The Project Gutenberg EBook of Up! Horsie!, by Clara de Chatelaine This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: Up! Horsie! An Original Fairy Tale Author: Clara de Chatelaine Release Date: November 15, 2007 [EBook #23477] Language: English *** START OF THIS PROJECT GUTENBERG EBOOK UP! HORSIE! *** Produced by Mark C. Orton, Janet Blenkinship and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The University of Florida, The Internet Archive/Children's Library) LILLIPUTIAN LIBRARY. NEW SERIES. UP! HORSIE! AN Original Fairy Tale. BY MADAME DE CHATELAIN. JOSEPH, MYERS, & CO., 144, LEADENHALL STREET, LONDON, E.C. * * * * * THE LILLIPUTIAN LIBRARY. UP! HORSIE! A young peasant was riding to market on a stout, well-fed nag, when he overtook an old Scotch shepherd, who was trudging along on foot. "I say, Sandy," cried the young man, "if you go no faster than that, market will be over before you get to town." The Scotchman turned round, and peered at him from under his bushy eyebrows, saying in a strong north country accent: "Gin ye think so, suppose we ride and tie?" "A pretty story indeed!" quoth Gilbert--"I keep a horse for myself, and not for you." And as he uttered this ungracious answer, he urged on his nag, and soon left the old Scotchman in the lurch. Scarcely had Gilbert reached the market town, and put up his horse at an inn, when who should he behold strolling leisurely amongst the market folks, but the same old shepherd he had left so far behind. "Somebody must have given you a lift, Sandy," observed he. "Oh," replied the shepherd, "when I asked for a lift, it was only to see if you were obliging or not--it was all the same to me--for though you must buy your horses, I can gather mine whenever I choose." These words sounded so odd to Gilbert that he begged the stranger to explain his meaning, when the old man said: "Meet me at yon inn, and we'll see." Gilbert then hurried through his business, and went to join the shepherd at the inn. But the wary Scotchman would not give his secret for nothing--and why should he, to a stranger who had been uncivil to him? Besides, as he observed truly enough, those who are curious may pay for their curiosity, so if Gilbert wanted to know how to gather horses thus easily, he must hand him over all the money he had received that morning, and give him his nag into the bargain. Gilbert thought these demands exorbitant, and tried to haggle with the stranger, but Sandy proved too much for him, Northumbrian though he was--and the young farmer finished by agreeing to his conditions, and after paying down the money, brought the horse out of the stable. "Now I'll tell you," said the Scotchman. "May be you've heard of our late poet Burns, just over the border? Well, he told of a shepherd lad who years and years ago learnt of some wise ones, that if you pull a stem of ragwort, and sit astride it, and cry out: 'Up! Horsie!' it will carry you through the air." "And have you tried it and succeeded?" eagerly inquired Gilbert. "Ay--for that shepherd lad was myself, and many a pleasant jaunt have I enjoyed by that same means," said Sandy, with twinkling eyes. "Only you must not attempt it till the moon is full, or the horse might throw an inexperienced rider." Delighted at having learnt such a secret, and without pausing to wonder how, if the shepherd had lived so many years before Burns, he could still be alive, Gilbert inquired what places he went to? "I went to Elf-land," said the Scotchman. Gilbert was not learned--indeed he could scarcely read--and he confessed he did not know the road thither; but the stranger assured him he need only express the wish to go, and the ragwort would take him. They then parted, and the shepherd rode away with the horse, after stowing away the money in his pouch, while Gilbert went home as best he might. After waiting impatiently for the full moon, Gilbert at last went out one night to work the charm, and to his great delight, had no sooner bestrided the ragwort, and said: "Up! Horsie!" than it bore him at a pretty smart pace to Elf-land. Nevertheless it just began to dawn as he reached his journey's end, and dismounted. He had not proceeded far, before he perceived a splendid castle on an eminence, and numerous flocks browsing on the surrounding hills. But what arrested his attention still more was a very lovely woman, superbly drest, sitting at the foot of the hill, playing on an ivory fiddle of exquisite workmanship, with golden strings, from which she drew the sweetest tones he had ever heard in his whole life. Gilbert stood still, quite entranced, and could have listened for ever, had not the lady, on becoming conscious of his presence, stopped short, and blushed with pretty confusion at having been overheard by a stranger. "I never heard anything like it before!" exclaimed Gilbert. She raised her soft eyes towards his, and said: "Will you enter my service?" "That I will," answered he, quite bewildered by her beauty. "What shall I have to do?" The lady pointed to the flocks grazing on the hill, saying he would merely have to tend the sheep, and, above all, to mind that none got lost. She then gave him the ivory fiddle, saying he need only draw the bow across the strings, when the sheep, being accustomed to the sound, would follow at his bidding. "Now roam about wherever you please," added she, "only mind you return to yonder castle at nightfall, and bring the flock back with you, and then you shall have your reward." Gilbert then set off to join the sheep, though not without looking back many a time, to take a last glimpse of the lady who still sat near the bank, smiling more bewitchingly than ever. On reaching the top of the hill, he perceived that the sheep had already strayed down into the valley, when he hastened after them, but only to see them enter a narrow glen helter-skelter, as if they