The Project Gutenberg EBook of The Third Little Pet Book, with the Tale of Mop and Frisk, by Frances Elizabeth Barrow This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: The Third Little Pet Book, with the Tale of Mop and Frisk Author: Frances Elizabeth Barrow Release Date: May 24, 2010 [EBook #32513] Language: English *** START OF THIS PROJECT GUTENBERG EBOOK THE THIRD LITTLE PET BOOK *** Produced by David Edwards, Larry B. Harrison and the Online Distributed Proofreading Team at https://www.pgdp.net THE THIRD LITTLE PET BOOK, WITH THE TALE OF MOP AND FRISK. BY AUNT FANNY, Author of "Night Caps," "Mittens," "Christmas Stories," "Wife's Stratagem," etc., etc. "I LOVE GOD AND LITTLE CHILDREN."--RICHTER. New-York: W. H. KELLEY & BROTHER, 627 BROADWAY. ENTERED, according to Act of Congress, in the year 1863, by W. H. KELLEY & BROTHER, in the Clerk's Office of the District Court of the United States for the Southern District of New-York. JOHN A. GRAY & GREEN, PRINTERS, STEREOTYPERS, AND BINDERS, 16 and 18 Jacob Street, N. Y. [Illustration: Mop saves Hal's life.--P. 42.] THIS TALE OF MOP AND FRISK I DEDICATE TO MY LITTLE FRIEND HOWARD, WHO LIVES ON MURRAY HILL AVENUE. CONTENTS. PART I. THE DOGS LEAVE HOME, 9 PART II. THE DOGS MEET ONCE MORE, 24 MOP'S TALE, 35 FRISK'S TALE, 49 PART III. DASH SEES A PLAY, 85 THE DEATH OF POOR JACK, 118 PART IV. THE CONCLUSION OF FRISK'S TALE, 142 PART V. FRISK FINDS A NEW HOME, 174 MOP AND FRISK; OR, THE TWO DOGS. IN WORDS OF FIVE LETTERS AND LESS. MOP AND FRISK. PART I. THE DOGS LEAVE HOME. In a small town by the side of a lake, there once lived two dogs named Mop and Frisk. Frisk was a pert black and tan dog, with a tail that stood bolt up in the air, and a pair of ears to match; while Mop was a poor old cur, with a head like a worn-out hair-broom; ears like bell-pulls; a mouth that went from ear to ear, and a great bush of a tail. Then he had to drag the cart of an old rag-man round the town, to earn his meals; while Frisk, who lived with a pie-man, had a fine ride in the cart each morn; and all the work he had to do was to bark at the bad boys who tried to steal the pies. The rest of his time he spent in play. One day the old rag-man, who was as cross as ten bears, and far too fond of beer, came out of a shop where he had been to drink, while poor Mop had to wait in the cold. The rag-man's legs went from side to side; he could not walk; so he got in the cart, on top of all the rags, and cried to Mop: "Come, go on, you bad cur, or I'll make you!" and with these words, he let fall a great stick on the back of the poor dog, and gave him a kick with his thick hob-nail shoes. Mop tried to start, but it was more than he could drag. Down came the stick once more; and this time, made quite wild with pain, he gave one yelp and one jump, broke the old ropes that held him to the cart by a great jerk, and made off down the road like a flash. The bad old man did bawl to him to come back; but Mop was too wise for that, and did not stop to see if the wind was west or not, till he came to a part of the town which was quite new to him. The place where our dog now found him-self was a sort of blind court, with the blank wall of a house on each side, and, worse than all, with not the sign of a thing to eat to be seen. "A fly to snap at would be a good thing," said the poor dog with a sigh. "I think I could eat a bit of brick, if I could get one up. But cheer up! it will all come right in time! I'm _free_ at least--that is one good thing!" and he gave three jumps and three barks for joy, so loud that they most took the top of his head off. Just then there came up, at a smart pace, Frisk the pie-man's dog. He held his head in the air as proud as you like. When he saw Mop, he tried to turn up his nose at him, but it was so flat, there was no turn up to it. Then he gave a loud sniff, and said with an air: "Who are you? Where did _you_ come from?" "I am as good a dog as you," said Mop. "My coat is not quite so fine to be sure, and my ears don't stick up so much; but I'm a nice sort of chap for all that. Shake a paw." "What! shake a paw with such an old flop-ear as you? You must be mad." Mop did want to say, "You are a pert, stuck-up cur," but he was too well-bred; so he made a bow, and put his paw on his heart; and said: "I meant no wrong; but I took you for Frisk, the pie-man's dog." "Well, so I am--or so I was, I mean; till last week; but, you see, the trade was too low for a dog of my style--with such ears and such a long tail. I was not made to bark out of the back of a pie-cart at all the rag-tags in town; so I have cut the pie-man, and mean to try high life in some big house. My own aunt lives with a judge; and it will be odd if some rich man does not like my looks, and take me home with him. But I must be off; it would not do to be seen with you, if I hope to rise in the world. A good time to you, my boy. He! he! you are such a beau, you can't fail to cut a dash. G-o-o-d day!" "Stop a bit!" cried Mop, as Frisk ran off. "You don't think much of me _now_ I see, but time may show me to be the best dog yet. What if we were each to try to find a new place, and meet here in a month from now, to tell what has past in the mean time? Don't you think that would be a nice plan?" "Oh! I'll do so if you wish!" said Frisk; "but don't ask me to bow when we meet, I beg; it won't _do_, you know." "Shake a paw then," said Mop. Frisk, very loth, put the tip of one claw on Mop's paw. Then the two dogs stood back to back, and, with a one! two!! three!!! off they went as if a mad bull was at their heels. PART II. THE DOGS MEET ONCE MORE. On the last day of the month, Mop and Frisk, true to their word, came to the place where they last said good-by. But how each one did look to see if his mate were the same dog he last saw! Mop's coat was rough no more--it shone like silk; his ears were cut; he wore a fine brass neck ring, with a new name on it; and his whole air was that of a dog in luck. Poor Frisk was so thin that you could count all his ribs. His tail stood up in the air no more. He hung his head and crept close by the wall, as if he did fear some one would beat him if he dared to run or jump. Good Mop did not look on him with scorn when he saw him in this sad way; but ran up to him on three legs, with one paw held out for "How d'ye do," and his great fly-brush of a tail a-wag for joy. "Why, Frisk, old dog!" he cried, "how glad I am to see you! How have you been this long time?" "O Mop!" said Frisk in a sad tone, "will you speak to me now I am so poor? It is I who am not fit to be seen this time." "Frisk, my good dog," said Mop in a grave tone, "_real_ worth is not a thing of looks. Let me tell you that if I knew you to steal a bone, you would lose my good-will in truth. But I do not look down on dogs if they are poor and good. Come home with me; we can talk more at our ease in my nice house, where you will find some first-rate bones, if you would like them." "O yes! I guess I would!" cried Frisk. So the dogs set off on a trot by the side of a fine lake, on the banks of which the town was built. They soon came to a large house, with a court-yard in front, tall green rails all round, and a great gate by which to go in. There was a small gate near the large one, the latch of which Mop could lift with his nose, for Frisk and him-self to