The Project Gutenberg EBook of When Day is Done, by Arnold Castle
This eBook is for the use of anyone anywhere in the United States and
most other parts of the world at no cost and with almost no restrictions
whatsoever. You may copy it, give it away or re-use it under the terms
of the Project Gutenberg License included with this eBook or online at
www.gutenberg.org. If you are not located in the United States, you'll
have to check the laws of the country where you are located before using
this ebook.
Title: When Day is Done
Author: Arnold Castle
Release Date: December 5, 2019 [EBook #60849]
Language: English
*** START OF THIS PROJECT GUTENBERG EBOOK WHEN DAY IS DONE ***
Produced by Greg Weeks, Mary Meehan and the Online
Distributed Proofreading Team at http://www.pgdp.net
When Day is Done
By ARNOLD CASTLE
_If there is a bit of the jungle
in every man--why not put every
man into a bit of the jungle?_
[Transcriber's Note: This etext was produced from
Worlds of If Science Fiction, May 1960.
Extensive research did not uncover any evidence that
the U.S. copyright on this publication was renewed.]
It was three in the afternoon and quitting time at Utopian Appliances,
Inc. Bertram J. Bernard, the firm's stocky, thick-jawed president,
waited discreetly at his desk for a few minutes, then closed the file
he had been studying, bid his secretary a pleasant evening, and strode
calmly out of the office.
He did not want to appear eager, and succeeded superbly in that.
Joining several junior executives, he conversed genially with them
as they descended to the rapid-transit floor. Three of the bright,
confident young men decided to stop for a quick one at the building's
plush saloon. Well, that was okay--Bernard had been a late-runner in
his youth. But now, well into middle age, he had learned that life had
other demands and pleasures.
"Have a good run, B. B.," said Watkins, the treasurer, at the rap-tran
gate. "Gloria's coming in on the three-thirty and we're going to dinner
and then some musical or other she's been dying to see."
So Bernard entered the rap-tran alone, though surrounded by scores of
pushing, jabbering strangers. Finding a seat on the aisle, next to a
electronics company vice-president whom he knew slightly, he engaged
in trade conversation during the five minutes it took the monorail to
reach his stop. He and the electronics executive got off, as did about
half of the rap-trans passengers, mostly middle-aged men like himself.
Early-runners.
The escalator from the monorail stop descended directly into the
Jungle Station beneath. In the large lobby the crowd dispersed and
Bernard was again alone when he reached the dressing rooms. This was
not surprising, he reflected; not many members of his Jungle Station
could afford the elaborate private locker unique to this wing of the
building. He pressed his thumbprint to the lock and the door slid back.
Inside, he undressed completely, noting with critical satisfaction the
strength and color of his body in the full-length mirror at one end of
the locker. He quickly packed his clothes, shoes, and briefcase into a
small suitcase, with delivery instructions on the top. Then he climbed
into his jungle suit--knee-length shorts, sweat shirt, rubber-soled
shoes, and hip holster.
He checked the frequency setting on the sonic pistol, adjusting it to
the panthers who were reported in ascendancy. As a last thought, merely
a whim, he glanced down at the station emblem on his sweat shirt, just
to enjoy the sense of pride he derived from the large red "U-F" above
it.
Of course there were getting to be more and more ulcer-frees these
days, but that did not make it any less a matter for pride. And anyway
several factions were pressing determinedly for a neurosis-free
insignia. Though there were complications there. Oh, well, the
important thing's the run, he remembered.
In the lobby again he deposited his suitcase at the delivery window.
Then he stopped at the bulletin board to read the ascendancy ratings
for the day. These were official, therefore several days outdated, but
one could extrapolate. Panthers were dropping into third position,
behind polar bears, with giraffes at the top by a good margin.
Outside the building he ran into a tipster and decided he had best buy
a dope sheet. He gave the seedy little man a dollar bill and looked
over the page.
"Keep it right where you got it, Mac," the man whispered hoarsely,
nodding toward the pistol at Bernard's side. "I got it straight, dem
pant'ers is all over de place. Watch out at de water hole, specially."
