Up! Horsie!

By Clara de Chatelain

The Project Gutenberg EBook of Up! Horsie!, by Clara de Chatelaine

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org


Title: Up! Horsie!
       An Original Fairy Tale

Author: Clara de Chatelaine

Release Date: November 15, 2007 [EBook #23477]

Language: English


*** START OF THIS PROJECT GUTENBERG EBOOK UP! HORSIE! ***




Produced by Mark C. Orton, Janet Blenkinship and the Online
Distributed Proofreading Team at https://www.pgdp.net (This
file was produced from images generously made available
by The University of Florida, The Internet
Archive/Children's Library)







LILLIPUTIAN LIBRARY.

NEW SERIES.


UP! HORSIE!

AN

Original Fairy Tale.

BY

MADAME DE CHATELAIN.


JOSEPH, MYERS, & CO., 144, LEADENHALL STREET, LONDON, E.C.


       *       *       *       *       *




THE

LILLIPUTIAN LIBRARY.

UP! HORSIE!


A young peasant was riding to market on a stout, well-fed nag, when he
overtook an old Scotch shepherd, who was trudging along on foot.

"I say, Sandy," cried the young man, "if you go no faster than that,
market will be over before you get to town."

The Scotchman turned round, and peered at him from under his bushy
eyebrows, saying in a strong north country accent: "Gin ye think so,
suppose we ride and tie?"

"A pretty story indeed!" quoth Gilbert--"I keep a horse for myself, and
not for you."

And as he uttered this ungracious answer, he urged on his nag, and soon
left the old Scotchman in the lurch.

Scarcely had Gilbert reached the market town, and put up his horse at an
inn, when who should he behold strolling leisurely amongst the market
folks, but the same old shepherd he had left so far behind.

"Somebody must have given you a lift, Sandy," observed he.

"Oh," replied the shepherd, "when I asked for a lift, it was only to see
if you were obliging or not--it was all the same to me--for though you
must buy your horses, I can gather mine whenever I choose."

These words sounded so odd to Gilbert that he begged the stranger to
explain his meaning, when the old man said: "Meet me at yon inn, and
we'll see."

Gilbert then hurried through his business, and went to join the shepherd
at the inn. But the wary Scotchman would not give his secret for
nothing--and why should he, to a stranger who had been uncivil to him?
Besides, as he observed truly enough, those who are curious may pay for
their curiosity, so if Gilbert wanted to know how to gather horses thus
easily, he must hand him over all the money he had received that
morning, and give him his nag into the bargain. Gilbert thought these
demands exorbitant, and tried to haggle with the stranger, but Sandy
proved too much for him, Northumbrian though he was--and the young
farmer finished by agreeing to his conditions, and after paying down
the money, brought the horse out of the stable.

"Now I'll tell you," said the Scotchman. "May be you've heard of our
late poet Burns, just over the border? Well, he told of a shepherd lad
who years and years ago learnt of some wise ones, that if you pull a
stem of ragwort, and sit astride it, and cry out: 'Up! Horsie!' it will
carry you through the air."

"And have you tried it and succeeded?" eagerly inquired Gilbert.

"Ay--for that shepherd lad was myself, and many a pleasant jaunt have I
enjoyed by that same means," said Sandy, with twinkling eyes. "Only you
must not attempt it till the moon is full, or the horse might throw an
inexperienced rider."

Delighted at having learnt such a secret, and without pausing to wonder
how, if the shepherd had lived so many years before Burns, he could
still be alive, Gilbert inquired what places he went to?

"I went to Elf-land," said the Scotchman.

Gilbert was not learned--indeed he could scarcely read--and he
confessed he did not know the road thither; but the stranger assured him
he need only express the wish to go, and the ragwort would take him.
They then parted, and the shepherd rode away with the horse, after
stowing away the money in his pouch, while Gilbert went home as best he
might.

After waiting impatiently for the full moon, Gilbert at last went out
one night to work the charm, and to his great delight, had no sooner
bestrided the ragwort, and said: "Up! Horsie!" than it bore him at a
pretty smart pace to Elf-land. Nevertheless it just began to dawn as he
reached his journey's end, and dismounted. He had not proceeded far,
before he perceived a splendid castle on an eminence, and numerous
flocks browsing on the surrounding hills. But what arrested his
attention still more was a very lovely woman, superbly drest, sitting at
the foot of the hill, playing on an ivory fiddle of exquisite
workmanship, with golden strings, from which she drew the sweetest tones
he had ever heard in his whole life. Gilbert stood still, quite
entranced, and could have listened for ever, had not the lady, on
becoming conscious of his presence, stopped short, and blushed with
pretty confusion at having been overheard by a stranger.

