As the wind blows

By Eden Phillpotts

The Project Gutenberg eBook of As the wind blows
    
This eBook is for the use of anyone anywhere in the United States and
most other parts of the world at no cost and with almost no restrictions
whatsoever. You may copy it, give it away or re-use it under the terms
of the Project Gutenberg License included with this eBook or online
at www.gutenberg.org. If you are not located in the United States,
you will have to check the laws of the country where you are located
before using this eBook.

Title: As the wind blows

Author: Eden Phillpotts


        
Release date: March 18, 2026 [eBook #78234]

Language: English

Original publication: New York: The Macmillan Co, 1920

Other information and formats: www.gutenberg.org/ebooks/78234

Credits: Tim Miller, chenzw, and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)


*** START OF THE PROJECT GUTENBERG EBOOK AS THE WIND BLOWS ***




  AS THE WIND BLOWS




  AS THE WIND BLOWS


  BY
  EDEN PHILLPOTTS

  AUTHOR OF “THE GIRL AND THE FAUN,” “DANCE OF THE MONTHS,”
  “EVANDER,” ETC.


  NEW YORK: THE MACMILLAN CO.
  LONDON: ELKIN MATHEWS
  MCMXX




  THE RIVERSIDE PRESS LIMITED, EDINBURGH




CONTENTS


                                          PAGE

  ON EYLESBARROW                             7

  NOCTURNE                                   8

  THE HUNTING                                9

  THE STRIKING HOURS                        10

  NIGHT                                     11

  SWINBURNE                                 12

  JUNE                                      13

  BELLS OF VARENNA                          14

  IN THE VALLEY                             16

  GAFFER’S SONG                             18

  SCANDAL                                   19

  WELCOME                                   20

  THE NEOLITH                               21

  IN A WOOD                                 24

  GHOSTIES AT THE WEDDING                   26

  DAWN WIND                                 27

  DART                                      28

  BY RUNDLESTONE                            30

  A SONG TO SILVER EYES                     31

  ENOUGH                                    32

  SONG OF THE LARCHES                       32

  A SONG                                    33

  BUONARROTI’S “DAWN”                       34

  A DARTMOOR STREAM                         35

  THE FALL                                  37

  LAPWINGS                                  38

  TO AN OPAL                                39

  JACK O’ LANTERN                           40

  THE OLD ROAD                              41

  THE DOUBTFUL ONES                         42

  LITANY TO PAN                             44

  A SONG                                    45

  CHERRYBROOK                               46

  THE HUNTER’S MOON                         47

  VOICES                                    48

  WIND OF THE WEST                          50

  THE LOVER AND THE WIND                    51

  A SONG                                    52

  THE GRAVE OF KEATS                        53

  TIGER                                     55

  THE PUDDLE                                61

  VISION                                    62

  IN GALLIPOLI                              63

  THEN AND NOW                              65

  VIGIL                                     66

  DARTMOOR NIGHT                            68

  THE FRUIT OF THE TREE                     70

  WHERE MY TREASURE IS                      80




ON EYLESBARROW


    Hither, at set of autumn sun,
    Each golden child of Hesper flies
    From gardens of old deities,
    Where Zeus the maiden Hera won.

    Their footsteps kindled stone by stone
    The time-worn barrow, where it stands,
    Above wide, valley border-lands,
    Austere and imminent and alone.

    Their fingers smoothed each granite frown
    And blossomed where no flow’r may live,
    And gave, what never flow’r can give,
    Of living flame-light for a crown.

    And from their flickering kirtles fell
    A gleam upon its stubborn ways,
    To touch their nakedness with rays
    Of amaranth and asphodel.

    O Hesperids, remember him
    Whose sun is westering to the change,
    Along uneven paths and strange,
    By shadowed aisles and frontiers dim.

    Flash but one token, pure and rare,
    From the abundance of your grace,
    For many a storm hath stripped the face
    Of this, his life, and left it bare.

    Dance but one measure in a heart
    Sad and unprofitably proud,
    Ere to your chariots of cloud
    Ye leap again and so depart.




NOCTURNE


    Twilight and falling dew; a little bell
    And answering bell, from campanile far,
    Chime and are silent; one triumphant star
    Conquers the after-glow, that like a shell,
    Nacreous and rose, vibrating as it dies,
    Faints on the lifted forehead of the snow,
    Falls from the deepening purple of the skies
    And falling fades upon the hill below.
    Unnumbered olive-trees, like hooded wights,
    Stand solemn in their companies and grey;
    Mule-mounted men go clattering down the way
    To yonder galaxy of earth-born lights.
    The crepuscule from sea and radiant land
    Hath drunk the colour; night lifts up her hand
    For peace before the coming of the moon--
    All darkling heaven will be silver soon.




THE HUNTING


    When red sun fox steals down the sky,
    And darkness dims the heavens high,
    There leap again upon his tracks
    The eager, starry, hunting packs.
          They glitter, glitter, gold and green,
          With sparks of frosty fire between,
          And Dian bright as day;
          While in the gloaming, far below,
          Brown owl doth shout “Hi! Tally Ho
          Sun fox hath gone away!”

    To music of the spheres they sweep
    Over the western world asleep;
    Then in the east, with sudden rush,
    Sun fox shall whisk his white-tipped brush.
          The field is fading, gold and green,
          With sparks of frosty fire between,
          And Dian growing grey;
          While morning leaps the hither hill
          And herald lark shouts with a will,
          “Sun fox hath gone away!”

    Oh, Huntress fond and silly stars--
    White Venus, fiery, futile Mars,
    In vain your pack ye whirl and cast
    Upon the marches of the vast;
          In vain ye glitter, gold and green,
          With sparks of frosty fire between,
          And Dian’s arrows fly
          In shattered shafts of ebbing light;
          For ne’er shall day be caught by night,
          And sun fox cannot die.




THE STRIKING HOURS


    My brother, can the heart of ocean say
      When winds may woo her bosom; when the ships,
    Or sudden galleon of an azure day,
      Shall fling her foam to rainbows? Can eclipse
    Hide up their silver when the full moons will?
      Are the cloud-cisterns of the latter rain
    At beck of every, summer-starven rill?
      Life cannot call the time; nor man may feign
    That he shall haply choose when he would have:
      To will the striking hours he is not free,
    That chime between his cradle and his grave,
      Or speed, or slow the hands of destiny.
    A bunch of stars upon the vine of heaven
      Grows ripe and falls and passes when complete;
    The galaxy of grapes to your mouth given,
      Bursting their bloomy chalices, are sweet
    One little moment; for they will not stay
      Your pleasure and their consummation hold
    While you misdoubt and linger and delay
      Before their cups of purple and of gold.
    When to a feast the gods would make you free
    At their own time, or never, shall it be.




NIGHT


    Another day has ended and again
    The fading emeralds of the quiet west
    Grow dusky o’er the hill-top and the plain,
    Dying along each drowsy vale and crest,
    Where Earth lifts up her bosom to the breast
    Of Night oncoming. Now once more she brings
    To the least folded flow’r her primal rest,
    Opens the mantle of her darkenings
    And sprinkles the white dew from both her starry wings.

    The moth and beetle, owl and flittermouse--
    All creatures that do call the moon their sun--
    Steal silent forth, each from his little house.
    They mount and fly, and others creep and run,
    Where fox and hare and brock have all begun
    The task of living. Now alert, awake,
    They seek their joy and substance; every one
    Pads out into the dingle, heath and brake;
    While hungry fishes stir the silver of the lake.

    For servants of the day another boon
    Brings Night, and as the working hours decrease,
    Lifts up her evening star and sickle moon
    To disenthral, unfetter and release;
    Bidding the long-drawn tale of labour cease.
    She comes with twilight healing for each smart
    Of soul and body, lays her unguent peace
    With fingers cool on every aching part;
    Anoints the tired flesh, soothes the day-foundered heart.

    She asks no worship from our drooping eyes;
    She needs no prayer to minister our plight;
    Hers not our little deeds and destinies,
    But still to smooth the pillow, lower the light;
    Play nurse for every world-aweary wight;
    Comfort and succour; at a touch redeem;
    And pour her ancient anodyne of might:
    Omnipotent sleep, inviolate, supreme,
    Insensible as death, without one sigh or dream.




SWINBURNE


    Children and lovers and the cloud-robed sea
    Shall mourn him first; and then the motherland,
    Weeping in silence by his empty hand
    And fallen sword, that flashed for Liberty.
    Song-bringer of a glad new minstrelsy,
    He came and found joy sleeping and swift fanned
    Old pagan fires, then snatched an altar brand
    And wrote, “The fearless only shall be free!”

    Oh, by the flame that made thine heart a home,
    By the wild surges of thy silver song,
    Seer before the sunrise, may there come
    Spirits of dawn to light this aching wrong
    Called Earth! Thou saw’st them in the foregrow roam;
    But we still wait and watch, still thirst and long.




JUNE


    June, who goes garlanded, who, never sleeping,
    Laughs from behind the eastern hills at night,
    And flashes to the hidden skylark keeping
    His morning watch and thrilling from the height
    Ere yet the stars are dim.

    June, who unseals all fountains at their sources,
    And pours life like a river overflowing
    In proud and passionate desire, who courses
    To throne our feeling higher than our knowing
    And heap it to the brim.

    June, when the new-born find their feet and wings,
    Scent the sweet grass and air and taste their being,
    And in their wanderings and wonderings,
    Their motion and their hearing and their seeing
    Conquer the earth and sky.

    June, with her feast of flow’rs and lyric rapture,
    Whose fair days fly the fleetest of the year,
    So pure and fresh that only youth may capture
    Their rainbow shapes without a thought of fear,
    Without a single sigh.




