soon as they'd hugged her and kissed her they
both said, 'Where's Henry?' and, 'Why didn't he come with you?'
Emmeline said for a minute she wished she was back at home, for she
knew how bad they'd feel when she told 'em what she had to tell. But
she thought she might as well have it over and be done with it, and
says she, 'Henry's at home, and I'm at home, too. I've left him, and
I'm never goin' back to him.'
"Well, Emmeline said they both fell back on the porch steps like
they'd been shot, and as soon as they could speak they both said:
'Left him! What for?' Emmeline said she felt so ashamed of Henry she'd
made up her mind from the first that nobody ever should know about
that little silk shirt. So she says, 'I've found out that Henry's not
the man I thought he was. I've left him for good and all.' And old man
Middleton says, 'Why, daughter, what's he done amiss? I've known Henry
from a boy up, and there ain't a man in the county I'd rather have for
a son-in-law.' And Emmeline says, 'Yes, I used to think that way
myself, but I've found out different.' And the old man says, 'Has he
struck you or mistreated you in any way? He's been too well brought up
for that. He ain't close-fisted about money matters, I know, for I've
had dealin's with him myself, and, besides, you ain't been married to
him long enough to have to call on him for anything.' And Emmeline
says, 'No, he's as freehanded as he can be, and I've got nothin' to
complain about except that I didn't know him as well as I do now, and
since I know him, why, I don't want to live with him.'
"And then her mother begun questionin', and all she could git out of
Emmeline was that Henry wasn't the man she thought he was; and at last
the old lady lost her patience and says she, 'In the name o' peace!
Have I got a child with so little sense as to think that that's any
reason for leavin' a man? Of course he ain't the man you thought he
was, and you ain't the woman he thought you was. But what o' that? If
husbands and wives took to partin' on that account, the world would be
full o' grass-widders and grass-widderers.' Says she, 'You're welcome
to stay here till Henry comes for you, and I'll give out to the
neighbors that you're makin' us a visit, but back to Henry you've got
to go. Gittin' married,' says she, 'is like buyin' a piece o'
dress-goods at the store. As long as you haven't had it cut off the
bolt, you can change your mind, but if it's once cut off, you've got
to pay for it and take it home and make the best o' your bargain.'
Says she, 'You had plenty o' time to find out what sort o' man Henry
was, and you turned your back on two good chances whilst you waited
for him, and now there's no slippin' out o' the trade. I don't propose
to have any widders in my family,' says she, 'except the sort that can
put up a tombstone and wear a black veil.' Says she, 'Take off your
bonnet and make yourself at home till Henry comes for you.'
"And, bless your life, Henry wasn't long comin', either. Before they
got the supper dishes washed up, here he come as fast as his horse
could bring him. Old man Amos went out to meet him and took him around
to the side o' the house and says he, 'Son, I want you to tell me what
all this to-do is, anyhow. I can't git head nor tail of it from
Emmeline.' And Henry says, 'Well, Father Amos, it's this way.
Emmeline's been goin' through my trunk, and she found a little
somethin' or other that belonged to another woman that I used to know
long before I knew her, and that's what upset her.' And the old man
shook his head and says he, 'You ought to 'a' destroyed all such
things before you married; and that was a mighty keerless trick,
leavin' your trunk unlocked, though two to one Emmeline would 'a' got
into it anyway. It's my belief,' says he, 'that women carry skeleton
keys to keep the run o' their husband's private affairs.' And Henry
says, 'I've done all I could to pacify her; I've told her I never
loved that woman like I love her and never was married to the woman
and never wanted to marry her, and what more can a man say?' And the
old man says, 'Well, that ought to satisfy any reasonable woman, but
in matters like this women don't seem to be able to use their reason.'
Says he, 'It looks like they expect a man to be jest like Adam before
Eve was made for him,' and says he, 'You'll have to hoe your own row
with Emmeline in this affair, and her mother and me'll help you all we
can.'
"Well, all three of 'em argued with Emmeline, tryin' to persuade her
to go back home, but nothin' they could say had any effect on her. And
finally Henry says, 'Well, Emmeline, if you will leave me, I reckon
I'll have to put up with it, but I've got jest one favor to ask of
you.' Says he, 'You know how my mother and father have set their
hearts on havin' you for a daughter-in-law and how anxious they are to
see you. Now, all I ask of you is to let me take you to see my folks,
and you make 'em a visit. If I was to write to my mother,' says he,
'that my wife had left me, I believe it would be the death of her.
She's subject to spells anyway, and the doctor says any little
shock'll carry her off. So you let me take you up to mother's, and you
make her and father a little visit, and then I'll bring you home and
try to break it to mother the best I can.'
"Emmeline thought a minute, and finally she says, 'Well, I'll go for
your mother's sake, but not for yours.' So Henry, he went back home to
git somebody to look after his stock while he was gone, and the next
day he come for Emmeline, and they started to his mother's. It was
pretty near a day's journey, and there couldn't 'a' been a nicer trip
for a bride and groom, ridin' through the woods and over the hills
about the middle of October, the leaves jest turnin' and the weather
neither hot nor cold. I reckon, child, you don't know what it is to
make a journey that way. That's one o' the things folks miss by bein'
born nowadays instead of in the old times before there was any
railroads. I ricollect when they begun puttin' down the track for the
first railroad in this county. Uncle Jimmy Judson went to town on
purpose to see what it was like, and some o' the town folks explained
all about layin' the ties and the rails and showed him a picture o'
the cyars and the locomotive, and Uncle Jimmy looked at it a minute or
two, and then he shook his head and says he, 'None o' that sort o'
travelin' for me--shut up in a wooden box with a steam-engine in front
liable to blow up any minute, and nothin' but the mercy o' God to keep
them wheels from runnin' off this here narrer railin'.' Says he, 'Give
me a clear sky overhead, a good road underfoot, good company by my
side, and my old buggy and my old mare, and I can travel from sunup
to sundown and ask no odds o' the railroad.' And I reckon most old
people feel pretty much like Uncle Jimmy.
"I ricollect Parson Page sayin' once that the Christian's life was a
journey to heaven, and Sam Amos says, 'Yes, and generally when I start
out to go to a place, I want to get there as soon as possible; but
here's one time,' says he, 'when I wouldn't care if I never got to my
journey's end.' And that's the way it was with me when me and Abram'd
start out in our old rockaway for a day's travel through the country,
goin' to see his mother or mine. No matter how much I wanted to see
the folks I was goin' to, I'd feel as if I could keep on forever
ridin' through the thick woods or along the open road, the wind
blowin' in my face and the sun gittin' higher and higher towards noon
and then night comin' on before we'd be at our journey's end.
"I've heard Emmeline laugh many a time about that ride. Her mother
come out to the gate and put a basket o' lunch under the seat, and
says she, 'Now, Emmeline, you be a good gyirl and don't give Henry any
more trouble, and, Henry, when you two come back you take Emmeline
right home with you; don't you bring her here.' And old man Amos give
a big laugh and says he, 'Come back home if you want to, Emmeline. My
door's always open to my own children; but if you come, Henry's got to
come, too, so either way you fix it there won't be any partin'.'
Emmeline said she wouldn't let Henry help her in the buggy. She got in
on one side, and he got in on the other, and she set as far off from
him as she could, and they started off, old lady Amos callin' after
'em: 'You jest remember, Emmeline, as long as Henry's above the sod
you're Henry's wife. There's only one thing that can part you, and
that's death.'
"Well, Emmeline said Henry was as nice and polite as you please all
that day. He talked about the weather and the birds and the trees and
the flowers, and p'inted out things along the way, but she never
opened her mouth till dinner-time. They stopped by a spring to eat
their dinner, and Henry watered the horse and fixed the check-rein
so's he could graze, and then he set down some little distance away
from her, and she opened the basket. She said of course she couldn't
be mean enough to sit there and eat by herself, so she told him to
come and have some dinner. And he come over and set down beside her,
and she waited on him, and they drank out o' the same cup, and
Emmeline said you could hear the spring drippin' and the birds and
the squirrels chirpin' and chatterin' in the trees; and every now and
then a pretty leaf'd come flutterin' down and fall in the spring or on
her lap, and Henry talked so kind and pleasant that Emmeline said she
got to thinkin' how happy she'd be if it wasn't for that little silk
shirt, and she'd 'a' give anything she had if she'd jest kept out o'
Henry's trunk. And when they'd got through eatin', Henry took hold of
her hand and says he, 'Emmeline, can't you trust me a little bit?' And
she jerked away from him and begun getherin' up the provisions and
foldin' the napkins. And Henry says, 'Well, pretty soon we'll be at
mother's. Maybe she can set matters right.' And they got in the buggy
and started again, and Emmeline said the nearer they got to Henry's
home the worse she felt, and finally she broke down and begun to cry,
and she cried for three miles right straight along.
"It was about sunset, and Henry kept tellin' her to cheer up and look
at the pretty clouds and the light comin' through the red-and-yeller
sugar-maples and the beech-trees. She said he was mighty cheerful
himself, and it made her mad to see how easy he was takin' it. When
they got within sight o' the house Henry says, 'Now dry your eyes,
Emmeline, or mother'll think you ain't glad to see her. She goin' to
be mighty glad to see you.' Old man Sanford and his wife, honey, was a
couple that thought more o' their daughters-in-law than they did o'
their own children. They'd had nine sons and never had a gyirl-child,
and they'd always wanted one, and the old man used to look at the boys
and say, 'Well, your mother and me didn't want this many boys, but you
children would be boys, and now you've got to make up for the
disapp'intment you've been to your parents by bringin' us in some
nice, pretty daughters-in-law.' And every time one o' the boys got
married the old man, he'd say, 'Well, my daughters are comin' at
last,' and the old lady used to say that her daughters-in-law paid her
for all the trouble her sons had been to her.
"It was milkin'-time when they drove in at the big gate, and the old
lady was jest startin' out with her quart cup and her bucket. Henry
hollered, 'Howdy, mother!' and she dropped the milk things and run to
meet 'em, and Emmeline said she never had such a welcome in her life.
The old lady didn't take any notice o' Henry. She jest hugged and
kissed Emmeline and pretty near carried her into the house. Then she
took notice of how Emmeline had been cryin', and she turned around to
Henry and says she, 'Henry Sanford, what have you been doin' to this
poor child to make her cry? It speaks mighty poorly of you to have
your wife cryin' this soon in your married life.' And Henry put his
hand in his coat pocket and pulled out a little bundle and handed it
to his mother and says he, 'Mother, I want you to tell Emmeline whose
this is.' And the old lady opened the bundle and says she, 'Henry
Sanford, what do you mean by pokin' this old shirt at me when I want
to be makin' the acquaintance o' my new daughter-in-law?' And Henry
says, 'If you'll tell Emmeline all about this shirt, mother, it'll
stop her cryin'.' Emmeline said the old lady put on her specs and
looked at 'em both as if she thought they might be losin' their senses
and says she, 'Well, honey, I don't see what this old shirt has to do
with your cryin', but I can mighty soon tell you about it. It's one of
a half a dozen that Henry's father didn't have any better sense than
to buy five or six years ago when he was layin' in a stock o' summer
goods. ("Old man Sanford run a country store, child, along with his
farmin'," interpolated Aunt Jane.) And,' says she, 'after they'd
stayed in the store three or four seasons I took 'em and wore 'em to
keep 'em from bein' a dead loss. And when Henry come out o' the army
he was half naked and more'n half dead, betwixt the Yankees and the
chills and fever, and I put these shirts on him to protect his chest.'
"Well, Emmeline said as soon as the old lady begun talkin', her heart
got as light as a feather, and she felt like a thousand pounds had
been lifted off of her mind. But she said she looked around at Henry,
and he was watchin' to see how she'd take it, and all at once he burst
out laughin', and that made her mad again, and she thought about all
the trouble she'd been through, and she begun cry in' again and says
she, 'Oh! why didn't you tell me that? Why didn't you tell me?'
Emmeline said Henry's mother come over and put her arms around her and
says she, 'Henry Sanford, what prank have you been playin' on your
wife? Tell me this minute.' And Henry begun explainin' things and
tryin' to smooth it over, and I reckon he thought his mother'd see the
joke jest like he did, but she didn't. She looked at Henry over her
spectacles mighty stern and says she, 'Henry, I've always been afeard
you didn't have your full share o' punishment whilst you were growin'
up, bein' the youngest child, and if it wasn't that you're a married
man I'd certainly give you one o' the whippin's you missed when you
were a boy.' And Henry says, 'Well, maybe I ought to be punished for
not tellin' Emmeline, but I jest thought I'd play a joke on her, and
if Emmeline had only had a little confidence in me it wouldn't 'a'
worried her the way it did.' And old lady Sanford, she says,
'Confidence! Confidence! There's jest one person I put my confidence
in, and that's Almighty God.' Says she, 'If a man's crippled in both
feet, and the front door and the back door's locked, and I've got both
my eyes on him, I may make out to trust him a minute or two, but
that's about all.' Says she, 'Of course a woman ought to trust her
husband; but that don't mean that she's got to shut her eyes and her
ears and throw away her common sense.' Says she, 'Emmeline don't know
as much about you as your father knows about that old roan mare he
bought day before yesterday. A man's jest like a horse,' says she;
'you've got to break him in and learn all his gaits and tricks before
there's any safety or pleasure travelin' with him. Here you ain't been
married to Emmeline a month yet, and you talk about her havin'
confidence in you!' Says she, 'I've been married to your father
forty-five years this comin' January, and I've never seen cause to
doubt him, but if I was to find another woman's gyarment amongst his
clothes I'd leave him that quick.'
"And about this time old man Sanford come in, and when he'd shook
hands with Henry and hugged and kissed Emmeline he begun to take
notice of how she'd been cryin', and the old lady she told him the
whole story, and, bless your life, the old man was madder'n she was.
He turned around to Henry and says he, mighty stern and solemn, 'Son,
I feel that you've disgraced your raisin'.' Says he, 'A man that'll
cause a woman to shed an unnecessary tear is worse'n a brute, and here
you've let Emmeline cry her pretty eyes out over nothin' right at the
beginnin' of her married life. If you treat her this way now, how'll
it be ten years from now?' And then he patted Emmeline on the shoulder
and says he, 'Never mind, daughter, if Henry don't treat you right,
you stay here with pappy and mammy and be their little gyirl. Henry
always was the black sheep o' the flock, anyhow.'
"And at that Emmeline jumped up and run over to Henry and threw her
arms around his neck and says she, 'You sha'n't talk that way about
Henry. He's not a black sheep, either. He's the best man in the
world, and it's all my fault and I'll never mistrust him again as long
as I live.' And then Henry broke down and cried, and the old man and
the old lady they cried, and they all hugged and kissed each other,
and such a makin' up you never did see. And in two or three days here
Henry and Emmeline come ridin' back home and lookin' like a
sure-enough bride and groom. Emmeline said they went over the same
road, but everything seemed different; the birds sung sweeter, the sun
shone brighter, and the leaves were prettier, for you know, honey, the
way a thing looks depends more on people's minds than it does on their
eyes. They stopped at the same spring to eat their dinner, and
Emmeline said she promised Henry she'd never mistrust him again, and
he promised her he'd never play any more jokes on her. I reckon they
both must 'a' kept their promise, for from that time on there never
was a more peaceable, well-contented married couple than Emmeline and
Henry. Emmeline used to say that she did all her cryin' durin' her
honeymoon and Henry'd never caused her to shed a tear since.
"Nobody ever would 'a' known about her findin' the shirt and leavin'
her husband if she hadn't told it herself, for the old folks on both
sides felt so ashamed o' Henry and Emmeline for the way they'd acted
that they never would 'a' told it. But Emmeline told Milly Amos and
Milly told Sam, and the first thing you knew everybody in Goshen was
laughin' over Emmeline leavin' her husband, and everybody was
disputin' about which was in the right and which was in the wrong. I
ricollect Sam Amos sayin' that any woman that went rummagin' around in
a man's trunk deserved to find trouble, and his sympathies was all
with Henry; and Milly said Henry ought to 'a' told Emmeline whose
shirt it was and not kept her grievin' and worryin' all that time. And
Sam says, 'Yes, he ought to 'a' told her, but if he had 'a' told her
it wouldn't 'a' helped matters, for she wasn't in a frame o' mind to
believe him.' Says he, 'You women are always suspicionin' a man, and
if you come across a piece of circumstantial evidence you'll convict
him on that and hang him in spite of all he can say for himself.'
"I ricollect our Mite Society got to talkin' one day about husbands
and wives leavin' each other, and whether it was ever right or lawful
for married folks to part and marry again. Maria Petty says, says she,
'There's some things that every woman's called on to stand, and
there's some things that no woman ought to stand.' And Sally Ann
says, 'Yes, and as long as you women think you have to stand things,
you'll have things to stand.' And Milly Amos says, 'A husband and a
wife can part when there's no children, but,' says she, 'if they've
had children, you might put the husband on one side o' the world and
the wife on the other and they're husband and wife still, for there's
the children holdin' 'em together.' I ricollect everybody had a
different opinion, and the longer we talked the further we got from
any sort of agreement about it."
And as it was in Goshen so was it in Athens when Plato wrote and
taught, and so it is to-day wherever human wisdom offers its varying
solutions to this problem of the ages.
"What do you think about it, Aunt Jane?" I asked.
Aunt Jane was silent. Intuitively she felt the magnitude of the
question. We had laughed over the comedy of her story, but its rustic
scenery had shifted, and we were standing now in the tragic presence
of a social sphinx, whose mystery calls for baffled silence rather
than confident speech.