pass; and then the dogs ran round to the back of the house. On one side of the yard Frisk saw a fine dog-house, fit for the king, with a roof that ran to a peak, a porch in front, and a dove-cote on a pole on top. In-side there was a heap of clean, warm hay, and on a blue plate were some nice bones. "There!" said Mop, "don't you call that prime? Help your-self to the bones, Frisk; I can get lots more." Frisk did not wait to be asked twice, but fell to, and soon made way with the legs of a fowl. When these were gone, kind Mop ran to the house and got a beef-bone for him. Poor Frisk ate as if he was not used to such fine fare, and the good dog Mop, who gave up his own meal to feed Frisk, felt as glad as if he had had it all him-self. When Frisk had made an end of the bones, he and Mop laid down in the dog-house; and as Frisk had asked him to do so, Mop told his tale, as you shall hear. But first he asked Frisk to rise, so he could put more of the soft hay on his side. "Do you feel quite warm?" he asked. "O yes! thank you, dear Mop," said Frisk; "as warm as a toast. You will make me cry, if you are so kind to me. When you were poor, I was a cross dog to you. Oh! I can not bear to think how bad I was;" and a great big tear came out of each of Frisk's eyes, and ran off at the end of his nose. "Oh! that is all gone. We will be kind old dogs now, and do all the good we can in the world. And now here goes for the grand tale of all my joys and woes since I saw you." MOP'S TALE. "You know, Frisk, that when we left the court, you chose to go in the town, and I by the lake. I felt sad to think I had no one to care for me in the world. But my watch-word is, 'Don't give it up!' and I could not think that all would leave me to want a bone. So I laid down by the road-side, in hopes to see some one who would take care of me. "First, I saw a man on a fine horse; and as he had no dog, I said to my-self, 'Who knows but what he wants one to keep the flies from his horse's legs!' So I ran by him a short way, when--would you dream the man could be so bad?--he gave me a cut with his whip, that made me hop and yelp for pain. 'Serve you right for a vile cur!' he said with a loud laugh, and on he rode. [Illustration: "There was no room for me, and I had to trot on."--P. 88.] "Next came a blind man; but he had a dog to lead him. The blind man's hat was laid on the ground, and when a cent was put in it, the dog gave one bark; when two cents were put in, he gave two barks, and so on. So, you see, there was no room for me there, and I had to trot on. "At last I saw a small boy and girl trip down the road, hand in hand, with their nurse close by them. They wore such fine coats and hats, that it was plain they were rich; but when the boy put his small hand on my head, and said, 'Good dog,' and the girl did the same, I knew they must be kind too. "So I ran by them, in hopes they would speak to me once more. "There were some wild rose-buds on the bank of the lake, and when the girl saw them she cried: 'O Hal! just see those sweet rose-buds! How nice they look! They have just come out! Won't you pick me a few?' "'Yes, dear May,' said the boy; and he let go her hand and ran to where the rose-buds grew. "'Don't go there, dear child,' cried nurse; 'you may fall in the lake.' "'No I won't! I'll take care,' cried Hal; and as he spoke he bent way down the bank. O me! the earth gave way, his foot did slip, and ere the nurse could run to his aid, the poor child fell, with a loud cry, in the lake. "There was no time to be lost; and, more glad than I can say, that I was on the spot, I leapt in the lake, swam to the side of the child, and in as short a time as it takes to tell, I had his coat in my teeth, and got him safe to shore. "The nurse took her dear boy in her arms and cried for joy; and May was so glad that she put her arms round my wet head, and gave me a long hug. "'We must take the good dog home with us, Miss May,' said nurse, 'and tell your pa-pa what he has done for Hal. And now let me wrap my shawl round you, Hal, and then we must all run home as fast as we can, for fear you may take cold.' "We were soon at this house, where Mr. and Mrs. Grey, the pa-pa and mam-ma of Hal and May, live; and nurse soon told them how I had saved the life of their dear son. "You may think how great was my joy to have them call me, 'Good dog! brave dog! the best dog in the world!' and give me a hug and say I must live with them from that time. "So Mr. Grey sent me out with Hal to the yard; and he got Jim, the groom, to wash and trim me, while May ran to ask the cook for some meat to feed me. The dear child did wish so much to make me glad, that she tied her own white bib round my neck to keep me neat while I ate, and fed me with her own hand; while Hal, and a wee bit of a girl, who came to see them, did look on. [Illustration: "She fed me with her own hand."--P. 46.] "It was not quite as much to my taste as hers to be fed; but she was so full of the fun of it, that I would not for the world have made one growl. "Next day their pa-pa got me this nice house, and Hal put round my neck the brass ring you see me wear; which they say has on it: 'To Dash, the good dog, from Hal and May.'" When Mop, or Dash, as we must now call him, had come to an end, Frisk drew a deep sigh, and said: "Well, Dash, as that is your name, if I had been as good as you, I might be as well off by this time; but I think, when you hear what a sad life I have led for the past month, you will say I am well paid for my fine airs to you. So now to my tale." FRISK'S TALE. "I made haste to the best part of the town, when I left you and the court, and, late in the day, found my-self in a fine place. Near the best house was a group of three small boys; they were at play with some small, round, smooth stones; and when one stone hit the next, a boy could cry out: 'That is mine!' "Well, for my sins, I came to a halt just in front of these boys. [Illustration: "Near the best house was a group of three small boys."--P. 50.] "'Oh! oh! look at that nice dog!' cried one whose name I found was Bob. 'I guess he is lost. I mean to have him for my dog.' "'No, you shall not,' said Ned, the next in size. 'He shall be my dog.' "'No, he shall be mine,' said Sam. 'I want him! I _will_ have him!' and on that they all tore up the steps of the house, and burst in-to a room where their mam-ma was, with: "'Ma, I want the dog!' "'Ma, give me the dog!' "'No, no, no, ma!--me! me! me!' "'O dear! what a noise!' said their mam-ma. 