Augustus Does His Bit: A True-to-Life Farce

By Bernard Shaw

The Project Gutenberg EBook of Augustus Does His Bit, by George Bernard Shaw

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org


Title: Augustus Does His Bit

Author: George Bernard Shaw

Posting Date: January 15, 2009 [EBook #3487]
Release Date: October, 2002

Language: English


*** START OF THIS PROJECT GUTENBERG EBOOK AUGUSTUS DOES HIS BIT ***




Produced by Eve Sobol





AUGUSTUS DOES HIS BIT

A TRUE-TO-LIFE FARCE


By George Bernard Shaw


I wish to express my gratitude for certain good offices which Augustus
secured for me in January, 1917. I had been invited to visit the theatre
of war in Flanders by the Commander-in-Chief: an invitation which was,
under the circumstances, a summons to duty. Thus I had occasion to
spend some days in procuring the necessary passport and other official
facilities for my journey. It happened just then that the Stage Society
gave a performance of this little play. It opened the heart of
every official to me. I have always been treated with distinguished
consideration in my contracts with bureaucracy during the war; but on
this occasion I found myself persona grata in the highest degree. There
was only one word when the formalities were disposed of; and that
was "We are up against Augustus all day." The showing-up of Augustus
scandalized one or two innocent and patriotic critics who regarded the
prowess of the British army as inextricably bound up with Highcastle
prestige. But our Government departments knew better: their problem was
how to win the war with Augustus on their backs, well-meaning, brave,
patriotic, but obstructively fussy, self-important, imbecile, and
disastrous.

Save for the satisfaction of being able to laugh at Augustus in the
theatre, nothing, as far as I know, came of my dramatic reduction of him
to absurdity. Generals, admirals, Prime Ministers and Controllers, not
to mention Emperors, Kaisers and Tsars, were scrapped remorselessly at
home and abroad, for their sins or services, as the case might be. But
Augustus stood like the Eddystone in a storm, and stands so to this day.
He gave us his word that he was indispensable and we took it.

Augustus Does His Bit was performed for the first time at the Court
Theatre in London by the Stage Society on the 21st January, 1917,
with Lalla Vandervelde as The Lady, F. B.J. Sharp as Lord Augustus
Highcastle, and Charles Rock as Horatio Floyd Beamish.




AUGUSTUS DOES HIS BIT

The Mayor's parlor in the Town Hall of Little Pifflington. Lord Augustus
Highcastle, a distinguished member of the governing class, in the
uniform of a colonel, and very well preserved at forty-five, is
comfortably seated at a writing-table with his heels on it, reading The
Morning Post. The door faces him, a little to his left, at the other
side of the room. The window is behind him. In the fireplace, a gas
stove. On the table a bell button and a telephone. Portraits of past
Mayors, in robes and gold chains, adorn the walls. An elderly clerk with
a short white beard and whiskers, and a very red nose, shuffles in.


AUGUSTUS [hastily putting aside his paper and replacing his feet on the
floor]. Hullo! Who are you?

THE CLERK. The staff [a slight impediment in his speech adds to the
impression of incompetence produced by his age and appearance].

AUGUSTUS. You the staff! What do you mean, man?

THE CLERK. What I say. There ain't anybody else.

AUGUSTUS. Tush! Where are the others?

THE CLERK. At the front.

AUGUSTUS. Quite right. Most proper. Why aren't you at the front?

THE CLERK. Over age. Fifty-seven.

AUGUSTUS. But you can still do your bit. Many an older man is in the
G.R.'s, or volunteering for home defence.

THE CLERK. I have volunteered.

AUGUSTUS. Then why are you not in uniform?

THE CLERK. They said they wouldn't have me if I was given away with a
pound of tea. Told me to go home and not be an old silly. [A sense of
unbearable wrong, till now only smouldering in him, bursts into flame.]
Young Bill Knight, that I took with me, got two and sevenpence. I got
nothing. Is it justice? This country is going to the dogs, if you ask
me.

AUGUSTUS [rising indignantly]. I do not ask you, sir; and I will not
allow you to say such things in my presence. Our statesmen are the
greatest known to history. Our generals are invincible. Our army is
the admiration of the world. [Furiously.] How dare you tell me that the
country is going to the dogs!

THE CLERK. Why did they give young Bill Knight two and sevenpence, and
not give me even my tram fare? Do you call that being great statesmen?
As good as robbing me, I call it.

AUGUSTUS. That's enough. Leave the room. [He sits down and takes up his
pen, settling himself to work. The clerk shuffles to the door. Augustus
adds, with cold politeness] Send me the Secretary.

THE CLERK. I'M the Secretary. I can't leave the room and send myself to
you at the same time, can I?

AUGUSTUS, Don't be insolent. Where is the gentleman I have been
corresponding with: Mr Horatio Floyd Beamish?

THE CLERK [returning and bowing]. Here. Me.

AUGUSTUS. You! Ridiculous. What right have you to call yourself by a
pretentious name of that sort?

THE CLERK. You may drop the Horatio Floyd. Beamish is good enough for
me.

AUGUSTUS. Is there nobody else to take my instructions?

THE CLERK. It's me or nobody. And for two pins I'd chuck it. Don't you
drive me too far. Old uns like me is up in the world now.

