The Project Gutenberg EBook of The Marooner, by Charles A. Stearns This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: The Marooner Author: Charles A. Stearns Illustrator: Leo Summers Release Date: March 9, 2008 [EBook #24791] Language: English *** START OF THIS PROJECT GUTENBERG EBOOK THE MAROONER *** Produced by Greg Weeks, Stephen Blundell and the Online Distributed Proofreading Team at https://www.pgdp.net The MAROONER By CHARLES A. STEARNS ILLUSTRATOR SUMMERS _Wordsley and Captain DeCastros crossed half a universe--suffered hardship--faced unknown dangers; and all this for what--a breath of rare perfume?_ [Illustration: The creature was more pitiful than fearsome.] Steadily they smashed the mensurate battlements, in blackness beyond night and darkness without stars. Yet Mr. Wordsley, the engineer, who was slight, balding and ingenious, was able to watch the firmament from his engine room as it drifted from bow to beam to rocket's end. This was by virtue of banked rows of photon collectors which he had invented and installed in the nose of the ship. And Mr. Wordsley, at three minutes of the hour of seventeen over four, tuned in a white, new star of eye-blinking magnitude and surpassing brilliance. Discovering new stars was a kind of perpetual game with Mr. Wordsley. Perhaps more than a game. "I wish I may, I wish I might ..." Mr. Wordsley said. * * * * * The fiddly hatch clanged. DeCastros, that gross, terrifying clown of a man, clumped down the ladder from the bridge to defeat the enchantment of the moment. DeCastros held sway. He was captain. He did not want Mr. Wordsley to forget that he was captain. The worst of Captain DeCastros was that he had moods. Just now he was being a sly leprechaun, if one can imagine a double-chinned, three-hundred pound leprechaun. He came over and dug his fingers into Mr. Wordsley's shoulder. A wracking pain in the trapezius muscle. "The ertholaters are plugged," he said gently. "The vi-lines are giving out a horrible stink." "I'll attend to it right away," Mr. Wordsley said, wincing a little as he wriggled free. "Tch, tch," DeCastros said, "can anyone really be so asthenic as you seem, Mr. Wordsley?" "No, sir," Mr. Wordsley said, uncertain of his meaning. The captain winked. "Yet there was that ruffled shirt that I found in the laundromat last week. It was not my shirt. There are only the two of us aboard, Mr. Wordsley." "It was my shirt," Mr. Wordsley said, turning crimson. "I bought it on Vega Four. I--I didn't know--that is, they wear them like that on Vega Four." "Yes, they do," DeCastros said. "Well, well, perhaps you are only a poet, Mr. Wordsley. But should you happen to be a little--well, maggoty, you positively do not have to tell me. No doubt we both have our secrets. Naturally." "_I_ haven't," Mr. Wordsley said desperately. "No? Then you certainly will not mind that I am recommending an Ab Test for you when we get home." Mr. Wordsley's heart stopped beating for several seconds. He searched Captain DeCastros' face for a sign that he might be fooling. He was not. He looked too pleasant. Mr. Wordsley had always managed to pass the Aberrations Test by the skin of his teeth, but he was sure that, like most spiritual geniuses, he was sensitively balanced, and that the power and seniority of a man like DeCastros must influence the Board of Examination. "You might be decommed. Or even committed to an institution. We wouldn't want _that_ to happen, would we, Mr. Wordsley?" "Why are you doing this to me?" Mr. Wordsley asked strickenly. "To tell the truth, I do not propose to have any more of my voyages blighted with your moon-calfing, day-dreaming and letting the ertholaters stink up the bridge. Besides--" Captain DeCastros patted his shoulder almost affectionately. "--besides, I can't stand you, Mr. Wordsley." Mr. Wordsley nodded. He went over to the screen that was like a window of blessed outer night and sank down on his knees before it. _Have the wish I wish tonight._ "Ah, ha!" DeCastros exclaimed with sudden ice frozen around the rim of his voice. "What have we here?" "A new nova," Mr. Wordsley answered sullenly. "It is common knowledge that no engineer can tell a nova from the D.R. blast of an Iphonian freighter. Let me see it." He shoved Mr. Wordsley out of the way and examined the screen intently. "You fool," he said at last, "that's a planet. It is Avis Solis." * * * * * Now the name of Avis Solis tingled in Mr. Wordsley's unreliable memory, but it would not advance to be recognized. What planet so bright, and yet so remote from any star by angular measurement? "Turn it off," DeCastros ordered. Mr. Wordsley turned on him in a sudden fury. "It's mine," he cried. "I found it! Go back to your bridge." Then, aghast at what he had said, he clapped his hand over his mouth. "Dear me," said Captain DeCastros silkily. Suddenly he seemed to go quite berserk. He snatched a pile-bar from its rack and swung it at the screen. The outer panel shattered. The screen went dead. Mr. Wordsley grabbed at the bar and got hold of it at the expense of a broken finger. They strained and tugged. The slippery cadmium finally eluded both of them, bounded over the railing into the pit, struck a nomplate far below and was witheringly consumed in a flash of blue flame. Then they were down and rolling over and over, clawing and gouging, until Captain DeCastros inevitably emerged upon top. Mr. Wordsley's eyes protruded