Project Gutenberg's Little Lucy's Wonderful Globe, by Charlotte M. Yonge
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org
Title: Little Lucy's Wonderful Globe
Author: Charlotte M. Yonge
Posting Date: August 8, 2009 [EBook #4538]
Release Date: October, 2003
First Posted: February 4, 2002
Language: English
*** START OF THIS PROJECT GUTENBERG EBOOK LITTLE LUCY'S WONDERFUL GLOBE ***
Produced by Doug Levy.
LITTLE LUCY'S WONDERFUL GLOBE
by Charlotte M. Yonge
"Young fingers idly roll
The mimic earth or trace
In picture bright of blue and gold
Each other circling chase"--KEBLE
CONTENTS.
Chapter I. Mother Bunch.
Chapter II. Visitors from the South Seas.
Chapter III. Italy.
Chapter IV. Greenland.
Chapter V. Tyrol.
Chapter VI. Africa.
Chapter VII. Laplanders.
Chapter VIII. China.
Chapter IX. Kamschatka.
Chapter X. The Turk.
Chapter XI. Switzerland.
Chapter XII. The Cossack.
Chapter XIII. Spain.
Chapter XIV. Germany.
Chapter XV. Paris in the Siege.
Chapter XVI. The American Guest.
Chapter XVII. The Dream of all Nations.
LITTLE LUCY'S WONDERFUL GLOBE
CHAPTER I.
MOTHER BUNCH.
There was once a wonderful fortnight in little Lucy's life. One
evening she went to bed very tired and cross and hot, and in the
morning when she looked at her arms and legs they were all covered
with red spots, rather pretty to look at, only they were dry and
prickly.
Nurse was frightened when she looked at them. She turned all the
little sisters out of the night nursery, covered Lucy up close, and
ordered her not to stir, certainly not to go into her bath. Then
there was a whispering and a running about, and Lucy was half
alarmed, but more pleased at being so important, for she did not
feel at all ill, and quite enjoyed the tea and toast that Nurse
brought up to her. Just as she was beginning to think it rather
tiresome to lie there with nothing to do, except to watch the flies
buzzing about, there was a step on the stairs and up came the
doctor. He was an old friend, very good-natured, and he made fun
with Lucy about having turned into a spotted leopard, just like
the cowry shell on Mrs. Bunker's mantel-piece. Indeed, he said
he thought she was such a curiosity that Mrs. Bunker would come
for her and set her up in the museum, and then he went away.
Suppose, oh, suppose she did!
Mrs. Bunker, or Mother Bunch, as Lucy and her brothers and sisters
called her, was housekeeper to their Uncle Joseph. He was really
their great uncle, and they thought him any age you can imagine.
They would not have been much surprised to hear that he sailed with
Christopher Columbus, though he was a strong, hale, active man, much
less easily tired than their own papa. He had been a ship's surgeon
in his younger days, and had sailed all over the world, and
collected all sorts of curious things, besides which he was a very
wise and learned man, and had made some great discovery. It was
_not_ America. Lucy knew that her elderly brother understood what
it was, but it was not worth troubling her head about, only somehow
it made ships go safer, and so he had had a pension given him as a
reward. He had come home and bought a house about a mile out of
town, and built up a high room from which to look at the stars with
his telescope, and to try his experiments in, and a long one besides
for his museum; yet, after all, he was not much there, for whenever
there was anything wonderful to be seen, he always went off to look
at it, and, whenever there was a meeting of learned men--scientific
men was the right word--they always wanted him to help them make
speeches and show wonders. He was away now. He had gone away to
wear a red cross on his arm, and help to take care of the wounded
in the sad war between the French and the Germans.
But he had left Mother Bunch behind him. Nobody knew exactly what
was Mrs. Bunker's nation; indeed she could hardly be said to have
any, for she had been born at sea, and had been a sailor's wife;
but whether she was mostly English, Dutch or Spanish, nobody knew
and nobody cared. Her husband had been lost at sea, and Uncle
Joseph had taken her to look after his house, and always said she
was the only woman who had sense and discretion enough ever to go
into his laboratory or dust his museum.
She was very kind and good natured, and there was nothing that the
children liked better than a walk to Uncle Joseph's, and, after a
play in the garden, tea with her. And such quantities of sugar
there were in her room! such curious cakes made in the fashion of
different countries! such funny preserves from all parts of the
world! And still more delightful, such cupboards and drawers full
of wonderful things, and such stories about them! The younger ones
liked Mrs. Bunker's room better than Uncle Joseph's museum, where
there were some big stuffed beasts with glaring eyes that frightened
them; and they had to walk round with hands behind, that they might
not touch anything, or else their uncle's voice was sure to call out
gruffly, "Paws off!"
Mrs. Bunker was not a bit like the smart house-keepers at other
houses. To be sure, on Sundays she came out in a black silk gown
with a little flounce at the bottom, a scarlet crape shawl with a
blue dragon on it--his wings over her back, and a claw over each
shoulder, so that whoever sat behind her in church was terribly
distracted by trying to see the rest of him--and a very big yellow
Tuscan bonnet, trimmed with sailor's blue ribbon.
But during the week and about the house she wore a green gown, with
a brown holland apron and bib over it, quite straight all the way
down, for she had no particular waist, and her hair, which was of
a funny kind of flaxen grey, she bundled up and tied round, without
any cap or anything else on her head. One of the little boys had
once called her Mother Bunch, because of her stories; and the name
fitted her so well that the whole family, and even Uncle Joseph,
took it up.
Lucy was very fond of her; but when about an hour after the doctor's
visit she was waked by a rustling and a lumbering on the stairs, and
presently the door opened, and the second best big bonnet--the
go-to-market bonnet with the turned ribbons--came into the room with
Mother Bunch's face under it, and the good-natured voice told her
she was to be carried to Uncle Joseph's and have oranges and
tamarinds, she did begin to feel like the spotted cowry-shell to
think about being set on the chimney-piece, to cry, and say she
wanted Mamma.
The Nurse and Mother Bunch began to comfort her, and explain that
the doctor thought she had the scarlatina; not at all badly; but
that if any of the others caught it, nobody could guess how bad they
would be; especially Mamma, who had just been ill; and so she was
to be rolled up in her blankets, and put into a carriage, and taken
to her uncle's; and there she would stay till she was not only well,
but could safely come home without carrying infection about with her.
Lucy was a good little girl, and knew that she must bear it; so,
though she could not help crying a little when she found she must
not kiss any one, nay not even see them, and that nobody might go
with her but Lonicera, her own china doll, she made up her mind
bravely; and she was a good deal cheered when Clare, the biggest
and best of all the dolls, was sent into her, with all her clothes,
by Maude, her eldest sister, to be her companion,--it was such an
honor and so very kind of Maude that it quite warmed the sad little
heart.
So Lucy had her little scarlet flannel dressing gown on, and her
shoes and stockings, and a wonderful old knitted hood with a tippet
to it, and then she was rolled round and round in all her
bed-clothes, and Mrs. Bunker took her up like a very big baby, not
letting any one else touch her. How Mrs. Bunker got safe down all
the stairs no one can tell, but she did, and into the carriage,
and there poor Lucy looked back and saw at the windows Mamma's face,
and Papa's, and Maude's and all the rest, all nodding and smiling
to her, but Maude was crying all the time, and perhaps Mamma was too.
The journey seemed very long; and Lucy was really tired when she
was put down at last in a big bed, nicely warmed for her, and with
a bright fire in the room. As soon as she had had some beef-tea,
she went off soundly to sleep and only woke to drink tea, give the
dolls their supper, and put them to sleep.
The next evening she was sitting up by the fire, and the fourth day
she was running about the house as if nothing had ever been the
matter with her, but she was not to go home for a fortnight; and
being wet, cold, dull weather, it was not always easy to amuse
herself. She had her dolls, to be sure, and the little dog Don,
to play with, and sometimes Mr. Bunker would let her make funny
things with the dough, or stone the raisins, or even help make a
pudding; but still there was a good deal of time on her hands.
She had only two books with her, and the rash had made her eyes
weak, so that she did not much like reading them. The notes that
every one wrote from home were quite enough for her. What she
liked best--that is, when Mrs. Bunker could not attend to her--was
to wander about the museum, explaining the things to the dolls:
"That is a crocodile, Lonicera; it eats people up, and has a little
bird to pick its teeth. Look, Clare, that bony thing is a
skeleton--the skeleton of a lizard. Paws off, my dear; mustn't touch.
That's amber, just like barley sugar, only not so nice; people
make necklaces of it. There's a poor little dead fly inside.
Those are the dear delightful humming-birds; look at their crests,
just like Mamma's jewels. See the shells; aren't they beauties?
People get pearls out of those great flat ones, and dive all down
to the bottom of the sea after them; mustn't touch, my dear, only
look; paws off."