"I never heard anything like it before!" exclaimed Gilbert.

She raised her soft eyes towards his, and said: "Will you enter my
service?"

"That I will," answered he, quite bewildered by her beauty. "What shall
I have to do?"

The lady pointed to the flocks grazing on the hill, saying he would
merely have to tend the sheep, and, above all, to mind that none got
lost. She then gave him the ivory fiddle, saying he need only draw the
bow across the strings, when the sheep, being accustomed to the sound,
would follow at his bidding. "Now roam about wherever you please," added
she, "only mind you return to yonder castle at nightfall, and bring the
flock back with you, and then you shall have your reward."

Gilbert then set off to join the sheep, though not without looking back
many a time, to take a last glimpse of the lady who still sat near the
bank, smiling more bewitchingly than ever. On reaching the top of the
hill, he perceived that the sheep had already strayed down into the
valley, when he hastened after them, but only to see them enter a narrow
glen helter-skelter, as if they were running for dear life. He now
recollected the fiddle would save him all further trouble, and drew the
bow across the strings as the lady had told him, but instead of the
exquisite music she drew from them, he only obtained a sort of
screeching noise, that seemed to spread a panic amongst the flock, and
after hurrying through the glen, the sheep dispersed both right and
left. Gilbert ran after first one group and then another, scraping away
at his fiddle as hard as he could, but it was all of no use--he could
not overtake them. At length he was so tired that he was obliged to sit
down and rest. He began to feel hungry, too, not having eaten since his
ride to Elf-land, and looked about him for some cottage where he could
apply for breakfast. But no buildings of any kind were in sight. However
he soon found some trees laden with delicious fruit, and having appeased
his hunger, felt his strength so renovated that he again set out in
pursuit of his flock, which now looked like a mere speck in the horizon.

Up hill and down dale did Gilbert go the livelong day, till the sun was
beginning to set, and then just as he thought he had come up with the
stray sheep, they seemed to roll away and become clouds, that were drunk
up by the parting rays of the glorious sun. He was now at a loss what to
do, and half ashamed to return to the castle and own to the lady that he
had lost, not merely two or three sheep, but the whole flock. But while
he was considering how to put the best face on the matter, he found
himself right in front of the castle, which he had deemed to be at a
great distance, and there still sat the lady, singing most exquisitely,
and holding a goblet of wine in her hand. As soon as Gilbert drew near:
"Drink," said she, "for you must need refreshment after your day's
work."

"Alas!" said he, "I have lost the sheep."

"Did I not tell you the fiddle would always bring them back?" rejoined
she with the sweetest smile.

Then, as she handed him the goblet, she took the ivory fiddle from him,
and drawing the bow across the strings, brought out such thrilling
sounds, that Gilbert listened in amazement, wondering why he had been
unable to elicit any such tones from the instrument when it seemed so
simple to accomplish. In a moment he saw the surrounding heights covered
with sheep or mist, he could not tell which, for the wine that had only
just moistened his lips, seemed already to have confused his brain, and
altered all the features of the landscape. By the time he had drained
the goblet, Gilbert felt elated and delighted to an extraordinary
degree, while at the same time be lost, as it were, the consciousness of
his own identity. All he could remember was, that the lady bid him go
and rest in the castle, and that he went up the hill, and, as he
thought, entered the building, when sinking down on a soft couch he was
quickly lulled to sleep by the snatches of the enchantress's song, the
breeze wafted from below, and lapped in the pleasing visions of
dreamland.

On waking next morning, he found himself lying on the grass near the
castle, with the ivory fiddle beside him, and saw the flocks grazing
quietly around, as if they had never ceased browsing all night. He rose
up refreshed and invigorated, and when the lady came forth from the
castle and again plied him with a draught from the goblet, he felt ready
to go forth and lead the sheep to fresh pastures.

"Mind you do not lose any of them, and don't forget the fiddle will call
any stragglers back to you," said the lady with a parting smile and wave
of her hand.

Gilbert thought nothing could be easier, having only an indistinct
remembrance of yesterday's disasters, and longing more than ever to do
everything in his power to please the lady of the castle. But in spite
of his good-will, the sheep strayed away as before, and he spent a
toilsome day in vainly running after them, and fiddling away to no
purpose. As before they seemed to merge into mist at the close of the
day, and it was with a heavy heart he presented himself at the foot of
the hill where the lady was awaiting him. Again she gave him a draught
of the delicious wine, and again took the fiddle and drew the bow
across the strings, when the flock began to return as before, but she
looked very grave as she said: "Some of them are lost--you must seek
them to-morrow. Go now and rest in the castle."

