Stories of London

By E. L. Hoskyn

The Project Gutenberg EBook of Stories of London, by E. L. Hoskyn

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org


Title: Stories of London

Author: E. L. Hoskyn

Release Date: September 3, 2010 [EBook #33613]

Language: English


*** START OF THIS PROJECT GUTENBERG EBOOK STORIES OF LONDON ***




Produced by Al Haines










[Frontispiece: NO. 1.  AN OLD RIVER-WALL OR EMBANKMENT (CHELSEA) _See
page_ 9]






STORIES OF

LONDON


BY

E. L. HOSKYN, B.A. (LOND.)

AUTHOR OF "PICTURES OF BRITISH HISTORY," ETC.


WITH A PREFACE BY

SOPHIE BRYANT, D.Sc., LITT.D.



[Illustration: Title page logo]



LONDON

ADAM AND CHARLES BLACK

1914




{3}

PREFACE

There are many kinds of ignorance which, for lack of time and
opportunity, we may rightly tolerate in ourselves.  Ignorance of the
stories that cling around and beautify the home-place is not one of
these.  A place, indeed, is not a home unless human life has woven a
thread of story through and through it.  Happy are those who dwell as
children in a place well clad with racy memories and legendary lore.
The city-home of the London child is just such a place.  Here we have a
city with an old old history losing itself in the mists of time, and
preserving itself in the memorials of its ancient sites and the tales
that grow like ivy round its odd place-names.  Of all this the careless
city-dweller takes no note, but the London child should be a different
kind of being.  London stories are racy of London; they reflect its
life in every age; and the London child is heir to them all.

The stories of London in this little book are interesting to everybody,
whether young or old; they cannot fail to be so, because London is
interesting, more or less, to everybody in the world.  But the book is
written more particularly for the children of London, so that they may
not be careless city-dwellers, as so many are, but may grow up into
real citizens of this great London, loving their old city in all its
nooks and corners for its own dear sake, feeling it in all the twists
and turns of its varied history, as if their life and its life were
bound up in one.

But this is not all that the study of London's stories may {4} do for
the London child.  The natural beginning of interest in
history--including the literature that collects around it--arises out
of interest in the story of the place in which we live.  We walk about
the place and picture the events of which we read as happening within
it.  The place is transfigured, is filled with life; and the story is
transfigured too as seen against the background to which it really
belongs.  In the case of London, moreover, there is a good deal of
useful work for the imagination to do in sufficiently restoring that
background to its primitive simplicity.  So the London child who knows
the London stories thoroughly--so thoroughly as to be able to see them
in their real setting, as they happened in that city by the river on
the marshes in the olden time--has learnt to know how every other
story, including the history proper of any other town or country,
should be known.  Thus, the study of the home story is for each of us
the true beginning of our education in that exercise of historical
imagination on which our appreciation of history largely depends.

It is hoped that these _Stories of London_ will be specially
interesting to the London child, but not to him alone.  The story of
London is central in the story of England, and appeals to the interest
of every English-speaking child.

SOPHIE BRYANT.




{5}

CONTENTS

   I.  SOME VERY OLD STORIES
  II.  WESTMINSTER ABBEY
 III.  THE CHARTER HOUSE
  IV.  TWO FAMOUS CHARITIES
   V.  THE STORY AND THE HISTORY OF DICK WHITTINGTON
  VI.  WHEN ELIZABETH WAS QUEEN
 VII.  THE STORY OF ST. PAUL'S




LIST OF ILLUSTRATIONS

1. AN OLD RIVER-WALL OR EMBANKMENT (CHELSEA) . . . . . . _Frontispiece_

2. PART OF THE OLD BUILDINGS OF THE CHARTER HOUSE SCHOOL,
   ITS CHAPEL AND PLAYGROUND

3. WESTMINSTER ABBEY, THE TOMB OF EDWARD THE CONFESSOR

4. THE FIRST CORONATION IN THE ABBEY

5. A ROOM IN THE TOWER WHERE STATE PRISONERS WERE LODGED

6. SIR THOMAS MORE AND HIS DAUGHTER WATCH THE CARTHUSIAN
   PRIORS GOING AWAY TO DIE

7. OLD PENSIONERS AND SCHOOLBOYS IN THE CHARTER HOUSE CHAPEL

8. ST. BARTHOLOMEW'S CHURCH BEFORE IT WAS RESTORED

9. AN EXCITING GAME; OLD CHRIST'S HOSPITAL, LONDON

10. ENTRANCES OF THE OLD CHRIST'S HOSPITAL AND OF CHRIST'S
    CHURCH, LONDON

11. AN ARCH OF LONDON BRIDGE, TOWER BRIDGE IN THE DISTANCE

12. WHITTINGTON SETTING THE KING FREE FROM HIS GREAT DEBT

13. GREENWICH AS IT IS NOW

14. PLACENTIA, THE OLD PALACE AT GREENWICH

15. THE FIRE OF LONDON

16. ST. PAUL'S FROM THE RIVER


_Sketch map of Norman London_

_Old St Paul's_




{6}

======================================================================

[Illustration: NO. 2.  PART OF THE BUILDINGS OF THE OLD CHARTER HOUSE
SCHOOL, ITS CHAPEL AND PLAYGROUND.  (See p. 28)]

======================================================================




{7}

STORIES OF LONDON


I.

SOME VERY OLD STORIES

The first story of London should tell who built it, and when, and why.
But London is old, very old; it began before its builders had even
thought of making books, and so its earliest history is written in the
ground on which it stands, in its hills and valleys, its rivers and
river-beds; and this is a kind of history which, if only we know how to
read it, always tells the truth.  Perhaps you are saying to yourself,
"There is only one river in London, and that is the Thames; and there
are no hills,--London is flat; and as for the ground, who has seen the
real ground on which London stands?  Is it not all built over, or paved
with wood or stones or cement?  How, then, can we learn anything from
it?"  Sometimes old worn-out buildings have to be pulled down to their
very foundations so that new houses may be put in their places, or a
tube-railway or a tunnel has to be made, or gas-pipes or electric wires
have to be laid under the roads;--have you not seen navvies digging
deep into the earth to do all these things?  Then the secret things
hidden in the ground are brought to light, and they teach us something
of the very old history of the land.

{8}

Perhaps you know that the Hampstead and Highgate Hills lie four or five
miles north of the Thames; and at about the same distance south of it
are other hills, on one of which the Crystal Palace stands.  Though we
call the land between these hills the Thames Valley, it is not flat;
and long ago, before London was built in it, it was much more uneven
than it is now; for the more level roads are the easier it is for heavy
carriages and carts to be pulled along them, so hollows have been
filled up and hillocks cut down to make the ground as flat as possible.
Even now, as you ride on the top of an omnibus through the long
straight road called Oxford Street, if you watch carefully you may
notice the rise and fall of the land,--a little hill, then a little
valley, and so on.  Once through each of these valleys a stream ran
down to the Thames.  Where are they now?  Some of them are
underground--arched over, built over, buried in the dark, out of sight.
Look at the map on p. 11; there you will find one of these rivers,
which ran from the Highgate Woods southward to the Thames.  It was
called the Fleet, and has given its name to Fleet Street.

======================================================================

[Illustration: NO. 3.  IN WESTMINSTER ABBEY: THE TOMB OF EDWARD THE
CONFESSOR WITH ITS VELVET COVERING _See pages_ 17 _and_ 22]

======================================================================

There were also some low hills quite close to the north bank of the
river.  Let us fancy that we have gone back through the ages, many
hundreds of years before ever the Romans came to this country, and that
we are standing--you and I--facing the river on one of those hills,
that on which St. Paul's now stands.  What do we see?  To our right,
under its steep clay bank, so high it is almost a cliff, the Fleet runs
on its way to the Thames; to our left is the hill; behind us, {9} all
the way up to the hills of Hampstead, are tangled forests, and in the
low ground are wide marshes; and in front is the river.  It is
low-water; on either side of the stream are great stretches of mud and
sand, wet marshy places, such as you may have seen at some place by the
sea where the shore is very flat and the tide goes out very far.
Beyond the marsh, on the southern shore, I think there is a wide
shallow lake, for to this day some of the land there is below the level
of the river at high-water.  As we watch, look! a little rippling wave
runs over the flats between the sand-banks; the tide has turned,--how
fast it rises, how far it spreads!  Before long the wide waste before
us is covered with grey waters; it has become a great lake or sea.
Nowadays embankments, such as you see in picture 1, keep the river in
its place; but in the long-ago times of which we are thinking every
high tide must have spread far and wide over what is now dry land.

======================================================================

[Illustration: NO. 4.  THE FIRST CORONATION IN THE ABBEY _See page_ 21]

======================================================================

Could any people have wished to live in such a watery place?  Yes,
indeed they did; and under the bed of the Fleet River, near its mouth,
traces have been found of their homes.  That ancient people must have
had many enemies,--other men who fought them, fierce wild animals,
wolves and other creatures which have not lived in England for hundreds
and hundreds of years; and to defend themselves that people had such
poor weapons, perhaps made only of bronze; so they sought for a very
safe dwelling-place.  Down into the muddy bed of the river they drove
great wooden posts, such posts as men drive down now into river or sea
when they are building a pier.  The worn {10} tops of those old timbers
have been found showing up through the soil where once the Fleet ran;
and on them once rested a platform of wood on which houses were built.
Is not this a piece of history written in the soil?  The first men who
tried to read it understood more easily the meaning of those worn old
posts because to this day the brown people, who live in one of the
great islands to the south-east of Asia, build their houses on just
such platforms out over the water.

How long did the men of that far-off time live in these strange
river-dwellings?  That we do not know; it may have been for very many
years.  At last (so some learned men believe) they built for themselves
a fort or stronghold on the high land near-by, perhaps where St. Paul's
now stands, but more likely lower down the river, on the next hill;
this stronghold may have been the beginning of London.  If, as some
people think, London means "The Fort of the Waters," or "The Lake
Fort," was it not well named?

Up the river to this fort ships may sometimes have come, bringing
merchants to buy pearls and skins of wild animals and slaves; and to
pay for them with such things as the fierce Londoners of those days
would like--a sharp axe or a gay necklace.

======================================================================

[Illustration: LONDON IN THE TIME OF THE NORMANS.]