AUGUSTUS. If we were not at war, I should discharge you on the spot for
disrespectful behavior. But England is in danger; and I cannot think of
my personal dignity at such a moment. [Shouting at him.] Don't you think
of yours, either, worm that you are; or I'll have you arrested under the
Defence of the Realm Act, double quick.

THE CLERK. What do I care about the realm? They done me out of two and
seven--

AUGUSTUS. Oh, damn your two and seven! Did you receive my letters?

THE CLERK. Yes.

AUGUSTUS. I addressed a meeting here last night--went straight to the
platform from the train. I wrote to you that I should expect you to be
present and report yourself. Why did you not do so?

THE CLERK. The police wouldn't let me on the platform.

AUGUSTUS. Did you tell them who you were?

THE CLERK. They knew who I was. That's why they wouldn't let me up.

AUGUSTUS. This is too silly for anything. This town wants waking up. I
made the best recruiting speech I ever made in my life; and not a man
joined.

THE CLERK. What did you expect? You told them our gallant fellows is
falling at the rate of a thousand a day in the big push. Dying for
Little Pifflington, you says. Come and take their places, you says. That
ain't the way to recruit.

AUGUSTUS. But I expressly told them their widows would have pensions.

THE CLERK. I heard you. Would have been all right if it had been the
widows you wanted to get round.

AUGUSTUS [rising angrily]. This town is inhabited by dastards. I say
it with a full sense of responsibility, DASTARDS! They call themselves
Englishmen; and they are afraid to fight.

THE CLERK. Afraid to fight! You should see them on a Saturday night.

AUGUSTUS. Yes, they fight one another; but they won't fight the Germans.

THE CLERK. They got grudges again one another: how can they have grudges
again the Huns that they never saw? They've no imagination: that's what
it is. Bring the Huns here; and they'll quarrel with them fast enough.

AUGUSTUS [returning to his seat with a grunt of disgust]. Mf! They'll
have them here if they're not careful. [Seated.] Have you carried out my
orders about the war saving?

THE CLERK. Yes.

AUGUSTUS. The allowance of petrol has been reduced by three quarters?

THE CLERK. It has.

AUGUSTUS. And you have told the motor-car people to come here and
arrange to start munition work now that their motor business is stopped?

THE CLERK. It ain't stopped. They're busier than ever.

AUGUSTUS. Busy at what?

THE CLERK. Making small cars.

AUGUSTUS. NEW cars!

THE CLERK. The old cars only do twelve miles to the gallon. Everybody
has to have a car that will do thirty-five now.

AUGUSTUS. Can't they take the train?

THE CLERK. There ain't no trains now. They've tore up the rails and sent
them to the front.

AUGUSTUS. Psha!

THE CLERK. Well, we have to get about somehow.

AUGUSTUS. This is perfectly monstrous. Not in the least what I intended.

THE CLERK. Hell--

AUGUSTUS. Sir!

THE CLERK [explaining]. Hell, they says, is paved with good intentions.

AUGUSTUS [springing to his feet]. Do you mean to insinuate that hell is
paved with MY good intentions--with the good intentions of His Majesty's
Government?

THE CLERK. I don't mean to insinuate anything until the Defence of the
Realm Act is repealed. It ain't safe.

AUGUSTUS. They told me that this town had set an example to all England
in the matter of economy. I came down here to promise the Mayor a
knighthood for his exertions.

THE CLERK. The Mayor! Where do I come in?

AUGUSTUS. You don't come in. You go out. This is a fool of a place. I'm
greatly disappointed. Deeply disappointed. [Flinging himself back into
his chair.] Disgusted.

THE CLERK. What more can we do? We've shut up everything. The picture
gallery is shut. The museum is shut. The theatres and picture shows is
shut: I haven't seen a movie picture for six months.

AUGUSTUS. Man, man: do you want to see picture shows when the Hun is at
the gate?

THE CLERK [mournfully]. I don't now, though it drove me melancholy mad
at first. I was on the point of taking a pennorth of rat poison--

AUGUSTUS. Why didn't you?

THE CLERK. Because a friend advised me to take to drink instead. That
saved my life, though it makes me very poor company in the mornings, as
[hiccuping] perhaps you've noticed.

AUGUSTUS. Well, upon my soul! You are not ashamed to stand there and
confess yourself a disgusting drunkard.

THE CLERK. Well, what of it? We're at war now; and everything's changed.
Besides, I should lose my job here if I stood drinking at the bar. I'm a
respectable man and must buy my drink and take it home with me. And they
won't serve me with less than a quart. If you'd told me before the war
that I could get through a quart of whisky in a day, I shouldn't have
believed you. That's the good of war: it brings out powers in a man
that he never suspected himself capable of. You said so yourself in your
speech last night.

AUGUSTUS. I did not know that I was talking to an imbecile. You ought to
be ashamed of yourself. There must be an end of this drunken slacking.
I'm going to establish a new order of things here. I shall come down
every morning before breakfast until things are properly in train. Have
a cup of coffee and two rolls for me here every morning at half-past
ten.

THE CLERK. You can't have no rolls. The only baker that baked rolls was
a Hun; and he's been interned.

