The well in the wood

By Bert Leston Taylor

The Project Gutenberg eBook of The well in the wood
    
This ebook is for the use of anyone anywhere in the United States and
most other parts of the world at no cost and with almost no restrictions
whatsoever. You may copy it, give it away or re-use it under the terms
of the Project Gutenberg License included with this ebook or online
at www.gutenberg.org. If you are not located in the United States,
you will have to check the laws of the country where you are located
before using this eBook.

Title: The well in the wood

Author: Bert Leston Taylor

Illustrator: Fanny Y. Cory

Release date: November 17, 2024 [eBook #74753]

Language: English

Original publication: New York: Alfred A. Knopf, Inc

Credits: Susan E., David E. Brown, Jude Eylander who transcribed the music, and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)


*** START OF THE PROJECT GUTENBERG EBOOK THE WELL IN THE WOOD ***





THE WELL IN THE WOOD




_BOOKS BY BERT LESTON TAYLOR_

  A PENNY WHISTLE
  THE SO-CALLED HUMAN RACE
  THE WELL IN THE WOOD

_And others in a uniform collected edition, to be ready later_

_New York: Alfred · A · Knopf_




[Illustration: AND NOW VANISHED IN THE DEPTHS OF THE WELL.]




  The Well in the
  Wood

  by
  Bert Leston Taylor

  _With illustrations by
  F. Y. Cory_

  New York  1922
  Alfred · A · Knopf




  COPYRIGHT, 1904, 1922, BY
  ALFRED A. KNOPF, INC.

  _Published, September, 1922_

  MANUFACTURED IN THE UNITED STATES OF AMERICA




“THE BACILLUS DEDICATORY”


I had intended dedicating this little book to Mr. Henry B. Fuller,
to whose friendship and criticism I owe much; but finally I decided
it were wiser to refrain. The explanation of my change of mind is
contained in the paragraph which follows:

“In this part of the world,” wrote Mr. Fuller, not long ago, “the
bacillus dedicatory hardly survives within us up to middle age, but
there is no denying that it is terribly active in most beginners, and
that the ingenuous gratitude of these gives their established elders
considerable cause for embarrassment. Have I written a successful
story? Then I cast about for some well-known name, ‘higher up,’ with
which to adorn thy fly-leaf and to ease my overpowering sense of
obligation. The effort on the part of these various celebrities to
elude my homage is the liveliest side of the literary game, and not the
least instructive phase of unwritten literary history.”




THE STORIED ROADS OF FAIRYLAND


  The dinner done, the lamp is lit,
  And in its mellow glow we sit
  And talk of matters, grave and gay,
  That went to make another day.
  Comes Little One, a book in hand,
  With this request--nay, this command--
  (For who’d gainsay the little sprite):
  “Please--will you read to me to-night?”

  Read to you, Little One? Why, yes.
  What shall it be to-night? You guess
  You’d like to hear about the bears--
  Their bowls of porridge, beds and chairs?
  Well, that you shall.... There! that tale’s done!
  And now--you’d like another one?
  To-morrow evening, Curly Head,
  It’s “hass-pass seven!” Off to bed!

  So each night another story:--
  Wicked dwarfs and giants gory;
  Dragons fierce and princes daring,
  Forth to fame and fortune faring;
  Wandering tots, with leaves for bed;
  Houses made of gingerbread;
  Witches bad and fairies good;
  And all the wonders of the wood.

  “I like the witches best,” says she
  Who nightly nestles on my knee;
  But why by them she sets such store
  Psychologists must puzzle o’er.
  Her likes are mine, and I agree
  With all that she confides to me.
  And thus we travel, hand in hand,
  The storied roads of Fairyland.

  Ah, Little One, when years have fled,
  And left their silver on my head,
  And when the dimming eyes of age
  With difficulty scan the page,
  Perchance I’ll turn the tables then;
  Perchance _I’ll_ put the question, when
  I borrow of your better sight:
  “Please--will you read to me to-night?”




CONTENTS


      I ENCHANTER’S NIGHTSHADE                     1

     II ON THE WAY TO BEAVERTOWN                   9

    III THE LAZIEST BEAVER                        17

     IV “WHY DOES A RABBIT WABBLE HIS NOSE?”      27

      V THE GUINEA-PIG WHOSE EYES FELL OUT        38

     VI THE WHITE BLACKBIRD                       47

    VII A TRAVELED DONKEY                         61

   VIII OLD SAWS IN NEW SETTINGS                  72

     IX TROUBLES OF A BEAR                        81

      X THE WEE BEAR’S BIRTHDAY PARTY             91

     XI A LONG DISPUTE ENDED                     105

    XII THE FLIGHT OF THE LOON                   114

   XIII “MARY’S LITTLE LAMB”                     125

    XIV “ONE FROM TWO LEAVES FOUR”               138

     XV AT THE CORNER                            149

    XVI A FROLIC IN THE FOREST                   158

   XVII DOCTOR GOOSE’S LECTURE                   170

  XVIII THE WELL IN THE WOOD                     177

    XIX DISENCHANTMENT                           186




FULL-PAGE ILLUSTRATIONS


  AND NOW VANISHED IN THE DEPTHS OF THE WELL      _Frontispiece_

  AND LED THE WAY INTO A THICKET                              13

  WHICH GREW FAINTER AND FAINTER                              25

  BUT I’VE CAUGHT YOU                                         54

  THEY SET OFF THROUGH THE WOOD                               77

  I MEAN I CAN’T SLEEP                                        89

  HAVE YOU HEARD “NOBODY KNOWS”?                             120

  AND BEHOLD THEY _Were_ ROSES                               127




THE WELL IN THE WOOD




CHAPTER I

ENCHANTER’S NIGHTSHADE


“Colonel, you ’diculous dog, you’re so hot _now_ you can hardly
breathe. No; you needn’t bark. It’s too warm to play any more.”

Buddie was sitting on the fallen, mossy trunk of a cedar tree, just
inside the edge of the wood, throwing little sticks for her dog Colonel
to fetch. Being a young dog, Colonel wanted to play all day long, and
he could not understand why Buddie should tire of throwing sticks when
_he_ never wearied of recovering them. So when she bent to tie her
shoe-string he assumed that another stick was coming, and, yelping with
delight, he crouched for the spring.

But Buddie, in bending over, had made a discovery that put an end to
playing with sticks, for that day at least.

“Oh, what pretty flowers!” she cried; and she began to make a bouquet
of some white blossoms that grew among the mosses of the fallen cedar.

Before you learn about this strange flower, Little One, I must tell you
something of the small person who found it, and of the wood in which it
grew.

“Buddie” was her every-day name. It is short and easy to say,
especially if one is in a hurry, as Buddie’s mother always was. On
Sundays her name was Ethel Elvira, which quite became a dress with a
great deal of starch, a sash with a great deal of rustle and new shoes
with a great deal of squeak.

Her home was a log house in the wild Northland, just where the
pine-trees came down to peep into the mirror of a great lake. It was
a lonely shore and not at all the kind that you, Little One, would
like, for there was no sandy beach to dig in. Here and there were short
stretches of gravel, but mostly it was black rock and deep water,
which the sun never succeeded in warming. As far as one could see up
and down the lake there was no other house, and the only blur on the
wide sweep of dark blue water was the tattered sail of a restless
Indian or the trailing smoke of a distant steamer.

In all the country round about there was only one road, and this kept
so close to the lake--for fear, very likely, it would get lost--that
there was just room between it and the water for the log house and a
small back yard for the chickens. Across the road was a cleared space,
sloping up over a little hill, in which grew potatoes, turnips and
other vegetables that could stand a cold climate; for Buddie’s home was
so far north that real winter lasted six months, and sometimes longer.
There wasn’t any spring to speak of--without complaining--and nobody
could tell when summer ended and autumn began.

Buddie had two brothers younger than herself. One was a wee tot who
slept in a hammock near the kitchen stove, where the mother could keep
the pot a-boiling and the cradle a-swinging at the same time; the other
usually spent his time “helping father” to improve the road, which was
in a sad way, or to hunt for the cows, which sometimes went deep into
the wood to escape the tormenting flies.

As there was no other little girl to play with, Buddie had to amuse
herself as best she could. One way was to turn the pages of a big, fine
book of animal stories, a Christmas gift from a city friend of the
family; and when all the pictures had been looked at for the hundredth
time, she would call Colonel and ramble along the edge of the wood, in
the hope of seeing some of the animals pictured in her book.

She never went more than a very little way into the wood.

“For if you do,” her mother would say, “the bears will eat you up.” So
it was that the wood came to have a great fascination for her, as it
would for you or me, Little One, if we could not go into it. A great
many of us always wish to do what we are told not to do, which is very
wrong, of course, and discourages the wise and patient people who write
books on Ethics.

It was a wonderful wood, not at all like the wood in your favorite
fairy tale. You can hardly realize, Little One, how far away it
stretched--hundreds and hundreds of miles--away to the ice and snow of
the far, far North. There were no roads, as in your fairy-tale wood,
and no paths except a few old trails which had not been used for years,
and over which the wild grasses and shrubs ran again. From the shore
road you could see into it only a little way, because there were so
many trees that had branches close to the ground, and such a tangle of
old dead trees and thickly growing young ones. During the day, when
the sunlight crept in through every crack, it was quite cheerful among
the pines and firs and birches, and a great deal seemed to be going on
there; but when night came on it grew dark and still, and the only
speck of light for miles and miles came from the lamp in the log house
window.

Rather a lonely place, one would say, for a little girl to grow up in.
But Buddie never thought of that. She was always busy, and the days
passed quickly enough. Colonel was a lively companion, if he was only a
dog, and a yellow one at that; and he had one good quality which even a
yellow dog can have--he was entirely devoted to his young mistress. If
she wandered too far up or down the road, or seemed to be disregarding
her mother’s command to keep out of the wood, he would take hold of her
dress with his teeth and gently pull her back.

[Illustration]

And now to return to the strange flower Buddie found. Pay attention,
Little One: if it were not for the flower I should not be telling you
this story.

[Illustration]

Botanists call it _Circæa Alpina_, but you never could remember that.
The other name for it is “Enchanter’s Nightshade,” which you may not
forget so easily. It is a small plant, and the flower books do not say
much about it; but I feel quite sure it must have originated on the
Ææan Isle, where Circe the Enchantress lived, ever so many years ago. I
think very likely Ulysses, whom you have read about or will read about
some day, carried off a bouquet of it when he sailed away from the
isle, and in the course of time the seeds reached our land. Anyhow, you
must have guessed that there was some sort of enchantment in Buddie’s
bouquet, even if I had not tried to explain; for no sooner had she
fastened it under her hair-ribbon than Colonel exclaimed, in “really
talk”:

“_Who cares for flowers! Throw me a stick to fetch!_”




CHAPTER II

ON THE WAY TO BEAVERTOWN


If a dog were to speak to you, Little One, in “really talk,” I dare say
you would jump a foot--unless you happened to be sitting on a fallen
tree at the time; then, very likely, you would do as Buddie did, jump
to both feet.

“Why, Colonel!” she cried; “I didn’t know you could talk.”

“Indeed?” replied the Yellow Dog. “Well, I assure you I am an excellent
talker, if you start me off on subjects in which I am interested. Like
all persons that really have something to say, I need to be drawn out.”

Certainly he did not talk like a common dog, and he no longer looked
like one. He held his head proudly, and his once dejected tail had an
upward and aristocratic sweep. Could this be the same yellow dog that
her father kicked around and accused of stealing eggs? Buddie rubbed
her eyes and looked again. Yes; it was the same dog: around his neck
was the rope collar with which she dragged him about.

Besides being an easy talker, Colonel seemed to be something of a
mind-reader.

“It is a common belief,” he went on, “that all yellow dogs are good for
is to kick around, or to put the blame on when eggs are missing. Now, I
do not like eggs, and I do not know of a single yellow dog that does.
It only goes to prove the old saying: Give a yellow dog a bad name and
it will stick to him like a bur to his tail. But show me the yellow dog
that is not the equal, in good manners, courage and intelligence, of
any black or brown dog.”

Although Buddie lived a long way from any village, she had seen a great
many dogs. They were mostly Indian curs, wolfish-looking creatures,
and the greatest thieves in the world. Neglected by their owners,
they foraged everywhere, often traveling miles in search of food,
and eating almost anything they could chew. They were of all colors
except yellow. Colonel was the only yellow dog Buddie had ever seen.
And she was bound to admit that he was a much more agreeable dog
than the ravenous creatures that came slinking around the log house
every now and then, in the hope of picking up even so poor a meal as
potato-parings or egg-shells.

“_I_ say, give the yellow dog a show,” declared Colonel, sitting up on
his haunches and making a grand flourish with his right forepaw. “Other
dogs have shows, but you never hear of a _yellow_ dog show. Let justice
be done, though the sky falls.”

With his left forepaw he made another grand flourish, and paused for a
reply. But all Buddie could think of was:

“I’m sure it wouldn’t be nice to have the sky fall.”

“Oh, that is just a figure of speech, like, Let justice be done,” said
Colonel. “Nobody expects the sky to fall; though I dare say it _would_
if justice were done.”

Buddie did not quite understand what was meant by a figure of speech,
but, like many older persons, she was impressed by large words and an
easy style of tossing them off; and it seemed to her that Colonel was a
very superior person--if you could call a dog a person.

“If there are no more sticks to fetch,” said Colonel, dropping again on
all fours, “I think I shall make a few calls on my friends in the wood.”

“Won’t you get lost?” asked Buddie, peering doubtfully into the dark
grove of spruce and balsam-fir.

“Certainly not,” replied Colonel, tossing his head. “I very often go
miles into the wood, for I can always nose my way back again. How would
you like to pay a visit to my friend, the Laziest Beaver? We’ll be sure
to find him at home.”

[Illustration: AND LED THE WAY INTO A THICKET]

“The Laziest Beaver?” repeated Buddie, in surprise. “Are beavers
lazy?” She had often heard her father say, when he had come home tired
at twilight, that he had “worked like a beaver.”

“I have known a great many beavers in my time,” Colonel replied, “and
I never knew one to do a stroke of work if he could get out of it.
Indeed, Lazy as a Beaver, is a common expression in these parts. My
friend, the Laziest Beaver, never worked in his life.”

“Well, let’s go to see him,” cried Buddie, happily. “Only, don’t go
fast, as I can’t jump over things the way you can.”

“Never fear,” replied Colonel. “I shall show you the easiest paths.
Besides, there is no hurry; we have all day before us.”

As he spoke he cleared a huge log with a graceful leap, and led the way
into a thicket of young poplar trees.

Now, I am quite sure, Little One, that in going into the wood, Buddie
did not mean to disobey her mother; she never before had done so.
You are to believe, as I believe, that the bouquet of Enchanter’s
Nightshade in her hair was to blame, just as it was the cause of
everything else that happened to her that wonderful day.

At first Buddie had some trouble in following her guide, who slipped
through the brush with an ease born of much practice. The little
branches caught in her hair, and tried to poke out her eyes. But she
soon learned to bend her head at the right moment and shield her eyes
with her arms; and as they got deeper into the wood, where the proud
pine-trees grew and the little bushes dared not intrude, walking became
almost as easy as along a road.

“This friend of mine, the Laziest Beaver,” said Colonel, when Buddie
stopped for a little rest, “is always going to do something, but never
gets round to it. He’s been going to rebuild a dam for I don’t know
how long, and he’s always talking about repairing his house, which
fell down about his ears last summer. But he’d rather sit in the sun
and tell stories and exchange news. He’s the greatest gossip in the
woods--the crows are nothing to him--and every one that wants to find
out anything goes straight to him.”

“Where does he live?” asked Buddie.

“Just a little way from here, at Beavertown. It used to be quite a
village, but last year the beavers moved to a better place up the
river. The Laziest Beaver was too lazy to follow them; so he lives all
alone in his tumble-down house, by the side of his tumble-down dam,
and lies out in the sun all day, and has just the laziest time in the
world. Shall we move along?”

Their way now led downhill to the river, which, fortunately, it was not
necessary to cross. A little distance up-stream a smaller river came
in, and along the bank of this Colonel led the way to a meadow of tall
wild grass.

This was Beavertown.




CHAPTER III

THE LAZIEST BEAVER


They found the Laziest Beaver at home--just as Colonel, the Yellow Dog,
had promised--lying in the sun in front of his tumble-down dwelling,
and fanning himself with lazy flaps of his broad tail. He nodded
pleasantly as Colonel and Buddie approached, but made no attempt to
rise for a more formal greeting.

“This is Buddie,” said the Yellow Dog, presenting her.

“Which Buddie?” asked the Laziest Beaver.

“Why, just Buddie.”

“I’ve heard of _some_ Buddie, _any_ Buddie, _every_ Buddie and _no_
Buddie, but I never heard of _just_ Buddie before,” remarked the
Laziest Beaver.

“She lives in the log house by the lake, where I stop,” Colonel
explained.

“I’ve been meaning to get down to the lake on a visit,” said the
Laziest Beaver, “but I can’t seem to find the time. There’s that dam to
build, you know, and my house needs a few repairs.”

[Illustration]

Remembering what Colonel had told her about the Laziest Beaver always
talking of doing something but never getting around to do it, Buddie
smiled, which was not at all polite. The Laziest Beaver noticed the
smile, and changed the subject.

“What’s the news?” he asked, addressing the Yellow Dog.

“Carrying news to you would be carrying sweets to a beehive,” replied
Colonel, with a bow. The Laziest Beaver was touched by the flattery,
and smiled amiably.

“Well,” he said, “I do pick up a little news now and then. By the way,
Bunny Cotton-Tayle was around here to-day. He is going up to The Well
this afternoon to find the answer,” said the Laziest Beaver.

“What’s the answer?” asked Buddie, who thought it no more than polite
to take part in the conversation.

“That’s just it,” replied the Laziest Beaver. “That’s what he’s going
up to The Well to find out.”

“I’m afraid I don’t understand,” said Buddie, much puzzled.

“She means,” said Colonel, “what is the answer to what?”

“I don’t know what the answer to _what_ is, unless it is _that_,” said
the Laziest Beaver. “You often hear people say, _that’s what_.”

“_That_ is not the question,” objected Colonel.