* * * * *
Glancing swiftly over the page, Bernard saw that fifty panthers had
entered this sector of the jungle overnight, with a herd of fifteen
giraffes headed well toward the south. But he also noted that there
had been three deaths from polar bears in the past week in his sector
alone. Fortunately, the frequency readjustment from panthers to polar
bears was an easy one, three clicks clockwise with the thumb. He would
have to remember about the water hole, though it was either that or
going above the rapids. The sharks below the rapids were pretty thick
during the summer.
"Thanks, bud," he told the tipster. Then he strode, still calm, to
the wall. Expertly he clambered up its handholds, till he reached the
top, thirty feet from the ground. On the other side lay the jungle,
its lush tropical growth hiding from his alert eyes the danger that
lurked within. He popped a Verve pill into his mouth and chewed on it
thoughtfully.
Far in the distance, some five miles at the narrowest point, rose the
outer wall. Between the two prowled a variety of ambivalent robot
beasts, now ready to dismember him, but on weekends adjusted to
take small boys and girls for short rides or simply to stalk about
picturesquely.
Drawing his pistol and placing it between his teeth, Bernard leaped to
the ground between the wall and a large low palm. At once the pistol
was again in his hand. But nothing moved. Now he could see clearly the
path he must take.
Bending low, he trotted along through the undergrowth. It soon began
to clear, and still no danger in sight. He holstered the pistol and
advanced, half-walking, half-running, till he could hear the hiss of
the rapids. Enough noise to mask the sounds of a dozen panthers, he
thought. But it covered his own footsteps, too, and panthers were more
phonotropic than polar bears, the latter having a preference for radar
spotting.
Coyotes were the worst, of course, with their damned infrared
thermo-sensors. They could spot a runner even when he was in cover.
Fortunately they were scarce and getting more so. Bernard had only
encountered a coyote twice, deactivating it both times. But he had been
lucky. He recalled the story about that city councilman....
An hour later he arrived at the river, a half-mile above the rapids
and well away from the water hole. He had seen only one beast in the
first three miles of his trek, a giraffe hobbling along in olfactory
pursuit of another runner far to the right. Giraffes were mainly a
nuisance, though they could kick and trample a man. Bernard had heard
of such a thing happening, but it was a rarity. They were too easy to
elude.
He crossed the river on a log raft he found, which had evidently been
rigged to dump him in about halfway across. At least he had got that
far on it he told himself, as he struck out for the shore. For one
horrible moment he thought he detected a shark upstream, but it was
merely the shadow of a large palm leaf. He had a strong and sensible
fear of sharks.
A mile farther found him crawling over the rocky ground as the growls
of panthers reached his acute ears from behind a ridge of brush. If
they heard him, they ignored him, perhaps more interested in other
quarry. His knees and arms were scraped but not bleeding, and at last
he was able to get to his feet to make better time.
It was then that he heard the girl's scream.
* * * * *
No regulation in the rule book discriminated against women becoming
runners, but only a few of the millions who worked at offices and
plants in the city did so. Also there was nothing in the code about
helping other runners. Each was entirely on his own, free to help or
be helped, or not helped, if he chose.
Bernard would never have called for help for himself. But the sound of
the woman's cry appealed to another side of his nature. He changed his
direction, but moved with great caution now. Soon he saw her, and froze.
She was clad as he, different sector emblem, but the same proudly borne
"U-F" on her sweater. Her face and body were young and attractive, but
her long dark hair was tangled and wet, and her limbs mud-spattered.
She had screamed only once, and now her small lipsticked mouth hung
open with terror.
Backed against a tree, she gaped in horror, waiting, as three panthers
approached from as many directions. Her sonic lay on the ground outside
the circle. It was obvious that she was finished if Bernard did not
assist her.
Raising his hand till the pistol sight was where he wanted it, he
modified the angle adjustment till all of the animals were within
its range. Then he depressed the trigger several times. Two fell and
the third animal leaped at the girl. But she twisted around the tree
and Bernard picked off the panther as it readied itself for a second
spring. At once the girl dived for her pistol. Proper response, Bernard
thought approvingly. Then she ran toward him and threw herself against
him, breathing deeply in that position for several moments.
