The Abandoned of Yan

By Donald F. Daley

The Project Gutenberg EBook of The Abandoned of Yan, by Donald F. Daley

This eBook is for the use of anyone anywhere in the United States and
most other parts of the world at no cost and with almost no restrictions
whatsoever.  You may copy it, give it away or re-use it under the terms
of the Project Gutenberg License included with this eBook or online at
www.gutenberg.org.  If you are not located in the United States, you'll
have to check the laws of the country where you are located before using
this ebook.



Title: The Abandoned of Yan

Author: Donald F. Daley

Release Date: February 9, 2020 [EBook #61355]

Language: English


*** START OF THIS PROJECT GUTENBERG EBOOK THE ABANDONED OF YAN ***




Produced by Greg Weeks, Mary Meehan and the Online
Distributed Proofreading Team at http://www.pgdp.net









                         THE ABANDONED OF YAN

                          BY DONALD F. DALEY

                   The Abandoned have neither rights
                  nor hopes. They only have revenge!

           [Transcriber's Note: This etext was produced from
               Worlds of If Science Fiction, March 1963.
         Extensive research did not uncover any evidence that
         the U.S. copyright on this publication was renewed.]


After her husband left her, Marigold filed a protection-request form
and an availability form.

She did not do this immediately. She stayed up for the better part of
the night, hoping that he would come back. She could not bring herself
to believe that he would really walk out on her and leave her available
for confiscation, or for the slavery pool. She also thought for quite a
while about the possibility of somehow getting back to Earth, where she
would not be available for either.

She even went to the fantastic expense of televiewing there to talk
with her father and mother. They had been shocked and unfriendly. They
had said good-by with a finality which left little room for doubt as
to what they thought of an Abandoned. They had never had one in their
family, they had pointed out, neither of them, and they did not intend
to have one in their family now. They had warned her that they intended
to report the call to the Beta III Protection People.

This did not worry her much. The call almost certainly had been
monitored anyway. If they wanted to go to the considerable extra
expense of reporting it, in order to impress the Protection People with
their loyalty, that was their own lookout. She understood that, now,
she had no family. She thought for a moment of going up-ramp to say
good-by to the children, but she knew that this would not help.

Besides, it was illegal. They were no longer hers. She was an Abandoned.

She had never known what a tremendously harrowing experience
filling out an availability form could be. Name, age, Sector, race,
size-classification, beauty-index, fertility tests, personality scores,
aptitudes, psyche-rating and so on, and so on and so on. It was like
undressing for an auction. The protection-request form was much
simpler, except for that one question: STATUS? Her hand shook almost
uncontrollably as she wrote. _Abandoned._

After that she did not know what to do. She had stood for nearly twenty
minutes before the document file, listening, thinking desperately that
he would come back; that if she only waited a few minutes more he would
come back. She had made herself refreshment. She had sat with the
filled-out documents on her lap looking, from time to time, longingly
at the entrance-ramp. But he had not come back. Finally, with a low
moaning sound, she had pushed the papers through the document file
slot. She made the deadline by a scant three minutes.

Now she knew that whatever else happened, the Protection People would
be there in the morning to pick up the children. She knew that it could
show in her favor if she were to get together the things they would
need to take with them. She could do this without seeing them and
without talking to them, which was forbidden, but she could not bring
herself to move.

The red light on the atmosphere control blinked warningly. Soon it
would let out a piercing scream. She was tempted to just let it.
Another of Clytia's suns must have set. She found that she had no sense
of time. She had only the conviction that this would be her last night.
The last night that mattered to her at all. She wanted it to be a long
one. She had adjusted the atmoset. She had done this every night for
the seven years of their marriage. She began to sob uncontrollably. She
took her Status Married card and tore it in half. Then she held the
halves to her cheeks, her face wet and wretched between them.