“Then she should have asked, What’s the _question_? not, What’s the
_answer_?” declared the Laziest Beaver, triumphantly.

“Question! Question!” cried the Yellow Dog.

“The question is,” said the Laziest Beaver, “why does a rabbit wabble
his nose?”

“Oh, I wonder why he does!” cried Buddie. She had had a pet rabbit once
upon a time, and she used to feed him long spears of grass, one after
the other, and Bunny would take them in just as a printing press takes
in rolls of paper--sitting perfectly still the while, and wabbling and
wabbling and wabbling his nose.

“Doesn’t he know why himself?” she asked.

“Of course not. If he did he wouldn’t have to go up to The Well to find
out, would he?”

“But how will he find out at The Well? Who will tell him?”

“Truth, of course. Doesn’t Truth lie at the bottom of a well?”

“I don’t know,” said Buddie. “We haven’t any well on our place; we get
our water out of the lake.”

“It’s a very remarkable thing,” said the Yellow Dog, thoughtfully; “a
very remarkable thing. Nobody knows why a rabbit has to wabble his
nose.”

“There’s a song about it, isn’t there?” asked the Laziest Beaver. “I
believe I’ve heard you sing it.”

“I believe I _have_ sung it a few times,” answered Colonel, modestly,
although he was extremely proud of his voice and never lost a chance to
show it off.

“Sing it for us,” said the Laziest Beaver. “I haven’t heard any music
for quite a while.”

“Oh, please do!” urged Buddie.

“Really, I am so hoarse,” began Colonel, apologetically.

“Oh, bark away!” said the Laziest Beaver. “We can stand it if you can.”

“Yes; _do_ sing!” pleaded Buddie.

Thus encouraged, the Yellow Dog, who was really anxious to sing,
cleared his throat with a preliminary,

  [Music: Bow-wow-wow-wow-wow-wow-wow, Bow-wow,]

and began, in a light and rather throaty, but, on the whole, pleasing
voice:

  “Why a peach or a plum has of seeds only one,
    While a fig has a thousand, we know;
  We know why a fire won’t burn in the sun,
    And why you can’t boil melted snow;
  We know why green peas--”

“Pleasant weather we are having,” remarked the Laziest Beaver to Buddie.

“Yes,” she answered absently, her attention on the song. She thought
it kind of Colonel to sing, and extremely impolite of the Laziest
Beaver to talk, especially as it was he that had asked for the music.
Meanwhile the Yellow Dog, who had often sung in public, and so expected
talking, kept on:

  “We know why green peas make the best currant jell,
    Why and wherefore the peanut-tree grows;
  But, alack and alas! there is no one can tell
    Why a rabbit should wabble his nose.”

“Our friend sings quite well, don’t you think so?” went on the Laziest
Beaver.

“Yes,” replied Buddie, pleasantly, though inwardly vexed; and she
nodded encouragement to the Yellow Dog, who just then burst into the
chorus:

  “We’ve whispered it so you could hear it for miles;
    We’ve shouted it ‘under the rose’;
  But alas and alack! only Echo calls back--
    ‘Oh--why--does--he--wabble--his--nose?’”

The Laziest Beaver hummed the chorus very much off the key and so
loudly that Buddie scarcely could make out the words of it.

“I do wish people wouldn’t talk when some one is trying to sing,” she
thought; and as Colonel began the second verse she got up and crossed
over to where he was sitting, and paid no further attention to the
Laziest Beaver.

  “Now, every one knows where time goes when it flies,
    And why a round robin is round;
  Why moles are stone-blind, while potatoes have eyes,
    Although they both live underground;

  “Which side a worm turns on, and which side a lane;
    And where the wind goes when it blows;--
  But no one can tell--and we ask it in vain--
    Why a rabbit should wabble his nose.

  “We’ve whispered it so you could hear it for miles;
    We’ve shouted it ‘under the rose’;
  But alas and alack! only Echo calls back--
    ‘Oh--why--does--he--wabble--his--nose?
      Wabble--his--nose,
      His--no-o-o-o-o-o-o-o-ose?’”

By this time the Laziest Beaver, who picked up songs as quickly as
gossip, had learned the words and the tune of the chorus; and when the
Yellow Dog repeated it he joined in again--shouting the first line,
whispering the second, and imitating Echo in the fourth. And so good
was the imitation that Buddie found herself looking up and around for
the voices in the air, which grew fainter and fainter and fainter, and
at last died away in a long “no-o-o-o-o-o-o-se.”

[Illustration: WHICH GREW FAINTER AND FAINTER]

Then, much to her surprise, she discovered that while she had been
looking up and around, the Yellow Dog and the Laziest Beaver had
vanished, and with them the tumble-down beaver house and the meadow
and the little river. She was in the deep wood again, sitting on
the fallen trunk of a great pine-tree, and watching a rabbit, who,
apparently unconscious of her presence, was regarding himself in a
small hand-glass, while he wabbled and wabbled and wabbled his nose.




CHAPTER IV

“WHY DOES A RABBIT WABBLE HIS NOSE?”


How Buddie came to be whisked away from Beavertown to a part of the
wood that, so far as she could tell, she had never seen before, remains
to this day a mystery.

“It was the echo,” she said, in telling me the tale; “you just couldn’t
help looking up.” Certainly it must have been a remarkable echo; and
although it does not explain the matter entirely to my satisfaction, it
is as convincing as any explanation I can offer. But, to go on with the
story:

The Rabbit continued to regard himself in his mirror, wabbling his nose
the while, until Buddie wondered whether he intended to keep it up all
day. But at last he dropped the glass, which was suspended on a cord
about his neck, and remarked, with a little sigh:

“It’s no use. I _can’t_ make it out.”

[Illustration]

Buddie feared to move lest she send him scampering off; rabbits were
such timid creatures--that is, all the rabbits she had ever come upon
before. Still, she wished to talk with him about his funny nose; so
she coughed softly to attract his attention. This is an old trick and
usually succeeds. The Rabbit turned his head, saw Buddie and exclaimed
hurriedly, with a friendly smile:

“Don’t be alarmed, my dear!”

Buddie laughed outright.

“The idea of being afraid of a rabbit!” said she.

“Why not?” demanded the Rabbit, in a tone of offended dignity. “Size
isn’t everything.”

“But rabbits are such scary little things,” Buddie started to say, when
the Rabbit interrupted her.

“I’m not afraid of anybody,” he declared with a little swagger. He
emphasized the last word so significantly, and it sounded so like “any
Buddie,” that Buddie hastened to say:

“I didn’t know rabbits were so brave. I thought--”

“Never mind what you thought,” said the Rabbit, curtly. “It doesn’t
help matters a bit. Always speak twice before you think; then you
won’t make mistakes. Nearly all mistakes are caused by hasty thinking.
Didn’t you ever hear the expression, Bold as a rabbit?”

Buddie shook her head.

“I’ve heard about, Bold as a lion,” she replied.

The Rabbit sniffed.

“Lions? What are they?” he asked.

“I don’t believe there are any around here,” answered Buddie.

“I don’t believe there _are_, either,” said the Rabbit, with a
self-satisfied smile. “But if there were I should teach them their
place fast enough. The expression, Bold as a rabbit, is common
enough--as common as, Wise as a goose, or, Silly as an owl, or, Fast as
a snail, or, Sleepy as a weasel--and it’s a wonder you never heard it.
Why, the word ‘hare-brained,’ or ‘rabbit-brained,’ means, bold to the
point of recklessness.”

“Well,” thought Buddie, “if this isn’t the queerest place anybody ever
got into. Dogs sing, beavers are lazy, and rabbits are bold as lions.
Everything seems to be upside down. What next, I wonder? I suppose,”
she said aloud, “your name is Mr. Bunny Cotton-Tayle.”

The Rabbit bowed.

“And your name?” he asked politely.

“Buddie--just Buddie.” She was afraid he might ask, “Which Buddie?” as
the Laziest Beaver had asked.

The Rabbit again consulted his mirror, and inquired carelessly, as one
inquires who does not expect information:

“You don’t happen to know, I suppose?”

“Why you wabble your nose?”

“Precisely.”

“No,” confessed Buddie. “And I think it’s funny _you_ can’t tell.”

“I don’t see anything funny in it,” said the Rabbit.

“I mean strange.”

“Or strange. Why is a watermelon bald-headed, while a carrot has
whiskers? Answer me that!”

“I don’t know,” Buddie again confessed.

“Did you ever ask a watermelon?”

“Of course not. That’s perfectly ’diculous. Who ever heard of a
watermelon talking? But still,” Buddie added to herself, “if a rabbit
can talk, why shouldn’t a watermelon?”

“Well, ask a watermelon sometime,” said the Rabbit; “or ask a carrot.
Neither of them knows, any more than a dog knows when he’s hot.”

“I’m sure a dog knows when he’s hot,” objected Buddie.

“How do you know when _you’re_ hot?” demanded the Rabbit, with a
this-is-where-I-trip-you-up twinkle in his eye.

“Why, I get hot--I mean I get all sweaty and have to wipe my face and
neck.”

“Exactly,” said the Rabbit. “You know when you’re hot because you
sweat. But a dog doesn’t sweat and can’t sweat. There! What do you say
to that?”

“If my dog Colonel were here,” said Buddie, “I’m sure _he_ could tell
me.”

“Couldn’t,” declared the Rabbit. “Told me so himself, many a time.
Haven’t you noticed that on the hottest day a dog will race round and
run after sticks and stones and go on like mad until he simply drops
from exhaustion? Now, if he could tell when he was hot, as you can, he
would stop long before he gave out. That sort of thing is very wearing
on a dog. That’s why he doesn’t live longer.”

As Buddie had no suitable reply ready the Rabbit continued:

“No, Buddie--I believe you said your name was Buddie?” Buddie nodded.
“It’s so like my own--Bunny. No, Buddie, there are some things about
ourselves we can’t explain, just as there are some things that are
perfectly clear. For instance, I know why I can not run very far in a
straight line, but have to zigzag.”

“Do tell me!” cried Buddie, greatly interested.

“The reason is, my hindlegs are twice as long as my forelegs. After
I run a little way my hindlegs overtake my forelegs, and if I were
to keep on I should be going the other way, which would be extremely
awkward, don’t you think?”

“I should think it _would_ be,” murmured Buddie, to whom the
explanation was by no means clear.

“Why, once when I started for home I was in such a hurry I forgot to
zigzag, and before I realized it I was twice as far from home as when
I set out. So when I am chasing a fox or a panther I have to make up
in speed what I lose in ground. But as for this nose-wabbling,”--the
Rabbit again consulted his pocket mirror and sighed deeply--“_that_
gets me. I give it up. Even Doctor Goose, who knows everything--or
almost everything--can’t explain _that_.”

“The Laziest Beaver said you were going up to The Well to find the
answer,” remarked Buddie, who was very curious to find out what sort of
well it was.

“Yes; I am going up to The Well,” replied the Rabbit. “But I am not the
only one that wishes to learn something. The Guinea-Pig wants to know
why his eyes fall out when you hold him up by the tail.”

“But a guinea-pig hasn’t any tail,” said Buddie, who had owned one, and
was quite sure it didn’t have a sign of a tail.

“I don’t know what sort of guinea-pigs you are in the habit of
associating with,” said the Rabbit; “but all of my acquaintance have
tails, and good long ones. Why shouldn’t a guinea-pig have a tail? A
guinea-_hen_ has.”

“I don’t know why it shouldn’t, but I know it _hasn’t_,” Buddie
persisted.

“Well, here comes the Guinea-Pig now,” said the Rabbit; “and if that
isn’t a tail he’s wearing, I don’t know a tail when I see it.”

Buddie looked around and saw, almost at her feet, the dearest
Guinea-Pig imaginable. She gave a cry of delight and stretched out her
hand to caress it, just as she used to caress her own pet before it
fell victim to a foraging fox.

[Illustration]

Now, Buddie did not mean to do it, but it came about in this way:
startled by her exclamation, the Guinea-Pig turned and made off; Buddie
reached forward eagerly, caught him, and lifted him up--by the tail!

Instantly his eyes fell out.

“There! You’ve done it!” cried the Rabbit.

“I wish people wouldn’t pick me up by the tail,” sobbed the Guinea-Pig.
He couldn’t weep, you see, because his eyes were out.

“Oh, you poor thing!” cried Buddie. And getting down on her hands and
knees, she began hunting for the little creature’s eyes, which had
rolled under the leaves.




CHAPTER V

THE GUINEA-PIG WHOSE EYES FELL OUT


“Really, I didn’t mean to pick you up by the tail,” said Buddie,
turning over the leaves in search of the missing eyes.

“That’s what they all say,” sobbed the Guinea-Pig. “Can’t you find
them? It never took so long before.”

“Here’s one! What a teeny little eye! And here’s the other! How do you
put them back?” Buddie asked the Rabbit, who, mirror in hand, was again
studying his nose.

“Ask the Guinea-Pig; they’re _his_ eyes,” replied the Rabbit. “I have
troubles of my own.”

Buddie took the Guinea-Pig in her lap.

“If I’m not doing it right you must tell me,” she said. “And _do_ stop
sobbing; it shakes your head so I can’t do a thing.”

“I can’t stop,” blubbered the Guinea-Pig. “If I don’t cry I have to
sob.”

“Well, _cry_ a little, then, for a change. You won’t shake so.”

“But I _can’t_ cry,” wailed the unhappy Guinea-Pig. “My eyes are out.
Oh! oh!”

He gave a little squeak, more of fright than of pain, for Buddie had
grasped him so tightly that he couldn’t shake, and scarcely could
breathe.

“There!” she exclaimed triumphantly, slipping back the eyes. “Now
you’re all right, and I’ll never pick you up by the tail again, you
dear, dear little thing!”

She stroked him affectionately, but the Guinea-Pig, instead of cheering
up, wept like a baby. His brown eyes fairly streamed tears.

“Oh! oh!” he cried. “Everything’s upside down!”

“I know it, dearie,” said Buddie, soothingly. She was getting used to
the topsy-turviness of the wood, and she was not the least surprised to
hear the Guinea-Pig wail forth:

“You’re standing on your head! You’re standing on your head!”

“It only _seems_ so to you,” Buddie replied. “You shouldn’t live in
such a ’diculous wood, you know.”

“You’ve put his eyes in upside down, stupid!” said the Rabbit. “You
ought to be more careful.”

“Dear! dear!” exclaimed Buddie, in dismay. “What’s to be done now?”

“Pick him up by the tail again,” was the brief advice.

“Oh! oh!” bawled the Guinea-Pig. “Must I go through all that again?”

“Don’t take on so,” soothed Buddie. “It’s for your own good. And we
shan’t lose the eyes this time. We really shan’t.”

As gently as possible she lifted the Guinea-Pig by the tail, and when
his eyes fell out she caught them in her hand.

“Be sure to put the right eye on the right side and the left eye on the
left side,” said the Rabbit, “Otherwise he’ll be cross-eyed.”

“I wonder which is which,” said the puzzled Buddie. “They ought to be
marked.”

“You know the old rule for telling the left one. It’s the one you pick
up second.”

“I don’t see why,” said Buddie, who had never heard the old rule.

“If you pick up one, the other is _left_, isn’t it?”

“But does it matter which one you pick up first?”

“Certainly not. How stupid you are!”

“Well, I’ll try this one,” said Buddie.

“That’s _right_,” said the Rabbit.

“There! I do hope I haven’t made any mistake,” said Buddie, when the
operation was over. “Goodness! What are you crying about now? Do your
eyes pain you?” For the Guinea-Pig continued to weep as if his little
heart were broken.

“Oh, don’t mind him,” said the Rabbit. “He’s that way nearly all the
time. Tell her the story of your life, old fellow,” he suggested,
patting his weeping friend on the shoulder.

“Yes, do!” encouraged Buddie. “It must be very sad,” she remarked to
the Rabbit.

“Yes--when you’ve heard it for the first time,” he replied. “Come,”--to
the Guinea-Pig,--“cheer up!”

“Perhaps if it’s so sad he may not want to tell us,” suggested Buddie,
who was beginning to feel a bit tearful herself.

“Oh, he likes to talk about it,” said the Rabbit. “Everybody likes to
talk about his own affairs. There’s my nose, for instance. Go on, old
fellow. ‘I was born--’”

The Guinea-Pig dried his eyes with the back of his paw, sniffed once or
twice and began:

“I was born in a large wire cage, in a doctor’s office, at the age of
one.”

“How _could_ you be?” Buddie interrupted. “You couldn’t be one year old
when you were born, you know.”

“He means one _second_,” explained the Rabbit. “Don’t interrupt, or
he’ll start bawling again.”

“Next door to us lived another family of guinea-pigs,” went on Brown
Eyes. “There were two daughters--one of them the sweetest, dearest--”

Here the Guinea-Pig broke down, and it was some time before he was able
to resume his story.

“One day some visitors came to the office, and the doctor took me out
and exhibited me to them. ‘Is he old enough to kill?’ asked one of the
visitors. ‘Just the right age and weight, two hundred and fifty grams,’
replied the doctor. And before I could realize the meaning of these
dreadful words he seized a glittering instrument and plunged it into my
body.”

“Oh!” exclaimed Buddie, horrified. A warning glance from the Rabbit
checked further comment.

“For twenty-four hours I lay senseless; and when I came to--alas!
what was there to come to?--I was alone in the world! All, all were
gone, the old familiar faces; and the doctor was looking into my cage
and saying: ‘Well, well! You’re a tough little Guinea-Pig, and no
mistake.’”

A fresh flood of tears delayed the recital, and the Rabbit, who was
anxious to be off, looked his impatience. With an effort the Guinea-Pig
continued:

“I had tuberculosis in March, diphtheria in April, tetanus in May, and
anthrax in June; but--but I recovered--”

“Of course you did,” said the Rabbit, cheerily; “otherwise you wouldn’t
be here. Well, I’ve got to be moving along, as I have several important
matters to attend to.”

“There! Don’t cry any more, Brown Eyes,” said Buddie, wiping the
Guinea-Pig’s eyes with a corner of her dress.

“By the way,” said the Rabbit, “how would you like to look in on the
Greenwood Club this afternoon? You can come as my guest, you know.”

“Ever so much!” replied Buddie, happily.