One would think that Lonicera's curved fingers, all in one piece,
and Clare's blue leather hands had been very moveable and mischievous,
judging by the number of times this warning came; but of course it
was Lucy herself who wanted it most, for her own little plump, pinky
hands did almost tingle to handle and turn round those pretty shells.
She wanted to know whether the amber tasted like barley-sugar, as it
looked; and there was a little musk deer, no bigger than Don, whom
she longed to stroke, or still better to let Lonicera ride; but she
was a good little girl, and had real sense of honor, which never
betrays a trust; so she never laid a finger on anything but what
Uncle Joe had once given them leave to move.
This was a very big pair of globes--bigger than globes commonly are
now, and with more frames round them--one great flat one, with odd
names painted on it, and another brass one, nearly upright, going
half-way round from top to bottom, and with the globe hung upon it
by two pins, which Lucy's elder sisters called the poles, or the ends
of the axis. The huge round balls went very easily with a slight
touch, and there was something very charming in making them go whisk,
whisk, whisk; now faster, now slower, now spinning so quickly that
nothing on them could be seen, now turning slowly and gradually over
and showing all that was on them.
The mere twirling was quite enough for Lucy at first, but soon she
liked to look at what was on them. One she thought more entertaining
than the other. It was covered with wonderful creatures: one bear
was fastened by his long tail to the pole; another bigger one was
trotting round; a snake was coiling about anywhere; a lady stood
disconsolate against a rock; another sat in a chair; a giant sprawled
with a club in one hand and a lion's skin in the other; a big dog
and a little dog stood on their hind legs; a lion seemed just about
to spring on a young maiden's head; and all were thickly spotted
over, just as if they had Lucy's rash, with stars big and little:
and still more strange, her brothers declared these were the stars
in the sky, and this was the way people found their road at sea;
but if Lucy asked how, they always said she was not big enough to
understand, and it had occurred to Lucy to ask whether the truth
was not that they were not big enough to explain.
The other globe was all in pale green, with pink and yellow outlines
on it, and quantities of names. Lucy had had to learn some of these
names for her geography, and she rather kept out of the way of
looking at it first, till she had really grown tired of all the odd
men and women and creatures upon the celestial sphere; but by and
by she began to roll the other by way of variety.
CHAPTER II.
VISITORS FROM THE SOUTH SEAS.
"Miss Lucy, you're as quiet as a mouse. Not in any mischief?"
said Mrs. Bunker, looking into the museum; "why, what are you
doing there?"
"I'm looking at the great big globe, that Uncle Joe said I might
touch," said Lucy. "Here are all the names just like my lesson-book
at home: Europe, Africa, and America."
"Why, bless the child! where else should they be? There are all them
oceans and seas besides that I've crossed over, many's the time, with
poor Ben Bunker, who was last seen off Cape Hatteras."
"What, all these great green places, with Atlantic and Pacific on
them; you don't really mean that you've sailed over them! I should
like to make an ant do it on a sunflower seed! How could you,
Mother Bunch? You are not small enough."
"Ho! ho!" said the housekeeper, laughing; "does the child think I
sailed on that very globe there?"
"I know one learns names," said Lucy; "but is it real?"
"Real! Why, Missie, don't you see it's a sort of a picture? There's
your photograph now, it's not as big as you, but it shows you; and
so a chart, or a map, or a globe, is just a picture of the shapes
of the coast-line of the land and the sea, and the rivers in them,
and mountains, and the like. Look here!" And she made Lucy stand
on a chair and look at a map of her own town that was hanging against
the wall, showing her all the chief buildings, the churches, streets,
the town hall, and at last helping her find her own Papa's house.
When Lucy had traced all the corners she had to turn in going from
home to Uncle Joe's, and had even found little frizzles for the five
maple trees before the Parsonage, she understood that the map was
a small picture of the situation of the buildings in the town, and
thought she could find her way to some new place if she studied it
well.
Then Mrs. Bunker showed her a big map of the whole country, and there
Lucy found the river, and the roads, and the names of the villages
near, as she had seen or heard of them; and she began to understand
that a map or globe really brought distant places into an exceedingly
small picture, and that where she saw a name and a spot she was to
think of houses and churches; that a branching black line was a
flowing river full of water; a curve in, a pretty bay shut in with
rocks and hills; a point jutting out, generally a steep rock with a
lighthouse on it.
"And all these places are countries, Bunchey, are they, with fields
and houses like ours?"
"Houses, yes, and fields, but not always like ours, Miss Lucy."
"And are there little children, boys and girls, in them all?"
"To be sure there are, else how would the world go on? Why, I've
seen them by swarms, white or brown or black, running down to the
shore as soon as the vessel cast anchor; and whatever color they
were, you might be sure of two things, Miss Lucy, in which they
were all alike."
"Oh, what, Mrs. Bunker?"
"Why, in making plenty of noise, and in wanting all they could get
to eat. But they were little darlings, some of them, if I only
could have got at them to make them a bit cleaner. Some of them
looked for all the world like the little bronze images your Uncle
has got in the museum, which he brought from Italy, and they hadn't
a rag more clothing on either. They were in India. Dear, dear, to
see them tumble about in the surf!"
"Oh, what fun! what fun! I wish I could see them."
"You would be right glad, Missie, I can tell you, if you had been
three or four months aboard a vessel with nothing but dry biscuits
and salt junk, and may be a tin of preserved vegetables just to keep
it wholesome, to see the black fellows come grinning alongside with
their boats and canoes all full of oranges and limes and grape-fruit
and cocoanuts. Doesn't one's mouth fairly water for them?"
"Do please sit down, there's a good Mother Bunch, and tell me all
about them. Come, please do."
"Suppose I did, Miss Lucy, where would your poor uncle's preserved
ginger be, that no one knows from real West Indian ginger?"
"Oh, let me come into your room, and you can tell me all the time
you are doing the ginger.
"It is very hot there, Missie."
"That will be more like some of the places. I'll suppose I'm there!
Look, Mrs. Bunker! here's a whole green sea; the tiniest little dots
all over it."
"Dots? You'd hardly see all over one of those dots if you were in
one. That's the South Sea, Miss Lucy, and those are the loveliest
isles, except, may be, the West Indies, that ever I saw."
"Tell me about them, please," entreated Lucy. "Here's one; it's
name is--is Isabel--such a little wee one."
"I can't tell you much of those South Sea Isles, Missie, as I made
only one voyage among them, when Bunker chartered the _Penguin_ for
the sandalwood trade; and we did not touch at many, for the natives
were fierce and savage, and thought nothing of coming down with
arrows and spears at a boat's crew. So we only went to such islands
as the missionaries had been to, and had made the people more gentle
and civil."
"Tell me all about it," said Lucy, following the old woman hither
and thither as she bustled about, talking all the time, and stirring
her pan of ginger over the hot plate.
How it happened, it is not easy to say. The room was very warm, and
Mother Bunch went on talking as she stirred, and a steam rose up,
and by and by it seemed to Lucy that she had a great sneezing fit;
and when she looked again into the smoke, what did she see but two
little black figures, faces, heads, and feet all black, but with an
odd sort of white garment round their waists, and some fine red and
green feathers sticking out of their wooly heads.
"Mrs. Bunker, Mrs. Bunker!" she cried; "what's this? Who are these
ugly figures?"
"Ugly!" said the foremost; and though it must have been some strange
language, it sounded like English to Lucy. "Is that the way little
white girl speaks to boy and girl that have come all the way from
Isabel to see her?"
"Oh, indeed! little Isabel boy, I beg your pardon. I didn't know
you were real, nor that you could understand me! I am so glad to
see you. Hush, Don! don't bark so!"
"Pig, pig; I never heard a pig squeak like that," said the black
stranger.
"Pig! It is a little dog. Have you no dogs in your country?"
"Pigs go on four legs. That must be pig."
"What, you have nothing that goes on four legs but a pig! What do
you eat, then, besides pig?"
"Yams, cocoa-nut, fish--oh, so good, and put pig into hole among hot
stones, make a fire over, bake so nice!"
"You shall have some of my tea and see if that is as nice," said
Lucy. "What a funny dress you have; what is it made of?"
"Tapa cloth," said the little girl. "We get the bark off the tree,
and then we go hammer, hammer, thump, thump, till all the hard thick
stuff comes off;" and Lucy, looking near, saw that the substance was
really all a lacework of fibre, about as close as the net of Nurse's
caps.
"Is that all your clothes?" she asked.
"Yes, till I am a warrior," said the boy; "then they will tattoo my
forehead, and arms, and breast, and legs."
"Tattoo? what's that!"
"Make little holes, and lines all over the skin with a sharp shell,
and rub in juice that turns it all to blue and purple lines."
"But doesn't it hurt dreadfully?" asked Lucy.
