Fishin' Jimmy

By Annie Trumbull Slosson

The Project Gutenberg EBook of Fishin' Jimmy, by Annie Trumbull Slosson

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org


Title: Fishin' Jimmy

Author: Annie Trumbull Slosson

Release Date: May 23, 2004 [EBook #12417]

Language: English


*** START OF THIS PROJECT GUTENBERG EBOOK FISHIN' JIMMY ***




Produced by Al Haines




FISHIN' JIMMY


BY

ANNIE TRUMBULL SLOSSON


AUTHOR'S EDITION




1889




FISHIN' JIMMY

It was on the margin of Pond Brook, just back of Uncle Eben's, that
I first saw Fishin' Jimmy.  It was early June, and we were again at
Franconia, that peaceful little village among the northern hills.

The boys, as usual, were tempting the trout with false fly or real
worm, and I was roaming along the bank, seeking spring flowers, and
hunting early butterflies and moths.  Suddenly there was a little
plash in the water at the spot where Ralph was fishing, the slender
tip of his rod bent, I heard a voice cry out, "Strike him, sonny,
strike him!" and an old man came quickly but noiselessly through
the bushes, just as Ralph's line flew up into space, with, alas! no
shining, spotted trout upon the hook.  The new comer was a spare,
wiry man of middle height, with a slight stoop in his shoulders, a
thin brown face, and scanty gray hair.  He carried a fishing-rod,
and had some small trout strung on a forked stick in one hand.  A
simple, homely figure, yet he stands out in memory just as I saw
him then, no more to be forgotten than the granite hills, the
rushing streams, the cascades of that north country I love so well.

We fell into talk at once, Ralph and Waldo rushing eagerly into
questions about the fish, the bait, the best spots in the stream,
advancing their own small theories, and asking advice from their
new friend.  For friend he seemed even in that first hour, as he
began simply, but so wisely, to teach my boys the art he loved.
They are older now, and are no mean anglers, I believe; but they
look back gratefully to those brookside lessons, and acknowledge
gladly their obligations to Fishin' Jimmy.  But it is not of these
practical teachings I would now speak; rather of the lessons of
simple faith, of unwearied patience, of self-denial and cheerful
endurance, which the old man himself seemed to have learned,
strangely enough, from the very sport so often called cruel and
murderous.  Incomprehensible as it may seem, to his simple
intellect the fisherman's art was a whole system of morality, a
guide for every-day life, an education, a gospel.  It was all any
poor mortal man, woman, or child, needed in this world to make him
or her happy, useful, good.

At first we scarcely realized this, and wondered greatly at certain
things he said, and the tone in which he said them.  I remember at
that first meeting I asked him, rather carelessly, "Do you like
fishing?"  He did not reply at first; then he looked at me with
those odd, limpid, green-gray eyes of his which always seemed to
reflect the clear waters of mountain streams, and said very
quietly: "You would n't ask me if I liked my mother--or my wife."
And he always spoke of his pursuit as one speaks of something very
dear, very sacred.  Part of his story I learned from others, but
most of it from himself, bit by bit, as we wandered together day by
day in that lovely hill-country.  As I tell it over again I seem to
hear the rush of mountain streams, the "sound of a going in the
tops of the trees," the sweet, pensive strain of white-throat
sparrow, and the plash of leaping trout; to see the crystal-clear
waters pouring over granite rock, the wonderful purple light upon
the mountains, the flash and glint of darting fish, the tender
green of early summer in the north country.

Fishin' Jimmy's real name was James Whitcher.  He was born in the
Franconia Valley of northern New Hampshire, and his whole life had
been passed there.  He had always fished; he could not remember
when or how he learned the art.  From the days when, a tiny,
bare-legged urchin in ragged frock, he had dropped his piece of
string with its bent pin at the end into the narrow, shallow
brooklet behind his father's house, through early boyhood's season
of roaming along Gale River, wading Black Brook, rowing a leaky
boat on Streeter or Mink Pond, through youth, through manhood, on
and on into old age, his life had apparently been one long day's
fishing--an angler's holiday.  Had it been only that?  He had not
cared for books, or school, and all efforts to tie him down to
study were unavailing.  But he knew well the books of running
brooks.  No dry botanical text-book or manual could have taught him
all he now knew of plants and flowers and trees.