were running for dear life. He now recollected the fiddle would save him all further trouble, and drew the bow across the strings as the lady had told him, but instead of the exquisite music she drew from them, he only obtained a sort of screeching noise, that seemed to spread a panic amongst the flock, and after hurrying through the glen, the sheep dispersed both right and left. Gilbert ran after first one group and then another, scraping away at his fiddle as hard as he could, but it was all of no use--he could not overtake them. At length he was so tired that he was obliged to sit down and rest. He began to feel hungry, too, not having eaten since his ride to Elf-land, and looked about him for some cottage where he could apply for breakfast. But no buildings of any kind were in sight. However he soon found some trees laden with delicious fruit, and having appeased his hunger, felt his strength so renovated that he again set out in pursuit of his flock, which now looked like a mere speck in the horizon. Up hill and down dale did Gilbert go the livelong day, till the sun was beginning to set, and then just as he thought he had come up with the stray sheep, they seemed to roll away and become clouds, that were drunk up by the parting rays of the glorious sun. He was now at a loss what to do, and half ashamed to return to the castle and own to the lady that he had lost, not merely two or three sheep, but the whole flock. But while he was considering how to put the best face on the matter, he found himself right in front of the castle, which he had deemed to be at a great distance, and there still sat the lady, singing most exquisitely, and holding a goblet of wine in her hand. As soon as Gilbert drew near: "Drink," said she, "for you must need refreshment after your day's work." "Alas!" said he, "I have lost the sheep." "Did I not tell you the fiddle would always bring them back?" rejoined she with the sweetest smile. Then, as she handed him the goblet, she took the ivory fiddle from him, and drawing the bow across the strings, brought out such thrilling sounds, that Gilbert listened in amazement, wondering why he had been unable to elicit any such tones from the instrument when it seemed so simple to accomplish. In a moment he saw the surrounding heights covered with sheep or mist, he could not tell which, for the wine that had only just moistened his lips, seemed already to have confused his brain, and altered all the features of the landscape. By the time he had drained the goblet, Gilbert felt elated and delighted to an extraordinary degree, while at the same time be lost, as it were, the consciousness of his own identity. All he could remember was, that the lady bid him go and rest in the castle, and that he went up the hill, and, as he thought, entered the building, when sinking down on a soft couch he was quickly lulled to sleep by the snatches of the enchantress's song, the breeze wafted from below, and lapped in the pleasing visions of dreamland. On waking next morning, he found himself lying on the grass near the castle, with the ivory fiddle beside him, and saw the flocks grazing quietly around, as if they had never ceased browsing all night. He rose up refreshed and invigorated, and when the lady came forth from the castle and again plied him with a draught from the goblet, he felt ready to go forth and lead the sheep to fresh pastures. "Mind you do not lose any of them, and don't forget the fiddle will call any stragglers back to you," said the lady with a parting smile and wave of her hand. Gilbert thought nothing could be easier, having only an indistinct remembrance of yesterday's disasters, and longing more than ever to do everything in his power to please the lady of the castle. But in spite of his good-will, the sheep strayed away as before, and he spent a toilsome day in vainly running after them, and fiddling away to no purpose. As before they seemed to merge into mist at the close of the day, and it was with a heavy heart he presented himself at the foot of the hill where the lady was awaiting him. Again she gave him a draught of the delicious wine, and again took the fiddle and drew the bow across the strings, when the flock began to return as before, but she looked very grave as she said: "Some of them are lost--you must seek them to-morrow. Go now and rest in the castle." Then Gilbert, whose wits were in a still more confused state than the first time he quaffed that richly flavoured wine, went up the hill and fell asleep as before, and slept soundly till morning, when again the lady brought him a bumper, bidding him be sure and bring back all the sheep, or he would fall under her displeasure, while on the other hand, if none were found missing, she would not only give him his evening's draught, but a kiss into the bargain. On hearing this, Gilbert thought no exertions would be too great for such a reward, and he set off in high spirits; but he had not gone a hundred yards before the flock dispersed three different ways, and let him fiddle as he would, he found it impossible to gather them together again. Nevertheless, he followed one of the three groups, and in the heat of the chase, was led into a wild district amongst rocks and cascades, with overhanging trees, where the sheep seemed to turn quite wild, and subdividing into yet smaller bands, some were seen scaling the steep crags and looking down from dizzy heights, while others dashed into the water and swam across the mountain streams. Gilbert ran about almost like one possessed, vainly striving to collect the scattered fragments of the flock entrusted to his care, and in despair at the thought of the sorry figure he should cut on returning to give an account of his day's work to the lady, and sorely troubled at the prospect of losing the promised kiss which he would not have exchanged for a