Bernard felt strongly the strength and zest of youth as he held the
girl in his arms. Then they turned and walked together to the outer
wall, which was less than half a mile away. There was no danger from
the deactivated panthers, which would remain out of commission for half
an hour. So they had no reason to hurry.
Bernard helped her climb the wall, though she seemed quite adept at it
herself. On the other side they emerged upon the street. Across the
street lay the acres and acres of homes which were the city's eastern
suburbia.
"Oh, it was just horrible!" the girl finally cried. "All at once they
sprang. From nowhere. I tripped and my sonic fell out of the holster.
I'd be _dead_ if it weren't for you!"
"Very true," Bernard agreed. "You'll be more careful in the future, I
hope."
"If only I could thank you in some way. I owe you so much. My apartment
is just up the next street. Only a few blocks. Wouldn't you like to
stop in for a drink? I'm sure you're as tired as I."
But Bernard declined. He walked her home, then continued on, unaware of
the envious glances of young children as he passed. Unaware of other
runners, early-runners, middle-aged men like himself, also walking the
streets, wearily but not stooping, not frowning.
How good a warm shower would be, thought Bernard, as he entered the
last mile. His wife would probably want a drink, so there would be that
too. And dinner. He was _hungry_.
Ulcer-free and happy, he walked the last mile in contentment. The
office was something that had happened long ago, would happen again
tomorrow, but could never invade his thoughts that night. And he knew
exactly how his wife would greet him at the door.
* * * * *
"Hello, darling. How was the run?" she asked, kissing him as he came
into the house. "You only made fair time this evening. Something
happen?"
"No, pretty routine. Panthers are on the increase. I came across
three of them attacking a girl runner. Works as a copy writer in the
city. She claims that the jungle cured her ulcers completely. Really
remarkable."
"Mmm-hmm," said Virginia, taking his holster. "Attractive, no doubt. I
suppose she tried to seduce you. I've heard stories about those jungle
women."
"Nothing of the sort. Just suggested I drop in for a drink. After all,
she was grateful."
What nonsense, he told himself as he showered, Virginia suggesting that
the girl had intended to seduce him. Oh, well, what difference did it
make?
Man, that hot water felt good! Even on his scratched legs and arms.
How many years had he been making the run now? Twenty-three, almost. In
a way he could consider himself a sort of a pioneer. And to think that
the only reason he had started jungle running in the first place was to
please a supervisor! Those days everyone did it.
As he dried himself off, hearing the tinkle of cocktails in the living
room, he wondered if the panthers would move south, away from the water
hole, before tomorrow's run.
End of the Project Gutenberg EBook of When Day is Done, by Arnold Castle
*** END OF THIS PROJECT GUTENBERG EBOOK WHEN DAY IS DONE ***
***** This file should be named 60849.txt or 60849.zip *****
This and all associated files of various formats will be found in:
http://www.gutenberg.org/6/0/8/4/60849/
Produced by Greg Weeks, Mary Meehan and the Online
Distributed Proofreading Team at http://www.pgdp.net
Updated editions will replace the previous one--the old editions will
be renamed.
Creating the works from print editions not protected by U.S. copyright
law means that no one owns a United States copyright in these works,
so the Foundation (and you!) can copy and distribute it in the United
States without permission and without paying copyright
royalties. Special rules, set forth in the General Terms of Use part
of this license, apply to copying and distributing Project
Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
concept and trademark. Project Gutenberg is a registered trademark,
and may not be used if you charge for the eBooks, unless you receive
specific permission. If you do not charge anything for copies of this
eBook, complying with the rules is very easy. You may use this eBook
for nearly any purpose such as creation of derivative works, reports,
performances and research. They may be modified and printed and given
away--you may do practically ANYTHING in the United States with eBooks
not protected by U.S. copyright law. Redistribution is subject to the
trademark license, especially commercial redistribution.