He did not call the yellow spatterdock Nuphar advena, but he knew
its large leaves of rich green, where the black bass or pickerel
sheltered themselves from the summer sun, and its yellow balls on
stout stems, around which his line so often twined and twisted, or
in which the hook caught, not to be jerked out till the long,
green, juicy stalk itself, topped with globe of greenish gold, came
up from its wet bed.   He knew the sedges along the bank with their
nodding tassels and stiff lance-like leaves, the feathery grasses,
the velvet moss upon the wet stones, the sea-green lichen on
boulder or tree-trunk.  There, in that corner of Echo Lake, grew
the thickest patch of pipewort, with its small, round,
grayish-white, mushroom-shaped tops on long, slender stems.  If he
had styled it Eriocaulon septangulare, would it have shown a closer
knowledge of its habits than did his careful avoidance of its
vicinity, his keeping line and flies at a safe distance, as he
muttered to himself, "Them pesky butt'ns agin!"  He knew by sight
the bur-reed of mountain ponds, with its round, prickly balls
strung like big beads on the stiff, erect stalks; the little
water-lobelia, with tiny purple blossoms, springing from the waters
of lake and pond.  He knew, too, all the strange, beautiful
under-water growth: bladderwort in long, feathery garlands,
pellucid water-weed, quillwort in stiff little bunches with
sharp-pointed leaves of olive-green,--all so seldom seen save by
the angler whose hooks draw up from time to time the wet, lovely
tangle.  I remember the amusement with which a certain well-known
botanist, who had journeyed to the mountains in search of a little
plant, found many years ago near Echo Lake, but not since seen,
heard me propose to consult Fishin' Jimmy on the subject.  But I
was wiser than he knew.  Jimmy looked at the specimen brought as an
aid to identification.  It was dry and flattened, and as unlike a
living, growing plant as are generally the specimens from an
herbarium.  But it showed the awl-shaped leaves, and thread-like
stalk with its tiny round seed-vessels, like those of our common
shepherd's-purse, and Jimmy knew it at once.  "There's a dreffle
lot o' that peppergrass out in deep water there, jest where I
ketched the big pick'ril," he said quietly.  "I seen it nigh a foot
high, an' it 's juicier and livin'er than them dead sticks in your
book."  At our request he accompanied the unbelieving botanist and
myself to the spot; and there, looking down through the sunlit
water, we saw great patches of that rare and long-lost plant of the
Cruciferse known to science as Subularia aquatica.  For forty years
it had hidden itself away, growing and blossoming and casting
abroad its tiny seeds in its watery home, unseen, or at least
unnoticed, by living soul, save by the keen, soft, limpid eyes of
Fishin' Jimmy.  And he knew the trees and shrubs so well: the alder
and birch from which as a boy he cut his simple, pliant pole; the
shad-blow and iron-wood (he called them, respectively, sugarplum
and hard-hack) which he used for the more ambitious rods of maturer
years; the mooseberry, wayfaring-tree, hobble-bush, or triptoe,--it
has all these names, with stout, trailing branches, over which he
stumbled as he hurried through the woods and underbrush in the
darkening twilight.

He had never heard of entomology.  Guenee, Hubner, and Fabricius
were unknown names; but he could have told these worthies many new
things.  Did they know just at what hour the trout ceased leaping
at dark fly or moth, and could see only in the dim light the
ghostly white miller?  Did they know the comparative merits, as a
tempting bait, of grasshopper, cricket, spider, or wasp; and could
they, with bits of wool, tinsel, and feather, copy the real
dipterous, hymenopterous, or orthopterous insect?  And the birds:
he knew them as do few ornithologists, by sight, by sound, by
little ways and tricks of their own, known only to themselves and
him.  The white-throat sparrow with its sweet, far-reaching chant;
the hermit-thrush with its chime of bells in the calm summer
twilight; the vesper-sparrow that ran before him as he crossed the
meadow, or sang for hours, as he fished the stream, its unvarying,
but scarcely monotonous little strain; the cedar-bird, with its
smooth brown coast of Quaker simplicity, and speech as brief and
simple as Quaker yea or nay; the winter-wren sending out his
strange, lovely, liquid warble from the high, rocky side of Cannon
Mountain; the bluebird of the early spring, so welcome to the
winter-weary dwellers in that land of ice and show, as he

  "From the bluer deeps
  Lets fall a quick, prophetic strain,"

of summer, of streams freed and flowing again, of waking, darting,
eager fish; the veery, the phoebe, the jay, the vireo,--all these
were friends, familiar, tried and true to Fishin' Jimmy.  The cluck
and coo of the cuckoo, the bubbling song of bobolink in buff and
black, the watery trill of the stream-loving swamp-sparrow, the
whispered whistle of the stealthy, darkness-haunting whippoorwill,
the gurgle and gargle of the cow-bunting,--he knew each and all,
better than did Audubon, Nuttall, or Wilson.  But he never dreamed
that even the tiniest of his little favorites bore, in the
scientific world, far away from that quiet mountain nest, such
names as Troglodytes hyemalis or Melospiza palustris.  He could
tell you, too, of strange, shy creatures rarely seen except by the
early-rising, late-fishing angler, in quiet, lonesome places: the
otter, muskrat, and mink of ponds and lakes,--rival fishers, who
bore off prey sometimes from under his very eyes,--field-mice in
meadow and pasture, blind, burrowing moles, prickly hedge-hogs,
brown hares, and social, curious squirrels.

