The Project Gutenberg EBook of Something Will Turn Up, by David Mason
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org
Title: Something Will Turn Up
Author: David Mason
Illustrator: Brotman
Release Date: January 7, 2008 [EBook #24189]
Language: English
*** START OF THIS PROJECT GUTENBERG EBOOK SOMETHING WILL TURN UP ***
Produced by Greg Weeks, Geetu Melwani and the Online
Distributed Proofreading Team at http://www.pgdp.net
* * * * *
Transcriber note: This etext was produced from Analog February 1963.
Extensive research did not uncover any evidence that the U.S. copyright
on this publication was renewed.
* * * * *
Something
Will Turn Up
by
David Mason
Err ... maybe it had to do with this being
a non-Parity universe, perhaps?
Some things can't be simply inverted, after all....
Illustrated by Brotman
[Illustration]
"You, Mr. Rapp?"
Stanley Rapp blinked, considering the matter. He always thought over
everything very carefully. Of course, some questions were easier to
answer than others. This one, for instance. He had very few doubts about
his name.
"Uh," Stanley Rapp said. "Yes. Yes."
He stared at the bearded young man. Living in the Village, even on the
better side of it, one saw beards every day, all shapes and sizes of
beard. This one was not a psychoanalyst beard, or a folk singer beard;
not even an actor beard. This was the scraggly variety, almost certainly
a poet beard. Mr. Rapp, while holding no particular prejudice against
poets, had not sent for one, he was sure of that.
Then he noticed the toolcase in the bearded young man's hand, lettered
large LIGHTNING SERVICE, TV, HI-FI.
"Oh," Stanley said, nodding. "You're the man to fix the TV set."
"You know it, Dad," the young man said, coming in. He shut the door
behind him, and stared around the apartment. "What a wild pad. Where the
idiot box, hey?"
The pleasantly furnished, neat little apartment was not what Mr. Rapp
had ever thought of as a "wild pad." But the Village had odd standards,
Mr. Rapp knew. Chacun a son gout, he had said, on moving into the
apartment ten years ago. Not aloud, of course, because he had only taken
one year of French, and would never have trusted his accent. But chacun
a son gout, anyway.
"The television set," Mr. Rapp said, translating. "Oh, yes." He went to
the closet door and opened it. Reaching inside, he brought out an
imposingly large TV set, mounted on a wheeled table. The bearded
repairman whistled.
"In the closet," the repairman said, admiringly. "Crazy. You go in there
to watch it, or you let it talk to itself?"
"Oh. Well, I don't exactly watch it at all," Mr. Rapp said, a little
sadly. "I mean, I can't. That's why I called you."
"Lightning's here, have no fear," the bearded one said, approaching the
set with a professional air. "Like, in the closet, hey." He bent over
the set, appraisingly. "I thought you were a square, Pops, but I can see
you're.... Hey, this is like too much. Man, I don't want to pry, but why
is this box upside down?"
"I wish I knew," Mr. Rapp said. He sat down, and leaned back, sighing.
This was going to be difficult, he knew. He had already had to explain
it to the last three repairmen, and he was getting tired of explaining.
Although he thought, somehow, that this young man might understand it a
little more quickly than the others had.
"I've had a couple of other repairmen look it over," Mr. Rapp told the
bearded one. "They ... well, they gave up."
"Dilettantes," commented the beard.
"Oh, no," Mr. Rapp said. "One of them was from the company that made it.
But they couldn't do anything."
"Let's try it," the repairman said, plugging the cord into a wall
socket. He returned to the set, and switched it on, without changing
its upside down position. The big screen lit almost at once; a pained
face appeared, with a large silhouetted hammer striking the image's
forehead in a rhythmic beat.
"... Immediate relief from headache," a bland voice said, as the
pictured face broke into a broad smile. The repairman shuddered, and
turned down the sound, staring at the image with widened eyes as he did
so.
"Dad, I don't want to bug you," the repairman said, his eyes still on
the screen, "only, look. The set is upside down, right?"
"Right," said Mr. Rapp.
"Only the picture--" the repairman paused, trying to find the right
phrase. "I mean, the picture's flipped. Like, it's wrong side up, too.
Only, right side up, now."
"Exactly," said Mr. Rapp. "You see, that's the trouble. I put the set
upside down because of that."
"Cool," the repairman said, watching the picture. "I mean, so why worry?
You got a picture, right? You want me to turn the picture around? I can
do that with a little fiddling around inside the set ... uh-oh. Dad,
something's happening."
* * * * *
The repairman bent closer, staring at the picture. It was now showing a
busty young woman singer, her mouth opened, but silent, since the sound
was turned down. She was slowly rotating as Rapp and the bearded
repairman watched, turning until her face, still mouthing silent song,
hung upside down on the screen.
"It always does that," Rapp said. "No matter which way I put the set,
the picture's always upside down."
"No, man," the repairman said, pleadingly. "Look, I took a course. I
mean, the best school, you dig? It don't work that way. It just can't."