from that unbearable weight, and he wished that there was no such thing as artificial gravity. He struggled vainly. A bit of broken glass crunched beneath his writhing heel. He went limp and began to sob. It was not a very manly thing to do, but Mr. Wordsley was exercising his poetic license. "Now then," said DeCastros, jouncing up and down a bit. "I trust that you have come to understand who is master of this ship, Mr. Wordsley?" His addressee continued to weep silently. After awhile it occurred to Captain DeCastros that what he was doing was expressly forbidden in the Rules of the Way, Section 90-G, and might, in fact, get him into a peck of trouble. So he got up, helped Mr. Wordsley to his feet, and began to brush him off. In a kindly voice he said, "You must have heard of Avis Solis." "I don't seem to remember it," Mr. Wordsley said. "It's a solitaire. One of those planets which depend upon dark, dwarf, satellite suns for heat, you know. It is almost always in eclipse, and I, for one, have always been glad of it." "Why is that?" said Mr. Wordsley, not really caring. His chest was giving him considerable pain. "Because it holds the darkest of memories for me. I lost a brother on Avis Solis. Perhaps you have heard of him. Malmsworth DeCastros. He was quite famous for certain geological discoveries on Titan at one time." "I don't think so." "You need not be sorry. The wretch was a murderer and a bad sport as well. I need not append that my brother and I were as unlike as night and day--though there is no night and day proper upon Avis Solis, of course. I imagine you would like to hear the story. Then you will undoubtedly understand how it is that I was so upset a moment ago by the sight of Avis Solis, and forgive me." Mr. Wordsley nodded. A birdlike, snake-charmed nod. * * * * * "Avis Solis is a planet absolutely unique, at least in this galaxy. In addition to being a solitaire, its surface is almost solidly covered to a depth of several meters with light-gathering layers of crystal which give it the brilliant, astral glow that you saw just now. Its satellite suns contribute hardly any light at all. It contains ample oxygen in its atmosphere, but hardly any water, and so is practically barren. An ill-advised mineralogical expedition brought us to Avis Solis." "Us?" Mr. Wordsley said. "There were six of us, five men and a woman. A woman fine and loyal and beautiful, with the body of a consummate goddess and the face of a tolerant angel. I was astrological surveyor and party chief." "I didn't know that you were once a surveyor." "It was seventeen years ago, and none of your business besides." "What happened then?" "Briefly, we were prospecting for ragnite, which was in demand at the time. We had already given up hopes of finding one gram of that mineral, but decided to make a last foray before blasting off. My brother, Malmsworth, stayed at our base camp. Poor Jenny--that was her name--remained behind to care for Malmsworth's lame ankle." Captain DeCastros was lost for several minutes in a bleak and desolate valley of introspection wherein Mr. Wordsley dared not intrude. There was a certain grandeur about his great, dark visage, his falciform nose and meaty jowls as he stood there. Mr. Wordsley began to fidget and clear his throat. DeCastros glared at him. "They were gone when we returned. Gone, I tell you! She, to her death. Malmsworth--well, we found _him_ three hours later in the great rift which bisects the massive plateau that is the most outstanding feature of the regular surface of Avis Solis. At the end of this rift there is a natural cave that opens into the sheer wall of the plateau. Within it is a bottomless chasm. It was here that we found certain of Jenny's garments, but of Jenny, naturally, there was no trace. He had seen to that." "Terrible," Mr. Wordsley said. DeCastros smiled reminiscently. "He fled, but we caught him. He really had a lame ankle, you know." The mice of apprehension scampered up and down Mr. Wordsley's spine. "You killed him." It was a statement of certainty. "No, indeed. That would have been too easy. We left him there with one portable water-maker and all of that unpalatable but nourishing fungus which thrives upon Avis Solis that he could eat. I have no doubt that he lived until madness reduced his ability to feed himself." "That was drastic," Mr. Wordsley felt called upon to say. "Perhaps--perhaps it occurred to you later on that, in charity to your brother, the er--woman might not have been altogether blameless." For a moment he thought that Captain DeCastros was about to strike him again. He did not. Instead he spat at Mr. Wordsley. He had the speed of a cobra. There was not time to get out of the way. Mr. Wordsley employed a handkerchief on his face. "She was my wife, you know, Mr. Wordsley," Captain DeCastros said pleasantly. At nineteen-over-four the contamination buzzers sounded their dread warning. * * * * * Mr. Wordsley got the alarm first. He had been furtively repairing the viewscreen and thinking dark thoughts the while. There was sick dread for him in the contemplation of the future, for after this last unfortunate blunder DeCastros would be certain to keep his promise and have him examined. This might very well be his last voyage, and Mr. Wordsley had known for quite a long time that he could not live anywhere except out here in the void. Only in space, where the stars were like