Sometimes he saw deer, in the early morning or in the dusk of the
evening, as they came to drink at the lake shore, and looked at him
with big, soft eyes not unlike his own.  Sometimes a shaggy bear
trotted across his path and hid himself in the forest, or a
sharp-eared fox ran barking through the bushes.  He loved to tell
of these things to us who cared to listen, and I still seem to hear
his voice saying in hushed tones, after a story of woodland sight
or sound: "Nobody don't see 'em but fishermen.  Nobody don't hear
'em but fishermen."




II

But it was of another kind of knowledge he oftenest spoke, and of
which I shall try to tell you, in his own words as nearly as
possible.

First let me say that if there should seem to be the faintest tinge
of irreverence in aught I write, I tell my story badly.   There was
no irreverence in Fishin' Jimmy.  He possessed a deep and profound
veneration for all things spiritual and heavenly; but it was the
veneration of a little child, mingled as is that child's with
perfect confidence and utter frankness.  And he used the dialect of
the country in which he lived.

"As I was tellin' ye," he said, "I allers loved fishin' an' knowed
't was the best thing in the hull airth.  I knowed it larnt ye more
about creeters an' yarbs an' stuns an' water than books could tell
ye.  I knowed it made folks patienter an' commonsenser an'
weather-wiser an' cuter gen'ally; gin 'em more fac'lty than all the
school larnin' in creation.  I knowed it was more fillin' than
vittles, more rousin' than whisky, more soothin' than lodlum.  I
knowed it cooled ye off when ye was het, an' het ye when ye was
cold.  I knowed all that, o' course--any fool knows it.  But--will
ye b'l'eve it?--I was more 'n twenty-one year old, a man growed,
'fore I foun' out why 't was that away.  Father an' mother was
Christian folks, good out-an'-out Calv'nist Baptists from over
East'n way.  They fetched me up right, made me go to meetin' an'
read a chapter every Sunday, an' say a hymn Sat'day night a'ter
washin'; an' I useter say my prayers mos' nights.  I wa'n't a bad
boy as boys go.  But nobody thought o' tellin' me the one thing,
jest the one single thing, that 'd ha' made all the diffunce.  I
knowed about God, an' how he made me an' made the airth, an'
everything an' once I got thinkin' about that, an' I asked my
father if God made the fishes.  He said 'course he did, the sea an'
all that in 'em is; but somehow that did n't seem to mean nothin'
much to me, an' I lost my int'rist agin.  An' I read the Scripter
account o' Jonah an' the big fish, an' all that in Job about
pullin' out levi'thing with a hook an' stickin' fish spears in his
head, an' some parts in them queer books nigh the end o' the ole
Test'ment about fish-ponds an' fish-gates an' fish-pools, an' how
the fishers shall l'ment--everything I could pick out about fishin'
an' seen; but it did n't come home to me; 't wa'n't my kind o'
fishin' an' I did n't seem ter sense it.

"But one day--it's more 'n forty year ago now, but I rec'lect it
same 's 't was yest'day, an' I shall rec'lect it forty thousand
year from now if I 'm 'round, an' I guess I shall be--I
heerd--suthin'--diffunt.  I was down in the village one Sunday; it
wa'n't very good fishin'--the streams was too full; an' I thought I
'd jest look into the meetin'-house 's I went by.  'T was the ole
union meetin'-house, down to the corner, ye know, an' they had n't
got no reg'lar s'pply, an' ye never knowed what sort ye 'd hear, so
't was kind o' excitin'.

"'T was late, 'most 'leven o'clock, an' the sarm'n had begun.
There was a strange man a-preachin', some one from over to the
hotel.  I never heerd his name, I never seed him from that day to
this; but I knowed his face.  Queer enough I 'd seed him a-fishin'.
I never knowed he was a min'ster; he did n't look like one.  He
went about like a real fisherman, with ole clo'es an' an ole hat
with hooks stuck in it, an' big rubber boots, an' he fished, reely
fished, I mean--ketched 'em.  I guess 't was that made me liss'n a
leetle sharper 'n us'al, for I never seed a fishin' min'ster afore.
Elder Jacks'n, he said 't was a sinf'l waste o' time, an' ole
Parson Loomis, he 'd an idee it was cruel an' onmarciful; so I
thought I 'd jest see what this man 'd preach about, an' I settled
down to liss'n to the sarm'n.

"But there wa'n't no sarm'n; not what I 'd been raised to think was
the on'y true kind.  There wa'n't no heads, no fustlys nor
sec'ndlys, nor fin'ly bruthrins, but the first thing I knowed I was
hearin' a story, an' 't was a fishin' story.  'T was about Some
One--I had n't the least idee then who 't was, an' how much it all
meant--Some One that was dreffle fond o' fishin' an' fishermen,
Some One that sot everythin' by the water, an' useter go along by
the lakes an' ponds, an' sail on 'em, an' talk with the men that
was fishin'.  An' how the fishermen all liked him, 'nd asked his
'dvice, an' done jest 's he telled 'em about the likeliest places
to fish; an' how they allers ketched more for mindin' him; an' how
when he was a-preachin' he would n't go into a big meetin'-house
an' talk to rich folks all slicked up, but he 'd jest go out in a
fishin' boat, an' ask the men to shove out a mite, an' he 'd talk
to the folks on shore, the fishin' folks an' their wives an' the
boys an' gals playin' on the shore.  An' then, best o' everythin',
he telled how when he was a-choosin' the men to go about with him
an' help him an' larn his ways so 's to come a'ter him, he fust o'
all picked out the men he 'd seen every day fishin', an' mebbe
fished with hisself; for he knowed 'em an' knowed he could trust
'em.