AUGUSTUS. Quite right, too. And was there no Englishman to take his
place?

THE CLERK. There was. But he was caught spying; and they took him up to
London and shot him.

AUGUSTUS. Shot an Englishman!

THE CLERK. Well, it stands to reason if the Germans wanted to spy they
wouldn't employ a German that everybody would suspect, don't it?

AUGUSTUS [rising again]. Do you mean to say, you scoundrel, that an
Englishman is capable of selling his country to the enemy for gold?

THE CLERK. Not as a general thing I wouldn't say it; but there's men
here would sell their own mothers for two coppers if they got the
chance.

AUGUSTUS. Beamish, it's an ill bird that fouls its own nest.

THE CLERK. It wasn't me that let Little Pifflington get foul. I don't
belong to the governing classes. I only tell you why you can't have no
rolls.

AUGUSTUS [intensely irritated]. Can you tell me where I can find an
intelligent being to take my orders?

THE CLERK. One of the street sweepers used to teach in the school until
it was shut up for the sake of economy. Will he do?

AUGUSTUS. What! You mean to tell me that when the lives of the gallant
fellows in our trenches, and the fate of the British Empire, depend on
our keeping up the supply of shells, you are wasting money on sweeping
the streets?

THE CLERK. We have to. We dropped it for a while; but the infant death
rate went up something frightful.

AUGUSTUS. What matters the death rate of Little Pifflington in a moment
like this? Think of our gallant soldiers, not of your squalling infants.

THE CLERK. If you want soldiers you must have children. You can't buy em
in boxes, like toy soldiers.

AUGUSTUS. Beamish, the long and the short of it is, you are no patriot.
Go downstairs to your office; and have that gas stove taken away and
replaced by an ordinary grate. The Board of Trade has urged on me the
necessity for economizing gas.

THE CLERK. Our orders from the Minister of Munitions is to use gas
instead of coal, because it saves material. Which is it to be?

AUGUSTUS [bawling furiously at him]. Both! Don't criticize your orders:
obey them. Yours not to reason why: yours but to do and die. That's war.
[Cooling down.] Have you anything else to say?

THE CLERK. Yes: I want a rise.

AUGUSTUS [reeling against the table in his horror]. A rise! Horatio
Floyd Beamish, do you know that we are at war?

THE CLERK [feebly ironical]. I have noticed something about it in the
papers. Heard you mention it once or twice, now I come to think of it.

AUGUSTUS. Our gallant fellows are dying in the trenches; and you want a
rise!

THE CLERK. What are they dying for? To keep me alive, ain't it? Well,
what's the good of that if I'm dead of hunger by the time they come
back?

AUGUSTUS. Everybody else is making sacrifices without a thought of self;
and you--

THE CLERK. Not half, they ain't. Where's the baker's sacrifice? Where's
the coal merchant's? Where's the butcher's? Charging me double: that's
how they sacrifice themselves. Well, I want to sacrifice myself that
way too. Just double next Saturday: double and not a penny less; or no
secretary for you [he stiffens himself shakily, and makes resolutely for
the door.]

AUGUSTUS [looking after him contemptuously]. Go, miserable pro-German.

THE CLERK [rushing back and facing him]. Who are you calling a
pro-German?

AUGUSTUS. Another word, and I charge you under the Act with discouraging
me. Go.

The clerk blenches and goes out, cowed.

The telephone rings.

AUGUSTUS [taking up the telephone receiver.] Hallo. Yes: who are
you?... oh, Blueloo, is it?... Yes: there's nobody in the room: fire away.
What?... A spy!... A woman!... Yes: brought it down with me. Do you suppose
I'm such a fool as to let it out of my hands? Why, it gives a list
of all our anti-aircraft emplacements from Ramsgate to Skegness. The
Germans would give a million for it--what?...  But how could she possibly
know about it? I haven't mentioned it to a soul, except, of course, dear
Lucy... Oh, Toto and Lady Popham and that lot: they don't count: they're
all right. I mean that I haven't mentioned it to any Germans.... Pooh!
Don't you be nervous, old chap. I know you think me a fool; but I'm not
such a fool as all that. If she tries to get it out of me I'll have
her in the Tower before you ring up again. [The clerk returns.] Sh-sh!
Somebody's just come in: ring off. Goodbye. [He hangs up the receiver.]

THE CLERK. Are you engaged? [His manner is strangely softened.]

AUGUSTUS. What business is that of yours? However, if you will take the
trouble to read the society papers for this week, you will see that I am
engaged to the Honorable Lucy Popham, youngest daughter of--

THE CLERK. That ain't what I mean. Can you see a female?

AUGUSTUS. Of course I can see a female as easily as a male. Do you
suppose I'm blind?

THE CLERK. You don't seem to follow me, somehow. There's a female
downstairs: what you might call a lady. She wants to know can you see
her if I let her up.

AUGUSTUS. Oh, you mean am I disengaged. Tell the lady I have just
received news of the greatest importance which will occupy my entire
attention for the rest of the day, and that she must write for an
appointment.

THE CLERK. I'll ask her to explain her business to me. I ain't above
talking to a handsome young female when I get the chance [going].

AUGUSTUS. Stop. Does she seem to be a person of consequence?