Then Gilbert, whose wits were in a still more confused state than the
first time he quaffed that richly flavoured wine, went up the hill and
fell asleep as before, and slept soundly till morning, when again the
lady brought him a bumper, bidding him be sure and bring back all the
sheep, or he would fall under her displeasure, while on the other hand,
if none were found missing, she would not only give him his evening's
draught, but a kiss into the bargain. On hearing this, Gilbert thought
no exertions would be too great for such a reward, and he set off in
high spirits; but he had not gone a hundred yards before the flock
dispersed three different ways, and let him fiddle as he would, he found
it impossible to gather them together again. Nevertheless, he followed
one of the three groups, and in the heat of the chase, was led into a
wild district amongst rocks and cascades, with overhanging trees, where
the sheep seemed to turn quite wild, and subdividing into yet smaller
bands, some were seen scaling the steep crags and looking down from
dizzy heights, while others dashed into the water and swam across the
mountain streams. Gilbert ran about almost like one possessed, vainly
striving to collect the scattered fragments of the flock entrusted to
his care, and in despair at the thought of the sorry figure he should
cut on returning to give an account of his day's work to the lady, and
sorely troubled at the prospect of losing the promised kiss which he
would not have exchanged for a kingdom.

At length, after having scaled one of the highest crags, where he made
sure of catching a sheep, which seemed just as he tried to seize it to
merge into the spray of the waterfall that leaped down a kind of natural
staircase of rocks, he felt so exhausted that he lay down on a knoll in
the fissures of the rock, exclaiming: "Surely I must be bewitched!"

A loud laugh reverberated from the rocks below, and Gilbert slightly
raised his head to see whence it proceeded. Seeing no one, he concluded
it must be the cry of some strange bird, caught up by the echo, and then
to drive away a kind of grisly feeling of terror that began to creep
upon him, he took up his fiddle as he lay stretched on the grass, and
fell to scraping away without the slightest regard to time or tune, more
as if he were sawing a piece of wood, than playing on a musical
instrument. He then became aware of a very curious thing, which was that
the sheep all returned as he drew the bow backwards, tho' they were off
again the moment he drew it forwards. This convinced him he had not
attended to the manner in which the lady drew the bow, and accounted for
his losing the sheep every evening. "Now," thought he, "I am sure of
obtaining the kiss and the cup of wine, and I need take no further
trouble about the flock."

Bye and bye what he had taken for the gnarled and knotted branches of a
tree, at a short distance from the spot where he was lounging, gradually
assumed a human shape, and he saw the old Scotch shepherd advancing
towards him.

"So you have found it out at last!" said he with a merry twinkle in his
eye, "and what are you going to do next?"

"Do?" echoed Gilbert, "why I shall roam about all day, and bring the
sheep home every evening without a bit of trouble; and then the lady
will be pleased with me, and who knows, as there seems to be no other
young men hereabouts, but what she may make me the lord of her fine
castle."

The Scotchman laughed loud and long, and it was not till Gilbert had
nearly lost his temper that he could be induced to explain the cause of
his mirth, and then he said: "Why, man, you have gone clean mad, and no
wonder, as this fine lady of yours has been drugging you with Elfin wine
to make a fool of you. If you don't mind she'll keep you here like a
horse in a mill all the days of your life, running after clouds you
mistake for sheep."

Gilbert winced at this, and did not half like to be told he was a
day-dreamer. He maintained he saw the flocks all round him, while Sandy
explained that morning mists were to be seen on the tops of all
mountains, then become dispersed during the day, till they gather once
more at the approach of night, and that mists also hover over
waterfalls--and this was the whole history of Gilbert's flock. He had
been served the same way himself the first time he came to Elf-land,
only not being quite so soft-pated as his new acquaintance he had found
out the tricks that were played upon travellers; and he now asked
Gilbert whether he should help to extricate him from running after
clouds, or whether he was determined to make a fool of himself for the
rest of his life? Gilbert answered gravely that he was set upon wooing
the beautiful lady, and becoming the lord of the castle. "The castle is
about as solid as those built by youngsters with playing cards, and as
to this beautiful lady of yours, she is only an Elle-maid," said the
Scotchman contemptuously.

"Suppose she is?--What then?" returned Gilbert philosophically. For the
fact was he did not exactly know what sort of a creature that might be,
never having travelled so far before. "Come, I must take pity on you,
and save you in spite of yourself,"--said Sandy. "Here is some wax with
which you must stop up your ears to-night, when you return to the lady,
that you may not hear that singing of hers which bewitches your sober
senses, and then if you draw the bow lengthways up and down the middle
string of the fiddle, in this fashion (taking up the fiddle and showing
him) as you approach her, and refuse both the wine and the kiss, you
will see what an Elle-maid really is."