'Do be still. If you want the dog, take him; but don't whine, or go on as if you all had the tooth-ache.' "All this time I was such a gump, I sat quite still; but when I saw the boys come out and rush at me with rude words, I said to my-self, 'Come on, Frisk; I do not think it will do to get a new place here.' So I made up my mind to take to my heels; when, O my dog-star! down came a great bat on my head, and the three boys fell on me all at once; grab'd me by the ears, tail, and one leg, at the same time, and would have torn me to bits, I am sure, if their mam-ma had not come and made Bob and Ned let go. "I was put in the front room then, in a whole skin, and here, in spite of all he could do, I broke from Sam and hid my-self at the back of a couch that stood by the fire-place. "'Now what's to be done?' said Sam. "'Let's hunt him out with sticks,' said Ned. "'Good! come on!' cried Bob and Sam; and with-out more words, Bob armed him-self with the broom, and Ned and Sam got canes, as if they were in chase of some wild beast, and all flew, with a loud whoop! to bang poor me out of my strong-hold. "I don't know what would have been my fate, if I had not hit on what to do just in time. The sides and front of the couch, by good luck, came down past the seat, and bands of broad tape were put from side to side, to keep the white slip in its place. I gave a jump, made out to land on the tapes, and sat on them in great fear lest they might give way. "It was well I did so; for the boys made their sticks fly from side to side at such a rate, that the first blow would have been the death of me. This game went on for some time, till they were quite at a loss to know why I did not come out or make a cry. "'Why where _can_ he be?' cried Sam. 'Look and see, quick!' "Ned went down on his knees--'Why he's gone!' he said with a gasp. "'O the b-a-a-d thing!' cried Sam. 'Ma! ma! our dog's lost! Boo! hoo! hoo!' and to my great joy, all three left the room to treat their dear 'ma' to a howl. Oh! how I _did_ long to snap at their legs. "By this time so much fluff and dust had got up my nose in my close nook, that I was fit to choke; and as the boys were gone, I dared to come out. There was a large arm-chair close by, with a deep, soft seat that was just to my taste. I hopt in, laid down, and was soon in a fine nap. "Think, then, what was my state of mind to wake up with a yell and a land-slide on top of me! Up flew a fat old dame from the arm-chair, where she had just sat down, as if she was shot! Bang! came a great gilt book, that she let fall in her start, right on the end of my poor tail, as I leapt to the floor! 'E-e-e!' went she; 'yi! yi! yi!' went I; and 'Hur-ra! here's the dog!' cried Ned, as he came bang in at the door, caught me by one ear, and ran up to the top floor with me in wild joy; which put the last touch to my woes! "Once in their play-room, the bad boys made me drag a toy-cart full of dirt, ran straws in-to my ears, beat me with sharp sticks, and shot peas at me out of a pop-gun. They kept up these nice plays till tea-time; when they were so kind as to let me go, and treat me to a few old scraps of cold meat for my share of the meal. "When tea was done, their mam-ma bid them go right to work and learn their tasks; and, with pouts and whines from all three, they sat down. As soon as their mam-ma left the room, Ned took out of his desk a mouse-trap, with a poor wee mouse in it, all in a shake of fear, and cried: 'Here, Sam, just see what I've got! An't that gay?' [Illustration: "Ned took from his desk a mouse-trap."--P. 64.] "'What? what? let me look!' cried Bob, who had sat till now with his legs spread out, and a book be-fore him up-side down. "'No, you shan't. Go 'way!' said Ned, in a whine. "'I will! I will!' Bob did bawl; and as he spoke he did jump up and give Ned's hair a great pull! Then Sam gave Bob a punch, and the three boys did fight and kick each other at a fine rate; in the midst of which pow-wow I left the room, and ran off down the back stair. "Here the maids were more kind to me than the boys; for cook made me a nice soft bed in a box, and gave me some bones to pick; while Jane, the maid, took me in her lap, and let me sleep there, snug and warm, till she went to bed. "But you could no more guess what the next day had in store for me, than you could say how deep the sea is; so I will tell you. "Just as Jane came in with the tea-tray, and cook had got a tin pan to pour me out some milk, down came those vile boys full tilt, to grab hold of me once more. The kind cook asked them to let me be, till I had had my milk; but she might as well have asked the wind not to blow; and with Bob to hold me, and Ned and Sam to mount guard on each side, they made haste once more to the play-room. "When they had me safe, and the door shut, Bob cried in great glee: 'Now, boys, I tell you what we'll do: let's play our dog was a slave, that we had caught just as he was on the point to run off. We will tie him by the fore paws and flog him well.' "Oh! oh! how I felt when I heard these words! My hair stood on end with fear. I threw my-self on the floor, and cried for help. Ah me! no help came. One would think they might have felt for a poor dog that could not help it-self. But no; they were with-out heart. "Bob found a cord, and tied my feet to a large nail in the wall. Ned and Sam did each fetch the strap that they had round their task-books, and then these bad boys beat me till I felt as if I must die. "At last they heard their mam-ma call from her room, 'Boys, boys, come right to your tasks--it is past nine o'clock;' for she did teach them her-self I found out. At the sound of her voice, they left off, and ran to the door to beg for a short time more. "Now was my time at last. I freed my paws by a great jerk, shot past Sam's legs, flew down the stair, and out of the house; for by great good luck, Jane had just gone to the door to let in the post-man. I am glad to say I sent Sam too down the stair like a shot, with a boot-jack and a pair of tongs, which Ned and Bob threw, and which were meant for me, at his heels. This made up, in part, for the pain he had put me to. But, oh! how sore and lame I was! I sank on the earth when I was clear out of sight, and felt as if my death was near. If it had not been for what next took place, my end would have come that day; but as I lay there all in a shake, I heard a child's voice say: 'O dear Fred! here is such a poor dog! Just see! he looks half dead! Let us stop and pat him!' "'Dear me! Poor toad!' cried Fred. 'Where could he have come from? Pat him well; don't fear.' "Her soft hand on my head made me raise my eyes, and I saw a boy and girl of nine and ten years old. They did not seem to be rich, but they were just as neat and nice as two pins, and their kind looks and words made me feel sure they were good. "'Poor dog! I fear he wants food,' went on Nell. 'I mean to give him a bit to eat, Fred.' "'Let me feed him too!' cried the boy. 'Here, take my knife and cut some bread for him.' "Nell took a loaf from the bag on her arm, and with Fred's knife cut off a good thick slice. She gave half to him, and they broke it in bits and fed me by turns. "'You dear pet,' said Nell, with a sigh, 'how I wish I could take you with me! But we are too poor; it can not be.' "'Oh! don't you think mam-ma would let us have him?' cried Fred. "'No, dear,' said Nell; 'we must not think of it. Come, bid the dog good-by, and let us make haste home.' "I could but lick her hand to thank her for the food, and as I could rise now, I felt that it was best to run on. [Illustration: "Good-by, dear doggy!"