BELLS OF VARENNA


    Drowsy and sweet along the Larian Lake
    Your melody is stealing;
    Your fitful pealing
    Floats on the pinion of a summer night.
    Aloft the murmuring upland echoes wake
    And wing upon the mountains,
    Whence flying fountains
    Thin their wild whiteness out o’er many a height,
          Bells of Varenna,
          Bells of Varenna--
          Ancient bells,
          Solemn bells,
            Bells,
            Bells.

    A tall grey campanile and a spire
    Of russet red upspringing,
    Meet for your ringing,
    O most melodious, mediæval chime,
    Arise and point with fane of moonlight fire
    To forests and snow ridges
    And far-flung bridges
    And ruined castles of the olden time,
          Bells of Varenna,
          Bells of Varenna--
          Dulcet bells,
          Dreaming bells,
            Bells,
            Bells.

    Along a floor of crystal, where the moon,
    From her blue mansion bending,
    Awaits the sending
    Of your deep benison and soft “Good-night,”
    Canorous cadence comes. Too soon, too soon,
    Faint off the last far throbbing
    And silver sobbing
    By Como’s patined pathway, still and bright,
          Bells of Varenna,
          Bells of Varenna--
          Sleeping bells,
          Weary bells,
            Bells,
            Bells.




IN THE VALLEY


    Heather and potentilla fold
    The rocks with purple and with gold;
    The burn beneath sings clear and cold.

    Here man and woman kept a tryst;
    Here often met; here first they kissed
    Under the white and secret mist.

    And here, within this holy place,
    He came and thundered her disgrace,
    And looked his last upon her face.

    And while he cursed her ruined name,
    Her young soul fainted, sick with shame,
    Before the death knell of her fame.

    Had heath and potentil but known
    His wrath and her despairing moan,
    Their twinkling flowers had surely flown.

    And had the burn but felt that cry,
    Or understood their agony,
    She must have wept her silver dry.

    The grey hills heard the lover take
    An oath, that made their echoes ache,
    To hate all women for her sake.

    The sunshine saw the woman cast
    Herself to earth when he had past,
    Her little pitcher broke at last.

    But heath and potentil are gay;
    The waters sing upon their way,
    Though all this happened yesterday.

    For June must joy, though joy departs,
    And life must laugh, though sorrow smarts,
    And buds must break as well as hearts.




GAFFER’S SONG


    The boys don’t hoe like they used to do,
    And the maids don’t sew like they used to do;
    The hen don’t lay
    And the hound don’t bay,
    And the wind don’t blow like it used to do.

    The men don’t drink like they used to do,
    And the girls don’t wink like they used to do;
    The bud don’t swell
    And the flow’rs don’t smell;
    And the folk don’t think like they used to do.

    The milk don’t cream like it used to do,
    And the ewes don’t teem like they used to do;
    The corn don’t kern
    And the sun don’t burn;
    And my head won’t scheme like it used to do.

    Bad men ban’t hung like they used to be,
    Good songs ban’t sung like they used to be;
    The jolly and wise
    Have all flown to the skies;
    And I ban’t so young as I used to be.




SCANDAL


    The owl alighted in a yew
    Beside the portals of my house;
    The hour was nearly half-past two
    And, as he ate his juicy mouse,
    A cuckoo clock made cheerful chime
    Within and shouted out the time.

    “O gracious God!” the owl began,
    And rolled his round eyes at the moon,
    “What a black piece of work is man--
    Well might we miss cuckoo in June,
    How mad, misguided, inhumane
    To keep a cuckoo on a chain!

    “But all the feathered folk must know;
    This infamy I’ll bring to light
    And tell the horror high and low
    And scream the crime by day and night.
    No bird shall sing to him again
    Who keeps a cuckoo on a chain.”

    Good neighbour, of your charity
    Consider that mistaken fowl;
    Beware you tell not truth awry
    And, hooting with your brother owl,
    Into the public ear complain
    I keep a cuckoo on a chain.




WELCOME


    The hard azure on high
    That bends over the Spring
    Falls a tinkling, a thrill--
    Sudden, silvery, shrill;
    For the lark’s in the sky
    And his lyre-shapen wing
    Lifts the song in a spiral at will.

    In the East is the wind;
    At the fringe of the wood
    Shiver catkins of gold
    Or the fleece and the fold.
    Sure the eaning ewes find
    That the sunlight is good,
    Though chill Eurus, his scythe’s on the wold.

    Dawns a sweet lemon light
    Through the red-bosomed earth;
    Leaps and sparkles a train
    Along dingle and lane;
    For the primrosen bright,
    They are come to their birth
    And the daffodil’s dancing again.




THE NEOLITH


    Sole standing in utter loneliness--superbly alone--
    A monolith ruggedly lifts, with the roseal ling at his feet.
    Only the murmur of bees and the twinkle and throb of the heat
    On the league-long height, and the shade from his granite thrown.

    Roll upon roll of the Moor flung out on a sky-line free;
    Clouds at the zenith blue; in the flower-clad earth beneath
    The dust of a neolith: one who has swept this heath
    As the chieftain of vanished hordes and their fate and their destiny.

    When he died, that no mocking phantom, or jealous shade
    Of him mighty, should darken their lodge in the distant glen,
    They brought their lord hither, on shoulders of mourning men,
    And tore at their hair and howled long and fierce music made.

    Then they sought for a stone of girth that should evermore
      mark his place
    And be seen for remembrance, afar on the frowning hill,
    Of that leader of men, whose right arm and resistless will
    Had lifted his clan to power and to splendour and pride of face.

    He was cooped with his knees to his chin in a granite kist,
    And a granite flake over his head that should last till doom.
    So near doth he seem that one feels him not dead in his tomb,
    But crouching, alive and alert, with a warrior’s axe in his fist.

    Does he hear the old gods of the thunder? Can summer sun
    Reach down to his pit? May his dog’s ears discern the rain
    Hissing over the heather, or tell if the purple stain
    From a cloud-shadow dims his grey stone? When the ponies run,

    Can he mark the dull drumming above of their unshod feet?
    Does he chill when the snowdrift is clogged on the frozen ground?
    Does he thrill to the shout of the stream, or the bay of the hound,
    Or heed the sad curlew’s cry and the brown snipe bleating his bleat?

    Nay, for nothing lies under the grass but the broken stones
    Or mayhap a primeval crock, or a fleck of red rust,
    For the hero is earth of the earth, and its dust is his dust,
    And his flesh is the flesh of the peat, and its bones are his
      very bones.

    That master of men is ascended, for joy and for bane,
    And life after life hath he lived and relinquished since then--
    In the heather and herbage and birds, in the beetles and foxes and men,
    Each in their turn sprung of earth; each in their turn earth again.

    Yesterday clad with great thews, that builded a chieftain of might;
    To-day where the milkwort and fern and the starry tormentil
    Spread joy by the auburn beck and loveliness on the hill;
    To-morrow a moorman’s fire at the fall of a winter’s night.

    And the aura, so azure clear, that is running above the red,
    Was the glow of a savage heart imprisoned within the brand;
    And the warmth on your hand was the sun on a stone-man’s hand
    In the far off urgent days that were lived by the ancient dead.

    So mutable myriads wake to the ring of their morning chime;
    So mutable myriads pass at the set of their final sun;
    And only Matter remains--the august, the unchanging one--
    But no shape and no shadow of aught that she moulds on
      the wheel of Time.

    And ye who would bring man his soul from a mystical matrix apart;
    And ye who would lift up man’s life to a land beyond Matter’s ken,
    Must proclaim how her rape overtook her, and wherefore, and when,
    Ere we bend to your idols, or take these your fairyland
      stories to heart.




IN A WOOD


    There runs a pathway through the wood
    Where lace the boughs and all is good.
    The beech-boles don a robe of white
    And gleam like ghosts at dayspring light,
    When first the pure, canorous note
    Throbs from a waking blackbird’s throat;
    And down the long aisle dim
    Another answers him.

    Often they met, the girl and boy
    At this still hour; it was her joy
    To share a kiss at peep of day
    Before he took his working way.
    Then light of heart the youngster went,
    Leaving the little maid content
    To seek her home near by
    The forest boundary.

    But when at evening back he came
    Where the beech-boles were all aflame
    With ruddy fire along the glade,
    She leapt from out some stealthy shade.
    And dawdling once when sunset shone,
    He cut their letters, one in one,
    Upon an ancient stem,
    And drew a heart around them.

    Then rose the red, accursed star,
    And honour swept her boy afar;
    While she, sore hindered and forlorn,
    Still heard the blackbird sing at morn,
    Still felt her heart with each sun sink,
    Knowing he stood upon the brink,
    Prayed on in hope and trust--
    Until the boy was dust.

    Life brought its anodyne of years,
    To dull young griefs and dry young tears,
    And Time, who knows not to stand still,
    Sent a new lover up the hill.
    A wife and mother now she goes
    And plays with her first baby’s toes--
    The name in memory
    Spoken without a sigh.

    And grey upon the beech’s rind,
    Foregone, forgotten, out of mind,
    Two woven letters may be told
    When dawns are white and eves are gold;
    Where his aubade the blackbird makes,
    Or sleepy, sweet good-even takes;
    And down the long aisle dim
    Another answers him.




GHOSTIES AT THE WEDDING


    Turn down a glass afore his place;
      Draw up the dog-eared chair;
    For though we shall not see his face,
      I think he will be there
      Our wedding day to share.

    Turn up the glass where she would be
      And put a red rose there.
    Her quick, grey eyes we cannot see,
      But weren’t they everywhere,
      And shall not they be here?

    Though them old blids are in the grave
      And their good light’s gone out,
    We’d sooner their kind ghosties have
      Than all the living rout
      As will be there no doubt.