THE CLERK. A regular marchioness, if you ask me.

AUGUSTUS. Hm! Beautiful, did you say?

THE CLERK. A human chrysanthemum, sir, believe me.

AUGUSTUS. It will be extremely inconvenient for me to see her; but the
country is in danger; and we must not consider our own comfort. Think
how our gallant fellows are suffering in the trenches! Show her up. [The
clerk makes for the door, whistling the latest popular ballad]. Stop
whistling instantly, sir. This is not a casino.

CLERK. Ain't it? You just wait till you see her. [He goes out.]

Augustus produces a mirror, a comb, and a pot of moustache pomade from
the drawer of the writing-table, and sits down before the mirror to put
some touches to his toilet.

The clerk returns, devotedly ushering a very attractive lady,
brilliantly dressed. She has a dainty wallet hanging from her wrist.
Augustus hastily covers up his toilet apparatus with The Morning Post,
and rises in an attitude of pompous condescension.

THE CLERK [to Augustus]. Here she is. [To the lady.] May I offer you a
chair, lady? [He places a chair at the writing-table opposite Augustus,
and steals out on tiptoe.]

AUGUSTUS. Be seated, madam.

THE LADY [sitting down]. Are you Lord Augustus Highcastle?

AUGUSTUS [sitting also]. Madam, I am.

TAE LADY [with awe]. The great Lord Augustus?

AUGUSTUS. I should not dream of describing myself so, Madam; but no
doubt I have impressed my countrymen--and [bowing gallantly] may I
say my countrywomen--as having some exceptional claims to their
consideration.

THE LADY [emotionally]. What a beautiful voice you have!

AUGUSTUS. What you hear, madam, is the voice of my country, which
now takes a sweet and noble tone even in the harsh mouth of high
officialism.

THE LADY. Please go on. You express yourself so wonderfully!

AUGUSTUS. It would be strange indeed if, after sitting on thirty-seven
Royal Commissions, mostly as chairman, I had not mastered the art
of public expression. Even the Radical papers have paid me the high
compliment of declaring that I am never more impressive than when I have
nothing to say.

THE LADY. I never read the Radical papers. All I can tell you is that
what we women admire in you is not the politician, but the man of
action, the heroic warrior, the beau sabreur.

AUGUSTUS [gloomily]. Madam, I beg! Please! My military exploits are not
a pleasant subject, unhappily.

THE LADY. Oh, I know I know. How shamefully you have been treated! what
ingratitude! But the country is with you. The women are with you. Oh, do
you think all our hearts did not throb and all our nerves thrill when
we heard how, when you were ordered to occupy that terrible quarry in
Hulluch, and you swept into it at the head of your men like a sea-god
riding on a tidal wave, you suddenly sprang over the top shouting "To
Berlin! Forward!"; dashed at the German army single-handed; and were cut
off and made prisoner by the Huns.

AUGUSTUS. Yes, madam; and what was my reward? They said I had disobeyed
orders, and sent me home. Have they forgotten Nelson in the Baltic?
Has any British battle ever been won except by a bold initiative? I say
nothing of professional jealousy, it exists in the army as elsewhere;
but it is a bitter thought to me that the recognition denied me by my
country--or rather by the Radical cabal in the Cabinet which pursues my
family with rancorous class hatred--that this recognition, I say, came
to me at the hands of an enemy--of a rank Prussian.

THE LADY. You don't say so!

AUGUSTUS. How else should I be here instead of starving to death in
Ruhleben? Yes, madam: the Colonel of the Pomeranian regiment which
captured me, after learning what I had done, and conversing for an
hour with me on European politics and military strategy, declared that
nothing would induce him to deprive my country of my services, and set
me free. I offered, of course, to procure the release in exchange of
a German officer of equal quality; but he would not hear of it. He was
kind enough to say he could not believe that a German officer answering
to that description existed. [With emotion.] I had my first taste of the
ingratitude of my own country as I made my way back to our lines. A shot
from our front trench struck me in the head. I still carry the flattened
projectile as a trophy [he throws it on the table; the noise it makes
testifies to its weight]. Had it penetrated to the brain I might never
have sat on another Royal Commission. Fortunately we have strong heads,
we Highcastles. Nothing has ever penetrated to our brains.

THE LADY. How thrilling! How simple! And how tragic! But you will
forgive England? Remember: England! Forgive her.

AUGUSTUS [with gloomy magnanimity]. It will make no difference whatever
to my services to my country. Though she slay me, yet will I, if not
exactly trust in her, at least take my part in her government. I am ever
at my country's call. Whether it be the embassy in a leading European
capital, a governor-generalship in the tropics, or my humble mission
here to make Little Pifflington do its bit, I am always ready for the
sacrifice. Whilst England remains England, wherever there is a public
job to be done you will find a Highcastle sticking to it. And now,
madam, enough of my tragic personal history. You have called on
business. What can I do for you?

THE LADY. You have relatives at the Foreign Office, have you not?

AUGUSTUS [haughtily]. Madam, the Foreign Office is staffed by my
relatives exclusively.

THE LADY. Has the Foreign Office warned you that you are being pursued
by a female spy who is determined to obtain possession of a certain list
of gun emplacements?