“Doctor Goose is to read a paper; and there will be games and singing
and the usual good time. We get together once a week, and even the
Guinea-Pig forgets his troubles. Don’t you, old fellow?”

But Brown Eyes only snuffled.

“If you will meet me at the Corner at two o’clock,” said the Rabbit to
Buddie, “I shall be happy to escort you to the Club. Good morning!” He
bowed and hurried away.

“What corner?” Buddie called after him. “_What corner?_ WHAT CORNER?”

But only an echo came back; and not, oddly enough, an echo of her own
words, but something that sounded like

  “His no-o-o-o-o-o-o-o-ose--
  Wabble his nose--
  Why does he wabble his nose?”

And, like everything else in this queer wood, the echo was upside down.
That is to say, it began faintly and grew clearer, clearer, clearer,
until the wood rang with it.

It seemed to come from somewhere overhead, and Buddie looked up. As
she did so, the interlacing tree-tops melted away, and the patches
of sky ran together and became one big sheet of blue. Gradually she
lowered her eyes, and--

There she was back in Beavertown, in the meadow bordering the little
river. And there was the Laziest Beaver, lying in the sun and fanning
himself with his tail. And there was the Yellow Dog, just finishing the
chorus of his song, _Nobody Knows_.

Now wouldn’t that surprise you, Little One?




CHAPTER VI

THE WHITE BLACKBIRD


“Do you know, I think the twenty-third verse is the best of the lot,”
said the Laziest Beaver. “Don’t you?”--appealing to Buddie.

“Why--I like them all,” she answered, much bewildered; and she pinched
herself to make certain she was wide awake. “For,” she said to herself,
“I must have fallen asleep and dreamed about the Rabbit and the
Guinea-Pig. Have you sung twenty-three verses?” she asked the Yellow
Dog.

“I’m just beginning the thirty-seventh,” he replied. “If you’re tired
of the song I’ll stop.”

“Oh no; _do_ go on!” cried Buddie. “But, you see, I lost count. Not
that it matters a bit,” she added to herself; “one verse sounds just
like another.”

  [Music: Nobody Knows.

  _Not too fast._      Music by EMMA BONNER TAYLOR.

  Why a peach or a plum has of seeds only one,
  While a fig has a thousand, we know;
  We know why a fire won’t burn in the sun,
  And why you can’t boil melted snow;
  We know why green peas make the best currant jell,
  Why and wherefore the peanut-tree grows;
  But alack and alas there is no one can tell
  Why a rabbit must wabble his nose,
  We’ve whispered it so you could hear it for miles,
  We’ve shouted it “under the rose,”
  But alas and alack only echo calls back,
  “Oh why does he wabble his nose?”]

The song _was_ rather monotonous. You can get a very good idea of how
the fiftieth verse sounded by singing the first verse twenty-five or
thirty times.

“Bark away!” said the Laziest Beaver. “You’re wasting time.”

The Yellow Dog cleared his throat, which Buddie thought must be getting
tired, and resumed:

  “We know why it’s lucky to tumble uphill,
    And why it’s bad luck to fall down;
  Why a cold and wet May means a barnful of hay,
    And why a brown study is brown;

  “Why one should plant corn in the old of the moon,
    Why there’s luck in odd numbers of crows;--
  ‘But why, tell us why,’ is our sing-songy cry,
    ‘A rabbit must wabble his nose!’

  “We’ve whispered it so you could hear it for miles;
    We’ve shouted it ‘under the rose’;
  But, whisper or shout, we can’t seem to find out
    Why a rabbit must wabble his nose.”

Again that peculiar echo, the words of which seemed to play
hide-and-seek right over Buddie’s head:

  “Wabble--his--nose--
  His--no-o-o-o-o-o-o-o-ose”--

She looked up--to see the open sky break into little patches, as the
tree-tops ran together; and when she looked down--lo! the Yellow Dog
and the Laziest Beaver, the meadow and the little river had again
vanished, and she was back in the deep wood where she had met the
Rabbit and the Guinea-Pig.

[Illustration]

“So I didn’t dream it, after all,” she thought. “I’m glad of that;
for perhaps I shall see them again. Only, I do wish these creatures
wouldn’t go away so suddenly. It makes you feel funny all over. I
wonder if Colonel is very far from here. Perhaps he can hear me if I
call.” And she began shouting at the top of her voice (and it was a
long way to the top of it, I assure you):

“Colonel! _Colonel!_ COLONEL!”

“Never halloo till you’re out of the wood,” piped a small voice.

Buddie looked about her and saw, perched on a balsam limb, a snow-white
bird, who, with his head cocked on one side, was regarding her with the
most comical expression imaginable.

“Never halloo till you are out of the wood,” he piped again.

“Why not?” asked Buddie.

“Because you’ll start the bark of the dogwood trees, and they’ll make
noise enough to wake the dead leaves.”

This seemed a sufficient reason, and Buddie changed the subject.

“I never saw such a very white bird,” she said, gazing admiringly at
her new acquaintance. The lake gulls were not nearly so snowy.

“I’m not a whitebird; I’m a blackbird,” replied Snowfeathers.

“What’s the use of contradicting?” Buddie reflected. “Everything in
this queer wood is wrong-end-to. Won’t you come down?” she invited,
stretching out one hand. But the bird cocked his little head on t’other
side and answered:

“A bird in the bush is worth two in the hand.”

“But I won’t hurt you, dearie,” coaxed Buddie, in such a sweet voice
that Snowfeathers flew down from the balsam and perched on her shoulder.

“I’ve heard my papa say, You might as well try to catch a white
blackbird,” said Buddie, stroking him; “but I’ve caught _you_, haven’t
I?”

“And what did your papa mean by that, pray?” asked Snowfeathers.

“Why--I suppose--that there wasn’t any such thing. It’s perfectly
’diculous for a blackbird to be white.”

“Did you ever see any green or red blackberries?”

[Illustration: “BUT I’VE CAUGHT YOU”]

Buddie was somewhat taken aback by this question. “But they weren’t
ripe, you know,” she said, after thinking a bit.

“Well, perhaps _I’m_ not ripe,” said the White Blackbird; and that put
an end to the argument.

“Oh!” cried Buddie, suddenly remembering her engagement with the
Rabbit, “can you tell me where the Corner is?”

“Certainly,” replied the White Blackbird. “As the crow flies, it’s five
trees straight ahead, ten to the right, fifteen straight ahead, twenty
to the right, twenty-five straight ahead, thirty to the right, and then
straight ahead to the Corner. You can’t miss it.”

“Dear me! I never could remember that!” said Buddie.

“It’s as easy as rolling off a prairie,” said
Snowfeathers. “Just keep to the right, and count
five--ten--fifteen--twenty--twenty-five--thirty. All you really have to
keep in mind is the dead trees; they don’t count.”

“My papa says crows fly in a straight line, like bees,” ventured Buddie.

“It would take you a week to go by a B line,” replied Snowfeathers.
“Evidently you don’t know what a B line is. Here’s one.”

Snowfeathers flew into the air, and described a number of graceful
curves.

[Illustration]

“Catch the idea?” he asked.

“Not exactly,” said Buddie.

“You are not very observant,” said the bird. “Don’t you know a B line
when you see it?”

“I didn’t see any bee,” replied the puzzled Buddie.

“Then you _don’t_ know a B when you see it,” said Snowfeathers.

“But my papa says a bee-line is straight,” persisted Buddie, not so
sure that her father wasn’t right and Snowfeathers wrong.

“Your papa seems to know a great many things that aren’t so,” was the
White Blackbird’s reply. “I dare say he tells you that the early bird
catches the worm.”

[Illustration]

Buddie nodded.

[Illustration]

“Which goes to prove that if you repeat a thing enough times you come
to believe it. Now, the early bird does nothing of the sort. Mind, I
don’t say he _couldn’t_ catch the worm; worms are such stupid creatures
that any bird can catch them, at any time of day. But they are much too
hearty for breakfast. One shouldn’t eat meat more than once a day; and
as for feeding it to fledglings, that is not to be thought of.”

“Then, what _do_ you eat for breakfast?” asked Buddie.

“Usually cracked wheat or rolled oats or some other kind of
bird-seed--when I can get it. Then, I’m very fond of cherries and other
small fruits. That’s why most birds make their homes in a farming
country, where there is plenty of the right sort of breakfast food.
I live some way south of here, in a wheat country, where I can have
cracked wheat every morning; but once a year I take a trip into the
pine woods for the benefit of my lungs. It’s no place for a small bird
to _live_, though it does very well for a health trip. But you said you
were going up to the Corner. If you wish, I’ll show you the way.”

“Thank you ever so much,” said Buddie. “I’ll count the trees, and you
must tell me when I make mistakes. And now,”--jumping up--“which way do
we go first?”

“Straight ahead,” said Snowfeathers, again perching on her shoulder.
And the two set out for the Corner.

The first turn was reached without mistake, as there were only five
trees to count, and there was no doubt that all of them were alive.

[Illustration:

  OLD SAWS RESET
  WHILE YOU WAIT]

“Now, ten to the right,” said the White Blackbird.

But Buddie got no farther. The sound of music came to her ears, and she
stopped to listen. The music was faint and sweet, with the sighful
quality of an Æolian harp. Now it seemed near, now far.

“What can it be?” said Buddie.

“Wait here and I’ll find out,” said Snowfeathers. He darted away and
returned before you could count fifty.

“A traveling musician,” he reported. “Come along. It’s only a little
way.”

Back he flew, with Buddie scrambling after. A few yards brought her to
a little open place, and here was the queerest sight she had yet seen
in this queer wood.

On a bank of reindeer moss, at the foot of a great white birch, a
mouse-colored donkey sat playing a lute. Over his head, hanging from a
bit of bark, was the sign:

  +----------------+
  | OLD SAWS RESET |
  | WHILE YOU WAIT |
  +----------------+




CHAPTER VII

A TRAVELED DONKEY


After the many strange things that Buddie had come upon in Queerwood,
nothing could surprise her very much. Besides, as she never before had
seen a donkey, or a lute, or the combination of donkey and lute, it did
not strike her as especially remarkable that the musician should be
holding his instrument upside down, and sweeping the strings with one
of his long ears, which he was able to wave without moving his head a
jot. And this it was that gave to the music its soft and furry-purry
quality.

The Donkey greeted Buddie with a careless nod, and remarked, as if
anticipating a comment he had heard many times:

“Oh, yes; I play everything _by ear_.”

“Please keep on playing,” said Buddie, taking a seat on another clump
of reindeer moss.

“I intended to,” said the Donkey; and the random chords changed to a
crooning melody which wonderfully pleased Buddie, whose opportunities
to hear music were sadly few. As for the White Blackbird, he tucked his
little head under his wing and went fast asleep.

“Well, what do you think of it?” asked the Donkey, putting down the
lute.

“Very nice, sir,” answered Buddie, enthusiastically; though she added
to herself: “The idea of saying ‘sir’ to an animal! Would you please
tell me your name?” she requested.

The Donkey pawed open a saddle-bag, drew forth with his teeth a card,
and presented it to Buddie, who spelled out the following:

  +----------------------------------+
  |          PROFESSOR BRAY          |
  |        TENORE BARITONALE         |
  | TEACHER OF SINGING   ALL METHODS |
  |      CONCERTS AND RECITALS       |
  +----------------------------------+

While Buddie was reading this the Donkey again picked up his
instrument and thrummed the strings.

“Did you ever see a donkey play a lute?” said he. “That’s an old saw,”
he added.

“I never saw a donkey before,” said Buddie.

“You haven’t traveled much,” said the other. “The world is full of
them.”

“This is the farthest I’ve ever been from home,” confessed Buddie,
feeling very insignificant indeed.

“And how far may that be?”

Buddie couldn’t tell exactly.

“But it can’t be a great way,” she said. “I live in the log house by
the lake.”

“Pooh!” said the Donkey. “That’s no distance at all.” Buddie shrank
another inch or two. “I’m a great traveler myself. All donkeys travel
that can. If a donkey travels, you know, he _may_ come home a horse;
and to become a horse is, of course, the ambition of every donkey!”

“Is it?” was all Buddie could think of to remark. What could she say
that would interest a globe-trotter?

“Perhaps you have an old saw you’d like reset,” suggested the Donkey,
still thrumming the lute-strings.

Buddie thought a moment.

[Illustration]

“There’s an old saw hanging up in our woodshed,” she began, but got no
further.

[Illustration]

“Hee-haw! hee-haw!” laughed the Donkey. “Thistles and cactus, but
that’s rich!” And he hee-hawed until the tears ran down his nose. Poor
Buddie, who knew she was being laughed at but didn’t know why, began
to feel very much like crying and wished she might run away.

“Excuse these tears,” the Donkey said at last, recovering his family
gravity. “Didn’t you ever hear the saying, A burnt child dreads the
fire?”

Buddie nodded, and plucked up her spirits.

“Well, that’s an old saw. And you must have heard that other very old
saw, No use crying over spilled milk.”

Another nod from Buddie.

“Here’s my setting of that,” said the Donkey; and after a few
introductory chords, he sang:

  “‘Oh, why do you cry, my pretty little maid,
    With a Boo-hoo-hoo and a Heigho?’
  ‘I’ve spilled my milk, kind sir,’ she said,
    And the Cat said, ‘Me-oh! my-oh!’

  “‘No use to cry, my pretty little maid,
    With a Boo-hoo-hoo and a Heigho.’
  ‘But what shall I do, kind sir?’ she said,
    And the Cat said, ‘Me-oh! my-oh!’

  “‘Why, dry your eyes, my pretty little maid,
    With a Boo-hoo-hoo and a Heigho.’
  ‘Oh, thank you, thank you, sir,’ she said,
    And the Cat said, ‘Me-oh! my-oh!’”

If you would like to know what sort of composer the Donkey was, you may
play the song printed on the page opposite to this.

“How do you like my voice?” asked the Donkey, in a tone that said very
plainly: “If you don’t like it you’re no judge of singing.”

Buddie did not at once reply. A professional critic would have said,
and enjoyed saying, that the voice was of the hit-or-miss variety; that
it was pitched too high (all donkeys make that mistake); that it was
harsh, rasping and unsympathetic, and that altogether the performance
was “not convincing.”

Now, Little One, although Buddie was not a professional critic, and
neither knew how to wound nor enjoyed wounding, even _she_ found the
Donkey’s voice harsh; but she did not wish to hurt his feelings--for
donkeys _have_ feelings, in spite of a popular opinion to the contrary.
And, after all, it was pretty good singing for a donkey. Critics should
not, as they sometimes do, apply to donkeys the standards by which
nightingales are judged. So Buddie was able to say, truthfully and
kindly:

“I think you do very well; very well, indeed.”

  [Music: “No Use Crying Over Spilled Milk”

  MUSIC BY EMMA BONNER TAYLOR.

  _With humor._

  “Oh, why do you cry, my pretty little maid,
  With a Boo-hoo-hoo and a Heigho?”
  “I’ve spilled my milk, kind sir,” she said,
  And the cat said “Me-oh. My-oh!”
  “No use to cry, my pretty little maid,
  With a Boo-hoo-hoo and a Heigho”
  “But what shall I do, kind sir?” she said.
  And the cat said, “Me-oh. My-oh!”
  “Why, dry your eyes, my pretty little maid,
  With a Boo-hoo-hoo and a Heigho.”
  “Oh, thank you, thank you, sir,” she said.
  And the cat said “Me-oh, My-oh.”]

It was a small tribute, but the Donkey was so blinded by conceit that
he accepted it as the greatest compliment.

“I _ought_ to sing well,” he said. “I’ve studied methods enough. The
more methods you try, you know, the more of a donkey you are.”

“Oh, yes,” murmured Buddie, not understanding in the least.

“Yes,” went on the Donkey; “I’ve taken the Donkesi Method, the
Sobraylia Method, the Thistlefixu Method--”

“I’m afraid I don’t quite know what you mean by ‘methods,’” ventured
Buddie.

The Donkey regarded her with a pitying smile.

“A method,” he explained, “is a way of singing ‘Ah!’ For example, in
the Thistlefixu Method, which I am at present using, I fill my mouth
full of thistles, stand on one leg, take in a breath three yards long,
and sing ‘Ah!’ The only trouble with this method is that the thistles
tickle your throat and make you cough, and you have to spray the vocal
cords twice a day, which is considerable trouble, especially when
traveling, as _I_ always am.”

“I should think it _would_ be,” said Buddie. “Won’t you sing something
else?”

“I’m a little hoarse,” apologized the singer.

“That’s what you want to be, isn’t it?” said Buddie, misunderstanding
him.

“Hee-haw!” laughed the Donkey. “Is that a joke? I mean my _throat_ is
hoarse.”

“And the rest of you is donkey!” cried Buddie, who could see a point as
quickly as any one of her age.

“There’s something to that,” said the other, thoughtfully. “Now, if the
_hoarseness_ should spread--”

“And you became _horse_ all over--”

“Why, then--”

“Why, then--”

“Think of another old saw,” said the Donkey, picking up his lute.




CHAPTER VIII

OLD SAWS IN NEW SETTINGS


“No; I don’t believe I can remember any more old saws,” said Buddie,
after racking her small brain for a minute or two.

“Pooh!” said the Donkey. “They’re as common as, Pass the butter, or,
Some more tea, please. Ever hear, Fair words butter no parsnips?”

Buddie shook her head.

“The wolf does something every day that keeps him from church on
Sunday--?”

Again Buddie shook her head.

“It is hard to shave an egg--?”

Still another shake.

“A miss is as good as a mile? You can not drive a windmill with a pair
of bellows? Help the lame dog over the stile? A hand-saw is a good
thing, but not to shave with? Nothing venture, nothing have? Well, you
haven’t heard much, for a fact,” said the Donkey, contemptuously, as
Buddie shook her head after each proverb. “I’ll try a few more; there’s
no end to them. Ever hear, When the sky falls we shall all catch larks?
Too many cooks spoil the broth?”

“I’ve heard _that_,” said Buddie, eagerly.

“It’s a wonder,” returned the Donkey. “Well, I have a very nice setting
of that.” And he sang:

    “Some said, ‘Stir it fast,’
      Some said, ‘Slow’;
    Some said, ‘Skim it off,’
      Some said, ‘No’;
    Some said, ‘Pepper,’
      Some said, ‘Salt’;--
    All gave good advice,
      All found fault.

