Momentum

By Charles Dye

The Project Gutenberg eBook of Momentum, by Charles Dye

This eBook is for the use of anyone anywhere in the United States and
most other parts of the world at no cost and with almost no restrictions
whatsoever. You may copy it, give it away or re-use it under the terms
of the Project Gutenberg License included with this eBook or online at
www.gutenberg.org. If you are not located in the United States, you
will have to check the laws of the country where you are located before
using this eBook.

Title: Momentum

Author: Charles Dye

Release Date: March 22, 2023 [eBook #70347]

Language: English

Produced by: Greg Weeks, Mary Meehan and the Online Distributed
             Proofreading Team at http://www.pgdp.net

*** START OF THE PROJECT GUTENBERG EBOOK MOMENTUM ***





                               MOMENTUM

                            By Charles Dye

                       (author of "Time Killer")

                Just because an event "has to" happen,
                 some people think that, of course, it
                 will happen. It ain't necessarily so!

                 Ballard had but a few hours to solve
                   the problem, and he knew that the
                 answer was there, before his eyes--if
                       he could see it in time!

           [Transcriber's Note: This etext was produced from
        Future combined with Science Fiction Stories July 1951.
         Extensive research did not uncover any evidence that
         the U.S. copyright on this publication was renewed.]


Asteroid 1207 came spinning into the auxiliary ship's viewplate like a
glittering black mirage. The eight-mile chunk of rock was the last link
in a chain of nine asteroid navigational-markers still needing blinker
equipment installation. Minutes later, the _Minnow_ lay neatly berthed
in the deepest hollow of the asteroid, the shining wires of its drill
grapples anchoring it firmly to the jagged rock. The airlock opened
and two men in spacesuits stepped out. They climbed to the top of the
nearest hill dragging a platform of tools and equipment; the ragged,
close horizons of the asteroid made a hostile background for them as
they worked in silence.

Ballard leaned far over the rough edge of a circular pit, directing
the heat radiation beam that melted the foundation plastic smoothly
over the walls. He couldn't spare the time to turn his head and watch
Walton, but he could follow the other's progress in welding the
framework of the blinker tower by the irregular breathing and clanks
and buzzes coming through his earphones. He listened to Walton's
motions with an automatic alertness developed over six long weeks of
tension--ever since the finding of the rotenite nuggets on the second
of the light-marker asteroids. The rotenite represented enough wealth
to make them among the richest men in the solar system. Or one of
them--_the_ richest. That was what Ballard was afraid of.

Suddenly the clanks and rustles stopped, and Walton's voice muttered:
"Must have left the number three flux; better go back for it."

"What?" Ballard caught himself asking rhetorically, apprehension
flooding through him.

"I said I left something. Have to go back and get it." There was a
faint tremor in Walton's voice.

With a hard calm he wouldn't have recognized six weeks ago, Ballard
considered the consequences of making an excuse to go with Walton.
But the excuse would destroy the pose of innocence he'd so carefully
acted since his first suspicions of Walton's intention. And he could be
wrong. No sense in antagonizing Walton, particularly with the frayed
condition both their nerves were in. "Ok," he grunted. "Bring back
another 5R bit; this one I've been using chitters."

There were the sounds of Walton bounding down towards the ship in the
peculiar dancing glide demanded by the low gravity. Methodically,
without looking up, Ballard continued his job, following Walton with
his earphones. Only when the foundation fill was laid would it seem
natural for him to stop working for a moment and go to the ship.

Gradually, layer on layer, the plastic melted, coated the walls and
hardened. He heard Walton reach the ship, then there was a slight
ringing noise as the man touched his key-magnet to the airlock. As
Walton entered the lock, his mike registered the pressure of air by
suddenly picking up all the sounds of the ship; the throbbing of the
generators, the intermittent rush and sigh of the air conditioner, and
the close curved walls echoing back the scrape of his shoes on the
locker room floor.