    For some are dead as cannot die,
      Some flown as cannot flee.
    You still do fancy ’em near by.
      ’Tis so with him and she,
      At any rate to we.




DAWN WIND


    Wind of the Dawn am I, and only She
    Who knows the music of my every song
    Can hear the whisper lingering along
    Melodiously.

    Melodiously along the moonlit corn,
    With silver fingering all my peaceful way,
    I nightly wander towards another day
    Soon to be born.

    Lo! from the East he comes; and I rejoice
    And throbbing on into the ruddy light
    Leap like a giant from the dying night
    With organ voice.

    Along the rosy, misty, magic lands
    That gleam above each dewy-scented lea
    The children of the morning welcome me
    And clap their hands.




DART


    Elfin river, stealing from far-off granite cradle,
    Musical the place names upon thy tidal water;
    Tuckenhay and Greenway, Stoke Gabriel and Dittisham,
    Sharpham and Duncannon, beside thy margin’s mirror--
    Sweet bells all a-chiming for native ear that knows them.
    Rainbows in November, above the hillside footed,
    Burn along the brake fern to set the auburn flaming
    In transparent wonders of emerald and purple;
    Till descends the hailstorm, with lash and scourge ice-knotted,
    Hurtling through the coppice; from larch and cherry robbing
    Amber dust and crimson. Chattering then and hissing,
    And fretting first thy bosom into a sudden torment,
    He draws his tatters round him and huddles off to seaward.
    So the sun returning, by hover and by ripple,
    Charms thy fleeting turmoil and wins thee back to laughter.
    At the river ferry a little bell is calling;
    And where the red earth arches, low on the blue above it,
    Man and horses ploughing, herald a cloud behind them
    Of the great, white sea-fowl that feed along the furrow.
    Cobweb grey thine orchards, still the last apples ling’ring,
    Topaz and ruby tangled upon the frosted lichen;
    While broad, oaken hangers, a rapture for the sunset,
    Meet the steadfast beech scrub, like red-hot fire aglowing,
    Till their conflagrations, that blaze along the tide way,
    Melt in flame and mingle their wonder with thy crystal.
    Massy, rounded elm-trees roll out along the river,
    And above, in billows far mightier and vaster,
    Sail the light-laden clouds, that lift another forest
    Bossed and round as they are and carry up their image,
    Crested, crowned and golden, into the hyaline azure.
    Pale that lifted glory and faint those sun-touched summits
    Seen against the ardour of thine own earth-born elm-trees.
    Down beside the reed-rond, pulse of the sea, a-weary,
    Doth bring a wreath of flow’rs to mark the place of parting.
    High above them glitters the wide weir’s silver apron
    And the bright salmon leap, springing from salt to sweetness.
    Farewell, worthy worship in all thy times and seasons;
    By thy magic subtle of many a deep and rapid;
    By thy sunny reaches and mystery of shadow;
    Thy gentle hillsides green and dear delight of forests;
    By the surprise of coombs, the hanging woods and dingles;
    The happy days and sad; the murmur of thy voices;
    Thy changing, winsome moods and little lovelinesses,
    Thou art all Devon, and so incomparably England.




BY RUNDLESTONE


    Her cottage solitary stood
    Beside the granite Rundlestone--
    Lonely enough, but not so lone
    That fortune missed it, ill and good.

    And faring by that way once more
    I sought to see the friend of old,
    And found an orange-lily’s gold
    Still burning by her cottage door.

    There seemed no stir about the place;
    No voice responded to my call;
    I heard no tardy footsteps fall,
    Nor welcomed her familiar face.

    From open window overhead
    There came a dull and fitful flap,
    Where the blind bulged and filled the gap
    And billowed as the breezes sped.

    Empty the house, for she had gone
    Full many a moon before that day,
    Passing in steadfast faith away
    To join her man beneath his stone.

    And now, when currents of the mind
    Drift to my thought her vanished name,
    I see the orange-lily flame
    And hear the flapping of a blind.




A SONG TO SILVER EYES


    Now that the dayspring surely comes
    To wake a dreaming world once more
    And light a thousand, thousand homes
    With message from the Eastern shore;
    Though dawn doth shiver sad and grey
    And sombre clouds hide earth and sea,
    My love shall be the sun to me
    And glad’ my going through the day.

    When mournful darkness falls again
    To sink old earth in slumber deep,
    Save where the sisters, sorrow, pain,
    Their sobbing, throbbing vigils keep;
    Though faint my heart and dim my sight
    Beneath the storm’s immensity,
    My love shall be a star to me
    And guide my going through the night.




ENOUGH


    The larch, the birch and the eagle fern
    And granite grey;
    The cry of the kine and the song of the burn
    Down Dartmoor way.

    A league-long tramp to a lifted stone
    Under the sky;
    Long lustral hours superbly alone--
    My soul and I.

    For you be the kingdoms that you list,
    The seas you will;
    And mine a white rainbow in the mist
    On a heather hill.




SONG OF THE LARCHES


    Not foliage, but emerald fires
    Run through our legions in the spring,
    Until their myriad points and spires
    Are hidden past remembering.
    Through hanging wood, by dell and dene
    Again we ray ourselves in green.

    Not foliage, but aureate fires
    Leap through our legions in the fall.
    When autumn lights her saffron pyres
    And the red sun sinks to a ball,
    Like golden smoke across the grey
    We fling our worn-out robes away.




A SONG


    Shadows we are and shadows seek
    And haunt the place where shadows move;
    But I, who know thy blessed love,
    Scorn shadowland and all things weak.

    Thou art alone reality;
    The rest is dream within a dream.
    My life knows nothing but doth seem
    Save only thee, save only thee.

    Through noon of day and noon of night
    There steals a golden thought and rare,
    That still we breathe the self-same air,
    Still glory in the same delight.

    That soul to soul and sense to sense--
    Our heavens woven into one--
    We’re shining, each the other’s sun,
    Before we vanish and go hence.

    And if thy love should faint and die,
    The deep, eternal after-glow
    Shall burn for ever where I go--
    A cloud of light in my grey sky.




BUONARROTI’S “DAWN”


    Spirit of twilight chill and upper air
    Stretched desolate upon the rack of morn;
    Thou hooded grief from mountain marble torn,
    Gazing sad-lidded on the sky’s despair,
    While the grey stars, like tears, descend forlorn;
    Earth’s broken heart and man’s unsleeping care
    Wait on thy pillow, crying to be borne--
    The only burden thou shalt ever bear.
    No infant hope may dream on thy deep breast,
    No little lip may soothe with infant might
    Thy mouth’s immortal woe; for thee, oppressed,
    Dawn dim epiphanies beyond all light,
    Where man’s long agony and cry for rest
    But torture dayspring into darker night.




A DARTMOOR STREAM


    When Shakespeare wrote, you sang the song I hear,
      And when Eliza reigned, your lint-white locks
      Flashed where they flash to-day, among the rocks,
    And showered their tresses twined into the brown pool clear.

    You danced and flung your foam upon the fern,
      And sang along your green and granite ways
      Even as now, in far-off Golden days,
    When toiled the tinner men beside your heathery urn.

    Their ruins shrink beside you; foxglove springs
      Above the roofless hut and smelting place;
      No more their shadows fall upon your face,
    Or mediæval chime of pick and hammer rings.

    But they were children in your lap beside
      The early men of stone, whose lodges stand,
      Like mushroom circles grey upon the land
    Above the cotton-grass that marks your cradle wide.

    The bear has lapped your crystal on his rounds;
      The stricken elk beside you dropped at last--
      A flint home in his shoulder, deep and fast--
    To smear your emerald moss from red of deathly wounds.

    And now, where once the wolf pack hunting went,
      With ululation through the snowy nights,
      Leap motor cars upon the highway heights,
    And by their hooting horns the silent air is rent.

    All one to you: machine and beast and man,
      And Time, that leads them off and brings them in;
      You strive above all circumstance, to win
    Your immemorial dream and predetermined plan.

    Unchanging, ever-changing, you possess
      Your spirit quickened with an ardour still
      Of workmanship--a patient, steadfast will
    To rarer beauty yet and purer loveliness.




THE FALL


    I’ll sing a song of kings and queens
    And falling leaves and flying rain,
    With Time to mow, and Fate who gleans
    Their good and evil, boon and bane.

    I’ll sing a song of leaves and rains
    And flying queens and falling kings,
    Yet doubt not reason still remains
    Snug hidden at the core of things.

    For every year an autumn brings
    To round the root and fat the sheaves
    And haply garner queens and kings
    With falling rain and flying leaves.

    The rain is salt with tears of queens,
    The leaves are red with blood of kings;
    Unknowing what the mystery means,
    We puzzle at these mighty things.

    For why great kings and rains should fall,
    And wherefore leaves and queens should fly,
    Or such rare wonders be at all,
    You cannot tell; no more can I.

    Yet this we know: new leaves and rain
    Anon shall crown the vernal scene,
    But dust of dynasts not again
    Blows up into a king or queen.




LAPWINGS


    When white ice tinkles on the rutted roads
    And icicles are bearding from the thatch;
    When fens are froze, the lapwings make despatch
    And all a-mewing come from their frost-bound abodes.

    With rush of wings upon the northern wind
    Across the wintry blue, like sparks of gold
    They flash into the valleys, hunger-bold,
    And seek their comforting with doubtful human-kind.

    They love the lew, where yellow corn-stacks stand,
    And puff their feathers in the pallid sun,
    Go daintily about and peep and run,
    Like pixy pilgrim folk of some far fairy-land.

    And near to bud-break, when young grey-eyed Spring,
    Clad in the silver of an April rain,
    Calls from the hill-tops, home they go again
    And lift their kitten cries to give her welcoming.




