The Sunbridge Girls at Six Star Ranch

By Eleanor H. Porter

The Project Gutenberg eBook, The Sunbridge Girls at Six Star Ranch, by
Eleanor H. (Eleanor Hodgman) Porter, Illustrated by Frank J. Murch


This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org





Title: The Sunbridge Girls at Six Star Ranch


Author: Eleanor H. (Eleanor Hodgman) Porter



Release Date: May 23, 2008  [eBook #25578]

Language: English


***START OF THE PROJECT GUTENBERG EBOOK THE SUNBRIDGE GIRLS AT SIX STAR
RANCH***


E-text prepared by Suzanne Shell, Emmy, and the Project Gutenberg Online
Distributed Proofreading Team (https://www.pgdp.net)



Note: Project Gutenberg also has an HTML version of this
      file which includes the original illustrations.
      See 25578-h.htm or 25578-h.zip:
      (https://www.gutenberg.org/dirs/2/5/5/7/25578/25578-h/25578-h.htm)
      or
      (https://www.gutenberg.org/dirs/2/5/5/7/25578/25578-h.zip)





THE SUNBRIDGE GIRLS AT SIX STAR RANCH

by

ELEANOR STUART

Illustrated by Frank J. Murch







[Illustration: "REDDY WAS RIGHT THERE EVERY TIME"

(_See page 113_)]




[Illustration]

Boston      L. C. Page &
Company     Publishers

Copyright, 1913
by L. C. Page & Company
(Incorporated)
All rights reserved

First Impression, April, 1913
Second Impression, January, 1914

The Colonial Press
C. H. Simonds & Co., Boston, U. S. A.




CONTENTS


CHAPTER                                                    PAGE

    I. AUNT SOPHRONIA                                         1

   II. PLANS FOR TEXAS                                       12

  III. THE COMING OF GENEVIEVE                               28

   IV. ON THE WAY                                            44

    V. THE BOYS PREPARE A WELCOME                            61

   VI. CORDELIA SEES A COWBOY                                72

  VII. THE RANCH HOUSE                                       86

 VIII. THE MISTRESS OF THE SIX STAR RANCH                    99

   IX. REDDY AND THE BRONCHO                                110

    X. CORDELIA GOES TO CHURCH                              121

   XI. QUENTINA                                             137

  XII. THE OPENING OF A BARREL                              157

 XIII. THE PRAIRIE--AND MOONLIGHT                           171

  XIV. A MAN AND A MYSTERY                                  185

   XV. THE ALAMO                                            201

  XVI. TILLY CROSSES BRIDGES                                215

 XVII. "BERTHA'S ACCIDENT"                                  225

XVIII. THE GOLDEN HOURS                                     235

  XIX. HERMIT JOE                                           248

   XX. THE NEW BOY                                          260

  XXI. GENEVIEVE LEARNS SOMETHING NOT IN BOOKS              278

 XXII. A TEXAS "MISSIONARY"                                 296

XXIII. GENEVIEVE GOES TO BOSTON                             307

 XXIV. A BROWN DRESS FOR ELSIE                              324

  XXV. "WHEN SUNBRIDGE WENT TO TEXAS"                       339

 XXVI. A GOOD-BY PARTY                                      349




LIST OF ILLUSTRATIONS


                                                           PAGE

  "REDDY WAS RIGHT THERE EVERY TIME" (_See page 113_)  _Frontispiece_

  "A TALL, SLENDER GIRL ... APPEARED AT A CAR DOOR"          30

  "'FOLLOW ME--QUICK!' HE ORDERED"                          181

  "'THERE, NOW--LOOK!' SHE ADDED"                           207

  "'HOW DO YOU DO, MR. OLIVER HOLMES,' SHE BEGAN"           265

  "IT WOULD BE SOMETHING OF A WALK, THE WOMAN SAID, AS
      SHE GAVE DIRECTIONS"                                  320




The Sunbridge Girls at Six Star Ranch




CHAPTER I

AUNT SOPHRONIA


The Reverend Thomas Wilson's sister, Miss Sophronia, had come to
Sunbridge on a Tuesday evening late in June to make her brother's family
a long-promised visit. But it was not until the next morning that she
heard something that sent her to her sister-in-law in a burst of
astonishment almost too great for words.

"For pity's sake, Mary, what is this I hear?" she demanded. "Edith
insists that her cousin, Cordelia, is going to Texas next week--to
Texas!--_Cordelia!_"

"Yes, she is, Sophronia," replied the minister's wife, trying to make
her answer sound as cheerful and commonplace as she could, and as if
Texas were in the next room. (It was something of a trial to Mrs.
Thomas Wilson that her husband's sister could not seem to understand
that she, a minister's wife for eighteen years and the mother of five
children, ought to know what was proper and right for her orphaned niece
to do--at least fully as much as should a spinster, who had never
brought up anything but four cats and a parrot!) "Edith is quite right.
Cordelia is going to Texas next week."

"But, Mary, are you crazy? To let a child like that go all the way from
here to Texas--one would think New Hampshire and Texas were twenty miles
apart!"

Mrs. Wilson sighed a little wearily.

"Cordelia isn't exactly a child, Sophronia, you must remember that. She
was sixteen last November; and she's very self-reliant and capable for
her age, too. Besides, she isn't going alone, you know."

"Alone!" exclaimed Miss Sophronia. "Mary, surely, the rest that Edith
said isn't true! Those other girls aren't going, too, are they?--Elsie
Martin, and that flyaway Tilly Mack, and all?"

"I think they are, Sophronia."

"Well, of all the crazy things anybody ever heard of!" almost groaned
the lady. "Mary, what _are_ you thinking of?"

"I'm thinking of Cordelia," returned the minister's wife, with a spirit
that was as sudden as it was unusual. "Sophronia, for twelve years, ever
since she came to me, Cordelia has been just a Big Sister in the
family; and she's had to fetch and carry and trot and run her little
legs off for one after another of the children, as well as for her uncle
and me. You _know_ how good she is, and how conscientious. You know how
anxious she always is to do exactly right. She's never had a playday,
and I'm sure she deserves one if ever a girl did! Vacations to her have
never meant anything but more care and more time for housework."

Mrs. Wilson paused for breath, then went on with renewed vigor.

"When this chance came up, Tom and I thought at first, of course, just
as you did, that it was quite out of the question; but--well, we decided
to let her go. And I haven't been sorry a minute since. She's Tom's only
brother's child, but we've never been able to do much for her, as you
know. We can let her have this chance, though. And she's so happy--dear
child!"

"But what is it? How did it happen? Who's going? Edith's story sounded
so absurd to me I could make precious little out of it. She insisted
that the 'Happy X's' were going."

The minister's wife smiled.

"It's the girls' 'Hexagon Club,' Sophronia. They call themselves the
'Happy Hexagons.' There are six of them."

"Humph!" commented Miss Sophronia. "Who are they--besides Cordelia?"

"Bertha Brown, Tilly Mack, Alma Lane, Elsie Martin, and Genevieve
Hartley."

"And _who_?" frowned Miss Sophronia at the last name.

"Genevieve Hartley. She is the little Texas girl. It is to her ranch
they are going."

"_Her_ ranch!"

"Well--her father's."

"But who is she? What's she doing here?"

"She's been going to school this winter. She's at the Kennedys'."

"A Texas ranch-girl at the Kennedys'! Why, they're _nice_ people!"
exclaimed Miss Sophronia, opening wide her eyes.

Mrs. Wilson laughed now outright.

"You'd better not let Miss Genevieve hear you say 'nice' in that tone of
voice--and in just that connection, Sophronia," she warned her.
"Genevieve might think you meant to insinuate that there weren't any
_nice_ people in Texas--and she's very fond of Texas!"

Miss Sophronia smiled grimly.

"Well, I don't mean that, of course. Still, a ranch must be sort of wild
and--and mustangy, seems to me; and I was thinking of the Kennedys,
especially Miss Jane Chick. Imagine saying 'wild' and 'Miss Jane' in the
same breath!"

"Yes, I know," smiled Mrs. Wilson; "and I guess Genevieve has been
something of a trial--in a way; though they love her dearly--both of
them. She's a very lovable girl. But she _is_ heedless and thoughtless;
and, of course, she wasn't at all used to our ways here in the East. Her
mother died when she was eight years old; since then she has been
brought up by her father on the ranch. She blew into Sunbridge last
August like a veritable breeze from her own prairies--and the Kennedy
home isn't used to breezes--especially Miss Jane. I imagine Genevieve
did stir things up a little there all winter--though she has improved a
great deal since she came."

"But why did she come in the first place?"

Mrs. Wilson smiled oddly.

"That's the best part of it," she said. "It seems that last April, when
Mrs. Kennedy and Miss Chick were on their way home from California, they
stopped in Houston, Texas, a few days, and there they met John Hartley
and his daughter, Genevieve. It appears they had known him years ago
when they were 'the Chick girls,' and he came to Sunbridge to visit
relatives. I've heard it whispered that he was actually a bit in love
with one of them, though I never heard whether it was Miss Jane, or the
one who is now the Widow Kennedy. However that may be, he was delighted
to see them in Texas, report says, and to introduce to them his
daughter, Genevieve."

"But that doesn't explain how the girl came here," frowned Miss
Sophronia.

"No, but I will," smiled her sister-in-law. "Fond and proud as Mr.
Hartley very plainly was of his daughter, it did not take Mrs. Kennedy
long to see that he was very much disturbed at the sort of life she was
living at the ranch. That is, he felt that the time had come now when
she needed something that only school, young girl friends, and
gently-bred women could give her; yet he could not bear the thought of
sending her off alone to an ordinary boarding school. Then is when Mrs.
Kennedy arose to the occasion; and very quickly it was settled that
Genevieve should come here to her in Sunbridge for school this last
winter--which she did, and Mrs. Kennedy has been a veritable mother to
her ever since. She calls her 'Aunt Julia.'"

"Hm-m; very fine, I'm sure," murmured Miss Sophronia, a little shortly.
"And now she's asked these girls home with her--the whole lot of them!"

"Yes; and they're crazy over it--as you'd know they would be."

Miss Sophronia sniffed audibly.

"Humph! It's the parents that are crazy, I'm thinking," she corrected.
"Imagine it--six scatter-brained children, and all the way to Texas!
Mary!"

"Oh, but the father is in the East here, on business and he goes back
with them," conciliated Mrs. Wilson, hastily. "Besides, Mrs. Kennedy is
going, too."

Miss Sophronia raised her eyebrows.

"Well, I can't say I envy her the thing she's undertaken. Imagine _my_
attempting to chaperon six crazy girls all the way from New Hampshire to
Texas--and then on a ranch for nobody knows how long after that!"

"I can't imagine--_your_ doing it, Sophronia," rejoined the minister's
wife, demurely. And at the meaning emphasis and the twinkle in her eye,
Miss Sophronia sniffed again audibly.

"When do they go?" she asked in her stiffest manner.

"The first day of July."

"Indeed! Very fine, I'm sure. Still--I've been thinking of the expense.
Of course, for a minister--"


Mrs. Wilson bit her lip. After a moment she filled the pause that her
sister-in-law had left.

"I understand, of course, what you mean, Sophronia," she acknowledged.
"And ministers' families don't have much money for Texas trips, I'll
own. As it happens, however, the trip will cost the young people
nothing. Mr. Hartley very kindly bears all the expenses."

"He does?"

"Yes. He declares he shall be in the girls' debt even then. You see,
last winter Genevieve sprained her ankle, and was shut up for weeks in
the house. It was a very bad sprain, and naturally it came pretty hard
on such an active, outdoor girl as she is. Mrs. Kennedy says she thinks
Genevieve and all the rest of them would have gone wild if it hadn't
been for the girls. One or more of them was there every day. Then is
when they formed their Hexagon Club. It was worth everything to
Genevieve, as you can imagine; and Mr. Hartley declares that nothing he
can ever do will half repay them. Besides, he wants Genevieve to be with
nice girls all she can--she's had so little of girls' society. So he's
asked them to go as his guests."

"Dear me! Well, he must have some money!"

"He has. Mrs. Kennedy says he is a man of independent means, and he has
no one but Genevieve to spend his money on. So, as for this trip--in his
whole-hearted, generous Western fashion, he pays all the bills himself."

"Hm-m; very kind, I'm sure," admitted Miss Sophronia, grudgingly. "Well,
I'm glad, at least, that it doesn't cost you anything."

There was a moment's silence, then Mrs. Wilson said, apologetically:

"I'm sorry, Sophronia, but I'm afraid you'll have to stand it till the
children go--and there'll be something to stand, too; for it's 'Texas,
Texas, Texas,' from morning till night, everywhere. Genevieve herself
is in New Jersey visiting friends, but that doesn't seem to make any
difference. The whole town is wildly excited over the trip. I found even
little Mrs. Miller, the dressmaker, yesterday poring over an old atlas
spread out on her cutting-table.

"'I was just a-lookin' up where Texas was,' she explained when she saw
me. 'My! only think of havin' folks go all that distance--folks I know,
I mean. I'm sure I'd never dare to go--or let my girl.'"

"Very sensible woman, I'm sure," remarked Miss Sophronia.

Mrs. Wilson smiled; but she went on imperturbably.

"Even the little tots haven't escaped infection. Imagine my sensations
Sunday when Bettie Barker, the primmest Miss Propriety in my infant
class, asked: 'Please, Mis' Wilson, what is a broncho, and how do you
bust 'em?'"

This, indeed, was too much for even Miss Sophronia's gravity. Her lips
twitched and relaxed in a broad smile.

"Well, upon my word!" she ejaculated, as she rose to her feet to go
up-stairs to her room. "Upon my word!"

An hour later, in that same room, Mrs. Wilson, going in to place some
fresh towels upon the rack, found a huge book spread open on Miss
Sophronia's bed. The book was number seven in the Reverend Thomas
Wilson's most comprehensive encyclopedia; and it was open at the word
"Texas."

Mrs. Wilson smiled and went out, closing the door softly behind her.

It was, indeed, as Mrs. Wilson had said, "Texas, Texas, Texas,"
everywhere throughout the town. Old atlases were brought down from
attics, and old geographies were dug out of trunks. Even the
dictionaries showed smudges in the T's where not over-clean fingers had
turned hurried pages for possible information. The library was besieged
at all hours, particularly by the Happy Hexagons, for they, of course,
were the storm-center of the whole thing.

Ordinarily the club met but once a week; now they met daily--even in the
absence of their beloved president, Genevieve. Heretofore they had met
usually in the parsonage; now they met in the grove back of the
schoolhouse.

"It seems more appropriate, somehow," Elsie had declared; "more sort of
airy and--Texasy!"

"Yes; and we want to get used to space--wide, wide space! Genevieve says
it's all space," Bertha Brown had answered, with a far-reaching fling of
her arms.

"Ouch! Bertha! Just be sure you've got the space, then, before you get
used to it," retorted Tilly, aggrievedly, straightening her hat which
had been knocked awry by one of the wide-flung arms.

The Happy Hexagons met, of course, to study Texas, and to talk Texas;
though, as Bertha Brown's brother, Charlie, somewhat impertinently
declared, they did not need to meet to _talk_ Texas--they did that
without any meeting! All of which merely meant, of course, retaliated
the girls, that Charlie was jealous because he also could not go to
Texas.




CHAPTER II

PLANS FOR TEXAS


It was a pretty little grove in which the Happy Hexagons met to study
and to talk Texas. Nor were they the only ones that met there. Though
Harold Day, Alma Lane's cousin, was not to be of the Texas party, the
girls invited him to meet with them, as he was Texas-born, and was one
of Genevieve's first friends in Sunbridge. On the outskirts of the magic
circle, sundry smaller brothers and sisters and cousins of the members
hung adoringly. Even grown men and women came sometimes, and stood
apart, looking on with what the Happy Hexagons chose to think were
admiring, awestruck eyes--which was not a little flattering, though
quite natural and proper, decided the club. For, of course, not every
one could go to Texas, to be sure!

At the beginning, at least, of each meeting, affairs were conducted with
the seriousness due to so important a subject. In impressive silence the
club seated itself in a circle; and solemnly Cordelia Wilson, the
treasurer, opened the meeting, being (according to Tilly) a "perfect
image of her uncle in the pulpit."

"Fellow members, once more we find ourselves gathered together for the
purpose of the study of Texas," she would begin invariably. And then
perhaps: "We will listen to Miss Bertha Brown, please. Miss Brown, what
new thing--I mean, what new features have you discovered about Texas?"

If Miss Brown had something to say--and of course she did have something
(she would have been disgraced, otherwise)--she said it. Then each in
turn was asked, after which the discussion was open to all.

They were lively meetings. No wonder small brothers and sisters and
cousins hung entranced on every word. No wonder, too, that at last, one
day, quite carried away with the enthusiasm of the moment, they made so
bold as to have something to say on their own account. It happened like
this:

"Texas is the largest state in the Union," announced Bertha Brown, who
had been called on first. "It has an area about one twelfth as large as
that of the whole United States. If all the population of the country
were placed there, the state would not be as thickly settled as the
eastern shore of Massachusetts is. Six different flags have waved over
it since its discovery two hundred years ago: France, Spain, Mexico,
Republic of Texas, Confederate States of America, and the Star Spangled
Banner."

"Pooh! I said most of that two days ago," muttered Tilly, not under
breath.

"Well, I can't help it," pouted Bertha; "there isn't very much new left
to say, Tilly Mack, and you know it. Besides, I didn't have a minute's
time this morning to look up a single thing."

"Order--order in the court," rapped Cordelia, sharply.

"Oh, but it doesn't matter a bit if we do say the same things,"
protested Alma Lane, quickly. (Alma was always trying to make peace
between combatants.) "I'm sure we shall remember it all the better if we
do repeat it."

"Of course we shall," agreed Cordelia, promptly. "Now, Alma--I mean Miss
Lane--" (this title-giving was brand-new, having been introduced as a
special mark of dignity fitting to the occasion; and it was not easy to
remember!)--"perhaps you will tell us what you have found out."

"Well, the climate is healthful," began Alma, hopefully. "Texas is less
subject to malarial diseases than any of the other states on the Gulf of
Mexico. September is the most rainy month; December the least. The mean
annual temperature near the mouth of the Rio Grande is 72°; while along
the Red River the mean annual temperature is only 80°. In the
northwestern part of the state the mean annual--"

"Alma, please," begged Tilly, in mock horror, raising both her hands,
"_please_ don't give us any more of those mean annual temperatures. I'm
sure if they can be any _meaner_ than the temperature right here to-day
is," she sighed, as she fell to fanning herself vigorously, "I don't
want to know what it is!"

"Tilly!" gasped Cordelia, in shocked disapproval. "What would Genevieve
say!"

Tilly shrugged her shoulders.

"Say? She wouldn't say anything--she couldn't," declared Tilly,
unexpectedly, "because she'd be laughing at us so for digging into Texas
like this and unearthing all its poor little secrets!"

"But, Tilly, I think we ought to study it," reproved Cordelia,
majestically, above the laugh that followed Tilly's speech. "Elsie--I
mean, Miss Martin,--what did you find out to-day?"

Elsie wrinkled her nose in a laughing grimace at Tilly, then began to
speak in an exaggeratedly solemn tone of voice.

"I find Texas is so large, and contains so great a variety of soil, and
climate, that any product of the United States can be grown within its
limits. It is a leader on cotton. Corn, wheat, rice, peanuts, sugar cane
and potatoes are also grown, besides tobacco."

"And watermelons, Elsie," cut in Bertha Brown. "I found in a paper that
just last year Texas grew 140,000,000 watermelons."

"I was coming to the watermelons," observed Elsie, with dignity.

"Wish I were--I dote on watermelons!" pouted Tilly in an audible aside
that brought a chuckle of appreciation from Harold Day.

Cordelia gave her a reproachful look. Elsie went on, her chin a little
higher.

"Texas is the greatest producer of honey in the United States. As for
the cattle--prior to 1775 there were vast ranches all over Southwestern
Texas, and herds of hundreds of wild cattle were gathered and driven to
New Orleans. I found some figures that told the number of animals in
1892, or about then. I'll give them. They're old now, of course, but
they'll do to show what a lot of animals there were there then."

Elsie paused to take breath, but for only a moment.

"There were 7,500,000 head of cattle, 5,000,000 sheep, and 1,210,000
horses, besides more than 2,321,000 hogs."

There was a sudden giggle from Tilly--an explosive giggle that brought
every amazed eye upon her.

"Well, really, Tilly," disapproved Elsie, aggrievedly, "I'm sure I don't
see _what_ there was so very funny in that!"

"There wasn't," choked Tilly; "only I was thinking, what an awful noise
it would be if all those 2,321,000 hogs got under the gate at once."

"Tilly!" scolded Cordelia; but she laughed.

She could not help it. They all laughed. Even the little boys and girls
on the outskirts giggled shrilly, and stole the opportunity to draw
nearer to the magic circle. Almost at once, however, Cordelia regained
her dignity.

"Miss Mack, we'll hear from you, please--seriously, I mean. You haven't
told us yet what you've found."

Tilly flushed a little.

"I didn't find anything."

"Why, Tilly Mack!" cried a chorus of condemning voices.

"Well, I didn't," defended Tilly. "In the first place I've told
everything I can think of: trees, fruits, history, and everything; and
this morning I just had to go to Mrs. Miller's for a fitting."

"Oh, Tilly, _another_ new dress?" demanded Elsie Martin, her voice a
pathetic wail of wistfulness.

"But there are still so many things," argued Cordelia, her grave eyes
fixed on Tilly, "so many things to learn that--" She was interrupted by
an eager little voice from the outskirts.

"I've got something, please, Cordelia. Mayn't I tell it? It's a
brand-newest thing. Nobody's said it once!"

Cordelia turned to confront her ten-year-old cousin, Edith.

"Why, Edith!"

"And I have, too," piped up Edith's brother, Fred, with shrill
earnestness. (Fred was eight.) "And mine's new, too."

Cordelia frowned thoughtfully.

"But, children, you don't belong to the club. Only members can talk, you
know."

"Pooh! let's hear it, Cordelia," shrugged Tilly. "I'm sure if it's
_new_, we need it--of all the old chestnuts we've heard to-day!"

"Well," agreed Cordelia, "what is it, Edith? You spoke first."

"It's gypsies," announced the small girl, triumphantly.

"Gypsies!" chorused the Happy Hexagons in open unbelief.

"Yes. There's lots of 'em there--more than 'most anywhere else in the
world."

The girls looked at each other with puzzled eyes.

"Why, I never heard Genevieve say anything about gypsies," ventured
Tilly.

"Well, they're there, anyhow," maintained Edith; "I read it."

"You read it! Where?" demanded Cordelia.

"In father's big sac'l'pedia." Edith's voice sounded grieved, but
triumphant. "I was up in auntie's room, and I saw it. It was open on her
bed, and I read it. It said there was coal and iron and silver, and lots
and lots of gypsies."

There was a breathless hush, followed suddenly by a shrieking laugh from
Tilly.

"Oh, girls, girls!" she gasped. "That blessed child means 'gypsum.' I
saw that in papa's encyclopedia just the other day."

"But what is gypsum?" demanded Alma Lane.

"Mercy! don't ask me," shuddered Tilly. "I looked it up in the
dictionary, but it only said it was a whole lot of worse names. All I
could make out was that it had crystals, and was used for dressing for
soils, and for plaster of Paris. _Gypsies!_ Oh, Edith, Edith, what a
circus you are!" she chuckled, going into another gale of laughter.

It was Fred's injured tones that filled the first pause in the general
hubbub that followed Tilly's explanation.

"You haven't heard mine, yet," he challenged. "Mine's right!"

"Well?" questioned Cordelia, wiping her eyes. (Even Cordelia had laughed
till she cried.) "What is yours, Fred?"

"It's boats. There hasn't one of you said a single thing about the boats
you were going to ride in."

"Boats!" cried the girls in a second chorus of unbelief.

"Oh, you needn't try to talk me out of that," bristled the boy. "I
_know_ what _I'm_ talking about. Old Mr. Hodges told me himself. He's
been in 'em. He said that years and years ago, when he was a little boy
like me, he and his father and mother went 'way across the state of
Texas in a prairie schooner; and I asked father that night what a
schooner was, and he said it was a boat. Well, he did!" maintained Fred,
a little angrily, as a shout of laughter rose from the girls.

"And so 'tis a boat--some kinds of schooners," Harold Day soothed the
boy quickly, rising to his feet, and putting a friendly arm about the
small heaving shoulders. "Come on, son, let's you and I go over to the
house. I've got a dandy picture of a prairie schooner over there, and
we'll hunt it up and see just what it looks like." And with a
ceremonious "Good day, ladies!" and an elaborate flourish of his hat
toward the Happy Hexagons, Harold drew the boy more closely into the
circle of his arm and turned away.

It was the signal for a general breaking up of the club meeting.
Cordelia, only, looked a little anxiously after the two boys, as she
complained:

"Harold never tells a thing that he knows about Texas, and he must know
a lot of things, even if he did leave there when he was a tiny little
baby!"

"Don't you fret, Cordy," retorted Tilly. (Cordelia did not like to be
called "Cordy," and Tilly knew it.) "Harold Day will talk Texas all
right after Genevieve gets back. Besides, you couldn't expect a boy to
join in with a girls' club like us, just as if he were another
girl--specially as he isn't going to Texas, anyway."

"Well, all he ever does is just to sit and look bored--except when
Tilly gets in some of her digs," chuckled Bertha.

"Glad I'm good for something, if nothing but to stir up Harold, then,"
laughed Tilly, as she turned away to answer Elsie Martin's anxious:
"Tilly, what color is the new dress? Is it red?"

It was the next day that the letter came from Genevieve. Cordelia
brought it to the club meeting that afternoon; and so full of importance
and excitement was she that for once she quite forgot to open the
meeting with her usual ceremony.

"Girls, girls, just listen to this!" she began breathlessly.

The Happy Hexagons opened wide their eyes. Never before had they seen
the usually placid Cordelia like this.

"Why, Cordelia, you're almost girlish!" observed Tilly, cheerfully.

Cordelia did not seem even to hear this gibe.

"It's a letter from Genevieve," she panted, as she hurriedly spread open
the sheet of note paper in her hand.

          "Dear Cordelia, and the whole Club," read
          Cordelia, excitedly. "I came up yesterday from New
          Jersey with the Hardings for two days in New York.
          I have been to see the animals at the Zoo all the
          afternoon, and I'm going to see the Hippodrome
          this evening. That sounds like another animal but
          it isn't one, they say. It's a place all lights
          and music and crowds, and with a stage 'most as
          big as Texas itself, with scores of real horses
          and cowboys riding all over it.

          "I am having a perfectly beautiful time, but I
          just can't wait to see my own beloved home on the
          big prairie, and have you all there with me. I
          sha'n't see it quite so soon though, for father
          has been delayed about some of his business, and
          he can't come for me quite so soon as he expected.
          He says we sha'n't get away from Sunbridge until
          the fifth; but he's engaged five sections in a
          sleeper leaving Boston at eight P. M. So we'll go
          then sure.

          "Mrs. Harding is calling me. Good-by till I see
          you. We're coming the third. With heaps of love to
          everybody, Your own

                                         "GENEVIEVE HARTLEY."

"Well, I like that," bridled Tilly. "Just think--not go until the
fifth!"

"Oh, but just think of going at all," comforted Alma Lane, hurriedly;
"and in sleepers, too! Sleepers are loads of fun. I rode in one fifty
miles, once--it wasn't in the night, though."

"I rode in one at night!" Tilly's voice rose dominant, triumphant.

"My stars!"

"When?"

"Where?"

"What was it like?"

"Was it fun?"

"Why didn't you tell us?"

Tilly laughed in keen enjoyment of the commotion she had created.

"Don't you wish you knew?" she teased. "Just you wait and see!"

"Yes, but, Tilly, do they lay you down on a little narrow shelf,
really?" worried Cordelia.

"I sha'n't take off a single thing, anyhow," announced Bertha, with
decision, "not even my shoes. I'm just sure there'll be an accident!"

Tilly laughed merrily.

"A fine traveler you'll make, Bertha," she scoffed. "Sleepers are made
to sleep in, young lady--not to lie awake and worry in, for fear
there'll be an accident and you'll lose your shoes. As for you, Cordy,
and the shelf you're fretting over--there are shelves, in a way; but you
lay yourself down on them, my child. Nobody else does it for you."

"Thank you," returned Cordelia, a little stiffly. Cordelia did not like
to be called "my child"--specially by Tilly, who was not quite sixteen,
and who was the youngest member of the club.

"But, Tilly, are--are sleepers nice, daytimes?" asked Edith Wilson, who,
as usual, was hovering near. "I should think they'd be lovely for
nights--but I wouldn't like to have to lie down all day!"

Tilly laughed so hard at this that Edith grew red of face indeed before
Alma patched matters up and made peace.

It was the trip to Texas that was the all-absorbing topic of discussion
that day; and it was the trip to Texas that Cordelia Wilson was thinking
of as she walked slowly home that night after leaving the girls at the
corner.

"I wonder--" she began just under her breath; then stopped short. An old
man, known as "Uncle Bill Hodges," stood directly in her path.

"Miss Cordelia, I--I want to speak to ye, just a minute," he stammered.

"Yes, sir." Cordelia smiled politely.

The old man threw a suspicious glance over his shoulder, then came a
step nearer.

"I ain't tellin' this everywhere, Miss Cordelia, and I don't want you to
say nothin'. You're goin' to Texas, they tell me."

"Yes, Mr. Hodges, I am." Cordelia tried to make her voice sound properly
humble, but pride would vibrate through it.

"Well, I--" The man hesitated, looked around again suspiciously, then
blurted out a storm of words with the rush of desperation. "I--years
ago, Miss Cordelia, I let a man in Boston have a lot of money. He said
'twas goin' into an oil well out in Texas, and that when it came back
there'd be a lot more with it a-comin' to me. So I let him have it. I
liked Texas, anyhow--I'd been there as a boy."

"Yes," nodded Cordelia, smiling as she remembered the prairie schooner
that was Fred's "boat."

"Well, for a while I did get money--dividends, he called 'em. Then it
all stopped off short. They shut the man up in prison, and closed the
office. And there's all my money! They do be sayin', too, that there
ain't no such place as this oil well there--that is, not the way he said
it was--so big and fine and promisin'. Well, now, of course I can't go
to see, Miss Cordelia--an old man like me, all the way to Texas. But you
are goin'. So I thought I'd just ask you to look around a little if you
happened to hear anything about this well. Maybe you could go and see
it, and then tell me. I've written down the name on this paper,"
finished the man, thrusting his trembling fingers into his pocket, and
bringing out a small piece of not over-clean paper.

"Why, of--of course, Mr. Hodges," promised Cordelia, doubtfully, as she
took the paper. "I'd love to do anything I could for you--anything! Only
I'm afraid I don't know much about oil wells, you see. Do they look just
like--water wells, with a pump or a bucket? Bertha's aunt has one of
those on her farm."

"I don't know, child, I don't know," murmured the old man, shaking his
head sadly, as he turned away. "Sometimes I think there ain't any such
things, anyhow. But you'll do your best, I know. I can trust _you_!"

"Why, of course," returned Cordelia, earnestly, slipping the bit of
paper into the envelope of Genevieve's letter in her hand.

In her own room that night Cordelia Wilson got out her list marked
"Things to do in Texas," and studied it with troubled eyes. She had now
one more item to add to it--and it was already so long!

She had started the list for her own benefit. Then had come the request
from queer old Hermit Joe to be on the lookout for his son who had gone
years ago to Texas. After that, commissions for others followed rapidly.
So many people had so many things they wanted her to do in Texas!--and
nobody wanted them talked about in Sunbridge.

Slowly, with careful precision, she wrote down this last one. Then, a
little dubiously, she read over the list.

See the blue bonnet--the Texas state flower. Find out if it really is
shaped like a bonnet.

Bring home a piece of prairie grass.

See a real buffalo.

Find Hermit Joe's son, John, who ran away to Texas twenty years ago.

See an Osage orange hedge.

See a broncho bursted (obviously changed over from "busted").

Find out for Mrs. Miller if cowboys do shoot at sight, and yell always
without just and due provocation.

See a mesquite tree.

Inquire if any one has seen Mrs. Snow's daughter, Lizzie, who ran away
with a Texas man named Higgins.

Pick a fig.

See a rice canal.

Find out what has become of Mrs. Granger's cousin, Lester Goodwin, who
went to Texas fourteen years ago.

See cotton growing and pick a cotton boll, called "Texas Roses."

See peanuts growing.

Inquire for James Hunt, brother of Miss Sally Hunt.

See a real Indian.

Look at oil well for Mr. Hodges, and see if there is any there.

       *       *       *       *       *

"Now if I can just fix all those people's names in my mind," mused
Cordelia, aloud; "and seems as if I might--there are only four. John
Sanborn, Lizzie Higgins, Lester Goodwin, and James Hunt," she chanted
over and over again. She was still droning the same refrain when she
fell asleep that night.




CHAPTER III

THE COMING OF GENEVIEVE


Genevieve was to arrive in Sunbridge at three o'clock on the afternoon
of the third of July. Her father was to remain in Boston until one of
the evening trains. The Happy Hexagons, knowing Genevieve's plans,
decided to give her a welcome befitting the club and the occasion. They
invited Harold Day, of course, to join them.

Harold laughed good-humoredly.

"Oh, I'll be there all right, at the station," he assured them. "I've
got Mrs. Kennedy's permission to bring her up to the house; but I don't
think I'll join in on your show. I'll let you girls do that."

The girls pouted a little, but they were too excited to remain long out
of humor.

"Don't our dresses look pretty! I know Genevieve'll be pleased," sighed
Elsie Martin, as, long before the train was due that afternoon, the
girls arrived at the station.

"Of course she'll be pleased," cried Alma Lane. "She can't help it. I
can hear her laugh and clap her hands now, when she sees us--and hears
us!"

"So can I," echoed Bertha. "And how her eyes will dance! I love to see
Genevieve's eyes dance."

"So do I," chorused the others, fervently.

Sunbridge was a quiet little town in southern New Hampshire near the
state line. It had wide, tree-shaded streets, and green-shuttered white
houses set far back in spacious lawns. The station at this hour was even
quieter than the town, and there were few curious eyes to question the
meaning of the unusual appearance of five laughing, excited young girls,
all dressed alike, and all showing flushed cheeks and sparkling eyes.

At one minute before three o'clock, a tall, good-looking youth drove up
in a smart trap, and was hailed with shouts of mingled joy and relief.

"Oh, Harold, we were just sure you were going to be late," cried
Cordelia.

"Late? Not I--to-day!" laughed the boy. Then, with genuine admiration:
"Say, that is pretty slick, girls. I'll take off my hat to the Happy
Hexagons to-day all right!" he finished, with an elaborate flourish.

"Thank you," twittered Tilly, saucily. "Now don't you wish you had
joined us? But then--_you_ couldn't have worn a white frock!"

A prolonged bell-clanging and the rumble of an approaching train
prevented Harold's reply, and sent the girls into a flutter of
excitement. A moment later they stood in line, waiting, breathless with
suspense.

They made a wonderfully pretty picture. Each girl was in white, even to
her shoes and stockings. Around each waist was a sash of a handsome
shade of blue. The same color showed at the throat and on the hair.

Quietly they watched the train roll into the station, and still quietly
they stood until a tall, slender girl with merry brown eyes and soft
fluffy brown hair appeared at a car door and tripped lightly down the
steps to the platform. They waited only till she ran toward them; then
in gleeful chorus they chanted:

          "Texas, Texas, Tex--Tex--Texas!
           Texas, Texas, Rah! Rah! Rah!
           GENEVIEVE!"

What happened next was a surprise. Genevieve did not laugh, nor cry out,
nor clap her hands. Her eyes did not dance. She stopped and fumbled with
the fastening of her suit-case. The next minute the train drew out of
the station, and the girls were left alone in their corner. Genevieve
looked up, at that, and came swiftly toward them.

They saw then: the brown eyes were full of tears.

The girls had intended to repeat their Texas yell; but with one accord
now they cried out in dismay:

[Illustration: "A TALL, SLENDER GIRL ... APPEARED AT A CAR DOOR"]

"Genevieve! Why, Genevieve, you're--crying!"

"I know I am, and I could shake myself," choked Genevieve, hugging each
girl in turn spasmodically.

"But, Genevieve, what is the matter?" appealed Cordelia.

"I don't know, I don't know--and that's what's the trouble," wailed
Genevieve. "I don't know why I'm crying when I'm so g-glad to see you.
But I reckon 'twas that--'Texas'!"

"But we thought you'd like that," argued Elsie.

"I did--I do," stammered Genevieve, incoherently; "and it made me cry to
think I did--I mean, to think I do--so much!"

"Well, we're glad you did, or do, anyhow," laughed Harold Day, holding
out his hand. "And we're glad you're back again. I've got Jerry here and
the cart. This your bag?"

"Yes, right here; and thank you, Harold," she smiled a little mistily.
"And girls, you're lovely--just lovely; and I don't know why I'm crying.
But you're to come over--straight over to the house this very afternoon.
I want to hear that 'T-Texas' again. I want to hear it six times
running!" she finished, as she sprang lightly into the cart.

On the way with Harold, she grew more calm.

"You see, once, last fall, I said I hated Sunbridge, and that I wouldn't
stay," she explained a little shame-facedly.

"You said you hated it!" cried Harold. "You never told me that. Why, I
thought you liked it here."

"I do, now, and I did--very soon, specially after I'd met some one I
could talk Texas to all I wanted to--_you_, you know! I reckon I never
told you, but you were a regular safety valve for me in those days."

"Was I?" laughed the lad.

"Yes, even from that first day," nodded Genevieve, with a half-wistful
smile. "Did I ever tell you the reason, the real reason, why Aunt Julia
called you into the yard that afternoon?"

"Why, no--not that I know of." Harold's face showed a puzzled frown.

"Well, 'twas this. I'd been here a week, and I was so homesick and
lonesome for father and the ranch and all. I was threatening to go back.
I declared I'd walk back, if there was no other way. Poor Aunt Julia!
She tried everything. Specially she tried to have me meet some nice
girls, but I just wouldn't. I said I didn't want any girls that weren't
Texas girls. I didn't want anything that wasn't Texas. That's what I'd
been saying that very day out under the trees there, when Aunt Julia
looked toward the street, saw you, and called you into the yard."

"Is _that_ why she introduced me as the boy who was born in Texas?"
laughed Harold.

"Yes; and you know how I began to talk Texas right away."

"But I couldn't help much--I left there when I was a baby."

"I know, but you'd been there," laughed Genevieve, "and that helped.
Then, through you, I met your cousin Alma, and the rest was easy, for I
always had you for that safety valve, to talk Texas to. You see, it was
just that I got homesick. All my life I'd lived on the ranch, and things
here were so different. I didn't like to--to mind Mrs. Kennedy and Miss
Jane, very well, I suspect. You see, at the ranch I'd always had my own
way, and--I liked it."

"Well, I'm sure that's natural," nodded Harold.

"I know; but I wasn't nice about it," returned the girl, wistfully.
"Father said I must do everything--everything they said. And I tried to.
But Miss Jane had such heaps of things for me to do, and such tiresome
things, like dusting and practising, and learning to cook and to sew!
And it all was specially hard when you remember that I didn't want to
come East in the first place. But I love it here, now; you know I do.
Every one has been so good to me! Aunt Julia is a dear."

"And--Miss Jane?" queried Harold, eyeing her a little mischievously.

Genevieve blushed.

"Miss Jane? Well, she's 'most a dear, too--sometimes. As for
Sunbridge--I love both the East and the West now. Don't you see? But,
to-day, coming up from Boston, I got to thinking about it--my dear
prairie home; and how I had hated to leave it, and how now I was going
back to it with Aunt Julia and the girls all with me. And I was so
happy, so wonderfully happy, that a great big something rose within me,
and I felt so--so queer, as if I could fly, and fly, and _fly_! And
then, when I saw the girls all dressed alike so prettily, and heard the
'Texas, Texas, Texas'--what did I do? I didn't do anything but
cry--_cry_, Harold, just as if I didn't like things. And the girls were
so disappointed, I know they were!"

"Never mind; I guess you can make them understand--anyhow, you have me,"
said Harold, trying to speak with a lightness that would hide the fact
that her words had made him, too, feel "queer." Harold did not enjoy
feeling "queer."

A moment later they turned into the broad white driveway that led up to
the Kennedy home.

On the veranda of the fine old house stood a sweet-faced,
motherly-looking woman with tender eyes and a loving smile. Near her was
a taller, younger woman with eyes almost as interested, and a smile
almost as cordial.

"You dears--both of you!" cried Genevieve, running up the steps and
into the arms of the two women.

"Thank you, Harold," smiled Mrs. Kennedy over Genevieve's bobbing head;
"thank you for bringing our little girl home."

"As if I wasn't glad to do it!" laughed the boy, gallantly, as he picked
up the reins and sprang into the cart. To the horse he added later, when
quite out of earshot of the ladies: "Jerry, I'm thinking Genevieve isn't
the only one in that house that has 'improved' since last August. It
strikes me that Miss Jane Chick has done a little on her own account.
Did you see that smile? That was a really, truly smile, Jerry. Not the
'I-suppose-I-must' kind!"

Genevieve and the two ladies were still on the veranda when the five
white-clad girls turned in at the broad front walk.

"We came around this way home," announced Tilly. "You _said_ you wanted
us."

"Want you! Well, I reckon I do," cried Genevieve, springing to her feet.
"Come up here this minute! Now say it--say it again--that thing you did
at the station. I want Aunt Julia to hear it--and Miss Jane."

The change in Genevieve's voice and manner was unconscious, but it was
very evident. No one noticed it apparently, however, but Tilly; and she
only puckered her lips into an odd little smile as she formed in line
with the other girls: Tilly was not without some experience herself with
Miss Jane and her ways.

"Now, one, two, three, ready!" counted Cordelia, sternly, her face a
tragedy of responsibility lest this final triumph of their labors should
be anything less than the glorious success the occasion demanded.

Once more five eager, girlish countenances faced squarely front. Once
more five fresh young voices chanted with lusty precision:

          "Texas, Texas, Tex--Tex--Texas!
           Texas, Texas, Rah! Rah! Rah!
           GENEVIEVE!"

It was finished. Cordelia, with the expression of one from whom the
weight of nations has been lifted, drew a happy sigh, and looked
confidently about for her reward. Almost at once, however, her face
clouded perplexedly.

Genevieve was dancing lightly on her toes and clapping her hands softly.
Mrs. Kennedy was laughing with her handkerchief to her lips. But Miss
Jane Chick--Miss Jane Chick was sitting erect, her eyes plainly
horrified, her hands clapped to her ears.

"Children, children!" she gasped, as soon as there was a chance for her
voice to be heard. "You don't mean to say that you did _that_--at a
public railroad station!"

Cordelia looked distressed. The other girls bit their lips and lifted
their chins just a little: they did not like to be called "children."

"But, Miss Chick," stammered Cordelia, "we didn't think--that is, we
wanted to do something to welcome Genevieve, and--and--" Cordelia
stopped, and swallowed chokingly.

"But to shout like that," protested Miss Chick. "You--_young ladies_!"

The girls bit their lips still harder and lifted their chins still
higher: they were not quite sure whether they more disliked to be
"children" or "young ladies"--in that tone of voice.

"Oh, but Miss Jane," argued Genevieve, "you know Sunbridge station is
just dead, simply dead at three o'clock in the afternoon. Nobody ever
comes on that train, hardly, and there wasn't a soul around but that
sleepy Mr. Jones and the station men, and that old Mrs. Palmer. And you
know _she_ wouldn't hear a gun go off right under her nose."

"Genevieve, my dear!" murmured Mrs. Kennedy--but her eyes were
twinkling.

Cordelia still looked troubled.

"I know, Genevieve," she frowned anxiously, "but I never thought of it
that way--what others would think. Maybe we ought not to have done it,
after all. But I'm sure we didn't mean any harm."

Promptly, now, Mrs. Kennedy came to the rescue.

"Of course you did not, dear child," she said, smiling into Cordelia's
troubled eyes; "and it was very sweet and lovely of you girls to think
of giving Genevieve such a pretty welcome. Oh, of course," she added
with a whimsical glance at her sister, "we shouldn't exactly advise you
to make a practice of welcoming everybody home in that somewhat
startling fashion. That really wouldn't do, you know. Sunbridge station
might not be quite so dead next time," she finished, meeting Genevieve's
grateful eyes.

       *       *       *       *       *

"That really was dear of you, Aunt Julia," confided Genevieve some time
later, after the girls had gone, and when she and Mrs. Kennedy were
alone together. (Miss Jane had gone up-stairs.) "Only think of the pains
they took--to get themselves up to look so pretty, besides learning to
give that yell so finely. I was so afraid they'd be hurt at what Miss
Jane said! And I wouldn't want them hurt--after all that!"

"Of course you wouldn't," smiled Mrs. Kennedy; "and my sister wouldn't
either, dear."

Genevieve stirred restlessly.

"I know she wouldn't, Aunt Julia; but--but the girls don't know it.
They--they don't understand Miss Jane."

"And do you--always?" The question was gently put, but its meaning was
unmistakable.

Genevieve colored.

"Maybe not--quite always; but--Miss Jane is so--so shockable!"

Mrs. Kennedy made a sudden movement. Apparently she only stooped to pick
up a small thread from the floor, but when she came upright her face was
a deeper red than just that exertion would seem to occasion.

"Genevieve, have you been to your room since you came home?" she asked.
There were times when Mrs. Kennedy could change the subject almost as
abruptly as could Genevieve herself.

"No, Aunt Julia. You know Nancy carried up my suit-case, and I've been
too busy telling you all about my visit to think of anything else."

"Oh," smiled Mrs. Kennedy. "I was just wondering."

Genevieve frowned in puzzled questioning.

"Well, I'm going up right away, anyhow," she said. "Mercy! I reckon I'll
go up right now," she added laughingly, springing to her feet as there
came through the open window behind her the sound of a clock striking
half-past five. "I had no idea it was so late."

Genevieve was not many minutes in her room before she ceased to wonder
at Mrs. Kennedy's questioning; for in plain sight on her dressing-table
she soon found a small white box addressed to Genevieve Hartley. The
box, upon being opened, disclosed in a white velvet nest a beautiful
little chatelaine watch in dark blue enamel and gold.

          "To keep Genevieve's time.
            With much love from
              Jane Chick."

read Genevieve on the little card that was with the watch.

"Oh, oh, oh, how lovely!" breathed the girl, hovering over the watch in
delight. "And to think what I said!" With a heightened color she turned,
tripped across the room and hurried down the hall to Miss Jane's door.

"Miss Jane!"

"Yes, dear."

"May I come in?"

"Yes, indeed."

"I--I want to thank you--oh, I do want to thank you, but I don't know
how." Genevieve's eyes were misty.

"For the watch? You like it, then?"

"Like it! I just love it; and I never, never saw such a beauty!"

"I'm glad you like it."

There was a moment's pause. Over by the dressing-table Miss Jane was
carefully smoothing a refractory lock of hair into place. She looked so
calm, so self-contained, so--far away, thought Genevieve; if it had been
Aunt Julia, now!

Suddenly the girl gave a little skipping run and enveloped the lady in
two wide-flung young arms, thereby ruffling up more than ever the
carefully smoothed lock of hair.

"Miss, Jane, I--I've just got to hug you, anyway!"

"Why, Genevieve, my dear!" murmured Miss Jane, a little dazedly.

From the door Genevieve called back incoherently--the hug had been as
short in duration as it had been sudden in action:

"I don't think I can be late now, Miss Jane, ever--with that lovely
thing to keep time for me. And I wanted you to know--next year, when I
come back, I'm just sure I shall cook and sew beautifully, and do my
practising and everything, without once being told. And if I do sprain
my ankle I'll be a perfect angel--truly I will. And I won't ever keep
folks waiting, either, or--mercy! there's Nancy's first ring now, and
I'm not one bit ready!" she broke off, as the musical notes of a Chinese
gong sounded from the hall below. The next moment Miss Jane was alone
with her thoughts--and with the lock of hair that she was still trying
to smooth.

"Dear child!" smiled the lady. Then she turned abruptly and hastened
from the room, her hair still unsmoothed. "I'll just tell Nancy to be a
little slow about ringing that second gong," she murmured.

When Genevieve came down-stairs to supper that night, she brought with
her two books: one a small paper-covered one, the other a larger one
bound in dark red leather.

"Here's the latest 'Pathfinder'--only I call it 'Path_loser_,'" she
laughed, handing the smaller book to Miss Jane Chick; "and here
is--well, just see what is here," she finished impressively, spreading
open the leather-covered book before Mrs. Kennedy's eyes.

"'Chronicles of the Hexagon Club,'" read Mrs. Kennedy. "Oh, a journal!"
she smiled.

"Yes, Aunt Julia. Isn't it lovely?"

"Indeed it is! Who will keep it?"

"All of us. We are going to take turns. We shall write a day apiece--we
six Happy Hexagons of the Hexagon Club."

"Do the girls know about it?" asked Miss Jane.