--P. 78.] "'Good-by, you dear doggy!" cried both; and they did stand and watch me till I was out of their sight. Oh! how I did wish I could go home with them! "Just as I did turn round the end of the street, I heard an odd sound----" Here Frisk rose in haste and said: "But I dare not stay, dear Dash; I ought now to be at home. Some day when I can get out, I will come and tell you the rest of my sad tale, for the worst part is yet to come." "But where must you go, Frisk?" said Dash. "Why, to the show, where I play," said Frisk. "You play! Can you act?" cried Dash. "Yes! come out-side. Now, just see here!" and while Dash did stare at him, with his mouth and eyes so wide open that you would not think he could close them at all, Frisk stood on his hind legs, and went thro' a jig, with a look on his face as if he had lost his last hope; then fell down on the grass, stiff and stark, as if he had been shot; got up, made a low bow, and then went lame on three legs. "Dear me!" cried Dash, "how smart you are! Where _did_ you learn all that?" "It would take a long time to tell," said Frisk. "If I can, I will come and see you next week, and you shall then hear all. Now, good-by." "Here, take this nice sweet bone with you," cried Dash. "Good-by, old chap. I hope I shall see you soon;" and the good dog went back to his house, full of Frisk's tale. He tried so hard to think of a way to do him some good, that he got quite a bald spot on the top of his head, and at last laid down with his nose in his paws, to sleep on it, and dream of bones with-out end; for, you know, he gave up his own to feed one worse off than him-self. Good Dash! I hope each dear girl and boy who reads this will try to be like him, for that is the way to be loved by all. PART III. DASH SEES A PLAY. The same eve, when Mr. Grey came home he said in a sly way: "I see there is a show of dogs, who dance and act a play, in town; but Hal and May do not care to see them, I know." "O yes! yes! we want to go!" cried both at once. "Do take us to see them, pa-pa." "Well, get your hats then," said Mr. Grey, "and we will go." "Let's take Dash," said May. "He wants to see the dog-show too!" Her pa-pa said, with a laugh, that he did not think Dash would care to see a play; but Hal and May did beg so hard, that at last he said they might take Dash if they chose. So the two ran up the stair in high glee to their nurse, who put on May's round straw hat and silk sack, and got her nice black mitts to put on her wee hands. May said, "I want to put on my mitts my-self, nurse;" so nurse said she might do so, and went on to dress Hal. But when May went to put the mitts on, she was in such haste, that she tried to get the right mitt on the left hand. The mitt would not go on, of course, and she cried out: "Why, nurse, this is all wrong; it's got no thumb at all!" How Hal and nurse did laugh when they saw what May had done! May had to laugh too, when nurse did show her that the mitts were quite right, if they were put on in the right way. They had great fun. But their pa-pa came to bid them make haste; so they told nurse good-by, and ran down the stair, hand in hand, as gay as two larks. Dash came to join them in the court-yard, and soon they were all four on their way to the show. But, dear me! when the man at the door of the show saw Dash, he said: "I can't let dogs in, sir." Here was a blow! and May, with her sweet blue eyes quite sad, cried out: "But you will let our Dash in, Mr. Show-man, won't you? You don't know what a good dog he is; he saved Hal's life!" Now when the show-man heard dear May say this, and saw her sweet face and blue eyes raised to his, he could not help a smile, and said: "Well, for such a dear pet, I must say, yes. Dash may go in, but he must lie still and make no noise. One bark, and out he goes!" "Oh! he will be as still as a deaf and dumb mouse!" cried Hal and May both at once. So, to the great joy of all, Dash went in. Hal and May took their seats with their pa-pa on a long bench, in a large room full of gay folks, and Dash sat on the floor close by them. There was a stage at one end of the room; a fall of green baize hung in front of it. In a short time a bell went "ting-a-ling! ting-a-ling!" and up rose the baize. Then Dash saw a small house, with a grape-vine at the side and tall trees, which he took for real ones, but Mr. Grey said were wood and green paint. You could see a green field at the back of the stage, and high hills, while the blue sky was as clear as it was out of doors. Mr. Grey had a bill with the names of the dogs that were to act on it, and Dash heard him read it to Hal and May. The name of the play was: THE DEATH OF POOR JACK, THE RUN-A-WAY. JACK, FRISK. COL. GRAPE-SHOT, TRIP. THE GUARD, TRAY AND WASP. JACK'S MAM-MA, FAN. THE SEXTON, SNAP. THE JUDGE, SHORT. Dash, when he found Frisk was to act, scarce drew a breath for fear he should lose a bit of the play, and sat so still that not a hair moved. First, in came two dogs on their hind-legs as the guard, in red coats and caps and blue pants. They had guns too; and they had such an odd look with their own tails up in the air out-side their coat-tails, and their head held as stiff as ram-rods to keep their caps on, that all the folks burst out in a laugh. Then the guard did peep round all the trees, and in all the holes they could find, on a hunt for Jack; and when they did not find him, they shook their heads as if to say: "No one here! that's a fact!" At last one of the guard went to rap at the door of the house. He gave such a hard knock, that he shook his cap down on one eye, and had to hold his head on one side, as if he had the tooth-ache, so as to see at all. It made him feel so bad, that he went off in a pet to the back of the stage, and left the guard whose cap was all right to knock for him-self. This one was so short, that he had to make a jump and stand on tip-toe to do it. Out came a dog in the dress of an old dame, who, Mr. Grey said, was Jack's mam-ma. She wore a black gown, a white cap, and plaid shawl, and had a work-bag on her arm, or fore-leg, and a big pair of specs tied on her nose. When she saw the guard, she spread out her paws, and gave each a look in turn, as if to ask what they came there for. The short guard made signs to her, to show they were on a hunt for a man who had left the camp with-out leave. The old dame shook her head at this, and put a paw on her heart, as if to say _she_ hadn't heard of such a thing; but the one-eyed guard shook _his_ head too, and did point thro' the door, as much as to say that the man was in _there_, he was sure. Then the old dame shook her head once more, and spread her skirt to keep them out of the house; but the guard were too smart for that. They aimed their guns at the wall of the house, to shoot Jack if he was in-side; and when the old dame saw that, she moved from the door-way, with a high squeak, and let them pass. In they went full tilt, and the one-eyed guard, in his haste, quite lost sight of his part, let fall his gun, and ran off on all four legs! It pains me to tell that a sad yelp was heard in-side the house, as if he had got a box on the ear for this fault; and Dash could not but think that to act was not such fine fun as you might take it to be. Soon out came the guard, with Jack held fast by both fore-legs, and the old dame at their backs, who cried with all her might and main. The run-a-way, who was Frisk to be sure, wore a coat and cap like the guard, and made a sad noise at his hard fate. He put his paw on his heart, and cast up his eyes as if to beg them to let him off; but they shook their heads. Then he held out both paws to his mam-ma, and she ran to him, put her paws round his neck, and did kiss him as well as she could. The guard gave him a pull to make him come. Frisk did kiss his paw and wave his cap to his mam-ma, who fell down in a swoon; and then they all three did march off. And that was the end of