======================================================================

The written history of London does not begin until the Romans had
conquered and were ruling the land, more than a hundred years after
their great general, Julius Cæsar, had first come here.  They found
London only a little group of huts, very likely made of wickerwork
plastered over with mud, and surrounded by a poor wall and ditch.  How
much they did for it!  They {12} built round it the great walls which
you see marked in our little map; so strong were they that parts of
their foundations and of the walls themselves have been found even of
late years.  And many other traces of the Romans have been found in
London--coins, and weapons, and carvings.  Near the Strand is a bath
which once, perhaps, belonged to some Roman gentleman's fine house.
There were many such houses in and about London; and many a time the
beautiful pavements of these houses, and even the pavements of the old
Roman streets, have been found in the City down below the present
streets and houses.  The Romans made great roads which stretched out
north, south, east, and west, from London; and they built a bridge over
the Thames.  In those days the people across the English Channel, the
Gauls and Italians, were far wiser than the wild people of Britain; and
roads and bridges made it possible for their trade, skill and wisdom to
come to the people of London.  A flourishing city it became under the
Roman rule.

The years passed on and evil days befell the Roman Empire; the wild
fierce northern races attacked it, and the Roman soldiers had to leave
Britain and go back to defend Italy.  Then there came to this country
also sad days of war and trouble, for the English came over the North
Sea, fought and conquered the Britons, and at last settled here.  Then
came the Danes, and there was more war, more fighting.  During these
dreadful times we hear little of London.

At last Alfred became King.  Do you remember how many good things he
did for England?  One of the best of them was that in the year 886, as
the {13} ancient Chronicle or history of our country tells us, he built
London Town,--that is, he built again her walls and towers, and made
her once more a strong city.  Thus, with Alfred as her founder and
protector, her later history begins.  Year by year she grew greater and
more important, until she became the greatest of all English cities and
the capital of the land.

There is another and a very different story of Old London, and this is
how it begins:--"Brute, about the yeare of the world 2855 and 1108
before the nativitie of Christ" (that is, before Christ was born,)
"builded this city neare unto the riuer (river) now called Thames, and
named it Troynouant"--that is, 'New Troy.'  Now, this Brute belonged to
the very same family as Romulus who built Rome; and he and his
followers came across the sea to this island, in which then only a few
giants were living, and he conquered them and took the land, and named
it Britain after his own name, and his companions he called Britons.

There were more giants in Cornwall than in any other part of the land.
One of them was called Goëmagot; he was so strong that he could pull up
an oak-tree as if it were only a hazel-wand.  Now there was a great
fight between the Britons and the Cornish giants, and all the giants
were killed but Goëmagot.  Then he and a famous Briton fought together,
and all men stood by to watch.  At first it seemed that the giant would
win for he wounded the Briton sorely; but, wounded as he was, the
Briton heaved Goëmagot up on his shoulders, ran with him to the shore,
and flung him headlong into the sea; and (so says the story) the rock
from which he fell is called "The Giant's Leap" unto {14} this day.
All this happened near the place where Plymouth now stands.  What has
it to do with London?  In the Guildhall, which is the Council Hall of
London, are many statues of great and famous men, and here are also two
great wooden giants called Gog and Magog; they are the City's giants.
Once they used to be carried in the Lord Mayor's Show and in
processions to make the people wonder.  The older giant is said to be
Goëmagot; the other, the Briton who hurled him headlong into the sea.

Long after Brute died, Belinus became King.  Of all his wonderful
history I can tell you only this,--he placed a great building in
Trinovantum (that is, London,) upon the banks of the Thames, and the
citizens called it, after his name, Billingsgate.  Over it he built a
huge tower, and under it a fair haven or quay for ships.  "At last,
when he had finished his days, his body was burned, and the ashes put
up in a golden urn, which they placed with wonderful art on the top of
the tower" which he himself had built.  Have you ever heard of
Billingsgate?  It is the chief fish-market of London, and its wharf is
the oldest on the Thames, so old that no one knows when fish were first
landed and sold there.

Many years after Belinus built his great tower, Lud became King.  He
"not only repaired this Cittie" (that is, Trinovantum,) "but also
increased the same with faire buildings, Towers and walles; and after
his own name called it Caire Lud, as Lud's towne."  And about sixty-six
years before Christ was born he built a strong gate in the west part of
the city, and he named it, in his own honour, Ludgate; and when he {15}
died his body was buried by this gate.  Turn back to the little map of
London on p. 11; there you will find Ludgate marked.  St. Paul's
Cathedral stands just to the east of it, on Ludgate Hill.

These stories were first written down by a Welsh priest called Geoffrey
of Monmouth, who lived in the days of King Stephen; and long ago
everyone believed they were true.  Then came a time when people said
what, perhaps, you are thinking, "These stories are only fairy-tales.
Who made them up?"  Well, Geoffrey of Monmouth said, in his book
written nearly 800 years ago, that he had read them in a still older
book which came out of Brittany.  Who else had read this old book?  No
one, so Geoffrey said; so people left off believing them; they were put
aside and forgotten.  Now wise men think that they are really the old
stories of our nation which have been passed down from father to son,
and that perhaps the heroes of which they tell are the gods the people
once worshipped, that Lud was a God of the Waters.  If so, was it not
very natural that he was worshipped in Old London on the shores of the
Thames and the Fleet Rivers?

There is another hero, Bran the Blessed, of whom I must tell you.  He
too was King of the Isle of the Mighty, as Britain was called.  He was
so big no ship could contain him for he was like a mountain, and his
eyes were like two lakes.  In the end of his days he fought with the
Irish in their own land until only he and seven of his followers were
left alive, and he was wounded unto death.  And he said to his
followers, "Very soon I shall die; then cut off my head, and {16} take
it with you to London, and there bury it in the White Mountain looking
towards France, and no foreigners shall invade the land while it is
there."  Much more he told them of the manner of their coming to
London, and all that he said came true, so that many years passed away
before in the White Mount, where the Tower now stands, they buried the
head.  There it lay until Arthur dug it up, for he said, "The strong
arm should defend the land."  He meant that the men of a nation should
be its defence.

Arthur himself was proclaimed King in London.  Perhaps you remember the
old story of the child who was brought up so secretly that, when the
King, his father, died, no one knew who was now the rightful King or,
indeed, if there was one.  Then, as Merlin the Magician had advised,
the Archbishop of Canterbury called on all the great lords of the
kingdom to come together in London; and there, one day, outside the
greatest church in the City (was it St. Paul's, I wonder?) they saw a
great stone with a sword sticking in it; and round about the stone,
written in letters of gold, were these words:--"Whoso pulleth out this
sword of this stone is right wise born King of England."  The great
lords tried to pull it out, and not one of them could do so; but young
Arthur, who had come to town with his foster-father and foster-brother,
pulled it out easily, not because he wanted to show that he was the
King,--he does not seem to have known about this,--but because his
foster-brother had sent him to fetch a sword and he could get no other.
Thus, all men knew that he was "right wise born King of England."

======================================================================

[Illustration: NO. 5.  A ROOM IN THE TOWER WHERE STATE PRISONERS WERE
LODGED.]

======================================================================

======================================================================

[Illustration: NO. 6.  SIR THOMAS MORE AND HIS DAUGHTER WATCH THE
CARTHUSIAN PRIORS GOING AWAY TO DIE.  _See page_ 26]

======================================================================




{17}

II.

THE STORY OF WESTMINSTER ABBEY

Turn to the picture facing p. 8.  If you have ever been in London, I
think you will know that this is a picture of part of Westminster
Abbey.  Even if you have never seen the Abbey, perhaps you know that it
is a very old and beautiful church near the River Thames in London.
Imagine that you are standing near it now, and that you can see its old
grey walls, and the grass and railings which separate it from the busy
street with its motors and omnibuses, its carriages and carts.  Now,
with the roar of the streets in our ears, with the tall London
buildings all around us, and busy people constantly hurrying past us,
let us try to fancy what this spot was like in the very early times
when we first hear of it.

Then the Thames was clear and fresh and full of fish, and many a red
deer and other wild animal wandered along its banks and drank of its
waters.  About a mile and a half above London, where the river was wide
and shallow, one of those little brooks of which I have told you ran
into it; and here, where the waters of the brook and of the river met,
was a bank of sandy gravel, which at high tide was an island, so it was
called Thorney or Thorn Ey--the Island of Thorns--for it was all
overgrown with thorn-bushes.  Very lonely, very quiet, Thorney must
have been.

{18}

Who first lived there, what kind of a dwelling-place they had, we do
not really know.  In later days the monks, whose home it then was, said
that once the temple of a Roman god had stood there, and that when the
Britons became Christians a good King built in its place a Christian
church called the Abbey of St. Peter.  Do you remember that, after the
Romans left Britain, the English, who were still heathen, came over the
North Sea and conquered the Britons and settled on their lands?  The
monks said that in those days of war and trouble the little Abbey of
St. Peter was destroyed.  Early in the seventh century, when the
English also had learnt the Christian Faith, Sebert, King of the East
Saxons, rebuilt the little abbey, and when he died he was buried there.
So said the monks, and to this very day there is a grave in Westminster
Abbey which is said to be Sebert's.

There is a strange story told about this ancient church.  It was just
finished, and the first Bishop of London, Mellitus, was to come on a
certain Monday to consecrate it--that is, to set it apart for the
service of God.  The evening before a man called Edric was fishing in
the river.  Suddenly, on the southern bank, he saw a bright light; he
pulled his little boat towards it, and saw standing by the water a
strange-looking stately man, who pointed towards Thorney and said,
"Ferry me, I pray thee, across to yonder place"; and Edric did so.  As
the stranger landed and went to the new church the air was filled with
heavenly light, the church was "without darkness or shadow," and
through the light angels came flying from the skies, and with their
help the stranger held the solemn service of {19} consecration.  All
this Edric heard and saw.  Do you wonder that he forgot all about his
fishing?

When the service was ended and, I suppose, the heavenly light had faded
away and darkness again covered the place, the stranger came to Edric
and asked for food.  "Alas!" he answered, "I have none.  I have not
caught a single fish."