Four minutes to go. Ballard finished melting the plastic onto the
walls, resisting the urge to hurry and risk botching the work. Walton
had no reason to kill him--except for the rotenite. And since its
discovery, Walton had shown nothing but a surface friendship covering a
hidden hatred and fear that was growing into surreptitious maneuverings
towards murder. But with a pretense at normality, Ballard hoped Walton
would get over his obsession and forget it, never knowing that he'd
seen anything suspicious. And meanwhile Ballard had only to stay out of
the way of accidents without seeming suspiciously careful.

He added the last necessary layer of plastic, switched off the heat
beam and stood up. There was no sign of motion around the _Minnow_.
Walton had not come out, but Ballard's earphones continued to pick up
Walton's nervous, irregular breathing.

       *       *       *       *       *

Ballard started down the hill in long, low floating bounds. The
_Minnow_ expanded up at him, a ship etched in black and white against
a jagged mass of black and grey ores. Just before landing on his
second bound, his earphones picked up a sharp metallic ringing note he
couldn't identify. Suddenly the ship expanded up directly in front of
him; he'd overshot his landing. He thudded into the ship, slid down to
the ground and landed facing the lock, his key-magnet in hand.

Again he heard the familiar tuning-fork note, this time ringing faintly
up from the magnet in his own hand as he put it against the circle of
lighter metal that was the lock. The circle turned, with the magnet
rotating out into a handle. He grabbed it and yanked to slide back the
airlock panel. The yank pulled him off his feet. For an instant he
couldn't orientate; then he realized that _he_ had moved because the
panel had not. It was a case of action or reaction. The panel had not
budged, seeming to be one with the flawless sweep of the hull.

He tried again, yanking it with the same futile results. Apprehension
flooded through him. "Walton!" he called. "Walton, the panel's stuck!
Open it from the inside!"

For an instant he was aware of Walton's nervous breathing, then it
stopped--there was a low chuckle. "Listen, Ballard! I'd be crazy to
let you in. Don't you think I've seen you watching me like a hawk ever
since we found the rotenite, just waiting for a chance to catch me off
guard! I should have done this weeks ago, but it didn't occur to me how
clean and easy it would be until I thought of the airlock jamming with
you outside. So--the lock is jammed and you have left little over two
hours of suit oxygen. And while you're out there suffocating to death,
I'll be waiting in my sleep-tank on a nice euphoriac jag. It's going to
be nice being the richest man in the--"

"Wait! Walton, listen! You're all wrong! I--"

Walton had cut his radio. For a moment, Ballard dumbly stood there,
his mind racing around like a pin-wheel. Slowly it stopped, as numbing
fear coursed through his nervous system. He'd under-concealed his
suspicions, after all; Walton had suspected him of the very same thing
he'd suspected Walton of.

Suddenly, in spite of his predicament, in spite of death waiting for
him only a few hours in the future, Ballard smiled. He really couldn't
hate Walton for what he'd done; it was the old cliche again of too much
greed and suspicion.

He realized that this didn't alter the fact that he was going to
die--unless he could think of something fast. Ballard looked at his
chronometer; he now had less than two hours.

In spite of this, his mind suddenly calmed and became clear. First he'd
have to think of all the possibilities of getting into the _Minnow_,
then allot only so much time to each possibility. There was the welding
torch, the heat-beam, a pneumatic jackhammer, and miscellaneous hand
tools. Surely with that assortment he could knock or burn a hole in the
ship. All the air would swish out, but there were enough suit cylinders
to allow him to take the ship back if he didn't damage it too badly
getting in. And Walton would be safe in his sleep-tank; Ballard would
see to that by disconnecting the awakener.

       *       *       *       *       *

Ballard smiled at the stars as he bounded back to the hill where the
tools lay. Walton had been a fool to lock him out here with cutting,
burning, and pounding equipment--and almost two hours in which to use
them. Things weren't so bad after all.

He decided to try the welding torch first. He crossed over to the
almost-completed blinker tower and picked up the torch and power-pack,
then from a tool box he selected a cutting nozzle.