  “Poor little Tommy Trottett!
  Couldn’t eat it when he got it.”

“I like that,” said Buddie. “Oh, and I’ve just thought of another old
ax--I mean saw, if it _is_ one--Don’t count your chickens before they
are hatched. Do you sing that?”

“One of my best,” replied the Donkey. And again he sang:

  “‘Thirteen eggs,’ said Sammy Patch,
  ‘Are thirteen chickens when they hatch.’
  The hen gave a cluck, but said no more;
  For the hen had heard such things before.

  “The eggs fall out from tilted pail
  And leave behind a yellow trail;
  But Sammy,--counting, as he goes,
  Upon his fingers,--never knows.

  “Oh, Sammy Patch, your ’rithmetic
  Won’t hatch a solitary chick.”

“I like that the best,” said Buddie, who knew what it was to tip over a
pail of eggs, and felt as sorry for Sammy Patch as if he really existed.

“It’s one of my best,” said the Donkey. “I don’t call it my very best.
Personally I prefer, Look before you leap. You’ve heard that old saw, I
dare say.”

“No; but that doesn’t matter. I shall like it just as well,” replied
Buddie.

“_That_ doesn’t follow, but _this_ does,” said the Donkey, and once
more he sang:

  “A foolish Frog, one summer day,
  While splashing round in careless way,
          Observed a man
          With large tin can,
            And manner most suspicious.
  ‘I think I know,’ remarked the Frog,
  ‘A safer place than on this log;
          For when a man
          Comes with a can
            His object is malicious.’

  “Thus far the foolish Frog was wise;
  But had he better used his eyes,
          He would have seen,
          Close by, a lean
            Old Pike--his nose just showing.
  Kersplash! The Pike made just one bite....
  The moral I need scarce recite:
          Before you leap
          Just take a peep
            To see where you are going.”

Buddie, however, clung to her former opinion. “I like _Sammy Patch_ the
best,” said she.

“That,” rejoined the singer, “is a matter of taste, as the donkey said
to the horse who preferred hay to thistles. Usually the public likes
best the very piece the composer himself cares least about. So wherever
I go I hear, ‘Oh, Professor, do sing us that beautiful song about Sammy
Patch.’ And I can’t poke my head inside the Thistle Club but some
donkey bawls out, ‘Here’s Bray! Now we’ll have a song. Sing us _Sammy
Patch_, old fellow.’ Really, I’ve sung that song so many times I’m
tired of the sound of it.”

“It must be nice to be such a favorite,” said Buddie.

“Suppose we go up to the Corner and see what’s stirring,” suggested the
Donkey, with a yawn.

“Oh, are _you_ going up to the Corner, too?” cried Buddie. “I am to
meet the Rabbit there at two o’clock. I hope it isn’t late.”

The Donkey glanced skyward.

“It isn’t noon yet,” said he.

[Illustration: THEY SET OFF THROUGH THE WOOD]

“How do you tell time?” inquired Buddie.

“By the way it flies. Time flies, you know. You can tell a great many
birds that way, too.” As he spoke the Donkey put his lute into one of
his bags and took down his sign.

“You can ride if you wish,” he offered graciously.

“Thank you,” said Buddie. And leaving the White Blackbird asleep on his
perch,--for, as Buddie said, he was having such a lovely nap it would
be a pity to wake him,--they set off through the wood.

It was bad traveling for a short distance, but presently they came out
on an old log-road; and along this the Donkey ambled at an easy pace.
On both sides grew wild flowers in wonderful abundance, but, as Buddie
noticed, they were all of one kind--Enchanter’s Nightshade.

Buddie had also noticed, when she climbed to her comfortable seat, a
peculiar marking on the Donkey’s broad back. It was bronze in color,
and in shape like a cross.

“Perhaps it’s a strawberry mark,” she thought, “and he may not want to
talk about it.” But curiosity got the better of her.

“Oh, that?” said the Donkey, carelessly, in reply to a question.
“That’s a Victoria Cross. I served three months with the British army
in South Africa, and was decorated for gallantry in leading a charge of
the ambulance corps. I shall have to ask you not to hang things on my
neck. It’s all I can do to hold up my head.”

“Oh, excuse me,” said Buddie, untying the sign, OLD SAWS RESET WHILE
YOU WAIT.

“Hang it round your own neck,” said the Donkey, and Buddie did so.

“I often wonder,” she said, “whether a horse doesn’t sometimes get
tired holding his head out at the end of his neck. And as for a
giraffe, I don’t see how he stands it.”

“Well, a giraffe’s neck runs out at a more convenient angle,” said
the Donkey. “Still, it _is_ tiresome without a check-rein. You hear
a great deal about a check-rein being a cruel invention, but, on the
contrary, it’s a great blessing. Now, a nose-bag is a positive outrage,
and the more oats it contains the more of an imposition it is. People
have the queerest ideas!”

At this moment Buddie’s sharp eyes discovered a large animal ahead of
them, at a bend of the road.

“Goodness! It’s a bear!” she exclaimed when they drew nearer.

“Well, what of it?” said the Donkey.

“I’m afraid of bears,” confided Buddie.

“Pooh!” said the Donkey. “They’re the mildest creatures in the world.”

In spite of this assurance Buddie was glad she was not alone, else she
certainly would have taken to her heels.




CHAPTER IX

TROUBLES OF A BEAR


The Bear was sitting on a wayside stump and looking up the road. That
is, he would have been looking up the road if his eyes had been open
instead of shut.

“He’s asleep,” whispered Buddie. “Don’t wake him.” For she could not
quite bring herself to believe the Donkey’s statement that bears
are the mildest creatures in the world, even if you don’t eat their
porridge, and break their chairs, and rumple their beds, as the naughty
old woman in the revised edition of the old story did.

The Bear raised his head slowly and turned on the new-comers a pair of
tired-looking eyes.

“I can’t sleep,” said he.

“Pooh!” said the Donkey. “You’re half-asleep now.”

“That’s just it,” returned the Bear, with a sigh. “I can’t get more
than _half_-asleep.”

He really did appear gentle, and Buddie ventured to address him.

“If you sleep all winter--,” she began.

“Who said I slept all winter?” demanded the Bear, indignantly.

“I thought all bears did,” replied Buddie, confused.

“And ever since the first of May, when I moved,” went on the Bear, “I
haven’t slept _at all_.”

“You wouldn’t earn much in the Land of Nod, where they pay you for
sleeping,” said the Donkey. “That’s another old saw,” he added in an
aside to Buddie.

“Do you sing that, too?” she asked.

“Yes; but you’ll have to get down,” the Donkey replied. “It’s very
hard to sing with some one on your back,--though I _have_ studied that
method.”

Buddie slid down and handed the lute to the Donkey, who immediately
began:

  “A queer old land is the Land of Nod,
    On the shore of Slumber Sea.
  There every one is a sleepy-head,
  And the onlywhere to go is Bed,
    Where every one wants to be.

  “Such queer old towns in the Land of Nod,
    With names of the oddest sort--
  Dozedale and Pillow Hill,
  Sleepy Hollow and Catnapville,
    Dreamhaven and Slumberport.

  “They pay for sleep in the Land of Nod--
    Another thing that’s queer.
  Some they pay by the hour or day,
  And some that can sleep like tops they pay
    By the week, or month, or year.

  “Then, hey! and away for the Land of Nod,
    On the shore of Slumber Sea!
  Where every one is a sleepy-head,
  And the onlywhere to go is Bed--
    Where all of us like to be.”

“Very true,” said the Bear, disconsolately, when the song was done.
“But what’s the use of going to bed if you can’t sleep? You don’t know
what it is”--appealing to Buddie--“to lie awake all night and listen to
the servants snoring and _you_ unable to get a wink.”

Buddie certainly had no personal knowledge of such an unpleasant state
of affairs. She slept “like a top” from dark to daybreak, and did not
even hear Colonel, weary from the day’s play, snoring under the kitchen
stove. Still, she thought she ought to make some reply to the Bear’s
appeal for sympathy; so she said:

“Do you keep servants?”

“Six,” answered the Bear; “and a worthless lot they are.”

“You’ve got something on your mind; that’s why you can’t sleep,” said
the Donkey, with an air that implied, “You needn’t try to deceive _me_.”

“Very true,” said the Bear.

“Then the best thing for you to do is to confess,” said the Donkey,
decisively. “A clear conscience is the best sleeping powder. Come, out
with it! You’ve been stealing sheep.”

“Oh, it isn’t anything of that sort,” said the Bear, hastily. “I’ve
been this way ever since I moved, last May.”

“Sometimes when I’ve eaten a late supper I don’t go to sleep right
away,” said the Donkey. “In such cases I begin counting two hundred
sheep going through the bars, one by one, and by the time I get to a
hundred and twenty-three--why, I’m snoring.”

“I’ve tried that,” said the Bear. “It doesn’t work.”

“Well, try counting the nuts on a tree, or the blueberries on a bush.”

“I have--over and over.”

“Perhaps you don’t count slowly enough. That makes a difference.”

“Not with me,” said the Bear, half-closing his eyes. “I’ve imagined
a crow flying round--and round--and round,”--his voice grew
drowsy;--“I’ve imagined a squirrel going round--and round--and round a
tree,”--his voice grew drowsier and drowsier;--“I’ve counted both ways
from a hundred; I’ve counted up to twenty-three hundred--multiplied
by eighty-four--subtracted nine hundred and ninety-nine--divided by
seven--added six hundred and thirty--put down eight and car-r-i-e-d
three-e-e-e--”

The Bear’s voice died away in a whisper, and his head drooped.

“WHAT WAS THE ANSWER?” the Donkey shouted in his ear.

“You needn’t holler so,” said the Bear, with a start. “I wasn’t asleep.”

“You were _half_-asleep,” said the Donkey.

“Ever since I moved,” repeated the Bear.

Now, Buddie did not pretend to be as wise as the Donkey, but she had
wit enough to perceive that there was some connection between the
Bear’s May moving and his lying awake o’nights. So she inquired:

“Don’t you like the new place you moved to?”

“Oh, yes; quite well, indeed,” was the reply. “The neighborhood is the
very best; the rooms are large and well lighted, with fine hardrock
floors; the roof doesn’t leak, and altogether it’s the best place I
ever lived in. But the trouble is, I can’t decide how to furnish my
den. Here it is August, and I haven’t done a thing to it. It’s on my
mind night and day. One person advises this, another that, another
something else. Would you say black curtains or pink?” the Bear asked
Buddie.

[Illustration]

“Oh, pink,” she replied, as that was her favorite color.

“That’s what Doctor Goose advises; but Doctor Fox thinks black would be
better, as it would harmonize with my fur.”

“It seems to me,” said the Donkey, “that such matters might be left to
Mrs. Bear.”

“There isn’t any,” returned the Bear, with a sigh. “I’m a bachelor.”

“What’s that?” asked Buddie.

“A bachelor,” replied the Donkey, “is a person who lives in a den and
doesn’t have to worry about anybody except himself.”

“Are you a bachelor, too?” Buddie asked.

“No,” sighed the Donkey.

“That’s funny,” Buddie thought. “One is sorry because he is, and the
other because he isn’t. Then there isn’t any Middle Bear and Little
Small Wee Bear?” she said aloud, a little disappointed.

“Evidently not,” said the Donkey.

“Only the Great Hooge Bear?”

[Illustration: “I MEAN I CAN’T SLEEP”]

“I’m not so fat as I was before I got insomania,” said the Bear.

At this strange word Buddie wrinkled her small brows.

“You mean insomnia,” corrected the Donkey.

“I mean I can’t sleep; that’s what I mean,” said the Bear. “Will you
take dinner with me?” he asked, looking from Buddie to the Donkey. “It
would be a great honor.”

“Well, if you put it that way, of course we will,” said the Donkey,
speaking for both of them. “Will there be thistles?”

“I can send out for them.”

“Scotch thistles, please; they’re the best. And I hope it isn’t far.”

“Only a little way,” said the Bear. And, rising from the stump, he led
the way up the road.




CHAPTER X

THE WEE BEAR’S BIRTHDAY PARTY


“Pray, what do you have for servants?” asked the Donkey, as they
crossed a brook and struck up a little hill.

“Coons,” the Bear replied. “They make the best.”

“If they weren’t so lazy and shiftless,” said the Donkey.

“They _are_ lazy,” the Bear admitted. “I have to keep poking them up
all the time; but it doesn’t do much good.”

“I shouldn’t think you would need six servants,” Buddie spoke up. What
could a bear without a family want with so many?

“Well, I _hired_ only one,” said the Bear, “and he got five others to
do the work. He won’t do a thing himself; though he does condescend to
wait on table when there’s company.”

“He must get pretty high wages to be able to hire five assistants,”
remarked the Donkey.

“Oh, he doesn’t _pay_ them anything. He just boards and sleeps them--at
my expense.” The Bear sighed in a resigned sort of way. Evidently the
case was hopeless.

“I wouldn’t stand it!” Buddie declared. It was a shame to impose on
such good nature.

“I have to grin and bear it,” was the reply. “That’s the motto of our
family: Grin and Bear It.”

“And a very good motto it is,” said the Donkey. “Now, you never see a
bear without a grin.”

“So Doctor Goose says,” said the Bear. “He claims the bear came first
and the grin afterward. But Doctor Fox claims the grin came first.
Otherwise, he says, the motto would be, Bear and Grin It.”

“What difference does it make?” said Buddie.

“Not a mite, that I can see,” said the Bear. “I have to grin, and I
have to bear it. But to hear Doctor Fox and Doctor Goose go on, you
would think it was the most important matter in the world. Here we are.”

[Illustration]

The Bear drew aside a bush that screened the entrance to a cave, and
called out:

“Sam! O Sam! Where are you, Sam?”

A sound of shuffling feet came from the interior, and presently
the Oldest Coon made his appearance, rubbing his eyes as if he had
just wakened from a nap. But at sight of the Donkey and Buddie he
straightened up and put on an air of great dignity.

“Step this way, please,” he said with a grand bow, and led the way
inside.

First was a long and dimly-lighted corridor, which ended, the Bear
said, in a reception-room. From this came a clatter of small talk,
and Buddie was curious to learn who the talkers were; but before they
reached the reception-room, the Oldest Coon bowed them into a smaller
apartment that opened off the corridor. This, the Bear informed them,
was his den.

“You can hang up your hat and wraps here,” he said to Buddie.

“But I haven’t any hat and wraps,” said she; “and it’s just as well,
as I don’t see any place to hang them.” For there wasn’t a stick of
furniture in the room or a hook on the wall.

“It’s certainly a _bear_ place,” said the Donkey, hee-hawing at his own
joke.

“I mean to have a hall-tree,” the Bear apologized; “but I can’t decide
on the kind to get. Doctor Goose advises birch, but Doctor Fox claims
poplar is the best. All the newest things, he says, are _poplar_.”

“What’s a hall-tree?” inquired Buddie. There was no such thing in her
home.

“A hall-tree,” the Donkey explained, “is a tree that grows in the hall,
just as a shade-tree is a tree that grows in the shade. The trouble
with birch and poplar”--turning to the Bear--“is that they grow so fast
you have to keep lopping them off, unless your hall is very high, and
this one isn’t.”

“I must see about those thistles,” said the Bear, and hurried away. But
he was back in a moment. “I forgot to tell you we dress for dinner,” he
said, and was off again.

“I always carry a dinner-coat with me,” said the Donkey, and from one
of his saddle-bags he drew out a remarkable jacket in red and green
checks, embroidered all over with Scotch thistles.

“I forgot to say,” said the Bear, again poking his head inside the den,
“it’s to be a birthday dinner.”

“Whose?” cried Buddie. But the Bear was out of hearing. “Let me help
you,” she said to the Donkey, who was making such awkward work of
getting into his dinner-coat that she scarcely could keep from laughing.

“Thank you,” he replied. “It _is_ a little hard to manage. How do I
look? There isn’t a glass in the room.”

“Very fine indeed,” Buddie assured him. And then it suddenly occurred
to her that _she_ had no dinner-coat, and she wondered what she should
do.

“Pooh!” said the Donkey. “_You’re_ dressed already. Shall we go in?”

The Oldest Coon was waiting at the entrance to the reception-room to
announce them.

“Professor Bray!” he called out pompously, as the Donkey passed in.
“Your name, please?”--turning to Buddie.

“Just Buddie,” she replied in a whisper.

“Just Buddie!” announced the Oldest Coon. And Buddie found herself in
a large high room, almost round, in which was assembled as queer a
company, Little One, as ever you saw in a picture-book, or out. The one
familiar face was that of the Rabbit. He wore a white cut-away coat and
a large pink cravat, and he was talking to a Little Small Wee Bear, who
was dressed in a blue reefer, with a sash of the same color. And Buddie
guessed it was the Wee Bear’s birthday party, as all the other guests
were grouped about her and paying her many small attentions.

The other guests were a Middle Bear (who, as Buddie afterward learned,
was the mother of the Wee Bear and the sister of the Great Huge Bear),
a Porcupine, an Owl and a Loon. The Middle Bear wore a long linen
duster, which didn’t fit her any too well, and the Owl a snug-fitting
jersey of what looked suspiciously like mouse-skin; the Loon wore a
tightly-fitting mackintosh, and the Porcupine had decided on an Eton
jacket as an appropriate dress for dinner.

[Illustration]

“I wonder how he ever got that on over his quills,” Buddie said to
herself. She had seen porcupines before. They came lumbering round
the log house in the most sociable way, and chewed up ax-handles,
barn-doors and other woody delicacies. And Buddie recalled one exciting
day when Colonel came home with his nose and mouth filled with quills.
How he did howl when her father pulled them out with a pair of pincers!

Buddie wished she might slip into a corner and watch the others; but
the Rabbit came hurrying over to introduce her to the company, and
presently Buddie found herself telling the Wee Bear she was ever so
glad to meet her, and the Wee Bear was telling her, in return, that she
was just one year old and was having _such_ a nice birthday party.

“Do you go to kindergarten?” asked the Wee Bear.