       *       *       *       *       *

After a while she dialed the credit balance at her account. The figures
came back indicating a balance of 1300. He had left her quite a lot,
when you considered that she had televiewed to Earth. She cried hard
again because she knew that he had not had to leave her anything at
all. This made her certain (although she had known it already) that he
was not coming back.

She sat for quite a while studying the 1300 credit indicator.
She thought about using the money to buy a "pick-up-immediately
advertisement" on the omnivision. She was not sure of the rates, but
she thought the amount might even stretch to include a picture of
her. She did not know. She did not even know if she would be expected
to be nude or dressed for the picture. In the end, she decided not to
try an advertisement because there would not be time enough to employ
a reply-receiving address. All that would be accomplished would be to
put every predator within miles in possession of the address of an
Abandoned.

She took a dictator and said into it: "Dear children, I am leaving you
1300 credit." She stopped then and shook her head. The tears made it
so that she could not see, and she did not seem to be able to think.
"Correction," she sobbed "Erase preceding. Dear Children of Yan, I make
you this gift of 1300. I am sure that your excellence will continue to
deserve much more than so small a gift. I send love with this small
gift."

There could, of course, be no signature. An Abandoned had none.

She wished that she had not made the Earth call. There would have been
much more to leave them then. He had left an astonishing amount in her
account. It was almost as though he had expected her to try to get
away. She wished now that she had thought before taking action. There
might have been some way out.

She must have fallen asleep. The morning announcements came on as
usual, waking her. She listened to the instructions for that day, and
the areas announced as forbidden. She made no effort, however, to
indicate them on the day-map. She knew that, now, none of this applied
to her.

With a very great effort she got up and shut off the children's ramp,
so that they could not come down. She knew how much this would count in
her favor. Then she began, as hurriedly as she could, to collect the
things they would need. She knew that she could not possibly get the
things together in time, and that so late an effort was more likely
to count against her. She was not even close to finished when the
announcer flashed on.

Without asking who it was, she pressed the admitter. She was glad that
they had troubled to announce themselves.

She offered to go into another room while they removed the children.
They did not answer. One of them threw a sack over her. After a
moment, they took it off again and, rather apologetically, asked her
to indicate where the child-ramp control was. She showed them. Their
leader said that perhaps it would be all right for her to go into
another room if one of them went with her. When she saw the one chosen,
she put the sack back on herself. They laughed so hard at this that she
did not hear the children leave.

       *       *       *       *       *

When the children had been taken out, the leader came back and removed
the sack from around her. He asked if she had applied for protection.
She showed her card.

"Well, that's too bad," he said. "Do you have any refreshment left?"

She did not dare to lie to him. She showed him. He helped himself.

"How about credits?" he asked.

"I gave it all to the ones who were here," she answered carefully. She
felt quick panic because she remembered that she had not so instructed
her account. She had merely dictated it to the children. If he didn't
find out, though, that would be all right. The dictation was proof
enough. But while she was still in this house, the credits were still
in her control.

"My credit indicator is here," she said, holding it out. He didn't take
it.

"Thanks for the refreshment," he said, getting up. "Make yourself
comfortable. The others will be here shortly."

She had nothing to do to make herself ready. She could not take
anything from this house. Sometimes they let you wear what you were
wearing, if it did not look as though you had put on your best things.
They did not always allow it, but they did sometimes. She remembered
that she had expressed strong disapproval of that to Yan, when they
were newly married. Then they both felt the same way about Abandoneds.

She indicated to her account how she wanted the 1300 disposed. Then she
waited. After a while, the Protection People came and led her out of
the house. They did not touch her or speak to her, they merely formed
a square in the center of which she walked. They led her to a records
room where an interview apparatus prepared a report on her.

"You have filed availability papers?" it asked.

"Yes," she said, and gave the file number.

"This is being checked," the apparatus said. "Have you any claims upon
the State?"

She came very close to mentioning the children. "None," she said in
a very small voice. It was difficult to remember that the interview
apparatus was not at all sensitive.