Then said the stranger, "I am Peter, Keeper of the Keys of Heaven.
When the Bishop comes to-morrow, tell him that I, St. Peter, have
consecrated my own church of St. Peter.  Go thou out into the river;
thou wilt catch many a fish, whereof the most part will be salmon.
This I grant thee if thou wilt promise two things;--first, that never
again wilt thou fish on Sunday; and, secondly, that thou wilt give
one-tenth of thy fish to the Abbey of St. Peter."

Next day King Sebert and the Bishop of London came to Thorney.  There,
by the new church, with a salmon in his hand, Edric, the fisherman, was
waiting to tell his story.  Did they believe it?  How could they help
believing? for he showed them the marks of twelve crosses on the
church, and the traces of the sacred oil and of the candles which the
angels had held!  There was nothing left for the Bishop to do but to
declare that the church had been well and truly consecrated.

These are the wonderful stories the monks used to tell of their abbey.
I suppose they loved it so much that they wanted people to think it as
old and as wonderful as it could possibly be.

But now we have come to real history which we know to be true.  In 1042
Edward, called the {20} Confessor, became King of England.  Englishmen
long remembered him and what he looked like; his hair and beard were
milky white, and his cheeks were red; he loved hunting and long
services in church; and his people believed that the touch of his hand
would heal the sick, and that God spoke to him in dreams and visions.

His father had been driven out of England by the Danes, and Edward had
grown up in Normandy; so it came about that he loved the Normans, who
were more courteous than the rude rough English.  Yet I think he loved
England too, for we are told that he made a vow to St. Peter that if
ever he returned there in safety he would make a pilgrimage to the
saint's grave in Rome.

He did not keep this vow; his people would not let him, for they said,
"The journey to Rome is long and dangerous, and our King is very
precious to us.  We cannot let him go."  But a man, even if he is a
King, may not break a solemn vow, so Edward asked the Pope what he must
do, and the Pope answered, "Stay at home and rule thy people; yet, as
thou hast vowed to make a pilgrimage to Rome, do some other costly
thing instead.  Build a new church, or rebuild an old one in honour of
St. Peter."  And King Edward determined to rebuild the little church at
Thorney, or Westminster as we must now call it; for the thorns had long
since been cleared away, the sandy bank was no longer an island even at
high-water, and pleasant meadows lay on either side of the river.

For fifteen years the work went on; Edward was so interested in it, so
loved it, that he watched over and {21} cared for every part of it.
Now at last, at Christmas-time of the year 1065, the east end was
finished.  How eagerly the King looked forward to its consecration!  It
was indeed consecrated three days after Christmas, on the Feast of the
Holy Innocents, but the King was not there; he was very ill, and within
a few days he died.  The first great service held in the new Abbey was
his funeral; he was buried before the high Altar.  After this there was
no peace or happiness in England for many a day.  Edward left no son,
so the greatest of the English Earls, Earl Harold, was made King.  But
William, Duke of Normandy, declared that Edward had promised him the
crown; and he came across the sea, and fought and killed Harold on the
Sussex Hills at the Battle of Hastings.  Thus the Norman Duke became
William I., King of England, and he was crowned in Westminster Abbey on
Christmas Day, 1066.  Inside the church with him were the Norman
nobles; outside crowded the poor English.

When he was proclaimed King at the Altar, the English shouted, as was
their custom, "God save the King!"  The Normans within the Abbey heard
and wondered.  What could the shouts mean?  Were the English rising
against them?  Full of fear and anger they rushed out to find
everything in confusion, the houses ablaze, and their men, who had been
left outside on guard, killing the poor English.  In the Abbey William
and the Bishops and monks were left almost alone; and thus, in the
gloom and darkness of the winter's day, with the sound of tumult and
fighting ringing in their ears, the Conqueror was {22} crowned.  This
was the first coronation in the Abbey; facing p. 9 is a picture of it.

Two hundred years later King Henry III. pulled down Edward the
Confessor's Abbey, and built in its place the Abbey we still have.  In
it the Confessor's tomb is behind the altar; for Henry had his body
reverently moved from its first grave to a chapel which he had
especially prepared for it.  When you go to the Abbey you will see that
this chapel is higher than any of the others; some people say the
reason is that, to do more honour to the Confessor, King Henry sent
ships to bring earth from the Holy Land, and this sacred earth was
piled up into a mound behind the high Altar, and on it the Confessor's
chapel was built.  This is the part of the Abbey shown in picture 3;
turn back and look at it again.  Do you see that the old tomb is
covered with purple velvet?  Are not the pillars and arches about it
beautiful?

I have told you only the beginning of the Abbey's history.  Not only
are all our Kings crowned there but many of them lie buried there too;
so also do some of the best and wisest men who have served our country,
some of our bravest sailors, and of our greatest poets.  Thus it comes
about that the history of the Abbey is as long as the history of our
country--indeed, it _is_ the history of our country.




{23}

III.

THE STORY OF THE CHARTER HOUSE

In 1347 Edward III. was besieging Calais; he was at war with France,
and but the year before had won the great victory of Creçy.  The siege
lasted a whole year, and then at last the men of Calais could hold out
no longer, for the French King could not help them and they had no food
left.  When King Edward heard this he sent to them one of his knights,
Sir Walter Manny, with this message, "Give yourselves up to me that I
may do with you what I will."  This was a hard thing to ask, so hard
that Edward's lords pleaded with him to show mercy; and the King gave
way and said he would be content if six citizens came to him, barefoot,
in their shirts, with ropes about their necks, and bearing the city's
keys.  "On them," he said, "I will do my will."  So the Captain of
Calais gave up six of the citizens to Sir Walter Manny, and he brought
them to the King and begged him to spare their lives--begged, but
begged in vain.  Then Queen Philippa, Edward's wife, weeping bitterly,
fell on her knees, and prayed the King for love of our Lord to have
mercy; and the King's heart was moved to pity, and he answered her,
"Though I do it against my will--take them!  I give them to you."  Can
you not fancy how well she treated them, and how happy she was when she
sent them home to Calais?

In those days, outside the walls of London towards {24} the north-west
was a pleasant land of fields and trees, of streams and clear sweet
springs, a lonely land with few houses except three great monasteries.
Here Sir Walter Manny and the Bishop of London of that time founded
another monastery for twenty-four monks and a Prior or chief monk.  It
was called the London Charter House, for it was one of several Charter
Houses which all belonged to the same kind of monks, who all obeyed the
same rules and wore the same dress, and so they are said to belong to
the same Order.  This new Charter House stood on land which had been
given (some by Sir Walter Manny, some by a former Bishop of London,) to
be used as a burial-ground for people who had died in the great
sickness, called the Black Death, in the year 1349.

======================================================================

[Illustration: NO. 7.  OLD PENSIONERS AND SCHOOLBOYS IN THE CHARTER
HOUSE.  _See page_ 28]

======================================================================

Let us fancy what the life of the monks of the Charter House was like.
Their day began at an hour when you are sound asleep in bed; at eleven
o'clock the convent bell rang, and at midnight the monks met in chapel
for Matins, their first service, which often lasted two hours, or even
longer, so slowly, so solemnly, did they chant the psalms and prayers.
When it was over the monks went back to their beds until five o'clock,
when they rose and went about the business of the day.  What did they
find to do?  They were busy all day long, for they had to take part in
the many services of the chapel; and each monk had his own little house
and garden, called his "cell," where he passed most of his time alone.
Here he read and prayed; here he worked,--perhaps at carpentering or
some such trade, perhaps he copied or wrote books; here he ate his
solitary meal, the only meal {25} of the day, which might be of eggs,
fish, fruit and vegetables, but never of meat; sometimes it was of
bread and water only.  By seven o'clock his day was ended and he was
asleep in bed.  One of the strictest rules of this Order of monks is
that they shall be silent except in Chapel.  They only meet together
twice a week; once when they all dine together, and again on Sundays,
when they all go for a long walk in company.

This has been the life of every Carthusian monk (so the Charter House
monks are called,) ever since the Order was founded in the eleventh
century; and this was the life of the London Charter House from the
days of Edward III. until the reign of Henry VIII.  Do you remember
that he and his Parliament broke the links which bound together the
Churches of Rome and England?  In 1534 a law was made which said that
the King, not the Pope, should henceforth be the Head of the English
Church, and that anyone who would not agree to this was a traitor.
Some people in England were very glad of this, for there were things in
the Church which seemed to them altogether wrong; "Now," they thought,
"these wrong things can be set right."  But other people were very
sorry; they believed the Pope was indeed Head of the whole Church, that
God had made him so, and what God had willed man cannot alter.  Amongst
those who thought so were the monks of the Charter House.

======================================================================

[Illustration: NO. 8.  ST. BARTHOLOMEW'S CHURCH BEFORE IT WAS RESTORED.
_See page_ 30]

======================================================================

It is hard to wait day by day for some dreadful thing which we know is
surely coming to us, so these were sad days for the monks.  Were they
frightened, I wonder, when they heard what was going on in the {26}
world outside their walls, and knew that soon, very soon, they must
tell the fierce King that for them the Pope was and must always be Head
of the Church?  What would happen to them?  Did their prayers and
solemn services strengthen and comfort them then?  Yes, indeed they
did.  And their Prior, John Houghton, was a brave true man, as men have
need to be in such times; and not only by his words, but by his deeds,
he taught his monks to choose rather to die than to give up what they
believed to be true; for in the spring of the next year he and two
other Carthusian Priors told Thomas Cromwell, the King's great
Minister, that they could not change their Faith.  They were sent to
the Tower, tried as traitors in Westminster Hall, and found guilty.
Turn to picture 6; here you see Sir Thomas More, in this month of May
himself a prisoner in the Tower for the same reason, watching the three
Priors and another monk going away to die.  As he watched, More said to
his daughter, "Lo, dost thou see, Meg, that these blessed fathers be
now as cheerful going to their deaths as bridegrooms to their
marriages?"

At Tyburn Tree, where the Marble Arch now stands, John Houghton laid
down his life for his Faith.

Two sad years followed; then all but ten of the monks yielded to the
King and promised to "forsake the Bishop of Rome."  These ten were sent
to Newgate Prison.  There they would very soon have died, for in those
days life in a prison was a dreadful thing, but they were helped by a
brave woman, called Margaret Clement, whom Sir Thomas More had brought
up with his own daughter Margaret.  "Moved {27} with a great compassion
of those holy Fathers, she dealt with the gaoler ... and withal did win
him with money that he was content to let her come into the prison to
them, which she did, attiring and disguising herself as a milkmaid,
with a great pail upon her head full of meat, wherewith she fed that
blessed company, putting meat into their mouths, they being tied and
not able to stir, nor to help themselves."