AUGUSTUS [interrupting her somewhat loftily]. All that is perfectly well
known to this department, madam.

THE LADY [surprised and rather indignant]. Is it? Who told you? Was it
one of your German brothers-in-law?

AUGUSTUS [injured, remonstrating]. I have only three German
brothers-in-law, madam. Really, from your tone, one would suppose that
I had several. Pardon my sensitiveness on that subject; but reports are
continually being circulated that I have been shot as a traitor in
the courtyard of the Ritz Hotel simply because I have German
brothers-in-law. [With feeling.] If you had a German brother-in-law,
madam, you would know that nothing else in the world produces so strong
an anti-German feeling. Life affords no keener pleasure than finding a
brother-in-law's name in the German casualty list.

THE LADY. Nobody knows that better than I. Wait until you hear what
I have come to tell you: you will understand me as no one else could.
Listen. This spy, this woman--

AUGUSTUS [all attention]. Yes?

THE LADY. She is a German. A Hun.

AUGUSTUS. Yes, yes. She would be. Continue.

THE LADY. She is my sister-in-law.

AUGUSTUS [deferentially]. I see you are well connected, madam. Proceed.

THE LADY. Need I add that she is my bitterest enemy?

AUGUSTUS. May I--[he proffers his hand. They shake, fervently. From this
moment onward Augustus becomes more and more confidential, gallant, and
charming.]

THE LADY. Quite so. Well, she is an intimate friend of your brother at
the War Office, Hungerford Highcastle, Blueloo as you call him, I don't
know why.

AUGUSTUS [explaining]. He was originally called The Singing Oyster,
because he sang drawing-room ballads with such an extraordinary absence
of expression. He was then called the Blue Point for a season or two.
Finally he became Blueloo.

THE LADY. Oh, indeed: I didn't know. Well, Blueloo is simply infatuated
with my sister-in-law; and he has rashly let out to her that this list
is in your possession. He forgot himself because he was in a towering
rage at its being entrusted to you: his language was terrible. He
ordered all the guns to be shifted at once.

AUGUSTUS. What on earth did he do that for?

THE LADY. I can't imagine. But this I know. She made a bet with him
that she would come down here and obtain possession of that list and get
clean away into the street with it. He took the bet on condition that
she brought it straight back to him at the War Office.

AUGUSTUS. Good heavens! And you mean to tell me that Blueloo was such a
dolt as to believe that she could succeed? Does he take me for a fool?

THE LADY. Oh, impossible! He is jealous of your intellect. The bet is
an insult to you: don't you feel that? After what you have done for our
country--

AUGUSTUS. Oh, never mind that. It is the idiocy of the thing I look at.
He'll lose his bet; and serve him right!

THE LADY. You feel sure you will be able to resist the siren? I warn
you, she is very fascinating.

AUGUSTUS. You need have no fear, madam. I hope she will come and try
it on. Fascination is a game that two can play at. For centuries the
younger sons of the Highcastles have had nothing to do but fascinate
attractive females when they were not sitting on Royal Commissions or on
duty at Knightsbridge barracks. By Gad, madam, if the siren comes here
she will meet her match.

THE LADY. I feel that. But if she fails to seduce you--

AUGUSTUS [blushing]. Madam!

THE LADY [continuing]--from your allegiance--

AUGUSTUS. Oh, that!

THE LADY.--she will resort to fraud, to force, to anything. She will
burgle your office: she will have you attacked and garotted at night in
the street.

AUGUSTUS. Pooh! I'm not afraid.

THE LADY. Oh, your courage will only tempt you into danger. She may get
the list after all. It is true that the guns are moved. But she would
win her bet.

AUGUSTUS [cautiously]. You did not say that the guns were moved. You
said that Blueloo had ordered them to be moved.

THE LADY. Well, that is the same thing, isn't it?

AUGUSTUS. Not quite--at the War Office. No doubt those guns WILL be
moved: possibly even before the end of the war.

THE LADY. Then you think they are there still! But if the German War
Office gets the list--and she will copy it before she gives it back to
Blueloo, you may depend on it--all is lost.

AUGUSTUS [lazily]. Well, I should not go as far as that. [Lowering his
voice.] Will you swear to me not to repeat what I am going to say to
you; for if the British public knew that I had said it, I should be at
once hounded down as a pro-German.

THE LADY. I will be silent as the grave. I swear it.

AUGUSTUS [again taking it easily]. Well, our people have for some reason
made up their minds that the German War Office is everything that
our War Office is not--that it carries promptitude, efficiency, and
organization to a pitch of completeness and perfection that must be,
in my opinion, destructive to the happiness of the staff. My own
view--which you are pledged, remember, not to betray--is that the German
War Office is no better than any other War Office. I found that opinion
on my observation of the characters of my brothers-in-law: one of whom,
by the way, is on the German general staff. I am not at all sure that
this list of gun emplacements would receive the smallest attention. You
see, there are always so many more important things to be attended to.
Family matters, and so on, you understand.

THE LADY. Still, if a question were asked in the House of Commons--

AUGUSTUS. The great advantage of being at war, madam, is that nobody
takes the slightest notice of the House of Commons. No doubt it is
sometimes necessary for a Minister to soothe the more seditious members
of that assembly by giving a pledge or two; but the War Office takes no
notice of such things.