Now, would you believe it, Little One? Buddie had never even heard the
word before, and the Middle Bear had to explain that a kindergarten
was a place where children were taught, without their knowing it, the
most remarkable things. Wee Bears were taught to eat honey; rabbits, to
hold up their ears when listening intently; squirrels, to crack nuts,
and so on. The fishes took the water course, and learned from a wise
old Trout how to breathe under water and how to move their fins. For
the feathered tribe there was a venerable Bat, who gave instruction in
twigonometry and all the other branches of treeology.

“There were no kindergartens when I was young,” concluded the Middle
Bear, “and I have often wondered how I managed to learn the way to eat
honey.”

“This week,” chimed in the Wee Bear, “I am learning to pick
blueberries.”

“The best of it is,” said the Middle Bear, “these nature studies take
the little ones out of doors, where there is plenty of fresh air and
sky.”

Just then Buddie discovered that the Porcupine, who was sitting beside
the Wee Bear, had quills as soft and silky as the fur on a kitten’s
back.

“He’s a Fretless Porcupine,” said the Middle Bear, when she whispered
that she had never seen quills of that sort before. “He never frets, no
matter what happens.”

Buddie did not see what fretting had to do with quills; and before she
had a chance to inquire, the Donkey came along to pay his respects to
the Wee Bear and her mother.

As Buddie was not used to “going out in company,” she hardly knew
what to say, other than “Yes” or “No,” when some one of the guests
addressed a question to her, which wasn’t often. Fortunately they paid
very little attention to her, so she was able to sit and listen to the
chatter around her.

Not so the Donkey. He moved about with the ease of one accustomed to
polite society, dropping a compliment here and a joke there, wishing
the Wee Bear many happy returns of the day, and congratulating the
Rabbit on the fit of his coat.

“I hope they’ll have dinner soon,” Buddie thought. “I’m dreadfully
hungry.”

She could hear a bustle in the room she took to be the kitchen; and
presently she caught sight of one of the Coons struggling into it with
a big basket of Scotch thistles.

“There goes _your_ dinner,” she whispered to the Donkey. “Now, perhaps,
they’ll ring the bell.”

“They’re waiting for Doctor Fox and Doctor Goose,” said the Donkey.

At that moment loud voices were heard in the hall. As they came nearer
Buddie caught such phrases as “I deny it,” “Nothing of the sort,” “The
grin came first,” “Stuff and nonsense!”--all jumbled up together; and
the two Doctors came into the room.

A queer-looking pair they were: both wore long black coats and tall
hats, and on the nose of each (provided, of course, that a goose has a
nose) was a pair of spectacles. Doctor Goose was waving his wings and
Doctor Fox his paws, and both were talking at the tops of their voices.

[Illustration]

“They’re at it again,” said the Great Huge Bear, who had followed them
in.

“I say the bear came first,” shouted Doctor Goose.

“Nothing of the sort,” shouted Doctor Fox. “The grin--”

The controversy was happily interrupted by the Oldest Coon, who thrust
his head inside the room and bawled out:

“_Dinner!_”




CHAPTER XI

A LONG DISPUTE ENDED


Such a queer company called for a queer table. This was long and
narrow, and the dishes were placed all on one side. Steps led up to the
other side for the waiters to ascend, for not one of the Coons was tall
enough, even when he stood on tiptoes, to reach the top of the table
from the floor.

The three Bears sat in the middle, with Buddie on the right and the
Donkey on the left; and, in order to “keep peace in the family,” as the
saying goes, Doctor Fox had been seated at one end of the table and
Doctor Goose at the other. But, as we shall see, this arrangement did
not long keep them from quarreling.

It was strictly a vegetarian dinner, and no two guests, except the
Bears, had the same thing to eat. The Bears, of course, had porridge.
There was a big bowl of it for the Great Huge Bear, a middle-sized bowl
for the Middle Bear, and a wee bowl for the Little Small Wee Bear.

“And I suppose,” thought Buddie, “the Great Hooge Bear’s porridge would
be too hot for me, and the Middle Bear’s too cold, and the Little
Small Wee Bear’s just right. Goodness! Aren’t they going to give _me_
anything to eat?” She had suddenly discovered that her plate was empty.

“I didn’t know what you liked,” said the Great Huge Bear, “so I thought
I’d let you order.”

Buddie was much embarrassed. For one thing, everybody stopped talking
and watched her curiously; and for another, she hadn’t the least idea
what to ask for, except porridge, and she didn’t like that very well.

“Order anything you like,” said the Great Huge Bear.

“Some porridge, please,” Buddie at last decided. Porridge would be
better than nothing.

“Sam!” called the Great Huge Bear.

“Yessir!” replied the Oldest Coon, running up on the table.

“A bowl of porridge for Just Buddie.”

“There ain’t no more porridge,” said the Oldest Coon.

“Anything else?” inquired the Great Huge Bear, anxiously.

“Have you any meat and potatoes?” Buddie asked the Oldest Coon, who
again shook his head.

“Well, what _have_ you got?” asked Buddie. The Great Huge Bear meant
well, no doubt, but evidently his pantry was not stocked with things
that little girls like.

“Honey and blueberries?” suggested Sam.

“Goody!” cried Buddie; and the Oldest Coon fetched a big dishful. And
you may be sure they were good, Little One, for bears are great judges
of honey and blueberries.

When every one had finished dinner the Donkey rapped on the table and
announced that, by request, he wished to make a short speech.

“Hear! hear!” shrieked the Loon, and Buddie, who sat next him, jumped.

“Birds and quadrupeds,” began the Donkey (this wasn’t exactly the
equivalent for “Ladies and gentlemen,” but it did very well), “I
propose a toast in honor of the charming young person whose birthday we
have gathered to celebrate, the Little Small Wee Bear.”

“Hear! hear!” shrieked the Loon, and Buddie jumped again.

“We _can’t_ hear if you don’t keep quiet,” she said sharply.

“May she have many happy returns of this happy, happy day,” went on the
Donkey, “and may the troubles she must grin and bear be few and far
between.”

This speech was received with loud cheering, which ended in a dispute
between the rival Doctors.

“Bear and grin!” Doctor Fox shouted down the table.

“Grin and bear!” Doctor Goose shouted back.

“I leave it to my learned friend,” said Doctor Fox, appealing to the
Donkey.

“Who shall decide when doctors disagree?” said the Donkey, wagging his
head.

“Suppose _you_ decide!” cried both the Doctors in a breath.

“Hear! hear!” shrieked the excited Loon, and everybody leaned forward
to watch the Donkey.

He seemed to feel the importance of his position. He put on a very
thoughtful look, pursed up his lips and wrinkled his brows. You would
hardly believe, Little One, that a donkey could look so wise.

“It seems to me,” he said at last, “that the question, Which came
first, the bear or the grin? is very much the same as that other
problem, Which came first, the hen or the egg?”

“That’s it! Which did?” cried the Doctors.

“That,” replied the Donkey, “is not to be answered offhand. No question
in metaphysics _can_ be. Truth, as you know, lies at the bottom of a
well, and the deeper the question the deeper the well. Such a simple
problem as why a rabbit wabbles his nose, or why hair does not grow on
the inside of a skull instead of the outside, or why a fly rubs his
forelegs together, lies on the surface of the Well of Truth, and may be
skimmed off; but problems like the one we are now considering lie deep
down, and a long rope and a stout bucket are needed to fetch up the
answer.”

“Precisely!” exclaimed the Doctors, trembling with excitement.

“Which came first, the hen or the egg? Wise men and donkeys have
debated the question for centuries, but, so far as I know, it never
before has been settled.” The Donkey paused, and for a moment seemed
lost in thought.

“So!” thought Buddie. “It’s going to be settled _now_; that’s certain.”

“At first glance,” went on the Donkey, “it would seem that the hen came
first. Such is the opinion of my learned friend, Doctor Long-ears. For,
he says, if there had been no hen to set on the eggs--”

“Sit,” corrected Doctor Fox.

“Set,” contradicted Doctor Goose.

“If there had been no hen to _hatch_ the egg,” continued the Donkey,
skilfully avoiding a fresh dispute, “the egg experiment must have come
to a sudden end.”

“My opinion exactly!” declared Doctor Goose.

“These are the _conclusions_ of Doctor Long-ears. His argument, as
written, fills three large books.”

“With pictures?” asked Buddie.

“Without pictures.”

“They must be stupid books,” thought Buddie.

“On the other hand,” resumed the Donkey, “Doctor Heehaw, another
learned donkey of my acquaintance, proves just as conclusively that
the egg came first. For, he asks, if there had been no egg for the hen
to hatch, what was the use of the hen? You may say that the egg may
have hatched without the hen. I reply: suppose it had hatched out a
rooster?”

“What then?” asked Doctor Fox, anxiously.

“Um!” replied the Donkey. “To sum up the arguments: if the hen came
first, it presupposes the existence of the egg; whereas, if the egg
came first, it presupposes the existence of the hen--neither of which
presuppositions agrees with the other in gender, number or case.”

“Nothing could be clearer,” cried both Doctors.

“Therefore, in the matter of bear and grin, as of hen and egg, I firmly
believe--I always have believed--and nothing I may hereafter read, hear
or think can alter my opinion--that BOTH CAME TOGETHER!”

Even Buddie joined in the applause that followed this remarkable
decision, which put an end to the dispute for all time. The rival
Doctors embraced each other, exclaiming, “Why didn’t _we_ think of
that?” and everybody congratulated the Donkey upon his profound wisdom
and clear reasoning. And, to do him justice, he accepted the praise
with uncommon modesty.

       *       *       *       *       *

What is that, Little One? Didn’t the hen lay the egg? Very likely.
But I shouldn’t think any more about it, if I were you. A great many
grown-ups have puzzled over this problem until their minds became a
perfect jumble of eggs and hens, and their brains turned into omelets.
After all, the Donkey’s explanation is as good as another’s; and I am
not at all sure it isn’t the right one.




CHAPTER XII

THE FLIGHT OF THE LOON


“Maybe you would like to sing something?” the Great Huge Bear said to
the Donkey. “You do sing so beautifully.”

“With pleasure,” was the response, “if you will despatch one of the
servants for my lute.... And now,”--when the lute was fetched--“what
shall it be?”

“_Sammy Patch_,” whispered Buddie.

“You know I’m tired of that song,” protested the Donkey. Nevertheless
he sang it, and was roundly applauded. Then, to oblige the Great Huge
Bear, he sang _The Land of Nod_, and with such skill that the Bear
dozed off into one of his half-sleeps.

As to the next song, Doctor Fox and Doctor Goose fell into a fresh
wrangle. One wanted _Doctor Foster_ and the other called for _Jack and
Jill_.

“Sing both of them,” giggled the Owl. But this suggestion didn’t help
matters much, as each Doctor demanded that _his_ favorite song be sung
first. At last the Donkey, who had a positive genius for settling
disputes, sang both songs in this fashion:

  “Doctor Foster went to Gloucester,
    To fetch a pail of water.
  He stepped in a puddle up to his middle,
    And Jill came tumbling after.
  Then Jack and Jill went up a hill
    In a shower of rain.
  Jack fell down and broke his crown,
    And never went there again.”

“The Loon sings very well,” said the Rabbit, when the Donkey suggested
that somebody else might wish to favor the company. “Sing us that
ballad called _If_, old fellow.”

“I should like to hear it,” said the Donkey, and courteously offered
the use of his lute. But the Loon declined it, saying that he always
sang without music, which, it turned out, was no more than the truth;
for the noise he made could hardly be called music. And besides, as
Buddie said, there wasn’t any sense to the words. However, this was the
Loon’s song:

  “If thistles grew on plum-trees,
    And plums were wayside flowers,
      We’d trudge along together,
      And never mind the weather,
  If gum-shoes grew on gum-trees,
    To pluck in April showers--
  If thistles grew on plum-trees,
    And plums were wayside flowers.

  “If melons grew on hall-trees,
    And tall hats on a vine,
      No need to go a-roaming
      Across the ocean foaming.
  If needles grew on all trees,
    Who would for Norway pine?--
  If melons grew on hall-trees,
    And tall hats on a vine.

  “If you were wise as could be,
    And I an April fool,
      You’d mayonnaise a ballad,
      While I dashed off a salad,
  Composed, as salads should be,
    Of things both hot and cool--
  If you were wise as could be,
    And I an April fool.”

“May I ask,” the Donkey inquired politely, “what method of singing you
use?”

“Great fish! I haven’t any,” replied the Loon. “I just sing.”

“I mean, how do you sing ‘Ah’?”

“I don’t sing ‘Ah.’ I sing ‘Hoo-Wooooo-wooooo!’”

“That is certainly a loony method,” remarked the Donkey.

“It suits me,” returned the other; and he nudged the Owl. “Come,
suppose _you_ give us a song.”

“Oh, la! I haven’t sung for years,” tittered the Owl.

“Nonsense!” Spoke up the rabbit. “I heard you only last week. Give us
_I can not sing the owl songs I sung long years ago_.”

“But if he _can’t_ sing them there’s no sense in his trying,” said the
Donkey. “My ear is so sensitive,” he added, in the ear of the Great
Huge Bear, “that an untrained voice grates on it fearfully.”

“What’s the row?” asked the Great Huge Bear, sleepily. And as nobody
told him he dozed off again.

“Suppose we hear from Just Buddie,” said the Middle Bear. She spoke but
seldom, and always to some purpose.

The suggestion met with entire favor, and again Buddie was much
embarrassed. As before, everybody stopped talking and turned his eyes
upon her. Even the Great Huge Bear, when awakened and informed that
Just Buddie was going to sing, appeared greatly interested.

Now you, Little One, who go to kindergarten and learn so many pretty
songs, will be surprised to hear that Buddie did not know a single
song she could sing “in company.” Music was almost unknown in the log
house by the lake. Indeed, she had heard more songs this very day than
ever she had heard before; but these, even, were so jumbled up in her
mind that, with the possible exception of _Sammy Patch_, she could not
remember two successive lines of any one of them; and even if she
_had_ been able to remember them, they had been sung once, and the
company wanted something new. Suddenly she thought of the Yellow Dog’s
song, _Nobody Knows_. Perhaps they hadn’t heard that.

“I’ll accompany you on the lute, if you wish,” offered the Donkey.

“Have you heard _Nobody Knows_?” Buddie asked. The question was
addressed to the Rabbit particularly.

He nodded brightly.

“Oh, yes,” said he; “but I don’t think the others have heard it.”

“I’m sure I never have,” said the Donkey.

“Nor I,” said the Middle Bear.

“I can’t seem to remember the first line,” said Buddie. “There were so
many verses, and all the lines were so much alike.”

“It begins ‘_We know_--’” prompted the Rabbit.

“I thought the song was called _Nobody Knows_,” the Owl tittered.

[Illustration: HAVE YOU HEARD “NOBODY KNOWS”?]

“Silence!” said the Middle Bear. “Go on, Just Buddie.”

“Well, I’ll try,” she said; and she began:

  “We know why a peach is all covered with fuzz,
    While a fig is as flat as a floor;
  We know why a fire won’t burn when it does,
    And why three and seven are four--”

“That doesn’t sound just right,” she said, with an appealing glance at
the Rabbit.

“It sounds all right to me,” said the Middle Bear. “Please continue.”
So Buddie, though still doubtful, went on:

  “We know why green peas and potatoes won’t jell,
    Why peanuts are relished by crows;
  But no one, I’m sure, has been able to tell
    Why a rabbit must wabble his nose.”

“I’m _sure_ that isn’t right,” said Buddie. “Anyway, I know how the
Chorus goes.” The Rabbit knew, too, and he joined in:

  “WE’VE WHISPERED IT SO YOU COULD HEAR IT FOR MILES;
  We’ve shouted it ‘under the rose’.”

At this point a curious thing happened. The Loon burst into hysterical
laughter, and, springing into the air, went whizzing round the room in
gradually narrowing circles, wheeling higher with each turn. Buddie
followed him with her eyes.

[Illustration]

[Illustration]

“He’ll have to stop when he gets to the ceiling,” she thought.

But the ceiling rose with the Loon, and it grew brighter and brighter,
until at last the sky appeared. Up and up wheeled the Loon, until he
became a mere speck in the blue, and disappeared altogether. Then
Buddie looked down--

But the Bear’s house, and the Bears, and the Donkey, and all the
others, had vanished with the Loon, and she was again in Beavertown.
Everything was as she had left it, except that the Laziest Beaver no
longer fanned himself with his tail; he had fallen asleep. But the
Yellow Dog, apparently as fresh as ever, was finishing the Chorus which
Buddie had begun and the Loon had interrupted.

And, as before, there came the peculiar echoes around Buddie’s head;
but this time she kept her eyes fixed on the Yellow Dog.

“Every time I look up,” she thought, “I am carried off to somewhere
else. And I want to stay a little while and talk to Colonel.”

The experiment succeeded beautifully. The echoes floated away, but the
meadow and the little river remained; the Laziest Beaver slept beside
his tumble-down house, and the Yellow Dog began another verse of his
seemingly endless song:

  “We know why two birds may be killed with one stone,
    While it’s hard to kill one bird with two;
  Why a sunshiny shower won’t last half an hour,
    Is a cud that is easy to chew;
  Why horseshoes are good to keep witches away,
    Is too simple by far to propose;
  But no one can tell--we must ask of The Well--
    Why a rabbit should wabble his nose.

  “WE’VE WHISPERED IT SO YOU COULD HEAR IT FOR MILES;
    We’ve shouted it ‘under the rose’;
  And Echo replies, with tears in her eyes,
    ‘Oh-why-does-he-wabble-his-nose?--
          Wabble-his-no-o-o-o-ose--
          His-no-o-o-o-o-o-o-o-ose--’”

“I’ll look up just the least little bit,” said Buddie to herself, when
the echoes again came flying around her head. But no sooner did she
raise her eyes than, as before, the sky broke into little patches and
the tree-tops ran together. She looked back quickly--but it was too
late! Just a glimpse of the Laziest Beaver’s tail as the scene shifted,
and she found herself, as she had expressed it, “somewhere else.”