"Not yet. I just thought of it yesterday when I saw the book in the
store. Father bought it for the club--of course _my_ money was gone long
ago--at such a time as _this_," she explained with laughing emphasis.
"I'm going to show the book to the girls to-morrow. Won't they be
tickled--I mean pleased," corrected Genevieve, throwing a hasty glance
into Miss Jane's smiling eyes.

"I think they will," agreed that lady, pleasantly.

The girls were pleased, indeed, when Genevieve told of her plan and
showed the book the next day. But even so entrancing a subject as a
journal kept by each in turn could not hold their attention long; for
time was very short now, and in every household there were a
dozen-and-one last things to be done before the momentous fifth of July.
Even the Fourth, with its fun and its firecrackers had no charms for the
Happy Hexagons. Of so little consequence did they consider it, indeed,
that at last one small boy quite lost his patience.

"You won't fire my crackers, you won't take me to the picnic, you won't
play ball, you won't do anything," he complained to his absorbed sister.
"I shall be just glad when this old Texas thing is over!"




CHAPTER IV

ON THE WAY


All the girls' friends came to see them off at the station that fifth of
July.

"Mercy! it would never do to spring our Texas yell to-day," chuckled
Tilly, eyeing the assembled crowd; "but wouldn't I like to, though!"

"There's nothing dead about Sunbridge now, sure," laughed Genevieve.

"I should say not," declared Harold Day, who had begged the privilege of
going to Boston to see them aboard their train for Washington.

"For you see," he had argued, "it's to my state, after all, that you are
going, so I ought to be allowed to do the honors at this end of the trip
as long as I can't at the other!"

They were off at last, Mrs. Kennedy, Mr. Hartley, the six girls, and
Harold. But what a scrambling it was, and what a confusion of chatter,
laughter, "good-byes," and "write soons"!

In Boston there was a thirty-minute wait in the South Station before
their train was due to leave; but long before the thirty minutes were
over, the usually serene face of Mrs. Kennedy began to look flushed and
worried.

"Genevieve, my dear," she expostulated at last, "can't you keep those
flutterbudget girls somewhere near together? It will be time, soon, to
take our train, and only Cordelia is in sight. Not even Harold and your
father are here!"

Genevieve laughed soothingly.

"I know, Aunt Julia; but they'll be here, I'm sure. There's still lots
of time," she added, glancing proudly at her pretty new watch.

"But where are they all?"

"Tilly and Elsie have gone for some soda water, and Bertha for a
sandwich at the lunch counter. She said she just couldn't eat a thing
before she left home. Alma Lane has gone to a drug store across the
street. I don't know where father and Harold are. They went off
together, and--oh, here they are!" she broke off in relief, as the two
wanderers appeared.

"And now," summoned Mr. Hartley, "we'll be off to our car! Why, where
are the rest of us?"

"Well, they--they aren't all here," frowned Genevieve, a little
anxiously.

As at Sunbridge, it was a rush and a scramble at the last. Tilly, Elsie,
and Bertha came back, but Genevieve went to look for Alma Lane; and when
Alma returned without having seen Genevieve, Harold had to run
post-haste for her.

"Sure, dearie," said Mr. Hartley to his daughter, laughingly, when at
last he had his charges all in the car, "this is a little worse than
trying to corral a bunch of bronchos!"

"Oh, but we won't be so bad again," promised the girl, waving her hand
to Harold, who stood alone outside the window, watching them a little
wistfully.

They had a merry time getting settled, and more than one tired
countenance in the car brightened at sight of the six eager young faces.

"I couldn't get all five sections together," frowned Mr. Hartley. "I got
three here, but the other two are down near the end of the car--you know
the porter showed you. Do you think we can make them go, some way?" he
questioned Mrs. Kennedy, anxiously. "I planned for you to have one of
the sections down there by yourself, perhaps, with two of the young
ladies in the other. Will that do?"

"Of course it will--and finely, too," declared the lady. "Genevieve, you
and I will go down there and take one of the girls with us--perhaps
Bertha. That will leave your father for one up here, Elsie and Alma for
another, and Tilly and Cordelia for the third."

"I knew she'd put you with Cordelia," chuckled Bertha to Tilly, under
cover of their scramble to pick out their suit-cases from the pile in
which the porter had left them. "And I'm sure you ought to be," she
laughed. "There'll be some hopes then that you'll be kept in order!"

"Just look to yourself," retorted Tilly, serenely. "Mrs. Kennedy put
_you_ down there near _her_--remember that!"

"I declare, I felt just like an orange," giggled Elsie, "with all that
talk about 'sections.'"

"I don't see where the shelves are," whispered Cordelia, craning her
short little neck to its full extent.

"You'll see them all right," promised Tilly. "Just wait till it's dark,
then--'The goblins'll get ye if ye don't watch out!'" she quoted, with
mock impressiveness.

"I feel as if I were ten years old, and playing house," chirped Alma
Lane, as she happily frowned over just the proper place for her bag.

"I feel as if it were all a dream, and that I shall wake up right at
home," breathed Cordelia. "Seems as if it just couldn't be true--that
we're really going to Texas! Oh, Genevieve, we can't ever thank you and
your father enough," she finished, as Genevieve came up the aisle.

"As if we wanted thanks, after what you've done for me!" cried
Genevieve. "Besides, you girls can't be half so glad to go as I am to
have you!"

Some time later the porter began to make up the berths.

Tilly nudged Cordelia violently.

"There's shelf number one, Cordy. How do you think you'll like it?" she
asked.

Cordelia was too absorbed even to notice the hated "Cordy." With
wide-eyed, breathless interest she was watching the porter.

"I think--it's the most wonderful thing--I ever saw," she breathed in an
awestruck voice.

It was after the car was quiet that night that Genevieve, in her upper
berth, pulled apart the heavy curtains and peeped out into the long
narrow aisle between the swaying draperies.

The train was moving very rapidly. The air was heavy and close. The
night was an uncomfortably warm one. Genevieve had been too excited to
sleep. Even yet it did not seem quite real--that the Happy Hexagons were
all there with her, and that they were going to her far-away Texas home.

With a sigh the girl fell back on her pillow, and tried to coax sleep to
come to her. But sleep refused to come. Instead, the whole panorama of
her Eastern winter unrolled itself before her, peopled with little fairy
sprites, who danced with twinkling feet and smiled at her mockingly.

"Oh, yes, I know you," murmured Genevieve, drowsily. "I know you all.
You--you little black one--you're the cake I forgot in the oven, and let
burn up. And you're the lessons I didn't learn--there are heaps of you!
And you--you're those horrid scales I never could catch up with. My,
how you run now! And you--you little shamed one over in the
corner--you're the prank I played on Miss Jane.... Oh, you can dance
now--but you won't, by and by! Next year there won't be any of you--not
a one left. I'm going to be so good, so awfully good; and I'm not going
to ever forget, or to cause anybody any trouble, or--"

With a start Genevieve sat erect in her berth, fully awake.

"Mercy! What a jounce that was!" she cried, just above her breath. "But
we seem to be going all right now."

Cautiously she parted her curtains and peeped out again. The next
instant she almost gave a little shriek: she was looking straight into
Bertha Brown's upraised, startled eyes, just below her.

"Was that an accident?" chattered Bertha. "I told you there'd be one!
I'm all dressed, anyhow--if 'tis!"

"Sh-h! No, goosey," chuckled Genevieve.

She would have said more but, at that moment, from up the aisle sounded
a sibilant "S-s-s-s!" They turned to see a somewhat untidy fluff of red
hair above a laughing, piquant face.

"It's Tilly! She's motioning to us. Say, let's go," whispered Genevieve.
And cautiously she began to let herself down from her perch.

The next moment Bertha, fully dressed, and Genevieve in her long, dark
blue kimono, were tripping softly up the aisle.

"Why, you're both down here," exulted Genevieve, as she climbed into the
lower berth.

"Yes; Cordelia was afraid," giggled Tilly, "so I came down."

"Tilly!--I was not," disputed Cordelia, in an indignant whisper. "You
came of your own accord."

"Pooh! Tilly's fooling, and we know it," soothed Bertha, climbing into
the berth after Genevieve.

"Why, Bertha Brown, you've got your shoes on!" gasped Tilly, forgetting
to whisper.

"Of course I have," retorted Bertha. "Do you suppose--sh!"

There was a tug at the curtains, and Elsie Martin's round, good-natured
face peered in.

"Well, I like this," she bridled. "A special meeting of the Hexagon
Club, and me not notified! I heard Genevieve and Bertha giggling in the
aisle. Are you all here?"

"All but Alma," rejoined Tilly, in an exultant whisper. "Say, get her,
too!"

"Well, now, if this isn't just a lark," crowed Bertha, gleefully, when
the last of the six girls had crowded themselves into the narrow berth.

"Ouch! my head," groaned Genevieve, as a soft thud threw the other girls
into stifled laughter.

"Pooh! I've been hitting my head against the up-stairs flat ever since I
went to bed," quoth Elsie. "Isn't it fun! Now let's talk."

"What about?"

"Texas, of course," cut in Tilly. "Girls, girls, wouldn't it be glorious
to give our Texas yell, though, and see what happened!"

"Tilly!" gasped the shocked Cordelia.

"Oh, I wasn't going to, of course," chuckled Tilly, softly. "I was just
imaginin', you know."

"But even this--I'm not sure we ought--" began Cordelia.

"No, of course not; you never are, Cordy," agreed Tilly, smoothly.

"But let's talk Texas--we can whisper, you know. Tell us about Texas,
Genevieve," cut in pacifier Alma, hurriedly. "What's it like--the
ranch?"

Genevieve drew a happy sigh.

"Why, it's like--it's like nothing in Texas, we think," she breathed.
"Of course we don't think any other ranch could come up to the Six
Star!"

Tilly gave a sudden cry.

"The what?"

"The Six Star--our ranch, you know."

"You mean it's named the 'Six Star Ranch'?" demanded Tilly.

"Sure! Didn't I ever tell you?" retorted Genevieve in plain surprise.

Tilly clapped her hands softly.

"_Did_ you! Well, I should say not! You've always called it just 'the
ranch.' And now--why, girls, don't you see?--it's _our_ ranch. It
couldn't have had a better name if we'd had it built to order. It's the
Six Star Ranch--and we're the six star girls--the Happy Hexagons. And to
think we never knew it before!"

There was a chorus of half-stifled exclamations of delight; then
Cordelia demanded anxiously:

"But, Genevieve, will they be glad to see us, really--all your people
out there?"

"Glad! I reckon they will be," averred Genevieve, warmly. "The boys will
give us a rousing welcome, and there won't be anything too good for Mr.
Tim and Mammy Lindy to do."

"Who are they?" asked Tilly.

"Mr. Tim is the ranch foreman, 'the boss,' the boys call him. He's been
with us ever since I can remember, and he's so good to me! Mammy Lindy
is--well, Mammy Lindy is a dear! You'll love Ol' Mammy. She's been just
a mother to me ever since my own mother died eight years ago."
Genevieve's voice faltered a little, then went on more firmly. "She's a
negro woman, you know. Her people were slaves, once."

"And--the--boys?" asked Cordelia, dubiously. "Are they your--brothers,
Genevieve?"

Genevieve laughed--a little more loudly than perhaps she realized.

"Brothers!--well, hardly! The boys are the cowboys--on the ranch, you
know. My, but they'll give us a welcome! I reckon they'll ride into town
to give it, too, in all their war paint. Just you wait till you see the
boys--and hear them!" And Genevieve laughed again.

All in the dark Cordelia looked distinctly shocked; but, being in the
dark, nobody noticed it.

"Well, I for one just can't wait," began Tilly, hugging herself with her
arms about her knees. "Only think, it'll be whole days _now_ before we
get there, and--"

"Young ladies!"

Tilly stopped with a little cry of dismay. A man's voice had spoken
close to her ear.

"Young ladies," came the mellow tones again. "I begs yo' pardon, but de
lady what belongs down in number ten says maybe you done forgot dat dis
am a _sleepin'_ car."

"Aunt Julia!" breathed Genevieve. "She's number ten."

"She sent the porter," gasped Cordelia. "How--how awful!--and you're in
my house, too," she almost sobbed.

"Now I know we're playing house," tittered Alma Lane, hysterically, as
she followed Genevieve out of the berth.

Once more in her own quarters, Genevieve lay back on her pillow with a
remorseful sigh.

"I don't see why it's so much easier to _say_ you'll never give anybody
any trouble than 'tis to _do_ it," she lamented, as she turned over with
a jerk.

The girls began the "Chronicles of the Hexagon Club" the next morning.
Genevieve made the first entry. She dwelt at some length on the
confusion of the train-taking, both at Sunbridge and Boston. She also
had something to say of Tilly Mack. She gave a full account, too, of the
midnight session of the Hexagon Club in Cordelia's berth.

"And I'm ashamed that Aunt Julia had to be ashamed of me so soon," she
wrote contritely.

Cordelia Wilson had agreed to make the second entry in the book; but the
heat, the loss of sleep, and the strangeness and excitement added to her
distress that "her house" should have been made to seem a disgrace in
the eyes of the whole car, all conspired to make her feel so ill that
she declared she could not think of writing for a day or two.

"Very well, then, you sha'n't write; we'll hand the book to Tilly," said
Genevieve, "and then we'll give it to some of the others. But I'll tell
you what we will do, Cordelia; you shall make the last entry in the book
just before we leave the train at Bolo. And you can make it a sort of
retrospect--a 'review lesson' of the whole, you know."

"But I thought the others--won't they each tell their day?"

"That's _just_ what they'll tell--their day," retorted Genevieve,
whimsically. "You _know_ what most of them are. Alma Lane would be all
right, and would give a true description of everything; only she would
go into particulars so, that she would tell everything she saw from the
windows, and just what she had to eat all day, down to the last olive."

"I know," nodded Cordelia, with a faint smile.

"As for Tilly--you can't get real sense, of course, from her part. If
there's any nonsense going, Tilly Mack will find it and trot it out.
Bertha Brown will take up the most of her space by saying 'I always said
that--' etc., etc. Bertha is a dear--but you know she does just love to
say 'I told you so.' Elsie will write clothes, of course. We shall find
out what everybody has on when Elsie writes."

Cordelia laughed aloud--then clapped her hand to her aching head.

"You poor dear! What a shame," sympathized Genevieve. "But, Cordelia,
why does Elsie think so much of clothes? Mercy! for my part I think
they're the most tiresome sort of things to bother with; and it's such a
waste of time to be having to change your dress always!"

Cordelia smiled; then her face sobered.

"Poor Elsie! I'm sorry for Elsie. She does have such an unhappy time
over clothes."

"Why? How?--or isn't it fair to tell?" added Genevieve, with quick
loyalty.

"Oh, yes, it's fair. Everybody knows it, 'most, and I supposed you did.
Elsie herself tells of it. You know she lives with her aunt, Mrs. Gale.
Well, Mrs. Gale has three daughters, Fannie, about twenty-one, I guess,
and the twins, nineteen; and she just loves to make over their things
for Elsie--so she does it."

"Are they so very--poor, then?"

"Oh, no; they aren't poor at all. I don't think she really has to do it.
Aunt Mary says she's just naturally thrifty, and that she loves to make
them over. But you see, poor Elsie almost never has a new dress--of new
material, I mean. Now Elsie loves red; but Fannie wears blue a lot, and
the twins like queer shades like faded-out greens and browns which Elsie
abhors. Poor Elsie--no wonder she's always looking at clothes!"

"Hm-m; no wonder," nodded Genevieve, her pitying eyes on Elsie far down
the aisle--Elsie, who, in a mustard-colored striped skirt and pongee
blouse, was at that moment trying to perk up the loppy blue bows on a
somewhat faded tan straw hat. "Well, anyhow," added Genevieve, with a
sigh, "just remember, Cordelia, that you're to do the last day of the
trip in the Chronicles. Now lie down and give your poor head a rest."

       *       *       *       *       *

Long before the last day of the journey came, Cordelia had quite
recovered from her headache; but, in accordance with Genevieve's plan,
she did not add her share to the Chronicles until the appointed time.
Then, with almost a reverent air, she accepted the book and pen from
Genevieve's hands, and returned to the seclusion of her seat, rejoicing
that Tilly was playing checkers with Bertha, and so would not,
presumably, disturb her--for a time, at least.

"To-day, at noon, we are to arrive at Bolo," she wrote a little
unevenly; then with a firmer hand she went on. "Genevieve says this
ought to be a retrospect, and touch lightly upon the whole trip; so I
will try to make it so.

"It has been a beautiful journey. Nothing serious has happened, though
Bertha has worn her shoes all the time expecting it. The best thing, so
far, was our lovely day in Washington that Mr. Hartley gave us, and the
President. (I mean, we saw him and he smiled.) And the worst thing
(except that first night in my berth that Genevieve wrote of) was the
time we lost Tilly for three whole hours, and Mrs. Kennedy got so
nervous and white and frightened. We supposed, of course, she had fallen
off, or jumped off, or got left off at some station. But just as we
were talking with the porter about telegraphing everywhere, she danced
in with two very untidy, unclean little Armenian children. It seems she
had been in the emigrant car all the time playing with the children and
trying to make the men and women talk their queer English. I never knew
that gentle Mrs. Kennedy could speak so sharply as she did then to
Tilly.

"And now--since Tuesday, some time--we have really been in Texas. Some
things look just like Eastern things, but others are so strange and
queer. It is very hot--I mean, very warm, too. But then, we have just as
warm days in Sunbridge, I guess. The windmills look so queer--there are
such a lot of them; but they look pretty, too. Some of the towns are
very pretty, also, with their red roofs and blue barns and houses.
Genevieve says lots of them are German villages.

"In some places lots of things are growing, but in others it is all just
gray and bare-looking with nothing much growing except those queer
prairie-dog cities with the funny little creatures sitting on top of
their houses, or popping down into their holes only to turn around and
look at you out of their bright little eyes. We had a splendid chance to
see them once when our train stopped right in the middle of a prairie
for a long time. We got off and walked quite a way with Mr. Hartley. I
saw a rattlesnake, and I'm afraid I screamed. I screamed again when the
horrid thing wiggled into one of the dog houses. Mr. Hartley says they
live together sometimes, but if I were that dog he wouldn't live with
me!

"We have seen lots of cattle and goats and hogs--though Tilly says she
hasn't seen any of the latter under any gate yet. I have seen a mesquite
tree (so I have done one of my things), and it _does_ have thorns. We
are on another prairie now, and oh, how big it is, and such a lot of
grass as there is on it--just as far as you can see, grass, grass,
grass! I guess there won't be any danger of my not having plenty of that
to take home. I have seen lots of men on horseback, but I don't know
whether they were cowboys or not. They did not shoot, anyway, but some
of them did yell.

"Genevieve says cowboys are to meet us, and that probably they will come
away to Bolo in full war paint. I thought it was only Indians who
painted--except silly ladies, of course--and I was going to say so; but
Tilly was there, so I didn't like to. Of course I ought not to mind the
cowboys--if Genevieve likes them, and they are her friends; but I can't
help remembering what Mrs. Miller told me about their 'shooting up
towns' in a very dreadful way when they were angry. I hope none of the
men I want to find will turn out to be cowboys." (Here there were signs
of an attempted erasure, but the words still stood, and immediately
after them came another sentence.) "That is, I mean I should hate to
find that any friends of mine had become cowboys.

"I have just been reading over what I have written, and I am
disappointed in it. I am sure I ought to have mentioned a great many
things about which I have been silent. But there were so many things,
and they all crowded at once before me, so that I had to just touch on
the big things and the tall things--like windmills, for instance.

"We are getting nearer Bolo now, and I must stop and eat some luncheon,
Genevieve says, as we sha'n't have anything else till supper on the
ranch. Oh, I am so excited! Seems as if I couldn't draw a breath deep
enough. And the idea of trying to eat when I feel like this!"




CHAPTER V

THE BOYS PREPARE A WELCOME


On the back gallery of the long, low ranch house, the boys were waiting
for Teresa to ring the bell for supper. Comfortably they lolled about on
hammocks, chairs, and steps, with their shirts open at the neck and
plentifully powdered with the dust of the corral.

From the doorway, Tim Nolan, the ranch foreman, spoke to them hurriedly.

"See here, boys, I'm right sorry, but I've got to see Benson to-morrow
about those steers. That means that I've got to go as far as Bolo
to-night, and that I sha'n't be back in time to start with the rest of
you to meet the folks. But I'll see you in Bolo day after to-morrow at
noon. The train is due then. Now be on hand, all of you that can. We
want Miss Genevieve and her friends to have a right royal welcome. I
reckon now I'd better be off. So long! Now remember--day after to-morrow
at noon!" he finished, turning away.

"As if we'd be a-forgettin' it," grinned Long John, a tall, lank fellow
sprawled in a hammock, "when the little mistress hain't set her pretty
foot on the place since last August!"

"If only she wa'n't bringin' all them others," groaned the short,
sandy-haired man on the steps. "I'd just like to rope the whole bunch
and send 'em back East again, old lady and all--all but the little
mistress, of course. Boys, what are we a-goin' to do with an old
lady--even though she ain't so awful old--and five tom-fool girls on the
Six Star Ranch?"

"Ees not the Señorita a gurrl, also?" laughed a dark-eyed Mexican from
his perch on the gallery railing. "Eh, Reddy?"

"Sure, Pedro," retorted the sandy-haired man, testily. (Pedro was the
only Mexican cowboy at the ranch, and even he was barely tolerated.)
"But the little mistress ain't no tenderfoot girl. She don't howl at a
rattlesnake nor jump at a prairie dog; and she knows how to ride, and
which end of a gun goes off!"

There was a general laugh, followed by a long silence--the boys did not
usually talk so much together, but to-night a curious restlessness
pervaded them all. Suddenly the tall man in the hammock pulled himself
erect.

"Look a-here, boys, that's jest it," he began in a worried voice. "What
if the little mistress has changed? What if she hain't no use for us and
the ranch any more? I never told ye, but at the first, last August,
'fore she went away, I heard the boss and Mr. Hartley a-talkin'. They
was sayin' she'd got to go East to learn how to live like a lady
should--to know girls, and books, and all that. They said she was
runnin' wild here with only us for playmates, and that they had just got
ter pasture her out where the grass was finer, and the fences nearer
tergether."

"Did they say--that?" gasped half a dozen worried voices.

"They sure did--and more. They said two real ladies was a-goin' ter take
her and make her like themselves--a lady. And, boys, I was
wonderin'--how is a lady goin' ter like us, and the ranch?"

There was a moment's tense silence. The boys were staring, wide-eyed and
appalled, into each other's faces.

From somewhere came a deep sigh.

"Gorry!--she can't, she just can't, after all her book-learnin' and
culturin'," groaned a new voice.

For a time no one spoke; then Reddy cleared his throat.

"Look a-here, there ain't but jest one thing to do. If she don't like
the ranch--and us--we'll jest have to make the ranch--and us--so she
will like 'em."

"How?" demanded a skeptical chorus.

"Slick 'em up--and us," retorted the sandy-haired man, with finality. "I
was raised East, and I know the sort of doin's they hanker after.
To-morrow mornin' we'll begin. I'll show you; you'll see," he finished
in a louder tone, as Teresa's clanging supper bell sent them in a
stampede through the long covered way that led to the dining-room which,
with the cook room, occupied the large, low building thirty feet to the
rear of the ranch house.

       *       *       *       *       *

When Tim Nolan arrived at the Bolo station a little before noon two days
later, he stared in open-mouthed wonder at the sight that greeted his
eyes. In a wavering, straggling line stood ten stiff, red-faced,
miserable men, dressed in what was, to Tim Nolan, the strangest
assortment of garments he had ever seen.

Two of the men were in dead black, from head to foot. Four wore stiff,
not over-clean white shirts. Six sported flaming red neckties. One had
unearthed from somewhere a frock coat three sizes too small for him,
which he wore very proudly, however, over a flannel shirt adorned with a
red-and-green silk handkerchief knotted at the throat. Another displayed
a somewhat battered silk hat. But, whatever they wore, each showed a
face upon which hope, despair, pride, shame, and physical misery were
curiously blended.

For an instant Tim Nolan peered at them with unrecognizing eyes; then
he gave a low ejaculation.

"Reddy! Carlos! Jim! Boys!" he gasped. "What in the world is the meaning
of this?"

"Eet ees that we welcome the little Señorita an' her frien's," bowed
Pedro, doffing his sombrero which was the only part of his usual costume
that he had retained.

"But--I don't understand," demurred the foreman; "these rigs of yours!
Reddy, where in time did you corral that coat?"

Reddy shifted from one uneasy foot to the other.

"Pedro's told you--we're here to welcome the little mistress, of course.
We've slicked up. We--we didn't want the shock too sudden--from the
East, you know."

For another moment Tim Nolan stared; then he threw back his head and
laughed--laughed till the faces of the men before him grew red with
something more than discomfort.

At that moment a pretty young girl in khaki and a cowboy hat made her
appearance astride a frisky little mustang. She wore a cartridge belt
about her waist--though there was no revolver in her holster.

"Is Genevieve coming to-day, sure?" she called out joyfully. "I heard
she was, and I've come to meet her."

"There, boys," bantered the ranch foreman, "now here's a young lady who
knows how to welcome the mistress of the Six Star Ranch!" Then, to the
girl: "Sure, Miss Susie, we do expect Genevieve, and we're here to
welcome her, as you see," he finished with a sweep of his broad-brimmed
hat.

It looked, for a moment, as if the wavering, straggling men would break
ranks and run; but a sudden distant whistle, and a sharp command from
Reddy brought them right about face.

"Buck up, boys," he ordered sharply. "I reckon the little mistress ain't
a-goin' ter turn us down! She'll like it. You'll see!"

The train had scarcely come to a stop before Genevieve was off the car
steps.

"Mr. Tim, Mr. Tim--here I am! Oh, how good you look!" she cried, holding
out both her hands. A minute later she turned to introduce the
embarrassed foreman to Mrs. Kennedy and the girls, who, with her father,
were following close at her heels. This task was not half completed,
however, when she spied the red-faced, anxious-eyed men.

As Mr. Tim had done, she stared dumbly for a moment; then, leaving the
rest of the introductions to her father, she ran toward them.

"Why, it's the boys--our boys! Carlos, Long John, Reddy! But what _is_
the matter? How queer you look! Is anybody sick--or--dead?" she
stammered, plainly in doubt what to say.

"Sure, it's for you--we're a-welcomin' you," exploded Long John,
jerking at his collar which was obviously too small for him.

Genevieve's face showed a puzzled frown.

"But these clothes!--why are you like this?--and after all I've promised
the girls about you, too!"

"You mean--you don't like it--this?" demanded Reddy, incredulous hope in
his eyes and voice.

"Of course I don't like it! I've been promising the girls all the way
here that you'd give them a welcome that _was_ a welcome! And now--but
why did you do it, boys?"

Long John drew himself to his full height.

"Why? 'Cause Reddy said to," he answered. "Reddy said we'd better ease
up on the shock it would be to you--here, after all you'd been used to
back East--fine clothes, fine feed, and fine doin's all around, to say
nothin' of books and learnin' in between times; so we--we tried to break
ye in easy. That's all," he finished, a little lamely.

"And then these clothes mean--that?" demanded the girl.

Long John nodded dumbly.

Genevieve gave a ringing laugh, but her eyes grew soft as she extended
her hand to each man in turn.

"What old dears you are--every one of you!" she exclaimed. "Now go home
quick, and get comfortable." She would have said more, but some one
called her and she turned abruptly. Cordelia Wilson, looking half
frightened, half exultant, but wholly excited, was pulling at her
sleeve.

"Genevieve, Genevieve, quick," she was panting; "is that a cowboy--that,
over there--talking to your father?"

Genevieve turned with a wondering frown. The next moment she burst into
a merry laugh.

"Oh, Cordelia, Cordelia, you will be the death of me, yet! No, that
isn't a cowboy. It's Susie Billings. She lives on a ranch near here."

"A girl--dressed like that--and carrying a revolver! Just a common
'Susie!'" gasped Cordelia.

"Yes--just a common 'Susie,'" twinkled Genevieve.

"But I thought she was a--a cowboy," quavered Cordelia. "You _said_
they'd be here in--in all their war paint!"

From behind them sounded a muffled snort and a low-voiced:

"Boys, she thinks that's a cowboy! Come on--say we show 'em! Eh?"

Genevieve laughed softly at what Cordelia had said, and at the
disappointment in her voice.

"Cowboys? Well, they _are_ here," she acknowledged with twitching lips,
"and in their war paint, too--of a kind! They're right here--Why,
they're _gone_," she broke off. "Never mind," she laughed, as she
caught sight of a silk hat and a black coat hurrying toward a group of
saddled ponies. "I reckon you'll see all the cowboys you want to before
you go back East again. Now come up and meet Susie--and she hasn't,
really, any revolver there, Cordelia, in spite of that cartridge belt
and holster. She's always rigging up that way. She likes it!"

Susie proved to be "a girl just like us," as Cordelia amazedly expressed
it to Alma Lane. She was certainly a very pleasant one, they all
decided. But even Susie could not keep their eyes from wandering to the
unfamiliar scene around them.

It was a bare little station set in the midst of a bare little prairie
town, and quite unlike anything the Easterners had ever seen before.
Broad, dusty streets led seemingly nowhere. Low, straggling houses
stretched out lazy lengths of untidiness, except where a group of
taller, more pretentious buildings indicated the stores, a hotel or two,
several boarding houses, and numerous saloons and dance halls.

From the station doorway, a blanketed Indian looked out with stolid,
unsmiling face. Leaning against a post a dreamy-eyed Mexican in tight
trousers, red sash, and tall peaked hat, smoked a cigarette. Halfway
down the platform a tired-looking man in heavy cowhide boots and rough
clothes, watched beside a huge canvas-topped wagon beyond which could
be seen the switching tails of six great oxen.

"There's Fred's 'boat,'" remarked Bertha, laughingly, to Cordelia.

"Where? What?" Cordelia had been trying to look in all directions at
once.

"That prairie schooner down there."

"Now that looks like the pictures," asserted Cordelia. "I wonder if the
cowboys will."

"I declare, the whole thing is worse than a three-ring circus," declared
Tilly, aggrievedly, to Genevieve. "I simply can't see everything!"

"All aboard for the ranch," called Mr. Hartley, leading the way around
to the other side of the station; and like a flock of prairie chickens,
as Genevieve put it, they all trooped after him.

"Why, what funny horses!" cried Tilly, as Mr. Hartley stopped before a
large, old-fashioned three-seated carriage drawn up to the platform.

At Genevieve's chuckling laugh, Tilly threw a sharper glance toward the
two gray creatures attached to the carriage.

"Why, they aren't horses at all--yes, they are--no, they aren't,
either!"

"I always heard young ladies were a bit changeable," grinned Tim Nolan,
mischievously; "but do they always change their minds as often as that,
Miss?"

"Yes, they do--when the occasion demands it," retorted Tilly, with a
merry glance; and Tim Nolan laughed appreciatively.

"Well, they aren't horses," smiled Mr. Hartley, as he gave his hand to
help Mrs. Kennedy into the carriage. "They happen to be mules. Now, Miss
Tilly, if you'll come in here with Mrs. Kennedy, we'll put two other
young ladies and myself in the other two seats, and leave Genevieve to
do the honors in one of the ranch wagons with the rest of you. The
baggage, the boys are already putting in the other wagon, I see," he
added, looking back to where two men were busy with a pile of trunks and
bags. "They'll come along after us. Mr. Tim is on his horse, of course.
We'll let him show us the way. Now stow yourselves comfortably," he
admonished his guests. "You know we have an eighteen-mile ride ahead of
us!"




CHAPTER VI

CORDELIA SEES A COWBOY


Through the broad, dusty streets, by the straggling houses, and out on
to the boundless sea of grass trailed the carriage and the ranch wagons,
with Mr. Tim in the lead.

Five pairs of eyes grew wide with wonder and awe.

"I didn't suppose anything in the world could be so--so far," breathed
Cordelia, who was with Mr. Hartley on the front seat of the carriage.

"No wonder Genevieve was always talking about 'space, wide, wide
space,'" cried Bertha. "Why, it's just like the ocean--only more so,
because there aren't any waves."

"As if anything could be more like the ocean than the ocean itself,"
giggled Tilly.

Mr. Hartley laughed good-naturedly.

"Never mind, Miss Bertha," he nodded. "Just you wait till there's a
little more wind, and you'll see some waves, I reckon. It's mighty still
just now; and yet--there, look! Over there to the right--see?"

They all looked, and they all saw. They saw far in the distance the
green change to gray, and the gray to faint purple, and back again to
green, while curious shifting lights and shadows glancing across the
waving blades of grass, made them ripple like water in the sunlight. At
the same time, from somewhere, came a soft, cool wind.

"Why, it is--it is just like the ocean," exulted Cordelia. "I've seen it
look like that down to Nantasket, 'way, 'way off at sea."

"I told you 'twas," triumphed Bertha.

"Well, anyway," observed Tilly, demurely, "they must be awfully dry
waves--not much fun to jump!"

"Tilly, how can you?" protested Cordelia. "How you do take the poetry
out of anything! I believe you'd take the poetry out of--of Shakespeare
himself!"

"Pooh! Never saw much in him to take out," shrugged Tilly.

"Tilly!" gasped Cordelia.

"Tilly can't see poetry in anything that doesn't jingle like 'If you
love me as I love you, no knife can cut our love in two,'" chanted
Bertha.

"My dears!" remonstrated Mrs. Kennedy, feebly.

Tilly turned with swift pacification.

"Don't you worry, Mrs. Kennedy. I'm used to it. They can't trouble me
any!"

It was Mr. Hartley who broke the silence that followed.

"Well, Miss Cordelia," he asked laughingly, "what is the matter? You've
been peering in all directions, and you look as if you hadn't found what
you were hunting for. You weren't expecting to find soda fountains and
candy stores on the prairie, were you?"

Cordelia smiled and shook her head.

"Of course not, Mr. Hartley! I was looking for the blue bonnets--the
flowers, you know. Genevieve said they grew wild all through the prairie
grass."

"And so they do--specially, early in the spring, my dear. I wish you
could see them, then."

"I wish I could--Genevieve has told me so much about them. She says
they're the state flower. I thought they had such a funny name; I wanted
to pick one, if I could. She says they're lovely, too."

"They are, indeed, and I wish you could see them when they are at their
best," rejoined Mr. Hartley; then he turned to Bertha, who had been
listening with evident interest. "In the spring it's a blue ocean, Miss
Bertha--I wish you could see the wind sweep across it then! And I wish
you could smell it, too," he added with a laugh. "I reckon you wouldn't
think it much like your salty, fishy east wind," he finished,
twinkling.

"Oh, but we just love that salty, fishy east wind, every time we go near
the shore," retorted a chorus of loyal Eastern voices; and Mr. Hartley
laughed again.

In the ranch wagon behind them, Genevieve was doing the honors of the
prairie right royally. Here, there, and everywhere she was pointing out
something of interest. In the ranch wagon, too, the marvelous hush and
charm of limitless distance had wrought its own spell; and all had
fallen silent.

It was Alma Lane who broke the pause.

"What are all those deep, narrow paths, such a lot of them, running
parallel to the wheel tracks?" she asked curiously. "I've been watching
them ever since we left Bolo. They are on both sides, too."

"They're made by the cattle," answered Genevieve; "such a lot of them,
you know, traveling single file on their way to Bolo. Bolo is a 'cow
town'--that is, they ship cattle to market from there."

"Poor things," sighed Elsie, sympathetically. "I saw some yesterday from
the train. I thought then I never wanted to eat another piece of
beefsteak--and I adore beefsteak, too."

Genevieve sobered a little.

"I know it; I know just how you feel. I hate that part--but it's
business, I suppose. I reckon I hate business, anyhow--but I love the
ranch! I can't get used to the branding, either."

"What's that?" asked Elsie.

Genevieve shook her head. A look of pain crossed her face.

"Don't ask me, Elsie, please. You'll find out soon enough. Branding is
business, too, I suppose--but it's horrid. Mammy Lindy says that the
first time I saw our brand on a calf and realized what it meant and how
it got there, I cried for hours--for days, in fact, much of the time."

"Why, Genevieve," cried Elsie, wonderingly. "How dreadful! What is a
brand? I thought 'brand' meant the kind of coffee or tea one drank."

Alma frowned and threw a quick look into Genevieve's face.

"What a funny little town Bolo is!" she exclaimed, with a swift change
of subject. "I declare, it looked 'most as sleepy as Sunbridge."

"Sleepy!" laughed Genevieve, her face clearing, much to Alma's
satisfaction. "You should see Bolo when it's really awake--say when some
association of cattlemen meet there. And there's going to be one next
month, I think. There's no end of fun and frolic and horse-racing then,
with everybody there, from the cowboys and cattle-kings to the trappers
and Indians. You wouldn't think there was anything sleepy about Bolo
then, I reckon," nodded Genevieve, gayly.

"Genevieve, quick--look!--off there," cried Elsie, excitedly.

"Some more of Fred's 'boats'--three of them this time," laughed Alma,
her eyes on the three white-topped wagons glistening in the sunlight.

"Boats?" questioned Genevieve.

"That's what little Fred Wilson told us we were going to ride in,"
explained Alma. "He said they had prairie schooners here, and schooners
were boats, of course."

Genevieve laughed merrily.

"I wish Fred could see these 'boats,'" she said.

"Well, I don't know; I feel as if they were boats," declared Alma,
stoutly. "I'm sure I don't think anybody on the ocean could be any more
glad to see a sail than I should be to see one of these, if I were a
lonely traveler on this sea of grass!"

"But where are they going?" questioned Elsie.

"I don't know--nor do they, probably," rejoined Genevieve, with a
quizzical smile. "They're presumably emigrants hunting up cheap land for
a new home. There used to be lots of them, Father says; but there aren't
so many now. See--they're going to cross our way just ahead of us. We'll
get a splendid view of them."

Nearer and nearer came the curiously clumsy, yet curiously airy-looking
wagons. Sallow-faced women looked out mournfully, and tow-headed
children peeped from every vantage point. Brawny, but weary-looking men
stalked beside their teams.

"Look at the men--_walking_!" cried Elsie.

"They're 'bull-whackers,'" nodded Genevieve, mischievously.

"Bull-whackers!"

"Yes, because their teams happen to be oxen; if they were mules, now,
they'd be 'mule-skinners.'"

"Is that what you are, then?" asked Elsie, with a demureness that
rivaled Tilly's best efforts. "You're driving mules, you know."

"Well, you better not call me that," laughed Genevieve. "See, they've
stopped to speak to Father. I reckon we'll have to stop, too."

"I 'reckon' we shall," mimicked Elsie, good-naturedly.

"They've got all their household goods and gods in those wagons," said
Genevieve, musingly. "I can see a tin coffeepot hanging straight over
one woman's head."

"I shouldn't think they had anything but children," laughed Alma, as
from every wagon there tumbled a scrambling, squirming mass of barefoot
legs, thin brown arms, and touseled hair above wide, questioning eyes.

Long minutes later, from the carriage, Cordelia Wilson followed with
dreamy eyes the slow-receding wagons, now again upon their way.

"I feel just like 'ships that pass in the night,'" she murmured.

"I don't. I feel just like supper," whispered Tilly. Then she laughed
at the frightened look Cordelia flung at Mr. Hartley.

On and on through the shimmering heat, under the cloudless sky, trailed
the carriage and the ranch wagons. Mr. Tim had long ago galloped out of
sight.

It was when they were within five miles of the ranch that Cordelia,
looking far ahead, saw against the horizon a rapidly growing black
speck. For some time she watched it in silence; then, suddenly, she
became aware that, large as was the speck now, it had broken into other
specks--bobbing, shifting specks that promptly became not specks at all,
but men on horseback.

Spasmodically she clutched Mr. Hartley's arm.

"What--are--those?" she questioned, with dry lips.

Mr. Hartley gave an indifferent glance ahead.

"Cowboys, I should say," he answered.

Cordelia caught her breath. At that moment a shot rang out, then
another, and another.

Mr. Hartley looked up now, sharply, a little angrily. The indifference
was quite gone from his face.

It was then that Genevieve's voice came clear and strong from the wagon
behind.

"It's the boys, Father--our boys!" she called. "I know it's the boys. I
told them I'd promised the girls a welcome, and they're giving it to
us!"

"By George! it is our boys," breathed Mr. Hartley. And the scowl on his
face gave way to a broad smile.

"Is it really all--fun?" quavered Cordelia, breathlessly.

"Every bit," Mr. Hartley assured her. And then--though still
breathlessly--Cordelia gave herself up to the excitement of the moment.

They were all about them soon--those lithe, supple figures, swaying
lightly, or sitting superbly erect in their saddles. From the top of
their broad-brimmed hats to the tips of their high-heeled cowboy boots
they were a wonder and a joy to the amazed eyes of Cordelia. With
stirrups so long the chains clanked musically, they galloped back and
forth, shouting, laughing, and shooting wildly into the air. With their
chaparejos, or leather overalls, their big revolvers, their spurs, their
bright silk handkerchiefs knotted loosely around their necks over the
open collar of their flannel shirts, they made a brave show, indeed. Nor
was the least of the wonders about them the graceful swirls of
loosely-coiled lariats hanging from the horns of their saddles.

After all, it lasted only a minute before the revolvers were thrust into
the waiting holsters, and before the men, bareheaded, were making a
sweeping bow from their saddles.

It was Genevieve who led the clapping.

"Oh, boys, thank you! That was fine--just fine!" she crowed. "Now I
reckon Cordelia thinks she has seen a cowboy all right!"

And Cordelia did. A little white, but bravely smiling, she was sitting
erect, apparently serene. And only Mr. Hartley knew that one of her
hands was clutched about his arm in a grasp that actually hurt.

"They did that--all that shooting and yelling--just for a joke, then?"
she asked Mr. Hartley, a little later.

"Only that. They were giving you a welcome to the Six Star Ranch."

"Then they don't act like that all the time?"

"Hardly!" laughed the man. "I reckon they wouldn't get much work done if
they did."

Cordelia drew a relieved sigh. Her eyes, a little less fearful, rested
on the erect figure of the nearest cowboy, just to the right of the
carriage.

"I'm so glad," she murmured. "I'll tell Mrs. Miller. She thought they
did, you know--yell always without just and due provocation, and shoot
at sight."

The man's lips twitched; but the next moment they grew a bit stern at
the corners.

"That's exactly it, Miss Cordelia--exactly the idea that some people
have of the boys, and I'll grant that when they--they drink too much
whiskey, they aren't exactly what you might call peaceable, desirable
companions--though three-fourths of their antics then are caused by
reckless high spirits rather than by real ugliness--with exceptions, of
course. But when sober they are quiet, straightforward, generous-hearted
good fellows, hard-working and honest; certainly my boys are."

Mr. Hartley hesitated, then went on, still gravely.

"There's just as much difference in ranches, of course, Miss Cordelia,
as there is in folks; and all the ranches are changing fast, anyway,
nowadays. Lots of the owners are quitting living on them at all. They've
gone into the towns to live. On the Six Star the boys take their meals
with the family; and in many places they don't do that, I know, even
where the owner lives on the ranch. Our boys are very loyal to us, and
very much interested in all that concerns us. They fairly worship
Genevieve, and have, all the way up."

"I'm so glad," murmured Cordelia, again; and this time there was a look
very much like admiration in the eyes that rested on Long John just
ahead.

It was some time later that Mr. Hartley said, half turning around:

"Look straight ahead, a little to the right, young ladies, and you'll
get a very good view of the Six Star Ranch."

"Oh, and you've got a windmill," cried Tilly. "I can see it against the
sky; I know I can!"

"Yes, we've got a windmill," nodded Mr. Hartley.

"I love windmills," exulted Cordelia.

"So does Genevieve," observed Mr. Hartley, raising his eyebrows a
little.

Only Cordelia noticed the odd smile he gave as he spoke, and she did not
know what it meant. Later, however, she remembered it. She was too much
excited now to think of anything but the fact that the Six Star Ranch
was so near.

Bertha craned her neck to look ahead.

"Only think, we haven't passed a house, not a house since we left Bolo,"
she cried.

Mr. Hartley smiled.

"You see, Miss Bertha, Bolo, eighteen miles away, is our nearest
neighbor; and you'll have to go even farther than that in any other
direction to strike another neighbor."

"My stars!" gasped Bertha. "How awful lonesome it must be, Mr. Hartley."

"Anyhow, you can't be much bothered with neighbors running in to borrow
two eggs and a little soda, can you?" giggled Tilly.

"No; that isn't one of the difficulties we have to deal with," smiled
Mr. Hartley; but Bertha bridled visibly.

"Well, really, Tilly Mack," she exclaimed in pretended anger, "I should
like to know if you mean anything special! You see," she added
laughingly to Mr. Hartley, "I happen to live next to Tilly, myself!"

From both carriage and wagon, now, came a babel of eager chatter. There
was so much to be seen on the one hand, so much to be explained on the
other. The buildings and corrals were plainly visible by this time, and
each minute they became more clearly defined.

"Do you mean that all that belongs to just one ranch?" demanded Tilly.

"Sure!" twinkled Mr. Hartley. "You see, if folks can't borrow of us, we
can't borrow of them, either; so it's rather necessary that we have all
the comforts of home ourselves."

"Well, I guess you've got them," laughed Tilly, looking wonderingly
about her.

"I reckon we have," nodded Mr. Hartley, as he began to point out one and
another of the buildings.

There was the long, low ranch house facing the wide reach of the
prairie. Behind it, and connected with it by a covered way, were the
dining room and the cook room. Beyond that was the long bunk house where
the men slept, flanked by another building for the Mexican servants.
There were stables, sheds, a storehouse and saddle-room, and a
blacksmith's shop. Below the house an oblong bit of fenced ground showed
a riot of color--Genevieve's flower garden. Below that was a vegetable
garden. There was a large corral for the cattle, and a smaller one,
high and circular, for the horses. There were three or four green trees
near the house--tall, thin cottonwoods that had grown up along the
slender streams of waste water from the windmill.




CHAPTER VII

THE RANCH HOUSE


"And here we are at the Six Star Ranch," cried Mr. Hartley, as he leaped
from the carriage before the wide-open door of the ranch house. "Well,
Mammy Lindy," he added, as the kindly, wrinkled old face of a colored
woman appeared in the doorway, "I've corralled the whole bunch and
brought them West with me!"

A little stiffly the girls got down from their seats--all but Genevieve.
She, in the space of a breath, seemingly, had leaped to the ground and
run up on to the wide gallery where the negress, with adoring eyes,
awaited her.

"Laws, chil'e," Tilly, who was nearest, heard a tenderly crooning voice
say, "but I am jes' pow'ful glad to see ye, honey!"

"Mammy, you old darling!" cried Genevieve, giving the rotund, gayly-clad
figure a bear-like hug. "You look just as good as you used to--and my,
my! just see all this new finery to welcome me," she added, holding off
her beaming-faced old nurse at arms' length. "I reckon you'll think
something has come, Mammy Lindy, when we all get settled," she added
laughingly, as she turned to present the old woman to Mrs. Kennedy and
the girls.

A little later, Tilly, in the wide, center hallway, was looking
wonderingly about her.

"Well, Genevieve Hartley, I didn't think you _could_ have room enough
for us all," she declared; "but I'll give it up. I should think you
might entertain the whole state of Texas in this house!"

"We try to, sometimes," laughed Genevieve. "You know we Texans pride
ourselves on always having room for everybody."

"Well, I should think you did--and, only think, all on one floor, too!"

Genevieve did not answer. She was looking around her with a thoughtful
little frown between her eyebrows as if she saw something she did not
quite understand.

The girls were standing in the wide center hallway that ran straight
through the house. On one side, through a wide archway, could be seen a
large living-room with piano, bookshelves, comfortable chairs, a couch,
and a good-sized table. Beyond that there was a narrow hall with two
large rooms leading from it. From the other side of the center hall
opened another narrow hall at right angles, from which led the six
remaining rooms of the house.

"This is more fun than getting settled in the sleepers," declared Elsie
Martin, as Genevieve began to fly about arranging her guests.

The boys made quick work of bringing in the trunks and bags; and then
for a brief half-hour there was quiet while eight pairs of hurried hands
attempted to remove part of the dust of travel and to unearth fresh
blouses and clean linen from long-packed trunks.

It was a hungry, merry crowd, a little later, that trooped through the
long covered way leading to the dining-room.

"Now I know why this house has got so much room in it," declared Tilly.
"We could have room in the East if we banished our dining-rooms and
kitchens and pantries to the neighbors like this!"

Genevieve did not answer. They had reached the long narrow room with the
big table running lengthwise of it. Only one end of the table was set
with places for eight.

"Why, where are the boys?" questioned Genevieve.

Mammy Lindy shook her head.

"Dey ain't here, chil'e."

"But, Mammy, you are mistaken. They are here. They came home with us."

"Yas'm, dey done come home, sure 'nuf, but dey ain't eatin' now, honey."

"Why not?"

Again the old woman shook her head. She did not answer. She turned
troubled eyes first on the two young Mexican maids by the doorway, then
on Mr. Hartley.

"Father, do you know what this means?" demanded Genevieve.

"No, dearie, I must say I don't," frowned Mr. Hartley.