diamonds. Not in the light of swirling, angry, red suns, not upon the surface of any planet, so drab when you drew too near. Only in the sterile purity of remote space where he could maintain and nourish the essential purity of his day-dreams. But of course one could not explain this to the Board of Examiners; least of all to Captain DeCastros. Moreover, he was afraid that Avis Solis, which he had been permitted to behold for only a few seconds, would be out of range before he got the scanner to working again. The aspect of this magnificent gem diminishing forever into the limitless night brought a lump to his throat. But then, at last, the screen came alive once more, and there it loomed, more brilliant than ever, now so huge that it filled the screen, and it had not become drab, neither gray-green or brown. No, it was cake frosting, and icicles, and raindrops against the sun, and all of the bright, unattainable Christmas tree ornaments of his childhood. So rapt was he that he scarcely heard the alarm. Yet he responded automatically to the sound that now sent him scrambling into his exposure suit. He fitted one varium-protected oxy-tank to his helmet and tucked another one under his arm for Captain DeCastros. This was superfluous, for DeCastros not only had donned his rig; he had managed to recall to memory a few dozen vile, degrading swear words gleaned from the sin-pits of Marronn, to hurl at Mr. Wordsley. No one could have helped it, really. Ships under the Drive are insulated from contamination clouds and everything else in normal space. The substance polluting the ventilation system, therefore, must have been trapped within their field since Vega. Now it had entered the ship through some infinitesimal opening in the hull. It was the engineer's job to find that break. It was not easy, especially with DeCastros breathing down one's neck. Mr. Wordsley began to perspire heavily, and the moisture ran down and puddled in his boots. An hour passed that was like an age. The prognosis became known and was not reassuring. This was one of the toxic space viruses, dormant at absolute zero, but active under shipboard conditions. A species, in fact, of the dread, oxygen-eating _dryorus_, which multiplies with explosive rapidity, and kills upon penetration of the human respiratory system. Because of the leak in the hull, the decontaminators could not even hold their own. Mr. Wordsley shuddered to note that ominous, rust-colored cobwebs--countless trillions of _dryori_--already festooned the stringers of the hull. Another precious hour was taken from them. Mr. Wordsley emerged wearily from the last inspection hole. * * * * * "Well?" DeCastros snapped. "Well--well?" His face was greenish from the effects of the special, contamination resistant mixture that they were breathing. "I found the leak," Mr. Wordsley said. "Did you fix it?" "It was one of the irmium alloy plugs in the outer hull beneath the pile. They were originally placed there, I believe, for the installation of a radiation tester. The plug is missing, and I am sorry to say that we have no extras. Anything other than irmium would melt at once, of course." "We have less than eight hours of pure air in the tanks," DeCastros said. "Have you thought of that, you rattle-head?" "Yes, sir," Mr. Wordsley said. "And if I might be allowed to speculate, Captain, I would say that we are finished unless we can make a planetfall. Only then would I be able to remove the lower port tube, weld the cavity, seal the ship and fumigate." "We're four weeks from the nearest star, Fomalhaut; you know that as well as I do." "I was thinking," said Mr. Wordsley, with a sudden, suffused glow in his cheeks, "of Avis Solis." Mr. Wordsley shut his eyes as they were going down, because he wanted to open them and surprise himself, at the moment of landing. But the cold, white glare was more intense than he had expected, and he had to shut them again and turn on the polarizer. He buckled on his tools and the carbo-torch, and went down the ladder. He dropped at once to his knees, not because of the gravity, which was not bad, but because of a compulsion to get his face as near to the surface of Avis Solis as possible. It was even lovelier than when seen from space. He trod upon a sea of diamonds. A million tiny winkings and scintillations emanated from each crystal. A million crystals lay beneath the sole of his boot. He would rather not have stepped on them, but it could not be helped. They were everywhere. Mr. Wordsley gloated. * * * * * DeCastros dropped like a huge slug from the ladder behind him. "What are you doing?" he said. "Picnicking?" "I was tying my shoe," Mr. Wordsley said, and got to work with an alacrity that was wholly false. The dark sun-satellites rose by twos and threes over the horizon, felt rather than clearly seen. There was a dry wind that blew from the glittering wasteland and whistled around the base of the rockets as Mr. Wordsley labored on and on. Captain DeCastros had withdrawn to a level outcropping of igneous rock and sat staring at the nothing where the greenish-black sky met the pale gray horizon. The tube was loosened on its shackles and presently fell, with a tinkling sound, upon the surface of Avis Solis. The opening was sealed and welded. Mr. Wordsley was practically finished, but he did not hurry. Instead, he went around to the opposite side of the ship on a pretense of inspection, and sat