TO AN OPAL


    Wrapt in the radiant air’s own milky tress,
    That’s less than cloud and more than cloudlessness,
    Dawn-light and moon-light art thou; dreaming fire,
    That dies along the west: a pulse; a pyre
    Burning beneath the brow of some red eave;
    The very staple that the salt winds weave
    Into the vaporous east, or sobbing south,
    When some grey hurricane sucks at the mouth
    Of the dear, wild-haired sea, and with huge mirth
    Rains back his rape of kisses on the earth.
    The blooms of old-world flow’rs in ancient garths;
    The dancing aureole of winter hearths;
    The argent flame that haunts eternal snows;
    Spray of the burn and petal of the rose;
    Gleam of the dragon-fly or halcyon’s wing;
    The dew-bedappled kirtle of the Spring;
    The amber ripple of the kerning corn;
    Splendour of fruit; where ripeness, like a morn,
    Breaks through the bloom; the rainbow’s liquid light;
    The northern dancers of an arctic night;
    Nacre of pearl and foam upon the sea--
    All these, thou glimmering epitome
    Of the world’s glory, throb and nestle here
    Within the little compass of a tear.




JACK O’ LANTERN


    Where the dim marrish oozes out and fills
    The lap of the hills,
    While drowsy gloom broods deep upon the wold,
    They keep their place and take their trembling flight
    And fringe the night
    With pallid flowers of azure and faint gold.

    Along the darkness elfin lanterns flicker,
    Now slow, now quicker--
    A pale corona set upon the mire.
    They float and fly and leap and sink together
    Upon one tether,
    Where ancient fens excern their lambent fire.

    Thin, shaking, blue--spectres of flame--they travel
    And break and ravel,
    Then fade and flash again and fade again.
    They wave their lamps upon the quag; they quiver
    And soar and shiver
    And flit, like little ghosts, above the plain.

    Born from the heavy breath of sleeping Earth,
    In feeble mirth
    They trail and slink and linger, rise and fall;
    Then, shuddering before the chill of day,
    Soon speed away,
    Blow out their lights and vanish, one and all.




THE OLD ROAD


    How short the road with you, my friend,
    How short the road with you--
    The hills and vales, the heights and dales
    And each unfolding view;
    For side by side and foot by foot,
    Though long that summer noon,
    The twilight fell too soon, my friend,
    The twilight fell too soon.

    How far the road alone, my friend,
    How far the road alone;
    The hills how steep, the dales how deep,
    Their ancient magic flown;
    For now the way, together trod,
    You cannot tread again,
    Is twenty miles of pain, my friend,
    Is twenty miles of pain.

    Still winds the patient road, my friend;
    Still winds the patient road,
    Whereon I go, now high, now low,
    With my appointed load;
    And glories shared I felt were gone
    For ever when you past,
    Have brought you back at last, my friend,
    Have brought you back at last.




THE DOUBTFUL ONES


    They lie about, the naughty folk, a-mingling with the rest,
    And just so green the grave-grass on their mounds as on the best;
    For Nature’s poor at morals, and to her they’re all the same,
    With their virtues no great matter and their vices no great shame.
    Tom White bides there: they say he slew his first to wed another,
    And that’s the hill that hides Jack Ford, as robbed his own
      grandmother.
    This lump of earth, where dandelions be keeping such a state,
    Is Katherine Jay’s, the baby’s friend, once known as “cruel Kate.”
    They dug up thirteen childer in her garden, so ’tis said;
    And when they ran the creature down, she’d cut her evil thread.
    Near by we teeled Bart. Coombstock--one as took his own life too:
    He hanged hisself at seventy-three, though why for no man knew.
    And Martin Cobley, in a pit beside they godly Foxes,
    Did six months of his middle time for breaking the alms boxes.
    Where yonder row of Caunters lie--a famed and far-spread clan--
    Have crept their black sheep, Rupert, him once called “the gentleman.”
    A reckless love-hunter was he, and made an end of life
    When Noah Bassett shot him dead for playing with his wife.
    Poor Nelly Dingle, buried by the lich-gate on the left,
    Burned six good stacks of wheat the night they flung her out for theft;
    And they small hillocks, down-along, of babies side by side,
    Be “chrisomers,” as never got baptised afore they died,
    There do they rest--the doubtful ones--and sleep so sweet and sound
    As any proper saint of God that ever went to ground;
    But when the graves be opened and they birds begin to sing--
    Lord! Won’t it be a funny dish to set before the King!




LITANY TO PAN


    By the abortions of the teeming Spring,
    By Summer’s starved and withered offering,
    By Autumn’s stricken hope and Winter’s sting,
    Oh, hear!

    By the ichneumon on the writhing worm,
    By the swift, far-flung poison of the germ,
    By soft and foul brought out of hard and firm,
    Oh, hear!

    By the fierce battle under every blade,
    By the etiolation of the shade,
    By drought and thirst and things undone half made,
    Oh, hear!

    By all the horrors of re-quickened dust,
    By the eternal waste of baffled lust,
    By mildews and by cankers and by rust,
    Oh, hear!

    By the fierce scythe of Spring upon the wold,
    By the dead eaning mother in the fold,
    By stillborn, stricken young and tortured old,
    Oh, hear!

    By fading eyes pecked from a dying head,
    By the hot mouthful of a thing not dead,
    By all thy bleeding, struggling, shrieking red,
    Oh, hear!

    By all the agonies of all the past,
    By earth’s cold dust and ashes at the last,
    By her return to the unconscious vast,
    Oh, hear!




A SONG


    How I have lived while others slept,
    With the white moon and thee!
    Heaven-high my adoration leapt
    Sea-deep my ecstasy.

    And now one memory I keep
    Till life and I shall part:
    She loved me well enough to sleep
    In peace upon my heart.




CHERRYBROOK


    Far more than others feel or see;
      Far more than others hear or know,
    Awakes and lives and throbs for me
      When by the Cherrybrook I go.

    For others, Bellevor’s green side
      And yellow furzes burning bright;
    Grouse heather, foaming like a tide,
      And stones that dance, or drowse in light.

    For others, just a singing stream
      Of flashing stickles, cherry red,
    That mirrors in her breast the beam,
      Like golden beads upon a thread.

    For me, a river of regret
      In every reach so still and clear--
    A streamlet, where I follow yet
      The Shadow of a brother dear.

    I see his trout-rod catch the sun;
      I hear the music of his reel;
    Knowing his kindly days are done,
      His good life gone beyond appeal.

    Now other rods are twinkling high;
      But the grey shape I used to bless,
    Lacking, the stream runs lonely by
      And Cherrybrook’s an emptiness.




THE HUNTER’S MOON


    October day drifts into night and now,
    Globing red gold upon a naked bough,
    The Hunter’s Moon climbs through a ragged larch,
    Swings out on Heaven and sweeps her steadfast arch
    Through cloudrack dim; while underneath there lie
    The darkling forests and the floods, and fly
    Leaves from the summer woods. They tinkle down
    Russet and sere, etiolate and brown,
    Blood-red and scarlet, auburn, silver, grey--
    Good millions, bearing wherewithal to pay
    Debt of the trees. The busy earthworms cold
    Draw in the yearly dues to rich the mould,
    Storing what tree-tops earned; and thus full round
    The cycle spins; for sure the sodden ground
    Is but a bank, that hoards to give again,
    Wherein the beetle and the mole and rain
    Balance their books beneath the Hunter’s Moon,
    While Nature budgets for another June.




VOICES


I

    Harken, harken, neighbour, harken!
    There be little childer jangling,
    There be childer up-long wrangling
    By the thorn-tree in the wood.
    Nay, them noises you are hearing,
    Out of yonder blue-bell clearing,
    Are the wild cat’s kitlings playing,
    While their mother’s hunting food.


II

    Harken, harken, neighbour, harken!
    There’s the pixy bells a-ringing,
    And the dinky pixies singing
    Through the curtain of the rain.
    Nay, ’tis but a flock of plover--
    Golden plover now come over,
    From the places of their summer,
    To their winter home again.


III

    Harken, harken, neighbour, harken!
    There’s some poor, unhappy devil
    Homing drunk after a revel,
    Drowned in snow and lost in night.
    Nay, that creepy, crawly yowling
    Be red fox up over howling,
    Pads acold and belly empty,
    Hunger-starven for a bite.


IV

    Harken, harken, neighbour, harken!
    To the sound of woman’s wailing--
    A sad woman, quailing, railing,
    Like the sob of wind-swept leaves.
    Nay, that ban’t no cry of woman,
    Nor the moan of any human:
    ’Tis the murmur of the hill-tops
    And “the calling of the cleaves.”




WIND OF THE WEST


    I bear the banner of the sun at noon;
    I light the million jewelled lamps of June;
    I weave, from sky and purple sea below,
    The rosy cradle where a baby moon
        Rocks in the after-glow.

    Awake ye bells, shine out ye stars of Spring;
    And let the music of the wild wood ring;
    Deck my dear harp anew with golden green--
    My ancient forest harp, whereon I sing
        Of all this budding scene.

    A song of rainbows gleaming on the rain;
    Of sap and scent and sunlight come again;
    Of the young laughing year’s unmeasured mirth;
    Of quickened Nature’s mother-pang, whose pain
        Forewent this vernal birth.




THE LOVER AND THE WIND


    “Wind of the South with the wild, wet mouth,
    Cease from thy wailing and fury of railing;
    Whisper to me in my vigils of pain
    That soon I shall meet her,
    And soon I shall greet her,
    And thrill with the passion of kisses again.

    “Wind of the South with the wild, wet mouth,
    Silence thy raving and hark to my craving;
    Echo a hope through my vigils of pain.
    I hunger to hold her,
    I throb to enfold her
    And melt in the fire of her body again.”