"Then I shall find out," avowed the mistress of the Six Star Ranch.
"Mammy Lindy, please seat my guests, and have the supper served right
away. I'll find Mr. Tim."

"But, my dear," remonstrated Mrs. Kennedy, gently, "wouldn't it be
better if you ate your own supper first--with your guests?"

Genevieve shook her head. Her face flushed painfully.

"I know, Aunt Julia, of course, what you mean. You don't think it's
civil in me to run off like this. But it's the boys--something is the
matter. They always eat with us. Why, they may be thinking we don't
_want_ them, Aunt Julia. Please, please excuse me, everybody," she
entreated, as she ran from the room.

Halfway to the bunk house Genevieve met the ranch foreman.

"Why, Mr. Tim, supper is ready. Didn't you know?" she called, hurrying
toward him. "Where are the boys?"

An odd expression crossed the man's kindly, weather-beaten face.

"Oh, they're 'round--in spots."

"Why don't they come to supper?"

Mr. Tim's eyebrows went up.

"Well, as near as I can make out, that's part of the welcome they're
giving you."

"Welcome!--to stay away from supper!"

Mr. Tim laughed.

"I reckon maybe I'll have to explain," he replied. "Long John told me
they'd got it all fixed up that, after your fine doings back East, you
wouldn't take to things on the ranch very well. So for two days the
whole bunch has been slicking things up, including themselves. They
hunted up every stiff hat and b'iled shirt in this part of Texas, I
reckon, for that splurge at Bolo; and Mammy Lindy says they've been
pestering the life out of her, slicking up the house."

Genevieve drew in her breath with a little cry.

"There! That's what was the matter with the rooms," she ejaculated.
"Nothing looked natural--but some things weren't exactly 'slicked up,'
Mr. Tim. I couldn't turn around without finding a book at my elbow.
There's scarcely one left on the shelves!"

"Maybe I can explain that," returned the man, with a twinkle in his
eyes. "Reddy said the East was mighty strong on books and culturing, so
I s'pose he thought he'd have 'em 'round handy. It's lucky your father
had all them books come out while you was studying, or else I reckon the
boys would have hit the trail for the nearest book-store and roped every
book in sight."

Genevieve laughed appreciatively.

"But, the supper?" she frowned again.

"Oh, that's part of the outfit--and Reddy said it was 'dinner,' too. He
said that he was raised back East, and that he knew; and that 'twas more
seemly that you ate it without their company."

"Humph! Well, it isn't, and I sha'n't," settled Genevieve, emphatically.
"Where is Reddy? Go in to supper," she laughed, "and I'll round up the
boys--I mean, I'll find them," she corrected demurely. "Miss Jane
doesn't like me to say 'round up,' Mr. Tim."

Mr. Tim smiled, but his eyes grew tender--almost anxious.

"I reckon they haven't spoiled you back East, after all, little girl.
You're the same true blue, like you was, before."

Genevieve laughed and colored a little.

"Of course I am," she declared. "Now I'm going for the boys."

Mr. Tim laid a detaining hand on her arm.

"Not to-night; it's late, and it would make no end of fuss all around.
But I'll tell them. They'll be on hand for breakfast, all right. Now go
back to your own supper, yourself."

"All right," agreed Genevieve, reluctantly. "But--to-morrow, remember!"

"I ain't forgetting--to-morrow," nodded the man.

In the dining-room Genevieve was greeted with a merry clamor, under
cover of which she said hurriedly to her father:

"It's all right. They'll come to-morrow."

"I guess you won't find we've left you much to eat," gurgled Elsie
Martin, her mouth full of fried chicken.

"Oh, yes, I shall--in Texas," retorted Genevieve.

"But I'm so ashamed," apologized Cordelia. "I don't think we ought to
eat so much."

"I do," disagreed Tilly, "when everything is so perfectly lovely as this
is. They are just the nicest things! And just guess how many hot
biscuits I've eaten with this delicious plum sauce! Mr. Hartley says
they're wild--the plums, I mean, not the biscuits."

"And it's all such a surprise, too," interposed Alma Lane; "milk, and
butter, and all."

Genevieve stared frankly.

"Surprise!--_milk and butter!_" she exclaimed. "Didn't you suppose we
had milk and butter?"

Alma blushed.

"Why, Genevieve, I--I didn't mean anything, you know, truly I didn't,"
she stammered. "It's only that--that ranches don't usually have them,
you know."

"Don't usually have them!" frowned Genevieve. "Alma Lane, what _are_ you
talking about?"

"Why, we read it, you know, in a book," explained Cordelia, hastily,
coming to the rescue. "They said in spite of there being so many cows
all around everywhere, there wasn't any butter or milk, and that the
cowboys wouldn't like to be asked to milk, you know."

"You read it? Where?" Genevieve's forehead still wore its frown.

Mr. Hartley gave a chuckling laugh.

"I reckon Genevieve doesn't know much about such ranches," he observed.
"As I was telling you, Miss Cordelia, coming out this afternoon, there's
just as much difference in ranches as there is in folks; and ours
happens to be the kind where we like all the comforts of home pretty
well. To be sure, I wouldn't just like to ask Reddy or Long John to
milk, maybe," he added, with a whimsical smile; "but I don't have to,
you see. I've got Carlos for just such work. He looks after the
vegetable garden, too, and Genevieve's flowers. By the way, dearie,"--he
turned to his daughter--"Tim says Carlos has been putting in his
prettiest work on your garden this summer. Be sure you don't forget to
notice it."

"As if I could help noticing it," returned Genevieve. She was about to
say more when there came an earnest question from Cordelia.

"Mr. Hartley, please, what did you call those two men?"

"What men?"

"The ones you--you wouldn't wish to ask to milk."

"Oh, the boys? I don't remember--I reckon 'twas Reddy and Long John that
I mentioned, maybe."

"Yes, sir; that's the one I mean--the John one. What is his other name,
please?"

"His surname? Why, really, Miss Cordelia, I reckon I've forgotten what
it is. The boys all go by their first names, mostly, else by a nickname.
Why? Found a long-lost friend?"

"Oh, no, sir. Well, I mean--that is--he may be lost, but he isn't mine,"
stammered Cordelia, who was always very literal.

"Then don't blush so, Cordy," bantered Tilly, wickedly, "else we shall
think he is yours."

Cordelia blushed a still deeper pink, but she said nothing; and in the
confusion of leaving the dining-room she managed to place herself as far
from Tilly as possible. On the back gallery she saw the ranch foreman.
As the others went chattering through the hall to the gallery beyond,
she lingered timidly.

"Mr. Nolan, would--would you please tell me Mr.--Mr. John's other name?"

"John? Oh, you mean 'Long John,' Miss?"

"Yes; but--'John' what?"

Tim Nolan frowned.

"Why, let me see,"--he bit his lip in thought--"'Pierce'--no, 'Proctor.'
Yes, that's it--'John Proctor.'"

A look of mingled disappointment and relief crossed Cordelia's face.

"Thank you, Mr. Nolan, very much," she faltered, as she hurried after
her companions.

"I don't know whether I'm glad or sorry," she was thinking. "Of course
'twould have been nice if he'd been John Sanborn, only I'm afraid Hermit
Joe wouldn't like a cowboy for a son, specially as there wouldn't be
anything for him to do in Sunbridge at his trade."

Mrs. Kennedy announced soon after supper that she should take matters in
hand very sternly that night and insist upon an early bedtime hour.

"It has been a long, hot, fatiguing day," she said, "but you are all so
excited you'd sit up half the night asking questions and telling
stories; so I shall take advantage of my position as chaperon, and send
you to bed very soon."

"O dear!" sighed Tilly. "If only it would come morning quick! Just
think, we've got to wait a whole night before we can do any of the
things we're dying to do!"

"Never mind; there are lots of days coming," laughed Mr. Hartley. "What
a fine family of young folks I have, to be sure," he gloried, looking
around him contentedly.

They were all about him on the front gallery, in hammocks and chairs, or
sitting on the steps; and a very attractive group they made, indeed.

"I think it would help the waiting if Genevieve would go in and sing to
us," suggested Bertha, after a moment's silence. "It will be so heavenly
to sit out here and listen to it!"

"Oh, sing that lovely Mexican 'Swallow Song,'" coaxed Elsie. "'_La
Gol--_' _--Gol_-something, anyhow."

"Don't swear, Elsie," reproved Tilly, with becoming dignity.

"_'La Golondrina'?_" laughed Genevieve.

"Yes, it's a dear," sighed Elsie.

"I'd rather have that Creole Love Song that you say Mammy Lindy taught
you," breathed Cordelia. "That would be perfect for such a scene as
this."

"Pooh! I'd rather have one of those tinkly little tunes where you can
hear the banjos and the tambourines," averred Tilly.

"Indeed! At this rate I don't see how I'm going to sing at all," laughed
Genevieve, "with so many conflicting wishes. Anything different anybody
wants?"

"Yes," declared Mr. Hartley, promptly. "I want them all."

"Of course!" cried half a dozen voices.

"All right!" rejoined Genevieve, laughingly, springing to her feet.

And so while everybody watched the stars in the far-reaching sky,
Genevieve, in the living room, played and sang till the back gallery and
the long covered way at the rear of the house were full of the moving
shadows of soft-stepping Mexican servants and cowboys. And everywhere
there was the hush of perfect content while from the living room there
floated out the clear, sweet tones, the weird, dreamy melodies, and the
tinkle of the tambourines.

One by one, an hour later, the lighted windows in the long, low ranch
house became dark. The last to change was the one behind which sat
Cordelia Wilson in the room she shared with Tilly.

"Cordelia, why don't you put out that light and go to bed?" demanded
Tilly at last, drowsily. "Morning will never come at this rate!"

"Yes, Tilly, I'm going to bed in just a minute," promised Cordelia, as
carefully she wrote in the space opposite Mrs. Miller's name on her list
of "things to do":

"Cowboys are good, kind gentlemen; but they are noisy, and some
rough-looking."

Five minutes later, Cordelia, from her little bed on one side of the
room called a soft "good night" across to Tilly. But Tilly was already
asleep.




CHAPTER VIII

THE MISTRESS OF THE SIX STAR RANCH


Breakfast was an early matter at the Six Star Ranch. It came almost with
the sunrise, in fact. Genevieve had assured her guests, on the night of
their arrival, however, that their breakfast might be hours later--that
it might, indeed, be at any hour they pleased. But on this first morning
at the ranch, there was not one guest that did not promptly respond to
the breakfast-bell except Mrs. Kennedy. The stir of life out of doors
had proved an effectual rising-bell for all; and it was anything but a
sleepy-looking crowd of young people that tripped into the dining-room
to find the boys already waiting for them--a little quiet and shy, to be
sure, but very red and shiny-looking as to face and hands, speaking
loudly of a vigorous use of soap and water.

Before the meal was half over, Mrs. Kennedy came in, only to meet a
chorus of remonstrances that she should have disturbed herself so early.

Genevieve, however, assumed a look of mock severity.

"Aunt Julia," she began reprovingly in so perfect an imitation of Miss
Jane Chick's severest manner that Mrs. Kennedy's lips twitched; "didn't
you hear the rising-bell, my dear? How often must I ask you not to be
late to your meals?"

For one brief moment there was a dazed hush about the table; then, at
sight of Cordelia's horrified face, Genevieve lost her self-control and
giggled.

"Oh, but that was such a good chance," she chuckled. "Please, Aunt
Julia, I just couldn't help it. I had to!"

"I don't doubt it," smiled back Mrs. Kennedy; and at the meaning
emphasis in her voice there was a general laugh.

"Well, what shall we do first?" demanded Tilly, when breakfast was over.

Genevieve put her finger to her lips.

"I wonder, now. Oh, I know! Let's go out and see if they've driven in
the saddle band yet; then we'll watch the boys rope them and start to
work."

"What's a saddle band?--sounds like a girth," frowned Tilly.

"Humph! I reckon it isn't one, all the same," laughed Genevieve. "It's
the horses the boys ride. Each one has his own string, you know."

"No, I don't know," retorted Tilly, aggrievedly. "And you needn't use
all those funny words--'string' and 'saddle band' and 'rope
them'--without explaining them, either, Genevieve Hartley. You've been
talking like that ever since we came. Just as if we knew what all that
meant!"

Genevieve laughed again.

"No, you don't, of course," she admitted, "any more than I understood
some of your terms back East. But come; let's go out and watch the boys.
One of the sheds has a lovely low, flat roof, and we can see right over
into the horse corral from there. It's easy; there's a ladder. Come on!"

"Why, what a lot of horses!" cried Tilly, a moment later, as they
stepped out of doors. "Do they ride all those?"

"Not this morning," laughed Genevieve. "You see, each man has his own
string of horses, and he picks out some one of the bunch, and lets the
rest go. That's Reddy, now, driving them into the corral. The other boys
will be here pretty quick now, and the fun will begin. You'll see!"

The horse corral was high and circular, and there was a fine view of it
from the shed roof. A snubbing post was in the middle of the corral, and
a wing was built out at one side from the entrance gate, so that the
horses could be driven in more easily; yet Reddy quite had his hands
full as it was. At last they were all in, and a merry time they were
having of it, racing in a circle about the enclosure, heads up, and
tails and manes flying.

"Regular merry-go-round, isn't it?" giggled Tilly. But Cordelia clutched
Genevieve's arm.

"Genevieve, look--they've got ropes! Genevieve, what _are_ they going to
do?" she gasped, her eyes on the boys who were running from all
directions now, toward the corral. "Why, Genevieve, they're going _in_
there, with all those horses!"

"I reckon they are," rejoined the mistress of the Six Star Ranch. "Now
watch, and you'll see. There!--see there?--in the middle by that post!
Each man will pick out one of his own horses and rope him; then he'll
lead him out and saddle him, and the deed's done."

"I guess that's easier to say than to do," observed Bertha, dryly. "I
notice there aren't any of those horses just hanging 'round waiting to
be caught!"

"No, there aren't, to-day," laughed Genevieve; "though some of the
horses will do just that, at times--specially Long John's. They're
pretty lively now, however, and it _does_ take some skill to make a nice
job of it when they're jamming and jostling like that. But the boys are
equal to it. We've got some splendid ropers!" This time there was a note
of very evident pride in the voice of the mistress of the Six Star
Ranch.

It was a brief but exciting time that followed, filled, as it was, with
the shouts of the boys--the jeers at some failure, the cheers at some
success--the thud of the horses' hoofs, the swirl of the skillfully
flung ropes. It was almost as exciting when the boys, their horses once
caught, led out, and saddled, rode off for their morning's work. To
Cordelia, especially, it was an experience never to be forgotten.

"Going to turn cowboy, Miss Cordelia?" asked Mr. Hartley, with a smile,
as he met the girl coming into the house a little later. Mr. Hartley, in
his broad-brimmed hat, and his gray tweed trousers tucked into his high
boots, looked the picture of the prosperous ranchman at home.

Cordelia showed a distinctly shocked face.

"Oh, no, sir!" she cried.

"Don't think you could learn to swing the rope--eh?" he teased.

"Mercy, no!"

A half-proud, wholly-gratified smile crossed the man's face.

"It isn't as easy as it looks to be," he said. "Once in a while we get a
tenderfoot out here, though, who thinks he's going to learn it all in a
minute--or, rather, do it without any learning. But to be a good roper,
one has to give it long, hard practice. The best of 'em begin young.
Reddy, the crack roper in my outfit, tells me he began with his mother's
clothes-line at the age of four years, with his rocking-horse for a
victim. It seems there was a picture in one of his books of a cowboy
roping a pony, and--"

Mr. Hartley stopped, as if listening. From the rear of the house had
sounded the creak of the windmill crank. The man turned, entered the
hall, and crossed to the window. Then he shook his head with a smile.

"I'm afraid Genevieve is up to her old tricks," he said. "She's stopping
the windmill so she can climb to the top of the tower, I reckon."

"Genevieve!--at the top of that tower!" exclaimed Cordelia.

Mr. Hartley's lips twitched.

"Yes. That used to be a daily stunt of hers, and--I let her," added the
man, a little doggedly. "It made her well and strong, anyhow, and helped
to develop her muscle. You see, we--we don't have gymnasiums on the
ranch," he concluded whimsically, as they stepped together out on to the
back gallery.

A babel of gleeful shouts and laughter greeted their ears. A moment
later Mr. Hartley and Cordelia came in sight of the windmill. At its
base four chattering, shrieking girls were laughing and clapping their
hands. Above their heads, Genevieve, in a dark blue gymnasium suit, was
swinging herself gracefully from cross-piece to cross-piece in the
tower.

"You see," smiled Mr. Hartley; but he was interrupted by a shocked,
frightened voice behind him.

"Genevieve, my dear!" gasped Mrs. Kennedy, hurrying forward.

Genevieve did not hear, apparently. To the girls she waved a free hand,
joyously. She was almost at the top.

"It's fine--mighty fine up here," she caroled. "I can see 'way, 'way
over the prairie!"

"Genevieve! Genevieve Hartley, come down this instant," commanded Mrs.
Kennedy. Then her voice shook, and grew piteously frightened, as she
stammered: "No, no--don't come down, dear! Genevieve, how _can_ you come
down?" Mrs. Kennedy was wringing her hands now.

This time Genevieve heard.

"Why, Aunt Julia, what is it? What is the matter?" The girl's voice
expressed only concerned surprise.

"What is the matter?" echoed Mrs. Kennedy, faintly. "Genevieve, how can
you come down?"

"Come down? Why, that's easy! But I don't want to come down."

Mrs. Kennedy's lips grew stern.

"Genevieve," she said, with an obvious effort to speak quietly; "if you
can come down, I desire you to do so at once."

Genevieve came down. Her eyes flashed a little, and her cheeks were
redder than usual. She did not once glance toward the girls, clustered
in a silent, frightened little group. She did not appear to notice even
her father, standing by. She went straight to Mrs. Kennedy.

"I've come down, Aunt Julia."

Mrs. Kennedy had been seriously disturbed, and genuinely frightened. To
her, Genevieve's climb to the top of the windmill tower was very
dangerous, as well as very unladylike. Yet it was the fright, even more
than the displeasure that made her voice sound so cold now in her effort
to steady it.

"Thank you, Genevieve. Please see that there is no occasion for you to
_come down_ again," she said meaningly. Then she turned and went into
the house.

Just how it happened, Genevieve did not know, but almost at once she
found herself alone with her father on the back gallery. The girls had
disappeared.

Genevieve was very angry now.

"Father, it wasn't fair, to speak like that," she choked, "before the
girls and you, when I hadn't done a thing--not a thing! Why, it--it was
just like Miss Jane! I never knew Aunt Julia to be like that."

For a moment her father was silent. His face wore a thoughtful frown.

"I know it, dearie," he said at last. "But I don't think Mrs. Kennedy
quite realized, quite understood--how _you'd_ feel. She didn't think it
just right for you to be there."

"But I was in my gym suit, Father. I skipped in and put it on purposely,
while the others were doing something else; then I climbed the tower.
I'd planned 'way ahead how I'd surprise them."

The man hesitated.

"I know, dearie," he nodded, after a moment; "but I reckon it was just a
little too much of a surprise for Mrs. Kennedy. You know she isn't used
to the West; and--do Boston young ladies climb windmill towers?"

In spite of her anger, Genevieve laughed. The mention of Boston had put
her in mind of some Boston friends of Mrs. Kennedy's, whom she knew. She
had a sudden vision of what Mr. and Mrs. Thomas Butterfield's faces
would have been, had their stern, sixty-year-old eyes seen what Mrs.
Kennedy saw.

"I reckon, too," went on Mr. Hartley, with a sigh, "that I have sort of
spoiled you, letting you have your own way. And maybe Mammy Lindy and I,
in our anxiety that you should be well and strong, and sit the saddle
like a Texas daughter should, haven't taught you always just the dainty
little lady ways--that you ought to have been taught."

"You've taught me everything--everything good and lovely," protested the
girl, hotly.

He shook his head. A far-away look came into his eyes.

"I haven't, dearie--and that's why I sent you East."

Genevieve flushed.

"But I didn't want to go East, in the first place," she stormed. "I
wanted to stay here with you. Besides, Aunt Julia isn't really any
relation,--nor Miss Jane, either. They haven't any right to--to speak to
me like that."

A dull red stole to John Hartley's cheek.

"Tut, tut, dearie," he demurred, with a shake of the head. "You mustn't
forget how good they've been to you. Besides--they have got the right. I
gave it to them. I told them to make you like themselves."

There was a long silence. Genevieve's eyes were moodily fixed on the
floor. Her father gave her a swift glance, then went on, softly:

"I suspect, too, maybe we're both forgetting, dearie. After all, Mrs.
Kennedy did it every bit through--love. She was frightened. She was so
scared she just shook, dearie."

"She--was?" Genevieve's voice was amazed.

"Yes. I reckon that's more than half why she spoke so stern, and why
she's in her room crying this minute--as I'll warrant she is. I saw her
eyes, and I saw how her hands shook. And I saw it was all she could do
to keep from falling right on your neck--because she had you back safe
and sound. Maybe you didn't see that, dearie."

There was no answer.

"You see, their _ways_ back East, and ours, aren't alike," resumed the
man, after a time; "but I reckon their--_love_ is."

Genevieve drew a long breath. Her brown eyes were not clear.

"I reckon maybe I'll go and find--Aunt Julia," she said in a low voice.

The next moment her father sat alone on the back gallery.




CHAPTER IX

REDDY AND THE BRONCHO


There was no lack of interesting things to do that first day at the
ranch. There was one half-hour, to be sure, when five of the Happy
Hexagons sat a little quietly on the front gallery and tried to talk as
if there were no such thing as a windmill, and no such person as a girl
who could climb to the top of it; but after Genevieve and Mrs. Kennedy,
arm in arm, came through the front door--with eyes indeed, a little
misty, but with lips cheerfully smiling--every vestige of constraint
fled. Genevieve, once more in her pretty linen frock, was again the
alert little hostess, and very soon they were all off to inspect the
flower garden, the vegetable garden, the cow corral, the sheds, the
stables, and the blacksmith's shop, not forgetting Teresa, the cook, who
was making tamales in the kitchen for them, nor Pepito, Genevieve's own
horse that she rode before she went East.

"And we'll have the boys pick out some horses for you, too," cried
Genevieve, smoothing Pepito's sleek coat in response to his welcoming
whinny of delight. "I'm sure they can find something all right for us."

Tilly's eyes brightened, so, too, did Bertha's; but Cordelia spoke
hastily, her eyes bent a bit distrustfully on the spirited little horse
Genevieve was petting.

"Oh, but I don't believe they'll have time to hunt up horses for us,
Genevieve. Really, I don't think we ought to ask them to."

"Maybe we won't, then--for _you_," teased Tilly, saucily. "We'll just
let them take time for ours."

It is a question, however, if that afternoon, even Tilly wanted to ride;
for, according to Cordelia's notes that night in "Things to do," they
saw a broncho "bursted."

It was Mr. Tim who had said at the dinner table that noon:

"If you young people happen to be on hand, say at about four o'clock,
you'll see something doing. Reddy's got a horse or two he's going to put
through their paces--and one of 'em's never been saddled."

Privately, to Mr. Hartley, Mrs. Kennedy objected a little.

"Are you sure, Mr. Hartley, the girls ought to witness such a sight?"
she asked uneasily. "Of course I don't want to be too strict in my
demands," she went on with a little twinkle in her eyes that Mr. Hartley
thoroughly understood. "I realize the West isn't the East. But, will
this be--all right?"

"I think it will--even in your judgment," he assured her. "It's no
professional broncho-buster that they'll see to-day. I seldom hire them,
anyway, as I prefer to have our own men break in the horses--specially
as we're lucky enough to have three or four mighty skillful ones right
in our own outfit. There'll be nothing brutal or rough to-day, Mrs.
Kennedy. Only one beast is entirely wild, and he's not really vicious,
Reddy says. Genevieve tells me the girls have heard a lot about
broncho-busting, and that they're wild to see it. They wouldn't think
they'd been to Texas, I'm afraid, if they didn't see something of the
sort."

"Very well," agreed Mrs. Kennedy, with visible reluctance.

"Oh, of course," went on Mr. Hartley, his eyes twinkling, "you mustn't
expect that they'll see exactly a pony parade drawing baby carriages
down Beacon Street; but they will see some of the best horsemanship that
the state of Texas can show. I take it you never saw a little beast
whose chief aim in life was to get clear of his rider--eh, Mrs.
Kennedy?"

"No, I never did," shuddered the lady; "and I'm not sure that I'd want
to," she finished decisively, as she turned away.

The new horse proved to be a fiery little bay mustang, and the fight
began from the first moment that the noose settled about his untamed
little neck. As Tilly told of the affair in the Chronicles of the
Hexagon Club, it was like this:

"We saw a broncho busted this afternoon. Reddy busted it, and he was
splendid. Mercy! I shall never think anything my old Beauty does is bad
again. Beauty is a snail and a saint beside this jumping, plunging,
squealing creature that never by any chance was on his feet
properly--except when he came down hard on all four of them at once with
his back humped right up in the middle in a perfectly frightful
fashion--and I suppose that wasn't 'properly.' Anyhow, I shouldn't have
thought it was, if I had had to try to sit on that hump!

"But that wasn't the only thing that he did. Dear me, no! He danced, and
rolled, and seesawed up and down--'pitching,' Mr. Hartley called it. And
I'm sure it looked like it. First he'd try standing on his two fore
feet, then he'd give them a rest, and take the other two. And sometimes
he couldn't seem to make up his mind which he wanted to use, or which
way he wanted to turn, and he'd change about right up in the air so he'd
come down facing the other way. My, he was the most uncertain creature!

"It didn't seem to make a mite of difference where the horse was, or
what he did with his feet, though. Reddy was right there every time, and
all _ready_, too. (Yes, I know a pun is the lowest order of wit. But I
don't care. I couldn't help it, anyway--it was such a _ready_ one!)
There he sat, so loose and easy, too, with his quirt (that's a whip),
and it looked sometimes just as if he wasn't half trying--that he didn't
need to. But I'm sure he was trying. Anyhow, I know I couldn't have
stayed on that horse five minutes; and I don't believe even Genevieve
could. (I said that to Mr. Tim Nolan, and he laughed so hard I thought
I'd put it in here, and let somebody else laugh.)

"Of course every one of us was awfully excited, and the boys kept
shouting and cheering, and yelling 'Stay with him!' and telling him not
to 'go to leather'--whatever that may mean! And Reddy did stay. He
stayed till the little horse got tired out; then he got off, and led the
horse away, and some of the other boys went through a good deal the same
sort of thing with other horses, only these had all been partly broken
before, they told us. But, mercy, they were bad enough, anyhow, I
thought, to have been brand-new. Reddy did another one, too, and this
time he put silver half-dollars under his feet in the stirrups: And when
the little beast--the horse, I mean, not Reddy--got through his antics,
there the half-dollars were, still there in the same old place. How the
boys did yell and cheer then!

"After that, they all just 'showed off' for us, throwing their ropes
over anything and everything, and playing like a crowd of little boys on
a picnic, only Mr. Hartley said they were doing some 'mighty fine
roping' with it all. Their ropes are mostly about forty feet long, and
it looked as if they just slung them any old way; but I know they don't,
for afterward, just before we went in to supper, Reddy let me take his
rope, and I tried to throw it. I aimed for a post a little way ahead of
me, but I got Pedro, the Mexican cowboy, behind me, right 'in the neck,'
as Mr. Tim said. Pedro grinned, and of course everybody else laughed
horribly.

"And thus endeth the account of how the bronchos were busted. (P.S. I
hope whoever reads the above will own up that for once Tilly Mack got
some sense into her part. So there!) I forgot to say we took a nap after
dinner. Everybody does here. 'Siestas' they call them, Genevieve says."

       *       *       *       *       *

It was after supper that Genevieve said:

"Now let's go out on to the front gallery and watch the sunset. Supper
was too late last night for us to see much of it, but to-night it will
be fine--and you've no idea what a sunset really can be until you've
seen it on the prairie!"

Tilly pursed her lips.

"There, Genevieve Hartley, there's another of those mysterious words of
yours; and it isn't the first time I've heard it here, either."

"What word?"

"'Gallery.' What is a gallery? I'm sure I don't see what there can be
about a one-story house to be called a 'gallery'!"

Genevieve laughed.

"You call them 'verandas' or 'piazzas,' back East, Tilly. We call them
'galleries' in Texas."

"Oh, is that it?" frowned Tilly. "But you never called Sunbridge piazzas
that."

Genevieve shook her head.

"No; it's only when I get back here that the old names come back to me
so naturally. Besides--when I was East, I very soon found out what you
called them; so I called them that, too."

"Well, anyhow," retorted Tilly, saucily, "I've got my opinion of folks
that will call a one-story piazza a 'gallery.' I should just like to
show them what we call a 'gallery' at home--say, the top one in the
Boston Theater, you know, where it runs 'way back."

Genevieve only laughed good-naturedly.

On the front gallery all settled themselves comfortably to watch the
sunset. Already the sun was low in the west, a huge ball of fire just
ready to drop into the sea of prairie grass.

"It doesn't seem nearly so hot here as I thought it would," observed
Bertha, after a time. "Oh, it's been warm to-day, of course--part of
the time awfully warm," she added hastily. "But I've been just as hot in
New Hampshire."

"We think we've got a mighty fine climate," spoke up Mr. Hartley. "Now,
last year, you in the East, had heaps of prostrations from the heat.
Texas had just three."

"I suppose that was owing to the Northers," murmured Cordelia,
interestedly. "Now, feel it!" She put up her hand. "There's a breeze,
now. Is that a Norther?"

Mr. Hartley coughed suddenly. Genevieve stared.

"What do you know about Northers?" she demanded.

"Why, I--I read about them. It said you--you had them."

Genevieve broke into a merry laugh.

"I should think, by the way you put it, that they were the measles or
the whooping cough! We do have them, Cordelia--in the winter, specially,
but not so often in July. Besides, they don't feel much like this little
breeze--as you'd soon find out, if you happened to be in one."

For a moment there was silence; then Genevieve spoke again.

"See here, where'd you find out all these things about Texas--that we
didn't have butter, and did have Northers?"

Before Cordelia could answer, Tilly interposed with a chuckling laugh:

"I'll tell you, Genevieve, just where they found out," she cut in,
utterly ignoring her own share of the "they." "Now, listen! How do you
suppose they spent all the time you were in New Jersey? I'll tell you.
They were digging up Texas every single minute; and they dug, and dug,
and dug, until there wasn't a mean annual temperature, or a mean
anything else that they didn't drag from its hiding-place and hold up
triumphantly, and shout: 'Behold, this is Texas!'"

"Girls--you didn't!" cried Genevieve, choking with laughter.

"They did!" affirmed Tilly.

"Yes, _we_ did--including Tilly," declared Cordelia, with unexpected
spirit.

Everybody laughed this time, but it was Alma, the peacemaker, who spoke
next.

"Oh, look--look at the sun!" she exclaimed. "Aren't those rose-pink
clouds gorgeous?"

"My, wouldn't they make a lovely dress?" sighed Elsie.

"Yes, and see the golden pathway the sun has made, straight down to the
prairie," cried Bertha Brown.

"Oh, look, look, Mr. Hartley! Is that grass on fire?" gasped Cordelia.

Mr. Hartley shook his head.

"No--I hope not."

"But you do have prairie fires?"

"Sometimes; but not so often nowadays--though I've seen some bad ones,
in my time."

There was a long silence. All eyes were turned toward the west. Above, a
riot of rose and gold and purple flamed across the sky. Below, more
softly, the colors seemed almost repeated in the waving, shifting,
changing expanse of fairylike loveliness that the prairie had become.

"Oh, how beautiful it all is, and how I do love it," breathed Genevieve,
after a time, as if to herself.

Gradually the gorgeous rose and gold and purple changed, softened, and
faded quite away. The slender crescent of the moon appeared, and one by
one the stars showed in the darkening sky.

"It's all so quiet, so wonderfully quiet," sighed Cordelia; then,
abruptly, she cried: "Why, what's that?"

There had sounded a far-away shout, then another, nearer. On the breeze
was borne the muffled tread of hundreds of hoofs. A dog began to bark
lustily.

       *       *       *       *       *

Later, they swept into view--a troop of cowboys, and a thronging,
jostling mass of cattle.

"On the way to a round-up, probably," explained Mr. Hartley, as he rose
to his feet and went to meet the foreman, who was coming toward the
house.

Still later, he explained more fully.

"They've put them in our pens for the night. The boys have gone into
camp a mile or so away."

Genevieve shuddered.

"I hate round-ups," she cried passionately.

"What are round-ups?" asked Bertha Brown.

"Where they brand the cattle," answered Genevieve, quickly, but in a low
voice.

Cordelia, who was near her, shuddered. She seemed now to see before her
eyes that seething mass of heads and horns, sweeping on and on
unceasingly.

Cordelia had two dreams that night. She wondered, afterward, which was
the worse. She dreamed, first, that an endless stream of cattle climbed
the windmill tower and jumped clear to the edge of the prairie, where
the sun went down. She dreamed, secondly, that she was very hungry, and
that twenty feet away stood a table laden with hot biscuits and fried
chicken; but that the only way she could obtain any food was to "rope
it" with Reddy's lariat. At the time of waking up she had not obtained
so much as one biscuit or a chicken wing.




CHAPTER X

CORDELIA GOES TO CHURCH


"We're going to have church to-morrow," Genevieve had announced on the
first Saturday night at the ranch. "A minister is coming from Bolo, and
he holds the service out of doors. Everybody on the place comes, and we
sing, and it's lovely!"

As it happened, Cordelia had not been present when Genevieve made this
announcement. It was left for Tilly, therefore, to tell her.

"Oh, Cordelia, I forgot. We're going to have church to-morrow," she said
that night, as she was brushing her hair in their room.

Cordelia, who was taking off her shoes, looked up delightedly.

"Oh, Tilly--church? We're going to church?"

Tilly laughed; then an odd little twist came to her mouth.

"Yes, Cordelia; we're--going to church," she answered.

"What time?"

"Eleven o'clock, Genevieve said."

"Oh, won't that be fun--I mean, I'm very glad," corrected Cordelia,
hastily, a confused red in her cheeks.

In Cordelia's bed that night, Cordelia thought happily:

"Maybe now I can get some new ideas for Uncle Thomas to put in his
services. They do everything so differently here in the West, and
Uncle's audiences get so small sometimes, specially Sunday evenings."

In Tilly's bed, Tilly, a little guilty as to conscience, was trying to
excuse herself.

"Well, anyhow," she was arguing mentally, "Genevieve said 'everybody
comes,' and if they 'come' they must 'go'; so of course we're 'going' to
church."

Not until Cordelia was dropping off to sleep did something occur to her.
She sat up, then, suddenly.

"Tilly," she called softly, "where is that church? Do we have to ride
eighteen miles to Bolo?"

Tilly did not answer. She was asleep, decided Cordelia--it was dark, and
Cordelia could not see the pillow Tilly was stuffing into her mouth.

       *       *       *       *       *

Just after breakfast Sunday morning, Elsie Martin said a low word in
Genevieve's ear, and drew her out of earshot of the others. Her eyes
were anxious.

"Genevieve, do you have to dress up much for this kind of--of church?"
she questioned.

"Not a bit, dear. Don't worry. Anything you have will be lovely."

"I know; but--well, you see, it's just this," she quavered. "Aunt Kate
fixed up the girls' green chambray for me just before we came. I saw
then it didn't look just right, but we were in such an awful hurry there
wasn't time to do anything; and I was so excited, anyway, that I didn't
seem to mind, much. But out here, in the bright light, it looks
awfully!"

"Nonsense! That's all your own notion, Elsie," rejoined Genevieve,
comfortingly. "I'm sure it looks lovely. Anyhow, it wouldn't matter if
it didn't--here."

Elsie shook her head despondently.

"But you don't understand," she said. "You know the twins dress alike,
and this was their green chambray. Aunt Kate always likes to use their
things, she says, because there's always double quantity; but this time
it didn't work so well. You see, Cora was sick a lot last summer, when
they had this dress, and she didn't wear hers half so much as Clara did,
so hers wasn't faded hardly any. It was an awful funny color to begin
with; but it's worse now, with part of it one shade, and part another.
You see, one sleeve's made of Cora's, and one of Clara's; and the front
breadth is Cora's and the back is Clara's. Of course Aunt Kate cut it
out where she could do it best, and didn't think but what they were
alike; but you don't know what a funny-looking thing that dress is! I--I
don't know whether to turn Clara toward folks, or Cora," she finished
with a little laugh.

Genevieve heard the laugh--but she saw that it came through trembling
lips.

"Well, I just wouldn't fret," she declared, with an affectionate little
hug. "If you don't want to wear it, wear something else. What a nuisance
clothes are, anyhow! I've always said I wished we didn't have to change
our dress every time we turned around!"

Elsie's eyes became wistful. She shook her head sadly.

"You don't know anything about it, Genevieve. Your clothes _haven't_
been a nuisance to you--even if you think they have. You see, you don't
realize how nice it is to have such a lot of pretty things--and all
new," she sighed as she turned away.

When Genevieve went to her room to dress for "church" that morning, she
looked a little thoughtfully at the array of pretty frocks hanging in
her closet.

"I wish I could give some to Elsie," she sighed; "but Elsie isn't poor,
of course, and I suppose she--she wouldn't take them. But I suspect I
don't half appreciate them myself--just as Elsie said," she finished, as
she took down a fresh, white linen.

At quarter before eleven Cordelia Wilson knocked at Genevieve's door.
Genevieve opened it to find Cordelia in a neat jacket suit, hat on, and
gloves in hand.

"Am I all right, Genevieve?" she asked. "I wasn't quite sure just what
to wear."

"Why, y-yes--only you don't need the hat, nor the gloves, dear; and I
shouldn't think you'd want that coat, it's so warm!"

"Not want a hat, or gloves," burst out Cordelia, looking distinctly
shocked. "Why, Genevieve Hartley! I know you do very strange things here
in the West, but I did suppose you--you dressed properly to go to
church!"

"But it isn't really church, Cordelia," smiled Genevieve. "I only call
it so, you know. And of course we don't 'go' at all--only as far as the
back gallery."

Cordelia stared, frowningly.

"You mean you don't drive off--anywhere?" she demanded. "That you have a
service right here?"

"Yes. I thought you knew."

"But Tilly said--why, I don't know what she did say, exactly, but she
let me think we were going to drive off somewhere. And look at
me--rigged out like this! You know how she'll tease me!" There were
almost tears in Cordelia's sensitive eyes.

"Has she seen you--in this?"

"No; but she will when I go back. I saw her whisk through the hall to
our room just as I crossed through to come in here."

"Then we won't let her see you," chuckled Genevieve. "Here, let's have
your hat and gloves and coat. I'll hide them in my closet. You can get
them later when Tilly isn't around. Now run back and put a serene face
on it. Just don't let her suspect you ever thought of your hat and
gloves."

"But, do you think I ought to do--that? Won't it be--deceit?"

"No, dear, it won't," declared Genevieve, emphatically; "not any sort of
deceit that's any harm. It will just be depriving Miss Tilly of the
naughty fun she expected to have with you. You _know_ how Tilly loves to
tease folks. Well, she'll just find the tables turned, this time. Now
run back quick, or she'll suspect things!" And, a little doubtfully,
Cordelia went.

As she had expected, she found Tilly in their room.

"Why don't you get ready for church, Cordy?" demanded Tilly, promptly.

"I am ready. I dressed early, before you came in," returned Cordelia,
trying to speak very unconcernedly. "Why? Don't you think this will do?"

"Oh, yes, of course. You look very nice," murmured Tilly, a little
hastily, sending a furtive glance into Cordelia's face. There was
nothing, apparently, about Cordelia to indicate that anything
unexpected had occurred, or was about to occur; and she herself could
not, of course, ask why no preparations for an eighteen-mile journey
were being made, specially when she had pretended to be asleep the night
before when Cordelia asked her question about that same journey. "You
look very nice, I'm sure," murmured Tilly, again. And Cordelia, hearing
the vague disappointment in Tilly's voice, was filled with joy--that yet
carried a pang of remorse.

It was a little later, just as Tilly was leaving the room, that Cordelia
turned abruptly.

"Tilly, I did have on my hat and coat," she burst out hurriedly. "I did
think we were going to drive 'way off somewhere to church. But I found
out and hid them in Genevieve's room, so you would not know and--and
tease me," she finished breathlessly.

Tilly turned back with a laugh.

"You little rogue!" she began; then she stopped short. Her face changed.
"But--why in the world did you tell me now?" she demanded curiously.

"I thought I ought to."

"Ought to!--ought to let me tease you!" echoed the dumfounded Tilly.

Cordelia stirred restlessly.

"Not that, of course, exactly," she stammered. "It's only that--that it
seemed somehow like--deceiving you."

For a moment Tilly stared; then, suddenly, she darted across the room
and put both arms around the minister's niece. Cordelia was not quite
sure whether she was hugging her, or shaking her.

"Oh, you--you--I don't know _what_ you are!" Tilly was exclaiming. "But
you're a dear, anyhow!" And it was actually a sob that the astounded
Cordelia heard as Tilly turned and fled from the room.

       *       *       *       *       *

To Sunbridge eyes, "church" that morning was something very new and
novel. At eleven o'clock Genevieve and her father piloted their guests
to the back gallery where seats had been reserved for them. The
minister, a dark-haired, tired-looking man with kind eyes, had arrived
some time before on horseback. To Mrs. Kennedy, especially, he looked a
little too unconventional in his heavy boots and coarse garments which,
though plainly recently brushed, still showed the dust of the prairie in
spots. He sat now at one side talking with Mr. Tim while his
"congregation" was gathering.

And what a congregation it was! As Genevieve had said, everybody on the
ranch came, except those whose duties prohibited them from coming.
Singly, or in picturesque groups, they settled themselves comfortably on
the back gallery, or along the covered way leading to the dining-room.
Even Teresa, in a huge fresh apron that made her great bulk look even
greater, sat just outside the dining-room door, where she could easily
run in from time to time, to see that the roast chickens in the oven
were not burning, nor the beets on the stove boiling dry.

The "pulpit" was a little stand placed at the house-end of the covered
way. The "choir" was the piano in the living-room drawn up close to the
window, with Genevieve herself seated at it. Nor was the "church" itself
devoid of beauty, with its growing vines and flowers, and its shifting
lights and shadows as the soft clouds sailed slowly through the blue sky
overhead. As to the audience--no scholarly orator in a Fifth Avenue
cathedral found that day more attentive listeners than did that
tired-looking minister find in the curiously-assorted groups before
him--the swarthy Mexicans, the picturesque cowboys, the eager-eyed,
fresh-faced young girls from a far-away town in the East.

They sang first, Genevieve's own clear voice leading; and even Tilly,
who seldom sang in church at home, found herself joining heartily in
"Nearer my God to Thee," and "Bringing in the Sheaves." There was
something so free, so whole-souled about the music in that soft outdoor
air, that she, as well as some of the others, decided that never before
had any music sounded so inspiring.

For the first two minutes after the preacher arose to begin his sermon,
Mrs. Kennedy saw nothing but the dust on the right shoulder of his coat.
But after that she saw nothing but his earnest eyes. She had fallen
then quite under the sway of his clear, ringing voice.

"'While Josiah was yet young, in the sixteenth year of his age, he began
to seek the God of his fathers,'" announced the clear, ringing voice as
the text; and Genevieve, hearing it, wondered if the minister could have
known that at least a part of his audience that day would be so exactly,
or so very nearly, "in the sixteenth year" of their own age.

It was a good sermon, and it was well preached. The time, the place, the
occasion, the atmosphere all helped, too. All the Happy Hexagons paid
reverent attention. Tilly, fresh from her somewhat amazing experience
with Cordelia, made many and stern resolutions to be everything that was
good and helpful, nothing that was bad and hateful. Genevieve, who had
slipped off her piano stool to an easier chair, sat with dreamy, tender
eyes. She was thinking of the dear mother, who, as she could so well
remember, had told her that she must always be good and brave and true
first, before anything else.

"Good and brave and true!" She wondered if she could--always. It seemed
so easy to do it now, with this good man's earnest voice in her ears.
But it was so hard, so strangely hard, at other times. And there were so
many things--so many, many _little_ things--that to Aunt Julia and Miss
Jane looked so big!--things, too, that to her seemed eminently all
right.

"'When Josiah was yet young, in the sixteenth year of his age, he began
to seek the God of his fathers,'" quoted the minister again,
impressively; and Genevieve realized then, with misty eyes, that the
sermon was done.

       *       *       *       *       *

The minister stayed to dinner, of course; and, in spite of her interest
in the sermon, Teresa had seen to it that the dinner was everything that
one could ask of it. The minister had the place of honor at the table,
and proved to be a most agreeable talker. Genevieve had not caught his
name distinctly, but she thought it was "Jones." He lived in Bolo, he
said, having recently moved there from a distant part of the state. He
hoped that he might be able to do good work there. Certainly there was
need that somebody do something. In response to Mr. Hartley's cordial
invitation to stay a few days at the ranch, he answered with visible
regret:

"Thank you, sir. Nothing would please me more, but it is quite out of
the question. I must go back this afternoon. I have a service in Bolo
this evening."

"You must be a busy man," observed Mr. Hartley, genially.

The minister sighed.

"I am--yet I can't do half that I want to. This outside work among the
ranches I shall try to carry on as best I can. But you're all so afraid
you'll have a neighbor nearer than a score of miles," he added with a
whimsical smile, "that I can't get among you very often."

It was after dinner that the minister chanced to hear Genevieve speak of
herself as a Happy Hexagon.

"Hexagon?--Hexagon?" he echoed smilingly. "And are you, too, a Happy
Hexagon?" he asked, turning to the mistress of the Six Star Ranch.

"Why, yes. Do you mean you know another one?" questioned the girl, all
interest immediately. "It's the name of our girls' club--the Hexagon
Club."

"No, but I heard of one, once," rejoined the man. "And it isn't usual,
you know, so it attracted my attention."

"But where was it? When was it? We supposed we were the only Happy
Hexagons in the world," cried Genevieve.

The minister smiled.

"I found my Happy Hexagons at the bottom of a letter from the East."

"A letter from the East?" Genevieve's voice held now a curious note of
wild unbelief.

"Yes. It came before we moved to Bolo. My elder daughter was teaching
in the East, and was taken ill. Some of her girls wrote to us."

Genevieve sprang to her feet.

"Are you--you can't be--the Rev. Luke Jones!" she cried.

"That is my name."

"And is Quentina your daughter?"

It was the minister's turn to look amazed.

"Why, yes; but--how do you know? Are you--you can't be--_my_ Happy
Hexagons!" he ejaculated.

She nodded laughingly. She spoke, too; but what she said was not heard.
All of the Happy Hexagons were talking by that time. The Rev. Mr. Jones,
indeed, found himself besieged on all sides with eager questions and
amazed comments.

Under cover of the confusion, Mr. Hartley turned in puzzled wonder to
Mrs. Kennedy.

"_Will_ you tell me what all this is about?" he begged.

Mrs. Kennedy smiled.

"Of course! I think perhaps it is all new to you. Last winter Miss Alice
Jones, a Texas lady and the girls' Latin teacher, was taken ill. The
girls were very attentive, and did lots of little things for her; but
she grew worse and had to leave. Just before she went, the mother wrote
a letter thanking the girls, and in the letter was a note signed
'Quentina Jones.' Quentina was a younger sister, it seemed, and she,
too, wished to thank the girls. Of course the girls were delighted, and
immediately answered it, signing themselves 'The Happy Hexagons.' The
teacher went away then, and the girls heard nothing more. But they have
talked of Quentina Jones ever since."

"But it's all so wonderful," cried Genevieve, her voice rising dominant
at last. "Where is Miss Alice Jones, and how is she?"

"She is better, thank you, though not very strong yet. She is teaching
in Colorado."

"Oh, I'm so glad," cried Genevieve, "but I wish we could see her, too.
Only think, girls, of Quentina Jones being right here, only eighteen
miles away!"

"One would think eighteen miles were a mere step!" laughed Tilly.

"They are--in Texas," retorted Genevieve. Then, to the minister she
said: "Now tell us, please, Mr. Jones, what we can do. We want to see
Quentina right away, quick. We can't wait! Can she come over? _Can't_
she? We'd love to have her!"

The minister shook his head slowly.

"I'm afraid not, Miss Genevieve--thank you just the same. I'd love to
have her. It would do her such a world of good, poor little girl, to
have one happy time with all you young people! But my wife has a lame
foot just now, and Quentina simply cannot be spared. You know she has
several brothers, so we have quite a family. But, I'll tell you
what--you young ladies must all come to see us."

"Oh, thank you! We'd love to--and we will, too." (Back in her ranch
home, it was easy for Genevieve to slip into her old independent way of
consulting no one's will but her own.) "When do you want us?"

"But, my dear," interposed Mrs. Kennedy, hastily, "if Mrs. Jones is not
well, surely we cannot ask her to take in six noisy girls as guests!"

"Why, no--of course not," stammered Genevieve. The rest of the Happy
Hexagons looked suddenly heartbroken. But the minister smiled
reassuringly.