"Have you credits in your possession?" the machine asked.

"None," she said.

"You are eligible for exclusion from the slave classification in what
way?" That part of the recording seemed a bit worn. At least she did
not hear it very well.

"In no way," she replied.

"You will wait," said the machine, "until we have a report on the
availability petition which you have filed. Please take a seat."

       *       *       *       *       *

There were no seats. This was an older machine which they had not
bothered to replace, or even to correct. She stood in horror as the
long minutes passed.

Her number was finally called.

"I am here," she said as the machine hummed, and she gave her number.

"Your availability petition has been taken up," said the machine. "You
are however to receive twenty-eight demerits for disposing of 6300
credit after having been abandoned. Do you accept?"

"I accept," she said. She was so dizzy that she could hardly stand. The
machine whirred and produced a reception-area card. She read it, and
walked as in a daze to the indicated reception area. Yan waited for her
there.

"You look terrible," he said as he put his arm around her. "I'm sorry.
You made me do this to you. I didn't want to. It's all over now, don't
cry."

She thought that she was going to faint.

"Thank you for receiving me," she said, according to the formula. "I am
the Abandoned of Yan, of the Estate...."

"Stop it!" he said. "I know who you are! Stop it!"

"Do you have children at your estate?" She asked it as one asks a
polite, social question.

"They'll be there when we get home," he said. "Don't do this. I didn't
know it would hurt that much. I wouldn't have done it if I had. They're
your children again now." He held her shoulders as he looked at her.

"I came to you with twenty-eight demerits," she said. "Shall I work
them off before I come to your estate?"

"Please, stop it!" he said. "They were paid when you accepted. I waited
here all night. No one else could have claimed you. Please, come on
home now?" He handed her a brand-new wife-status card.

"Thank you," she said. "I shall try to deserve the opportunity which
you restore to me." He smiled as she recited the formula and took his
arm. Yet he did not look as if he felt like smiling.

"Come home," he said. "Come home now. I'll not hurt you again." He led
her back to their estate.

That night, feeling entirely justified, she abandoned him.

       *       *       *       *       *

"Mommy," the children shouted. They ran to her and hugged her. They had
missed her, and had resented the disturbance in their routine. "Mommy!"
They danced and shouted, "Mommy! Mommy, Mommy!"

When it was their bed time, he left her alone with them. He said good
night to them himself, kissed them and squeezed her shoulder. "It's
good to have you home again!" he said. His eyes filled with tears and
he hurried from the room.

"Tell us a story, Mommy." It was the custom of the household.

There were tears in her eyes and her voice trembled a little, but she
said in what seemed to them a perfect narrative style:

"Once upon a time there were two very good and loving children who
found that it was their duty to denounce their father to the state and
to see him publicly flogged to death. You must listen very carefully to
this," she said, "both of you.

"At first, they thought that this was a very sad duty...."





End of the Project Gutenberg EBook of The Abandoned of Yan, by Donald F. Daley

*** END OF THIS PROJECT GUTENBERG EBOOK THE ABANDONED OF YAN ***

***** This file should be named 61355.txt or 61355.zip *****
This and all associated files of various formats will be found in:
        http://www.gutenberg.org/6/1/3/5/61355/

Produced by Greg Weeks, Mary Meehan and the Online
Distributed Proofreading Team at http://www.pgdp.net


Updated editions will replace the previous one--the old editions will
be renamed.

Creating the works from print editions not protected by U.S. copyright
law means that no one owns a United States copyright in these works,
so the Foundation (and you!) can copy and distribute it in the United
States without permission and without paying copyright
royalties. Special rules, set forth in the General Terms of Use part
of this license, apply to copying and distributing Project
Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
concept and trademark. Project Gutenberg is a registered trademark,
and may not be used if you charge for the eBooks, unless you receive
specific permission. If you do not charge anything for copies of this
eBook, complying with the rules is very easy. You may use this eBook
for nearly any purpose such as creation of derivative works, reports,
performances and research. They may be modified and printed and given
away--you may do practically ANYTHING in the United States with eBooks
not protected by U.S. copyright law. Redistribution is subject to the
trademark license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full
Project Gutenberg-tm License available with this file or online at
www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project
Gutenberg-tm electronic works

1.A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg-tm electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg-tm electronic work and you do not agree to be bound
by the terms of this agreement, you may obtain a refund from the
person or entity to whom you paid the fee as set forth in paragraph
1.E.8.