Carefully, so not to exert himself and waste oxygen, he glided down
with his gear to the aft section of the _Minnow's_ hull just forward
of the tubes where the skin was thinnest. As he ignited the torch, he
was aware of what a temptation it was to drain off all the oxygen
contained in the power-pack into his own cylinder. Quickly he went
ahead and applied the torch to the skin of the ship. Ballard glanced at
his chronometer: An hour and a half to go. Good. Fifteen minutes would
be long enough to tell whether the torch would cut through the skin or
not. If it would, then he could use the rest of the time in cutting the
hole.

After the first five minutes he turned the nozzle away and examined the
spot where it had been applied. Not a mark.

Six minutes went by. Then seven, eight, nine--

Again he looked at the skin; still no change.

Three more minutes went by. Ballard felt sweat break out on his face
as he pulled the torch away for a third time. For a moment--his eyes
still blinded by the glare--he could see nothing. His heart sank. Then
he detected a faint red spot with a whitish center. _It was working._
Three more minutes and the hole would be started. He turned back the
nozzle to the glowing spot. Then with dismay he watched the torch
sputter and go dead. Frantically he pushed the activator button--

Stunned, he finally noticed that the power-pack read empty. Walton had
nearly exhausted it on the blinker tower.

Ballard glanced at his wrist. He still had an hour and fourteen minutes.

He didn't smile at the stars this time as he went back up the hill.
Things didn't seem ironic any more, merely dangerous. He loaded the
heat-beam with its larger power-pack onto the equipment platform and
slowly dragged it behind him down to the ship.

An hour and two minutes left. He went to work adjusting the beam to its
maximum intensity; then, moving it as close to the hull as possible, he
turned it on full force.

Time seemed to have stopped. Twice in one minute Ballard glanced at his
wrist, expecting to see a lapse of ten or fifteen minutes. Only five
minutes had dragged by; he now had just fifty-seven left. His spacesuit
suddenly began reminding him of a coffin. With superhuman effort he
jerked his thoughts away from suffocation and back to the job.

Forty-five minutes to go. _The beam wasn't going to work._ The sudden
realization cut into Ballard like a knife. He should have known that in
the first place; a beam meant for plastic wasn't intense enough for the
skin of a spaceship.

       *       *       *       *       *

This time as Ballard once more climbed the hill, the stars seemed to be
smiling at him. But not with friendliness. They seemed to smile _death_.

He got the jackhammer all the way down to the ship before a devastating
thought struck him. He'd forgotten that the hammer had a cracked 5R
bit; it would fly to pieces on the diamond hardness of the hull.

He sat down, stunned at the fact that he'd run out of things to try.
The ship lay before him like some impenetrable fortress. Several
precious minutes dragged by before Ballard could again calm his
spinning brain. He still had forty minutes. Had he overlooked any other
possibility of getting into the ship?

Slowly he walked around the _Minnow_, concentrating as he'd never
concentrated before. Then as he stepped in front of the drive tubes
something clicked: _The main tube was large enough for him to crawl
into. If he could remove the recoil plate and hydraulic mechanism,
he might be able to burn a hole through the ordinary steel bulkhead
beyond._

Half-bounding and half-running, he returned from the hill with the
tool box. After selecting several likely wrench sizes, he grabbed a
flashlight and crawled up the tube. He wasted five minutes unscrewing
the first bolt holding the plate in place. The second bolt was so
corroded he couldn't budge it. Cursing he crawled out and dragged in
the jackhammer, hoping the cracked 5R bit would hold until the bolt
was knocked out.

It almost held, flying to pieces just as there was a quarter inch to
go. Frantically he somehow managed to knock the remainder out with the
chuck of the hammer. But it had taken Ballard five more minutes. _Only
twenty-five left._

He went out and grabbed a crowbar and pried the plate off, recoil
cylinder and hydraulic fluid following like a jack-in-the-box.
After cleaning out the drive tube he almost lost his reason when he
discovered the cable connecting the beam to the power-pack wasn't long
enough to reach the bulkhead. Fortunately he found an extension in the
bottom of the tool box.