"An' then he telled us about the day when this preacher come along
by the lake--a dreffle sightly place, this min'ster said; he 'd
seed it hisself when he was trav'lin' in them countries--an' come
acrost two men he knowed well; they was brothers, an' they was
a-fishin'.  An' he jest asked 'em in his pleasant-spoken, frien'ly
way--there wa'n't never sech a drawin', takin', lovin' way with any
one afore as this man had, the min'ster said--he jest asked 'em to
come along with him; an' they lay down their poles an' their lines
an' everythin', an' jined him.  An' then he come along a spell
further, an' he sees two boys out with their ole father, an' they
was settin' in a boat an' fixin' up their tackle, an' he asked 'em
if they 'd jine him, too, an' they jest dropped all their things,
an' left the ole man with the boat an' the fish an' the bait an'
follered the preacher.  I don't tell it very good.  I 've read it
an' read it sence that; but I want to make ye see how it sounded to
me, how I took it, as the min'ster telled it that summer day in
Francony meetin'.  Ye see I 'd no idee who the story was about, the
man put it so plain, in common kind o' talk, without any
come-to-passes an' whuffers an' thuffers, an' I never conceited 't
was a Bible narr'tive.

"An' so fust thing I knowed I says to myself, 'That 's the kind o'
teacher I want.  If I could come acrost a man like that, I 'd jest
foller him, too, through thick an' thin.'  Well, I can't put the
rest on it into talk very good; 't aint jest the kind o' thing to
speak on 'fore folks, even sech good friends as you.  I aint the
sort to go back on my word,--fishermen aint, ye know,--an' what I
'd said to myself 'fore I knowed who I was bindin' myself to, I
stuck to a'terwards when I knowed all about him.  For 't aint for
me to tell ye, who've got so much more larnin' than me, that there
was a dreffle lot more to that story than the fishin' part.  That
lovin', givin' up, suff'rin', dyin' part, ye know it all yerself,
an' I can't kinder say much on it, 'cept when I 'm jest all by
myself, or--'long o' him.

"That a'ternoon I took my ole Bible that I had n't read much sence
I growed up, an' I went out into the woods 'long the river, an'
'stid o' fishin' I jest sot down an' read that hull story.  Now ye
know it yerself by heart, an' ye 've knowed it all yer born days,
so ye can't begin to tell how new an' 'stonishin' 't was to me, an'
how findin' so much fishin' in it kinder helped me unnerstan' an'
b'l'eve it every mite, an' take it right hum to me to foller an'
live up to 's long 's I live an' breathe.  Did j'ever think on it,
reely?  I tell ye, his r'liging 's a fishin' r'liging all through.
His friends was fishin' folks; his pulpit was a fishin' boat, or
the shore o' the lake; he loved the ponds an' streams; an' when his
d'sciples went out fishin', if he did n't go hisself with 'em, he
'd go a'ter 'em, walkin' on the water, to cheer 'em up an' comfort
'em.

"An' he was allers 'round the water; for the story 'll say, 'he
come to the seashore,' or 'he begun to teach by the seaside,' or
agin, 'he entered into a boat,' an' 'he was in the stern o' the
boat, asleep.'