Soon orders came that the monks were to be kept very strictly, and the
gaoler could not allow Margaret Clement to visit them; then, one after
another, all but one died.

In 1538 the rest of the monks were turned out of the Charter House.
Sorrowfully they passed out under its great archway, and went their
different ways to places of safety.

And was the Charter House left empty to fall into ruins?  No; it became
the property of first one great lord and then of another.  They altered
it to meet their needs; the monks' cells disappeared; it became a grand
mansion.  Queen Elizabeth and James I. both stayed there.

At last it was sold to Thomas Sutton, a merchant who had made a large
fortune by mining for coal near Newcastle and selling it in London.  He
must have been a good old man, for we are told he used often to go into
his quiet garden to pray, "Lord, Thou hast given me a large and liberal
estate; give me also a heart to make use thereof."

He had no children, and when he died, in 1611, he left his great wealth
to found a free school, and a "hospital" where eighty old
men--"soldiers who had {28} borne arms by land or sea, merchants who
had been ruined by shipwreck or piracy, and servants of the King or
Queen,"--could spend their last days in peace.  They are called the
Charter House Pensioners.  Turn back to picture 7; these two old men
are Pensioners.  At first there were to be but forty boys in the
school, but the numbers grew larger and larger; and many a great man
has been educated in the famous Charter House School.

As the years passed on and London spread beyond its walls, the pleasant
fields about the Charter House were covered with streets and houses.
At last, about fifty years ago, the Governors of the school thought it
would be wise to move it to a more open place; so they built a new
school at Godalming in Surrey, and the boys moved into it in 1872.
Into the old buildings they had left came a great day-school, the
Merchant Taylors', so there are still about 500 boys as well as the old
pensioners in the London Charter House.

What a strange history the Charter House has!  What changes it has
seen!  The convent with its silent monks, the great house with its
state and royal visitors, the noisy school, the peaceful home of the
old pensioners,--the Charter House bears traces of them all.  For here
are still the courts and cloisters and the chapel of the monks, and the
stateroom of the great noble; the boys' playground (picture 2 shows us
a little bit of it,) is the square round which once stood the monks'
quiet cells; in the chapel we may see the tomb of the Founder, Sir
Thomas Sutton; indeed, both the Founders, Sir Thomas Sutton and Sir
Walter Manny, lie buried there.




{29}

IV.

TWO FAMOUS CHARITIES

Turn to picture 8; this is the ancient church of St. Bartholomew the
Great.  In it, on the north side of the altar, is an old old tomb on
which lies a stone figure in a quaint dress; it is the tomb of Rahere,
said to be the founder of the church and of the great Hospital of St.
Bartholomew near-by.

This is the story of Rahere:--He was born in France in the reign of
William the Conqueror.  Early in the twelfth century he was in England,
and he was often at the Courts of the Red King and of Henry I.  We are
told that he was "a pleasant-witted gentleman, and therefore in his
time called the Kinge's Minstrell"; indeed, the old chronicler seems to
think he led an idle foolish life.  If this is true, he certainly
repented before long, for he became a pilgrim and made the long and
difficult journey to Rome to visit there the places where the Apostles
St. Peter and St. Paul were martyred.  In Rome he fell ill, and when he
was getting better he vowed he would make a hospital "yn re-creacion
(that is, re-creation or healing) of poure men."

And now wonderful things happened.  In a dream or vision Rahere saw the
Apostle Bartholomew, who said to him such words as these:--"Build not
only a {30} hospital but also a church, and build them in Smithfield by
the City of London."  So Rahere went home, called together the citizens
of London, and told them what he meant to do.  And they answered, "This
is a hard thing to compass for Smithfield lieth within the King's
market."

Rahere then went to King Henry I. and told him his story, and the King
gave him the land he needed,--such land! wet and marshy, "moorish
land," an old writer says, "heretofore a common," where the Londoners
used to fling out the rubbish and dirt of their city.  On this land, in
the year 1123, Rahere began to build his hospital, which he called
after the Apostle who had appeared to him; and later, as that Apostle
had bidden him, he built a Priory; the church you see in picture 8 is
part of its church.

Who helped Rahere to do all this?  The citizens of London.  We are told
that he gathered together a crowd of people by pretending to be mad,
and then he made them work; they drained the wet marshy soil, they
carried great stones, they laboured hard.  Thus the hospital was built.

Rahere was its first master.  A friend of his, called Alfune, "went
himselfe dayly to the Shambles and other markets, where he begged the
charity of devout people for their" (that is, the poor sick people's)
"reliefe."  Now, the charity he asked for was food for them to eat.

Rahere's last years were quietly spent in his own Priory, where he died
in the year 1144.  This is his story, but it was first written down
when writers loved rather to tell wonderful things about great men {31}
than to seek out the exact truth about them.  Now some people think he
did not found the hospital, but both hospital and church are far older
than his day; and that the Priory was built for the monks who managed
the hospital.

However this may be, the monks of the Priory certainly had great
privileges; one of them was that every year, at the Festival of St.
Bartholomew, for three days they might hold a fair in the "smooth
field" or Smithfield.  Have you ever been to a country fair, and seen
its funny little stalls of sweets and chinaware and its quaint shows?
If you have, you must know that most English fairs are not at all
important nowadays; but in the times of which I am writing most of the
buying and selling in England was done at them.  And so the old writer,
Stow, tells us that to St. Bartholomew's Fair "the Clothiers of all
England and Drapers of London repayred and had their boothes and
standings within the churchyard of this priorie, closed in with walles,
and gates locked every night, and watched for safetie of men's goodes
and wares"--so rich and valuable was its merchandise.  Year by year it
was held until 1855; then it was done away with, for serious buying and
selling were no longer carried on at such fairs, and "Bartlemy Fair,"
as it was called, was now famous only for its shows of wild beasts,
dwarfs and giants, for its ox roasted whole, and for its scenes of wild
merry-making.

For four hundred years the monks of St. Bartholomew's tended the poor
people of London.  Then came the days when Henry VIII. broke up the
monasteries; in 1539 he turned the monks out of the Priory and closed
{32} the hospital.  Presently I will tell you what afterwards happened
to it.


For the beginning of our second charity we must go far away from London
to the little town of Assisi in Italy.  There, on a spring day of the
year 1209, a young man kneeling in a little church heard the priest
reading the Gospel for the day:--"As ye go, preach, saying, 'The
Kingdom of Heaven is at hand.'  Heal the sick, cleanse the lepers....
Provide neither silver nor gold nor brass in your purses, neither scrip
nor two coats, nor shoes nor staff."  The young man felt as though
Christ Himself was speaking to him.  "From henceforth," he said, "I
shall set myself with all my might to live thus."

======================================================================

[Illustration: NO. 9.  AN EXCITING GAME: OLD CHRIST'S HOSPITAL, LONDON]

======================================================================

If you had asked the people of Assisi about him, they would have
answered you in some such words as these, "Yonder man?  He is Francis,
the spendthrift son of the cloth-merchant, Pietro Bernardone.  He to
make such a vow! he, the idle companion of the foolish young nobles of
Assisi, the waster of his father's wealth!  It is true he has changed
of late, but his new way of life pleases his father not at all, for he
has given away all he possessed, and says he has taken Poverty as his
bride.  He visits the lepers, and labours to repair some of the poor
churches of the town."

Yet Francis kept his vow.  Dressed in a simple grey gown, he went in
and out amongst the poorest of the people, preaching to them and
tending the sick.  In return they could give him but a scanty meal or a
night's lodging; money he would not take; it was, he {33} said, of no
use to him.  And wherever he was, whatever he was doing, no matter what
hardships he had to bear--and he had many--he was always full of
happiness.

======================================================================

[Illustration: NO. 10.  ENTRANCES OF THE OLD CHRIST'S HOSPITAL AND OF
CHRIST CHURCH, LONDON]

======================================================================

In those hard cruel days men thought little of pain and suffering; but
Francis had love and sympathy, not only for men, but for animals and
for all things.  In one of his poems he calls the moon his sister, and
the sun his brother; and he gives thanks for "our sister water, who is
very serviceable unto us and humble and precious and clean," and for
"our brother fire; he is bright and pleasant and very mighty and
strong."  We hear of him preaching to the birds, and bidding them be
thankful for their feather-clothes and wings.

Soon other men joined themselves to him to live and teach as he did,
and they were called Franciscans, the Monks of St. Francis; and
sometimes the Grey Friars, because, like St. Francis, they wore grey
gowns; and they are also called the Begging Friars, because they too
had taken Poverty for their bride, and might own neither houses nor
lands; even food they must earn by the labour of their own hands, or
kindly people must give it to them.  All their time, all their thoughts
must be given to helping the poor, the sick, and the wretched; and
where they were, there the Friars must go, so they made their homes
chiefly in the towns; and at first, while they kept the rules of St.
Francis very strictly, even these homes did not really belong to them.

In 1224 nine Franciscans came to England--the very first to come here.
Four of them went straight {34} to London.  There the poorer people
lived on the marshy land near the Thames, huddled together in huts
built of mud and wattle; and in such homes there must have been plenty
of sickness and misery.  For a short time the four Grey Friars lived on
Cornhill.  Perhaps they thought they had no right to live in so
pleasant a place when there was such great misery down by the river;
certainly, soon so many people came about them that this first home was
too small for them.  Now, a London citizen had some property "in
Stynkyng Lane and in the parish of St. Nicholas Shambles."  Do you know
what shambles are?  In them animals are killed for food; they cannot be
nice places to live in.  This property the citizen gave to the Friars,
and there they made their new home.  By their good deeds they must very
quickly have won the respect of the Londoners, for some gave them more
lands, and others helped in building a church and monastery for them.
This monastery was close to the place where the London General Post
Office now stands.