kingdom. At length, after having scaled one of the highest crags, where he made sure of catching a sheep, which seemed just as he tried to seize it to merge into the spray of the waterfall that leaped down a kind of natural staircase of rocks, he felt so exhausted that he lay down on a knoll in the fissures of the rock, exclaiming: "Surely I must be bewitched!" A loud laugh reverberated from the rocks below, and Gilbert slightly raised his head to see whence it proceeded. Seeing no one, he concluded it must be the cry of some strange bird, caught up by the echo, and then to drive away a kind of grisly feeling of terror that began to creep upon him, he took up his fiddle as he lay stretched on the grass, and fell to scraping away without the slightest regard to time or tune, more as if he were sawing a piece of wood, than playing on a musical instrument. He then became aware of a very curious thing, which was that the sheep all returned as he drew the bow backwards, tho' they were off again the moment he drew it forwards. This convinced him he had not attended to the manner in which the lady drew the bow, and accounted for his losing the sheep every evening. "Now," thought he, "I am sure of obtaining the kiss and the cup of wine, and I need take no further trouble about the flock." Bye and bye what he had taken for the gnarled and knotted branches of a tree, at a short distance from the spot where he was lounging, gradually assumed a human shape, and he saw the old Scotch shepherd advancing towards him. "So you have found it out at last!" said he with a merry twinkle in his eye, "and what are you going to do next?" "Do?" echoed Gilbert, "why I shall roam about all day, and bring the sheep home every evening without a bit of trouble; and then the lady will be pleased with me, and who knows, as there seems to be no other young men hereabouts, but what she may make me the lord of her fine castle." The Scotchman laughed loud and long, and it was not till Gilbert had nearly lost his temper that he could be induced to explain the cause of his mirth, and then he said: "Why, man, you have gone clean mad, and no wonder, as this fine lady of yours has been drugging you with Elfin wine to make a fool of you. If you don't mind she'll keep you here like a horse in a mill all the days of your life, running after clouds you mistake for sheep." Gilbert winced at this, and did not half like to be told he was a day-dreamer. He maintained he saw the flocks all round him, while Sandy explained that morning mists were to be seen on the tops of all mountains, then become dispersed during the day, till they gather once more at the approach of night, and that mists also hover over waterfalls--and this was the whole history of Gilbert's flock. He had been served the same way himself the first time he came to Elf-land, only not being quite so soft-pated as his new acquaintance he had found out the tricks that were played upon travellers; and he now asked Gilbert whether he should help to extricate him from running after clouds, or whether he was determined to make a fool of himself for the rest of his life? Gilbert answered gravely that he was set upon wooing the beautiful lady, and becoming the lord of the castle. "The castle is about as solid as those built by youngsters with playing cards, and as to this beautiful lady of yours, she is only an Elle-maid," said the Scotchman contemptuously. "Suppose she is?--What then?" returned Gilbert philosophically. For the fact was he did not exactly know what sort of a creature that might be, never having travelled so far before. "Come, I must take pity on you, and save you in spite of yourself,"--said Sandy. "Here is some wax with which you must stop up your ears to-night, when you return to the lady, that you may not hear that singing of hers which bewitches your sober senses, and then if you draw the bow lengthways up and down the middle string of the fiddle, in this fashion (taking up the fiddle and showing him) as you approach her, and refuse both the wine and the kiss, you will see what an Elle-maid really is." He then laid the ivory fiddle down again, and by the time Gilbert had raised himself on one elbow to take it back, the shepherd was clean out of sight. Gilbert thought this very strange, and he began scraping once more on the fiddle to see if the branches of the tree would again sprout into his singular acquaintance, but they did not stir any more. Though not believing in the full truth of Sandy's sneers about the castle and the lady, Gilbert thought he would just follow his advice out of curiosity, to see what it might bring to light, and perceiving it was now time to retrace his steps, he descended from the rocks, and following the course of the stream, returned to his night quarters by a different road to any he had taken before. He now stopped his ears with the wax Sandy had given him, and it was well he did, as he had just come within hearing of the Elle-maid's enchanting strains. He then drew the bow rapidly across the strings in a backward direction, when all the sheep instantly appeared on the surrounding heights, and next drew it lengthways up and down the middle string as the Scotchman had shewn him how to do. He had now come upon the rear of the stately castle he longed to call his own, when he perceived it had neither a court-yard nor back-premises of any sort, and consisted solely of a front wall with windows, but no rooms behind, like a ruin, though he had hitherto entertained the notion that he had slept beneath its roof, and on soft cushions too, which he now plainly perceived could only have been clouds like his fabulous flock. Eager to pursue his discoveries still further, he went on fiddling as he came down the hillock towards the lady, when what was not his horror and surprise on perceiving that the face he had so much admired