    “Suffering man, since thy race began
    I have been weeping and I have been keeping
    A myriad vigils of sorrow and pain.
    No more shalt thou meet her,
    No more shalt thou greet her,
    Or thrill with the passion of kisses again.

    “Suffering man, the arc of thy span
    To-morrow is bounded and finished and rounded.
    Thou shalt forget all thy vigils of pain,
    Nor hunger to hold her,
    Nor throb to enfold her,
    Nor cry for the fire of her body again.”




A SONG


    The red’s in the heather, the gold’s on the fern--
    Heigho! Heigho!
    A nip to the wind and the year at the turn--
    Heigho, Johnny!

    The aglet and rowan, shine bright on the bough--
    Heigho! Heigho!
    But seedtime, or harvest be one to him now--
    Heigho, Johnny!

    All one the wild weather, the wind and the rain--
    Heigho! Heigho!
    For she that made summer will not come again--
    Heigho, Johnny!

    Was left in the lurch at a young woman’s whim--
    Heigho! Heigho!
    Who cared not a cuss for the ruin of him--
    Heigho, Johnny!

    Oh, little we mind what the seasons may bring--
    Heigho! Heigho!
    When hearts are a winter without any spring--
    Heigho, Johnny!




THE GRAVE OF KEATS


I

    Where silver swathes of newly fallen hay
    Fling up their incense to the Roman sun;
    Where violets spread their dusky leaves and run
    In a dim ripple, and a glittering bay
    Lifts overhead his living wreath; where day
    Burns fierce upon his endless night and none
    Can whisper to him of the thing he won,
    Love-starved young Keats hath cast his gift of clay.
    And still the little marble makes a moan
    Under the scented shade; one nightingale
    With many a meek and mourning monotone
    Throbs of his sorrow; sings how oft men fail
    And leave their dearest light-bringers alone
    To shine unseen, and all unfriended pale.


II

    Oh, leave the lyre upon his humble stone,
    The rest erase; if Keats were come again,
    The quickest he to blot this cry of pain,
    The first to take a sorrowing world’s atone.
    ’Tis not the high magistral way to moan
    When a mean present leaps and sweeps amain
    Athwart the prophets’ vision; not one groan
    Escapes their souls, and lingers not one strain.
    They answer to their ideals; their good
    Outshines all flare and glare of futile marts.
    They stand beside their altars while the flood
    Ephemeral rolls on and roars and parts.
    It shall not chill a poet’s golden blood;
    It cannot drown the masters’ mighty hearts.




TIGER


    _To the barking of the monkeys, to the shrieking of the birds;
    To the bellow of the bison and stampeding of the herds;
    At fiery edge of sunset, from the jungle to the wold,
    Death stalks in shining ebony and orange-tawny gold._

    He slouched with loose, low shamble from the glade,
    And as he flung his feet along the track,
    Machine-like glided each great shoulder-blade
    Under his pelt. He stopped and scratched his back
    Against a stump; then sat a little while,
    Curling his ring-straked tail around his paws,
    Yawning with a gigantic, sleepy smile
    That showed the ruddy gulf between his jaws.
    The fangs were white and sound, for he was young--
    A male of four full years, in all his pride,
    Perfect, lean, knit of rubber and steel, and strung
    With sinews taut; content and satisfied,
    Since the twice five great, crooked daggers set
    Deep in his awful pads had never failed
    To win his belly all it wanted yet--
    A tiger who unfailingly prevailed.
    And no beast kinglier than himself he knew,
    For he had tracked and hunted, caught and slain
    All that his fellow-tigers caught and slew,
    Though horns might miss by inches eye and brain.
    A forthright beast and huge, his yellow eyes
    Glowered steadfast into life; he felt no ill
    Of heart or conscience, or the pang that flies
    Through higher mammals, plagued with choice of will
    And all the handicaps of consciousness.
    He knew not right nor wrong; no evil thought
    Sullied his wits; his task no more or less
    Than faithfully to do all he was taught.
    While the dread smeech and terror of his breath
    Down a hot wind at dusk, to fearful flocks
    Threatened the unknown, unnamed horror, death,
    And sent them hurtling to the plains and rocks,
    To him they stood for life and all it meant
    Of being--food and sport and work and play,
    Love and prosperity and full content,
    With strength to solve the problems of each day.

    His brain began to brood and meditate,
    Thinking on action, while the red sun set,
    For he had come from far with a new mate
    To a new valley. She was sleeping yet
    In the bamboos behind him, great with young,
    Where prickly cactus hemmed the lair and palm
    Over their couch its sombre frondage hung.
    There would she bide a little safe from harm,
    While he must go afield and do his part
    And fetch a tender antelope, or goat,
    To win her praise and glad her weary heart
    With a hot supper for a hungry throat.
    He pondered now within his broad, flat skull,
    Then stretched and with his lifted nose and ear
    Winnowed the silence of the evening lull
    To learn if grass-eaters were stirring near;
    When down the wind, though not a lizard ran
    And no hoof thudded on the dusty bent,
    He smelt a something fragrant and began
    To twitch his nostrils at the ravishment.
    A subtle scent and new! His whiskers pricked;
    His body huddled flat and seemed to shrink;
    His great nape bristled up; his jowl he licked;
    Then, like a banded snake, began to sink
    And trickle through the spear grass. By a stone
    He sudden lifted, then he set and stilled,
    While footfall of some game, that went alone,
    Came innocently pattering, to be killed.
    Couchant, like a set trap, with head out-thrust,
    The hunter crouched, quivering his black tail-tip,
    Until it drew a fan upon the dust
    Behind him. Then his jaws began to drip,
    As though a gargoyle, where red lichens grew,
    Was dribbling. Now the thing that he had heard
    Approached--a little creature, strange and new--
    That went not on four feet, nor yet a bird.
    He strung himself to spring, while at a trot,
    The Indian runner on his lonely road
    Jogged forward, dreaming of a supper-pot.
    Bound was he for a village, where abode
    One, passing fair, the runner’s master meant
    To wed ere long--a radiant maid to whom,
    By fleet-foot messenger, the suitor sent
    Two poems of his own writing.

                                    Then the gloom,
    Where a first firefly winked her golden spark
    Upon the deepening purple, broke and tore--
    The twilight stillness ended on a stark,
    Harsh, grating, deep-mouthed, solitary roar,
    Hollow as death; while from his secret place
    The tiger loosed the lightning of his thighs,
    Leapt on the man and with unwitting grace
    Struck him to instant nothing. Levin flies
    Less merciful. A huddled, crumpled clout,
    Brown, oozing red, dissolved beneath the mass
    Of living teeth and brawn. The brains were out;
    Head, a cracked egg-shell leaking on the grass.
    Thus in a heap to mother earth they came,
    Both quick and dead; and then the great cat sought
    His grim, familiar, ghastly after-game;
    But he had hit too hard and spoiled his sport.
    He drew and coaxed with hooked and playful paws,
    Hoping to find the life had not quite gone,
    And moved by those infernal, feline laws,
    That made him frolic when his work was done.
    For oft his perishing food would feebly strive,
    Driven by life’s undying hope, and led
    To struggle still from death while yet alive;
    But his first man the tiger found was dead.

    And when the conqueror tasted, his rough tongue
    Thrilled a new, joyous lust into his brain,
    For the soft, furless stuff his palate stung
    With mad, delicious twang--oft, oft again
    Would he smell up the wind for such another.
    He hoped the dainty creatures went in packs,
    And that his prey had kids and many a brother
    To steal at cool of evening on his tracks.
    He gaped and gripped the mangled clod of earth
    Under its ribs, heaved up a muzzle white,
    Sounded a grunt, that seemed akin to mirth,
    And bore his dripping coolie out of sight.
    So to his mate, and as the cross-cut saws
    Bite upon teak with backward, forward hiss,
    He purred, then dropped the banquet from his jaws
    And woke the tigress with a bloody kiss.
    Eyes shut, heads sideway, cheek by cheek they ate,
    To sound of squash and gulch and cracking bone,
    Deciding swiftly, as they fed, the fate
    Of the two love songs. They were deftly sewn
    Within the compass of a gold-cloth bag,
    Tied with a silken cord, stamped with a seal.
    The tiger crunched and gulped the sodden rag
    With all the other mysteries of his meal.
    For, while a poem himself, he was no poet,
    Being devoid of vision, wit, or ruth;
    But many who live poetry, never know it
    And would be much surprised to learn the truth.

    Sated at last, they sauntered forth to find
    A water-hole; but as they washed their jowls
    And cleaned their whiskers, sudden on the wind
    Broke din of brass and drums and human howls.
    For there had gone another runner by,
    And smelt the blood and seen the reeking trail,
    And flown, and shouted “Bagh!” and raised the cry
    That tiger were again upon the vale.
    From jungle edge they peered and torches red
    Turned each bewildered eye into a gem
    Of glinting emerald--then sudden dread
    Awoke at flash of fire, unknown to them.
    Fear touched their primitive hearts; they ran and roared,
    Awakening old echoes down the glade;
    Shoulder to shoulder from the gleam abhorred
    They padded, wondering to be afraid.
    Until no blink of the accursed thing
    Tortured the night, they galloped, sweating hot,
    Then, all unknowing what the day would bring,
    They stopped and sulked and snarled; and so forgot.
    Anon they sleep, nor guess the dawn shall see,
    Of hunters white and beaters brown, some score
    Surround them in a circle steadfastly,
    To set the cosmos on its feet once more.
    They sleep, nor dream the pangs of “dum-dum” lead
    That wait on sunrise, when they two shall feel
    All they have measured to uncounted dead,
    And suffer sentences without appeal.
    Upon their mighty necks will dance the feet
    Of the unpelted things that lay them low;
    For of the fruit forbidden did they eat
    And both must go where the bad tigers go.