THE LADY [staring at him]. Then you think this list of gun emplacements
doesn't matter!!

AUGUSTUS. By no means, madam. It matters very much indeed. If this spy
were to obtain possession of the list, Blueloo would tell the story at
every dinner-table in London; and--

THE LADY. And you might lose your post. Of course.

AUGUSTUS [amazed and indignant]. I lose my post! What are you dreaming
about, madam? How could I possibly be spared? There are hardly
Highcastles enough at present to fill half the posts created by this
war. No: Blueloo would not go that far. He is at least a gentleman. But
I should be chaffed; and, frankly, I don't like being chaffed.

THE LADY. Of course not. Who does? It would never do. Oh never, never.

AUGUSTUS. I'm glad you see it in that light. And now, as a measure
of security, I shall put that list in my pocket. [He begins searching
vainly from drawer to drawer in the writing-table.] Where on earth--?
What the dickens did I--? That's very odd: I--Where the deuce--? I
thought I had put it in the--Oh, here it is! No: this is Lucy's last
letter.

THE LADY [elegiacally]. Lucy's Last Letter! What a title for a picture
play!

AUGUSTUS [delighted]. Yes: it is, isn't it? Lucy appeals to the
imagination like no other woman. By the way [handing over the letter],
I wonder could you read it for me? Lucy is a darling girl; but I really
can't read her writing. In London I get the office typist to decipher it
and make me a typed copy; but here there is nobody.

THE LADY [puzzling over it]. It is really almost illegible. I think the
beginning is meant for "Dearest Gus."

AUGUSTUS [eagerly]. Yes: that is what she usually calls me. Please go
on.

THE LADY [trying to decipher it]. "What a"--"what a"--oh yes: "what a
forgetful old"--something--"you are!" I can't make out the word.

AUGUSTUS [greatly interested]. Is it blighter? That is a favorite
expression of hers.

THE LADY. I think so. At all events it begins with a B. [Reading.] "What
a forgetful old"--[she is interrupted by a knock at the door.]

AUGUSTUS [impatiently]. Come in. [The clerk enters, clean shaven and in
khaki, with an official paper and an envelope in his hand.] What is this
ridiculous mummery sir?

THE CLERK [coming to the table and exhibiting his uniform to both].
They've passed me. The recruiting officer come for me. I've had my two
and seven.

AUGUSTUS [rising wrathfully]. I shall not permit it. What do they
mean by taking my office staff? Good God! they will be taking our hunt
servants next. [Confronting the clerk.] What did the man mean? What did
he say?

THE CLERK. He said that now you was on the job we'd want another million
men, and he was going to take the old-age pensioners or anyone he could
get.

AUGUSTUS. And did you dare to knock at my door and interrupt my business
with this lady to repeat this man's ineptitudes?

THE CLERK. No. I come because the waiter from the hotel brought this
paper. You left it on the coffeeroom breakfast-table this morning.

THE LADY [intercepting it]. It is the list. Good heavens!

THE CLERK [proffering the envelope]. He says he thinks this is the
envelope belonging to it.

THE LADY [snatching the envelope also]. Yes! Addressed to you, Lord
Augustus! [Augustus comes back to the table to look at it.] Oh, how
imprudent! Everybody would guess its importance with your name on it.
Fortunately I have some letters of my own here [opening her wallet.]
Why not hide it in one of my envelopes? then no one will dream that the
enclosure is of any political value. [Taking out a letter, she crosses
the room towards the window, whispering to Augustus as she passes him.]
Get rid of that man.

AUGUSTUS [haughtily approaching the clerk, who humorously makes a
paralytic attempt to stand at attention]. Have you any further business
here, pray?

THE CLERK. Am I to give the waiter anything; or will you do it yourself?

AUGUSTUS. Which waiter is it? The English one?

THE CLERK. No: the one that calls hisself a Swiss. Shouldn't wonder if
he'd made a copy of that paper.

AUGUSTUS. Keep your impertinent surmises to yourself, sir. Remember
that you are in the army now; and let me have no more of your civilian
insubordination. Attention! Left turn! Quick march!

THE CLERK [stolidly]. I dunno what you mean.

AUGUSTUS. Go to the guard-room and report yourself for disobeying
orders. Now do you know what I mean?

THE CLERK. Now look here. I ain't going to argue with you--

AUGUSTUS. Nor I with you. Out with you.

He seizes the clerk: and rushes him through the door. The moment the
lady is left alone, she snatches a sheet of official paper from the
stationery rack: folds it so that it resembles the list; compares the
two to see that they look exactly alike: whips the list into her wallet:
and substitutes the facsimile for it. Then she listens for the return of
Augustus. A crash is heard, as of the clerk falling downstairs.

Augustus returns and is about to close the door when the voice of the
clerk is heard from below.

THE CLERK. I'll have the law of you for this, I will.

AUGUSTUS [shouting down to him]. There's no more law for you, you
scoundrel. You're a soldier now. [He shuts the door and comes to the
lady.] Thank heaven, the war has given us the upper hand of these
fellows at last. Excuse my violence; but discipline is absolutely
necessary in dealing with the lower middle classes.