"My wife isn't ill--only lame; and she loves young people. She'll be
just as eager for you to come as Quentina will be--and Quentina just
simply won't take 'no' for an answer, I'm sure. She talked for days of
the Happy Hexagons, after your letter came. You must come, only--" he
hesitated, "only I'm afraid you'll be a little cramped for room. A
village parsonage isn't a ranch, you know. But, if you don't mind sort
of--picnicking, and having to stand up in the corner to sleep--" he
paused quizzically.

"We adore standing up and sleeping in corners," declared Genevieve,
promptly.

"Then shall we call it Tuesday?" smiled Mr. Jones.

"But how can they go?" questioned Mrs. Kennedy, in an anxious voice.

"Why, they might ride it," began Mr. Hartley, slowly; "still, that would
hardly do--even should the ponies come in time--such a long trip when
they haven't ridden any here, yet. I'll tell you. We'll let Carlos drive
them over in the carriage early Tuesday morning. I reckon the seven of
them can stow themselves away, somehow--it holds six with room to spare
on every seat. Then, Wednesday afternoon, he can drive them back.
Meanwhile, he can stay himself in the town and get some supplies that
I'm needing."

"But seems to me that gives us a very short visit," demurred Mr. Jones,
as he rose to take his leave.

"Quite long enough--for the good wife," declared Mrs. Kennedy,
decisively. And thus the matter was settled.




CHAPTER XI

QUENTINA


Quite the most absorbing topic of conversation Monday was, of course,
the coming visit to Quentina Jones.

"But what _is_ her name?" demanded Mr. Hartley at last, almost
impatiently. "It isn't 'Quentina,' of course. I _know_ that man who was
here Sunday would never have named a daughter of his 'Quentina.'"

"Her name is 'Clorinda Dorinda,'" replied Genevieve. "She told us so in
her letter; but she said she was always called 'Quentina.' I don't know
why."

"Whew! I should think she would be," laughed Mr. Hartley. "Only fancy
having to be called 'Clorinda Dorinda' whenever you were wanted!"

"Sounds like a rhyming dictionary to me," chuckled Tilly. "'Clorinda,
Dorinda, Lucinda, Miranda,'" she chanted.

Mr. Hartley laughed, and walked off.

"Well, I'll leave her to you, anyhow, whatever she is," he called back.

"I'll bet he's just dying to go with us, all the same," whispered Tilly,
saucily.

Cordelia frowned, hesitated, then spoke.

"Auntie says ladies don't bet," she observed, in her severest manner.

"Oh, don't they?" snapped Tilly; then she, too, frowned, and hesitated.
"All right, Cordy--Cordelia; see that you don't do it, then," she
concluded good-naturedly.

Monday was a very quiet day for the girls at the ranch. Mrs. Kennedy had
insisted from the first upon this. She said that the next two days would
be quite exciting enough to call for all the rest possible beforehand.
So, except for the usual watching of the boys' morning start to work,
there was little but music, books, and letter-writing allowed.

Tuesday dawned clear, but very warm. The girls were all awake at
sunrise, and were soon ready for the early breakfast. Almost at once,
afterward, they stowed themselves--with little crowding but much
giggling--in the carriage, and called gayly to Carlos: "We're all
ready!"

"Yes, we're all aboard, Carlos," cried Genevieve.

"Good, Señorita! It is ver' glad I am to see you so prompt to the
halter," grinned Carlos. "_Quien sabe?_--mebbe I didn't reckon on
corrallin' the whole bunch of you so soon!"

Genevieve laughed, even while she made a wry face.

"I'm afraid Carlos remembers that I was never on time, girls," she
pouted. "But you don't know, Carlos, what a marvel of promptness I've
become back East--specially since somebody gave me a watch," she
finished, smiling into the old man's face.

"All ready!" grinned Carlos, climbing into his seat.

"Let's give our Texas yell," proposed Tilly, softly, as she looked back
to see Mrs. Kennedy, Mr. Hartley, and Mammy Lindy on the gallery steps.
"Now count, Cordelia!"

And Cordelia did count. Once again her face expressed a tragedy of
responsibility, and once again the resulting

          "Texas, Texas, Tex--Tex--Texas!
           Texas, Texas, Rah! Rah! Rah!
           GENEVIEVE!"

was the glorious success it ought to have been. So to a responsive
chorus of shouts, laughter, and hand-clapping, the Happy Hexagons drove
away from the ranch house.

It was a pleasant drive, though a warm one. It did seem a little long,
too, so anxious were they to reach their goal. The prairie sights and
sounds, though interesting, were not so new, now. Even the two or three
herds of cattle they met, and the groups of cowboys they saw galloping
across the prairies, did not create quite the excitement they always had
created heretofore. Quentina and the minister's home were so much more
interesting to think of!

"What do you suppose she'll be like?" asked Elsie.

"_Quien sabe?_" laughed Genevieve.

"There! what does that mean?" demanded Tilly. "I've heard it lots of
times since I've been here."

"'Who knows?'" translated Genevieve, smilingly.

"Yes, who does know?" retorted Tilly, not understanding. "But what does
it mean?"

Genevieve laughed outright.

"That's just what it means--'Who knows?' The Mexicans and the cowboys
use it a lot here, and when I come back I get to saying it, too."

"I should think you did," shrugged Tilly. "Well, anyhow, let's talk
straight English for a while. Let's talk of Quentina. What do you
suppose she's like, girls?"

"Let's guess," proposed Genevieve. "We can, you know, for Miss Jones was
too sick to tell us anything, and we haven't a thing to go by but
Quentina's letter, and that didn't tell much."

"All right, let's guess. Let's make a game of it," cried Tilly. "We'll
each tell what we think, and then see who comes the nearest. You begin,
Genevieve."

"All right. I think she's quiet and tall, and very dark like a
Spaniard," announced Genevieve, weighing her words carefully.

"I think she's bookish, and maybe stupid," declared Tilly. "Her letter
sounded queer."

"I think she's little, and got yellow hair and light-blue eyes," said
Bertha.

"I think she's got curls--black ones--and looks lovely in red," declared
Elsie Martin.

"We can trust you, Elsie, to get in something about her clothes,"
chuckled Tilly.

"Well, I think she's got brown eyes like Genevieve's, and brown hair
like hers, too," asserted Alma Lane.

"Now, Cordelia," smiled Genevieve, "it's your turn. You haven't said,
yet."

"There isn't anything left for me to say," replied Cordelia, in a
slightly worried voice. "You've got all the pretty things used up. I
should just have to say I think she's fat and homely--and I don't think
I ought to say that, for it would be a downright fib. I don't think
she's that at all!"

There was a general laugh at this; then, for a time, there was silence
while the carriage rolled along the prairie road.

Carlos had no difficulty in finding the home of the Rev. Mr. Jones in
Bolo. It proved to be a little house, unattractive, and very plain. It
looked particularly forlorn with its bare little front yard, in which
some one had made an attempt to raise nasturtiums and petunias.

"Mercy! I guess we'll _have_ to stand up in corners to sleep," gurgled
Tilly, as the carriage stopped before the side door.

"Sh-h!" warned Genevieve. "Tilly, isn't it awful? Only think of our
Quentina's living here!"

At that moment the door of the little house opened, and Mr. Jones
appeared. From around his feet there seemed literally to tumble out upon
the steps several boys of "assorted sizes," as Tilly expressed it
afterward. Then the girls saw her in the doorway--Quentina. She was
slender, not very tall, but very pretty, with large, dark eyes, and fine
yellow hair that fluffed and curled all about her forehead and ears and
neck.

"O Happy Hexagons, Happy Hexagons, welcome, welcome, Happy Hexagons!"
breathed the girl in the doorway ecstatically, clasping her hands.

"Sounds almost like our Texas yell," giggled Tilly, under her breath.

Genevieve was the first to reach the ground.

"Quentina--I know you're Quentina; and I'm Genevieve Hartley," she
cried, before Mr. Jones had a chance to speak.

"Yes, this is Quentina," he said then, cordially shaking Genevieve's
hand. "And now I'll let you present her to your young friends, please,
because you can do it so much better than I."

They were all out now, on the ground, hanging back a little diffidently.
It was this, perhaps, that made Cordelia think that something ought to
be said or done. She came hurriedly forward as she caught Genevieve's
eye and heard her own name called.

"Yes, I'm Cordelia, and I'm so glad to see you," she stammered; "and I'm
so glad you're not fat and homely, too--er--that is," she corrected
feverishly, "I mean--we didn't any of us get you right, you know."

"Get me--right?" Quentina opened her dark eyes to their fullest extent.

Cordelia blushed, and tried to back away. With her eyes she implored
Tilly or Elsie to take her place.

It was Genevieve who came to the rescue.

"We'll have to own up, Quentina," she laughed. "On the way here we were
trying to picture how you look; and of course we each had to guess a
different thing, so we got all kinds of combinations."

"Yes, but we didn't get yours," chuckled Tilly, coming easily forward,
with outstretched hand.

"Indeed we didn't," echoed Elsie, admiringly.

"Why, of course we couldn't," stammered Cordelia, still red of face. "We
never, never _could_ think of anything so pretty as you really are!"

Quentina laughed now, and raised hurried hands to hide the pretty red
that had flown to her cheeks.

"Oh, you funny, funny Happy Hexagons!" she cried, in her sweet, Southern
drawl.

Naturally there could be nothing stiff about the introductions, after
that, and they were dispatched in short order, even to Mr. Jones's
pulling the boys into line, and announcing:

"This is Paul, with the solemn face. And this grinning little chap is
Edward--Ned, for short; and these are the twins, Bob and Rob."

"Are they both 'Robert'?" questioned Tilly, interestedly.

Mr. Jones smiled.

"Oh, no. Bob is Bolton, and Rob is Robert. The 'Rob and Bob' is
Quentina's idea--she likes the sound of it."

"I told you!--she _is_ a rhyming dictionary," whispered Tilly, in an
aside that nearly convulsed the two girls that heard her.

Inside the house they all met "mother."

Mother, in spite of her lame foot, was a very forceful personality. She
was bright and cheery, too, and she made the girls feel welcome and at
home immediately.

"It's so good of you to come!" she exclaimed. "Poor Quentina has been
shut up with me for weeks. But I'm better, now--lots better; and I shall
soon be about again."

"I think it was very good of you to let us come," returned Genevieve,
politely, "specially when you aren't well yourself. But we'll try not to
make you any more trouble than we can't help."

"Trouble, dear child! I reckon we don't call _you_ trouble," declared
the minister's wife, fervently, "after all your kindness to my daughter,
Alice." Genevieve raised a protesting hand, but Mrs. Jones went on
smilingly. "And then that letter to Quentina--she's never ceased to talk
and dream of the girls who sent it to her."

"Oh, I did like it so much--indeed I did," chimed in Quentina. "Why,
Genevieve, I made a poem on it--a lovely poem just like Tennyson's
'Margaret,' you know; only I put in 'Hexagons,' and changed the words to
fit, of course."

Tilly nudged Elsie violently, and Elsie choked a spasmodic giggle into a
cough; but Quentina unhesitatingly went on.

"It began:

            "'O sweet pale Hexagons,
              O rare pale Hexagons,
          What lit your eyes with tearful power,
          Like moonlight on a falling shower?
          Why sent you, loves, so full and free,
          Your letter sweet to little me?'

That's just the first, you know," smiled Quentina, engagingly, "and of
course when I wrote it I didn't know you weren't really 'pale,' at all;
but then, we can just call that part poetic license."

Genevieve laughed frankly. Tilly giggled. Cordelia looked nervously from
them to Quentina.

"I'm sure, that--that's very pretty," she faltered.

Mrs. Jones smiled.

"I'm afraid, for a little, you won't know just what to make of
Quentina," she explained laughingly. "We're used to her turning
everything into jingles, but strangers are not."

"Oh, mother, I don't," cried Quentina, reproachfully. "There's heaps and
heaps of things that I never wrote a line of poetry about. But how could
I help it?--that beautiful letter, and the Happy Hexagons, and all! It
just wrote itself. I sent it East, too, to a magazine, two or three
times--but they didn't put it in," she added, as an afterthought.

"Why, what a shame!" murmured Tilly.

Genevieve looked up quickly. Tilly was wearing her most innocent, most
angelic expression, but Genevieve knew very well the naughtiness behind
it. Quentina, however, accepted it as pure gold.

"Yes, wasn't it?" she rejoined cheerfully. "I felt right bad,
particularly as I was going to send you all a copy when it was
published."

"You can give us a manuscript copy, Quentina. We would love that,"
interposed Genevieve, hurriedly. Behind Quentina's back she gave Tilly
then a frowning shake of the head--though it must be confessed that her
dancing eyes rather spoiled the effect of it.

"Maybe it's because her name rhymes--'Clorinda Dorinda,'" suggested
Tilly, interestedly; "maybe that's why she likes to write poetry so
well."

Mrs. Jones laughed.

"That's what her father says. But Clorinda herself changed her own name
about as soon as she could talk. She couldn't manage the hard 'Clorinda'
very well, and I had a Mexican nurse girl, Quentina, whose name she much
preferred. So very soon she was calling herself 'Quentina,' and
insisting that every one else should do the same."

"But it's so much prettier," declared the minister's daughter,
fervently. "Of course 'Clorinda Dorinda' are some pretty, because they
rhyme so, but I like 'Quentina' better. Besides, there are lots more
pretty words to make that rhyme with--Florena, Dulcina, Rowena, and
verbena, you know."

"And 'you've seen her,'" suggested Tilly, gravely.

Quentina frowned a moment in thought.

"Y-yes," she admitted; "but I don't think that's a very pretty one."

It was Genevieve this time who choked a giggle into a cough, and who, a
moment later, turned very eagerly to welcome an interruption in the
person of the Rev. Mr. Jones.

Soon after this Quentina suggested a trip through the house.

"You see I want to show you where you're going to sleep," she explained.

"Oh, Mr. Jones told us that," observed Tilly, as the seven girls trooped
up the narrow stairway. "He said we were to stand up in the corners."
Tilly spoke with the utmost gravity.

Quentina turned, wide-eyed.

"Why, you couldn't! You'd never sleep a bit," she demurred concernedly.
"Besides, it isn't necessary."

All but Tilly and Genevieve tittered audibly. Tilly still looked the
picture of innocence. Genevieve frowned at her sternly, then stepped
forward and put her arm around Quentina's waist.

"Tilly was only joking, Quentina," she explained. "When you know Tilly
better you'll find she never by any chance talks sense--but always
nonsense," she finished, looking at Tilly severely.

Tilly wrinkled up her nose and pouted; but her eyes laughed.

"There, here's my room," announced Quentina, a moment later. "We've put
a couch in it, and if you don't mind my sleeping with you, three can be
here. Then across the hall here is the twins' room, and two more can
sleep in this; and Paul and Ned's room down there at the end of the hall
will take the other two. There! You see we've got it fixed right well."

"Oh, yes--well for us; but how about the boys?" cried Genevieve. "Where
will they sleep?"

Quentina's lips parted, but before the words were uttered, a new thought
seemed to have come to her. With an odd little glance at Tilly, she
drawled demurely:

"Oh, they are going to sleep in the corners."

They all laughed this time.

"Well, now we've done the whole house, and we'll take the yard,"
proposed Quentina, as, a little later, she led the way down-stairs and
out of doors. "There! aren't my nasturtiums beautiful?" she exulted,
with the air of a fond mother displaying her first-born. She was
pointing to a bed of straggling, puny plants, beautifully free from
weeds, and showing here and there a few brilliant blossoms.

Tilly turned her back suddenly. Cordelia looked distressed. Bertha cried
thoughtlessly:

"Oh, but you ought to see Genevieve's, Quentina, if you want to see
nasturtiums!"

"Oh, but I have Carlos," cut in Genevieve, hurriedly, "and Carlos can
make anything grow. What a pretty dark one this is," she finished,
bending over one of the plants.

Quentina's face clouded.

"I don't suppose they are much, really," she admitted. "But I've worked
so hard over them! Father says the earth isn't good at all. I was so
pleased when that big red one came out! I made a poem on it right off:

          "'O nasturtium, sweet nasturtium,
            Did you blossom just for me?
            Where, oh, where did you unearth 'em--
            All those colors that I see?'

That's the way it began. Wasn't I lucky to think of that 'unearth 'em?'
Besides, it's really true, you know. They do unearth 'em, and 'twas such
a nice rhyme for nasturtium. Now there's petunia; I think that's a
perfectly beautiful sounding word, but I've never been able to find a
single thing that rhymed with it. I do love flowers so," she added,
after a moment; "but we've never had many. They always burn up, or dry
up, or get eaten up, or just don't come up at all. Of course we've never
had a really pretty place. Ministers like us don't, you know," she
finished cheerfully.

There was no reply to this. Not one of the Happy Hexagons could think of
anything to say. For once even Tilly was at a loss for words. It was
Quentina herself who broke the silence.

"Now tell me all about the East. Let's go up on the gallery and sit
down. I do so want to go East to school; but of course I can't."

"Why not?" asked Bertha.

"Oh, it costs too much," returned Quentina. "You know ministers don't
have money for such things." Her voice was still impersonally cheerful.

"How old are you?" asked Elsie, as they seated themselves on chairs and
steps.

"Sixteen last month."

"Oh, I wish you could go," cried Genevieve. "Wouldn't it be just lovely
if you could come to Sunbridge and go to school with us!"

"Where is Sunbridge? I always thought of it as just 'East,' you know."

"In New Hampshire."

"Oh," said Quentina, with a sigh of disappointment. "I hoped it was in
Massachusetts, near Boston, you know. I thought Alice said it was near
Boston."

"Well, we aren't so awfully far from Boston," bridled Tilly. "It only
takes an hour and a half or less to go there. I go with mother every
little while when I'm home."

Quentina sprang to her feet.

"Boston! Oh, girls, you don't know how I want to see Boston, and Paul
Revere's grave, and the Common, and the old State House, and Bunker
Hill, and that lovely North Church where they hung the lantern, you
know.

          'Listen, my children, and you shall hear
           Of the midnight ride of Paul Revere,'"

she began to chant impressively. "Oh, don't you just love that poem?"

"Who was Paul Revere?" asked Tilly, pleasantly.

"Paul Revere!" exclaimed Quentina, plainly shocked. "Who was _Paul
Revere_!"

"Tilly!" scolded Genevieve, as soon as she could command her voice.
"Quentina, that's only some of Tilly's nonsense. Tilly knows very well
who Paul Revere was."

"Yes, of course she does; and we all do," interposed Elsie Martin. "But
I'll own right up, I don't know half as much about all those historical
things and places as I ought to."

"Neither do I," chimed in Bertha. "Just because they're right there
handy, and we can go any time, we--"

"We _don't_ go any time," laughed Alma Lane, finishing the sentence for
her.

"I know it," said Elsie. "We had a cousin with us for two weeks last
summer, and she just doted on old relics and graveyards. She made us
take her into Boston 'most every day, and she asked all sorts of
questions which I couldn't answer."

"Yes, I know; but excuse me, please," put in Tilly, flippantly. "I don't
want any graveyards and relics in mine."

"That's slang, Tilly," reproved Cordelia.

"Is it?" murmured Tilly, serenely.

"Besides, people come from miles and miles just to see those things that
we neglect, right at our doors, almost."

"But how can you neglect them?" remonstrated Quentina. "Why, if I ever
go to Boston, I sha'n't sleep nor eat till I've seen Paul Revere's
grave!"

"Well, I shouldn't sleep nor eat if I did," shuddered Tilly.

"You mean you've _never_ seen it?" gasped Quentina, unbelievingly.

"Guilty!" Tilly held up her hand unblushingly.

"Never you mind, Quentina," soothed Genevieve. "We are interested in
those things, really."

"Then you have seen it?"

"Er--n-no, not that one," confessed Genevieve, coloring. "But I've seen
heaps of other graves there," she assured her hopefully, as if graves
were the only open door to Quentina's favor.

"Oh, you've had such chances," envied Quentina. "Just think--Boston! You
_said_ you were near Boston?"

"Oh, yes."

"Less than two hours away?"

"Why, yes," exclaimed Tilly, "I told you. We're less than an hour and a
half away."

"And are you a D. A. R., and Colonial Dames, and Mayflower Society
members, and all that?"

"Dear me! I don't know," laughed Genevieve. "Why?"

"And do you read the _Atlantic Monthly_, and eat beans Saturday night,
and fishballs Sunday morning?" still hurried on Quentina. "You don't any
of you wear glasses, and I don't think you speak very low."

"Anything else?" asked Tilly politely.

"Oh, yes, lots of things," answered Quentina, "but I've forgotten most
of them."

"Quentina, what _are_ you talking about?" laughed Genevieve.

Quentina smiled oddly, then she sighed.

"It wasn't true, of course. I knew it couldn't be."

"What wasn't true?"

"Something I found in one of father's church papers about Rules for
Living in New England. I cut it out. Wait a minute--it's here,
somewhere!" And, to the girls' amazement, she dived into a pocket at the
side of her dress, pulling out several clippings which seemed, mostly,
to be verse. One was prose, and it was on this she pounced. "Here it is.
Listen." And she read:

"'Rules for Living in New England. You must be descended from the
Puritans, and should belong to the Mayflower Society, or be a D. A. R.,
a Colonial Dame, or an S. A. R. You must graduate from Harvard, or
Radcliffe, and must disdain all other colleges. You must quote Emerson,
read the _Atlantic Monthly_, and swear by the _Transcript_. You must
wear glasses, speak in a low voice, eat beans on Saturday night, and
fishballs on Sunday morning. Always you must carry with you a green bag,
and you should be a professional man, or woman, preferably of the
literary variety. You should live not farther away from Boston than two
hours' ride, and of course you will be devoted to tombstones, relics,
and antiques. You may tolerate Europe, but you must ignore the West. You
must be slow of speech, dignified of conduct, and serene of temper. You
must never be surprised, nor display undue emotion. Above all, you must
be _cultured_.'

"Now you see you haven't done all those things," she declared, as she
finished the article.

"I reckon there are a few omissions--specially on my part," laughed
Genevieve.

"But you are happy there?"

"Indeed I am!"

"How I do wish I could go," sighed Quentina. "I should love Boston, I
know. Alice did--though she still liked Texas better."

"Well, I know Boston would love you," chuckled Tilly, unexpectedly.
"Girls, wouldn't she be a picnic in Sunbridge? She'd be more of a circus
than you were, Genevieve!"

"Thank you," bowed Genevieve, with mock stiffness.

"Oh, we loved you right away--and we should Quentina, of course."

"Thank you," bowed Quentina, in her turn, laughingly.




CHAPTER XII

THE OPENING OF A BARREL


It was a merry afternoon and evening that the Happy Hexagons spent at
Quentina's home, and it was still a merrier time that they had getting
settled for the night. Even Tilly said at last:

"Well, Quentina, it's lucky a lame foot doesn't have ears. I don't know
what your mother will say to us!"

"Only fancy if Miss Jane were here," shivered Genevieve.

It was just as the family were finishing breakfast the next morning that
there came a knock at the door, and a man rolled in a large barrel.

"Oh, it's the missionary barrel--our barrel from the East!" cried
Quentina. "I wonder now--what do you suppose there is in it?"

"There isn't anything, I reckon, except old things," piped up Rob,
shrilly.

Mrs. Jones colored painfully.

"Robert, my son!" she remonstrated, in evident distress.

"Well, mother, you _know_ there isn't--most generally," defended
Robert.

"And if they _are_ new, they're the sort of things we couldn't ever
use," added Ned.

"Boys, boys, that will do," commanded the minister, quickly.

The minister, with Paul's help, had the barrel nearly open by this time.

"It isn't from Sunbridge, is it?" asked Genevieve.

"No--though we get them from there sometimes; but this is from a little
town in Vermont," replied Mrs. Jones. "We had a letter last week from
the minister. He--he apologized a little; said that times had been hard,
and that they'd had trouble to fill it. As if it wasn't hard enough for
us to take it, without that!" she finished bitterly, with almost a sob.

"Rita, my dear!" murmured her husband, in a low, distressed voice.

Mrs. Jones dashed quick tears from her eyes.

"I know; I don't mean to be ungrateful. But--times have been a little
hard--with _us_!"

Silent, and a little awed, the Happy Hexagons stood at one side.
Genevieve, especially, looked out from troubled eyes. Very slowly
Genevieve was waking up to the fact that not every one in the world had
luxuries, or even what she would call ordinary comforts of living. Mrs.
Jones, seeing her face, spoke hurriedly.

"There, there, girls, please forget what I said! It was very kind of
those good people to send the barrel--very kind; and I am sure we shall
find in it just what we want."

"I know what you hope will be there," cried Bob, "a new coat for Father,
and a dress for you, and some underclothes for us boys. I heard you say
so last night."

"Yes; and Quentina wants a ribbon--not dirty ones," observed Rob.

"Robert!" cried Quentina, very red of face. "You know I don't _expect_
anything of the sort."

The barrel was open now, and eagerly the family gathered around it. Even
Mrs. Jones's chair was drawn forward so that she, too, might peep into
it.

First there was a great quantity of newspapers--the people had, indeed,
found trouble to fill it, evidently. Next came a pincushion--faded pink
satin, frilled with not over-clean white lace.

"I can use the lace for a collar," cried Quentina, taking prompt
possession of the cushion. "I'm right glad of this!"

A picture came next in a tarnished gilt frame--evidently somebody's
early attempts to paint nasturtiums in oil.

"There's a rival for your posies out in the yard," murmured Tilly in
Quentina's ear.

A pair of skates was pulled out next, then three dolls, one minus an
arm.

"These might be good--on ice," remarked Paul, who had picked up the
skates.

"Do you ever have any ice to skate on, here?" asked Bertha.

"Not in the part of Texas I've ever been in," he sighed.

Mrs. Jones was ruefully smoothing the one-armed doll's flimsy dress.

"I--I _told_ them there were no little girls in the family," she said,
her worried eyes seeking her husband's face. "It--it's all right, of
course; only--only these dolls did take space."

Some magazines came next, and a few old books, upon which the boys fell
greedily--though the books they soon threw to one side as if they were
of little interest.

Undergarments appeared then, plainly much worn and patched. To Genevieve
they looked quite impossible. She almost cried when she saw how eagerly
Mrs. Jones gathered the motley pile into her arms and began to sort them
out with little exclamations of satisfaction.

Next in the barrel were found an ink-stained apron, a bath-robe, nearly
new--which plainly owed its presence to its hideous colors--two or three
tin dishes (not new), a harmonica, a box containing a straw hat trimmed
with drooping blue bows, several fans, a box of dominoes, a pocket-knife
with a broken blade, several pairs of new hose, marked plainly
"seconds," some sheets and pillow-cases (half-worn, but hailed with joy
by Mrs. Jones), a kimono, an assortment of men's half-worn
shoes--pounced upon at once by Paul and his father, and not abandoned
until it was found that only two were mates, and only one of these good
for much wear.

It was at this point that there came a muffled shout from Ned, whose
head was far down in the barrel.

"Here's a package--a big one--and it's marked 'dress for Mrs. Jones.'
Mother, you did get it, after all!" he cried, tumbling the package into
his mother's lap.

Tremblingly half a dozen pairs of hands attempted to untie the strings
and to unwrap the coverings; then, across Mrs. Jones's lap there lay a
tawdry dress of pale-blue silk, spotted and soiled. Pinned to it was a
note in a scrawling feminine hand: "This will wash and make over nicely,
I think, if you can't wear it just as it is."

"We have so many chances to wear light-blue silk, too," was all that
Mrs. Jones said.

In the bottom of the barrel were a few new towels, very coarse, and some
tablecloths and small, fringed napkins, also very coarse.

"Well, I'm sure, these are handy," stammered the minister, who had not
found his coat.

"Oh, yes," answered his wife, wearily; "only--well, it so happens that
every box for the last five years has held tea-napkins--and I don't give
many teas, you know, dear."

Genevieve choked back a sob.

"I--I never saw such a--a horrid thing in all my life, as that barrel
was," she stormed hotly. "I don't see what folks were thinking of--to
send such things!"

"They weren't thinking, my dear, and that's just what the trouble was,"
answered Mrs. Jones, gently. "They didn't think, nor understand.
Besides, there are very many nice things here that we can use
beautifully. There always are, in every box, only--of course, some
things _aren't_ so useful."

"I should say not!" snapped Genevieve.

"Well, I didn't suppose anything could make me glad because Aunt Kate
makes over the girls' things for me," spoke up Elsie Martin; "but
something has now. She can't send them in any missionary boxes, anyhow!"

Mrs. Jones laughed, though she looked still more disturbed.

"But, girls, dear girls, please don't say such things," she
expostulated. "We are very, very grateful--indeed we are; and it is
right kind of them to remember us far-away missionaries with boxes and
barrels!"

"'Missionary'!" sputtered Genevieve. "'Missionary'! I should think
somebody had better be missionary to them, and teach them what to send.
Dolls and skates, indeed!"

"But, my dear," smiled Mrs. Jones, "those might have been just the
things--in some places; and besides, some of the boxes are--are better
than this. Indeed they are!"

It was at this point that Cordelia came forward hurriedly, and touched
Mrs. Jones's arm. Her face was a little white and strained looking.

"Mrs. Jones," she faltered, "I think I ought to tell you. I'm a
minister's niece, and I've seen lots of missionary boxes packed. I know
just how they do it, too. I know just how thoughtless they--I mean
we--are; and I just wanted to say that I'm very, very sure the next time
we pack a box for any missionary, we'll--we'll see that our old shoes
are mates, and that we don't send dolls to boys!"

There was a shout of gleeful appreciation from the boys, but there were
only troubled sighs and frowns on the part of Mr. and Mrs. Jones.

"Dear me! I--I wish the barrel hadn't come when you were here,"
regretted the minister's wife; "for indeed the things are all very, very
nice. Indeed they are!"

"And now let's go out to the flowers," proposed Quentina. "Maybe a new
nasturtium has blossomed."

All but one of the girls had left the room when Mr. Jones felt a timid
touch on his arm.

"Mr. Jones, could I speak to you--just a minute, please?" asked a low
voice. "I'm Cordelia Wilson, you know."

"Why, certainly, Miss Cordelia! What can I do for you?" he answered
genially, leading the way to the tiny study off the sitting room.

"Well, I'm not sure you can do anything," replied Cordelia, with
hesitating truthfulness. "But I wanted to ask: _do_ you know anybody in
Texas by the name of Mr. John Sanborn, or Mrs. Lizzie Higgins, or Mr.
Lester Goodwin, or Mr. James Hunt?"

The minister looked a little surprised.

"N-no, I can't say that I do," he said, slowly.

Cordelia's countenance fell.

"Oh, I'm so sorry! You see I thought--being a minister out here,
so,--you might know them."

"But--Texas is quite a large state," he reminded her, with a smile.

"I know," sighed the girl. "I've found that out."

"Are these people friends of yours?"

"Oh, no; they're just a son, and a brother, and a cousin, and a runaway
daughter that I'm looking up for Sunbridge people."

"Oh, indeed!" The minister hoped his voice was politely steady.

"Yes, sir. Of course I haven't had a chance to ask many people,
yet--only one or two of the cowboys. One of them was named 'John,' but
he wasn't my John--I mean, he wasn't the right John," corrected
Cordelia with a pink blush.

The minister coughed a little spasmodically behind his hand. As he did
not speak Cordelia went on, her eyes a little wistful.

"Would you be willing, please, to take those names down on paper, Mr.
Jones?"

"Why, certainly, Miss Cordelia," agreed the man, reaching for his
notebook.

"You see you _are_ a minister, and you do meet people, so you might find
them. I'd be so glad if you could, or if I could. They're all needed
very much--indeed they are. You see, Hermit Joe is so lonesome for his
son, and Mrs. Snow so worried about Lizzie, and Mrs. Granger has lost
her husband, so she hasn't anybody left but her cousin, now, and Miss
Sally is so very poor and needs her brother so much."

"Of course, of course," murmured the minister.

A few moments later his notebook bore this entry, which had been made
under Cordelia's careful direction:

          "Wanted:--Information about--

          John Sanborn          whose father is lonesome,
          Mrs. Lizzie Higgins     "   mother "  worried,
          Lester Goodwin          "   cousin "  a widow,
          and
          James Hunt              "   sister "  very poor."

"If I find any of these people I'll convey all your messages to the best
of my ability," promised the minister.

"Thank you. Then I'll go out now to the nasturtiums," sighed the girl,
contentedly.

All too soon the visit came to a close, and all too soon Carlos appeared
with the carriage. Then came hurried good-byes, full of laughter, tears,
and promises, with all the Jones family except the mother, grouped upon
the steps--and the mother's chair was close to the window.

          "Oh, Happy Hexagons, Happy Hexagons,
           Come again another day.
           Oh, don't forget me, Happy Hexagons,
           When you are so far away!"

chanted Quentina, waving one handkerchief, and wiping her eyes with
another.

"Girls, quick!--give her the Texas yell," cried Genevieve in a low
voice; "only say 'Quentina' at the end instead of my name. Now,
remember--'Quentina'!" she finished excitedly.

"Good!" exulted Tilly. "Of course we will! Now count, Cordelia."

A moment later, Quentina's amazed, delighted ears heard:

          "Texas, Texas, Tex--Tex--Texas!
           Texas, Texas, Rah! Rah! Rah!
           Quentina!"

Then, amidst a chorus of shouts and laughter, the carriage drove away.

       *       *       *       *       *

"Well, young ladies," demanded Mr. Hartley, when the tired but happy
Hexagon Club trooped up the front steps of the ranch house late that
afternoon, "how about it? What did you think of the fair Quentina?"

"Think of her! O Quentina, you should 'seen her!" sang Tilly, in so
perfect an imitation of the minister's daughter that the girls broke
into peals of laughter.

"She's lovely, Father--honestly, she is," declared Genevieve, as soon as
she could speak.

"And so pretty!" added Cordelia, "and has such a sweet, slow way of
speaking!"

"Such lovely dark eyes!"--this from Alma.

"And such glorious hair--all golden and kinky!" breathed Bertha.

"And she looks just as pretty in her high-necked apron as she does in
her white dress," cried Elsie.

"Well, well, upon my soul! What is this young lady--a paragon?" laughed
Mr. Hartley, raising his eyebrows.

"I'll tell you just what she is, sir," vouchsafed Tilly, confidentially.
"She _is_ a rhyming dictionary, Mr. Hartley, just as I said in the first
place; and I'd be willing to guarantee any time that she'd find a rhyme
for any word in this or any other language within two seconds after the
gun is fired. If you don't believe it, you should hear her 'unearth 'em'
on the 'nasturtium.'"

"Tilly, Tilly!" choked Genevieve, convulsively.

"Oh, but she _said_ she couldn't find one for petunia," broke in the
exact Cordelia.

"You don't mean she actually writes--_poetry_!" ejaculated Mrs. Kennedy.

"Writes it!--my dear lady!" (Tilly had assumed her most superior air.)
"If that were all! But she talks it, day in and day out. Everything is a
poem, from a letter to a scraggly nasturtium. She carries an unfailing
supply of her own verses in her head, and of other people's in her
pocket. If you ask for the butter at the table, you're never sure she
won't strike an attitude, and chant:

          "'Butter, Butter, Oh, good-by!
            Better butter ne'er did--er--fly.'"

"I think I should like to see this young person," observed Mrs. Kennedy,
when the laughter at Tilly's sally had subsided.

"Maybe you will sometime. She wants to go East," rejoined Tilly.

"She does? What for?"

"Principally to see Paul Revere's grave, I believe; incidentally to go
to school."

"Oh, I wish she could come East to school!" exclaimed Genevieve.

"So do I--if she'd come to Sunbridge," laughed Tilly. "She takes things
even more literally than Cordelia does. Sometime I'm going to tell her
the moon _is_ made of green cheese, and ask her if she doesn't want a
piece. Ten to one if she won't answer that she doesn't care for cheese,
thank you. Oh, I wouldn't ask to go to _another_ show for a whole year
if she should come to Sunbridge!"

"Tilly! I don't think you ought to talk like that," remonstrated
Cordelia. "One would think that Quentina was a--a vaudeville show."

Tilly considered this gravely.

"Why, Cordelia, do you know?--I believe that is _just_ what she is.
Thank you so much for thinking of it."

"Tilly!" gasped Cordelia, horrified.

Genevieve frowned.

"Honestly, Tilly, I don't think you are quite fair," she demurred.
"Quentina isn't one bit of a show. She's sweet and dear and lovely, with
just some funny ways to make her specially interesting."

"All right; we'll let it go at that, then," retorted Tilly, merrily.
"She's just specially interesting."

"She must be," smiled Mrs. Kennedy. "In fact, I should very much like to
see her, and--I don't believe Tilly means her comments to be quite so
unkind as perhaps they sound," she finished with a gentle emphasis that
was not lost on her young audience.




CHAPTER XIII

THE PRAIRIE--AND MOONLIGHT


One by one the long, happy July days slipped away. There was no lack of
amusement, no time that hung heavy--there was so much to be seen, so
much to be done!

Very soon after the trip to Quentina's home, Mr. Tim produced from
somewhere five stout little ponies, warranted to be broken to
"skirts"--which Genevieve had said would be absolutely necessary, as the
girls would never consent to ride astride.

It was a nervous morning, however, for five of the Happy Hexagons when
the horses were led up to the door. Cordelia was frankly white-faced and
trembling. Even Tilly looked a little doubtful, as she said, trying to
speak with her usual lightness:

"Oh, we _know_, of course, Genevieve, that these little beasts won't
teeter up and down like Reddy's broncho; and we hope they'll bear in
mind that Westerners ought to be politely gentle with Easterners, who
aren't brought up to ride jumping jacks. But still, we can't help
wondering."

"Genevieve, I--I really think I won't ride at all to-day," stammered
Cordelia, faintly; "that is, if you don't mind."

"But I do mind," rejoined Genevieve, looking much distressed. "Of
course, girls, I wouldn't urge you against your will, for the world; but
we can't have half the fun here unless you ride, for we go everywhere,
'most, in the saddle. And, honestly, Mr. Tim says these horses are
regular cows. Father told him he must get steady ones. Won't you
please--try it? It will break my heart, if you don't. You see I've said
so much to the boys, since I came, about your riding! They were so
surprised to think you could ride, and I was so proud to say you did!"

"You--you were?" stammered Cordelia.

"Yes."

"Well, young ladies," called Mr. Tim, at that moment, "here's the
steadiest little string of horses going! Who'll have the first pick?"

"I will," cried Cordelia, wetting her dry lips, and speaking with a
stern determination that yet did not quite hide the shake in her voice.
"That is--I don't care about my pick, but I'm going to ride--right
away--quick!" she finished, determined that at least Genevieve should
not be ashamed--of her.

After all, it was only the first five minutes that were hard. The little
horses were politeness itself, and seemed fully to realize the
responsibilities of their position. The girls, determined not to shame
Genevieve, acquitted themselves with a grace and ease that brought forth
an appreciative cheer from the boys as the young people rode away.

"Now I feel as if I were in Texas," exulted Tilly, drawing in a full
breath of the fresh, early morning air.

"I'm so glad--so glad we're all in Texas," cried Genevieve, looking
about her with shining eyes.

       *       *       *       *       *

According to Tilly, there was always "something doing" at the ranch
house. The boys--much to their own surprise, it must be confessed--had
adopted "the whole bunch" (as Long John called the young people), and
were never too busy or too tired to display their skill as ropers or
riders. Always there was the fascinating morning start to work to watch,
and frequently there was in the afternoon some wild little broncho that
needed to be broken to the saddle, or to be trained to stop, wheel
instantly, stand motionless, or to start at top speed, according to his
master's wishes; all of which was a never-ending source of delight to
unaccustomed Eastern eyes.

For pleasant days there were, too, rides, drives to Bolo, picnic
luncheons, and frolics of every sort. For rainy days there were games
and music in the living room, to say nothing of letters from home to be
read and answered. Most of the twilights--if fair--were spent by
everybody on the front gallery watching the golden ball in the west set
the whole prairie, as well as the sky itself, on fire. In the early
afternoon, of course, there was the inevitable siesta--Tilly's abhorred
"naps."

There were callers at the ranch house, too. Sometimes a cowboy from a
neighboring ranch came to look after a lost pony, or to see if his
cattle had strayed off the range through a broken fence. Sometimes a
hunter or trapper would stop for a chat on his way to or from Bolo. Once
Susie Billings in her khaki suit and cowboy hat came to spend the day;
and once, on Sunday, Mr. Jones came to hold service again. Much to the
girls' disappointment, Quentina did not come with him. The mother's foot
was better, Mr. Jones said, but the twins had come down with the
whooping cough, and poor Quentina could not be spared to leave home.

Sometimes a score of men and teams and cowboys with their strings of
horses would pass on their way to a round-up; and once two huge prairie
schooners "docked in the yard," as Tilly termed it; and their weary
owners, at Mr. Hartley's invitation, stopped for a night's rest.

That was, indeed, a time of great excitement for the Happy Hexagons, for
under Genevieve's fearless leadership they promptly made friends with
the sallow-faced women and the forlorn children, and soon were shown
the mysteries of the inside of the wagon-homes.

"Mercy! it looks just like play housekeeping; doesn't it?" gurgled
Tilly.

"But it isn't play at all, my dear," replied one of the women, a little
sadly. "Seems now like as if I ever had a home again what stayed put,
that I'd be happy, no matter where 'twas. Ain't that the way you feel,
Mis' Higgins?"

"Yes," nodded the other woman, dully, from her perch on the driver's
seat. "But I reckon my man ain't never goin' ter quit wheelin', now."

Even Genevieve seemed scarcely to know what to reply to this; but a few
minutes later she had succeeded in gaining the confidence of the several
children hanging about their mothers' skirts. Laughingly, then, the
young people trooped away together to look at the flowers--all but
Cordelia Wilson. Cordelia remained behind with the two women.

"Please--I beg your pardon--but did you say your name was 'Mrs.
Higgins'?" she asked eagerly, turning to the woman on the driver's seat.

"Why, no--I didn't, Miss. But that's my name."

"Yes, I know; 'twas the other lady who called you that, of course; but
it doesn't matter, so long as I know 'tis that."

"Oh, don't it?" murmured the woman, a little curiously.

"No; and--you came from New Hampshire, once, didn't you?"

An odd look crossed the woman's face.

"Well, I ain't sayin' that."

"But you did--please say that you did," begged Cordelia. "You see, I'm
so anxious to find you!"

A look that was almost terror came to the woman's eyes now.

"I don't know nothin' what you're talkin' about, and I don't want to
know, neither," she finished coldly, turning squarely around in her
seat.

Cordelia hesitated; then she stammered:

"If--if you think it's because your mother will scold you, I can assure
you that she will not. She is very anxious to hear from you--that's all.
She's been so worried! She wants to know if you're doing well, and all
that."

"What _are_ you talking about?" demanded the woman, turning sharply back
to Cordelia.

"Your--mother."

"My mother is--dead, Miss."

"Oh-h!" gasped Cordelia. "You mean you _aren't_ Mrs. Lizzie Higgins--she
that was Lizzie Snow of Sunbridge, New Hampshire, who eloped with Mr.
Higgins and ran away to Texas years ago?"

The woman laughed. Her face cleared. Whatever it was that she had
feared--she evidently feared it no longer.

"No, Miss. My name isn't 'Lizzie,' and it wa'n't 'Snow,' and I never
heard of Sunbridge, New Hampshire."

"O dear!" quavered Cordelia. "Mrs. Snow will be so sorry--that is, of
course she'll be glad, too; for you aren't--" With a little gasp of
dismay Cordelia pulled herself up before the words were uttered, but not
before their meaning was quite clear to the woman.

"Oh, yes, she'll be glad, too, no doubt," she cut in bitterly; "because
I'm not exactly what a woman would want for a lost daughter, now, am I?"

Cordelia blushed painfully.

"Oh, please, please don't talk like that! I am sure Mrs. Snow would be
glad to find any one for a daughter--she wants her so! And she's
her--mother, you know."

The woman's face softened.

"All right," she smiled, a little bitterly. "If I find her I'll send her
to you."

"Oh, will you? Thank you so much," cried Cordelia. "And there are some
others, too, that I'm hunting for. Maybe you can find them--traveling
around so much as you do. If you've got a little piece of paper and a
pencil, I'll just write them down, please."

Thus it happened that when the prairie schooners "sailed away" (again
to quote Tilly), one of them carried a bit of paper on which had been
written full instructions how to proceed should the wife of its owner
ever run across John Sanborn, Lizzie Higgins, Lester Goodwin, or James
Hunt.

       *       *       *       *       *

It was soon after this that the Happy Hexagons and Mr. Tim, returning on
horseback from a long day on the range, met with a delay that would
prevent their reaching the ranch house until some time after dark.

"Oh, goody! I don't care a bit," chuckled Genevieve, when she realized
the facts of the case. "There is a perfectly glorious moon, and now you
can see the prairie by moonlight. And you never really have seen the
prairie until you do see it by moonlight, you know!"

"But we have seen it by moonlight--right from your steps," cried Tilly.

"Oh, but not the same as it will be out here--away from the ranch
house," cried Genevieve. "You just wait! You'll see."

And they did wait. And they did see.

It did seem, indeed, that they never before had really seen the prairie;
they all agreed to that, as they gazed in awed delight at the vast,
silvery wonder all about them, some time later.

"Why, it looks more than ever like the ocean," cried Bertha.

"That grass over there actually ripples like water in the moonlight,"
declared Elsie.

"I didn't suppose anything could be so beautiful," breathed Cordelia.
"But, Genevieve, won't Mrs. Kennedy be dreadfully worried, at our being
so late?"

Genevieve gave a sigh.

"Yes, I'm afraid so," she admitted. "Still, she has Father to comfort
her, and he'll remind her that Mr. Tim is with us, and that delays are
always happening on a day's run like ours."

"I wish she could see this beautiful sight herself," cried Alma. "She
wouldn't blame us, then, for going wild over it and not minding if we
are a little hungry."

Tilly, for once, was silent.

"Well?" questioned Genevieve, after a time, riding up to her side.

"I don't know any one--only Quentina--who could do justice to it,"
breathed Tilly. And, to Genevieve's amazement, the moonlight showed a
tear on Tilly's cheek.

There was a long minute of silence. The moon was very bright, yet the
many swift-flying clouds brought moments of soft darkness, and cast
weird shadows across the far-reaching prairie.

"I think I smell a storm coming--sometime," sniffed Mr. Tim, his face to
the wind.

"Wouldn't it be lovely to have it come while we were out here," gurgled
Tilly.

"Hardly!" rejoined Mr. Tim with emphasis. "I reckon you needn't worry
about that storm for some hours yet. I'll have you all safely corralled
long before it breaks--never fear."

"I wasn't fearing. I was hoping," retorted Tilly in a voice that brought
a chuckle to the man's lips.

A moment later Mr. Tim stopped his horse and pointed to the right.

"Do you see that black shadow over there?" he asked Bertha Brown, who
was nearest him.

"Yes. From a cloud, isn't it?" Bertha, too, stopped to look.

"I think not. It's a bunch of cattle, I reckon. I think I make out the
guards riding round them."

"What is it, Mr. Tim?" Genevieve and the other girls had caught up with
them now.

"Cattle--over there. See?" explained Mr. Tim, briefly.

At that moment the moon came out unusually clear.

"I can see two men on horseback, passing each other," cried Bertha.

Mr. Tim nodded.

"Yes--the guard. They ride around the bunch in opposite ways, you know."

"Let's go nearer! I want to see," proposed Tilly, trying to quiet the
restless movements of her pony.

[Illustration: "'FOLLOW ME--QUICK!' HE ORDERED"]

The man shook his head.

"I reckon not, Miss Tilly. A stampede ain't what I'm looking for to
amuse you all to-night."

"What's a stampede?" asked Tilly.

"Mr. Tim, look--quick!" Genevieve's voice was urgent, a little
frightened. But the man had not needed that. With a sharp word behind
his teeth, he spurred his horse.

"Follow me--quick!" he ordered. And with a frightened cry they obeyed.

Genevieve obeyed, too--but she looked back over her shoulder.

The moon was very bright now. The black shadow to the right had become a
wedge-shaped, compact, seething mass, sweeping rapidly toward them.
There was a rushing swish in the air, and the sound of hoarse shouts. A
few moments later the maddened beasts swept across their path, well to
the rear.

"I'll answer your question, now, Miss Tilly," said Mr. Tim, as they
reined in their horses and looked backward at the shadowy mass. "That
was a stampede."

"But what will they do with them?" chattered Cordelia, with white lips.
"How can they ever stop them?"

"Oh, they'll head them off--get them to running in a circle, probably,
till they can quiet them and make them lie down again."

"And will they be all right--then?" shivered Elsie.

"Hm-m; yes," nodded Mr. Tim, "--till the next thing sets them going.
Then they'll be again on their feet, every last one of them--heads and
tails erect. Oh, they're a pretty sight then--they are!"

"They must be," remarked Tilly. "Still--well, I sha'n't ask you again
what a stampede is--not to-night."

Mr. Tim laughed.

"Well, Miss Tilly, 'tain't likely I could show you one if you did. I
don't always keep 'em so handy! And now I reckon we'd better hit the
trail for the Six Star, and be right lively about it, too," he added,
"or we'll be having Mis' Kennedy out here herself on a broncho after
ye!"