_Fifteen minutes to go._

That should be just long enough. He switched on the beam. Now time
seemed to race by. At ten minutes to go the bulkhead turned a
cherry-red. At five minutes it was almost white. At four, the steel
started to buckle. At three--the heat-beam suddenly went dead. The
power-pack was empty.

Ballard's reason reeled. He grabbed the crowbar and jabbed at the fast
cooling metal.

_Too late._

In the one minute he had left to live, Ballard suddenly became calm,
reconciling himself to his end. Wearily he crawled out of the tube.
At least Walton would be in for a nasty surprise, with the main drive
recoil plate gone. And to make sure, he would push it off into space.
With one last surge of fury he dragged up the foot thick plate he
could never have lifted back on Earth, and started shoving to give it
momentum.

_Momentum equals velocity times mass._ Suddenly he stopped, the plate
drifting on ahead of him. Now why had he thought of that? Something
from his school days--he tried hard to remember--something about
mass....

_Mass is a constant. Weight is a variable, but mass is what knocks
holes in things--spaceships, for instance._

Just one thing could save him now--momentum. Ballard glanced at his
wrist. Twenty seconds to go. Then maybe another twenty from the oxygen
in the connecting tube. Not much time--

He bounded off after the still-drifting plate, then began forcing
it around in a semi-circle back toward the ship. The recoil plate
sluggishly began to move faster as it gained momentum. It started
getting ahead of him so he gave it one last push, and it slowly crept
away heading straight for the hull. It floated edge-wise into the aft
section--and kept on going. A three foot stream of light poured out
from the side of the ship.

Ballard started crawling into the hull and the light wavered and
brightened. He couldn't understand it. Then it dimmed altogether--

_The last of his oxygen was gone._

Dizzily he tried to squeeze through the rip. He kept slipping back ...
back. There was a roaring darkness all around him, but he could still
crawl.

For ages he seemed to be crawling over polished glass--His head crashed
into something that clanged hollowly. Some fading portion of his
consciousness told him he was inside the ship--and the clang had been
the spacelocker. Automatically, as though by instinct, he reached up
and fumbled with the handle--Then he was clumsily trying to fit a new
oxygen cylinder into place....

       *       *       *       *       *

Ballard awoke feeling cramped and tired, as though he'd slept all
night in a bird cage. He looked at his chronometer, then at his
suit air-gauge. No. He'd been out only a few minutes. He got up and
crawled into the sleep-tank compartment and disconnected Walton's
awakener. Then he went into the control room and looked up the nearest
space-freighter lane in the radio call book, and set up an automatic
distress signal. He felt as if he were going to pass out again--this
time from sheer fatigue. There was still one thing more he wanted to do.

Out of the nose compartment he hauled a small case containing what had
caused all the trouble--

Then he crawled back out through the torn hull skin, opened the case
and flung every single one of the rotenite nuggets far out into space.

*** END OF THE PROJECT GUTENBERG EBOOK MOMENTUM ***

Updated editions will replace the previous one--the old editions will
be renamed.

Creating the works from print editions not protected by U.S. copyright
law means that no one owns a United States copyright in these works,
so the Foundation (and you!) can copy and distribute it in the
United States without permission and without paying copyright
royalties. Special rules, set forth in the General Terms of Use part
of this license, apply to copying and distributing Project
Gutenberg™ electronic works to protect the PROJECT GUTENBERG™
concept and trademark. Project Gutenberg is a registered trademark,
and may not be used if you charge for an eBook, except by following
the terms of the trademark license, including paying royalties for use
of the Project Gutenberg trademark. If you do not charge anything for
copies of this eBook, complying with the trademark license is very
easy. You may use this eBook for nearly any purpose such as creation
of derivative works, reports, performances and research. Project
Gutenberg eBooks may be modified and printed and given away--you may
do practically ANYTHING in the United States with eBooks not protected
by U.S. copyright law. Redistribution is subject to the trademark
license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase “Project
Gutenberg”), you agree to comply with all the terms of the Full
Project Gutenberg™ License available with this file or online at
www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project
Gutenberg™ electronic works