CHAPTER XIII

“MARY’S LITTLE LAMB”


As far as Buddie could see in either direction stretched a wide,
straight road, bordered with small firs and floored with springy moss.
In winter this road, which had been made by lumbermen, was smooth and
level; in the spring it was all water, for it ran through a swamp; but
as summer advanced it gradually dried out and made a very pleasant
highway for little girls, who seldom or never came there, and for the
people of the wood, who used it a great deal. Both sides of the road
were white with the blossoms of Enchanter’s Nightshade; but as Buddie
had seen no other flower since she entered the wood, she had grown
rather tired of it, and would have welcomed a little variety.

“I wish these were violets,” she said, picking another bouquet.
“Violets are prettier and smell nicer. Why, they _are_ violets!” she
continued, surprised and delighted to find that not only the blossoms
in her hand, but those along the road had changed into her favorite
flower--blue and white and yellow.

So she rambled along, gathering violets until her two hands could hold
no more. And presently she began to wish she might see some roses.
Violets are pretty and sweet, but one can get too much even of violets,
don’t you think, Little One? Anyhow, Buddie thought so, and she wished
again, out loud (for that is the only way to wish if you expect your
wish to come true), that the violets were roses. And behold, they
_were_ roses! The swamp road was gay with them.

Luckily Buddie did not suspect that these wonders proceeded from the
bouquet of Enchanter’s Nightshade, now forgotten, which was fastened
in her hair; for had she wished it were something else, only to throw
it away after it had become a bouquet of violets and roses, her
adventures would have come to a sudden end.

[Illustration: AND BEHOLD, THEY _WERE_ ROSES]

She was not long exhausting the list of flowers she knew. Promptly at
her wish the roses became harebells, the harebells became daisies, the
daisies became marsh marigolds, and so on, until she could no longer
think of a new flower to wish for. I think it was nice of her to be
content with flowers, don’t you? She might have wished for candy, or
oranges; or, as all the trees along the road were Christmas trees, she
might have wished them decorated with toys and sweets. I am not at all
sure she would have resisted the temptation if it had come to her; nor
that such wishes would have come true. All I can tell you is, she was
quite satisfied with the flowers, and walked for a long way before she
got tired of the wishing game.

At first it was a relief to be alone in the wood--there had been so
much talking and singing, and such a deal going on; but after a while
Buddie began to think it would be pleasant to meet some of her wood
friends again. There was her engagement with the Rabbit, who was to
escort her to the Greenwood Club. What if it were past two o’clock, and
the Rabbit had tired of waiting for her at the Corner, wherever that
might be? One can tell time, the Donkey had said, by the way it flies,
as one can tell a sandpiper or a crow; but he had neglected to explain
just how to do it. No doubt time was flying--it always is; but Buddie,
looking up at the blue sky, could make nothing of time’s flight.

While she was puzzling over this matter, which a grown-up would have
found difficult, she came to a place where the roads forked, or,
rather, where two roads met; for when a road forks, the tines of the
fork should be smaller than the handle; but these roads were of the
same width, and as like as two peas. However, there was no doubt which
she should take, for there was a sign-board that read:

  +----------------------------------------+
  | [pointing hand] THIS WAY TO THE CORNER |
  +----------------------------------------+


I don’t know who put up the sign-board, Little One. Since Buddie told
me her story I have been over the swamp road, but I saw nothing of a
sign-board, although everything else was as she described it, even to
the very tall Christmas tree that stood just where the two roads came
together.

The hand on the sign-board pointed up the right road, and Buddie was
reminded of the Rabbit’s directions for putting back the Guinea-Pig’s
eyes: whichever one you choose first is _right_. But after she had
walked another long way the Corner seemed as far off as ever. As the
road was perfectly straight she could see ahead for a long distance,
and there was no sign of anything that looked like a corner.

“I don’t believe I should know it if I came to it,” she thought. The
Rabbit had not explained what sort of corner it was.

Was that something moving up the road? Yes, it was; and it was coming
her way.

“Why, it’s a lamb!” she cried, when it drew nearer. “But is it a lamb?
It’s black, and lambs are white.”

[Illustration]

But it _was_ a lamb, nevertheless, and a remarkably self-possessed and
easy-going lamb, too; not the sort that runs about bleating, scared out
of its wits.

“I’m very well, thank you,” said the Lamb, before Buddie had a chance
to ask, “How do you do?”

“No; most lambs have black fleece,” continued the Lamb, anticipating
another question. “I had an elder brother who was different: he was the
white sheep of the family. We seldom speak of him. Yes; I know what you
are thinking of; but Mary’s Little Lamb died years ago. You may recite
it if you wish.”

Buddie could not help doing so; for the old jingle had come into her
head and insisted on getting out again. So she began:

  “Mary had a little lamb
    Whose fleece was white as snow;
  And everywhere that Mary went,
    The lamb was sure to go.”

“That’s not the way I learned it,” the Lamb interrupted. “Try another
verse.”

Buddie went on:

  “He followed her to school one day,
    Which was against the rule,
  It made the children laugh and play
    To see a lamb at school.

  “And so the teacher turned him out,
    But still he lingered near,
  And waited patiently about
    For Mary to appear.

  “‘What makes the lamb love Mary so?’
    The eager children cry.
  ‘Oh, Mary loves the lamb, you know,’
    The teacher did reply.

“That’s all I know,” said Buddie.

“Try to forget it,” advised the Lamb. “It’s all nonsense, especially
that part about the school. Now, this is the way it really goes:

  “Mary had a little lamb
    Whose fleece was white as snow;
  But manywhere that Mary went
    No little lamb could go.

  “For Mary was a healthy child,
    With spirits naught could check,
  And any lamb that followed her
    Would break his little neck.

  “She’d jump a fence or climb a tree
    As nimbly as a cat;
  But Mary’s little lamb, alas!
    Was not an acrobat.

  “When up the ladder Mary went,
    To hunt the hay for eggs,
  He wept because he could not go--
    He had such brittle legs.

  “He also heaved a hopeless sigh
    When Mary trudged to school;
  He could not follow her, because
    It was against the rule.

  “When after supper Mary climbed
    The attic stair to bed,
  The lamb, who was not built that way,
    In tears away was led.

  “When to the circus Mary went,
    The lamb with grief was bowed;
  For on the tent were posted signs--
    ‘No little lambs allowed.’

  “What made the lamb love Mary so?
    I never could decide.
  I only know he pined away,
    And one day up and died.”

This was not the version Buddie had learned, though perhaps it was the
way the story _ought_ to go. It really was too much to believe that
_everywhere_ that Mary went the Lamb was sure to go.

Meantime the Black Lamb had moved along, cropping the wild mint that
grew along the road, as much as to say: “That will give you something
to think about until you see me again.”

“Before you go,” said Buddie, “I wish you would tell me where the
Corner is.”

“There’s a sign right in front of your nose,” said the Lamb, saucily.
Eating mint always makes a Lamb saucy.

Sure enough; tacked on a tree was another sign-board:

  +----------------------------------------+
  | [pointing hand] THIS WAY TO THE CORNER |
  +----------------------------------------+

It was exactly like the first, except that the hand pointed _down_ the
road.

“Why, I must have passed the Corner,” said Buddie. “Could you tell me--”

But the Lamb had disappeared. Doubtless he had wandered in among the
trees.

[Illustration]

Something else was in sight, however. Away down the road was a large
bird, and Buddie hastened toward it.

“It’s a crane,” she said. “No; it’s a heron. No; it’s a--” _What_ was
it?

Closer inspection proved it to be neither heron nor crane, for it was
white, with black-tipped wings, and it had a certain grand manner about
it foreign to cranes and herons.

“Oh, I know what it is now!” cried Buddie. “It’s a stork.”

The Stork turned his head slowly as Buddie approached, and regarded her
with a most amiable expression.

“It isn’t so,” he remarked, before she could frame a question. “I never
carried one in my life.”

“Never carried one what?” asked Buddie.

“Baby,” said the Stork.




CHAPTER XIV

“ONE FROM TWO LEAVES FOUR”


“You see,” said the Stork, “in the first place I _couldn’t_ carry a
baby; and in the second place, I _wouldn’t_ if I could. I think that
disposes of the matter.”

There was no reason for the show of impatience that accompanied the
disclaimer, as Buddie had said nothing about storks carrying babies and
hadn’t intended to say anything, for the very good reason that she had
never heard they did.

“The least reflection,” went on the Stork, although the matter had
been disposed of, “will convince any one of the absurdity of the idea.
I don’t know exactly how many storks there are in the world--the new
census isn’t out yet; but I know there are so many more babies than
storks that we simply couldn’t handle the business, even if we had
nothing else to do; and we _have_ other things to do, I can assure you.
Besides, I couldn’t carry such heavy bundles. Besides, I hate carrying
bundles--it’s so vulgar. Besides--what are you staring at? Is there
anything wrong about me?”

There _was_ something wrong about him; precisely what, Buddie was
trying to make out.

“Oh, I see!” she suddenly burst out. “You’re standing on both legs.”

“So are you,” retorted the Stork; “but I don’t gawk at you as if you
were a freak.”

“But I’m supposed to, and you’re not,” said Buddie.

“Well, I like that,” said the Stork, though it was easy to see he
didn’t. “What are legs for--to keep off the sun, like a parasol?”

Buddie felt that she was in another losing argument, but she stood by
her small guns.

“I’ve seen storks before,” said she; “not real live ones, you know,
but in a picture-book; and they all stood on one leg, and looked--” She
paused. Just how did they look?

“Foolish?” hazarded the Stork.

“Just like _four_,” said Buddie.

“Indeed?” remarked the Stork. “I’ve heard about looking like _sixty_,
but never like _four_. And pray, how must one get one’s self up to look
like _four_? I am curious to know.”

“You would have to hold up one leg,” said Buddie.

“Oh, one from two leaves four, does it?” said the Stork. “That’s a new
kind of arithmetic.”

I think, Little One, that Buddie’s explanation was scarcely clear
enough. A stork looks like four when he is wading,--stalking his
game,--at which time he lifts one foot slowly and puts it down very
carefully; but when he is resting he has to look like _one_ or _eleven_.

“I’m too old to begin gymnastics,” went on the Stork, as Buddie
remained silent. “You can’t teach an old stork new tricks. Though I
dare say I could stand on one leg if I tried.”

“You wouldn’t be very smart if you couldn’t,” said Buddie, tartly. The
bird had a most provoking air about him.

“Tut! tut! I’m old enough, child, to be your grandfather. We’ll see
about this gymnastic business.”

So saying, the stork lifted one leg, and attempted to balance on the
other; but, to Buddie’s great delight he fell ingloriously on his head,
his long bill running into the soft ground like a fork into a well-done
potato.

It isn’t polite to laugh at one old enough to be your grandfather; so
Buddie checked her glee and ran to help the unfortunate bird to rise.

“Don’t be silly,” he said, declining assistance, and making a great
clatter with his bill, as all storks do when excited or angry. “Don’t
be silly. You’ll be teaching a fish to swim next.”

A second and third attempt to stand on one leg met with no better
success than the first, the Stork falling first one way and then
another, and all the time working himself into an extremely bad temper.

“Perhaps if you leaned against a tree you could do it,” Buddie ventured
to advise.

“That’s not a bad idea,” said the Stork, slightly mollified; and he
proceeded to put the idea into effect, with entire success. “Now,
then,” said he, “take the tree away and see if I can stand alone.”

“I can’t take the tree away,” demurred Buddie; “but you can lean
against me, if you like, and when you’re ready I’ll walk off.”

“That’s another good idea,” approved the Stork. “But don’t walk far, as
I might fall before you returned.”

So Buddie placed her hands against the bird’s side and steadied him
while he drew up one leg; and when she thought he was properly balanced
she stepped back a little. But the Stork, like Jill, came tumbling
after, and Buddie had to push him back. This operation was repeated a
dozen times, until Buddie’s patience was exhausted and her arms were
tired.

“If you began by holding up your foot just a little way,” said she,
“you could put it down as quick as a wink when you felt yourself
falling.”

“That’s the best idea yet,” said the bird. “We’ll rest a bit, and go at
it again later.”

The Stork’s idea of resting was to plant himself firmly on both legs,
with his feet wide apart and one foot a little in advance of the other.
Standing thus there was no danger of falling. But Buddie’s notion of a
breathing-spell was quite different. She sat down in the grass with her
chin on her knees and her hands clasped around them.

“So I look like _four_ in your picture-book?” remarked the Stork.
Buddie nodded. “It’s ridiculous to put such books in the hands of
children. It gives them false ideas of natural history. They’re as bad
as fairy tales; and I’d no more give a fairy tale to a child of mine
than I’d stand on my head.”

“You came near standing on your head a little while ago,” said Buddie,
mischievously. The Stork ignored the remark, and continued:

“Take the story of _The Three Bears_. I dare say you’ve read that.”

Buddie nodded eagerly.

“I like that story best of all,” said she.

“I suspected as much,” returned the Stork, severely. “It’s a most
immoral story, much worse than the stories about cutting off giants’
heads. There is no danger of a child growing up with an ambition to
cut off a giant’s head, because, in the first place, there are no
more giants, and, in the second place, if there were there’d be a law
against it; but there _is_ danger in letting children believe that it
isn’t wrong to steal a bear’s porridge, and break his chair, and muss
up his bed, as Goldenhair did.”

“It’s not so in _my_ story book,” Buddie protested. “It was a naughty
old woman who ate the bear’s porridge.”

“You must have a new version,” said the Stork. “It was time they did
something about that story; it was making criminals of children every
day. And how about _Jack and the Beanstalk_? It was a fine thing for
Jack to steal the giant’s bag of gold, wasn’t it?”

“He was a wicked giant, and Jack’s mother was dreadfully poor,” said
Buddie.

“Hoighty, toighty!” cried the Stork. “That’s a nice excuse, isn’t it?
What do you expect will become of you, child?”

This was a hard question, which Buddie did not attempt to answer, and
the Stork went on, in the same scolding tone:

“Then those ridiculous stories about dragons. Why do little boys
torture cats, and little girls pull bluebottle flies to pieces?” Buddie
couldn’t say. “Because they like to pretend that cats and bluebottle
flies are dragons, and they’re pulling them to pieces for the good
of the country. Why do little girls like pretty dresses and new
hair-ribbons?” Buddie had never analyzed this natural desire. “Because
their heads are full of nonsense about princesses gowned in silks and
satins. Why do little girls throw crackers to swans in the parks?” This
was entirely beyond Buddie. “Because each one thinks she may be doing
a service to some king’s son, who has been transformed by enchantment
into a swan, and who will reward her by carrying her off to his
father’s kingdom in a golden chariot drawn by butterflies. Such books,
I say, are poison to a child’s mind; and if I had my way I’d burn every
one of them.”

“You shan’t burn mine,” declared Buddie, stoutly.

“Well, go your way,” said the Stork, sadly. “I wash my feet of you. If
you come to a bad end, don’t blame me.”

Buddie was not alarmed by the Stork’s gloomy forebodings, but she
was the least bit disturbed by his denunciation of fairy tales and
picture-books.

“What kind of books should little girls have?” she asked soberly.

[Illustration]

“Blank books,” was the reply. “They contain nothing one should not
know, and they prove--I am speaking of blank books which are ruled--two
things every one should know: that a straight line is the shortest
distance between two points, and that parallel lines never meet.”

“I’d rather have my own books,” decided Buddie, after a little
reflection.

“Go your way,” the Stork said again; and this time Buddie acted on the
hint.

“I think I shall,” she said, rising. “Good-by!”

“Good-by!” said the Stork, not unpleasantly, and resumed his gymnastics.

Buddie turned once or twice to watch him, but he did not seem to be
getting on a bit well.

“I’m afraid he will never look like _four_,” she thought. “He’s so
stupid.”




CHAPTER XV

AT THE CORNER


Buddie had walked a long way from the Stork before it occurred to her
that she had forgotten to inquire of him the way to the Corner: it was
just possible he knew. But it was too far to go back; so she kept on
in the hope of coming to the Corner or some path leading to it. This
hope was soon realized. A very plain opening in the wall of fir-trees
disclosed itself, and another sign-board gave information that _this_
was the way to the Corner. Strange she had not noticed it when she
passed that way a little while before!

It proved a pleasant path to follow, especially after it drew away from
the swamp and began to climb a little ridge. The Christmas trees gave
place to birches and poplars, and sweet-smelling Canada balsam, and
other trees that prefer hard ground to swamp land; a white-throated
sparrow, which seemed to be traveling Buddie’s way, sang every minute
or two his happy little song; and a brook, which was traveling the
other way, gurgled something that sounded like: “What’s the use of
going uphill when it is so much pleasanter to go down?”

But Buddie had not much farther to go. There was one steep little hill
to climb, and a huge fallen tree to get over, but, these passed, her
journey was at an end. On a big pine-tree was a fourth sign-board which
read:

  +--------------------+
  | THIS IS THE CORNER |
  +--------------------+

“What a perfectly ’diculous corner!” cried Buddie, disappointed
because, so far as she could see, it did not differ from any other part
of the wood.

Nothing in the wood, Little One, is harder to find than a corner. And
if you don’t know one when you see it, you shall never find it. There
was a sign-board to tell Buddie, but I never heard of anybody else
being assisted in that way.

Little as there was to see at the Corner, Buddie had no opportunity to
look about. The patter of feet sounded close at hand, and the Rabbit
made his appearance. He was equipped for a journey, and evidently no
short one; on his back was a large pack--that is, large for a rabbit.

“On time to a minute,” he said, referring to himself. “Have you been
waiting long?”

“I just came,” answered Buddie. “Is it far to the Greenwood Club?”

“Oh, no; only a little way. We can follow this path or take a short cut
through the brush, as you prefer.”

Buddie thought the path would be more agreeable, and they moved along,
the Rabbit chatting pleasantly about the weather, which was remarkably
fine, even for that time of year, but making no reference to the
birthday party at the Bear’s and the strange way it broke up.

Yes; he was going on a journey later in the day, after the frolic at
the Greenwood Club. He was going up to The Well, as he had informed her
when first she met him. Where was this wonderful Well? The Rabbit could
not say; he had never been there. Then how did he expect to find it? He
had a map, which he showed Buddie.

“My grandfather made it,” said he. “He went up to The Well five years
ago.”

“To find out why a rabbit wabbles his nose?” The Rabbit nodded. “Did he
find out?” The Rabbit shook his head.