"An' he used fish in his mir'cles.  He fed that crowd o' folks on
fish when they was hungry, bought 'em from a little chap on the
shore.  I 've oft'n thought how dreffle tickled that boy must 'a'
ben to have him take them fish.  Mebbe they wa'n't nothin' but
shiners, but the fust the little feller 'd ever ketched; an' boys
set a heap on their fust ketch.   He was dreffle good to child'en,
ye know.  An' who 'd he come to a'ter he 'd died, an' ris agin?
Why, he come down to the shore 'fore daylight, an' looked off over
the pond to where his ole frien's was a-fishin'.  Ye see they 'd
gone out jest to quiet their minds an' keep up their sperrits; ther
's nothin' like fishin' for that, ye know, an' they 'd ben in a
heap o' trubble.  When they was settin' up the night afore,
worryin' an' wond'rin' an' s'misin' what was goin' ter become on
'em without their master; Peter 'd got kinder desprit, an' he up
an' says in his quick way, says he, 'Anyway, _I_ 'm goin'
a-fishin'.'  An' they all see the sense on it,--any fisherman
would,--an' they says, says they, 'We '11 go 'long too.'  But they
did n't ketch anythin'.  I suppose they could n't fix their minds
on it, an' everythin' went wrong like.   But when mornin' come
creepin' up over the mountings, fust thin' they knowed they see him
on the bank, an' he called out to 'em to know if they'd ketched
anythin'.  The water jest run down my cheeks when I heerd the min'r
ster tell that, an' it kinder makes my eyes wet every time I think
on 't.  For 't seems 's if it might 'a' ben me in that boat, who
heern that v'ice I loved so dreffle well speak up agin so nat'ral
from the bank there.  An' he eat some o' their fish!  O' course he
done it to sot their minds easy, to show 'em he wa'n't quite a
sperrit yit, but jest their own ole frien' who 'd ben out in the
boat with 'em so many, many times.  But seems to me, jest the fac'
he done it kinder makes fish an' fishin' diffunt from any other
thing in the hull airth.  I tell ye them four books that gin his
story is chock full o' things that go right to the heart o'
fishermen,--nets, an' hooks, an' boats, an' the shores, an' the
sea, an' the mountings, Peter's fishin'-coat, lilies, an' sparrers,
an' grass o' the fields, an' all about the evenin' sky bein' red or
lowerin', an' fair or foul weather.

"It 's an out-doors, woodsy, country story, 'sides bein' the
heav'nliest one that was ever telled.  I read the hull Bible, as a
duty ye know.  I read the epis'les, but somehow they don't come
home to me.  Paul was a great man, a dreffle smart scholar, but he
was raised in the city, I guess, an' when I go from the gospils
into Paul's writin's it 's like goin' from the woods an' hills an'
streams o' Francony into the streets of a big city like Concord or
Manch'ster."

The old man did not say much of his after life and the fruits of
this strange conversion, but his neighbors told us a great deal.
They spoke of his unselfishness, his charity, his kindly deeds;
told of his visiting the poor and unhappy, nursing the sick.  They
said the little children loved him, and everyone in the village and
for miles around trusted and leaned upon Fishin' Jimmy.  He taught
the boys to fish, sometimes the girls too; and while learning to
cast and strike, to whip the stream, they drank in knowledge of
higher things, and came to know and love Jimmy's "fishin'
r'liging."  I remember they told me of a little French Canadian
girl, a poor, wretched waif, whose mother, an unknown tramp, had
fallen dead in the road near the village.  The child, an untamed
little heathen, was found clinging to her mother's body in an agony
of grief and rage, and fought like a tiger when they tried to take
her away.  A boy in the little group attracted to the spot, ran
away, with a child's faith in his old friend, to summon Fishin'
Jimmy.  He came quickly, lifted the little savage tenderly, and
carried her away.

No one witnessed the taming process, but in a few days the pair
were seen together on the margin of Black Brook, each with a
fish-pole.  Her dark face was bright with interest and excitement
as she took her first lesson in the art of angling.  She jabbered
and chattered in her odd patois, he answered in broadest New
England dialect, but the two quite understood each other, and
though Jimmy said afterward that it was "dreffle to hear her call
the fish pois'n," they were soon great friends and comrades.  For
weeks he kept and cared for the child, and when she left him for a
good home in Bethlehem, one would scarcely have recognized in the
gentle, affectionate girl the wild creature of the past.  Though
often questioned as to the means used to effect this change,
Jimmy's explanation seemed rather vague and unsatisfactory.  "'T
was fishin' done it," he said; "on'y fishin'; it allers works.  The
Christian r'liging itself had to begin with fishin', ye know."




III

But one thing troubled Fishin' Jimmy.

He wanted to be a "fisher of men."  That was what the Great Teacher
had promised he would make the fishermen who left their boats to
follow him.  What strange, literal meaning he attached to the
terms, we could not tell.  In vain we--especially the boys, whose
young hearts had gone out in warm affection to the old man--tried
to show him that he was, by his efforts to do good and make others
better and happier, fulfilling the Lord's directions.  He could not
understand it so.  "I allers try to think," he said, "that 't was
me in that boat when he come along.  I make b'l'eve that it was out
on Streeter Pond, an' I was settin' in the boat, fixin' my lan'in'
net, when I see him on the shore.  I think mebbe I 'm that
James--for that's my given name, ye know, though they allers call
me Jimmy--an' then I hear him callin' me 'James, James.'  I can
hear him jest 's plain sometimes, when the wind 's blowin' in the
trees, an' I jest ache to up an' foller him.  But says he, 'I 'll
make ye a fisher o' men,' an' he aint done it.  I 'm waitin'; mebbe
he 'll larn me some day."