"Well, honey," she said at last, thoughtfully and hesitatingly, "if
folks could only love each other the way me and Abram did, they'll
never want to part; and of course if they love each other they'll
trust each other; and if the love and the trust runs short, why, then
they ought to be patient and try to bear with each other's failin's.
But, as Maria Petty used to say, there's some things that no woman is
called on to bear, and no man, either, for that matter, and if married
folks feel that they can't stand livin' together I ain't the one to
judge 'em, for I never had anything to stand, and happy folks oughtn't
to judge the folks that's unhappy. It does look like to me that if the
husbands and wives in Goshen could stay married anybody could, but
maybe I don't know. And when a person gits all twisted and turned so's
they can't tell what's right and what's wrong, why, it ain't time for
passin' judgment and givin' opinions, and I reckon I'll jest have to
fall back on that text o' Scripture that says all things are workin'
together for good. Not some things, honey, but 'all things.' Did you
ever think o' that? The things you want and the things you don't want;
the things you complain about and the things you rejoice about; the
things you laugh over and the things you cry over--all of 'em workin',
not against each other, but together, and all workin' for good. I
ricollect hearin' a sermon once on that very passage o' Scripture.
The preacher said that that text was like a sea without a shore; its
meanin' was as wide and as deep as the love of God, and if we could
only take it in and believe it, we'd never have any fears or any
misgivin's again. And then, there's that verse o' Brownin's that says
God's in his heaven and everything's right with the world. So I
reckon, in spite of all this marryin' and partin' and marryin' again,
the world's in safe hands and movin' on in the right way."
Aunt Jane was smiling now, for on these winged words of apostle and
poet her soul had risen into its native atmosphere of serene faith,
casting upon the shoulders of Omnipotence the burden of world-sorrow
and world-sin that only Omnipotence can lift and bear.
VI
AN EYE FOR AN EYE
[Illustration]
VI
AN EYE FOR AN EYE
It was the time of the blooming of the wistaria. Over in fair Japan
the imperial purple clusters were drooping over the roofs of the
tea-gardens and the walls of the Emperor's palace, and here in Aunt
Jane's garden they hung from the rickety trellis that barely supported
the weight of the royal flowers.
Aunt Jane gazed at them with worshipful eyes.
"It's been fifty years this spring," she said, "since I planted that
vine. It took it five years to come into bloomin', so I've seen it
bloom forty-five times; and every time I see it, it looks prettier to
me. I took a root of it along with me when I went to Lexin'ton to
visit Henrietta, and the gyardener planted it by the front porch so's
it could run up the big pillars--that's the difference betwixt my
gyarden and Henrietta's. She has a gyardener to plant her flowers, and
I do my own plantin'. I can't help believin' that I have more pleasure
out o' my old-fashioned gyarden than she has out o' her fine new one.
Flowers that somebody else plants and 'tends to are jest like children
that somebody else nurses and raises. I raise my flowers like I raised
my children, and I reckon that that's why I love 'em so. It's a
curious thing, child, the hold that flowers and trees has on human
bein's. You can move into a house and set up your furniture and live
there twenty years, and as long as you don't do any plantin', you
won't mind changin' your house any more'n you'd mind changin' your
dress. But you jest plant a rose-bush or a honey-suckle and then start
to move, and it'll look like every root o' that bush is holdin' you to
the place, and if you go, you'll want to take your flowers with you
jest like grandmother took her rose when she moved from old
Virginia to new Kentucky."
[Illustration: "IT WAS THE TIME OF THE BLOOMING OF THE
WISTARIA."
_Page 173._]
She paused to look again at the splendor of grace and color that
spring had brought to the old garden. No wonder we have patience to
tread the ice-bound path through the winter when we know that things
like this lie at the end. A delicate, reverent wind arose, the long,
rich tassels of bloom yielded themselves to its touch and swayed to
and fro like majesty acknowledging homage, while, bolder than the
wind, a mob of democratic bees hummed nonchalantly in the august
presence and gathered honey as if a wistaria were no more than a
country clover field.
"Henrietta was tellin' me," continued Aunt Jane, "that over yonder in
Japan when the cherry trees and this vine blooms, everybody takes a
holiday and turns out and enjoys the flowers and the sunshine, and I
says to Henrietta, 'That's no new thing to me, honey, I've been doin'
that all my life.' I like housekeepin' as well as anybody, but when
spring comes and the flowers begin bloomin', a house can't hold me.
There's one time o' the year about the middle o' May, when it's all I
can do to keep myself inside the house long enough to do the cookin'
and wash the dishes. I ricollect the first spring after I was married
there was one day when Abram said that he had bread and butter and
pinks for breakfast, and bread and butter and roses for dinner, and
bread and butter and honeysuckles for supper. You know the Bible says,
'Let your moderation be known unto all men,' and I always tried to be
moderate about housekeepin'. Sam Amos used to say that women kept
house for two reasons: one was to please themselves and the other was
to displease the men. Says he, 'The Bible says we come from the dirt
and we're goin' back to the dirt, so why can't we live in the dirt and
say nothin' about it?' Says he, 'Give me three meals a day and a
comfortable place to sleep in, and let me be able to lay my hands on
my clothes when I want 'em, and that's housekeepin' enough for me.' I
reckon most men's pretty much like Sam; and seein' how little a man
cares about havin' a house kept, it looks like it's foolish for women
to spend so much o' their time sweepin' and keepin' things in order.
Mother used to think I took housekeepin' too easy. I ricollect once
she was spendin' the day with me and I let a dish fall, a mighty
pretty china bowl with pink roses on it, and she begun sayin' what a
pity it was, and how keerless I must 'a' been to let it slip out o'
my hands, and I jest laughed and picked up the pieces and says I,
'Dishes and promises are made to break. There's a time app'inted for
every dish to break, jest as there is for every person to die, and
this bowl's time had come.' And Mother, she laughed, and says she,
'Well, Jane, you'll never die of the housekeepin' disease.' And I
wouldn't be surprised, child, if my gyardenin' and my easy goin' ways
wasn't the reason why I'm here to-day watchin' my flowers grow instead
o' bein' out yonder in the old buryin' ground with Hannah Crawford and
the rest o' the Goshen women. Hannah took her housekeepin' like Amos
Matthews took his religion, and that was what broke her down and
carried her off before her time."
Clouds were floating across the sun and a delicate shadow lay over the
flower-beds around us. Aunt Jane's eyes were on the distant hills
beyond the budding orchard trees, and I saw with delight that she was
in the garden but not of it. A few moments ago the present beauty of
the wistaria had possessed her, but now she was living in another
spring.
"Dr. Pendleton used to tell Hannah that her name ought to 'a' been
Martha, because she was troubled about many things," continued Aunt
Jane; "and it was her takin' trouble over things that come near
throwin' her off her balance, back yonder in '54, the year we had the
big drouth. Maybe you've heard your grandmother tell about it, child.
Parson Page used to say there was nothin' like a drouth for makin'
people feel their dependence on a higher power, and I reckon more
prayers went up to heaven that summer than'd gone up for many a year,
and folks prayed then that never had prayed before. A time like that
is mighty hard on man and beast. The heavens were brass and the earth
cast iron jest like the Bible says. Every livin' thing was parched up
and I ricollect Sam Amos sayin' that, with the cistern and the spring
dry and the river a mile and a half away, for once in his life he
found it easier to be godly than to be clean.
"Well, about the time when everything was at its worst, we had a
strange preacher to fill the pulpit o' Goshen church, and he preached
a sermon that none of us ever forgot. There's two kinds of preachers,
child, the New Testament preachers and the Old Testament preachers.
Parson Page was the New Testament kind. Sam Amos used to say that
Parson Page's sermons never interfered with anybody's Sunday evenin'
nap. But the minute I laid eyes on the new preacher, I says to myself,
'We're goin' to have an Old Testament sermon, this day,' and sure
enough we did. He was a tall, thin man, with the blackest eyes and
hair you ever saw and a mouth that looked like he'd never smiled in
his life, and when he walked up into the pulpit you'd 'a' thought he
was one o' the old prophets come to warn men of judgment to come. He
read the twenty-first chapter of Exodus, that chapter that's all about
judgments and punishments; and then he turned over to Leviticus and
read a chapter there about the same things, and then he picked out two
texts from these chapters. One was, 'Thou shalt give life for life,
eye for eye, tooth for tooth, hand for hand, foot for foot, burning
for burning, wound for wound, stripe for stripe.' And the other one
was, 'And if a man cause a blemish in his neighbor, as he hath done,
so shall it be done to him. Breach for breach, eye for eye, tooth for
tooth.'
"Well, honey, the sermon he preached from them two texts was somethin'
terrible. He begun by sayin' that the kingdom of God was a kingdom of
justice; that every sin brought its own punishment with it, and there
was no escapin' it. He said God had fixed the penalty for every sin
committed by every sinner; we couldn't always tell what the punishment
would be, one sinner would be punished one way and another sinner
another way, and one would have his punishment right at once, and the
other might not have his for a good many years, but it was sure to
come at last. He never said a word about the blood of Christ, and the
only time he brought up the New Testament was when he told about
Christ sayin' that we had to pay the uttermost farthing.
"Now, of course, child, all o' this is in the Bible, and it must be
true. But then, there's other texts that's jest as true and a heap
more comfortin', and if Parson Page had been preachin' that day, he'd
'a' taken a text about forgiveness and atonement, but maybe we
wouldn't 'a' remembered that as long as we remembered the other
preacher's sermon. I ricollect when meetin' broke everybody appeared
to be laborin' under a sense o' sin, and instead o' shakin' hands and
talkin' awhile as we generally did, we all went home as quick as we
could. Uncle Jim Mathews said it took him a week to git over the
effects o' that sermon, and Sam Amos says, 'I thought I was doin'
right in lettin' that shiftless tenant o' mine off from payin' his
year's rent, I felt so sorry for his wife and children; but,' says he,
'in strict justice and accordin' to this "eye for an eye" doctrine, I
ought to hold him to his contract and make him pay.'
"Well, it wasn't long after this till we begun to hear curious tales
about the Crawford farm. Abram come in one day and says he, 'Jane, I
never have believed in ghosts and spirits, but upon my soul,' says he,
'Miles Crawford's been tellin' me some things that make me think maybe
there's such a thing after all.' And he went on to tell how Miles had
had his straw stacks pulled down, and the fodder scattered all over
the barn floor, and his tools carried off and hid in fence corners,
and his bags o' seed spilled around, and he couldn't tell when it was
done nor who did it. Of course the talk spread all over the
neighborhood, and every week there'd be some new happening till folks
begun to say the place was ha'nted and nobody liked to pass it after
dark.
"Well, one day about the last day of August Abram went to town on some
business or other, and I went with him. I ricollect the drouth had
broke, and the grass and flowers and trees buddin' out made it look
jest like spring. Well, we went joggin' along the pike, laughin' and
talkin', and as we passed Miles Crawford's place we saw Miles come out
on the front porch and look up and down the road. When he saw us, he
come runnin' down the path and motioned to us to stop, and when he got
within speakin' distance he called out, 'If you're goin' to town, stop
by Dr. Pendleton's and tell him to come out here as quick as he can,
for Hannah's lost her senses.' Says he, 'She's been at the bottom of
all the devilment that's been done on the farm for the last month, and
this mornin',' says he, 'I set a watch and caught her at it, and she's
crazy as a loon.' With that I jumped out o' the buggy, and says I,
'Drive on, Abram, I'm goin' to stay with Hannah till the doctor
comes.' So Abram drove off, and I went on to the house with Miles. He
was mighty excited and put out, and kept talkin' about the trouble
he'd had and blamin' Hannah for it. And Hannah was rockin' herself
back and forth, laughin' and cryin' and sayin', 'An eye for an eye and
a tooth for a tooth.' I saw in a minute she was in a mighty bad fix,
and I was jest wonderin' what on earth I would do till the doctor got
there, and I put up a prayer that Abram wouldn't be long findin' him;
but that very minute I heard the sound of two buggies on the pike.
Abram had met the doctor comin' out to Goshen, and turned around and
come back with him, and the minute I saw the doctor's old
broad-brimmed hat, I says to myself, 'It's all right now.' I don't
reckon there ever was a man that understood women like the old doctor
did, and him an old bachelor at that. I used to think it was a pity he
hadn't married; he'd 'a' made such a good, kind husband. But then,
bein' the man he was, he couldn't marry."
There was both paradox and enigma in this statement, and I asked for
an explanation.
"Now, child," said Aunt Jane, "you're throwin' me clear off the track.
For pity's sake let me get through with one story before you start me
on another. As I was sayin', the old doctor come; but with Miles
ragin' around and threatenin' to send Hannah to the Asylum, and Hannah
cryin' and laughin' and sayin', 'An eye for an eye and a tooth for a
tooth,' and me tryin' to pacify Hannah and Abram tryin' to pacify
Miles, it was some time before he could come to an understandin' of
the case; and when he begun to see daylight he turned around to Miles
as stern as if he was reprovin' a child, and says he, 'Not another
word, Miles! If you can't hold your tongue go out of the room, for
every time you speak you're makin' Hannah that much worse.' And he
turns around to me and says he, 'Have you any idea what Hannah means
by saying "An eye for an eye and a tooth for a tooth?"' And I says,
'Doctor, do you ricollect the sermon that strange minister preached
about a month ago?' Says I, 'I may be wrong, but it's my belief that
that sermon helped to put Hannah in the fix she's in now.' And the
doctor, he thought a minute, and then he nodded his head right slow,
and says he, 'I remember that sermon. It was not a wholesome sort of a
discourse for any one to listen to.' Says he, 'It might not hurt a
healthy person, but if there was anyone in the congregation with a
sick mind, such a person couldn't be benefited by it.' And then he
says to Hannah, 'Was it that sermon that put it into your head to tear
down Miles's corn shocks?' And Hannah laughed and wrung her hands
together and rocked herself backward and forward, and says she, 'Yes,
that was it. Miles has been undoin' my work and givin' me trouble for
thirty-five years, and I've wished many a time I could pay him back
and make him see how hard it was, but I couldn't bring myself to do
what I wanted to do till I heard that sermon. I found out then that
God wanted me to pay Miles back, and I'm glad I pulled his corn shocks
to pieces, and tore down the straw stacks and scattered the bran all
over the stable floor. May be he knows now how hard I have to work to
keep house for him, and may be he'll be more keerful about litterin'
the house up and pullin' things to pieces.' Says she, 'I work from
mornin' till night, but there's always somethin' left undone. Before I
get through with the breakfast dishes and cleanin' the house and
churnin', it's time to cook dinner, and by the time I've cooked dinner
and cleaned up the dishes and sewed and mended a little, it's time to
cook supper and attend to the milkin', and I try to see after the
children, but there's always somethin' undone.' Says she, 'I believe I
could ketch up with my work, if Miles would only stop undoin' what I
do. But it looks like I can't keep up any longer,' says she, 'with him
workin' against me all the time.' And Miles says, 'You hear that? You
hear that? Talkin' about lookin' after the children, and every child
grown and married and gone long ago! She's crazy, crazy as a loon!'
The doctor turned around and give Miles a look that hushed him up. And
then he took hold of Hannah's hand and smoothed it right gentle and
easy, and says he, 'That's right, tell me all your troubles; a trouble
is easier to bear after you've told it to somebody.'
"It looked like Hannah's tongue was loosed, and she went on talkin'
harder and faster than I ever had known her to talk before. Says she,
'I never was a lazy woman, and I always kept up with my work, I always
loved to work, and Miles never could say I slighted anything about the
house, but now it's different. It looks like there's a change come
over me. I can't do what I used to do, and there's times when I don't
seem to keer how things go. I reckon it's my fault, and I'm always
blamin' myself for not gittin' more done, but I can't help it. There's
a change come over me, and I ain't the woman I was a year ago.'
"The doctor, he was listenin' to it all jest as kind and earnest as
you please, and he nodded his head and says, 'Yes, I understand it
all, and I know exactly how you feel.' And he put his fingers on
Hannah's wrist and thought a minute, and says he, 'Hannah, my
child,'--No matter how old a woman was, honey," said Aunt Jane,
interrupting herself, "Dr. Pendleton would always say 'my child' or
'my daughter,' or 'my sister' when he was talkin' to her. Maria Petty
used to say that jest the sound of his voice was as good as medicine
to a sick person. And says he, 'There's one more question I want to
ask you: Is there anything you can think of that you'd like to have or
like to do?'
"And Hannah put her hand up to her face and burst out cryin' like a
little child, and the old doctor patted her on the shoulder and says
he, 'That's right; cry as much as you please,' and when Hannah had
kind o' quieted down, he says again, 'Now tell me what it is you want;
I know there's somethin' you want, and if you can get it, it'll make
you well.' And Hannah begun cryin' again, and says she, 'If I told you
what it is I want, you'd think I'm crazy sure enough, and may be I am.