down where DeCastros could not see him. For awhile he stared at the many-faceted depths of the crystals; then he leaned over and touched them with his lips. They were smooth and exciting. They cut his lip. But he had the distinct feeling that there was something wrong with this idyll. It seemed to him that he was being spied upon. He sneaked a furtive glance behind him. DeCastros was still sitting where he had been, with his back to him. Mr. Wordsley slowly lifted his gaze to the plateau of shimmering glass that was before him. At its rim, a hundred feet above him, a silent figure stood gazing down upon him. * * * * * A man even six feet tall might easily have frightened Mr. Wordsley into a nervous breakdown by staring at him with that gaunt, hollow-eyed stare, but this creature, though manlike, was fully fifty feet tall, incredibly elongated, and stark naked. Its hair was long and matted; its cheeks sunken, its lips pulled back in an expression which might have been anything from a smile to a cannibalistic snarl. Mr. Wordsley cried out. Captain DeCastros heard and came running across the intervening distance with swiftness incredible in one of his bulk at this gravity. His blizzer was out. It was one of the very latest models of blizzers. Very destructive. Mr. Wordsley had always been afraid to touch it. He fired, and part of the plateau beneath the titan's feet fell away in a sparkling shower. The creature vanished. DeCastros was red-faced and wheezing. "That was Malmsworth," he said. "Now how the devil do you suppose he managed to stick it out all these years!" "If that was Malmsworth," Mr. Wordsley said, "he must be a very tall man." "That was merely dimensional mirage. Come along. We'll have to hurry if we catch him." "Why do we want to catch him?" Mr. Wordsley said. Captain DeCastros made a sound of sober surprise. Even of pious wonder. "Malmsworth is my only brother," he said. Mr. Wordsley wanted to say, "Yes, but you shot at him." He did not, because there was no time. He had to hurry to catch up with DeCastros, who was even now scrambling up the steep slope. From the rim they could see Malmsworth out there on the flat. He was making good time, but Captain DeCastros proceeded to demonstrate that he was no mean hiker, himself. Mr. Wordsley's side began to hurt, and his breath came with difficulty. He might have died, if he had not feared to incur DeCastros' anger. At times the naked man was a broad, flat monster upon that shimmering tableland. Again he seemed almost invisible; then gigantic and tenuous. Presently he disappeared altogether. "Oho!" DeCastros said, "If I am not mistaken, old Malmsworth has holed up in that very same rift where we caught him at his dirty business seventeen years ago. He's as mad as a Martian; you can lay to that. He'd have to be." The rift, when they arrived at its upper reaches, was cool and shadowy. In its depths nothing sparkled. It was ordinary limestone. The walls were covered with a dull yellow moss, except for great, raw wounds where it had been torn off. "That's Malmsworth's work," Captain DeCastros said. "In seventeen years, Mr. Wordsley, one will consume a lot of moss, I daresay. Shall we descend?" The rift had reached its depth quite gradually, so that Mr. Wordsley scarcely realized that they were going down until the surface glare was suddenly gone, and the green-walled gloom surrounded them. It might have been a pleasant place, but Mr. Wordsley did not like it. Captain DeCastros was taking his time now, resting frequently. There was not the slightest chance of Malmsworth's getting away, for at the other end of the rift lay the cave and the abyss containing, at least, one ghost of Malmsworth's terrible past. But though it might seem drab after the plateau and the plain, the rift had its points of interest. Along the walls, everywhere, as high as a tall man might reach, the moss had been torn or scraped from the surface. There was no second growth. * * * * * Every quarter of a mile or so they came upon the former campsites of the castaway, each marked by a flat-topped cairn of small stones three or four feet in height. DeCastros was at a loss to explain this. Mr. Wordsley supposed that it was one of the marks of a diseased mind. Not that he actually understood the workings of a diseased mind. Privately, he suspected that DeCastros was a little mad. Certainly he was subject to violent, unreasonable tempers which could not be explained. The unfortunate strain might have cropped up more strongly in his brother. Might not these walls have rung with lunatic screams after months and years of hollow-eyed watching for the ship that never came? It might have been different, of course, had Malmsworth been able to appreciate the aesthetic values of life, as Mr. Wordsley did. But doubtless these lovely miles and miles of crystalline oceans had been but a desert to the castaway. Eventually the rift widened a little, and they came to a dead end, beyond which lay the cave. It must have been formed ages ago by trickling waters before Avis Solis lost its clouds and rivers. Here they found the last of the cairns, and the answer to their construction. The water-maker which the expedition had left with Malmsworth seventeen years ago rested upon this neat platform, and below it a delicate basin, eighteen inches or so in depth, had been constructed of stones and chinked with moss. Fit monument for the god, machine. It