1.A. By reading or using any part of this Project Gutenberg™
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg™ electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg™ electronic work and you do not agree to be bound
by the terms of this agreement, you may obtain a refund from the
person or entity to whom you paid the fee as set forth in paragraph
1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg™ electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg™ electronic works if you follow the terms of this
agreement and help preserve free future access to Project Gutenberg™
electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the
Foundation” or PGLAF), owns a compilation copyright in the collection
of Project Gutenberg™ electronic works. Nearly all the individual
works in the collection are in the public domain in the United
States. If an individual work is unprotected by copyright law in the
United States and you are located in the United States, we do not
claim a right to prevent you from copying, distributing, performing,
displaying or creating derivative works based on the work as long as
all references to Project Gutenberg are removed. Of course, we hope
that you will support the Project Gutenberg™ mission of promoting
free access to electronic works by freely sharing Project Gutenberg™
works in compliance with the terms of this agreement for keeping the
Project Gutenberg™ name associated with the work. You can easily
comply with the terms of this agreement by keeping this work in the
same format with its attached full Project Gutenberg™ License when
you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are
in a constant state of change. If you are outside the United States,
check the laws of your country in addition to the terms of this
agreement before downloading, copying, displaying, performing,
distributing or creating derivative works based on this work or any
other Project Gutenberg™ work. The Foundation makes no
representations concerning the copyright status of any work in any
country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other
immediate access to, the full Project Gutenberg™ License must appear
prominently whenever any copy of a Project Gutenberg™ work (any work
on which the phrase “Project Gutenberg” appears, or with which the
phrase “Project Gutenberg” is associated) is accessed, displayed,
performed, viewed, copied or distributed:

  This eBook is for the use of anyone anywhere in the United States and
  most other parts of the world at no cost and with almost no
  restrictions whatsoever. You may copy it, give it away or re-use it
  under the terms of the Project Gutenberg License included with this
  eBook or online at www.gutenberg.org. If you are not located in the
  United States, you will have to check the laws of the country where
  you are located before using this eBook.

1.E.2. If an individual Project Gutenberg™ electronic work is
derived from texts not protected by U.S. copyright law (does not
contain a notice indicating that it is posted with permission of the
copyright holder), the work can be copied and distributed to anyone in
the United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase “Project
Gutenberg” associated with or appearing on the work, you must comply
either with the requirements of paragraphs 1.E.1 through 1.E.7 or
obtain permission for the use of the work and the Project Gutenberg™
trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any
additional terms imposed by the copyright holder. Additional terms
will be linked to the Project Gutenberg™ License for all works
posted with the permission of the copyright holder found at the
beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including
any word processing or hypertext form. However, if you provide access
to or distribute copies of a Project Gutenberg™ work in a format
other than “Plain Vanilla ASCII” or other format used in the official
version posted on the official Project Gutenberg™ website
(www.gutenberg.org), you must, at no additional cost, fee or expense
to the user, provide a copy, a means of exporting a copy, or a means
of obtaining a copy upon request, of the work in its original “Plain
Vanilla ASCII” or other form. Any alternate format must include the
full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg™ works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg™ electronic works
provided that:

• You pay a royalty fee of 20% of the gross profits you derive from
  the use of Project Gutenberg™ works calculated using the method
  you already use to calculate your applicable taxes. The fee is owed
  to the owner of the Project Gutenberg™ trademark, but he has
  agreed to donate royalties under this paragraph to the Project
  Gutenberg Literary Archive Foundation. Royalty payments must be paid
  within 60 days following each date on which you prepare (or are
  legally required to prepare) your periodic tax returns. Royalty
  payments should be clearly marked as such and sent to the Project
  Gutenberg Literary Archive Foundation at the address specified in
  Section 4, “Information about donations to the Project Gutenberg
  Literary Archive Foundation.”