“The water was too high; he couldn’t get near the mouth of The Well.”

“Why, what a funny map!” cried Buddie.

“What’s wrong with it?” demanded the Rabbit.

Buddie did not undertake to say right off. She had seen a great many
maps. Every land-looker that stopped at the log house for a chat or a
dinner had a pocketful of them, and many an expedition into the timber
had been planned within Buddie’s hearing. All these maps were ruled off
into little squares, in which were indicated the rivers, swamps, hills
and trails--when there were any trails, which wasn’t often. But the
Rabbit’s map--well, if you will glance at the next page you will see
just how it looked.

“What’s wrong with it?” the Rabbit again demanded, and in a slightly
offended tone.

“It may be all right,” Buddie hastened to say; “only, you know, it’s
nothing but circles.”

“When you walk in the wood where there aren’t any paths you keep going
round in a circle, don’t you?” said the Rabbit.

“Do I?” said Buddie, wonderingly.

[Illustration: _THE RABBIT’S MAP_]

“Of course you do,” said the Rabbit. “Now, it stands to reason that
if you begin by making a large circle, then a second circle smaller
than the first, then a third smaller than the second, and so on, you
will eventually come to what you are looking for.”

This sounded plausible.

“But,” said Buddie, “you don’t need a map for _that_, do you?”

“My grandfather was a great hand for maps,” replied the Rabbit. “He
used to say: Never start to explore a strange country without first
making a map of it.”

“It seems a dreadfully roundabout way,” objected Buddie, with another
glance at the circles.

The argument was interrupted by the sound of snapping twigs, and Buddie
looked up to see the long ears of the Donkey through the network of
green. He, too, was on his way to the Greenwood Club, and he expressed
pleasure at again meeting Buddie and the Rabbit; but, like the Rabbit,
he made no reference to the Bear’s party and its curious ending.
Perhaps the people of the wood took such things quite as a matter of
course.

“Are you estimating timber?” asked the Donkey, with a glance at the
Rabbit’s pack.

“I am going up to The Well to find out why I wabble my nose,” the
Rabbit replied.

“He has a map,” said Buddie, curious to know what the Donkey thought of
it. “Show it to the Professor.”

The Rabbit passed it over, and the Donkey, after one look, hee-hawed
outrageously.

“Thistles and cactus!” he cried. “This isn’t a map; it’s a target.”

“It’s a map, and a perfectly good one,” said the Rabbit, highly
offended by the ridicule. “My grandfather made it.”

“Your grandfather must have been a Welsh rabbit, and dreamed it,” said
the Donkey, with a chuckle.

“He was _not_ a Welsh rabbit, and he did _not_ dream it,” returned the
Rabbit, now furious.

“Then he must have had wheels in his head,” declared the Donkey.
“Thistles and cactus! Where do you expect to get to with such a map?”

As the Rabbit was too angry to reply, Buddie repeated his explanation
about traveling in gradually narrowing circles.

“Bosh!” cried the Donkey. “Why, it would take you a week.”

“I expect to be gone a week,” said the Rabbit, coldly.

“But what’s the use of spending a week on a journey you can do in an
hour?” said the Donkey. “Come, be reasonable.”

“Perhaps, if you are so clever, you can show me the way,” said the
Rabbit, who believed the Donkey was talking simply to hear himself talk.

“I certainly can,” replied the other, amiably. “But we’ll talk about
this later. Here we are at the Club now, and it’s about time for the
fun to begin.”




CHAPTER XVI

A FROLIC IN THE FOREST


The grounds of the Greenwood Club were situated in and about a natural
clearing on the edge of a grove of pine-trees. Here, once a week, as
the Rabbit had said, the wood people gathered for a session of play and
talk, their minds free from the cares of every-day life.

“We have the games and races first, and the literary exercises
afterward,” the Rabbit informed Buddie. “Not many go to the lecture.
Doctor Goose is rather dry.”

Now they had entered the amphitheater which formed what might be called
the main club-room, and, glancing around, Buddie saw nearly all her
wood friends and many she had yet to know.

“I declare, there’s Colonel!” she exclaimed. “I suppose the Laziest
Beaver was too lazy to come; I don’t see him anywhere. And I’m glad
Colonel has finished that tiresome old song; and I hope he isn’t put
out because I didn’t stay to listen to it. It wasn’t my fault.”

If the Yellow Dog was put out he exhibited no signs of annoyance. He
smiled pleasantly as Buddie came up, and held out a paw in his best
manner.

“Who’s your friend with the long ears?” he asked in an undertone.

“They both have long ears,” replied Buddie, looking from the Rabbit to
the Donkey. “But I suppose you mean Professor Bray. He’s dreadfully
wise. He’s been everywhere and knows everything and everybody.”

“Present me,” requested Colonel; and Buddie contrived to do so, after a
fashion; “presenting” people was a new experience.

“What war were you in, Colonel?” asked the Donkey, affably.

“No war of any account,” replied the Yellow Dog, “unless you would
call a brush with Indians--”

“Sufficient to justify the title? Certainly. I served six months in
South Africa and was decorated--”

Buddie did not wait to hear the repetition of the story. At the
Rabbit’s suggestion she moved along and made the acquaintance of
various members of the Club.

There was a Reticent Magpie, who never spoke unless he was spoken
to, and whose only replies were Yes and No; a Refined Pig, who never
grunted, and who would walk miles out of his way to avoid mud or bog
land; an Improvident Squirrel, who never laid by nuts for a rainy or
wintry day, and was continually borrowing supplies of his neighbor, a
Prosperous Churchmouse, who was so fat that he could barely waddle; a
Bat, who could see for miles, and who always officiated as judge in the
club races; a Hen with the toothache, and a number of others of more or
less account.

[Illustration]

One animal in particular attracted Buddie’s attention. He wore gay
plaids and a funny little cap, and he carried a stick with which he
knocked a small ball from one end of the clearing to the other. First
he placed the ball on a tuft of grass; then he swung the stick over
his shoulder and shouted “Fore!” and then he whacked at the ball,
sometimes hitting it and sometimes not.

“Who is he?” Buddie asked.

“He’s the Golf Lynx,” replied the Rabbit, “and he’s a great nuisance,
for he’s always hitting somebody with the ball, and it hurts, I can
tell you. Doctor Goose says the poor fellow can’t help it, as--”

“Fore!” shouted a voice close at hand, and a ball whizzed by within an
inch of Buddie’s ear.

“The games are beginning!” cried another voice, and everybody began to
move toward one end of the clearing, where the ground pitched up and
formed a sort of grandstand.

“You must excuse me for a while,” said the Rabbit to Buddie, as they
fell in with the procession. “My race with the tortoise comes first.”

“Oh, do you fall asleep and wait for him to come poking along?” asked
Buddie, her mind on the old fable.

“No, indeed,” replied the Rabbit. “We’re pretty evenly matched. First
he wins, and then I win. It’s my turn this week. On a straight line I
could beat him every time; but, as I explained to you this morning, I
have to do a great deal of zigzagging.”

When every one had found a seat Doctor Fox announced that the Club’s
distinguished Visitor, Professor Bray, had kindly requested to act as
master of ceremonies, and a great cheer went up.

The race between the Tortoise and the Rabbit was quickly run. They got
away in a pretty start, and it was nip and tuck to the other end of the
clearing. As it was some distance across the open, Buddie could not see
who was ahead at the finish; but the Bat announced that the Rabbit had
won by an ear.

“That’s the advantage of having long ears,” remarked the Yellow Dog,
who sat next to Buddie.

“I don’t see how the Tortoise manages it,” said she. “It’s wonderful
the way he gets over the ground.”

“He’s a high-geared tortoise--the fastest one in the wood,” said the
Yellow Dog. “Hello! here comes the Bear with the Weasel. Now we’ll have
some fun.”

Out of the brush near the grandstand came the Great Huge Bear, rolling
a furry object over and over with his paws.

“What’s the matter with the Weasel?” Buddie asked. “Can’t he walk?”

“He’s asleep,” replied Colonel. “He’s always asleep. You know the old
saying: You can’t catch a weasel awake. Come along and help toss him.”

Buddie followed the others, and presently found herself holding one
corner of a blanket, upon which the Weasel had been rolled. Then the
jolly party began to skip around in a circle, singing--

  “Impty, mimpty, jiggety-jig,
    Ibbity, bibbity, beazle,
  Timty, tumty, tibbity-fig,
    Pop! goes the Weasel.”

At the word “Pop!” the weasel was tossed high in the air; and as he
sailed skyward he half awoke and made a sound like a cork coming out of
a bottle. Before he began to descend he was sound asleep again.

Round and round they skipped and sang, until every one was tired and
out of breath.

“If I could only sleep like that!” sighed the Great Huge Bear, as he
rolled the Weasel back into the bushes.

The next event was an exhibition of bear-back riding by the Stork. The
Great Huge Bear raced around the clearing as fast as he could go, and
tried in various ways to shake the Stork off; but the bird finished the
trip in triumph, and caused a great sensation by balancing, part of the
time, on one leg. Buddie was especially delighted by this unexpected
feat; for it was she that had suggested the idea to the Stork. Next to
the pleasure of being able to do a thing oneself comes the pleasure of
suggesting it to some one else that can, and thereby sharing in his
success.

“Playing _’Possum_” was the next game on the program.

“Choose partners!” called out the Donkey, and the company, pairing off,
formed a ring around the ’Possum. “Change partners!” called the Donkey,
and a scramble followed. “’Possum!” was the next call, and there was
another scramble, followed by a laugh at Buddie’s expense. The ’Possum
had seized a partner, and Buddie was left without one. She had been
forced into the ’Possum’s place in the center of the ring. It was
something like “Old Dan Tucker,” with the music and dancing omitted.

[Illustration]

Next came a bowling contest, open to all members of the Club large
enough to take part. Ten chipmunks, sitting up straight and stiff,
served as pins, and the Fretless Porcupine curled himself up for the
ball. In the ordinary bowling alley the ball must be rolled back in a
trough; but the Porcupine simply uncurled himself after each throw, and
trotted back for another. He seemed to enjoy the game as much as the
others, and the chipmunks didn’t mind being pins, for they were seldom
knocked over, and when they were it didn’t hurt them a bit.

While these sports were going on two teams of bats were playing
cricket, and the still smaller members of the Club were playing
_Leapfrog_, _Worm i’ the Bud_, _Who Killed Cock Robin?_, _Beetle,
Beetle, Who’s Got the Beetle?_ and other games; and everybody was
having such a good time that very few heard the Donkey announce that
Doctor Goose’s lecture was about to begin.

“Shall you stay for the lecture?” asked the Rabbit, hurrying up to
Buddie.

“I should like to hear part of it, at least,” said she. “The Donkey is
going to stay; aren’t you, Professor?”

“Certainly,” replied the Donkey. “Some of us should remain. The growth
of letters should be encouraged.”

“I like lettuce as well as any one,” said the Rabbit; “but Doctor Goose
never talks about lettuce.”

The Donkey put on his most pitying smile.

“Life is not all eating and drinking,” said he.

“Maybe not,” returned the Rabbit; “but I’d rather eat than hear one of
Doctor Goose’s lectures.”

“Philistine!” muttered the Donkey.

“What’s that?” asked the Rabbit, suspiciously.

But the Donkey scorned to reply.




CHAPTER XVII

DR. GOOSE’S LECTURE


“Light house,” said the Great Huge Bear; after which remark he dropped
off into another of his half-naps.

The audience that gathered to hear Doctor Goose was small indeed.
There was Buddie, who really wished to hear the lecture; the Donkey,
who would as soon hear it as not; the Rabbit, who was present under
protest; Doctor Fox, wearing his most critical air, and prepared to
contradict every third statement; the Bear, who would as soon be dozing
there as elsewhere; the Yellow Dog, who came out of curiosity; and the
Loon, who never missed a chance to shriek “Hear! hear!”

“Birds and quadrupeds,” began Doctor Goose, “my topic this week is The
Evolution of--”

“Fore!”

A ball driven by the Golf Lynx carried away the Doctor’s manuscript.

“I’ll put a stop to that!” cried the Rabbit, starting after the Golf
Lynx. But the Lynx saw him coming and discreetly took to his heels.
Meantime Buddie had recovered the scattered manuscript, and Doctor
Goose proceeded, as if there had been no interruption:

“--the Man Story. It is impossible to fix the date of the first man
story, because we do not know precisely at what time geese began to
write.”

“Literature,” interrupted Doctor Fox, “began with the Fox family.”

“You are mistaken, my dear colleague,” returned the lecturer, warmly.
“Literature began with the goose-quill.”

“I leave it,” said Doctor Fox, excitedly, “to my learned friend,
Professor Bray.”

The Donkey bowed.

“I have always believed,” he said, “that a donkey wrote the first
book; I _know_ he wrote the last one. I regret to say that I am
unacquainted with any literature by the Fox family, with the exception
of the _Book of Martyrs_, a most excellent work, as instructive, though
not so entertaining, as the rhymes of Mother Goose. The first is the
older, but the second is the more popular.”

This decision was, as usual, agreeable to both disputants, and Doctor
Goose continued:

“At all events, it may safely be assumed that the earliest man stories
were merely records of the chase. After a man had been pursued,
captured and eaten by a bear--”

“Eh? What’s that?” asked the Great Huge Bear, unclosing his eyes. “I
never did anything of the sort.”

“I was speaking of the old and savage days,” replied Doctor Goose, and
the Bear dozed off again.

“After such a successful hunt, it was the custom to relate the details,
with more or less exaggeration, to a circle of companions; and this
was the beginning of the man story. For centuries these tales of the
chase held their popularity; but as reason superseded mere instinct and
animals advanced in civilization, they hunted man less and studied him
more. Gradually they began to believe that this strange creature, whose
kind spread all over the world, possessed reasoning faculties similar
to their own--he might even have a soul; and to-day it is generally
admitted that the line between the lowest animals and the highest man
is so fine as scarcely to be discerned.”

At this point the Rabbit returned to announce, with a little swagger,
the complete discomfiture of the Golf Lynx. Buddie was not so sure of
this; she could see the Lynx peeping from behind a tree at the farther
end of the amphitheater; whereas, according to the Rabbit, he should be
“running yet.”

“That the average animal,” resumed Doctor Goose, “is superior to
the average man in the common virtues of cleanliness, orderliness,
straightforwardness, common sense, and capacity for sane enjoyment,
goes without saying.”

“Like a hickory nut,” remarked Doctor Fox.

“Why like a hickory nut?” asked Buddie.

“That’s a hard nut to crack,” replied Doctor Fox, mysteriously.

“Hear! hear!” shrieked the Loon; and this time there was some sense in
the usually meaningless remark, as Doctor Goose was waiting patiently
for a chance to go on. If, Little One, instead of interrupting a
speaker, people would cry “Hear! hear!” when a speaker is interrupted,
much time would be saved; for then there would be no interruptions.

Buddie tried to keep interested in the lecture, but her attention
wandered to the Golf Lynx, who had come out of hiding and was again
knocking the ball about the green.

“I don’t suppose he can help it,” she thought; “any more than Colonel
can help running after sticks and stones.”

Meanwhile Doctor Goose was droning along:

“It is only in the purely intellectual field that we have come to
regard man as a present equal and a possible superior.”

“I doubt that,” said Doctor Fox.

“Fore!”

This time the ball carried away the lecturer’s spectacles, and
confusion reigned. The Golf Lynx took to his heels, and after him raced
all of Doctor Goose’s audience except Buddie, who remained to help
search for the spectacles. But hunt high, hunt low, they were nowhere
to be found.

“Never mind; I can get another pair,” said Doctor Goose. “Perhaps you’d
like to take the lecture home and read it.”

“Thank you,” replied Buddie, accepting the manuscript rather
doubtfully. “Shan’t you want it again?”

“Oh dear, no. I have stacks and stacks of them. I write nearly all
the time. But it is _so_ hard to get people to listen.” Doctor Goose
sighed and looked about him pensively. The world was at play; nobody
cared about lectures. “Good afternoon,” he said, and walked sadly away.

“Poor Goose!” said Buddie, sitting down under a tree to examine the
manuscript.

“My, what hard words! I wonder what they mean. ‘P-s-y-c-h-o-l-o-g-y.’
That can’t be right; there ought to be a letter between the ‘p’
and the ‘s.’ ‘P-s’ doesn’t spell anything. Here’s another big
word--‘I-n-t-e-l-l-e-c-t-u-a-l-i-t-y.’ That looks all right, and I
suppose it means a lot.”

So she turned the pages of the manuscript, which was as easy to read as
print, until she grew weary of spelling out words and wondering what
they meant, and began to look about for something more interesting.

Presently she saw the Donkey, the Rabbit, and the Yellow Dog returning
from the pursuit of the Golf Lynx.

“The next thing, I suppose,” she said, “is to find out why the Rabbit
wabbles his nose.”




CHAPTER XVIII

THE WELL IN THE WOOD


With his usual show of importance, the Donkey took entire charge of the
expedition to The Well.

“To begin with,” said he, “we need a guide.”

“Oho!” cried the Rabbit. “I thought _you_ knew the way.”

“We need a guide,” repeated the Donkey, calmly, “not to show the
way;--I’ll attend to that,--but to tell stories; that’s what guides are
for. Now, then, whom can we get?”

“The ’Possum tells the best stories,” said the Yellow Dog; “but he’s
fat and he’s slow.”

“That doesn’t matter,” said the Donkey. “Go and hire him. And--stop a
minute. Can you get this check cashed for me?”

“I can try the Pine-Tree,” said Colonel. “That’s the only bank around
here.”

“Pine-Tree shillings are rather heavy, but they’ll have to do,” said
the Donkey. “In all exploring expeditions,” he went on, as the Yellow
Dog departed on his errands, “the question of funds is of first
importance. And now,”--to the Rabbit,--“in what direction is The Well?”

“I don’t know,” replied the Rabbit, a little sulkily. “According to my
map--”

“Pooh!” said the Donkey. “According to your _target_ it’s north, east,
south and west. Shoot such a map! However, we’ll soon find out.”
He turned to Buddie. “Will you kindly break off a branch from that
witch-hazel bush? Get the straightest one, and trim off the leaves and
twigs. There! Now stand it on end, and when it is perfectly balanced
take your hand away.”