In those days the monasteries did most of the work which is now done by
schools, libraries, hospitals, hotels, and workhouses; no doubt the
Franciscans did their full share of it in London.  But as the years
passed on and the first monks died, the younger men who took their
places became less strict in keeping the rules of St. Francis; many
people gave money and lands to the Order, and it became rich and great,
and changed very much.  Before a hundred years had passed away, in
place of their first church, a new one had been built for them, one of
the grandest in the {35} land; its floor and pillars were all of
marble.  St. Francis told his followers that they needed no books but a
Prayer-Book; before long the Grey Friars not only had books, but two
hundred years after they settled in London Richard Whittington gave
them a library.  They no longer gave all their time to caring for the
poor and wretched, for we hear of some of them teaching at Oxford and
Cambridge; indeed, one of the most learned men of the age, Roger Bacon,
was a Grey Friar.

Thus the years passed on until Henry VIII. became King.  Do you
remember how he treated the monks of the Charter House?  I have no such
story to tell you of the Grey Friars, for they gave up to the King
their monastery and all they possessed when he called on them to do so.

Were the monks missed?  Who did the work they had once done?  At first
much of it was left quite undone.  Here is a little bit of a letter
which the Lord Mayor of London, Sir Richard Gresham, wrote to the King,
in 1538, on this very subject:--Someone, he says, must come to the
"ayde and comfort of the poor, syke [sick], blynde, aged and impotent
persons beyng not able to help themselffs, nor havyng no place certen
where they may be refreshed or lodged at, tyll they be holpen and cured
of their diseases and sickness."  And he goes on to ask that three
ancient hospitals may be given over to the Mayor and Aldermen of the
City to carry on once more their old work.  King Henry thought this was
a wise plan, and in 1546 he gave to London Rahere's old hospital, St.
Bartholomew's, and the Grey Friars' monastery.

{36}

Nothing more seems to have been done for five years.  Yet the poor
needed help greatly; and under Henry's son, Edward VI., we hear of
sermons being preached, of the King, the Bishop of London, and the
Mayor consulting together and making a new plan--that the house of the
Grey Friars should be set aside as a hospital or home for "fatherless
children and other poore mens children," where they should be fed,
clothed, taught, and properly looked after.  Thus Edward VI. is often
spoken of as the chief founder of the new charity, but I think Henry
VIII. and Sir Richard Gresham had more to do with it; don't you?  Yet
it was the City's charity, and the citizens provided the money needed
for it.  Before the next winter set in nearly 400 boys and girls were
lodged in the old Grey Friars; the next Christmas Day (1552), the
children, 340 in number, "all in one livery of russet cotton," lined
the road as the Lord Mayor and Aldermen passed in procession to St.
Paul's Cathedral.  "The next Easter they were in blew [blue] at the
Spittle [hospital], and so have continued ever since"; and from these
"blew" clothes the school has taken one of its names--the Blue-Coat
School.  Its other name is Christ's Hospital.

Hundreds of boys have worn the long blue gown and yellow stockings, and
some of them have become famous men.  I will tell you the name of only
one of these, Charles Lamb; for he has written about the school as he
knew it, and perhaps you have read Lamb's "Tales from Shakespeare"; he
and his sister Mary wrote them.

Facing page 32 is a picture of Blue-Coat boys, with {37} their gowns
tucked up, playing football.  Until a short time ago, people in the
busy street called Holborn could look through the bars which separated
the playground from it, and watch the boys at play.  They can do this
no longer, for the old buildings have been pulled down, and part of the
ground they stood on has been bought for the General Post Office; and
in the year 1902 the school, like the Charter House School, moved away
into the country, to Horsham.

From the beginning it was meant for girls as well as boys; old papers
about it always speak, not of the _boys_, but of the "_children_ of
this House."  Boys and girls seem to have lived there, to have dined
together in Hall, and even at one time to have shared a classroom for
writing-lessons; part of the girls' work was to learn to make their own
and the boys' clothes.  They too wore a quaint dress with white caps
and wide collars, but they gave it up long ago; and long ago, in 1778,
they left London; their school is at Hertford.  It has never been as
famous as the boys' school.


Now I must tell you a little about King Henry's other gift to London,
St. Bartholomew's Hospital.  It is now one of the largest of the London
hospitals, and has become very famous as a school where young men are
taught and trained to be doctors; perhaps your doctor was once a
student there.

A great part of the Priory church was pulled down as soon as it fell
into the hands of Henry VIII., and for many years the rest of it was
neglected and allowed to fall almost into ruins.  Even in the
nineteenth {38} century, stables, coach-houses, and store-rooms stood
where once were the monks' old cloisters.  In one part of the church
was a blacksmith's forge, a fringe factory had taken possession of
another, and in still another the boys of the parish school did their
lessons.  Now all this has been changed.  For more than fifty years
much care, thought and money have been spent in restoring the building
and in getting rid of stables, forge, factory, and school; and now
Londoners have every reason to be proud of their beautiful old church.




{39}

V.

THE STORY AND HISTORY OF DICK WHITTINGTON

  "Turn again, Whittington,
  Lord Mayor of London!"


Bow bells sang these words on All-Hallows Day many years ago, and on
Highgate Hill a boy stood listening to them.  If I ask you who the boy
was, I am sure you will answer, "Dick Whittington."

The story of Dick Whittington can be told in two very different ways:
there is, first, the old tale which long ago men told their children,
and these children told their children.  Thus it was passed on from
father to son, and we do not know that it was ever written down until
the days of James I., nearly two hundred years after Whittington died.
Of course, everyone who told this tale wanted to make it as interesting
as possible, so little bits were added to it, and it gradually grew
more and more wonderful.  It is not surprising, then, that learned men
have not been satisfied with it, and they have searched the Chronicles
and Records of London to find out what they tell us of Richard
Whittington, and thus a second story has been made.  Now I will tell
you first the older story.

Dick Whittington was born in the West of England.  While he was still
only a little boy his father and mother died, and left him so poor that
he had no home, and was thankful to do even the hardest work {40} for
just his bare food.  One day someone told him that the streets of
London were paved with gold.  "Can it be true?" he thought to himself.
"Is there so much gold in London that it is trodden underfoot?  Then it
is my own fault if I starve here in the West Country, for am I not big
enough and brave enough to tramp all the way up to London?  Who could
prevent me from picking up some of that gold which surely no one needs,
or they would not pave the streets with it?  And I need it so much!
Courage, Dick Whittington; off with you to London!"  So off he set, and
tramped all the weary way to the great city.

======================================================================

[Illustration: NO. 11.  AN ARCH OF LONDON BRIDGE; TOWER BRIDGE IN THE
DISTANCE.]

======================================================================

When he reached it, up and down its streets he went,--streets far
narrower than those of to-day, and darkened by the overshadowing
houses, for often each of their stories stood out a little beyond the
story below.  Very dirty we should have thought those streets, for
people often threw out into them their rubbish and refuse.  And what of
the gold?  Dick saw none.  At last, utterly wearied out, utterly
disappointed, so weak from hunger that he could hardly stand, he sank
down to rest on the doorstep of one of the houses.  Now the story says
that presently the cook of this house caught sight of him sitting
there.  She was a bad-tempered woman.  She flung open the door and
scolded Dick well for an idle fellow, and bade him be off.  Dick begged
her to give him work so that he might earn some food, but she would not
listen to him, and only scolded the more; and while this was going on
up came the master of the house, a rich merchant, whose name was Hugh
Fitzwarren.  He asked the meaning of all these angry words, and {41} he
too was vexed to see a boy sitting idly on his doorstep, and bade him
go to his work.

"Ah," said Dick, "I have no work, and I have had nothing to eat for
three days.  I am a poor country lad, and here no one knows me, no one
will help me."  And he rose up to wander away again, but he was so
tired, so weak, he could hardly stand.  The merchant saw this, and said
to the cook, "Take him in; feed him well, and set him to work to help
thee in thy kitchen."

Now, she was, as I said, a bad-tempered woman.  Her master's orders she
must and did obey, but if Dick now had work and food and a
resting-place, he had also many a sharp word, many a sour look, many a
cruel blow.  Though he worked hard he could not please her.  Indeed, in
all the household--and it was a large one--the only person who was
friendly to him was the merchant's little daughter, Mistress Alice, who
not only spoke kindly to him herself, but tried to make his
fellow-servants treat him better.

======================================================================

[Illustration: NO. 12.  WHITTINGTON SETTING THE KING FREE FROM THE
GREAT DEBT.]

======================================================================

Dick slept in a garret which was overrun with rats and mice; they were
so bold that they even crept about over him when he was in bed, and
prevented him sleeping.  What could he do about this?  In all the world
he had but one penny; how he came by this penny I do not know, but I
feel sure he earned it by doing some extra work.  With it he bought a
cat and took her up to his garret, and there she lived and made war on
the rats and mice.  Henceforth Dick slept in peace.

Whenever the merchant, Hugh Fitzwarren, sent a ship to trade with
foreign countries, he allowed each {42} of his servants to have some
little share in her; each might send out in her some silk or cloth, or
even a very little thing, whatever he had or could afford to buy; and
the money for which this thing was sold was the servant's own.  This
the merchant did that "so God might give him greater blessing."  Thus
it came about that one day Dick was called with all the other servants,
and each was asked what he would send out in the good ship _Unicorn_,
which was now ready for sea.  When it came to Dick's turn, he said, "I
have nought to send."  "Think again," said his master; "hast thou no
little thing thou canst spare?  Hast thou nought to venture?"  "Nought,
nought," answered Dick, "except my cat, and thou wilt not take her."
"Nay, why not?" said the merchant.  "Send thy cat by all means."  So,
though his fellow-servants laughed and mocked, Dick's cat was sent on
board the _Unicorn_.

Now he was lonely indeed; so lonely that the cook's angry words and
cross tempers were harder to bear than ever, and Dick made up his mind
to run away.  Very early one morning--it was the Feast of
All-Hallows--while his fellow-servants were still fast asleep, he
slipped out of Master Fitzwarren's house and made his way northward out
of London.  On Highgate Hill he sat down to rest.  Hark! what was that
he heard?  Now the wind brought the sound to him more clearly; now it
died away again.  It was the chime of Bow bells, and this is what it
said to him:--

  "Turn again, Whittington,
  Lord Mayor of London!"


{43}

Lord Mayor of London!  Was he to be Lord Mayor?  If so, must he not
work faithfully, and, if need be, endure hardships--yes, even such
little hardships as the cruel words and blows of the bad-tempered cook?
Up he jumped, and hurried back so fast that he reached Master
Fitzwarren's house before the cook had missed him.