"It does, though," Rapp pointed out. "And that's what the other repair
people said, too. They took it out, and brought it back, and it still
did it. Not when they had it in their shops, but the minute it came back
here, the picture went upside down again."
"Wow," the repairman said, backing slowly away from the set, but
watching it with the tense gaze of a man who expected trouble. After a
minute he moved toward it again, and took hold of the cabinet sides,
lifting.
"I don't want to put you down, Pops," he said, grunting. "Only, I got to
see this. Over she goes." He set it down again, right side up. The
picture, still the singer's face, remained in a relatively upright
position for another moment, and then slowly rolled over, upside down
again.
"You see," Mr. Rapp said, shrugging. "I guess I'll have to buy another
set. Except I'd hate to have it happen again, and this one did cost
quite a lot."
"You couldn't trade it in, either," the repairman agreed. "Not to me,
anyway." Suddenly he snapped his fingers. "Hey now. Sideways?"
"You mean on its side?"
"Just for kicks...." the repairman gripped the set again. "On the
side...." He set the cabinet down, on one side, and stepped back, to
regard the picture again.
Slowly, the picture turned once more, and once again, relative to the
usual directions of up and down, the picture was stubbornly, completely
inverted.
"It's onto that, too," the repairman said, gloomily. He sat down on the
floor, and assumed a kind of Yoga posture, peering between his legs.
"You could try it this way, Pops."
"I'm pretty stiff," Mr. Rapp told him, shaking his head.
"Yeah," the repairman said, reinverting himself. For a long while he
sat, pulling his beard thoughtfully, a look of deep thought on his face.
The reversed singer faded out, to give place to an earnestly grinning
announcer who pointed emphatically to a large, upside down sign bearing
the name of a product.
"Watching it this way could get to be a fad," the repairman said, at
last, almost inaudibly. He fell silent again, and Mr. Rapp, sadly, began
to realize that even this bearded and confident young man had apparently
been stopped, like the others.
"The way I look at it, like, there's a place where science hangs up,"
the bearded one spoke, finally.
"Like, I don't want to put down my old Guru at the Second Avenue School
of Electronics," he added, solemnly. "But you got to admit that there
are things not dreamed of in your philosophy, Horatio. You dig?"
"My name isn't Horatio," Mr. Rapp objected.
"I was quoting," the repairman told him. "I mean, this is a thing like,
outside material means. Supernatural, sort of. Did you cross up any
witches lately, Pops?"
"Oh, dear," Mr. Rapp said sadly. He shook his head. "No, I haven't ...
er, offended any witches. Not that I know of." He regarded the inverted
picture for a moment. Then, as the repairman's words began to sink in,
Mr. Rapp looked at him apprehensively.
"Witches?" Mr. Rapp asked. "But ... I mean, that's all superstition,
isn't it? And anyway ... well, television sets!"
"They used to dry up cows, but who keeps cows?" the bearded one said
ominously. "Why not television sets? Like, I happen to be personally
acquainted with several witches and like that. The Village is full of
them. However--" He rose, and stalked toward the set, his eyes
glittering in a peculiar way. "You're a lucky one, Daddyo. Back in my
square days, I did some reading up on the hookups between poetry and
magic. Now, I'm a poet. Therefore, and to wit, I'm also a magician. On
this hangup, I'm going to try magic. Electronics won't work, that's for
sure."
* * * * *
"But...." Mr. Rapp was not quite sure why he disapproved, but he did. On
the other hand, the repairman appeared to be very definitely sure of
what he was doing, as he peered into the back of the television set.
"Have you ever tried ... ah, this method before?"
"Never ran into any hexed TV sets before," the repairman said,
straightening up. "Don't worry, though. I got the touch, like with
poetry. Same thing, in fact. All magic spells rhyme, see? Well, I used
to rhyme, back before I really started swinging. Anybody can rhyme. And
the rest is just instinct."
He had been scribbling something on a notepad, as he spoke. Now he bent
down, to take another look at the back of the set, and nodded with an
air of assurance.
"The tube layout," the repairman told Mr. Rapp, exhibiting his notebook.
"That, and Ohm's Law, and a couple of Hindu bits I picked up listening
to the UN on the radio ... makes a first-class spell."
Mr. Rapp backed away, nervously. "Look, if it's all the same to you...."
"Don't flip." The repairman consulted his notebook, and moved to stand
in front of the screen. The picture showed a smiling newscaster,
pointing to a map which indicated something ominous.
"Cool, man," the repairman said. "Here we go." He lifted his hands in an
ecclesiastical gesture, and his voice became a deep boom.
"6SN7, 6ac5, six and seven millivolts are running down the line, E
equals R times A, that's the way it goes, go round the other way, Subhas
Chandra BOSE!"
Afterward, Mr. Rapp was never quite sure exactly what happened. He had
an impression of a flash of light, and an odd, indefinite sound rather
like the dropping of a cosmic garbage can lid. But possibly neither the
light nor the sound actually happened; at any rate, there were no
complaints from the neighbors later on. However, the lighted screen was
certainly doing something.