    _To the trumpeting of elephants and blaze of morning light,
    To the nosing rifle barrels, to the stinking of cordite,
    With a crash and smash and struggle and a yell their tale is told;
    Death blots the shining ebony and orange-tawny gold._




THE PUDDLE


    I cursed the puddle when I found
    Unseeing I had walked therein,
    Forgetting the uneven ground,
    Because my eyes
    Were on the skies,
    To glean their glory and to win
    The sunset’s trembling ecstasies.

    And then I marked the puddle’s face,
    When still and quiet grown again,
    Was but concerned, as I, to trace
    The wonder spread
    Above its head,
    And mark and mirror and contain
    The gold and purple, rose and red.




VISION


    There have been seers of olden time who said,
    When dreaming men are rapt into the state
    Where only shadow people congregate,
    That never may they see the faces of their dead.

    But I have seen the faces I have lost,
    And none so clear and none so shadowless
    In all that moonshine dance and frolic stress
    Of dream futility, as some I loved the most.

    Not as I knew him last my brother stood,
    A man upon whose kindly face a stain
    Lay in the letters of life’s care and pain;
    But as a little lad, when all the world was good.

    High in the darkness of a pine, elate
    About our long-forgotten forest play,
    I hung, where he had found a squirrel’s dray:
    For I was twelve again, and he was only eight.

    I saw his boyhood’s look, as bright and fair
    As ever shone from huddle of a dream;
    Reality’s own self shall never seem
    More real than his young laugh and flaxen, Saxon hair.

    And waking old, I blessed the memory
    Of my child-brother’s unforgotten face,
    Thanking, as it had been a deed of grace,
    The tenderness of dreams that brought him back to me.




IN GALLIPOLI


    There is a fold of lion-coloured earth,
    With stony feet in the Ægean blue,
    Whereon of old dwelt loneliness and dearth
    Sun-scorched and desolate; and when there flew
    The winds of winter in those dreary aisles
    Of crag and cliff, a whirling snow-wreath bound
    The foreheads of the mountains, and their miles
    Of frowning precipice and scarp were wound
    With stilly white, that peered through brooding mist profound.

    But now the myrtle and the rosemary,
    The mastic and the rue, the scented thyme
    With fragrant fingers gladdening the grey,
    Shall kindle on a desert grown sublime.
    Henceforth that haggard land doth guard and hold
    The treasure of a sovereign nation’s womb--
    Her fame, her worth, her pride, her purest gold.
    Oh, call ye not the sleeping place a tomb
    That lifts to heaven’s light such everlasting bloom.

    They stretch, now high, now low, the little scars
    Upon the rugged pelt of herb and stone;
    Above them sparkle bells and buds and stars
    Young Spring hath from her emerald kirtle thrown.
    Asphodel, crocus and anemone
    With silver, azure, crimson once again
    Ray all that earth, and from the murmuring sea
    Come winds to flash the leaves on shore and plain
    Where evermore our dead--our radiant dead shall reign.

    Imperishable as the mountain height
    That marks their place afar, their numbers shine,
    Who with the first-fruits of a joyful might
    To human liberty another shrine
    Here sanctified; nor vainly have they sped
    That made this desert dearer far than home,
    And left one sanctuary more to tread
    For England, whose memorial pathways roam
    Beside her hero sons, beneath the field and foam.




THEN AND NOW


    When I was young and leapt into the Spring--
    An eager, quick-eyed, all-inquiring thing--
    I hunted wood and valley, sea and shore
    Yet knew not how to feel the wonders that I saw.

    Now am I old and creep into the Spring--
    A grey-haired, dim-eyed, still inquiring thing.
    By ancient ways, a shadow, still I steal,
    Yet know not how to see the wonders that I feel.

    Come Youth again, while to another Spring
    My memories the old adventure bring.
    Wonder and wander yet once more with me.
    I’ll teach you how to feel, and you my eyes shall be.




VIGIL


    There is a glen beneath a lonely hill,
    Where the deep tangles of the red brake fern
    Huddle to death and beautifully burn,
    While maiden birches flame along the sunset still.

    Like morning lamps they fade; their gold expires
    Among the silvery shadows of each stem.
    Delicious light gently departs from them
    Where winter bloweth out the autumn’s final fires.

    Furzes, all agate-budded for the spring,
    Hedge round about the coomb and, higher still,
    A mist of naked branches hides the hill,
    And pines bring warmth and scent and dusky sheltering.

    How oft have I within this vernal wood
    Watched the green mantle and the sweet sap mount.
    Trees are mine own familiars; them I count
    Among the changeless hearts that make my chiefest good.

    How often, when the first of blossoms come,
    Do I behold the opening of their eyes.
    Mine is the worship; theirs the shy surprise
    That I so well should know each punctual haunt and home.

    Here have I watched full many a night from far
    Like lover shadowy, ere set of sun,
    Dark-eyed steal hither, and when day was done,
    Mist meet the gentle moon; dew, the eternal star.

    Once more the stroke of every madcap wind
    Doth shake the bough and dash the ripe fruit down,
    Or shower red leaves and berries for a crown,
    October’s stormy hair to glorify and bind.

    Again I see; again I sigh to see
    The fading, flaming year sink to her end,
    Another summer--sure another friend--
    Decline and die and pass with music solemnly.

    Farewell, ye happy, rainbow-winged hours;
    The autumn’s dew and bitter, silver breath
    Shall freeze your rosy feet, and strike to death
    Your spirits where ye drowse amid the withered flowers.

    Farewell ye domes and canopies of June
    Raining upon the earth in red and gold;
    Hiding the sodden bosom of the wold;
    Flying like little ghosts, beneath the hunter’s moon.

    Beside the passing year my watch I keep
    And mark the sad-eyed gloamings steal away,
    And feel the low and lemon light of day
    Fade, like an aching care, upon the fringe of sleep.




DARTMOOR NIGHT


    Now twilight spreads her cool and amber plume,
    Descending on the solitudes until
    All detail dies: the valley and the hill
    Together darkling roll and merge into the gloom.

    Faints the far emerald west and day is done;
    White Venus, throbbing on the dusky gold,
    Swings out her lamp above the weald and wold,
    While little, earth-born flames make answer one by one.

    A child upon her mighty mother’s breast,
    Earth cuddles in the bosom of old Night,
    Who, gathering coomb and woodland, heath and height,
    Opens her dewy wings to hide their dreamless rest.

    The mists are trailing grey by watersmeet,
    Night-hidden in the forest far below,
    And where their pearly-paven vapours flow,
    The Huntress upward steals to find her starry seat.

    Her waxing splendours over moss and mire
    Flood fen and barrow, reeve and pool and burn,
    The lone, high tors, the tracks that wind and turn
    Where the quartz crystal shines with dim and tremulous fire.

    She marks the stone-man’s lodges empty lie;
    The broken folds, the tinner’s delving place;
    She lights the cairn, the cross, the faltering trace
    Of bygone dead who homed in this immensity.

    From cottage window fades the ruby gem
    And glimmer moonbeams only; while the moon,
    Mounting to heaven upon her silver shoon,
    A sovereign sceptre holds and wears the diadem.

    O Queen of sleep and silence, thou shalt reign,
    With lustral glory poured to soothe and bless
    The least small life in all the wilderness,
    Till morning stars awake and sing the dawn again.




THE FRUIT OF THE TREE


    The seraphim, beneath their burning blades,
    Moved in a wave of light; while overhead
    Gleamed the pale moon, a ghost behind the tongues
    Of all those flaming swords; and rearward crept
    The brutes of Paradise--the tiger, ounce,
    The leopard and the minions of the night.
    Stealthy they stalked, with growls that showed the fang,
    While in a broken thread of fiery beads,
    Golden and green and ruby, through the dark,
    Fierce glowed their eyes behind that angel host.
    And now they roared for mingled grief and fear,
    Because, before the moving seraphim,
    Flung out for ever from the dingles deep
    And all those pleasant places of sweet shade
    Beside the rivers and beneath the trees,
    Two, whom the great cats loved, were driven forth.
    Bewildered and disgraced, the primal pair,
    Now glimmering with moonlight on their heads
    And streaks of flickered gold that splashed along
    Their thighs and backs, reflected from the swords,
    Together went. Hand clasped in hand they moved
    Before the marching angels, till at last
    The confines of the only home they knew
    Were reached and the soft herbage made an end.
    Over their heads the tracery of trees
    Ceased, and the naked moon among her stars
    Hung in the nightly sky and threw a light,
    Cold as grey ashes, on the earth beneath.
    Starkly the desert struck upon their toes
    With harsh and flinty welcome; Eve’s right foot,
    Set down upon a thistle, cried to her
    Of a new grief; she moaned in pain, and he,
    Adam, with tenderness bent down to it
    And licked the blood that sparkled on her skin
    In drops the moonlight robbed of sanguine stain
    And turned to bright, black pearls. Thus driven forth
    Were they for their transgression, and the guard
    Took open order on the fringe of Eden,
    Against whose frontier dark the sentinels
    Stood silently, lit by their burning swords,
    To hold the garden precincts; while between
    Each seraph and his neighbour still peeped out
    The creatures of the earth and howled farewell
    To those white things that had befriended them,
    And taught their cubs to play in Paradise.
    They crouched and lashed their tails and shook the night
    That Eve and Adam to the wilderness
    Should pass away without one lynx or pard
    To purr beside them. All would have rushed forth
    But that the ring of fire struck on their hearts
    And sent them snarling back. For there had been
    A precious bond, a close and curious link
    Twixt Adam and his partner and the brutes--
    A harmony of happiness and peace
    Now vanished from the earth. But then, indeed,
    The first man and his woman stood so near
    To all their neighbours, sharing their delights
    And moving in that new-made world so nigh
    To beast and bird and saurian, that they--
    The conscious creatures--knowing little more
    Than woodland wisdom shared with all the rest,
    Guessed not the gap between. Had ape or sloth
    Broke heavenly ordinance and ate the Fruit,
    Then had they been the lords of good and ill,
    And haply ruled the kingdoms of the earth
    With kinder wit than man. Yet it fell out
    The creatures in the image of their God
    Won the beasts’ homage by their shapes upright,
    Yet shared their subjects’ ignorance. The stag,
    The tawny bear, the elephant, the wolf,
    The monkey folk and all the greater fowls,
    Composed their theme and filled their human minds
    With fascination. And betwixt themselves,
    When Adam spoke to Eve or she to him,
    Their converse was abrupt and cynical,
    Untinged by human ruth, or tender care
    Each for the other’s inner happiness.
    And when the shadows lengthened and their God
    Walked for awhile between them through the cool
    Of dewy evenings, in their simple way,
    They chattered to Him of the names they gave
    Unto the great gier-eagle on the crag,
    Or hippo, with his mighty nose asnort
    Above the mud of Paradise. And He
    Would listen with celestial gravity
    And go His way again. The couple lacked
    Much food for thought; indeed, they never thought;
    For what had they to think about beside
    The living present and the daily joy
    Of food and drink and sleep, and playtime shared
    With lesser things as beautiful as they?
    Thus did they live through days not fuller fraught
    With care and vision of to-morrow’s dawn
    Than their companions of the hoof and pad
    And claw and shining wing. Their mingled life
    Was neither more complete nor beautiful
    Than that of the striped tiger and his mate,
    Who dwelt together in a porphyry den
    A stone’s throw from the holt that Adam wove
    Of living boughs and green wood broken down
    Wherein to sleep by Eve. The very birds--
    The warbler and the chaffinch and the wren,
    Or the red mouse that loved the seeding grass--
    Built snugger homes than they; and they would laugh
    And wonder how the little, busy things,
    Having no hands, could weave so close and true;
    Or how the spider lined her nest with silk
    To hold her pearly eggs. And when they slept
    They dreamed of good to-morrows and no more,
    Such as the children dream.