was hollow as a mask behind! On hearing him playing in so unusual a manner, the lady turned round her head sharply, exhibiting her bewitching countenance to his gaze, and singing more sweetly than ever, as she offered him a goblet of wine. It was fortunate he could not hear her sing, or that voice would have melted all his resolutions, instead of which, he boldly dashed down the proffered cup, and on her offering to give him a kiss, he dealt her a box on the ear, which upset her like a card figure, when he became so horrified at the spectral unreality of the objects about him, that he ran off as fast as his legs would carry him, fiddling like mad as he went along. In his frantic flight he passed by streams of water that seemed to be nothing but tinfoil, and rocks that looked as if they were made of pasteboard, and hollow like the Elle-maid's face, nor did he stop to take breath till after all the objects in the landscape had resumed their natural consistence, and clouds were clouds, and sheep real woolly sheep, which shewed him to be beyond the limits of Elf-land. Meantime evening had waned into night, and the moon was beginning to rise, when Gilbert flung himself down on a bank to rest after his headlong scamper. The cool air blew refreshingly over his fevered brow, and he felt like one restored to reason after a fit of madness, or awaking after a strange uneasy dream. "Now," thought he, "I need only gather some ragwort and go home." And he looked all about for some, but as it happened to be very rare in that neighbourhood, he walked on a good way, peering about in the moonlight before he could find any. When at last he hit upon the wished for herb, great was his joy, and he plucked it as triumphantly as if he held in his hand the bridle of the finest steed mortal ever looked upon, crying out: "Up! Horsie!" in a loud voice. But no horsie answered to the appeal, and the ragwort remained the simple herb it was before. Again and again he called out the magic formula in tones now commanding and now entreating, and lastly quite passionately, only there was no spur nor whip that could move the ragwort to serve as his horse. He now perceived old Sandy had tricked him after all, and sent him to Elf-land without giving him the means of coming back. So there was nothing for it but to trudge all the way back on foot,--and a long way it was I can tell you! It is true Gilbert retained a hope that kept up his spirits a good while, that he should still find some of the right sort of ragwort, and accordingly in each new district he came to, he industriously gathered some specimens to try the experiment, but with no better success. And after each fresh disappointment, he could not help saying to himself: "I wish I had given Sandy a lift, and then I should never have got into this scrape." The worst of it was that Gilbert had scarcely any money about him, and when that little was spent, he was at his wit's end to know how to pay his way home. Luckily he still had the fiddle, and though he could not play a single tune, its tones were so sweet that people liked to hear them, and village children enjoyed having a scrape upon it, so that he always managed to get a night's lodging and a supper as he journeyed along, and even to get carried across the sea, for the sailors said it was as good as listening to a mermaid. When at last he reached home, he hung up the fiddle in his cottage, but that same night it cracked right through with a loud moan, and fell in shivers on the floor. Gilbert tried to mend it, but he never could manage to restore it to its right shape again. It was like a puzzle that baffles a child's attempts to put it together. However, he made a sort of box of it, something like an Eolian harp, across which he stretched the golden strings, and whenever the wind blew from Elf-land they would play sweet mournful tunes, as the instrument lay on the window-sill. For years Gilbert had a hankering to return to Elf-land and see a little more of life amongst the Elle-maids and men, if there were any, but he could never obtain a conveyance, and he knew he should not be able to find the way on foot. And though as long as he lived he could not resist pulling up some ragwort at every full moon, just to see if it possessed the wished for quality, and muttering, "Up! Horsie!" certain it is he never again obtained a horse out of the same stables, wherever they happen to be situated. End of the Project Gutenberg EBook of Up! Horsie!, by Clara de Chatelaine *** END OF THIS PROJECT GUTENBERG EBOOK UP! HORSIE! *** ***** This file should be named 23477.txt or 23477.zip ***** This and all associated files of various formats will be found in: https://www.gutenberg.org/2/3/4/7/23477/ Produced by Mark C. Orton, Janet Blenkinship and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The University of Florida, The Internet Archive/Children's Library) Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away--you may do practically ANYTHING with public domain eBooks. Redistribution is subject to the trademark license, especially commercial redistribution. *** START: FULL LICENSE *** THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg-tm mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase "Project Gutenberg"), you agree to comply with all the terms of the Full Project Gutenberg-tm License (available with this file or online at https://gutenberg.org/license). Section 1. General Terms of Use and Redistributing Project Gutenberg-tm electronic works 1.A. By reading or using any part of this Project Gutenberg-tm electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg-tm electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg-tm electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. "Project Gutenberg" is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg-tm electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg-tm electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg-tm electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" or PGLAF), owns a compilation copyright in the collection of Project Gutenberg-tm electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is in the public domain in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg-tm mission of promoting free access to electronic works by freely sharing Project Gutenberg-tm works in compliance with the terms of this agreement for keeping the Project Gutenberg-tm name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg-tm License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg-tm work. The Foundation makes no representations concerning the copyright status of any work in any country outside the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg-tm License must appear prominently whenever any copy of a Project Gutenberg-tm work (any work on which the phrase "Project Gutenberg" appears, or with which the phrase "Project Gutenberg" is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org 1.E.2. If an individual Project Gutenberg-tm electronic work is derived from the public domain (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase "Project Gutenberg" associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg-tm electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg-tm License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg-tm. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg-tm License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg-tm work in a format other than "Plain Vanilla ASCII" or other format used in the official version posted on the official Project Gutenberg-tm web site (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original "Plain Vanilla ASCII" or other form. Any alternate format must include the full Project Gutenberg-tm License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg-tm works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg-tm electronic works provided that - You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg-tm works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg-tm trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, "Information about donations to the Project Gutenberg Literary Archive Foundation." - You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg-tm License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg-tm works. - You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. - You comply with all other terms of this agreement for free distribution of Project Gutenberg-tm works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from both the Project Gutenberg Literary Archive Foundation and Michael Hart, the owner of the Project Gutenberg-tm trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread public domain works in creating the Project Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm electronic works, and the medium on which they may be stored, may contain "Defects," such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right of Replacement or Refund" described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg-tm trademark, and any other party distributing a Project Gutenberg-tm electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg-tm electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg-tm electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg-tm work, (b) alteration, modification, or additions or deletions to any Project Gutenberg-tm work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg-tm Project Gutenberg-tm is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need, is critical to reaching Project Gutenberg-tm's goals and ensuring that the Project Gutenberg-tm collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg-tm and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation web page at https://www.pglaf.org. Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation's EIN or federal tax identification number is 64-6221541. Its 501(c)(3) letter is posted at https://pglaf.org/fundraising. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state's laws. The Foundation's principal office is located at 4557 Melan Dr. S. Fairbanks, AK, 99712., but its volunteers and employees are scattered throughout numerous locations. Its business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email [email protected]. Email contact links and up to date contact information can be found at the Foundation's web site and official page at https://pglaf.org For additional contact information: Dr. Gregory B. Newby Chief Executive and Director [email protected] Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg-tm depends upon and cannot survive without wide spread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit https://pglaf.org While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg Web pages for current donation methods and addresses. Donations are accepted in a number of other ways including including checks, online payments and credit card donations. To donate, please visit: https://pglaf.org/donate Section 5. General Information About Project Gutenberg-tm electronic works. Professor Michael S. Hart was the originator of the Project Gutenberg-tm concept of a library of electronic works that could be freely shared with anyone. For thirty years, he produced and distributed Project Gutenberg-tm eBooks with only a loose network of volunteer support. Project Gutenberg-tm eBooks are often created from several printed editions, all of which are confirmed as Public Domain in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our Web site which has the main PG search facility: https://www.gutenberg.org This Web site includes information about Project Gutenberg-tm, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.