1.B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this
agreement and help preserve free future access to Project Gutenberg-tm
electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation ("the
Foundation" or PGLAF), owns a compilation copyright in the collection
of Project Gutenberg-tm electronic works. Nearly all the individual
works in the collection are in the public domain in the United
States. If an individual work is unprotected by copyright law in the
United States and you are located in the United States, we do not
claim a right to prevent you from copying, distributing, performing,
displaying or creating derivative works based on the work as long as
all references to Project Gutenberg are removed. Of course, we hope
that you will support the Project Gutenberg-tm mission of promoting
free access to electronic works by freely sharing Project Gutenberg-tm
works in compliance with the terms of this agreement for keeping the
Project Gutenberg-tm name associated with the work. You can easily
comply with the terms of this agreement by keeping this work in the
same format with its attached full Project Gutenberg-tm License when
you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are
in a constant state of change. If you are outside the United States,
check the laws of your country in addition to the terms of this
agreement before downloading, copying, displaying, performing,
distributing or creating derivative works based on this work or any
other Project Gutenberg-tm work. The Foundation makes no
representations concerning the copyright status of any work in any
country outside the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other
immediate access to, the full Project Gutenberg-tm License must appear
prominently whenever any copy of a Project Gutenberg-tm work (any work
on which the phrase "Project Gutenberg" appears, or with which the
phrase "Project Gutenberg" is associated) is accessed, displayed,
performed, viewed, copied or distributed:

  This eBook is for the use of anyone anywhere in the United States and
  most other parts of the world at no cost and with almost no
  restrictions whatsoever. You may copy it, give it away or re-use it
  under the terms of the Project Gutenberg License included with this
  eBook or online at www.gutenberg.org. If you are not located in the
  United States, you'll have to check the laws of the country where you
  are located before using this ebook.

1.E.2. If an individual Project Gutenberg-tm electronic work is
derived from texts not protected by U.S. copyright law (does not
contain a notice indicating that it is posted with permission of the
copyright holder), the work can be copied and distributed to anyone in
the United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase "Project
Gutenberg" associated with or appearing on the work, you must comply
either with the requirements of paragraphs 1.E.1 through 1.E.7 or
obtain permission for the use of the work and the Project Gutenberg-tm
trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any
additional terms imposed by the copyright holder. Additional terms
will be linked to the Project Gutenberg-tm License for all works
posted with the permission of the copyright holder found at the
beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including
any word processing or hypertext form. However, if you provide access
to or distribute copies of a Project Gutenberg-tm work in a format
other than "Plain Vanilla ASCII" or other format used in the official
version posted on the official Project Gutenberg-tm web site
(www.gutenberg.org), you must, at no additional cost, fee or expense
to the user, provide a copy, a means of exporting a copy, or a means
of obtaining a copy upon request, of the work in its original "Plain
Vanilla ASCII" or other form. Any alternate format must include the
full Project Gutenberg-tm License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works
provided that

* You pay a royalty fee of 20% of the gross profits you derive from
  the use of Project Gutenberg-tm works calculated using the method
  you already use to calculate your applicable taxes. The fee is owed
  to the owner of the Project Gutenberg-tm trademark, but he has
  agreed to donate royalties under this paragraph to the Project
  Gutenberg Literary Archive Foundation. Royalty payments must be paid
  within 60 days following each date on which you prepare (or are
  legally required to prepare) your periodic tax returns. Royalty
  payments should be clearly marked as such and sent to the Project
  Gutenberg Literary Archive Foundation at the address specified in
  Section 4, "Information about donations to the Project Gutenberg
  Literary Archive Foundation."