• You provide a full refund of any money paid by a user who notifies
  you in writing (or by e-mail) within 30 days of receipt that s/he
  does not agree to the terms of the full Project Gutenberg™
  License. You must require such a user to return or destroy all
  copies of the works possessed in a physical medium and discontinue
  all use of and all access to other copies of Project Gutenberg™
  works.

• You provide, in accordance with paragraph 1.F.3, a full refund of
  any money paid for a work or a replacement copy, if a defect in the
  electronic work is discovered and reported to you within 90 days of
  receipt of the work.

• You comply with all other terms of this agreement for free
  distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project
Gutenberg™ electronic work or group of works on different terms than
are set forth in this agreement, you must obtain permission in writing
from the Project Gutenberg Literary Archive Foundation, the manager of
the Project Gutenberg™ trademark. Contact the Foundation as set
forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
works not protected by U.S. copyright law in creating the Project
Gutenberg™ collection. Despite these efforts, Project Gutenberg™
electronic works, and the medium on which they may be stored, may
contain “Defects,” such as, but not limited to, incomplete, inaccurate
or corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged disk or
other medium, a computer virus, or computer codes that damage or
cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right
of Replacement or Refund” described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg™ trademark, and any other party distributing a Project
Gutenberg™ electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium
with your written explanation. The person or entity that provided you
with the defective work may elect to provide a replacement copy in
lieu of a refund. If you received the work electronically, the person
or entity providing it to you may choose to give you a second
opportunity to receive the work electronically in lieu of a refund. If
the second copy is also defective, you may demand a refund in writing
without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you “AS-IS”, WITH NO
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of
damages. If any disclaimer or limitation set forth in this agreement
violates the law of the state applicable to this agreement, the
agreement shall be interpreted to make the maximum disclaimer or
limitation permitted by the applicable state law. The invalidity or
unenforceability of any provision of this agreement shall not void the
remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg™ electronic works in
accordance with this agreement, and any volunteers associated with the
production, promotion and distribution of Project Gutenberg™
electronic works, harmless from all liability, costs and expenses,
including legal fees, that arise directly or indirectly from any of
the following which you do or cause to occur: (a) distribution of this
or any Project Gutenberg™ work, (b) alteration, modification, or
additions or deletions to any Project Gutenberg™ work, and (c) any
Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new computers. It
exists because of the efforts of hundreds of volunteers and donations
from people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg™'s
goals and ensuring that the Project Gutenberg™ collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg™ and future
generations. To learn more about the Project Gutenberg Literary
Archive Foundation and how your efforts and donations can help, see
Sections 3 and 4 and the Foundation information page at
www.gutenberg.org

Section 3. Information about the Project Gutenberg Literary
Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation's EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg Literary
Archive Foundation are tax deductible to the full extent permitted by
U.S. federal laws and your state's laws.

The Foundation's business office is located at 809 North 1500 West,
Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
to date contact information can be found at the Foundation's website
and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without
widespread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine-readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To SEND
DONATIONS or determine the status of compliance for any particular
state visit www.gutenberg.org/donate

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations. To
donate, please visit: www.gutenberg.org/donate

Section 5. General Information About Project Gutenberg™ electronic works

Professor Michael S. Hart was the originator of the Project
Gutenberg™ concept of a library of electronic works that could be
freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg™ eBooks with only a loose network of
volunteer support.

Project Gutenberg™ eBooks are often created from several printed
editions, all of which are confirmed as not protected by copyright in
the U.S. unless a copyright notice is included. Thus, we do not
necessarily keep eBooks in compliance with any particular paper
edition.

Most people start at our website which has the main PG search
facility: www.gutenberg.org

This website includes information about Project Gutenberg™,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.