"Hurt! to be sure it does, but that will show that I am brave. When
father comes home from the war he paints himself white."
"White?"
"With lime made by burning coral, and he jumps and dances and shouts.
I shall go to the war one of these days."
"Oh no, don't!" said Lucy, "it is horrid."
The boy laughed, but the little girl whispered, "Good white men say
so. Some day Lavo will go and learn, and leave off fighting."
Lavo shook his head. "No, not yet; I will be brave chief and warrior
first,--bring home many heads of enemies."
"I--I think it nice to be quiet," said Lucy; "and--and--won't you
have some dinner?"
"Have you baked a pig?" asked Lavo.
"I think this is mutton," said Lucy, when the dish came up,--"It is
sheep's flesh."
Lavo and his sister had no notion what sheep were. They wanted to
sit cross-legged on the floor, but Lucy made each of them sit in a
chair properly; but then they shocked her by picking up the mutton-chops
and stuffing them into their mouths with their fingers.
"Look here!" and she showed the knives and forks.
"Oh!" cried Lavo, "what good spikes to catch fish with! and
knife--knife--I'll kill foes! much better than shell knife."
"And I'll dig yams," said the sister.
"Oh, no!" entreated Lucy, "we have spades to dig with, soldiers have
swords to fight with; these are to eat with."
"I can eat much better without," said Lavo; but to please Lucy his
sister did try; slashing hard away with her knife, and digging her
fork straight into a bit of meat. Then she very nearly ran it into
her eye, and Lucy, who knew it was not good manners to laugh, was
very near choking herself. And at last saying the knife and fork
were "Great good--great good; but none for eating," they stuck them
through the great tortoise shell rings they had in their ears and
noses. Lucy was distressed about Uncle Joseph's knives and forks,
which she knew she ought not to give away; but while she was looking
about for Mrs. Bunker to interfere, Don seemed to think it his
business and began to growl and fly at the little black legs.
"A tree, a tree!" cried the Isabelites, "where's a tree?" And while
they spoke, Lavo had climbed up the side of the door, and was sitting
astride on the top of it, grinning down at the dog; and his sister
had her feet on the lock, going up after him.
"Tree houses," they cried; "there we are safe from our enemies."
And Lucy found rising before her, instead of her own nursery, a huge
tree, on the top of a mound. Basket-work had been woven between the
branches to make floors, and on these were huts of bamboo cane; there
were ladders hanging down made of strong creepers twisted together,
and above and around, the cries of cockatoos and parrots and the
chirp of grasshoppers rang in her ears. She laid hold of the ladder
of creeping plants and began to climb, but soon her head swam, she
grew giddy, and called out to Lavo to help her. Then suddenly she
found herself curled up in Mrs. Bunker's big beehive chair, and she
wondered whether she had been asleep.
CHAPTER III.
ITALY.
"If I could have such another funny dream!" said Lucy. "Mother
Bunch, have you ever been to Italy?" and she put her finger on the
long leg and foot, kicking at three-cornered Sicily.
"Yes, Missie, that I have; come out of this cold room and I'll
tell you."
Lucy was soon curled in her chair; but no, she wasn't! She was
under a blue, blue sky, as she had never dreamt of; clear, sharp,
purple hills rose up against it. There was a rippling little
fountain, bursting out of a rock, carved with old, old carvings,
broken now and defaced, but shadowed over by lovely maidenhair fern
and trailing bindweed; and in a niche above a little roof, a figure
of the Blessed Virgin. Some way off stood a long, low house propped
up against the rich yellow stone walls and pillars of another old,
old building, and with a great chestnut-tree shadowing it. It had
a balcony, and the gable end was open, and full of big yellow
pumpkins and clusters of grapes hung up to dry; and some goats
were feeding round.
Then came a merry, merry voice singing something about _la vendemmia_;
and though Lucy had never learnt Italian, her wonderful dream
knowledge made her sure that this meant the vintage, the
grape-gathering. Presently there came along a youth playing a violin
and a little girl singing. And a whole party of other children, all
loaded with as many grapes as they could carry, came leaping and
singing after them; their black hair loose, or sometimes twisted
with vine-leaves; their big black eyes dancing with merriment, and
their bare, brown legs with glee.
"Ah! Cecco, Cecco!" cried the little girl, pausing as she beat her
tambourine, "here's a stranger who has no grapes; bring them here!"
"But," said Lucy, "aren't they your mamma's grapes; may you give
them away?"
"Ah, ah! 'tis the _vendemmia!_ all may eat grapes; as much as they
will. See, there's the vineyard."
Lucy saw on the slope of the hill above the cottage long poles such
as hops grow upon, and clusters hanging down. Men in shady, battered
hats, bright sashes and braces, and white shirt sleeves, and women
with handkerchiefs folded square over their heads, were cutting the
grapes down, and piling them up in baskets; and a low cart drawn by
two mouse-colored oxen, with enormous wide horns and gentle-looking
eyes, was waiting to be loaded with baskets.
"To the wine-press! to the press!" shouted the children, who were
politeness itself and wanted to show her everything.
The wine-press was a great marble trough with pipes leading off
into other vessels around. Into it went the grapes, and in the
midst were men and boys and little children, all with bare feet
and legs up to the knees, dancing and leaping, and bounding and
skipping upon the grapes, while the red juice covered their brown
skins.
"Come in, come in; you don't know how charming it is!" cried Cecco.
"It is the best time of all the year, the dear vintage; come in and
tread the grapes."
"But you must take off your shoes and stockings," said his sister,
Nunziata; "we never wear them but on Sundays and holidays."
Lucy was not sure that she might, but the children looked so joyous,
and it seemed to be such fun, that she began fumbling with the
buttons of her boots, and while she was doing it she opened her eyes,
and found that her beautiful bunch of grapes was only the cushion in
the bottom of Mother Bunch's chair.
CHAPTER IV.
GREENLAND.
"Now suppose I tried what the very cold countries are like!"
And Lucy bent over the globe till she was nearly ready to cut her
head off with the brass meridian, as she looked at the long, jagged
tongue, with no particular top to it, hanging down on the east side
of America. Perhaps it was the making herself so cold that did it,
but she found herself in the midst of snow, snow, snow! All was
snow except the sea, and that was a deep green, and in it were
monstrous, floating white things, pinnacled all over like a Cathedral,
and as big, and with hollows in them of glorious deep blue and green,
like jewels; Lucy knew they were icebergs. A sort of fringe of these
cliffs of ice hemmed in the shore. And on one of them stood what she
thought at first was a little brown bear, for the light was odd, the
sun was so very low down, and there was so much glare from the snow
that it seemed unnatural. However, before she had time to be afraid
of the bear, she saw that it was really a little boy, with a hood and
coat and leggings of thick, thick fur, and a spear in his hand, with
which he every now and then made a dash at a fish,--great cod fish,
such as Mamma had often on a Friday.
Into them went his spear, up came the poor fish, which was strung
with some others on a string the boy carried. Lucy crept up as
well as she could on the slippery ice, and the little Esquimaux
stared at her with a kind of stupid surprise.
"Is that the way you get fish?" she asked.
"Yes, and seals; father gets them," he said.
"Oh, what's that swimming out there?"
"That's a white bear," he said coolly; "we had better get home."
Lucy thought so indeed; only where was home?--that puzzled her.
However, she trotted along by the side of her companion, and
presently came to what might have been an enormous snow-ball, but
there was a hole in it. Yes, it was hollow; and as her companion
made for the opening, she saw more little stout figures rolled up
in furs inside. Then she perceived that it was a house built up of
blocks of snow, arranged so as to make the shape of a beehive, all
frozen together, and with a window of ice. It made her shiver to
think of going in, but she thought the white bear might come after
her, and in she went. Even her little head had to bend under the
low doorway, and behold, it was the very closest, stuffiest, if
not the hottest place she had ever been in! There was a kind of
lamp burning in the hut; that is, a wick was floating in some oil,
but there was no glass, such as Lucy had been apt to think the
chief part of a lamp, and all round it squatted upon skins these
queer little stumpy figures dressed so much alike that there was
no knowing the men from the women, except that the women had much
bigger boots, and used them instead of pockets, and they had their
babies in bags of skin upon their backs.
They seemed to be kind people, for they made room near their lamp
for the little girl, and asked her where she had been wrecked.
Then one of the women cut off a great lump of raw something--was
it a walrus, with that round head and big tusks?--and held it up
to her; and when Lucy shook her head and said, "No, thank you," as
civilly as she could, the woman tore it in two, and handed a lump
over her shoulder to her baby, who began to gnaw it. Then her
first friend, the little boy, hoping to please her better, offered
her some drink. Ah! it was oil, just like the oil that was burning
in the lamp!--horrid oil from the whales! She could not help
shaking her head; and so much that she woke herself up!