was filled with water, and quite obviously a bathtub. * * * * * Captain DeCastros sneered. This proved beyond doubt that Malmsworth was mad, for in the old days he had been the very last to care about his bath. In fact, DeCastros said, Malmsworth occasionally stank. This was probably not true, but it seemed curious, nonetheless. Captain DeCastros set to work kicking the tub to pieces. He kicked so hard that one stone whistled past the head of Mr. Wordsley, who ducked handily. Soon the basin lay in rubble, and the water-maker, its supports collapsed, listed heavily to the right. "He must be in the cave," Captain DeCastros said. He cupped his hands to his mouth. "Come out, Malmsworth, we know you're in there!" But there was no answer, and Malmsworth did not come out, so Captain DeCastros, blizzer in hand, went in, with Mr. Wordsley following at a cautious interval. Presently they stood upon the edge of something black and yawning, but there was still no sign of the exile, who seemed, like Elijah, to have been called directly to his Maker without residue. Beyond the gulf, however, Mr. Wordsley had glimpsed a ragged aperture filled with the purest light. It seemed inconceivable to him--attracted as he had always been by radiance--that this should be inaccessible. Accordingly, he lay down upon his belly and stretched his hand as far down as he could reach. His fingers brushed a level surface which appeared to extend outwards for two or three feet. Gingerly he lowered himself to this ledge and began to feel his way along the wall. Nor was he greatly surprised (for hardly anything surprised Mr. Wordsley any more) that it neatly circumnavigated the pit and deposited him safely upon the other side, where he quickly groped toward the mouth of the cavern and stood gazing out upon a scene that was breathtaking. From this vantage the easily accessible slope led to the foot of the plateau. Beyond lay the grandeur of Avis Solis. Captain DeCastros was soon beside him. "A very clever trick, that ledge," he said. "Malmsworth thinks to elude us, but he never shall, eh, Mr. Wordsley?" There were tears of frustration in his eyes. It embarrassed Mr. Wordsley, who could only point to the pall of gleaming dust where their ship had lain, and to the silver needle which glinted for a moment in the sky and was gone. "Malmsworth would not do that to me," Captain DeCastros said. But he had. * * * * * "We may be here quite a long while," Mr. Wordsley said, and could not contrive to sound downhearted about it. But Captain DeCastros had already turned away and was feeling his way back along the ledge. Mr. Wordsley waited just a moment longer; then he took from his pocket a heavy object and dropped it upon the slope and it rolled over and over, down and down, until its metallic sheen was lost in that superior glare. It was a spare irmium alloy plug. He made his way back to the water-maker. They would have to take good care of it from now on. He was not concerned with the basin. However, in the soft, damp sand beside the basin, plainly imprinted there, as if someone's raiding party had interrupted _someone's_ bathing party, there remained a single, small and dainty footprint. One could almost imagine that a faint breath of perfume still lingered upon the sheltered air of the rift, but, of course, only things which glittered interested Mr. Wordsley. THE END Transcriber's Note: This etext was produced from _Amazing Science Fiction Stories_ September 1958. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed. Minor spelling and typographical errors have been corrected without note. End of the Project Gutenberg EBook of The Marooner, by Charles A. Stearns *** END OF THIS PROJECT GUTENBERG EBOOK THE MAROONER *** ***** This file should be named 24791.txt or 24791.zip ***** This and all associated files of various formats will be found in: https://www.gutenberg.org/2/4/7/9/24791/ Produced by Greg Weeks, Stephen Blundell and the Online Distributed Proofreading Team at https://www.pgdp.net Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away--you may do practically ANYTHING with public domain eBooks. Redistribution is subject to the trademark license, especially commercial redistribution. *** START: FULL LICENSE *** THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg-tm mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase "Project Gutenberg"), you agree to comply with all the terms of the Full Project Gutenberg-tm License (available with this file or online at https://gutenberg.org/license). Section 1. General Terms of Use and Redistributing Project Gutenberg-tm electronic works 1.A. By reading or using any part of this Project Gutenberg-tm electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg-tm electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg-tm electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. "Project Gutenberg" is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg-tm electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg-tm electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg-tm electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" or PGLAF), owns a compilation copyright in the collection of Project Gutenberg-tm electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is in the public domain in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg-tm mission of promoting free access to electronic works by