My head feels heavy and dizzy,' says she, 'and sometimes I feel like I
was goin' to fall backward, and I can't remember things like I used to
do; I don't take any interest in my work, and I can't git to sleep at
night for a long time, and I wake up at two o'clock and stay awake
till daylight, and jest as I'm droppin' off, it's time to git up and
cook breakfast, and I'm so tired that sometimes I wish the end of the
world would come and put a stop to everything. But I don't want to go
to the Asylum. Don't let Miles send me there.' And the doctor says,
'Don't you be afraid of that. Miles will never send you to an asylum
while I'm alive to protect you. But you must tell me what it is you
want. There's some little thing,' says he, 'that'll make you well, and
you know what it is better than I do.' Well, Hannah held back like a
child that's afraid of a whippin', but finally she says, 'You know
that pasture at the back o' the house. I can see it from the kitchen
window. Miles sowed it in clover last year, and the clover's come up
since the rain and it's bloomin' now, and there's two or three big oak
trees in the middle o' the field and the cows come up and lie down in
the shade o' the trees; and every time I look out o' the window while
I'm washin' dishes and makin' up bread, I think if I could jest lie
down in the shade of the trees and look up at the sky all day and know
there was somebody up here in the kitchen doin' my work, I'd get well
and strong again.' And the doctor's eyes filled up with tears, and he
patted Hannah on the back and says he, 'Poor child! Poor child!' And
then he turned around to Miles, and says he, 'Miles, do you hear that?
There's nothing in the world the matter with Hannah, except that
she's worked to death.' Says he, 'Go down to that pasture at once and
turn the cows into some other field. Hannah shall have her wish before
I leave this house.' Miles was an older man than the doctor, honey,
but he minded the same as if he'd been his son; and while he was
turnin' the cows out, we got some old comforts and a piller, and all
of us went down to the pasture and spread the quilt under the tree.
The doctor made Hannah lay down, and says he, 'Now, shut your eyes and
let the sun and the wind take care of you. They're the best nurses in
the world;' and says he, 'I'll drop by again in an hour or so to see
how you're getting on, and Miles will come down every little while to
bring you a glass of water and something to eat. You must stay here
until the sun goes down, and then come up to the house and go right to
bed.'
"So we all walked back to the house, and the doctor went to the front
room where he'd left his medicine case, and he picked it up and turned
around and faced Miles, and says he, 'Miles, lose no time about
getting some one to do your work, for Hannah's going to rest under
that tree for many a day.' Says he, 'There's a time in a woman's life
when every burden ought to be lifted from her shoulders, and Hannah's
reached that time. She's like a worn out field that's borne its
harvests year after year and needs to lie fallow for awhile.' Says he,
'Look at your seven children, your six-foot sons and your handsome
daughters, and think of the little baby lying out in the burying
ground. How can you talk about sending the mother of your children to
the lunatic asylum, and all because she's undone a little of your work
in the last few weeks, when you've been undoing hers all your married
life?' Says he, 'You're a hard man, Miles; your nature's like one of
the barren, rocky spots you'll come across in one of your
pastures--spots where not even a blade of grass can grow.' Says he,
'You can't change your nature any more than the Ethiopian can change
his color or the leopard his spots, but from this time on you've got
to try to treat Hannah with a little consideration.' And I believe
Miles did try. I ricollect seein' him help Hannah put on her shawl one
Sunday after church, and pull it around her shoulders mighty awkward,
jest as a person would, when he's doin' a thing he never did before. I
don't reckon Hannah keered much about it. A man oughtn't to have to
try to be kind to his wife, and when a woman comes to the end of a
hard life like Hannah's, a little kindness don't amount to much. It's
mighty hard to make a thing end right, honey, unless it begins right.
"Hannah got well, though, and the first time she come to church she
looked ten years younger; but she never was as strong as she was
before she broke down, and I always thought she died before her time.
It looked like a curious way to treat a sick person, to put her out in
a field and not give her a drop o' medicine, but that was what Hannah
wanted, and it made her well. You know the Bible says, 'Hope deferred
maketh the heart sick.' And I reckon the cure for that kind o'
sickness is havin' the thing you've been hopin' for.
"Hannah said at first she jest laid still with her eyes shut, and felt
the wind blowin' over her face, and then she got to droppin' off to
sleep every little while, and after she'd begun to feel rested, she'd
lay there and look up at the sky and watch the clouds floatin' past,
and she said she never knew before how pretty the sky was. She'd been
livin' under it all her life and never had time to look up at it.
"Did you ever think, child," said Aunt Jane, breaking off in her
story, "that nearly all the work we've got to do keeps us lookin'
down? And once in awhile it's a good thing to stop work and look up at
the sky. Parson Page used to say that every sunrise and moonrise and
sunset was a message from heaven sayin' 'Look up! Look up! for earth
is not your home.' Hannah said lookin' up at the sky was like lookin'
into deep water, and sometimes she'd feel as if her soul had left her
body and she didn't know whether she was still on this earth or
whether she'd died and gone to heaven; and she believed if folks would
lay off from work once a year and rest under the trees the way she
did, they'd live to be as old as Methuselah."
Had I not heard it once before, this homely tale of woman's work and
woman's weariness, that life repeats with endless variations? Told in
simple rhyme it lay between the yellowed pages of an old scrap-book
and hovered half-forgotten in a dusty corner of my brain.
"Aunt Jane," I said, "there was once a woman who felt just as Hannah
Crawford did, and she put her feelings into words and called them 'A
Woman's Longing:'
"'All hopes, all wishes, all desires have left me,
My heart is empty as a last year's nest,
O, great Earth--Mother! take me to thy bosom
And give a tired child rest.
"'Nay, not a grave! Leave thy green turf unbroken!
Not death I ask,--but strength to bear my life,
This endless round of strange, conflicting duties,
These stale conventions and this aimless strife.
"'I have no part nor lot in such existence,
And I am like a stream cut from its source;
Let me go hence and quench the spirit's thirsting
At those deep springs of force
"'That well unseen neath all life's myriad phases,
Rousing to action, lulling to repose--
A child's first cry, a warrior's call to battle,
A planet's march, the fading of a rose.
"'Give me a bed among earth's flowers and grasses,
Some shadowy place from men and things apart,
Where I can hear and feel the steady beating
Of Nature's tireless heart,
"'Stilling the tumult of my brain, o'er-crowded
With fears and fancies that have banished sleep,
And losing pain and weariness forever
In heaven's unfathomed deep,
"'Till I lay hold upon my dear lost birth-right,
My oneness with all things that were and are,
Can feel the sea's pulse mine, my breath the wind's breath,
And trace my kinship to the evening star.
"'Then send me back to life's imperious calling,
The love that crushes and the cares that irk,
To strive, to fail, to strive again and conquer,
Till the night cometh when no man can work.'"
Aunt Jane had dropped her knitting; her eyes glowed, and she leaned
forward entranced, for the simple verses held the unfailing spells
that rhythm and rhyme have cast over the soul ever since the Muses
touched their golden harps on Parnassus, pouring "the dew of soft
persuasion on the lips of man" and "dispelling sorrow and grief from
the breast of every mortal."
"Why, child," she exclaimed, drawing a breath of deep delight, "that's
as pretty as any hymn. But it looks like anybody that can say things
that pretty oughtn't to have the troubles that common folks has."
Ah, if the power to put a sorrowful thought into beautiful words
brought with it exemption from sorrow, who would not covet the gift?
"But," continued Aunt Jane, "everybody has to have some trials. I
ricollect Parson Page preachin' a sermon about that very thing. He
said folks in trouble always thought their troubles was more than
anybody's; and they'd look around and see somebody that appeared to be
happy and they'd envy that person, when maybe that person was envyin'
them, for it's jest as the Bible says, 'There hath no trouble taken
you but is common to all men.'"
And while Aunt Jane spoke I saw this life of ours as a sacramental
feast. The table is long, and here sits a king and there a beggar. The
cups are many, and mine may be of clay and yours of gold, but the
wine, the bitter-sweet wine, is the same for all. One rapture throbs
in the heart of the Romany youth who plights his troth under the
forest tree, and the heart of the prince royal who kneels at the
cathedral altar. The tramp-wife burying her baby by the roadside might
clasp hands with the queen-mother who weeps at the door of the royal
mausoleum, for on the heights of joy or in the depths of pain all men
are brothers, all women sisters.
"And now, honey," said Aunt Jane, "I've wasted enough o' this pretty
mornin' talkin' about old times. Spring time's workin' time and I must
be up and doin'."
But I caught her hand and held her fast.
"Just one thing more, Aunt Jane," I pleaded. "Tell me what you meant
by saying that being the man he was Dr. Pendleton couldn't marry?"
Aunt Jane hesitated a moment looking towards a certain flower-bed
where tulips and hyacinths stood half-smothered in a drift of dead
leaves. The morning hours were passing and the garden needed the work
of her hands, but my clasp was firm and the call of the past was still
sounding in her heart.
"I meant jest what I said, honey," she answered, settling herself
again on the old garden seat. "There's such a thing as a man lovin' a
woman too well to marry her, and that's the way it was with the
doctor. You might think, maybe, Dr. Pendleton come of plain folks,
bein' jest a country doctor. But, no; his people was among the best
and the richest in the county, and he'd had all the chances that rich
people can give their children. He'd been to college and he'd
travelled around and seen the world, and no young man could 'a' had a
prettier prospect before him than Arthur Pendleton,--that was the
doctor's name,--when he come home from his studyin' and his travellin'
and started out to practisin' medicine with his father. Young and
handsome and rich, and then there was Miss Dorothy Schuyler, and he
was in love with her and she was in love with him. Father used to say
when a man had all that, there wasn't standin' room for a wish.
"Miss Dorothy was one o' the Virginia Schuylers, and the first time
she come to visit her Kentucky cousins, she met the young doctor, and
they fell in love with each other jest like Hamilton Schuyler and Miss
Amaryllis, and before she went back to her home it was all settled
that they'd be married the next spring. The young doctor, he made a
journey to Virginia to git her father's and mother's consent; for in
that day and time, child, a young man couldn't jest pick up a gyirl
and walk off with her. He had to say 'By your leave' and do a little
courtin' with the old folks before he could claim the gyirl.
"Well, it all looked like plain sailin' for the young doctor. His
father begun givin' up his practice--took off his own shoes, you might
say, and let his son step into 'em--and the weddin' day was comin',
when all at once the banks got to failin' all over the country, and
the Pendletons lost pretty near everything they had except their land.
Then, to make a bad matter worse, the old doctor's name was on a
note, and that fell due about the time the banks failed, and he had to
sell the family place and a good deal o' the land.
"They said when he got through settlin' up his affairs he says, 'Well,
I've lost my money and my lands and my home, but I've saved my good
name.'
"I reckon it must 'a' taken the young doctor a good while to come to
an understandin' of what he'd lost. By the time you're old, losin'
comes natural to you, but it's hard for young folks to take in a big
loss. But as soon as Arthur Pendleton understood that all his father
had was a good name, and all he had was his father's practice, he
wrote to Miss Dorothy and set her free from her promise to marry him.
"The old doctor begged him not to do it. Says he, 'Son, you've lost
pretty near everything, and now you're throwing away the best of
what's left.' Says he, 'Don't strip your life bare of every chance for
happiness. Hold on to love, even if you have lost your money.'
"But the young doctor says, says he, 'When a man's money's gone it's
no time for him to be thinkin' about love.' Says he, 'Unless a man
loves a woman well enough to give her up when he's too poor to take
care of her, his love's not worth much. In her father's house,' says
he, 'she's lived like the lilies of the field, and the man that loves
her mustn't be the one to bring her down to poverty and hard work.' So
he wrote to her and told her to forget him as soon as she could, and
love some other man who could give her what a woman ought to have, and
she told him that if she ever loved anybody else, she'd send back the
ring he'd given her. But, honey, that ring stayed on Miss Dorothy's
finger till her dyin' day, and I reckon it was buried with her. Folks
said they never wrote to each other any more, but every year or so
Miss Dorothy'd come back to visit the Schuylers and the doctor he'd go
to see her, and they used to say that he'd look at her finger before
he'd look at her face, and when he'd see his ring there he'd be too
happy to say a word. He'd take both her hands in his, and his eyes'd
fill up with tears and he'd look down at her face, and she'd look up
at him and laugh and ask him if he didn't want his ring back to give
to some other gyirl.
"Well, things went on this way one year after another, the doctor
workin' and Miss Dorothy comin' and goin' and both of 'em hopin', I
reckon, and lookin' forward to marryin' some day; for she was young
and so was he, and when folks are young they always feel certain of
havin' their own way with life, and it's easy for 'em to wait and hope
for the things that's out o' reach. But nothin' seemed to go right
with the doctor. If he saved up a little money and put it in the bank,
or bought a piece o' property, bad luck was sure to come along and
pull down everything he'd built up. His father's health broke down,
and of course he had to ease the old man's way to the grave; his
youngest brother had to be educated, and first one thing and then
another kept comin' up and puttin' Miss Dorothy further off.
"But the older they got, the more they loved each other; and Miss
Dorothy, she'd come and go every summer, till finally one summer she
didn't come; and the next summer the doctor went to Virginia to see
her, and come back lookin' like an old, old man; and not long
afterwards he come into church one Sunday with a band o' black crape
around his hat, and then we knew Miss Dorothy was dead."
"But wasn't Miss Dorothy willing to marry the doctor in spite of his
poverty?" I asked.
"I reckon she must 'a' been," responded Aunt Jane. "When a woman waits
all her life for a man, like Miss Dorothy did for the doctor, it
stands to reason she's willin' to marry him any time."
"Oh! Then why in the world didn't she tell him so?" I exclaimed.
The bodies of my lovers were dust and their souls with the saints
these many years, but Aunt Jane had called from the dead "each
frustrate ghost"; the pathos of her tale thrilled me sharply and I
could not stay my cry of regret over "The counter these lovers
staked"--and lost.
Aunt Jane turned toward me and looked over her glasses with frank
astonishment in her clear old eyes. More than once had I shocked her
with sentiments discordant with her own ideals of life and conduct,
but never so severely as now. She delayed her reply as if to give me a
gracious opportunity to recall my unseemly words. Then--
"Child," she said, in a low voice, "you know such a thing wouldn't be
fittin' for a young gyirl to do. Why that'd be pretty near as bad as
Miss Dorothy askin' the doctor to marry her. No matter how much a
woman loves a man, she's got to sit still and wait till he asks her to
marry him, and if he never asks her, why, all she can do is to marry
somebody else or stay an old maid. With the raisin' you've had, I
oughtn't to have to tell you that."
"Oh! Of course!" I hastily assented. "A woman can't ask a man to marry
her. But isn't it sad to see people losing their happiness in this
way?"
"Now, that's the curious part of it, child," said Aunt Jane. "It's
mighty mournful while I'm tellin' it, but if you'd known the doctor
and Miss Dorothy, you never would 'a' thought they were losin'
anything. At first, you must ricollect, they had hopes to keep their
spirits up, and as long as you've got hope, child, you've got
everything. Of course there must 'a' come a time when they stopped
hopin', and I reckon that was when their hair begun to turn gray and
their eyesight failed. It's a time that comes to all of us, honey, and
when it does come, we generally find that we've got grace to give up
the things we've been wantin' so long; and that's the way it was with
Miss Dorothy and the doctor. To see them two, after they'd passed
their youth, walkin' together and ridin' together and comin' into
church and settin' side by side in the same pew, singin' out o' the
same hymn book,--why it was the prettiest sight in the world. Mighty
few old married couples ever looked as happy as Miss Dorothy and the
doctor, old maid and old bachelor as they were.
"Plenty of folks, though, thought jest as you do, and Mother was one
of 'em. She never had any patience with the way Dr. Pendleton and Miss
Dorothy behaved about marryin'. Says she, 'You put an old married
woman and an old maid together, and you can't tell which is which. A
woman's got to lose her good looks and her health whether she marries
or not, and while she's about it, she might as well lose 'em for her
husband and her children instead o' stayin' single and dryin' up all
for nothin'.' They said Judge Elrod undertook to reason with the
doctor once about the folly of two people stayin' single when they
loved each other. He p'inted out to him that Miss Dorothy was gittin'
on in years, and that a woman ought to be willin' to put up with a few
hardships if she loved a man. And the doctor, he listened, and shook
his head and says he, 'Yes, she's fading, fading, but--God be
thanked!--it's no fault of mine. The hand of time has touched her; her
pretty curls are turning gray and the pretty color's leaving her
cheek; but her hands are as soft and white as they were when I put my
ring on her finger. She's never known a hardship or carried a burden.
She'll go to her grave like a rose that's touched by the frost, and I
can bear to be parted from her that way. But if I'd put a hardship or
a burden on her and she'd died under it, I'd never be able to look my
own soul in the face.'
"That's the way he looked at it, and nothin' could ever make him
change his mind. I reckon the doctor's way o' lovin' was somethin'
like Hamilton Schuyler's."
* * * * *
With these words Aunt Jane closed the treasure-chest of memory and
walked briskly away to look after the welfare of the tulips and
hyacinths.
A little story of a great love! And as I pondered it, the country
doctor became a knight of a finer chivalry than that which once
stirred the blood under a coat of mail, or guided a lance-thrust to an
enemy's heart. In every man's soul there is a field of valor, lonely,
perhaps unknown; and he is the true knight who enters the lists
against himself and strikes down every impulse of man's nature that
would harm the woman he loves. And how rich the guerdon of such a
victory, and the recompense of the beloved one for whose sake he
strives and conquers!
The pitying world looks on and measures the unwed lovers' loss, but
who can measure their gain? Theirs is the bliss which Psyche had
before she lit the fatal lamp. They hold forever in their hearts "the
consecration and the poet's dream"; and, undimmed by disillusionment,
the mirage of youthful love hovers over each solitary path, lighting
the twilight of age, the night of death and melting at last into the
dawn of heaven's unending day.