CHAPTER V.
TYROL.
"Suppose I could see where that dear little black chamois horn came
from! But Mother Bunch can't tell me about that I'm afraid, for she
always went by sea, and here's the Tyrol without one bit of sea near
it. It's just one of the strings to the great knot of mountains
that tie Europe up in the middle. Oh! what is a mountain like?"
Then suddenly came on Lucy's ears a loud blast like a trumpet; another
answered it farther off, another fainter still, and as she started up
she found she was standing on a little shelf of green grass with steep
slopes of stones and rock above, below, and around her; and rising up
all round were huge, tall hills, their smooth slopes green and grassy,
but in the steep places all terrible cliff and precipice; and as they
were seen further away they looked a beautiful purple, like a
thunder-cloud.
Close to Lucy grew blue gentians like those in Mamma's garden, and
Alpine roses, and black orchids; but she did not know how to come
down, and was getting rather frightened, when a clear little voice
said, "Little lady, have you lost your way? Wait till the evening
hymn is over, and I'll come and help you;" and then Lucy stood and
listened, while from all the peaks whence the horns had been blown
there came the strong, sweet sound of an evening hymn, all joining
together, while there arose distant echoes of others farther away.
When it was over, one shout of "Jodel" echoed from each point, and
then all was still except for the tinkling of a cow-bell. "That's
the way we wish each other good night," said the little girl, as
the shadows mounted high on the tops of the mountains, leaving them
only peaks of rosy light. "Now come to the chalet, and sister Rose
will give you some milk."
"Help me. I'm afraid," said Lucy.
"That is nothing," said the mountain maiden springing up to her like
a kid, in spite of her great heavy shoes; "you should see the places
Father and Seppel climb when they hunt the chamois."
"What is your name?" asked Lucy, who much liked the looks of her
little companion in her broad straw hat, with a bunch of Alpine
roses in it, her thick striped frock, and white body and sleeves,
braced with black ribbon; it was such a pleasant, fresh, open face,
with such rosy cheeks and kindly blue eyes, that Lucy felt quite
at home.
"I am little Katherl. This is the first time I have come up with
Rose to the chalet, but I am big enough to milk the cows now. Ah!
do you see Daisy, the black one with a white tuft? She is our
leading cow, and she knows it, the darling. She never lets the
others get into dangerous places; she leads them home at the sound
of a horn; and when we go back to the village she will lead the
herd with a flower on the point of each horn, and a wreath round
her neck. The men will come up for us, Seppel and all; and may be
Seppel will bring the prize medal for shooting with the rifle."
"But what do you do up here?"
"We girls go up for the summer with the cows to the pastures, the
grass is so rich and good on the mountains, and we make butter and
cheese. Wait, and you shall taste. Sit down on the stone."
Lucy was glad to hear that promise, for the fresh mountain air had
made her hungry. Katherl skipped away towards a house with a
projecting wooden balcony, and deep eaves, beautifully carved, and
came back with a slice of bread and delicious butter, and a good
piece of cheese, all on a wooden platter, and a little bowl of new
milk. Lucy thought she had never tasted anything so nice.
"And now the gracious little lady will rest a little while," said
Katherl, "whilst I go and help Rose to strain the milk."
So Lucy waited, but she felt so tired with her scramble that she
could not help nodding off to sleep, though she would have liked
very much to have stayed longer with the dear little Tyrolese.
But we know by this time where she always found herself when
she awoke.
CHAPTER VI.
AFRICA.
Oh! oh! here is a little dried crocodile come alive, and opening a
horrid great mouth, lined with terrible teeth, at her.
No, he is no longer in the museum; he is in a broad river, yellow,
heavy, and thick with mud; the borders are crowded with enormous
reeds and rushes; there is no getting through; no breaking away
from him; here he comes; horrid, horrid beast! Oh, how could Lucy
have been so foolish as to want to travel in Africa up to the higher
parts of the Nile? How will she ever get back again? He will gobble
her up, her and Clare, who was trusted to her, and what will mamma
and sister do?
Hark! There's a cry, a great shout, and out jumps a little black
figure, with a stout club in his hand. Crash it goes down on the
head of master crocodile. The ugly beast is turning over on its
back and dying. Then Lucy has time to look at the little negro,
and he has time to look at her. What a droll figure he is, with
his wooly head and thick lips, the whites of his eyes and his teeth
gleaming so brightly, and his fat little black person shining all
over, as well it may, for he is rubbed from head to foot with
castor-oil. There it grows on the bush, with broad, beautiful, folded
leaves and red stems and the pretty grey and black nuts. Lucy
only wishes the negroes would keep it all to polish themselves
with, and not send any home.
She wants to give the little black fellow some reward for saving her
from the crocodile, and luckily Clare has on her long necklace of
blue glass beads. She puts it into his hand, and he twists it round
his black wool, and cuts such dances and capers for joy that Lucy
can hardly stand for laughing; but the sun shines scorching hot upon
her, and she gets under the shade of a tall date palm, with big
leaves all shooting out together at the top, and fine bunches of
dates below, all fresh and green, not like those papa sometimes
gives her at dessert.
The little negro, Tojo, asks if she would like some. He takes her
by the hand, and leads her into a whole cluster of little round mud
huts, telling her that he is Tojo, the king's son; she is his little
sister and these are all his mothers! Which is his real mother Lucy
cannot quite make out, for she sees an immense party of black women,
all shiny and polished, with a great many beads wound round their
heads, necks, ankles, and wrists; and nothing besides the tiniest
short petticoats: and all the fattest are the smartest; indeed, they
have gourds of milk beside them, and are drinking it all day long
to keep themselves fat. No sooner however is Lucy led in among them,
than they all close round, some singing and dancing, and others
laughing for joy, and crying, "Welcome, little daughter from the
land of spirits!" And then she finds out that they think she is
really Tojo's little sister, who died ten moons ago, come back
again from the grave as a white spirit.
Tojo's own mother, a very fat woman indeed, holds out her arms, as
big as bed-posts and terribly greasy, gives her a dose of sour milk
out of a gourd, makes her lie down with her head in her lap, and
begins to sing to her, till Lucy goes to sleep; and wakes, very
glad to see the crocodile as brown and hard and immovable as ever;
and that odd round gourd with a little hole in it, hanging up near
the ceiling.
CHAPTER VII.
LAPLANDERS.
"It shall not be a hot country next time," said Lucy, "though, after
all, the whale oil was not much worse than the castor oil.--Mother
Bunch, did your whaler always go to Greenland, and never to any
nicer place?"
"Well, Missie, once we were driven between foul winds and icebergs
up into a fiord near North Cape, right at midsummer, and I'll never
forget what we saw there."
Lucy was not likely to forget, either, for she found herself standing
by a narrow inlet of sea, as blue and smooth as a lake, and closely
shut in, except where the bare rock was too steep, or where on a
somewhat smoother shelf stood a timbered house, with a farm-yard and
barns all round it. But the odd thing was that the sun was where
she had never seen him before,--quite in the north, making all the
shadows come the wrong way. But how came the sun to be visible at
all so very late? Ah! she knew it now; this was Norway, and at this
time of the year there was no night at all!
And here beside her was a little fellow with a bow and arrows, such
as she had never seen before, except in the hands of the little
Cupids in the pictures in the drawing-room. Mother Bunch had said
that the little brown boys in India looked like the bronze Cupid who
was on the mantleshelf, but this little boy was white, or rather
sallow-faced, and well dressed too, in a tight, round, leather cap,
and a dark blue kind of shaggy gown with hairy leggings; and what
he was shooting at was some kind of wild-duck or goose, that came
tumbling down heavily with the arrow right through its neck.
"There," said the boy, "I'll take that, and sell it to the Norse
farmer's wife up in the house above there."
"Who are you, then?" said Lucy.
"I'm a Lapp. We live on the hills, where the Norseman has not driven
us away, and where the reindeer find their grass in summer and moss
in winter."
"Oh! have you got reindeer? I should so like to see them and to
drive in a sledge!"
The boy, whose name was Peder, laughed, and said, "You can't go in a
sledge except when it is winter, with snow and ice to go upon, but
I'll soon show you a reindeer."
Then he led the way, past the deliciously smelling, whispering pine
woods that sheltered the Norwegian homestead, past a seater or
mountain meadow where the girls were pasturing their cows, much like
Lucy's friends in the Tyrol, then out upon the gray moorland, where
there was an odd little cluster of tents covered with skins, and
droll little, short, stumpy people running about them.
Peder gave a curious long cry, put his hand in his pocket, and pulled
out a lump of salt. Presently, a pair of long horns appeared, then
another, then a whole herd of the deer with big heads and horns
growing a good deal forward. The salt was held to them, and a rope
was fastened to all their horns that they might stand still in a
line, while the little Lapp women milked them. Peder went up to
one of the women, and brought back a little cupful of milk for his
visitor; it was all that one deer gave, but it was so rich as to be
almost like drinking cream.