Buddie followed these directions, and when she removed her hand the
witch-hazel stick fell--it really seemed to jump--toward a big
birch-tree at one end of the amphitheater.

“There’s your direction,” said the Donkey. “All you have to do now is
to follow your nose.”

[Illustration]

“That sounds easy,” said the Rabbit.

“It _is_ easy--if your nose is straight,” said the Donkey. “Of course
there wouldn’t be any use following such a wabbly nose as yours. _I’ll_
go ahead.”

At this point the Yellow Dog returned with the ’Possum and a bag of
Pine-Tree shillings, and the expedition set forward in the following
order: the Donkey, the Rabbit, Buddie, the Yellow Dog, and the ’Possum.

“I wonder what direction we really are going in,” Colonel remarked to
Buddie.

“That’s easily found out,” said the Donkey, whose long ears had caught
the remark, “if Just Buddie will wet her finger and hold it up in the
air.”

Buddie did so.

“One side’s colder than the other, isn’t it?” asked the Donkey.

“It doesn’t seem so,” answered Buddie.

“Oh, it must be. Try again.”

So Buddie again wet her forefinger and held it up, and a little puff of
wind came along and cooled the farther side of it.

“Oh, yes,” said she; “it’s the side toward you.”

“Then we’re traveling north, just as I thought,” said the Donkey.
“You will also observe that the farther we go the flatter the ground
becomes. The earth, you know, flattens at the poles--not all at once,
but gradually.”

“Isn’t he dreadfully wise!” Buddie whispered to Colonel.

“He’s a wonder,” replied the Yellow Dog, who hadn’t a bit of envy in
his make-up, and always gave credit where credit was due.

For some time the little party wound through the wood in silence, the
Donkey following his nose, the others following him. Presently the
leader called a halt to wait for the guide, who was some distance in
the rear.

“Time for a story,” he announced, when the ’Possum at last came
lumbering along, puffing at every step.

“What shall it be?” asked the guide, when he could get breath enough to
speak.

“A fairy story,” ventured Buddie.

“I don’t know any fairy stories,” said the ’Possum.

“A good ghost story would suit me,” said the Donkey.

“I never tell ghost stories by daylight,” said the ’Possum.

“Oh, well, give us anything, only be quick about it,” said the Rabbit,
who was impatient for the journey’s end.

“Last summer,” began the guide, “I was fishing for trout in the
headwaters of Flute River.”

A long pause.

“Well?” said the Yellow Dog.

“It weighed six pounds,” finished the guide.

“That’s the way to tell a story,” said the Donkey, rising. “Skip the
details and get at the important facts. Forward! March!”

They resumed their journey, and before long the sound of falling waters
came to their ears.

“We’re getting there,” remarked the Donkey, complacently. “This beats
traveling on the rings of a target.”

To this fling the Rabbit made no reply. Probably he did not hear it.
His thoughts were of his precious nose. At last, fortune favoring, he
was to unravel the great mystery of his existence. Now or never should
he find out why he wabbled his nose. Trembling with excitement, he
bounded ahead, and when the others came up to The Well, they found him
leaning over the curb staring into the dark interior.

The Well was picturesquely located on a sloping ledge which formed one
bank of the river, at the foot of a tinkling cascade. Swirling stones
in floodtime had made it--had bored down through the solid rock as
neatly as a diamond drill could do the work. I have seen a great many
of these wells, but none exactly like the one Buddie described to me;
for this had a curb around it, and above it, supported by two posts,
was the legend:

  +---------------------------------------------+
  | As round as an apple, as deep as a cup,     |
  | And all the king’s horses can’t pull it up. |
  +---------------------------------------------+

“Well, here we are,” said the Donkey to the Rabbit. “Go ahead and find
out why you wabble your nose. I confess I am rather curious to know.”

“Perhaps,” said the Rabbit, nervously, “we’d better ask about the
Guinea-Pig first. He isn’t here, but some one can inquire for him.”

“What does the Guinea-Pig want to know?” asked the Donkey, who never
had met that tearful little creature.

“He wants to know why his eyes fall out when you hold him up by the
tail,” the Rabbit replied.

“For that matter,” said Colonel, “I should like to know why a yellow
dog isn’t considered as respectable as a dog of any other color.”

“And I,” said the ’Possum, “should like to know why I dislike the taste
of persimmons and can’t eat ’em.”

“And I,” said the Donkey, “should like to find out the best singing
method. How about Just Buddie?”

“Nothing--that is, nothing I think of just now,” she replied hastily.

“Well, suppose you ask for the rest of us,” said the Donkey. “All
in favor of Just Buddie’s asking all the questions will say ‘Aye’;
contrary-minded, ‘No.’ The ayes appear to have it. Motion carried
unanimously.”

“Which shall I ask first?” said Buddie, as she knelt at the curb and
the others gathered about her.

“Oh, ask about the Rabbit,” said the Donkey. “Let’s get that off our
minds. Lean over as far as you can, and holler at the top of your
voice. It may be a long way to the bottom.”

Clutching the curb tightly with both hands, Buddie bent over as far as
she dared. As she did so something passed before her eyes.

It was the long-forgotten bouquet of Enchanter’s Nightshade, which had
worked loose from her hair-ribbon, and now vanished in the depths of
The Well.




CHAPTER XIX

DISENCHANTMENT


“_Why does a rabbit wabble his nose?_”

Not even Echo replied.

Buddie waited a little while, her ears strained for the slightest
whisper in response; but, none coming, she shouted the question a
second time.

Still no answer.

“I’m afraid Truth isn’t at home to-day,” said Buddie, getting up from
her knees. “Why, where have they gone?”

Not a soul was in sight. She was again alone in the wood.

“I’m sure I didn’t look up this time,” she said, perplexed and grieved
by the disappearance of her friends. “And--what’s become of The Well?”

The curb, the posts and the legend they supported had also vanished.
All that remained was the cylinder-bore in the solid rock.

For the first time that day Buddie began to feel frightened. The
cascade no longer tinkled; it thundered. The wild river, stained with
the juices of burnt land and swamp land, its dark breast flecked with
the foam of countless falls and rapids, rushed by within a foot or
two of where she stood, and the ledge trembled under the mighty blows
of the plunging torrent. White arms seemed to reach up from the pool
to draw her into the black water, and the flying spray wet her face.
Terrified, she ran back among the trees, threw herself on the mossy
floor of the wood, and hid her face in her arms.

Thus she had lain for some minutes, a dreadful fear tightening around
her little heart, when suddenly a familiar sound brought her scrambling
to her feet. It was Colonel’s bark; but it seemed a long way off,
across the river. As it was not instantly repeated she began to fear
she had heard it only in imagination; but presently the cheerful voice
of the faithful Yellow Dog sounded again above the roar of the falls,
and Buddie ran down to the river, calling “Colonel! Colonel!”

An especially happy yelp answered her, and the Yellow Dog burst through
the brush on the river’s farther bank. But instead of crossing on the
boulders, which were conveniently disposed for a bridge, he ran back
into the wood. He was out again in a moment, wagging his tail and
barking joyously, as much as to say: “Here she is! Could any black or
brown dog have done better?”

Back he flung into the brush, and when next he appeared a man came
with him. Buddie recognized Mr. Goodell, a land-looker who frequently
stopped at the log house by the lake.

“Hello; Buddie!” called the land-looker, in his big good-natured voice.
“Don’t stand so near the water, little girl, or you’ll tumble in. Good
dog!”--patting Colonel, who was now frantic with delight and cleared
the stream in two bounds.

Mr. Goodell made the passage more carefully. A slip meant a ducking, if
nothing worse.

“So you paddled into the woods and got lost, eh?” remarked the
land-looker, unswinging his pack from his back and proceeding to fill
his pipe. “Seem’s if I’ve heard your ma say something about that sort
o’ thing.”

“But the bears didn’t eat me up,” said Buddie, recalling her mother’s
familiar warning.

“Well, I guess there ain’t many bear about here,” said the land-looker
with a smile.

“I saw three,” said Buddie, eagerly: “the Great Hooge Bear, the Middle
Bear, and the Little Small Wee Bear.”

“So!” said Mr. Goodell, seriously.

“And a Beaver, and a Rabbit, and a Guinea-Pig, and a Loon, and a Fox,
and a Goose, and a Donkey--” Buddie went on, rapidly enumerating her
acquaintances of the day.

The lighted match fell from the land-looker’s hand.

“A donkey!” he repeated. Then he smiled, and struck another match, and
for a few moments smoked in silence.

“And we had _such_ a good time at the Greenwood Club,” said Buddie.
“The Rabbit and the Tortoise ran a race, and we tossed the Weasel in a
blanket, and Doctor Goose read a paper and--oh, dear! I can’t begin to
think of all the things we did. And, oh yes, we came up to The Well to
find out why the Rabbit wabbles his nose. Didn’t we, Colonel?”

The Yellow Dog barked.

“I guess, little girl, you fell asleep and dreamed all this,” remarked
the land-looker, eying her curiously.

“No; I didn’t,” declared Buddie, positively. “It was _really_.”

“Well, tell me all about it,” said Mr. Goodell, with another indulgent
smile. And Buddie, beginning at the beginning, which is always the
best place to begin, gave him a faithful account of the day’s doings.

The land-looker listened gravely, and when the story was done he rose
and swung his pack upon his back.

“I guess there’s room for you to ride,” said he, hoisting Buddie to his
shoulder. “We must get home before your folks begin to worry.”

So they set off for home, the Yellow Dog trotting contentedly behind.

“You must sing your song for Mr. Goodell, Colonel!” Buddie called back
to him.

But the Yellow Dog only barked. And from that day to this Buddie has
never been able to get a word out of him concerning their remarkable
adventures.

[Illustration: THE END]




TRANSCRIBER’S NOTES:


  Italicized or underlined text is surrounded by underscores: _italics_.

  Obvious typographical errors have been corrected.

  Inconsistencies in hyphenation have been standardized.

  Archaic or variant spelling has been retained.

  New original cover art included with this eBook is granted to the
    public domain.





*** END OF THE PROJECT GUTENBERG EBOOK THE WELL IN THE WOOD ***


    

Updated editions will replace the previous one—the old editions will
be renamed.

Creating the works from print editions not protected by U.S. copyright
law means that no one owns a United States copyright in these works,
so the Foundation (and you!) can copy and distribute it in the United
States without permission and without paying copyright
royalties. Special rules, set forth in the General Terms of Use part
of this license, apply to copying and distributing Project
Gutenberg™ electronic works to protect the PROJECT GUTENBERG™
concept and trademark. Project Gutenberg is a registered trademark,
and may not be used if you charge for an eBook, except by following
the terms of the trademark license, including paying royalties for use
of the Project Gutenberg trademark. If you do not charge anything for
copies of this eBook, complying with the trademark license is very
easy. You may use this eBook for nearly any purpose such as creation
of derivative works, reports, performances and research. Project
Gutenberg eBooks may be modified and printed and given away—you may
do practically ANYTHING in the United States with eBooks not protected
by U.S. copyright law. Redistribution is subject to the trademark
license, especially commercial redistribution.


START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase “Project
Gutenberg”), you agree to comply with all the terms of the Full
Project Gutenberg™ License available with this file or online at
www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg™
electronic works

1.A. By reading or using any part of this Project Gutenberg™
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg™ electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg™ electronic work and you do not agree to be bound
by the terms of this agreement, you may obtain a refund from the person
or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg™ electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg™ electronic works if you follow the terms of this
agreement and help preserve free future access to Project Gutenberg™
electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the
Foundation” or PGLAF), owns a compilation copyright in the collection
of Project Gutenberg™ electronic works. Nearly all the individual
works in the collection are in the public domain in the United
States. If an individual work is unprotected by copyright law in the
United States and you are located in the United States, we do not
claim a right to prevent you from copying, distributing, performing,
displaying or creating derivative works based on the work as long as
all references to Project Gutenberg are removed. Of course, we hope
that you will support the Project Gutenberg™ mission of promoting
free access to electronic works by freely sharing Project Gutenberg™
works in compliance with the terms of this agreement for keeping the
Project Gutenberg™ name associated with the work. You can easily
comply with the terms of this agreement by keeping this work in the
same format with its attached full Project Gutenberg™ License when
you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are
in a constant state of change. If you are outside the United States,
check the laws of your country in addition to the terms of this
agreement before downloading, copying, displaying, performing,
distributing or creating derivative works based on this work or any
other Project Gutenberg™ work. The Foundation makes no
representations concerning the copyright status of any work in any
country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other
immediate access to, the full Project Gutenberg™ License must appear
prominently whenever any copy of a Project Gutenberg™ work (any work
on which the phrase “Project Gutenberg” appears, or with which the
phrase “Project Gutenberg” is associated) is accessed, displayed,
performed, viewed, copied or distributed:

    This eBook is for the use of anyone anywhere in the United States and most
    other parts of the world at no cost and with almost no restrictions
    whatsoever. You may copy it, give it away or re-use it under the terms
    of the Project Gutenberg License included with this eBook or online
    at www.gutenberg.org. If you
    are not located in the United States, you will have to check the laws
    of the country where you are located before using this eBook.
  
1.E.2. If an individual Project Gutenberg™ electronic work is
derived from texts not protected by U.S. copyright law (does not
contain a notice indicating that it is posted with permission of the
copyright holder), the work can be copied and distributed to anyone in
the United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase “Project
Gutenberg” associated with or appearing on the work, you must comply
either with the requirements of paragraphs 1.E.1 through 1.E.7 or
obtain permission for the use of the work and the Project Gutenberg™
trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any
additional terms imposed by the copyright holder. Additional terms
will be linked to the Project Gutenberg™ License for all works
posted with the permission of the copyright holder found at the
beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including
any word processing or hypertext form. However, if you provide access
to or distribute copies of a Project Gutenberg™ work in a format
other than “Plain Vanilla ASCII” or other format used in the official
version posted on the official Project Gutenberg™ website
(www.gutenberg.org), you must, at no additional cost, fee or expense
to the user, provide a copy, a means of exporting a copy, or a means
of obtaining a copy upon request, of the work in its original “Plain
Vanilla ASCII” or other form. Any alternate format must include the
full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg™ works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg™ electronic works
provided that:

    • You pay a royalty fee of 20% of the gross profits you derive from
        the use of Project Gutenberg™ works calculated using the method
        you already use to calculate your applicable taxes. The fee is owed
        to the owner of the Project Gutenberg™ trademark, but he has
        agreed to donate royalties under this paragraph to the Project
        Gutenberg Literary Archive Foundation. Royalty payments must be paid
        within 60 days following each date on which you prepare (or are
        legally required to prepare) your periodic tax returns. Royalty
        payments should be clearly marked as such and sent to the Project
        Gutenberg Literary Archive Foundation at the address specified in
        Section 4, “Information about donations to the Project Gutenberg
        Literary Archive Foundation.”
    
    • You provide a full refund of any money paid by a user who notifies
        you in writing (or by e-mail) within 30 days of receipt that s/he
        does not agree to the terms of the full Project Gutenberg™
        License. You must require such a user to return or destroy all
        copies of the works possessed in a physical medium and discontinue
        all use of and all access to other copies of Project Gutenberg™
        works.
    
    • You provide, in accordance with paragraph 1.F.3, a full refund of
        any money paid for a work or a replacement copy, if a defect in the
        electronic work is discovered and reported to you within 90 days of
        receipt of the work.
    
    • You comply with all other terms of this agreement for free
        distribution of Project Gutenberg™ works.
    

1.E.9. If you wish to charge a fee or distribute a Project
Gutenberg™ electronic work or group of works on different terms than
are set forth in this agreement, you must obtain permission in writing
from the Project Gutenberg Literary Archive Foundation, the manager of
the Project Gutenberg™ trademark. Contact the Foundation as set
forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
works not protected by U.S. copyright law in creating the Project
Gutenberg™ collection. Despite these efforts, Project Gutenberg™
electronic works, and the medium on which they may be stored, may
contain “Defects,” such as, but not limited to, incomplete, inaccurate
or corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged disk or
other medium, a computer virus, or computer codes that damage or
cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right
of Replacement or Refund” described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg™ trademark, and any other party distributing a Project
Gutenberg™ electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium
with your written explanation. The person or entity that provided you
with the defective work may elect to provide a replacement copy in
lieu of a refund. If you received the work electronically, the person
or entity providing it to you may choose to give you a second
opportunity to receive the work electronically in lieu of a refund. If
the second copy is also defective, you may demand a refund in writing
without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of
damages. If any disclaimer or limitation set forth in this agreement
violates the law of the state applicable to this agreement, the
agreement shall be interpreted to make the maximum disclaimer or
limitation permitted by the applicable state law. The invalidity or
unenforceability of any provision of this agreement shall not void the
remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg™ electronic works in
accordance with this agreement, and any volunteers associated with the
production, promotion and distribution of Project Gutenberg™
electronic works, harmless from all liability, costs and expenses,
including legal fees, that arise directly or indirectly from any of
the following which you do or cause to occur: (a) distribution of this
or any Project Gutenberg™ work, (b) alteration, modification, or
additions or deletions to any Project Gutenberg™ work, and (c) any
Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new computers. It
exists because of the efforts of hundreds of volunteers and donations
from people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg™’s
goals and ensuring that the Project Gutenberg™ collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg™ and future
generations. To learn more about the Project Gutenberg Literary
Archive Foundation and how your efforts and donations can help, see
Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation’s EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg Literary
Archive Foundation are tax deductible to the full extent permitted by
U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West,
Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
to date contact information can be found at the Foundation’s website
and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread
public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine-readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To SEND
DONATIONS or determine the status of compliance for any particular state
visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations. To
donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg™ electronic works

Professor Michael S. Hart was the originator of the Project
Gutenberg™ concept of a library of electronic works that could be
freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg™ eBooks with only a loose network of
volunteer support.

Project Gutenberg™ eBooks are often created from several printed
editions, all of which are confirmed as not protected by copyright in
the U.S. unless a copyright notice is included. Thus, we do not
necessarily keep eBooks in compliance with any particular paper
edition.

Most people start at our website which has the main PG search
facility: www.gutenberg.org.

This website includes information about Project Gutenberg™,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.