Half an hour later a white-faced, teary-eyed little woman at the Six
Star Ranch was trying to get her joyful arms around six girls at once.

It was the next morning, and just before Mr. Tim's predicted storm
broke, that the girls found the injured man almost hidden in the tall
grass near the ranch house. They had gone out for a short ride, but had
kept near shelter owing to the threatening sky. Tilly saw the man first.

"Genevieve, there's a man down there," she cried softly. "He's hurt, I
think."

Genevieve was off her horse at once. The man was found to be breathing,
but apparently unconscious. He lay twisted in a little huddled heap,
with one of his legs bent under him. He groaned faintly when Genevieve
spoke to him.

Genevieve was a little white when she straightened up.

"I think we'll have to get a wagon, or something, and two of the boys,"
she said. "I'll ride back to the house if some of you girls will stay
here."

"We'll all stay," promised Cordelia; "only be quick," she added,
slipping from her pony's back, and giving the reins to Bertha. "Maybe if
I could hold his poor head he'd be more comfortable."

Cautiously she sat down on the ground and lifted the man's head to her
lap. He groaned again faintly, and opened his eyes. They were large and
dark. For a moment there was only pain in their depths; then, gradually,
there came a look of profound amazement.

"Where am I?" he asked feebly.

"Sh! Don't talk. You are on the prairie. You must have got hurt, some
way."

He tried to move, and groaned again.

"Please be still," begged Cordelia. "You'll make things worse. We've
sent for help, and they'll be here right away."

The man closed his eyes now. He did not speak again.

It seemed a long time, but it was really a very short one, before
Genevieve came with Carlos and Pedro and one of the ranch wagons. The
man groaned again, and grew frightfully white when they lifted him
carefully into the wagon. Then he fainted. He was still unconscious when
they reached the ranch house.




CHAPTER XIV

A MAN AND A MYSTERY


August came. The first few days of the month were particularly busy ones
as some of the boys were off to a round-up on the fifth, and Mr. Hartley
was going with them for a week. To the girls the big four-horse wagon
for the food and bedding--the "wheeled house" that was to be home for
the boys--was always an object of great interest. Then there was the
excitement of the start on the day itself, which this time was made
particularly momentous by the going of Mr. Hartley.

The ranch house seemed very lonely without its genial, generous-hearted
owner, and everybody was glad that he had promised to come back in a
week. Meanwhile, of course, there was "the man."

The man was he who had been found by the girls in the prairie grass. He
was still almost as much of a mystery as ever. Mr. Hartley had insisted
upon his staying--and, indeed (though no bones were broken), he was
quite too badly injured to be moved for a time. He was able now to sit
in the big comfortable chairs on the back gallery; and he spent hours
there every day, sometimes reading, more often sitting motionless, with
his dark eyes closed, and his hands resting on his crutches by his side.

He had not seemed to care to talk of himself. He had merely said that
his horse had thrown him, and that he had lain in the grass for some
time before he was found. He was quiet, had good manners, and used good
language. He said that his name was John Edwards. He seemed deeply
grateful for all kindness shown him, but was plainly anxious to be well
enough to be on his way again. Mr. Hartley, however, had won his promise
to remain till he himself returned from the round-up.

All the young people did their best to make the injured man's time pass
as pleasantly as possible; and very often one or another of them might
be found reading to him, or playing a game of checkers or chess with
him.

It was on such an occasion that Cordelia Wilson, at the conclusion of a
game of checkers, found the courage to say something that had long been
on her mind.

"Mr. Edwards, do--do you know Texas very well?"

The man smiled a little.

"Well, Miss Cordelia, Texas is rather large, you know."

Cordelia sighed almost impatiently.

"Dear me! I--I wish every one wouldn't always say that," she lamented.
"It's so discouraging!"

"Dis--couraging?"

"Yes--when you're trying to find some one."

"Oh! And are you trying to find some one?"

"Yes, sir; four some ones."

"Well, I should think that might be difficult--in Texas, unless you know
where they are," smiled the man.

"I don't; and that's what's the matter," sighed Cordelia. "That's why I
was going to ask you, to see if you didn't know, perhaps."

"Ask _me_?"

"Yes. That is, if you had been around any--in Texas. You see I ask
everybody, almost. I have to," she apologized a little wistfully. "And
even then it looks as if I should have to go back to Sunbridge without
finding one of them. And I'd so hate to do that!"

The man started visibly.

"Go back--where?"

"To Sunbridge."

"Sunbridge--?"

"Sunbridge, New Hampshire; home, you know."

An odd expression crossed the man's face.

"No--I didn't know," he said, after a moment.

"Why, didn't any of us ever tell you we were from the East?" cried
Cordelia.

"Oh, yes, lots of times. But you never happened to mention the town
before, I think."

"Why, how funny!" murmured Cordelia.

The man did not speak. He seemed to have fallen into a reverie. Cordelia
stirred restlessly in her seat.

"Did you say you would help me?" she asked at last, timidly.

"Help you?" The man seemed to have forgotten what she had been speaking
of.

"Help me to find them, you know--those people I'm looking for."

"Why, of course," laughed the man, easily. "Who are--" He stopped
abruptly. For the second time an odd expression crossed his face. "Are
they--Sunbridge people?" he asked, stooping to pick up a dried leaf from
the gallery floor.

"Yes, Mr. Edwards. There are four of them--three men and one woman. They
are John Sanborn, Lester Goodwin, James Hunt, and Mrs. Lizzie Higgins.
Maybe you know some of them. Do you?"

"Well, Miss Cordelia,"--the man stopped a minute, as he reached for a
leaf still farther away--"is that quite to be expected?" he asked then,
lightly.

"No, I suppose not," she sighed; "for, of course, Texas _is_ big. But if
you would please just put their names down on paper same as the others
have, that would help a great deal."

"Why, certainly," agreed the man, reaching into his pocket and bringing
out a little notebook not unlike the minister's. "Now suppose you--you
give me those names again, Miss Cordelia."

"John Sanborn, Lester Goodwin, James Hunt, and Mrs. Lizzie Higgins. And
I am Cordelia Wilson, you know. Just 'Sunbridge, New Hampshire,' would
reach me--if you found any of them."

"I'll remember--if I find any of them," murmured the man, as he wrote
the last name.

"And thank you so much!" beamed Cordelia.

There was a moment's silence. The man was playing with his pencil.

"Did you say you were _asked_ to find these people?" he inquired at
last, examining the lead of his pencil intently.

"Oh, yes, sir."

"Indeed! And may I inquire who asked you?"

"Why, of course! The people who belong to them--who are so anxious for
them to come back, you know."

"Oh, then they want them?" The man was still examining the point of his
pencil.

"Indeed they do, Mr. Edwards," cried Cordelia, glad to find her new
audience so interested. "Mrs. Lizzie Higgins eloped years ago, and her
mother, Mrs. Snow, is terribly worried. She's never heard a word from
her. Mrs. Granger is a widow, and very poor. Her husband died last year.
She hasn't any one left but her cousin, Lester Goodwin, now, and she so
wishes she could find him. Lester's had some money left him, but if he
isn't found this year, it'll go to some one else."

"Oh!" The man gave a short little laugh that sounded not quite pleasant,
as he lifted his head suddenly. "I begin to see. Mrs. Granger thinks if
she had Lester, and Lester had the money, why she'd get the money, too,
eh?"

"Oh, no, sir--not exactly," objected Cordelia. "You see, if he _isn't_
found the money goes to _her_, so she thinks she ought to make a special
effort to find him. She says she wouldn't sleep a wink if she took all
that money _without_ trying to find him; so she asked me. Of course the
lawyers are hunting, anyway."

"Oh-h!" said the man again; but this time he did not laugh. "Hm-m;
well--are there any fortunes left the other two?" he asked, after a
moment's silence. He had gone back to his pencil point.

"Oh, no, sir," laughed Cordelia, a little ruefully. "I'm afraid they
won't think so. _They're_ wanted to _help_ folks."

"To help folks!"

"Yes, sir. You see John Sanborn's father is very poor, and he lives all
alone in a little bit of a house in the woods. He's called 'Hermit
Joe.'"

"Yes--go on," bade the man, as Cordelia stopped for breath. The man's
voice was husky--perhaps because he had stooped to pick up another dried
leaf.

"There isn't much more about him, only he's terribly lonesome and wants
his boy, he says. You see, the boy ran away years and years ago. I don't
think that was very nice of him. Do you?"

There was no answer. The man sat now with his hand over his eyes.
Cordelia wondered if perhaps she had tired him.

"And that's all," she said hurriedly; "only Sally Hunt's brother, James.
If he isn't found she'll have to go to the Poor Farm, I'm afraid."

"What?"

Cordelia started nervously. The man had turned upon her so sharply that
his crutches fell to the floor with a crash.

"Oh, sir, I beg your pardon," she apologized, springing to her feet.
"I'm so afraid you were asleep, and I startled you. I--I will go now.
And--and thank you ever so much for writing down those names!"

The man shook his head decidedly.

"Don't go," he begged. "You have not tired me, and I like to hear you
talk. Now sit down, please, and tell me all about these people--this
James Hunt's sister, and all the rest."

"Oh, do you really want to know about them?" cried Cordelia, joyfully.
"Then I will tell you; for maybe it would help you find them, you know."

"Yes, maybe it would," agreed the man, in a curiously vibrant voice, as
Cordelia seated herself again at his side. "Now talk."

And Cordelia talked. She talked not only then, but several times after
that, and she talked always of Sunbridge. Mr. Edwards seemed so
interested in everything and everybody there, though specially, of
course, in the relatives of the four lost people she was trying to
find--which was natural, certainly, thought Cordelia, inasmuch as he,
too, was going to search for them in the weeks to come.

Mr. Edwards improved in health very rapidly these days. He discarded his
crutches, and seemed feverishly anxious to test his strength on every
occasion. Upon Mr. Hartley's return from the round-up, the injured man
insisted that he was quite well enough to go away; and, in spite of the
kind ranchman's protests, he did go the next day after Mr. Hartley's
return. Carlos drove him to Bolo, and the Happy Hexagons stood on the
ranch-house steps and gave him their Texas yell as a send-off,
substituting a lusty "MR. EDWARDS" for Genevieve's name at the end.

"That is the most convenient yell," chuckled Tilly, as the ranch wagon
with Carlos and Mr. Edwards drove away. "It'll do for anything and
anybody. And didn't Mr. Edwards like it!"

"Of course he did! He couldn't help it," cried Genevieve.

"I think Mr. Edwards is a very nice man," observed Cordelia, with
emphasis, "and I wish he could have stayed for the party."

"Why, of course he's a nice man," chimed in the other girls, eyeing her
earnest face a little curiously.

"Who said he wasn't?" laughed Tilly. "My! but it is hot, isn't it?" she
added, dropping into one of the big wicker chairs near her.

"Oh, of course we have to have some warm weather," bridled Genevieve,
"else you'd be homesick for New Hampshire!"

"The mean annual temperature of the country near--" began Tilly,
mischievously; but Genevieve put her hands to her ears and fled.

       *       *       *       *       *

The fourteenth of August was to be a gala occasion at the Six Star
Ranch, for there was to be a supper and dance to entertain the friends
from the East.

"But where'll you get your guests?" demanded Tilly, when she first heard
of the plan. "Whom can you have, 'way off here like this?--all will
please take notice that I said '_whom_'!"

Genevieve laughed and tossed her head a little.

"Well, we'll have the boys here on the ranch, of course, and Susie
Billings, and some of the other Bolo girls. We can't have Quentina, of
course--Poor thing! Isn't it a shame about that whooping cough?--and
Ned's got it, too, now, you know!--but I think the Boyntons will come.
Their ranch is only thirty-five miles away, and they could stay all
night, of course."

"Only thirty-five miles away," repeated Tilly, airily. "Of course
nobody'd mind a little thing like that, for a party!"

"No, they wouldn't--in Texas," retorted Genevieve. "There's the
Wetherbys, too. They live five miles out from Bolo on the other side.
Maybe they'll come. We'll ask them, anyhow. Oh, we'll have a
party--never you fear!"

When the night of the fourteenth arrived, things looked, indeed, very
like "a party." Everywhere were confusion and excitement, even to the
saddle room and blacksmith's shop, and to the two big tents that were
being put up for extra sleeping quarters. Everywhere, too (Mrs. Kennedy
declared), were dishes heaped with chocolate candies. Mr. Edwards, who
had left the ranch only the day before, had sent back by Carlos
twenty-five pounds of the best candy Bolo could supply; and the girls
had been lavish in its disposal.

Five Wetherbys and six Boyntons had arrived together with a dozen
cowboys on horseback. Susie Billings, minus her khaki and cartridges,
looked the picture of demureness in white muslin and baby-blue ribbons.
There were other pretty girls, too, from Bolo, in white, and in pale
pink and yellow. And everywhere were the Happy Hexagons, wildly excited,
and delighted with it all.

The big hall and the living-room had been cleared for dancing. The
galleries and the long covered way leading to the dining room had been
decorated with flowers and lanterns. The long table in the dining-room
was decorated, too, and would later be loaded with all sorts of good
things: sandwiches, hot biscuits, tamales, cakes, and black coffee
without sugar. In the center of the table already there was a huge round
white something that called forth delighted clappings from the Happy
Hexagons as they flocked in at seven o'clock to look at the table
decorations.

"Oh, what a lovely cake," gurgled Tilly, "and such a big one!"

Genevieve laughed mischievously.

"I'll give you the whole cake--if you'll cut it," she proposed.

With manifest alacrity Tilly reached for a knife.

"Done!" she cried.

Before the knife descended, Genevieve caught her hand.

"Wait! Look here," she parleyed. Taking the knife, she thrust its point
through the elaborate white frosting, with two or three gentle taps.

"Why, it's hard!--hard as stone," ejaculated Tilly, trying for herself.

"It _is_ stone," laughed Genevieve.

"Stone!" cried a chorus of unbelieving voices.

"Yes, stone--frosted with sugar and the whites of eggs. Oh, if you'd
lived in Texas as long as I have you'd have seen them before," nodded
Genevieve.

"Well, I've got my opinion of Texas cakes, then," pouted Tilly, with
saucy impertinence.

"Oh, you'll change it later, I reckon--when you see the real ones,"
rejoined Genevieve, comfortably, as they left the dining-room.

There never had been, surely, such a party. All the Happy Hexagons
agreed to that. So, too, did all the guests. Perhaps on no one's face
was there a look of anxious care except on Cordelia's. Possibly Mr.
Hartley noticed this look. At all events he watched Cordelia rather
closely, as the evening advanced, particularly after he chanced to
overhear some of her remarks to his guests. Then he sought his daughter.

"Dearie," he began in a low voice, leading her a little to one side,
"what in the world ails that little Miss Cordelia?"

"Ails her! What do you mean? Is she sick?"

"No, I don't think so; but she looks as if she'd got the weight of the
whole outfit on her shoulders, and she seems to be going 'round asking
everybody if they knew John somebody, or Lizzie somebody else."

Genevieve laughed merrily; but almost at once she frowned and shook her
head.

"No, I don't know, Father, what is the matter. But Cordelia is capable
of--anything, if once her conscience is stirred. Why don't you ask her
yourself?"

"I believe I will, dearie," he asserted at last.

Five minutes later he chanced to find Cordelia without a partner.

"Miss Cordelia, will you accept an old man for this dance?" he asked
genially. "And shall we sit it out, perhaps?"

"Oh, thank you! I'd love to," cried Cordelia in a relieved voice. "And I
shall be so glad to rest!"

"Tired--dancing?" he asked.

"Oh, no, not dancing; that is--well--" She stopped, and colored
painfully.

Mr. Hartley waited a moment, then observed with a smile:

"You seem to be looking for some one to-night, Miss Cordelia. Didn't I
hear you asking Mr. Boynton and Joe Wetherby if they knew John somebody
or other?"

Again a pink flush spread over Cordelia's face, "Yes, sir; I am looking
for somebody--four somebodies."

"You don't say! Found them yet?"

She shook her head. To the man's surprise and distress, her eyes filled
with tears.

"No, Mr. Hartley, and that's what's the trouble. That's why I'm trying
so hard to-night to ask all these people--there's such a little time
left!"

"Time--left?"

"Yes. I'd like to tell you about it, please. I think I may tell you. Of
course I haven't said a word to the girls, because the people--back in
Sunbridge--didn't want me to talk about it. I'm looking for John
Sanborn, Lester Goodwin, James Hunt, and Mrs. Lizzie Higgins. They're
all Sunbridge people who came to Texas years ago, and are lost."

Mr. Hartley gave a sudden exclamation.

"Did you say--Lester Goodwin was one?" he asked.

"Yes, sir."

"Who wants him, and what for?"

Patiently Cordelia told him. She wore a hopeless air. She had ceased,
evidently, to expect anything that was good.

Mr. Hartley gave a low whistle. For a moment he was silent, then he
chuckled unexpectedly.

"Well, Miss Cordelia, if you hadn't looked so far away for your pony you
might have seen his tracks nearer home, perhaps. As it happens, Lester
Goodwin is right here on the ranch."

"Here? Lester Goodwin?" gasped Cordelia.

"Yes. Oh, he isn't known by that name--he preferred not to be. He came
to me fourteen years ago, and he's been here ever since. He said he
wanted to be a cowboy; that he'd always wanted to be one ever since
when, as a little boy, he used to rope his rocking-horse with his
mother's clothes-line. His uncle had wanted him to be a teacher, but he
hated the sight of books; so when his uncle died, he ran away and came
here. He said there wasn't anybody to care where he was, or what he did;
so I let him stay."

"And to think he's here now!"

"He certainly is. You see he came here because he knew me once a little
when I was in Sunbridge visiting relatives, years ago, and he knew I had
become a ranchman in Texas. He begged so hard that I should keep his
secret that I've always kept it. Besides, there was nothing to keep.
Nobody ever asked me, or suspected he was here."

"Why, how strange!" breathed Cordelia, with shining eyes. "And only
think how I've asked everybody but you--and now I've found one of them
right here!"

"Yes--though we mustn't be too sure, of course. We'll tell him; but
maybe he won't want to go back, even now. I reckon, however, that when
he hears of the money, Reddy won't mind his real name being known."

"Reddy!" cried Cordelia.

"Oh!--I didn't tell you, did I?" smiled Mr. Hartley. "Yes, Reddy is
Lester Goodwin."

"Why, Mr. Hartley! And I never thought of such a thing as asking _him_!
I only looked for the cowboys who were called 'John' or 'James' or
'Lester'--and there weren't many of those. And so it's Reddy--why, I
just can't believe it's true!"

"I reckon Reddy can't, either," laughed Mr. Hartley. "And now we'll let
you go back to your dancing, my dear. I've already encountered at least
four pairs of glowering eyes unpleasantly pointed in my direction. I'll
go and find Reddy--or rather, Mr. Lester Goodwin," he finished
impressively, as he rose to his feet.




CHAPTER XV

THE ALAMO


Two days after the party at the ranch house, Mr. Hartley made a
wonderful announcement at the dinner table.

"What do you say, young ladies, to a visit to San Antonio?" he began.

"Father, could we? Do you mean we can?" cried Genevieve.

"Yes, dear, that's just what I mean. It so happens I've got business
there, so I'm going to take you home 'round by that way. We'll have
maybe a couple of days there, and we'll see something of the surrounding
country, besides. You know Texas is quite a state--and you've seen
mighty little of it, as yet."

"Oh, girls, we'll see the Alamo!" cried Genevieve. "Did you realize
that?"

"Will we, truly?" chorused several rapturous voices.

"Yes."

"And what do you know about the Alamo, young ladies?" smiled Mr.
Hartley.

"We know everything," answered Tilly, cheerfully. "Mr. Jones's
daughter, you know, was our Latin teacher, and she had the History
class, too. Well, we couldn't even _think_ Bunker Hill but what she'd
pipe up about the Alamo. Now I think Bunker Hill is pretty good!"

"Oh, but we want to see the Alamo, just the same," interposed Bertha,
anxiously.

"Of course!" cried five emphatic girlish voices.

"All right," laughed Mr. Hartley. "You shall see it, all of you--if the
train will take us there; and you'll see--well, you'll see a lot of
other things, too."

Cordelia stirred uneasily. The old anxious look came back to her eyes.
When dinner was over she stole to Mr. Hartley's side.

"Mr. Hartley, please, shall we see an oil well?" she asked, in a low
voice.

"Bless you, little lady, what do you know about oil wells?" smiled the
man, good-naturedly. "You haven't got any of those to look up, have
you?"

To his dumbfounded amazement, she answered simply:

"Yes, sir--one."

"Well, I'll be--well, just what is this proposition?" he broke off
whimsically.

"If you'll wait--just a minute--I'll get the paper," panted Cordelia.
"Mr. Hodges wrote down the name."

Very soon she had returned with the paper, and Mr. Hartley saw the name.
His face hardened, yet his eyes were curiously tender.

"I'm afraid, little girl, that this won't come out quite so well as the
Reddy affair--by the way, Reddy left an extra good-by for you this
morning. He went away before you were up, you know. He feels pretty
grateful to you, Miss Cordelia."

"But I didn't do anything, Mr. Hartley. I do wish I could see Mrs.
Granger when he gets there, though. I--I'm afraid she doesn't like
cowboys much better than Mrs. Miller does."

There was a moment's silence. Mr. Hartley was scowling at the bit of
paper in his hand.

"Did you say you _didn't_ know where that oil well was, Mr. Hartley?"
asked Cordelia, timidly.

"Yes. I don't know where it is--and I reckon there doesn't anybody else
know, either," he answered slowly. "I know where it _claims_ to be, and
I know it is just one big swindle from beginning to end."

"Oh, I'm so sorry," sighed the girl.

"So am I, my dear. I'm sorry for Mr. Hodges, and lots of others that I
know lost money in the same thing. But it can't be helped now."

"Then there aren't any oil wells here at all in Texas?" asked Cordelia,
tearfully.

"Bless you, yes, child--heaps of them! You'll see them, too, probably,
before you leave the state. But--you won't see this one."

"Oh, I'm so sorry," mourned Cordelia, again, as sadly she took the bit
of paper back to her room.

       *       *       *       *       *

It was not many days before the Happy Hexagons said good-by to the
ranch--a most reluctant good-by. It was a question, however, which felt
the worst: Mammy Lindy, weeping on the gallery steps, Mr. Tim and the
boys, waving a noisy good-by from their saddles, or Mrs. Kennedy and the
Happy Hexagons--the latter tearfully giving their Texas yell with "THE
RANCH" for the final word to-day.

"I think I never had such a good time in all my life," breathed
Cordelia.

"I know I never did," choked Tilly. "Genevieve, we can't ever begin to
thank you for it all!"

"I--I don't want you to," wailed Genevieve, dabbing her eyes with her
handkerchief. "I reckon you haven't had any better time than I have!"

Quentina was at the Bolo station; so, too, was Susie Billings.

"O Happy Hexagons, Happy Hexagons, I just had to come," chanted
Quentina, standing some distance away, and extending two restraining
hands, palms outward. "Don't kiss me--don't come near me! I don't think
I've got any whooping germs about me, but we want to be on the safe
side."

"But, Quentina, how are you? How are all of you?" cried Genevieve,
plainly distressed. "I think it's just horrid--staying off at arm's
length like this!"

"But you must, dear," almost sobbed Quentina. "I wouldn't have you go
through what we are going through with at home for anything. Such a
whoop--whoop--whooping time!"

"Couldn't you make a poem on it?" bantered Tilly. "I should think
'twould make a splendid subject--you could use such sonorous, resounding
words."

Quentina shook her head dismally.

"I couldn't. I tried it once or twice; but all I could think of was
'Hark, from the tombs a doleful sound'; then somebody would cough, and I
just couldn't get any further." Her voice was tragic in spite of its
drawl.

"You poor thing," sympathized Genevieve. "But we--we're glad to _see_
you, even for this little, and even if we can't _feel_ you! But,
Quentina, you'll write--sure?"

"Yes, I'll write," nodded Quentina, backing sorrowfully away. "Good-by,
Happy Hexagons, good-by!"

"So that is your Quentina?" said Mr. Hartley in a low voice, as the
girls were waving their hands and handkerchiefs. "Well, she _is_
pretty."

"Oh, but she wasn't half so pretty to-day," regretted Genevieve. "She
looked so thin and tired. I wanted to introduce you, Father, but I
didn't know how to--so far away."

"I should say not," laughed Mr. Hartley. "'Twould have been worse than
your high handshake back East," he added, as he turned to speak to Susie
Billings, who had come up at that moment.

Susie Billings was in her khaki suit and cowboy hat to-day, with the
cartridge belt and holster; so, as it happened, the last glimpse the
girls had of Bolo station was made picturesque by a vision of
"Cordelia's cowboy" (as Tilly always called Susie) waving her
broad-brimmed hat.

       *       *       *       *       *

The trip to San Antonio was practically uneventful, though it was
certainly one long delight to the Happy Hexagons, who never wearied of
talking about the sights and sounds of the wonderful country through
which they were passing.

"Well, this isn't much like Bolo; is it?" cried Tilly, when at last they
found themselves in the handsome railroad station of the city itself. "I
shouldn't think Texas would know its own self half the time--it's so
different from itself all the time!"

[Illustration: "'THERE, NOW--LOOK!' SHE ADDED"]

"That's all right, Tilly, and I think I know what you mean," laughed
Genevieve; "but I wouldn't advise you to give that sentence to Miss Hart
as your best example of logic."

"Well, I was talking about Texas," retorted Tilly, saucily, "and there
isn't anything logical about Texas, that I can see. There, now--look!"
she added, as they reached the street. "Just tell me if there's anything
logical in that scene!" she finished, with a wave of her hand toward the
passing throng.

Genevieve laughed, but her eyes, too, widened a little as she stepped
one side with the others, for a moment, to watch the curious
conglomeration of humanity and vehicles before them.

In the street a luxurious limousine was tooting for a ramshackle prairie
schooner to turn to one side. Behind the automobile plodded a forlorn
mule dragging a wagon-load of empty boxes. Behind that came an army
ambulance followed by an electric truck. A handsome soldier on a restive
bay mare came next, and behind him a huge touring car with a pompous
black chauffeur. On either side of the touring car rode a grinning boy
on a mustang, plainly to the discomfort of the pompous negro and the
delight of two pretty girls in white who were in the low phaeton that
followed. A bicycle bell jangled sharply for a swarthy Mexican in a tall
peaked hat to get out of the way, and farther down the street two
solid-looking men in business suits were waiting for a pretty Mexican
woman with a rebosa-draped head to precede them into a car. Behind them
a huge negro woman wearing a red bandana about her head, waited her
turn. And still behind her a severe-faced young woman in a tailored suit
was drawing her skirts away from two almost naked pickaninnies.

"Well, no; perhaps it isn't really logical," laughed Genevieve. "But
it's awfully interesting!"

"I chose one of the older hotels," said Mr. Hartley, a little later, as
he piloted his party through the doorway of a fine old building.

"You couldn't have chosen a lovelier one, I'm sure, Father," declared
Genevieve, as she looked about her with shining eyes.

Genevieve was even more convinced of this when, just before dinner, in
response to a summons from Tilly's voice she stepped out on to the
little balcony leading from her room. The balcony overlooked an inner
court, and was hung with riotous moon-vines. Down in the court a silvery
fountain played among palms and banana trees. Here and there a cactus
plant thrust spiny arms into the air. Somewhere else queen's wreath and
devil's ivy made a tiny bower of loveliness. While everywhere were
electric lights and roses, matching one against the other their
brilliant hues.

"Genevieve, I--I think I'm going to c-cry," wailed Tilly's sobbing
voice from the adjoining balcony.

"Cry!--when it's all so lovely!" exclaimed Genevieve.

Tilly nodded.

"Yes. That's why I want to," she quavered. "Honestly, Genevieve, if I
stay here long I shall be writing poetry like Quentina--I know I shall!"

"If you do, just let me read it, that's all," retorted Genevieve,
saucily. "Where's Cordelia?"

"Off somewhere with Elsie and Bertha. She got dressed early--but I
sha'n't get dressed at all if I don't go about it."

At that moment there was the sound of a scream, then the patter of
running feet in the court below.

"Why, there they are now," cried Genevieve, leaning over the railing.
"Girls, girls!" she called, regardless of others in the court. "Look up
here! What's the matter?"

The girls stopped, and looked up. Cordelia, only, cast an apprehensive
glance over her shoulder.

"It's an alligator in the fountain in the other court," explained Elsie.
"Bertha said she heard there was one there, and so we went to see--and
we found out."

"I should say we did," shuddered Cordelia, still with her head turned
backward. "I sha'n't sleep a wink to-night--I know I sha'n't!"

"An alligator--really?" cried Tilly. "Then I'm going to hurry and get
ready so I can see him before dinner," she finished, as she whisked into
her room.

Dinner that night, in the brilliantly lighted, flower-decked dining-room
was an experience never to be forgotten by the girls.

"I didn't suppose there were such bea-_u_-tiful dresses in the world,"
sighed Elsie, looking about her.

Mr. Hartley smiled.

"I reckon you'd think so, Miss Elsie," he said, "if you could see the
place when it's in full swing. It's too early yet for the real tourist
season, I imagine. Anyhow, there aren't so many people here as I've
always seen before."

"Well, I shouldn't ask it to be any nicer, anyway," declared Bertha; and
the rest certainly agreed with her.

Bright and early the next morning the Happy Hexagons and Mr. Hartley
started out sight-seeing. Mrs. Kennedy was too tired to go, she said.

"I'll let business slip for an hour or two," Mr. Hartley remarked as
they left the hotel; "at all events, until I get you young people
started."

"Hm-m; you mean, to--the Alamo?" hinted Genevieve, with merry eyes.

"Sure, dearie! The Alamo it shall be," smiled her father. "Then
to-morrow I'll take you to Fort Sam Houston where there are _live_
soldiers."

"Oh, is there an army post here, truly?" cried Tilly.

"Only the largest in the country," answered the Texan, proudly.

"Really? Oh, how splendid! I just love soldiers!"

"Really?" mimicked Mr. Hartley, mischievously. "They'll be pleased to
know it, I'm sure, Miss Tilly."

The others laughed. Tilly blushed and shrugged her shoulders; but she
asked no more questions about Fort Sam Houston for at least five
minutes.

"Now where's the place--the really, truly place?" demanded Cordelia, in
an awed voice, when the party had reached the Alamo Plaza.

"The place--the real place, Miss Cordelia," replied Mr. Hartley, "where
the fight occurred, was in a court over there; and the walls were pulled
down years ago. But this little chapel was part of it, and this is what
everybody always looks at and talks about. The relics are inside. We'll
go in and see them, if you like."

"If we like!" cried Genevieve, fervently. "Just as if we didn't want to
see everything--every single thing there is to see!" she finished, as
her father led the way into the dim interior under the watchful eyes of
the caretaker.

Even Tilly, for a moment, was silenced in the hush and somberness of
the place. Genevieve stole to her father's side. Mr. Hartley, with bared
head, was wearing a look of grave reverence.

"You appreciate it, don't you, Father?" she said softly. "You have
always talked such a lot about it."

He nodded.

"I don't see how any one can help appreciating it," he rejoined, after a
moment, looking up at the narrow, iron-barred windows. "Why, Genevieve,
this is our Bunker Hill, you know."

"I know," she said soberly. "How many was it? I've forgotten."

"About one hundred and eighty on the inside--here; and all the way from
two to six thousand on the outside--accounts differ. But it was
thousands, anyway, against one hundred and eighty--and it lasted ten
days or more."

Genevieve shuddered.

"And they all--died?"

"Every one--of the soldiers. There was a woman and a young child and a
negro servant left to tell the tale."

"That's what it means on the monument, isn't it?" murmured Genevieve.
"'Thermopylæ had its messenger of defeat: the Alamo had none.'"

"Yes," said her father. "I've always wondered what Davy Crockett would
have said to that. You know he was here."

"Wasn't he the one who said, 'Be sure you are right, then go ahead'?"

"Yes. And he went ahead--straight to his death, here."

Genevieve's eyes brimmed with tears.

"Oh, it does make one want to be good and brave and true, doesn't it,
Father?"

"I reckon it ought to, little girl," he smiled gently.

"It does," breathed Genevieve. A moment later she crossed to Tilly's
side.

Tilly welcomed her with subdued joyousness.

"Genevieve, please, _please_ mayn't we get out of this?" she begged.
"Honestly, I feel as if I were besieged myself in this horrid tomb-like
place. And--and I like live soldiers so much better!"

Genevieve gave her a reproachful glance, but in a moment she suggested
that perhaps they had better go.

"Oh, but that was lovely," she sighed, as they came out into the bright
sunshine. "The caretaker told me they call it the 'Cradle of Liberty,'
here; and I don't wonder."

Tilly uptilted her chin--already the sunshine had brought back her usual
gayety of spirits.

"Dear me! what a lot of cradles Liberty must have had! You know Faneuil
Hall in Boston is _one_. Only think how far the poor thing must have
traveled between naps if she tried to sleep in all her cradles!"

Even Genevieve laughed--but she sighed reproachfully, too.

"Oh, Tilly, how you can turn poetry into prose--sometimes!" Then she
added wistfully: "How I wish I could see this Plaza on San Jacinto Day!"

"What is that?" demanded Tilly.

"The twenty-third of April. They have the Battle of the Flowers in the
Plaza here, in front of the Alamo. I've always wanted to see that."

"Hm-m; well, I might not mind that kind of a battle myself," laughed
Tilly.




CHAPTER XVI

TILLY CROSSES BRIDGES


In the afternoon the young people again started out to explore the town.
This time Mr. Hartley was not with them.

"But are you quite sure you won't get lost?" Mrs. Kennedy demurred
anxiously, as Genevieve was putting on her hat.

"No, ma'am," returned Genevieve, with calm truthfulness and a merry
smile. "But, dearie, it's daylight and there are six of us. What if we
do get lost? We've got tongues in our heads, and we know the name of our
hotel and of the street it's on."

"Very well," sighed Mrs. Kennedy. Then, with sudden spirit she added:
"Dear me, Genevieve! I shall be glad if ever we get back to Sunbridge
and I have you to myself all quiet again. I'm afraid you'll never, never
settle down to just plain living after these irresponsible weeks of one
long playday."

It was Genevieve's turn now to sigh.

"I know, Aunt Julia. It will be hard, won't it?" she admitted. Then,
with a quick change of manner, she observed airily: "As if anything
could be nicer than learning to cook, and keeping my stockings mended!
Why, Aunt Julia!" The next moment, with a breezy kiss, she was gone.

It was a delightful afternoon that the girls spent rambling about the
curiously interesting old town, which--Cordelia impressively informed
them--was the third oldest in the United States. They tried to see it
all, but they did not succeed in this, of course. They did stand in
delighted wonder before the San Fernando Cathedral with its square,
cross-tipped towers; and they did wander for an entrancing hour in the
old Mexican Quarter, with its picturesque houses and people, its
fascinating chili and tamale stands, and its narrow, twisting streets,
which Genevieve declared were almost as bad as Boston.

"Boston!" bridled Tilly, instantly. "Why, Boston's tiniest, crookedest
streets are great wide boulevards compared to these! Besides, when we
are in Boston we don't have to cross a river every time we turn around."

"I don't know about that," retorted Genevieve, warmly. "Just try to go
over to Cambridge or Charlestown and see. I'm sure I think Boston's got
lots of bridges."

Tilly sniffed her disdain.

"Pooh! You're _leaving_ Boston when you cross those bridges, Genevieve
Hartley, and you know it. But just look at them here! We haven't
stirred once out of San Antonio, and I think I've crossed five bridges
in the last seven minutes. I can imagine those old fellows who built
this town getting tired of building houses, and saying: 'And now let's
stop and build a bridge for the fun of it!'"

Genevieve laughed heartily.

"You've won, Tilly. I'll give up," she chuckled. "I hadn't meant to tell
you; but there _are_ thirteen miles of river twisting in and out through
the city, and--there _are_ seventeen bridges."

"Where did you find out all that?" demanded Tilly, suspiciously.

"In a guidebook that I saw last night at the hotel. It's the same one, I
reckon, that Cordelia's been giving all her information from," said
Genevieve.

"Hm-m;" commented Tilly. "Now I _know_ I've crossed five bridges in the
last seven minutes!"

"Well, I wouldn't care if there were forty miles of river and fifty
bridges," retorted Genevieve, "if they'd all have such lovely green
banks and dear little boats!"

"Nor I," agreed two or three emphatic voices.

Everywhere and at every turn the girls found something of interest,
something to marvel at. When tired of walking they boarded a car; and
when tired of riding, they got off and walked.

"Well, anyhow, folks seem to have a choice of houses to live in,"
observed Tilly, her eyes on a quaint little white bungalow surrounded by
heuisach and mesquite trees.

"Yes, they do," laughed Genevieve--Genevieve was looking at the next one
to it: an old-fashioned colonial mansion set far back from the street,
with a huge pecan tree standing guard on each side.

"Well, seems to me just now a hotel would look the nicest of anything,"
moaned Cordelia, wearily. "Girls, I just can't go another step--unless
it's toward home," she finished despairingly.

"Me, too," declared Tilly. "I'm just plum locoed, I'm that tired! Say we
hit the trail for the hotel right now. Come on; I'm ready!"

Genevieve laughed, but she eyed Tilly a little curiously.

"What do you suppose Sunbridge will say to your new expressions à la the
wild and woolly West?" she queried.

"Just exactly what they said to you, Miss Genevieve," bantered Tilly.

"Oh, but Genevieve's were _natural_," cut in Bertha, with meaning
emphasis.

"All the more reason why mine should be more interesting, then,"
retorted Tilly, imperturbably. And with a laugh Bertha and Genevieve
gave it up, as with tired but happy faces, they set out for the hotel.

At breakfast the next morning, Mr. Hartley announced cheerily:

"We'll do the parks, to-day, and the Hot Sulphur Well and Hotel; and
finish with dress parade at Fort Sam Houston."

"But--what about your business?" asked Genevieve.

Mr. Hartley laughed.

"Oh, that's all--done," he answered; then, as the puzzled questioning
still remained in her eyes, he added, a little shamefacedly: "You see,
there wasn't much business, to tell the truth, dearie. I reckon my real
business was to show off the state of Texas to our young Easterners
here."

"You darling!" cried Genevieve, rapturously, while all the rest of the
Happy Hexagons stumbled and stuttered over their vain attempts at
thanking him.

"I declare! I wish we could give him our Texas yell, right here,"
chuckled Tilly, turning longing eyes about the dining-room. "We would
end with 'Mr. Hartley,' of course."

"Tilly!" gasped Cordelia, in open horror.

"What is the Hot Sulphur Well, Mr. Hartley, please?" asked Elsie, who
had not heard Tilly's remark.

"You'll have to ask some one who's been cured by it," laughed the man.
"They say there are plenty that have been."

"Do you suppose it looks any like an oil well?" ventured Cordelia.

"Sounds a bit hot, seems to me, for to-day," giggled Tilly. "I think I
shall like the parks better."

"All right; we'll let you do the parks--_all_ of them," cooed Genevieve,
wickedly. "There are only twenty-one, you know, my dear."

"Genevieve Hartley, if you remember your lessons next year one half as
well as you have that abominable guidebook, you'll be at the head of
your class!" remarked Tilly, severely, as the others rose from the
table, with a laugh.

It was another long, happy day. The parks, as Tilly had predicted,
proved to be cooler than the Hot Sulphur Well, and they certainly were
more enjoyable, even though only two of Genevieve's announced twenty-one
were visited--Brackenridge Park, and San Pedro Park. It was the former
that Cordelia enjoyed the most, perhaps, for it was there that she saw
her much-longed-for buffalo. Tired, but still enthusiastic, they reached
the hotel in time to dress for the visit to Fort Sam Houston, upon which
Mrs. Kennedy was to accompany them.

Getting dressed was, however, a grand flurry of excitement, for time and
space were limited; and there was not one of the Happy Hexagons who did
not feel that on this occasion, at least, every curl and ribbon and
shoe-tie must display a neatness that was military in its precision.

Perhaps only Elsie of all the girls wept over the matter. Her eyes were
red when she knocked at Genevieve's door.

"Why, Elsie!"

"Genevieve, I've come to say--I can't go," choked Elsie.

"Why, Elsie, are you sick?"

"Oh, no; it's--clothes. Genevieve, I simply haven't anything to wear."

"Nonsense, dear, of course you have! We don't have to dress much for
this thing. Where's your white linen or your tan or your blue?"

"The white is too soiled, and the other two have worn places that show."

"But there's your chambray--that isn't worn."

Elsie shook her head.

"But I can't--that, truly, Genevieve. It's got worse and worse every
day, until now _anybody_ can tell Cora and Clara apart!"

Genevieve choked back a laugh. She was frowning prodigiously when Elsie
looked up.

"I'll tell you, Elsie, I've got just the thing," she cried. "Wear my
white linen--it's perfectly fresh, and 'twill fit you, I'm sure."

Elsie's face turned scarlet.

"Oh, Genevieve! I wouldn't--I couldn't! I'd never, never do such an
awful thing," she gasped. "Why, what _would_ Aunt Kate say?--my wearing
your clothes like that! Oh, I never thought of your taking it that way!
Never mind--I'll fix something," she choked, as she turned and fled down
the hall, leaving a distressed and almost an angry Genevieve behind her.

For some minutes Genevieve busied herself with her own toilet, jerking
hooks and ribbons into place with unnecessary force; then she turned
despairingly to Mrs. Kennedy, whose room she was sharing.

"Aunt Julia, what's the use of having anything to give, if folks won't
take it when you give it?" she demanded, irritably.

"Not having followed your thoughts for the last five minutes, my dear, I
fear I'm unable to give you a very helpful answer," smiled Mrs. Kennedy,
serenely. And Genevieve, remembering Elsie's shamed, red face, decided
suddenly that Elsie's secret was not hers to tell.

Half an hour later Mr. Hartley marshaled his party for the start.

"You're a brave sight," he declared, smiling into the bright faces about
him. "You're a mighty brave sight; and I'll leave it to anybody if even
the boys in line to-day will make a finer show!"

The Happy Hexagons laughed and blushed and courtesied prettily; and only
Genevieve knew that the smile on Elsie's face was a little forced--Elsie
was wearing the green chambray.

There was an awed "Oh-h!" of wonder and admiration when Mr. Hartley's
party came in sight of the great parade grounds at Fort Sam Houston.
There was a still deeper, longer, louder "Oh-h-h!" when, sitting at one
end of the grounds, the girls heard the first stirring notes of the
band.

To the Hexagon Club it was a most wonderful sight--those long lines of
men moving with such perfect precision. Fresh from the Alamo as the
girls were, with the story of that dreadful slaughter in their ears--to
them it almost seemed that there before them marched the brave men who
years ago had given up their lives so heroically in the little chapel.

It was Tilly who broke the silence.

"Oh, I do just love soldiers," she cried, with a hurried glance sideways
to make sure that Mr. Hartley in the next carriage could not hear her.
"Don't you, Genevieve?" But Genevieve was too absorbed to answer.

A little later the band played "The Star-spangled Banner," and there
sounded the signal gun for the lowering of the colors. In the glorious
excitement of all this, even Tilly herself forgot to talk.

After dress parade a certain Major Drew, who knew Mr. Hartley, came up
and was duly presented to the ladies. He in turn presented the officer
of the day, who looked, to the Happy Hexagons, very handsome and
imposing in sword and spurs. After this, at Major Drew's invitation,
there was a visit to the officers' quarters, and on the Major's broad
gallery there was a cooling refreshment of lemonade and root beer before
the drive back to the hotel.




CHAPTER XVII

"BERTHA'S ACCIDENT"


It had been decided that the party would go to New Orleans from San
Antonio, and then from there by boat to New York.

"It'll make a change from car-riding, and a very pleasant one, I'm
thinking," Mr. Hartley had said; and the others had enthusiastically
agreed with him.

It was on the five-hundred-and-seventy-two mile journey from San Antonio
to New Orleans that something happened. In the Chronicles of the Hexagon
Club it fell to Genevieve to tell the story; and this is what she wrote:

"It seems so strange to me that we should have traveled so many
thousands of miles on the railroad without anything happening; and then,
just on the last five hundred (we are going to take the boat at New
Orleans)--to have it happen.

"We have had all sorts of amusing experiences, of course, losing trains,
and missing connections; but nothing like this. Even when we had to take
that little bumpy accommodation for a few hours, and it was so
accommodating it stopped every few minutes 'to water the horses,' as
dear Tilly said, nothing happened--though, to be sure, we almost did get
left that time we all (except Aunt Julia) got off and went to pick
flowers while our train waited for a freight to go by. But we didn't get
quite left, and we did catch it. (Dear Tilly says we could have caught
it, anyway, even if it had started, and that we shouldn't have had to
walk very fast, at that! Tilly does make heaps of fun of all our trains
except the fast ones on the main lines. And I don't know as I wonder,
only I'd never tell her that, of course--that is, I _wouldn't_ have told
her before, perhaps.)

"Well, where was I? Oh, I know--on the sidetrack. (I had to laugh here,
for it occurred to me that that was just where I was in the story--on a
sidetrack! I'm not telling what I started out to tell at all. It's lucky
we can each take all the room we want, though, in these Chronicles.)

"Well, I'll tell it now, really, though I'm still so shaky and excited
my hand trembles awfully. It was in the night, a little past twelve
o'clock that it happened. I was lying in my berth above Elsie's, and was
wide-awake. I had been thinking about Father. He has been such a dear
all the way. I was thinking what a big, big dear he was, when IT
happened.

"Yes, I put IT in capitals on purpose, and I reckon you would, if
suddenly the car you were riding in began to sway horribly and bump up
and down, and then stop right off short with a bang that flung you into
the middle of the aisle! And that's what ours did.

"For a minute, of course, I was too dazed to know what had happened. But
the next moment I heard a scared voice wail right in my ear:

"'Girls, it's an accident--I know it's an accident! I told you we should
have an accident--and to think I took off my shoes to-night for the very
first time!'

"I knew then. It was Bertha, and it was an accident. And, do you know?
I'm ashamed to tell it, but the first thing I did right there and then
was to laugh--it seemed so funny about Bertha's shoes, and to hear her
say her usual 'I told you so!' But the next minute I began to realize
what it all really meant, and I didn't laugh any more.

"All around me, by that time, were frightened cries and shouts, and I
was so worried for Father and all the rest. I struggled, and tried to
get up; and then I heard Father's voice call: 'Genevieve, Genevieve,
where are you? Are you all right?' Oh, nobody will ever know how good
that dear voice sounded to me!

"We called for Aunt Julia, then, and for the girls; but it was ever so
long before we could find them. We weren't all together, anyway, and the
crash had separated us more than ever. Besides, everybody everywhere
all over the car was crying out by that time, and trying to find folks,
all in the dark.

"We found Aunt Julia. She was almost under the berth near me; but she
was so faint and dazed she could not answer when we first called. I was
all right, and so were Cordelia and Bertha, only Bertha bumped her head
pretty hard afterwards, looking for her shoes. Elsie Martin and Alma
Lane were a little bruised and bumped, too; but they declared they could
move all their legs and arms.

"We hadn't any of us found Tilly up to that time; but when Elsie said
that (about being able to move all her legs and arms), I heard a little
faint voice say 'You talk as if you were a centipede, Elsie Martin!'

"'Tilly!' I cried then. 'Where are you?' The others called, too, until
we were all shouting frantically for Tilly. We knew it must be Tilly for
nobody but Tilly Mack could have made that speech!

"At last we found her. She was wedged in under a broken seat almost at
our feet. It was at the forward end of the car--the only part that
seemed to be really smashed. She could not crawl out, and we could not
pull her out. She gave a moaning little cry when Father tried to.

"'I guess--some of my legs and arms don't go,' she called out to us
with a little sob in her voice.

"We were crazy then, of course--all of us; and we all talked at once,
and tried to find out just where she was hurt. The trainmen had come by
this time with lanterns, and were helping every one out of the car. Then
they came to us and Tilly.

"And we were so proud of Tilly--she was so brave and cheery! I never
found out before what her nonsense was for, but I did find it out then.
It was the only thing that kept us all from going just wild. She said
such queer little things when they were trying to get her out, and she
told them if there was any one hurt worse than she to get them out
first. She told Father that she knew now just how Reddy felt when his
broncho went see-saw up in the air, because that was what her berth did.

"Well, they got the poor dear out at last, and a doctor from the rear
car examined her at once. Her left arm was broken, and she had two or
three painful bruises. Of course that was bad--but not anywhere near so
bad as it might have been, and we were all so relieved. The doctor did
what he could for her, then we all made ourselves as comfortable as
possible while we waited for the relief train.

"We found out then about the wreck, and the chief thing we could find
out anywhere was what a 'fortunate' wreck it was! The engine and six
cars went off the track on a curve. Just ahead was a steep bank with a
river below it, and of course it _was_ fortunate that we did not go down
that. No one was killed, and only a few much injured. The car ahead and
ours were the only ones that were smashed any. Yes, I suppose it was a
'fortunate wreck'--but I never want to see an unfortunate one. Certainly
we all felt pretty thankful that we had come out of it as well as we
did.