START: FULL LICENSE
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full
Project Gutenberg-tm License available with this file or online at
www.gutenberg.org/license.
Section 1. General Terms of Use and Redistributing Project
Gutenberg-tm electronic works
1.A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg-tm electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg-tm electronic work and you do not agree to be bound
by the terms of this agreement, you may obtain a refund from the
person or entity to whom you paid the fee as set forth in paragraph
1.E.8.
1.B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this
agreement and help preserve free future access to Project Gutenberg-tm
electronic works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation ("the
Foundation" or PGLAF), owns a compilation copyright in the collection
of Project Gutenberg-tm electronic works. Nearly all the individual
works in the collection are in the public domain in the United
States. If an individual work is unprotected by copyright law in the
United States and you are located in the United States, we do not
claim a right to prevent you from copying, distributing, performing,
displaying or creating derivative works based on the work as long as
all references to Project Gutenberg are removed. Of course, we hope
that you will support the Project Gutenberg-tm mission of promoting
free access to electronic works by freely sharing Project Gutenberg-tm
works in compliance with the terms of this agreement for keeping the
Project Gutenberg-tm name associated with the work. You can easily
comply with the terms of this agreement by keeping this work in the
same format with its attached full Project Gutenberg-tm License when
you share it without charge with others.
1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are
in a constant state of change. If you are outside the United States,
check the laws of your country in addition to the terms of this
agreement before downloading, copying, displaying, performing,
distributing or creating derivative works based on this work or any
other Project Gutenberg-tm work. The Foundation makes no
representations concerning the copyright status of any work in any
country outside the United States.
1.E. Unless you have removed all references to Project Gutenberg:
1.E.1. The following sentence, with active links to, or other
immediate access to, the full Project Gutenberg-tm License must appear
prominently whenever any copy of a Project Gutenberg-tm work (any work
on which the phrase "Project Gutenberg" appears, or with which the
phrase "Project Gutenberg" is associated) is accessed, displayed,
performed, viewed, copied or distributed:
This eBook is for the use of anyone anywhere in the United States and
most other parts of the world at no cost and with almost no
restrictions whatsoever. You may copy it, give it away or re-use it
under the terms of the Project Gutenberg License included with this
eBook or online at www.gutenberg.org. If you are not located in the
United States, you'll have to check the laws of the country where you
are located before using this ebook.
1.E.2. If an individual Project Gutenberg-tm electronic work is
derived from texts not protected by U.S. copyright law (does not
contain a notice indicating that it is posted with permission of the
copyright holder), the work can be copied and distributed to anyone in
the United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase "Project
Gutenberg" associated with or appearing on the work, you must comply
either with the requirements of paragraphs 1.E.1 through 1.E.7 or
obtain permission for the use of the work and the Project Gutenberg-tm
trademark as set forth in paragraphs 1.E.8 or 1.E.9.
1.E.3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any
additional terms imposed by the copyright holder. Additional terms
will be linked to the Project Gutenberg-tm License for all works
posted with the permission of the copyright holder found at the
beginning of this work.
1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.
1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.
1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including
any word processing or hypertext form. However, if you provide access
to or distribute copies of a Project Gutenberg-tm work in a format
other than "Plain Vanilla ASCII" or other format used in the official
version posted on the official Project Gutenberg-tm web site
(www.gutenberg.org), you must, at no additional cost, fee or expense
to the user, provide a copy, a means of exporting a copy, or a means
of obtaining a copy upon request, of the work in its original "Plain
Vanilla ASCII" or other form. Any alternate format must include the
full Project Gutenberg-tm License as specified in paragraph 1.E.1.
1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.
1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works
provided that
* You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg-tm works calculated using the method
you already use to calculate your applicable taxes. The fee is owed
to the owner of the Project Gutenberg-tm trademark, but he has
agreed to donate royalties under this paragraph to the Project
Gutenberg Literary Archive Foundation. Royalty payments must be paid
within 60 days following each date on which you prepare (or are
legally required to prepare) your periodic tax returns. Royalty
payments should be clearly marked as such and sent to the Project
Gutenberg Literary Archive Foundation at the address specified in
Section 4, "Information about donations to the Project Gutenberg
Literary Archive Foundation."