He was fond of all living creatures, merciful to all.   But his
love for our dog Dash became a passion, for Dash was an angler.
Who that ever saw him sitting in the boat beside his master,
watching with eager eye and whole body trembling with excitement
the line as it was cast, the flies as they touched the surface--who
can forget old Dash?  His fierce excitement at rise of trout, the
efforts at self-restraint, the disappointment if the prey escaped,
the wild exultation if it was captured, how plainly--he who runs
might read--were shown these emotions in eye, in ear, in tail, in
whole quivering body!  What wonder that it all went straight to the
fisher's heart of Jimmy!  "I never knowed afore they could be
Christians," he said, looking, with tears in his soft, keen eyes,
at the every-day scene, and with no faintest thought of
irreverence.  "I never knowed it, but I'd give a stiffikit o'
membership in the orthodoxest church goin' to that dog there."

It is almost needless to say that as years went on Jimmy came to
know many "fishin' min'sters;" for there are many of that school
who know our mountain country, and seek it yearly.  All these knew
and loved the old man.  And there were others who had wandered by
that sea of Galilee, and fished in the waters of the Holy Land, and
with them Fishin' Jimmy dearly loved to talk.  But his wonder was
never-ending that, in the scheme of evangelizing the world, more
use was not made of the "fishin' side" of the story.  "Haint they
ever tried it on them poor heathen?" he would ask earnestly of some
clerical angler casting a fly upon the clear water of pond or
brook.  "I should think 't would 'a' ben the fust thing they 'd
done.  Fishin' fust, an' r'liging 's sure to foller.  An' it 's so
easy; fur heath'n mostly r'sides on islands, don't they?  So ther
's plenty o' water, an' o' course ther 's fishin'; an' oncet gin
'em poles an' git 'em to work, an' they 're out o' mischief fur
that day.  They 'd like it better 'n cannib'ling, or cuttin' out
idles, or scratchin' picters all over theirselves, an' bimeby--not
too suddent, ye know, to scare 'em--ye could begin on that story,
an' they could n't stan' that, not a heath'n on 'em.  Won't ye
speak to the 'Merican Board about it, an' sen' out a few fishin'
mishneries, with poles an' lines an' tackle gen'ally?  I 've tried
it on dreffle bad folks, an' it alters done 'em good.  But"--so
almost all his simple talk ended--"I wish I could begin to be a
fisher o' men.  I 'm gettin' on now, I 'm nigh seventy, an' I aint
got much time, ye see."

One afternoon in July there came over Franconia Notch one of those
strangely sudden tempests which sometimes visit that mountain
country.  It had been warm that day, unusually warm for that
refreshingly cool spot; but suddenly the sky grew dark and darker,
almost to blackness, there was roll of thunder and flash of
lightning, and then poured down the rain--rain at first, but soon
hail in large frozen bullets, which fiercely pelted any who
ventured outdoors, rattled against the windows of the Profile House
with sharp cracks like sounds of musketry, and lay upon the piazza
in heaps like snow.  And in the midst of the wild storm it was
remembered that two boys, guests at the hotel, had gone up Mount
Lafayette alone that day.  They were young boys, unused to mountain
climbing, and their friends were anxious.  It was found that Dash
had followed them; and just as some one was to be sent in search of
them, a boy from the stables brought the information that Fishin'
Jimmy had started up the mountain after them as the storm broke.
"Said if he could n't be a fisher o' men, mebbe he knowed nuff to
ketch boys," went on our informant, seeing nothing more in the
speech, full of pathetic meaning to us who knew him, than the idle
talk of one whom many considered "lackin'."  Jimmy was old now, and
had of late grown very feeble, and we did not like to think of him
out in that wild storm.  And now suddenly the lost boys themselves
appeared through the opening in the woods opposite the house, and
ran in through the sleet, now falling more quietly.  They were wet,
but no worse apparently for their adventure, though full of
contrition and distress at having lost sight of the dog.  He had
rushed off into the woods some hours before, after a rabbit or
hedgehog, and had never returned.  Nor had they seen Fishin' Jimmy.

As hours went by and the old man did not return, a search party was
sent out, and guides familiar with the mountain paths went up
Lafayette to seek for him.  It was nearly night when they at last
found him, and the grand old mountains had put on those robes of
royal purple which they sometimes assume at eventide.  At the foot
of a mass of rock, which looked like amethyst or wine-red agate in
that marvellous evening light, the old man was lying, and Dash was
with him.  From the few faint words Jimmy could then gasp out, the
truth was gathered.  He had missed the boys, leaving the path by
which they had returned, and while stumbling along in search of
them, feeble and weary, he had heard far below a sound of distress.
Looking down over a steep, rocky ledge, he had seen his friend and
fishing comrade, old Dash, in sore trouble.  Poor Dash!  He never
dreamed of harming his old friend, for he had a kind heart.  But he
was a sad coward in some matters, and a very baby when frightened
and away from master and friends.  So I fear he may have assumed
the role of wounded sufferer when in reality he was but scared and
lonesome.  He never owned this afterward, and you may be sure we
never let him know, by word or look, the evil he had done.  Jimmy
saw him holding up one paw helplessly, and looking at him with
wistful, imploring brown eyes, heard his pitiful whimpering cry for
aid, and never doubted his great distress and peril.  Was Dash not
a fisherman?  And fishermen, in Fishin' Jimmy's category, were
always true and trusty.  So the old man without a second's
hesitation started down the steep, smooth decline to the rescue of
his friend.