The _Unicorn_ had sailed to the Barbary Coast of Africa.  The King of
this country was rich and great, yet he was most miserable and
uncomfortable, for his kingdom simply swarmed with rats and mice.  They
were everywhere, even in the beds and on the King's table, where they
ate the food which had been prepared for him.  When the men of the
_Unicorn_ came to the Court to show the King the goods their ship had
brought, fancy how surprised they were to see rats and mice here,
there, and everywhere!  "That cat we have on board," said they, "would
soon stop this."  "Then let the cat be sent for at once!" cried the
King.  So Dick's cat was brought, and now in the palace, as once in
Dick's garret, she made fierce war on the rats and mice, and before
long she had driven them all away.  The King was so delighted that he
bought the cat for ten times more money than he paid for all the
_Unicorn's_ rich merchandise.

When the ship came home, here was fine news for Dick,--no more
kitchen-work for him; he was a rich man now.  He became a merchant like
his master, Hugh Fitzwarren, and by-and-by he married Mistress Alice;
and, as Bow bells had promised him, he was made Mayor of London, not
once, but three times.  He was a good Londoner and a good Englishman,
for {44} the story says that when King Henry V. came home after he had
conquered France, Whittington entertained him at a great banquet.  Look
at the picture of this which faces page 41; near the table a fire is
burning, and Whittington is just going to throw something into it.  How
eagerly everyone is watching him, and well they may; for before the
King went to France he had borrowed great sums of money from the City
and its merchants to pay the cost of his wars, and now Whittington is
flinging into the fire the papers in which the King had promised to pay
back 37,000 crowns--that is, £60,000 in our money.  Thus he set the
King free from his debt, or, in other words, gave him all this money.
Was not this a princely gift for the great merchant to give the great
King?

Now I must tell you what the Chronicles and Records of London tell us
about Richard Whittington.  He was indeed born in the West of England,
but he belonged to a good family.  We do not know why and when he came
to the City.  In those days it was certainly no disgrace for the
younger sons of good families to be London merchants; for the City was
great and prosperous, able to raise large sums of money to help the
King in his wars; and we read that at a council held at the Guildhall
about this very matter, to which came the Archbishop of Canterbury and
the King's brothers, the Lord Mayor was given the seat of honour above
them all, so greatly was he respected because he was London's chief
officer.

All the workmen, according to their trades, had to belong to companies
called "guilds."  Each guild had its own officers and made its own
rules for looking {45} after its members; and it had to see not only
that these members knew how to do their work, but also that they did it
properly and charged a fair price for it.  We may still read the rules
about all this made by the Guilds of the Blacksmiths, the Plumbers, the
Glovers, and many others.  Truly, the merchants and workmen of London
were honourable and upright, and turned out good honest work.  No
wonder, then, that Richard Whittington became a London merchant.

He was a mercer--that is, he sold cloth and silk and velvet and such
things; and so we hear of him providing velvet for the servants of that
Earl of Derby who afterwards became King Henry IV.

Whittington became a great man in the City, was Alderman and Sheriff,
and from June, 1397, until November, 1399, he was Mayor.  Mayor for a
year and five months?  Are not Mayors appointed every year in October?
and do they not rule only for one year, from November to November?
Yes, but the Mayor chosen in October 1396 died during his year of
office, and the King, Richard II., appointed Whittington to take his
place; and at the year's end the Aldermen chose him to be Mayor again
for the next year.

He was still carrying on his business, and when Henry IV. became King,
and the Princesses, his daughters, were to be married, Whittington sold
to them the cloth of gold and other things necessary for their
weddings.  He often lent great sums of money to Henry IV., and in later
days to his son, Henry V., and in the reign of this King he was Mayor
twice.  He died in the year 1423; on his gravestone were carved some
Latin words which mean that he was the {46} Flower of Merchants.  His
wife's name was certainly Alice Fitzwarren, but she was the daughter of
a Dorsetshire Knight.

So you see the real Richard Whittington was a very great and rich
merchant.  But many another has been as rich and great, yet no stories
are told of them; what makes Whittington different from all others?

First of all, he was Lord Mayor three times, or, rather, may we not say
three and a half times?  And then he was very wise and generous; he
gave, as I have already told you, a library to the Grey Friars; and he
arranged that after his death a great deal of his money should be used
to help London.  His friends, who had to see to this, knew that good
water is one of the things most necessary for a great city, so they
arched over a spring to keep it clean and sweet, and they placed
"drinking-bosses," or taps, in the conduits or channels and pipes which
brought the water from country springs and streams into London.
Newgate Prison was "feble, over-litel, and so contagious of eyre [air]
yat [that] hit caused the deth of many men," so Whittington's money was
used to rebuild it.  It was also used to repair St. Thomas's Hospital,
and to make a new hospital or almshouse where always thirteen old men
should live, who were to pray for Dick Whittington's soul, and the
souls of his father and mother and wife.  These almshouses are no
longer in the City; they have been moved out to Highgate, and stand not
far from the stone which marks the place where Whittington heard the
chime of Bow bells; and through them Dick Whittington's wealth is still
doing good to the poor of London.




{47}

VI.

WHEN ELIZABETH WAS QUEEN

In the reign of Henry VI., Humphrey, Duke of Gloucester, the King's
uncle, built himself a palace at Greenwich, and he called it
"Placentia" or "Plaisance," which means a pleasant thing or place.
(Turn over this page and the next, and you will find a picture of it.)
I think the Tudor Kings really found it a pleasant place, for they
lived there a great deal; here Henry VIII. and his daughters, Mary and
Elizabeth, were born, and here Edward VI. died.

In those days the road we now call the Strand led from the City to the
village of Charing Cross; and all along it stood great and beautiful
houses with gardens which stretched down to the river.  Each house,
most likely, had its water-gate or landing-place, where the master of
the house and his guests could step on board their barges, which might
take them up the river to Westminster and the royal palace near
Richmond, or down to London and beyond it to Greenwich; for in those
days the river was London's greatest and most stately highway.  Very
stately were the barges, very gay, too, with flags and the fine
liveries of servants; and very often people on the banks or in little
boats near-by heard music sounding from their decks as they moved
swiftly along.  How beautiful, how stately, must Queen Elizabeth's
barge have been, when at her Coronation she came by water to the Abbey!

{48}

She often stayed in her palace called Plaisance; how grandly she lived
there!  One who saw her there tells of the "gentlemen, barons, earls,
Knights of the Garter, all richly-dressed and bareheaded," who went
before her; one of them carried the sceptre, another the sword of
state.  The ladies of her Court followed her, and she was guarded on
each side by fifty gentlemen who carried gilt battle-axes.  She was
herself magnificently dressed, and "wherever she turned her face as she
passed along, everybody fell down on their knees."

======================================================================

[Illustration: NO. 13.  GREENWICH AS IT IS NOW.]

======================================================================

Sometimes, when she wanted to be amused, plays were acted in the great
hall of the palace, and she sat in her chair of state with her ladies
about her and looked on.  I wonder if any of these plays were written
by Shakespeare?  Perhaps they were; it is even possible that
Shakespeare himself may have acted before her, for he had come to
London from his country home two years before the Spanish Armada sailed
up the English Channel to conquer England; and during the last five
years of her reign, whenever Elizabeth went up the river in her barge,
she passed the round wooden theatre, called the Globe, where his plays
were acted, for it was in Southwark on the south bank.  There is no
sign of it now; a great brewery has been built over the place where
once it stood.

These were the days when English sailors fought the Spanish on the high
seas, because they claimed all the New World as their own and strove to
keep everyone else out of it.  From the windows or the terrace of her
palace did the Queen ever watch ships sailing down the river to take
part in this struggle, or in another,--a struggle with winds and waves,
ice and {49} snow, as the sailors tried to explore the unknown coasts
of America?  Once at least we know she did, for Admiral Frobisher's two
little ships fired a salute to her as they dropped down the river.  He
was going to search for gold and for the North-West Passage round the
north of America to the Pacific.  He found no passage and no gold
though he went again and yet again to the cold North.  How often
Englishmen searched for that passage; how hard they found it to believe
that there is no way for ships through those icy seas!

======================================================================

[Illustration: NO. 14.  PLACENTIA, THE OLD PALACE AT GREENWICH.]

======================================================================

Those were stirring times.  Often sailors came home with wonderful
tales to tell; and thus, in September, 1580, a ship, called the
_Pelican_, sailed into Plymouth Sound, and all England rang with the
news of her coming, for she was Admiral Drake's ship.  Nearly three
years before he and his sailors had left England in her; they had
fought the Spanish, they had taken great treasure, money and jewels,
and they had sailed round the world.  Now they were safe home again.
Do you wonder that the Queen wanted to see the ship which had made such
a voyage?  She told Drake to bring the _Pelican_ round to Deptford,
which is very near Greenwich; and she went on board and took part in a
great feast which was given in her honour; and she knighted Drake on
the deck of his own ship.  How proud Englishmen were of him!  One of
them said the _Pelican_ ought to be hoisted up to the top of the tower
of St. Paul's Cathedral, to take the place of the spire which had been
destroyed by lightning some time before.  Was not this a mad plan?  Of
course, it was never carried out.  For many a year the old ship lay in
Deptford {50} Dockyard just as the Victory lies now in Portsmouth
Harbour; and people used to visit her, and even have supper on board
her.  When she was very old she was broken up; out of some of her
timbers a chair was made and presented to Oxford University.

Do you remember what happened in 1588?  This was the year of the
Invincible Armada, when England had to prepare ships and sailors and
soldiers to protect herself from the Spanish.  What help did London
give?  She was asked for fifteen ships and five thousand men.  "Give us
two days," said her citizens, "to consider what we can do"; and in two
days they answered, "We will send thirty ships and ten thousand men to
serve our country."

London, then, had certainly plenty of ships; and many a sea-captain
besides Frobisher sailed down the river past Placentia on his way to
some far-off port; for London merchants were eager to trade with all
parts of the world; and after the defeat of the Spanish Armada they
knew that the wide ocean, east and west, lay open before them.  No
Spaniard now could forbid English ships to sail on any sea.