"Crazy!" the repairman said, in awed tones.
Mr. Rapp, his view partly blocked by the repairman, could not see
exactly what was happening on the screen. However, he caught a brief
glimpse of the newscaster's face. It was right side up, but no longer
smiling. Instead, the pictured face wore a look of profound alarm, and
the newsman was apparently leaning far forward, his face almost out of
focus because of its nearness to the lens. Just for a moment, Mr. Rapp
could have sworn he saw a chair floating _up_, past the agonized
expression on the screen.
Then the screen want gray, and a panel of lettering appeared, shaking
slightly.
OUR PICTURE HAS BEEN TEMPORARILY INTERRUPTED. NORMAL SERVICE WILL BE
RESTORED AS SOON AS POSSIBLE. PLEASE STAND BY.
"I was going to give you a bill," the repairman said. "Only maybe we
better just charge it up to customer relations."
The letters remained steady on the screen, and Mr. Rapp studied them.
They were right side up.
"You fixed it," Mr. Rapp said, a little uncertainly. "I mean, it's
working. I ought to pay...."
"I goofed," the repairman said. He picked up his tools, and moved toward
the door. "Like, I won't mention it to anybody if you won't. But I
goofed, all right. Didn't you see the picture?"
"But whatever you did ... it worked," Mr. Rapp said. "The picture's
right side up."
"I know," the repairman said. "Only somewhere ... there's a studio
that's upside down. I just goofed, Pops, that's all."
He closed the door behind him, leaving Mr. Rapp still staring at the
immobile, right-side-up message on the glowing screen.
[Illustration]
The End.
End of the Project Gutenberg EBook of Something Will Turn Up, by David Mason
*** END OF THIS PROJECT GUTENBERG EBOOK SOMETHING WILL TURN UP ***
***** This file should be named 24189.txt or 24189.zip *****
This and all associated files of various formats will be found in:
http://www.gutenberg.org/2/4/1/8/24189/
Produced by Greg Weeks, Geetu Melwani and the Online
Distributed Proofreading Team at http://www.pgdp.net
Updated editions will replace the previous one--the old editions
will be renamed.
Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties. Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark. Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission. If you
do not charge anything for copies of this eBook, complying with the
rules is very easy. You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research. They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks. Redistribution is
subject to the trademark license, especially commercial
redistribution.
*** START: FULL LICENSE ***
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://gutenberg.org/license).
Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
electronic works
1.A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.
1.B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works. Nearly all the individual works in the
collection are in the public domain in the United States. If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed. Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work. You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.
1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are in
a constant state of change. If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work. The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.
1.E. Unless you have removed all references to Project Gutenberg:
1.E.1. The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org
1.E.2. If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges. If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.
1.E.3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder. Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.
1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.
1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.
1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form. However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form. Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.
1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.
1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that
- You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg-tm works calculated using the method
you already use to calculate your applicable taxes. The fee is
owed to the owner of the Project Gutenberg-tm trademark, but he
has agreed to donate royalties under this paragraph to the
Project Gutenberg Literary Archive Foundation. Royalty payments
must be paid within 60 days following each date on which you
prepare (or are legally required to prepare) your periodic tax
returns. Royalty payments should be clearly marked as such and
sent to the Project Gutenberg Literary Archive Foundation at the
address specified in Section 4, "Information about donations to
the Project Gutenberg Literary Archive Foundation."
- You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he
does not agree to the terms of the full Project Gutenberg-tm
License. You must require such a user to return or
destroy all copies of the works possessed in a physical medium
and discontinue all use of and all access to other copies of
Project Gutenberg-tm works.
- You provide, in accordance with paragraph 1.F.3, a full refund of any
money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days
of receipt of the work.
- You comply with all other terms of this agreement for free
distribution of Project Gutenberg-tm works.
1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark. Contact the
Foundation as set forth in Section 3 below.
1.F.
1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection. Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.
1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.
1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium with
your written explanation. The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund. If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund. If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.
1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law. The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.
1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.
Section 2. Information about the Mission of Project Gutenberg-tm
Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers. It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.
Volunteers and financial support to provide volunteers with the
assistance they need, is critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at http://www.pglaf.org.
Section 3. Information about the Project Gutenberg Literary Archive
Foundation
The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation's EIN or federal tax identification
number is 64-6221541. Its 501(c)(3) letter is posted at
http://pglaf.org/fundraising. Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.
The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations. Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
[email protected]. Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at http://pglaf.org
For additional contact information:
Dr. Gregory B. Newby
Chief Executive and Director
[email protected]
Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation
Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.
The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To
SEND DONATIONS or determine the status of compliance for any
particular state visit http://pglaf.org
While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.
International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.
Please check the Project Gutenberg Web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations.
To donate, please visit: http://pglaf.org/donate
Section 5. General Information About Project Gutenberg-tm electronic
works.
Professor Michael S. Hart is the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone. For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.
Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included. Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.
Most people start at our Web site which has the main PG search facility:
http://www.gutenberg.org
This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.