We do not know just how or where in that terrible descent he fell.
To us who afterward saw the spot, and thought of the weak old man,
chilled by the storm, exhausted by his exertions, and yet
clambering down that precipitous cliff, made more slippery and
treacherous by the sleet and hail still falling, it seemed
impossible that he could have kept a foothold for an instant.  Nor
am I sure that he expected to save himself, and Dash too.  But he
tried.  He was sadly hurt, I will not tell you of that.

Looking out from the hotel windows through the gathering darkness,
we who loved him--it was not a small group--saw a sorrowful sight.
Flickering lights thrown by the lanterns of the guides came through
the woods.  Across the road, slowly, carefully, came strong men,
bearing on a rough hastily made litter of boughs the dear old man.
All that could have been done for the most distinguished guest, for
the dearest, best-beloved friend, was done for the gentle
fisherman.  We, his friends, and proud to style ourselves thus,
were of different, widely separated lands, greatly varying creeds.
Some were nearly as old as the dying man, some in the prime of
manhood.  There were youths and maidens and little children.  But
through the night we watched together.   The old Roman bishop,
whose calm, benign face we all know and love; the Churchman,
ascetic in faith, but with the kindest, most indulgent heart when
one finds it; the gentle old Quakeress with placid, unwrinkled brow
and silvery hair; Presbyterian, Methodist, and Baptist,--we were
all one that night.  The old angler did not suffer--we were so glad
of that!  But he did not appear to know us, and his talk seemed
strange.  It rambled on quietly, softly, like one of his own
mountain brooks, babbling of green fields, of sunny summer days, of
his favorite sport, and ah! of other things.  But he was not
speaking to us.  A sudden, awed hush and thrill came over us as,
bending to catch the low words, we all at once understood what only
the bishop put into words as he said, half to himself, in a sudden,
quick, broken whisper, "God bless the man, he 's talking to his
Master!"

"Yes.  sir, that 's so," went on the quiet voice; "'t was on'y a
dog sure nuff; 'twa'n't even a boy, as ye say, an' ye ast me to be
a fisher o' men.  But I haint had no chance for that, somehow;
mebbe I wa'n't fit for 't.  I 'm on'y jest a poor old fisherman,
Fishin' Jimmy, ye know, sir.  Ye useter call me James--no one else
ever done it.  On'y a dog?  But he wa'n't jest a common dog, sir;
he was a fishin' dog.  I never seed a man love fishin' mor 'n
Dash."  The dog was in the room, and heard his name.  Stealing to
the bedside, he put a cold nose into the cold hand of his old
friend, and no one had the heart to take him away.  The touch
turned the current of the old man's talk for a moment, and he was
fishing again with his dog friend.  "See 'em break, Dashy!  See 'em
break!  Lots on 'em to-day, aint they?  Keep still, there 's a good
dog, while I put on a diffunt fly.  Don't ye see they 're jumpin'
at them gnats?  Aint the water jest 'live with 'em?  Aint it
shinin' an' clear an'--"  The voice faltered an instant, then went
on: "Yes, sir, I 'm comin'--I 'm glad, dreffle glad to come.  Don't
mind 'bout my leavin' my fishin'; do ye think I care 'bout that?  I
'll jest lay down my pole ahin' the alders here, an' put my lan'in'
net on the stuns, with my flies an' tackle--the boys 'll like 'em,
ye know--an' I 'll be right along.

"I mos' knowed ye was on'y a-tryin' me when ye said that 'bout how
I had n't been a fisher o' men, nor even boys, on'y a dog.  'T was
a--fishin' dog--ye know--an' ye was allers dreffle good to
fishermen,--dreffle good to--everybody; died--for 'em, did n't ye?--

"Please wait--on--the bank there, a minnit; I 'm comin' 'crost.
Water 's pretty--cold this--spring--an' the stream 's
risin'--but--I--can--do it;--don't ye mind--'bout me, sir.  I 'll
get acrost."  Once more the voice ceased, and we thought we should
not hear it again this side that stream.

But suddenly a strange light came over the thin face, the soft gray
eyes opened wide, and he cried out, with the strong voice we had so
often heard come ringing out to us across the mountain streams
above the sound of their rushing: "Here I be, sir!  It 's Fishin'
Jimmy, ye know, from Francony way; him ye useter call James when ye
come 'long the shore o' the pond an' I was a-fishin.'  I heern ye
agin, jest now--an' I--straightway--f'sook--my--nets--an'--follered--"

Had the voice ceased utterly?  No, we could catch faint, low
murmurs and the lips still moved.  But the words were not for us;
and we did not know when he reached the other bank.