VII
THE REFORMATION OF SAM AMOS
[Illustration]
VII
THE REFORMATION OF SAM AMOS
All day the land had lain dreamily under an enchantment soon to be
broken by the rude counter-spells of the coming winter.
A frost so light that it was hardly more than a cold dew had rested
that morning on the early chrysanthemums and late roses; but the wind
that shook the leaves from the crimson maples was a south wind; the
midday sun held the tropic warmth of August, and over the brightening
hills lay a tender, purple haze. Summer was dead, but its gentle ghost
had come back to the earth, and it was Indian summer, the season that
has no name or place in any calendar but the poet's. The sun had set,
and the mist that veiled the horizon had caught its last rays, holding
the light lingeringly, fondly, in its folds and spreading it far to
the north and south in a soft splendor of color that no other season
can show. Not pink, not crimson, but such a color as an artist might
make if he crushed together on his palette the rose of summer and the
leaf of autumn. The chill of the coming night was in the air, but
still we lingered at the gate, Aunt Jane and I, with our faces toward
the west.
"I wonder how many folks are watchin' this sunset," she remarked at
last. "Old Job Matthews, after he got converted at the big revival
back yonder in the thirties, used to look for the second comin' of the
Lord, and every sunset and sunrise he'd stand and look at the sky and
say, 'Maybe the King of Glory is at hand.' Once the old man declared
he saw a chariot in the clouds, and it does look like, child, that
somethin' ought to happen after a sight like this, or else it ain't
worth while to git it up jest for a few people like you and me to look
at."
As she spoke there was a quick, sharp clang of hoofs on the
macadamized road, and a horse and rider passed in the twilight. The
clean, even gait of the horse and the outlines of its head showed it
to be of noble blood; and as it trotted past with an air of proud
alertness, we could see that the dumb animal realized the double share
of responsibility laid upon it. For the hand that held the bridle was
limp and nerveless, the rider's head was sunk on his breast, and the
brain of the man that should have guided the brain of the horse was
locked in a poison-stupor.
Long and wistfully Aunt Jane gazed after the horse and its rider, and
the gathering darkness could not hide the divine sorrow and pity that
looked out from her aged eyes. Sighing heavily she turned from the
gate, and we went back to the shadowy room where the "unlit lamp" and
the unkindled fire lay ready for the evening hours.
The fireplace was filled with brush cleared that day from the
flower-beds, dry stems that had borne the verdure and bloom of a
spring and now lay on their funeral pyre, ready to be translated, as
by a chariot of fire, into the elemental air and earth from whence
they had sprung.
Aunt Jane struck a match under the old mantel and, stooping, touched
the dead mass with the finger of flame.
Ah! the first fires of autumn! There is more than light and more than
heat in their radiance. But as I watched the flames leap with exultant
roar into the gloom of the old chimney, my heart was with the lonely
man homeward bound, his sorrowful, helpless figure a silhouette
against the sunset sky, and Aunt Jane, too, looked with absent eyes at
the fire she had just kindled.
"Yes, child," she said, answering my thought, "it's a sad, sad sight;
I've watched it for a lifetime and I'm clean tired of it,--seein' 'em
go out in the mornin' straight and strong and handsome as a Kentucky
man ought to be, and comin' home at night with hardly strength enough
to handle their reins, and less sense than the horse that's carryin'
'em. I trust that man'll reach home safe, for somewhere up the road
there's a woman waitin' for him. She's cooked a hot supper for him and
the biscuits are in the pan, and she's put the coffee on the back o'
the stove to keep it from boilin' too long, and the meat's in the
dish in front o' the stove, and she's lookin' out o' the window and
goin' to the gate every few minutes, strainin' her eyes and her ears
lookin' down the road and listenin' for the sound of a horse's feet.
And maybe there's a baby asleep in the cradle, and another child
waitin' for Father; and when he comes, the child'll run from him, and
his wife'll cry her eyes out, and nobody in that house'll feel like
eatin' any supper to-night. Well, may the Lord give that woman grace
to be as patient with her husband as Milly Amos was with Sam, and
maybe she'll reap the same reward."
"Was Sam Amos a drunkard?" I asked in surprise.
"Well, no," said Aunt Jane, judicially, "Sam wasn't, to say, a
drunkard. A drunkard, according to my notion, is a man that's born
with whiskey in his veins. He's elected and predestined to drink, you
might say, and he ain't to be blamed when he does drink. Sam wasn't
that sort of a man; but once in his life it looked mightily like he
was goin' to be a drunkard. Sam come of a sober family, and there
wasn't any manner of reason for him to take to drink, but Dr.
Pendleton used to say there was a wild streak in nearly every person,
and sooner or later it was bound to break out in one way or another.
It was the wild streak in Brother Wilson, I reckon, that sent him into
the army before he went to preachin', and the same wild streak put it
into Sam's mind to drink whiskey, when his father and grandfather
never touched it. How it started I don't know, but I reckon the coffee
house must 'a' been the beginnin' of it. I can ricollect well the time
when that was opened in town. They had a sort of a debatin' society in
that day,--Lyceum, they called it, but Sam Amos called it the Jawin'
Club. Dr. Brigham and Judge Grace and Judge Elrod and Colonel Walker
and all the big men o' the town belonged to it, and they used to meet
in the doctor's office and argue about everything that was done in the
town or the State. One question they had up was whether the Whigs or
the Democrats had the best party, and they argued till pretty near one
o'clock in the mornin', and the meetin' come mighty near breakin' up
in a fight. Well, when the coffee-house got its license they had a
debate about that, and Dr. Brigham, he was in favor of the license, he
got up to make a speech, and, says he, 'What would this State be
without whiskey?' And Judge Grace, he was against it,--he jumped up
and shook his fist at the doctor and says he, 'A heap more peaceable
place than it is with it.' And that made the doctor mad, but he went
on like he hadn't heard it. Says he, 'You jest shut your eyes and say
the word "Kentucky," and what'll you see? Why, you'll see a glass o'
toddy or a mint julep, and a pretty woman smilin' over 'em,'--and
Judge Grace he hollers out, 'No, you won't! No, you won't! You may see
the toddy and the julep and the woman, but the woman won't be smilin';
she'll be cryin' her eyes out over the stuff that makes a brute of her
husband and her son.' This made the doctor madder still, but he kept
right on, and says he, 'Think of the poetry that's been written about
wine and whiskey--
"'"Fill up, fill up
The brimmin' cup"--
and all the rest o' the songs about drinkin'! And no wonder,' says he,
'for where'll you find a prettier sight than a clear glass tumbler
with a sprig o' mint and a silver spoon in it and two or three lumps
o' sugar dissolvin' in the julep?' And the Judge says, 'All right! All
right! Keep your toddy and your julep in a glass tumbler and look at
'em and write poetry about 'em, and I won't say a word against 'em.
But,' says he, 'when they get inside of a man, where's your poetry
then?' Says he, 'It'll take some mighty plain prose to fit that
situation,' says he.
"Well, they had it up and down and back and forth, and finally their
friends had to hold 'em to keep 'em from comin' to blows. But as I was
sayin', that coffee house was the beginnin' of Sam Amos's troubles and
Milly's. The coffee house was a sociable sort of a place, and Sam was
a sociable sort of a man, and it was natural for him to go there and
see his friends and talk with 'em, and the first thing we knew he was
drinkin' with 'em; not much, but enough to unsettle his brain and make
him talk wild and act foolish. And he went on followin' the same old
beaten track that men 'a' been walkin' since the days of Noah. And at
last he got to neglectin' his farm, and he'd go to town every week and
come home in such a condition that it wasn't safe for Milly and the
children to be in the same house with him. Folks used to say that the
first drink made Sam a fool, and the second drink made him a devil,
and the third drink put the fool and the devil to sleep.
"Sam was as smart a man as you'd find anywhere, and many a time I used
to feel for Milly when he'd mortify her before company by sayin'
foolish things he never would 'a' said if he'd been in his right
senses. I ricollect once she had a parlor full o' company and she was
showin' an ambrotype of her brother David, and somebody passed it to
Sam and he took it and looked at it right hard, and says he, 'Shuh!
that don't look half as much like Dave as he looks like himself.' And
another time, one county court day, me and Abram happened to be
standin' on the corner in front o' the old drug store, and Sam come a
staggerin' up and laid his hand on Abram's shoulder and looked him
straight in the eye like he had somethin' mighty important to say, and
says he, 'Uncle Abram, I want to tell you right here and now, and
don't you ever forgit it; if there's anything I do despise it's one
thing more'n another.' I don't believe Abram ever got through laughin'
at that. And if Sam had only stopped at the first glass that made a
fool of him, his drinkin' would 'a' been a small matter. But the man
that can stop at one glass don't live in Kentucky, child, and so Sam
went from the first glass to the second and from the second to the
third and from that to the gutter. And many a time the neighbors had
to pick Sam up and bring him home, for betwixt the shame of seein' him
in that condition and the danger of bein' with him, Milly had to stop
goin' to town.
"I ricollect one county court day me and Abram happened to be passin'
along in front o' the old Methodist Church, and Sam come walkin' out
o' Jockey Alley leadin' his big bay mare--Jockey Alley, child, is the
alley that runs from State Street clean back to the street leadin'
over to the old footbridge, and everybody that had a horse or a mule
or a colt to swap, why, they'd go to that alley and do their swappin'
every county court day.
"Well, as I was sayin', Sam come along leadin' his bay mare. That mare
was the pride of Sam's heart. He used to say there was more good blood
in that bay mare of his than in any six families in the state o'
Kentucky. Sam was a mighty fine judge o' horse flesh, and he got his
love for horses from his father and his grandfather, old Harrison
Amos. The old man was one o' the biggest horse raisers in the state,
and he made his thousands out of it, too. But folks that went to his
farm used to say it was like huntin' a hen's nest to find the house
where the family lived, the house was so little and there was so many
big fine barns and stables. Somebody asked him once why he didn't
build a better house for his children to live in, and the old man
says, 'I believe in puttin' my money where I am certain of gettin'
good returns.' Says he, 'There's no manner of certainty in children.
You can put good blood into a boy and do your best to bring him up in
the way he should go, and after all you've spent on him he'll lose
every race he goes into, and you'll find you've got a scrub on your
hands. But,' says he, 'you breed a horse right, and train him in his
gaits whilst he's young, and there ain't one chance in a thousand of
your losin' money on that horse. Of course,' says he, 'I think more of
my boys than I do of my horses, but when it comes to investin' money,
a man must be governed by his judgment and his common sense, not by
his feelin's.'
"They said the old man went down to New Orleans one winter on some
business and left his son Joe in charge o' the stock farm, and when he
got back he went out to the stables, the first thing, to look at his
horses, and when he got through, there was four of his thoroughbreds
missin'. And, says he, 'Joe, where's May Queen?' and Joe says, 'Why,
Father, she's dead; died right after you left.' And the old man said,
'Well, where's Dixie Gyirl,' and Joe says, 'Why, Father, I'm mighty
sorry to have to tell you, but Dixie Gyirl, she's dead,--died pretty
near the same time May Queen died.' And the old man says, 'Well,
where's Annie Laurie and Nelly Gray?' And Joe says, 'Father, I'm
mighty sorry, but they died just like Dixie Gyirl and May Queen.' And
the old man looked at Joe for a minute, and says he, right slow and
earnest, 'Well, Joe, why didn't you die, too?'
"So that's where Sam got his love o' fine horses, child, and, as I was
sayin', Sam come walkin' up leadin' his bay mare by the bridle. Me and
Abram on our way to the drug store and Tige, our yeller house-dog,
follerin' close behind us, and Sam called to us to stop, and says he,
'Can't we make a trade to-day? I'll swap you my mare for your dog.'
And Abram says, 'Done,' and he took hold o' the mare's bridle, and he
pulled a piece o' stout twine out of his pocket and tied it to Tige's
collar and put the end o' the string in Sam's hand. I says to him,
'Why, Abram, you wouldn't take advantage of a poor drunken man, and a
neighbor at that?' And Abram says, 'Make yourself easy, Jane, I'm only
goin' to give Sam a lesson that may shame him out of his drinkin'
habits for awhile, at least.' And then he led the mare to the stable
and told the man to feed her and water her, and he'd call for her
late that evenin'.
"Well, when goin'-home time come round, we set out to look for Sam,
and after lookin' all around the Square and up and down Main Street,
we found him lyin' helpless in the back o' the grocery store. Abram
got two men to help him, and they managed to lift him up and put him
in the wagon. Then we drove around to the livery stable and got the
bay mare and fastened her to the back o' the wagon and started home.
When we got to our gate, Abram put me and the children out and turned
Sam's mare into the horse lot, and then he drove over to Sam's farm as
quick as he could, for he knew Milly was waitin' and grievin'. And
sure enough there she was, standin' under the big sycamore in front o'
the gate, lookin' and listenin' for Sam. She told me afterwards she'd
stayed out that way many a night till her clothes'd be wet with the
dew, and for the rest of her life she hated the sound of crickets and
katydids, because they reminded her of that year when Sam give her so
much trouble.
"Well, Abram drove up to the gate, and Milly was too skeered to speak.
She was always worryin' about Sam fallin' off his horse and breakin'
his neck, and when she saw Abram and nobody with him, she thought he
was comin' on ahead to break the news to her, and Sam's dead body
would be the next thing to come. Abram didn't know this, or he'd a
told her right at once that Sam was in the wagon. He said when he
stopped, Milly was leanin' forward, her hands together, and hardly
enough breath to speak, and she whispered, 'Where's Sam?' And Abram
says, 'Right here in the wagon.' And Milly says, 'Thank God! I was
afraid he was dead.' Now that shows what kind of a heart Milly had.
When a man's brought home dead drunk, child, it ain't every woman
that'll thank God he's alive.
"Well, they had some trouble rousin' Sam, but at last they got him to
the house and took off his coat and shoes and laid him on the bed, and
when Abram started to go Milly says, 'But where's Sam's mare?' And
Abram says, 'When Sam comes to himself to-morrow, you send him over to
my house and I'll put him on the track of his mare.' So the next
mornin' about eleven o'clock here was Sam lookin' about as reckless
and miserable as a man ever gits to look, and says he, 'I've come for
my mare, Uncle Abram; I see the stable door's open, so you needn't
bother yourself; I'll go down there and saddle her and ride her home.
I'm much obliged to you,' says he, 'for takin' care of her.'
"And Abram says, 'Sam, you may not know it, but that mare belongs to
me.' And Sam laughed and says he, 'I reckon I do owe you somethin' for
bringin' me home last night, but you surely won't take my horse for
that.' And Abram says, 'But, Sam, you swapped that mare to me
yesterday,' and Sam says, 'Swapped her? What did I swap her for?' And
jest then old Tige come around the corner o' the house waggin' his
tail, and Abram p'inted to him and says he, 'You swapped your mare for
that dog, Sam.'
"Well, for a minute Sam couldn't say a word he was so thunderstruck,
and says he, 'Do you mean to say, Uncle Abram, that I was such a fool
yesterday as to swap my bay mare, the finest piece o' horse flesh in
the State, for that old yeller dog, and me the best judge of horses in
Warren County?' 'Yes,' says Abram, 'you did that very thing, Sam, and
the swap was your own proposin'.'
"Well, Sam set down on the door step and folded his arms over his
knees and dropped his head on his arm, and he cursed himself and he
cursed the whiskey and he cursed the coffee house and finally, says
he, 'I swear, I'll never touch another drop o' the cursed stuff, and
all the devils in hell can't make me break my oath.'
"And Abram says, 'Well, Sam, I wanted to hear you make that promise,
and that's why I kept your mare. Now, go to the stable and you'll find
your mare all safe and sound and the saddle and bridle on the right
hand side o' the door. And may God give you grace,' says he, 'to keep
you from ever makin' such a fool of yourself again.'
"But, honey, it wasn't a month before Sam had to be hauled home again
in a wagon. And finally it got to the pass that he come home drunk,
late one Monday night, and struck Milly and kicked the children out o'
the house, and the next thing we heard was that Milly's father had
come to take her home. Milly told me about it long after the trouble
was over. She said she'd been hopin' that the bruise on her cheek
would be well before her father saw her, and she'd been puttin' cold
water and hot water and everything else she could think of on it to
draw the blood out, but somebody told the old man how bad things had
been goin' with Milly, and it wasn't two hours till he was there with
a two horse wagon to move Milly back home. Milly said Sam was sittin'
by the table with his head down on his arms and she was washin' up the
dinner dishes, and her face bound up in one o' Sam's handkerchiefs.
The old man come in, his hands and his lips tremblin', and says he,
'Daughter, put your things together as quick as you can, I've come to
take you back home.' Says he, 'I'm no advocate of married folks
separatin', but,' says he, 'when Sam took you from your father's house
he promised to be good and kind to you, but he's broke his promise,
and you've got no call to stay with him any longer.' And Milly said
before she could answer him, Sam raised up his head from the table and
says he, 'That's right! That's right! I'm not fit to be trusted with a
wife and children. Take Milly and the boys with you and leave me to go
to the dogs where I belong.' And Milly's father says, 'Well, Samuel,
I'm glad you think as I do, for that makes it easier for all of us.'
And then he turns to Milly and says he, 'Hurry up, daughter, and get
yourself ready to go back home with me. No child of mine shall live
with a drunken brute that lays violent hands on his wife and
children.'