                                Then came to them
    The scorching breath of knowledge, and their jest:
    To make God laugh when He should come and see
    Them clad with leaves and flowers, as their friends
    Were clothed with pelt and feathers--their poor jest,
    When they perceived them naked, brought them down
    And cast them out into another world
    Beyond the joys of Eden.

                                That first night
    Their incipient spirits wept some mournful while,
    Till the moon sank upon a dreary rim
    Of desolation and they watched the stars
    Sink to earth’s edge and vanish one by one,
    Like tears that stole adown night’s cheek; and then
    They turned to look again where Paradise
    Lay in a purple shadow on the east
    Under her palms and mountains; while along
    Those far-flung boundaries dim sparks of fire
    Twinkled to mark the soldier angels stand.
    Adam at last, in hollow of a dune,
    Whose horrent hair along its crest sprang up
    In withered bents, a place of shelter found
    Where the night wind came not; and there the man
    His limping partner brought, then laid her down
    To sleep till day; but it was keen and chill
    And, finding that Eve slumbered, Adam came
    As close as he well might to warm his blood
    And draw a little of her golden mane
    About his frozen bosom.

                              Thus they slept,
    Until there broke on earth another day,
    Whose light unwitting touched a wondrous sight
    More pregnant and more precious to the world
    Than Earth until that dayspring hour had known.
    For when young Eve awakened, from her eyes
    Flashed a new glory, something that till now
    Had never trembled in those azure deeps;
    And, with her arms about her dreaming man,
    She called to him, and he arose to see
    A change in her fair face, the which he read
    In light of his own quickening. Her voice
    Proclaimed a new evangel from her heart,
    And full upon the thin and desert air
    Poured in the ear of Adam such sweet words
    That he forgot his hunger and his grief
    And looked at her, the dew in her bright hair,
    As subject on a queen.

                          “My love!” she cried;
    And since the word had never till that dawn
    Set the air singing, he forgot all else
    And listened open-mouthed. “My own true love,
    Dost thou not feel within thy bosom’s home
    A strange new spirit, born for me and thee?
    Dost thou not pant with such a joy that never,
    Until this daybreak on the wilderness,
    Thy soul hath throbbed to feel? In that sharp grief,
    While the white seraphim did drive us out,
    I felt the first faint thrill that fought the grief,
    And when you bent and licked my wounded foot,
    Even then there flashed to me a sudden bliss
    That ministered the pain!”

                                “And I,” said he,
    “If I had felt as now I feel--on fire
    With tender adoration for my Eve--
    Oh, then, I never should have played the coward
    And flung the blame on you, my better part,
    But taken it myself. This light within,
    That burns far brighter than the eastern sky,
    Doth show how mean and vile and base a thing
    I did to bleat that thou hadst tempted me;
    For now I grow to something greater far,
    More wise and more discerning than before
    I ate the Fruit of the Tree. O would that I
    Had claimed the punishment, as meet I should,
    And been cast out and suffered happily
    Knowing that thou wert safe in Paradise;
    For then had I but laughed at thorns and flint
    And the cold night beneath the setting stars,
    Knowing my Eve safe in our little lair.”
    “Man, man!” she answered, “what our lair to me,
    And what all Eden and the golden sun,
    Without my Adam? What the crystal founts
    And aubade of the birds in misty denes?
    And what the morning mellowness of fruits,
    Or subtle, magic fragrance born by night
    From moony blossoms, that obeyed the moon
    And oped, all others shutting? Eden’s self
    Had been this ugly desert spread for Eve
    Without thee; but beside thee, close and close,
    Near as thy shadow, then these antres vast
    And dreary vague of lion-coloured dust
    Is paradise enough. For we have won
    From that thrice-blessed Fruit a dearer thing
    Than all the blossomy paths of Paradise
    Knew how to offer. Through the taste of it
    We are become above the cherubim,
    Who never feel, beneath the rainbow light
    That dreams upon their bosoms, what a man
    And woman feel when love unveils their eyes.”
    “We must tell God,” said Adam. “When He knows
    What hides within the amethystine rind
    Of that sweet globe forbidden, then will He
    Make haste to eat of it Himself, and so,
    Touched by ineffable and sacred love,
    Seek us, all naked in the desert sand,
    With pity on His awful brow. And then
    Us will He soon forgive, for if He eats,
    A tender, lambent flame of gentle ruth
    Must burn within His everlasting Heart
    And crown Him with pure mercy.” Thus the man;
    And then the woman’s voice throbbed cheerfully.
    “Him will we tell how this that He denied
    Has lifted us above all lesser life
    And made us wiser than the seraphim,
    Who drove me forth so roughly that they scorched
    My shoulder with their swords. But this I know:
    If Michael and his winged ones had ate
    From that kind fruit, as you and I did eat,
    A gentle pity would have taught them sheathe
    Their brands and made them weep to do us harm.
    For what to them were we but beings twain,
    No better than the silly, little apes
    That would not come to us from out the wood
    Until I tempted them with sugary fruits
    And almonds that they loved? But now, but now
    Are we above all creatures lifted up
    And wedded into one--aye, wedded so
    That life for me is Adam, and for him
    Nothing but Eve. Let that our Maker hear,
    And when He learns what now thou art to me
    And I to thee, and what this lifeless dust
    And shadeless solitude do seem to be
    With thy brown hand in mine, then will He know
    That we, His creatures, now have haply found
    A dearer and more precious Paradise
    Than all the hosts of Heaven yet thought upon.
    Him we must tell, and from our wondrous cup
    He too shall drink, that He, our God, may know
    The blessed taste of mercy.”

                                  “I will bid
    The seraphim to pray to Him for mates!”
    Cried Adam, in a fervour that all Heaven
    Should share the knowledge dazzling. “Yea, let Him
    Cast down his hosts in slumber and withdraw
    A woman angel from each winged side,
    So that they cast away their writhing swords
    Far from them and rejoice, as we rejoice,
    To share a life with dearer life than theirs.”
    They spurred each other on, and laughed to think
    Of the divine delight when God should hear
    Their wondrous rede; and then together turned
    Where Paradise, like a low silver cloud,
    Fretted the dawn. But now to them there flew
    Out of the waxing sky a messenger,
    Who bade them keep their faces to the void
    And nevermore approach the sinless paths
    Their innocent feet had trod before they fell.
    “Wisdom hath spoken, and it is decreed”--
    With unimpassioned voice the angel spoke--
    “That now ye thieves of wisdom through your span
    Shall suffer first and bear the eternal fruit
    Of your unnatural sin. And when the years
    Have worn and withered you and broke you down,
    Since Time hath now dominion over you,
    Then shall you die and turn again to dust
    From which the Almighty, in too generous mood,
    Did lift you up. Begone--your way lies there!
    And know that since the parents’ sin must be
    On children visited for evermore,
    Ye shall have seed and bring the race of man
    Upon this earth to taste the bitter drink
    That ye have brewed for every human lip.”
    “But we have much to tell our God!” cried Eve;
    While he, the servant of Omnipotence,
    With level tones indifferent, broke to them
    That never more their Maker should they see.
    Thereon he spread his wings, and in the light
    Of the red morning opened, petal-wise,
    His gorgeous pinions, like a new-born flower
    All opal tinted. So he flew away,
    And soon was lost to sight upon the clouds
    That day had fringed with fire.