THE LADY. Serve the insolent creature right! Look I have found you a
beautiful envelope for the list, an unmistakable lady's envelope. [She
puts the sham list into her envelope and hands it to him.]

AUGUSTUS. Excellent. Really very clever of you. [Slyly.] Come: would you
like to have a peep at the list [beginning to take the blank paper from
the envelope]?

THE LADY [on the brink of detection]. No no. Oh, please, no.

AUGUSTUS. Why? It won't bite you [drawing it out further.]

THE LADY [snatching at his hand]. Stop. Remember: if there should be an
inquiry, you must be able to swear that you never showed that list to a
mortal soul.

AUGUSTUS. Oh, that is a mere form. If you are really curious--

THE LADY. I am not. I couldn't bear to look at it. One of my dearest
friends was blown to pieces by an aircraft gun; and since then I have
never been able to think of one without horror.

AUGUSTUS. You mean it was a real gun, and actually went off. How sad!
how sad! [He pushes the sham list back into the envelope, and pockets
it.]

THE LADY. Ah! [Great sigh of relief]. And now, Lord Augustus, I have
taken up too much of your valuable time. Goodbye.

AUGUSTUS. What! Must you go?

THE LADY. You are so busy.

AUGUSTUS. Yes; but not before lunch, you know. I never can do much
before lunch. And I'm no good at all in the afternoon. From five to six
is my real working time. Must you really go?

THE LADY. I must, really. I have done my business very satisfactorily.
Thank you ever so much [she proffers her hand].

AUGUSTUS [shaking it affectionately as he leads her to the door, but
fast pressing the bell button with his left hand]. Goodbye. Goodbye. So
sorry to lose you. Kind of you to come; but there was no real danger.
You see, my dear little lady, all this talk about war saving, and
secrecy, and keeping the blinds down at night, and so forth, is all very
well; but unless it's carried out with intelligence, believe me, you may
waste a pound to save a penny; you may let out all sorts of secrets to
the enemy; you may guide the Zeppelins right on to your own chimneys.
That's where the ability of the governing class comes in. Shall the
fellow call a taxi for you?

THE LADY. No, thanks: I prefer walking. Goodbye. Again, many, many
thanks.

She goes out. Augustus returns to the writing-table smiling, and takes
another look at himself in the mirror. The clerk returns, with his head
bandaged, carrying a poker.

THE CLERK. What did you ring for? [Augustus hastily drops the mirror].
Don't you come nigh me or I'll split your head with this poker, thick as
it is.

AUGUSTUS. It does not seem to me an exceptionally thick poker. I rang
for you to show the lady out.

THE CLERK. She's gone. She run out like a rabbit. I ask myself why was
she in such a hurry?

THE LADY'S VOICE [from the street]. Lord Augustus. Lord Augustus.

THE CLERK. She's calling you.

AUGUSTUS [running to the window and throwing it up]. What is it? Won't
you come up?

THE LADY. Is the clerk there?

AUGUSTUS. Yes. Do you want him?

THE LADY. Yes.

AUGUSTUS. The lady wants you at the window.

THE CLERK [rushing to the window and putting down the poker]. Yes,
ma'am? Here I am, ma'am. What is it, ma'am?

THE LADY. I want you to witness that I got clean away into the street. I
am coming up now.

The two men stare at one another.

THE CLERK. Wants me to witness that she got clean away into the street!

AUGUSTUS. What on earth does she mean?

The lady returns.

THE LADY. May I use your telephone?

AUGUSTUS. Certainly. Certainly. [Taking the receiver down.] What number
shall I get you?

THE LADY. The War Office, please.

AUGUSTUS. The War Office!?

THE LADY. If you will be so good.

AUGUSTUS. But--Oh, very well. [Into the receiver.] Hallo. This is the
Town Hall Recruiting Office. Give me Colonel Bogey, sharp.

A pause.

THE CLERK [breaking the painful silence]. I don't think I'm awake. This
is a dream of a movie picture, this is.

AUGUSTUS [his ear at the receiver]. Shut up, will you? [Into the
telephone.] What?... [To the lady.] Whom do you want to get on to?

THE LADY. Blueloo.

AUGUSTUS [into the telephone]. Put me through to Lord Hungerford
Highcastle... I'm his brother, idiot... That you, Blueloo? Lady here at
Little Pifflington wants to speak to you. Hold the line. [To the lady.]
Now, madam [he hands her the receiver].

THE LADY [sitting down in Augustus's chair to speak into the telephone].
Is that Blueloo?... Do you recognize my voice?... I've won our bet....

AUGUSTUS. Your bet!

THE LADY [into the telephone]. Yes: I have the list in my wallet....

AUGUSTUS. Nothing of the kind, madam. I have it here in my pocket. [He
takes the envelope from his pocket: draws out the paper: and unfolds
it.]

THE LADY [continuing]. Yes: I got clean into the street with it. I
have a witness. I could have got to London with it. Augustus won't deny
it....

AUGUSTUS [contemplating the blank paper]. There's nothing written on
this. Where is the list of guns?

THE LADY [continuing]. Oh, it was quite easy. I said I was my
sister-in-law and that I was a Hun. He lapped it up like a kitten....