"I reckon the old man thought he was sayin' exactly the right thing
and that Milly would thank him for takin' her part. But Milly said
when her father called Sam 'a drunken brute' she was so mad she lifted
her hand to strike him, and she run to Sam and put her arms around
him, and says she, 'Father, you're the only person in this world
that'd dare to say such a thing to me about Sam.' Says she, 'You can
take the children if you want to, for I am afraid that Sam'll do them
some harm, when he ain't himself, but as for me, my place,' says she,
'is right here with Sam. Drinkin' whiskey is bad enough,' says she,
'but it ain't the worst thing a man can do, and it's not what a man
does when he's drunk that makes a woman hate him and leave him, it's
what he does when he's sober. And you know,' says she, 'that when
Sam's himself there ain't a kinder, better husband anywhere, and no
matter what he does when he's drunk, I'll stay with him while life
lasts.'
"Milly said Sam give a gasp and looked up at her as if he couldn't
believe his ears, and then he burst out cryin' and fell on his knees
and threw his arms around her and held on to her like a drownin' man
tryin' to save himself. And says he, 'O Milly! Milly! I didn't know
you cared that much for me! I've asked God to help me,' says he, 'and
He didn't seem to care, but if you care enough to stay with me, Milly,
I'll have to quit! I'll have to quit!' says he.
"Milly said if it had been little Sam holdin' on to her and beggin'
her to stay she couldn't 'a' felt sorrier for him, and she patted him
on the head and says she, 'Don't you worry, Sam; Father may take the
children if he wants to, but he'll never take me. Of course, you're
goin' to quit drinkin',' says she, 'but whether you quit or not I'll
stand by you, for that's what a wife's for.'
"Milly said Sam cried still harder, and her father, he wiped his eyes
and says he, 'Well, daughter, maybe you're right. Meddlin' with
married folks' affairs is a poor business, anyhow, and I'm more than
willin' to give Samuel another chance.'
"So the old man got in his wagon and drove off, and Milly said all
that day Sam stayed around the house and follered her about like a dog
follerin' its master, and every now and then he'd say, 'I've got to
quit, Milly, and I will quit now.' Milly said she'd heard him promise
that so often and break his promise that she didn't have a bit of
faith that he'd keep it now, but of course she didn't let him know it.
She'd say, 'Why, of course you will, Sam, I've always believed you'd
quit sometime.' And Sam says, 'Keep on believin' in me, Milly, and
your faith'll save me.'
"Well, the very next Monday was county court day, and all day Sunday
Milly told me she was prayin' that Sam would be kept from goin' to
town. But right after supper Sam says, 'I'm goin' to town to-morrow,
Milly. Make your arrangements for goin' with me--you and the
children--and we'll get an early start.'
[Illustration: "'THE GLASS BROKE INTO A HUNDRED PIECES.'"
_Page 229._]
"Milly said she couldn't sleep much that night, and she prayed that it
might pour down rain, or somethin' would happen to keep Sam at home.
But the sun come up clear, and there was nothin' to do but dress and
go to town with Sam. She said Sam took particular pains with himself,
put on his Sunday clothes, and shaved and combed and brushed his hair
till he looked more like his old self than he'd looked since he took
to drinkin'. She said the road to town never had seemed so short and
she kept hopin' somethin' would happen to send Sam back home, but
nothin' happened, and when they struck the Square, Sam went right down
Main Street right in the direction of the coffee house. Milly said her
heart give a jump and she shook all over like she was havin' a chill,
but she didn't say a word, because she knew if Sam had made up his
mind to drink that day, she couldn't stop him. And sure enough he went
on and stopped right in front of the coffee house. The barkeeper was
standin' in the door, and Sam called out to him and says, 'Fix me up a
glass o' that old Bourbon the way I like it and bring it out here to
me.' And the barkeeper went in and fixed it up and come out with it,
smilin' as a basket o' chips, and handed it to Sam.
"Sam had his purse out and says he, 'How much is the glass worth?' And
the barkeeper says, 'About five cents, I reckon.' And Sam handed over
the money for the drink and the glass, and then he held the glass up
and looked at it, and he put his face down and smelled it, and then he
put it to his lips like he intended to drink it, and then he turned
around to Milly and says, 'Look here, Milly!' and he dashed it down in
the gutter, and the glass broke into a hundred pieces, and the whiskey
spattered on the horse's hoofs and the barkeeper's shoes. Milly said
Sam was as white as a ghost and shakin' as hard as she was, and he
nodded to the barkeeper and says he, 'That's my last drink.' And then
he turned around and drove up the street towards the Square.
"Milly said she was so thankful he hadn't touched the whiskey that she
begun cryin' for joy, but still she didn't know whether that was his
last drink or not, he'd broken so many promises to her before. And Sam
seemed to know what was in her mind, for he says to her, 'Milly, do
you believe me or not?' And Milly said all at once she thought o' that
text o' scripture that says, 'For by grace are ye saved through
faith.' And she thought o' Sam the day her Father come to take her
home and how he kept sayin', 'Keep on believin' in me, Milly, and your
faith'll save me.' And she laid her hand on Sam's knee and says she,
'Yes, Sam, I do believe you.' And the minute she spoke the word, she
said it looked like a stone rolled away from her heart, and she felt
in her soul that she'd come to the end of her trouble, and the world
appeared to be made over and made new. When they got to the Square Sam
handed her a roll o' bills and says he, 'Now go and buy yourself and
the children some Christmas gifts, while I lay in the groceries we
need, and then we'll meet at the drug store and go home whenever
you're ready to go.'
"Milly said she took the money and bought things for the children, but
when she begun to look in the windows and the show cases for
somethin' for herself, she couldn't see a thing that would make her
any happier than she was, so she put the rest o' the money in the
waist of her dress and when Sam met her in front o' the drug store she
handed it to him and says she, 'I've bought the children some things,
but there's no use wastin' money on a woman who's got everything on
earth she wants.' So she wouldn't let Sam buy her a thing that
Christmas, and yet, she said she felt as if she owned the whole earth.
"And, honey, when Sam dashed that glass o' whiskey to the ground and
said that was his last drink, he told the truth, and if he'd been the
chief of sinners there couldn't 'a' been more rejoicin' over him as
the time went by, and everybody in Goshen begun to feel sure that he'd
quit for good. Parson Page said somethin' to him one day about the
grace of God savin' him. And Sam shook his head and says he, 'No,
Parson, I'm certain God's too honest to want credit that don't belong
to him, and in the matter of my quittin' drink, it wasn't the grace of
God that stopped me, it was the grace of my wife, Milly.' And Doctor
Pendleton was standin' by and says he, 'Yes, all Sam needed was a
great moral uplift. The grace of God might have given it, but,' says
he, 'in a case like his there's no lever like a woman's love.'
"But I never got through wonderin' over the way Milly bore with Sam in
the days when he was walkin' the downward path and it looked like
nothin' could stop him. Human nature is a curious thing, child. You
may think you know a person so well that you can tell exactly what
he'll do, if a certain thing happens; but many and many time I've
found myself mistaken about folks I'd known all my life, and it was
that way with Milly. Milly was high-tempered and quick-spoken, and if
anybody had asked me how Milly would act if Sam took to drinkin', I'd
'a' said at once, 'Why, she'd leave him that quick.' But she didn't;
she was as patient with him as any mother ever was with her son. She'd
put him to bed and wait on him, and when he'd come to himself she'd
never say a word about what had happened, and I reckon it was her
grace that saved him.
"And, it's another curious thing, child," she continued, "how two
people'll live together for years and years and never know how much
they love each other. Milly told me that when Sam burst out cryin' and
said he didn't know she cared that much for him, it come over her all
at once that she must 'a' been a mighty poor sort o' wife to him, for
him not to know she loved him well enough to stay with him through
thick and thin. But I reckon it's that way with most married folks.
They jog along together, and they have their ups and downs, and may be
they think many a time they don't love each other like they did when
they first married, but jest let a trouble come up, and they'll find
out that all the love they used to have is there yet, and more
besides.
"I ricollect Parson Page sayin' once that love and money was alike in
one respect, they'd both draw interest, and I reckon many a married
couple's richer than they think they are."
To find our treasure of love greater than we had dared to dream--what
rarer joy has earth? And when the poor derelict soul clung to his wife
and found in her a help sufficient for his needs, his was a rapture
not less profound than that of the poet-husband when he opened the
sonnets in which a woman's soul had poured itself, counting the ways
and measuring the depth and the height of her wifely love.
Aunt Jane pushed her spectacles up on her forehead, folded her hands,
and leaned back in her chair, lost in the reverie that generally
followed the telling of a story, while I gazed at the tremulous fire
light, and felt the cord of human sympathy drawing me closer to the
people of her day and time.
As an artist finishes a picture, and then goes lovingly back to
strengthen a line or deepen a tint, so every story told by Aunt Jane
made more vivid to me her portraits of these men and women who were
the friends of her youth. I had known Sam, the jovial, careless,
sceptical one; Milly, quick of temper, sharp of tongue, swift to act
and swift to repent--just a plain farmer and a plain farmer's wife.
But by the light of this tale of triumph I saw them again. Sam, the
man who met and vanquished the dragon of thirst, Milly, the woman
whose love was strong enough to hold and redeem; and in my thought
each rises to heroic stature and stands touched forevermore "with
something of an angel light." For it is not battles that drench the
earth with the blood of her sons, but these unchronicled victories of
the spirit that lift man from the clod to the star and make him even
greater than the angels.
VIII
IN WAR TIME
[Illustration]
VIII
IN WAR TIME
The sun that morning had touched the gold of the daffodils with
promise of a clear day; but before it was half way to its meridian
hour, the air grew chill, the wind veered suddenly to the northeast,
the sky darkened angrily, and out of the clouds, like white petals
from some celestial orchard, came a flurry of great, soft snow flakes
that rested for a moment on the young grass and the golden daffodils
and then dissolved into a gentle dew, to be gathered again into the
chalice of the air and given back to the earth as an April shower.
There was a strange, bewildering beauty in the scene. The tender,
delicate foliage of early spring was on every bough, the long wands of
peach trees were pink with bloom, daffodils and hyacinths sprang at
our feet, and we looked at leaf and flower through a storm of snow
flakes that ceased as suddenly as it had begun, and with a brightening
sky and a warmer wind it was April again.
Aunt Jane drew a long breath of delight.
"Well, child," she said, "there's always somethin' new to be seen in
this world of ours. Old as I am, I never did see exactly such a sight
as this, and maybe it'll be a life time as long as mine before anybody
sees it again. Such big, soft lookin' flakes o' snow! It looks like
they'd be warm if you touched 'em, and fallin' all over the flowers
and young grass. Why, it's the prettiest sight I ever did see." And,
with a lingering look at the sky and the earth, Aunt Jane turned away
and went back to the work of cleaning out a closet in the front room,
a task preliminary to the spring cleaning that was to come a little
later. There was a pile of boxes and bundles on the floor, and she was
drawing strange things from the depth of the closet.
"Some o' these days," she remarked, "there'll be a house-cleanin' in
this house, and I won't be here. I'll be lyin' out in the old buryin'
ground along-side of Abram; and my children and grandchildren, they'll
be goin' through the closet and the bureau drawers like I'm doin'
to-day, and every time I clean house, thinks I to myself: 'I'll make
their work jest as light as I can;' so I git rid of all the rubbish,
burn it up or give it away to somebody that can use it. But after all
my burnin' and givin', I reckon there'll be a plenty of useless things
left behind me. Here's this Shaker bonnet; now what's the use o'
savin' such a thing? But every time I look at it I think o' Friend
Fanny Lacy and the rest o' the old Shakers, whose like we'll never see
again, and somehow I keep holdin' on to it."
She thrust her hand into the bonnet, and holding it off, regarded it
with a look of deep affection. The straw was yellow with age, and the
lining and strings were faded and time-stained; but looking at it she
saw the Shakers in shining garments, going through the streets of the
old town, in the days when the spirit of Mother Ann burned in the
souls of her followers and the blessing of heaven rested on
Shakertown.
Sighing gently, she laid the precious relic aside and took up the song
she was singing when I called her to the porch to see the April
snow-storm. It was Byrom's "Divine Pastoral:"
The Lord is my shepherd, my guardian and guide;
Whatsoever I want he will kindly provide,
Ever since I was born, it is he that hath crowned
The life that he gave me with blessings all round.
. . . . . . . .
Thro' my tenderest years, with as tender a care,
My soul like a lamb in his bosom he bare;
To the brook he would lead me, whene'er I had need
And point out the pasture where best I might feed.
. . . . . . . .
The Lord is my shepherd; what then shall I fear?
What danger can frighten me whilst he is near?
Not when the time calls me to walk through the vale
Of the Shadow of Death shall my heart ever fail;
Tho' afraid, of myself, to pursue the dark way
Thy rod and thy staff be my comfort and stay,
For I know by thy guidance, when once it is past,
To a fountain of life it will lead me at last.
She sang it to the cheerful tune of Hinton, as oft before when Parson
Page had given it out from the pulpit of Goshen church, and she and
Abram sat side by side singing from the weather-beaten hymnal that lay
now near the Bible on the centre-table. I took it up and turned its
yellow pages, wondering at the queer "buckwheat" notes and reading the
names of the old church music, "Federal Street," whose tones beat the
air like the wing of a tired and home-sick angel; "Windham," that
holds in its minor strains the melancholy wails of an autumn wind;
"Brattle Street," whose rich full chords are like a confession of
faith,--all those old tunes that have grown richer and sweeter by
carrying heavenward on the wings of song the devotion of worshipping
souls.
Suddenly Aunt Jane's voice ceased in the middle of a word. I looked
up. She was sitting motionless, holding in her hand a piece of rusty
iron and gazing at it with tragic eyes. As she gazed, that which had
been its sheath fell from it in flakes, and there before us, wasted to
half its size by the dampness of years, was the dull ghost of a
bayonet that once had glittered in the sun's rays on many a southern
battle field.
"It's that old bayonet," she said, slowly and sadly. "I ricollect the
day Abram plowed it up and brought it to the house. The soldiers
camped all around our place durin' the war, and to this day you can't
run a furrow without turnin' up a minie-ball or an old canteen or
somethin' o' the sort to carry you back to war times and make your
heart ache for days to come."
She ran her finger slowly down the bayonet, laying it against the
point, while the lines in her face deepened under the shadow of bitter
memories.
"To think," she said at last, "that human bein's made in the image o'
God, men and brothers, would make a thing like this to use against
each other! The longer I live, child, the stranger that war seems to
me. I couldn't understand it before it come nor while it was goin' on,
and now, after all these years, it's jest as mysterious as it ever
was. You know it begun in the spring, the war did, and there's a
certain kind o' spring wind and the way the air smells that takes me
back to the day when the news come to Goshen that Fort Sumter'd been
fired on; and if I was to live to be as old as Methuselah, I don't
reckon there'd ever be a spring that wouldn't bring back the spring of
'61.
"The comin' of war is a curious thing, child. You know how it is when
you're sittin' in the house or on the porch of a summer's day doin'
some piece o' work and thinkin' about nothin' but that work, and the
sun'll be shinin' out doors and everything pretty and peaceful, and
all at once you'll look up and notice that it's gittin' dark, and
you'll hear a little thunder away off yonder in the hills, and before
you're ready for it, why the storm's broke and the rain's beatin' in
at the windows and doors and the wind's blowin' through the house and
carryin' everything before it. Well, that's the way the war come.
You've seen the seal o' this State, haven't you, child?--two men
standin' together holdin' each other's hands, and the motto around
'em: 'United we stand; divided we fall.' Well, that's jest the way it
was in Kentucky before the war come and sp'iled it all. Kentuckians
stood together and loved each other, and nobody ever thought they
could be divided. But all of a sudden a change come over everybody.
Folks that'd been friendly all their lives stopped speakin' to each
other; if two neighbors come together and stopped to talk, there'd be
high words between 'em, and they'd both be mad when they parted. Out
in our neighborhood, instead o' talkin' about the weather and the
crops and folks' health and the sermon they'd heard Sunday and the
weddin's that were goin' to be, why, it was nothin' but slavery and
secession and union and States' rights, and it looked like there was a
two-edged sword in every house.
"Father was mighty fond o' readin'. He took two or three papers, and
every Sunday mornin' and on their way back home from town the
neighbors'd drop in and hear the news; and any time you'd pass his
house you'd see a porch full o' men listenin' to Father readin' a
speech that somebody'd made in Congress or in the legislature, and
Mother, she'd leave her work and come to the door every now and then
and listen and, maybe, put in a word.
"I ricollect hearin' Father talk about Crittenden's big speech, the
one made in Congress when he was tryin' to head off the war. Father
thought pretty near as much of Crittenden as he did of Clay. There
never was a speech o' Crittenden's that he didn't read, and he'd say,
'I'd rather handle words like that man does than to be the King of
England; and,' says he, 'it's all jest like he says; Kentucky will
stand by the Union and die by the Union.' Says he, 'She couldn't do
otherwise without goin' back on her own word, and that word's cyarved
in stone too. There it is,' says he, 'on the block o' marble that we
sent to help build the monument at Washington:
"'The first state to enter the union will be the last to leave it.'
"Says he, 'We can't go back on that word.'
"And then he turns around to Mother and says he, 'Deborah, what do you
think about it?' I can see Mother now. She'd been fryin' some meat,
and she turned around with the fork in her hand and looked at Father a
minute before she answered him, and says she, 'What's the use in
askin' me what I think? I'm nothin' but a woman, and what a woman
thinks is of mighty little importance.' Says she, 'You men have got
this thing in your own hands, and us women, we'll have to put up with
whatever comes.'