Drake had seen for himself and had brought home word of the spices and
great wealth of the East Indies.  But they were very far off, and the
cost of fitting out ships for so long a voyage was very great; great,
too, were the dangers these ships would have to face--dangers of sea
and storm, of savage people and an unknown land; could any one merchant
risk so much?  The Lord Mayor called together some London merchants to
consider this question, and they answered, "The losses which would ruin
one would hardly be felt if {51} borne by many; let us, then, form a
company to trade with the East."  Thus began the East India Company;
its birthday was the very last day of the sixteenth century.  It had at
first only four ships and less than five hundred men; before it came to
an end, two hundred and fifty-eight years later, it was ruling nearly
all India.

I have another story to tell you which began nearly twenty years before
the East India Company's birthday.  In December, 1581, a young man came
to Placentia, bringing letters to the Queen from her soldiers in
Ireland, where there had been war and great trouble.  He was carefully
dressed and wore a new plush cloak, for this was, I think, his first
visit to Court, and the Queen loved to see everyone about her well and
beautifully dressed.  Perhaps he had only just arrived; perhaps the
Queen had been out in her barge and was coming up from the riverside to
her palace; however it may have been, she came to a very muddy place in
the road, which is not at all surprising, since in December there is
often a great deal of rain.  The Queen looked at the puddles and
stopped, and the young man sprang forward, swept his plush cloak from
his shoulders and spread it over the mud for her to step on that so she
might pass on without soiling her shoes.  I feel sure you know the
young man's name--it was Walter Raleigh.  Is it any wonder that he
became a great favourite with the Queen?  An old story says that soon
after this he wrote with a diamond on the glass of a window in the
palace:--

  "Fain would I climb, yet fear to fall."


{52}

And the Queen saw it, and wrote beneath it:--

  "If thy heart fail thee, climb not at all."


His heart did not fail him; he became captain of her Guard, and he rose
higher and higher in her service.

Raleigh was the first Englishman to think how splendid it would be if
some of his countrymen would go to America and make homes for
themselves there, and so build up a greater England beyond the seas.
He sent out ships to explore, and twice he sent out men to settle in
the new land.  Some the Indians killed; some found the work of building
houses and clearing away the forests far harder than they had expected;
and the Indians often attacked them, and food was sometimes so scarce
they almost died of hunger.  Do you wonder they lost heart and came
back to England?  Thus it seemed that Raleigh's plan quite failed; but
it did not really, for about twenty years later, a company, like the
East India Company, was formed, called the Virginia Company.  It sent
out some settlers who sailed from London in the year 1606, and they did
what Raleigh's men had failed to do--built themselves homes, and
cleared and tilled the land.  Thus began the British Dominions beyond
the Seas.

One thing Raleigh did which must not be forgotten.  The men he sent to
explore in America saw potatoes and tobacco growing there, and learnt
from the Indians how to use them.  When they came home they showed
Raleigh the plants they had brought back with them.  He tried smoking
tobacco, and I {53} think he must have liked it very much, for he used
to give his friends pipes with silver bowls and teach them how to
smoke.  And he planted potatoes in the garden of a house he had in
Ireland; his were the very first Irish potatoes.  A few years later
both potatoes and tobacco were growing in the garden of one of those
fine houses in the Strand of which I have told you; people thought them
very rare and curious plants.

Eight years before the great Queen died, Raleigh went himself to South
America, and sailed far up the River Orinoco.  He found a fertile land
and friendly Indians, who told him wonderful stories of the great "city
of Manoa" which was (so they said,) rich beyond the dreams of man; El
Dorado, the Golden City, the Spanish called it.  Raleigh never forgot
these stories; more than twenty years later they helped to bring him
back to America.

When Elizabeth died and James I. came to the throne he fell into
disgrace, for some people said he had plotted against the King; so he
was tried, found guilty, and condemned to death.  But he was not
killed; year after year he was kept a prisoner in the Tower of London.
How did he pass his days there? was he very dull and sad?  I think not.
Part of the time his wife and son lived with him; he was very much
interested in the new science of chemistry, and he worked at it and
tried experiments in his cell; he began to write a wonderful History of
the World; and I think he thought and dreamed much about Manoa, his
Golden City, and the riches which lay hidden in South America.  The
Spanish said these riches were {54} all theirs; but Raleigh did not
believe this, and he thought Englishmen could so easily get possession
of some of them.  After many years he tried to persuade King James to
let him cross the Atlantic and sail up the Orinoco to find a gold-mine
he had heard of there; he said if only he might go and open it up, it
would bring great wealth to the King.  Had he another hope, I wonder,
hidden away in his heart, of which he did not speak--that he might also
search for and find his Golden City?  However this may be, he certainly
tried to persuade the King, and he succeeded, for James said, "Yes, you
may go," though he well knew that Raleigh could not go to South America
and bring home gold without offending the Spanish, and England was then
at peace with Spain.  So Raleigh sailed away.  After fifteen months he
came home with a sad tale to tell;--everything had gone wrong, the
Spanish had killed many of his men, and he had found no gold.  James
sent him back to the Tower; and four months later, in the year 1618, he
was beheaded, because (so he was told,) he had once plotted against the
King.  Thus died the last of the great men of Queen Elizabeth's Court
who had done so much for England.

How different London is now from the London of Queen Elizabeth's reign!
Old St. Paul's and its high tower,--I will tell you in the next story
what became of them.  The Globe Theatre, too, has quite disappeared.
Busy shops have taken the places of the beautiful old houses in the
Strand; nothing now reminds us of them except the names of some of the
streets which turn off it; and Somerset House, the great building where
{55} now some of the business of the nation is carried on, is so called
because it stands on the place where the Duke of Somerset, who lived in
Edward VI.'s reign, began to build a palace for himself.

If you go down the river to Greenwich, will you see Queen Elizabeth's
pleasant palace?  Ah, no.  Sixty years after she died it was so out of
repair that Charles II. ordered it to be pulled down and a new one
built in its place.  This new palace was not finished until William and
Mary's reign.  Then there was a great war with France, and the Queen
begged the King to finish the palace and to turn it into a hospital for
sailors who had been wounded or crippled in one of the great
sea-fights.  So it came to pass that, instead of Placentia, we now have
Greenwich Palace; you will find a picture of it facing p. 48.

Perhaps you are thinking, "At any rate the Tower has not changed, and
London still has a Lord Mayor."  But even the Tower has changed, for in
Queen Elizabeth's time it was a royal palace as well as a prison.  She
did not use it often; perhaps she did not like it, for she had been a
prisoner there herself when her sister Mary was Queen.  Now our Kings
never live there; and prisoners are not kept there; and for more than a
hundred and fifty years no one has been beheaded there.  I must tell
you of one other change, for I am sure it will interest all children.
In Queen Elizabeth's reign, if you had gone to see the Tower, you would
have been shown also the lions and other wild animals which, from very
early times, had been kept there in dens near the part which is called,
after them, the Lion Tower.  Now you must go to the Zoological Gardens
{56} to see wild animals; there are none in the Tower; they were all
sent away to the Zoo not long before Queen Victoria began to reign.

======================================================================

[Illustration: NO. 15.  THE FIRE OF LONDON]

From the Fresco by Stanhope A. Forbes, R.A., in the Royal Exchange

_By permission of the Artist and the Sun Insurance Office_

_See page_ 61

======================================================================

As for the Lord Mayor, he is still the first magistrate of London, and
he still takes the leading place in all London's affairs, just as he
did in Queen Elizabeth's reign.  No, his work and duties have not
changed, except that, as London has grown greater and more important,
they have grown greater and more important also.




{57}

VII.

ST. PAUL'S CATHEDRAL

The Cathedral of the City of London is called St. Paul's.  In the
picture beside this page you can see its great dome and golden cross,
the top of which is nearly as many feet above the ground as there are
days in the year.  For more than thirteen hundred years God has been
worshipped on the spot where St. Paul's now stands; before that, many
people think, a Roman temple stood there; and before that, again,
perhaps the ancient Londoners worshipped there the God Lud, of whom I
have told you; since that time the number of the years has grown from
hundreds to thousands.

======================================================================

[Illustration: NO. 16.  ST. PAUL'S FROM THE RIVER]

======================================================================

Let us fancy what this country was like more than thirteen hundred
years ago.  The English had conquered it and given it their name and
language.  The Christian Faith, which the Britons had learnt while the
Romans were ruling them, had been almost quite forgotten except in the
western part of the land; for in the east very many of the English had
settled, and they were heathen.  Do you remember that Pope Gregory the
Great, when he was still just a simple priest, had seen some English
children in the slave-market at Rome, and thought they were fair as
angels?  He never forgot these children, and when he became Pope he
sent his friend, Augustine, and some priests to England to teach its
people the Christian Faith.  {58} These missionaries landed in Kent and
were kindly received by its King, Ethelbert, whose wife, Bertha, was
already a Christian.  In time he was baptized; and the old historian
Bede tells us that he "builded in the Citie of London St. Paules
Church"; and its first Bishop was that Mellitus to whom the fisherman
Edric brought the message that St. Peter had consecrated his own abbey
on Thorney.

In time Ethelbert died, and Mellitus was made Archbishop of Canterbury;
then the men of London became heathen again.  There is a curious old
tale about this, and though it is just a story, not real history, I
will tell it to you.  Do you remember that the monks said Sebert, King
of the East Saxons, rebuilt St. Peter's Abbey?  Do you not think, then,
that he must have cared enough about the Christian Faith to teach it to
his sons?  Yet after his death they went back to the old Faith.  It
chanced that one day, when Mellitus was holding the solemn service of
the Mass, they broke open the door of the church, rushed in and ordered
him to give them "white bread" such as he used to give their father;
they meant the Bread used in the Mass.  How could Mellitus give it to
men who did not believe the Faith in which such Bread is a holy thing?
He refused, and in their anger they turned him out of London; and, as I
said, the Londoners went back to their old religion.  Truly it took a
long time and much teaching to make them really Christians.