He then laid the ivory fiddle down again, and by the time Gilbert had
raised himself on one elbow to take it back, the shepherd was clean out
of sight. Gilbert thought this very strange, and he began scraping once
more on the fiddle to see if the branches of the tree would again sprout
into his singular acquaintance, but they did not stir any more. Though
not believing in the full truth of Sandy's sneers about the castle and
the lady, Gilbert thought he would just follow his advice out of
curiosity, to see what it might bring to light, and perceiving it was
now time to retrace his steps, he descended from the rocks, and
following the course of the stream, returned to his night quarters by a
different road to any he had taken before. He now stopped his ears with
the wax Sandy had given him, and it was well he did, as he had just come
within hearing of the Elle-maid's enchanting strains. He then drew the
bow rapidly across the strings in a backward direction, when all the
sheep instantly appeared on the surrounding heights, and next drew it
lengthways up and down the middle string as the Scotchman had shewn him
how to do. He had now come upon the rear of the stately castle he longed
to call his own, when he perceived it had neither a court-yard nor
back-premises of any sort, and consisted solely of a front wall with
windows, but no rooms behind, like a ruin, though he had hitherto
entertained the notion that he had slept beneath its roof, and on soft
cushions too, which he now plainly perceived could only have been clouds
like his fabulous flock. Eager to pursue his discoveries still further,
he went on fiddling as he came down the hillock towards the lady, when
what was not his horror and surprise on perceiving that the face he had
so much admired was hollow as a mask behind!

On hearing him playing in so unusual a manner, the lady turned round
her head sharply, exhibiting her bewitching countenance to his gaze, and
singing more sweetly than ever, as she offered him a goblet of wine. It
was fortunate he could not hear her sing, or that voice would have
melted all his resolutions, instead of which, he boldly dashed down the
proffered cup, and on her offering to give him a kiss, he dealt her a
box on the ear, which upset her like a card figure, when he became so
horrified at the spectral unreality of the objects about him, that he
ran off as fast as his legs would carry him, fiddling like mad as he
went along. In his frantic flight he passed by streams of water that
seemed to be nothing but tinfoil, and rocks that looked as if they were
made of pasteboard, and hollow like the Elle-maid's face, nor did he
stop to take breath till after all the objects in the landscape had
resumed their natural consistence, and clouds were clouds, and sheep
real woolly sheep, which shewed him to be beyond the limits of Elf-land.

Meantime evening had waned into night, and the moon was beginning to
rise, when Gilbert flung himself down on a bank to rest after his
headlong scamper. The cool air blew refreshingly over his fevered brow,
and he felt like one restored to reason after a fit of madness, or
awaking after a strange uneasy dream. "Now," thought he, "I need only
gather some ragwort and go home." And he looked all about for some, but
as it happened to be very rare in that neighbourhood, he walked on a
good way, peering about in the moonlight before he could find any. When
at last he hit upon the wished for herb, great was his joy, and he
plucked it as triumphantly as if he held in his hand the bridle of the
finest steed mortal ever looked upon, crying out: "Up! Horsie!" in a
loud voice. But no horsie answered to the appeal, and the ragwort
remained the simple herb it was before. Again and again he called out
the magic formula in tones now commanding and now entreating, and lastly
quite passionately, only there was no spur nor whip that could move the
ragwort to serve as his horse. He now perceived old Sandy had tricked
him after all, and sent him to Elf-land without giving him the means of
coming back. So there was nothing for it but to trudge all the way back
on foot,--and a long way it was I can tell you! It is true Gilbert
retained a hope that kept up his spirits a good while, that he should
still find some of the right sort of ragwort, and accordingly in each
new district he came to, he industriously gathered some specimens to try
the experiment, but with no better success. And after each fresh
disappointment, he could not help saying to himself: "I wish I had given
Sandy a lift, and then I should never have got into this scrape." The
worst of it was that Gilbert had scarcely any money about him, and when
that little was spent, he was at his wit's end to know how to pay his
way home. Luckily he still had the fiddle, and though he could not play
a single tune, its tones were so sweet that people liked to hear them,
and village children enjoyed having a scrape upon it, so that he always
managed to get a night's lodging and a supper as he journeyed along, and
even to get carried across the sea, for the sailors said it was as good
as listening to a mermaid.