"The relief train came at last, and took us to the next city, and to-day
we are started on our journey once again. We expect to reach New Orleans
to-night, and take the boat for New York Saturday. We all feel a little
stiff and sore, but of course dear Tilly feels the worst. But she tries
to be just as bright and smiling as ever. She looks pretty white,
though, and what the storybooks call 'wan,' I reckon. She says, anyhow,
she wishes she _were_ a centipede--in _arms_--because perhaps then she
wouldn't miss her left one so much, if she had plenty more of them.
There seems to be such a lot of things she wants her left arm to do. The
doctor says it wasn't a _bad_ break--as if any break could be _good_!

"And here endeth my record of 'Bertha's accident'--as Tilly insists upon
calling it, until she's made Bertha almost ready to cry over it."

       *       *       *       *       *

Owing to the delay of the accident, Mr. Hartley and his party had only
one day in New Orleans before the boat sailed; but they made the most
of that, for they wanted to see what they could of the quaint,
picturesque city.

"We'll take carriages, dearie. We won't walk anywhere," said Mr. Hartley
to Genevieve that morning. "In the first place, Mrs. Kennedy and Miss
Tilly couldn't, and the rest of us don't want to. We can see more, too,
in the short space of time we have."

So in carriages, bright and early Friday morning, the party started out
to "do" New Orleans, as Genevieve termed it. Leaving the "American
portion," where were situated their hotel and most of the other big
hotels and business houses of American type, they trailed happily along
through Prytania Street and St. Charles Avenue to the beautiful "Garden
District" which they had been warned not to miss. They found, indeed,
much to delight them in the stately, palatial homes set in the midst of
exquisitely kept lawns and wonderful groves of magnolia and oak. Quite
as interesting to them all, however, was the old French or Latin Quarter
below Canal Street, where were the Creole homes and business houses.
Here they ate their luncheon, too, in one of the curious French
restaurants, famous the world over for its delicious dishes.

With the disappearance of the last mouthful on her plate, Tilly drew a
long breath.

"I've always heard Creoles were awfully interesting," she sighed. "Do
you know--I don't think I'd mind much being a Creole myself!"

"You look so much like one, too," laughed Genevieve, affectionately,
patting the soft, fluffy red hair above the piquant, freckled little
face.

At five o'clock that afternoon a tired but happy party reached the hotel
in time to rest and dress for dinner.

"Well," sighed Genevieve, "I'd have liked a week here, but a day has
been pretty good. We've seen enough 'Quarters' to make a 'whole,' and
the Cathedral, and dozens of other churches, and we've driven along
those lovely lakes with the unpronounceable names; and now I'm ready for
dinner."

"And we saw a statue--the Margaret Statue," cut in Cordelia, anxiously.
"You know it's the _first_ statue ever erected to a woman's memory in
the United States. We wouldn't want to forget that!"

"Well, I should like to," retorted Genevieve, perversely. "It's only so
much the worse for the United States--that it wasn't done before!"

"I think Genevieve is going to be a suffragette," observed Tilly,
cheerfully, as they trooped into the hotel together.

It was from New Orleans that Cordelia Wilson wrote a letter to Mr.
William Hodges. She had decided that it would be easier to write her bad
news than to tell it. Then, too, she disliked to keep the old man any
longer in suspense. She made her letter as comforting as she could.

          "MR. WILLIAM HODGES, SIR:--" she wrote. "I am very
          sorry to have to tell you that I have looked, but
          cannot find your oil well anywhere. I did find a
          man who had heard about it, but he said there
          wasn't any well at all like what the Boston man
          told you there was. He said it was a bad swindle
          and he knew many others who had lost their money,
          too, which I thought would please you. O dear, no,
          I don't mean that, of course. I only mean that you
          might like to know that others besides you hadn't
          known any more than to put money in it, too. (That
          doesn't sound quite right yet, but perhaps you
          know what I mean.)

          "I hope you won't feel too bad about it, Mr.
          Hodges. I saw some oil wells when we came through
          Beaumont, and I am quite sure you would not like
          them at all. They are not one bit like Bertha's
          aunt's well on her farm, with the bucket. In fact,
          they don't look like wells at all, and I never
          should have known what they were if Mr. Hartley
          had not told me. They are tall towers _standing
          up_ out of the ground instead of stone holes sunk
          down in the ground. (It is just as if you should
          call the cupola on your house your cellar--and you
          know how queer that would be!) I saw a lot of
          them--oil wells, not cupolas, I mean--and they
          looked more like a whole lot of little Eiffel
          Towers than anything else I can think of. (If you
          will get your grandson, Tony, to show you the
          Eiffel Tower in his geography, you will see what I
          mean.) Mr. Hartley says they _do_ bore for
          them--wells, I mean, not Eiffel Towers--and so I
          suppose they do go down before they go up.

          "I saw the wells on the way between San Antonio
          and New Orleans. One was on fire. (Just think of a
          well being on fire!) Of course we were riding
          through a most wonderful country, anyway. We saw a
          great many things growing besides oil wells, too,
          as you must know--rice, and cotton, and tobacco,
          and sugar cane, and onions, and quantities of
          other things. I picked some cotton bolls. (I spelt
          that right. This kind isn't b-a-ll.) I am sending
          you a few in a little box. It takes 75,000 of them
          to make one bale of cotton, so I'm afraid you
          couldn't make even a handkerchief out of these.

          "I am so sorry about the oil well, but I did the
          best that I could to find it.

                             "Respectfully yours,
                                       "CORDELIA WILSON."




CHAPTER XVIII

THE GOLDEN HOURS


Long before ten o'clock Saturday morning--the hour for sailing--Mr.
Hartley and his party were on board the big steamship which was to take
them to New York. Here, again, new sensations and new experiences
awaited the Happy Hexagons, not one of whom had ever been on so large a
boat.

"I declare, I do just feel as if I was going abroad," breathed Cordelia,
in an awestruck voice, as she crossed the gangplank.

"Well, I'm sure we _are_, almost," exulted Genevieve. "We're going to
have a hundred hours of it. You know that little pamphlet that told
about it called it 'a hundred golden hours at sea.' Oh, Cordelia, only
think--one hundred golden hours!"

"You'll think it's a thousand, if you happen to be seasick," groaned
Tilly. (Tilly was looking rather white to-day.) "And they won't be
golden ones, either--they'll be _lead_ ones. I know because I've been to
Portland when it's rough."

"Well, we aren't going to be seasick," retorted Genevieve, with
conviction. "We're just going to have the best time ever. See if we
don't!"

"Now, dearie," said Mr. Hartley, hurrying up at that moment, "I engaged
one of the suites for Mrs. Kennedy, and I think Miss Tilly had better be
with her. The bed will be much more comfortable for her poor arm than a
berth would be, and Mrs. Kennedy can look after her better, too, in that
way. The little parlor of the suite will give us all a cozy place to
meet together. There are two berths there which they turn into a lounge
in the daytime. I thought perhaps you and Miss Cordelia could sleep
there. Then I have staterooms for the rest of us--I engaged them all a
week ago, of course. Now if you'll come with me I reckon we can set up
housekeeping right away," he finished with a smile.

"Setting up housekeeping" proved to be an absorbing task, indeed. It
included not only bestowing their belongings in the chosen places, but
interviewing purser and stewards in regard to rugs, steamer chairs, and
other delightfully exciting matters. Then there was the joy of exploring
the great ship that was to be their home for so many days. The luxurious
Ladies' Parlor, the Library with its alluring books and magazines, the
Dining Saloon with its prettily-laid tables and its revolving chairs
(like piano stools, Tilly said), the decks with their long, airy
promenades, all came in for delighted exclamations of satisfaction which
increased to a chorus of oh's and ah's when the trip really began, and
the stately ship was wending its way down the Great River to the Gulf of
Mexico.

First there was to be seen the city itself, nestled beyond its barricade
of levees.

"Dear me!" shuddered Cordelia. "I don't believe I'd have slept a wink
last night if I'd realized how _much_ below the river we were. Only
fancy if one of those levees had sprung a leak!"

"Why, they'd have sent for the plumber, of course," observed Tilly,
gravely.

"Of course! Still--they don't look very leaky, to me," laughed
Genevieve.

"Was it here, or somewhere else, that a man (or was it a child?) put his
arm (or was it a finger?) in a little hole in the wall and stopped the
leak, and so saved the town?" mused Bertha aloud dreamily.

"Of course it was," answered Tilly with grave emphasis; and not until
the others laughed did Bertha wake up enough to turn her back with a
shrug.

"Well, it was somewhere, anyhow," she pouted.

"As if we could doubt that--after what you said," murmured Tilly.

"But they have had floods here, haven't they?" questioned Alma Lane.

Genevieve gave a sudden laugh. At the others' surprised look she
explained:

"Oh, I'm not laughing at the real floods, the _water_ floods they've
had, of course. It's just that I happened to think of something I read
some time ago. They had one flood here of--molasses."

"Mo--lass--es!" chorused several voices.

"Yes. A big tank that the city used to have for a reservoir had been
bought by a sugar company and turned into a storage for molasses. Well,
it burst one day, and a little matter of a million gallons of molasses
went exploring through the streets. They say some poor mortals had
actually to wade to dry land."

"Genevieve! what a story," cried Elsie.

"But it's true," declared Genevieve. "A whole half-mile square of the
city was flooded, honestly. At least, the newspapers said it was."

"How the pickaninnies must have gloried in it," giggled Tilly, "--if
they liked 'bread and perlashes' as well as I used to. Only think of
having such a _big_ saucerful to dip your bread into!"

"Tilly!" groaned Genevieve.

They were at Port Chalmette, now. The Crescent City lay behind them, and
beyond lay the shining river-roadway, with its fertile,
highly-cultivated plantations bordering each side, green and beautiful.

"How perfectly, perfectly lovely!" cried Elsie. "And I'm not sick one
bit."

"Naturally not--yet," laughed Tilly. "But you just wait. We don't sail
the Mississippi all the way to New York, you know."

"I wish we did," said Genevieve, her eyes dreamily following the shore
line. "But we're only on it for a hundred miles."

"I don't," disagreed Elsie. "I want to see the Gulf Stream. They say
it's a deep indigo blue, and that you can see it plainly. I think a blue
river in a green sea must be lovely--like a blue ribbon trailing down a
light green gown, you know."

"Well, I want to see the real ocean, 'way out--out. I want to see
nothing but water, water everywhere," declared Alma Lane.

"'And not a drop to drink,'" quoted Tilly. "Well, young lady, you may
see the time when you'd give your eyes for a bit of land--and just any
old land would do, too, so long as it _stayed put_!"

"What does it feel like to be seasick?" asked Cordelia, interestedly.

"It feels as if the bottom had dropped out of everything, and you didn't
much care, only you wished you'd gone with it," laughed Tilly.

"Who was it?--wasn't it Mark Twain who said that the first half-hour you
were awfully afraid you would die, and the next you were awfully afraid
you wouldn't?" questioned Elsie.

"I don't know; but whoever said it knew what he was talking about,"
declared Tilly. "You just wait!"

"We're waiting," murmured Genevieve, demurely.

"You young ladies don't want to forget your exercise," said Mr. Hartley
smilingly, coming up at that moment with Mrs. Kennedy. "We've just been
five times around the deck."

"It's eleven laps to the mile," supplemented Mrs. Kennedy with a smile.

"What's a lap?" asked Cordelia.

"Sounds like a kitten on a wager with a saucer of milk," laughed Tilly,
frowning a little as she tried to adjust her sling more comfortably.

"Well, young ladies, we'll show you just what a lap is, if you'll come
with us," promised Mr. Hartley; and with alacrity the girls expressed
themselves as being quite ready to be shown.

On and on, mile after mile, down the great river swept the great ship
until Forts Jackson and St. Philip were reached and left behind; then on
and on for other miles to the narrow South Pass where on either side the
Eads Jetties called forth exclamations of wonder.

"Well, you'd better 'ah' and 'um,'" laughed Genevieve. "They happen to
be one of the greatest engineering feats in the world; that's all."

"How do you know that?" demanded Bertha.

"Don't worry her," cut in Tilly, with mock sympathy. "Poor thing! it's
only a case of another guidebook, of course."

"Well, all is, just keep your weather eye open," laughed Genevieve, "for
when we make the South Pass Lightship, then ho! for the--"

"Broad Atlantic," interposed Tilly.

"Well, not until you've passed through the little matter of the Gulf of
Mexico," rejoined Genevieve; while a chorus of laughing voices jeered:

"Why, Tilly Mack, where's your geography?"

"Don't know, I'm sure," returned Tilly, imperturbably. "Haven't seen it
since I studied up Texas," she finished as she turned away.

The first night aboard ship was another experience never to be forgotten
by the Happy Hexagons. In the parlor of the suite Genevieve and Cordelia
kept up such an incessant buzz of husky whispering and tittering that
Mrs. Kennedy came out from the bedroom to remonstrate.

"My dears, you mean to be quiet, I know; but I'm sure you don't realize
how it sounds from our room. Tilly is nervous and feverish to-night--the
day has been very exciting for her."

"And she has tried so hard to keep up, and seem as usual, too," cried
Genevieve, contritely. "Of course we'll keep still! Cordelia, I'm
ashamed of you," she finished severely. Then, at Cordelia's amazed look
of shocked distress, she hugged her spasmodically. "As if it wasn't all
my fault," she chuckled.

In other parts of the boat the rest of the party explored their strange
quarters to the last corner; then made themselves ready to be "laid on
the shelf," as Elsie termed going to bed in the narrow berth.

"I shall take off my shoes to-night," announced Bertha with dignity,
after a long moment of silence. "If anything happens here we'll get into
the water, of course, and I think shoes would only be a nuisance."

For a moment Elsie did not answer; then, almost hopefully she asked,

"I suppose if anything did happen we'd lose our clothes--even if we
ourselves were saved, wouldn't we?"

"Why, I--I suppose so."

"Yes, that's what I thought," nodded Elsie, happily. Elsie, at the
moment, was engaged in taking off a somewhat unevenly faded green
chambray frock.

       *       *       *       *       *

It was on the second day of the trip that Cordelia took from her
suit-case a sheet of paper, worn with much folding and refolding, and
marked plainly, "Things to do in Texas."

"I suppose I might as well finish this up now," she sighed. "I'm out of
Texas, and what is done is done; and what is undone can't ever be done,
now." And carefully she spread the paper out and reached into her bag
for her pencil.

When she had finished her work, the paper read as follows:

See the blue bonnet--the Texas state flower. Find out if it really is
shaped like a bonnet. Didn't.

Bring home a piece of prairie grass. Did.

See a real buffalo. Did. (But it was in a park.)

Find Hermit Joe Sanborn's son, John, who ran away to Texas twenty years
ago. Didn't.

See an Osage orange hedge. Did.

See a broncho bursted (obviously changed over from "busted"). Did.

Find out for Mrs. Miller if cowboys do shoot at sight, and yell always
without just and due provocation. Did. They do not. Cowboys are good,
kind gentlemen; but they are noisy, and some rough-looking.

See a mesquite tree. Did.

Inquire if any one has seen Mrs. Snow's daughter, Lizzie, who ran away
with a Texas man named Higgins. Did. (But could not find any one who
had.)

Pick a fig. Didn't.

See a rice canal. Did.

Find out what has become of Mrs. Granger's cousin, Lester Goodwin, who
went to Texas fourteen years ago. Did.

See cotton growing, and pick a cotton boll, called "Texas Roses." Did.

See peanuts growing. Did.

Inquire for James Hunt, brother of Miss Sally Hunt. Did. (But could not
find him.)

See a real Indian. Did.

Look at oil well for Mr. Hodges, and see if there is any there. Did.
(But there wasn't any there like the one he wanted.)

       *       *       *       *       *

The paper completed, Cordelia looked at it with troubled eyes.

"It doesn't sound quite right," she thought. "Somehow, the things _I_
wanted to do are 'most all done, but I didn't find but just one of those
people, and seems as if I ought to have done better than that. Besides,
I'm not at all sure Mrs. Granger will be satisfied with what I did find
for her--a cowboy, so!" And she sighed as she put the paper away.

The trip across the Gulf of Mexico to Dry Tortugas Light was nothing but
a rest and a joy to everybody. It was still delightful and wonderfully
interesting all the way around the City of Key West and up by the
southeastern coast of Florida with its many lights and coral reefs.

Here Genevieve's guidebook came again into prominence.

"The Sand Key Light 'way back there is our most southern possession, and
only fifty-seven miles from the line of the Tropics," she announced
glibly one day. "We're coming to the American Shoals Light, the
Sombrero Light, Alligator Light, Carysfort Light and Fowey Rock Light."

"Mercy! Didn't you sleep _any_ last night?" inquired Tilly,
sympathetically.

"I suppose you mean you think it must have taken all night to learn all
that," laughed Genevieve. "But it didn't."

"Maybe you know some more, now," hazarded Tilly.

"Certainly. After we strike Jupiter Light, we veer off into the Atlantic
out of sight of land."

"I thought lighthouses were put up so you wouldn't 'strike' them,"
observed Tilly, with smooth politeness; "but then, of course if you do
strike them, it is quite to be expected that you veer off into the
Atlantic, and never see land again. Besides, I found all those
lighthouses and things on a paper last night, but it was the southern
trip that did all that. Maybe we, going north, don't do the same things
at all. I sha'n't swallow all you say, anyhow, till I know for sure."

"Children, stop your quarreling," commanded Bertha Brown, sternly. "Now
I've been learning something worth while. _I_ know the saloon deck from
the promenade deck, and I can rattle off 'fore' and 'aft' and 'port' and
'starboard' as if I'd been born on shipboard!"

"Pooh! You wait," teased Tilly. "There'll come a time when you won't
think you're born on shipboard, and you won't know or care which is
fore or aft--any of you. And it will come soon, too. Those were
porpoises playing this morning--when Cordelia thought she saw the sea
serpent, you know. I heard a man say he thought it meant a storm was
coming. And if it does--you just wait," she finished laughingly.

"Oh, I'm waiting," retorted Bertha. "I like waiting. Besides, I don't
think it's coming, anyhow!"

But it did come. Off the coast of South Carolina they ran into a heavy
storm, and the great ship creaked and groaned as it buffeted wind and
wave.

In the little parlor of the suite the entire party, banished from wet,
slippery decks, made merry together, and declared it was all fun,
anyway. But gradually the ranks thinned. First Mrs. Kennedy asked to be
excused, and went into the bedroom. Alma Lane went away next. She said
she wanted a drink of water--but she did not return, and very soon Elsie
Martin, looking suspiciously white about the lips, said she guessed she
would go and find Alma. She, too, did not return.

Tilly went next. Tilly, naturally, had not been her usual self since the
accident, in spite of her brave attempts to hide her suffering. She
slipped away now without a word; though just before she had made them
all laugh by saying a little shakily:

"I declare, I wish Reddy were here! He'd think he was riding his
broncho, sure."

Just when Mr. Hartley disappeared, no one seemed to know. One moment he
had been singing lustily "Pull for the Shore"; the next moment he was
gone. There was left then only Bertha with Genevieve and Cordelia in the
little parlor; and certainly the last two were anything but sorry when
Bertha rose a little precipitately to go, too, saying:

"I--I think, Genevieve, if you don't mind, I'll go and take off my
shoes. They sort of--hurt me."

"Honestly, Cordelia," moaned Genevieve, when they had the room to
themselves, "I reckon we're not caring just now, whether we're fore or
aft!"

It was not really a serious storm, after all, and not any of the party
was seriously ill. They were all on deck again, indeed, smiling and
happy, even if a little white-faced, long before the journey was ended.

It was during the very last of the "golden hours" that Tilly, her eyes
on Bartholdi's wonderful Statue of Liberty just ahead of them, in the
New York Bay, choked:

"I declare, I'd just like to give that lady our Texas yell. Only think,
girls, our Texas trip is almost over!"




CHAPTER XIX

HERMIT JOE


There was not quite so large a crowd at the Sunbridge station to welcome
the Texas travelers as there had been to see them off; but it was fully
large enough to give a merry cheer of greeting, as the train pulled into
the little station.

"They're all here, with their 'sisters and their cousins and their
aunts,'" laughed Tilly, stooping to look through the window as she
passed down the narrow aisle behind Genevieve.

"I should say they were," answered Genevieve a little wistfully. "We
haven't got any one, I'm afraid, though. Miss Jane's been 'down in
Maine,' as you call it, visiting, and she doesn't come till next week."

"Oh, yes, you have," chuckled Tilly, as she caught sight of an eager
face in the crowd. "There's Harold Day."

"Pooh! He didn't come to welcome me any more than he did the rest of
you," retorted Genevieve severely, as she neared the door.

And what a confusion and chatter it all was, when "their sisters and
their cousins and their aunts"--to say nothing of their fathers and
mothers and brothers--all talked and laughed at once, each trying to be
first to kiss and hug the _one_ returning traveler, before bestowing
almost as cordial a welcome on all the others. At last, however, in
little family groups, afoot or in carriages, the crowd began to leave
the station, and Genevieve found herself with Mrs. Kennedy in the family
carriage with the old coachman sitting sedately up in front. Mr. Hartley
had left the party in New York, after seeing them safely aboard their
Boston train.

"Well, it's all over," sighed Genevieve, happily, "and hasn't it been
just lovely--with nothing but poor Tilly's arm to regret!"

"Yes, it certainly has been a beautiful trip, my dear, and I know every
one has enjoyed it very much. And now comes--school."

Genevieve made a wry face; then, meeting Mrs. Kennedy's reproving eye,
she colored.

"There, forgive me, Aunt Julia, please. That wasn't nice of me, of
course, when you're so good as to let me come another year. But school
is so tiresome!"

"Tiresome! Oh, my dear!"

"Well, it is, Aunt Julia," sighed the girl.

"But I thought you liked it now, dear. You took hold of it so bravely at
the last." Mrs. Kennedy's eyes were wistful.

"Oh, of course I wanted to pass and go on with the rest of the girls,
Aunt Julia. I couldn't help wanting that. But as for really _liking_
it--I couldn't like it, you know; just study, study, study all day in
hot, poky rooms, when it's so much nicer out of doors!"

Mrs. Kennedy shook her head. Her eyes were troubled.

"I'm afraid, my dear, that this trip _hasn't_ helped any. I was fearful
that it wouldn't be easy for you to settle down after such a prolonged
playday."

"Oh, but I shall settle, Aunt Julia, I shall settle," promised Genevieve
with a merry smile. "I know I've got to settle--but I can't say yet I
shall like it," she finished, as the carriage turned in at the broad
driveway, and Nancy and Bridget were seen to be waiting in respectful
excitement to welcome them.

There would be five days to "get used to it"--as Genevieve expressed
it--before school began; but long before noon of the first of those five
days, Genevieve had planned in her mind enough delightful things to
occupy twice that number of days. Immediately after dinner, too, came
something quite unexpected in the shape of a call from Cordelia.

Cordelia looked worried.

"Genevieve, I've come to ask a favor, please. I'm sure I don't know as
you'll want to do it, but--but I want you to go with me to see Hermit
Joe."

"To see--_Hermit Joe_!"

"O dear, I knew you'd exclaim out," sighed Cordelia; "but it's just got
to be done. I suppose I ought not to have told you, anyway, but I
couldn't bear to go up to that dismal place alone," she finished,
tearfully.

"Why, of course not, dear; and I'm sure you did just right to tell me,"
soothed Genevieve, in quick response to the tears in Cordelia's eyes.
"Now wait while I get my hat and ask Aunt Julia. She'll let me go, I
know;--she'd let me go to--to London, with _you_."

"Just please say it's an errand--an important one," begged Cordelia,
nervously, as Genevieve darted into the house.

In two minutes the girl had returned, hat in hand.

"Now tell me all about it," she commanded, "and don't look so
frightened. Hermit Joe isn't cross. He's only solemn and queer. He won't
hurt us."

"Oh, no, he won't hurt us," sighed the other. "He'll only look more
solemn and queer."

"Why?"

"Because of what I've got to tell him. I--I suppose I ought to have
written it, but I just couldn't. Besides, I hadn't found out anything,
and so I didn't want to write until I was sure I couldn't find anything.
Now it's done, and I haven't found out anything. So I've got to tell
him."

"Tell him what, Cordelia?" demanded Genevieve, a little impatiently.
"How do you suppose I can make anything out of that kind of talk?"

"O dear! you can't, of course," sighed Cordelia; "and, of course, if
I've told you so much I must tell the rest. It's Hermit Joe's son. I
can't find him."

"His son! I didn't know he had a son."

"He has. His name is John. He ran away to Texas twenty years ago."

"And you've been hunting for _him_, too--besides that Lester Goodwin who
turned out to be Reddy?"

Cordelia nodded. She did not speak.

Genevieve laughed unexpectedly.

"Of all the funny things I ever heard of! Pray, how many more lost
people have you been looking for in the little state of Texas?"

Cordelia moved her shoulders uneasily.

"I--I'd rather not tell that, please, Genevieve," she stammered, with a
painful blush.

Genevieve stared dumbly. She had not supposed for a moment that Cordelia
had been looking for any more lost people. She had asked the question
merely as an absurdity. To have it taken now in this literal fashion,
and evidently with good reason--Genevieve could scarcely believe the
evidence of her senses. Another laugh was almost on her lips, but the
real distress in Cordelia's face stopped it in time.

"You poor dear little thing," she cried sympathetically. "What a shame
to bother you so! I wonder you had any fun at all on the trip."

"Oh, but I did, Genevieve! You don't know how beautiful it all was to
me--only of course I felt sorry to be such a failure in what folks
wanted me to do. You see, Reddy was the only one I found, and I'm very
much worried for fear he won't be satisfactory."

Genevieve did laugh this time.

"Well, if he isn't, I don't see how that can be your fault," she
retorted. "Come, now let's forget all this, and just talk Texas
instead."

"Aunt Mary says I do do that--all the time," rejoined Cordelia, with a
wistful smile. "Aunt Sophronia is there, too, and _she_ says I do.
Still, she likes to hear it, I verily believe, else she wouldn't ask me
so many questions," concluded Cordelia, lifting her chin a little.

"I'd like to take Miss Jane there sometime," observed Genevieve, with a
gravity that was a little unnatural.

"Oh, mercy!" exclaimed Cordelia--then she stopped short with a hot
blush. "I--I beg your pardon, I'm sure, Genevieve," she went on
stammeringly. "I ought not to have spoken that way, of course. I was
only thinking of Miss Jane and--and the cowboys that day they welcomed
us."

"Yes, I know," rejoined Genevieve, her lips puckered into a curious
little smile.

"I don't believe I'm doing any more talking, anyway, than Tilly is,"
remarked Cordelia, after a moment's silence. "Of course, Tilly, with her
poor arm, would make a lot of questions, anyway; but she _is_ talking a
great deal."

"I suppose she is," chuckled Genevieve, "and we all know what _she'll_
say."

"But she says such absurd things, Genevieve. Why, Charlie Brown--you
know he calls us the 'Happy _Tex_agons' now--well, he told me that
Tilly'd been bragging so terribly about Texas, and all the fine things
there were there, that he asked her this morning real soberly--you know
how Charlie Brown _can_ ask questions, sometimes--"

"I know," nodded Genevieve.

"Well, he asked her, solemn as a judge, 'Do these wondrous tamales of
yours grow on trees down there?'

"'Oh, yes,' Tilly assured him serenely. And when Charlie, of course,
declared that couldn't be, she just shrugged her shoulders and answered:
'Well, of course, Charlie, I'll own I didn't _see_ tamales growing on
trees, but Texas is a very large state, and while I didn't, of course,
see anywhere near all of it, yet I saw so much, and it was all so
different from each other, that I'm sure I shouldn't want to say that I
_knew_ they didn't have tamale trees somewhere in Texas!' And then she
marched off in that stately way of hers, and Charlie declared he began
to feel as if tamale trees did grow in Texas, and that he ought to go
around telling folks so."

"What a girl she is!" laughed Genevieve. "But, Cordelia, she isn't all
nonsense. We found that out that dreadful night of the accident."

"Indeed we did," agreed Cordelia, loyally; then, with a profound sigh
she added: "O dear! for a minute I'd actually forgotten--Hermit Joe."

Hermit Joe lived far up the hillside in a little hut surrounded by thick
woods. A tiny path led to his door, but it was seldom trodden by the
foot of anybody but of Hermit Joe himself--Hermit Joe did not encourage
visitors, and visitors certainly were not attracted by Hermit Joe's
stern reticence on all matters concerning himself and every one else.

To-day, as the girls entered the path at the edge of the woods, the sun
went behind a passing cloud, and the gloom was even more noticeable than
usual.

"Mercy! I'm glad Hermit Joe _isn't_ dangerous and _doesn't_ bite,"
whispered Genevieve, peering into the woods on either side. "Aunt Julia
says he is really a very estimable man--Cordelia, if I was a man I just
wouldn't be an 'estimable' one."

"Genevieve!" gasped the shocked Cordelia.

Genevieve laughed.

"Oh, I'd _be_ it, of course, my dear, only I wouldn't want to be
_called_ it. It's the word--it always makes me think of side whiskers
and stupidity."

"Oh, Genevieve!" cried Cordelia, again.

"Well, as I was saying, Aunt Julia told me that Hermit Joe was really a
very nice man. She used to know him well before a great sorrow drove him
into the woods to live all by himself."

Cordelia nodded sadly.

"That was his son that ran away. Aunt Mary told me that long ago. She
told us children never to tease him, or worry him, but that we needn't
be afraid of him, either. He wouldn't hurt us. I heard once that he was
always stern and sober, and that that was why his son ran away. But that
it 'most killed him--the father--when he did go. And now I couldn't find
him! Isn't it terrible, Genevieve?" Cordelia's eyes were full of tears.

"Yes," sighed Genevieve. "But you aren't to blame, dear."

It was very beautiful in the hushed green light of the woods, with now
and then a bird-call, or the swift scampering of a squirrel's feet to
break the silence. But the girls were not noticing birds or squirrels
to-day, and they became more and more silent as they neared the end of
their journey. The little cabin was almost in sight when Genevieve
caught Cordelia's arm convulsively.

"Cordelia, sh-h-h! Isn't that some one--talking?" she whispered.

Cordelia held her right foot suspended in the air for a brief half
minute.

"Yes. That's Hermit Joe's voice. He _is_ talking to some one."

"Then there must be somebody there with him."

"Yes. Genevieve, I--I _guess_ I won't tell him to-day," faltered
Cordelia. "Let's go back. I'll come again to-morrow."

"Nonsense! Go back, and have you worrying about this thing another
twenty-four hours? No, indeed! Come, Cordelia, we must tell him now. I
think we ought to do it, really."

"All right," sighed the other despairingly. "Come, then." The next
minute she gave a sharp cry. "Why, Mr. _Edwards_!" she breathed.

They had come to the turn which brought the cabin into plain sight; and
on the stone step with Hermit Joe sat the man Cordelia had last seen
driving away from the Six Star Ranch in Texas.

Both men rose abruptly. The younger stepped forward. There was a
whimsical smile on his lips, but his eyes were wonderfully tender.

"Yes, 'Mr. Edwards,' Miss Cordelia--but Mr. 'Jonathan Edwards
_Sanborn_.' You see, you didn't know all my name, perhaps."

To every one's surprise and consternation Cordelia sat down exactly
where she was, and began to cry softly.

"Why, Cordelia!"

Genevieve was at her friend's side at once. Hermit Joe looked plainly
distressed. Mr. Jonathan Edwards Sanborn hurried forward in frightened
dismay.

"Oh, but Miss Cordelia, don't, please don't--I beg of you! Don't you
understand? I am John Sanborn, Hermit Joe's son; and 'twas all through
you that I came home again."

Cordelia only sobbed the harder.

Genevieve dropped on her knees at the girl's side, and put her arms
about her.

"Cordelia, Cordelia, dear--don't you see?--it's all come out right. You
did find him, after all! Why are you crying so?"

"T-that's why," stuttered Cordelia, smiling through tear-wet eyes. "It's
because I d-did find him, and I'm so glad, and everything!"

"But, if you're glad, why cry?" began Hermit Joe's son, in puzzled
wonder, but Genevieve patted Cordelia's back, and smiled cheerily.

"That's all right, Cordelia," she declared. "I know just how you feel.
_Now_ you know what was the matter with me when you girls gave me the
Texas yell at the station. Just cry all you like!"

As if permission, only, were all she wanted, Cordelia wiped her eyes and
smiled shyly into Mr. Jonathan Edwards Sanborn's face.

"It is really you, isn't it?" she murmured.

"It certainly is, Miss Cordelia."

"And you wouldn't have come if it hadn't been for what I said?"

"No. You set me to thinking, and when I got to thinking I couldn't stop.
And, of course, when I couldn't stop thinking I had to come; that's
all."

"I'm so glad," sighed Cordelia; then, interestedly: "How long have you
been here?"

"Only since day before yesterday. No one in the village knows I'm here,
I suspect. We've been talking over our plans--father and I. I want him
to come West with me."

Cordelia got up from the ground.

"I'm so glad," she said again, simply. "Genevieve, I think we ought to
be going."

As she turned toward the path, Hermit Joe advanced so that he
intercepted her.

"Miss Cordelia, I would like to tell how--but I can't. Still--I wish you
could know how happy you've made me."

Hermit Joe spoke with evident difficulty. His lips, so long unused to
speaking, stumbled over the words; but his eyes glowed as with hidden
fires, and his whole face was alight with joy.




CHAPTER XX

THE NEW BOY


The first day of school, for Genevieve, was not a success. Before two
hours of it had passed, indeed, she declared to herself that Miss Hart,
her new teacher, was not at all promising, and that she did not like her
nearly so well as she had liked Miss Palmer the year before. Making the
final arrangements as to her studies and recitations, too, Genevieve
privately voted a bore; and more than once her eyes turned longingly to
the beautiful September sunshine out of doors.

At recess time the Happy Hexagons met in the corridor and held what
proved to be an indignation meeting.

"Well, I for one don't like her a bit," declared Tilly, perking up the
bow ends of the black sling that hung about her neck.

"Nor I," echoed Genevieve.

"Not much like Miss Palmer last year, nor Miss Jones," said Bertha. "I
told you we wouldn't get such a good one this term."

"But, girls, I think we ought to try to like her," ventured Cordelia, in
a voice that told very plainly how she expected her remark to be
received.

"Of course," sniffed Tilly, disdainfully.

"Oh, but I'm sure she won't be half bad when we come to know her," cried
Alma Lane. "She was so nervous this morning, and I think acted troubled
over something."

Tilly tossed her head.

"Troubled! I should think we were the ones that were troubled. Did you
ever see such a lot of rules and regulations about what not to do? She's
scarcely left a thing we _can_ do."

"Oh, yes, she has," groaned Genevieve. "We can sit still and look
pleasant, and study, study, study! I reckon I shall have to, all right,
too, this term, at the rate my studies and recitation hours are piling
up," she finished, as the bell rang for them to go to their seats.

All days--even the worst of them--come to an end sometime; and at last
Genevieve was free to go home. Half-way to the Kennedy house a soft
whistle of the Happy Hexagons' Club song sounded behind her; and a
moment later Harold Day caught up with her.

"Well?" he queried.

"But it isn't 'well' at all," wailed Genevieve, with a shake of her
head.

"So I judged from your face."

"But--have _you_ ever had Miss Hart for a teacher?"

"No; she's new this year. We had Miss Holbrook in her place last year,
and she was fine; but she got married, you know. She herself recommended
Miss Hart for the position, I believe."

"Did she?" sighed Genevieve.

"What a lugubrious face!" laughed Harold. "Suppose you tell me what is
the matter with Miss Hart, eh?"

"I can't. It's just an intangible, indefinable 'don't-like-her' feeling.
She doesn't sit still a minute, and she's awful on rules. Tilly calls
her 'Miss Hartless.'"

Harold laughed.

"Trust Tilly to call her something!" he rejoined. "But I don't believe
the lady will be half bad when you get used to her."

"That's what your cousin Alma says."

"Well, I believe she's right," declared Harold. "It sounds to me as if
Miss Hart were nervous and afraid."

Genevieve opened her eyes.

"Afraid! A _teacher afraid_!"

"Wouldn't you be afraid if you had to follow where you know there had
been such favorites as Miss Holbrook and Miss Palmer were?"

"Why, I never thought of it that way," frowned Genevieve. "I didn't
suppose teachers ever had--er--feelings like that."

"Well, I suppose teachers are--folks, like the rest of us," hazarded the
youth, as he stopped a minute at the foot of the Kennedys' front walk.

Genevieve shook her head mischievously.

"I don't," she protested. "They always seem to me like things you buy
for school, just like you do the books and chalk, and that they come in
boxes all graded and sorted--primary, grammar, high school, French,
German, and all that," she flashed over her shoulder, as she skipped up
the walk toward the house.

"There!" sighed Genevieve, bounding up on to the veranda, and dropping
her books into a chair. "I'm going for a ride with Tilly, Aunt Julia,
please, if you don't mind."

"Very well, dear; but don't stay too long. There's your practicing, you
know."

Genevieve scowled, and made an impatient gesture--neither of which Mrs.
Kennedy seemed to notice.

"You have your watch, I see," she went on serenely; "so I don't think
you'll forget."

Genevieve bit her lip. She threw a hurried glance into Mrs. Kennedy's
face; but that, too, Mrs. Kennedy did not appear to notice.

"No, Aunt Julia," said Genevieve, a little constrainedly, as she went to
saddle her horse, "I sha'n't--forget."

When quite by herself around the corner of the house, she drew a long
breath.

"Sometimes," she muttered fiercely behind her teeth, "sometimes I--I
just wish folks _weren't_ so good to me! Seems to me I just _can't_
waste a whole hour of this tiny little bit of glorious day that is left,
practising a stupid old 'one, two--one, two--one, two!'" Then, with
apparent irrelevance, she patted her blue-and-gold chatelaine watch
remorsefully--and it may be noted right here that she came back in ample
time for her hour of practising before supper.

There was a new boy at school the next morning. This fact in itself did
not particularly interest the Happy Hexagons until they learned his
name. It was "O. B. J. Holmes." When the initials did not seem quite to
satisfy Miss Hart, he hesitated visibly, then said, with a very painful
blush, that the "O" might be put down "Oliver." It was plainly on the
teacher's tongue to ask about the other letters; but, after a moment's
hesitation, she passed over the matter, and turned to something else.

As usual the Happy Hexagons found themselves together at recess time,
and as was natural, perhaps, the subject of the new boy came up for
discussion.

"I don't believe 'Oliver' is ever his name," declared Tilly, stoutly.
"No sane youth in his right mind would blush so beautifully over just
'Oliver.' Besides, he didn't _say_ it was Oliver."

[Illustration: "'HOW DO YOU DO, MR. OLIVER HOLMES,' SHE BEGAN"]

"I saw Miss Hart talking to him as I came out just now," announced
Bertha, "and his face was even redder than ever. Hers was getting red,
too."

"Then there _is_ something," cried Genevieve, excitedly, "and it's a
mystery. I love mysteries! 'O. B. J.'--what a really funny set of
letters!"

"Must be 'Oliver Ben Johnson,'" laughed Bertha.

"Sounds to me like 'O Be Joyful,'" giggled Tilly.

"Sh-h!--Tilly!" warned Cordelia, in a horrified whisper. "He's coming.
He'll hear you!"

But Tilly was not to be silenced. Tilly, for some reason, felt
recklessly mischievous that morning.

"Why, of course his, name is 'O Be Joyful,'" she cried in gay, shrill
tones that carried the words straight to the ears of a rather
awkward-appearing boy coming toward them. "How could it be anything
else?"

The boy blushed hotly. For a moment it seemed as if he would stop and
speak; but the next minute he had turned away his face, and was passing
them hurriedly.

It was then that the unexpected happened. With a quick little impulsive
movement, Genevieve stepped to the new boy's side, and held out a
frankly cordial hand.

"How do you do, Mr. Oliver Holmes," she began breathlessly, but with
hurried determination. "I am Genevieve Hartley, and I'd like to welcome
you to our school. These are my friends: Cordelia Wilson, Alma Lane,
Bertha Brown, Elsie Martin, and Tilly Mack. We hope you'll soon get
acquainted and feel at home here," she finished, her face almost as
painful a red as was the boy's.

O. B. J. Holmes clutched Genevieve's hand, stammered a confused
something in response to the introductions, and flung a terrifiedly
uncertain bow in the direction of the wide-eyed girls; then he turned
and fled precipitately.

Behind him he left, for one brief minute, a dazed silence before Tilly
lifted her chin disagreeably and spoke.

"Well, dear me! For so _marked_ a bid for his favor, seems to me our
young friend doesn't show proper appreciation--to run away like that!"

Genevieve colored angrily.

"That was no bid for his favor, and you know it, Tilly Mack!"

"No?" teased Tilly, hatefully. "Well, I'm sure I should have thought it
was if a perfect stranger flung herself in my way like that."

"Tilly, Tilly--don't!" begged Cordelia, almost tearfully.

It was Genevieve's turn to lift a disdainful chin. She eyed Tilly
scornfully.

"Oh, no, you wouldn't--not if some other perfect stranger had just
called out a particularly hateful, horrid joke about something you were
not in the least to blame for! If you hadn't said what you did, I
shouldn't have said what I did, Tilly Mack. As it was, I--I just
couldn't help it; I was so sorry for him!"

"Oh, it was just being sorry, then! Oh, excuse me; I didn't know," cooed
Tilly, smoothly. "You see, it looked so--different!"

"Tilly!" gasped Cordelia. "Genevieve, don't you mind one bit what she
says!" But Genevieve, without a word, had turned and was walking swiftly
away.

"Well, Tilly Mack," chorused several indignant voices; and Elsie Martin
added severely: "I've got my opinion of _you_--after all Genevieve has
just done for us! I'm sure, I think it was lovely of her to speak to
that boy like that!"

Tilly flushed uncomfortably. Her tongue had gone much farther than she
had intended it to go. She did not like to think, either, of that Texas
trip just then. But the very shame that she felt made her only the more
determined not to show it--then.

"Pooh! there wasn't a thing I said that anybody need to make such a fuss
about," she declared loftily; then, as she spied Harold Day coming
toward them, she called in a merry voice: "Seen the new boy, Harold? His
name is 'O. B. J. Holmes.' _I_ say his name is 'O Be Joyful,' and the
girls are shocked at my disrespect."

"Is that so?" laughed Harold. "Well, I'm not sure I'd like that name
myself very well--even if 'tis a cheerful one! Where's Genevieve? One
doesn't often see one of you without all of you."

"Oh, she was here, but she's gone. She was the most shocked of all,"
answered Tilly, with mock humility. "Probably she's gone to tell him so.
You see, she shook hands with him and introduced us all around, and said
she'd like to welcome him and that she hoped he'd enjoy it here."

"Oh, Tilly!" remonstrated Cordelia.

"Why, Cordelia, didn't she?" asked Tilly, in a particularly innocent
tone of voice.

"Y-yes," admitted Cordelia, reluctantly, "only--" The bell rang and the
group broke up, with Cordelia's sentence still unfinished.

The rest of the day for the Happy Hexagons was not an easy one. Tilly
looked rebellious--and ashamed. Cordelia looked ready to cry. Genevieve
kept her eyes on her books and seemed unaware that there was such a
thing in the world as a girls' club, of which she was a prominent
member. Bertha, Elsie, and Alma divided their time between scowling at
Tilly and trying to attract Genevieve's attention.

It was during the Latin recitation, which came just before closing time
at noon, that Cordelia's perturbation culminated in a blunder that sent
most of the class into convulsive giggles, and even brought a twitching
smile to Genevieve's tense lips.

Cordelia, rising to translate in her turn, hurried blindly through a
paragraph until she came to the words "sub jugum". Now Cordelia very
well knew what "sub jugum" meant; but her eyes, at the moment, were
divided between her book and Genevieve's flushed cheeks, and so saw,
apparently, but half of the word "jugum". At all events, the next moment
the class were amazed to learn from Cordelia's lips that Cæsar sent the
army--not "under the yoke" as was expected--but "under the jug."

Cordelia knew, before the titters of the class told her, what she had
said; and with hot blushes she made a hasty correction. But to Cordelia,
usually so conscientiously accurate and circumspect, the thing was a
tragedy, and, as such, would not soon be forgotten by her. She knew,
too, that the class would not let her forget it even could she herself
do so. If she had doubted this, she did not doubt it longer, after
school was dismissed, for she was assailed on all sides by a merry
bombardment of gibes and questions as to just what sort of jug it was,
anyhow, under which Cæsar sent his army.

Genevieve, only, had nothing to say. She did not, indeed, even glance
toward Cordelia. With averted face she hurried through the corridor and
out the street door alone. In the yard a quick step behind her overtook
her, and she found herself looking into the flushed, agitated face of
the new boy.

O. B. J. Holmes would not, at first sight, be called a good-looking
youth. His face was freckled, and his nose was rather large. But his
mouth was well-shaped, and his eyes were large and expressive. They
looked into Genevieve's now with a gaze that was clear and honest and
manly.

"Miss Genevieve, may I walk with you a little way, please?" he asked
with disarming directness. "I want to speak to you."

"Why, of--of course," stammered Genevieve. Then she colored painfully:
behind her she heard Tilly's laughing voice, followed by Alma's lower
one, and Harold's.

"I wanted to thank you for what you did this morning," began O. B. J.
Holmes, falling into step with her.

"Oh, that wasn't--wasn't anything," stammered Genevieve, nervously,
still acutely conscious of the eyes that she knew were behind her.

The boy smiled a little wistfully.

"Perhaps not, to you," he answered; "but if you'd been named 'O Be
Joyful' and had had to suffer for it as I have, you'd think it was
something."

"You don't mean to say your name _is_ 'O Be Joyful'!" gasped Genevieve.

He nodded, his face showing a deeper red.

"Yes, that's what I wanted to tell you. I didn't feel square not to have
you know it, after you stood up so bravely for 'Oliver'. Of course, if
you like, you may tell the rest. I suppose I was foolish to try to keep
it to myself, anyway," he sighed moodily.

"Tell it! Of course I sha'n't tell it," declared Genevieve, warmly. She
had forgotten all about those watching eyes behind her, now.

"Thank you," smiled the boy again, a little wistfully. "Miss Hart knows
it, of course. I told her at recess; and the principal, Mr. Jackson,
knows it. He agreed to letting me be called 'Oliver,' and so does Miss
Hart. Still, I don't suppose I can keep it, and it will get out. I--I
supposed it had got out when I heard your friend this morning."

"Well, it isn't out, and nobody knows it--but me," declared Genevieve,
with more warmth than grammar. "That was only some of Tilly Mack's
nonsense; and when you know her better, you'll know that nobody pays any
attention to what Tilly says." Genevieve stopped abruptly, and bit her
lip. She was thinking that not so very long before, she herself _had_
paid attention to something Tilly Mack said.

"I don't think mother ever realized just what such a name would be for a
fellow to carry through life," said the boy, after a moment's silence.
"There were five of us children, and she gave us all queer names--names
that expressed something that had just been happening in the family, you
understand. For instance, my oldest brother was born in a year when the
crops failed, and they called him 'Tribulation.' Crops were good, you
see, when I came," he added, with a rueful smile.

"Why, how--how funny and--and terrible," breathed Genevieve.

"Yes, it was terrible--but mother never thought of it that way, I'm
sure. I'm glad she can't know--now--just how hard it's been for me. When
I came here, I knew I was a perfect stranger and I determined folks
shouldn't know. I'd be 'Oliver B. J. Holmes.'"

"And you shall be 'Oliver B. J. Holmes,'" averred Genevieve, lifting her
chin. "Oh, of course Tilly will call you the other, and maybe some of
the rest will, sometimes; but don't let that fret you for a moment. Just
remember that _no one knows_--for I sha'n't tell it. And now good-by.
This is my street," she finished, with a cheery nod.

It was not easy for Genevieve to go back to the short session of school
that afternoon; but she went--and she tried to appear as if everything
was as usual when she met Cordelia and Elsie at the corner. Cordelia and
Elsie were only too glad to follow her lead. Not until they met Tilly in
the school yard--and saw her turn hastily away without speaking--did
they show how really constrained they felt.

Genevieve, apparently, saw and felt nothing of this--but she never
looked toward Tilly that afternoon; and when school was dismissed she
hurried cheerfully away with only a smiling nod toward Cordelia and
Alma, whom she passed in the corridor.

At home Genevieve went immediately to her practising--somewhat to Mrs.
Kennedy's surprise. She practised, too, quite fifteen minutes over her
hour--still more to Mrs. Kennedy's surprise. There was, also, a certain
unsympathetic hardness in the chords and runs that puzzled the lady not
a little; but in the face of their obvious accuracy, and of Genevieve's
apparent faithfulness, Mrs. Kennedy did not like to find fault.

Just how long Genevieve would have practised is doubtful, perhaps, had
there not sounded an insistently repeated whistle of the Hexagon Club
song from the garden. The girl went to the open window then.

"Did you whistle, Harold?" she asked, not too graciously.

"Did I whistle?" retorted the boy, testily. "Oh, no, I never whistled
_once_--but I did four times! See here, I thought your practice-hour was
an _hour_."