Near the end of the seventh century we hear of another Bishop of
London, called Erkenwald.  He did much to make St. Paul's beautiful and
splendid.  {59} And he cared for his people too,--the men, women and
children, who lived scattered about in the wild forests which then lay
round London; and in order that he might visit, help and teach them, he
used to drive in a cart from place to place over rough roads, and often
where there were no roads.  He was so good that people said he was a
saint; and so when he died and his body was buried in St. Paul's, his
grave there was greatly honoured,--it was even said that miracles were
worked there.  Is it there still?  Ah, no; it was destroyed long ago,
as you shall hear presently.  Yet London ought not to forget this old
Bishop since it is said that one of her streets is called after him,
for in his days it seems that the old Roman walls had fallen into
ruins, and it is said that Erkenwald built a new city-gate ever since
called, after him, Bishopsgate.  If you look at a map which shows the
streets of London, you will find Bishopsgate and Bishopsgate Street
near Liverpool Street Station.  This story shows us that Erkenwald was
a good citizen as well as a good Bishop.

The years passed on; the Normans came and conquered England; and now we
have come to real history.

Near the end of William I.'s reign, St. Paul's was burnt down, and the
Bishop of London of that day began to build in its place a cathedral so
grand and large that men thought it would never be finished, "it was to
them so wonderful for height, length, and breadth."  Yet little by
little it grew until--but not for more than two hundred and twenty-five
years--it stood complete with its great steeple, {60} the highest in
Europe, towering up 520 feet into the air.  This is the Cathedral to
which in later days Queen Elizabeth came to return thanks to God for
the defeat of the Spanish Armada.  Here Sir Philip Sidney was buried.
Perhaps you remember that, as he lay dying on a battlefield in the
Netherlands, someone brought him a drink of cold water which seemed to
him the most delicious thing in all the world, so thirsty was he
because of his wounds.  Then he saw a poor soldier looking at it with
longing eyes, and he would not drink it, "for," he said, "his need is
greater than mine; give it to him."

In the days of Oliver Cromwell the poor Cathedral was used as a barrack
for soldiers and as a stable for their horses.  There is now in the
British Museum a printed paper ordering the soldiers not to play
nine-pins and other games there between nine o'clock at night and six
in the morning, because their noise and shouts while they played
greatly disturbed the people who lived near the churchyard.  Long
before this the great steeple had been struck by lightning and burnt
down, and the whole Cathedral had fallen out of repair; thus, when
Cromwell died and Charles II. became King, there was much talk as to
what was to be done for it.

[Illustration: OLD ST. PAUL'S.  Burnt down in 1666.]

The summer of the year 1666--the year after the Great Plague--was very
hot; an east wind blew for weeks together, so the old crowded wooden
houses of the City must have been as dry as tinder, when, on September
2, a fire broke out in a baker's shop in Pudding Lane.  At first, I
suppose, the neighbours watched it and thought it just such a fire as
they had {61} seen many a time before; but how could they have felt
when it spread from house to house, and leapt from street to street?
when days passed and still it spread?  Some people ran about like
distracted creatures, not even trying to save their possessions; others
fled away to the fields outside the City, carrying with them all they
could.  Imagine them huddling under the hedges for shelter and looking
back at the crimson sky, for an old writer tell us "all the sky was of
a fiery aspect like the top of a burning oven, and the light" was "seen
above forty miles round about for many nights."  The melting lead of
the roof of St. Paul's ran "down the streets in a stream, and the {62}
very pavements were glowing with a fiery redness, so as no horse or man
was able to tread on them."

Five days the fire raged.  When at last it died out, London lay in
ruins; 400 streets, 89 churches and 4 of the city-gates had been burnt,
besides the Cathedral, and in it the shrine of St. Erkenwald.  Has any
city, I wonder, ever suffered so great a loss?  Were the Londoners sad
and miserable when they looked at the ruins?  For a time, perhaps, they
were; but soon they set themselves to build a new London with wider
streets and houses made of stone, which would not burn so easily; and
the man who advised and helped them most to do this was Sir Christopher
Wren.  He drew the plans for, and saw to the rebuilding of, many of the
city churches, and above all of the Cathedral.  Look again at its
picture facing page 57.  The first of its stones was laid in June,
1675, and the last and highest in 1710; but it is not finished even
yet; month by month the work goes on.  If you go into it, you will see
men busy covering its great walls and pillars with beautiful rich
colours.

Wren lived to be a very old man.  Towards the end of his life he used
to come to London once a year to sit for awhile under the great dome
which he had planned and built, for he loved it, and I think it was to
him not only a beautiful, but also a solemn and a holy thing.  When he
died his body was buried in the Cathedral; his name and what he did are
written over the north door, and also some Latin words which mean,
"Reader, if thou seekest his monument, look around."

St. Paul's has taken part in our life as a nation ever {63} since.
Here some of our greatest men are buried.  Nelson and Wellington both
lie here, and so do some other great British sailors and soldiers, some
also of our statesmen and painters; and monuments have been put up here
in memory of others whose graves are far away.  Here Queen Victoria
came in 1897 to return thanks to God for her long reign; and here every
day, and especially on Sundays and on all great national occasions,
solemn services of prayer and supplication, or of praise and
thanksgiving, are held.




BILLING AND SONS, LTD., PRINTERS, GUILDFORD




Black's Historical Series,

By E. L. HOSKYN, B.A.

PICTURES OF BRITISH HISTORY

MORE PICTURES OF BRITISH HISTORY.

Each containing 60 Illustrations, of which 32 are in colour.

Crown 4to.  Price 1/6 each.  Bound in cloth.


"More Pictures of British History" is a series of stories arranged so
as to follow after and enlarge the survey of history given in "Pictures
of British History."  The same methods have been followed in both
hooks, but whereas "Pictures of British History" deals mainly with men
of action, the new one treats chiefly of those whose thoughts and
ideals have made history.  It is hoped that this has been done simply
and vividly enough to bring the stories well within the grasp and to
arouse the interest of children of nine or ten years of age.



By M. W. KEATINGE, M.A., and N. L. FRAZER, M.A.

A HISTORY OF ENGLAND FOR SCHOOLS.

WITH DOCUMENTS, PROBLEMS, AND EXERCISES.

Price 5/-; or in Two Parts, price 2/6 each.

PART I., B.C. 55 TO A.D. 1603.

PART II., A.D. 1603 TO PRESENT DAY.

"A gallant and successful effort to solve a difficult problem and to
introduce a real and great improvement into the teaching of
history."--_Times_.

The "Documents, with Problems and Exercises" are also published
separately under the title of

DOCUMENTS OF BRITISH HISTORY.

In one Volume, Large Crown 8vo., cloth, price 3/6; or in six Sections,
Limp Cloth, price 8d. each.


  Section   I.--A.D. 78-1216     |   Section  IV.--A.D. 1603-1715
     "     II.--A.D. 1216-1399   |      "      V.--A.D. 1715-1815
     "    III.--A.D. 1399-1603   |      "     VI.--A.D. 1815-1900

The last-named Section does not appear in "A History of England for
Schools."

A. & C. BLACK, 4, 5 & 6 SOHO SQUARE, LONDON, W.









End of the Project Gutenberg EBook of Stories of London, by E. L. Hoskyn

*** END OF THIS PROJECT GUTENBERG EBOOK STORIES OF LONDON ***

***** This file should be named 33613-8.txt or 33613-8.zip *****
This and all associated files of various formats will be found in:
        https://www.gutenberg.org/3/3/6/1/33613/

Produced by Al Haines

Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties.  Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark.  Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission.  If you
do not charge anything for copies of this eBook, complying with the
rules is very easy.  You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research.  They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks.  Redistribution is
subject to the trademark license, especially commercial
redistribution.



*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
https://gutenberg.org/license).


Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A.  By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.  If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B.  "Project Gutenberg" is a registered trademark.  It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.  There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.  See
paragraph 1.C below.  There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works.  See paragraph 1.E below.

1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.  Nearly all the individual works in the
collection are in the public domain in the United States.  If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed.  Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work.  You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D.  The copyright laws of the place where you are located also govern
what you can do with this work.  Copyright laws in most countries are in
a constant state of change.  If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work.  The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1.E.  Unless you have removed all references to Project Gutenberg:

1.E.1.  The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org

1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges.  If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.

1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder.  Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5.  Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6.  You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form.  However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form.  Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.

1.E.7.  Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8.  You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
     the use of Project Gutenberg-tm works calculated using the method
     you already use to calculate your applicable taxes.  The fee is
     owed to the owner of the Project Gutenberg-tm trademark, but he
     has agreed to donate royalties under this paragraph to the
     Project Gutenberg Literary Archive Foundation.  Royalty payments
     must be paid within 60 days following each date on which you
     prepare (or are legally required to prepare) your periodic tax
     returns.  Royalty payments should be clearly marked as such and
     sent to the Project Gutenberg Literary Archive Foundation at the
     address specified in Section 4, "Information about donations to
     the Project Gutenberg Literary Archive Foundation."

- You provide a full refund of any money paid by a user who notifies
     you in writing (or by e-mail) within 30 days of receipt that s/he
     does not agree to the terms of the full Project Gutenberg-tm
     License.  You must require such a user to return or
     destroy all copies of the works possessed in a physical medium
     and discontinue all use of and all access to other copies of
     Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1.F.3, a full refund of any
     money paid for a work or a replacement copy, if a defect in the
     electronic work is discovered and reported to you within 90 days
     of receipt of the work.

- You comply with all other terms of this agreement for free
     distribution of Project Gutenberg-tm works.

1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
Foundation as set forth in Section 3 below.

1.F.

1.F.1.  Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection.  Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3.  YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from.  If you
received the work on a physical medium, you must return the medium with
your written explanation.  The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund.  If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund.  If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4.  Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.

1.F.5.  Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law.  The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.


Section  2.  Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers.  It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come.  In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at https://www.pglaf.org.


Section 3.  Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service.  The Foundation's EIN or federal tax identification
number is 64-6221541.  Its 501(c)(3) letter is posted at
https://pglaf.org/fundraising.  Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations.  Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
[email protected].  Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at https://pglaf.org

For additional contact information:
     Dr. Gregory B. Newby
     Chief Executive and Director
     [email protected]


Section 4.  Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment.  Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States.  Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements.  We do not solicit donations in locations
where we have not received written confirmation of compliance.  To
SEND DONATIONS or determine the status of compliance for any
particular state visit https://pglaf.org

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States.  U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses.  Donations are accepted in a number of other
ways including including checks, online payments and credit card
donations.  To donate, please visit: https://pglaf.org/donate


Section 5.  General Information About Project Gutenberg-tm electronic
works.

Professor Michael S. Hart was the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone.  For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.


Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included.  Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.


Most people start at our Web site which has the main PG search facility:

     https://www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.