End of the Project Gutenberg EBook of Fishin' Jimmy, by Annie Trumbull Slosson

*** END OF THIS PROJECT GUTENBERG EBOOK FISHIN' JIMMY ***

***** This file should be named 12417.txt or 12417.zip *****
This and all associated files of various formats will be found in:
        https://www.gutenberg.org/1/2/4/1/12417/

Produced by Al Haines

Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties.  Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark.  Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission.  If you
do not charge anything for copies of this eBook, complying with the
rules is very easy.  You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research.  They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks.  Redistribution is
subject to the trademark license, especially commercial
redistribution.



*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
https://gutenberg.org/license).


Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A.  By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.  If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B.  "Project Gutenberg" is a registered trademark.  It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.  There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.  See
paragraph 1.C below.  There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works.  See paragraph 1.E below.

1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.  Nearly all the individual works in the
collection are in the public domain in the United States.  If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed.  Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work.  You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D.  The copyright laws of the place where you are located also govern
what you can do with this work.  Copyright laws in most countries are in
a constant state of change.  If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work.  The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1.E.  Unless you have removed all references to Project Gutenberg:

1.E.1.  The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org

1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges.  If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.

1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder.  Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5.  Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6.  You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form.  However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form.  Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.

1.E.7.  Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8.  You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
     the use of Project Gutenberg-tm works calculated using the method
     you already use to calculate your applicable taxes.  The fee is
     owed to the owner of the Project Gutenberg-tm trademark, but he
     has agreed to donate royalties under this paragraph to the
     Project Gutenberg Literary Archive Foundation.  Royalty payments
     must be paid within 60 days following each date on which you
     prepare (or are legally required to prepare) your periodic tax
     returns.  Royalty payments should be clearly marked as such and
     sent to the Project Gutenberg Literary Archive Foundation at the
     address specified in Section 4, "Information about donations to
     the Project Gutenberg Literary Archive Foundation."

- You provide a full refund of any money paid by a user who notifies
     you in writing (or by e-mail) within 30 days of receipt that s/he
     does not agree to the terms of the full Project Gutenberg-tm
     License.  You must require such a user to return or
     destroy all copies of the works possessed in a physical medium
     and discontinue all use of and all access to other copies of
     Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1.F.3, a full refund of any
     money paid for a work or a replacement copy, if a defect in the
     electronic work is discovered and reported to you within 90 days
     of receipt of the work.

- You comply with all other terms of this agreement for free
     distribution of Project Gutenberg-tm works.

1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
Foundation as set forth in Section 3 below.

1.F.

1.F.1.  Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection.  Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3.  YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from.  If you
received the work on a physical medium, you must return the medium with
your written explanation.  The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund.  If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund.  If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4.  Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.

1.F.5.  Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law.  The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.


Section  2.  Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers.  It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need, is critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come.  In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at https://www.pglaf.org.


Section 3.  Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service.  The Foundation's EIN or federal tax identification
number is 64-6221541.  Its 501(c)(3) letter is posted at
https://pglaf.org/fundraising.  Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations.  Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
[email protected].  Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at https://pglaf.org

For additional contact information:
     Dr. Gregory B. Newby
     Chief Executive and Director
     [email protected]

Section 4.  Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment.  Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States.  Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements.  We do not solicit donations in locations
where we have not received written confirmation of compliance.  To
SEND DONATIONS or determine the status of compliance for any
particular state visit https://pglaf.org

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States.  U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses.  Donations are accepted in a number of other
ways including including checks, online payments and credit card
donations.  To donate, please visit: https://pglaf.org/donate


Section 5.  General Information About Project Gutenberg-tm electronic
works.

Professor Michael S. Hart was the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone.  For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.

Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included.  Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.

Each eBook is in a subdirectory of the same number as the eBook's
eBook number, often in several formats including plain vanilla ASCII,
compressed (zipped), HTML and others.

Corrected EDITIONS of our eBooks replace the old file and take over
the old filename and etext number.  The replaced older file is renamed.
VERSIONS based on separate sources are treated as new eBooks receiving
new filenames and etext numbers.

Most people start at our Web site which has the main PG search facility:

     https://www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.

EBooks posted prior to November 2003, with eBook numbers BELOW #10000,
are filed in directories based on their release date.  If you want to
download any of these eBooks directly, rather than using the regular
search system you may utilize the following addresses and just
download by the etext year.

     https://www.gutenberg.org/etext06

    (Or /etext 05, 04, 03, 02, 01, 00, 99,
     98, 97, 96, 95, 94, 93, 92, 92, 91 or 90)

EBooks posted since November 2003, with etext numbers OVER #10000, are
filed in a different way.  The year of a release date is no longer part
of the directory path.  The path is based on the etext number (which is
identical to the filename).  The path to the file is made up of single
digits corresponding to all but the last digit in the filename.  For
example an eBook of filename 10234 would be found at:

     https://www.gutenberg.org/1/0/2/3/10234

or filename 24689 would be found at:
     https://www.gutenberg.org/2/4/6/8/24689

An alternative method of locating eBooks:
     https://www.gutenberg.org/GUTINDEX.ALL