Part One. Just as the scene was to close, the old dame did lift up her head and fore-paws and look round. When she saw it was not time, she fell down once more; so flat, that all the folks burst out in a laugh. I fear they would not have been so gay if they knew how the poor dog was beat by the show-man, when the play was done, for this small fault. Next came a horn-pipe by a dog in a Scotch dress. He did it so well, that all the folks did clap their hands, and want him to do it once more; but it was now time for Part Two of the play; and he ran off with a low bow. When the baize was drawn up once more, the small house was gone, and a high desk was set on one side of the stage, with a bench in front for Col. Grape-shot. And at the desk sat the judge who was to try Jack for his life. The dog who was judge wore a fine black silk gown, with white fur down the front; he had white bands at his neck, and a great white wig on top of his ears, which made him look droll, I can tell you. And now, O dear! the deep roll of a drum was heard, and in came, one by one, a sad set in-deed! First did march the dog who beat the drum, and next to him Col. Grape-shot, in a grand blue and gold coat; a gold-laced hat, with red and white plumes; white pants, with a red stripe down each leg, and a sword by his side. Then came the guard with Jack, and, last of all, a dog with a long box in a hand-cart, which he drew. O dear! dear! this was to put poor Jack in when he was dead. The dog wore a black coat and an old red night-cap; and tied fast to one leg was a spade. He led the poor mam-ma by the paw, and once in a while tried to cheer her up; for he would lift his leg and give her a kind pat on the back with the end of his spade. But I think this did more harm than good, for each time he did so she gave a short howl, and half fell down. But now the guard, with Jack and Col. Grape-shot, were in a row in front of the judge, who waved his paw, and made a bow, as much as to say: "Go on." Col. Grape-shot, on this, did first point to Jack, and then pat the bench he sat on, as much as to say he had bid him stay in the camp. Then he shut his eyes, and leant his head on his right paw, to show that he went to sleep, and then he made two or three quick steps to the back of the stage, to let them know that Jack had run off while he slept. Then he shut his eyes once more, woke up with a start, flew to the guard, and, with a bark and a growl and a yap! yap! yap! let them know that Jack had cut off, and they must go and find him. Then he did point to the guard and Jack, to tell the judge that the run-a-way was found; and at last he made a low bow, and spread out his paws, by which, I dare say, he meant that his part was at an end. And now it was the turn of the judge, and he must say what was to be done to a man who was so bad as to run out of camp in time of war. The judge cast up his eyes, and threw up his paws, as if it was a sad shock to him to hear that Jack had been so bad. Then he did point to the guns of the guard and to Jack, and did nod his head as if he would nod it off. It was too plain! Poor Jack must be shot! His mam-ma, when she saw this, ran to the judge and fell on her knees; that is, she sat down on her hind-legs, with her paws held out, to beg him to let Jack off; but he shook his head "no." Then she did the same to Col. Grape-shot; but it was all of no use. Jack put his paws round her neck, and did kiss her good-by, at which Hal and May cried quite hard, and then gave him-self up to the guard. They took him to the back of the stage, put a white cloth on his eyes, and made him kneel down. Then they stood in front of him, side by side, put up their guns, and, flash! bang!! off went two shots; and poor Jack fell dead on the stage! [Illustration: "Flash!, bang! off went two shots!"--P. 118.] Down popt his mam-ma once more in a swoon; while the guard took off the lid of the box, and put Jack in-side, who laid as stiff as a ram-rod. The dog who drew the hand-cart put on the lid, and went off first; then the Col. and judge, arm in arm; then the guard, who had to drag Jack's mam-ma by the arms, and didn't seem to like it much; and last, the dog who beat the drum and who did bang a-way for dear life all the time. But just as the folks were quite in tears for the fate of poor Jack, in came the dog with the hand-cart full tilt, and in a great scare; for the lid of the box was half off, and you could see one of Jack's paws stuck out of a crack on top. All at once, off flew the lid, and out came Jack in a new dress, to dance a jig, and show that he had come to life once more, and was just as good as new. Oh! how the folks did laugh at this, and clap their hands! while Jack went on to show all his queer tricks. First, he held up both his legs on his right side, and took a walk with the two on his left side; then he leapt thro' a ring or hoop, that was let down from the top of the stage, and took a turn round in the air as he went; and, by way of a wind up, he stood on his head in the ring, and let him-self be drawn up out of sight, as the green baize came down. O dear! how much May and Hal liked all this, while Dash did not know how in the world Frisk could do it; and when all the boys and girls were as full as they could hold of the fun of the thing, Dash had as much as he could do to keep in a howl of grief; for, you must know, the dog could tell by poor Frisk's face that all this was no fun to him. And now the show was done, and it was time to go home. As they went, May and Hal had a nice long talk. May said: "O dear Hal! how I wish we had a dog that knew how to dance! What fun, when Sue and Kate Brown came, to have him show off!" "Dear pa-pa, do buy one for us, won't you?" said Hal. "O my! buy that queer dog--what was his name?--the one that stood on two legs, and on the top of his head, and was shot--that one!" When Dash heard Hal ask his pa-pa to buy Frisk, his heart went pit-a-pat, and he gave a short, glad bark, which meant, "O yes! _do_ buy Frisk!" "But," said pa-pa, "you know that Frisk acts 'Jack, the Run-a-way;' and what if I should buy him, and he should trot off the next day! You know Dash could not have a red coat on, and run on his hind-legs to bring Frisk back; and what would you do then?" Then Dash did wish with all his might that he could talk, "O dear!" he said to him-self; "I would give all my ears, and half my nose, if I could let them know that Frisk would not run off;" and then, strange to say, his love and wish to help Frisk made him get up on his hind-legs, and put his fore-paws up in the air; and he gave such a droll whine, that May and Hal burst out in a laugh, and said, "Look, pa-pa! just look at Dash! He too begs you to buy Frisk!" and then they both went and stood one on each side of the dog, put their hands up, and made such a queer whine just like him, that it was the best fun in the world to see and hear them. "But," said pa-pa, "if the show-man will sell him to me, do you not know it would be wrong to make the poor dog keep up his tricks?" "Wrong! why how, pa-pa?" "Well, my dears, it seems too sad a thing to tell you, but it is too true. The show-man has to beat his dogs, and starve them, to get them to learn the tricks that made you laugh so much. You saw how thin they were, and you heard them cry out, when they left the stage. If they made