* You provide a full refund of any money paid by a user who notifies
  you in writing (or by e-mail) within 30 days of receipt that s/he
  does not agree to the terms of the full Project Gutenberg-tm
  License. You must require such a user to return or destroy all
  copies of the works possessed in a physical medium and discontinue
  all use of and all access to other copies of Project Gutenberg-tm
  works.

* You provide, in accordance with paragraph 1.F.3, a full refund of
  any money paid for a work or a replacement copy, if a defect in the
  electronic work is discovered and reported to you within 90 days of
  receipt of the work.

* You comply with all other terms of this agreement for free
  distribution of Project Gutenberg-tm works.

1.E.9. If you wish to charge a fee or distribute a Project
Gutenberg-tm electronic work or group of works on different terms than
are set forth in this agreement, you must obtain permission in writing
from both the Project Gutenberg Literary Archive Foundation and The
Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
works not protected by U.S. copyright law in creating the Project
Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
electronic works, and the medium on which they may be stored, may
contain "Defects," such as, but not limited to, incomplete, inaccurate
or corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged disk or
other medium, a computer virus, or computer codes that damage or
cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium
with your written explanation. The person or entity that provided you
with the defective work may elect to provide a replacement copy in
lieu of a refund. If you received the work electronically, the person
or entity providing it to you may choose to give you a second
opportunity to receive the work electronically in lieu of a refund. If
the second copy is also defective, you may demand a refund in writing
without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of
damages. If any disclaimer or limitation set forth in this agreement
violates the law of the state applicable to this agreement, the
agreement shall be interpreted to make the maximum disclaimer or
limitation permitted by the applicable state law. The invalidity or
unenforceability of any provision of this agreement shall not void the
remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in
accordance with this agreement, and any volunteers associated with the
production, promotion and distribution of Project Gutenberg-tm
electronic works, harmless from all liability, costs and expenses,
including legal fees, that arise directly or indirectly from any of
the following which you do or cause to occur: (a) distribution of this
or any Project Gutenberg-tm work, (b) alteration, modification, or
additions or deletions to any Project Gutenberg-tm work, and (c) any
Defect you cause.

Section 2. Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new computers. It
exists because of the efforts of hundreds of volunteers and donations
from people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future
generations. To learn more about the Project Gutenberg Literary
Archive Foundation and how your efforts and donations can help, see
Sections 3 and 4 and the Foundation information page at
www.gutenberg.org Section 3. Information about the Project Gutenberg
Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation's EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg Literary
Archive Foundation are tax deductible to the full extent permitted by
U.S. federal laws and your state's laws.

The Foundation's principal office is in Fairbanks, Alaska, with the
mailing address: PO Box 750175, Fairbanks, AK 99775, but its
volunteers and employees are scattered throughout numerous
locations. Its business office is located at 809 North 1500 West, Salt
Lake City, UT 84116, (801) 596-1887. Email contact links and up to
date contact information can be found at the Foundation's web site and
official page at www.gutenberg.org/contact

For additional contact information:

    Dr. Gregory B. Newby
    Chief Executive and Director
    [email protected]

Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To SEND
DONATIONS or determine the status of compliance for any particular
state visit www.gutenberg.org/donate

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations. To
donate, please visit: www.gutenberg.org/donate

Section 5. General Information About Project Gutenberg-tm electronic works.

Professor Michael S. Hart was the originator of the Project
Gutenberg-tm concept of a library of electronic works that could be
freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg-tm eBooks with only a loose network of
volunteer support.

Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as not protected by copyright in
the U.S. unless a copyright notice is included. Thus, we do not
necessarily keep eBooks in compliance with any particular paper
edition.

Most people start at our Web site which has the main PG search
facility: www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.