He led her into one of the tents, but it was very smoky, and not
much cleaner than the tent of the Esquimaux. It is a wonder how
Lucy could go to sleep there, but she did, heartily wishing herself
somewhere else.
CHAPTER VIII.
CHINA.
Was it the scent of the perfumed tea, a present from an old sailor
friend, which Mrs. Bunker was putting away, or was it the sight of
the red jar ornamented with black-and-gold men, with round caps,
long petticoats, and pigtails, that caused Lucy next to open her
eyes upon a cane sofa, with cushions ornamented with figures in
colored silks? The floor of the room was of shining inlaid wood;
there were beautifully woven mats all round; stands made of red
lacquer work, and seats of cane and bamboo; and there was a round
window, through which could be seen a beautiful garden, full of
flowering shrubs and trees, a clear pond lined with colored tiles
in the middle, and over the wall the gilded roof of a pagoda, like
an umbrella, only all in ridge and furrow, and with a little bell
at every spoke. Beyond, were beautifully and fantastically shaped
hills, and a lake below with pleasure boats on it. It was all
wonderfully like a pretty china bowl come to life, and Lucy knew
she was in China, even before there came into the room, toddling
upon her poor little, tiny feet, a young lady with a small yellow
face, little slips of eyes sloping upwards from her flat nose, and
black hair combed up very tight from her face and twisted with
flowers and ornaments. She had ever so many robes on, the edge
of one peeping out below the other, and at the top a sort of blue
China-crape tunic, with very wide, loose sleeves dropping an immense
way from her hands. There was no gathering in at the waist, and
it reached to her knees, where a still more splendid white silk,
embroidered, trailed along. She had a big fan in her hand; but
when she saw the visitor she went up to a beautiful little, low
table, with an ivory frill round it, where stood some dainty,
delicate tea-cups and saucers. Into one of these she put a little
ball, about as big as an oak-apple, of tea-leaves; a maid dressed
like herself poured hot water on it, and handed it on a lacquer-work
tray. Lucy took it, said, "Thank you," and then waited.
"Is it not good?" said the little hostess.
"It must be! You are the real tea people," said Lucy: "but I was
waiting for sugar and milk."
"That would spoil it," said the Chinese damsel; "only outer barbarians
would think of such a thing. And, ah! I see you are one! See, Ki-hi,
what monstrous feet!"
"They are not bigger than your maid's," said Lucy rather disgusted.
"Why are yours so small?"
"Because my mother and nurse took care of me when I was a baby, and
bound them up that they might not grow big and ugly like those of
the poor creatures who have to run about for their husbands, feed
silk worms, and tend ducks!"
"But shouldn't you like to walk without almost tumbling down?"
said Lucy.
"No, indeed! Me a daughter of a mandarin of the blue button! You
are a mere barbarian to think a lady ought to want to walk. Do you
not see that I never do anything? Look at my lovely nails."
"I think they are claws," said Lucy; "do you never break them?"
"No; when they are a little longer, I shall wear silver shields for
them as my mother does."
"And do you really never work?"
"I should think not," said the young lady, scornfully fanning herself;
"I leave that to the common folk, who are obliged to. Come with me and
let me lean on you, and I will give you a peep through the lattice, that
you may see that my father is far above making his daughter work. See,
there he sits, with his moustachios hanging down to his chin, and his
pig-tail to his heels, and the blue dragon embroidered on his breast,
watching while they prepare the hall for a grand dinner. There will be
a stew of puppy dog, and another of kittens, and bird's-nest soup; and
then the players will come and act part of the nine-night tragedy, and
we will look through the lattice. Ah! father is smoking opium, that he
may be serene and in good spirits! Does it make your head ache? Ah!
that is because your are a mere outer barbarian. She is asleep, Ki-hi;
lay her on the sofa, and let her sleep. How ugly her pale hair is,
almost as bad as her big feet!"
CHAPTER IX.
KAMSCHATKA.
Lucy had been disappointed at not having a drive with the reindeer,
and she had been telling Don how useful his relations were in other
places. Behold, she awoke in a wide plain, where, as far as her eye
could reach, there was nothing but snow. The few fir-trees that
stood in the distance were heavily laden; and Lucy herself,--where
was she? Going very fast? Yes, whisking over the snow with all
her might and main, and muffled up in cloaks and furs, as indeed
was necessary, for her breath froze upon the big muffler round her
throat, so that it seemed to become as hard as a stone wall; and by
her side was a little boy, muffled up quite as close, with a cap, or
rather hood, casing his whole head, his hands gloved in fur up to
the elbows, and long fur boots. He had an immense long whip in his
hand, and was flourishing it, and striking with it--at what? They
were an enormous way off from him, but they really were very big
dogs, rushing along like the wind, and bearing along with them--what?
Lucy's ambition--a sledge, a thing without wheels, but gliding
along most rapidly on the hard snow; flying, flying almost fast
enough to take away her breath, and leaving birds, foxes, and
any creature she saw for one instant, far behind. And--what was
very odd--the young driver had no reins; he shouted at the dogs
and now and then threw a stick at them, and they quite seemed to
understand, and turned when he wanted them to turn. Lucy wondered
how he or they knew the way, it all seemed such a waste of snow.
They went so fast that at first she was unable to speak; then she
ventured on gasping out, "Well, I've been in an express train, but
this beats it! Where are you going?"
"To Petropawlowsky, to change these skins for coffee, and rice, and
rice," answered the boy.
"What skins are they?" asked Lucy.
"Bears'--big brown bears that father killed in a cave--and wolves'
and those of the little ermine and sable that we trap. We get much,
much for the white ermine and his black tail. Father's coming in
another sledge with, oh! such a big pile. Don't you hear his dogs
yelp? We'll win the race yet! Ugh! hoo! hoo! ho-o-o-o!--On! on!
lazy ones, on, I say! don't let the old dogs catch the young ones!"
Crack, crack, went the whip; the dogs yelped with eagerness,--they
don't bark, those Northern dogs; the little Kamschatkadale bawled
louder and louder, and never saw when Lucy rolled off behind, and
was left in the middle of a huge snowdrift, while he flew on with
his load.
Here were his father's dogs overtaking her; and then some one was
picking her up. No, it was Don! and here was Mrs. Bunker exclaiming,
"Well, if here is not Miss Lucy asleep on Master's old bearskin!"
CHAPTER X.
THE TURK.
"What a beautiful long necklace, Mrs. Bunker! May I have it for
Lonicera?"
"You may play with it while you are here, Missie, if you'll take
care not to break the string, but it is too curious for you to take
home and lose. It is what they call a Turkish rosary; they say it
is made of rose-leaves reduced to a paste and squeezed ever so hard
together, and that the poor ladies that are shut up in the harems
have little or nothing to do but to run them through their fingers."
"It has a very nice smell," said Lucy, examining the dark brown beads,
which hung loosely on their string, and letting them fall one by one
through her hands, till of course that happened which she was hoping
for: she woke on a long, low sofa, in the midst of a room all carpet
and cushions, in bright colors and gorgeous patterns, curling about
with no particular meaning; and with a window of rich brass
lattice-work.
And by her side there was an odd bubbling that put her in mind of
blowing the soap-suds into a froth when preparing them for bubble
blowing; but when she looked round she saw something very unlike
the long pipes her big brother used, or the basin of soap-suds.
There was a beautifully shaped glass bottle, and into it went a
very long twisting tube, like a snake coiled on the floor, and the
other end of the serpent, instead of a head, had an amber mouth-piece
which went between a pair of lips. Lucy knew it for a hubble-bubble
or Turkish pipe, and saw that the lips were in a brown face,
with big black eyes, round which dark bluish circles were drawn.
The jet-black hair was carefully braided with jewels, and over
it was thrown a purple satin sort of pelisse over a white silk
embroidered vest, tied in with a sash, striped with all manner
of colors; also immense wide white trousers, out of which peeped
a pair of brown bare feet, on which, however, were a splendid pair
of slippers curled up at the toes.
The owner seemed to be very little older than Lucy, and sat gravely
looking at her for a little while, then clapped her hands. A black
woman came, and the young Turkish maiden said, "Bring coffee for the
little Frank lady."
So a tiny table of mother-of-pearl was brought, and on it some exquisite
little striped porcelain cups, standing not in saucers, but in silver
filigree cups into which they exactly fitted. Lucy remembered her
Chinese experience, and did not venture to ask for milk or sugar, but
she found that the real Turkish coffee was so pure and delicate that
she could drink it without.
"Where are your jewels?" then asked the little hostess.
"I'm not old enough to have any."
"How old are you?"
"Nine."
"Nine! I'm only ten, and I shall be married next week---"
"Married! Oh, no, you are joking."