freely sharing Project Gutenberg-tm works in compliance with the terms of this agreement for keeping the Project Gutenberg-tm name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg-tm License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg-tm work. The Foundation makes no representations concerning the copyright status of any work in any country outside the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg-tm License must appear prominently whenever any copy of a Project Gutenberg-tm work (any work on which the phrase "Project Gutenberg" appears, or with which the phrase "Project Gutenberg" is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org 1.E.2. If an individual Project Gutenberg-tm electronic work is derived from the public domain (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase "Project Gutenberg" associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg-tm electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg-tm License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg-tm. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg-tm License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg-tm work in a format other than "Plain Vanilla ASCII" or other format used in the official version posted on the official Project Gutenberg-tm web site (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original "Plain Vanilla ASCII" or other form. Any alternate format must include the full Project Gutenberg-tm License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg-tm works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg-tm electronic works provided that - You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg-tm works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg-tm trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, "Information about donations to the Project Gutenberg Literary Archive Foundation." - You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg-tm License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg-tm works. - You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. - You comply with all other terms of this agreement for free distribution of Project Gutenberg-tm works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from both the Project Gutenberg Literary Archive Foundation and Michael Hart, the owner of the Project Gutenberg-tm trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread public domain works in creating the Project Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm electronic works, and the medium on which they may be stored, may contain "Defects," such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right of Replacement or Refund" described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg-tm trademark, and any other party distributing a Project Gutenberg-tm electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg-tm electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg-tm electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg-tm work, (b) alteration, modification, or additions or deletions to any Project Gutenberg-tm work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg-tm Project Gutenberg-tm is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need, is critical to reaching Project Gutenberg-tm's goals and ensuring that the Project Gutenberg-tm collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg-tm and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation web page at https://www.pglaf.org. Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation's EIN or federal tax identification number is 64-6221541. Its 501(c)(3) letter is posted at https://pglaf.org/fundraising. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state's laws. The Foundation's principal office is located at 4557 Melan Dr. S. Fairbanks, AK, 99712., but its volunteers and employees are scattered throughout numerous locations. Its business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email [email protected]. Email contact links and up to date contact information can be found at the Foundation's web site and official page at https://pglaf.org For additional contact information: Dr. Gregory B. Newby Chief Executive and Director [email protected] Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg-tm depends upon and cannot survive without wide spread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit https://pglaf.org While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg Web pages for current donation methods and addresses. Donations are accepted in a number of other ways including including checks, online payments and credit card donations. To donate, please visit: https://pglaf.org/donate Section 5. General Information About Project Gutenberg-tm electronic works. Professor Michael S. Hart was the originator of the Project Gutenberg-tm concept of a library of electronic works that could be freely shared with anyone. For thirty years, he produced and distributed Project Gutenberg-tm eBooks with only a loose network of volunteer support. Project Gutenberg-tm eBooks are often created from several printed editions, all of which are confirmed as Public Domain in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our Web site which has the main PG search facility: https://www.gutenberg.org This Web site includes information about Project Gutenberg-tm, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.