the least slip or mis-take, they got a hard blow for it. In this way they find out that they must do all their tricks quite right, or they will have the whip laid on their poor thin sides and heads; and so not a day goes by that the dogs are not starved and made to feel the whip. "Oh! oh!" cried Hal and May, "we did not know that. _We_ would not beat or starve a dog, or a cat, or a worm. What a bad show-man! We would like to beat _him_." "Oh! I hope not," said pa-pa. "The show-man may not think that dogs feel as much as we do. But I know you will be kind to all. I know you would not strike Dash, if he, by chance, broke one of your toys or hurt you in play." "O no! in-deed," they both cried; and they ran up to the dog, and gave him a good hug, and a kiss on the top of his head. You may be sure that Dash had not lost one word of all this talk; and he was still more sad when he knew how much poor Frisk had to bear. He made up his mind to tell Frisk to run off, and come to him. "I will hide him in my house till the show-man goes," he said to him-self. "I saw a great ham-bone on the shelf to-day. I know it will fall to my share, and, oh! won't it be good! I will give this to Frisk, and eat bits of bread. Yes, I will save up all the nice bones for him. Was he not a good dog?" But a whole week went by, and no Frisk. The ham-bone got quite dry; and Dash was sure poor Frisk must be ill or dead. At last one day, when Dash had lost all hope, he heard the pit-a-pat of four small feet in the yard. He had just gone in his house to take a short nap; but, I can tell you, he made but one jump out, for there was Frisk, on all fours, to be sure, but with his blue pants on his hind-legs, his red coat on his fore-legs, with the coat-tails, one on each side of his own tail, which was up in the air in an arch of joy, for here he was a real, true run-a-way. Dash flew to meet him. "Why, Frisk!" he cried; "make haste--fast--come--get right in my house. Don't mind if you tear those old coat-tails with the thorn-bush. There! that's the thing!--here you are, all safe! Now tell me, how _did_ you get off?" Frisk had run so fast that he could not speak; he could just pant, and lay his head on Dash's, with a look full of love. At last he said: "O Dash! I have run off in the midst of the play--the show-man struck me so hard for what I could not help--for my cap fell off--and I did think I must die with the pain. O Dash! if you knew what I have gone thro', your heart would break, and you would say, I did right to run a-way." The big tears ran down his nose, and his sobs did seem as if they would choke him; and Dash gave such a long howl of woe, that it makes me cry as I write these words, and I am quite sure you will cry as you read them. Then Dash got out all his best bones to feed poor Frisk, who ate as if he had not seen a bone an inch long in a month. When he had done, Dash said: "Now, dear Frisk, if you feel like it, tell me all you have gone thro'." So they sat down, and while the tears ran down Dash's nose, Frisk told the rest of his sad tale. PART IV. THE CONCLUSION OF FRISK'S TALE. You will bear in mind, Dash, that I left off where the good child fed me with bread. Well, this made me strong, and I went on my way. Soon I heard a sound, like that of a flute or fife; it was quite near, but I could see no one. All at once, a great mob of boys and men came down the road, and made a crowd close by me. I went in the midst of them to find out what it all meant. Dear me! it was some-thing queer to be sure. There was a man with a big drum fast to his back, which he beat with a drum-stick tied to one of his feet. In the front of his coat was a set of Pan's pipes, out of which he blew the tune the old cow died of. In his left hand he held a whip, while in his right was a cord, which led three dogs. The first one was an old dog, with bow-legs, who when the crowd did stop, got up on his hind-legs, and gave a look round at the two be-hind, who stood, right up on their hind-legs, all in a grave, glum way. One of these was in the dress of a girl. She had on a large round hat, full of big red bows. The hat was so big, and shook so much, that it did seem as if her head, hat, and all, would drop off, if it got a hard knock. "The dog with the bow-legs wore a blue coat, a flat hat with a broad brim, and such a high shirt col-lar, that the sharp ends all but put his eyes out. He had a pair of specs tied on his black nose with twine. The third had on a cap and coat like those of a small boy. And all did look as if they were on their way to be hung. "Then the man made a jig tune on his pipe, and beat the drum with his foot till he was as red as fire in the face, while the dogs kept time with hop, skip, and jump, with one eye on the whip. "The men and boys were full of the fun. O dear! how they did clap their hands and laugh! and I, great goose that I was, stood on _my_ hind-legs, to try how it felt, and kept near the dogs all day, and saw them dance at least ten times. "At last, when the sun had set, the man came to an old house, and let him-self in with a key; the dogs went in too, while I stood out-side on two legs, to try to peep thro' a small crack in the door. Soon there came--oh! such a good smell of hot beef-bones. I felt as if I would give all four of my legs for just one bone. "I gave the door a push, and found it moved; and then, to make a long tale short, I went in; for I said to my-self: 'The man may beat me to death, but if I stay here I shall starve to death; so I can but try for a bone.' "I found my-self in a low, dark room. The walls were black with dirt and smoke. The dogs lay in one part of the room, and the man sat by the fire. On a hook was a great pot, and from this came such a nice smell, that all the dogs, and I with them, did lick our lips the whole time. "And now there came in the room an old dame, with a dry, brown face, for all the world like the nut-shell dolls the pie-man's boy used to make. "'Well, John,' she said, 'have you had a good day?' "'Yes, Gran-ny; I took a hat full of cents. See here, what a lot of them! But that dog there, he lost me a three cent piece to-day; so he goes with-out his bone.' "The poor dog with the bow-legs gave a great howl when he heard this; but the show-man hit him on the nose with his whip, and he slunk off, while the big tears ran in a stream down his face. "The rest stood on their hind-legs in a row, while the old dame with the nut-shell face took the pot from the fire. "'Here,' said she to the show-man, 'hold the dish while I pour the stew out.' "Oh! how it did smoke! and what a fine smell it had! The man got a loaf of bread and two blue plates from the shelf, and a knife and fork for each; and then they went to work to eat as fast as they could, while the dogs and I did look on with all the eyes we had. When the show-man had eat-en all he could, he took some more meat, cut it up in bits, and said: 'Now, I shall give each dog a bit in turn. Look sharp you! If the wrong dog starts when I call, he gets none at all. Now then, Pete!' "The dog in the cap made a jump and one snap, and the meat was gone. "'Now then, Hop!' said the man; and the dog in the girl's hat got it; and then it was Pete's turn, while poor Bob with the bow-legs, who lost the three cents, kept up a kind of soft howl and a sob, as if his heart would break. "All this time I did think I must die for want of food, and I made up my mind to stand on my hind-legs till the show-man gave me some meat too. So I got up and did not fall, while you could count ten, then I ran up to the show-man, and stood on my hind-legs at his side. "'Why bless me, dame!' he cried, 'where did this dog come from?' "'Where to be sure,' said the dame; 'you let him in your-self.' "'Did I, Gran-ny? Well, that is queer. I did not see him. He seems to know how to stand up--sit down, sir.' "Down I went like a flash. "'Get up, sir,' and up I got once more as stiff as a po-ker. "'Why don't you take him for one of your set,' said the old dame. 