"Yes, I shall. Selim Bey has paid my father the dowry for me, and I
shall be taken to his house next week."
"And I suppose you like him very much."
"He looks big and tall," said the child with exultation. "I saw him
riding when I went with my mother to the Sweet Waters. 'Amina,' she
said, 'there is your lord, in the Frankish coat--with the white horse.'"
"Have you not talked to him?" asked Lucy.
"What should I do that for?" said Amina.
"Aunt Bessie used to like to talk to nobody but Uncle Frank before
they were married," replied Lucy.
"I shall talk enough when I am married," replied the little Turk.
"I shall make him give me plenty of sweetmeats, and a carriage with
two handsome bullocks, and the biggest Nubian black slave in the
market to drive me to Sweet Waters, in a thin blue veil, with all
my jewels on. Father says that Selim Bey will give me everything,
and a Frank governess. What is a governess? Is it anything like
the little gold case you have round your neck?"
"My locket with Mamma's hair? Oh, no, no," said Lucy, laughing; "a
governess is a lady to teach you."
"I don't want to learn any more," said Amina, much disgusted; "I
shall tell him I can make sweetmeats, and roll rose-leaves. What
should I learn for?"
"Should you not like to read and write?"
"Teaching is only meant for men," replied Amina. "They have got to
read the Koran, but it is all ugly letters; I won't learn to read."
"You don't know how nice it is to read stories all about different
countries," said Lucy. "Ah! I wish I was in the schoolroom, at
home, and I would show you how pleasant it is."
And Lucy seemed to have her wish all at once, for she and Amina stood
in her own schoolroom, but with no one else there. The first thing
Amina did was to scream, "Oh, what shocking windows! even men can
see in; shut them up." She rolled herself up in her veil, and Lucy
could only satisfy her by pulling down all the blinds, after which
she ventured to look about a little. "What have you to sit on?" she
asked with great disgust.
"Chairs and stools," said Lucy, laughing and showing them.
"These little tables with four legs! How can you sit on them?"
Lucy sat down and showed her. "That is not sitting," she said, and
she tried to curl herself up cross-legged.
"Our teacher always makes us write a long grammar lesson if she sees
us sitting with our legs crossed," said Lucy, laughing with much
amusement at Amina's attempts to wriggle herself up on the stool
from which she nearly fell.
"Ah, I will never have a governess!" cried Amina. "I will cry and cry,
and give Selim Bey no rest till he promises to let me alone. What a
dreadful place this is! Where can you sleep?"
"In bed, to be sure," said Lucy.
"I see no cushions to lie on."
"No; we have bedrooms, and beds there. We should not think of taking
off our clothes here."
"What should you undress for?"
"To sleep, of course."
"How horrible! We sleep in all our clothes wherever we like to lie
down. We never undress but for the bath. Do you go to the bath?"
"I have a bath every morning, when I get up, in my own room."
"Bathe at home! Then you never see your friends? We meet at the
bath, and talk and play and laugh."
"Meet bathing! No, indeed! We meet at home, and out of doors,"
said Lucy; "my friend Annie and I walk together."
"Walk together! what, in the street? Shocking! You cannot be a lady."
"Indeed I am," said Lucy, coloring up. "My papa is a gentleman. And
see how many books we have, and how much we have to learn! French, and
music, and sums, and grammar, and history, and geography."
"I WILL not be a Frank! No, no! I will not learn," said the
alarmed Amina on hearing this catalogue poured forth.
"Geography is very nice," said Lucy; "here are our maps. I will
show you where you live. This is Constantinople."
"I live at Stamboul," said Amina, scornfully.
"There is Stamboul in little letters below--look."
"That Stamboul! The Frank girl is false; Stamboul is a large, large,
beautiful place; not a little black speck. I can see it from my
lattice. White houses and mosques in the sun, and the blue Golden
Horn, with the little vessels gliding along."
Before Lucy could explain, the door opened, and one of her brothers
put in his head. At once Amina began to scream and roll herself in
the window curtain. "A man in the harem! Oh! oh! oh! Were there
no slippers at the door?" And her screaming awoke Lucy, who found
herself at her Uncle Joe's again.
CHAPTER XI.
SWITZERLAND.
"I liked the mountain girl best of all," thought Lucy. "I wonder
whether I shall ever get among the mountains again. There's a
great stick in the corner that Uncle Joe calls his alpenstock.
I'll go and read the names upon it. They are the names of all
the mountains where he has used it."
She read Mount Blanc, Mount Cenis, the Wengern, and so on; and of
course as she read and sung them over to herself, they lulled her
off into her wonderful dreams, and brought her this time into a
meadow, steep and sloping, but full of flowers, the loveliest
flowers, of all kinds, growing among the long grass that waved
over them. The fresh, clear air was so delicious that she almost
hoped she was back in her dear Tyrol; but the hills were not the
same. She saw upon the slope quantities of cows, goats, and sheep,
feeding just as on the Tyrolese Alps; but beyond was a dark row of
pines, and above, in the sky as it were, rose all round great sharp
points--like clouds for their whiteness, but not in their straight,
jagged outlines. And here and there the deep gray clefts between
seemed to spread into white rivers, or over the ruddy purple of the
half-distance came sharp white lines darting downwards.
As she sat up in the grass and looked about her, a bark startled
her. A dog began to growl, bark, and dance round her, so that she
would have been much frightened if the next moment a voice had not
called him off--"Fie, Brilliant, down; let the little girl alone.
He is good, Madamoiselle, never fear. He helps me keep the cows."
"Who are you, then?"
"I am Maurice, the little herd-boy. I live with my grandmother, and
work for her."
"What, in keeping cows?"
"Yes; and look here!"
"Oh, the delicious little cottage! It has eaves and windows, and
balconies, and a door, and little cows and sheep, and men and women,
all in pretty white wood! You did not make it, Maurice?"
"Yes, truly I did; I cut it out with my knife, all myself."
"How clever you must be. And what shall you do with it?"
"I shall watch for a carriage with ladies winding up that long road;
and then I shall stand and take off my hat, and hold out my cottage.
Perhaps they will buy it, and then I shall have enough to get
grandmother a warm gown for the winter. When I grow bigger I will
be a guide, like my father."
"A guide?"
"Yes, to lead travellers up to the mountain-tops. There is nowhere
you English will not go. The harder a mountain is to climb, the
more bent you are on going up. And oh, I shall love it too! There
are the great glaciers, the broad streams of ice that fill up the
furrows of the mountains, with the crevasses so blue and beautiful
and cruel. It was in one of them my father was swallowed up."
"Ah! then how can you love them?" said Lucy.
"Because they are so grand and so beautiful," said Maurice. "No
other place has the like, and they make one's heart swell with
wonder, and joy in the God who made them."
And Maurice's eyes sparkled, and Lucy looked at the clear, stern
glory of the mountain points, and felt as if she understood him.
CHAPTER XII.
THE COSSACK.
Caper, caper; dance, dance. What a wonderful dance it was, just as
if the little fellow had been made of cork, so high did he bound
the moment he touched the ground; while he jerked out his arms and
legs as if they were pulled by strings, like the Marionettes that
had once performed in front of the window. Only, his face was all
fun and life, and he did look so proud and delighted to show what
he could do; and it was all in clear, fresh, open air, the whole
extent covered with short, green grass, upon which were grazing
herds of small lean horses, and flocks of sheep without tails, but
with their wool puffed out behind into a sort of bustle or _panier_.
There was a cluster of clean, white-looking houses in the distance;
and Lucy knew that she was in the great plains called the Steppes,
that lie between the rivers Volga and Don.
"Do you live there?" she asked, by way of beginning the conversation.
"Yes; my father is the hetman of the Stantitza, and these are my
holidays. I go to school at Tcherkask the greater part of the
year."
"Tcherkask! Oh, what a funny name!"
"And you would think it a funny town if you were there. It is built
on a great bog by the side of the river Volga; all the houses stand
on piles of timber, and in the spring the streets are full of water,
and one has to sail about in boats."
"Oh! that must be delicious."
"I don't like it as much as coming home and riding. See!" and as he
whistled, one of the horses came whinnying up, and put his nose over
the boy's shoulder.
"Good fellow! But your horses are thin; they look little."
"Little?" cried the young Cossack. "Why, do you know what our little
horses can do? There are not many armies in Europe that they have not
ridden down, at one time or another. Why, the church at Tcherkask is
hung all round with Colors we have taken from our enemies. There's the
Swede--didn't Charles XII. get the worst of it when he came in his big
boots after the Cossack?--ay, and the Turk, and the Austrian, and the
French? Ah! doesn't my Grandfather tell how he rode his good little
horse all the way from the Volga to the Seine, and the good Czar
Alexander himself gave him the medal with 'Not unto us, but unto Thy
Name be the praise'? Our father the Czar does not think so little of
us and our horses as you do, young lady."