"I'll never forgit the day Father come from town with the speech that
Crittenden made at Lexin'ton right after Fort Sumter'd been taken. It
was April, and jest such a day as this, the flowers all comin' up and
the sky blue and the bees hummin' around the water maples, and it
didn't look as if there could be such a thing as a war comin'. I was
at Mother's that day helpin' her take a quilt out o' the frame.
Father come in, and old Uncle Haley Pearson, my great-uncle, with
him, and they set down on the porch and Father read the speech out
loud, stoppin' every now and then to explain somethin' to Uncle Haley,
and when he got through Uncle Haley says: 'Well, as near as I can make
it out, Crittenden wants us to stand still betwixt the North and the
South and try to make 'em keep the peace; and if we can't do that,
we're to get on the fence and stay there and watch the fight.' And
Father says, 'Yes, that appears to be about the meanin' o' what I've
been readin'.' Says he, 'Maybe I don't rightly understand it all,
there's so many big words in it, but that's about what I make out of
it.'
"Uncle Haley was leanin' over with both hands on his cane, and he
shook his head right slow and says he, 'It appears to me that
Crittenden ain't as well acquainted with Kentuckians as he might be,
and him a Kentuckian and a Senator too.' Says he, 'There ain't a man,
or a woman or a child or a yeller dog in Kentucky but what's on one
side or the other, and you might as well put two game roosters in the
same pen and tell 'em not to fight as to start up a war betwixt the
North and the South and tell Kentucky to keep out of it.'
"And Uncle Haley was right about it. The legislature met the very next
month and they said jest what Crittenden said, that Kentucky mustn't
take sides. But when it come to the p'int o' goin' to the war or
stayin' at home and lookin' on, out o' every hundred Kentucky men old
enough to go to the war ninety of 'em went on one side or the other.
That's the way Kentucky stays out of a fight, honey. I've heard Father
say that the war cost Kentucky thirty thousand lives. But that's jest
the soldiers; and if you go to countin' the lives that was lost in any
war you can't stop with the soldiers. There's my mother; she never saw
a battle-field, but the war killed her the same as it did my two
brothers."
Here Aunt Jane removed her glasses and leaned back in her chair. By
these signs I knew there was to be a digression in the course of the
story.
"I wish I could make you see jest what kind of a woman Mother was,"
she said thoughtfully. "Every generation's different appearin' from
the one that comes before it and the one that comes after it. I'm my
mother's own child. Folks used to say I had Mother's eyes and Mother's
hair, but I'm a mighty different woman from Mother. And my daughters
are jest as different from me, and as for my granddaughters, why, you
wouldn't know they was any kin to me. I'm a plain old woman and my
granddaughters are fine ladies. My grandmother, you know, was the old
pioneer stock, and Mother was her oldest child, and she was somethin'
like the pioneer women herself. I ricollect when I was at that meetin'
of clubs in Lexin'ton, the time I went to see Henrietta, one lady got
up and said that a woman ought to be somethin' besides a mother. I
reckon that's right for this day and generation, but if you'll go back
to my mother's day and my grandmother's day, you'll find that if a
woman was a mother then, she didn't have time to be anything else.
Bringin' a family o' children into the world and takin' care of 'em,
cookin' for 'em, sewin' for 'em and spinnin' and weavin' the cloth for
their clothes--that's the way Mother did. She was jest a mother, but
that was enough. You know that Bible text, 'Greater love hath no man
than this, that he lay down his life for his friend.' I always think
o' that text when I think o' the old-time mothers; they had to give up
their lives for their children.
"Mother's name was Deborah, and I always thought that name suited her.
She was taller and stronger than the common run o' women, and Father
used to laugh and say he believed she was half sister o' the Deborah
in the Bible, the one that judged Israel, and that was 'A mother in
Israel.' Father always looked up to Mother and asked her advice about
things, and, as for us children, Mother's word was our law. She ruled
us and judged us like the Deborah in the Bible, but I can look back
now and see that there never was any love greater than my mother's
love for her children. Of course a mother, if she's the right kind of
a mother, will love all her children jest because they're hers. But
then, over and above that sort o' love, she'll love each one on
account o' somethin' that it is or somethin' that it does, and that
way every child has a different sort o' love, and maybe one child'll
have a little bit more love than the rest. We always accused Mother of
bein' partial to my two brothers, Jonathan and David, and Mother never
denied it. She'd laugh and say, 'Well, what if I am? The rest of you
ain't mistreated, are you?' And when I ricollect how brother David and
brother Jonathan looked and what kind o' men they were, I can't blame
Mother for bein' a little prouder and a little fonder o' them than she
was o' the rest of us. Mother always called 'em her twins, because
there was jest a little over a year betwixt 'em and mighty little
difference in their size. David was the oldest, and Mother named him
for her father; and when Jonathan was born she said, 'Now, I've got a
Jonathan for my David. And,' says she, 'Maybe they'll be good boys and
love each other like David and Jonathan did.' You ricollect what the
Bible says: 'The soul of Jonathan was knit with the soul of David; and
Jonathan loved him as his own soul,' and when Jonathan was killed you
ricollect how David said, 'Thy love to me was wonderful, passing the
love of woman.'
"And sure enough, child, that's the way it was with my two brothers.
Their souls appeared to be knit together, and they loved each other
with a love 'passin' the love of woman.'
"The rest of us children used to fall out now and then, like children
will, even when they love each other, but David and Jonathan--why,
there never was a cross word or hard feelin' between 'em, and it was
the prettiest sight in the world to see them two boys walkin' together
holdin' each other's hands and laughin' and talkin' like sweethearts.
I ricollect once they was sittin' on a bench readin' out o' the same
book, and Mother looked at 'em awhile, and says she to Father, 'Do
you reckon there's anything in this world that can ever come betwixt
David and Jonathan?' And Father he laughed, and says he, 'Yes, there's
one thing that can come betwixt any two men God ever made.' And Mother
says, 'What is it?' And Father laughed again--he always liked to tease
Mother--and says he, 'Why, a woman, of course.' Says he, 'Jest let
them two boys fall in love with the same woman and that'll put a stop
to all this David and Jonathan business.'
"But it wasn't a woman that come between my brothers, it was the war.
It was a long time before the family found out that David and Jonathan
didn't think alike about States' rights; and when we did find out, we
paid mighty little attention to it, for we thought they'd come to an
agreement about this jest as they had about every other question
that'd ever come up between 'em. But when the President made his first
call for soldiers, David and Jonathan both went to Mother and asked
her consent to enlist. They was of age and might 'a' done as they
pleased. But as long as one of us children stayed under Father's roof,
we never took a step of any importance that we didn't first ask
Mother's consent.
"Well, Mother looked at 'em awhile, standin' before her so tall and
strong and handsome, and she says, 'My sons, you'll never have my
consent to goin' in the army.' And David and Jonathan looked at each
other, and then David spoke. 'Well, Mother,' says he, 'if you won't
give your consent, we'll have to go without it.' And Mother says, 'You
boys never disobeyed me in your lives, are you goin' to disobey me at
this late day?' And David says, 'No, Mother, we're goin' to obey you,'
says he. 'You've told us from our youth up that we must listen to the
voice of conscience and do whatever we thought was right,--I think one
way about this matter and Jonathan thinks the other, but we're both
listenin' to the voice of conscience and doin' what we think is right
jest as you taught us to do.'
"Well, of course, Mother couldn't answer that, and so the word went
out that David and Jonathan was goin' to enlist, and all the married
brothers and sisters gethered at the old home place to say farewell to
'em.
"Maybe you know, child, how you feel the mornin' after there's been a
death in the house. It hardly seems worth while to do any thing, for
your heart's in the coffin in the dark room, but you go on and cook
and put the house in order and try to eat the same as if nothin' had
happened. And that's the way we all felt the mornin' my brothers went
to the war. Mother wouldn't let anybody help her cook breakfast. Says
she, 'It's the last thing I can do for my boys, and I don't want any
help.' So she cooked the breakfast and waited on the boys and watched
'em while they eat, the same as she'd been doin' all their lives. And
when the meal was over, Father was at the gate with the wagon to take
'em to town to catch the mornin' train to Louisville, and from there
Jonathan had to go to Camp Joe Holt over in Indiana--that's where the
Federals had their recruitin' place--and David, he was to go to Camp
Boone in Tennessee. All of us went out to the gate to say farewell,
and there wasn't a tear dropped nor a useless word said. If one had
cried we'd all 'a' cried. But we saw that Mother was holdin' her tears
back, so we all did the same. And we stood and looked till the wagon
was out o' sight, and then everybody went back to the house feelin' as
if we'd jest come back from a buryin'. Well, from that day on, all we
lived for was to hear the news from the battles and find out which
side beat. Some o' the neighbors was on the side o' the North and some
on the side o' the South, and one could rejoice to-day and another
one to-morrow, and one was prayin' for Lee and the other for Grant,
but Mother she'd say, 'It's all one! It's all one! There's no
rejoicin' for me no matter which side wins, and the only prayer I can
pray is "Lord! Lord! put an end to this war and give me back my
boys."' People used to come over and talk to Mother and try to make
her see things different. Uncle Haley says to her once, says he,
'Deborah, can't you think o' your country? There's a great question to
be settled. Nobody knows which is the strongest, the government up
yonder at Washin'ton, or the government down yonder in South Carolina
and right here in Kentucky. It's a big question,' says he, 'and it's
been botherin' this country ever since it's been a country, and this
war's goin' to settle it one way or the other for good and all, and no
matter which side a man's fightin' on, he's doin' his part in the
settlement.' Says he, 'You've got a son on each side, and you ought to
feel proud and glad that you're doin' so much for your country.' And
Mother's eyes'd flash and she'd say, 'Country! You men never told me I
had a country till you got up this war and took my sons away from me.
I'm nothin' but a poor old woman that's spent her life raisin' up a
family, and what's a country to me unless I've got my sons?'"
The mother-heart! It beats to the same measure, be it Garibaldi's time
in Italy or war-time in Kentucky.
And when Italy's made, for what end is it done
If we have not a son?
. . . . . . . .
When you have your country from mountain to sea,
When King Victor has Italy's crown on his head.
(And I have my dead.)
"If David and Jonathan had been on the same side," continued Aunt
Jane, "it would 'a' been easier for Mother; but she used to say it was
like havin' her heart torn in two, and one half of it was with David
and the other half with Jonathan, and she worried herself nearly crazy
over the fear that one of her boys might kill the other. And the
fightin' kept on, the battles longer and harder all the
time,--Manassas and Fort Donaldson and Pea Ridge and Mill Spring, and
there was hardly a time when it wasn't Kentuckian against Kentuckian,
and at last come the battle o' Shiloh."
On that fatal word Aunt Jane's voice broke. She turned away from me
and covered her face with her apron, and there was a long pause. The
rains of more than forty springs had cleansed the earth from the taint
of blood; grass and flowers and grain were growing over the old
battle-field; but, like the wand of a wizard, the rusty bayonet had
waved out of sight and out of mind the decades of peace, and her tears
flowed for a grief too deep to be healed by the flight of mortal
years.
Presently, with trembling hands she began arranging the boxes and
bundles on the shelves. There were no unfinished tasks in Aunt Jane's
life; the closet must be cleaned, and a story once begun must be told
to the end. She steadied her voice and went on.
[Illustration: "'DAVID! JONATHAN! MY BOYS! WHERE ARE YOU?'"
_Page 257._]
"You know, honey," she said, "the battle o' Shiloh lasted two days and
the evenin' of the first day a curious thing happened. Mother was
stayin' with me, for Father was with the home gyards, and in them days
the women had to huddle up together and protect each other the best
they could. I was in the kitchen cookin' supper, and Mother was in the
front room sittin' in her old rockin' chair by the winder lookin' out
at the pretty sky, when the sun had about gone down. I could hear
her rockin' and the old chair creakin'. Pretty soon it got so dark I
couldn't see what I was doin', and I lit a candle, and jest as I was
settin' it on the shelf above the table, I heard Mother give a cry and
go runnin' to the front door. I picked up the candle and went out to
see what was the matter, but as I opened the door o' the front room a
gust o' wind blew out the candle, and I run out in the dark, and there
was Mother standin' in the door leanin' forward as if she was lookin'
and listenin', and before I could git to her she rushed out on the
porch and around the house callin' 'David! Jonathan! My boys! Where
are you?'
"I thought certain Mother had lost her mind, and I went after her and
caught her by the arm, and, says I, 'Mother, what on earth's the
matter? Come back in the house; you're gittin' your feet all wet with
the dew.' And she jerked away from me and went on clear around the
house lookin' in every dark place under the trees and the vines and
callin' her boys. And when she got to the front door again, she
stopped and said to me, 'Jane, didn't you hear the foot-steps?' And I
says, 'What foot-steps, Mother' and she says, 'Why, Jonathan and
David's, of course.' Says she, 'I heard 'em comin' up the front walk
jest like I've heard 'em a hundred times before, comin' in from the
field at night.' And she started around the house again, and says she,
'May be they're hidin' out somewhere tryin' to surprise me.'
"Well, it was the longest time before I could persuade Mother to come
in, and all the evenin' she talked about the footsteps and how plain
they sounded, and every now and then she'd go to the door and look and
listen and call their names.
"God only knows what she heard, but the next day we got news of the
fightin' at Shiloh, and David was there with General Johnston, and
Jonathan, he was with Grant."
She turned away, and again there was a long silence. To me who
listened the war was but a story on a printed page, but to her who
told the tale, it was a chapter of life written in tears and blood,
and better for Aunt Jane if the old bayonet had lain forever in the
soil of the far field. But again she took up the story.
"I've heard folks say, child, that the funeral's the saddest thing
about a death; but it's a sadder thing to have a death without a
funeral.
"You ricollect me tellin' you about that picture I saw at Henrietta's,
'The Angelus?' Well, there was another picture I'll never forgit as
long as I live. It was a picture of Rizpah. I reckon you know who
Rizpah was; you ought to know, any how."
Aunt Jane looked inquiringly at me and paused for a reply. Rizpah?
Rizpah? Yes, somewhere I had heard that stately name, but where? Was
it in Greece or Rome or France or Italy? Juliet I knew, and Octavia
and Iphigenia and Aspasia--
Had Rizpah any kinship to these? Aunt Jane's eyes were searching my
face.
"Honey," she said gravely, "you might jest as well own up that you
don't know who Rizpah was. That comes o' parents not makin' their
children read the Scriptures. When I was a child we had to read our
Bibles every Sunday evenin' till pretty near sundown. I can't say we
enjoyed it much, but when we grew up we didn't have to blush for shame
when anybody asked us a Bible question. Now, you take my Bible yonder
on the table, and find the second book of Samuel. I can't be expected
to ricollect exactly the chapter or the verse, but you look around in
that book till you see Rizpah's name and then read what it says."
I made a hasty search for the passage and presently found it:
"But the King took the two sons of Rizpah, the daughter of Aiah, whom
she bare unto Saul, Armoni and Mephibosheth; and the five sons of
Michal the daughter of Saul, whom she brought up for Adriel the son of
Barzillai the Meholathite; and he delivered them into the hands of the
Gibeonites, and they hanged them in the hill before the Lord: and they
fell all seven together, and were put to death in the days of harvest,
in the first days, in the beginning of barley harvest.
"And Rizpah, the daughter of Aiah, took sackcloth, and spread it for
her upon the rock, from the beginning of harvest until the water
dropped upon them out of heaven, and suffered neither the birds of the
air to rest on them by day, nor the beasts of the field by night."
"There!" said Aunt Jane, "that's Rizpah. Now try to remember that
story, child. You couldn't help rememberin' it if you'd ever seen the
picture. It was an awful thing to look at, but somehow if you looked
at it once you couldn't help goin' back to it again. There was the sky
and the light breakin' through the clouds. I never could tell whether
it was right after sundown or jest before sunrise--and the dead
bodies hangin' from the limbs o' the trees, stiff and straight, and
Rizpah fightin' off the vultures with a club, her long black hair
streamin' down her back and her eyes blazin' like coals of fire. The
minute I looked at that picture, I says to myself, 'That's Mother.'
Many a night she'd dream of seein' the bodies of her sons lyin' on the
battle-field and the birds pickin' the flesh from their bones, and
she'd wake up cryin' and wring her hands and say, 'If I could only
know that their bodies was buried safe in the ground, I could stand it
better.' But we never did know, and--it's a curious thing, honey--when
you don't see the dead buried you never can be right sure that they
ain't alive yet somewhere or other on this earth.
"The footsteps never come again, but all her life Mother listened for
'em, and I hope and trust that when she got to the other side, the
first thing she heard was the steps of her boys comin' towards her
jest like they used to come before the war parted 'em."
She dried her eyes once more on the gingham apron and tried to smile
at me in her usual way, but the smile would not come.
"This ain't the right kind of a story to tell you, honey, on a pretty
spring day," she said brokenly, "and I never set out to tell it. But
that old bayonet got me started, and before I knew it I was right back
in war times livin' it all over. And while I'm about it, there's one
more story I'm goin' to tell you, whether you want to hear it or not.
It's about Elizabeth Taylor. I reckon I've told you Sally Ann's
experience, haven't I? And if you ricollect that, you'll know who
Elizabeth Taylor was.