'He must be lost, for just see here! his name is on the brass ring round his neck.' Then she put on a pair of old horn specs to spell my name out. 'F-r-i-s-k Frisk; what a nice name! and what a clean, trim chap he is! Why, John, he would be a great help to you, he seems so smart.' "'So he would,' said the man. 'He would soon learn to dance, and he knows now how to stand up. I can soon teach him more. Here, you, sir! take that!' and he threw me a large bit of meat, which I was glad to get, you may be sure. Then I took the rest of my share in my turn with Pete and Hop, and, O dear! how nice it was, and how glad I was to get it! "When we had eat all up, the show-man took off the hats and coats of his dogs, and sent them and me to sleep in a large flat box, that stood at the end of the room. It was full of straw and quite nice. "Then the man sat down by the fire to smoke his pipe and have a chat with his old brown nut-shell Gran-ny. "I was so glad to rest, that I went fast to sleep right off. But, O dear! O dear! the next morn, it was sad as it could be, for I had to learn to dance a jig, and stand on my head, and he beat me so, that I had a fit. I did think he would break each bone I had, and the more I cried the more he beat me. "But I had to learn; and in two weeks' time I went out with the rest. "One day the same man I ran from to-day saw me dance in the street. He was a big show-man, and had dog plays, and was quite rich and great; so he tried to buy me. I heard him tell _my_ man, that the dog who used to play 'Jack, the Run-a-way,' was just dead, and I would make a first-rate Jack in his place. "So he paid, I don't know how much, and got me, and set me to learn my part. O my dear Dash! my life was one scene of hard blows and hard fare. The poor wee dog who acts the old dame in the play is worse off than I, for she is so weak, that she can not do her part well; and oh! how he beats her! She has told me more than once that she would be glad to die, and I get quite wild when I think I can not help her. If the bad man would whip me for her, I would be glad to take it, tho' I get blows all the time for my own share." "Oh! how sad!" cried Dash, the big tears in his eyes. "What a bad, bad man! How glad I am you have run a-way from him. But what shall we do to hide you?" "Dear Dash, if you will keep me here for four or five days, I may get some one to take me, who is as good and kind as Mr. Grey, and then some day I will try to show you how much I feel what you _have_ done and _will do_ for me." "Don't speak of it," said Dash. "It is as much of a joy to _do_ good as to have good done to one's self. You shall stay here with me, dear Frisk! and we will wait and see what comes of it." "O you good old dog! you dear Dash! I will stay in your house all the time. I will be as still as a drum with a hole in it." "Yes, and I know you will come out all right at last. I tell you what! I heard May and Hal ask their pa-pa to buy you. O my! they want you so much!" "Do they? O dear! then I can stay here all the rest of my life." And in his joy he tried to stand on his head; but the roof of the dog-house was too low, and his legs came down on top of Dash's back, and gave him quite a start. "But," said Dash, "I must tell you that May and Hal said you were to dance for them." "O dear! if that is all, I will dance the whole day for a good home." So the two dogs kept house for a week, and Dash went out and got the bones, while Frisk made the straw beds, and swept the scraps out with his paws for a broom. Not the tip of his nose did he show in the day-time, but at night he took a run round the lawn to get the twist out of his legs. The fat old cook in the house said she did not know how Dash could eat so much; for he would beg for bones five or six times a day. She was a good old soul, and she gave him all the bones she had, and he would lick her hand and wag his tail, and all but speak to thank her. At last one day, Dash heard Mr. Grey say that the show-man had gone a-way. He had tried his best to find Frisk. He said he would give a large sum to get him back; and all the boys in town went out to hunt the poor dog. But they did not find him, as you and I know. PART V. FRISK FINDS A NEW HOME. And now, as I shall tell you, one day May and Hal went out on the lawn, when lo! there stood Frisk, first on his hind-legs, and then on his head; then he danced a jig, and then ran up to lick their hands. "O my! O look! here is that dear Jack we saw in the play," cried May. "Yes, so it is! Why, Jack, where _did_ you hide all this time?" said Hal, and he gave him a soft pat, and May put her white arms round his neck. Tears of joy stood in Frisk's eyes, and he ran with May and Hal and Dash up to the house, where their pa-pa and mam-ma were. You may be sure the two went hard to work to kiss and coax pa-pa to let Jack or Frisk stay. They asked him to look how thin the poor dog was, and how sad it would be to send him back to the show-man, who would beat him, and may-be kill him, he would be in such a rage. "O now, dear pa-pa! do let him live with us!" they cried; "_we_ will not beat him, and he may dance or not, as he likes. Come, we will kiss you ten times;" and they both got his face down, and gave them to him on each cheek at the same time, and made him and mam-ma laugh so, they could not speak a word for quite a while. Well, the end of all this long tale is, that Mr. Grey wrote to the show-man, and said he had got his dog, Frisk, and he would like to keep him. I do not dare to tell you how much he said he would give to buy him; but it was such a large sum, that the show-man took it. And now Jack--Frisk, as they call him--and Dash have each a house to live in, but they eat and take their naps in one, for they love to get as close, side by side, as they can. Frisk stands on his hind-legs and his head, and does his jig dance in great style for May and Hal, and all the boys and girls who come to see them. If _you_ want to see him, you must speak quick; for I fear he will soon be so fat, with all the nice bones and kind words he gets, that his hind-legs won't hold him up. But of this you may be quite sure, that Frisk and Dash will have a good home as long as they live, and when they die of old age, if you don't cry for their sad loss, May and Hal will; for, you know, Dash saved Hal's life; and life is dear to the young when they have no sad times, but joy and fun each day. And now May, and Hal, and Dash, and Frisk, must bid you good-by. If you want to hear how they get on, you must come and tell me, and if you give me a good kiss, I will let you know. Good-by! my dear pets! May the good God bless you all. [Transcriber's Note: * Pg 38 Added "period" after "88" in "P. 88". * Pg 135 Added "closing quotation" to ending of "not a good dog?".] End of the Project Gutenberg EBook of The Third Little Pet Book, with the Tale of Mop and Frisk, by Frances Elizabeth Barrow *** END OF THIS PROJECT GUTENBERG EBOOK THE THIRD LITTLE PET BOOK *** ***** This file should be named 32513.txt or 32513.zip ***** This and all associated files of various formats will be found in: https://www.gutenberg.org/3/2/5/1/32513/ Produced by David Edwards, Larry B. Harrison and the Online Distributed Proofreading Team at https://www.pgdp.net Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away--you may do practically ANYTHING with public domain eBooks. Redistribution is subject to the trademark license, especially commercial redistribution. *** START: FULL LICENSE *** THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg-tm mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase "Project Gutenberg"), you agree to comply with all the terms of the Full Project Gutenberg-tm License (available with this file or online at https://gutenberg.org/license). Section 1. General Terms of Use and Redistributing Project Gutenberg-tm electronic works 1.A. By reading or using any part of this Project Gutenberg-tm electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg-tm electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg-tm electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. "Project Gutenberg" is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg-tm electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg-tm electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg-tm electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" or PGLAF), owns a compilation copyright in the collection of Project Gutenberg-tm electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is in the public domain in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg-tm mission of promoting free access to electronic works by freely sharing Project Gutenberg-tm works in compliance with the terms of this agreement for keeping the Project Gutenberg-tm name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg-tm License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg-tm work. The Foundation makes no representations concerning the copyright status of any work in any country outside the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg-tm License must appear prominently whenever any copy of a Project Gutenberg-tm work (any work on which the phrase "Project Gutenberg" appears, or with which the phrase "Project Gutenberg" is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org 1.E.2. If an individual Project Gutenberg-tm electronic work is derived from the public domain (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase "Project Gutenberg" associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg-tm electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg-tm License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg-tm. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg-tm License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg-tm work in a format other than "Plain Vanilla ASCII" or other format used in the official version posted on the official Project Gutenberg-tm web site (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original "Plain Vanilla ASCII" or other form. Any alternate format must include the full Project Gutenberg-tm License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg-tm works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg-tm electronic works provided that - You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg-tm works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg-tm trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, "Information about donations to the Project Gutenberg Literary Archive Foundation." - You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg-tm License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg-tm works. - You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. - You comply with all other terms of this agreement for free distribution of Project Gutenberg-tm works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from both the Project Gutenberg Literary Archive Foundation and Michael Hart, the owner of the Project Gutenberg-tm trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread public domain works in creating the Project Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm electronic works, and the medium on which they may be stored, may contain "Defects," such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right of Replacement or Refund" described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg-tm trademark, and any other party distributing a Project Gutenberg-tm electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg-tm electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg-tm electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg-tm work, (b) alteration, modification, or additions or deletions to any Project Gutenberg-tm work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg-tm Project Gutenberg-tm is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg-tm's goals and ensuring that the Project Gutenberg-tm collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg-tm and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation web page at https://www.pglaf.org. Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation's EIN or federal tax identification number is 64-6221541. Its 501(c)(3) letter is posted at https://pglaf.org/fundraising. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state's laws. The Foundation's principal office is located at 4557 Melan Dr. S. Fairbanks, AK, 99712., but its volunteers and employees are scattered throughout numerous locations. Its business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email [email protected]. Email contact links and up to date contact information can be found at the Foundation's web site and official page at https://pglaf.org For additional contact information: Dr. Gregory B. Newby Chief Executive and Director [email protected] Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg-tm depends upon and cannot survive without wide spread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit https://pglaf.org While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg Web pages for current donation methods and addresses. Donations are accepted in a number of other ways including including checks, online payments and credit card donations. To donate, please visit: https://pglaf.org/donate Section 5. General Information About Project Gutenberg-tm electronic works. Professor Michael S. Hart was the originator of the Project Gutenberg-tm concept of a library of electronic works that could be freely shared with anyone. For thirty years, he produced and distributed Project Gutenberg-tm eBooks with only a loose network of volunteer support. Project Gutenberg-tm eBooks are often created from several printed editions, all of which are confirmed as Public Domain in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our Web site which has the main PG search facility: https://www.gutenberg.org This Web site includes information about Project Gutenberg-tm, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.