AUGUSTUS. You don't mean to say that--

THE LADY [continuing]. I got hold of the list for a moment and changed
it for a piece of paper out of his stationery rack: it was quite easy
[she laughs: and it is clear that Blueloo is laughing too].

AUGUSTUS. What!

THE CLERK [laughing slowly and laboriously, with intense enjoyment]. Ha
ha! Ha ha ha! Ha! [Augustus rushes at him; he snatches up the poker and
stands on guard.] No you don't.

THE LADY [still at the telephone, waving her disengaged hand behind
her impatiently at them to stop making a noise]. Sh-sh-sh-sh-sh!!!
[Augustus, with a shrug, goes up the middle of the room. The lady
resumes her conversation with the telephone.] What?... Oh yes: I'm
coming up by the 1.35: why not have tea with me at Rumpelmeister's?...
Rum-pel-meister's. You know: they call it Robinson's now... Right. Ta
ta. [She hangs up the receiver, and is passing round the table on her
way towards the door when she is confronted by Augustus.]

AUGUSTUS. Madam, I consider your conduct most unpatriotic. You make bets
and abuse the confidence of the hardworked officials who are doing their
bit for their country whilst our gallant fellows are perishing in the
trenches--

THE LADY. Oh, the gallant fellows are not all in the trenches, Augustus.
Some of them have come home for a few days' hard-earned leave; and I am
sure you won't grudge them a little fun at your expense.

THE CLERK. Hear! hear!

AUGUSTUS [amiably]. Ah, well! For my country's sake--!





End of Project Gutenberg's Augustus Does His Bit, by George Bernard Shaw

*** END OF THIS PROJECT GUTENBERG EBOOK AUGUSTUS DOES HIS BIT ***

***** This file should be named 3487.txt or 3487.zip *****
This and all associated files of various formats will be found in:
        http://www.gutenberg.org/3/4/8/3487/

Produced by Eve Sobol

Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties.  Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark.  Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission.  If you
do not charge anything for copies of this eBook, complying with the
rules is very easy.  You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research.  They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks.  Redistribution is
subject to the trademark license, especially commercial
redistribution.



*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://gutenberg.org/license).


Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A.  By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.  If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B.  "Project Gutenberg" is a registered trademark.  It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.  There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.  See
paragraph 1.C below.  There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works.  See paragraph 1.E below.

1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.  Nearly all the individual works in the
collection are in the public domain in the United States.  If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed.  Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work.  You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D.  The copyright laws of the place where you are located also govern
what you can do with this work.  Copyright laws in most countries are in
a constant state of change.  If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work.  The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1.E.  Unless you have removed all references to Project Gutenberg:

1.E.1.  The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org

1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges.  If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.

1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder.  Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5.  Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6.  You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form.  However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form.  Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.

1.E.7.  Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8.  You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
     the use of Project Gutenberg-tm works calculated using the method
     you already use to calculate your applicable taxes.  The fee is
     owed to the owner of the Project Gutenberg-tm trademark, but he
     has agreed to donate royalties under this paragraph to the
     Project Gutenberg Literary Archive Foundation.  Royalty payments
     must be paid within 60 days following each date on which you
     prepare (or are legally required to prepare) your periodic tax
     returns.  Royalty payments should be clearly marked as such and
     sent to the Project Gutenberg Literary Archive Foundation at the
     address specified in Section 4, "Information about donations to
     the Project Gutenberg Literary Archive Foundation."

- You provide a full refund of any money paid by a user who notifies
     you in writing (or by e-mail) within 30 days of receipt that s/he
     does not agree to the terms of the full Project Gutenberg-tm
     License.  You must require such a user to return or
     destroy all copies of the works possessed in a physical medium
     and discontinue all use of and all access to other copies of
     Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1.F.3, a full refund of any
     money paid for a work or a replacement copy, if a defect in the
     electronic work is discovered and reported to you within 90 days
     of receipt of the work.

- You comply with all other terms of this agreement for free
     distribution of Project Gutenberg-tm works.

1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
Foundation as set forth in Section 3 below.

1.F.

1.F.1.  Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection.  Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3.  YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from.  If you
received the work on a physical medium, you must return the medium with
your written explanation.  The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund.  If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund.  If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4.  Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.

1.F.5.  Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law.  The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.


Section  2.  Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers.  It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need, are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come.  In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at http://www.pglaf.org.


Section 3.  Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service.  The Foundation's EIN or federal tax identification
number is 64-6221541.  Its 501(c)(3) letter is posted at
http://pglaf.org/fundraising.  Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations.  Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
[email protected].  Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at http://pglaf.org

For additional contact information:
     Dr. Gregory B. Newby
     Chief Executive and Director
     [email protected]


Section 4.  Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment.  Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States.  Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements.  We do not solicit donations in locations
where we have not received written confirmation of compliance.  To
SEND DONATIONS or determine the status of compliance for any
particular state visit http://pglaf.org

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States.  U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses.  Donations are accepted in a number of other
ways including checks, online payments and credit card donations.
To donate, please visit: http://pglaf.org/donate


Section 5.  General Information About Project Gutenberg-tm electronic
works.

Professor Michael S. Hart is the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone.  For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.


Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included.  Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.


Most people start at our Web site which has the main PG search facility:

     http://www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.