                                    A little while
    The pair stood very silent; then young Eve,
    Mother of all men, from her wide blue eyes
    Shaking the tear, that like a diamond hung
    One moment on her lashes, smiled and set
    Her arms about our primal father’s neck.
    “Be of good cheer; we have each other still,
    My own brave heart!” said she; “and what this death
    Shall prove, concerning which the angel spake,
    We know not and we fear not; for ’tis sure
    That death can never be so strong, or good,
    Or radiant and enduring and supreme
    As love, that we have won to light our way
    And guide us through all deserts and all griefs.
    And since He will not let us speak to Him,
    Or tell Him of our treasure, it shall flow
    For babes and sucklings. With their mother’s milk
    I’ll teach my little children how to love.”




WHERE MY TREASURE IS


    Eternal Mother, when my race is run,
    Will that I pass beneath the risen sun,
    Suffer my sight to dim upon some spot
              That changes not.

    Let my last pillow be the land I love
    With fair infinity of blue above;
    The roaming shadow of a silver cloud,
              My only shroud.

    A little lark above the morning star,
    Shall shrill the tidings of my end afar;
    The muffled music of a lone sheep-bell
              Shall be my knell.

    And where stone heroes trod the Moor of old;
    Where ancient wolf howled round a granite fold;
    Hide thou, beneath the heather’s new-born light,
              My endless night.




TRANSCRIBER’S NOTES


Some long lines of poetry have been rewrapped in this text edition.



*** END OF THE PROJECT GUTENBERG EBOOK AS THE WIND BLOWS ***


    

Updated editions will replace the previous one—the old editions will
be renamed.

Creating the works from print editions not protected by U.S. copyright
law means that no one owns a United States copyright in these works,
so the Foundation (and you!) can copy and distribute it in the United
States without permission and without paying copyright
royalties. Special rules, set forth in the General Terms of Use part
of this license, apply to copying and distributing Project
Gutenberg™ electronic works to protect the PROJECT GUTENBERG™
concept and trademark. Project Gutenberg is a registered trademark,
and may not be used if you charge for an eBook, except by following
the terms of the trademark license, including paying royalties for use
of the Project Gutenberg trademark. If you do not charge anything for
copies of this eBook, complying with the trademark license is very
easy. You may use this eBook for nearly any purpose such as creation
of derivative works, reports, performances and research. Project
Gutenberg eBooks may be modified and printed and given away—you may
do practically ANYTHING in the United States with eBooks not protected
by U.S. copyright law. Redistribution is subject to the trademark
license, especially commercial redistribution.


START: FULL LICENSE

THE FULL PROJECT GUTENBERG™ LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase “Project
Gutenberg”), you agree to comply with all the terms of the Full
Project Gutenberg License available with this file or online at
www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg
electronic works

1.A. By reading or using any part of this Project Gutenberg
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg electronic work and you do not agree to be bound
by the terms of this agreement, you may obtain a refund from the person
or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg electronic works if you follow the terms of this
agreement and help preserve free future access to Project Gutenberg
electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the
Foundation” or PGLAF), owns a compilation copyright in the collection
of Project Gutenberg electronic works. Nearly all the individual
works in the collection are in the public domain in the United
States. If an individual work is unprotected by copyright law in the
United States and you are located in the United States, we do not
claim a right to prevent you from copying, distributing, performing,
displaying or creating derivative works based on the work as long as
all references to Project Gutenberg are removed. Of course, we hope
that you will support the Project Gutenberg mission of promoting
free access to electronic works by freely sharing Project Gutenberg
works in compliance with the terms of this agreement for keeping the
Project Gutenberg name associated with the work. You can easily
comply with the terms of this agreement by keeping this work in the
same format with its attached full Project Gutenberg License when
you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are
in a constant state of change. If you are outside the United States,
check the laws of your country in addition to the terms of this
agreement before downloading, copying, displaying, performing,
distributing or creating derivative works based on this work or any
other Project Gutenberg work. The Foundation makes no
representations concerning the copyright status of any work in any
country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other
immediate access to, the full Project Gutenberg License must appear
prominently whenever any copy of a Project Gutenberg work (any work
on which the phrase “Project Gutenberg” appears, or with which the
phrase “Project Gutenberg” is associated) is accessed, displayed,
performed, viewed, copied or distributed:

    This eBook is for the use of anyone anywhere in the United States and most
    other parts of the world at no cost and with almost no restrictions
    whatsoever. You may copy it, give it away or re-use it under the terms
    of the Project Gutenberg™ License included with this eBook or online
    at www.gutenberg.org. If you
    are not located in the United States, you will have to check the laws
    of the country where you are located before using this eBook.
  
1.E.2. If an individual Project Gutenberg electronic work is
derived from texts not protected by U.S. copyright law (does not
contain a notice indicating that it is posted with permission of the
copyright holder), the work can be copied and distributed to anyone in
the United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase “Project
Gutenberg” associated with or appearing on the work, you must comply
either with the requirements of paragraphs 1.E.1 through 1.E.7 or
obtain permission for the use of the work and the Project Gutenberg
trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any
additional terms imposed by the copyright holder. Additional terms
will be linked to the Project Gutenberg License for all works
posted with the permission of the copyright holder found at the
beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg.

1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg License.

1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including
any word processing or hypertext form. However, if you provide access
to or distribute copies of a Project Gutenberg work in a format
other than “Plain Vanilla ASCII” or other format used in the official
version posted on the official Project Gutenberg website
(www.gutenberg.org), you must, at no additional cost, fee or expense
to the user, provide a copy, a means of exporting a copy, or a means
of obtaining a copy upon request, of the work in its original “Plain
Vanilla ASCII” or other form. Any alternate format must include the
full Project Gutenberg License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg electronic works
provided that:

    • You pay a royalty fee of 20% of the gross profits you derive from
        the use of Project Gutenberg works calculated using the method
        you already use to calculate your applicable taxes. The fee is owed
        to the owner of the Project Gutenberg trademark, but he has
        agreed to donate royalties under this paragraph to the Project
        Gutenberg Literary Archive Foundation. Royalty payments must be paid
        within 60 days following each date on which you prepare (or are
        legally required to prepare) your periodic tax returns. Royalty
        payments should be clearly marked as such and sent to the Project
        Gutenberg Literary Archive Foundation at the address specified in
        Section 4, “Information about donations to the Project Gutenberg
        Literary Archive Foundation.”
    
    • You provide a full refund of any money paid by a user who notifies
        you in writing (or by e-mail) within 30 days of receipt that s/he
        does not agree to the terms of the full Project Gutenberg™
        License. You must require such a user to return or destroy all
        copies of the works possessed in a physical medium and discontinue
        all use of and all access to other copies of Project Gutenberg™
        works.
    
    • You provide, in accordance with paragraph 1.F.3, a full refund of
        any money paid for a work or a replacement copy, if a defect in the
        electronic work is discovered and reported to you within 90 days of
        receipt of the work.
    
    • You comply with all other terms of this agreement for free
        distribution of Project Gutenberg™ works.
    

1.E.9. If you wish to charge a fee or distribute a Project
Gutenberg™ electronic work or group of works on different terms than
are set forth in this agreement, you must obtain permission in writing
from the Project Gutenberg Literary Archive Foundation, the manager of
the Project Gutenberg™ trademark. Contact the Foundation as set
forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
works not protected by U.S. copyright law in creating the Project
Gutenberg™ collection. Despite these efforts, Project Gutenberg™
electronic works, and the medium on which they may be stored, may
contain “Defects,” such as, but not limited to, incomplete, inaccurate
or corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged disk or
other medium, a computer virus, or computer codes that damage or
cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right
of Replacement or Refund” described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg™ trademark, and any other party distributing a Project
Gutenberg™ electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium
with your written explanation. The person or entity that provided you
with the defective work may elect to provide a replacement copy in
lieu of a refund. If you received the work electronically, the person
or entity providing it to you may choose to give you a second
opportunity to receive the work electronically in lieu of a refund. If
the second copy is also defective, you may demand a refund in writing
without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of
damages. If any disclaimer or limitation set forth in this agreement
violates the law of the state applicable to this agreement, the
agreement shall be interpreted to make the maximum disclaimer or
limitation permitted by the applicable state law. The invalidity or
unenforceability of any provision of this agreement shall not void the
remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg™ electronic works in
accordance with this agreement, and any volunteers associated with the
production, promotion and distribution of Project Gutenberg™
electronic works, harmless from all liability, costs and expenses,
including legal fees, that arise directly or indirectly from any of
the following which you do or cause to occur: (a) distribution of this
or any Project Gutenberg work, (b) alteration, modification, or
additions or deletions to any Project Gutenberg work, and (c) any
Defect you cause.

Section 2. Information about the Mission of Project Gutenberg

Project Gutenberg is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new computers. It
exists because of the efforts of hundreds of volunteers and donations
from people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg’s
goals and ensuring that the Project Gutenberg collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg and future
generations. To learn more about the Project Gutenberg Literary
Archive Foundation and how your efforts and donations can help, see
Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation’s EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg Literary
Archive Foundation are tax deductible to the full extent permitted by
U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 41 Watchung Plaza #516,
Montclair NJ 07042, USA, +1 (862) 621-9288. Email contact links and up
to date contact information can be found at the Foundation’s website
and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread
public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine-readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To SEND
DONATIONS or determine the status of compliance for any particular state
visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations. To
donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg electronic works

Professor Michael S. Hart was the originator of the Project
Gutenberg concept of a library of electronic works that could be
freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg eBooks with only a loose network of
volunteer support.

Project Gutenberg eBooks are often created from several printed
editions, all of which are confirmed as not protected by copyright in
the U.S. unless a copyright notice is included. Thus, we do not
necessarily keep eBooks in compliance with any particular paper
edition.

Most people start at our website which has the main PG search
facility: www.gutenberg.org.

This website includes information about Project Gutenberg,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.