"I beg your pardon," said Lucy; "I did not know what your horses
could do."
"Oh, you did not! That is some excuse for you. I'll show you."
And in one moment he was on the back of his little horse, leaning
down on its neck, and galloping off over the green plain like the
wind; but it seemed to Lucy as if she had only just watched him
out of sight on one side before he was close to her on the other,
having whirled round and cantered close up to her while she was
looking the other way. "Come up with me," he said; and in one
moment she had been swept up before him on the little horse's neck,
and was flying so wildly over the Steppes that her breath and sense
failed her, and she knew no more till she was safe by Mrs. Bunker's
fireside again.
CHAPTER XIII.
SPAIN.
"Suppose now I go to sleep again; what should I like to see next?
A sunny place, I think, where there is sea to look at. Shall it
be Spain, and shall it be among the poor people? Well, I think I
should be where there is a little lady girl. I hope they are not
all as lazy and conceited as the Chinese and the Turk."
So Lucy awoke in a large, cool room with a marble floor and heavy
curtains, but with little furniture except one table, and a row of
chairs ranged along the wall. It had two windows, one looking out
into a garden,--such a garden!--orange-trees with shining leaves
and green and golden fruit and white flowers, and jasmines, and
great lilies standing round about a marble court. In the midst of
this court was a basin of red marble, where a fountain was playing,
making a delicious splashing; and out beyond these sparkled in the
sun the loveliest and most delicious of blue seas--the same blue
sea, indeed, that Lucy had seen in her Italian visit.
That window was empty; but the other, which looked out into the
street, had cushions laid on the sill, an open-work stone ledge
beyond, and little looking-glasses on either side. Leaning over this
sill there was seated a little maiden in a white frock, but with a
black lace veil fastened by a rose into her jet-black hair, and the
daintiest, prettiest-shaped little feet imaginable in white satin
shoes, which could be plainly seen as she knelt on the window-seat.
"What are you looking at?" asked Lucy, coming to her side.
"I'm watching for the procession. Then I shall go to church with
mamma. Look! That way we shall see it come; these two mirrors
reflect everything up and down the street."
"Are you dressed for church?" asked Lucy. "You have no hat on."
"Where does your grace come from not to know that a mantilla is
what is for church? Mamma is being dressed in her black silk and
her black mantilla."
"And your shoes?"
"I could not wear great, coarse, hard shoes," said the little Dona
Ines; "It would spoil my feet. Ah! I shall have time to show the
Senorita what I can do. Can your grace dance?"
"I danced with Uncle Joe at our last Christmas party," said Lucy,
with great dignity.
"See now," cried the Spaniard; "stand there. Ah! have you no
castanets?" And she quickly took out two very small ivory shells
or bowls, each pair fastened together by a loop, through which she
passed her thumb so that the little spoons hung on her palm, and
she could snap them together with her fingers.
Then she began to dance round Lucy in the most graceful swimming
way, now rising, now falling, and cracking her castanets together
at intervals. Lucy tried to do the same, but her limbs seemed like
a wooden doll's compared with the suppleness and ease of Ines. She
made sharp corners and angles, where the Spaniard floated so like a
sea-bird that it was like seeing her fly or float rather than merely
dance, till at last the very watching her rendered Lucy drowsy and
dizzy; and as the church bells began to ring, and the chant of the
procession to sound, she lost all sense of being in sunny Malaga,
the home of grapes.
CHAPTER XIV.
GERMANY.
There was a great murmur and buzz of learning lessons; rows upon
rows of little boys were sitting before desks, studying; very few
heads looked up as Lucy found herself walking round the room--a
large clean room, with maps hanging on the walls, but hot and
weary-feeling, because there were no windows open and so little
fresh air.
"What are you about, little boy?" she asked.
"I am learning my verb," he said; "moneo, mones, monet."
Lucy waited no longer, but moved off to another desk. "And what are
you doing?"
"I am writing my analysis."
Lucy did not know what an analysis was, so she went a little further.
"What are you doing here?" she said timidly, for these were somewhat
bigger boys.
"We are writing an essay on the individuality of self."
That was enough to frighten any one away, and Lucy betook herself to
some quite little boys, with fat rosy faces and light hair. "Are
you busy, too?"
"Oh, yes; we are learning the chief cities of the Fatherland."
Lucy felt like the little boy in the fable, who could not get either
the dog, or the bird, or the bee, to play with him.
"When do you play?" she asked.
"We have an hour's interval after dinner, and another at supper-time,
but then we prepare our work for the morrow," said one of the boys,
looking up well satisfied.
"Work! work! Are you always at work?" exclaimed Lucy; "I only study
from nine to twelve, and half an hour to get my lessons in the
afternoon."
"You are a maiden," said the little boy with civil superiority;
"your brothers study more hours."
"More; yes, but not so many as you do. They play from twelve till
two, and have a holiday on Saturday."
"So, you are not industrious. We are. That is the reason why we
can all act together, and think together, so much better than any
others; and we all stand as one irresistible power, the United
Germany."
Lucy have a little gasp! it was all so very wise.
"May I see your sisters?" she said.
The little sisters, Gretchens and Katchens, were learning away
almost as hard as the Hermanns and Fritzes, but the bigger sisters
had what Lucy thought a better time of it. One of them was helping
in the kitchen, and another in the ironing; but then they had their
books and their music, and in the evening all the families came out
into the pleasure gardens, and had little tables with coffee before
them, and the mamma knitted, and the papas smoked, and the young
ladies listened to the band. On the whole, Lucy thought she should
not mind living in Germany, if they would not have so many lessons
to learn.
CHAPTER XV.
PARIS IN THE SIEGE.
"And Uncle Joe is in France, where the fathers and brothers of those
little Prussian boys have been fighting. I wish I could see it."
There was a thunder and a whizzing in the air and a sharp rattling
noise besides; a strange, damp unwholesome smell too, mixed with
that of gunpowder; and when Lucy looked up, she found herself down
some steps in a dark, dull, vaulted-looking place, lined with stone,
however, and open to the street above. A little lamp was burning
in a corner, piles of straw and bits of furniture were lying about,
and upon one of the bundles of straw sat a little rough-haired girl.
"Ah! Madamoiselle, good morning," she said. "Are you come here to
take shelter from the shells? The battery is firing now; I do not
think Mamma will come home till it slackens a little. She is gone
to my brother who is weak after his wounds. I wish I could offer
you something, but we have nothing but water, and it is not even
sugared."
"Do you live down her?" asked Lucy, looking round at the dreary
place with wonder.
"Not always. We used to have a pretty little house over this, but
the cruel shells came crashing in, and flew into pieces, tearing
everything to splinters, and we are only safe from them down here.
Ah, if I could only have shown you Mamma's pretty room! But there
is a great hole in the floor now, and the ceiling is all tumbling
down, and the table broken."
"But why do you stay here?"
"Mamma and Emily say it is all the same. We are as safe in our
cellar as we could be anywhere, and we should have to pay elsewhere."
"Then you cannot get out of Paris?"
"Oh no, while the Prussians are all around us, and shut us in. My
brothers are all in the Garde Mobile, and, you see, so is my doll.
Every one must be a soldier, now. My dear Adolphe, hold yourself
straight." (And there the doll certainly showed himself perfectly
drilled and disciplined.) "March--right foot forward--left foot
forward." But in this movement, as may be well supposed, little
Coralie had to help her recruit a good deal.
Lucy was surprised. "So you can play even in this dreadful place?"
she said.
"Oh yes! What's the use of crying and wearying one's self? I do
not mind as long as they leave me my kitten, my dear little Minette."
"Oh! what a pretty, long-haired kitten! But how small and thin!"
"Yes, truly, the poor Minette! The cruel people ate her mother, and
there is no milk--no milk, and my poor Minette is almost starved,
though I give her bits of my bread and soup; but the bread is only
bran and sawdust, and she likes it no more than I."
"Ate up her mother!"
"Yes. She was a superb Cyprus cat, all gray; but, alas! one day she
took a walk in the street, and they caught her, and then indeed it
was all over with her. I only hope Minette will not get out, but
she is so lean that they would find little but bones and fur."
"Ah! how I wish I could take you and her home to Uncle Joe, and give
you both good bread and milk! Take my hand, and shut your eyes, and
we will wish and wish very hard, and, perhaps, you will come there
with me. Paris is not very far off."
CHAPTER XVI.
THE AMERICAN GUEST.
No; wishing very hard did not bring poor little French Coralie home
with Lucy; but something almost as wonderful happened. Just at the
time in the afternoon when Lucy used to ride off on her dream to
visit some wonderful place, there came a ring at the front door; a
quite real substantial ring, that did not sound at all like any of
the strange noises of the strange worlds that she had lately been
hearing, but had the real tinkle of Uncle Joe's own bell.