"It is."

"Well, you've been working fifteen minutes over-time already."

"Have I?"

"Yes, you have; and your constitution positively needs a walk. Come,
it's your plain duty to your health. Will you go?"

Genevieve dimpled into a laugh.

"All right," she cried more naturally. "Then I'll come. I'll be out in a
jiffy."

"Let's go up through the pasture to the woods," proposed Harold, when
Genevieve appeared, swinging her hat.

"All right," nodded Genevieve, somewhat listlessly. "Anywhere."

In the woods, some time later, Genevieve and Harold dropped themselves
down to rest. It was then that Harold cleared his throat a little
nervously.

"You have a new boy in school, I hear," he said.

Genevieve turned quickly. For a moment she looked almost angry. Then,
unexpectedly, she laughed.

"You've been talking with Tilly, I perceive," she remarked.

"Oh, no; Tilly has only been talking with me," retorted Harold, laughing
in his turn--though a little constrainedly.

Genevieve grew suddenly sober.

"I don't care; I'm glad I did it," she declared. "You know _what_ Tilly
can be when she wants to be--and she evidently wanted to be, this
morning. Just because a boy is new and has got freckles and a queer
name, is no reason why he should be made fun of like that."

"Of course not!" Then, still a little constrainedly, Harold asked: "How
do you like him? I saw you talking with him afterward."

Genevieve frowned thoughtfully.

"Why, I don't know--I hadn't thought," she answered. "But I reckon
perhaps I like him. He talked quite a little, and he seemed rather nice,
I think--just frank and folksy, you know. Yes, I think I like him. I
think we'll all like him."

"Oh, of course," agreed Harold without enthusiasm, getting suddenly to
his feet. "Well, I suppose we must be going."

"Yes, of course," sighed Genevieve, glancing down at her little
blue-enamel watch; "but it _is_ nice here!"

The homeward walk was somewhat of a silent one. Harold was unusually
quiet, and Genevieve was wondering just how and when peace and happiness
were to reign once more in the Hexagon Club. She was wondering, too, if
ever she could be just the same to Tilly--unless Tilly had first
something to say to her.

As it happened, Genevieve's questions were answered, in a way, before
she slept; for, after she had gone up to bed that night, there came a
ring at the doorbell, followed, a moment later, by a tap at her door.

"It do be a note for you, Miss Genevieve," explained Nancy.

"A note--for me?"

"Yes, Miss; from Miss Tilly, I think. She's down at the door with her
brother."

Genevieve did not answer. Her eyes were devouring the note.

          "DEAR GENEVIEVE:--" Tilly had written. "I'm so
          ashamed I just can't live till you tell me you
          forgive me. I have begged Howard to take me down
          there. I know I never, never can sleep till I've
          asked your pardon for being so perfectly horrid
          this morning. Will you ever, ever forgive and love
          me again?

                         "Your miserable, remorseful
                                                  "TILLY.

          "P. S. I think what you did was just the bravest,
          loveliest thing I ever saw a girl do.

                                                   "T. M.

          "P. S. again. I'm so late I'm afraid you've gone
          to bed; but if you haven't, and if you do forgive
          me, come to your window and wave to me. I shall
          watch with what Quentina would call soulful,
          hungry eyes.

                                                    "T."

"That's all right; thank you, Nancy. There isn't any answer," smiled
Genevieve as she closed the door. The next moment she darted across the
room, plucked a great pink aster from the vase on the table, hurried to
the window and threw up the screen.

Below she saw the automobile and the two figures therein. Faintly
visible, too, was the upturned face of the girl, containing, presumably,
the "hungry, soulful eyes."

The next moment, plump into Tilly's lap, fell a huge pink aster.




CHAPTER XXI

GENEVIEVE LEARNS SOMETHING NOT IN BOOKS


School, in an amazingly short time, fell into its customary routine.
Genevieve, it is true, did not cease to pine for long, free hours out of
doors; but with as good grace as she could muster she submitted to the
inevitable.

Miss Hart was still not a favorite in the school, and no one seemed to
realize this more keenly than did Miss Hart herself. At all events, as
the days passed, she grew thinner and paler looking, and more nervous
and worried in her manner. While none of the Happy Hexagons deliberately
set herself to making trouble, certainly none of them tried to cause
matters to be any easier for her. The girls themselves had long since
forgotten their brief day of unpleasantness regarding O. B. J. Holmes,
and were more devoted than ever, after this, their first quarrel.

In the Kennedy home, too, matters had settled into their usual routine.
Miss Jane had returned, and the days, for Genevieve, were full of study,
practice, and the usual number of lessons in cooking and sewing.

As the crisp October days came, every pleasant Saturday afternoon found
the Hexagon Club off for a long walk or ride, sometimes by themselves,
sometimes with Harold, Charlie, O. B. J. Holmes, or some of the other
boys and girls as invited guests.

O. B. J. Holmes had long since ceased to be the "new boy." He was not,
indeed, exactly a favorite with some of the young people, but he was
included frequently in their merrymakings--chiefly because Genevieve
declared openly that she thought he ought to be. He was not called
"Oliver" except in the classroom. Outside he was known usually as "O. B.
J." slurred into "Obejay." Sometimes, it is true, Tilly's old "O Be
Joyful" was heard, but not often--perhaps because the lad appeared not
to care if they did call him that, specially if Genevieve were near to
join in the good-natured laugh with which he greeted it.

Undeniably, this frank friendliness of the most popular girl in school
had much to do with the way the others regarded him; though they were at
a loss, sometimes, to account for a certain quality in that friendship,
which they could not fathom.

"It's for all the world as if you'd known each other before," Harold
explained it a little aggrievedly one day to Genevieve, when O. B. J.
Holmes had just thrown her one of his merry glances at a sudden revival
of Tilly's "O Be Joyful" name. "Say, _have_ you known him before?"

Genevieve laughed--but she shook her head.

"No; but maybe I do know him now--a little better than you do," she
answered demurely, thinking of the name that Harold did not even
suspect.

School this year, for Genevieve, was meaning two new experiences. One
was that for the first time class officers were elected; the other, that
a school magazine was started. In both of these she bore a prominent
part. In the one she was unanimously elected president; in the other she
was appointed correspondent for her class by the Editor-in-Chief. By
each, however, she was quite overwhelmed.

"But I don't think I can do them--not either of them," she declared to
Mrs. Kennedy and Miss Jane Chick when she had brought home the news. "To
be Class President you have to be awfully dignified and conduct meetings
and know parliamentary law, and all that."

"I'm not afraid of anything _there_ hurting you," smiled Miss Jane. "In
fact, it strikes me that it will do you a great deal of good."

"Y-yes, I suppose you would think so," smiled Genevieve, a little
dubiously.

"And I'm sure it's an honor," Mrs. Kennedy reminded her.

Genevieve flushed.

"I _am_ glad they wanted me," she admitted frankly.

"And what is this magazine affair?" asked Miss Jane.

"Yes, and that's another thing," sighed Genevieve. "I can't write
things. If it were only Quentina, now--she could do it!"

"But you have written for the Chronicles, my dear," observed Mrs.
Kennedy. "Have you given those up?"

"Oh, no; we still keep them, only we have entries once a week now
instead of every day. There isn't so much doing here as there was in
Texas, you know."

"Then you do write for that," said Miss Jane.

"Oh, but _that's_ just for us," argued Genevieve. "I don't mind that.
But this has got to be printed, Miss Jane--printed right out for
everybody to read! If it were only Quentina, now--she'd glory in it.
And--oh, Miss Jane, how I wish you could see Quentina," broke off
Genevieve, suddenly. "Dear me! wouldn't she just hit on your name,
though! She'd be rhyming it in no time, and have 'Miss Jane at the
window-pane,' before you could turn around!"

"Quite an inducement for me to know her, I'm sure," observed Miss Jane,
dryly.

Genevieve laughed, but she sighed again, too.

"Well, anyhow, she would do it lovely--this correspondence business; but
I can't, I'm sure."

"What are you supposed to do?"

"Why, just hand in things--anything that's of interest in my class; but
I don't know _what_ to say."

"Perhaps the others can help you," suggested Aunt Julia.

Genevieve gave a sudden laugh.

"They'd like to--some of them. Tilly's tried already. She gave me two
items this noon, all written down. One was that O. B. J. had a new
freckle on the left side of his nose, and the other that Bertha hadn't
said 'I told you so' to-day."

"Genevieve!" protested the shocked Miss Jane. "You wouldn't--" She
stopped helplessly.

"Oh, no, Miss Jane, I wouldn't," laughed Genevieve, merrily, as she rose
from the dinner-table.

Perhaps it was her duties as president, and her new task as
correspondent, or perhaps it was just the allurement of the beautiful
out-of-doors that made it so hard for Genevieve to spend time on her
lessons that autumn. Perhaps, too, her lack of enthusiasm for Miss Hart
had something to do with it. Whatever it was, to concentrate her
attention on Latin verbs and French nouns grew harder and harder as the
days passed, until at last--in the frenzied rush of a study-hour one
day--she did what she had never done before: wrote the meaning of some
of the words under the Latin version in her book.

It was, apparently, a great success. Her work in class was so unusually
good that Miss Hart's tired eyes brightened, and her lips spoke a word
of high praise--praise that sent to Genevieve's cheek a flush that
Genevieve herself tried to think was all gratification. But--the next
day she did not write any words in the book. The out-of-doors, however,
was just as alluring, and the outside duties were just as pressing; so
there was just as little time as ever for the Latin verbs. They
suffered, too, in consequence. So, also, did Genevieve; for this time,
Miss Hart, stung into irritation by this apparently unnecessary falling
back into carelessness, said a few particularly sharp words that sent
Genevieve out of the class with very red cheeks and very angry eyes.

"I just hate Miss Hart and school, and--and everything," stormed
Genevieve hotly, five minutes later, as she met Cordelia and Tilly in
the corridor after school was dismissed.

"Oh, Genevieve," remonstrated Cordelia, faintly.

"Well, I do. I didn't have time to get that lesson--but a lot Miss Hart
cared for that!"

"Why don't you use a pony?" twittered Tilly, cheerfully.

"A--pony?" Genevieve's eyes were puzzled.

Tilly laughed.

"Oh, it isn't one of your bronchos," she giggled, "and it's easier to
ride than they are! It's just a nice little book that you buy--a Latin
translation, you know, all done by somebody else--and no bother to
you."

"But--is that quite--fair?" frowned Genevieve.

"Hm-m; well, I presume Miss Hartless wouldn't call it--good form," she
shrugged.

"Why, Tilly Mack! of course it isn't fair, and you know it," cried
Cordelia. "It's worse than cribbing."

"What's cribbing?" demanded Genevieve.

"It's the only way out when you haven't got your lesson," answered
Tilly, promptly.

"It's writing the translation under the words in the book," explained
Elsie Martin, who, coming up at the moment, had heard Genevieve's
question.

"It's just plain cheating--and it's horrid," declared Cordelia, with
emphasis.

Genevieve's face turned a sudden, painful red, for some unapparent
reason.

"Y-yes, it must be," she murmured faintly, as she turned to go.

On the walk home that noon, Harold, as was frequently the case, overtook
her.

"Well, what part of the world would you like changed to-day?" he asked,
with a smiling glance at her frowning face.

"Chiefly, I reckon I'd like no school," sighed Genevieve; "but if I
can't have that, I'd like another box of teachers opened so we could
have a new one."

"What's the trouble now?"

"Oh, I reckon the trouble is with me," admitted Genevieve, ruefully.
"Anyhow, Miss Jane would say it was. I flunked in Cæsar--but that's no
reason why Miss Hart should have been so disagreeable! But then, I
suppose she has to be. She came out of that kind of a box, you know."

Harold laughed, though a little gravely.

"You still think they come all boxed, sorted, and labeled, do you?" he
said. "And that they aren't 'just folks' at all?"

"Yes, I still think so. They never seem a bit like 'folks' to me. It's
their business to sit up there stiff and solemn and stern, and see that
you behave and learn your lessons. I never saw one that I liked, except
Miss Palmer and Miss Jones--but then, they came out of a jolly box,
anyhow."

"Lucky ladies!"

Genevieve laughed rebelliously.

"Oh, I know I'm horrid," she admitted; "but--well, I went off for a ride
with Tilly yesterday after school, instead of paying attention to his
Imperial Highness, Cæsar; and that's what was the trouble. But, Harold,
it was so perfectly glorious out I had to--I just had to! I tell you,
every bit of me was tingling to go! Now what do you suppose Miss Hart
knows of a feeling like that? She simply couldn't understand it."

"But--Miss Hart doesn't look very old--to me."

Genevieve stopped short, and turned half around.

"Old! Why, she's a _teacher_, Harold!"

Harold chuckled, as they started forward again.

"I should like to see some teachers' faces if they could hear you say
'teacher' in that tone of voice, young lady!"

"Pooh! I reckon it would take considerable to make me think of any
teacher as _young_," retorted Genevieve, with emphasis.

"All right; but--aren't you coming out, later, for a walk or--or
something?" asked Harold, a little anxiously, as they reached the
Kennedy driveway.

She shook her head.

"No, little boy," she answered, with mock cheerfulness. "I'm going to
practise, then I'm going to study my algebra, then I'm going to study my
Latin, then I'm going to study my French, then I'm going to study my
English history, then--"

"_Good-by!_" laughed Harold, clapping his hands to his ears, and
hurrying away.

Unhesitating as was Genevieve's assertion of her intentions, those
intentions were not carried out, even to the practising, first on the
list; for, in putting down her books, Genevieve dropped some loose
papers to the floor. The papers were some that had that day been
returned by Miss Hart; and, as the girl gathered them up now, a sheet of
note paper, covered with handwriting entirely different from her own,
attracted her attention.

She recognized the writing at once as that of Miss Hart, and she
supposed at first that the paper must contain some special suggestions
or criticisms in regard to her own work. With a quick frown, therefore,
she began to read it.

She had not read five lines before she knew that the paper did not
contain criticism or suggestions. But so dazed, so surprised, and so
absorbed was she, by that time, that she quite forgot that she was
reading something most certainly never meant for her eyes to see.

The paper was evidently the second sheet of a letter. The writing--fine,
but plain--began close to the top of the first page, in what was
apparently the middle of a sentence.

          "speak freely, I am sure.

          "Things are not getting any better, but rather
          worse. I cannot seem to win them. Of course I
          understood that my task would be difficult,
          following, as I did, two such popular teachers. I
          think, perhaps, that this very fact has made me
          nervous; and so--I have not appeared even at my
          best. But, oh, I have tried!--you cannot know how
          I have tried!

          "I am nearly sick with terror for fear I shall
          lose my position--and of course _that_ doesn't
          help me to be the cool, calm, judicious person in
          the chair I ought to be. But it means so much to
          me--this place--and if I should lose it, there
          would be poor Annie deprived of her comforts
          again; for, of course, a failure here would mean
          that not for a long time (if ever!) could I get
          another like it.

          "Forgive me for burdening you with all this, but
          it had got to the point where I must speak to some
          one. Then, too, I did not know but you could
          perhaps tell me why I have failed--I have tried so
          hard myself to understand!

          "Sometimes I think I'm too lenient. Sometimes I
          think I'm too strict. Sometimes I'm so worried for
          fear they'll think me too young and inexperienced,
          that I don't dare to act myself at all--then I'm
          stiffly dignified in a way that I know must be
          horrid.

          "After all, I think the whole secret of the matter
          is--that I'm afraid. If once I could have a
          confident assurance that I _am_ doing well, and
          that I _am_ winning out--I think I should win out.
          I do, truly!

          "And now I must stop and go to work. I'm in the
          grove, back of the schoolhouse. I often bring my
          papers here to correct. I have them with me
          to-night; but--I've been writing to you instead of
          working. I'll finish this later. But, really,
          already I feel a little better. It's done me good,
          just to say things to you. Of course, to no one
          else could I--"

There was a little more, but Genevieve stopped here. Not until she read
that last sentence did she realize in the least what she was doing.
Then, hurriedly, with flushed cheeks and shamed eyes, she thrust the
letter out of sight under the papers. But there was something besides
shame in her eyes; there was a very real, and a very tender sympathy
for--folks.

"And to think that I--read it," she breathed. Then, suddenly, she
snatched up the papers again. "But she mustn't know--she _mustn't_
know," choked the girl. "Maybe, if I run, I can get there in time and
tuck it into her desk. I _must_ get there in time," she declared aloud,
darting out of the house and up the street without once looking back
toward an amazed Miss Jane, watching her from the window.

As Genevieve hoped would be the case, the janitor had not finished his
nightly duties. The great front door stood wide open, and Genevieve made
short work of reaching her own room. As she opened that door, however,
she paused in dismay.

Miss Hart was in her chair. Her arms lay folded on the desk before her,
and her face was hidden in them.

The knob under Genevieve's nerveless fingers clicked sharply, and Miss
Hart raised her head with a start.

During the one brief moment that Genevieve gazed into her teacher's
startled eyes, wild plans raced through her mind: she would run; she
would go to her own desk and leave the papers, then destroy the fateful
letter to-morrow; she would walk up and hand the letter to Miss Hart
now, and confess that she had read it; she would--

"Why, Genevieve!" cried Miss Hart, a little huskily. "Did you--forget
something?"

"No, Miss Hart; yes--well, I mean--it isn't that I _forgot_ exactly.
I--I didn't know," she faltered, realizing more than ever the meaning of
the letter she had just read, now that the wistful-eyed writer of it sat
before her, bearing plain evidence of tears.

"Can I do anything for you?" Miss Hart asked.

Genevieve went, then, straight to the desk. The papers--with the
letter--were rolled tightly in one hand.

"No, Miss Hart, thank you; but--isn't there something that--that I can
do for--you?" she faltered.

What happened next was, to Genevieve, certainly, most disconcerting.
Miss Hart gave one look into Genevieve's eyes, then dropped her face
into her hands and burst into tears. At Genevieve's aghast exclamation,
however, she raised her head determinedly and began to wipe her eyes.

"There, there, my dear," she smiled brightly, winking off the tears.
"That was very foolish and very silly of me, and you must forget all
about it. I was a little homesick, I'm afraid, and perhaps a bit blue;
and your eyes looked into mine so frankly and honestly, and with such a
courageous 'I'll-try-to-help-you' look, that--that--well, you know what
I did. But come--let us talk no more of this, my dear! Let us get out of
this stifling room, and into the blessed out-of-doors. We'll go into the
grove for a little walk. These four walls have been just smothering me
all day!"

Genevieve opened wide her eyes.

"Why, do _you_ feel that way--too?" she asked incredulously.

Miss Hart colored a little.

"I'm afraid I do, my dear--though probably I ought not to have said just
that--to you," she sighed constrainedly. "But--to tell the truth, I've
never been able quite to see what houses were made for, I suspect, since
I used to ask that question as a little girl. I imagine 'twas in summer,
however, not winter, when I asked it," she finished a little
tremulously, as they passed through the hall to the outer door.

Once again Genevieve opened wide her eyes.

"Did you ask that--really? Why, Father says that was one of _my_
questions, too," she breathed rapturously. "Why, you are--you are just
like--" with a little cough Genevieve choked off the "folks" before it
was spoken. The word was "me" when it finally left her lips.

It was a wonderful half-hour that Genevieve spent then in the grove.
Over in the west the sun was low, and the shadows were long under the
trees. The air was crisp, but not too crisp, if one were walking--and
she and Miss Hart were walking. They were talking, too.

They talked of birds and beasts and flowers. They talked of school and
study, and Latin lessons that were so hard to learn when the
out-of-doors called. They talked of the days and lessons to come; and
they spoke--at least, Miss Hart did--of what fine work Genevieve was
sure to do before the year was through. They did not talk, however, of
Miss Hart's tears in the classroom, nor of Miss Hart's letter still
tightly clutched in Genevieve's hand.

Genevieve, however, had not forgotten the letter; and when she walked
alone toward home, a little later, she wondered what she should do with
it. To give it openly back to Miss Hart, she felt was not to be thought
of; at the same time she doubted if in any other way she could return it
to her now. The letter certainly had already accomplished two things:
never again would she so misjudge Miss Hart; never again, too, would she
let the others so misjudge her, if she could help it--and she believed
she could help it. She should try, certainly. As for the letter--

"Well, Miss," broke in Harold's slightly aggrieved voice behind her, "is
_this_ the way you practise, and study your Latin and your French and
your algebra and your English history?"

Genevieve was too absorbed even to notice the taunt, much less to reply
to it.

"Harold," she sighed, "I wish you'd tell me something."

"Certainly! You have only to command me," bowed the lad, with mock
pomposity, as he fell into step with her.

Genevieve was frowning. She did not even smile.

"Harold, if you had something that belonged to somebody else, and they
didn't know you had it and would feel dreadfully if they found out you
had it, do you think you ought to give it back to them, and so let them
know you had it, when all the time if they _didn't_ know you had it,
they wouldn't care at all?"

"W-w-well!" whistled Harold. "Do you mind--er--giving me that again,
now--say, in pieces a foot long this time? If I were Cordelia I might
give you my answer right off the handle, but--I'm not Cordelia, you
see."

Genevieve laughed a little ruefully.

"There wouldn't anybody know, of course, unless I told the rest; and I
can't tell the rest."

"Maybe not," smiled Harold, oddly; "but I'll wager you'll have to be
telling something to Miss Jane pretty quick now. I saw you when you flew
out of the yard an hour ago, and I fancy Miss Jane must have seen you,
too. At any rate, she's been to the door three times since, to my
knowledge, to look for you."

Genevieve clapped her hand to her lips.

"Mercy! I never thought to tell them a word. I just ran."

"Yes, I noticed you--ran," observed Harold, dryly.

"And they always want to know just where I am," sighed Genevieve. "O
dear! if you do something bad in order to do something good, which is
it--bad or good?"

Harold shook his head.

"That's not in mine, either," he retorted whimsically. "Really, Miss,
your questions on ethics this afternoon do you credit--but they're too
much for me."

"Well, I reckon this one is for me," sighed Genevieve again, as she came
in sight of the house and saw Miss Jane Chick at the window. "But the
other one--I know the answer to that. I shall burn it up," she said
decisively, clutching even more tightly the roll of papers in her hand,
as she turned in at the Kennedys' front walk.




CHAPTER XXII

A TEXAS "MISSIONARY"


October passed and November came. School was decidedly more bearable
now, in the opinion of Genevieve, perhaps because it was a rainy month;
but Genevieve preferred to think it was because of Miss Hart. It was
strange, really, how much Miss Hart had improved as a teacher!--all the
school agreed to that. Even Tilly ceased to call her "Hartless."

"Maybe she came in a jolly box, after all," Harold said one day to
Genevieve; but Genevieve tossed her head.

"Pooh! She wasn't in any box at all, Harold. She's--_folks_!" And Harold
saw that, in spite of the lightness of her words, there were almost
tears in Genevieve's eyes.

Presidential duties, too, were easier for Genevieve now. They proved to
be, in fact, very far from arduous; and, as Tilly declared, they were,
indeed, "dreadfully honorable."

As correspondent for the school magazine Genevieve did not feel herself
to be a success. She wrote few items, and sent in even fewer.

Those she did write represented hours of labor, however; for she felt
that the weight of nations lay on every word, and she wrote and rewrote
the poor little sentences until every vestige of naturalness and of
spontaneity were taken out of them. Such information as she could gather
seemed always, in her eyes, either too frivolous to be worth notice, or
too serious to be of interest. And ever before her frightened eyes
loomed the bugbear of PRINT.

       *       *       *       *       *

It was during the short vacation of three days at Thanksgiving time that
Nancy, the second girl at the Kennedys', came to the parlor door one
afternoon and interrupted Genevieve's practising.

"Miss Genevieve, I do be hatin' ter tell ye," she began indignantly,
"but there's a man at the side door on horseback what is insistin' on
seein' of ye; and Mis' Kennedy and Miss Jane ain't home from town yet."

"Why, Nancy, who is the man?"

"I ain't sayin' that I know, Miss, but I do say that he is powerful
rough-lookin' to come to the likes o' this house a-claimin' he's Mis'
Granger's cousin, as he does."

"Reddy! Why, of course I'll see Reddy," cried Genevieve, springing to
her feet.

A minute later, to Nancy's vast displeasure, Genevieve was ushering into
the sitting room a sandy-haired man in full cowboy costume from
broad-brimmed hat and flannel shirt to chaparejos and high-heeled boots.

Reddy evidently saw the surprise in Genevieve's face.

"Yes, I know," he smiled sheepishly, as Nancy left the room with slow
reluctance, "I reckon you're surprised to see me in this rig, and I'll
own I hain't wore 'em much since I came; but to-day, to come to see you,
I just had to. You see, Miss Genevieve, it's what this 'ere rig stands
for that I want to see you about, anyhow."

"About--this--rig?"

"Well, yes--in a way. It's about the West."

"What is it?"

"It's Martha--Mis' Granger, my cousin. I want her to go back with me.
She's all alone, and so am I. And she'd come in a minute, but
she's--afraid."

"What of?"

Reddy's lips twitched.

"Indians and prairie fires and bucking bronchos and buffaloes. She
thinks all of 'em run 'round loose all the time--in Texas."

Genevieve laughed merrily.

"The idea! Haven't you told her they don't?"

"Oh, yes; and I've come to see if _you_ won't tell her."

"I!"

"Yes. She thinks I'm a man and rough anyhow, so I don't count. _Would_
you be willing to come and talk Texas to her?"

"Why, of course I will," cried Genevieve. "I'll come right away to-day,
after I've finished my hour."

"Thank you," sighed Reddy, rising to his feet. "Now I'll hit the trail
for Texas inside of a month--you see if I don't! What _you_ say will
go."

"Oh, but don't be too sure of that, Reddy," frowned Genevieve,
anxiously.

"I ain't. I'm just _sure_--and that's all right," retorted Reddy,
cheerfully. "And mighty glad I shall be to get there, too! I'd be plum
locoed here in another month. You see, I've got some money now, and I
know a nice little place I can buy cheap, to start in for myself.
Martha'll take Jim Small's girl, 'Mandy, for company and to help. You
see we've got her already roped."

"She wants to go, then?"

"Dyin' to. It all depends on you now, Miss Genevieve."

"All right; I'll be there," promised the girl, laughingly, as Reddy,
watched by Nancy's disapproving eyes from the kitchen window, swung
himself into the saddle and galloped down the driveway.

A little later Genevieve met Mrs. Kennedy and Miss Chick at the foot of
the front walk.

"I've taken my music lesson and done my hour, and I'm off on missionary
work now," she beamed brightly. "I knew you'd let me go, so I didn't
wait till you came home."

"Missionary work?" frowned Miss Chick.

"Why, what do you mean?" questioned Mrs. Kennedy.

Genevieve chuckled.

"It's to teach Mrs. Granger that Texas has something besides bucking
bronchos and prairie fires. You see, Reddy wants to take her West, and
she's afraid. She thinks those things, and Indians and buffaloes, are
all that grow there. So I'm going to tell her a thing or two," she
finished with a nod and a smile.

Just how successful Genevieve was with her missionary work perhaps she
herself did not realize until nearly a fortnight later, when Cordelia
Wilson overtook her on the way to school one morning.

"Genevieve, Genevieve, please," panted Cordelia. "I want you to do some
missionary work for me! Will you?"

Genevieve turned in surprise.

"'Missionary work!' What _do_ you mean?"

Cordelia laughed and colored.

"Well, it's what you did for Mrs. Granger. Reddy told me. He said you
called it missionary work--and that _'twas_ missionary work, too. You
know they're to start next week, and they're all so happy over it!"

"Yes, I know," nodded Genevieve; "and I'm so glad!"

"So am I," sighed the other, fervently. "You see, Reddy being my find,
so, I felt responsible; and of course I ought to feel that way, too.
Just think--what if they weren't happy over it!"

"But they are," smiled Genevieve. "What's the use of 'if-ing' a thing
when it just _is_ already?"

"What?" Cordelia's eyes were slightly puzzled. "Oh, I see," she laughed.
"What a funny way you do have of putting things, Genevieve Hartley! Why
don't you say such things as that in your notes for the magazine?"

"In the magazine?--mercy! Why, Cordelia, they're _printed_!"

"Well, what of it?" maintained Cordelia.

"What of what?" chirped a new voice; and Tilly Mack hurried up from
behind them.

Cordelia looked plainly disappointed; but Genevieve turned with a light
laugh.

"My magazine notes, Tilly. Cordelia doesn't like them," she explained.

"Oh, but Genevieve, it's only that I want you to write as you talk,"
supplemented Cordelia, in distress.

"Well, I don't know. I'm sure--aren't they true?" bridled Genevieve.

"True!" giggled Tilly, suddenly. "Oh, yes, they're true, just as 'c-a-t
spells cat' is true--and they sound just about like that, too, Genevieve
Hartley, and you know it."

"Humph! I like that," bridled Genevieve, again.

"Oh, Tilly, she writes lovely notes--you know she does," championed
Cordelia, almost tearfully.

"No, I don't write lovely notes," disputed Genevieve, with unexpected
frankness. "They're just like Tilly says they are, and they're horrid. I
_do_ say 'c-a-t spells cat' every time--but I simply can't seem to say
anything else!"

"But why don't you write as you talk?" argued Tilly.

"Or as you do in the Chronicles?" added Cordelia. "You write just
beautifully there."

"But, Cordelia, that isn't _printed_," cried Genevieve, again, as they
came in sight of the school building and saw Elsie Martin coming to meet
them.

At the doorway of the classroom Cordelia whispered to Genevieve:

"Please wait after school for me. I'll tell you then--about the
missionary work, you know." And Genevieve nodded assent.

Once or twice during the day, Genevieve wondered what Cordelia's
missionary work could be; but for the most part study and recitation
filled her thoughts and time. Mid-year examinations were approaching,
and, in spite of the fact that she had been doing much better work for
the last month, she felt by no means sure of herself for the dreaded
ordeal. It was of this she was thinking when she met Cordelia according
to agreement at the close of the short afternoon session.

"Here I am, dear," she sighed; "but, really, I reckon _I'm_ the one that
needs the missionary work if any one does--with those horrid exams
looming up before me."

"Oh, but you've been doing such splendid work--lately!" cried Cordelia.

"Thank you," retorted Genevieve, wrinkling up her nose saucily at the
pause before the "lately." "I perceive you still know how to tell the
truth, Miss!"

"Genevieve!" protested Cordelia.

"Oh, then you mean it wasn't the truth," bantered her friend.

"Genevieve!" groaned Cordelia, hopelessly.

"There, there, never mind," laughed the other. "Come, we must be running
along; then you shall tell me all about this wonderful missionary work
of yours. What is it?"

"Well, it--it's about another of my--my finds."

"Oh, your lost people?"

"Yes. It's John Sanborn, Hermit Joe's son, you know. He wants to go West
and take his father."

"Well, can't he? Or doesn't his father want to? Maybe you want me to go
and tell Hermit Joe not to be afraid of bronchos and buffaloes," laughed
Genevieve.

A swift color stole into Cordelia's face.

"No; Hermit Joe wants to go."

"Then what is it?"

Cordelia laughed shyly.

"Well, it--it's a lady, Genevieve."

"A lady! Why, Hermit Joe and his son haven't any--any women or cousins,
have they?"

"No; but--but they want one," admitted Cordelia, a little breathlessly.

Genevieve stopped short.

"Cordelia, what _are_ you talking about?" she demanded.

Cordelia laughed softly, but she grew suddenly very pink indeed, and she
clasped her hands rapturously.

"I'll tell you, Genevieve. I've been just longing to tell you, every
minute. It's the loveliest thing--just like a book! It seems Hermit
Joe's son, years ago, before he ran away, had a sweetheart, Miss Sally
Hunt."

"That little old maid on Hunt's Hill? She's a dear, I think!"

"Yes; but she wasn't old then, you know. She was young, and so pretty!
She showed me her picture, once--how she looked then."

"Yes, yes--go on!"

"Well, they were sweethearts, but they had a quarrel or something,
and--anyhow, Mr. John Sanborn ran away."

"How long ago?"

"Twenty years; and now he's back, and they've made everything all up
lovely, and he wants to marry her and take her West."

"Oh-h!" breathed Genevieve. "It _is_ just like a story; isn't it? And
didn't it turn out lovely!"

"Y-yes, only it hasn't turned out yet."

"What's the matter? I thought you said they'd made it all up!"

"They have. She'll marry him; but she--she's afraid of Texas, too, just
as Mrs. Granger was, I guess."

"Oh, I see," cried Genevieve. "Pooh! We'll fix that in no time,"
finished the Texas "missionary," with confidence.

"There, I knew you would," sighed her friend, blissfully. "You see, I
specially wanted Miss Sally to be happy, because I couldn't find--"
Cordelia caught herself up in time. She must not, of course, tell
Genevieve about Sally Hunt's lost brother whom she had failed to find.
"Well, you know, anyway, Sally Hunt is very poor," she explained
hastily; "and everybody said, when we went to Texas last summer, that
she'd have to go to the Poor Farm soon, if something wasn't done. So
I'm specially glad to have her happy, and--" Cordelia stopped, and
turned to Genevieve with a new look in her eyes.

"Genevieve, I've just remembered," she cried. "At the ranch last summer,
when I was talking to Mr. Jonathan Edwards and didn't know his name was
'Sanborn'--I've just remembered that I told him about Miss Sally, and
how she'd have to go to the Poor Farm. Genevieve, I'm sure--I just know
that's one reason why he came home!"

"Of course it was," agreed Genevieve, excitedly; "and we'll go straight
up there now, if Aunt Julia'll let us; only--" her face fell--"Cordelia,
when _shall_ I get in my studying?"

"To-night, Genevieve; you must study to-night," answered Cordelia,
firmly. "You mustn't sacrifice your studies, even for missionary work.
Uncle always says it isn't right to send money to the heathen when your
own child is hungry; and I'm sure this is the same thing. Maybe we can
go Saturday morning, though," she finished hopefully.

"I'm sure we can," declared Genevieve; "and I'm just as excited as I can
be. I just love missionary work," she exulted, as she waved her hand in
farewell, at her street corner.




CHAPTER XXIII

GENEVIEVE GOES TO BOSTON


December was a busy month, indeed. To Genevieve it seemed actually to be
one whirl of study, lessons, practice, and examinations, leaving oh, so
little time for Christmas gifts and plans.

A big box was to go to the Six Star Ranch, and a smaller one to
Quentina. But, better than all, Mr. Jones was to have a letter from Mrs.
Kennedy which would--Genevieve was sure--carry a wonderful happiness to
Quentina. Mrs. Kennedy was to ask Mr. Jones to let Quentina come to
Sunbridge to school the next winter, and share Genevieve's room, as Mrs.
Kennedy's guest. All other expenses, railroad fare, school supplies, and
any special instruction, were to be met by Mr. Hartley through Genevieve
herself.

All this, of course, Genevieve had not brought about without many
letters to Mr. Hartley, and many talks with Mrs. Kennedy and Miss Chick,
wherein all sorts of pleadings and promises had a part. But it had been
done at last, and the letter was to go in the Christmas box--but of all
this the Happy Hexagons were not to know until the answer from Mr.
Jones came. Naturally, however, Genevieve could not keep all her
attention on her studies that month, in spite of the coming
examinations.

There was, too, more than one visit to the gentle spinster on Hunt's
Hill before Genevieve quite succeeded in convincing Miss Sally that
there _were_ places in Texas where wild Indians did not prowl, nor wild
horses race neck and neck across vast deserts of loneliness. At last,
however, she had the satisfaction of hearing from John Sanborn's own
grateful lips that everything was all right, and that the wedding day
was set for April the tenth.

In the midst of all this came the dreaded examinations, then the fearful
waiting till the last day of school when the decision would be
announced. The winter before, at these mid-year examinations, Genevieve
had not passed. She had not forgotten the mortification of that tragedy,
nor the weary weeks of study that had been necessary to enable her to go
on with her class. So she, of all the girls now, was awaiting the
verdict with special anxiety. Meanwhile, all the Happy Hexagons were
spending every available minute on Christmas gifts.

It was just a week before Christmas Day that Genevieve was surprised to
receive a hurried after-school call from Cordelia.

"Genevieve--quick!" panted Cordelia, dropping herself into the first
chair she came to. "Can't we do something? We _must_ do something!"

"Of course we can," laughed Genevieve, promptly; "but--what about?"

Cordelia gave a faint smile.

"Yes, I know; I wasn't very explicit," she sighed. "But, listen. You
know--or maybe you didn't know--but the Missionary Society have been
packing a barrel to go West. They're at the church this afternoon,
packing it; but they didn't have half enough, and they sent down to the
parsonage to know if Aunt Mary hadn't something more--some old clothes
of the children's, or old magazines, or anything. Auntie's sick to-day
with an awful cold, but she went up attic and hunted up all she could;
then after I got home from school she asked me to take them down to the
church."

"Yes, go on," prompted Genevieve, as Cordelia paused for breath.

"Well, I took them; and, Genevieve, what do you think?"--Cordelia's
voice was tragic--"that missionary barrel was going to the Rev. Luke
Jones, Bolo, Texas. _Our_ Mr. Jones,--Quentina!"

"Cordelia! Really?"

"Yes. You know they told us they got them from our church sometimes.
And, Genevieve, it was awful--that barrel! It looked just like the other
one, the one they got while we were there that day--old shoes and
dolls, and _homely_ things!"

"Oh, Cordelia! What did you do?"

Cordelia drew in her breath with a little gasp.

"I don't know. I talked. I said things--awful things. I know they were
awful things from the looks of some of their faces. And at the last Mrs.
Johnson--you _know_ how she can be sometimes!--she--she just snapped
out: 'Very well, Miss Cordelia, if you are not satisfied with what we
have been able to procure after weeks of hard work, suppose you go out
yourself and solicit gifts for your friends!' And, Genevieve, I said I
would. And I turned 'round and marched out. And now--now--what _shall_
we do?"

Genevieve sprang to her feet.

"Do? Why, we'll do it, of course," she cried.

"But, Genevieve, I'm so scared. What if folks won't give--anything?
Those women worked weeks--they said they did--for what they've got!"

"But folks _will_ give," declared Genevieve, with prompt confidence.
"Now wait. I'll have to tell Aunt Julia where I'm going, then I'll be
back ready to start," she finished, as she whisked out of the room.

"Oh, Genevieve, you're always so comfortingly _sure_," sighed Cordelia
to the door through which her friend had just sped.

During the next two hours Sunbridge, as represented by many of its most
staid and stately homes, received the surprise of its life--a surprise
that sent hitherto complacently contented women scurrying into attics
and closets, and stirred reputedly miserly men into thrusting hands into
inside pockets for spare bills.

Perhaps it was the sight of the eager young faces, alight with generous
enthusiasm. Perhaps it was the pathos of the story of one missionary
barrel as told by girlish lips trembling with feeling. Perhaps it was
just the novelty of receiving so direct, and so confident an appeal for
"something you'd like to have given to you, you know." Perhaps it was a
little of all three that worked the miracle. At all events, in the
church parlor some time later, a little band of excited, marveling women
worked until far into the evening packing a missionary barrel for the
Rev. Luke Jones. And when it left their hands, there was in it the
pretty dress for the minister's wife, the unworn underclothing for the
minister's boys, the fresh hair-ribbons for the minister's daughter, and
the serviceable coat for the minister himself, to say nothing of
uncounted books, games, and household articles of a worth and
desirability likely to make a missionary minister's family exclaim with
surprise and delight--until they found the generous roll of bills in the
minister's coat pocket, when they would be dumb with a great wave of
reverent gratitude to a God who could make human hearts so kind.

"There!" sighed Genevieve, when she and Cordelia had left their last
parcels at the church door. "I reckon we've got something different for
that barrel now--but we'll never let Quentina know, _never_--that we had
a thing to do with packing it."

"No; but I guess she'll suspect it, though," returned Cordelia, with a
teary smile. "But, oh, Genevieve, didn't they give just splendidly!"

"I knew they would," declared Genevieve, "if they just understood."

"Well, then, I wish they'd--understand oftener," sighed Cordelia, as she
turned down her street.

Two days later the Happy Hexagons were holding a hurried meeting at the
parsonage after school. It was the night before the last day of the
term, and they were all trying to work at once on the sofa pillow they
had planned to give Miss Hart. Cordelia was making the tassel for one
corner, and Alma Lane one for another. The other two tassels were being
sewed on by Elsie and Bertha. Tilly was writing the card to go with it,
and Genevieve was holding the paper and ribbon with which to do it up.

"I'm going to do as Miss Jane does, next year," sighed Genevieve, at
last.

"And what does Miss Jane do?" asked Tilly.

"Begins in January to get ready for Christmas. Now I've got exactly
seventy-nine and one things to do before next Tuesday--and to-day is
Thursday."

"You must have spent part of your valuable time counting them," teased
Tilly, "to have figured them down so fine as that."

"Seventy-nine and one are eighty," observed Cordelia, with a little
frown. "Why didn't you say eighty to begin with, Genevieve?"

"Because she wanted to give your brain something to do, too," explained
Tilly, wearing an exaggeratedly innocent air.

"Tilly!" scolded Genevieve. But Tilly only laughed, and Cordelia forgot
her question with the last stitch she put into her tassel.

The pillow was given to Miss Hart the next day, and, apparently, made
the lady very happy. Nor was Miss Hart the only one that was made happy
that day. Genevieve, and in fact, all the Happy Hexagons, together with
O. B. J. Holmes and nearly all the rest of the class, knew before night
that they had "passed"--which is no small thing to know, when for days
you have worried and for nights you have dreamed about the dreadful
alternative of a contrary verdict.

With Miss Jane Chick, Genevieve went to Boston shopping, Saturday,
coming back tired, but happy, and all aglow with the holiday rush and
color of the crowded streets and stores. On Sunday came the beautiful
Christmas service, which Mr. Wilson made very impressive. Certainly it
touched Genevieve's heart deeply, as she sat by Mrs. Kennedy's side and
listened to it. It seemed so easy to Genevieve, at that moment, always
to be good and brave and true--always to be thoughtful of others'
wishes--never to be heedless, careless, or impulsively reckless of
consequences!

It was snowing when she left the church, and it snowed hard all the
afternoon and until far into the night. Genevieve awoke to look out on a
spotlessly white, crystal-pure world, with every ugly line and dreary
prospect changed into fairylike beauty.

"Oh--oh--oh, isn't it lovely!" she exclaimed, as she came into the
dining-room that morning. "Don't I wish Quentina were here to see
it--and to talk about it!"

"We'll hope she will be some day," smiled Mrs. Kennedy.

"Anyhow, 'Here's Miss Jane at the window-pane' all ready for her,"
chanted Genevieve, merrily, her eyes on the tall figure in the bay
window.

Miss Jane turned with a sigh.

"Yes, it's very lovely, of course, Genevieve--but I must confess it
isn't lovely to me this morning."

"Why, Miss Jane!"

"I had planned to go to Boston. In fact it seems as if I must go. But I
have waked up with a sore throat and every evidence of a bad cold; and
I'm afraid I don't dare to go--not with all this new snow on the ground
and dampness in the air."

"Couldn't I go, Miss Jane? I was going to ask to go, anyway. I find
there are three more things I want to get, and I know I can't find them
here."

"But you have never been to Boston alone, my dear."

"I suppose everybody has to have a first time," laughed Genevieve; "and
I'm not a mite afraid. Besides, I know the way perfectly, all through
the shopping district; and all I have to do then is just to take the car
for the North Station and the train home. I reckon I know how to do
_that_ all right!"

Miss Jane frowned and shook her head slowly.

"I know; but--I hate to let you do it, Genevieve, only I--it seems as if
I _must_ go myself!"

Mrs. Kennedy looked up reassuringly.

"Indeed, Jane, I am inclined to think Genevieve can go all right," she
smiled. "She has been to Boston now many times, you know."

"There, Miss Jane!" crowed Genevieve, triumphantly. "You see! Please,
now," she begged.

Miss Jane still frowned--but a look of almost reluctant relief came to
her eyes.

"Very well," she conceded slowly. "Perhaps, my dear, I will let you go
for me, then."

"Oh, thank you, Miss Jane--besides, there are several things I want for
myself."

"Very well, dear. I have three things that must be changed, and there
are two that I want you to buy. It seems so absurd--when I began last
January--that there should be anything to be done to-day; but,
unfortunately, some of my plans had to be changed at the last moment.
You may get ready at once after breakfast, please, then come to my room.
I'll have the list all made out for you. You'll have to bring everything
home, of course, but they are not very heavy, and you can carry them all
in the large hand bag, I think. You'd better take the nine-four train."

       *       *       *       *       *

It was not quite half-past ten when Genevieve arrived in the great
Boston station that morning. She glanced importantly at her pretty
little watch, took a firmer hold on the large leather bag she carried,
and stepped briskly off toward her car.

It was delightful--this independent feeling of freedom. Even to pay her
fare and to signal the conductor to stop were Events. Shopping, all by
herself, was even more delightful; so she dallied over every purchase
and every exchange as long as she could--and it was not hard to dally,
with the crowds, the long waits, and the delays for change.

At one o'clock, when in state she ate her luncheon at a pretty white
table in a large department-store dining-room, she had not half
finished her task. She was so glad there was still so much to do! But at
four o'clock, when she did finish, she looked at her watch with faintly
troubled eyes. She had not, indeed, realized that it was quite so late.
She remembered, too, suddenly, for the first time, that Miss Chick had
told her to come back early. She wondered--could she catch the
four-twenty train?

Stores and sidewalks were a mass of surging, thronging humanity now, and
progress was slow and uncertain. When, at ten minutes past four, she had
not succeeded even in reaching her car for the station, she gave up the
four-twenty train. Well, there was one at five-fifteen, she comforted
herself. She could surely get that.

The streets were darkening fast, and lights were beginning to flash here
and there, finding a brilliant response in tinsel stars and crystal
pendants. With the Christmas red and green, and the thronging crowds, it
made a pretty sight; and Genevieve stopped more than once just to look
about her with a deep breath of delight. It was at such a time that she
saw the small ragged boy, and the still smaller, still more ragged girl
wistfully gazing into the fairyland of a toyshop window.

"I choose the fire engine, the big red one," she heard a shrill voice
pipe; and she looked down to see that it was the boy's blue lips that
had uttered the words.

"I d-druther have that d-doll," chattered the mite of a girl; "an' that
teeny little bedstead an' the chair what rocks, an' the baby trunk, an'
the doll with curly hair, an'--"

"Gee! look at the autymobile," cut in the boy, excitedly. "Say, if I had
that--"

"Well, you shall have it, you poor little mite,--or one just like it,"
cried Genevieve impulsively, sweeping the astonished children into the
circle of her arm, and hurrying them into the store.

They did not get the "autymobile" nor yet the engine nor the big doll.
Genevieve selected them, to be sure, with blithe promptness; but when
she took out her purse, she found she had not half money enough to pay
for them, which mortified and disappointed her greatly.

"Dear, dear!" she laughed, blushing painfully. "I'm afraid I can't
manage it, after all, chickabiddies. That horrid money of mine has given
out! I bought more things than I meant to, anyhow. Never mind, we'll get
all we can," she cried, emptying her little purse on the counter, even
shaking it to make sure no lurking penny stayed behind. "There, you'll
have to make that do," she said to the amazed clerk behind the counter.
"Just please give them whatever you can for that." And the clerk,
counting out one dollar and eighty-three cents, obeyed her literally.

A few minutes later, two dazed, but blissfully happy children clasping
in their arms a motley array of toys, and a laughing, bright-faced girl
with a tan leather bag, joined the hurrying throng on the street.

"Good-by, chickabiddies, and good luck to you," called Genevieve, waving
her hand in farewell to the children, as she spied her car in the
distance.

"Poor little midgets!" thought Genevieve, as she stepped on to the car;
"I don't think now they really believe they've got those things. But I
do wish I could have bought all those first things they selected!" A
moment later she took out her purse to pay her fare.

The conductor, coming toward her just then, saw her face turn red, then
white. The next minute she was on her feet, hurrying toward him.

"Fare, please," he said mechanically, holding out his hand.

She shook her head.

"I--I don't want this car," she stammered faintly. "If you'll--stop,
please." A moment later she rushed blindly through the door and down the
steps to the street.

Genevieve was thoroughly angry, and very much ashamed.

"Now I reckon I've done it," she muttered half aloud. "No wonder they
say I never stop to think! Seems to me I might have thought to save a
nickel for my car-fare, though! Never mind, I'll walk it. Serves me
right, anyhow, I reckon!" And determinedly she turned toward a woman
near her and asked the way to the North Station.

It would be something of a walk, the woman said, as she gave directions;
but Genevieve declared she did not mind that. Very courageously,
therefore, she turned a corner and began to thread her way among the
crowd.

She was laughing now. This thing was something of a joke, after all.
Still, she was rather sorry it had happened--on Miss Jane's errand. She
would be late home, too. (She pulled aside the lapel of her coat and
glanced at her watch.) Five o'clock, already! It would be late, indeed,
if she could not catch the five-fifteen! Still, there must be other
trains, of course, and it took only an hour and twenty minutes to go--

Genevieve stopped with a little cry of dismay. She remembered now that
she had used the last of the commutation tickets. Miss Jane had told her
to get a single-fare ticket for the return trip. And now--pray, how was
one to buy any sort of fare without any money?