* You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he
does not agree to the terms of the full Project Gutenberg-tm
License. You must require such a user to return or destroy all
copies of the works possessed in a physical medium and discontinue
all use of and all access to other copies of Project Gutenberg-tm
works.
* You provide, in accordance with paragraph 1.F.3, a full refund of
any money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days of
receipt of the work.
* You comply with all other terms of this agreement for free
distribution of Project Gutenberg-tm works.
1.E.9. If you wish to charge a fee or distribute a Project
Gutenberg-tm electronic work or group of works on different terms than
are set forth in this agreement, you must obtain permission in writing
from both the Project Gutenberg Literary Archive Foundation and The
Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
trademark. Contact the Foundation as set forth in Section 3 below.
1.F.
1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
works not protected by U.S. copyright law in creating the Project
Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
electronic works, and the medium on which they may be stored, may
contain "Defects," such as, but not limited to, incomplete, inaccurate
or corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged disk or
other medium, a computer virus, or computer codes that damage or
cannot be read by your equipment.
1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.
1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium
with your written explanation. The person or entity that provided you
with the defective work may elect to provide a replacement copy in
lieu of a refund. If you received the work electronically, the person
or entity providing it to you may choose to give you a second
opportunity to receive the work electronically in lieu of a refund. If
the second copy is also defective, you may demand a refund in writing
without further opportunities to fix the problem.
1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of
damages. If any disclaimer or limitation set forth in this agreement
violates the law of the state applicable to this agreement, the
agreement shall be interpreted to make the maximum disclaimer or
limitation permitted by the applicable state law. The invalidity or
unenforceability of any provision of this agreement shall not void the
remaining provisions.
1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in
accordance with this agreement, and any volunteers associated with the
production, promotion and distribution of Project Gutenberg-tm
electronic works, harmless from all liability, costs and expenses,
including legal fees, that arise directly or indirectly from any of
the following which you do or cause to occur: (a) distribution of this
or any Project Gutenberg-tm work, (b) alteration, modification, or
additions or deletions to any Project Gutenberg-tm work, and (c) any
Defect you cause.
Section 2. Information about the Mission of Project Gutenberg-tm
Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new computers. It
exists because of the efforts of hundreds of volunteers and donations
from people in all walks of life.
Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future
generations. To learn more about the Project Gutenberg Literary
Archive Foundation and how your efforts and donations can help, see
Sections 3 and 4 and the Foundation information page at
www.gutenberg.org Section 3. Information about the Project Gutenberg
Literary Archive Foundation
The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation's EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg Literary
Archive Foundation are tax deductible to the full extent permitted by
U.S. federal laws and your state's laws.
The Foundation's principal office is in Fairbanks, Alaska, with the
mailing address: PO Box 750175, Fairbanks, AK 99775, but its
volunteers and employees are scattered throughout numerous
locations. Its business office is located at 809 North 1500 West, Salt
Lake City, UT 84116, (801) 596-1887. Email contact links and up to
date contact information can be found at the Foundation's web site and
official page at www.gutenberg.org/contact
For additional contact information:
Dr. Gregory B. Newby
Chief Executive and Director
[email protected]
Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation
Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.
The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To SEND
DONATIONS or determine the status of compliance for any particular
state visit www.gutenberg.org/donate
While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.
International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.
Please check the Project Gutenberg Web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations. To
donate, please visit: www.gutenberg.org/donate
Section 5. General Information About Project Gutenberg-tm electronic works.
Professor Michael S. Hart was the originator of the Project
Gutenberg-tm concept of a library of electronic works that could be
freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg-tm eBooks with only a loose network of
volunteer support.
Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as not protected by copyright in
the U.S. unless a copyright notice is included. Thus, we do not
necessarily keep eBooks in compliance with any particular paper
edition.
Most people start at our Web site which has the main PG search
facility: www.gutenberg.org
This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.