When at last he reached home, he hung up the fiddle in his cottage, but
that same night it cracked right through with a loud moan, and fell in
shivers on the floor. Gilbert tried to mend it, but he never could
manage to restore it to its right shape again. It was like a puzzle that
baffles a child's attempts to put it together. However, he made a sort
of box of it, something like an Eolian harp, across which he stretched
the golden strings, and whenever the wind blew from Elf-land they would
play sweet mournful tunes, as the instrument lay on the window-sill.

For years Gilbert had a hankering to return to Elf-land and see a little
more of life amongst the Elle-maids and men, if there were any, but he
could never obtain a conveyance, and he knew he should not be able to
find the way on foot. And though as long as he lived he could not resist
pulling up some ragwort at every full moon, just to see if it possessed
the wished for quality, and muttering, "Up! Horsie!" certain it is he
never again obtained a horse out of the same stables, wherever they
happen to be situated.





End of the Project Gutenberg EBook of Up! Horsie!, by Clara de Chatelaine

*** END OF THIS PROJECT GUTENBERG EBOOK UP! HORSIE! ***

***** This file should be named 23477.txt or 23477.zip *****
This and all associated files of various formats will be found in:
        https://www.gutenberg.org/2/3/4/7/23477/

Produced by Mark C. Orton, Janet Blenkinship and the Online
Distributed Proofreading Team at https://www.pgdp.net (This
file was produced from images generously made available
by The University of Florida, The Internet
Archive/Children's Library)


Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties.  Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark.  Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission.  If you
do not charge anything for copies of this eBook, complying with the
rules is very easy.  You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research.  They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks.  Redistribution is
subject to the trademark license, especially commercial
redistribution.



*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
https://gutenberg.org/license).


Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A.  By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.  If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B.  "Project Gutenberg" is a registered trademark.  It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.  There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.  See
paragraph 1.C below.  There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works.  See paragraph 1.E below.

1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.  Nearly all the individual works in the
collection are in the public domain in the United States.  If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed.  Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work.  You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D.  The copyright laws of the place where you are located also govern
what you can do with this work.  Copyright laws in most countries are in
a constant state of change.  If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work.  The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1.E.  Unless you have removed all references to Project Gutenberg:

1.E.1.  The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org

1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges.  If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.

1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder.  Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5.  Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6.  You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form.  However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form.  Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.

1.E.7.  Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8.  You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
     the use of Project Gutenberg-tm works calculated using the method
     you already use to calculate your applicable taxes.  The fee is
     owed to the owner of the Project Gutenberg-tm trademark, but he
     has agreed to donate royalties under this paragraph to the
     Project Gutenberg Literary Archive Foundation.  Royalty payments
     must be paid within 60 days following each date on which you
     prepare (or are legally required to prepare) your periodic tax
     returns.  Royalty payments should be clearly marked as such and
     sent to the Project Gutenberg Literary Archive Foundation at the
     address specified in Section 4, "Information about donations to
     the Project Gutenberg Literary Archive Foundation."

- You provide a full refund of any money paid by a user who notifies
     you in writing (or by e-mail) within 30 days of receipt that s/he
     does not agree to the terms of the full Project Gutenberg-tm
     License.  You must require such a user to return or
     destroy all copies of the works possessed in a physical medium
     and discontinue all use of and all access to other copies of
     Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1.F.3, a full refund of any
     money paid for a work or a replacement copy, if a defect in the
     electronic work is discovered and reported to you within 90 days
     of receipt of the work.

- You comply with all other terms of this agreement for free
     distribution of Project Gutenberg-tm works.

1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
Foundation as set forth in Section 3 below.

1.F.

1.F.1.  Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection.  Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3.  YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from.  If you
received the work on a physical medium, you must return the medium with
your written explanation.  The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund.  If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund.  If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4.  Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.

1.F.5.  Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law.  The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.


Section  2.  Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers.  It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need, is critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come.  In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at https://www.pglaf.org.


Section 3.  Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service.  The Foundation's EIN or federal tax identification
number is 64-6221541.  Its 501(c)(3) letter is posted at
https://pglaf.org/fundraising.  Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations.  Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
[email protected].  Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at https://pglaf.org

For additional contact information:
     Dr. Gregory B. Newby
     Chief Executive and Director
     [email protected]


Section 4.  Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment.  Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States.  Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements.  We do not solicit donations in locations
where we have not received written confirmation of compliance.  To
SEND DONATIONS or determine the status of compliance for any
particular state visit https://pglaf.org

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States.  U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses.  Donations are accepted in a number of other
ways including including checks, online payments and credit card
donations.  To donate, please visit: https://pglaf.org/donate


Section 5.  General Information About Project Gutenberg-tm electronic
works.

Professor Michael S. Hart was the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone.  For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.


Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included.  Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.


Most people start at our Web site which has the main PG search facility:

     https://www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.