"Elizabeth felt different from Mother about the war. She was strong
for States' rights, and when Harrison, the only son she had, went into
the army, he went with her blessin' and consent, and he made a mighty
brave soldier, too. I ricollect the day 'Lizabeth come over to tell us
about Harrison bein' promoted at the battle o' Port Gibson. You've
heard o' the battle o' Port Gibson, haven't you, honey? That was
another time when they fought all day long. I've heard Harrison say
the first gun was fired before daylight, and when they give up and
begun fallin' back, it was gittin' on towards dusk. Harrison said his
officers went down one by one, first the captain and then the
lieutenants, and when the last one fell, he up and took charge o'
things himself jest like he'd seen the captain do; and when they
found they had to give up the fight, Harrison somehow or other managed
to carry away two cannons out o' the six they'd been workin' that day,
and with these two he kind o' kept the Yankees off while the men fell
back, and if it hadn't been for that they'd 'a' been cut all to
pieces. Harrison was nothin' but a striplin', not out of his teens,
but he went into that battle a sergeant and he come out of it a
captain. 'Lizabeth was the proudest, gladdest woman you ever saw; says
she, 'I've had a hard life, but this pays me for all my troubles.'
"But what I set out to tell you was somethin' 'Lizabeth herself did,
not what Harrison did. It was along towards the close of the war, the
summer of '64. One evenin' in July a squad o' Yankee soldiers come
gallopin' along the pike about dark, and camped over in the fields
back of 'Lizabeth's house. 'Lizabeth said she went up in the garret
and looked out o' the window, and she could see 'em lightin' their
camp-fires and feedin' their horses and cookin' supper. There wasn't a
soul on the place with her except old Aunt Dicey and Uncle Jake.
'Lizabeth's brother was a slave owner, and when Harrison went to the
war he sent Aunt Dicey and her husband over to 'Lizabeth's to watch
over her and keep her company.
"Well, that night 'Lizabeth said she didn't feel much like sleepin',
not knowin' but what the soldiers might come at any minute to search
the house or maybe set it on fire. But she said her prayers and was
almost fallin' off to sleep when she happened to think of some powder
that Harrison had hid over in that field. Harrison was mighty fond of
huntin', and always kept a big supply o' powder on hand, and the day
before he went to the war he carried the can over to that field and
hid it in a holler tree. 'For,' says he, 'I don't propose to be
furnishin' ammunition to the Yankees.' 'Lizabeth said her heart
stopped beatin' when she thought o' that powder and the fires all
around, and the ground covered with dry grass and leaves. And she
thought, 'Suppose the grass and leaves should catch a fire and the
fire spread to the tree,' and she got up and put on her clothes and
went to the garret again and looked out o' the window, and she could
see a fire right near where she thought the old holler tree was
standin', and her conscience says to her, 'If anybody's killed by that
powder blowin' up whose fault will it be?' She said she knew she
ought to go and git the powder, but the very thought o' that made her
shake from head to foot. And she went back to bed and tried to sleep,
but when she shut her eyes all she could see was a fire spreadin'
amongst the leaves and grass and creepin' up to an old holler tree,
and she thought how every one o' them soldiers lyin' there asleep had
a mother and maybe a wife and a sister that was prayin' for 'em. And
all at once somethin' said to her, 'Suppose it was your boy in this
sort o' danger; wouldn't you thank any woman that'd go to his help?'
And then she saw in a minute that there wasn't but one thing for her
to do: she must go and take that powder out o' the holler tree and put
it out o' the reach o' fire. So she threw an old shawl over her head
and went out to the cabin and called Uncle Jake, and asked him to go
with her across the field betwixt the house and the place where the
soldiers had their camp. The old man was no manner o' protection, for
he was so crippled up with rheumatism that he had mighty little use of
his feet and hands, but 'Lizabeth said she felt a little bit safer
havin' some human bein' along with her crossin' that big field.
"The moon was about in its third quarter that night, and 'Lizabeth
said if the sentries had been awake they could 'a' seen her and Uncle
Jake creepin' through the high weeds in the field. And every now and
then she'd stop and listen, and then go on a little piece and stop and
listen again, and that way they got to the far corner of the field,
and Uncle Jake he crouched down behind a big oak stump, and she
crawled under the bars o' the fence, and there was the fires all
burnin' low, but givin' enough light along with the moon to keep her
from stumblin' over the soldiers lyin' asleep on the ground. She said
she gethered her skyirts around her and picked her way to the holler
tree and pulled the powder out and put it in the skyirt of her dress
and started back. She said she was so skeered she never stopped to see
whether there really was any danger of fire spreadin' to the tree and
settin' off the powder. She had jest one thought in her mind, and that
was to git the powder and go back home.
"Did you ever dream, child, of tryin' to go somewhere and your feet
feelin' as if they had weights on 'em and you couldn't move 'em? Well,
'Lizabeth said that was the way she felt when she started back to the
fence with that powder. It was mighty heavy and weighted her down, so
that she had to walk slow, and she could hear the soldiers breathin',
and once one of 'em said somethin' in his sleep, and she come pretty
near faintin' from fright. Every step seemed like a mile, and she
thought she never would git back to the fence. But God watched over
her, and she got out o' the camp and back to the house safe and sound.
She said when she stepped up on her back porch she felt like a weight
as heavy as the powder had been taken off her conscience, and she went
up stairs and kneeled down and thanked God for givin' her courage to
do the right thing, and then she went to bed and slept as peaceful as
a child.
"Now, you may think, child, that 'Lizabeth put on her bonnet and come
over and told me this the day after it happened; but she didn't.
'Lizabeth never was any hand to talk about herself, and it was an
accident that anybody ever heard what she'd done. I happened to be at
her house one day, maybe six months or so after the war was over, and
Harrison was searchin' around in the closet, pullin' things out like
I've been doin' to-day, and he come across the powder. He looked at it
a minute, and says he, 'Why, here's that powder I hid in the old
holler tree; I'd clean forgot it. How did it get here, Mother?' And
'Lizabeth says, 'Why, son, I went and got it the night the Yankees
camped over in the woods at the back o' the house.' Harrison looked at
her like he thought she was talkin' out of her head, and says he,
'What did you say, Mother?' And 'Lizabeth went on to tell him jest
what I've told you, as unconcerned as if she was tellin' about walkin'
from the front door to the front gate. And when she got through,
Harrison drew a long breath, and says he, 'Mother, I'm proud of you!
That's braver than anything I ever did. They made me a captain, but
you ought to be a general.' And 'Lizabeth, she colored up, and says
she, 'Why, son, any woman that had the heart of a mother in her would
'a' done jest what I did. It's nothin' to make any fuss over.'
"I ain't overly fond o' tellin' stories about war times, child,"
concluded Aunt Jane, "but I like to tell this, for it's somethin' that
ought to be ricollected. Harrison showed me a big book once, The
Ricords of the Rebellion, and his name as big as life on one o' the
pages, tellin' how he was promoted twice in one day; but 'Lizabeth
outlived her husband and all her children, and you won't find so much
as a stone to mark her grave, and in a little while nobody'll ever
know that such a woman as 'Lizabeth Taylor ever lived; yet, it's jest
as Harrison said; what she did was braver than anything he did. And
it's my belief that Harrison never would 'a' been the soldier he was
if he hadn't had his mother's conscience. It was 'Lizabeth's
conscience that made her stand up in church and own up to usin' our
Mite Society money, and made her leave her bed that night and risk her
life for the lives o' them soldier boys, and it was her conscience in
her son that kept him at his post on the field o' battle when
everybody else was runnin' off; and that's why 'Lizabeth's name ought
to be ricollected along with Harrison's."
"Poor human nature," we sometimes say, forgetting that through every
character runs a vein of gold. Now and then kindly chance rends the
base earth that covers it and shows us a hero or a heroine. But
revealed or unrevealed, all human nature is rich in the possibility of
greatness.
Here and there we build a monument; but if for every deed of noble
daring some memorial were raised, earth's monuments would be as the
stars of heaven or the sands of the sea; the names of the lowly and
the great would stand side by side; and the name of the mother by the
name of the son. For the valor of man is a mighty stream that all may
see as it rolls through the ages, changing the face of the world, but
ofttimes its source is a spring of courage rising silently from the
secret depths of an unknown woman's heart.
IX
THE WATCH-MEETING
[Illustration]
IX
THE WATCH-MEETING
It was the thirty-first of December. The short winter day had ended in
a golden sunset, and the old year was passing in a night of stars.
Aunt Jane and I stood on the porch looking westward at the clear
wintry sky, where the radiance from the silver lamp of Venus gleamed
as clearly over the bare, frozen earth as if it were lighting the feet
of lovers through the rose-gardens of June. All the winds of heaven
were sleeping, and the cold still air was like a draught from a
mountain spring. Our eyes were on the same star, but our thoughts were
far apart; mine with the years to come, and Aunt Jane's with the years
that were past.
"Fine night for a watch-meetin'," she remarked at last.
"A watch-meeting?" I queried. "What is a watch-meeting?"
Aunt Jane turned her face toward me, and through the darkness I felt
her look of deep reproach. "Child," she said gravely, "do you mean to
tell me that you don't know what a watch-meetin' is, and you livin' in
a Christian country all your life? Next thing you'll be tellin' me you
don't know what a prayer-meetin' is. However, I don't know as you're
to blame. Your grandfather and grandmother went to watch-meetin', and
your mother knows what it is, but I reckon watch-meetin's are as much
out o' fashion these days as purple caliker dresses and turkey-tail
fans. In my day, child, folks went to church New-year's eve and sung
and prayed the old year out and the new year in, and that's a
watch-meetin'."
"How interesting!" I exclaimed.
Aunt Jane chuckled softly. "Yes, it was mighty interestin'," she said,
"and there was one watch-meetin' I'll never forgit as long as I live.
But you come into the house. This ain't the weather for old folks or
young folks either to be standin' out on the porch."
We went in, and I laid a stick of wood on the andirons in the open
fireplace. A momentary splendor lit the room as the gray moss and
lichens caught fire and the swift flames ran from one end of the log
to the other and then died out, while the smoke from the kindling wood
rose in the huge chimney.
"There's never a New-year's eve that I don't think o' that
watch-meetin'," Aunt Jane continued, "and I set here and laugh to
myself over the times we used to have in the old Goshen church. Jest
hand me my knittin', child, and I'll tell you about that meetin'. It's
jest as easy to talk as it is to think."
The room was lighted only by the faint glow from the fireplace, but
Aunt Jane needed no lamp or candle to guide her through the maze of
stitches in the heel of the gray stocking. I sat with folded hands and
wondered at the deft fingers that wove the yarn into the web of the
stocking, and at the deft brain that, from the thread of old memories,
could weave the web of a story in which was caught and held the
spirit of an older day.
"The night o' that watch-meetin'," began Aunt Jane, "was jest such a
night as this, cold and clear and still; and if you're wrapped up well
and have a good warm quilt over your knees, why, it's nothin' but a
pleasure to ride a mile or so to the church. A watch-meetin' is
different from any other church-meetin'. It generally comes on a
week-day, it ain't preachin' and it ain't prayer-meetin', and you
don't have to remember to keep the day holy; so you can laugh and talk
goin' and comin' and before the meetin' begins. Next to a May-meetin'
a watch-meetin's about the pleasantest sort of a church-meetin' there
is.
"Now, as you didn't know what a watch-meetin' is, it ain't likely you
know what a May-meetin' is, either. There, now! I knew you wouldn't.
Well, child, that all comes o' livin' in town. Town's a fine place to
go to once in a while, but there's a heap o' disadvantages about
livin' there all the time. A May-meetin' is the first Sunday in May,
when we all take big baskets o' dinner to the church and eat outdoors
under the trees after preachin's over. And now let me git back to my
story or, the first thing you know, I'll be tellin' about a
May-meetin' instead of a watch-meetin'. But I thought I'd better
explain it to you right now, honey, so's you won't be mortified this
way again. There's some things everybody's expected to know, and this
is one of 'em.
"I ricollect jest how the old church looked the night o' that
watch-meetin'. It was soon after we'd got the new organ, and the shine
hadn't wore off the new cyarpet yet, and the lamps was burning bright
on the stands each side o' the pulpit and on the organ. Some o' the
young folks had hung branches o' pine and cedar around the walls and
over the winders, and you could hear the hickory wood cracklin' and
poppin' in the stove at the back o' the church, and there was all the
Goshen folks sittin' in their pews: Sam and Milly, and Hannah and
Miles, and Maria and Silas, and Uncle Jim and Sally Ann, and Parson
Page down in front o' the pulpit leanin' back in his chair with his
chin restin' on his hand and his other hand proppin' up his elbow. The
young folks of course was in the back part o' the church, where they
could talk and laugh without bein' seen by their parents; and little
Sam Amos and two or three more o' the Goshen boys, along with Martin
Luther Wilson, was sittin' down on the pulpit steps, where they could
see everything that was to be seen and hear everything that was to be
heard."
Aunt Jane began to laugh gently, and the knitting dropped from her
hands. Another moment and she would have slipped away to the
watch-meeting of forty years ago, leaving me alone in the quiet
shadow-haunted room; but I called her back.
"How did Martin Luther happen to be at Goshen?" I asked. It was an
idle question, but it served my purpose.
"Why, don't you ricollect?" said Aunt Jane brightly. "Brother Wilson
preached in town, but after Squire Schuyler give him that house for a
weddin' fee he lived there. That was betwixt and between the town and
the country. Martin Luther loved the country jest like his father did,
and there never was a watch-meetin' or a May-meetin' that Martin
Luther wasn't on hand; but I'm bound to say that most o' the time it
wasn't for any good.
"Well, by nine o'clock everything was ready for the watch-meetin' to
begin, and Parson Page set the clock on the floor back o' the
pulpit--it sounds a heap solemner at a watch-meetin', child, to hear
the clock strike when you can't see it--and then he give out the first
hymn:
"'A few more years shall roll,
A few more seasons come,
And we shall be with those that rest,
Asleep within the tomb.
"'A few more suns shall set
O'er these dark hills of time,
And we shall be where suns are not,
A far serener clime.'"
To me there seemed nothing joy-inspiring in the old hymn, but Aunt
Jane smiled radiantly as she chanted the melancholy words that held in
their cadences the voices of the choir and the music of the organ in
the old country church.
"That's one o' the hymns we always sung at a watch-meetin'," she
observed, "that and
"'Lo, on a narrow neck of land
'Twixt two unbounded seas I stand.'
"I love every one o' the old hymns, child, jest as much as I love my
Bible, and I can take that hymn-book yonder and read over the hymns we
used to sing at prayer-meetin' and communion and funerals and
baptizin's, and I declare it's jest like livin' over again all the
Sundays of my life. When we got through singin' the hymn Parson Page
read a chapter out o' the Bible. It was the ninetieth psalm, the one
that begins, 'Lord, thou hast been our dwelling place in all
generations'; and then he give us a little talk, not a sermon exactly,
but jest a little talk about the new year and the old year. I
ricollect pretty much all he said as well as if it was yesterday. He
said that there was nothin' sad about the passin' of the years, and
every New-year's eve ought to be a time for rejoicin'; that life was
jest a gainin' and a losin' and the two balanced pretty even. Every
year we lost a little of our youth and a little of our strength, but
we gained in wisdom and understandin'. He said if we'd improved our
time and come up to our opportunities durin' the past year, we could
go forward joyfully to meet the new year, and if we hadn't, why, still
there wasn't any reason for givin' up and feelin' downhearted, for the
mercy of the Lord was infinite, and there was always another chance
waitin' for us, and if a man turned over a new leaf and made up his
mind to do better, every day was a New-year's day.
"And then he called on the men folks to tell what their experience had
been durin' the past year, and jest as Uncle Jim Mathews got up to
tell his experience the clock struck ten, and Uncle Jim says:
'Brethren, you hear that? Jest two more hours of this year is left to
us.' Says he, 'I don't know how it is with the rest of you, but for my
part I feel that this has been a profitable year for my soul. I feel,'
says he, 'that I have grown in grace and in the knowledge of the Lord,
that my faith has been strengthened, that patience has had her perfect
work in me, and that I'm nearer to the kingdom than I ever was'; and
he went on this way for about ten minutes, and Sally Ann whispered to
me and says she, 'If one-half o' that's true, the Lord ought to send
down a chariot of fire and take Uncle Jim up to heaven this very
night.'
"Then Uncle Jerry Amos got up and says he, 'Brethren, I thank the Lord
that during the past year I have grown more charitable toward my
fellow men.' And to save our lives we couldn't help laughin' at that,
for if there was anything Uncle Jerry didn't need it was more charity.
I ricollect when old man Abner Simpson died--he was a mighty mean man,
so mean that Parson Page had a heap o' trouble to preach the right
kind of a funeral sermon about him--and right after the funeral Uncle
Jerry heard some o' the neighbors talkin' about him and says he:
'Boys, ain't you ashamed to be talkin' this way about the dead? Don't
you know you mustn't say anything but good about the dead, or the
livin' either, for that matter?' And Bush Elrod says, 'Now, Uncle
Jerry, you know nobody could say anything good about old man Abner;
you couldn't yourself.' And Uncle Jerry says: 'Yes, I can. Jest give
me time, and I can think o' plenty o' good things to say about him.'
And he stood and thought and thought, and the rest o' the men laughin'
at him, and Bush Elrod says, 'You'll have to give it up, Uncle Jerry.'
But Uncle Jerry says, 'No, there never was a human bein' that
somethin' good couldn't be said about him.' And pretty soon he slapped
his side and says he: 'I've got it! He had a good appetite.' That's
why we all had to laugh when Uncle Jerry said he'd grown more
charitable toward his fellow men.