A hurrying man jostled her, and Genevieve stepped into a doorway to
think. Across the street a blue-bell-sign caught her attention, and sent
a swift light to her eye.

[Illustration: "IT WOULD BE SOMETHING OF A WALK, THE WOMAN SAID, AS SHE
GAVE DIRECTIONS"]

Why, of course! She would telephone for Aunt Julia to send Nancy or
somebody in with some money. Why had she not thought of it before?

She had pushed her way half across the crowded street when it occurred
to her that she needed money to pay the telephone toll.

"I never saw such a place! It takes money to do everything! I just hate
cities," she stormed hotly--then jumped just in time to escape the
wheels of a swiftly-moving automobile.

Safely back in the doorway, she tried to think once more. Then, slowly,
she began to retrace her steps toward the corner from which she had
started.

The crowds were just as gay, the Christmas reds and greens just as
brilliant, and the tinsel stars and crystal pendants were just as
sparkling; but Genevieve did not even look at them now. She was tired,
ashamed, and thoroughly frightened. The bag, too, began to seem woefully
full, and her stomach correspondingly empty.

Curiously enough, after a time, the Christmas service of the day before
rang in her ears. It seemed so far away now. And yet--it was only
yesterday that she had been promising herself never again to be
thoughtless, heedless, or impulsively reckless of consequences. And
now--

Suddenly she almost smiled. She was thinking of her question to Harold:

"If you do something bad to do something good, which is it, good or
bad?"

One by one the minutes passed. It grew darker and colder. At times
Genevieve walked on aimlessly. At others, she stood one side, watching
the crowds, hoping to find some man or woman whom she could dare to ask
for money. But her cheeks burned at the thought, and she never saw the
man or woman whom she wanted to ask--for money. That the blue-coated man
at the street-crossing might help her, never occurred to Genevieve.
Genevieve knew policemen only as vaguely dreadful creatures connected
with jails and arrests.

In time it came to be quite dark. Genevieve wondered what would become
of her--by midnight. People did not starve or die, she supposed, in
Boston streets--not when the streets were as bright as these. But she
_must_ get to Sunbridge. _Sunbridge!_ How worried they must be about her
now in Sunbridge, and how she wished she were there! She would be glad
to see even Miss Jane's severest frown--if she could see Miss Jane, too!

It was six o'clock when Genevieve suddenly remembered Mr. and Mrs.
Thomas Butterfield. She wondered then how it was possible that she had
forgotten them so long.

Mr. and Mrs. Thomas Butterfield were two friends of Mrs. Kennedy's not
very far from sixty years old. They lived in a quaint old house on Mt.
Vernon Street, on top of Beacon Hill--Genevieve thought she remembered
the number. She remembered the house very well, for she had called
there twice with Mrs. Kennedy the winter before.

It was with a glad little cry that Genevieve now turned to the first
woman she met and asked the way to Mt. Vernon Street.

       *       *       *       *       *

In the somber Butterfield dining-room on Mt. Vernon Street, Mr. and Mrs.
Thomas Butterfield had almost finished dinner, when their pompous,
plainly scandalized butler, standing beneath the severest of the severe
Butterfield portraits, announced stiffly:

"There's a young person at the door, ma'am, with a bag. She says she
knows you, if you'll see her, please."

One minute later, the astonished Mr. and Mrs. Thomas Butterfield caught
in their arms a white-faced, almost fainting girl, who had sobbed out:

"Please, won't you give me a little money and some supper, and telephone
to Aunt Julia!"

Seven minutes later Mr. Thomas Butterfield had Mrs. Kennedy at the other
end of the wire.




CHAPTER XXIV

A BROWN DRESS FOR ELSIE


Christmas, for Genevieve, was not a happy time that year; and when the
day was over she tried to forget it as soon as possible.

She had stayed all night with the Butterfields--which had not been
unalloyed joy; for, though they obviously tried to be kind to her, yet
they could not help showing that they regarded her sudden appearance
among them, dinnerless and moneyless, as most extraordinary, and
certainly very upsetting to the equanimity of a well-ordered household.

In the morning she went back to Sunbridge. At the house she found Miss
Chick ill. Her cold, and her fright over Genevieve, had sent her into a
high fever; and Mrs. Kennedy was scarcely less ill herself.

Certainly it was not exactly a cheerful Christmas Day for the one whose
heedlessness had brought it all about. But Genevieve mourned so
bitterly, and blamed herself so strongly, that at last, out of sheer
pity, Mrs. Kennedy, and even Miss Jane Chick, had to turn comforter;
for--as Mrs. Kennedy reminded her sister--it was, after all, aside from
her thoughtless lack of haste, only Genevieve's unselfish forgetfulness
of her own possible wants that led to the whole thing. Then, and not
until then, did Genevieve bestow some attention upon her Christmas
presents, of which there were a generous number.

Fortunately no one outside the house had known of Genevieve's
nonappearance that Christmas Eve, so she was spared any curious
questions and interested comments from others of the Happy Hexagons.

The short Christmas vacation sped rapidly. The young people spent much
of it on the river, skating, when the ice was good. Genevieve, it is
true, was not often seen there. Genevieve was playing nurse these days,
and so devotedly attentive to Miss Jane Chick was she, that both the
ladies had almost to scold her, in order to make her take needed
exercise. Even Harold Day reproached her one morning, when he met her
coming from the post-office.

"You don't let any of us see anything of you--not anything," he
complained. "And you look as if you were doing penance, or
something--you've got such a superior expression!"

Genevieve dimpled into a sudden laugh.

"Maybe I am," she retorted. "Maybe I did something bad so I could do
something good; and now I'm trying to do enough good to take out all the
taste of the bad."

"Well, what do you mean by that, Miss Mystery?"

She would not tell him. She only shook her head saucily, and ran into
the house.

By New Year's Day Miss Jane seemed almost like her old self, and
Genevieve was specially happy, for on that night Harold Day gave the
first dance of the season; and, with Miss Jane better, and her own heart
lighter once more, she could give herself up to full enjoyment of the
music, fun, and laughter.

All the Happy Hexagons were there, together with O. B. J. Holmes,
Charlie Brown, and many other of the young people, including even Tilly
Mack's big brother, Howard, who--though quite twenty-one--was a prime
favorite with the Happy Hexagons.

Genevieve was wonderfully happy that evening. Never had the music
sounded so entrancing; never had her own feet felt so light. With Harold
she "opened the ball," as Tilly airily termed it; then Charlie and O. B.
J. had their turn.

"Oh, Genevieve, you do look just too sweet for anything in that pale
pink," panted Elsie, stopping at her side between dances.

"Not any sweeter than you do in that white," tossed back Genevieve,
affectionately.

Elsie sighed.

"I love this white, too, but it's got kind of frazzled now. Aunt Kate
says she is going to make over Fannie's brown silk for Miss Sally's
wedding," she went on, sighing again.

"I'm sure that will be nice," rejoined Genevieve, with hasty politeness.

"Y-yes," admitted Elsie; "only brown sounds kind of hot for April.
Still, I suppose I ought not to mind. Just one girl wore it, anyhow, so
it'll be faded even, and I sha'n't look like two folks in it," she
finished wistfully, as Howard Mack came up to claim his dance with
Genevieve.

It was three days after the party that there came a letter from Mr.
Jones in reply to Mrs. Kennedy's Christmas note. It was a very grateful
letter, but it was a disappointing one. It said that Mr. Jones did not
see how he could let Quentina accept the kind invitation of Mrs. Kennedy
and Genevieve. All the way through it, very plainly was shown the
longing of a man who desires advantages for his daughter, and the pride
of one who cannot bear that outsiders should give them to her.

Mrs. Kennedy saw this--and wrote another letter. In due time came the
answer; and again Genevieve almost cried with disappointment. But Mrs.
Kennedy smiled and comforted her.

"Yes, he says 'no,' I'll admit, Genevieve; but I don't think it's quite
so strong a 'no' as it was before. One of these days I think I'll write
Mr. Jones another letter, my dear--but not just now. We'll let him
think a little--of how good it would have been for Quentina if he'd said
'yes.'"

Genevieve gave Mrs. Kennedy a big hug.

"Aunt Julia, you're a dear, and a veritable Solomon for wisdom. I'm
going to write at once to the President, too. Your place is in the
diplomatic service, I'm sure," she finished, as she danced from the
room.

As January passed and February came, a new subject came uppermost in the
thoughts of the Hexagon Club. For the first time in years there was to
be a prize contest in the Sunbridge High School. The principal, Mr.
Jackson, was to give a five-dollar gold piece to the writer of the best
essay, subject to be chosen by the author.

"Well, I sha'n't try for it," announced Tilly on a Saturday afternoon
late in February, as the Hexagon Club were holding their regular meeting
at the parsonage.

"Why not?" asked Elsie.

"Because I don't like defeat well enough," retorted Tilly. "Imagine _me_
winning a prize contest!"

"Oh, I shall try," almost groaned Cordelia. "I shall always try for
things, I suppose, till I die. I think I ought to; but of course I
sha'n't win it. Dear me! How I would love to, though," she cried, almost
under her breath.

Genevieve, looking at her momentarily illumined face, was conscious of
a sudden fierce wish that Cordelia might win that prize.

"Genevieve, of course, will try," she heard Tilly's teasing voice say,
then. "Genevieve loves to write, so!"

Genevieve turned with a laugh, and an uptilted chin.

"I take it, Miss Mack, that your very complimentary remarks refer to my
magazine notes; but just let me assure you that this prize essay is
quite another matter. _That_ isn't _printed_!"

"Then you _are_ going to try?--of course you are," interposed Bertha.

Genevieve laughed lightly as she reached for a piece of fudge.

"I suppose so. I'm afraid everybody will expect me to. Aunt Julia has
already expressed her opinion of the matter."

       *       *       *       *       *

February passed, and March came. A new topic of conversation now arose,
specially of interest to the Hexagon Club. Miss Sally was to be married
early in April, and the Happy Hexagons were to be bridesmaids.
Naturally, even the new prize contest had to step one side for that
month, in the minds of the six joyously excited girls.

It was on a particularly windy Saturday toward the end of the month,
that Cordelia literally blew up to the Kennedys' front door and rang the
bell.

Genevieve herself, passing through the hall, opened the door.

"Br-r-r!" she laughed, as she banged the door shut after admitting the
whirling draperies from which Cordelia's anxious little face finally
emerged. "Why, Cordelia!"

"Yes, I know; I'm going to be at the club this afternoon, of course,"
panted Cordelia; "but this is for something I wanted to say to you--and
I knew there wouldn't be a chance this afternoon. It--it's private,
Genevieve."

"Good! I love secrets. Come into the sitting room. There's no one there
this morning. Now, what is it?" she demanded, as soon as Cordelia's coat
was off, and they were comfortably seated.

"It--I suppose you might call it missionary work, Genevieve," smiled
Cordelia, wistfully.

"_More_ missionary work? Who in the world wants to go to Texas now?"
laughed Genevieve.

"Nobody. It isn't Texas at all. It's--Elsie."

"Elsie!"

"Yes. Of course, dear, I don't know as you can do anything; but you've
done so many things, and I'm sure if you could, it _would_ be missionary
work of the very nicest kind."

"What _are_ you talking about?"

Cordelia drew a long sigh.

"I'll tell you. You know the rest of us bridesmaids are all going to
wear white, but--but Elsie's got to wear Fannie's brown silk."

"I know," nodded Genevieve. "Elsie told me."

"But, Genevieve, just think--brown silk for a bridesmaid at a wedding,
when all the rest of us wear white! Besides, Elsie says brown is so
hot-looking for April. She feels awfully about it."

"Can't she do something? I should think she'd tell her aunt."

"She has. But her aunt doesn't seem to understand. She says that the
brown silk is whole and good, and far too valuable to throw away; and
that it's all just Elsie's notion that she'd rather wear white."

"Oh, but if she'd only understand!"

"But that's just it--she doesn't understand. And it isn't as if they
were poor," argued Cordelia, earnestly. "Now auntie has to make over
things, of course, for me and for Edith and Rachel, and we expect it,
and don't mind. We're all glad to be economical and help out, for we
know it's necessary. But it's different with Elsie. She _says_ she
wouldn't mind so, if they were poor and had to. But the Gales are real
well off--Fannie and the twins have lots of new clothes. Poor Elsie says
sometimes it seems as if her aunt actually bought things for them, so
she _could_ make them over for her. Elsie says she's never so happy as
when she's doing it, and that she makes a regular game of it--cutting
them out and putting them together--like picture puzzles, you know."

Genevieve laughed, though she frowned, too.

"But what can I do?" she demanded. "I tried, once, to--to lend Elsie a
dress; but she was horrified."

"Mercy! Of course she was," shuddered Cordelia. "I don't know _what_
Mrs. Gale would do if she knew that! They're fearfully--er--er--proud, I
suppose you call it," hesitated the conscientious Cordelia.

"But what _can_ I do?"

"I don't know; but don't you suppose you could--could say something,
somehow, to Mrs. Gale that--that would make her understand?"

"Why, Cordelia Wilson, of course I couldn't," gasped Genevieve,
indignantly. "A pretty picture I'd make going to Mrs. Gale and saying:
'Madam, why don't you give your niece a new dress when you know she
wants one?'"

"N-no, I suppose you couldn't do that, of course," sighed the other.
"Very likely you couldn't do anything, anyway. It's only that I
thought--well, I knew you were going home with Elsie after school Monday
night to study; and I didn't know but you'd get a chance to say
something. But I suppose, after all, there won't be anything you could
say."

"No, I suppose there won't," echoed Genevieve, still plainly appalled
at the task Cordelia had set for her.

"Well, it's only that I was so sorry for Elsie," sighed Cordelia, as she
rose to go.

"Of course! I reckon we're all sorry for Elsie," sighed Genevieve in her
turn.

And she was sorry. All the rest of the morning she kept thinking how
very sorry she was; and when afternoon came, and when she saw Elsie's
lips quiver and her eyes fill with tears, as the others happily
discussed whether they would wear colored sashes or white belts with
their white dresses, Genevieve's heart quite overflowed with sympathy
for Elsie. And she wondered if, after all, it were possible to make
Elsie's aunt--understand. Determinedly, then, she declared to herself
that, regardless of consequences, she would try--if she had the
opportunity.

Genevieve's opportunity came very soon after she arrived at Elsie's home
Monday afternoon. Even Genevieve herself had to admit that she could not
have had a better one. But so frightened was she that she wished--for a
moment--that there were none. Then before her rose a vision of Elsie's
tear-dimmed eyes and quivering lips--and with a quick-drawn breath
Genevieve rose and followed Mrs. Gale to the sewing-room.

"Come with me," Mrs. Gale had said to Genevieve--Genevieve had picked up
a scrap of brown silk from the floor. "That's a piece of the dress I'm
making for Elsie to wear to the wedding. The silly child has got a
notion she wants white, but you'll think this is pretty, I'm sure." And
it was then that Genevieve knew her opportunity had come.

In the sewing-room Mrs. Gale proudly spread the silk dress over a
chair-back.

"There! What do you think of that?" she demanded.

Genevieve's heart beat so loudly she thought Mrs. Gale must hear it.

"It--it's very pretty, isn't it?" she stammered, wetting her dry lips
and wondering what good it did to say that.

"Pretty? Of course it is. It's silk, and a fine piece--I thought when I
got it how splendidly it would make over. I'm sure any girl ought to be
proud to wear it!"

Genevieve caught her breath sharply. "Proud"--Mrs. Gale had said
"proud"; and Cordelia had said, that morning, that Mrs. Gale herself was
very proud, and that she would be very angry if she knew that Genevieve
had offered Elsie a dress to wear. In a flash of inspiration, then, came
a wild plan to Genevieve's mind. If only she had the audacity to carry
it out!

She wet her lips again, and took desperate hold of her courage. Even as
she did so, she almost smiled--she was thinking: was this another case
when she was doing something bad to do something good? Never mind; she
must go through with it now. She _must_!

"Yes, it is a very pretty dress, indeed," she stammered; "and it was
Fannie's, too, wasn't it?"

Mrs. Gale beamed.

"Yes!--and didn't I get it out finely? You know sleeves are smaller, so
that helped, and the breadths were so full last year! I think I never
got a dress out better," she finished proudly.

Genevieve touched the folds lightly.

"And this isn't faded at all, is it?" she murmured pleasantly.

"What?" Mrs. Gale's voice was a little sharp.

Genevieve wet her lips twice this time before she could speak.

"I say, isn't it nice that this one isn't faded? You know Elsie had such
a time with that chambray last summer!"

"What do you mean, please?" There was no doubt now about the sharpness
in Mrs. Gale's voice.

Genevieve managed a laugh--but it was not a very mirthful one.

"Why, 'twas so funny, you know; it was made from the twins' dresses, and
they weren't faded alike. It was just as Elsie said--she didn't know
whether to turn Cora or Clara toward folks. It _was_ funny; only, of
course it did plague poor Elsie awfully, and I felt so sorry for her."

"You felt sorry--_sorry_ for _my niece_?" The voice was so very angry
this time that Genevieve trembled. She was sure now that it was
bad--this thing she was doing--that good might come. But she kept
bravely on.

"Why, yes, of course; all of us girls were sorry for her. You know Elsie
does so love new dresses, and of course she doesn't have them very
often. Last summer, when she was feeling so bad over her chambray, I--I
offered her one of mine, but--"

"You--you offered my niece one of _your_ dresses?" gasped Mrs. Gale.

"Yes, but she wouldn't take it; and, of course, _that_ wasn't _new_,
either," finished Genevieve, with what she hoped would pass for a light
laugh as she turned away.

Behind her, for a moment, there was an ominous silence. Then a very
quiet voice said:

"Thank you; but I hardly think my niece needs one of your dresses--yet,
Miss Genevieve."

Genevieve fled then, ashamed, and very near to crying.

"I wouldn't have said it, of course," she whispered to herself as she
stumbled back to the sitting-room; "I wouldn't have said it if the Gales
had been poor and _couldn't_ have given Elsie new things to wear once in
a while!"

In the Chronicles of the Hexagon Club a fortnight later, it was Elsie
Martin who wrote the account of Miss Sally's wedding. She wrote as
follows:

"I had a beautiful white dress for Miss Sally's wedding--a brand-new
one. All of us girls wore white and looked so pretty--I mean, the rest
looked pretty, of course. Miss Sally was married the tenth of April. It
was quite a warm day, and I was so glad I did not have to wear my brown
silk. Aunt Kate says I needn't wear it anywhere if I don't want to--and
after all her work, too! I don't know what has got into Aunt Kate,
anyway, lately. She doesn't seem half so interested in making over
things, and I have three other brand-new dresses, a pink-sprigged
muslin, and--but, dear me! This isn't telling about Miss Sally's wedding
one bit.

"She was married at four o'clock, and looked too sweet for anything in
light gray silk with a pink carnation in her hair. Everybody went, and
wore their best things and looked very nice. We had sandwiches and
chicken salad and olives and three kinds of cake and ice cream for
refreshments. The ice cream was the brick kind, different colors, like
lovely striped ribbon.

"At six o'clock they started for Boston to begin their journey West, and
we all stood on the steps and gave them a lovely send-off with rice and
old shoes. Just at the last minute Tilly says, 'Let's give her our
Texas yell, and end with "Miss Sally,"' and we did. And everybody
laughed and clapped. But not until the carriage drove off did we
suddenly remember that she wasn't 'Miss Sally' at all any more, and we
felt ashamed.

"And that's all--except that Miss Sally's going-away gown was gray,
too."




CHAPTER XXV

"WHEN SUNBRIDGE WENT TO TEXAS"


By the first of May many of the papers for the new prize contest had
been turned in. Genevieve's, however, had not. Genevieve was working
very hard on her essay now. For some time she had not found a subject
that suited her. Good subjects were not very plentiful, she decided. At
last she had thought of the Texas trip, and had wondered if she could
not compare Sunbridge with Texas. Aunt Julia and Miss Jane had thought
decidedly that she could. So for some days now, she had been hard at
work upon the paper, and was getting enthusiastically interested.

All papers must be in by the sixteenth. It was on the tenth that
Cordelia, during a recess meeting of the Hexagon Club, drew a long
breath and turned upon her fellow members a beaming countenance.

"Girls, I can't keep it a minute longer. I've got to tell you!"

"Tell us what?" asked Tilly. "It must be something pretty fine to bring
that look to your face!"

Cordelia laughed and blushed; but she sighed, too.

"Oh, it isn't 'fine,' Tilly, at all. I wish it were, though--but really,
I do think it's the best thing I ever did, anyway."

"What are you talking about, Cordelia Wilson?" demanded Genevieve.

"Mercy! It must be pretty good if it's the _best_ thing Cordelia ever
did," teased Bertha.

"Girls, stop," begged Cordelia, in real distress. "I--I hate to tell you
now; it sounds so foolish. It's only--my prize paper. It's all done. I'm
going to hand it in Monday, and--and I was so pleased with the subject!"

"Oh, Cordelia, what is it? You know what mine is," cried Elsie.

"It's--'When Sunbridge went to Texas,'" announced Cordelia,
breathlessly.

"When--what?" cried Genevieve, almost sharply.

Cordelia turned a happy face.

"I knew _you'd_ like it, Genevieve," she nodded. "It's our trip, you
know. I've told all about it--comparing things here to things there, you
see."

"Why--but, Cordelia, that's--" Genevieve paused abruptly. The pause in
her sentence was not noticed. The girls were all talking now, begging
Cordelia to tell them if they were "in it."

"When--when did you choose your subject, Cordelia?" asked Genevieve,
very quietly, when she could be heard.

"Not until the first of May. I just couldn't seem to get anything. Then
this came all of a sudden, and--and it just seemed to write itself, it
was done so quickly. You see I didn't have to look up this subject."

Genevieve's face cleared. It was all right, after all. _She_ had
selected the subject a whole week before Cordelia--and of course
Cordelia would understand.

"Oh, but Cordelia, that isn't quite fair," she began impulsively; but
for once Cordelia forgot her politeness and interrupted.

"Don't you worry, Genevieve," she laughed gayly. "I've said lovely
things of Texas. You'd know I'd do that, Genevieve, even if I do love
Sunbridge. I did worry at first for fear somebody else had taken the
same subject--some of you girls--you know we can't have two about the
same thing."

"But--" The bell rang for the close of recess, and again one of
Genevieve's sentences remained unfinished.

Genevieve did not stop even to speak to any of the girls after school
that day. She went home at once. Even Harold Day, who overtook her,
found her so absorbed in her own thoughts that she was anything but her
usual talkative self.

Once in the house, Genevieve went straight to Mrs. Kennedy.

"Aunt Julia, if you get a prize subject first, it's yours, isn't it?"
she asked tremulously.

"Why, y-yes, dear; I should think so."

"Well, Aunt Julia, something perfectly awful has happened. Cordelia has
got my subject."

"Oh, Genevieve, I'm so sorry!" Mrs. Kennedy's face showed more than
ordinary distress--Mrs. Kennedy had had high hopes of this prize paper.
"Why, how did it happen?"

"I don't know. I suppose it was just in the air. But _I_ got it first.
She says she didn't think of it till May first. So of course it's--it's
mine, Aunt Julia."

Mrs. Kennedy looked very grave.

"I think the rules of the contest would give it to you, Genevieve," she
said.

The girl stirred restlessly.

"Of course I'm awfully sorry. She--she was going to hand it in Monday."

"Oh, that is too bad!"

There was a long silence.

"I suppose I--I'll have to tell her," murmured Genevieve, at last. "The
club have a ride to-morrow. There'll be time--then."

"Yes--if you decide to do it."

Genevieve turned quickly.

"But, Aunt Julia, I'll have to," she cried. "Just think of all my work!
Mine's all done but copying, you know. And I _was_ the first to get it.
There's no time to get another now."

"No, there's no time to get another--now." Aunt Julia looked even more
sorrowful than Genevieve just then--Aunt Julia _had_ wanted Genevieve to
take that prize.

"I'm sure that Cordelia--when she knows--" Genevieve did not finish her
sentence.

"No, indeed! Of course, if Cordelia should know--" Aunt Julia did not
finish _her_ sentence.

"But, Aunt Julia, she'll have to know," almost sobbed Genevieve.

There was a long silence. Genevieve's eyes were out the window. Mrs.
Kennedy, watching her, suddenly spoke up with careless briskness:

"Of course you'll tell Cordelia that 'twas _your_ subject, that _you_
got it first, and that _you_ want it. Very likely she won't care much,
anyway."

"Why, Aunt Julia, she will! If you could have seen her face when she
talked of it--" Genevieve stopped abruptly. Genevieve _did_ suddenly see
Cordelia's face as it had been that afternoon, all aglow with happiness.
She heard her eager voice say, too: "I think it's the best thing I ever
did!"

"Oh, well, but maybe she doesn't care for the prize," observed Mrs.
Kennedy, still carelessly.

"But, Aunt Julia, she does; she--" Again Genevieve stopped abruptly. She
was remembering now how Cordelia's face had looked that February
afternoon at the parsonage when she had said: "Of course I sha'n't win
it--dear me, how I would love to, though!"

"But she'll understand, of course, when you tell her it's _your_ subject
and that _you_ want it," went on Mrs. Kennedy, smoothly. Genevieve did
not see the keen, almost fearful glances, that Mrs. Kennedy was giving
her between the light words.

"I know; but that sounds so--so--" There was a long pause; then
Genevieve, with a quivering sigh, rose slowly and left the room.

Mrs. Kennedy, for some unapparent reason, smiled--but there were tears
in her eyes.

The Hexagon Club took a long ride the next day. Five of them talked
again of Cordelia's paper, and four begged Cordelia to tell what she had
said about them. If Genevieve, alone, was unusually silent, nobody,
apparently, noticed it. They were riding by themselves to-day. They had
invited none of the boys or other girls to join them.

It was when the ride was over, and when Genevieve had almost reached the
Kennedy driveway, that she said wistfully, stroking the mare's neck:

"Topsy, I just couldn't. I just couldn't! It sounded so--so--And, Topsy,
_you_ couldn't, if you'd seen how awfully happy she looked!"

"What did Cordelia say?" asked Mrs. Kennedy, when Genevieve came into
the house a little later. There was no hint in the lady's voice of the
hope that was in her heart.

"I--I didn't tell her, Aunt Julia," stammered Genevieve. Then, with a
playful whimsicality that did not in the least deceive Aunt Julia's
ears, she added: "Who wants that old prize, anyhow?"

It was a beautiful smile, then, that illumined Aunt Julia's face, and it
was a very tender kiss that fell on Genevieve's forehead.

"That's my brave Genevieve--and I'm sure you'll never regret it, my
dear!" she said.

       *       *       *       *       *

May passed, and June came, bringing warm, sunny days that were very
tempting to feet that were longing to be tramping through green woods
and fields. Examinations, however, were coming soon, and Genevieve knew
that, tempting as was the beautiful out-of-doors, studies must come
first. Every possible minute, however, she spent in rides, walks, and
tennis playing--even Miss Jane insisted that she must have exercise.

June brought not only alluring days, however, but a letter from
Quentina, which sent Genevieve flying into Mrs. Kennedy's room.

"Aunt Julia, did you write again to Mr. Jones?"

"I did," smiled Mrs. Kennedy, "and I have a letter from him to-day."

"You darling! Then you know, of course! Oh, Aunt Julia, isn't it
lovely! I just can't wait till to-morrow to tell the girls."

Genevieve did wait, however--she waited even till the morning recess.
She wanted all the Happy Hexagons together; and when she had them
together she told them the astounding news in one breathless rush of
words.

"Girls, Quentina's coming next year to school. She's going to room with
me. Isn't it lovely!"

There was a chorus of delighted questions and exclamations; but
Genevieve lifted her hand.

"Sh-h! Listen. I've got her letter here. You must hear it!" and she
whipped open the letter and began to read:

          "Oh--oh--It isn't true--it can't be true! But
          father says it is, and father doesn't lie. I'm to
          go to Sunbridge. Sunbridge! I think Sunbridge is
          the loveliest name in the world--for a town, I
          mean, of course.

          "DEAR GENEVIEVE:--There! this is actually the
          first minute I could bring myself to begin this
          letter properly. Really, a thing like this can't
          just begin, you know! And to think that I'm going
          to see Paul Revere's grave and Bunker Hill and you
          just next September! Oh, how can I ever thank you
          and dear Mrs. Kennedy? I love her, love her, love
          her--right now! And all the Happy Hexagons--I
          love them, too. I love everybody and
          everything--I'm going to Sunbridge!

          "All day I've been saying over and over to myself
          that song in the 'Lady of the Lake,' only I've
          changed the words a little to fit my case; like
          this:

             "'Quentina, rest! thy longing o'er,
                 Sleep the sleep that knows no breaking;
               Dream of Texas schools no more,
                 Days of longing, nights of sighing
               For Paul Revere's enchanted land.
                 Hands unseen thy days are planning,
               Fairy strains of music falling
                 Every sense is up and calling,
               Quentina, rest! thy longing o'er,
                 East thy steps will turn once more.'

          "That 'more' is poetry, but a fib; for of course I
          haven't been East at all yet. But that's just
          poetic license, you know--fibs like that.

          "Oh, I just can't wait for September!

                                   "Your happy, happy
                                               "QUENTINA."

"My, but won't she be a picnic when she gets here?" chuckled Tilly, as
soon as she could stop laughing long enough to find her voice.

"What in the world is the matter with you girls?" demanded Charlie
Brown, sauntering up to them, arm in arm with O. B. J. Holmes.

Tilly turned merrily.

"Matter! I guess you'll think something is the matter when Quentina
Jones gets here," she laughed.

"Who is Quentina Jones?"

"She is a new girl who is coming to school next year," explained Elsie.

"She's from Texas, and she's never been East before," chimed in Bertha.

"Yes, and as for you, Mr. Obejay Holmes," teased Tilly, "just you wait!
There's no telling what she will do with your name!"

"What do you mean?"

O. B. J. spoke to Tilly, but he threw a merry glance into Genevieve's
understanding eyes.

"Nothing, only she's a regular walking rhyming dictionary, and I can
just fancy how those mysterious initials of yours will fire her up. My
poor little 'O Be Joyful' won't be in it, then. You'll see!"

"I don't worry any," laughed O. B. J. Holmes, with another merry glance
at Genevieve.

"You don't have to," interposed Genevieve, promptly. "Quentina is
everything that is sweet and lovely, and you'll all like her; I know you
will," she finished, as the bell rang and the boys turned laughingly
away.




CHAPTER XXVI

A GOOD-BY PARTY


The June days sped so rapidly that Genevieve wondered where they went,
sometimes. School was to close the twenty-third. Mr. Hartley was to
arrive on the twentieth. Meanwhile examinations and the prize contest
were uppermost in every one's thoughts. Graduation exercises were to
come in the evening. The winner of the prize was to be announced at that
time, also.

"And really, you know, the announcement of the prize-winner is all we
care about specially," Elsie said one day, in the presence of a group of
her friends on the schoolhouse steps.

"Just you wait till you graduate," laughed back Bertha's brother,
Charlie, "and then I guess the _evening_ exercises will be of some
consequence."

"Of course--but that won't be till two years from now," cried Genevieve.

"Then you girls will be thinking more of frills and furbelows than you
will of prizes," laughed Harold Day.

"I've got a new white dress for Graduation night," said Elsie in a low
voice to Genevieve, "and I don't believe I could have a prettier one,
even then."

"Another new white dress?" demanded Tilly, who had heard the aside.
"Why, Elsie Martin, you had one for Miss Sally's wedding!"

Elsie laughed happily.

"I know--but this is a muslin. Aunt Kate seemed to want me to have
it--and of course I'd love to have it, myself!"

Genevieve, for some reason, looked suddenly very happy, so much so that
Harold, watching her, said quietly a minute later:

"Well, young lady, what's gone specially right with your world to-day?"

Genevieve laughed and blushed. She shook her head roguishly. Then
suddenly she rejoined:

"I reckon one of my awfully bad things has turned out all good--that's
all!"

       *       *       *       *       *

True to his word, Mr. Hartley came on the twentieth. He was to be Mrs.
Kennedy's guest until the start for Texas after school had closed.

"My, dearie! how fine and tall we are growing," he greeted his daughter
affectionately. "Looks like Mr. Tim and the boys won't know you, I'm
thinking!"

"Nonsense! Of course they will--and I can't hardly wait to see them,
either," cried Genevieve.

It is doubtful if, on Graduation night, Cordelia Wilson herself listened
to the announcement of the prize-winner any more anxiously than did
Genevieve. It seemed as if she could not bear it--after what had
happened--if Cordelia did not get the prize. And Cordelia got it.

"'When Sunbridge went to Texas,'" read Mr. Jackson, "Cordelia Wilson."
And it was Genevieve who clapped the loudest.

Cordelia, certainly, was beatifically happy. And when Genevieve saw her
amazed, but joyously happy face, she wondered why she should suddenly
want to cry--for, surely, she had never felt happier in her life.

Graduation day, for the Happy Hexagons, was not, after all, quite the
last meeting together; for Mrs. Kennedy gave Genevieve a porch party the
night before she was to start back to Texas with Mr. Hartley.

A very merry crowd of boys and girls it was that sang college songs and
told stories that night on the Kennedys' roomy, electric-lighted
veranda.

"It seems just as if I couldn't have you go away," sighed Cordelia, at
last, to Genevieve.

"But I'm coming back next year."

"Mercy! We couldn't stand it if you weren't," cried Tilly.

"And just think--last year we all went back with you," murmured Elsie.

"I wish you were going this year," declared Genevieve.

"I guess you aren't the only one that wishes that," cut in several
longing voices.

"Well, we'll take you all now--if you'll go," retorted Genevieve,
merrily.

"_All_--did you say?" challenged Harold Day.

"Yes, all," nodded Genevieve, emphatically. "We'd be glad to have you,
every one of you."

"Well, I begin to think you would--now that I've seen Texas," sighed
Tilly. "But I suppose we shall have to content ourselves till you come
back this time."

"And this wonderful little rhyming dictionary, as Miss Tilly calls
her--does she come back with you?" asked O. B. J. Holmes.

"Maybe. She comes next fall, anyway, before school begins," smiled
Genevieve.

"Well, what I want to know is, if you are going to do any more Texas
missionary work," suggested Charlie Brown.

"Pooh! She doesn't do that there--she does that here," cut in Tilly.

"There isn't any more to do, anyway," declared the exact Cordelia,
happily. "She's got everything fixed even down to Elsie's--" She stopped
just in time, but already Genevieve had interposed hurriedly:

"Oh, but it wasn't I that did anything. It was Cordelia. She found them
to begin with, you know--Reddy, and Hermit Joe's son."

Mrs. Kennedy and Miss Jane, together with Nancy appeared just then with
great plates of ice cream and delicious cake; and after that, all too
soon, came the time for good-nights. The good-nights were not quite
finished, however, until at the foot of the walk, five members of the
Hexagon Club turned, and all together gave their Texas yell with a lusty
"Genevieve" at the end that brought the tears to the real Genevieve's
eyes.

          "Texas, Texas, Tex--Tex--Texas!
           Texas, Texas, Rah! Rah! Rah!
           GENEVIEVE!"

"Mercy! What will the neighbors say--at this time of night!" protested
Miss Jane Chick, feebly; but her eyes, too, were moist.


THE END.




BOOKS FOR YOUNG PEOPLE


THE LITTLE COLONEL BOOKS

(Trade Mark)

_By ANNIE FELLOWS JOHNSTON_

   _Each 1 vol., large 12mo, cloth, illustrated, per vol._     $1.50


          THE LITTLE COLONEL STORIES
                    (Trade Mark)

          Being three "Little Colonel" stories in the Cosy
          Corner Series, "The Little Colonel," "Two Little
          Knights of Kentucky," and "The Giant Scissors," in
          a single volume.

          THE LITTLE COLONEL'S HOUSE PARTY
                    (Trade Mark)
          THE LITTLE COLONEL'S HOLIDAYS
                    (Trade Mark)
          THE LITTLE COLONEL'S HERO
                    (Trade Mark)
          THE LITTLE COLONEL AT BOARDING-SCHOOL
                    (Trade Mark)
          THE LITTLE COLONEL IN ARIZONA
                    (Trade Mark)
          THE LITTLE COLONEL'S CHRISTMAS VACATION
                    (Trade Mark)
          THE LITTLE COLONEL, MAID OF HONOR
                    (Trade Mark)
          THE LITTLE COLONEL'S KNIGHT COMES RIDING
                    (Trade Mark)
          MARY WARE: THE LITTLE COLONEL'S CHUM
                    (Trade Mark)
          MARY WARE IN TEXAS
          MARY WARE'S PROMISED LAND

_These_ 12 _volumes, boxed as a set_, $18.00.

          THE LITTLE COLONEL
                    (Trade Mark)
          TWO LITTLE KNIGHTS OF KENTUCKY
          THE GIANT SCISSORS
          BIG BROTHER

Special Holiday Editions

    Each one volume, cloth decorative, small quarto,             $1.25

New plates, handsomely illustrated with eight full-page drawings in
color, and many marginal sketches.

IN THE DESERT OF WAITING: THE LEGEND OF CAMELBACK MOUNTAIN.

THE THREE WEAVERS: A FAIRY TALE FOR FATHERS AND MOTHERS AS WELL AS FOR
THEIR DAUGHTERS.

KEEPING TRYST

THE LEGEND OF THE BLEEDING HEART

THE RESCUE OF PRINCESS WINSOME: A FAIRY PLAY FOR OLD AND YOUNG.

THE JESTER'S SWORD

Each one volume, tall 16mo, cloth decorative $0.50

There has been a constant demand for publication in separate form of
these six stories which were originally included in six of the "Little
Colonel" books.


JOEL: A BOY OF GALILEE: BY ANNIE FELLOWS JOHNSTON. Illustrated by L.
J. Bridgman.

New illustrated edition, uniform with the Little Colonel Books, 1 vol.,
large 12mo, cloth decorative $1.50

A story of the time of Christ, which is one of the author's best-known
books.


THE LITTLE COLONEL GOOD TIMES BOOK

          Uniform in size with the Little Colonel Series        $1.50
          Bound in white kid (morocco) and gold                  3.00

Cover design and decorations by Peter Verberg.

Published in response to many inquiries from readers of the Little
Colonel books as to where they could obtain a "Good Times Book" such as
Betty kept.


THE LITTLE COLONEL DOLL BOOK

          Large quarto, boards                                  $1.50

A series of "Little Colonel" dolls. There are many of them and each has
several changes of costume, so that the happy group can be appropriately
clad for the rehearsal of any scene or incident in the series.


ASA HOLMES; OR, AT THE CROSS-ROADS. By ANNIE FELLOWS JOHNSTON.

With a frontispiece by Ernest Fosbery.

          Large 16mo, cloth, gilt top                           $1.00

"'Asa Holmes; Or, At the Cross-Roads' is the most delightful, most
sympathetic and wholesome book that has been published in a long
while."--_Boston Times._


TRAVELERS FIVE: ALONG LIFE'S HIGHWAY. By ANNIE FELLOWS JOHNSTON.

With an introduction by Bliss Carman, and a frontispiece by E. H.
Garrett.

          Cloth decorative                                      $1.25

"Mrs. Johnston's ... are of the character that cause the mind to grow
gravely meditative, the eyes to shine with tender mist, and the heart
strings to stir to strange, sweet music of human sympathy."--_Los
Angeles Graphic._


THE RIVAL CAMPERS; OR, THE ADVENTURES OF HENRY BURNS. By RUEL PERLEY
SMITH.

          Square 12mo, cloth decorative, illustrated.           $1.50

A story of a party of typical American lads, courageous, alert, and
athletic, who spend a summer camping on an island off the Maine coast.


THE RIVAL CAMPERS AFLOAT; OR, THE PRIZE YACHT VIKING. By RUEL PERLEY
SMITH.

          Square 12mo, cloth decorative, illustrated.           $1.50

This book is a continuation of the adventures of "The Rival Campers" on
their prize yacht _Viking_.


THE RIVAL CAMPERS ASHORE

By RUEL PERLEY SMITH.

          Square 12mo, cloth decorative, illustrated           $1.50

"As interesting ashore as when afloat."--_The Interior._


THE RIVAL CAMPERS AMONG THE OYSTER PIRATES; OR, JACK HARVEY'S
ADVENTURES.

          By RUEL PERLEY SMITH. Illustrated                     $1.50

"Just the type of book which is most popular with lads who are in their
early teens."--_The Philadelphia Item._


A TEXAS BLUE BONNET

By CAROLINE EMILIA JACOBS (EMILIA ELLIOTT).

          12mo, illustrated                                    $1.50

"The book's heroine Blue Bonnet has the very finest kind of wholesome,
honest lively girlishness and cannot but make friends with every one who
meets her through the book as medium."--_Chicago Inter-Ocean._


BLUE BONNET'S RANCH PARTY

A Sequel to "A Texas Blue Bonnet." By CAROLINE ELLIOTT JACOBS and EDITH
ELLERBECK READ.

          12mo, illustrated                                    $1.50

The new story begins where the first volume leaves off and takes Blue
Bonnet and the "We Are Seven Club" to the ranch in Texas. The tables are
completely turned: Blue Bonnet is here in her natural element, while her
friends from Woodford have to learn the customs and traditions of
another world.


THE GIRLS OF FRIENDLY TERRACE OR, PEGGY RAYMOND'S SUCCESS. By
HARRIET LUMMIS SMITH.

          12mo, illustrated                                    $1.50

This is a book that will gladden the hearts of many girl readers because
of its charming air of comradeship and reality. It is a very interesting
group of girls who live on Friendly Terrace and their good times and
other times are graphically related by the author, who shows a
sympathetic knowledge of girl character.


PEGGY RAYMOND'S VACATION; OR, FRIENDLY TERRACE TRANSPLANTED.

A Sequel to "The Girls of Friendly Terrace." By HARRIET LUMMIS SMITH.

    Library 12mo, cloth decorative, illustrated.               $1.50

Readers who made the acquaintance of Peggy Raymond and her bevy of girl
chums in "The Girls of Friendly Terrace" will be glad to continue the
acquaintance of these attractive young folks.

Several new characters are introduced, and one at least will prove a not
unworthy rival of the favorites among the Terrace girls.


THE HADLEY HALL SERIES

_By LOUISE M. BREITENBACH_

   _Each, library 12mo, cloth decorative, illustrated_         $1.50


ALMA AT HADLEY HALL

"Miss Breitenbach is to be congratulated on having written such an
appealing book for girls, and the girls are to be congratulated on
having the privilege of reading it."--_The Detroit Free Press._


ALMA'S SOPHOMORE YEAR

"The characters are strongly drawn with a life-like realism, the
incidents are well and progressively sequenced, and the action is so
well timed that the interest never slackens."--_Boston Ideas._

       *       *       *       *       *

THE SUNBRIDGE GIRLS AT SIX STAR RANCH. By ELEANOR STUART.

    Library 12mo, cloth decorative, illustrated                $1.50

Any girl of any age who is fond of outdoor life will appreciate this
fascinating tale of Genevieve Hartley's summer vacation house-party on a
Texas ranch. Genevieve and her friends are real girls, the kind that one
would like to have in one's own home, and there are a couple of manly
boys introduced.


BEAUTIFUL JOE'S PARADISE; OR, THE ISLAND OF BROTHERLY LOVE. A Sequel
to "Beautiful Joe." By MARSHALL SAUNDERS, author of "Beautiful Joe."

    One vol., library 12mo, cloth illustrated                  $1.50

"This book revives the spirit of 'Beautiful Joe' capitally. It is fairly
riotous with fun, and is about as unusual as anything in the animal book
line that has seen the light."--_Philadelphia Item._


'TILDA JANE. By MARSHALL SAUNDERS.

    One vol., 12mo, fully illustrated, cloth decorative,       $1.50

"It is one of those exquisitely simple and truthful books that win and
charm the reader, and I did not put it down until I had finished
it--honest! And I am sure that every one, young or old, who reads will
be proud and happy to make the acquaintance of the delicious waif.

"I cannot think of any better book for children than this. I commend it
unreservedly."--_Cyrus T. Brady._


'TILDA JANE'S ORPHANS. A Sequel to "'Tilda Jane." By MARSHALL
SAUNDERS.

    One vol., 12mo, fully illustrated, cloth decorative,       $1.50

'Tilda Jane is the same original, delightful girl, and as fond of her
animal pets as ever.

"There is so much to this story that it is almost a novel--in fact it is
better than many novels, although written for only young people.
Compared with much of to-day's juveniles it is quite a superior
book."--_Chicago Tribune._


THE STORY OF THE GRAVELYS. By MARSHALL SAUNDERS, author of "Beautiful
Joe's Paradise," "'Tilda Jane," etc.

    Library 12mo, cloth decorative. Illustrated by E. B. Barry $1.50

Here we have the haps and mishaps, the trials and triumphs, of a
delightful New England family.


PUSSY BLACK-FACE. By MARSHALL SAUNDERS, author of "'Tilda Jane,"
"'Tilda Jane's Orphans," etc.

    Library 12mo, cloth decorative, illustrated                $1.50

This is a delightful little story of animal life, written in this
author's best vein, dealing especially with Pussy Black-Face, a little
Beacon Street (Boston) kitten, who is the narrator.



       *       *       *       *       *



Transcriber's Notes:

Obvious punctuation errors corrected.

Page 320, missing text supplied original read "jostled ..er, and
Genevieve stepped into a doorway to thin.. Across the street a blue-bell
sign caught her at..ention, and sent a swift light to her eye." The
missing text was inserted.



***END OF THE PROJECT GUTENBERG EBOOK THE SUNBRIDGE GIRLS AT SIX STAR
RANCH***


******* This file should be named 25578-8.txt or 25578-8.zip *******


This and all associated files of various formats will be found in:
https://www.gutenberg.org/dirs/2/5/5/7/25578



Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties.  Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark.  Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission.  If you
do not charge anything for copies of this eBook, complying with the
rules is very easy.  You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research.  They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks.  Redistribution is
subject to the trademark license, especially commercial
redistribution.



*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
https://www.gutenberg.org/license).


Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A.  By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.  If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B.  "Project Gutenberg" is a registered trademark.  It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.  There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.  See
paragraph 1.C below.  There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works.  See paragraph 1.E below.

1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.  Nearly all the individual works in the
collection are in the public domain in the United States.  If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed.  Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work.  You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D.  The copyright laws of the place where you are located also govern
what you can do with this work.  Copyright laws in most countries are in
a constant state of change.  If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work.  The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1.E.  Unless you have removed all references to Project Gutenberg:

1.E.1.  The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org

1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges.  If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.

1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder.  Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5.  Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6.  You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form.  However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form.  Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.

1.E.7.  Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8.  You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
     the use of Project Gutenberg-tm works calculated using the method
     you already use to calculate your applicable taxes.  The fee is
     owed to the owner of the Project Gutenberg-tm trademark, but he
     has agreed to donate royalties under this paragraph to the
     Project Gutenberg Literary Archive Foundation.  Royalty payments
     must be paid within 60 days following each date on which you
     prepare (or are legally required to prepare) your periodic tax
     returns.  Royalty payments should be clearly marked as such and
     sent to the Project Gutenberg Literary Archive Foundation at the
     address specified in Section 4, "Information about donations to
     the Project Gutenberg Literary Archive Foundation."

- You provide a full refund of any money paid by a user who notifies
     you in writing (or by e-mail) within 30 days of receipt that s/he
     does not agree to the terms of the full Project Gutenberg-tm
     License.  You must require such a user to return or
     destroy all copies of the works possessed in a physical medium
     and discontinue all use of and all access to other copies of
     Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1.F.3, a full refund of any
     money paid for a work or a replacement copy, if a defect in the
     electronic work is discovered and reported to you within 90 days
     of receipt of the work.

- You comply with all other terms of this agreement for free
     distribution of Project Gutenberg-tm works.

1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
Foundation as set forth in Section 3 below.

1.F.

1.F.1.  Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection.  Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3.  YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from.  If you
received the work on a physical medium, you must return the medium with
your written explanation.  The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund.  If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund.  If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4.  Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.

1.F.5.  Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law.  The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.


Section  2.  Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers.  It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need, is critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come.  In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at https://www.gutenberg.org/fundraising/pglaf.


Section 3.  Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service.  The Foundation's EIN or federal tax identification
number is 64-6221541.  Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations.  Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
[email protected].  Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at https://www.gutenberg.org/about/contact

For additional contact information:
     Dr. Gregory B. Newby
     Chief Executive and Director
     [email protected]

Section 4.  Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment.  Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States.  Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements.  We do not solicit donations in locations
where we have not received written confirmation of compliance.  To
SEND DONATIONS or determine the status of compliance for any
particular state visit https://www.gutenberg.org/fundraising/donate

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States.  U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses.  Donations are accepted in a number of other
ways including checks, online payments and credit card donations.
To donate, please visit:
https://www.gutenberg.org/fundraising/donate


Section 5.  General Information About Project Gutenberg-tm electronic
works.

Professor Michael S. Hart was the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone.  For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.

Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included.  Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.

Most people start at our Web site which has the main PG search facility:

     https://www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.