"Well," said Mrs. Bunker, "what can that be, coming at this time of
day? It can never be the doctor coming home without sending orders!
Don't you be running out, Miss Lucy; there'll be a draught of cold
air right in."
Lucy stood still; very anxious, and wondering whether she should see
anything alive, or one of her visitors from various countries.
"There is a letter from Mr. Seaman," said a brisk young voice, that
would have been very pleasant if it had not gone a little through
the nose; and past Mrs. Bunker there walked into the full light a
little boy, a year or two older than Lucy, holding out one hand as
he saw her and taking off his hat with the other. "Good morning,"
he said, quite at ease; "is this where you live?"
"Good morning," returned Lucy though it was not morning at all; "where
do you come from?"
"Well, I'm from Paris last; but when I'm at home, I'm at Boston. I
am Leonidas Saunders, of the great American Republic."
"Oh, then you are not real, after all?"
"Real! I should hope I was a genuine article."
"Well, I was in hopes that you were real, only you say you come from
a strange country, like the rest of them, and yet you look just like
an English boy."
"Of course I do! my grandfather came from England," said Leonidas; "we
all speak English as well, or better, than you do in the old country."
"I can't understand it!" said Lucy; "did you come like other people,
by the train, not like the children in my dreams?"
And then Leonidas explained all about it to her: how his father had
brought him last year to Europe and had put him to school at Paris;
but when the war broke out, and most of the stranger scholars were
taken away, no orders came about him, because his father was a
merchant and was away from home, so that no one ever knew whether
the letters had reached him.
So Leonidas had gone on at school without many tasks to learn, to be
sure, but not very comfortable: it was so cold, and there was no wood
to burn; and he disliked eating horses and cats and rats, quite as
much as Coralie did, though he was not in a part of the town where
so many shells from the cannons came in.
At last when Lucy's uncle and some other good gentlemen with the red
cross on their sleeves, obtained leave to enter Paris and take some
relief to the poor, sick people in the hospitals, the people Leonidas
was with, told the gentleman that there was a little American left
behind in their house.
Mr. Seaman, which was Uncle Joe's name, went to see about him, and
found that he had once known his father. So, after a great deal of
trouble, it had been managed that the boy should be allowed to leave
the city. He had been driven in a coach, he told Lucy, with some
more Americans and English, and with flags with stars and stripes
or else Union Jacks all over it; and whenever they came to a French
sentry, or afterwards to a Prussian, they were stopped till he called
an officer who looked at their papers and let them go on.
Mr. Seaman had taken charge of Leonidas, and given him the best
dinner he had eaten for a long time, but as he was going to another
city to other hospitals, he could not keep the boy with him; so he
had put him in charge of a friend who was going to London, to send
him down to Mrs. Bunker.
Fear of Lucy's rash was pretty well over now, and she was to go home
in a day or two; so the children were allowed to be together, and
enjoyed it very much. Lucy told about her dreams, and Leonidas had
a good deal to tell of what he had really seen on his travels. They
wished very much that they could both see one of these wonderful
dreams together, only--what should it be?
CHAPTER XVII.
THE DREAM OF ALL NATIONS.
What should it be? She thought of Arabs with their tents and horses,
and Leonidas told her of Red Indians with their war-paint, and
little Negroes dancing round the sugar-boiling, till her head began
quite to swim and her ears to buzz; and all the children she had
seen seemed to come round her, and join hands and dance.
Oh, such a din! A little Highlander in his tartans stood on a barrel
in the middle, making his bagpipes squeal away; a Chinese with a bald
head and long pigtail beat a gong, and capered with a solemn face;
a Norwegian herd-boy blew a monstrous bark cow-horn; an Indian
juggler twisted snakes round his neck to the sound of the tom-tom;
and Lucy found herself and Leonidas whirling round with a young
Dutch planter between them, and an Indian with a crown of feathers
upon the other side of her.
"Oh!" she seemed to herself to cry, "what are you doing? How do
you all come here?"
"We are from all the nations who are friends, brethren," said the
voices; "we all bring our stores: the sugar, rice, cotton of the
West; the silk and coffee and spices of the East; the tea of China;
the furs of the North: it is all exchanged from one to the other,
and should teach us to be all brethren, since we cannot thrive one
without the other."
"It all comes to our country, because we are clever to work it up,
and send it out to be used in its own homes," said the Highlander;
"it is English and Scotch machines that weave your cottons, ay, and
make your tools."
"No; it is America that beats you all," cried Leonidas; "what had
you to do but to sit down and starve, when we sent you no cotton?"
"If you send cotton, 'tis we that weave it," cried the Scot.
Lucy was almost afraid they would come to blows over which was the
greatest and most skilful country. "It cannot be buying and selling
that make nations love one another, and be peaceful," she thought.
"Is it being learned and wise?"
"But the Prussian boys are studious and wise, and the French are
clever and skilful, and yet they have had that dreadful war: I
wonder what it is that would make and keep all these countries
friends!"
And then there came an echo back to little Lucy: "For out of Zion
shall go forth the Law, and the word of the Lord from Jerusalem.
And He shall judge among the nations, and shall rebuke many people;
and they shall beat their swords into ploughshares, and their spears
into pruning-hooks; nations shall not lift up sword against nation,
neither shall they war any more."
Yes; the more they learn and keep the law of the Lord, the less
there will be of those wars. To heed the true law of the Lord
will do more for peace and oneness than all the cleverness in
book-learning, or all the skilful manufactures in the world.
End of the Project Gutenberg EBook of Little Lucy's Wonderful Globe, by
Charlotte M. Yonge
*** END OF THIS PROJECT GUTENBERG EBOOK LITTLE LUCY'S WONDERFUL GLOBE ***
***** This file should be named 4538.txt or 4538.zip *****
This and all associated files of various formats will be found in:
https://www.gutenberg.org/4/5/3/4538/
Produced by Doug Levy.
Updated editions will replace the previous one--the old editions
will be renamed.
Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties. Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark. Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission. If you
do not charge anything for copies of this eBook, complying with the
rules is very easy. You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research. They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks. Redistribution is
subject to the trademark license, especially commercial
redistribution.
*** START: FULL LICENSE ***
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
https://gutenberg.org/license).
Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
electronic works
1.A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.
1.B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works. Nearly all the individual works in the
collection are in the public domain in the United States. If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed. Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work. You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.
1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are in
a constant state of change. If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work. The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.
1.E. Unless you have removed all references to Project Gutenberg:
1.E.1. The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org
1.E.2. If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges. If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.
1.E.3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder. Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.
1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.
1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.
1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form. However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form. Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.
1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.
1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that
- You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg-tm works calculated using the method
you already use to calculate your applicable taxes. The fee is
owed to the owner of the Project Gutenberg-tm trademark, but he
has agreed to donate royalties under this paragraph to the
Project Gutenberg Literary Archive Foundation. Royalty payments
must be paid within 60 days following each date on which you
prepare (or are legally required to prepare) your periodic tax
returns. Royalty payments should be clearly marked as such and
sent to the Project Gutenberg Literary Archive Foundation at the
address specified in Section 4, "Information about donations to
the Project Gutenberg Literary Archive Foundation."
- You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he
does not agree to the terms of the full Project Gutenberg-tm
License. You must require such a user to return or
destroy all copies of the works possessed in a physical medium
and discontinue all use of and all access to other copies of
Project Gutenberg-tm works.
- You provide, in accordance with paragraph 1.F.3, a full refund of any
money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days
of receipt of the work.
- You comply with all other terms of this agreement for free
distribution of Project Gutenberg-tm works.
1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark. Contact the
Foundation as set forth in Section 3 below.
1.F.
1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection. Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.
1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.
1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium with
your written explanation. The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund. If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund. If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.
1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law. The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.
1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.
Section 2. Information about the Mission of Project Gutenberg-tm
Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers. It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.
Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at https://www.pglaf.org.
Section 3. Information about the Project Gutenberg Literary Archive
Foundation
The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation's EIN or federal tax identification
number is 64-6221541. Its 501(c)(3) letter is posted at
https://pglaf.org/fundraising. Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.
The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations. Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
[email protected]. Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at https://pglaf.org
For additional contact information:
Dr. Gregory B. Newby
Chief Executive and Director
[email protected]
Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation
Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.
The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To
SEND DONATIONS or determine the status of compliance for any
particular state visit https://pglaf.org
While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.
International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.
Please check the Project Gutenberg Web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including including checks, online payments and credit card
donations. To donate, please visit: https://pglaf.org/donate
Section 5. General Information About Project Gutenberg-tm electronic
works.
Professor Michael S. Hart was the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone. For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.
Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included. Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.
Most people start at our Web site which has the main PG search facility:
https://www.gutenberg.org
This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.