"Well, all the men folks got up and told what progress in grace they'd
made durin' the year, and I ricollect Sam Amos sayin' it was
astonishin' how many saints there was in Goshen church, but nobody
knew anything about 'em till we had an experience-meetin'. After the
experiences had all been give in we sung another hymn and had another
prayer. Then the clock struck eleven, and Parson Page said, 'We will
spend a little time in forming good resolutions for the coming year.'
And after we'd set there a while makin' our resolutions and had some
more singin' and prayin', he said, 'Brethren and sisters, let us give
the remaining minutes of the old year to silent prayer for grace that
will help us to keep the good resolutions we've made for the new year
that is so close at hand.' And we all bowed our heads feelin' mighty
solemn, everything so still you could hear the folks around you
breathin' and the old clock back o' the pulpit tickin', tickin' away
the minutes o' the old year. And we set there expectin' every minute
to hear the first stroke o' twelve.
"I ricollect Abram had rheumatism in the muscles of his neck that
winter, and leanin' over was mighty painful to him; so pretty soon he
straightened up, but all the rest of us kept our heads bowed on the
back o' the pew in front of us, and waited for the clock to strike.
Somehow or other the time seemed mighty long, and everybody begun to
feel restless. Sam Amos was in the pew jest across the aisle from me
and Abram and I saw him take out his watch and look at it, and Uncle
Jim Mathews dropped off to sleep and got to snorin', and that set the
young folks to laughin', and everybody got tired leanin' their heads
over so long, and every now and then somebody would straighten up,
till at last everybody was settin' up straight except two or three
that was fast asleep. And still the clock didn't strike, and I reckon
we'd 'a' stayed there till daylight if it hadn't been for Sam Amos.
Everybody knew there was something wrong, but nobody had the courage
to git up and say so except Sam. He rose up in his pew and says he,
'Neighbors, I don't want to disturb this watch-meetin', but it looks
to me like one of two things has happened: either the new year's got
lost on the way or the old year's took a notion to stay with us a
little longer, and,' says he, 'I move that somebody goes behind the
pulpit and sees if there ain't somethin' wrong with the clock.'
"Well, Parson Page he got up and went up the pulpit steps--I ricollect
he had to step over Martin Luther's legs; Martin Luther was lyin' over
on his face sound asleep--and he stooped down and looked at the clock,
and then he threw up his hands and says he: 'Why, bless my soul! It's
nearly one o'clock.'
"Well, with that the young folks begun to laugh scandalous, and
everybody jumped up and begun talkin' at once. Abram says, 'The
strikin' part o' that clock must be out o' fix.' And Parson Page says,
'That can't be, for I carried it to town last week and had it put in
order especially for this occasion.' And Milly Amos says, 'Why didn't
some o' you men folks look at your watches instead o' lettin' us sit
here wastin' all this good time?' And Sam Amos says, 'I did look at
mine, but it didn't do much good, for I forgot to wind it last night,
and it had stopped at half-past five in the mornin' or the evenin', I
couldn't tell which.' And Silas Petty said his watch hadn't been
keepin' good time lately, and he didn't think it was worth while to
look at it. And Parson Page said he laid his watch on the bureau and
forgot to put it back in his vest pocket when he put on his Sunday
clothes. And somebody says, 'Maybe the clock struck and we didn't hear
it.' And Abram says: 'I'm pretty certain the strikin' part o' that
clock is out o' fix. Probably it got jarred bringin' it over here.'
"Jest then the old clock struck one, as loud and clear as you please.
And Parson Page says: 'Do you hear that? There's nothing wrong with
the clock; it must be our ears that are out of fix.' And Silas Petty
says: 'There's nothin' the matter with my ears. It's my opinion some
o' those rascally boys have been foolin' with the clock jest to play a
trick on us. They've had a mighty good chance at it, sprawlin' around
here on the floor and the clock out o' sight behind the pulpit.'
Little Sam Amos and the Crawford boys they spoke up and says they, 'We
never touched the clock,' and Milly says: 'You can't lay it on little
Sam. He's been fast asleep for the last two hours.' And somebody says,
'Where's Martin Luther?' and we all looked around, and Parson Page
says, 'Why, he must be here; he was sound asleep on the floor when I
stepped up here to examine the clock.' And Sam Amos says, 'Look
a-yonder, will you?' and he p'inted toward the winder, and there was
Martin Luther up on the winder-sill outside, with his face right up
against the glass and his nose all flattened out, and grinnin' like a
Cheshire cat. And as soon as he saw us lookin' at him, he dropped down
to the ground and give a whoop like a wild Indian and went tearin'
down the road as hard as he could foot it in the direction of Schuyler
Hall.
"Well, honey, it was right aggravatin'. You know country folks have to
work hard and git up early, and there we'd lost a good hour o' sleep
all for nothin', and a madder set o' folks you never saw, all but the
young folks. They laughed and laughed, and of course that made us all
still madder. Silas Petty and Dave Crawford begun blessin' Martin
Luther and sayin' what ought to be done to him and how they was goin'
to let Brother Wilson know about this as soon as day broke, and Sam
Amos he listened to 'em a while and then says he: 'Now here it is, the
new year jest an hour old, and you church-members are breakin' every
one o' your good resolutions about keepin' your temper and bein'
charitable to your neighbors. Can't you make allowances for a boy?'
And Uncle Jerry says: 'That's right, Sam. What's the use in takin'
notice of a boy's pranks? We've all been boys once--all except the
women folks--and there ain't one of us that hasn't rocked houses and
stole watermelons and robbed orchards and disturbed meetin' and done
all the rest o' the devilment that boys delight in. But jest let a boy
play a joke on us and we forgit all about the sins of our youth. To
hear us talk, a person would think that we was born sixty years old.'
Says he: 'All we've lost is an hour's sleep, and we can make that up
by goin' to bed earlier to-morrow night. Now, why not overlook this
little caper of Martin Luther's and begin the new year in a good humor
with everything and everybody?'
"And Sam Amos he begun to laugh, and he laughed till he had to set
down, and he kept on till Milly got skeered and beat him in the back
to make him stop, and finally he got his breath and says he, 'I'm
laughin' to think how we all looked settin' here at one o'clock in the
mornin' waitin' to hear the clock strike twelve.' And then he started
out again, and we laughed with him, and everybody went home in a good
humor. I ricollect me and Abram had an argument on the way home about
whether it was worth while to go to bed or not. Abram said it was
worth while to go to bed if you couldn't sleep but a half-hour, but
betwixt laughin' and ridin' in the cold air I was so wide awake I felt
like I never wanted to sleep again; and I went to work and cleaned up
the house and cut out some sewin' and had breakfast ready by half-past
four. I never made that sleep up, child, and I never felt any worse
for it. You know what the Bible says, 'As thy days so shall thy
strength be,' and when a person's young, there's strength for the day
and more besides."
Aunt Jane dropped her knitting and rested her head against the
patchwork cover of the high-backed chair. Like a great wall of shelter
and defense, we felt around us the deep stillness of a midwinter night
in the country. The last traveler had gone his homeward way over the
pike hours ago, and in the quiet room we could hear now and then those
faint noises made by shrinking timbers, as if the old house groaned in
the icy clutch of the December cold, and, louder and clearer than by
day, the voice of the clock ticking away the last hours of the old
year.
What is there in the flight of years to sadden the heart? Our little
times and seasons are but fragments of eternity, and eternity is ours.
The sunset on which we gaze with melancholy eyes is a sunrise on the
other side of the world, and the vanishing days can take from us
nothing that may not be restored by some day yet unborn. Eternity!
Immortality! If mortal mind could but fathom the depth of these ideas,
they would be as wells of peace in which all trouble, all regret,
would be forever drowned. But as Aunt Jane and I sat alone by her
deserted hearth we saw the shadows of the night deepening while the
fire burned low, and in our hearts we felt another and a darker
shadow cast by the wing of the passing year. And, breaking our dreams,
the clock struck ten. Aunt Jane gave a start, and the ball of yarn
fell from her lap. She picked it up before I could reach it, and
winding the yarn and rolling the stocking around the ball she called
in her wandering thoughts and entered instantly into the life of the
present hour.
"Light the lamp, child," she said, "and hand me my Bible. The
Scripture's got a word suitable for every season, and I'll read you
the psalm that Parson Page read the night the clock didn't strike."
[Illustration: "REVERENTLY SHE LAID THE HEAVY CALF-BOUND VOLUME
ACROSS HER KNEES."
_Page 290._]
Reverently she laid the heavy calf-bound volume across her knees, and
turning the leaves with swift and certain fingers she found the
ninetieth psalm as readily as the twentieth-century woman finds
Sordello in her complete Browning. Centuries ago, a Hebrew, standing
on one of the mountain peaks of old age, saw in a vision the little
lives and the little deeds of men outlined against a background of the
"eternal years of God." He put the vision into words, and because they
held a universal thought, a burden of the soul in every age and clime,
those words have outlasted kingdoms and dynasties. I had often heard
the rhythmic lines rolling from priestly lips and echoing under
cathedral arches, but never had they moved me as now, when by the
dying fire in the last hours of a dying year, I heard them, half
chanted, half read, in the tremulous voice of an old woman whose feet
were on the same height and whose eyes beheld the same vision:
"Lord, thou hast been our dwelling place in all generations.
"Before the mountains were brought forth, or ever thou hadst
formed the earth and the world, even from everlasting to
everlasting, thou art God.
"Thou turnest man to destruction; and sayest, Return, ye children
of men.
"For a thousand years in thy sight are but as yesterday when it
is past, and as a watch in the night.
"Thou carriest them away as with a flood; they are as a sleep: in
the morning they are like grass which groweth up.
"In the morning it flourisheth, and groweth up; in the evening it
is cut down, and withereth....
"For all our days are passed away in thy wrath; we spend our
years as a tale that is told.
"The days of our years are threescore years and ten; and if by
reason of strength they be fourscore years, yet is their strength
labor and sorrow; for it is soon cut off, and we fly away....
"So teach us to number our days, that we may apply our hearts
unto wisdom....
"O satisfy us early with thy mercy; that we may rejoice and be
glad all our days.
"Make us glad according to the days wherein thou hast afflicted
us, and the years wherein we have seen evil.
"Let thy work appear unto thy servants, and thy glory unto their
children.
"And let the beauty of the Lord our God be upon us; and establish
thou the work of our hands upon us; yea, the work of our hands
establish thou it."
Aunt Jane removed her glasses and folded her withered hands over the
sacred pages. "You know, child," she said, "the Bible's the word of
God. I ain't questionin' that. But it looks like to me there's some o'
the words of man in it, too. Now this psalm I've jest read is the very
one to read at a watch-meetin' on New-year's eve because it's all
about time and life and the passin' o' the years, but there's some o'
the verses I'd like to leave out. There's that tenth one about 'the
days of our years' and the strength of our years. I reckon we all feel
like sayin' such things when we git tired and it looks like we haven't
done the work we set out to do, but that's the sort o' feelin' to keep
to ourselves. It don't do any good to tell such feelin's. And when a
man can say that the Lord has been his dwellin' place in all
generations, he oughtn't to turn right around and say that the
strength of his years is jest labor and sorrow. The trouble with some
folks is that they're always lookin' back and countin' the years
wherein they have seen evil, but they don't ricollect that the Lord's
promise is to make us glad accordin' to the evil years. Trouble has
got to come to us, child, but whenever it comes we ought to know
there's happiness comin' to make up for it jest like this psalm says,
'Make us glad according to the days wherein thou hast afflicted us,
and the years wherein we have seen evil.' I've lived pretty near
eighty years, and I've had my share o' trouble, but I'm far from
sayin' that the strength of my years is nothin' but labor and sorrow.
I never had a sorrow that I didn't know there was a happiness comin'
to make up for it. I've spent my life 'as a tale that is told,' and
I'm nearly to the end of it, but I'd be right glad, child, if I could
go back to the beginnin' and have it told all over again."
It is easy to pronounce a benediction on life when life is in its
morning; but with the darkness of the long night closing around us the
words that rise most often to human lips are the words of the cynic
king who, from "the dazzling height of a throne," surveyed the
magnificent ruin of his years and said,
"Vanity of vanities; all is vanity."
God once looked at a seething chaos which he called his world and
pronounced it good. Only a divinity could do this. And only the
divinity in man enables one to look back on the chaos of sorrow,
ecstasy, hope, despair, labor, failure, sin, and suffering which we
call life and say, "It is all good; I would live it again if I might."
Aunt Jane closed her Bible and laid it on the mahogany centre-table.
"Half-past ten o'clock," she said, glancing at the clock in the
corner. "I sometimes think, honey, that I'd like to watch the old year
out once more, for there's somethin' about the night that the day
hasn't got. But I'm too old to lose sleep unless there's a good reason
for it, so cover up the fire and we'll sleep the old year out instead
o' watchin' it out. This night's no more'n any other night, and it's
jest as Parson Page said, every day's a New-year's day."
_By the author of "The Land of Long Ago."_
AUNT JANE OF KENTUCKY
_By_ ELIZA CALVERT HALL
Illustrated by Beulah Strong. 12mo. Cloth. $1.50
Aunt Jane is perfectly delightful.--_The Outlook_, New York.
A book that plays on the heart strings.--_St. Louis
Post-Despatch._
What Mrs. Gaskill did in "Cranford" this author does for
Kentucky.--_Syracuse Herald._
A prose idyl. Nothing more charming has appeared in recent
fiction.--MARGARET E. SANGSTER.
These pages have in them much of the stuff that makes genuine
literature.--_Louisville Courier Journal._
Where so many have made caricatures of old-time country folk,
Eliza Calvert Hall has caught at once the real charm, the real
spirit, the real people, and the real joy of living which was
theirs.--_New York Times._
Have you read that charming little book written by one of your
clever Kentucky women--"Aunt Jane of Kentucky"--by Eliza Calvert
Hall? It is very wholesome and attractive. Be sure that you read
it.--THEODORE ROOSEVELT.
LITTLE, BROWN, & CO., PUBLISHERS
254 WASHINGTON STREET, BOSTON
* * * * *
End of Project Gutenberg's The Land of Long Ago, by Eliza Calvert Hall
*** END OF THIS PROJECT GUTENBERG EBOOK THE LAND OF LONG AGO ***
***** This file should be named 32203-8.txt or 32203-8.zip *****
This and all associated files of various formats will be found in:
https://www.gutenberg.org/3/2/2/0/32203/
Produced by Suzanne Lybarger, Jeannie Howse and the Online
Distributed Proofreading Team at https://www.pgdp.net
Updated editions will replace the previous one--the old editions
will be renamed.
Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties. Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark. Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission. If you
do not charge anything for copies of this eBook, complying with the
rules is very easy. You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research. They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks. Redistribution is
subject to the trademark license, especially commercial
redistribution.
*** START: FULL LICENSE ***
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
https://gutenberg.org/license).
Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
electronic works
1.A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.
1.B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works. Nearly all the individual works in the
collection are in the public domain in the United States. If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed. Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work. You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.
1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are in
a constant state of change. If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work. The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.
1.E. Unless you have removed all references to Project Gutenberg:
1.E.1. The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org
1.E.2. If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges. If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.
1.E.3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder. Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.
1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.
1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.
1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form. However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form. Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.
1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.
1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that
- You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg-tm works calculated using the method
you already use to calculate your applicable taxes. The fee is
owed to the owner of the Project Gutenberg-tm trademark, but he
has agreed to donate royalties under this paragraph to the
Project Gutenberg Literary Archive Foundation. Royalty payments
must be paid within 60 days following each date on which you
prepare (or are legally required to prepare) your periodic tax
returns. Royalty payments should be clearly marked as such and
sent to the Project Gutenberg Literary Archive Foundation at the
address specified in Section 4, "Information about donations to
the Project Gutenberg Literary Archive Foundation."
- You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he
does not agree to the terms of the full Project Gutenberg-tm
License. You must require such a user to return or
destroy all copies of the works possessed in a physical medium
and discontinue all use of and all access to other copies of
Project Gutenberg-tm works.
- You provide, in accordance with paragraph 1.F.3, a full refund of any
money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days
of receipt of the work.
- You comply with all other terms of this agreement for free
distribution of Project Gutenberg-tm works.
1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark. Contact the
Foundation as set forth in Section 3 below.
1.F.
1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection. Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.
1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.
1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium with
your written explanation. The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund. If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund. If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.
1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law. The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.
1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.
Section 2. Information about the Mission of Project Gutenberg-tm
Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers. It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.
Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at https://www.pglaf.org.
Section 3. Information about the Project Gutenberg Literary Archive
Foundation
The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation's EIN or federal tax identification
number is 64-6221541. Its 501(c)(3) letter is posted at
https://pglaf.org/fundraising. Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.
The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations. Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
[email protected]. Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at https://pglaf.org
For additional contact information:
Dr. Gregory B. Newby
Chief Executive and Director
[email protected]
Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation
Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.
The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To
SEND DONATIONS or determine the status of compliance for any
particular state visit https://pglaf.org
While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.
International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.
Please check the Project Gutenberg Web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including including checks, online payments and credit card
donations. To donate, please visit: https://pglaf.org/donate
Section 5. General Information About Project Gutenberg-tm electronic
works.
Professor Michael S. Hart was the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone. For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.
Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included. Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.
Most people start at our Web site which has the main PG search facility:
https://www.gutenberg.org
This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.
